1 00:00:00,280 --> 00:00:03,200 Speaker 1: Hello, and welcome back to Movie Mix Movie Podcast. The 2 00:00:03,240 --> 00:00:05,720 Speaker 1: title of the podcast says it all. All we do 3 00:00:05,800 --> 00:00:09,799 Speaker 1: on this podcast is talk about movies, spoiler free movie reviews, 4 00:00:09,880 --> 00:00:13,119 Speaker 1: movie topics. We also talk to directors and actors and 5 00:00:13,200 --> 00:00:16,160 Speaker 1: on this episode a very special interview with an actor 6 00:00:16,200 --> 00:00:18,639 Speaker 1: that I've looked up to since I was a kid, 7 00:00:18,920 --> 00:00:21,880 Speaker 1: the one and only Lu Diamond Phillips. A lot to 8 00:00:21,960 --> 00:00:24,800 Speaker 1: get to on this episode. So without any further ado, 9 00:00:25,239 --> 00:00:28,120 Speaker 1: let's get started. In a world where everyone and their 10 00:00:28,200 --> 00:00:32,800 Speaker 1: mother has a podcast, one man stands to infiltrate the 11 00:00:32,840 --> 00:00:36,560 Speaker 1: ears of listeners like never before in a movie podcast. 12 00:00:37,360 --> 00:00:40,880 Speaker 1: A man with so much movie knowledge, he's basically like 13 00:00:40,920 --> 00:00:45,440 Speaker 1: a walking au MTV with glasses. From the Nashville podcast 14 00:00:45,479 --> 00:00:51,519 Speaker 1: Networking Movie Mi Movie Podcast. Lou Diamond Phillips is in 15 00:00:51,560 --> 00:00:54,120 Speaker 1: a brand new movie called Adverse and really just an 16 00:00:54,120 --> 00:00:56,480 Speaker 1: actor that I looked up to for a very long 17 00:00:56,520 --> 00:00:59,080 Speaker 1: time for his roles in the La Bamba Stand and 18 00:00:59,160 --> 00:01:02,240 Speaker 1: Deliver Young Guns. Because really, for one of the first 19 00:01:02,240 --> 00:01:04,000 Speaker 1: times ever as a kid, I looked up at the 20 00:01:04,040 --> 00:01:06,560 Speaker 1: screen and saw somebody who looked like me. So we'll 21 00:01:06,560 --> 00:01:08,800 Speaker 1: get into that. And if you don't know about Loud 22 00:01:08,840 --> 00:01:10,760 Speaker 1: Diamond Phillips. Well, where have we been all these years? 23 00:01:11,120 --> 00:01:13,200 Speaker 1: So before we get into the interview, here's just a 24 00:01:13,200 --> 00:01:15,800 Speaker 1: little highlight reel. Then I put together. I got the 25 00:01:15,800 --> 00:01:17,800 Speaker 1: test ahead of time. I passed it out to everyone else. 26 00:01:18,040 --> 00:01:20,800 Speaker 1: How did you get the test? Mail man? I strangled 27 00:01:20,800 --> 00:01:25,480 Speaker 1: in his buddies, decomposing in my locker. Honestly, what's one 28 00:01:25,520 --> 00:01:27,199 Speaker 1: with some of those ticks? Man? That's what I sink. 29 00:01:27,600 --> 00:01:29,720 Speaker 1: It's got to be clean, Richie. Each take has to 30 00:01:29,720 --> 00:01:33,440 Speaker 1: be identical, why so that we can at it later. Look, look, 31 00:01:33,560 --> 00:01:35,840 Speaker 1: this is in Mexico? Who said it was? I lived there. 32 00:01:35,880 --> 00:01:38,440 Speaker 1: I understand the tradition of the song. They're always changing 33 00:01:38,480 --> 00:01:40,760 Speaker 1: the lyrics. Look, man, I've never even been to Mexico. 34 00:01:40,840 --> 00:01:43,119 Speaker 1: My music is my music. Huh tell him kind enough. 35 00:01:43,280 --> 00:01:53,960 Speaker 1: There's a bit of a ral snake on now with 36 00:01:54,080 --> 00:01:56,320 Speaker 1: Ludammond Phillips. I gotta say, it's a pleasure to be 37 00:01:56,320 --> 00:01:58,000 Speaker 1: talking to you. I feel like you're an actor. I've 38 00:01:58,040 --> 00:02:00,560 Speaker 1: been looking up for a long time now. I've been 39 00:02:00,600 --> 00:02:05,240 Speaker 1: around around my friend a lot of So. You grew 40 00:02:05,320 --> 00:02:08,399 Speaker 1: up in Corpus Christie, Texas? Right, Yes? I did? Yeah? 41 00:02:08,560 --> 00:02:10,959 Speaker 1: And did you actually work at water Burger. That was 42 00:02:11,000 --> 00:02:13,160 Speaker 1: one of my first jobs. My very first job was 43 00:02:13,240 --> 00:02:16,000 Speaker 1: as a cook's assistant on the Navy base. My dad 44 00:02:16,080 --> 00:02:18,880 Speaker 1: was in the Navy. Uh, and UH got in the 45 00:02:18,960 --> 00:02:21,560 Speaker 1: job and I was like sixteen there. But yeah, shortly 46 00:02:21,600 --> 00:02:25,320 Speaker 1: there after I looked at water Burger for quite a while. 47 00:02:25,440 --> 00:02:27,960 Speaker 1: I was like the crew chief and employee of the 48 00:02:27,960 --> 00:02:30,359 Speaker 1: month and all that mean I I slipped some burgers. Man, 49 00:02:30,919 --> 00:02:32,880 Speaker 1: I love water Burger. I grew up in Texas too, 50 00:02:33,120 --> 00:02:35,320 Speaker 1: and I was wondering, like, if while you're working there, 51 00:02:36,080 --> 00:02:37,880 Speaker 1: is it a thing that you tell your co workers 52 00:02:37,880 --> 00:02:39,720 Speaker 1: that you wanted to be an actor? Was that like 53 00:02:39,800 --> 00:02:44,040 Speaker 1: not in your plans at that time? Oh? No, no, no, no, no, no, 54 00:02:44,960 --> 00:02:47,640 Speaker 1: it was. It was fairly well known throughout high school 55 00:02:47,720 --> 00:02:51,680 Speaker 1: that you know, I wanted to become an actor. I 56 00:02:51,720 --> 00:02:55,040 Speaker 1: mean I was doing high school theater. You know, in 57 00:02:55,120 --> 00:02:57,160 Speaker 1: Texas we have the u y L, the University inter 58 00:02:57,240 --> 00:02:59,760 Speaker 1: Scholastic League, and so I was part of the drama. 59 00:03:00,040 --> 00:03:03,200 Speaker 1: But I was, you know, competing a lot and unfortunately 60 00:03:03,240 --> 00:03:07,080 Speaker 1: winning awards and so a lot of positive reinforcement. Uh. 61 00:03:07,160 --> 00:03:09,639 Speaker 1: I think everybody knew, but my aspirations for at that time. 62 00:03:10,400 --> 00:03:13,160 Speaker 1: So you've been in movies since the eighties. I just wonder, 63 00:03:13,200 --> 00:03:15,720 Speaker 1: at this point, does acting kind of comes second nature 64 00:03:15,760 --> 00:03:17,720 Speaker 1: to you or this feel like a like a muscle 65 00:03:17,760 --> 00:03:20,840 Speaker 1: that you have to flex. I mean, if you're chnology yourself, 66 00:03:20,840 --> 00:03:23,320 Speaker 1: it's always a muscle you have to flex. You always 67 00:03:23,360 --> 00:03:26,440 Speaker 1: have to work out. I mean, you know, uh, if 68 00:03:26,560 --> 00:03:28,760 Speaker 1: if you start floating it in man, it shows you know, 69 00:03:29,200 --> 00:03:32,160 Speaker 1: people can see if you're uninspired. And I try not 70 00:03:32,200 --> 00:03:34,800 Speaker 1: to do roles that don't matter to me, you know 71 00:03:34,840 --> 00:03:36,880 Speaker 1: what I mean. I I have to be excited about 72 00:03:36,880 --> 00:03:39,360 Speaker 1: something anytime I'm going to do it. Um. The work 73 00:03:39,480 --> 00:03:42,720 Speaker 1: is too hard otherwise, you know. Uh. And and even 74 00:03:42,800 --> 00:03:44,680 Speaker 1: when I'm you know, doing something that would be as 75 00:03:44,680 --> 00:03:47,840 Speaker 1: seemingly as uh, you know, familiar as there's the role 76 00:03:47,880 --> 00:03:51,200 Speaker 1: I'm playing on Prodigal Sun, there's you know, there's there's 77 00:03:51,240 --> 00:03:54,000 Speaker 1: new stuff to it all the time. I mean, the 78 00:03:54,120 --> 00:03:57,520 Speaker 1: layers of you know, relationships and history and bag and 79 00:03:57,960 --> 00:04:00,280 Speaker 1: it's it's it's always a blast and it's always fun. 80 00:04:00,800 --> 00:04:03,560 Speaker 1: And the you know, the the other actors that you 81 00:04:03,640 --> 00:04:06,880 Speaker 1: work with, man, they really inspire you to bring your 82 00:04:06,880 --> 00:04:10,000 Speaker 1: best game all the time, you know. Um. And I 83 00:04:10,040 --> 00:04:11,560 Speaker 1: also try to shrink it up. I mean, like this 84 00:04:11,600 --> 00:04:14,400 Speaker 1: movie Adverse that I have out that is a little 85 00:04:14,440 --> 00:04:17,320 Speaker 1: independent film you know that Thomas, you and Nichols put together. 86 00:04:18,000 --> 00:04:20,040 Speaker 1: I said yes because well, first of all, Thomas is 87 00:04:20,080 --> 00:04:23,080 Speaker 1: a friend and so was Seawan Atton was already a 88 00:04:23,080 --> 00:04:25,240 Speaker 1: part of the cast. Uh you know, but then Mickey 89 00:04:25,279 --> 00:04:27,440 Speaker 1: you are joined and you ban Miller, and so I 90 00:04:27,520 --> 00:04:29,520 Speaker 1: let's do something a little different. Let's you know, let's 91 00:04:29,839 --> 00:04:32,480 Speaker 1: ed you. Let's not get too comfortable with it. And uh, 92 00:04:32,520 --> 00:04:34,359 Speaker 1: you know, it's always it's always fun to join a 93 00:04:35,480 --> 00:04:37,880 Speaker 1: an ensemble like that where you know it's not about 94 00:04:37,920 --> 00:04:39,960 Speaker 1: the money, it's not about the luxury, but it's about 95 00:04:39,960 --> 00:04:42,480 Speaker 1: you know, independent film and an up and coming director 96 00:04:42,560 --> 00:04:44,680 Speaker 1: like Brian Metcalfs and and you know, you keep it 97 00:04:44,720 --> 00:04:47,000 Speaker 1: fresh for yourself. Yeah. And I want to talk about 98 00:04:47,000 --> 00:04:48,640 Speaker 1: that movie. You play Dr Cruise in it, and you 99 00:04:48,760 --> 00:04:50,799 Speaker 1: mentioned how it had to be something that you wanted 100 00:04:50,839 --> 00:04:53,159 Speaker 1: to kind of still test yourself in. So when you 101 00:04:53,240 --> 00:04:56,159 Speaker 1: get that script for that movie, what's your like creative 102 00:04:56,200 --> 00:04:59,200 Speaker 1: process to kind of find your character in that? Like, 103 00:04:59,240 --> 00:05:00,839 Speaker 1: do you have a career in the process to know 104 00:05:00,960 --> 00:05:03,440 Speaker 1: like who you're going to be going into set from 105 00:05:03,440 --> 00:05:05,200 Speaker 1: when you get the script to when you show up 106 00:05:05,240 --> 00:05:07,920 Speaker 1: actually the film. Uh. Well, it's funny because it kind 107 00:05:07,920 --> 00:05:11,599 Speaker 1: of came about because I was doing a lot of conventions, 108 00:05:11,640 --> 00:05:14,480 Speaker 1: you know, before the pandemic hit, and uh I was 109 00:05:14,560 --> 00:05:17,040 Speaker 1: running into Thomas a lot and you know, I had 110 00:05:17,120 --> 00:05:20,000 Speaker 1: you known him, uh you know uh in and around 111 00:05:20,040 --> 00:05:22,479 Speaker 1: Hollywood for a while and he said, Hey, I'm doing 112 00:05:22,480 --> 00:05:24,719 Speaker 1: this uh independence film. You know you want to see 113 00:05:24,720 --> 00:05:26,279 Speaker 1: the script, and so yeah, sure, you know, and like 114 00:05:26,320 --> 00:05:28,240 Speaker 1: I said, Sean was already in Bundy and he was 115 00:05:28,279 --> 00:05:31,400 Speaker 1: already attached and you know, and you look at the 116 00:05:31,480 --> 00:05:32,960 Speaker 1: role and you know, can is there something that I 117 00:05:33,000 --> 00:05:34,760 Speaker 1: can break through this is or something that you know 118 00:05:35,400 --> 00:05:39,000 Speaker 1: I can uh illuminate you know if you will, you know, 119 00:05:39,160 --> 00:05:42,279 Speaker 1: as part of the character. And at this point in 120 00:05:42,320 --> 00:05:44,640 Speaker 1: my my life and career, there's a couple of reasons 121 00:05:44,640 --> 00:05:47,040 Speaker 1: why I do something. You know, and I'm excited about 122 00:05:47,080 --> 00:05:49,840 Speaker 1: the role. I'm excited about who I'm working with. And 123 00:05:49,880 --> 00:05:54,240 Speaker 1: this this was both you know, um uh be the 124 00:05:54,480 --> 00:05:56,600 Speaker 1: head of a certain age, you know, playing a role 125 00:05:56,720 --> 00:06:01,440 Speaker 1: bit is you know, uh supportive or as authoritative you 126 00:06:01,480 --> 00:06:04,680 Speaker 1: know that that tries to keep somebody on the on 127 00:06:04,760 --> 00:06:07,520 Speaker 1: the straight and narrow. You know, I felt like you know, 128 00:06:07,600 --> 00:06:10,040 Speaker 1: being a father you know as well, there there was 129 00:06:10,080 --> 00:06:13,120 Speaker 1: a lot about this role that I could tap into, um, 130 00:06:14,000 --> 00:06:16,680 Speaker 1: you know, just just what comes to me, you know naturally. Uh. 131 00:06:16,760 --> 00:06:18,839 Speaker 1: Kind of the same thing with the Gila Royal on 132 00:06:18,920 --> 00:06:21,920 Speaker 1: on prodible Son. You know, he's the boss, but he's 133 00:06:22,000 --> 00:06:24,359 Speaker 1: very you know, fatherly towards not only his team, but 134 00:06:24,440 --> 00:06:28,160 Speaker 1: you know Malcolm Bright who was the lead profiler. So 135 00:06:28,400 --> 00:06:31,920 Speaker 1: there there's something about you know, my history, about the 136 00:06:32,279 --> 00:06:35,320 Speaker 1: life that I've lived that that lends itself to, you know, 137 00:06:35,400 --> 00:06:39,320 Speaker 1: to to bringing some some experience to the role without 138 00:06:39,400 --> 00:06:41,080 Speaker 1: having to you know, hit it over the head. It's 139 00:06:41,120 --> 00:06:43,839 Speaker 1: just part of who you are now. So you know 140 00:06:43,920 --> 00:06:46,440 Speaker 1: that that that speaks to me in most of the 141 00:06:46,520 --> 00:06:48,840 Speaker 1: things that I've done recently. And I was recently talking 142 00:06:48,880 --> 00:06:51,359 Speaker 1: to Michael Pinion and we were talking about some of 143 00:06:51,360 --> 00:06:54,440 Speaker 1: the actors who inspired us because I'm Mexican American and 144 00:06:54,480 --> 00:06:56,880 Speaker 1: he is as well. And what two of the actors 145 00:06:56,880 --> 00:07:01,120 Speaker 1: he named were Edward James almost in you And I'm 146 00:07:01,160 --> 00:07:02,960 Speaker 1: sure you kind of get that a lot now, like 147 00:07:03,040 --> 00:07:05,159 Speaker 1: people who are like, oh it was kind of seeing 148 00:07:05,200 --> 00:07:06,880 Speaker 1: you on screen for the first time. I was like, Hey, 149 00:07:06,920 --> 00:07:09,120 Speaker 1: there's somebody who actually kind of looks like me for 150 00:07:09,160 --> 00:07:12,080 Speaker 1: the first time. But you know, it's it's interesting, man, 151 00:07:12,120 --> 00:07:13,800 Speaker 1: because you know, you just kind of you do what 152 00:07:13,840 --> 00:07:16,560 Speaker 1: you do and you're following your own path, and then 153 00:07:16,560 --> 00:07:20,080 Speaker 1: eventually you start going, wow, I guess I am carrying 154 00:07:20,120 --> 00:07:24,560 Speaker 1: a flag here. I guess I am representative of you know, 155 00:07:25,280 --> 00:07:27,480 Speaker 1: people who need to be represented. UM. And one of 156 00:07:27,480 --> 00:07:31,120 Speaker 1: the first times I remember experiencing that was I spoke 157 00:07:31,160 --> 00:07:34,200 Speaker 1: at n y U, you know, at the film school 158 00:07:34,240 --> 00:07:38,000 Speaker 1: here in New York and a young Platonican actress, you know, 159 00:07:38,320 --> 00:07:41,320 Speaker 1: I said, you know about standing Deliver, that she finally 160 00:07:41,320 --> 00:07:43,960 Speaker 1: looked up and saw people that looked like her on screen, 161 00:07:44,360 --> 00:07:48,000 Speaker 1: and that's why she decided to pursue acting, you know. Uh. 162 00:07:48,000 --> 00:07:51,560 Speaker 1: And it's and it's interesting when I looked back a 163 00:07:51,560 --> 00:07:53,400 Speaker 1: lot of the guys that were inspirational to me in 164 00:07:53,440 --> 00:07:56,920 Speaker 1: the seventies, you know, with the swarthy guys, you know, uh, 165 00:07:57,320 --> 00:07:59,760 Speaker 1: de Niro and Puccino and Austin. It's like, okay, not 166 00:07:59,840 --> 00:08:02,040 Speaker 1: every but he has to be Robert Redford. You know, 167 00:08:02,080 --> 00:08:03,840 Speaker 1: maybe I can actually you know, have a have a 168 00:08:03,840 --> 00:08:07,280 Speaker 1: career at this UM. And then I wrote a film, 169 00:08:07,360 --> 00:08:09,840 Speaker 1: you know, in the early nineties called that fish or 170 00:08:09,840 --> 00:08:13,320 Speaker 1: actually played Filipino American and suit A Tack was my 171 00:08:13,400 --> 00:08:15,280 Speaker 1: leading lady and I got to have dinner with her 172 00:08:15,320 --> 00:08:19,400 Speaker 1: father greatly text at a certain point and he said, uh, 173 00:08:19,440 --> 00:08:22,120 Speaker 1: you know who you remind me of my old friend Tony. 174 00:08:22,680 --> 00:08:25,400 Speaker 1: I thought he was great that I was kind of 175 00:08:25,440 --> 00:08:27,280 Speaker 1: on his path man, that I was kind of carrying 176 00:08:27,360 --> 00:08:30,040 Speaker 1: the porch if he started. Uh, that is, you know, 177 00:08:30,120 --> 00:08:33,280 Speaker 1: representing so many different communities, you know, not just what 178 00:08:33,440 --> 00:08:35,439 Speaker 1: I am, you know, blood wise, but you know, the 179 00:08:35,840 --> 00:08:39,040 Speaker 1: Latino community, in the Native American community, and just you know, 180 00:08:39,200 --> 00:08:41,079 Speaker 1: I mean I've played in you what I've played Asian, 181 00:08:41,200 --> 00:08:44,680 Speaker 1: you know, like in the team on Broadway, and and 182 00:08:44,720 --> 00:08:47,120 Speaker 1: that's what it's about. It is representing each of these 183 00:08:47,160 --> 00:08:50,160 Speaker 1: communities with you know, vitiguity and with respect. And that's 184 00:08:50,240 --> 00:08:52,839 Speaker 1: really become kind of a you know, a touchstone of 185 00:08:52,920 --> 00:08:55,520 Speaker 1: my career. And your breakout role was La Bamba, which 186 00:08:55,520 --> 00:08:58,200 Speaker 1: is one of my favorite movies of all time. And 187 00:08:58,320 --> 00:09:00,480 Speaker 1: I think because it's not only the story of Rich Valens, 188 00:09:00,520 --> 00:09:03,040 Speaker 1: but ultimately it's like the story about brothers, which I 189 00:09:03,040 --> 00:09:06,079 Speaker 1: think why it still resonates now. But I feel like 190 00:09:06,400 --> 00:09:10,520 Speaker 1: it's hard to find any kind of footage of Richie Valens. 191 00:09:10,559 --> 00:09:12,319 Speaker 1: And the way his kind of memory lives on is 192 00:09:12,440 --> 00:09:15,560 Speaker 1: because of your portrayal in that movie. Like, at what 193 00:09:15,640 --> 00:09:17,560 Speaker 1: point did you realize that you weren't just taking on 194 00:09:17,559 --> 00:09:20,160 Speaker 1: another role when you were doing that? Um. From the 195 00:09:20,200 --> 00:09:22,720 Speaker 1: second I read the scripts, you know, I mean, I 196 00:09:22,720 --> 00:09:26,559 Speaker 1: I got cast out of Dallas, Texas. Uh and um, 197 00:09:26,600 --> 00:09:29,760 Speaker 1: you know, I had no idea why this Hollywood film 198 00:09:29,760 --> 00:09:32,199 Speaker 1: company was doing this national you know, talent search. It was. 199 00:09:32,320 --> 00:09:35,720 Speaker 1: It was ridiculous. I I really could not believe that 200 00:09:35,760 --> 00:09:39,480 Speaker 1: I even had the opportunity to audition for this UM. 201 00:09:39,520 --> 00:09:41,000 Speaker 1: And I read the script and I just want to 202 00:09:41,760 --> 00:09:44,640 Speaker 1: I knew it was the chance of a lifetime UM. 203 00:09:44,760 --> 00:09:47,040 Speaker 1: And even my acting coach said, you're never going to 204 00:09:47,120 --> 00:09:49,240 Speaker 1: get this role, but hopefully you're gonna do a great job, 205 00:09:49,240 --> 00:09:51,559 Speaker 1: and they'll give you something smaller, you know, like the 206 00:09:51,720 --> 00:09:55,320 Speaker 1: drummer or something you know. Um. Uh. And so it 207 00:09:55,400 --> 00:09:57,240 Speaker 1: was it was really lighting in a bottle when I 208 00:09:57,240 --> 00:10:00,040 Speaker 1: got the role. And and then you know, working with 209 00:10:00,160 --> 00:10:03,000 Speaker 1: Louis Valdez and becoming close with the family, which was 210 00:10:03,040 --> 00:10:04,520 Speaker 1: you know, I did growing into the deep end of 211 00:10:04,520 --> 00:10:07,679 Speaker 1: the pool. You know, I I met Bob Morales at 212 00:10:07,679 --> 00:10:10,320 Speaker 1: at this at the screen test, you know, on the 213 00:10:10,360 --> 00:10:12,319 Speaker 1: on the on on the Warner Brothers lot. I mean 214 00:10:12,360 --> 00:10:15,720 Speaker 1: it was it was crazy. So I knew. I knew 215 00:10:15,720 --> 00:10:18,199 Speaker 1: it was a big deal from the beginning. Uh and 216 00:10:18,200 --> 00:10:21,400 Speaker 1: and uh, you know even even beyond that, So I 217 00:10:21,200 --> 00:10:24,240 Speaker 1: I felt, you know, very fortunate. Uh. And it's funny 218 00:10:24,240 --> 00:10:26,559 Speaker 1: because you're right. I mean there there literally is only 219 00:10:26,720 --> 00:10:31,679 Speaker 1: a two I think film clips of Ritchie, one uh 220 00:10:31,720 --> 00:10:34,560 Speaker 1: from American Bandstand and one from a movie called Jo 221 00:10:34,720 --> 00:10:37,480 Speaker 1: Johnny Go where he seems to come on Let's Go. 222 00:10:38,040 --> 00:10:40,640 Speaker 1: So you know, there wasn't a whole lot to hang 223 00:10:40,720 --> 00:10:44,080 Speaker 1: my head on. Performance wise, I really relied, you know, 224 00:10:44,160 --> 00:10:46,280 Speaker 1: on the family to kind of throwing the blanks for me. 225 00:10:46,960 --> 00:10:49,280 Speaker 1: What is that like talking to the real life Bob 226 00:10:49,320 --> 00:10:50,920 Speaker 1: when you're going to play his brother? Like, did he 227 00:10:50,960 --> 00:10:53,760 Speaker 1: start to like see his brother in you? Like, how 228 00:10:53,800 --> 00:10:56,960 Speaker 1: does that relationship work? Uh? You know, I mean there 229 00:10:57,000 --> 00:10:58,720 Speaker 1: were they were so kind to me from the beginning. 230 00:10:58,800 --> 00:11:02,719 Speaker 1: I mean literally uh uh said later you know, the 231 00:11:03,160 --> 00:11:05,199 Speaker 1: when you laid eyes on me and then saw the audition, 232 00:11:05,240 --> 00:11:06,920 Speaker 1: he goes he knew that I was going to get 233 00:11:06,920 --> 00:11:10,400 Speaker 1: the job, which was really sweet, But you know Connie 234 00:11:10,440 --> 00:11:13,040 Speaker 1: and Irma, I mean all of the siblings, a little 235 00:11:13,080 --> 00:11:15,319 Speaker 1: Mario who was only a baby at the time. Uh, 236 00:11:15,360 --> 00:11:18,200 Speaker 1: and his mom. You know Connie, she was around. So 237 00:11:18,280 --> 00:11:22,320 Speaker 1: they were there every single day. And uh. It would 238 00:11:22,320 --> 00:11:24,360 Speaker 1: always be like, well would Richie do this, or what 239 00:11:24,400 --> 00:11:27,120 Speaker 1: would Richie do in this situation? You know, they were 240 00:11:27,120 --> 00:11:29,000 Speaker 1: able to tell me these things. And it wasn't just 241 00:11:29,120 --> 00:11:32,800 Speaker 1: about Richie the rock star, was about Richie the human being, 242 00:11:32,960 --> 00:11:35,720 Speaker 1: you know, the seventeen year old kid. Uh and and 243 00:11:35,800 --> 00:11:39,680 Speaker 1: so uh that you know that was really uh. I 244 00:11:39,720 --> 00:11:42,160 Speaker 1: think was flashed out the character and and helped him, 245 00:11:42,160 --> 00:11:44,199 Speaker 1: you know, be be more than just you know, an 246 00:11:44,240 --> 00:11:46,640 Speaker 1: idage if you will. I wonder now, if you're ever 247 00:11:46,679 --> 00:11:49,000 Speaker 1: out in public and you hear the song Sleepwalk by 248 00:11:49,040 --> 00:11:51,800 Speaker 1: Santo and Johnny, do you immediately have like flashbacks to 249 00:11:51,880 --> 00:11:55,439 Speaker 1: filming that movie always man, always, and what I always 250 00:11:55,480 --> 00:11:57,800 Speaker 1: go to because it's what was what I was playing 251 00:11:58,400 --> 00:12:03,040 Speaker 1: over the in the film is at that hillside? Made mean, 252 00:12:03,200 --> 00:12:05,320 Speaker 1: so I run up that in my twelve times. Man. 253 00:12:05,679 --> 00:12:07,000 Speaker 1: By the time I was over, I thought I was 254 00:12:07,000 --> 00:12:08,880 Speaker 1: going to drop dead. I mean, my my legs were 255 00:12:08,880 --> 00:12:11,040 Speaker 1: on fire. I don't know what he was looking for 256 00:12:11,080 --> 00:12:13,080 Speaker 1: when we ran up that hill so many times. Man, 257 00:12:13,440 --> 00:12:15,920 Speaker 1: after that movie came out, where people just yelling Richie 258 00:12:15,920 --> 00:12:18,720 Speaker 1: at you all the time in public? Uh they still 259 00:12:19,240 --> 00:12:22,400 Speaker 1: they still did you get to keep anything cool from 260 00:12:22,440 --> 00:12:25,280 Speaker 1: the movie. I still have the green guitar, but it's 261 00:12:25,280 --> 00:12:27,079 Speaker 1: in it's in California right now in my house there. 262 00:12:27,120 --> 00:12:29,640 Speaker 1: I'm in New York City where I'm filming Prodigal Son. 263 00:12:29,840 --> 00:12:32,760 Speaker 1: And when the pandemic hit, you know, the ruck got 264 00:12:32,800 --> 00:12:34,200 Speaker 1: kind of pulled off from under it, so I was 265 00:12:34,280 --> 00:12:37,280 Speaker 1: not not able to go home. Uh, and so we 266 00:12:37,360 --> 00:12:39,920 Speaker 1: uh my family, uh Vane and my thirteen year old thought, 267 00:12:39,920 --> 00:12:42,440 Speaker 1: I've been looking here in New York City for you know, 268 00:12:42,480 --> 00:12:44,920 Speaker 1: for a year and a half. I mean, uh, you know, 269 00:12:45,000 --> 00:12:47,160 Speaker 1: but it is what it is. But yeah, I kept 270 00:12:47,160 --> 00:12:49,840 Speaker 1: the green guitar. And what was the technique you learned? 271 00:12:49,840 --> 00:12:51,840 Speaker 1: Because you didn't learn to play guitar for the movie, 272 00:12:51,880 --> 00:12:53,960 Speaker 1: you just kind of learned like the fingering style. Is 273 00:12:53,960 --> 00:12:56,120 Speaker 1: that what it was? Yeah? I know, I learned. I 274 00:12:56,360 --> 00:12:58,320 Speaker 1: still don't play the guitar. I had to learn all 275 00:12:58,360 --> 00:13:01,600 Speaker 1: of the singing just for uh, you know, just for 276 00:13:01,679 --> 00:13:04,160 Speaker 1: the for the film. Uh. And it was stupid me. 277 00:13:04,200 --> 00:13:05,559 Speaker 1: I didn't. I didn't pick it up. I should have 278 00:13:05,600 --> 00:13:08,679 Speaker 1: picked up that, but I didn't move on other things. 279 00:13:08,720 --> 00:13:12,080 Speaker 1: So the following year in Standing Deliver comes out, and 280 00:13:12,120 --> 00:13:15,440 Speaker 1: that movie has just such a large cast. I wonder, like, 281 00:13:15,480 --> 00:13:17,200 Speaker 1: when you're filming that, how hard is it to kind 282 00:13:17,240 --> 00:13:20,080 Speaker 1: of wrangle everybody in to do a scene. Not difficult, man, 283 00:13:20,160 --> 00:13:23,480 Speaker 1: I mean it's like we've got a pretty massive ensemble 284 00:13:23,520 --> 00:13:27,040 Speaker 1: cash for Prodigal Son as well, um uh, and for 285 00:13:27,080 --> 00:13:29,480 Speaker 1: the movie Adverse that I just did. It was literally 286 00:13:29,480 --> 00:13:31,480 Speaker 1: just one day of shooting all my scenes with Thomas 287 00:13:31,600 --> 00:13:35,000 Speaker 1: and Nichols, So that becomes easy. I mean, that's that's it's. 288 00:13:35,080 --> 00:13:38,280 Speaker 1: It's not like you know, putting together a hey, an 289 00:13:38,280 --> 00:13:41,280 Speaker 1: amateur show in the Umcole's barn. Uh There there's an 290 00:13:41,400 --> 00:13:44,480 Speaker 1: entire army of people who are doing scheduling and doing 291 00:13:44,840 --> 00:13:48,959 Speaker 1: uh uh wrangling of the actors and whatnot. So it's 292 00:13:50,040 --> 00:13:52,240 Speaker 1: as a professional year there when you're supposed to be 293 00:13:52,280 --> 00:13:54,880 Speaker 1: there and you know, you do what's what what's required 294 00:13:54,880 --> 00:13:57,679 Speaker 1: to do that day. I wonder when you're doing that movie, 295 00:13:57,720 --> 00:13:59,760 Speaker 1: the line that always sticks out to me is your 296 00:13:59,800 --> 00:14:01,400 Speaker 1: line when you're like I strangled him in his body 297 00:14:01,480 --> 00:14:03,960 Speaker 1: is decomposing in my locker, Like, how hard is that 298 00:14:04,000 --> 00:14:06,160 Speaker 1: to say with a straight face with everybody there? No, 299 00:14:06,280 --> 00:14:09,760 Speaker 1: you look forward to it, manan, But that's what's again, 300 00:14:09,800 --> 00:14:12,040 Speaker 1: that's just part of the acting. I mean, it's uh, 301 00:14:12,240 --> 00:14:14,520 Speaker 1: you know there there there were lines in Longmire, and 302 00:14:14,559 --> 00:14:17,240 Speaker 1: there were lines uh continue to be in lines in 303 00:14:17,240 --> 00:14:19,240 Speaker 1: Prodigal So and especially when I'm working the kick a 304 00:14:19,280 --> 00:14:23,640 Speaker 1: kinda uh where you know, you get tickled, you just 305 00:14:23,680 --> 00:14:26,480 Speaker 1: get you know and think, goodness, there's always take two 306 00:14:26,480 --> 00:14:29,479 Speaker 1: if you if you cracked up, you know. But uh, yeah, 307 00:14:29,280 --> 00:14:31,320 Speaker 1: that particular line I knew was going to go down 308 00:14:31,400 --> 00:14:35,120 Speaker 1: in history. Was that a genuine reaction in the movie, 309 00:14:35,360 --> 00:14:38,320 Speaker 1: Like the laughter seems just so genuine after that. Yeah, 310 00:14:38,360 --> 00:14:39,880 Speaker 1: it was. It was you know, I mean, the entire 311 00:14:39,960 --> 00:14:41,880 Speaker 1: and you know, the entirecast you know, got into it. 312 00:14:42,240 --> 00:14:46,800 Speaker 1: So especially Foal was so wonderful, wonderful guy. Uh So, Yeah, 313 00:14:46,880 --> 00:14:50,520 Speaker 1: I mean I think quite often the uh, the warmth 314 00:14:50,840 --> 00:14:53,200 Speaker 1: and the chemistry and the happiness that you see on 315 00:14:53,280 --> 00:14:55,680 Speaker 1: screen is the real deal. You know, it's hard to 316 00:14:56,000 --> 00:14:58,720 Speaker 1: hard to manufacture that. Well, really appreciate the time everybody 317 00:14:58,720 --> 00:15:00,680 Speaker 1: go check out the new movie. At first check out 318 00:15:01,160 --> 00:15:05,240 Speaker 1: Lou and prodigal son, And it's been really great getting 319 00:15:05,240 --> 00:15:07,040 Speaker 1: to talk to you. I just want to really let 320 00:15:07,080 --> 00:15:09,600 Speaker 1: you know, like how much your work is kind of 321 00:15:09,640 --> 00:15:11,680 Speaker 1: affected my life, and you know, just being able to 322 00:15:11,720 --> 00:15:14,400 Speaker 1: see somebody like looks different and kind of represents the 323 00:15:14,400 --> 00:15:17,440 Speaker 1: story from me the flat bro. You know you got 324 00:15:17,440 --> 00:15:20,400 Speaker 1: to represent that, right, Yeah, I appreciate that. And uh, 325 00:15:20,480 --> 00:15:23,640 Speaker 1: I'll send you a nice water Burger care package wherever 326 00:15:23,680 --> 00:15:26,200 Speaker 1: you are right now. I mean, I what's your favorite 327 00:15:26,200 --> 00:15:27,560 Speaker 1: thing to get from there? Do you get sick? Did 328 00:15:27,600 --> 00:15:29,840 Speaker 1: you get sick of that food while you're working there? No, 329 00:15:30,120 --> 00:15:31,880 Speaker 1: not at all. I mean, man, you you know you 330 00:15:32,040 --> 00:15:34,600 Speaker 1: because an employee you got, you know, you got the 331 00:15:34,640 --> 00:15:37,600 Speaker 1: employee uh, employee meals and you know they kind of 332 00:15:37,840 --> 00:15:41,720 Speaker 1: had like Google coupons that you would turn in. But yeah, man, 333 00:15:41,760 --> 00:15:43,720 Speaker 1: I think I eat water Burger every day. It was 334 00:15:43,760 --> 00:15:45,400 Speaker 1: it was fanta and not only that, I got to 335 00:15:45,400 --> 00:15:46,800 Speaker 1: make it myself, so you know, I mean it's just 336 00:15:46,840 --> 00:15:49,920 Speaker 1: like I wanted it. We'll appreciate the time. I'll talk 337 00:15:49,920 --> 00:15:57,320 Speaker 1: to you later. Thanks, Mike, have a good one, all right. 338 00:15:57,360 --> 00:15:59,640 Speaker 1: So that was super cool getting to talk to lou Diamond. 339 00:15:59,680 --> 00:16:02,680 Speaker 1: Philip one of my favorite movies is easily lah blahmah. 340 00:16:02,680 --> 00:16:04,600 Speaker 1: I talked about it all the time, and if you 341 00:16:04,720 --> 00:16:07,960 Speaker 1: haven't seen it by this point, I highly encourage you 342 00:16:08,000 --> 00:16:10,000 Speaker 1: to go check it out. It's about three bucks to 343 00:16:10,000 --> 00:16:13,080 Speaker 1: rent on Amazon. Eventually it'll come back on Netflix, but 344 00:16:13,120 --> 00:16:15,120 Speaker 1: you have to rent it right now. And the other 345 00:16:15,160 --> 00:16:17,480 Speaker 1: thing I loved about watching this movie as a kid 346 00:16:17,600 --> 00:16:20,320 Speaker 1: is that expose me to music I would not have 347 00:16:20,400 --> 00:16:22,520 Speaker 1: been otherwise, Like at the time, I was super written, 348 00:16:22,640 --> 00:16:25,600 Speaker 1: just punk rock stuff, but it was hearing Richie Valens 349 00:16:25,680 --> 00:16:29,000 Speaker 1: music that really turned me onto just having this affinity 350 00:16:29,080 --> 00:16:31,200 Speaker 1: for this era of music. And now it kind of 351 00:16:31,240 --> 00:16:34,040 Speaker 1: lives forever in this movie. So you'll get to learn 352 00:16:34,040 --> 00:16:36,600 Speaker 1: more about the songs that Richie Valens put out, and 353 00:16:36,640 --> 00:16:45,760 Speaker 1: you'll go back and want to listen to Donna or 354 00:16:45,840 --> 00:16:49,320 Speaker 1: his first song, come On, Let's Go, Come On, Let's Go. 355 00:16:55,280 --> 00:16:57,000 Speaker 1: And then if you're like me, you'll probably get into 356 00:16:57,000 --> 00:16:59,080 Speaker 1: some Buddy Holly two. And he actually does this song 357 00:16:59,160 --> 00:17:07,920 Speaker 1: in the movie Ryan Wait. And that's probably why this 358 00:17:08,080 --> 00:17:09,879 Speaker 1: is my favorite Buddy Holly song. It is because I 359 00:17:09,960 --> 00:17:17,639 Speaker 1: learned from Llama. But during that interview, we referenced a 360 00:17:17,880 --> 00:17:20,400 Speaker 1: song that plays at the end of LaBamba it's by 361 00:17:20,480 --> 00:17:24,280 Speaker 1: Santo and Johnny and it's called Sleepwalk and it happens 362 00:17:24,359 --> 00:17:26,720 Speaker 1: during a very famous scene in the movie. It's the 363 00:17:26,840 --> 00:17:30,920 Speaker 1: ending scene, the scene where Richie Vallens and his brother 364 00:17:31,000 --> 00:17:34,919 Speaker 1: Bob are running up the hill and you learn about 365 00:17:34,960 --> 00:17:37,639 Speaker 1: his death and it just happened. And this is kind 366 00:17:37,640 --> 00:17:42,840 Speaker 1: of the scene that cuts away too. And I've never 367 00:17:43,400 --> 00:17:49,359 Speaker 1: heard a song encapsulate the entire emotion of a movie 368 00:17:50,200 --> 00:17:53,119 Speaker 1: the way this song does, to where it's the only 369 00:17:53,160 --> 00:18:02,040 Speaker 1: thing I can associate it with. And then the famous 370 00:18:02,040 --> 00:18:05,000 Speaker 1: scene occurs when the song cuts out and you just 371 00:18:05,040 --> 00:18:08,840 Speaker 1: hear his brother Bob just yell, Richie just ritchy, and 372 00:18:08,880 --> 00:18:11,920 Speaker 1: it gets me every single time, and it makes me emotional. 373 00:18:12,240 --> 00:18:14,040 Speaker 1: But what I wanted to talk about here were just 374 00:18:14,880 --> 00:18:18,520 Speaker 1: the greatest movie ending songs of all times. So the 375 00:18:18,600 --> 00:18:21,920 Speaker 1: songs that come on towards the very end, the very 376 00:18:22,040 --> 00:18:24,360 Speaker 1: last scene of the movie and just leave a lasting 377 00:18:24,400 --> 00:18:28,359 Speaker 1: impression to make it just that much more powerful, because 378 00:18:28,400 --> 00:18:31,480 Speaker 1: that's what music is. It has the ability to make 379 00:18:32,400 --> 00:18:36,320 Speaker 1: a decent movie great and really kind of invoke that 380 00:18:36,400 --> 00:18:39,960 Speaker 1: emotion YouTube really bring a movie home. If a movie 381 00:18:40,040 --> 00:18:43,520 Speaker 1: has a great ending song, that is what I look for, 382 00:18:44,040 --> 00:18:47,919 Speaker 1: Like I in my head. Sometimes will drive around listening 383 00:18:47,960 --> 00:18:52,040 Speaker 1: to music thinking about if I was in a movie, 384 00:18:52,080 --> 00:18:54,399 Speaker 1: what song I would like to be, you know, played 385 00:18:54,480 --> 00:18:56,199 Speaker 1: right now? And I have like a whole list of 386 00:18:56,240 --> 00:19:00,560 Speaker 1: soundtrack songs to my life, but it all din fits 387 00:19:00,600 --> 00:19:04,439 Speaker 1: this description of what song you want playing in the 388 00:19:04,560 --> 00:19:08,040 Speaker 1: credits to your the end of your life. So I've 389 00:19:08,080 --> 00:19:10,760 Speaker 1: come up with a list of the top five movie 390 00:19:10,920 --> 00:19:13,760 Speaker 1: ending song at least according to me. Also have some 391 00:19:13,880 --> 00:19:17,280 Speaker 1: honorable mentions. But let's start first with number five and 392 00:19:17,359 --> 00:19:19,639 Speaker 1: hear me out on this one, but it's flow right 393 00:19:19,720 --> 00:19:25,240 Speaker 1: up featuring Keshia right around, see if you can name 394 00:19:25,240 --> 00:19:34,720 Speaker 1: the movie right around, right around when you go down, 395 00:19:34,840 --> 00:19:39,639 Speaker 1: When you Go Down. So that is from the movie 396 00:19:39,720 --> 00:19:42,359 Speaker 1: The Hangover in two thousand and nine. And what I 397 00:19:42,440 --> 00:19:45,800 Speaker 1: loved about what this song meant to the movie was 398 00:19:46,400 --> 00:19:50,440 Speaker 1: this is when you learn everything that happened that they 399 00:19:50,480 --> 00:19:52,720 Speaker 1: just alluded to in the movie. It's when at the 400 00:19:52,840 --> 00:19:56,960 Speaker 1: very end of the movie they find the digital camera 401 00:19:57,040 --> 00:19:58,960 Speaker 1: with all the pictures they took from the night they 402 00:19:59,000 --> 00:20:02,439 Speaker 1: can't remember, and then the credits role this song is 403 00:20:02,440 --> 00:20:05,800 Speaker 1: playing and you figure out and learn everything they did. 404 00:20:06,280 --> 00:20:09,840 Speaker 1: One of the funniest gags ever in a movie. And 405 00:20:09,880 --> 00:20:13,320 Speaker 1: why I think this song is so great because I 406 00:20:13,320 --> 00:20:15,760 Speaker 1: think we're gonna look back on this movie and realize 407 00:20:15,760 --> 00:20:17,800 Speaker 1: how funny this movie was when it came out, but 408 00:20:17,840 --> 00:20:20,760 Speaker 1: also how much it represents that time came out in 409 00:20:20,800 --> 00:20:22,840 Speaker 1: two thousand nine. But I feel it really kind of 410 00:20:23,320 --> 00:20:26,359 Speaker 1: describes what the twenty tens would come to be and 411 00:20:26,400 --> 00:20:30,439 Speaker 1: the sound of music specifically. I think right now, I'm 412 00:20:30,480 --> 00:20:32,520 Speaker 1: in my head, I'm kind of defining what the twenty 413 00:20:32,560 --> 00:20:35,639 Speaker 1: tens were, and this is exactly what I think about 414 00:20:35,680 --> 00:20:39,960 Speaker 1: now when I think of the twenty tens. So for 415 00:20:40,000 --> 00:20:42,280 Speaker 1: all those reasons, I think it's a great movie ending song. 416 00:20:42,359 --> 00:20:48,040 Speaker 1: Putting it that one at number five, at number four, 417 00:20:48,080 --> 00:20:50,639 Speaker 1: I'm gonna put another emotional one on here. See if 418 00:20:50,680 --> 00:20:53,800 Speaker 1: you can name the movie we got to talk about 419 00:20:53,840 --> 00:20:57,159 Speaker 1: theirs on and we got everything I would do, you 420 00:20:57,240 --> 00:21:04,280 Speaker 1: extending the promise, and now you probly be bored day 421 00:21:04,960 --> 00:21:09,879 Speaker 1: without you, my friend, and I'll tell you all about 422 00:21:10,040 --> 00:21:15,040 Speaker 1: it when a sale. That is whis Khalifa featuring Charlie 423 00:21:15,119 --> 00:21:18,320 Speaker 1: Poos see you again, and that is from Fast and 424 00:21:18,359 --> 00:21:22,600 Speaker 1: the Furious Six. So you'll remember this scene because when 425 00:21:22,640 --> 00:21:26,600 Speaker 1: they filmed this movie, Paul Walker was no longer living. 426 00:21:26,600 --> 00:21:29,360 Speaker 1: He had passed away, and the scenes he's in it's 427 00:21:29,359 --> 00:21:33,080 Speaker 1: all CG guide and they took past footage and digitally 428 00:21:34,040 --> 00:21:37,520 Speaker 1: put it in over his brother and then that's how 429 00:21:37,520 --> 00:21:39,399 Speaker 1: he's in the movie. So in this scene, it's been 430 00:21:39,520 --> 00:21:43,520 Speaker 1: Diesel and him driving side by side, and you just 431 00:21:43,560 --> 00:21:46,760 Speaker 1: get that glimpse of Paul Walker's face looking at him, 432 00:21:46,800 --> 00:21:49,119 Speaker 1: and you can, if you really pay attention, you can 433 00:21:49,119 --> 00:21:52,439 Speaker 1: tell how digital it looks. But like, what a story 434 00:21:52,520 --> 00:21:55,040 Speaker 1: to a movie like that made me want to go 435 00:21:55,119 --> 00:21:57,680 Speaker 1: see that when it came out, and it's a piece 436 00:21:57,720 --> 00:22:00,560 Speaker 1: of movie history that's just kind of are in a way, 437 00:22:00,600 --> 00:22:04,600 Speaker 1: really how how all that happened and really just kind 438 00:22:04,600 --> 00:22:07,040 Speaker 1: of sad. But I think this song is a perfect 439 00:22:08,000 --> 00:22:11,080 Speaker 1: way to kind of take all those emotions and put 440 00:22:11,119 --> 00:22:12,600 Speaker 1: it into one scene. So I put that one in 441 00:22:12,760 --> 00:22:16,880 Speaker 1: number five. At number three, I'm going with a song 442 00:22:16,960 --> 00:22:19,639 Speaker 1: by the Pixies called Where's My Mind? See if you 443 00:22:19,640 --> 00:22:36,800 Speaker 1: can name the movie, we can see it all. One 444 00:22:36,840 --> 00:22:41,200 Speaker 1: of the best movie scenes ever, even if it wasn't 445 00:22:41,280 --> 00:22:45,240 Speaker 1: just the ending, but it is from the movie Flight Club, 446 00:22:50,680 --> 00:22:54,560 Speaker 1: and it's when the whole world that they have created 447 00:22:54,640 --> 00:22:58,760 Speaker 1: this movie just comes crashing down, the perfect song, the 448 00:22:58,840 --> 00:23:04,440 Speaker 1: perfect situation, and just an overall chaotic movie. It doesn't 449 00:23:04,480 --> 00:23:08,919 Speaker 1: get any better than this, but it will get slightly 450 00:23:08,960 --> 00:23:10,760 Speaker 1: better because that's only at number three. But you get 451 00:23:10,760 --> 00:23:19,400 Speaker 1: what I'm saying. At number two, I would say probably 452 00:23:19,440 --> 00:23:23,200 Speaker 1: more iconic than my number one. And if even if 453 00:23:23,240 --> 00:23:26,080 Speaker 1: you've never seen this movie, you probably know the song 454 00:23:26,160 --> 00:23:28,880 Speaker 1: and know the scene. But see if you can name it. 455 00:23:28,880 --> 00:23:32,479 Speaker 1: It's called Don't You Forget About Me? By the simple minds, 456 00:23:35,800 --> 00:23:48,119 Speaker 1: I'm sure you can guess it Don't Don't and that 457 00:23:48,280 --> 00:23:59,720 Speaker 1: is from No Nun There then the Breakfast Club and 458 00:23:59,800 --> 00:24:02,240 Speaker 1: the Swan. Just it's a no brainer why it makes 459 00:24:02,240 --> 00:24:05,119 Speaker 1: the list because you associate this song with that movie. 460 00:24:05,640 --> 00:24:07,560 Speaker 1: It's really the only song I can name from this 461 00:24:07,640 --> 00:24:11,879 Speaker 1: band and just that ending scene have been walking across 462 00:24:11,960 --> 00:24:15,520 Speaker 1: the football field putting his hand and fist in the 463 00:24:15,600 --> 00:24:19,520 Speaker 1: air and the classic eighties freeze frame. That is why 464 00:24:19,560 --> 00:24:22,000 Speaker 1: it comes in at number two. Now, before we get 465 00:24:22,040 --> 00:24:24,879 Speaker 1: to number one, here are some honorable mentions. Had to 466 00:24:24,880 --> 00:24:26,800 Speaker 1: throw in a couple of Marvel movies in there, and 467 00:24:26,840 --> 00:24:29,359 Speaker 1: the ending of Iron Man when he reveals to everybody 468 00:24:29,480 --> 00:24:31,960 Speaker 1: is Iron Man, and then of course the song Iron 469 00:24:32,000 --> 00:24:45,480 Speaker 1: Man plays along those same lines in the Marvel universe. 470 00:24:45,600 --> 00:24:48,760 Speaker 1: Is the ending of Guardians of the Galaxy with baby 471 00:24:48,800 --> 00:25:03,000 Speaker 1: group dancing to this song. And then if you want 472 00:25:03,000 --> 00:25:05,840 Speaker 1: to go way back with the Graduate and the sound 473 00:25:05,920 --> 00:25:11,920 Speaker 1: of Silence by Simon and garf uncle. If you don't 474 00:25:11,960 --> 00:25:16,080 Speaker 1: remember this scene, that's when they run off run onto 475 00:25:16,080 --> 00:25:21,399 Speaker 1: the bus, completely ecstatical when they just did of you know, 476 00:25:21,480 --> 00:25:24,919 Speaker 1: breaking off the wedding, running away with each other. And 477 00:25:24,960 --> 00:25:27,600 Speaker 1: then once this song hits, it just kind of sets 478 00:25:27,640 --> 00:25:30,920 Speaker 1: in what they have done, and that feeling of oh no, 479 00:25:31,000 --> 00:25:33,760 Speaker 1: I made a huge mistake kind of sets in and 480 00:25:33,880 --> 00:25:42,159 Speaker 1: this song matches it perfectly. And then my other honorable 481 00:25:42,200 --> 00:25:46,720 Speaker 1: mention would be from the movie Pulp Fiction. That's the 482 00:25:46,800 --> 00:25:50,159 Speaker 1: Lively ones with surf writer. Really this movie has just 483 00:25:50,280 --> 00:25:52,760 Speaker 1: the great soundtrack all around, but this would be the 484 00:25:52,840 --> 00:25:55,320 Speaker 1: ending song from one of the best scenes ever probably 485 00:25:55,359 --> 00:26:04,920 Speaker 1: an all of quintin Tint Tarantino's movies. Yea. And then 486 00:26:04,960 --> 00:26:11,080 Speaker 1: at number one, the movie with the best ending song ever. Well, guys, 487 00:26:11,119 --> 00:26:16,840 Speaker 1: I mentioned it earlier at something and Johnny Sleepwalk. You 488 00:26:16,920 --> 00:26:20,480 Speaker 1: already knew that was gonna be number one? Would you 489 00:26:20,520 --> 00:26:22,879 Speaker 1: expect any less? I just did an entire interview with 490 00:26:22,960 --> 00:26:25,359 Speaker 1: lou Diamond Phillips because of this movie. Of course, it's 491 00:26:25,400 --> 00:26:45,720 Speaker 1: my number one. All right, there we go. Let's get 492 00:26:45,760 --> 00:26:49,399 Speaker 1: into a movie review today. We're talking about Tom and Jerry, 493 00:26:49,760 --> 00:26:53,320 Speaker 1: the brand new adaptation of a cartoon you may or 494 00:26:53,440 --> 00:26:55,960 Speaker 1: may not remember. I want to get into that before 495 00:26:55,960 --> 00:26:58,320 Speaker 1: I talk about the movie. I will do a spoiler 496 00:26:58,359 --> 00:27:00,800 Speaker 1: free review. Always keep them spoiler free on the podcast. 497 00:27:01,119 --> 00:27:05,040 Speaker 1: Here's just a little bit of the trailer for picture 498 00:27:05,040 --> 00:27:07,520 Speaker 1: of this Mouse is tweeted up to inst the book 499 00:27:07,560 --> 00:27:11,400 Speaker 1: face or Tiki talk, we would be wounded. No, sir, 500 00:27:11,560 --> 00:27:13,800 Speaker 1: that's not going to happen that route. In this toast, 501 00:27:15,720 --> 00:27:18,359 Speaker 1: I will not let this hotel be ruined by a 502 00:27:18,440 --> 00:27:28,200 Speaker 1: cat in the mouth, least once. I think I might 503 00:27:28,240 --> 00:27:30,760 Speaker 1: have just pulled this off, all right. So, I think 504 00:27:30,760 --> 00:27:32,879 Speaker 1: it's just kind of a new trend we're seeing in movies, 505 00:27:32,920 --> 00:27:35,600 Speaker 1: and not completely new, but I think what's been kind 506 00:27:35,600 --> 00:27:38,840 Speaker 1: of the norm lately. It's just to remake a bunch 507 00:27:38,880 --> 00:27:41,840 Speaker 1: of movies that we're all familiar with now, but it's 508 00:27:41,840 --> 00:27:44,320 Speaker 1: twenty years later and we want to revisit these stories 509 00:27:44,320 --> 00:27:46,879 Speaker 1: we know and love, and movie studio see this is 510 00:27:46,920 --> 00:27:48,679 Speaker 1: kind of an easy win, like, oh, you remember this, 511 00:27:48,800 --> 00:27:50,840 Speaker 1: We're gonna love it when we make it again. It's 512 00:27:50,880 --> 00:27:54,159 Speaker 1: like serving leftovers. But I think also what they're kind 513 00:27:54,160 --> 00:27:57,879 Speaker 1: of trying to grasp onto now is banking on our nostalgia, 514 00:27:57,920 --> 00:28:01,120 Speaker 1: and nostalgia is such a powerful thing when it comes 515 00:28:01,160 --> 00:28:03,960 Speaker 1: to movies, TVs, and music, so there's a lot to 516 00:28:04,000 --> 00:28:07,280 Speaker 1: work with their If you were a fan of something 517 00:28:07,320 --> 00:28:10,560 Speaker 1: as a kid, twenty years later, as you're an adult, 518 00:28:10,600 --> 00:28:12,560 Speaker 1: you're gonna be like, oh, I remember that from when 519 00:28:12,600 --> 00:28:14,240 Speaker 1: I was a kid, And I talked about a lot 520 00:28:14,280 --> 00:28:17,639 Speaker 1: of things on this podcast that still hold a close 521 00:28:17,640 --> 00:28:19,280 Speaker 1: place to my heart because I remember when they were 522 00:28:19,280 --> 00:28:22,359 Speaker 1: a kid. So I think that's kind of the case 523 00:28:22,400 --> 00:28:26,120 Speaker 1: with Tom and Jerry now, Tom and Jerry, or even 524 00:28:26,160 --> 00:28:29,480 Speaker 1: before my time. I was born in n and when 525 00:28:29,560 --> 00:28:32,040 Speaker 1: I was a kid, I knew of Tom and Jerry. 526 00:28:32,080 --> 00:28:34,119 Speaker 1: But it wasn't like they were brand new cartoons to me. 527 00:28:34,680 --> 00:28:37,199 Speaker 1: It was kind of a classic cartoon even to me 528 00:28:37,280 --> 00:28:39,680 Speaker 1: that I would watch old episodes of. And the thing 529 00:28:39,720 --> 00:28:43,800 Speaker 1: I love about Tom and Jerry is it's classic cartoon violence. 530 00:28:44,320 --> 00:28:47,040 Speaker 1: There's nothing wrong with classic cartoon violence. We don't really 531 00:28:47,040 --> 00:28:50,440 Speaker 1: have that anymore. All of the Looney Tunes got their 532 00:28:50,520 --> 00:28:54,480 Speaker 1: axes taken away. You can't blow up Wiley Coyote, can't 533 00:28:54,480 --> 00:28:57,440 Speaker 1: blow up himself anymore. I think that was all kind 534 00:28:57,440 --> 00:28:59,640 Speaker 1: of stripped away when they, you know, made the Looney 535 00:28:59,640 --> 00:29:03,160 Speaker 1: Tunes on HBO Max, so that's all gone. On the 536 00:29:03,160 --> 00:29:05,200 Speaker 1: other side of that, a kid will watch a Marvel 537 00:29:05,240 --> 00:29:08,080 Speaker 1: movie and see people fighting and there's bloodshed and there's 538 00:29:08,440 --> 00:29:10,800 Speaker 1: people dying in those movies. So I just think it's 539 00:29:10,840 --> 00:29:13,880 Speaker 1: weird that we take it out of cartoons where it's 540 00:29:13,920 --> 00:29:17,200 Speaker 1: so super like. I mean, I wouldn't watch a cartoon 541 00:29:17,320 --> 00:29:19,320 Speaker 1: and want to go smash somebody's head with an anvil. 542 00:29:19,400 --> 00:29:21,760 Speaker 1: That's just not That's not what I picked up from 543 00:29:21,880 --> 00:29:24,040 Speaker 1: watching these cartoons as a kid, And that's what I 544 00:29:24,080 --> 00:29:26,240 Speaker 1: love about Tom and Jerry. It was like the original 545 00:29:26,360 --> 00:29:32,480 Speaker 1: classic cartoon violence, literally Game of Cat and Mouse. So 546 00:29:32,520 --> 00:29:34,680 Speaker 1: I think going into this movie, I kind of thought 547 00:29:34,720 --> 00:29:37,120 Speaker 1: of that a little bit. But also I just remember 548 00:29:37,120 --> 00:29:41,240 Speaker 1: watching the cartoon, like the classic really kind of violent, 549 00:29:41,520 --> 00:29:45,160 Speaker 1: like straight up Jerry hitting Tom with like something and 550 00:29:45,240 --> 00:29:48,080 Speaker 1: making his head prior open. I would even always quote 551 00:29:48,080 --> 00:29:52,840 Speaker 1: the classic like Tom yelling yeah, like that's funny. So 552 00:29:53,000 --> 00:29:55,280 Speaker 1: I was excited to see that play out in this movie. 553 00:29:55,840 --> 00:29:58,480 Speaker 1: So what this movie did was bring Tom and Jerry 554 00:29:58,520 --> 00:30:02,200 Speaker 1: to life as cartoons. So it's kind of an old 555 00:30:02,520 --> 00:30:05,360 Speaker 1: homage to those classic movies that used to be humans 556 00:30:05,360 --> 00:30:08,240 Speaker 1: in a movie but animated characters. We saw it first 557 00:30:08,360 --> 00:30:10,280 Speaker 1: in Who Frame Rudder Rabbit, Like that was the first 558 00:30:10,320 --> 00:30:12,480 Speaker 1: time they kind of use this technology. So I think 559 00:30:12,520 --> 00:30:15,040 Speaker 1: this is a nice throwback to that. In the class, 560 00:30:15,080 --> 00:30:18,480 Speaker 1: you have Chloe Grace Moretts, you have Colin Joe's, you 561 00:30:18,520 --> 00:30:21,240 Speaker 1: have Michael Benja, you have Ken Jong. So it's a 562 00:30:21,240 --> 00:30:24,400 Speaker 1: pretty funny cast. And the thing about this movie, it's 563 00:30:24,480 --> 00:30:27,720 Speaker 1: just the fun movie. It's a nostalgic trip. There's nothing 564 00:30:27,800 --> 00:30:30,960 Speaker 1: deep or complicated here. What I kind of found is 565 00:30:31,120 --> 00:30:33,720 Speaker 1: I'm getting a little bit old for kids movies now, 566 00:30:33,800 --> 00:30:36,000 Speaker 1: hear me out. I know I am an almost thirty 567 00:30:36,080 --> 00:30:39,880 Speaker 1: year old man, but I can't appreciate a good kids movie. 568 00:30:39,880 --> 00:30:42,800 Speaker 1: And up to about oh, I'd say when the pandemic started, 569 00:30:42,840 --> 00:30:44,960 Speaker 1: I would have no shame in going to a kid's 570 00:30:45,040 --> 00:30:47,480 Speaker 1: movie alone. I would take it in as how I 571 00:30:47,560 --> 00:30:50,440 Speaker 1: have to watch every movie, Like how enjoyable is it 572 00:30:50,480 --> 00:30:52,960 Speaker 1: for me? Could I recommend it to other people that 573 00:30:53,040 --> 00:30:55,520 Speaker 1: I know? Will probably take their kids, because I think 574 00:30:55,600 --> 00:30:58,240 Speaker 1: over the years, kids movies have evolved to the point 575 00:30:58,240 --> 00:31:01,400 Speaker 1: to where kids really enjoy them, but there's also stuff 576 00:31:01,400 --> 00:31:03,360 Speaker 1: in there for adults. Do I think that's the case 577 00:31:03,360 --> 00:31:05,680 Speaker 1: with Tom and Jerry after watching it, No, I don't 578 00:31:05,720 --> 00:31:07,440 Speaker 1: think it's the case, because this is just a straight 579 00:31:07,520 --> 00:31:11,960 Speaker 1: up kids movie. Like I said, nothing overly complicated. Everything 580 00:31:12,240 --> 00:31:15,080 Speaker 1: is exactly what you kind of expect. It's fun. The 581 00:31:15,080 --> 00:31:17,200 Speaker 1: only thing I was kind of wanting a little bit 582 00:31:17,240 --> 00:31:20,280 Speaker 1: more was kind of the classic look of the cartoons. 583 00:31:20,280 --> 00:31:21,760 Speaker 1: They look a little more c g I than I 584 00:31:21,840 --> 00:31:24,320 Speaker 1: was expecting, but I guess you gotta update it. So 585 00:31:24,400 --> 00:31:26,800 Speaker 1: kids watching this are like, why does this look super old? 586 00:31:27,120 --> 00:31:28,920 Speaker 1: So I get that part of it. I even found 587 00:31:28,960 --> 00:31:31,600 Speaker 1: myself yelling at the TV screen for a little bit. 588 00:31:31,640 --> 00:31:33,960 Speaker 1: God was that into it? So so I would say 589 00:31:33,960 --> 00:31:37,040 Speaker 1: definitely if you have younger kids, probably tending under maybe 590 00:31:37,040 --> 00:31:40,120 Speaker 1: even younger than that, that can just enjoy like funny 591 00:31:40,120 --> 00:31:43,400 Speaker 1: cartoons doing dumb things on screen. But overall I had 592 00:31:43,440 --> 00:31:46,080 Speaker 1: to grade it as being an adult and knowing that 593 00:31:46,120 --> 00:31:48,440 Speaker 1: this movie was not made for me, but it was 594 00:31:48,480 --> 00:31:50,880 Speaker 1: still enjoyable for me to watch, So I would give 595 00:31:50,920 --> 00:31:54,480 Speaker 1: it three out of five Slaps to the Head and 596 00:31:54,520 --> 00:31:56,880 Speaker 1: it's available to watch free if you have a subscription 597 00:31:56,920 --> 00:31:59,720 Speaker 1: to HBO Max and it's also in theater. So there 598 00:31:59,720 --> 00:32:02,840 Speaker 1: you go, Tom and Jerry. All right, let's get into 599 00:32:02,920 --> 00:32:05,400 Speaker 1: some movie news now. I'm joined by my co host 600 00:32:05,520 --> 00:32:10,120 Speaker 1: and fiance Kelsey. How are you doing today? Big movie news. 601 00:32:10,640 --> 00:32:13,840 Speaker 1: We have the announcement of the new Spider Man movie. 602 00:32:14,120 --> 00:32:16,200 Speaker 1: I like how they teased this movie. They all kind 603 00:32:16,200 --> 00:32:19,200 Speaker 1: of came out and gave like the fake movie titles 604 00:32:19,280 --> 00:32:21,640 Speaker 1: to begin with, because Tom Holland is kind of known 605 00:32:21,720 --> 00:32:25,280 Speaker 1: for spoiling Avengers movies and he spoiled the title of 606 00:32:25,360 --> 00:32:27,640 Speaker 1: the Spider Man movie in the past, so they kind 607 00:32:27,640 --> 00:32:29,800 Speaker 1: of made a joke about it. But it is called 608 00:32:30,080 --> 00:32:32,480 Speaker 1: Spider Man No Way Home, and it's coming out in 609 00:32:32,480 --> 00:32:36,160 Speaker 1: December seventeen, and I'm pretty excited. I think overall, the 610 00:32:36,280 --> 00:32:41,640 Speaker 1: Spider Man movies are my favorite Marvel movies as a collection. 611 00:32:42,520 --> 00:32:44,479 Speaker 1: Like from the very beginning, I think Spider Man has 612 00:32:44,520 --> 00:32:48,320 Speaker 1: been my favorite Marvel character, and I think they really 613 00:32:48,360 --> 00:32:50,640 Speaker 1: have just kind of found what Spider Man is now 614 00:32:50,640 --> 00:32:53,360 Speaker 1: and what makes him great. The cast is amazing, so 615 00:32:53,440 --> 00:32:56,200 Speaker 1: I'm really excited for this one. Crazy thing about it, though, 616 00:32:56,280 --> 00:33:00,000 Speaker 1: is it's fully on going to come out in movie theaters. 617 00:33:00,440 --> 00:33:03,440 Speaker 1: That's kind of exciting, isn't it. I'm hesitant to get excited, 618 00:33:03,600 --> 00:33:06,600 Speaker 1: hesitant because we're seeing other stuff just already getting delayed 619 00:33:06,600 --> 00:33:10,400 Speaker 1: a little bit more. But I feel like this is 620 00:33:10,480 --> 00:33:12,160 Speaker 1: when it's really good to come in full force. They 621 00:33:12,160 --> 00:33:15,400 Speaker 1: haven't officially delayed like Black Widow or anything yet. It'll 622 00:33:15,400 --> 00:33:18,400 Speaker 1: probably come soon. I'm just assuming, but this one just 623 00:33:18,440 --> 00:33:20,560 Speaker 1: straight up saying coming out in theater, So I hope 624 00:33:20,560 --> 00:33:23,120 Speaker 1: it comes out when it says it does. I'm excited 625 00:33:23,160 --> 00:33:27,240 Speaker 1: for this one. Also in movie news, Mission Impossible, A 626 00:33:27,320 --> 00:33:32,560 Speaker 1: Quiet Place Too, and some other Paramount movies will come directly. Well, 627 00:33:32,600 --> 00:33:34,480 Speaker 1: they're gonna come out in theaters, and then forty five 628 00:33:34,560 --> 00:33:39,520 Speaker 1: days later they're coming out on Paramount Plus. So I 629 00:33:39,720 --> 00:33:42,520 Speaker 1: think that's kind of like not what we want. I 630 00:33:42,560 --> 00:33:45,160 Speaker 1: think you want same day like HBO Max is doing. 631 00:33:45,200 --> 00:33:47,920 Speaker 1: I think they're kind of copying out of that whole 632 00:33:48,000 --> 00:33:49,600 Speaker 1: kind of structure of like, Okay, we'll put it out 633 00:33:49,600 --> 00:33:51,280 Speaker 1: in theaters and then forty five days later we'll come 634 00:33:51,280 --> 00:33:53,680 Speaker 1: on a streaming service. That's not really gonna make me 635 00:33:53,720 --> 00:33:55,640 Speaker 1: want to sign up for Paramount Plus, and we were 636 00:33:55,680 --> 00:33:57,680 Speaker 1: just talking about before this that I'm thinking about getting 637 00:33:57,680 --> 00:34:01,480 Speaker 1: it next week because one they're getting the SpongeBob movie, 638 00:34:02,240 --> 00:34:03,880 Speaker 1: which I want to see, and you're rolling your eyds 639 00:34:03,880 --> 00:34:06,680 Speaker 1: and me, but I want to see that movie, and 640 00:34:06,720 --> 00:34:10,040 Speaker 1: I kind of want to see what they're gonna offer. 641 00:34:10,560 --> 00:34:13,600 Speaker 1: And I know these new movies won't be there immediately, 642 00:34:14,400 --> 00:34:16,600 Speaker 1: but I think there's some kind of area there for 643 00:34:16,640 --> 00:34:21,440 Speaker 1: them to work with. And also they have Nickelodeon, and 644 00:34:21,480 --> 00:34:26,040 Speaker 1: I must I love the old nineties cartoons, so I 645 00:34:26,080 --> 00:34:28,080 Speaker 1: think there's nowhere else for me to watch those right 646 00:34:28,120 --> 00:34:29,919 Speaker 1: now than this. And it's only five bucks a month, 647 00:34:30,000 --> 00:34:32,279 Speaker 1: so just what we need another five bucks. I think 648 00:34:32,280 --> 00:34:34,440 Speaker 1: I'll give it a run and test it out and 649 00:34:34,480 --> 00:34:37,319 Speaker 1: I'll report back here if it's worth it. I don't. 650 00:34:37,320 --> 00:34:38,799 Speaker 1: I don't really know what they're gonna have, Like I 651 00:34:38,880 --> 00:34:41,640 Speaker 1: was looking up, like exactly what they're gonna have, and 652 00:34:41,719 --> 00:34:45,239 Speaker 1: aside from what they've been promoting on those commercials they 653 00:34:45,280 --> 00:34:47,360 Speaker 1: ran during the Super Bowl, not a whole lot of 654 00:34:47,360 --> 00:34:49,600 Speaker 1: what new content they're gonna have. So we'll see if 655 00:34:49,640 --> 00:34:55,400 Speaker 1: it's worth the five bucks with ads. Yeah, it always 656 00:34:55,440 --> 00:34:57,319 Speaker 1: kind of sucks, didn't it. You got. I don't like 657 00:34:57,400 --> 00:34:59,680 Speaker 1: those services where you pay a certain amount and they're 658 00:34:59,680 --> 00:35:01,440 Speaker 1: still mercials. None of the services we have right now 659 00:35:01,520 --> 00:35:04,960 Speaker 1: have commercials because we pay for Hulu with no commercials. 660 00:35:05,040 --> 00:35:07,680 Speaker 1: But why does that even a thing like it? It 661 00:35:07,719 --> 00:35:10,560 Speaker 1: feels like cable, like you're already paying for it. I 662 00:35:10,600 --> 00:35:12,840 Speaker 1: don't want to stream a show and have commercials inside 663 00:35:12,840 --> 00:35:14,560 Speaker 1: of it. I will say it's worth the extra seven 664 00:35:14,640 --> 00:35:17,200 Speaker 1: dollars a month to not get commercials. I agree it's 665 00:35:17,200 --> 00:35:18,360 Speaker 1: worth it, but I don't think you should have to 666 00:35:18,360 --> 00:35:20,799 Speaker 1: pay more. I think that's the whole benefit of having 667 00:35:20,800 --> 00:35:23,440 Speaker 1: a streaming services. You don't pay for commercials. You know 668 00:35:23,480 --> 00:35:26,560 Speaker 1: how five dollars a month is pretty cheap. That's probably 669 00:35:26,560 --> 00:35:29,640 Speaker 1: how they recoup the costs. It's commercials it issue. But 670 00:35:29,680 --> 00:35:31,759 Speaker 1: you know how I annoyed I get when there's an 671 00:35:31,800 --> 00:35:34,880 Speaker 1: ad on a YouTube commercial you get, I yell at 672 00:35:34,920 --> 00:35:37,400 Speaker 1: the TV. You're yelling now, I'm like, it ruins the 673 00:35:37,440 --> 00:35:40,120 Speaker 1: YouTube watching experience. To watch a thirty second ad for 674 00:35:40,160 --> 00:35:44,600 Speaker 1: a minute video ridiculous. You're very passionate about this right now. 675 00:35:44,680 --> 00:35:48,400 Speaker 1: I dislike ads that you can't skip when I'm just 676 00:35:48,440 --> 00:35:50,560 Speaker 1: trying to watch a video, trying to watch some cat 677 00:35:50,600 --> 00:35:53,680 Speaker 1: play with a roll of yarn or something, and I 678 00:35:53,719 --> 00:35:56,759 Speaker 1: have to watch and think about liberty insurance. Okay, Well, 679 00:35:56,760 --> 00:35:59,319 Speaker 1: if you're trying to watch videos of kittens playing with 680 00:35:59,280 --> 00:36:01,040 Speaker 1: the r and you probably deserved to have to watch 681 00:36:01,040 --> 00:36:04,960 Speaker 1: a liberty Okay. And finally, in movie news, I saw 682 00:36:05,080 --> 00:36:08,520 Speaker 1: Daniel Caluya from Get Out. He came out and said 683 00:36:08,520 --> 00:36:11,040 Speaker 1: that he was not invited to the premiere of the 684 00:36:11,080 --> 00:36:14,680 Speaker 1: movie back when it came out. I thought that was 685 00:36:14,719 --> 00:36:18,040 Speaker 1: interesting that he is the main star of that movie, 686 00:36:18,400 --> 00:36:20,319 Speaker 1: and while he was filming that movie, he was also 687 00:36:20,400 --> 00:36:23,319 Speaker 1: shooting Black Panther, but he knew that that was coming 688 00:36:23,320 --> 00:36:25,080 Speaker 1: out there was gonna be a premiere, so he actually 689 00:36:25,160 --> 00:36:28,520 Speaker 1: cleared his schedule to be invited to that premiere, but 690 00:36:28,520 --> 00:36:30,919 Speaker 1: he was never invited. He said, like the invite never came, 691 00:36:32,239 --> 00:36:34,520 Speaker 1: and he was like, okay, I guess I'll just stay home. 692 00:36:34,560 --> 00:36:38,799 Speaker 1: And somebody texted him afterwards like about the premiere. I 693 00:36:38,880 --> 00:36:40,720 Speaker 1: just thought that was weird because you kind of feel 694 00:36:40,760 --> 00:36:44,839 Speaker 1: like when you're the star of a movie, you don't 695 00:36:44,840 --> 00:36:46,520 Speaker 1: know it's going to be a hit. Yeah, but you're like, 696 00:36:46,560 --> 00:36:48,560 Speaker 1: all right, at least I'm a part of it. And 697 00:36:48,600 --> 00:36:50,320 Speaker 1: to not get invited to something like that, would you 698 00:36:50,360 --> 00:36:53,799 Speaker 1: feel awful? I feel very sad. That's really sad, Like 699 00:36:53,800 --> 00:36:55,239 Speaker 1: when you were a kid and you would hear someone 700 00:36:55,280 --> 00:36:57,600 Speaker 1: talking about their birthday party and then you didn't get 701 00:36:57,640 --> 00:36:59,840 Speaker 1: an invite. And I get it if you're like not 702 00:37:00,160 --> 00:37:04,600 Speaker 1: the main person in the movie, if your side character, 703 00:37:04,680 --> 00:37:06,760 Speaker 1: but you're the main character in the movie and Jordan 704 00:37:06,800 --> 00:37:09,440 Speaker 1: Peele can't give you an invite. I thought that was 705 00:37:09,480 --> 00:37:12,640 Speaker 1: pretty messed up. That's pretty crappy. I just imagine I 706 00:37:12,640 --> 00:37:17,760 Speaker 1: would feel awful, and then I wouldn't want to promote 707 00:37:17,760 --> 00:37:20,000 Speaker 1: the movie after it comes out, because you're like, they 708 00:37:20,000 --> 00:37:22,480 Speaker 1: didn't even invite me to the premiere. Why am I 709 00:37:22,520 --> 00:37:24,239 Speaker 1: going to go out of my way to promote this movie. 710 00:37:25,000 --> 00:37:27,040 Speaker 1: But again, I think that movie was grateful for him. 711 00:37:27,080 --> 00:37:30,239 Speaker 1: It really put him into the level he is now 712 00:37:30,960 --> 00:37:32,839 Speaker 1: and then need to go to the premiere. He went 713 00:37:32,840 --> 00:37:34,560 Speaker 1: on to do Black Panther. He's been a lot of 714 00:37:34,560 --> 00:37:38,439 Speaker 1: great things now. So I just think that Jordan Peele 715 00:37:38,480 --> 00:37:40,560 Speaker 1: will look back. He hasn't commented on it yet, but 716 00:37:40,600 --> 00:37:43,839 Speaker 1: like realized we probably messed up and not inviting him. 717 00:37:44,160 --> 00:37:45,799 Speaker 1: I don't know if it was like a strategic thing. 718 00:37:45,840 --> 00:37:49,439 Speaker 1: Why didn't invite him, But that seems pretty messed up. Yeah, 719 00:37:49,440 --> 00:37:50,920 Speaker 1: you don't have to think that wasn't just like a 720 00:37:50,960 --> 00:37:54,040 Speaker 1: small oversight. You think it was like a failed email, like, oh, 721 00:37:54,120 --> 00:37:56,279 Speaker 1: we didn't invite him, Like, I just feel like there 722 00:37:56,320 --> 00:37:58,840 Speaker 1: was something a reason there why he didn't get invited. 723 00:38:00,440 --> 00:38:03,000 Speaker 1: I don't know. I don't know if Yeah, like it 724 00:38:03,040 --> 00:38:06,640 Speaker 1: feels like when we invited to a birthday party, which 725 00:38:06,680 --> 00:38:08,640 Speaker 1: I wasn't invited to many birthday parties as a kid. 726 00:38:09,480 --> 00:38:12,319 Speaker 1: I don't think I can name one birthday party that 727 00:38:12,520 --> 00:38:17,880 Speaker 1: wasn't family that I was invited to. Can you for myself? Yeah, yeah, 728 00:38:17,920 --> 00:38:20,719 Speaker 1: so you were cooler than me. Growing up was like 729 00:38:20,760 --> 00:38:24,920 Speaker 1: being popular and having friends it wasn't popular. I awkwardly 730 00:38:25,000 --> 00:38:28,160 Speaker 1: like tagged along to somebody's birthday party in high school 731 00:38:28,160 --> 00:38:30,840 Speaker 1: and definitely wasn't invited. That was a very uncomfortable experience. 732 00:38:31,520 --> 00:38:34,359 Speaker 1: The person opened the door and for sure wondered why 733 00:38:34,400 --> 00:38:37,239 Speaker 1: I was there, and oh that is awkward. See, the 734 00:38:37,280 --> 00:38:40,080 Speaker 1: thing with me is I was always hanging out with 735 00:38:40,120 --> 00:38:42,080 Speaker 1: people who were older than me. Like I hung out 736 00:38:42,239 --> 00:38:44,080 Speaker 1: a lot with my cousins who are older and my 737 00:38:44,120 --> 00:38:46,160 Speaker 1: brother who was older, and I would just kind of 738 00:38:46,160 --> 00:38:48,640 Speaker 1: tag along and be the young kid hanging out with 739 00:38:48,680 --> 00:38:50,919 Speaker 1: older kids a lot of the time, and I guess 740 00:38:50,960 --> 00:38:55,839 Speaker 1: by association, I was like not cool but accepted. They're like, oh, 741 00:38:55,920 --> 00:38:58,759 Speaker 1: that's just somebody's younger brother, younger cousin. So I would 742 00:38:58,800 --> 00:39:01,239 Speaker 1: have kind of have a in there, and it would 743 00:39:01,280 --> 00:39:03,880 Speaker 1: be weird to be in those situations. And somebody from 744 00:39:04,080 --> 00:39:07,120 Speaker 1: my actual classes there too, and I'm like, just hear 745 00:39:07,200 --> 00:39:10,960 Speaker 1: this loser here by because I know somebody who's related 746 00:39:11,000 --> 00:39:14,400 Speaker 1: to somebody who put on a party. But that's my 747 00:39:14,640 --> 00:39:16,799 Speaker 1: kind of Yeah, that's how I was growing up. Never 748 00:39:16,880 --> 00:39:20,200 Speaker 1: really went to parties aside from hanging out with my 749 00:39:20,280 --> 00:39:22,680 Speaker 1: cousins and my brother. I mean, I think I stopped 750 00:39:22,680 --> 00:39:25,200 Speaker 1: going to birthday parties like after like nine, so I 751 00:39:25,560 --> 00:39:28,399 Speaker 1: stopped being cool after the elementary school. Well maybe we'll 752 00:39:28,400 --> 00:39:30,839 Speaker 1: be cool someday. Probably I just want to grow up 753 00:39:30,840 --> 00:39:34,120 Speaker 1: to be cool someday. But anyway, that is the episode 754 00:39:34,120 --> 00:39:36,560 Speaker 1: for this a week, and as always, we got to 755 00:39:36,560 --> 00:39:38,960 Speaker 1: give our listeners shout out of the Week. To get 756 00:39:38,960 --> 00:39:40,239 Speaker 1: one of these, all you have to do is simple, 757 00:39:40,400 --> 00:39:43,120 Speaker 1: just tweet me, send me a d M on Instagram, 758 00:39:43,320 --> 00:39:46,520 Speaker 1: or you can email me. Movie Mike d at gmail 759 00:39:46,600 --> 00:39:49,280 Speaker 1: dot com and I got a really nice email from Tanya, 760 00:39:50,120 --> 00:39:52,680 Speaker 1: who Sometimes I open up the email and there's always 761 00:39:52,719 --> 00:39:55,080 Speaker 1: just one that makes my day. They put in a 762 00:39:55,080 --> 00:39:57,279 Speaker 1: lot of thought to like write out like how long 763 00:39:57,320 --> 00:40:00,319 Speaker 1: they've been listening or just what they know me from, 764 00:40:00,400 --> 00:40:02,400 Speaker 1: and I read them all. So if you send me 765 00:40:02,400 --> 00:40:04,320 Speaker 1: an email, know that I go through all those and 766 00:40:04,400 --> 00:40:05,960 Speaker 1: check them out and I reply to them even if 767 00:40:05,960 --> 00:40:07,480 Speaker 1: I don't read them here on the podcast. But this 768 00:40:07,520 --> 00:40:09,840 Speaker 1: one came to us from Tanya. She said, Mike, I 769 00:40:09,840 --> 00:40:12,360 Speaker 1: wanted to thank you for being so much fun to 770 00:40:12,400 --> 00:40:14,520 Speaker 1: listen to on your podcast. I've been listening to the 771 00:40:14,520 --> 00:40:17,160 Speaker 1: podcast since day one. I love that. First of all, 772 00:40:17,560 --> 00:40:19,799 Speaker 1: like day one, I'll admit when I first started this 773 00:40:19,800 --> 00:40:24,640 Speaker 1: podcast wasn't that great. I am not really an outgoing person, 774 00:40:25,520 --> 00:40:27,680 Speaker 1: and the only place that I can really like talk 775 00:40:27,760 --> 00:40:31,560 Speaker 1: and quote unquote perform is behind a microphone. Like whether 776 00:40:31,640 --> 00:40:34,200 Speaker 1: it was when I was doing stand up comedy, when 777 00:40:34,239 --> 00:40:37,320 Speaker 1: I had a podcast, back when nobody listened to podcasts, 778 00:40:37,680 --> 00:40:41,120 Speaker 1: or now doing this podcast, and even when I started 779 00:40:41,160 --> 00:40:43,920 Speaker 1: this it was kind of weird too. Go back in 780 00:40:43,960 --> 00:40:46,359 Speaker 1: debt to that creative role, to where I was doing 781 00:40:46,400 --> 00:40:49,120 Speaker 1: all the talking to where people who know me from 782 00:40:49,200 --> 00:40:53,840 Speaker 1: the Bobby Bones Show they hear me very rarely and 783 00:40:54,200 --> 00:40:56,760 Speaker 1: it's usually very quick, and here I am doing forty 784 00:40:56,760 --> 00:41:00,759 Speaker 1: five minute episodes. So appreciate anybody who listened from day 785 00:41:00,760 --> 00:41:02,920 Speaker 1: one and listen to that first episode and it was like, 786 00:41:02,960 --> 00:41:04,400 Speaker 1: this is something I still want to listen to you. 787 00:41:05,280 --> 00:41:07,720 Speaker 1: She went on to say, I listened to the Bobby 788 00:41:07,719 --> 00:41:10,239 Speaker 1: Bones Show hashtag b Team four things with Amy Brown 789 00:41:10,320 --> 00:41:12,680 Speaker 1: and the Bobby cast, so naturally I had to come 790 00:41:12,680 --> 00:41:15,280 Speaker 1: support you here. Plus it was a bonus to actually 791 00:41:15,280 --> 00:41:17,400 Speaker 1: get to hear you instead of you telling the studio 792 00:41:17,480 --> 00:41:20,720 Speaker 1: something and then relaying it or having a brief moment 793 00:41:20,800 --> 00:41:23,200 Speaker 1: on the air. And just really appreciated that. And yeah, 794 00:41:23,239 --> 00:41:25,479 Speaker 1: that is kind of my role on the Bobby Bones Show, 795 00:41:25,520 --> 00:41:27,920 Speaker 1: Like I am in there, A lot of the stuff 796 00:41:27,960 --> 00:41:29,960 Speaker 1: I do is behind the scenes, and if something happens 797 00:41:30,200 --> 00:41:32,839 Speaker 1: during the show, I usually like shout something out, I'll 798 00:41:32,880 --> 00:41:34,880 Speaker 1: fact check something. So that's kind of my role on 799 00:41:34,920 --> 00:41:37,000 Speaker 1: the air and I like it, Like I don't really 800 00:41:37,360 --> 00:41:39,600 Speaker 1: in that setting. Want to be a person on the air, 801 00:41:40,160 --> 00:41:42,600 Speaker 1: and I love to be able to do kind of 802 00:41:42,640 --> 00:41:44,840 Speaker 1: things that I know about which our movies and do 803 00:41:44,920 --> 00:41:46,799 Speaker 1: it in this kind of format, So I think I 804 00:41:46,840 --> 00:41:48,600 Speaker 1: love that I've been able to kind of express it 805 00:41:48,640 --> 00:41:51,400 Speaker 1: here and that you guys listening have been into it. 806 00:41:51,480 --> 00:41:54,920 Speaker 1: So appreciate all the day ones out there. Appreciate you 807 00:41:55,000 --> 00:41:57,920 Speaker 1: Tanya for sending this email. And that is our episode 808 00:41:57,920 --> 00:41:59,759 Speaker 1: for today. Anything else you want to say, Kelsey, I 809 00:42:00,000 --> 00:42:02,719 Speaker 1: don't think of anything that's great. What should we watch 810 00:42:02,800 --> 00:42:07,200 Speaker 1: this weekend? New episode of One Division? One Division? I 811 00:42:07,239 --> 00:42:10,880 Speaker 1: love One Division. We've watched it from the very beginning, 812 00:42:11,000 --> 00:42:14,320 Speaker 1: and I think maybe the first two episodes, I didn't 813 00:42:14,320 --> 00:42:16,399 Speaker 1: know if I was going to love it because I 814 00:42:16,440 --> 00:42:19,920 Speaker 1: loved Vision as a character in the Marvel movies, and 815 00:42:20,000 --> 00:42:24,280 Speaker 1: Wanda really kind of became like my secondary like really 816 00:42:24,320 --> 00:42:28,839 Speaker 1: great character, and I love how different it is and 817 00:42:28,880 --> 00:42:31,719 Speaker 1: how this series is actually going to tie it back 818 00:42:31,760 --> 00:42:34,040 Speaker 1: into the Marvel universe in the movies, which they've never 819 00:42:34,120 --> 00:42:38,120 Speaker 1: done before, Like all the other Marvel movie TV show 820 00:42:38,120 --> 00:42:42,319 Speaker 1: adaptations have had kind of like and they allude to 821 00:42:42,360 --> 00:42:44,040 Speaker 1: what happened to the Avengers, but this will be the 822 00:42:44,080 --> 00:42:47,040 Speaker 1: only time ever that the TV show will go back 823 00:42:47,040 --> 00:42:49,960 Speaker 1: into the movies. So that'll be fun to watch. If 824 00:42:49,960 --> 00:42:52,640 Speaker 1: you're not watching One Division, it's probably because you have 825 00:42:52,680 --> 00:42:55,439 Speaker 1: too many things to watch. But another great TV show 826 00:42:55,480 --> 00:42:58,640 Speaker 1: recommendation and it will tie back into movie So that's 827 00:42:58,640 --> 00:43:01,719 Speaker 1: how it works. All right. Well that's the episode. Thanks 828 00:43:01,719 --> 00:43:05,160 Speaker 1: everybody for hanging out. We'll talk to you again next Monday. 829 00:43:05,280 --> 00:43:08,560 Speaker 1: Hope you enjoyed the interview with lou Diamond phillips Um. 830 00:43:08,600 --> 00:43:12,279 Speaker 1: If you don't mind, go tag him on Twitter saying 831 00:43:12,320 --> 00:43:14,520 Speaker 1: that you liked him on the episode. Maybe you'll see 832 00:43:14,560 --> 00:43:15,799 Speaker 1: a bunch of those and be like, hey, I just 833 00:43:15,840 --> 00:43:18,279 Speaker 1: did some random interview. I think people actually like it, 834 00:43:18,480 --> 00:43:21,480 Speaker 1: So go tag him on Twitter. He is at Lou 835 00:43:21,840 --> 00:43:25,200 Speaker 1: d phillips on Twitter. Just tell him you listen to 836 00:43:25,239 --> 00:43:27,440 Speaker 1: him on Movie Mix Movie Podcast and maybe he'll come 837 00:43:27,440 --> 00:43:30,480 Speaker 1: back and do another episode. Also, before we go, it's 838 00:43:30,520 --> 00:43:33,600 Speaker 1: now what one year anniversary since the first time you're 839 00:43:33,600 --> 00:43:38,319 Speaker 1: on this podcast, so and now you're like my go 840 00:43:38,440 --> 00:43:42,760 Speaker 1: to co host and because I'm the one really available 841 00:43:42,800 --> 00:43:45,440 Speaker 1: and we lived together. So thank you for being on 842 00:43:45,480 --> 00:43:47,360 Speaker 1: the podcast. Thank you for being the co host, and 843 00:43:47,400 --> 00:43:50,000 Speaker 1: thank you for bringing a new breath of fresh air 844 00:43:50,040 --> 00:43:54,640 Speaker 1: to the podcast. Keep doing more episodes. All right, We'll 845 00:43:54,680 --> 00:43:56,800 Speaker 1: talk to you guys next week here on the podcast, 846 00:43:56,800 --> 00:44:00,400 Speaker 1: and until then, later Thady