WEBVTT - Twilight with JT Taylor

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<v Speaker 1>On the beck dol Cast, the questions asked if movies

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<v Speaker 1>have women in them, are all their discussions just boyfriends

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<v Speaker 1>and husbands, or do they have in individualism the patriarchy?

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<v Speaker 1>Zef in best start changing it with the beck Del Cast. Hello,

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<v Speaker 1>and welcome to the Bechdel Cast. My name is Caitlin,

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<v Speaker 1>Miss Jamie, and we're here to talk about movies and

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<v Speaker 1>how women are portrayed in those movies. Women rule, women rule,

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<v Speaker 1>not according to movies, So no women suck. And that's

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<v Speaker 1>especially true of the movie we're talking about today. We

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<v Speaker 1>got a hum ding or today. Man, I'm sorry if

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<v Speaker 1>this episode ends up being like two and a half

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<v Speaker 1>hours long, because I have many pages of notes. I've

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<v Speaker 1>got a lot. Yeah, there's a lot to say. I

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<v Speaker 1>watched this movie once drunk, once sober, and tried to

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<v Speaker 1>figure out what I was saying in the drunk notes.

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<v Speaker 1>We'll see if I can piece it apart. I watched

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<v Speaker 1>probably the first fifteen minutes of it on Netflix and

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<v Speaker 1>then I was like, Oh, this movie blows. And then

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<v Speaker 1>I happened to have the Riff Tracks version of it,

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<v Speaker 1>so I watched the rest of that and it was

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<v Speaker 1>a much more enjoyable way to watch it. Yes, but hey,

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<v Speaker 1>let's jump in and introduce our guests. Let's do it.

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<v Speaker 1>He is an educator, but his most impressive credit is

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<v Speaker 1>that he is the best friend of a one Caitlin Durante.

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<v Speaker 1>It's j T. Taylor. Guys, thanks for having me. Thanks

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<v Speaker 1>for being here, my friend. Yeah. Thanks, that was a

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<v Speaker 1>good introduction. I'm I teach the youth of America about

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<v Speaker 1>commas and quotation marks and commas inside of quotation marks.

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<v Speaker 1>What would you say is the most important piece of punctuation? Puberty? Okay, amazing? Yeah, yeah,

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<v Speaker 1>it's usually where we start at the school year in

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<v Speaker 1>English class, puberty, and by the end they're shaving. It's great,

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<v Speaker 1>well in class and everything full service. That's amazing. In Massachusetts,

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<v Speaker 1>I miss shaving at school. You're you're in junior high

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<v Speaker 1>and you're like, let's sneak into the bathroom and shave

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<v Speaker 1>each other. My friends just shaven, shave it away. Yeah. Well,

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<v Speaker 1>this podcast is inspired by the Bechtel Tests. Right, do

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<v Speaker 1>you know what that is? Maybe? Maybe not. If you don't,

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<v Speaker 1>we're here to tell you that it's a test you

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<v Speaker 1>that you apply to movies or whatever, anything that has

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<v Speaker 1>a story. The test requires that the story has two

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<v Speaker 1>female characters. They have to talk to each other, they

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<v Speaker 1>have to have names, and their conversation can't be about

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<v Speaker 1>a man. I would honestly be fascinated if this is

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<v Speaker 1>the first episode someone would choose to listen to, because

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<v Speaker 1>it speaks more to their movie taste than anything aft, like, oh,

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<v Speaker 1>this is going to be my jumping off point for feminism. Hey, Jes,

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<v Speaker 1>tell us about your your history. Well we're talking about Twilight,

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<v Speaker 1>do you know? Oh no, you've misprepared. Were already give

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<v Speaker 1>it five film. So I'm an educator that means I

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<v Speaker 1>teach kids. And during my first interview, I knew this

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<v Speaker 1>is the job, This is my dream job because the

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<v Speaker 1>summer reading included Twilight. Real, what time do I start? Who?

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<v Speaker 1>In their right mind? For what age? The Massachusetts? There there?

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<v Speaker 1>It was a high school book for the high school

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<v Speaker 1>reading list. It's not there anymore, right, So what what

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<v Speaker 1>year would this have been? Tight? So that was when

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<v Speaker 1>I was in high school. That's crazy. Yeah, do you

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<v Speaker 1>want to transfer? Yeah? I want to go back in time.

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<v Speaker 1>My mom loved these books and she bought the box

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<v Speaker 1>set and was like, you've got to read them. She'd

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<v Speaker 1>later do the same thing with fifty shades, but I passed.

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<v Speaker 1>It was like your commings on these books. This is

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<v Speaker 1>chriss Well. I first encountered Twilight by going to visit

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<v Speaker 1>my friend J T. Hi. Yeah, that's my fault, that's

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<v Speaker 1>my It was before I lived in Boston, and I

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<v Speaker 1>think I went to visit you and you were like, hey,

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<v Speaker 1>got to watch this movie Twilight. We watched it and

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<v Speaker 1>it was bad, and you really at the time like

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<v Speaker 1>I loved it. Those movies. I spoke. We got into

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<v Speaker 1>fights about these movies because you were wrong and I

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<v Speaker 1>was right, no, because I have been right all along

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<v Speaker 1>that they've always been terrible, and now you're coming consistently

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<v Speaker 1>believed that there. I've consistently been a detractor, but I

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<v Speaker 1>was on board for you know, it's like this sort

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<v Speaker 1>of like twist my arm. I guess I'll go because

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<v Speaker 1>all my friends are going, but I think it's stupid.

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<v Speaker 1>But I would always go. I mean same like I've seen.

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<v Speaker 1>I think I saw the last three movies in the

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<v Speaker 1>theater really midnight. I saw the first one in theaters God,

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<v Speaker 1>and then I read the first book and a half

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<v Speaker 1>and it was like, holy sh it. The pros in

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<v Speaker 1>these books garbage, and I couldn't keep going. Also, I've

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<v Speaker 1>been a long time team Jacob. Oh, I agree, I agree,

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<v Speaker 1>I'm okay. Team Jacob is the right team. Thank you

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<v Speaker 1>so much. I agree. Also worth mentioning that our producer

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<v Speaker 1>Aristotle used to be a big Twilight head. Really wait,

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<v Speaker 1>what team were you on? Okay, it's good that we

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<v Speaker 1>have a split room. This is going to be good

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<v Speaker 1>for discourse. I don't understand. Well, okay, we'll get to Edward.

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<v Speaker 1>I just to Moody, give me, give me Jacob. He's

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<v Speaker 1>got He's a red blooded American horny wolf. I'm into it.

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<v Speaker 1>They have good banter. They have an actual friendship. Yes,

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<v Speaker 1>it doesn't start with like I'm gonna just look at

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<v Speaker 1>you for a long time, although that is. That's how

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<v Speaker 1>my high school boyfriend, uh he ensnared you, just by

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<v Speaker 1>staring at you for a while. Yeah, there was one

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<v Speaker 1>time where someone was like, oh, Steven stared at you

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<v Speaker 1>for the whole math test. All right, I'll date him.

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<v Speaker 1>He was really good at math, so I finished shortly

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<v Speaker 1>and then he was just like it worked. We dive

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<v Speaker 1>for four years. Romantic Nope, nope, listen, it was great

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<v Speaker 1>at the time. Okay, I was, I was young. I

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<v Speaker 1>was I was a baby. Gay Mowanna hadn't come out yet,

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<v Speaker 1>so I didn't really know who I was. It just

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<v Speaker 1>it spoke to me, and uh, I don't regret that

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<v Speaker 1>books are movies first. For you the movie it was

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<v Speaker 1>the trailer really for New Moon, when the parent government

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<v Speaker 1>is introduced, right, correct, I was books first. Okay, I

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<v Speaker 1>was still, you know, really knee deep into Harry Potter

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<v Speaker 1>at the time. And give me a breath over Harry Potter,

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<v Speaker 1>thank you alright, already came out. I'm irrevocably over Harry Potter,

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<v Speaker 1>who didn't learn the word or have a complay from this.

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<v Speaker 1>We just looked up the definition this morning, ten minutes

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<v Speaker 1>before you got here. I remember reading this these books.

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<v Speaker 1>I think it's the second book. But there's like a

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<v Speaker 1>part where Edward disappears and then Bella just does nothing

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<v Speaker 1>for like three months. Yeah, that's towards the beginning of News.

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<v Speaker 1>And there's a couple there's a couple just like blank pages,

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<v Speaker 1>and I remember seeing that and being like, oh, you

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<v Speaker 1>can just do nothing for three months. This is such

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<v Speaker 1>an interesting idea. It's society. I was I was like

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<v Speaker 1>straight up turned on by the idea of doing nothing

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<v Speaker 1>for three months, and so I was like, well, thank

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<v Speaker 1>you Stephanie Meyer for just, you know, making this an

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<v Speaker 1>option for young women doing nothing for three months because

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<v Speaker 1>they're they're like, maybe a friend should I do the

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<v Speaker 1>recap Alright, So Twilight centers around a young Bella Swan.

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<v Speaker 1>Don't forget, there's no way to convey that a character

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<v Speaker 1>is attractive unless you name her Bella, which means beauty,

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<v Speaker 1>and then also give her the last name of a

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<v Speaker 1>sexy bird, as we saw in the Pirates of the

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<v Speaker 1>Caribbean episode with Elizabeth. I think that there are actually

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<v Speaker 1>very dirty and mean. Have you ever met a swan?

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<v Speaker 1>I don't know why I'm asking that as someone who

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<v Speaker 1>actually I've met several swans and can confirm that they

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<v Speaker 1>are the sexiest of all the birds. Swans have only

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<v Speaker 1>been very mean to me. There's this place in Bracton

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<v Speaker 1>called dw Fields Park and you would go, I mean

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<v Speaker 1>maybe because they were city swans. It was very rude.

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<v Speaker 1>You'd bring little scraps and they were loud, they were territorial.

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<v Speaker 1>They would ship everywhere. Beautiful swan. It's it's a myth okay, well,

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<v Speaker 1>not according to black swan, not according to the swan Princess.

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<v Speaker 1>There's a lot of misconceptions about swans that I would

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<v Speaker 1>like to spend. There is a lot too much. What

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<v Speaker 1>about those other birds? How about pigeons? They have the

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<v Speaker 1>worst reputation, But are they the worst birds? We don't

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<v Speaker 1>know because we haven't seen enough theories about pigeons. They're

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<v Speaker 1>about as dirty as swans. All birds are dirty and

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<v Speaker 1>kind of scary. I think you're not wrong. Sorry, sorry

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<v Speaker 1>to trigger all you bird lovers out there. I expect

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<v Speaker 1>them strongly. So we've got bella swan. She moved to Forks, Washington,

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<v Speaker 1>where there's never son. You know. She's in a new

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<v Speaker 1>high school and she's trying to make new friends, but

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<v Speaker 1>she's so clumsy and awkward that it's hard. Except everyone

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<v Speaker 1>immediately loves her, including a person named Edward Cullen. He's mysterious,

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<v Speaker 1>he's pale. He emotionally abuses her from minute one, but

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<v Speaker 1>he's intriguing because it turns out, wow, he's a vampire.

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<v Speaker 1>So they start to fall in love. She's like, I'm

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<v Speaker 1>irrevocably in love with you. At one point they're playing baseball.

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<v Speaker 1>The baseball scene is bananas. I love it. Well, this scene,

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<v Speaker 1>it shouldn't be significant, but it is because this group

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<v Speaker 1>of bad vampires show up who have been killing the

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<v Speaker 1>townspeople and eating the sniffy ones. I like, I like

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<v Speaker 1>the one named James who's always sniff in the air. Yeah. Um.

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<v Speaker 1>And they show up because Bella starts hanging out with

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<v Speaker 1>the Cullen family, which is this family of vampires that

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<v Speaker 1>have just all been turned by Carlyle are all foster children,

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<v Speaker 1>but they're also all fucking each other. Interesting precedent that, yes,

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<v Speaker 1>So they're all playing baseball together and the bad vampire

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<v Speaker 1>show up because the thing with the Cullens is that

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<v Speaker 1>they don't eat people, even though they want to. They're vegetarians,

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<v Speaker 1>so they only eat animals. Makes sense. So the bad

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<v Speaker 1>vampires who do eat people come by. This guy James,

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<v Speaker 1>this lady Victoria, and let's see the one name Laurent,

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<v Speaker 1>and they're like, I smell a human, I'm gonna eat her.

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<v Speaker 1>And James, the lead bad vampire, Sniffy Sniffy Sniffy Sniffy Magoo,

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<v Speaker 1>decides that he's gonna turn Bella into a project and

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<v Speaker 1>he's gonna chase her. That's exactly great, Like he's gonna

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<v Speaker 1>fix her fix here by drinking all of her blood.

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<v Speaker 1>And so everyone freaks out and they're like, we gotta

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<v Speaker 1>get away from here. So they drive to Phoenix and

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<v Speaker 1>Bella things. Is this about Fury Road? Can we do

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<v Speaker 1>figur Road? Oh my god, it's been done. I would

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<v Speaker 1>rather do this than Fury Road. Honestly, I like this movie.

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<v Speaker 1>Oh my god, No that I'm having a stroke. Jamie hates.

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<v Speaker 1>I hate mad Mag's Fury Road. Give me any Twilight

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<v Speaker 1>movie over it. I have to go like be here

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<v Speaker 1>in Robert Buttons and handsome Tom hardy handsomer. I'm already boring. No,

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<v Speaker 1>his character is born because the handsome Okay, yes, team Jacob,

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<v Speaker 1>but kiss me on the lept. I love that he

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<v Speaker 1>wears a wig. There's like a lot of especially later

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<v Speaker 1>in this series, a lot of Jacob objectification, speculation on

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<v Speaker 1>his abs. He's wearing wigs. He's like Nicole Kidman, like

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<v Speaker 1>he's like, look at my body, look at my wig.

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<v Speaker 1>It's great. That wig was huge on Gate Twitter. Really yeah, wait,

0:11:51.040 --> 0:11:54.720
<v Speaker 1>Nicole Kidman's wig or Jacob Black's Okay, Okay, I was

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<v Speaker 1>going to say because I was really into I feel

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<v Speaker 1>like I've brought up this exact wig before, the one

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<v Speaker 1>that she wears is in in Big Little Eyes, Nicole

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<v Speaker 1>Kivin's wigg and Biggle Little Wise is something I think

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<v Speaker 1>about at least once a week. So they're in Phoenix

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<v Speaker 1>now and James is like, I'm when I eat you, fella,

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<v Speaker 1>and She's like, Okay, I'm gonna die in the place

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<v Speaker 1>of someone I love. She's okay with it, and she's

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<v Speaker 1>fine with it. It's the opening line from the movie,

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<v Speaker 1>right and and just so, so there's no mistake made.

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<v Speaker 1>You see a deer being consumed, as if to say, like,

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<v Speaker 1>don't worry, we have no problem selling out our protagonists

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<v Speaker 1>in the place of someone hot. Yeah. Yeah, this is

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<v Speaker 1>a movie that starts with a female deer being hunted

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<v Speaker 1>by a male hunter. And that's a perfect metaphor for

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<v Speaker 1>how I grew up in Pennsylvania. Did you get Hunting

0:12:47.920 --> 0:12:50.880
<v Speaker 1>season days off? We did, but I didn't go. I

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<v Speaker 1>stayed home and played video games like a normal person.

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<v Speaker 1>I didn't know that was a thing. Yeah, I didn't

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<v Speaker 1>have to go to school on the first day of

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<v Speaker 1>Like there just was no school in the first day

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<v Speaker 1>of Buck season and does season? Who does sides? But

0:13:00.440 --> 0:13:03.080
<v Speaker 1>the first day of Buck season, and it's different. The

0:13:03.240 --> 0:13:05.800
<v Speaker 1>Bock season and Do season are two different seasons. Yes,

0:13:05.840 --> 0:13:10.120
<v Speaker 1>it's the Vaultori the designs. Actually this is new information

0:13:10.160 --> 0:13:13.680
<v Speaker 1>to me. That's crazy. Yeah, grow up in rural Pennsylvania

0:13:13.679 --> 0:13:15.319
<v Speaker 1>and then you won't have to go to school when

0:13:15.480 --> 0:13:20.120
<v Speaker 1>there's hunting to be done. Okay. But so she's like,

0:13:20.160 --> 0:13:23.520
<v Speaker 1>I'm gonna die for Edward because I revocably love him,

0:13:23.600 --> 0:13:26.280
<v Speaker 1>And then of course he has to show up and

0:13:26.360 --> 0:13:29.959
<v Speaker 1>they fight James because James has bitten Bella. All the

0:13:30.040 --> 0:13:33.080
<v Speaker 1>vampire venom is coursing through her veins, and she's like

0:13:34.679 --> 0:13:37.800
<v Speaker 1>and it's like so she's like lying there on the

0:13:37.800 --> 0:13:41.240
<v Speaker 1>floor nearly dying. And then they kill James the vampire

0:13:41.320 --> 0:13:44.960
<v Speaker 1>by Alice ripping his head off. And then Edward, who

0:13:44.960 --> 0:13:48.280
<v Speaker 1>has expressed this entire time that he wants to suck

0:13:48.400 --> 0:13:51.280
<v Speaker 1>Bella's blood more than any humans blood. He has to

0:13:51.800 --> 0:13:54.600
<v Speaker 1>suck the venom out of her blood stream, and he's like,

0:13:54.640 --> 0:13:56.240
<v Speaker 1>oh god, am I going to be able to stop

0:13:56.240 --> 0:14:00.760
<v Speaker 1>in time? Good raw dog in it? Well I knew

0:14:02.640 --> 0:14:04.880
<v Speaker 1>that's basically what the metaphor is. He's like, I don't

0:14:04.880 --> 0:14:08.160
<v Speaker 1>know if I'm gonna be able to not come exactly. Yeah,

0:14:08.280 --> 0:14:12.880
<v Speaker 1>he's raw dogging it hot more raw dogging in movies,

0:14:13.040 --> 0:14:17.160
<v Speaker 1>Edwards the raw dog So the betrayal of women in Twilight,

0:14:19.440 --> 0:14:22.440
<v Speaker 1>you went your turn? Do you only speak when you're

0:14:22.480 --> 0:14:25.200
<v Speaker 1>spoken to? Well, the first time Bella had sex, she

0:14:25.360 --> 0:14:27.200
<v Speaker 1>raw dogs are right? And then she gets pregnant with

0:14:27.240 --> 0:14:31.160
<v Speaker 1>a little demon. They should maybe consider protection. But he's

0:14:31.200 --> 0:14:34.880
<v Speaker 1>so strong that parent come is impervious. Was that the thing?

0:14:34.880 --> 0:14:37.520
<v Speaker 1>He's like, Oh my, I have like badtery acid come

0:14:37.600 --> 0:14:41.960
<v Speaker 1>and there's no use in stopping me. And then he's like,

0:14:41.960 --> 0:14:46.880
<v Speaker 1>oh guy, this is so sick all other sniffys. Can

0:14:46.880 --> 0:14:49.120
<v Speaker 1>we just okay, can we skip forward to the end

0:14:49.120 --> 0:14:51.280
<v Speaker 1>of the fourth book really quick before we finished summarizing

0:14:51.320 --> 0:14:54.120
<v Speaker 1>the first movie, please, of how all this stuff happens.

0:14:54.200 --> 0:14:58.000
<v Speaker 1>There's a love triangle forever and then it turns out

0:14:58.640 --> 0:15:03.280
<v Speaker 1>that Jacob the were wolf was actually lusting after Bella's

0:15:03.640 --> 0:15:08.360
<v Speaker 1>unborn egg baby. Yeah, this is it. That is so

0:15:09.040 --> 0:15:13.320
<v Speaker 1>fucking gross. It is horrifying because we see them form

0:15:13.320 --> 0:15:15.720
<v Speaker 1>a friendship here that I'm like, this seems like puppy love,

0:15:15.760 --> 0:15:18.120
<v Speaker 1>seems like there's something there, but he's actually like horny

0:15:18.280 --> 0:15:22.680
<v Speaker 1>for her egg puppy, He's horny for her egg what

0:15:22.800 --> 0:15:29.160
<v Speaker 1>is it, renesme or whatever fucking stupid ass name. Grow up.

0:15:29.480 --> 0:15:32.960
<v Speaker 1>I remember having to stop reading the book and going

0:15:33.040 --> 0:15:36.120
<v Speaker 1>back and being like, surely this is not the implication,

0:15:36.280 --> 0:15:39.560
<v Speaker 1>because the whole thing is that someone imprints on the werewolves.

0:15:39.920 --> 0:15:42.120
<v Speaker 1>I think she's still a very young child that he

0:15:42.160 --> 0:15:44.280
<v Speaker 1>sees her for the first time. To be fair, Edward

0:15:44.440 --> 0:15:49.400
<v Speaker 1>is ninety years older than Bella, so a colonial England,

0:15:49.560 --> 0:15:52.560
<v Speaker 1>Like this is so fucking d Yeah, he like sees

0:15:52.560 --> 0:15:58.160
<v Speaker 1>this and then he's like, oh, exactly, that's exactly what happens.

0:15:58.280 --> 0:16:01.960
<v Speaker 1>And it is disgusting and one of many reasons I

0:16:02.040 --> 0:16:04.960
<v Speaker 1>fucking hate this series. That to me is the worst

0:16:04.960 --> 0:16:07.240
<v Speaker 1>part of the whole series. I have a high tolerance

0:16:07.320 --> 0:16:12.080
<v Speaker 1>for garbage and trash. But the dog man seeing a

0:16:12.160 --> 0:16:15.680
<v Speaker 1>baby and saying I'm going to that baby, and then

0:16:15.920 --> 0:16:20.160
<v Speaker 1>in the book being like, and here's the resolution thing

0:16:20.280 --> 0:16:22.640
<v Speaker 1>you've been waiting for years is the dog wants to

0:16:22.680 --> 0:16:27.400
<v Speaker 1>fund a baby. Like no that that you're like, oh, closure, like, no,

0:16:28.200 --> 0:16:33.440
<v Speaker 1>call the police, right. Just back checking a bit to

0:16:33.520 --> 0:16:38.200
<v Speaker 1>the end of the first one, the Good Vampires the Collins,

0:16:38.280 --> 0:16:42.720
<v Speaker 1>they show up, they destroy James. Meanwhile Edward is sucking

0:16:42.720 --> 0:16:45.840
<v Speaker 1>all of the blood out of Bella. Cut to the

0:16:46.000 --> 0:16:50.160
<v Speaker 1>end of the movie whereby she's done nothing to resolve anything,

0:16:50.600 --> 0:16:54.160
<v Speaker 1>and they go to prom. The end they do that.

0:16:54.240 --> 0:16:56.560
<v Speaker 1>Look though, I will because I was in high school

0:16:56.560 --> 0:16:59.360
<v Speaker 1>when this movie came out. I remember specifically, So this

0:16:59.400 --> 0:17:01.640
<v Speaker 1>came out like meat two thousand eight, and then the

0:17:01.680 --> 0:17:05.000
<v Speaker 1>prom season after two thousand nine, everyone was doing the

0:17:05.040 --> 0:17:08.119
<v Speaker 1>bell of Swan thing with a prom dress and converses.

0:17:08.280 --> 0:17:12.320
<v Speaker 1>That was like a thing for for the next couple

0:17:12.400 --> 0:17:16.200
<v Speaker 1>of years. You know, I'm in support of like wearing practical,

0:17:16.280 --> 0:17:19.640
<v Speaker 1>comfortable shoes in a formal occasion. That's fine, But what's

0:17:19.640 --> 0:17:23.119
<v Speaker 1>gross is being inspired by Twilight. But that totally was

0:17:23.160 --> 0:17:26.160
<v Speaker 1>what Yeah. Yeah, everyone was like, I'm doing the Bella Swan,

0:17:26.280 --> 0:17:28.840
<v Speaker 1>I'm wearing a kid dress. I'm awkward, I can't dance. Also,

0:17:29.920 --> 0:17:32.600
<v Speaker 1>I'm awkward, I can't She also wearing a cast because

0:17:32.600 --> 0:17:35.840
<v Speaker 1>of Vampire had broken her leg. Yeah, which might have

0:17:35.960 --> 0:17:39.359
<v Speaker 1>informed the shoe decision, but it went over all the

0:17:39.400 --> 0:17:41.560
<v Speaker 1>high school girls were like, oh, this seems easier, which

0:17:41.720 --> 0:17:44.840
<v Speaker 1>is true. Well, where do we jump in with this

0:17:45.240 --> 0:17:51.480
<v Speaker 1>hard Tovie, we can start it. Charlie's tom Selleck mustache. Yeah,

0:17:51.560 --> 0:17:53.720
<v Speaker 1>let's go there. Let's go there first. Are we into it?

0:17:53.800 --> 0:17:56.600
<v Speaker 1>I'm into it. I'm into it, honestly, Hot Dad, I'm

0:17:56.680 --> 0:17:59.600
<v Speaker 1>team Charlie. Yeah, hot Dad. He's doing his best and

0:17:59.600 --> 0:18:05.240
<v Speaker 1>he's hot. Okay. One of the first things that happens,

0:18:05.880 --> 0:18:08.959
<v Speaker 1>which I was grossed out by, is Bella arriving at

0:18:08.960 --> 0:18:11.760
<v Speaker 1>the new school. All the boys are like, who's the

0:18:11.800 --> 0:18:15.119
<v Speaker 1>new girl. She's so pretty and oh my god. And

0:18:15.160 --> 0:18:18.399
<v Speaker 1>then one of the characters, Tyler, swoops in for a

0:18:18.520 --> 0:18:22.760
<v Speaker 1>kiss just like surprise and then runs away. But this

0:18:22.840 --> 0:18:24.879
<v Speaker 1>is now, like, I don't know, the tense movie that

0:18:24.920 --> 0:18:27.800
<v Speaker 1>we've talked about on this podcast where a man just

0:18:27.920 --> 0:18:31.800
<v Speaker 1>like surprise kiss is a woman, which don't forget there's

0:18:31.840 --> 0:18:34.600
<v Speaker 1>all such thing as a surprise kiss, right, it's all

0:18:34.760 --> 0:18:38.520
<v Speaker 1>it's assault, And I just don't know why this always happens.

0:18:38.880 --> 0:18:40.800
<v Speaker 1>The first thing that bothered me about the movie is

0:18:40.840 --> 0:18:43.359
<v Speaker 1>that they used the word chill ax and you're like, oh, yeah,

0:18:43.359 --> 0:18:46.439
<v Speaker 1>it's two that in eight was like chill ax Bella.

0:18:46.560 --> 0:18:49.520
<v Speaker 1>I was like, oh no, feature yeah, I'm just lamping over.

0:18:50.160 --> 0:18:52.680
<v Speaker 1>She has a moderate amount of anxiety about being interviewed

0:18:52.680 --> 0:18:54.680
<v Speaker 1>as the new kid for the school newspaper, which would

0:18:54.680 --> 0:18:57.920
<v Speaker 1>never happen, and he immediately back pedals and he's like, relaxed, woman,

0:19:00.200 --> 0:19:02.639
<v Speaker 1>chill acts, I'm just trying to lamp over here. Do

0:19:02.680 --> 0:19:04.359
<v Speaker 1>you remember. People will be like, I'm just lamping. I

0:19:04.359 --> 0:19:06.080
<v Speaker 1>have no idea what that means. People would say that

0:19:06.080 --> 0:19:08.280
<v Speaker 1>in my high school. They'd be like, oh, funk, I'm

0:19:08.320 --> 0:19:10.040
<v Speaker 1>trying to think of all this because this was my

0:19:10.400 --> 0:19:13.040
<v Speaker 1>back this yeah, this was the best, the best years

0:19:13.040 --> 0:19:14.840
<v Speaker 1>of my life. Just kidding. I was wearing a back

0:19:14.880 --> 0:19:17.719
<v Speaker 1>brace for these years. But people would be like, oh,

0:19:17.760 --> 0:19:20.760
<v Speaker 1>we're lamping on the east side. For some reason, there

0:19:20.800 --> 0:19:22.440
<v Speaker 1>was a time where you could say lamp and I

0:19:22.560 --> 0:19:25.320
<v Speaker 1>just meant to hang out. Yeah, like Chilla hack sing

0:19:25.400 --> 0:19:29.639
<v Speaker 1>if you will, but like lamping. Yeah. Bella's first steps

0:19:29.640 --> 0:19:31.800
<v Speaker 1>into Forks really really interesting. A lot of people talk

0:19:31.840 --> 0:19:34.679
<v Speaker 1>to her about the weather. Tyler throws a twizzler at

0:19:34.680 --> 0:19:38.840
<v Speaker 1>her and then his van. He does throw a van

0:19:38.920 --> 0:19:42.440
<v Speaker 1>at her, and then Edward throws it back. He's like, no, certain,

0:19:42.480 --> 0:19:46.040
<v Speaker 1>not on my watch. I protect her. She's gonna save her.

0:19:46.240 --> 0:19:50.040
<v Speaker 1>She's not. I watched her when she sleeps just like, ah,

0:19:51.400 --> 0:19:55.800
<v Speaker 1>how romantic. Okay, yeah, so I made a list of

0:19:55.840 --> 0:19:59.520
<v Speaker 1>all the ways in which he is extremely abusive. There's

0:19:59.520 --> 0:20:04.119
<v Speaker 1>a scene he straight up gaslights her whenever he's he

0:20:04.240 --> 0:20:07.080
<v Speaker 1>saves her from the van crashing into her because he

0:20:07.119 --> 0:20:09.160
<v Speaker 1>has to like speed across the parking lot to get

0:20:09.200 --> 0:20:11.800
<v Speaker 1>to her in time, and because he's a vampire he

0:20:11.840 --> 0:20:14.880
<v Speaker 1>can do that. He's lightning fast. In the hospital, She's like,

0:20:15.040 --> 0:20:16.879
<v Speaker 1>how did you get over to me? How did you

0:20:16.920 --> 0:20:19.000
<v Speaker 1>do that? And like, also, how do you stop a

0:20:19.119 --> 0:20:23.959
<v Speaker 1>van with your arm? And he's a reasonable questions. He's like,

0:20:24.080 --> 0:20:26.280
<v Speaker 1>I was already right beside you, and she's like, no,

0:20:26.920 --> 0:20:28.760
<v Speaker 1>you were across the park. She keep saying, I know

0:20:28.800 --> 0:20:32.879
<v Speaker 1>what I saw. I know that was like scary to watch.

0:20:33.119 --> 0:20:36.119
<v Speaker 1>Knowing what gaslighting is now you're just like, oh my god.

0:20:37.119 --> 0:20:39.840
<v Speaker 1>And it being presented as like a funny little plot

0:20:39.880 --> 0:20:42.119
<v Speaker 1>point of like it's not time for her to know.

0:20:42.280 --> 0:20:45.399
<v Speaker 1>But I'm like, no, this is like a textbook example

0:20:45.440 --> 0:20:47.640
<v Speaker 1>of something that happens in abusive You're just like, why

0:20:49.119 --> 0:20:53.280
<v Speaker 1>you hit your head? You're confused? Yeah, that's like sample

0:20:53.440 --> 0:20:58.040
<v Speaker 1>text question her reality and make you think she's crazy.

0:20:58.080 --> 0:21:00.760
<v Speaker 1>And then she here's the thing. She does stand up

0:21:00.760 --> 0:21:03.520
<v Speaker 1>for herself. In this movie, a lot things happen to

0:21:03.600 --> 0:21:08.880
<v Speaker 1>her and she's like she tries, but it's always undermined

0:21:08.960 --> 0:21:11.680
<v Speaker 1>by the fact that she then just keeps staying with

0:21:11.720 --> 0:21:15.840
<v Speaker 1>this very abusive person. Like there's a scene where those

0:21:15.880 --> 0:21:20.440
<v Speaker 1>like scary rape dudes in Port Angels, Washington come after

0:21:20.440 --> 0:21:25.600
<v Speaker 1>her Port of Angels. They're like being all creepy, and

0:21:25.640 --> 0:21:27.680
<v Speaker 1>she's like, get off, don't touch me. She like even

0:21:27.720 --> 0:21:29.919
<v Speaker 1>kicks one of them. Like she does fight for herself.

0:21:29.960 --> 0:21:33.120
<v Speaker 1>She stands up for herself, but it never laughs long,

0:21:33.400 --> 0:21:37.800
<v Speaker 1>or she always succumbs to whatever abuses being tossed her way,

0:21:38.200 --> 0:21:41.840
<v Speaker 1>or very often just being removed from one abusive situation

0:21:41.880 --> 0:21:44.960
<v Speaker 1>and placed into a different one where like obviously the

0:21:45.080 --> 0:21:48.040
<v Speaker 1>guy is harassing her in port Angelist, that is bad news.

0:21:48.640 --> 0:21:51.199
<v Speaker 1>I think if we're playing out that situation realistically, she

0:21:51.240 --> 0:21:54.320
<v Speaker 1>would not have been able to rescue herself. We don't

0:21:54.400 --> 0:21:56.840
<v Speaker 1>know that she has any like physical training that would

0:21:56.840 --> 0:21:59.159
<v Speaker 1>allow her to fight off multiple grown men. I mean,

0:21:59.200 --> 0:22:02.399
<v Speaker 1>if there's like a bit of ice she slips on it, Yeah,

0:22:02.440 --> 0:22:08.000
<v Speaker 1>she can't. She has no hand eye coordination. She'sward, she's awkward,

0:22:08.000 --> 0:22:11.840
<v Speaker 1>but she knows what about No, She's like, I hate that,

0:22:12.280 --> 0:22:13.840
<v Speaker 1>but he has a crush on me. I'm cute, I

0:22:13.880 --> 0:22:17.760
<v Speaker 1>bought hair colored to box and I'm awkward. Okay, So

0:22:18.040 --> 0:22:21.720
<v Speaker 1>this is a hard thing to discuss because many women

0:22:21.760 --> 0:22:26.280
<v Speaker 1>find themselves in abusive relationships and we must not victim

0:22:26.440 --> 0:22:28.480
<v Speaker 1>blame them at all, because we can just be like, well,

0:22:28.520 --> 0:22:30.320
<v Speaker 1>why didn't you get out or why didn't you fight back,

0:22:30.400 --> 0:22:32.720
<v Speaker 1>or why didn't you stand up for herself? Like that's

0:22:32.760 --> 0:22:36.359
<v Speaker 1>obviously not how you approach, of course, not that. What

0:22:36.440 --> 0:22:39.480
<v Speaker 1>I what I think is the dangerous precedent set is

0:22:39.560 --> 0:22:42.600
<v Speaker 1>that we can't We're not gonna blame Bella because she

0:22:42.880 --> 0:22:47.040
<v Speaker 1>is sixteen years old. Who male or female at sixteen

0:22:47.080 --> 0:22:51.720
<v Speaker 1>years old is like emotionally equipped to deal with gaslighting vampires,

0:22:51.840 --> 0:22:56.120
<v Speaker 1>especially when he's ninety years older than her. And that's

0:22:56.160 --> 0:22:59.159
<v Speaker 1>the gross thing where he is somehow attractive. He's like

0:22:59.240 --> 0:23:02.000
<v Speaker 1>a hundred year ol man and that's like, you know,

0:23:02.040 --> 0:23:04.159
<v Speaker 1>takes you into a whole weird fiction world of like

0:23:04.160 --> 0:23:06.520
<v Speaker 1>what you're gonna do a corpse? But like we don't know,

0:23:07.200 --> 0:23:11.520
<v Speaker 1>we don't know. But speaking to like the abusive relationship angle,

0:23:11.600 --> 0:23:14.040
<v Speaker 1>I think that the real problem with it is that

0:23:14.400 --> 0:23:17.840
<v Speaker 1>obviously the target of these movies are girls that age

0:23:18.320 --> 0:23:21.760
<v Speaker 1>and the way their relationship, Like I think the characters

0:23:21.880 --> 0:23:25.919
<v Speaker 1>is one thing, because it's so fucking fictional that, you know,

0:23:26.040 --> 0:23:29.600
<v Speaker 1>obviously we can't really make value judgments on those characters.

0:23:29.640 --> 0:23:33.440
<v Speaker 1>But because sixteen year old girls are the intended audience,

0:23:33.560 --> 0:23:37.040
<v Speaker 1>and the relationship between Belle and Edward is positioned is

0:23:37.160 --> 0:23:41.919
<v Speaker 1>an ideal and like taking abuse and standing up for

0:23:41.960 --> 0:23:44.640
<v Speaker 1>yourself but later saying I was wrong to do that

0:23:45.840 --> 0:23:48.760
<v Speaker 1>is positioned as true love and an ideal. Like, I

0:23:48.760 --> 0:23:51.960
<v Speaker 1>think that that's the real core of the issue, is

0:23:52.000 --> 0:23:56.520
<v Speaker 1>that they're just justifying young women accepting abuse from a man.

0:23:56.640 --> 0:23:58.320
<v Speaker 1>Fun The characters they don't you know, none of the

0:23:58.359 --> 0:24:02.280
<v Speaker 1>characters make any sense. These characters are they're they're not real, right,

0:24:02.320 --> 0:24:05.240
<v Speaker 1>There aren't vampires. I mean, I've been too Forks. I've looked.

0:24:06.720 --> 0:24:10.439
<v Speaker 1>But someone whether it's the author the screenwriter, decided to

0:24:10.600 --> 0:24:15.520
<v Speaker 1>portray American culture in Forks, Washington as this is the norm,

0:24:15.600 --> 0:24:18.920
<v Speaker 1>this is what young women should aspire to be, aspire

0:24:18.960 --> 0:24:21.560
<v Speaker 1>to do right and then bella kind of I mean

0:24:22.200 --> 0:24:25.320
<v Speaker 1>not to bring up Harry Potter because I'll pass out,

0:24:26.119 --> 0:24:29.600
<v Speaker 1>um out of rage, to be clear, But Bella like

0:24:29.800 --> 0:24:32.040
<v Speaker 1>kind of the same as Harry Potter. You know, she's

0:24:32.160 --> 0:24:35.439
<v Speaker 1>Bella's a central character and she has the least personality

0:24:35.920 --> 0:24:38.679
<v Speaker 1>out of everybody, which is kind of done intentionally so

0:24:38.720 --> 0:24:42.560
<v Speaker 1>that the intended audience plugs themselves into that character. So

0:24:42.680 --> 0:24:45.200
<v Speaker 1>it's like not like teenage boys are watching this, or

0:24:45.880 --> 0:24:47.480
<v Speaker 1>you know, at least not to the same degree, but like,

0:24:47.520 --> 0:24:49.680
<v Speaker 1>teenage boys are watching this and they're like, I totally

0:24:49.720 --> 0:24:55.000
<v Speaker 1>relate with Edward Colin, but teenage girls almost universally if

0:24:55.240 --> 0:24:58.800
<v Speaker 1>shoe choices at my junior promor to be believed related

0:24:58.880 --> 0:25:02.840
<v Speaker 1>with Bella and I had to model themselves after her. Yeah,

0:25:02.920 --> 0:25:05.399
<v Speaker 1>you make a very good point about how the story

0:25:05.440 --> 0:25:09.520
<v Speaker 1>positions this as true love and your relationship is like this,

0:25:09.640 --> 0:25:13.080
<v Speaker 1>then oh how romantic? What a like a romance for

0:25:13.119 --> 0:25:16.520
<v Speaker 1>the ages, which I guess people fell for that because

0:25:16.640 --> 0:25:19.880
<v Speaker 1>this is a worldwide phenomenon, But I mean that moms

0:25:19.920 --> 0:25:23.560
<v Speaker 1>fell for that, which is even more in my mom

0:25:23.760 --> 0:25:28.240
<v Speaker 1>but like, but moms, we're into this series and that

0:25:28.520 --> 0:25:31.399
<v Speaker 1>it's just like whoo, whoof this goes back? Well, this

0:25:31.520 --> 0:25:34.640
<v Speaker 1>came out or this was like kind of the height

0:25:34.640 --> 0:25:37.800
<v Speaker 1>of its popularity right after college for me, I think,

0:25:38.040 --> 0:25:40.760
<v Speaker 1>and I had people my age, like in their early twenties,

0:25:40.800 --> 0:25:42.199
<v Speaker 1>and then I remember talking to my friend and her

0:25:42.200 --> 0:25:44.919
<v Speaker 1>older sister who was like late twenties. They were just

0:25:45.040 --> 0:25:48.720
<v Speaker 1>all enamored with this story. And I never understood it

0:25:48.760 --> 0:25:54.960
<v Speaker 1>because I have exquisite taste and self respect. Back to

0:25:54.960 --> 0:26:00.720
<v Speaker 1>the point of her being continually abused throughout this story

0:26:00.760 --> 0:26:06.000
<v Speaker 1>by Edward and standing up for herself. But then also no, yeah,

0:26:06.040 --> 0:26:09.480
<v Speaker 1>she completely acknowledges her the quota. So the lion fell

0:26:09.520 --> 0:26:12.480
<v Speaker 1>in love with the lamb. What a stupid lamb, sick

0:26:12.680 --> 0:26:16.280
<v Speaker 1>masochistic lion, right, and then they're like, let's kiss, yeah,

0:26:16.359 --> 0:26:20.359
<v Speaker 1>and there's a romantic song, right, the music swells. Well,

0:26:20.960 --> 0:26:24.119
<v Speaker 1>this goes goes back a little bit. But Bella's relationship

0:26:24.160 --> 0:26:28.679
<v Speaker 1>with her mom is very weird, where I don't remember

0:26:28.680 --> 0:26:31.119
<v Speaker 1>if she's like if it's expressed that she's like a

0:26:31.160 --> 0:26:33.440
<v Speaker 1>little bit frustrated or resentful of her mom. In the

0:26:33.520 --> 0:26:37.840
<v Speaker 1>book and the movie, her mom is like, yeah, I'm married, uh,

0:26:38.119 --> 0:26:40.480
<v Speaker 1>minor league baseball player, and I'm just gonna go watch

0:26:40.480 --> 0:26:46.960
<v Speaker 1>a fun ton of minor league baseball baseball team. But

0:26:46.960 --> 0:26:49.159
<v Speaker 1>but we see her call her mom multiple times, and

0:26:49.200 --> 0:26:50.840
<v Speaker 1>she's like, I missed you, mom, I love you Mom.

0:26:50.920 --> 0:26:52.639
<v Speaker 1>I was just like, are you not? But then the

0:26:52.640 --> 0:26:55.119
<v Speaker 1>mom follows up with what about the boys. Are the

0:26:55.119 --> 0:26:58.160
<v Speaker 1>boys cute at your new school? Hey? Many new boys? Yeah? Yeah,

0:26:58.200 --> 0:27:00.480
<v Speaker 1>And then she says I don't know, I'm not great,

0:27:01.640 --> 0:27:03.600
<v Speaker 1>and then she's like, Okay, I gotta watch some baseball.

0:27:03.760 --> 0:27:07.919
<v Speaker 1>Feeling she's always it like a batting cage on a

0:27:08.040 --> 0:27:10.520
<v Speaker 1>pay phone or like what are you doing? Like why

0:27:10.680 --> 0:27:13.560
<v Speaker 1>is she not? Why is Bella not furious at her

0:27:13.640 --> 0:27:16.520
<v Speaker 1>mom of like, thanks for dumping me in Washington with

0:27:16.600 --> 0:27:20.159
<v Speaker 1>my tom Sel like dad who like rules. But also

0:27:20.520 --> 0:27:23.199
<v Speaker 1>if my mom just abandoned me in the middle of

0:27:23.280 --> 0:27:27.159
<v Speaker 1>high school because she was fucking a minor league baseball player,

0:27:27.520 --> 0:27:30.720
<v Speaker 1>I would be furious. Yeah. Well, and one of the

0:27:30.720 --> 0:27:34.919
<v Speaker 1>many conversations that Edward overhears or you know, tries to

0:27:35.560 --> 0:27:39.520
<v Speaker 1>very voyeuristically spy on, He's like, what's in Jacksonville? What's

0:27:39.600 --> 0:27:41.400
<v Speaker 1>what's your story? Tell me everything about it? I can't

0:27:41.440 --> 0:27:43.879
<v Speaker 1>figure you out. I just can't read you. Tell me everything,

0:27:44.359 --> 0:27:47.040
<v Speaker 1>and she's like, well, my mom stayed home with me,

0:27:47.200 --> 0:27:49.399
<v Speaker 1>but I could tell it made her unhappy, Like in

0:27:49.400 --> 0:27:52.000
<v Speaker 1>what world? But it doesn't. I'd rather be watching minor

0:27:52.080 --> 0:27:57.160
<v Speaker 1>league baseball than stay home with you, feel like daughter.

0:27:57.280 --> 0:28:00.200
<v Speaker 1>The typical teenager would use that to be like hard

0:28:00.240 --> 0:28:01.600
<v Speaker 1>or the ship out of it right, be like I

0:28:01.600 --> 0:28:04.160
<v Speaker 1>did this for my mom, and I deserve some attention

0:28:04.160 --> 0:28:06.760
<v Speaker 1>because look at what I'm doing with the sacrifice. And

0:28:06.800 --> 0:28:10.440
<v Speaker 1>that's not the story. No, it's like barely a plot point.

0:28:10.480 --> 0:28:13.520
<v Speaker 1>And it's like her mom pops up. I don't even know,

0:28:13.520 --> 0:28:15.800
<v Speaker 1>because it's not even like her mom ever provides new

0:28:15.840 --> 0:28:18.840
<v Speaker 1>information or Bella, and Bella doesn't really tell her anything.

0:28:19.240 --> 0:28:23.080
<v Speaker 1>It's just like two actors getting their SAG card. They're

0:28:23.080 --> 0:28:27.479
<v Speaker 1>in a batting cage somewhere in Arizona, and and and

0:28:27.520 --> 0:28:29.960
<v Speaker 1>then one time the scene is interrupted by the fact

0:28:30.000 --> 0:28:34.440
<v Speaker 1>that Edward has been in her room for hours. Right,

0:28:34.680 --> 0:28:36.720
<v Speaker 1>so he doesn't have to know how to read her

0:28:36.720 --> 0:28:38.959
<v Speaker 1>mind if he's just watching her and listening to all

0:28:39.000 --> 0:28:41.440
<v Speaker 1>the words she says at all times. Okay, so that's

0:28:41.520 --> 0:28:45.400
<v Speaker 1>one of many very problematic things, is that she's the

0:28:45.440 --> 0:28:48.320
<v Speaker 1>only person who's thoughts he cannot read, because I guess

0:28:48.360 --> 0:28:53.960
<v Speaker 1>as a vampire you also have special powers to funk

0:28:54.040 --> 0:28:59.640
<v Speaker 1>that stupid thing. But he can simple yeah, but for

0:28:59.680 --> 0:29:03.760
<v Speaker 1>whatever reason, we find out later that Bella also has superpowers.

0:29:04.280 --> 0:29:06.200
<v Speaker 1>Everyone has special power. She just needs to become a

0:29:06.280 --> 0:29:11.600
<v Speaker 1>vampire to figure it out. Accepted a voice inside you,

0:29:15.640 --> 0:29:17.959
<v Speaker 1>so he can't read her thoughts, and I think this

0:29:18.040 --> 0:29:21.000
<v Speaker 1>is part of what draws him to her, because he's like,

0:29:21.080 --> 0:29:23.160
<v Speaker 1>I have to figure you out. You're my new project.

0:29:23.240 --> 0:29:26.080
<v Speaker 1>Everyone wants to make Bella a project. Well, it's it's

0:29:26.080 --> 0:29:28.120
<v Speaker 1>fair to say that the new girl in school in

0:29:28.120 --> 0:29:30.520
<v Speaker 1>a small town, she's new, she's different. I can't read

0:29:30.520 --> 0:29:33.000
<v Speaker 1>her thoughts. That is interesting, right, But it's it's the

0:29:33.000 --> 0:29:36.760
<v Speaker 1>crux of his interest in her that and he becomes

0:29:37.080 --> 0:29:40.640
<v Speaker 1>so grossly obsessed with it too, Like he goes way

0:29:40.640 --> 0:29:43.560
<v Speaker 1>too far with it. In fact, there's a scene where

0:29:43.600 --> 0:29:49.000
<v Speaker 1>he we're lamping. There's a scene where they go into

0:29:49.000 --> 0:29:51.920
<v Speaker 1>the woods and she's figured out that he's a vampire.

0:29:52.120 --> 0:29:54.920
<v Speaker 1>He confirms it. They go up this mountain and at

0:29:54.920 --> 0:29:57.840
<v Speaker 1>one point he like pins her against a rock wall,

0:29:58.400 --> 0:30:01.880
<v Speaker 1>puts both of his arms up, so she's basically trapped,

0:30:02.160 --> 0:30:04.440
<v Speaker 1>and he's like, I have to know what you're thinking.

0:30:04.520 --> 0:30:06.600
<v Speaker 1>Tell me what you're thinking all the time. And it's

0:30:06.680 --> 0:30:12.920
<v Speaker 1>so weird way to try to control someone like he

0:30:13.080 --> 0:30:15.720
<v Speaker 1>just he can't read her thoughts, so he's like, I

0:30:15.760 --> 0:30:18.440
<v Speaker 1>need to know what you're thinking. I must control you. Right,

0:30:18.560 --> 0:30:20.840
<v Speaker 1>But if we put that in the context of a

0:30:20.880 --> 0:30:24.360
<v Speaker 1>teenage girl who's never had a relationship before, it's like, oh,

0:30:24.400 --> 0:30:28.640
<v Speaker 1>here's a boy who really cares what I think. Again,

0:30:28.800 --> 0:30:32.200
<v Speaker 1>it's like this very dangerous precedent to set where teenage

0:30:32.240 --> 0:30:37.600
<v Speaker 1>boys are fucking morons obviously and don't understand how to

0:30:37.640 --> 0:30:42.440
<v Speaker 1>function around anyone. Yeah, right, the expert. I'm an educator.

0:30:43.800 --> 0:30:50.120
<v Speaker 1>I educate this fuck dumb. But but it's like, you know,

0:30:50.480 --> 0:30:52.600
<v Speaker 1>that's a very appealing I know when I was sixteen,

0:30:52.640 --> 0:30:54.720
<v Speaker 1>I was like, Oh, a boy who really wants to

0:30:54.720 --> 0:30:58.760
<v Speaker 1>know my innermost thoughts. Wow, I'll let him pin me

0:30:58.880 --> 0:31:01.400
<v Speaker 1>to a rock. And it's like, you know, ten years later,

0:31:01.440 --> 0:31:04.320
<v Speaker 1>obviously you're like, don't touch me and stay away from me.

0:31:04.800 --> 0:31:10.560
<v Speaker 1>But it's so fucking insidious and a bummer. Some right

0:31:10.640 --> 0:31:13.440
<v Speaker 1>after or right before he admits he's like, I've killed

0:31:13.480 --> 0:31:18.360
<v Speaker 1>people's right after it doesn't matter to me, and of you,

0:31:18.520 --> 0:31:24.480
<v Speaker 1>I'm like, Okay, that's not you. That scene is so crazy,

0:31:24.680 --> 0:31:27.200
<v Speaker 1>like that whole sequence and then he and then it's

0:31:27.200 --> 0:31:30.000
<v Speaker 1>in the big reveal. Wait, which one that scene where

0:31:30.160 --> 0:31:32.160
<v Speaker 1>after they've admitted everything, they've talked about what it means

0:31:32.200 --> 0:31:34.680
<v Speaker 1>to be a vampire, he takes her through the cloud

0:31:34.680 --> 0:31:40.680
<v Speaker 1>break we finally see the true Edward. Yeah, oh yeah,

0:31:40.680 --> 0:31:42.920
<v Speaker 1>where he That is such a weird real because if

0:31:42.960 --> 0:31:44.840
<v Speaker 1>you don't know that that is the exact reveal it's

0:31:44.880 --> 0:31:47.560
<v Speaker 1>coming in the books, it's like, what is he doing?

0:31:47.960 --> 0:31:53.480
<v Speaker 1>And he walks and it isn't like a dazzling like shing,

0:31:53.520 --> 0:31:55.920
<v Speaker 1>which is how I pictured there was a sound effect

0:31:55.920 --> 0:32:03.160
<v Speaker 1>though there wasn't when the sun hits my skin. I

0:32:03.200 --> 0:32:06.240
<v Speaker 1>was expecting listen not to criticize this amazing movie. I

0:32:06.320 --> 0:32:09.760
<v Speaker 1>wasting a bigger reveal that he was sparkly. If I

0:32:09.800 --> 0:32:12.600
<v Speaker 1>had not known and had been waiting with bated breath

0:32:12.680 --> 0:32:16.400
<v Speaker 1>for that to happen, I would be like what I said, Oh,

0:32:16.440 --> 0:32:18.840
<v Speaker 1>he's got a little body glitter. He goes to players

0:32:18.840 --> 0:32:21.240
<v Speaker 1>and he puts on his body glitters. You remember body glitter?

0:32:21.360 --> 0:32:24.440
<v Speaker 1>That was fun? Are you boss? You ever buy body glitter? Yeah?

0:32:24.560 --> 0:32:28.240
<v Speaker 1>I thought this tube of Victoria's secret body glitter that

0:32:28.400 --> 0:32:30.400
<v Speaker 1>I never wore. I don't know why. I was like,

0:32:30.560 --> 0:32:32.960
<v Speaker 1>I'm not a sparkly person, like, that's not something I

0:32:33.000 --> 0:32:35.160
<v Speaker 1>would ever put on my body. Why did I buy this?

0:32:35.360 --> 0:32:37.560
<v Speaker 1>And then I ended up throwing it away? We lived

0:32:37.560 --> 0:32:39.560
<v Speaker 1>together in college and I actually saw it and used

0:32:39.560 --> 0:32:44.560
<v Speaker 1>it once. It's like, oh my god, I'm glad someone

0:32:44.720 --> 0:32:47.800
<v Speaker 1>used us. The body glitter and he usually smells good

0:32:47.800 --> 0:32:55.560
<v Speaker 1>to five stars reviewing posthumously, irrevocably. That's my favorite adverb.

0:32:57.920 --> 0:33:00.640
<v Speaker 1>So we're not we're not blaming Bella. At the center

0:33:00.680 --> 0:33:03.320
<v Speaker 1>of the story, like, like Edwards medium baggage is he

0:33:03.360 --> 0:33:05.440
<v Speaker 1>hasn't figured out what it means to be a vampire, right.

0:33:05.480 --> 0:33:07.920
<v Speaker 1>He he knows what like popular culture tells him about

0:33:07.920 --> 0:33:10.600
<v Speaker 1>being this mean, evil vampire, but he's not like the others.

0:33:10.680 --> 0:33:14.440
<v Speaker 1>He's not like the other and he just he uses

0:33:14.520 --> 0:33:16.560
<v Speaker 1>Bella to figure it out. He's like figuring out his

0:33:16.600 --> 0:33:19.000
<v Speaker 1>morality and he's using this young seventeen year old to

0:33:19.040 --> 0:33:21.600
<v Speaker 1>do it. He's ruining her right. The other thing one

0:33:21.680 --> 0:33:24.040
<v Speaker 1>just well, fuck, I have a list of eight thousand

0:33:24.080 --> 0:33:25.880
<v Speaker 1>things I want to say, but one of them is

0:33:25.920 --> 0:33:28.360
<v Speaker 1>that it's so fucking creepy and weird to me and

0:33:28.400 --> 0:33:32.280
<v Speaker 1>should be to everybody that he is. So we learned

0:33:32.280 --> 0:33:35.280
<v Speaker 1>that he's turned into a vampire in nineteen eighteen hot,

0:33:35.440 --> 0:33:38.400
<v Speaker 1>which means he was probably born in nineteen hundred. He's

0:33:38.400 --> 0:33:43.080
<v Speaker 1>a trench warfare vampire, and he has gone through high

0:33:43.080 --> 0:33:47.360
<v Speaker 1>school presumably dozens of times. But he well, yeah, because

0:33:47.360 --> 0:33:51.000
<v Speaker 1>we see that all the I actually always remember. I'm like,

0:33:51.040 --> 0:33:53.040
<v Speaker 1>that's a actually a really cool art piece suit in

0:33:53.080 --> 0:33:54.640
<v Speaker 1>your house, And then I saw it this time, I'm like,

0:33:54.680 --> 0:33:56.200
<v Speaker 1>you know what, I stand by it. I like all

0:33:56.240 --> 0:33:59.640
<v Speaker 1>the caps. I like that kind of like I would

0:33:59.640 --> 0:34:03.080
<v Speaker 1>put it in my very fancy all glass home. Right,

0:34:03.280 --> 0:34:08.240
<v Speaker 1>don't throw any rocks around that house, the vampire house. Yeah, So, okay,

0:34:08.280 --> 0:34:11.560
<v Speaker 1>we don't know how vampires and they're like mental and

0:34:11.600 --> 0:34:15.000
<v Speaker 1>emotional maturity happens. Maybe when they turn into a vampire

0:34:15.200 --> 0:34:19.680
<v Speaker 1>it stops, or maybe as they age they developmentally age

0:34:19.719 --> 0:34:22.560
<v Speaker 1>like humans, so that he's a nine year old man inside,

0:34:22.600 --> 0:34:25.040
<v Speaker 1>but he's he's stays in like a seventeen year old body.

0:34:25.120 --> 0:34:28.920
<v Speaker 1>Either way, it's weird that he's alive for ninety years

0:34:29.120 --> 0:34:31.520
<v Speaker 1>and you would think has the emotional maturity of a

0:34:31.600 --> 0:34:33.600
<v Speaker 1>ninety year old and then it's still attracted to a

0:34:33.640 --> 0:34:37.640
<v Speaker 1>teenage girl. You're raising your hand, yes, Jamie, what would

0:34:37.640 --> 0:34:40.439
<v Speaker 1>you like to draw a parallel. Okay, have you seen

0:34:40.800 --> 0:34:45.040
<v Speaker 1>or read Tuch ever Lasting? No, that is the immortal

0:34:45.400 --> 0:34:48.160
<v Speaker 1>good text to text connection and thank you so much.

0:34:48.320 --> 0:34:52.879
<v Speaker 1>An educator's approval means the world. Um No, but the

0:34:52.920 --> 0:34:56.120
<v Speaker 1>Tych ever Lasting is the closest and non too inside

0:34:56.120 --> 0:34:58.640
<v Speaker 1>because I like Tuch ever Lasting much better, But the

0:34:58.680 --> 0:35:01.040
<v Speaker 1>Tych over Lasting book is way more fucked up because

0:35:01.080 --> 0:35:04.560
<v Speaker 1>it's like in a hundred year old hot seventeen year

0:35:04.600 --> 0:35:06.920
<v Speaker 1>old and he's like lusting after a ten year old,

0:35:07.000 --> 0:35:10.560
<v Speaker 1>kind of like Jacob Renesme style, if you will. But

0:35:10.640 --> 0:35:13.360
<v Speaker 1>in the movie they aged up so that it's someone

0:35:13.360 --> 0:35:16.480
<v Speaker 1>who was on the Disney Channel lusting after Rory Gilmore

0:35:17.200 --> 0:35:20.359
<v Speaker 1>a little bit older. But it's interesting because the way

0:35:20.520 --> 0:35:23.319
<v Speaker 1>that that story plays out as a sort of a

0:35:23.440 --> 0:35:26.840
<v Speaker 1>similar like it's a family who's drank from the Fountain

0:35:26.920 --> 0:35:30.840
<v Speaker 1>of Youth, and the whole time they discourage the object

0:35:30.880 --> 0:35:33.759
<v Speaker 1>of his affection, who is ninety years too young for

0:35:33.840 --> 0:35:39.040
<v Speaker 1>him but looks age appropriate. They discourage her from drinking

0:35:39.040 --> 0:35:41.480
<v Speaker 1>from the Fountain of youth and she doesn't, and then

0:35:41.520 --> 0:35:44.000
<v Speaker 1>at the end of this story we see a still

0:35:44.200 --> 0:35:48.480
<v Speaker 1>young hot Jesse something I forget his last name, drives

0:35:48.520 --> 0:35:51.480
<v Speaker 1>up on his motorcycle and then he sees, you know,

0:35:51.560 --> 0:35:55.680
<v Speaker 1>the grave of Rory Gilmore. So in that story, it's

0:35:55.800 --> 0:35:58.799
<v Speaker 1>you know, it's more powerful because because she goes off

0:35:58.840 --> 0:36:01.480
<v Speaker 1>and she lives her life life and she does not

0:36:01.719 --> 0:36:06.120
<v Speaker 1>succumb to intense gas lighting from the object for refection.

0:36:06.400 --> 0:36:08.680
<v Speaker 1>And it's also like said that, you know, it's like

0:36:08.920 --> 0:36:13.320
<v Speaker 1>living forever may not be a great thing after all

0:36:13.480 --> 0:36:16.960
<v Speaker 1>and all that stuff. So anyways, that's the closest parallel

0:36:17.000 --> 0:36:19.080
<v Speaker 1>to this story that I can find. And there's not

0:36:19.160 --> 0:36:21.399
<v Speaker 1>any gas lighting in that because they're always like, don't

0:36:21.400 --> 0:36:23.239
<v Speaker 1>do it, and then she doesn't. So maybe it's just

0:36:23.280 --> 0:36:27.359
<v Speaker 1>a more boring story. Yeah. I don't think Edwards that strong, right,

0:36:27.400 --> 0:36:29.640
<v Speaker 1>he would never be able to control himself. He's a

0:36:29.719 --> 0:36:34.640
<v Speaker 1>raw dog control himself his own personal brand of Heroin.

0:36:35.520 --> 0:36:37.919
<v Speaker 1>Just for all my Tug ever Lasting heads out there,

0:36:38.239 --> 0:36:43.000
<v Speaker 1>it's Jonathan Jackson who played the Hot guy and Tuck

0:36:43.040 --> 0:36:45.319
<v Speaker 1>ever Lasting. They also go to the top of a

0:36:45.320 --> 0:36:51.759
<v Speaker 1>mountain to discuss eternal life in that movie. If you're

0:36:51.800 --> 0:36:56.239
<v Speaker 1>living forever and you're an innocent teenage on janu you're

0:36:56.239 --> 0:36:58.560
<v Speaker 1>gonna have to go to the top of a natural

0:36:58.600 --> 0:37:02.160
<v Speaker 1>formation to hash it out. That's a new movie rule.

0:37:03.239 --> 0:37:06.279
<v Speaker 1>Oh man, too bad. We already have the loftist test.

0:37:06.520 --> 0:37:09.440
<v Speaker 1>The lattictist hold strong, baldest woman in charge doesn't apply

0:37:09.480 --> 0:37:11.920
<v Speaker 1>to this movie. I don't think no. I'd say the Well,

0:37:11.960 --> 0:37:14.480
<v Speaker 1>the baldest woman in this movie is Alice, and she's

0:37:14.520 --> 0:37:17.520
<v Speaker 1>the I would say she's the best female character because

0:37:17.520 --> 0:37:20.000
<v Speaker 1>she kills someone. Yeah, she rips it that dude's head off.

0:37:21.000 --> 0:37:24.280
<v Speaker 1>I loved that kind. Yeah, she's a real hot topic

0:37:24.280 --> 0:37:29.680
<v Speaker 1>assistant manager. Hey, really quick? Are we to believe that

0:37:29.719 --> 0:37:34.200
<v Speaker 1>Bella was also wearing sleeves and jeans in Phoenix the

0:37:34.239 --> 0:37:36.160
<v Speaker 1>whole time? Because we see her at the beginning like

0:37:36.320 --> 0:37:39.080
<v Speaker 1>I live in Phoenix, Arizona. It's hot. And then we

0:37:39.160 --> 0:37:41.840
<v Speaker 1>see her in like two layers of sleeves and jeans

0:37:41.840 --> 0:37:45.879
<v Speaker 1>because she's awkward, right, she can't show her shoulders, she's

0:37:45.920 --> 0:37:49.880
<v Speaker 1>too awkward. She would she'd melt. But I'm just like,

0:37:49.920 --> 0:37:52.280
<v Speaker 1>how did you live in Phoenix for your whole life

0:37:52.320 --> 0:37:54.719
<v Speaker 1>with your chode of a mother. I don't understand your Well,

0:37:54.760 --> 0:37:57.160
<v Speaker 1>that's why she gets kicked out. Remember that hilarious joke

0:37:57.239 --> 0:38:03.680
<v Speaker 1>that everyone like cracks the over. Yeah, the scene where

0:38:03.920 --> 0:38:08.759
<v Speaker 1>the fucking Mike Chode, who's like, oh my good Isabella right,

0:38:08.800 --> 0:38:11.960
<v Speaker 1>and she's like just Bella. That's the closest to a

0:38:12.000 --> 0:38:15.600
<v Speaker 1>real high school student that we see. I think, so yeah,

0:38:15.600 --> 0:38:17.480
<v Speaker 1>Like that's like he's a Chode in a way that

0:38:17.600 --> 0:38:19.440
<v Speaker 1>it's like, oh, I would know a choked like that.

0:38:20.480 --> 0:38:22.560
<v Speaker 1>Anna Kendrick plays a high school or in this movie,

0:38:22.680 --> 0:38:25.160
<v Speaker 1>well those she's like or someone says in that scene,

0:38:25.520 --> 0:38:27.919
<v Speaker 1>you're from Arizona, are't she supposed to be like super tan?

0:38:28.080 --> 0:38:31.040
<v Speaker 1>And then Bella I'm just like, I guess that's why

0:38:31.040 --> 0:38:33.960
<v Speaker 1>they kicked me out, and they both ha ha ha ha.

0:38:35.520 --> 0:38:38.960
<v Speaker 1>We have d cups, but we're not cool, Like grow up.

0:38:39.000 --> 0:38:40.919
<v Speaker 1>If you have d cups in high school, you're cool

0:38:41.480 --> 0:38:44.960
<v Speaker 1>dealing it. Let's talk about all these scenes that happened

0:38:45.000 --> 0:38:50.160
<v Speaker 1>in the science room where when Bella first walks in.

0:38:50.600 --> 0:38:53.799
<v Speaker 1>By the way, the science teacher's name is Mr Molina.

0:38:54.600 --> 0:39:00.160
<v Speaker 1>I know, but it would have been a perfect opportunity. Well,

0:39:00.200 --> 0:39:01.920
<v Speaker 1>you continue to talk about science, I'll figure out what

0:39:01.920 --> 0:39:04.560
<v Speaker 1>offered Molina was I figure out what he was doing instead.

0:39:04.640 --> 0:39:06.600
<v Speaker 1>I'm sure the part was offered to him because that

0:39:06.600 --> 0:39:10.439
<v Speaker 1>could have been homage. Here's what he might have been doing.

0:39:10.600 --> 0:39:13.560
<v Speaker 1>He might have been filming The Ten Commandments playing Ramsey

0:39:13.600 --> 0:39:18.440
<v Speaker 1>is the Pharaoh. Obviously, he might have been providing the

0:39:18.520 --> 0:39:22.000
<v Speaker 1>voice of Professor Jeffries and chill out Scooby doo wait

0:39:22.080 --> 0:39:26.799
<v Speaker 1>chill acts, though not that what they meant. He might

0:39:26.840 --> 0:39:29.320
<v Speaker 1>have been in pre production to be the narrator in

0:39:29.520 --> 0:39:33.040
<v Speaker 1>Angels and Demons in two thousand and nine. He was

0:39:33.160 --> 0:39:37.160
<v Speaker 1>probably filming The Pink Panther too. Probably he's busy all

0:39:37.200 --> 0:39:40.879
<v Speaker 1>the time, all right. So she walks into the science room,

0:39:41.040 --> 0:39:44.759
<v Speaker 1>there's a fan blowing, a gust of her scent travels

0:39:44.840 --> 0:39:50.760
<v Speaker 1>to edwards nostrils. He borderline pukes, and then she sits

0:39:50.760 --> 0:39:54.040
<v Speaker 1>down beside him, and he has a hissy fit the

0:39:54.080 --> 0:39:55.920
<v Speaker 1>whole time, and then as soon as the bell rings

0:39:56.200 --> 0:39:59.360
<v Speaker 1>he storms out. And Okay, to be fair, she's like

0:39:59.520 --> 0:40:01.680
<v Speaker 1>I was to confront him, to figure out what his

0:40:01.760 --> 0:40:04.520
<v Speaker 1>problem was, Like, she wanted to know what the funk

0:40:04.600 --> 0:40:07.879
<v Speaker 1>his problem was. I'm not that brave. She doesn't get

0:40:07.920 --> 0:40:10.200
<v Speaker 1>a chance, Well, she kind of doesn't get a chance

0:40:10.239 --> 0:40:12.279
<v Speaker 1>to do it. Yeah, she does, because the next time

0:40:12.360 --> 0:40:15.480
<v Speaker 1>they're in the science room together, they're looking at the

0:40:15.520 --> 0:40:20.000
<v Speaker 1>onion slides on the microscope, which is a good Shrek reference.

0:40:21.160 --> 0:40:24.920
<v Speaker 1>Onions have layers. We know it, we love it. Where's

0:40:24.960 --> 0:40:28.840
<v Speaker 1>the where's the Shrek episode? Right? Where is it? It's coming.

0:40:29.680 --> 0:40:32.040
<v Speaker 1>But that's a fun scene because she looks into the

0:40:32.080 --> 0:40:36.120
<v Speaker 1>microscope and she's like, it's pro phase, and Edwards like, actually,

0:40:36.200 --> 0:40:37.880
<v Speaker 1>can I look at it just a double check your

0:40:37.880 --> 0:40:41.040
<v Speaker 1>work because I don't believe you more gas lining, and

0:40:41.080 --> 0:40:43.279
<v Speaker 1>then he looks into it and then he's like, it's

0:40:43.320 --> 0:40:47.080
<v Speaker 1>pro phase. Man's plaining it's unfair because he's been seventeen

0:40:47.120 --> 0:40:50.480
<v Speaker 1>for ninety years, so he's done this experiment for probably

0:40:50.640 --> 0:40:54.520
<v Speaker 1>fifty times. Show off somehow. Yeah, It's like, yeah, I've

0:40:54.640 --> 0:40:57.520
<v Speaker 1>I've got this, I've got this. She so he Man's

0:40:57.520 --> 0:41:00.480
<v Speaker 1>plains to her, but then to her credit, she says, yeah,

0:41:00.600 --> 0:41:04.000
<v Speaker 1>like I said, the thing is like Bella. God. I

0:41:04.040 --> 0:41:08.040
<v Speaker 1>feel Bella has the agency of an above average teenage girl,

0:41:08.520 --> 0:41:12.279
<v Speaker 1>but she's shot down by the narrative repeatedly until she

0:41:12.440 --> 0:41:14.839
<v Speaker 1>is just trapped. Like when I was sixteen, there's no

0:41:14.880 --> 0:41:18.520
<v Speaker 1>way I would challenge anything on anyone any time because

0:41:18.560 --> 0:41:20.200
<v Speaker 1>I was wearing a back brace and I was afraid

0:41:20.200 --> 0:41:24.120
<v Speaker 1>of everyone. Like can you imagine confronting a cute boy

0:41:24.440 --> 0:41:28.960
<v Speaker 1>at sixteen, Like that takes fucking guts, especially if you're

0:41:29.040 --> 0:41:32.759
<v Speaker 1>new somewhere, Like I feel like she's displaying above average,

0:41:32.840 --> 0:41:36.840
<v Speaker 1>Like I'm going to figure this out. And then Stephanie Meyer,

0:41:37.040 --> 0:41:40.759
<v Speaker 1>fucking evil puppet master, is like, how can we destroy

0:41:40.880 --> 0:41:43.920
<v Speaker 1>this young girl's agency. She's like, what happened in the

0:41:43.920 --> 0:41:46.319
<v Speaker 1>parking lot? I know what I saw? And then Edwards like,

0:41:46.640 --> 0:41:50.359
<v Speaker 1>no one will believe you, literally, no one will believe you.

0:41:50.760 --> 0:41:54.839
<v Speaker 1>But it's romantic. But it's romantic, it's romantic gas lighting. Hey,

0:41:54.920 --> 0:41:57.279
<v Speaker 1>wait a minute, though, Bella, so she knows all about

0:41:57.440 --> 0:41:59.239
<v Speaker 1>prophase and Anna Face and all that stuff. I would

0:41:59.239 --> 0:42:03.000
<v Speaker 1>call her a woman stem. She is a woman who

0:42:03.080 --> 0:42:08.240
<v Speaker 1>has heard of STEM. Yeah, she's a better folly a woman.

0:42:08.320 --> 0:42:11.560
<v Speaker 1>Yet she is a child, and that's part of the problem. True.

0:42:11.800 --> 0:42:14.800
<v Speaker 1>And then oh, but in that scene, in that prophase

0:42:14.840 --> 0:42:19.200
<v Speaker 1>and a Phase scene, we see Edward effectively defeat Bellot too,

0:42:19.280 --> 0:42:22.320
<v Speaker 1>because at the end of that scene she stops checking

0:42:22.360 --> 0:42:24.880
<v Speaker 1>his work, Like the last beat of that He's like,

0:42:24.960 --> 0:42:26.840
<v Speaker 1>do you want to check? She's like I'm good, No,

0:42:27.160 --> 0:42:30.200
<v Speaker 1>and then she's like I trust to. I was like,

0:42:30.480 --> 0:42:33.759
<v Speaker 1>he's a million he knows the difference between prophase and

0:42:33.880 --> 0:42:38.080
<v Speaker 1>I mean, which is better than I can say? Chemistry

0:42:38.719 --> 0:42:41.680
<v Speaker 1>times there's there's part of than me. And now I'm insecure.

0:42:43.600 --> 0:42:48.600
<v Speaker 1>I made a list of different times that Edward nags

0:42:48.680 --> 0:42:51.000
<v Speaker 1>or gaslights her, and the time codes because it happens

0:42:51.040 --> 0:42:54.360
<v Speaker 1>so frequently. Twenty minutes and he saves her from the

0:42:54.400 --> 0:42:57.160
<v Speaker 1>car crash. Twenty four minutes, He gaslights her, saying, oh's

0:42:57.239 --> 0:42:59.520
<v Speaker 1>right next to you. No one's gonna believe what you say.

0:43:00.040 --> 0:43:04.040
<v Speaker 1>Can't you just thank me and get over it? Fuck off?

0:43:04.560 --> 0:43:07.359
<v Speaker 1>Thirty minutes. If you were smart, you'd stay away from me.

0:43:07.600 --> 0:43:09.560
<v Speaker 1>What if I'm not the hero? What if I'm the

0:43:09.640 --> 0:43:14.399
<v Speaker 1>bad guy? Fifty minutes, He says Bella, what do we eat?

0:43:14.480 --> 0:43:18.440
<v Speaker 1>A k you? She says, you won't hurt me. At

0:43:18.480 --> 0:43:21.560
<v Speaker 1>this point, she's fully gaslighted, sher agency is dead for

0:43:21.600 --> 0:43:24.560
<v Speaker 1>the remainder of the series. Well, she's irrevocably in love

0:43:24.640 --> 0:43:29.279
<v Speaker 1>with minutes and I've never wanted a humans blood so

0:43:29.360 --> 0:43:32.680
<v Speaker 1>much in my life. Bella says, I trust you. Edwards says,

0:43:32.880 --> 0:43:39.680
<v Speaker 1>don't get there. What are you doing? Oh? I still

0:43:39.719 --> 0:43:42.040
<v Speaker 1>don't know if I can control myself. Bella says, I

0:43:42.120 --> 0:43:48.040
<v Speaker 1>know you can she's kind of gaslighting him, but she's sixteen.

0:43:48.440 --> 0:43:52.080
<v Speaker 1>There's God. It's the same disturbing interaction over and over

0:43:52.160 --> 0:43:55.320
<v Speaker 1>seventy minutes and Bella, I'm not scared of you, Edward.

0:43:55.520 --> 0:43:58.279
<v Speaker 1>You shouldn't have said that, and then he kidnapped her

0:43:58.560 --> 0:44:02.400
<v Speaker 1>with the spider monkey, with this sin and then God,

0:44:02.680 --> 0:44:05.720
<v Speaker 1>and then seventy five minutes and Bella has a scene

0:44:05.760 --> 0:44:09.319
<v Speaker 1>that doesn't pass the actual test in a very infuriating

0:44:09.360 --> 0:44:12.080
<v Speaker 1>way with her mom who is waiting to fuck her

0:44:12.200 --> 0:44:14.760
<v Speaker 1>chowed husband. After he gets out of the batting changes

0:44:16.000 --> 0:44:18.480
<v Speaker 1>and then he comes out, you know, he comes out

0:44:18.520 --> 0:44:20.120
<v Speaker 1>of the shadows and she's like, oh, you were here,

0:44:20.239 --> 0:44:22.800
<v Speaker 1>and he's like, yeah, I've been watching the Sleep for months.

0:44:22.960 --> 0:44:24.880
<v Speaker 1>And that's when I stopped counting the times he was

0:44:24.920 --> 0:44:28.439
<v Speaker 1>gaslighting her because it happens so much and this movie

0:44:28.480 --> 0:44:30.960
<v Speaker 1>is very long. Well, that's an interesting scene because the

0:44:31.000 --> 0:44:33.960
<v Speaker 1>first time you see Bella wake up and he's stalking

0:44:33.960 --> 0:44:37.320
<v Speaker 1>her in her bedroom and then she turns dream She's like,

0:44:37.360 --> 0:44:39.480
<v Speaker 1>that was the first night I dreamt of Edward Culent.

0:44:39.600 --> 0:44:41.560
<v Speaker 1>So it's played off. It's like, okay, we used the

0:44:41.560 --> 0:44:44.200
<v Speaker 1>audience think, okay, maybe that was a dream, and then

0:44:44.200 --> 0:44:46.200
<v Speaker 1>when you see that scene again and he admits to

0:44:46.600 --> 0:44:50.080
<v Speaker 1>sneaking into her room and watching her sleep four months,

0:44:50.320 --> 0:44:52.759
<v Speaker 1>you're like, oh, that wasn't a dream. And then and

0:44:52.800 --> 0:44:57.319
<v Speaker 1>then she's like, all right, time to hook up kiss me.

0:44:57.840 --> 0:45:01.120
<v Speaker 1>Honestly though, this, uh, I almost get it. There was

0:45:01.160 --> 0:45:03.800
<v Speaker 1>another when I was very young, there was another vampire

0:45:03.920 --> 0:45:07.799
<v Speaker 1>book series called Cirque to Freak. You guys remember this now.

0:45:08.040 --> 0:45:11.239
<v Speaker 1>I'm not familiar with that as an educator. This is

0:45:11.600 --> 0:45:16.680
<v Speaker 1>a sexy vampire be signed about a vampire named I

0:45:16.719 --> 0:45:21.360
<v Speaker 1>think his name was Darren, and he was thank you.

0:45:22.239 --> 0:45:26.960
<v Speaker 1>I wrote the book, but Darren was the object of

0:45:27.000 --> 0:45:28.719
<v Speaker 1>my affection. I was like a little bit younger, it's

0:45:28.719 --> 0:45:32.200
<v Speaker 1>like maybe twelve or thirteen, and I didn't know how

0:45:32.440 --> 0:45:35.600
<v Speaker 1>my vagina informed my thoughts yet. So I was reading

0:45:35.600 --> 0:45:37.759
<v Speaker 1>the Cirque to Freaks books and it's about this like

0:45:37.880 --> 0:45:40.759
<v Speaker 1>young boy who was turned into a vampire by a

0:45:40.880 --> 0:45:45.720
<v Speaker 1>circuit sounder and goes on the road with these freaks

0:45:45.800 --> 0:45:48.400
<v Speaker 1>and he's he's a road vampire. He's a road vai,

0:45:48.560 --> 0:45:50.600
<v Speaker 1>like a road comic. But I feel like he really

0:45:50.640 --> 0:45:56.520
<v Speaker 1>informed my current lifestyle. He rode tests his vampire. But

0:45:56.600 --> 0:45:58.239
<v Speaker 1>in any case, I had a huge crush on him.

0:45:58.280 --> 0:46:00.399
<v Speaker 1>And in that book series, there was a point where

0:46:00.400 --> 0:46:01.560
<v Speaker 1>he had a crush on a girl and he would

0:46:01.600 --> 0:46:04.759
<v Speaker 1>just like hide around her in various places. And so

0:46:04.920 --> 0:46:07.800
<v Speaker 1>I had like these weird cabinets. I grew up in

0:46:07.800 --> 0:46:10.600
<v Speaker 1>a house with no doors, and and instead of closets,

0:46:10.640 --> 0:46:13.640
<v Speaker 1>we had these weird cabinets built into the walls. And

0:46:13.680 --> 0:46:18.480
<v Speaker 1>so I would imagine that Darren the vampire would hide

0:46:18.560 --> 0:46:22.040
<v Speaker 1>in the cabinet to hide. I wanted him to hide.

0:46:22.160 --> 0:46:25.080
<v Speaker 1>So when I see Edward emerged from behind a curtain,

0:46:25.239 --> 0:46:28.680
<v Speaker 1>I'm like, I get it. I wanted Darren in my cabinet.

0:46:28.840 --> 0:46:31.160
<v Speaker 1>In vampire practice, to hide and wait for your prey,

0:46:31.520 --> 0:46:35.879
<v Speaker 1>right for kids on them, though only when you're in love.

0:46:36.080 --> 0:46:39.479
<v Speaker 1>Get in my cabinet. It's about how about that scene

0:46:39.480 --> 0:46:42.440
<v Speaker 1>where Edwards like everything about me draws you in. I'm

0:46:42.480 --> 0:46:45.919
<v Speaker 1>so handsome and attractive and my voice and my sin

0:46:46.520 --> 0:46:48.480
<v Speaker 1>over yourself. And then he's like, but that's if I

0:46:48.560 --> 0:46:51.440
<v Speaker 1>needed it, is if I couldn't outrun you. He's like

0:46:51.520 --> 0:46:55.440
<v Speaker 1>dashing from tree to tree, hite me off. And then

0:46:55.480 --> 0:46:59.560
<v Speaker 1>she's like, I don't care, I trust you you. Oh,

0:46:59.640 --> 0:47:01.879
<v Speaker 1>here's an the fun moment where um, it's a scene

0:47:01.880 --> 0:47:04.799
<v Speaker 1>where he's like, what's in Jacksonville because he had been

0:47:04.880 --> 0:47:08.000
<v Speaker 1>leering at her and listening. Sorry, I just watched you

0:47:08.840 --> 0:47:11.320
<v Speaker 1>pour a lot of water out of your month having trouble.

0:47:11.640 --> 0:47:14.120
<v Speaker 1>I'm having trouble. I didn't eat for the first time

0:47:14.200 --> 0:47:16.560
<v Speaker 1>until two minutes before this, and then I had a

0:47:16.600 --> 0:47:22.160
<v Speaker 1>mis heart. So I think that my I'm physically compromising. Okay,

0:47:22.160 --> 0:47:25.160
<v Speaker 1>So that was talking her chode friend Mike about going

0:47:25.200 --> 0:47:28.600
<v Speaker 1>to Jacksonville, and meanwhile Edward is standing in the background

0:47:28.760 --> 0:47:32.120
<v Speaker 1>listening to everything she's saying and just leering at her.

0:47:33.560 --> 0:47:36.759
<v Speaker 1>The next scene, Edwards like, what's in Jacksonville? And then

0:47:36.880 --> 0:47:39.480
<v Speaker 1>she trips a little bit and he goes, she's awkward.

0:47:39.800 --> 0:47:44.279
<v Speaker 1>Can you at least watch where you're walking? Yeah, Like

0:47:44.560 --> 0:47:48.120
<v Speaker 1>for the first half of the movie, he's so mean

0:47:48.239 --> 0:47:51.600
<v Speaker 1>to her. Well, and that also enforces an age old

0:47:51.719 --> 0:47:55.960
<v Speaker 1>thing that my mom told me was true and that

0:47:56.160 --> 0:47:59.360
<v Speaker 1>I feel like every parent and maybe still do like

0:47:59.440 --> 0:48:02.320
<v Speaker 1>they in four is this dangerous? Like if a boy's

0:48:02.400 --> 0:48:05.279
<v Speaker 1>mean to you, that means he likes you, you know,

0:48:05.560 --> 0:48:08.960
<v Speaker 1>like if someone's being repeatedly aggressive and rude to you,

0:48:09.080 --> 0:48:12.359
<v Speaker 1>which and it's usually like with younger kids, but they're

0:48:12.360 --> 0:48:14.480
<v Speaker 1>like if they if they're being mean to you, it

0:48:14.520 --> 0:48:17.040
<v Speaker 1>means they like And it's usually boys towards girls, except

0:48:17.080 --> 0:48:20.160
<v Speaker 1>unless you're hell good, attacky, and then you if you're

0:48:20.200 --> 0:48:24.040
<v Speaker 1>hell good, attacky, you're fine. Well sure, and yeah, like

0:48:24.400 --> 0:48:28.799
<v Speaker 1>nagging is a common flirtation technique. However, it's usually like,

0:48:29.040 --> 0:48:32.839
<v Speaker 1>let's say she trips a little bit a flirtatious way. Yeah,

0:48:32.920 --> 0:48:39.520
<v Speaker 1>well he'd be like, He's like, oh jeez, at least

0:48:39.640 --> 0:48:46.879
<v Speaker 1>launch where you're walking. He but he like, don't yell.

0:48:47.000 --> 0:48:48.560
<v Speaker 1>That's a good rule of thumb. Don't yell at the

0:48:48.560 --> 0:48:50.840
<v Speaker 1>object of your affection. Again, what's at the center of

0:48:50.880 --> 0:48:53.239
<v Speaker 1>this is the fact that Edward cannot deal with the

0:48:53.239 --> 0:48:54.880
<v Speaker 1>fact that he's a vampire. He wants to be a

0:48:54.880 --> 0:48:57.720
<v Speaker 1>good person, but he has this this label, this identity,

0:48:57.719 --> 0:48:59.080
<v Speaker 1>and he doesn't know what to do with it, right,

0:48:59.520 --> 0:49:03.200
<v Speaker 1>But he's not true to that. About forty five minutes

0:49:03.239 --> 0:49:05.160
<v Speaker 1>into the movie, everything switches and all of a sudden,

0:49:05.160 --> 0:49:06.960
<v Speaker 1>he's like, all right, let's date. Let's do this. I

0:49:07.000 --> 0:49:08.440
<v Speaker 1>know that I'm a bad guy, but I want to

0:49:08.480 --> 0:49:11.160
<v Speaker 1>put you next to this bad guy that I am. Yeah,

0:49:11.440 --> 0:49:15.080
<v Speaker 1>like that apple scene, right, where he says he's just

0:49:15.080 --> 0:49:18.359
<v Speaker 1>trying to like that symbolism for something I couldn't tell.

0:49:18.880 --> 0:49:20.480
<v Speaker 1>He's just trying to get information out of her, and

0:49:20.520 --> 0:49:22.320
<v Speaker 1>she says, you know, your mood swings are kind of

0:49:22.360 --> 0:49:25.839
<v Speaker 1>giving me whiplash, like completely acknowledges that he is just

0:49:25.960 --> 0:49:28.600
<v Speaker 1>so back and forth. And then as soon as they

0:49:28.640 --> 0:49:31.280
<v Speaker 1>start dating, he develops a personality all of a sudden,

0:49:31.600 --> 0:49:34.600
<v Speaker 1>and he's like, I'm gonna jump on your truck and

0:49:34.600 --> 0:49:38.399
<v Speaker 1>and she's like, can you really pretend to be human neighbors?

0:49:39.160 --> 0:49:44.880
<v Speaker 1>It's funny. So there's just flirting and fun. I like

0:49:45.000 --> 0:49:47.640
<v Speaker 1>the scene where they try to kiss and he's like,

0:49:47.880 --> 0:49:51.840
<v Speaker 1>I would I fuck you do that. The sexual aspect

0:49:51.840 --> 0:49:54.800
<v Speaker 1>of the relationship is so problematic. It gets worse and worse,

0:49:54.840 --> 0:49:57.680
<v Speaker 1>where he's like, if I do you die, I'm super

0:49:57.719 --> 0:49:59.480
<v Speaker 1>strong so I could kill you. I want to bite

0:49:59.520 --> 0:50:01.399
<v Speaker 1>you all this this is what every man is told

0:50:01.400 --> 0:50:06.200
<v Speaker 1>me that if you'd pass away. But um, but yeah,

0:50:06.280 --> 0:50:08.520
<v Speaker 1>that's no, that's no good. But the scene where they

0:50:08.960 --> 0:50:11.680
<v Speaker 1>do hook up and they can and I will say

0:50:11.719 --> 0:50:14.799
<v Speaker 1>for me, the sparks were flying. Oh there's something there.

0:50:14.840 --> 0:50:17.640
<v Speaker 1>I was like, that was a good, like story aside

0:50:17.880 --> 0:50:21.080
<v Speaker 1>a good movie kiss. It's hot. That's a hot kiss,

0:50:21.360 --> 0:50:24.560
<v Speaker 1>but then you know, but then you remember the horrible

0:50:24.560 --> 0:50:27.680
<v Speaker 1>story that's taking place. The aftermath of that is really

0:50:27.719 --> 0:50:30.799
<v Speaker 1>disturbing to me, because they kiss and it's hot. They

0:50:31.040 --> 0:50:33.560
<v Speaker 1>go from like vertical to horizontal really fast, and you're like,

0:50:33.840 --> 0:50:36.799
<v Speaker 1>it's getting exactly and then he's like, stop it, and

0:50:36.840 --> 0:50:39.200
<v Speaker 1>he throws himself off at her, and then she's sort

0:50:39.200 --> 0:50:41.920
<v Speaker 1>of like in her bed, very in a very vulnerable

0:50:42.000 --> 0:50:44.800
<v Speaker 1>like she's in her underwear. She's like kind of hunched

0:50:44.800 --> 0:50:47.080
<v Speaker 1>over it, and she's just like she's awkward, very unco

0:50:47.239 --> 0:50:50.640
<v Speaker 1>what it's like. It's clear that she feels ashamed because

0:50:50.640 --> 0:50:52.520
<v Speaker 1>she's like, I'm sorry, he said he told her to

0:50:52.560 --> 0:50:55.719
<v Speaker 1>stop it. Yeah, and then or I don't like, is

0:50:55.760 --> 0:50:57.839
<v Speaker 1>it him telling himself to stop it or is it

0:50:57.880 --> 0:51:02.080
<v Speaker 1>telling her? It's hard to say, but she's like, I'm sorry,

0:51:02.280 --> 0:51:05.200
<v Speaker 1>and she's put in this position where like she then

0:51:05.239 --> 0:51:08.120
<v Speaker 1>feels shame for like trying to be sexual. And it

0:51:08.120 --> 0:51:11.080
<v Speaker 1>made me feel weird not to come to the rescue

0:51:11.080 --> 0:51:14.080
<v Speaker 1>of Edward Colin. But at least he made his needs

0:51:14.160 --> 0:51:18.400
<v Speaker 1>known in the moment and stopped a situation he was

0:51:18.440 --> 0:51:24.359
<v Speaker 1>not prepared to enter for abstinence. What's what's going on there?

0:51:24.480 --> 0:51:26.959
<v Speaker 1>There's definitely some sort of abstinence thing because they wait

0:51:27.000 --> 0:51:30.080
<v Speaker 1>for a marriage in the series, don't they Let me

0:51:30.120 --> 0:51:33.480
<v Speaker 1>see if I remember right, JT. You'll know Kaitlyn, You'll

0:51:33.520 --> 0:51:36.640
<v Speaker 1>know you guys will she Is she a vampire? Before

0:51:36.680 --> 0:51:38.239
<v Speaker 1>he can fuck her? Or does he? I think he

0:51:38.280 --> 0:51:41.160
<v Speaker 1>focks her. Well, she's still mortal on their the night

0:51:41.200 --> 0:51:43.279
<v Speaker 1>that they get to the island, right, but then it's

0:51:43.320 --> 0:51:49.200
<v Speaker 1>like there's like restraints, invaulved isn't there, There's like something. Well,

0:51:49.320 --> 0:51:51.360
<v Speaker 1>she wakes up the next morning and she's black and blue.

0:51:52.000 --> 0:51:55.120
<v Speaker 1>He like he got really aggressive. They break the beds

0:51:56.000 --> 0:51:57.440
<v Speaker 1>and then the maid comes in in the morning. He's like,

0:51:57.440 --> 0:52:02.320
<v Speaker 1>what the yeah, call the police throw on an island.

0:52:02.520 --> 0:52:07.680
<v Speaker 1>Something disturbing has happened here. I vaguely remember that, and

0:52:07.719 --> 0:52:09.839
<v Speaker 1>by the time I read it, I knew it was

0:52:09.880 --> 0:52:13.680
<v Speaker 1>not okay. I'm glad that we at least the first

0:52:13.719 --> 0:52:16.160
<v Speaker 1>movie there's at least a little bit of wiggle room

0:52:16.200 --> 0:52:18.200
<v Speaker 1>where there's at least some parts of the movie that

0:52:18.320 --> 0:52:22.080
<v Speaker 1>might be construed as relatable for someone if they were

0:52:22.120 --> 0:52:25.080
<v Speaker 1>a teenager or a young adult. In two thousand and eight.

0:52:25.280 --> 0:52:27.520
<v Speaker 1>As the book go on, you're just like this just

0:52:27.920 --> 0:52:31.799
<v Speaker 1>spirals out and it gets fucking weird after she wakes

0:52:31.880 --> 0:52:34.440
<v Speaker 1>up black and blue on is las Man during the honeymoon.

0:52:34.520 --> 0:52:36.680
<v Speaker 1>Is that really what it's called? Yes? After his mother

0:52:37.080 --> 0:52:40.360
<v Speaker 1>and then his adopted mother who's younger than he is.

0:52:40.920 --> 0:52:45.560
<v Speaker 1>Oh yeah, he's so upset with himself for hurting her

0:52:45.600 --> 0:52:47.360
<v Speaker 1>so badly that the rest of the honeymoon they just

0:52:47.400 --> 0:52:50.439
<v Speaker 1>like play chess. They aren't allowed to touch, but once

0:52:50.640 --> 0:52:52.799
<v Speaker 1>when she's a vampire they can find. They have sex

0:52:52.840 --> 0:52:54.640
<v Speaker 1>all the time. The first month, they move into a

0:52:54.680 --> 0:52:57.719
<v Speaker 1>house just for fucking because it's so loud, just like

0:52:57.719 --> 0:53:00.880
<v Speaker 1>the baseball scene, but different funck house. Are you serious?

0:53:00.920 --> 0:53:02.400
<v Speaker 1>I'm very serious. I don't know if this happens in

0:53:02.440 --> 0:53:04.359
<v Speaker 1>the movie, but it definitely happens in the book. They

0:53:04.480 --> 0:53:07.080
<v Speaker 1>fucked so loud they need a house. They the Cullens,

0:53:07.120 --> 0:53:09.560
<v Speaker 1>have a house on site that's like a mile away.

0:53:09.719 --> 0:53:12.440
<v Speaker 1>They can't no one could be within a mile of

0:53:12.480 --> 0:53:16.759
<v Speaker 1>them because they fucked so loud. That sounds tight, But

0:53:17.040 --> 0:53:20.640
<v Speaker 1>the road we take to get to the the isolated

0:53:20.960 --> 0:53:24.600
<v Speaker 1>house is dark, right alright, So some alternatives. I kind

0:53:24.600 --> 0:53:27.600
<v Speaker 1>of wish that this movie was more about Bella and

0:53:27.800 --> 0:53:30.239
<v Speaker 1>her gay best friend Jacob. How would the movie have

0:53:30.320 --> 0:53:33.680
<v Speaker 1>been different if that was the the a story. You know,

0:53:33.760 --> 0:53:35.359
<v Speaker 1>Edwards just like the b in the background, like who

0:53:35.360 --> 0:53:38.640
<v Speaker 1>cares about the vampire? Well, Jacobs barely in this movie. Unfortunately,

0:53:38.760 --> 0:53:40.640
<v Speaker 1>I know I forgot how little he was because I

0:53:40.680 --> 0:53:43.920
<v Speaker 1>was really like looking forward to look Aunt Taylor Lawtner's wig.

0:53:45.200 --> 0:53:47.240
<v Speaker 1>How little he wasn't it. He's in that great scene

0:53:47.440 --> 0:53:50.640
<v Speaker 1>where um Pilla's like, what did your friend mean about

0:53:50.640 --> 0:53:53.440
<v Speaker 1>the Cullens don't come here? And he's like, oh, you

0:53:53.520 --> 0:53:56.600
<v Speaker 1>heard that that line of dialogue that was very audible

0:53:56.680 --> 0:54:00.080
<v Speaker 1>and that everyone was like everyone in the all of

0:53:59.880 --> 0:54:02.520
<v Speaker 1>her friends to stare for a second. Yeah, He's like,

0:54:02.560 --> 0:54:05.520
<v Speaker 1>oh you caught that. Yeah, every fon king person caught that.

0:54:05.719 --> 0:54:07.880
<v Speaker 1>Or another weird scene. I mean, all the scenes between

0:54:07.920 --> 0:54:10.759
<v Speaker 1>Bellett and Jacob are first of all, less weird than

0:54:10.800 --> 0:54:14.439
<v Speaker 1>any scene between Belle and Edward, more dynamic than any

0:54:14.480 --> 0:54:17.120
<v Speaker 1>scene between Bellett and Edward. But also there's always like

0:54:17.120 --> 0:54:20.200
<v Speaker 1>a weird uncanny valley quality to it, where it's towards

0:54:20.239 --> 0:54:23.040
<v Speaker 1>the end where Jacob shows up, walks out of the

0:54:23.120 --> 0:54:25.640
<v Speaker 1>woods or something, and he's like my dad said me

0:54:25.680 --> 0:54:27.960
<v Speaker 1>the spy on you like say it paid me twenty

0:54:27.960 --> 0:54:30.480
<v Speaker 1>dollars to talk to you. And then she's just like, well,

0:54:30.600 --> 0:54:34.440
<v Speaker 1>you better go get that. I was like, this is

0:54:34.640 --> 0:54:38.239
<v Speaker 1>extremely suspect, vaguely dressed up for problem. He's wearing like

0:54:38.280 --> 0:54:40.680
<v Speaker 1>a nice button. But he doesn't go in. He goes

0:54:40.719 --> 0:54:42.680
<v Speaker 1>to a different he doesn't go to this in the reservation. Well,

0:54:42.680 --> 0:54:45.600
<v Speaker 1>then day isn't he's really earning that twenty dollars. Like,

0:54:45.640 --> 0:54:48.560
<v Speaker 1>I gotta like the part you went shopping before he came.

0:54:48.640 --> 0:54:53.279
<v Speaker 1>How far does twenty dollars going forks Washington cheese? So far?

0:54:53.880 --> 0:54:58.000
<v Speaker 1>For years? Different time? Well, he's like, my dad wants

0:54:58.000 --> 0:55:00.200
<v Speaker 1>me to tell you to break up and stay away

0:55:00.200 --> 0:55:02.640
<v Speaker 1>from your boyfriend. And then Edwards shows up and he

0:55:02.719 --> 0:55:04.799
<v Speaker 1>was like get here, I'll take it from here. Like

0:55:04.880 --> 0:55:08.680
<v Speaker 1>and just another way that he controls here, doesn't let

0:55:08.680 --> 0:55:11.560
<v Speaker 1>her talk to any other men. He's just always, oh,

0:55:11.640 --> 0:55:14.200
<v Speaker 1>let's talk about the scene. Well, Everard does Edward know about?

0:55:14.200 --> 0:55:17.680
<v Speaker 1>I forgot? Does Eward know about the werewolves? But Jacob

0:55:17.680 --> 0:55:20.520
<v Speaker 1>doesn't know yet. He's just like, I'm just wearing a wig.

0:55:21.680 --> 0:55:25.160
<v Speaker 1>Well he knows. I think he knows that he's descended

0:55:25.200 --> 0:55:27.040
<v Speaker 1>from like the wolf clan. I think he knows. He

0:55:27.080 --> 0:55:29.800
<v Speaker 1>thinks it's a story though, right, yeah he does, they said,

0:55:29.800 --> 0:55:32.919
<v Speaker 1>because there's that scene on the beach where he basically says, yeah,

0:55:33.000 --> 0:55:37.839
<v Speaker 1>it's just a weird Washington thing. You're just like okay, sure, yeah,

0:55:37.880 --> 0:55:41.319
<v Speaker 1>but like his elders turned into wolves, Like wouldn't he

0:55:41.320 --> 0:55:43.840
<v Speaker 1>know about that? Because Act one, remember all of his friends,

0:55:43.880 --> 0:55:46.319
<v Speaker 1>all of his like reservation friends, are like going off

0:55:46.320 --> 0:55:47.880
<v Speaker 1>and being weird and getting sick. And he's like, I

0:55:47.920 --> 0:55:50.359
<v Speaker 1>don't know why I'm all alone. I haven't hit all

0:55:50.400 --> 0:55:53.600
<v Speaker 1>my friends. I want to get sick, like get mono

0:55:53.680 --> 0:55:55.400
<v Speaker 1>and disappear and then come back. And he realized it

0:55:55.440 --> 0:55:57.880
<v Speaker 1>was like a secretly it's like maintained as a secret

0:55:57.960 --> 0:56:02.959
<v Speaker 1>until you start going what a horrible way to conduct, Like, Hey,

0:56:03.200 --> 0:56:04.840
<v Speaker 1>a crazy thing is going to happen to you, but

0:56:04.920 --> 0:56:07.640
<v Speaker 1>you can't know about it until it's actually happening to you.

0:56:08.200 --> 0:56:11.920
<v Speaker 1>I don't. That's how I got my period. No one

0:56:11.960 --> 0:56:13.680
<v Speaker 1>told you you were going to get your period. I

0:56:13.680 --> 0:56:18.000
<v Speaker 1>didn't really know what it was. I thought I shopped myself. Anyways,

0:56:18.040 --> 0:56:20.560
<v Speaker 1>that's sorry for another day. Yeah I did. I was like,

0:56:20.560 --> 0:56:22.439
<v Speaker 1>that's weird. I thought I would have did you know, really,

0:56:22.560 --> 0:56:26.680
<v Speaker 1>like your mom didn't tell you we were we were defunded.

0:56:27.160 --> 0:56:29.880
<v Speaker 1>We didn't get sex fed at my school, and so

0:56:29.960 --> 0:56:31.920
<v Speaker 1>I thought I shipped myself, And I'm like, can I

0:56:31.960 --> 0:56:34.279
<v Speaker 1>no longer? I thought that, like my sphincter was un

0:56:34.360 --> 0:56:37.080
<v Speaker 1>or something. But it turns out this is a woman

0:56:37.280 --> 0:56:41.680
<v Speaker 1>and worked. Okay, so maybe it's not so unbelievable. I

0:56:41.719 --> 0:56:46.439
<v Speaker 1>can relate with Jacob the whorwolf. Why got it? Let's

0:56:46.480 --> 0:56:49.520
<v Speaker 1>talk about the scene where she goes to Port Angels

0:56:49.560 --> 0:56:54.120
<v Speaker 1>and those creepy dudes follow her and pray on her. So,

0:56:54.320 --> 0:56:57.320
<v Speaker 1>as I mentioned, she sort of fights back. They're like, hey,

0:56:57.320 --> 0:56:59.160
<v Speaker 1>pretty lady, where are you going? And she's like, get

0:56:59.160 --> 0:57:02.319
<v Speaker 1>away from me, don't touch me. Edward shows up saves her,

0:57:02.560 --> 0:57:04.520
<v Speaker 1>which happens a bunch of times. Don't worry a mentalist

0:57:04.560 --> 0:57:06.080
<v Speaker 1>of all the times, and he has to save her,

0:57:06.320 --> 0:57:10.040
<v Speaker 1>but as JT You pointed out, I'm an education puts.

0:57:10.640 --> 0:57:12.920
<v Speaker 1>He takes her out of that one dangerous situation and

0:57:12.920 --> 0:57:16.120
<v Speaker 1>then puts her immediately into another dangerous situation because he's

0:57:16.480 --> 0:57:21.200
<v Speaker 1>driving extremely recklessly. Get a bad boy. He yells at

0:57:21.200 --> 0:57:23.720
<v Speaker 1>her about how she always puts herself in these dangerous

0:57:23.720 --> 0:57:26.320
<v Speaker 1>situations as you're so awkward. She's always following and then

0:57:26.560 --> 0:57:28.440
<v Speaker 1>pulls right out in the middle of traffic. It's like

0:57:28.680 --> 0:57:31.160
<v Speaker 1>beebe like everyone's just yelling at him. And then the

0:57:31.200 --> 0:57:33.840
<v Speaker 1>aftermath of that scene is when they like show up

0:57:33.840 --> 0:57:38.080
<v Speaker 1>at the restaurant, and I love the restaurants. So it's

0:57:38.200 --> 0:57:43.160
<v Speaker 1>so restaurant, so weird. I love it. So she's like,

0:57:43.200 --> 0:57:45.560
<v Speaker 1>you gotta give me some answers. She's demanding to know

0:57:45.600 --> 0:57:49.840
<v Speaker 1>what's going on right, still being she should not have

0:57:49.960 --> 0:57:52.480
<v Speaker 1>let her friends leave first of all, but that's a

0:57:52.560 --> 0:57:55.240
<v Speaker 1>that's a novice mistake I could see myself making. I

0:57:55.320 --> 0:57:57.880
<v Speaker 1>was I was wriends. We're so mad when she disappeared

0:57:57.880 --> 0:57:59.880
<v Speaker 1>for twelve hours, but then when edwards they're they're like,

0:58:00.320 --> 0:58:03.560
<v Speaker 1>they're like, we better get going. So she's like, did

0:58:03.600 --> 0:58:06.880
<v Speaker 1>you follow me? And he's like, I just feel very

0:58:06.920 --> 0:58:12.720
<v Speaker 1>protective of you. This is okay, Listen, sometimes someone's gonna

0:58:12.720 --> 0:58:16.280
<v Speaker 1>stare at you during your math test and you're gonna

0:58:16.280 --> 0:58:21.680
<v Speaker 1>be like, I'm just being protected. I'm kidding him. But

0:58:22.160 --> 0:58:26.280
<v Speaker 1>it's so frustrating that she keeps being like, tell me

0:58:26.320 --> 0:58:28.720
<v Speaker 1>what the funk is going on? And he's just like,

0:58:29.080 --> 0:58:32.440
<v Speaker 1>I'm protecting you, and then she keeps following her. And

0:58:32.600 --> 0:58:34.240
<v Speaker 1>this is also the scene where we finally get some

0:58:34.280 --> 0:58:38.120
<v Speaker 1>answers and he reveals that he can read minds right,

0:58:38.240 --> 0:58:41.160
<v Speaker 1>and then he can't read her right, and then the reaction, Oh,

0:58:41.280 --> 0:58:43.800
<v Speaker 1>she's like, is there something wrong with me? You can't

0:58:43.840 --> 0:58:46.120
<v Speaker 1>read my mind? What's wrong with it? Right? So automatically,

0:58:46.160 --> 0:58:49.480
<v Speaker 1>I'm the person that's messed up in this situation right

0:58:49.560 --> 0:58:52.240
<v Speaker 1>where you were just like I'm a mind reader and

0:58:52.240 --> 0:58:57.320
<v Speaker 1>you're like, I'm I'm sorry. But here's the thing. I

0:58:57.320 --> 0:58:59.160
<v Speaker 1>don't want to relate to this movie in any way,

0:58:59.240 --> 0:59:01.400
<v Speaker 1>but as I say, exteen or seventeen year old girl,

0:59:01.560 --> 0:59:04.320
<v Speaker 1>well you have to put yourself in the yeah, like

0:59:04.520 --> 0:59:07.240
<v Speaker 1>when I you know, you're very self conscious. You don't

0:59:07.280 --> 0:59:09.640
<v Speaker 1>have a lot of self esteem at that age usually,

0:59:09.960 --> 0:59:11.760
<v Speaker 1>So I think it was it was actually kind of

0:59:11.800 --> 0:59:14.720
<v Speaker 1>like humanizing a bit too. I found it believable that

0:59:14.760 --> 0:59:18.200
<v Speaker 1>she'd be like, that's wrong with me. Teenagers of either

0:59:18.280 --> 0:59:22.560
<v Speaker 1>gender are easily manipulated. True, I know this. I was

0:59:22.680 --> 0:59:27.680
<v Speaker 1>just doing it to a teenager this morning. I mean, well,

0:59:27.680 --> 0:59:31.200
<v Speaker 1>it's just him being feeling so protective of her and

0:59:31.680 --> 0:59:35.240
<v Speaker 1>controlling of HER's just one of the many ways he's

0:59:35.280 --> 0:59:38.880
<v Speaker 1>abusive toward her. And backtracking a little bit to the

0:59:39.040 --> 0:59:45.520
<v Speaker 1>scene where they're all at the beach that there is

0:59:45.560 --> 0:59:52.080
<v Speaker 1>a point where it's the friend who isn't Ana Kendrick, Angela, Angela,

0:59:52.600 --> 0:59:58.680
<v Speaker 1>she so Angela wants to ask Eric Eric, angel wants

0:59:58.680 --> 1:00:00.880
<v Speaker 1>to ask Eric to the prompt and Bella And this

1:00:00.960 --> 1:00:03.960
<v Speaker 1>part literally infuriates me because I know how unfair this

1:00:04.000 --> 1:00:07.000
<v Speaker 1>whole serious is too women. Where Bella says take control.

1:00:07.120 --> 1:00:09.479
<v Speaker 1>You're a strong and independent woman, and I'm like, where

1:00:09.520 --> 1:00:14.280
<v Speaker 1>do you get off? You're about to go vampire man.

1:00:14.360 --> 1:00:16.040
<v Speaker 1>There's a few moments in this movie where it's like,

1:00:16.200 --> 1:00:20.000
<v Speaker 1>there's Bella's last stand as a as a person with

1:00:20.080 --> 1:00:22.760
<v Speaker 1>any sort of agency or opinions. Bella initially do that

1:00:22.800 --> 1:00:25.320
<v Speaker 1>a lot in the beginning when Angela first meets Bella,

1:00:25.560 --> 1:00:28.480
<v Speaker 1>Angela's like, hey, I work for the newspaper and I'm

1:00:28.520 --> 1:00:31.720
<v Speaker 1>just so tired of talking about eating disorders. And Bella

1:00:31.760 --> 1:00:35.680
<v Speaker 1>is like, what about the boys swim team spidos and

1:00:35.680 --> 1:00:41.160
<v Speaker 1>and she was like, yeah, you're really good at advice. Yeah, honestly,

1:00:41.200 --> 1:00:46.880
<v Speaker 1>which here this is a controversial opinion because obviously Mike

1:00:47.000 --> 1:00:50.320
<v Speaker 1>is a chode, but I think she should have just

1:00:50.520 --> 1:00:55.320
<v Speaker 1>employed the catch all Jamie Loftus solution of just date

1:00:55.400 --> 1:00:58.800
<v Speaker 1>Mike so that she can fix him. No, just to

1:00:59.240 --> 1:01:02.280
<v Speaker 1>kill some time and give the vampire time to get

1:01:02.320 --> 1:01:04.400
<v Speaker 1>the funk out of her way and not ruin her life.

1:01:04.720 --> 1:01:07.560
<v Speaker 1>Better to have a chowd for a couple of months

1:01:07.640 --> 1:01:11.200
<v Speaker 1>than be immortal and have a baby that's eating you.

1:01:12.120 --> 1:01:17.400
<v Speaker 1>Well again, I think she should have dated Jacob. Jacob

1:01:17.440 --> 1:01:20.200
<v Speaker 1>is her best friend. Jacob. Do you think they had

1:01:20.280 --> 1:01:23.280
<v Speaker 1>a report? They know they I agree, But do you

1:01:23.280 --> 1:01:25.360
<v Speaker 1>think he was gay? That first movie? I prayed I

1:01:25.360 --> 1:01:29.400
<v Speaker 1>don't even believe in God, and I prayed God, he's

1:01:29.440 --> 1:01:32.520
<v Speaker 1>a great and then Stephanie were ruins him by making

1:01:32.560 --> 1:01:35.680
<v Speaker 1>him a pedophile. I'm cutting off that wig. What did

1:01:35.680 --> 1:01:39.160
<v Speaker 1>you say? Oh, he's so handsome. There's a looking Adam.

1:01:39.400 --> 1:01:43.080
<v Speaker 1>Another fun scene that Bella. She's like, why did you

1:01:43.120 --> 1:01:46.640
<v Speaker 1>hate me so much? And he's like, I did, but

1:01:46.720 --> 1:01:50.280
<v Speaker 1>only for making me want you so badly, which is

1:01:52.480 --> 1:01:57.760
<v Speaker 1>Victim't blame me. Oh my god, what you said? And

1:01:57.840 --> 1:02:01.920
<v Speaker 1>it's like, if you weren't so so fucking I won,

1:02:02.880 --> 1:02:08.160
<v Speaker 1>I'm your blood. I'm good again. It's Edward has a

1:02:08.240 --> 1:02:10.840
<v Speaker 1>problem inside. He's trying to figure out who he is.

1:02:10.920 --> 1:02:14.720
<v Speaker 1>He hasn't seen that excuse, and he puts it on Bella.

1:02:14.880 --> 1:02:21.280
<v Speaker 1>It's not definitely not fair. The scene where he makes

1:02:21.280 --> 1:02:26.920
<v Speaker 1>her say the word vampire, see it vampire, vampire, and

1:02:26.960 --> 1:02:29.960
<v Speaker 1>then he's not even a good line read no cousin vampire.

1:02:31.160 --> 1:02:34.320
<v Speaker 1>He grabs her arm and yanks her and literally pulls

1:02:34.360 --> 1:02:40.640
<v Speaker 1>her through No, no, I trust you, my little spider monkey.

1:02:40.680 --> 1:02:43.680
<v Speaker 1>And then seconds later he gives the line, so the

1:02:43.760 --> 1:02:46.480
<v Speaker 1>lion fell in love with the lamb, and that's the like,

1:02:46.600 --> 1:02:48.680
<v Speaker 1>that's when he decides to fall in love with her.

1:02:48.720 --> 1:02:52.240
<v Speaker 1>That's it. Oh the scene where they're falling in love

1:02:52.520 --> 1:02:57.200
<v Speaker 1>and there's fog and Edward Collins flaming the piano, it's

1:02:57.240 --> 1:03:03.720
<v Speaker 1>actually I remember you're just like ow. The director was like,

1:03:03.720 --> 1:03:09.120
<v Speaker 1>why not? Female director? To add insult to injury, Catherine

1:03:09.160 --> 1:03:14.520
<v Speaker 1>Hardwick directed this movie. Woman director, female woman screenwriter, adapted

1:03:14.680 --> 1:03:18.120
<v Speaker 1>by a book written by a woman. Should be a winner,

1:03:18.320 --> 1:03:22.400
<v Speaker 1>should be here we are. But yeah, everyone's the wrong

1:03:22.520 --> 1:03:28.680
<v Speaker 1>woman and they found a bunch of bad ones. Let's

1:03:28.720 --> 1:03:34.160
<v Speaker 1>talk about act three whenever. This movie ends great. Finally,

1:03:34.640 --> 1:03:38.440
<v Speaker 1>Bella goes after James to be a martyr, to be

1:03:38.560 --> 1:03:42.120
<v Speaker 1>like again. Right, of course Edward has to step in

1:03:42.280 --> 1:03:44.560
<v Speaker 1>and save her. One of many times he saves her,

1:03:44.640 --> 1:03:47.080
<v Speaker 1>so we've got saves her from the van, saves her

1:03:47.120 --> 1:03:51.120
<v Speaker 1>from the creepy dudes, and port Angelis, saves her from James.

1:03:51.600 --> 1:03:55.640
<v Speaker 1>He steps in to save her. There's vampire venom all

1:03:55.880 --> 1:03:59.280
<v Speaker 1>up in her. So she's lying on the floor. She

1:03:59.400 --> 1:04:03.439
<v Speaker 1>doesn't do anything. She's supposed to be the protagonist, she's

1:04:03.480 --> 1:04:06.120
<v Speaker 1>the hero of this story. She doesn't do anything to

1:04:06.160 --> 1:04:10.440
<v Speaker 1>resolve the conflict. She's rendered completely inactive and totally passive,

1:04:10.480 --> 1:04:13.760
<v Speaker 1>and she doesn't do anything to determine the outcome of

1:04:13.920 --> 1:04:17.840
<v Speaker 1>the story, which is not how storytelling works. How do

1:04:17.880 --> 1:04:20.000
<v Speaker 1>you know so much about storytelling? Oh, it's just because

1:04:20.000 --> 1:04:23.880
<v Speaker 1>I have a master's degree in screenwriting from Boston University.

1:04:26.880 --> 1:04:31.040
<v Speaker 1>Alfred Molina is to Jamie as screenwriting degree is to Caitlin.

1:04:33.200 --> 1:04:35.120
<v Speaker 1>That was one of the questions on my g r E,

1:04:35.200 --> 1:04:36.680
<v Speaker 1>which I did have to take to go to grad

1:04:36.680 --> 1:04:39.920
<v Speaker 1>school for his screenwriting. Man, what year did Alfred Molena

1:04:40.000 --> 1:04:45.000
<v Speaker 1>joined the Royal Shakespeare Company? Seven? Okay, so the protagonist

1:04:45.080 --> 1:04:48.760
<v Speaker 1>of this that's my security question. The protagonist in this movie,

1:04:48.800 --> 1:04:52.680
<v Speaker 1>in her most dire moment, is paralyzed. Yeah, right, well

1:04:52.720 --> 1:04:55.560
<v Speaker 1>that this kind of reminds me to just bring Alfred

1:04:55.560 --> 1:04:59.680
<v Speaker 1>back into it, Freddie Sorry, um of sort of that

1:04:59.800 --> 1:05:03.320
<v Speaker 1>one an off moment in Spiderman two at the climactic

1:05:03.360 --> 1:05:07.160
<v Speaker 1>scene where Mary Jane makes one attempts to hit a

1:05:07.200 --> 1:05:09.920
<v Speaker 1>blow in the villain and it is just ceremoniously thrown

1:05:10.040 --> 1:05:12.480
<v Speaker 1>to the side. And that's pretty much what happens to Bella.

1:05:13.240 --> 1:05:16.240
<v Speaker 1>She she makes the choice to go. She we see

1:05:16.280 --> 1:05:20.200
<v Speaker 1>her making a choice. Things are bad, but at least

1:05:20.320 --> 1:05:23.480
<v Speaker 1>you know, you're like, all right, she's making a decision.

1:05:23.560 --> 1:05:27.800
<v Speaker 1>It's bad, but it's well, it's a stupid as hell

1:05:27.920 --> 1:05:30.400
<v Speaker 1>choice because she's not equipped to fight these vampires you

1:05:30.440 --> 1:05:33.480
<v Speaker 1>know who is the other vampires who she's friends with now,

1:05:33.520 --> 1:05:36.720
<v Speaker 1>But she makes a choice, and that happens so rarely already.

1:05:36.800 --> 1:05:38.560
<v Speaker 1>So it's like at that point I was like, I

1:05:39.000 --> 1:05:42.520
<v Speaker 1>know what happens, but that is misleading and that maybe

1:05:42.520 --> 1:05:45.080
<v Speaker 1>she'll do something. And then she does make like one

1:05:45.120 --> 1:05:48.400
<v Speaker 1>attempt to go against what was like, what were we

1:05:48.440 --> 1:05:51.440
<v Speaker 1>calling him the sniffer. She tries to get the sniffer

1:05:51.880 --> 1:05:54.200
<v Speaker 1>and then he sniff, he's he sniffs her right to

1:05:54.240 --> 1:05:57.320
<v Speaker 1>the side. She's she's done. He touches her leg and

1:05:57.320 --> 1:06:01.000
<v Speaker 1>it breaks right and you're just like, well, there goes

1:06:01.120 --> 1:06:05.080
<v Speaker 1>the protagonist. She's done. So God, it was just so

1:06:05.200 --> 1:06:09.520
<v Speaker 1>annoying that she is completely ineffective in doing anything to

1:06:09.600 --> 1:06:11.960
<v Speaker 1>determine It's a moment in the story. It's a big

1:06:12.000 --> 1:06:14.960
<v Speaker 1>moment for the relationship though, between Bella and Edward. Remember,

1:06:15.000 --> 1:06:18.160
<v Speaker 1>she's bleeding profusely, and Alice can't control herself. She might

1:06:18.240 --> 1:06:20.080
<v Speaker 1>like bite off her head at any time, and that's

1:06:20.080 --> 1:06:22.960
<v Speaker 1>why she did just rip off someone else's Carlyle sends

1:06:22.960 --> 1:06:25.520
<v Speaker 1>her off to actually do some damage, and that's when

1:06:25.680 --> 1:06:29.440
<v Speaker 1>Edward learns about himself that he won't eat her because

1:06:29.440 --> 1:06:31.240
<v Speaker 1>he loves her so much and he doesn't want her

1:06:31.280 --> 1:06:37.200
<v Speaker 1>to die. But I know it's so romantic. Well, and

1:06:37.240 --> 1:06:39.960
<v Speaker 1>then the scene after that when she's when Bella is

1:06:40.000 --> 1:06:42.600
<v Speaker 1>in the hospital, her mom's like, what, you don't want

1:06:42.600 --> 1:06:44.680
<v Speaker 1>to move to Phoenix again? You want to stay in

1:06:44.760 --> 1:06:49.680
<v Speaker 1>Forks with hot ass Charlie Swan, Well, okay, and then

1:06:50.280 --> 1:06:56.720
<v Speaker 1>she leaves. Let's just say as Charlie Swan and then Edward,

1:06:56.920 --> 1:06:58.920
<v Speaker 1>who had been pretending to be asleep because guess what,

1:06:59.000 --> 1:07:01.320
<v Speaker 1>he doesn't need to sleep. Great, I bet you get

1:07:01.360 --> 1:07:03.680
<v Speaker 1>so much done, except you don't because you just go

1:07:03.760 --> 1:07:08.760
<v Speaker 1>to high school. Exactly. You don't have to go to

1:07:08.840 --> 1:07:12.800
<v Speaker 1>high school. You could just stay inside. Rob is classically

1:07:12.800 --> 1:07:16.600
<v Speaker 1>trained as an actor in Sleeping. He's really good. I

1:07:16.640 --> 1:07:21.680
<v Speaker 1>believed it classically trains Sleeper. Well, okay, so the scene

1:07:21.760 --> 1:07:25.080
<v Speaker 1>in um the hospital whenever Edward's like, you know what,

1:07:25.200 --> 1:07:27.320
<v Speaker 1>I don't maybe we shouldn't be together. I'm putting you

1:07:27.360 --> 1:07:32.160
<v Speaker 1>in too much danger Allah spider Man, but She's like,

1:07:33.000 --> 1:07:39.600
<v Speaker 1>I can't live without you, baby. We gotta get one

1:07:39.720 --> 1:07:43.960
<v Speaker 1>last infuriating moment in there where he's like, I've treated

1:07:44.000 --> 1:07:46.440
<v Speaker 1>you shitty this entire movie, and now I'm saying that

1:07:46.520 --> 1:07:48.960
<v Speaker 1>maybe we shouldn't be together, and she's just like, no,

1:07:49.040 --> 1:07:53.120
<v Speaker 1>but I'm irreflacably in love with you, irrevocably there. I mean,

1:07:53.120 --> 1:07:56.280
<v Speaker 1>there are consequences to being with Edward right, Like, she's

1:07:56.320 --> 1:07:59.640
<v Speaker 1>literally broken after this fight. Um, she's broken up with

1:07:59.640 --> 1:08:02.920
<v Speaker 1>her dad. After spending months trying to fix this relationship

1:08:03.000 --> 1:08:04.640
<v Speaker 1>that she hasn't had since she was four or whatever,

1:08:05.120 --> 1:08:07.280
<v Speaker 1>she has to lie to him. What she says that

1:08:07.440 --> 1:08:09.840
<v Speaker 1>was a painful scene to watch. She really breaks his

1:08:09.880 --> 1:08:11.840
<v Speaker 1>heart with like they both do a really good job.

1:08:11.920 --> 1:08:14.640
<v Speaker 1>I don't want to end up like mom just stuck here, right,

1:08:14.720 --> 1:08:18.839
<v Speaker 1>And he's like, I am boring, that's all she's implying.

1:08:18.880 --> 1:08:22.759
<v Speaker 1>It's like, you're such a drag dad um really quickly

1:08:23.000 --> 1:08:27.080
<v Speaker 1>on the subject of Catherine Hardwick, because it is extremely

1:08:27.080 --> 1:08:31.080
<v Speaker 1>difficult and was relatively historic at the time for a

1:08:31.120 --> 1:08:33.960
<v Speaker 1>female director in two thousand and eight to be given

1:08:34.160 --> 1:08:40.000
<v Speaker 1>the reins to this massive blockbuster. Her previous directorial history

1:08:40.080 --> 1:08:42.679
<v Speaker 1>prior to this included a movie I used to love

1:08:42.840 --> 1:08:45.960
<v Speaker 1>that I would probably not love as much if I

1:08:46.000 --> 1:08:51.200
<v Speaker 1>revisited now, called Thirteen. It came out in two thousand

1:08:51.320 --> 1:08:54.760
<v Speaker 1>three before I was thirteen, so I was like, this

1:08:54.840 --> 1:08:56.880
<v Speaker 1>is what I have to look forward to. And it's

1:08:56.920 --> 1:09:01.920
<v Speaker 1>like young girls fucking and doing drugs and messing their

1:09:01.960 --> 1:09:05.640
<v Speaker 1>lives up. But anyways, that was like her big debut

1:09:05.880 --> 1:09:08.840
<v Speaker 1>and and she graduated out of that started getting bigger

1:09:08.840 --> 1:09:13.599
<v Speaker 1>Hollywood gigs, gets Twilight does almost every installment, I don't

1:09:13.640 --> 1:09:17.080
<v Speaker 1>think she does the last one. And then just speaking

1:09:17.120 --> 1:09:22.200
<v Speaker 1>to women in Hollywood in general, since Twilight this massively

1:09:22.360 --> 1:09:25.120
<v Speaker 1>for all of its shortcomings, of which there are many.

1:09:25.280 --> 1:09:28.040
<v Speaker 1>For all of its massive success, she has had very

1:09:28.160 --> 1:09:34.040
<v Speaker 1>little major release work since then, which I think is

1:09:34.520 --> 1:09:38.760
<v Speaker 1>a testament she sorry not to correct her man's plain, Um,

1:09:39.360 --> 1:09:44.759
<v Speaker 1>you are my least favorite man in the one. Uh.

1:09:45.320 --> 1:09:49.439
<v Speaker 1>New Moon was directed by Chris Wentz, so not not her,

1:09:49.520 --> 1:09:53.400
<v Speaker 1>but she well maybe she was was directed by David Slade.

1:09:54.640 --> 1:09:58.400
<v Speaker 1>Breaking Dawn was directed by Bill Condon, so it seems

1:09:58.439 --> 1:10:02.080
<v Speaker 1>like it was all men after this first one. Wait

1:10:02.160 --> 1:10:07.679
<v Speaker 1>a second, Okay, So yeah they didn't. It was a success.

1:10:07.800 --> 1:10:10.280
<v Speaker 1>It was a huge success. It was a huge success.

1:10:10.600 --> 1:10:14.120
<v Speaker 1>Oh okay, So she sorry, I was misreading that. Yeah,

1:10:14.360 --> 1:10:16.400
<v Speaker 1>she dropped out of the New Moon sequel. She was

1:10:16.479 --> 1:10:19.120
<v Speaker 1>offered the New Moon sequel but ended up not being

1:10:19.160 --> 1:10:21.920
<v Speaker 1>able to do it because of a scheduling thing, which

1:10:22.000 --> 1:10:26.759
<v Speaker 1>is like, Katherine, make it work, got it. It seems

1:10:26.800 --> 1:10:31.759
<v Speaker 1>as though the screenwriter, Melissa Rosenberg, did work on Slash

1:10:31.880 --> 1:10:36.960
<v Speaker 1>right most of the sequels, so she returned for the others.

1:10:37.040 --> 1:10:39.160
<v Speaker 1>It's bizarre because yeah, if you look at Katherine Harberg's

1:10:39.200 --> 1:10:42.479
<v Speaker 1>filmography since then, she didn't direct another movie for three

1:10:42.640 --> 1:10:46.360
<v Speaker 1>years after the first Twilight and has only directed three

1:10:46.400 --> 1:10:50.599
<v Speaker 1>movies total in the past ten years, so I'm ready

1:10:50.600 --> 1:10:54.920
<v Speaker 1>for her comeback. You know, right. She directed Lord of Dogtown,

1:10:55.080 --> 1:10:58.760
<v Speaker 1>the skateboard movie for gran outline. Yeah skip that one.

1:10:58.800 --> 1:11:02.280
<v Speaker 1>I didn't see that. She also directed The Nativity Story

1:11:02.479 --> 1:11:05.559
<v Speaker 1>that also, you know, let's not rule up the fact

1:11:05.560 --> 1:11:09.240
<v Speaker 1>that maybe she's not a great director, but also crummy

1:11:09.280 --> 1:11:14.360
<v Speaker 1>male directors getty second chances. Katherine Hardwick has not been

1:11:14.400 --> 1:11:17.639
<v Speaker 1>as fortunate, and it just feels worth mentioning. I can't

1:11:17.640 --> 1:11:20.320
<v Speaker 1>speak to the quality of her work because you know, Lord,

1:11:20.800 --> 1:11:23.200
<v Speaker 1>every movie that I'm thinking of that she's directed kind

1:11:23.200 --> 1:11:25.719
<v Speaker 1>of sucks. I have a day dream where this story

1:11:25.760 --> 1:11:28.879
<v Speaker 1>isn't about Edward and Bella. It's about Bella and Charlie

1:11:29.080 --> 1:11:33.160
<v Speaker 1>and a comeback story where a young daughter learns to

1:11:33.200 --> 1:11:35.600
<v Speaker 1>love her dad again. And sure there's a vampire in

1:11:35.640 --> 1:11:38.040
<v Speaker 1>the background, but at the end of the day, Charlie

1:11:38.080 --> 1:11:42.320
<v Speaker 1>really loves his daughter. You know, Charlie is so bad

1:11:42.400 --> 1:11:46.479
<v Speaker 1>at his job. He's a police officer and crime is

1:11:46.560 --> 1:11:50.160
<v Speaker 1>running rampant. There are other worldly creatures and most of

1:11:50.200 --> 1:11:55.000
<v Speaker 1>the time he's at a diner ordering food for Bella.

1:11:55.080 --> 1:11:58.320
<v Speaker 1>He's like, she'll have this is not a jump Oh yeah,

1:11:58.439 --> 1:12:01.440
<v Speaker 1>that's true, which like, what is this? He cal Hockley's

1:12:02.880 --> 1:12:08.639
<v Speaker 1>orders her. You like, lamb right, sweepy, that's all right,

1:12:09.400 --> 1:12:12.240
<v Speaker 1>it's about time, you know. Yeah, he does make some

1:12:12.320 --> 1:12:15.280
<v Speaker 1>questionable choices with his career as the town police officer.

1:12:15.840 --> 1:12:19.320
<v Speaker 1>He's the chief of not even just like a random officer.

1:12:19.400 --> 1:12:22.320
<v Speaker 1>He's the chief. So they're animal tax happening all around

1:12:22.360 --> 1:12:27.559
<v Speaker 1>town and he arms Bella with some mace you know,

1:12:28.160 --> 1:12:32.400
<v Speaker 1>the vampire stopper mace um. At one point after the

1:12:32.439 --> 1:12:35.000
<v Speaker 1>field trip where Bella has a horrible time with Edward,

1:12:35.160 --> 1:12:38.120
<v Speaker 1>she comes home and he's already on his second beer

1:12:38.160 --> 1:12:41.000
<v Speaker 1>at lunch, and she immediately starts cleaning up after him.

1:12:41.160 --> 1:12:43.720
<v Speaker 1>She does. Yeah, so that's why I wanted that to

1:12:43.800 --> 1:12:48.160
<v Speaker 1>be the focus of the story. I understand why Bella's

1:12:48.200 --> 1:12:51.160
<v Speaker 1>mom left him, because he does seem to be a

1:12:51.320 --> 1:12:56.240
<v Speaker 1>bad at his job and be an alcohol However, both

1:12:56.400 --> 1:13:01.519
<v Speaker 1>parents are really horrible and like, it's so amazing that

1:13:01.640 --> 1:13:08.519
<v Speaker 1>Bella is alive. Hey, listen, if Robert Pattinson is raw dogging, hey,

1:13:08.640 --> 1:13:12.320
<v Speaker 1>you're like, I wasn't raised right. There's a fun scene

1:13:12.520 --> 1:13:15.400
<v Speaker 1>where they're like talking about going to prom and Bella

1:13:15.520 --> 1:13:18.640
<v Speaker 1>is like, but I can't dance and Edward says, I

1:13:18.640 --> 1:13:23.960
<v Speaker 1>can always make you very romantic. And another moment where

1:13:24.040 --> 1:13:26.280
<v Speaker 1>she's not like the others was where he makes some

1:13:26.320 --> 1:13:29.040
<v Speaker 1>sort of numbers joke and then she's like, I don't

1:13:29.040 --> 1:13:30.880
<v Speaker 1>need to know what the square root of pie is.

1:13:30.960 --> 1:13:33.160
<v Speaker 1>I'm like, oh she is, she's a smart cookie, and

1:13:33.280 --> 1:13:37.240
<v Speaker 1>he's swoon and he's like, you know, or when she

1:13:37.320 --> 1:13:39.840
<v Speaker 1>knows women in stem you are, and then when she

1:13:39.840 --> 1:13:42.240
<v Speaker 1>knows the name of a composer and she's like, oh, yeah,

1:13:42.360 --> 1:13:45.600
<v Speaker 1>he's really good, and then he's like, you know that

1:13:45.800 --> 1:13:47.320
<v Speaker 1>is and then he's like, I have to take out

1:13:47.320 --> 1:13:52.160
<v Speaker 1>my fog machine. I need to play your piano right now. Well,

1:13:52.960 --> 1:13:55.200
<v Speaker 1>that's one of my big problems with this movie, just

1:13:55.280 --> 1:13:58.559
<v Speaker 1>in a narrative sense, is that we don't really ever

1:13:58.680 --> 1:14:00.720
<v Speaker 1>know why they like each other are except for the

1:14:00.760 --> 1:14:02.840
<v Speaker 1>fact that they're attracted to each other. But they're like,

1:14:04.880 --> 1:14:08.080
<v Speaker 1>but he's you're right, They're just both so devoid of

1:14:08.120 --> 1:14:11.439
<v Speaker 1>personality that like it's confusing why they like each other,

1:14:11.479 --> 1:14:15.719
<v Speaker 1>Like what are they compatible about? Nothing? Well, Edward can't

1:14:15.840 --> 1:14:18.040
<v Speaker 1>you know. He hears everyone's thoughts all the time, and

1:14:18.120 --> 1:14:21.200
<v Speaker 1>people are gross. Right, It's like sex, sex sex cats, right,

1:14:21.240 --> 1:14:23.000
<v Speaker 1>and like that should be annoying, right, So, like he

1:14:23.000 --> 1:14:25.320
<v Speaker 1>comes across young Bella and like, I get why it

1:14:25.320 --> 1:14:28.080
<v Speaker 1>would be enticing, but he paints this picture of like,

1:14:28.160 --> 1:14:29.479
<v Speaker 1>this is fate, this is destiny. We have to be

1:14:29.479 --> 1:14:31.479
<v Speaker 1>together right now, I have to stalk you. And that's

1:14:31.479 --> 1:14:34.280
<v Speaker 1>just not how it should have been. Well, like, if

1:14:34.280 --> 1:14:36.880
<v Speaker 1>he finds her intriguing that he doesn't have to listen

1:14:36.880 --> 1:14:39.160
<v Speaker 1>to her thoughts all the time, I'm fine, I guess

1:14:39.200 --> 1:14:41.080
<v Speaker 1>I get that. But then he demands to know what

1:14:41.160 --> 1:14:43.559
<v Speaker 1>she's thinking all the time. He's like, you're the only

1:14:43.600 --> 1:14:44.800
<v Speaker 1>person I can't read, so you need to tell me

1:14:44.840 --> 1:14:46.600
<v Speaker 1>what you're thinking all the time. And then she's like

1:14:46.680 --> 1:14:53.440
<v Speaker 1>and unfortunately, she's probably like, um, sex and cats. Unfortunately

1:14:53.479 --> 1:14:55.559
<v Speaker 1>you have a blind spot. But I am a person

1:14:55.680 --> 1:14:58.559
<v Speaker 1>and thinking about sex and pats as well. But she's not.

1:14:58.680 --> 1:15:01.519
<v Speaker 1>She's thinking about numbers and I don't want to dance.

1:15:01.760 --> 1:15:07.120
<v Speaker 1>I'm I'm awkward. One thing I do want to point out,

1:15:07.400 --> 1:15:10.519
<v Speaker 1>which does not redeem this movie in any way, but

1:15:10.640 --> 1:15:14.320
<v Speaker 1>I do like that there's pretty equal gender balance in

1:15:14.439 --> 1:15:17.759
<v Speaker 1>terms of about half the characters are women whose names

1:15:17.760 --> 1:15:21.200
<v Speaker 1>we know and have at least some role in the story.

1:15:22.000 --> 1:15:25.000
<v Speaker 1>Because a problem we come up with on the podcast

1:15:25.000 --> 1:15:27.640
<v Speaker 1>a lot is that there are hardly any women in

1:15:27.680 --> 1:15:30.360
<v Speaker 1>this whatever story we're talking about. And it's nice that

1:15:30.439 --> 1:15:35.040
<v Speaker 1>Bella has some female friends. She's got Jess, she's got Angela,

1:15:35.160 --> 1:15:38.240
<v Speaker 1>she's got Alice. They like develop more of a friendship

1:15:38.280 --> 1:15:41.080
<v Speaker 1>in the later movies and books, and she has a

1:15:41.080 --> 1:15:44.000
<v Speaker 1>relationship with her mom. So it's nice to see that

1:15:44.080 --> 1:15:48.439
<v Speaker 1>there are some like female bonds. They have thoughts, they

1:15:48.479 --> 1:15:51.320
<v Speaker 1>all have opinions, they all have conflicts. Except for Victoria

1:15:51.360 --> 1:15:53.719
<v Speaker 1>the vampire. I think she's just trying to eat people.

1:15:53.960 --> 1:15:59.280
<v Speaker 1>But everyone else, well she gets made at the very

1:15:59.360 --> 1:16:01.720
<v Speaker 1>very end because she's that prom watching as vampires do.

1:16:01.880 --> 1:16:06.720
<v Speaker 1>She's no the blonde one. Is that Rosalie. She's a star.

1:16:07.880 --> 1:16:12.280
<v Speaker 1>Oh Nicky Reid. Uh, it's one of those directors and

1:16:12.360 --> 1:16:14.800
<v Speaker 1>now you know, bringing back the cast, get the gang

1:16:14.800 --> 1:16:19.920
<v Speaker 1>back together. But Victoria is one of the evil vampires ladies,

1:16:20.680 --> 1:16:23.400
<v Speaker 1>the one the last person you see in the movie

1:16:23.840 --> 1:16:27.000
<v Speaker 1>for some reason, because well she was with she was

1:16:27.120 --> 1:16:31.479
<v Speaker 1>dating James, whose head gets ripped off, kissed and she's mad.

1:16:31.600 --> 1:16:33.960
<v Speaker 1>She's like, you've ripped off my friend's head. If for

1:16:34.439 --> 1:16:38.599
<v Speaker 1>I loved this hip for so she has a personal

1:16:38.680 --> 1:16:42.840
<v Speaker 1>vendetta against Bella now, which becomes the story. It was real.

1:16:42.920 --> 1:16:44.760
<v Speaker 1>It wasn't just like a teenage romance where they just

1:16:44.800 --> 1:16:46.519
<v Speaker 1>like sort of like the way each other looked like

1:16:46.560 --> 1:16:49.280
<v Speaker 1>they like they were together for a while. They were

1:16:49.400 --> 1:16:53.439
<v Speaker 1>as vampires do. Does anyone have any final thoughts about

1:16:53.479 --> 1:16:56.680
<v Speaker 1>the Have you gotten three or seven pages of notes? So? Yeah,

1:16:56.920 --> 1:17:00.800
<v Speaker 1>overprepared because I'm a type a educator. I think I

1:17:00.840 --> 1:17:04.120
<v Speaker 1>loved this movie ten years ago because I didn't know

1:17:04.120 --> 1:17:05.880
<v Speaker 1>what it meant to be a feminist, and I didn't

1:17:05.920 --> 1:17:09.080
<v Speaker 1>know what it meant to love myself or love another person.

1:17:09.439 --> 1:17:12.080
<v Speaker 1>And now I am sort of a feminist and I

1:17:12.720 --> 1:17:16.439
<v Speaker 1>myself yeah, I mean I have some t shirts what

1:17:16.560 --> 1:17:20.360
<v Speaker 1>the Future is Female? Check me out on Twitter. Um.

1:17:20.400 --> 1:17:22.439
<v Speaker 1>But now I have a good sense of what it

1:17:22.439 --> 1:17:25.920
<v Speaker 1>means to be in a stable, normal, respectful relationship. And

1:17:25.960 --> 1:17:28.400
<v Speaker 1>I can look back and say, this was a fun

1:17:28.439 --> 1:17:30.680
<v Speaker 1>movie to pre Game two before I went out to

1:17:30.680 --> 1:17:33.320
<v Speaker 1>the club. But I don't think that it's a very

1:17:33.400 --> 1:17:35.560
<v Speaker 1>positive film, and I don't I wouldn't recommend it to

1:17:35.600 --> 1:17:37.800
<v Speaker 1>any of my students, thank you. I think that that

1:17:37.920 --> 1:17:41.280
<v Speaker 1>is a sentiment that a lot of us can relate to. Yeah,

1:17:41.400 --> 1:17:44.640
<v Speaker 1>we're like ten years ago, it was a not a

1:17:44.720 --> 1:17:48.559
<v Speaker 1>simpler time. It was a it was a more lectris time.

1:17:48.600 --> 1:17:50.759
<v Speaker 1>And the further you go back, the worse it gets.

1:17:51.320 --> 1:17:53.880
<v Speaker 1>So we're doing better now. We're in a better place

1:17:53.920 --> 1:17:57.280
<v Speaker 1>as a culture. Moana came out, and since then things

1:17:57.280 --> 1:17:59.720
<v Speaker 1>have been on well, the up and up, except then

1:17:59.760 --> 1:18:02.360
<v Speaker 1>the but then Transformers came out of game. I mean,

1:18:02.400 --> 1:18:03.840
<v Speaker 1>I don't know if we're in a better place as

1:18:03.880 --> 1:18:07.360
<v Speaker 1>a culture, but we as individuals are in better places

1:18:07.840 --> 1:18:14.320
<v Speaker 1>killing Donald Trumps president. So you know that's not too good. No,

1:18:14.520 --> 1:18:16.400
<v Speaker 1>it's not too good at all. We as a culture

1:18:16.479 --> 1:18:20.280
<v Speaker 1>don't like that. But my taste has gotten even more

1:18:20.360 --> 1:18:22.840
<v Speaker 1>exquisite if you could believe it from ten years ago.

1:18:23.080 --> 1:18:26.280
<v Speaker 1>So Spider Man two is still in my top five

1:18:26.520 --> 1:18:29.040
<v Speaker 1>and has been for over ten years. Check out a

1:18:29.080 --> 1:18:32.080
<v Speaker 1>Spiderman Homecoming. I really enjoyed it. Oh, I haven't seen

1:18:32.080 --> 1:18:33.879
<v Speaker 1>it yet. I want to say, I want to describe

1:18:33.880 --> 1:18:38.439
<v Speaker 1>it as irrevocably, but that one irrevocably a movie I've seen.

1:18:40.120 --> 1:18:42.800
<v Speaker 1>It's true. You can't go and see it. Take it back.

1:18:45.080 --> 1:18:47.400
<v Speaker 1>There's a lot of female characters. For how bad this

1:18:47.600 --> 1:18:50.599
<v Speaker 1>movie is. Two women, true, like you were just saying,

1:18:50.640 --> 1:18:52.920
<v Speaker 1>which is and I hadn't even thought of it. It

1:18:53.000 --> 1:18:56.040
<v Speaker 1>probably is about half and half in terms of male

1:18:56.200 --> 1:18:58.799
<v Speaker 1>versus female characters, which doesn't happen a lot in movies,

1:18:59.360 --> 1:19:03.200
<v Speaker 1>but also said just as bad that all the female

1:19:03.280 --> 1:19:08.720
<v Speaker 1>characters are just well. There are many more opportunities for

1:19:08.800 --> 1:19:11.120
<v Speaker 1>the movie to pass the Bechdel test than we see

1:19:11.200 --> 1:19:15.400
<v Speaker 1>in the average movie. What was Your Reads? I think

1:19:15.479 --> 1:19:20.280
<v Speaker 1>it does, but only very, very minimally, and often in

1:19:20.320 --> 1:19:24.120
<v Speaker 1>a conversation where they then shift the focus to a man, right,

1:19:24.680 --> 1:19:28.519
<v Speaker 1>so like it's we're talking to line exchanges. At one point,

1:19:28.640 --> 1:19:33.120
<v Speaker 1>Bella and Angela and Jess are talking about their prom dresses, right,

1:19:33.120 --> 1:19:35.720
<v Speaker 1>and then the subtext is it's about the boys and

1:19:35.760 --> 1:19:38.080
<v Speaker 1>how the boys will react to the dresses. Yeah, right,

1:19:38.160 --> 1:19:41.600
<v Speaker 1>So still technically passes. But there's one scene in the

1:19:41.680 --> 1:19:46.200
<v Speaker 1>kitchen in the Vampire House between Alice and Bella. She says, hi,

1:19:46.280 --> 1:19:49.800
<v Speaker 1>I'm Alice, Bella says hi, and then Alice says, you

1:19:49.880 --> 1:19:56.280
<v Speaker 1>do smell good. And then as May is like, are

1:19:56.320 --> 1:20:00.040
<v Speaker 1>you hungry? And Bella is like yes, right, and and

1:20:00.400 --> 1:20:04.559
<v Speaker 1>then you're like a weird dramatic unnecessary she just ate

1:20:05.120 --> 1:20:09.080
<v Speaker 1>and all right, and then Rosalie is like she breaks

1:20:09.120 --> 1:20:13.080
<v Speaker 1>the glass right, and I'm just like, calm down. She's

1:20:13.200 --> 1:20:17.360
<v Speaker 1>really upset to be To be fair, a family of

1:20:17.400 --> 1:20:19.719
<v Speaker 1>one year old vampires are trying to quart a seventeen

1:20:19.760 --> 1:20:24.599
<v Speaker 1>year old so they make an Italian meal. And then

1:20:26.320 --> 1:20:28.920
<v Speaker 1>Twilight is a movie that forever changes the Bechtel test.

1:20:29.000 --> 1:20:32.000
<v Speaker 1>It's like, how does the Bechtel test change when women

1:20:32.040 --> 1:20:36.439
<v Speaker 1>can be food? You know, I'm into I'm into this

1:20:36.520 --> 1:20:40.320
<v Speaker 1>line of thing. I don't think it passes because they're

1:20:40.320 --> 1:20:43.120
<v Speaker 1>always talking to food, not to people, not to other women.

1:20:43.479 --> 1:20:46.519
<v Speaker 1>It's like, you're not be Where were you on that?

1:20:47.880 --> 1:20:50.439
<v Speaker 1>What if women can also be eaten? Right? It's like

1:20:50.680 --> 1:20:53.160
<v Speaker 1>two meals talking to each other. That doesn't pass the

1:20:53.200 --> 1:20:56.720
<v Speaker 1>Bechtel test. I would say the scene where Bella and

1:20:56.880 --> 1:20:59.240
<v Speaker 1>just meet each other in the gym after she's just

1:20:59.360 --> 1:21:04.280
<v Speaker 1>spiked of volleyball at chowed Mike's head passes because Jessica goes,

1:21:04.320 --> 1:21:07.000
<v Speaker 1>I'm Jessica, by the way here from Arizona, right. Bella

1:21:07.040 --> 1:21:10.120
<v Speaker 1>was like yeah, and use aren't people from Arizona supposed

1:21:10.120 --> 1:21:12.960
<v Speaker 1>to be like really tan? And Bella is like, maybe

1:21:13.000 --> 1:21:17.360
<v Speaker 1>that's why they kicked me out que uproarious laughter from everybody,

1:21:17.960 --> 1:21:21.960
<v Speaker 1>like we love me girl, She's funny. Yeah. I mean

1:21:22.000 --> 1:21:26.280
<v Speaker 1>this movie as a movie that they're you know, books

1:21:26.320 --> 1:21:28.920
<v Speaker 1>written on how bad it is to women, does pass

1:21:29.000 --> 1:21:32.880
<v Speaker 1>the Bechdel test if you can believe it. But as

1:21:32.920 --> 1:21:37.000
<v Speaker 1>we often acknowledge, the Bechdel test is not like the

1:21:37.120 --> 1:21:40.840
<v Speaker 1>end all be all. It is literally syndicator. Right, Yeah,

1:21:40.920 --> 1:21:45.760
<v Speaker 1>let's start here and then so Twilight, for all of

1:21:45.760 --> 1:21:50.599
<v Speaker 1>its shortcomings, gets to step one. But that's as far

1:21:50.720 --> 1:21:55.680
<v Speaker 1>as it stops. Right there. With that, let's rate the

1:21:55.720 --> 1:21:59.080
<v Speaker 1>movie our nipple scale. To our listeners who are not

1:21:59.120 --> 1:22:03.360
<v Speaker 1>familiar with the nipple scale, Let's start with the Twilight episode.

1:22:04.280 --> 1:22:06.519
<v Speaker 1>Go back and listen to Thelma and Louise come on

1:22:06.680 --> 1:22:09.960
<v Speaker 1>or mo wanna come on, and then revisit this episode.

1:22:10.000 --> 1:22:15.320
<v Speaker 1>Go listen to Gli No, do not endorse that No

1:22:15.720 --> 1:22:18.240
<v Speaker 1>Julie is a good episode. Hey, I give it one

1:22:18.600 --> 1:22:23.000
<v Speaker 1>nipple because we're rating it based on its portrayal of women.

1:22:23.600 --> 1:22:26.759
<v Speaker 1>One nipple because I do like that there's a pretty

1:22:26.800 --> 1:22:30.200
<v Speaker 1>equal gender balance in terms of male versus female characters,

1:22:30.840 --> 1:22:34.120
<v Speaker 1>pretty equal across the board, and I like that you

1:22:34.200 --> 1:22:38.680
<v Speaker 1>do see Bella often standing up for herself again. It

1:22:38.720 --> 1:22:42.960
<v Speaker 1>doesn't really matter because she ends up in this abusive relationship,

1:22:43.240 --> 1:22:46.719
<v Speaker 1>but you do, at least, on many many occasions, see

1:22:46.760 --> 1:22:49.280
<v Speaker 1>her and be like, no, don't touch me, No I

1:22:49.320 --> 1:22:52.840
<v Speaker 1>want answers, No, stop gaslighting me. I know what I saw, like,

1:22:53.240 --> 1:22:56.759
<v Speaker 1>bye bye bye. Two thirds away into the movie, it's

1:22:56.840 --> 1:23:02.240
<v Speaker 1>she's done for, but we do the dying breaths of

1:23:02.320 --> 1:23:06.680
<v Speaker 1>what was once a somewhat confidence in the work. She

1:23:06.800 --> 1:23:10.519
<v Speaker 1>is awkward, but someone who can at least ask, you know,

1:23:10.800 --> 1:23:14.360
<v Speaker 1>not afraid of confrontation, not afraid of asking a question

1:23:14.400 --> 1:23:18.400
<v Speaker 1>that is reasonable to a man. Sure, yes, So that's

1:23:18.400 --> 1:23:22.160
<v Speaker 1>why it gets one star and not zero stars stars.

1:23:22.240 --> 1:23:34.040
<v Speaker 1>Oh my god, I'm so sorry. Okay, one nipple, one

1:23:34.080 --> 1:23:36.920
<v Speaker 1>nipple for Caitlin, one nipple for me would have gotten

1:23:37.320 --> 1:23:41.080
<v Speaker 1>a zero nipple rating. But it has a tiny little

1:23:41.200 --> 1:23:43.160
<v Speaker 1>thing going for it. Isn't there a thing where you like,

1:23:43.200 --> 1:23:45.559
<v Speaker 1>give the nipple to someone, Yeah, we will. We describe

1:23:45.600 --> 1:23:51.000
<v Speaker 1>the nipple. My nipple belongs to Jacob, whose nipple we

1:23:51.080 --> 1:23:54.640
<v Speaker 1>see in New Moon. He's like, I'm riding on a motorcycle.

1:23:55.320 --> 1:23:57.680
<v Speaker 1>I gotta take my shirt off, and you see his

1:23:57.800 --> 1:24:01.439
<v Speaker 1>nipple and it's a good Nipple highly endorsed that nipple,

1:24:01.960 --> 1:24:05.880
<v Speaker 1>so Team Jacob, Team Jacob agree. I'm gonna give it

1:24:05.920 --> 1:24:09.360
<v Speaker 1>one and a half nipples because technically, with R. Rubric

1:24:09.400 --> 1:24:11.920
<v Speaker 1>it does pass the bactial test, which I was honestly

1:24:12.040 --> 1:24:15.240
<v Speaker 1>very surprised that it does technically more than once there

1:24:15.280 --> 1:24:19.360
<v Speaker 1>are a lot of female characters and then almost exclusively

1:24:19.400 --> 1:24:22.559
<v Speaker 1>wasted potential. But this is to be clear, the one

1:24:22.600 --> 1:24:24.920
<v Speaker 1>and a half is for this movie only, not in

1:24:25.000 --> 1:24:27.839
<v Speaker 1>any way for the whole series, which gets negative nipples

1:24:27.920 --> 1:24:32.000
<v Speaker 1>because it actively removes more and more agency from its

1:24:32.040 --> 1:24:35.240
<v Speaker 1>female characters as the series goes on, begins to kill

1:24:35.320 --> 1:24:39.760
<v Speaker 1>them off, etcetera. But for this movie alone, I'll give

1:24:39.840 --> 1:24:42.599
<v Speaker 1>it one and a half because, like you were saying,

1:24:43.000 --> 1:24:47.400
<v Speaker 1>we see Bella not be totally gaslighted that at the beginning,

1:24:47.439 --> 1:24:50.680
<v Speaker 1>we see her fight as she goes down, uh and

1:24:50.880 --> 1:24:54.760
<v Speaker 1>descends into the worst years of her life, which presumably

1:24:54.920 --> 1:24:58.040
<v Speaker 1>lasts forever. Uh. It's I give one and a half,

1:24:58.600 --> 1:25:02.920
<v Speaker 1>and I'm going to give one to that fucking Jacksonville

1:25:03.439 --> 1:25:08.240
<v Speaker 1>batting cage showed Phil, and then I'll give half of

1:25:08.360 --> 1:25:13.280
<v Speaker 1>one to Angela because she was the closest we got

1:25:13.400 --> 1:25:17.120
<v Speaker 1>to anything. She was a strong independent woman. She asked.

1:25:17.120 --> 1:25:19.559
<v Speaker 1>She asked Eric and he said, yes, they go to

1:25:19.600 --> 1:25:22.639
<v Speaker 1>prom together. They sure do good for her. Go angela

1:25:22.720 --> 1:25:26.360
<v Speaker 1>half a nipple for you. Um, I interesting premise. I

1:25:26.680 --> 1:25:29.760
<v Speaker 1>mean it didn't really deliver, But I think this would

1:25:29.760 --> 1:25:31.439
<v Speaker 1>have been a great movie if it were about Bella

1:25:31.520 --> 1:25:33.839
<v Speaker 1>and her dad or Bella and her gay best friend Jacob.

1:25:34.240 --> 1:25:36.160
<v Speaker 1>It was not about those things. So I'm gonna give

1:25:36.200 --> 1:25:38.519
<v Speaker 1>it one What can it be about Bella and her mom?

1:25:38.960 --> 1:25:42.360
<v Speaker 1>Why can it be about a female in Florida? That

1:25:42.360 --> 1:25:45.360
<v Speaker 1>doesn't have to happen when you're rewriting the story. Okay,

1:25:45.360 --> 1:25:48.160
<v Speaker 1>so we're rewriting. Okay, I'm still giving it one and

1:25:48.160 --> 1:25:51.520
<v Speaker 1>a half nipples. And that is because in the trailer

1:25:51.680 --> 1:25:54.320
<v Speaker 1>to New Moon, there was a lot of controversy about

1:25:54.439 --> 1:25:57.560
<v Speaker 1>edwards left nipple. If you guys haven't read about Nipplegate,

1:25:57.880 --> 1:26:03.799
<v Speaker 1>people really went to town Twitter about Edwards. Maybe funked

1:26:03.840 --> 1:26:06.840
<v Speaker 1>up body, Maybe he wasn't as perfect as everyone thought.

1:26:06.920 --> 1:26:09.080
<v Speaker 1>I actually kind of remember that one and a half

1:26:09.160 --> 1:26:14.080
<v Speaker 1>nipples for Rob Pattinson's left nipple. Thank you, dear God,

1:26:15.439 --> 1:26:19.040
<v Speaker 1>Hey JT, my dear friend. Yes, thanks for being here,

1:26:19.120 --> 1:26:21.120
<v Speaker 1>thank you for having me We've had a swell time.

1:26:21.200 --> 1:26:23.000
<v Speaker 1>This is really different from my day job, which is

1:26:23.000 --> 1:26:26.000
<v Speaker 1>an educator. Right, do you want some followers? Where can

1:26:26.000 --> 1:26:28.559
<v Speaker 1>people find you? On Twitter at JT in the Cloud.

1:26:28.640 --> 1:26:31.040
<v Speaker 1>I say funny things about culture and video games and

1:26:31.160 --> 1:26:34.960
<v Speaker 1>education and feminism. Hey, you can follow the Bechtel Cast

1:26:35.160 --> 1:26:40.439
<v Speaker 1>on many different platforms for instance, Facebook, Twitter, Instagram, Bechtel

1:26:40.520 --> 1:26:43.800
<v Speaker 1>Cast some variation on it. Fucking banger in Out. You'll

1:26:43.840 --> 1:26:46.200
<v Speaker 1>find it. We have a live show kind of in

1:26:46.280 --> 1:26:49.600
<v Speaker 1>New York in September. UM. We'll be posting more about that.

1:26:49.680 --> 1:26:52.080
<v Speaker 1>Probably by the time this comes out. You'll be able

1:26:52.080 --> 1:26:56.920
<v Speaker 1>to buy tickets. That's exciting. Check our various media places.

1:26:57.760 --> 1:27:00.280
<v Speaker 1>Find out a place to buy things. To that thing

1:27:00.680 --> 1:27:02.519
<v Speaker 1>and we'll see you at that thing, and we're gonna

1:27:02.520 --> 1:27:06.240
<v Speaker 1>have a big old fun time. We're gonna chillax, chillax.

1:27:06.280 --> 1:27:09.599
<v Speaker 1>We're gonna be lamping in New York City. Push baby, Okay,

1:27:09.680 --> 1:27:11.920
<v Speaker 1>bye bye. Say it.