WEBVTT - Transformers! Are They More Than Meets the Eye?

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<v Speaker 1>You're listening to Part Time Genius, the production of Kaleidoscope

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<v Speaker 1>and iHeartRadio. Guess what Will?

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<v Speaker 2>What's that Mango?

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<v Speaker 1>So you know that impulse when you pass an electric

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<v Speaker 1>fan and no one is around and you just want

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<v Speaker 1>to lean in and say more than meets the eye.

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<v Speaker 3>I'm not sure if you know what I was doing

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<v Speaker 3>for the ten minutes before you got in here, But

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<v Speaker 3>do you mean like this more than.

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<v Speaker 2>Exactly?

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<v Speaker 1>That impulse is officially forty years old. Wow, so Transformers

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<v Speaker 1>might have a new movie out, but they are old,

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<v Speaker 1>baby like, these toys are elder millennials, meaning we would

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<v Speaker 1>have been about five when the first ones came out.

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<v Speaker 3>That is crazy, which would have given us plenty of

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<v Speaker 3>time to spend chanting more than meets the eye into

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<v Speaker 3>household appliances everywhere.

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<v Speaker 1>Household applian. It's like a toaster or whatever. You know,

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<v Speaker 1>Transformers or for everyone these days. But there are about

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<v Speaker 1>two dozen different product lines and the first movie was

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<v Speaker 1>directed by Michael Bay that broke the box offices all

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<v Speaker 1>from these toys that had us like crunching tiny pterodactyls

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<v Speaker 1>into the shape of cassette tapes.

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<v Speaker 3>Wait, is that is that a real transformer or did

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<v Speaker 3>you just make that up?

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<v Speaker 1>Yeah, it's totally real. My aunt, when I was in

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<v Speaker 1>fourth grade as a birthday president, took me to Toys r

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<v Speaker 1>US and let me pick out anything, and so I

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<v Speaker 1>picked out these tiny mini cassette Transformers. And our fact checker,

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<v Speaker 1>slash researcher and resident Transformers guru Gabe said it was

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<v Speaker 1>not a pterodactyl. It was a falcon or a condor.

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<v Speaker 1>So I've already been fact checked, just as his intro.

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<v Speaker 3>Yeah, you want to get that wrong with Gabe, but.

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<v Speaker 1>It was rad Anyway, Today's episode is a dive back

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<v Speaker 1>into the world of Transformers. How did these incredible toys

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<v Speaker 1>come to be? And why is it that kids still

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<v Speaker 1>can't get nothing them? So let's dive in.

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<v Speaker 3>Hey, their podcast listeners, Welcome to Part Time Genius. I'm

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<v Speaker 3>Will Pearson and as always I'm joined by my good

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<v Speaker 3>friend mangesh Hot Ticketter and on the other side of

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<v Speaker 3>that soundproof glass trying and sadly failing to convert a transformer.

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<v Speaker 3>That's our friend and producer Dylan fag And he's good

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<v Speaker 3>at a lot of things, but this is something he's

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<v Speaker 3>not so great at, and I don't know, if you

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<v Speaker 3>can see it from our angle, mango, But he's sweating

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<v Speaker 3>and he's playing pump up music to get him through

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<v Speaker 3>it all. And I say that with no judgment, by

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<v Speaker 3>the way, like Dylan showed me the instruction sheet and

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<v Speaker 3>it takes forty steps to wrestle that thing into a truck.

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<v Speaker 3>So he's really got his work cut out for him.

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<v Speaker 1>Well, I am rooting for him, as I always But well,

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<v Speaker 1>I know we were both into basketball and the Lakers

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<v Speaker 1>as kids. We were both into SNL pretty early because

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<v Speaker 1>of our dads. But was transformer or something you were into?

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<v Speaker 3>Oh, it was one hundred percent something I was into. Now,

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<v Speaker 3>I didn't always know what I was talking about. In fact,

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<v Speaker 3>to this day, if I were to tell my parents

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<v Speaker 3>we were doing an episode on the Transformers, they would

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<v Speaker 3>say more to Measdi. Because I would run around the

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<v Speaker 3>house pretending to be a Transformer. I had no idea

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<v Speaker 3>what the theme song said, and in my mind they

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<v Speaker 3>said more to Measdi, and so I just sang along

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<v Speaker 3>with it. So it meant something to me, and that's

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<v Speaker 3>what's most important.

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<v Speaker 1>But how about you, Yeah, I mean, I remember when

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<v Speaker 1>I was like five or six, living in North Carolina.

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<v Speaker 1>It was the one cartoon that I'd watched religiously in

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<v Speaker 1>the afternoons. I was not into G I. Joe, which

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<v Speaker 1>I think was the thing that came on after, but

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<v Speaker 1>I was obsessed with Transformers. I love the toys and

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<v Speaker 1>just the idea that you could get your hands on

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<v Speaker 1>a robot and not know what it would transform into

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<v Speaker 1>until you like bent and twisted it into all these

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<v Speaker 1>different directions and then you'd be like totally delighted by

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<v Speaker 1>whatever return to you, like, even if it was a van.

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<v Speaker 3>You know, you've never been so delighted to play with

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<v Speaker 3>a van. But just as it adds up, so you

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<v Speaker 3>mentioned Gabe earlier, and he is really a stickler forgetting

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<v Speaker 3>the facts right about transformers and all of toys and

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<v Speaker 3>toy history. And so just to make sure we know

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<v Speaker 3>you didn't transform your transformers, you converted them. I think

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<v Speaker 3>we've gone to a new level of nerd here.

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<v Speaker 2>But that is the fact.

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<v Speaker 1>Why why did I convert them?

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<v Speaker 3>Well, one of the weirdest things I learned this week

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<v Speaker 3>is that Hasbro, the company that makes Transformers, purposely avoids

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<v Speaker 3>using the verb transform when you know, referring to their

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<v Speaker 3>products because they don't want to risk genericizing their trademark.

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<v Speaker 3>It's like how Escalator used to be the registered brand name,

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<v Speaker 3>but then the term became so common that people started

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<v Speaker 3>calling every set of moving stairs and escalator. So it's

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<v Speaker 3>just really hard to maintain a trademark the protection around

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<v Speaker 3>that once the public starts treating your brand name generically.

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<v Speaker 3>So it makes a lot of sense.

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<v Speaker 1>Like Xerox. It's funny my my uncle's firm in India

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<v Speaker 1>actually made a campaign with the slogan was make your

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<v Speaker 1>Xerox on an HP.

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<v Speaker 2>This is pretty great.

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<v Speaker 3>Yeah, and I guess it's a problem more when the

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<v Speaker 3>brand name is a straight up description of what your

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<v Speaker 3>product does. Like you can't trademark an electric mixing machine

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<v Speaker 3>as a blender because that's what it does. It blends

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<v Speaker 3>food together. So the same story with escalators, and it

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<v Speaker 3>could be argued with transformers too.

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<v Speaker 1>So Hasbro wants to make sure that people associate transformers

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<v Speaker 1>with a specific set of characters and not with like

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<v Speaker 1>gobots or any other transforming toys in general.

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<v Speaker 3>Yeah, that's exactly right, And part of maintaining that tricky

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<v Speaker 3>legal distinction is never admitting that transformers transform, so we

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<v Speaker 3>will not get them in trouble by saying that, and

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<v Speaker 3>I'm sure it is a challenge for the marketing team

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<v Speaker 3>that is ridiculous.

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<v Speaker 1>Anyway, I know you've got the backstory on these converting

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<v Speaker 1>robots that we refer to as Transformers, so why don't

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<v Speaker 1>you lay it on us?

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<v Speaker 2>All right?

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<v Speaker 3>This was a fun origin here, so to start with,

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<v Speaker 3>it's easy to overlook this if you aren't familiar with

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<v Speaker 3>the series, But Transformers isn't a purely American invention. The

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<v Speaker 3>original nineteen eighties toy line was largely made up of

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<v Speaker 3>pre existing products from several different Japanese toy lines, most

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<v Speaker 3>notably Diaclone and micro Change.

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<v Speaker 1>You know both of these, right, Yeah, I'm a huge

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<v Speaker 1>Diaclone head. Of course, I have no idea what you're

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<v Speaker 1>talking about.

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<v Speaker 2>Yeah, I didn't either.

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<v Speaker 3>It was part of the research, but it was interesting

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<v Speaker 3>to look into. So Japan was way ahead of the

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<v Speaker 3>curve when it came to thinking robots were cool. And

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<v Speaker 3>that's because, unlike the US and other Western nations, Japan

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<v Speaker 3>had been developing robotic inventions as far back as this

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<v Speaker 3>seventeenth century, which for reference, was about three hundred years

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<v Speaker 3>before the term robot was first coined. So the earliest

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<v Speaker 3>automatons on record in Japan were these tea serving mechanical

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<v Speaker 3>dolls that could wheel a cup and saucer back and

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<v Speaker 3>forth from the kitchen, and they were a huge hit

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<v Speaker 3>with a few wealthy families who could afford them, and

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<v Speaker 3>before long, clockwork automatons began popping up in stage productions

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<v Speaker 3>and other forms of entertainment that were much more accessible

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<v Speaker 3>to the masses. So you fast forward to the early

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<v Speaker 3>twentieth century and Japan was already well acquainted with the

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<v Speaker 3>idea of robots, far more so than most Western countries

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<v Speaker 3>at the time. Then, during the Atomic Age, the idea

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<v Speaker 3>of super robots sparked a cultural craze in Japan, and

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<v Speaker 3>these colorful robotic warriors began to dominate the manga stories,

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<v Speaker 3>the anime shows, and eventually the nation's toy ales.

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<v Speaker 1>That's really funny, Like you think about that magazine Giant

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<v Speaker 1>Robot that used to exist. That's all about Japanese culture,

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<v Speaker 1>So it's kind of that's about their linked. I'd heard

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<v Speaker 1>that the first couple of decades after World War Two

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<v Speaker 1>actually were like a golden age of toys in Japan,

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<v Speaker 1>which is obviously not what you'd expect since the atomic

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<v Speaker 1>bombings destroyed some to the country.

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<v Speaker 3>Yeah, that's true, But the Japanese people were very resourceful,

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<v Speaker 3>like they realized there was plenty of ten lying around

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<v Speaker 3>from the Allied soldiers ration cans, and by recycling that metal,

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<v Speaker 3>they were able to produce inexpensive toys that got the

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<v Speaker 3>industry up and running pretty quickly, and in fact, the

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<v Speaker 3>sales of those toys actually helped the Japanese population bounce

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<v Speaker 3>back much faster than it otherwise would have, because once

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<v Speaker 3>US soldiers saw the innovative and affordable toys that were

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<v Speaker 3>being produced there, they started buying them up and sending

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<v Speaker 3>them back home to the States, and it was that

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<v Speaker 3>enthusiasm that eventually led to Japan being authorized to sell

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<v Speaker 3>toys in the global market, which means that toys were

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<v Speaker 3>actually the country's first real export following it surrender in

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<v Speaker 3>nineteen forty five.

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<v Speaker 1>Were these metal toys mostly robots then, I.

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<v Speaker 3>Mean there were lots of wind up toys, but also

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<v Speaker 3>a lot of vehicles. And as time went on, production

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<v Speaker 3>methods improved and more materials became available, but robots and

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<v Speaker 3>vehicles remained the lifeblood of this industry. Started to pair

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<v Speaker 3>the two categories together in different ways. Sometimes the robot

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<v Speaker 3>came with their own vehicles to ride in, and other

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<v Speaker 3>cases a fleet of non transforming vehicles could be combined

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<v Speaker 3>together to form kind of like a giant robot. But

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<v Speaker 3>it wasn't until the mid nineteen seventies that the Japanese

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<v Speaker 3>toy companies in Takara, they began to push the marriage

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<v Speaker 3>even further by making robot figures that could convert into vehicles,

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<v Speaker 3>and it was the best of both worlds in a

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<v Speaker 3>single toy, and kids just went nuts for them.

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<v Speaker 1>So these early transforming robot toys sound great, but they

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<v Speaker 1>still weren't technically transformers.

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<v Speaker 3>Right, Yeah, they were both toy lines from a company

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<v Speaker 3>I mentioned earlier called Takara. So back in the nineteen seventies,

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<v Speaker 3>Takara found success with a series called Microman, which centered

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<v Speaker 3>on a race of tiny cybernetic spacemen who had come

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<v Speaker 3>to protect the Earth from an alien invasion. And they

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<v Speaker 3>came with all these interchangeable accessories that could be put

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<v Speaker 3>together in all sorts of ways, and you would build

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<v Speaker 3>these vehicles and robots for the little guys to pilot. So,

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<v Speaker 3>after a couple of years of success, the designers at

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<v Speaker 3>Takara decided to launch a spin offline and that would

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<v Speaker 3>focus more on transforming robot toys rather than the spacemen,

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<v Speaker 3>and the resulting series was called Diaclone, which is a

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<v Speaker 3>combination of the words diamond and cyclone.

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<v Speaker 1>Which sounds like those diamond storms where rains diamonds on

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<v Speaker 1>Neptune or Jupiter, which is just an incredible phenomena.

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<v Speaker 2>Yeah it does.

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<v Speaker 3>But you know, these toys were small, like. They consisted

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<v Speaker 3>of tiny little robots that transformed into these futuristic vehicles

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<v Speaker 3>and sci fi fortresses which the new even smaller micromen

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<v Speaker 3>could interact with.

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<v Speaker 1>Which sounds fun. But it still feels a bit off

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<v Speaker 1>from the Transformers.

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<v Speaker 2>We know, Yeah, we just you know, it's evolution.

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<v Speaker 3>It takes a little time. We're working our way there.

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<v Speaker 3>It wouldn't be as exciting if it just happened over night.

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<v Speaker 3>And this is still the nineteen seventies, all right. So

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<v Speaker 3>fast forward nineteen eighty two, just two years before the

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<v Speaker 3>Transformers first came out to Car release the line called

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<v Speaker 3>Car Robots, and unlike all the transforming toys that came

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<v Speaker 3>before it, these ones converted into real life cars and

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<v Speaker 3>trucks instead of made up sci fi vehicles.

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<v Speaker 1>So do you know why they decided to move from

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<v Speaker 1>sci fi into something that was a little more realistic.

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<v Speaker 3>Yeah, I mean sometimes these kinds of things come from

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<v Speaker 3>the preferences of those who are working on this stuff

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<v Speaker 3>like this came from the head designer, a guy named

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<v Speaker 3>kojin Ono, and he thought it would be more fun

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<v Speaker 3>for kids if they were playing with the kinds of

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<v Speaker 3>vehicles you might see in real life. Of course, there

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<v Speaker 3>was a little in fighting among the group there, and

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<v Speaker 3>other members of the team weren't quite convinced, but when

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<v Speaker 3>the sales department backed up Ono's ideas, the company decided

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<v Speaker 3>to give it a try. But if you're wondering why

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<v Speaker 3>the sales team felt confident, Ono recently offered an explanation

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<v Speaker 3>during a twenty twenty four interview with Figure King magazine.

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<v Speaker 3>The sixty five year old designer, who still works it

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<v Speaker 3>to Kara, by the way, told the interviewer quote, there

0:11:57.200 --> 0:12:00.199
<v Speaker 3>was a part conveniently located right in front of our company,

0:12:00.600 --> 0:12:04.000
<v Speaker 3>allowing us to easily conduct surveys of children. Of course,

0:12:04.040 --> 0:12:06.719
<v Speaker 3>nowadays such practices would be an absolute no no from

0:12:06.720 --> 0:12:09.760
<v Speaker 3>a compliance standpoint, But as I mentioned earlier, there's a

0:12:09.800 --> 0:12:14.640
<v Speaker 3>certain persuasiveness in directly hearing from children. Their enthusiastic support

0:12:14.679 --> 0:12:18.000
<v Speaker 3>played a pivotal role in propelling us forward, and that's

0:12:18.040 --> 0:12:20.319
<v Speaker 3>what led them to making these toys that could transform

0:12:20.360 --> 0:12:21.240
<v Speaker 3>into real cars.

0:12:22.200 --> 0:12:24.959
<v Speaker 1>Okay, so now we've got transforming robots that turn into

0:12:25.040 --> 0:12:28.880
<v Speaker 1>these realistic looking vehicles. But we've got to be getting

0:12:28.880 --> 0:12:31.400
<v Speaker 1>close to the capital t transformers.

0:12:30.840 --> 0:12:33.120
<v Speaker 2>Right, Yep, we are almost there.

0:12:33.280 --> 0:12:35.480
<v Speaker 3>In fact, a lot of figures that were designed for

0:12:35.559 --> 0:12:38.120
<v Speaker 3>car robots in the early eighties were the same ones

0:12:38.440 --> 0:12:43.600
<v Speaker 3>that would later be repurposed actually as the original Transformers toys. So,

0:12:43.679 --> 0:12:46.320
<v Speaker 3>for example, the first one that cojin Ono designed was

0:12:46.320 --> 0:12:50.640
<v Speaker 3>this red super tuning Lamborghini, which was later released in

0:12:50.720 --> 0:12:55.160
<v Speaker 3>nineteen eighty four as a yellow autobot sports car named Sunstreaker.

0:12:56.080 --> 0:12:59.040
<v Speaker 1>And so what about all the other early transformers that

0:12:59.240 --> 0:13:02.160
<v Speaker 1>don't turn into cars and trucks, Like I know, there

0:13:02.160 --> 0:13:05.920
<v Speaker 1>were also mechanical animals and dinabots. And wasn't there even

0:13:05.920 --> 0:13:08.439
<v Speaker 1>one that turned into like a handgun Megatron?

0:13:08.559 --> 0:13:11.360
<v Speaker 2>I think that's exactly right, Megatron.

0:13:11.400 --> 0:13:14.160
<v Speaker 3>Good memory, Mango. And so in one of the universes,

0:13:14.200 --> 0:13:18.000
<v Speaker 3>he turns into a Walter p. Thirty eight pistol, which

0:13:18.040 --> 0:13:20.600
<v Speaker 3>is really embarrassing that you didn't know that, But actually

0:13:20.679 --> 0:13:23.000
<v Speaker 3>I only know that because of Gabe once again coming

0:13:23.040 --> 0:13:25.600
<v Speaker 3>to the rescue here. But no, you're right, they really

0:13:25.720 --> 0:13:29.680
<v Speaker 3>left no stone unturned when choosing the figures alt modes,

0:13:29.720 --> 0:13:32.040
<v Speaker 3>which by the way, is the official term for the

0:13:32.080 --> 0:13:34.400
<v Speaker 3>non primary mode of a Transformer.

0:13:34.600 --> 0:13:36.959
<v Speaker 1>I love that we have all the jargon down thanks

0:13:36.960 --> 0:13:37.480
<v Speaker 1>to Gabe.

0:13:37.960 --> 0:13:40.560
<v Speaker 3>Yeah, he insisted. I slipped that in there.

0:13:40.600 --> 0:13:44.360
<v Speaker 1>So just to recap here, like, Takara had a bunch

0:13:44.360 --> 0:13:47.800
<v Speaker 1>of standalone toy lines in Japan which contributed to elements

0:13:47.840 --> 0:13:51.360
<v Speaker 1>of what would become Transformers, but none of those treated

0:13:51.360 --> 0:13:55.160
<v Speaker 1>the robots as distinct characters. And then what Hasbro comes

0:13:55.160 --> 0:13:58.040
<v Speaker 1>in and ditches the spacemen and makes the robots the

0:13:58.080 --> 0:14:00.640
<v Speaker 1>stars of the show is not what happens.

0:13:59.720 --> 0:14:03.199
<v Speaker 3>That's basically right. So Takara struggled to find a foothold

0:14:03.200 --> 0:14:06.160
<v Speaker 3>in the crowded American market, but then in nineteen eighty

0:14:06.200 --> 0:14:09.199
<v Speaker 3>three their products caught the eye of a Hasbro representative,

0:14:09.240 --> 0:14:11.680
<v Speaker 3>and this was at the Tokyo Toy Show. So the

0:14:11.720 --> 0:14:14.600
<v Speaker 3>rep brought back some sample figures, and before the year

0:14:14.720 --> 0:14:17.600
<v Speaker 3>was out, Hasbro had signed a contract with Takara to

0:14:17.720 --> 0:14:20.800
<v Speaker 3>license the figures for the US market, but the next

0:14:20.840 --> 0:14:23.200
<v Speaker 3>step was figuring out how to rebrand the toys for

0:14:23.240 --> 0:14:26.440
<v Speaker 3>an American audience. Hasbro's partner in the task was an

0:14:26.520 --> 0:14:31.200
<v Speaker 3>advertising agency called Griffin Bacall, who had helped develop Gi Joe,

0:14:31.560 --> 0:14:34.040
<v Speaker 3>and it was the ad firm's idea to combine Takara's

0:14:34.120 --> 0:14:36.720
<v Speaker 3>various toy lines under one umbrella and to make the

0:14:36.840 --> 0:14:40.520
<v Speaker 3>robots the main characters. The company also suggested having the

0:14:40.600 --> 0:14:44.760
<v Speaker 3>robots be sentient aliens rather than just accessories to the spacemen,

0:14:45.240 --> 0:14:49.160
<v Speaker 3>and proposed splitting them into two rival factions to create

0:14:49.200 --> 0:14:52.640
<v Speaker 3>a bit of built in conflict. Hence the heroic autobots

0:14:52.680 --> 0:14:55.600
<v Speaker 3>and the evil Dysepticons first time we mentioned them in

0:14:55.600 --> 0:14:57.400
<v Speaker 3>this episode. I can't believe it took us this long.

0:14:57.440 --> 0:15:01.280
<v Speaker 3>A git there, but lastly, the all import named Transformers

0:15:01.400 --> 0:15:04.920
<v Speaker 3>was contributed by j Baccall, the son of the company

0:15:05.000 --> 0:15:06.280
<v Speaker 3>chairman Joe Bacall.

0:15:06.600 --> 0:15:08.840
<v Speaker 1>Okay, so the ad agency comes up with the bones

0:15:08.880 --> 0:15:11.840
<v Speaker 1>of the story, these two warring factions of alien robots,

0:15:11.840 --> 0:15:15.200
<v Speaker 1>But who actually ends up filling in the details here?

0:15:15.640 --> 0:15:17.960
<v Speaker 3>That job actually fell to the writers and editors at

0:15:18.040 --> 0:15:21.240
<v Speaker 3>Marvel Comics, who had already helped Hasbro flesh out the

0:15:21.280 --> 0:15:24.600
<v Speaker 3>world of Gi Joe just a few years earlier. The

0:15:24.680 --> 0:15:27.840
<v Speaker 3>original story treatment was written by Marvel editor in chief

0:15:27.920 --> 0:15:31.360
<v Speaker 3>Jim Shooter, and it explained that the Transformers had been

0:15:31.440 --> 0:15:34.280
<v Speaker 3>locked in a civil war fighting for control of their

0:15:34.280 --> 0:15:37.960
<v Speaker 3>home planet, Cybertron, for millions of years. Millions of year,

0:15:38.000 --> 0:15:41.160
<v Speaker 3>that's a long war. The constant fighting had left the

0:15:41.200 --> 0:15:45.480
<v Speaker 3>planet in ruins and almost completely devoid of eon, which

0:15:45.520 --> 0:15:48.160
<v Speaker 3>is the life blood or fuel that powers both the

0:15:48.240 --> 0:15:52.160
<v Speaker 3>robots and the planet itself. So the two factions left

0:15:52.200 --> 0:15:55.560
<v Speaker 3>their home world in search of news sources of energy,

0:15:56.200 --> 0:15:59.600
<v Speaker 3>only to crash land on prehistoric Earth. So they spent

0:15:59.600 --> 0:16:04.600
<v Speaker 3>the next four million years than the side of a mountain. Then,

0:16:04.640 --> 0:16:07.760
<v Speaker 3>after being awakened by a volcanic eruption in nineteen eighty four,

0:16:08.240 --> 0:16:11.440
<v Speaker 3>they adopted the forms of Earth's machines and resumed their

0:16:11.560 --> 0:16:13.160
<v Speaker 3>endless war once again.

0:16:13.720 --> 0:16:16.320
<v Speaker 1>I mean, it's a great soap opera, but it is

0:16:16.440 --> 0:16:20.000
<v Speaker 1>interesting that Shooter framed this conflict does a struggle for

0:16:20.080 --> 0:16:20.960
<v Speaker 1>resources right.

0:16:21.440 --> 0:16:24.960
<v Speaker 3>It's also interesting that he drew his inspiration from real life,

0:16:25.000 --> 0:16:28.760
<v Speaker 3>like specifically the energy crisis of the nineteen seventies, So

0:16:28.920 --> 0:16:32.440
<v Speaker 3>in his conception, the difference between the two factions was

0:16:32.480 --> 0:16:34.520
<v Speaker 3>what they planned to do with the energy.

0:16:34.240 --> 0:16:35.119
<v Speaker 2>That they collected.

0:16:35.480 --> 0:16:37.520
<v Speaker 3>So you have the Autobots that just wanted to restore

0:16:37.560 --> 0:16:41.400
<v Speaker 3>their home planet and live in peace, but those evil Decepticons,

0:16:41.480 --> 0:16:44.360
<v Speaker 3>like they wanted to conquer other planets and then create

0:16:44.400 --> 0:16:47.080
<v Speaker 3>an empire. Of course, it is worth noting, though, that

0:16:47.080 --> 0:16:49.960
<v Speaker 3>Shooter's treatment left plenty of room for future writers to

0:16:50.080 --> 0:16:51.560
<v Speaker 3>deepen that mythos.

0:16:51.920 --> 0:16:55.360
<v Speaker 1>So did Shooter's treatment delve into all the character names

0:16:55.400 --> 0:16:59.080
<v Speaker 1>and backstories because I actually, like separately, was looking up

0:16:59.120 --> 0:17:02.680
<v Speaker 1>the earlier trends and they were like thirty different characters

0:17:02.720 --> 0:17:05.119
<v Speaker 1>released in just the first year of the toy line.

0:17:05.160 --> 0:17:07.600
<v Speaker 1>Like that is so many bios to write.

0:17:07.760 --> 0:17:09.080
<v Speaker 3>Yeah, I mean, I think it would be a pretty

0:17:09.119 --> 0:17:11.600
<v Speaker 3>tall order for just one person, And that's probably why

0:17:11.680 --> 0:17:14.960
<v Speaker 3>Jim Shooter decided to hand the job off to somebody else.

0:17:15.320 --> 0:17:17.840
<v Speaker 3>It was a Marvel writer named Danny O'Neill who came

0:17:17.960 --> 0:17:21.240
<v Speaker 3>up with the name Optimus Prime, but the rest of

0:17:21.280 --> 0:17:24.760
<v Speaker 3>the original cast was developed by an editor named Bob Budianski,

0:17:25.320 --> 0:17:27.359
<v Speaker 3>and he was just given a few days to come

0:17:27.440 --> 0:17:31.760
<v Speaker 3>up with the names. Personalities, powers, weaknesses, and even personal

0:17:31.800 --> 0:17:34.800
<v Speaker 3>mottos of dozens of different robots. That's a ton of

0:17:34.840 --> 0:17:38.439
<v Speaker 3>pressure and nothing to go on except the toys themselves.

0:17:38.960 --> 0:17:41.480
<v Speaker 3>And to make the assignment that much harder, his deadline

0:17:41.560 --> 0:17:44.360
<v Speaker 3>was set for the Monday after Thanksgiving. I mean, how

0:17:44.440 --> 0:17:46.159
<v Speaker 3>cruel is that? It just seems like the way that

0:17:46.200 --> 0:17:49.440
<v Speaker 3>it works, I guess. But Bob rose to the challenge,

0:17:49.520 --> 0:17:52.200
<v Speaker 3>and the work he did over that long, long weekend

0:17:52.640 --> 0:17:56.159
<v Speaker 3>became the basis for the four issue comic mini series

0:17:56.160 --> 0:17:59.120
<v Speaker 3>that launched the franchise later that year, and he came

0:17:59.200 --> 0:18:04.280
<v Speaker 3>up with some real heavy hitters. He had Bumblebee, Starscream, Megatron. Also,

0:18:04.320 --> 0:18:06.399
<v Speaker 3>his work didn't go unnoticed. Bob is only one of

0:18:06.480 --> 0:18:10.160
<v Speaker 3>four human inductees into the Transformers Hall of Fame.

0:18:12.160 --> 0:18:14.159
<v Speaker 1>I was not familiar with the fact that they have

0:18:14.240 --> 0:18:15.440
<v Speaker 1>their own Hall of Fame.

0:18:15.880 --> 0:18:17.639
<v Speaker 2>Yah. Pretty amazing.

0:18:17.960 --> 0:18:20.920
<v Speaker 1>Well, I want to switch gears and talk a little

0:18:20.960 --> 0:18:24.160
<v Speaker 1>bit more about the lore of Transformers, but first let's

0:18:24.200 --> 0:18:40.000
<v Speaker 1>take a quick break.

0:18:41.359 --> 0:18:42.679
<v Speaker 2>Welcome back to Part time Genius.

0:18:42.680 --> 0:18:46.280
<v Speaker 3>Okay, Mango, So we're in the weird wide world of Transformers,

0:18:46.480 --> 0:18:48.200
<v Speaker 3>and I'm curious where do you want to go next?

0:18:48.520 --> 0:18:51.199
<v Speaker 1>Since you gave us the real life history of Transformers.

0:18:51.320 --> 0:18:53.480
<v Speaker 1>I thought i'd share a little bit about the origin

0:18:53.600 --> 0:18:57.840
<v Speaker 1>story in the Transformers universe because it's actually pretty strange

0:18:57.880 --> 0:19:03.200
<v Speaker 1>and like surprisingly spiritual, because transformers have souls.

0:19:05.640 --> 0:19:05.800
<v Speaker 2>You know.

0:19:05.880 --> 0:19:09.600
<v Speaker 3>I took I think two philosophy courses in college, and

0:19:09.840 --> 0:19:12.359
<v Speaker 3>neither of those covered this, and so I'm curious to

0:19:12.400 --> 0:19:12.959
<v Speaker 3>learn about it.

0:19:13.320 --> 0:19:14.960
<v Speaker 1>Yeah, I mean, for the amount of money we paid,

0:19:15.000 --> 0:19:19.120
<v Speaker 1>it shouldn't have. But in the transformer's lore, they all

0:19:19.160 --> 0:19:22.040
<v Speaker 1>have something called sparks, like the spark of life, and

0:19:22.280 --> 0:19:26.240
<v Speaker 1>unlike most conceptions of a human soul, a transformer spark

0:19:26.400 --> 0:19:29.399
<v Speaker 1>is a tangible object, so it's kind of like an organ.

0:19:29.720 --> 0:19:32.439
<v Speaker 1>It is a weird idea, but Gabe pointed me to

0:19:32.560 --> 0:19:36.200
<v Speaker 1>a nice explainer from tfwiki dot net, which he assured

0:19:36.240 --> 0:19:39.439
<v Speaker 1>me is the foremost Transformers wiki on the internet.

0:19:39.480 --> 0:19:41.800
<v Speaker 3>No, I'm definitely familiar. I forgot to put my phone

0:19:41.800 --> 0:19:43.879
<v Speaker 3>on do not Disturb the other night, and I just

0:19:44.000 --> 0:19:46.600
<v Speaker 3>kept getting text with these links to the information on

0:19:46.680 --> 0:19:48.919
<v Speaker 3>that on Gabe. So let's go ahead and share what

0:19:48.960 --> 0:19:49.640
<v Speaker 3>you've learned here.

0:19:50.520 --> 0:19:54.159
<v Speaker 1>Okay, So tf wiki rights quote, the spark is the

0:19:54.160 --> 0:19:58.879
<v Speaker 1>core of Transformer life and electrically charged massive positrons formed

0:19:58.920 --> 0:20:03.320
<v Speaker 1>from the supernatural absence known as rarefied energy. On like

0:20:03.320 --> 0:20:05.879
<v Speaker 1>a heart, a spark pulses at a certain frequency to

0:20:05.920 --> 0:20:09.439
<v Speaker 1>animate a mechanical body frame like a soul. A spark

0:20:09.520 --> 0:20:12.600
<v Speaker 1>is generally accepted to contain some part of a Transformer's

0:20:12.640 --> 0:20:18.840
<v Speaker 1>immaterial being, which persists after death by transcending into the afterlife.

0:20:19.119 --> 0:20:22.560
<v Speaker 3>So you're saying in Transformers, there's a robot heaven too, like,

0:20:22.680 --> 0:20:24.560
<v Speaker 3>is there a robot god who made them all?

0:20:25.200 --> 0:20:27.600
<v Speaker 1>I am so glad that my kids never asked me that,

0:20:27.640 --> 0:20:31.199
<v Speaker 1>because I would not have been prepared. But just like

0:20:31.240 --> 0:20:33.520
<v Speaker 1>in the real world, the answer kind of depends on

0:20:33.600 --> 0:20:35.920
<v Speaker 1>who you ask. So if you go back to the

0:20:35.960 --> 0:20:39.800
<v Speaker 1>first Transformer story ever published, that Marvel comic that uh

0:20:39.880 --> 0:20:44.600
<v Speaker 1>Boudianski worked on, the origin story is completely secular, right, Like,

0:20:44.680 --> 0:20:48.760
<v Speaker 1>so life on Cybertron springs up through the naturally occurring

0:20:48.800 --> 0:20:52.399
<v Speaker 1>interaction of gears, levers, and pulleys, which you know is

0:20:52.480 --> 0:20:55.000
<v Speaker 1>kind of a silly idea, but I also love it.

0:20:55.080 --> 0:20:58.719
<v Speaker 1>But then in later comic books and the cartoon series,

0:20:58.840 --> 0:21:00.919
<v Speaker 1>and now actually with the latest movie, the creation of

0:21:00.960 --> 0:21:04.880
<v Speaker 1>the Transformers is credited to a deity and fittingly, his

0:21:04.960 --> 0:21:07.720
<v Speaker 1>name is Primus, which is just a Latin word for

0:21:07.800 --> 0:21:11.320
<v Speaker 1>first and as the story goes, he started out as

0:21:11.320 --> 0:21:14.879
<v Speaker 1>this ancient ethereal entity, kind of like a cosmic ghost.

0:21:15.080 --> 0:21:17.600
<v Speaker 1>But then Primus decided to lay down some roots by

0:21:18.119 --> 0:21:22.399
<v Speaker 1>joining his essence to a barren, metal rich planet, as

0:21:22.440 --> 0:21:26.119
<v Speaker 1>you do, and then by imbuing each Transformer with a

0:21:26.200 --> 0:21:27.560
<v Speaker 1>piece of his essence.

0:21:28.040 --> 0:21:30.320
<v Speaker 3>And I'm guessing that's what a spark is, right.

0:21:30.440 --> 0:21:33.280
<v Speaker 1>Yeah, They're all little pieces of Primus, which, by the way,

0:21:33.359 --> 0:21:36.040
<v Speaker 1>is also why they have the power to transform. It's

0:21:36.119 --> 0:21:39.680
<v Speaker 1>a reflection of his ability to change form, like how

0:21:39.720 --> 0:21:43.160
<v Speaker 1>he became their planet. And when a Transformer dies, it's

0:21:43.240 --> 0:21:46.480
<v Speaker 1>spark is set to rejoin with Primus's life force, which

0:21:46.520 --> 0:21:47.679
<v Speaker 1>they call the all Spark.

0:21:47.960 --> 0:21:50.800
<v Speaker 3>This is bizarrely fascinating, but it's also starting to feel

0:21:50.800 --> 0:21:53.120
<v Speaker 3>a little bit like I'm being inducted into a cult,

0:21:53.160 --> 0:21:55.000
<v Speaker 3>So I want to be a little careful here, but

0:21:55.080 --> 0:21:55.680
<v Speaker 3>do keep going.

0:21:55.720 --> 0:21:58.000
<v Speaker 1>It's fascinating, Yeah, I mean, I do think The lower

0:21:58.119 --> 0:22:00.760
<v Speaker 1>highlights one of the most unique things about the Transformers,

0:22:00.800 --> 0:22:05.840
<v Speaker 1>which is that these aren't machines built by humans or aliens. Instead,

0:22:06.160 --> 0:22:09.880
<v Speaker 1>they are the aliens, with their own unique culture and background.

0:22:10.000 --> 0:22:13.360
<v Speaker 1>Which you know, is fertile ground for sci fi storytelling.

0:22:13.720 --> 0:22:15.439
<v Speaker 3>It's a good point, and with the deep dive we

0:22:15.520 --> 0:22:18.159
<v Speaker 3>took this week, it does seem like Transformers comics and

0:22:18.200 --> 0:22:21.320
<v Speaker 3>cartoons have been mining that potential for a while now.

0:22:21.560 --> 0:22:23.760
<v Speaker 3>It's just interesting that the same can't be said for

0:22:23.840 --> 0:22:26.760
<v Speaker 3>all of the live action movies, which are probably the

0:22:26.880 --> 0:22:29.640
<v Speaker 3>version of the franchise that most people are familiar with.

0:22:29.680 --> 0:22:33.720
<v Speaker 1>Now, yeah, seven live action movies. There are five directed

0:22:33.760 --> 0:22:36.679
<v Speaker 1>by Michael Bay. In particular, these movies are a huge

0:22:36.680 --> 0:22:40.040
<v Speaker 1>outlier from everything else we've been talking about, Like for fans,

0:22:40.080 --> 0:22:43.359
<v Speaker 1>the robots in the series are mostly interchangeable, with no

0:22:43.440 --> 0:22:46.919
<v Speaker 1>real time spent on developing them as unique characters or

0:22:47.160 --> 0:22:50.160
<v Speaker 1>even giving them much agency in the story. Instead, it's

0:22:50.200 --> 0:22:52.520
<v Speaker 1>the human characters who get most of the screen time,

0:22:52.560 --> 0:22:55.400
<v Speaker 1>with the Transformers mostly just suiting up when it's time

0:22:55.440 --> 0:22:58.879
<v Speaker 1>for one of those big, messy action sequences.

0:22:59.359 --> 0:23:02.119
<v Speaker 3>Well, and if you talk to fans of Transformers, and

0:23:02.160 --> 0:23:04.959
<v Speaker 3>I was asking a few of their thoughts on the

0:23:05.000 --> 0:23:07.880
<v Speaker 3>movies themselves, they would say, you know, to make matters worse,

0:23:08.000 --> 0:23:12.160
<v Speaker 3>the stuff with the human characters is at best completely uninteresting,

0:23:12.240 --> 0:23:15.880
<v Speaker 3>and it worst painfully dumb. Not exactly a great review there,

0:23:16.440 --> 0:23:18.880
<v Speaker 3>and there isn't much in these movies that they would

0:23:18.960 --> 0:23:22.800
<v Speaker 3>actually consider suitable for children. So, for example, the absolute

0:23:22.840 --> 0:23:25.119
<v Speaker 3>low point they would say has to be in the

0:23:25.160 --> 0:23:28.919
<v Speaker 3>fourth movie, Transformer's Age of Extinction. It's got this whole

0:23:28.960 --> 0:23:32.520
<v Speaker 3>scene dedicated to a twenty year old human character explaining

0:23:32.560 --> 0:23:35.560
<v Speaker 3>why it's legal for him to date a seventeen year

0:23:35.600 --> 0:23:39.199
<v Speaker 3>old girl due to Texas's Romeo and Juliette law. So

0:23:39.240 --> 0:23:41.840
<v Speaker 3>we started to get a little weird here. I know,

0:23:42.040 --> 0:23:44.600
<v Speaker 3>he even pulls out a laminated card to prove that

0:23:44.680 --> 0:23:47.000
<v Speaker 3>his relationship is approved by the state.

0:23:47.119 --> 0:23:48.919
<v Speaker 2>It's just weird that it goes in that direction.

0:23:49.600 --> 0:23:52.560
<v Speaker 1>That is insane. Kay was actually telling me that the

0:23:52.560 --> 0:23:55.359
<v Speaker 1>whole thing is kind of ironic because Transformers comics have

0:23:55.480 --> 0:23:59.240
<v Speaker 1>all these big philosophical ideas baked into their storytelling and

0:23:59.240 --> 0:24:02.600
<v Speaker 1>they wrestle with like concepts of God or evolution or whatever.

0:24:03.119 --> 0:24:06.560
<v Speaker 1>But to make the movie more appealing to adults, fans

0:24:06.600 --> 0:24:10.440
<v Speaker 1>think that they dumbed down the adaptations, which is kind

0:24:10.440 --> 0:24:14.360
<v Speaker 1>of amazing actually yea, also for super fans, the live

0:24:14.400 --> 0:24:17.359
<v Speaker 1>action stuff never looked right apparently, and I didn't realize this.

0:24:17.480 --> 0:24:21.000
<v Speaker 1>Producer said the traditional BLOCKI designs of the Transformers in

0:24:21.040 --> 0:24:23.960
<v Speaker 1>their robot moods would look silly for the two thousand

0:24:23.960 --> 0:24:26.320
<v Speaker 1>and seven live action movie that Michael Bay did, so

0:24:26.720 --> 0:24:30.639
<v Speaker 1>they were redesigned to be much more visually complicated, with

0:24:30.800 --> 0:24:33.840
<v Speaker 1>lots of like shifting panels and tiny moving details, which

0:24:34.200 --> 0:24:37.960
<v Speaker 1>is obviously visually interesting, but that makes the characters look

0:24:38.080 --> 0:24:43.080
<v Speaker 1>virtually unrecognizable, which obviously didn't please fans. Also, their robots

0:24:43.080 --> 0:24:46.639
<v Speaker 1>were dumbed down. In the comics, Optimus Prime's motto is

0:24:47.000 --> 0:24:50.320
<v Speaker 1>freedom is the right of all sentient beings and he

0:24:50.440 --> 0:24:53.119
<v Speaker 1>only turns to violence as a last resort, right, like

0:24:53.160 --> 0:24:56.720
<v Speaker 1>that's his whole ethos. But in these movies he's a

0:24:56.880 --> 0:25:00.280
<v Speaker 1>bloodthirsty robot shouting out lines like we will kill them

0:25:00.320 --> 0:25:02.800
<v Speaker 1>all and give me your face, which is a real.

0:25:04.840 --> 0:25:07.600
<v Speaker 3>You don't think that's a sophisticated and tenidating line. That's

0:25:08.000 --> 0:25:09.920
<v Speaker 3>not quite the same vibe.

0:25:10.040 --> 0:25:12.200
<v Speaker 1>It's sort of paraphrasing mlkay.

0:25:12.000 --> 0:25:14.879
<v Speaker 3>Definitely, yes, yeah, yeah, I remember that one, but you know,

0:25:14.920 --> 0:25:17.520
<v Speaker 3>it's not quite the same vibe as the old motto.

0:25:17.600 --> 0:25:19.600
<v Speaker 3>And I'm curious, though, did you get a sense of

0:25:19.600 --> 0:25:22.760
<v Speaker 3>how the Transformers fandom responded to those kinds of changes.

0:25:23.000 --> 0:25:26.080
<v Speaker 1>Yeah, it's deeply polarizing. A lot of fans were unhappy

0:25:26.080 --> 0:25:29.440
<v Speaker 1>to see the characters treated as these one note killing machines,

0:25:29.680 --> 0:25:33.560
<v Speaker 1>and all of them suddenly were clarifying online that there

0:25:33.560 --> 0:25:36.679
<v Speaker 1>were fans of Transformers but not the live action movies.

0:25:36.800 --> 0:25:40.240
<v Speaker 1>There's actually a joke that referenced a lot about how

0:25:40.280 --> 0:25:42.520
<v Speaker 1>bad these movies are within the community. And it's from

0:25:42.640 --> 0:25:45.320
<v Speaker 1>the good place. You know that sitcom course, love that

0:25:45.359 --> 0:25:48.120
<v Speaker 1>show and Ted Danson's character tries out a new scent

0:25:48.200 --> 0:25:51.600
<v Speaker 1>of Acts deodorant, which supposedly makes you feel the way

0:25:51.640 --> 0:25:55.040
<v Speaker 1>that Transformers movies make you feel loud and confusing.

0:25:57.480 --> 0:25:59.320
<v Speaker 3>I love that they threw that line on there, But

0:25:59.480 --> 0:26:02.760
<v Speaker 3>clearly somebody liked these movies though, right, Like they seem

0:26:02.800 --> 0:26:05.000
<v Speaker 3>to be super successful and they keep making them.

0:26:05.080 --> 0:26:08.359
<v Speaker 1>Oh man, they were massive, like the Bay movies made

0:26:08.440 --> 0:26:12.920
<v Speaker 1>so much money, and they made the Transformers culturally relevant again,

0:26:12.960 --> 0:26:16.040
<v Speaker 1>like in a way it hadn't been since the nineteen eighties. Also,

0:26:16.400 --> 0:26:18.320
<v Speaker 1>they serve as an entry point for a whole new

0:26:18.320 --> 0:26:21.040
<v Speaker 1>generation of fans, both kids and adults. You know, some

0:26:21.080 --> 0:26:23.040
<v Speaker 1>of the people in the community say, even if you

0:26:23.040 --> 0:26:24.720
<v Speaker 1>don't like the movies, it's a great way to get

0:26:24.760 --> 0:26:28.320
<v Speaker 1>people into Transformers, and they're okay with that. Just to

0:26:28.400 --> 0:26:30.960
<v Speaker 1>show you the difference though, like between the high minded

0:26:31.000 --> 0:26:34.720
<v Speaker 1>concepts versus the gory action. The comics that came out

0:26:34.760 --> 0:26:37.640
<v Speaker 1>at the same time as the Bay movies were dealing

0:26:37.680 --> 0:26:43.320
<v Speaker 1>with questions about the nature of war, societal expectations, PTSD,

0:26:43.800 --> 0:26:47.960
<v Speaker 1>and gender dysphoria like all while positioning it in this

0:26:48.119 --> 0:26:51.640
<v Speaker 1>like fun sci fi romp. So for fans of the comics,

0:26:51.680 --> 0:26:54.560
<v Speaker 1>the new animated movie is more akin to what they like,

0:26:54.640 --> 0:26:57.160
<v Speaker 1>since there are no annoying humans to steal the spotlight.

0:26:58.720 --> 0:27:00.639
<v Speaker 3>All right, Well, for the sake of all the Gabes

0:27:00.680 --> 0:27:02.480
<v Speaker 3>of the world, I hope we got all of the

0:27:02.520 --> 0:27:05.159
<v Speaker 3>lore and myths right because otherwise our moms are going

0:27:05.240 --> 0:27:07.439
<v Speaker 3>to get some angry letters, and they're always good at

0:27:07.520 --> 0:27:10.880
<v Speaker 3>responding very calmly to those. But let's hope they only

0:27:10.880 --> 0:27:12.320
<v Speaker 3>get positive notes this week.

0:27:12.880 --> 0:27:15.440
<v Speaker 1>I'm sure they can handle it. But before we say

0:27:15.480 --> 0:27:18.600
<v Speaker 1>anything even more inflammatory or get our moms in trouble,

0:27:18.800 --> 0:27:28.600
<v Speaker 1>let's start the BacT off. Okay, So here's a weird

0:27:28.600 --> 0:27:31.560
<v Speaker 1>one to start us off. It turns out that Transformers

0:27:31.600 --> 0:27:35.360
<v Speaker 1>has an odd connection to the nineteen eighty eruption of

0:27:35.400 --> 0:27:39.040
<v Speaker 1>the Mount Saint Helen's volcano in Washington State. Namely, it

0:27:39.040 --> 0:27:41.280
<v Speaker 1>helped inspire the story of how the robots first came

0:27:41.320 --> 0:27:44.440
<v Speaker 1>to Earth. So in the Marvel comic that you mentioned,

0:27:44.480 --> 0:27:47.320
<v Speaker 1>the Transformers spaceship crashes into the side of a dormant

0:27:47.400 --> 0:27:50.719
<v Speaker 1>volcano called Mount Saint Hilary, which is a made up

0:27:50.760 --> 0:27:53.600
<v Speaker 1>peak that was said to reside in Oregon, just outside

0:27:53.600 --> 0:27:57.080
<v Speaker 1>of Portland, and the real world inspiration is easy enough

0:27:57.119 --> 0:27:59.960
<v Speaker 1>to spot, but it's even more explicit in the original

0:28:00.080 --> 0:28:03.560
<v Speaker 1>story treatment. And that's because the volcano was actually called

0:28:03.640 --> 0:28:07.159
<v Speaker 1>Mount Saint Helen's. The change was likely made out of

0:28:07.240 --> 0:28:10.240
<v Speaker 1>respect for the victims and because you know, they're trying

0:28:10.240 --> 0:28:12.000
<v Speaker 1>to market toy robots to children.

0:28:12.760 --> 0:28:15.520
<v Speaker 3>Yeah, that makes sense. I mean, it's good call, all right.

0:28:15.520 --> 0:28:18.080
<v Speaker 3>So we talked about how the original Transformers toy line

0:28:18.160 --> 0:28:21.600
<v Speaker 3>was cobbled together from existing to car products. But something

0:28:21.680 --> 0:28:24.080
<v Speaker 3>cool I found this week is that TAKR is still

0:28:24.200 --> 0:28:27.400
<v Speaker 3>very much involved in the brand. Once the series took

0:28:27.400 --> 0:28:30.600
<v Speaker 3>off in the US, TAKR actually imported it back to Japan,

0:28:31.040 --> 0:28:34.760
<v Speaker 3>essentially re releasing their old toys in new packaging. The

0:28:34.760 --> 0:28:37.080
<v Speaker 3>line became such a big hit there that once Hasbro

0:28:37.240 --> 0:28:40.440
<v Speaker 3>ran out of existing toys to release his Transformers, the

0:28:40.480 --> 0:28:43.960
<v Speaker 3>two companies began working together to produce new ones. The

0:28:44.040 --> 0:28:46.360
<v Speaker 3>result is one of the toy industry's most unique and

0:28:46.480 --> 0:28:50.040
<v Speaker 3>long lasting partnerships, because even though they're on opposite sides

0:28:50.040 --> 0:28:52.760
<v Speaker 3>of the world, the two companies now collaborate on every

0:28:52.880 --> 0:28:56.880
<v Speaker 3>aspect of figure design development, with the Hasbro team handling

0:28:56.960 --> 0:29:00.360
<v Speaker 3>the character selection and the concept design and the Kara

0:29:00.480 --> 0:29:03.400
<v Speaker 3>doing the heavy lifting on figuring out the engineering and

0:29:03.640 --> 0:29:07.840
<v Speaker 3>how the toy will actually transform or actually, excuse me, convert.

0:29:09.480 --> 0:29:11.720
<v Speaker 1>That is so cool that they're like still working together,

0:29:11.840 --> 0:29:12.080
<v Speaker 1>you know.

0:29:12.160 --> 0:29:13.920
<v Speaker 3>It really is, you think of It is like such

0:29:13.920 --> 0:29:17.040
<v Speaker 3>a competitive space and the fact that they're collaborating is awesome.

0:29:17.440 --> 0:29:21.440
<v Speaker 1>Yeah. So, as strange as the franchise is sometimes, it

0:29:21.520 --> 0:29:25.120
<v Speaker 1>has attracted so much celebrity talent over the years, and

0:29:25.200 --> 0:29:27.920
<v Speaker 1>the list of actors who lent their voices to Transformers

0:29:27.920 --> 0:29:32.040
<v Speaker 1>includes everyone from Weird al Yankovitch, Steve Sheemi, Angela Bassett,

0:29:32.240 --> 0:29:36.920
<v Speaker 1>Leonard Nimoy, and Lawrence Fishburn. But the biggest talent to

0:29:36.960 --> 0:29:40.360
<v Speaker 1>ever voice a Transformer is, of course, the late great

0:29:40.560 --> 0:29:43.560
<v Speaker 1>Orson Wells and This was back in nineteen eighty six,

0:29:43.600 --> 0:29:46.400
<v Speaker 1>when the first animated Transformers movie was coming out and

0:29:46.480 --> 0:29:50.800
<v Speaker 1>Wells was cast as the movies big bad transformer named Unicorn.

0:29:51.440 --> 0:29:54.040
<v Speaker 1>Wells's career had been in a downturn for many years

0:29:54.080 --> 0:29:56.480
<v Speaker 1>by that point, which is obviously why he agreed to

0:29:56.520 --> 0:29:59.560
<v Speaker 1>the role. But Unicron turned out to be his final

0:29:59.680 --> 0:30:03.320
<v Speaker 1>film performance, which he hadn't been expecting before he passed

0:30:03.360 --> 0:30:06.840
<v Speaker 1>away just one week after recording his lines. He spoke

0:30:06.880 --> 0:30:09.560
<v Speaker 1>out about the role, making it clear how much contempt

0:30:09.640 --> 0:30:12.640
<v Speaker 1>he had for the whole production. So this is his

0:30:12.800 --> 0:30:15.440
<v Speaker 1>quote and what he told the press. You know what

0:30:15.480 --> 0:30:17.760
<v Speaker 1>I did this morning? I played the voice of a toy,

0:30:17.960 --> 0:30:20.960
<v Speaker 1>some terrible robot toys from Japan that change from one

0:30:21.000 --> 0:30:24.080
<v Speaker 1>thing to another. Japanese have funded a full length animated

0:30:24.080 --> 0:30:26.760
<v Speaker 1>cartoon about the doings of these toys, which is all

0:30:26.760 --> 0:30:29.800
<v Speaker 1>bad outer space stuff. I play a planet I menace,

0:30:29.880 --> 0:30:32.840
<v Speaker 1>somebody calls something or other, then I'm destroyed. My plan

0:30:32.960 --> 0:30:35.600
<v Speaker 1>is to destroy whoever it is is thwarted and I

0:30:35.680 --> 0:30:37.640
<v Speaker 1>tear myself apart on the screen.

0:30:38.720 --> 0:30:40.400
<v Speaker 2>Is so great.

0:30:40.560 --> 0:30:43.560
<v Speaker 3>I've never heard that before, but I love that, so

0:30:43.760 --> 0:30:46.480
<v Speaker 3>I agree. I know it really is, and I love it.

0:30:46.520 --> 0:30:48.320
<v Speaker 3>I love every word of it, all right. So there

0:30:48.360 --> 0:30:51.440
<v Speaker 3>are thousands of different transformers at this point. Most of

0:30:51.480 --> 0:30:53.680
<v Speaker 3>them have their own unique names, and let me tell you,

0:30:53.720 --> 0:30:57.000
<v Speaker 3>they get so much weirder than Bumblebee. So here are

0:30:57.080 --> 0:31:00.200
<v Speaker 3>a few of my favorites. You've got Power Hug, who

0:31:00.240 --> 0:31:03.840
<v Speaker 3>turns into an organic pill bug. You've got Cup with

0:31:03.920 --> 0:31:07.040
<v Speaker 3>a K who turns into a pickup truck. You get

0:31:07.080 --> 0:31:11.000
<v Speaker 3>it where that comes from. And Tarantulus, who, despite having

0:31:11.040 --> 0:31:14.560
<v Speaker 3>the word tarantulas and his name, actually transforms into a

0:31:14.560 --> 0:31:17.080
<v Speaker 3>generic spider and not a tarantula.

0:31:17.080 --> 0:31:18.480
<v Speaker 2>I don't know why. It's kind of confusing.

0:31:19.080 --> 0:31:21.880
<v Speaker 3>And there's also a cross section of transformers with oddly

0:31:21.960 --> 0:31:26.160
<v Speaker 3>inappropriate sounding names. You've got Randy the Wild Boar, You've

0:31:26.200 --> 0:31:29.640
<v Speaker 3>got Big Daddy, who's actually a tiny hot rod, a

0:31:29.640 --> 0:31:32.800
<v Speaker 3>pair of trucks called Huffer and Puffer. And then, last,

0:31:32.800 --> 0:31:36.400
<v Speaker 3>but not least, you've got Master Dominus, who transforms into

0:31:36.440 --> 0:31:39.360
<v Speaker 3>the bones of a mastodon or wooly mammoth.

0:31:40.040 --> 0:31:42.600
<v Speaker 1>That's so reirdly he transforms just as the bones, but

0:31:42.880 --> 0:31:46.640
<v Speaker 1>just the bones. I am surprised you didn't include my

0:31:46.760 --> 0:31:50.280
<v Speaker 1>favorite weird transformer name, Steve from Accounting.

0:31:50.920 --> 0:31:54.200
<v Speaker 2>So there's a character called Steve from Accounting Yeah and.

0:31:54.360 --> 0:31:57.480
<v Speaker 1>Fly he transforms into a stapler. Is that amazing?

0:31:58.080 --> 0:31:59.680
<v Speaker 2>That is fantastic.

0:32:00.080 --> 0:32:02.720
<v Speaker 3>Got a same ango between the Steve from Accounting fact

0:32:02.760 --> 0:32:05.080
<v Speaker 3>and the orson Wells one. I just can't stop thinking

0:32:05.080 --> 0:32:07.240
<v Speaker 3>about that quote. I'm gonna have to give you today's

0:32:07.320 --> 0:32:07.720
<v Speaker 3>fact off.

0:32:07.760 --> 0:32:13.040
<v Speaker 1>So congrats, well, thank you. No, obviously I watched Transformers

0:32:13.040 --> 0:32:15.560
<v Speaker 1>as a kid. You watch them. We love the toys.

0:32:15.600 --> 0:32:17.680
<v Speaker 1>We were vaguely aware of some of the stuff before

0:32:17.680 --> 0:32:20.880
<v Speaker 1>the show, but Gabe is obviously the powerhouse span here

0:32:20.920 --> 0:32:24.680
<v Speaker 1>who applied us with all the research. And also, Gabe

0:32:24.720 --> 0:32:27.800
<v Speaker 1>maybe promise to mention this if anyone is interested in

0:32:27.840 --> 0:32:31.240
<v Speaker 1>really falling down the Transformers rabbit hole with him. Tfwiki

0:32:31.280 --> 0:32:33.440
<v Speaker 1>dot net is a great place to start. And he

0:32:33.520 --> 0:32:36.320
<v Speaker 1>says that there is a YouTube series by an Irish

0:32:36.400 --> 0:32:40.440
<v Speaker 1>fan named Chris mcpheeley. It's called Transformers the Basics and

0:32:40.560 --> 0:32:42.120
<v Speaker 1>Gabe highly recommends it.

0:32:42.720 --> 0:32:45.200
<v Speaker 3>That is pretty awesome. I love it when our team

0:32:45.240 --> 0:32:47.480
<v Speaker 3>members just get to dig in on things that they're

0:32:47.560 --> 0:32:51.479
<v Speaker 3>passionate about and prepare for episodes like this. It's what

0:32:51.520 --> 0:32:53.960
<v Speaker 3>it's all about, that celebration of knowledge and all the

0:32:54.000 --> 0:32:55.280
<v Speaker 3>fun stuff that's out there.

0:32:55.200 --> 0:32:57.120
<v Speaker 1>Too, weirdness and weirdness.

0:32:57.200 --> 0:32:59.560
<v Speaker 3>We love that part too, but I think that covers it.

0:32:59.560 --> 0:33:03.280
<v Speaker 3>For today's Part Time Genius from Mango Gay, Mary, Dylan

0:33:03.400 --> 0:33:06.040
<v Speaker 3>and Me, Thanks as always for listening. We'll see you

0:33:06.080 --> 0:33:19.400
<v Speaker 3>next week with a brand new episode.

0:33:20.040 --> 0:33:23.320
<v Speaker 1>Part Time Genius is a production of Kaleidoscope and iHeartRadio.

0:33:23.840 --> 0:33:27.840
<v Speaker 1>This show is hosted by Will Pearson and Me Mongagetikler

0:33:28.200 --> 0:33:32.160
<v Speaker 1>and research by our good pal Mary Philip Sandy. Today's

0:33:32.200 --> 0:33:35.560
<v Speaker 1>episode was engineered and produced by the wonderful Dylan Fagan

0:33:35.640 --> 0:33:39.240
<v Speaker 1>with support from Tyler Klang. The show is executive produced

0:33:39.240 --> 0:33:42.760
<v Speaker 1>for iHeart by Katrina Norbel and Ali Perry, with social

0:33:42.840 --> 0:33:47.200
<v Speaker 1>media support from Sasha Gay, trustee Dara Potts and Vinie Shoy.

0:33:47.880 --> 0:33:52.400
<v Speaker 1>For more podcasts from Kaleidoscope and iHeartRadio, visit the iHeartRadio app,

0:33:52.560 --> 0:33:56.160
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.