1 00:00:00,320 --> 00:00:08,399 Speaker 1: Forever. Look man, oh, I see you? Why why and 2 00:00:08,480 --> 00:00:12,319 Speaker 1: look over there? How is that nulture? Yes? Goodness, let 3 00:00:14,320 --> 00:00:17,640 Speaker 1: ding dong, let's culture. ESA's calling I love you, I 4 00:00:17,680 --> 00:00:21,560 Speaker 1: love you. We have to set a tone of everyone 5 00:00:21,680 --> 00:00:23,440 Speaker 1: telling each other that they love each other. And for 6 00:00:23,480 --> 00:00:26,040 Speaker 1: what reason? What's the function? There's a lot of hate 7 00:00:26,040 --> 00:00:27,880 Speaker 1: in the world, yes, and we have to drive that 8 00:00:27,920 --> 00:00:32,120 Speaker 1: out with a love. Come on, Maryanne, come on Mary. 9 00:00:31,360 --> 00:00:33,640 Speaker 1: And this is kind of a cultural news right mean 10 00:00:33,720 --> 00:00:36,880 Speaker 1: at the time, at the time of recording, uh, do 11 00:00:36,920 --> 00:00:41,400 Speaker 1: you see Lissen Milan. I was going to Marianne's fundraiser. Yeah, 12 00:00:41,520 --> 00:00:44,480 Speaker 1: it was actually recently and a friend of the pod, 13 00:00:44,520 --> 00:00:48,000 Speaker 1: Ira Madison the Third, was there, so I got some 14 00:00:48,080 --> 00:00:50,199 Speaker 1: of the team from her. Can we can we know 15 00:00:50,240 --> 00:00:51,960 Speaker 1: about the team? You can hear some of the guests? 16 00:00:52,200 --> 00:00:58,560 Speaker 1: What did miss Ira? Oh? Please across? It was to stop. 17 00:00:58,600 --> 00:01:01,880 Speaker 1: So I was hosted by Laura dr Are you kidding? 18 00:01:02,400 --> 00:01:07,320 Speaker 1: M not kidding? You, said Marcia Cross and I was like, 19 00:01:07,360 --> 00:01:10,880 Speaker 1: I mean, there's nowhere to go from there. Famously, Lord, 20 00:01:10,959 --> 00:01:13,320 Speaker 1: I know, I know, but yeah, but we're roommates for 21 00:01:13,520 --> 00:01:15,959 Speaker 1: people that don't know at home. For what there was 22 00:01:16,040 --> 00:01:17,520 Speaker 1: there was a little brief period of a couple of 23 00:01:17,520 --> 00:01:19,120 Speaker 1: weeks where we were people were like it could have 24 00:01:19,160 --> 00:01:21,319 Speaker 1: been a contentious thing, where like they were roommates and 25 00:01:21,319 --> 00:01:23,240 Speaker 1: it was a bad situation. And now they no longer 26 00:01:23,240 --> 00:01:24,760 Speaker 1: spelled to each other due to the fact that she 27 00:01:25,400 --> 00:01:29,240 Speaker 1: due to the fact that she be hosting fundraisers for 28 00:01:29,360 --> 00:01:33,000 Speaker 1: Ms Marian Williamson author, They're on great terms, they must be, 29 00:01:33,319 --> 00:01:38,600 Speaker 1: and I could find it, but those are okay. Where 30 00:01:38,600 --> 00:01:40,440 Speaker 1: are you at now with Mary Anston? Because truly, I 31 00:01:40,440 --> 00:01:42,480 Speaker 1: mean at the time, I mean, we we recorded, we 32 00:01:42,560 --> 00:01:44,760 Speaker 1: recorded an episode like the day after those debates, and 33 00:01:44,800 --> 00:01:46,080 Speaker 1: we were all like, oh my god, l O L 34 00:01:46,200 --> 00:01:50,920 Speaker 1: isn't she so fun? Well, Shane in last place that 35 00:01:51,520 --> 00:01:55,640 Speaker 1: she's certainly in sixteen posted Evan Gillian meme and that 36 00:01:55,680 --> 00:01:57,960 Speaker 1: was when I was like a fucking Evon Gelli meme. 37 00:01:58,080 --> 00:02:04,240 Speaker 1: This anime with some wild wacky, wacky wacky woo woo 38 00:02:04,320 --> 00:02:07,240 Speaker 1: um thing about late capitalism and how it should be 39 00:02:07,280 --> 00:02:10,440 Speaker 1: it should lead to love or whatever or whatever some 40 00:02:10,760 --> 00:02:12,880 Speaker 1: wild thing, and I was like, this is too much 41 00:02:12,919 --> 00:02:15,440 Speaker 1: and I'm out. Sorry, No, I mean, I mean, yeah, 42 00:02:15,639 --> 00:02:19,000 Speaker 1: we're out, but like we're not mad. We're not mad. 43 00:02:19,280 --> 00:02:22,440 Speaker 1: I'm saying I was in and engaged as far as 44 00:02:22,440 --> 00:02:26,239 Speaker 1: far as like um, as far as like we're entertained 45 00:02:26,280 --> 00:02:29,720 Speaker 1: by it, yes, and then now you were scary, Sudy. 46 00:02:29,840 --> 00:02:31,360 Speaker 1: I talked to Sudy about it, and she was like, 47 00:02:31,440 --> 00:02:33,560 Speaker 1: I think this makes us look stupid. I was like, 48 00:02:33,680 --> 00:02:38,160 Speaker 1: I do, I do get that, and of course, like 49 00:02:38,240 --> 00:02:42,040 Speaker 1: it is funny like that she said, and all that. 50 00:02:42,120 --> 00:02:44,800 Speaker 1: I mean, it's a funny thing. How far I could 51 00:02:44,800 --> 00:02:47,680 Speaker 1: go is a question I ask, which is a scary 52 00:02:47,760 --> 00:02:50,880 Speaker 1: question that maybe with a scary answer, which she won't 53 00:02:50,919 --> 00:02:53,480 Speaker 1: be the nominee, but come on, um, but I will 54 00:02:53,520 --> 00:02:56,080 Speaker 1: say um. Elissa Milano did tweet about it. She's like, 55 00:02:56,360 --> 00:02:58,400 Speaker 1: I'm going, I'm going to my first fundraiser of this 56 00:02:58,440 --> 00:03:02,200 Speaker 1: season and it's Maryanne Williamson. I know, I know, she 57 00:03:02,320 --> 00:03:05,600 Speaker 1: literally said, I know, I know, but she's the only 58 00:03:05,639 --> 00:03:08,440 Speaker 1: one talking about like how the soul of America is hurting. 59 00:03:08,880 --> 00:03:12,040 Speaker 1: And I was like, I don't know what that means, honey. 60 00:03:12,200 --> 00:03:14,640 Speaker 1: I guess just fluttered her hands in like a panic. 61 00:03:14,680 --> 00:03:17,880 Speaker 1: And I feel that. I feel that other guests, other 62 00:03:17,919 --> 00:03:21,280 Speaker 1: other guests at the fact I couldn't rattle them off, 63 00:03:21,280 --> 00:03:24,240 Speaker 1: but just suffice it to say, then what you're getting, 64 00:03:25,200 --> 00:03:28,800 Speaker 1: you're getting the Marcia Cross of it all. Williamson Fundraise. 65 00:03:28,919 --> 00:03:30,359 Speaker 1: I think, how do you feel? But I feel like 66 00:03:30,400 --> 00:03:34,560 Speaker 1: Marcia Cross had done been wronged by this industry. I mean, yes, 67 00:03:34,800 --> 00:03:39,640 Speaker 1: actually do you know Marcia Cross. The last I saw her, 68 00:03:40,040 --> 00:03:43,240 Speaker 1: she was on morning news shows talking about she actually 69 00:03:43,240 --> 00:03:47,320 Speaker 1: had rector and she she was out of commission for 70 00:03:47,360 --> 00:03:49,680 Speaker 1: a little while to deal with the rectoral cancer. She 71 00:03:49,920 --> 00:03:52,760 Speaker 1: very bravely. I think it was like speaking out about 72 00:03:52,760 --> 00:03:55,119 Speaker 1: the recto cancer because you know, that's uncomfortable to talk 73 00:03:55,120 --> 00:03:57,480 Speaker 1: about and obviously there's gonna be a ton of stigma 74 00:03:57,560 --> 00:04:01,000 Speaker 1: or something like that. But I would, well, okay, I'll 75 00:04:01,040 --> 00:04:03,880 Speaker 1: just say right now, I have been dealing in my 76 00:04:03,960 --> 00:04:07,920 Speaker 1: family with someone who's recently diagnosed with prostate cancer. Please 77 00:04:07,960 --> 00:04:10,200 Speaker 1: get checked, you know what I mean? This is something 78 00:04:10,240 --> 00:04:13,080 Speaker 1: that and and just be going to the doctor um 79 00:04:13,200 --> 00:04:15,680 Speaker 1: and just know that this is you don't have to 80 00:04:15,720 --> 00:04:18,880 Speaker 1: feel ashamed about that kind of thing. Like it's what's 81 00:04:18,920 --> 00:04:22,640 Speaker 1: shameful is if you end up getting really sick or 82 00:04:22,680 --> 00:04:26,120 Speaker 1: going because you didn't say anything or didn't do anything, 83 00:04:26,160 --> 00:04:28,360 Speaker 1: because it's a pride thing. Like I get it, it's 84 00:04:28,360 --> 00:04:31,159 Speaker 1: your it's your fucking butthole or it's your you know, 85 00:04:31,279 --> 00:04:33,760 Speaker 1: they're your breasts or whatever, but you got you have 86 00:04:33,920 --> 00:04:37,279 Speaker 1: to take care of yourself. Um yeah, that has to 87 00:04:37,320 --> 00:04:41,120 Speaker 1: do with like whatever stigmatizing ananomy, which is like so 88 00:04:41,839 --> 00:04:45,440 Speaker 1: it just makes no sense just saying like, you know, 89 00:04:45,680 --> 00:04:47,960 Speaker 1: the fact, the fact that I faint even was a 90 00:04:48,000 --> 00:04:50,520 Speaker 1: discussion with this Martial Cross thing of like so brave 91 00:04:50,560 --> 00:04:53,679 Speaker 1: of you the stigma, Yes it is. It's also like deeply, 92 00:04:53,800 --> 00:04:56,680 Speaker 1: deeply deeply like your health and you you have to 93 00:04:56,680 --> 00:04:59,360 Speaker 1: put your health first. And honestly, I was actually really 94 00:05:00,160 --> 00:05:04,000 Speaker 1: really um moved that she was so forward about this, 95 00:05:04,160 --> 00:05:06,320 Speaker 1: like and and and you know, went out there and Speakause, 96 00:05:06,360 --> 00:05:08,480 Speaker 1: when do you hear about people in the public eye 97 00:05:08,520 --> 00:05:11,200 Speaker 1: discussing the kind of cancer like that, you know what 98 00:05:11,279 --> 00:05:13,599 Speaker 1: I mean? Like it does raise awareness in the house people. 99 00:05:13,600 --> 00:05:15,640 Speaker 1: So who know, we get here from Mary Ann Williams Now, 100 00:05:15,680 --> 00:05:19,040 Speaker 1: I sure now I know you. I don't know if 101 00:05:19,040 --> 00:05:21,720 Speaker 1: we've had this discussion, but um, we've talked about Desperate House. 102 00:05:21,720 --> 00:05:23,200 Speaker 1: I have so much, so much, and I know you're 103 00:05:23,200 --> 00:05:26,080 Speaker 1: a longoria ahead, but I think my favorite character out 104 00:05:26,080 --> 00:05:28,440 Speaker 1: of the four is Brie. And I think I think 105 00:05:28,480 --> 00:05:32,119 Speaker 1: Marsha Cross did such good work. They did Marcia Cross 106 00:05:32,160 --> 00:05:35,560 Speaker 1: by not giving her the Emmy that year that Felicity 107 00:05:35,560 --> 00:05:38,120 Speaker 1: won the Emmy. That was Marsha Cross as Emmy. God. 108 00:05:38,200 --> 00:05:39,880 Speaker 1: You know what scene I think about constantly and I've 109 00:05:39,880 --> 00:05:41,880 Speaker 1: brought I've I've quoted it on the podcast before. But 110 00:05:41,920 --> 00:05:44,960 Speaker 1: when it's it's remember the whole Andrew coming out plotline 111 00:05:45,000 --> 00:05:47,320 Speaker 1: in season two. The only good plotline from season two 112 00:05:47,400 --> 00:05:49,960 Speaker 1: was Andrew and it's a fund up. Remember when Andrew 113 00:05:50,040 --> 00:05:53,080 Speaker 1: fux her boyfriend, Yes, and then oh, I know what 114 00:05:53,120 --> 00:05:54,880 Speaker 1: you're gonna do, but that but that what she throws 115 00:05:54,880 --> 00:05:58,080 Speaker 1: the wine where like we're um, like she is not 116 00:05:58,360 --> 00:06:02,680 Speaker 1: allowing Andrew to be immansa hated or whatever. Um. And 117 00:06:02,760 --> 00:06:04,520 Speaker 1: she's like dumping out bottles of wine because she's about 118 00:06:04,520 --> 00:06:05,760 Speaker 1: to go to a A and she's like being very 119 00:06:05,760 --> 00:06:07,160 Speaker 1: proud of like I'm going to go to a A 120 00:06:07,279 --> 00:06:09,200 Speaker 1: and it's going to be fun and whatever. I'm making 121 00:06:09,200 --> 00:06:13,360 Speaker 1: this work. Um. She's dumping up bottles. Then Andrew at 122 00:06:13,360 --> 00:06:15,919 Speaker 1: one point again into some fighting, and Andrew calls says, 123 00:06:16,200 --> 00:06:18,760 Speaker 1: your stone called bitch, you know that, and then I've 124 00:06:18,800 --> 00:06:20,400 Speaker 1: done this before in the past, I need to do 125 00:06:20,400 --> 00:06:23,920 Speaker 1: it again. Um. She throws a bottle of wine from 126 00:06:23,920 --> 00:06:26,760 Speaker 1: across the room and it hits the frigent shatters, and 127 00:06:26,760 --> 00:06:28,640 Speaker 1: and this is the whole the opposite of Levison and hate. 128 00:06:28,680 --> 00:06:32,479 Speaker 1: It's in difference and different. She's I mean, Marcia was 129 00:06:32,520 --> 00:06:36,359 Speaker 1: stunning that whole first season, and that character I actually 130 00:06:37,160 --> 00:06:40,120 Speaker 1: a friend of mine. Jordan Ardino wrote on Desperate House, 131 00:06:40,120 --> 00:06:43,240 Speaker 1: Oh my god, Jordan riverdsk and I was for Desperaged 132 00:06:43,640 --> 00:06:47,560 Speaker 1: because and he knows for smash and so like he, 133 00:06:48,040 --> 00:06:50,160 Speaker 1: I was got he You know, I love talking to 134 00:06:50,200 --> 00:06:52,760 Speaker 1: him about Desper House because truly, like that was like 135 00:06:52,960 --> 00:06:55,200 Speaker 1: V show. And what I'm working obsessed with is that 136 00:06:55,240 --> 00:06:58,200 Speaker 1: our guest is nodding her head off when we talk 137 00:06:58,240 --> 00:07:00,200 Speaker 1: about this, which means it also was a formative piece 138 00:07:00,240 --> 00:07:01,880 Speaker 1: of culture for her. And that's something I'm excited to 139 00:07:01,880 --> 00:07:03,800 Speaker 1: talk to her, very excited to talk to our guest. 140 00:07:03,839 --> 00:07:07,279 Speaker 1: And who is our guests? Pray tell God, I gotta say, 141 00:07:07,400 --> 00:07:11,200 Speaker 1: like our guest, I I heard, I saw our guests perform. 142 00:07:11,320 --> 00:07:16,360 Speaker 1: I heard her on a podcast. Truly, do you hear that? 143 00:07:16,520 --> 00:07:18,760 Speaker 1: Do you hear what? I hear? Sounds of chaos outside 144 00:07:18,760 --> 00:07:21,200 Speaker 1: of your It's like that's our fan club. That is 145 00:07:21,200 --> 00:07:26,040 Speaker 1: how intense. The fans of our guest, our guests are 146 00:07:26,160 --> 00:07:28,560 Speaker 1: um I heard her, I heard our guest on a 147 00:07:28,560 --> 00:07:31,080 Speaker 1: podcast and it was her and Michel win Itzki like 148 00:07:31,120 --> 00:07:33,840 Speaker 1: just talking playing a game, and she was she was 149 00:07:33,920 --> 00:07:39,160 Speaker 1: just cracking me up by doing and this is just 150 00:07:39,280 --> 00:07:42,080 Speaker 1: the highest compliment by doing so little. She was cracking 151 00:07:42,200 --> 00:07:44,280 Speaker 1: the funk up where she would like like Rachel would 152 00:07:44,280 --> 00:07:46,640 Speaker 1: play this game with her, like like is this is 153 00:07:46,640 --> 00:07:47,840 Speaker 1: this said this year or that thing anyway, and then 154 00:07:47,880 --> 00:07:49,400 Speaker 1: she would just be like she would get answers wrong 155 00:07:49,400 --> 00:07:52,840 Speaker 1: and she'd be like, God, I'm so stupid. I'm I'm 156 00:07:53,080 --> 00:07:55,920 Speaker 1: such a stupid bit, like just like off hand things 157 00:07:56,240 --> 00:07:58,240 Speaker 1: and then she and then I mean not to mention, 158 00:07:58,360 --> 00:08:02,560 Speaker 1: like just fucking an amazing comedian, an amazing writer. And 159 00:08:02,600 --> 00:08:05,680 Speaker 1: then like you know, you gotta see that the videos 160 00:08:06,200 --> 00:08:09,760 Speaker 1: at Ava and her and her Twitter one of the 161 00:08:09,760 --> 00:08:12,160 Speaker 1: most iconic handles, I mean one of the most iconic 162 00:08:12,200 --> 00:08:15,760 Speaker 1: candles and Twitter that's taking like the world by story 163 00:08:16,120 --> 00:08:18,920 Speaker 1: story rightfully. So not to like I hate to bring 164 00:08:19,000 --> 00:08:23,120 Speaker 1: up the numbers in the metrics followers, what come on, 165 00:08:23,200 --> 00:08:25,240 Speaker 1: I know, I never I hate bringing this up, but 166 00:08:25,280 --> 00:08:29,160 Speaker 1: it's like like sucking, sucking, like something's something's happened, something's happening, 167 00:08:29,280 --> 00:08:31,400 Speaker 1: and the people are talking. Here's the thing, here's the thing. 168 00:08:31,520 --> 00:08:36,120 Speaker 1: A retweet is huge, actually real culture number twelve retweets huge. 169 00:08:36,160 --> 00:08:38,800 Speaker 1: It means that not only did the person appreciate what 170 00:08:38,840 --> 00:08:41,720 Speaker 1: they've seen, but they want to share with their community. 171 00:08:41,920 --> 00:08:46,520 Speaker 1: I want to champion this work. And the Instagram handle 172 00:08:46,559 --> 00:08:51,760 Speaker 1: is Victory Eva's secret um and no, I love that 173 00:08:52,400 --> 00:08:55,360 Speaker 1: so much. I'm so excited. I'm so excited to welcome 174 00:08:55,400 --> 00:09:01,560 Speaker 1: into your ears our guest a Victor. Okay, thank you 175 00:09:01,600 --> 00:09:03,880 Speaker 1: for having me. This is ridiculous. A couple of things 176 00:09:03,920 --> 00:09:09,440 Speaker 1: to say. Okay, Marcia Cross and Laura Dern are both 177 00:09:09,559 --> 00:09:14,800 Speaker 1: very tall. Yeah's incredibly don't forget that. How tall are they? 178 00:09:14,880 --> 00:09:17,840 Speaker 1: Do you know? I imagine Laura during his six feet Yeah, 179 00:09:17,960 --> 00:09:23,240 Speaker 1: Marcia Cross probably five alive. I would in five eleven. 180 00:09:23,640 --> 00:09:29,160 Speaker 1: And it's fine, Well all those things, where do you 181 00:09:29,200 --> 00:09:31,920 Speaker 1: find that? Were you always tall? Always? Seventh grade? It 182 00:09:32,000 --> 00:09:36,200 Speaker 1: was this dancing with Gregory Horrible, Like Gregory he had 183 00:09:36,240 --> 00:09:39,760 Speaker 1: to be what he was so small, you know, Gregory? 184 00:09:40,520 --> 00:09:44,440 Speaker 1: I feel like, honestly do know Gregory? Yeah, Gregory was 185 00:09:44,480 --> 00:09:46,320 Speaker 1: that guy. Yeah, he was sort of like all dance 186 00:09:46,400 --> 00:09:49,800 Speaker 1: with you. Fine, yeah, right, and so he should be 187 00:09:49,840 --> 00:09:52,240 Speaker 1: so lucky and we know what he's doing now we don't, 188 00:09:52,280 --> 00:09:53,840 Speaker 1: and we could look it up and maybe I will 189 00:09:53,840 --> 00:09:57,880 Speaker 1: in a second. Alright, So Marcia cross, it goes like this, 190 00:09:58,080 --> 00:10:01,000 Speaker 1: you and Marcia cross five eleven, Laura during six. I 191 00:10:01,040 --> 00:10:04,200 Speaker 1: think it goes like that. And I don't know if 192 00:10:04,200 --> 00:10:05,760 Speaker 1: a Mary and she might be tall too, but it 193 00:10:05,800 --> 00:10:07,640 Speaker 1: doesn't feel like I don't think she's she's not going 194 00:10:07,720 --> 00:10:10,880 Speaker 1: to be telling So the Jill Stein of this year, 195 00:10:12,559 --> 00:10:14,480 Speaker 1: do you think she'll cross over to a Green Party ticket? 196 00:10:14,480 --> 00:10:18,520 Speaker 1: That feels, oh my god, can kill me, like fucking 197 00:10:18,720 --> 00:10:24,760 Speaker 1: try to be honorable one time? Walking over Like the 198 00:10:24,880 --> 00:10:28,280 Speaker 1: ego in all of it, I'm like, drop out, bitch, 199 00:10:28,360 --> 00:10:30,719 Speaker 1: that's the strongest. That's the most presidential thing you can do. 200 00:10:32,120 --> 00:10:37,000 Speaker 1: To Feld, It's crazy. The most altruistic thing is if 201 00:10:37,040 --> 00:10:40,200 Speaker 1: you're doing bad, drop out. The thing is I think 202 00:10:40,240 --> 00:10:43,160 Speaker 1: that she here's the thing though, if she was doing 203 00:10:43,240 --> 00:10:46,320 Speaker 1: how she was doing and now she's doing better because 204 00:10:46,360 --> 00:10:48,880 Speaker 1: she she's going to keep going. She has the direction 205 00:10:49,440 --> 00:10:52,480 Speaker 1: because she's like that. If you're the kind of person 206 00:10:52,520 --> 00:10:55,680 Speaker 1: who like is going to move up because you're dumb, 207 00:10:56,160 --> 00:10:59,280 Speaker 1: drop out. Well, does that make sense? Yes? Yes, but 208 00:10:59,360 --> 00:11:01,280 Speaker 1: I mean but I I don't think she's aware of that. 209 00:11:01,320 --> 00:11:02,920 Speaker 1: I was reading the other day. It's like five of 210 00:11:02,920 --> 00:11:05,240 Speaker 1: them are doing very well and the rest of them 211 00:11:05,240 --> 00:11:07,720 Speaker 1: are doing either fine or bad. And at that point 212 00:11:07,720 --> 00:11:09,400 Speaker 1: it's just like, Okay, if you're doing fine or bad, 213 00:11:09,800 --> 00:11:12,200 Speaker 1: thank you so much, and dropped out quietly. Yeah, thank 214 00:11:12,240 --> 00:11:14,679 Speaker 1: you for playing. No worries, Yeah, no worries. Would you 215 00:11:14,800 --> 00:11:17,079 Speaker 1: do you think about you? You're you're on the swallow kick? 216 00:11:17,120 --> 00:11:20,839 Speaker 1: You thought Eric did a good job? You keep bringing 217 00:11:20,920 --> 00:11:24,240 Speaker 1: him up because I would fuck him so that so 218 00:11:24,280 --> 00:11:29,600 Speaker 1: you're on most of them? I would would, Okay, remind me, 219 00:11:31,679 --> 00:11:34,400 Speaker 1: Oh my god, Yeah, I would honestly fun anyone with 220 00:11:34,440 --> 00:11:36,640 Speaker 1: the ego to do this. Yes, yeah, which is the 221 00:11:36,720 --> 00:11:42,160 Speaker 1: which is I? Regardless of gender? I don't. I don't 222 00:11:42,200 --> 00:11:45,160 Speaker 1: know any of the candidates who I didn't know before 223 00:11:45,200 --> 00:11:48,079 Speaker 1: the debate, Like I watched and I was like, Okay, 224 00:11:48,120 --> 00:11:50,120 Speaker 1: who's that? No big deal? Who's that? No big deal? 225 00:11:50,160 --> 00:11:52,200 Speaker 1: It just was too much information and I'm sort of 226 00:11:52,200 --> 00:11:55,959 Speaker 1: like here to destroy betto. Yeah, and that's it. I mean, 227 00:11:56,600 --> 00:11:59,960 Speaker 1: but you would, oh my god, I basically sucked up. 228 00:12:00,000 --> 00:12:01,600 Speaker 1: It'll look like, but I can't get into it because 229 00:12:01,640 --> 00:12:04,959 Speaker 1: I'm very sad. No. See, that's the kind of guy 230 00:12:04,960 --> 00:12:07,480 Speaker 1: who ruin your fucking life. I know. I think I 231 00:12:07,520 --> 00:12:12,160 Speaker 1: would have sex. I think so confident probably comes and 232 00:12:12,160 --> 00:12:15,400 Speaker 1: then it's like, sorry, I gotta go. I think I 233 00:12:15,400 --> 00:12:18,360 Speaker 1: think the Veneers. I think the veneerest cracking on him 234 00:12:18,360 --> 00:12:19,959 Speaker 1: in a way that for me, I'm just like, oh, 235 00:12:20,200 --> 00:12:22,679 Speaker 1: I see you sweat and bitch, that's not hot. I 236 00:12:23,520 --> 00:12:25,920 Speaker 1: totally gone for me. I would suck Amy. I would. 237 00:12:26,080 --> 00:12:28,480 Speaker 1: I was gonna say I would. I would put a 238 00:12:28,520 --> 00:12:32,120 Speaker 1: baby in Amy. Yeah. That that's that's stuff about bottoming 239 00:12:32,160 --> 00:12:34,400 Speaker 1: for Hillary. I would fully bottom for Amy. And also, 240 00:12:34,440 --> 00:12:36,560 Speaker 1: here's the thing about Amy. You want me to do 241 00:12:36,640 --> 00:12:38,800 Speaker 1: my job. If you throw a binder at me, I'm 242 00:12:38,880 --> 00:12:42,160 Speaker 1: ten times that's how you run. I was talking about 243 00:12:42,160 --> 00:12:49,600 Speaker 1: Betto's wife Amy, I talk fuck Amy. Yeah. But the 244 00:12:49,600 --> 00:12:54,400 Speaker 1: thing about Betto and now that his confidence is knocked 245 00:12:54,400 --> 00:12:56,079 Speaker 1: a little bit, it's like, now that I know he 246 00:12:56,120 --> 00:12:58,360 Speaker 1: has like a self esteem issue, I can't change it 247 00:12:58,480 --> 00:13:01,920 Speaker 1: as fast enough. That's interesting. I mean, if you tell 248 00:13:01,920 --> 00:13:03,640 Speaker 1: me you have a self esteem is I can't you're 249 00:13:03,640 --> 00:13:08,400 Speaker 1: as fast enough? Oh my god. Really that's awesome, dude, 250 00:13:09,600 --> 00:13:11,640 Speaker 1: kind huge for you because I'm like, oh, it's he's 251 00:13:11,640 --> 00:13:13,280 Speaker 1: going to be easy for me. And I would like 252 00:13:13,320 --> 00:13:17,360 Speaker 1: to because confident as you because I'm also up. Let's go. 253 00:13:17,760 --> 00:13:20,800 Speaker 1: Is it horrible? All of it? Like vulnerability and stuff. 254 00:13:21,000 --> 00:13:25,080 Speaker 1: I mean, honestly, I love vulnerability. Now, I love vulnerability. 255 00:13:25,200 --> 00:13:28,360 Speaker 1: I haven't felt the payoff of vulnerability in a couple 256 00:13:28,400 --> 00:13:32,640 Speaker 1: of days, you know, like sometimes that feels like a 257 00:13:32,679 --> 00:13:35,000 Speaker 1: long I don't know. I'm I'm coming off of like 258 00:13:35,160 --> 00:13:38,400 Speaker 1: you're going through something. I brought Seltzer, Like what am 259 00:13:38,440 --> 00:13:40,720 Speaker 1: I up? You know you brought you brought four Seltzers 260 00:13:40,720 --> 00:13:44,440 Speaker 1: and it's like, obviously the prices. Do you want the Seltzer? 261 00:13:44,520 --> 00:13:46,640 Speaker 1: That's for you? She has one because here's the thing, 262 00:13:46,679 --> 00:13:48,480 Speaker 1: because now the Seltzer is just gonna sit here and 263 00:13:48,520 --> 00:13:51,240 Speaker 1: it's going to be this reminder of this person. Now, 264 00:13:51,280 --> 00:13:52,600 Speaker 1: well are you do you want to talk about it? 265 00:13:53,160 --> 00:13:55,200 Speaker 1: I'll give you the lowdown, give us sort of like 266 00:13:55,240 --> 00:13:59,880 Speaker 1: the lowdown. Um. I was like I basically was in 267 00:14:00,040 --> 00:14:03,280 Speaker 1: like two serious relationships and it was sort of like 268 00:14:03,840 --> 00:14:08,680 Speaker 1: boom uh boom, and now we're on the of the 269 00:14:08,760 --> 00:14:12,680 Speaker 1: second one. And I was like, I want to say 270 00:14:12,760 --> 00:14:17,040 Speaker 1: two years. I know, right, isn't that such a long time. 271 00:14:17,040 --> 00:14:19,840 Speaker 1: It's a full relationship. I mean, I mean it was Hue. 272 00:14:19,920 --> 00:14:21,640 Speaker 1: It was like the first time I was in love. 273 00:14:21,760 --> 00:14:25,080 Speaker 1: It was like I and I'm still like, okay, this 274 00:14:25,120 --> 00:14:28,760 Speaker 1: person means the world to me, like this is a person. 275 00:14:28,880 --> 00:14:32,120 Speaker 1: And then I was kind of taken off guard by 276 00:14:32,640 --> 00:14:36,720 Speaker 1: another person and right after, I mean there was there 277 00:14:36,800 --> 00:14:42,000 Speaker 1: was some time, but it was overwhelming, and now I'm 278 00:14:42,040 --> 00:14:45,720 Speaker 1: sort of like, okay, so I don't plan on sort 279 00:14:45,720 --> 00:14:50,640 Speaker 1: of going down like romantic vulnerability like road for like 280 00:14:50,760 --> 00:14:55,720 Speaker 1: probably a decade or so. That's where I remember when 281 00:14:55,720 --> 00:14:58,400 Speaker 1: when my first So how it was the first relationship 282 00:14:58,400 --> 00:15:00,840 Speaker 1: was two years and then pretty soon after after you've 283 00:15:00,880 --> 00:15:02,880 Speaker 1: met this other person, and how long were you with 284 00:15:02,960 --> 00:15:06,280 Speaker 1: them or was that a thing? Yeah, maybe like almost 285 00:15:06,320 --> 00:15:10,280 Speaker 1: a year? Yeah, so but the intensity felt almost the same. Well, 286 00:15:10,520 --> 00:15:14,000 Speaker 1: they were so different and without getting into it too much, 287 00:15:14,080 --> 00:15:17,800 Speaker 1: like I I just there was no real time when 288 00:15:17,800 --> 00:15:21,520 Speaker 1: I felt like alone and now here I am, and 289 00:15:21,520 --> 00:15:24,360 Speaker 1: it's sort of like, well you have some crazy thoughts 290 00:15:24,440 --> 00:15:27,280 Speaker 1: now and like you are what's going on up here? 291 00:15:27,280 --> 00:15:30,040 Speaker 1: Because you're kind of alone in there now. It's interesting 292 00:15:30,080 --> 00:15:33,880 Speaker 1: and it's really funny and like I know because like 293 00:15:34,160 --> 00:15:39,080 Speaker 1: the realty is like when my relationship ended, Um, there 294 00:15:39,160 --> 00:15:41,640 Speaker 1: was a time where I was like, why would I 295 00:15:41,680 --> 00:15:45,120 Speaker 1: ever do that again? Why would I ever go through 296 00:15:45,120 --> 00:15:47,000 Speaker 1: that again? And I was like, no, I'm getting a 297 00:15:47,040 --> 00:15:51,280 Speaker 1: relationship is And then like with time you realize, like 298 00:15:52,240 --> 00:15:54,480 Speaker 1: you will realize like how you've grown, and like you'll 299 00:15:54,520 --> 00:15:57,520 Speaker 1: be thankful for it. But it's just like yeah, but 300 00:15:57,520 --> 00:16:02,240 Speaker 1: but but but to be honest, like Brown Call to 301 00:16:02,400 --> 00:16:06,200 Speaker 1: Current watched three times in a row the day after 302 00:16:06,440 --> 00:16:09,360 Speaker 1: my last breakup, and it helped. But also that I 303 00:16:09,400 --> 00:16:11,360 Speaker 1: was like, Okay, Burnet is sort of it for me now, 304 00:16:12,120 --> 00:16:15,600 Speaker 1: So then you be can't fix it on Burnet? Who 305 00:16:15,640 --> 00:16:18,760 Speaker 1: do I get? Yeah? Who can I lock down? Yeah? 306 00:16:19,280 --> 00:16:22,240 Speaker 1: I've been quoting Burnet too much. I keep being like 307 00:16:22,440 --> 00:16:24,600 Speaker 1: vulnerability is showing up and not knowing what the outcome is, 308 00:16:24,680 --> 00:16:27,480 Speaker 1: Like I keep saying, I mean that is bravery. That 309 00:16:27,240 --> 00:16:30,600 Speaker 1: is it is if you know what's going to happen, 310 00:16:30,680 --> 00:16:32,640 Speaker 1: You're not putting anything on the line, You're not being 311 00:16:32,800 --> 00:16:36,160 Speaker 1: any it's just not bravery. Okay, So then where you're 312 00:16:36,200 --> 00:16:38,640 Speaker 1: at now is this thing of like I don't want 313 00:16:38,680 --> 00:16:42,440 Speaker 1: to put anything on the line I think I put 314 00:16:42,600 --> 00:16:44,920 Speaker 1: like I honestly and not to choot my own horn. 315 00:16:44,960 --> 00:16:48,640 Speaker 1: Here was very brave. Yeah, thank you so much, and 316 00:16:48,880 --> 00:16:53,320 Speaker 1: I yeah, and I was, And I feel like, okay, 317 00:16:53,480 --> 00:16:57,360 Speaker 1: I'm I don't want to be brave for another person 318 00:16:57,520 --> 00:16:59,800 Speaker 1: right now, I'm going to be brave all by my 319 00:17:00,200 --> 00:17:04,320 Speaker 1: some bring my Seltzers wherever I go, you know, fucking yeah, wait, 320 00:17:04,320 --> 00:17:06,360 Speaker 1: I'm sorry. Can we just say the Seltzers are not 321 00:17:06,440 --> 00:17:08,360 Speaker 1: to me? Did not read as a cry for anything. 322 00:17:09,280 --> 00:17:11,840 Speaker 1: It does not, It does not indicate anything. The Seltzers 323 00:17:12,280 --> 00:17:17,080 Speaker 1: are a huge, huge the Celtics deal. The Seltzers are. 324 00:17:17,359 --> 00:17:21,560 Speaker 1: They're a huge metaphor. It's generous, and it means that 325 00:17:21,600 --> 00:17:25,160 Speaker 1: you you are like willing to offer something. Yes, thank you, 326 00:17:25,480 --> 00:17:28,000 Speaker 1: thank you, and I'll remember that and like this thing 327 00:17:28,000 --> 00:17:31,199 Speaker 1: of like okay, does you go back to your and 328 00:17:31,240 --> 00:17:33,399 Speaker 1: I'll remember that to go back to your thing of 329 00:17:33,440 --> 00:17:35,159 Speaker 1: like oh you're alone up here? What are the you 330 00:17:35,160 --> 00:17:38,479 Speaker 1: have crazy thoughts? It's like, well, I there's I I 331 00:17:38,480 --> 00:17:40,840 Speaker 1: have never I've never been served by rating my own 332 00:17:41,119 --> 00:17:44,280 Speaker 1: thoughts or in her like you know, ruminations of like 333 00:17:44,359 --> 00:17:47,040 Speaker 1: oh god, I must I suck for thinking that Like 334 00:17:47,080 --> 00:17:49,200 Speaker 1: that doesn't help I don't know, there doesn't no judgment, 335 00:17:49,640 --> 00:17:51,760 Speaker 1: no judgment the outer layer. Just take away the judgment, 336 00:17:51,760 --> 00:17:53,840 Speaker 1: then deal with with the next lay sure, and then 337 00:17:53,920 --> 00:17:55,600 Speaker 1: and then what's the thing that she that Bernet ends 338 00:17:55,600 --> 00:17:58,200 Speaker 1: on in a cauldy courage and she's like, um uh, 339 00:17:58,320 --> 00:18:02,120 Speaker 1: something that gets joy or like gratitude, it gets joy, right, 340 00:18:02,880 --> 00:18:05,199 Speaker 1: So it's about being grateful for what you have in 341 00:18:05,320 --> 00:18:10,520 Speaker 1: it is this it can I think I'm dealing with you. 342 00:18:10,560 --> 00:18:13,520 Speaker 1: Two are different from me where I think. But that's 343 00:18:13,520 --> 00:18:14,919 Speaker 1: also this is also because I have not been in 344 00:18:14,920 --> 00:18:18,520 Speaker 1: a long term relationship ever for longer than like six months, 345 00:18:18,600 --> 00:18:21,680 Speaker 1: so it's a long time. I think, oh, thank you. Well, 346 00:18:21,800 --> 00:18:23,840 Speaker 1: I just I haven't I even felt this thing of 347 00:18:23,880 --> 00:18:27,600 Speaker 1: like I completely gave myself over to somebody. But I 348 00:18:27,640 --> 00:18:29,399 Speaker 1: find it so fascinating when people like I don't want 349 00:18:29,400 --> 00:18:31,520 Speaker 1: to do that again. I because my instinct is maybe 350 00:18:31,520 --> 00:18:34,959 Speaker 1: I'm maybe I'm just a serial serial data serial monogamist. 351 00:18:35,400 --> 00:18:37,080 Speaker 1: I'm in love with being in love. I want to 352 00:18:37,160 --> 00:18:40,960 Speaker 1: jump to the next thing immediately. I think that's just bad, 353 00:18:40,960 --> 00:18:44,080 Speaker 1: which is I'm not tuting that bad at this point, 354 00:18:44,160 --> 00:18:46,760 Speaker 1: Like we have to forgive ourselves. Yeah, I mean the 355 00:18:46,800 --> 00:18:49,320 Speaker 1: reason I say that, and I'll remember that. The reason 356 00:18:49,359 --> 00:18:52,199 Speaker 1: I say that is because and I've talked about him 357 00:18:52,200 --> 00:18:55,359 Speaker 1: so much on the use his name, Like the relationship 358 00:18:55,359 --> 00:18:57,960 Speaker 1: I had with Henry was so beautiful. But also it's 359 00:18:57,960 --> 00:19:02,119 Speaker 1: like the periods of despair, such periods of true despair 360 00:19:02,480 --> 00:19:05,439 Speaker 1: where I was like physically ill, and like just just 361 00:19:05,560 --> 00:19:08,399 Speaker 1: the tragedy that comes to being able to work it 362 00:19:08,480 --> 00:19:12,080 Speaker 1: out with someone that you love so much. It's like 363 00:19:12,280 --> 00:19:15,159 Speaker 1: grieving a loss, and it's like it's like someone dying. 364 00:19:15,680 --> 00:19:19,439 Speaker 1: And and um, that's why I think, I think you 365 00:19:19,440 --> 00:19:23,080 Speaker 1: have yet to experience that, because once you do experience that, 366 00:19:23,160 --> 00:19:26,720 Speaker 1: and you will well, honestly, I I hope, I know. 367 00:19:26,920 --> 00:19:28,919 Speaker 1: I hope for you that the first person that you 368 00:19:28,960 --> 00:19:31,240 Speaker 1: have like a real relationship with, I hope that's it. 369 00:19:32,359 --> 00:19:33,760 Speaker 1: Or not that I don't wish for you all the 370 00:19:33,800 --> 00:19:37,320 Speaker 1: experiences in the world, but like I don't, I wouldn't 371 00:19:37,400 --> 00:19:41,680 Speaker 1: wish on anyone despair. And when you and you can 372 00:19:41,720 --> 00:19:43,879 Speaker 1: attest to this, like when you are in a relationship 373 00:19:43,920 --> 00:19:45,480 Speaker 1: and all you want to do is make it work 374 00:19:45,520 --> 00:19:50,800 Speaker 1: but it just can't, it's a it's a devastating it's 375 00:19:50,840 --> 00:19:55,440 Speaker 1: a realization. It's like, oh my god, oh my god, 376 00:19:55,640 --> 00:19:58,080 Speaker 1: my fantasy of what this could be has to go 377 00:19:58,119 --> 00:20:00,840 Speaker 1: down the drain. Yeah, and then you have reminding yourself 378 00:20:00,840 --> 00:20:02,680 Speaker 1: the fantasy isn't real, or that like what you could, 379 00:20:02,840 --> 00:20:05,520 Speaker 1: what you imagined isn't You're not on track for it. 380 00:20:06,040 --> 00:20:07,879 Speaker 1: Maybe you're not getting what you want, and you're like 381 00:20:08,000 --> 00:20:09,719 Speaker 1: I spent a lot of time worrying about what other 382 00:20:09,760 --> 00:20:12,639 Speaker 1: people need, and like a lot of time I was like, wait, 383 00:20:12,680 --> 00:20:15,199 Speaker 1: I guess like I need to think about what I 384 00:20:15,200 --> 00:20:17,240 Speaker 1: want because I never prioritize that. And that's sort of 385 00:20:17,280 --> 00:20:20,520 Speaker 1: like Bernet's whole thing. Literally, I think we are the 386 00:20:20,560 --> 00:20:22,800 Speaker 1: same because something I've had to deal with over the 387 00:20:22,800 --> 00:20:25,760 Speaker 1: past couple of years is like, you gotta you gotta 388 00:20:25,800 --> 00:20:28,800 Speaker 1: say how you feel, because trying to make other people 389 00:20:28,920 --> 00:20:33,840 Speaker 1: happy is making you sick, like and right, yeah, and 390 00:20:34,359 --> 00:20:37,600 Speaker 1: not not not allowing people the truth about what you 391 00:20:37,640 --> 00:20:40,640 Speaker 1: are and who you are. Like so now it's like 392 00:20:40,760 --> 00:20:43,560 Speaker 1: now it's like, uh, there's something new kind of bubbling 393 00:20:43,640 --> 00:20:46,200 Speaker 1: up in my life, and I'm kind of like, oh God, 394 00:20:46,280 --> 00:20:49,440 Speaker 1: at what point am I like fully completely honest about 395 00:20:49,480 --> 00:20:52,240 Speaker 1: like that I want and like and like what you know? 396 00:20:52,560 --> 00:20:55,240 Speaker 1: But it's also one of my lessons from the relationship too, 397 00:20:55,359 --> 00:20:58,000 Speaker 1: is also like you have to make people feel special 398 00:20:58,040 --> 00:21:00,760 Speaker 1: and loved and wanted. So it's it's it's a you 399 00:21:00,800 --> 00:21:03,600 Speaker 1: can't top thing, and these relationships are they're never going 400 00:21:03,680 --> 00:21:05,920 Speaker 1: to be perfect, but you can try. Yeah, And it's 401 00:21:05,920 --> 00:21:09,280 Speaker 1: about so it's about a choice. It's about making a choice. God, 402 00:21:09,320 --> 00:21:12,320 Speaker 1: here we go about making a choice where you both 403 00:21:12,359 --> 00:21:15,000 Speaker 1: are like, I want to choose to make this work. 404 00:21:15,400 --> 00:21:17,840 Speaker 1: And if you're not choosing that together or at the 405 00:21:17,880 --> 00:21:24,760 Speaker 1: same time, you're dead. And I don't think that's like logic. 406 00:21:25,280 --> 00:21:27,720 Speaker 1: It's like we can just this is a decision. It's 407 00:21:27,760 --> 00:21:29,600 Speaker 1: not like, oh, one day I wake up and like 408 00:21:29,760 --> 00:21:31,720 Speaker 1: love and the next day I'm confused. It's like, no, 409 00:21:31,880 --> 00:21:35,280 Speaker 1: I'm committed to this, like growth and you're Pisces. Yes, 410 00:21:35,880 --> 00:21:42,639 Speaker 1: sorry to bring it up, Aquarius. Did you read Normal People? 411 00:21:43,200 --> 00:21:44,639 Speaker 1: Oh my god, I read the first twenty pages in 412 00:21:44,720 --> 00:21:46,720 Speaker 1: Nicole Silverberg's house and I couldn't put it down. Then 413 00:21:46,760 --> 00:21:50,080 Speaker 1: she made this amazing dessert, so I had to was 414 00:21:50,720 --> 00:21:54,080 Speaker 1: made shorts what she made And you know what, it's 415 00:21:54,080 --> 00:21:59,080 Speaker 1: not what you think it is. It is biscuits between 416 00:21:59,119 --> 00:22:02,400 Speaker 1: the business. Yes, it's not. My mom makes a version 417 00:22:02,440 --> 00:22:05,879 Speaker 1: of this ye, yes, okay, it's not It's not the 418 00:22:05,920 --> 00:22:08,320 Speaker 1: thing that I thought it was, which was like fruit 419 00:22:08,359 --> 00:22:12,919 Speaker 1: in the cake. It's like, it's very British. Yes, it 420 00:22:12,960 --> 00:22:15,919 Speaker 1: looked stunned and you ate that that. I saw you 421 00:22:15,960 --> 00:22:20,399 Speaker 1: eat that. Yes, about eating that is social media right 422 00:22:20,400 --> 00:22:22,639 Speaker 1: now in a sentence, I saw you eat that. That's 423 00:22:22,640 --> 00:22:26,000 Speaker 1: actually real culture number twelve social media is I saw 424 00:22:26,040 --> 00:22:31,879 Speaker 1: you eat that is very That is true, George. You 425 00:22:31,960 --> 00:22:34,439 Speaker 1: have to read it to finish it. I read it 426 00:22:34,480 --> 00:22:36,760 Speaker 1: in like what two three days? Oh my god? That 427 00:22:36,840 --> 00:22:38,480 Speaker 1: she said she got home and just sat down and 428 00:22:38,480 --> 00:22:41,120 Speaker 1: finished it. Yeah the second I turned me on that book. 429 00:22:41,160 --> 00:22:47,639 Speaker 1: So far, it's a horny fucking book. It's like like 430 00:22:47,680 --> 00:22:50,960 Speaker 1: what people are thinking and switching places every chapter, right yeah, 431 00:22:51,000 --> 00:22:55,119 Speaker 1: and and so you get their perfective and she's raw. Yeah, 432 00:22:55,160 --> 00:22:59,040 Speaker 1: it's really it's a raw bug, no condoms anywhere anywhere. 433 00:22:59,359 --> 00:23:02,080 Speaker 1: Um and truly like me, I've been in this very 434 00:23:02,160 --> 00:23:04,960 Speaker 1: queer reading material space for a while and I was like, 435 00:23:05,000 --> 00:23:06,359 Speaker 1: some it had better be good if it's going to 436 00:23:06,480 --> 00:23:09,800 Speaker 1: pull me out of orbit. Did you read less? Literally? 437 00:23:09,880 --> 00:23:12,040 Speaker 1: He Okay, So this is like a joke now at 438 00:23:12,080 --> 00:23:15,119 Speaker 1: this point, because he has told me to read less 439 00:23:15,520 --> 00:23:17,959 Speaker 1: no less than a million times. And so it is 440 00:23:18,000 --> 00:23:20,000 Speaker 1: at my apartment now and here I'm going to say 441 00:23:20,040 --> 00:23:21,840 Speaker 1: this on the pod tonight. I'm gonna go home and 442 00:23:21,840 --> 00:23:23,960 Speaker 1: read or will you really? Yes? I hope you will. 443 00:23:24,119 --> 00:23:27,080 Speaker 1: I hope you will too. But you need it. It 444 00:23:27,119 --> 00:23:31,679 Speaker 1: doesn't need you. I get it. I know, I know 445 00:23:31,800 --> 00:23:33,640 Speaker 1: I need to read it. Can we talk about it? Yeah? 446 00:23:34,119 --> 00:23:38,080 Speaker 1: And in very vague terms. Oh my god, I was surprised. 447 00:23:38,720 --> 00:23:41,159 Speaker 1: I was kind of surprised. I was surprised because I 448 00:23:41,200 --> 00:23:46,320 Speaker 1: was like, we're really going to stay big. It's just 449 00:23:46,520 --> 00:23:50,280 Speaker 1: exactly what I wanted but didn't know I could want exactly. 450 00:23:50,320 --> 00:23:54,040 Speaker 1: And my god, the the build up to it, I mean, 451 00:23:54,119 --> 00:24:00,280 Speaker 1: I had yes, I was. I stopped breathing. I know exactly. 452 00:24:00,400 --> 00:24:03,200 Speaker 1: I know. It was so shocking. I've been with something 453 00:24:03,280 --> 00:24:04,639 Speaker 1: like this. This was it. This was It was like 454 00:24:04,720 --> 00:24:06,280 Speaker 1: a movie. It's like a movie. I was on the 455 00:24:06,400 --> 00:24:09,119 Speaker 1: train and then I stepped out of the train and 456 00:24:09,200 --> 00:24:10,520 Speaker 1: I was like on the last a few pages, and 457 00:24:10,560 --> 00:24:13,960 Speaker 1: I was like, I'm just gonna stay on the ce stop. 458 00:24:14,800 --> 00:24:17,320 Speaker 1: A good stop, A good stop just stood there on 459 00:24:17,400 --> 00:24:19,040 Speaker 1: the platform after I'd gotten off my train that I 460 00:24:19,040 --> 00:24:21,000 Speaker 1: need to get off and I got get off that 461 00:24:21,040 --> 00:24:22,720 Speaker 1: and I I just read those last pages and the 462 00:24:22,760 --> 00:24:25,600 Speaker 1: I need to sit down, and I was like, Jesus Christ, 463 00:24:26,280 --> 00:24:28,159 Speaker 1: that is a very romantic way to read the end 464 00:24:28,200 --> 00:24:30,800 Speaker 1: of Yes. I also remember being like, after you read 465 00:24:30,840 --> 00:24:32,720 Speaker 1: this book, don't look at your phone for ten minutes 466 00:24:33,040 --> 00:24:34,600 Speaker 1: after you finished. I was like, you could look at 467 00:24:34,640 --> 00:24:36,480 Speaker 1: your phone, but you need to sit in that because 468 00:24:36,480 --> 00:24:40,440 Speaker 1: there was come on, hope, hope. There's hope in the book. 469 00:24:40,480 --> 00:24:43,200 Speaker 1: And that's crazy because hope isn't everywhere, by the way, 470 00:24:43,720 --> 00:24:45,480 Speaker 1: hard to find hope. It's hard to hope is so 471 00:24:46,160 --> 00:24:50,680 Speaker 1: churned out in this manufactured way now that it's hard 472 00:24:50,720 --> 00:24:55,119 Speaker 1: to find the real now. Well, I mean, I love hope. 473 00:24:58,520 --> 00:25:01,040 Speaker 1: You're gonna love. It's so funny. It's really funny, and 474 00:25:01,520 --> 00:25:05,879 Speaker 1: it's like the sad but beautiful gone. How old is 475 00:25:05,920 --> 00:25:08,359 Speaker 1: the main character he's like and he's he's like middle aged, 476 00:25:08,440 --> 00:25:11,280 Speaker 1: which is so he's in like late forties, early fifties, 477 00:25:12,000 --> 00:25:16,080 Speaker 1: and it's it's it's really good for us, see you 478 00:25:16,160 --> 00:25:18,680 Speaker 1: an amount to read it because it is like this 479 00:25:20,040 --> 00:25:24,440 Speaker 1: this fun glimpse into like this fucking tail spin that 480 00:25:24,560 --> 00:25:28,080 Speaker 1: we all go on, and it's like it pales in 481 00:25:28,119 --> 00:25:30,520 Speaker 1: comparison to what like sucking women go through. You know, 482 00:25:30,600 --> 00:25:33,320 Speaker 1: it's like, well can I it's very like like these 483 00:25:33,400 --> 00:25:35,280 Speaker 1: things that we don't talk about. And I was reading it, 484 00:25:35,320 --> 00:25:39,040 Speaker 1: I was like, I've never thought about that. That's I 485 00:25:39,160 --> 00:25:43,520 Speaker 1: think that like, okay, so when you know how those 486 00:25:43,920 --> 00:25:51,080 Speaker 1: face app thing with it's I was happy with I 487 00:25:51,280 --> 00:25:55,359 Speaker 1: was really happy with mine. But I I still looked 488 00:25:55,400 --> 00:25:59,800 Speaker 1: at that man's face and I was like, oh my god, 489 00:26:00,960 --> 00:26:03,680 Speaker 1: what are you gonna be? I was like, I was like, 490 00:26:04,040 --> 00:26:07,080 Speaker 1: how are people gonna Are people still gonna think? Like 491 00:26:08,240 --> 00:26:10,919 Speaker 1: what are people gonna still gonna think? This is like cute? 492 00:26:11,160 --> 00:26:14,800 Speaker 1: Like are people still gonna tolerate you? Like like are 493 00:26:14,880 --> 00:26:19,119 Speaker 1: you gonna always be like goofy and crazy? Like what 494 00:26:19,280 --> 00:26:21,879 Speaker 1: are you gonna be? Like? What what happened to you? Like? 495 00:26:22,440 --> 00:26:24,720 Speaker 1: I don't know what? Looking at looking at a real 496 00:26:25,119 --> 00:26:28,359 Speaker 1: version of my old face, I was like, I hope 497 00:26:28,400 --> 00:26:31,320 Speaker 1: that they treated you okay. I was because gay man, 498 00:26:31,440 --> 00:26:34,960 Speaker 1: as they age, I'm just like I just I haven't 499 00:26:35,080 --> 00:26:38,639 Speaker 1: really seen okay, I haven't really seen like someone who's 500 00:26:38,680 --> 00:26:41,320 Speaker 1: like I guess you have, like you're Ian McKellen or whatever, like, 501 00:26:41,480 --> 00:26:43,280 Speaker 1: but just like a gay man who's always been gay, 502 00:26:43,320 --> 00:26:47,040 Speaker 1: always was like got what he deserved, what I mean, sure, 503 00:26:47,160 --> 00:26:49,480 Speaker 1: but it just was like to see yourself older, like 504 00:26:49,680 --> 00:26:52,200 Speaker 1: that is going to happen to me? Yeah? That felt 505 00:26:52,320 --> 00:26:55,000 Speaker 1: that felt true about it. It's like fate inevitable. It's 506 00:26:55,040 --> 00:26:57,760 Speaker 1: like the inevitability of looking different. Yeah. And I was 507 00:26:57,800 --> 00:26:59,800 Speaker 1: like live yeah, And I was just like I was 508 00:27:00,000 --> 00:27:01,960 Speaker 1: looking at that man's face who was me, And I 509 00:27:02,040 --> 00:27:04,480 Speaker 1: was like, I hope it went well. I hope because 510 00:27:04,800 --> 00:27:07,960 Speaker 1: you know, I hope we're still smiling like that you 511 00:27:08,040 --> 00:27:10,399 Speaker 1: will be. I really think I hope. So I just like, 512 00:27:10,640 --> 00:27:12,399 Speaker 1: you know what I mean, like seeing yourself old, Like 513 00:27:12,480 --> 00:27:13,800 Speaker 1: I know, it was like a fun bit we were 514 00:27:13,840 --> 00:27:16,600 Speaker 1: all doing, but it was just like very crazy, you intense. 515 00:27:16,920 --> 00:27:19,439 Speaker 1: We shouldn't be able to do that. No, it's not natural. 516 00:27:19,840 --> 00:27:23,160 Speaker 1: I feel like in looking at your photo, I saw 517 00:27:23,280 --> 00:27:26,080 Speaker 1: my photo and thought mine looks like so much older, 518 00:27:26,880 --> 00:27:28,800 Speaker 1: Like it looks like they did a different age than 519 00:27:28,880 --> 00:27:31,320 Speaker 1: you're one, Like the age are they supposed to make you? 520 00:27:31,400 --> 00:27:33,520 Speaker 1: Because today Ricky Gervais was on the View and it 521 00:27:33,680 --> 00:27:35,680 Speaker 1: was like they showed his old photo and I'm like, 522 00:27:35,720 --> 00:27:39,560 Speaker 1: this is three years what age is supposed to be make? 523 00:27:39,600 --> 00:27:43,160 Speaker 1: I think it's like octo or septagenarian, like seventies eighties? 524 00:27:43,880 --> 00:27:50,320 Speaker 1: Is that how you say it? Is that I'm a septagenarian? 525 00:27:51,000 --> 00:27:53,320 Speaker 1: Exactly right. Um, I thought you were gonna I thought 526 00:27:53,320 --> 00:27:55,520 Speaker 1: you were gonna read me for my um you know 527 00:27:55,840 --> 00:27:59,440 Speaker 1: romance language pronunciation, my Latin rich Can we talk about 528 00:27:59,560 --> 00:28:02,159 Speaker 1: I'm gonna say something and please reject it if you 529 00:28:02,359 --> 00:28:05,200 Speaker 1: if you reject it, I think a picture is the 530 00:28:06,920 --> 00:28:11,879 Speaker 1: female Timothy shallow may up. I was like nervous and 531 00:28:11,960 --> 00:28:16,560 Speaker 1: I'm like completely found, like go on and go on, 532 00:28:17,440 --> 00:28:21,800 Speaker 1: just like explain just this aloof the female Timothy shall 533 00:28:22,200 --> 00:28:27,440 Speaker 1: this alout dark haired French speaking and you're just like, 534 00:28:27,760 --> 00:28:30,720 Speaker 1: who is that? I want to know more? Breakout start? 535 00:28:30,840 --> 00:28:36,040 Speaker 1: Come on? What do you think? I acceptccept hugely and 536 00:28:36,119 --> 00:28:37,880 Speaker 1: you know what else I except I except when people 537 00:28:37,920 --> 00:28:41,320 Speaker 1: say I look like Cole Sprouse to people are like 538 00:28:41,400 --> 00:28:43,000 Speaker 1: you look like cold Sprouce and I'm like, that is 539 00:28:43,160 --> 00:28:51,400 Speaker 1: huge we have and ultimately energy, yes you did not. Yeah, 540 00:28:51,560 --> 00:28:55,320 Speaker 1: it went so bad even part I want to be 541 00:28:55,360 --> 00:28:59,280 Speaker 1: on it so bad that I auditioned for the cheerleaders, 542 00:28:59,480 --> 00:29:03,920 Speaker 1: the cheer leader sister of Betty God I had. I 543 00:29:04,000 --> 00:29:07,680 Speaker 1: was blond and I was like, I'm completely even more 544 00:29:07,760 --> 00:29:10,880 Speaker 1: depressed than I am now. Can you even imagine? So 545 00:29:10,960 --> 00:29:14,000 Speaker 1: hair curler was different back then. Oh I was like blond, 546 00:29:14,520 --> 00:29:16,320 Speaker 1: that's it, that's it. Yeah, I was, and my hair 547 00:29:16,440 --> 00:29:20,480 Speaker 1: was long. And I went into the audition and the 548 00:29:20,760 --> 00:29:25,240 Speaker 1: part the lines were like Mom, it's I'm like reaching, 549 00:29:25,560 --> 00:29:27,960 Speaker 1: I'm reaching for a yogurt in the fridge and I 550 00:29:28,120 --> 00:29:31,240 Speaker 1: opened my mom standing there, um, and she's like, what 551 00:29:31,320 --> 00:29:33,560 Speaker 1: are you doing? And I'm like, Mom, it's non fat 552 00:29:33,960 --> 00:29:35,920 Speaker 1: And I just did back thence and flips for four 553 00:29:36,000 --> 00:29:38,680 Speaker 1: hours at cheer practice. And she's like, whoever the guy is, 554 00:29:38,720 --> 00:29:40,480 Speaker 1: it's a bad influence. And I'm like, I love him. 555 00:29:41,040 --> 00:29:46,480 Speaker 1: I should the right so much. I'm a really, really, 556 00:29:46,920 --> 00:29:50,760 Speaker 1: really good cheerleader. Um, is that like the most cuckoo 557 00:29:50,800 --> 00:29:52,600 Speaker 1: thing audition for? Like You're like, I can't believe I'm 558 00:29:52,640 --> 00:29:54,880 Speaker 1: holding these pages in my hands now. I for Quantico. 559 00:29:55,040 --> 00:30:00,200 Speaker 1: That was my first audition. Here, my god, we've talked about. 560 00:30:00,200 --> 00:30:06,680 Speaker 1: That's how we like. I'm Rachel Networks Traumas. Rachel loves Quantico. 561 00:30:07,400 --> 00:30:12,640 Speaker 1: She also loves Gray's Anatomy. Yeah she does, she Rachel, could, 562 00:30:13,080 --> 00:30:17,719 Speaker 1: I mean, Rachel can do any of those exactly right. Yeah, Oh, 563 00:30:18,240 --> 00:30:20,040 Speaker 1: Rachel is like and this is she's been on the 564 00:30:20,080 --> 00:30:22,600 Speaker 1: good fight. She's this is like the highest complement I 565 00:30:22,640 --> 00:30:25,480 Speaker 1: can pay someone, especially an actor. She is she is 566 00:30:25,560 --> 00:30:28,760 Speaker 1: network television procedural. She can do any of those shows. 567 00:30:28,920 --> 00:30:31,320 Speaker 1: She can deliver any line in the world. She's so good. 568 00:30:31,440 --> 00:30:33,280 Speaker 1: She's such a good actor. And she has like a 569 00:30:33,360 --> 00:30:37,719 Speaker 1: passion for like poop stuff, and I love like writing 570 00:30:37,800 --> 00:30:45,720 Speaker 1: about poop. And I'm like, hemorrhoids, do you I had? 571 00:30:45,880 --> 00:30:48,880 Speaker 1: I had, I had a hemorrhoid od it goes and comes, 572 00:30:48,920 --> 00:30:53,680 Speaker 1: and I know that about preparation. H is. I don't 573 00:30:53,720 --> 00:30:55,720 Speaker 1: know how I feel about it. I mean, I wiped 574 00:30:55,800 --> 00:30:57,960 Speaker 1: with it and that's good. It's so slippery. It's it's 575 00:30:57,960 --> 00:31:01,440 Speaker 1: like it's like a lubricant. It's elite, but it stays 576 00:31:01,560 --> 00:31:04,880 Speaker 1: and it doesn't dry out. It stays there and stays 577 00:31:04,920 --> 00:31:07,520 Speaker 1: in there. It stays slippery. You know, Um okay, when 578 00:31:07,560 --> 00:31:10,640 Speaker 1: hold on, Rachel never had like a dry but I 579 00:31:10,800 --> 00:31:15,800 Speaker 1: have never had especially in this year. It's bad. But 580 00:31:15,960 --> 00:31:18,040 Speaker 1: the thing is like my butt, it's it's I've never 581 00:31:18,080 --> 00:31:19,880 Speaker 1: I've only had one hand roid before in my life 582 00:31:20,000 --> 00:31:21,920 Speaker 1: years ago, but I did through about three or four. 583 00:31:22,120 --> 00:31:24,280 Speaker 1: This is insane. I've been three four years ago. I 584 00:31:24,360 --> 00:31:27,320 Speaker 1: had to have I had a little tiny cist like 585 00:31:27,800 --> 00:31:29,760 Speaker 1: right under my butt hole, and I had to get 586 00:31:29,800 --> 00:31:34,640 Speaker 1: it lanced and drained. And they took and they took 587 00:31:34,680 --> 00:31:38,720 Speaker 1: a needle and they they they gave me a shot 588 00:31:38,920 --> 00:31:43,920 Speaker 1: in my butt and when I tell you the pain 589 00:31:44,320 --> 00:31:50,280 Speaker 1: that was a cookoom mother, it was crazy. It was 590 00:31:50,400 --> 00:31:53,960 Speaker 1: so bad when they stuck a needle in my bottle 591 00:31:54,600 --> 00:31:57,880 Speaker 1: and gave with the shot. Hey, it was like, so 592 00:31:58,600 --> 00:32:04,840 Speaker 1: you were the best thing in there's no shut up um. 593 00:32:05,560 --> 00:32:07,560 Speaker 1: When they and they go to me, this is where 594 00:32:07,600 --> 00:32:10,440 Speaker 1: they go. They say, if you need to hold our 595 00:32:10,560 --> 00:32:13,160 Speaker 1: hands or scream, you can do that. I was like, 596 00:32:13,320 --> 00:32:15,800 Speaker 1: and I literally the joke that almost came out of 597 00:32:15,880 --> 00:32:18,400 Speaker 1: my mouth was it won't be the worst pain I've 598 00:32:18,440 --> 00:32:21,960 Speaker 1: felt there. Did you say that's a good joke? Because 599 00:32:22,000 --> 00:32:25,720 Speaker 1: I didn't think. I didn't think that Brooklyn Doctor's office 600 00:32:25,800 --> 00:32:29,000 Speaker 1: was ready for my anal sex humor. They're fucking this 601 00:32:29,240 --> 00:32:31,920 Speaker 1: is the thing stigma on anatomy. My god, you're right, 602 00:32:31,920 --> 00:32:35,080 Speaker 1: I should be baddish. Get out, get it out, get 603 00:32:35,160 --> 00:32:38,000 Speaker 1: it out. If if fucking Marcia Crossed can go on 604 00:32:38,080 --> 00:32:40,400 Speaker 1: TV and talk about a rectal cancer. You can make 605 00:32:40,440 --> 00:32:44,160 Speaker 1: that joke to a Brooklyn doctor. Nobody, Well, Mary and 606 00:32:44,200 --> 00:32:48,800 Speaker 1: Williams and fundraiser, anyone can do anything. It's actually a 607 00:32:48,840 --> 00:32:51,360 Speaker 1: really culture number forty. If Marcia Cross can go to 608 00:32:51,520 --> 00:32:56,360 Speaker 1: Mary and Williamson fundraiser, anyone could do anything. It is true. 609 00:32:56,440 --> 00:32:58,080 Speaker 1: We put a man on the moon. Marsha went to 610 00:32:58,120 --> 00:33:00,880 Speaker 1: the Mary and Williamson and ready we did that. We 611 00:33:01,040 --> 00:33:04,080 Speaker 1: did that. We should be allowed to do anything. Honestly, 612 00:33:04,200 --> 00:33:07,040 Speaker 1: I can't explain. And then also the pain was bad, 613 00:33:07,120 --> 00:33:11,040 Speaker 1: but it wasn't like bananas. That sounds horrible. But then 614 00:33:11,080 --> 00:33:13,560 Speaker 1: I had to like walk around with like like what 615 00:33:13,760 --> 00:33:16,720 Speaker 1: essentially was like a pad on my butt, and like 616 00:33:17,040 --> 00:33:19,760 Speaker 1: it was like draining all the time. And I was 617 00:33:19,840 --> 00:33:24,360 Speaker 1: like people feel like it's always. There were some people 618 00:33:24,440 --> 00:33:28,400 Speaker 1: out there who constantly un dripped, and they're called women 619 00:33:28,840 --> 00:33:30,280 Speaker 1: and they have a period, And I was like, I 620 00:33:30,400 --> 00:33:35,200 Speaker 1: have a whole new respect for just for discharge, for discharge, um, 621 00:33:35,520 --> 00:33:39,680 Speaker 1: thank you, and thank you from womankind, thank you from 622 00:33:39,760 --> 00:33:42,480 Speaker 1: what must understand the title of that, I think is 623 00:33:42,760 --> 00:33:47,560 Speaker 1: from womankind. Thank you, And as we all know, I 624 00:33:47,680 --> 00:33:53,440 Speaker 1: do represent all women being Timothy the female I never 625 00:33:53,560 --> 00:33:55,880 Speaker 1: heard anything so specific as I think if we stood 626 00:33:55,920 --> 00:33:58,120 Speaker 1: next to each other, you would, you would actually only 627 00:33:58,160 --> 00:34:00,480 Speaker 1: see our differences because I think from far away we 628 00:34:00,600 --> 00:34:04,680 Speaker 1: are brothers sister. From up close we are simply incompatible. 629 00:34:05,320 --> 00:34:09,000 Speaker 1: I think you would you will absolutely play siblings one day. 630 00:34:09,480 --> 00:34:11,520 Speaker 1: Oh my god, I think I think that's in the car. 631 00:34:11,800 --> 00:34:14,080 Speaker 1: I think he'll be the lead, and I think I'll 632 00:34:14,120 --> 00:34:17,200 Speaker 1: be I'll be on the side. Speak French. You both 633 00:34:17,320 --> 00:34:22,600 Speaker 1: like are like these, like these very textured people. I 634 00:34:22,640 --> 00:34:25,120 Speaker 1: don't know some of these stars. I bet he's nice. 635 00:34:25,400 --> 00:34:27,080 Speaker 1: Some of these stars are a lot nicer than you 636 00:34:27,160 --> 00:34:28,920 Speaker 1: think they're going to be or they have to be. 637 00:34:29,080 --> 00:34:31,080 Speaker 1: But when he brought us, I think, so he brought 638 00:34:31,120 --> 00:34:32,800 Speaker 1: his mom to that award. I don't remember the Oscar, 639 00:34:34,160 --> 00:34:38,000 Speaker 1: and I think that that is, I guess cool. But 640 00:34:38,120 --> 00:34:39,960 Speaker 1: also it's like if you bring your mom to an 641 00:34:39,960 --> 00:34:42,719 Speaker 1: award show, you know what you're doing, Like that's a move, 642 00:34:42,920 --> 00:34:45,439 Speaker 1: that's like, look what I'm doing. I don't. I don't 643 00:34:45,680 --> 00:34:48,040 Speaker 1: I bring my mom because my mom. I owe everything 644 00:34:48,080 --> 00:34:50,160 Speaker 1: to my mom. And that display, I mean, I think 645 00:34:50,200 --> 00:34:51,960 Speaker 1: he should have brought his mom. That's really nice, Okay, 646 00:34:51,960 --> 00:34:53,320 Speaker 1: but what is it? What is it? What is it. 647 00:34:53,560 --> 00:34:56,040 Speaker 1: What's the messaging. I guess it's sort of like I 648 00:34:56,280 --> 00:34:58,560 Speaker 1: love my mom and you have to watch and the 649 00:34:58,680 --> 00:35:05,080 Speaker 1: plaud me take it back. No, no, because that's a 650 00:35:05,120 --> 00:35:06,879 Speaker 1: really good I don't think Sonny, I don't think so, honey. 651 00:35:06,880 --> 00:35:09,839 Speaker 1: People whould bring their moms because it is this thing 652 00:35:09,920 --> 00:35:13,759 Speaker 1: of like give me that straight give me that straight boy, 653 00:35:13,840 --> 00:35:15,759 Speaker 1: pat on the back, right exactly. It's like, look, I 654 00:35:16,239 --> 00:35:20,560 Speaker 1: actually love my mom and I'm and congrats to me. Yeah, 655 00:35:21,440 --> 00:35:24,120 Speaker 1: if I ever get nominated for an award show like 656 00:35:24,400 --> 00:35:30,160 Speaker 1: I'm sorry, I am bringing my yah got in the bathroom. Yeah, 657 00:35:30,239 --> 00:35:32,000 Speaker 1: but we've gottau in the bathroom. And I have to 658 00:35:32,040 --> 00:35:34,040 Speaker 1: be able to if I'm ever nominated for anything, I'm 659 00:35:34,040 --> 00:35:36,239 Speaker 1: going to be truly a wreck. And I have to 660 00:35:36,280 --> 00:35:39,200 Speaker 1: be able to hold someone's hands so tight. And the 661 00:35:39,280 --> 00:35:41,320 Speaker 1: only person that would let me do that is it 662 00:35:41,320 --> 00:35:46,120 Speaker 1: would be your boy or doctor. It should be my doctor. 663 00:35:46,160 --> 00:35:47,840 Speaker 1: I should go back to that Brooklyn doctor and he 664 00:35:47,960 --> 00:35:51,080 Speaker 1: remember that time I got an oscar. I have a question, 665 00:35:51,120 --> 00:35:53,239 Speaker 1: what if it's a cultural thing where it's like, um, 666 00:35:53,640 --> 00:35:56,160 Speaker 1: I'm just gonna bring up like oh, go out French. 667 00:35:56,239 --> 00:35:59,480 Speaker 1: I'm like not to bring her up like Sandra bring 668 00:35:59,560 --> 00:36:02,160 Speaker 1: her parents to stuff, Like is that a move where 669 00:36:02,160 --> 00:36:04,600 Speaker 1: you're like, oh god, this is everyone, this is engineered. 670 00:36:04,960 --> 00:36:07,759 Speaker 1: I'm not backing into a corner with this, I promise now. 671 00:36:07,840 --> 00:36:09,880 Speaker 1: I don't think so, because when that happened, I was like, 672 00:36:10,080 --> 00:36:15,720 Speaker 1: hell fucking yeah. But also I will say went to Sorry, 673 00:36:16,160 --> 00:36:19,520 Speaker 1: there's I just can't say it. American brought his mom. 674 00:36:19,680 --> 00:36:22,880 Speaker 1: I was not mad at the moment in retrospective, and 675 00:36:23,040 --> 00:36:25,440 Speaker 1: I can't explain it. No, I think that's I think 676 00:36:25,480 --> 00:36:28,359 Speaker 1: that's very interesting, and I think I'm inclined to when 677 00:36:28,440 --> 00:36:35,719 Speaker 1: Sandra thank her parents, that was she brought them both. 678 00:36:36,000 --> 00:36:38,920 Speaker 1: She brought them both, and the mom is singling out 679 00:36:39,000 --> 00:36:42,600 Speaker 1: the mother. Unless his father is not no longer involved, 680 00:36:42,680 --> 00:36:45,719 Speaker 1: very much could be true. There you go. I'm not 681 00:36:45,920 --> 00:36:51,080 Speaker 1: I'm not France. Wait, these French dads, these French dads. 682 00:36:51,160 --> 00:36:54,160 Speaker 1: Did you did you grew up there? Okay, so let 683 00:36:54,239 --> 00:36:58,440 Speaker 1: me explain. I was born in Parish, we lived there 684 00:36:58,480 --> 00:37:00,640 Speaker 1: for a year, moved to see if Disco, which is 685 00:37:00,680 --> 00:37:04,200 Speaker 1: where I was raised, and then I went to college 686 00:37:04,360 --> 00:37:07,360 Speaker 1: and was there. I went to like a French immersion school, 687 00:37:07,840 --> 00:37:12,880 Speaker 1: which was insane and not worth it. Never do it umnity. 688 00:37:12,920 --> 00:37:15,120 Speaker 1: If given the opportunity, don't go to French immersion school, 689 00:37:15,440 --> 00:37:18,080 Speaker 1: you know, really, I like him always like fuck that, 690 00:37:18,880 --> 00:37:22,320 Speaker 1: why why I learned all like of this science in French? 691 00:37:23,400 --> 00:37:27,240 Speaker 1: Why I mean wilder science at all, but like learning 692 00:37:27,280 --> 00:37:32,200 Speaker 1: all of it in French was like insane and I 693 00:37:32,600 --> 00:37:41,200 Speaker 1: then at all sorry rude um. And then after like 694 00:37:41,360 --> 00:37:43,200 Speaker 1: two years in high school, I was like, I should 695 00:37:43,200 --> 00:37:45,560 Speaker 1: be going to like the American part of this high school, 696 00:37:46,000 --> 00:37:48,800 Speaker 1: which was just next door, and so I just transferred 697 00:37:48,840 --> 00:37:50,440 Speaker 1: over to the American part of the high school and 698 00:37:50,440 --> 00:37:52,480 Speaker 1: they were like, why don't you know any science in English? 699 00:37:53,280 --> 00:37:56,040 Speaker 1: I was like, oh, fucking kill me. I can't succeed. 700 00:37:56,440 --> 00:37:58,840 Speaker 1: And so I actually, you know what I was. I 701 00:37:59,040 --> 00:38:05,360 Speaker 1: was I wanted to be premed only because of Grey's Anatomy. 702 00:38:05,440 --> 00:38:08,399 Speaker 1: And then yes, it's crazy, and then I and then 703 00:38:08,480 --> 00:38:10,880 Speaker 1: I realized I wanted to be an actor on Gray's Anatomy, 704 00:38:10,920 --> 00:38:13,040 Speaker 1: and then that never happened either, But I mean, come on, 705 00:38:13,280 --> 00:38:16,160 Speaker 1: it was just crazy because I remember when Christina had 706 00:38:16,200 --> 00:38:19,440 Speaker 1: her heart like chalkboard. She had like a huge diagram 707 00:38:19,520 --> 00:38:22,759 Speaker 1: of a heart, like all the different parts of it, 708 00:38:22,800 --> 00:38:24,080 Speaker 1: and I remember being like, I need to get one 709 00:38:24,080 --> 00:38:26,239 Speaker 1: of those in my house, which doesn't make I just 710 00:38:26,800 --> 00:38:29,479 Speaker 1: it's it's it's such a weird like, um, you see 711 00:38:29,680 --> 00:38:32,800 Speaker 1: it's being presented to you like TV doctors and you're like, 712 00:38:34,040 --> 00:38:36,439 Speaker 1: I'm responding to this, yes, I don't know which part 713 00:38:37,320 --> 00:38:40,840 Speaker 1: and it is actually wanting to have sex probably, And 714 00:38:41,640 --> 00:38:44,439 Speaker 1: the matter is when you're a real doctor, your life 715 00:38:44,520 --> 00:38:48,640 Speaker 1: isn't scored that beautifully. And also not everyone looks like that, 716 00:38:49,239 --> 00:38:52,640 Speaker 1: and it's not this thing where um, it's over in 717 00:38:52,719 --> 00:38:55,440 Speaker 1: forty minutes. It's like a full lifetime. And being that 718 00:38:55,560 --> 00:38:57,719 Speaker 1: tired is not glamorous. And when they're up all yeah, 719 00:38:57,719 --> 00:39:00,319 Speaker 1: when they're up all night, they're up actually all night. Yeah, 720 00:39:00,360 --> 00:39:03,280 Speaker 1: you don't have like the ability to look like Katherine 721 00:39:03,360 --> 00:39:08,479 Speaker 1: Heigel when you work eighteen hour day shifts um. And also, 722 00:39:08,800 --> 00:39:11,319 Speaker 1: to be honest with you, I think we're probably all 723 00:39:11,320 --> 00:39:13,600 Speaker 1: around the same age and with the grades anatomy thing 724 00:39:13,640 --> 00:39:14,800 Speaker 1: that can you want to be doctors And then you 725 00:39:14,840 --> 00:39:16,640 Speaker 1: realized it was a bad acting. That was me with 726 00:39:16,800 --> 00:39:19,479 Speaker 1: Lost and I would fantasize about being in a plane crash. 727 00:39:20,680 --> 00:39:26,480 Speaker 1: Literally I want to be a professional. No, But I 728 00:39:26,520 --> 00:39:28,960 Speaker 1: remember like when I was watching Lost, I was like 729 00:39:29,080 --> 00:39:31,360 Speaker 1: it would be so cool to be in it, like 730 00:39:31,840 --> 00:39:35,239 Speaker 1: in that kind of disaster survived. I don't know, because 731 00:39:35,239 --> 00:39:40,120 Speaker 1: I was fourteen, and also like I was like I 732 00:39:40,160 --> 00:39:42,040 Speaker 1: wonder what, I wonder how long I would live on 733 00:39:42,120 --> 00:39:43,879 Speaker 1: the island, like it was some sort of game. Which 734 00:39:43,920 --> 00:39:47,200 Speaker 1: character were you responding to? This? To um, well, actually, 735 00:39:47,520 --> 00:39:50,840 Speaker 1: here's a here's an even more interesting thing. I actually 736 00:39:51,640 --> 00:39:54,880 Speaker 1: did most to Kate Slash Evangeline Lily because she was 737 00:39:55,000 --> 00:39:57,239 Speaker 1: like pretty in a cipher and you never could get 738 00:39:57,239 --> 00:40:00,279 Speaker 1: a finger on her, and also she she like had 739 00:40:00,400 --> 00:40:04,920 Speaker 1: the Jack and Sawyer love triangle of it. At the time, 740 00:40:05,280 --> 00:40:08,520 Speaker 1: I was like, obviously it's Jack. Obviously it's Jack. And 741 00:40:08,640 --> 00:40:11,160 Speaker 1: now something deep within me, which I realized like last 742 00:40:11,239 --> 00:40:13,960 Speaker 1: year as I was like, actually, what I would like 743 00:40:14,360 --> 00:40:18,120 Speaker 1: is to have my color bone broken by Sawyer And 744 00:40:19,400 --> 00:40:22,960 Speaker 1: even more, who would be the most intense sex I think? 745 00:40:23,000 --> 00:40:25,280 Speaker 1: And I think the one I'm really sucking sexually attracted 746 00:40:25,320 --> 00:40:29,239 Speaker 1: to is Charlie. And let me say I've only seen 747 00:40:29,320 --> 00:40:32,360 Speaker 1: the Pilot because there's a part where I think somebody 748 00:40:33,200 --> 00:40:40,040 Speaker 1: gets skinned the pilot of the plane. And by the way, 749 00:40:40,120 --> 00:40:42,480 Speaker 1: I did think that episode was called pilot because they 750 00:40:42,520 --> 00:40:45,440 Speaker 1: were looking for the pilot. It took me a long 751 00:40:45,520 --> 00:40:50,239 Speaker 1: time to realize pilot was pilot, right, the pilot gets 752 00:40:50,280 --> 00:40:53,080 Speaker 1: his face tripped off by the monster. That is that 753 00:40:53,160 --> 00:40:55,839 Speaker 1: what I'm talking about? And then they yes, and then 754 00:40:56,520 --> 00:41:00,560 Speaker 1: you and you don't know up there you see him 755 00:41:00,600 --> 00:41:02,160 Speaker 1: up there in the tree and he has no face, 756 00:41:02,560 --> 00:41:06,920 Speaker 1: and oh my god. And eventually Lily has that amazing 757 00:41:07,000 --> 00:41:10,759 Speaker 1: moment of acting where she UM's hiding in the trees 758 00:41:10,800 --> 00:41:12,799 Speaker 1: from the monster and she counts down from five because 759 00:41:12,840 --> 00:41:14,560 Speaker 1: that's what Jack told her to do. I'm almost like, 760 00:41:14,600 --> 00:41:16,239 Speaker 1: oh my god. Eventel and the lea star is born 761 00:41:16,640 --> 00:41:24,400 Speaker 1: is born. Yeah, Evangeline evangel She She's one of the 762 00:41:24,480 --> 00:41:28,080 Speaker 1: most gorgeous people ever. And I've also heard really nice 763 00:41:28,200 --> 00:41:32,120 Speaker 1: and what I appreciate Lily is she only does blockbusters. 764 00:41:32,280 --> 00:41:36,920 Speaker 1: She I've had two experiences. This is the most obnoxious thing. 765 00:41:36,960 --> 00:41:41,560 Speaker 1: No what where she was sitting like dagon Only for me, 766 00:41:41,640 --> 00:41:49,560 Speaker 1: it's little cycle. Let me say this sometimes to Yeah, 767 00:41:50,040 --> 00:41:52,480 Speaker 1: I love Claire, But Claire refused to talk to us 768 00:41:52,480 --> 00:41:55,680 Speaker 1: at Multu Fest anyway. Um, yeah, we tried to do 769 00:41:55,760 --> 00:41:59,440 Speaker 1: in your she was just busy and she's like, I 770 00:41:59,440 --> 00:42:01,240 Speaker 1: want to go home. That wasn't clear. That was Maggie 771 00:42:01,320 --> 00:42:05,239 Speaker 1: Gillan Hall, but also Claire did not want to of course, 772 00:42:05,280 --> 00:42:07,680 Speaker 1: Claire Danes and Maggie Jellan Hall goddesses of the small screen. 773 00:42:07,800 --> 00:42:11,800 Speaker 1: Sorry girls udn't talk to us. Oh my god. I 774 00:42:11,920 --> 00:42:16,120 Speaker 1: believe Evangeline is always so into it and she's always 775 00:42:16,160 --> 00:42:18,759 Speaker 1: like she's just you can you can tell she's like cool, 776 00:42:19,000 --> 00:42:21,200 Speaker 1: She's like she's like she like coops and Halls whenever 777 00:42:21,520 --> 00:42:23,719 Speaker 1: you know, the instructors like how are you feeling, and 778 00:42:23,800 --> 00:42:29,200 Speaker 1: she's like, you have to respond because I'll say this 779 00:42:29,520 --> 00:42:34,439 Speaker 1: in public right now. Lost was It had its moment 780 00:42:34,480 --> 00:42:36,040 Speaker 1: of being the best show in the world, and then 781 00:42:36,200 --> 00:42:38,200 Speaker 1: there were truly some things about it that were so 782 00:42:38,360 --> 00:42:41,480 Speaker 1: fucking bad, Like the character of Kate was so bad, 783 00:42:41,960 --> 00:42:44,800 Speaker 1: and the fact that we even tolerated her is just 784 00:42:45,040 --> 00:42:48,440 Speaker 1: Evangeline's star quality because the character was so bad. Wait, 785 00:42:48,520 --> 00:42:52,160 Speaker 1: kay was the blonde one? No, that was Claire Claire. Sorry, um, 786 00:42:52,400 --> 00:42:55,960 Speaker 1: Emily de Ravant, Emily de Ravant. Oh, Emily who was 787 00:42:56,000 --> 00:43:01,120 Speaker 1: in that movie of Eyes, Eyes, which was rape. She's 788 00:43:01,160 --> 00:43:03,279 Speaker 1: pregnant that movie and she gets sucking raped. She gets 789 00:43:03,360 --> 00:43:07,600 Speaker 1: raped by an alien mutin alien. Literally, it was like 790 00:43:07,760 --> 00:43:10,120 Speaker 1: the last couple of years where torture porn was like 791 00:43:10,520 --> 00:43:12,799 Speaker 1: fully acceptable in mainstream. But it's like, if you watch 792 00:43:12,880 --> 00:43:15,920 Speaker 1: it again, you're like, oh boy, is this is this 793 00:43:16,160 --> 00:43:20,480 Speaker 1: something that absolutely poisoned the minds of Americe that's sucking everything. Though. 794 00:43:21,040 --> 00:43:23,600 Speaker 1: There is this movie that I don't know what it is, 795 00:43:24,360 --> 00:43:27,120 Speaker 1: and I remember seeing it too young, where this like 796 00:43:27,320 --> 00:43:31,360 Speaker 1: prairie woman sucks this cowboy guy in like a basement 797 00:43:31,640 --> 00:43:34,640 Speaker 1: as at a friend's house and we watched this movie 798 00:43:34,680 --> 00:43:37,160 Speaker 1: because her dad put it on, and I remember what 799 00:43:37,360 --> 00:43:39,960 Speaker 1: they were sucking and making like sex sounds, and I 800 00:43:40,120 --> 00:43:44,359 Speaker 1: was like, probably, I don't know. I was like old 801 00:43:44,480 --> 00:43:47,560 Speaker 1: enough to where that shouldn't I guess be is uncomfortable, 802 00:43:47,600 --> 00:43:49,759 Speaker 1: but it was insane, and I just remember being like, 803 00:43:50,120 --> 00:43:52,080 Speaker 1: I feel like I'm going to throw up because this 804 00:43:52,239 --> 00:43:56,040 Speaker 1: is too early. And also this the girl whose houses 805 00:43:56,080 --> 00:43:59,319 Speaker 1: that made me watch Two Girls, One Cup. I'm sorry. 806 00:43:59,360 --> 00:44:01,880 Speaker 1: We don't need to talk. The thing is that's culture, 807 00:44:01,920 --> 00:44:05,040 Speaker 1: and we all talked about it because unfortunately particles. She said, 808 00:44:05,040 --> 00:44:08,880 Speaker 1: if you don't she grabbed like this, she grabbed my 809 00:44:08,880 --> 00:44:10,520 Speaker 1: face show and she said, if you don't watch it, 810 00:44:10,600 --> 00:44:14,000 Speaker 1: you're boring. And to be called boring, I mean she's 811 00:44:14,080 --> 00:44:16,200 Speaker 1: like probably I think she's doing okay, she's still in 812 00:44:16,280 --> 00:44:20,759 Speaker 1: the bad shout out. I never got to I never 813 00:44:20,840 --> 00:44:22,480 Speaker 1: made it through that because I would always throw it. 814 00:44:22,560 --> 00:44:24,279 Speaker 1: I would always wretch. It was too much for me. 815 00:44:24,440 --> 00:44:28,200 Speaker 1: It's disgusting, there's no point, it's horrible. I'm so mad. Still, 816 00:44:28,640 --> 00:44:31,200 Speaker 1: her house was hard to be at something. This is 817 00:44:31,239 --> 00:44:35,279 Speaker 1: the thing. Cake farts is acceptable. I mean, cake farts 818 00:44:35,320 --> 00:44:36,600 Speaker 1: to me is one of the funniest things of all 819 00:44:38,160 --> 00:44:42,520 Speaker 1: that's not breadface. Cake farts is the famous iconic video 820 00:44:42,600 --> 00:44:46,959 Speaker 1: where a girl sits on a cake and yes, yes, yes, yes, yeah, 821 00:44:47,320 --> 00:44:49,919 Speaker 1: oh they're yeah. There's a lot of them, Like there's 822 00:44:49,960 --> 00:44:54,560 Speaker 1: original farts, like there's like pancake farts. It's like crazy. 823 00:44:54,719 --> 00:44:57,319 Speaker 1: She farted on so many different things, and the best 824 00:44:57,520 --> 00:45:00,800 Speaker 1: was her dialogue around the event, which was, you know 825 00:45:00,920 --> 00:45:06,680 Speaker 1: what I like the most cake farts. Let's get this done. Hmm, 826 00:45:07,360 --> 00:45:12,520 Speaker 1: how am I gonna do this? I know, okay, believe 827 00:45:12,560 --> 00:45:14,000 Speaker 1: me when I say I thought that would end after 828 00:45:14,120 --> 00:45:19,480 Speaker 1: one line, and you know, for years this is actually 829 00:45:20,520 --> 00:45:23,960 Speaker 1: cakewarts my culture. This is did I ever tell you this? 830 00:45:24,400 --> 00:45:28,239 Speaker 1: The person who showed me cake farts, the person who 831 00:45:28,320 --> 00:45:30,520 Speaker 1: like sent a link around the cake farts was Donald 832 00:45:30,560 --> 00:45:33,680 Speaker 1: Glover sent Nick Packer to link to cake farts my 833 00:45:33,800 --> 00:45:35,399 Speaker 1: freshman year of college, and then we were like, we're 834 00:45:35,400 --> 00:45:38,040 Speaker 1: going to watch this and I was like, so you 835 00:45:38,120 --> 00:45:41,080 Speaker 1: were exposed to cakewarts by Donal Glover, childish can be? 836 00:45:41,239 --> 00:45:42,680 Speaker 1: I was already like a Donald Glover fan from like 837 00:45:42,719 --> 00:45:44,560 Speaker 1: Derek Comedy Days, and I was like, yeah. I was like, well, 838 00:45:44,640 --> 00:45:47,000 Speaker 1: whatever Donald thinks it's cool. I think it's cool. That's 839 00:45:47,040 --> 00:45:51,960 Speaker 1: really embarrassing for him, right, that's Donald embarrassing, like fucking perfect, 840 00:45:52,000 --> 00:45:55,400 Speaker 1: like like propagated cake farts to like the reason everyone 841 00:45:55,440 --> 00:45:57,600 Speaker 1: knows the reason this happened is because he was like 842 00:45:58,120 --> 00:46:01,120 Speaker 1: he was like the O G Comedy at ny US, 843 00:46:01,680 --> 00:46:03,840 Speaker 1: and so he knew some of our peers that are 844 00:46:03,840 --> 00:46:06,600 Speaker 1: a little bit older, and that's how this video. But 845 00:46:06,719 --> 00:46:10,120 Speaker 1: he was like, if you watch anything today or this year, 846 00:46:10,200 --> 00:46:12,840 Speaker 1: you watch cake farts. You watch cake farts. Start of 847 00:46:12,960 --> 00:46:18,279 Speaker 1: the Lion King truly simpopagated Simba propagated cake farts to 848 00:46:18,800 --> 00:46:22,839 Speaker 1: the young, impressionable mind of Bowen Yang. If Beyonce knew 849 00:46:22,880 --> 00:46:25,000 Speaker 1: he had done that, she would not have done them. No, no, 850 00:46:25,160 --> 00:46:27,120 Speaker 1: I'll tell you what what had happened. He wouldn't have 851 00:46:27,120 --> 00:46:30,400 Speaker 1: done the movie. She would have said, he is sending 852 00:46:30,480 --> 00:46:33,560 Speaker 1: people cake flats. I can't do this film with him. 853 00:46:35,239 --> 00:46:39,960 Speaker 1: Some else and somehow, I'm gonna say, not problematic. It's 854 00:46:39,960 --> 00:46:43,680 Speaker 1: a non problematic Beyonce impression from day. We need to 855 00:46:43,719 --> 00:46:45,719 Speaker 1: find someone else for the film. Let me say, I 856 00:46:45,800 --> 00:46:48,279 Speaker 1: am getting all of the eye contact in this moment, 857 00:46:48,360 --> 00:46:51,080 Speaker 1: and it's a very powerful had something troubling about Donald 858 00:46:51,960 --> 00:46:55,680 Speaker 1: and I would not like to even I know we 859 00:46:55,760 --> 00:46:57,560 Speaker 1: have scheduled it said that I don't have to see 860 00:46:57,560 --> 00:46:59,600 Speaker 1: anyone while I filmed, but I don't even want to 861 00:46:59,640 --> 00:47:02,600 Speaker 1: be on the same screen as him. I would prefer 862 00:47:02,640 --> 00:47:06,400 Speaker 1: it if we cast another actor. Also concerned about this 863 00:47:06,600 --> 00:47:11,799 Speaker 1: is an email I've concerts about this screaming and gay. 864 00:47:14,880 --> 00:47:17,400 Speaker 1: If you look up videos, you know that I'm actually, 865 00:47:17,760 --> 00:47:22,600 Speaker 1: in my past actually quite homophobic. I'm just kidding. She 866 00:47:22,719 --> 00:47:24,360 Speaker 1: had her a couple of rough moments years ago. She 867 00:47:24,440 --> 00:47:27,840 Speaker 1: wasn't gonna compromise her Christianity. That the the the my 868 00:47:28,080 --> 00:47:32,040 Speaker 1: favorite slightly homophobic adjacent Beyonce moment is after Britney Spears 869 00:47:32,080 --> 00:47:35,160 Speaker 1: and Madonna kissed at the Viennames and Christina, she went 870 00:47:35,200 --> 00:47:37,239 Speaker 1: out in public record and said that she was discussed 871 00:47:41,400 --> 00:47:44,440 Speaker 1: is of course a gay icon, and she supports us, 872 00:47:44,480 --> 00:47:47,040 Speaker 1: and she posts a lot of one of the greatest 873 00:47:47,080 --> 00:47:50,359 Speaker 1: performers of all time and a legend, and we love 874 00:47:50,880 --> 00:47:54,759 Speaker 1: and I've given her much of my something though them 875 00:47:54,920 --> 00:48:04,680 Speaker 1: kissing was discussed, like and if right, thank you for 876 00:48:04,760 --> 00:48:07,480 Speaker 1: saying that. I've been saying that for years. But you 877 00:48:07,560 --> 00:48:13,279 Speaker 1: know what I mean. It's she is southern Houston, where 878 00:48:13,280 --> 00:48:16,600 Speaker 1: there's a soul cycle, and I'll say, I'll say I 879 00:48:16,640 --> 00:48:21,000 Speaker 1: saw Lucy Lou and Soul cycle all the time, and 880 00:48:21,440 --> 00:48:25,080 Speaker 1: she's fast. I mean, would you think Lucy Lou wasn't 881 00:48:25,080 --> 00:48:26,719 Speaker 1: going to be good on the bike? You're right? What 882 00:48:26,880 --> 00:48:30,000 Speaker 1: the hell? I guess. I was just surprised because um 883 00:48:31,480 --> 00:48:35,960 Speaker 1: it was hot yea. And sometimes I used to work there, 884 00:48:37,160 --> 00:48:39,000 Speaker 1: used to work their front ask I worked at corporate 885 00:48:39,040 --> 00:48:44,160 Speaker 1: for a second, worked at the reception. People treated me okay, 886 00:48:45,000 --> 00:48:46,719 Speaker 1: now it's okay. Whenever your reception is people are like 887 00:48:47,600 --> 00:48:50,279 Speaker 1: you suck, but also have to look. I got told 888 00:48:50,320 --> 00:48:52,680 Speaker 1: a lot that I shouldn't come to work in pajamas, 889 00:48:53,640 --> 00:48:55,719 Speaker 1: and I was like, well, I have to be her nine, 890 00:48:55,760 --> 00:48:59,359 Speaker 1: so water you ask you had to be here at nine? 891 00:48:59,480 --> 00:49:01,600 Speaker 1: The crack done. No one else goes to work at nine, 892 00:49:02,040 --> 00:49:04,320 Speaker 1: I would go to I mean, I hope no one's listening, 893 00:49:04,360 --> 00:49:06,120 Speaker 1: but I would go there and there and at nine 894 00:49:06,160 --> 00:49:07,840 Speaker 1: that's when the snack guy would get there, to the 895 00:49:07,880 --> 00:49:10,640 Speaker 1: corporate snack guy, and I wouldn't meet him and take 896 00:49:10,719 --> 00:49:14,040 Speaker 1: as many cliff bars as I possibly just to stash him. 897 00:49:14,120 --> 00:49:18,440 Speaker 1: And I would eat them throughout that Remember, have eat 898 00:49:18,440 --> 00:49:21,200 Speaker 1: don throughout the day and get violently ill, and I 899 00:49:21,280 --> 00:49:23,239 Speaker 1: go home and start the day over the next day 900 00:49:23,239 --> 00:49:28,000 Speaker 1: because you're just eating the densest food ever made. When 901 00:49:28,080 --> 00:49:30,399 Speaker 1: you when you eat a cliff bar and then eat 902 00:49:30,440 --> 00:49:34,080 Speaker 1: another cliff bar, that's not okay. Why would you do 903 00:49:34,200 --> 00:49:37,080 Speaker 1: that because it was there and that's it. I mean 904 00:49:37,200 --> 00:49:40,480 Speaker 1: the amount of things I'll eat because they're there, shocking, shocking. 905 00:49:41,200 --> 00:49:44,160 Speaker 1: I'll try. I'll try almonds every day and throw the 906 00:49:44,200 --> 00:49:45,960 Speaker 1: pack away once I have one, but I will open 907 00:49:46,040 --> 00:49:49,080 Speaker 1: it up. Yeah, I mean, almonds are like something they 908 00:49:49,200 --> 00:49:52,719 Speaker 1: say that you should eat, but they're fucking bad momonsucking 909 00:49:53,960 --> 00:49:59,719 Speaker 1: mad salted good good eats. Well you should have. How 910 00:49:59,800 --> 00:50:02,680 Speaker 1: do not know that? Oh I knew this, No, I 911 00:50:02,800 --> 00:50:04,799 Speaker 1: didn't know that you had an almond allergy and that's 912 00:50:04,880 --> 00:50:08,239 Speaker 1: so it's specific almonds, peanuts, cashews, anything else. I can 913 00:50:08,320 --> 00:50:10,800 Speaker 1: eat any other note, I can eat almonds, And what 914 00:50:11,040 --> 00:50:14,200 Speaker 1: will happen to you if I fucking close up? I 915 00:50:14,680 --> 00:50:19,719 Speaker 1: feel like my throat, my my throat. It's yeah, it's 916 00:50:19,760 --> 00:50:21,719 Speaker 1: it's it's a weird anomalous thing. But can you be 917 00:50:21,760 --> 00:50:24,400 Speaker 1: in the room with am just I can be in 918 00:50:24,400 --> 00:50:26,840 Speaker 1: the room with almonds. It's just about like them touching 919 00:50:26,960 --> 00:50:29,720 Speaker 1: my trick, yeah, or not trick yet, but like my esophaga. 920 00:50:29,840 --> 00:50:32,520 Speaker 1: But milk has fully moved in an almond direction. That's 921 00:50:32,520 --> 00:50:34,640 Speaker 1: what I'm saying. Like it truly is humiliating for me 922 00:50:34,680 --> 00:50:36,680 Speaker 1: to be like I can't have almond milk. Do you like? Oh, 923 00:50:37,560 --> 00:50:40,160 Speaker 1: oh I had. I've tried a couple of times, and 924 00:50:40,160 --> 00:50:42,520 Speaker 1: I'm like, oh, it's funny for the story, you know. 925 00:50:42,640 --> 00:50:45,520 Speaker 1: It's like, my god, that's so rude but true. I'm sorry, 926 00:50:45,560 --> 00:50:49,120 Speaker 1: but it's true, and like I respect to Oh, yeah, 927 00:50:49,280 --> 00:50:51,160 Speaker 1: I think I get the right. I'll say that. Yeah. 928 00:50:51,320 --> 00:50:53,640 Speaker 1: I mean I a couple of times had like interesting 929 00:50:53,719 --> 00:50:56,640 Speaker 1: milks in my coffee when I was because they have 930 00:50:56,640 --> 00:50:58,759 Speaker 1: a lot of interesting MILKSLD milk. One time I was 931 00:50:59,160 --> 00:51:01,120 Speaker 1: Greta and I had breakfast and I got oat milk, 932 00:51:01,160 --> 00:51:04,560 Speaker 1: and I was like, see, there's I've never tasted something 933 00:51:04,640 --> 00:51:10,040 Speaker 1: that really tastes exactly like milk taste like, yeah, it 934 00:51:10,120 --> 00:51:13,520 Speaker 1: does taste like oatmeal, watery, but water. What's your favorite milk? 935 00:51:13,920 --> 00:51:17,640 Speaker 1: It's out milk, but it's totally oat milk. I like, totally. 936 00:51:18,360 --> 00:51:23,800 Speaker 1: I don't have anger about dairy, but I do not 937 00:51:24,040 --> 00:51:27,040 Speaker 1: like the idea that it's plus from a cow. I'm sorry, 938 00:51:28,280 --> 00:51:31,480 Speaker 1: my god, how could you do that? I know? But 939 00:51:32,200 --> 00:51:34,120 Speaker 1: when I think about it, I get really upset. And 940 00:51:34,239 --> 00:51:35,680 Speaker 1: you know what, it's not even that. It's like sometimes 941 00:51:35,719 --> 00:51:38,200 Speaker 1: there's hormones in it. Yeah, have you ever milt a cow? 942 00:51:39,120 --> 00:51:40,440 Speaker 1: You know what? I don't think so I think that 943 00:51:40,480 --> 00:51:42,800 Speaker 1: would probably completely funk it up for me to be like, no, 944 00:51:42,880 --> 00:51:44,520 Speaker 1: I'm never eating this again. I don't think I have 945 00:51:44,600 --> 00:51:46,400 Speaker 1: melt a cow. But I also feel like i've felt 946 00:51:46,480 --> 00:51:48,400 Speaker 1: the cow outer before, so I don't know where that. 947 00:51:49,200 --> 00:51:51,560 Speaker 1: You know, it's like soft, that was a latex glove 948 00:51:51,600 --> 00:51:54,319 Speaker 1: and you and everyone's like, can you stop, you're at 949 00:51:54,360 --> 00:51:58,680 Speaker 1: the doctor. Yeah, I don't know. I've been around like goats, 950 00:51:58,760 --> 00:52:02,600 Speaker 1: does that Hell? Yes, that's sorry. I up milk for you. No, No, 951 00:52:02,800 --> 00:52:04,800 Speaker 1: it's it's it's okay. It's just that I'm still that 952 00:52:04,880 --> 00:52:07,959 Speaker 1: kind of person that will like drink milk like I'll 953 00:52:08,040 --> 00:52:10,760 Speaker 1: drink like two milk, like I'll drink a large glass 954 00:52:10,760 --> 00:52:12,960 Speaker 1: of it, because you remember, it's a huge part of culture, 955 00:52:13,640 --> 00:52:17,560 Speaker 1: those gotten milk as. Yeah, that's cool. I love I 956 00:52:17,680 --> 00:52:20,319 Speaker 1: love I love a celebrity with with a funny picture. Um, 957 00:52:20,880 --> 00:52:24,640 Speaker 1: but do you remember the culture that was anti osteoporosis culture, 958 00:52:24,680 --> 00:52:27,440 Speaker 1: which was like you lost drink yes, the kid, I 959 00:52:27,520 --> 00:52:32,480 Speaker 1: drink milk every single meal, every day, and wow, yeah, 960 00:52:32,560 --> 00:52:35,799 Speaker 1: you're right the moment, okay, not to be like Okay, 961 00:52:35,920 --> 00:52:37,520 Speaker 1: France is there and I'm going to talk about it. 962 00:52:37,640 --> 00:52:40,720 Speaker 1: But in France, if you drink the milk, it tastes 963 00:52:40,800 --> 00:52:43,760 Speaker 1: really fucking different, and that freaks me out. It tastes 964 00:52:43,880 --> 00:52:47,920 Speaker 1: more like it's like, yeah, because the cows are more 965 00:52:47,960 --> 00:52:55,600 Speaker 1: healthy there. I just think the idea for sure. I 966 00:52:55,640 --> 00:52:58,680 Speaker 1: gotta know, favorite Grison anatomy. What did you when you 967 00:52:58,719 --> 00:53:00,279 Speaker 1: went on the Clothes podcast? What did you What was 968 00:53:00,280 --> 00:53:02,919 Speaker 1: your topic would you talk? I've been twice one time, 969 00:53:03,440 --> 00:53:09,600 Speaker 1: Oh my god, I'm forgetting. I think I talked about relationships. 970 00:53:09,760 --> 00:53:12,239 Speaker 1: L o O. Yeah, I think I talked a lot 971 00:53:12,320 --> 00:53:15,279 Speaker 1: about all I can think of the idea that I 972 00:53:15,360 --> 00:53:17,440 Speaker 1: have for the next one. Oh wait, what's your idea? 973 00:53:17,960 --> 00:53:21,000 Speaker 1: The next one? I wanted. I want to talk about 974 00:53:21,040 --> 00:53:24,200 Speaker 1: the child actors and where they are now. I'm looking 975 00:53:24,280 --> 00:53:26,000 Speaker 1: it up right now, I think, can you please? I'm 976 00:53:26,080 --> 00:53:28,960 Speaker 1: so sorry actors who are the prominent child actors of 977 00:53:29,040 --> 00:53:32,200 Speaker 1: Grace Oh the tramp. Okay, I'm already mad because the 978 00:53:32,239 --> 00:53:34,920 Speaker 1: most recent episode was Addison Forbes Montgomery Shepherd, which was 979 00:53:34,960 --> 00:53:38,120 Speaker 1: going to be my that's the thing. It's like, now 980 00:53:38,560 --> 00:53:43,480 Speaker 1: people are stealing all the good things that she was. 981 00:53:43,520 --> 00:53:44,879 Speaker 1: Literally she asked me to be on it a couple 982 00:53:44,880 --> 00:53:46,239 Speaker 1: weeks ago, and I was like, good because I'll talk 983 00:53:46,239 --> 00:53:48,200 Speaker 1: about Adison and now I see but you know what, 984 00:53:48,320 --> 00:53:50,440 Speaker 1: you can go back and you can flesh out the 985 00:53:50,520 --> 00:53:52,400 Speaker 1: things you need to. It feels like that it's a 986 00:53:52,480 --> 00:53:57,040 Speaker 1: deep die you talked about in Hotties, and you talked 987 00:53:57,040 --> 00:54:00,680 Speaker 1: about and and you talked about need to cut. Yeah, 988 00:54:00,680 --> 00:54:02,640 Speaker 1: I talked about Danny Duet was my first one because 989 00:54:02,719 --> 00:54:04,799 Speaker 1: I when I was okay, this is the same as 990 00:54:05,160 --> 00:54:08,640 Speaker 1: just basically me talking about the episode. Sorry, but basically 991 00:54:08,920 --> 00:54:11,680 Speaker 1: huge for us. Okay, that's amazing. I was actually in 992 00:54:11,760 --> 00:54:14,560 Speaker 1: this room. Can you actually believe that? Yeah? Yeah, I 993 00:54:14,640 --> 00:54:17,600 Speaker 1: talked about Danny Duquette because I remember that storyline being 994 00:54:17,680 --> 00:54:19,400 Speaker 1: very romantic for me. Then I went when I went 995 00:54:19,440 --> 00:54:21,600 Speaker 1: back and rewatched, I was like, this is hugely like 996 00:54:22,040 --> 00:54:25,120 Speaker 1: there's so much pressure here. There's this weird like emasculating 997 00:54:25,160 --> 00:54:33,279 Speaker 1: ship going on. Character is a man, Yeah, crazye. She 998 00:54:34,520 --> 00:54:38,319 Speaker 1: needs a lot of help. That character. Really. I don't 999 00:54:38,360 --> 00:54:40,000 Speaker 1: mean to be a dick, but she couldn't have been 1000 00:54:40,040 --> 00:54:42,439 Speaker 1: a doctor. That character could not have been a doctor. 1001 00:54:42,480 --> 00:54:46,000 Speaker 1: Jeffrey Kingrgan though really good. Also, you wouldn't have her 1002 00:54:46,080 --> 00:54:48,160 Speaker 1: back as a doctor if she had that kind of 1003 00:54:49,800 --> 00:54:53,080 Speaker 1: and then quit. It's like, okay, cool. Actually the next 1004 00:54:53,120 --> 00:54:55,160 Speaker 1: thing that happens is a lot of paperwork, babe, and 1005 00:54:55,600 --> 00:54:59,120 Speaker 1: probably go to prison. Yeah, how did they get out 1006 00:54:59,160 --> 00:55:02,840 Speaker 1: of that? She they kick her out of the program, right, 1007 00:55:04,040 --> 00:55:06,879 Speaker 1: how does she come back? You know? She came back 1008 00:55:06,920 --> 00:55:10,520 Speaker 1: because her teacher from her childhood needed surgery and she 1009 00:55:11,000 --> 00:55:13,919 Speaker 1: and she was like I owned this clinic. It lest 1010 00:55:13,960 --> 00:55:15,920 Speaker 1: you forget, I don't need two million dollars for that. 1011 00:55:16,120 --> 00:55:17,880 Speaker 1: You don't like the whole remember the whole clinic. Storyline 1012 00:55:18,400 --> 00:55:20,840 Speaker 1: was detting left her money and right the money. So 1013 00:55:21,040 --> 00:55:24,759 Speaker 1: that was anyway really ringing a bell, ringing a bell. 1014 00:55:24,840 --> 00:55:28,600 Speaker 1: What were you going to say about Danny or that storyline. 1015 00:55:28,640 --> 00:55:33,120 Speaker 1: I fucking I'm obsessed with that fucking storyline is the best. 1016 00:55:33,560 --> 00:55:36,480 Speaker 1: But I also am like this doesn't looking back, I'm like, 1017 00:55:36,600 --> 00:55:40,000 Speaker 1: this doesn't age well. But the chemistry that they had 1018 00:55:40,040 --> 00:55:41,880 Speaker 1: I thought was really hard. I mean then it's not 1019 00:55:42,040 --> 00:55:45,080 Speaker 1: done many scenes by the way, I feel like, actually 1020 00:55:45,120 --> 00:55:49,719 Speaker 1: go through a build and then she she idealizes him. 1021 00:55:49,840 --> 00:55:51,960 Speaker 1: I'll say that. And nowadays, if you're watching that, you 1022 00:55:52,000 --> 00:55:53,759 Speaker 1: could probably see it coming from a mile away. But 1023 00:55:53,840 --> 00:55:58,040 Speaker 1: it felt surprising. It was surprising, truly, Like the Superstition 1024 00:55:58,080 --> 00:56:01,080 Speaker 1: episode where it was like seven deaths. Remember that one, 1025 00:56:01,680 --> 00:56:04,839 Speaker 1: a phenomenal episode the end. Yeah, wasn't that many scenes, 1026 00:56:04,920 --> 00:56:06,400 Speaker 1: but that scene is so powerful at the end of 1027 00:56:06,400 --> 00:56:09,040 Speaker 1: that episode where it's like, um as, he's so worried 1028 00:56:09,040 --> 00:56:11,479 Speaker 1: that he's gonna die, he's gonna be one of the seven, 1029 00:56:11,640 --> 00:56:15,279 Speaker 1: and then he lives and then she's crying, she's we 1030 00:56:15,480 --> 00:56:19,680 Speaker 1: sobbing in his in his um fucking room because she's 1031 00:56:19,680 --> 00:56:22,640 Speaker 1: relieved that he's alive. He wakes up um, and then 1032 00:56:22,680 --> 00:56:24,880 Speaker 1: she just goes, I cannot fall in love with a patient. 1033 00:56:25,360 --> 00:56:28,480 Speaker 1: I'm just gonna act it. Please, I cannot fall in 1034 00:56:28,520 --> 00:56:33,360 Speaker 1: love with a patient. Danny goes, Okay, good luck with that. 1035 00:56:33,760 --> 00:56:36,120 Speaker 1: And then that's when they first kiss, and it's such 1036 00:56:36,160 --> 00:56:39,040 Speaker 1: a well done scene. Oh my god, I try it. 1037 00:56:39,719 --> 00:56:42,359 Speaker 1: Go the scene. What is it again? I cannot fall 1038 00:56:42,400 --> 00:56:44,960 Speaker 1: in love with a patient. Okay, good luck with that. 1039 00:56:45,120 --> 00:56:47,200 Speaker 1: And then she's last week and right now, so you 1040 00:56:47,280 --> 00:56:50,359 Speaker 1: guys do the scene and I will be the audience. Okay, 1041 00:56:50,400 --> 00:56:53,320 Speaker 1: who do you want to be? It seems like you 1042 00:56:53,360 --> 00:56:55,000 Speaker 1: want to be Catherine. I kind of okay, I'll be 1043 00:56:55,880 --> 00:56:59,000 Speaker 1: Can you be both? Yeah? Because I just did both? Yeah, okay, 1044 00:56:59,080 --> 00:57:02,319 Speaker 1: I no more. That's not how scenes work. Yeah, I think, 1045 00:57:02,400 --> 00:57:04,800 Speaker 1: I think. I think that. Okay, i'll try. I'll try. No, no, no, no, 1046 00:57:04,880 --> 00:57:11,280 Speaker 1: I'll dony. I cannot fall in love with the patient. Okay, 1047 00:57:12,160 --> 00:57:22,000 Speaker 1: good luck with that. Really good contact. Here's the difference 1048 00:57:22,280 --> 00:57:25,720 Speaker 1: if eye contact with you almost act. Don't think your dad. 1049 00:57:25,880 --> 00:57:28,840 Speaker 1: I completely averted and I'm I'm the audience. So to 1050 00:57:29,000 --> 00:57:31,400 Speaker 1: do that is crazy. Are you the cameras that are 1051 00:57:31,440 --> 00:57:36,440 Speaker 1: you thinking? Watching that? Right? So it's even more egregious. 1052 00:57:36,480 --> 00:57:40,560 Speaker 1: Somehow can I say, I think honestly, I wanted to 1053 00:57:40,600 --> 00:57:43,320 Speaker 1: go on and talk about easy but I and the 1054 00:57:43,360 --> 00:57:45,000 Speaker 1: Catherine Hygel love it all. But I feel like that's 1055 00:57:45,040 --> 00:57:47,640 Speaker 1: been done. You should talk about the TR night um 1056 00:57:47,840 --> 00:57:52,760 Speaker 1: fucking Isaiah Washington. Yeah, I guess like that being the 1057 00:57:53,120 --> 00:57:56,840 Speaker 1: that just depresses me because Isaiah Washington getting invited back 1058 00:57:56,880 --> 00:57:58,760 Speaker 1: on the show later to wrap up to Sandra Still 1059 00:57:58,800 --> 00:58:01,360 Speaker 1: go out to me is like insane. Maybe I will 1060 00:58:01,400 --> 00:58:04,919 Speaker 1: talk about that. We're talking about the I just find 1061 00:58:04,960 --> 00:58:08,520 Speaker 1: that to be completely crazy. Yeah, you got to come 1062 00:58:08,520 --> 00:58:11,120 Speaker 1: back to that show and get a check. But he 1063 00:58:11,320 --> 00:58:14,600 Speaker 1: truly was chaos demon on that set and used a 1064 00:58:14,680 --> 00:58:18,960 Speaker 1: homophobic slur and also did a lot of fun up things. 1065 00:58:19,000 --> 00:58:22,040 Speaker 1: But also remember that she hit the carpet and the 1066 00:58:22,120 --> 00:58:24,000 Speaker 1: red carpet at the Golden Globes and she was like, 1067 00:58:24,240 --> 00:58:26,520 Speaker 1: some people should not speak in public. I'll ride or 1068 00:58:26,560 --> 00:58:28,440 Speaker 1: die for t R a night. That's my best friend, 1069 00:58:29,000 --> 00:58:31,040 Speaker 1: and I will stick up for him. And she was 1070 00:58:31,120 --> 00:58:33,400 Speaker 1: out there sticking up for him and like was an 1071 00:58:33,440 --> 00:58:35,840 Speaker 1: ally and nobody talks about that. And yes, she funked 1072 00:58:35,920 --> 00:58:38,640 Speaker 1: up numerous times when it comes to like her public 1073 00:58:38,680 --> 00:58:41,360 Speaker 1: statements about that. But I think it really sucks that 1074 00:58:41,480 --> 00:58:45,120 Speaker 1: the narrative around her still to this day is stuff 1075 00:58:45,160 --> 00:58:48,240 Speaker 1: that happened fifteen years ago. It's just like, really fucked 1076 00:58:48,280 --> 00:58:50,560 Speaker 1: up to me. And also the fact that Isaiah Washington 1077 00:58:50,960 --> 00:58:54,280 Speaker 1: called tr Night a faggot, and multiple accounts say this happened, 1078 00:58:54,440 --> 00:58:56,720 Speaker 1: and then he was welcomed back again the cat and 1079 00:58:56,760 --> 00:58:58,720 Speaker 1: then he said it again in the press room. It's like, 1080 00:58:59,200 --> 00:59:01,480 Speaker 1: this is a person that real problem. It's like and 1081 00:59:01,560 --> 00:59:07,480 Speaker 1: if if like we're forgiving people, then we not. We 1082 00:59:07,560 --> 00:59:09,720 Speaker 1: don't have to do anything. Shame doesn't have to do anything. 1083 00:59:09,800 --> 00:59:11,640 Speaker 1: Do whatever you want to do. But it's just like, 1084 00:59:12,240 --> 00:59:14,560 Speaker 1: don't try out this narrative of like, well, we had 1085 00:59:14,600 --> 00:59:17,000 Speaker 1: to do it for Sandro's character. It made sense. Like 1086 00:59:17,600 --> 00:59:22,960 Speaker 1: one of the founding fathers of that show was like 1087 00:59:23,160 --> 00:59:26,680 Speaker 1: to so to speak, was Izzy and like, I'm sorry, 1088 00:59:26,760 --> 00:59:29,480 Speaker 1: but if if there's no invitation for her to come 1089 00:59:29,480 --> 00:59:31,800 Speaker 1: back and wrap up the Alex storyline whenever it ends, 1090 00:59:31,840 --> 00:59:34,680 Speaker 1: then this isn't tracking to me. Also, whenever she refers 1091 00:59:34,720 --> 00:59:37,280 Speaker 1: to assholes now quote unquote she calls them high goals. 1092 00:59:37,640 --> 00:59:39,680 Speaker 1: It's just like at a certain point it's like I 1093 00:59:39,800 --> 00:59:42,560 Speaker 1: get maybe maybe your maybe your experience with her was 1094 00:59:42,640 --> 00:59:45,920 Speaker 1: that bad, but it does it doesn't read a maturity 1095 00:59:46,080 --> 00:59:48,480 Speaker 1: for me. You can't just choose what you're mad at 1096 00:59:48,520 --> 00:59:50,680 Speaker 1: and this and when things don't act like you can't 1097 00:59:50,720 --> 00:59:52,760 Speaker 1: just say this person is a devil and this person 1098 00:59:52,920 --> 00:59:55,920 Speaker 1: is like forgiven. You have to like contextualize it and 1099 00:59:56,040 --> 00:59:58,040 Speaker 1: understand why people are wrong. I can't wait for the 1100 00:59:58,120 --> 01:00:03,120 Speaker 1: Ladies Who Punch Esque book about because even Meredith, even 1101 01:00:03,160 --> 01:00:06,160 Speaker 1: Ellen Pompeo, is out there saying like we had serious 1102 01:00:06,240 --> 01:00:10,520 Speaker 1: behavior problems about the first ten years of Gray's Anatomy, 1103 01:00:10,600 --> 01:00:12,800 Speaker 1: Like she's going out there and like I just fucking 1104 01:00:13,320 --> 01:00:16,520 Speaker 1: truly stand Ellen Pompeo and want to hear everything she 1105 01:00:16,600 --> 01:00:20,320 Speaker 1: has to say. Ellen Ellen Pompeo is truly phenomenal, especially 1106 01:00:20,360 --> 01:00:22,080 Speaker 1: just the moment that, like truly I was like, yes 1107 01:00:22,120 --> 01:00:24,040 Speaker 1: I will, I will follow you to the ends of 1108 01:00:24,080 --> 01:00:26,640 Speaker 1: the earth. Was that fucking panel with Gabriel Union where 1109 01:00:26,640 --> 01:00:28,280 Speaker 1: she was like, I don't see it. I don't see 1110 01:00:28,320 --> 01:00:30,360 Speaker 1: a lot of color. I'm not seeing color, and I'm 1111 01:00:30,400 --> 01:00:35,040 Speaker 1: a Robert was liked a big smile, but weird, weird 1112 01:00:35,160 --> 01:00:38,120 Speaker 1: out and she I've seen her do that on like 1113 01:00:38,600 --> 01:00:42,360 Speaker 1: Red carpets. I've literally there was Ellen. I've seen there 1114 01:00:42,400 --> 01:00:44,080 Speaker 1: was another video of her and she was like talking 1115 01:00:44,160 --> 01:00:45,480 Speaker 1: to this woman on the carpet and she was like 1116 01:00:46,080 --> 01:00:48,080 Speaker 1: being interviewed, and she was like, you know, like when 1117 01:00:48,120 --> 01:00:50,600 Speaker 1: you look at the photographers here, there's not a lot 1118 01:00:50,640 --> 01:00:52,760 Speaker 1: of people of color, and there's not enough women. And 1119 01:00:52,920 --> 01:00:55,520 Speaker 1: that's a that's a gaze. So when we're photographed, you 1120 01:00:55,560 --> 01:00:57,800 Speaker 1: have to understand it's by all these white men. And 1121 01:00:57,920 --> 01:01:00,240 Speaker 1: she's literally on the carpet saying and I'm like, I 1122 01:01:00,320 --> 01:01:03,560 Speaker 1: never think about the power everyone that's on that line 1123 01:01:03,600 --> 01:01:05,920 Speaker 1: taking photos of them is allegedly like white men, Like 1124 01:01:06,040 --> 01:01:07,920 Speaker 1: we can't see it because the cameras aren't on them, 1125 01:01:07,960 --> 01:01:10,919 Speaker 1: but we can feel it. That is exactly because exactly again, 1126 01:01:10,960 --> 01:01:15,200 Speaker 1: and that is a that's an issue. Fuck. It really 1127 01:01:15,240 --> 01:01:18,040 Speaker 1: makes you realize how many people aren't saying things When 1128 01:01:18,120 --> 01:01:20,680 Speaker 1: Ellen says things, you know, and it's like this time 1129 01:01:20,760 --> 01:01:22,800 Speaker 1: stops moments. And also you could see it in the 1130 01:01:22,880 --> 01:01:25,400 Speaker 1: faces of Gina Rodruguez and Gabrielle Union when she did 1131 01:01:25,480 --> 01:01:27,760 Speaker 1: say something, they were like, WHOA, we didn't think we 1132 01:01:27,800 --> 01:01:29,440 Speaker 1: were going to go here. We didn't know we were 1133 01:01:29,440 --> 01:01:31,200 Speaker 1: allowed to do that, And they said, like we would 1134 01:01:31,200 --> 01:01:36,560 Speaker 1: have texted each other after about it. But um, I 1135 01:01:36,560 --> 01:01:38,640 Speaker 1: think it's time to ask the question. I think it's time. 1136 01:01:39,480 --> 01:01:43,560 Speaker 1: So here's the thing AVA. On all of our episodes, 1137 01:01:43,640 --> 01:01:46,200 Speaker 1: we ask the question of what was the culture that 1138 01:01:46,280 --> 01:01:48,360 Speaker 1: made you say culture was for you? This is the 1139 01:01:48,440 --> 01:01:50,960 Speaker 1: defining pop culture in your life that pointed you in 1140 01:01:51,000 --> 01:01:54,400 Speaker 1: a cultural direction? You know, just take that and run 1141 01:01:54,440 --> 01:01:59,240 Speaker 1: with it. Okay. I feel like the memory that stands 1142 01:01:59,360 --> 01:02:05,440 Speaker 1: out I was, oh gosh, maybe I don't remember. It 1143 01:02:05,560 --> 01:02:10,240 Speaker 1: was two thousand, maybe four or five. I was eating 1144 01:02:10,400 --> 01:02:12,920 Speaker 1: a hogin does I scream because I was my coping mechanism. 1145 01:02:13,400 --> 01:02:17,200 Speaker 1: It's no big deal. And I remember are like, we 1146 01:02:17,320 --> 01:02:21,520 Speaker 1: had this office. Okay, there are two things we had this, Like, 1147 01:02:21,680 --> 01:02:23,920 Speaker 1: we have this little office in my family's house. And 1148 01:02:24,200 --> 01:02:28,000 Speaker 1: because of like construction in the office construction, just like, 1149 01:02:28,080 --> 01:02:30,240 Speaker 1: we had to move the computer out to the living room. 1150 01:02:30,240 --> 01:02:32,280 Speaker 1: So I was sitting in the living room with this 1151 01:02:32,440 --> 01:02:36,600 Speaker 1: big computer, not like any parents, probably wandering. I was 1152 01:02:36,640 --> 01:02:40,120 Speaker 1: sitting eating my hoggin does, and I was watching Fergie's 1153 01:02:40,200 --> 01:02:43,920 Speaker 1: London Bridge video and being like, I'll never be a 1154 01:02:44,000 --> 01:02:49,480 Speaker 1: woman that feels like so like and also like I 1155 01:02:49,760 --> 01:02:55,000 Speaker 1: think I like I am queer, but also like um 1156 01:02:55,960 --> 01:03:01,840 Speaker 1: help and I I when I think about that moment, 1157 01:03:01,880 --> 01:03:03,760 Speaker 1: I don't think of myself is in it. I watched 1158 01:03:03,840 --> 01:03:06,480 Speaker 1: myself like hunched over eating this like ice cream that's 1159 01:03:06,520 --> 01:03:08,480 Speaker 1: dripping and probably like honestly my third of the night 1160 01:03:08,880 --> 01:03:11,600 Speaker 1: and watching this video where she's like running her finger 1161 01:03:11,720 --> 01:03:15,280 Speaker 1: nails through this on this bald head, and I just 1162 01:03:15,360 --> 01:03:18,080 Speaker 1: remember being like, you're supposed to do that, Like that's 1163 01:03:18,120 --> 01:03:20,200 Speaker 1: how sex is, Like you just do that. You just 1164 01:03:20,320 --> 01:03:22,560 Speaker 1: sit someone down and then do hot stuff on them, 1165 01:03:23,000 --> 01:03:25,520 Speaker 1: Like I remember being so upset. And then also she's 1166 01:03:25,560 --> 01:03:27,520 Speaker 1: on the bridge and she does them crazy ship. She's 1167 01:03:27,560 --> 01:03:30,160 Speaker 1: on the table and does and does like bridge shit. 1168 01:03:30,840 --> 01:03:35,240 Speaker 1: It's one of the most bizarre songs anyone has ever released. 1169 01:03:35,320 --> 01:03:37,960 Speaker 1: Makes it's pure nonsense, and I think it's one of 1170 01:03:38,000 --> 01:03:40,920 Speaker 1: the most important songs. It truly woke something up and 1171 01:03:40,960 --> 01:03:43,080 Speaker 1: there and the fact that you bring that up is 1172 01:03:43,320 --> 01:03:45,960 Speaker 1: very crucial. Thank you so much. Thank you for like 1173 01:03:46,160 --> 01:03:53,920 Speaker 1: the the true like invitation into that moment. How now, okay, 1174 01:03:54,320 --> 01:03:58,280 Speaker 1: like what did that moment do? I mean? I actually 1175 01:03:58,480 --> 01:04:03,200 Speaker 1: love Fergy and she has had a moment recently. We 1176 01:04:03,280 --> 01:04:05,240 Speaker 1: all know what when she's sang the national anthem and 1177 01:04:05,360 --> 01:04:11,040 Speaker 1: completely nailed it. And I think that that moment I 1178 01:04:11,200 --> 01:04:13,800 Speaker 1: was upset by because then everybody was kind of tuned 1179 01:04:13,840 --> 01:04:15,720 Speaker 1: into this space that I thought I had found on 1180 01:04:15,840 --> 01:04:19,480 Speaker 1: my own naively, so, which was Fergie is insane in 1181 01:04:19,560 --> 01:04:23,320 Speaker 1: every social phase. Yes, and she there is this video 1182 01:04:23,440 --> 01:04:27,919 Speaker 1: that I don't know if he let's play some basket ball? 1183 01:04:28,960 --> 01:04:32,840 Speaker 1: Really powerful? I mean? Also, can I say Fergie has 1184 01:04:32,880 --> 01:04:37,720 Speaker 1: had so many cultural moments. We forget that she's performed 1185 01:04:37,760 --> 01:04:39,520 Speaker 1: the Super Bowl with Black Eyed Peas and she's the 1186 01:04:39,560 --> 01:04:41,880 Speaker 1: only reason any of us care about the Black Eyed Peas. Sorry, 1187 01:04:41,960 --> 01:04:46,720 Speaker 1: well I am we forget. Uh, I'm sorry. But the 1188 01:04:46,800 --> 01:04:49,520 Speaker 1: moment that was Big Girls Don't Cry, her ballad that 1189 01:04:49,680 --> 01:04:54,960 Speaker 1: took over the radio for a delicious definition m fourth 1190 01:04:54,960 --> 01:04:58,200 Speaker 1: the July you and I put up the milth Money 1191 01:04:58,240 --> 01:05:04,320 Speaker 1: song is the most fucking good. The video is whoa insane? Yeah, 1192 01:05:04,440 --> 01:05:06,480 Speaker 1: but it's great. Also, I have a side by side 1193 01:05:06,520 --> 01:05:10,360 Speaker 1: taking actually at Soulecycle that's me doing the Fergie cover 1194 01:05:10,560 --> 01:05:18,840 Speaker 1: art sometime Duchess for Milk Money Money. Yeah, I will say, 1195 01:05:18,880 --> 01:05:21,360 Speaker 1: there's this video of her doing backflips. Have you seen 1196 01:05:21,400 --> 01:05:24,240 Speaker 1: a video on the Today Show? Is it like six am. Yeah, 1197 01:05:24,280 --> 01:05:27,000 Speaker 1: she's singing Arracuda and she does she's doing a cover 1198 01:05:27,080 --> 01:05:29,120 Speaker 1: of Veracuda on the Today Show of doing backflips. It 1199 01:05:29,320 --> 01:05:32,920 Speaker 1: is absolutely insane that she does so many and then 1200 01:05:33,000 --> 01:05:35,320 Speaker 1: takes a singing break and then does another set down 1201 01:05:35,400 --> 01:05:39,960 Speaker 1: and also just like not not full out singing. But 1202 01:05:40,080 --> 01:05:42,920 Speaker 1: I have to say the moment for me of Furgie 1203 01:05:45,160 --> 01:05:53,400 Speaker 1: be Oh my God, should have beated. She should have 1204 01:05:53,440 --> 01:05:56,280 Speaker 1: been nominated with the highlight of the movie thrilling. What 1205 01:05:56,560 --> 01:05:58,640 Speaker 1: are the films had she been in that? It was 1206 01:05:58,720 --> 01:06:01,760 Speaker 1: nine the only one she was poside an Adventure remake. 1207 01:06:02,280 --> 01:06:03,720 Speaker 1: You know what makes me mad is I feel like 1208 01:06:04,160 --> 01:06:10,880 Speaker 1: her relationship was bad. Probably yeah, And I think it's unfair. 1209 01:06:11,480 --> 01:06:16,280 Speaker 1: Are they not together anymore? Over? I feel upset because 1210 01:06:16,320 --> 01:06:19,920 Speaker 1: I feel like the truth of it is that probably 1211 01:06:20,040 --> 01:06:24,320 Speaker 1: deeply he is dicky, you think so? Yeah, I mean 1212 01:06:24,360 --> 01:06:29,480 Speaker 1: it came from soap operas, and that's a narcissism. It's 1213 01:06:29,480 --> 01:06:31,600 Speaker 1: a narcissism. But it's like where it's like, you should 1214 01:06:31,600 --> 01:06:34,320 Speaker 1: it should be a humility. He should feel like humble, 1215 01:06:35,040 --> 01:06:37,880 Speaker 1: thank you for this. Yeah. Famously played Leo and All 1216 01:06:37,920 --> 01:06:39,720 Speaker 1: my Children. I remember watching him when he was a 1217 01:06:39,880 --> 01:06:42,200 Speaker 1: sprout and then he became such a thing. And I 1218 01:06:42,200 --> 01:06:44,200 Speaker 1: remember they got married and I thought, oh, that's such 1219 01:06:44,240 --> 01:06:46,720 Speaker 1: a fun relationship. I bet. And then now looking back, 1220 01:06:46,760 --> 01:06:50,200 Speaker 1: I'm like, I deeply agree with you, right, yeah, right, 1221 01:06:50,680 --> 01:06:54,280 Speaker 1: because it's about like, okay, whenever like a couple gets 1222 01:06:54,360 --> 01:06:58,160 Speaker 1: older together and then he and then they break up. 1223 01:06:58,240 --> 01:07:01,040 Speaker 1: I'm like, you're mad about so like a woman aging. 1224 01:07:03,000 --> 01:07:04,760 Speaker 1: But it's always like not fair to just say that. 1225 01:07:04,840 --> 01:07:08,760 Speaker 1: But I'm like, that is You're like, it's just toxic. 1226 01:07:08,880 --> 01:07:11,760 Speaker 1: There's something wrong there. That's why Sarah Jessica Parker and 1227 01:07:11,800 --> 01:07:15,520 Speaker 1: Matthew Roderick, though they are not okay, they've made it. 1228 01:07:15,840 --> 01:07:18,040 Speaker 1: They've made it well, yeah, what's what's your thing that 1229 01:07:18,160 --> 01:07:20,360 Speaker 1: that doesn't sit well with you? With them, I don't 1230 01:07:20,400 --> 01:07:24,320 Speaker 1: think either of them have ever said anything that I'm like, oh, 1231 01:07:24,400 --> 01:07:28,160 Speaker 1: that's a human being. See. I totally disagree with Sarah 1232 01:07:28,240 --> 01:07:35,480 Speaker 1: Jessica Parker. I actually everything anymore now. I'm gon even 1233 01:07:35,680 --> 01:07:40,080 Speaker 1: watch her fry eggs on Instagram. I I live for it. 1234 01:07:40,400 --> 01:07:42,360 Speaker 1: And also, can I tell you something. I watched Divorce 1235 01:07:42,960 --> 01:07:46,720 Speaker 1: and I'm a fan of divorce and I've recently came 1236 01:07:46,800 --> 01:07:50,280 Speaker 1: upon I actually think Sarajenessica Parker is an underrated icon 1237 01:07:50,840 --> 01:07:54,680 Speaker 1: and and acting acting legend. I think that's like wide 1238 01:07:55,120 --> 01:07:58,960 Speaker 1: Carrie Bradshaw. It should not work, but it works so much. 1239 01:07:59,120 --> 01:08:03,280 Speaker 1: True And I'm sorry, but one of the great television monologues, 1240 01:08:03,760 --> 01:08:08,080 Speaker 1: because it really it was the character and discovering what 1241 01:08:08,160 --> 01:08:11,320 Speaker 1: she really wanted was when she's with Brishnikov in the 1242 01:08:11,600 --> 01:08:14,640 Speaker 1: in the suite at the end, and and he says, 1243 01:08:14,880 --> 01:08:17,240 Speaker 1: I thought, I thought you knew what this was and 1244 01:08:17,520 --> 01:08:19,160 Speaker 1: who I was, And she says, I'm going to do 1245 01:08:19,240 --> 01:08:23,760 Speaker 1: the whole thing. Well, maybe it's time to be more 1246 01:08:23,840 --> 01:08:29,000 Speaker 1: clear about who I am. I am someone who is 1247 01:08:29,120 --> 01:08:42,040 Speaker 1: looking for love, ridiculous, inconvenient consuming can't live without each 1248 01:08:42,080 --> 01:08:47,600 Speaker 1: other love. And I don't think that that love is 1249 01:08:47,720 --> 01:08:57,639 Speaker 1: here in this expensive apartment, in this beautiful hotel in Paris. 1250 01:08:59,320 --> 01:09:05,080 Speaker 1: It's not your fault, it's my fault. I shouldn't have 1251 01:09:05,200 --> 01:09:12,360 Speaker 1: come here. Then she leaves phenomenal. That was so good. 1252 01:09:13,960 --> 01:09:18,360 Speaker 1: She yeah, you actually have. And I do think she 1253 01:09:18,680 --> 01:09:21,920 Speaker 1: is a really good actress. And I think that she 1254 01:09:22,120 --> 01:09:23,920 Speaker 1: convinces me of a lot of things I shouldn't be 1255 01:09:24,000 --> 01:09:29,320 Speaker 1: convinced of. That's true, But but you find her public yes, 1256 01:09:30,240 --> 01:09:33,040 Speaker 1: like like, look at my closet of shoes, like what, 1257 01:09:33,280 --> 01:09:35,320 Speaker 1: But then I'm like, she needs it. That's not her, 1258 01:09:35,560 --> 01:09:41,200 Speaker 1: that's that's that's Carriou May. But she convinces me that 1259 01:09:41,360 --> 01:09:44,200 Speaker 1: that's an okay character, that that's believable that someone would 1260 01:09:44,200 --> 01:09:47,960 Speaker 1: be like that. I will say, No, Torodrect doesn't exude 1261 01:09:48,840 --> 01:09:52,680 Speaker 1: um happiness and positivity to me. But that's just a 1262 01:09:52,840 --> 01:09:55,760 Speaker 1: vibe thing. I mean, I I think he's also an icon. 1263 01:09:56,040 --> 01:09:58,320 Speaker 1: I saw that an opening of a play and that 1264 01:09:58,600 --> 01:10:01,639 Speaker 1: felt true. Yeah, he just doesn't he doesn't. He doesn't 1265 01:10:01,680 --> 01:10:04,240 Speaker 1: carry the light. But I think she does. I think 1266 01:10:04,240 --> 01:10:06,400 Speaker 1: Sarahdessica Parker has done one of the few, and it 1267 01:10:06,560 --> 01:10:09,000 Speaker 1: was the first one of the few acceptable about seventy 1268 01:10:09,040 --> 01:10:11,519 Speaker 1: three questions she did the first one. She put that 1269 01:10:11,800 --> 01:10:13,760 Speaker 1: on the map and like I am like and like 1270 01:10:13,880 --> 01:10:16,439 Speaker 1: she like is very Sarah s JP about it, where 1271 01:10:16,439 --> 01:10:19,000 Speaker 1: she's like describing New York in three words um or 1272 01:10:19,720 --> 01:10:24,200 Speaker 1: something tiny and real. Something she goes um orchestral or 1273 01:10:24,240 --> 01:10:28,240 Speaker 1: something symphonic, tiny and real and just like s JP. 1274 01:10:28,520 --> 01:10:32,960 Speaker 1: I mean, but this is also her and like she 1275 01:10:33,200 --> 01:10:37,400 Speaker 1: is like and she like she like she like guides 1276 01:10:37,479 --> 01:10:40,280 Speaker 1: the camera up to her collection of globes, and it's like, yeah, 1277 01:10:40,360 --> 01:10:42,560 Speaker 1: like you are this cool fucking lady who lives in 1278 01:10:42,560 --> 01:10:44,600 Speaker 1: the West Village, like thank you. She to me is 1279 01:10:44,640 --> 01:10:48,160 Speaker 1: an icon forever. I love her. I love her completely 1280 01:10:48,280 --> 01:10:51,599 Speaker 1: on board. Yeah, I mean that's the thing. But here's 1281 01:10:51,640 --> 01:10:54,160 Speaker 1: the thing. When you say, when you mentioned s JP 1282 01:10:54,280 --> 01:10:56,400 Speaker 1: and Matthew Roderick, I don't think your problem is with 1283 01:10:56,560 --> 01:10:59,320 Speaker 1: s JP. It's with Matthew because he doesn't carry the light. 1284 01:10:59,840 --> 01:11:03,880 Speaker 1: I and he doesn't. But the thing is in his performances, 1285 01:11:03,960 --> 01:11:07,320 Speaker 1: he so often has carried the light like Ferris Bueller. 1286 01:11:07,400 --> 01:11:10,880 Speaker 1: That's she's a fucking start right where it? Where did it? Like? 1287 01:11:10,960 --> 01:11:13,320 Speaker 1: Oh and the Producers? He carried the light in that 1288 01:11:13,720 --> 01:11:15,120 Speaker 1: like so many things. It's just like, I don't know. 1289 01:11:15,160 --> 01:11:17,320 Speaker 1: I think maybe he's just an older man now and 1290 01:11:17,400 --> 01:11:19,880 Speaker 1: just doesn't really give a funk. He's just settled into 1291 01:11:20,000 --> 01:11:22,880 Speaker 1: not caring, which I love. I think the reason I 1292 01:11:23,000 --> 01:11:26,080 Speaker 1: have pain there is because I really sighed with Kim Control. 1293 01:11:26,800 --> 01:11:33,080 Speaker 1: Really okay, So I think Kim ConTroll was the person 1294 01:11:33,200 --> 01:11:36,400 Speaker 1: on that show who had to like literally perform naked 1295 01:11:36,520 --> 01:11:41,760 Speaker 1: and funny. I'm not so vulnerable. She was delivering, she 1296 01:11:41,960 --> 01:11:46,640 Speaker 1: was selling every part like one never worked without her, 1297 01:11:47,200 --> 01:11:53,000 Speaker 1: and whenever there's three against one, I never believe the 1298 01:11:53,120 --> 01:11:56,600 Speaker 1: three because it's so unfair, like the idea that like 1299 01:11:57,160 --> 01:12:00,519 Speaker 1: those three girls were hanging out and then Kim Control 1300 01:12:00,600 --> 01:12:03,560 Speaker 1: feeling excluded and honestly that maybe the tallest of the 1301 01:12:03,600 --> 01:12:10,920 Speaker 1: groups had to go then and had to go then 1302 01:12:11,040 --> 01:12:13,519 Speaker 1: perform like naked sex scenes for the show where I 1303 01:12:13,600 --> 01:12:17,240 Speaker 1: imagine Sara Jessica Parker was making much more that sits 1304 01:12:17,280 --> 01:12:21,200 Speaker 1: badly with me, and the thing of like when her 1305 01:12:21,280 --> 01:12:25,599 Speaker 1: brother died, Sarah Jessica Parker like comments or posted something 1306 01:12:25,680 --> 01:12:28,559 Speaker 1: and she was like, bitch, this, you're not my friend. 1307 01:12:29,080 --> 01:12:32,439 Speaker 1: I'm like that's yeah, like you can do that, like 1308 01:12:32,600 --> 01:12:35,760 Speaker 1: that's and if there's so much pain there, I like, 1309 01:12:36,160 --> 01:12:40,640 Speaker 1: I believe her. I don't know. I think that Kim Control. 1310 01:12:42,080 --> 01:12:46,400 Speaker 1: I My assessment of this is she she had to 1311 01:12:46,439 --> 01:12:51,240 Speaker 1: play a part on that show that, um, I don't 1312 01:12:51,720 --> 01:12:54,240 Speaker 1: it can have felt good every single day, you know 1313 01:12:54,280 --> 01:12:56,479 Speaker 1: what I mean? And also you watch that show now 1314 01:12:56,760 --> 01:13:01,240 Speaker 1: and some elements are like some episodes are like shockingly 1315 01:13:01,479 --> 01:13:04,559 Speaker 1: out of touch, and I mean and like really really 1316 01:13:04,640 --> 01:13:07,400 Speaker 1: really really crazy, and I I don't think if you 1317 01:13:07,479 --> 01:13:09,719 Speaker 1: watch the whole thing now, Like you'd watch every storyline 1318 01:13:09,760 --> 01:13:12,040 Speaker 1: that she was in and feel good or happy for 1319 01:13:12,120 --> 01:13:15,160 Speaker 1: her character as confident and as like sex positive as 1320 01:13:15,200 --> 01:13:18,880 Speaker 1: she was, Like I had to feel and she's doing 1321 01:13:19,000 --> 01:13:22,439 Speaker 1: that every day, had to feel a little weird. So 1322 01:13:22,760 --> 01:13:27,280 Speaker 1: I one hundred percent this woman who's in her sixties. 1323 01:13:27,640 --> 01:13:29,560 Speaker 1: Her saying no, I'm not going to do Sex in 1324 01:13:29,600 --> 01:13:32,479 Speaker 1: the City three after Sex in the City too was 1325 01:13:32,600 --> 01:13:35,479 Speaker 1: what it was just because y'all want to do it 1326 01:13:35,600 --> 01:13:38,479 Speaker 1: and just because like you have my script and you 1327 01:13:38,560 --> 01:13:41,880 Speaker 1: want the money. I am at an age now where 1328 01:13:42,400 --> 01:13:47,080 Speaker 1: not only have I been doing it for for two decades, 1329 01:13:47,479 --> 01:13:50,400 Speaker 1: but it's just like not what I want to do anymore, 1330 01:13:50,560 --> 01:13:54,439 Speaker 1: like because my my function here is different than yours. 1331 01:13:54,800 --> 01:13:59,200 Speaker 1: Like I'm like essentially the sexual joke here. And they 1332 01:13:59,320 --> 01:14:02,320 Speaker 1: did give her some good storylines towards the end of 1333 01:14:02,360 --> 01:14:04,920 Speaker 1: the show, but like you know, those were few and 1334 01:14:04,960 --> 01:14:07,360 Speaker 1: far between, and so her being a woman in her sixties, 1335 01:14:07,840 --> 01:14:09,920 Speaker 1: if she says she doesn't want to do it, that's 1336 01:14:10,000 --> 01:14:13,360 Speaker 1: fucking yeah totally. There shouldn't be people shouldn't know that 1337 01:14:13,479 --> 01:14:16,280 Speaker 1: she said no, that she's the only one that shouldn't 1338 01:14:16,280 --> 01:14:19,200 Speaker 1: be that, And it's like to guilt her, like for 1339 01:14:19,320 --> 01:14:23,599 Speaker 1: there to be a like literal international conversation about whether 1340 01:14:23,760 --> 01:14:26,960 Speaker 1: or not she's grateful or acting like she said, no, y'all, 1341 01:14:27,280 --> 01:14:30,200 Speaker 1: that's it. Also, they're, like she said at times, like 1342 01:14:30,320 --> 01:14:32,920 Speaker 1: playing that role like was the reason for her marriage 1343 01:14:33,000 --> 01:14:36,080 Speaker 1: not working. I mean that's also sort of probably a 1344 01:14:36,120 --> 01:14:39,080 Speaker 1: deeply like I'm sure there's something and like also the 1345 01:14:40,160 --> 01:14:43,559 Speaker 1: whoever her husband was was probably like your me, girl, 1346 01:14:43,720 --> 01:14:49,760 Speaker 1: you know it's not honestly, here we go go uh 1347 01:14:49,880 --> 01:14:54,280 Speaker 1: And I feel like, uh, that's unfair to to like, 1348 01:14:55,120 --> 01:14:57,479 Speaker 1: uh does I can imagine mean, like this is something 1349 01:14:57,520 --> 01:15:00,639 Speaker 1: I want to leave behind. My naked bodies been literally 1350 01:15:00,680 --> 01:15:05,080 Speaker 1: everywhere for like so long. Let me be also like 1351 01:15:05,200 --> 01:15:07,640 Speaker 1: doing saying something, saying yes to something. Years ago she 1352 01:15:07,720 --> 01:15:10,639 Speaker 1: might not even say yes to that, And now nowadays 1353 01:15:10,680 --> 01:15:14,400 Speaker 1: she's just like fucking loving doing like British TV and 1354 01:15:14,439 --> 01:15:16,080 Speaker 1: like plays and ship like she is in a good 1355 01:15:16,120 --> 01:15:18,880 Speaker 1: place and she knows where she should be at this age. 1356 01:15:19,000 --> 01:15:21,479 Speaker 1: And also not for nothing but to be synonymous with 1357 01:15:21,560 --> 01:15:24,200 Speaker 1: the character of Samantha, like because she is synonymous with 1358 01:15:24,240 --> 01:15:26,800 Speaker 1: that character, like people wouldn't even be able to tell 1359 01:15:26,880 --> 01:15:29,599 Speaker 1: you the difference between her and that character because she's 1360 01:15:29,840 --> 01:15:33,559 Speaker 1: so iconic. That's just like she has every right to say. 1361 01:15:33,800 --> 01:15:36,760 Speaker 1: Guys know she and she was on I remember she 1362 01:15:36,840 --> 01:15:39,120 Speaker 1: went on Pierce Morgan's talk show right after the whole 1363 01:15:39,160 --> 01:15:43,960 Speaker 1: fallout and like you just Pierce Morgan's whatever. But she 1364 01:15:45,120 --> 01:15:47,400 Speaker 1: she is like, um, you do you watch that interview 1365 01:15:47,439 --> 01:15:49,680 Speaker 1: and she's just like yeah, like it was just really 1366 01:15:49,760 --> 01:15:53,439 Speaker 1: hurt like just doing that show with I guess the 1367 01:15:53,479 --> 01:15:55,519 Speaker 1: clickiness of it, like was really hurtful. And you you 1368 01:15:55,680 --> 01:15:57,839 Speaker 1: just you watched that and you're like, she's you believe 1369 01:15:57,880 --> 01:16:01,960 Speaker 1: you believe it. I So I also say, I don't 1370 01:16:02,080 --> 01:16:05,160 Speaker 1: believe that s JP, Cynthia Nixon and Chris and Davis 1371 01:16:05,240 --> 01:16:07,960 Speaker 1: are like bad people. I just think that some people 1372 01:16:08,000 --> 01:16:11,040 Speaker 1: get along on some people don't. Like your colleagues, they 1373 01:16:11,080 --> 01:16:13,040 Speaker 1: were extremely good at what they did. You believe that 1374 01:16:13,120 --> 01:16:15,400 Speaker 1: the four of them were best friends, writer dies. But 1375 01:16:15,600 --> 01:16:17,479 Speaker 1: that is what that is. You have to remember, like 1376 01:16:18,280 --> 01:16:20,400 Speaker 1: the relationships that you see on screen are not the 1377 01:16:20,479 --> 01:16:23,920 Speaker 1: relationships off screen. That is their job. They're really talented 1378 01:16:23,960 --> 01:16:26,200 Speaker 1: and good at what they do, but like they don't 1379 01:16:26,280 --> 01:16:29,000 Speaker 1: owe us anything and they don't owe each other anything 1380 01:16:30,040 --> 01:16:33,880 Speaker 1: like that's that's and that's like that And also after 1381 01:16:33,960 --> 01:16:36,320 Speaker 1: that second movie. It's like, what was what the funk 1382 01:16:36,400 --> 01:16:38,840 Speaker 1: was the storyline for Samantha in this movie? Like she 1383 01:16:38,960 --> 01:16:41,120 Speaker 1: gets split in half because she gets sucked so hard, 1384 01:16:41,240 --> 01:16:44,760 Speaker 1: Like seriously, what was she going to have? That that 1385 01:16:44,800 --> 01:16:49,760 Speaker 1: would have been really good? She's like ouch, I say 1386 01:16:49,960 --> 01:16:55,040 Speaker 1: split honey, someone called it doctor. All right, well I'm 1387 01:16:55,080 --> 01:16:57,479 Speaker 1: eating eggs. And of course that s JP would have 1388 01:16:57,479 --> 01:16:59,760 Speaker 1: like the punch line like okay, well, okay, well I'm 1389 01:16:59,760 --> 01:17:06,479 Speaker 1: getting eggs. I am why Yeah, Kristin Davis Christian, I 1390 01:17:06,840 --> 01:17:09,080 Speaker 1: love her and I am attracted to her, are you? 1391 01:17:09,760 --> 01:17:13,000 Speaker 1: I think she was fucking phenomenal in the first movie. No, 1392 01:17:14,920 --> 01:17:18,280 Speaker 1: so good, so good. Um, I think it's time. I 1393 01:17:18,320 --> 01:17:20,600 Speaker 1: think it might be time. I think it's time for 1394 01:17:20,800 --> 01:17:22,599 Speaker 1: the moment. I mean, I think Eva is a true 1395 01:17:22,880 --> 01:17:26,479 Speaker 1: veteran of the form. I mean, who could forget Vanessa Carlton. 1396 01:17:27,479 --> 01:17:31,280 Speaker 1: She fucking tore apart Enessa Carlton the housand Mine, Thank you? Wait? 1397 01:17:31,320 --> 01:17:33,120 Speaker 1: And then the first the first show, what did you do? 1398 01:17:33,520 --> 01:17:37,040 Speaker 1: Chris Chrissie t get Oh. I love that one. That 1399 01:17:37,240 --> 01:17:39,840 Speaker 1: was a good one. I have those ones I did 1400 01:17:40,000 --> 01:17:42,640 Speaker 1: ultimately prepare and this one sort of just going to 1401 01:17:42,680 --> 01:17:47,040 Speaker 1: be currently do not have. I had one a moment ago, 1402 01:17:47,360 --> 01:17:53,240 Speaker 1: and I'm letting it come back to me. Um no lost, Okay, 1403 01:17:53,320 --> 01:17:56,080 Speaker 1: got it, I'm ready. Okay, this is Matt Rogers. I 1404 01:17:56,080 --> 01:17:58,040 Speaker 1: don't think so many as time starts now. I don't 1405 01:17:58,160 --> 01:18:04,160 Speaker 1: think so honey. Um uh, newsboy hats, I don't think 1406 01:18:04,280 --> 01:18:07,439 Speaker 1: these worked when Brittany was doing it. And when Brittany 1407 01:18:07,520 --> 01:18:10,080 Speaker 1: was doing it, that was like the moment for newsboy hats. 1408 01:18:10,479 --> 01:18:12,439 Speaker 1: And I actually don't think, so honey that they ever 1409 01:18:12,560 --> 01:18:16,240 Speaker 1: even worked on her, And they certainly don't work on you, 1410 01:18:16,680 --> 01:18:20,280 Speaker 1: reader listener, Um, I do not think so honor you 1411 01:18:20,439 --> 01:18:22,880 Speaker 1: in the year of our Lord twenty nine. So the 1412 01:18:22,960 --> 01:18:26,400 Speaker 1: thing about the newsboy um cap is that that is 1413 01:18:26,439 --> 01:18:31,800 Speaker 1: also a ridiculous name. Um there, let's tell them newspeople. Hello. 1414 01:18:32,040 --> 01:18:35,519 Speaker 1: There's a lot of different people that delivered the news. 1415 01:18:36,160 --> 01:18:39,639 Speaker 1: So the thing is like, those little bills are too 1416 01:18:39,760 --> 01:18:42,040 Speaker 1: small and not functional. I don't think so honey, if 1417 01:18:42,080 --> 01:18:43,599 Speaker 1: you think that's getting the sun out of your eyes. 1418 01:18:43,640 --> 01:18:46,639 Speaker 1: There purely for style. And here's the thing about fashion. 1419 01:18:46,760 --> 01:18:48,880 Speaker 1: It shouldn't I shouldn't look at it and say, oh, 1420 01:18:49,000 --> 01:18:52,160 Speaker 1: that's a stylistic choice. I should be sneak attack I 1421 01:18:52,160 --> 01:18:54,679 Speaker 1: should think it's functional. So I don't think so, honey, 1422 01:18:54,800 --> 01:18:59,880 Speaker 1: newsboy caps um yea burn that was amazing. You know what, 1423 01:19:00,120 --> 01:19:02,640 Speaker 1: I don't think so true. If your fashion does not 1424 01:19:02,800 --> 01:19:06,160 Speaker 1: pretend to be something else, that's embarrassing. But here's the thing. 1425 01:19:06,240 --> 01:19:08,320 Speaker 1: It's like, it's like there's a reason why people are like, 1426 01:19:08,400 --> 01:19:11,919 Speaker 1: oh my god, and it has pockets because pockets are functional. 1427 01:19:12,400 --> 01:19:14,920 Speaker 1: Like whenever it's whenever you're watching almost a top shot, 1428 01:19:15,200 --> 01:19:17,720 Speaker 1: whenever you're watching Project Runway, and like Nina Garcia will 1429 01:19:17,720 --> 01:19:20,439 Speaker 1: be like an out of those pockets. They'll be like 1430 01:19:20,600 --> 01:19:22,320 Speaker 1: they are pockets, and the model will go in and 1431 01:19:22,360 --> 01:19:26,400 Speaker 1: it'll be like, oh my god, I love it. It's editorial. 1432 01:19:26,720 --> 01:19:30,560 Speaker 1: It has pockets. It's like it's it's it's it's important 1433 01:19:30,600 --> 01:19:35,439 Speaker 1: because it's functional newsboy caps like those little business it's 1434 01:19:35,560 --> 01:19:38,799 Speaker 1: nothing and doesn't look good and so what's up right exactly? 1435 01:19:38,840 --> 01:19:40,960 Speaker 1: And so what are we doing here? A rule hat 1436 01:19:41,160 --> 01:19:44,360 Speaker 1: that keeps you warm, a but baseball cap that keeps 1437 01:19:44,439 --> 01:19:47,439 Speaker 1: the sun out of your out of your eyes, Like, sorry, 1438 01:19:47,520 --> 01:19:49,760 Speaker 1: but the newsboy caps is nothing I should we should 1439 01:19:49,760 --> 01:19:51,880 Speaker 1: point out out for people not familiar with Project one, right, 1440 01:19:51,920 --> 01:19:53,800 Speaker 1: it is the top chef of fashion. It is the 1441 01:19:53,840 --> 01:19:56,040 Speaker 1: top chef of fashion. Imagine exactly top chef but on 1442 01:19:56,120 --> 01:19:58,439 Speaker 1: a runway. Yes, yes, is Nina Garcia is still on 1443 01:19:58,560 --> 01:20:02,040 Speaker 1: protect that is she is. So I'll say it. I 1444 01:20:02,160 --> 01:20:05,040 Speaker 1: mean she's she's one of the meanest people in America. 1445 01:20:05,520 --> 01:20:11,479 Speaker 1: And also she is an icon, and she's gorgeous and 1446 01:20:11,560 --> 01:20:15,320 Speaker 1: she doesn't age like I hate it. It's not an 1447 01:20:15,360 --> 01:20:19,600 Speaker 1: it soral. You can't where where is she going? And 1448 01:20:19,680 --> 01:20:21,920 Speaker 1: there's no pockets. I don't want to see it. I mean, 1449 01:20:22,000 --> 01:20:25,960 Speaker 1: this is disgusting. Turn around, what's the back? How the 1450 01:20:26,080 --> 01:20:32,519 Speaker 1: models is insane? She's like, turn around. First of all, 1451 01:20:32,640 --> 01:20:35,680 Speaker 1: this girl is too tall and she looks enormous. Your 1452 01:20:35,720 --> 01:20:39,560 Speaker 1: model looks enormous. She's just like you just watched the 1453 01:20:39,600 --> 01:20:43,840 Speaker 1: model like a little lightly of our eyes. Fun my god, damn. Yeah. 1454 01:20:46,960 --> 01:20:49,559 Speaker 1: I don't think so many he will do it starting now. 1455 01:20:49,640 --> 01:20:52,519 Speaker 1: I don't think so many. Skincare toner, What the fuck 1456 01:20:52,720 --> 01:20:56,840 Speaker 1: is your problem? What do you do? And look? People 1457 01:20:56,840 --> 01:20:58,800 Speaker 1: say it's fancy water, it's supposed to be even at 1458 01:20:58,800 --> 01:21:02,160 Speaker 1: your skin tone. Oh what what? What is in the 1459 01:21:02,320 --> 01:21:06,759 Speaker 1: water the toner that's actually gonna give benefit my skin tone? 1460 01:21:07,200 --> 01:21:10,240 Speaker 1: And and the community is divided on whether or not 1461 01:21:10,320 --> 01:21:13,360 Speaker 1: you put a few droplets onto a cotton pan and 1462 01:21:13,439 --> 01:21:17,400 Speaker 1: wipe wipe white, or if you spray. Because now this new, 1463 01:21:17,600 --> 01:21:19,320 Speaker 1: this new trend is happening where you're supposed to it's 1464 01:21:19,360 --> 01:21:22,120 Speaker 1: you spray, but it doesn't. If you're not wiping away 1465 01:21:22,160 --> 01:21:23,720 Speaker 1: the impurities, then where does it go? What does it do? 1466 01:21:23,880 --> 01:21:27,240 Speaker 1: It's there's no there's no um you know thing, there's 1467 01:21:27,280 --> 01:21:29,759 Speaker 1: no resistance for you to pull down the impurity to explain, 1468 01:21:29,840 --> 01:21:32,439 Speaker 1: thank you so much. I don't think so many Toner. 1469 01:21:32,520 --> 01:21:34,120 Speaker 1: The community doesn't agree on what you are and what 1470 01:21:34,160 --> 01:21:36,200 Speaker 1: you're supposed to be doing, the job you're supposed to 1471 01:21:36,200 --> 01:21:38,360 Speaker 1: be doing and be I think it's a scam. I 1472 01:21:38,439 --> 01:21:42,720 Speaker 1: think it's a scam for skincare lines companies to put 1473 01:21:42,800 --> 01:21:45,280 Speaker 1: water in a bottle and sell it to you. So 1474 01:21:45,400 --> 01:21:47,880 Speaker 1: I don't think somebody's skincare toner. I'm I will just 1475 01:21:48,000 --> 01:21:49,920 Speaker 1: stick to my seat of filth things. And that's what 1476 01:21:50,560 --> 01:21:52,640 Speaker 1: I'm at a complete loss with what to put on 1477 01:21:52,720 --> 01:21:55,360 Speaker 1: my face and what not to me too. Okay, I 1478 01:21:55,439 --> 01:21:57,800 Speaker 1: don't know, and I have the worst I'll say it's 1479 01:21:57,800 --> 01:22:00,320 Speaker 1: skin in the world. Don't look now, I you, but 1480 01:22:00,479 --> 01:22:02,800 Speaker 1: it's but when somebody is bad skin, that's a sign 1481 01:22:02,880 --> 01:22:06,439 Speaker 1: that they know about skincare, just so you know, because 1482 01:22:06,479 --> 01:22:09,240 Speaker 1: I have bad sin, so I've had to learn. And 1483 01:22:09,520 --> 01:22:12,000 Speaker 1: if you've had perfect skin, the thing is, it's sad 1484 01:22:12,120 --> 01:22:14,720 Speaker 1: for you because you're never going to actually learn. So 1485 01:22:15,520 --> 01:22:18,920 Speaker 1: that's something I think you're supposed to. I don't know 1486 01:22:18,960 --> 01:22:21,040 Speaker 1: what toner is either, and I don't understand when like, 1487 01:22:21,840 --> 01:22:23,840 Speaker 1: it doesn't make sense that a product could either be 1488 01:22:23,920 --> 01:22:28,080 Speaker 1: wiped away or not that you're supposed to wash your face, 1489 01:22:28,160 --> 01:22:31,599 Speaker 1: thank you, and then you're supposed to honestly maybe put 1490 01:22:31,680 --> 01:22:34,760 Speaker 1: on the serum, which isn't the same as toner isn't 1491 01:22:34,760 --> 01:22:38,080 Speaker 1: the same as there's also the disagreement on conventions with serum, 1492 01:22:38,080 --> 01:22:40,960 Speaker 1: whether you put it before or after your moisturizer. Yes, 1493 01:22:41,200 --> 01:22:44,120 Speaker 1: I always pocket it with and then I put moisturizer. 1494 01:22:44,240 --> 01:22:46,519 Speaker 1: I put moisturizer on last, I think, and that's the 1495 01:22:46,560 --> 01:22:50,040 Speaker 1: correct way. Do you know the podcast? So she has 1496 01:22:50,080 --> 01:22:51,479 Speaker 1: been a guest on our show. She did a really 1497 01:22:51,520 --> 01:22:53,479 Speaker 1: good episode with us, and I was on her show 1498 01:22:53,720 --> 01:22:56,280 Speaker 1: in l A. She has a great podcast where if 1499 01:22:56,479 --> 01:22:58,679 Speaker 1: if you guys listening, I have any questions about skincare, 1500 01:22:58,720 --> 01:23:02,120 Speaker 1: I'm sure that she can. Like, actually, our episode was 1501 01:23:02,320 --> 01:23:05,800 Speaker 1: was a lot about skincare um and it was really great. 1502 01:23:05,840 --> 01:23:08,120 Speaker 1: So if you want to become as knowledgeable as a victor, 1503 01:23:08,760 --> 01:23:12,560 Speaker 1: should you should make a competing match Jackie Johnson, I 1504 01:23:12,600 --> 01:23:18,360 Speaker 1: should say, Jackie Johnson, So moving on, Okay, here we go, Okay, Okay, 1505 01:23:18,800 --> 01:23:21,720 Speaker 1: I do don't We'll see where we go. Okay. I 1506 01:23:21,760 --> 01:23:23,960 Speaker 1: don't think so, honey, her time starts now. I don't 1507 01:23:24,000 --> 01:23:26,880 Speaker 1: think so, honey. When you need gatorade and are under 1508 01:23:26,920 --> 01:23:31,080 Speaker 1: the weather and don't have someone you're dating, what the 1509 01:23:31,240 --> 01:23:35,120 Speaker 1: fuck is up with you being single and not having 1510 01:23:35,200 --> 01:23:38,000 Speaker 1: someone to fetch your gatorade for If you need gatorade, 1511 01:23:38,040 --> 01:23:39,439 Speaker 1: you need to be in bed. But if you're in bed, 1512 01:23:39,479 --> 01:23:42,200 Speaker 1: you need gatorade. And if you don't have a significant 1513 01:23:42,240 --> 01:23:45,200 Speaker 1: other or even a close friend if she's out of town, Natalie, 1514 01:23:45,640 --> 01:23:49,080 Speaker 1: then you need gatorade and you can't get it. That's 1515 01:23:49,120 --> 01:23:51,600 Speaker 1: not fair. If you need gatorade, you're insane because the 1516 01:23:51,680 --> 01:23:55,000 Speaker 1: way that tastes, if you're not saying so fucking bed, 1517 01:23:55,320 --> 01:23:59,880 Speaker 1: it tastes like like like salty dirt. And you know why, 1518 01:24:00,120 --> 01:24:02,320 Speaker 1: if you need you need you basically need to go 1519 01:24:02,360 --> 01:24:05,439 Speaker 1: to the hospital. So if so, if so, if you 1520 01:24:06,280 --> 01:24:11,280 Speaker 1: are my eggs, if you don't have to give it 1521 01:24:11,280 --> 01:24:14,640 Speaker 1: another and you get sick, that's a problem and you 1522 01:24:14,680 --> 01:24:17,360 Speaker 1: should call nine one one, probably to have them come 1523 01:24:17,479 --> 01:24:20,559 Speaker 1: pick you up because it's more likely. Okay, well let's 1524 01:24:20,600 --> 01:24:22,960 Speaker 1: look at our list. Oh yeah. The only thing a 1525 01:24:23,000 --> 01:24:25,400 Speaker 1: relationship is good for is when you're sick, and you 1526 01:24:25,520 --> 01:24:28,479 Speaker 1: know what, that's it. I don't think Johnny, whatever I 1527 01:24:28,560 --> 01:24:35,920 Speaker 1: said that, I would I would say that that is 1528 01:24:36,520 --> 01:24:38,639 Speaker 1: such a beautiful thing when you have someone to take 1529 01:24:38,680 --> 01:24:40,639 Speaker 1: care of you when you're sick. And that is another 1530 01:24:40,720 --> 01:24:42,919 Speaker 1: thing that gets lost in the tragedy of the breakup, 1531 01:24:43,080 --> 01:24:45,760 Speaker 1: is that losing how getting that person and knowing what 1532 01:24:45,880 --> 01:24:50,080 Speaker 1: that feels like and then losing that is like tragedy, tregedy, tregedy. 1533 01:24:53,160 --> 01:24:57,920 Speaker 1: You're literally the best singer in the go for you 1534 01:24:58,040 --> 01:25:00,000 Speaker 1: to say, I think it's true. Have you ever heard 1535 01:25:00,160 --> 01:25:08,840 Speaker 1: of undrellable chili? Fucking self self burned? That was huge. 1536 01:25:09,000 --> 01:25:11,800 Speaker 1: I would say gatorade tastes absolutely bad. But if you 1537 01:25:12,000 --> 01:25:14,519 Speaker 1: had to do at what flavor is and you know 1538 01:25:14,720 --> 01:25:19,840 Speaker 1: which one is yellow, it's it's a light blue. It's 1539 01:25:20,200 --> 01:25:24,160 Speaker 1: it's okay, it's actually light blue. But what's your what's 1540 01:25:24,160 --> 01:25:27,120 Speaker 1: your being with dark blue? Okay, grape, it's great, it's disgusting. 1541 01:25:27,160 --> 01:25:33,000 Speaker 1: Grape sucks, dark blue stains. Hello. Light blue is newer 1542 01:25:33,960 --> 01:25:37,320 Speaker 1: and it comes in in a curvy bottle. Get with it. 1543 01:25:37,720 --> 01:25:39,320 Speaker 1: And I'm yellow as a classic. I used to have 1544 01:25:39,360 --> 01:25:47,360 Speaker 1: a soccer practice. That's a bra. Also wait, red honey, red, Yes, 1545 01:25:48,360 --> 01:26:00,320 Speaker 1: get like an icy three red No one time. Red 1546 01:26:00,360 --> 01:26:01,920 Speaker 1: Gatorade spilled in my lunch box and there is a 1547 01:26:01,920 --> 01:26:04,560 Speaker 1: little and it just and it clung onto me and 1548 01:26:04,800 --> 01:26:08,160 Speaker 1: fruit punch clung onto the punch punch and I loved that. 1549 01:26:08,439 --> 01:26:12,080 Speaker 1: I have never been able to like really remove myself 1550 01:26:12,120 --> 01:26:14,200 Speaker 1: from the trauma of that moment. You've never yelled at 1551 01:26:14,200 --> 01:26:17,160 Speaker 1: a girl like this. I've never yelled at their like this. Wow. 1552 01:26:17,200 --> 01:26:19,360 Speaker 1: I mean, I think we really covered the whole fucking 1553 01:26:19,439 --> 01:26:22,240 Speaker 1: gam at this episode. We started off really vulnerable and 1554 01:26:22,320 --> 01:26:27,160 Speaker 1: like raw, We started really from a place of vulnerability, 1555 01:26:27,200 --> 01:26:30,320 Speaker 1: which was a topic, and then we cracked that open 1556 01:26:30,520 --> 01:26:33,479 Speaker 1: and let everyone know who exactly we were. And when 1557 01:26:33,640 --> 01:26:35,479 Speaker 1: they got to know who we were, that is when 1558 01:26:35,560 --> 01:26:38,920 Speaker 1: we went into the messages of culture. And that's actually 1559 01:26:38,960 --> 01:26:43,600 Speaker 1: exactly what happened. That's exactly what happened? If you with 1560 01:26:43,800 --> 01:26:47,160 Speaker 1: us to you even want to say to people, not 1561 01:26:47,320 --> 01:26:51,679 Speaker 1: to them, to you, thank you as fucking hell, thank 1562 01:26:51,720 --> 01:26:55,800 Speaker 1: you to fucking hell. Amazing. It's wonderful. We we are obsessed. 1563 01:26:55,920 --> 01:27:00,040 Speaker 1: I I have high key, just fucking you know. I 1564 01:27:00,120 --> 01:27:02,600 Speaker 1: standing a nice standing turn in turn, I stand in 1565 01:27:02,640 --> 01:27:08,800 Speaker 1: turn and holy ship, good night. Actually, um, there is 1566 01:27:08,840 --> 01:27:10,920 Speaker 1: a song that we're going to sing right now, because 1567 01:27:10,960 --> 01:27:16,560 Speaker 1: we do end every episode with a song. Tragedy, tragedy, tragedy. 1568 01:27:17,479 --> 01:27:23,280 Speaker 1: It's a tragedy with It's a tragedy where somebody cries. 1569 01:27:23,320 --> 01:27:45,880 Speaker 1: It's a tragedy where holy things. O. God, God, Oh God, God, God, God. Yeah, God, 1570 01:27:46,760 --> 01:27:57,719 Speaker 1: You're real, God, you exist, God, God, God, Who God. 1571 01:28:00,040 --> 01:28:06,240 Speaker 1: Forever Dog. This has been a Forever Dog production executive 1572 01:28:06,320 --> 01:28:10,600 Speaker 1: produced by Brett Ballum, Joe Silio, and Alex Ramsey. For 1573 01:28:10,720 --> 01:28:15,080 Speaker 1: more original podcasts, please visit Forever Dog Podcasts dot com 1574 01:28:15,640 --> 01:28:19,640 Speaker 1: and subscribe to our shows on Apple Podcasts, Spotify, or 1575 01:28:19,680 --> 01:28:22,400 Speaker 1: wherever you get your podcasts. Keep up with the latest 1576 01:28:22,479 --> 01:28:26,000 Speaker 1: Forever Dog news by following us on Twitter and Instagram 1577 01:28:26,520 --> 01:28:30,560 Speaker 1: at Forever Dog Team, and liking our page on Facebook.