1 00:00:00,240 --> 00:00:04,760 Speaker 1: Hey there, friends, Hey everybody, how's it going? Oh yeah, 2 00:00:04,840 --> 00:00:08,280 Speaker 1: welcome back. Yeah, thanks for joining us again for another 3 00:00:08,360 --> 00:00:14,320 Speaker 1: amazing episode of Ridiculous Romance. This time we are us Roadman, Ridiculous, 4 00:00:14,400 --> 00:00:22,200 Speaker 1: road Trip, Rodiculous Romance, road Ridiculous. I don't know. Let 5 00:00:22,200 --> 00:00:24,680 Speaker 1: the audience vote on that one road did Yeah, y'all 6 00:00:24,720 --> 00:00:32,000 Speaker 1: tell us road trip ulous Romance road trip ulous? I 7 00:00:32,000 --> 00:00:34,080 Speaker 1: think we just changed the show to that. Well, that's 8 00:00:34,080 --> 00:00:36,720 Speaker 1: what we're gonna do. Now. How much do you'all enjoy 9 00:00:36,760 --> 00:00:38,760 Speaker 1: sitting here listen to us talk about our road trips. 10 00:00:39,080 --> 00:00:41,239 Speaker 1: Let me tell you about every taco I ate the 11 00:00:41,360 --> 00:00:47,600 Speaker 1: last month. Well, just in case you missed the last episode, 12 00:00:48,120 --> 00:00:51,080 Speaker 1: just unlet you'll know what's going on. We we decided 13 00:00:51,120 --> 00:00:53,920 Speaker 1: to bring you all a couple episodes about our trip. 14 00:00:54,240 --> 00:00:56,840 Speaker 1: Um I hadn't heard. We're dealing with kind of a 15 00:00:56,840 --> 00:01:01,280 Speaker 1: difficult time right now. At home. We had to say 16 00:01:01,280 --> 00:01:06,560 Speaker 1: goodbye to our beloved dog and our producer. It's just 17 00:01:06,640 --> 00:01:11,679 Speaker 1: the best, fluffiest, sweetest boy you ever would need. Um, 18 00:01:12,440 --> 00:01:16,560 Speaker 1: And we had to he left us pretty suddenly shortly 19 00:01:16,600 --> 00:01:19,840 Speaker 1: before we went out of town. And you know, we 20 00:01:20,000 --> 00:01:22,600 Speaker 1: we we talked in the last episode already about dealing 21 00:01:22,640 --> 00:01:26,240 Speaker 1: with that. But where it led us is to taking 22 00:01:26,280 --> 00:01:28,160 Speaker 1: a little break from the research for a second while 23 00:01:28,200 --> 00:01:29,840 Speaker 1: we sort of get our heads back in the game, 24 00:01:29,920 --> 00:01:32,560 Speaker 1: get back on our feet, And we decided we would 25 00:01:32,680 --> 00:01:34,920 Speaker 1: bring you all on our journey that we shared with 26 00:01:35,000 --> 00:01:39,040 Speaker 1: Cherry and Jason out west. It's been super fun having 27 00:01:39,080 --> 00:01:42,400 Speaker 1: all four of us together. We think is always a 28 00:01:42,440 --> 00:01:48,040 Speaker 1: pretty hilarious time. Um, a lot of goofy banter. Jason 29 00:01:48,080 --> 00:01:51,400 Speaker 1: and Cherry each such characters of their own and we 30 00:01:51,480 --> 00:01:53,080 Speaker 1: love spending time with them, and I hope you all 31 00:01:53,120 --> 00:01:56,960 Speaker 1: do too. Yes, So yeah, and we were I think 32 00:01:56,960 --> 00:01:59,600 Speaker 1: we were trying to do it in one episode. Yeah, 33 00:01:59,640 --> 00:02:04,280 Speaker 1: but you know, we do be going off on tangent. 34 00:02:06,000 --> 00:02:09,000 Speaker 1: I guarantee that what you're hearing in these episodes is 35 00:02:09,040 --> 00:02:12,320 Speaker 1: a fraction of what we actually recorded, because man, but 36 00:02:12,440 --> 00:02:14,560 Speaker 1: probably a really good look into what it would be 37 00:02:14,600 --> 00:02:18,520 Speaker 1: like to travel with all four. So you've been warned. 38 00:02:18,560 --> 00:02:20,720 Speaker 1: We're trying to do one thing and who knows what's 39 00:02:20,720 --> 00:02:24,840 Speaker 1: gonna happen. So last episode we talked about Las Vegas 40 00:02:25,760 --> 00:02:30,120 Speaker 1: City and all the insane times we have there, just 41 00:02:30,520 --> 00:02:34,280 Speaker 1: basically four straight days of stuffing our faces. I think 42 00:02:34,320 --> 00:02:38,440 Speaker 1: it's more or less, what happened that thing? And living 43 00:02:38,520 --> 00:02:42,959 Speaker 1: in utter opulence that we don't we don't deserve. We're 44 00:02:42,960 --> 00:02:48,880 Speaker 1: just we're just regular folks like yourself. But now we 45 00:02:48,919 --> 00:02:52,400 Speaker 1: can't go back. But we did have to go back 46 00:02:52,440 --> 00:02:55,760 Speaker 1: because next we traveled to Los Angeles. Nobody cared about 47 00:02:55,760 --> 00:02:59,520 Speaker 1: our diamond status. We were just regular old tourists. Sorry, 48 00:02:59,720 --> 00:03:04,040 Speaker 1: you make your own way here, ain't no concierge l A. 49 00:03:05,560 --> 00:03:08,160 Speaker 1: So we went to l A and for about four 50 00:03:08,200 --> 00:03:11,520 Speaker 1: straight days we stuffed our faces. Yeah, it was a 51 00:03:11,560 --> 00:03:14,760 Speaker 1: big part of the trip. Where and what are we eating? 52 00:03:15,360 --> 00:03:18,240 Speaker 1: So I do hope you'll enjoy this. We had a 53 00:03:18,240 --> 00:03:20,160 Speaker 1: good time. We had a good time talking about it. 54 00:03:20,400 --> 00:03:23,600 Speaker 1: I don't know. Sometimes it's fun to listen to people's vacations. 55 00:03:23,960 --> 00:03:26,680 Speaker 1: Some people hate it. I don't know. I always love it, 56 00:03:26,880 --> 00:03:28,960 Speaker 1: you know what, like for social media, Like I don't 57 00:03:29,000 --> 00:03:31,000 Speaker 1: like your trip photos, I don't like your meal photos. 58 00:03:31,040 --> 00:03:33,120 Speaker 1: I'm like, what are you talking about? You don't want 59 00:03:33,120 --> 00:03:37,840 Speaker 1: to see people and enjoying. Yeah, that's true, that's true, 60 00:03:37,880 --> 00:03:40,400 Speaker 1: instead of like, hey, I want to see I want 61 00:03:40,400 --> 00:03:42,880 Speaker 1: to see people post their hotcakes. Yeah, I'm sick of 62 00:03:42,960 --> 00:03:46,240 Speaker 1: this happy life stuff. Yeah, I think you know what, 63 00:03:46,680 --> 00:03:50,400 Speaker 1: like late two thou two thousand eight, two thou twelve, 64 00:03:50,480 --> 00:03:53,840 Speaker 1: and there everyone got angry about people posting their food picks, 65 00:03:54,280 --> 00:03:58,040 Speaker 1: And I'm like, is this what you wanted? You are 66 00:03:58,120 --> 00:04:02,200 Speaker 1: people posting politics? You want people to say something divisive. 67 00:04:02,280 --> 00:04:05,800 Speaker 1: For God's sank, God, give me your mundane daily activities. 68 00:04:05,840 --> 00:04:08,560 Speaker 1: I would rather read went to CVS today kind of 69 00:04:08,600 --> 00:04:12,280 Speaker 1: a long line than let me tell you something about 70 00:04:12,280 --> 00:04:15,160 Speaker 1: the FED. You know, the line was longer than the 71 00:04:15,160 --> 00:04:24,800 Speaker 1: rest sipt and like reacts that solid stuff. I'll be 72 00:04:24,839 --> 00:04:30,120 Speaker 1: starting my CVS A world tour any day now. Well 73 00:04:30,520 --> 00:04:32,520 Speaker 1: that's what you're about to get here as we talk 74 00:04:32,560 --> 00:04:35,320 Speaker 1: about our trip to Los Angeles. But Cherry and Jason, yes, 75 00:04:35,360 --> 00:04:38,680 Speaker 1: which we find historic at least for our personal life. 76 00:04:39,680 --> 00:04:41,760 Speaker 1: But don't worry, we'll be back to the history soon. 77 00:04:42,360 --> 00:04:45,760 Speaker 1: Get into our scary stories for spooky season and everything. 78 00:04:45,880 --> 00:04:50,279 Speaker 1: So yeah, enjoy these this little break from the norm. Yeah, 79 00:04:50,560 --> 00:04:54,279 Speaker 1: let's dive in. Yeah, Hey the French, come listen. Well, 80 00:04:54,600 --> 00:04:58,280 Speaker 1: Elia and Diana got some stories to tell. There's no matchmaking, 81 00:04:58,279 --> 00:05:02,840 Speaker 1: a romantic tips. It's just about ridiculous relationships, a love. 82 00:05:02,880 --> 00:05:05,240 Speaker 1: There might be any type of person at all, and 83 00:05:05,320 --> 00:05:08,400 Speaker 1: abstract cons that don't a concrete ball. But if there's 84 00:05:08,400 --> 00:05:13,360 Speaker 1: a story. Were the second Glans ridiculous roll? Yes? A 85 00:05:13,480 --> 00:05:17,040 Speaker 1: production of I Heart Radio. So, Cherry Jason, thank you 86 00:05:17,080 --> 00:05:20,719 Speaker 1: so much for coming back to talk more about all 87 00:05:20,760 --> 00:05:25,400 Speaker 1: the time we just spent together very recently, very recently. 88 00:05:26,240 --> 00:05:28,560 Speaker 1: Go back through it all again, so it's like it 89 00:05:28,640 --> 00:05:34,960 Speaker 1: never stopped. Keep the party going, avoid reality a little longer. Well, 90 00:05:35,000 --> 00:05:37,000 Speaker 1: when last we left off, I guess we had just 91 00:05:37,120 --> 00:05:39,559 Speaker 1: drove away from VA. We just drove away. We packed 92 00:05:39,600 --> 00:05:44,720 Speaker 1: up the car and checked out of the Bellaggio. Goodbye Bellaggio. 93 00:05:44,800 --> 00:05:47,839 Speaker 1: We'll miss your opulent Yeah, so it was about to 94 00:05:47,839 --> 00:05:50,760 Speaker 1: be less of an opulent trip. I guess you could 95 00:05:50,800 --> 00:05:54,480 Speaker 1: say it was this orienting, right or none of us 96 00:05:54,520 --> 00:05:59,320 Speaker 1: were Diamond members in Los Angeles. There's no rewards program, 97 00:05:59,400 --> 00:06:02,960 Speaker 1: and that it would. I'll say, Diana and I love 98 00:06:03,000 --> 00:06:06,919 Speaker 1: a road trip. Will drive clearly across the country in 99 00:06:06,960 --> 00:06:10,360 Speaker 1: either direction. We've done it a few times, uh and uh, 100 00:06:10,360 --> 00:06:12,400 Speaker 1: and it's been great. I'm so glad that Diana puts 101 00:06:12,480 --> 00:06:15,159 Speaker 1: up with it because I love to do it. And 102 00:06:15,279 --> 00:06:17,000 Speaker 1: I was saying I was really glad that she's not 103 00:06:17,520 --> 00:06:20,440 Speaker 1: someone who you know, says that that's insane. I would 104 00:06:20,440 --> 00:06:23,600 Speaker 1: never sit in a car for that long. You guys, however, 105 00:06:24,440 --> 00:06:26,960 Speaker 1: I think that's your normal. So you think that's insane 106 00:06:26,960 --> 00:06:31,160 Speaker 1: and you would never sit a car. Well, I will say, 107 00:06:31,320 --> 00:06:36,200 Speaker 1: if Skynet is developed is developing a robot, that only 108 00:06:37,880 --> 00:06:40,520 Speaker 1: if skyne is developing a robot, the only drives they 109 00:06:40,520 --> 00:06:44,440 Speaker 1: should use you as a a I think that good 110 00:06:44,440 --> 00:06:48,640 Speaker 1: idea goodness to plug it into the robot. Don't even 111 00:06:48,680 --> 00:06:51,000 Speaker 1: make any modifications, just be like, all right, robot, get 112 00:06:51,000 --> 00:06:55,320 Speaker 1: to driving. That's fair. You're tolerant, I mean, you're tolerance 113 00:06:55,320 --> 00:06:59,120 Speaker 1: for driving. Yeah, you really enjoy it. Like I've I've 114 00:06:59,240 --> 00:07:01,480 Speaker 1: driven across country, like I've been on a family road 115 00:07:01,520 --> 00:07:08,160 Speaker 1: trips where we've gone from like San Francisco to Georgia. Yeah, 116 00:07:08,560 --> 00:07:13,120 Speaker 1: so I've been through that. You're like, never again. And 117 00:07:13,200 --> 00:07:15,840 Speaker 1: I know it was cool. It was interesting, you know, 118 00:07:15,960 --> 00:07:17,560 Speaker 1: driving through the desert for the first time. It was 119 00:07:17,600 --> 00:07:20,960 Speaker 1: just like insane. But it's like, I don't think it's 120 00:07:20,960 --> 00:07:24,800 Speaker 1: something I would choose to do. I had the option 121 00:07:24,880 --> 00:07:29,640 Speaker 1: to fly, which we did for this tip, right, yes, 122 00:07:29,880 --> 00:07:33,720 Speaker 1: But the drive from Vegas to l A, however, oh 123 00:07:33,760 --> 00:07:38,880 Speaker 1: my gosh, it was only four or four hour drive 124 00:07:39,360 --> 00:07:42,720 Speaker 1: or four four hours, yes, but you know, I was 125 00:07:42,880 --> 00:07:47,320 Speaker 1: like insisting we stopped in to break it up a 126 00:07:47,400 --> 00:07:49,920 Speaker 1: little bit, and that was so it wasn't a bad 127 00:07:50,000 --> 00:07:52,800 Speaker 1: drive at all. Yeah. We stopped at some place called, um, 128 00:07:52,960 --> 00:07:58,640 Speaker 1: what was it, susie Que Diner. Yeah, they had thing. 129 00:07:59,000 --> 00:08:02,000 Speaker 1: They had Betty, a big Betty boot standing like a 130 00:08:02,200 --> 00:08:07,520 Speaker 1: six huge and they also have Blues Brothers statues. Right, 131 00:08:07,960 --> 00:08:11,240 Speaker 1: they have big life size Blues Brothers statue. Yeah. And 132 00:08:11,240 --> 00:08:14,000 Speaker 1: the Blues Brothers for those that need, you know, to 133 00:08:14,080 --> 00:08:17,720 Speaker 1: go to their mind palace to invent their mind. Their 134 00:08:17,800 --> 00:08:23,600 Speaker 1: Blues Brothers are seven ft bigger than life size. Yeah. Yeah, 135 00:08:23,760 --> 00:08:26,640 Speaker 1: and they're both in the main dining area and they're 136 00:08:26,680 --> 00:08:32,200 Speaker 1: both they both have their arms and legs flinging their 137 00:08:32,320 --> 00:08:38,520 Speaker 1: arms ecstatically flying in the very action an action movement, 138 00:08:38,600 --> 00:08:43,880 Speaker 1: pure sort of. And I regret to from you that facially, 139 00:08:46,320 --> 00:08:54,559 Speaker 1: I mean capture was just legal enough of a statue, 140 00:08:55,679 --> 00:08:57,840 Speaker 1: you know what it's like A It's like you told 141 00:08:57,880 --> 00:09:04,200 Speaker 1: an AI program the Blues Brothers and then print three 142 00:09:04,280 --> 00:09:09,920 Speaker 1: d um. What I thought was interesting in there were 143 00:09:09,960 --> 00:09:13,400 Speaker 1: those little statues, um. And remember this is an explicit 144 00:09:13,480 --> 00:09:17,920 Speaker 1: rated podcast, so yeah, it was Disney princesses. Um there 145 00:09:17,960 --> 00:09:20,000 Speaker 1: were many, you know, they were like six inches tall 146 00:09:20,080 --> 00:09:22,600 Speaker 1: or something, many figurines in a glass case. And it'd 147 00:09:22,600 --> 00:09:27,040 Speaker 1: be like Cinderella with her skirt like split open and 148 00:09:27,200 --> 00:09:30,240 Speaker 1: under the skirt was like a little even more miniature 149 00:09:30,800 --> 00:09:35,840 Speaker 1: diorama of the carriage and the horses pulling in was 150 00:09:35,920 --> 00:09:39,360 Speaker 1: like the cottage snow White with her skirt hiked up 151 00:09:39,400 --> 00:09:42,440 Speaker 1: and underneath was like the cottage of the Dowars. Yes, 152 00:09:43,120 --> 00:09:44,480 Speaker 1: And I was like, are you trying to say that 153 00:09:44,520 --> 00:09:48,080 Speaker 1: my vagina is a cottage for the dwarf? I mean 154 00:09:48,160 --> 00:09:53,960 Speaker 1: it's been said, but wow, who said that about me? Gosh, 155 00:09:54,440 --> 00:09:59,680 Speaker 1: it was very strange. Ariel to Ariel like slit wide open, 156 00:10:00,160 --> 00:10:03,040 Speaker 1: which was like an under the sea. I think that 157 00:10:03,160 --> 00:10:07,920 Speaker 1: would kill her. It was very strange. I will say, though, Okay, 158 00:10:07,960 --> 00:10:10,120 Speaker 1: you say it hiked up the skirt, so you're kind 159 00:10:10,120 --> 00:10:14,160 Speaker 1: of making it sound like she's like like, look at this. 160 00:10:15,400 --> 00:10:22,000 Speaker 1: Take a look. They're more standing there. They're part like 161 00:10:22,040 --> 00:10:26,000 Speaker 1: a gun yeah, greed, Yeah, hiked up to me, it 162 00:10:26,080 --> 00:10:33,520 Speaker 1: is more okay, take a look. You know what they're 163 00:10:33,559 --> 00:10:35,920 Speaker 1: doing that they're like spreading it like a curtain to 164 00:10:36,480 --> 00:10:40,400 Speaker 1: let you take a look the world she's a built 165 00:10:40,480 --> 00:10:45,480 Speaker 1: on her. I did love there was a ton of 166 00:10:46,320 --> 00:10:49,680 Speaker 1: Lucy and DESI yeah, paraphernalia there I wanted to load 167 00:10:49,760 --> 00:10:56,120 Speaker 1: up on. And Marilyn Monroe was painted on the bathroom 168 00:10:56,120 --> 00:10:59,480 Speaker 1: wall right right where she I'm sure she would love 169 00:10:59,520 --> 00:11:02,760 Speaker 1: to be there, and she'd saying best wishes or something, 170 00:11:03,640 --> 00:11:07,600 Speaker 1: best wishes on your p I think that in the 171 00:11:07,600 --> 00:11:10,600 Speaker 1: women's bathroom there was like a statue of a cowboy 172 00:11:11,080 --> 00:11:14,120 Speaker 1: like leaning over and he had his hand on the 173 00:11:14,160 --> 00:11:16,560 Speaker 1: wall and a lot of women like with his back 174 00:11:16,600 --> 00:11:18,880 Speaker 1: turned to the door like he was peeing in a 175 00:11:19,000 --> 00:11:21,280 Speaker 1: year and all. And the women came in were like 176 00:11:21,679 --> 00:11:24,080 Speaker 1: like I really thought that there was a guy in there. 177 00:11:24,840 --> 00:11:26,440 Speaker 1: I was like, I don't know if you should have 178 00:11:26,480 --> 00:11:29,280 Speaker 1: this statue in here. It's a funny, it's kind of 179 00:11:29,320 --> 00:11:32,920 Speaker 1: a lot of I was like, it's like I'm not 180 00:11:32,960 --> 00:11:36,079 Speaker 1: saying it was like this is did I walk into 181 00:11:36,120 --> 00:11:39,080 Speaker 1: the wrong bathroom or what's going on? Like what is 182 00:11:39,080 --> 00:11:41,680 Speaker 1: wrong with this bathroom? Might just have to be and yeah, 183 00:11:41,720 --> 00:11:44,920 Speaker 1: why why is the bathroom such a weird place? I 184 00:11:44,920 --> 00:11:47,400 Speaker 1: think the bathroom should just leave him out of you 185 00:11:47,400 --> 00:11:51,320 Speaker 1: know what I mean? Just let the bathrooms, Yes, no, No, 186 00:11:51,320 --> 00:11:55,920 Speaker 1: nobody's standing in there. No mannequins, No mannequins, I agree. 187 00:11:56,120 --> 00:11:59,480 Speaker 1: But we had burgers and shakes at Peggy Sus. We 188 00:11:59,600 --> 00:12:02,040 Speaker 1: hit the ro again and we made our way into 189 00:12:02,080 --> 00:12:04,920 Speaker 1: Los Angeles. Ended up staying in Hollywood, like right in 190 00:12:04,960 --> 00:12:07,719 Speaker 1: Hollywood in the Vinyl District. It was like a lot 191 00:12:07,760 --> 00:12:10,920 Speaker 1: of recording studios there and like a lot of history 192 00:12:10,960 --> 00:12:13,319 Speaker 1: of music history going on. So I was really cool, 193 00:12:13,559 --> 00:12:16,280 Speaker 1: super awesome. It's a really dope neighborhood. Actually, we stayed 194 00:12:16,320 --> 00:12:19,880 Speaker 1: at Airbnb this time, a lot different than the Baccio 195 00:12:22,160 --> 00:12:25,400 Speaker 1: talk to the system. We were like in plush, king 196 00:12:25,600 --> 00:12:31,079 Speaker 1: size beds. I'm like, you know, chili and I love 197 00:12:31,160 --> 00:12:34,640 Speaker 1: that when cold room like a bundled up in my blankets. 198 00:12:34,960 --> 00:12:39,160 Speaker 1: But now I'm like sleeping with like my shirt off, 199 00:12:39,720 --> 00:12:43,400 Speaker 1: blank just kicked down to my feet, and like, what 200 00:12:43,559 --> 00:12:47,400 Speaker 1: is happening? Where we go wrong? Where you go wrong? 201 00:12:47,600 --> 00:12:50,480 Speaker 1: You have to ask, though, if I was listening to 202 00:12:50,520 --> 00:12:54,080 Speaker 1: a podcast and I was commuting somewhere right now, I 203 00:12:54,120 --> 00:12:58,959 Speaker 1: had to listen to someone else complain air ben b 204 00:12:59,240 --> 00:13:04,040 Speaker 1: Room is a little too high, I might be like 205 00:13:07,080 --> 00:13:11,360 Speaker 1: podcast all I'm saying, I think everybody needs to learn 206 00:13:11,400 --> 00:13:16,640 Speaker 1: that exactly. Money changes, money changes you, status changes you don't. 207 00:13:16,800 --> 00:13:19,959 Speaker 1: Don't don't try nice things, or you'll never be happy 208 00:13:20,200 --> 00:13:24,319 Speaker 1: unless you can afford them forever. Lesson to be learned 209 00:13:24,360 --> 00:13:29,079 Speaker 1: here the lesson We did eat gruel the remainder of 210 00:13:30,240 --> 00:13:35,920 Speaker 1: Morning Union night. Exactly, you uber eat some gruel for 211 00:13:36,040 --> 00:13:39,120 Speaker 1: like I have a little robot shows up with it. 212 00:13:39,760 --> 00:13:42,400 Speaker 1: We saw all over l A. All over l A, 213 00:13:42,480 --> 00:13:45,160 Speaker 1: we saw delivery robots rolling around little R two D 214 00:13:45,240 --> 00:13:48,160 Speaker 1: twos bringing food the people's houses. And they have different names. 215 00:13:49,120 --> 00:13:52,839 Speaker 1: We saw Ashley and Isaiah leone, but they were also 216 00:13:53,200 --> 00:13:55,480 Speaker 1: seemed to confused, like they would stop in the middle 217 00:13:55,480 --> 00:13:57,880 Speaker 1: of the sidewalk and just kind of just like be 218 00:13:57,960 --> 00:13:59,960 Speaker 1: thinking for a minute, you're in l A and you're 219 00:14:00,040 --> 00:14:03,160 Speaker 1: waiting on your delivery food robot to show up. It 220 00:14:03,280 --> 00:14:06,280 Speaker 1: is at a stoplight somewhere, just waiting, has no idea 221 00:14:06,320 --> 00:14:09,640 Speaker 1: what to do. It felt like a little child is 222 00:14:10,400 --> 00:14:14,040 Speaker 1: I wanted to give it. I was concerned for you, 223 00:14:14,200 --> 00:14:17,680 Speaker 1: like it it's like, oh no, don't there's a little 224 00:14:18,160 --> 00:14:22,640 Speaker 1: bump there, please, oh please move out of the robot's way, 225 00:14:23,040 --> 00:14:26,200 Speaker 1: trying to like then I'm sorry, you know. It was 226 00:14:26,240 --> 00:14:29,160 Speaker 1: like watching out it was really, where's your mom bought? 227 00:14:29,280 --> 00:14:32,520 Speaker 1: Do you know mommy bought? I really wanted to follow 228 00:14:32,560 --> 00:14:37,480 Speaker 1: it and make sure it was weird. It was weird. 229 00:14:37,520 --> 00:14:39,600 Speaker 1: It felt very shy too, because I kept like trying 230 00:14:39,600 --> 00:14:41,320 Speaker 1: to film them moving and as soon as I put 231 00:14:41,320 --> 00:14:43,440 Speaker 1: my camera on it, they would just stop. I want 232 00:14:43,440 --> 00:14:45,520 Speaker 1: to know if they actually work, because we did look 233 00:14:45,520 --> 00:14:47,760 Speaker 1: it up, like we're like, are they effective? Are they 234 00:14:47,800 --> 00:14:49,880 Speaker 1: getting where they need to go? Are people getting their 235 00:14:49,880 --> 00:14:53,520 Speaker 1: food and everything? And couldn't really find anything. They were 236 00:14:53,560 --> 00:14:56,720 Speaker 1: just a lot of headlines about how they were rolling 237 00:14:56,720 --> 00:14:58,760 Speaker 1: out the program and stuff. So if anyone lives in 238 00:14:58,800 --> 00:15:02,160 Speaker 1: California and has has in fact accepted a delivery from 239 00:15:02,160 --> 00:15:05,640 Speaker 1: a robot, I would love to hear how it. So, yeah, 240 00:15:05,720 --> 00:15:13,160 Speaker 1: we got to l a I catch you off the 241 00:15:13,160 --> 00:15:15,920 Speaker 1: next one. Uh yeah, I think you're right. We got 242 00:15:15,920 --> 00:15:17,520 Speaker 1: there late, so we like went out, we had a 243 00:15:17,520 --> 00:15:20,880 Speaker 1: couple of drinks, We went back and crashed, and the 244 00:15:20,960 --> 00:15:23,000 Speaker 1: next day we kind of like started our l a 245 00:15:23,400 --> 00:15:28,360 Speaker 1: experience with grant Place Market because I know Cherry has 246 00:15:28,400 --> 00:15:32,960 Speaker 1: got the restaurant eggsplet on her list. Yeah, and it's 247 00:15:33,000 --> 00:15:37,080 Speaker 1: also you know, it's a big food food hall, but 248 00:15:37,120 --> 00:15:41,840 Speaker 1: it's like historically the original marketplace for downtown l A. 249 00:15:42,680 --> 00:15:45,880 Speaker 1: Now it turned into a lovely food hall with lots 250 00:15:45,920 --> 00:15:50,520 Speaker 1: of amazing food options. And we ate eggslet obviously, and 251 00:15:50,520 --> 00:15:54,240 Speaker 1: then we tried more and more food, like like we 252 00:15:54,280 --> 00:15:56,440 Speaker 1: can't leave, I know. I was like, I want to 253 00:15:56,480 --> 00:16:01,240 Speaker 1: eat like tiny portions of everything. Is that possible? Although 254 00:16:01,320 --> 00:16:06,240 Speaker 1: you were just shipping all over Buffet's was, But it's different, 255 00:16:06,280 --> 00:16:11,120 Speaker 1: it's different. It's differ. I pay for each individual dish. 256 00:16:11,320 --> 00:16:16,840 Speaker 1: They try harder, they try harder. But one thing I 257 00:16:16,880 --> 00:16:19,680 Speaker 1: did like about that food hall was that they also 258 00:16:19,760 --> 00:16:24,520 Speaker 1: had a Filipino Yeah you remember what it was called? 259 00:16:24,840 --> 00:16:29,480 Speaker 1: Um sorry sorry store. Filipino food is huge on the 260 00:16:29,480 --> 00:16:33,600 Speaker 1: West Coast because huge population of Filipinos over there. It's 261 00:16:33,600 --> 00:16:36,480 Speaker 1: a little close to the Philippines and it is Atlanta, 262 00:16:37,000 --> 00:16:42,000 Speaker 1: so um, definitely trying some Filipino food. UM was on 263 00:16:42,040 --> 00:16:44,160 Speaker 1: the list of things to do like high up there? 264 00:16:44,320 --> 00:16:47,640 Speaker 1: Yeah yeah, how did it measure up your mother's cooking? 265 00:16:47,720 --> 00:16:50,920 Speaker 1: I know your mom's cooking. Any restaurant has to measure 266 00:16:50,960 --> 00:16:55,120 Speaker 1: up to your Well, if you talk to any Filipino person, 267 00:16:55,280 --> 00:16:57,560 Speaker 1: like nobody cooks as good as there, of course, yeah, 268 00:16:57,640 --> 00:17:01,840 Speaker 1: of course, like that's just a given. So Mom, if 269 00:17:01,840 --> 00:17:06,919 Speaker 1: you're listening, it was not a good yours this better? 270 00:17:07,200 --> 00:17:09,800 Speaker 1: I love you. That's what's funny is when I when 271 00:17:10,119 --> 00:17:14,440 Speaker 1: I first started talking to Cherry's family, you know, I'd 272 00:17:14,480 --> 00:17:16,560 Speaker 1: be like, oh, there's some Filipino spots up here. We 273 00:17:16,640 --> 00:17:20,120 Speaker 1: gotta get you guys up there to try them, yeah, 274 00:17:20,240 --> 00:17:27,800 Speaker 1: in Atlanta, And they were like no, like no, it's 275 00:17:27,800 --> 00:17:29,360 Speaker 1: not going to be as good as what we make here. 276 00:17:30,560 --> 00:17:34,000 Speaker 1: I don't really want to try, right, Like I was like, okay, okay, 277 00:17:34,040 --> 00:17:36,600 Speaker 1: my bad, that's crazy. I want to I do want 278 00:17:36,600 --> 00:17:39,439 Speaker 1: to say about the Sorry Sorry store in l A. 279 00:17:40,480 --> 00:17:44,280 Speaker 1: The hollow hollow that I had there was the best 280 00:17:44,280 --> 00:17:47,600 Speaker 1: hollow hollow I've ever had. What is Hello Hello? Hello 281 00:17:47,680 --> 00:17:51,159 Speaker 1: Hello is a shaved ice dessert in the Philippines, And 282 00:17:51,200 --> 00:17:54,719 Speaker 1: it's just a bunch of little sweet ingredience you can 283 00:17:54,760 --> 00:17:58,359 Speaker 1: add to it, and it's the skuy's limit is what 284 00:17:58,440 --> 00:18:01,120 Speaker 1: you can add it. But usually there's like some kind 285 00:18:01,119 --> 00:18:07,280 Speaker 1: of sweetened bean or um blond blond traditional putting their 286 00:18:07,560 --> 00:18:11,560 Speaker 1: UBEI ubey something right, I love it, and some kind 287 00:18:11,560 --> 00:18:14,439 Speaker 1: of colconut element. Those are like traditional and then like 288 00:18:14,480 --> 00:18:17,160 Speaker 1: you know a little crispy, kind of fried rice, kind 289 00:18:17,160 --> 00:18:21,600 Speaker 1: of crunchy thing texture, So it's all, you know, the 290 00:18:21,680 --> 00:18:25,000 Speaker 1: journey is like sweetness and textures like the flaw and 291 00:18:25,040 --> 00:18:27,600 Speaker 1: the cruncheese and the ice. It's a whole thing and 292 00:18:27,800 --> 00:18:29,720 Speaker 1: you're just supposed to mix it all up and eat 293 00:18:29,720 --> 00:18:33,639 Speaker 1: it as one dessert. But like, I don't know, I 294 00:18:33,720 --> 00:18:38,000 Speaker 1: don't know exactly what it was, but it was definitely 295 00:18:38,040 --> 00:18:41,159 Speaker 1: the best I've ever well, I'm sorry, Sorry sends us 296 00:18:41,200 --> 00:18:45,719 Speaker 1: a free care package for this, for this promo, I know, 297 00:18:46,280 --> 00:19:00,080 Speaker 1: I mean the mail rolls up to the studio, you 298 00:19:00,800 --> 00:19:07,960 Speaker 1: ridiculous from. I would definitely eat it. We got to 299 00:19:08,000 --> 00:19:09,920 Speaker 1: try a little piece of the Hello Hollo, didn't me? 300 00:19:10,560 --> 00:19:13,280 Speaker 1: I didn't you did. I was a boarding sugar at 301 00:19:13,280 --> 00:19:16,560 Speaker 1: the time, which I do sometimes. I was. I was 302 00:19:16,600 --> 00:19:21,720 Speaker 1: speaking out sugar. I was actively looking for sugar experiences. Um, 303 00:19:21,760 --> 00:19:24,120 Speaker 1: and yeah, it was really good. I've never had hollow hollow, 304 00:19:24,160 --> 00:19:25,639 Speaker 1: so I'm nothing to compare it to, but it was 305 00:19:25,720 --> 00:19:29,520 Speaker 1: very tasty. We should try more so you can compare exactly. 306 00:19:29,560 --> 00:19:33,400 Speaker 1: I'll be like m I started high. I started very high, Barr. 307 00:19:33,720 --> 00:19:35,359 Speaker 1: It's like going to the bellagio and then go to 308 00:19:35,400 --> 00:19:43,080 Speaker 1: an Airbnb. Yeah, I had that good life. Well anyway, 309 00:19:43,119 --> 00:19:46,800 Speaker 1: Grand Central Market, great times, great food, and this is 310 00:19:46,840 --> 00:19:48,960 Speaker 1: a great spot for a break. We will be right back, 311 00:19:51,119 --> 00:19:53,320 Speaker 1: all right, welcome back to the show. Since we were downtown, 312 00:19:53,359 --> 00:19:56,119 Speaker 1: we went to Last Bookstore, which is also one of 313 00:19:56,160 --> 00:19:58,680 Speaker 1: the coolest places in La I've ever been. I love 314 00:19:59,000 --> 00:20:01,960 Speaker 1: an old bookstore anyway, but this is so cool. It's 315 00:20:01,960 --> 00:20:03,760 Speaker 1: in like an old bank. I don't know. I love 316 00:20:03,800 --> 00:20:05,359 Speaker 1: a bookstore, so as soon as I walked in, I 317 00:20:05,400 --> 00:20:09,760 Speaker 1: was like my happy place. I get really kind of 318 00:20:10,320 --> 00:20:12,400 Speaker 1: I get kind of disoriented bookstores, Like when I see 319 00:20:12,400 --> 00:20:15,919 Speaker 1: a shelf full of books, my brain just scrambles all 320 00:20:15,920 --> 00:20:18,560 Speaker 1: the letters together and it's hard to like single things 321 00:20:18,600 --> 00:20:20,159 Speaker 1: out became so I have a hard time just like 322 00:20:20,280 --> 00:20:23,080 Speaker 1: randomly browsing bookstores. I kind of have to know what 323 00:20:23,119 --> 00:20:27,760 Speaker 1: I'm going for. But this place has so much designed 324 00:20:27,840 --> 00:20:30,159 Speaker 1: to it. There's so much crazy crap on the walls, 325 00:20:30,200 --> 00:20:33,080 Speaker 1: and the bookshelves are all wonky and weird, and there's 326 00:20:33,119 --> 00:20:38,479 Speaker 1: like tunnels of connels. That is something though, I do 327 00:20:38,560 --> 00:20:41,040 Speaker 1: like about a bookstore, especially this one, because they have 328 00:20:41,040 --> 00:20:42,800 Speaker 1: a lot of used books, so you would pick a 329 00:20:42,840 --> 00:20:44,800 Speaker 1: book up and be like, I'm kind of interested. Oh, 330 00:20:44,880 --> 00:20:47,439 Speaker 1: it's only three dollars, I'm gonna get it. You know, 331 00:20:47,920 --> 00:20:50,720 Speaker 1: at Last Bookstore, I get to judge books by their 332 00:20:50,720 --> 00:20:53,760 Speaker 1: cover very literally and say, oh I like that that 333 00:20:53,760 --> 00:20:56,040 Speaker 1: that the title is cool, the cover is cool, the 334 00:20:56,080 --> 00:20:58,600 Speaker 1: description is interesting. I'll buy it. It's only five bucks, 335 00:20:58,640 --> 00:21:01,480 Speaker 1: so I bought like three or four boo. Found some 336 00:21:01,480 --> 00:21:04,479 Speaker 1: cool stuff in there. You yeah, oh yeah, I just 337 00:21:04,520 --> 00:21:07,800 Speaker 1: want to bring around the book cover thing. Book covers 338 00:21:07,840 --> 00:21:10,920 Speaker 1: are important. They are there, you go, they are. You've 339 00:21:10,960 --> 00:21:14,199 Speaker 1: designed a book cover, You've designed some book covers. I've 340 00:21:14,240 --> 00:21:19,479 Speaker 1: designed several book covers. That's right. They are important. So 341 00:21:19,520 --> 00:21:24,600 Speaker 1: we can judge that you want to tell us. There's 342 00:21:24,680 --> 00:21:27,040 Speaker 1: a few of your book covers that we can go. 343 00:21:27,480 --> 00:21:31,479 Speaker 1: We can go find. There is a trilogy that I 344 00:21:31,560 --> 00:21:35,760 Speaker 1: did for stand Heat and the Third Yeah, an actual 345 00:21:35,840 --> 00:21:38,640 Speaker 1: friend of the show. Yeah, the Other Side Tales. Yes, 346 00:21:38,840 --> 00:21:41,800 Speaker 1: Other Side Tales had already written them and I just 347 00:21:41,920 --> 00:21:46,000 Speaker 1: did a redesign. Okay, so yeah, that was really fun project. Also, 348 00:21:46,720 --> 00:21:50,800 Speaker 1: there's a Southern Stories, Old Southern Stories from Tim west Over. 349 00:21:51,000 --> 00:21:54,240 Speaker 1: It's an anthology of spooky, strange stories from the South, 350 00:21:54,440 --> 00:21:58,080 Speaker 1: the old weird South, the old weird. But yeah, the 351 00:21:58,880 --> 00:22:02,840 Speaker 1: last book store. There a huge art section right in 352 00:22:02,880 --> 00:22:05,680 Speaker 1: the front, and it's definitely a place where I got 353 00:22:05,680 --> 00:22:09,000 Speaker 1: lost and I was like, uh, should I really bring 354 00:22:09,080 --> 00:22:14,840 Speaker 1: like five or six books home. The art section was amazing, 355 00:22:14,880 --> 00:22:17,880 Speaker 1: and it's just so what a beautiful environment it was. 356 00:22:18,160 --> 00:22:20,200 Speaker 1: I think I would like to hang out there. It's 357 00:22:20,200 --> 00:22:22,399 Speaker 1: one of the type of a book story that you 358 00:22:22,480 --> 00:22:24,720 Speaker 1: just want to just be at. Yeah. See, our plan 359 00:22:24,880 --> 00:22:28,840 Speaker 1: that night was to go to Universal Studios for Halloween 360 00:22:28,920 --> 00:22:33,440 Speaker 1: Horror Knights SdeA some spooky season action into our October. Yeah, 361 00:22:33,720 --> 00:22:36,359 Speaker 1: Cherry had done a bunch of research on this. Cherry, Cherry, 362 00:22:36,359 --> 00:22:39,680 Speaker 1: I would consider you a Halloween queen. I definitely love Halloween, 363 00:22:39,760 --> 00:22:43,000 Speaker 1: A love horror movies. I love anything spooky, scary, glory. 364 00:22:43,400 --> 00:22:47,359 Speaker 1: So the big this was a big thing on the list. Yeah. 365 00:22:47,800 --> 00:22:50,639 Speaker 1: So we we went to dinner, and we figured at dinner, 366 00:22:50,680 --> 00:22:54,440 Speaker 1: we'll grab our tickets, we'll go out there Universal Studios. 367 00:22:54,720 --> 00:22:58,480 Speaker 1: We'll just pop easy, no problem. So we're enjoying some 368 00:22:58,560 --> 00:23:02,760 Speaker 1: delicious dumbly wings and just pull up our phones to 369 00:23:02,920 --> 00:23:06,760 Speaker 1: purchase these Halloween Horror Knight's ticket and they are sold out. 370 00:23:07,440 --> 00:23:12,359 Speaker 1: What sold out aren't broken? I know? That was a 371 00:23:12,400 --> 00:23:17,240 Speaker 1: really big bummer. Yeah. No, no Wolfman, no Mummy, Frankstein's Monster. 372 00:23:17,680 --> 00:23:23,119 Speaker 1: I was really sad about missing out on the Killer Clowns. 373 00:23:23,160 --> 00:23:27,720 Speaker 1: So colorful and just insane and in fun, such a 374 00:23:27,720 --> 00:23:31,600 Speaker 1: fun movie. I was looking forward to that. Yeah, Unfortunately, 375 00:23:31,600 --> 00:23:34,240 Speaker 1: there are a lot of streets in l A at 376 00:23:34,359 --> 00:23:37,040 Speaker 1: night where you can walk down and get a similar 377 00:23:37,200 --> 00:23:43,879 Speaker 1: scary experience exactly like instead. Yeah, we were like found 378 00:23:43,880 --> 00:23:46,600 Speaker 1: a really cool bar nearby called Scum and Villainy Cantina, 379 00:23:46,680 --> 00:23:50,200 Speaker 1: and it was like a Star Wars themed bar. Yeah, 380 00:23:50,320 --> 00:23:53,200 Speaker 1: but it was really cool. They did a lot. They're 381 00:23:53,280 --> 00:23:55,639 Speaker 1: very thoughtful about the details of the design of this 382 00:23:55,680 --> 00:23:58,960 Speaker 1: place thoughts. Yeah, no, it's pretty much designed just after 383 00:23:59,119 --> 00:24:02,800 Speaker 1: most icily. Um. It was generally a nerd theme bar. 384 00:24:02,920 --> 00:24:05,800 Speaker 1: Like they had drinks based on all kinds of properties. 385 00:24:06,720 --> 00:24:09,520 Speaker 1: The menu, there's like a projected menu on the wall 386 00:24:09,640 --> 00:24:12,720 Speaker 1: that was sort of like mass effect. Yeah, they had 387 00:24:12,800 --> 00:24:15,960 Speaker 1: like Game of Thrones drinks, and it was Halloween, so 388 00:24:16,000 --> 00:24:18,800 Speaker 1: they had a specialty drinks three, especially drinks after the 389 00:24:18,800 --> 00:24:23,440 Speaker 1: Hocus posted focus Sanderson Sisters. Yeah, it's really good. So 390 00:24:23,480 --> 00:24:25,679 Speaker 1: it was. It was super fun. We end up spending 391 00:24:25,720 --> 00:24:27,800 Speaker 1: a lot of time there. I think we spent most 392 00:24:27,800 --> 00:24:29,760 Speaker 1: of our night there, Yeah, most of our money. Yeah, 393 00:24:29,800 --> 00:24:32,480 Speaker 1: I really enjoyed the time and there for sure like 394 00:24:33,240 --> 00:24:35,600 Speaker 1: bummed that we didn't get to go to the horror nights. 395 00:24:35,720 --> 00:24:39,720 Speaker 1: But this was a good constellation. It felt like a 396 00:24:39,760 --> 00:24:46,200 Speaker 1: theme park restaurant kind of feeling, so that it was impressed. Yeah, 397 00:24:46,240 --> 00:24:49,720 Speaker 1: you were like, hey, take a picture of Yoda because 398 00:24:49,760 --> 00:24:53,160 Speaker 1: Yoda was like on the bar. Yeah, baby Yoda. Well 399 00:24:53,200 --> 00:24:55,080 Speaker 1: you were like, take a picture of Yoda and I 400 00:24:55,119 --> 00:24:58,040 Speaker 1: was like, well, he's facing the wrong way because like 401 00:24:58,040 --> 00:25:00,680 Speaker 1: I would have had to walk around the bar in 402 00:25:00,760 --> 00:25:05,000 Speaker 1: front of a sacrifice to walk around the bar. There. 403 00:25:05,440 --> 00:25:08,560 Speaker 1: We here's what I'm saying I got to do. If 404 00:25:08,600 --> 00:25:13,840 Speaker 1: you were did it myself. If Stumm and Villany are listening, 405 00:25:14,640 --> 00:25:20,480 Speaker 1: you need to Yoda back to back, Yo Yoda, back 406 00:25:20,520 --> 00:25:23,200 Speaker 1: to back to baby Yoda. There crossed arms, they're leaning 407 00:25:23,560 --> 00:25:28,480 Speaker 1: back to back. They look like sister sister, but for Yoda, 408 00:25:29,200 --> 00:25:33,119 Speaker 1: I have one one gripe. And this goes back to 409 00:25:33,280 --> 00:25:37,080 Speaker 1: earlier in the episode Hours and Hours Ago. I mentioned 410 00:25:37,400 --> 00:25:42,359 Speaker 1: themed bathrooms because we were talking about what were Peggy 411 00:25:42,400 --> 00:25:45,080 Speaker 1: sus diner and there was too much theming going on 412 00:25:45,080 --> 00:25:47,600 Speaker 1: there with Marilyn Monroe and the guy pen and all 413 00:25:47,600 --> 00:25:51,399 Speaker 1: this stuff. Well, we went to the bathrooms at Stumm 414 00:25:51,400 --> 00:25:53,760 Speaker 1: and Villany and they were just right. I was looking 415 00:25:53,800 --> 00:25:56,639 Speaker 1: forward to, like, no theme there was gonna be you know, 416 00:25:56,760 --> 00:25:58,920 Speaker 1: Grido was going to be back there peeing on the wall, 417 00:25:59,320 --> 00:26:05,720 Speaker 1: on the wall, and bath room was. Now at this 418 00:26:05,800 --> 00:26:15,760 Speaker 1: point we're like, or like Max Rebo, it's occupied. So yeah, 419 00:26:15,760 --> 00:26:19,239 Speaker 1: we got drunk. We got drunk, a little drunk. We 420 00:26:19,280 --> 00:26:21,439 Speaker 1: went home, we went to bed, We got up the 421 00:26:21,480 --> 00:26:24,720 Speaker 1: next day and we had another great plan to go 422 00:26:25,119 --> 00:26:28,400 Speaker 1: to a museum called the Eames Foundation, which is another 423 00:26:28,440 --> 00:26:30,840 Speaker 1: good find of cherries. And we're going to have to 424 00:26:30,880 --> 00:26:33,440 Speaker 1: do the Eames Is at some point on this episode 425 00:26:33,440 --> 00:26:36,119 Speaker 1: on this show, because they are a couple who basically 426 00:26:36,200 --> 00:26:41,280 Speaker 1: they created iconic mid century modern furniture um and they 427 00:26:41,280 --> 00:26:44,719 Speaker 1: were also architects and they have filmmakers and they did 428 00:26:44,720 --> 00:26:46,320 Speaker 1: all kinds of cool stuff. So we'll definitely have to 429 00:26:46,320 --> 00:26:50,240 Speaker 1: do yeah, their story on here sometime. Yeah, they're amazing, 430 00:26:50,240 --> 00:26:54,000 Speaker 1: They're pretty legendary in the design world. So yeah, this 431 00:26:54,040 --> 00:26:56,000 Speaker 1: was a cool find of cherries. And I know that, 432 00:26:56,080 --> 00:26:57,760 Speaker 1: like Ellen, I were like I had never heard of 433 00:26:57,760 --> 00:27:00,520 Speaker 1: this place or this couple. I would never have chosen 434 00:27:00,600 --> 00:27:02,600 Speaker 1: to do it, but I'm so excited to go because 435 00:27:03,000 --> 00:27:05,040 Speaker 1: that's why it's so cool to have friends with you 436 00:27:05,160 --> 00:27:07,479 Speaker 1: that have different interests and they know different things. So 437 00:27:07,560 --> 00:27:10,360 Speaker 1: we're like, fuck, yeah, there was a tour at two thirty. 438 00:27:10,480 --> 00:27:12,919 Speaker 1: We're gonna go. I think, is it not their house 439 00:27:13,119 --> 00:27:17,160 Speaker 1: in their office? Uh so you can see like their 440 00:27:17,240 --> 00:27:21,720 Speaker 1: architecture style and everything like that. Yes, just where they live, 441 00:27:21,760 --> 00:27:24,280 Speaker 1: where they work, where they pumped out all those amazing designs. 442 00:27:24,320 --> 00:27:27,159 Speaker 1: It was I'm just gonna geek out so hard. Yea, 443 00:27:28,359 --> 00:27:34,520 Speaker 1: but here we go again. We were eating a delicious meal, 444 00:27:34,720 --> 00:27:39,439 Speaker 1: having breakfast and Hugo's amazing breakfast, and we pull up 445 00:27:39,440 --> 00:27:44,560 Speaker 1: our phones to reserve our seats at this tour and 446 00:27:44,800 --> 00:27:48,440 Speaker 1: it's sold out and it's the last tour and they're 447 00:27:48,480 --> 00:27:52,240 Speaker 1: only open like random days and random hours of those days. 448 00:27:52,880 --> 00:27:56,000 Speaker 1: So that was another like big thing we really wanted 449 00:27:56,000 --> 00:27:58,080 Speaker 1: to do a l a that we did not get 450 00:27:58,119 --> 00:28:01,680 Speaker 1: to do. Well, we didn't do that, so we decided, 451 00:28:01,800 --> 00:28:03,760 Speaker 1: you know what, then it's beach day. Yeah, and we 452 00:28:03,800 --> 00:28:06,680 Speaker 1: decided to go down to Venice Beach, parked our car, 453 00:28:06,800 --> 00:28:11,560 Speaker 1: walked around the Venice Beach canals, lovely beautiful, checked out 454 00:28:11,600 --> 00:28:13,560 Speaker 1: all the homes that were one day going to live 455 00:28:13,600 --> 00:28:19,680 Speaker 1: in multimillion dollar canal side home. Unbelievably cool and lots 456 00:28:19,680 --> 00:28:22,320 Speaker 1: of different styles to I don't know. We like architecture 457 00:28:22,359 --> 00:28:24,680 Speaker 1: a lot, so we're always looking at at the way 458 00:28:24,680 --> 00:28:26,960 Speaker 1: the buildings, you know, how what the houses look like, 459 00:28:27,119 --> 00:28:31,320 Speaker 1: and the buildings, the skyscrapers and everything historic buildings. Jason 460 00:28:31,320 --> 00:28:33,960 Speaker 1: had a bird following him for a while. Oh really, 461 00:28:34,080 --> 00:28:38,800 Speaker 1: I don't know if you're friends. Just flew from boat 462 00:28:38,840 --> 00:28:43,680 Speaker 1: to boat as we mysterious figure. Really more than anything, 463 00:28:44,840 --> 00:28:50,280 Speaker 1: nobody knew what the bird's plans were for us. Yeah, 464 00:28:51,600 --> 00:28:55,040 Speaker 1: you know, like I like a bird. I always seeing 465 00:28:55,040 --> 00:28:59,440 Speaker 1: a bird from a bird from like a bird from 466 00:28:59,520 --> 00:29:02,680 Speaker 1: time to I mean, just like my relationship to the 467 00:29:02,680 --> 00:29:06,320 Speaker 1: bird world is very like you know, like I'm aware 468 00:29:06,360 --> 00:29:08,040 Speaker 1: of it, but I don't really there's not a lot 469 00:29:08,040 --> 00:29:11,800 Speaker 1: of overlap. You know, you'd be an unlikely pairing you 470 00:29:11,880 --> 00:29:15,760 Speaker 1: and a bird, yes, but yeah, like if I brought 471 00:29:15,840 --> 00:29:18,440 Speaker 1: home a bird, you would be very surprised, very surprised, 472 00:29:18,840 --> 00:29:25,040 Speaker 1: like confused. But you're not the bird world. But you're 473 00:29:25,040 --> 00:29:27,400 Speaker 1: not like our friend Rob who hates birds and doesn't 474 00:29:27,400 --> 00:29:30,960 Speaker 1: want them anywhere near him. Oh no, it's not. You've 475 00:29:30,960 --> 00:29:33,959 Speaker 1: got it. Every bird's case by case, case by case birds, 476 00:29:34,080 --> 00:29:38,120 Speaker 1: the Jason Mallory story. Yeah, each bird onto itself. Wasn't 477 00:29:38,120 --> 00:29:44,120 Speaker 1: that Flannery O'Connor particular, you know from my hometown. Oh 478 00:29:44,960 --> 00:29:49,440 Speaker 1: that's right, that's right, the same writing style, Yeah, the 479 00:29:49,440 --> 00:29:52,720 Speaker 1: same relationship to the bird world. Her whole thing was peacocks. 480 00:29:52,760 --> 00:29:57,080 Speaker 1: She had a peacock farm. Okay, were like her whole deal. 481 00:29:59,000 --> 00:30:03,720 Speaker 1: That's interesting a bird relationship in the Finder and Connor 482 00:30:03,760 --> 00:30:06,560 Speaker 1: in the bird World are like, he's of hot, like 483 00:30:06,880 --> 00:30:10,360 Speaker 1: I imagine her. Heaven is like just like her. What 484 00:30:10,480 --> 00:30:15,400 Speaker 1: dreams may come heaven? It's just bird. Well, look I've 485 00:30:15,440 --> 00:30:19,840 Speaker 1: got Flannery O'Connor and Robert Lowell a love story right here, 486 00:30:19,920 --> 00:30:25,280 Speaker 1: so coming soon and all right, I don't know if 487 00:30:25,840 --> 00:30:27,640 Speaker 1: I don't know if it's ridiculous, but well we'll make 488 00:30:27,680 --> 00:30:33,160 Speaker 1: it ridiculous. Look, do it. But we left the birds behind, 489 00:30:34,200 --> 00:30:37,200 Speaker 1: we did. We rented bikes, run them around very g 490 00:30:37,320 --> 00:30:39,920 Speaker 1: t A. Yeah, Ja, Jason and I play a lot 491 00:30:39,960 --> 00:30:42,040 Speaker 1: of grand theft out of five, which is based in 492 00:30:42,080 --> 00:30:46,440 Speaker 1: a fictional city that feels pretty much identically to Los Angeles. 493 00:30:47,000 --> 00:30:49,200 Speaker 1: We felt like we'd stepped into the game. That's right. 494 00:30:49,440 --> 00:30:52,920 Speaker 1: I will say My bike was very like it was 495 00:30:52,960 --> 00:30:55,480 Speaker 1: kind of fighting me. So we got we we biked 496 00:30:55,480 --> 00:30:57,760 Speaker 1: for a very long time, and then the plan was 497 00:30:58,360 --> 00:31:00,920 Speaker 1: to go back. We were going to get on We're 498 00:31:00,920 --> 00:31:03,720 Speaker 1: going to ditch these bikes and we're get the lift 499 00:31:03,760 --> 00:31:08,280 Speaker 1: bix liftpikes everywhere. And so we walked out of the 500 00:31:08,320 --> 00:31:11,200 Speaker 1: lift bikes like, no big deal, We'll just we'll just 501 00:31:11,240 --> 00:31:13,480 Speaker 1: get some bikes, and like every single lift bike was 502 00:31:13,560 --> 00:31:17,360 Speaker 1: like nos sold out once again. All right, I know 503 00:31:17,520 --> 00:31:21,600 Speaker 1: we were getting We were really underestimated how busy l 504 00:31:21,640 --> 00:31:27,080 Speaker 1: A is full of people. So yes, the beach was awesome. 505 00:31:27,480 --> 00:31:28,880 Speaker 1: Way too cold to get in the water. I think 506 00:31:28,920 --> 00:31:31,400 Speaker 1: that might always be true of l A. But one 507 00:31:31,480 --> 00:31:34,600 Speaker 1: day I'll stick my toes in there like a brave girl, 508 00:31:36,480 --> 00:31:39,240 Speaker 1: I know. On our drive home, we stopped at Tito's Tacos. 509 00:31:39,360 --> 00:31:42,960 Speaker 1: We had amazing like you know, crispy tacos, tacos, really 510 00:31:42,960 --> 00:31:50,520 Speaker 1: tasty cold cheese. But it was supposed to be cold. Yeah, 511 00:31:51,080 --> 00:31:52,920 Speaker 1: it was like why is this cheese called It was 512 00:31:53,000 --> 00:31:55,720 Speaker 1: like that's its whole thing. It was cold cheese, cheese, 513 00:31:57,280 --> 00:32:00,000 Speaker 1: very good. And then we went out bar hopping, yeah 514 00:32:00,080 --> 00:32:03,719 Speaker 1: evening and went to several really cool places, Like my 515 00:32:03,800 --> 00:32:05,800 Speaker 1: favorite was the first place we went, which was like 516 00:32:05,880 --> 00:32:08,880 Speaker 1: this speakeasy that was behind a pizza place is called 517 00:32:08,920 --> 00:32:11,400 Speaker 1: Sunset and vinyl Um. But it was so cool. I 518 00:32:11,440 --> 00:32:13,560 Speaker 1: love that place. I would love to go back there. Yeah, 519 00:32:13,640 --> 00:32:18,200 Speaker 1: definitely same. And you could actually thumb through the records. Yeah, 520 00:32:18,640 --> 00:32:20,720 Speaker 1: could you make a little special question like put it 521 00:32:20,720 --> 00:32:23,480 Speaker 1: aside and put on the little tray frame? Yeah, next 522 00:32:23,640 --> 00:32:26,680 Speaker 1: turn tables. I thought that was super in box you 523 00:32:26,680 --> 00:32:29,120 Speaker 1: could just drop a record on. Yeah, that's right. That 524 00:32:29,160 --> 00:32:30,920 Speaker 1: was really cool. And the music was cool too. It 525 00:32:30,960 --> 00:32:34,840 Speaker 1: was like a lot of deep cuts. He felt old, 526 00:32:35,400 --> 00:32:42,200 Speaker 1: just go seventies stuff. Rise of Cruise down track, very 527 00:32:42,240 --> 00:32:45,320 Speaker 1: deep cut from the seventies. Here's here's the irony of 528 00:32:45,320 --> 00:32:48,400 Speaker 1: that is the Rise of Girge soundtrack probably would have 529 00:32:48,440 --> 00:32:51,720 Speaker 1: worked there because we did have a bunch of seventies 530 00:32:51,720 --> 00:32:54,920 Speaker 1: songs on there, so you could have put it on 531 00:32:55,120 --> 00:32:58,080 Speaker 1: and then have everybody build. Everybody be like, oh, show 532 00:32:58,200 --> 00:33:02,040 Speaker 1: like this is good. I love this playlist, and you're like, 533 00:33:02,080 --> 00:33:07,080 Speaker 1: oh really, because it's the Rise of you played yourself. 534 00:33:07,120 --> 00:33:12,280 Speaker 1: You're enjoying the Minions, Rise of Crew. Okay, okay, well, 535 00:33:13,000 --> 00:33:15,640 Speaker 1: well after Jason played Rise of Grew they kicked us out, 536 00:33:15,760 --> 00:33:22,480 Speaker 1: so we had to go to a different bar. They 537 00:33:22,480 --> 00:33:26,520 Speaker 1: were like, not in my house, this is l a. 538 00:33:28,480 --> 00:33:30,480 Speaker 1: You know what's funny too, is if we had put 539 00:33:30,560 --> 00:33:34,120 Speaker 1: on a Sheryl Crow vinyl, it probably wouldn't have been real. Well, 540 00:33:34,920 --> 00:33:40,840 Speaker 1: I wouldn't, I would be I'm going I'm going to 541 00:33:40,960 --> 00:33:44,360 Speaker 1: assume that in that big stack of records this guy 542 00:33:44,440 --> 00:33:47,479 Speaker 1: had out for people to pick from, chry Crow probably 543 00:33:47,480 --> 00:33:49,560 Speaker 1: wasn't in there. That's true. It was like a curated 544 00:33:49,600 --> 00:33:53,120 Speaker 1: selection of records where you just picked from. Yeah, this 545 00:33:53,200 --> 00:33:57,880 Speaker 1: wasn't YouTube. Don't put on some bolsh small collection of 546 00:33:58,080 --> 00:34:02,120 Speaker 1: you can tell very you know, cared for? Uh? Sir? 547 00:34:02,200 --> 00:34:07,080 Speaker 1: Can you play two Princes seven times in a rout? No? 548 00:34:07,360 --> 00:34:11,200 Speaker 1: I wouldn't. I wouldn't allow. I would not allow. So 549 00:34:11,440 --> 00:34:14,640 Speaker 1: we're drunk. We go back to the Airbnb. We're hungry, 550 00:34:14,800 --> 00:34:17,520 Speaker 1: we we uber we uber eats Jack in the box. 551 00:34:18,840 --> 00:34:22,640 Speaker 1: There was way too much and it was the best 552 00:34:22,640 --> 00:34:25,760 Speaker 1: meal of the entire trip. I'm like, I'm so drunk 553 00:34:25,760 --> 00:34:33,640 Speaker 1: that these chicken nuggets nothing can compare. I did not 554 00:34:33,719 --> 00:34:38,319 Speaker 1: deliver them I really that would have been amazing. Though 555 00:34:40,000 --> 00:34:43,680 Speaker 1: three hours later he got lost at the gate, the 556 00:34:44,239 --> 00:34:47,239 Speaker 1: gated driveway. Well, then the next day we had to 557 00:34:47,280 --> 00:34:49,760 Speaker 1: get another amazing breakfast, so we went to Egg Tuck 558 00:34:50,000 --> 00:34:52,759 Speaker 1: and got these like breakfast sandwiches, and then we also 559 00:34:52,800 --> 00:34:56,960 Speaker 1: went to Treeho Danny Trehos Coffee and Doughnuts restaurant and 560 00:34:57,080 --> 00:34:59,640 Speaker 1: had some doughnuts and coffee. But it was funny about 561 00:34:59,640 --> 00:35:01,400 Speaker 1: both these places is that neither of them let you 562 00:35:01,440 --> 00:35:04,360 Speaker 1: sit inside to eat, so we just had to. We 563 00:35:04,600 --> 00:35:07,479 Speaker 1: all had like giant piles of food in our hands 564 00:35:07,480 --> 00:35:10,920 Speaker 1: and nowhere We're like okay, So we just went back 565 00:35:10,960 --> 00:35:13,360 Speaker 1: to the airbnb. We ate there, and I think Jason 566 00:35:13,440 --> 00:35:17,080 Speaker 1: was not feeling well that day. Yeah, like well, you know, 567 00:35:17,120 --> 00:35:20,560 Speaker 1: while we were getting the Danny Trejo stuff, I just 568 00:35:20,719 --> 00:35:25,000 Speaker 1: was like dizzy. I was like, my sinus, my sciences hurt. 569 00:35:25,160 --> 00:35:27,040 Speaker 1: I've got your some kind of infection. I don't know. 570 00:35:27,120 --> 00:35:29,760 Speaker 1: My ears were throbbing. And then I get on Twitter 571 00:35:30,040 --> 00:35:31,799 Speaker 1: and the first week I see is this guy go 572 00:35:32,280 --> 00:35:36,839 Speaker 1: if you have sudden sinus stuff, guess what you've got 573 00:35:36,880 --> 00:35:40,840 Speaker 1: COVID no. And I was just like I was like, 574 00:35:40,920 --> 00:35:43,200 Speaker 1: I guess we'll see but then I cleared out really quickly, 575 00:35:43,200 --> 00:35:44,640 Speaker 1: so I was just like, I don't think I have COVID. 576 00:35:44,680 --> 00:35:46,839 Speaker 1: That's good, but you took a rest while. We went 577 00:35:47,000 --> 00:35:50,440 Speaker 1: to the LACMA Museum of l a County museum of Art. 578 00:35:50,560 --> 00:35:52,719 Speaker 1: That was a really cool museum. That was so cool 579 00:35:52,760 --> 00:35:55,040 Speaker 1: and we only got to spend like two or three 580 00:35:55,040 --> 00:35:57,799 Speaker 1: hours there, I guess, um, but it's giant. You could 581 00:35:57,840 --> 00:36:01,520 Speaker 1: easily spend several days there and that see everything because 582 00:36:01,520 --> 00:36:05,600 Speaker 1: they had several buildings too. We saw Picasso's and pollocks 583 00:36:05,840 --> 00:36:09,560 Speaker 1: and stuff. We also Eli and I saw an Oscar Kokoshka, 584 00:36:09,680 --> 00:36:11,759 Speaker 1: which was exciting because we've done him on our show 585 00:36:12,800 --> 00:36:15,520 Speaker 1: The Story. Yeah, he's the one who made the polar 586 00:36:15,520 --> 00:36:20,120 Speaker 1: bear for sex doll for anyone, anyone who's any listener 587 00:36:20,160 --> 00:36:22,880 Speaker 1: who knows what we're talking about. Cool to see his 588 00:36:22,960 --> 00:36:25,839 Speaker 1: actual artwork on a wall. He met a polar bear 589 00:36:25,880 --> 00:36:28,239 Speaker 1: sex doll and and he has a piece up at 590 00:36:28,320 --> 00:36:30,520 Speaker 1: Lackman now, so you know it's it's possible for anyone 591 00:36:31,760 --> 00:36:35,279 Speaker 1: if you want a sex doll, go for it. So 592 00:36:35,320 --> 00:36:37,399 Speaker 1: as in the dm are they just like straight up 593 00:36:37,440 --> 00:36:40,120 Speaker 1: like we only play the hits, like we got Picasso, 594 00:36:40,120 --> 00:36:43,440 Speaker 1: as we got I think that was their permanent collection. 595 00:36:43,520 --> 00:36:45,480 Speaker 1: I don't know for sure. They had a lot of 596 00:36:45,800 --> 00:36:49,480 Speaker 1: specific exhibits also going on there um and one of 597 00:36:49,520 --> 00:36:51,640 Speaker 1: them we went to was the Language of Advertising, so 598 00:36:51,680 --> 00:36:55,480 Speaker 1: it was all about like in photographies, Yeah, photography, Yeah, yeah, 599 00:36:55,560 --> 00:36:59,320 Speaker 1: how they how they sell stuff basically and like design 600 00:36:59,400 --> 00:37:03,279 Speaker 1: layout does line of a very very interesting. I wish 601 00:37:03,280 --> 00:37:06,279 Speaker 1: we had more time. Yeah, that was a really cool. Yeah. 602 00:37:06,400 --> 00:37:09,040 Speaker 1: We had fifteen minutes to just kind of breathe, and 603 00:37:09,040 --> 00:37:12,839 Speaker 1: they were breathing down our next they were following us. 604 00:37:13,719 --> 00:37:16,480 Speaker 1: Museums are also not not They would have closed a 605 00:37:16,560 --> 00:37:18,359 Speaker 1: very loud gate on us and as they could if 606 00:37:18,360 --> 00:37:20,120 Speaker 1: they could have, but they just don't like kind of 607 00:37:20,239 --> 00:37:22,359 Speaker 1: usher you out. They'll walk behind you and be like nope, 608 00:37:22,640 --> 00:37:24,719 Speaker 1: come back. We wanted to go to the top of 609 00:37:24,719 --> 00:37:26,840 Speaker 1: the staircase and get a good, like scenic picture, and 610 00:37:26,840 --> 00:37:31,480 Speaker 1: the guy was like, this area's closed. Yeah yeah, I 611 00:37:31,480 --> 00:37:33,319 Speaker 1: feel like, you know, you're in a video game and 612 00:37:33,360 --> 00:37:37,880 Speaker 1: like the bad guy comes down the stairs turned around. 613 00:37:37,960 --> 00:37:39,799 Speaker 1: I don't have any turtle shells to throw at you. 614 00:37:40,000 --> 00:37:45,880 Speaker 1: I don't know, run just run and run as bad 615 00:37:45,920 --> 00:37:48,560 Speaker 1: as it's My favorite Grand Theft Auto level actually is 616 00:37:48,560 --> 00:37:53,640 Speaker 1: when the museum curators trying to kick you out. Oh man, 617 00:37:53,960 --> 00:38:02,640 Speaker 1: lack that was great. Um it sounds like a lack planning. True, 618 00:38:03,560 --> 00:38:07,000 Speaker 1: that's the damn true. But we did get to see 619 00:38:07,040 --> 00:38:09,799 Speaker 1: the iconic light posts. I think everybody's seen there in 620 00:38:09,840 --> 00:38:12,120 Speaker 1: like a lot of rom comms and stuff like that, 621 00:38:12,120 --> 00:38:14,600 Speaker 1: that installation outside. So that was really cool to get 622 00:38:14,600 --> 00:38:16,319 Speaker 1: to see that. So you got to see that even 623 00:38:16,320 --> 00:38:23,920 Speaker 1: when they were closed. Unfortunately, right, don't us out, but 624 00:38:24,080 --> 00:38:29,319 Speaker 1: look at this, like, okay, out of five picassos, what 625 00:38:29,360 --> 00:38:32,799 Speaker 1: would you rate it in the museum? Oh, definitely four 626 00:38:32,840 --> 00:38:36,200 Speaker 1: and a half pass. Yeah, I was really nice. If not, 627 00:38:36,280 --> 00:38:38,000 Speaker 1: if not, just I didn't even think of what I'm 628 00:38:38,040 --> 00:38:41,440 Speaker 1: taking a point off? Yeah, yeah, you're just like nothing 629 00:38:41,520 --> 00:38:45,360 Speaker 1: is perfect. Well, I forgot to tell you five picassas 630 00:38:45,440 --> 00:38:50,839 Speaker 1: is bad and one picassa wire did. I already locked 631 00:38:50,920 --> 00:38:55,279 Speaker 1: my vote in because I tricked into I did. I 632 00:38:55,320 --> 00:39:00,640 Speaker 1: did see my favorite painting, which is my greats to People, uh, 633 00:39:01,280 --> 00:39:03,560 Speaker 1: which I love. It's just I saw that as a 634 00:39:03,640 --> 00:39:07,360 Speaker 1: kid and I was like, I get art now. I 635 00:39:07,600 --> 00:39:10,360 Speaker 1: have loved it ever since. I love I mean that 636 00:39:10,400 --> 00:39:12,640 Speaker 1: painting does remind me of you whenever I see it. 637 00:39:13,000 --> 00:39:19,560 Speaker 1: I was my live journal for a time, was I remember? Yeah, 638 00:39:20,160 --> 00:39:24,640 Speaker 1: I got to see some p a Montreal Yeah, one 639 00:39:24,640 --> 00:39:27,360 Speaker 1: of the things and a couple of pieces of furniture. 640 00:39:27,400 --> 00:39:32,360 Speaker 1: So that was a real nerd out moment for myself. Yeah. Meanwhile, 641 00:39:32,400 --> 00:39:36,520 Speaker 1: I was taking pictures of uh Lee Krasner because she 642 00:39:36,719 --> 00:39:39,239 Speaker 1: was married to Jackson Pollock. But people don't really know 643 00:39:39,280 --> 00:39:41,279 Speaker 1: her work as much, even though she was also a 644 00:39:41,360 --> 00:39:44,120 Speaker 1: very good artist. Somebody I was kind of n I know, 645 00:39:44,200 --> 00:39:46,280 Speaker 1: I was running around like, oh, this is a couple. 646 00:39:46,840 --> 00:39:53,399 Speaker 1: Here's a couple I had work on the brain. Okay, yeah, 647 00:39:53,480 --> 00:39:57,040 Speaker 1: we never stopped. We had never stopped thinking about this show. 648 00:39:57,480 --> 00:40:01,040 Speaker 1: Very true. I'm always like, were they married? So did 649 00:40:01,080 --> 00:40:03,439 Speaker 1: they sleep with any of the hard work? The herd 650 00:40:03,760 --> 00:40:06,960 Speaker 1: I'll put into it is like amazing. Well that night 651 00:40:07,719 --> 00:40:12,120 Speaker 1: brings us to the whole ridiculous romance aspect of this 652 00:40:12,320 --> 00:40:14,279 Speaker 1: episode is that we got to have our date nights 653 00:40:14,360 --> 00:40:18,520 Speaker 1: in l a night. But before we get into that, 654 00:40:18,880 --> 00:40:23,680 Speaker 1: let's take a quick break. Welcome back everyone. So Jason, 655 00:40:23,719 --> 00:40:26,239 Speaker 1: you were feeling better, Yeah, I was good. I've watched 656 00:40:26,280 --> 00:40:32,399 Speaker 1: Cinemic Talks, Middle to Strength up with TikTok's there you go. 657 00:40:32,600 --> 00:40:36,080 Speaker 1: So what y'all get into We had a beautiful dinner 658 00:40:36,320 --> 00:40:41,879 Speaker 1: at Gwen. It is the one of the restaurants from 659 00:40:41,920 --> 00:40:47,000 Speaker 1: this famous chef that I don't know, the name Curtis Stone. 660 00:40:47,080 --> 00:40:50,560 Speaker 1: I'm seeing. I was like Curtis something. So he's famous 661 00:40:50,600 --> 00:40:53,960 Speaker 1: for like being on Top Chef and like Iron Chef, 662 00:40:54,440 --> 00:40:57,000 Speaker 1: all these amazing shows. But me, I'm like, all I 663 00:40:57,040 --> 00:41:00,720 Speaker 1: know is Gordon Ramsey. That's all I care about. So sorry, Curtis. 664 00:41:00,719 --> 00:41:04,160 Speaker 1: I'm sure you're amazing, but I was not. I didn't 665 00:41:04,200 --> 00:41:13,920 Speaker 1: pick your restaurant because of you. Hang on, he's on 666 00:41:13,960 --> 00:41:20,040 Speaker 1: the line, Okay, never come back to my restaurant. Fine, No, 667 00:41:20,160 --> 00:41:23,239 Speaker 1: it was a great restaurant. It's like a specialty, like 668 00:41:23,280 --> 00:41:27,400 Speaker 1: a meat specialty that is their own butcher shop. Like 669 00:41:27,480 --> 00:41:30,600 Speaker 1: they make their own sharkuterie, they make their own like 670 00:41:31,480 --> 00:41:33,400 Speaker 1: just like it's really fancy's like you go in and 671 00:41:33,400 --> 00:41:40,680 Speaker 1: pick your pig right there on the table. Um, well, 672 00:41:40,960 --> 00:41:44,239 Speaker 1: you do select your own steak knives right if you 673 00:41:44,360 --> 00:41:47,920 Speaker 1: order a steak there before the steak is stir they 674 00:41:47,960 --> 00:41:50,480 Speaker 1: come to you to your table with a wooden box 675 00:41:50,520 --> 00:41:52,840 Speaker 1: and they open it and you have a selection of 676 00:41:52,960 --> 00:41:56,600 Speaker 1: steak knives. You just pick one and each one has 677 00:41:56,640 --> 00:41:59,160 Speaker 1: a story, so when you pick yours, you get the 678 00:41:59,200 --> 00:42:03,520 Speaker 1: story after that. Oh that's cool, Yeah, it is very cool, 679 00:42:03,680 --> 00:42:06,600 Speaker 1: like yours. He was like, yeah, he told me. I 680 00:42:06,680 --> 00:42:08,680 Speaker 1: was like, oh, this is a single piece of steel. 681 00:42:08,880 --> 00:42:11,120 Speaker 1: It's a good choice. And he's like told me, like 682 00:42:12,080 --> 00:42:15,200 Speaker 1: where it came from. And then you know, Jason picked 683 00:42:15,239 --> 00:42:17,799 Speaker 1: his and it's like, oh, this is from a local, uh, 684 00:42:18,000 --> 00:42:23,160 Speaker 1: knife maker supporting l a local Yeah, and it was 685 00:42:23,200 --> 00:42:28,719 Speaker 1: interesting cool, like, hey, if it cuts care, that's the 686 00:42:28,719 --> 00:42:33,759 Speaker 1: only story I care. He thought it was a well no, no, 687 00:42:33,760 --> 00:42:38,319 Speaker 1: no, no no. I would never be like, don't tell me, 688 00:42:37,760 --> 00:42:41,680 Speaker 1: you know, I don't want to hear about it. It's 689 00:42:41,760 --> 00:42:44,520 Speaker 1: more about sort of like you don't really know. I 690 00:42:44,560 --> 00:42:47,279 Speaker 1: think for some people that information is helpful and for 691 00:42:47,320 --> 00:42:50,600 Speaker 1: some people it's like I don't know. It sounds like 692 00:42:50,600 --> 00:42:52,480 Speaker 1: I'm mean negative about it, but really I'm just I'm 693 00:42:52,480 --> 00:42:56,080 Speaker 1: just neutral. I'm got to care. Yeah, I mean, if 694 00:42:56,080 --> 00:42:59,520 Speaker 1: he had told me, like this knife was owned by 695 00:43:00,360 --> 00:43:05,719 Speaker 1: you know, President Clinton or something, how did you get 696 00:43:05,760 --> 00:43:08,880 Speaker 1: it was forged in the fires of Mountain Doo, the 697 00:43:09,040 --> 00:43:15,960 Speaker 1: you go. I care. Some of them were vintage. They 698 00:43:15,960 --> 00:43:19,040 Speaker 1: look cool. I mean, if you've been like grew used 699 00:43:19,040 --> 00:43:25,080 Speaker 1: this knife to rise, then, Lord, then I would care. 700 00:43:25,880 --> 00:43:28,680 Speaker 1: People are going to refer to this as the Grew episode, right, 701 00:43:30,400 --> 00:43:33,360 Speaker 1: too much grew believe I listen to the whole crew episode. 702 00:43:33,360 --> 00:43:38,880 Speaker 1: All right, no more, I promised not through contest bring 703 00:43:38,920 --> 00:43:43,520 Speaker 1: up more rominions or grew stuff. You heard it here now. 704 00:43:44,719 --> 00:43:47,360 Speaker 1: But the steak was delicious. Stack was delicious. We sat 705 00:43:47,760 --> 00:43:50,280 Speaker 1: at the chef's table, which means it's right by the kitchen. 706 00:43:50,360 --> 00:43:53,440 Speaker 1: You have a full view of how they're preparing everything. 707 00:43:54,160 --> 00:43:56,920 Speaker 1: We heard the you know, expo calling out the meals 708 00:43:57,120 --> 00:44:00,480 Speaker 1: and seeing how they prepped it. It was It was 709 00:44:00,520 --> 00:44:04,560 Speaker 1: really fun for somebody background in the restaurant industry and 710 00:44:04,719 --> 00:44:08,120 Speaker 1: just loves just loves food in general, loves restaurants. It 711 00:44:08,239 --> 00:44:11,880 Speaker 1: was a nice little peek into behind the scenes. Yeah 712 00:44:12,280 --> 00:44:16,160 Speaker 1: that's cool, that's and didn't you get another happy birthday? 713 00:44:17,600 --> 00:44:22,040 Speaker 1: We did? We did. It's another one of those cases 714 00:44:22,040 --> 00:44:23,960 Speaker 1: where we make the reservation in the asked if it's 715 00:44:23,960 --> 00:44:27,880 Speaker 1: a special occasion, and we said, yeah, well yes, and 716 00:44:28,000 --> 00:44:31,080 Speaker 1: sorry anniversary. We're very happy to be celebrating you guys. 717 00:44:31,680 --> 00:44:33,759 Speaker 1: And they're like, okay, well, you know, maybe I'll get 718 00:44:33,800 --> 00:44:40,920 Speaker 1: a little tree nothing guaranteed, and so at the end 719 00:44:40,960 --> 00:44:44,840 Speaker 1: of the meal, um, we ordered a dessert. But before 720 00:44:44,880 --> 00:44:47,600 Speaker 1: we got the dessert, so it's like, well, is it 721 00:44:47,600 --> 00:44:49,799 Speaker 1: a special occasion? We heard? We thought it was like 722 00:44:49,840 --> 00:44:55,040 Speaker 1: somebody's special occasion. Was it a birthday or something. I 723 00:44:55,040 --> 00:44:59,440 Speaker 1: can think it was a birthday, Bay, it's actually our anniversary. 724 00:44:59,440 --> 00:45:02,440 Speaker 1: But yeah, it's special occasion. They're like, okay, well I 725 00:45:02,480 --> 00:45:06,359 Speaker 1: brought you this little treat um from from us at 726 00:45:06,360 --> 00:45:11,360 Speaker 1: gwen Um. Usually it's for birthdays. So if anybody asks, 727 00:45:14,000 --> 00:45:19,799 Speaker 1: let's say it was right, they're gonna come over like 728 00:45:19,920 --> 00:45:22,440 Speaker 1: do you deserve the treat Curtis Stone comes out and 729 00:45:22,440 --> 00:45:27,439 Speaker 1: he's like, hey, whose birthday is it? Mine? It's mine, sir, 730 00:45:28,640 --> 00:45:32,160 Speaker 1: I have the lot I did. I did work out 731 00:45:32,200 --> 00:45:34,440 Speaker 1: a bakery for many years and for a little minute 732 00:45:34,760 --> 00:45:37,640 Speaker 1: they did a free cupcake on your birthday and started 733 00:45:37,680 --> 00:45:39,719 Speaker 1: being like, you have to check their ID and I've 734 00:45:39,719 --> 00:45:42,719 Speaker 1: got their actual birthday. They cannot have a free cupcake. 735 00:45:43,120 --> 00:45:44,640 Speaker 1: And so it would be like people would be like, well, 736 00:45:44,640 --> 00:45:47,479 Speaker 1: my birthday is tomorrow, or I'm celebrating my birthday because 737 00:45:47,520 --> 00:45:49,960 Speaker 1: it's the weekend, but it's on Wednesday or something, and 738 00:45:50,000 --> 00:45:53,359 Speaker 1: you'd have to be like sorry, like I can't give 739 00:45:53,400 --> 00:45:56,560 Speaker 1: you a freak. It's crazy. I was like, I was like, 740 00:45:56,880 --> 00:46:01,279 Speaker 1: this is police in I was too much. I was like, 741 00:46:01,280 --> 00:46:03,839 Speaker 1: I don't want to check ideas. It's your cake, it's 742 00:46:03,880 --> 00:46:14,719 Speaker 1: your birthday papers. Please, I need to see your papers. Yeah, 743 00:46:14,760 --> 00:46:19,279 Speaker 1: no papers were checked oully thankfully. Well again, Eline, I 744 00:46:19,280 --> 00:46:24,000 Speaker 1: had a very different for our date night because um 745 00:46:24,040 --> 00:46:27,040 Speaker 1: I had asked specifically that we set our dates for 746 00:46:27,080 --> 00:46:30,680 Speaker 1: this trip so I could finally see Woo Tang in concerts. 747 00:46:30,760 --> 00:46:35,160 Speaker 1: They're on tour with NAS and they were playing in 748 00:46:35,200 --> 00:46:37,680 Speaker 1: Atlanta right when we would have left, or l A 749 00:46:37,800 --> 00:46:39,160 Speaker 1: right when we would have left. So I was like, 750 00:46:39,200 --> 00:46:40,600 Speaker 1: can we just figure this out so I can see 751 00:46:40,600 --> 00:46:43,160 Speaker 1: you one place to the other. And I'm so glad 752 00:46:43,200 --> 00:46:45,640 Speaker 1: I got to see them in Hollywood because we got 753 00:46:45,640 --> 00:46:49,200 Speaker 1: to go to the Hollywood Bowl, which is an incredible venue. 754 00:46:49,880 --> 00:46:51,880 Speaker 1: Diana's always wanted to see Woot Tang and I have 755 00:46:51,920 --> 00:46:53,560 Speaker 1: always wanted to go to the Hollywood Bowl, so it 756 00:46:53,640 --> 00:46:56,520 Speaker 1: lined up really well for us. Such a good show. 757 00:46:56,719 --> 00:46:59,920 Speaker 1: Buster Rhymes was there. He was like, I don't know 758 00:47:00,080 --> 00:47:02,040 Speaker 1: part of my high school soundtrack. So I was just 759 00:47:02,080 --> 00:47:06,240 Speaker 1: like I was losing my ship. I just gotta say, 760 00:47:06,280 --> 00:47:09,359 Speaker 1: nobody has still got it, like Buster Rhymes has still 761 00:47:09,400 --> 00:47:11,560 Speaker 1: got it. I mean, that was the most amazing thing 762 00:47:11,560 --> 00:47:14,359 Speaker 1: I've ever seen. Hilarious. He was like he was just 763 00:47:14,520 --> 00:47:18,560 Speaker 1: I was like, I love yeah, and like all of 764 00:47:18,680 --> 00:47:21,239 Speaker 1: the Wu Tang clan you know, of course without O 765 00:47:21,360 --> 00:47:24,320 Speaker 1: d B obviously, but everyone else was there and nas 766 00:47:24,440 --> 00:47:27,600 Speaker 1: was amazing, and it was just Buster Rhimes started playing 767 00:47:27,640 --> 00:47:29,520 Speaker 1: break Your Neck, which is one of my favorites. And 768 00:47:29,719 --> 00:47:32,000 Speaker 1: in two thousand one when I was a senior and 769 00:47:32,120 --> 00:47:33,920 Speaker 1: I like teared up a little bit. I was like, 770 00:47:33,960 --> 00:47:36,839 Speaker 1: this is a very strange reaction to breaking neck. This 771 00:47:36,960 --> 00:47:39,719 Speaker 1: is not a tear up song, but what very emotional 772 00:47:40,640 --> 00:47:47,839 Speaker 1: breaking my youth, you know you freaking Red Man came 773 00:47:47,880 --> 00:47:49,960 Speaker 1: out and he was rapping with Method Man, and I 774 00:47:50,000 --> 00:47:51,800 Speaker 1: was like, oh ship, it was like, how high is 775 00:47:51,840 --> 00:47:56,440 Speaker 1: happening right in front of me? Uh? Mary J. Blige 776 00:47:56,480 --> 00:48:00,799 Speaker 1: came out and sang, and then LLL Cooled showed up. 777 00:48:01,160 --> 00:48:04,080 Speaker 1: I'm like hitting eli because my phone was like full, 778 00:48:04,120 --> 00:48:07,120 Speaker 1: so I couldn't take anymore pictures or video. So I 779 00:48:07,160 --> 00:48:09,400 Speaker 1: was like it was his job, so I was like 780 00:48:09,440 --> 00:48:11,680 Speaker 1: banging on. I was really abusing him, but I was 781 00:48:11,680 --> 00:48:16,160 Speaker 1: like so anyway, it was just such an amazing show. 782 00:48:16,200 --> 00:48:18,479 Speaker 1: I was so so cool. I had the best time. 783 00:48:18,520 --> 00:48:20,759 Speaker 1: I was just smiling, laughing the whole time. I was 784 00:48:21,000 --> 00:48:23,640 Speaker 1: having a black cool Ja. I know him from the 785 00:48:23,680 --> 00:48:32,400 Speaker 1: movie Toys, which is the first thing I think I 786 00:48:32,440 --> 00:48:37,120 Speaker 1: want to But that was my introduction. However, you learned 787 00:48:37,120 --> 00:48:39,480 Speaker 1: about l L as long as you learned about l L. 788 00:48:41,800 --> 00:48:43,759 Speaker 1: But what was kind of crazy to me was that 789 00:48:43,880 --> 00:48:46,600 Speaker 1: it was the end of the show. You know, everyone's 790 00:48:46,640 --> 00:48:49,920 Speaker 1: on stage, bust is there, nahs woo tang, They're all 791 00:48:49,960 --> 00:48:52,959 Speaker 1: doing a song. Everyone's freaking out there in the middle 792 00:48:53,000 --> 00:48:57,880 Speaker 1: of a cool verse and they cut their mikes because 793 00:48:58,000 --> 00:49:00,040 Speaker 1: of course at an amphitheater they have noise or a 794 00:49:00,120 --> 00:49:02,319 Speaker 1: nances and it was eleven PM, so they were like, 795 00:49:02,400 --> 00:49:04,400 Speaker 1: get the funk out, and I just could not. I 796 00:49:04,440 --> 00:49:07,719 Speaker 1: was like looking at Wrap Legends getting their mics cut 797 00:49:07,760 --> 00:49:10,640 Speaker 1: like somebody somebody had their hand on a big power 798 00:49:10,680 --> 00:49:13,560 Speaker 1: switched like a circuit breakers throw and they were looking 799 00:49:13,560 --> 00:49:17,359 Speaker 1: at their watch. And as soon as eleven, oh man, 800 00:49:17,640 --> 00:49:21,040 Speaker 1: this show's over. The Next day, we all woke up, 801 00:49:21,400 --> 00:49:25,000 Speaker 1: had another good breakfast, and we went to another museum. 802 00:49:25,000 --> 00:49:27,719 Speaker 1: This time we went to the Guffen Contemporary Museum. This 803 00:49:27,840 --> 00:49:29,919 Speaker 1: might be one of my favorite places I've ever been 804 00:49:30,440 --> 00:49:32,680 Speaker 1: because they had three exhibits going and they were all 805 00:49:32,920 --> 00:49:35,920 Speaker 1: really really cool. Yeah, I really enjoyed it. I'm a 806 00:49:35,920 --> 00:49:39,440 Speaker 1: big fan now of Talamadonnie. She was the contemporary Artists. 807 00:49:39,520 --> 00:49:41,319 Speaker 1: It was kind of the main exhibits. I guess you 808 00:49:41,320 --> 00:49:47,480 Speaker 1: could say, um her, it's called biscuits and it was. 809 00:49:50,760 --> 00:49:54,239 Speaker 1: I was like, I think this is for me. It 810 00:49:54,360 --> 00:49:58,360 Speaker 1: was very appealing time and it and it and it 811 00:49:58,560 --> 00:50:01,560 Speaker 1: was like she was so fun on and like weird, 812 00:50:01,760 --> 00:50:04,839 Speaker 1: a real weirdom but her work made you really think 813 00:50:05,040 --> 00:50:07,319 Speaker 1: and laugh and I don't know, she just had such 814 00:50:07,360 --> 00:50:09,840 Speaker 1: a good sense of humor and a lot of artistry, 815 00:50:09,960 --> 00:50:13,640 Speaker 1: even though it was very and scatological. She has a 816 00:50:13,640 --> 00:50:17,800 Speaker 1: whole series called ship mom Um and a lot of animations. 817 00:50:18,320 --> 00:50:20,719 Speaker 1: One animation was a guy just hitting himself over and 818 00:50:20,760 --> 00:50:23,680 Speaker 1: over again with his own giant dick. I was like, 819 00:50:23,880 --> 00:50:27,560 Speaker 1: oh my god, this sounds were crazy. Anyway, look her 820 00:50:27,640 --> 00:50:29,239 Speaker 1: up because I'm a big fan of hers now. I 821 00:50:29,280 --> 00:50:31,920 Speaker 1: would love to hear anyone else's thoughts about this person, 822 00:50:31,960 --> 00:50:35,480 Speaker 1: because it was really really interesting. There was There was 823 00:50:35,520 --> 00:50:38,640 Speaker 1: even that one of a Lady Made of Poopy who 824 00:50:38,680 --> 00:50:44,760 Speaker 1: was went around this like fancy mansion, just like yeah, 825 00:50:44,920 --> 00:50:47,120 Speaker 1: and just saying it out loud. It doesn't really seem like, 826 00:50:48,320 --> 00:50:50,760 Speaker 1: you know, something you really want to see. We watched 827 00:50:50,840 --> 00:50:55,000 Speaker 1: the whole like eight minutes, eight minutes of it. It 828 00:50:55,120 --> 00:50:59,200 Speaker 1: was just fascinating and like, honestly, the technique I was 829 00:50:59,239 --> 00:51:03,239 Speaker 1: really just trying to dissect, like how would you do that's? 830 00:51:03,239 --> 00:51:06,040 Speaker 1: How would you animate this? Same? Yeah, it was really 831 00:51:06,080 --> 00:51:08,600 Speaker 1: really cool and yeah I was sitting there thinking about 832 00:51:08,840 --> 00:51:10,920 Speaker 1: like what are you trying to tell me? But I 833 00:51:10,960 --> 00:51:14,640 Speaker 1: really like, I don't know, it was accessible to me, 834 00:51:14,840 --> 00:51:16,480 Speaker 1: and in a way that a lot of contemporary art 835 00:51:16,560 --> 00:51:19,560 Speaker 1: isn't always accessible. So I thought it was really cool 836 00:51:19,719 --> 00:51:23,000 Speaker 1: and um, I'm just really interested and more of her stuff. 837 00:51:23,239 --> 00:51:25,319 Speaker 1: She was so cool and that There was a really 838 00:51:25,320 --> 00:51:29,160 Speaker 1: cool film exhibit by Garrett Bradley that was very amazing, 839 00:51:29,320 --> 00:51:32,840 Speaker 1: like another very absorbing films and like a documentary style 840 00:51:32,880 --> 00:51:35,040 Speaker 1: one and this one where they were all in the 841 00:51:35,840 --> 00:51:39,120 Speaker 1: screens around this X axis, so you're watching like basically 842 00:51:39,160 --> 00:51:42,399 Speaker 1: four things happening at once. Yeah, it was interesting too 843 00:51:42,480 --> 00:51:47,160 Speaker 1: because the projection technique that was being used on you know, 844 00:51:47,280 --> 00:51:49,400 Speaker 1: you had these big sort of I guess screens in 845 00:51:49,440 --> 00:51:52,440 Speaker 1: the middle room or cloth or you know, and it 846 00:51:52,520 --> 00:51:54,239 Speaker 1: was being projected on them so that you were sort 847 00:51:54,239 --> 00:51:58,120 Speaker 1: of getting simultaneous views. It was actually very similar to 848 00:51:58,239 --> 00:52:05,560 Speaker 1: the search and so a technique and yeah, yeah, I 849 00:52:05,600 --> 00:52:09,680 Speaker 1: really like that execution of like multimedia inside of a 850 00:52:09,719 --> 00:52:13,440 Speaker 1: physical three D space where you're taking video but you're 851 00:52:13,440 --> 00:52:16,960 Speaker 1: also experiencing it like layered up like that, like writers. 852 00:52:18,920 --> 00:52:22,040 Speaker 1: The effect is really wonderful too, because it's something that 853 00:52:22,080 --> 00:52:24,920 Speaker 1: you cannot get online. You have to physically be in 854 00:52:24,920 --> 00:52:28,400 Speaker 1: the space to experience. So that's the kind of thing 855 00:52:28,440 --> 00:52:31,600 Speaker 1: that I like about venues like this and museums, and 856 00:52:31,800 --> 00:52:34,279 Speaker 1: you know, that's why I feel like the museum space 857 00:52:34,280 --> 00:52:38,840 Speaker 1: will never be replaced by just the digital Yeah, definitely. No, 858 00:52:38,960 --> 00:52:40,960 Speaker 1: I think you're right. That was a danger, I guess, 859 00:52:40,960 --> 00:52:43,759 Speaker 1: but you know, I think people want to experience art 860 00:52:43,760 --> 00:52:47,480 Speaker 1: like that. Yeah, I mean, I remember I was never 861 00:52:47,960 --> 00:52:50,040 Speaker 1: I was always kind of irritated with the idea of 862 00:52:50,160 --> 00:52:53,400 Speaker 1: Jackson Pollock when I was taking art history classes in 863 00:52:53,520 --> 00:52:58,240 Speaker 1: school and then on my study abroad Study Abroad alert 864 00:53:00,080 --> 00:53:02,960 Speaker 1: were we went to the Guggenheim in Venice and I 865 00:53:03,160 --> 00:53:07,520 Speaker 1: saw physical Jackson Pollock paintings, and I was like, damn it, 866 00:53:08,239 --> 00:53:11,239 Speaker 1: I get it all right, I actually really like this 867 00:53:11,320 --> 00:53:14,239 Speaker 1: and seeing the like dimension of it in the three 868 00:53:14,320 --> 00:53:17,480 Speaker 1: D space and I could just feel the frustrations of 869 00:53:18,040 --> 00:53:21,319 Speaker 1: splattering paint and string and ship all over this canvas. Yeah, 870 00:53:21,480 --> 00:53:24,600 Speaker 1: I was like, crap, now, I like Jackson, Now I 871 00:53:24,760 --> 00:53:30,759 Speaker 1: get it. I'm one of those East Coast liberals. It 872 00:53:30,920 --> 00:53:44,480 Speaker 1: finally happens, loving liberal. Hi four year old. I was like, 873 00:53:44,520 --> 00:53:46,920 Speaker 1: you know what, No, he couldn't know he could. Sorry, 874 00:53:47,440 --> 00:53:49,480 Speaker 1: every time it's like my kid could draw that, I'm like, 875 00:53:49,640 --> 00:53:52,479 Speaker 1: not only did they not know? They couldn't? Not only 876 00:53:52,719 --> 00:53:55,320 Speaker 1: did they? I'm sorry, did your four year old study 877 00:53:55,360 --> 00:53:58,479 Speaker 1: the history of art for six years? We did wrap 878 00:53:58,520 --> 00:54:01,560 Speaker 1: it up with the third exa a bit Judith Bacca's 879 00:54:01,680 --> 00:54:07,520 Speaker 1: World Walls, and this was very interesting from the seventies, eighties, 880 00:54:07,520 --> 00:54:10,799 Speaker 1: from the eighties. Um, I think she painted the first 881 00:54:10,800 --> 00:54:13,480 Speaker 1: one in like the late eighties, uh, something like that. 882 00:54:13,520 --> 00:54:17,120 Speaker 1: And they're like huge movable murals, like huge, huge pieces 883 00:54:17,120 --> 00:54:20,360 Speaker 1: of work. And the idea behind it was that she 884 00:54:20,560 --> 00:54:22,879 Speaker 1: was like, oh, I think we should envision a better world. 885 00:54:22,920 --> 00:54:25,080 Speaker 1: Everyone wants a better world, but what does that actually look? Like, 886 00:54:25,160 --> 00:54:27,600 Speaker 1: let's get artists to like think about what a better 887 00:54:27,640 --> 00:54:30,160 Speaker 1: world looks like, and we'll painted, and she painted for 888 00:54:31,000 --> 00:54:33,960 Speaker 1: giant murals, and then as they were touring the world, 889 00:54:34,080 --> 00:54:38,040 Speaker 1: other global artists would add their own versions, you know, 890 00:54:38,120 --> 00:54:39,759 Speaker 1: like their own giant panels. So I think there was 891 00:54:39,800 --> 00:54:43,520 Speaker 1: like eight altogether, eight or nine um and they were 892 00:54:43,560 --> 00:54:46,400 Speaker 1: really cool too, because, like you said about Jackson plus 893 00:54:46,640 --> 00:54:48,839 Speaker 1: almost the scale is what you need to go see 894 00:54:48,880 --> 00:54:51,480 Speaker 1: because they're so overwhelming. But one of my one of 895 00:54:51,520 --> 00:54:53,960 Speaker 1: my favorite ones was not my favorite one to look at, 896 00:54:54,040 --> 00:54:56,240 Speaker 1: but it was my favorite story. It was a mural 897 00:54:56,440 --> 00:54:59,560 Speaker 1: done by artists from Israel and Palestine and they kind 898 00:54:59,560 --> 00:55:01,440 Speaker 1: of have like talked about what they were going to 899 00:55:01,560 --> 00:55:03,759 Speaker 1: do and then worked on their parts separately and then 900 00:55:03,800 --> 00:55:06,880 Speaker 1: came together and put them together, and then argued a 901 00:55:06,920 --> 00:55:09,560 Speaker 1: lot about what their artist's message would be about that 902 00:55:09,600 --> 00:55:12,920 Speaker 1: part of the world and totally broke down in collaboration 903 00:55:13,120 --> 00:55:15,120 Speaker 1: and they kind of were like, we're not speaking anymore, 904 00:55:16,239 --> 00:55:19,040 Speaker 1: so their artist's message had to be we can't I 905 00:55:19,120 --> 00:55:21,480 Speaker 1: can't agree on an artist's message. So it was very 906 00:55:21,560 --> 00:55:25,040 Speaker 1: much like kind of a microcosm of the actual situation 907 00:55:25,440 --> 00:55:28,880 Speaker 1: with Israel and Palestine. Happening on a in a mural. 908 00:55:29,000 --> 00:55:31,080 Speaker 1: It was just kind of that. That just felt so 909 00:55:31,760 --> 00:55:34,799 Speaker 1: life imitating art, art imitating life. To me, I was like, 910 00:55:34,880 --> 00:55:40,360 Speaker 1: this is too real, too real. That was such a 911 00:55:40,400 --> 00:55:45,080 Speaker 1: cool museum. I mean just overall those three exhibits really impressive. 912 00:55:45,120 --> 00:55:46,800 Speaker 1: And then and and it was all three. It was 913 00:55:46,840 --> 00:55:50,720 Speaker 1: all like there was a donation made the museum, some huge, 914 00:55:50,760 --> 00:55:55,279 Speaker 1: massive donation and that just covered everyone's entrance fees for 915 00:55:55,360 --> 00:55:57,799 Speaker 1: like the next several years. We got to walk around 916 00:55:57,800 --> 00:56:00,360 Speaker 1: a little Tokyo after access right across the street, really 917 00:56:00,440 --> 00:56:04,279 Speaker 1: delicious little bakery we got some snacks at and then uh, 918 00:56:04,320 --> 00:56:06,640 Speaker 1: and then that night we got to go to Grand 919 00:56:06,640 --> 00:56:09,160 Speaker 1: Master Records, which was like this awesome. It used to 920 00:56:09,200 --> 00:56:12,880 Speaker 1: be a recording studio. Uh. You know, everybody from Kanye 921 00:56:13,040 --> 00:56:18,480 Speaker 1: to I don't know really no doubt, yes please, they 922 00:56:18,480 --> 00:56:21,279 Speaker 1: were all recording there and now it's just this dope 923 00:56:21,320 --> 00:56:24,319 Speaker 1: rooftop bar. And they had really good food too. We 924 00:56:24,320 --> 00:56:29,799 Speaker 1: got a ton of food. We d oh my god, 925 00:56:29,840 --> 00:56:32,759 Speaker 1: I just never stopped eating. Right. It felt very l 926 00:56:32,840 --> 00:56:38,400 Speaker 1: a up there. Yes, well, beautiful night outside patio, Hollywood 927 00:56:38,480 --> 00:56:43,120 Speaker 1: sign in the distance. Uh, Sean Penn sitting in your 928 00:56:43,200 --> 00:56:45,600 Speaker 1: lap it was just, you know, you can't get more 929 00:56:45,640 --> 00:56:48,200 Speaker 1: Hollywood experience them. That's a little awkward for him to 930 00:56:48,239 --> 00:56:50,920 Speaker 1: do that, and that was kind of rude. Yeah he 931 00:56:50,960 --> 00:56:57,600 Speaker 1: doesn't ask. Yeah, I se yeah, it's nine Sean penn 932 00:56:57,600 --> 00:57:00,480 Speaker 1: impersonators on the roof of that bar. Think they give. 933 00:57:00,520 --> 00:57:06,040 Speaker 1: Is that popular? I'm Sean pain. Let me sit in 934 00:57:06,040 --> 00:57:11,719 Speaker 1: your lab. Yeah. It was just like so, I guess 935 00:57:11,719 --> 00:57:14,600 Speaker 1: we were drinking in the same spot that Gwen Stefani 936 00:57:15,520 --> 00:57:24,720 Speaker 1: was singing about being a girl. Yeah, yeah, so I 937 00:57:24,760 --> 00:57:30,280 Speaker 1: love that place. Honestly, I would go there, I think. Yeah, agreed, 938 00:57:30,520 --> 00:57:33,320 Speaker 1: So we closed our Grandmaster records. We had. It was 939 00:57:33,400 --> 00:57:35,280 Speaker 1: Cherring Jason's last night. Now like we were going to 940 00:57:35,320 --> 00:57:37,480 Speaker 1: be driving home, you know, sometime in the next day 941 00:57:37,560 --> 00:57:39,360 Speaker 1: or so, but they would fly out in the morning. 942 00:57:39,400 --> 00:57:45,120 Speaker 1: So we had one last hurrah, one final hurrah. One 943 00:57:45,160 --> 00:57:47,640 Speaker 1: thing we didn't get to do in Vegas we never 944 00:57:47,680 --> 00:57:50,960 Speaker 1: do at home. We had all been discussing the idea 945 00:57:51,000 --> 00:57:54,280 Speaker 1: of going to a strip club. So Atlanta is the 946 00:57:54,320 --> 00:57:57,560 Speaker 1: strip club capital of the US in many people's opinions, 947 00:57:57,560 --> 00:57:59,280 Speaker 1: that is true. I used to hear that if you 948 00:57:59,280 --> 00:58:02,520 Speaker 1: get a dollar bill in Atlanta, it has been in 949 00:58:02,560 --> 00:58:07,760 Speaker 1: a strippers song at least once. It's been a magic city. 950 00:58:08,520 --> 00:58:10,479 Speaker 1: So initially we would thinking about going in this place 951 00:58:10,480 --> 00:58:16,640 Speaker 1: called Bozo's Clown Room, jump bos Cloud Room, Boo, I'm 952 00:58:16,680 --> 00:58:22,560 Speaker 1: not from Bozo, don't have a streeper? Does sound better? 953 00:58:22,800 --> 00:58:25,040 Speaker 1: Jumbo's Clown Room is a pretty funny name for a 954 00:58:25,080 --> 00:58:27,240 Speaker 1: strip club. To me, I was like, do we walk 955 00:58:27,280 --> 00:58:29,640 Speaker 1: in and they look like clowns? Like? What is this 956 00:58:29,680 --> 00:58:35,160 Speaker 1: the themed vibe? Again? Maybe? Maybe? But then for some 957 00:58:35,240 --> 00:58:37,960 Speaker 1: reason we ended up going to this place called seventh 958 00:58:38,040 --> 00:58:42,360 Speaker 1: seventh of mal you know anyway, because it was close 959 00:58:42,400 --> 00:58:46,040 Speaker 1: and it was and you know, we went in there 960 00:58:46,320 --> 00:58:50,600 Speaker 1: and I gotta say, it's a strange, strange world in 961 00:58:50,880 --> 00:58:55,040 Speaker 1: l A. Because there's no alcohol, that's right, are very strange. 962 00:58:55,080 --> 00:58:58,680 Speaker 1: If they show their entire bodies, they're not allowed to 963 00:58:58,720 --> 00:59:03,600 Speaker 1: sell alcohol, right premise, And they showed their entire bodies, right, 964 00:59:03,640 --> 00:59:05,560 Speaker 1: And if they do sell alcohol, it's just like a 965 00:59:05,600 --> 00:59:08,280 Speaker 1: bikini thing, like they have to keep it all covered 966 00:59:08,280 --> 00:59:11,720 Speaker 1: out right. Interesting, yeah, and this but it was just 967 00:59:11,720 --> 00:59:14,000 Speaker 1: funny to me because you know, we only spent ton 968 00:59:14,040 --> 00:59:15,920 Speaker 1: of time there, but it was funny to me that 969 00:59:15,960 --> 00:59:18,880 Speaker 1: they were like, would you like to buy the Dancer 970 00:59:19,080 --> 00:59:26,840 Speaker 1: or Gatorade, you know, like okay, sure, like you know, okay, 971 00:59:27,640 --> 00:59:30,800 Speaker 1: is it to drink minimum with no alcohol? Yeah? You 972 00:59:30,880 --> 00:59:33,360 Speaker 1: had to buy these two bottles of water or Gatorade 973 00:59:33,480 --> 00:59:37,160 Speaker 1: or Red Bull or whatever. And it was like, I 974 00:59:37,200 --> 00:59:41,320 Speaker 1: don't even like coconut water, just like we got all 975 00:59:41,320 --> 00:59:44,400 Speaker 1: this coconut water. I love coconut water, but I think 976 00:59:44,440 --> 00:59:47,720 Speaker 1: that but that's not the issue of the issue was 977 00:59:47,880 --> 00:59:51,000 Speaker 1: that I could not get a cocktail in there, right, Yeah, 978 00:59:51,040 --> 00:59:52,640 Speaker 1: I need a cocktail to be in a strip club. 979 00:59:52,680 --> 00:59:54,640 Speaker 1: I'm not that comfortable in the strip club myself. So 980 00:59:54,680 --> 00:59:56,400 Speaker 1: I was like, if I'm not a little drunk, this 981 00:59:56,520 --> 00:59:59,600 Speaker 1: is not gonna work. We left quickly. Yeah. I was 982 00:59:59,640 --> 01:00:02,800 Speaker 1: also very conspicuous myself because there was not a lot 983 01:00:02,840 --> 01:00:05,640 Speaker 1: of people there, right, So I was like, oh, they're 984 01:00:05,640 --> 01:00:07,920 Speaker 1: going to talk to us, and they did. I was like, 985 01:00:07,960 --> 01:00:11,200 Speaker 1: don't talk to me. I'm not ready for this. So 986 01:00:11,280 --> 01:00:14,200 Speaker 1: we ended up leaving controverts the I know. I was like, 987 01:00:15,120 --> 01:00:17,680 Speaker 1: So we ended up leaving kind of quickly. They could 988 01:00:17,760 --> 01:00:19,680 Speaker 1: have the lights up and it was a Thursday night, 989 01:00:19,800 --> 01:00:23,520 Speaker 1: so it was just like a Wednesday night, I guess. Yeah, 990 01:00:23,600 --> 01:00:26,240 Speaker 1: so it's like there's no clients hell in their woodsoever. 991 01:00:30,040 --> 01:00:32,800 Speaker 1: We walked in there and we were the only people 992 01:00:32,840 --> 01:00:36,080 Speaker 1: that we walked in and they turned the music on. 993 01:00:37,080 --> 01:00:40,520 Speaker 1: Oh my god, girls got up from sitting. It was 994 01:00:40,600 --> 01:00:45,160 Speaker 1: just like, hey, look a lot of people are here 995 01:00:45,160 --> 01:00:48,840 Speaker 1: coming in. It was awkward like in that way because 996 01:00:48,880 --> 01:00:50,880 Speaker 1: I think we were expecting just kind of like a 997 01:00:51,280 --> 01:00:58,280 Speaker 1: raucous kind of already happened in PROVCT exactly like ourselves, 998 01:00:58,320 --> 01:01:00,840 Speaker 1: and then that was not the pace at all. Yeah, 999 01:01:00,880 --> 01:01:02,520 Speaker 1: I think that's a good way, because like you kind 1000 01:01:02,560 --> 01:01:03,920 Speaker 1: of just want to go in there and you want 1001 01:01:03,960 --> 01:01:07,160 Speaker 1: to see people mixing it up and having fine having drinks, 1002 01:01:07,200 --> 01:01:08,680 Speaker 1: and you really just want to have a few drinks 1003 01:01:08,680 --> 01:01:10,560 Speaker 1: and just be like I just want to see I 1004 01:01:10,560 --> 01:01:12,000 Speaker 1: want to poke my head in and see what it's 1005 01:01:12,080 --> 01:01:15,360 Speaker 1: what's going on in here? And instead there was no 1006 01:01:15,400 --> 01:01:18,400 Speaker 1: way that we could do that. Yeah, now you're we're 1007 01:01:18,560 --> 01:01:23,440 Speaker 1: focus exactly. Yeah, in here we were the focus. They 1008 01:01:23,440 --> 01:01:26,320 Speaker 1: were like what do you guys? Well, what do you see? 1009 01:01:27,800 --> 01:01:30,160 Speaker 1: I was like, I want to crawl into my purse. 1010 01:01:30,320 --> 01:01:33,680 Speaker 1: That's what I want to do. I mean, I will 1011 01:01:33,720 --> 01:01:36,160 Speaker 1: say like once y'all left, there were more people that 1012 01:01:36,280 --> 01:01:38,960 Speaker 1: came in and it did fill up a little bit 1013 01:01:39,000 --> 01:01:42,400 Speaker 1: more and the girls were it looked like they were 1014 01:01:42,400 --> 01:01:45,680 Speaker 1: interacting with regulars, and there was like a couple there 1015 01:01:45,880 --> 01:01:50,120 Speaker 1: and they're just like sure, getting rowdy, you know. I 1016 01:01:50,240 --> 01:01:54,360 Speaker 1: was like, Okay, this is more what I was a 1017 01:01:54,400 --> 01:01:57,200 Speaker 1: little more than the empty room that we had walked into. 1018 01:01:58,480 --> 01:02:00,720 Speaker 1: I mean, but like strip clubs, really, the two are 1019 01:02:00,840 --> 01:02:03,000 Speaker 1: a real toss up because if you don't go to 1020 01:02:03,040 --> 01:02:06,400 Speaker 1: them very often, you really don't know what you're gonna get, 1021 01:02:06,640 --> 01:02:09,360 Speaker 1: you know, especially because and they're also different. Each one 1022 01:02:09,400 --> 01:02:11,880 Speaker 1: is different. Yeah. I feel like if we had gone 1023 01:02:11,880 --> 01:02:13,920 Speaker 1: to jumbos and probably been it would have been a 1024 01:02:13,960 --> 01:02:16,560 Speaker 1: little something closer I would imagine to what we have 1025 01:02:16,600 --> 01:02:20,760 Speaker 1: here in Atlanta. The Claremont, which is this sort of 1026 01:02:20,840 --> 01:02:25,760 Speaker 1: like naturally known, you know, historical spot with like some 1027 01:02:25,920 --> 01:02:32,720 Speaker 1: real characters like Blondie and like Anthony or Dane went there, yeah, 1028 01:02:33,360 --> 01:02:35,600 Speaker 1: and like it was like more of like a novelty, 1029 01:02:36,160 --> 01:02:38,240 Speaker 1: no shade to the place we went. But it was 1030 01:02:38,280 --> 01:02:39,960 Speaker 1: just more like it was like this is a serious 1031 01:02:40,000 --> 01:02:46,120 Speaker 1: business over here, like money, right, which not to sound 1032 01:02:46,120 --> 01:02:47,960 Speaker 1: like a dummy, like, well, yeah, of course you went 1033 01:02:48,000 --> 01:02:51,440 Speaker 1: to a but it's like there's different vibes you know, 1034 01:02:51,480 --> 01:02:53,680 Speaker 1: in different places. And I think probably what we were 1035 01:02:53,720 --> 01:02:56,400 Speaker 1: looking for as tourists was probably more of just like 1036 01:02:56,440 --> 01:02:59,200 Speaker 1: a Claremont type thing where it's like, like, you know, 1037 01:02:59,480 --> 01:03:03,640 Speaker 1: novelty also have to stay. It's called seven veils. I 1038 01:03:03,680 --> 01:03:07,560 Speaker 1: didn't see one single veil. I mean, maybe it was 1039 01:03:07,600 --> 01:03:11,760 Speaker 1: the veil the seven veils of conscious thought, you know, 1040 01:03:12,000 --> 01:03:21,480 Speaker 1: maybe veils conscious understanding. Yeah, it's about you removing your veils, 1041 01:03:21,560 --> 01:03:26,560 Speaker 1: your metaphorical veils. Yeah, well that's deep. That's deep for 1042 01:03:26,600 --> 01:03:28,640 Speaker 1: a strip club. I should have stayed. I'm gonna have 1043 01:03:28,680 --> 01:03:32,800 Speaker 1: I'm gonna have more enlightenment. Veil over your third eye 1044 01:03:32,840 --> 01:03:37,400 Speaker 1: has been removed. Yeah, I see the world so clearly now. 1045 01:03:38,040 --> 01:03:43,320 Speaker 1: Well that pretty much closed out our joint adventure. The 1046 01:03:43,400 --> 01:03:47,760 Speaker 1: next morning we took all the airport and uh and 1047 01:03:47,760 --> 01:03:50,240 Speaker 1: and of course Diana I had some further adventures, but 1048 01:03:50,840 --> 01:03:55,600 Speaker 1: that's for another day. Yeah. Um, what an amazing trip. 1049 01:03:56,240 --> 01:03:59,280 Speaker 1: I mean to have two friends with you, another couple, 1050 01:03:59,400 --> 01:04:03,680 Speaker 1: especially everybody's doing a couple of things. Um yeah, just 1051 01:04:03,720 --> 01:04:06,280 Speaker 1: really at an incredible time. You don't want any single 1052 01:04:06,440 --> 01:04:10,919 Speaker 1: people in there ruining everything. You know. It's more that 1053 01:04:11,280 --> 01:04:14,000 Speaker 1: it's more that we as a couple would ruin it 1054 01:04:14,040 --> 01:04:17,600 Speaker 1: for single people, you know, probably be like, we want 1055 01:04:17,600 --> 01:04:20,240 Speaker 1: to do a date night and they're like cool, thanks, Okay, 1056 01:04:20,280 --> 01:04:29,840 Speaker 1: I guess I'll go fucking deal with myself. Um No, 1057 01:04:29,960 --> 01:04:31,680 Speaker 1: but it is cool. I don't think there's that many 1058 01:04:31,720 --> 01:04:34,360 Speaker 1: people you can travel with and have a good time 1059 01:04:34,400 --> 01:04:38,439 Speaker 1: the whole time and again still be friends with once 1060 01:04:38,520 --> 01:04:43,120 Speaker 1: it's over. So it was just really cool to have that. 1061 01:04:43,240 --> 01:04:45,000 Speaker 1: I don't know, I felt lucky. I think a lot 1062 01:04:45,040 --> 01:04:46,680 Speaker 1: of people are like, oh, I'd love to travel with 1063 01:04:46,720 --> 01:04:50,000 Speaker 1: my friends, but I'd like to not hate them, so 1064 01:04:50,160 --> 01:04:53,520 Speaker 1: I will not do it well, I do feel after first, 1065 01:04:53,680 --> 01:04:56,160 Speaker 1: first of all, I agree with all those sentiments, and 1066 01:04:56,240 --> 01:05:00,840 Speaker 1: second of all, I think ELI should do a guide, 1067 01:05:01,200 --> 01:05:07,640 Speaker 1: his points guide at TikTok breakdown of like here's how 1068 01:05:07,960 --> 01:05:10,720 Speaker 1: you do the here's how you do it, here's how 1069 01:05:10,760 --> 01:05:14,080 Speaker 1: you do the system. Here's a good points I can't 1070 01:05:14,120 --> 01:05:16,640 Speaker 1: decide if I want to do that to spread the 1071 01:05:16,680 --> 01:05:19,000 Speaker 1: good word or if I want to not do that, 1072 01:05:19,080 --> 01:05:20,680 Speaker 1: because if too many people do it, they're going to 1073 01:05:20,720 --> 01:05:23,360 Speaker 1: get rid of that program. I know that was my fear. 1074 01:05:25,360 --> 01:05:29,400 Speaker 1: Keep it to myself. This is my information. Free information 1075 01:05:29,440 --> 01:05:31,800 Speaker 1: should be well. People are more than welcome to pay 1076 01:05:31,840 --> 01:05:33,800 Speaker 1: me for this free information, and I will give it 1077 01:05:33,840 --> 01:05:38,440 Speaker 1: to them five dollars. Check our morning order to Ridiculous Room. 1078 01:05:38,560 --> 01:05:43,800 Speaker 1: Yeah about Cherry Jason, we've taken a lot of your time, listeners, 1079 01:05:43,920 --> 01:05:46,120 Speaker 1: I think he's taking a good chunk of your time too. 1080 01:05:46,160 --> 01:05:48,960 Speaker 1: But but I hope you'll have fun joining us on 1081 01:05:49,120 --> 01:05:51,480 Speaker 1: as we reminisced through this amazing adventure that we all 1082 01:05:51,520 --> 01:05:56,840 Speaker 1: get to take together. Yes, celebrating couples, Yeah, celebrating anniversaries 1083 01:05:56,880 --> 01:06:03,480 Speaker 1: and weddings, honeymoons and bachelorettes from bachelor parties. Happy birthday 1084 01:06:03,560 --> 01:06:11,360 Speaker 1: to our marriages, Hap birthday, my birthday, anyone where you 1085 01:06:11,400 --> 01:06:19,160 Speaker 1: get those cookies, show me your ID facing well, you 1086 01:06:19,240 --> 01:06:22,880 Speaker 1: know we will be back soon with another historical deep 1087 01:06:22,960 --> 01:06:26,360 Speaker 1: dive as we talk about Ridiculous Romances. You know the 1088 01:06:26,360 --> 01:06:29,280 Speaker 1: title of the show. Um, but please, I do hope 1089 01:06:29,320 --> 01:06:31,040 Speaker 1: you enjoyed us here. Let us know what your thoughts, 1090 01:06:31,080 --> 01:06:34,920 Speaker 1: send us your suggestions, tell us your stories of your travels. 1091 01:06:35,160 --> 01:06:36,840 Speaker 1: We'd love to share him here on the show as well. 1092 01:06:37,680 --> 01:06:39,480 Speaker 1: We can reach out to us at ridick Romance at 1093 01:06:39,480 --> 01:06:43,000 Speaker 1: gmail dot com right or on Twitter and Instagram. I'm 1094 01:06:43,040 --> 01:06:45,680 Speaker 1: at Dianamite Boom and I'm at Oh great, it's Eli. 1095 01:06:45,920 --> 01:06:48,840 Speaker 1: The show is that ridic Romance Jerry and Jason? Would 1096 01:06:48,880 --> 01:06:50,480 Speaker 1: you like to tell the good people where they can 1097 01:06:50,520 --> 01:06:55,640 Speaker 1: follow you socially? I'm on social media as at Cherry 1098 01:06:55,680 --> 01:06:59,920 Speaker 1: del Row on this four bought nice post paintings and whatnot. 1099 01:07:00,000 --> 01:07:05,200 Speaker 1: It under on Instagram normal world underscore and then Twitter 1100 01:07:05,360 --> 01:07:10,360 Speaker 1: is normal world underscore art and so but I mean, hey, 1101 01:07:10,800 --> 01:07:12,600 Speaker 1: just look, you know what it is though, I just said, 1102 01:07:12,680 --> 01:07:14,760 Speaker 1: I just put up a painting at Eli or something. 1103 01:07:15,120 --> 01:07:19,080 Speaker 1: So look for Eli. Smile at face. Let's see it. Uh. 1104 01:07:19,160 --> 01:07:21,760 Speaker 1: Jerry Jason both very talented artists, so you should definitely 1105 01:07:21,800 --> 01:07:24,760 Speaker 1: check out their work. Um, and we will catch you 1106 01:07:24,800 --> 01:07:27,840 Speaker 1: all soon. Another exciting episode of Ridiculous Romance. So thanks 1107 01:07:27,840 --> 01:07:30,480 Speaker 1: for tuning in. Yeah wait, and hope you enjoyed our 1108 01:07:30,680 --> 01:07:35,400 Speaker 1: Ridiculous Romances on the road and we will see you 1109 01:07:35,480 --> 01:07:39,400 Speaker 1: next time. All right, thanks again, love you buy so long, friends, 1110 01:07:39,440 --> 01:07:43,120 Speaker 1: It's time to go. Thanks so listening to our show, 1111 01:07:43,680 --> 01:07:46,920 Speaker 1: tell your friends names Uncle Sandance to listen to a 1112 01:07:47,000 --> 01:07:48,560 Speaker 1: show ridiculous roll nance