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<v Speaker 2>Jay, Welcome to the Earn Your Leasure Podcasts. I want

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<v Speaker 2>to give a quick background story of how this all

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<v Speaker 2>got started. So first off, my name is Rashad Balau.

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<v Speaker 2>For anybody that doesn't know me, but my partner Troy Millings.

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<v Speaker 2>So anybody that's been following me for the last year

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<v Speaker 2>and a half on Instagram. You know, I post content

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<v Speaker 2>about different financial topics, but I kind of take a

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<v Speaker 2>different approach to it. You know, I talk about you know,

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<v Speaker 2>sports and entertainment, kind of the backstories that a lot

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<v Speaker 2>of times people aren't familiar with them may not know,

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<v Speaker 2>and also different you know, business models and different businesses

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<v Speaker 2>and investments and stuff like that. So Instagram has a

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<v Speaker 2>format where you only put up one minute video. So

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<v Speaker 2>a lot of people was asking me, you know, when

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<v Speaker 2>am I going to do a podcast or you know,

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<v Speaker 2>they want an extended version of the conversation. So I

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<v Speaker 2>thought that it would be a great idea to have

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<v Speaker 2>this podcast. And then when I was thinking about the podcast,

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<v Speaker 2>you know, I wanted to have a partner, and my partner, Troy,

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<v Speaker 2>I thought would be a perfect pick because he's actually

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<v Speaker 2>somebody that you may not be familiar with if you

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<v Speaker 2>follow my Instagram, or you may be familiar with. But

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<v Speaker 2>so I teach a financial literacy class to kids, and

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<v Speaker 2>he's the one that actually got me involved with that.

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<v Speaker 2>I actually teach his classes, his class that I teach,

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<v Speaker 2>and also a lot of the stuff that I post

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<v Speaker 2>on Instagram comes from conversations that me and him have

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<v Speaker 2>and has been having for a very long time. We

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<v Speaker 2>always have conversations about a lot of different stuff, So

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<v Speaker 2>I wanted to, you know, share our conversations to the

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<v Speaker 2>world and have it a on a on a scale,

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<v Speaker 2>so it's not just me and him in his living

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<v Speaker 2>room anymore. Yeah, it's put an internet to his So

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<v Speaker 2>that's kind of backstory. So Troy, you want to give

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<v Speaker 2>your perspective on it.

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<v Speaker 3>Yeah, I mean pretty much what Rashad is saying is

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<v Speaker 3>one hundred percent accurate. We've we've had conversations for so

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<v Speaker 3>many years, I think over twenty years of conversations, and

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<v Speaker 3>over the past few years, we've seen some of those

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<v Speaker 3>conversations turn into realities.

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<v Speaker 4>And it was like we.

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<v Speaker 3>Thought the conversations that we were having were almost commonplace.

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<v Speaker 3>And what we started to notice is that these conversations

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<v Speaker 3>aren't happening, especially in.

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<v Speaker 4>Our community and the communities throughout the country.

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<v Speaker 3>And that was evident when we saw the content that

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<v Speaker 3>you were putting up on your page, and it was

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<v Speaker 3>the feedback was just so amazing, like, thank you so

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<v Speaker 3>much for the education, and I never knew that, and

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<v Speaker 3>we started looking at ourselves like, wait, they didn't know that.

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<v Speaker 3>I thought people knew that, So there was definitely a

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<v Speaker 3>need there. And Earn your Legion podcast is now live.

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<v Speaker 2>Oh we got talk about the name to earn your

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<v Speaker 2>leaders anybody that follows me. That's like my hashtag that

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<v Speaker 2>I've been using for a while, earning your Lesia. And

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<v Speaker 2>Troy actually came up with that hashtag that he thought

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<v Speaker 2>that that was a good hash I was trying to

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<v Speaker 2>think of something to come up with, and he thought

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<v Speaker 2>that that was perfect as far as earning your Lesia.

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<v Speaker 3>Yeah, man, that that Let's give him the whole story, right,

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<v Speaker 3>Like so like the conversation that we said, like that

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<v Speaker 3>just happened. From that conversation, it was like you had

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<v Speaker 3>just started that. Listen, I have an avenue now through Instagram.

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<v Speaker 4>Let's take them even further back. Let's take it because

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<v Speaker 4>part of.

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<v Speaker 3>The reason I was like, that's a great idea is

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<v Speaker 3>because people miss the hard work that goes prior to

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<v Speaker 3>this this moment right here. So we've been in that

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<v Speaker 3>classroom in the summers from our program and we'll talk

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<v Speaker 3>about the program later on, but for eight years now,

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<v Speaker 3>maybe nine years, right, we've been in that classroom and

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<v Speaker 3>The original thought was, Hey, I know that finance is

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<v Speaker 3>something that.

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<v Speaker 4>Is not being taught in.

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<v Speaker 3>School, and I knew that you are a financial advisor

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<v Speaker 3>obviously as my best friend, we knew that that too.

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<v Speaker 3>We should link those two things, right, Like, you teach finance,

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<v Speaker 3>I'm an educator. Let's link it to and at first.

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<v Speaker 3>And I think you put that into folks, and I

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<v Speaker 3>thought that was really honest with you. It was like,

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<v Speaker 3>it's not the easiest thing to do. I think people

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<v Speaker 3>under depression. Like if I teach, if I teach kids

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<v Speaker 3>and I can teach anybody, or if I've never taught

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<v Speaker 3>kids before, I can get in the classroom.

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<v Speaker 4>And do it. And you were very honest about that.

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<v Speaker 3>It was like, you know, this is difficult, like this

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<v Speaker 3>is not for me, but to your credit, man, you

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<v Speaker 3>stuck with it, and now you can see that the

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<v Speaker 3>education that you're giving to these kids is something that

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<v Speaker 3>they're going to take with them for a long time.

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<v Speaker 3>And now the world gets to see it on Instagram

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<v Speaker 3>like some of the word we've been doing. But it's

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<v Speaker 3>been eight years and that's how your leisure comes comes about.

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<v Speaker 2>For sure, for sure. So that's where we're at right now.

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<v Speaker 2>To Earn Your Leisure podcasts, And like I said, before

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<v Speaker 2>we go into it, the Earn Your Leasure podcast will

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<v Speaker 2>be giving you behind the scenes look at financial deals

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<v Speaker 2>and the entertainment, sports business, different fields, and you know,

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<v Speaker 2>we're going to try to make it exciting. A lot

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<v Speaker 2>of times people have an idea of business that is

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<v Speaker 2>boring or over the head. It's not either one. So

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<v Speaker 2>that's kind of, you know, the reason why we wanted

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<v Speaker 2>to start this, you know, to kind of bring it

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<v Speaker 2>to light and make it fun and make it understandable

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<v Speaker 2>and make it relatable. So yeah, so let's jump right

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<v Speaker 2>into it, jump right into it. So you know, I

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<v Speaker 2>took notes. I took notes. I'm prepared. So we're gonna

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<v Speaker 2>start with the music industry because both of us are

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<v Speaker 2>huge fans.

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<v Speaker 3>I think the music raises us, I would say, right, Like,

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<v Speaker 3>I think we used to get into debates about did

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<v Speaker 3>we learn more from the music did we learn more

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<v Speaker 3>from school? And I mean i'd say it's equal, right,

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<v Speaker 3>Like some of the lessons that we learned from listening

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<v Speaker 3>to Nas and Jay and Big to a certain extent,

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<v Speaker 3>we still apply those lessons today. So one of the

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<v Speaker 3>things that I heard from one of my favorite albums.

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<v Speaker 3>Jay Z's last four or four album was you do

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<v Speaker 3>still signing deals still? After all they done stole for real,

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<v Speaker 3>after what they did to all Laurence Hill, And I realized, like,

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<v Speaker 3>certain generations don't even know who Lauren Hill is, right, Like,

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<v Speaker 3>so Miseducation of Lauryn Hill comes out in nineteen eight

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<v Speaker 3>ninety eight. We got kids now who are nineteen who

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<v Speaker 3>aren't even born, right, so they just know Lauryn Hill

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<v Speaker 3>as the woman who kind of dresses funny in their opinion.

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<v Speaker 4>But there was some major things that happened with her.

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<v Speaker 3>And on your page, I saw that, you know, some

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<v Speaker 3>people were wondering, like, hey, what's a What's what's up

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<v Speaker 3>with these record deals?

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<v Speaker 4>What's a three sixty deal? What does that even mean?

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<v Speaker 4>So we're gonna give a fresh poch on what that

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<v Speaker 4>is and how that looks.

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<v Speaker 2>Yeah. So yeah, so when Jay, when Jay said that,

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<v Speaker 2>y'all still signing deals for real? So one of the

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<v Speaker 2>things he was losing too was the three sixty deal,

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<v Speaker 2>right right, So, like you said at a lot of

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<v Speaker 2>people have been asking me to make a video about

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<v Speaker 2>the three sixty deal, but I just didn't want to

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<v Speaker 2>make a you know a one minute clip about it.

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<v Speaker 2>I wanted to kind of go into depth about what

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<v Speaker 2>the three sixty deal really is because obviously a lot

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<v Speaker 2>of people have aspirations of being in the music business

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<v Speaker 2>that they want to be producers, artists, singers, whatever. So

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<v Speaker 2>it's important for them to have the business knowledge, not

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<v Speaker 2>just you know, how to wrap, how to write a song,

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<v Speaker 2>or how to shoot a video. You know, there's a

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<v Speaker 2>lot of stuff that goes in behind the scenes that

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<v Speaker 2>a lot of time people aren't familiar with. So three

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<v Speaker 2>sixty deal, three sixty deal, you want you want to

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<v Speaker 2>start this off or you want me to start it.

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<v Speaker 4>Off, so we can. I'll start it.

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<v Speaker 3>So three sixty deal is something that came about in

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<v Speaker 3>the early two thousands. Record companies started to realize that

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<v Speaker 3>they were losing revenue because of illegal downloads. Right, so

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<v Speaker 3>people weren't buying albums because we could just get it

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<v Speaker 3>off of I guess napster at that point in LimeWire.

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<v Speaker 3>So record companies were like, hey, we're losing money. We

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<v Speaker 3>have to figure out a way to earn this money.

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<v Speaker 2>Sean Parker, we got to acknowledge for a legend, we can't,

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<v Speaker 2>we can't. We can't just take that lately. Sean Parker

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<v Speaker 2>changed the game. Absolutely, change the world.

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<v Speaker 4>Absolutely.

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<v Speaker 2>Anybody not familiar with Sean Parker, he's the guy behind Napster.

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<v Speaker 2>Twice you changed the world with Facebook also, absolutely, But Napster,

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<v Speaker 2>they were they the first ones to start ripping music.

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<v Speaker 4>I believe, so, man, I believe so.

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<v Speaker 3>Like in the late nineties, late nineties, I believe Napster

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<v Speaker 3>comes about. And when we found out about that, it was.

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<v Speaker 2>So before Napster, everybody was buying CDs. Go to you

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<v Speaker 2>go to Sam Goodie, you go to your local record

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<v Speaker 2>store and you buy a CD.

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<v Speaker 3>Let's go down a list of those stores that you're

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<v Speaker 3>talking about that don't exist, Sam Goodies, cocon Nuts.

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<v Speaker 2>For your entertainment, I forgot.

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<v Speaker 3>For your entertainment, a bunch of these these these warehouses

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<v Speaker 3>that would sell music that don't exist anymore.

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<v Speaker 2>Okay, So all right, so Napster comes along. What exactly

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<v Speaker 2>the naps to do?

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<v Speaker 4>Again? So?

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<v Speaker 3>Uh, Napster he figured out a way to get music

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<v Speaker 3>illegally and stream it through the internet.

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<v Speaker 2>So you could you could you could just get it

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<v Speaker 2>from NAP's website.

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<v Speaker 3>Right so well, for free, for free, So that that

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<v Speaker 3>was the first time we started getting music from.

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<v Speaker 2>So that that actually was the first stream right right

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<v Speaker 2>as we know it today, right because he was taking

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<v Speaker 2>the music and putting it on his website, and then

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<v Speaker 2>from the website you can take it.

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<v Speaker 3>So it was a listen a data file of just files, right,

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<v Speaker 3>And that was the first time it was like direct

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<v Speaker 3>to consumer. Right, So now I didn't have to go

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<v Speaker 3>to the store to buy the cassette tape, which doesn't exist.

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<v Speaker 3>I didn't have to go to start to get the CD.

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<v Speaker 3>I'm getting it directly in my home. Not only am

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<v Speaker 3>my getting directly in my home, but now I can

0:10:39.679 --> 0:10:42.840
<v Speaker 3>get a multitude of artists. Right, I can make my

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<v Speaker 3>own mix of songs, right, Like I remember showing people

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<v Speaker 3>how to do it, and it was like, oh my gosh,

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<v Speaker 3>like this is amazing, Like I can make my own mixtape.

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<v Speaker 3>I don't have to waste money anymore. So like, yeah,

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<v Speaker 3>that was the first direct to consumer music outlet.

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<v Speaker 2>And then okay, so then once the record companies pretty

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<v Speaker 2>much shut that down, they hit him with like what

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<v Speaker 2>the federal government. Federal government shut down. I'm sure the

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<v Speaker 2>record companies played a part.

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<v Speaker 4>Absolutely.

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<v Speaker 2>They d him on two hundred million dollars suits.

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<v Speaker 3>It was crazy copies, all types of copyright infringement lawsuits.

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<v Speaker 3>But after I mean, that doesn't stop it, right, like

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<v Speaker 3>that idea, you can't, No, you can't, you can't. You

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<v Speaker 3>can't stop energy.

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<v Speaker 2>There it is, you can't stop energy because once it's

0:11:26.880 --> 0:11:31.160
<v Speaker 2>out there, you can try to contain it. But it's

0:11:31.240 --> 0:11:32.160
<v Speaker 2>like that the doors.

0:11:32.000 --> 0:11:33.559
<v Speaker 4>Open at that point you can't close your eyes to

0:11:33.720 --> 0:11:34.240
<v Speaker 4>So once.

0:11:34.080 --> 0:11:37.920
<v Speaker 2>They shut down Napster, but the record companies did a

0:11:37.960 --> 0:11:40.440
<v Speaker 2>smart thing. Okay, so from Napster we have to go

0:11:40.520 --> 0:11:41.559
<v Speaker 2>to Steve Jobs.

0:11:41.760 --> 0:11:43.920
<v Speaker 4>No, let's go. Well, there's a few other outlets.

0:11:43.920 --> 0:11:49.160
<v Speaker 3>So once Napster starts, then other file sharing services come about.

0:11:49.200 --> 0:11:51.760
<v Speaker 3>So then you get a LimeWire, right, and then a

0:11:51.920 --> 0:11:52.400
<v Speaker 3>bunch of.

0:11:52.600 --> 0:11:55.760
<v Speaker 4>That was still illegal, still illegal, so like he that's

0:11:55.800 --> 0:11:56.360
<v Speaker 4>the idea.

0:11:56.480 --> 0:11:58.640
<v Speaker 3>Then we get a bunch of other file sharing companies

0:11:58.679 --> 0:12:02.240
<v Speaker 3>that come out, and now they're not just sharing music, right,

0:12:02.280 --> 0:12:05.880
<v Speaker 3>so like movies. Now they're sharing movies, they're sharing TV shows,

0:12:05.920 --> 0:12:08.480
<v Speaker 3>all types of forms of outlet of media. Right, they're

0:12:08.480 --> 0:12:11.360
<v Speaker 3>sharing books like you can download a book. So now

0:12:11.360 --> 0:12:15.559
<v Speaker 3>it's like this entire industry has to figure out, how

0:12:15.600 --> 0:12:17.640
<v Speaker 3>are we going to stop this? Thing from bleeding, like

0:12:17.679 --> 0:12:20.400
<v Speaker 3>this is bleeding. The music industry is bleeding. We're losing

0:12:20.400 --> 0:12:22.440
<v Speaker 3>money at an all time rate. How are we gonna

0:12:22.440 --> 0:12:22.839
<v Speaker 3>stop it?

0:12:24.240 --> 0:12:27.880
<v Speaker 2>So okay, now we're into Steve Jobs in the picture. Okay,

0:12:28.240 --> 0:12:33.240
<v Speaker 2>So Steve Jobs has the brilliant idea. Well it's actually

0:12:33.280 --> 0:12:34.839
<v Speaker 2>not his idea, but he made it come to.

0:12:34.840 --> 0:12:38.679
<v Speaker 4>Life, accepted the idea of the iPod, right.

0:12:40.000 --> 0:12:45.200
<v Speaker 2>And then from the iPod came iTunes.

0:12:45.920 --> 0:12:46.960
<v Speaker 4>Yeah right, yep.

0:12:47.480 --> 0:12:51.040
<v Speaker 2>So with iTunes it's like the first legal streaming service

0:12:51.240 --> 0:12:52.200
<v Speaker 2>because now we're paying for it.

0:12:52.280 --> 0:12:52.439
<v Speaker 4>Right.

0:12:52.520 --> 0:12:54.680
<v Speaker 2>So now he got with all the record companies, the

0:12:54.720 --> 0:12:58.560
<v Speaker 2>heads of all the record companies, and said, look, streaming,

0:12:58.600 --> 0:13:03.000
<v Speaker 2>and you can't stop streaming, right, but you can make

0:13:03.040 --> 0:13:04.520
<v Speaker 2>money off of it. You can be part of it.

0:13:05.280 --> 0:13:08.000
<v Speaker 2>Let's come together. I have the platform, you have the music,

0:13:08.040 --> 0:13:12.520
<v Speaker 2>we can merge. Now we have iTunes exactly on your iPod.

0:13:13.600 --> 0:13:16.840
<v Speaker 2>So now it's legal streaming as we know it today.

0:13:17.559 --> 0:13:22.040
<v Speaker 2>And then that's grown to Spotify and title and everything else.

0:13:23.720 --> 0:13:28.360
<v Speaker 2>So with that comes the creation of the three sixty deal. Right,

0:13:28.440 --> 0:13:36.200
<v Speaker 2>because before record companies, well talk about the record.

0:13:35.320 --> 0:13:39.880
<v Speaker 3>Record companies were pretty much basing their revenue off the

0:13:39.920 --> 0:13:43.040
<v Speaker 3>sales of albums, right, and off the sale of singles.

0:13:43.120 --> 0:13:43.280
<v Speaker 4>Right.

0:13:43.320 --> 0:13:46.360
<v Speaker 3>But after those singles, no longer I don't have to

0:13:46.360 --> 0:13:47.440
<v Speaker 3>pay for them, I get them for free.

0:13:47.760 --> 0:13:50.160
<v Speaker 4>How do we generate money? Right?

0:13:50.280 --> 0:13:53.439
<v Speaker 3>And they knew that their artists were still generating revenue

0:13:53.480 --> 0:13:55.560
<v Speaker 3>on top of the album sales. Right, So then they

0:13:55.600 --> 0:14:00.120
<v Speaker 3>go and tour, whether they make in store visits, as

0:14:00.200 --> 0:14:03.240
<v Speaker 3>they sell merchandise, they're still generating revenue.

0:14:03.280 --> 0:14:06.760
<v Speaker 2>So artists are very resilient people. So once the artists

0:14:06.800 --> 0:14:12.319
<v Speaker 2>figured out they wasn't making money selling albums anymore, they

0:14:12.360 --> 0:14:15.640
<v Speaker 2>found other revenues to make money, touring, which has been

0:14:17.320 --> 0:14:20.520
<v Speaker 2>a revenue stream for years, so they make money off touring.

0:14:20.800 --> 0:14:26.520
<v Speaker 2>Then they started merch selling merchandise. Then they started installing pearances, walkthroughs,

0:14:26.720 --> 0:14:32.080
<v Speaker 2>all kinds of stuff, right, And so the music became

0:14:32.440 --> 0:14:35.680
<v Speaker 2>just the platform they get your name out there, so

0:14:35.720 --> 0:14:37.760
<v Speaker 2>you can make money off of all the other different

0:14:37.760 --> 0:14:42.760
<v Speaker 2>aspects of it. So when the record companies figured that out,

0:14:42.880 --> 0:14:45.040
<v Speaker 2>they say, Okay, the artists are still making money, but

0:14:45.080 --> 0:14:49.640
<v Speaker 2>we're not making money anymore because album sales. Nobody's buying albums,

0:14:49.640 --> 0:14:50.120
<v Speaker 2>so there's.

0:14:49.920 --> 0:14:53.400
<v Speaker 3>No point in now signing a five to seven seven

0:14:53.400 --> 0:14:55.640
<v Speaker 3>album year deal. There's no point of it anymore, right,

0:14:55.880 --> 0:14:58.120
<v Speaker 3>we might not even get to three albums at this rate.

0:14:58.520 --> 0:15:00.360
<v Speaker 4>Right. So the traditional was after.

0:15:00.240 --> 0:15:04.080
<v Speaker 3>Seven years and after you've met that obligation, now you're

0:15:04.120 --> 0:15:06.960
<v Speaker 3>free to sign at another label or your free design

0:15:07.200 --> 0:15:09.600
<v Speaker 3>your own through your own outlet.

0:15:10.760 --> 0:15:11.880
<v Speaker 4>That was the traditional way.

0:15:12.680 --> 0:15:15.160
<v Speaker 3>And then they said, wait, if they're not selling albums,

0:15:15.160 --> 0:15:16.240
<v Speaker 3>how are we going to make money?

0:15:16.800 --> 0:15:20.080
<v Speaker 2>So and how they're going to make money, they decided

0:15:20.120 --> 0:15:22.960
<v Speaker 2>to enter the three sixty deal. So the three sixty

0:15:23.000 --> 0:15:26.120
<v Speaker 2>deal is when that's why it's called three sixty because

0:15:26.840 --> 0:15:29.720
<v Speaker 2>they get a piece of everything, right, So, they get

0:15:29.720 --> 0:15:32.560
<v Speaker 2>a piece of your streaming, they get a piece of

0:15:32.600 --> 0:15:35.120
<v Speaker 2>your merch, they get a piece of your touring, they

0:15:35.120 --> 0:15:40.320
<v Speaker 2>get a piece of sometimes even walkthroughs, club performances, anything,

0:15:41.480 --> 0:15:46.640
<v Speaker 2>TV appearances, anything that you do that makes you money

0:15:47.360 --> 0:15:49.080
<v Speaker 2>will make them money. They want it. They want a

0:15:49.120 --> 0:15:51.400
<v Speaker 2>piece of everything exactly. It's like it's like, what's that

0:15:51.560 --> 0:15:54.520
<v Speaker 2>Kings of New York? He said, if if is sold,

0:15:54.560 --> 0:15:55.760
<v Speaker 2>so I want, I want.

0:15:55.720 --> 0:15:58.200
<v Speaker 4>I want It's still I want in deal. Right. So,

0:15:58.600 --> 0:16:01.000
<v Speaker 4>originally they used to give you advance.

0:16:01.920 --> 0:16:03.920
<v Speaker 3>If you sign a record contract, you get an advance

0:16:04.400 --> 0:16:07.160
<v Speaker 3>and that goes towards you know, the making of your album,

0:16:07.280 --> 0:16:10.040
<v Speaker 3>perhaps maybe some of your videos. So they still do

0:16:10.120 --> 0:16:11.880
<v Speaker 3>that in the three sixty deal, but now it's like,

0:16:11.920 --> 0:16:13.800
<v Speaker 3>all right, we got to recruit that. So they might

0:16:13.840 --> 0:16:17.440
<v Speaker 3>give you a bigger upfront advance, but they're still trying

0:16:17.440 --> 0:16:20.160
<v Speaker 3>to recruit it through those avenues of income that you

0:16:20.240 --> 0:16:20.840
<v Speaker 3>just spoke about.

0:16:21.080 --> 0:16:23.160
<v Speaker 4>It is the I one end deal I want in.

0:16:23.280 --> 0:16:24.480
<v Speaker 4>You're making a dollar I want in.

0:16:26.120 --> 0:16:32.440
<v Speaker 2>Yeah. Well, so now now people are taking a more

0:16:32.480 --> 0:16:35.560
<v Speaker 2>independent route right, right, because they realize that with streaming,

0:16:36.320 --> 0:16:39.720
<v Speaker 2>you don't necessarily need the record label. How you used

0:16:39.720 --> 0:16:41.480
<v Speaker 2>to lead, how you used to need the record Because

0:16:41.960 --> 0:16:45.480
<v Speaker 2>I've heard from record executives and people in the music

0:16:45.520 --> 0:16:48.400
<v Speaker 2>industry that the reason the three sixty deal makes sense

0:16:48.960 --> 0:16:52.920
<v Speaker 2>is that they are investing money in the artists, right.

0:16:53.120 --> 0:16:54.920
<v Speaker 4>They're calling it growth development.

0:16:54.600 --> 0:16:57.280
<v Speaker 2>Right, and they're they're putting an artist on a platform

0:16:57.880 --> 0:17:00.560
<v Speaker 2>for them to get that merched soul, then for them

0:17:00.560 --> 0:17:03.360
<v Speaker 2>to get those TV appearances, and for them to get

0:17:03.360 --> 0:17:06.200
<v Speaker 2>that touring. They wouldn't have that without the push from

0:17:06.240 --> 0:17:09.040
<v Speaker 2>the record label. So it's only right that the record

0:17:09.080 --> 0:17:10.399
<v Speaker 2>label recoups that.

0:17:10.960 --> 0:17:12.840
<v Speaker 4>Yeah, I mean, but that used it, that may have

0:17:12.920 --> 0:17:13.280
<v Speaker 4>been true.

0:17:13.320 --> 0:17:17.120
<v Speaker 3>But in this era of like our YouTube generation of kids, right,

0:17:17.160 --> 0:17:19.159
<v Speaker 3>Like I call him the YouTube generation because like our

0:17:19.240 --> 0:17:22.800
<v Speaker 3>kids don't watch TV, right, Like they started Disney Channel

0:17:22.840 --> 0:17:24.080
<v Speaker 3>and by the time that's done, it's.

0:17:23.960 --> 0:17:25.840
<v Speaker 4>Like, all right, well now we're watching YouTube.

0:17:26.320 --> 0:17:29.480
<v Speaker 3>So people are making themselves hot, right, they don't necessarily

0:17:29.520 --> 0:17:30.440
<v Speaker 3>need a record label.

0:17:30.840 --> 0:17:33.520
<v Speaker 4>And I know, like Soldier Boy, right, like.

0:17:33.480 --> 0:17:36.640
<v Speaker 3>People he's been all over the over the media outlets

0:17:36.720 --> 0:17:39.720
<v Speaker 3>lately and it's like they laugh at him, but it's like, no,

0:17:39.840 --> 0:17:41.480
<v Speaker 3>this is what this kid did is legendary, right, Like

0:17:41.520 --> 0:17:46.240
<v Speaker 3>he's the first guy to introduce artists through YouTube, right

0:17:46.359 --> 0:17:47.840
<v Speaker 3>back to his first video at Cranked.

0:17:47.840 --> 0:17:49.400
<v Speaker 2>That right, Soldier Boy is interesting.

0:17:49.520 --> 0:17:51.240
<v Speaker 4>Yeah, I mean he's legendary. Right.

0:17:51.359 --> 0:17:55.760
<v Speaker 2>You can't you can't dismiss him, No, and we shouldn't.

0:17:55.800 --> 0:17:59.200
<v Speaker 2>You can't dismiss him because, like you said, he actually

0:17:59.640 --> 0:18:04.800
<v Speaker 2>pied near this whole YouTube sensation. Yeah, get yourself high

0:18:05.320 --> 0:18:06.000
<v Speaker 2>with a dance.

0:18:06.840 --> 0:18:10.080
<v Speaker 4>He's the he's the first viral artist of Yes, he's

0:18:10.080 --> 0:18:11.120
<v Speaker 4>the first viral artist that.

0:18:11.040 --> 0:18:14.560
<v Speaker 3>We've seen people with who've had movements, right, Like we've

0:18:14.600 --> 0:18:17.199
<v Speaker 3>seen the fifty cent and the g and the we

0:18:17.240 --> 0:18:18.639
<v Speaker 3>grew up in that dipset movement.

0:18:18.640 --> 0:18:20.000
<v Speaker 4>Those were movements, but this.

0:18:20.040 --> 0:18:23.480
<v Speaker 3>Kid is the first viral artist where it's like this

0:18:23.560 --> 0:18:26.640
<v Speaker 3>is on the internet and now it's taken off right.

0:18:26.640 --> 0:18:30.120
<v Speaker 3>So like at the time, when crank That comes out, right,

0:18:30.600 --> 0:18:34.760
<v Speaker 3>he produced himself, produced himself, made with two like, he

0:18:34.760 --> 0:18:38.200
<v Speaker 3>didn't use any live instruments, right, he bought I think

0:18:38.240 --> 0:18:41.640
<v Speaker 3>it's fruity loops, I believe free loops software.

0:18:41.520 --> 0:18:43.440
<v Speaker 4>And created crank That. Right.

0:18:43.600 --> 0:18:47.280
<v Speaker 3>This thing goes on to self to three million streams

0:18:48.119 --> 0:18:49.920
<v Speaker 3>in two thousand and seven. Right at the time, that's

0:18:49.960 --> 0:18:52.880
<v Speaker 3>an all time record. This kid generates seven million dollars

0:18:53.359 --> 0:18:57.640
<v Speaker 3>at sixteen, right, so he becomes the first viral artist. Hey,

0:18:57.920 --> 0:18:59.600
<v Speaker 3>I don't really need that label. Label has to come

0:18:59.640 --> 0:19:02.080
<v Speaker 3>to me. So he signed with Kylie Park, who was

0:19:02.119 --> 0:19:04.760
<v Speaker 3>an Atlanta executive at the time. But in the video,

0:19:04.800 --> 0:19:07.320
<v Speaker 3>the first scene is kids and this is like kind

0:19:07.359 --> 0:19:09.920
<v Speaker 3>of indicative of where we are now. He has two

0:19:10.040 --> 0:19:14.120
<v Speaker 3>kids doing the dance and he's sitting behind his desk

0:19:14.160 --> 0:19:16.119
<v Speaker 3>like what are y'all doing? And they're like that's that

0:19:16.200 --> 0:19:18.679
<v Speaker 3>grant dad, And.

0:19:18.040 --> 0:19:19.119
<v Speaker 2>He's like who is that?

0:19:19.400 --> 0:19:20.720
<v Speaker 4>And they're like, Daddy a soldier. Boys.

0:19:20.760 --> 0:19:23.800
<v Speaker 3>Like now the kids because they're on the Internet and

0:19:23.800 --> 0:19:27.240
<v Speaker 3>now on TV are telling the adults like what's hot.

0:19:27.400 --> 0:19:29.000
<v Speaker 3>I was like wow when I saw that the other day,

0:19:29.000 --> 0:19:33.680
<v Speaker 3>I'm like wow, that's like for like foreshadowing what's happening.

0:19:33.760 --> 0:19:37.160
<v Speaker 3>These kids are telling us what's hot because they sold

0:19:37.200 --> 0:19:37.679
<v Speaker 3>on YouTube.

0:19:37.720 --> 0:19:40.320
<v Speaker 4>So like he's the first viral us. Yes, we might

0:19:40.359 --> 0:19:41.159
<v Speaker 4>not light the way.

0:19:41.000 --> 0:19:43.560
<v Speaker 3>He conveys his message, but he speaks a lot of

0:19:43.600 --> 0:19:44.600
<v Speaker 3>truth in what he's saying.

0:19:44.720 --> 0:19:48.840
<v Speaker 4>Right this, we can't deny this kid, right, Like he's

0:19:48.920 --> 0:19:49.359
<v Speaker 4>I mean he's.

0:19:49.280 --> 0:19:52.280
<v Speaker 3>Twenty eight now, but this kid made himself a millionaire

0:19:52.280 --> 0:19:56.720
<v Speaker 3>at that age, right, So he's our first viral YouTube artist.

0:19:57.920 --> 0:20:01.560
<v Speaker 2>Okay, okay, So then from Soldier Boys, all right, So

0:20:01.880 --> 0:20:04.960
<v Speaker 2>going back to three sixty Deale, So Chris brown he

0:20:05.119 --> 0:20:09.359
<v Speaker 2>just recently made headlines. Yeah, he was the youngest artist

0:20:09.400 --> 0:20:12.240
<v Speaker 2>to so his new record deal. He has complete control

0:20:12.280 --> 0:20:16.199
<v Speaker 2>of his master's correct. So he's the youngest artist to

0:20:16.320 --> 0:20:16.560
<v Speaker 2>have that.

0:20:16.720 --> 0:20:20.119
<v Speaker 3>Yeah, correct, Chris Browns is twenty nine, right, which is

0:20:20.480 --> 0:20:23.919
<v Speaker 3>we've known this guy since we were since he was sixteen.

0:20:23.960 --> 0:20:27.440
<v Speaker 3>I got another guy at sixteen, and that's a catalog

0:20:27.520 --> 0:20:31.200
<v Speaker 3>of music. But now I think he's fulfilled his last

0:20:31.480 --> 0:20:35.879
<v Speaker 3>label deal and now controls his masters, right, so that

0:20:35.960 --> 0:20:39.000
<v Speaker 3>twenty nine, anything that he puts out from this point on,

0:20:39.440 --> 0:20:42.320
<v Speaker 3>he owns one hundred percent of And I think some

0:20:42.359 --> 0:20:44.760
<v Speaker 3>people get confused and like, what's a master's.

0:20:45.000 --> 0:20:50.040
<v Speaker 2>Yeah, it's publishing for an artist, and then is the

0:20:50.119 --> 0:20:53.880
<v Speaker 2>masters right? What's what's the difference between publishing and masters?

0:20:54.119 --> 0:20:58.480
<v Speaker 4>So your masters is the first recording of.

0:20:58.320 --> 0:21:02.240
<v Speaker 3>A sound, right or a song right that people will

0:21:02.320 --> 0:21:04.399
<v Speaker 3>use now to duplicate. Right, So if he makes a

0:21:04.400 --> 0:21:06.959
<v Speaker 3>song in twenty nineteen, he owns one hundred percent of that,

0:21:07.280 --> 0:21:09.639
<v Speaker 3>and he owns the masses that if somebody duplicates that

0:21:09.800 --> 0:21:11.840
<v Speaker 3>or uses a sound from that, right, they have to

0:21:11.840 --> 0:21:13.399
<v Speaker 3>pay him for that. So he's going to own his

0:21:13.440 --> 0:21:16.720
<v Speaker 3>masters so like the song's prior to it, and we

0:21:16.760 --> 0:21:18.440
<v Speaker 3>still have to get details on the full contract. I

0:21:18.440 --> 0:21:20.280
<v Speaker 3>don't know if held it back dates, if he gets

0:21:20.280 --> 0:21:22.800
<v Speaker 3>to control of some of his old content, but like

0:21:23.080 --> 0:21:24.880
<v Speaker 3>some of the songs that we grew up with him

0:21:25.320 --> 0:21:28.800
<v Speaker 3>doing and are timeless, I'm not sure if he has

0:21:28.800 --> 0:21:30.600
<v Speaker 3>control of that his old record label made.

0:21:30.600 --> 0:21:33.520
<v Speaker 4>But I would anticipate that this is going to be

0:21:33.520 --> 0:21:34.280
<v Speaker 4>a huge dfhim.

0:21:34.480 --> 0:21:36.280
<v Speaker 3>Right as soon as he signs that deal, he drops

0:21:36.280 --> 0:21:39.840
<v Speaker 3>a video, right, forget Like I don't need a press tour,

0:21:39.960 --> 0:21:42.840
<v Speaker 3>Like I'm putting out content right now. So the song,

0:21:43.760 --> 0:21:48.000
<v Speaker 3>it's the what's the Shenee record?

0:21:48.320 --> 0:21:49.520
<v Speaker 4>What's the song? Right?

0:21:49.560 --> 0:21:51.119
<v Speaker 3>So that song comes out like as soon as he

0:21:51.119 --> 0:21:56.280
<v Speaker 3>signs his deal, like and he sales that generated from

0:21:56.320 --> 0:21:59.480
<v Speaker 3>that single, and the streams on that or the YouTube

0:21:59.560 --> 0:22:02.400
<v Speaker 3>hits from that, that advertising dolls send in Like he's

0:22:02.400 --> 0:22:05.800
<v Speaker 3>in control of that now, which is at twenty nine, Like,

0:22:05.840 --> 0:22:07.600
<v Speaker 3>we have guys that we listen to at forty eight

0:22:07.640 --> 0:22:08.920
<v Speaker 3>that don't even control their music.

0:22:09.119 --> 0:22:12.520
<v Speaker 2>So in the publishing the writers.

0:22:12.640 --> 0:22:17.400
<v Speaker 3>Right, So the writers, the love of musicians who contribute

0:22:17.440 --> 0:22:20.000
<v Speaker 3>to that, to the performance of that song or the

0:22:20.040 --> 0:22:22.560
<v Speaker 3>making of that song, like so those are two separate.

0:22:22.200 --> 0:22:25.080
<v Speaker 4>Things, right, So like the copying of it, and then.

0:22:24.960 --> 0:22:25.360
<v Speaker 3>You have.

0:22:26.920 --> 0:22:28.720
<v Speaker 4>The actual people who compose it.

0:22:30.320 --> 0:22:32.879
<v Speaker 3>I said that one of the guys I actually was

0:22:32.920 --> 0:22:35.720
<v Speaker 3>watching Big John Platt, And I don't think anybody people

0:22:35.720 --> 0:22:37.959
<v Speaker 3>are even familiar with Big John Platt. But if you're not,

0:22:38.080 --> 0:22:40.879
<v Speaker 3>you should, you know, do some research on who he is.

0:22:40.920 --> 0:22:45.880
<v Speaker 3>Like this guy is the publisher of the publishers, like he.

0:22:44.760 --> 0:22:48.159
<v Speaker 4>He he's a legend in music.

0:22:48.200 --> 0:22:50.440
<v Speaker 3>And if if you haven't seen him do some research,

0:22:50.480 --> 0:22:53.159
<v Speaker 3>and I think the rap Radar podcast that they did.

0:22:53.040 --> 0:22:55.160
<v Speaker 4>With him was a phenomenal interview, and.

0:22:55.080 --> 0:22:57.840
<v Speaker 3>He set a tremendous amount of light on what he

0:22:57.880 --> 0:23:00.200
<v Speaker 3>does because, like you said, a lot of people want

0:23:00.200 --> 0:23:03.480
<v Speaker 3>to get into entertainment and want to be rappers and singers,

0:23:03.960 --> 0:23:07.320
<v Speaker 3>but there's other ways to generate revenue for music, and

0:23:07.359 --> 0:23:09.840
<v Speaker 3>he's found a way. And he makes sure that any

0:23:09.960 --> 0:23:13.159
<v Speaker 3>artist that he comes in contact with that they control

0:23:13.160 --> 0:23:14.480
<v Speaker 3>their publishing because it's important.

0:23:14.520 --> 0:23:15.160
<v Speaker 4>It's important.

0:23:16.000 --> 0:23:20.000
<v Speaker 2>Okay. So also in news, a Boogie a bogy, So

0:23:20.040 --> 0:23:21.800
<v Speaker 2>a Boogie made history.

0:23:21.800 --> 0:23:23.920
<v Speaker 4>Shout out to the Bronx for being.

0:23:25.200 --> 0:23:29.040
<v Speaker 2>Well, he had the lowest sales.

0:23:29.080 --> 0:23:30.000
<v Speaker 4>Well let's not start there.

0:23:30.119 --> 0:23:32.360
<v Speaker 3>Let's start right see like and this is true too,

0:23:32.400 --> 0:23:34.000
<v Speaker 3>so like the media will say, like he has the

0:23:34.040 --> 0:23:37.040
<v Speaker 3>lowest sales, but let's start with the positive like this, Yeah.

0:23:36.840 --> 0:23:38.880
<v Speaker 2>IM gonna get to this kid has the number one

0:23:38.920 --> 0:23:41.080
<v Speaker 2>the number one album. He made history for having it,

0:23:41.560 --> 0:23:44.879
<v Speaker 2>for having the number one album with the lowest selling

0:23:45.119 --> 0:23:48.440
<v Speaker 2>physical physical units ever. Right, so he sold eight hundred

0:23:48.440 --> 0:23:52.600
<v Speaker 2>and thirty five physical copies physical copies, but he streamed

0:23:52.640 --> 0:23:56.479
<v Speaker 2>eighty million streams. Right, which is the equivalent of sixty

0:23:56.520 --> 0:23:57.680
<v Speaker 2>thousand albums.

0:23:57.800 --> 0:23:59.160
<v Speaker 4>Yeah, so.

0:24:01.640 --> 0:24:04.920
<v Speaker 2>That's interesting on two different levels, right, because you sold

0:24:04.920 --> 0:24:05.880
<v Speaker 2>eight hundred.

0:24:06.000 --> 0:24:08.600
<v Speaker 4>Copies eight hundred twenty three or something like that.

0:24:08.680 --> 0:24:12.240
<v Speaker 2>Yeah, eight hundred and twenty three copies, but you stream

0:24:12.600 --> 0:24:14.480
<v Speaker 2>eighty million, right right.

0:24:14.520 --> 0:24:16.520
<v Speaker 4>It tells you a couple of things. Right. It goes

0:24:16.560 --> 0:24:19.320
<v Speaker 4>back to what we said earlier, where there.

0:24:19.200 --> 0:24:22.760
<v Speaker 3>Are no physical outlets to consume physical copies.

0:24:22.800 --> 0:24:24.400
<v Speaker 2>Well, that's it exactly.

0:24:24.160 --> 0:24:27.280
<v Speaker 3>That's the first thing, right, So no stores, there's no stores, right,

0:24:27.320 --> 0:24:30.640
<v Speaker 3>so there are no like the stores that we said earlier,

0:24:30.720 --> 0:24:33.560
<v Speaker 3>but even like stores like best Buy, these huge company.

0:24:33.640 --> 0:24:36.840
<v Speaker 3>Right recently they said that we are doing a way

0:24:37.280 --> 0:24:40.240
<v Speaker 3>with the CD section in our stores. It's pointless. People

0:24:40.320 --> 0:24:42.920
<v Speaker 3>don't buy them, right, I've been in your car. You

0:24:42.960 --> 0:24:45.399
<v Speaker 3>don't even have a CD player in your car, right, Like,

0:24:45.600 --> 0:24:48.000
<v Speaker 3>it doesn't People don't consume music that way.

0:24:48.080 --> 0:24:51.480
<v Speaker 2>So, so who's in control of the music industry right now?

0:24:51.560 --> 0:24:54.800
<v Speaker 2>Is it? Because I've heard this before that the cell

0:24:54.840 --> 0:24:59.920
<v Speaker 2>phone companies are really in position to be the record labels.

0:25:00.359 --> 0:25:03.760
<v Speaker 2>If you think about it, nothing moves without a cell phone, right, right,

0:25:03.840 --> 0:25:11.480
<v Speaker 2>So what would stop Sprint, Verizon or Apple directly to

0:25:11.680 --> 0:25:15.879
<v Speaker 2>just cut the record label out completely and make deals

0:25:15.880 --> 0:25:16.679
<v Speaker 2>with artists.

0:25:17.280 --> 0:25:18.399
<v Speaker 4>I think that's where we're headed.

0:25:19.280 --> 0:25:21.280
<v Speaker 2>That's what we're headed. I think that's where we're at

0:25:21.359 --> 0:25:23.840
<v Speaker 2>right now, because the artists are still record labels are

0:25:23.840 --> 0:25:26.359
<v Speaker 2>still there. But what what what good is a record

0:25:26.440 --> 0:25:28.920
<v Speaker 2>label at this point where a lot of time people

0:25:28.920 --> 0:25:30.280
<v Speaker 2>don't even listen to radio anymore.

0:25:30.400 --> 0:25:34.240
<v Speaker 4>Right, So, like that's important too, Like so Steve Stout.

0:25:34.440 --> 0:25:36.199
<v Speaker 3>And again if you don't know if Steve Stout is

0:25:36.200 --> 0:25:41.119
<v Speaker 3>and you're in entertainment, definitely somebody you should research. His

0:25:41.160 --> 0:25:44.360
<v Speaker 3>book The Tanning of America is amazing, so must read.

0:25:44.880 --> 0:25:48.600
<v Speaker 3>But his company, the United Masters, is combating. Then they're saying, look,

0:25:48.640 --> 0:25:51.240
<v Speaker 3>you don't need the record label, We're giving you your Masters.

0:25:51.640 --> 0:25:54.920
<v Speaker 3>And what he has is, I mean he's established relationships

0:25:54.920 --> 0:25:57.480
<v Speaker 3>throughout his career. I think he started with Public Enemy

0:25:57.520 --> 0:25:58.680
<v Speaker 3>in the eighties, right, he was.

0:25:58.640 --> 0:26:00.840
<v Speaker 4>Like a tour manager, or.

0:26:00.840 --> 0:26:02.919
<v Speaker 3>He might have been like an assistant to the tour

0:26:03.000 --> 0:26:06.000
<v Speaker 3>manager for Public Aademy in the eighties. But throughout his

0:26:06.040 --> 0:26:09.119
<v Speaker 3>career he's established relationship with artists, and he's established relationships

0:26:09.119 --> 0:26:12.879
<v Speaker 3>with corporate America. And his claim to fame, like his

0:26:12.960 --> 0:26:15.160
<v Speaker 3>thing that he holds that on is like he combines

0:26:15.200 --> 0:26:18.199
<v Speaker 3>those twos, so like you have entertainment and you have

0:26:18.680 --> 0:26:21.680
<v Speaker 3>corporate America. Right, So that's where we get the jay

0:26:21.760 --> 0:26:24.800
<v Speaker 3>Z to Rebok deal, or we get the NAS to

0:26:25.040 --> 0:26:27.520
<v Speaker 3>the Sprite Like that's one of our favorite commercials, right,

0:26:27.560 --> 0:26:28.840
<v Speaker 3>the legendary SPIKEE commercial.

0:26:29.119 --> 0:26:31.400
<v Speaker 4>So you start seeing those cross brands, or it could have.

0:26:31.359 --> 0:26:33.240
<v Speaker 3>Been Lebron to McDonald's, like he made that out of

0:26:33.280 --> 0:26:35.080
<v Speaker 3>hand and on that or like right now, like the

0:26:35.080 --> 0:26:39.320
<v Speaker 3>beats with Dre, like he's established so many relationships from

0:26:39.400 --> 0:26:41.959
<v Speaker 3>a brand standpoint that when he gets an artist now

0:26:41.960 --> 0:26:44.680
<v Speaker 3>it's like, look, we'll connect you directly with them.

0:26:45.000 --> 0:26:46.800
<v Speaker 4>You don't need that three sixty deal.

0:26:47.359 --> 0:26:50.560
<v Speaker 3>Come to the United Masters and we'll connect you with

0:26:50.600 --> 0:26:53.040
<v Speaker 3>the brand. And now, if you want to get your

0:26:53.080 --> 0:26:56.560
<v Speaker 3>your music in an NBA commercial, we got connections. If

0:26:56.560 --> 0:26:59.399
<v Speaker 3>you want to get your your music played in a

0:26:59.440 --> 0:27:01.439
<v Speaker 3>beat by Dre, we can do that, right. So, like

0:27:01.480 --> 0:27:04.000
<v Speaker 3>what he's offering I think changes the game.

0:27:04.440 --> 0:27:04.640
<v Speaker 4>Right.

0:27:04.680 --> 0:27:08.760
<v Speaker 3>So he's given like similar to what your page is

0:27:08.840 --> 0:27:12.560
<v Speaker 3>right like his like listen, follow this. This can help

0:27:12.640 --> 0:27:16.719
<v Speaker 3>us be free, like own your own masters, right, Like

0:27:16.760 --> 0:27:18.600
<v Speaker 3>that that was one of my favorite lines, right, I

0:27:18.640 --> 0:27:21.520
<v Speaker 3>own my own masses from Jay Like that's a real thing.

0:27:22.200 --> 0:27:24.080
<v Speaker 2>Yeah, I mean it's gonna be into it. That's my

0:27:24.160 --> 0:27:25.480
<v Speaker 2>prediction that.

0:27:27.600 --> 0:27:29.840
<v Speaker 3>This episode is brought to you by P and C Bank.

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<v Speaker 2>Whoever can make that happen right Whoever, instead of making

0:30:20.960 --> 0:30:23.200
<v Speaker 2>like you know how a boogey and them they made

0:30:23.240 --> 0:30:24.680
<v Speaker 2>a deal with Atlantic.

0:30:25.160 --> 0:30:27.120
<v Speaker 4>Be smart too, Like if you listen to this, No, no,

0:30:27.160 --> 0:30:27.840
<v Speaker 4>they are very smart.

0:30:27.880 --> 0:30:31.520
<v Speaker 2>But I'm just saying, whoever, whoever's can't can make a

0:30:31.600 --> 0:30:36.800
<v Speaker 2>deal directly with Sprint, directly with Apple, directly with Android.

0:30:37.360 --> 0:30:38.960
<v Speaker 2>That's going to be a game change it because if

0:30:38.960 --> 0:30:42.560
<v Speaker 2>you think about it, the whole platform is on your

0:30:42.600 --> 0:30:45.920
<v Speaker 2>cell phone right as far as the streaming is on,

0:30:46.200 --> 0:30:48.200
<v Speaker 2>all the apps are on your cell phone. If you

0:30:48.240 --> 0:30:51.320
<v Speaker 2>want to watch a video, YouTube is on your cell phone.

0:30:51.640 --> 0:30:54.000
<v Speaker 2>Even if you want to buy merch you can buy

0:30:54.040 --> 0:30:57.240
<v Speaker 2>that directly on your cell phone. So if you could

0:30:57.400 --> 0:31:00.960
<v Speaker 2>do a deal directly with the cell phone company, right, yeah,

0:31:01.000 --> 0:31:03.880
<v Speaker 2>and cut the record label out completely.

0:31:05.000 --> 0:31:06.960
<v Speaker 4>Right, Well that's what jay Z did, right.

0:31:07.320 --> 0:31:09.040
<v Speaker 2>Well, he did do that. Yeah, he did do that.

0:31:09.120 --> 0:31:10.880
<v Speaker 2>He did do that, but that was a one time.

0:31:10.920 --> 0:31:11.640
<v Speaker 2>That was a one off.

0:31:11.720 --> 0:31:13.480
<v Speaker 3>But but that's what I'm saying that that might that

0:31:13.560 --> 0:31:15.720
<v Speaker 3>plans to see that, like we can do this. Like

0:31:15.800 --> 0:31:19.320
<v Speaker 3>so like when he says, I'm putting out I think

0:31:19.320 --> 0:31:20.400
<v Speaker 3>it was Magna carta.

0:31:20.640 --> 0:31:23.720
<v Speaker 2>Magna carta, explain people, I don't know, so magnimum.

0:31:23.840 --> 0:31:27.520
<v Speaker 3>So magna carter he uh, he starts putting these commercials

0:31:27.520 --> 0:31:31.680
<v Speaker 3>out during the NBA Finals, right and he uh Sprint says, listen,

0:31:31.760 --> 0:31:35.440
<v Speaker 3>we're giving the first million subscribers to Sprint the album

0:31:35.480 --> 0:31:35.840
<v Speaker 3>for free.

0:31:36.320 --> 0:31:39.520
<v Speaker 4>Right, So he's putting that right to the phone company.

0:31:39.600 --> 0:31:42.200
<v Speaker 3>If you have Sprint, like most people do, a lot

0:31:42.200 --> 0:31:45.040
<v Speaker 3>of people do, they get the album for free. When

0:31:45.040 --> 0:31:48.000
<v Speaker 3>it comes to sound Scan, that's a million albums sold, right,

0:31:48.280 --> 0:31:49.680
<v Speaker 3>and so SoundScan tried but.

0:31:49.640 --> 0:31:51.760
<v Speaker 2>They said they said so, they say they said that

0:31:51.800 --> 0:31:54.480
<v Speaker 2>he cheated. Yeah, you cheat it because like you said,

0:31:54.480 --> 0:31:56.800
<v Speaker 2>it was the first million people that signed up for

0:31:56.880 --> 0:31:59.960
<v Speaker 2>that promo deal got the album for free on their phone, right,

0:32:00.440 --> 0:32:03.920
<v Speaker 2>But it's not cheating because whether they wanted it or not,

0:32:03.920 --> 0:32:04.600
<v Speaker 2>they still got it.

0:32:04.640 --> 0:32:06.280
<v Speaker 4>Did the consumer get that exactly?

0:32:06.400 --> 0:32:08.239
<v Speaker 2>But that's the power of going direcord to the cell

0:32:08.280 --> 0:32:10.800
<v Speaker 2>phone company, right, he did. I forgot he did that.

0:32:10.840 --> 0:32:14.160
<v Speaker 2>He did do that, and that was powerful because he

0:32:14.200 --> 0:32:16.120
<v Speaker 2>came out the gate and sold a million records before

0:32:16.520 --> 0:32:18.120
<v Speaker 2>day one, he sold a million records. Right, So now

0:32:18.240 --> 0:32:19.120
<v Speaker 2>I was telling any records.

0:32:19.160 --> 0:32:21.720
<v Speaker 3>And that's what I'm saying this when we post I

0:32:21.800 --> 0:32:24.240
<v Speaker 3>posed a question earlier. Are we learning more from the music?

0:32:24.240 --> 0:32:25.880
<v Speaker 3>Are we learning more from where we're going to school?

0:32:25.880 --> 0:32:28.480
<v Speaker 3>It's like, now we learned from both, right, because like

0:32:28.880 --> 0:32:32.680
<v Speaker 3>that's twenty thirteen, right, But five years from now, what

0:32:32.720 --> 0:32:35.520
<v Speaker 3>if that does happen, right, like, people probably will forget.

0:32:35.600 --> 0:32:39.120
<v Speaker 3>It's like I compare it to when Prince Right, we

0:32:39.160 --> 0:32:42.600
<v Speaker 3>had this conversation with Prince decided that hey, I'm going

0:32:42.680 --> 0:32:45.880
<v Speaker 3>to take control of my own masters, Like I'm going

0:32:45.960 --> 0:32:51.560
<v Speaker 3>to sell tickets with merchandise with my album. So if

0:32:51.600 --> 0:32:53.520
<v Speaker 3>you buy my album, you get a ticket to the

0:32:53.520 --> 0:32:54.720
<v Speaker 3>show and merchandise.

0:32:55.280 --> 0:32:56.520
<v Speaker 4>Right, And it was like.

0:32:56.520 --> 0:32:59.240
<v Speaker 3>Oh my gosh, like this guy, this is who does

0:32:59.240 --> 0:33:04.200
<v Speaker 3>he think he is right present day, Travis Scott. This

0:33:04.240 --> 0:33:07.920
<v Speaker 3>is the same thing, right, And then it's like, wait, no,

0:33:08.120 --> 0:33:10.440
<v Speaker 3>that doesn't count. How does that count? He's selling t shirts,

0:33:10.480 --> 0:33:12.920
<v Speaker 3>he's not selling albums, right, Like you know this that

0:33:12.920 --> 0:33:15.480
<v Speaker 3>shouldn't count. Nikki was right, she was mad, right, but

0:33:15.520 --> 0:33:19.120
<v Speaker 3>like no, he's just he's doing what's been done and

0:33:19.160 --> 0:33:22.240
<v Speaker 3>it's worked. It's worked because did number one thing is

0:33:22.320 --> 0:33:23.880
<v Speaker 3>did the consumer get the product?

0:33:24.080 --> 0:33:24.280
<v Speaker 4>Yeah?

0:33:24.320 --> 0:33:26.280
<v Speaker 3>They got the product and it got some merch too,

0:33:26.400 --> 0:33:29.800
<v Speaker 3>which they wear at his concerts that will sell out, right,

0:33:29.840 --> 0:33:34.240
<v Speaker 3>So like so that comparable of like hey, Prince did that,

0:33:34.520 --> 0:33:37.520
<v Speaker 3>Travis is doing it today, like Jay did that. Let's

0:33:37.520 --> 0:33:40.080
<v Speaker 3>see who comes up with the division to say, all right,

0:33:40.080 --> 0:33:41.200
<v Speaker 3>I'm gonna go that route now too.

0:33:42.040 --> 0:33:44.520
<v Speaker 2>Yeah. I think that'd be interesting. That's where that's where

0:33:44.520 --> 0:33:47.000
<v Speaker 2>I personally see his headed. I may be wrong, but

0:33:47.520 --> 0:33:49.400
<v Speaker 2>because like I said, I mean, your cell phone is

0:33:49.400 --> 0:33:52.520
<v Speaker 2>the most powerful thing in the world, right, Yeah, And

0:33:52.600 --> 0:33:56.360
<v Speaker 2>everything that you need pretty much in life, you can

0:33:56.760 --> 0:34:00.680
<v Speaker 2>access via your cell phone. So being that they had

0:34:00.680 --> 0:34:03.640
<v Speaker 2>that much power, I think that it's time for the

0:34:03.760 --> 0:34:06.880
<v Speaker 2>artists smart enough, Yeah, smart enough?

0:34:07.960 --> 0:34:08.120
<v Speaker 4>Man?

0:34:08.560 --> 0:34:10.600
<v Speaker 3>Just really quick back to the eight boogie thing like

0:34:11.320 --> 0:34:13.440
<v Speaker 3>and it's just that I know the headline was like

0:34:13.480 --> 0:34:16.600
<v Speaker 3>eight boogie Tales, eight hundred and twenty three albums, but they.

0:34:16.440 --> 0:34:17.560
<v Speaker 4>Were like, oh, that's the lowest.

0:34:17.640 --> 0:34:20.160
<v Speaker 3>But part of the story too, is like two weeks

0:34:20.200 --> 0:34:24.320
<v Speaker 3>ago twenty one Savage was the lowest with three thousand copies, right,

0:34:24.400 --> 0:34:26.479
<v Speaker 3>so like he's had the number one album, he only.

0:34:26.400 --> 0:34:28.640
<v Speaker 2>Sold three thousand, So eventually headed to a point like

0:34:28.760 --> 0:34:30.600
<v Speaker 2>it'll be two, right or not?

0:34:30.719 --> 0:34:34.040
<v Speaker 3>No, there was no physical copies, Like, because you tell

0:34:34.080 --> 0:34:35.440
<v Speaker 3>me where to go buy at.

0:34:35.280 --> 0:34:36.080
<v Speaker 4>A physical copy?

0:34:36.560 --> 0:34:37.520
<v Speaker 2>Can you buy that Walmart?

0:34:38.760 --> 0:34:41.240
<v Speaker 4>Maybe maybe they took.

0:34:41.080 --> 0:34:43.000
<v Speaker 2>Well, like he said, he didn't even put out physical.

0:34:42.760 --> 0:34:44.440
<v Speaker 4>Exactly, So I'm like, where did they even get eight

0:34:44.520 --> 0:34:45.000
<v Speaker 4>hundred folk?

0:34:46.239 --> 0:34:49.160
<v Speaker 2>Okay? Yeah, all right, all right, all right, So we

0:34:49.200 --> 0:34:50.879
<v Speaker 2>talked about music for a little bit. So let's let's

0:34:50.880 --> 0:34:55.080
<v Speaker 2>switch topics. Now, let's go into entertainment. Yeah, let's go

0:34:55.120 --> 0:34:59.239
<v Speaker 2>into entertainment because it's almost Oscar season.

0:34:59.080 --> 0:35:00.439
<v Speaker 4>Yeah, Golden Global season.

0:35:00.520 --> 0:35:06.040
<v Speaker 2>Ye, So I want to talk about the Oscars. Yeah,

0:35:06.080 --> 0:35:10.279
<v Speaker 2>So obviously what's been going on with the Oscars most

0:35:10.280 --> 0:35:11.880
<v Speaker 2>people have been talking about with the Kevin Hart thing,

0:35:11.960 --> 0:35:15.680
<v Speaker 2>right as far as they asked him to do it,

0:35:15.960 --> 0:35:18.000
<v Speaker 2>then they found some tweets from a couple of years ago.

0:35:19.040 --> 0:35:21.600
<v Speaker 2>Then they kind of took pulled the offer bag.

0:35:22.239 --> 0:35:23.719
<v Speaker 4>He's on I'm sorry toy right now.

0:35:23.760 --> 0:35:27.200
<v Speaker 2>But then then he apologized and they asked him to

0:35:27.239 --> 0:35:29.439
<v Speaker 2>come back, and then he didn't want to come back.

0:35:30.120 --> 0:35:31.560
<v Speaker 4>So it was like a whole campaign.

0:35:31.600 --> 0:35:34.960
<v Speaker 2>But every year, it seemed like every single year there's

0:35:34.960 --> 0:35:39.600
<v Speaker 2>always some controversy with the Oscars the Grammys. Like last

0:35:39.640 --> 0:35:42.320
<v Speaker 2>year it was the last year with Will Smith, with Jada,

0:35:42.520 --> 0:35:44.000
<v Speaker 2>they boycotted.

0:35:43.960 --> 0:35:47.920
<v Speaker 4>The Grammys the Oscars, maybe because he.

0:35:47.840 --> 0:35:50.279
<v Speaker 2>Didn't get nominated. She wanted him to get nominated and

0:35:50.320 --> 0:35:52.560
<v Speaker 2>he didn't get nominated, and it was like a boycott.

0:35:52.920 --> 0:35:54.400
<v Speaker 4>I see it, well, I see it more happening in the

0:35:54.480 --> 0:35:55.239
<v Speaker 4>music right.

0:35:55.680 --> 0:35:57.560
<v Speaker 2>Well. The thing about it was it was that movie

0:35:57.560 --> 0:36:01.480
<v Speaker 2>when he was the doctor for the Football Player. Yeah, yeah,

0:36:01.480 --> 0:36:03.799
<v Speaker 2>and she had a whole thing and she was boycotting

0:36:03.800 --> 0:36:05.480
<v Speaker 2>because she was like, you know, we're not getting represented,

0:36:05.480 --> 0:36:07.520
<v Speaker 2>we're not getting enough Oscar right, and every single thing.

0:36:07.560 --> 0:36:08.319
<v Speaker 2>It's always a big deal.

0:36:08.360 --> 0:36:11.280
<v Speaker 3>So then they try to take steps, Oh well, instead

0:36:11.280 --> 0:36:13.800
<v Speaker 3>of five people being nominated, we'll make it to eight people.

0:36:14.040 --> 0:36:16.120
<v Speaker 4>We'll make it to eight films being no exactly.

0:36:16.239 --> 0:36:21.160
<v Speaker 2>So going back to the rap line. Twenty years ago,

0:36:21.280 --> 0:36:25.480
<v Speaker 2>Jay Z had a legendary song called money Ain't a Thing, Yeah,

0:36:26.080 --> 0:36:29.240
<v Speaker 2>And in that song he has the line where he says,

0:36:29.719 --> 0:36:34.319
<v Speaker 2>save all the accolades, just to do right. So that's

0:36:34.360 --> 0:36:37.360
<v Speaker 2>an interesting lyric to me because it feels like, especially

0:36:37.480 --> 0:36:44.520
<v Speaker 2>our culture, we need validation more than money. It's like,

0:36:44.560 --> 0:36:46.040
<v Speaker 2>it's it's interesting, right we have.

0:36:46.080 --> 0:36:47.480
<v Speaker 4>We want to fit like we've made it.

0:36:47.560 --> 0:36:50.960
<v Speaker 2>We always wanted like that validation of I need an Oscar,

0:36:51.160 --> 0:36:53.840
<v Speaker 2>I need a Grammy, I need a Golden glove globe.

0:36:55.200 --> 0:36:57.680
<v Speaker 2>But it's like, why do you need that? So we

0:36:57.719 --> 0:37:03.479
<v Speaker 2>did the research actually on the time ten highest paid

0:37:03.520 --> 0:37:07.799
<v Speaker 2>actors in twenty and seventeen from on Forbes list. And

0:37:07.840 --> 0:37:10.480
<v Speaker 2>the interesting thing about it is that out of the

0:37:10.520 --> 0:37:14.600
<v Speaker 2>top ten actors, only one of them has an Oscar.

0:37:15.320 --> 0:37:16.120
<v Speaker 4>Right, so.

0:37:17.560 --> 0:37:21.320
<v Speaker 2>Chris Evans was number ten. He made thirty four million.

0:37:21.800 --> 0:37:23.920
<v Speaker 3>That is for people who don't know who Chris Evans is,

0:37:23.960 --> 0:37:26.080
<v Speaker 3>that's Captain America from.

0:37:26.080 --> 0:37:31.759
<v Speaker 2>The Avengers thirty four million no Oscar. Salmon Khan is

0:37:31.760 --> 0:37:35.080
<v Speaker 2>a Bollywood actor from India. He made thirty eight million

0:37:35.840 --> 0:37:40.919
<v Speaker 2>no Oscar Adam Sandler. People don't understand how much money

0:37:40.960 --> 0:37:43.720
<v Speaker 2>Adam Sandler made. Like it's crazy. Adam Sandler made thirty

0:37:43.800 --> 0:37:46.200
<v Speaker 2>nine million dollars. I have no idea.

0:37:46.200 --> 0:37:48.719
<v Speaker 4>I'm not even sure I would have assumed that. I

0:37:48.760 --> 0:37:49.479
<v Speaker 4>know he did a next.

0:37:49.400 --> 0:37:52.000
<v Speaker 2>Fleix, Netflix he made, he made off a Netflix.

0:37:52.280 --> 0:37:53.400
<v Speaker 4>Two movies on Netflix.

0:37:53.680 --> 0:37:54.480
<v Speaker 2>Can you name him?

0:37:54.640 --> 0:37:56.160
<v Speaker 4>No? I can't.

0:37:56.200 --> 0:37:58.719
<v Speaker 3>You know what I had this conversation. I can't name

0:37:58.760 --> 0:38:00.560
<v Speaker 3>the last good Adam Sailing film.

0:38:00.600 --> 0:38:04.000
<v Speaker 2>I can't remain I can't name a good Adam Sandler film.

0:38:04.120 --> 0:38:05.560
<v Speaker 4>I think Happy Gilmore was all right?

0:38:06.200 --> 0:38:06.560
<v Speaker 2>Uh?

0:38:06.680 --> 0:38:08.640
<v Speaker 4>Big was it? Big brother was a big brother when

0:38:08.680 --> 0:38:10.400
<v Speaker 4>he had to look at that was the right homing

0:38:10.360 --> 0:38:11.440
<v Speaker 4>on fifteen years.

0:38:11.200 --> 0:38:15.920
<v Speaker 2>Now, fifteen twenty. He made forty million dollars.

0:38:16.040 --> 0:38:18.600
<v Speaker 4>Yeah, yeah, quietly, ash.

0:38:18.800 --> 0:38:22.440
<v Speaker 2>Ashay Kumar, I've never heard of him. You've heard of

0:38:22.480 --> 0:38:24.520
<v Speaker 2>him before, never heard of him. He made forty million,

0:38:24.560 --> 0:38:25.320
<v Speaker 2>he's number seven.

0:38:25.520 --> 0:38:25.920
<v Speaker 4>Yeah.

0:38:26.440 --> 0:38:29.040
<v Speaker 2>Will Smith made forty two million dollars right at number

0:38:29.080 --> 0:38:30.040
<v Speaker 2>at number six.

0:38:29.920 --> 0:38:33.640
<v Speaker 4>No Oscar, no Oscar, A few nominations. Do you know

0:38:33.680 --> 0:38:37.240
<v Speaker 4>what movie he put He put out a bright.

0:38:37.040 --> 0:38:40.239
<v Speaker 2>Last year on Netflix on Netflix. Yeah. Netflix. That's a

0:38:40.239 --> 0:38:45.680
<v Speaker 2>whole different conversation. That game changer, definitely game changer.

0:38:45.480 --> 0:38:47.960
<v Speaker 3>Definitely, and especially the success they just had at the

0:38:48.040 --> 0:38:50.640
<v Speaker 3>end of the year were Birdbox that changed for the.

0:38:50.560 --> 0:38:55.800
<v Speaker 2>Box game changer. Yeah, Jackie Jackie Chan is number. Jackie

0:38:55.840 --> 0:38:57.959
<v Speaker 2>Chan made forty five million dollars last year.

0:38:59.040 --> 0:39:04.120
<v Speaker 3>Yeah, I don't know, you know what. So like Jackie Chan,

0:39:04.239 --> 0:39:07.239
<v Speaker 3>somebody's gonna be like, he got an Oscar. So, yeah, they

0:39:07.280 --> 0:39:11.400
<v Speaker 3>gave him an Oscar honorary. It's not a real he

0:39:11.480 --> 0:39:14.040
<v Speaker 3>has two hundred films. They're like, you know what, Jackie

0:39:14.120 --> 0:39:16.440
<v Speaker 3>twenty sixteen, this is yeah, yeah, man, we're gonna give

0:39:16.440 --> 0:39:16.680
<v Speaker 3>you one.

0:39:16.880 --> 0:39:18.160
<v Speaker 4>So he has an honorary Oscar.

0:39:18.600 --> 0:39:23.200
<v Speaker 2>Jackie Chan forty million, made forty five million dollars. Can

0:39:23.239 --> 0:39:23.680
<v Speaker 2>you name a.

0:39:23.640 --> 0:39:26.520
<v Speaker 4>Movie he was in out you mean outside of Russia?

0:39:27.080 --> 0:39:32.160
<v Speaker 2>No, last twenty seventeen. Nah? Nah Kong Fu Yoga?

0:39:32.360 --> 0:39:35.240
<v Speaker 4>Oh oh no, I thought not Kong Flu Banda.

0:39:35.280 --> 0:39:42.040
<v Speaker 2>No, Kong Fu Yoga, The Foreigner and all the other

0:39:42.120 --> 0:39:43.480
<v Speaker 2>money came from endorsement deals.

0:39:43.560 --> 0:39:47.560
<v Speaker 4>Okay, that makes sense. Forty five man.

0:39:47.719 --> 0:39:52.799
<v Speaker 2>Go figure. Yeah, Chris Haynesworth made sixty four million, So.

0:39:52.840 --> 0:39:57.000
<v Speaker 3>Chris Haynesworth is thoring the Avengers. I'm gonna We're starting

0:39:57.040 --> 0:39:57.960
<v Speaker 3>to see a pattern.

0:39:59.400 --> 0:40:01.920
<v Speaker 2>Robert Downey made eighty one million.

0:40:01.920 --> 0:40:04.840
<v Speaker 4>And he is iron Man any Avengers, So at this point, I.

0:40:04.800 --> 0:40:07.680
<v Speaker 2>Don't think people fully understand how much money Robert Downey Jr.

0:40:07.760 --> 0:40:08.880
<v Speaker 2>Has made his career.

0:40:08.920 --> 0:40:11.960
<v Speaker 3>I mean, he demanded fifty million for the film for

0:40:12.000 --> 0:40:14.480
<v Speaker 3>the last one, So any sequels is just like I

0:40:14.480 --> 0:40:16.080
<v Speaker 3>would imagine it would be different.

0:40:16.120 --> 0:40:17.760
<v Speaker 4>You can't do the movie without iron.

0:40:17.520 --> 0:40:19.440
<v Speaker 2>Man, Hollywood. It's different type of money.

0:40:19.640 --> 0:40:22.040
<v Speaker 4>The Avengers, the Marble is different type of money right now.

0:40:22.280 --> 0:40:28.400
<v Speaker 2>Different. Number two is the Rock Dwayne Johnson. Yeah, he

0:40:28.480 --> 0:40:30.879
<v Speaker 2>made one hundred and twenty four million last year.

0:40:31.000 --> 0:40:35.440
<v Speaker 3>Yeah. A lot of films, a lot of films.

0:40:35.239 --> 0:40:38.839
<v Speaker 4>They all look like that's the one that doesn't look

0:40:38.880 --> 0:40:39.200
<v Speaker 4>like the same.

0:40:39.520 --> 0:40:41.439
<v Speaker 3>Every film that he seems like he's in he's jumping

0:40:41.480 --> 0:40:44.600
<v Speaker 3>out of a building or he's like swimming with an.

0:40:44.560 --> 0:40:46.360
<v Speaker 2>Allegy went Oscar for Jumanji.

0:40:46.640 --> 0:40:50.799
<v Speaker 3>Think no, he will win our Kids Herds Kids' Choice Awards, Nickelodeon.

0:40:50.840 --> 0:40:51.399
<v Speaker 4>You'll get that.

0:40:51.520 --> 0:40:53.359
<v Speaker 2>The number one on the list.

0:40:53.360 --> 0:40:54.319
<v Speaker 4>They're not going to get this one.

0:40:54.360 --> 0:40:57.960
<v Speaker 2>George Clooney, who made two hundred and thirty nine million dollars.

0:40:58.080 --> 0:41:01.359
<v Speaker 2>Now that's interesting because he does he's the only one

0:41:01.360 --> 0:41:05.520
<v Speaker 2>with an Oscar. Yeah, but he it didn't make any

0:41:05.520 --> 0:41:06.800
<v Speaker 2>money off of films.

0:41:07.080 --> 0:41:11.000
<v Speaker 3>Right, So the Oscar was in two thousand and five,

0:41:11.360 --> 0:41:19.279
<v Speaker 3>I believe, for Sirianna, and then in twenty thirteen for Argo, right.

0:41:19.080 --> 0:41:21.920
<v Speaker 2>Right, So he made two hundred and thirty nine million

0:41:22.000 --> 0:41:26.000
<v Speaker 2>from selling a tequila company. Yea, yeah, yeah, they sold

0:41:26.040 --> 0:41:28.719
<v Speaker 2>the company for seven hundred million. He made two hundred

0:41:28.760 --> 0:41:29.560
<v Speaker 2>and thirty nine million.

0:41:29.400 --> 0:41:32.120
<v Speaker 3>Off of the company's name is let me get you

0:41:32.120 --> 0:41:33.359
<v Speaker 3>George Colin's Company's name?

0:41:35.680 --> 0:41:38.200
<v Speaker 4>It is? It is? It is Cosa.

0:41:37.920 --> 0:41:43.640
<v Speaker 2>Migossos now, so so this is interesting. So all right,

0:41:43.680 --> 0:41:47.520
<v Speaker 2>out of the top ten actors, a none of them

0:41:47.520 --> 0:41:53.040
<v Speaker 2>are female. That's a different conversation altogether. But one of

0:41:53.080 --> 0:41:57.640
<v Speaker 2>them has has an Oscar one right, So of the

0:41:57.640 --> 0:42:03.200
<v Speaker 2>top ten Oscar winning actors of twenty seventeen did not

0:42:03.520 --> 0:42:08.600
<v Speaker 2>have an Oscar. And I've never heard Jackie Chan complain

0:42:08.640 --> 0:42:11.000
<v Speaker 2>about not getting oscar. Maybe he has, I just never

0:42:11.040 --> 0:42:13.000
<v Speaker 2>heard it.

0:42:12.239 --> 0:42:14.080
<v Speaker 3>The top twenty list. If we extended the list, it

0:42:14.120 --> 0:42:17.200
<v Speaker 3>would only make it too. I think Matt Damon will

0:42:17.239 --> 0:42:19.760
<v Speaker 3>be like number sixteen, and he has one for Goodwill hunting.

0:42:19.920 --> 0:42:24.400
<v Speaker 2>So do we want validation or do we want money?

0:42:25.480 --> 0:42:27.440
<v Speaker 2>Or do we want people to come see our films.

0:42:27.480 --> 0:42:30.440
<v Speaker 2>We gotta start asking these questions because it's like, ultimately,

0:42:31.040 --> 0:42:35.160
<v Speaker 2>I don't understand why, like you people, they've treated you

0:42:35.239 --> 0:42:38.120
<v Speaker 2>bad for how long? And you keep holding out hope

0:42:38.160 --> 0:42:39.880
<v Speaker 2>it hurt our hearts that this is going to be

0:42:39.880 --> 0:42:41.520
<v Speaker 2>the year like this, this is gonna be the year

0:42:41.560 --> 0:42:42.399
<v Speaker 2>where I get treated better.

0:42:42.400 --> 0:42:44.480
<v Speaker 3>We watched jay Z Go for eight at the Grammy

0:42:44.600 --> 0:42:46.399
<v Speaker 3>and we're like, ah again.

0:42:46.200 --> 0:42:51.200
<v Speaker 2>No, It's like I feel like why why, Like you know,

0:42:51.200 --> 0:42:54.600
<v Speaker 2>I mean, like why do we care so much about

0:42:54.680 --> 0:42:58.560
<v Speaker 2>the validation And it's not like that validation actually really

0:42:58.600 --> 0:43:02.680
<v Speaker 2>even means anything financially, because there's a whole list of

0:43:02.840 --> 0:43:06.200
<v Speaker 2>people who have won an Oscar and their career went

0:43:06.360 --> 0:43:08.320
<v Speaker 2>in the total opposite direction.

0:43:08.440 --> 0:43:11.400
<v Speaker 3>So like the average person, average male, who wins an Oscar,

0:43:11.920 --> 0:43:15.080
<v Speaker 3>their average next movie or the next year of income

0:43:15.719 --> 0:43:18.000
<v Speaker 3>increases by four million, which is a lot.

0:43:18.040 --> 0:43:20.520
<v Speaker 4>But the movies don't do well like they could get

0:43:20.520 --> 0:43:21.440
<v Speaker 4>paid to do the movie.

0:43:21.360 --> 0:43:24.480
<v Speaker 2>Or even your career, like your career. So these are

0:43:24.480 --> 0:43:26.600
<v Speaker 2>a couple of people that suffered the Oscar curves.

0:43:27.080 --> 0:43:31.920
<v Speaker 4>Holle Berry and we love halle Berry. Let's yeah, no

0:43:32.080 --> 0:43:33.480
<v Speaker 4>disrespect that he love everybody.

0:43:33.480 --> 0:43:37.239
<v Speaker 2>But she wanted for Oscar for monsters. What has she

0:43:37.280 --> 0:43:37.800
<v Speaker 2>done since?

0:43:38.480 --> 0:43:42.160
<v Speaker 4>So? So she got paid right to do.

0:43:42.320 --> 0:43:44.560
<v Speaker 3>I think she got maybe a million dollars right, So

0:43:44.719 --> 0:43:47.600
<v Speaker 3>her next film next that next year she put out Catwoman.

0:43:48.440 --> 0:43:51.520
<v Speaker 3>Now I'm not sure if people remember that right as

0:43:51.560 --> 0:43:55.160
<v Speaker 3>a legendary movie. But you know what, she's still putting

0:43:55.200 --> 0:43:57.680
<v Speaker 3>our movie. She was a part of the original Sony

0:43:57.920 --> 0:44:00.960
<v Speaker 3>X Men. She was storing remember that, Yeah, and then

0:44:01.080 --> 0:44:02.840
<v Speaker 3>Marvel took over that and they said, all right, this

0:44:02.960 --> 0:44:05.719
<v Speaker 3>is x Men now, so she was Storm and x

0:44:05.800 --> 0:44:08.759
<v Speaker 3>Men and then I think even yesterday she put out

0:44:09.520 --> 0:44:11.399
<v Speaker 3>a clip she's gonna be in john Wick three.

0:44:11.920 --> 0:44:13.000
<v Speaker 4>So she's still working.

0:44:13.800 --> 0:44:16.080
<v Speaker 3>But we're not you know, like you would think like

0:44:16.120 --> 0:44:19.560
<v Speaker 3>when somebody performs at a high level and gets a Grammy,

0:44:19.640 --> 0:44:22.520
<v Speaker 3>like the next thing is that Oscar ask I'm sorry

0:44:22.640 --> 0:44:24.879
<v Speaker 3>they continue that high level of performance and we haven't

0:44:24.920 --> 0:44:25.319
<v Speaker 3>seen that.

0:44:26.120 --> 0:44:34.640
<v Speaker 4>We haven't love Cally, Barry Cuba, Jr. Oh Man, he's.

0:44:34.120 --> 0:44:36.400
<v Speaker 2>I think his most notable role. So he won the

0:44:36.480 --> 0:44:40.560
<v Speaker 2>Oscar for Jerry mcguid. That was twenty five years ago,

0:44:41.040 --> 0:44:42.759
<v Speaker 2>like at least twenty years I was like twenty years

0:44:42.800 --> 0:44:46.960
<v Speaker 2>ago years, Yeah, the only thing I remember for him since.

0:44:46.719 --> 0:44:49.600
<v Speaker 4>In the past. He was great in that.

0:44:49.760 --> 0:44:51.480
<v Speaker 2>I didn't even see it, but I just know he.

0:44:51.440 --> 0:44:51.960
<v Speaker 4>Was great in that.

0:44:52.440 --> 0:44:55.319
<v Speaker 3>He might have got nominated for that on Lifetime. No, no, man,

0:44:55.320 --> 0:44:57.200
<v Speaker 3>that was Fax. It was good on that. I thought

0:44:57.239 --> 0:44:59.400
<v Speaker 3>you were going to say he's known for being in

0:44:59.440 --> 0:45:00.920
<v Speaker 3>the club with of the bucket on this head.

0:45:00.920 --> 0:45:03.480
<v Speaker 4>Oh no, we can't forget that.

0:45:04.280 --> 0:45:06.759
<v Speaker 2>His career has not skyrocketed since it has been.

0:45:07.320 --> 0:45:07.840
<v Speaker 4>It hasn't.

0:45:08.040 --> 0:45:13.359
<v Speaker 2>It hasn't good, Marissa Tomay, you.

0:45:13.280 --> 0:45:16.040
<v Speaker 3>Gotta explain that. So Marissa Tomay, people don't even know

0:45:16.040 --> 0:45:16.440
<v Speaker 3>who that is.

0:45:16.440 --> 0:45:16.880
<v Speaker 2>Who she is?

0:45:17.120 --> 0:45:17.239
<v Speaker 4>Right?

0:45:19.480 --> 0:45:23.719
<v Speaker 3>So, like any she originally starts on the Cosby Show. Yeah,

0:45:23.760 --> 0:45:24.799
<v Speaker 3>she was on the Cosby Show.

0:45:25.160 --> 0:45:26.160
<v Speaker 2>Was she on the Cosby Show?

0:45:26.200 --> 0:45:28.320
<v Speaker 4>She was a gold looking She's on the Cosby Shows.

0:45:28.320 --> 0:45:31.279
<v Speaker 3>That's where she gets her start and then wins an

0:45:31.280 --> 0:45:33.680
<v Speaker 3>Oscar for my cousin Vinnie with Joe Pesci. It's like

0:45:33.800 --> 0:45:37.560
<v Speaker 3>ninety two years ago. Yeah, ninety two and we haven't

0:45:37.800 --> 0:45:38.920
<v Speaker 3>I don't know what have you seen her?

0:45:39.960 --> 0:45:40.600
<v Speaker 4>We saw her.

0:45:40.880 --> 0:45:44.040
<v Speaker 3>She's in She's Spider Man's mom in The New Spider

0:45:44.080 --> 0:45:52.120
<v Speaker 3>Man's Adrian Brody. Yeah, who is he? He won for

0:45:52.200 --> 0:45:55.319
<v Speaker 3>the pianist, I believe what has he done? Since you

0:45:55.360 --> 0:45:57.440
<v Speaker 3>know what he did right after that? I think King

0:45:57.520 --> 0:46:01.640
<v Speaker 3>Kong and that was a flyph done since I don't know,

0:46:01.920 --> 0:46:02.120
<v Speaker 3>you know.

0:46:02.800 --> 0:46:06.239
<v Speaker 2>So, So this just proved my point that we just

0:46:06.360 --> 0:46:10.239
<v Speaker 2>named ten actors that made a boatload of money that

0:46:10.320 --> 0:46:14.319
<v Speaker 2>will probably never get an Oscar. We just named four

0:46:15.239 --> 0:46:18.680
<v Speaker 2>that one in Oscar that it did nothing for their career.

0:46:19.200 --> 0:46:22.360
<v Speaker 2>It actually might even hurt their career. So why we

0:46:22.400 --> 0:46:25.200
<v Speaker 2>got to start asking questions like why do we still

0:46:25.280 --> 0:46:28.320
<v Speaker 2>hold these awards as such high regard. Of course, everybody

0:46:28.360 --> 0:46:32.080
<v Speaker 2>wants to be acknowledged for their talent, for their contribution

0:46:32.200 --> 0:46:35.160
<v Speaker 2>as human it is human nature to be to want

0:46:35.200 --> 0:46:38.600
<v Speaker 2>to have some validation. But what is that worth?

0:46:38.960 --> 0:46:41.200
<v Speaker 3>I think that the I mean, if we break down

0:46:41.239 --> 0:46:43.520
<v Speaker 3>the Oscar itself, I mean it's a trophy that costs

0:46:43.520 --> 0:46:46.960
<v Speaker 3>four hundred dollars, I think the most valuable thing that

0:46:47.000 --> 0:46:50.520
<v Speaker 3>it does provide is notoriety for the most part. Like

0:46:50.520 --> 0:46:53.000
<v Speaker 3>we can't put a price tag on notoriety, right, So

0:46:53.040 --> 0:46:56.680
<v Speaker 3>like there are actors that like, wait, who is this person?

0:46:56.760 --> 0:46:58.080
<v Speaker 4>Or who it brings a tench But.

0:46:58.040 --> 0:47:00.120
<v Speaker 2>There's actors that won in Oscar that you never. You

0:47:00.120 --> 0:47:02.960
<v Speaker 2>will never know the rock walks into this room right now.

0:47:03.000 --> 0:47:06.279
<v Speaker 2>Everybody knows, Righty's true, you'll never They'll probably never win

0:47:06.320 --> 0:47:06.720
<v Speaker 2>an oscar.

0:47:06.800 --> 0:47:07.319
<v Speaker 4>This is true.

0:47:07.560 --> 0:47:10.600
<v Speaker 2>Kevin Hart has never won an oscar. True, everybody knows

0:47:10.600 --> 0:47:11.120
<v Speaker 2>who he is.

0:47:11.280 --> 0:47:11.520
<v Speaker 4>Right.

0:47:12.160 --> 0:47:14.040
<v Speaker 3>But to the person who doesn't, like you know what

0:47:14.040 --> 0:47:17.400
<v Speaker 3>I mean, like some of these films we've never seen, right, Like,

0:47:17.560 --> 0:47:21.120
<v Speaker 3>every time there's the nominations come out, there's at least

0:47:21.239 --> 0:47:22.840
<v Speaker 3>like out of the five or eight.

0:47:23.120 --> 0:47:25.799
<v Speaker 4>It's like six, and I'm like, when did that even

0:47:25.840 --> 0:47:28.360
<v Speaker 4>come out? I never saw that? Right? Like?

0:47:28.480 --> 0:47:33.160
<v Speaker 2>So, so the question is, so it accolades just to do,

0:47:33.480 --> 0:47:35.439
<v Speaker 2>just to do? Right? Is it that? Do we want?

0:47:35.560 --> 0:47:35.719
<v Speaker 4>Do?

0:47:36.080 --> 0:47:38.720
<v Speaker 2>Is it that? Or is it validation at all courts?

0:47:38.800 --> 0:47:39.560
<v Speaker 4>I don't know, man.

0:47:39.680 --> 0:47:42.239
<v Speaker 3>I mean if you look at a movie like Black Panther, right,

0:47:42.680 --> 0:47:45.239
<v Speaker 3>like the number three selling.

0:47:44.960 --> 0:47:47.480
<v Speaker 2>Movie exactly, that's a perfect example. So that's gonna be

0:47:47.520 --> 0:47:47.799
<v Speaker 2>up this.

0:47:47.800 --> 0:47:50.239
<v Speaker 3>Year, right, it shipped, Well, the nominations will be coming

0:47:50.239 --> 0:47:51.399
<v Speaker 3>out swing for.

0:47:51.320 --> 0:47:52.680
<v Speaker 4>Golden Globes, let's say eight.

0:47:53.080 --> 0:47:55.520
<v Speaker 2>Hypothetically it doesn't win, right, there's gonna be a lot

0:47:55.520 --> 0:47:59.960
<v Speaker 2>of backlash then who cares? It was obviously a great movie.

0:48:00.239 --> 0:48:02.680
<v Speaker 2>It got supported it was the number one movie of

0:48:02.719 --> 0:48:08.520
<v Speaker 2>the year. So that's that's validation, right, right, Like that's

0:48:08.560 --> 0:48:09.799
<v Speaker 2>the validation that you should look for.

0:48:10.040 --> 0:48:11.640
<v Speaker 4>Do we need? Like that's what I'm saying.

0:48:11.640 --> 0:48:13.160
<v Speaker 3>It used to me something when you went into the

0:48:13.200 --> 0:48:16.520
<v Speaker 3>store and it said, like I still remember buying Casino

0:48:16.640 --> 0:48:20.080
<v Speaker 3>and it was like Academy Award nominee Joe Pesci And

0:48:20.160 --> 0:48:23.000
<v Speaker 3>I'm like that meant something. But there's no physical copies

0:48:23.040 --> 0:48:25.680
<v Speaker 3>to buy these things. People stream even the movies. Now

0:48:25.719 --> 0:48:28.680
<v Speaker 3>there's no store to buy amen, Like that looks good

0:48:28.680 --> 0:48:32.640
<v Speaker 3>on a title like Academy Award winner. I'm like, all right,

0:48:32.680 --> 0:48:35.239
<v Speaker 3>well let me check this out, I guess, but like

0:48:35.560 --> 0:48:37.759
<v Speaker 3>that's not gonna take anything from Black Panther. Like if

0:48:37.800 --> 0:48:43.320
<v Speaker 3>it doesn't say Academy Award Best Picture or Best Supporting

0:48:43.400 --> 0:48:46.439
<v Speaker 3>Actor Michael B. Jordan, Like that doesn't change the movie.

0:48:46.480 --> 0:48:48.279
<v Speaker 3>Like my kids are still gonna want to watch it.

0:48:48.280 --> 0:48:51.879
<v Speaker 3>It doesn't change it. Right, It's still Black Panther with

0:48:52.000 --> 0:48:52.840
<v Speaker 3>or without an.

0:48:52.680 --> 0:48:55.719
<v Speaker 4>Oscar, Right, So what's the value of it?

0:48:55.760 --> 0:48:56.920
<v Speaker 2>What is the value of here?

0:48:57.040 --> 0:48:59.840
<v Speaker 3>And you said something important too, man, Like none of

0:48:59.840 --> 0:49:03.799
<v Speaker 3>those of the top ten with women, Like that's a

0:49:03.840 --> 0:49:07.800
<v Speaker 3>whole nother conversation, right, that wage gap, Right, the average

0:49:08.000 --> 0:49:09.600
<v Speaker 3>increase I said for a man was four million, The

0:49:09.640 --> 0:49:12.720
<v Speaker 3>average increase for a woman's five hundred thousand, five hundred thousand.

0:49:13.400 --> 0:49:17.080
<v Speaker 3>Like remember that we had this big debate with it

0:49:17.120 --> 0:49:22.240
<v Speaker 3>was Nique, No Mark Wahlberg. He received like an enormous

0:49:22.239 --> 0:49:23.960
<v Speaker 3>amount of money for being on set for a day.

0:49:24.600 --> 0:49:26.400
<v Speaker 4>And I believe it was Hillary. It might have been

0:49:26.440 --> 0:49:27.960
<v Speaker 4>Hillary Spaan got the was.

0:49:27.880 --> 0:49:31.080
<v Speaker 3>There for the same day and received like one hundred

0:49:31.080 --> 0:49:33.000
<v Speaker 3>thousand dollars or I mean like a tenth of what

0:49:33.360 --> 0:49:37.319
<v Speaker 3>he got. And it was like wait until people started saying, hey,

0:49:37.360 --> 0:49:38.759
<v Speaker 3>this is crazy, like what is this.

0:49:39.239 --> 0:49:41.359
<v Speaker 4>He decided to say, Hey, I'm gonna give this money back.

0:49:41.440 --> 0:49:43.880
<v Speaker 3>Oh, I'm gonna give it to like helping the cause

0:49:44.040 --> 0:49:47.200
<v Speaker 3>to fight for wage equality in Hollywood.

0:49:47.400 --> 0:49:48.600
<v Speaker 4>But that's an important thing man.

0:49:48.640 --> 0:49:52.520
<v Speaker 2>And also the diversity on that list. So you had

0:49:53.600 --> 0:50:00.360
<v Speaker 2>the Rock, you have Will Smith, we're black, you have

0:50:00.440 --> 0:50:05.799
<v Speaker 2>Jackie Chan was Asian. You actually have two Indian actors, right,

0:50:06.520 --> 0:50:08.839
<v Speaker 2>So maybe it is diverse if you think about it.

0:50:08.880 --> 0:50:12.880
<v Speaker 4>For males. Yeah, yeah, for males. I mean from that

0:50:12.960 --> 0:50:15.239
<v Speaker 4>list from the standpoint.

0:50:15.400 --> 0:50:17.440
<v Speaker 2>Just a dot, that's half of the list of just.

0:50:17.440 --> 0:50:19.920
<v Speaker 3>A dope, right when it comes to the nominations, Right,

0:50:20.680 --> 0:50:22.319
<v Speaker 3>didn't they have Oscar so White?

0:50:22.440 --> 0:50:23.759
<v Speaker 2>Was that years ago?

0:50:23.800 --> 0:50:24.399
<v Speaker 4>Two years ago?

0:50:24.960 --> 0:50:27.600
<v Speaker 2>Okay? All right, So that's the question that we have

0:50:27.640 --> 0:50:28.840
<v Speaker 2>to we have to keep asking.

0:50:29.000 --> 0:50:31.440
<v Speaker 4>There's a small tippic that we owned, was over us

0:50:31.480 --> 0:50:32.279
<v Speaker 4>not overlooked? Right?

0:50:32.320 --> 0:50:35.200
<v Speaker 3>So like George Clooney two hundred what was it, two

0:50:35.239 --> 0:50:38.400
<v Speaker 3>hundred nine sells a liquor company.

0:50:39.120 --> 0:50:40.400
<v Speaker 4>We've seen this in our culture.

0:50:41.360 --> 0:50:44.480
<v Speaker 3>Yeah, right, Like we've seen this blueprint like they that

0:50:44.600 --> 0:50:47.080
<v Speaker 3>might be a blueprint that was like, hey, I've seen

0:50:47.120 --> 0:50:49.799
<v Speaker 3>these guys do it. Like we've seen Puff get with

0:50:49.920 --> 0:50:53.319
<v Speaker 3>to Rok and what that's done. We've seen Jay get

0:50:53.320 --> 0:50:57.240
<v Speaker 3>with Armadale and get with to uh as of Spade

0:50:57.280 --> 0:50:59.960
<v Speaker 3>and now do say and what that's done? Even the

0:51:00.160 --> 0:51:03.160
<v Speaker 3>fifty cent vitamin water deal, Like get with these beverages

0:51:03.239 --> 0:51:06.719
<v Speaker 3>companies and hopefully it blows up and like this guy

0:51:07.080 --> 0:51:10.200
<v Speaker 3>does it, and it's like nobody even knows. Like if you,

0:51:10.360 --> 0:51:13.279
<v Speaker 3>if somebody was the guest, I doubt George Coyen would

0:51:13.280 --> 0:51:15.080
<v Speaker 3>come to their mind like this dude just made two

0:51:15.160 --> 0:51:18.360
<v Speaker 3>hundred and forty million dollars. I'm selling a beverage that

0:51:18.400 --> 0:51:21.040
<v Speaker 3>I doubt anyone's ever tasted. I don't know anyone that's

0:51:21.080 --> 0:51:25.000
<v Speaker 3>ever tastes I just say that, you know what anywan No, Yeah,

0:51:25.120 --> 0:51:28.520
<v Speaker 3>I'm not a tequila drinker, so I don't know.

0:51:29.120 --> 0:51:30.840
<v Speaker 2>But how many deals are done like that that we

0:51:30.840 --> 0:51:31.359
<v Speaker 2>don't know about.

0:51:31.440 --> 0:51:34.040
<v Speaker 4>That's why we're here exactly. That's why we're here to

0:51:34.440 --> 0:51:35.160
<v Speaker 4>shed the light on that.

0:51:36.080 --> 0:51:40.160
<v Speaker 2>Okay, So accolades on money in that vein you filling

0:51:40.200 --> 0:51:42.799
<v Speaker 2>the super Bowl Travis Scott performance, you're feeling.

0:51:42.480 --> 0:51:47.000
<v Speaker 3>That, So I'm gonna go back, let's let's use I'm

0:51:47.040 --> 0:51:49.880
<v Speaker 3>gonna use the alert, right, like, have the super Bowl?

0:51:51.120 --> 0:51:52.160
<v Speaker 4>You need me, I don't need you.

0:51:52.600 --> 0:51:54.239
<v Speaker 3>I feel like that's my stance with him, Like he

0:51:54.280 --> 0:51:55.960
<v Speaker 3>doesn't need it, he didn't need it.

0:51:56.320 --> 0:51:58.719
<v Speaker 4>He's gonna do it, obviously, I think he decided to.

0:51:59.040 --> 0:52:01.640
<v Speaker 4>So you don't get paid for Yeah, there's no like

0:52:01.719 --> 0:52:03.160
<v Speaker 4>you paid for that, right, right.

0:52:03.200 --> 0:52:05.239
<v Speaker 2>So the thing about it is that you're doing it

0:52:05.280 --> 0:52:08.640
<v Speaker 2>because it's a look notoriety. But once again, it goes

0:52:08.719 --> 0:52:14.160
<v Speaker 2>back to the validation argument, where does the super Bowl

0:52:14.239 --> 0:52:17.640
<v Speaker 2>really help your career? Because Justin Timberlake came up with

0:52:17.680 --> 0:52:21.200
<v Speaker 2>an album the day after the super Bowl performance, and

0:52:21.480 --> 0:52:22.200
<v Speaker 2>it did terrible.

0:52:22.400 --> 0:52:24.120
<v Speaker 4>The albums are terrible, but the tour.

0:52:25.080 --> 0:52:27.520
<v Speaker 2>Because he's still justin Timber, still justin Timber. They so,

0:52:28.400 --> 0:52:30.799
<v Speaker 2>but the album did terrible, right, I did not listen

0:52:30.840 --> 0:52:34.719
<v Speaker 2>to that. Janet Jackson, have we seen her since.

0:52:35.000 --> 0:52:36.480
<v Speaker 4>She just put out an album? Yeah?

0:52:36.600 --> 0:52:39.080
<v Speaker 3>No, I think I think she put that album. I

0:52:39.120 --> 0:52:41.040
<v Speaker 3>know she put out a single with Daddy Yankee.

0:52:42.239 --> 0:52:44.000
<v Speaker 2>They had Bruno Mars do it twice.

0:52:43.800 --> 0:52:44.680
<v Speaker 4>Twice back to back.

0:52:45.440 --> 0:52:47.399
<v Speaker 3>But the ironic thing is Beyonce did it too, right,

0:52:47.560 --> 0:52:50.320
<v Speaker 3>So like the year after or two years after, and

0:52:50.360 --> 0:52:53.200
<v Speaker 3>I was like, you need me, I don't need you.

0:52:53.400 --> 0:52:56.520
<v Speaker 3>Like granted, Beyonce did not pay for that, right, she

0:52:56.600 --> 0:52:59.160
<v Speaker 3>had to deal with Pepsi that they sponsored her tour

0:52:59.320 --> 0:53:04.000
<v Speaker 3>and they sponsored her performances. So Pepsi they front the

0:53:04.040 --> 0:53:05.800
<v Speaker 3>bill on the stage performance.

0:53:05.880 --> 0:53:08.120
<v Speaker 2>But that's a powerful line that jay Z says, you

0:53:08.120 --> 0:53:09.920
<v Speaker 2>need me, I don't need you, because it's really speaking

0:53:09.960 --> 0:53:13.600
<v Speaker 2>in broader terms to say the artist has control over

0:53:13.600 --> 0:53:18.879
<v Speaker 2>the situation right now with YouTube, with social media. So

0:53:19.280 --> 0:53:23.000
<v Speaker 2>but for some reason they still think that they need

0:53:23.400 --> 0:53:26.439
<v Speaker 2>the validation. They still need a Grammy, they still need

0:53:26.480 --> 0:53:29.000
<v Speaker 2>an Oscar, they still need the Super Bowl perform He's

0:53:29.520 --> 0:53:32.799
<v Speaker 2>the main performer exactly. We just went over like three

0:53:32.800 --> 0:53:37.000
<v Speaker 2>different examples of how the oscars. You don't need an

0:53:37.000 --> 0:53:40.000
<v Speaker 2>oscar to make money. You don't need a Grammy.

0:53:39.680 --> 0:53:41.319
<v Speaker 4>To sell records.

0:53:41.360 --> 0:53:45.320
<v Speaker 2>You don't need to be on the radio to sell records,

0:53:45.640 --> 0:53:48.440
<v Speaker 2>to perform to sell merch. You don't need to be

0:53:48.680 --> 0:53:52.160
<v Speaker 2>at the Super Bowl. Travis Scott's already Travis Scott.

0:53:52.440 --> 0:53:53.800
<v Speaker 4>With or without the super amazing.

0:53:54.360 --> 0:53:56.800
<v Speaker 2>He's still one of the hottest artists in the world without,

0:53:57.560 --> 0:53:59.839
<v Speaker 2>So I'm not really here to judge him on that,

0:54:00.400 --> 0:54:02.680
<v Speaker 2>But if that's why he's doing it, I think that

0:54:02.680 --> 0:54:05.640
<v Speaker 2>that's a poor decision because I don't feel that he

0:54:05.719 --> 0:54:08.000
<v Speaker 2>needs to do that, right if he.

0:54:08.000 --> 0:54:10.440
<v Speaker 4>Wants to nominated, not is he nominated for a Grammy

0:54:10.480 --> 0:54:10.799
<v Speaker 4>as well?

0:54:11.160 --> 0:54:13.440
<v Speaker 2>I like that.

0:54:13.520 --> 0:54:15.080
<v Speaker 3>I just for the record, just going to say that

0:54:15.080 --> 0:54:16.880
<v Speaker 3>we think Victory Lap is the album of the year.

0:54:17.560 --> 0:54:21.080
<v Speaker 3>If it doesn't win, it's still our album of the year, right, Like,

0:54:21.120 --> 0:54:23.560
<v Speaker 3>it doesn't matter, right like right?

0:54:24.680 --> 0:54:26.040
<v Speaker 2>Yeah? So, I mean, I don't know.

0:54:26.520 --> 0:54:28.080
<v Speaker 4>Did you see what they did today the NFL did

0:54:28.080 --> 0:54:30.320
<v Speaker 4>to that was singing the national anthem?

0:54:30.880 --> 0:54:37.000
<v Speaker 3>They got Gladys Knight singing the national anthem.

0:54:37.040 --> 0:54:40.520
<v Speaker 2>There you go, there you have there, You have it, man,

0:54:41.200 --> 0:54:44.480
<v Speaker 2>So all right, anything else you want to talk about,

0:54:44.600 --> 0:54:45.200
<v Speaker 2>touch on.

0:54:46.120 --> 0:54:47.799
<v Speaker 4>My final word. Let's do a fin I got a

0:54:47.840 --> 0:54:48.439
<v Speaker 4>final word.

0:54:48.520 --> 0:54:52.040
<v Speaker 3>So I got a message this morning and a dear

0:54:52.120 --> 0:54:55.800
<v Speaker 3>friend of my alma text me, congratulations it was written.

0:54:56.400 --> 0:54:59.719
<v Speaker 3>And I was like wow, because we always have these

0:54:59.800 --> 0:55:02.200
<v Speaker 3>j and now's debates and I was like, it was written.

0:55:02.239 --> 0:55:03.279
<v Speaker 3>She didn't know that this is going to be my

0:55:03.280 --> 0:55:05.480
<v Speaker 3>final word. But we say this all the time. Why

0:55:05.520 --> 0:55:07.440
<v Speaker 3>shoot the breeze about it when you could be about it?

0:55:07.800 --> 0:55:10.960
<v Speaker 3>So I'm glad that we're here because how many years

0:55:11.000 --> 0:55:13.920
<v Speaker 3>have we been shooting the breeze and now we're finally

0:55:13.960 --> 0:55:16.200
<v Speaker 3>being about it right because we've we've helped each other,

0:55:16.480 --> 0:55:17.960
<v Speaker 3>and we've helped a lot of people around us.

0:55:17.960 --> 0:55:21.120
<v Speaker 4>But now we can help on a larger scale, which

0:55:21.160 --> 0:55:21.960
<v Speaker 4>I think is amazing.

0:55:21.960 --> 0:55:22.080
<v Speaker 3>Man.

0:55:22.120 --> 0:55:23.759
<v Speaker 4>So shout out to you for bringing me in on this. Man,

0:55:23.760 --> 0:55:24.720
<v Speaker 4>This is this is amazing.

0:55:25.160 --> 0:55:28.239
<v Speaker 3>And for everybody who's ever had a conversation with us,

0:55:28.280 --> 0:55:31.680
<v Speaker 3>right like in the parking lots, barbershops, wherever we are,

0:55:31.719 --> 0:55:35.880
<v Speaker 3>we always seem to spark a conversation on debate, sometimes intents,

0:55:35.920 --> 0:55:39.160
<v Speaker 3>sometimes you know, just shooting the breeze. So that was

0:55:39.200 --> 0:55:41.120
<v Speaker 3>my final word. Man, wayt shoot the breeze about it

0:55:41.120 --> 0:55:42.080
<v Speaker 3>when you can be about it.

0:55:42.719 --> 0:55:45.160
<v Speaker 2>That's dope. Why shot the breezebut when you could be

0:55:45.200 --> 0:55:49.160
<v Speaker 2>about legendary it was written? Yes it is.

0:55:49.880 --> 0:55:50.080
<v Speaker 4>Yes.

0:55:50.320 --> 0:55:51.799
<v Speaker 2>Once again, I just want to say thank you for

0:55:51.840 --> 0:55:54.439
<v Speaker 2>all the support that we have gotten so far, and

0:55:54.880 --> 0:55:58.400
<v Speaker 2>I know that we will continue to get and especially

0:55:58.520 --> 0:56:03.160
<v Speaker 2>you know, on on social media platforms. So stay tuned.

0:56:03.400 --> 0:56:06.600
<v Speaker 2>This is just the first chapter. We have many more install.

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<v Speaker 3>Next one episode one. Man, what they say twenty nineteen

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<v Speaker 3>is almost over. Fact, put your phone down and do so.

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<v Speaker 2>That's a fact. All right, we check y'all.

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