1 00:00:01,400 --> 00:00:05,439 Speaker 1: Live from the Mercedes Benz Interview Lounge tonight. 2 00:00:05,120 --> 00:00:07,600 Speaker 2: Of course, here in New York City at Madison Square Garden, 3 00:00:07,640 --> 00:00:10,440 Speaker 2: the world famous Madison Square Garden, we bring you Z 4 00:00:10,520 --> 00:00:12,719 Speaker 2: one hundred jingle Ball presented by Capitol One. It's gonna 5 00:00:12,720 --> 00:00:15,200 Speaker 2: be quite the night of superstars. One of the stars 6 00:00:15,200 --> 00:00:18,919 Speaker 2: shining brightly tonight on the stage will be Lave so 7 00:00:19,040 --> 00:00:20,800 Speaker 2: much A lot of people do I know. I mean 8 00:00:20,880 --> 00:00:23,720 Speaker 2: people in their nineties love Leave's music like the Boston 9 00:00:23,720 --> 00:00:26,120 Speaker 2: Nova sound, and kids in their teams. 10 00:00:26,200 --> 00:00:28,800 Speaker 3: My sixteen year old son only watches YouTube loves her. 11 00:00:28,880 --> 00:00:31,880 Speaker 2: It's just a great moment for this era of music. 12 00:00:31,920 --> 00:00:35,919 Speaker 2: And here she has to talk about it. Leva think 13 00:00:36,000 --> 00:00:38,559 Speaker 2: she comes in by the way, stolem a serial. We'll 14 00:00:38,560 --> 00:00:40,959 Speaker 2: get into that. And wow, you don't need those headphones. 15 00:00:41,120 --> 00:00:43,680 Speaker 2: I don't. Oh no, not at all. Layve. Welcome to 16 00:00:43,760 --> 00:00:46,000 Speaker 2: our show. We're so so happy to have you here. 17 00:00:46,120 --> 00:00:47,440 Speaker 1: Thank you so much for having me. 18 00:00:48,320 --> 00:00:53,440 Speaker 2: And I'll be very honest. We're not this nice to anyone, really, No, 19 00:00:53,800 --> 00:00:55,400 Speaker 2: we're very very acidic and awful. 20 00:00:55,600 --> 00:00:57,240 Speaker 1: Even though I stole your cereal. 21 00:00:57,600 --> 00:00:59,640 Speaker 4: We'll get into that, probably because you stole his serial. 22 00:01:00,600 --> 00:01:03,680 Speaker 2: I do truly believe that the music that you are presenting, 23 00:01:03,680 --> 00:01:06,039 Speaker 2: not only tonight at jingle Ball here at the Garden, 24 00:01:06,280 --> 00:01:08,160 Speaker 2: but to all of your fans and around the world 25 00:01:08,560 --> 00:01:12,080 Speaker 2: is a great moment for music because it's proof that 26 00:01:12,240 --> 00:01:15,919 Speaker 2: music that sounds like it's from any era is great music. 27 00:01:16,520 --> 00:01:18,240 Speaker 2: And you've done it. I mean, are you tired of 28 00:01:18,280 --> 00:01:20,680 Speaker 2: talking about how your sound is so different than other 29 00:01:20,800 --> 00:01:23,759 Speaker 2: artists your age? Let's say, no, not at all. 30 00:01:23,880 --> 00:01:27,160 Speaker 1: I mean to me, like, I just sing the music 31 00:01:27,240 --> 00:01:29,640 Speaker 1: and make the music that comes most naturally to me, 32 00:01:29,800 --> 00:01:33,160 Speaker 1: like I sound. I feel like my voice just sits 33 00:01:33,200 --> 00:01:35,640 Speaker 1: the best in that kind of style, this kind of 34 00:01:35,720 --> 00:01:40,479 Speaker 1: mid century more like jazz style. So I'm just happy 35 00:01:40,480 --> 00:01:42,160 Speaker 1: that I get to do what I love and that 36 00:01:42,440 --> 00:01:45,520 Speaker 1: anybody's listening, and especially young people. I think growing up, 37 00:01:45,560 --> 00:01:48,560 Speaker 1: this was the music I loved and kind of felt 38 00:01:48,600 --> 00:01:50,800 Speaker 1: like I was the only one who enjoyed it. And 39 00:01:50,920 --> 00:01:53,240 Speaker 1: to now get to be a part of a big 40 00:01:53,280 --> 00:01:55,440 Speaker 1: community that enjoys the same kind of music as me 41 00:01:55,560 --> 00:01:56,520 Speaker 1: is really really cool. 42 00:01:56,680 --> 00:01:58,520 Speaker 2: How many of you in this room grew up with 43 00:01:58,760 --> 00:02:01,680 Speaker 2: great parents who had excellent music in the house from 44 00:02:01,720 --> 00:02:05,160 Speaker 2: all all generations. Yes, yeah, absolutely, me too, And we 45 00:02:05,200 --> 00:02:08,080 Speaker 2: had Bostonova in our house, lots of it, and I 46 00:02:08,120 --> 00:02:10,560 Speaker 2: ays thought to my mom and dad, you know, shaking martinis, 47 00:02:10,639 --> 00:02:13,560 Speaker 2: and that's why I learned how to shake martinis at 48 00:02:13,800 --> 00:02:16,480 Speaker 2: the age of eight. While listening to music that you're 49 00:02:16,520 --> 00:02:19,360 Speaker 2: now singing, I feel kind of drunk. Every time they 50 00:02:19,360 --> 00:02:20,919 Speaker 2: hear your music, it's going to Oh. 51 00:02:20,919 --> 00:02:23,680 Speaker 1: Honestly, I'm so happy that it has that effect that 52 00:02:23,720 --> 00:02:27,040 Speaker 1: means it like transports you to a different, different place 53 00:02:27,720 --> 00:02:29,079 Speaker 1: of drunkness. 54 00:02:30,639 --> 00:02:32,840 Speaker 2: But I will say a lot of people are surprised 55 00:02:32,919 --> 00:02:37,640 Speaker 2: at the fact that there are people ages twelve, thirteen, 56 00:02:37,760 --> 00:02:41,160 Speaker 2: fourteen years old who are huge, huge fans of your 57 00:02:41,240 --> 00:02:43,119 Speaker 2: music and we never ever thought in a million years 58 00:02:43,720 --> 00:02:47,320 Speaker 2: they would be locked into it. Do you have an 59 00:02:47,320 --> 00:02:49,800 Speaker 2: explanation why this is happening the way it's happening. 60 00:02:50,120 --> 00:02:55,919 Speaker 1: I think maybe older generations just like underestimate the ability 61 00:02:55,919 --> 00:02:59,320 Speaker 1: of young people to be able to listen to whatever music. 62 00:02:59,440 --> 00:03:01,720 Speaker 1: I think if twelve year olds would have enjoyed it 63 00:03:01,760 --> 00:03:04,200 Speaker 1: in the fifties, there's no reason they shouldn't enjoy it now. 64 00:03:04,240 --> 00:03:09,000 Speaker 1: It's not like brains have completely changed that at least 65 00:03:09,040 --> 00:03:11,960 Speaker 1: that drastically, and that they can't enjoy that music. I mean, 66 00:03:12,240 --> 00:03:15,880 Speaker 1: I always thought like, there totally is space in the 67 00:03:15,960 --> 00:03:18,360 Speaker 1: gen Z brain for this kind of music. It's just 68 00:03:19,040 --> 00:03:21,640 Speaker 1: I don't think we've given young people the space to 69 00:03:21,760 --> 00:03:24,080 Speaker 1: even take on that kind of music. It's like we 70 00:03:24,200 --> 00:03:27,119 Speaker 1: just expect young people to only like whatever is new 71 00:03:27,160 --> 00:03:32,880 Speaker 1: and noisy, Like growing up, I loved One Direction and Bach, 72 00:03:33,400 --> 00:03:36,760 Speaker 1: you know, and it's like you can love both. 73 00:03:37,240 --> 00:03:39,840 Speaker 3: My sixteen year old loves you and Kendrick Lamar, so. 74 00:03:39,840 --> 00:03:41,040 Speaker 1: It really exactly. 75 00:03:41,320 --> 00:03:44,440 Speaker 3: I think social media for you has been so huge 76 00:03:44,480 --> 00:03:47,720 Speaker 3: because he watches YouTube religiously, my sixteen year old, and 77 00:03:48,080 --> 00:03:50,200 Speaker 3: he came to us and was like, oh, I love her, 78 00:03:50,400 --> 00:03:52,320 Speaker 3: and that's where he found you. But yet my husband 79 00:03:52,320 --> 00:03:54,400 Speaker 3: found you a different way, or my older son found 80 00:03:54,440 --> 00:03:56,040 Speaker 3: you a different way. So very interesting. 81 00:03:56,280 --> 00:03:57,920 Speaker 2: So as you're driving to work right now or wherever 82 00:03:57,920 --> 00:04:00,120 Speaker 2: you're listening to us, you have been sucked in and 83 00:04:00,160 --> 00:04:02,480 Speaker 2: you're wondering who this is. It's lay if you're just 84 00:04:02,480 --> 00:04:04,840 Speaker 2: turning us on. If you missed the beginning of this conversation, 85 00:04:04,880 --> 00:04:06,120 Speaker 2: you have to go back and listen to us on 86 00:04:06,160 --> 00:04:11,440 Speaker 2: the podcast Gandhi, Yes, who met you backstage at the garden? 87 00:04:11,760 --> 00:04:13,720 Speaker 4: Yeah? Uh yeah, you were at the garden not too 88 00:04:13,760 --> 00:04:15,400 Speaker 4: long ago, and Andrew and I went to the show 89 00:04:15,440 --> 00:04:17,440 Speaker 4: and it was incredible. It was when Lin Manuel Miranda 90 00:04:17,600 --> 00:04:21,839 Speaker 4: came on stage with you so great, Which is leading 91 00:04:21,880 --> 00:04:25,160 Speaker 4: me to my question, how has this been for you? 92 00:04:25,240 --> 00:04:27,480 Speaker 4: Because I know that you've been at it for a while, 93 00:04:27,760 --> 00:04:30,400 Speaker 4: but it's sort of been an onslaught more recently of 94 00:04:30,640 --> 00:04:33,159 Speaker 4: touring now these huge arenas and a lot more fame 95 00:04:33,200 --> 00:04:35,360 Speaker 4: in your face, How is that working out for you? 96 00:04:35,960 --> 00:04:39,920 Speaker 1: It's it's definitely weird. It's odd to have a phone 97 00:04:39,960 --> 00:04:40,960 Speaker 1: thrust in your face. 98 00:04:41,240 --> 00:04:42,159 Speaker 2: Yeah, a lot. 99 00:04:42,680 --> 00:04:45,880 Speaker 1: I'm really lucky though. I feel like my my community, 100 00:04:45,920 --> 00:04:50,919 Speaker 1: my fan base is really extra kind, even like I 101 00:04:50,960 --> 00:04:53,080 Speaker 1: had a pit in my concert, but it was like 102 00:04:53,640 --> 00:04:56,160 Speaker 1: I would go on social media afterwards and hear about 103 00:04:56,200 --> 00:04:58,960 Speaker 1: how it was like the most respectful pitch and nobody 104 00:04:59,040 --> 00:05:01,920 Speaker 1: had been in and yeah, and we hear from the 105 00:05:02,000 --> 00:05:05,039 Speaker 1: venues too that there were very low, you know amounts 106 00:05:05,080 --> 00:05:08,400 Speaker 1: of people that like people weren't getting in fights or bodysurfing, 107 00:05:08,560 --> 00:05:12,520 Speaker 1: nobody surfing, no like physical like very few medical emergencies 108 00:05:12,600 --> 00:05:17,919 Speaker 1: like really yeah, which listen, the pit is just a 109 00:05:17,960 --> 00:05:20,920 Speaker 1: ton of teenagers and like young people in their twenties, 110 00:05:21,000 --> 00:05:24,120 Speaker 1: like it's it is a miracle. And they're standing there 111 00:05:24,160 --> 00:05:27,680 Speaker 1: like probably dehydrated, with their knees locked. Like the fact 112 00:05:27,760 --> 00:05:30,159 Speaker 1: that they're not passing out as much is like, I 113 00:05:30,200 --> 00:05:32,119 Speaker 1: think it's a good I think it's a good sign 114 00:05:32,160 --> 00:05:34,320 Speaker 1: people have like a little sense of personal space, which 115 00:05:34,360 --> 00:05:38,560 Speaker 1: is nice. But no, it's I feel so so so 116 00:05:38,720 --> 00:05:41,719 Speaker 1: lucky every single day to get to do what I love. 117 00:05:41,920 --> 00:05:44,760 Speaker 1: It makes me believe in dreams. I know that sounds 118 00:05:44,760 --> 00:05:47,640 Speaker 1: so cheesy, but this thing that I wanted to do 119 00:05:47,760 --> 00:05:51,840 Speaker 1: growing up, it felt so odd and far sought and 120 00:05:51,920 --> 00:05:54,600 Speaker 1: something that didn't happen to people like me. Every night, 121 00:05:54,640 --> 00:05:56,640 Speaker 1: when I'm up on stage and I look out into 122 00:05:56,640 --> 00:05:59,599 Speaker 1: the audience and I see so many young people with 123 00:05:59,600 --> 00:06:02,839 Speaker 1: big I'm like, you gotta at least try. That's like 124 00:06:02,880 --> 00:06:05,040 Speaker 1: the one message I want to send out because if 125 00:06:05,080 --> 00:06:07,040 Speaker 1: it happened to me, it can happen to anybody else. 126 00:06:07,279 --> 00:06:09,120 Speaker 4: So that was gonna be my other question to you, 127 00:06:09,160 --> 00:06:11,080 Speaker 4: because when I said lin Manuel, Miranda, you made this 128 00:06:11,160 --> 00:06:13,160 Speaker 4: face like, oh my god, and it was crazy. We 129 00:06:13,160 --> 00:06:15,080 Speaker 4: were screaming. I'm sure inside you were screaming a little 130 00:06:15,080 --> 00:06:15,360 Speaker 4: bit too. 131 00:06:15,440 --> 00:06:17,680 Speaker 1: That was the loudest guest on the entire tour was it. 132 00:06:17,720 --> 00:06:19,200 Speaker 4: I was going to ask if there was a moment 133 00:06:19,279 --> 00:06:20,840 Speaker 4: for you that you kind of had to pinch yourself 134 00:06:20,880 --> 00:06:23,120 Speaker 4: because you're like, Wow, this is now happening, and it's 135 00:06:23,160 --> 00:06:25,240 Speaker 4: happening to me because of me, I think. 136 00:06:25,480 --> 00:06:28,599 Speaker 1: I mean every night on tour MSG my parents were there, 137 00:06:29,240 --> 00:06:32,800 Speaker 1: So that felt very emotional. And I think just the 138 00:06:32,800 --> 00:06:36,800 Speaker 1: sheer volume of it was just quite overwhelming. I mean, 139 00:06:37,120 --> 00:06:39,760 Speaker 1: I come from a country of three hundred and fifty 140 00:06:39,839 --> 00:06:44,040 Speaker 1: four hundred thousand people, so to see that, like two 141 00:06:44,160 --> 00:06:46,240 Speaker 1: nights in a row, that amount of people in Marena, 142 00:06:46,279 --> 00:06:48,720 Speaker 1: It's like, that's my entire city, you know. 143 00:06:48,839 --> 00:06:49,479 Speaker 2: Wow. 144 00:06:49,560 --> 00:06:53,320 Speaker 1: And so I think that was really definitely a pinch 145 00:06:53,400 --> 00:06:53,760 Speaker 1: me moment. 146 00:06:53,800 --> 00:06:55,279 Speaker 2: I need to go back to something you said before 147 00:06:55,320 --> 00:06:58,320 Speaker 2: I forget. You were talking about dreams and this show 148 00:06:58,400 --> 00:07:01,480 Speaker 2: is so about you got to have a dream right 149 00:07:01,640 --> 00:07:04,880 Speaker 2: at all times. But you said, I can't believe I'm 150 00:07:04,920 --> 00:07:09,600 Speaker 2: paraphrasing someone like me is actually watching this dream come true. 151 00:07:09,600 --> 00:07:11,120 Speaker 2: What do you mean by that? Like, what do you 152 00:07:11,160 --> 00:07:14,080 Speaker 2: mean somebody like you? How do you frame yourself as 153 00:07:14,120 --> 00:07:17,400 Speaker 2: a child, as that person who had that dream and 154 00:07:17,440 --> 00:07:18,960 Speaker 2: you can't believe it's coming true? 155 00:07:19,280 --> 00:07:21,560 Speaker 1: First, first off, I'm from Iceland, which. 156 00:07:21,360 --> 00:07:22,160 Speaker 2: Is what's wrong with that. 157 00:07:22,200 --> 00:07:25,080 Speaker 1: We love Iceland, we love Iceland, but Iceland's very far away. 158 00:07:25,360 --> 00:07:29,560 Speaker 1: It's a remote island surrounded by ocean, and it has 159 00:07:29,600 --> 00:07:33,480 Speaker 1: its own language and is very it's very removed from 160 00:07:33,520 --> 00:07:35,760 Speaker 1: the rest of the world. I mean, growing up there, 161 00:07:36,040 --> 00:07:39,160 Speaker 1: even sitting in a room like this seemed completely impossible. 162 00:07:39,680 --> 00:07:42,880 Speaker 1: And I mean I grew up a classical musician and 163 00:07:43,120 --> 00:07:45,360 Speaker 1: there's nobody that I could look up on stage and 164 00:07:45,360 --> 00:07:47,880 Speaker 1: point to and be like, oh, they look like me 165 00:07:48,000 --> 00:07:51,840 Speaker 1: or sound like me. I'm a mix of many cultural backgrounds. 166 00:07:51,880 --> 00:07:54,120 Speaker 1: It's really hard to describe me in one sentence, Like 167 00:07:54,160 --> 00:07:56,000 Speaker 1: you have to use five sentences. 168 00:07:55,560 --> 00:07:57,520 Speaker 2: To say, okay, go, We'll give you room for five 169 00:07:57,560 --> 00:07:59,080 Speaker 2: sentences to just describe who you are. 170 00:07:59,080 --> 00:08:09,160 Speaker 1: Where you're from, icelandic Chinese musical theater, jazz obsessed cellist, pianist, songwriter. 171 00:08:08,960 --> 00:08:12,160 Speaker 2: Cerial thief, cereal thief, she stolen cereal. 172 00:08:12,640 --> 00:08:15,320 Speaker 1: You know, I'm a multi hyphen in every single way. 173 00:08:15,600 --> 00:08:18,760 Speaker 1: And I didn't have the proof. There wasn't anyone who 174 00:08:18,800 --> 00:08:19,920 Speaker 1: looked or sounded like me. 175 00:08:20,320 --> 00:08:22,240 Speaker 2: But look, you had it all along, you had that magic, 176 00:08:22,280 --> 00:08:23,280 Speaker 2: and here you are today. 177 00:08:23,360 --> 00:08:25,280 Speaker 1: And that's why I believe so much and dreamed. 178 00:08:25,280 --> 00:08:28,600 Speaker 3: And you bet Bruce Springsteen for a Grammy Award. I 179 00:08:28,600 --> 00:08:31,040 Speaker 3: mean that pins me moments. How about that in twenty 180 00:08:31,080 --> 00:08:31,640 Speaker 3: twenty four? 181 00:08:31,880 --> 00:08:34,600 Speaker 1: Yeah, I mean that was absolutely crazy. I was not 182 00:08:34,679 --> 00:08:39,360 Speaker 1: expecting it at all. I mean a nomination was shocking enough. 183 00:08:40,040 --> 00:08:42,360 Speaker 1: And yeah, that was definitely one of those. 184 00:08:42,240 --> 00:08:47,360 Speaker 2: Like is this real life? Lave is here? She'll be 185 00:08:47,400 --> 00:08:50,400 Speaker 2: at Z one hundred jingle Ball tonight at the Garden Delighting. 186 00:08:50,400 --> 00:08:51,320 Speaker 2: We're gonna light you up. 187 00:08:51,320 --> 00:08:51,600 Speaker 1: Girl. 188 00:08:51,679 --> 00:08:52,560 Speaker 2: He's going to look so. 189 00:08:52,480 --> 00:08:54,959 Speaker 1: Fun like a Christmas How are you going to ask 190 00:08:55,080 --> 00:08:55,800 Speaker 1: her favorite cereal? 191 00:08:55,840 --> 00:08:56,160 Speaker 3: I'm waiting. 192 00:08:56,880 --> 00:08:59,120 Speaker 2: Let's talking about that. So as you know serial Killers 193 00:08:59,559 --> 00:09:02,400 Speaker 2: Scotty and Andrew, they do them in the Cereal Killers 194 00:09:02,440 --> 00:09:04,839 Speaker 2: podcast room as you see right there. But we found 195 00:09:04,880 --> 00:09:08,640 Speaker 2: out as took my favorite cereal, Scotty be what cereal 196 00:09:08,720 --> 00:09:11,560 Speaker 2: was that she took? That's the caramel corn checks And 197 00:09:11,600 --> 00:09:15,760 Speaker 2: I said, she's eating who cereal? What cereal is she eating? Girl? 198 00:09:15,760 --> 00:09:16,000 Speaker 1: Friend? 199 00:09:16,040 --> 00:09:18,600 Speaker 2: Give me that bag? But I went in there and 200 00:09:18,640 --> 00:09:20,200 Speaker 2: you look like I was. It looked like I was 201 00:09:20,200 --> 00:09:23,640 Speaker 2: watching the Animal Channel where the lions are like eating 202 00:09:23,640 --> 00:09:25,920 Speaker 2: a wilderbeast. You had that look in your eye while 203 00:09:25,920 --> 00:09:28,959 Speaker 2: you're eating cereal and no milk, milkless. 204 00:09:29,200 --> 00:09:31,840 Speaker 1: I just like needed something really quick and I needed 205 00:09:31,880 --> 00:09:34,920 Speaker 1: to be in the scooping zone, you know. Okay, I 206 00:09:34,960 --> 00:09:37,840 Speaker 1: love dry cereal, Love dry cereal. 207 00:09:38,000 --> 00:09:41,199 Speaker 2: What's your favorite raisin breas? 208 00:09:41,440 --> 00:09:41,720 Speaker 1: Okay? 209 00:09:42,559 --> 00:09:44,160 Speaker 2: And my question to you was, do you remember my 210 00:09:44,240 --> 00:09:46,920 Speaker 2: question you about eating too much raisin bran? Is it 211 00:09:47,000 --> 00:09:49,000 Speaker 2: like building condos in your cold? 212 00:09:52,600 --> 00:09:52,800 Speaker 5: Wow? 213 00:09:53,559 --> 00:09:56,160 Speaker 1: Fiber? Well, the kids aren't eating enough fiber these days. 214 00:09:56,800 --> 00:09:58,440 Speaker 2: When they're gonna listen to your music, now you get 215 00:09:58,440 --> 00:10:00,000 Speaker 2: them to eat your citare here from Big. 216 00:09:59,800 --> 00:10:04,360 Speaker 1: Five to tell everyone to eat their fiber fiber. 217 00:10:04,120 --> 00:10:06,640 Speaker 4: Big fiber condos and your colon could be a new song. 218 00:10:07,600 --> 00:10:13,160 Speaker 1: Yeah, I'll let you have. It's all good, but yeah, 219 00:10:13,600 --> 00:10:14,760 Speaker 1: it tastes so good. 220 00:10:15,000 --> 00:10:17,480 Speaker 2: But see, leave is also a student of foreign cereals. 221 00:10:17,640 --> 00:10:20,040 Speaker 2: They just re released banana caramel cheerios. Do you want 222 00:10:20,040 --> 00:10:21,559 Speaker 2: to try that caramel? 223 00:10:22,120 --> 00:10:22,200 Speaker 1: Like? 224 00:10:22,240 --> 00:10:23,400 Speaker 4: No, God, get. 225 00:10:23,200 --> 00:10:26,920 Speaker 1: Away from me. You know what I love about America 226 00:10:27,160 --> 00:10:30,560 Speaker 1: is like if they have an idea, they execute and 227 00:10:30,600 --> 00:10:33,720 Speaker 1: it's like it doesn't always need to be thought out, 228 00:10:34,160 --> 00:10:37,040 Speaker 1: but it is always executed, which is really really I 229 00:10:37,120 --> 00:10:42,040 Speaker 1: think it makes for a really interesting world to live in. 230 00:10:42,320 --> 00:10:45,000 Speaker 2: You know, something's going to happen at the Garden when 231 00:10:45,120 --> 00:10:49,000 Speaker 2: Leve hits the stage, our own Sam producer Sam, are 232 00:10:49,000 --> 00:10:51,320 Speaker 2: you bringing her out tonight or what are you doing 233 00:10:51,760 --> 00:10:52,040 Speaker 2: to that. 234 00:10:52,160 --> 00:10:53,120 Speaker 1: Question, I'll figure it out. 235 00:10:53,120 --> 00:10:55,880 Speaker 2: I'm just gonna watch say as nervous as hell. I'll 236 00:10:55,880 --> 00:10:58,240 Speaker 2: tell you why. All because of All to Beauty, right, 237 00:10:58,360 --> 00:10:59,920 Speaker 2: Oh yeah, can you fill me in on this? 238 00:11:00,320 --> 00:11:03,720 Speaker 6: Yes, But the reason is because I'm actually really excited. 239 00:11:04,280 --> 00:11:07,200 Speaker 6: All to Beauty is doing something awesome on stage tonight. 240 00:11:07,240 --> 00:11:09,360 Speaker 6: It's a whole moment from Madison Square Garden and it's 241 00:11:09,360 --> 00:11:10,959 Speaker 6: going to be on social so everybody can see it. 242 00:11:10,960 --> 00:11:12,760 Speaker 6: I don't want to give away too much more than that, 243 00:11:13,080 --> 00:11:15,400 Speaker 6: but yeah, ALTI Beauty is a huge partner of ours, 244 00:11:15,400 --> 00:11:17,320 Speaker 6: and I know fe we get to do something really 245 00:11:17,360 --> 00:11:19,360 Speaker 6: cool for them after this. We're going to curate a 246 00:11:19,400 --> 00:11:21,760 Speaker 6: gift bag for one lucky winner and it's going to 247 00:11:21,840 --> 00:11:23,640 Speaker 6: have just some of our holiday favorites. 248 00:11:23,800 --> 00:11:26,360 Speaker 1: It's true, so they're making a lot possible. 249 00:11:26,440 --> 00:11:29,640 Speaker 6: My panic attacks some magic for everyone at the garden. 250 00:11:29,840 --> 00:11:33,160 Speaker 2: They do it all Thank you All to Beauty and 251 00:11:33,200 --> 00:11:35,040 Speaker 2: there you have it. You know this is gonna happen tonight. 252 00:11:35,120 --> 00:11:37,640 Speaker 2: Your friend Darren Chris is bringing you out on stage tonight. Yes, 253 00:11:37,679 --> 00:11:39,880 Speaker 2: who's a very dear, dear old friend of mine as well. 254 00:11:40,120 --> 00:11:40,360 Speaker 6: Loved. 255 00:11:40,679 --> 00:11:42,880 Speaker 3: Would you do Broadway? Are you interested in doing Broadway? 256 00:11:43,120 --> 00:11:43,840 Speaker 1: Absolutely? 257 00:11:44,400 --> 00:11:46,679 Speaker 2: I would love just in my dream too. So when 258 00:11:46,720 --> 00:11:48,439 Speaker 2: I walk on Broadways, it's as close as I'll ever 259 00:11:48,480 --> 00:11:48,720 Speaker 2: get it. 260 00:11:48,760 --> 00:11:49,600 Speaker 1: You're going to do it. 261 00:11:49,720 --> 00:11:51,720 Speaker 2: I buy nuts on Broadway. I just okay. 262 00:11:51,720 --> 00:11:53,320 Speaker 4: So we keep talking about how your music is this 263 00:11:53,400 --> 00:11:56,880 Speaker 4: very classical, jazzy, different genre, but you're still writing about 264 00:11:56,880 --> 00:12:00,600 Speaker 4: everyday things. You're writing about breakups, very specific breakups, seems. 265 00:12:00,880 --> 00:12:01,400 Speaker 1: Yeah. 266 00:12:01,760 --> 00:12:04,400 Speaker 4: When you are in the dating world and you write 267 00:12:04,440 --> 00:12:06,559 Speaker 4: these songs, do you let someone know ahead of time, Hey, 268 00:12:06,559 --> 00:12:08,320 Speaker 4: this is coming. Do you wait for them to just 269 00:12:08,360 --> 00:12:09,960 Speaker 4: hear it? And have they reached out? 270 00:12:11,000 --> 00:12:11,400 Speaker 2: No? 271 00:12:11,400 --> 00:12:12,120 Speaker 4: No to all of it. 272 00:12:12,280 --> 00:12:14,360 Speaker 1: Well, I just like, even if they did, I'd say no, 273 00:12:15,360 --> 00:12:19,480 Speaker 1: because I think with an every single song, there is 274 00:12:19,559 --> 00:12:24,120 Speaker 1: a line of ambiguity, perhaps a little bit of fiction, 275 00:12:24,880 --> 00:12:28,319 Speaker 1: a little bit of exaggerating. Sometimes it's toning it down 276 00:12:29,160 --> 00:12:31,520 Speaker 1: to save their face, you know. 277 00:12:31,880 --> 00:12:32,120 Speaker 2: Nice. 278 00:12:32,240 --> 00:12:37,040 Speaker 1: So yeah, exactly. So there's no song that's like one 279 00:12:37,120 --> 00:12:41,040 Speaker 1: hundred percent accurate in that sense. And I think if 280 00:12:41,080 --> 00:12:44,199 Speaker 1: you're dating me, you know what you're getting into. 281 00:12:44,760 --> 00:12:48,200 Speaker 2: But even great relationships have breakups. You can still write 282 00:12:48,200 --> 00:12:51,320 Speaker 2: a great thing about someone who maybe screwed you over 283 00:12:51,679 --> 00:12:52,080 Speaker 2: or something. 284 00:12:52,240 --> 00:12:54,480 Speaker 1: I can write a full song about an intrusive thought, 285 00:12:54,880 --> 00:12:58,240 Speaker 1: So like I could like I could be I'm a 286 00:12:58,360 --> 00:13:03,480 Speaker 1: very anxiously attached person and if I have a thought that, 287 00:13:03,520 --> 00:13:05,040 Speaker 1: oh my god, they're gonna break up with me, I 288 00:13:05,040 --> 00:13:06,200 Speaker 1: could write a whole song about that. 289 00:13:06,240 --> 00:13:06,480 Speaker 6: Wow. 290 00:13:06,640 --> 00:13:09,280 Speaker 1: Sometimes I'm watching a movie and I'm like whoa, and 291 00:13:09,280 --> 00:13:10,120 Speaker 1: then I write about that. 292 00:13:10,640 --> 00:13:12,400 Speaker 4: I picture someone like not doing the dishes and you're 293 00:13:12,400 --> 00:13:14,679 Speaker 4: busting out your pad like, well, well, well what have 294 00:13:14,880 --> 00:13:15,440 Speaker 4: we here. 295 00:13:16,240 --> 00:13:18,400 Speaker 1: It'll be like me down to sleep and didn't text 296 00:13:18,400 --> 00:13:24,280 Speaker 1: good night, and it'll be like it's over now, I'll 297 00:13:24,280 --> 00:13:25,400 Speaker 1: never see you again. 298 00:13:26,679 --> 00:13:28,160 Speaker 2: Well, this is where these songs come from. This is 299 00:13:28,160 --> 00:13:30,360 Speaker 2: where there's lyrics come from. I mean, I don't I 300 00:13:30,360 --> 00:13:32,840 Speaker 2: don't like to use the word trigger, but sometimes things 301 00:13:32,840 --> 00:13:35,520 Speaker 2: and life just trigger a thought an emotion and you 302 00:13:35,559 --> 00:13:38,000 Speaker 2: write a song about it and you get a Grammy. 303 00:13:38,760 --> 00:13:39,360 Speaker 1: No big deal. 304 00:13:39,760 --> 00:13:41,600 Speaker 3: Oh can I say something about your YouTube page? 305 00:13:41,679 --> 00:13:41,880 Speaker 5: Oh? 306 00:13:42,280 --> 00:13:42,559 Speaker 1: Please? 307 00:13:42,679 --> 00:13:45,400 Speaker 3: I noticed today just put up a little Christmas scene 308 00:13:45,679 --> 00:13:47,640 Speaker 3: like kind of like not a yule log, but it's 309 00:13:47,679 --> 00:13:50,680 Speaker 3: like a fireplace and a little thing going on, and 310 00:13:50,720 --> 00:13:51,840 Speaker 3: it's kind of like you can have it on in 311 00:13:51,840 --> 00:13:55,360 Speaker 3: the background and it's all your music, it is. How 312 00:13:55,360 --> 00:13:55,640 Speaker 3: did you. 313 00:13:55,600 --> 00:13:56,760 Speaker 2: Find that out? You know everything? 314 00:13:56,760 --> 00:14:04,920 Speaker 5: You're no stalk away, It's yeah, we put up I 315 00:14:04,960 --> 00:14:07,840 Speaker 5: am an incredibly indecisive person and I have a really 316 00:14:07,840 --> 00:14:09,720 Speaker 5: hard time choosing what music to play. 317 00:14:10,040 --> 00:14:14,000 Speaker 1: I usually need someone to curate something for me. So yeah, 318 00:14:14,040 --> 00:14:16,760 Speaker 1: every year we put up like a little you will 319 00:14:16,920 --> 00:14:19,160 Speaker 1: log type video that you can just have in the 320 00:14:19,200 --> 00:14:22,440 Speaker 1: background and you don't have to decide which Christmas songs 321 00:14:22,440 --> 00:14:31,360 Speaker 1: to play, and they're all mine. So hostage exactly my 322 00:14:31,440 --> 00:14:32,400 Speaker 1: Christmas hostage. 323 00:14:32,800 --> 00:14:35,360 Speaker 4: Do you have a go to favorite Christmas album. 324 00:14:35,040 --> 00:14:39,160 Speaker 1: Aside from a very live Holiday? Oh my god, I 325 00:14:39,200 --> 00:14:43,760 Speaker 1: mean Bing Crosby cover. 326 00:14:44,160 --> 00:14:46,360 Speaker 2: Yes, how do you know he's drunk on the cover 327 00:14:51,200 --> 00:14:52,120 Speaker 2: about Justin Bieber. 328 00:14:52,160 --> 00:14:53,600 Speaker 3: That's one of my favorites, Justin Oh. 329 00:14:53,600 --> 00:14:56,240 Speaker 1: My god, I love the Justin Bieber want too that one? Really? 330 00:14:56,280 --> 00:15:02,360 Speaker 1: Also newer one that I love is Ariana Andy's Christmas EPs. 331 00:15:01,840 --> 00:15:07,280 Speaker 4: On the duality Bing Crosby arisby Mariana Grande was. 332 00:15:07,400 --> 00:15:09,560 Speaker 1: I think my most play is on Spotify. 333 00:15:09,200 --> 00:15:12,120 Speaker 2: Is year Tonight is the Night of course, is anyone 334 00:15:12,160 --> 00:15:14,680 Speaker 2: unders single ball tonight starring Leave? And on the stage, 335 00:15:15,000 --> 00:15:17,080 Speaker 2: are you bringing in an entire orchestra on stage with 336 00:15:17,320 --> 00:15:19,960 Speaker 2: you tonight? No, you need an orchestra with you at 337 00:15:20,000 --> 00:15:20,480 Speaker 2: all moments. 338 00:15:20,520 --> 00:15:24,200 Speaker 1: D It's it's a very very They can sound like 339 00:15:24,200 --> 00:15:26,640 Speaker 1: an orchestra. They fill up the room in the same way. 340 00:15:26,640 --> 00:15:28,240 Speaker 2: I can't wait. This is gonna be such a great 341 00:15:28,240 --> 00:15:31,040 Speaker 2: performance tonight. And of course Santa Claus is coming to town. 342 00:15:31,120 --> 00:15:31,600 Speaker 1: Ho ho. 343 00:15:32,320 --> 00:15:33,880 Speaker 2: I gotta play that, I gotta play it right now. 344 00:15:34,360 --> 00:15:36,360 Speaker 2: Leave having you hear such a gift, Thank you so 345 00:15:36,440 --> 00:15:41,200 Speaker 2: much you Santa Claus is coming to town. 346 00:15:42,080 --> 00:15:42,800 Speaker 1: Ho ho ho