WEBVTT - Gilbert King Presents: Bone Valley Season 4 | Earwitness

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<v Speaker 1>Hi everyone, this is Gilbert King. Today we're introducing you

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<v Speaker 1>to the podcast ear Witness and the Alabama wontful conviction

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<v Speaker 1>case of Tafaris Johnson. As many Bone Valley listeners know,

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<v Speaker 1>after the attention Season one brought to Leo Schofield's case,

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<v Speaker 1>Leo was finally released from prison after spending thirty six

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<v Speaker 1>years behind bars for a murder he did not commit.

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<v Speaker 1>And as fans of season three Graves County know, the

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<v Speaker 1>attention Maggie Freeling brought to Quincy Cross's case has led

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<v Speaker 1>key witnesses to recant their testimony, resulting in new evidentiary

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<v Speaker 1>hearings that could grant him a new trial and potentially

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<v Speaker 1>free him after decades of incarceration. There's something unique happening

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<v Speaker 1>across these Bone Valley series. Storytelling with heart grounded in

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<v Speaker 1>rigorous investigation is making a real difference where the courts

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<v Speaker 1>have often fallen short. We're seeing meaningful developments and it

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<v Speaker 1>underscores the urgency of reval visiting official narratives in cases

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<v Speaker 1>we believe resulted in wrongful convictions. This has been essential

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<v Speaker 1>to the work of Jason Flohm and the entire team

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<v Speaker 1>at Lava for Good. That's why we wanted you to

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<v Speaker 1>hear the story of Tafaris Johnson, who has been on

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<v Speaker 1>Alabama's death row for more than twenty five years. Beginning

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<v Speaker 1>January twenty eighth, we'll be releasing all episodes right here

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<v Speaker 1>in the Bone Valley Feed as Bone Valley Season four

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<v Speaker 1>Ear Witness available as a binge on Lava for Good

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<v Speaker 1>plus on Apple Podcasts. Then on February four, all episodes

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<v Speaker 1>will be released as a binge in the Free Bone

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<v Speaker 1>Valley Feed. I'm joined today by Beth Shelburne, the creator

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<v Speaker 1>and host of ear Witness, an award winning investigative journalist

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<v Speaker 1>and writer and producer of the critically acclaimed documentary The

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<v Speaker 1>Alabama Solution. The film, currently streaming on HBO Max, has

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<v Speaker 1>earned widespread praise for its unfiltered look at systemic abuse, violence,

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<v Speaker 1>and human rights failures inside the Alabama Department of Corrections,

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<v Speaker 1>and has been shortlisted for an Academy Award. We're also

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<v Speaker 1>joined by the film's co directors, Andrew Direki and Charlotte Kaufman. Andrew,

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<v Speaker 1>I want to start with you before we dig into

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<v Speaker 1>The Alabama Solution. I'd love your take on ear Witness.

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<v Speaker 1>People know your work from Capturing the Freedmen's to The

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<v Speaker 1>Jinks and the Jinks Part two and your long commitment

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<v Speaker 1>to criminal justice storytelling. For someone deeply familiar with Alabama's system,

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<v Speaker 1>what stood out to you about Tafarist Johnson's case when

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<v Speaker 1>you first learned about it.

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<v Speaker 2>Well, I follow everything that Beth does anyway, and I

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<v Speaker 2>knew that if she was going to spend time on

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<v Speaker 2>this case, it was going to be infuriating. And one

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<v Speaker 2>of the things that's so, I don't know, surprising, is

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<v Speaker 2>that the allegations are absurd. It sort of falls in

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<v Speaker 2>that heading of travesties of justice that a regular human

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<v Speaker 2>being on the street would be able to see, but

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<v Speaker 2>somehow the justice system can't absorb because of the rules

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<v Speaker 2>and the formality of it.

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<v Speaker 1>And Charlotte, you've collaborated with Andrew on the Alabama Solution

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<v Speaker 1>and the Jinx, and you're also part of Netflix The

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<v Speaker 1>Innocence Files. Spending years immersed in prisons and rawful conviction

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<v Speaker 1>reporting can fundamentally change how you see power and truth.

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<v Speaker 1>Did it change how you listen to or evaluate a

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<v Speaker 1>case like to Forests, especially when the system insists it

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<v Speaker 1>got the conviction right.

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<v Speaker 3>Yeah, I mean I think when you listen to a

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<v Speaker 3>podcast like Earwitness, it inspires you to want to interrogate

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<v Speaker 3>any conviction really because you know, in the case of

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<v Speaker 3>DeForest Johnson, you could read it on paper and say like, oh, well,

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<v Speaker 3>they did have evidence to con to this man, like

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<v Speaker 3>there was a woman Violet who said that he was responsible.

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<v Speaker 3>But when you dig just a little bit further, you

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<v Speaker 3>realize how weak the case against him might be.

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<v Speaker 1>Yeah, Actually, Beth, I want to ask you about that

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<v Speaker 1>because one of the most unsettling aspects of your witnesses,

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<v Speaker 1>how much of the case hinges on contested memory and

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<v Speaker 1>a single eyewitness. When did you begin to realize that

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<v Speaker 1>this testimony wasn't just questionable, but potentially the foundation of

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<v Speaker 1>a wrongful conviction.

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<v Speaker 4>So you know, this single eyewitness I think that you're

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<v Speaker 4>referring to is the fifteen year old whose tips to

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<v Speaker 4>police ended in to forrest and his co defendants arrest.

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<v Speaker 4>Her name is Yolanda Chambers. She's dead now, met a

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<v Speaker 4>very tragic end in two thousand and nine after working

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<v Speaker 4>off and on as a police informant for years, which

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<v Speaker 4>really sort of speaks to how our criminal legal system

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<v Speaker 4>often railroads, not just defendants, but witnesses as well. She

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<v Speaker 4>got ensnared and all that. But I think I realized

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<v Speaker 4>that this was a wrongful conviction when I read the

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<v Speaker 4>trial transcript that resulted in too Forrest's conviction and death sentence,

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<v Speaker 4>and realized that the only evidence the state presented was

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<v Speaker 4>the ear witness. This is, of course, after the fifteen

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<v Speaker 4>year old witness fell apart and the state abandoned her,

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<v Speaker 4>and then they used Violet Ellison, the ear witness, as

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<v Speaker 4>their star witness. And what she testified to can be

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<v Speaker 4>argued was hearsay. She claimed she overheard a jailhouse phone

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<v Speaker 4>call in which somebody that identified themselves as to Forrest

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<v Speaker 4>talked about the murder, and she eavesdropped on this call.

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<v Speaker 4>That was the single piece of evidence that the state

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<v Speaker 4>presented to convict him. There's no forensic evidence, there's no

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<v Speaker 4>physical evidence, there was no murder weapon recovered, he had

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<v Speaker 4>an alibi, there was no eyewitness that placed him at

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<v Speaker 4>the scene. So that was it. When I read that

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<v Speaker 4>and really saw it on paper, I had already been

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<v Speaker 4>told that by his family, by his attorneys, I had

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<v Speaker 4>sat through a five hour court hearing. But when I

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<v Speaker 4>actually read through the transcript. That was my holy shit moment.

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<v Speaker 2>I think it's worth pointing out that the prosecutors and

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<v Speaker 2>a lot of these cases are behaving in a way

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<v Speaker 2>that's equally irrational seeming right that there's a prosecutor who's

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<v Speaker 2>in court, sees all the evidence, there's no question that

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<v Speaker 2>some part of them is thinking, yeah, maybe I would

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<v Speaker 2>have turned over that exculpatory piece of evidence, or I'm

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<v Speaker 2>not sure this is the strongest case I've ever worked on,

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<v Speaker 2>and yet they throw themselves into it with absolute conviction.

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<v Speaker 2>And then when later somebody finds out that the prosecution

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<v Speaker 2>was deeply flawed and maybe they fudged something or flubbed

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<v Speaker 2>something that not only don't they question their own judgment,

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<v Speaker 2>very often they will double down and bring the case

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<v Speaker 2>back for trial again and again, and it sort of

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<v Speaker 2>makes you realize that, you know, if you're a prosecutor,

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<v Speaker 2>you might be the most senior law enforcement official who

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<v Speaker 2>should be deciding what cases should be brought, but very

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<v Speaker 2>often you're just assuming that it's an adversarial system, and

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<v Speaker 2>there you're always in the position of trying to get

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<v Speaker 2>a conviction, which is why you see cases like Tafarest

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<v Speaker 2>case where there's so many times when this case could

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<v Speaker 2>have been abandoned by the prosecutors, and yet they're still

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<v Speaker 2>convinced that he's the enemy and that you've got to

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<v Speaker 2>defeat your enemy.

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<v Speaker 1>So why is Tofares Johnson still on death row when

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<v Speaker 1>even prosecutors have called for a new trial.

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<v Speaker 4>Yeah, that's a question I get all the time, and

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<v Speaker 4>I think that defies logic when you listen to your

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<v Speaker 4>witness and hear the facts of the case. That the

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<v Speaker 4>current district attorney in the county where he was convicted

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<v Speaker 4>did a full review of the conviction through his Conviction

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<v Speaker 4>Integrity Unit and said that this conviction can't stand. He

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<v Speaker 4>has filed multiple motions in court asking a court to

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<v Speaker 4>grant to forest a new trial, with the support of

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<v Speaker 4>the original prosecutor, a man named Jeff Wallace, who we

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<v Speaker 4>interviewed for ear witness and listeners can get to know

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<v Speaker 4>in the series. I have not found another capital case

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<v Speaker 4>anywhere around the country where the original prosecutor who asked

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<v Speaker 4>a jury to send the person to death row supports

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<v Speaker 4>a new trial. So with all of that, how is

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<v Speaker 4>he still sitting on death row? Well, it's in front

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<v Speaker 4>of a court right now, it's in front of a

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<v Speaker 4>new judge in Jefferson County. So there's a lot of

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<v Speaker 4>hope there that she's spending a lot of time looking

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<v Speaker 4>at all the evidence and the arguments and that the

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<v Speaker 4>right thing can still happen. But you also have the

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<v Speaker 4>Attorney General of Alabama, who represents the people, and their

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<v Speaker 4>position has always been to defend the original conviction at

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<v Speaker 4>all costs. The Attorney General's office has shown no even

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<v Speaker 4>curiosity about the District Attorney's findings in his conviction integrity review.

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<v Speaker 4>They called the DA's conviction review unsanctioned and even suggested

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<v Speaker 4>that he may have acted with misconducts, saying he acted

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<v Speaker 4>outside the scope of his duties, which is really incredible

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<v Speaker 4>if you think about, because prosecutors' jobs are not just

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<v Speaker 4>to convict people, but to make sure the right person

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<v Speaker 4>was convicted.

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<v Speaker 3>You know, it was very, very interesting while Beth was

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<v Speaker 3>making the podcast, you know, the same time as we

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<v Speaker 3>were all working on the Alabama solution, and I remember

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<v Speaker 3>some of the most interesting conversations we had was trying

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<v Speaker 3>to get into the psychology of those prosecutors and the

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<v Speaker 3>psychology of the people who were involved in convicting this man,

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<v Speaker 3>who were now being presented with a really the wrong

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<v Speaker 3>case for his innocence, being Beth presenting it to them,

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<v Speaker 3>and the experience of how they responded. You know what

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<v Speaker 3>that's like, That someone keeps pursuing their case despite the

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<v Speaker 3>fact that it's clearly wrong. It really makes you want

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<v Speaker 3>to question everybody who might be convicted in the prisons.

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<v Speaker 3>And that was I think an experience working on the

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<v Speaker 3>Alabama Solution. We were making a film about the institutional

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<v Speaker 3>crisis of the Alabama prisons and the experience people have

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<v Speaker 3>in prisons, whether they are innocent or not. However, along

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<v Speaker 3>the way, we met so many men whose cases don't

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<v Speaker 3>add up. I want to just step back for a second.

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<v Speaker 3>For those who haven't seen our film, you know, our

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<v Speaker 3>film starts with the premise that prisons across America are

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<v Speaker 3>run as black sites. And any journalist or filmmaker that

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<v Speaker 3>has worked on a film about prisons knows that the

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<v Speaker 3>only way you get to do that work is if

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<v Speaker 3>it is state sanctioned, if you get permission by the

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<v Speaker 3>wardens or the administration to visit the prison. You know,

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<v Speaker 3>you can't speak with prisoners unless it's on recorded wall phones.

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<v Speaker 3>You can't visit the prison to see what's happening inside

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<v Speaker 3>unless you have been approved by the state or the

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<v Speaker 3>warden to go inside. And I think because of that

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<v Speaker 3>secrecy and that state control, they get to control the

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<v Speaker 3>narrative too, and they get to control what quote unquote

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<v Speaker 3>evidence of how their systems are running gets put into

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<v Speaker 3>the public domain.

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<v Speaker 2>It's not just that it prevents people from getting too

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<v Speaker 2>much information. It's that the knowledge that journalists are not

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<v Speaker 2>going to come and see what happens actually creates a

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<v Speaker 2>culture of impunity where they then can take it to

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<v Speaker 2>the next level and just lie about what's happening. So

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<v Speaker 2>you see these cover ups happen where the Department of

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<v Speaker 2>Corrections will often not tell a family when somebody has

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<v Speaker 2>been killed inside the prison because they know they have

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<v Speaker 2>some liability a guard very often maybe somebody who's committed

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<v Speaker 2>a terrible crime against one of those men. But rather

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<v Speaker 2>than their internal affairs people coming in and saying, let's

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<v Speaker 2>put these three officers on ice, let's do an investigation,

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<v Speaker 2>they immediately start scrambling the witnesses to protect the guards.

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<v Speaker 2>So I guess the secrecy it's not just that you

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<v Speaker 2>don't get to see what you don't get to see

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<v Speaker 2>it's that it gives them the freedom to start lying

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<v Speaker 2>about lots of other stuff because they know nobody's going

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<v Speaker 2>to question it.

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<v Speaker 3>And you know, with our film, we were able to

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<v Speaker 3>overcome that sort of state control because we were speaking

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<v Speaker 3>to people on contraband cell phones, so we did not

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<v Speaker 3>have to wait for wardens to approve what we could

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<v Speaker 3>see inside or where we could go and visit in

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<v Speaker 3>the prison, because the people we were speaking with with

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<v Speaker 3>their phones could take us there and show us without

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<v Speaker 3>the state controlling it. And through that we saw a

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<v Speaker 3>lot more of the reality inside Alabama's prisons, and it

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<v Speaker 3>is very shocking when you realize the extent of the abuse,

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<v Speaker 3>the extent of the negligence, and the corruption. It's sort

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<v Speaker 3>of like you go through the looking glass. This is

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<v Speaker 3>the largest law enforcement agency in the state of Alabama,

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<v Speaker 3>yet it is being run as a criminal enterprise. The

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<v Speaker 3>rate of overdose is happening inside their facilities are multiple

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<v Speaker 3>times higher than on the street. It's like everything is

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<v Speaker 3>topsy turvy. And the secrecy that exists in prisons is

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<v Speaker 3>part of what sustains this very abusive system because it

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<v Speaker 3>not only keeps secret the crimes committed by the officers

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<v Speaker 3>or the administration, But it also keeps secret the humanity

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<v Speaker 3>of the people who are inside the facilities, and it

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<v Speaker 3>makes it easier for the public to turn a blind

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<v Speaker 3>eye to what's happening. And I think in our story

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<v Speaker 3>telling in the film The Alabama Solution, and certainly in

0:14:03.679 --> 0:14:06.800
<v Speaker 3>the ear Witness, it's really important to bring back that

0:14:06.960 --> 0:14:08.679
<v Speaker 3>humanity that has been silenced.

0:14:08.840 --> 0:14:10.800
<v Speaker 1>Yeah, that's Beth. I'm just really curious, what do you

0:14:10.800 --> 0:14:14.520
<v Speaker 1>think about Alabama trying to silence to far As humanity

0:14:14.600 --> 0:14:16.800
<v Speaker 1>by not allowing him to speak to the media.

0:14:16.840 --> 0:14:21.040
<v Speaker 4>It's so infuriating all of the barriers that the system

0:14:21.120 --> 0:14:24.800
<v Speaker 4>throws up with incarcerated people and their First Amendment rights.

0:14:24.880 --> 0:14:29.080
<v Speaker 4>I honestly think there's a First Amendment case there. If

0:14:29.120 --> 0:14:31.880
<v Speaker 4>there's any attorney listening that likes to take up First

0:14:31.880 --> 0:14:34.720
<v Speaker 4>Amendment cases, that's a good one. We didn't get to

0:14:34.760 --> 0:14:38.440
<v Speaker 4>interview to Forrest for the podcast Earwitness, but I have

0:14:38.720 --> 0:14:42.239
<v Speaker 4>spoken to him several times, and I'm in regular communication

0:14:42.680 --> 0:14:47.000
<v Speaker 4>with his family members, both of his daughters, his mom, Donna,

0:14:47.760 --> 0:14:51.840
<v Speaker 4>and he's just a really incredible person. He is aware

0:14:52.040 --> 0:14:54.760
<v Speaker 4>of the podcast, he's read some of the press coverage,

0:14:54.800 --> 0:14:58.440
<v Speaker 4>he's talked to his family members and community about it

0:14:58.520 --> 0:15:01.200
<v Speaker 4>at length, and has told me and his attorneys and

0:15:01.240 --> 0:15:03.840
<v Speaker 4>his family, you know, no matter what happens with his

0:15:03.960 --> 0:15:08.720
<v Speaker 4>legal case, he is so grateful that the truth is

0:15:08.800 --> 0:15:12.240
<v Speaker 4>out there, because, as you know, Gilbert, when people are

0:15:12.280 --> 0:15:16.080
<v Speaker 4>stripped of everything of their liberty, their freedom, their individuality,

0:15:16.200 --> 0:15:20.960
<v Speaker 4>their humanity and put in a cage, the truth about

0:15:20.960 --> 0:15:25.640
<v Speaker 4>themselves is really all they have. And you know, he

0:15:25.800 --> 0:15:28.720
<v Speaker 4>has said that the lies that were told that got

0:15:28.760 --> 0:15:30.880
<v Speaker 4>him arrested, and then the lies that were told that

0:15:30.920 --> 0:15:34.000
<v Speaker 4>got him convicted, have bothered him just as much as

0:15:34.200 --> 0:15:37.600
<v Speaker 4>his wrongful conviction and incarceration, and so the fact that

0:15:37.640 --> 0:15:42.280
<v Speaker 4>there's now truth on the record in a really comprehensive way,

0:15:42.880 --> 0:15:46.440
<v Speaker 4>he's grateful for that. He is still very hopeful that

0:15:46.560 --> 0:15:50.880
<v Speaker 4>the right thing will happen. He has an incredible amount

0:15:50.960 --> 0:15:53.760
<v Speaker 4>of hope and grace. Every time I've talked to him,

0:15:54.240 --> 0:15:58.320
<v Speaker 4>he's cracking jokes. He's super funny. He is sort of

0:15:58.400 --> 0:16:01.840
<v Speaker 4>the thread in his family that keeps everybody together. He's

0:16:01.840 --> 0:16:07.600
<v Speaker 4>got five kids, nineteen grandkids, and they're all in constant contact,

0:16:07.680 --> 0:16:10.520
<v Speaker 4>and to Forest is sort of the one that navigates

0:16:11.080 --> 0:16:15.880
<v Speaker 4>all the dynamics and keeps everybody sane and positive. And

0:16:15.960 --> 0:16:20.000
<v Speaker 4>here's just a little tiny insider thing that happened during

0:16:20.000 --> 0:16:22.760
<v Speaker 4>the making of The Alabama Solution that just blew me

0:16:22.840 --> 0:16:28.640
<v Speaker 4>away about the way that communities form inside prisons. Robert

0:16:28.640 --> 0:16:32.040
<v Speaker 4>Earl Counsel, also known as Kinetic Justice, who's one of

0:16:32.080 --> 0:16:35.640
<v Speaker 4>the primary men in the Alabama Solution. He has a

0:16:35.680 --> 0:16:38.960
<v Speaker 4>life without Parole sentence. He's never been on death row.

0:16:39.120 --> 0:16:42.840
<v Speaker 4>But when we were talking during one conversation during the

0:16:42.840 --> 0:16:45.040
<v Speaker 4>making of the film, he said, Hey, the next time

0:16:45.080 --> 0:16:48.520
<v Speaker 4>you talk to Lil Russ, tell him. I said, hello,

0:16:48.920 --> 0:16:52.000
<v Speaker 4>Lil Russ is to Forest's nickname, And I was like,

0:16:52.240 --> 0:16:55.560
<v Speaker 4>how in the world do you know to Forest? And

0:16:55.600 --> 0:16:58.120
<v Speaker 4>he told me that for a brief time, he was

0:16:58.400 --> 0:17:02.200
<v Speaker 4>incarcerated at Holman Prison and where death Row is, and

0:17:02.440 --> 0:17:06.360
<v Speaker 4>he was working as a runner inside the prison, and

0:17:06.400 --> 0:17:10.720
<v Speaker 4>he took meal trays over to death Row and would

0:17:10.760 --> 0:17:14.280
<v Speaker 4>like have conversations through the bars, you know, with some

0:17:14.359 --> 0:17:16.520
<v Speaker 4>of the men on death Row, and got to know

0:17:16.720 --> 0:17:20.840
<v Speaker 4>to Forest that way and feels a real connection with him.

0:17:21.160 --> 0:17:24.080
<v Speaker 4>And you know, of course, Kinetic knew that a podcast

0:17:24.160 --> 0:17:26.640
<v Speaker 4>was coming out about to Forest's case and was really

0:17:26.680 --> 0:17:30.000
<v Speaker 4>happy about that. So it's just amazing to me how

0:17:30.160 --> 0:17:37.200
<v Speaker 4>humans can maintain relationships and their humanity even when they

0:17:37.200 --> 0:17:41.000
<v Speaker 4>are locked away, thrown away in a cage, you know,

0:17:41.119 --> 0:17:44.640
<v Speaker 4>away from the general public, as far away from society

0:17:44.720 --> 0:17:47.600
<v Speaker 4>as the government can put them. You know, humans are

0:17:47.640 --> 0:17:48.440
<v Speaker 4>still going to human.

0:17:49.920 --> 0:17:51.840
<v Speaker 1>That's a great way of putting it. You know. It's

0:17:51.880 --> 0:17:54.480
<v Speaker 1>interesting you I came up earlier that you were working

0:17:54.480 --> 0:17:57.119
<v Speaker 1>on these projects at the same time. I'm just really curious.

0:17:57.200 --> 0:17:58.919
<v Speaker 1>How did Beth come onto your radar and how did

0:17:58.960 --> 0:17:59.919
<v Speaker 1>you start working together.

0:18:00.280 --> 0:18:02.879
<v Speaker 2>Well, I was sitting I'm in my office here talking

0:18:02.880 --> 0:18:05.639
<v Speaker 2>to Charlotte, and we were going back and forth looking

0:18:05.680 --> 0:18:08.640
<v Speaker 2>at articles that had been written about the Alabama State

0:18:08.960 --> 0:18:12.199
<v Speaker 2>prison system. So we were looking at al dot com,

0:18:12.240 --> 0:18:15.760
<v Speaker 2>and we were looking at the Alabama Reflector and all

0:18:15.800 --> 0:18:18.960
<v Speaker 2>the various news outlets, and we made a list of

0:18:19.000 --> 0:18:23.360
<v Speaker 2>all the reporters who were covering the prison system. And

0:18:23.400 --> 0:18:26.280
<v Speaker 2>we were already so devastated by what we were learning.

0:18:26.280 --> 0:18:27.760
<v Speaker 2>We just thought, well, who are going to be the

0:18:27.800 --> 0:18:31.520
<v Speaker 2>intrepid reporters that have made this their beat. So we

0:18:31.600 --> 0:18:34.080
<v Speaker 2>went through the list and we started calling these reporters

0:18:34.359 --> 0:18:36.280
<v Speaker 2>and we said, when did you first get involved in

0:18:36.320 --> 0:18:39.440
<v Speaker 2>you know, prison reporting. And they said what And we said,

0:18:39.480 --> 0:18:41.320
<v Speaker 2>you know, when did you really get engaged in this

0:18:41.640 --> 0:18:45.120
<v Speaker 2>very disturbing situation. They were like, well, it's not really

0:18:45.160 --> 0:18:47.760
<v Speaker 2>my thing. I just usually I write about shopping centers,

0:18:47.760 --> 0:18:50.600
<v Speaker 2>but in this particular case, they handed me this and

0:18:50.720 --> 0:18:53.080
<v Speaker 2>Charlotte and I said, how is it possible there's nobody

0:18:53.080 --> 0:18:57.359
<v Speaker 2>in that state who considers this their mission. It's such

0:18:57.480 --> 0:19:01.439
<v Speaker 2>an important part of journalism. And then you know, we

0:19:01.480 --> 0:19:03.919
<v Speaker 2>started hearing Beth's name, and then Charlotte. How did we

0:19:03.960 --> 0:19:04.840
<v Speaker 2>first reach out to that?

0:19:05.240 --> 0:19:07.800
<v Speaker 3>A cold call? I probably sent her a maybe a

0:19:07.840 --> 0:19:10.960
<v Speaker 3>Facebook message and then a cold call. Yeah.

0:19:10.960 --> 0:19:13.919
<v Speaker 4>I did get a Facebook message from Charlotte, and she

0:19:14.480 --> 0:19:17.639
<v Speaker 4>was very nice but formal. You know, I'm a filmmaker

0:19:17.640 --> 0:19:20.399
<v Speaker 4>in New York and I'm working with another filmmaker in

0:19:20.480 --> 0:19:23.679
<v Speaker 4>New York, and we're interested in Alabama prisons. As an

0:19:23.760 --> 0:19:27.479
<v Speaker 4>Alabama based journalist, you know, we're very aware of the

0:19:27.520 --> 0:19:31.360
<v Speaker 4>sort of parachuting in dynamic of like the New York

0:19:31.400 --> 0:19:34.040
<v Speaker 4>Times fly by. You know, they'll come down here and

0:19:34.760 --> 0:19:37.399
<v Speaker 4>use up the energy of local reporters and then go away.

0:19:37.840 --> 0:19:41.080
<v Speaker 4>But when Charlotte and I had that initial phone conversation,

0:19:41.160 --> 0:19:43.080
<v Speaker 4>I think we were on the phone, Charlotte for like

0:19:43.119 --> 0:19:46.879
<v Speaker 4>two and a half three hours that conversation. I remember

0:19:46.960 --> 0:19:51.119
<v Speaker 4>thinking like, this woman just fell into my life and

0:19:51.160 --> 0:19:54.399
<v Speaker 4>she's like my you know, sister from another mother. And

0:19:54.440 --> 0:19:56.680
<v Speaker 4>then you know, she told me about your work, Andrew,

0:19:56.720 --> 0:19:59.440
<v Speaker 4>and I realized, oh, this is this is not fly by.

0:19:59.640 --> 0:20:04.320
<v Speaker 4>These these folks are like genuine and very invested and

0:20:04.760 --> 0:20:07.240
<v Speaker 4>Gilbert I should say that did turn out to be

0:20:07.359 --> 0:20:10.960
<v Speaker 4>the case. I mean, I don't think this film could

0:20:11.000 --> 0:20:16.200
<v Speaker 4>have been made without Andrew and Charlotte's dedication to investing

0:20:16.720 --> 0:20:20.800
<v Speaker 4>the time, the brain power coming down to Alabama over

0:20:20.880 --> 0:20:23.679
<v Speaker 4>and over and over again and spending weeks months at

0:20:23.680 --> 0:20:28.560
<v Speaker 4>a time on the ground, building relationships, embedding with multiple

0:20:28.600 --> 0:20:32.440
<v Speaker 4>stories down here. I mean, reporting on incarceration is hard,

0:20:32.920 --> 0:20:36.399
<v Speaker 4>but doing a system critique and a documentary film is

0:20:36.560 --> 0:20:40.479
<v Speaker 4>just Nobody else would do it. So I'm so glad

0:20:40.520 --> 0:20:43.480
<v Speaker 4>that they did, and really proud that I was a

0:20:43.560 --> 0:20:46.000
<v Speaker 4>small part of it, and so proud of the film.

0:20:46.640 --> 0:20:48.920
<v Speaker 1>I want to just sort of go to a process

0:20:49.000 --> 0:20:52.320
<v Speaker 1>question for Andrew. When you encounter an idea that might

0:20:52.400 --> 0:20:56.040
<v Speaker 1>demand years of investigation, what tells you it's a story

0:20:56.080 --> 0:20:57.280
<v Speaker 1>that you have to pursue.

0:20:57.720 --> 0:20:59.879
<v Speaker 2>When you get into these things, I think there's just

0:21:00.200 --> 0:21:04.960
<v Speaker 2>there's a natural sort of momentum and you either feel

0:21:05.000 --> 0:21:08.080
<v Speaker 2>it or you don't. Right, you start looking into a

0:21:08.119 --> 0:21:11.000
<v Speaker 2>story and you feel like, well, yeah, okay, I mean

0:21:11.040 --> 0:21:12.919
<v Speaker 2>I sort of feel like I know where this is going.

0:21:13.359 --> 0:21:16.359
<v Speaker 2>Then you give it some time to surprise you, and

0:21:16.440 --> 0:21:19.119
<v Speaker 2>if it doesn't surprise you, then it's probably better for

0:21:19.160 --> 0:21:23.000
<v Speaker 2>somebody else to do it. And in this case, I

0:21:23.040 --> 0:21:26.200
<v Speaker 2>think it happened very very early that we got locked

0:21:26.200 --> 0:21:30.639
<v Speaker 2>into this story because I had gone to Montgomery with

0:21:30.640 --> 0:21:33.000
<v Speaker 2>my daughter on sort of a road trip because we

0:21:33.000 --> 0:21:35.600
<v Speaker 2>were reading this book by Anthony ray Hinton, who had

0:21:35.600 --> 0:21:39.800
<v Speaker 2>been wrongfully convicted in Alabama. And when we were down there,

0:21:39.840 --> 0:21:43.560
<v Speaker 2>we met this prison chaplain who is in the film,

0:21:44.160 --> 0:21:48.400
<v Speaker 2>and that led to us getting this sort of unique access,

0:21:48.480 --> 0:21:50.760
<v Speaker 2>being able to go in and film a revival meeting.

0:21:51.200 --> 0:21:53.240
<v Speaker 2>And then when Charlotte and I went back down there,

0:21:54.600 --> 0:21:57.560
<v Speaker 2>we were told, you know, by the warden, well, don't

0:21:57.560 --> 0:22:00.159
<v Speaker 2>talk to any of the men. They're very dangerous and

0:22:00.200 --> 0:22:02.600
<v Speaker 2>they'll tell you stuff that's not true, and they'll try

0:22:02.640 --> 0:22:05.879
<v Speaker 2>to give you little pieces of paper and just you know,

0:22:06.080 --> 0:22:08.119
<v Speaker 2>steer clear of those men. We'll give you two or

0:22:08.119 --> 0:22:10.760
<v Speaker 2>three people you can talk to, which, of course, if

0:22:10.760 --> 0:22:13.040
<v Speaker 2>you say that to a documentary filmmaker, were like, the

0:22:13.080 --> 0:22:14.600
<v Speaker 2>only people I don't want to talk to her the

0:22:14.600 --> 0:22:17.840
<v Speaker 2>three people that he's introducing me to. And then when

0:22:17.840 --> 0:22:20.159
<v Speaker 2>we went in there, the men were so shocked that

0:22:20.320 --> 0:22:25.040
<v Speaker 2>anyone was allowed in there with cameras, and then they

0:22:25.119 --> 0:22:30.680
<v Speaker 2>started calling us aside and saying, off camera, listen, if

0:22:30.720 --> 0:22:33.720
<v Speaker 2>you want to talk about this, if you're interested in this,

0:22:33.720 --> 0:22:37.000
<v Speaker 2>this is a horrific situation. They're not showing you what's

0:22:37.080 --> 0:22:41.000
<v Speaker 2>really going on in this prison, and started pointing out

0:22:41.000 --> 0:22:44.200
<v Speaker 2>to us areas of the prison where that's where they

0:22:44.240 --> 0:22:47.199
<v Speaker 2>have the solitary confinement. There are people that have been

0:22:47.280 --> 0:22:50.600
<v Speaker 2>in there for five years. Looking at other areas, there

0:22:50.680 --> 0:22:52.840
<v Speaker 2>was a you know, they have a dorm called the

0:22:52.880 --> 0:22:56.919
<v Speaker 2>Behavior Modification Unit, and that was a sight of a

0:22:56.920 --> 0:22:59.879
<v Speaker 2>tremendous amount of violence, and they were just telling us,

0:23:00.080 --> 0:23:03.480
<v Speaker 2>your visit is curated and if you have any inclination

0:23:03.600 --> 0:23:06.440
<v Speaker 2>to talk to us, we need to tell our story.

0:23:06.880 --> 0:23:08.960
<v Speaker 2>And that's when we discovered that some of them had

0:23:09.040 --> 0:23:11.600
<v Speaker 2>access to contraband cell phones, so we were going to

0:23:11.640 --> 0:23:16.600
<v Speaker 2>be able to have an unmediated unfiltered conversation. When you

0:23:16.640 --> 0:23:20.200
<v Speaker 2>walk into a situation like that, there's no turning back.

0:23:20.320 --> 0:23:21.960
<v Speaker 2>You're not going to say to those people. You know,

0:23:22.320 --> 0:23:25.480
<v Speaker 2>I realized that there're you know, people being murdered under

0:23:25.520 --> 0:23:29.159
<v Speaker 2>the noses of the taxpayers paying for this institution, and

0:23:29.200 --> 0:23:32.240
<v Speaker 2>that you guys are in desperate straits. But you know,

0:23:32.320 --> 0:23:34.239
<v Speaker 2>I have this baseball movie I want to work on

0:23:34.480 --> 0:23:36.840
<v Speaker 2>like it. Just it's out of the question that you

0:23:36.840 --> 0:23:39.200
<v Speaker 2>would walk out of that. Just it's like an obligation.

0:23:39.680 --> 0:23:42.600
<v Speaker 1>Yeah, you know you mentioned surprises, Andrew, and your your

0:23:42.640 --> 0:23:45.840
<v Speaker 1>work is kind of known for having pretty significant surprises.

0:23:46.480 --> 0:23:49.200
<v Speaker 1>I'm just wondering because now I know, Beth, you tried

0:23:49.240 --> 0:23:52.760
<v Speaker 1>to speak with Alabama's Attorney General, Steve Marshall, and at

0:23:52.760 --> 0:23:55.560
<v Speaker 1>the time he would not talk, But Andrew and Charlotte

0:23:55.560 --> 0:23:58.760
<v Speaker 1>he did speak for you in the Alabama Solution and

0:23:58.880 --> 0:24:00.600
<v Speaker 1>just talk about why it was important to get him

0:24:00.640 --> 0:24:02.560
<v Speaker 1>on record and what that was like trying to get

0:24:02.600 --> 0:24:03.160
<v Speaker 1>him to talk.

0:24:03.600 --> 0:24:06.840
<v Speaker 3>Well. As Andrew was saying, we felt compelled to make

0:24:06.880 --> 0:24:09.639
<v Speaker 3>the film after that first visit to the prisons, but

0:24:09.760 --> 0:24:11.639
<v Speaker 3>we didn't know what the story was going to be.

0:24:12.080 --> 0:24:14.760
<v Speaker 3>We didn't know what the angle would be We just

0:24:14.800 --> 0:24:18.679
<v Speaker 3>wanted to understand what was happening inside Alabama's prisons as

0:24:18.680 --> 0:24:21.680
<v Speaker 3>a way to understand more broadly, you know, what's happening

0:24:21.840 --> 0:24:25.280
<v Speaker 3>with criminal justice in America, and we approached him with

0:24:25.440 --> 0:24:28.919
<v Speaker 3>that interest. And I think, you know, looking at Andrew's

0:24:29.440 --> 0:24:34.640
<v Speaker 3>prior work, The Jinx is a series that investigates Bob

0:24:34.760 --> 0:24:38.240
<v Speaker 3>Drst who's very wealthy that got away with murder for many,

0:24:38.240 --> 0:24:41.680
<v Speaker 3>many years, and due to the investigative work Andrew did,

0:24:42.280 --> 0:24:46.280
<v Speaker 3>eventually got prosecuted. So I think, you know, for Steve Marshall,

0:24:46.440 --> 0:24:50.000
<v Speaker 3>he saw that we were interested just in understanding his

0:24:50.000 --> 0:24:52.760
<v Speaker 3>position on criminal justice and that our work had been

0:24:52.840 --> 0:24:56.240
<v Speaker 3>fair in the past, and he was willing to sit

0:24:56.280 --> 0:24:59.240
<v Speaker 3>down with us. And I think for us going into

0:24:59.280 --> 0:25:01.960
<v Speaker 3>that interview wasn't trying to get, you know, a gotcha

0:25:02.040 --> 0:25:05.880
<v Speaker 3>moment or trying to criticize him right in the interview

0:25:05.920 --> 0:25:08.320
<v Speaker 3>or anything like that. We genuinely wanted to know how

0:25:08.359 --> 0:25:11.760
<v Speaker 3>he thinks about the criminal justice system and just give

0:25:11.840 --> 0:25:15.520
<v Speaker 3>him the space to explain his worldview and the way

0:25:15.600 --> 0:25:17.639
<v Speaker 3>he justifies the crisis.

0:25:18.160 --> 0:25:22.040
<v Speaker 2>We've been able to see through the documentary that when

0:25:22.080 --> 0:25:25.720
<v Speaker 2>he says there's some theory that we have a systemic

0:25:25.800 --> 0:25:29.200
<v Speaker 2>problem within all of our facilities, and I wholeheartedly disagree

0:25:29.240 --> 0:25:32.240
<v Speaker 2>with that. Well, he's saying, you know what, call that

0:25:32.359 --> 0:25:35.840
<v Speaker 2>his truth or call that his cover story. But we've

0:25:35.920 --> 0:25:40.800
<v Speaker 2>just watched the result of his ignoring the prison problem

0:25:40.840 --> 0:25:44.440
<v Speaker 2>that is under his nose. And so when you see

0:25:44.680 --> 0:25:48.000
<v Speaker 2>those two things juxtaposts, it's much more powerful than if

0:25:48.000 --> 0:25:50.520
<v Speaker 2>I'm sitting in front of him saying isn't it true, sir?

0:25:50.680 --> 0:25:53.879
<v Speaker 2>That let the audience discover that, and boy, they do

0:25:54.040 --> 0:25:54.680
<v Speaker 2>discover it.

0:25:55.320 --> 0:25:57.800
<v Speaker 3>And I think the other thing that's important in speaking

0:25:57.800 --> 0:26:01.120
<v Speaker 3>to state actors is we we talked a lot about

0:26:01.119 --> 0:26:04.320
<v Speaker 3>the concept of the banality of evil, which is, you know,

0:26:04.359 --> 0:26:09.320
<v Speaker 3>Hannah Ern's theory to understand how the atrocities that occurred

0:26:09.520 --> 0:26:12.600
<v Speaker 3>in World War Two occurred. It's not always just like

0:26:12.840 --> 0:26:17.560
<v Speaker 3>one psychopathic bad actor who's deciding to kill people or whatnot.

0:26:17.560 --> 0:26:20.440
<v Speaker 3>It's a lot of people kind of just doing their job,

0:26:20.960 --> 0:26:24.040
<v Speaker 3>coming up with their own justification of it. And I

0:26:24.080 --> 0:26:27.200
<v Speaker 3>think being able to kind of see not only the

0:26:27.720 --> 0:26:32.040
<v Speaker 3>type of very jaw dropping violence of a guard like

0:26:32.240 --> 0:26:35.359
<v Speaker 3>Officer Gatson, but to also then see someone like Steve

0:26:35.400 --> 0:26:39.080
<v Speaker 3>Marshall just sitting in his suit and very calmly explaining

0:26:39.119 --> 0:26:41.960
<v Speaker 3>how he does his job. Like that's two sides of

0:26:42.040 --> 0:26:44.439
<v Speaker 3>the picture. Like we need to understand both those things

0:26:44.480 --> 0:26:47.640
<v Speaker 3>to get what's driving the issues. And I think that's

0:26:47.640 --> 0:26:50.560
<v Speaker 3>also what Beth gets at really well in ear Witness

0:26:50.960 --> 0:26:53.800
<v Speaker 3>is elements of the banality of evil too, that it

0:26:53.840 --> 0:26:55.960
<v Speaker 3>can kind of just be for a lot of people,

0:26:56.000 --> 0:26:58.800
<v Speaker 3>it's just like doing their job and then someone ends

0:26:58.880 --> 0:26:59.880
<v Speaker 3>up on death row.

0:27:00.200 --> 0:27:01.480
<v Speaker 1>You know, that's a really good point. You know, we

0:27:01.760 --> 0:27:03.560
<v Speaker 1>really just have time for like one more question, but

0:27:03.600 --> 0:27:05.760
<v Speaker 1>I want it to be all of you, and it's

0:27:05.760 --> 0:27:07.439
<v Speaker 1>an important one for me because I think about it

0:27:07.480 --> 0:27:09.520
<v Speaker 1>all the time and I'm just curious what you guys think.

0:27:09.800 --> 0:27:13.360
<v Speaker 1>And it's really about the balance between journalism and advocacy.

0:27:13.760 --> 0:27:16.160
<v Speaker 1>You know, you spend years and years on these cases

0:27:16.200 --> 0:27:18.679
<v Speaker 1>and stories and you're convinced after a while that you

0:27:18.800 --> 0:27:22.400
<v Speaker 1>know what happened, and eventually it infuriates you. So as

0:27:22.520 --> 0:27:26.360
<v Speaker 1>journalists and storytellers, how do you balance that narratively when

0:27:26.359 --> 0:27:27.440
<v Speaker 1>you're telling these stories.

0:27:28.160 --> 0:27:31.680
<v Speaker 2>Well, there's this sort of big question mark that keeps arising,

0:27:31.840 --> 0:27:35.480
<v Speaker 2>especially in the US where you have like conservative commentators

0:27:35.520 --> 0:27:39.040
<v Speaker 2>who are fighting with liberal versions of the news or

0:27:39.080 --> 0:27:42.640
<v Speaker 2>progressive versions of news, and this idea of like false equivalency,

0:27:42.960 --> 0:27:45.520
<v Speaker 2>or having to build two sides of a case to

0:27:45.560 --> 0:27:49.000
<v Speaker 2>make it appear that, you know, it's one person's opinion

0:27:49.119 --> 0:27:52.280
<v Speaker 2>versus another person's opinion, and at all you know everybody's right,

0:27:52.920 --> 0:27:54.840
<v Speaker 2>And the reality is, when you get into some of

0:27:54.840 --> 0:27:58.439
<v Speaker 2>these stories and circumstances, you find that one side is

0:27:58.560 --> 0:27:59.280
<v Speaker 2>terribly wrong.

0:27:59.840 --> 0:27:59.919
<v Speaker 4>Right.

0:28:00.119 --> 0:28:02.320
<v Speaker 2>You don't always find that, But when you're Beth and

0:28:02.359 --> 0:28:05.439
<v Speaker 2>you're working on Too Forest's case and you're seeing the

0:28:05.480 --> 0:28:09.919
<v Speaker 2>most absurd legal arguments being made and then being replaced

0:28:09.920 --> 0:28:13.560
<v Speaker 2>by alternate, equally absurd legal arguments, you know he will

0:28:13.600 --> 0:28:16.000
<v Speaker 2>obviously he did it because we have this incredibly strong

0:28:16.000 --> 0:28:18.520
<v Speaker 2>piece of evidence and this wonderful witness. Oh, by the way,

0:28:18.560 --> 0:28:21.720
<v Speaker 2>your evidence isn't strong and your witness is terrible. Yes, well,

0:28:21.760 --> 0:28:23.800
<v Speaker 2>that's we've always been saying. You know, there's this other

0:28:23.840 --> 0:28:27.000
<v Speaker 2>piece of evidence that indicates So I think that there

0:28:27.040 --> 0:28:30.239
<v Speaker 2>is a danger to this false equivalency, to saying that.

0:28:31.160 --> 0:28:34.520
<v Speaker 2>You know, you go in as a dispassionate journalist and

0:28:34.600 --> 0:28:36.959
<v Speaker 2>you see what's going on the Alabama State prison system,

0:28:37.160 --> 0:28:39.880
<v Speaker 2>you should make a movie that says, yes, it's true

0:28:39.920 --> 0:28:43.560
<v Speaker 2>that we're murdering people in the prison, and on the

0:28:43.600 --> 0:28:47.280
<v Speaker 2>other hand, crime is bad. Okay, Well, we all want

0:28:47.320 --> 0:28:50.480
<v Speaker 2>safe communities. But if you're trying to make a film

0:28:50.520 --> 0:28:54.400
<v Speaker 2>that reveals something, sometimes what you reveal is sometimes they're

0:28:54.440 --> 0:28:56.760
<v Speaker 2>not good arguments on both sides. And that's what we found,

0:28:56.800 --> 0:28:59.320
<v Speaker 2>and I think that's what Beth found is balances you

0:28:59.360 --> 0:29:02.360
<v Speaker 2>want to be You just recognize that the story you're

0:29:02.400 --> 0:29:05.920
<v Speaker 2>going to be explaining is to the average person going

0:29:05.960 --> 0:29:08.880
<v Speaker 2>to not be a two sided story. It's going to

0:29:08.960 --> 0:29:11.200
<v Speaker 2>be more bad than good, or it's going to be

0:29:11.280 --> 0:29:14.360
<v Speaker 2>more clear that law enforcement officers shouldn't be murdering people

0:29:14.360 --> 0:29:17.200
<v Speaker 2>in their care. So at that point, you're telling the

0:29:17.240 --> 0:29:20.240
<v Speaker 2>story in a neutral way. Truly, you're still telling an

0:29:20.240 --> 0:29:24.440
<v Speaker 2>honest story and using evidence and using journalistic techniques that

0:29:24.480 --> 0:29:27.080
<v Speaker 2>are ethical, but you just can't make an argument for

0:29:27.120 --> 0:29:28.720
<v Speaker 2>the other side because they're killing people.

0:29:30.760 --> 0:29:32.840
<v Speaker 1>Well, I think that's a great place to end up.

0:29:33.400 --> 0:29:33.880
<v Speaker 3>I want to.

0:29:33.840 --> 0:29:37.600
<v Speaker 1>Thank Beth Shelburn, Andrew Jureki, and Charlotte Kauffman for joining

0:29:37.640 --> 0:29:40.440
<v Speaker 1>us to talk about ear Witness and the Alabama Solution,

0:29:41.040 --> 0:29:44.200
<v Speaker 1>now streaming on HBO, mex and Guys congratulations to all

0:29:44.240 --> 0:29:46.640
<v Speaker 1>of you on telling a story that's not only powerful

0:29:47.080 --> 0:29:50.440
<v Speaker 1>but deeply necessary. Thank you, Andrew, Charlotte and Beth.

0:29:50.560 --> 0:29:52.880
<v Speaker 2>Anything else you guys want to add, I would just

0:29:52.920 --> 0:29:55.800
<v Speaker 2>say that the work that Beth is doing and has

0:29:55.880 --> 0:29:59.120
<v Speaker 2>been doing the state of Alabama is in very short supply.

0:29:59.480 --> 0:30:03.160
<v Speaker 2>There's a a earth of people that are reporting locally

0:30:03.960 --> 0:30:07.320
<v Speaker 2>that have the fortitude and the willingness to devote their

0:30:07.360 --> 0:30:10.440
<v Speaker 2>lives to this. So I think it's so important to

0:30:10.520 --> 0:30:13.520
<v Speaker 2>try to read those stories and engage and try to

0:30:13.600 --> 0:30:17.000
<v Speaker 2>learn more about what's happening in your own community, especially

0:30:17.000 --> 0:30:19.680
<v Speaker 2>in your prisons. And I would hope also that some

0:30:19.720 --> 0:30:21.920
<v Speaker 2>people would go to the website for the film, which

0:30:21.960 --> 0:30:25.640
<v Speaker 2>is not just a promotional website. It's really quite a

0:30:25.680 --> 0:30:30.280
<v Speaker 2>deep and interesting dive into what's actually going on and

0:30:30.320 --> 0:30:34.320
<v Speaker 2>the full investigation that we did along with Beth, not

0:30:34.520 --> 0:30:38.000
<v Speaker 2>just of the particular murders and particular deaths that we

0:30:38.040 --> 0:30:40.760
<v Speaker 2>see in the film, but also around thirteen hundred and

0:30:40.840 --> 0:30:44.520
<v Speaker 2>seventy seven deaths that have happened since we started making

0:30:44.520 --> 0:30:47.360
<v Speaker 2>the film. And also you can go to that website,

0:30:47.360 --> 0:30:50.680
<v Speaker 2>the Alabama Solution dot com, and it will give you

0:30:50.720 --> 0:30:54.000
<v Speaker 2>some action items you can do very easily, like it

0:30:54.080 --> 0:30:56.000
<v Speaker 2>will let you generate a letter to go to the

0:30:56.000 --> 0:30:58.400
<v Speaker 2>governor's office and go to the Department of Corrections. And

0:30:59.000 --> 0:31:03.960
<v Speaker 2>I think that kind of individual effort by real people saying, hey,

0:31:04.000 --> 0:31:06.680
<v Speaker 2>we don't want this to continue. You know, you listen

0:31:06.720 --> 0:31:09.000
<v Speaker 2>to a podcast or you read an article and you think, well,

0:31:09.240 --> 0:31:11.720
<v Speaker 2>maybe my opinion doesn't matter, or there are millions of people,

0:31:12.120 --> 0:31:14.840
<v Speaker 2>but the reality is that politicians and people in positions

0:31:14.840 --> 0:31:18.920
<v Speaker 2>of power listen to voters, and they listen to Americans

0:31:18.960 --> 0:31:21.200
<v Speaker 2>and they just have to be responsive to it. So

0:31:21.720 --> 0:31:23.960
<v Speaker 2>it does matter. So I hope people will go there

0:31:23.960 --> 0:31:27.400
<v Speaker 2>and click and put in their email address and be

0:31:27.480 --> 0:31:29.920
<v Speaker 2>part of a part of the solution, their actual solution.

0:31:30.200 --> 0:31:32.160
<v Speaker 3>And I would also just add that, you know, I

0:31:32.200 --> 0:31:37.440
<v Speaker 3>know Bone Valley listeners appreciate not just revealing investigative reporting,

0:31:37.760 --> 0:31:42.920
<v Speaker 3>but also really good storytelling that's engaging and suspenseful. And

0:31:43.320 --> 0:31:46.880
<v Speaker 3>I think both ear Wetness and the Alabama Solution also

0:31:47.400 --> 0:31:50.680
<v Speaker 3>prioritize that. So it's not just educating you on an

0:31:50.800 --> 0:31:54.960
<v Speaker 3>urgent institutional crisis or urgent issue of a wrongful conviction.

0:31:55.360 --> 0:31:57.920
<v Speaker 3>But we knew that because the issues were so urgent,

0:31:57.960 --> 0:31:59.840
<v Speaker 3>we had to tell the story like it was a

0:32:00.000 --> 0:32:03.480
<v Speaker 3>thriller so that we would get as many people engaged

0:32:03.520 --> 0:32:06.280
<v Speaker 3>as possible. And I think it's very much in the

0:32:06.320 --> 0:32:10.360
<v Speaker 3>spirit of your incredible series Bone Valley and of ear Witness,

0:32:10.440 --> 0:32:13.000
<v Speaker 3>and it's quite an honor to get to talk about

0:32:13.040 --> 0:32:15.480
<v Speaker 3>our film with you and to reach all of your

0:32:15.600 --> 0:32:18.640
<v Speaker 3>many listeners, So thank you so much for having us.

0:32:19.400 --> 0:32:21.960
<v Speaker 4>You know, Charlotte and I and Andrew have talked a

0:32:22.000 --> 0:32:25.200
<v Speaker 4>lot during the making of The Alabama Solution about how

0:32:25.400 --> 0:32:29.960
<v Speaker 4>these men were not just sources for the film. They

0:32:30.000 --> 0:32:33.400
<v Speaker 4>were kind of our teachers and our guides into this

0:32:33.520 --> 0:32:36.800
<v Speaker 4>world that for us we dip in and out of

0:32:37.160 --> 0:32:40.880
<v Speaker 4>as journalists and filmmakers. But this is their reality twenty

0:32:40.880 --> 0:32:45.760
<v Speaker 4>four to seven, and we had the privilege of being

0:32:46.120 --> 0:32:50.160
<v Speaker 4>proximant to them and their experience inside the prison system

0:32:50.200 --> 0:32:53.360
<v Speaker 4>and developing relationships not just with them, but with many

0:32:53.440 --> 0:32:56.520
<v Speaker 4>other people who aren't in the film but helped inform

0:32:56.720 --> 0:33:01.320
<v Speaker 4>our storytelling. And we hope that the film and the

0:33:01.800 --> 0:33:05.560
<v Speaker 4>ear Witness series can provide that kind of opportunity for

0:33:05.760 --> 0:33:09.320
<v Speaker 4>listeners who may not know anybody who's locked up, may

0:33:09.360 --> 0:33:13.280
<v Speaker 4>not have a family member or a friend that has

0:33:13.320 --> 0:33:16.040
<v Speaker 4>spent any time in jail or prison, but this kind

0:33:16.040 --> 0:33:19.400
<v Speaker 4>of storytelling gives them a front row seat where you

0:33:19.480 --> 0:33:22.600
<v Speaker 4>can get proximate and get as close to the system

0:33:22.640 --> 0:33:25.720
<v Speaker 4>as possible without being in it. And that kind of

0:33:25.800 --> 0:33:29.800
<v Speaker 4>proximity is what changes people's hearts and minds, and it

0:33:29.920 --> 0:33:34.120
<v Speaker 4>takes prison and mass incarceration out of the abstract and

0:33:34.200 --> 0:33:36.920
<v Speaker 4>makes it real and human. And I think that's really

0:33:36.960 --> 0:33:57.560
<v Speaker 4>how we're going to end up changing the system.

0:33:57.920 --> 0:34:01.560
<v Speaker 1>Beginning January twenty eighth, we'll be releasing all episodes of

0:34:01.600 --> 0:34:04.960
<v Speaker 1>Tafarus Johnson's story right here in the Bone Valley Feed

0:34:05.400 --> 0:34:10.440
<v Speaker 1>as Bone Valley Season four Ear Witness, available to binge

0:34:10.480 --> 0:34:14.480
<v Speaker 1>on Lava for Good plus on Apple Podcasts. Then on

0:34:14.560 --> 0:34:17.840
<v Speaker 1>February four, the full series will be released as a

0:34:17.880 --> 0:34:21.200
<v Speaker 1>binge in the free Bone Valley Feed. This is a

0:34:21.280 --> 0:34:25.480
<v Speaker 1>case that demands attention, and we hope you'll listen, share it,

0:34:25.880 --> 0:34:29.640
<v Speaker 1>and stay with us as the story unfolds. And thank you,

0:34:30.120 --> 0:34:31.760
<v Speaker 1>as always for listening.