1 00:00:02,040 --> 00:00:16,120 Speaker 1: This is a headgun podcast. Celebpok Ellen fucking degenerous. Get 2 00:00:16,160 --> 00:00:20,599 Speaker 1: in here because scandal is about to start. Oh, Jennifer Aniston, 3 00:00:20,760 --> 00:00:23,319 Speaker 1: you're my favorite of you know spokeswoman. And can I 4 00:00:23,360 --> 00:00:28,760 Speaker 1: just say I love these medieval doors. Well you did 5 00:00:28,920 --> 00:00:32,159 Speaker 1: get them for me and Justin for our wedding present. 6 00:00:32,240 --> 00:00:35,519 Speaker 1: I don't know if you remember that wedding gut pretty crazy. 7 00:00:35,920 --> 00:00:39,159 Speaker 1: Oh that's right. I actually remember scouring the earth for 8 00:00:39,280 --> 00:00:42,480 Speaker 1: a vintage piece of hardware that could compliment your new 9 00:00:42,520 --> 00:00:45,599 Speaker 1: home and pizza oven. And I was looking all through 10 00:00:45,640 --> 00:00:48,040 Speaker 1: these flea markets in Morocco, and then it said, oh 11 00:00:48,080 --> 00:00:52,600 Speaker 1: my god, doors of course remind me Cheryl, wait, can 12 00:00:52,640 --> 00:00:56,360 Speaker 1: you grab the pizza shell crows over here? She's making 13 00:00:56,600 --> 00:01:00,640 Speaker 1: these amazing cauliflower pies. My problem with flowers. I get 14 00:01:00,640 --> 00:01:03,520 Speaker 1: a little gassy. And then Porscha makes me sleep in 15 00:01:03,600 --> 00:01:08,440 Speaker 1: the guest house. Where is Porscha, by the way, I 16 00:01:08,480 --> 00:01:12,039 Speaker 1: miss her. Oh, Porsche's actually chained to a desk in 17 00:01:12,080 --> 00:01:15,679 Speaker 1: the art barn. She's very passionate about art. And she 18 00:01:15,800 --> 00:01:18,200 Speaker 1: also wore something a little too revealing the other day, 19 00:01:18,240 --> 00:01:20,920 Speaker 1: so I took away her out of home. Privilegious. That's 20 00:01:20,920 --> 00:01:24,480 Speaker 1: good drive loss of one. Now you're speaking my language. Wow, Jen, 21 00:01:24,800 --> 00:01:28,200 Speaker 1: this home is stunning. I mean not just the medieval 22 00:01:28,200 --> 00:01:31,080 Speaker 1: doors I bought you, and not just that stunning sixteenth 23 00:01:31,080 --> 00:01:34,960 Speaker 1: century Jean Prouvet earn that I bought you, but my god, 24 00:01:35,040 --> 00:01:38,399 Speaker 1: I mean beam work. I love these beans. I'm going 25 00:01:38,440 --> 00:01:40,039 Speaker 1: to stop you right there, dur Can I just ask you? 26 00:01:40,160 --> 00:01:43,160 Speaker 1: Do you know the measurements of this space right here? 27 00:01:43,160 --> 00:01:45,720 Speaker 1: I actually don't, okay, because I want to say it's 28 00:01:45,720 --> 00:01:48,920 Speaker 1: around twenty three hundred square feet? But okay, I actually 29 00:01:48,920 --> 00:01:51,480 Speaker 1: I brought my tape measure. I'm just just going to measure. Really, grief, 30 00:01:51,520 --> 00:01:54,120 Speaker 1: you don't mind not salling for you, Okay, that's all 31 00:01:54,200 --> 00:01:56,800 Speaker 1: in for you. And another question, the industrial barn I 32 00:01:56,760 --> 00:01:59,520 Speaker 1: saw out front, is that zoned commercial? No? I actually 33 00:01:59,600 --> 00:02:03,440 Speaker 1: I was thinking about opening up a little space to 34 00:02:03,520 --> 00:02:08,600 Speaker 1: sell shoes and vintage con up. Yeah, just to pop 35 00:02:08,680 --> 00:02:11,120 Speaker 1: up for friends and guest. Hold on, Ellen, are you 36 00:02:11,160 --> 00:02:14,680 Speaker 1: doing what you did to Ryan Seacrest? What did I 37 00:02:14,680 --> 00:02:19,200 Speaker 1: do to Ryan? You are too good? Listen? Do you 38 00:02:19,240 --> 00:02:21,360 Speaker 1: want to buy my house? I will make you an 39 00:02:21,360 --> 00:02:24,359 Speaker 1: offer right now. Twenty seven two. Now, I love the beams. 40 00:02:24,400 --> 00:02:26,840 Speaker 1: I love the beams and it's at about the many 41 00:02:27,120 --> 00:02:29,400 Speaker 1: l I know that you paid sixteen eight for this 42 00:02:29,480 --> 00:02:31,600 Speaker 1: in two thousand and nine. There's no way this is 43 00:02:31,639 --> 00:02:34,320 Speaker 1: worth more than eighteen. No one's going to pay you 44 00:02:34,360 --> 00:02:37,799 Speaker 1: this kind of premium. Okay, but please to be in Topango, 45 00:02:38,080 --> 00:02:43,720 Speaker 1: Laurel Greater? Who Jen? I can't just get right on 46 00:02:43,800 --> 00:02:49,680 Speaker 1: the four Jen one in Malibu? And you know that 47 00:02:49,760 --> 00:02:53,120 Speaker 1: you're not a topanga girl. I need this space thirty 48 00:02:53,240 --> 00:02:55,480 Speaker 1: point two twenty eight point nine, or I released the 49 00:02:55,480 --> 00:03:00,000 Speaker 1: Hounds thirty one point three thirty thirty point five plus 50 00:03:00,080 --> 00:03:04,320 Speaker 1: the ring, okay, plus the first shoes, the first dance 51 00:03:04,320 --> 00:03:07,040 Speaker 1: smiths you ever wore on the first episode of Helen. 52 00:03:07,240 --> 00:03:09,919 Speaker 1: You know what done? It's the beams for me? Okay, 53 00:03:10,080 --> 00:03:13,160 Speaker 1: get the sixty eight my way, Let's do it. Let's 54 00:03:13,200 --> 00:03:17,520 Speaker 1: do it. Or okay, can you move out tomorrow? I 55 00:03:17,600 --> 00:03:23,079 Speaker 1: have big plants. Boost that knocking at the door. It's 56 00:03:23,120 --> 00:03:26,000 Speaker 1: all your friends, your filthy hor your husband's gone, and 57 00:03:26,080 --> 00:03:29,200 Speaker 1: we've got books on a bottle of wine to kill. 58 00:03:28,720 --> 00:03:34,400 Speaker 1: It's books. It's gossip. I'm shook. It's memoir. It's Martenius 59 00:03:37,240 --> 00:03:41,840 Speaker 1: book Club. Come read it while it's hot. Celebrity book Club. 60 00:03:42,280 --> 00:03:47,280 Speaker 1: Tell your secrets. We won't talk celebrity books. No boys 61 00:03:47,320 --> 00:03:53,320 Speaker 1: are alluded books. Say it Loud and Cloud Celebrity book 62 00:03:53,320 --> 00:03:58,520 Speaker 1: Club buzz Man. I brought the Queer Voe Hey best friends, 63 00:03:59,480 --> 00:04:09,440 Speaker 1: Hey Loo, Marotta, Stephanie Germanata, Filippina Horst, Stephanie Hurst, the 64 00:04:09,520 --> 00:04:12,600 Speaker 1: famous mid century designer, M so good to see you. 65 00:04:13,040 --> 00:04:17,520 Speaker 1: You're looking amazing, youthful, vibrant. Well we're glowing out there. 66 00:04:17,560 --> 00:04:21,279 Speaker 1: It's summer now. I realized I didn't say rabbit rabbit 67 00:04:21,320 --> 00:04:24,320 Speaker 1: to you yesterday or is it today? So it's today 68 00:04:24,440 --> 00:04:26,240 Speaker 1: and maybe that's why you didn't say it yesterday. But no, 69 00:04:26,480 --> 00:04:28,400 Speaker 1: I actually I was sitting there and I was going hot. 70 00:04:28,480 --> 00:04:32,480 Speaker 1: No rabbit rabbit text from Lil. I guess she's super 71 00:04:32,520 --> 00:04:35,080 Speaker 1: busy these days. I'm actually gonna cry on an error 72 00:04:35,160 --> 00:04:38,240 Speaker 1: right now. What's happened? Though? It's fine. Relationships evolved, they 73 00:04:38,360 --> 00:04:43,240 Speaker 1: change to people change. We do have a grain tradition 74 00:04:43,279 --> 00:04:45,680 Speaker 1: of you texted me rabbit rabbit on the first day 75 00:04:45,680 --> 00:04:48,680 Speaker 1: of a new month. I'm Sara Parker. I guess you 76 00:04:48,680 --> 00:04:51,640 Speaker 1: didn't want to text me rabbit rabbit, waiting for me 77 00:04:51,720 --> 00:04:54,360 Speaker 1: to do it. I was waiting for you to do it. Yeah, 78 00:04:54,400 --> 00:04:55,800 Speaker 1: I guess I feel like you're at the sort of 79 00:04:55,839 --> 00:04:59,920 Speaker 1: rabbit top in this okay, ongoing exchange that we always have. Yeah, 80 00:05:00,279 --> 00:05:03,080 Speaker 1: I also much much watership down. Maybe I was insecure 81 00:05:03,120 --> 00:05:05,320 Speaker 1: and I was just like, well if she forgot about it, Like, well, 82 00:05:05,560 --> 00:05:08,080 Speaker 1: I'm just that I know it's a loser who's holding 83 00:05:08,120 --> 00:05:13,000 Speaker 1: onto this desperate childhood lore. Oh sad, sad, Electrician. I'm like, 84 00:05:13,200 --> 00:05:17,160 Speaker 1: we don't play in treehouses anymore, Stephen, speaking of treehouses, 85 00:05:17,440 --> 00:05:18,960 Speaker 1: I want to talk about, not about this book. I 86 00:05:19,000 --> 00:05:21,200 Speaker 1: actually want to talk more about our week. Yeah, okay, 87 00:05:21,200 --> 00:05:22,680 Speaker 1: so you know why I was telling you yesterday. So 88 00:05:22,760 --> 00:05:25,679 Speaker 1: for our listeners who don't know, I have a secret 89 00:05:25,760 --> 00:05:28,240 Speaker 1: life in France, and I do have a son there 90 00:05:28,279 --> 00:05:32,279 Speaker 1: and many friends and boyfriends, much like characters on the 91 00:05:32,680 --> 00:05:37,400 Speaker 1: Hot Topic show Mayor of Eastown, I have a double life. Yeah. Well, 92 00:05:37,560 --> 00:05:40,400 Speaker 1: I mean I'm not fucking a team, right, You're not. Well, 93 00:05:40,800 --> 00:05:43,160 Speaker 1: laws are different in different countries. But the point is 94 00:05:43,200 --> 00:05:45,240 Speaker 1: I'm going to France this summer, and I was telling 95 00:05:45,240 --> 00:05:47,080 Speaker 1: you yesterday how I was trying to book this airbnb 96 00:05:47,920 --> 00:05:50,400 Speaker 1: and then he maybe have a full half hour interview 97 00:05:50,400 --> 00:05:53,039 Speaker 1: over FaceTime, which is truly so rude in situation of 98 00:05:53,080 --> 00:05:54,640 Speaker 1: time and just be like do we need to do this, 99 00:05:54,680 --> 00:05:56,039 Speaker 1: Like you're not going to be there, Like you put 100 00:05:56,040 --> 00:05:58,039 Speaker 1: your house in Airbnb. If you don't want some random 101 00:05:58,040 --> 00:06:00,520 Speaker 1: person taking it, then maybe don't put it on Airbnb. Yeah, 102 00:06:00,600 --> 00:06:03,480 Speaker 1: oh gosh, I do see his point. Though. The European 103 00:06:03,600 --> 00:06:06,400 Speaker 1: they're like, who are you? Well they found out pretty quickly. 104 00:06:06,600 --> 00:06:08,840 Speaker 1: She clocked me within four seconds, and she was like 105 00:06:08,920 --> 00:06:12,160 Speaker 1: the wife she was just like and just so you know, Mussell, 106 00:06:12,360 --> 00:06:16,800 Speaker 1: maybe not so pro gay. Oh and then that was 107 00:06:16,880 --> 00:06:19,880 Speaker 1: my question. She so she just clocked out and was like, 108 00:06:20,000 --> 00:06:22,680 Speaker 1: you're a fact. It wasn't she You weren't just like, Hello, 109 00:06:23,040 --> 00:06:27,800 Speaker 1: I'm coming to Marseilles to discover myself and taste the 110 00:06:28,040 --> 00:06:31,200 Speaker 1: men of your sport town. No. I literally did not 111 00:06:31,320 --> 00:06:33,039 Speaker 1: say that I wanted to chase them out of your portown. 112 00:06:33,040 --> 00:06:36,120 Speaker 1: But she could obviously tell via my FaceTime immediately that 113 00:06:36,200 --> 00:06:38,039 Speaker 1: I was there to taste them out of the port town, 114 00:06:38,360 --> 00:06:42,400 Speaker 1: salty salty sea. And then he was like. The husband 115 00:06:42,520 --> 00:06:45,560 Speaker 1: was just like, it is a an aggression town of 116 00:06:45,640 --> 00:06:49,560 Speaker 1: conservative Muslim history. A lot of men might be a 117 00:06:49,560 --> 00:06:52,160 Speaker 1: bit mucho. It's a mucho country. And I was like 118 00:06:52,440 --> 00:06:54,800 Speaker 1: what you're describing sounds hot. That's fine. And then she 119 00:06:54,880 --> 00:06:56,279 Speaker 1: was like, but it could I don't know, it could 120 00:06:56,320 --> 00:06:57,880 Speaker 1: be bad. And then and then he looks at her. 121 00:06:57,920 --> 00:07:01,760 Speaker 1: He just goes, does not touch are in. Nobody's daughturing, 122 00:07:02,200 --> 00:07:05,080 Speaker 1: so it's fine. And I was like, okay, so I'm 123 00:07:05,120 --> 00:07:08,960 Speaker 1: knock getting tortured. I guess maybe I'm not getting ticket. 124 00:07:09,040 --> 00:07:11,200 Speaker 1: So then he's like, we have this whole interview and 125 00:07:11,240 --> 00:07:13,480 Speaker 1: he's just like, the only one thing that Matt happen 126 00:07:13,680 --> 00:07:16,520 Speaker 1: is my niece who is a restaurant. They're embarrassed and 127 00:07:16,560 --> 00:07:19,120 Speaker 1: she's having so much success right now with the reopening 128 00:07:19,160 --> 00:07:22,000 Speaker 1: and she's out of three am every night, packed in 129 00:07:22,160 --> 00:07:25,800 Speaker 1: and keeping her restaurant open, and she's super successful. She 130 00:07:25,920 --> 00:07:28,040 Speaker 1: may come down to Marseille to use the place. And 131 00:07:28,080 --> 00:07:29,880 Speaker 1: if she wants to do that, then unfortunately I can 132 00:07:29,960 --> 00:07:33,240 Speaker 1: not granted to you. And I'm like, okay, so what's 133 00:07:33,280 --> 00:07:35,640 Speaker 1: the vibe. And then he's like, she's so busy with 134 00:07:35,640 --> 00:07:39,240 Speaker 1: the restaurant she won't respond to my text. And I'm thinking, okay, well, 135 00:07:39,240 --> 00:07:42,040 Speaker 1: she's so busy restaurant touring, she's getting respont of the tax, 136 00:07:42,160 --> 00:07:45,080 Speaker 1: like maybe she's not coming down. Then today, I get 137 00:07:45,080 --> 00:07:47,680 Speaker 1: a message and he goes, I'm so sorry, niece and 138 00:07:47,720 --> 00:07:51,000 Speaker 1: her kids are coming to Marseilla, and yeah, so rude. 139 00:07:51,160 --> 00:07:55,080 Speaker 1: Wait this busy ass restaurant to her party until three 140 00:07:55,320 --> 00:07:58,440 Speaker 1: busy bitch is taking my house. And so then I'm like, 141 00:07:58,560 --> 00:08:00,920 Speaker 1: you know, during this time, hello, amuse have gone off 142 00:08:00,920 --> 00:08:03,440 Speaker 1: the market. Well it's the longer you wait to book here, 143 00:08:03,560 --> 00:08:05,640 Speaker 1: dropping my Yeah. I mean, you kept on saying I'm 144 00:08:05,640 --> 00:08:08,720 Speaker 1: going to Marseilles. I'm going to Marseilles, and I was like, okay, 145 00:08:08,760 --> 00:08:11,920 Speaker 1: well you book your trip and you're like, oh, plannings 146 00:08:11,960 --> 00:08:15,000 Speaker 1: for losers, plannings for lesbians. I hadn't book my trip. 147 00:08:15,000 --> 00:08:18,200 Speaker 1: And then all of a sudden, yeah, oh um boy 148 00:08:18,320 --> 00:08:22,440 Speaker 1: who cried by get over here because like now you're homeless, 149 00:08:22,440 --> 00:08:24,920 Speaker 1: and well you know I actually I did book another place, okay, 150 00:08:24,960 --> 00:08:27,520 Speaker 1: and it's confirmed and actually here's this was a blessing 151 00:08:27,520 --> 00:08:30,240 Speaker 1: in disguise. It was better no as frights as there 152 00:08:30,280 --> 00:08:32,960 Speaker 1: are no accidents because there was an issue with the 153 00:08:32,960 --> 00:08:35,200 Speaker 1: first place where he was like, the air conditioner is 154 00:08:35,640 --> 00:08:37,679 Speaker 1: not so powerful and it does not reach of the 155 00:08:37,760 --> 00:08:41,000 Speaker 1: bedroom and it's like, you know, I sleep hot, also 156 00:08:41,320 --> 00:08:42,800 Speaker 1: hot and friends. But we were talking about the French 157 00:08:42,800 --> 00:08:44,960 Speaker 1: don't believe in air conditioning, and I'm shocked that they 158 00:08:45,000 --> 00:08:46,840 Speaker 1: even had an air conditioner to begin with. I mean 159 00:08:46,880 --> 00:08:48,160 Speaker 1: I had to put the fhil Toronto only look at 160 00:08:48,160 --> 00:08:49,720 Speaker 1: places that had air colm. But I think that, like 161 00:08:50,040 --> 00:08:52,280 Speaker 1: you know, in airbnb cultures, some people are just putting 162 00:08:52,320 --> 00:08:55,880 Speaker 1: in air cons because they is not like British speak 163 00:08:55,920 --> 00:08:59,640 Speaker 1: of you to say air com It is okay, So 164 00:08:59,760 --> 00:09:02,080 Speaker 1: I put a filter. I've been to the filter and 165 00:09:02,120 --> 00:09:05,640 Speaker 1: I put it on Acorn. I saw this advert for 166 00:09:05,800 --> 00:09:08,560 Speaker 1: new aluminium acorn. I thought I have to get that, 167 00:09:08,720 --> 00:09:10,880 Speaker 1: which so what is the place like? So it actually 168 00:09:11,000 --> 00:09:12,960 Speaker 1: is super cute. I feel like it's in a super 169 00:09:13,080 --> 00:09:16,800 Speaker 1: like cool like neighborhood that's like no torture, literally no torture. 170 00:09:16,840 --> 00:09:19,160 Speaker 1: I think it's gonna be very like authentic Boots, where 171 00:09:19,160 --> 00:09:21,800 Speaker 1: it's kind of like it's so like dumpster like on 172 00:09:21,840 --> 00:09:24,679 Speaker 1: the street but like central but like mirror where like 173 00:09:25,120 --> 00:09:28,000 Speaker 1: people in their twenties live. Okay, because I was looking 174 00:09:28,160 --> 00:09:31,360 Speaker 1: just something you're learning to study. I know I'm going 175 00:09:31,440 --> 00:09:34,000 Speaker 1: to study people in their twenty but it's gonna be 176 00:09:34,000 --> 00:09:37,760 Speaker 1: like dumpsters and sailors and portman are dumping their crapes 177 00:09:37,880 --> 00:09:40,960 Speaker 1: in these dumpsters and it's dumpsters full of crapers. Absolutely, 178 00:09:41,000 --> 00:09:43,800 Speaker 1: it's a crape down and it does have a balcony, 179 00:09:43,880 --> 00:09:45,880 Speaker 1: which is essential because that's like, that's the point of 180 00:09:45,920 --> 00:09:48,160 Speaker 1: going literally point of Grenn of Europe is having a balcony, 181 00:09:48,240 --> 00:09:55,479 Speaker 1: so to go out and be like and have your cafe, 182 00:09:55,400 --> 00:09:59,160 Speaker 1: your cafe outside and then you run the street and 183 00:10:00,120 --> 00:10:12,520 Speaker 1: look over and that's gum from that's the best dad there. 184 00:10:15,240 --> 00:10:20,200 Speaker 1: I passed a waffle in Dinges today square. No. I 185 00:10:20,280 --> 00:10:24,280 Speaker 1: was in Brian Park, which I haven't been in months 186 00:10:24,280 --> 00:10:27,320 Speaker 1: and months and months. I mean so funny because fashion 187 00:10:27,320 --> 00:10:29,520 Speaker 1: week is to be there right now, it's everywhere. Well 188 00:10:29,720 --> 00:10:32,320 Speaker 1: just just a tiny little bit about me. I literally 189 00:10:32,320 --> 00:10:42,120 Speaker 1: went there for a fashion reason, Bradshaw, because urban urbants, 190 00:10:44,000 --> 00:10:46,760 Speaker 1: which is fashion. Yeah, it's fashion. Yeah. And I was 191 00:10:46,800 --> 00:10:49,000 Speaker 1: meeting a friend from out of town. A little peak 192 00:10:49,040 --> 00:10:50,800 Speaker 1: for our listeners. We had like a lot of not 193 00:10:50,960 --> 00:10:54,320 Speaker 1: of bride, but we had like friends and downs good friends. 194 00:10:54,800 --> 00:10:57,800 Speaker 1: We can me this crazy few days. Yeah, and it's 195 00:10:57,920 --> 00:11:05,000 Speaker 1: just it hasn't stop. No, I'm still recovering. Yeah, constant partying, dinner, parties, 196 00:11:05,240 --> 00:11:09,719 Speaker 1: to night clubs, walk shopping. Wait, so did you have 197 00:11:09,760 --> 00:11:11,319 Speaker 1: to go to the the Urbanifters because the one on six 198 00:11:11,360 --> 00:11:14,640 Speaker 1: and fourteenth closed? No, Because so I did like a hungover. 199 00:11:15,040 --> 00:11:18,040 Speaker 1: It was like an Urban Ofters sale on sale thing whatever, 200 00:11:18,160 --> 00:11:21,680 Speaker 1: and I saw these like plaid pants anyway whatever, and 201 00:11:21,760 --> 00:11:23,400 Speaker 1: I was like, I wasn't sure if I wanted the pants, 202 00:11:23,440 --> 00:11:25,320 Speaker 1: but I was like, I'm buying them on sale, And 203 00:11:25,400 --> 00:11:28,840 Speaker 1: I chose the pickup options so delivery, so that if 204 00:11:28,880 --> 00:11:31,040 Speaker 1: I didn't like them, I could just return them instantly 205 00:11:31,040 --> 00:11:33,840 Speaker 1: at the store. That's actually a really good way to 206 00:11:33,960 --> 00:11:37,160 Speaker 1: use that for sure. Yeah, because like I've always thought 207 00:11:37,160 --> 00:11:39,719 Speaker 1: pickup in store is so weird. It's just like you're 208 00:11:39,760 --> 00:11:42,200 Speaker 1: not going to try it on, but then you're you're 209 00:11:42,200 --> 00:11:44,679 Speaker 1: also not getting any of the convenience of delivering, right, 210 00:11:44,720 --> 00:11:47,680 Speaker 1: It's right, So it makes sense in a weird like 211 00:11:47,960 --> 00:11:50,280 Speaker 1: super sale. I mean, I guess it's weird that you 212 00:11:50,320 --> 00:11:51,839 Speaker 1: reserve them because you thought that they were going to 213 00:11:51,920 --> 00:11:54,120 Speaker 1: like fly off the shelf and like the sale would end. 214 00:11:54,600 --> 00:11:56,480 Speaker 1: It was a sale on a sale. It was like 215 00:11:56,520 --> 00:11:59,520 Speaker 1: all sale items are like thirty percent off. I mean, listen, 216 00:11:59,559 --> 00:12:03,040 Speaker 1: I'm like, you went in a secret is having sales 217 00:12:03,160 --> 00:12:05,959 Speaker 1: around the clock and at least saying that the sale 218 00:12:06,000 --> 00:12:08,400 Speaker 1: is going to end. The sale never still goes on. 219 00:12:09,080 --> 00:12:15,280 Speaker 1: But okay, little panic reserving these plaid pants. Yeah, I 220 00:12:15,400 --> 00:12:20,160 Speaker 1: panic reserved. Sorry, I yeah, I've been wanting plaid pants 221 00:12:20,200 --> 00:12:24,440 Speaker 1: for my entire life. And these pants are not the 222 00:12:24,760 --> 00:12:27,560 Speaker 1: plaid pants that I kind of dream of, but they're 223 00:12:27,559 --> 00:12:31,160 Speaker 1: they're not your total like who's your caddy? Yeah, who's 224 00:12:31,160 --> 00:12:35,480 Speaker 1: your caddy? Money money bosses? Like more mod yes, like 225 00:12:35,880 --> 00:12:41,920 Speaker 1: them tape Maude vespa Ska plaid pants, but they're a 226 00:12:41,920 --> 00:12:44,480 Speaker 1: little more of like this. There are a lot more 227 00:12:44,600 --> 00:12:48,920 Speaker 1: nantucketjs Nantucket pj's, and that's another style. I aspire to 228 00:12:48,920 --> 00:12:52,359 Speaker 1: be as kind of like a date rapist from Nantucket. 229 00:12:53,360 --> 00:12:55,480 Speaker 1: And I feel like, you know, I'm always so short, 230 00:12:55,559 --> 00:12:58,600 Speaker 1: and I'm like, yeah, I'm actually thirty deep right now. 231 00:12:59,080 --> 00:13:01,880 Speaker 1: And sometimes I'm like, maybe grow up a lily and 232 00:13:01,960 --> 00:13:04,680 Speaker 1: wear But it's like summer so hot, and as you said, 233 00:13:04,679 --> 00:13:07,720 Speaker 1: air con, I want to wear a pant, a light pant, 234 00:13:07,800 --> 00:13:09,400 Speaker 1: A light pant. Yeah, I mean you know, I'm a 235 00:13:09,480 --> 00:13:11,480 Speaker 1: huge rn of a light pant. It's so wait, you're 236 00:13:11,520 --> 00:13:19,200 Speaker 1: wearing wearing light plaid pants from Okay, we're sick, we're twisted. 237 00:13:19,600 --> 00:13:23,319 Speaker 1: Wait wait, we're literally out of my brain getting out 238 00:13:23,360 --> 00:13:25,920 Speaker 1: of my bridge, so I didn't even need to text you, Rabbit, Rabbit. 239 00:13:26,040 --> 00:13:28,240 Speaker 1: I put these on like two seconds before you came over. 240 00:13:28,320 --> 00:13:30,120 Speaker 1: I was like, I got to put on something light 241 00:13:30,200 --> 00:13:33,360 Speaker 1: and around the house boots for recording, right, And it's 242 00:13:33,360 --> 00:13:36,400 Speaker 1: actually perfect recording because I feel like I'm always putting 243 00:13:36,440 --> 00:13:38,400 Speaker 1: on my heavy jeans and then my ass is like 244 00:13:38,559 --> 00:13:42,480 Speaker 1: soaked with podcast sweat. Ye sorry tm I. But then 245 00:13:42,480 --> 00:13:43,960 Speaker 1: I wore them out of the store and I was like, 246 00:13:44,000 --> 00:13:47,560 Speaker 1: this is so breezy there. Mantras. Let's just say what 247 00:13:47,640 --> 00:13:53,120 Speaker 1: they are, which is mantras. Yes, dancing around. We don't know, 248 00:13:53,320 --> 00:13:54,880 Speaker 1: and that's the check thing. And I feel like I 249 00:13:54,880 --> 00:13:57,679 Speaker 1: can be at the driving range. But like maybe as 250 00:13:57,720 --> 00:13:59,520 Speaker 1: we were trying out, maybe wearing them with the doc 251 00:13:59,600 --> 00:14:03,160 Speaker 1: maybe a Gator sneaker kind of yeah, taking them out 252 00:14:03,200 --> 00:14:05,640 Speaker 1: of the Nantucket space a little bit. Yeah, I mean 253 00:14:05,679 --> 00:14:07,280 Speaker 1: the question is the I mean I do kind of 254 00:14:07,320 --> 00:14:09,360 Speaker 1: like how they sit when you do pull them up 255 00:14:09,400 --> 00:14:12,040 Speaker 1: that high. Um, that just means you have to wear 256 00:14:12,040 --> 00:14:14,000 Speaker 1: a shirt that covers that. But that's fine, that's fine. 257 00:14:14,000 --> 00:14:17,680 Speaker 1: Most just longer wearing only a sports bra. Yeah, if 258 00:14:17,720 --> 00:14:25,480 Speaker 1: I was like sports bra modros docks summer. Look. I 259 00:14:25,600 --> 00:14:27,160 Speaker 1: mean that's kind of just getting into like a really 260 00:14:27,200 --> 00:14:29,480 Speaker 1: normal urban offiter space. And then you throw on a 261 00:14:29,520 --> 00:14:32,200 Speaker 1: bucket in college. Done and done, and like you're any 262 00:14:32,240 --> 00:14:34,480 Speaker 1: twenty three year old time in bush work or in 263 00:14:34,640 --> 00:14:38,680 Speaker 1: Marseille where any twenty three old family who hangs out 264 00:14:38,840 --> 00:14:43,560 Speaker 1: torturing gay. Yeah, you go to Marseille. I have like 265 00:14:43,680 --> 00:14:48,680 Speaker 1: a gay guy in a dumpster. I'm sorry that was dark. 266 00:14:48,880 --> 00:14:52,560 Speaker 1: I'm being dark today. Well, okay, I guess maybe it's 267 00:14:52,560 --> 00:14:57,680 Speaker 1: because we're doing a toxic Oh yeah, we're finally do 268 00:14:57,800 --> 00:15:01,600 Speaker 1: we one of our most toxic authoresses. Yeah. This week 269 00:15:02,520 --> 00:15:07,000 Speaker 1: we read and a word to use, I would say 270 00:15:07,080 --> 00:15:12,080 Speaker 1: we looked at looked. Yeah, we really used our eyes. Yeah, 271 00:15:12,160 --> 00:15:14,960 Speaker 1: we had a sumptuous visual feast in the book. It 272 00:15:15,160 --> 00:15:21,200 Speaker 1: is by none under than famous comedian and toxic lesbian Ellen. 273 00:15:23,600 --> 00:15:26,400 Speaker 1: Oh wait, sorry, I'm like dancing to Farrell Happy right 274 00:15:26,440 --> 00:15:32,480 Speaker 1: now in my wide sneakers. Yet that a little bit 275 00:15:32,480 --> 00:15:39,680 Speaker 1: of a dam Mom's around me. Hey. So the book 276 00:15:39,760 --> 00:15:42,600 Speaker 1: is called Home and it is a coffee table look 277 00:15:43,160 --> 00:15:46,440 Speaker 1: about design, which we love, yeah, which we absolutely adore. 278 00:15:46,480 --> 00:15:48,200 Speaker 1: And you know you and I are huge design heads 279 00:15:48,720 --> 00:15:51,120 Speaker 1: as listeners of this post. So I would say I 280 00:15:51,360 --> 00:15:53,560 Speaker 1: kind of used to be an Ellen Dejermas fan in 281 00:15:53,640 --> 00:15:56,520 Speaker 1: my childhood. Oh and now you're gonna be like so 282 00:15:56,880 --> 00:15:58,560 Speaker 1: fake and say that like, oh, now you're nodding for 283 00:15:58,640 --> 00:16:01,080 Speaker 1: her because she's canceled. No, I'm just saying because like, 284 00:16:01,320 --> 00:16:03,680 Speaker 1: no post like her becoming mic it's just like corny 285 00:16:03,720 --> 00:16:07,080 Speaker 1: and incorporated. Yeah, I mean, like, I mean, I still 286 00:16:07,160 --> 00:16:09,760 Speaker 1: love her original like sitcom. I mean it's about her 287 00:16:09,800 --> 00:16:13,240 Speaker 1: original sitcom is so funny, so funny. Watch it now. 288 00:16:13,440 --> 00:16:16,680 Speaker 1: It's called Ellen and she owns a bookstore called by 289 00:16:16,760 --> 00:16:20,280 Speaker 1: the Book. I think like buy. Yeah, Jeremy Piven and 290 00:16:20,320 --> 00:16:22,920 Speaker 1: his hairpiece are very presents her cousin, and then she 291 00:16:23,080 --> 00:16:26,080 Speaker 1: has like a saucy I feel like very your cousin 292 00:16:26,560 --> 00:16:29,640 Speaker 1: fan of the pod Monica best friend. Yes, she has 293 00:16:29,680 --> 00:16:33,120 Speaker 1: like a classic nineties chica and Mike who's like fun 294 00:16:33,320 --> 00:16:37,760 Speaker 1: and she's two chicas, one who's like seventies style and 295 00:16:38,040 --> 00:16:40,120 Speaker 1: is like Maud and I tack psych this and his 296 00:16:40,240 --> 00:16:45,240 Speaker 1: name is Audrey, right, there's Audrey Page Page. Yes, and 297 00:16:45,360 --> 00:16:49,640 Speaker 1: she is like ten drils of auben hair nineties color 298 00:16:49,800 --> 00:16:52,440 Speaker 1: of Page is the one who's like yeah, because like 299 00:16:52,480 --> 00:16:55,920 Speaker 1: Audrey is kind of like the annoying one who's like 300 00:16:56,000 --> 00:16:58,080 Speaker 1: always like slutty, and then Page is like also kind 301 00:16:58,120 --> 00:17:00,400 Speaker 1: of randomly slutty, but like yeah, and Ellen is like 302 00:17:00,440 --> 00:17:02,640 Speaker 1: fully straight in the show, which is well, she famous 303 00:17:03,120 --> 00:17:05,960 Speaker 1: came out on that scom, but she's like dating guys, 304 00:17:06,040 --> 00:17:08,280 Speaker 1: I mean anything where Ellen's any guy. That movie Mister Wrong, 305 00:17:09,000 --> 00:17:11,320 Speaker 1: it's so funny. It's just like it's literally called mister 306 00:17:11,400 --> 00:17:14,560 Speaker 1: Wrong every episode of the show, right, and this in 307 00:17:14,640 --> 00:17:17,080 Speaker 1: the cupver, it's like her like knocking a guy yeah 308 00:17:17,080 --> 00:17:19,800 Speaker 1: and it tucks no. And in the sitcom, it's so amazing. 309 00:17:19,840 --> 00:17:22,840 Speaker 1: In all the earlier seasons she's in just like big levies, 310 00:17:22,960 --> 00:17:27,440 Speaker 1: like a huge, like earthtoned button down and it is like, 311 00:17:27,720 --> 00:17:30,840 Speaker 1: is this acute outfit for my day to night? And 312 00:17:30,920 --> 00:17:32,960 Speaker 1: then they're like a guy, why don't you throw on 313 00:17:33,080 --> 00:17:36,639 Speaker 1: a crocheted vest over it? But she's a bookstore owner. 314 00:17:37,000 --> 00:17:38,760 Speaker 1: It's also just like the most lesbian job you could 315 00:17:38,760 --> 00:17:45,000 Speaker 1: possibly have. It really is um Okay, So, speaking of 316 00:17:45,520 --> 00:17:48,159 Speaker 1: ellen sitcom, she references you know, obviously when she did 317 00:17:48,160 --> 00:17:51,000 Speaker 1: in the sitcom. You know, she bought her first house. Yeah, 318 00:17:51,080 --> 00:17:54,080 Speaker 1: so this book is I would say it's it's actually 319 00:17:54,119 --> 00:17:56,399 Speaker 1: her at her most honest, because one of the reasons 320 00:17:56,480 --> 00:17:59,119 Speaker 1: Ellen is canceled is because it's like she obviously is 321 00:17:59,160 --> 00:18:02,080 Speaker 1: this rich villain, but she made a name being the 322 00:18:02,119 --> 00:18:05,600 Speaker 1: queen of nice, and so it's like there is that contrast, 323 00:18:05,680 --> 00:18:08,680 Speaker 1: that hypocrisy that people see and they're like, oh, you're 324 00:18:08,720 --> 00:18:11,560 Speaker 1: so nice and you're so like friendly to all celebrities 325 00:18:11,560 --> 00:18:13,760 Speaker 1: and just want to dance around, but secretly you're like 326 00:18:13,840 --> 00:18:16,320 Speaker 1: evil to your staff. And it's like this book is 327 00:18:16,359 --> 00:18:20,679 Speaker 1: basically just her buying homes, renovating them and decorating them, 328 00:18:20,760 --> 00:18:22,560 Speaker 1: and then like moving on to another home and then 329 00:18:22,600 --> 00:18:23,880 Speaker 1: be like and then I'm bored, and then I bought 330 00:18:23,920 --> 00:18:26,520 Speaker 1: a different house in the LA area. So yeah, Ellen 331 00:18:26,600 --> 00:18:29,720 Speaker 1: and Porscha. Basically I found this out few years back 332 00:18:30,200 --> 00:18:34,920 Speaker 1: that like her hobby is just not necessarily flipping houses, 333 00:18:35,400 --> 00:18:39,720 Speaker 1: it's just buying already gorgeous homes, decorating them, living in 334 00:18:39,880 --> 00:18:43,520 Speaker 1: them fully decorated for a year, maybe a year, and 335 00:18:43,720 --> 00:18:47,600 Speaker 1: then her in Portscha. Yes, they constantly check listings for 336 00:18:47,680 --> 00:18:51,200 Speaker 1: other homes, but their main thing is they go over 337 00:18:51,400 --> 00:18:54,120 Speaker 1: to other rich friend's house. She says, you know, oh, 338 00:18:54,400 --> 00:18:57,000 Speaker 1: me and Porsha went over to our friend's house for 339 00:18:57,359 --> 00:18:59,760 Speaker 1: American Idol, and before we could see, you know, the 340 00:19:00,040 --> 00:19:02,800 Speaker 1: first person saying our check books were out, Like they're 341 00:19:02,840 --> 00:19:06,840 Speaker 1: just actual full dragon vultures. They're full real estate dragons, 342 00:19:06,880 --> 00:19:08,480 Speaker 1: going over to a friend's mansion and just being like, 343 00:19:08,520 --> 00:19:11,320 Speaker 1: we're actually buying this house now. Sorry. I feel like 344 00:19:11,359 --> 00:19:14,959 Speaker 1: they're the plot of every like Hallmark holiday movie about 345 00:19:15,080 --> 00:19:18,399 Speaker 1: like a big businessman coming into a little town being like, 346 00:19:19,119 --> 00:19:21,840 Speaker 1: I'm buying this and turning it into a super mall 347 00:19:22,280 --> 00:19:24,879 Speaker 1: and all of your stores will be gone, and they're like, no, 348 00:19:25,200 --> 00:19:28,280 Speaker 1: we can't. And he's like, I've already like given the 349 00:19:28,440 --> 00:19:30,800 Speaker 1: mayor the check, and the mayor is like, but we 350 00:19:30,960 --> 00:19:36,320 Speaker 1: can't afford to keep old four July accepted. So it's 351 00:19:36,320 --> 00:19:39,880 Speaker 1: a wonderful life, I mean, but instead of actually turning 352 00:19:40,320 --> 00:19:43,399 Speaker 1: a gorgeous like community center into a mall, she's just 353 00:19:43,520 --> 00:19:47,760 Speaker 1: taking someone's existing house and making it like a bigger 354 00:19:47,840 --> 00:19:50,320 Speaker 1: house or like combining two houses. Yeah, she does a 355 00:19:50,400 --> 00:19:52,480 Speaker 1: lot of I mean that super rich thing where she's like, 356 00:19:52,560 --> 00:19:55,439 Speaker 1: so we bought this house, and then it's so funny, 357 00:19:55,880 --> 00:19:58,280 Speaker 1: we actually bought the two adjoining properties so we can 358 00:19:58,359 --> 00:20:02,560 Speaker 1: make a quipond. Yeah, like that's so we would have 359 00:20:02,640 --> 00:20:04,840 Speaker 1: a little bit more quiet. And also like obviously I 360 00:20:04,880 --> 00:20:07,159 Speaker 1: feel like the unseen characters in this book are her 361 00:20:07,200 --> 00:20:09,960 Speaker 1: staff that like aren't allowed to speak with the part 362 00:20:10,000 --> 00:20:12,040 Speaker 1: when she was like, my staff knows that they're not 363 00:20:12,400 --> 00:20:14,680 Speaker 1: they're not allowed to touch idea of my art. And 364 00:20:14,800 --> 00:20:17,400 Speaker 1: she just has like so many nineteenth century African masks 365 00:20:17,520 --> 00:20:19,840 Speaker 1: and just like Shinto swords that she's like, yeah, and 366 00:20:19,920 --> 00:20:22,760 Speaker 1: they will never touch them, and that's fine. Then admire 367 00:20:22,840 --> 00:20:25,680 Speaker 1: from that part of about my job. I was like, 368 00:20:25,880 --> 00:20:28,600 Speaker 1: thank you for finally and like being honest that like 369 00:20:28,760 --> 00:20:32,959 Speaker 1: this book, yeah, that you're like a crazy, like evil CEO, 370 00:20:33,440 --> 00:20:35,879 Speaker 1: because I mean that's the question is like, so she 371 00:20:36,080 --> 00:20:39,600 Speaker 1: decorates each home and she's filling it, and we'll get 372 00:20:39,640 --> 00:20:43,200 Speaker 1: to that of a thousand masks and like seventeenth century chairs, 373 00:20:43,240 --> 00:20:45,720 Speaker 1: but obviously she's moving to a different space and maybe 374 00:20:45,920 --> 00:20:48,480 Speaker 1: the Tuscan villa or the mid century place doesn't maybe 375 00:20:48,520 --> 00:20:51,440 Speaker 1: have room or doesn't fit. Maybe that mask she bought 376 00:20:51,480 --> 00:20:54,359 Speaker 1: for the Tuscan doesn't fit for the mid century. There's 377 00:20:54,440 --> 00:20:59,080 Speaker 1: definitely a warehouse somewhere that is like climate controlled storage 378 00:20:59,280 --> 00:21:02,520 Speaker 1: for masks because It's like in the different homes you 379 00:21:02,600 --> 00:21:05,240 Speaker 1: see some of the pieces you see, and some of 380 00:21:05,240 --> 00:21:07,960 Speaker 1: the pieces like always show up that one big painting 381 00:21:08,080 --> 00:21:11,119 Speaker 1: that's so like one part painting with like text on it, 382 00:21:11,440 --> 00:21:14,600 Speaker 1: literally a fafliction Stein And it's just like and that's 383 00:21:14,640 --> 00:21:16,639 Speaker 1: her one focal point of like every living room. And 384 00:21:16,720 --> 00:21:19,239 Speaker 1: you're like, oh, this is the most like boring celebrity art. 385 00:21:19,720 --> 00:21:21,800 Speaker 1: I wrote that down in my notes. I was just wrote, 386 00:21:22,280 --> 00:21:26,240 Speaker 1: why disgusting modern painting. Yeah, now I want to rob 387 00:21:26,840 --> 00:21:32,960 Speaker 1: her climate controlled African mask warehouse like I wanted to 388 00:21:33,160 --> 00:21:49,040 Speaker 1: pull like celebrity. This episode is sponsored by Zoktok. You're 389 00:21:49,080 --> 00:21:53,200 Speaker 1: trying to find a cause for your symptoms akey, back, headache, running, 390 00:21:53,320 --> 00:21:57,520 Speaker 1: nose itchy. I worked on my genitals, so let me 391 00:21:57,600 --> 00:22:00,520 Speaker 1: guess you stumble down a TikTok rob a whole full 392 00:22:00,520 --> 00:22:04,680 Speaker 1: of questionable advice from so called experts. Suddenly I have cancer. No, 393 00:22:04,880 --> 00:22:08,920 Speaker 1: thank you. There are better ways to get the answers 394 00:22:09,000 --> 00:22:12,119 Speaker 1: you want and the care you deserve from trusted professionals 395 00:22:12,200 --> 00:22:15,840 Speaker 1: and not random people on the internet. 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Okay, So it's 420 00:23:51,400 --> 00:23:54,800 Speaker 1: just she says moving doesn't stress her out, and it's like, well, 421 00:23:54,800 --> 00:23:59,119 Speaker 1: I guess because you have movers. Yeah, that was someone 422 00:23:59,240 --> 00:24:03,080 Speaker 1: who just I'm surprised though, that she wouldn't be stressed 423 00:24:03,080 --> 00:24:05,920 Speaker 1: out about the art being damage. Yeah, I mean, I 424 00:24:06,000 --> 00:24:10,440 Speaker 1: bet she has her the mouse toots, the thirteenth century 425 00:24:10,560 --> 00:24:14,720 Speaker 1: Central African necklace that is on a Japanese clips from 426 00:24:14,760 --> 00:24:18,399 Speaker 1: the early twentieth century that is on a tuskin marble stand. 427 00:24:18,480 --> 00:24:23,480 Speaker 1: I used to belong to Kelly Worse, who designed this hotel. 428 00:24:23,600 --> 00:24:25,800 Speaker 1: So basically this book is set where she goes through 429 00:24:25,880 --> 00:24:28,720 Speaker 1: like each house she's bought, and then she tells you 430 00:24:28,880 --> 00:24:31,720 Speaker 1: the lessons she learned from the home, and it's always 431 00:24:31,920 --> 00:24:34,480 Speaker 1: we should go through. Some of the I would say 432 00:24:34,640 --> 00:24:38,440 Speaker 1: are valuable lessons. I was just reading the second half 433 00:24:38,440 --> 00:24:40,760 Speaker 1: of the book. She has like friends homes that she likes. Yeah, 434 00:24:41,320 --> 00:24:43,879 Speaker 1: collaborators if you will. One of the friend's lessons was 435 00:24:43,960 --> 00:24:46,200 Speaker 1: just like, don't be afraid to let a shelf be bear, 436 00:24:46,880 --> 00:24:49,639 Speaker 1: just like embrace the void. And I looked at my 437 00:24:50,000 --> 00:24:52,879 Speaker 1: shelf from Urban OUTFITOS called the Carla that I happened 438 00:24:54,800 --> 00:24:58,640 Speaker 1: addicted to the up. Yeah, the Carla, which sits above 439 00:24:58,760 --> 00:25:01,800 Speaker 1: my kitchen dining table. And I looked at it and 440 00:25:01,880 --> 00:25:05,000 Speaker 1: I was like, it's so fucking clutter. And I just 441 00:25:05,160 --> 00:25:08,280 Speaker 1: like ripped off all of these little ceramic bowls and like, man, 442 00:25:08,480 --> 00:25:12,120 Speaker 1: and I only have one watercolor and then those two 443 00:25:12,160 --> 00:25:14,399 Speaker 1: tiny sculptures made by front of the bottle of spant. 444 00:25:14,680 --> 00:25:16,800 Speaker 1: I was just like, I must embrace the void so 445 00:25:17,080 --> 00:25:20,800 Speaker 1: sometimes like tips and a coffee table book and really well. 446 00:25:21,800 --> 00:25:23,040 Speaker 1: And then I was looking at the Carla in all 447 00:25:23,080 --> 00:25:24,520 Speaker 1: its beauty and I was like, oh wow, the Carla 448 00:25:24,560 --> 00:25:26,320 Speaker 1: was hidden before. Right, it was a show. You're like, 449 00:25:26,320 --> 00:25:28,119 Speaker 1: I got a shelf for a reason, not to just 450 00:25:28,359 --> 00:25:31,000 Speaker 1: slam bowls on it. Right. And I will say a 451 00:25:31,080 --> 00:25:33,800 Speaker 1: few days ago where kind of you told me my 452 00:25:33,920 --> 00:25:35,959 Speaker 1: house was full of clutter, and we kind of had 453 00:25:36,040 --> 00:25:37,800 Speaker 1: that crazy fire the right right, right, But we also 454 00:25:37,880 --> 00:25:39,639 Speaker 1: both grew from that fight. We both grew it, and 455 00:25:39,720 --> 00:25:42,080 Speaker 1: I felt okay, and I just got this bookcase that 456 00:25:42,200 --> 00:25:45,040 Speaker 1: you saw and I just put which I love, one 457 00:25:45,160 --> 00:25:51,879 Speaker 1: doll on it. Embrace the void, just one doll. Okay, 458 00:25:51,880 --> 00:25:54,080 Speaker 1: I really did think I embraced the wood with that, 459 00:25:54,240 --> 00:25:56,040 Speaker 1: because I was like, well, I have all these other dolls, 460 00:25:56,080 --> 00:25:59,399 Speaker 1: the knickknacks, and I did just this huge biggie bank 461 00:26:00,040 --> 00:26:04,920 Speaker 1: two dice, one doll. And honestly, I know it sounds crazy, 462 00:26:05,200 --> 00:26:07,520 Speaker 1: but I felt I really was embracing the void. And 463 00:26:07,560 --> 00:26:10,920 Speaker 1: I was like, let's let this one Nicole Smith doll 464 00:26:11,040 --> 00:26:14,280 Speaker 1: shine here. Yeah. I mean she talks a lot about 465 00:26:14,359 --> 00:26:17,440 Speaker 1: balance in this book. If you have a huge piece 466 00:26:17,480 --> 00:26:20,359 Speaker 1: of heavy furniture, like be careful about putting a small 467 00:26:20,520 --> 00:26:24,320 Speaker 1: architectural European chair on mirror this massive, deep, heavy couch 468 00:26:24,400 --> 00:26:29,840 Speaker 1: because the heavy couch might overwhelm the little architectural louisket share. 469 00:26:31,280 --> 00:26:34,840 Speaker 1: I also, before we get to do anything, the Prouve 470 00:26:35,240 --> 00:26:40,159 Speaker 1: addiction in this book, Oh my god. Okay, when some 471 00:26:40,400 --> 00:26:42,840 Speaker 1: chair designer. I looked him up. He's a friend. You 472 00:26:42,880 --> 00:26:44,960 Speaker 1: should actually really look him up now that you're going 473 00:26:45,000 --> 00:26:49,120 Speaker 1: to Massey. He's a French achatitect. Okay, he's an act 474 00:26:51,440 --> 00:26:54,520 Speaker 1: design dabbles that a little bit of excuse me, you 475 00:26:54,720 --> 00:27:02,119 Speaker 1: make houses and ship Okay, fancy got macs buys all 476 00:27:02,240 --> 00:27:05,359 Speaker 1: my chairs. It's like every single page, is he alive 477 00:27:05,440 --> 00:27:07,800 Speaker 1: or is he like from I think he's gone olden times, 478 00:27:07,880 --> 00:27:10,960 Speaker 1: he's just six feet underground. When one of the pages 479 00:27:11,080 --> 00:27:13,080 Speaker 1: there's a chair, she's like, And of course the seat 480 00:27:13,080 --> 00:27:15,440 Speaker 1: tap chair by Jean Prevey that was a birthday keft 481 00:27:15,480 --> 00:27:18,800 Speaker 1: from Porscha makes its way to all of like, imagine 482 00:27:19,080 --> 00:27:22,440 Speaker 1: just buying your lover a chair, isn't it your dream? 483 00:27:22,640 --> 00:27:25,320 Speaker 1: I mean, yes, I guess well, I mean I feel 484 00:27:25,359 --> 00:27:27,919 Speaker 1: like your lover is definitely like your prisoner if they 485 00:27:27,960 --> 00:27:31,800 Speaker 1: are buying you a chair. Also, this book defines random 486 00:27:32,240 --> 00:27:34,639 Speaker 1: rich people accent chair that no one sits in. No, 487 00:27:34,880 --> 00:27:37,040 Speaker 1: there's no living done in any house. The one house 488 00:27:37,080 --> 00:27:38,919 Speaker 1: that she says she like kind of admits she kind 489 00:27:38,960 --> 00:27:41,040 Speaker 1: of lived in was the Hollywood Regency one, yes, the 490 00:27:41,080 --> 00:27:43,680 Speaker 1: department or the mid century the mid century one in 491 00:27:43,720 --> 00:27:46,399 Speaker 1: the trous Ell Estates. Yes. So you know, I actually, 492 00:27:46,800 --> 00:27:49,120 Speaker 1: when I was doing a little bit of copywriting work 493 00:27:49,160 --> 00:27:51,159 Speaker 1: for my ex boyfriend who used to work at the 494 00:27:51,240 --> 00:27:55,119 Speaker 1: Future perfect that expensive gay furniture, he just launched his 495 00:27:55,520 --> 00:27:58,320 Speaker 1: right and congratulations. But I had to do all this 496 00:27:58,480 --> 00:28:00,920 Speaker 1: like copy about the trous Ella States because they were like, 497 00:28:01,040 --> 00:28:02,520 Speaker 1: had a store that was like a showroom, like in 498 00:28:02,560 --> 00:28:04,440 Speaker 1: the Trestles. That was like in the house that was 499 00:28:04,520 --> 00:28:07,920 Speaker 1: once lived in by Elvis Presley, Oh my god. And 500 00:28:08,000 --> 00:28:09,840 Speaker 1: it's this section of like the Hollywood Hills or whatever 501 00:28:09,920 --> 00:28:11,720 Speaker 1: where just like everything is a mid century house and 502 00:28:11,800 --> 00:28:13,359 Speaker 1: it's kind of like a lot of them are tutor 503 00:28:13,680 --> 00:28:15,600 Speaker 1: and they all have like the white brick and they're 504 00:28:15,640 --> 00:28:17,920 Speaker 1: like kind of low and random, but like everyone is 505 00:28:17,960 --> 00:28:21,440 Speaker 1: an architectural gem and you would be so fucking lucky 506 00:28:21,520 --> 00:28:24,439 Speaker 1: to step inside. And so Kelly Wursel used to live 507 00:28:24,480 --> 00:28:27,800 Speaker 1: in this house that Ellen bought, and there were some 508 00:28:27,960 --> 00:28:31,120 Speaker 1: elements I liked, but it also felt a little blocky 509 00:28:31,359 --> 00:28:35,600 Speaker 1: and kind of like cramp I liked that house, like 510 00:28:35,720 --> 00:28:38,560 Speaker 1: I liked how like the parquet floor like contrasted with 511 00:28:38,640 --> 00:28:41,600 Speaker 1: like that like Japanese rock like fireplace area. I think 512 00:28:41,760 --> 00:28:44,440 Speaker 1: was that the one with kind of the wooden kitchen 513 00:28:45,320 --> 00:28:48,040 Speaker 1: with a lot of like stainless steel, A lot of them. 514 00:28:48,200 --> 00:28:50,800 Speaker 1: I made a lot of it, I know, because I 515 00:28:50,960 --> 00:28:52,560 Speaker 1: was like reading this and I was like, oh, are 516 00:28:52,640 --> 00:28:55,440 Speaker 1: you gonna just be so like which you know, obviously 517 00:28:55,480 --> 00:28:57,560 Speaker 1: I want to know which was your favorite high Well, okay, 518 00:28:57,680 --> 00:28:59,840 Speaker 1: so in the favorite house scusion, I actually were like 519 00:29:00,200 --> 00:29:03,320 Speaker 1: final one the birdhouse. Yeah, but that has that So 520 00:29:03,440 --> 00:29:05,040 Speaker 1: what do you call it when the fireplace is like 521 00:29:05,360 --> 00:29:08,880 Speaker 1: densely packed thin slate slices, and then that is actually 522 00:29:09,240 --> 00:29:11,000 Speaker 1: within the center of the home. It's like this focal 523 00:29:11,040 --> 00:29:12,120 Speaker 1: point at the center of their home with then this 524 00:29:12,200 --> 00:29:14,320 Speaker 1: gorgeous wood ceiling. I think that has a ton of 525 00:29:14,360 --> 00:29:16,239 Speaker 1: warmth in it. I mean, I would say my favorite, though, 526 00:29:16,280 --> 00:29:19,800 Speaker 1: is actually the insane modern Japanese one, the Brodie or whatever. 527 00:29:20,080 --> 00:29:22,600 Speaker 1: That's my favorite. If that was so, and she was 528 00:29:22,680 --> 00:29:24,680 Speaker 1: like this one was like two cheek to have little 529 00:29:24,720 --> 00:29:26,680 Speaker 1: kids running around because they would leave their handprints on 530 00:29:26,720 --> 00:29:28,160 Speaker 1: something in the whole house would be ruined. I was 531 00:29:28,160 --> 00:29:33,280 Speaker 1: a little disappointed because Portia and Ellen like have multiple cats, 532 00:29:33,360 --> 00:29:35,160 Speaker 1: and the cats are not like I want to see 533 00:29:35,240 --> 00:29:38,240 Speaker 1: the cats my water vas chair. Well, what's so funny 534 00:29:38,600 --> 00:29:41,880 Speaker 1: is on Ellen's Design Challenge, which is a show about 535 00:29:41,960 --> 00:29:44,400 Speaker 1: from a design that we both watch and we're both 536 00:29:44,480 --> 00:29:47,240 Speaker 1: obsessed with it, and we were probably both most obsessed 537 00:29:47,280 --> 00:29:50,480 Speaker 1: with it because just the fact that she truly does 538 00:29:50,640 --> 00:29:53,920 Speaker 1: not even host, just not even on the show. She's 539 00:29:53,960 --> 00:29:55,840 Speaker 1: not one of the judges, she doesn't even appear in 540 00:29:55,880 --> 00:30:00,280 Speaker 1: every episode. She'll zoom in every third episode with Ian 541 00:30:00,480 --> 00:30:06,280 Speaker 1: Keaton are just like with Porscha and be like okay, 542 00:30:06,680 --> 00:30:10,320 Speaker 1: like hey it's ellen Um. I think your challenge today 543 00:30:10,440 --> 00:30:12,560 Speaker 1: is going to be about play structures. And then you 544 00:30:12,600 --> 00:30:15,440 Speaker 1: don't see her for three episodes. And Scott Foley from 545 00:30:15,560 --> 00:30:19,200 Speaker 1: Scandal from Felicity is basically the host and who knew 546 00:30:19,240 --> 00:30:21,960 Speaker 1: one that they were best friends or that two he 547 00:30:22,200 --> 00:30:25,680 Speaker 1: was like design also such design, but then when you 548 00:30:25,760 --> 00:30:29,120 Speaker 1: see his house, it's so whatever house he has kids, 549 00:30:29,280 --> 00:30:31,440 Speaker 1: he has kids, and his house is more just like 550 00:30:31,760 --> 00:30:36,160 Speaker 1: regular farmhouse, colonial farmhouse Connecticut like, and it's just more 551 00:30:36,280 --> 00:30:39,560 Speaker 1: Marathi's town on like islands and big and multigenerational family 552 00:30:39,640 --> 00:30:42,360 Speaker 1: with multigenerational drama, whereas all of her houses like are 553 00:30:42,360 --> 00:30:44,040 Speaker 1: a little bit franklo Wright and there is always like 554 00:30:44,040 --> 00:30:46,880 Speaker 1: a water feature and it's just like to have a 555 00:30:46,960 --> 00:30:49,000 Speaker 1: house with a water feature is such a dream of mine. 556 00:30:49,080 --> 00:30:52,520 Speaker 1: And like the Brodie House has the water feature and 557 00:30:52,600 --> 00:30:54,880 Speaker 1: it's donea in one of the houses. I don't know 558 00:30:55,000 --> 00:30:58,480 Speaker 1: if it's the Brodie House. That super simple marble spall 559 00:30:58,640 --> 00:31:04,120 Speaker 1: she has and it's like a sinking bolsall. Okay, So 560 00:31:04,360 --> 00:31:09,160 Speaker 1: it's basically like this sloped bath spa and like glass 561 00:31:09,840 --> 00:31:12,840 Speaker 1: doors that you look out on. Also about this book 562 00:31:12,920 --> 00:31:15,520 Speaker 1: is that shall be like the thing is like you 563 00:31:15,800 --> 00:31:17,360 Speaker 1: don't need to have a lot of money to have 564 00:31:17,480 --> 00:31:22,200 Speaker 1: good taste, which is totally true, but a completely mental 565 00:31:22,360 --> 00:31:24,920 Speaker 1: thing to say when this book is all about having 566 00:31:25,040 --> 00:31:28,760 Speaker 1: like a nine thousand dollars hand mirror sitting on a 567 00:31:28,800 --> 00:31:32,560 Speaker 1: credenza and every single thing, like just the credits, Okay. 568 00:31:33,600 --> 00:31:35,160 Speaker 1: The seating area to the rite includes a pair of 569 00:31:35,200 --> 00:31:38,360 Speaker 1: metal bucket chairs by Matt Steelers, three vintage PK thirty 570 00:31:38,400 --> 00:31:41,280 Speaker 1: three stools by Paul Claire Harum, a pair of freeform 571 00:31:41,320 --> 00:31:44,520 Speaker 1: tables by Charlotte Parillon, and the original banquette sofa by 572 00:31:44,600 --> 00:31:48,440 Speaker 1: William Haynes. The customs Zodiac ceiling fixture is by Jane Holworth. 573 00:31:48,960 --> 00:31:51,520 Speaker 1: In the background a low game table by Pierre Kenroll. 574 00:31:52,560 --> 00:31:55,160 Speaker 1: It's just like are you are you using the game table? 575 00:31:55,240 --> 00:31:57,760 Speaker 1: It's just like a vintage poker table that's purely for display. 576 00:31:58,400 --> 00:32:00,640 Speaker 1: Oh yeah, And she was like, oh that's yeah when 577 00:32:00,680 --> 00:32:02,800 Speaker 1: we have game nights and that's a vintage poker table 578 00:32:02,920 --> 00:32:06,000 Speaker 1: from like the nineteen sixty one sounds. And then here's 579 00:32:06,000 --> 00:32:09,520 Speaker 1: a vintage cocktail table from just like this Tuscan queen 580 00:32:09,680 --> 00:32:12,320 Speaker 1: or whatever. And she's like, oh and we spend so 581 00:32:12,640 --> 00:32:16,920 Speaker 1: much time out here entertaining. And I guess I'm wondering 582 00:32:17,000 --> 00:32:19,040 Speaker 1: about like her in porteous social life. Like I know 583 00:32:19,160 --> 00:32:21,640 Speaker 1: Ellen is friends with Jen. I'm like, I'm Diane and 584 00:32:21,800 --> 00:32:24,120 Speaker 1: Diane and the anctor where she was Like one time 585 00:32:24,200 --> 00:32:27,680 Speaker 1: I had a party and Dan Keaton was measuring my 586 00:32:28,040 --> 00:32:31,480 Speaker 1: kitchen with her armspan. She was like her arms to 587 00:32:31,600 --> 00:32:33,080 Speaker 1: just like see how I the kids she went to school, 588 00:32:33,280 --> 00:32:35,960 Speaker 1: or maybe she was hugging my oven, but I don't know. Oh, 589 00:32:36,040 --> 00:32:38,840 Speaker 1: and she's Ellen is very wolf range. She yes, not 590 00:32:39,080 --> 00:32:41,560 Speaker 1: a gagon oak girl. Oh no, not a gagon out girl, 591 00:32:41,600 --> 00:32:44,280 Speaker 1: and not a nausea girl. And not a Viking. I 592 00:32:44,320 --> 00:32:46,080 Speaker 1: guess it's Viking. So over does no one have a 593 00:32:46,200 --> 00:32:48,240 Speaker 1: Viking stove anymore? A lot of people like clean for 594 00:32:48,320 --> 00:32:51,080 Speaker 1: her Viking because you know, growing up we had a Viking. 595 00:32:51,160 --> 00:32:52,840 Speaker 1: You had a Viking. But I always did think our 596 00:32:52,880 --> 00:32:56,160 Speaker 1: oven was like really insane and fab Yeah, you really 597 00:32:56,280 --> 00:32:58,520 Speaker 1: had a range. I just remember it had it had 598 00:32:58,560 --> 00:33:00,760 Speaker 1: like the large oven then like a little mini oven 599 00:33:00,880 --> 00:33:02,400 Speaker 1: like next to it. It was like the two ovens 600 00:33:02,760 --> 00:33:06,280 Speaker 1: when people have two ovens on House Hunters, you realize 601 00:33:06,320 --> 00:33:08,239 Speaker 1: like a lot of people turn down houses if they 602 00:33:08,280 --> 00:33:10,960 Speaker 1: don't have two ovens. What people think that they want 603 00:33:11,040 --> 00:33:13,200 Speaker 1: now that they don't need where it's just like I 604 00:33:13,280 --> 00:33:16,760 Speaker 1: mean like gas burners, like yes, yes, obvious, obviously gas burners. 605 00:33:16,880 --> 00:33:18,400 Speaker 1: And yet it's like I don't know how the people 606 00:33:18,400 --> 00:33:19,840 Speaker 1: don't cut I don't believe that you need to be 607 00:33:19,960 --> 00:33:23,040 Speaker 1: roasting a turkey then also doing mesh tagoes at the 608 00:33:23,080 --> 00:33:26,120 Speaker 1: same time or whatever some people yes, or when people 609 00:33:26,240 --> 00:33:30,160 Speaker 1: want the pot filler, the pasta water arm, little faucet 610 00:33:30,240 --> 00:33:31,960 Speaker 1: that comes out just to fill pasta water like in 611 00:33:32,040 --> 00:33:33,760 Speaker 1: a pot. It's just like a no, you know one 612 00:33:34,080 --> 00:33:36,280 Speaker 1: such a specific task I want to I do want 613 00:33:36,320 --> 00:33:39,040 Speaker 1: to posta arm. Okay, that Mormon design show that I love, 614 00:33:39,120 --> 00:33:41,360 Speaker 1: Dream Home Makeover on Netflix where they just do the 615 00:33:41,440 --> 00:33:45,200 Speaker 1: most boring makeovers in Utah, they're always putting a pasta arm, 616 00:33:45,240 --> 00:33:46,640 Speaker 1: and She's just like, it's like a posta arm is 617 00:33:46,640 --> 00:33:49,400 Speaker 1: like a necessity for these people. And it's like always 618 00:33:49,440 --> 00:33:52,040 Speaker 1: like copper or gold to ye, like it's a huge 619 00:33:52,280 --> 00:33:55,280 Speaker 1: no copper or like a steel or rusted I'm sure 620 00:33:55,360 --> 00:34:01,680 Speaker 1: Ellen probably like uses steal from fifteen century Tuscany. Her 621 00:34:01,800 --> 00:34:07,160 Speaker 1: style is okay, there's no color. Yeah, it's very gray 622 00:34:08,320 --> 00:34:10,239 Speaker 1: and like there's woods and some wood tones. But she 623 00:34:10,320 --> 00:34:12,160 Speaker 1: at one point she's like, oh, I prefer to cup 624 00:34:12,200 --> 00:34:14,600 Speaker 1: color and like you know, accent pieces and art and 625 00:34:14,640 --> 00:34:17,960 Speaker 1: for a pillows, I don't even see it in the pillows. 626 00:34:18,280 --> 00:34:20,680 Speaker 1: There's literally no color in any of these houses. And 627 00:34:20,800 --> 00:34:24,400 Speaker 1: it is it's a little bit too sedate for my tastes. 628 00:34:25,160 --> 00:34:29,360 Speaker 1: There's some like deep auburn lever chairs that I like 629 00:34:29,520 --> 00:34:31,840 Speaker 1: that are bringing color. But here's an example of a 630 00:34:31,960 --> 00:34:35,200 Speaker 1: bedroom that I'm just like, why kind of I'll show 631 00:34:35,239 --> 00:34:36,719 Speaker 1: it up to you and kind of describe it to 632 00:34:36,760 --> 00:34:39,440 Speaker 1: the readers. I love how like picture book is. I 633 00:34:39,640 --> 00:34:42,279 Speaker 1: love this bedroom. I was going to talk about this 634 00:34:42,440 --> 00:34:46,520 Speaker 1: bedroom that Jane Hallworth Betty and the custom Jane hallwarth Wait. 635 00:34:46,600 --> 00:34:50,240 Speaker 1: I loved that bad. I guess this feels a little 636 00:34:50,360 --> 00:34:53,160 Speaker 1: too if I came in here, this like rich home 637 00:34:53,280 --> 00:34:55,279 Speaker 1: feels a little too like creaky cree. Yeah, I'm not 638 00:34:55,320 --> 00:34:58,440 Speaker 1: trying to fuck in this bed. You're trying to fall asleep. 639 00:34:58,480 --> 00:35:00,040 Speaker 1: And if the best of beaver lifting, we hold it 640 00:35:00,160 --> 00:35:05,719 Speaker 1: up again. See you can hear me seeing Okay, it's stunning. Okay. 641 00:35:05,760 --> 00:35:09,560 Speaker 1: So it's just like the linen headboard and then the sheets, 642 00:35:09,560 --> 00:35:12,799 Speaker 1: the custom bedding that's like matches the same. It looks 643 00:35:12,840 --> 00:35:16,040 Speaker 1: like so soft and lux and like cash mir almost 644 00:35:16,239 --> 00:35:18,520 Speaker 1: these two wooden side tables that have that are very 645 00:35:18,600 --> 00:35:20,200 Speaker 1: embraced the void. There's just like one piece of art 646 00:35:20,239 --> 00:35:22,360 Speaker 1: and a bowl and then like a lamp. It's just 647 00:35:22,600 --> 00:35:25,600 Speaker 1: incredibly calming. I don't necessarily need the big wooden chest. 648 00:35:26,080 --> 00:35:28,080 Speaker 1: I mean it was the chest for me. Okay, I 649 00:35:28,160 --> 00:35:31,239 Speaker 1: guess that's for me. It's the chest for me. And 650 00:35:31,360 --> 00:35:34,160 Speaker 1: that's what made it feel a little like why is 651 00:35:34,160 --> 00:35:36,279 Speaker 1: this feeling a little more like creaky B and B 652 00:35:36,640 --> 00:35:39,880 Speaker 1: like it should feel calming and cash mirror. This brings us, 653 00:35:39,920 --> 00:35:41,720 Speaker 1: I think to a big question we need to address, 654 00:35:41,840 --> 00:35:47,000 Speaker 1: which is just like the over indexing on all of this, 655 00:35:47,360 --> 00:35:52,160 Speaker 1: like almost like seventeenth century kind of English wooden castle 656 00:35:52,239 --> 00:35:55,520 Speaker 1: like stuff. So the art there's like these like Edwardian 657 00:35:55,600 --> 00:35:59,080 Speaker 1: portraits with like ornate frames everywhere, sometimes like the overly 658 00:35:59,239 --> 00:36:03,880 Speaker 1: chinsea chains that bake the wooden chests. The antique it's inolved, 659 00:36:03,880 --> 00:36:06,960 Speaker 1: it's I know, but I also find that that's so 660 00:36:07,280 --> 00:36:10,520 Speaker 1: like twenty fourteen mixology to be like this is an 661 00:36:10,560 --> 00:36:14,080 Speaker 1: old pharmacist cabinet. No, it's getting it's really actolutely just 662 00:36:14,200 --> 00:36:18,560 Speaker 1: like fully borderline twenty fourteen. What's that bar? Like lab 663 00:36:18,960 --> 00:36:22,399 Speaker 1: it's like Elis, Yeah, the Elias, the cocktail kitting or whatever. 664 00:36:22,560 --> 00:36:24,279 Speaker 1: It's just like, yeah, it's all of that bullshit. Like 665 00:36:24,719 --> 00:36:28,239 Speaker 1: you know, there's a framed union jack and like it's 666 00:36:28,239 --> 00:36:31,759 Speaker 1: a little bit steampunk and I'm like, you know, I 667 00:36:31,840 --> 00:36:36,000 Speaker 1: think some of those design elements can be very sexy 668 00:36:36,520 --> 00:36:39,439 Speaker 1: when they're set off in just the right way, which 669 00:36:39,560 --> 00:36:42,360 Speaker 1: is advice she gives. She'll be like sparingly do this, 670 00:36:42,600 --> 00:36:46,480 Speaker 1: or she keeps on saying how she likes to create vignettes. Yes, 671 00:36:46,880 --> 00:36:49,000 Speaker 1: creative and I love it. It's like it's like you 672 00:36:49,040 --> 00:36:50,759 Speaker 1: have just so much space that you're just making up 673 00:36:50,800 --> 00:36:52,480 Speaker 1: little corners in your home that no one will ever 674 00:36:52,560 --> 00:36:54,400 Speaker 1: interact with, where it's just like a chair and a 675 00:36:54,440 --> 00:36:56,520 Speaker 1: table kind of like I came away with it, right. 676 00:36:56,600 --> 00:37:01,120 Speaker 1: It's like her style is much more antique antique, Yeah, 677 00:37:01,480 --> 00:37:03,880 Speaker 1: then I thought, and obviously like I'm a little more 678 00:37:04,000 --> 00:37:08,880 Speaker 1: like Duco and like I just like you know, and 679 00:37:09,040 --> 00:37:11,080 Speaker 1: some of the stuff like the polar Bear couch looks 680 00:37:11,120 --> 00:37:13,680 Speaker 1: really comfortable to me, Like I feel like she does 681 00:37:13,800 --> 00:37:16,920 Speaker 1: have it was a rare polar bear couch. And you're like, 682 00:37:17,040 --> 00:37:21,200 Speaker 1: so you full up. I feel like Ellen like skinned 683 00:37:21,280 --> 00:37:26,479 Speaker 1: the Coca Cola bowler bear. She absolutely would. Yeah, because 684 00:37:26,480 --> 00:37:30,000 Speaker 1: he touched her mask. He touched her fourteenth century African mask. 685 00:37:30,200 --> 00:37:34,440 Speaker 1: That was it. He's out who grew up in a 686 00:37:34,719 --> 00:37:39,560 Speaker 1: very like bordering on African mask household. Yeah. I mean 687 00:37:39,600 --> 00:37:45,920 Speaker 1: your mother's a therapist, yea, So therapist equals masks. These masks, 688 00:37:46,320 --> 00:37:49,440 Speaker 1: she has so many of them. Yeah, there's a lot 689 00:37:49,480 --> 00:37:51,400 Speaker 1: of plants. I mean, it's like it's getting to be 690 00:37:51,560 --> 00:37:54,360 Speaker 1: like a museum. Well. I do also a wonder in 691 00:37:54,520 --> 00:37:58,320 Speaker 1: kind of the conversation about the ethical buying African art market, 692 00:37:59,480 --> 00:38:01,239 Speaker 1: because I like there's been this whole thing about like 693 00:38:01,280 --> 00:38:05,080 Speaker 1: how all these like museums and like France, Sunland just 694 00:38:05,480 --> 00:38:07,719 Speaker 1: reading the Wikipedia for the Caper only today, which is 695 00:38:07,760 --> 00:38:11,000 Speaker 1: the like museum in Paris that's all like Oceanic art 696 00:38:11,040 --> 00:38:13,320 Speaker 1: and African art and like Latin American art and like 697 00:38:13,360 --> 00:38:17,000 Speaker 1: indigenous people's art and has been embroiled in controversy about 698 00:38:17,040 --> 00:38:19,359 Speaker 1: just like repcreation and like whether or not they should 699 00:38:19,400 --> 00:38:21,560 Speaker 1: return and like Mecrall has like said that they will 700 00:38:21,680 --> 00:38:24,640 Speaker 1: return like some pieces to like certain I think that 701 00:38:24,840 --> 00:38:28,239 Speaker 1: was government if they want them. So it's very like, oh, 702 00:38:28,400 --> 00:38:30,360 Speaker 1: like come and get it, right, come and get it. 703 00:38:30,480 --> 00:38:32,719 Speaker 1: And it's very like this museum and Benin is just 704 00:38:32,840 --> 00:38:35,279 Speaker 1: like we actually do want these masks. And then they're 705 00:38:35,280 --> 00:38:38,160 Speaker 1: like fine, I guess because you asked for them, like 706 00:38:38,239 --> 00:38:41,399 Speaker 1: we're giving them. But like my thing about the French, 707 00:38:41,480 --> 00:38:44,120 Speaker 1: they're taking a while. Yeah, they're taking a while to 708 00:38:44,200 --> 00:38:47,120 Speaker 1: return the mask. And I guess I guess my question is, Ellen, 709 00:38:47,920 --> 00:38:51,719 Speaker 1: are you buying these African seventeenth century mass right? And 710 00:38:51,800 --> 00:38:53,799 Speaker 1: she has to be on display or it's like she's 711 00:38:53,840 --> 00:38:56,960 Speaker 1: buying them for Christie's for like nine million. I mean 712 00:38:57,000 --> 00:38:58,840 Speaker 1: at the same time, you know, art is meant to 713 00:38:58,920 --> 00:39:02,160 Speaker 1: be appreciated, oh aperiently, she should be buying the mass, 714 00:39:02,200 --> 00:39:04,160 Speaker 1: should be wearing the mask. And I guess it's more 715 00:39:04,200 --> 00:39:07,760 Speaker 1: of a museum issue of these like French and English museums, 716 00:39:07,840 --> 00:39:09,520 Speaker 1: Like I mean, I also think at the end of 717 00:39:09,560 --> 00:39:11,120 Speaker 1: the day, it's like I feel like there's probably enough 718 00:39:11,120 --> 00:39:14,840 Speaker 1: mask that everyone like, is there a mask shortage? Like 719 00:39:14,920 --> 00:39:16,600 Speaker 1: I don't think so, but you know, there's not a 720 00:39:16,640 --> 00:39:19,480 Speaker 1: shortage of or there probably is a shortage of sorry, 721 00:39:19,680 --> 00:39:21,759 Speaker 1: is that just in one of these rooms she has 722 00:39:21,840 --> 00:39:26,239 Speaker 1: this full statue of like a tiny little boy. You 723 00:39:26,280 --> 00:39:28,400 Speaker 1: can tell that how's way too color. Okay. One thing 724 00:39:28,480 --> 00:39:30,480 Speaker 1: that is way too creepy that she always has in 725 00:39:30,560 --> 00:39:33,640 Speaker 1: her homes is that dress form. Oh yeah, she loves 726 00:39:33,719 --> 00:39:38,080 Speaker 1: that dress horrifying like wooden distressed old dress form missing ahead. 727 00:39:38,120 --> 00:39:40,560 Speaker 1: And it's like with limbs a kimbo. It's like there's 728 00:39:40,640 --> 00:39:43,000 Speaker 1: truly nothing creepy or more sounds of the lambs than 729 00:39:43,120 --> 00:39:46,320 Speaker 1: just like a dress form a kimbo. And a random 730 00:39:46,440 --> 00:39:48,680 Speaker 1: room that's like so austere, with like three vases and 731 00:39:48,719 --> 00:39:50,800 Speaker 1: a nern and it's like no one's in this silent 732 00:39:50,920 --> 00:39:53,080 Speaker 1: room except for Ellen's cat, and like you can hear 733 00:39:53,160 --> 00:39:56,799 Speaker 1: porscheous muffled screams like coming from like in the art 734 00:39:56,880 --> 00:39:59,200 Speaker 1: barn and you're just like, Okay, I don't need this. 735 00:40:00,080 --> 00:40:03,080 Speaker 1: Let's talk about the barns for a second. Okay. When 736 00:40:03,120 --> 00:40:05,200 Speaker 1: she moved to the ranch house, yea, and they individually 737 00:40:05,280 --> 00:40:07,680 Speaker 1: do all the little barns, all the tiny barns, which 738 00:40:07,719 --> 00:40:09,719 Speaker 1: is actually again very old friend Alex's friend of the 739 00:40:09,760 --> 00:40:13,080 Speaker 1: pod who's redoing some barns right now, And so they 740 00:40:13,160 --> 00:40:16,399 Speaker 1: bought this like forty six acre horse property. I guess 741 00:40:16,440 --> 00:40:18,120 Speaker 1: I want to talk about this line where she goes 742 00:40:18,320 --> 00:40:21,640 Speaker 1: she names one the romance barn. Oh, when they celebrated 743 00:40:21,680 --> 00:40:25,000 Speaker 1: their Anniverse versary there, yeah, I was like, so was 744 00:40:25,040 --> 00:40:27,479 Speaker 1: that like the one time you guys had sex. They're 745 00:40:27,520 --> 00:40:30,959 Speaker 1: both in like Tims and Patagonia vest like this huge 746 00:40:31,040 --> 00:40:35,680 Speaker 1: part of them, laughing, smiling, like it seems so sexless 747 00:40:35,760 --> 00:40:37,880 Speaker 1: and tense. I mean, so, as we know from that 748 00:40:37,960 --> 00:40:42,920 Speaker 1: TikTok about and hash, Allen is completely Allen is psychotically controlling. 749 00:40:43,040 --> 00:40:45,440 Speaker 1: And because she was like, Andes was showing different outfits 750 00:40:45,520 --> 00:40:47,680 Speaker 1: that she wore to various award shows, and she was like, 751 00:40:47,960 --> 00:40:50,479 Speaker 1: and here I am at the Oscars with Allen looking 752 00:40:50,560 --> 00:40:53,560 Speaker 1: like a total weird hippie. She's wearing like long pants 753 00:40:53,640 --> 00:40:56,560 Speaker 1: and like a long shirt because Allen said the dress 754 00:40:56,600 --> 00:40:59,520 Speaker 1: that I wanted to wear was two revealing psycho psycho 755 00:41:00,000 --> 00:41:02,120 Speaker 1: and it's like we probably all thought, oh, and he 756 00:41:02,239 --> 00:41:04,399 Speaker 1: should just being a lesbian and that's why she's wearing 757 00:41:04,480 --> 00:41:07,640 Speaker 1: like big flowy pants and oscars. No, she is a 758 00:41:07,920 --> 00:41:14,520 Speaker 1: high femin yes fem visibility, happy pride, elevate our fams, 759 00:41:14,680 --> 00:41:17,560 Speaker 1: raise our fans, and she wanted to be this flirty 760 00:41:17,640 --> 00:41:20,680 Speaker 1: high pam right, and she was like, no, your mind, 761 00:41:21,000 --> 00:41:24,360 Speaker 1: like you be in these flouncy pants, my property, stand 762 00:41:24,440 --> 00:41:27,360 Speaker 1: the art barn where you belong right while me and 763 00:41:27,520 --> 00:41:31,200 Speaker 1: Porsche mc sweet love in the romance barn. I feel 764 00:41:31,280 --> 00:41:33,719 Speaker 1: like Ellen and an Hayes probably had a much better 765 00:41:34,080 --> 00:41:39,279 Speaker 1: sex life than because it was like more toxic, yeah, 766 00:41:39,480 --> 00:41:41,720 Speaker 1: I guess, or maybe Ellen more. Maybe Anne was pushing 767 00:41:41,800 --> 00:41:44,960 Speaker 1: back more and as a fighter where pors is not 768 00:41:45,080 --> 00:41:48,400 Speaker 1: a fighter. I mean, I think Ellen and Porsche's relationship 769 00:41:48,480 --> 00:41:51,959 Speaker 1: was super steamy right in the beginning, but I feel 770 00:41:52,000 --> 00:41:56,680 Speaker 1: like Ellen's controlling tendencies maybe have done something. I remember 771 00:41:56,800 --> 00:42:00,560 Speaker 1: hearing Porsche talk about how they like saw each other 772 00:42:00,640 --> 00:42:03,960 Speaker 1: and like made out at the like vach One Fashion 773 00:42:04,000 --> 00:42:07,600 Speaker 1: Awards and a Limo or something like that. Just they 774 00:42:07,680 --> 00:42:10,279 Speaker 1: made out once they couldn't I don't know, are very 775 00:42:10,360 --> 00:42:13,160 Speaker 1: like they made out once, like then they had sex 776 00:42:13,239 --> 00:42:15,480 Speaker 1: another time, and so she named the house after the 777 00:42:15,520 --> 00:42:17,560 Speaker 1: fact that they had sex in their once. Right after 778 00:42:17,640 --> 00:42:20,520 Speaker 1: this first wedding anniversary, there's one page where she shows 779 00:42:20,560 --> 00:42:23,120 Speaker 1: the closet and She's like, yeah, we're shoes, and it's 780 00:42:23,120 --> 00:42:27,120 Speaker 1: all of Ellen's corny sneakers and like Porsche's stilettos. Yeah, 781 00:42:27,160 --> 00:42:30,960 Speaker 1: it was literally just only her corny slots, Dan Smiths 782 00:42:31,000 --> 00:42:33,840 Speaker 1: and her Converse. But then it's like Porsche's stilettos, and 783 00:42:33,920 --> 00:42:37,800 Speaker 1: it's like, but I feel like Porsche wears revealing things. 784 00:42:38,320 --> 00:42:41,520 Speaker 1: She'll wear like a top that yeah, well, Porsche's earned 785 00:42:41,600 --> 00:42:45,600 Speaker 1: the right after like many years of servitude, an element 786 00:42:45,680 --> 00:42:47,239 Speaker 1: that I wanted to bring up. So in this book, 787 00:42:47,840 --> 00:42:49,560 Speaker 1: it's all her homes and as we discuss, a lot 788 00:42:49,640 --> 00:42:53,719 Speaker 1: of neutrals, a lot of wood, very little color. Then 789 00:42:53,840 --> 00:42:57,279 Speaker 1: she gets into her friend's homes for various designers in 790 00:42:57,520 --> 00:42:59,799 Speaker 1: La and they all they are also like a lot 791 00:42:59,800 --> 00:43:03,680 Speaker 1: of masks and sculptures and like Chinese dowsing rods and 792 00:43:03,760 --> 00:43:06,200 Speaker 1: like other things stools. But then we get to the 793 00:43:06,239 --> 00:43:10,120 Speaker 1: first gay guy, and what I wanted to discuss was 794 00:43:10,360 --> 00:43:13,520 Speaker 1: what also has the polar bear sofa? Yeah, in a 795 00:43:13,640 --> 00:43:17,520 Speaker 1: slate Gray. I think that there's a very interesting distinction 796 00:43:17,680 --> 00:43:21,360 Speaker 1: when we talk about Asian elements and design and the 797 00:43:21,480 --> 00:43:25,320 Speaker 1: way that gay men incorporate Asian design motifs and the 798 00:43:25,440 --> 00:43:30,520 Speaker 1: way that everyone else does because obviously, like there's throughout 799 00:43:30,600 --> 00:43:33,000 Speaker 1: this book and let's we're talking about like expensive homes here, 800 00:43:33,400 --> 00:43:35,759 Speaker 1: Like all of these expensive homes Allen has like there 801 00:43:35,920 --> 00:43:38,279 Speaker 1: is like a lot of Asian motifs that come in. 802 00:43:38,400 --> 00:43:42,560 Speaker 1: You know, she's very worldly in a clection. All the 803 00:43:42,600 --> 00:43:45,440 Speaker 1: consonants are represented, but like you know, there's a lot 804 00:43:45,480 --> 00:43:48,960 Speaker 1: of like Japanese would work like Japanese like minimalist stuff. 805 00:43:49,480 --> 00:43:53,360 Speaker 1: There is like lots of kind of like ancient Chinese 806 00:43:53,440 --> 00:43:57,080 Speaker 1: artifacts like those like water carrying rods that are above 807 00:43:57,160 --> 00:44:00,279 Speaker 1: that stainless steel sink, and just like randomly will have 808 00:44:00,400 --> 00:44:04,080 Speaker 1: like an urn from just like fourteen century Kazakhstan, but 809 00:44:04,200 --> 00:44:07,040 Speaker 1: burns and globes, burns and globes and just like all 810 00:44:07,080 --> 00:44:09,600 Speaker 1: this decorative shot that you can't do anything with. But 811 00:44:09,760 --> 00:44:12,759 Speaker 1: then like the way that gay men like what is 812 00:44:12,840 --> 00:44:16,719 Speaker 1: that incorporate Asian design elements, it's just in a very 813 00:44:16,800 --> 00:44:20,840 Speaker 1: different way. It's so much more. Just like big folding 814 00:44:20,960 --> 00:44:25,879 Speaker 1: fan like over the bed, which I used to as 815 00:44:26,040 --> 00:44:30,960 Speaker 1: a Palm Spring vintage store owner who's seventy two, I 816 00:44:31,520 --> 00:44:34,560 Speaker 1: am my apartment of Chicago. I had big folding fan, 817 00:44:34,880 --> 00:44:37,400 Speaker 1: big massive Asian folding fan, and I thought that was 818 00:44:38,000 --> 00:44:40,520 Speaker 1: so cool. And it's more like like the first gay 819 00:44:40,560 --> 00:44:43,000 Speaker 1: guy's house that you see, Like the first picture, there's 820 00:44:43,000 --> 00:44:45,319 Speaker 1: just like a gong like it's just so much more 821 00:44:45,400 --> 00:44:49,879 Speaker 1: like slutty babies kind of vibes gongs, so slutty babies. 822 00:44:50,080 --> 00:44:53,000 Speaker 1: But I mean, I'll say that that's also something that 823 00:44:53,120 --> 00:44:57,360 Speaker 1: I feel like my favorite movie on gmame, which was 824 00:44:57,400 --> 00:45:00,600 Speaker 1: a gay camp classic. It's an insane archi textual movie 825 00:45:00,600 --> 00:45:03,719 Speaker 1: because she redesigns her home every six months in the film, 826 00:45:04,120 --> 00:45:06,759 Speaker 1: So first it's Asian and then it's Picasso and then 827 00:45:06,840 --> 00:45:10,600 Speaker 1: it's like Victorians, the total design head film. Yeah, so 828 00:45:10,640 --> 00:45:12,640 Speaker 1: I feel like that is the blueprint for these gays 829 00:45:12,640 --> 00:45:14,680 Speaker 1: and it's like you knock on the door, I mean 830 00:45:14,760 --> 00:45:18,560 Speaker 1: like and it is so gong and it's fan and 831 00:45:19,320 --> 00:45:23,480 Speaker 1: I feel like gay guys seeing that are like, oh okay, yeah, okay, 832 00:45:23,640 --> 00:45:27,880 Speaker 1: Like there's just something like but all louder and more 833 00:45:28,000 --> 00:45:31,600 Speaker 1: gold about it, right, and like I mean talk about 834 00:45:31,640 --> 00:45:35,399 Speaker 1: gay guys and Asian accents. My dad was a huge 835 00:45:35,440 --> 00:45:38,040 Speaker 1: fan of the Japanese screen. Well that's no, but he 836 00:45:38,320 --> 00:45:40,000 Speaker 1: I think it is kind of halfway. That's kind of 837 00:45:40,080 --> 00:45:42,640 Speaker 1: the closeted version. Yes, is it his was not so 838 00:45:42,960 --> 00:45:46,080 Speaker 1: like it was just like wood and because but the 839 00:45:46,160 --> 00:45:48,759 Speaker 1: thing about the Japanese screen is it has like it 840 00:45:48,880 --> 00:45:53,799 Speaker 1: alludes to slidiness because it's because it's about changing clothes, right, 841 00:45:53,840 --> 00:45:55,719 Speaker 1: and it's about like something that you hide behind but 842 00:45:55,840 --> 00:45:57,600 Speaker 1: you can still see your silhouette. And it's just like 843 00:45:57,840 --> 00:46:00,880 Speaker 1: Ali is not having Japanese screens anywhere her house. No, 844 00:46:01,160 --> 00:46:04,640 Speaker 1: Porsche's not liked to do getting in a little se 845 00:46:04,719 --> 00:46:08,120 Speaker 1: lip from like La Parola. Porsche has well in one 846 00:46:08,120 --> 00:46:09,840 Speaker 1: of the rooms Porcheze her own dressing room. It's like 847 00:46:09,960 --> 00:46:13,080 Speaker 1: very like Porsche has her separate wing. But like Ellen 848 00:46:13,200 --> 00:46:17,880 Speaker 1: put like a thirteenth century settee in, she's like tufted 849 00:46:18,680 --> 00:46:25,000 Speaker 1: tufted settee and super overdyed Turkish rugs. I feel like 850 00:46:25,040 --> 00:46:28,760 Speaker 1: we're seeing also the word overdyed just so much more lately, 851 00:46:28,960 --> 00:46:34,360 Speaker 1: like every piece of clothing is overdyed, sweatpants, overdyed beach towel. 852 00:46:34,760 --> 00:46:41,680 Speaker 1: It's like cool, so we're wasting die here, wasting die. Okay, 853 00:46:41,719 --> 00:46:44,719 Speaker 1: the part where she talks about that marble countertop and 854 00:46:45,000 --> 00:46:49,320 Speaker 1: some kitchen that was too intensive a green and she 855 00:46:49,520 --> 00:46:53,800 Speaker 1: had like some absolute magician come in with sandpaper and 856 00:46:54,120 --> 00:46:58,000 Speaker 1: water and subtify the green. Oh and they just standed 857 00:46:58,080 --> 00:47:00,040 Speaker 1: at that for days. I guess that's my question of 858 00:47:00,239 --> 00:47:03,200 Speaker 1: being that rich is like when you're sourcing this stuff, like, 859 00:47:03,719 --> 00:47:06,839 Speaker 1: I mean, obviously she has her like people when you're like, oh, 860 00:47:06,960 --> 00:47:09,399 Speaker 1: I need a slab, do you go to your marble list? 861 00:47:09,960 --> 00:47:12,560 Speaker 1: Or is she going her in porture getting a car 862 00:47:12,600 --> 00:47:16,720 Speaker 1: and they're going to their favorite like to Razzo Vintage 863 00:47:16,800 --> 00:47:21,160 Speaker 1: Tuscan marble warehouse. I think that she's definitely been to 864 00:47:21,239 --> 00:47:24,240 Speaker 1: the Terrazzo Marla warehouse once or twice, once or twice. 865 00:47:24,320 --> 00:47:26,400 Speaker 1: I don't think she's going for every piece of marble, 866 00:47:26,480 --> 00:47:28,960 Speaker 1: but she knows about it. And our assistant or some 867 00:47:29,360 --> 00:47:32,000 Speaker 1: person is like going there and like facetiming her from 868 00:47:32,640 --> 00:47:35,520 Speaker 1: the warehouse. Yeah, for sure, and then she's like, oh, 869 00:47:35,760 --> 00:47:42,040 Speaker 1: it's very her show. Ellen's designed really there the entire time. 870 00:47:42,239 --> 00:47:44,800 Speaker 1: Kind Of my takeaway from a lot of Ellen's homes 871 00:47:45,040 --> 00:47:46,839 Speaker 1: is like if I went in, I'd be like, oh, 872 00:47:47,040 --> 00:47:49,400 Speaker 1: you know, we got somehow got invited into one of 873 00:47:49,440 --> 00:47:51,200 Speaker 1: Ellen's homes. I'd be like, oh my, this is so 874 00:47:51,320 --> 00:47:54,120 Speaker 1: fabulous and like insane, and we'd be like flipping out. 875 00:47:54,400 --> 00:47:56,680 Speaker 1: But looking at these homes. I'm like, I don't know, 876 00:47:56,840 --> 00:48:00,279 Speaker 1: I'm not like freaking out. I'm not freaking out. It 877 00:48:00,360 --> 00:48:02,799 Speaker 1: could be sexier. That's why I love the Brodie House 878 00:48:02,840 --> 00:48:05,960 Speaker 1: because the design itself is just so stunning and stark. 879 00:48:06,000 --> 00:48:09,960 Speaker 1: I mean that indoor outdoor space with a huge the 880 00:48:10,080 --> 00:48:11,640 Speaker 1: spot but also interacts it with it's kind of like 881 00:48:11,640 --> 00:48:14,239 Speaker 1: an interior courtyard and there's that massive sectional and then 882 00:48:14,280 --> 00:48:16,400 Speaker 1: there's like a Buddha somewhere. Oh and one of her 883 00:48:16,440 --> 00:48:18,959 Speaker 1: tips is like, you know what, there's a great idea 884 00:48:18,960 --> 00:48:23,000 Speaker 1: of screen and porch. Yeah, and it's like, thanks, babe, Thanks, Okay, 885 00:48:23,000 --> 00:48:25,520 Speaker 1: I guess I'll do that all. Build a screen porch 886 00:48:25,560 --> 00:48:28,200 Speaker 1: in my part for sure. Before we go into segments, 887 00:48:28,280 --> 00:48:30,839 Speaker 1: we should talk about probably one of her best tips. Yeah. 888 00:48:30,880 --> 00:48:33,520 Speaker 1: I think one of the most important, low cost, most 889 00:48:33,560 --> 00:48:36,240 Speaker 1: efficient ways to make a home beautiful that Ellen shares 890 00:48:36,280 --> 00:48:39,680 Speaker 1: with us. It actually down to earth tip. She gave 891 00:48:39,880 --> 00:48:43,560 Speaker 1: not kind of a don't buy a stone piece and 892 00:48:43,719 --> 00:48:47,840 Speaker 1: put it next to your toozzo. Yeah, prove a tuscan 893 00:48:48,080 --> 00:48:50,640 Speaker 1: leather chair, don't have an Edwardian out of it next 894 00:48:50,760 --> 00:48:56,920 Speaker 1: to a bang home and leather So far mis Vendero 895 00:48:57,960 --> 00:49:03,520 Speaker 1: day bed covered in an overdied Turkish throw. It's not 896 00:49:03,640 --> 00:49:06,920 Speaker 1: movie again. I just had another. Let me just read 897 00:49:06,920 --> 00:49:09,600 Speaker 1: another one. At is a sofa and share by Jean Royer. 898 00:49:09,960 --> 00:49:12,800 Speaker 1: The coffee table is by Jean Prevet. Of course, the 899 00:49:12,920 --> 00:49:16,200 Speaker 1: sheepskin share by Philip Arctander and the nineteen sixties Danish 900 00:49:16,280 --> 00:49:18,880 Speaker 1: sheepskin stools are the centerpieces of the living room. The 901 00:49:19,000 --> 00:49:22,759 Speaker 1: floor line by Angelo Lelli provides great reading light, while 902 00:49:22,760 --> 00:49:25,600 Speaker 1: the Louis pulls in table lamp gives off a moodier feeling. 903 00:49:25,800 --> 00:49:29,120 Speaker 1: I've had the antique Guatemalad bench since my early days 904 00:49:29,160 --> 00:49:33,200 Speaker 1: in Los Angeles. The eighteenth century Belgian table with large 905 00:49:33,320 --> 00:49:36,480 Speaker 1: potent slamp by Jean Prouvet above, and of course on 906 00:49:36,560 --> 00:49:39,759 Speaker 1: the right of bench by Charlotte Baron. I do have 907 00:49:39,800 --> 00:49:43,360 Speaker 1: to say I love Charlotte's benches. I like a bench, 908 00:49:43,719 --> 00:49:46,640 Speaker 1: and she is very bench. I mean, the great thing 909 00:49:46,680 --> 00:49:49,040 Speaker 1: about a bench is it's what you were talking about earlier, 910 00:49:49,080 --> 00:49:51,320 Speaker 1: the same thing as a daybad where it doesn't open, 911 00:49:51,520 --> 00:49:54,800 Speaker 1: does open, doesn't obstruct sightlines. Of course, as you know, 912 00:49:54,960 --> 00:49:57,360 Speaker 1: I've been really on the search because right now I 913 00:49:57,480 --> 00:50:00,560 Speaker 1: have a chair when you back facing, and I want 914 00:50:00,560 --> 00:50:04,040 Speaker 1: I want a day bed to basically follow Ellen's roles. Yeah, 915 00:50:04,280 --> 00:50:06,000 Speaker 1: and I have a day bed in mind, and it's 916 00:50:06,000 --> 00:50:09,280 Speaker 1: a non stock until December, which they are the article. 917 00:50:09,600 --> 00:50:12,120 Speaker 1: And how much is that? It's six ninety nine. I'm 918 00:50:12,160 --> 00:50:16,040 Speaker 1: sure there's cheaper ones. I'm sure with that one that 919 00:50:16,080 --> 00:50:17,600 Speaker 1: we looked at a wait for or whatever was Oh 920 00:50:17,640 --> 00:50:20,120 Speaker 1: but that's probably shitty. Yeah, I guess it's like, you know, 921 00:50:20,400 --> 00:50:22,680 Speaker 1: it's it's maybe you're saving up in that December. You're 922 00:50:22,760 --> 00:50:26,200 Speaker 1: really going to love that day bed, Christmas, little Christmas present, 923 00:50:26,719 --> 00:50:29,239 Speaker 1: Christmas present from portshe But we didn't even say what 924 00:50:29,280 --> 00:50:30,960 Speaker 1: the tip was that we were about to reveal, which 925 00:50:31,280 --> 00:50:40,000 Speaker 1: is bowl period, And she's right, period done. Lemon's cost 926 00:50:40,080 --> 00:50:42,960 Speaker 1: what three for a dollar? Yeah, get a gorgeous bowl. 927 00:50:43,040 --> 00:50:45,560 Speaker 1: You have one five for a dollar. If you don't 928 00:50:45,560 --> 00:50:47,800 Speaker 1: get the organic, you can really get a lot of lemons. 929 00:50:47,920 --> 00:50:51,640 Speaker 1: And then, of course, so the classic kind of Ellen degenerous, 930 00:50:51,760 --> 00:50:55,560 Speaker 1: observational like humor is a tiny bit in this book. 931 00:50:56,000 --> 00:50:58,279 Speaker 1: And that's when she sticks it in. She's like, and 932 00:50:58,360 --> 00:51:01,719 Speaker 1: then of course, you know, don't flies get everywhere? You 933 00:51:01,840 --> 00:51:04,160 Speaker 1: got to replace the lemons and makes some very dad 934 00:51:04,400 --> 00:51:06,759 Speaker 1: Ellen to German style. She was like, no, but don't 935 00:51:06,800 --> 00:51:08,480 Speaker 1: just have the lemons sit there while they wrought and 936 00:51:08,560 --> 00:51:10,400 Speaker 1: then be like, well Ellen told me to buy lemons 937 00:51:10,440 --> 00:51:13,920 Speaker 1: on October and it's just like, yeah, true, keep the 938 00:51:14,040 --> 00:51:16,319 Speaker 1: lemons fresh. I use the lemons. I'm a huge fan 939 00:51:16,360 --> 00:51:20,680 Speaker 1: of lemon water. We're such you know, lemon heads that 940 00:51:21,400 --> 00:51:23,520 Speaker 1: and I calls you a part of lemon She calls 941 00:51:23,520 --> 00:51:26,600 Speaker 1: me the lemon lobby, lemon lobby. I was wanting to though, 942 00:51:26,600 --> 00:51:28,279 Speaker 1: because it's like, I have my fruit bowl in the kitchen. 943 00:51:28,360 --> 00:51:30,480 Speaker 1: It's like, should I do a lemon bowl as a 944 00:51:30,560 --> 00:51:33,200 Speaker 1: centerpiece on my dining room table? Do you think? Yes, Okay, 945 00:51:33,360 --> 00:51:36,520 Speaker 1: that's that's what Allan's Yeah. I mean I usually, you know, 946 00:51:36,560 --> 00:51:37,839 Speaker 1: I don't have it. There's not a lot of fruit 947 00:51:37,880 --> 00:51:39,920 Speaker 1: in there right now, but we usually do that. You 948 00:51:39,960 --> 00:51:41,800 Speaker 1: do have like fruit, and it does warm up the 949 00:51:41,840 --> 00:51:45,160 Speaker 1: space somewhere. It's just bright colors. It's not some painting 950 00:51:45,239 --> 00:51:47,360 Speaker 1: that you have to get. Christie's yeah, send us your 951 00:51:47,440 --> 00:51:51,160 Speaker 1: lemon bowl picks. Her other tip is books like warm 952 00:51:51,320 --> 00:51:53,359 Speaker 1: up a space, which is like, yeah, everyone knows that, right, 953 00:51:53,480 --> 00:51:56,080 Speaker 1: Like thanks, yeah, I mean good tips and some that 954 00:51:56,160 --> 00:51:58,759 Speaker 1: you're like okay, but some the other types I think 955 00:51:58,840 --> 00:52:01,960 Speaker 1: is true where she's like, bottel your home around one 956 00:52:02,120 --> 00:52:04,640 Speaker 1: big piece, one big piece, whether it's like the couch 957 00:52:05,120 --> 00:52:08,360 Speaker 1: or like a table, rather than opposite, like being like, 958 00:52:08,440 --> 00:52:11,040 Speaker 1: oh I found this weird tiny statue and now everything 959 00:52:11,120 --> 00:52:13,800 Speaker 1: needs to match it, right, I mean no one does that. 960 00:52:13,960 --> 00:52:17,799 Speaker 1: But also like and you know, going what's obvious, it's 961 00:52:17,800 --> 00:52:20,279 Speaker 1: like the place that's the sort of like deepest area 962 00:52:20,320 --> 00:52:22,040 Speaker 1: of the room, Like that's where the couch is going. 963 00:52:22,400 --> 00:52:24,799 Speaker 1: Don't just like try to force it, try to force 964 00:52:24,840 --> 00:52:27,960 Speaker 1: something that's not happening. And you know, she says, oh, 965 00:52:28,040 --> 00:52:30,440 Speaker 1: if you feel like this room is weirdly sage, she's like, 966 00:52:30,600 --> 00:52:34,560 Speaker 1: create a nook. You know, yeah, next time, nook nook 967 00:52:34,600 --> 00:52:48,480 Speaker 1: it on an eighteenth century segment by Jean Prouvet, what 968 00:52:48,640 --> 00:52:51,080 Speaker 1: does she eat? Why does she wear? How does she live? 969 00:52:53,680 --> 00:52:56,879 Speaker 1: Does a actually eat? Because you know in this book, 970 00:52:56,960 --> 00:52:58,800 Speaker 1: that's what I was warning. Like, she's like, oh, and 971 00:52:58,960 --> 00:53:02,960 Speaker 1: we spent so much time around that, you know, reclaimed 972 00:53:03,480 --> 00:53:11,520 Speaker 1: barndoor table, refinished by barber's clippings, turned into chairs. So 973 00:53:11,719 --> 00:53:14,319 Speaker 1: what's interesting is she doesn't talk about cooking at all 974 00:53:14,360 --> 00:53:17,440 Speaker 1: in this book. No, she says entertaining. She does entertaining, 975 00:53:17,520 --> 00:53:21,200 Speaker 1: which means obviously it's catered. Yes, I think Porsche's the 976 00:53:21,360 --> 00:53:25,399 Speaker 1: cook and I think Porsche's making like just extremely California 977 00:53:25,680 --> 00:53:31,040 Speaker 1: super healthy, super goopy yeah meals. Yeah, really good olive oil. Yeah, 978 00:53:31,040 --> 00:53:33,719 Speaker 1: it's a really good olive oils Mediterranean diet. It's like 979 00:53:33,800 --> 00:53:37,400 Speaker 1: a beautiful fish. I guess my question is, is Ellen 980 00:53:37,520 --> 00:53:39,920 Speaker 1: like a foodie at all? Because she's so like rich 981 00:53:40,000 --> 00:53:43,320 Speaker 1: and obviously has this like insane taste and design, and 982 00:53:43,440 --> 00:53:46,360 Speaker 1: so you would think that she would like appreciate Michelin 983 00:53:46,600 --> 00:53:49,279 Speaker 1: start cooking. It would be so like, oh, I want 984 00:53:49,360 --> 00:53:53,160 Speaker 1: to go to like the new when we're going to 985 00:53:53,200 --> 00:53:55,160 Speaker 1: like blue Hilledstone Barns or something, just like something like 986 00:53:55,480 --> 00:53:57,880 Speaker 1: she might do a blue Hilledstones Barnes because it's so private. 987 00:53:57,920 --> 00:53:59,680 Speaker 1: But I think because she's so rich and it's become 988 00:53:59,760 --> 00:54:03,319 Speaker 1: like so crazy and rich, that this is why she's 989 00:54:03,320 --> 00:54:06,400 Speaker 1: so she has staff and catering. I don't think she 990 00:54:06,640 --> 00:54:09,759 Speaker 1: probably likes going out to restaurants. Yeah, I just I 991 00:54:09,800 --> 00:54:12,600 Speaker 1: just a privacy. The privacy it's like because I think 992 00:54:12,600 --> 00:54:14,600 Speaker 1: about like those kind of catered chef meals. It's like 993 00:54:14,760 --> 00:54:16,160 Speaker 1: you are always getting. It's like at the end of it, 994 00:54:16,200 --> 00:54:17,520 Speaker 1: it's going to be kind of cruise ship. It's like 995 00:54:17,560 --> 00:54:20,000 Speaker 1: you're still just gonna get like it's always salmon and 996 00:54:20,200 --> 00:54:23,440 Speaker 1: like an ahi and then like from there's a caviar 997 00:54:23,520 --> 00:54:25,480 Speaker 1: and it's like beautifully presented, but it's just like a 998 00:54:25,600 --> 00:54:28,160 Speaker 1: boring tower and like a great salad. I think it's 999 00:54:28,520 --> 00:54:31,279 Speaker 1: Porsche though, is whipping up like just a ton of 1000 00:54:31,440 --> 00:54:36,240 Speaker 1: different like keenwah salads and it's like shredded broccoli salad. 1001 00:54:37,040 --> 00:54:39,840 Speaker 1: Yeah that sounds sorry, and like in a tahini dressing. 1002 00:54:41,120 --> 00:54:43,800 Speaker 1: And I think it's sad that she isn't more of 1003 00:54:43,840 --> 00:54:46,440 Speaker 1: a foodie. That's my tea, My jake is that Actually 1004 00:54:46,440 --> 00:54:48,839 Speaker 1: I think she's as she is the butch. I think 1005 00:54:48,880 --> 00:54:52,440 Speaker 1: she's like a little more like, yeah, my woman's cooking 1006 00:54:52,480 --> 00:54:54,840 Speaker 1: and I guess I'll just eat whatever. Or is she 1007 00:54:55,040 --> 00:54:57,400 Speaker 1: like she's also so like eighties, so maybe she's just 1008 00:54:57,480 --> 00:55:02,480 Speaker 1: like gotta watch my cholesterol. Yeah, yeah, Like I don't know. 1009 00:55:02,560 --> 00:55:04,040 Speaker 1: On her show, I feel like she's a little more 1010 00:55:04,080 --> 00:55:07,200 Speaker 1: Jerry Seinfeldt and it's a little more like cereal if 1011 00:55:07,280 --> 00:55:10,960 Speaker 1: I could every day. Yeah, Porsche's gotten me on the 1012 00:55:12,000 --> 00:55:15,279 Speaker 1: who what's diet? What's in now? Yeah, we're doing the 1013 00:55:15,440 --> 00:55:22,560 Speaker 1: whole it's complicated that expensive diet. Yeah, okay, that's really true. 1014 00:55:23,560 --> 00:55:25,640 Speaker 1: That's true. What is she where? We all know Alan 1015 00:55:25,680 --> 00:55:29,120 Speaker 1: wears sneakers, sneakers and white sneakers. Though there was some 1016 00:55:29,320 --> 00:55:32,000 Speaker 1: I was surprised. I was like seeing some new balances 1017 00:55:32,280 --> 00:55:34,560 Speaker 1: in there that I've never seen her in. So she's 1018 00:55:34,640 --> 00:55:36,359 Speaker 1: always in a white sneaker, and there was like one 1019 00:55:36,480 --> 00:55:39,799 Speaker 1: navy new balance and I was like, wow. Departure. That's 1020 00:55:39,880 --> 00:55:42,279 Speaker 1: when she's like going to the stable or whatever. He 1021 00:55:42,400 --> 00:55:45,080 Speaker 1: casts her stable shoe. That's her one stable shoe where 1022 00:55:45,080 --> 00:55:48,279 Speaker 1: she's going to dust the nineteenth century Adwardian paintings that 1023 00:55:48,360 --> 00:55:51,000 Speaker 1: she put up in the reclaimed stable. That's like Porsche's 1024 00:55:51,040 --> 00:55:55,279 Speaker 1: temporary art space. Hot tip, don't store paintings in an 1025 00:55:55,360 --> 00:55:57,920 Speaker 1: eighteenth century stable because they'll get dusty. Any of you 1026 00:55:57,960 --> 00:56:01,799 Speaker 1: guys were wondering, you'll be dusting all day long? Uh yeah, 1027 00:56:01,800 --> 00:56:05,040 Speaker 1: I mean sweaters, there's really there's not much sweaters, blazers. 1028 00:56:05,480 --> 00:56:08,720 Speaker 1: When the last time Ellen Moore a dress was probably 1029 00:56:08,719 --> 00:56:11,120 Speaker 1: there was some gag on the show. Yeah again, I 1030 00:56:11,160 --> 00:56:15,600 Speaker 1: mean because even on the sitcom where she's closeted, she's 1031 00:56:15,640 --> 00:56:19,160 Speaker 1: not in address right, So I feel like age fifteen, 1032 00:56:19,320 --> 00:56:22,760 Speaker 1: you know, but she was on like in the nineties, 1033 00:56:22,800 --> 00:56:25,160 Speaker 1: early two thousands, she was wearing probably what more she 1034 00:56:25,320 --> 00:56:27,719 Speaker 1: forced and haste to wear like it was like such 1035 00:56:27,920 --> 00:56:35,080 Speaker 1: weird foot galla silky yeah, like pounds Yeah, and it flared, flowey, 1036 00:56:36,200 --> 00:56:39,480 Speaker 1: flared and floey. I can't wear flared and floey big pounds. 1037 00:56:40,040 --> 00:56:44,839 Speaker 1: Um sure, hairsaw hasn't changed. And twenty years No, it's 1038 00:56:44,880 --> 00:56:46,560 Speaker 1: now like much more like crew cut used to be 1039 00:56:46,680 --> 00:56:51,720 Speaker 1: so much more like nineties. It's got a little bit shorter, 1040 00:56:51,920 --> 00:56:54,279 Speaker 1: like to go along with the times. But I feel 1041 00:56:54,280 --> 00:56:56,560 Speaker 1: like it's basically been the same. Yeah, it's gone from 1042 00:56:56,600 --> 00:56:59,760 Speaker 1: shaggy to like it was a serious lightly more shaggy, 1043 00:57:00,080 --> 00:57:03,120 Speaker 1: more of the racial like and she had behind. Yeah, 1044 00:57:03,680 --> 00:57:07,640 Speaker 1: it was shakierfier. Now it's more just close crop normal, 1045 00:57:07,760 --> 00:57:11,360 Speaker 1: close crop levis I mean she's salvage, I pronounce it, 1046 00:57:11,760 --> 00:57:15,640 Speaker 1: she's raw dam she's raf for sure. How does she live? 1047 00:57:15,800 --> 00:57:21,760 Speaker 1: I mean, I mean I think we've covered she's probably 1048 00:57:21,840 --> 00:57:24,880 Speaker 1: moving right now. Yeah, it's funning this book. I would 1049 00:57:24,880 --> 00:57:26,960 Speaker 1: may just be like, maybe this will be our forever home. 1050 00:57:28,160 --> 00:57:32,600 Speaker 1: Ha ha ha ha. Obviously moving on? Okay, should we do? 1051 00:57:32,720 --> 00:57:34,160 Speaker 1: Who are you in the book, or should we do 1052 00:57:34,400 --> 00:57:36,600 Speaker 1: which house are you in the book? I mean, there 1053 00:57:36,640 --> 00:57:38,960 Speaker 1: aren't people in this book. I mean there's Porsche, and 1054 00:57:39,040 --> 00:57:42,280 Speaker 1: there's the Friends, and there's Ellen, and then there's let's 1055 00:57:42,320 --> 00:57:44,120 Speaker 1: do what house you are in the book? Okay, So 1056 00:57:44,360 --> 00:57:48,120 Speaker 1: there's there's the Brody, there's the Fabulous Japanese, there's the 1057 00:57:48,200 --> 00:57:53,720 Speaker 1: Tuscan Villa. There's the adjoining Hollywood condos, two apartments that 1058 00:57:53,840 --> 00:57:56,160 Speaker 1: they bought because they were like, we might wanted to 1059 00:57:56,240 --> 00:57:58,160 Speaker 1: live downtown. And then it was like that part that 1060 00:57:58,280 --> 00:58:00,320 Speaker 1: was so boring, that one. Yeah, and they're like one 1061 00:58:00,560 --> 00:58:02,960 Speaker 1: one was for entertaining, one was for living, which I 1062 00:58:03,000 --> 00:58:04,640 Speaker 1: was kind of obsessed with. It's like, so you just 1063 00:58:04,760 --> 00:58:08,280 Speaker 1: have this like showroom. Yeah, the dark moody one was 1064 00:58:08,360 --> 00:58:10,720 Speaker 1: for entertaining, and the lighter like white walls one was 1065 00:58:10,800 --> 00:58:15,960 Speaker 1: for living. And there's a Hollywood Regency one yeah uh, 1066 00:58:16,800 --> 00:58:21,560 Speaker 1: and then this ston the Barns and then the Barns Barns. Okay, 1067 00:58:22,000 --> 00:58:24,520 Speaker 1: I guess I feel like I want to be brody, 1068 00:58:24,680 --> 00:58:27,400 Speaker 1: but maybe I'm actually the child Stella Estates, which is 1069 00:58:27,480 --> 00:58:31,400 Speaker 1: the Hollywood one Hollywood, like yeah, yeah, I was actually 1070 00:58:31,480 --> 00:58:35,160 Speaker 1: gonna say randomly, like I think that is kind of true. 1071 00:58:35,360 --> 00:58:38,360 Speaker 1: But like core, you're maybe a little bit like this, 1072 00:58:38,720 --> 00:58:41,640 Speaker 1: oh the last one, the bird house, No, the one 1073 00:58:41,800 --> 00:58:46,919 Speaker 1: where she buys the adjoining properties to build a quipond. Oh. Yeah, 1074 00:58:47,440 --> 00:58:50,160 Speaker 1: because I'm just like, at the end of the day, 1075 00:58:50,320 --> 00:58:52,160 Speaker 1: I get what I want. Yeah, because you're like, at 1076 00:58:52,200 --> 00:58:54,360 Speaker 1: the end of the day, I wanted quipond, and you're like, 1077 00:58:54,400 --> 00:58:56,880 Speaker 1: I want that house or where you think it's ugly, 1078 00:58:57,000 --> 00:58:59,280 Speaker 1: and you're like, I hate looking at that house. I 1079 00:58:59,520 --> 00:59:02,760 Speaker 1: hate and that's why I can tear it down. Wow, 1080 00:59:02,920 --> 00:59:06,880 Speaker 1: thank you, I thought after what I want. Yeah, I 1081 00:59:07,400 --> 00:59:11,600 Speaker 1: think I think I'm the Hollywood Regency house that was 1082 00:59:11,760 --> 00:59:15,880 Speaker 1: used for like a Versagi and that was more glitz 1083 00:59:15,960 --> 00:59:17,840 Speaker 1: and glamoring has them. I mean, I love the marble 1084 00:59:17,960 --> 00:59:20,360 Speaker 1: lined element. Yeah. No, and you are sort of like 1085 00:59:20,520 --> 00:59:24,320 Speaker 1: a sort of a somewhat disparate mix of different elements. Yeah, 1086 00:59:24,400 --> 00:59:27,560 Speaker 1: it's like you're getting kind of the wooden Madman stuff, 1087 00:59:27,880 --> 00:59:31,720 Speaker 1: but you're you're old, your marble slabs. But I also 1088 00:59:31,800 --> 00:59:33,680 Speaker 1: want to be whatever house which is the broody that 1089 00:59:33,800 --> 00:59:37,960 Speaker 1: has the insane the marble spa. I just is that 1090 00:59:38,080 --> 00:59:39,760 Speaker 1: ever happening in my life? I think I'm visiting a 1091 00:59:39,800 --> 00:59:43,520 Speaker 1: space like that. I don't think this spa is happening. 1092 00:59:43,600 --> 00:59:45,240 Speaker 1: I guess. The one other question is like, am I 1093 00:59:45,320 --> 00:59:48,680 Speaker 1: in a weird way? Am I the Hollywood condo? I was? 1094 00:59:48,840 --> 00:59:51,360 Speaker 1: I was wondering because I'm such a Gemini and like 1095 00:59:51,640 --> 00:59:53,800 Speaker 1: half of me is for entertaining, but like half of 1096 00:59:53,920 --> 00:59:57,800 Speaker 1: me is private and I'm so just like two faced. Well, 1097 00:59:57,840 --> 00:59:59,560 Speaker 1: and also are you so like I just need to 1098 00:59:59,600 --> 01:00:03,000 Speaker 1: be in the X right needs it needs to be 1099 01:00:03,080 --> 01:00:08,600 Speaker 1: downtown like I need. But ultimately think you're right and 1100 01:00:08,640 --> 01:00:11,880 Speaker 1: that I'm the one. I'm the le coue pond. You're 1101 01:00:11,880 --> 01:00:13,960 Speaker 1: a coupond. I think you have at some point in 1102 01:00:14,080 --> 01:00:17,680 Speaker 1: life you have the adjoining apartments, and then when you 1103 01:00:17,760 --> 01:00:20,440 Speaker 1: get the windfall, yeah, you get that house, and then 1104 01:00:20,440 --> 01:00:23,600 Speaker 1: when you get the second and third windfall, you get 1105 01:00:23,640 --> 01:00:28,200 Speaker 1: the corp pond. Listen, books warm up a home period, yeah, 1106 01:00:28,240 --> 01:00:30,480 Speaker 1: and especially coffee table books, and like everyone loves a 1107 01:00:30,480 --> 01:00:32,520 Speaker 1: beautiful thing to look through, and I think this book 1108 01:00:32,560 --> 01:00:35,760 Speaker 1: will provide you with inspiration, truly, and I think it 1109 01:00:35,760 --> 01:00:38,439 Speaker 1: will be an absolute conversation starter because people are gonna 1110 01:00:38,440 --> 01:00:40,080 Speaker 1: be like, oh, that's just like a big coffee table book, 1111 01:00:40,080 --> 01:00:41,840 Speaker 1: and they're like, wait, this is Ellen de Generess's coffee 1112 01:00:41,840 --> 01:00:43,120 Speaker 1: table book. And then you're like, wait, it's all of 1113 01:00:43,200 --> 01:00:45,840 Speaker 1: Ellen de Generes's homes. Yeah, and then you learned that 1114 01:00:45,960 --> 01:00:48,600 Speaker 1: Ellen all she does is just like this hychotically, like 1115 01:00:49,080 --> 01:00:52,120 Speaker 1: slap her staff for like touching her African masks, and 1116 01:00:52,280 --> 01:00:56,120 Speaker 1: like flips barns and just like buys houses every day. 1117 01:00:58,160 --> 01:01:00,439 Speaker 1: Another tip that she has in here, but this book 1118 01:01:00,480 --> 01:01:03,200 Speaker 1: could sort of like help you with, is having something 1119 01:01:03,240 --> 01:01:05,160 Speaker 1: in mind when you go to decorated room. And I'm 1120 01:01:05,160 --> 01:01:08,000 Speaker 1: always talking about the virtu interest and creating a mood 1121 01:01:08,080 --> 01:01:11,320 Speaker 1: board for a room before you start decorating. But let 1122 01:01:11,440 --> 01:01:14,480 Speaker 1: this book inspire you. It's so true because we always 1123 01:01:14,520 --> 01:01:16,800 Speaker 1: do that with our style and we're like, oh, I 1124 01:01:16,920 --> 01:01:19,160 Speaker 1: mean many do I want to look like, you know, 1125 01:01:19,360 --> 01:01:24,800 Speaker 1: a royal Kendall Jenner. I want Jonah Hill right my 1126 01:01:24,960 --> 01:01:28,160 Speaker 1: moon board. It's all just photos of Jonah Hill, seth 1127 01:01:28,280 --> 01:01:31,120 Speaker 1: Rogen Jonah Hill. And she also says, know what you wanted? 1128 01:01:31,200 --> 01:01:32,919 Speaker 1: Oh well, I guess this is the food thing. She says, 1129 01:01:33,000 --> 01:01:34,400 Speaker 1: know what you want to eat before you go in 1130 01:01:34,440 --> 01:01:37,560 Speaker 1: the fridgerator, which is you know, a metaphor for you know, 1131 01:01:38,160 --> 01:01:40,200 Speaker 1: know what style you want right, and then you're not 1132 01:01:40,360 --> 01:01:44,600 Speaker 1: just blind eating, blind eating and blind buying random shit 1133 01:01:44,720 --> 01:01:47,840 Speaker 1: at Christie's, which we are all prone to. Put the 1134 01:01:47,920 --> 01:01:51,360 Speaker 1: paddle down. Okay, decide if you want early prevey or 1135 01:01:51,440 --> 01:01:54,560 Speaker 1: later prevey. Yeah, okay, I know that before you get 1136 01:01:54,640 --> 01:01:58,720 Speaker 1: to the auction house. Okay, Well, I have to go 1137 01:01:58,920 --> 01:02:02,840 Speaker 1: retire with my mid century American bronze sculpture of a horse. 1138 01:02:04,440 --> 01:02:06,720 Speaker 1: I think I'm gonna take just to walk to one 1139 01:02:06,760 --> 01:02:10,240 Speaker 1: of my stables. Lovely if you if you see my 1140 01:02:10,320 --> 01:02:13,160 Speaker 1: seventeenth century portrait of a quartisan, please dust her. I 1141 01:02:13,280 --> 01:02:16,960 Speaker 1: will try. I will try to do that. Horses whipping 1142 01:02:17,080 --> 01:02:20,439 Speaker 1: up just some plain keen while that I guess I'll 1143 01:02:20,480 --> 01:02:22,040 Speaker 1: have to eat because I have to get in bed 1144 01:02:22,120 --> 01:02:24,919 Speaker 1: by seven pm because my cue mute from the horse 1145 01:02:25,080 --> 01:02:27,720 Speaker 1: ranch is actually a long way to Burbank. Anyway. I 1146 01:02:27,840 --> 01:02:30,920 Speaker 1: give this book for a coffee table book nine out 1147 01:02:30,960 --> 01:02:35,160 Speaker 1: of ten privet chairs. Wow. Okay, no, I mean actually sorry, 1148 01:02:35,200 --> 01:02:38,880 Speaker 1: incase coffee table books do crazy things. That's I give 1149 01:02:38,920 --> 01:02:44,920 Speaker 1: it seven, yeah, seven privey chairs out of ten slabs 1150 01:02:45,480 --> 01:02:48,640 Speaker 1: of vintage time stone. I give it three out of 1151 01:02:48,720 --> 01:02:52,600 Speaker 1: five Central African necklaces, mostly because I actually think that 1152 01:02:52,720 --> 01:02:56,720 Speaker 1: like the designs aren't different enough within the different spaces 1153 01:02:57,080 --> 01:02:59,920 Speaker 1: and like just really just a common unheard her design, 1154 01:03:00,000 --> 01:03:01,920 Speaker 1: and I would like to actually see her push her 1155 01:03:02,080 --> 01:03:05,960 Speaker 1: esthetic a little harder. I totally agree. It's like cool, yeah, 1156 01:03:06,480 --> 01:03:09,640 Speaker 1: these are vintage pieces and like warm and inviting and design, 1157 01:03:09,800 --> 01:03:12,080 Speaker 1: but you're like that's the theme event, Like yeah, I 1158 01:03:12,080 --> 01:03:13,880 Speaker 1: would love to see her just like a whole hog 1159 01:03:14,040 --> 01:03:16,800 Speaker 1: like neo classical with the villa right and like and 1160 01:03:16,920 --> 01:03:19,720 Speaker 1: have so many more like bright colors and just like 1161 01:03:20,080 --> 01:03:22,960 Speaker 1: where's the fun of the grand banquet table, of the 1162 01:03:23,000 --> 01:03:25,280 Speaker 1: grand makeroadtable? I have candle labras, have just like a 1163 01:03:25,840 --> 01:03:28,240 Speaker 1: statement couch or something, you know, like give me bright, 1164 01:03:28,360 --> 01:03:30,320 Speaker 1: Like I would love just switch up the art more 1165 01:03:30,360 --> 01:03:32,160 Speaker 1: like I would have loved if you know, make the 1166 01:03:32,280 --> 01:03:35,560 Speaker 1: condo even cheesier, make it more modern, like don't give 1167 01:03:35,600 --> 01:03:38,080 Speaker 1: me the big stuft in English sofa in the condo, 1168 01:03:38,240 --> 01:03:40,680 Speaker 1: you know if this bay just restoration hardware. Or she 1169 01:03:40,800 --> 01:03:42,920 Speaker 1: talks about how much she loves and has so much 1170 01:03:42,960 --> 01:03:45,640 Speaker 1: advice for outdoor spaces, but I the outdoor spaces were 1171 01:03:45,720 --> 01:03:48,680 Speaker 1: like cool disappointing. They were just like big rustic table 1172 01:03:48,840 --> 01:03:51,720 Speaker 1: and chairs. Yeah, I mean besides the obvious quipon but 1173 01:03:51,880 --> 01:03:55,440 Speaker 1: like that's just money, okay with the olive trees. But yeah, 1174 01:03:55,480 --> 01:03:57,919 Speaker 1: then just that wicker furniture I thought was really boring. 1175 01:03:57,960 --> 01:04:00,040 Speaker 1: Where was the ratan? I mean also those are the 1176 01:04:00,120 --> 01:04:01,800 Speaker 1: other thing. I was kind of surprised and not see 1177 01:04:01,920 --> 01:04:05,880 Speaker 1: more one. I would have loved to see like some 1178 01:04:06,040 --> 01:04:08,880 Speaker 1: teaky elements in there, like get more mad men, get 1179 01:04:09,000 --> 01:04:11,600 Speaker 1: fun and cook and she just she didn't push. I 1180 01:04:11,720 --> 01:04:17,000 Speaker 1: want Orson Wells original clock, I want Wells call okay, 1181 01:04:17,600 --> 01:04:22,000 Speaker 1: I want Orson Wells. Yeah, taxi dermid on top of that, 1182 01:04:22,480 --> 01:04:25,800 Speaker 1: yes statue, Yeah, Ellen, go farther. And I guess in 1183 01:04:25,920 --> 01:04:28,560 Speaker 1: just terms of like coffee table book right, like you 1184 01:04:28,640 --> 01:04:30,640 Speaker 1: know we're some coffee table books. Like there's such a 1185 01:04:30,760 --> 01:04:34,320 Speaker 1: texture to it and like the pages really well, I 1186 01:04:34,440 --> 01:04:36,280 Speaker 1: feel like your maybe book since there's just like a 1187 01:04:36,400 --> 01:04:39,440 Speaker 1: library version, it's not as nice. Yeah, my book is 1188 01:04:39,440 --> 01:04:42,640 Speaker 1: from like the Minnesota librariy or something, thank youthrift books 1189 01:04:42,680 --> 01:04:45,280 Speaker 1: dot com. But yeah, anyway, it's fun and it's such 1190 01:04:45,280 --> 01:04:48,000 Speaker 1: a conversation starter or it's a great conversation starter. Please 1191 01:04:48,080 --> 01:04:50,240 Speaker 1: remember to nail your masks to the plants so that 1192 01:04:50,400 --> 01:04:54,040 Speaker 1: your staff does not shatter them when you're moving to 1193 01:04:54,160 --> 01:04:57,560 Speaker 1: one of your many homes. Our next book is super fun. 1194 01:04:57,640 --> 01:04:59,400 Speaker 1: It's so funny because I was saying that Ellen's not 1195 01:04:59,560 --> 01:05:02,720 Speaker 1: enough of a foodie. Yeah, well move over, okay and 1196 01:05:03,000 --> 01:05:07,600 Speaker 1: set the table with Danny, famous restaurant tour inventor of 1197 01:05:07,640 --> 01:05:11,680 Speaker 1: shake Shack, Clever Medison Park, etc. Germsey Tavern. Make a reservation, 1198 01:05:12,080 --> 01:05:14,680 Speaker 1: Make a reservation, well sorry, actually walkins accepted on our 1199 01:05:14,760 --> 01:05:19,600 Speaker 1: podcast tal Yeah, no RESI required, Delete your resie and 1200 01:05:19,680 --> 01:05:21,880 Speaker 1: we'll see you next week. See you next week. Best 1201 01:05:26,680 --> 01:05:30,080 Speaker 1: Celebrity Book Club is an early American folk chair presented 1202 01:05:30,120 --> 01:05:34,000 Speaker 1: by Prolog Project and vintage American artist Headgum. The show 1203 01:05:34,160 --> 01:05:38,120 Speaker 1: is produced by seventeenth century Meg Murnain, with editorial support 1204 01:05:38,200 --> 01:05:42,120 Speaker 1: from French artist Leon Nay Falk, African Tribal headrest Andrew 1205 01:05:42,200 --> 01:05:47,160 Speaker 1: Parsons and the Baroque side Table Madeline Kaplan. Our production 1206 01:05:47,320 --> 01:05:52,920 Speaker 1: manager is Sealing Fixture Perceive Verlin. Engineering by a nineteenth 1207 01:05:53,080 --> 01:05:58,479 Speaker 1: century Danish ceramic lamp known as Ferris Manche. Original theme 1208 01:05:58,600 --> 01:06:03,800 Speaker 1: song by Deep Deep day Settee Stephen Phillips Horst. Artwork 1209 01:06:04,480 --> 01:06:08,040 Speaker 1: by a bust of Medusa known as Teddy blanks at 1210 01:06:08,120 --> 01:06:11,360 Speaker 1: chips and Ye, follow us on Twitter at CBC the Pod, 1211 01:06:11,440 --> 01:06:14,640 Speaker 1: subscribe on your favorite podcast app, leave us a review, 1212 01:06:14,760 --> 01:06:17,800 Speaker 1: and don't forget to tell all your sixteenth century Jean 1213 01:06:17,840 --> 01:06:30,040 Speaker 1: Brevet friends about us. That was a hit. Gun podcast