WEBVTT - #45 Sgt. John Kapphahn

0:00:02.440 --> 0:00:05.960
<v Speaker 1>What I have a question. I'm looking from medical perspective. Yeah,

0:00:06.240 --> 0:00:10.399
<v Speaker 1>I just had soup and kind of a bull o Bays,

0:00:10.920 --> 0:00:13.200
<v Speaker 1>you do not have what's a bull base?

0:00:14.360 --> 0:00:17.919
<v Speaker 2>Why did you say I was trying to impress you

0:00:19.000 --> 0:00:19.400
<v Speaker 2>so good?

0:00:21.560 --> 0:00:24.880
<v Speaker 1>Anyway, the point is, after I have a bowl of soup,

0:00:25.040 --> 0:00:28.040
<v Speaker 1>it really sloshes around in my stomach, like I really hear.

0:00:28.240 --> 0:00:30.320
<v Speaker 3>I've done that. I've always heard your stomach, They're going

0:00:30.360 --> 0:00:30.920
<v Speaker 3>for years.

0:00:30.960 --> 0:00:32.440
<v Speaker 1>How would you have heard my stomach?

0:00:32.479 --> 0:00:36.879
<v Speaker 4>Because everything about you is noisy, your finger lickings, noisy,

0:00:37.360 --> 0:00:37.839
<v Speaker 4>your stomach.

0:00:38.320 --> 0:00:40.960
<v Speaker 1>In some cultures, you know, it's considered a compliment.

0:00:41.680 --> 0:00:44.760
<v Speaker 2>I'm not doing this no.

0:00:50.960 --> 0:00:55.520
<v Speaker 1>From Gimblet Media. I'm Jonathan Goldstein and this is Heavyweight

0:00:56.400 --> 0:01:05.880
<v Speaker 1>Today's episode Sergeant John Capon. Right after the break.

0:01:13.160 --> 0:01:15.520
<v Speaker 5>When I told some people at work that I would

0:01:15.520 --> 0:01:18.479
<v Speaker 5>be talking with someone on a podcast, they all immediately said, oh,

0:01:18.480 --> 0:01:19.080
<v Speaker 5>for murder.

0:01:19.720 --> 0:01:20.520
<v Speaker 6>It's about murder.

0:01:21.400 --> 0:01:25.319
<v Speaker 1>Melanie has never murdered anyone, and at the risk of

0:01:25.360 --> 0:01:29.280
<v Speaker 1>sounding like an old softy, neither of I. But the

0:01:29.319 --> 0:01:33.920
<v Speaker 1>story you're about to hear does involve a murder of sorts.

0:01:34.920 --> 0:01:37.720
<v Speaker 1>Thirty years ago, Melanie snuffed out the life of a

0:01:37.760 --> 0:01:42.000
<v Speaker 1>family heirloom. But as they say on the Murder podcasts,

0:01:42.600 --> 0:01:49.720
<v Speaker 1>more on that later. The story all begins in rural Minnesota,

0:01:50.120 --> 0:01:53.000
<v Speaker 1>on the bean farm where Melanie grew up. All her

0:01:53.040 --> 0:01:56.760
<v Speaker 1>friends lived miles away, so for company, all she had

0:01:56.880 --> 0:01:59.400
<v Speaker 1>were a couple Measley TV stations.

0:01:59.240 --> 0:02:02.920
<v Speaker 5>Channels that we can could get through our bonnied Ear antenna.

0:02:03.040 --> 0:02:05.320
<v Speaker 5>Like there'd be days where like my dad's up on

0:02:05.360 --> 0:02:07.040
<v Speaker 5>the roof, like, okay, tell me when you can see

0:02:07.080 --> 0:02:07.480
<v Speaker 5>the picture.

0:02:08.720 --> 0:02:13.240
<v Speaker 1>And on February seventeenth, nineteen ninety three, Melanie really needed

0:02:13.280 --> 0:02:16.560
<v Speaker 1>to see that picture, because that was the night ABC

0:02:16.800 --> 0:02:20.640
<v Speaker 1>was airing the television event of the century, a special

0:02:20.720 --> 0:02:22.440
<v Speaker 1>starring Melanie's favorite.

0:02:22.120 --> 0:02:25.480
<v Speaker 6>Artist, Billy ray Cyrus.

0:02:27.720 --> 0:02:30.560
<v Speaker 1>Billy ray Cyrus.

0:02:29.760 --> 0:02:34.680
<v Speaker 5>So cool, he could dance, great mullet, tight pants.

0:02:34.639 --> 0:02:40.320
<v Speaker 1>Oily biceps, Miley's dad, hip, soul patch, denim clad. The

0:02:40.360 --> 0:02:41.040
<v Speaker 1>special was.

0:02:41.000 --> 0:02:43.080
<v Speaker 6>Called Dreams Come True.

0:02:44.120 --> 0:02:47.320
<v Speaker 1>For Melanie, the name couldn't have been more appropriate. She

0:02:47.440 --> 0:02:50.720
<v Speaker 1>loved Billy ray Cyrus so much that she'd spend hours

0:02:50.720 --> 0:02:53.720
<v Speaker 1>plunking out a key breaky Heart on the family piano.

0:02:54.680 --> 0:02:58.360
<v Speaker 1>The only problem Melanie was nine years old and the

0:02:58.360 --> 0:03:00.480
<v Speaker 1>special came on after her time.

0:03:01.080 --> 0:03:04.840
<v Speaker 5>So my plan was to record the concert on a

0:03:04.919 --> 0:03:07.080
<v Speaker 5>VHS tape so I could watch it later.

0:03:08.080 --> 0:03:10.880
<v Speaker 1>Melanie's parents kept all the VHS tapes in a dining

0:03:10.960 --> 0:03:13.560
<v Speaker 1>room drawer, so she pulled one out from way in.

0:03:13.520 --> 0:03:16.360
<v Speaker 6>The back, slided it in, and pressed record.

0:03:17.680 --> 0:03:21.120
<v Speaker 1>Melanie's memory of what happened next is fuzzy. It might

0:03:21.120 --> 0:03:23.080
<v Speaker 1>have been the next morning, as she got ready to

0:03:23.080 --> 0:03:26.600
<v Speaker 1>watch the special in her PJS, that her mom asked, Hey,

0:03:26.639 --> 0:03:29.560
<v Speaker 1>by the way, what videotape did you record that on?

0:03:30.639 --> 0:03:33.720
<v Speaker 1>That would have been the moment Melanie learned the horrible truth.

0:03:34.320 --> 0:03:37.240
<v Speaker 5>The tape that I had grabbed to record an hour

0:03:37.240 --> 0:03:42.000
<v Speaker 5>of Billy Ray Cyrus over was an interview that my

0:03:42.160 --> 0:03:46.920
<v Speaker 5>father had done from Vietnam while injured and hospitalized.

0:03:47.760 --> 0:03:51.040
<v Speaker 6>And the interview was with Walter Cronkite.

0:03:52.560 --> 0:03:54.240
<v Speaker 1>On this videotape.

0:03:54.520 --> 0:04:02.320
<v Speaker 5>Yes, that had now been recorded over by Billy Ray Cyrus.

0:04:02.320 --> 0:04:04.920
<v Speaker 1>Of course, as a nine year old, Melanie could only

0:04:05.040 --> 0:04:08.320
<v Speaker 1>understand so much about what she'd done. She never watched

0:04:08.320 --> 0:04:11.040
<v Speaker 1>the tape of her father's interview. She didn't know who

0:04:11.040 --> 0:04:14.520
<v Speaker 1>Walter Cronkite was or anything at all about the Vietnam War.

0:04:15.080 --> 0:04:17.760
<v Speaker 5>But you know, I was able to comprehend that this

0:04:17.960 --> 0:04:21.039
<v Speaker 5>was something we weren't going to get back. I have

0:04:21.080 --> 0:04:23.200
<v Speaker 5>an older sister, she's six years older, and I think

0:04:23.279 --> 0:04:27.360
<v Speaker 5>she probably helped me realize that by rubbing it in.

0:04:29.640 --> 0:04:30.800
<v Speaker 1>Why did you put this on?

0:04:30.960 --> 0:04:33.360
<v Speaker 4>Here? Do you know what was on this?

0:04:33.360 --> 0:04:36.320
<v Speaker 1>This is Melanie's older sister, Sam, who was old enough

0:04:36.320 --> 0:04:39.200
<v Speaker 1>to understand the significance of the tape and to remember

0:04:39.200 --> 0:04:42.400
<v Speaker 1>her father's reaction when he found out it had been erased.

0:04:42.640 --> 0:04:45.479
<v Speaker 4>Oh, it was like World War seventeen because there was

0:04:45.520 --> 0:04:48.560
<v Speaker 4>none of the interview left, like there wasn't like, oh,

0:04:48.600 --> 0:04:50.920
<v Speaker 4>here's where the beginning of the interview is. And then

0:04:50.920 --> 0:04:53.559
<v Speaker 4>it cuts to Billy ray Cyrus. This was just straight

0:04:53.640 --> 0:04:56.400
<v Speaker 4>up Billy Ray Cyrus on stage singing.

0:04:56.880 --> 0:04:59.000
<v Speaker 1>Can I ask, if you're a Billy ray Cyrus fan,

0:04:59.160 --> 0:05:00.839
<v Speaker 1>did you feel like, well, this isn't all bad. I

0:05:00.880 --> 0:05:02.680
<v Speaker 1>mean we lost a family heirloom.

0:05:03.480 --> 0:05:06.839
<v Speaker 4>No, no, not be something where I would have said that,

0:05:06.880 --> 0:05:09.000
<v Speaker 4>I would have considered that an equivalent swap.

0:05:09.080 --> 0:05:09.560
<v Speaker 1>Look was it?

0:05:09.720 --> 0:05:12.800
<v Speaker 4>Like, well, at least we've got Achy Breaky on VHS.

0:05:18.279 --> 0:05:21.120
<v Speaker 1>Now that Melanie's an adult, she feels terrible about her

0:05:21.120 --> 0:05:24.359
<v Speaker 1>mistake and wants to make things right. She wants to

0:05:24.440 --> 0:05:28.520
<v Speaker 1>unerase the video and return it to her father, But

0:05:28.600 --> 0:05:32.520
<v Speaker 1>after combing the CBS website emailing the network, her mom

0:05:32.600 --> 0:05:35.640
<v Speaker 1>even mailed them a physical letter. Melanie's had no luck

0:05:35.680 --> 0:05:38.760
<v Speaker 1>with finding a copy. She's not even sure the interview

0:05:38.880 --> 0:05:42.760
<v Speaker 1>still exists. So much from that era doesn't. Until the

0:05:42.800 --> 0:05:46.320
<v Speaker 1>late nineteen seventies, networks with white TV shows once they'd aired.

0:05:47.160 --> 0:05:50.640
<v Speaker 1>As a result, most Macy's Day parades are gone. Not

0:05:50.760 --> 0:05:53.599
<v Speaker 1>to mention, the first episode of The Ed Sullivan Show,

0:05:54.240 --> 0:05:57.159
<v Speaker 1>a surprise appearance from John Lennon on a nineteen seventy

0:05:57.160 --> 0:06:00.479
<v Speaker 1>four Monday night football, only exists because it was recorded

0:06:00.520 --> 0:06:03.560
<v Speaker 1>onto home video by a fan, a fan it would

0:06:03.560 --> 0:06:07.599
<v Speaker 1>seem without a Billy Ray Cyris super fan for a daughter.

0:06:15.360 --> 0:06:18.159
<v Speaker 1>What makes Melanie's guilt all the worse is that the

0:06:18.240 --> 0:06:20.520
<v Speaker 1>video was the one thing she could have turned to

0:06:20.520 --> 0:06:22.839
<v Speaker 1>to understand that time in her father's life.

0:06:23.600 --> 0:06:27.720
<v Speaker 5>Because growing up Vietnam was just kind of a subject

0:06:27.720 --> 0:06:29.960
<v Speaker 5>that we knew not to bring up.

0:06:30.880 --> 0:06:33.920
<v Speaker 1>Everything from her dad's time in the army felt off limits.

0:06:34.320 --> 0:06:37.320
<v Speaker 1>He kept his uniform deep in the closet, his purple

0:06:37.360 --> 0:06:40.000
<v Speaker 1>heart in the back of a drawer. On the rare

0:06:40.040 --> 0:06:43.359
<v Speaker 1>occasion their father did bring up Vietnam. It wasn't to

0:06:43.400 --> 0:06:44.200
<v Speaker 1>share memories.

0:06:44.560 --> 0:06:47.839
<v Speaker 5>There's times where my sister and I are just running

0:06:47.839 --> 0:06:51.880
<v Speaker 5>around and you know, him commenting to us, pick up

0:06:51.920 --> 0:06:54.360
<v Speaker 5>your feet. You wouldn't last five minutes in Vietnam. You

0:06:54.360 --> 0:06:55.480
<v Speaker 5>guys would all be blown up.

0:06:55.839 --> 0:06:57.560
<v Speaker 1>Pick up your feet. God damn it.

0:06:57.600 --> 0:06:59.359
<v Speaker 4>You wouldn't have lasted four days, and.

0:06:59.440 --> 0:07:00.920
<v Speaker 1>Now you would have been shot.

0:07:01.400 --> 0:07:06.039
<v Speaker 4>So basically, all I knew about Vietnam was that I

0:07:06.040 --> 0:07:07.320
<v Speaker 4>would not survived.

0:07:07.480 --> 0:07:09.760
<v Speaker 5>I knew it was someplace where you needed to be quiet,

0:07:10.440 --> 0:07:13.080
<v Speaker 5>and that he had gotten hurt there.

0:07:14.040 --> 0:07:17.360
<v Speaker 1>John had been caught in an explosion of shrapnel in Vietnam,

0:07:17.880 --> 0:07:20.160
<v Speaker 1>but his daughters only knew this because of the pieces

0:07:20.160 --> 0:07:22.440
<v Speaker 1>of metal that would occasionally fall from his body.

0:07:23.040 --> 0:07:26.240
<v Speaker 4>I remember him sitting at our kitchen table, and every

0:07:26.240 --> 0:07:28.160
<v Speaker 4>now and then there would be this little piece of

0:07:28.200 --> 0:07:32.080
<v Speaker 4>metal that would get worked out of an arm or

0:07:32.120 --> 0:07:35.559
<v Speaker 4>a leg. He's like, well, that's shrapnel at shrapnel working

0:07:35.600 --> 0:07:38.040
<v Speaker 4>its way out. And of course they would be very small.

0:07:38.600 --> 0:07:42.280
<v Speaker 4>They weren't shiny, kind of like a very dark, dark gray,

0:07:42.440 --> 0:07:43.080
<v Speaker 4>not black.

0:07:43.480 --> 0:07:49.800
<v Speaker 1>I remember that, although Sam and Melanie are now adults,

0:07:50.040 --> 0:07:53.120
<v Speaker 1>their understanding of their father's time in Vietnam is as

0:07:53.200 --> 0:07:56.080
<v Speaker 1>piecemeal as when they were kids, and they're still too

0:07:56.120 --> 0:08:00.200
<v Speaker 1>intimidated to broach the subject. So, as families tend to

0:08:00.320 --> 0:08:03.840
<v Speaker 1>with big conversations, they kick the topic of Vietnam down

0:08:03.840 --> 0:08:07.840
<v Speaker 1>the road to deal with someday. But given her dad's

0:08:07.880 --> 0:08:11.240
<v Speaker 1>age and temperament, Melanie worries there might not be a

0:08:11.280 --> 0:08:11.760
<v Speaker 1>some day.

0:08:12.480 --> 0:08:17.080
<v Speaker 5>He recently was hospitalized with heart failure.

0:08:17.240 --> 0:08:18.440
<v Speaker 1>Oh no, I'm sorry.

0:08:18.880 --> 0:08:23.000
<v Speaker 5>He's okay, but you know, some imminent health issues and

0:08:23.680 --> 0:08:29.400
<v Speaker 5>he's getting older, Like we don't have forever. It would

0:08:29.440 --> 0:08:35.240
<v Speaker 5>be it would be nice to know him. And I

0:08:35.280 --> 0:08:37.760
<v Speaker 5>feel like maybe this is something, you know, I kind

0:08:37.800 --> 0:08:40.280
<v Speaker 5>of effed up as a kid, and maybe I can

0:08:40.360 --> 0:08:40.840
<v Speaker 5>undo it.

0:08:42.000 --> 0:08:44.440
<v Speaker 1>Getting the video back is something Melanie wants to do

0:08:44.559 --> 0:08:47.080
<v Speaker 1>for her father, but she also wants to do it

0:08:47.080 --> 0:08:51.200
<v Speaker 1>for herself. The tape feels like her strongest hope, possibly

0:08:51.240 --> 0:08:55.360
<v Speaker 1>her last hope for understanding her dad. If she had

0:08:55.400 --> 0:08:58.760
<v Speaker 1>the video, she could hear about her father's experiences at

0:08:58.760 --> 0:09:01.600
<v Speaker 1>the moment he lived them, which is why she's come

0:09:01.640 --> 0:09:05.320
<v Speaker 1>to me, her fellow Minnesotan. Let's see what we can do.

0:09:06.800 --> 0:09:08.480
<v Speaker 6>Oh, you're so nice.

0:09:08.760 --> 0:09:11.000
<v Speaker 1>The nicest thing that you could tell the Minnesotan is

0:09:11.040 --> 0:09:11.720
<v Speaker 1>that they're nice.

0:09:12.760 --> 0:09:14.280
<v Speaker 6>Yeah, but I actually mean it.

0:09:14.400 --> 0:09:16.839
<v Speaker 1>Well, I can't really know, but it's nice to be

0:09:16.960 --> 0:09:21.040
<v Speaker 1>nice to the nice and no matter what state you're from,

0:09:21.520 --> 0:09:24.880
<v Speaker 1>I think we can all agree it's always nice to

0:09:24.960 --> 0:09:28.480
<v Speaker 1>hear from our trusted sponsors. Get ready to raise the

0:09:28.559 --> 0:09:51.679
<v Speaker 1>roof with savings. During the conversation with Melanie, I'd asked if,

0:09:51.720 --> 0:09:54.920
<v Speaker 1>after learning she'd erase the tape, she could bring herself

0:09:55.080 --> 0:09:59.040
<v Speaker 1>through her shame, through her mortification to actually watch the

0:09:59.080 --> 0:10:00.440
<v Speaker 1>Billie Ray Cyrus special.

0:10:00.840 --> 0:10:03.800
<v Speaker 6>Heck, yes, I did, you did? Yes? Oh yes.

0:10:07.800 --> 0:10:11.360
<v Speaker 5>The intro to this special, he has his back to

0:10:11.400 --> 0:10:15.480
<v Speaker 5>the camera. He's wearing a cutoff T shirt, skin tight jeans,

0:10:16.120 --> 0:10:18.800
<v Speaker 5>and it's just him like bopping back and forth with

0:10:18.880 --> 0:10:20.120
<v Speaker 5>his mullet swaying.

0:10:20.920 --> 0:10:23.119
<v Speaker 6>And that went on for like a minute.

0:10:22.840 --> 0:10:24.840
<v Speaker 1>And a half before you even see his face.

0:10:24.920 --> 0:10:26.559
<v Speaker 6>Oh yeah, yeah, it's just the back of him.

0:10:26.880 --> 0:10:28.199
<v Speaker 7>Man. That is confidence.

0:10:28.440 --> 0:10:30.600
<v Speaker 5>I don't know if they were like wanting to showcase

0:10:30.640 --> 0:10:33.360
<v Speaker 5>his body or just the mullet.

0:10:33.800 --> 0:10:35.160
<v Speaker 1>Was it like in an arena?

0:10:35.559 --> 0:10:38.840
<v Speaker 5>Yeah, and there's you know, ladies bawling and.

0:10:39.080 --> 0:10:45.000
<v Speaker 1>Wow like Beatlemania, billy mania. My mission is clear. I'll

0:10:45.040 --> 0:10:47.720
<v Speaker 1>need to begin my research by watching the Billy ray

0:10:47.760 --> 0:10:56.440
<v Speaker 1>Cyrus special for myself. Well, maybe not need to, but

0:10:56.559 --> 0:10:59.679
<v Speaker 1>watching an hour of Billy ray Cyrus seems easier than

0:10:59.720 --> 0:11:05.480
<v Speaker 1>search for a fifty year old news clip. In the special,

0:11:05.720 --> 0:11:08.559
<v Speaker 1>Billy stands on stage as the audience shouts for him

0:11:08.600 --> 0:11:12.400
<v Speaker 1>to take off his shirt, but Billy is demure, keeping

0:11:12.400 --> 0:11:13.040
<v Speaker 1>it classy.

0:11:13.840 --> 0:11:18.000
<v Speaker 8>How is my mom gonna feel when she wakes up

0:11:18.040 --> 0:11:21.320
<v Speaker 8>to read the flat Woods Kentucky Times Tomar and finds

0:11:21.360 --> 0:11:23.720
<v Speaker 8>out that her baby boy came all the way to

0:11:23.800 --> 0:11:26.880
<v Speaker 8>Reno and gotten naked on his first ABC special.

0:11:28.040 --> 0:11:30.960
<v Speaker 1>Yet sadly, Billy succumbs to peer pressure.

0:11:31.280 --> 0:11:33.400
<v Speaker 6>I lived my life on my fans, and if that

0:11:33.600 --> 0:11:34.840
<v Speaker 6>lets you run out too.

0:11:36.320 --> 0:11:39.760
<v Speaker 1>Just when it feels like things cannot possibly grow anymore,

0:11:39.800 --> 0:11:43.920
<v Speaker 1>sexually unhinged, Billy reaches behind his back and in one

0:11:43.960 --> 0:11:47.880
<v Speaker 1>fluid motion, unleashes the rear end of his lush mullet.

0:11:48.600 --> 0:11:52.120
<v Speaker 1>It wafts free in the arena vents like the main

0:11:52.280 --> 0:11:53.960
<v Speaker 1>on a majestic stallion.

0:11:53.960 --> 0:11:56.280
<v Speaker 8>Sing it to me one time Reno and is his tongue?

0:11:56.360 --> 0:11:57.319
<v Speaker 9>Where am I going on?

0:11:57.480 --> 0:11:57.720
<v Speaker 3>Ria?

0:11:58.040 --> 0:11:58.920
<v Speaker 5>I'm not get home.

0:12:01.520 --> 0:12:08.200
<v Speaker 1>I want to emphasize this is what supplanted John Capon's legacy.

0:12:10.559 --> 0:12:12.040
<v Speaker 3>This is where I was born raised.

0:12:12.520 --> 0:12:14.200
<v Speaker 8>This is McDow Elementary School.

0:12:14.320 --> 0:12:19.480
<v Speaker 1>The special is also filled with autobiographical interstitials. Billy visits

0:12:19.520 --> 0:12:22.080
<v Speaker 1>his old elementary school, where the kids receive him as

0:12:22.120 --> 0:12:26.240
<v Speaker 1>a hero. He stops by his hometown church, and then

0:12:26.679 --> 0:12:29.920
<v Speaker 1>he races up the walkway of a small, unassuming house.

0:12:30.480 --> 0:12:33.559
<v Speaker 1>It's one of those moments you'd see on American Masters

0:12:33.960 --> 0:12:37.560
<v Speaker 1>where some American Master journeys back to his childhood home.

0:12:38.080 --> 0:12:40.880
<v Speaker 8>This is Cindy, my ex wife, Sandy, how you doing.

0:12:40.880 --> 0:12:44.080
<v Speaker 1>It's fine, But the house is in fact not Billy's

0:12:44.120 --> 0:12:47.080
<v Speaker 1>childhood home. It's his ex wife, Cindy's home.

0:12:47.320 --> 0:12:49.200
<v Speaker 8>This is the lighty that had the courtesy to set

0:12:49.240 --> 0:12:51.400
<v Speaker 8>my stuff out in the yard about four point thirty

0:12:51.440 --> 0:12:52.839
<v Speaker 8>in the morning into drisling right.

0:12:53.120 --> 0:12:56.720
<v Speaker 1>Cindy, he explains, is the inspiration for the song where

0:12:56.800 --> 0:12:58.760
<v Speaker 1>am I gonna live when I get home?

0:12:59.200 --> 0:13:01.760
<v Speaker 8>And she was laying on this couch when I said, uh,

0:13:02.040 --> 0:13:04.240
<v Speaker 8>where am I gonna live when I get home? My

0:13:04.320 --> 0:13:06.200
<v Speaker 8>old lady stowed out everything home.

0:13:06.559 --> 0:13:09.080
<v Speaker 3>She meant what she said when she wished.

0:13:08.800 --> 0:13:09.400
<v Speaker 8>I was dead.

0:13:09.960 --> 0:13:13.920
<v Speaker 1>All the while Cindy stares into the camera teeth clenched

0:13:13.920 --> 0:13:21.600
<v Speaker 1>in a smile. The special ends with one last number,

0:13:22.160 --> 0:13:26.800
<v Speaker 1>one highly ironic number. It's a song called Some Gave All.

0:13:27.400 --> 0:13:30.040
<v Speaker 8>This is a song I wrote about a Vietnam veteran

0:13:30.080 --> 0:13:32.439
<v Speaker 8>I met back in Huntington, West Virginia, in the spring

0:13:32.480 --> 0:13:35.880
<v Speaker 8>of not ten eighty nine.

0:13:39.120 --> 0:13:42.080
<v Speaker 1>As it turns out, Billy Resyris is well known for

0:13:42.120 --> 0:13:45.800
<v Speaker 1>his work on behalf of veterans, and so as one

0:13:45.840 --> 0:13:50.000
<v Speaker 1>West Virginian vet is being elevated in song, another Minnesotan

0:13:50.080 --> 0:13:53.360
<v Speaker 1>vet is being brought low by song, his service to

0:13:53.400 --> 0:13:57.080
<v Speaker 1>his country erased by don't to my heart?

0:14:07.200 --> 0:14:10.040
<v Speaker 6>Oh Hi, Hi, how are you good?

0:14:10.080 --> 0:14:10.480
<v Speaker 3>How are you?

0:14:10.920 --> 0:14:11.480
<v Speaker 6>I'm good?

0:14:12.880 --> 0:14:18.959
<v Speaker 1>Best thing I found the clip of your father get.

0:14:18.760 --> 0:14:19.320
<v Speaker 6>Out of Town.

0:14:20.000 --> 0:14:22.960
<v Speaker 5>That's crazy, that's amazing, that's wonderful.

0:14:24.080 --> 0:14:25.240
<v Speaker 6>Sounds like a lot of digging.

0:14:27.920 --> 0:14:31.880
<v Speaker 1>I want to say yes, but I can't. One night,

0:14:31.920 --> 0:14:34.640
<v Speaker 1>over dinner with friends, I brought up the difficulty of

0:14:34.680 --> 0:14:38.560
<v Speaker 1>trying to find a news clip that's over fifty years old. Oh,

0:14:38.680 --> 0:14:42.840
<v Speaker 1>said Matt, my journalism professor friend. You just have to

0:14:42.840 --> 0:14:47.120
<v Speaker 1>search the Vendorbilt TV news archive. He pulled out his phone.

0:14:47.520 --> 0:14:50.080
<v Speaker 1>He had the app right there. And when you search

0:14:50.160 --> 0:14:54.640
<v Speaker 1>Melanie's father's name, Sergeant John Capon. The clip comes right up.

0:14:55.120 --> 0:14:58.040
<v Speaker 5>Well, you can't make it sound like it was super easy,

0:14:58.080 --> 0:14:59.760
<v Speaker 5>otherwise I'm going to feel like an even worster.

0:15:00.160 --> 0:15:02.200
<v Speaker 1>No, no, no, it was very hard. Oh my god,

0:15:02.640 --> 0:15:05.880
<v Speaker 1>the reams of microfiches that we had to go through.

0:15:09.200 --> 0:15:12.440
<v Speaker 1>Now that we have the interview, Melanie and I strategize

0:15:12.480 --> 0:15:14.440
<v Speaker 1>about the best way to return it to her father,

0:15:15.040 --> 0:15:17.760
<v Speaker 1>when to do it, and where to do it, which

0:15:17.760 --> 0:15:19.000
<v Speaker 1>is somewhat complicated.

0:15:19.600 --> 0:15:23.480
<v Speaker 5>So fun fact, my parents are still married, but they

0:15:23.520 --> 0:15:27.120
<v Speaker 5>live in separate houses that are half a mile apart

0:15:27.480 --> 0:15:28.720
<v Speaker 5>with a lake in between them.

0:15:29.360 --> 0:15:33.120
<v Speaker 1>Do you think he would open his home to us?

0:15:34.120 --> 0:15:38.800
<v Speaker 6>No, you say that without hesitation, No, he won't.

0:15:38.880 --> 0:15:38.960
<v Speaker 3>No.

0:15:40.000 --> 0:15:43.240
<v Speaker 1>All entertaining, Melanie says, is done at her mom's place,

0:15:43.840 --> 0:15:44.960
<v Speaker 1>never at her dad's.

0:15:45.280 --> 0:15:49.440
<v Speaker 5>I haven't even been in there for probably fifteen twenty years.

0:15:49.520 --> 0:15:52.360
<v Speaker 6>His house, Yeah, where I grew up. Yeah.

0:15:52.440 --> 0:15:54.520
<v Speaker 1>What about your sister? Has she been in there more recently?

0:15:55.080 --> 0:15:56.000
<v Speaker 6>No?

0:15:56.080 --> 0:15:57.440
<v Speaker 1>And what about your mom?

0:15:57.880 --> 0:15:58.000
<v Speaker 3>Uh?

0:15:58.040 --> 0:16:00.920
<v Speaker 5>I think my mom like maybe broke there, wants to

0:16:00.960 --> 0:16:02.320
<v Speaker 5>try to get something.

0:16:02.080 --> 0:16:03.360
<v Speaker 1>And she had to break in there.

0:16:03.960 --> 0:16:08.080
<v Speaker 5>Yeah, he's like growing up, we couldn't have an answering

0:16:08.120 --> 0:16:10.200
<v Speaker 5>machine because he didn't want people listening to his.

0:16:10.200 --> 0:16:14.720
<v Speaker 1>Messages, seeing is how private Melanie's dat is. I wonder

0:16:14.720 --> 0:16:17.840
<v Speaker 1>how he'll feel about the recovered interview being accompanied by

0:16:17.840 --> 0:16:22.520
<v Speaker 1>a stranger with a microphone. But I hope for the best.

0:16:22.960 --> 0:16:24.800
<v Speaker 1>So if things went really well at your mother's, what

0:16:24.840 --> 0:16:27.400
<v Speaker 1>do you think the likelihood is that we would go

0:16:27.440 --> 0:16:29.720
<v Speaker 1>over there for cake and coffee afterwards?

0:16:30.720 --> 0:16:31.320
<v Speaker 6>Two percent?

0:16:32.840 --> 0:16:36.200
<v Speaker 1>I like those odds because two percent is how I

0:16:36.320 --> 0:16:40.160
<v Speaker 1>like my milk when it's clouding my coffee. Then I'm

0:16:40.240 --> 0:16:43.440
<v Speaker 1>drinking alongside the cake I'm being served in someone's house

0:16:43.480 --> 0:16:52.400
<v Speaker 1>that no one's been inside in twenty years. The interview

0:16:52.560 --> 0:16:55.720
<v Speaker 1>only exists as a digital file, so I decided to

0:16:55.720 --> 0:16:59.720
<v Speaker 1>have a transferred to VHS. Presenting John with a tape,

0:17:00.000 --> 0:17:03.920
<v Speaker 1>I'll have a certain poetic symmetry, So I start calling

0:17:04.000 --> 0:17:07.920
<v Speaker 1>video transfer services, the first of which informs me they

0:17:07.920 --> 0:17:11.600
<v Speaker 1>don't put things on VHS tapes, and in fact, quote

0:17:12.080 --> 0:17:16.760
<v Speaker 1>do exactly the opposite. Eventually, though, I find a place

0:17:16.840 --> 0:17:20.199
<v Speaker 1>willing to flout the Darwinian chain of media evolution for

0:17:20.240 --> 0:17:23.760
<v Speaker 1>one hundred and fifty dollars. It feels like a bargain,

0:17:24.520 --> 0:17:28.240
<v Speaker 1>and so videotape in hand I set off to see

0:17:28.240 --> 0:17:48.119
<v Speaker 1>the Capons. I'm on my way to Melanie's mom's house

0:17:48.640 --> 0:17:51.399
<v Speaker 1>to lure her dad over. Melanie told him she'd written

0:17:51.440 --> 0:17:54.600
<v Speaker 1>into a radio show that was featuring children of Vietnam vets.

0:17:55.280 --> 0:17:57.399
<v Speaker 1>The host is coming over to do a story about

0:17:57.400 --> 0:17:59.840
<v Speaker 1>me and Sam. She told them, maybe you can show

0:17:59.920 --> 0:18:03.040
<v Speaker 1>up to answer a few questions, and once he does,

0:18:03.520 --> 0:18:06.520
<v Speaker 1>that'll be when I spring into action, surprising him with

0:18:06.560 --> 0:18:12.720
<v Speaker 1>the tape. Oh, that was it. The house is on

0:18:12.760 --> 0:18:15.880
<v Speaker 1>a dirt road, nothing but farmland and sky for as

0:18:15.880 --> 0:18:18.720
<v Speaker 1>far as the eye can see. The Capons live in

0:18:18.720 --> 0:18:22.520
<v Speaker 1>a town called Elbow Lake in rural Minnesota. It's a

0:18:22.600 --> 0:18:26.080
<v Speaker 1>kind of place where everyone knows everyone, going back generations.

0:18:26.840 --> 0:18:27.000
<v Speaker 5>Hi.

0:18:28.080 --> 0:18:30.960
<v Speaker 1>I greet Melanie outside her mom's house. There's a dog

0:18:31.040 --> 0:18:34.000
<v Speaker 1>running around and a big American flag waving in the wind.

0:18:34.800 --> 0:18:37.400
<v Speaker 1>For COVID reasons, we all settle down in the garage

0:18:37.560 --> 0:18:38.840
<v Speaker 1>where the airflow is better.

0:18:38.960 --> 0:18:39.160
<v Speaker 3>Hello.

0:18:39.560 --> 0:18:43.639
<v Speaker 1>Melanie's mom, Diane, and her sister Sam are already seated inside.

0:18:44.280 --> 0:18:52.119
<v Speaker 1>Sam's four year old runs up to say Hi, Hi, Hello, Hello,

0:18:52.320 --> 0:18:57.160
<v Speaker 1>nice to meet you. And there's Melanie's dad, Sergeant John Capon.

0:18:57.800 --> 0:19:01.639
<v Speaker 1>He's large and imposing. I introduced myself and ask if

0:19:01.680 --> 0:19:06.639
<v Speaker 1>I can hook him up with a mic. I clipped

0:19:06.640 --> 0:19:11.320
<v Speaker 1>the microphone onto John's lapel. John, can you tell me

0:19:11.400 --> 0:19:12.480
<v Speaker 1>what you had for breakfast?

0:19:13.080 --> 0:19:18.280
<v Speaker 2>I had a piece of toast and some pretzels and

0:19:18.359 --> 0:19:22.880
<v Speaker 2>a hard boiled egg and two domus.

0:19:22.960 --> 0:19:29.000
<v Speaker 1>Yeah, the videotape is in my backpack. I consider how

0:19:29.000 --> 0:19:32.240
<v Speaker 1>the best surprise John present the tape with a flourish,

0:19:32.680 --> 0:19:36.600
<v Speaker 1>without a flourish, perhaps with a hearty handshake. Would it

0:19:36.600 --> 0:19:39.879
<v Speaker 1>be offensive to hand it over with a salute? But

0:19:40.000 --> 0:19:44.000
<v Speaker 1>before I can do any of these things, John surprises me.

0:19:44.840 --> 0:19:49.560
<v Speaker 2>Needs to be more of this, What more younger people

0:19:49.640 --> 0:19:51.320
<v Speaker 2>finding out what the hell went on?

0:19:52.840 --> 0:19:54.760
<v Speaker 1>How many years were you in Vietnam?

0:19:54.960 --> 0:19:58.640
<v Speaker 2>I was only there for about eight and a half

0:19:58.720 --> 0:19:59.480
<v Speaker 2>nine months.

0:20:00.320 --> 0:20:03.080
<v Speaker 1>And just like that, John is talking.

0:20:03.480 --> 0:20:05.840
<v Speaker 2>No, I'll tell you what. When he got off the airplane,

0:20:05.920 --> 0:20:08.560
<v Speaker 2>they opened up the plane, the air conditioned plane door,

0:20:08.720 --> 0:20:10.879
<v Speaker 2>and it was one hundred and twenty gays, just like

0:20:10.960 --> 0:20:13.200
<v Speaker 2>somebody threw a hot pail of water in your face.

0:20:13.680 --> 0:20:16.800
<v Speaker 1>Maybe having a stranger present somebody doesn't have to worry

0:20:16.800 --> 0:20:21.760
<v Speaker 1>about burdening is actually helpful. Or maybe John just needed

0:20:21.760 --> 0:20:23.240
<v Speaker 1>someone to pose the question.

0:20:23.600 --> 0:20:26.360
<v Speaker 2>And I'll never forget this. They took us stone.

0:20:26.520 --> 0:20:31.439
<v Speaker 1>Like, And so the Sunday conversation becomes a Today conversation.

0:20:38.480 --> 0:20:41.359
<v Speaker 1>For the next couple hours, John shares stories that his

0:20:41.440 --> 0:20:44.919
<v Speaker 1>daughters have never heard, stories that even Diane, his wife

0:20:44.920 --> 0:20:48.520
<v Speaker 1>of many decades, never heard. It turns out that a

0:20:48.520 --> 0:20:51.720
<v Speaker 1>lot of what John did in Vietnam was called long

0:20:51.800 --> 0:20:56.560
<v Speaker 1>range reconnaissance patrol, which meant acting as a scout, tiptoeing

0:20:56.560 --> 0:20:59.840
<v Speaker 1>through enemy territory. John was often the one who stayed

0:20:59.840 --> 0:21:02.320
<v Speaker 1>out in front, the most exposed of all the men.

0:21:03.080 --> 0:21:06.760
<v Speaker 2>Anything that don't look right isn't right. If you've seen

0:21:06.840 --> 0:21:10.399
<v Speaker 2>a leaf that was turned a little color where the

0:21:10.400 --> 0:21:14.200
<v Speaker 2>bottom of the leaf was up, there's something there was there?

0:21:14.240 --> 0:21:15.800
<v Speaker 7>Really, are you just exaggerating?

0:21:15.840 --> 0:21:19.400
<v Speaker 2>Well? Is that exaggerating? Because there'd be a trip wire there?

0:21:20.800 --> 0:21:23.359
<v Speaker 2>And the other thing is if you were walking along

0:21:23.400 --> 0:21:26.280
<v Speaker 2>and all of a sudden the birds didn't start singing anymore,

0:21:28.560 --> 0:21:30.680
<v Speaker 2>why because there's somebody else there.

0:21:31.960 --> 0:21:34.520
<v Speaker 1>You had to be careful about smoking too, John says,

0:21:34.760 --> 0:21:38.720
<v Speaker 1>or showering because the Vietcong might smell you. You had

0:21:38.720 --> 0:21:41.760
<v Speaker 1>to be on alert twenty four to seven. And of

0:21:41.760 --> 0:21:44.720
<v Speaker 1>course you had to pick up your feet and walk

0:21:44.800 --> 0:21:51.520
<v Speaker 1>real quietly. John shares the everyday things, like the food

0:21:51.560 --> 0:21:54.680
<v Speaker 1>he ate, sometimes bananas, which he said were the best

0:21:54.720 --> 0:21:58.480
<v Speaker 1>he'd ever tasted, plucked right from the trees. John looks

0:21:58.520 --> 0:22:00.960
<v Speaker 1>from Melanie to Sam, telling them about the guys he

0:22:01.040 --> 0:22:03.800
<v Speaker 1>served with and the nights they spent playing cards and

0:22:03.880 --> 0:22:08.159
<v Speaker 1>talking about their childhoods. He also shares the horrific things,

0:22:08.880 --> 0:22:09.840
<v Speaker 1>of which there were many.

0:22:10.720 --> 0:22:13.840
<v Speaker 2>Always used to tell us war as hell than it is.

0:22:14.800 --> 0:22:16.800
<v Speaker 2>But there's one time we had come along and there

0:22:16.840 --> 0:22:18.880
<v Speaker 2>was a school teacher with their head cut off, sitting

0:22:18.920 --> 0:22:23.399
<v Speaker 2>on a post. She was like a twenty five year

0:22:23.400 --> 0:22:27.040
<v Speaker 2>old woman. So that's the worse to humanity as far

0:22:27.040 --> 0:22:27.840
<v Speaker 2>as I'm concerned.

0:22:30.440 --> 0:22:33.360
<v Speaker 1>Eventually, John winds his way to the day he was wounded.

0:22:33.920 --> 0:22:36.160
<v Speaker 1>He'd been sent to check out an area by the river,

0:22:36.640 --> 0:22:38.879
<v Speaker 1>and there was a moment, he says, when he noticed

0:22:38.880 --> 0:22:41.919
<v Speaker 1>something feeling off no more than a leaf, turned it

0:22:41.960 --> 0:22:45.679
<v Speaker 1>a strange way, and suddenly his men were caught in

0:22:45.720 --> 0:22:48.840
<v Speaker 1>a hail of gunfire. John was shot in the leg.

0:22:49.880 --> 0:22:52.840
<v Speaker 1>A helicopter came to evacuate him, but as John limbed

0:22:52.840 --> 0:22:56.160
<v Speaker 1>towards it, he stepped onto a booby trap. That's when

0:22:56.160 --> 0:22:59.119
<v Speaker 1>the shrapnel embedded all over his body and even in

0:22:59.160 --> 0:23:01.720
<v Speaker 1>his eyes, rendering him unable to see.

0:23:02.359 --> 0:23:05.080
<v Speaker 2>And I woke up on my birthday, so that would

0:23:05.080 --> 0:23:08.359
<v Speaker 2>have been three days later. I remember this one nurse

0:23:08.400 --> 0:23:15.480
<v Speaker 2>telling me happy birthday. Yeah, okay, yeah. And then anyway,

0:23:15.560 --> 0:23:18.919
<v Speaker 2>she said, well, you've got some very important there's people

0:23:18.960 --> 0:23:20.719
<v Speaker 2>here from CBS television.

0:23:20.840 --> 0:23:25.080
<v Speaker 1>She said that what John and his family have not

0:23:25.160 --> 0:23:29.040
<v Speaker 1>discussed the news clip in easily thirty years. Hearing John

0:23:29.080 --> 0:23:31.959
<v Speaker 1>bring it up now on his own, I'm struck by

0:23:31.960 --> 0:23:34.359
<v Speaker 1>how baked into the story of a service it is,

0:23:35.600 --> 0:23:38.600
<v Speaker 1>John says. So that he'd look presentable for television, the

0:23:38.680 --> 0:23:41.520
<v Speaker 1>nurse spent a lot of time washing his hair. He'd

0:23:41.520 --> 0:23:43.920
<v Speaker 1>be in bed with his eyes and face bandaged over,

0:23:44.560 --> 0:23:47.359
<v Speaker 1>but at least his hair would look nice. And on

0:23:47.400 --> 0:23:51.240
<v Speaker 1>December thirtieth, nineteen seventy one, the nation tuned in to

0:23:51.240 --> 0:23:52.960
<v Speaker 1>see John on TV.

0:23:53.320 --> 0:23:56.440
<v Speaker 2>Felt kind of privileged. You know how many people are

0:23:56.440 --> 0:24:00.080
<v Speaker 2>on Walter Cronkite News, You know, not very many.

0:24:00.960 --> 0:24:04.359
<v Speaker 1>And John intended to commemorate that privilege by preserving it

0:24:04.400 --> 0:24:08.240
<v Speaker 1>in the form of a videotape cassette, but alas.

0:24:08.400 --> 0:24:10.919
<v Speaker 2>Got wiped off of the achy breaky heart.

0:24:13.760 --> 0:24:16.159
<v Speaker 1>It seems that Justine baked into the story of his

0:24:16.240 --> 0:24:20.040
<v Speaker 1>military service, as the TV news clip is so too

0:24:20.200 --> 0:24:23.280
<v Speaker 1>is it's erasure and what it was erased by?

0:24:23.920 --> 0:24:28.000
<v Speaker 2>I hate Billy because he raised my table.

0:24:29.640 --> 0:24:32.800
<v Speaker 6>I actually hi the tape. Let sleep Billy out of it.

0:24:36.280 --> 0:24:41.560
<v Speaker 5>When's the last time you watched it? Right before the

0:24:41.600 --> 0:24:45.800
<v Speaker 5>achy Breaky insid, Yeah, where did you get it?

0:24:47.040 --> 0:24:48.480
<v Speaker 7>The guy who was my.

0:24:49.920 --> 0:24:52.880
<v Speaker 2>Officer, he knew what was going on with this filming

0:24:52.920 --> 0:24:55.640
<v Speaker 2>and stuff, so he had his dad recorded and that's

0:24:55.680 --> 0:24:56.960
<v Speaker 2>how I got it.

0:24:58.760 --> 0:25:02.000
<v Speaker 1>And then Melanie tells John the news.

0:25:02.280 --> 0:25:03.679
<v Speaker 6>Well, Jonathan got it.

0:25:04.960 --> 0:25:06.000
<v Speaker 3>He did.

0:25:06.880 --> 0:25:10.120
<v Speaker 5>That's the whole reason we contacted him was to get

0:25:10.119 --> 0:25:10.520
<v Speaker 5>this for you.

0:25:11.600 --> 0:25:16.639
<v Speaker 1>Really, more than during any of the stories he told,

0:25:16.960 --> 0:25:19.800
<v Speaker 1>even the one about his being wounded, hearing about the

0:25:19.800 --> 0:25:23.320
<v Speaker 1>news clips recovery makes John grow more emotional than I've

0:25:23.320 --> 0:25:24.280
<v Speaker 1>seen him all day.

0:25:29.600 --> 0:25:30.800
<v Speaker 7>Do you want to take a look at it?

0:25:31.359 --> 0:25:31.719
<v Speaker 3>Yeah?

0:25:31.800 --> 0:25:33.640
<v Speaker 7>Yeah, yeah, okay.

0:25:33.840 --> 0:25:35.080
<v Speaker 2>Sadana CD.

0:25:36.320 --> 0:25:41.199
<v Speaker 1>Well as I offer John an impromptu lecture on the

0:25:41.240 --> 0:25:45.919
<v Speaker 1>importance of poetic symmetry. Melanie sets up the VCR Lucky

0:25:45.920 --> 0:25:49.480
<v Speaker 1>for us, her mom still uses one. Then we pop

0:25:49.560 --> 0:25:55.960
<v Speaker 1>the tape in and hit play. As it turns out.

0:25:56.000 --> 0:25:58.560
<v Speaker 1>There are a few things Melanie got wrong about the clip.

0:25:59.240 --> 0:26:02.719
<v Speaker 1>For one, Walter Cronkite was out that day, the anchor

0:26:02.760 --> 0:26:06.360
<v Speaker 1>replacing him as a man named Charles Collingwood. The segment

0:26:06.440 --> 0:26:09.280
<v Speaker 1>opens with him seated at his desk beside a graphic

0:26:09.320 --> 0:26:10.879
<v Speaker 1>about Vietnam War injuries.

0:26:11.359 --> 0:26:14.200
<v Speaker 8>Some of the best evidence that American involvement in South

0:26:14.280 --> 0:26:17.720
<v Speaker 8>Vietnam is drawing to a close may be found.

0:26:17.440 --> 0:26:20.639
<v Speaker 2>In the military hospitals and medical evacuation units.

0:26:20.680 --> 0:26:20.960
<v Speaker 3>There.

0:26:21.119 --> 0:26:24.359
<v Speaker 1>As the tape plays, John shuts his eyes and leans back.

0:26:25.080 --> 0:26:27.399
<v Speaker 1>Sam says, this is something she'd seen her dad do

0:26:27.560 --> 0:26:30.760
<v Speaker 1>at his father's funeral. It's hard to tell what John

0:26:30.880 --> 0:26:35.320
<v Speaker 1>is thinking. Bob Simon, the anchor, turns the segment over

0:26:35.400 --> 0:26:38.760
<v Speaker 1>to the reporter, Bob Simon, and this is the second

0:26:38.760 --> 0:26:43.000
<v Speaker 1>thing Melanie had wrong. John was not merely interviewed. He

0:26:43.119 --> 0:26:46.760
<v Speaker 1>was the subject of a documentary news report. Simon and

0:26:46.760 --> 0:26:49.439
<v Speaker 1>his film crew began following John right after he was

0:26:49.480 --> 0:26:52.720
<v Speaker 1>injured out in the field. Simon shouts to be heard

0:26:52.800 --> 0:26:56.800
<v Speaker 1>over a helicopter. It's the helicopter that's headed to evacuate John.

0:26:57.160 --> 0:26:59.720
<v Speaker 3>We're going to pick up an American. He's been hit

0:26:59.760 --> 0:27:00.560
<v Speaker 3>by shrapnel.

0:27:01.119 --> 0:27:04.439
<v Speaker 1>And then we see him, twenty three year old Sergeant

0:27:04.480 --> 0:27:08.840
<v Speaker 1>John Capon. He's lying on a stretcher, completely still, looking

0:27:08.920 --> 0:27:09.760
<v Speaker 1>like he could be dead.

0:27:10.320 --> 0:27:13.119
<v Speaker 9>Sergeant John Capon is rushed aboard the chopper.

0:27:13.400 --> 0:27:15.840
<v Speaker 1>Melanie and Sam stare at the TV screen as the

0:27:15.840 --> 0:27:18.600
<v Speaker 1>camera cuts to a close up of John's face, which

0:27:18.640 --> 0:27:22.119
<v Speaker 1>is completely bloodied. Breathing is normal, says a man in

0:27:22.200 --> 0:27:28.320
<v Speaker 1>aviator glasses of John's wounds. He says, it's just superficial.

0:27:28.400 --> 0:27:31.679
<v Speaker 1>Seeing his young self. John lets out a pained sound,

0:27:31.840 --> 0:27:33.760
<v Speaker 1>but is riddled with shrapnel.

0:27:34.200 --> 0:27:36.560
<v Speaker 3>His wounds look worse than they really are.

0:27:37.280 --> 0:27:39.720
<v Speaker 1>John is taken to a surgical unit in Long Bin.

0:27:40.560 --> 0:27:43.280
<v Speaker 1>There we see him operated on by a frenzy of

0:27:43.280 --> 0:27:47.440
<v Speaker 1>people in medical masks, his insides on full display across

0:27:47.480 --> 0:27:48.920
<v Speaker 1>the living rooms of America.

0:27:49.600 --> 0:27:52.960
<v Speaker 9>Four surgeons work on Sergeant Caupon for more than an hour.

0:27:53.400 --> 0:27:57.679
<v Speaker 9>They remove dozens of metal fragments. Fortunately, the wounds are

0:27:57.720 --> 0:28:01.240
<v Speaker 9>all superficially, aside from an injury to his left eye,

0:28:01.560 --> 0:28:03.160
<v Speaker 9>which may cause problems.

0:28:04.080 --> 0:28:09.080
<v Speaker 1>The potential problem Simon's referencing or blindness. So much shrapnel

0:28:09.119 --> 0:28:12.040
<v Speaker 1>had entered John's eyes that at this point he still

0:28:12.119 --> 0:28:15.280
<v Speaker 1>was without his sight. The last thing he'd heard before

0:28:15.320 --> 0:28:18.080
<v Speaker 1>going under was the surgeon saying, I don't know if

0:28:18.119 --> 0:28:20.600
<v Speaker 1>this guy's going to see again, and I don't know

0:28:20.640 --> 0:28:23.560
<v Speaker 1>about this leg. We might have to cut that off.

0:28:24.640 --> 0:28:27.520
<v Speaker 1>Melanie later tells me that the whole report made her mad,

0:28:27.880 --> 0:28:30.480
<v Speaker 1>the way they kept underplaying everything her dad went through,

0:28:30.840 --> 0:28:34.600
<v Speaker 1>calling it superficial when all through her childhood she watched

0:28:34.640 --> 0:28:44.840
<v Speaker 1>him pick shrapnel from his body. After the surgery, John

0:28:44.880 --> 0:28:48.640
<v Speaker 1>lies shirtless, teeth smashed in bullet hole in his left leg,

0:28:49.000 --> 0:28:53.240
<v Speaker 1>and eyes bandaged over. Simon posed his questions at his bedside.

0:28:53.680 --> 0:28:57.600
<v Speaker 3>Hey, you feeling okay? Okay? Nowhere?

0:28:58.400 --> 0:29:01.240
<v Speaker 2>Oh tt and a leftne and my hands kind of

0:29:01.240 --> 0:29:03.960
<v Speaker 2>sorry yet what about your face?

0:29:04.840 --> 0:29:06.200
<v Speaker 3>Ah, not too.

0:29:06.040 --> 0:29:10.600
<v Speaker 1>Bad not to worry about. It's like John's echoing back

0:29:10.640 --> 0:29:14.560
<v Speaker 1>the tone of the report. He's being stoic, protecting his parents,

0:29:14.560 --> 0:29:16.880
<v Speaker 1>who he knows are back home in Elbow Lake watching,

0:29:17.480 --> 0:29:20.880
<v Speaker 1>but he probably also understands that nobody really wants to

0:29:20.920 --> 0:29:23.880
<v Speaker 1>know how he's doing. By this point in the war,

0:29:24.160 --> 0:29:27.160
<v Speaker 1>America didn't see the likes of Sergeant John Capon as

0:29:27.160 --> 0:29:30.720
<v Speaker 1>a hero so much as a living reminder of an unwinnable,

0:29:30.880 --> 0:29:33.760
<v Speaker 1>unpopular war that they wished would go away.

0:29:34.280 --> 0:29:35.880
<v Speaker 3>What does the doctor tell you about your eye?

0:29:36.640 --> 0:29:40.640
<v Speaker 2>Ah says that it should be okay.

0:29:41.360 --> 0:29:43.440
<v Speaker 3>How do you feel about it? You're worried? Oh?

0:29:43.520 --> 0:29:46.480
<v Speaker 7>No, scene worse.

0:29:48.120 --> 0:29:52.080
<v Speaker 1>Melanie later points out one the bitter irony of her father,

0:29:52.200 --> 0:29:55.960
<v Speaker 1>saying he's seen worse when at the moment he's literally

0:29:56.000 --> 0:30:00.000
<v Speaker 1>unable to see anything, and two that like any kid,

0:30:00.280 --> 0:30:03.479
<v Speaker 1>the wounded soldier on the hospital caught can't really grasp

0:30:03.560 --> 0:30:07.080
<v Speaker 1>what's to come. Even though her father would regain his

0:30:07.200 --> 0:30:09.960
<v Speaker 1>vision when he returned home, he would become prone to

0:30:10.000 --> 0:30:15.080
<v Speaker 1>angry outbursts, outbursts she remembers vividly throughout her childhood. He'd

0:30:15.080 --> 0:30:18.360
<v Speaker 1>also begin drinking a lot, trying to blot out his memories.

0:30:19.160 --> 0:30:23.520
<v Speaker 1>Hearing fireworks, John would think AK forty seven and instinctively

0:30:23.600 --> 0:30:26.560
<v Speaker 1>hit the floor, and to this day he still dreams

0:30:26.600 --> 0:30:30.320
<v Speaker 1>of the Army buddies he lost. Melanie always thought of

0:30:30.360 --> 0:30:33.200
<v Speaker 1>the video as the sole record of her father's story,

0:30:33.680 --> 0:30:37.239
<v Speaker 1>a story she'd erased, But seeing the report all these

0:30:37.320 --> 0:30:40.840
<v Speaker 1>years later, it seems like John's story was erased long

0:30:40.880 --> 0:30:53.680
<v Speaker 1>before Melanie got to it. A troop of USO entertainers

0:30:53.720 --> 0:30:57.960
<v Speaker 1>tromp through the hospital entertaining. A glamorous woman approaches John

0:30:59.200 --> 0:31:02.520
<v Speaker 1>blonde hair. If I'm bleeding in Vietnam, right, I'm going to.

0:31:02.560 --> 0:31:04.760
<v Speaker 3>Stay here your mind wonder.

0:31:05.560 --> 0:31:13.560
<v Speaker 1>That's beautiful, and then it's over.

0:31:14.200 --> 0:31:16.840
<v Speaker 3>Bob Simon, CBS News Long bin.

0:31:17.760 --> 0:31:20.800
<v Speaker 1>All told the entire news report lasts no more than

0:31:20.840 --> 0:31:21.480
<v Speaker 1>six minutes.

0:31:22.680 --> 0:31:23.680
<v Speaker 5>I can't see you.

0:31:25.240 --> 0:31:28.280
<v Speaker 1>As John stares at the screen, a nineteen seventies perfume

0:31:28.320 --> 0:31:32.240
<v Speaker 1>ad plays It's jingle, repeating over and over again. I

0:31:32.280 --> 0:31:43.760
<v Speaker 1>can't seem to forget you.

0:31:44.920 --> 0:31:50.200
<v Speaker 5>Say so, you haven't seen that for how many years?

0:31:50.200 --> 0:31:52.160
<v Speaker 3>Oh?

0:31:52.640 --> 0:31:53.000
<v Speaker 2>Thirty?

0:31:53.920 --> 0:31:56.560
<v Speaker 5>The cadence of your voice is the same, but your

0:31:56.640 --> 0:31:58.160
<v Speaker 5>voice sounds so much different.

0:32:00.120 --> 0:32:01.600
<v Speaker 7>Recognize your father and that.

0:32:01.520 --> 0:32:05.400
<v Speaker 6>Guy, No, not at all. I mean it looks like

0:32:05.440 --> 0:32:07.760
<v Speaker 6>a young, blown up kid.

0:32:10.400 --> 0:32:14.160
<v Speaker 2>That's where it was, so we were everybody was young.

0:32:15.560 --> 0:32:18.840
<v Speaker 2>The average person that fought in Vietnam was nineteen years old.

0:32:25.840 --> 0:32:28.640
<v Speaker 1>When John returned home to life in a peacetime town,

0:32:29.080 --> 0:32:32.120
<v Speaker 1>he wasn't welcomed as a hero. In fact, he was

0:32:32.160 --> 0:32:34.880
<v Speaker 1>advised by the army not to wear his uniform so

0:32:35.000 --> 0:32:38.400
<v Speaker 1>as not to advertise his service in Vietnam. As it

0:32:38.600 --> 0:32:42.480
<v Speaker 1>was in Elbow Lake, John was shunned. He remembers attending

0:32:42.520 --> 0:32:45.040
<v Speaker 1>the local basketball game and how he ended up sitting

0:32:45.040 --> 0:32:48.240
<v Speaker 1>in the bleachers alone. All the other spectators had moved

0:32:48.280 --> 0:32:51.840
<v Speaker 1>away from him. Just like the country at large, the

0:32:51.880 --> 0:32:54.720
<v Speaker 1>town wanted to distance itself from the likes of John.

0:32:55.800 --> 0:32:58.240
<v Speaker 1>John describes one afternoon when he stopped in at the

0:32:58.280 --> 0:33:02.080
<v Speaker 1>local American Legion Hall for he figured it'd be the

0:33:02.120 --> 0:33:04.480
<v Speaker 1>one place in town where he could comfortably enjoy a

0:33:04.560 --> 0:33:08.160
<v Speaker 1>drink among peers. There were a few older vets hanging

0:33:08.160 --> 0:33:08.840
<v Speaker 1>out inside.

0:33:09.400 --> 0:33:12.960
<v Speaker 2>They were in there drinking with their wives, some pictures

0:33:12.960 --> 0:33:16.200
<v Speaker 2>of beer sitting on the table. And well, there's one

0:33:16.240 --> 0:33:20.800
<v Speaker 2>guy come walking up to me, and he said, are

0:33:20.840 --> 0:33:28.080
<v Speaker 2>you one of them losers? And I said, excuse me, yeah,

0:33:28.160 --> 0:33:30.880
<v Speaker 2>you one of them Vietnam veterans that you gave us

0:33:30.920 --> 0:33:35.960
<v Speaker 2>a bad reputation. And I said, I'm a Vietnam veteran.

0:33:36.000 --> 0:33:38.160
<v Speaker 2>I'm in here to have finished my beer, and I

0:33:38.200 --> 0:33:41.640
<v Speaker 2>want to leave. You leave right now. I said, I'm

0:33:41.640 --> 0:33:43.719
<v Speaker 2>going to drink my beer first. I paid for it.

0:33:43.800 --> 0:33:44.520
<v Speaker 2>I'm going to do that.

0:33:45.840 --> 0:33:45.959
<v Speaker 8>Well.

0:33:46.000 --> 0:33:50.360
<v Speaker 2>Let He grabbed me by the arm, and I grabbed

0:33:50.400 --> 0:33:55.040
<v Speaker 2>him by the and just shoved him. He fell over

0:33:55.120 --> 0:33:57.760
<v Speaker 2>backwards onto that table all full of beer and it

0:33:57.800 --> 0:34:02.040
<v Speaker 2>went flying all over the place. The bartender come out

0:34:02.040 --> 0:34:04.280
<v Speaker 2>with a night stick and he was going to club

0:34:04.320 --> 0:34:06.400
<v Speaker 2>be over the head, and I grabbed him by the

0:34:06.400 --> 0:34:09.840
<v Speaker 2>wrist and I twisted it. Two of them, I found

0:34:09.840 --> 0:34:12.840
<v Speaker 2>out later. Two of them were World War Two veterans

0:34:13.760 --> 0:34:16.719
<v Speaker 2>who had never been in combat, and there was another one.

0:34:16.760 --> 0:34:19.360
<v Speaker 2>I was a Korean veteran who had never left the

0:34:19.480 --> 0:34:27.680
<v Speaker 2>United States.

0:34:29.800 --> 0:34:32.399
<v Speaker 1>John says he only had one friend who also saw

0:34:32.440 --> 0:34:35.799
<v Speaker 1>combat in Vietnam. Many were for f and didn't have

0:34:35.880 --> 0:34:38.880
<v Speaker 1>to serve, So while his classmates were getting on with

0:34:38.920 --> 0:34:42.920
<v Speaker 1>their lives, John was left struggling to cope. And yet

0:34:43.160 --> 0:34:45.960
<v Speaker 1>his experience also showed him the expanse of the world.

0:34:46.520 --> 0:34:49.239
<v Speaker 2>I was in a restaurant here about a year ago,

0:34:50.239 --> 0:34:52.800
<v Speaker 2>and there was people in there talking about Black lives

0:34:52.840 --> 0:34:54.840
<v Speaker 2>matter and all that there, and then in order to

0:34:54.840 --> 0:34:58.040
<v Speaker 2>shoot him, all and all that there. And I said,

0:34:58.080 --> 0:35:03.319
<v Speaker 2>how many black people do you know? Nobody knew any

0:35:04.880 --> 0:35:06.720
<v Speaker 2>He said, how many have been on the ground county

0:35:06.800 --> 0:35:09.080
<v Speaker 2>for more than two months out of your life? None

0:35:09.080 --> 0:35:13.239
<v Speaker 2>of them? And nine people. And I'd have probably been

0:35:13.280 --> 0:35:15.560
<v Speaker 2>sitting there right with him. I wouldn't have had those

0:35:15.600 --> 0:35:20.160
<v Speaker 2>life experiences without being in the military. That to me,

0:35:22.040 --> 0:35:23.920
<v Speaker 2>that to me is worth a lot.

0:35:25.360 --> 0:35:28.400
<v Speaker 1>For better and for worse. The moment John left for Vietnam,

0:35:29.000 --> 0:35:39.360
<v Speaker 1>his life diverged from everyone he'd grown up with. Melanie's nephew,

0:35:39.560 --> 0:35:41.759
<v Speaker 1>John Z has been coming in and out of the

0:35:41.760 --> 0:35:43.720
<v Speaker 1>garage while we've been talking.

0:35:44.000 --> 0:35:46.279
<v Speaker 5>John Z, do you know that grandpa was in the army?

0:35:47.880 --> 0:35:53.480
<v Speaker 1>Should Maybe John never fully felt like the country, CBS News,

0:35:53.719 --> 0:35:56.040
<v Speaker 1>or even Elbow Lake really wanted to know what he

0:35:56.080 --> 0:36:00.120
<v Speaker 1>saw and how he felt. But hopefully after today j

0:36:00.360 --> 0:36:10.560
<v Speaker 1>family does. Although John has opened his Achi breaky heart,

0:36:10.880 --> 0:36:12.919
<v Speaker 1>it doesn't look like he's about to open his achy

0:36:13.000 --> 0:36:17.319
<v Speaker 1>breaky home or offer me any achy breaky cake. So

0:36:17.360 --> 0:36:20.600
<v Speaker 1>we all adjourn to the living room where the family piano.

0:36:20.320 --> 0:36:22.800
<v Speaker 10>Sits, and don't worry, there will be plenty of miskeys,

0:36:22.880 --> 0:36:30.880
<v Speaker 10>just like there are in life.

0:36:32.600 --> 0:36:35.520
<v Speaker 1>Knowing what an advocate Billy ray Cyrus is for veterans,

0:36:35.800 --> 0:36:37.800
<v Speaker 1>I'd asked if he could show up to Elbow Lake

0:36:37.800 --> 0:36:41.000
<v Speaker 1>and serenade John, girl.

0:36:42.520 --> 0:36:45.160
<v Speaker 5>You can burn my clothesmend I am gone.

0:36:45.640 --> 0:36:48.480
<v Speaker 1>And while Billy's people initially said that that sounded like

0:36:48.520 --> 0:36:52.799
<v Speaker 1>a great opportunity for Billy, it fell through as did

0:36:52.840 --> 0:36:56.040
<v Speaker 1>my more modest request for Billy to sing over speakerphone,

0:36:56.640 --> 0:36:59.400
<v Speaker 1>and my even more modest request that he leave a

0:36:59.480 --> 0:37:03.160
<v Speaker 1>voice mess at John John's phone. And so in the

0:37:03.280 --> 0:37:05.640
<v Speaker 1>end I asked Melanie if she could dig out her

0:37:05.640 --> 0:37:07.839
<v Speaker 1>old Billy Ray Cyrus sheet music.

0:37:09.200 --> 0:37:13.160
<v Speaker 5>Or you can tell my lips to tell my brother Cliff.

0:37:13.480 --> 0:37:16.120
<v Speaker 1>As Melanie sings and Sam plays the out of tune

0:37:16.160 --> 0:37:19.920
<v Speaker 1>piano and John checks his phone, possibly while wishing he

0:37:20.000 --> 0:37:23.560
<v Speaker 1>was wearing a pair of noise canceling earphones, I stand

0:37:23.640 --> 0:37:31.240
<v Speaker 1>back and save her the poetic symmetry.

0:37:29.920 --> 0:37:35.040
<v Speaker 8>To tell my heart, my aby, breaky heart. He might.

0:37:41.200 --> 0:37:48.720
<v Speaker 6>Tell my heart, my heart. Just don't think you don't understands.

0:38:36.680 --> 0:38:42.440
<v Speaker 8>Now that the fern entures returning to its goodwill home,

0:38:46.000 --> 0:38:50.040
<v Speaker 8>now that the last month's rant is scheming with.

0:38:50.280 --> 0:38:54.839
<v Speaker 5>The damaged possible take this moment to dissolve.

0:38:56.880 --> 0:38:59.279
<v Speaker 3>If we mess him, if we talk.

0:39:01.200 --> 0:39:08.120
<v Speaker 5>Of Felder from the Dames at Accident Lee Bos.

0:39:12.760 --> 0:39:15.840
<v Speaker 1>This episode of Heavyweight was produced by senior producer Khalila

0:39:15.880 --> 0:39:20.040
<v Speaker 1>Holt and me Jonathan Goldstein, along with Moheeney mcgauker. Our

0:39:20.120 --> 0:39:24.400
<v Speaker 1>supervising producer is Stevie Lane. Production help from Domiano Marquetti

0:39:24.800 --> 0:39:28.560
<v Speaker 1>Special thanks to Emily Condon, Matt Carlson, Peter Mullen, Sanya

0:39:28.600 --> 0:39:32.839
<v Speaker 1>de Sani, Mitch Hansen, Jonah Delso, and Jackie Cohen. News

0:39:32.840 --> 0:39:36.680
<v Speaker 1>footage courtesy of Veritone and CBS News Archives, and concert

0:39:36.680 --> 0:39:40.359
<v Speaker 1>footage courtesy of the Billy Ray Cyrus Team. Bobby Lord

0:39:40.400 --> 0:39:44.360
<v Speaker 1>mixed the episode with original music by Christine Fellows, John K. Sampson,

0:39:44.560 --> 0:39:47.400
<v Speaker 1>and Bobby Lord. Additional music credits can be found on

0:39:47.440 --> 0:39:51.479
<v Speaker 1>our website Gimbletmedia dot com slash Heavyweight. Our theme song

0:39:51.560 --> 0:39:54.640
<v Speaker 1>is by The Weaker Thands courtesy of Epitaph Records. Follow

0:39:54.719 --> 0:39:57.759
<v Speaker 1>us on Twitter at Heavyweight or email us at Heavyweight

0:39:57.760 --> 0:40:02.120
<v Speaker 1>at gimletmedia dot com. Back with a new episode next week.

0:40:19.880 --> 0:40:21.760
<v Speaker 7>Wow, I think.

0:40:21.560 --> 0:40:22.719
<v Speaker 5>That's as good as we're gonna get.

0:40:23.000 --> 0:40:24.440
<v Speaker 1>You recognize some of it