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Speaker 1: Welcome back, Happy Hour listeners. We are excited to be

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Speaker 1: with you once again. This week. Of course, we are

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Speaker 1: going to be recapping another episode of Listening to Your Heart.

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Speaker 1: But Rachel, I have to start off by saying this

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Speaker 1: and bragging because we have I don't want to say

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Speaker 1: her name yet, but you know we both love our

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Speaker 1: badass women. We are so excited to have our new

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Speaker 1: guests on today. I was gonna say judge, but she's

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Speaker 1: not judging us. She's just a guest with us chatting.

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Speaker 1: She did judge them, but she is just a Megas superstar,

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Speaker 1: a country singer, a producer, an actress, and activist basically

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Speaker 1: and all around freaking badass. So I cannot wait, because

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Speaker 1: Bachelor Happy Hour Listeners, Today we have Rada Wilson on

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Speaker 1: our podcast, and yes, I love the enthusiasm. We're so

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Speaker 1: excited she you know, if we couldn't tell, she's going

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Speaker 1: to be a judge on next week's episode of Listening

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Speaker 1: to Your Heart, which is by the way, it's crazy

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Speaker 1: to think that we're already there, but it's the final

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Speaker 1: episode and I can't believe we're almost to the end.

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Speaker 1: It's gone by way too fast. It's been one hell

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Speaker 1: of a ride so far. I know how many weeks

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Speaker 1: has it been? Three? This is four? Two, so I

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Speaker 1: think five five? Okay, two. So I had high expectations

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Speaker 1: for the show, and it honestly has not disappointed. And

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Speaker 1: I'm kind of like, what are we gonna do? You know?

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Speaker 1: I know we do this in bathroom every time a

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Speaker 1: season ends, We're like, what are we gonna do next?

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Speaker 1: What are we gonna do next? But I feel that

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Speaker 1: with this show, more than ever, I've really enjoyed the stories,

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Speaker 1: the new contestants, new faces, the music, obviously, the guest judges,

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Speaker 1: just the all around show has just been really good.

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Speaker 1: And I've really enjoyed talking about it with you, and

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Speaker 1: that I feel like I've also learned so much more

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Speaker 1: about you and your love for music. No, really, you

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Speaker 1: can you can really tell somebody about the music that

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Speaker 1: they listen to. And I didn't know that you were

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Speaker 1: into certain artists, like even like we've talked about, you know,

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Speaker 1: Stevie Nicks, or you've been geeking out over every person,

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Speaker 1: every judge, Andy Grahamar and Kesha Jason Raz Like I

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Speaker 1: feel like you have a story. You're like, oh, I've

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Speaker 1: seen them in concert, oh, I've seen them. So it's

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Speaker 1: just really been fun because I feel like I've learned

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Speaker 1: another side of you as well. But I feel like

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Speaker 1: I have a bad habit of jumping to the end

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Speaker 1: because I'm talking about the show as if it's already

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Speaker 1: over and we still have an episode to recap today

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Speaker 1: and then we still have an episode to watch next week.

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Speaker 1: So instead of letting me be sad or us be

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Speaker 1: sad about the fact that the show's about end, let's

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Speaker 1: talk about the present and talk about them now because

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Speaker 1: so much went down, and as always, Chris Harrison pops

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Speaker 1: it off. I feel like it seems from the beginning

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Speaker 1: of every episode when Chris Harrison comes out, like is

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Speaker 1: he living in this freaking mansion with them? Because he

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Speaker 1: just walks down like, hey, guys, good morning, got some news.

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Speaker 1: I'm like, he's definitely just shacking up there, like getting

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Speaker 1: all the juicy drama but not having to deal with

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Speaker 1: any of it. And you know what's funny, I feel

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Speaker 1: like on batchlor and Bachelorette, we're so excited to see

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Speaker 1: Chris Harrison. We're like, Okay, he's gonna come in with

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Speaker 1: a day card, or he's gonna tell us that we're

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Speaker 1: leaving the mansion. It's always it's not towards the end

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Speaker 1: till he starts saying no cocktail Hardies. But with them,

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Speaker 1: they're like, oh God, what is Chris Harrison gonna say today?

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Speaker 1: You know, it's a totally different feel and you saw

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Speaker 1: it if you were paying attention. I think when Chris

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Speaker 1: came down this week, Jamie's face, she's like, oh no,

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Speaker 1: what is it. But at least this time he's not

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Speaker 1: like swapping couples on anyone. He's just telling them that

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Speaker 1: they're hitting the road. So yes, they go to Sin City.

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Speaker 1: And my first thought when Chris Harrison says Vegas is

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Speaker 1: they're better beat Wayne Newton better be a part of

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Speaker 1: this some way somehow. Unfortunately he's not, but he should

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Speaker 1: have been. I love you, sure it was your first thought.

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Speaker 1: My first thought was when I heard that they were

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Speaker 1: going on buses to Vegas. I thought, are these big

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Speaker 1: in and Becca's tour buses? That was my first thought.

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Speaker 1: What I will no, I will say there's were a

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Speaker 1: little bit shittier than the ones, better than I had

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Speaker 1: Ben and I got like the platinum diamond top of

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Speaker 1: the top that you could have tour buses and there's

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Speaker 1: are a step down, which I think is good because

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Speaker 1: I think it really gives them like the legitimate tour

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Speaker 1: bus feel that Trevor was always asking for. Right. Yeah,

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Speaker 1: Trevor reiterates that this is his dream to be touring

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Speaker 1: with his family. I like that they did the tour

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Speaker 1: bus feel. Oh shit, there was something I was going

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Speaker 1: to say about the buses. If I would have been

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Speaker 1: on the bus with my partner, I'm like, thank God

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Speaker 1: it wasn't me. Because the second I get in a

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Speaker 1: bus or a car, or any sort of moving vehicle,

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Speaker 1: whether it's a car or a plane, I pass out.

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Speaker 1: And I'm like, I would make for such bad TV

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Speaker 1: if I was with my partner, because I would be

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Speaker 1: just snoring in the back. No, the adent you remember

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Speaker 1: what it's like when you finally get with that person

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Speaker 1: that you've been, you know, so into, the adrenaline would

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Speaker 1: have would have creeped up, not creeped up. The dren

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Speaker 1: would have been. They would have been living together. But

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Speaker 1: that's and that's an interesting point. They live in the

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Speaker 1: same house, but obviously they don't spend the night together.

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Speaker 1: I'm just assuming because I feel like we would get

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Speaker 1: I feel like we would get an insight into that

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Speaker 1: because in Paradise, when they spend the night together, you

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Speaker 1: usually see it, and we don't see them wake up together.

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Speaker 1: We don't see we see them in the common areas together.

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Speaker 1: I don't know, though, I feel like there's definitely that

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Speaker 1: mansion is so big that there are areas that they

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Speaker 1: could sneak and sleep and be away from. Definitely sneaking around, right, Like,

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Speaker 1: if you would have put me in the mansion with

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Speaker 1: the dude that I'm dating and into there's no way

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Speaker 1: I'm not knocking on his door, creeping through his window

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Speaker 1: trying to figure out how we can have a moment

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Speaker 1: that cree a storage closet, right. But the reason I

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Speaker 1: don't think that that's the case is because I think

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Speaker 1: it's Trevor who says in the episode later on to Matt,

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Speaker 1: did you and Rudy get to share a bed? And

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Speaker 1: it made me feel like okay, So that that confirms that.

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Speaker 1: But we do see them heads of Vegas, and we

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Speaker 1: see them on the bus and we get an inside

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Speaker 1: the four couples left, and we get an inside into

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Speaker 1: each couple except for one Natasha and Ryan. I mean,

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Speaker 1: did they speak to each other on the butt. I

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Speaker 1: was so annoyed. I'm like, Okay, here go Trevor and Jamie,

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Speaker 1: here's Rudy and Matt, Chris and Brie, and then we

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Speaker 1: just see Natasha and Ryan. No words were spoken well,

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Speaker 1: And it's like I said this last week when we

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Speaker 1: were recapping, but they seem like they're just friends, Like

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Speaker 1: they're like I think that they know that they're there

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Speaker 1: for a show and that you have to be coupled

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Speaker 1: up to move on, and I kind of think that

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Speaker 1: that's just what they're doing. Like, I don't think that

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Speaker 1: they're really connecting. I don't see a relationship and ship

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Speaker 1: really forming. And so that one I mean to be

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Speaker 1: how long is the drive from La to Vegas. It's

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Speaker 1: got to be a little bit longer because those buses

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Speaker 1: are slow. And so I feel like that, out of

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Speaker 1: any of the bus rides with the couples, that one

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Speaker 1: would have been the worst. Yeah. I mean, you know,

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Speaker 1: they probably were in different rooms, different parts of the bus.

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Speaker 1: Nataja was probably talking to the bus driver. Ryan I

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Speaker 1: was in the back playing his guitar. Yeah, just only

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Speaker 1: talking in his head. I mean, I feel like we

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Speaker 1: lost Ryan the moment that Jamie chose Trevor. He seemed

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Speaker 1: to have way more personality and talk way more that

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Speaker 1: first episode, and he's not with us anymore. We lost

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Speaker 1: him on that first and that is one tooth and

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Speaker 1: I mean, and not to say he's not talented, because

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Speaker 1: I think he is, but he's just kind of one

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Speaker 1: that to me has creeped by and doesn't really doesn't

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Speaker 1: really stand out. And I don't want to say that

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Speaker 1: in a bad way, but compared to these other powerhouse

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Speaker 1: singers and couples, I'm like, how is Ryan still here? Yeah? No, no, no, no,

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Speaker 1: completely agree with you. Another thing I wanted to point

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Speaker 1: out before we jump back onto these tour buses is

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Speaker 1: a comment that really bothered me. At the top of

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Speaker 1: the show with Jamie. Jamie is giving her insight as

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Speaker 1: to Julia going home, and she says, I really, She's like,

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Speaker 1: I don't know about Natasha. I really feel like Natasha's

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Speaker 1: the reason that Julia went home. And I was like, Jamie, really,

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Speaker 1: I get Julia's your friend, but sometimes you just gotta

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Speaker 1: be straight up with your friends. And she needed to

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Speaker 1: realize that Julia sent Julia home. Julia is the reason

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Speaker 1: she went home. Nothing to do with Natasha. Yes, what

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Speaker 1: Natasha did was messy. I agree, But Julia went home

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Speaker 1: because Julia sent herself home for a reason. And I

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Speaker 1: think maybe now, hopefully, if Jamie's watching it back, she

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Speaker 1: can kind of see more sides to the story and

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Speaker 1: is realizing like, Okay, you know, everyone makes their bedding,

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Speaker 1: has to sleep in it, and Julia did just that.

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Speaker 1: You can't really put that on anyone else. So maybe

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Speaker 1: she's seen more now, but let's hope. So so, okay,

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Speaker 1: three out of the four couples are bonding on the bus,

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Speaker 1: and we see that there's this like discord between Matt

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Speaker 1: and Rudy. Now, Rudy makes the comment that, you know,

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Speaker 1: we really needed to get to talk some things out,

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Speaker 1: and we really needed to get you know, I guess,

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Speaker 1: figure some things out in their in their relationship. So

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Speaker 1: they decided to take a detour and stop at a hotel.

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Speaker 1: I love that Rudy made us seem like, you know what,

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Speaker 1: like they're calling the shots. You know what, guys, we

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Speaker 1: actually need just a little bit more time. We're not

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Speaker 1: quite ready to Vegas. We're gonna can you pull over

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Speaker 1: and we're gonna stop here. No, that's nice Rudy that

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Speaker 1: you want us to think that, But it was all

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Speaker 1: a part of the plan. Which where the hell were

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Speaker 1: they because they're walking through this weird garden full of

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Speaker 1: like bottle art, which immediately I was like, my mother

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Speaker 1: would love this place. She would take all of those

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Speaker 1: bottle trees and have them in her backyard if she could.

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Speaker 1: But they were so I thought of Twister. Have you

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Speaker 1: ever seen the movie Twister? Oh? Yeah, remember when they

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Speaker 1: go visit Aunt whatever her name was, Aunt something, I

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Speaker 1: don't remember, and she had all those bottles and stuff

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Speaker 1: and weird things all up in the tree, and before

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Speaker 1: the tornado hits the Aunt is my mom. That her

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Speaker 1: name Michell Kouffrin. But I love at the very end too,

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Speaker 1: like fastwarding the bloop I hope this was kept in

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Speaker 1: with the Bloopers when they're walking through and the guy,

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Speaker 1: the guy at the hotel showing them like where they

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Speaker 1: can stay, and they're freaking out because I think it's haunted.

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Speaker 1: I would wherever it was. It was the middle of nowhere,

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Speaker 1: I would have loved to just check it out and

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Speaker 1: stayed there. Yeah. I mean, Matt even said this is

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Speaker 1: where people who don't like people stay well, is this

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Speaker 1: sounds like a place that I don't want to be.

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Speaker 1: This sounds like a place where people go and don't

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Speaker 1: come back. That's what I thought when I saw it.

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Speaker 1: But I mean, what's bothering me with Rudy and Matt

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Speaker 1: is that we look at Natasha and Ryan and they

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Speaker 1: don't seem to be forcing anything right, Like they're just

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Speaker 1: like I like you, we get along, we make good

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Speaker 1: music together, we vibe on stage. Let's just take our time.

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Speaker 1: Rudy and Matt, or Rudy, I should say, seems to

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Speaker 1: be so adamant about forcing Matt to express feelings that

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Speaker 1: he might not where if well, we know he's not,

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Speaker 1: but feelings that he just doesn't have yet. And I

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Speaker 1: feel like some of that is Jamie, because Jamie Jamie

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Speaker 1: and Trevor. Jamie expresses how she feels with Trevor, and

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Speaker 1: we'll talk about that later. But I just it bothers

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Speaker 1: me that Rudy is so much Matt is like I

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Speaker 1: like you, and I like you for this reason, this

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Speaker 1: reason and this reason, and it's still not enough for her. Yeah,

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Speaker 1: And I think that like it's part of the show.

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Speaker 1: I mean, they're like, you think about this when you're filming,

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Speaker 1: like you go, you can't spend twenty four to seven

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Speaker 1: with that person, so you have to go with some

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Speaker 1: of the producers and sit in interviews and you're literally

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Speaker 1: constantly talking about your feelings and emotions and where you're

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Speaker 1: at and where the person's at, over and over, and

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Speaker 1: so you kind of start to fixate. And that's what

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Speaker 1: I see happening to Rudy is like she's fixating so

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Speaker 1: much on what she wants Matt to say that I

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Speaker 1: don't think she's really taking into account what he actually

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Speaker 1: is saying, which is like like, yeah, I do like you.

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Speaker 1: But she's just like kind of pushing for more because

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Speaker 1: I'm sure like in interviews they're like, well, don't you

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Speaker 1: want somebody to be at that same level and like

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Speaker 1: you how you like them and express those emotions, And

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Speaker 1: she just seems to realize like, not everyone is there.

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Speaker 1: Not I'm hitting my mic right now, Not everyone is there.

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Speaker 1: Not everyone can get there as fast. I think the

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Speaker 1: one thing watching their relationship with Matt is like I

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Speaker 1: wish I could just sit him down and be like, look, buddy,

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Speaker 1: like you may have been hurt in the past and

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Speaker 1: you might have your guards up but every relationship is

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Speaker 1: so different that you can't compare what's happened in the

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Speaker 1: past with what is happening now or what could happen

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Speaker 1: in the future. And I feel like it's easy as

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Speaker 1: a human being to close up and shut down and

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Speaker 1: not be as expressive in your emotions because you've been

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Speaker 1: hurt in the past. But also, like Rudy isn't any

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Speaker 1: of your ex as Rudy is this completely new girl.

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Speaker 1: You don't know how she's going to handle certain things.

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Speaker 1: And so that's one thing I want to tell him,

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Speaker 1: is like, don't fixate so much on like the past

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Speaker 1: and what it did to you, Like you never know

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Speaker 1: what could happen in the moment. Yeah, So what bothers

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Speaker 1: me is that on the Bachelor and Bachelorette, you know

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Speaker 1: that it comes down to an engagement. Now we haven't

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Speaker 1: seen that as of us of the last few years,

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Speaker 1: but it's it comes out to an engagement. You're looking

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Speaker 1: for your fiance at the end of this That is

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Speaker 1: not what is at steak in this show. So I

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Speaker 1: guess I get annoyed with Rudy because I'm like, why

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Speaker 1: are you pressuring him when you don't need to that's

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Speaker 1: not it's the point is to make a love connection.

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Speaker 1: The point is to find somebody that you connect with

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Speaker 1: enough chemistry with on and off the stage. But there

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Speaker 1: is no pressure that you need to say I love you,

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Speaker 1: I love you, and we're getting You're gonna get down

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Speaker 1: on one knee. And so that's why I kind of

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Speaker 1: feel Matt because I'm like, why are you, Why are

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Speaker 1: you forcing this? I like, you just roll with it.

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Speaker 1: Let's just have a good time. Um, okay, So Rudy

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Speaker 1: and Matt are in the middle of we we don't know,

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Speaker 1: we don't know where they are. They're probably on a

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Speaker 1: sound stage, so we don't know where they are. But

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Speaker 1: the rest of the couples are in Vegas and we

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Speaker 1: see the date card. First date card looks like it's

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Speaker 1: Brie and Chris. They go to a wedding chapel. Did

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Speaker 1: you think Brie and Chris we're gonna get married? No?

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Speaker 1: I was like, there's no way. But you never know

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Speaker 1: what the show. But I will say I liked that

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Speaker 1: they were asked to perform for the couple getting married. Yes,

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Speaker 1: that was a good twist. Yes, one interracial couple singing

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Speaker 1: for an interracial couple. Getting married. I see what you

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Speaker 1: did their bachelor. You know what it reminded me of.

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Speaker 1: It reminded me of when on my season when I

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Speaker 1: went to Peter's hometown and he was like, Oh, we're

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Speaker 1: gonna meet my friends. And I don't know if everybody

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Speaker 1: knows this, but usually it's family, right. It's rare occasion

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Speaker 1: that you meet the friends unless there's maybe some issue

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Speaker 1: with the family, or maybe there's just like, oh, you

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Speaker 1: can't do it that way, but the goal is to

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Speaker 1: meet the family. So when he's like, you're going to

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Speaker 1: meet their friends, my friends, I just had a weird feeling.

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Speaker 1: And I sit down and here come as friends and

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Speaker 1: it's two couples that are interracial. And I remember when

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Speaker 1: they walked in. I just looked at my producer and

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Speaker 1: I was like, really, could you and the words of

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Speaker 1: Chandler being could you be anywhere obvious at this point, Really,

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Speaker 1: all us interracial couples are going to just sit down

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Speaker 1: together like stop. That's what it reminded me of. It. Anyways,

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Speaker 1: it was sweet. They sounded so cute singing with one another.

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Speaker 1: You can sell Brian and Chris are in love. Um,

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Speaker 1: no drama, it's just It's just pretty to watch well.

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Speaker 1: And the one part that stuck out to me was

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Speaker 1: not them actually singing together and you know, performing for

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Speaker 1: this couple's wedding, It was the conversation after and we

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Speaker 1: got kind of the backstory last week of Chris's dad

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Speaker 1: had passed away and that he thinks, you know, his

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Speaker 1: dad would have loved Bree, but he goes into it

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Speaker 1: more and I seriously, it was so touching him. I

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Speaker 1: wasn't touching Fresh, but it was so touching listen to

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Speaker 1: him because I can relate so much to Chris because

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Speaker 1: my dad passed away. And when I was falling in

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Speaker 1: love with Garrett, I kept saying Garrett felt like home.

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Speaker 1: He reminded me of my dad, and I think, I mean,

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Speaker 1: I've never met Chris and Brie, so I don't know.

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Speaker 1: I can't speak for him, but I think it's very

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Speaker 1: comparable to that or he just feels like that sense

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Speaker 1: of ease. And I wrote in my notes between Chris

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Speaker 1: and Bree like there's just this comfort level that I

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Speaker 1: think couples who are really in love and just really

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Speaker 1: feel that connection, it's there with them and you can

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Speaker 1: see it. And so Chris, if you're listening to this podcast.

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Speaker 1: Thank you for opening up more. It's just really sweet

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Speaker 1: and special to hear somebody you know, going through similar things.

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Speaker 1: And I'm sure there's people out there who have definitely

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Speaker 1: lost parents and who can feel some sort of can

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Speaker 1: can relate to Chris a little bit in that sense,

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Speaker 1: and so it was it was a sweet moment between them.

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Speaker 1: I love the word you use, Becca, comfortable, right. It's

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Speaker 1: it's not easy, is what I hear. I think maybe

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Speaker 1: even Brees said, Oh, it's so easy, but it's it's

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Speaker 1: not that it's easy. It's just that there's you're comfortable,

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Speaker 1: almost like you've been here before, and that is something

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Speaker 1: that you can't fake, you can't force. It just is

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Speaker 1: it's almost not even learned. You just either have it

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Speaker 1: or you don't. You just have to feel it with

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Speaker 1: that person. And it's so completely what bringing Chris have

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Speaker 1: with each other is so completely different than what we

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Speaker 1: are seeing with Maddie and Route, Matt, Mattie, we can

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Speaker 1: find them Matt and Rudy. So yeah, no, you're right,

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Speaker 1: You're right, And I feel like Matt is looking like

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Speaker 1: stop forcing it, you know, like let's just let it be.

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Speaker 1: And I think Rudy struggles with that because she does

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Speaker 1: open up and say at one point, I'm a person

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Speaker 1: who goes all in and falls really quickly, and that's

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Speaker 1: not Matt, and so a lot of times that's this

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Speaker 1: is where the love language comes in. This is where

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Speaker 1: any of Graham numbers come in, because you understand the

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Speaker 1: personality of a person and just how they feel loved,

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Speaker 1: which is so then you know how to give love

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Speaker 1: to them. Anyways, Trevor and Jamie, Now, Trevor and Jamie

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Speaker 1: not my favorite couple. I'm just gonna be honest us well,

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Speaker 1: not thinking top bringing Chris. Let's be honest. It's not

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Speaker 1: but I like Matt Rudy more than I like Trevor.

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Speaker 1: It's it's not it's not that it's I don't want

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Speaker 1: to say that. It's very superficial to me. That's how

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Speaker 1: it comes across. I do believe they really like each other,

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Speaker 1: but it's so puppy love to me, and I really

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Speaker 1: want to before I go in on Trevor and Jamie's relationship,

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Speaker 1: what what did you think of their date? What did

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Speaker 1: you think of them? Expressions of love that were made

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Speaker 1: in the kind say, well, so, we obviously do see.

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Speaker 1: I mean, Jamie's head over heels for Trevor, like she

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Speaker 1: is all in. Like if Trevor got down on one

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Speaker 1: knee on that ice rank and proposed to Jamie, she

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Speaker 1: would say, hell, yes, get me to the Little White Chapel,

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Speaker 1: swap the dates with Brie and Chris. But I think

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Speaker 1: from and I can only kind of compare their relationship

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Speaker 1: to the other relationships that were see and so, for instance,

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Speaker 1: with Brie and Chris, they have deep conversations that hold

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Speaker 1: some weight, that they're like actually getting to know one

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Speaker 1: another and seeing who each other are. And I feel

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Speaker 1: like with Jamie and Trevor, there's there's not much depth

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Speaker 1: to it. And like you said, maybe it is surface level.

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Speaker 1: Maybe it's just poppy love. I mean, I think that

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Speaker 1: they like each other and they like spending time with

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Speaker 1: each other. Is their relationship one that's going to be lasting,

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Speaker 1: I personally don't think so. And we've said this. I

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Speaker 1: think week after week. Jamie obviously is the youngest one,

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Speaker 1: and I think you just kind of start to see

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Speaker 1: that on the show. I think she's only twenty one,

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Speaker 1: and I just want to like take her and be

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Speaker 1: like live your life for a little bit do you

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Speaker 1: don't like focus so much on a relationship and like

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Speaker 1: making one person so happy, Like I just think she

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Speaker 1: has some more growth to do in life. Yeah, I

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Speaker 1: don't know. I don't know. Like the expressions of love,

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Speaker 1: when they both said I'm falling in love, I think

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Speaker 1: she's there, I don't necessarily know if he's fully there.

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Speaker 1: May give it to me I have. First of all,

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Speaker 1: I say this every week. Jamie should have been on

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Speaker 1: The Bachelor. She she narrates the show, she shows all

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Speaker 1: the emotion, she goes head over hill, She's quick to

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Speaker 1: express feelings of love. Jamie's on the wrong show. That

400
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Speaker 1: being said, when Jamie's like, I'm gonna tell him, I

401
00:21:29,880 --> 00:21:31,640
Speaker 1: want to tell At first I thought she wasn't gonna

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Speaker 1: tell him, but then she's like, Okay, I'm gonna tell him.

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Speaker 1: First of all, I did think their date was super

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Speaker 1: cute ice skating. It was very romantic, very just all

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Speaker 1: about them. The fact that he used to be a

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Speaker 1: play hockey. I thought that was cute that he could

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Speaker 1: kind of show off in that sense. And of course

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Speaker 1: you know she can pretend like she can't skate and

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Speaker 1: he can hold her and grabs It's very it was

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Speaker 1: very cute. Good job, good job production for putting that together.

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Speaker 1: But we see them sit down and you see Trevor

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Speaker 1: say she says she's falling in Did she say she

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Speaker 1: was falling in love? No? Maybe she did, she didn't know.

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Speaker 1: So he says, oh, I'm very I'm big on that word.

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Speaker 1: I've only said it to two people. It means a

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Speaker 1: lot to me, and I just wanted you to know that.

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Speaker 1: And she's like okay, which was weird because she thought

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Speaker 1: he was gonna say I love you and he didn't

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Speaker 1: or falling in love. But then she still is like,

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Speaker 1: you know what, I'm all in, Jamie. You know, I

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Speaker 1: remember Prime Bachelor contestant is like as it, I'm going

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Speaker 1: all in. I'm gonna say that I'm falling in love.

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Speaker 1: And then he looks at her and he says, I'm

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Speaker 1: falling in love too. And in that moment, I said,

425
00:22:43,320 --> 00:22:46,040
Speaker 1: I see you, Trevor, I see what you did there.

426
00:22:47,040 --> 00:22:52,280
Speaker 1: I believe Trevor only told Jamie's already like, you know Violet.

427
00:22:52,320 --> 00:22:55,960
Speaker 1: I told you she's Violet from Coyote Ugly, can't fight

428
00:22:56,040 --> 00:22:59,639
Speaker 1: the moonlight, right, she has stays right, She's insecure on

429
00:22:59,720 --> 00:23:03,959
Speaker 1: stage age singing. They've had two performances, they've both sucked,

430
00:23:04,520 --> 00:23:08,400
Speaker 1: and he knows that if I don't tell her match

431
00:23:08,480 --> 00:23:11,520
Speaker 1: her in her feelings, we're toast. We're going home tomorrow

432
00:23:11,600 --> 00:23:13,880
Speaker 1: because there's no way that she's going to perform. She's

433
00:23:13,920 --> 00:23:16,720
Speaker 1: not feeling confident. I need to give her something. That

434
00:23:17,000 --> 00:23:19,080
Speaker 1: is why he told her, I'm falling in love with her,

435
00:23:19,320 --> 00:23:21,320
Speaker 1: and you see what happens at the end of the episode.

436
00:23:22,160 --> 00:23:24,800
Speaker 1: So I think it was strategic in a sense that

437
00:23:25,400 --> 00:23:27,200
Speaker 1: it's not that I'm falling in love with you, it's

438
00:23:27,240 --> 00:23:29,800
Speaker 1: just what you really need to hear right now, Yeah,

439
00:23:29,920 --> 00:23:32,080
Speaker 1: to keep it going. Well, And that's the same well

440
00:23:32,240 --> 00:23:36,360
Speaker 1: like I think for some of the couples, I genuinely

441
00:23:36,400 --> 00:23:37,920
Speaker 1: feel like they like each other. And then for some

442
00:23:38,000 --> 00:23:41,560
Speaker 1: of the couples, I feel like they're kind of working

443
00:23:41,920 --> 00:23:44,200
Speaker 1: their way up to know what they should be doing

444
00:23:44,359 --> 00:23:47,080
Speaker 1: or saying to make it to the next round and

445
00:23:47,160 --> 00:23:51,240
Speaker 1: make it to the next week and keep going. And yeah,

446
00:23:51,400 --> 00:23:56,800
Speaker 1: I mean again, and I think too, like I was

447
00:23:56,840 --> 00:23:58,879
Speaker 1: thinking about this too, because I remember at the beginning

448
00:23:58,920 --> 00:24:01,639
Speaker 1: of the season with Trevor, when Natasha came in, he

449
00:24:01,720 --> 00:24:05,320
Speaker 1: had this whole scandal of the ex girlfriend that he

450
00:24:05,480 --> 00:24:08,199
Speaker 1: cheated on, and I mean since then, people have kind

451
00:24:08,240 --> 00:24:12,119
Speaker 1: of forgotten about that because he had this relationship that

452
00:24:12,200 --> 00:24:13,960
Speaker 1: was growing with Jamie and it looks like they like

453
00:24:14,119 --> 00:24:16,080
Speaker 1: each other. But I don't know. I don't know if

454
00:24:16,119 --> 00:24:17,480
Speaker 1: in the back of my head, if I was Trevor,

455
00:24:17,480 --> 00:24:19,080
Speaker 1: I'd be thinking, like, Okay, what do I gotta do

456
00:24:19,240 --> 00:24:22,760
Speaker 1: to seem more real, to seem like I actually want

457
00:24:22,800 --> 00:24:24,600
Speaker 1: to make this work with this girl and to kind

458
00:24:24,640 --> 00:24:26,680
Speaker 1: of redeem himself in a way. That's one thing that

459
00:24:26,800 --> 00:24:29,240
Speaker 1: I that week by week, I'm like, I'm not forgetting

460
00:24:29,760 --> 00:24:31,960
Speaker 1: what was said those first couple of weeks. That's still

461
00:24:32,240 --> 00:24:35,080
Speaker 1: a thing that people just forget about now that he's

462
00:24:35,320 --> 00:24:38,360
Speaker 1: happy with Jamie. But that's another thing to keep in mind.

463
00:24:38,440 --> 00:24:41,080
Speaker 1: Maybe he's it's his way to kind of boost himself

464
00:24:41,160 --> 00:24:43,840
Speaker 1: up and redeem himself. Yeah, I think he likes her,

465
00:24:44,320 --> 00:24:47,840
Speaker 1: but not I think he likes her in this world

466
00:24:48,080 --> 00:24:49,880
Speaker 1: that's just like that I really like and she's way

467
00:24:49,960 --> 00:24:53,040
Speaker 1: more into him. Yeah. Yeah, it's obvious and they kind

468
00:24:53,080 --> 00:24:56,160
Speaker 1: of Everybody kind of alludes to it. I will say, though,

469
00:24:56,400 --> 00:24:59,080
Speaker 1: Rachel their date, I had one of my dates with

470
00:24:59,240 --> 00:25:01,800
Speaker 1: the guys in Vain. I guess there too, and it's

471
00:25:01,800 --> 00:25:04,280
Speaker 1: a it's a really cool venue. You went. I still

472
00:25:05,080 --> 00:25:08,120
Speaker 1: we went. Well, I'm trying to think if I went

473
00:25:08,160 --> 00:25:09,640
Speaker 1: on the ice with any of the guys. We had

474
00:25:09,680 --> 00:25:12,000
Speaker 1: the whole arena, so we like had the cocktail party

475
00:25:12,119 --> 00:25:15,480
Speaker 1: up top. But um, it's it was on my birthday.

476
00:25:15,480 --> 00:25:18,760
Speaker 1: And it was where as they were walking into their arena,

477
00:25:19,080 --> 00:25:23,080
Speaker 1: you see like their names on the side, and that's

478
00:25:23,160 --> 00:25:26,240
Speaker 1: where Blake first told me that he was falling in

479
00:25:26,359 --> 00:25:29,080
Speaker 1: love with me on my birthday. So walking and I'm like,

480
00:25:29,440 --> 00:25:35,359
Speaker 1: oh god, this place again. Okay, oh that's where you no, no, no, no,

481
00:25:35,520 --> 00:25:37,159
Speaker 1: but I mean I didn't even put that together. You

482
00:25:37,240 --> 00:25:40,399
Speaker 1: totally did go to Vegas. Yeah, well, that's that's why

483
00:25:40,400 --> 00:25:46,600
Speaker 1: I wanted Wayne Newton on a date. That's why I

484
00:25:46,840 --> 00:25:50,600
Speaker 1: just remember Chris losing his shit on was in a

485
00:25:50,720 --> 00:25:53,359
Speaker 1: Vegas where he lost it, like he was like on stage,

486
00:25:53,440 --> 00:25:56,080
Speaker 1: like Los. It wasn't that Vegas where he had to perform.

487
00:25:56,480 --> 00:25:59,199
Speaker 1: They were performing. Yes, okay, guys, that's what I remember

488
00:25:59,240 --> 00:26:02,320
Speaker 1: about you guys head to sing and oh my god,

489
00:26:02,359 --> 00:26:04,639
Speaker 1: they all hated it. They were mortified, and I loved it.

490
00:26:04,760 --> 00:26:07,080
Speaker 1: It was so good watching them sweat. It was funny.

491
00:26:07,200 --> 00:26:10,480
Speaker 1: That was a funny. That was a funny day. Um okay,

492
00:26:10,600 --> 00:26:14,960
Speaker 1: So speaking of performances, our guy, our new best friend,

493
00:26:15,040 --> 00:26:18,560
Speaker 1: Shaggy is performing on the date with Matt and Rudy,

494
00:26:18,680 --> 00:26:21,200
Speaker 1: which was really cool and that's probably, to me, the

495
00:26:21,320 --> 00:26:23,720
Speaker 1: most fun day that we saw out of the four.

496
00:26:24,640 --> 00:26:28,119
Speaker 1: Uh yeah, so they are He says, Rudy's the perfect

497
00:26:28,200 --> 00:26:31,240
Speaker 1: girl to go on the date with him, and you

498
00:26:31,320 --> 00:26:34,040
Speaker 1: can see that they're having fun. They're dancing, they're kissing,

499
00:26:34,240 --> 00:26:37,800
Speaker 1: they get to go on stage and sing. And I

500
00:26:38,000 --> 00:26:39,879
Speaker 1: thought that this was good for them because it was

501
00:26:39,960 --> 00:26:43,760
Speaker 1: so lighthearted. Yeah, as opposed to the Trevor and Jamie

502
00:26:43,880 --> 00:26:46,320
Speaker 1: date where it was romantic and they were forced to,

503
00:26:46,400 --> 00:26:49,600
Speaker 1: you know, talk about really heavier things. This was like

504
00:26:49,760 --> 00:26:53,080
Speaker 1: guys just like Rudy, not guys. Rudy just lighting up

505
00:26:53,320 --> 00:26:55,520
Speaker 1: and have a good time and you know this man

506
00:26:55,680 --> 00:26:58,280
Speaker 1: likes you. Yeah. I think it was a good distraction.

507
00:26:58,480 --> 00:27:01,960
Speaker 1: I think that a specifically was the best for them.

508
00:27:02,080 --> 00:27:05,440
Speaker 1: Like I cannot picture like Trevor Or Ryan going to

509
00:27:05,520 --> 00:27:07,680
Speaker 1: a Shaggy concert, Like I just can't picture it. So

510
00:27:07,760 --> 00:27:09,800
Speaker 1: I'm glad that I said, they picked Matt and Rudy

511
00:27:10,160 --> 00:27:13,639
Speaker 1: for her to kind of let loose, get on stage,

512
00:27:13,840 --> 00:27:16,280
Speaker 1: just dance, have fun. You know, you can't really think

513
00:27:16,280 --> 00:27:17,760
Speaker 1: too much about like, oh, it's it, gonna tell me

514
00:27:17,800 --> 00:27:22,280
Speaker 1: he loves me? Well it was, well, it only lasted.

515
00:27:22,480 --> 00:27:27,480
Speaker 1: It only lasted for a few minutes, so stopped. She

516
00:27:27,600 --> 00:27:31,760
Speaker 1: was like, okay, now listen. I was so mad, and

517
00:27:31,840 --> 00:27:36,359
Speaker 1: I was like, Rudy, no, I couldn't even even okay.

518
00:27:36,960 --> 00:27:38,639
Speaker 1: So for all of you, let me just say Rudy

519
00:27:38,680 --> 00:27:41,360
Speaker 1: sits him down and she's like, you know what, I'm

520
00:27:41,440 --> 00:27:44,359
Speaker 1: gonna channel my inner Jamie and I'm just gonna go

521
00:27:44,560 --> 00:27:46,560
Speaker 1: for it, and I'm gonna tell him how I feel

522
00:27:46,920 --> 00:27:49,320
Speaker 1: and I'm falling in love with you, Matt. And the

523
00:27:49,480 --> 00:27:51,960
Speaker 1: whole time, if you read Matt's face, he looked like,

524
00:27:52,560 --> 00:27:55,600
Speaker 1: don't do it. He's like, he's like, how do I

525
00:27:55,640 --> 00:27:58,040
Speaker 1: get out of this conversation? Somebody get me a beer?

526
00:27:58,080 --> 00:28:00,639
Speaker 1: What do I gonna do? Make her stop? Make her stop?

527
00:28:00,880 --> 00:28:03,280
Speaker 1: And then she says it and he's like, what did

528
00:28:03,359 --> 00:28:06,679
Speaker 1: he say? Did you write it down? Because it was awful, Rachel.

529
00:28:06,840 --> 00:28:09,760
Speaker 1: I'm not gonna lie. I think I fell asleep for

530
00:28:09,880 --> 00:28:13,920
Speaker 1: like two minutes during this conversation. Then you missed the

531
00:28:13,960 --> 00:28:19,040
Speaker 1: whole thing. But I mean I could tell the second

532
00:28:19,080 --> 00:28:21,560
Speaker 1: they sat down he was off. He was like, fuck,

533
00:28:21,600 --> 00:28:23,280
Speaker 1: I don't want to have this conversation right now. You

534
00:28:23,359 --> 00:28:27,280
Speaker 1: could just feel it. Every week people want us to

535
00:28:27,359 --> 00:28:30,560
Speaker 1: talk about editing. They're like, you know how it is,

536
00:28:30,600 --> 00:28:32,760
Speaker 1: you don't see everything. And I hate to do that

537
00:28:33,000 --> 00:28:37,760
Speaker 1: because we obviously this has to be edited, but I

538
00:28:38,040 --> 00:28:40,080
Speaker 1: we aren't there, We aren't pretty to that information, and

539
00:28:40,160 --> 00:28:42,720
Speaker 1: so I don't like to assume, but I'm going to

540
00:28:42,880 --> 00:28:48,080
Speaker 1: go ahead and assume here that ChRI Chris Matt actually

541
00:28:48,240 --> 00:28:50,640
Speaker 1: said more to Rudy in this moment than they showed.

542
00:28:51,000 --> 00:28:56,960
Speaker 1: I literally think he goes, okay, it was a lie,

543
00:28:57,520 --> 00:29:00,680
Speaker 1: and she's just like, wait what I mean? It was

544
00:29:00,800 --> 00:29:02,840
Speaker 1: that quickly they moved past it. And I think if

545
00:29:02,920 --> 00:29:06,440
Speaker 1: he really, if his response really was that harsh, I

546
00:29:06,520 --> 00:29:08,360
Speaker 1: don't think that she would have been able to move forward.

547
00:29:08,600 --> 00:29:10,959
Speaker 1: But I was more mad at her. You know how

548
00:29:11,000 --> 00:29:12,840
Speaker 1: he feels. You know, he's not ready, he wants to

549
00:29:12,880 --> 00:29:15,000
Speaker 1: take things slow. You've had this whole y'all got an

550
00:29:15,120 --> 00:29:18,280
Speaker 1: extra date more than anybody else, and you still put

551
00:29:18,360 --> 00:29:21,000
Speaker 1: this on him. I just was like, Rudy, you have

552
00:29:21,080 --> 00:29:22,680
Speaker 1: to be able to read the room. Read the person

553
00:29:22,760 --> 00:29:25,280
Speaker 1: you're with, read the relationship. This was not the time

554
00:29:25,360 --> 00:29:29,000
Speaker 1: and place to bombard him with this I'm going to

555
00:29:29,080 --> 00:29:32,000
Speaker 1: put it. I'm going to say that conversation with Jamie,

556
00:29:32,160 --> 00:29:35,280
Speaker 1: between Jamie and Rudy, God, that's what got to her

557
00:29:35,360 --> 00:29:38,280
Speaker 1: and that's what made her get to that point and

558
00:29:38,400 --> 00:29:40,880
Speaker 1: had that conversation not happened and had Jamie uppen like,

559
00:29:40,920 --> 00:29:44,440
Speaker 1: you're gonna regret it if you don't. It's like sometimes

560
00:29:44,840 --> 00:29:47,280
Speaker 1: it's better to keep things in and wait for the

561
00:29:47,480 --> 00:29:52,080
Speaker 1: right moment. Yeah, well, yeah, nobody knows your relationship like

562
00:29:52,240 --> 00:29:56,240
Speaker 1: you do. I can tell you everything that has happened

563
00:29:56,600 --> 00:29:59,000
Speaker 1: the best of my memory that between me and Brian

564
00:29:59,080 --> 00:30:03,120
Speaker 1: Becca and still won't know our relationship because you aren't

565
00:30:03,160 --> 00:30:04,400
Speaker 1: in it. You're not a part of it. And the

566
00:30:04,480 --> 00:30:06,040
Speaker 1: only people who really know what are the two people

567
00:30:06,040 --> 00:30:08,800
Speaker 1: that are in it. So Rudy should have been taken

568
00:30:08,880 --> 00:30:11,240
Speaker 1: what Jamie said, but but should have said, you know what,

569
00:30:11,400 --> 00:30:14,000
Speaker 1: I know Matt, and I know that Matt isn't going

570
00:30:14,040 --> 00:30:16,480
Speaker 1: to be comfortable with this, So I just need to

571
00:30:16,560 --> 00:30:19,680
Speaker 1: do things on the time that are of our relationship,

572
00:30:19,760 --> 00:30:21,640
Speaker 1: like the journey of our relationship and how it's moving.

573
00:30:22,520 --> 00:30:25,800
Speaker 1: Um Anyways, so we see Matt and Ryan in an

574
00:30:25,800 --> 00:30:30,280
Speaker 1: awkward place, and my first thought is, Matt, if you

575
00:30:30,440 --> 00:30:33,840
Speaker 1: take Rudy away from us because you didn't reciprocate the

576
00:30:33,920 --> 00:30:38,320
Speaker 1: feelings I've had, it, I will not be here next

577
00:30:38,360 --> 00:30:41,720
Speaker 1: week to recap. I'm not gonna lie. So Rudy and

578
00:30:41,800 --> 00:30:46,760
Speaker 1: I DM quite a bit because obviously, yes I'm not

579
00:30:46,880 --> 00:30:52,920
Speaker 1: a RUPI i am, and I just like, I don't know,

580
00:30:53,040 --> 00:30:55,720
Speaker 1: maybe I was a decent singer in a past life.

581
00:30:55,760 --> 00:30:58,560
Speaker 1: I don't know, but there's I love Rudy, like just

582
00:30:58,680 --> 00:31:01,760
Speaker 1: something about her and I I texted her or message her,

583
00:31:01,760 --> 00:31:03,720
Speaker 1: and I was like, if Matt does anything to end

584
00:31:03,760 --> 00:31:06,040
Speaker 1: this relationship and you don't sing, I'm going to be

585
00:31:06,200 --> 00:31:09,080
Speaker 1: so upset. But yeah, that's what I'm thinking. I'm like,

586
00:31:09,120 --> 00:31:11,240
Speaker 1: you guys, just like, hold on a little bit longer, Like,

587
00:31:11,320 --> 00:31:13,440
Speaker 1: don't have this conversation right now, because I still want

588
00:31:13,480 --> 00:31:16,040
Speaker 1: you to perform together. I'm like, if you take her

589
00:31:16,080 --> 00:31:19,640
Speaker 1: away from us, Matt, if you dare do it, don't

590
00:31:19,680 --> 00:31:22,200
Speaker 1: do it, Matt, just don't. So then we move on

591
00:31:22,280 --> 00:31:24,680
Speaker 1: to the most exciting couple of before Natasha and Ryan,

592
00:31:25,040 --> 00:31:27,200
Speaker 1: and they're so exciting that we don't even get to

593
00:31:27,280 --> 00:31:30,360
Speaker 1: watch them get their day card. We go straight into

594
00:31:31,200 --> 00:31:35,920
Speaker 1: we go straight into the action of them digging or

595
00:31:36,040 --> 00:31:40,640
Speaker 1: messing up cars and smashing stuff because there is no spark,

596
00:31:40,840 --> 00:31:45,280
Speaker 1: there is nothing that's of interest. So they literally try

597
00:31:45,360 --> 00:31:48,600
Speaker 1: to do something that was like dramatic and where they're

598
00:31:48,640 --> 00:31:52,840
Speaker 1: like separated and throwing cars around. Yeah. I mean, it's like,

599
00:31:53,240 --> 00:31:56,680
Speaker 1: this is what an arranged marriage looks like. That's what

600
00:31:57,680 --> 00:32:01,360
Speaker 1: I feel like. I mean, I don't even really remember

601
00:32:01,520 --> 00:32:04,600
Speaker 1: much other than her him saying he's quiet. Yeah, we

602
00:32:04,760 --> 00:32:07,920
Speaker 1: got that. Ryan. You know, they sit down, have a conversation,

603
00:32:08,080 --> 00:32:10,200
Speaker 1: I guess try to explain I feel like, to the

604
00:32:10,320 --> 00:32:15,920
Speaker 1: audience what the dynamic of their relationship is. They're just there.

605
00:32:16,120 --> 00:32:19,920
Speaker 1: They are two people who are just on different wavelengths.

606
00:32:20,120 --> 00:32:23,520
Speaker 1: Like there, I get that opposite's attract and that you

607
00:32:23,560 --> 00:32:25,680
Speaker 1: can be very different in a relationship to make it work.

608
00:32:25,720 --> 00:32:28,960
Speaker 1: I mean, Garrett and I are so different, but they

609
00:32:29,160 --> 00:32:32,160
Speaker 1: I don't know, they just don't match up. And I think, like,

610
00:32:32,640 --> 00:32:34,480
Speaker 1: like you said, in an arranged marriage, like this is

611
00:32:34,520 --> 00:32:36,320
Speaker 1: the thing where like Natasha's like okay, just like let

612
00:32:36,400 --> 00:32:38,560
Speaker 1: me seal the show. You play the guitar, and we'll

613
00:32:38,600 --> 00:32:41,840
Speaker 1: make it work. Yeah, there's nothing more to it. It's

614
00:32:41,920 --> 00:32:44,800
Speaker 1: just like I keep saying, a friendship, but honestly, outside

615
00:32:44,840 --> 00:32:46,560
Speaker 1: of the show, I don't even think that they would

616
00:32:46,560 --> 00:32:49,240
Speaker 1: be friends. No, God, though they wouldn't be friends. I've

617
00:32:49,280 --> 00:32:52,240
Speaker 1: creeked on both their instagrams and I was like, absolutely

618
00:32:52,360 --> 00:32:57,160
Speaker 1: not so yeah, and that I feel like, now that's

619
00:32:57,160 --> 00:32:59,840
Speaker 1: what spills into their performance. You know, we've seen it

620
00:33:00,040 --> 00:33:02,680
Speaker 1: so far, it's still been a little disjointed. I don't

621
00:33:02,680 --> 00:33:07,160
Speaker 1: think they've ever really connected. They're really harmonized well on stage.

622
00:33:07,400 --> 00:33:09,560
Speaker 1: She's good in her own right, He's good in his

623
00:33:09,680 --> 00:33:12,920
Speaker 1: own right. And then it just becomes it explodes and

624
00:33:13,040 --> 00:33:16,200
Speaker 1: their performances, which we gotta get into. The judges that

625
00:33:16,360 --> 00:33:19,640
Speaker 1: we have this week. We've got the lead singer of Train,

626
00:33:20,400 --> 00:33:25,120
Speaker 1: Pat Monahan. We've got Ashley Simpson Ross and Evan Ross,

627
00:33:25,560 --> 00:33:28,320
Speaker 1: and then we've got Ari and Laurent and they're they're

628
00:33:28,320 --> 00:33:32,520
Speaker 1: representing the Bachelor franchise in this and so the performance

629
00:33:32,560 --> 00:33:35,560
Speaker 1: seemed really excited about really excited about Train. They were

630
00:33:35,800 --> 00:33:39,000
Speaker 1: the most excited about Hat being there, which I thought

631
00:33:39,080 --> 00:33:41,480
Speaker 1: was great. I don't know a lot of Trains music.

632
00:33:41,520 --> 00:33:44,120
Speaker 1: I think I knew one song I have seen trained

633
00:33:44,240 --> 00:33:46,960
Speaker 1: in context what I'm saying. See, Oh God, they're so

634
00:33:47,120 --> 00:33:49,600
Speaker 1: good life too. So for all of you out there

635
00:33:49,640 --> 00:33:52,280
Speaker 1: who are dating and you're trying to find a way

636
00:33:52,320 --> 00:33:56,040
Speaker 1: to connect with somebody, I suggest music because I am

637
00:33:56,200 --> 00:34:00,920
Speaker 1: really connecting with Becca these last four weeks. Oh. For music,

638
00:34:01,680 --> 00:34:05,080
Speaker 1: you get really learn a lot about somebody. I'm telling you. Okay,

639
00:34:05,120 --> 00:34:07,920
Speaker 1: so I learned that one song about Train or one

640
00:34:07,960 --> 00:34:10,640
Speaker 1: song from Train, but okay, Beck, of seeing them singing

641
00:34:10,719 --> 00:34:13,120
Speaker 1: for me, what one? What's the one? I think it's them? Um?

642
00:34:14,680 --> 00:34:18,799
Speaker 1: Is it hey? So Sister? Oh? Okay, maybe too? Okay,

643
00:34:18,840 --> 00:34:24,160
Speaker 1: maybe the Josta jubor mhm is it called drops? Yeah?

644
00:34:24,480 --> 00:34:27,239
Speaker 1: I think that's their, like top, I love my number

645
00:34:27,239 --> 00:34:30,680
Speaker 1: one hit? Um so that one? And then okay, Soul

646
00:34:30,760 --> 00:34:34,880
Speaker 1: Sister so too? Hey. I guarantee you you know more

647
00:34:34,920 --> 00:34:36,480
Speaker 1: if you heard them. No, I don't know about that.

648
00:34:37,320 --> 00:34:41,160
Speaker 1: You got you got lucky with Soul's sister Lucky. But

649
00:34:41,520 --> 00:34:44,239
Speaker 1: the but the contestants are super excited about that, which

650
00:34:44,280 --> 00:34:46,279
Speaker 1: is great. I always love when they geek out over

651
00:34:46,360 --> 00:34:49,160
Speaker 1: who they're going to be performing in front of. So

652
00:34:49,400 --> 00:34:52,800
Speaker 1: Brian Chris go up first and they sing again. Can't

653
00:34:52,880 --> 00:34:56,879
Speaker 1: help falling in love um, probably the only eldest song

654
00:34:56,960 --> 00:35:01,080
Speaker 1: that I like m And when they started off, I

655
00:35:01,320 --> 00:35:03,440
Speaker 1: was like, this was the two minutes you should have

656
00:35:03,480 --> 00:35:06,719
Speaker 1: fallen asleep in. And I like Brie and Chris, so

657
00:35:06,800 --> 00:35:08,719
Speaker 1: I don't want to And I actually really liked this

658
00:35:08,840 --> 00:35:12,439
Speaker 1: song and I was like, ah, and then they took

659
00:35:12,480 --> 00:35:15,320
Speaker 1: it up a notch and well they did rage To

660
00:35:15,400 --> 00:35:18,160
Speaker 1: say the least, I will say the beginning and in

661
00:35:18,280 --> 00:35:21,560
Speaker 1: my notes I said it started okay, That's what I wrote.

662
00:35:22,320 --> 00:35:25,239
Speaker 1: And of course they like they're in love, they have

663
00:35:25,400 --> 00:35:28,560
Speaker 1: that connection. But at I think when he when he

664
00:35:28,680 --> 00:35:30,880
Speaker 1: started singing, at first, I was like, honey, what's going on?

665
00:35:31,160 --> 00:35:35,160
Speaker 1: Like usually you're better than this. But when they changed,

666
00:35:35,160 --> 00:35:37,960
Speaker 1: when changed the key, changed the temple, like bumped it

667
00:35:38,040 --> 00:35:40,879
Speaker 1: up a notch at the end. I really liked how

668
00:35:41,600 --> 00:35:43,880
Speaker 1: they took their own spin on things and switched it

669
00:35:44,040 --> 00:35:47,120
Speaker 1: up for them. Now we'll get into what Natasha and

670
00:35:47,239 --> 00:35:49,520
Speaker 1: Ryan did in a little bit, but for Chris and

671
00:35:49,600 --> 00:35:52,000
Speaker 1: Brie in that song, I thought it was like the

672
00:35:52,200 --> 00:35:54,640
Speaker 1: right amount of like their own little spice and twist

673
00:35:54,719 --> 00:35:56,759
Speaker 1: on it. It was the best we've heard Chris sing.

674
00:35:57,200 --> 00:36:00,879
Speaker 1: When Chris changed it up, and I thought, God, they

675
00:36:00,920 --> 00:36:05,320
Speaker 1: haven't been giving Chris songs that really highlight his voice.

676
00:36:05,719 --> 00:36:09,719
Speaker 1: Lover Taylor Swift can't help falling in love. I mean,

677
00:36:09,960 --> 00:36:13,840
Speaker 1: it does start off slow, and I don't even remember

678
00:36:13,840 --> 00:36:16,279
Speaker 1: the first song that they sang, so it's I feel

679
00:36:16,280 --> 00:36:18,480
Speaker 1: like these songs haven't been great for Chris, They've been

680
00:36:18,520 --> 00:36:21,520
Speaker 1: better for Bree. So when they changed it up, I thought, well,

681
00:36:21,560 --> 00:36:24,480
Speaker 1: there he is, there's Chris on stage. I felt like

682
00:36:24,600 --> 00:36:26,759
Speaker 1: before he's just been complimenting her, which has still been

683
00:36:26,840 --> 00:36:28,960
Speaker 1: really sweet to watch. So I thought this was a

684
00:36:29,000 --> 00:36:32,520
Speaker 1: good performance halfway through to the end, which is kind

685
00:36:32,560 --> 00:36:34,960
Speaker 1: of what the judges feedback was. I mean, Pat said

686
00:36:35,000 --> 00:36:36,800
Speaker 1: he was moved by their performance. I think all the

687
00:36:36,920 --> 00:36:42,040
Speaker 1: judges really enjoyed it, and we did too. Submit I

688
00:36:42,120 --> 00:36:44,279
Speaker 1: think it was and I think it was smart to

689
00:36:44,360 --> 00:36:46,879
Speaker 1: have Brie and Chris go first, because I mean, there's

690
00:36:46,920 --> 00:36:49,160
Speaker 1: only four couples left. Do you want to start it off?

691
00:36:49,840 --> 00:36:53,560
Speaker 1: I think, like from a production standpoint, you want to

692
00:36:53,600 --> 00:36:55,680
Speaker 1: start it off kind of high and strong, because the

693
00:36:55,800 --> 00:36:58,520
Speaker 1: other three, for the most part, are a little bit shakier,

694
00:36:59,000 --> 00:37:01,520
Speaker 1: and so I think to start them and be like, Okay,

695
00:37:01,560 --> 00:37:03,800
Speaker 1: this is kind of like the level we're aiming for

696
00:37:04,440 --> 00:37:06,640
Speaker 1: and then let's go from there. I think made sense.

697
00:37:06,880 --> 00:37:10,439
Speaker 1: Yeah yeah, And I think yeah, I would We've seen

698
00:37:10,760 --> 00:37:14,919
Speaker 1: We've seen Rudy and Matt go first twice, so that, yeah,

699
00:37:15,040 --> 00:37:16,719
Speaker 1: we needed to change it up a bit. So here

700
00:37:16,800 --> 00:37:18,680
Speaker 1: comes Jamie and Trevor. I don't even if we should

701
00:37:18,680 --> 00:37:20,719
Speaker 1: call her Jamie because she is a brand new woman.

702
00:37:20,840 --> 00:37:24,279
Speaker 1: I mean, she's got pep in her step, she is smiling,

703
00:37:24,840 --> 00:37:27,399
Speaker 1: she has all the confidence in the world, which it's great,

704
00:37:27,520 --> 00:37:30,720
Speaker 1: and I'm sure that was great for Trevor too, because

705
00:37:30,760 --> 00:37:33,279
Speaker 1: he's like, whoa telling her I'm falling in love with her?

706
00:37:33,280 --> 00:37:35,200
Speaker 1: Paid off? Thank goodness, I didn't do it in vain,

707
00:37:35,680 --> 00:37:38,440
Speaker 1: so they it gave her the confidence that she needed.

708
00:37:39,600 --> 00:37:41,959
Speaker 1: And maybe he snuckr some CBD drops in her dream

709
00:37:42,120 --> 00:37:45,200
Speaker 1: maybe whatever, did it works? You know? Did I really

710
00:37:45,280 --> 00:37:47,680
Speaker 1: like their performance all that much? Not necessarily. I really

711
00:37:47,719 --> 00:37:51,160
Speaker 1: didn't vibe with the song, but I was happy to

712
00:37:51,280 --> 00:37:56,399
Speaker 1: see Jamie confident. It was refreshing to watch her. Yes,

713
00:37:56,640 --> 00:37:59,759
Speaker 1: and I'm glad that she's kind of starting to feel

714
00:37:59,800 --> 00:38:04,080
Speaker 1: more comfortable. And when anyone gets some confidence, I think

715
00:38:04,120 --> 00:38:07,600
Speaker 1: it's a beautiful thing. And so to see her complete

716
00:38:07,640 --> 00:38:13,080
Speaker 1: one eighty from last week was great, but the beginning,

717
00:38:13,480 --> 00:38:21,400
Speaker 1: like cuddle thing stage was cringeworthy. Rachel, Oh my gosh,

718
00:38:21,600 --> 00:38:24,080
Speaker 1: I had to do a double take and I was like, no,

719
00:38:25,360 --> 00:38:29,880
Speaker 1: just sing, don't shoot this. It wasn't smooth, It wasn't no,

720
00:38:30,040 --> 00:38:33,440
Speaker 1: it was not it wasn't cute. I also noticed that

721
00:38:33,640 --> 00:38:36,960
Speaker 1: Jamie has a heavy hand, and by that I mean

722
00:38:37,280 --> 00:38:40,560
Speaker 1: every time she puts her hand on Trevor's face neck,

723
00:38:41,520 --> 00:38:44,880
Speaker 1: it's heavy. It's almost like she slaps him. She doesn't.

724
00:38:45,480 --> 00:38:48,640
Speaker 1: There's not it doesn't caress, it's not gentle, she doesn't

725
00:38:48,719 --> 00:38:53,160
Speaker 1: stroke it, she slaps that hand off. I wish people

726
00:38:53,200 --> 00:38:57,040
Speaker 1: could see Rachel right now on this recording because like

727
00:38:57,120 --> 00:38:59,480
Speaker 1: the way that you're making your hand so light is beautiful.

728
00:38:59,600 --> 00:39:01,759
Speaker 1: But dude, I would do the same thing. I have

729
00:39:01,920 --> 00:39:04,640
Speaker 1: heavy hands too. Plays y'all have that in comment. Y'all

730
00:39:04,640 --> 00:39:06,360
Speaker 1: got a hell of a handshake. I don't know what

731
00:39:06,520 --> 00:39:09,799
Speaker 1: the hell to do with my hands. So she's luck.

732
00:39:09,920 --> 00:39:12,320
Speaker 1: Please just go back and watch the cliff. Yeah, like,

733
00:39:12,840 --> 00:39:16,920
Speaker 1: loosen it up, caress him, be gentle with it, tender

734
00:39:17,160 --> 00:39:20,520
Speaker 1: with it. Yeah boom. I mean I bet his voice

735
00:39:20,560 --> 00:39:22,200
Speaker 1: with shit. I didn't even catch that part, but I

736
00:39:22,320 --> 00:39:24,959
Speaker 1: bet his voice shakes when she does it too. Yeah,

737
00:39:26,000 --> 00:39:28,200
Speaker 1: I will agree with you. It wasn't my favorite performance.

738
00:39:28,280 --> 00:39:31,759
Speaker 1: It wasn't my favorite song. Um this though for me

739
00:39:32,120 --> 00:39:35,120
Speaker 1: it was the first time that I felt like Trevor

740
00:39:35,440 --> 00:39:39,960
Speaker 1: hellad it down and performed above above her. I don't know,

741
00:39:40,280 --> 00:39:44,279
Speaker 1: something like and she's a great singer. They're just I

742
00:39:44,360 --> 00:39:46,640
Speaker 1: don't know. It didn't do it for me. Well, Pat

743
00:39:46,719 --> 00:39:49,080
Speaker 1: called her nervous and awkward, and I thought, I don't

744
00:39:49,080 --> 00:39:51,760
Speaker 1: know if that's a compliment, if you're saying she's quirky

745
00:39:52,520 --> 00:39:55,800
Speaker 1: and like that's her style. But I was like, geez, yikes.

746
00:39:56,080 --> 00:39:58,120
Speaker 1: I mean, but he didn't say it in a mean way. Okay,

747
00:39:58,160 --> 00:40:04,160
Speaker 1: Natasha and Ryan yike. Yeah, when they started off, Okay,

748
00:40:04,200 --> 00:40:06,080
Speaker 1: first of all, Annie Grammar said last week and this

749
00:40:06,200 --> 00:40:07,880
Speaker 1: didn't make the cut, but he said Ryan is more

750
00:40:07,920 --> 00:40:11,319
Speaker 1: comfortable singing when he has a guitar in his hand,

751
00:40:11,640 --> 00:40:13,439
Speaker 1: So when he started off without the guitar, I thought,

752
00:40:13,480 --> 00:40:15,040
Speaker 1: oh God, here we go, and then he grabbed it.

753
00:40:15,320 --> 00:40:18,279
Speaker 1: But that turned out to be a huge mistake. The

754
00:40:18,520 --> 00:40:21,440
Speaker 1: entire thing. It was just like a what is happening

755
00:40:21,600 --> 00:40:25,200
Speaker 1: moment for me? Yeah, and you know, if the viewers

756
00:40:25,320 --> 00:40:28,960
Speaker 1: will remember, like when they first got their songs before

757
00:40:29,000 --> 00:40:31,839
Speaker 1: they actually performed it. Ryan was sitting there and he's like, yeah,

758
00:40:31,840 --> 00:40:33,879
Speaker 1: I kind of want to make this my own, which

759
00:40:33,920 --> 00:40:36,120
Speaker 1: I get as a musician, and if you feel comfortable

760
00:40:36,160 --> 00:40:39,680
Speaker 1: and you're able to do that, go for it. This though,

761
00:40:39,920 --> 00:40:42,799
Speaker 1: was not it. Yeah, I don't know what the heck

762
00:40:42,960 --> 00:40:45,200
Speaker 1: was going on up there. It was like fourteen songs

763
00:40:45,440 --> 00:40:48,520
Speaker 1: and styles wrapped up into one performance and it was off.

764
00:40:48,960 --> 00:40:51,040
Speaker 1: I mean yeah. Shout out to the cameraman who caught

765
00:40:51,080 --> 00:40:54,160
Speaker 1: the drummer's facial expression when he was like, I'm sorry,

766
00:40:54,200 --> 00:40:56,880
Speaker 1: what am I doing? Which beat do I catch? Because

767
00:40:56,960 --> 00:41:00,560
Speaker 1: I mean it was so I don't I didn't even

768
00:41:00,800 --> 00:41:04,160
Speaker 1: realize they were singing perfect anymore. That's how off it was.

769
00:41:04,440 --> 00:41:07,839
Speaker 1: And Natasha's later you hear her say I messed it up.

770
00:41:07,880 --> 00:41:10,800
Speaker 1: I sang the wrong part. I don't even think that

771
00:41:11,080 --> 00:41:13,360
Speaker 1: was it. I mean, you are working with a musical

772
00:41:13,440 --> 00:41:15,920
Speaker 1: director and a band, and you have rehearsals for a reason.

773
00:41:16,239 --> 00:41:18,120
Speaker 1: It's almost as if they were like, you know what,

774
00:41:19,040 --> 00:41:21,759
Speaker 1: let's just make this our own. I don't even think

775
00:41:21,800 --> 00:41:24,160
Speaker 1: that's the ship. They practiced in rehearsals. They just got

776
00:41:24,239 --> 00:41:28,360
Speaker 1: up there and were like we're gonna self eliminate because

777
00:41:28,520 --> 00:41:32,040
Speaker 1: that's what That's basically what it seems like it was.

778
00:41:32,360 --> 00:41:36,840
Speaker 1: I did not understand what was happening in that performance.

779
00:41:37,120 --> 00:41:40,919
Speaker 1: As Randy said, best, it's a no for me dog. Yeah, yeah,

780
00:41:41,040 --> 00:41:45,040
Speaker 1: yeah it was. It was awful. I mean, this sounds

781
00:41:45,120 --> 00:41:48,000
Speaker 1: really bad, but obviously we have favorites when it comes

782
00:41:48,040 --> 00:41:50,360
Speaker 1: to this, and we are both big Rudy fans, and

783
00:41:50,520 --> 00:41:52,800
Speaker 1: I remember thinking, Okay, Rudy and Matt can be on

784
00:41:52,840 --> 00:41:56,759
Speaker 1: the chopping block because they're they don't have chemistry, they

785
00:41:56,800 --> 00:42:00,520
Speaker 1: seem to be off. But when Natasha and Ryan didn't

786
00:42:00,560 --> 00:42:04,560
Speaker 1: succeed in their performance, I thought, and we're back. We're

787
00:42:04,600 --> 00:42:07,480
Speaker 1: gonna get Rudy another week. You know what. Between those two,

788
00:42:07,719 --> 00:42:10,200
Speaker 1: I feel like I get a very Christina a Ulera

789
00:42:10,280 --> 00:42:13,720
Speaker 1: vibe but with Natasha, and then a huge John Mayer

790
00:42:13,840 --> 00:42:16,200
Speaker 1: vibe with Ryan, and I just don't think they match.

791
00:42:16,360 --> 00:42:18,880
Speaker 1: Yeah they don't. They don't. They they're they're they're equally

792
00:42:19,200 --> 00:42:21,799
Speaker 1: great in their own right. They don't. I don't think

793
00:42:21,840 --> 00:42:25,239
Speaker 1: they're meant to perform with people, and apparently they're not

794
00:42:25,640 --> 00:42:28,279
Speaker 1: meant to perform with a band as well. After what

795
00:42:28,440 --> 00:42:32,839
Speaker 1: we have on stage, Yes, so then we get into

796
00:42:32,920 --> 00:42:35,200
Speaker 1: judges didn't like it either, we get into the performance

797
00:42:35,239 --> 00:42:37,719
Speaker 1: of the night. I mean, it's so not fair that

798
00:42:37,880 --> 00:42:40,719
Speaker 1: Rudy and Matt get the best songs, but they also

799
00:42:40,800 --> 00:42:44,320
Speaker 1: get the best songs because they are the best together

800
00:42:44,480 --> 00:42:47,480
Speaker 1: on stage. They are light years ahead of everybody else

801
00:42:47,520 --> 00:42:49,959
Speaker 1: as far as harmonizing and the way that they mesh

802
00:42:50,120 --> 00:42:54,680
Speaker 1: and blend on stage. Dare I say it, Becca, They

803
00:42:54,840 --> 00:42:59,719
Speaker 1: sounded better than Lady Gaga and Bradley Cooper together. Now, Lady,

804
00:42:59,840 --> 00:43:02,600
Speaker 1: I'm not saying Rudy sounds better than Lady Gaga by herself.

805
00:43:02,719 --> 00:43:05,759
Speaker 1: I'm saying together, because let's admit, Braddie Hooper's not a singer.

806
00:43:05,800 --> 00:43:07,759
Speaker 1: He took singing lessons for five months to just be

807
00:43:07,840 --> 00:43:12,480
Speaker 1: able to sing that part. They were better as they

808
00:43:13,320 --> 00:43:15,680
Speaker 1: I'm glad that you brought up the harmony because I'm

809
00:43:15,800 --> 00:43:19,000
Speaker 1: like a seventh grader when I take notes. But around

810
00:43:19,200 --> 00:43:23,000
Speaker 1: this sentence that I wrote, I put little hearts all

811
00:43:23,080 --> 00:43:26,400
Speaker 1: around it. But I said that harmonizing was gold. They

812
00:43:26,520 --> 00:43:29,279
Speaker 1: did so well together. And I don't even think like

813
00:43:29,440 --> 00:43:32,480
Speaker 1: you can't come stylistically. I think Lady Gaga and Rudy

814
00:43:32,520 --> 00:43:34,799
Speaker 1: are so different, So you can't even really compare them.

815
00:43:34,920 --> 00:43:40,680
Speaker 1: But what they did on stage, people was I would

816
00:43:40,760 --> 00:43:43,680
Speaker 1: pay to see a concert and to just have those

817
00:43:43,719 --> 00:43:46,040
Speaker 1: who sing that song twelve times in a row. It

818
00:43:46,120 --> 00:43:48,360
Speaker 1: was amazing and and I'd be fine with it. It

819
00:43:48,520 --> 00:43:52,880
Speaker 1: was so good they and sorry, go ahead good, I

820
00:43:53,000 --> 00:43:55,279
Speaker 1: was gonna say. After they performed. The part that I

821
00:43:55,480 --> 00:43:59,239
Speaker 1: really enjoyed was when they were separate. They were interviewing,

822
00:43:59,320 --> 00:44:02,520
Speaker 1: and Matt said, this was the cute part that I

823
00:44:02,600 --> 00:44:06,160
Speaker 1: wish if Rudy could see, like he likes you. He

824
00:44:06,520 --> 00:44:07,840
Speaker 1: might not be where you're up, but he likes you

825
00:44:07,920 --> 00:44:10,520
Speaker 1: because he was like, man, when Rudy just went off

826
00:44:10,600 --> 00:44:13,160
Speaker 1: and took that note and went hard, it was so good.

827
00:44:13,200 --> 00:44:15,000
Speaker 1: And like the way that he was talking about her

828
00:44:15,239 --> 00:44:17,759
Speaker 1: performing together, It's like that's what she needs to hear

829
00:44:17,880 --> 00:44:21,640
Speaker 1: and see. And like seeing that I think was more

830
00:44:21,719 --> 00:44:24,640
Speaker 1: special than hearing him sit there and like try to

831
00:44:24,719 --> 00:44:28,480
Speaker 1: come like say bake words to Yeah. The problem is

832
00:44:28,520 --> 00:44:31,239
Speaker 1: that Rudy is comparing their relationship to other people's in

833
00:44:31,280 --> 00:44:33,880
Speaker 1: the house and thinking that they're behind. If they were

834
00:44:33,960 --> 00:44:36,800
Speaker 1: outside of this, it would be just fine. But she's

835
00:44:37,360 --> 00:44:39,759
Speaker 1: they're not as fast as other people, and that's that's

836
00:44:39,880 --> 00:44:42,560
Speaker 1: the problem. I think Jamie said there they're a slow burn,

837
00:44:42,840 --> 00:44:44,279
Speaker 1: And I like the way that she said that, because

838
00:44:44,320 --> 00:44:46,480
Speaker 1: that's actually true. No, the way Rudy and at saying it.

839
00:44:46,880 --> 00:44:48,840
Speaker 1: They put a little R and B soul on it,

840
00:44:49,239 --> 00:44:52,120
Speaker 1: the way they would end it like I guess each

841
00:44:53,280 --> 00:44:55,840
Speaker 1: bar however you want to say it like it was.

842
00:44:56,080 --> 00:44:58,640
Speaker 1: It was beautiful. At one point I go oh, and

843
00:44:58,760 --> 00:45:00,520
Speaker 1: then I'm watching it Evan Ross, it was like, oh,

844
00:45:00,840 --> 00:45:03,680
Speaker 1: it was like exactly pretty much did you catch did

845
00:45:03,760 --> 00:45:06,160
Speaker 1: you catch her wink? When she started singing the second

846
00:45:06,320 --> 00:45:08,759
Speaker 1: verse and it's kind of talking about like are you

847
00:45:08,880 --> 00:45:11,120
Speaker 1: scared boy? Whatever the words are, I don't know, but

848
00:45:12,040 --> 00:45:14,160
Speaker 1: and she kind of gives him this like sassy little

849
00:45:14,200 --> 00:45:16,640
Speaker 1: wink and I was like, yes, girl. But it was good.

850
00:45:16,800 --> 00:45:18,680
Speaker 1: It was so it was so good. So it wasn't fair.

851
00:45:18,760 --> 00:45:22,560
Speaker 1: It wasn't fair. It wasn't fair to let them sing first.

852
00:45:22,640 --> 00:45:26,000
Speaker 1: It just wasn't God. They said the best for last, right,

853
00:45:26,200 --> 00:45:28,279
Speaker 1: and so we already kind of alluded to it. But

854
00:45:28,520 --> 00:45:32,000
Speaker 1: there's a rose ceremony and no surprise here. After watching

855
00:45:32,520 --> 00:45:35,279
Speaker 1: that performance, Natasha and Ryan go home. It was sad

856
00:45:35,320 --> 00:45:37,279
Speaker 1: to see Natasha get emotional and say she messed it

857
00:45:37,400 --> 00:45:38,960
Speaker 1: up for Ryan and she hopes he's not mad at her,

858
00:45:39,000 --> 00:45:41,600
Speaker 1: which made me think, well, she really does care about him,

859
00:45:41,680 --> 00:45:46,600
Speaker 1: you know, it's just not love. Yeah, I think outside

860
00:45:46,600 --> 00:45:48,239
Speaker 1: of this show they're going to go on and do

861
00:45:48,400 --> 00:45:52,719
Speaker 1: great things, just not together, right, that together? And that's

862
00:45:52,800 --> 00:45:55,120
Speaker 1: you're right. And so now we move on to the

863
00:45:55,680 --> 00:45:58,560
Speaker 1: final three and we'll see what happens next. But before

864
00:45:58,600 --> 00:46:02,520
Speaker 1: we get into all of that, it's that time, because

865
00:46:02,600 --> 00:46:05,399
Speaker 1: just in a moment, we have none other than Rita

866
00:46:05,640 --> 00:46:09,759
Speaker 1: Freakin Wilson on the podcast This Woman let Me Get

867
00:46:09,800 --> 00:46:13,200
Speaker 1: My Fingers Out. Is a singer, actress, producer, activist, and

868
00:46:13,400 --> 00:46:16,360
Speaker 1: the ultimate boss and it is an honor to have

869
00:46:16,600 --> 00:46:18,880
Speaker 1: her on our show. She has a new country single

870
00:46:19,000 --> 00:46:22,120
Speaker 1: out right now called Where's My Country Song? And she's

871
00:46:22,160 --> 00:46:24,640
Speaker 1: also a guest judge on next week's finale of Listening

872
00:46:24,680 --> 00:46:28,600
Speaker 1: to Your Heart. Everyone, please put your hands together or

873
00:46:28,680 --> 00:46:33,360
Speaker 1: snap your fingers because it's Rita Wilson. Well, welcome, Rita.

874
00:46:33,480 --> 00:46:35,840
Speaker 1: We are so excited to have you on The Bachelor.

875
00:46:35,880 --> 00:46:39,439
Speaker 1: Had our podcast today and we can't wait to see

876
00:46:39,480 --> 00:46:42,360
Speaker 1: all that you have to say on the show. First

877
00:46:42,480 --> 00:46:44,640
Speaker 1: and foremost, though, I want to ask, were you a

878
00:46:44,719 --> 00:46:49,399
Speaker 1: fan of The Bachelor, Badcheloride or Paradise before all of this, Yes,

879
00:46:49,560 --> 00:46:53,320
Speaker 1: the Bachelor yet, Yes, I did not watch Bachelor in Paradise,

880
00:46:53,520 --> 00:46:57,120
Speaker 1: but yeah, I mean there's always something to talk about it.

881
00:46:57,239 --> 00:47:03,920
Speaker 1: It's always a wonderful interest warts carefully, that's just like

882
00:47:04,200 --> 00:47:11,880
Speaker 1: from a major nicely. Yes, yes, Well, how was your

883
00:47:11,960 --> 00:47:14,040
Speaker 1: time on Listen to your Heart and being one of

884
00:47:14,080 --> 00:47:20,480
Speaker 1: the guest judges. To be honest with you, it's it's hard.

885
00:47:20,920 --> 00:47:27,000
Speaker 1: I love um, I love music, I love songwriting, I

886
00:47:27,120 --> 00:47:31,160
Speaker 1: love singing, so I was really excited about the concept

887
00:47:31,200 --> 00:47:35,080
Speaker 1: of the show. And being a judge is very judging.

888
00:47:35,920 --> 00:47:39,400
Speaker 1: It's hard to judge, like you know, because what you

889
00:47:39,600 --> 00:47:42,880
Speaker 1: think in your head and what you want to say. Um.

890
00:47:43,600 --> 00:47:48,439
Speaker 1: For me, I want to always find something positive to say.

891
00:47:49,080 --> 00:47:53,440
Speaker 1: And it was finale, so it was a big decision.

892
00:47:53,480 --> 00:47:56,360
Speaker 1: All the judges have to decide and choose, as you know,

893
00:47:57,120 --> 00:48:00,560
Speaker 1: who gets to stay and who gets to go. So

894
00:48:01,480 --> 00:48:06,520
Speaker 1: there's some pressure involved. But I think everybody is going

895
00:48:06,600 --> 00:48:12,520
Speaker 1: to be what's the word. I think it'll be clear

896
00:48:12,600 --> 00:48:16,520
Speaker 1: to everybody who the winner is. Okay, okay, that's I mean,

897
00:48:16,600 --> 00:48:19,520
Speaker 1: that's a big hint. That's a big hint. So we

898
00:48:19,920 --> 00:48:23,080
Speaker 1: um I judge two weeks before you, and I do

899
00:48:23,239 --> 00:48:26,880
Speaker 1: agree with you, but I'm extremely opinionated. But I found

900
00:48:26,920 --> 00:48:31,040
Speaker 1: it hard when it came time to deliberate and figure out. Okay,

901
00:48:31,120 --> 00:48:33,359
Speaker 1: but who actually has to go home? I didn't want

902
00:48:33,440 --> 00:48:35,920
Speaker 1: that job. I didn't want that pressure. I can't imagine,

903
00:48:36,400 --> 00:48:39,640
Speaker 1: you know, having to do it at the finale. But

904
00:48:39,800 --> 00:48:43,000
Speaker 1: I do have to say that we know that you

905
00:48:43,120 --> 00:48:45,799
Speaker 1: have a love and a knowledge of music, and specifically

906
00:48:45,840 --> 00:48:49,879
Speaker 1: country music, and we're told, because we'ven't seen everything yet,

907
00:48:49,960 --> 00:48:52,600
Speaker 1: but we're told that you light up with every single

908
00:48:52,680 --> 00:48:55,839
Speaker 1: performance just because of the passion that you have. When

909
00:48:55,880 --> 00:48:59,840
Speaker 1: did all of this start for you? Well? I started

910
00:48:59,840 --> 00:49:04,879
Speaker 1: to so I'm writing about seven years ago, and then

911
00:49:05,160 --> 00:49:08,960
Speaker 1: I did. It was because another songwriter, Kara Diagardy, said

912
00:49:09,000 --> 00:49:11,520
Speaker 1: to me, you should write songs, and I was like, well,

913
00:49:11,560 --> 00:49:14,440
Speaker 1: I don't read music or playing instrument. She said, it's okay,

914
00:49:14,560 --> 00:49:17,000
Speaker 1: do you have something you want to say? And when

915
00:49:17,080 --> 00:49:20,160
Speaker 1: she said that, it was like, yes, this is about

916
00:49:20,239 --> 00:49:22,880
Speaker 1: telling stories and that's one of the reason why I

917
00:49:22,960 --> 00:49:25,239
Speaker 1: love country music so much, is because there's so much

918
00:49:25,360 --> 00:49:29,319
Speaker 1: great storytelling in there. So she wrote my first two

919
00:49:29,400 --> 00:49:31,360
Speaker 1: songs with me and then I just started writing and

920
00:49:31,480 --> 00:49:33,759
Speaker 1: going down in Nashville a lot and writing down there,

921
00:49:34,440 --> 00:49:39,240
Speaker 1: and to me, it's been one of the most rewarding things.

922
00:49:39,360 --> 00:49:41,759
Speaker 1: And I feel like, I don't know, I feel like

923
00:49:41,840 --> 00:49:45,319
Speaker 1: I'm my most truest self when I'm writing a song

924
00:49:45,400 --> 00:49:47,879
Speaker 1: or when I'm singing. Well. So I have a question

925
00:49:47,920 --> 00:49:50,920
Speaker 1: because you mentioned Nashville, and obviously the episode that you're

926
00:49:51,040 --> 00:49:55,480
Speaker 1: on takes place in Nashville, and obviously it produces so

927
00:49:56,080 --> 00:49:59,360
Speaker 1: many artists, so much musical talent just within that city.

928
00:50:00,080 --> 00:50:02,640
Speaker 1: What is it? Is there just something like magical with

929
00:50:02,880 --> 00:50:06,719
Speaker 1: Nashville and musicians. What is it? Yeah, Nashville is a

930
00:50:06,760 --> 00:50:11,239
Speaker 1: city that reveres songwriters and reveres musicians. It's called music

931
00:50:11,320 --> 00:50:13,719
Speaker 1: city for a reason. It's just you walk down the

932
00:50:13,800 --> 00:50:16,080
Speaker 1: street and there's music coming out of all of these

933
00:50:16,680 --> 00:50:21,040
Speaker 1: bars and clubs, and everybody working there wants to be

934
00:50:21,160 --> 00:50:24,759
Speaker 1: a musician or a songwriter. And I was talking to

935
00:50:24,880 --> 00:50:29,040
Speaker 1: Jimmy Allen, the amazing country singer and songwriter, and he

936
00:50:29,160 --> 00:50:32,399
Speaker 1: said he was sleeping in his car, you know, while

937
00:50:32,440 --> 00:50:34,879
Speaker 1: he was trying to make it in Nashville, and now

938
00:50:35,000 --> 00:50:38,040
Speaker 1: he's you know, all over the radio. So I think

939
00:50:38,239 --> 00:50:41,960
Speaker 1: it's a place where you feel those dreams living in

940
00:50:42,200 --> 00:50:46,640
Speaker 1: people and it's really exciting. People are really nice there too.

941
00:50:46,800 --> 00:50:49,880
Speaker 1: I just I just love going down. Yeah, it's so

942
00:50:50,680 --> 00:50:52,719
Speaker 1: go ahead. Oh, I was just going to agree. I've

943
00:50:52,760 --> 00:50:55,279
Speaker 1: only been to Nashville once. My fiance and I took

944
00:50:55,320 --> 00:50:59,759
Speaker 1: a trip there right after my season surprisingly and we're

945
00:51:00,160 --> 00:51:02,120
Speaker 1: there for four days. And I'm from a very small

946
00:51:02,160 --> 00:51:04,440
Speaker 1: town in Minnesota, but it felt like, you know, as

947
00:51:04,480 --> 00:51:08,040
Speaker 1: big as the city is, it still felt connected and

948
00:51:08,160 --> 00:51:10,680
Speaker 1: you kind of have like the small town vibe and

949
00:51:10,840 --> 00:51:14,600
Speaker 1: that just the comfortable illness and um, the welcome, Like

950
00:51:14,800 --> 00:51:16,440
Speaker 1: we felt so welcome there. So I fell in love

951
00:51:16,480 --> 00:51:18,160
Speaker 1: with the city. So I get why people go there,

952
00:51:18,239 --> 00:51:20,880
Speaker 1: why they want to produce music and perform there. It's

953
00:51:20,920 --> 00:51:24,040
Speaker 1: just a really special place. I heard that it's now

954
00:51:24,200 --> 00:51:28,560
Speaker 1: the number one destination for bachelorette parties. Oh yes, did

955
00:51:28,640 --> 00:51:30,800
Speaker 1: you see Do you see the buses that they have

956
00:51:31,080 --> 00:51:34,560
Speaker 1: these big buses with the tops down and everyone screaming

957
00:51:34,640 --> 00:51:38,240
Speaker 1: and hockey buses. I don't know what they're called buses

958
00:51:38,360 --> 00:51:40,480
Speaker 1: or carts or something where you're like it's a bar

959
00:51:41,120 --> 00:51:51,280
Speaker 1: and breaking. It's like it is blasting, you know, very funny.

960
00:51:51,760 --> 00:51:53,799
Speaker 1: It's such a good time. I was there, well, now

961
00:51:53,920 --> 00:51:55,600
Speaker 1: my husband with my fiance at the time, we were

962
00:51:55,640 --> 00:51:58,520
Speaker 1: there for the draft and um, yeah we were We

963
00:51:58,600 --> 00:52:01,600
Speaker 1: went out to celebrate. My husband goes, I think I'm

964
00:52:01,600 --> 00:52:03,919
Speaker 1: going to have my bachelor party here, and I thought,

965
00:52:04,120 --> 00:52:06,440
Speaker 1: what are you looking at? What's making you look around

966
00:52:06,480 --> 00:52:08,480
Speaker 1: a thing? This is where I need to have my

967
00:52:08,600 --> 00:52:12,600
Speaker 1: bachelor party. He loved it. But I'm from Dallas, but

968
00:52:12,680 --> 00:52:14,799
Speaker 1: I went to school in Austin and it's very much

969
00:52:14,840 --> 00:52:17,239
Speaker 1: so reminds me of Austin. I feel like it is

970
00:52:17,320 --> 00:52:20,520
Speaker 1: the news. And Austin's another music city. I mean, they

971
00:52:20,800 --> 00:52:24,040
Speaker 1: just got incredible music and they have the film Festival

972
00:52:24,160 --> 00:52:27,960
Speaker 1: and south By Southwest and so, I mean, I don't know,

973
00:52:28,040 --> 00:52:31,640
Speaker 1: there's something just really fun about Nashville. It's beautiful too. Yeah,

974
00:52:31,719 --> 00:52:34,560
Speaker 1: let's face it. And you know you're outside more if

975
00:52:34,600 --> 00:52:37,520
Speaker 1: you're going to Vegas for a bachelorette party. Literally, do

976
00:52:37,600 --> 00:52:41,120
Speaker 1: you ever see the outside? There are no windows? So true,

977
00:52:42,760 --> 00:52:46,200
Speaker 1: not just not justsing Vegas. I'm just thinking, like, for me,

978
00:52:46,440 --> 00:52:50,000
Speaker 1: I want to have some outside times. Yeah, Vegas is tired.

979
00:52:50,320 --> 00:52:56,759
Speaker 1: It's all about Nashville. Now, who inspires you? And maybe

980
00:52:56,800 --> 00:52:59,160
Speaker 1: the answer is different for you. As far as when

981
00:52:59,239 --> 00:53:01,960
Speaker 1: it comes to singing and then maybe songwriting, Who are

982
00:53:02,000 --> 00:53:10,120
Speaker 1: your inspirations? I think there are two things. The first

983
00:53:10,360 --> 00:53:13,560
Speaker 1: part of how All answered that is that stories inspire

984
00:53:13,640 --> 00:53:17,279
Speaker 1: me and people inspire me. Even like on the new

985
00:53:17,360 --> 00:53:19,360
Speaker 1: song that I have coming out, it's called Where's My

986
00:53:19,440 --> 00:53:23,280
Speaker 1: Country Song, And it was really inspired by the women

987
00:53:23,640 --> 00:53:28,440
Speaker 1: that in some ways are like my mom that worked

988
00:53:28,680 --> 00:53:32,880
Speaker 1: and at home and cooked for us and sewed for

989
00:53:33,080 --> 00:53:35,440
Speaker 1: us and took really good care of us and loved us.

990
00:53:35,960 --> 00:53:38,640
Speaker 1: And it's also for those women who might be single

991
00:53:38,760 --> 00:53:41,640
Speaker 1: parents and single mothers who are trying to get by

992
00:53:41,719 --> 00:53:45,680
Speaker 1: in the world, and also for the women who are

993
00:53:46,560 --> 00:53:48,839
Speaker 1: behind the scenes. You know, we don't see the people

994
00:53:48,880 --> 00:53:52,720
Speaker 1: who are getting our agriculture to us or are working

995
00:53:52,760 --> 00:53:55,440
Speaker 1: in a factory that are making sure that you know,

996
00:53:55,680 --> 00:53:59,640
Speaker 1: our lysol wipes are being delivered to us in time.

997
00:54:00,640 --> 00:54:04,719
Speaker 1: It's really uh So I look for stories that are

998
00:54:04,800 --> 00:54:07,600
Speaker 1: surrounding me and write in front of me, and sometimes

999
00:54:07,760 --> 00:54:10,880
Speaker 1: those stories are coming from within myself. In terms of

1000
00:54:11,080 --> 00:54:18,520
Speaker 1: musical influence, I love I Love Joni Mitchell, Linda Ronstat,

1001
00:54:19,280 --> 00:54:25,480
Speaker 1: Dolly Parton, Brandy carlyle Um, the you know, the women

1002
00:54:25,560 --> 00:54:29,640
Speaker 1: that are doing the great storytelling right now, Um, and

1003
00:54:29,880 --> 00:54:34,480
Speaker 1: i'd always happen, so, um, you know, I tend to

1004
00:54:34,600 --> 00:54:38,920
Speaker 1: go for I guess the story. Do you When you

1005
00:54:39,760 --> 00:54:43,040
Speaker 1: are songwriting, do you ever or did you ever keep

1006
00:54:43,120 --> 00:54:45,120
Speaker 1: old journals or is that kind of where you pull

1007
00:54:45,200 --> 00:54:49,200
Speaker 1: some inspiration from as well? I really wish I had

1008
00:54:49,280 --> 00:54:52,000
Speaker 1: kept journals. I would have loved to have seen those

1009
00:54:52,160 --> 00:54:56,920
Speaker 1: journals like what had fifteen year old me? You know? Um,

1010
00:54:57,680 --> 00:55:01,080
Speaker 1: So I don't keep a journal, probably because I'm so

1011
00:55:01,239 --> 00:55:03,640
Speaker 1: private that I would be afraid that somebody would find

1012
00:55:03,719 --> 00:55:10,960
Speaker 1: it and do something posted all our Instagram back. But

1013
00:55:11,320 --> 00:55:14,440
Speaker 1: I keep Now I have songwriting journals, and sometimes in

1014
00:55:14,520 --> 00:55:17,560
Speaker 1: those journals all sorts of ideas come out. And in

1015
00:55:17,680 --> 00:55:20,960
Speaker 1: my phone I keep a list of you know, just

1016
00:55:21,200 --> 00:55:26,320
Speaker 1: song titles, song ideas, song you know thoughts, partial lyrics,

1017
00:55:26,480 --> 00:55:29,880
Speaker 1: full lyrics, So that sort of my phone has become

1018
00:55:29,920 --> 00:55:33,160
Speaker 1: sort of I guess, version of that kind of a journal.

1019
00:55:33,440 --> 00:55:35,239
Speaker 1: So you touched on your new single that just really

1020
00:55:35,320 --> 00:55:39,360
Speaker 1: is perfect time for Mother's Day honestly, um, and the

1021
00:55:39,520 --> 00:55:43,680
Speaker 1: lyrics itself are just lovely. But watching that lyric video,

1022
00:55:43,800 --> 00:55:47,640
Speaker 1: it's so beautiful with all of the old vintage clips

1023
00:55:48,000 --> 00:55:51,640
Speaker 1: pushed together did you have a say in how that

1024
00:55:51,840 --> 00:55:54,600
Speaker 1: was all portrayed and put together with the with the

1025
00:55:54,719 --> 00:55:59,719
Speaker 1: lyrics itself. I was really inspired by the video that

1026
00:56:00,040 --> 00:56:03,120
Speaker 1: John Legend put out for his song Conversations in the Dark,

1027
00:56:03,680 --> 00:56:08,240
Speaker 1: and that director Luke Eisner happens to be an actor

1028
00:56:08,840 --> 00:56:13,759
Speaker 1: as well, and so we reached out to Luke and

1029
00:56:14,040 --> 00:56:18,680
Speaker 1: told him what the idea was, and he I said,

1030
00:56:18,680 --> 00:56:22,360
Speaker 1: I'd like to do a similar thing to Conversations in

1031
00:56:22,440 --> 00:56:25,680
Speaker 1: the Dark, but I'd really like to highlight women women

1032
00:56:25,880 --> 00:56:30,240
Speaker 1: throughout the decades in America and what they've really done

1033
00:56:30,880 --> 00:56:33,759
Speaker 1: to keep our country going, to keep their families going,

1034
00:56:34,120 --> 00:56:38,279
Speaker 1: and and sometimes they're unseen. You know. I'm a first

1035
00:56:38,320 --> 00:56:42,040
Speaker 1: generation American, and my mom and dad both had accents,

1036
00:56:42,560 --> 00:56:46,640
Speaker 1: and I saw sometimes that my mom or my dad

1037
00:56:46,719 --> 00:56:50,040
Speaker 1: worked could be invisible, and particularly my mom because she

1038
00:56:50,120 --> 00:56:53,640
Speaker 1: didn't have a job, and she wasn't you know, she

1039
00:56:53,840 --> 00:56:57,520
Speaker 1: was American, but she wasn't a typical American because she

1040
00:56:57,680 --> 00:57:06,960
Speaker 1: wasn't raised here. So I remember having a sort of

1041
00:57:07,080 --> 00:57:10,480
Speaker 1: like being able to observe the differences in sort of

1042
00:57:10,960 --> 00:57:13,680
Speaker 1: what people do, like my mom, even though she might

1043
00:57:13,760 --> 00:57:16,160
Speaker 1: have been treated sometimes with not a lot of respect

1044
00:57:16,240 --> 00:57:19,280
Speaker 1: because of her accent. She was my hero. She was

1045
00:57:19,360 --> 00:57:21,600
Speaker 1: the person who was I mean, I looked up to

1046
00:57:21,720 --> 00:57:24,680
Speaker 1: her and I thought she was amazing. So when people

1047
00:57:25,520 --> 00:57:27,600
Speaker 1: sort of sent a message that they didn't think she

1048
00:57:27,760 --> 00:57:31,320
Speaker 1: was amazing, that really infuriated me because it's like, no,

1049
00:57:31,480 --> 00:57:34,400
Speaker 1: you don't understand. She's raising three kids, and she cooks

1050
00:57:34,440 --> 00:57:37,040
Speaker 1: fresh meals for us every day, and she's doing our laundry,

1051
00:57:37,160 --> 00:57:41,360
Speaker 1: and she's sewing our buttspreads and our clothes and you know.

1052
00:57:41,520 --> 00:57:46,000
Speaker 1: So I really that experience in a way taught me

1053
00:57:46,600 --> 00:57:50,680
Speaker 1: to empathize with people who sometimes may not have the

1054
00:57:50,880 --> 00:57:54,640
Speaker 1: spotlight put on them for really the value that they

1055
00:57:54,800 --> 00:58:00,280
Speaker 1: bring to our country. I think that is so beautiful. Um,

1056
00:58:02,280 --> 00:58:05,280
Speaker 1: I'm trying not to be like political, so I'm trying

1057
00:58:05,320 --> 00:58:08,440
Speaker 1: to move it around. We should use our voices. It's

1058
00:58:08,480 --> 00:58:11,760
Speaker 1: like it's very important to do that. Like that's what

1059
00:58:12,080 --> 00:58:13,920
Speaker 1: fine when you get to be my age is like

1060
00:58:14,120 --> 00:58:15,880
Speaker 1: I'm just saying what I want to say from melon

1061
00:58:16,040 --> 00:58:18,840
Speaker 1: because do I have left. I want to be able

1062
00:58:18,840 --> 00:58:20,920
Speaker 1: to say the truth. And we got to pay it

1063
00:58:21,000 --> 00:58:23,640
Speaker 1: forward for the next generation. Yeah, and I and I

1064
00:58:23,880 --> 00:58:26,600
Speaker 1: and I say, and I love your message, and I say,

1065
00:58:26,600 --> 00:58:29,000
Speaker 1: I'm trying not to be, but I totally am. But

1066
00:58:29,120 --> 00:58:31,440
Speaker 1: I'm like emotional right now, just because there's a lot

1067
00:58:31,520 --> 00:58:33,920
Speaker 1: going on in the country and I have been vocal

1068
00:58:33,960 --> 00:58:36,480
Speaker 1: about it on social media and I've just it's it

1069
00:58:36,640 --> 00:58:40,040
Speaker 1: strikes accord with me that you're using your platform in

1070
00:58:40,160 --> 00:58:43,360
Speaker 1: such a beautiful way to give a voice to the voiceless.

1071
00:58:43,840 --> 00:58:47,200
Speaker 1: And I'm so excited for everyone to hear your single

1072
00:58:47,280 --> 00:58:49,600
Speaker 1: on Friday, and I'm so excited that you have this

1073
00:58:49,800 --> 00:58:52,880
Speaker 1: video that portrays it and displays it as well. Um.

1074
00:58:52,960 --> 00:58:55,960
Speaker 1: I love though that your interest in music is also

1075
00:58:56,440 --> 00:59:01,120
Speaker 1: so deeply rooted in stories and and and writing about stories.

1076
00:59:01,160 --> 00:59:04,280
Speaker 1: And I wonder, because we'll ask you this question a

1077
00:59:04,360 --> 00:59:07,200
Speaker 1: little bit too about different genres of music. But has

1078
00:59:07,240 --> 00:59:10,120
Speaker 1: it always been country music for you because of the

1079
00:59:10,240 --> 00:59:13,800
Speaker 1: stories or are you interested in other genres as well?

1080
00:59:14,760 --> 00:59:21,960
Speaker 1: Totally interested in other genres because the genre isn't isn't

1081
00:59:22,000 --> 00:59:24,960
Speaker 1: the thing, It's the story. So you look for the

1082
00:59:25,080 --> 00:59:28,280
Speaker 1: stories within the genre, Like if you look at the Beatles,

1083
00:59:28,360 --> 00:59:33,920
Speaker 1: for example, and a song like She's Leaving Home, you

1084
00:59:34,000 --> 00:59:37,320
Speaker 1: know she's getting up this young girl and she's going

1085
00:59:37,360 --> 00:59:38,920
Speaker 1: to go off with some guy that she met in

1086
00:59:39,000 --> 00:59:41,800
Speaker 1: the motor trade. It's like, no come back, and what

1087
00:59:41,920 --> 00:59:44,960
Speaker 1: are her parents doing? They're like a note in the

1088
00:59:45,040 --> 00:59:48,280
Speaker 1: morning that their daughter has left. Like that was heartbreaking

1089
00:59:48,360 --> 00:59:51,280
Speaker 1: to me. And then also you look at something like

1090
00:59:51,960 --> 00:59:54,480
Speaker 1: even hip hop or Ray like to me that was

1091
00:59:54,560 --> 01:00:00,560
Speaker 1: like learning a whole different language and almost shake experience

1092
01:00:00,680 --> 01:00:06,040
Speaker 1: and it's but it's also it was really about the

1093
01:00:06,280 --> 01:00:09,520
Speaker 1: story of giving props to hip hop and all of

1094
01:00:09,600 --> 01:00:13,480
Speaker 1: the people that came before Naughty by Nature that has

1095
01:00:13,560 --> 01:00:17,280
Speaker 1: a story in it as well. For me, a country

1096
01:00:17,360 --> 01:00:19,400
Speaker 1: music was one of those things. But there was also

1097
01:00:19,480 --> 01:00:24,000
Speaker 1: a song by like Bread that was this song called

1098
01:00:24,080 --> 01:00:26,520
Speaker 1: Everything I Own And I remember driving in the car

1099
01:00:26,640 --> 01:00:30,240
Speaker 1: with my mom and the song is really about loss.

1100
01:00:30,320 --> 01:00:33,280
Speaker 1: It's about losing someone. I think who died, and I

1101
01:00:33,440 --> 01:00:36,640
Speaker 1: think who's died. I guess it could be a relationship.

1102
01:00:36,840 --> 01:00:38,960
Speaker 1: But my mom and I were driving in the car

1103
01:00:39,040 --> 01:00:41,920
Speaker 1: and she's like, in her Greek accent, do you know

1104
01:00:42,080 --> 01:00:47,480
Speaker 1: what this song is about? Well, I don't know. I

1105
01:00:47,600 --> 01:00:50,200
Speaker 1: was really young, and she says, what do you think

1106
01:00:50,360 --> 01:00:53,480
Speaker 1: is about? I said, I think it's about somebody, you know,

1107
01:00:53,840 --> 01:00:57,200
Speaker 1: losing a boyfriend or something, and she's like, I think

1108
01:00:57,240 --> 01:01:02,080
Speaker 1: it's about somebody who somebody in that and I you know,

1109
01:01:02,320 --> 01:01:05,160
Speaker 1: having those conversations with my mom driving to the car,

1110
01:01:05,280 --> 01:01:10,400
Speaker 1: I think also helped formulate how I look at heard

1111
01:01:10,560 --> 01:01:13,240
Speaker 1: music and what the visuals were to it. You know,

1112
01:01:14,160 --> 01:01:17,440
Speaker 1: it can be anything from an upbeat song, you know,

1113
01:01:17,600 --> 01:01:21,919
Speaker 1: like look love Child, Diana Ross. What an amazing song

1114
01:01:22,040 --> 01:01:27,080
Speaker 1: to sing about. You know, a woman who gets pregnant

1115
01:01:27,120 --> 01:01:29,400
Speaker 1: out of wedlock, but she doesn't mean she doesn't love

1116
01:01:29,480 --> 01:01:34,160
Speaker 1: her child, right, it's still child. And even Tammy Wynette

1117
01:01:34,200 --> 01:01:36,440
Speaker 1: when she sang d I v O r CE, I

1118
01:01:36,520 --> 01:01:40,360
Speaker 1: mean nobody they had to spell it out because nobody

1119
01:01:40,880 --> 01:01:43,760
Speaker 1: could talk about getting a divorce, right, that's what the

1120
01:01:43,920 --> 01:01:47,760
Speaker 1: child wouldn't hear. So to me, it's it's really about

1121
01:01:48,080 --> 01:01:50,320
Speaker 1: what are they really trying to say here? You know,

1122
01:01:53,280 --> 01:01:55,439
Speaker 1: just gonna say you know, in sync redid the song

1123
01:01:55,600 --> 01:01:58,200
Speaker 1: everything I Own. That's how That's how I first heard it,

1124
01:01:58,320 --> 01:02:02,000
Speaker 1: Yes on their first album. Yes, if I am thinking

1125
01:02:02,040 --> 01:02:03,760
Speaker 1: of this song, I would give everything. I want to

1126
01:02:03,800 --> 01:02:06,520
Speaker 1: give up my life, my heart, my home just to

1127
01:02:06,640 --> 01:02:10,760
Speaker 1: have just to have you back again. Rachel. Yes, it's

1128
01:02:10,800 --> 01:02:16,280
Speaker 1: safredid it. I know, I'm just it's it's so amazing

1129
01:02:16,320 --> 01:02:18,080
Speaker 1: and I'm glad that we can see you and talk

1130
01:02:18,120 --> 01:02:20,360
Speaker 1: to you on Zoom for this podcast because just to

1131
01:02:20,480 --> 01:02:23,720
Speaker 1: see like how much you lad up even when you

1132
01:02:23,840 --> 01:02:26,800
Speaker 1: talk about the music and the genres and the storytelling.

1133
01:02:26,920 --> 01:02:29,680
Speaker 1: It's so inspiring and it's something that Rachel and I

1134
01:02:29,800 --> 01:02:33,520
Speaker 1: touched on I think a few weeks ago. Music has

1135
01:02:33,800 --> 01:02:36,480
Speaker 1: such a unique way to touch people in different ways,

1136
01:02:36,520 --> 01:02:39,480
Speaker 1: and there are certain songs that you hear, like when

1137
01:02:39,520 --> 01:02:41,439
Speaker 1: you were driving with your mom and heard that song,

1138
01:02:41,600 --> 01:02:45,160
Speaker 1: that you remember the exact day where you were, maybe

1139
01:02:45,240 --> 01:02:48,480
Speaker 1: what you were wearing, what you were feeling, and it's

1140
01:02:48,480 --> 01:02:50,000
Speaker 1: one of the few things. Music is one of the

1141
01:02:50,080 --> 01:02:53,200
Speaker 1: few things that can really touch people in that way

1142
01:02:53,360 --> 01:02:55,960
Speaker 1: that you just can't even explain it. And so I

1143
01:02:56,120 --> 01:02:59,400
Speaker 1: love talking to you and hearing your take on things

1144
01:02:59,440 --> 01:03:02,800
Speaker 1: and seeing your passion for it. It's really special. Thank you.

1145
01:03:03,000 --> 01:03:06,880
Speaker 1: I really hope you know now that when watching the show,

1146
01:03:07,040 --> 01:03:10,320
Speaker 1: listen to your heart. I really hope that they incorporate

1147
01:03:10,360 --> 01:03:14,400
Speaker 1: if it goes to season two, more original music, because

1148
01:03:14,440 --> 01:03:16,560
Speaker 1: I think that's where the real connection is going to

1149
01:03:16,640 --> 01:03:19,600
Speaker 1: be and where some of the tension will be too,

1150
01:03:19,880 --> 01:03:23,720
Speaker 1: because when you're writing a song, it is incredibly intimate

1151
01:03:23,800 --> 01:03:27,280
Speaker 1: and incredibly revealing, and so maybe there's a way to

1152
01:03:27,320 --> 01:03:31,280
Speaker 1: do a cover song and an original song. Because I

1153
01:03:31,960 --> 01:03:34,760
Speaker 1: at the finale, which you won't see. I don't think

1154
01:03:34,800 --> 01:03:38,240
Speaker 1: that they will air it on the finale, but they're

1155
01:03:38,960 --> 01:03:42,040
Speaker 1: one couple sang one of their original songs or part

1156
01:03:42,080 --> 01:03:45,400
Speaker 1: of one of their original songs, and it was so good,

1157
01:03:46,080 --> 01:03:50,360
Speaker 1: and that, to me is really showing who that person is,

1158
01:03:50,520 --> 01:03:54,880
Speaker 1: because look, I've done cover songs. I did a whole

1159
01:03:54,960 --> 01:04:00,480
Speaker 1: album of cover songs called AMFM, And it's very specific

1160
01:04:00,600 --> 01:04:03,880
Speaker 1: to try to interpret someone else's song. But when you're

1161
01:04:03,920 --> 01:04:06,240
Speaker 1: writing your own song and then you're writing with someone

1162
01:04:06,320 --> 01:04:10,480
Speaker 1: you're involved with, that's going to be a whole different thing.

1163
01:04:10,760 --> 01:04:13,320
Speaker 1: So I hope that they try to do that, you know,

1164
01:04:13,480 --> 01:04:16,680
Speaker 1: moving forward. I couldn't do it. We talk about this

1165
01:04:16,840 --> 01:04:18,960
Speaker 1: in the podcast. I could not dat a musician a

1166
01:04:19,080 --> 01:04:22,240
Speaker 1: song write you sing one note one lyric about me,

1167
01:04:22,440 --> 01:04:25,360
Speaker 1: and I'm I'm like putty in your hands. I can't.

1168
01:04:25,800 --> 01:04:28,480
Speaker 1: I would not be they can't. They cannot incorporate that.

1169
01:04:28,520 --> 01:04:30,760
Speaker 1: It would be beautiful, but I would be like, I

1170
01:04:30,840 --> 01:04:33,240
Speaker 1: can't be a judge. I can't be a judge. Brian's

1171
01:04:33,280 --> 01:04:35,720
Speaker 1: gonna have to hold me back. But you you you

1172
01:04:35,880 --> 01:04:37,760
Speaker 1: touched on this, and so I have to ask you

1173
01:04:37,880 --> 01:04:40,840
Speaker 1: the story behind this. You mentioned hip hop poray, we

1174
01:04:41,000 --> 01:04:43,560
Speaker 1: saw it, We saw it on your Instagram. It went viral,

1175
01:04:43,640 --> 01:04:46,760
Speaker 1: it was everywhere. But how did you learn the lyrics

1176
01:04:46,800 --> 01:04:49,880
Speaker 1: to that? And are you a hip hop fan? And

1177
01:04:50,120 --> 01:04:51,960
Speaker 1: totally a hip hop fan? I have. I have to

1178
01:04:52,080 --> 01:04:55,240
Speaker 1: thank my son chet Haggs for that because in the

1179
01:04:55,400 --> 01:05:02,480
Speaker 1: nineties he was really into hip hop and um the uh.

1180
01:05:03,720 --> 01:05:05,640
Speaker 1: It took me a month to learn that song. I

1181
01:05:05,720 --> 01:05:08,160
Speaker 1: had to learn it two lines at a time and

1182
01:05:08,280 --> 01:05:11,360
Speaker 1: then build on those two lines because nothing made sense

1183
01:05:11,440 --> 01:05:16,360
Speaker 1: to me, Like what what is mapping? I don't know?

1184
01:05:17,720 --> 01:05:22,560
Speaker 1: You know what is open? What is OPB? There? I

1185
01:05:22,640 --> 01:05:27,800
Speaker 1: had to go to like Urban's dictionary, like I don't know,

1186
01:05:28,520 --> 01:05:32,680
Speaker 1: but there was nothing about it that had any sort

1187
01:05:32,720 --> 01:05:36,640
Speaker 1: of consistency. So each line was different, each rhythm was different,

1188
01:05:37,280 --> 01:05:41,920
Speaker 1: and I had to get it in my body because

1189
01:05:41,960 --> 01:05:45,880
Speaker 1: it just didn't like I couldn't. I couldn't figure it out.

1190
01:05:45,920 --> 01:05:50,080
Speaker 1: And it made me have such enormous respect for hip

1191
01:05:50,120 --> 01:05:54,080
Speaker 1: hop because it's really hard to do. And and that's

1192
01:05:54,120 --> 01:05:57,040
Speaker 1: all written. Somebody wrote that that's flow that they got

1193
01:05:57,160 --> 01:06:01,960
Speaker 1: to do, But it's also again and storytelling and so,

1194
01:06:02,480 --> 01:06:05,840
Speaker 1: and that storytelling is coming from a very truthful place

1195
01:06:05,920 --> 01:06:09,720
Speaker 1: and something that's very authentic to the songwriter. And that's

1196
01:06:09,760 --> 01:06:11,880
Speaker 1: why earlier when you asked me about genre, it's like

1197
01:06:11,960 --> 01:06:15,600
Speaker 1: it doesn't really matter story you know, country is really

1198
01:06:15,680 --> 01:06:20,120
Speaker 1: known for storytelling, but every genre has storytelling. And you know,

1199
01:06:21,600 --> 01:06:25,200
Speaker 1: look at Al Green, I mean Al Green amazing stories

1200
01:06:25,240 --> 01:06:31,200
Speaker 1: in his songs, Marvin Gay, the Beach Boys, you name it.

1201
01:06:31,440 --> 01:06:34,440
Speaker 1: They're all out there, but there's there's stories. And then

1202
01:06:35,120 --> 01:06:37,400
Speaker 1: singer songwriters came into the mix, you know, like in

1203
01:06:37,440 --> 01:06:40,720
Speaker 1: the late sixties, early seventies, and it became very very personal.

1204
01:06:42,200 --> 01:06:45,480
Speaker 1: Um yeah, yeah, you can get me talking about songwriting.

1205
01:06:45,520 --> 01:06:48,959
Speaker 1: I'll be talking about it. That song will never set

1206
01:06:49,000 --> 01:06:52,080
Speaker 1: because I'll be talking about Well, the videos on your

1207
01:06:52,120 --> 01:06:55,520
Speaker 1: Instagram account of you with the hip hip hop right

1208
01:06:55,840 --> 01:06:58,440
Speaker 1: so good. You nailed it. You fooled me because it

1209
01:06:58,600 --> 01:07:00,800
Speaker 1: seemed to come so naturally. It was awesome. Garrett and

1210
01:07:00,880 --> 01:07:03,440
Speaker 1: I by fiance. I was showing him the videos today

1211
01:07:03,440 --> 01:07:06,680
Speaker 1: and he's like, holy crap, she can sing fast. I'm like,

1212
01:07:07,920 --> 01:07:15,440
Speaker 1: he said, sing fast, that's Garrett for you. Um. I

1213
01:07:15,560 --> 01:07:18,840
Speaker 1: loved it. One last thing before I asked me to

1214
01:07:18,920 --> 01:07:21,880
Speaker 1: come and perform with them live sometimes, so as soon

1215
01:07:21,920 --> 01:07:25,880
Speaker 1: as towards oh yeah, and believe me I'm doing that,

1216
01:07:26,040 --> 01:07:29,040
Speaker 1: I wouldn't have to you have to go on stage

1217
01:07:29,160 --> 01:07:32,360
Speaker 1: and sing hip hop away with that's I just want

1218
01:07:32,400 --> 01:07:34,240
Speaker 1: to be in the background waving my hands like they

1219
01:07:34,360 --> 01:07:38,600
Speaker 1: do in the video. Rachel and I will be your

1220
01:07:38,680 --> 01:07:44,480
Speaker 1: hype woman in the back right. Um, one last thing

1221
01:07:44,520 --> 01:07:46,920
Speaker 1: I want to ask you before we go or talk about.

1222
01:07:47,320 --> 01:07:49,640
Speaker 1: You performed at stage Coach last year. Now you may

1223
01:07:49,720 --> 01:07:52,400
Speaker 1: not know this, but Stagecoach is a big deal in

1224
01:07:52,520 --> 01:07:56,520
Speaker 1: Bachelor Nation. There's a lot of drama that surrounds specifically,

1225
01:07:56,680 --> 01:07:59,560
Speaker 1: last year's stage Coach really could have been because of you.

1226
01:08:00,240 --> 01:08:04,640
Speaker 1: Who knows it was. It was very incestuous in the

1227
01:08:04,720 --> 01:08:08,080
Speaker 1: Bachelor family and it's spilled over into Bachelor in Paradise.

1228
01:08:08,120 --> 01:08:10,960
Speaker 1: It was a huge storyline. But it's such an honor

1229
01:08:11,040 --> 01:08:14,680
Speaker 1: to perform at a stage coach. Obviously it didn't happen

1230
01:08:14,760 --> 01:08:16,920
Speaker 1: this year, So if you could just tell us what

1231
01:08:17,040 --> 01:08:20,599
Speaker 1: that was like, since we know our listeners love stage

1232
01:08:20,680 --> 01:08:24,760
Speaker 1: coach and maybe what you're looking forward to when you

1233
01:08:24,840 --> 01:08:26,240
Speaker 1: do it next year, because we're putting it out there,

1234
01:08:26,240 --> 01:08:28,320
Speaker 1: you'll be there next year as well. Yeah, let's put

1235
01:08:28,360 --> 01:08:31,439
Speaker 1: it out there when boring is back up and festival backup.

1236
01:08:31,640 --> 01:08:34,880
Speaker 1: Got to do it again. Stage Coach was amazing, like

1237
01:08:35,160 --> 01:08:38,840
Speaker 1: and I have to say that last year, which was

1238
01:08:38,960 --> 01:08:43,400
Speaker 1: really exciting, they made a concerted effort because there's a

1239
01:08:43,520 --> 01:08:46,920
Speaker 1: woman who was one of the people who's programming Stage

1240
01:08:46,960 --> 01:08:48,840
Speaker 1: Coach and she's like, we have to have more women

1241
01:08:48,920 --> 01:08:51,920
Speaker 1: in Stage Coach because the year before I think there

1242
01:08:51,960 --> 01:08:54,439
Speaker 1: were like two women or something and it was all

1243
01:08:54,560 --> 01:08:58,160
Speaker 1: an all male lineup. So a lot of women in

1244
01:08:58,240 --> 01:09:00,920
Speaker 1: the last couple of years have been programmed I mean festivals.

1245
01:09:01,720 --> 01:09:04,000
Speaker 1: I did one in Chicago called Lake Shape that we

1246
01:09:04,160 --> 01:09:07,559
Speaker 1: had all Friday night. Was an all female lineup Miranda Lambert,

1247
01:09:07,680 --> 01:09:13,760
Speaker 1: Marion Morris, Lauren, Elena and that was incredible. So that's

1248
01:09:13,840 --> 01:09:15,559
Speaker 1: one thing I want to say, But it was also

1249
01:09:15,680 --> 01:09:18,439
Speaker 1: just incresible. I don't know. I love performing outdoors and

1250
01:09:18,520 --> 01:09:22,320
Speaker 1: I love performing in that warm desert wind that's just

1251
01:09:22,520 --> 01:09:26,599
Speaker 1: like lofting over you and it's a breeze and people

1252
01:09:26,640 --> 01:09:29,320
Speaker 1: are all happy and you know, sitting on each other's

1253
01:09:29,320 --> 01:09:33,599
Speaker 1: shoulders and you know, waving and singing along and it's

1254
01:09:33,600 --> 01:09:38,360
Speaker 1: an incredible festival. And backstage they set up your backstage

1255
01:09:38,360 --> 01:09:41,680
Speaker 1: area in trailers, but kind of in a circle and

1256
01:09:41,800 --> 01:09:45,880
Speaker 1: they create a little patio living room area. So in

1257
01:09:46,080 --> 01:09:51,360
Speaker 1: our circle was Lynyrd, Skinnered and Cam myself, Michael Ray

1258
01:09:52,160 --> 01:09:55,160
Speaker 1: and it was super fun, you know, because it's like, yeah,

1259
01:09:55,680 --> 01:09:57,680
Speaker 1: maybe I should do a song with Skinner, like just

1260
01:09:58,560 --> 01:10:01,760
Speaker 1: why not? I think I should just be going with

1261
01:10:01,920 --> 01:10:06,160
Speaker 1: all the legends and you know, hardcore southern country roll.

1262
01:10:07,040 --> 01:10:09,040
Speaker 1: That's all looking forward to and you've heard it here

1263
01:10:09,080 --> 01:10:15,080
Speaker 1: first you guys, well, Rita, thank you so much for

1264
01:10:15,240 --> 01:10:19,560
Speaker 1: doing this. Thank you. Yes, we're so excited that you

1265
01:10:19,720 --> 01:10:23,599
Speaker 1: have come into Bachelor Nation. We're so excited for your

1266
01:10:23,680 --> 01:10:26,920
Speaker 1: new single that's coming out on Friday. You guys have

1267
01:10:27,160 --> 01:10:29,800
Speaker 1: to check it out. We'll be blasting it too as well.

1268
01:10:29,960 --> 01:10:32,120
Speaker 1: And we look forward to everything that you have coming

1269
01:10:32,200 --> 01:10:34,760
Speaker 1: up this well too. Thank you. It's called Where's My

1270
01:10:34,880 --> 01:10:37,920
Speaker 1: Country Song? If you're searching for it, and also check

1271
01:10:37,960 --> 01:10:42,439
Speaker 1: out that music video because lyrics, Yes, it's beautiful. Yeah,

1272
01:10:42,479 --> 01:10:45,360
Speaker 1: it's very cool. The song and the lyrics in the

1273
01:10:45,439 --> 01:10:47,560
Speaker 1: video all wrapped in one. It's just it's gold. So

1274
01:10:47,720 --> 01:10:50,599
Speaker 1: thank you so much for sharing your time with us today.

1275
01:10:50,640 --> 01:10:53,840
Speaker 1: I loved hearing all about about this passion. I feel

1276
01:10:53,840 --> 01:10:56,040
Speaker 1: like the world needs more passion, especially these days. So

1277
01:10:56,200 --> 01:10:59,320
Speaker 1: thank you so much. Thank you so much, ladies, lovely

1278
01:10:59,400 --> 01:11:05,320
Speaker 1: me you take care, Bye bye. How cool was she?

1279
01:11:06,000 --> 01:11:09,679
Speaker 1: She was awesome. She was just like a down chick.

1280
01:11:10,040 --> 01:11:12,680
Speaker 1: I could have talked to her for hours and she well.

1281
01:11:12,720 --> 01:11:15,960
Speaker 1: And that's the thing. It's like she is like this

1282
01:11:16,200 --> 01:11:19,240
Speaker 1: mega celebrity, like she is an actress, a singer or

1283
01:11:19,280 --> 01:11:24,479
Speaker 1: songwriter like everywhere. And it's like we felt so comfortable

1284
01:11:24,520 --> 01:11:27,240
Speaker 1: talking to her. I mean she We're literally sitting in

1285
01:11:27,320 --> 01:11:29,960
Speaker 1: our closets, like we're sitting in our closa talking to

1286
01:11:30,040 --> 01:11:36,080
Speaker 1: Rina Wilson like that's happy hours. Step Okay, I will say,

1287
01:11:36,280 --> 01:11:39,040
Speaker 1: because I'm okay. I've made this comment in the past

1288
01:11:39,120 --> 01:11:41,880
Speaker 1: that you could not pay me enough to go to stagecoach,

1289
01:11:42,400 --> 01:11:46,080
Speaker 1: but if Rina Wilson was performing, I would go to

1290
01:11:46,240 --> 01:11:49,320
Speaker 1: see her. Yeah, I think that there's certain So I

1291
01:11:49,479 --> 01:11:55,439
Speaker 1: am a closet pun intended nineties country music fan like

1292
01:11:55,640 --> 01:11:59,880
Speaker 1: big time, and I have actually went to country musical

1293
01:12:00,040 --> 01:12:03,840
Speaker 1: Words was in Dallas for one year and there was

1294
01:12:03,880 --> 01:12:07,840
Speaker 1: a preconcert and they paired up New School with old

1295
01:12:07,920 --> 01:12:11,320
Speaker 1: School and it was the best thing ever because I'm

1296
01:12:11,360 --> 01:12:14,439
Speaker 1: listening to Clint Black and Alan Jackson and Dena Carr

1297
01:12:14,479 --> 01:12:16,800
Speaker 1: and like, that's the country music that I like, and

1298
01:12:16,880 --> 01:12:20,519
Speaker 1: it is more of storytelling than the pop that it

1299
01:12:20,680 --> 01:12:22,400
Speaker 1: is now. So to hear her say she's in like

1300
01:12:22,520 --> 01:12:26,240
Speaker 1: an artist circle with Leonard Skinner and Cam I love

1301
01:12:26,439 --> 01:12:30,760
Speaker 1: Cam Cam. Yeah, I'm like, see that's I would go

1302
01:12:30,960 --> 01:12:33,320
Speaker 1: for that. I go for that. I'm just not into

1303
01:12:33,360 --> 01:12:36,760
Speaker 1: the newer aged country music, which I got reamed, by

1304
01:12:36,800 --> 01:12:39,719
Speaker 1: the way for saying I listen to swiftye a social media.

1305
01:12:39,840 --> 01:12:42,000
Speaker 1: But here's the thing. Music has changed. I mean in

1306
01:12:42,200 --> 01:12:44,880
Speaker 1: enny genre, it's changed her the years, and so I

1307
01:12:45,040 --> 01:12:47,000
Speaker 1: love how she goes back to the basics and it

1308
01:12:47,200 --> 01:12:50,320
Speaker 1: is truly about that storytelling because that's like where the

1309
01:12:50,560 --> 01:12:53,719
Speaker 1: heart of a song is. So and I think along

1310
01:12:53,800 --> 01:12:56,680
Speaker 1: the way sometimes people lose it. You add in like

1311
01:12:56,840 --> 01:12:58,360
Speaker 1: all these I don't even want to get into it,

1312
01:12:58,439 --> 01:13:01,840
Speaker 1: like the electronic tech whatever it might be. M it

1313
01:13:01,960 --> 01:13:05,000
Speaker 1: just it's pop. It's pop, and it just takes away

1314
01:13:05,080 --> 01:13:07,519
Speaker 1: I think from that story. And so I love how

1315
01:13:07,600 --> 01:13:11,960
Speaker 1: she focuses on that. I will say Rachel, if Rita

1316
01:13:12,080 --> 01:13:16,400
Speaker 1: Wilson and Stevie Nicks got together to perform, I would

1317
01:13:16,479 --> 01:13:19,759
Speaker 1: probably need a coffin, I would have a heart attack.

1318
01:13:19,960 --> 01:13:23,880
Speaker 1: It would be performance gold, storytelling gold, because one thing

1319
01:13:23,960 --> 01:13:26,000
Speaker 1: that they both have in common, I think is storytelling,

1320
01:13:26,880 --> 01:13:29,439
Speaker 1: because I've seen Stevie Nicks perform and she just has

1321
01:13:29,600 --> 01:13:31,960
Speaker 1: so many stories in between each set that she plays,

1322
01:13:32,000 --> 01:13:34,599
Speaker 1: and so those two together would be phenomenal. So I'm

1323
01:13:34,640 --> 01:13:37,000
Speaker 1: just I'm gonna put it out there. No, I love it,

1324
01:13:37,160 --> 01:13:38,760
Speaker 1: and I might be going off a little bit. But

1325
01:13:39,040 --> 01:13:41,920
Speaker 1: did she tell the story of how she came up

1326
01:13:41,960 --> 01:13:46,920
Speaker 1: with Landslide? I don't remember if she told that one,

1327
01:13:47,280 --> 01:13:49,559
Speaker 1: So I don't know if I'm making Landslide is one

1328
01:13:49,600 --> 01:13:53,479
Speaker 1: of my favorite songs. And the reason it is is

1329
01:13:53,520 --> 01:13:55,680
Speaker 1: because I don't know if I made this up, dreamed it,

1330
01:13:55,800 --> 01:13:59,320
Speaker 1: or read it somewhere, but I read that she I

1331
01:13:59,400 --> 01:14:02,240
Speaker 1: think I read that she was about to give up

1332
01:14:02,280 --> 01:14:04,880
Speaker 1: on music and was like sitting in a coffee shop

1333
01:14:05,040 --> 01:14:07,880
Speaker 1: and looking at it, like looking out the window and

1334
01:14:07,960 --> 01:14:10,840
Speaker 1: there's a mountain there, And that's what the lyrics are about.

1335
01:14:11,160 --> 01:14:14,960
Speaker 1: She's talking to music. Will I've been making changes. I've

1336
01:14:15,000 --> 01:14:17,639
Speaker 1: lived my life around you, like she's talking to the music.

1337
01:14:18,000 --> 01:14:20,439
Speaker 1: And I guess whatever it is, the Landslide brought her

1338
01:14:20,439 --> 01:14:22,439
Speaker 1: back down like brought her back right to where she

1339
01:14:22,600 --> 01:14:25,000
Speaker 1: needed to be to continue on the path. I don't

1340
01:14:25,000 --> 01:14:26,400
Speaker 1: know if I made that up or not, but it's

1341
01:14:26,479 --> 01:14:29,519
Speaker 1: I love dreamer songs and I love I like Somewhere

1342
01:14:29,560 --> 01:14:32,120
Speaker 1: Over the Rainbow is one of my favorite songs. Anyways,

1343
01:14:34,200 --> 01:14:37,160
Speaker 1: I don't know if I made that up at that,

1344
01:14:37,400 --> 01:14:40,439
Speaker 1: but now go back and listen to the song, knowing that,

1345
01:14:41,040 --> 01:14:43,760
Speaker 1: knowing what Stevie Nicks brings to the music world and

1346
01:14:43,840 --> 01:14:46,200
Speaker 1: that she was about to give it all up, and

1347
01:14:46,560 --> 01:14:50,639
Speaker 1: through that she wrote Landslide. And that is why Rita

1348
01:14:50,680 --> 01:14:54,200
Speaker 1: Wilson's interview is so important, because it is all about storytelling,

1349
01:14:54,240 --> 01:14:56,400
Speaker 1: and when you find out the story and the reason

1350
01:14:56,800 --> 01:15:00,000
Speaker 1: behind the song, it just makes it so much more written.

1351
01:15:00,400 --> 01:15:02,639
Speaker 1: It does it does, it makes them special. And again,

1352
01:15:02,720 --> 01:15:05,840
Speaker 1: like what I said a little bit ago is music

1353
01:15:05,960 --> 01:15:10,639
Speaker 1: has this way to uniquely touch you and to make

1354
01:15:10,720 --> 01:15:13,639
Speaker 1: you remember things and see things in a different light

1355
01:15:13,920 --> 01:15:18,600
Speaker 1: that nothing else can do. And so I mean I

1356
01:15:18,760 --> 01:15:22,040
Speaker 1: loved having her on and hearing her passion about it

1357
01:15:22,080 --> 01:15:24,040
Speaker 1: because it's like you can talk to people and everyone

1358
01:15:24,160 --> 01:15:26,519
Speaker 1: has a different way that they bond and connect with

1359
01:15:26,560 --> 01:15:29,160
Speaker 1: their music, and hers is just a really beautiful thing.

1360
01:15:29,320 --> 01:15:31,680
Speaker 1: So yeah, again, we were lucky to have her on.

1361
01:15:32,120 --> 01:15:35,080
Speaker 1: We were Yeah. So where's my country song? Her new

1362
01:15:35,200 --> 01:15:37,719
Speaker 1: single that just came out. It has this lovely lyrical

1363
01:15:38,240 --> 01:15:42,200
Speaker 1: lyric video with it, so check it out. But Rachel,

1364
01:15:42,760 --> 01:15:45,280
Speaker 1: we have more to cover, Yes, we have more to cover.

1365
01:15:45,560 --> 01:15:48,720
Speaker 1: If you thought we've had great guests on Bachelor, not

1366
01:15:48,840 --> 01:15:51,040
Speaker 1: just baschlor happy our podcast, but just on Listen to

1367
01:15:51,160 --> 01:15:56,040
Speaker 1: Your Heart period, We've had Shaggy, Well, Rita Wilson is coming.

1368
01:15:56,800 --> 01:16:01,000
Speaker 1: Who else we had, We had well, we Kesha, my

1369
01:16:01,439 --> 01:16:07,960
Speaker 1: caff We can't forget Kesha, Jason Moraz, Andy Grammer, obviously Shin.

1370
01:16:09,280 --> 01:16:11,280
Speaker 1: We've seen a lot of faces on our well, I

1371
01:16:11,280 --> 01:16:14,080
Speaker 1: shouldn't say our sage because it's not mine, but they

1372
01:16:14,160 --> 01:16:16,519
Speaker 1: listen to Your Heart stage and it's been incredible, Yes,

1373
01:16:16,680 --> 01:16:20,120
Speaker 1: and it doesn't stop. So next week you've already heard

1374
01:16:20,240 --> 01:16:22,800
Speaker 1: from Rita Wilson, so you get to see her. But

1375
01:16:22,960 --> 01:16:26,799
Speaker 1: we also have Tay Diggs Jewel, and we have Caitlin

1376
01:16:26,840 --> 01:16:29,040
Speaker 1: and Jason the Bachelor couple that'll be there, and all

1377
01:16:29,080 --> 01:16:31,200
Speaker 1: of this is going down in Nashville, which Chris Harrison

1378
01:16:31,320 --> 01:16:33,439
Speaker 1: let the couple know. The couples know that at the

1379
01:16:33,560 --> 01:16:36,400
Speaker 1: end of the episode, and also next week is the finale,

1380
01:16:36,479 --> 01:16:38,400
Speaker 1: which I was actually shocked because for some reason in

1381
01:16:38,479 --> 01:16:40,920
Speaker 1: my mind, I thought there were only two couples in

1382
01:16:41,000 --> 01:16:44,160
Speaker 1: the finale, but they're three, which is great, which means

1383
01:16:44,240 --> 01:16:47,000
Speaker 1: more music, more drama, more love stories. So you guys

1384
01:16:47,040 --> 01:16:48,840
Speaker 1: don't want to miss it, because at the end of

1385
01:16:48,920 --> 01:16:52,759
Speaker 1: this episode, one couple is taking it all. It's crazy

1386
01:16:52,840 --> 01:16:55,000
Speaker 1: to think that we're nearing the end, and I'm a

1387
01:16:55,080 --> 01:16:58,960
Speaker 1: little bit sad. I'm of course excited to see who wins,

1388
01:16:59,120 --> 01:17:01,840
Speaker 1: but I feel like I have just fallen in love

1389
01:17:01,920 --> 01:17:05,559
Speaker 1: with the show. I love just the talent that these

1390
01:17:05,880 --> 01:17:08,519
Speaker 1: these contestants bring to the table. I feel so invested

1391
01:17:08,560 --> 01:17:11,960
Speaker 1: at this point, and I really do like all of

1392
01:17:12,000 --> 01:17:14,960
Speaker 1: the couples. I think they all are very unique and

1393
01:17:15,320 --> 01:17:18,400
Speaker 1: they're all different within themselves, so it's been really cool

1394
01:17:18,479 --> 01:17:21,920
Speaker 1: to see them unfold. And whoever wins, of course, will

1395
01:17:21,920 --> 01:17:26,080
Speaker 1: be happy about it. But I'm not gonna lie Rudy's voice, guys, Rudy,

1396
01:17:26,560 --> 01:17:28,479
Speaker 1: there's something about Rudy for me. I don't know what

1397
01:17:28,600 --> 01:17:32,200
Speaker 1: it is. Rudy and Matter standing on shake and shaky ground,

1398
01:17:32,280 --> 01:17:35,240
Speaker 1: so I'm not much sure what they're gonna do. But

1399
01:17:35,800 --> 01:17:40,280
Speaker 1: thank goodness, we have them for another week. Yes, all right, guys,

1400
01:17:40,320 --> 01:17:43,200
Speaker 1: So if you love what you heard, don't forget to

1401
01:17:43,280 --> 01:17:45,760
Speaker 1: tune in to another episode of Bats or Happy Hour,

1402
01:17:45,840 --> 01:17:48,200
Speaker 1: but also just to watch another episode of Listen to

1403
01:17:48,280 --> 01:17:51,080
Speaker 1: Your Heart, which will be Monday's eight seven pm. Cent

1404
01:17:51,160 --> 01:17:54,200
Speaker 1: you're on ABC. You don't want to miss it. It's

1405
01:17:54,240 --> 01:17:56,680
Speaker 1: the finale. If you haven't been watching, what are you

1406
01:17:56,800 --> 01:18:00,240
Speaker 1: doing somehow? Go back catch up because this is it.

1407
01:18:00,840 --> 01:18:03,400
Speaker 1: And also we love to hear from you guys, so

1408
01:18:03,560 --> 01:18:06,479
Speaker 1: make sure that you comment, you keep liking, follow us

1409
01:18:06,520 --> 01:18:11,360
Speaker 1: on social We're putting out some really good social media content,

1410
01:18:11,800 --> 01:18:14,240
Speaker 1: so follow along. You can follow us at Bachelor Happy

1411
01:18:14,320 --> 01:18:17,400
Speaker 1: Hour on Instagram and on Facebook and Twitter. You can

1412
01:18:17,400 --> 01:18:20,800
Speaker 1: follow us at Batch Happy Hour and last but not least,

1413
01:18:20,840 --> 01:18:23,519
Speaker 1: as always, don't forget to subscribe to our podcast, Bachelor

1414
01:18:23,560 --> 01:18:26,840
Speaker 1: Happy Hour. You can subscribe on Apple Podcasts, Spotify, or

1415
01:18:26,880 --> 01:18:29,760
Speaker 1: wherever you're listening to this right now. Okay, before we

1416
01:18:29,920 --> 01:18:32,160
Speaker 1: let you guys go, Becca and I have to tell

1417
01:18:32,240 --> 01:18:36,200
Speaker 1: you about this amazing organization that we're involved with. And

1418
01:18:36,840 --> 01:18:38,479
Speaker 1: I know that there's a lot going on right now,

1419
01:18:38,600 --> 01:18:41,400
Speaker 1: but it doesn't mean that you know you still neglect

1420
01:18:41,520 --> 01:18:43,519
Speaker 1: other causes that may be important to you or that

1421
01:18:43,680 --> 01:18:46,800
Speaker 1: you may be passionate about. So we have teamed up

1422
01:18:46,840 --> 01:18:50,479
Speaker 1: with No Bullying Dot org and it's all about combating bullying.

1423
01:18:50,720 --> 01:18:53,080
Speaker 1: And even right now, I feel like we're on our

1424
01:18:53,439 --> 01:18:57,560
Speaker 1: bones more than ever, and we're on social media and

1425
01:18:57,680 --> 01:19:01,280
Speaker 1: there's just such an opportunity, unfortunately for cyber bullying. So

1426
01:19:02,320 --> 01:19:04,519
Speaker 1: Becca and I will beca tell them, tell them all

1427
01:19:04,560 --> 01:19:06,560
Speaker 1: we're gonna do for them. But so Rachel and I

1428
01:19:06,800 --> 01:19:09,960
Speaker 1: along with also Caitlin and Joejoe are partnering with No

1429
01:19:10,080 --> 01:19:14,519
Speaker 1: Bully and ohmays and for every donation that you put

1430
01:19:14,680 --> 01:19:17,880
Speaker 1: in to No Bully, you will give um well, your

1431
01:19:17,960 --> 01:19:20,000
Speaker 1: name will be actually entered into a drawing for the

1432
01:19:20,120 --> 01:19:23,400
Speaker 1: chance to win a little virtual brunch with all of

1433
01:19:23,520 --> 01:19:26,720
Speaker 1: us girls, which will be fun. We'll have mimosas, we'll

1434
01:19:26,800 --> 01:19:30,200
Speaker 1: talk about any and everything and of course raise more

1435
01:19:30,280 --> 01:19:33,240
Speaker 1: money for No Bully. And the reason why we're doing

1436
01:19:33,320 --> 01:19:35,840
Speaker 1: this is because, as Rachel said, of course we're on

1437
01:19:35,880 --> 01:19:38,400
Speaker 1: our phones constantly and on social media. Because of that,

1438
01:19:38,560 --> 01:19:43,000
Speaker 1: you know, cyber bullying and bullying is just skyrocketing. But

1439
01:19:43,160 --> 01:19:46,479
Speaker 1: also because of the coronavirus, they're limited has been funding

1440
01:19:46,560 --> 01:19:48,800
Speaker 1: so This is just a way to boost them, to

1441
01:19:48,880 --> 01:19:51,000
Speaker 1: give them some extra funding and donations, and to help

1442
01:19:51,040 --> 01:19:53,400
Speaker 1: them out a little bit in this time of need. Yes,

1443
01:19:53,560 --> 01:19:57,040
Speaker 1: you guys, So if you love hearing us on Bachelor

1444
01:19:57,120 --> 01:20:00,080
Speaker 1: Happy Hour together, just imagine if you could just have

1445
01:20:00,160 --> 01:20:02,920
Speaker 1: a virtual lunch with us, but also our girlfriends, Joejoe

1446
01:20:02,960 --> 01:20:05,759
Speaker 1: and Caitlin. And it's just gonna be us telling stories,

1447
01:20:06,120 --> 01:20:09,080
Speaker 1: uplifting and encouraging each other during these hard times. And

1448
01:20:09,479 --> 01:20:11,840
Speaker 1: it's gonna be fun and we're gonna drink Hello. Gonna

1449
01:20:11,840 --> 01:20:13,479
Speaker 1: be a great time. So go to omays dot com

1450
01:20:13,800 --> 01:20:17,439
Speaker 1: slash Bachelorette to donate to a great organization and then

1451
01:20:17,720 --> 01:20:20,439
Speaker 1: enter for a chance to win a virtual brunch with us,

1452
01:20:20,640 --> 01:20:23,160
Speaker 1: and hopefully we'll see you there with mimosas in hand.