WEBVTT - Dancing in the Third Person (DWTS: The Next Pro 107)

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<v Speaker 1>Well, val, we have entered what I could only describe

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<v Speaker 1>as prime time for Dancing with the Stars, because I

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<v Speaker 1>know the big announcement about who the cast is and

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<v Speaker 1>therefore who their pro partners are is September twod Well,

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<v Speaker 1>you know, we know Whitney is with Germo, we know

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<v Speaker 1>Jackson from the Savannah Bananas, we know the people they've announced.

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<v Speaker 1>You have not been officially announced yet as coming back,

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<v Speaker 1>but let's say you were coming back. How busy of

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<v Speaker 1>a time is this run up to the Good Morning

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<v Speaker 1>America announcement?

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<v Speaker 2>Very busy and very exciting and not awkward. But like

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<v Speaker 2>these first meets, you know, they it's a very unnatural

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<v Speaker 2>speed at which they move, Right, You meet each other

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<v Speaker 2>on camera for the first time, and then you immediately

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<v Speaker 2>have to make huge decisions, Like you know, first of all,

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<v Speaker 2>your promo shoot is like a day later, right, So

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<v Speaker 2>that that's the imagery that will represent your couple for

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<v Speaker 2>the next hopefully three months and forever ever after. Right,

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<v Speaker 2>It's like the picture that lives forever.

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<v Speaker 1>I know. And it's so early on and it is

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<v Speaker 1>awkward because you have not learned any dance steps yet

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<v Speaker 1>as the celeb, and yet they want you to dance

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<v Speaker 1>all day long, dance for the camera, dancing.

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<v Speaker 2>Yeah, that's what the promo shoot is like, which is yes, again,

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<v Speaker 2>it's not even about the dance step as much as

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<v Speaker 2>it's like the rapport to do these dance steps together

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<v Speaker 2>for six hours in front of strangers. You got to have,

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<v Speaker 2>you know, you see the pros do it all the time.

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<v Speaker 2>But because we have rapport, we have chemistry, We know

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<v Speaker 2>each other. We besides knowing the steps, we also did

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<v Speaker 2>there's familiarity to go out and do something vulnerable as is.

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<v Speaker 2>I have issues with pictures as is. You know, imagine

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<v Speaker 2>with somebody else who's relying on me to take, you know,

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<v Speaker 2>the shot that will also present the first impression to

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<v Speaker 2>the to the audience, you know, and you don't get

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<v Speaker 2>a second chance to make to make that so I

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<v Speaker 2>don't know. Again, a lot of times this promo shoot

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<v Speaker 2>goes a lot better than expected, uh huh, and sometimes

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<v Speaker 2>it could be quite forced with a lot of pressure.

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<v Speaker 1>Oh man, it's so funny you mentioned the promo shoot.

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<v Speaker 1>I had such a great time at the promo shoot,

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<v Speaker 1>but I also completely forgot it existed until you just

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<v Speaker 1>mentioned it. I was like, that's right, you literally meet

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<v Speaker 1>on camera. Hi, nice to meet you. There's lots of interviews,

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<v Speaker 1>you know, otfs, what did you think of each other?

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<v Speaker 1>And then you know, some protests, show me what you've got,

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<v Speaker 1>kind of conversation on camera for them to hold a

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<v Speaker 1>package around, and then yes, like the next day you

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<v Speaker 1>spend twelve hours at a promo shoot wild well. At

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<v Speaker 1>the same time, answering.

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<v Speaker 2>Questions, taking photos constantly in your head is like are

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<v Speaker 2>we having enough chemistry? Does this look appealable? Like will

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<v Speaker 2>people vote for this?

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<v Speaker 1>You know, do we like each other? Are we having

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<v Speaker 1>a good time exactly?

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<v Speaker 2>And then it's like, are we getting enough social media

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<v Speaker 2>content to capture this awkward magic? You know? Right? Right? So, yeah,

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<v Speaker 2>it's a lot, and it is hectic, and I will say, honestly,

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<v Speaker 2>you know, the social media aspect of it is so

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<v Speaker 2>fun when it's done, when you're in flow, when it's

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<v Speaker 2>like effortless, but it is a lot of pressure, added

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<v Speaker 2>pressure and responsibility that not everybody has that kind of

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<v Speaker 2>effortless ability to do.

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<v Speaker 1>Do you have a social media team that helps you

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<v Speaker 1>through the season?

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<v Speaker 2>No? Wow, No, for Soul, that's yeah. I mean I

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<v Speaker 2>was going to say kind of bougie, but it's not

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<v Speaker 2>because it's such a big part of you know, everyone's

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<v Speaker 2>livelihood nowadays, just their professional opportunities also heavily rely on that. No,

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<v Speaker 2>I still treated like a diary. I mean, my little journal,

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<v Speaker 2>you know, it's terrible. Yeah, and it's like two different journals.

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<v Speaker 2>Instagram is like more a journal someone will read, and

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<v Speaker 2>TikTok is more of a journal. I still think I'm doing,

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<v Speaker 2>you know, for.

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<v Speaker 1>Myself, you're private journal right. Well. At the same time,

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<v Speaker 1>we are in the home stretch of Dancing with the Stars.

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<v Speaker 1>The next pro these are the semi finals, and whoever

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<v Speaker 1>survives this episode enters the finals. Big pressure all around.

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<v Speaker 2>I'm invested. I mean, the show's been so fun to watch,

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<v Speaker 2>I agree.

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<v Speaker 1>Yeah, and I was at the edge of my seat.

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<v Speaker 2>This whole episod and again and you know, I contested

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<v Speaker 2>last week's results with Eric, but but looking at these four,

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<v Speaker 2>you know, I really it really did feel like a

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<v Speaker 2>final four that was deserving to be there.

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<v Speaker 1>Yeah, yeah, you're right. I mean, even though we could

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<v Speaker 1>we could argue where people should have left, because technically

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<v Speaker 1>last week Nina left, the week before, the week before,

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<v Speaker 1>we had a problem with Eric, and we could go

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<v Speaker 1>like well maybe they should have you know, reversed weeks

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<v Speaker 1>or something. But when you look at these four, you

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<v Speaker 1>do not feel like while they really let the best

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<v Speaker 1>dancer go, you know, like you're looking these four going, yeah,

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<v Speaker 1>these four people have a real shot at being on.

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<v Speaker 2>That for different reasons. Yeah, some just are underdeveloped but

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<v Speaker 2>have something special. Some people have, you know, a seasoned

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<v Speaker 2>craftsmanship about this whole thing, and then have so many

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<v Speaker 2>tools in their toolbox. And some people are all of

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<v Speaker 2>the above and we'll see you.

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<v Speaker 1>Yeah, if you were casting a show, you've got four

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<v Speaker 1>unique characters, you don't have four of the same thing,

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<v Speaker 1>which is great. So when you have been watching the season,

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<v Speaker 1>are you happy you didn't have to enter this type

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<v Speaker 1>of reality competition in order to become a pro on

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<v Speaker 1>Dancing with the Stars or have you thought like, man,

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<v Speaker 1>I would have thrived in something like this A little

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<v Speaker 1>bit of both.

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<v Speaker 2>I mean, I've been employed for such a long time.

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<v Speaker 2>I have to really look back and reflect what I

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<v Speaker 2>felt like. I mean, I was watching, I was thinking, man,

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<v Speaker 2>this is really hard, and yeah, within the parameters that

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<v Speaker 2>they have to create. Not to say that it's easy

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<v Speaker 2>on our show, it's not, But to answer your question.

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<v Speaker 2>I was fortunate enough to learn on the job. That's

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<v Speaker 2>why I'm a huge advocate for the Troop. I think

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<v Speaker 2>it's you know, it's paid internship. There's nothing better, especially

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<v Speaker 2>if you want to go into that line of work. Yeah,

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<v Speaker 2>you get insight into everybody's room. That is valuable, you know.

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<v Speaker 2>So I got casted as a pro right away, and

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<v Speaker 2>you know, I missed out on that, and I had

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<v Speaker 2>to really be observant. And obviously I knew my brother's

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<v Speaker 2>process because of our proximity, but I, you know, not

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<v Speaker 2>until those team dances that I get a chance to

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<v Speaker 2>see how Mark works, how Derek works, how others work.

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<v Speaker 2>So I think that's so valuable to be on Troop

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<v Speaker 2>on our show and to be in my room, Jenna's room,

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<v Speaker 2>everybody's room and see how they navigate from different fronts,

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<v Speaker 2>not just how they lead the lesson or the choreography,

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<v Speaker 2>but also how they they you know, what kind of

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<v Speaker 2>frequency they keep in the room, how much tension do

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<v Speaker 2>they let in there versus when they know how to

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<v Speaker 2>like shift. So yeah, these guys don't have any of that.

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<v Speaker 2>So I definitely I do feel very fortunate that I

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<v Speaker 2>didn't have to go through this gauntlet.

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<v Speaker 1>It's quite a quite an undertaking. Well, here we are

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<v Speaker 1>to recap Dancing with the Stars the next pro Season one,

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<v Speaker 1>episode seven. We open with our pal Robert returning to

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<v Speaker 1>the dance floor and welcoming the four remaining contestants with

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<v Speaker 1>a little celebratory jive does some nice kicks. He's followed

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<v Speaker 1>by judges Mark and Shirley Ballas, who again no shade

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<v Speaker 1>are dressed alike again surely had a real uh puffy shirt.

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<v Speaker 1>What was what's the shirt from Seinfeldt? You know the

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<v Speaker 1>yeah if I was like, wow, this is a it's

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<v Speaker 1>like a period period shirt renaissance.

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<v Speaker 2>And he was also kind of rocking Prince you know,

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<v Speaker 2>I know, an.

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<v Speaker 1>Undershirt exactly Prince with an undershirt. I do like it.

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<v Speaker 1>This is now two weeks in a row. I'm starting

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<v Speaker 1>to think they're doing this on purpose.

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<v Speaker 2>They make a great scene, though.

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<v Speaker 1>Boy do they. Robert then introduces the hopefuls to this

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<v Speaker 1>week's guest. She's a two time Mirror Ball champion and

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<v Speaker 1>a judge on the Australian Dancing with the Stars and

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<v Speaker 1>a guest judge last season on season thirty four of

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<v Speaker 1>our American Dancing with the Stars. It's Kim Johnson. How

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<v Speaker 1>well do you know Kim?

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<v Speaker 2>Pretty well?

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<v Speaker 1>Yeah, pretty well. She was at the Dancing with the

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<v Speaker 1>Stars con with us, and I find her to be

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<v Speaker 1>lovely and incredibly talented.

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<v Speaker 2>She is again our time overlapped a little bit on

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<v Speaker 2>the show. She's kind of the og that yeah, you know,

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<v Speaker 2>the founding father with my brother and the OG's like

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<v Speaker 2>I said, but yeah, she's wonderful. We actually went on

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<v Speaker 2>tour together in twenty sixteen. That was the Alfonso season,

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<v Speaker 2>the one that Alfonso and Whitney won. And then on

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<v Speaker 2>that tour we really did bond. We got you know,

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<v Speaker 2>on tour you get to spend a lot of time together.

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<v Speaker 2>We were on the bus at that time. We didn't

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<v Speaker 2>even have the big condo bunks. It was like the

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<v Speaker 2>three bunks. It was very close quarters. And she was

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<v Speaker 2>so lovely and such a classy individual, and you know,

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<v Speaker 2>we we just again we connected and she shared her

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<v Speaker 2>desire to meet somebody and what kind of somebody she

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<v Speaker 2>would like. That that's somebody to be. And literally the

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<v Speaker 2>next season where the promo shoots. Speaking of promo shoot,

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<v Speaker 2>and she's with Robert, her current husband and father of

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<v Speaker 2>her two kids. Yes, and it was exactly the person

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<v Speaker 2>that she described.

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<v Speaker 1>And we looked at each other and we're like, you

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<v Speaker 1>manifested did this?

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<v Speaker 2>So fast forward ten years, you know, her life has

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<v Speaker 2>drastically changed, and it was fun to cross paths again

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<v Speaker 2>at the corn and then seeing her guest judge. I

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<v Speaker 2>thought she did a great job last year guest judge.

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<v Speaker 1>She was amazing. Yeh, she was so good last season

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<v Speaker 1>as a guest judge. And then talking about her beautiful husband.

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<v Speaker 1>She just had her fiftieth birthday and they he threw

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<v Speaker 1>her a huge birthday party. I thought that was very sweet. Well,

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<v Speaker 1>Kim reveals that this week, every creative choice will be

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<v Speaker 1>made by them. Can they elevate to the levels needed

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<v Speaker 1>for Dancing with the Stars Now? For the first time,

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<v Speaker 1>they will be performing two full dances in just a

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<v Speaker 1>couple of days, which is half the time they have

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<v Speaker 1>on the main show. So it feels a lot like

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<v Speaker 1>what you've been doing for the past four months, just

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<v Speaker 1>learning of forty two dances every day.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, there's a lot of choreography, a lot of choreography, but.

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<v Speaker 2>Again they're doing it with pros. It's interesting how they

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<v Speaker 2>made the challenge where they're like you cannot contribute to

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<v Speaker 2>any creative choices. That's the way I understood, right, because yeah,

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<v Speaker 2>at least in Alan and Whitney's room, she was like, yeah, great,

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<v Speaker 2>I know totally, yeah, let's do that. And he was

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<v Speaker 2>good enough, Yeah it's good, Like tell him it's not good.

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<v Speaker 1>I know. It did seem like they didn't even want

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<v Speaker 1>to be you know, encouraged or you know, dissuaded from something.

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<v Speaker 2>Yeah, no, I mean again they First of all, I

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<v Speaker 2>love how they refer to the brief. Yeah, definitely a

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<v Speaker 2>brief brief. I like the brief.

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<v Speaker 1>The brief's good. It gives you, It gives you, It

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<v Speaker 1>gives you an idea of exactly what it is.

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<v Speaker 2>I imagine a brief case. Yeah, that opens and boom.

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<v Speaker 1>There it is. That's exactly what you need to do. Well,

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<v Speaker 1>we learned that for the second dance of the episode,

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<v Speaker 1>the contestants will be partnered together for one last time,

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<v Speaker 1>but for the first dance, they will be performing with

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<v Speaker 1>real life Dancing with the Stars pros, and then Whitney, Riley, Yawn,

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<v Speaker 1>and Gleb walk on the stage and perform an awesome

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<v Speaker 1>group number to Talk to Me by Robin. I loved

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<v Speaker 1>seeing them all out there, how talented of a ballroom dancer.

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<v Speaker 1>I know every I mean everybody you work with is

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<v Speaker 1>incredibly talented, but can we talk for a second about

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<v Speaker 1>how incredibly talented Gleb is?

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<v Speaker 2>Yeah? Yeah, no, totally, But hold on, We're not gonna

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<v Speaker 2>just highlight Gleb and not talk about the other three.

0:13:28.400 --> 0:13:33.160
<v Speaker 1>They're all great, they're all wonderful, but I don't know

0:13:33.559 --> 0:13:36.199
<v Speaker 1>that I. Okay, here's where I'm thinking, Here's why I'm

0:13:36.280 --> 0:13:43.120
<v Speaker 1>highlighting Cleb. I feel like when Gleb is talked about

0:13:43.840 --> 0:13:47.200
<v Speaker 1>outside of on the actual Dancing with the Stars show,

0:13:47.920 --> 0:13:53.520
<v Speaker 1>maybe because of some personal life things, extracurricular activities that

0:13:53.559 --> 0:13:57.000
<v Speaker 1>go on, that tends to be more of the focus,

0:13:57.320 --> 0:14:02.360
<v Speaker 1>and I feel like sometimes it gets glossed over how

0:14:02.400 --> 0:14:07.960
<v Speaker 1>incredibly talented he is totally and it's like watching him dance,

0:14:08.080 --> 0:14:12.240
<v Speaker 1>you go, if everyone could just keep their nose out

0:14:12.240 --> 0:14:16.440
<v Speaker 1>of places that they are not supposed to be, we

0:14:16.520 --> 0:14:21.680
<v Speaker 1>could actually appreciate him for his talent, the way Whitney

0:14:22.000 --> 0:14:26.240
<v Speaker 1>Riley and this season hopefully Yawn is going to be

0:14:26.360 --> 0:14:31.520
<v Speaker 1>appreciated for their talent. I feel like Gleb sometimes maybe

0:14:31.840 --> 0:14:35.080
<v Speaker 1>gets the short end of the stick because of you know,

0:14:35.320 --> 0:14:37.479
<v Speaker 1>like you said, extracurricular activities.

0:14:37.640 --> 0:14:39.840
<v Speaker 2>Yeah, I agree with you. I think Gleb is a

0:14:40.400 --> 0:14:43.120
<v Speaker 2>extraordinary dancer, probably the best on our show, one of

0:14:43.120 --> 0:14:46.480
<v Speaker 2>the best easily, you know, And it's so obvious to

0:14:46.520 --> 0:14:51.440
<v Speaker 2>the eye when you see it. Yeah, and it's a shame,

0:14:51.480 --> 0:14:54.360
<v Speaker 2>you know, I had that issue with in regards to

0:14:55.280 --> 0:14:58.880
<v Speaker 2>how my name is mentioned and in other ways. You know, again,

0:14:59.000 --> 0:15:02.920
<v Speaker 2>he maybe maybe he's caught some bad publicity over the

0:15:02.960 --> 0:15:08.240
<v Speaker 2>past couple of years, but even good publicity just you know,

0:15:08.480 --> 0:15:11.600
<v Speaker 2>not pertaining to the craft that we're trying to showcase

0:15:11.640 --> 0:15:16.320
<v Speaker 2>and that we invested our entire lives in mastering. Like,

0:15:17.120 --> 0:15:19.200
<v Speaker 2>regardless of whether you're talking about me in a good

0:15:19.240 --> 0:15:21.240
<v Speaker 2>way or a bad way, you're not talking about the

0:15:21.280 --> 0:15:25.840
<v Speaker 2>thing that I'm so proud of, right, And that was

0:15:25.880 --> 0:15:29.280
<v Speaker 2>always a shame for me, Yeah, because I have so

0:15:29.360 --> 0:15:31.960
<v Speaker 2>much pride in this work, and I know he does too.

0:15:32.680 --> 0:15:33.000
<v Speaker 1>Yeah.

0:15:33.040 --> 0:15:36.640
<v Speaker 2>But you know, in relations to Next Pro and Dancing

0:15:36.640 --> 0:15:39.840
<v Speaker 2>with the Stars in general, you wear many hats and

0:15:39.880 --> 0:15:42.920
<v Speaker 2>you have many different responsibilities, and it would be very

0:15:43.000 --> 0:15:46.240
<v Speaker 2>naive for you to think that you can just be

0:15:45.640 --> 0:15:50.040
<v Speaker 2>a really great dancer, right, you know, I wish the

0:15:50.120 --> 0:15:54.040
<v Speaker 2>world was like that, but you are now on a

0:15:54.080 --> 0:15:59.760
<v Speaker 2>bigger stage and they're a lot more Yeah, there's a

0:15:59.800 --> 0:16:02.880
<v Speaker 2>lot more eyes on you, and with that comes great responsibility.

0:16:02.880 --> 0:16:07.480
<v Speaker 2>Maybe you didn't sign up for but you are here now, yes,

0:16:07.520 --> 0:16:10.720
<v Speaker 2>And you know, I also didn't intend to be anybody's

0:16:10.800 --> 0:16:15.080
<v Speaker 2>role model. I feel really awkward when I even though

0:16:15.120 --> 0:16:18.320
<v Speaker 2>I love preaching. I love teaching and I love speaking

0:16:18.360 --> 0:16:21.840
<v Speaker 2>to especially young people and inspire them, motivating them, I

0:16:22.160 --> 0:16:24.760
<v Speaker 2>still feel very uncomfortable with the idea of like, what

0:16:24.840 --> 0:16:27.240
<v Speaker 2>advice do you have? You know, you have such a

0:16:27.240 --> 0:16:32.760
<v Speaker 2>successful this, this and that, and I'm like, I don't know. Luck, Yeah,

0:16:32.880 --> 0:16:36.120
<v Speaker 2>like a lot of luck too, you know, obviously hard

0:16:36.120 --> 0:16:39.600
<v Speaker 2>work and preparation, et cetera. Being proactive, being hard working,

0:16:39.640 --> 0:16:45.440
<v Speaker 2>et cetera. But there's no formula, you know. And so yeah,

0:16:45.560 --> 0:16:50.000
<v Speaker 2>he's a perfect example of somebody that's excellent and it

0:16:50.080 --> 0:16:51.200
<v Speaker 2>maybe not being enough.

0:16:51.880 --> 0:16:54.800
<v Speaker 1>Yeah, yep. Well, the song comes to an end and

0:16:54.840 --> 0:16:57.480
<v Speaker 1>Whitney informs the group that they will each be performing

0:16:57.520 --> 0:17:00.680
<v Speaker 1>a different Latin style with their professional partner. This will

0:17:00.680 --> 0:17:04.000
<v Speaker 1>put both their teaching and choreography skills to the test.

0:17:04.359 --> 0:17:06.760
<v Speaker 1>Earlier in the day, a drawing was held to set

0:17:06.800 --> 0:17:10.719
<v Speaker 1>partners and dance styles, and here were the results. Alan

0:17:10.920 --> 0:17:13.639
<v Speaker 1>is paired with Whitney for the jive and he knows

0:17:13.680 --> 0:17:15.880
<v Speaker 1>with a powerhouse like her as a partner, he will

0:17:15.880 --> 0:17:18.960
<v Speaker 1>need to bring his a game. Adele is paired with

0:17:19.080 --> 0:17:23.560
<v Speaker 1>Gleb and they get the samba. Luckily, this is Adele's

0:17:23.880 --> 0:17:28.000
<v Speaker 1>favorite dance. AJ is paired with Riley and they will

0:17:28.040 --> 0:17:30.960
<v Speaker 1>be dancing the cha cha, which leaves Selena to be

0:17:31.040 --> 0:17:34.200
<v Speaker 1>paired with one of the best humans and dancers around

0:17:34.560 --> 0:17:39.159
<v Speaker 1>Yan and they drew the salsa. Are there any of

0:17:39.200 --> 0:17:41.560
<v Speaker 1>those dances? I guess I will just come right out

0:17:41.600 --> 0:17:44.359
<v Speaker 1>and say, Pasha is not a giant fan of the

0:17:44.480 --> 0:17:47.520
<v Speaker 1>cha cha. I was very excited for the cha cha

0:17:47.520 --> 0:17:50.640
<v Speaker 1>and I was like, oh the cha chaw. He's it's

0:17:50.680 --> 0:17:52.159
<v Speaker 1>not that fun. It's kind of hard to make it

0:17:52.200 --> 0:17:55.600
<v Speaker 1>look great. He just doesn't like love the cha cha.

0:17:55.720 --> 0:17:58.080
<v Speaker 1>So when I saw that Aj was paired with Riley

0:17:58.080 --> 0:17:59.480
<v Speaker 1>and they were going to be doing a cha cha,

0:17:59.760 --> 0:18:01.760
<v Speaker 1>want is he disappointed in that?

0:18:01.880 --> 0:18:02.280
<v Speaker 2>If you go.

0:18:03.440 --> 0:18:06.359
<v Speaker 1>You might be joes? Oh no, is that a bad one?

0:18:06.720 --> 0:18:09.840
<v Speaker 1>So would you like, are there any dances there that

0:18:09.920 --> 0:18:12.280
<v Speaker 1>you would have been like? That's the one you don't

0:18:12.320 --> 0:18:12.680
<v Speaker 1>really want.

0:18:12.960 --> 0:18:17.880
<v Speaker 2>Uh yes, if again with a celebrity partner respectfully.

0:18:17.280 --> 0:18:19.840
<v Speaker 1>To you, then right, yeah.

0:18:19.160 --> 0:18:20.920
<v Speaker 2>He's not excited for the chacha.

0:18:21.320 --> 0:18:24.520
<v Speaker 1>Right with me? Okay, okay, thanks.

0:18:26.600 --> 0:18:28.520
<v Speaker 2>He was pretty excited for the cha cha with his

0:18:28.560 --> 0:18:31.720
<v Speaker 2>wife on tour. That was a really good jog.

0:18:32.600 --> 0:18:33.840
<v Speaker 1>That was a great cha cha.

0:18:35.080 --> 0:18:37.280
<v Speaker 2>No, I'm just joking with you. Listen, the church is

0:18:37.320 --> 0:18:39.200
<v Speaker 2>just hard on the lady. And then when when you're

0:18:39.240 --> 0:18:41.240
<v Speaker 2>a partner with a celebrity that now has to learn

0:18:41.320 --> 0:18:44.040
<v Speaker 2>how to chatcha with you know, with with no help

0:18:45.640 --> 0:18:48.719
<v Speaker 2>legs out like it's just technically it is. It's it's

0:18:48.760 --> 0:18:51.680
<v Speaker 2>a little bit more of a challenge for the lady

0:18:51.720 --> 0:18:55.760
<v Speaker 2>than salsa. Has more dividends, you know, like you could

0:18:55.760 --> 0:18:58.160
<v Speaker 2>do a lift and a jump and a trick and yes,

0:18:58.359 --> 0:19:00.359
<v Speaker 2>it's still hard. You still have to teach him. There's

0:19:00.440 --> 0:19:03.720
<v Speaker 2>more roi for you know, there's a small bang for

0:19:03.760 --> 0:19:05.720
<v Speaker 2>your buck you can throw and that's.

0:19:05.520 --> 0:19:08.280
<v Speaker 1>What Yeah, that's what he said. He was like, compared

0:19:08.320 --> 0:19:10.159
<v Speaker 1>to a salsa that you can actually just have like

0:19:10.200 --> 0:19:12.680
<v Speaker 1>a lot of fun in. Uh we wanted to get

0:19:12.680 --> 0:19:14.880
<v Speaker 1>it out of the way early on, so but.

0:19:14.440 --> 0:19:18.360
<v Speaker 2>But would but just to give you a different perspective,

0:19:18.440 --> 0:19:21.239
<v Speaker 2>like because he doesn't have to teach Riley how to

0:19:21.840 --> 0:19:24.800
<v Speaker 2>how to dance cha cha chasha is a pretty good

0:19:24.880 --> 0:19:28.840
<v Speaker 2>dance to get because it typically musically is is a

0:19:29.080 --> 0:19:33.200
<v Speaker 2>is a funky you know, a beat. Uh, it's very

0:19:33.240 --> 0:19:35.280
<v Speaker 2>pop song heavy, you know, so you're going to get

0:19:35.480 --> 0:19:37.679
<v Speaker 2>a classic a lot of times or a song that

0:19:37.720 --> 0:19:41.679
<v Speaker 2>people love. So it is. It's thigh energy. There's a

0:19:41.680 --> 0:19:44.800
<v Speaker 2>lot of chachas that premiere on Dancing with the Stars. Okay,

0:19:44.920 --> 0:19:48.560
<v Speaker 2>you'll see a lot of it, especially in the male celebrities.

0:19:49.320 --> 0:19:51.159
<v Speaker 2>They always do very well because.

0:19:50.920 --> 0:19:53.359
<v Speaker 1>They rip off the shirt.

0:19:53.480 --> 0:19:59.160
<v Speaker 2>Yeah it's groove. Yeah.

0:19:59.240 --> 0:20:02.320
<v Speaker 1>Well, Robert finds them that even though they have professional partners,

0:20:02.400 --> 0:20:05.440
<v Speaker 1>they will be the ones responsible for the creative decisions,

0:20:05.440 --> 0:20:09.320
<v Speaker 1>including the choreography, and everything will all be reported back

0:20:09.400 --> 0:20:14.600
<v Speaker 1>to the judges. And I cannot even imagine how hard

0:20:14.640 --> 0:20:19.119
<v Speaker 1>that was for Gleb, Whitney, Riley and Yon to just

0:20:19.640 --> 0:20:21.680
<v Speaker 1>have to keep your mouth shut. I can tell you,

0:20:21.920 --> 0:20:24.200
<v Speaker 1>I cannot picture you in that scenario.

0:20:25.160 --> 0:20:27.840
<v Speaker 2>Oh my goodness, Please somebody tell me what to do,

0:20:29.040 --> 0:20:31.960
<v Speaker 2>Please tell me what to do. I think that's that's

0:20:31.960 --> 0:20:35.199
<v Speaker 2>why I'm most if I'm ever like precious about this

0:20:35.280 --> 0:20:39.120
<v Speaker 2>experience on behalf of the celebs. That's the reason why

0:20:39.160 --> 0:20:41.760
<v Speaker 2>I'm like, you should be so. I mean, please, somebody

0:20:42.359 --> 0:20:44.440
<v Speaker 2>if I could go nunchucks with the stars, you know,

0:20:44.520 --> 0:20:47.879
<v Speaker 2>and have a master nunchuck ninja teaching me.

0:20:47.840 --> 0:20:49.840
<v Speaker 1>Something that that right, right right.

0:20:49.960 --> 0:20:52.240
<v Speaker 2>Just teach me, Like what a gift to be taught,

0:20:52.359 --> 0:20:54.720
<v Speaker 2>especially in our age were.

0:20:54.640 --> 0:20:59.840
<v Speaker 1>Responsible, I mean in dance, for you to have to

0:20:59.880 --> 0:21:03.520
<v Speaker 1>be for someone to come in something you know so

0:21:03.720 --> 0:21:06.199
<v Speaker 1>much about and to just say I'm just gonna keep

0:21:06.240 --> 0:21:10.000
<v Speaker 1>my mouth shut while you you Wow, Okay, you like it.

0:21:10.160 --> 0:21:11.760
<v Speaker 1>I can totally see why you'd want to be like

0:21:11.800 --> 0:21:14.320
<v Speaker 1>a unchuck. Totally get that.

0:21:14.560 --> 0:21:19.480
<v Speaker 2>Yeah, no, totally. I mean, like so with Adele for instance,

0:21:21.040 --> 0:21:23.879
<v Speaker 2>I mean I know this from inside information, you know.

0:21:24.640 --> 0:21:28.879
<v Speaker 2>Gleb was just like, yo, teach me your competition. Yeah,

0:21:28.920 --> 0:21:32.520
<v Speaker 2>I'll do it. And because he's so nasty, he can

0:21:33.000 --> 0:21:37.800
<v Speaker 2>dance on the level of a competitive athlete, because that's

0:21:37.840 --> 0:21:40.720
<v Speaker 2>what that symble was, and we're going to get into

0:21:40.800 --> 0:21:45.360
<v Speaker 2>that performance. But it's fun to see all these different pros.

0:21:45.920 --> 0:21:47.920
<v Speaker 2>You could really see who's got what. That's what I

0:21:48.000 --> 0:21:50.400
<v Speaker 2>meant like. It really felt like a good final four

0:21:50.480 --> 0:21:53.360
<v Speaker 2>for different reasons. For each individual, you know, and it's

0:21:53.440 --> 0:21:59.840
<v Speaker 2>like you have Selena and she gave you the the show. Yeah,

0:22:00.280 --> 0:22:07.080
<v Speaker 2>way TV pop boom awesome. Yeah. And then with Adele,

0:22:07.119 --> 0:22:11.320
<v Speaker 2>you just saw you saw an Olympic athlete and show

0:22:11.359 --> 0:22:13.960
<v Speaker 2>you how you know, we watched the Olympics. There's nothing

0:22:14.440 --> 0:22:19.000
<v Speaker 2>performative about the one hundred meter dash, but we're glued

0:22:19.200 --> 0:22:22.200
<v Speaker 2>to the athleticism of it. It's so entertaining because it's

0:22:22.240 --> 0:22:26.199
<v Speaker 2>at the highest level of human performance. Yeah, that's what

0:22:26.240 --> 0:22:29.440
<v Speaker 2>I'm looking at when I'm watching Adele and that level

0:22:29.440 --> 0:22:32.800
<v Speaker 2>of samba. So the feedback that they got, yes, you're right,

0:22:33.640 --> 0:22:36.439
<v Speaker 2>but it's undeniable because of the quality that it is.

0:22:36.600 --> 0:22:40.879
<v Speaker 1>Oh yeah, yeah, it was. It was top notch. Robert

0:22:40.920 --> 0:22:43.560
<v Speaker 1>sends them off to rehearsals with just one day left

0:22:43.680 --> 0:22:47.480
<v Speaker 1>until their first performance. Adele and Gleb hit it off immediately.

0:22:47.560 --> 0:22:50.119
<v Speaker 1>They speak to each other at Russian and Adele feels

0:22:50.119 --> 0:22:54.119
<v Speaker 1>comfortable like she's dancing with her partner back home. Meanwhile,

0:22:54.160 --> 0:22:57.840
<v Speaker 1>Alan is a little nervous and intimidated with Whitney. Makes

0:22:57.880 --> 0:23:01.880
<v Speaker 1>sense to me, he's second guessing his choreography, but it's

0:23:01.920 --> 0:23:06.080
<v Speaker 1>still coming together. She does, however, think he can work

0:23:06.119 --> 0:23:09.479
<v Speaker 1>on his confidence. Alan says he will do everything in

0:23:09.480 --> 0:23:13.040
<v Speaker 1>his power to get to the finals for his mom.

0:23:13.560 --> 0:23:16.040
<v Speaker 1>And then Selena and Jan have a connection as well.

0:23:16.080 --> 0:23:18.919
<v Speaker 1>They both have commercial dance background, so she's hoping to

0:23:18.960 --> 0:23:22.439
<v Speaker 1>incorporate a lot of wow moments and maybe bend some

0:23:22.640 --> 0:23:26.480
<v Speaker 1>rules and perform some lifts and over. In Studio four,

0:23:26.600 --> 0:23:31.360
<v Speaker 1>Riley immediately notices that a very confident Aj is constantly thinking.

0:23:31.840 --> 0:23:33.960
<v Speaker 1>As a result, she could see him losing patience with

0:23:34.000 --> 0:23:38.919
<v Speaker 1>a celebrity if they mess up his choreography. I noticed

0:23:38.960 --> 0:23:41.680
<v Speaker 1>AJ talking in third person quite a bit this episode.

0:23:43.280 --> 0:23:46.560
<v Speaker 1>Let Aj lead, He said, let Aj lead you, and

0:23:46.720 --> 0:23:49.160
<v Speaker 1>I was like, you are AJ sucker.

0:23:51.119 --> 0:23:52.480
<v Speaker 2>He postponed his wedding for this.

0:23:53.160 --> 0:23:55.000
<v Speaker 1>I don't know if you've heard, but he has postponed

0:23:55.040 --> 0:23:57.920
<v Speaker 1>his wedding for this. Yeah, they mentioned it again. He's

0:23:57.960 --> 0:24:01.560
<v Speaker 1>sacrificed a lot. I I know that these are only

0:24:02.000 --> 0:24:05.280
<v Speaker 1>a few minutes of edited packages, but I do feel

0:24:05.320 --> 0:24:08.200
<v Speaker 1>like it's possible AJ fell back into some bad habits.

0:24:08.320 --> 0:24:14.880
<v Speaker 2>Yeah you know, Aj, I mean again, you know I'm

0:24:14.880 --> 0:24:21.800
<v Speaker 2>a big fan of AJ. Yeah, after this episode, you know,

0:24:21.880 --> 0:24:24.280
<v Speaker 2>I could definitely see him be a pro and dancing

0:24:24.280 --> 0:24:28.080
<v Speaker 2>with the stars yeah, you know, he's definitely, definitely qualified.

0:24:29.080 --> 0:24:31.719
<v Speaker 2>It's a matter of whether I'm going to enjoy his

0:24:31.840 --> 0:24:34.240
<v Speaker 2>work or not, and whether people are going to enjoy

0:24:34.320 --> 0:24:38.240
<v Speaker 2>working with him. But that doesn't mean that he's not

0:24:38.440 --> 0:24:44.560
<v Speaker 2>qualified totally. He's obviously super handsome, He's got a great

0:24:45.880 --> 0:24:48.240
<v Speaker 2>he's got a unique delivery, you know. I mean again,

0:24:48.280 --> 0:24:51.320
<v Speaker 2>it's the British accent. I think you're forgiven for quite

0:24:51.320 --> 0:24:53.359
<v Speaker 2>a bit when you when you got like an exotic

0:24:53.680 --> 0:24:58.800
<v Speaker 2>sounding thing coming out of his mouth. So he's I

0:24:58.840 --> 0:25:04.480
<v Speaker 2>don't know, I'm because again, he just has such a

0:25:04.600 --> 0:25:11.040
<v Speaker 2>huge encyclopedia of information. So if you're casting a qualified teacher,

0:25:11.840 --> 0:25:15.040
<v Speaker 2>he's got that. Do I think he's a star? No,

0:25:16.280 --> 0:25:19.879
<v Speaker 2>you know, do I think he's it's gonna be so

0:25:21.600 --> 0:25:24.360
<v Speaker 2>I don't want to hurt anybody's feelings, you know, special,

0:25:24.480 --> 0:25:29.000
<v Speaker 2>not everybody special, But I just I don't I don't

0:25:29.040 --> 0:25:32.880
<v Speaker 2>think he's got the range in him, the range of movement,

0:25:33.480 --> 0:25:38.520
<v Speaker 2>or the or the leading man charisma that I'm gonna

0:25:38.520 --> 0:25:41.520
<v Speaker 2>want to I'm not going to get enough of. But

0:25:41.600 --> 0:25:44.800
<v Speaker 2>as a professional dancing with the stars, I think he's

0:25:44.840 --> 0:25:47.919
<v Speaker 2>got a lot of he he will be able to

0:25:47.960 --> 0:25:52.439
<v Speaker 2>guide a celebrity into a very fruitful experience with a

0:25:52.480 --> 0:26:00.600
<v Speaker 2>lot of great dancing, great choreography, thoughtful explaining, you know,

0:26:00.680 --> 0:26:03.400
<v Speaker 2>the delivery with which he explains that that's that's on him,

0:26:03.720 --> 0:26:06.080
<v Speaker 2>you know, not a whole mind to judge right well,

0:26:06.119 --> 0:26:10.959
<v Speaker 2>but he's got it. He's got it. He's just you know,

0:26:11.040 --> 0:26:18.760
<v Speaker 2>he's he's got some character flows.

0:26:26.520 --> 0:26:29.040
<v Speaker 1>It's now. Later that night, the pros and judges have

0:26:29.080 --> 0:26:31.920
<v Speaker 1>a little dinner together a debrief if he will. Yan

0:26:32.040 --> 0:26:35.880
<v Speaker 1>reveals that he absolutely loves Selena. She took the lead

0:26:35.960 --> 0:26:39.280
<v Speaker 1>right away and she is TV ready and Mark reveals

0:26:39.280 --> 0:26:42.320
<v Speaker 1>that since day one, Selena has been in his top four,

0:26:42.560 --> 0:26:46.560
<v Speaker 1>so seems like things are coming up. Selena Gleb felt

0:26:46.560 --> 0:26:49.160
<v Speaker 1>like he was back in his competition days with Adele,

0:26:49.600 --> 0:26:52.080
<v Speaker 1>but he's worried that the routine might be missing a

0:26:52.160 --> 0:26:55.320
<v Speaker 1>wow moment, but he did feel wowed by her, saying

0:26:55.359 --> 0:26:58.280
<v Speaker 1>he's flying in a private jet, not even a Rolls

0:26:58.400 --> 0:27:02.240
<v Speaker 1>Royce with her. Whitney says that she is enjoying dancing

0:27:02.280 --> 0:27:04.240
<v Speaker 1>with Alan, but he needs to work on believing in

0:27:04.320 --> 0:27:07.960
<v Speaker 1>himself a little more. And then Riley, who did feel

0:27:08.000 --> 0:27:11.120
<v Speaker 1>some lightheartedness in the beginning with aj says it quickly

0:27:11.160 --> 0:27:14.560
<v Speaker 1>turned into intensity. She's not sure he'll be able to

0:27:14.600 --> 0:27:18.359
<v Speaker 1>provide affirmations to a celebrity, since there is a lot

0:27:18.440 --> 0:27:20.200
<v Speaker 1>of pressure being.

0:27:21.080 --> 0:27:27.440
<v Speaker 2>Cultural, not disconnect, but affirmations.

0:27:27.720 --> 0:27:34.119
<v Speaker 1>Then you'll like, you know, you say, you get to

0:27:34.480 --> 0:27:37.560
<v Speaker 1>the day before, the day before camera blocking, and you're

0:27:37.600 --> 0:27:40.520
<v Speaker 1>just doing runs all day and you're recording it on

0:27:40.560 --> 0:27:42.800
<v Speaker 1>your phone, and then you're going and you're looking at it,

0:27:43.880 --> 0:27:45.840
<v Speaker 1>and you look at it and you watch and it's

0:27:46.000 --> 0:27:50.240
<v Speaker 1>pretty good, but you're silent the whole time. And then

0:27:50.240 --> 0:27:52.760
<v Speaker 1>you go see that that right there, that's the part

0:27:52.760 --> 0:27:54.479
<v Speaker 1>that I need you to I need you to pick

0:27:54.520 --> 0:27:57.359
<v Speaker 1>your leg up a little bit more. And then another

0:27:57.480 --> 0:27:59.760
<v Speaker 1>twenty seconds goes by and you're silent, and then you're like, okay,

0:27:59.760 --> 0:28:02.000
<v Speaker 1>and that that right there, and then you finish watching it.

0:28:02.320 --> 0:28:05.680
<v Speaker 1>I know myself when especially later in the season, where

0:28:05.720 --> 0:28:08.959
<v Speaker 1>I was like I'm getting I'm definitely getting better. And

0:28:09.000 --> 0:28:10.720
<v Speaker 1>sometimes then you watch it and you do, like it

0:28:10.960 --> 0:28:12.960
<v Speaker 1>a minute and a half long dance, and then you

0:28:13.000 --> 0:28:15.120
<v Speaker 1>walk away from it. You've just you in your mind,

0:28:15.160 --> 0:28:19.600
<v Speaker 1>you're like, wow, I did it, And then the only

0:28:19.640 --> 0:28:22.119
<v Speaker 1>thing you hear are like, there were two things you

0:28:22.119 --> 0:28:27.399
<v Speaker 1>didn't do right right, needing to needing to have your

0:28:27.440 --> 0:28:32.840
<v Speaker 1>pro look at you and go damn good, damn good

0:28:33.119 --> 0:28:35.199
<v Speaker 1>dance right. There still some things I want to work on,

0:28:35.480 --> 0:28:40.520
<v Speaker 1>but that was killer. Now I'm like, okay, thanks, because

0:28:40.560 --> 0:28:44.840
<v Speaker 1>I'm holding my breath waiting for you to acknowledge whether

0:28:44.960 --> 0:28:49.800
<v Speaker 1>or not what I just did that was yes, please,

0:28:50.080 --> 0:28:53.080
<v Speaker 1>because I am not good and I'm gonna forget this

0:28:53.240 --> 0:28:55.760
<v Speaker 1>the second we're off the ballroom floor and I'm never

0:28:55.800 --> 0:29:01.680
<v Speaker 1>gonna do this again. So yes, Riley knows that celebs

0:29:01.720 --> 0:29:04.000
<v Speaker 1>are sensitive little souls.

0:29:03.920 --> 0:29:08.640
<v Speaker 2>Who that's important. Yeah, that's why they do a great

0:29:08.720 --> 0:29:12.480
<v Speaker 2>job too. You know, the the Utah crew, they culturally

0:29:12.520 --> 0:29:16.040
<v Speaker 2>are different. You know, they grow up in a different surroundings.

0:29:16.400 --> 0:29:16.640
<v Speaker 1>Yeah.

0:29:16.720 --> 0:29:20.360
<v Speaker 2>Oh, and that's why again, culturally you have the New

0:29:20.440 --> 0:29:24.760
<v Speaker 2>York Tristate Area Eastern European crew have a very different

0:29:25.200 --> 0:29:27.320
<v Speaker 2>relationship with affirmations.

0:29:27.560 --> 0:29:30.480
<v Speaker 1>Yeah, I know. I at the very end of my

0:29:30.560 --> 0:29:32.400
<v Speaker 1>Dancing with the Stars time, at one time I looked

0:29:32.440 --> 0:29:35.959
<v Speaker 1>at Pasha and I said, next time we do this,

0:29:36.120 --> 0:29:39.280
<v Speaker 1>before you give me all your notes, could you maybe

0:29:39.280 --> 0:29:44.000
<v Speaker 1>say good job again? Give me all your notes. I

0:29:44.040 --> 0:29:46.240
<v Speaker 1>was like, I just just every now and then i'd

0:29:46.240 --> 0:29:47.440
<v Speaker 1>like to hear good job.

0:29:49.120 --> 0:29:51.840
<v Speaker 2>Yeah, I don't know where that that stems from. It's

0:29:51.880 --> 0:29:57.000
<v Speaker 2>almost like it's fluff, you know, and yeah, and we don't.

0:29:57.400 --> 0:30:01.440
<v Speaker 2>It's almost like that would be disrespectful you and your time.

0:30:03.720 --> 0:30:05.400
<v Speaker 2>Time is of the essence, you know. I'm sure there's

0:30:05.400 --> 0:30:07.320
<v Speaker 2>another phrase for how limited time is.

0:30:07.400 --> 0:30:11.040
<v Speaker 1>Yeah, yeah, exactly. Every second passing you're closer to death

0:30:11.200 --> 0:30:11.960
<v Speaker 1>is probably the rest.

0:30:12.200 --> 0:30:15.040
<v Speaker 2>Yeah. Why waste our breath on unnecessary word?

0:30:16.920 --> 0:30:20.200
<v Speaker 1>Why waste our breath on feeling good when we could

0:30:20.200 --> 0:30:24.000
<v Speaker 1>be talking about things that are less than good? Death?

0:30:25.680 --> 0:30:28.280
<v Speaker 2>Oh man, No, it's it's so important because again and

0:30:28.560 --> 0:30:30.680
<v Speaker 2>I just I'm laughing because I have a tough time

0:30:30.720 --> 0:30:34.160
<v Speaker 2>with that as well. I'm obviously learning and I've learned

0:30:34.160 --> 0:30:41.360
<v Speaker 2>that those things make just such a huge difference, you know,

0:30:41.520 --> 0:30:44.800
<v Speaker 2>the difference in your spirit, if you if you you

0:30:44.840 --> 0:30:49.600
<v Speaker 2>know you're hearing, the difference between giving you some validation

0:30:49.720 --> 0:30:52.280
<v Speaker 2>of like, yo, that was smash that?

0:30:52.920 --> 0:30:53.200
<v Speaker 1>Yeah?

0:30:53.240 --> 0:30:53.480
<v Speaker 2>Cool?

0:30:54.440 --> 0:30:55.560
<v Speaker 1>Great, two things?

0:30:55.920 --> 0:30:58.520
<v Speaker 2>Bumbo? Yeah, can we get that done? Is that going

0:30:58.560 --> 0:31:00.480
<v Speaker 2>to distract you? Is that okay with you? Like? Does

0:31:00.480 --> 0:31:02.960
<v Speaker 2>that feel overwhelming? No? No, No, I got that because

0:31:03.000 --> 0:31:04.880
<v Speaker 2>we could change it a week is simply no, I

0:31:04.960 --> 0:31:08.840
<v Speaker 2>like that. Okay, cool, let's do it. Everything else is fine. Yeah,

0:31:09.200 --> 0:31:13.000
<v Speaker 2>that changes the whole energy of how you approach the

0:31:13.080 --> 0:31:17.520
<v Speaker 2>cleaning after blocking or whatever happens next.

0:31:17.800 --> 0:31:21.360
<v Speaker 1>Yes, yes, it makes a world of a difference. So

0:31:21.480 --> 0:31:24.280
<v Speaker 1>with this information we jump right into the show. Night

0:31:24.400 --> 0:31:26.760
<v Speaker 1>Round one, our final four have entered the ballroom. We've

0:31:26.800 --> 0:31:29.440
<v Speaker 1>got Robert, Shirley, and Mark now joined by Kim at

0:31:29.480 --> 0:31:32.760
<v Speaker 1>the judges table. First up is Alan and Whitney, who

0:31:32.800 --> 0:31:37.120
<v Speaker 1>performed the jive to shake by Steven Sanchez. What did

0:31:37.160 --> 0:31:38.720
<v Speaker 1>you think of this dance?

0:31:38.800 --> 0:31:42.640
<v Speaker 2>Val great dance. It was a great dance, very sound,

0:31:42.800 --> 0:31:50.800
<v Speaker 2>very clean. Great. Uh you see it and forget it immediately. Yeah,

0:31:50.840 --> 0:31:54.040
<v Speaker 2>and the feedback was correct. You know, it's unfortunate, but

0:31:54.080 --> 0:31:59.240
<v Speaker 2>it's right, like that's a great dance, but we need

0:31:59.280 --> 0:32:07.200
<v Speaker 2>to see more. And and Whitney is so just so

0:32:07.320 --> 0:32:11.240
<v Speaker 2>commercially striking, you know. So they I think they mentioned like,

0:32:11.480 --> 0:32:15.240
<v Speaker 2>you know, she's the queen of finding camera. Yeah, so

0:32:15.440 --> 0:32:21.080
<v Speaker 2>playing onto simplifying the jive, Like Mark said, I if

0:32:21.120 --> 0:32:23.040
<v Speaker 2>I'm watching a jive and I'm not going like this

0:32:23.280 --> 0:32:24.840
<v Speaker 2>like then that it's not you know, if I'm not

0:32:24.920 --> 0:32:28.960
<v Speaker 2>bobbing my head okay, cool, But besides, bob in your head,

0:32:29.000 --> 0:32:32.160
<v Speaker 2>like I want you to break that pattern and make

0:32:32.240 --> 0:32:38.200
<v Speaker 2>me just engage with something that just I don't know creeds.

0:32:38.520 --> 0:32:43.360
<v Speaker 2>Creed's dimension creates dynamics, you know, it didn't feel like

0:32:43.400 --> 0:32:49.200
<v Speaker 2>it had those splashes that are those wow moments ver important.

0:32:49.760 --> 0:32:51.960
<v Speaker 1>She also said that it seemed like maybe they were

0:32:52.000 --> 0:32:55.120
<v Speaker 1>having a hard time building chemistry because they did a

0:32:55.120 --> 0:32:56.600
<v Speaker 1>lot of side by side action.

0:32:57.520 --> 0:33:07.000
<v Speaker 2>Yeah, so true. Again, yes by side is cool. I

0:33:07.040 --> 0:33:09.280
<v Speaker 2>just think you know, her and Robert were two different

0:33:09.600 --> 0:33:12.240
<v Speaker 2>They're different, you know, Alan is a little bit more

0:33:12.240 --> 0:33:14.080
<v Speaker 2>grown up. They could have had a little bit of

0:33:14.080 --> 0:33:18.040
<v Speaker 2>a different, like what they said, chemistry, and I think

0:33:18.080 --> 0:33:21.400
<v Speaker 2>that would have gone a longer way. You know, they

0:33:21.760 --> 0:33:26.400
<v Speaker 2>went for like very brother sister energy versus like man woman.

0:33:26.520 --> 0:33:29.800
<v Speaker 2>They they just could have played more into that, into

0:33:29.880 --> 0:33:33.560
<v Speaker 2>his masculinity, and she is so feminine and so complimentary

0:33:33.640 --> 0:33:37.320
<v Speaker 2>of a strong masculine presence next to her. So yeah,

0:33:37.720 --> 0:33:40.000
<v Speaker 2>could have thrown in a little trick in there because

0:33:40.080 --> 0:33:43.840
<v Speaker 2>she you know, she's also good at that. And she

0:33:43.880 --> 0:33:45.920
<v Speaker 2>would have told them those things.

0:33:46.200 --> 0:33:48.880
<v Speaker 1>Had she had she been able to share advice, she

0:33:48.880 --> 0:33:49.640
<v Speaker 1>would have said she.

0:33:49.560 --> 0:33:51.360
<v Speaker 2>Would have definitely she would have been like, great jove,

0:33:51.480 --> 0:33:54.560
<v Speaker 2>can we just do something fun that that's relatable. I

0:33:54.560 --> 0:33:59.040
<v Speaker 2>think that's the other thing about Wow, And and something

0:33:59.040 --> 0:34:01.840
<v Speaker 2>that I had to learn by doing the show quite

0:34:01.880 --> 0:34:08.439
<v Speaker 2>a bit is coming in as a professional ballroom dancer. Like, yes,

0:34:08.600 --> 0:34:11.040
<v Speaker 2>is dancing with the stars on the backdrop of ballroom dance.

0:34:11.080 --> 0:34:15.120
<v Speaker 2>But it's not. This isn't what it's not about just

0:34:15.160 --> 0:34:19.040
<v Speaker 2>ballroom dancing. It's about creating a show dance. Yeah, that

0:34:19.120 --> 0:34:22.160
<v Speaker 2>has ballroom dance elements in it, but I want to

0:34:22.160 --> 0:34:26.000
<v Speaker 2>see the show was the show, And I don't think

0:34:26.520 --> 0:34:31.239
<v Speaker 2>all of us have the same quality of choreographing for

0:34:31.360 --> 0:34:31.760
<v Speaker 2>a show.

0:34:32.239 --> 0:34:32.600
<v Speaker 1>M hm.

0:34:32.880 --> 0:34:33.760
<v Speaker 2>And that's huge.

0:34:34.280 --> 0:34:37.839
<v Speaker 1>Yeah. Well, Kim and Shirley both thought that Alan could

0:34:37.840 --> 0:34:40.520
<v Speaker 1>have gotten more out of Whitney, and Mark disagrees a

0:34:40.520 --> 0:34:42.520
<v Speaker 1>little with both the ladies. He calls it the best

0:34:42.600 --> 0:34:45.400
<v Speaker 1>jive he's seen all season. He said he was bouncing

0:34:45.440 --> 0:34:47.120
<v Speaker 1>whole time and the steam kept rolling.

0:34:47.600 --> 0:34:49.920
<v Speaker 2>Like, for instance, I think Alan is a better dancer

0:34:49.920 --> 0:34:53.600
<v Speaker 2>than Aj. Oh okay, but Aj is a better choreographer.

0:34:54.440 --> 0:34:59.040
<v Speaker 1>Yeah. Yeah, those are places they can from each other.

0:34:59.120 --> 0:35:03.760
<v Speaker 2>Yeah, it's like if I'm casting my show. For instance,

0:35:03.840 --> 0:35:06.000
<v Speaker 2>Bell goes on the road, and I need a cast

0:35:06.040 --> 0:35:10.879
<v Speaker 2>of dancers. I'm casting Alan over Ag all day. Yeah,

0:35:10.920 --> 0:35:15.560
<v Speaker 2>but if I'm casting director of Dancing with the Stars, right,

0:35:15.840 --> 0:35:18.839
<v Speaker 2>I'm more likely leaning towards Aj. I know he's going

0:35:18.880 --> 0:35:21.200
<v Speaker 2>to be a little bit more soundproof as far as

0:35:21.480 --> 0:35:24.920
<v Speaker 2>delivering great quality regardless of who his partner is.

0:35:25.520 --> 0:35:29.960
<v Speaker 1>Mhmm. Interesting. Next up is Selena and Jan who perform

0:35:30.000 --> 0:35:34.080
<v Speaker 1>a salsa to La Moodonza by Bad Bunny and Wow,

0:35:34.320 --> 0:35:39.360
<v Speaker 1>I love it when Yon gets to be Yon. I

0:35:39.840 --> 0:35:44.720
<v Speaker 1>just adore him. What did you think of this dance?

0:35:45.560 --> 0:35:49.200
<v Speaker 2>It was? It was great, I mean, so fun, so entertaining.

0:35:49.719 --> 0:35:53.160
<v Speaker 2>I didn't think I started kind of slow, like I

0:35:53.239 --> 0:35:55.759
<v Speaker 2>wasn't sure. It wasn't very impressive for the first like,

0:35:56.440 --> 0:36:01.320
<v Speaker 2>you know, a little bit okay, but it then really exploded.

0:36:01.400 --> 0:36:04.800
<v Speaker 2>And actually, in hindsight, I think they paced their energy

0:36:04.920 --> 0:36:07.240
<v Speaker 2>very well because those dances were felt long.

0:36:08.000 --> 0:36:09.600
<v Speaker 1>Yeah they did feel long.

0:36:10.160 --> 0:36:14.120
<v Speaker 2>Uh and uh no, and it was very It just

0:36:14.200 --> 0:36:16.240
<v Speaker 2>it was fun. I mean, I want to see that again,

0:36:16.280 --> 0:36:18.600
<v Speaker 2>you know that. That's the difference is like I didn't

0:36:18.600 --> 0:36:22.920
<v Speaker 2>really care to see that jive again. I would have

0:36:22.960 --> 0:36:25.719
<v Speaker 2>loved to see that salsa again. Yeah, there was a

0:36:25.760 --> 0:36:28.280
<v Speaker 2>lot of personality moments. You know, it's like the feedback

0:36:28.320 --> 0:36:33.480
<v Speaker 2>that Alan got using Whitney for those camera moments. You know,

0:36:33.520 --> 0:36:38.400
<v Speaker 2>Selena really used Yon and his personality and immediately he

0:36:38.880 --> 0:36:42.160
<v Speaker 2>like got the got the reaction from the judges. They

0:36:42.160 --> 0:36:44.640
<v Speaker 2>were laughing at that tight shot of him making a facet.

0:36:45.440 --> 0:36:49.880
<v Speaker 2>Uh so yeah, and then everything else is like really

0:36:49.920 --> 0:36:54.400
<v Speaker 2>good choreography that was full of tricks. And you know, again,

0:36:54.480 --> 0:36:59.040
<v Speaker 2>if like if they go out and compete in salsa

0:36:59.440 --> 0:37:02.880
<v Speaker 2>competition or I'm not even talking about ballroom dance competition,

0:37:03.239 --> 0:37:07.600
<v Speaker 2>ballroom dance competition, they're not making the next round. Okay, respectfully,

0:37:08.239 --> 0:37:13.399
<v Speaker 2>okay at a competition that uh, Alan's jive would be

0:37:14.320 --> 0:37:20.160
<v Speaker 2>definitely making the next round, you know, but you put

0:37:20.200 --> 0:37:26.080
<v Speaker 2>that on a show competition or a show dance and rightfully,

0:37:26.120 --> 0:37:29.000
<v Speaker 2>so it's gonna it's gonna blow that jive out of

0:37:29.040 --> 0:37:32.600
<v Speaker 2>the water, you know. So it just depends. You know,

0:37:32.640 --> 0:37:36.480
<v Speaker 2>there's that great phrase. It's like, sometimes it's your surroundings

0:37:36.520 --> 0:37:42.759
<v Speaker 2>that are creating the perception or your worth rather than

0:37:42.960 --> 0:37:46.640
<v Speaker 2>your actual worth. So you know, both these numbers are great,

0:37:46.680 --> 0:37:50.880
<v Speaker 2>but it's like, what what's the what's the stage that

0:37:50.920 --> 0:37:53.800
<v Speaker 2>they're being performed on because if it's in the proper

0:37:53.920 --> 0:37:59.320
<v Speaker 2>competitive ballroom dance arena, then one, you know, the quality

0:37:59.360 --> 0:38:03.360
<v Speaker 2>that's that that exists in Alan, you know, is not

0:38:03.520 --> 0:38:08.120
<v Speaker 2>there in Selena or in Yon as far as strictly boring.

0:38:08.840 --> 0:38:15.040
<v Speaker 2>But as performers, as dancers overall dancers, yeah, uh, they

0:38:15.120 --> 0:38:18.200
<v Speaker 2>are on a different level. And that's why you see

0:38:18.239 --> 0:38:21.440
<v Speaker 2>the world gravitate to those performances. Whether I like it

0:38:21.520 --> 0:38:27.040
<v Speaker 2>or not, you know, I think those are you know,

0:38:27.080 --> 0:38:30.800
<v Speaker 2>these are now we're saying the quiet part out loud,

0:38:30.920 --> 0:38:33.560
<v Speaker 2>you know, and these are the fact that this show

0:38:33.600 --> 0:38:37.480
<v Speaker 2>has grown to to to garner such eyeballs and now

0:38:37.520 --> 0:38:42.799
<v Speaker 2>such curious eyeballs, and because of social media, such you know,

0:38:43.920 --> 0:38:48.920
<v Speaker 2>given eyebass, we are now really having a public conversation

0:38:49.040 --> 0:38:53.280
<v Speaker 2>about what the show is, what it's not, what gets rewarded,

0:38:53.360 --> 0:38:56.200
<v Speaker 2>what doesn't, and it's it's actually that's how I think

0:38:56.200 --> 0:38:59.080
<v Speaker 2>what makes the show not more fun to watch is

0:38:59.120 --> 0:39:02.439
<v Speaker 2>because things are being adjusted and talked about in real time,

0:39:03.840 --> 0:39:06.640
<v Speaker 2>and the impact of those conversations and social media is

0:39:06.719 --> 0:39:10.960
<v Speaker 2>being reflected on our show in real time. So it

0:39:11.040 --> 0:39:14.280
<v Speaker 2>is a real synergy between our show and social media

0:39:14.480 --> 0:39:18.520
<v Speaker 2>and how every show try to capture that relationship and

0:39:19.320 --> 0:39:22.080
<v Speaker 2>never could. I think it's interesting how Dancing with the

0:39:22.120 --> 0:39:25.239
<v Speaker 2>Stars was able to do that, and that is by

0:39:25.360 --> 0:39:29.640
<v Speaker 2>being such a a not open book, but just such

0:39:29.640 --> 0:39:34.200
<v Speaker 2>a strange diconomy of like what are we being judged

0:39:34.239 --> 0:39:37.239
<v Speaker 2>on and why and how and let's all discuss and

0:39:37.280 --> 0:39:43.279
<v Speaker 2>really nailed down the you know, the ten commandments of

0:39:43.360 --> 0:39:47.800
<v Speaker 2>what makes a great Dancing with the Stars performance. Yes,

0:39:47.880 --> 0:39:50.359
<v Speaker 2>because it isn't strictly boring, No.

0:39:50.400 --> 0:39:54.560
<v Speaker 1>It is not. The judges absolutely loved it. Mark could

0:39:54.600 --> 0:39:57.240
<v Speaker 1>picture the dance being performed on Dancing with the Stars

0:39:57.320 --> 0:40:00.759
<v Speaker 1>Latin night and said everything was in sync. Hymns calls

0:40:00.800 --> 0:40:04.640
<v Speaker 1>Selena a star and compliments her clever choreography, the type

0:40:04.680 --> 0:40:08.240
<v Speaker 1>of talent that gets you to the finals. Shirley loves

0:40:08.280 --> 0:40:11.840
<v Speaker 1>her balance and says every step she takes she nails.

0:40:12.160 --> 0:40:14.399
<v Speaker 1>The judges were cheering and dancing in their seats while

0:40:14.440 --> 0:40:16.799
<v Speaker 1>watching them, and that's how they know they found a

0:40:16.880 --> 0:40:21.160
<v Speaker 1>next pro big win here for them. And now we

0:40:21.280 --> 0:40:25.440
<v Speaker 1>have Adele and Gleb who perform the samba to Maga

0:40:25.560 --> 0:40:30.800
<v Speaker 1>Lenha by by Lando con la Istreas, which is Dance

0:40:30.840 --> 0:40:34.120
<v Speaker 1>with the Stars. The name of the band is by

0:40:34.239 --> 0:40:40.200
<v Speaker 1>Lando con Lasstreas, which is Dance with the Stars. Pretty great, val.

0:40:40.320 --> 0:40:41.680
<v Speaker 1>What were your thoughts on these two?

0:40:42.000 --> 0:40:44.759
<v Speaker 2>First of all, I think it's this is like the

0:40:44.840 --> 0:40:50.000
<v Speaker 2>quintessential samba competition samba song. Like growing up, this was

0:40:50.040 --> 0:40:53.520
<v Speaker 2>the sambah that we always practice too, and it's like

0:40:53.760 --> 0:40:57.239
<v Speaker 2>just when you think of the dance, this is the

0:40:57.320 --> 0:41:01.239
<v Speaker 2>music in the sound man. Yeah, I don't know what

0:41:01.320 --> 0:41:05.520
<v Speaker 2>was being said in Portuguese, but it sounds a good song. Yeah.

0:41:05.640 --> 0:41:08.360
<v Speaker 2>So it was like perfect for a dell, perfect for them,

0:41:09.320 --> 0:41:14.200
<v Speaker 2>and they crushed it, you know, like that's what That's

0:41:14.200 --> 0:41:17.759
<v Speaker 2>what we all grew up wanting to dance. Like yeah,

0:41:18.680 --> 0:41:23.279
<v Speaker 2>we just yeah, we just never thought that we would

0:41:23.320 --> 0:41:27.440
<v Speaker 2>be on TV competing against salsas like the one before.

0:41:28.880 --> 0:41:33.239
<v Speaker 2>But this is the epitome of like what really great

0:41:33.680 --> 0:41:41.360
<v Speaker 2>Latin competitive dancing looks like world class? Yeah, on our show,

0:41:41.920 --> 0:41:46.920
<v Speaker 2>maybe two other people can could have performed that.

0:41:47.000 --> 0:41:50.640
<v Speaker 1>So that way, mm hm, who who could do it?

0:41:51.040 --> 0:41:53.160
<v Speaker 2>I mean one of them is here, one of them.

0:41:53.040 --> 0:41:55.520
<v Speaker 1>Is one of them is the star of this podcast here.

0:41:55.640 --> 0:41:58.480
<v Speaker 2>I would give Brandon a shout out. You can probably

0:41:58.480 --> 0:42:03.160
<v Speaker 2>handle that. Love it again just as far as heype,

0:42:03.239 --> 0:42:10.360
<v Speaker 2>maybe obviously quality is there. Yeah, yeah, ok, yeah, I

0:42:10.400 --> 0:42:14.040
<v Speaker 2>mean I think again, there's just I'm not talking, there's

0:42:14.560 --> 0:42:19.080
<v Speaker 2>a particular style, yeah, you know, And and I hope

0:42:19.080 --> 0:42:22.680
<v Speaker 2>people that are watching our show start to differentiate and

0:42:22.719 --> 0:42:26.120
<v Speaker 2>see the difference. And it's not about like what's good

0:42:26.120 --> 0:42:29.320
<v Speaker 2>and what's bad. It's about different styles of the same

0:42:29.400 --> 0:42:34.040
<v Speaker 2>dance and how vastly different they could look. Because because

0:42:34.080 --> 0:42:39.000
<v Speaker 2>the style of those performers is slightly different, little gestures,

0:42:39.480 --> 0:42:42.480
<v Speaker 2>you know, Gleb and I kind of just grew up

0:42:43.520 --> 0:42:48.240
<v Speaker 2>idolizing and appreciating a certain style, a very similar one

0:42:48.960 --> 0:42:53.279
<v Speaker 2>with very similar idols, and we, you know, competed at

0:42:53.320 --> 0:42:56.000
<v Speaker 2>a time at a similar time where that style was

0:42:56.120 --> 0:42:58.840
<v Speaker 2>very popular. Yeah. That was great. I mean again, that

0:42:58.920 --> 0:42:59.440
<v Speaker 2>was amazing.

0:43:00.120 --> 0:43:03.160
<v Speaker 1>Yeah. The judges are just astonished. Throughout the entire performance.

0:43:03.239 --> 0:43:06.480
<v Speaker 1>Kim tells Adele she nailed it. It's a professional number

0:43:06.520 --> 0:43:09.160
<v Speaker 1>you would see on Dancing with the Stars. Mark says

0:43:09.160 --> 0:43:12.680
<v Speaker 1>she moves like a hooded cobra ready to strike, but

0:43:12.840 --> 0:43:15.080
<v Speaker 1>does think she could have played with the musicality a

0:43:15.120 --> 0:43:18.759
<v Speaker 1>bit more, but in the end calls it damn near perfect.

0:43:19.239 --> 0:43:22.840
<v Speaker 1>Shirley considers Adele and Gleb a power couple. She mentions

0:43:22.840 --> 0:43:25.279
<v Speaker 1>that if she had any note, it is to cater

0:43:25.360 --> 0:43:28.160
<v Speaker 1>to the Dancing with the Stars audience and remember those

0:43:28.200 --> 0:43:31.640
<v Speaker 1>one or two wow moments. But other than that, she

0:43:31.960 --> 0:43:36.600
<v Speaker 1>is a masterpiece. Yeah, I agree, I couldn't I When

0:43:36.680 --> 0:43:39.040
<v Speaker 1>he said to play with the musicality a little bit more,

0:43:39.320 --> 0:43:42.839
<v Speaker 1>I was like, wait, what what does that mean? Exactly? Val,

0:43:42.960 --> 0:43:44.719
<v Speaker 1>what does that? What does that note mean? Play with

0:43:44.760 --> 0:43:45.839
<v Speaker 1>the musicality more.

0:43:47.480 --> 0:43:50.440
<v Speaker 2>It's kind of like the note that I gave to

0:43:50.600 --> 0:43:54.239
<v Speaker 2>Alan and Whitney, where it was just like, right, just job.

0:43:56.200 --> 0:43:59.160
<v Speaker 2>They were sounding sombing zalmie the whole time, you know,

0:43:59.239 --> 0:44:03.759
<v Speaker 2>they didn't like break and then pop back in. Yeah,

0:44:03.840 --> 0:44:05.879
<v Speaker 2>like like give us a you know, sometimes you need

0:44:05.920 --> 0:44:11.120
<v Speaker 2>to give us a moment to breathe and digest. It's like,

0:44:12.760 --> 0:44:17.560
<v Speaker 2>it's like silence in the middle of a really powerful monologue. Right, yes,

0:44:17.680 --> 0:44:20.120
<v Speaker 2>it could go a long way and give us a

0:44:20.160 --> 0:44:23.879
<v Speaker 2>second to digest, like what was just said before going

0:44:23.880 --> 0:44:28.160
<v Speaker 2>into the next thought. The same with dance. I mean,

0:44:28.239 --> 0:44:33.480
<v Speaker 2>it was just it was overwhelmingly good, but a lot

0:44:33.520 --> 0:44:35.520
<v Speaker 2>of it, you know, so you almost got to corset

0:44:35.600 --> 0:44:36.120
<v Speaker 2>a little bit.

0:44:37.040 --> 0:44:40.520
<v Speaker 1>Okay, great, I do understand that now, and Finally, it's

0:44:40.560 --> 0:44:43.080
<v Speaker 1>AJ and Riley with the chat shot A little booth

0:44:43.080 --> 0:44:44.040
<v Speaker 1>Thing by Paul Russell.

0:44:44.160 --> 0:44:46.800
<v Speaker 2>Little booth thing. My favorite thing is you saying these names.

0:44:47.480 --> 0:44:49.520
<v Speaker 1>I know, I have to read them all very like, Okay,

0:44:49.920 --> 0:44:51.960
<v Speaker 1>what's this one? I don't know, I don't know. I

0:44:51.960 --> 0:44:54.000
<v Speaker 1>mean I do know a little booth thingg I know that.

0:44:54.080 --> 0:44:56.640
<v Speaker 2>Song, You'm a little booth thing that one, of.

0:44:56.560 --> 0:44:59.560
<v Speaker 1>Course, Yeah that song is great. Who doesn't know that song?

0:45:00.440 --> 0:45:03.200
<v Speaker 1>But you know, yeah, the samba song. I'm not as

0:45:03.239 --> 0:45:03.839
<v Speaker 1>familiar with.

0:45:04.360 --> 0:45:04.960
<v Speaker 2>Maglena.

0:45:07.040 --> 0:45:15.960
<v Speaker 1>Okaya, Maggleene. It's not Magalen. Yeah, okay, Magdelena, Yeah, okay, Magelena.

0:45:18.800 --> 0:45:21.120
<v Speaker 1>Well what did you think about a J and Riley's

0:45:21.160 --> 0:45:27.200
<v Speaker 1>cha cha? I mean it was it was good, well choreographed.

0:45:27.280 --> 0:45:36.080
<v Speaker 2>Yeah, it was well choreographed. Very it was a good

0:45:36.600 --> 0:45:40.560
<v Speaker 2>piece of dancing with the stars choreographer, right, you know,

0:45:40.680 --> 0:45:44.040
<v Speaker 2>there was nothing special. Actually, I know they were having

0:45:44.080 --> 0:45:47.400
<v Speaker 2>a tough time, but I thought Riley's you know again,

0:45:47.560 --> 0:45:50.280
<v Speaker 2>Riley is just such. She's got star power.

0:45:50.840 --> 0:45:51.120
<v Speaker 1>Yep.

0:45:51.400 --> 0:45:56.120
<v Speaker 2>So what she still has to learn and and improve

0:45:56.200 --> 0:45:58.640
<v Speaker 2>as a dancer or as a choreographer, as a teacher

0:45:58.680 --> 0:46:01.560
<v Speaker 2>or whatever. Uh, she makes up for it with just

0:46:01.640 --> 0:46:04.640
<v Speaker 2>her presence. She's got real star power. I don't think

0:46:04.680 --> 0:46:07.480
<v Speaker 2>he's got star power, you know. So he he's a

0:46:07.600 --> 0:46:14.040
<v Speaker 2>very smart, uh choreographer and teacher and and he will

0:46:14.080 --> 0:46:18.359
<v Speaker 2>do a great job guiding celebrity through this journey. Mm hmm.

0:46:19.200 --> 0:46:22.120
<v Speaker 2>If that's if that's what you're trying to cast, A

0:46:22.239 --> 0:46:29.040
<v Speaker 2>great teacher who's gonna help if you're looking for, you know,

0:46:29.120 --> 0:46:32.880
<v Speaker 2>the next Derek Huff that you didn't find them, I don't.

0:46:32.680 --> 0:46:36.799
<v Speaker 1>Know, right, Shirley says, aj threw in everything but the

0:46:36.840 --> 0:46:39.040
<v Speaker 1>kitchen sink for this one and nailed the essence of

0:46:39.080 --> 0:46:42.799
<v Speaker 1>the cha chaw while showcasing and perfectly leading. Riley Kim

0:46:42.880 --> 0:46:45.440
<v Speaker 1>agrees and loves his ability to give his partner some

0:46:45.520 --> 0:46:46.240
<v Speaker 1>wow moments.

0:46:46.360 --> 0:46:49.040
<v Speaker 2>I will I will give give him that. That's really

0:46:49.080 --> 0:46:55.080
<v Speaker 2>good feedback from Shirley. Shirley clearly really likes Aju. She does,

0:46:55.280 --> 0:46:57.920
<v Speaker 2>I mean again, because she's seen him do this job

0:46:58.200 --> 0:47:02.520
<v Speaker 2>and saying that he probably did it pretty well. Yep,

0:47:03.920 --> 0:47:07.759
<v Speaker 2>but yeah, I gotta She did mention the fact that he,

0:47:08.120 --> 0:47:10.520
<v Speaker 2>you know, he took a girl that's taller than him,

0:47:10.560 --> 0:47:14.960
<v Speaker 2>bigger than him, and what would she say? From here,

0:47:15.000 --> 0:47:19.000
<v Speaker 2>there and there and landed on her foot. That's something

0:47:19.320 --> 0:47:25.360
<v Speaker 2>she's right, I mean, yeah, yeah, he's scrappy. Like again,

0:47:25.400 --> 0:47:28.640
<v Speaker 2>I'm an AJ fan, I'm not I'm not hating on

0:47:28.719 --> 0:47:33.960
<v Speaker 2>a J. He's just you know, we would have been

0:47:34.080 --> 0:47:38.360
<v Speaker 2>arch nemesis. We wouldn't be friends in high school. But

0:47:38.600 --> 0:47:45.680
<v Speaker 2>he's awesome. He's very talented. Again, you could see that he.

0:47:44.000 --> 0:47:48.480
<v Speaker 1>He's not lacking in the confidence department, which is super important.

0:47:48.560 --> 0:47:52.600
<v Speaker 1>I mean the confidence that likely said to pick up

0:47:52.960 --> 0:47:56.879
<v Speaker 1>a Riley and to throw her around, you know, like that.

0:47:57.960 --> 0:48:01.959
<v Speaker 2>To quote you know, the more ballast of this season next,

0:48:02.000 --> 0:48:03.799
<v Speaker 2>bro is you know you're gonna be standing next to

0:48:03.840 --> 0:48:06.600
<v Speaker 2>some killers out there the next to Valve.

0:48:07.840 --> 0:48:10.160
<v Speaker 1>Gotta have confidence, that's for sure.

0:48:10.400 --> 0:48:12.480
<v Speaker 2>But none of this is knocking a J. By the

0:48:12.480 --> 0:48:14.840
<v Speaker 2>way he stunds lovely.

0:48:15.000 --> 0:48:17.520
<v Speaker 1>Yes he is, and we already know we love Shirley

0:48:17.560 --> 0:48:18.480
<v Speaker 1>and Shirley loves him.

0:48:18.560 --> 0:48:22.440
<v Speaker 2>So whatever surely says.

0:48:22.400 --> 0:48:27.320
<v Speaker 1>Whatever Shirley wants, surely gets. Mark felt it lacked soul,

0:48:27.640 --> 0:48:29.200
<v Speaker 1>funk and grit.

0:48:29.840 --> 0:48:34.480
<v Speaker 2>Great. See I love that, Mark, Thanks, you know that's

0:48:34.520 --> 0:48:37.520
<v Speaker 2>what it is. So it's like, can he acquire that?

0:48:37.640 --> 0:48:42.480
<v Speaker 2>For sure? He needs to really, he needs to humble

0:48:42.560 --> 0:48:46.480
<v Speaker 2>himself and start taking lessons elsewhere and all the things.

0:48:46.840 --> 0:48:50.000
<v Speaker 2>You know, then he'd really win me over because some

0:48:50.040 --> 0:48:52.760
<v Speaker 2>of those choices are corny. I already called that out before,

0:48:53.800 --> 0:48:58.480
<v Speaker 2>right there. Sound they're clean, they're polished, they're good, they're musical,

0:48:58.640 --> 0:49:01.560
<v Speaker 2>they're everything except for cool.

0:49:02.080 --> 0:49:05.080
<v Speaker 1>Right right, And you gotta have some swag, got some swag.

0:49:05.360 --> 0:49:10.000
<v Speaker 2>It's like Selena again, I'm not trying to like prop

0:49:10.040 --> 0:49:13.319
<v Speaker 2>her up even more, but she made good choices and

0:49:13.320 --> 0:49:16.279
<v Speaker 2>and and she sells them. She's cool, Like what she

0:49:16.400 --> 0:49:19.760
<v Speaker 2>does is cool, and I like total So it's it's

0:49:19.760 --> 0:49:23.120
<v Speaker 2>it does go a long way. Maybe I'm not articulating

0:49:23.680 --> 0:49:26.960
<v Speaker 2>articulating a well, but I don't know what cool is,

0:49:27.960 --> 0:49:32.080
<v Speaker 2>you know, but there is an authenticity to cool. Yeah,

0:49:32.760 --> 0:49:36.279
<v Speaker 2>you know, Alan is also not that cool, mm hmm,

0:49:36.920 --> 0:49:39.799
<v Speaker 2>but in a different way. Yeah, you know, he's he's

0:49:41.200 --> 0:49:44.160
<v Speaker 2>he's also wonderful. I could see him be a great

0:49:44.200 --> 0:49:46.359
<v Speaker 2>professional on our show as well. But he's got a

0:49:46.400 --> 0:49:49.279
<v Speaker 2>long way to go. Is also as far as his

0:49:50.560 --> 0:49:55.439
<v Speaker 2>choreography and and you know, his choices. But anyway, let's

0:49:55.520 --> 0:49:55.919
<v Speaker 2>keep it going.

0:49:56.800 --> 0:49:59.680
<v Speaker 1>With round one done, Robert reminds us there's a whole

0:50:00.239 --> 0:50:02.440
<v Speaker 1>round to go. And the contestants will partner up with

0:50:02.480 --> 0:50:05.880
<v Speaker 1>one another one last time. So the girls pick sealed

0:50:06.000 --> 0:50:09.920
<v Speaker 1>envelopes from Robert and the results are Adele gets Aj

0:50:10.200 --> 0:50:14.600
<v Speaker 1>as her partner and Selena has Alan. And then there

0:50:14.640 --> 0:50:17.680
<v Speaker 1>are a second round of envelopes, leaving Aj and Adele

0:50:17.800 --> 0:50:20.960
<v Speaker 1>with the foxtrot and Alan with the quick step for

0:50:21.080 --> 0:50:24.680
<v Speaker 1>him and Selena. Remember this is a dance Selena had

0:50:24.680 --> 0:50:27.160
<v Speaker 1>some issues with last week, so she is happy to

0:50:27.160 --> 0:50:29.840
<v Speaker 1>get a second chance at it. It's a final attempt

0:50:29.840 --> 0:50:32.560
<v Speaker 1>to convince the judges that they deserve to be in

0:50:32.600 --> 0:50:37.439
<v Speaker 1>the finals. So we enter rehearsals once again with one

0:50:37.520 --> 0:50:42.160
<v Speaker 1>day left before their next big performance. In Studio one.

0:50:42.560 --> 0:50:46.120
<v Speaker 1>Aj gets intense right off the bat, his calling card

0:50:46.200 --> 0:50:49.480
<v Speaker 1>at this point. He's determined to travel across the floor

0:50:49.719 --> 0:50:54.440
<v Speaker 1>more than any other dancers who are attempting a quick.

0:50:54.200 --> 0:50:57.520
<v Speaker 2>Step, fighting words.

0:50:56.680 --> 0:50:59.840
<v Speaker 1>Fighting words. It's only one other couple you're against, one

0:51:00.280 --> 0:51:01.040
<v Speaker 1>couple of years.

0:51:01.320 --> 0:51:04.520
<v Speaker 2>Feeling himself. I saw that change in the episode. He

0:51:04.600 --> 0:51:07.040
<v Speaker 2>started speaking with a little more bravado.

0:51:07.719 --> 0:51:12.799
<v Speaker 1>Yeah, well, as I said, and calling himself AJ. Three times.

0:51:13.320 --> 0:51:15.280
<v Speaker 1>He talked in third person.

0:51:16.520 --> 0:51:19.200
<v Speaker 2>He's good, man, He's good, He's uh. He did a

0:51:19.200 --> 0:51:24.080
<v Speaker 2>great job with this routine. Yeah, he was passionate about it.

0:51:24.280 --> 0:51:26.040
<v Speaker 2>He's again, I mean.

0:51:27.480 --> 0:51:29.000
<v Speaker 1>He's fired up. I don't know if you know this,

0:51:29.040 --> 0:51:30.680
<v Speaker 1>but he had to postpone his wedding.

0:51:31.040 --> 0:51:34.080
<v Speaker 2>He did postpone. Did he ever get married?

0:51:35.239 --> 0:51:39.239
<v Speaker 1>I don't know, who knows. Maybe he's still postponing it.

0:51:39.640 --> 0:51:43.000
<v Speaker 1>So meanwhile, Selena and Allan are taking in all the

0:51:43.040 --> 0:51:45.960
<v Speaker 1>prior feedback they've gotten from the judges and incorporating them

0:51:46.040 --> 0:51:49.600
<v Speaker 1>into the dance. Alan is thrilled to be dancing with Selena,

0:51:49.680 --> 0:51:52.600
<v Speaker 1>but being the last commercial dancer in the competition makes

0:51:52.640 --> 0:51:56.600
<v Speaker 1>her nervous. And then back with Aj, he starts talking

0:51:56.600 --> 0:51:58.720
<v Speaker 1>in the third person. This is this is when it happened.

0:51:58.719 --> 0:52:01.160
<v Speaker 1>It's never a good sign A Jay really wants to

0:52:01.200 --> 0:52:05.120
<v Speaker 1>go to the finale. Adele knows that's what AJ wants.

0:52:06.280 --> 0:52:07.759
<v Speaker 1>But this is.

0:52:09.280 --> 0:52:10.200
<v Speaker 2>Very much about AJ.

0:52:10.960 --> 0:52:16.480
<v Speaker 1>Oh, this is all about AJ. AJ wants what AJ wants.

0:52:17.120 --> 0:52:21.239
<v Speaker 1>And listen, these two are incredibly talented, so you know,

0:52:21.480 --> 0:52:27.200
<v Speaker 1>I hopefully their intensity can translate when it matters the most.

0:52:27.560 --> 0:52:31.320
<v Speaker 2>But again, it's like he's making good choices within reason. Obviously,

0:52:31.800 --> 0:52:35.879
<v Speaker 2>you know, cool or not cool, there's still I said

0:52:35.920 --> 0:52:40.000
<v Speaker 2>it weeks ago. You know, decisiveness is really important, and

0:52:40.080 --> 0:52:45.239
<v Speaker 2>those crucial times that you have X amount of time

0:52:45.280 --> 0:52:49.880
<v Speaker 2>to complete a routine, like you could have the coolest

0:52:49.880 --> 0:52:52.920
<v Speaker 2>ideas if they never came into realization, like who cares

0:52:53.680 --> 0:52:56.680
<v Speaker 2>right where you could have some corny, all reliable ideas

0:52:56.719 --> 0:53:00.239
<v Speaker 2>and just go with it and put together a cleaner

0:53:00.320 --> 0:53:03.000
<v Speaker 2>routine and win the show.

0:53:03.560 --> 0:53:18.640
<v Speaker 1>Right back at the house that night. And here's where

0:53:18.680 --> 0:53:21.960
<v Speaker 1>I realized, we do not get a got to be

0:53:22.160 --> 0:53:27.480
<v Speaker 1>moment this week. I didn't see it. I watched twice

0:53:27.600 --> 0:53:30.239
<v Speaker 1>looking for it. In the end, I feel like my

0:53:30.320 --> 0:53:33.240
<v Speaker 1>hair is going to suffer for it. So I missed

0:53:33.239 --> 0:53:35.600
<v Speaker 1>it this week. Either way, the dancers are feeling the

0:53:35.600 --> 0:53:38.399
<v Speaker 1>stress and going over their routines knowing that tomorrow night

0:53:38.680 --> 0:53:43.280
<v Speaker 1>someone's dream is coming to an end, and we waste

0:53:43.320 --> 0:53:45.879
<v Speaker 1>no time because it is now shown night round two.

0:53:46.280 --> 0:53:49.279
<v Speaker 1>Surely wants to see good posture and proper frame, but

0:53:49.320 --> 0:53:53.120
<v Speaker 1>above all else, she wants them to have fun. And

0:53:53.200 --> 0:53:56.239
<v Speaker 1>so first up, it's Alan and Selena with a quick

0:53:56.280 --> 0:54:00.560
<v Speaker 1>step to Valerie by Amy Winehouse. Now, val let's hear

0:54:00.640 --> 0:54:05.480
<v Speaker 1>your thoughts on this semi finals dance for Alan and Selena.

0:54:07.200 --> 0:54:09.080
<v Speaker 2>I thought it was uh.

0:54:12.160 --> 0:54:17.160
<v Speaker 1>A minus a minus. Oh, okay, that's better than I

0:54:17.200 --> 0:54:21.799
<v Speaker 1>thought I was. To be honest, I feel again like

0:54:21.840 --> 0:54:25.239
<v Speaker 1>it was pretty forgettab it was lackluster. It was it

0:54:25.280 --> 0:54:28.719
<v Speaker 1>was lackadaisical. I didn't love it. I didn't. I didn't.

0:54:28.719 --> 0:54:31.600
<v Speaker 1>I don't want to see it again. No, don't don't

0:54:31.640 --> 0:54:32.920
<v Speaker 1>really remember much from it.

0:54:33.719 --> 0:54:38.239
<v Speaker 2>No, then and this is this was Yeah, this was

0:54:38.320 --> 0:54:40.000
<v Speaker 2>what sent Alan home.

0:54:40.760 --> 0:54:43.920
<v Speaker 1>Yeah, yeah, it was this dance for sure.

0:54:47.400 --> 0:54:50.520
<v Speaker 2>Yeah. Again, it should have had a little a little

0:54:50.520 --> 0:54:56.120
<v Speaker 2>bit more entertainment. I don't really care about the quick step. Yeah,

0:54:56.480 --> 0:54:59.279
<v Speaker 2>just do a couple of runs around and then do

0:54:59.360 --> 0:55:01.600
<v Speaker 2>the show thing, and then do a couple more runs

0:55:01.640 --> 0:55:02.640
<v Speaker 2>and then do the show thing.

0:55:03.840 --> 0:55:04.200
<v Speaker 1>Yeah.

0:55:04.400 --> 0:55:09.279
<v Speaker 2>But yeah, I think again, I think he ran out

0:55:09.280 --> 0:55:13.719
<v Speaker 2>of steps. That's where he needs to improve, which he can.

0:55:13.880 --> 0:55:16.760
<v Speaker 2>I mean again, that's that's not easy, but it's doable.

0:55:16.880 --> 0:55:22.200
<v Speaker 2>Like go back it take just invest in learning new

0:55:23.160 --> 0:55:27.960
<v Speaker 2>wow moment vocabulary, and then you'll have it. You know,

0:55:28.120 --> 0:55:32.280
<v Speaker 2>once you could tap into some of those moments. Everything else.

0:55:32.320 --> 0:55:35.399
<v Speaker 2>He knows how to link. He knows it's pretty good.

0:55:35.400 --> 0:55:37.680
<v Speaker 2>You know, his quality of dances is up there. He

0:55:38.040 --> 0:55:39.960
<v Speaker 2>knows all of this stuff. He just ran out of

0:55:40.640 --> 0:55:45.120
<v Speaker 2>cool steps and ended up just running around without any

0:55:45.200 --> 0:55:48.480
<v Speaker 2>real purpose or intention. You know, there were moments that

0:55:48.640 --> 0:55:53.360
<v Speaker 2>just at that point, it's like every move has to

0:55:53.440 --> 0:55:56.799
<v Speaker 2>have some sort of value to it, right, you know. Right,

0:55:59.239 --> 0:56:03.080
<v Speaker 2>It's like, I know, it's not good when they do

0:56:03.160 --> 0:56:06.760
<v Speaker 2>the cutaways, and the cutaways are more than one second

0:56:06.960 --> 0:56:11.440
<v Speaker 2>and quite frequent, like right, So then so we could

0:56:11.440 --> 0:56:15.200
<v Speaker 2>look away from the routine m hm, you know, And

0:56:15.239 --> 0:56:17.160
<v Speaker 2>it had quite a few of those, So no, I

0:56:17.239 --> 0:56:20.680
<v Speaker 2>just didn't think it had any sort of impact.

0:56:22.120 --> 0:56:26.400
<v Speaker 1>Surely compliments their personalities and ability to shine on stage.

0:56:26.960 --> 0:56:30.080
<v Speaker 1>Kim admires their musicality. She can tell they'd make for

0:56:30.200 --> 0:56:33.239
<v Speaker 1>very fun partners if she was a celebrity on the show,

0:56:33.520 --> 0:56:36.680
<v Speaker 1>and Mark says they nailed everything needed in the quick

0:56:36.719 --> 0:56:39.680
<v Speaker 1>step and could genuinely see either one of them on

0:56:39.800 --> 0:56:41.240
<v Speaker 1>Dancing with the Stars tomorrow.

0:56:41.360 --> 0:56:45.960
<v Speaker 2>I think the other thing that was unfortunate for Alan

0:56:46.120 --> 0:56:47.960
<v Speaker 2>is that we saw him do the jive and then

0:56:48.000 --> 0:56:49.719
<v Speaker 2>we saw him do the quick step, and we just

0:56:49.719 --> 0:56:53.120
<v Speaker 2>saw him be the Lavador retriever and like he would

0:56:53.160 --> 0:56:58.480
<v Speaker 2>have had a few more things, he had worse steps

0:56:58.560 --> 0:57:00.719
<v Speaker 2>left in other styles, I think.

0:57:00.719 --> 0:57:07.640
<v Speaker 1>Correct, Yeah, we got to see a lot of jumping around. Yeah. Well,

0:57:07.680 --> 0:57:11.440
<v Speaker 1>now with tonight's final dance, it's Adele and Aj performing

0:57:11.600 --> 0:57:15.000
<v Speaker 1>the foxtrot to Too Sweet by Hosier. What did you

0:57:15.080 --> 0:57:25.640
<v Speaker 1>think of this routine? Oh yeah, so yeah, comfortable all

0:57:25.680 --> 0:57:31.200
<v Speaker 1>a mode with some ice cream on top. Yes, really great.

0:57:31.240 --> 0:57:33.200
<v Speaker 1>I mean Mark says that no matter how much the

0:57:33.240 --> 0:57:35.760
<v Speaker 1>show evolves, one thing that will never go out of

0:57:35.800 --> 0:57:39.040
<v Speaker 1>style on Dancing with the Stars is true classic ballroom.

0:57:39.160 --> 0:57:44.360
<v Speaker 2>Yeah, it was like the movement was great, but it

0:57:44.440 --> 0:57:48.960
<v Speaker 2>was it was him loving it and her loving it.

0:57:49.120 --> 0:57:52.600
<v Speaker 2>You know, he loved it so much and that gravitated

0:57:52.640 --> 0:57:55.320
<v Speaker 2>like this was the most charming I've seen him. Look, yeah,

0:57:55.440 --> 0:57:59.400
<v Speaker 2>I really just this is the coolest I've ever seen him. Look,

0:58:00.240 --> 0:58:05.320
<v Speaker 2>because that's where he's cool, you know, in the fox trots,

0:58:05.480 --> 0:58:09.120
<v Speaker 2>the proper frame, the you know, that's where all of

0:58:09.120 --> 0:58:12.520
<v Speaker 2>that essence is cool, and he's trying to be other

0:58:12.600 --> 0:58:17.040
<v Speaker 2>things then it's inauthentic. This is very authentic and his

0:58:17.240 --> 0:58:20.640
<v Speaker 2>enthusiasm for the way he spoke about it. And you know,

0:58:20.760 --> 0:58:25.120
<v Speaker 2>his father is an ex champion I think, mostly in

0:58:25.280 --> 0:58:28.680
<v Speaker 2>ballroom dance, so this is like, yeah, it is what

0:58:28.760 --> 0:58:30.400
<v Speaker 2>he does. And he does take a lot of pride

0:58:30.400 --> 0:58:32.200
<v Speaker 2>in that, and I felt that, but I felt it

0:58:32.440 --> 0:58:34.919
<v Speaker 2>less from an ego standpoint and more from a real

0:58:35.000 --> 0:58:39.800
<v Speaker 2>passion standpoint in this particular dance more than the other

0:58:39.840 --> 0:58:45.400
<v Speaker 2>ones where I felt like he was just competing and

0:58:45.520 --> 0:58:48.920
<v Speaker 2>being you know, power tripping. He just knows what he knows,

0:58:48.920 --> 0:58:51.160
<v Speaker 2>and he knows these moves work, and so let's just

0:58:51.200 --> 0:58:56.160
<v Speaker 2>do these moves here. He really knew, you know, knew

0:58:56.160 --> 0:58:58.800
<v Speaker 2>that these moves work. But also it was just like

0:58:58.920 --> 0:59:02.600
<v Speaker 2>really passionate about doing them. Yeah, excited to do them.

0:59:03.160 --> 0:59:05.880
<v Speaker 2>And I felt that and that was really fun. And

0:59:05.960 --> 0:59:10.320
<v Speaker 2>she's excellent and he led her really well and she

0:59:10.400 --> 0:59:14.720
<v Speaker 2>added to the performance. So it was great, Yeah, really

0:59:14.720 --> 0:59:16.800
<v Speaker 2>really good. But but again it was it was the

0:59:16.800 --> 0:59:18.040
<v Speaker 2>best I've seen him look to.

0:59:19.040 --> 0:59:22.680
<v Speaker 1>Yep, I think the word instead of cool, which is

0:59:22.680 --> 0:59:25.200
<v Speaker 1>so hard to define, there's a little bit of there's

0:59:25.440 --> 0:59:27.920
<v Speaker 1>you need edge, you need a little bit of edge,

0:59:28.280 --> 0:59:37.280
<v Speaker 1>and there's he's he's edgeless, he's able exactly Well. Kim

0:59:37.440 --> 0:59:42.000
<v Speaker 1>was blown away, calling it perfection and complementing Adele's sexiness.

0:59:42.480 --> 0:59:45.960
<v Speaker 1>Shirley calls Aj a star, but hopes he appreciated the

0:59:46.000 --> 0:59:49.160
<v Speaker 1>lovely lady on his arm. She calls them the new

0:59:49.400 --> 0:59:53.880
<v Speaker 1>generation of Dancing with the Stars, and I mean, and that's.

0:59:53.720 --> 0:59:59.160
<v Speaker 2>Saying AJ really, how old is he? Like?

1:00:00.280 --> 1:00:03.960
<v Speaker 1>Oh really? Oh that's funny. These four really felt like

1:00:04.040 --> 1:00:08.280
<v Speaker 1>a good final four. I mean it felt great. It's

1:00:08.320 --> 1:00:12.000
<v Speaker 1>not an easy decision, and you know, I'm looking at

1:00:12.120 --> 1:00:14.000
<v Speaker 1>all four of them, like you said, for all for

1:00:14.120 --> 1:00:17.160
<v Speaker 1>different reasons. They all have strengths, they all have weaknesses.

1:00:17.600 --> 1:00:21.120
<v Speaker 1>They all could probably be pros on Dancing with the Stars,

1:00:22.680 --> 1:00:24.400
<v Speaker 1>and yet they would still all have things they need

1:00:24.440 --> 1:00:24.800
<v Speaker 1>to work on.

1:00:25.560 --> 1:00:30.680
<v Speaker 2>So you know, listen, I just I took a lesson

1:00:31.120 --> 1:00:35.920
<v Speaker 2>this afternoon. Wow, from somebody that's better than me and

1:00:36.000 --> 1:00:39.000
<v Speaker 2>more qualified than me. You know, I think we always

1:00:39.000 --> 1:00:41.320
<v Speaker 2>have something to learn. And if we're not learning, then

1:00:41.760 --> 1:00:44.320
<v Speaker 2>what are we doing? You know? You anxious? If I'm

1:00:44.520 --> 1:00:45.360
<v Speaker 2>learning something new?

1:00:47.680 --> 1:00:51.600
<v Speaker 1>Well, it's time for the elimination who will make the finals?

1:00:52.040 --> 1:00:55.960
<v Speaker 1>Before the big announcement and emotional surely compliments each of

1:00:56.000 --> 1:00:58.880
<v Speaker 1>the four dancers on their strengths and then has the

1:00:58.920 --> 1:01:03.840
<v Speaker 1>difficult job of feeling that Tonight, after deliberation, the very

1:01:03.880 --> 1:01:09.520
<v Speaker 1>tough decision was made to send home Alan. I will

1:01:09.600 --> 1:01:14.680
<v Speaker 1>say I thought they made the right decision looking at

1:01:15.120 --> 1:01:19.600
<v Speaker 1>It was a difficult choice for sure, but looking at

1:01:19.760 --> 1:01:23.640
<v Speaker 1>the two different performances we got from all of them tonight,

1:01:24.480 --> 1:01:28.520
<v Speaker 1>Alan is just you know, and some of that's also luck,

1:01:28.640 --> 1:01:30.480
<v Speaker 1>Like you said, the fact that he had a jive

1:01:30.640 --> 1:01:34.200
<v Speaker 1>and a quick step, both of those were randomly chosen,

1:01:34.520 --> 1:01:35.240
<v Speaker 1>Like maybe if.

1:01:35.160 --> 1:01:40.560
<v Speaker 2>We step, if there was like apastable, Yeah, he can

1:01:41.200 --> 1:01:43.360
<v Speaker 2>throw her around, he could thrash her on the ground,

1:01:44.880 --> 1:01:48.120
<v Speaker 2>like all the things that you don't really do that

1:01:48.200 --> 1:01:51.400
<v Speaker 2>in the quick step. Now, he could have thought outside

1:01:51.440 --> 1:01:54.480
<v Speaker 2>the box and been like, Hey, we're gonna do like

1:01:54.520 --> 1:01:57.880
<v Speaker 2>a scissor kick leap down to the ground that I'm

1:01:57.880 --> 1:02:00.560
<v Speaker 2>going to slide in. She'll do a kip while I

1:02:00.640 --> 1:02:03.840
<v Speaker 2>slide behind her because she can, yeah, and do some

1:02:03.960 --> 1:02:07.200
<v Speaker 2>maybe some other acrobatic thing like you should have workshopped

1:02:07.200 --> 1:02:12.200
<v Speaker 2>a few more, a few more moments that potentially aren't

1:02:13.040 --> 1:02:19.800
<v Speaker 2>quick step essentials but can enhance a performance to be

1:02:19.840 --> 1:02:25.680
<v Speaker 2>in the dance, right, It was the right choice.

1:02:26.000 --> 1:02:27.880
<v Speaker 1>It was the right choice. As sad as we are

1:02:27.920 --> 1:02:31.080
<v Speaker 1>to see Alan go, he's such a such a lovely guy.

1:02:31.160 --> 1:02:33.400
<v Speaker 2>He is a lovely guy. And I will second that

1:02:33.560 --> 1:02:36.320
<v Speaker 2>he actually is a lovely guy in real life.

1:02:36.920 --> 1:02:39.160
<v Speaker 1>Yeah, and you've already said, which is such a compliment

1:02:39.200 --> 1:02:43.160
<v Speaker 1>that if you were looking for dancers right now, Alan

1:02:43.200 --> 1:02:44.800
<v Speaker 1>would be at the top of your list, you would

1:02:44.920 --> 1:02:48.160
<v Speaker 1>you would cast him today. I didn't say the very

1:02:48.200 --> 1:02:50.800
<v Speaker 1>top he would be, he rise to the top?

1:02:50.960 --> 1:02:55.320
<v Speaker 2>Would hear the top? Okay, he's reliable, he's amazing in

1:02:55.360 --> 1:02:58.720
<v Speaker 2>the room, he's a great team player, he's just yeah,

1:02:58.920 --> 1:02:59.840
<v Speaker 2>and he's qualified.

1:03:00.360 --> 1:03:03.880
<v Speaker 1>Yeah. Yeah. Well, Alan admits that he is devastated, but

1:03:03.960 --> 1:03:07.240
<v Speaker 1>he's also very proud of the way he performed and

1:03:07.280 --> 1:03:10.680
<v Speaker 1>he should be. He hopes his mom would be proud,

1:03:10.920 --> 1:03:15.000
<v Speaker 1>and as viewers, we all know that she would be.

1:03:15.840 --> 1:03:19.120
<v Speaker 1>And Robert has one last chat about Alan's passion and

1:03:19.120 --> 1:03:21.640
<v Speaker 1>the inspiring story he brought to the show, and then

1:03:21.720 --> 1:03:25.000
<v Speaker 1>he gives us a goodbye while everyone cries and hugs

1:03:25.000 --> 1:03:30.200
<v Speaker 1>behind him. And next up, one more episode val it's

1:03:30.400 --> 1:03:36.080
<v Speaker 1>the finale. We have adele Aj and Selena dueling for

1:03:36.160 --> 1:03:39.960
<v Speaker 1>the final spot, and we find out the last episode

1:03:40.040 --> 1:03:42.720
<v Speaker 1>is going to have a live studio audience and more

1:03:43.120 --> 1:03:47.520
<v Speaker 1>celebrity partners as they will be joined by Neve Schulman,

1:03:47.680 --> 1:03:54.240
<v Speaker 1>Adam Raupon and Charlie Demilio. That's exciting, well.

1:03:53.960 --> 1:03:57.120
<v Speaker 2>Both of those guys were Jena's partners.

1:03:57.480 --> 1:04:04.000
<v Speaker 1>Oh right, that's right, and mm hmmm.

1:04:04.440 --> 1:04:08.120
<v Speaker 2>Some will say with me, yeah that's right.

1:04:08.240 --> 1:04:12.320
<v Speaker 1>Who did win the season she was on with Neveh?

1:04:12.480 --> 1:04:12.640
<v Speaker 2>Right?

1:04:15.120 --> 1:04:18.640
<v Speaker 1>Yeah? Yeah, Well, val our journey is coming to a

1:04:18.720 --> 1:04:22.560
<v Speaker 1>close after only one more episode and then you know,

1:04:22.880 --> 1:04:26.520
<v Speaker 1>I'm gonna I'm gonna miss you, but we'll be back.

1:04:26.600 --> 1:04:29.120
<v Speaker 1>We'll have more stepping on toes. Oh, I know we're

1:04:29.160 --> 1:04:33.640
<v Speaker 1>gonna We're gonna keep stepping on to What do you want, like, subscribe?

1:04:33.960 --> 1:04:37.800
<v Speaker 1>Tell us what you want? Look at you professional podcaster

1:04:39.800 --> 1:04:42.640
<v Speaker 1>can send your emails to vow At.

1:04:43.280 --> 1:04:44.080
<v Speaker 2>This was so fun.

1:04:44.640 --> 1:04:46.600
<v Speaker 1>This was so great. And next week we've got a

1:04:46.720 --> 1:04:47.720
<v Speaker 1>we've got a huge finale.

1:04:49.280 --> 1:04:52.560
<v Speaker 2>I know, it's been so great just talking. So somebody

1:04:52.560 --> 1:04:56.120
<v Speaker 2>in the comments was like, I love the show, but man,

1:04:56.280 --> 1:05:00.640
<v Speaker 2>vow really spoke a lot the show, really let us

1:05:00.680 --> 1:05:04.560
<v Speaker 2>know about his private private life. He knows this is

1:05:04.600 --> 1:05:07.360
<v Speaker 2>about the damn show. Right, I'm wait till.

1:05:07.880 --> 1:05:10.320
<v Speaker 1>What episode was that? I'm dying. I need to go

1:05:10.360 --> 1:05:11.080
<v Speaker 1>find that comment.

1:05:11.280 --> 1:05:14.000
<v Speaker 2>Yeah, I think of the last one. I want an

1:05:14.040 --> 1:05:16.720
<v Speaker 2>old tangent abo, I don't know.

1:05:17.880 --> 1:05:22.720
<v Speaker 1>Listen the husual I love your tangents. Listen, go watch

1:05:22.720 --> 1:05:25.240
<v Speaker 1>a movie with your son and your beautiful wife, and

1:05:25.280 --> 1:05:27.800
<v Speaker 1>tell tell Jenna to call me right now and tell

1:05:27.840 --> 1:05:32.280
<v Speaker 1>me we've got to talk. Okay, Thank bye, Thank you

1:05:32.360 --> 1:06:03.240
<v Speaker 1>all for listening.