1 00:00:00,240 --> 00:00:05,520 Speaker 1: It's nine O G one with Jenny Garth and Tory Spelling. 2 00:00:09,640 --> 00:00:16,160 Speaker 2: Omg, we are back for another episode. 3 00:00:14,800 --> 00:00:20,080 Speaker 1: I hi, wow. Last week we were on such a high. 4 00:00:20,400 --> 00:00:22,000 Speaker 3: It was so hot. 5 00:00:22,400 --> 00:00:24,880 Speaker 4: It was week not so much. 6 00:00:25,960 --> 00:00:31,720 Speaker 1: Oh really what I don't know? I was left to have? 7 00:00:33,520 --> 00:00:36,159 Speaker 4: Oh my gosh, I was I. 8 00:00:36,120 --> 00:00:39,720 Speaker 1: Wanted to see the continuation of the fire. I wanted 9 00:00:39,760 --> 00:00:43,000 Speaker 1: to see them like we're breaking in, wheeling Kelly out 10 00:00:43,360 --> 00:00:45,319 Speaker 1: and whaling Alison out, you know, like. 11 00:00:45,720 --> 00:00:47,000 Speaker 4: That would have been too expensive. 12 00:00:47,560 --> 00:00:51,400 Speaker 1: I felt like they on the on the fire episode, 13 00:00:51,440 --> 00:00:55,680 Speaker 1: so this episode was like cheap, cheap. 14 00:00:57,400 --> 00:00:59,640 Speaker 4: I got a huge shout out, though. 15 00:01:00,800 --> 00:01:02,920 Speaker 3: It really did. That's a good call, Jenny. I actually 16 00:01:02,920 --> 00:01:04,760 Speaker 3: think you're kind of right. I would have liked that, 17 00:01:05,160 --> 00:01:08,160 Speaker 3: the excitement of that, the action, and they could have 18 00:01:08,280 --> 00:01:11,120 Speaker 3: just filmed it when you were shooting the other one, 19 00:01:11,360 --> 00:01:11,720 Speaker 3: or just. 20 00:01:11,680 --> 00:01:15,760 Speaker 2: At least go back to you know where they were, 21 00:01:15,800 --> 00:01:16,480 Speaker 2: and then cut to. 22 00:01:18,400 --> 00:01:21,520 Speaker 4: Because what if you didn't see last week's. 23 00:01:22,080 --> 00:01:23,600 Speaker 1: Yeah, you have no idea what happened. 24 00:01:24,000 --> 00:01:25,679 Speaker 3: Nothing. I would have liked to see you in the 25 00:01:25,680 --> 00:01:27,600 Speaker 3: bathroom and then breaking. I mean, I guess it probably 26 00:01:27,600 --> 00:01:29,160 Speaker 3: wouldn't have too hard to do, but I think they 27 00:01:29,200 --> 00:01:33,120 Speaker 3: could have done it, I would actually would have been. 28 00:01:33,280 --> 00:01:36,240 Speaker 1: I mean, we should probably fill people in because we 29 00:01:36,319 --> 00:01:40,919 Speaker 1: always just do this. We're talking you guys about season five, 30 00:01:41,560 --> 00:01:46,560 Speaker 1: episode fourteen Injustice for All and it aired on December fourteenth, 31 00:01:46,640 --> 00:01:47,480 Speaker 1: nineteen ninety four. 32 00:01:48,120 --> 00:01:48,720 Speaker 4: Synopsis. 33 00:01:48,760 --> 00:01:51,960 Speaker 2: Kelly wakes up in the hospital to realize Alison is 34 00:01:52,000 --> 00:01:55,080 Speaker 2: covered in third degree burned. Steve thinks he got burned 35 00:01:55,120 --> 00:01:57,760 Speaker 2: by the justice system until Jesse tells him. 36 00:01:57,880 --> 00:01:59,400 Speaker 4: To check his privilege. 37 00:01:59,600 --> 00:02:03,720 Speaker 2: Brandon confesses he's still in love with Emily Valentine, and 38 00:02:03,920 --> 00:02:07,200 Speaker 2: Dylan returned from rehab to find a mysterious letter from 39 00:02:07,240 --> 00:02:08,400 Speaker 2: his little sister. 40 00:02:08,360 --> 00:02:13,000 Speaker 1: Erica, directed by our old pal Michael Lang and written 41 00:02:13,080 --> 00:02:15,040 Speaker 1: by Karen Rosen, another old pal. 42 00:02:19,000 --> 00:02:22,120 Speaker 3: I'm not disappointed in this. I even forgot until you 43 00:02:22,200 --> 00:02:24,400 Speaker 3: said it all that there's so much juice in this. 44 00:02:26,560 --> 00:02:30,880 Speaker 1: I was like, shatter Ron, I don't know the burn thing. 45 00:02:30,960 --> 00:02:34,079 Speaker 1: WHOA Okay, let's just start with that, because it's pretty 46 00:02:34,120 --> 00:02:38,200 Speaker 1: much the first thing that you see is well, first 47 00:02:38,280 --> 00:02:41,559 Speaker 1: you see a guilty bastard named Brandon Walsh. 48 00:02:42,240 --> 00:02:47,799 Speaker 4: Oh God, the waiting room. Yeah, he looks cute, though. 49 00:02:49,480 --> 00:02:53,400 Speaker 1: This looks cute, but it looks like a scoundrel because 50 00:02:53,520 --> 00:02:57,240 Speaker 1: you can tell he's just riddled with guilt and like 51 00:02:57,720 --> 00:02:58,800 Speaker 1: hanging his head. You know. 52 00:03:00,120 --> 00:03:01,600 Speaker 4: You see I touched his knee. 53 00:03:03,160 --> 00:03:05,400 Speaker 1: I didn't notice it was a little much. 54 00:03:07,480 --> 00:03:09,400 Speaker 4: It felt like that. 55 00:03:10,480 --> 00:03:13,120 Speaker 2: I was like, oh, I get to touch Jason Priestley. 56 00:03:13,240 --> 00:03:16,960 Speaker 2: So I'm just gonna keep caressing his knee. You were 57 00:03:17,000 --> 00:03:19,399 Speaker 2: comforting her as a comfort in very own way. 58 00:03:19,919 --> 00:03:24,080 Speaker 4: I mean, and my thigh eyes. Okay, yes, sorry. 59 00:03:23,880 --> 00:03:26,520 Speaker 1: But then we go inc Kelly and she is not. 60 00:03:27,440 --> 00:03:31,239 Speaker 1: I wanted her to be burned more. Sorry to say stop, 61 00:03:31,760 --> 00:03:33,320 Speaker 1: I wanted more burn Ye. 62 00:03:34,800 --> 00:03:35,800 Speaker 4: Your ears hanging off? 63 00:03:35,880 --> 00:03:38,400 Speaker 1: What do you mean? Yeah, the first the first time 64 00:03:38,440 --> 00:03:42,000 Speaker 1: you see her ear looks a little gnarly, a little gooey, and. 65 00:03:42,120 --> 00:03:43,920 Speaker 3: Grass in their neck. 66 00:03:44,240 --> 00:03:47,760 Speaker 1: Yeah, but nothing. No hair was burned in this whole situation, 67 00:03:47,960 --> 00:03:49,840 Speaker 1: which I was happy about. 68 00:03:51,640 --> 00:03:54,440 Speaker 4: Your face not as on me. 69 00:03:56,440 --> 00:04:00,520 Speaker 2: Wait, but uh, there's burn's other places because you have 70 00:04:00,720 --> 00:04:03,040 Speaker 2: you have the other hand wrapped up, which is okay, So. 71 00:04:03,320 --> 00:04:06,760 Speaker 4: You burned this side of your face, but your hand 72 00:04:06,880 --> 00:04:09,440 Speaker 4: burned on this side, down your neck. 73 00:04:09,840 --> 00:04:12,880 Speaker 1: There might be some body burns that that she doesn't 74 00:04:12,880 --> 00:04:13,680 Speaker 1: want to show anyway. 75 00:04:13,840 --> 00:04:17,320 Speaker 3: Brand won't let us see right, you let Brandon see it. 76 00:04:17,440 --> 00:04:18,480 Speaker 3: So we don't really know. 77 00:04:18,880 --> 00:04:21,160 Speaker 4: Wait do we find out? Wait, not to mind yet. 78 00:04:21,480 --> 00:04:24,679 Speaker 1: Did you think it was weird that Kelly's burns weren't 79 00:04:24,760 --> 00:04:27,839 Speaker 1: covered by gauze, Like she left the hospital all bare, 80 00:04:28,560 --> 00:04:32,640 Speaker 1: like no gauze on her neck, and then she's at 81 00:04:32,720 --> 00:04:35,200 Speaker 1: home with no wrapping. 82 00:04:36,800 --> 00:04:40,880 Speaker 2: I mean, I gotta say that wouldn't happen, right, And 83 00:04:41,000 --> 00:04:43,480 Speaker 2: I know this from first hand experience because I had 84 00:04:43,720 --> 00:04:48,239 Speaker 2: third degree burns and skin grafts from the Benny Hauna experience. 85 00:04:48,279 --> 00:04:50,280 Speaker 4: So this episode is super triggering. 86 00:04:50,960 --> 00:04:54,400 Speaker 2: But because I was in there for like six weeks, 87 00:04:54,440 --> 00:04:57,680 Speaker 2: like I know, like all of this wasn't really handle 88 00:04:57,720 --> 00:04:59,080 Speaker 2: of completely up to par. 89 00:05:00,080 --> 00:05:01,080 Speaker 1: That's what I thought. 90 00:05:01,839 --> 00:05:05,920 Speaker 3: Wait, you were there for six weeks, it was bad. Yeah, 91 00:05:06,520 --> 00:05:08,520 Speaker 3: I feel like Kelly would have been in a lot 92 00:05:08,640 --> 00:05:09,120 Speaker 3: more pain. 93 00:05:10,839 --> 00:05:14,760 Speaker 1: Yeah, a lot more pain, especially if she had more 94 00:05:14,839 --> 00:05:16,839 Speaker 1: body burns. Yeah. 95 00:05:17,240 --> 00:05:20,479 Speaker 4: Did you know you talked very clearly to the nurse. 96 00:05:21,360 --> 00:05:26,080 Speaker 2: Yes, you then when you told uh Brandon that you 97 00:05:26,200 --> 00:05:29,960 Speaker 2: were on medication, then he didn't sound. 98 00:05:29,960 --> 00:05:31,479 Speaker 4: So clear, right, Yeah. 99 00:05:31,520 --> 00:05:33,760 Speaker 5: Well they must have just you know, dosed her up 100 00:05:34,040 --> 00:05:38,760 Speaker 5: right before brand came in. You have that little thing 101 00:05:38,920 --> 00:05:42,799 Speaker 5: they have those that a little drip you can push. 102 00:05:43,279 --> 00:05:49,240 Speaker 1: Yeah, so she's like, but oh my gosh, omg. When 103 00:05:49,279 --> 00:06:00,400 Speaker 1: she goes in to see Alice, yea crispy Crispy Fried, like, oh, 104 00:06:01,480 --> 00:06:01,839 Speaker 1: that was. 105 00:06:01,920 --> 00:06:03,560 Speaker 4: Like some Freddy Kruegers. 106 00:06:03,720 --> 00:06:04,120 Speaker 2: That was. 107 00:06:05,279 --> 00:06:07,840 Speaker 3: It's interesting how much work she was they were in 108 00:06:07,880 --> 00:06:08,359 Speaker 3: there together. 109 00:06:08,520 --> 00:06:11,240 Speaker 4: Okay, that's my question. I mean, I know it's the lead. 110 00:06:11,400 --> 00:06:12,560 Speaker 4: They're not going to burn her. 111 00:06:14,240 --> 00:06:18,520 Speaker 2: Like you more seasons, But in all fairness, can we 112 00:06:18,720 --> 00:06:20,599 Speaker 2: just imagine how it happened? 113 00:06:21,800 --> 00:06:23,839 Speaker 4: Did she take like did she like cover you up 114 00:06:23,880 --> 00:06:25,640 Speaker 4: and just run through the flames? What happened? 115 00:06:26,000 --> 00:06:27,719 Speaker 3: Or could they only take one out at a time? 116 00:06:27,960 --> 00:06:29,360 Speaker 3: And and Kelly went, are we going. 117 00:06:29,320 --> 00:06:30,280 Speaker 4: To find this out? Amy? 118 00:06:30,600 --> 00:06:32,760 Speaker 1: I'm still not clear why they didn't just go out 119 00:06:32,800 --> 00:06:34,960 Speaker 1: the window, because it's been brought to my attention. 120 00:06:36,880 --> 00:06:37,480 Speaker 4: We talked about this. 121 00:06:41,760 --> 00:06:46,560 Speaker 2: Is it really small? No, it's like like body sized. 122 00:06:47,320 --> 00:06:51,159 Speaker 2: You could have made your window, you guys, it was. 123 00:06:51,400 --> 00:06:53,840 Speaker 3: A window that I think somebody could have shimmied out of. 124 00:06:54,320 --> 00:06:58,840 Speaker 1: Yeah, so we'll just pretend like that wasn't there, And 125 00:06:59,839 --> 00:07:02,320 Speaker 1: I I don't know, she must have she must have 126 00:07:02,920 --> 00:07:06,880 Speaker 1: done something heroic to save Kelly from burning the way 127 00:07:06,960 --> 00:07:07,280 Speaker 1: she did. 128 00:07:07,360 --> 00:07:08,960 Speaker 2: That's going to go with, Hey, we're going to talk 129 00:07:09,000 --> 00:07:11,520 Speaker 2: about karma and be like, well, she said God saved her, 130 00:07:11,600 --> 00:07:14,240 Speaker 2: So maybe Allison had some karma she was dealing with 131 00:07:14,360 --> 00:07:16,920 Speaker 2: and Kelly is an angel, so she got out, Yeah, 132 00:07:17,040 --> 00:07:18,760 Speaker 2: a positive attitude. 133 00:07:19,200 --> 00:07:21,200 Speaker 1: I know, geez, she's all happy. 134 00:07:21,720 --> 00:07:23,120 Speaker 3: She's way better than Kelly. 135 00:07:23,280 --> 00:07:26,400 Speaker 2: Kelly is, like, because her drugs must be even better 136 00:07:27,080 --> 00:07:29,720 Speaker 2: than what Kelly got. That's why she's so happy right now. 137 00:07:30,040 --> 00:07:31,760 Speaker 1: Yeah, I just was like, I don't think they don't 138 00:07:31,760 --> 00:07:32,920 Speaker 1: seem like they're in enough pain. 139 00:07:33,840 --> 00:07:36,360 Speaker 3: No, they'd be so ill, like that would be So 140 00:07:36,760 --> 00:07:39,000 Speaker 3: I've like burned my finger a tiny tiny bit and 141 00:07:39,080 --> 00:07:40,320 Speaker 3: I can't function and. 142 00:07:40,480 --> 00:07:43,640 Speaker 2: Be lain sick. It's worse than childbirth. It's worse than anything. 143 00:07:45,040 --> 00:07:47,800 Speaker 4: It's I don't think I've ever tried to think. 144 00:07:48,080 --> 00:07:50,720 Speaker 1: I mean, I've had a gajillion like burns from cooking 145 00:07:50,840 --> 00:07:54,680 Speaker 1: and baking, but not ever anything like you've had. 146 00:07:55,360 --> 00:07:58,560 Speaker 2: You never know, t you know, and then you feel 147 00:07:58,680 --> 00:08:01,760 Speaker 2: like and Donna's like I got a first degree burned 148 00:08:01,800 --> 00:08:07,440 Speaker 2: with an iron ones like, so what it was like foreshadowing? Yeah, 149 00:08:08,400 --> 00:08:12,360 Speaker 2: the skin graphs poor Alison skin graphs. So in order 150 00:08:12,440 --> 00:08:14,120 Speaker 2: to do a skin graph, they have to take it 151 00:08:14,200 --> 00:08:16,840 Speaker 2: from another part of your body. But she's covered head 152 00:08:16,840 --> 00:08:18,440 Speaker 2: to toe, so I'm not sure where they're taking it 153 00:08:18,480 --> 00:08:20,160 Speaker 2: from unless they do like a cadaver skin. 154 00:08:20,920 --> 00:08:24,920 Speaker 3: I did like how you're doing? How you really doing? 155 00:08:26,960 --> 00:08:29,400 Speaker 3: I was, I was like, yeah, how you really doing? 156 00:08:29,480 --> 00:08:30,480 Speaker 3: And I like her girlfriend? 157 00:08:30,560 --> 00:08:33,840 Speaker 1: Her girlfriend is I know, I want to hang out 158 00:08:33,880 --> 00:08:34,160 Speaker 1: with him. 159 00:08:34,559 --> 00:08:37,000 Speaker 4: I know, but I think it's going to happen. 160 00:08:37,280 --> 00:08:39,839 Speaker 1: Do you think she gets is she and more? Does 161 00:08:39,920 --> 00:08:43,160 Speaker 1: Alison get out of the hospital and too wady? 162 00:08:43,480 --> 00:08:44,400 Speaker 2: R m h. 163 00:08:46,679 --> 00:08:47,439 Speaker 4: Yeah, Well that's good. 164 00:08:47,480 --> 00:08:49,280 Speaker 1: I'm glad she gets out of the hospital. I mean 165 00:08:49,400 --> 00:08:52,080 Speaker 1: they're gonna have to really well you'll see this track her, 166 00:08:52,640 --> 00:08:53,959 Speaker 1: You'll have to see you're scarring. 167 00:08:55,640 --> 00:08:56,080 Speaker 4: Mmm. 168 00:08:56,760 --> 00:09:00,719 Speaker 3: So how do you feel about Kelly and Brandon and 169 00:09:00,880 --> 00:09:03,040 Speaker 3: sort of their interactions. 170 00:09:02,360 --> 00:09:07,480 Speaker 1: In this Well, I felt like Brandon, well, of course, 171 00:09:07,800 --> 00:09:09,880 Speaker 1: being young and male, he didn't know what to do, 172 00:09:10,679 --> 00:09:13,439 Speaker 1: how to handle the situation, probably, but he wasn't that 173 00:09:14,960 --> 00:09:17,640 Speaker 1: kind or I felt like he was a little rude, 174 00:09:18,040 --> 00:09:18,840 Speaker 1: like kind of. 175 00:09:18,880 --> 00:09:22,360 Speaker 3: A d you know what he he's ad I you 176 00:09:22,480 --> 00:09:23,720 Speaker 3: know what the whole episode? 177 00:09:24,160 --> 00:09:27,400 Speaker 1: Yeah, And is it his guilt? This may him be 178 00:09:27,520 --> 00:09:28,959 Speaker 1: it be that way? 179 00:09:29,360 --> 00:09:32,000 Speaker 3: Or is he does he not? I don't know. He's 180 00:09:32,040 --> 00:09:34,600 Speaker 3: a cheater. Cheater pumpkin eater like he's so bad. 181 00:09:34,920 --> 00:09:39,120 Speaker 4: He's torn, but I mean but torn. 182 00:09:39,000 --> 00:09:42,840 Speaker 3: And cheater cheater pumpkin eater. Like he's not porn He's 183 00:09:43,559 --> 00:09:44,600 Speaker 3: kiss was a kiss. 184 00:09:44,760 --> 00:09:49,160 Speaker 1: He's acting on it, yeah, while his girlfriend's you know, 185 00:09:49,480 --> 00:09:52,400 Speaker 1: in pain and it's not a good look. Brandon. 186 00:09:52,520 --> 00:09:56,320 Speaker 3: It's so bad. He's cheating on her, which is bad enough, 187 00:09:56,800 --> 00:10:02,480 Speaker 3: while she's literally like severely injured. 188 00:10:02,640 --> 00:10:07,280 Speaker 1: And what is he doing back at Emily Valentine's hotel. 189 00:10:08,520 --> 00:10:11,199 Speaker 4: He's torn. 190 00:10:11,640 --> 00:10:14,640 Speaker 1: Now, that's not torn, that's making a decision. He took 191 00:10:14,800 --> 00:10:17,199 Speaker 1: action and drove his ass all the way to Emily 192 00:10:17,280 --> 00:10:18,880 Speaker 1: Valentine's hotel to what. 193 00:10:21,720 --> 00:10:22,960 Speaker 3: Cheater cheater pumpkin eater. 194 00:10:23,200 --> 00:10:26,000 Speaker 4: Yeah, one more time, say it one more time. 195 00:10:28,240 --> 00:10:28,800 Speaker 1: Altogether. 196 00:10:28,880 --> 00:10:34,400 Speaker 3: Now he's a little like I wrote jerk because I 197 00:10:34,440 --> 00:10:37,240 Speaker 3: didn't want to write I wrote jerk because I was like, 198 00:10:37,640 --> 00:10:39,840 Speaker 3: I don't want to write the I see on my paper. 199 00:10:40,120 --> 00:10:42,040 Speaker 4: But I was like, what Dick I. 200 00:10:42,160 --> 00:10:46,880 Speaker 1: Said, I wrote, Brandon isn't being very nice. That's what I. 201 00:10:48,679 --> 00:10:49,079 Speaker 4: Guys. 202 00:10:50,800 --> 00:10:53,920 Speaker 1: I just was like, I can't believe that the producers 203 00:10:54,640 --> 00:10:59,840 Speaker 1: or anyone studio, whoever, network would let this their main character. 204 00:11:00,080 --> 00:11:04,839 Speaker 1: Brandon Walsh do this. 205 00:11:05,600 --> 00:11:07,480 Speaker 3: That's interesting because they didn't. 206 00:11:07,679 --> 00:11:11,000 Speaker 1: They were always so careful with, you know, the integrity 207 00:11:11,080 --> 00:11:14,880 Speaker 1: of all these characters, so that they made small mistakes, 208 00:11:14,960 --> 00:11:18,079 Speaker 1: not huge mistakes, and they learned a lesson from them. 209 00:11:18,240 --> 00:11:21,079 Speaker 4: And I'm not sure that. 210 00:11:23,160 --> 00:11:26,079 Speaker 3: I'm not sure I would call Dylan a small mistake. 211 00:11:26,160 --> 00:11:27,800 Speaker 3: He's like a heroin Addict. 212 00:11:29,960 --> 00:11:33,760 Speaker 2: All the cliff right important that the that the leads 213 00:11:33,880 --> 00:11:37,680 Speaker 2: that the main characters have tragic flaws, like they're not perfect, 214 00:11:37,760 --> 00:11:40,839 Speaker 2: they're real, and this is real, these things happen. 215 00:11:41,480 --> 00:11:43,880 Speaker 1: I just for me, it was the Brandon. I didn't 216 00:11:44,200 --> 00:11:46,800 Speaker 1: it's Brandon. He doesn't do things like that. 217 00:11:47,200 --> 00:11:50,959 Speaker 3: That's right. He's acting out of character, I know. 218 00:11:51,120 --> 00:11:55,040 Speaker 2: And I was so turned on by him Odeley because 219 00:11:55,040 --> 00:11:59,600 Speaker 2: he's a bad boy. Finally, wait, is this wrong? I'm 220 00:11:59,640 --> 00:12:04,920 Speaker 2: just saying you guys, yo, that's true. You have to 221 00:12:05,080 --> 00:12:07,240 Speaker 2: like have a comeback like he can't. 222 00:12:09,800 --> 00:12:12,079 Speaker 3: Can we analyze this for a second, Oka, Yeah, So 223 00:12:12,280 --> 00:12:15,840 Speaker 3: let's think about last Thanksgiving when he went to San Francisco. 224 00:12:16,720 --> 00:12:20,760 Speaker 3: They actually really were in love. So there is one 225 00:12:20,840 --> 00:12:22,679 Speaker 3: aspect of this that sort of tracks for me, Like 226 00:12:22,840 --> 00:12:27,280 Speaker 3: had he just been like no, I'm not gonna even. 227 00:12:27,800 --> 00:12:29,240 Speaker 1: You know, talk to you. 228 00:12:29,400 --> 00:12:31,080 Speaker 3: Then I would have been like, well, maybe he didn't 229 00:12:31,080 --> 00:12:34,440 Speaker 3: actually love her. The fact that he sort of she's 230 00:12:34,559 --> 00:12:38,640 Speaker 3: reappeared and he is feeling all these feels is a 231 00:12:38,720 --> 00:12:43,680 Speaker 3: little bit okay, okay, but it's just so cheater, Like. 232 00:12:44,720 --> 00:12:51,720 Speaker 1: Dude, I just I think it. Oh God, I'm gonna 233 00:12:51,760 --> 00:12:56,679 Speaker 1: have to quote Emily Valentine. I think unfortunately, because I 234 00:12:56,760 --> 00:12:59,600 Speaker 1: didn't understand this line when she said it, something about 235 00:12:59,800 --> 00:13:01,440 Speaker 1: it all about timing or something. 236 00:13:02,240 --> 00:13:04,240 Speaker 3: Oh yeah, that was a lot of that. 237 00:13:04,920 --> 00:13:08,160 Speaker 1: Just remember try and remember one very important thing. Timing 238 00:13:08,360 --> 00:13:12,400 Speaker 1: is everything, and Brandon didn't really remember that in that moment, 239 00:13:13,040 --> 00:13:15,719 Speaker 1: because that was bad timing on his part to go 240 00:13:17,440 --> 00:13:21,440 Speaker 1: be with Emily Valentine while Kelly his girlfriends. 241 00:13:22,080 --> 00:13:23,880 Speaker 3: And what do you make of her coming to see you? 242 00:13:24,520 --> 00:13:28,760 Speaker 1: What was that about? What was that after all the 243 00:13:28,840 --> 00:13:29,800 Speaker 1: heels of making out? 244 00:13:30,920 --> 00:13:34,080 Speaker 3: Yes, I don't tell him, I was here, okay, Oh 245 00:13:34,160 --> 00:13:34,960 Speaker 3: my gosh, you guys. 246 00:13:35,040 --> 00:13:38,520 Speaker 2: As a fan, I was like I wanted to see 247 00:13:38,640 --> 00:13:41,160 Speaker 2: Kelly and Emily like sorry, Like I was like, oh, 248 00:13:41,400 --> 00:13:46,080 Speaker 2: they're both right here, like you know, but she. 249 00:13:46,240 --> 00:13:49,760 Speaker 1: Came and it wasn't like it wasn't an honest conversation. 250 00:13:50,640 --> 00:13:53,480 Speaker 1: It was like why what is her motive there? 251 00:13:53,920 --> 00:13:55,520 Speaker 3: Thank you? That's what I was going to say, Jenny, 252 00:13:55,559 --> 00:13:58,480 Speaker 3: what are her intentions? Like, was she being wormy or 253 00:13:58,600 --> 00:14:00,679 Speaker 3: was she actually being like, don't be mad at him? 254 00:14:00,840 --> 00:14:02,199 Speaker 1: Or was she going to tell the truth. 255 00:14:04,600 --> 00:14:05,960 Speaker 4: I don't think she was being shady. 256 00:14:07,160 --> 00:14:08,760 Speaker 3: You think she was just coming to see how she 257 00:14:08,960 --> 00:14:11,400 Speaker 3: was and to sort of say he loves you. I'm out? 258 00:14:11,720 --> 00:14:18,120 Speaker 1: Yeah, fair No, maybe the kiss, maybe the love time 259 00:14:18,280 --> 00:14:21,680 Speaker 1: wasn't so good this time with Brandon, and so afterwards 260 00:14:21,720 --> 00:14:23,760 Speaker 1: she was like, eh, you can have him. 261 00:14:24,320 --> 00:14:26,680 Speaker 2: Or she's like it's not our right time and you 262 00:14:26,760 --> 00:14:28,440 Speaker 2: can be a soulmate, but it's not the right time 263 00:14:28,520 --> 00:14:30,240 Speaker 2: on this journey or maybe ever and. 264 00:14:30,480 --> 00:14:34,640 Speaker 4: Maybe are we too? I mean if Dylan, what would. 265 00:14:34,480 --> 00:14:38,320 Speaker 2: Happen if Dylan like would suddenly be like profess's undying 266 00:14:38,440 --> 00:14:39,320 Speaker 2: love right now like. 267 00:14:41,040 --> 00:14:41,800 Speaker 4: Kelly wouldn't. 268 00:14:43,120 --> 00:14:44,080 Speaker 3: I don't think she would. 269 00:14:44,640 --> 00:14:50,560 Speaker 1: Oh it would be hard. I see your point. Please 270 00:14:51,080 --> 00:14:56,680 Speaker 1: you love and Brandon loved Emily Valentine the way that 271 00:14:56,840 --> 00:15:02,240 Speaker 1: Kelly loved Dylan. I, however, didn't invest enough in that 272 00:15:02,440 --> 00:15:08,080 Speaker 1: relationship with Brandon and Emily to fully feel that feeling 273 00:15:08,520 --> 00:15:13,080 Speaker 1: as a viewer. As a viewer, okay, and so it, 274 00:15:13,680 --> 00:15:16,000 Speaker 1: but at the same time as a viewer, she left 275 00:15:16,080 --> 00:15:17,720 Speaker 1: and I was like, wait, where'd she go? The love 276 00:15:17,720 --> 00:15:19,200 Speaker 1: of his life? He said, he's waiting for. 277 00:15:21,040 --> 00:15:23,040 Speaker 3: You've brought it up many times over the year. 278 00:15:23,640 --> 00:15:24,040 Speaker 1: Mm hmm. 279 00:15:26,240 --> 00:15:26,520 Speaker 6: And so. 280 00:15:28,160 --> 00:15:30,040 Speaker 3: To assume they did more than kiss. 281 00:15:31,160 --> 00:15:32,600 Speaker 1: I'm gonna go with yes. 282 00:15:33,000 --> 00:15:35,040 Speaker 4: Okay, I'll go with yes. 283 00:15:36,000 --> 00:15:37,840 Speaker 3: I was sort of torn on that, but I think 284 00:15:37,960 --> 00:15:40,480 Speaker 3: now that I think, I think so youth. 285 00:15:41,320 --> 00:15:43,160 Speaker 1: We could be wrong. He could come back and then 286 00:15:43,400 --> 00:15:45,200 Speaker 1: the truth could come out and it could be, oh, 287 00:15:45,240 --> 00:15:46,960 Speaker 1: we just kissed, we made out, it wasn't. 288 00:15:47,680 --> 00:15:49,520 Speaker 4: I wudn't trust me if he just said that, right, 289 00:15:49,960 --> 00:15:51,680 Speaker 4: I don't believe at this point. 290 00:16:04,520 --> 00:16:07,520 Speaker 3: On that topic, the scene that I actually really liked 291 00:16:08,040 --> 00:16:10,760 Speaker 3: was when Brandon goes to see Dylan. So, first of all, 292 00:16:10,840 --> 00:16:15,960 Speaker 3: Kelly's on the phone with Dylan and they see each other. Yeah, 293 00:16:16,040 --> 00:16:19,920 Speaker 3: I love what he says, methinks, does me too much? 294 00:16:20,040 --> 00:16:20,440 Speaker 4: Interesting? 295 00:16:21,720 --> 00:16:26,400 Speaker 2: Because me, yeah, me think it's I mean, it's me 296 00:16:26,640 --> 00:16:31,160 Speaker 2: think me think the lead doth protest too much? 297 00:16:31,440 --> 00:16:33,640 Speaker 4: I think the lady But he took the lady out. 298 00:16:35,080 --> 00:16:40,560 Speaker 1: My note was stupid scene. Also, I said, I don't 299 00:16:40,640 --> 00:16:45,520 Speaker 1: like the way they're seated on that weird bench what who. 300 00:16:45,480 --> 00:16:46,480 Speaker 3: Was my favorite scene in the whole. 301 00:16:47,600 --> 00:16:49,840 Speaker 2: I love him so much because I could feel their 302 00:16:49,920 --> 00:16:52,640 Speaker 2: honest friendship and chemistry and it was just and. 303 00:16:52,720 --> 00:16:56,280 Speaker 3: We haven't seen them like that life and they were 304 00:16:56,360 --> 00:16:56,920 Speaker 3: so cute. 305 00:16:57,000 --> 00:16:59,440 Speaker 4: Finish the sentences like soul me. 306 00:17:00,720 --> 00:17:03,320 Speaker 3: How is M? Like? Why did he call her M? 307 00:17:03,480 --> 00:17:06,760 Speaker 3: How is M? And then they're talking me think thou 308 00:17:06,920 --> 00:17:10,960 Speaker 3: doth protest way too much? You doth? Or whatever? He 309 00:17:11,080 --> 00:17:13,119 Speaker 3: says something and then he says to you doth. I 310 00:17:13,280 --> 00:17:16,000 Speaker 3: was like, oh God, who wrote this? It's so I'm like, 311 00:17:16,880 --> 00:17:17,359 Speaker 3: what do you mean? 312 00:17:17,520 --> 00:17:20,040 Speaker 2: People say that all the time. To this day, you 313 00:17:20,119 --> 00:17:22,879 Speaker 2: never hear anyone say that, not on nine Oh you 314 00:17:22,960 --> 00:17:25,200 Speaker 2: think the lady doth protests so too much? 315 00:17:25,320 --> 00:17:27,359 Speaker 4: I hear it all the time, but you hear that 316 00:17:27,480 --> 00:17:30,760 Speaker 4: all the time. Yeah, but it was the you doth 317 00:17:31,359 --> 00:17:31,880 Speaker 4: not anymore? 318 00:17:32,000 --> 00:17:34,680 Speaker 1: But I wait, did people have said this expression to you? 319 00:17:35,080 --> 00:17:39,360 Speaker 1: Me thinks the lady doth protest too much? 320 00:17:39,720 --> 00:17:41,960 Speaker 4: My ex said it to me all the time. 321 00:17:41,840 --> 00:17:43,440 Speaker 3: About I was starting to read what you were putting 322 00:17:43,480 --> 00:17:44,120 Speaker 3: down there, Tori. 323 00:17:44,200 --> 00:17:45,399 Speaker 4: I was all the time I heard this. 324 00:17:46,040 --> 00:17:49,159 Speaker 3: That's why I know were you doth protesting? 325 00:17:49,400 --> 00:17:51,359 Speaker 4: It wasn't me, It wasn't about me. 326 00:17:51,720 --> 00:17:54,880 Speaker 2: It was whenever there was somebody like talking like, oh, 327 00:17:55,560 --> 00:17:57,920 Speaker 2: he would say that, and I was like he wasn't 328 00:17:57,960 --> 00:17:58,679 Speaker 2: wrong though. 329 00:17:58,920 --> 00:18:00,600 Speaker 4: I'd be like, oh, you're right right. 330 00:18:01,200 --> 00:18:03,720 Speaker 3: How about Kelly tells Dylan, don't tell him what we 331 00:18:03,880 --> 00:18:08,399 Speaker 3: talked about, and then he immediately tells Brandon she's talking 332 00:18:08,400 --> 00:18:09,040 Speaker 3: about Emily. 333 00:18:10,240 --> 00:18:13,440 Speaker 1: Yeah, well, he's trying to be truthful and honest in 334 00:18:13,560 --> 00:18:17,719 Speaker 1: his rehabs. So yeah, yeah, what did she I mean 335 00:18:17,800 --> 00:18:20,080 Speaker 1: she told Okay, so that's what she said, don't tell 336 00:18:20,119 --> 00:18:21,000 Speaker 1: him it was about Emily. 337 00:18:21,119 --> 00:18:23,920 Speaker 3: She says, I'm upset about Emily. Obviously. She says something 338 00:18:23,960 --> 00:18:26,240 Speaker 3: like I'm upset because he's seen Emily and I think, 339 00:18:26,560 --> 00:18:30,920 Speaker 3: you know, then he saw her again, whatever that whole 340 00:18:30,960 --> 00:18:33,360 Speaker 3: thing is. She finds out Emily didn't leave, blah blah blah. 341 00:18:33,400 --> 00:18:36,440 Speaker 3: So she's obviously opening up to Dylan, says, don't tell 342 00:18:36,520 --> 00:18:37,840 Speaker 3: him immediately. 343 00:18:39,040 --> 00:18:41,320 Speaker 1: I love it that we have completely different opinions on 344 00:18:41,400 --> 00:18:43,720 Speaker 1: that scene. I mean, I get what you're saying about 345 00:18:43,920 --> 00:18:46,120 Speaker 1: that you feel their connection, but at the same time 346 00:18:46,400 --> 00:18:49,600 Speaker 1: they've been so disconnected, yeah, for so long that I 347 00:18:49,680 --> 00:18:55,000 Speaker 1: wanted something to glue that those two worlds together and 348 00:18:55,119 --> 00:18:58,760 Speaker 1: make like a bridge. You know, there was no like 349 00:18:58,880 --> 00:19:02,960 Speaker 1: them getting back together again, but they did just sort 350 00:19:03,000 --> 00:19:08,520 Speaker 1: of fit like you know best friends do. Right, Yeah, yeah, 351 00:19:09,640 --> 00:19:12,040 Speaker 1: I think it was a quick repair. 352 00:19:12,720 --> 00:19:15,720 Speaker 3: Munly, it's just hunky dory. 353 00:19:16,720 --> 00:19:18,880 Speaker 1: I don't know. I just feel like, how does Brandon 354 00:19:19,320 --> 00:19:22,000 Speaker 1: redeem himself from the situation? And do they stay together? 355 00:19:22,480 --> 00:19:25,479 Speaker 1: Because I know that there was an almost wedding at 356 00:19:25,560 --> 00:19:28,480 Speaker 1: some point, because these are the things I remember, but 357 00:19:28,640 --> 00:19:31,800 Speaker 1: I don't remember if they stay together in the interim 358 00:19:32,240 --> 00:19:33,280 Speaker 1: or if they break it up? 359 00:19:33,840 --> 00:19:36,280 Speaker 3: Jenny? What think? 360 00:19:36,359 --> 00:19:38,280 Speaker 1: I tell her, we will let her how to find out? 361 00:19:39,080 --> 00:19:43,600 Speaker 4: I mean, she okay, but you know what, Tori, Yes, 362 00:19:44,359 --> 00:19:44,720 Speaker 4: you know. 363 00:19:44,880 --> 00:19:45,560 Speaker 3: What I'm thinking. 364 00:19:45,920 --> 00:19:48,000 Speaker 4: Yes, how is she not thinking of it? 365 00:19:48,240 --> 00:19:49,840 Speaker 1: It's like her life because. 366 00:19:49,600 --> 00:19:51,800 Speaker 4: She's watching it as a fan this time. 367 00:19:52,080 --> 00:19:54,479 Speaker 1: But yes, what do you mean it's my life? It's 368 00:19:54,520 --> 00:19:57,200 Speaker 1: not my life. There's something in it. 369 00:19:57,320 --> 00:19:58,520 Speaker 3: It's very important to you. 370 00:20:00,400 --> 00:20:04,560 Speaker 1: My god, you guys a baby close. I know. 371 00:20:04,720 --> 00:20:07,720 Speaker 6: I was like, wait, Kelly has a close your eyes, 372 00:20:07,760 --> 00:20:10,520 Speaker 6: cover your ears, Jenny, what is something that is so 373 00:20:10,800 --> 00:20:12,920 Speaker 6: important to you from nine oh two one oh that 374 00:20:13,040 --> 00:20:14,960 Speaker 6: is still so important to you today? 375 00:20:15,720 --> 00:20:15,760 Speaker 3: Me? 376 00:20:16,880 --> 00:20:18,639 Speaker 1: Yeah? What what. 377 00:20:20,240 --> 00:20:21,520 Speaker 3: Are are you guys kidding me? 378 00:20:21,600 --> 00:20:21,679 Speaker 6: Right? 379 00:20:21,720 --> 00:20:24,239 Speaker 4: Now I don't even wait. Wait, I'm so lost right 380 00:20:24,280 --> 00:20:25,240 Speaker 4: now my trailer. 381 00:20:26,640 --> 00:20:31,040 Speaker 7: Do you want me to say no, I choose me. 382 00:20:31,520 --> 00:20:37,160 Speaker 7: Oh that's coming, I choose me. I know that's coming, obviously. 383 00:20:37,640 --> 00:20:38,520 Speaker 3: I know it's coming. 384 00:20:39,119 --> 00:20:44,080 Speaker 1: That's in this season. Okay, okay, so she's oh, well, 385 00:20:44,119 --> 00:20:46,720 Speaker 1: then we know what's going to happen you guys. Spoiler alert, 386 00:20:47,359 --> 00:20:51,160 Speaker 1: Brandon and Dylan both want to get back with Kelly. 387 00:20:51,280 --> 00:20:54,960 Speaker 1: That's the first Yeah, okay, okay. 388 00:20:55,000 --> 00:20:56,480 Speaker 4: But I thought she meant something else. 389 00:20:56,720 --> 00:20:58,040 Speaker 1: I just doo, there's more. 390 00:20:58,800 --> 00:21:00,760 Speaker 4: What do you mean, there's so much. 391 00:21:00,680 --> 00:21:03,480 Speaker 3: There's ton there's so much, yes, so much, but like 392 00:21:04,440 --> 00:21:08,399 Speaker 3: at least we know, I mean, that's I just was like, 393 00:21:10,560 --> 00:21:13,199 Speaker 3: I don't know. I don't know why you don't love 394 00:21:13,240 --> 00:21:14,879 Speaker 3: the scene. I love everything about the scene. Because he 395 00:21:14,960 --> 00:21:18,160 Speaker 3: also says he's really acknowledging his healing, like I don't 396 00:21:18,240 --> 00:21:20,840 Speaker 3: want to check back in? He says, how do you 397 00:21:20,840 --> 00:21:23,080 Speaker 3: feel about checking out? I don't want to check back in? 398 00:21:23,480 --> 00:21:28,640 Speaker 1: And that was like, so mm hmmm, yes, correct, that's 399 00:21:28,680 --> 00:21:30,040 Speaker 1: where what you would be thinking. 400 00:21:31,000 --> 00:21:35,320 Speaker 3: Correct, Okay, there's so much should we talk about, Dylan Moore? 401 00:21:35,359 --> 00:21:36,719 Speaker 3: Do you want to go? Save that for the end? 402 00:21:38,080 --> 00:21:40,879 Speaker 1: But did anyone feel like it was odd that, like 403 00:21:42,080 --> 00:21:50,080 Speaker 1: Donna or David, nobody ever says anything to Kelly about 404 00:21:50,160 --> 00:21:51,399 Speaker 1: her scars about. 405 00:21:52,800 --> 00:21:55,760 Speaker 3: Right, well, Brandon acknowledges she won't. She does this a 406 00:21:55,800 --> 00:21:58,639 Speaker 3: little bit a lot hair over it and she won't 407 00:21:58,680 --> 00:22:02,960 Speaker 3: let anyone see. And Brandon does say that I just found. 408 00:22:02,800 --> 00:22:05,720 Speaker 1: It so weird that like nobody ever talked about it. 409 00:22:06,359 --> 00:22:09,639 Speaker 3: Well, and they're also irritated with each other, Like you're irritated. 410 00:22:10,080 --> 00:22:12,360 Speaker 3: Where is the sympathy for this girl? Like, thank god 411 00:22:12,400 --> 00:22:14,399 Speaker 3: she's alive and she should be. 412 00:22:15,080 --> 00:22:18,959 Speaker 1: Showered with love, and like, uh, she's very cranky too, 413 00:22:19,160 --> 00:22:21,239 Speaker 1: but he's rightfully so right. 414 00:22:21,359 --> 00:22:23,080 Speaker 3: Claire's like, you better got out of here while you 415 00:22:23,200 --> 00:22:25,080 Speaker 3: have a chance. And then she's like fighting with her 416 00:22:25,160 --> 00:22:28,520 Speaker 3: mom and it's just like Donna bailed. And Ray is 417 00:22:28,560 --> 00:22:32,640 Speaker 3: a total freak in this episode. Ray, okay, we're talking 418 00:22:32,640 --> 00:22:35,000 Speaker 3: about right now. We're jumping because I have to. He 419 00:22:35,200 --> 00:22:37,920 Speaker 3: is you know what, because that was my note. I 420 00:22:38,000 --> 00:22:42,680 Speaker 3: was like, Donna run the sky. Yeah, is bad schnooze. 421 00:22:44,240 --> 00:22:45,640 Speaker 4: He's mean on Christmas. 422 00:22:46,840 --> 00:22:48,159 Speaker 3: He's a di c. 423 00:22:48,560 --> 00:22:51,440 Speaker 1: It's not that chrismiss yet, Donna. This guy is a 424 00:22:51,560 --> 00:22:53,960 Speaker 1: day Ray Prue is mean on Christmas. 425 00:22:54,400 --> 00:22:55,159 Speaker 4: On Christmas and it. 426 00:22:55,240 --> 00:22:57,840 Speaker 3: Came out of nowhere. He's a hero. Last week. I 427 00:22:58,000 --> 00:23:00,000 Speaker 3: was so proud of him, and I wanted the character to. 428 00:23:00,160 --> 00:23:02,080 Speaker 4: Be that guy and that to build him up and 429 00:23:02,160 --> 00:23:04,680 Speaker 4: tear him down. Yeah, it's true, build him back up again. 430 00:23:05,240 --> 00:23:07,840 Speaker 3: And the uncle's like, you know, I don't know. It's 431 00:23:07,880 --> 00:23:09,680 Speaker 3: a whole hot mess over there at the tree farm 432 00:23:10,080 --> 00:23:12,960 Speaker 3: and the mom's drinking and it's just like, oh god, 433 00:23:13,040 --> 00:23:14,400 Speaker 3: I'm just seeing those stairs. 434 00:23:14,640 --> 00:23:17,560 Speaker 1: Did he say my dad pushed my mom down the stairs? 435 00:23:18,040 --> 00:23:22,440 Speaker 2: I never remembered that. And when I heard that, I 436 00:23:22,520 --> 00:23:26,760 Speaker 2: got in chills and I was like, oh my gosh. Oh, 437 00:23:27,640 --> 00:23:31,919 Speaker 2: because so often when people have so much family trauma, 438 00:23:32,080 --> 00:23:32,640 Speaker 2: they want. 439 00:23:33,400 --> 00:23:35,080 Speaker 1: To not that's what they know the past. 440 00:23:35,240 --> 00:23:37,919 Speaker 4: Well yeah, but right, like so you have to change. 441 00:23:38,320 --> 00:23:42,720 Speaker 2: But quite literally, he ends up the foreshadowing doing the 442 00:23:42,880 --> 00:23:48,600 Speaker 2: exact same thing so bad, except Donna when she goes 443 00:23:48,640 --> 00:23:50,800 Speaker 2: down the stairs doesn't have a baby because she's a virgin. 444 00:23:51,200 --> 00:23:53,720 Speaker 4: But oh my gosh, that was horrific to hear. 445 00:23:54,240 --> 00:23:58,040 Speaker 1: I just wanted Donna to take her cute little tummy 446 00:23:58,760 --> 00:24:02,119 Speaker 1: right on out of there, uh and march out and 447 00:24:02,240 --> 00:24:04,920 Speaker 1: not come back because you you did grab your coat 448 00:24:04,960 --> 00:24:07,119 Speaker 1: and leave once. But then you came back and you 449 00:24:07,320 --> 00:24:07,840 Speaker 1: know better. 450 00:24:08,280 --> 00:24:09,240 Speaker 3: This guy sucks. 451 00:24:09,920 --> 00:24:12,840 Speaker 4: Whoa, whoa. You guys am feeling really attacked right now. 452 00:24:14,920 --> 00:24:17,160 Speaker 3: And he is not going to sell one Christmas tree 453 00:24:17,240 --> 00:24:18,080 Speaker 3: with that attitude. 454 00:24:18,440 --> 00:24:20,560 Speaker 2: And his hair it a little bit and he looks 455 00:24:20,600 --> 00:24:24,720 Speaker 2: super hot, so yeah, I'm but he has there's a 456 00:24:24,880 --> 00:24:28,719 Speaker 2: reason though, you guys, he's bummed on Christmas. Mom's an 457 00:24:28,720 --> 00:24:31,760 Speaker 2: alcoholic and it only happens once a year. 458 00:24:32,160 --> 00:24:33,840 Speaker 1: Okay, so he can take that out on you. 459 00:24:35,520 --> 00:24:36,760 Speaker 4: I don't think don. 460 00:24:36,880 --> 00:24:37,240 Speaker 3: Look at me. 461 00:24:37,320 --> 00:24:38,639 Speaker 4: I'm like defending. 462 00:24:40,119 --> 00:24:44,960 Speaker 3: Don't don't defend him. He is horrible and he's not 463 00:24:45,119 --> 00:24:48,159 Speaker 3: just horrible to you, he's horrible to like, oh so horrible. 464 00:24:48,200 --> 00:24:50,879 Speaker 3: At the tree lot, he's like and damn chicken wire, 465 00:24:50,960 --> 00:24:52,800 Speaker 3: like he's such a take your tree and shove it. 466 00:24:53,080 --> 00:24:58,040 Speaker 3: Yeah what she made me? Sure? Five trees? That's your job, dude, Yeah, Hi, 467 00:24:58,200 --> 00:24:59,320 Speaker 3: that's your tree farm? 468 00:24:59,440 --> 00:25:02,520 Speaker 4: What he here's me? Because this is my personality. 469 00:25:03,080 --> 00:25:05,760 Speaker 2: I was like, oh my gosh, he just like disclosed 470 00:25:05,800 --> 00:25:08,960 Speaker 2: all this information and all, like you put all this honor, 471 00:25:09,359 --> 00:25:11,480 Speaker 2: and she made it about her and said that it 472 00:25:11,600 --> 00:25:12,520 Speaker 2: was her birthday. 473 00:25:12,680 --> 00:25:14,800 Speaker 4: I was so shamed. 474 00:25:15,280 --> 00:25:17,639 Speaker 3: I actually liked that. What you were trying to do, 475 00:25:17,760 --> 00:25:21,960 Speaker 3: that was actually good, Tory Donna. You were saying toys 476 00:25:22,480 --> 00:25:25,359 Speaker 3: that he doesn't I'd not it. Yes, yet he doesn't 477 00:25:25,400 --> 00:25:29,280 Speaker 3: have to be so bad. I was born on that 478 00:25:29,520 --> 00:25:32,280 Speaker 3: day and now I'm in your life. I actually didn't 479 00:25:32,320 --> 00:25:33,720 Speaker 3: hate that. I mean, it was cheesy, but I did 480 00:25:33,760 --> 00:25:36,240 Speaker 3: not hate that at all. I was like, oh, least 481 00:25:36,320 --> 00:25:37,360 Speaker 3: that's something. 482 00:25:37,240 --> 00:25:40,040 Speaker 4: He's going to become nice again before it becomes bat again. Right, well, 483 00:25:40,040 --> 00:25:41,160 Speaker 4: we're gonna have a real bad. 484 00:25:41,160 --> 00:25:45,200 Speaker 3: Let's push pull, push pull, push pull. Oh good, okod yeah, yeah, 485 00:25:46,240 --> 00:25:48,400 Speaker 3: abusive relationships at their finest. 486 00:25:49,280 --> 00:25:52,520 Speaker 1: Did you feel that it was weird going from the 487 00:25:53,440 --> 00:26:00,320 Speaker 1: beach apartment to the Hanukka party or I don't know. 488 00:26:00,320 --> 00:26:03,679 Speaker 1: I felt like those transitions from anything to the Honuaka 489 00:26:03,760 --> 00:26:05,240 Speaker 1: party we were a little clunky for me. 490 00:26:06,400 --> 00:26:11,440 Speaker 3: Well here's my thing, and I know we'll talk about it. Boom, Jesse, 491 00:26:12,080 --> 00:26:15,600 Speaker 3: you are a stud. He was just mic drop on Steve, 492 00:26:15,720 --> 00:26:17,000 Speaker 3: who was being such. 493 00:26:17,320 --> 00:26:22,560 Speaker 1: A baby boiled. He's usually his usual self a baby. 494 00:26:23,720 --> 00:26:26,560 Speaker 3: Steve was so gross in this episode. 495 00:26:27,000 --> 00:26:30,280 Speaker 4: But Iron looked super hot in that suit. I agree 496 00:26:30,320 --> 00:26:35,440 Speaker 4: like that, but like that zoom in, like the profile 497 00:26:35,800 --> 00:26:37,920 Speaker 4: shot with rush first. 498 00:26:37,960 --> 00:26:43,040 Speaker 1: But did he have ash on his face in that scene? Yes, 499 00:26:43,800 --> 00:26:46,600 Speaker 1: because he had it on the scene after that when 500 00:26:46,640 --> 00:26:48,960 Speaker 1: he goes to the to the door in that scene, 501 00:26:49,000 --> 00:26:52,320 Speaker 1: though I know, I don't know where is that? 502 00:26:52,560 --> 00:26:54,439 Speaker 4: I don't know if I just thought he looked so hammed. 503 00:26:54,480 --> 00:26:57,680 Speaker 3: How About when he holds Griffin, who's also a tool bag. 504 00:26:59,040 --> 00:27:03,919 Speaker 1: How about when he's when he says you best be gone? Literally, 505 00:27:04,320 --> 00:27:05,080 Speaker 1: I was like, who's that? 506 00:27:05,320 --> 00:27:05,359 Speaker 6: That? 507 00:27:05,840 --> 00:27:09,480 Speaker 3: And that in the script. 508 00:27:10,720 --> 00:27:12,800 Speaker 1: You best b E s begone? 509 00:27:12,920 --> 00:27:14,960 Speaker 3: I get back best be gone. 510 00:27:15,400 --> 00:27:17,560 Speaker 1: It's not b E s t It was b e 511 00:27:17,920 --> 00:27:24,000 Speaker 1: s best begone? You best be gone? 512 00:27:24,119 --> 00:27:26,639 Speaker 4: Did you see the like the nose like as I 513 00:27:26,760 --> 00:27:30,840 Speaker 4: was doing the flair like his whole I can't do it? 514 00:27:31,000 --> 00:27:33,639 Speaker 3: And it was first of all, who is first of 515 00:27:33,680 --> 00:27:39,359 Speaker 3: all God? So much to break down with Steve. He 516 00:27:39,520 --> 00:27:43,440 Speaker 3: almost murdered a lot of people, and yet his big 517 00:27:43,560 --> 00:27:46,200 Speaker 3: focus is that he can't run clubs anymore? 518 00:27:47,280 --> 00:27:47,440 Speaker 7: Yeah? 519 00:27:47,520 --> 00:27:52,840 Speaker 4: What he hasn't even branded Kelly Taylor? Right? 520 00:27:52,920 --> 00:27:53,159 Speaker 3: Am? I? 521 00:27:53,280 --> 00:27:53,440 Speaker 7: Right? 522 00:27:53,560 --> 00:27:56,119 Speaker 5: Did he he did? 523 00:27:56,359 --> 00:27:59,280 Speaker 1: He didn't even care about the people that I. 524 00:27:59,280 --> 00:28:02,880 Speaker 3: Mean cares, but he's not. He's more caring about himself. 525 00:28:03,240 --> 00:28:05,919 Speaker 3: And then he's like, oh man, okay. So then like whatever, 526 00:28:06,040 --> 00:28:09,320 Speaker 3: Griffin's rich ass lawyer gets him off and Rush and 527 00:28:09,359 --> 00:28:12,359 Speaker 3: the whole it's all. But then Jesse lays him straight 528 00:28:12,880 --> 00:28:15,960 Speaker 3: totally and he deserved that, and yay Jesse. 529 00:28:16,840 --> 00:28:19,680 Speaker 1: I thought. I was like, Jesse's not being very helpful. 530 00:28:20,320 --> 00:28:20,920 Speaker 4: Oh my god. 531 00:28:21,080 --> 00:28:25,239 Speaker 1: I was like yeah, like, but Jesse also says, uh, 532 00:28:25,520 --> 00:28:27,600 Speaker 1: I don't know if this was connected or not, this 533 00:28:27,880 --> 00:28:32,120 Speaker 1: this writing or improving. He says he'd be gone, he'd 534 00:28:32,160 --> 00:28:34,800 Speaker 1: be out of here when he was talking about the 535 00:28:34,880 --> 00:28:39,200 Speaker 1: guy that lost his kid, took his kids, He'd be gone. 536 00:28:39,320 --> 00:28:43,240 Speaker 1: He'd be out of here. Like again, bizar for me. 537 00:28:44,520 --> 00:28:49,760 Speaker 3: But Steve is such a fool in this, Like I 538 00:28:49,840 --> 00:28:51,680 Speaker 3: don't know, but he looked so good in that suit 539 00:28:51,760 --> 00:28:54,880 Speaker 3: and Rush was looking good too. They both had perfectly 540 00:28:55,000 --> 00:28:59,160 Speaker 3: tailored suits. I was pleased because Brandon Jaz I was 541 00:28:59,200 --> 00:29:03,400 Speaker 3: so pleased because Annon's blazers are always just oh way big. 542 00:29:03,640 --> 00:29:08,640 Speaker 1: But then he does a nice you know, nine two 543 00:29:09,000 --> 00:29:14,080 Speaker 1: three sixty and goes and makes nice with Eduardo. 544 00:29:14,760 --> 00:29:18,960 Speaker 3: Yes, yes, that was that was a little dumption, just 545 00:29:19,040 --> 00:29:23,200 Speaker 3: like you like them. Yep, yep, it's very inappropriate. At 546 00:29:23,240 --> 00:29:28,720 Speaker 3: the Keghouse. A couple things, I mean so much still go, 547 00:29:28,880 --> 00:29:31,239 Speaker 3: but just one little note, so I don't forget. How 548 00:29:31,320 --> 00:29:37,320 Speaker 3: does uh Christina Elise? Why is why Emily Valentine? My god, 549 00:29:37,560 --> 00:29:42,080 Speaker 3: my brain can only blur it. Her was so very large, 550 00:29:42,720 --> 00:29:45,040 Speaker 3: She's like, where's she getting all that dough? And it 551 00:29:45,160 --> 00:29:48,240 Speaker 3: was so very eighties, Like I know we're in the nineties, 552 00:29:48,280 --> 00:29:49,400 Speaker 3: but it was like, what is going on with the 553 00:29:49,440 --> 00:29:52,440 Speaker 3: purple walls and the purple rug and this the hideousness 554 00:29:52,480 --> 00:29:54,680 Speaker 3: of the hotel room? But yet I kept literally saying, 555 00:29:54,720 --> 00:29:56,880 Speaker 3: how is she affording such a large large suite? 556 00:29:58,040 --> 00:30:01,760 Speaker 4: My gosh, that's what you were looking at her page by. 557 00:30:01,760 --> 00:30:03,440 Speaker 4: I can't look at anything else, like, no one can 558 00:30:03,480 --> 00:30:04,040 Speaker 4: wear that, like. 559 00:30:04,160 --> 00:30:08,040 Speaker 1: She looks so good, Like I liked her hair better 560 00:30:08,080 --> 00:30:10,000 Speaker 1: in this episode. It looked a little different than the 561 00:30:10,080 --> 00:30:13,880 Speaker 1: last episode, didn't it. It was more red, maybe not 562 00:30:14,040 --> 00:30:14,680 Speaker 1: so dark. 563 00:30:15,120 --> 00:30:17,440 Speaker 3: She's just got a cute face. On those close ups, 564 00:30:17,520 --> 00:30:19,800 Speaker 3: it's like they going way close and she is like 565 00:30:20,200 --> 00:30:20,880 Speaker 3: real cute. 566 00:30:20,920 --> 00:30:24,920 Speaker 2: It's so smoking, Like it takes a real good face 567 00:30:25,000 --> 00:30:26,400 Speaker 2: and jawline to wear a hair. 568 00:30:26,560 --> 00:30:27,480 Speaker 1: It's the jaw line. 569 00:30:27,600 --> 00:30:30,200 Speaker 4: It's the jaw line. It's so good. She still has 570 00:30:30,280 --> 00:30:30,880 Speaker 4: it to this day. 571 00:30:30,960 --> 00:30:33,880 Speaker 1: You guys, so yeah, and she still has short hair, 572 00:30:34,320 --> 00:30:34,760 Speaker 1: doesn't she. 573 00:30:36,400 --> 00:30:40,920 Speaker 3: And very aggressiveness happening with the settlement like way too fast, 574 00:30:41,040 --> 00:30:44,440 Speaker 3: like nobody's getting a settlement, and in court four minutes later, 575 00:30:45,440 --> 00:30:46,600 Speaker 3: like way too fast. 576 00:30:47,400 --> 00:30:49,680 Speaker 2: I mean, technically it's only a forty two minute show. 577 00:30:51,320 --> 00:30:53,440 Speaker 2: When you break it down with commercials and everything, it's 578 00:30:53,440 --> 00:30:56,360 Speaker 2: an hour. But I'm just saying you had to actually. 579 00:30:56,480 --> 00:31:00,400 Speaker 3: Also, I sort of been liking feisty Andrea. I sort 580 00:31:00,440 --> 00:31:03,560 Speaker 3: of enjoyed the scene with Andrea look and Jesse talking 581 00:31:03,600 --> 00:31:04,320 Speaker 3: about a client. 582 00:31:05,040 --> 00:31:08,640 Speaker 1: Why she looks I don't know, but her face is 583 00:31:08,920 --> 00:31:12,200 Speaker 1: so pretty in the last episode and in this episode. 584 00:31:12,600 --> 00:31:14,560 Speaker 4: Screed, but I don't like the hair. Is that okay? 585 00:31:15,120 --> 00:31:15,320 Speaker 3: Yeah? 586 00:31:16,080 --> 00:31:21,280 Speaker 4: I don't know. It's like a mullet is a lady 587 00:31:21,640 --> 00:31:23,280 Speaker 4: like you said, okay, and you just went right in 588 00:31:23,400 --> 00:31:23,960 Speaker 4: it's a mullet. 589 00:31:24,400 --> 00:31:26,160 Speaker 1: I didn't say that's wrong. 590 00:31:26,880 --> 00:31:29,719 Speaker 4: It was the blonde. It was the blonde highlights. 591 00:31:30,000 --> 00:31:32,360 Speaker 1: I don't know. I think she looks gorgeous. 592 00:31:32,400 --> 00:31:35,280 Speaker 3: Can I throw something personal that just popped into my mind? Yep. 593 00:31:37,120 --> 00:31:42,400 Speaker 3: For the last four seasons, she's always we've all looked college. Look, 594 00:31:42,440 --> 00:31:44,280 Speaker 3: she doesn't look like she's in high school. She doesn't 595 00:31:44,280 --> 00:31:46,720 Speaker 3: look like she was in high school. But now that 596 00:31:46,880 --> 00:31:51,720 Speaker 3: she's a mother in the show married, I think we're 597 00:31:52,520 --> 00:31:57,000 Speaker 3: able to go like, oh, now you look awesome because 598 00:31:57,080 --> 00:31:59,040 Speaker 3: you're sort of playing. 599 00:31:59,000 --> 00:32:00,520 Speaker 1: In high school right. 600 00:32:00,680 --> 00:32:04,000 Speaker 3: Like it's like, Okay, she's so believable as sort of 601 00:32:04,160 --> 00:32:07,920 Speaker 3: like okay, maybe more of a graduate student, right because 602 00:32:07,920 --> 00:32:10,000 Speaker 3: he's in law school. So maybe my brain's like tricking 603 00:32:10,040 --> 00:32:12,800 Speaker 3: me a little bit, but like it just all feels right. 604 00:32:13,080 --> 00:32:18,240 Speaker 3: She being married, having the baby, the juiciness that's coming 605 00:32:18,960 --> 00:32:21,880 Speaker 3: all tracks for me, And I think I'm just much 606 00:32:21,960 --> 00:32:24,760 Speaker 3: more hooked into her whole storyline. 607 00:32:24,840 --> 00:32:28,120 Speaker 2: That's a great point. I feel like, definitely, it's you 608 00:32:28,240 --> 00:32:31,760 Speaker 2: totally accept it visually because of the storyline. 609 00:32:32,120 --> 00:32:33,960 Speaker 3: Yeah, and it makes me happier. It's like, Okay, I 610 00:32:34,000 --> 00:32:36,560 Speaker 3: don't have to like be taken out by it. I'm 611 00:32:36,640 --> 00:32:39,520 Speaker 3: just like yeah, And she's so smart. And I was like, 612 00:32:39,720 --> 00:32:41,600 Speaker 3: remember when he says, can you be my lawyer? I 613 00:32:41,720 --> 00:32:43,120 Speaker 3: was like, yeah, a girl. 614 00:32:44,360 --> 00:32:45,000 Speaker 1: She should have been. 615 00:32:46,680 --> 00:32:48,200 Speaker 3: Should we talk about Dylan coming home? 616 00:32:49,440 --> 00:32:53,240 Speaker 1: Yeah, Jim and Cindy or now now they are stepping 617 00:32:53,320 --> 00:32:57,120 Speaker 1: up and being supportive of him coming home from rehabit 618 00:32:57,280 --> 00:32:59,680 Speaker 1: val I thought they just decided they weren't going to 619 00:32:59,720 --> 00:33:02,000 Speaker 1: hang out anymore in hab. 620 00:33:02,480 --> 00:33:05,160 Speaker 4: Thank you Now she's back to glutton for punishment. 621 00:33:05,640 --> 00:33:09,320 Speaker 3: She really yeah, And he even says something like he 622 00:33:09,400 --> 00:33:12,880 Speaker 3: calls her babe, yes in front of in front of Cindy. 623 00:33:13,440 --> 00:33:15,760 Speaker 1: Maybe that was just like an endearing term, but I 624 00:33:16,000 --> 00:33:17,040 Speaker 1: was very confused. 625 00:33:18,200 --> 00:33:20,800 Speaker 4: I was so focused on those flowers, you guys, if 626 00:33:20,880 --> 00:33:24,640 Speaker 4: they threw me over the edge, I've missed this. 627 00:33:26,880 --> 00:33:29,000 Speaker 1: Where were they on the table. 628 00:33:30,080 --> 00:33:33,080 Speaker 2: That Cindy was putting in the vase when he came home, 629 00:33:33,360 --> 00:33:35,400 Speaker 2: And it was just so I don't know, they were 630 00:33:35,440 --> 00:33:38,120 Speaker 2: like left over from Thanksgiving. They were all fall colors. 631 00:33:38,160 --> 00:33:43,040 Speaker 2: We're in winter now, Like I don't know, I feel 632 00:33:43,040 --> 00:33:44,520 Speaker 2: like the flowers are always just. 633 00:33:45,560 --> 00:33:48,959 Speaker 4: Go back and see that they were gross. 634 00:33:50,560 --> 00:33:52,560 Speaker 1: Well, the door guy, I mean, he gets out of 635 00:33:52,640 --> 00:33:55,240 Speaker 1: rehab and then he gets punched right in the gullet 636 00:33:55,280 --> 00:33:59,000 Speaker 1: again with the with the Erican note that just magically 637 00:33:59,120 --> 00:34:01,040 Speaker 1: surfaces the day he stumps out of rehab. 638 00:34:02,080 --> 00:34:05,200 Speaker 3: You guys, remember when she stuck that with her gum 639 00:34:05,320 --> 00:34:08,879 Speaker 3: onto the bathroom wall and I had I just the fact. 640 00:34:08,960 --> 00:34:11,320 Speaker 1: Yeah, So how did it get in that lady's She 641 00:34:11,440 --> 00:34:13,080 Speaker 1: said she found to carry. 642 00:34:12,880 --> 00:34:15,719 Speaker 3: On somehow the gum must have stuck to her. She 643 00:34:15,880 --> 00:34:16,360 Speaker 3: found it. 644 00:34:18,040 --> 00:34:19,320 Speaker 4: I thought she was like, I found it in a 645 00:34:19,400 --> 00:34:21,360 Speaker 4: stall and then I shoved it. 646 00:34:21,400 --> 00:34:23,080 Speaker 3: In her bag and never did anything with it and 647 00:34:23,120 --> 00:34:23,960 Speaker 3: then somehow. 648 00:34:23,760 --> 00:34:27,040 Speaker 4: Till now and maybe it just got to him. But 649 00:34:27,200 --> 00:34:29,600 Speaker 4: her writing, how old is she? She's supposed to be eleven? 650 00:34:30,640 --> 00:34:34,280 Speaker 3: Why would she call her mom Suzanne? Kevin and Suzanne 651 00:34:34,320 --> 00:34:37,880 Speaker 3: have taken me to Brazil. Wouldn't she write? My mom 652 00:34:38,600 --> 00:34:40,480 Speaker 3: and Kevin have taken me to Brazil. 653 00:34:42,200 --> 00:34:44,480 Speaker 1: Yes, I would, I would think, so. I was like, 654 00:34:44,719 --> 00:34:45,960 Speaker 1: but maybe she was wanted. 655 00:34:46,200 --> 00:34:46,600 Speaker 4: I don't know. 656 00:34:47,040 --> 00:34:52,959 Speaker 2: It did look panicked, you guys, the writing felt very beautiful, clear. 657 00:34:53,719 --> 00:34:57,080 Speaker 2: It was some calm writing. And I yeah, I mean 658 00:34:57,120 --> 00:35:01,080 Speaker 2: you would have been like a right, like it was 659 00:35:01,239 --> 00:35:05,880 Speaker 2: just beautiful. I was like, but we had to see it, right. 660 00:35:06,520 --> 00:35:09,399 Speaker 3: I want to do a test and write a note 661 00:35:09,520 --> 00:35:15,040 Speaker 3: in an airport bathroom. Take this, didn't you write his address? 662 00:35:15,239 --> 00:35:18,240 Speaker 3: Get this to Dylan McKay on very quickly. 663 00:35:18,320 --> 00:35:21,600 Speaker 4: You're doing it like it wouldn't. 664 00:35:21,200 --> 00:35:23,799 Speaker 3: Look like that, and then see if it ever got back. 665 00:35:26,400 --> 00:35:28,560 Speaker 1: Let's do it like you could leave a note. 666 00:35:28,440 --> 00:35:30,800 Speaker 3: For can you? Yeah? Like, can I say? Get this? 667 00:35:31,120 --> 00:35:34,200 Speaker 8: Here's what I really want to do. Please get this 668 00:35:34,480 --> 00:35:43,760 Speaker 8: to Kelly and Donna at blah blah blah, well Brazil 669 00:35:44,800 --> 00:35:49,080 Speaker 8: Brandon and see if it ever comes back to us. 670 00:36:01,520 --> 00:36:03,680 Speaker 2: Wait, Jen, does it ever happen to you? I know 671 00:36:03,800 --> 00:36:06,839 Speaker 2: we've talked about this like a gazillion times. Like when 672 00:36:06,880 --> 00:36:09,839 Speaker 2: people come up and they talk to you like it's real, 673 00:36:10,200 --> 00:36:14,840 Speaker 2: Like I mean, it's real. But they'll be like like, hey, Donna, 674 00:36:14,920 --> 00:36:17,399 Speaker 2: I always say I always answer. I never correct anyone 675 00:36:17,480 --> 00:36:19,279 Speaker 2: say oh it's toy, Like, I'm always like. 676 00:36:19,320 --> 00:36:20,080 Speaker 4: Hi, how are you? 677 00:36:20,640 --> 00:36:25,040 Speaker 2: And then they'll be like how's Kelly and like and 678 00:36:25,120 --> 00:36:29,240 Speaker 2: then I I'm like Jen's good? And then like someone 679 00:36:29,400 --> 00:36:31,360 Speaker 2: once was like, wait, do you guys still live in 680 00:36:31,440 --> 00:36:34,120 Speaker 2: the beach apartment? I was like, oh no, that was 681 00:36:34,320 --> 00:36:37,720 Speaker 2: like thirty like years ago. David and I are married. 682 00:36:38,120 --> 00:36:40,879 Speaker 2: We lived in Japan, now we're back. I have five 683 00:36:41,000 --> 00:36:41,719 Speaker 2: babies with him. 684 00:36:41,760 --> 00:36:43,800 Speaker 4: What do you mean I haven't lived with Kelly and years? 685 00:36:44,040 --> 00:36:45,160 Speaker 3: Is that person investing with you? 686 00:36:45,719 --> 00:36:48,680 Speaker 4: No, they weren't, Jen, Someone's done that before to you, right. 687 00:36:49,320 --> 00:36:52,080 Speaker 1: Yeah, No, I don't let it go that long. 688 00:36:52,280 --> 00:36:57,000 Speaker 3: But you all ever had a celebrity that you called 689 00:36:57,040 --> 00:36:58,000 Speaker 3: their character's name? 690 00:37:00,120 --> 00:37:03,400 Speaker 1: Yeah, I'm sure I have that's an easy that's an 691 00:37:03,440 --> 00:37:04,240 Speaker 1: easy Snapoo. 692 00:37:07,560 --> 00:37:09,959 Speaker 3: I can tell you I can't do it. I can't 693 00:37:10,000 --> 00:37:12,080 Speaker 3: get you. I've only messed it up with you. Guys 694 00:37:12,200 --> 00:37:17,880 Speaker 3: wants each Steve Steers, I've never called Ian Steve the 695 00:37:17,960 --> 00:37:20,400 Speaker 3: ones that I cannot do. And Jenny, you will appreciate 696 00:37:20,480 --> 00:37:24,959 Speaker 3: this more than anybody is Greg, Peter and Bobby every 697 00:37:25,040 --> 00:37:27,840 Speaker 3: time I talk about them in real life they even. 698 00:37:27,760 --> 00:37:28,439 Speaker 1: Have real names. 699 00:37:28,520 --> 00:37:31,879 Speaker 3: I can't say Barry Williams, A Chris Knight and Mike 700 00:37:32,040 --> 00:37:35,279 Speaker 3: Look and Lynn. I'm always like, Greg, Peter and Bobby. 701 00:37:35,360 --> 00:37:36,759 Speaker 1: Yeah, because that's universal. 702 00:37:36,920 --> 00:37:40,319 Speaker 4: Hello, a thousand. 703 00:37:40,040 --> 00:37:45,000 Speaker 2: Person, I guess, I guess, but you've definitely but it 704 00:37:45,120 --> 00:37:46,920 Speaker 2: has happened, and it's not just like a fan, Like 705 00:37:47,040 --> 00:37:49,359 Speaker 2: people have come over to your house that like, oh, 706 00:37:49,520 --> 00:37:51,839 Speaker 2: you know, coming for dinner or something, and like there's 707 00:37:51,960 --> 00:37:56,719 Speaker 2: extended family or something and they call you Kelly or right, yeah, 708 00:37:56,880 --> 00:38:02,000 Speaker 2: people put in my house like but usually they yeah, 709 00:38:02,120 --> 00:38:04,600 Speaker 2: and then they're like I'm so sorry, And I was like. 710 00:38:04,880 --> 00:38:05,960 Speaker 1: Yeah, that happens all the time. 711 00:38:07,320 --> 00:38:08,680 Speaker 3: I don't want to ruin it because she's going to 712 00:38:08,719 --> 00:38:12,240 Speaker 3: come on with us. But Elisa Donovan gets called ginger 713 00:38:12,360 --> 00:38:15,880 Speaker 3: La Monica like like she has some stories about fully 714 00:38:15,960 --> 00:38:18,560 Speaker 3: being called ginger la Monica. 715 00:38:19,480 --> 00:38:20,920 Speaker 1: And that's a toughness to remember. 716 00:38:21,080 --> 00:38:23,080 Speaker 3: Season six. Yeah, we need to get ahead. 717 00:38:23,360 --> 00:38:25,280 Speaker 4: She gets called that over clueless. 718 00:38:25,280 --> 00:38:29,600 Speaker 3: What do you mean yep, yes she does, yes, sure, yes, yes, 719 00:38:30,320 --> 00:38:32,960 Speaker 3: But we'll get to that. What have we forgotten from 720 00:38:33,000 --> 00:38:36,080 Speaker 3: this episode that I love that you guys don't love. 721 00:38:36,160 --> 00:38:39,239 Speaker 4: Not a mother f thing or unseen. 722 00:38:40,719 --> 00:38:40,919 Speaker 3: Yeah. 723 00:38:41,640 --> 00:38:44,160 Speaker 1: I started this podcast by saying I was a little 724 00:38:44,280 --> 00:38:47,000 Speaker 1: underwhelmed by it, and I still feel that way. 725 00:38:47,360 --> 00:38:49,800 Speaker 3: Oh my god, I don't look at all my notes. 726 00:38:49,960 --> 00:38:54,480 Speaker 1: I wanted more after last week we got so much. 727 00:38:55,120 --> 00:38:56,200 Speaker 1: I wanted more this week. 728 00:38:56,640 --> 00:38:56,759 Speaker 6: Oh. 729 00:38:56,840 --> 00:38:59,719 Speaker 3: I love when there's when they say can I say 730 00:38:59,800 --> 00:39:01,879 Speaker 3: some Someone says can I say something? And I think 731 00:39:02,239 --> 00:39:05,080 Speaker 3: you and your mom Kelly and her mom say no 732 00:39:05,960 --> 00:39:06,759 Speaker 3: at the same time. 733 00:39:08,080 --> 00:39:09,799 Speaker 1: Yeah, that made me get a little choked. 734 00:39:09,840 --> 00:39:12,279 Speaker 4: Also, I just felt like it was. 735 00:39:12,320 --> 00:39:15,600 Speaker 2: A lot of the storylines. It was all interiors, and 736 00:39:15,760 --> 00:39:18,640 Speaker 2: that feels stressful when we're talking about nine on two 737 00:39:18,640 --> 00:39:21,000 Speaker 2: and zero because it's so it's Beverly Hills and it's like, 738 00:39:22,360 --> 00:39:24,960 Speaker 2: I don't know, we're in the hospital, we're you know, 739 00:39:25,120 --> 00:39:26,080 Speaker 2: in the court room. 740 00:39:26,160 --> 00:39:33,280 Speaker 3: And we had the Honica party at the at the school, 741 00:39:34,480 --> 00:39:38,319 Speaker 3: and then we had the honka party at Andrea's, which 742 00:39:38,360 --> 00:39:38,919 Speaker 3: I liked. 743 00:39:39,560 --> 00:39:40,560 Speaker 4: No, I liked it all. 744 00:39:41,760 --> 00:39:43,520 Speaker 2: But Jen, do you feel like you would have felt 745 00:39:43,640 --> 00:39:48,160 Speaker 2: not as underwhelmed if the storylines, Like, I don't know, 746 00:39:48,320 --> 00:39:50,719 Speaker 2: they should have mixed the story lines up a little bit. 747 00:39:50,800 --> 00:39:54,879 Speaker 2: It was a lot of heavy storylines all at once 748 00:39:54,960 --> 00:39:58,840 Speaker 2: in one episode. There was nothing light and fun. Oh 749 00:39:58,920 --> 00:40:00,520 Speaker 2: we had the Christmas tree lot was outside. 750 00:40:00,560 --> 00:40:04,120 Speaker 3: I was light and fun either horrible. So there's nothing 751 00:40:04,520 --> 00:40:07,279 Speaker 3: like Emily and Brandon if this was six months ago 752 00:40:07,680 --> 00:40:09,160 Speaker 3: or six months from now. 753 00:40:10,239 --> 00:40:12,840 Speaker 2: And I was missing some Valerie. Sorry, I feel like 754 00:40:12,960 --> 00:40:15,680 Speaker 2: she spices things up. She was barely in it. 755 00:40:17,400 --> 00:40:21,160 Speaker 3: Hmmm. Claire, Like, I don't know, We're gonna have a 756 00:40:21,200 --> 00:40:22,440 Speaker 3: lot of David and Claire. 757 00:40:22,320 --> 00:40:22,879 Speaker 4: Bring the fun. 758 00:40:24,160 --> 00:40:27,520 Speaker 1: Yeah, I just still it was no fun. You're right. 759 00:40:27,600 --> 00:40:29,080 Speaker 1: This episode was not a lot of fun. 760 00:40:29,239 --> 00:40:31,439 Speaker 3: And I'm super mad at Brandon. I gotta say it again, 761 00:40:31,520 --> 00:40:33,440 Speaker 3: Like I'm thinking about that kiss and I think they 762 00:40:33,520 --> 00:40:36,440 Speaker 3: say I love you. It's just so dude. 763 00:40:36,920 --> 00:40:38,800 Speaker 1: I think that we've said all we can say about this. 764 00:40:39,120 --> 00:40:43,120 Speaker 1: What do you want to gossip about I don't know. 765 00:40:43,200 --> 00:40:43,600 Speaker 4: I don't. 766 00:40:45,600 --> 00:40:46,160 Speaker 3: Let me think. 767 00:40:51,080 --> 00:40:52,520 Speaker 1: Wow, this is a first. 768 00:40:53,760 --> 00:40:56,120 Speaker 4: Met the three of us not coming. 769 00:40:55,960 --> 00:40:58,920 Speaker 3: Up with I'm giving this episode a nine. 770 00:40:59,400 --> 00:41:01,880 Speaker 1: Oh wow, yeah you give it a nine? Yeah, but 771 00:41:02,120 --> 00:41:02,719 Speaker 1: what do you give it? 772 00:41:05,680 --> 00:41:08,080 Speaker 2: Okay, there's a part of me that's embarrassed not giving 773 00:41:08,120 --> 00:41:10,279 Speaker 2: it a higher score because it's like, there's a lot 774 00:41:10,320 --> 00:41:10,960 Speaker 2: of heavy stuff. 775 00:41:10,960 --> 00:41:15,960 Speaker 4: We should be like, Okay, you can't go with a seven, 776 00:41:16,680 --> 00:41:19,080 Speaker 4: That's what I was thinking, that's jes Rachel. 777 00:41:20,160 --> 00:41:22,319 Speaker 1: Seven is what you give something when you just can't 778 00:41:22,360 --> 00:41:25,440 Speaker 1: decide if it was good or bad, right, because you 779 00:41:25,480 --> 00:41:27,600 Speaker 1: don't want to go eight because that means bad, and 780 00:41:27,719 --> 00:41:32,120 Speaker 1: you don't want to go like you mean right, sorry, 781 00:41:32,560 --> 00:41:34,960 Speaker 1: you don't want to go five because that's like downhill. 782 00:41:35,160 --> 00:41:37,920 Speaker 4: So in six close to five. So you got to 783 00:41:37,920 --> 00:41:41,080 Speaker 4: go with seven? Yeah, yeah, and I understand him and 784 00:41:41,120 --> 00:41:45,680 Speaker 4: eight nine it's is just so, but that's cool. 785 00:41:45,920 --> 00:41:47,560 Speaker 3: It's hard to live up to the week we just 786 00:41:47,680 --> 00:41:51,960 Speaker 3: had before this. This is excellent if. 787 00:41:51,840 --> 00:41:52,320 Speaker 1: You say so. 788 00:41:52,400 --> 00:41:59,120 Speaker 3: Okay, So there got me all fired up. Dylan's coming back. 789 00:41:59,200 --> 00:42:00,760 Speaker 3: I'm falling in love with him again. 790 00:42:01,560 --> 00:42:04,080 Speaker 1: Maybe it was just like you know, when you're on 791 00:42:04,200 --> 00:42:08,839 Speaker 1: a high and then you gotta take a dip. Maybe 792 00:42:08,880 --> 00:42:11,600 Speaker 1: it also if we had watched it right. 793 00:42:12,480 --> 00:42:15,880 Speaker 2: The upper gate was strong, and we have the second date. 794 00:42:15,920 --> 00:42:18,399 Speaker 2: It's never as good, but the third we can go back. 795 00:42:18,560 --> 00:42:21,319 Speaker 1: So let's go back up. Okay, let's next week. It's 796 00:42:21,360 --> 00:42:22,960 Speaker 1: got to go back up. What do we have next week? 797 00:42:23,040 --> 00:42:28,000 Speaker 1: We have uh, Season five, episode fifteen, Christmas? 798 00:42:28,360 --> 00:42:30,719 Speaker 3: Oh yeah, yeah yeah, Christmas comes each time. 799 00:42:30,920 --> 00:42:34,600 Speaker 1: This year it's the Christmas episode, which is crazy, you guys, 800 00:42:34,640 --> 00:42:36,480 Speaker 1: because it's going to time out so crazy. 801 00:42:36,880 --> 00:42:41,960 Speaker 4: Our birthday. It's birthday, it's my birthday. 802 00:42:42,360 --> 00:42:43,600 Speaker 3: We really nailed the timing. 803 00:42:44,200 --> 00:42:51,200 Speaker 1: That's it's like we planned this. It's which didn't happen. No, 804 00:42:53,480 --> 00:42:54,319 Speaker 1: well we hope you guys. 805 00:42:54,560 --> 00:42:56,240 Speaker 4: Uh, timing is everything is Emily. 806 00:42:57,040 --> 00:42:59,480 Speaker 3: I'm just still digesting time it up. I mean, I 807 00:42:59,520 --> 00:43:00,920 Speaker 3: know we have to get but I'm singing about of 808 00:43:01,040 --> 00:43:04,359 Speaker 3: like digesting everything that happened in this episode. You all 809 00:43:04,400 --> 00:43:06,240 Speaker 3: have just moved on from it so fast. 810 00:43:06,440 --> 00:43:11,799 Speaker 2: Okay, you digest your almost Christmas Thanksgiving dinner. 811 00:43:11,920 --> 00:43:15,040 Speaker 1: Wait, do you think Kelly will will have scars next 812 00:43:15,080 --> 00:43:16,920 Speaker 1: week or they just will be going They're going to. 813 00:43:16,920 --> 00:43:18,000 Speaker 4: Be They're gonna. 814 00:43:18,520 --> 00:43:20,400 Speaker 3: I think that's gonna be a thing for me. 815 00:43:20,560 --> 00:43:24,240 Speaker 4: It impacts her modeling career, right, A modeling. 816 00:43:23,880 --> 00:43:28,600 Speaker 1: Career so close. I think every time she says something 817 00:43:28,640 --> 00:43:31,720 Speaker 1: about her modeling career, I'm never going to model again. 818 00:43:31,920 --> 00:43:33,760 Speaker 1: I just cringe. I cringe. 819 00:43:33,800 --> 00:43:37,680 Speaker 3: I don't know what. Oh gosh, I cringe more Jackie. 820 00:43:38,080 --> 00:43:41,960 Speaker 3: Jackie is like, she's not a great mom. She's oh, 821 00:43:42,080 --> 00:43:46,680 Speaker 3: bless you, Tory. Jackie's got a lot to work on, 822 00:43:47,880 --> 00:43:48,440 Speaker 3: don't we all. 823 00:43:50,200 --> 00:43:54,759 Speaker 1: I feel like Jackie's just very one dimensional not in 824 00:43:54,800 --> 00:43:58,120 Speaker 1: a bad way, but she's just one dimensional Jackie. Everything 825 00:43:58,239 --> 00:44:02,360 Speaker 1: she says or does, or however she acts is very Jackie, 826 00:44:02,400 --> 00:44:03,240 Speaker 1: which is perfect. 827 00:44:05,160 --> 00:44:06,080 Speaker 4: Just Jackie being. 828 00:44:06,040 --> 00:44:08,840 Speaker 3: Jackie, just Jackie being so Jackie. 829 00:44:08,960 --> 00:44:10,200 Speaker 1: Guys, we have such a good ending. 830 00:44:10,280 --> 00:44:12,240 Speaker 4: Now we're like, all right. 831 00:44:12,200 --> 00:44:14,440 Speaker 3: Well, I loved it. I love every second of it. 832 00:44:14,960 --> 00:44:17,880 Speaker 1: Amy loved it. I love it all the end.