WEBVTT - Lady Chatterley's Lover: Nude & Coordination

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio.

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<v Speaker 2>Hi, I'm Sianna Jacob and I'm Leanna Holsten, and welcome

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<v Speaker 2>to Toss Popcorn, the podcast where two idiots watched every

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<v Speaker 2>film on the AFI's one hundred Greatest American Movies of

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<v Speaker 2>All Time, the Very slightly Less Racist tenth Anniversary edition,

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<v Speaker 2>and are now watching things of our choosing, specifically things

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<v Speaker 2>directed by women right now. This podcast is a safe

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<v Speaker 2>meadow for people who don't know anything about movies. Today

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<v Speaker 2>we're watching Lady Chatterley's Lover.

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<v Speaker 1>Look at you. Let's just stay to your hair. I

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<v Speaker 1>went out into the rain naked. Are you Matt twenty

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<v Speaker 1>twenty two?

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<v Speaker 2>Warning there will be spoilers about this sensual film.

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<v Speaker 1>Yeah, sensual and beyond.

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<v Speaker 2>To sensuality and beyond well, you could never could? I

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<v Speaker 2>please play you my prediction?

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<v Speaker 1>Yes, I would love to hear.

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<v Speaker 2>Okay, Hello, Sienna, hy Leanna, I'm about to watch Lady

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<v Speaker 2>Chatterlee's Lover.

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<v Speaker 1>I have seen this before.

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<v Speaker 2>Not to brag, I went to a screening of it,

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<v Speaker 2>Oh my God, with the lead actor and the director.

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<v Speaker 2>I'm sorry, I predict a pastoral gorgeous, a bit of boning,

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<v Speaker 2>a bit and kind of a happy ending, Thank God,

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<v Speaker 2>love you bye a.

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<v Speaker 1>Bit try eighty percent. All right, Leanna, let's hear my predictions,

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<v Speaker 1>which I will believe is equally enjoyable. Ready, yeah, high Leanna,

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<v Speaker 1>this is Oh my god. I'm back home, which is

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<v Speaker 1>why it's so loud. I'm about to watch it. I'm

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<v Speaker 1>about to watch Lady Chatterley's Lover. No, I'm doing my

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<v Speaker 1>prediction in one sac. I'm about to watch Lady Chatterley's Lover.

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<v Speaker 1>I thought it was like old timeyish and sort of

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<v Speaker 1>like a they not hear me. I thought it was

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<v Speaker 1>sort of like what's the one where Audrey Hepburn becomes

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<v Speaker 1>fancy my fair lady. But now I'm thinking it might

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<v Speaker 1>be like some sort of like smut situation, Like is

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<v Speaker 1>it gonna be like see, I don't know. I actually

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<v Speaker 1>think I have no idea what this is going to be,

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<v Speaker 1>like some sort of romance or something. Okay, we'll find out, Okay,

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<v Speaker 1>I love you goodbye. That's a perfect example of what

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<v Speaker 1>my life is like when I'm back home, in my

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<v Speaker 1>whole family's home. I think that's also like an illustration

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<v Speaker 1>of how it feels to have adhd yes it's like, okay,

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<v Speaker 1>hold on, hold on, hold on. I was second, let

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<v Speaker 1>me just see.

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<v Speaker 2>Okay, you're trying to get something done, but the soundtrack

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<v Speaker 2>of Aladdin is being sung in the background.

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<v Speaker 1>I don't know how they didn't hear me. I was like, okay,

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<v Speaker 1>stop now, and they're like, unbelieve me. She was that

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<v Speaker 1>your sister and my brother. It was both of them

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<v Speaker 1>that was there too. Oh yeah, that's a weird duet

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<v Speaker 1>for siblings. I'm sorry. I don't think they were thinking

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<v Speaker 1>about that hard. I think they were just making noise.

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<v Speaker 1>That's kind of how it works with my family. Oh god,

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<v Speaker 1>so did you watch this movie with your family? Unfortunately,

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<v Speaker 1>watched it with my mom.

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<v Speaker 2>No brother, no, no, no, no no no no, no

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<v Speaker 2>no no. I do not know, because my flatmate asked

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<v Speaker 2>me today. They were like, oh, like, well, we were

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<v Speaker 2>talking about like, I don't think Sanna's gonna like this.

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<v Speaker 2>I hope she's okay watching it, and I was like, yeah,

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<v Speaker 2>I mean, thank god, she's not with her family. It's

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<v Speaker 2>not till next week, so there's no risk of her

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<v Speaker 2>watching it with them. Oh I did watch with my family.

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<v Speaker 1>You probably predict the perfect amount of me being like

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<v Speaker 1>about the romance, but oh my god, it was uncomfortable.

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<v Speaker 1>Oh no, if anybody's for anybody who's not seen the film,

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<v Speaker 1>do not ever watch this with your relatives. You pretty

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<v Speaker 1>much see where everything goes up close. It's okay. My

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<v Speaker 1>family's like chill in all the senses that they were okay,

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<v Speaker 1>like stick it around, but we all had to be like, ah, anyway,

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<v Speaker 1>let's get into it. Okay, I have a little synopsis. Nope,

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<v Speaker 1>it's not time yet, Leanna. Hey, now is the time

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<v Speaker 1>to hear. It's hey girl, hey girl, time ladies and gentlemen.

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<v Speaker 1>In the last week since you've spoken, Leanna Holsten, it

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<v Speaker 1>seems successfully mounted a one woman show. I have been

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<v Speaker 1>watching with baited breath one. I've been wanting to ask

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<v Speaker 1>you things about it, but I've been respectfully not just

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<v Speaker 1>watching through the little cracks of Instagram peeping mhm, and

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<v Speaker 1>I've seen many a great post about it. Seems like

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<v Speaker 1>it was a great supportive crowd you were slaying. You've

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<v Speaker 1>really figured out your gene situation. May I say thank you?

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<v Speaker 1>I have one pair that's so good. You have some

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<v Speaker 1>great pairs of pants and it is working anyway, How

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<v Speaker 1>to go? Please? Tell us things.

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<v Speaker 2>Yeah, yes, I have mounted a one woman show. I'm

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<v Speaker 2>so tired and so glad it's over. I'm getting a

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<v Speaker 2>massage in exactly two hours.

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<v Speaker 1>Oh fantast wait what time?

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<v Speaker 2>Just to try to like, it's five point thirty right now,

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<v Speaker 2>I'm getting a seven thirty pm massage. It's been dark

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<v Speaker 2>for like an hour and a half already. I just

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<v Speaker 2>always assume it it's pretty much the middle of the

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<v Speaker 2>night that I'm getting a massage. The show was really fun,

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<v Speaker 2>great crowd. It was a very fun time. It's it's

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<v Speaker 2>what it was able to be in the time allotted,

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<v Speaker 2>you know, very twenty days that I had to make

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<v Speaker 2>it happen.

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<v Speaker 1>What was your angle like, did you tell people all that? Absolutely? Yes,

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<v Speaker 1>I opened it.

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<v Speaker 2>I said, I called it my audition for England, and

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<v Speaker 2>throughout the show I kept saying, please.

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<v Speaker 1>Let me stay. That is so funny. I just want

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<v Speaker 1>to stay. So yeah.

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<v Speaker 2>Some reviewers came from from outlets that hopefully the Arts

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<v Speaker 2>Council will accept as.

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<v Speaker 1>Reviewers did come outlets. Did you get them to come?

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<v Speaker 2>I emailed like one hundred people and then a very

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<v Speaker 2>lovely group of friends who are all currently on this

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<v Speaker 2>visa that I'm applying for helped me set up a

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<v Speaker 2>male chimp email blast list to contacts that they had. Yeah,

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<v Speaker 2>so through my emails I got a couple and then

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<v Speaker 2>through their email blast some people came as well. Way

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<v Speaker 2>to go, and I'm so exhausted. It was so fun.

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<v Speaker 2>It was such a really fun time. And then I

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<v Speaker 2>came home and there was a slug on the floor

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<v Speaker 2>of my bedroom. What That's exactly what I said, And

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<v Speaker 2>I think that's very simple. It's like very evocative of

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<v Speaker 2>how life goes.

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<v Speaker 1>You do the like one of the most incredible and

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<v Speaker 1>momentous performances of your life, you've brought at home. Baby.

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<v Speaker 1>You've managed to get these reviewers here, despite truly all odds.

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<v Speaker 1>You have found a theater, you have found reviewers, and

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<v Speaker 1>you do it and you get to see all the

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<v Speaker 1>friends that you've made along the way since coming to

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<v Speaker 1>England and all the favors that you are able to

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<v Speaker 1>pull now, and then you get home and there's a

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<v Speaker 1>slug on the floor of your bedroom. Well, if you

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<v Speaker 1>ever this doesn't seem completely like your vibe, but if

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<v Speaker 1>you're like, oh, where do I go from here? And

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<v Speaker 1>you take video of your thing and start posting it.

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<v Speaker 1>First of all, I feel like our faves, the girls

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<v Speaker 1>and the gays. The only way to succeed is for

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<v Speaker 1>someone like me who doesn't live where you are, who

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<v Speaker 1>wants to hear all your jokes. It would be a

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<v Speaker 1>great situation. Oh that's so fun. I know. It's like

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<v Speaker 1>I really have to do. They give it like I

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<v Speaker 1>don't have to talk to my friends back home because

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<v Speaker 1>they'll just get to hear it.

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<v Speaker 2>How about this, if I get the visa, I'll start

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<v Speaker 2>posting content online.

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<v Speaker 1>Whoo all right, hey girl, thank you for I'm so

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<v Speaker 1>glad to hear about it, and congratulations on your one thing.

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<v Speaker 1>Sure and getting reviewers there. I didn't want to ask,

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<v Speaker 1>I know, I know, well, if if they hadn't come,

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<v Speaker 1>it'd be like why also listeners From what I saw

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<v Speaker 1>on Leanna story, she ended it by doing the splits,

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<v Speaker 1>which I've just never idea. I almost cried.

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<v Speaker 2>I was like, yo, yeah, perform a feat at the end.

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<v Speaker 1>There's no other way. It felt like our podcast was

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<v Speaker 1>all worth it that you remember to do the splits

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<v Speaker 1>at the end, like we've been telling we've been trading

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<v Speaker 1>for years. Finally, she finally did it in front of people. Yes, yay. Well,

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<v Speaker 1>hey girl, Hey girl. My thing that I'm going to

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<v Speaker 1>report this time is, yes, I'm back home. I am.

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<v Speaker 1>I'm writing jokes for this corporate newsletter, which I've done.

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<v Speaker 1>I don't remember if I've talked about on the podcast.

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<v Speaker 1>I probably, Yeah, it's a gig I have sometimes. And

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<v Speaker 1>on the last one I wrote about a guy who

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<v Speaker 1>just got inducted into parliament. Oh, he just entered Australian

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<v Speaker 1>Parliament is what I read and wrote jokes on. And

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<v Speaker 1>I wrote a lot of jokes and I was like

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<v Speaker 1>stuff like Australian Parliament not to be confused with a

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<v Speaker 1>Kangaroo court and things like that. And then I send

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<v Speaker 1>them in and the client responded, she goes, these are

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<v Speaker 1>so great, but it is Austrian Parliament. I literally had

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<v Speaker 1>jokes that were like, wow, sounds like he's gonna have

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<v Speaker 1>a good day, mate, Oh.

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<v Speaker 3>Truly. One of the more humiliating things funny, I know,

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<v Speaker 3>isn't there a desk at some airport, like at the

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<v Speaker 3>Austrian airport for people who meant to fly to Australia.

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<v Speaker 1>Oh my gosh. Probably. Oh that's so funny because when

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<v Speaker 1>you're reading it fast and what's so funny too, is

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<v Speaker 1>I researched him for a long time, but my brain,

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<v Speaker 1>my brain, I mean for a normal amount of time.

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<v Speaker 1>But yeah, my brain had already told me it was

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<v Speaker 1>Australian Parliament and these a lot of these people will

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<v Speaker 1>like work so many places because they're such international. Yeah people,

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<v Speaker 1>important people, venture people that I'm writing stuff on, and

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<v Speaker 1>so I don't know I believed it. It was probably

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<v Speaker 1>talking about these hyper specific Austrian whatever. And also I

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<v Speaker 1>think I've probably written a joke on him in the past. Anyway.

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<v Speaker 1>Oh yeah, that is so fits. Oh that was my

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<v Speaker 1>l of the way. I love that. My dad said

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<v Speaker 1>to me one time, if you don't live life, the

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<v Speaker 1>only way not to make mistakes is by not living life.

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<v Speaker 1>And so you need to just hit life hard. And

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<v Speaker 1>in those moments where you're staring at yourself in utter humiliation,

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<v Speaker 1>it's in those moments that you go, well, it's important

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<v Speaker 1>that you live life. You've gotten you live it hard,

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<v Speaker 1>live life hard. And speaking of living life, living life hard, yeah, hello, Leonna,

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<v Speaker 1>let's go on, move on to our movie that I

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<v Speaker 1>know we're going to disagree about, because we know how

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<v Speaker 1>I felt about Romance and how you felt.

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<v Speaker 2>I don't even I don't even know if we can

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<v Speaker 2>call it disagreeing at this point. It's just like, I

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<v Speaker 2>know you're gonna feel whatever way you feel about it,

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<v Speaker 2>uh huh, And I I accept that I disagree with

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<v Speaker 2>that you watched it with your family.

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<v Speaker 1>The thing that's the problem with my family is that

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<v Speaker 1>they didn't immediately scatter like we just kind of stuck

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<v Speaker 1>with it. Wo, Sianna, could you please give us a

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<v Speaker 1>synopsis of the film. Lady Chatterley's Lover. Sure, Lady Chatterly's Lover.

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<v Speaker 1>Lady Chatterley's classiest husband returns from war and can't bone

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<v Speaker 1>anymore and apparently can't pleasure her either. Generally, He suggests

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<v Speaker 1>she hook up with a man of high class sometime

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<v Speaker 1>to become pregnant so they can have a child. Inspired,

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<v Speaker 1>she hooks up with the estate's gamekeeper and experiences sexual

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<v Speaker 1>euphoria doing all sorts of things, including doggie style and

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<v Speaker 1>sex outside the end, oh Leana, now's your chance to

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<v Speaker 1>sort of add to it if you'd like seeing If

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<v Speaker 1>you please, thank you feelings about this type of movie.

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<v Speaker 2>It's set during and then after the First World War

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<v Speaker 2>in England and they live at an estate called Ragby,

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<v Speaker 2>which he's the lord of, which is why she's Lady Chatterley.

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<v Speaker 2>And he's very desperate to have an air, which is

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<v Speaker 2>why he encourages her to go get pregnant by another

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<v Speaker 2>man and they fall in love, she and the gamekeeper.

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<v Speaker 2>It's very much a love story. And the other kind

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<v Speaker 2>of big thing about it is it's definitely a very

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<v Speaker 2>sexual movie, but like very much intimacy Coordinator era sexual,

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<v Speaker 2>So totally between that and like having been directed by

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<v Speaker 2>a woman.

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<v Speaker 1>Sex scenes are very different movies. Sex scenes are where

0:14:41.320 --> 0:14:45.200
<v Speaker 1>you can always tell that it was directed by a woman. Yeah, Yeah,

0:14:45.240 --> 0:14:49.240
<v Speaker 1>there's just there's just something that feels a lot as

0:14:50.080 --> 0:14:53.680
<v Speaker 1>a female utifying person watching it and someone h it

0:14:53.800 --> 0:14:58.240
<v Speaker 1>reads is a lot more realistic in certain ways. Yeah yeah,

0:14:58.360 --> 0:15:05.440
<v Speaker 1>I mean yeah, yeah, yeah, more more yeah way, Yeah,

0:15:05.680 --> 0:15:11.000
<v Speaker 1>we're gonna disagree though, I don't know. Okay, Well, let's

0:15:11.040 --> 0:15:15.440
<v Speaker 1>just get into our phone notes. Are you watching this

0:15:15.560 --> 0:15:18.600
<v Speaker 1>movie with your family and you just found out what

0:15:18.640 --> 0:15:23.800
<v Speaker 1>it's like. You have three minutes to escape, and I

0:15:24.760 --> 0:15:35.240
<v Speaker 1>would recommend escaping. We'll be right back on your first

0:15:35.280 --> 0:15:38.200
<v Speaker 1>note is let's hear it for the period costume. I

0:15:38.280 --> 0:15:40.320
<v Speaker 1>did love the costumes in this the twenties sort of

0:15:40.320 --> 0:15:42.880
<v Speaker 1>the shoulder they were giving shoulder.

0:15:42.640 --> 0:15:47.960
<v Speaker 2>Shoulder, Yeah, yeah, yeah, And you wrote in the words

0:15:48.000 --> 0:15:53.360
<v Speaker 2>of wicked memes, they're having a skinny off. Are you

0:15:53.400 --> 0:15:55.239
<v Speaker 2>seeing all this thing who can be the skinniest.

0:15:56.520 --> 0:15:59.360
<v Speaker 1>There's all this wicked rhetoric that's like, oh my god,

0:15:59.560 --> 0:16:06.080
<v Speaker 1>they're having skinny off. Yes, work, oh oh no, because

0:16:06.120 --> 0:16:08.120
<v Speaker 1>the two stars are so skinny, and like skinny is

0:16:08.200 --> 0:16:15.080
<v Speaker 1>unfortunately coming back not Wizard of Oh that's really funny.

0:16:15.160 --> 0:16:19.800
<v Speaker 1>It's unfortunately really funny. But I yes, emmiccorrn extremely skinny.

0:16:19.880 --> 0:16:21.760
<v Speaker 1>I am going to be I think body neutrality is

0:16:21.800 --> 0:16:27.000
<v Speaker 1>so important. Unfortunately emmccorn skinny. And there were a number

0:16:27.000 --> 0:16:28.440
<v Speaker 1>of times in this movie where it was like skinny.

0:16:28.560 --> 0:16:32.000
<v Speaker 1>You know how in uh Tricksy and Kadia, whenever there's

0:16:32.000 --> 0:16:37.120
<v Speaker 1>someone bald, they'll be like, you're bald. There were a

0:16:37.200 --> 0:16:40.119
<v Speaker 1>number of times in the sex scenes when em mccorran's

0:16:40.160 --> 0:16:44.720
<v Speaker 1>frame I was just like skinny, very very thin. Yeah. Yeah.

0:16:44.760 --> 0:16:46.880
<v Speaker 2>And there's one point in the movie where they're like

0:16:47.240 --> 0:16:50.720
<v Speaker 2>you're wasting away because the character is so sad, right,

0:16:51.040 --> 0:16:56.600
<v Speaker 2>but you're like, nothing has changed actually physically about their body.

0:16:56.640 --> 0:16:58.200
<v Speaker 2>At that point, it's like the body actually is the

0:16:58.200 --> 0:17:01.560
<v Speaker 2>same throat. I also, they're just a very skinny person.

0:17:02.400 --> 0:17:03.960
<v Speaker 1>Okay, Leanna, you said, let me get ahead of the

0:17:04.040 --> 0:17:07.520
<v Speaker 1>rumors and say that this man is not my type.

0:17:08.080 --> 0:17:11.280
<v Speaker 1>Which one, Well, you're gonna want to read the letter.

0:17:11.400 --> 0:17:15.760
<v Speaker 1>Then you said, I can't stop thinking about going back. Wait,

0:17:15.960 --> 0:17:18.560
<v Speaker 1>I can't stop thinking about going back to the front. Okay,

0:17:18.720 --> 0:17:20.159
<v Speaker 1>he might be my type.

0:17:23.280 --> 0:17:27.280
<v Speaker 2>Which one her husband on their wedding day, like the

0:17:27.320 --> 0:17:31.280
<v Speaker 2>first scene Veteran vibes the day after their wedding World

0:17:31.320 --> 0:17:35.159
<v Speaker 2>War one veteran very tall, haunted boy energy, although not

0:17:35.160 --> 0:17:39.480
<v Speaker 2>that tall. And I was like, someone is gonna say

0:17:39.520 --> 0:17:41.560
<v Speaker 2>that this man is my type, and let me let

0:17:41.560 --> 0:17:44.239
<v Speaker 2>me shut that down before and then he said that,

0:17:44.280 --> 0:17:47.680
<v Speaker 2>and I was like, oh, well, hmmm.

0:17:47.520 --> 0:17:52.240
<v Speaker 1>I'm sorry. First thing, I don't understand why can't he

0:17:52.320 --> 0:17:54.240
<v Speaker 1>finger her? Like this girl just wants to get finger

0:17:54.480 --> 0:18:00.000
<v Speaker 1>She is all about I can't I can't finger anymore?

0:18:00.080 --> 0:18:03.399
<v Speaker 1>Or because of the one you also wrote, did his

0:18:03.480 --> 0:18:08.359
<v Speaker 1>wiener get blown off? Let the record show I didn't

0:18:08.440 --> 0:18:12.480
<v Speaker 1>highlight that. There are many things I didn't highlight. I

0:18:12.560 --> 0:18:13.640
<v Speaker 1>really there's no need.

0:18:13.720 --> 0:18:17.439
<v Speaker 2>It's like whatever you I I know what's coming, like,

0:18:17.480 --> 0:18:19.440
<v Speaker 2>I get it great.

0:18:19.640 --> 0:18:21.320
<v Speaker 1>I don't want to think that was shocking was that

0:18:21.359 --> 0:18:25.240
<v Speaker 1>you watched this with your mom and your brother. Had

0:18:25.280 --> 0:18:26.520
<v Speaker 1>I know no idea?

0:18:26.680 --> 0:18:28.560
<v Speaker 2>Had I known or I'm sure you told me, and

0:18:28.560 --> 0:18:31.639
<v Speaker 2>I must have forgotten that you were home this for

0:18:31.760 --> 0:18:32.560
<v Speaker 2>this episode.

0:18:32.920 --> 0:18:34.920
<v Speaker 1>I knew you would be next week. I just thought,

0:18:35.080 --> 0:18:40.639
<v Speaker 1>surely not anyway, No, I know it's I feel like

0:18:40.680 --> 0:18:45.560
<v Speaker 1>it's social commentary on that totally level of society, and

0:18:45.600 --> 0:18:50.119
<v Speaker 1>of course just setting him up as a juxtaposition to Oliver,

0:18:50.280 --> 0:18:52.560
<v Speaker 1>the man she falls in love with. Yeah, very willing

0:18:52.600 --> 0:18:58.040
<v Speaker 1>to do hand stuff, because it definitely is like that

0:18:58.119 --> 0:19:01.199
<v Speaker 1>this guy her husband is like, I can't put it

0:19:01.680 --> 0:19:05.200
<v Speaker 1>in you, and for that reason, we can't do anything else.

0:19:05.440 --> 0:19:07.960
<v Speaker 1>And then of course she doesn't say anything about that

0:19:08.800 --> 0:19:10.800
<v Speaker 1>because probably she would have been sent to the looney

0:19:10.840 --> 0:19:15.240
<v Speaker 1>bin if she had. M It was frustrating. We were

0:19:15.280 --> 0:19:18.119
<v Speaker 1>really laughing about the idea that he's like, if I

0:19:18.280 --> 0:19:22.280
<v Speaker 1>can't put my penis where she wants it, what am I?

0:19:23.760 --> 0:19:26.160
<v Speaker 1>It's like, Yeah, there's so much else you can do.

0:19:26.960 --> 0:19:30.400
<v Speaker 1>There's so much else to many that was all of

0:19:30.480 --> 0:19:36.280
<v Speaker 1>sex for a long, long, for thousands of years. Leanna

0:19:36.280 --> 0:19:38.800
<v Speaker 1>you said people need to be more embarrassed about naming

0:19:38.840 --> 0:19:42.120
<v Speaker 1>their estates. Okay, and again we have more questions about

0:19:42.119 --> 0:19:46.160
<v Speaker 1>England from someone who's who's out there are people? Are

0:19:46.160 --> 0:19:47.640
<v Speaker 1>there estates and things?

0:19:48.800 --> 0:19:57.320
<v Speaker 2>I think less so nowadays, but still yes, like my

0:19:57.440 --> 0:20:01.440
<v Speaker 2>mom and I when we got mooned, we have you

0:20:01.440 --> 0:20:03.200
<v Speaker 2>remember that time that my mom and I got mooned.

0:20:09.040 --> 0:20:12.960
<v Speaker 2>It was on the Duke of Devonshire's estate. And he's

0:20:13.000 --> 0:20:15.159
<v Speaker 2>like a real current guy. There was a photo of

0:20:15.200 --> 0:20:18.560
<v Speaker 2>him at checkout at his market and then he owns

0:20:18.600 --> 0:20:21.320
<v Speaker 2>technically like the house that we went to visit, and

0:20:21.359 --> 0:20:23.560
<v Speaker 2>I think that house has a name. It's like the

0:20:23.600 --> 0:20:28.320
<v Speaker 2>house that mister Darcy lives in in and Prejudice and

0:20:28.359 --> 0:20:29.760
<v Speaker 2>I can't remember what the name of it is. But

0:20:29.920 --> 0:20:35.200
<v Speaker 2>very much like whatever Hall or other such names, those

0:20:35.280 --> 0:20:39.600
<v Speaker 2>estates do still exist because it was such an aristocracy

0:20:39.680 --> 0:20:41.440
<v Speaker 2>thing to like name your.

0:20:42.119 --> 0:20:45.280
<v Speaker 1>Yeah, this is why Home English comedy is like, it's

0:20:45.359 --> 0:20:48.879
<v Speaker 1>kind of not fair. They're starting with a head start

0:20:49.040 --> 0:20:52.440
<v Speaker 1>because they have so many silly things in their culture. Yea,

0:20:52.680 --> 0:20:54.399
<v Speaker 1>Like so much of Monty Python was they were just

0:20:54.440 --> 0:20:57.840
<v Speaker 1>taking the things that existed for real and then would

0:20:57.880 --> 0:20:59.720
<v Speaker 1>add like one more thing to make it sort of

0:20:59.760 --> 0:21:02.560
<v Speaker 1>a bit it, but like they already had these estates

0:21:02.560 --> 0:21:17.840
<v Speaker 1>called like bum top of Bummington Gardens, Yeah yeah, Flinkelwolf's

0:21:18.000 --> 0:21:21.520
<v Speaker 1>Gardens and things like that, Like it's you're already yeah

0:21:21.520 --> 0:21:27.560
<v Speaker 1>you know, yeah, you're playing a yeah of course, but oh.

0:21:27.480 --> 0:21:29.640
<v Speaker 2>No, Sienna, you've written and you didn't boil this either.

0:21:29.680 --> 0:21:32.639
<v Speaker 2>I'm seeing in all caps show us the war penis.

0:21:35.320 --> 0:21:37.960
<v Speaker 1>They weren't brave enough. Here's the thing. I have some

0:21:38.000 --> 0:21:41.840
<v Speaker 1>criticisms of this. Oh, I have some criticisms of this film. Okay,

0:21:42.080 --> 0:21:48.040
<v Speaker 1>I do, yeah, yeah, yeah. It's important for us to

0:21:48.280 --> 0:21:53.679
<v Speaker 1>watch things. It's important for women to direct things, and

0:21:53.720 --> 0:21:55.520
<v Speaker 1>they have a lot of years to make up for

0:21:55.800 --> 0:21:58.320
<v Speaker 1>making mistakes in film, which men have been doing for forever.

0:21:58.400 --> 0:22:01.040
<v Speaker 1>But okay, this person made some mistakes. For example, they

0:22:01.040 --> 0:22:03.639
<v Speaker 1>didn't show enough Ween at all. If they're gonna be

0:22:03.640 --> 0:22:08.520
<v Speaker 1>showing this much, full frontal, absolute sh sh boning, boning,

0:22:09.800 --> 0:22:13.160
<v Speaker 1>yeah right. I want to see Ween and I want

0:22:13.200 --> 0:22:14.800
<v Speaker 1>to see Bush. I felt for you that we didn't

0:22:14.840 --> 0:22:17.359
<v Speaker 1>see more bush. There was a good amount of bush.

0:22:18.560 --> 0:22:21.640
<v Speaker 1>Not to me, there was plenty of bush. Not until

0:22:21.680 --> 0:22:24.840
<v Speaker 1>they are trapesing across in the rain, which, by the way.

0:22:25.000 --> 0:22:29.760
<v Speaker 1>I'm sorry. I did not think you would like that scene.

0:22:29.880 --> 0:22:33.480
<v Speaker 2>I don't think they showed nearly enough. Be brave, you

0:22:33.520 --> 0:22:34.960
<v Speaker 2>wanted to see that shredded pain.

0:22:35.280 --> 0:22:38.560
<v Speaker 1>I just wanted to know why. I wanted to know

0:22:38.680 --> 0:22:43.840
<v Speaker 1>exactly specifically why it is so it is so unthinkable

0:22:43.880 --> 0:22:47.920
<v Speaker 1>for him to even finger someone. Yeah, I think he's

0:22:47.960 --> 0:22:50.119
<v Speaker 1>just an inherently selfish person. Yeah, I think he's a

0:22:50.119 --> 0:22:54.000
<v Speaker 1>selfish person and also specifically a it's selfish and be

0:22:54.400 --> 0:22:56.680
<v Speaker 1>he might just like psychologically be like, I don't want

0:22:56.680 --> 0:22:59.760
<v Speaker 1>to do that stuff anymore. And I get that because

0:22:59.800 --> 0:23:02.560
<v Speaker 1>I feel freedom and I don't have that kind of

0:23:02.560 --> 0:23:04.280
<v Speaker 1>relationship with you where I want to have that sort

0:23:04.320 --> 0:23:08.240
<v Speaker 1>of intimacy. I got it. I got it, Leanna. You

0:23:08.359 --> 0:23:12.439
<v Speaker 1>said a man dictating his novel to me would be

0:23:12.440 --> 0:23:14.959
<v Speaker 1>the most annoying thing in the world. I also thought this.

0:23:15.119 --> 0:23:16.879
<v Speaker 1>He comes back from more, He's like, sorry, I can't

0:23:16.920 --> 0:23:19.080
<v Speaker 1>touch you anymore because I can't feel pleasure really in

0:23:19.080 --> 0:23:20.280
<v Speaker 1>that way, So I don't think I should touch you.

0:23:20.320 --> 0:23:21.760
<v Speaker 1>And by the way, can I read you my novel

0:23:21.800 --> 0:23:25.359
<v Speaker 1>out loud and you type it up for me please?

0:23:25.600 --> 0:23:28.600
<v Speaker 1>They perfectly set up. They perfectly set up.

0:23:28.640 --> 0:23:32.080
<v Speaker 2>Oh yeah, they send her. He basically begs her to

0:23:32.080 --> 0:23:35.720
<v Speaker 2>go boink the gamekeeper. I mean really, I kind of was.

0:23:36.240 --> 0:23:38.400
<v Speaker 1>I was kind of into that. There are a few

0:23:38.400 --> 0:23:39.960
<v Speaker 1>things in this movie that I was like, you are

0:23:40.000 --> 0:23:43.840
<v Speaker 1>doing that differently. For example, this guy being like, oh

0:23:43.840 --> 0:23:48.560
<v Speaker 1>did you bone someone? Yet he was so earnestly looking

0:23:48.600 --> 0:23:52.679
<v Speaker 1>forward to it. Yeah, yeah, he needed that air. Yeah

0:23:53.400 --> 0:23:56.280
<v Speaker 1>mm hmm. Leanna, Okay, let's get into it. You said

0:23:56.280 --> 0:23:58.520
<v Speaker 1>I forgot the raw sex appeal of this man.

0:24:00.760 --> 0:24:03.600
<v Speaker 2>And nothing on Sienna's face though, not a whiff of

0:24:03.640 --> 0:24:04.520
<v Speaker 2>an emotion.

0:24:05.840 --> 0:24:07.120
<v Speaker 1>Talking about this groundskeeper.

0:24:07.960 --> 0:24:13.040
<v Speaker 2>Yeah, and the thing is like on paper, he's not

0:24:13.119 --> 0:24:13.840
<v Speaker 2>really my type.

0:24:15.760 --> 0:24:16.040
<v Speaker 1>Uh huh.

0:24:16.320 --> 0:24:20.919
<v Speaker 2>The way in which he cares for her immediately, like

0:24:20.960 --> 0:24:23.159
<v Speaker 2>she comes and sits down, he lights a fire for

0:24:23.200 --> 0:24:26.520
<v Speaker 2>her because this woman is cold all the time because

0:24:26.560 --> 0:24:30.199
<v Speaker 2>she's so thin and refuses to take a jacket on

0:24:30.280 --> 0:24:37.000
<v Speaker 2>her walks, and then also mainly his northern accent. Oh

0:24:37.320 --> 0:24:38.960
<v Speaker 2>I love it, I do love it.

0:24:40.400 --> 0:24:46.080
<v Speaker 1>I did enjoy how much he was like the perfect man.

0:24:46.480 --> 0:24:49.000
<v Speaker 1>I didn't even find it in like, I just enjoyed

0:24:49.000 --> 0:24:54.640
<v Speaker 1>that that He's sorry, I just sorry if my perfect,

0:24:54.800 --> 0:24:57.199
<v Speaker 1>delightful little shed with all the flowers around it is

0:24:57.560 --> 0:25:01.880
<v Speaker 1>too clean, milady. It's just something I like to do

0:25:01.920 --> 0:25:05.679
<v Speaker 1>when I'm alone. It's a nice home o man.

0:25:05.960 --> 0:25:07.600
<v Speaker 2>And then yeah, at the end of the movie, to

0:25:07.640 --> 0:25:10.120
<v Speaker 2>my flatman, I was like, so this guy doesn't exist

0:25:11.600 --> 0:25:13.320
<v Speaker 2>when they were like when.

0:25:13.200 --> 0:25:16.399
<v Speaker 1>The school teacher's like, yeah, oh, he was so smart

0:25:16.440 --> 0:25:20.240
<v Speaker 1>in school. She's like, well, then what's he doing there

0:25:20.359 --> 0:25:22.880
<v Speaker 1>instead of being I don't know what else he would

0:25:22.880 --> 0:25:25.520
<v Speaker 1>be doing. But she's like, well, he just seems like

0:25:25.520 --> 0:25:27.640
<v Speaker 1>he's just sort of living alone. What are you talking about?

0:25:27.960 --> 0:25:30.719
<v Speaker 1>And she's like, oh, well, he was dating someone. He

0:25:30.760 --> 0:25:33.720
<v Speaker 1>loved her, so loyal to her, but then she cheated

0:25:33.800 --> 0:25:39.520
<v Speaker 1>on him, and now he's doomed to be well loyal

0:25:39.680 --> 0:25:46.960
<v Speaker 1>and sensitive forever. And also in the war he got

0:25:47.040 --> 0:25:52.040
<v Speaker 1>extra shredded and has never got unshredded since. Ah. You know,

0:25:52.119 --> 0:25:53.879
<v Speaker 1>his whole story is like how he became a perfect man.

0:25:53.880 --> 0:25:56.119
<v Speaker 1>And I was, yeah, I did think that was fun.

0:25:56.800 --> 0:25:59.520
<v Speaker 1>Oh yeah, it's great. It's women's right.

0:26:02.000 --> 0:26:04.040
<v Speaker 2>Hey, everybody, we're gonna take a quick ad break because

0:26:04.040 --> 0:26:08.640
<v Speaker 2>we're going to campaign to show us the war penis.

0:26:08.560 --> 0:26:10.800
<v Speaker 1>Show it to us. Be Brave.

0:26:14.400 --> 0:26:22.400
<v Speaker 2>It's the sequel to Warhorse. That's pretty much every war

0:26:22.440 --> 0:26:23.280
<v Speaker 2>film we've had to watch.

0:26:23.400 --> 0:26:28.320
<v Speaker 1>They still have like ten puppeteers doing it. Oh god,

0:26:30.119 --> 0:26:33.080
<v Speaker 1>and it's beautiful. It's beautiful.

0:26:33.600 --> 0:26:36.040
<v Speaker 2>They originated it at the Donmar Warehouse and god, it's

0:26:36.040 --> 0:26:45.000
<v Speaker 2>a powerful production, beautiful Olivier Award winning war Penis.

0:26:58.840 --> 0:27:01.119
<v Speaker 1>But that is how a lot of and or like

0:27:01.160 --> 0:27:03.760
<v Speaker 1>a lot of sort of Victorian era things, at least

0:27:04.480 --> 0:27:07.960
<v Speaker 1>what I'm sorry what you wrote.

0:27:08.600 --> 0:27:12.840
<v Speaker 2>I'm starting to think that this gamekeeper might be Lady

0:27:12.920 --> 0:27:17.880
<v Speaker 2>Chatterley's lover, because before.

0:27:17.560 --> 0:27:20.640
<v Speaker 1>That point, well not before that point, yeah, I wrote

0:27:20.640 --> 0:27:22.920
<v Speaker 1>that one. I was already very obviously they were already

0:27:25.520 --> 0:27:27.480
<v Speaker 1>One thing I did enjoy about the film early on

0:27:27.640 --> 0:27:29.639
<v Speaker 1>is that you know it's called Lady Chatterley's Lover. You're no,

0:27:29.720 --> 0:27:32.920
<v Speaker 1>she set up to go bone someone, but you don't

0:27:32.960 --> 0:27:36.680
<v Speaker 1>know who yet, And so every character you meet, you're like, oh, oh, oh,

0:27:37.880 --> 0:27:40.840
<v Speaker 1>it's gonna be a little are you her lover? Ladies lady?

0:27:41.080 --> 0:27:44.440
<v Speaker 1>And then yeah, yeah, the group of miners walks through

0:27:44.440 --> 0:27:46.240
<v Speaker 1>the town and you're like, I don't maybe it could

0:27:46.280 --> 0:27:52.000
<v Speaker 1>be any one of them, every single person she meets.

0:27:52.000 --> 0:27:54.359
<v Speaker 1>It's honestly, and by the way, that's exactly what Stardu

0:27:54.480 --> 0:27:57.360
<v Speaker 1>Valley is like you walk around and it's like, who

0:27:57.359 --> 0:28:00.680
<v Speaker 1>will you marry? Oh, that's what a lot of video

0:28:00.680 --> 0:28:02.320
<v Speaker 1>game things are like. It's like, if you talk to

0:28:02.320 --> 0:28:05.720
<v Speaker 1>them long enough in the town, perhaps they'll be the

0:28:05.800 --> 0:28:08.919
<v Speaker 1>dream boat. And they're always like these fantasy type characters

0:28:08.920 --> 0:28:11.160
<v Speaker 1>who are like, well, I was just cleaning up my home.

0:28:11.840 --> 0:28:16.000
<v Speaker 2>Mmm, do you like a person who keeps a clean home?

0:28:16.119 --> 0:28:18.000
<v Speaker 2>Is that a trait that you look for in a partner,

0:28:19.200 --> 0:28:20.680
<v Speaker 2>because it sounds like it is.

0:28:20.760 --> 0:28:22.879
<v Speaker 1>I do keep bringing it up. I think there's something

0:28:22.920 --> 0:28:27.200
<v Speaker 1>that's inherently unsettling about a man's home being really gross.

0:28:27.960 --> 0:28:31.240
<v Speaker 1>M and my current partner, who's gonna listen to this

0:28:31.240 --> 0:28:36.240
<v Speaker 1>and be absolutely frightened. Messiness is not the same as dirtiness. Oh, Leona,

0:28:36.240 --> 0:28:38.120
<v Speaker 1>thank you so much. You said, Sienna, are you doing okay?

0:28:38.800 --> 0:28:40.680
<v Speaker 1>Mm hmm. Well, while I was watching with my brother

0:28:40.680 --> 0:28:46.880
<v Speaker 1>and my mom, oh my god, they really do everything. Yeah,

0:28:46.920 --> 0:28:51.680
<v Speaker 1>they do everything that a heterosexual couple on Netflix is

0:28:51.720 --> 0:28:56.719
<v Speaker 1>want to do. Mm hmm. I was doing fine. I

0:28:56.760 --> 0:29:01.560
<v Speaker 1>didn't love their first sex scene very much when he

0:29:01.600 --> 0:29:05.840
<v Speaker 1>immediately puts it in okay, And maybe part of that

0:29:05.920 --> 0:29:07.560
<v Speaker 1>was that I was watching it with my mom, with.

0:29:07.520 --> 0:29:10.040
<v Speaker 2>Your brother and your mom and my brother. Mm hmm,

0:29:11.160 --> 0:29:14.080
<v Speaker 2>this is so funny you wrote this movie is starting

0:29:14.080 --> 0:29:17.160
<v Speaker 2>to remind me of Kez. Also, every time I type

0:29:17.240 --> 0:29:19.840
<v Speaker 2>Kez in my notes, it autocorrects to kms.

0:29:22.080 --> 0:29:23.920
<v Speaker 1>Because when he when he's like really with his uh

0:29:24.160 --> 0:29:26.280
<v Speaker 1>the birds, I was like, okay.

0:29:26.440 --> 0:29:30.040
<v Speaker 2>Who I was thinking the mine, I mean, the mine

0:29:30.200 --> 0:29:31.360
<v Speaker 2>is so Kez.

0:29:31.520 --> 0:29:36.360
<v Speaker 1>Yeah, it was when he was with his foul. Oh wow.

0:29:36.560 --> 0:29:40.680
<v Speaker 1>I was like, wow, this is like sexy Kez. But

0:29:40.800 --> 0:29:43.680
<v Speaker 1>every time I tud to keep going came from grown

0:29:43.760 --> 0:29:48.120
<v Speaker 1>up and I love. I almost send you a picture

0:29:48.160 --> 0:29:49.880
<v Speaker 1>of that, but I wanted to save it. But that

0:29:50.280 --> 0:29:52.400
<v Speaker 1>is the most us thing in the world. Is us

0:29:52.440 --> 0:29:55.880
<v Speaker 1>trying to type kez and it's changing to kms kms.

0:29:57.320 --> 0:30:00.400
<v Speaker 1>Both things can be true. KMS is very brand for

0:30:00.440 --> 0:30:06.040
<v Speaker 1>the film. Kazu Leanna. You said the title of this

0:30:06.120 --> 0:30:11.640
<v Speaker 1>epp can just be happy for her, and I was good,

0:30:12.320 --> 0:30:12.920
<v Speaker 1>that's nice.

0:30:13.760 --> 0:30:17.040
<v Speaker 2>Yeah, I was really happy for her. She just she

0:30:17.120 --> 0:30:18.080
<v Speaker 2>finds what she's.

0:30:17.880 --> 0:30:21.760
<v Speaker 1>Actually looking for, and that's really nice. Yeah. I just

0:30:21.760 --> 0:30:25.239
<v Speaker 1>didn't find him very I didn't find what they were

0:30:25.280 --> 0:30:29.440
<v Speaker 1>doing all that well. It certainly wasn't Christian. Yeah, but

0:30:29.480 --> 0:30:32.160
<v Speaker 1>also I was watching this with my mom and my brother.

0:30:32.440 --> 0:30:38.840
<v Speaker 2>You're yeah rightected three Catholic blood relatives watch Lady Chatterley's Lover.

0:30:40.840 --> 0:30:42.200
<v Speaker 1>You didn't bold this, but in.

0:30:42.120 --> 0:30:47.520
<v Speaker 2>All caps, flop it out, flow it out, flop it out.

0:30:49.600 --> 0:30:52.560
<v Speaker 2>You won't is that when he's running? Oh you wanted

0:30:52.560 --> 0:30:54.880
<v Speaker 2>it to have that's before it happened. Oh and then

0:30:54.920 --> 0:31:00.680
<v Speaker 2>later you wrote show us his bush. God, you're really

0:31:00.680 --> 0:31:01.800
<v Speaker 2>heckling this film.

0:31:02.280 --> 0:31:07.200
<v Speaker 1>Yes, I was. I mean, show us your moment. The

0:31:07.280 --> 0:31:09.560
<v Speaker 1>romance thing is just too It is just a little

0:31:09.600 --> 0:31:12.840
<v Speaker 1>too much for me, as we've discussed before. Also, I've

0:31:12.880 --> 0:31:14.760
<v Speaker 1>now seen enough of this genre to know that as

0:31:14.760 --> 0:31:16.600
<v Speaker 1>soon as they had sex for the first time, I

0:31:16.640 --> 0:31:19.520
<v Speaker 1>was like, oh no ah, this is gonna be the

0:31:19.520 --> 0:31:22.560
<v Speaker 1>rest of There's so much more. Yeah, yeah, yeah, yeah,

0:31:22.640 --> 0:31:25.280
<v Speaker 1>this is only just the beginning. It was mostly like again,

0:31:25.280 --> 0:31:28.440
<v Speaker 1>I wasn't having a I was goofing around and like

0:31:28.480 --> 0:31:31.920
<v Speaker 1>being critical. And also the only way to survive when

0:31:31.920 --> 0:31:33.200
<v Speaker 1>you're watching with your brother and your mama is to

0:31:33.240 --> 0:31:37.640
<v Speaker 1>be super critical, siering around and being critical. But I

0:31:37.760 --> 0:31:41.120
<v Speaker 1>will say I will say, like I totally endorse this

0:31:41.240 --> 0:31:45.120
<v Speaker 1>existing and like think it's fun and think it's really

0:31:45.160 --> 0:31:48.000
<v Speaker 1>important to have. I do think it's important to have

0:31:49.000 --> 0:31:53.000
<v Speaker 1>either a sexual education or just like sexual content that

0:31:53.120 --> 0:31:58.080
<v Speaker 1>is not just like porn hub pornography hmmm, because a

0:31:58.560 --> 0:32:00.760
<v Speaker 1>that's like very problematic and lot of ways and be

0:32:01.000 --> 0:32:03.120
<v Speaker 1>just like not enjoyable for everyone, and to act like

0:32:03.160 --> 0:32:05.520
<v Speaker 1>it is is like frustrating to me. So I'm glad

0:32:05.560 --> 0:32:07.680
<v Speaker 1>that they have different sort of content and it's sort

0:32:07.680 --> 0:32:10.040
<v Speaker 1>of like you get to spend more time with the

0:32:10.120 --> 0:32:14.880
<v Speaker 1>characters and then also enjoy the sexual nature of it.

0:32:15.280 --> 0:32:19.400
<v Speaker 1>But the part that I really wasn't vibing with was

0:32:19.440 --> 0:32:24.400
<v Speaker 1>the end when it becomes like this rich woman is

0:32:24.440 --> 0:32:27.640
<v Speaker 1>the best woman in the world, everybody needs to feel

0:32:27.640 --> 0:32:35.000
<v Speaker 1>sorry for her. I was like, wait, that's an interesting

0:32:35.040 --> 0:32:40.360
<v Speaker 1>reading of it. Just yeah, that's what it felt like

0:32:40.400 --> 0:32:43.960
<v Speaker 1>to me. It felt very you know the point of

0:32:43.960 --> 0:32:49.360
<v Speaker 1>a movie when unfor the help character, the one who

0:32:49.520 --> 0:32:52.960
<v Speaker 1>is like their hired help is like, don't say anything

0:32:53.000 --> 0:32:56.600
<v Speaker 1>bad about my employer. She is a way better woman

0:32:56.640 --> 0:33:00.120
<v Speaker 1>than any of you servant mitches could ever be. She

0:33:00.240 --> 0:33:03.600
<v Speaker 1>is nice to me, and guess what, she was in

0:33:03.640 --> 0:33:06.280
<v Speaker 1>love with this man, so she's gonna stay by his side.

0:33:07.080 --> 0:33:10.200
<v Speaker 1>And uh, if you really think about it, isn't it

0:33:10.280 --> 0:33:13.560
<v Speaker 1>worst of all to be her? It's like, well, they

0:33:13.600 --> 0:33:15.040
<v Speaker 1>didn't say any of that, but that's what That's what

0:33:15.040 --> 0:33:20.200
<v Speaker 1>it felt like. That That was where I was like,

0:33:20.960 --> 0:33:27.080
<v Speaker 1>that's too much for me. Yeah, I'm such a hater.

0:33:28.000 --> 0:33:32.200
<v Speaker 2>You are being a hater, but you watched this with

0:33:32.240 --> 0:33:34.320
<v Speaker 2>your mom and your brother. I don't think there was

0:33:34.360 --> 0:33:35.640
<v Speaker 2>gonna be a different outcome.

0:33:35.760 --> 0:33:38.440
<v Speaker 1>That is something I am always always critical of though.

0:33:39.000 --> 0:33:44.800
<v Speaker 1>Is the poor defending the rich? Yeah? Well, and also

0:33:44.840 --> 0:33:48.120
<v Speaker 1>just an ending this too convenient. I think I didn't

0:33:48.120 --> 0:33:50.000
<v Speaker 1>know the genre what it was gonna be either, and

0:33:50.040 --> 0:33:54.360
<v Speaker 1>I thought that maybe something really crazy was gonna happen

0:33:54.400 --> 0:33:56.640
<v Speaker 1>at It's just something completely unexpected was gonna happen at

0:33:56.680 --> 0:33:59.200
<v Speaker 1>the end, and I was kind of excited to see

0:33:59.240 --> 0:34:01.160
<v Speaker 1>where they were gonna go. For example, when she came

0:34:01.200 --> 0:34:03.640
<v Speaker 1>back and all the doors were locked for some reason,

0:34:03.680 --> 0:34:05.520
<v Speaker 1>I was like, oh my god, Like, what's gonna happen?

0:34:05.520 --> 0:34:06.760
<v Speaker 1>What are the consequences gonna be?

0:34:07.480 --> 0:34:07.720
<v Speaker 4>Yeah?

0:34:07.800 --> 0:34:09.440
<v Speaker 1>Yeah, because I thought they were gonna deal with the

0:34:09.480 --> 0:34:11.520
<v Speaker 1>fact that they were real consequences, and they kind of did,

0:34:11.560 --> 0:34:14.040
<v Speaker 1>like the fact that her compute entire community shut them

0:34:14.080 --> 0:34:17.640
<v Speaker 1>out right, But I kind of thought that something more

0:34:17.719 --> 0:34:20.920
<v Speaker 1>the way that sometimes you will like want intrigue. I

0:34:20.920 --> 0:34:23.279
<v Speaker 1>thought something really kind of crazy was gonna happen, and

0:34:23.320 --> 0:34:26.480
<v Speaker 1>it was just a little bit more. Which now the like, again,

0:34:26.880 --> 0:34:28.799
<v Speaker 1>you were watching this movie as a second watch and

0:34:28.920 --> 0:34:31.440
<v Speaker 1>also walked into the theater knowing what it was. If

0:34:31.480 --> 0:34:33.239
<v Speaker 1>I'd been completely aware of the genre, I think I

0:34:33.239 --> 0:34:36.160
<v Speaker 1>wouldn't have been as like what the heck about that?

0:34:36.280 --> 0:34:38.319
<v Speaker 1>But I was scitized by the end because I didn't

0:34:38.360 --> 0:34:39.760
<v Speaker 1>know it was just gonna end there I thought something.

0:34:39.960 --> 0:34:43.440
<v Speaker 2>Yeah, I remember the first time I watched it, I

0:34:43.480 --> 0:34:46.480
<v Speaker 2>spent the whole time really tense because I kept expecting something.

0:34:47.160 --> 0:34:49.120
<v Speaker 2>How it happened, Yeah, I was like someone's gonna die,

0:34:49.160 --> 0:34:52.920
<v Speaker 2>someone's gonna kill somebody, everybody's gonna get typhus or something. Yeah,

0:34:52.960 --> 0:34:58.200
<v Speaker 2>and being so relieved by the ending, but also like drained,

0:34:58.239 --> 0:34:59.320
<v Speaker 2>like I was just so tired.

0:34:59.360 --> 0:35:01.320
<v Speaker 1>Yes, I was really feel surprised.

0:35:02.080 --> 0:35:04.480
<v Speaker 2>So yeah, for sure, watching it a second time was

0:35:04.680 --> 0:35:11.440
<v Speaker 2>just like you are watching like countryside soft pornography two hours,

0:35:11.480 --> 0:35:12.960
<v Speaker 2>Like it's just like, isn't this lovely?

0:35:13.040 --> 0:35:13.200
<v Speaker 4>You know?

0:35:13.840 --> 0:35:14.080
<v Speaker 1>Yeah?

0:35:14.280 --> 0:35:18.560
<v Speaker 2>And again get that like yeah that is that is

0:35:19.040 --> 0:35:22.360
<v Speaker 2>That's I think. Another thing I'd like about it is.

0:35:22.400 --> 0:35:25.520
<v Speaker 2>It's actually it does have the ending of it just

0:35:25.560 --> 0:35:30.600
<v Speaker 2>being pleasant. He's unexpected because this genre is so laden

0:35:30.640 --> 0:35:33.600
<v Speaker 2>with like tragedy, especially a period piece.

0:35:35.200 --> 0:35:37.319
<v Speaker 1>O Leanna, your final notes are I am giggling and

0:35:37.400 --> 0:35:41.640
<v Speaker 1>kicking my feet. Good for you girl, Good for you girl,

0:35:42.680 --> 0:35:45.399
<v Speaker 1>so happy for her? Yeah, she really got It's just nice.

0:35:46.239 --> 0:35:48.000
<v Speaker 2>Well, shall we move on to our badges and traged

0:35:48.080 --> 0:35:50.960
<v Speaker 2>let's do it, Okay, this is I obviously have a

0:35:51.000 --> 0:35:52.240
<v Speaker 2>lot of badges.

0:35:52.719 --> 0:35:57.799
<v Speaker 1>This, of course we give badges for boning and tragis

0:35:58.360 --> 0:36:04.200
<v Speaker 1>for talking shit about Lady Chatterley. The affair.

0:36:05.080 --> 0:36:08.200
<v Speaker 2>Yes, oh, I have a badge for it. The countryside

0:36:08.239 --> 0:36:09.160
<v Speaker 2>is so beautiful.

0:36:09.640 --> 0:36:15.200
<v Speaker 1>Yeah, the nature and this was really pretty. Yeah. Badge

0:36:15.200 --> 0:36:17.759
<v Speaker 1>for a nice high bathtub. I love the bathtub that

0:36:17.800 --> 0:36:19.879
<v Speaker 1>he got into. Why don't they make bathtubs that high

0:36:19.960 --> 0:36:25.520
<v Speaker 1>up anymore? Get in there? Absolutely, badge for the North

0:36:26.000 --> 0:36:31.720
<v Speaker 1>of England, all these Northerners. The badge for the colors

0:36:31.719 --> 0:36:33.080
<v Speaker 1>in the movie. I liked what they were doing with

0:36:33.120 --> 0:36:35.440
<v Speaker 1>all the muted stuff. And then every now and then

0:36:35.520 --> 0:36:39.480
<v Speaker 1>she wear something bright or the reasoning appearing. Also the

0:36:39.520 --> 0:36:41.760
<v Speaker 1>flower bouquet that she got from in front of him. Oh,

0:36:41.880 --> 0:36:44.719
<v Speaker 1>isn't it so gorgeous? It was so I literally gasped.

0:36:46.719 --> 0:36:48.480
<v Speaker 1>It was so well, that's the only thing you're allowed

0:36:48.520 --> 0:36:50.600
<v Speaker 1>to like audibly react to when you're watching this with

0:36:50.640 --> 0:36:55.600
<v Speaker 1>your mom and your brother. I'm like, lovely bouquet. Wow,

0:36:55.680 --> 0:36:58.719
<v Speaker 1>look at it. Hey, everyone, look at that bouquet. That

0:36:58.760 --> 0:37:04.920
<v Speaker 1>bouquet is very badge for the use of letters to

0:37:05.040 --> 0:37:07.839
<v Speaker 1>kind of set up exposition or move the platforward when

0:37:07.880 --> 0:37:11.040
<v Speaker 1>she's narrating her letters to her sister. Oh yeah, I

0:37:11.160 --> 0:37:14.640
<v Speaker 1>liked that badge for that sister being completely real talk.

0:37:15.120 --> 0:37:18.160
<v Speaker 1>She slade so hard. She's so real. She'll just come

0:37:18.200 --> 0:37:20.080
<v Speaker 1>in and say everything that you, as the modern viewer,

0:37:20.120 --> 0:37:23.799
<v Speaker 1>are kind of wondering about. And then, even though it

0:37:23.840 --> 0:37:25.920
<v Speaker 1>messed everything up, I did think it was really funny

0:37:25.920 --> 0:37:27.680
<v Speaker 1>that she picked her up from in front of what's

0:37:27.719 --> 0:37:30.720
<v Speaker 1>his name's house? Oh yeah, because that is so sister coded.

0:37:30.800 --> 0:37:33.359
<v Speaker 1>It's like, okay, sorry, you want to do the super

0:37:33.360 --> 0:37:34.680
<v Speaker 1>irresponsible thing you want to be with this man's a

0:37:34.680 --> 0:37:36.120
<v Speaker 1>bad fine, I'm picking up in front of his house.

0:37:36.160 --> 0:37:39.080
<v Speaker 1>It's like, wait, a seat, It's like the horn.

0:37:39.280 --> 0:37:43.319
<v Speaker 2>Yeah, yeah, she's so real. I have a badge for

0:37:43.440 --> 0:37:46.160
<v Speaker 2>the sister is so slay. Yeah, I really liked her

0:37:46.160 --> 0:37:46.480
<v Speaker 2>a lot.

0:37:46.760 --> 0:37:49.200
<v Speaker 1>Badge for the way that sex scenes are directed. I

0:37:49.280 --> 0:37:52.600
<v Speaker 1>just feel so much safer for watching films directed by

0:37:54.200 --> 0:37:58.239
<v Speaker 1>women when it comes to that, just because like, yeah,

0:37:58.280 --> 0:38:00.120
<v Speaker 1>I mean, we've had to see so much stuff that

0:38:00.160 --> 0:38:02.840
<v Speaker 1>it just felt like a completely different view something directed

0:38:02.920 --> 0:38:07.560
<v Speaker 1>specifically by men who are like weirdly powerful and love

0:38:07.640 --> 0:38:10.200
<v Speaker 1>looking at women and love looking at stuff and want to,

0:38:10.480 --> 0:38:13.680
<v Speaker 1>you know, create fantasy. And it's just this is a

0:38:13.680 --> 0:38:18.480
<v Speaker 1>different type of a fantasy obviously, but even the very

0:38:18.520 --> 0:38:22.880
<v Speaker 1>first scene, this is one way of looking at it

0:38:22.920 --> 0:38:26.680
<v Speaker 1>is like making fun of it. But I actually liked that.

0:38:27.280 --> 0:38:29.200
<v Speaker 1>I think their first sex scene seems like they're one

0:38:29.239 --> 0:38:31.200
<v Speaker 1>where they're the least comfortable and she's a little bit

0:38:31.280 --> 0:38:34.000
<v Speaker 1>like Okay, I like this, but like and I think

0:38:34.000 --> 0:38:36.960
<v Speaker 1>that's actually very real that they she would get more

0:38:36.960 --> 0:38:40.600
<v Speaker 1>comfortable and more yeah, immersed. And also I thought it

0:38:40.640 --> 0:38:47.520
<v Speaker 1>was really funny that when they're done, he's like, which

0:38:47.520 --> 0:38:51.120
<v Speaker 1>is also yeah, that's the female lens right there, because

0:38:51.160 --> 0:38:55.640
<v Speaker 1>it's like, yeah, yeah, he's like Okay, it's like that

0:38:55.800 --> 0:38:59.960
<v Speaker 1>was great. Next time, Let's do more stuff. That's like,

0:39:00.160 --> 0:39:04.440
<v Speaker 1>and they do, and they do. Next time they really do. Yeah,

0:39:04.760 --> 0:39:07.520
<v Speaker 1>bad for a dog. I think that was a very

0:39:07.560 --> 0:39:11.120
<v Speaker 1>cute dog. Yeah, she was great. Badge for the baby

0:39:11.200 --> 0:39:14.759
<v Speaker 1>chicks Kez Kez mode.

0:39:15.560 --> 0:39:22.840
<v Speaker 2>It's so not like it's just like Kez. A badge

0:39:22.840 --> 0:39:26.160
<v Speaker 2>for female friendship when she befriends the woman in the town.

0:39:26.880 --> 0:39:31.720
<v Speaker 1>Yea that. Yeah, I have a badge for that baby.

0:39:32.960 --> 0:39:36.080
<v Speaker 1>Mm hmmm. I thought that baby was so cute, even

0:39:36.120 --> 0:39:38.560
<v Speaker 1>though I did not know what that baby was possibly eating,

0:39:38.600 --> 0:39:39.919
<v Speaker 1>like what little scraps did baby?

0:39:39.960 --> 0:39:43.479
<v Speaker 2>I think it was a breadstick. Oh it looked because

0:39:43.520 --> 0:39:45.640
<v Speaker 2>I was trying to I thought it was like a

0:39:45.680 --> 0:39:49.840
<v Speaker 2>wood chip. But first I was really concerned. But I

0:39:49.880 --> 0:39:52.960
<v Speaker 2>think it was a breadstick. Badge for the lighting getting brighter,

0:39:53.239 --> 0:39:55.480
<v Speaker 2>like the color palette of the movie shifts as she

0:39:55.520 --> 0:39:57.040
<v Speaker 2>gets I love falls in love.

0:39:57.200 --> 0:40:02.400
<v Speaker 1>Yeah I did like that. Yeah, I'm so glad. Yeah. Uh.

0:40:02.440 --> 0:40:04.759
<v Speaker 1>And I guess my final badge that I've put down

0:40:04.920 --> 0:40:08.279
<v Speaker 1>is for just some of the outfits I really love.

0:40:08.320 --> 0:40:09.799
<v Speaker 1>There are a couple of dresses where I was like

0:40:10.080 --> 0:40:12.600
<v Speaker 1>absolutely slay, like when she was in Venice and she's

0:40:12.600 --> 0:40:15.600
<v Speaker 1>wearing sort of like a teal with a red belt.

0:40:16.200 --> 0:40:20.279
<v Speaker 2>M loved it so much. Badge for I love how

0:40:20.360 --> 0:40:23.280
<v Speaker 2>much they laughed together. I really liked how much laughter

0:40:23.440 --> 0:40:27.400
<v Speaker 2>was incorporated into it because like, yes, there was a

0:40:27.480 --> 0:40:31.319
<v Speaker 2>lot of physical passion, but it also there is a

0:40:31.320 --> 0:40:34.400
<v Speaker 2>lot of laughter in those moments in life, and so

0:40:34.440 --> 0:40:36.719
<v Speaker 2>that was I just thought that was really nice. Yeah,

0:40:36.880 --> 0:40:42.839
<v Speaker 2>badge for I wrote Nurse Sleigh. When the nurse who's

0:40:42.840 --> 0:40:45.359
<v Speaker 2>seing care of her husband calls her to alert her

0:40:45.440 --> 0:40:47.520
<v Speaker 2>to like, hey, you should come back, she is hitting

0:40:47.520 --> 0:40:47.839
<v Speaker 2>the fan.

0:40:48.120 --> 0:40:51.120
<v Speaker 1>Such a homie, she's such a homie.

0:40:51.320 --> 0:40:55.840
<v Speaker 2>A badge for sisterhood when her sister is like fine,

0:40:56.200 --> 0:40:59.759
<v Speaker 2>like kind of just standing with her. And then a

0:41:00.000 --> 0:41:02.600
<v Speaker 2>My final badge is a badge for no one died

0:41:02.680 --> 0:41:07.279
<v Speaker 2>in a car crash. I yea, they always ready at

0:41:07.280 --> 0:41:09.880
<v Speaker 2>this time that I was so ready for someone to

0:41:09.920 --> 0:41:13.880
<v Speaker 2>have died in a car crashed. Like I remember the

0:41:13.960 --> 0:41:17.840
<v Speaker 2>first time I watched this, the scene where his letter

0:41:17.920 --> 0:41:22.879
<v Speaker 2>to her is narrating the visuals of her walking up

0:41:22.920 --> 0:41:27.040
<v Speaker 2>to his new cottage in Scotland and she's looking for

0:41:27.120 --> 0:41:30.239
<v Speaker 2>him but not finding him that entire time. The first

0:41:30.280 --> 0:41:30.920
<v Speaker 2>time I watched this.

0:41:30.880 --> 0:41:34.120
<v Speaker 1>I was like, he's dead. He's dead somewhere, he's dead.

0:41:34.560 --> 0:41:37.920
<v Speaker 1>He died because things like spoiler alert coming up. Shows

0:41:37.960 --> 0:41:42.560
<v Speaker 1>like Downton Abbey make us feel they took all our

0:41:42.560 --> 0:41:50.480
<v Speaker 1>confidence away. And also this era where it's like, sorry,

0:41:50.520 --> 0:41:53.840
<v Speaker 1>cars are new, we barely know how to use them. Yep,

0:41:53.960 --> 0:41:57.319
<v Speaker 1>we're going too fast. All of our road that was

0:41:57.320 --> 0:42:02.560
<v Speaker 1>built for horses, their mud and grass m hm. And

0:42:02.680 --> 0:42:06.520
<v Speaker 1>everyone's drunk all the time and or on heavy opiates

0:42:07.800 --> 0:42:10.319
<v Speaker 1>operating machinery. So someone's always blowing up in a car,

0:42:10.360 --> 0:42:11.000
<v Speaker 1>which is fair.

0:42:12.760 --> 0:42:16.160
<v Speaker 2>And it was so lovely that that didn't happen in

0:42:16.200 --> 0:42:17.320
<v Speaker 2>this film.

0:42:17.680 --> 0:42:19.719
<v Speaker 1>I love the ending. I love it.

0:42:20.719 --> 0:42:22.480
<v Speaker 2>I actually think they could have ended it where he

0:42:22.520 --> 0:42:24.920
<v Speaker 2>comes up and hugs her and she gasps, like, I

0:42:24.920 --> 0:42:25.759
<v Speaker 2>think that could have been it.

0:42:26.560 --> 0:42:30.560
<v Speaker 1>But I don't mind a longer hug. That's fine. Hey,

0:42:30.960 --> 0:42:37.640
<v Speaker 1>tra trages okay, I seem to only have two. Okay.

0:42:37.680 --> 0:42:40.160
<v Speaker 1>My first trage is for to be honest, I did

0:42:40.200 --> 0:42:42.399
<v Speaker 1>not feel the chemistry with these people. I didn't really

0:42:42.400 --> 0:42:46.000
<v Speaker 1>think they had enormous chemistry. But again, we know I

0:42:46.000 --> 0:42:51.799
<v Speaker 1>have specific tastes. You should do me, okay, so we

0:42:51.840 --> 0:42:53.799
<v Speaker 1>know that. And again you were watching it with your

0:42:53.800 --> 0:42:58.160
<v Speaker 1>mom and your brother. I just I wasn't completely Again,

0:42:58.200 --> 0:43:00.600
<v Speaker 1>I didn't dislike these people generally, but just in terms

0:43:00.600 --> 0:43:05.200
<v Speaker 1>of their like beautiful chemistry. I don't know. It wasn't

0:43:05.200 --> 0:43:09.680
<v Speaker 1>completely if this had been mister Darcy from from Matthew

0:43:09.680 --> 0:43:14.040
<v Speaker 1>what's his name is? Yeah, that was a romance I

0:43:14.080 --> 0:43:15.600
<v Speaker 1>can get behind. But I also saw it when I

0:43:15.680 --> 0:43:18.120
<v Speaker 1>was I imprinted on that movie, so I know I'm

0:43:18.120 --> 0:43:18.680
<v Speaker 1>a little.

0:43:18.440 --> 0:43:22.640
<v Speaker 2>Bit yes, And there's no bush in that film. No,

0:43:23.760 --> 0:43:26.319
<v Speaker 2>mm hmmm, I have a trage for I don't know

0:43:26.320 --> 0:43:29.360
<v Speaker 2>how I feel about this chalk font at the beginning

0:43:29.400 --> 0:43:31.600
<v Speaker 2>and at the end, I don't remember. Just literally, like

0:43:32.280 --> 0:43:35.399
<v Speaker 2>the design of the credits. Before and after the movie,

0:43:35.400 --> 0:43:38.520
<v Speaker 2>I was like, Eh, it's too anachronistic. It needs to

0:43:38.520 --> 0:43:42.000
<v Speaker 2>be lovely interesting. Instead it was more like too modern.

0:43:42.200 --> 0:43:42.839
<v Speaker 2>I didn't like it.

0:43:43.360 --> 0:43:49.200
<v Speaker 1>Hmm interesting. Yeah. There were a few moments. They also

0:43:49.239 --> 0:43:51.000
<v Speaker 1>had a few times where they said things where I'm like,

0:43:51.040 --> 0:43:53.880
<v Speaker 1>I do not think that is historically accurate. For example,

0:43:53.880 --> 0:43:57.239
<v Speaker 1>the phrase have sex that sounds kind of modern. Do

0:43:57.400 --> 0:44:00.200
<v Speaker 1>you think it sounded very modern? Yeah? I also like,

0:44:00.200 --> 0:44:04.279
<v Speaker 1>I'm not sure trag for. I was really frustrated by

0:44:04.320 --> 0:44:05.920
<v Speaker 1>the horrible decisions they were making. I was like, you

0:44:05.920 --> 0:44:08.480
<v Speaker 1>guys have completely isolated yourself from every community and this

0:44:08.520 --> 0:44:11.279
<v Speaker 1>baby is not going to have any friends to help

0:44:11.360 --> 0:44:14.720
<v Speaker 1>take care for it. Oh, I forgot about the baby.

0:44:15.000 --> 0:44:16.600
<v Speaker 1>They're street up, they streight up have a baby, and

0:44:16.640 --> 0:44:19.520
<v Speaker 1>everyone has turned on them, though they'll probably come back

0:44:19.560 --> 0:44:22.719
<v Speaker 1>around and whatever. Like, I just don't think this was

0:44:22.800 --> 0:44:24.800
<v Speaker 1>very responsible. I think it was very irresponsible because you

0:44:24.800 --> 0:44:28.720
<v Speaker 1>guys wanted to bone.

0:44:27.360 --> 0:44:29.399
<v Speaker 2>Sure, but also it was and I mean, we can't

0:44:29.400 --> 0:44:32.680
<v Speaker 2>even begin to talk about contraceptive options in the nineteen twenties.

0:44:32.719 --> 0:44:36.680
<v Speaker 2>My god, ah, yeah, sure. My other trage is a

0:44:36.800 --> 0:44:39.560
<v Speaker 2>trag for and this is no one's fault, but cold

0:44:39.680 --> 0:44:42.719
<v Speaker 2>lighting in the film. On a very cold day that

0:44:42.840 --> 0:44:47.840
<v Speaker 2>I was watching the film, I was really cold watching this,

0:44:49.880 --> 0:44:53.960
<v Speaker 2>and because Lady Chatterley looks so cold during the film

0:44:54.080 --> 0:44:56.920
<v Speaker 2>and the lighting is very blue at the beginning because

0:44:56.960 --> 0:45:01.239
<v Speaker 2>there's like not love in her life, I was the shivering,

0:45:02.200 --> 0:45:07.880
<v Speaker 2>which again no one's thought, but it was too bad.

0:45:08.760 --> 0:45:12.160
<v Speaker 1>My final yeah, my final trage is just a it's

0:45:12.200 --> 0:45:15.399
<v Speaker 1>just the general trage that I didn't love the ending.

0:45:15.440 --> 0:45:18.400
<v Speaker 1>I just thought it was very unnuanced and un But

0:45:19.320 --> 0:45:21.799
<v Speaker 1>my other trag at the end of this movie, I

0:45:21.880 --> 0:45:27.319
<v Speaker 1>did check in with myself and go I'm a hater. Oh, oh,

0:45:27.440 --> 0:45:30.160
<v Speaker 1>you know what I've thought about. I thought about in

0:45:30.280 --> 0:45:34.279
<v Speaker 1>Ratituwei when he talks about critics. Oh my gosh, he

0:45:34.320 --> 0:45:36.200
<v Speaker 1>gives that speech about like it's easy to be a critic.

0:45:36.600 --> 0:45:38.120
<v Speaker 1>People work on all this stuff and then you just

0:45:38.120 --> 0:45:42.080
<v Speaker 1>get to come in and say something snide and to

0:45:42.120 --> 0:45:45.600
<v Speaker 1>be honest, my friend being in. Yeah, anyway, it's something

0:45:45.640 --> 0:45:47.960
<v Speaker 1>I'm reflecting on about myself in my life at this

0:45:48.000 --> 0:45:51.319
<v Speaker 1>time because I'm in like a collective group right now

0:45:51.360 --> 0:45:55.040
<v Speaker 1>where we try to make stuff and uh in my

0:45:55.719 --> 0:45:58.960
<v Speaker 1>whatever comedy group, and we all will just like have

0:45:59.040 --> 0:46:00.600
<v Speaker 1>a lot of opinions, and every now and then we've

0:46:00.680 --> 0:46:02.279
<v Speaker 1>check in with ourselves and go, is there even a

0:46:02.280 --> 0:46:03.680
<v Speaker 1>point of me having an opinion on this? Or am

0:46:03.719 --> 0:46:05.160
<v Speaker 1>I just trying to be a hater just to like

0:46:05.600 --> 0:46:07.520
<v Speaker 1>assert my dominance in life that I can have an

0:46:07.560 --> 0:46:10.359
<v Speaker 1>opinion on something that actually was just like a fine thing.

0:46:11.040 --> 0:46:12.799
<v Speaker 1>So anyway, I would like to say that it did

0:46:12.800 --> 0:46:14.320
<v Speaker 1>make me self reflect and I'm sorry for all the

0:46:14.320 --> 0:46:19.120
<v Speaker 1>haterism and hater aid. Yeah, I'm sorry for the hater aid.

0:46:19.600 --> 0:46:24.520
<v Speaker 1>And it was I had fun having some hating on

0:46:24.560 --> 0:46:26.560
<v Speaker 1>this movie, and it was the way to watch it

0:46:26.760 --> 0:46:29.400
<v Speaker 1>with my mom and brother, and I would like to

0:46:29.400 --> 0:46:34.040
<v Speaker 1>give that disclaimer the only way to survive. I'd also

0:46:34.080 --> 0:46:36.440
<v Speaker 1>like to acknowledge that watching Ratitui has made me think

0:46:36.480 --> 0:46:42.480
<v Speaker 1>about what it means to be a critic. Yeah, because

0:46:42.480 --> 0:46:44.279
<v Speaker 1>it's been sitting in my mind. I was literally thinking

0:46:44.280 --> 0:46:46.040
<v Speaker 1>about his speech while watching this movie. I'm like, I

0:46:46.080 --> 0:46:48.600
<v Speaker 1>am a hater. I've been so mean. Oh my gosh. Anyway,

0:46:48.640 --> 0:46:49.920
<v Speaker 1>so just so you know, I've been self reflecting.

0:46:50.000 --> 0:46:54.799
<v Speaker 2>Nay slay well, speaking of self reflecting. Yeah, let's move

0:46:54.800 --> 0:46:57.080
<v Speaker 2>on to our segment. How to pretend you've seen this

0:46:57.239 --> 0:47:01.680
<v Speaker 2>film in which you are. You are at your little

0:47:02.000 --> 0:47:10.600
<v Speaker 2>cottage of solitude, surrounded by pheasant chicks, and it's just

0:47:10.719 --> 0:47:15.759
<v Speaker 2>not at all, not even the same birds, not not

0:47:15.840 --> 0:47:21.120
<v Speaker 2>for not by Miles what's her husband's name, Clifford. Clifford

0:47:21.640 --> 0:47:25.560
<v Speaker 2>comes up to you and shatters your solitude with a

0:47:25.640 --> 0:47:33.760
<v Speaker 2>complete lack of self reflection by saying, I have there's nothing,

0:47:34.000 --> 0:47:38.600
<v Speaker 2>I have, no faults, and I that reminds me of

0:47:38.640 --> 0:47:42.439
<v Speaker 2>the perfect character of Sir Clifford in the film Lady

0:47:42.520 --> 0:47:45.400
<v Speaker 2>Chatterley's Lover, which is of course about Sir Clifford Chatterly

0:47:46.040 --> 0:47:47.960
<v Speaker 2>and his journey as a writer.

0:47:47.920 --> 0:47:59.160
<v Speaker 1>And did order to ah excommunicate Clifford from all communities

0:48:00.239 --> 0:48:06.600
<v Speaker 1>in all classes in this town. We're gonna give you

0:48:06.600 --> 0:48:08.000
<v Speaker 1>a few things that you can say to pretend that

0:48:08.040 --> 0:48:10.799
<v Speaker 1>you've seen the film Lady Chatterley's Lover twenty twenty two.

0:48:14.400 --> 0:48:21.080
<v Speaker 2>Yes, Clifford, I've seen Lady Chatterly's Lover. There's a character

0:48:21.200 --> 0:48:24.200
<v Speaker 2>from Lady Chatterly's past, a German boy that she seems

0:48:24.239 --> 0:48:27.160
<v Speaker 2>to have had an affair with who nobody can get over.

0:48:27.920 --> 0:48:31.040
<v Speaker 2>But I must say at that time everybody had their

0:48:31.080 --> 0:48:35.919
<v Speaker 2>own German boy. I mean really, the English monarchs were

0:48:36.000 --> 0:48:38.080
<v Speaker 2>cousins with the German ones.

0:48:40.680 --> 0:48:46.560
<v Speaker 1>Ah okay here, yes, Clifford, I have seen Lady Chatterley's Lover.

0:48:46.840 --> 0:48:49.760
<v Speaker 1>One of the main claims to fame of this film

0:48:49.920 --> 0:49:01.120
<v Speaker 1>is it's unique and thoughtful intimacy, and a lot of

0:49:01.120 --> 0:49:08.359
<v Speaker 1>that is because the director, Laure de Claremont Tournaire. Sure

0:49:08.840 --> 0:49:14.680
<v Speaker 1>it's a very French name. I'm sorry, Laura, Laura. The

0:49:14.760 --> 0:49:18.520
<v Speaker 1>director uh brought in an intimacy coordinator who comes from

0:49:18.520 --> 0:49:20.720
<v Speaker 1>a dancer's background, which is interesting. One of my intimacy

0:49:20.760 --> 0:49:23.080
<v Speaker 1>coordinator friends was also a choreographer, so I guess there's

0:49:23.080 --> 0:49:26.200
<v Speaker 1>a pipeline because they know about movement and things like that,

0:49:26.680 --> 0:49:30.080
<v Speaker 1>and they kind of went over it together, should go

0:49:30.160 --> 0:49:32.719
<v Speaker 1>over it with this choreography intimacy coordinator and then would

0:49:32.719 --> 0:49:34.279
<v Speaker 1>bring the actors in and then go over it with

0:49:34.360 --> 0:49:36.640
<v Speaker 1>them and kind of come up with bringing their ideas

0:49:36.719 --> 0:49:39.239
<v Speaker 1>and figure out what they're comfortable with and then go

0:49:39.280 --> 0:49:41.640
<v Speaker 1>from there. So it was like a very collaborative and

0:49:41.760 --> 0:49:44.920
<v Speaker 1>open and comfortable space, which is just just makes so

0:49:45.120 --> 0:49:49.160
<v Speaker 1>much sense for how you should do sex scenes, especially

0:49:49.160 --> 0:49:51.040
<v Speaker 1>ones that are supposed to be this intimate and this raw,

0:49:51.480 --> 0:49:53.440
<v Speaker 1>and it does come through that. It feels like a

0:49:53.600 --> 0:50:00.520
<v Speaker 1>very a very genuine and comfortable space, which is like

0:50:00.560 --> 0:50:07.279
<v Speaker 1>such an important part of sexuality. Yeah. Yes, much more

0:50:07.360 --> 0:50:10.480
<v Speaker 1>natural and much more safe is what they say it was.

0:50:10.560 --> 0:50:15.160
<v Speaker 2>Yeah, yes, Clifford, I've seen Lady Chatterley's Lover, and I'm

0:50:15.200 --> 0:50:17.239
<v Speaker 2>gonna have to arrange for you to get picked up

0:50:17.239 --> 0:50:20.240
<v Speaker 2>by my sister who's gonna honk her horn at any moment,

0:50:20.880 --> 0:50:23.680
<v Speaker 2>because my God, please get away.

0:50:26.480 --> 0:50:30.000
<v Speaker 1>Yes, Clifford, I have seen Lady Chatterley's Lover. There's not

0:50:30.040 --> 0:50:33.919
<v Speaker 1>that much trivia on this film. In fact, there's only

0:50:33.960 --> 0:50:38.279
<v Speaker 1>four and they're mostly pretty late, and one of them

0:50:38.480 --> 0:50:42.600
<v Speaker 1>is that Emma Corn made the decision to grow out

0:50:42.640 --> 0:50:47.600
<v Speaker 1>their natural pubic hair. Yes, bush, the bush seemed clear,

0:50:47.680 --> 0:50:51.560
<v Speaker 1>but good for them, I guess. Ah. I'm sorry that's

0:50:51.560 --> 0:50:54.320
<v Speaker 1>the only trivia on here, but I kind of also

0:50:54.360 --> 0:50:58.680
<v Speaker 1>love that. Yeah, that totally makes sense because they wanted

0:50:58.719 --> 0:51:03.440
<v Speaker 1>to reflect the time, et cetera. Yeah, of course, instead

0:51:03.440 --> 0:51:05.080
<v Speaker 1>of wearing a murcan, which I didn't realize people were

0:51:05.120 --> 0:51:06.120
<v Speaker 1>always wearing these days.

0:51:06.160 --> 0:51:15.240
<v Speaker 2>Still, oh right, that really screams like fifteen hundreds, doesn't it. Yeah, Yeah, Yes, Clifford,

0:51:15.280 --> 0:51:18.919
<v Speaker 2>I've seen Lady Chatterley's Lover and don't you dare say

0:51:18.960 --> 0:51:22.480
<v Speaker 2>anything negative about that couple. I'll not hear a word

0:51:22.600 --> 0:51:24.920
<v Speaker 2>spoken against them. Of course, it's a love story.

0:51:25.680 --> 0:51:29.600
<v Speaker 1>Yes, Clifford, I've seen Lady Chatterley's Lover. I did read

0:51:29.640 --> 0:51:33.120
<v Speaker 1>a short interview with Emma Corn about this film. They

0:51:33.200 --> 0:51:34.680
<v Speaker 1>put a lot into it and wanted it to be

0:51:34.719 --> 0:51:39.680
<v Speaker 1>really genuine and uh natural, and it was a They

0:51:39.719 --> 0:51:41.719
<v Speaker 1>said it was an important film for them because it's

0:51:41.760 --> 0:51:43.600
<v Speaker 1>one of the few times whereas an actor I didn't

0:51:43.600 --> 0:51:45.360
<v Speaker 1>feel like make believe because it was so raw that

0:51:45.400 --> 0:51:48.319
<v Speaker 1>they got to actually, you know, like the freedom they

0:51:48.320 --> 0:51:53.560
<v Speaker 1>experienced from being naked in the countryside was real and uh. Also,

0:51:53.600 --> 0:51:56.200
<v Speaker 1>in addition to that, they said that their family and

0:51:56.320 --> 0:51:59.439
<v Speaker 1>friends got through watching the movie and still talk to them,

0:52:02.320 --> 0:52:07.760
<v Speaker 1>So that's a positive thing. Yeah, that's so real.

0:52:08.719 --> 0:52:13.120
<v Speaker 2>And now that you have shut the cottage door in

0:52:13.160 --> 0:52:18.920
<v Speaker 2>Clifford's face, we can return to the cozy dining table.

0:52:19.160 --> 0:52:22.080
<v Speaker 2>That's our segment should you watch this or in which

0:52:22.120 --> 0:52:23.840
<v Speaker 2>we tell you if we think you should watch this

0:52:23.960 --> 0:52:28.120
<v Speaker 2>movie or if you should do maybe something else while

0:52:28.120 --> 0:52:30.000
<v Speaker 2>you're at home with your mom and brother.

0:52:31.080 --> 0:52:37.160
<v Speaker 1>Yeah, yeah, maybe you should do something else. Leanna, what

0:52:37.200 --> 0:52:37.600
<v Speaker 1>do you think?

0:52:38.960 --> 0:52:41.640
<v Speaker 2>I would say, Yes, you can watch Lady Chatterley's Lover.

0:52:41.920 --> 0:52:45.719
<v Speaker 2>Be sure to not watch it with your parents or

0:52:45.760 --> 0:52:51.560
<v Speaker 2>siblings because that will be tough. That it'll be tough

0:52:51.600 --> 0:52:57.600
<v Speaker 2>to really perceive the film under such circumstances. But it's

0:52:57.760 --> 0:53:02.360
<v Speaker 2>very beautiful. If you've ever been after people or uh

0:53:03.719 --> 0:53:12.400
<v Speaker 2>felt deeply alone, it's a really Yeah, it'll strike a chord. Uh, Yep,

0:53:12.840 --> 0:53:13.839
<v Speaker 2>that's what I would say.

0:53:14.040 --> 0:53:18.480
<v Speaker 1>Sianna, What about you? I would say you don't have

0:53:18.600 --> 0:53:21.400
<v Speaker 1>to watch Lady Child Lucier specifically, if you're home with

0:53:21.440 --> 0:53:23.640
<v Speaker 1>your family, you don't have to watch it, and I

0:53:23.680 --> 0:53:28.160
<v Speaker 1>would recommend probably not. Here's what I say about romance movies.

0:53:28.239 --> 0:53:30.640
<v Speaker 1>Once the boning starts, it's not gonna stop for about

0:53:30.760 --> 0:53:36.440
<v Speaker 1>fifty five minutes. Yeah uh, but and there will be

0:53:36.520 --> 0:53:40.080
<v Speaker 1>a montage that's just boning. I think if you like,

0:53:41.880 --> 0:53:45.160
<v Speaker 1>no shame and not trying to be crass with this,

0:53:45.280 --> 0:53:49.360
<v Speaker 1>but like, if you do want to see watch people

0:53:50.000 --> 0:53:55.319
<v Speaker 1>have sex, like this is a good uh comfortable and

0:53:55.400 --> 0:54:01.840
<v Speaker 1>clearly like coordinated and like joyous space for it. I

0:54:01.840 --> 0:54:06.400
<v Speaker 1>don't know, I think this is a great yeah, sex film,

0:54:06.680 --> 0:54:09.360
<v Speaker 1>I do like, And there's a time for it, and

0:54:09.400 --> 0:54:12.160
<v Speaker 1>there's a time for not watching that with your whole

0:54:12.160 --> 0:54:16.840
<v Speaker 1>family A great it's a great sex film. I do

0:54:17.040 --> 0:54:21.160
<v Speaker 1>genuinely think that instead of porn on like gross porn

0:54:21.160 --> 0:54:27.359
<v Speaker 1>websites that are super exploitative and explicit and not exemplary

0:54:27.440 --> 0:54:31.279
<v Speaker 1>of real life and like the real intimacy behind sexuality,

0:54:31.480 --> 0:54:33.080
<v Speaker 1>that these are the kind of things that we should

0:54:33.080 --> 0:54:37.640
<v Speaker 1>have for sexual education. So I really am glad things

0:54:37.680 --> 0:54:39.759
<v Speaker 1>like this exist. Well, you could watch instead, you could

0:54:39.800 --> 0:54:42.560
<v Speaker 1>watch its family friendly, or if you just like want

0:54:42.640 --> 0:54:46.960
<v Speaker 1>the romance side of things that's less racy or just

0:54:47.000 --> 0:54:52.680
<v Speaker 1>like straight up nude sexual intercourse, straight up nude, straight

0:54:52.760 --> 0:54:54.840
<v Speaker 1>up nude sexual intercourse. You can watch a show that

0:54:54.920 --> 0:55:00.279
<v Speaker 1>I just started watching, Heart Stopper, Oh, which is you

0:55:01.000 --> 0:55:04.160
<v Speaker 1>would they are that's the opposite of having sex all

0:55:04.200 --> 0:55:07.080
<v Speaker 1>that is. And I thought it would be cute in

0:55:07.120 --> 0:55:08.839
<v Speaker 1>a way that was like a little bit the way

0:55:08.840 --> 0:55:11.200
<v Speaker 1>that romance movies. I sometimes I am also a little

0:55:11.200 --> 0:55:13.960
<v Speaker 1>turned off by just because I'm like, it's it's just

0:55:14.040 --> 0:55:16.400
<v Speaker 1>like too much or too sweet or too whatever. I

0:55:16.400 --> 0:55:18.360
<v Speaker 1>can sometimes just be a little bit. It's just not

0:55:18.400 --> 0:55:20.920
<v Speaker 1>my complete taste. And I thought Stopper would be like that.

0:55:21.000 --> 0:55:22.080
<v Speaker 1>But it works for me.

0:55:22.280 --> 0:55:24.399
<v Speaker 2>It's so really sweet, It's really see have you seen

0:55:24.400 --> 0:55:30.560
<v Speaker 2>Tricksy and Katia's reactions? Yes, yeah, so so funny, so good.

0:55:32.080 --> 0:55:36.680
<v Speaker 2>Well that's a great recommendation. Well you want to definitely

0:55:36.680 --> 0:55:40.080
<v Speaker 2>see No one have said you can watch art Stopper.

0:55:41.080 --> 0:55:44.520
<v Speaker 1>It is perfect for that. Oh but there we go.

0:55:44.560 --> 0:55:47.319
<v Speaker 2>Everybody, Siana survived Lady Chatterley's Lover.

0:55:49.760 --> 0:55:51.200
<v Speaker 1>That was insane.

0:55:52.480 --> 0:55:55.840
<v Speaker 2>Everyone so much for listening. We've been tossed Popcorn. We

0:55:55.920 --> 0:55:59.640
<v Speaker 2>are all over social media at Tossed Popcorn really just

0:55:59.640 --> 0:56:03.520
<v Speaker 2>one Instagram actually, and we are also on Patreon, patreon

0:56:03.560 --> 0:56:07.560
<v Speaker 2>dot com slash tast Popcorn, where we post bonus episodes

0:56:07.680 --> 0:56:12.040
<v Speaker 2>in video form and join us next week when we

0:56:12.200 --> 0:56:13.360
<v Speaker 2>will be watching.

0:56:14.520 --> 0:56:22.960
<v Speaker 4>Little Women nineteen ninety four who Thank You, We Love

0:56:23.000 --> 0:56:24.800
<v Speaker 4>You Bye.

0:56:30.480 --> 0:56:33.000
<v Speaker 1>You can find us on Instagram as at Sienna Jaco

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<v Speaker 1>and at Leona Holsten. Please check the description for the

0:56:35.880 --> 0:56:39.040
<v Speaker 1>spelling of our dumb names. We put on episodes every Tuesday,

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<v Speaker 1>so make sure to subscribe so that you don't miss

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<v Speaker 1>an episode. See you next week on tossed Popcorn. For

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<v Speaker 1>more podcasts from my Heart Radio, check the iHeartRadio app.

0:56:50.320 --> 0:56:52.440
<v Speaker 1>I'd like them to be able to have conversations beyond

0:56:52.560 --> 0:56:56.719
<v Speaker 1>just wasn't making out. They talk about books. They talk

0:56:56.719 --> 0:56:59.279
<v Speaker 1>about books all the time. So the other problem is

0:56:59.320 --> 0:57:11.160
<v Speaker 1>I could barely understand him. Oh my god. So in

0:57:11.200 --> 0:57:14.200
<v Speaker 1>retrospect again, I was watching this film completely with my family,

0:57:14.440 --> 0:57:16.920
<v Speaker 1>completely blocking out everything. Every time they were naked, I

0:57:16.960 --> 0:57:18.760
<v Speaker 1>was like, oh gods, and trying to talk over it.

0:57:19.000 --> 0:57:22.160
<v Speaker 1>And then in those slivers of moments where they would speak,

0:57:22.200 --> 0:57:25.120
<v Speaker 1>I'd like it was at he'd like like, Okay, I

0:57:25.120 --> 0:57:26.640
<v Speaker 1>guess I'm talking aout SECONDA I guess I have nothing

0:57:26.680 --> 0:57:28.040
<v Speaker 1>to talk about. Because he didn't say anything,