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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama. Girl Drama, Girl,

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Speaker 2: all about them.

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Speaker 3: High school queens.

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Speaker 4: We'll take you for a ride, and our comic girl

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Speaker 4: shared for the right teams.

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Speaker 2: Drama Queens, jap girl Fashion, but your tough.

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Speaker 4: Girl, you could sit with us. Girl Drama, Queens Drama,

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Speaker 4: Queise Drama, Queens Drama, drahn A Queens Drama Queens.

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Speaker 3: Hello, friends, we are back. I can't believe how fast

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Speaker 3: season six is going. We are on season six, episode fourteen,

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Speaker 3: A hand to take hold of the scene, which originally

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Speaker 3: aired January twelfth, two thousand and nine.

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Speaker 1: Guys, what a weird year two thousand and nine was.

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Speaker 3: It was bizarre.

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Speaker 1: It's weird watching this episode because we filmed this months

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Speaker 1: in my We probably filmed this what like October November,

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Speaker 1: and then it airs in January, and so so at

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Speaker 1: the time I was pregnant, these episodes with Peyton becoming

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Speaker 1: pregnant were starting to air, and everyone thought that the

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Speaker 1: pregnancy on TV was the same as my pregnancy in

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Speaker 1: real life, only they had happened like six months apart.

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Speaker 1: So it was confusing even for me because I was like,

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Speaker 1: I don't know what's real life anymore? WHOA Yeah, two

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Speaker 1: thousand and nine, Big year.

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Speaker 3: We'll give them the synopsis.

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Speaker 4: Kids as Peyton and Lucas's news spreads, Marvin and Millicent

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Speaker 4: struggle to remain a couple, and Brooke tries to cess

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Speaker 4: out Julian's intentions. Peyton and Lucas babysit, Jamie and Andre, Well,

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Speaker 4: Haley and Nathan double date with Jason Mia. It's pretty

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Speaker 4: straightforward episode. It's very uh, very straightforward. Nothing too complicated here.

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Speaker 3: It was sweet. It was a very very sweet episode.

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Speaker 3: It was fun to, you know, work with one of

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Speaker 3: our favorites from the writer's room, Mike Daniels, who directed.

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Speaker 4: So actually Mike didn't direct. It's in here in notes

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Speaker 4: incorrectly because.

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Speaker 3: I text you last night.

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Speaker 4: Yeah, so it's flipped around. But so Chad directed this one.

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Speaker 4: Oh and Mike wrote it.

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Speaker 1: Oh that's what I thought, because I remember Chad having

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Speaker 1: to direct us in his scenes and it being like, yeah,

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Speaker 1: it was I liked this episode. I had a ton

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Speaker 1: of fun on this episode.

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Speaker 3: Yeah, I did too.

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Speaker 4: It was a fun one. There's a lot of kids stuff,

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Speaker 4: a lot of just I mean the karaoke and the uh,

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Speaker 4: the basketball, Papa shot thing was really fun and it

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Speaker 4: just felt like everybody was you know, first dates, and yeah,

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Speaker 4: it felt fun.

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Speaker 3: It felt kind of sparkly, and it was nice to

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Speaker 3: have some happiness.

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Speaker 1: Everyone's having fun except for the actual teenagers who are

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Speaker 1: like going through it. Because this episode opens up with

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Speaker 1: like police tape being pulled from Jack's house and yeah,

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Speaker 1: these kids dealing with like cps looking for them and

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Speaker 1: it's so serious. And then all the grown ups in

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Speaker 1: town are like.

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Speaker 3: Having so much fun.

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Speaker 1: Were were a great time kids, don't worry, it gets better.

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Speaker 4: Yeah, hang in there.

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Speaker 1: On that note, like Jack played by Evan Peter Peters is,

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Speaker 1: I mean, what a phenomenal actor. And I think we

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Speaker 1: knew he was different and like special back then, and

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Speaker 1: obviously to see his body of work now is crazy,

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Speaker 1: but at the time it was like he was the

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Speaker 1: serious kid. We had all this goofy stuff going on,

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Speaker 1: and then there was like a real thespian on set.

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Speaker 4: But he and Ashley were having a lot of fun,

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Speaker 4: like they were goofing around and making friends. That the

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Speaker 4: two of them together on screen was like lightning in

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Speaker 4: a bottle. I thought they both were so talented, such

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Speaker 4: good listeners, which is unusual for that age. Yeah, whoever

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Speaker 4: found them and brought them into the show had a

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Speaker 4: good eye for that.

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Speaker 1: Is he our age? How old is is he?

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Speaker 3: He's younger than us, not by a ton. But I

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Speaker 3: thought that they played like that angst and fear in

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Speaker 3: such an honest way. And what was actually really fun

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Speaker 3: in this episode was getting to see her as Sam

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Speaker 3: getting more comfortable and laughing and having a good time

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Speaker 3: and being in this one space where she had healthy relationships.

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Speaker 3: And then on the sort of other end of the

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Speaker 3: seesaw her friend is sinking and she's been there and

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Speaker 3: she just doesn't know what to do. You know, she's

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Speaker 3: not equipped to help him because she's just a kid.

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Speaker 3: And it Yeah, I really loved the dynamic. I liked

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Speaker 3: that we got to see her range, and I just

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Speaker 3: I love watching her.

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Speaker 1: It's easy to forget that she's a kid because when

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Speaker 1: Julian shows up with the coffee and this child has

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Speaker 1: just been duck taped in a closet, right like, this

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Speaker 1: child has just escaped a murderer, and he says to her,

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Speaker 1: he's like, hey, Jack probably needs you, dude, like puts

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Speaker 1: it on the kid to fix this I'm like, Julian,

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Speaker 1: shut the fuck up, get out of this apartment.

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Speaker 4: Also the fact that she's just so chill, Like she

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Speaker 4: shows up at the door, hair's a mess, and she's

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Speaker 4: like yeah whatever, making snarky comments.

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Speaker 5: Again all is well, Yeah, it is really interesting, and

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Speaker 5: like I like their dynamic though, because he kind of

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Speaker 5: teases her like kid's sister, and every time he's he

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Speaker 5: calls her her name, it's different, like he.

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Speaker 3: Says, hey, Sammy and then he's like buy Samson and

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Speaker 3: he's ruffle in her hair and it's like it it's

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Speaker 3: so sweet.

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Speaker 1: Well, it's a polar opposite of Owen, who.

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Speaker 4: Was like, yeah, I'm just gonna say, we.

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Speaker 1: Gotta go looking for her.

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Speaker 4: Yeah, I'm busy right now. I think I have pop

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Speaker 4: tarts on the toaster. Yeah, Like, I think it's so

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Speaker 4: nice to see Julian the way that he is with

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Speaker 4: sam that effortless banter. It's exactly what Brooke needs. And

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Speaker 4: the chemistry with y'all's really great, like really great on screen.

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Speaker 3: Yeah, yeah, it works, there's there. There really is like

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Speaker 3: a little sparkle in that whole dynamic for Brook and Julian.

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Speaker 3: For Brooke and Julian and Sam like they're and he

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Speaker 3: GE's really cute, and even the way it kind of

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Speaker 3: flips later in the diner when it's Julian and Sam

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Speaker 3: and then Julian, Sam and Peyton, and it's like it

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Speaker 3: all just feels really exciting and it's fun to.

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Speaker 1: Have that he likes hanging out with chicks man, Like

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Speaker 1: he's just like, yeah, I'll hang out in the henhouse.

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Speaker 1: That's cool. I love that. Like no one raises a

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Speaker 1: question like really, we're gonna get into costumes before casting,

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Speaker 1: Like we literally like why are we doing costumes before

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Speaker 1: we've done anything else?

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Speaker 3: Yeah, there's been no scouting.

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Speaker 4: I don't even know if the script's done. They're really

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Speaker 4: in the rush to make this movie.

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Speaker 1: No, I just really got to work on these cost come.

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Speaker 1: That's gonna be the euphemism from now on, like, oh,

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Speaker 1: you guys doing a costume meeting? Cool.

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Speaker 4: It was great when he showed up at the door

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Speaker 4: on the phone with arms full of binders and you

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Speaker 4: were all dressed up, gussied up. I was hoping that

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Speaker 4: was the excuse you're going to make up, like, oh, yeah,

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Speaker 4: I just came from something.

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Speaker 1: How many times have you done that in real life?

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Speaker 1: It's very like, oh, this old thing, Oh, this is nothing.

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Speaker 4: Guys, is not for you, trust me.

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Speaker 1: No, I had a meeting today. Yeah, I think let's

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Speaker 1: just focus on the Brook and Julian of it right

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Speaker 1: now instead of doing this chronologically, because I enjoyed it

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Speaker 1: so much, because I felt like a voyeur. I felt

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Speaker 1: like I was watching something I wasn't supposed to see

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Speaker 1: and I that I love.

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Speaker 6: It was just so like, oh no, oh no, here

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Speaker 6: they go, and it was Yeah, I felt like a

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Speaker 6: felt like a rollercoaster of romance.

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Speaker 3: It also just felt nice, Like I think the thing

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Speaker 3: I was struck by was I thought they wrote it

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Speaker 3: really well for us, and I thought that you finally

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Speaker 3: had a character like Brook matched with somebody who like

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Speaker 3: makes sense for her another creative, you know, not exactly

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Speaker 3: in her industry, but like the tension of Brooke and

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Speaker 3: Owen having chemistry but like nothing in common always made

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Speaker 3: it feel like it wasn't really going to go anywhere. Yeah,

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Speaker 3: And I think when you realize that you're watching something

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Speaker 3: and you know it's just not going to work out,

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Speaker 3: it's harder to root for. And there's something really sweet

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Speaker 3: in this dynamic and even with all the little things

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Speaker 3: like I love when I get to play Brooke spinning

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Speaker 3: out and her talking through the logic out loud, trying

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Speaker 3: to figure out what it means and what's going on

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Speaker 3: and is Sam right and doesn't mean anything? And should

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Speaker 3: I get the beer or should I get the wine?

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Speaker 1: No?

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Speaker 4: Wine?

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Speaker 1: Yeah?

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Speaker 7: And then he walks in with wine and it's like,

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Speaker 7: oh okay. I just was like, oh this all this

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Speaker 7: feels like real and authentic to me, Like this is

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Speaker 7: the thing where you go, oh, yeah, I've had butterfly

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Speaker 7: like that.

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Speaker 1: How fun.

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Speaker 4: He's a good counterpart for her because he's also kind

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Speaker 4: of doing that at the end, the talking to himself,

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Speaker 4: talking him through it. What's it going to look like? Yeah,

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Speaker 4: it was gentler because y'all are about to kiss. But

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Speaker 4: I do see an interesting, interesting counter counterpart, And it's

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Speaker 4: almost like being around Brooke Freeze Julian up a bit

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Speaker 4: to be who he really wants to be, who he

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Speaker 4: feels in his skin that he is, and he probably

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Speaker 4: has all these expectations on him in La and in

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Speaker 4: the life that he has with his dad and in

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Speaker 4: the industry to be able to be out of town

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Speaker 4: with this fabulous, beautiful, successful, smart creative woman. It seems

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Speaker 4: like a really great fit.

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Speaker 3: Yeah.

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Speaker 1: I love that conversation you guys had about your parents,

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Speaker 1: you know, because you and Nathan have had similar conversations.

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Speaker 1: We keep talking about like the Brooke Nathan abandoned kids syndrome,

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Speaker 1: and when you meet this shiny new thing who just

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Speaker 1: really wants to get vulnerable, Oh good, tell me all

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Speaker 1: your trauma.

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Speaker 3: Totally. It's like, oh you have you have complex family,

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Speaker 3: me too. Yeah, And I think they were really smart

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Speaker 3: in the way that they showed everybody kind of struggling

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Speaker 3: with the dynamic and then they gave him that line

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Speaker 3: which is really vulnerable, but like doesn't go too too

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Speaker 3: far where he says like, of course he read the

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Speaker 3: book because of Peyton, but he related to it because

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Speaker 3: of Brook.

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Speaker 1: Girl I wrote that Dawn.

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Speaker 3: I did too. I was like, oh, yeah, that's that's

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Speaker 3: the thing. And I think there's something undeniable, like you're

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Speaker 3: saying about the rare similarity like for Brooke and Nathan

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Speaker 3: and their whole high school career, Like that's a platonic

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Speaker 3: friendship that two people can identify each other in. But

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Speaker 3: to feel seen and identified with your partner, to be

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Speaker 3: with someone who like in their existence. Heals something in

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Speaker 3: your life and theirs like that's a big deal. And

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Speaker 3: that is what I think we see Brooke and Julian

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Speaker 3: kind of on the precipice of yeah, And I think

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Speaker 3: that's why it feels special.

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Speaker 1: Because they validate all of the things that you have

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Speaker 1: struggled with. And you know your friends are not going

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Speaker 1: to have the same lived experiences. Your family is oftentimes

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Speaker 1: going to deny what you're feeling because it's like, oh,

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Speaker 1: everything was great, why are you upset? You know, when

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Speaker 1: you find another person that is like, oh, no, I

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Speaker 1: did that exact same path and it pisses me off too,

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Speaker 1: you just get to take like a big sigh and

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Speaker 1: let it all go. Then it's like, oh, I'm not crazy,

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Speaker 1: Like cool, it doesn't just happen to me, It's happened

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Speaker 1: to this other person too. I love it is Julian

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Speaker 1: an only child too.

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Speaker 3: Yeah, I feel like he is.

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Speaker 1: Yes, yeah, telling you man that birth word thing mean something.

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Speaker 1: You guys. You look really nice kissing. It looked like

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Speaker 1: it was like gentle. It was like it was nice.

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Speaker 3: It was sweet.

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Speaker 1: Sweet isn't the word I was gonna use.

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Speaker 3: I think the whole thing feels so sweet and like

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Speaker 3: vulnerable sexy.

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Speaker 1: It was sexy.

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Speaker 3: You're both blushing. No, guys, are you okay?

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Speaker 1: I'm like, it was really good. No, he took his time.

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Speaker 4: Yeah, it was good. I do however, wish we drew

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Speaker 4: it out a little bit more, like I think it

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Speaker 4: would have been nice for a couple more episodes to

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Speaker 4: build that tension being stuck alone with each other, different

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Speaker 4: different scenarios and then finally you know, it was It

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Speaker 4: was only like a thirty minute build up. It would

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Speaker 4: have been nice to have a few episodes. But either way,

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Speaker 4: it made me happy. I liked it.

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Speaker 1: I think everybody liked it.

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Speaker 3: It feels very very cutie, and I love that, like

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Speaker 3: to kind of bring it back around to the beginning,

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Speaker 3: especially with Ashley. I love that she serves as this

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Speaker 3: sort of device to call it out and you see

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Speaker 3: this teenager having fun, you know, with these older women

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Speaker 3: who are her mentors and her sort of keepers. Like

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Speaker 3: when you come in and she's like, Julian's hot for

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Speaker 3: Brooke and I'm like, no, he's not, and she's like,

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Speaker 3: yes he is, and then she's saying it through the door,

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Speaker 3: all the while like leaving the room being like whatever

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Speaker 3: this Brook Peyton lesbian love weird thing is, I'm house

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Speaker 3: like love. She just calls everything like she sees it

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Speaker 3: and it and it gives us humor that takes out

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Speaker 3: any awkwardness, which is nice because like Brooke and Peyton

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Speaker 3: have had to have so much awkwardness about ugh and

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Speaker 3: to have it be funny for us is such a relief.

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Speaker 3: And I actually think it adds to why we get

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Speaker 3: to root for Brooke and Julian, because Peyton's rooting for

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Speaker 3: Brooke and Julian. Yeah, yeah, I love it.

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Speaker 1: It made me so happy to see that scene because

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Speaker 1: we've had to do so much like petty girl fight

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Speaker 1: stuff on our show, whether you know it's between all

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Speaker 1: three of us or two against one, like any of

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Speaker 1: that stuff. And to see Peyton come in find out

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Speaker 1: this information about Brooke and Julian not really care like

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Speaker 1: you know, like, oh, okay, she's not you know, like

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Speaker 1: when when our characters mask that they're really bothered by something,

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Speaker 1: you know, like oh no, I'm happy, I swear she's

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Speaker 1: not worried at all, and instead offers up this apology

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Speaker 1: with like the I'm pregnant. I know you're the one

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Speaker 1: that really wanted the baby, so I don't want to

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Speaker 1: make it weird for you. And I'm just gonna say

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Speaker 1: the thing that's awkward, Like it was so communicative, which

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Speaker 1: our characters have struggled with. And I liked that. I

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Speaker 1: don't know, I just liked it. Thanks, Mike Daniels, you

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Speaker 1: did a great job. I'm really happy you married our friend.

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Speaker 1: You're great.

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Speaker 4: It's actually a really smart device to have Sam be

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Speaker 4: bouncing around. She's propelling the storyline forward. We don't have

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Speaker 4: to take the time to watch all of these conversations

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Speaker 4: unfolding because she's she's propelling it forward with Julian and Peyton,

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Speaker 4: and with Brooke and Peyton, and the same thing with

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Speaker 4: Haley and Lucas too, Like it's just let's just get

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Speaker 4: it out. We don't need to have all these we

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Speaker 4: don't just see every we have to watch everybody find

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Speaker 4: out because we know all these characters well enough to

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Speaker 4: know that it would be weird if somebody just walked

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Speaker 4: into a room and was like, oh, yeah, I heard,

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Speaker 4: but you got to keep it moving. So it was

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Speaker 4: a really smart device.

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Speaker 3: Yeah, And it was so it was so upbeat, like

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Speaker 3: I don't want to, you know, hit the nail on

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Speaker 3: the head too many times. But I just love how

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Speaker 3: much fun everyone's happen. Yeah, like joy when you walk in.

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Speaker 3: When Haley walks into Lucas's and like catches him, it

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Speaker 3: made me laugh out loud, like that is so sweet.

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Speaker 3: You know, she wasn't supposed to tell anybody, she didn't,

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Speaker 3: but I gotcha. Like it's so it's just so fun,

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Speaker 3: and it's that kind of like familiarity and good time

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Speaker 3: energy that I think when we get to do it

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Speaker 3: as actors on this show. God, it just plays so

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Speaker 3: well and it's like, what a relief.

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Speaker 4: Yeah. Mike told me last night that he wrote this

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Speaker 4: episode when he was sick in bed with the flu

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Speaker 4: and he wrote it in two days.

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Speaker 1: Whoa what Yeah, good for him just showing off, you

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Speaker 1: know what I mean? Yeah, Oh that old thing, yes,

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Speaker 1: old dress.

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Speaker 4: The fact that he could just do that in his sleep,

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Speaker 4: like pretty much literally in his sleep.

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Speaker 1: Haley was by to see this episode. Hailey was having

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Speaker 1: a great time this episode. Yeah, yeah, were you having

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Speaker 1: a great time in real life? Like what was going on?

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Speaker 4: No? I was still in a cult, so my life

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Speaker 4: was pretty miserable, but I was, but I had a

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Speaker 4: pretty dress that I had a pretty dress.

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Speaker 3: You're like, but I was having fun at work on

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Speaker 3: this day.

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Speaker 4: Yeah, I mean I think that's the thing is actually

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Speaker 4: this was the time, this was right around the time

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Speaker 4: when I was starting to feel personally like really numb

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Speaker 4: and trapped and just didn't really have any personal outlet.

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Speaker 4: And so when I would go to work to be

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Speaker 4: able to go to set and dive into a character

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Speaker 4: and just escape and be Haley, It's like it was

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Speaker 4: a you know, totally unhealthy form of escaping my life. Oh,

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Speaker 4: but it's what I had.

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Speaker 1: You weren't Draken or doing drugs. You were playing Haley.

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Speaker 1: You know.

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Speaker 3: I'm also like, wait a second, enjoy. Are you saying

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Speaker 3: that the relentlessness of our TV schedule taught you how

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Speaker 3: to disassociate?

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Speaker 4: Ding ding ding ding? Yep, flip it on, flip it off?

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Speaker 4: You and me.

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Speaker 3: Both sister, here we go. You're like me the performer. Hello, yep, deep,

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Speaker 3: I'm all happy. But I will say, like, I wonder

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00:18:04,160 --> 00:18:09,560
Speaker 3: too if that's part of what's so palpable, Like this

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00:18:09,600 --> 00:18:12,639
Speaker 3: whole double date that we watch Haley and Nathan and

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Speaker 3: Chase and mea on the whole time. I mean, you

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Speaker 3: said it Hillary, it's like so obvious that you're having

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Speaker 3: so much fun and when you're not having fun in

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Speaker 3: your life and you get like a really good play

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Speaker 3: day on set, because look, most of the time, like

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Speaker 3: a sixteen seventeen hour day on set, it's great, but

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Speaker 3: it's work Like by the end of the day, it's

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Speaker 3: a slog. But when you get a day that really

354
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Speaker 3: feels like you've gone like to the circus or the carnival,

355
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Speaker 3: how fun And like, I don't know, I wonder if

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Speaker 3: I wonder if that's like a little extra energy that

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Speaker 3: we can feel because you and like you and Kate

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Speaker 3: are having so much fun together. I can tell you

359
00:18:53,240 --> 00:18:56,360
Speaker 3: were so amused watching the boys do karaoke like.

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Speaker 4: That was hysterios.

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Speaker 3: It's so funny them dancing.

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Speaker 4: I don't well the cutting back and forth, honestly, Like,

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Speaker 4: I mean, I loved it. It was so fun. But

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Speaker 4: I all I could think of was if I have

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Speaker 4: never seen this show and I walked into a room

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Speaker 4: and someone was watching this, yeah, cutting back and forth

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Speaker 4: between the guys in the club and then the little kids,

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Speaker 4: I would just be like, what are you watching? This

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Speaker 4: is so weird. But fortunately we do know it and

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Speaker 4: it was really fun.

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Speaker 3: I loved it. I loved it, and I loved that

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Speaker 3: they did little things like they had the little boys.

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Speaker 1: I was about to just be like the little boys

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Speaker 1: and the big boys, the big boys, little boys.

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Speaker 3: I like that they had them doing some of the

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Speaker 3: same choreography. Like I just couldn't stop laughing. I was like,

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Speaker 3: they're just they're boys forever.

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Speaker 4: James commits so hard.

379
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Speaker 1: Yeah, Oh my god, who was that guy on stage?

380
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Speaker 1: Y'all listen. We spent years, we spent the better part

381
00:19:48,320 --> 00:19:52,600
Speaker 1: of our twenties singing karaoke in Wilmington, right, and you

382
00:19:52,680 --> 00:19:57,679
Speaker 1: know who never came never, not once? James Lafferty never

383
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Speaker 1: and he's all in this scene hilarious, the dance so.

384
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Speaker 4: Funny is Yeah, who was that guy?

385
00:20:06,720 --> 00:20:07,679
Speaker 3: It was so good.

386
00:20:09,240 --> 00:20:11,600
Speaker 4: He's never met a challenge, she said, like a reasonable

387
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Speaker 4: challenge that he said no to. I mean, I think

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00:20:13,640 --> 00:20:15,480
Speaker 4: they just knew they could write him anything and he'd

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Speaker 4: do it.

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Speaker 1: And what I.

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Speaker 3: Also really like is you get to see, like we

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Speaker 3: see James and Stevens friendship so clearly in this episode

393
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Speaker 3: and the way they egg each other on, and you're like, well, yeah,

394
00:20:27,359 --> 00:20:29,879
Speaker 3: of course they went and made everybody's doing great, like

395
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Speaker 3: of course they're business partners. Look at them like they

396
00:20:34,520 --> 00:20:38,040
Speaker 3: they in this episode gave me a lot of like

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Speaker 3: broken Peyton and their lifelong thing energy and that's that's

398
00:20:43,640 --> 00:20:46,320
Speaker 3: like a big thing to create between two characters that

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Speaker 3: are newer friends on screen. And it's sweet.

400
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Speaker 4: Nathan Mike doesn't have friends. This is she's like his

401
00:20:54,280 --> 00:20:58,200
Speaker 4: first friend. I'm just realizing this. Wait, who does Nathan

402
00:20:58,240 --> 00:21:00,160
Speaker 4: hang out with? I mean he hangs out.

403
00:21:00,080 --> 00:21:03,440
Speaker 1: With like he has to hang out with Lucas well.

404
00:21:03,520 --> 00:21:05,840
Speaker 4: Yeah, I mean it's always just Nathan and Lucas, but

405
00:21:05,920 --> 00:21:08,200
Speaker 4: Lucas has friends, all of his River Court, all of

406
00:21:08,000 --> 00:21:09,399
Speaker 4: our fabulous River.

407
00:21:09,640 --> 00:21:12,320
Speaker 1: I was gonna say, like the bromance in this episode

408
00:21:12,640 --> 00:21:16,320
Speaker 1: I really responded to, and I thought it was I

409
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Speaker 1: liked seeing the little boys and the big boys because

410
00:21:19,320 --> 00:21:23,400
Speaker 1: I think, you know, we've had conversations about toxic masculinity.

411
00:21:23,480 --> 00:21:25,919
Speaker 1: I think at a certain point, little boys are allowed

412
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Speaker 1: to have really close friendships and it's adorable and we

413
00:21:29,320 --> 00:21:31,640
Speaker 1: applaud it, and they share their feelings with each other

414
00:21:32,080 --> 00:21:34,520
Speaker 1: and it's so special, and then at some point they're

415
00:21:34,560 --> 00:21:39,080
Speaker 1: made to feel weird about that, and so they bottle

416
00:21:39,119 --> 00:21:42,520
Speaker 1: stuff up and they don't do like silly shit together anymore,

417
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Speaker 1: and so they start drinking. Because the only time you

418
00:21:45,840 --> 00:21:47,760
Speaker 1: can like hug and kiss on your bro and like

419
00:21:47,800 --> 00:21:50,159
Speaker 1: tell them your feelings is when you're like six beers

420
00:21:50,200 --> 00:21:54,760
Speaker 1: in and that's awful. And so seeing these boys play

421
00:21:54,880 --> 00:21:58,800
Speaker 1: together was so sweet and I like that our show

422
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Speaker 1: did that. I thought it was Chad did a really

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00:22:01,440 --> 00:22:05,000
Speaker 1: good job directing that. Yeah, yeah, because Chad has boys.

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Speaker 1: Chad like has friends in real life, like freaking family

425
00:22:09,760 --> 00:22:12,240
Speaker 1: of boys, right, and a group he has one sister, right,

426
00:22:12,359 --> 00:22:16,040
Speaker 1: Like Chad had people from home that he could draw

427
00:22:16,119 --> 00:22:18,359
Speaker 1: on this kind of experience with because he's a you know,

428
00:22:18,440 --> 00:22:21,879
Speaker 1: Chad's a goober too, So I like that he directed

429
00:22:22,560 --> 00:22:26,000
Speaker 1: just like silly boy time. This is silly boy Time's

430
00:22:26,040 --> 00:22:27,280
Speaker 1: my favorite kind of boy time.

431
00:22:27,480 --> 00:22:30,639
Speaker 3: Totally agree, And you know, you're right. It's like, I

432
00:22:30,640 --> 00:22:33,359
Speaker 3: mean that big article that came out last year, like

433
00:22:33,400 --> 00:22:35,399
Speaker 3: near the end of the year talking about this epidemic

434
00:22:35,480 --> 00:22:39,399
Speaker 3: of loneliness and men and like what it's doing to society.

435
00:22:39,480 --> 00:22:44,240
Speaker 3: It's it is heartbreaking, and I think, what a wild

436
00:22:44,359 --> 00:22:46,840
Speaker 3: thing to watch this episode. And obviously none of us

437
00:22:46,920 --> 00:22:50,560
Speaker 3: remembered this karaoke thing until we saw it, But like,

438
00:22:51,359 --> 00:22:56,080
Speaker 3: how nice that we got to model a playful male friendship,

439
00:22:56,359 --> 00:22:59,720
Speaker 3: Like I want more of that. Yeah, I want to

440
00:22:59,760 --> 00:23:03,000
Speaker 3: see more of this. I hope that through the rest

441
00:23:03,040 --> 00:23:05,600
Speaker 3: of the season we get more of these two.

442
00:23:05,800 --> 00:23:07,880
Speaker 4: I think we do, don't we I don't know, don't

443
00:23:07,920 --> 00:23:09,600
Speaker 4: they become like maybe.

444
00:23:09,520 --> 00:23:11,479
Speaker 1: Well we know they did in real life. So if

445
00:23:11,520 --> 00:23:14,240
Speaker 1: you're looking for that wish fulfillment, yeah.

446
00:23:14,160 --> 00:23:17,000
Speaker 4: Go watch Everyone's doing great. It's so funny. I love

447
00:23:17,040 --> 00:23:19,680
Speaker 4: that show. Actually, it's great, it's really good.

448
00:23:32,440 --> 00:23:36,280
Speaker 3: And I really also like the in the structure of

449
00:23:36,320 --> 00:23:39,560
Speaker 3: this double date, getting to see them having fun, getting

450
00:23:39,600 --> 00:23:42,479
Speaker 3: to see you giving me a advice, and then getting

451
00:23:42,480 --> 00:23:46,560
Speaker 3: to see this butting crash between Chase and Mia. Although

452
00:23:46,560 --> 00:23:48,440
Speaker 3: it really made me laugh because I was like, Wow,

453
00:23:48,480 --> 00:23:53,719
Speaker 3: everybody's just dating everybody's exes, which like yes, lol, yes,

454
00:23:54,600 --> 00:23:57,840
Speaker 3: but Peyton is with Brooks X, and now Brooke is

455
00:23:57,840 --> 00:24:00,639
Speaker 3: about to be with Peyton's X, and now is with

456
00:24:00,760 --> 00:24:03,680
Speaker 3: Brooks X, and Millie's with brooks other ex and I'm

457
00:24:03,720 --> 00:24:07,600
Speaker 3: just like, Jesus, Haley's with Peyton's X. You're right, Hailey's

458
00:24:07,640 --> 00:24:08,520
Speaker 3: with Peyton's X.

459
00:24:08,880 --> 00:24:12,720
Speaker 4: It's just all okay, Ema coming through the slow mo

460
00:24:13,000 --> 00:24:16,800
Speaker 4: of her and the Jessica Rabbit top with the oh my, yes,

461
00:24:17,320 --> 00:24:19,160
Speaker 4: so good, so good.

462
00:24:19,560 --> 00:24:23,719
Speaker 3: Her in the black bandage dress was full Sandra Bullock

463
00:24:23,760 --> 00:24:28,600
Speaker 3: in the lilac dress and miscongeniality slow hair. Loved it. Yeah,

464
00:24:28,720 --> 00:24:32,840
Speaker 3: I have it in my notes all in caps. I'm obsessed.

465
00:24:33,200 --> 00:24:35,960
Speaker 1: I was obsessed with her haircut in this episode. And

466
00:24:36,080 --> 00:24:39,880
Speaker 1: I you know, like the scene kids back then all

467
00:24:39,920 --> 00:24:42,440
Speaker 1: had the same haircut. It was that super shag with

468
00:24:42,480 --> 00:24:45,520
Speaker 1: the like swoop swings across the forehead. And I have

469
00:24:45,640 --> 00:24:48,360
Speaker 1: been seeing all these people on you know, like social

470
00:24:48,400 --> 00:24:51,200
Speaker 1: media point out that the girls with the wolf cut

471
00:24:51,240 --> 00:24:54,359
Speaker 1: now are just the spawn of the swoop cuts because

472
00:24:54,359 --> 00:24:58,040
Speaker 1: it's the same exact haircut, just split down the middle.

473
00:24:58,200 --> 00:24:58,840
Speaker 3: Wolf cut.

474
00:24:58,880 --> 00:25:01,080
Speaker 4: Is that what something is called? I'm looking at right now.

475
00:25:01,200 --> 00:25:05,800
Speaker 1: Yeah, it's Kate's haircut, just split down the middle, and

476
00:25:05,880 --> 00:25:07,600
Speaker 1: I'm I'm obsessed with it.

477
00:25:07,680 --> 00:25:08,520
Speaker 4: Oh yeah, it's a shag.

478
00:25:08,920 --> 00:25:11,720
Speaker 1: It's an emo haircut. But put those banks to the side,

479
00:25:11,800 --> 00:25:15,560
Speaker 1: joy and what do you see? Boom the rachel it's Mia,

480
00:25:16,359 --> 00:25:21,399
Speaker 1: she had that cool girl haircut. And yeah, did they

481
00:25:21,520 --> 00:25:23,800
Speaker 1: kiss in real life? Stephen and Kate?

482
00:25:23,880 --> 00:25:27,600
Speaker 4: Because theyre so they I mean great chemistry.

483
00:25:27,840 --> 00:25:28,600
Speaker 1: They sold it.

484
00:25:28,680 --> 00:25:30,800
Speaker 3: They had great chemistry.

485
00:25:31,040 --> 00:25:35,480
Speaker 4: She still was pretty young, right, she was twenty.

486
00:25:35,680 --> 00:25:40,000
Speaker 1: The playfulness. I liked that while the little boys wanted

487
00:25:40,000 --> 00:25:42,760
Speaker 1: to play card games and they wanted to be very

488
00:25:42,800 --> 00:25:46,000
Speaker 1: grown up, the big boys wanted to play arcade games.

489
00:25:46,080 --> 00:25:49,320
Speaker 1: And that's just so. Remember what was the name of

490
00:25:49,359 --> 00:25:51,560
Speaker 1: that arcade that was in Wilmington that we would go to.

491
00:25:52,080 --> 00:25:55,440
Speaker 3: Oh yeah, the one on uh It was my military

492
00:25:55,480 --> 00:25:57,800
Speaker 3: cutoff near the.

493
00:25:57,000 --> 00:25:59,879
Speaker 4: They had pickled eggs near the pizza.

494
00:26:01,040 --> 00:26:04,440
Speaker 1: No not Jungle Rapids. No, No, there was a place

495
00:26:04,800 --> 00:26:08,200
Speaker 1: off of Market Street over by like the movie theater. Guys,

496
00:26:08,240 --> 00:26:11,399
Speaker 1: we're talking about some old school Wilmington lore. It was

497
00:26:11,440 --> 00:26:15,240
Speaker 1: an arcade and Joy made me sing karaoke there and

498
00:26:15,280 --> 00:26:17,720
Speaker 1: I sang first and was real shitty. We were singing

499
00:26:17,760 --> 00:26:20,280
Speaker 1: Shania Twain and then she got up and was like

500
00:26:20,560 --> 00:26:22,960
Speaker 1: hit a man and man and I was like, god,

501
00:26:23,080 --> 00:26:23,600
Speaker 1: damn it.

502
00:26:24,119 --> 00:26:26,600
Speaker 4: She just you have a great voice. I loved when

503
00:26:26,600 --> 00:26:28,960
Speaker 4: you sang at the rap party. I actually really enjoy

504
00:26:29,000 --> 00:26:31,600
Speaker 4: your voice. I wish that you would sing more like

505
00:26:31,680 --> 00:26:35,639
Speaker 4: country western, like Tammy Wynet kind of stuff. Just said

506
00:26:36,359 --> 00:26:37,600
Speaker 4: your kids like it when you sing.

507
00:26:37,960 --> 00:26:43,840
Speaker 1: Ah depends. Yeah, Gus likes Broadway radio, so he probably

508
00:26:43,880 --> 00:26:47,360
Speaker 1: is like more into it. George is like christ Woman,

509
00:26:47,800 --> 00:26:49,119
Speaker 1: please killing me?

510
00:26:50,160 --> 00:26:52,639
Speaker 4: Yeah, because Maria tells me to shut up all the time. Yeah,

511
00:26:52,680 --> 00:26:53,320
Speaker 4: all the time.

512
00:26:53,520 --> 00:26:54,520
Speaker 1: Moms, do you stop?

513
00:26:54,600 --> 00:26:55,280
Speaker 4: Please stop?

514
00:26:55,440 --> 00:26:59,240
Speaker 1: Well, she hasn't heard you sing Shanaia Twain karaoke. I

515
00:26:59,240 --> 00:27:02,879
Speaker 1: feel like that Mary Underwood song. Had no idea what

516
00:27:02,920 --> 00:27:06,160
Speaker 1: it could sound like. But yeah, the arcade thing with boys,

517
00:27:06,880 --> 00:27:12,160
Speaker 1: they like being little, they liked just being Yeah, that's

518
00:27:12,200 --> 00:27:16,840
Speaker 1: their big night out. Nathan Scott one weekend off of practice,

519
00:27:17,600 --> 00:27:19,080
Speaker 1: He's like, I know what I want to do. I

520
00:27:19,119 --> 00:27:22,080
Speaker 1: want to play games. I love it and make the

521
00:27:22,119 --> 00:27:23,359
Speaker 1: baskets for Chase.

522
00:27:23,840 --> 00:27:27,760
Speaker 3: That was so cute. What a cute little moment. And

523
00:27:27,800 --> 00:27:31,040
Speaker 3: that's the thing, like I kept noting as I was

524
00:27:31,080 --> 00:27:34,600
Speaker 3: watching all this stuff that I wish we'd had more

525
00:27:34,640 --> 00:27:38,960
Speaker 3: of this. Like even when we cut into trick, the

526
00:27:39,080 --> 00:27:40,639
Speaker 3: guy who was singing.

527
00:27:40,720 --> 00:27:43,800
Speaker 1: Oh that's Tyler Easter is it? I was like, do

528
00:27:43,880 --> 00:27:44,440
Speaker 1: we know him?

529
00:27:44,480 --> 00:27:45,679
Speaker 3: He looks to me.

530
00:27:46,080 --> 00:27:49,480
Speaker 1: They ripped this straight from our real life because when

531
00:27:49,520 --> 00:27:51,720
Speaker 1: we were doing karaoke, we did it at level five,

532
00:27:52,040 --> 00:27:56,520
Speaker 1: but then karaoke moved over to yosak, which my best

533
00:27:56,520 --> 00:28:01,600
Speaker 1: friend Nick was working at and the karaoke Night's there.

534
00:28:01,800 --> 00:28:04,280
Speaker 1: That's where I met Tyler, and he and I would

535
00:28:04,320 --> 00:28:07,560
Speaker 1: get up and sing like a no Mountain high enough together.

536
00:28:07,680 --> 00:28:09,720
Speaker 1: And so when he popped on screen here, I was like,

537
00:28:10,040 --> 00:28:13,639
Speaker 1: oh my god, they got our real karaoke buddy to

538
00:28:13,680 --> 00:28:14,280
Speaker 1: come and do this.

539
00:28:14,320 --> 00:28:17,399
Speaker 3: Incredible and his voice was so good and everyone was

540
00:28:17,440 --> 00:28:20,240
Speaker 3: having fun, and I was like, wait a second, why

541
00:28:20,280 --> 00:28:24,680
Speaker 3: weren't we doing like an episode every quarter of Karaoke Knight,

542
00:28:24,800 --> 00:28:27,679
Speaker 3: just every couple of weeks, a few scenes. It's so fun.

543
00:28:28,200 --> 00:28:32,840
Speaker 1: It feels vital to my emotional development during that phase

544
00:28:32,840 --> 00:28:36,760
Speaker 1: in our life. Like karaoke such a cathartic thing. I

545
00:28:36,760 --> 00:28:39,400
Speaker 1: remember being in love with someone who wasn't in love

546
00:28:39,440 --> 00:28:42,040
Speaker 1: with me and singing the Ace and Bass song Don't

547
00:28:42,080 --> 00:28:49,520
Speaker 1: turn around see Hi, die girl. Karaoke solves everything.

548
00:28:49,680 --> 00:28:51,920
Speaker 3: It is such a place to just put your feelings.

549
00:28:52,160 --> 00:28:55,600
Speaker 1: Yeah, what is the most revealing karaoke song you've ever

550
00:28:55,680 --> 00:28:58,440
Speaker 1: sung in public? Oh my god, Oh.

551
00:28:58,320 --> 00:29:02,360
Speaker 4: My god, I can't. I'm cringing right now. Oh my god,

552
00:29:02,400 --> 00:29:08,120
Speaker 4: what did you do? I'm sweating. I'm immediately sweating. I

553
00:29:08,160 --> 00:29:10,920
Speaker 4: was in love with this boy man whatever. He was

554
00:29:10,960 --> 00:29:12,280
Speaker 4: a man child, so I guess.

555
00:29:12,800 --> 00:29:15,840
Speaker 1: Yeah, yeah, God.

556
00:29:17,160 --> 00:29:23,000
Speaker 4: So desperately in love with him, and guys, I'm sweating.

557
00:29:24,480 --> 00:29:26,840
Speaker 4: I was late. It was late at a dive bar,

558
00:29:27,200 --> 00:29:30,200
Speaker 4: and I don't drink a lot, but I just went

559
00:29:30,280 --> 00:29:35,080
Speaker 4: for it. And uh, I put on he was we

560
00:29:35,080 --> 00:29:37,160
Speaker 4: were like on again, off again, and we were we

561
00:29:37,200 --> 00:29:41,440
Speaker 4: were off again at this particular moment, but I really

562
00:29:41,480 --> 00:29:45,040
Speaker 4: wanted us to get back together. And so I got

563
00:29:45,160 --> 00:29:48,720
Speaker 4: up there at this old Irish dive bar in the

564
00:29:48,800 --> 00:29:53,440
Speaker 4: valley and sang and I am telling you.

565
00:29:53,680 --> 00:29:57,840
Speaker 1: Stop from drunk, drink sjoy no.

566
00:29:58,120 --> 00:30:04,480
Speaker 4: And when I say the word sang, I really mean shouted, shouted, struggled.

567
00:30:04,680 --> 00:30:10,160
Speaker 4: I know, see your Hillary's completely are you kidding? Maybe

568
00:30:10,200 --> 00:30:13,400
Speaker 4: the most embarrassing moment in my life. And for most

569
00:30:13,440 --> 00:30:16,239
Speaker 4: of the song, he was at the bar talking to

570
00:30:16,320 --> 00:30:18,280
Speaker 4: his friend and kept looking over it.

571
00:30:18,880 --> 00:30:19,520
Speaker 3: Oh dear bad.

572
00:30:28,880 --> 00:30:32,920
Speaker 1: You guys should google that. You should google that. Surely. No,

573
00:30:33,400 --> 00:30:35,720
Speaker 1: I'm so glad you're not with that person.

574
00:30:35,800 --> 00:30:36,400
Speaker 4: Know me too?

575
00:30:37,000 --> 00:30:39,840
Speaker 1: Who what a girl? Oh god, No, you should never

576
00:30:39,880 --> 00:30:40,640
Speaker 1: have that feeling.

577
00:30:40,800 --> 00:30:43,320
Speaker 4: And whoever the friends were that went with me that

578
00:30:43,440 --> 00:30:45,000
Speaker 4: did not grab me.

579
00:30:44,920 --> 00:30:50,200
Speaker 1: And off stage, No, no.

580
00:30:49,840 --> 00:30:51,520
Speaker 4: I want to think about that ever again. Okay, I've

581
00:30:51,560 --> 00:30:53,320
Speaker 4: said it. Let's not talk about it anymore.

582
00:30:53,560 --> 00:30:57,160
Speaker 1: That I that's hard. That's a hard pill to swallow.

583
00:30:57,240 --> 00:31:00,280
Speaker 1: I'm proud of you for just unload that.

584
00:31:00,640 --> 00:31:01,920
Speaker 4: Yeah, we're all out there. You know.

585
00:31:02,480 --> 00:31:06,120
Speaker 1: You know you should sing like a real belter, just

586
00:31:06,160 --> 00:31:08,800
Speaker 1: like once in your life, just to know that you can't,

587
00:31:09,400 --> 00:31:10,680
Speaker 1: just to know that you can get in front of

588
00:31:10,840 --> 00:31:17,400
Speaker 1: you people. Sophia, what's your cringe karaoke?

589
00:31:18,800 --> 00:31:20,680
Speaker 3: I don't really do karaoke.

590
00:31:21,040 --> 00:31:23,880
Speaker 1: I'm trying, Like in my brain, I remember you always

591
00:31:23,880 --> 00:31:28,520
Speaker 1: be an upfront and cheering for you. Yeah, I love.

592
00:31:28,280 --> 00:31:32,320
Speaker 3: It, but I think I could probably count the number

593
00:31:32,400 --> 00:31:35,240
Speaker 3: of times in my life I've done karaoke. On one hand,

594
00:31:35,400 --> 00:31:41,040
Speaker 3: it's not really my thing, although you know, like I'll

595
00:31:41,040 --> 00:31:43,560
Speaker 3: be a good sport. But if I'm gonna get up there,

596
00:31:43,640 --> 00:31:46,320
Speaker 3: I want to like I want to do Old Biggie

597
00:31:46,640 --> 00:31:50,240
Speaker 3: or like shock everyone and sing like Gretchen Wilson, because

598
00:31:50,280 --> 00:31:54,120
Speaker 3: nobody thinks I'm going to sing country music like I don't.

599
00:31:54,640 --> 00:31:58,200
Speaker 3: I have a very low register. I like my voice

600
00:31:58,240 --> 00:31:59,240
Speaker 3: is more of a base.

601
00:31:59,080 --> 00:32:01,880
Speaker 1: Speaker what you would be great at like some earth

602
00:32:01,920 --> 00:32:02,560
Speaker 1: a kit.

603
00:32:03,040 --> 00:32:06,600
Speaker 3: Like I want to be evil like that.

604
00:32:06,600 --> 00:32:10,800
Speaker 1: That's the vibe. Sure, yeah, earth a kid Lilac Wine.

605
00:32:10,960 --> 00:32:15,120
Speaker 1: Oh all right, Well, so what you're saying is that

606
00:32:15,120 --> 00:32:17,840
Speaker 1: there's still time for you to embarrass yourself joy and

607
00:32:17,920 --> 00:32:19,480
Speaker 1: I have already checked the rocks.

608
00:32:20,120 --> 00:32:24,320
Speaker 3: Yeah, guys, I've done and to embarrass myself, even if

609
00:32:24,360 --> 00:32:25,120
Speaker 3: it's not singing.

610
00:32:27,640 --> 00:32:28,280
Speaker 1: I loved it.

611
00:32:28,480 --> 00:32:32,040
Speaker 3: There is definitely a picture of us doing karaoke one

612
00:32:32,120 --> 00:32:33,000
Speaker 3: night with Daniel.

613
00:32:34,080 --> 00:32:34,720
Speaker 1: Yeah.

614
00:32:35,280 --> 00:32:39,120
Speaker 3: We're all clearly three sheets to the wind, so you

615
00:32:39,160 --> 00:32:41,240
Speaker 3: know we've all been there. You get you get bold

616
00:32:41,280 --> 00:32:43,400
Speaker 3: when you're on your like your fifth tequila and you're like,

617
00:32:43,440 --> 00:32:44,160
Speaker 3: I could do it.

618
00:32:44,240 --> 00:32:46,120
Speaker 1: Oh my god. And I love that they had Cullen

619
00:32:46,840 --> 00:32:51,720
Speaker 1: running it. They had Junk Incredible running it because he's

620
00:32:51,760 --> 00:32:54,720
Speaker 1: who introduced us to karaoke and Wilmington. He was the

621
00:32:54,720 --> 00:32:56,960
Speaker 1: person that took me to level five for the first time.

622
00:32:57,520 --> 00:33:01,160
Speaker 1: And he We had a karaoke with Antoine at one

623
00:33:01,160 --> 00:33:05,240
Speaker 1: of our conventions a few years ago, and I and

624
00:33:05,320 --> 00:33:07,720
Speaker 1: Colin got up and sang some Johnny Cash and it

625
00:33:07,840 --> 00:33:13,840
Speaker 1: was like, yeah, okay, Daddy, I tell yeah. He's a

626
00:33:13,840 --> 00:33:17,760
Speaker 1: fun time. Yeah. I just love that, Like you're seeing

627
00:33:17,840 --> 00:33:23,280
Speaker 1: our characters having fun. No one's in peril. Everyone's just

628
00:33:23,320 --> 00:33:25,760
Speaker 1: like I'm going to lean into my age tonight. I'm

629
00:33:25,760 --> 00:33:27,640
Speaker 1: going to be exactly my age tonight.

630
00:33:28,280 --> 00:33:31,280
Speaker 4: There is a little peril. It's just not happening with us.

631
00:33:31,480 --> 00:33:36,840
Speaker 1: Well then it doesn't matter, Guys.

632
00:33:37,040 --> 00:33:38,200
Speaker 4: I don't like it.

633
00:33:38,480 --> 00:33:39,920
Speaker 1: I don't like being mad at mouth.

634
00:33:40,080 --> 00:33:42,760
Speaker 3: I don't like being mad at mouth either, And it's

635
00:33:42,800 --> 00:33:46,280
Speaker 3: really hard because Mouth is so great and le Norris

636
00:33:46,360 --> 00:33:50,640
Speaker 3: is such a good guy. But this like possessiveness over

637
00:33:50,680 --> 00:33:55,560
Speaker 3: a woman and her body, it feels very like four.

638
00:33:55,440 --> 00:33:58,200
Speaker 1: Chan to me. In cell culture.

639
00:33:59,080 --> 00:34:03,800
Speaker 3: It's very like in cell adjacent. And I really hate

640
00:34:03,880 --> 00:34:07,800
Speaker 3: that they made sweetly Norris do it. I'm like, but

641
00:34:07,880 --> 00:34:12,760
Speaker 3: I will say I was. I was glad that Brooke

642
00:34:13,719 --> 00:34:16,080
Speaker 3: went to be there for him and also told him

643
00:34:16,080 --> 00:34:20,200
Speaker 3: he was being really inappropriate. But even even the dialogue

644
00:34:20,239 --> 00:34:23,080
Speaker 3: they wrote for me really wasn't that. It was like

645
00:34:23,400 --> 00:34:25,520
Speaker 3: she can only get one of them back. It's like

646
00:34:25,760 --> 00:34:30,440
Speaker 3: ew ew, I hated what they made him say. I

647
00:34:30,480 --> 00:34:35,240
Speaker 3: really didn't like what they made me say. I loved

648
00:34:35,320 --> 00:34:40,160
Speaker 3: that they gave Lisa the great statement of like my

649
00:34:40,280 --> 00:34:44,319
Speaker 3: virginity belonged to me, Yeah it didn't belong to but

650
00:34:44,440 --> 00:34:46,600
Speaker 3: then they had him like mope back at her. But

651
00:34:46,719 --> 00:34:48,560
Speaker 3: you did, I'm like, ew.

652
00:34:48,960 --> 00:34:51,240
Speaker 4: No, still still wrong, still still wrong.

653
00:34:51,719 --> 00:34:52,560
Speaker 3: Didn't like it.

654
00:34:53,000 --> 00:34:55,200
Speaker 4: I'm just trying to figure out the motivation of what

655
00:34:55,560 --> 00:34:57,799
Speaker 4: is mouse deal anyway? Like, why is he so?

656
00:34:59,120 --> 00:35:03,759
Speaker 1: What's the deal? I just liked that he happened to

657
00:35:03,840 --> 00:35:10,640
Speaker 1: have a headshot of oh and lying around. That was

658
00:35:11,760 --> 00:35:14,560
Speaker 1: the second I saw the dartboard. All I could think

659
00:35:14,680 --> 00:35:16,719
Speaker 1: is where that picture comes from? Why do you have

660
00:35:16,760 --> 00:35:21,160
Speaker 1: that picture? Like, Mouth, what are you really jealous about?

661
00:35:21,200 --> 00:35:24,640
Speaker 1: Right now? That's the kind of stuff that is A

662
00:35:24,719 --> 00:35:27,880
Speaker 1: viewer is so distracting to me because I'm just like,

663
00:35:28,840 --> 00:35:30,600
Speaker 1: where to come from? He didn't print it off the internet,

664
00:35:30,600 --> 00:35:32,239
Speaker 1: and if he did, that's even weirder.

665
00:35:33,400 --> 00:35:35,799
Speaker 4: He just sits there and waits for his little printer.

666
00:35:37,800 --> 00:35:38,759
Speaker 1: Just to print out this.

667
00:35:41,239 --> 00:35:46,320
Speaker 3: That's the scene I really wanted to see in this episode.

668
00:35:48,000 --> 00:35:52,359
Speaker 1: That's awesome, Get down and we'll put this picture out.

669
00:35:52,520 --> 00:35:59,480
Speaker 1: We poke some holes in it. Cool. Well, he did

670
00:35:59,520 --> 00:36:03,080
Speaker 1: say he's been coming straight home after work, just sitting there,

671
00:36:03,120 --> 00:36:05,320
Speaker 1: and maybe if he had done that in the first place,

672
00:36:05,920 --> 00:36:09,160
Speaker 1: instead of hanging out with Gigi till late, we wouldn't

673
00:36:09,160 --> 00:36:12,000
Speaker 1: be in there underwear on his desk. See Mouth, You're

674
00:36:12,040 --> 00:36:14,560
Speaker 1: perfectly capable of coming home after work.

675
00:36:14,840 --> 00:36:18,200
Speaker 4: Okay, here's what I appreciate about where Milly was at.

676
00:36:18,640 --> 00:36:21,600
Speaker 4: As hard as it was to see her so upset

677
00:36:21,600 --> 00:36:25,360
Speaker 4: about something that really like she doesn't o Brook anything

678
00:36:25,400 --> 00:36:27,560
Speaker 4: in that regard, Like they I don't think Brooke and

679
00:36:27,560 --> 00:36:29,080
Speaker 4: Owen slept together. I mean, I get that it's a

680
00:36:29,080 --> 00:36:31,560
Speaker 4: little awkward because it was an ex, but I mean,

681
00:36:31,600 --> 00:36:34,200
Speaker 4: in this town, is that really what's our standard?

682
00:36:34,360 --> 00:36:37,680
Speaker 1: It was like barely an ex, like barely.

683
00:36:37,440 --> 00:36:39,640
Speaker 4: Yeah, you know, I know it was rough with mouth,

684
00:36:39,680 --> 00:36:43,680
Speaker 4: but they could have gone the other direction where Milly

685
00:36:44,680 --> 00:36:49,840
Speaker 4: was refusing to I don't know if she was like, no,

686
00:36:49,880 --> 00:36:51,480
Speaker 4: I'm not going to feel bad for this. I'm not,

687
00:36:51,680 --> 00:36:53,600
Speaker 4: and she would have been within her rights to do that.

688
00:36:54,120 --> 00:36:57,800
Speaker 4: But what I liked about it was the soft heart,

689
00:36:57,840 --> 00:37:00,680
Speaker 4: the humanity of like when you make a mistake and

690
00:37:00,719 --> 00:37:02,680
Speaker 4: you just feel really bad that you hurt people that

691
00:37:02,719 --> 00:37:06,480
Speaker 4: you love, and she's living into that instead of doubling

692
00:37:06,480 --> 00:37:09,200
Speaker 4: down on the like no, I'm right. I just thought

693
00:37:09,239 --> 00:37:12,960
Speaker 4: that was so lovely and something I don't know if

694
00:37:12,960 --> 00:37:15,759
Speaker 4: we see a lot on the show, so I don't know.

695
00:37:15,920 --> 00:37:19,120
Speaker 4: That's that struck me as something nice to take away

696
00:37:19,160 --> 00:37:21,640
Speaker 4: from it. But I am looking forward to seeing her

697
00:37:22,280 --> 00:37:25,960
Speaker 4: climb out of this hole and realize that she's awesome.

698
00:37:27,480 --> 00:37:31,800
Speaker 1: I liked that she wasn't deceptive like Peyton would have been. Like, Owen,

699
00:37:32,120 --> 00:37:34,160
Speaker 1: what Owen? I don't know what, Owen? What are you

700
00:37:34,160 --> 00:37:37,600
Speaker 1: guys talking about? Definitely still a virgin anyway, everything's fine.

701
00:37:37,880 --> 00:37:40,359
Speaker 1: You know, if Peyon would have lied, she just would

702
00:37:40,400 --> 00:37:47,360
Speaker 1: have lied. And and Billie God bless her, is like, hey, mouth, Owan, Brooke,

703
00:37:47,719 --> 00:37:51,319
Speaker 1: I need you to know I slept her Owen. You know, yeah,

704
00:37:51,880 --> 00:37:56,160
Speaker 1: what a nice gal, just truly laying it out.

705
00:37:56,760 --> 00:37:57,879
Speaker 3: Yeah, good for her.

706
00:37:59,560 --> 00:38:01,239
Speaker 1: I don't know. I was still like mad that we're

707
00:38:01,280 --> 00:38:03,920
Speaker 1: not seeing Owen, like I want to see some awkwardness.

708
00:38:04,160 --> 00:38:06,640
Speaker 1: I've seen them run into each other at the gas station.

709
00:38:06,920 --> 00:38:08,399
Speaker 4: You know, where is he?

710
00:38:08,840 --> 00:38:10,720
Speaker 1: Is he and true true blood? Yeah?

711
00:38:10,960 --> 00:38:14,640
Speaker 4: Just being famous fighting vampires. Why is Lee's hair still red?

712
00:38:14,800 --> 00:38:16,440
Speaker 1: He must have been working on a movie.

713
00:38:16,680 --> 00:38:18,840
Speaker 4: Did they diet for the forties episode and then it

714
00:38:18,880 --> 00:38:19,640
Speaker 4: wouldn't come out?

715
00:38:19,960 --> 00:38:23,479
Speaker 3: Maybe? And the way that they color timed our show too,

716
00:38:23,880 --> 00:38:26,720
Speaker 3: at this point everything turned up a little red anyway,

717
00:38:28,160 --> 00:38:32,400
Speaker 3: So it yeah, it all seems a little a little odd.

718
00:38:33,080 --> 00:38:35,520
Speaker 1: I missed the blue I missed the Blue Years.

719
00:38:36,080 --> 00:38:39,080
Speaker 4: Not to jump around too much, but this moment with

720
00:38:39,160 --> 00:38:40,480
Speaker 4: Sam on the bench.

721
00:38:40,760 --> 00:38:44,279
Speaker 1: I was just looking at that note I hold.

722
00:38:44,000 --> 00:38:48,160
Speaker 4: My own hand. Oh broke my heart.

723
00:38:48,560 --> 00:38:49,480
Speaker 3: Broke mine too.

724
00:38:49,960 --> 00:38:52,560
Speaker 4: We do that a lot. Yeah, you know, I love that.

725
00:38:52,880 --> 00:38:55,480
Speaker 4: As a kid, you're so vulnerable, it's easy to just like,

726
00:38:56,200 --> 00:38:58,280
Speaker 4: I'm just gonna hold my own hand. It's really sweet.

727
00:38:58,320 --> 00:39:02,520
Speaker 4: I think as an adult and do that because I

728
00:39:02,560 --> 00:39:05,360
Speaker 4: would second guess myself and laugh at myself it's so ridiculous.

729
00:39:05,400 --> 00:39:07,920
Speaker 4: But the innocence of a kid just being like I

730
00:39:08,000 --> 00:39:09,920
Speaker 4: just kind of hold my own hand and imagine and

731
00:39:10,000 --> 00:39:11,879
Speaker 4: dream and hope one day it'll be better.

732
00:39:13,600 --> 00:39:14,080
Speaker 1: Loved it.

733
00:39:14,680 --> 00:39:19,240
Speaker 3: Yeah, it's really It's really nice to see this vulnerability

734
00:39:19,239 --> 00:39:22,000
Speaker 3: with them. And one of the things I really appreciate

735
00:39:22,040 --> 00:39:27,799
Speaker 3: because we would lose so much of the air, you know,

736
00:39:27,920 --> 00:39:30,279
Speaker 3: so many of the pauses to the edit to make

737
00:39:30,320 --> 00:39:33,319
Speaker 3: sure that the show fit in forty three minutes, and

738
00:39:33,360 --> 00:39:36,920
Speaker 3: they really they kept a lot of the awkward pauses

739
00:39:36,960 --> 00:39:41,759
Speaker 3: between Sam and Jack. Yeah, and they were so important

740
00:39:41,800 --> 00:39:46,360
Speaker 3: because these are two kids dealing with such big, hard things.

741
00:39:47,320 --> 00:39:50,560
Speaker 3: They don't have all the answers, and I was really

742
00:39:50,760 --> 00:39:55,919
Speaker 3: glad that those scenes had just quiet air in them.

743
00:39:56,160 --> 00:39:59,680
Speaker 1: Yeah, it felt like they were on a different show

744
00:39:59,719 --> 00:40:04,640
Speaker 1: alone little bit because our characters also dealt with abusive

745
00:40:04,680 --> 00:40:07,520
Speaker 1: family members. You know, Nathan and Lucas were dealing with Dan,

746
00:40:07,640 --> 00:40:11,640
Speaker 1: who was physically abusive with them. You know, there's like

747
00:40:11,840 --> 00:40:16,640
Speaker 1: murders happening. Our characters as teenagers dealt with crazy shit

748
00:40:17,160 --> 00:40:20,520
Speaker 1: and like CPS never turned up, no one was ever

749
00:40:20,640 --> 00:40:25,399
Speaker 1: in hiding. You know, we did say anythings like get

750
00:40:25,440 --> 00:40:32,120
Speaker 1: a man's up hated, and instead these kids are dealing

751
00:40:32,160 --> 00:40:35,960
Speaker 1: with like something that feels more real. It feels more

752
00:40:35,960 --> 00:40:39,440
Speaker 1: grounded in, like what the real world actually is. And

753
00:40:39,520 --> 00:40:43,520
Speaker 1: so that juxtaposition between what our characters lived and then

754
00:40:43,560 --> 00:40:47,680
Speaker 1: what these kids are experiencing is nice. It's almost like

755
00:40:47,719 --> 00:40:49,640
Speaker 1: somebody got a wake up call between when we were

756
00:40:49,680 --> 00:40:52,399
Speaker 1: the teenagers and when these teenagers popped up, and it's like, no,

757
00:40:52,680 --> 00:40:55,840
Speaker 1: it's it's scary out there and it's a lot and

758
00:40:55,920 --> 00:40:59,000
Speaker 1: these are real little kids, whereas we were supposed to

759
00:40:59,080 --> 00:41:04,600
Speaker 1: be like sex see, you know, smart kids that could

760
00:41:04,640 --> 00:41:07,920
Speaker 1: gain the system. I don't know, it just felt different.

761
00:41:08,520 --> 00:41:09,640
Speaker 1: I felt like a different show.

762
00:41:10,160 --> 00:41:12,000
Speaker 4: Yeah, it's nice to bring back this struggle.

763
00:41:12,600 --> 00:41:15,040
Speaker 1: I like their show, like their show feels like.

764
00:41:16,040 --> 00:41:17,399
Speaker 4: It feels more like season one.

765
00:41:18,080 --> 00:41:23,239
Speaker 1: Yeah. Yeah. It also just feels like somebody joined our

766
00:41:23,280 --> 00:41:26,000
Speaker 1: staff who had maybe been through the system or who

767
00:41:26,040 --> 00:41:29,400
Speaker 1: had been through a situation. And I don't know what

768
00:41:29,400 --> 00:41:31,280
Speaker 1: the reality of that is. I just know it feels

769
00:41:31,360 --> 00:41:33,600
Speaker 1: way more grounded than when we were kids and people

770
00:41:33,640 --> 00:41:36,280
Speaker 1: were just coming and going through our front door willy nilly.

771
00:41:37,680 --> 00:41:41,680
Speaker 1: You know, they're hiding out on park benches under the bridge.

772
00:41:41,760 --> 00:41:45,040
Speaker 3: Well, and I like too that. You know, Sam's trying

773
00:41:45,080 --> 00:41:49,279
Speaker 3: to come up with solutions, but she's still just a

774
00:41:49,360 --> 00:41:51,799
Speaker 3: kid and she doesn't have any you know. She says

775
00:41:51,840 --> 00:41:53,560
Speaker 3: she'll talk to Brooke and he's like, no, no, no,

776
00:41:53,600 --> 00:41:57,000
Speaker 3: don't do that. You know, they neither of them's quite

777
00:41:57,680 --> 00:42:02,560
Speaker 3: ready to really risk it, but they want to, but

778
00:42:02,600 --> 00:42:08,319
Speaker 3: they're scared too. It. It just feels so alive and

779
00:42:08,440 --> 00:42:12,160
Speaker 3: like you can really you feel their fear, you feel

780
00:42:12,160 --> 00:42:16,000
Speaker 3: how stuck they are, and I just think it's really

781
00:42:16,640 --> 00:42:19,160
Speaker 3: even though it's such a unique situation, it does feel

782
00:42:19,160 --> 00:42:20,000
Speaker 3: really relatable.

783
00:42:20,440 --> 00:42:20,640
Speaker 4: Yeah.

784
00:42:20,760 --> 00:42:23,160
Speaker 1: Was this the first episode that Chad had directed? Like

785
00:42:23,320 --> 00:42:24,240
Speaker 1: if TV ever?

786
00:42:25,000 --> 00:42:26,120
Speaker 4: I think so what?

787
00:42:26,800 --> 00:42:27,440
Speaker 1: It was great?

788
00:42:27,640 --> 00:42:30,160
Speaker 4: It was great, Yeah, really nice.

789
00:42:30,400 --> 00:42:35,239
Speaker 1: Good slow clap for yeah, good job. I mean it

790
00:42:35,320 --> 00:42:38,840
Speaker 1: was there were such big moments and like little moments,

791
00:42:38,840 --> 00:42:43,680
Speaker 1: and that balance of like serious and frivolous and right on.

792
00:42:44,160 --> 00:42:46,680
Speaker 1: That's a hard that's a hard thing to do, especially

793
00:42:46,680 --> 00:42:48,200
Speaker 1: when you know you writer wrote the script in two

794
00:42:48,320 --> 00:42:52,440
Speaker 1: days and I was sick and just like, hey man.

795
00:42:52,680 --> 00:42:54,800
Speaker 3: It's just such a good script. Though.

796
00:42:55,120 --> 00:42:56,040
Speaker 1: It's a great script.

797
00:42:56,160 --> 00:42:58,040
Speaker 4: Yeah, it's kind of a filler episode. I mean there's

798
00:42:58,040 --> 00:43:02,000
Speaker 4: a few things that move forward. Obviously with Peyton's pregnancy,

799
00:43:02,040 --> 00:43:07,120
Speaker 4: that was a really big, central focused moment, but other

800
00:43:07,200 --> 00:43:12,120
Speaker 4: than that, most of it felt Brook and Julian. Yeah,

801
00:43:12,120 --> 00:43:13,759
Speaker 4: it was like everything was moving forward a little bit,

802
00:43:13,760 --> 00:43:21,080
Speaker 4: but it wasn't a big catastrophe or lots of struggle

803
00:43:21,239 --> 00:43:23,400
Speaker 4: or whatever. It was nice to just kind of relax

804
00:43:23,440 --> 00:43:25,480
Speaker 4: a little and just enjoy watching the actors.

805
00:43:26,320 --> 00:43:29,760
Speaker 1: Everybody was kissing. Everybody's having a great time with their partner.

806
00:43:30,000 --> 00:43:32,600
Speaker 4: You guys be happy. That was fun.

807
00:43:33,360 --> 00:43:36,960
Speaker 1: Just mental break. That's what we all needed, just a

808
00:43:37,120 --> 00:43:42,200
Speaker 1: nice mental break. I had so much fun with Chad

809
00:43:42,200 --> 00:43:48,439
Speaker 1: on this episode because he felt good like directing. He'd

810
00:43:48,480 --> 00:43:50,920
Speaker 1: just written that flashback episode. Now he's directing. Like it

811
00:43:50,960 --> 00:43:53,480
Speaker 1: felt like there was some momentum and when you've been

812
00:43:53,520 --> 00:43:55,759
Speaker 1: on a show this long and you've just been doing

813
00:43:55,800 --> 00:43:57,759
Speaker 1: the same thing over and over again, and no one

814
00:43:57,760 --> 00:44:00,520
Speaker 1: trusts you to do more. That feels shitty. And so

815
00:44:00,560 --> 00:44:03,359
Speaker 1: he was being trusted to do more. You guys were

816
00:44:03,400 --> 00:44:06,120
Speaker 1: on deck to direct, like it felt like there was

817
00:44:06,120 --> 00:44:10,920
Speaker 1: some momentum. And yeah, being with little kids is my

818
00:44:11,840 --> 00:44:15,320
Speaker 1: sweet spot. I like kids. I like them when they're

819
00:44:15,800 --> 00:44:19,120
Speaker 1: shitty little kids. I like them when they're middle schoolers,

820
00:44:19,239 --> 00:44:22,160
Speaker 1: and I love them when they're like lippy high schoolers.

821
00:44:22,280 --> 00:44:26,800
Speaker 1: I just I like kids. So this was this was easy,

822
00:44:26,840 --> 00:44:27,800
Speaker 1: This was super fun.

823
00:44:40,239 --> 00:44:42,960
Speaker 4: This is from Maddie. What was your favorite age as

824
00:44:43,040 --> 00:44:47,839
Speaker 4: a child? Thinking in themes of like the childhood, the happiness,

825
00:44:47,960 --> 00:44:51,600
Speaker 4: the kid like play that we felt in this episode,

826
00:44:51,600 --> 00:44:53,080
Speaker 4: what was your favorite age as a child.

827
00:44:57,120 --> 00:45:01,520
Speaker 1: It's so weird having like having kids who are ages

828
00:45:01,560 --> 00:45:04,120
Speaker 1: that I remember, because I don't remember being a toddler.

829
00:45:04,200 --> 00:45:06,440
Speaker 1: Like so when my kids were toddlers, it was like,

830
00:45:06,480 --> 00:45:08,040
Speaker 1: oh my god, this is brand new and this is

831
00:45:08,080 --> 00:45:11,120
Speaker 1: so like neat cool. But now that they are ages

832
00:45:11,120 --> 00:45:15,560
Speaker 1: that I have vivid memories, it drums up a lot

833
00:45:15,640 --> 00:45:20,080
Speaker 1: of like old stuff. And I I think my teenage

834
00:45:20,160 --> 00:45:23,759
Speaker 1: years when I had some freedom, and I could get

835
00:45:23,760 --> 00:45:26,080
Speaker 1: out of my house and go live in my friend's

836
00:45:26,160 --> 00:45:30,000
Speaker 1: basements and things, and really like we would make movies

837
00:45:30,480 --> 00:45:33,640
Speaker 1: that I still have, you know, and we would have

838
00:45:33,680 --> 00:45:41,400
Speaker 1: slumber parties like every weekend. Like fourteen to fourteen to

839
00:45:41,440 --> 00:45:46,000
Speaker 1: graduation was not easy at all. There was some really

840
00:45:46,040 --> 00:45:50,799
Speaker 1: hainish in there. But the friendships that I made then

841
00:45:50,880 --> 00:45:53,480
Speaker 1: I still have now and we still like to have

842
00:45:53,480 --> 00:45:55,959
Speaker 1: sleepovers and lay on top of each other and eat

843
00:45:56,160 --> 00:45:59,839
Speaker 1: brownies and watch pageants and Rome and Michell's high school.

844
00:45:59,920 --> 00:46:03,319
Speaker 1: Ye you know, like it's I don't know, that's a

845
00:46:03,360 --> 00:46:04,680
Speaker 1: fun thing to lean back on.

846
00:46:05,960 --> 00:46:09,440
Speaker 3: Yeah, I think I would say the same, because it

847
00:46:09,520 --> 00:46:13,600
Speaker 3: was in that same sort of grouping of years that

848
00:46:13,760 --> 00:46:16,839
Speaker 3: I started doing theater and like the after school theater

849
00:46:16,960 --> 00:46:23,359
Speaker 3: programs and those sort of adventures in finding art and

850
00:46:23,480 --> 00:46:26,440
Speaker 3: voice and all the laughter we had and like the

851
00:46:26,480 --> 00:46:32,120
Speaker 3: costumes we were making, and and likewise the ability that

852
00:46:32,200 --> 00:46:35,359
Speaker 3: it gave me to get out of my house and

853
00:46:35,400 --> 00:46:38,759
Speaker 3: start to find my own, my own world and my

854
00:46:38,840 --> 00:46:47,279
Speaker 3: own identity I think was really important. What about you, Joy, Yeah,

855
00:46:47,440 --> 00:46:47,960
Speaker 3: same for me.

856
00:46:48,880 --> 00:46:56,760
Speaker 4: I think sophomore year probably specifically, but which I was fifteen,

857
00:46:56,800 --> 00:47:02,640
Speaker 4: I guess, right, sophomore. Yeah, yeah, I mean freshman year

858
00:47:02,719 --> 00:47:06,880
Speaker 4: was kind of hard, but yeah, overall that same timeframe,

859
00:47:06,920 --> 00:47:11,799
Speaker 4: when you're that precious age between twelve and fifteen, when

860
00:47:11,800 --> 00:47:15,320
Speaker 4: you're figuring out who you are and you stop looking

861
00:47:15,400 --> 00:47:21,120
Speaker 4: at your life through the lens of your parents' perspective,

862
00:47:21,200 --> 00:47:25,440
Speaker 4: you stop looking at everything in relation to all the

863
00:47:25,480 --> 00:47:28,600
Speaker 4: things that you're bound to as a result of just

864
00:47:28,680 --> 00:47:32,399
Speaker 4: being in someone else's home. I mean, it's your home,

865
00:47:32,440 --> 00:47:35,560
Speaker 4: but you know somebody else's rules. And to be able

866
00:47:35,600 --> 00:47:39,319
Speaker 4: to just choose to see things your own way and

867
00:47:39,320 --> 00:47:41,360
Speaker 4: have your opinion. Have I write your own opinion and

868
00:47:41,440 --> 00:47:44,040
Speaker 4: you're own space and you're still you know, you still

869
00:47:44,040 --> 00:47:46,080
Speaker 4: have some rules you have to follow, but you get

870
00:47:46,080 --> 00:47:50,279
Speaker 4: to explore more. It's such an amazing time of awakening

871
00:47:50,280 --> 00:47:54,719
Speaker 4: into who you are. So yeah, I really did. I

872
00:47:54,760 --> 00:47:56,680
Speaker 4: really did love that time. There was just so much

873
00:47:56,719 --> 00:47:59,560
Speaker 4: to discover, and discovery is the most fun.

874
00:48:00,000 --> 00:48:03,960
Speaker 1: Well, remember that feeling of starting to spend a lot

875
00:48:04,000 --> 00:48:08,000
Speaker 1: of time in other people's houses and figuring out who

876
00:48:08,160 --> 00:48:13,040
Speaker 1: you were to their mothers, who you were to their siblings.

877
00:48:13,000 --> 00:48:15,680
Speaker 4: Well, and how they lived their life too, which is

878
00:48:15,719 --> 00:48:18,799
Speaker 4: so different than it's always different what they kept in

879
00:48:18,840 --> 00:48:21,400
Speaker 4: their fridge. Were allowed to just go to the fridge

880
00:48:21,440 --> 00:48:23,360
Speaker 4: and open it up? Or was their mom like you

881
00:48:23,400 --> 00:48:26,360
Speaker 4: need to ask, you know, when you sleep over for

882
00:48:26,480 --> 00:48:28,200
Speaker 4: you all put out on each other in the basement,

883
00:48:28,280 --> 00:48:30,839
Speaker 4: or is there like guest rooms. Oh my god, my.

884
00:48:30,960 --> 00:48:36,280
Speaker 1: Friend Maureene, this is my favorite. My friend Maureen, who's

885
00:48:36,320 --> 00:48:38,040
Speaker 1: met a bunch of the cast, because she came to

886
00:48:38,080 --> 00:48:40,920
Speaker 1: our like big Christmas special we did for lifetime. She

887
00:48:42,120 --> 00:48:45,000
Speaker 1: threw a sleepover once and then was like, all right, guys,

888
00:48:45,040 --> 00:48:46,839
Speaker 1: well I'm gonna go to bed now, so I'll see

889
00:48:46,840 --> 00:48:48,880
Speaker 1: you in the morning. And she went to her room

890
00:48:49,000 --> 00:48:51,400
Speaker 1: and we all stayed in the basement. And I know

891
00:48:51,520 --> 00:48:53,719
Speaker 1: Marien listens to the show from time to time, so

892
00:48:53,960 --> 00:48:55,319
Speaker 1: I just want to say that was one of my

893
00:48:55,360 --> 00:48:59,520
Speaker 1: favorite sleepovers ever because I thought it was hilarious and

894
00:48:59,560 --> 00:49:03,719
Speaker 1: such like big dick energy, like, yeah, I'll see you

895
00:49:03,719 --> 00:49:04,520
Speaker 1: guys in the morning.

896
00:49:04,800 --> 00:49:05,480
Speaker 4: I have a bed.

897
00:49:05,800 --> 00:49:07,200
Speaker 3: Good luck, it's comfortable.

898
00:49:07,280 --> 00:49:09,920
Speaker 1: Bye, Core memories you guys.

899
00:49:10,480 --> 00:49:11,640
Speaker 3: Let's spin a wheel.

900
00:49:14,640 --> 00:49:17,200
Speaker 1: Yeah, when do we get James vanderbeek back.

901
00:49:17,400 --> 00:49:21,080
Speaker 4: Oh, let's bring him on the show. Does he most

902
00:49:21,239 --> 00:49:25,759
Speaker 4: likely to pass out on a roller coaster or a

903
00:49:25,760 --> 00:49:26,560
Speaker 4: sling shot?

904
00:49:27,239 --> 00:49:27,479
Speaker 1: Oh?

905
00:49:28,480 --> 00:49:28,760
Speaker 4: God?

906
00:49:29,719 --> 00:49:33,479
Speaker 3: I don't know. Okay, on the show character, I feel

907
00:49:33,480 --> 00:49:35,280
Speaker 3: like skills are junk.

908
00:49:35,760 --> 00:49:37,320
Speaker 1: Yeah it's junk.

909
00:49:37,760 --> 00:49:38,240
Speaker 3: Yeah.

910
00:49:38,440 --> 00:49:40,040
Speaker 4: Yeah, he's a big talker.

911
00:49:40,680 --> 00:49:42,000
Speaker 1: He'd be the one in line, like, you know for

912
00:49:42,160 --> 00:49:43,560
Speaker 1: this ride like seventeen times.

913
00:49:43,880 --> 00:49:46,520
Speaker 4: Yeah, we haven't.

914
00:49:46,320 --> 00:49:47,080
Speaker 1: Had Colin on.

915
00:49:47,600 --> 00:49:49,840
Speaker 3: He's got to come and play with us.

916
00:49:50,000 --> 00:49:52,440
Speaker 4: Oh yeah who In real life?

917
00:49:53,080 --> 00:49:54,320
Speaker 3: I love roller coasters.

918
00:49:54,360 --> 00:49:58,680
Speaker 4: It's not me who would like legitimately pass out on

919
00:49:58,719 --> 00:49:59,480
Speaker 4: a roller coaster.

920
00:50:00,000 --> 00:50:01,879
Speaker 3: Watching all of our faces right now, I just hear

921
00:50:01,880 --> 00:50:05,440
Speaker 3: the Jeopardy music. I do do ding ding ding. I

922
00:50:05,760 --> 00:50:07,880
Speaker 3: am racking my brain.

923
00:50:08,520 --> 00:50:10,000
Speaker 4: James does roller coasters?

924
00:50:10,600 --> 00:50:14,480
Speaker 1: Wait, have we found James Lafferty's cryptiiy he can do anything.

925
00:50:14,520 --> 00:50:16,200
Speaker 1: The man that could do carry Okay, you can get

926
00:50:16,280 --> 00:50:17,120
Speaker 1: hit by car well.

927
00:50:17,160 --> 00:50:19,000
Speaker 4: I just here's why I think it because James is

928
00:50:19,120 --> 00:50:23,560
Speaker 4: very measured. He likes to have I don't use the

929
00:50:23,600 --> 00:50:25,880
Speaker 4: word control in a negative sense. He just likes to

930
00:50:25,920 --> 00:50:28,880
Speaker 4: have control over the over the situation, the environment, not

931
00:50:28,960 --> 00:50:32,880
Speaker 4: over it. He likes to feel solid in the choices

932
00:50:32,880 --> 00:50:35,000
Speaker 4: he's making and where he is and what's going on.

933
00:50:35,040 --> 00:50:40,080
Speaker 4: And I think unpredictability doesn't seem to be something that's

934
00:50:40,200 --> 00:50:43,640
Speaker 4: fun for him. In particular, That's that's what I remember. Anyway.

935
00:50:43,680 --> 00:50:46,600
Speaker 4: I don't hang a lot out with James anymore, so

936
00:50:46,800 --> 00:50:50,040
Speaker 4: maybe that's changed, but I don't know. So it feels

937
00:50:50,040 --> 00:50:52,359
Speaker 4: to me like maybe it would be unnatural for him,

938
00:50:52,560 --> 00:50:55,200
Speaker 4: be unnatural for him to be on roller coasters.

939
00:50:55,640 --> 00:50:59,600
Speaker 1: Yeah, it's definitely like a boy. It's definitely a boy.

940
00:51:00,239 --> 00:51:04,879
Speaker 1: Carls are so used to like pain and suffering and like,

941
00:51:05,640 --> 00:51:08,480
Speaker 1: you know, impulsive stuff like we're just used to the

942
00:51:08,520 --> 00:51:10,040
Speaker 1: world flipping us upside down.

943
00:51:10,520 --> 00:51:12,319
Speaker 4: Yeah we have We're expected to roll with it.

944
00:51:12,560 --> 00:51:15,400
Speaker 3: Yeah, yeah, they struggle.

945
00:51:17,800 --> 00:51:21,200
Speaker 1: Gross Listen, if someone can get James Lafferty on a

946
00:51:21,280 --> 00:51:24,880
Speaker 1: roller coaster, we want video proof. We don't tell you it.

947
00:51:25,360 --> 00:51:30,400
Speaker 1: What's called COLLETTI Yeah, honestly, they're like roller coasters and

948
00:51:30,440 --> 00:51:33,839
Speaker 1: slingshots are two different things. I'll roller coaster all damn day.

949
00:51:33,960 --> 00:51:34,440
Speaker 3: Yeah.

950
00:51:34,719 --> 00:51:35,839
Speaker 1: That slingshot thing.

951
00:51:36,080 --> 00:51:39,880
Speaker 3: No, honey, No, that just feels like a lawsuit waiting

952
00:51:39,920 --> 00:51:40,400
Speaker 3: to happen.

953
00:51:40,520 --> 00:51:43,960
Speaker 1: It doesn't seem fun. I'm not gonna stand in line

954
00:51:44,080 --> 00:51:47,600
Speaker 1: for that. Come on, all right, So season six, episode fifteen,

955
00:51:47,880 --> 00:51:52,680
Speaker 1: we change? We wait, do we change? I don't know.

956
00:51:52,680 --> 00:51:54,840
Speaker 1: We all still want to be fourteen, So we're not

957
00:51:54,840 --> 00:51:55,719
Speaker 1: the right people to ask.

958
00:51:55,840 --> 00:51:57,320
Speaker 3: We all just want to go to karaoke.

959
00:51:59,680 --> 00:52:02,080
Speaker 4: Thanks for joining us, everybody. We'll see you next week.

960
00:52:02,320 --> 00:52:03,320
Speaker 3: See you next week.

961
00:52:04,440 --> 00:52:05,600
Speaker 4: Hey, thanks for listening.

962
00:52:05,719 --> 00:52:07,920
Speaker 3: Don't forget to leave us a review. You can also

963
00:52:08,000 --> 00:52:11,080
Speaker 3: follow us on Instagram at Drama Queens ot.

964
00:52:11,120 --> 00:52:15,800
Speaker 1: H or email us at Drama Queens at iHeartRadio dot com.

965
00:52:16,040 --> 00:52:17,080
Speaker 1: See you next time.

966
00:52:18,280 --> 00:52:21,680
Speaker 2: We all about that high school drama Girl, Drama Girl,

967
00:52:21,760 --> 00:52:24,880
Speaker 2: all about them high school queens. We'll take you for

968
00:52:25,000 --> 00:52:28,400
Speaker 2: a ride at our comic Girl Cheering for the right Teams.

969
00:52:28,480 --> 00:52:31,600
Speaker 2: Drama Queenslease my girl, up girl Fashion.

970
00:52:31,640 --> 00:52:32,560
Speaker 3: What's your tough girl?

971
00:52:32,640 --> 00:52:35,280
Speaker 4: You could sit with us Girl Drama Queens, Drama, Quise

972
00:52:35,360 --> 00:52:39,399
Speaker 4: Drama Queens, Drama Drama Queens, Drama Queens