WEBVTT - The Bobby Bones Special Saturday Show!

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<v Speaker 1>It's time for the Bobby Bones Post Show.

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<v Speaker 2>Here's your host, Bobby Bone.

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<v Speaker 1>Hello. It's actually on a Saturday, so we haven't done

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<v Speaker 1>any Saturday shows, but as a bonus to you, a

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<v Speaker 1>Saturday post show, which sometimes I don't want to clutter

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<v Speaker 1>the feed with too many things at once. I get

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<v Speaker 1>so annoyed when people put up random stuff in our

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<v Speaker 1>feed that I have no idea what it is. And

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<v Speaker 1>it's like Frank Sinatra's cousin talks about New York and

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<v Speaker 1>it's an hour long podcast on Frank's and that's not

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<v Speaker 1>a real podcast, but it's like an hour long podcast

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<v Speaker 1>or something that like the company, and it's like right

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<v Speaker 1>in our feed. That annoys me so much. So even

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<v Speaker 1>if we're putting up lots of stuff, I'm gonna put

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<v Speaker 1>this up on Saturday, because there shouldn't be anything from

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<v Speaker 1>Frank Sinatra's cousin up on our feed today. So everybody,

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<v Speaker 1>thanks for being here on Saturday, even though it's actually Friday.

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<v Speaker 3>Happy to be here.

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<v Speaker 1>Thank you real though, since it is Friday, Like I

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<v Speaker 1>was out late last night. Thomas Rhett had an album

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<v Speaker 1>release that we record as like a national album release

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<v Speaker 1>that airs I think in the afternoons on like all

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<v Speaker 1>of our stations. I don't know when it's airing, probably

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<v Speaker 1>the next couple weeks. And so I like Thomas Rhett.

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<v Speaker 1>So I go to this place and I don't do

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<v Speaker 1>many of these. I like to do them with the

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<v Speaker 1>people that I like because it's very easy if that's

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<v Speaker 1>the case. And so I'm hanging out with Thomas Reft

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<v Speaker 1>for a while, and it doesn't really start till like

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<v Speaker 1>seven thirty seven forty five, which is extremely late for

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<v Speaker 1>me in my life, but it's okay, and so do it.

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<v Speaker 1>And it goes a little long at eight fifteen, eight

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<v Speaker 1>twenty A couple observations. They did not know he was

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<v Speaker 1>going to be there. The people there in that room,

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<v Speaker 1>oh was this rise? Sort of? They also did not

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<v Speaker 1>know I was going to be there. So what they

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<v Speaker 1>were pitched it was people from the Thomas RHTT fan

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<v Speaker 1>club that I would assume we're from here or an

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<v Speaker 1>hour and a half or two hours less away. They

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<v Speaker 1>would drive it. They's say, Thomas Reht's new albums coming

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<v Speaker 1>out in a couple of weeks. We actually will play

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<v Speaker 1>it for you guys first, if you want to come.

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<v Speaker 1>And I would think fifteen twenty people, which I had

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<v Speaker 1>one hundred people there. Oh wow, just to listen to music.

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<v Speaker 1>I'm not listening to anybody's music. I'm not driving ten

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<v Speaker 1>minutes just to listen to somebody's pre music. Yeah, now

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<v Speaker 1>maybe jaded.

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<v Speaker 3>They're getting it early.

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<v Speaker 1>Yeah, wait two weeks. But again, they spent their even

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<v Speaker 1>just listening to this. I wouldn't do that for anybody.

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<v Speaker 1>I wish that I had that kind of passion for

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<v Speaker 1>like an artist, that I would go sit and listen

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<v Speaker 1>to their music early, and then the cool thing was

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<v Speaker 1>they listened and then So how I always get screwed

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<v Speaker 1>in these situations, because I'll make this about me for

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<v Speaker 1>a second, is that the guy goes up before me

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<v Speaker 1>who was hosting the tracks, This wasn't recorded for any show,

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<v Speaker 1>and he goes, hey, we got a surprise for you. Guys.

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<v Speaker 1>They're like, it's Tom's rett. He goes it's Bollybones. And

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<v Speaker 1>so it's met with a very tepid response. Right, So

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<v Speaker 1>I wish they would have said nothing about a surprise.

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<v Speaker 1>Who gives a crap about me? If they're there for

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<v Speaker 1>a Thomas Rhett fan club party, Like, who cares about me?

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<v Speaker 1>What would have been nice is Hey, cool, thank you guys,

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<v Speaker 1>and then I just walk on like, what's so, guys,

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<v Speaker 1>say it's Bobby. We once want to come by and

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<v Speaker 1>say whatever, but because it was like, we got a

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<v Speaker 1>surprise for you guys. And they're at a Thomas Rat

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<v Speaker 1>listening party and they're in Nashville and they I can

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<v Speaker 1>feel the like the air in a positive way. Go

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<v Speaker 1>can kind of get sucked out of the room ready

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<v Speaker 1>for Thomas Rhett, Bobby Bones.

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<v Speaker 3>Listen. Then did you get to iding them back up again?

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<v Speaker 1>Yeah, but I had to feel that not without meat

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<v Speaker 1>being reminded. Then nobody gives a crap and I already

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<v Speaker 1>know that, but like, I don't need to ship to

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<v Speaker 1>my face every day, especially when I'm there working voluntarily.

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<v Speaker 4>How was the reaction for Thomas rest?

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<v Speaker 1>It's great. But I walk out and I'm like, what up?

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<v Speaker 1>And they're like, oh, that's how about that. It's like

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<v Speaker 1>seeing your mailman at Walmart. It's kind of weird, but

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<v Speaker 1>you know it's still a thing. You're like, this is

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<v Speaker 1>a mailman, not anymore does mailman clothes? That's crazy. They

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<v Speaker 1>can't believe that's what I feel like. I'm like, oh,

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<v Speaker 1>your maleman at Walmart? You can't believe you see me.

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<v Speaker 1>Third of them probably didn't even know how it was. So

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<v Speaker 1>then I'm I'm like, well, I also have a surprise

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<v Speaker 1>for you guys. At this point, they're like, I'm a

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<v Speaker 1>little unfairly it's unfair. I'm a little unfairly frustrated at

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<v Speaker 1>my setup, and I'm I'm there just to mess with

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<v Speaker 1>people at this point, and t R is outside the door.

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<v Speaker 1>But I'm like, I gotta get a surprise. And so

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<v Speaker 1>now they're ready for Thomas Rhett and and I pick

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<v Speaker 1>up my phone and I go, I got Thomas right

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<v Speaker 1>on FaceTime. And then that's funny, and they're like and

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<v Speaker 1>then something they're like, ooh, and I'm like, he's gonna

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<v Speaker 1>answer some questions on FaceTime for you guys. They're totally

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<v Speaker 1>confused at this point because they've been led to think,

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<v Speaker 1>one Thomas Rhet's there, here comes White Arcle. Then second,

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<v Speaker 1>here comes Thomas rhdd again. Oh but he's on FaceTime.

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<v Speaker 1>He's not even here, And so.

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<v Speaker 3>You think of that, like right when you.

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<v Speaker 1>I thought of that right whenever. My the emotion for

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<v Speaker 1>me existing was not a positive.

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<v Speaker 3>That's quick.

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<v Speaker 1>I don't need it to be positive. I just don't

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<v Speaker 1>want it to be negative. So and I'm like, hey,

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<v Speaker 1>Tom's Ray. You got a lot of people here. They

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<v Speaker 1>paid well, they didn't pay anything to come, but they've

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<v Speaker 1>been listening to music and they'd give it like moderate reviews.

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<v Speaker 1>And the people in the crowd are like, that's not true,

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<v Speaker 1>that's not true. And so I turned the phone and

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<v Speaker 1>I'm like, I'm just kidding. He's not on the phone.

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<v Speaker 1>Still haven't said he's there. I'm just like, he's not

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<v Speaker 1>on the phone. So again they think I'm messing with

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<v Speaker 1>him again, that he's even on FaceTime. At this point,

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<v Speaker 1>I'm enjoying life again, Like it takes me that long

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<v Speaker 1>to get back to enjoy what I'm doing. And then

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<v Speaker 1>I was like, I would never do that. I would

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<v Speaker 1>never lie. So you guys didn't like it, but I

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<v Speaker 1>was like some of it was mid though, right, And

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<v Speaker 1>I know Thomas Red's right out ouside the door, and

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<v Speaker 1>they're like no, and I'm like, well, that's good because

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<v Speaker 1>here's Thomas right, And they're like, ah, but I had

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<v Speaker 1>to get it bad to get my groove back, and

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<v Speaker 1>that's how I did it by messing with them.

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<v Speaker 3>That works. I felt good, I feel it I wasn't

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<v Speaker 3>even there.

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<v Speaker 1>Here's the worst one. If you come to Nashville, there's

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<v Speaker 1>some things that I would recommend as a tourist if

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<v Speaker 1>you're coming for the music part of this city that

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<v Speaker 1>you do. The Ryman's always cool. Sometimes you come and

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<v Speaker 1>you can't. Maybe you don't like the artists playing a

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<v Speaker 1>full show there, but it's cool to go at least

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<v Speaker 1>by the Ryman. If you can tour the Rymen, that's

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<v Speaker 1>pretty cool. Not that it's anything cool to see with

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<v Speaker 1>your eyes, like you know, Elvis's joxtrap isn't hanging up,

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<v Speaker 1>but it's church pews and a concert venue that's called

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<v Speaker 1>the Mother Chuir. Just to have said you've gone through

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<v Speaker 1>it right. It's not a museum. There's some little stuff

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<v Speaker 1>that's cool. Go to a show if you can, if

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<v Speaker 1>it's somebody you like. I would not say go to

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<v Speaker 1>the Ryman just to go to a show. If it's

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<v Speaker 1>somebody you don't like. Touring the Opry awesome. Even if

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<v Speaker 1>you don't go to an Opery show, I would say

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<v Speaker 1>go to the Opry. The Opry is fantastic, and the

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<v Speaker 1>bigger stars are usually on weeknights, Tuesday nights, Wednesday nights,

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<v Speaker 1>whenever the night is because they're not touring, and most

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<v Speaker 1>artists are touring. They make their money Thursday, Friday, Saturday nights.

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<v Speaker 1>But even if you do the daytime tour orts the opry,

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<v Speaker 1>that tour is a plus. Then there's there's a listening

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<v Speaker 1>room cafe, which is cool if you want to like

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<v Speaker 1>see a songwriter around a lot of artists that played that.

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<v Speaker 1>But the Bluebird really cool, really special. And the Bluebird

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<v Speaker 1>I was introduced to it mostly from Nashville the TV

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<v Speaker 1>show I didn't live here. I don't know. I think

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<v Speaker 1>about the freaking Bluebird. I understand now the significance of it.

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<v Speaker 1>I've played it ten times. But the Bluebird, it's in

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<v Speaker 1>a strip mall. It is nothing sexy. Whenever you pull up.

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<v Speaker 3>To it, you're almost confused.

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<v Speaker 1>It's like you're getting a check cash. It's like, you know,

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<v Speaker 1>you get a yeah, it's like five percent, you know whatever.

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<v Speaker 1>So you're gonna go get you check a few days

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<v Speaker 1>early and then go over to the Bluebird. But the

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<v Speaker 1>Bluebird is really cool because, very much like there's other rooms,

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<v Speaker 1>the Bluebird has more of a legacy. Where like Garth

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<v Speaker 1>was found basically at the Bluebird. Tracy Lauren. It's like

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<v Speaker 1>part of his A lot of artists played The Bluebird's

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<v Speaker 1>impossible to get in because it's so small and why

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<v Speaker 1>it's it's weird but amazing for an artist. There's two

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<v Speaker 1>ways you play at one is I think the last

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<v Speaker 1>time I played it, I had Hunter Hayes play with me,

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<v Speaker 1>one of the the dude from Sugarland, Larkin Poe, two

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<v Speaker 1>girls that freaking rock and you sit in a circle

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<v Speaker 1>looking at each other, and everybody's sitting around you, but

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<v Speaker 1>they are right on top of you. If they're eating

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<v Speaker 1>a pancake, you can hear them chew. And the first

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<v Speaker 1>time you played it's so weird because the people are

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<v Speaker 1>right on you and you play music. It's really cool,

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<v Speaker 1>vibes different, really cool, hard to get in. And then

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<v Speaker 1>sometimes people will bring friends and they'll be like, hey,

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<v Speaker 1>I brought my friend, Like I think post Alone showed

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<v Speaker 1>up there right and played at the Bluebird. You never know.

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<v Speaker 1>They have a stage set up and they will at

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<v Speaker 1>times do like rounds on the stage. I prefer when

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<v Speaker 1>they're in the middle. But they also have a small

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<v Speaker 1>stage where like one person can play the little open

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<v Speaker 1>mic switch one person goes up, or if there's a

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<v Speaker 1>couple of people and they just want to do a

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<v Speaker 1>guitar pool type thing goes around again, surprises show up,

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<v Speaker 1>and the surprises are at times awesome, like still like

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<v Speaker 1>you might get a Garth, you might get a post Wall,

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<v Speaker 1>you might get a Taylor Swift. That's happened in the

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<v Speaker 1>last few years. There's a great documentary on The Bluebird.

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<v Speaker 1>I'm in it a lot because I'm lucky enough to

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<v Speaker 1>have played it a bunch of times and enjoy and

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<v Speaker 1>I have learned the history of it. It's on Amazon,

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<v Speaker 1>but it is really good. And so before I went

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<v Speaker 1>on my last tour, I was working on some new

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<v Speaker 1>music and I was like, hey, I think it needs

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<v Speaker 1>to go play a few places. So I called The

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<v Speaker 1>Bluebird and I was like, Hey, is it cool if

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<v Speaker 1>I come and just do a couple of songs on

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<v Speaker 1>the stage night like Wednesday night. They're like, yeah, cool,

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<v Speaker 1>just let us know when you get to the back

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<v Speaker 1>door and it's packed. It's always packed. So I get

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<v Speaker 1>to the back door and they let me in and

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<v Speaker 1>here the guy go, you guys ready for this, And

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<v Speaker 1>I'm like, oh no, no, no, no, no, no, no, no.

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<v Speaker 1>Known all around the world. No no, no, no, no

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<v Speaker 1>no no. In my head, I'm like, please stop, because

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<v Speaker 1>these people, they for sure there's heavy odds they don't

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<v Speaker 1>know who I am, or they don't know play music,

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<v Speaker 1>or they're here to catch some magical surprise guests. They're like,

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<v Speaker 1>he's heard by millions of people, he has he's won cmas, ACMs,

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<v Speaker 1>and I'm like, this is the worst build up ever.

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<v Speaker 1>And he goes give it and they think George Strait's

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<v Speaker 1>about to walk out. I know they think somebody massive

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<v Speaker 1>is about to walk out at how the guy has

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<v Speaker 1>set it up and the environment that they are in,

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<v Speaker 1>and they're like, here he is, Bobby Bones. I swear

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<v Speaker 1>to god, I just want to go home. I wanted

0:10:37.160 --> 0:10:38.960
<v Speaker 1>to walk out the back. I wanted to not show up.

0:10:39.000 --> 0:10:40.400
<v Speaker 1>I think that had been a better surprise if I

0:10:40.400 --> 0:10:42.360
<v Speaker 1>didn't come out than if I did.

0:10:43.200 --> 0:10:44.880
<v Speaker 3>I thought you were around to say that maybe somebody

0:10:44.920 --> 0:10:46.559
<v Speaker 3>else was there in the house all that, and they

0:10:46.559 --> 0:10:48.440
<v Speaker 3>were about to walk past me and be like, what's up, Bobby,

0:10:48.440 --> 0:10:49.199
<v Speaker 3>and it's like, no worse.

0:10:49.240 --> 0:10:52.000
<v Speaker 1>I would rather that would have much rather that happened.

0:10:52.040 --> 0:10:53.720
<v Speaker 1>That had have been much cooler, because then the people

0:10:53.720 --> 0:10:55.800
<v Speaker 1>would not have been disappointed but when they're building it

0:10:55.880 --> 0:10:58.720
<v Speaker 1>up like known all over America in the world, and

0:10:58.760 --> 0:11:01.760
<v Speaker 1>then they go, yeah, want some cmas and ACMs, but

0:11:01.800 --> 0:11:06.120
<v Speaker 1>it's not the same as like what Christapleton wins, and

0:11:06.120 --> 0:11:08.079
<v Speaker 1>they're ready for Tennessee whiskey, and all of a sudden,

0:11:08.080 --> 0:11:10.840
<v Speaker 1>I'm like, my grandma is naked it Oh yeah, true,

0:11:10.920 --> 0:11:11.640
<v Speaker 1>Oh my god.

0:11:11.679 --> 0:11:13.600
<v Speaker 3>But they I'm sure they laughed and enjoyed it.

0:11:13.720 --> 0:11:17.000
<v Speaker 1>I won them back eventually, but I was also playing

0:11:17.000 --> 0:11:18.520
<v Speaker 1>a couple of new songs and one of them was

0:11:18.679 --> 0:11:21.240
<v Speaker 1>just okay, but I can't ever tell if people are

0:11:21.280 --> 0:11:23.719
<v Speaker 1>gonna think they're funny until I played them. But I

0:11:24.040 --> 0:11:26.960
<v Speaker 1>like that, And so they were trying to do me

0:11:27.000 --> 0:11:29.839
<v Speaker 1>a solid by building me up. That's a very kind

0:11:29.880 --> 0:11:32.160
<v Speaker 1>thing to do. But I wish what they would have

0:11:32.160 --> 0:11:33.680
<v Speaker 1>said is, hey, this is really cool Bobby Bones here,

0:11:33.800 --> 0:11:35.840
<v Speaker 1>it's gonna play some comedy music for you guys. In

0:11:35.880 --> 0:11:38.360
<v Speaker 1>case you don't know who he is, he's an American

0:11:38.400 --> 0:11:40.760
<v Speaker 1>idol for four years instead of the other way. Because

0:11:40.840 --> 0:11:44.640
<v Speaker 1>that it just chops my legs out from under me.

0:11:44.679 --> 0:11:46.440
<v Speaker 1>I can never get back. I can never get it back.

0:11:47.280 --> 0:11:48.680
<v Speaker 1>So it was a bit of that last night. But

0:11:48.720 --> 0:11:50.120
<v Speaker 1>then I got to screw with that crowd and be like,

0:11:50.240 --> 0:11:50.960
<v Speaker 1>is that FaceTime?

0:11:51.080 --> 0:11:52.679
<v Speaker 3>Yeah, I feel like that works in your favor to

0:11:52.720 --> 0:11:53.440
<v Speaker 3>have no.

0:11:53.200 --> 0:11:56.360
<v Speaker 1>No, no favor. Well, what if I'd take it back.

0:11:56.400 --> 0:11:57.320
<v Speaker 1>I would never do that again.

0:11:57.360 --> 0:12:00.840
<v Speaker 3>Like ying's funny though, Man.

0:12:01.120 --> 0:12:03.720
<v Speaker 1>That's survival. So I did that until eight fifteen. Had

0:12:03.720 --> 0:12:05.760
<v Speaker 1>a playoff softball game at nine last night.

0:12:06.480 --> 0:12:08.440
<v Speaker 3>Oh I went straight from that to the game.

0:12:08.559 --> 0:12:12.320
<v Speaker 1>Yes, wow, I know I've never played a nine game,

0:12:12.360 --> 0:12:14.800
<v Speaker 1>but it was the playoffs, and so it was like

0:12:14.840 --> 0:12:17.840
<v Speaker 1>the semis of the championship week is next week, and

0:12:17.920 --> 0:12:23.120
<v Speaker 1>so hall Butt North play change in the parking lot,

0:12:23.520 --> 0:12:29.800
<v Speaker 1>have like ten minutes. It's big lightning, big lightning. There

0:12:29.880 --> 0:12:32.280
<v Speaker 1>was a lightning crack that hit so hard I thought

0:12:32.280 --> 0:12:35.160
<v Speaker 1>it was a gun shot like fifty feet away. I

0:12:35.160 --> 0:12:37.360
<v Speaker 1>didn't see that, but it was a boom crack.

0:12:38.400 --> 0:12:41.400
<v Speaker 3>They never called the games a cancel because the lightning.

0:12:41.760 --> 0:12:43.679
<v Speaker 1>I want to make the twenty five bucks and we

0:12:43.720 --> 0:12:46.600
<v Speaker 1>all wanted to play so rock and roll. We ended

0:12:46.679 --> 0:12:48.760
<v Speaker 1>up losing by one run in the last inning, which sucked.

0:12:49.600 --> 0:12:51.800
<v Speaker 1>What sucked even worse is I didn't get to bed

0:12:51.920 --> 0:12:53.880
<v Speaker 1>till like midnight or so last night, which is fine

0:12:54.440 --> 0:12:56.599
<v Speaker 1>because by the time you go nine to ten, is

0:12:56.640 --> 0:13:01.960
<v Speaker 1>the game ten to ten, thirty, get home, shower eleven.

0:13:02.400 --> 0:13:04.559
<v Speaker 1>By the time you really get to sleep, it's eleven

0:13:04.559 --> 0:13:07.520
<v Speaker 1>forty five or so and so so.

0:13:07.640 --> 0:13:10.440
<v Speaker 3>Now, since that was the playoff and y'all lost, what's

0:13:10.520 --> 0:13:11.640
<v Speaker 3>next for you and the team?

0:13:11.679 --> 0:13:13.640
<v Speaker 1>I start season two their Wednesday night games instead of

0:13:13.640 --> 0:13:16.320
<v Speaker 1>Thursday in a couple of weeks, which is much easier.

0:13:16.280 --> 0:13:21.760
<v Speaker 1>A lot of Thursdays will leave town Earth, Yeah, go.

0:13:21.800 --> 0:13:22.439
<v Speaker 4>To outer space.

0:13:22.720 --> 0:13:26.640
<v Speaker 1>Yeah, but that was the night last night. It was

0:13:26.679 --> 0:13:29.040
<v Speaker 1>fun though, Like it was fun playing soft ball. My

0:13:29.120 --> 0:13:31.160
<v Speaker 1>knee all bloody, Like I can't do anything without my

0:13:31.240 --> 0:13:33.199
<v Speaker 1>knees getting bloody. I dive too much. I'm too much

0:13:33.200 --> 0:13:35.160
<v Speaker 1>of an adult to be on the ground that much.

0:13:35.240 --> 0:13:37.600
<v Speaker 3>Were you diving because you were running the bases?

0:13:37.760 --> 0:13:39.760
<v Speaker 1>Or you're no, I don't, I don't sleep.

0:13:39.760 --> 0:13:43.040
<v Speaker 3>Oh no, you you dove to catch a ball?

0:13:43.160 --> 0:13:45.680
<v Speaker 1>Yes, because that is very instinctual.

0:13:45.240 --> 0:13:46.920
<v Speaker 3>In that we're what position were you playing?

0:13:46.960 --> 0:13:48.199
<v Speaker 1>I got to play first last night, and it was

0:13:48.240 --> 0:13:52.480
<v Speaker 1>amazing because I can see freaking eight lights out, lights out.

0:13:52.480 --> 0:13:55.120
<v Speaker 1>I can play first base as good as anybody scooping

0:13:55.200 --> 0:13:58.000
<v Speaker 1>on freaking Megan plays backward on the foul line. I

0:13:58.040 --> 0:14:01.880
<v Speaker 1>can't see in the outfield, so I'm beat b outfielder

0:14:02.120 --> 0:14:07.160
<v Speaker 1>a plus first baseman, but diving forth because those ball

0:14:07.360 --> 0:14:10.400
<v Speaker 1>they're just hit quick, and so that's all instinct. I

0:14:10.400 --> 0:14:12.080
<v Speaker 1>know when I'm running the basis, there's no chance I'm

0:14:12.120 --> 0:14:13.480
<v Speaker 1>going to slide. I don't care how close it is,

0:14:13.760 --> 0:14:15.600
<v Speaker 1>not gonna do it. But if a ball's hit, you're

0:14:15.600 --> 0:14:19.560
<v Speaker 1>just like jump go. Someoneees a bloody took a picture

0:14:19.560 --> 0:14:21.160
<v Speaker 1>of if it though couldn't do it with that documenting it.

0:14:21.160 --> 0:14:23.080
<v Speaker 1>It's on my Instagram, my story. But by the time

0:14:23.080 --> 0:14:25.480
<v Speaker 1>you see this, it won't be up anymore. But uh, yeah,

0:14:25.520 --> 0:14:26.840
<v Speaker 1>that was that was the last night.

0:14:27.000 --> 0:14:28.560
<v Speaker 3>Okay, because it's Saturday.

0:14:30.600 --> 0:14:31.320
<v Speaker 1>They're hearing this.

0:14:31.360 --> 0:14:33.280
<v Speaker 3>They're hearing it on Saturday.

0:14:33.080 --> 0:14:35.720
<v Speaker 1>The picture won't be up two days later.

0:14:35.800 --> 0:14:37.920
<v Speaker 3>I'm like, I'm gonna go look right now, don't you can.

0:14:37.800 --> 0:14:41.920
<v Speaker 1>Look right now? But yeah, so season was over. But

0:14:43.080 --> 0:14:45.840
<v Speaker 1>our little ragtag group of people we did pretty good

0:14:45.880 --> 0:14:48.440
<v Speaker 1>considering a lot of those guys on that team had

0:14:48.480 --> 0:14:50.120
<v Speaker 1>not played in a long time. I hadn't played in

0:14:50.240 --> 0:14:53.960
<v Speaker 1>years on like that kind of league. So and I'm

0:14:53.960 --> 0:14:55.880
<v Speaker 1>trying to find somebody to like coach me in basketball

0:14:56.000 --> 0:14:58.160
<v Speaker 1>before I go play Men's I can tell you about

0:14:58.160 --> 0:15:01.160
<v Speaker 1>that later. Yeah, so I'm here. It's good.

0:15:01.480 --> 0:15:02.720
<v Speaker 3>Sweet till season two.

0:15:03.840 --> 0:15:05.360
<v Speaker 1>Wednesdays, it's gonna be so much better.

0:15:05.680 --> 0:15:07.640
<v Speaker 4>Unless it's at nine o'clock Wednesday.

0:15:07.760 --> 0:15:10.760
<v Speaker 1>I probably won't do those. Okay, this was just a place.

0:15:10.840 --> 0:15:13.200
<v Speaker 1>You know, you wouldn't probably show up to a late

0:15:13.240 --> 0:15:16.080
<v Speaker 1>late game unless it was a big one.

0:15:16.600 --> 0:15:18.800
<v Speaker 3>Well also season two, some of the late late.

0:15:18.840 --> 0:15:20.720
<v Speaker 4>Sometimes, Yeah, I go, no matter what.

0:15:20.960 --> 0:15:24.120
<v Speaker 3>Oh is that because of also temperature? Because is it?

0:15:24.160 --> 0:15:26.240
<v Speaker 3>The weather's gonna get better? So you can play earlier.

0:15:26.520 --> 0:15:29.440
<v Speaker 1>They start at six. Yeah, every game starts the league

0:15:29.640 --> 0:15:32.120
<v Speaker 1>and there's like three fields there, so everything starts at six.

0:15:32.160 --> 0:15:33.760
<v Speaker 1>And we just got caught up in that nine game.

0:15:34.520 --> 0:15:36.360
<v Speaker 1>Try to wake up earlier than you.

0:15:36.600 --> 0:15:38.920
<v Speaker 5>I was gonna say, you get up earlier. You worry

0:15:38.920 --> 0:15:41.040
<v Speaker 5>about things more than me. I'm like, yeah, I'll just

0:15:41.080 --> 0:15:42.480
<v Speaker 5>take a nap the next day. You You're like, I

0:15:42.480 --> 0:15:46.120
<v Speaker 5>got all these dots me. I'm like, I got at

0:15:46.360 --> 0:15:47.040
<v Speaker 5>appointment with the.

0:15:47.120 --> 0:15:51.280
<v Speaker 1>Nap dot dot free. Okay, let's take a break. Come back.

0:15:51.320 --> 0:15:53.200
<v Speaker 1>Glad you guys are here, if you're here on the podcast,

0:15:53.240 --> 0:15:55.960
<v Speaker 1>if you like this, if you're able to even listen

0:15:56.000 --> 0:15:57.560
<v Speaker 1>to this on the weekend. Put a little put a

0:15:57.600 --> 0:16:00.760
<v Speaker 1>little flower up there, lo emoji on whatever my last

0:16:00.760 --> 0:16:02.120
<v Speaker 1>post is, I will see that and I will in

0:16:02.160 --> 0:16:04.600
<v Speaker 1>my heart go thank you. Okay, take a break in

0:16:04.680 --> 0:16:07.480
<v Speaker 1>my head right now, and I'll do this at times

0:16:07.520 --> 0:16:10.000
<v Speaker 1>just to try to, I guess, gather my brain strength back.

0:16:10.760 --> 0:16:15.880
<v Speaker 1>You know the song burning down the House, cool babyl

0:16:16.000 --> 0:16:19.680
<v Speaker 1>watch y'all thinking I know who the artist is. I

0:16:19.720 --> 0:16:22.440
<v Speaker 1>cannot think of it. It has been on the old

0:16:22.480 --> 0:16:27.840
<v Speaker 1>tip of the old tongue for an hour, and I

0:16:27.880 --> 0:16:29.760
<v Speaker 1>feel and I'll do this at times that we mentioned

0:16:29.800 --> 0:16:32.600
<v Speaker 1>on the show before, where it's like I could look

0:16:32.600 --> 0:16:36.680
<v Speaker 1>it up very easily, look it up, don't tell me.

0:16:37.200 --> 0:16:41.000
<v Speaker 1>But in my head it's like something about Staircase, like

0:16:41.080 --> 0:16:46.560
<v Speaker 1>I know it Staircase Flaming. But then I think it's

0:16:48.400 --> 0:16:52.000
<v Speaker 1>it's a British group. It's like a funny name like

0:16:52.080 --> 0:16:54.880
<v Speaker 1>a I'll get to it, but I'm not gonna look

0:16:54.920 --> 0:16:57.400
<v Speaker 1>it up. I may come back Monday still not knowing

0:16:57.920 --> 0:17:02.640
<v Speaker 1>because I will not look it up. Cool baby. No,

0:17:04.240 --> 0:17:05.800
<v Speaker 1>I don't want to have the whole point of this

0:17:05.840 --> 0:17:11.480
<v Speaker 1>is I wan't to hear anything about it. I don't

0:17:11.480 --> 0:17:13.400
<v Speaker 1>even think about it. Don't say anything. I don't even

0:17:13.400 --> 0:17:14.560
<v Speaker 1>know what you did. I don't want to hit because

0:17:14.560 --> 0:17:18.000
<v Speaker 1>I'm trying to figure it out. I'm digging in my brain.

0:17:18.280 --> 0:17:20.760
<v Speaker 1>I know it's in the recesses of it's deep in

0:17:20.840 --> 0:17:24.000
<v Speaker 1>the well. Lassie, go to the well, save the band,

0:17:24.200 --> 0:17:30.520
<v Speaker 1>pull them out of there. It's not neon. Okay, I'm

0:17:30.560 --> 0:17:33.320
<v Speaker 1>gonna get back to it. Carrie is doing Idol. She's

0:17:33.320 --> 0:17:37.760
<v Speaker 1>taking Katie Paris spot Carrie Underwood. Good for her. She

0:17:37.880 --> 0:17:42.199
<v Speaker 1>was obviously on Idol and the and she's always been

0:17:42.240 --> 0:17:43.639
<v Speaker 1>someone too. Even when I was on the show for

0:17:43.640 --> 0:17:45.240
<v Speaker 1>a bunch of years, she would always come back and

0:17:45.280 --> 0:17:48.119
<v Speaker 1>do stuff. She wasn't someone who like avoided it. Some

0:17:48.160 --> 0:17:53.080
<v Speaker 1>of those artists they went to a phase Boom idol Boom,

0:17:53.080 --> 0:17:54.639
<v Speaker 1>did not want to be known as the Idol person

0:17:55.840 --> 0:17:58.760
<v Speaker 1>because they were like, I built my own career. Then

0:17:58.800 --> 0:18:00.520
<v Speaker 1>they would go back and do some idol stuff. If

0:18:00.520 --> 0:18:03.760
<v Speaker 1>they were promoting a project, then they would just be like,

0:18:03.800 --> 0:18:05.919
<v Speaker 1>I'm embracing idol. Now you get to go back and

0:18:05.960 --> 0:18:08.119
<v Speaker 1>be a judge and make I don't know if she's

0:18:08.119 --> 0:18:11.359
<v Speaker 1>doing twenty million or not, but good for her, and

0:18:11.400 --> 0:18:13.840
<v Speaker 1>she'll be really good at it. Carrie's one of those artists.

0:18:13.880 --> 0:18:18.639
<v Speaker 1>I like Carrie a lot, but if you see her

0:18:18.680 --> 0:18:20.920
<v Speaker 1>in real life, which I do at times, and she's

0:18:21.000 --> 0:18:24.880
<v Speaker 1>on camera, it's two different people. Extremely shy and quiet

0:18:25.960 --> 0:18:27.560
<v Speaker 1>when she's doing human Carrie.

0:18:27.400 --> 0:18:30.000
<v Speaker 3>And then when she needs to she's performing awesome as

0:18:30.040 --> 0:18:31.040
<v Speaker 3>a performer, even when.

0:18:30.880 --> 0:18:33.840
<v Speaker 1>She would do the awards or she if she's you know,

0:18:33.920 --> 0:18:38.560
<v Speaker 1>on stage, Yeah, she's excellent on camera. So really kind

0:18:38.560 --> 0:18:40.800
<v Speaker 1>I afford. I think that'll be fun. That show just

0:18:40.880 --> 0:18:44.960
<v Speaker 1>keeps on going, man, Luke just keeps cash those checks.

0:18:45.920 --> 0:18:47.920
<v Speaker 3>Yeah, I wonder how many more years it has.

0:18:49.240 --> 0:18:51.719
<v Speaker 1>So when it went to ABC, I was on one, two, three,

0:18:51.760 --> 0:18:54.200
<v Speaker 1>and four, Like I never did the Fox version. It's

0:18:54.240 --> 0:18:56.840
<v Speaker 1>when they did ABC that I started over there. And

0:18:56.960 --> 0:18:59.280
<v Speaker 1>even my second season when they signed me to a

0:18:59.359 --> 0:19:02.359
<v Speaker 1>full time deal, well they were like, we don't know

0:19:02.359 --> 0:19:03.800
<v Speaker 1>if the show's coming back for the second season, but

0:19:03.840 --> 0:19:05.680
<v Speaker 1>if so, we want to hire you full time. Because

0:19:05.680 --> 0:19:10.399
<v Speaker 1>the first season I did like four episodes sporadically. Second

0:19:10.400 --> 0:19:12.840
<v Speaker 1>season I was there every episode, but even then they

0:19:12.840 --> 0:19:14.040
<v Speaker 1>were like, I don't know if it's going to come back,

0:19:14.200 --> 0:19:15.760
<v Speaker 1>And then season three they were like, I don't know,

0:19:15.760 --> 0:19:19.840
<v Speaker 1>it's fifty to fifty season four, we have to make

0:19:19.840 --> 0:19:23.119
<v Speaker 1>sure the judges signed. We don't know if I can.

0:19:23.280 --> 0:19:25.800
<v Speaker 1>It's like season seven or something. Now, as long as

0:19:25.800 --> 0:19:28.959
<v Speaker 1>the show makes money, that's all that matters. And Carrie's

0:19:28.960 --> 0:19:32.120
<v Speaker 1>going over that's really cool. It's not a hard job.

0:19:32.160 --> 0:19:36.600
<v Speaker 1>It's just a very time consuming job, meaning you have

0:19:36.680 --> 0:19:39.000
<v Speaker 1>to go, especially if you're not in La where like

0:19:39.160 --> 0:19:41.159
<v Speaker 1>Lionel and Katie had it a bit easier because they

0:19:41.280 --> 0:19:44.680
<v Speaker 1>just drive down the road. But especially when I was

0:19:44.680 --> 0:19:45.840
<v Speaker 1>on it, because I would have to be there every

0:19:45.920 --> 0:19:47.760
<v Speaker 1>anytime Luke was there, I was there. I wasn't on

0:19:47.800 --> 0:19:49.719
<v Speaker 1>a camera as much, but I would have to go

0:19:49.760 --> 0:19:51.800
<v Speaker 1>and be there. And so but I'm leaving here, Yes,

0:19:51.920 --> 0:19:54.320
<v Speaker 1>I'd be gone forever. So we had to fly to

0:19:54.359 --> 0:19:57.320
<v Speaker 1>Los Angeles. That's probably where Luke and I got to

0:19:57.359 --> 0:19:59.000
<v Speaker 1>know each other the best. It wasn't even being on

0:19:59.040 --> 0:20:01.359
<v Speaker 1>set of just traveling to get We'd just be on

0:20:01.359 --> 0:20:05.040
<v Speaker 1>a plane. And I've always liked Luca and we've known Luke,

0:20:05.080 --> 0:20:08.359
<v Speaker 1>and I've known Luke professionally, but I think just traveling

0:20:08.440 --> 0:20:12.760
<v Speaker 1>so much back and forth, I think that's probably where

0:20:12.760 --> 0:20:15.159
<v Speaker 1>we forged our relationship. And also Luke was the one

0:20:15.160 --> 0:20:18.880
<v Speaker 1>that was on time always. I was always on time,

0:20:18.880 --> 0:20:21.080
<v Speaker 1>but I had to because I was low Man, that

0:20:21.200 --> 0:20:24.879
<v Speaker 1>total Paul low Man. Ryan always on time, but Ryan

0:20:24.920 --> 0:20:29.280
<v Speaker 1>wasn't always there. Ryan, he would strategically be able to

0:20:29.280 --> 0:20:30.840
<v Speaker 1>shoot a lot of his stuff at the same time,

0:20:31.840 --> 0:20:33.960
<v Speaker 1>where the judges had to be there for everybody, but

0:20:34.040 --> 0:20:39.080
<v Speaker 1>Ryan's doing like talking to specific people outside, especially if

0:20:39.080 --> 0:20:41.320
<v Speaker 1>we're not hosting the live show, like sixty percent of

0:20:41.359 --> 0:20:44.880
<v Speaker 1>the show is, they're in cities, they're doing Hollywood Week,

0:20:45.119 --> 0:20:47.359
<v Speaker 1>and so Ryan could strategically have when he was there

0:20:47.400 --> 0:20:50.840
<v Speaker 1>and knock it all out. Never late, expert, best prompter

0:20:50.960 --> 0:20:53.920
<v Speaker 1>reader I have ever seen, like the Tom Brady, Michael

0:20:54.000 --> 0:20:57.800
<v Speaker 1>Jordan of being a host. He would run fifty screens,

0:20:58.119 --> 0:21:00.000
<v Speaker 1>never have to do a second one. It was awesome

0:21:00.240 --> 0:21:04.240
<v Speaker 1>to watch Ryan never late. I could not be late

0:21:04.240 --> 0:21:07.760
<v Speaker 1>because I'm low man on the totem pole. Luke never late.

0:21:08.280 --> 0:21:10.399
<v Speaker 1>Sometimes it be a battle between Katie and Lionel, and

0:21:10.480 --> 0:21:14.680
<v Speaker 1>I love Lionel. Lionel was the nicest, like sweetest human

0:21:15.840 --> 0:21:18.280
<v Speaker 1>versus the most famous like he did. I don't want

0:21:18.280 --> 0:21:20.320
<v Speaker 1>to say didn't have to be because that's just weird

0:21:20.320 --> 0:21:22.600
<v Speaker 1>to say, but he could have been the biggest diva

0:21:22.640 --> 0:21:25.720
<v Speaker 1>in the whole world, and he was amazing. I loved

0:21:26.080 --> 0:21:29.520
<v Speaker 1>I love Lionel so much. My theory is Kaye would

0:21:29.520 --> 0:21:32.240
<v Speaker 1>be so late. Line would be like, screw this, just

0:21:33.880 --> 0:21:40.399
<v Speaker 1>out later. Sometimes they would be hours late, hours hours,

0:21:40.640 --> 0:21:42.240
<v Speaker 1>And there were times where I'm like, can we just

0:21:42.280 --> 0:21:43.760
<v Speaker 1>start my shooting because I didn't need to be in

0:21:43.760 --> 0:21:47.120
<v Speaker 1>there with them, because what I would be doing if

0:21:47.119 --> 0:21:49.960
<v Speaker 1>they were like wavering on what song to sing, or

0:21:50.000 --> 0:21:52.000
<v Speaker 1>if I'm doing like a personal piece, like getting to

0:21:52.000 --> 0:21:55.199
<v Speaker 1>know them, right, because I was utility guy in every sense,

0:21:57.280 --> 0:21:59.080
<v Speaker 1>which was very apparent when Ryan got sick the one

0:21:59.080 --> 0:22:01.320
<v Speaker 1>time he's ever missed I hope. But I also had

0:22:01.359 --> 0:22:06.760
<v Speaker 1>done a lot of other things on that show, and

0:22:06.800 --> 0:22:08.359
<v Speaker 1>the people just want to show up, and I'll be like,

0:22:08.400 --> 0:22:10.199
<v Speaker 1>can I don't even need them, Like, I know you

0:22:10.200 --> 0:22:11.520
<v Speaker 1>have the seven people you need me to talk to.

0:22:12.359 --> 0:22:12.959
<v Speaker 1>Can I do that?

0:22:13.880 --> 0:22:14.040
<v Speaker 3>Yeah?

0:22:14.119 --> 0:22:18.879
<v Speaker 1>No, there would be But and that Hollywood's weird in

0:22:18.960 --> 0:22:21.439
<v Speaker 1>that it's weird anyway. The people there are weird. It's

0:22:21.480 --> 0:22:24.600
<v Speaker 1>a different culture if I'm comparing it to the Nashville

0:22:24.640 --> 0:22:27.919
<v Speaker 1>culture that we're in, where people are famous whatever that

0:22:27.960 --> 0:22:34.800
<v Speaker 1>means in Nashville. If you have a massive entourage. You

0:22:34.840 --> 0:22:38.800
<v Speaker 1>fake it like you don't, meaning you gotta be like

0:22:39.040 --> 0:22:42.359
<v Speaker 1>normal even though you're not, even though you have fourteen

0:22:42.359 --> 0:22:44.680
<v Speaker 1>people that travel with you. If it's security, if it's

0:22:45.000 --> 0:22:48.639
<v Speaker 1>your all your boys, all your girls, your stylist, you

0:22:48.720 --> 0:22:50.600
<v Speaker 1>fake it like you don't. You gotta be like super

0:22:50.600 --> 0:22:53.680
<v Speaker 1>relatable because I'm Nashville, even though you don't in La.

0:22:53.760 --> 0:22:55.399
<v Speaker 1>If you can't even afford it, you fake it like

0:22:55.400 --> 0:22:57.119
<v Speaker 1>you have it, and you take everybody with you, and

0:22:57.160 --> 0:22:59.560
<v Speaker 1>you try to present yourself as a bigger deal. And

0:22:59.600 --> 0:23:02.160
<v Speaker 1>what I I did not know in the early days,

0:23:02.160 --> 0:23:04.360
<v Speaker 1>when I was just hustling to get anybody to put

0:23:04.359 --> 0:23:07.760
<v Speaker 1>me on TV, they would be like, Hey, we're having

0:23:07.760 --> 0:23:11.040
<v Speaker 1>a meeting on this lot with this executive two o'clock

0:23:11.560 --> 0:23:13.240
<v Speaker 1>and my agent's in La at the TI. I'd be like,

0:23:13.240 --> 0:23:15.040
<v Speaker 1>you mean to go, I'm good. I don't need I

0:23:15.080 --> 0:23:20.000
<v Speaker 1>wasn't doing it to be like. I just didn't want

0:23:20.000 --> 0:23:21.680
<v Speaker 1>them to drop across town. It sucks, So I just

0:23:21.720 --> 0:23:24.159
<v Speaker 1>go buy myself backpack show up and they'd always be like,

0:23:24.160 --> 0:23:26.840
<v Speaker 1>where is there? Your team not coming? I'm like, no,

0:23:26.920 --> 0:23:28.959
<v Speaker 1>they're good. I figured we're just going to talk. But

0:23:29.440 --> 0:23:31.840
<v Speaker 1>what I found out later was they found that so

0:23:31.920 --> 0:23:34.840
<v Speaker 1>refreshing because nobody did that. It wasn't strategy on my part.

0:23:34.960 --> 0:23:37.879
<v Speaker 1>It's just how I would do things. Wanted it to

0:23:37.920 --> 0:23:40.119
<v Speaker 1>be super efficient, don't want them to be late to

0:23:40.119 --> 0:23:41.760
<v Speaker 1>make me look bad, don't want to put them out

0:23:41.760 --> 0:23:44.480
<v Speaker 1>because we're probably just gonna do level surface stuff anyway.

0:23:44.800 --> 0:23:47.000
<v Speaker 1>But I think it got me a couple jobs to

0:23:47.000 --> 0:23:48.439
<v Speaker 1>where I would just show up with a backpack and

0:23:48.480 --> 0:23:51.800
<v Speaker 1>be like, hey, everybody looks goalie g and it really

0:23:51.920 --> 0:23:55.240
<v Speaker 1>wasn't the move. But then I kind of later understood

0:23:55.240 --> 0:23:57.520
<v Speaker 1>that that was the move at times that it helped

0:23:58.359 --> 0:24:01.840
<v Speaker 1>because everybody shows up with an agent, a second agent,

0:24:02.240 --> 0:24:07.680
<v Speaker 1>a manager, an assistant. Because in that culture, even if

0:24:07.680 --> 0:24:09.800
<v Speaker 1>you don't have it, you want to present yourself like

0:24:09.800 --> 0:24:11.960
<v Speaker 1>you're big and you're something and you're popping. You happen

0:24:12.000 --> 0:24:16.440
<v Speaker 1>it opposite here because if you are like Luke, Bryan

0:24:16.480 --> 0:24:19.240
<v Speaker 1>will just show it by himself. And I know Luke

0:24:19.240 --> 0:24:20.600
<v Speaker 1>I use it because he just came do But Luke

0:24:20.640 --> 0:24:23.000
<v Speaker 1>has forty two people that want to make sure that

0:24:23.040 --> 0:24:24.560
<v Speaker 1>he's getting places on time. They want to make sure

0:24:24.560 --> 0:24:25.919
<v Speaker 1>that he's doing his job right. It's not that he

0:24:25.960 --> 0:24:27.920
<v Speaker 1>demands a be around him. It's just like there's a

0:24:27.960 --> 0:24:29.919
<v Speaker 1>lot of people because Luke is the CEO of a

0:24:29.960 --> 0:24:31.360
<v Speaker 1>major company and that companies him.

0:24:31.480 --> 0:24:33.880
<v Speaker 3>I feel like the last time he was here, he's

0:24:33.880 --> 0:24:37.840
<v Speaker 3>throw like his team was like scrambling, like trying to

0:24:37.880 --> 0:24:40.960
<v Speaker 3>find him, and he is already here, just like by himself.

0:24:41.359 --> 0:24:44.160
<v Speaker 1>That's a bad example because we know him. But yes,

0:24:44.200 --> 0:24:47.120
<v Speaker 1>but that's the difference in the two. It is a

0:24:47.160 --> 0:24:50.840
<v Speaker 1>bizarre world. And I get carsick every time I'm in

0:24:50.920 --> 0:24:53.080
<v Speaker 1>Los Angeles because all you do is sit in traffic

0:24:53.080 --> 0:24:55.640
<v Speaker 1>all the time. And nobody's on time in Los Angeles ever,

0:24:55.680 --> 0:24:59.000
<v Speaker 1>And it's not because except for you and Luke well To,

0:24:59.000 --> 0:25:00.960
<v Speaker 1>our shoot would always be I'd be way early because

0:25:00.960 --> 0:25:03.040
<v Speaker 1>they knew how bad traffic would be. And Scooba, I

0:25:03.080 --> 0:25:06.040
<v Speaker 1>think you could probably lend a bit to this conversation.

0:25:06.520 --> 0:25:08.280
<v Speaker 1>Not anybody's asked for me to talk about it, But

0:25:09.240 --> 0:25:12.320
<v Speaker 1>in Los Angeles, nobody's on time. But I don't think

0:25:12.359 --> 0:25:15.640
<v Speaker 1>it's because everybody's like I don't value anyone's time. Traffic

0:25:15.800 --> 0:25:18.439
<v Speaker 1>can be forty minutes or an hour twenty and you

0:25:18.480 --> 0:25:19.800
<v Speaker 1>have no idea.

0:25:19.680 --> 0:25:21.199
<v Speaker 6>You don't know you could be you could think that

0:25:21.200 --> 0:25:22.960
<v Speaker 6>you're it's gonna be forty minutes, and then you're sitting

0:25:23.000 --> 0:25:24.840
<v Speaker 6>in it and all of a sudden, a wrec happens,

0:25:24.920 --> 0:25:28.280
<v Speaker 6>or there's construction at the worst time possible, or there's

0:25:28.320 --> 0:25:30.320
<v Speaker 6>a police chase and so everyone has to stop. It's

0:25:30.359 --> 0:25:33.480
<v Speaker 6>just all these unknown variables. So yeah, But also the

0:25:33.520 --> 0:25:34.960
<v Speaker 6>part that would bother me when I worked in LA

0:25:34.960 --> 0:25:37.000
<v Speaker 6>because people were always late and I was earlier, like you.

0:25:37.280 --> 0:25:38.840
<v Speaker 6>When they would come in late, it was never like hey,

0:25:38.840 --> 0:25:40.720
<v Speaker 6>I'm sorry, I'm late. They just walking with sunglasses like

0:25:40.960 --> 0:25:42.920
<v Speaker 6>I'm here, and I'm like, yeah, oh.

0:25:42.960 --> 0:25:46.080
<v Speaker 1>There's a need to like present yourself as big, bigger

0:25:46.119 --> 0:25:46.720
<v Speaker 1>than you are.

0:25:46.800 --> 0:25:49.800
<v Speaker 6>Yeah, you're lucky that I'm here, and I'm like, oh, okay, cool.

0:25:50.800 --> 0:25:53.040
<v Speaker 1>When I did Dancing with Stars and trust me, they

0:25:53.119 --> 0:25:56.560
<v Speaker 1>used the word star loosely, especially with me, even I

0:25:56.600 --> 0:26:01.000
<v Speaker 1>was like, well, okay, this is this is fun. Like

0:26:01.080 --> 0:26:03.399
<v Speaker 1>a lot of the folks there felt the need to

0:26:03.440 --> 0:26:06.720
<v Speaker 1>like present themselves with big groups for all the time.

0:26:07.000 --> 0:26:09.560
<v Speaker 1>I remember thinking, man, one that much mc hammer, that's

0:26:09.560 --> 0:26:13.399
<v Speaker 1>how I went broke. And then two. I mean I

0:26:13.400 --> 0:26:15.240
<v Speaker 1>had like one person and it was Mike d who

0:26:15.280 --> 0:26:18.439
<v Speaker 1>was living with me in a shared apartment and halftime,

0:26:18.480 --> 0:26:20.640
<v Speaker 1>he wouldn't go because I was like, dude at work good. Yeah,

0:26:21.440 --> 0:26:24.760
<v Speaker 1>So yeah, that that environment. But that's a lot of

0:26:24.760 --> 0:26:27.280
<v Speaker 1>travel for somebody like carried. But it's worth it because

0:26:27.280 --> 0:26:28.920
<v Speaker 1>she's making a ton of money. But I just was

0:26:28.960 --> 0:26:30.960
<v Speaker 1>always jealous that they lived there and got to drive

0:26:30.960 --> 0:26:33.040
<v Speaker 1>down the road and we had to fly there, get

0:26:33.040 --> 0:26:34.879
<v Speaker 1>there the day before, stay in a hotel to be

0:26:34.920 --> 0:26:37.800
<v Speaker 1>prepared to go. So it makes she move in La

0:26:37.960 --> 0:26:41.480
<v Speaker 1>maybe Nah, you know what, there's only no and there's

0:26:41.520 --> 0:26:44.320
<v Speaker 1>only like you go for like three weeks in the

0:26:44.400 --> 0:26:47.720
<v Speaker 1>summer and because you go to the cities, you bounce

0:26:47.760 --> 0:26:51.040
<v Speaker 1>around cities and then you do like extreme because these

0:26:51.119 --> 0:26:53.199
<v Speaker 1>crews want to shoot it all in a block so

0:26:53.800 --> 0:26:56.199
<v Speaker 1>they don't have to pay for crews in space for

0:26:56.920 --> 0:26:58.920
<v Speaker 1>a lot of time. So they're not doing like eight

0:26:58.960 --> 0:27:02.240
<v Speaker 1>shoots over nine weeks. They're trying to do as few

0:27:02.280 --> 0:27:05.480
<v Speaker 1>shoots as possible for as long as they possibly can,

0:27:05.800 --> 0:27:07.199
<v Speaker 1>but to get it all over with so they can

0:27:07.200 --> 0:27:09.040
<v Speaker 1>get in production and then they're not paying for more space.

0:27:09.160 --> 0:27:10.320
<v Speaker 4>That makes sense, but.

0:27:10.280 --> 0:27:12.880
<v Speaker 1>It's a lot of time, but the work's pretty easy.

0:27:12.960 --> 0:27:16.199
<v Speaker 1>Just I'm like, yeah, you suck, Nope, you're good. But

0:27:16.240 --> 0:27:19.679
<v Speaker 1>the judges did get to have their own opinions. Like

0:27:20.960 --> 0:27:22.960
<v Speaker 1>I never saw and I was in there. I never

0:27:23.040 --> 0:27:26.600
<v Speaker 1>saw a producer sway any of them. I would see

0:27:26.600 --> 0:27:29.480
<v Speaker 1>a producer be disappointed in them and afterward telling them like, man,

0:27:29.480 --> 0:27:31.399
<v Speaker 1>I was really rooting for them, And I would be like, man,

0:27:31.440 --> 0:27:33.000
<v Speaker 1>if I was a producer, I'd like nudge one of them,

0:27:33.000 --> 0:27:36.280
<v Speaker 1>if somebody was really good. But they honest to God.

0:27:36.560 --> 0:27:38.119
<v Speaker 1>From everything that I saw and I was in the

0:27:38.160 --> 0:27:41.639
<v Speaker 1>middle of it, I never saw a producer, an executive producer,

0:27:41.640 --> 0:27:44.680
<v Speaker 1>anybody go to one of them and go, we really

0:27:44.720 --> 0:27:46.240
<v Speaker 1>want the person to get through. Let's push them through,

0:27:46.520 --> 0:27:47.920
<v Speaker 1>not once. And I would have been telling them that

0:27:47.960 --> 0:27:52.040
<v Speaker 1>all the time. Yeah, because I just want to want

0:27:52.040 --> 0:27:54.560
<v Speaker 1>to get TV. But there are also legal rules to

0:27:54.640 --> 0:27:57.119
<v Speaker 1>these shows. When I did Dancing with the Stars, they

0:27:57.119 --> 0:27:58.960
<v Speaker 1>couldn't tell me how I was doing. They just tell

0:27:58.960 --> 0:28:02.400
<v Speaker 1>you if you survive. There was a lawsuit back there's

0:28:02.440 --> 0:28:05.560
<v Speaker 1>a game show. It's like the six thousand dollars Question,

0:28:05.600 --> 0:28:08.000
<v Speaker 1>whatever it's called. They found they were cheating, so then

0:28:08.280 --> 0:28:10.760
<v Speaker 1>they had to create laws where you can give nobody

0:28:10.760 --> 0:28:16.879
<v Speaker 1>advantages whenever you're competing for money on a game show.

0:28:17.359 --> 0:28:21.160
<v Speaker 1>If it's on public airwaves type thing. So they never

0:28:21.200 --> 0:28:23.400
<v Speaker 1>told me. I thought I was. I never got put

0:28:23.440 --> 0:28:26.280
<v Speaker 1>in the bottom three. Ever. On Dancing with the Stars,

0:28:26.280 --> 0:28:29.080
<v Speaker 1>I was like, this is crazy, like I was there

0:28:29.119 --> 0:28:30.760
<v Speaker 1>to win, but also it wasn't a very good dancer.

0:28:31.160 --> 0:28:32.639
<v Speaker 1>But I never got put in the bottom three. And

0:28:32.680 --> 0:28:36.440
<v Speaker 1>then after it was way over months and months. One

0:28:36.480 --> 0:28:38.920
<v Speaker 1>of the executives when on my last season of vital

0:28:39.840 --> 0:28:41.760
<v Speaker 1>he was like, we've never seen anything like that. I

0:28:41.800 --> 0:28:45.800
<v Speaker 1>was like, in what way he goes, I'm gonna say dump,

0:28:45.840 --> 0:28:47.240
<v Speaker 1>but you know the word he said. He said, you

0:28:47.240 --> 0:28:48.840
<v Speaker 1>could have went out on your final lance, taken a

0:28:48.880 --> 0:28:54.080
<v Speaker 1>dump on the floor and won, because that's how fan vote.

0:28:54.080 --> 0:28:56.640
<v Speaker 1>You were above everybody else on this show. And I

0:28:56.640 --> 0:28:58.280
<v Speaker 1>was like, well, but if I were taking a dump

0:28:58.280 --> 0:29:00.400
<v Speaker 1>on the floor, that's probably legal.

0:29:01.120 --> 0:29:03.480
<v Speaker 3>If I get this qualified, yeah, it might get some

0:29:04.040 --> 0:29:04.560
<v Speaker 3>weird too.

0:29:05.080 --> 0:29:09.600
<v Speaker 1>You know that would have been weird. What is he doing?

0:29:09.960 --> 0:29:11.960
<v Speaker 3>Where do they take all the celebrities there? We'd have

0:29:12.040 --> 0:29:14.520
<v Speaker 3>to roll you down to Cedars sign I don't you

0:29:14.560 --> 0:29:16.360
<v Speaker 3>need a fifty fifty camera?

0:29:18.560 --> 0:29:19.320
<v Speaker 4>That is where they go.

0:29:21.720 --> 0:29:24.479
<v Speaker 1>I ordered some Uber eights this morning and had it

0:29:24.520 --> 0:29:27.480
<v Speaker 1>sent here, had a little tea and a little box

0:29:27.520 --> 0:29:29.920
<v Speaker 1>of like boiled eggs whatever, And I did the stupid

0:29:29.920 --> 0:29:32.080
<v Speaker 1>thing where I sent it in my house. You guys

0:29:32.080 --> 0:29:33.480
<v Speaker 1>ever do that order uber eates or door to ash

0:29:33.520 --> 0:29:35.000
<v Speaker 1>and you send it here somewhere else and you send

0:29:35.040 --> 0:29:35.520
<v Speaker 1>it somewhere else.

0:29:35.520 --> 0:29:37.080
<v Speaker 3>Oh yeah, No, I was trying to get stuff delivered

0:29:37.080 --> 0:29:39.360
<v Speaker 3>to the house the other day and I sent it

0:29:39.400 --> 0:29:43.200
<v Speaker 3>to my daughter's old school.

0:29:43.600 --> 0:29:46.360
<v Speaker 1>So for old school.

0:29:46.160 --> 0:29:48.360
<v Speaker 3>Yeah, I didn't know until they sent They they said

0:29:48.440 --> 0:29:50.960
<v Speaker 3>that they send you a picture confirmation that's been dropped off.

0:29:51.240 --> 0:29:54.880
<v Speaker 3>And I'm like, what the that's the lobby of because

0:29:54.920 --> 0:29:57.480
<v Speaker 3>I guess I had had something delivered the last time

0:29:57.520 --> 0:29:59.280
<v Speaker 3>I had used that app or for whatever reason, that's

0:29:59.320 --> 0:30:01.320
<v Speaker 3>the address that hold up. And so then I had

0:30:01.320 --> 0:30:03.720
<v Speaker 3>to get in the car, drive to the school, find

0:30:03.760 --> 0:30:05.200
<v Speaker 3>the bag to get it.

0:30:06.000 --> 0:30:08.320
<v Speaker 1>Oh yeah, I've had work before, and they send the

0:30:08.360 --> 0:30:10.840
<v Speaker 1>picture ab outside the building like order today. If I

0:30:10.840 --> 0:30:12.880
<v Speaker 1>don't remember to change it back to my home address,

0:30:13.280 --> 0:30:14.880
<v Speaker 1>they're going to send it back up here. Well school

0:30:14.920 --> 0:30:18.440
<v Speaker 1>wasn't that far but okay, well I'm not driving to work.

0:30:18.440 --> 0:30:18.960
<v Speaker 1>I just left the back.

0:30:19.000 --> 0:30:21.120
<v Speaker 3>Okay, if it was work, I wouldn't There's no way

0:30:21.160 --> 0:30:22.040
<v Speaker 3>that wouldn't be worth it.

0:30:22.080 --> 0:30:24.880
<v Speaker 1>But yeah, my bag of like sadies, my chicken kebabs.

0:30:25.440 --> 0:30:28.480
<v Speaker 1>They just sat at the front door. It's like a Friday.

0:30:28.480 --> 0:30:30.040
<v Speaker 4>Who knows who raccoon got it?

0:30:30.160 --> 0:30:32.960
<v Speaker 1>God, I feel so stupid when I do that. Let's

0:30:32.960 --> 0:30:37.560
<v Speaker 1>see here. I have have weird bites all over my body.

0:30:37.800 --> 0:30:40.680
<v Speaker 1>I have like three or three. I have one here?

0:30:42.360 --> 0:30:42.920
<v Speaker 1>Can you see that?

0:30:43.040 --> 0:30:43.280
<v Speaker 3>Yeah?

0:30:43.520 --> 0:30:45.760
<v Speaker 1>Yeah, I set a picture.

0:30:46.080 --> 0:30:49.120
<v Speaker 3>Look like I say to my doctor, nudes was a mosquito.

0:30:49.520 --> 0:30:52.479
<v Speaker 1>I was like, do I have shingles? Because I've had

0:30:52.480 --> 0:30:54.360
<v Speaker 1>shingles before and they were like here on my ribs

0:30:54.720 --> 0:30:58.120
<v Speaker 1>And He's like, they look like chiggers. Where have I

0:30:58.160 --> 0:31:05.240
<v Speaker 1>been where I would get suggar? Mm hmm, Yeah, that

0:31:05.280 --> 0:31:08.320
<v Speaker 1>actually might be the I dive a lot.

0:31:08.680 --> 0:31:10.440
<v Speaker 4>That's where you got it?

0:31:12.160 --> 0:31:15.680
<v Speaker 1>Wow, because I look, it's all through here. How did

0:31:15.720 --> 0:31:20.160
<v Speaker 1>you know that so quick? You get chickens playing soccer? No,

0:31:20.720 --> 0:31:23.360
<v Speaker 1>but that's exactly what it is. I my mind never

0:31:23.440 --> 0:31:23.840
<v Speaker 1>got there.

0:31:24.200 --> 0:31:24.440
<v Speaker 4>Yeah.

0:31:24.560 --> 0:31:26.040
<v Speaker 1>I was blaming my wife for a hike she took

0:31:26.040 --> 0:31:27.360
<v Speaker 1>me on. I was like, I wouldn't have this week

0:31:27.480 --> 0:31:31.000
<v Speaker 1>on this hike. Don't tell her it's sofall I like,

0:31:31.280 --> 0:31:35.320
<v Speaker 1>definitely hiking. It's but It is definitely softball, because what

0:31:35.640 --> 0:31:39.920
<v Speaker 1>if I'm diving, I'm diving this way and I'm landing

0:31:40.040 --> 0:31:43.840
<v Speaker 1>exactly right here. They don't give you the credit you

0:31:43.840 --> 0:31:44.400
<v Speaker 1>deserve right here.

0:31:44.400 --> 0:31:46.560
<v Speaker 4>Man, I know I told you. Guys almost want to

0:31:46.880 --> 0:31:47.920
<v Speaker 4>give you the No.

0:31:49.480 --> 0:31:52.440
<v Speaker 1>That's that's that's easy. That's crazy. Okay. A couple more

0:31:52.440 --> 0:31:53.680
<v Speaker 1>things I've had on the lest talk about for a

0:31:53.720 --> 0:31:59.120
<v Speaker 1>couple of days. RAYMONDA wants to know Bones to take

0:31:59.160 --> 0:32:01.680
<v Speaker 1>on all these podcast that are now launching. Sometimes I

0:32:01.720 --> 0:32:03.480
<v Speaker 1>make a note, I don't know I wrote it down.

0:32:03.920 --> 0:32:06.760
<v Speaker 1>Raymundo wants to know Bones's take on all these podcasts

0:32:06.800 --> 0:32:09.320
<v Speaker 1>like my network podcast Talk to me.

0:32:09.560 --> 0:32:11.840
<v Speaker 2>Yeah, so I guess the long explanation or I give

0:32:11.840 --> 0:32:13.920
<v Speaker 2>you a short exce long one. So the long one

0:32:14.000 --> 0:32:16.239
<v Speaker 2>is Facebook started where it was just college kids. Then

0:32:16.280 --> 0:32:19.000
<v Speaker 2>it grew to our parents and our grandparents. I'm curious

0:32:19.000 --> 0:32:21.560
<v Speaker 2>how you see podcasts going, because now I see Hawk

0:32:21.640 --> 0:32:23.600
<v Speaker 2>two as she's going to start a podcast. Morgan just

0:32:23.640 --> 0:32:27.120
<v Speaker 2>launched a podcast. Are our parents and grandparents going to

0:32:27.200 --> 0:32:29.680
<v Speaker 2>start podcasts? Or do you do you think this is

0:32:30.000 --> 0:32:32.520
<v Speaker 2>where we're going with podcasts? Are we at the point

0:32:32.520 --> 0:32:34.240
<v Speaker 2>where there's too many podcasts?

0:32:34.320 --> 0:32:37.360
<v Speaker 1>The beauty of podcasts as anybody can do one. The

0:32:37.440 --> 0:32:40.600
<v Speaker 1>difficult thing about podcast is everybody has one and both

0:32:40.840 --> 0:32:43.680
<v Speaker 1>can exist. But it's like anything else, like the cream

0:32:43.720 --> 0:32:46.760
<v Speaker 1>will rise. But we are in such a nuanced media world,

0:32:46.840 --> 0:32:51.479
<v Speaker 1>a fractured fame world where even famous people aren't as

0:32:51.520 --> 0:32:53.440
<v Speaker 1>famous as they used to be, and there are more

0:32:53.480 --> 0:32:58.480
<v Speaker 1>famous people because you get famous for specific areas that

0:32:58.520 --> 0:33:03.280
<v Speaker 1>you're qualified or known for. There could be somebody in

0:33:03.360 --> 0:33:05.600
<v Speaker 1>wellness or a podcaster. Sometimes they may be like, did

0:33:05.640 --> 0:33:08.240
<v Speaker 1>you hear Frank Willich He said, if you take three

0:33:08.280 --> 0:33:10.120
<v Speaker 1>deep breaths in the sun shines right in your bot hole,

0:33:10.120 --> 0:33:12.000
<v Speaker 1>you're gonna have a great And it's like, I don't know,

0:33:12.040 --> 0:33:12.840
<v Speaker 1>Frank Willis is.

0:33:12.760 --> 0:33:14.280
<v Speaker 4>Oh Amy brings a lot of those quotes to.

0:33:14.320 --> 0:33:17.120
<v Speaker 3>Us, But then he'll have like one point five to

0:33:17.120 --> 0:33:17.880
<v Speaker 3>two million followers.

0:33:17.920 --> 0:33:20.120
<v Speaker 1>Right, he's that guy, right, And that's not a real person.

0:33:20.640 --> 0:33:23.800
<v Speaker 1>That guy's famous to a group of folks because of

0:33:23.840 --> 0:33:28.440
<v Speaker 1>what he provides. Niche nuanced even at times could be

0:33:28.480 --> 0:33:31.760
<v Speaker 1>slightly different than someone that something that already exists, but

0:33:31.880 --> 0:33:35.320
<v Speaker 1>that is generally what fame is now. Podcasting is just

0:33:35.320 --> 0:33:37.760
<v Speaker 1>a symptom of it, something with TikTok followers. But you're

0:33:37.760 --> 0:33:40.240
<v Speaker 1>also seeing micro influencers do pretty well who don't have

0:33:40.280 --> 0:33:44.120
<v Speaker 1>a million followers, but micro influenced things like a Pin.

0:33:44.800 --> 0:33:46.840
<v Speaker 1>He's the best pen and they may have a thousand followers,

0:33:46.920 --> 0:33:49.640
<v Speaker 1>but the pen people really want people to go to

0:33:49.840 --> 0:33:53.080
<v Speaker 1>her to talk about pins because they know a thousand

0:33:53.080 --> 0:33:56.440
<v Speaker 1>followers of pins, they're gonna do what she says. So

0:33:56.920 --> 0:33:58.400
<v Speaker 1>I think, and I tell people this all the time.

0:33:58.440 --> 0:33:59.719
<v Speaker 1>I have to go speak in San Diego next week

0:33:59.760 --> 0:34:04.120
<v Speaker 1>about this. It's the more niche you can be with

0:34:04.200 --> 0:34:08.560
<v Speaker 1>your podcast where you feel like, man, I don't know

0:34:08.560 --> 0:34:10.600
<v Speaker 1>if anybody's gonna listen to this, it's so specific. The

0:34:10.640 --> 0:34:12.920
<v Speaker 1>more niche you are, the more chance you have of

0:34:13.000 --> 0:34:14.200
<v Speaker 1>actually having success.

0:34:14.600 --> 0:34:15.680
<v Speaker 4>We're going to San Diego.

0:34:15.840 --> 0:34:21.160
<v Speaker 1>We are not. Oh so, if you were like going

0:34:21.160 --> 0:34:23.160
<v Speaker 1>to a podcast on The Simpsons in nineteen ninety six,

0:34:25.200 --> 0:34:26.960
<v Speaker 1>that podcast would probably do better than somebody going on

0:34:26.960 --> 0:34:30.319
<v Speaker 1>I'm gonna do an interview podcast unless you were able

0:34:30.360 --> 0:34:33.920
<v Speaker 1>to land massive guests, and that is not sustainable unless

0:34:33.920 --> 0:34:35.360
<v Speaker 1>you are massively famous.

0:34:36.080 --> 0:34:39.920
<v Speaker 3>So consistency too, right.

0:34:39.880 --> 0:34:42.480
<v Speaker 1>That is, if you have something good, that is how

0:34:42.520 --> 0:34:44.759
<v Speaker 1>to make sure that it gets to people. But if

0:34:44.800 --> 0:34:48.359
<v Speaker 1>you're consistently bad. No, I just mean, but you have

0:34:48.400 --> 0:34:51.040
<v Speaker 1>to do it consistently in order to if you have

0:34:51.160 --> 0:34:55.399
<v Speaker 1>something good, to have a chance to succeed, you have

0:34:55.440 --> 0:34:57.520
<v Speaker 1>to be consistent. But first of all, you have to

0:34:57.520 --> 0:34:59.520
<v Speaker 1>have something that some people are gonna want to find,

0:35:00.080 --> 0:35:02.960
<v Speaker 1>like people on radio now, because even what is radio

0:35:03.080 --> 0:35:05.000
<v Speaker 1>right and to me, it's just anything that comes out

0:35:05.000 --> 0:35:06.600
<v Speaker 1>of your phone. But there'll be other like morning shows

0:35:06.600 --> 0:35:09.400
<v Speaker 1>that are in certain individual cities, which we did forever

0:35:09.880 --> 0:35:13.319
<v Speaker 1>and they were like, how do I like pop? And

0:35:13.360 --> 0:35:17.040
<v Speaker 1>I'm like, well, keep using what you're doing now, Like

0:35:17.080 --> 0:35:19.439
<v Speaker 1>you have to do well on your own show first

0:35:19.440 --> 0:35:21.680
<v Speaker 1>and foremost, like you got to protect the baby, but do

0:35:21.760 --> 0:35:24.239
<v Speaker 1>a podcast that is extremely niche and something that you

0:35:24.320 --> 0:35:28.480
<v Speaker 1>love extremely niched, and then use your platform to promote that.

0:35:28.840 --> 0:35:30.600
<v Speaker 1>But if you're just like I'm going to do a

0:35:30.640 --> 0:35:33.800
<v Speaker 1>podcast on pop music, no one's gonna come to you

0:35:33.840 --> 0:35:36.040
<v Speaker 1>for that because there are people that are famous or

0:35:36.080 --> 0:35:39.160
<v Speaker 1>have better credentials than you in that. So the more

0:35:39.200 --> 0:35:42.920
<v Speaker 1>niche you can get, the better, unless you're really famous,

0:35:42.920 --> 0:35:44.759
<v Speaker 1>and that is your niche because people come to it

0:35:44.800 --> 0:35:48.080
<v Speaker 1>for you, which is difficult to tell somebody who's not

0:35:48.120 --> 0:35:52.160
<v Speaker 1>that famous. So Ray, the answer is, I love it

0:35:52.160 --> 0:35:54.680
<v Speaker 1>because it gives everybody a shot. It's what's really cool

0:35:54.719 --> 0:35:58.600
<v Speaker 1>about it podcasts is it's a true democracy. Everybody gets

0:35:58.600 --> 0:36:01.520
<v Speaker 1>a shot. You think you got something, give it a run.

0:36:02.120 --> 0:36:03.919
<v Speaker 1>Everybody has a podcast, and I think I was reading

0:36:03.960 --> 0:36:06.120
<v Speaker 1>a stat that like ninety one percent of podcast that

0:36:06.200 --> 0:36:08.360
<v Speaker 1>exists don't really exist anymore because most people do it

0:36:08.360 --> 0:36:11.200
<v Speaker 1>for a few weeks quit because again it's they're not consistent.

0:36:11.280 --> 0:36:14.520
<v Speaker 1>It's almost impossible to build something and it takes forever

0:36:14.560 --> 0:36:17.879
<v Speaker 1>to get that little oh oh, we have something, takes

0:36:17.880 --> 0:36:20.279
<v Speaker 1>forever months and so a lot of people don't have

0:36:20.320 --> 0:36:22.359
<v Speaker 1>the patience to do that. So you're exact, Yeah, you're right,

0:36:22.360 --> 0:36:26.160
<v Speaker 1>there's no consistency. They don't continue to do it. But yeah,

0:36:26.160 --> 0:36:28.000
<v Speaker 1>I hope everybody does. I wish everybody in the world

0:36:28.000 --> 0:36:31.480
<v Speaker 1>had a podcast. Everybody in the world, everybody in the

0:36:31.480 --> 0:36:33.840
<v Speaker 1>world had a podcast. It would make mine more valuable

0:36:36.840 --> 0:36:38.800
<v Speaker 1>because there'd be that many more that are trying. You

0:36:38.840 --> 0:36:40.560
<v Speaker 1>can't do it, and I say mine, it could be

0:36:40.560 --> 0:36:43.600
<v Speaker 1>anybody who has. It's a strong one. So yes, more

0:36:43.640 --> 0:36:46.160
<v Speaker 1>podcasts the better. Nobody's forcing people to listen to them.

0:36:46.640 --> 0:36:49.120
<v Speaker 1>And I think Ray what would you do one if

0:36:49.120 --> 0:36:50.239
<v Speaker 1>you got to do one and you had to do

0:36:50.280 --> 0:36:54.279
<v Speaker 1>it every week. Definitely supports betting betting, like even I

0:36:54.360 --> 0:36:55.839
<v Speaker 1>know you guys do sore losers, but I'm saying if

0:36:55.880 --> 0:36:56.600
<v Speaker 1>it was just you.

0:36:56.719 --> 0:36:57.600
<v Speaker 2>It would be just betting.

0:36:57.640 --> 0:36:58.960
<v Speaker 1>It would be the mistakes I used to have.

0:36:59.000 --> 0:37:01.920
<v Speaker 2>I'd go in depth on gambling, how I overcame it,

0:37:02.000 --> 0:37:04.520
<v Speaker 2>how I made it fun stuff like, but it would

0:37:04.520 --> 0:37:06.280
<v Speaker 2>be really in depth on gambling.

0:37:06.520 --> 0:37:10.799
<v Speaker 1>So and what I would say to Ray is if

0:37:10.840 --> 0:37:12.840
<v Speaker 1>you do the real personal stuff, that's gonna work for you,

0:37:12.880 --> 0:37:14.560
<v Speaker 1>because no one's gonna come to you to hear just

0:37:14.600 --> 0:37:17.160
<v Speaker 1>sports betting because they're like real experts exactly. But if

0:37:17.200 --> 0:37:21.120
<v Speaker 1>it's like heavy Ray fluenced, where it's like I suck.

0:37:22.000 --> 0:37:23.719
<v Speaker 1>This are the mess ups I made, and he brings

0:37:23.760 --> 0:37:25.920
<v Speaker 1>on other people that are in that theme and then

0:37:25.960 --> 0:37:27.880
<v Speaker 1>also talks about you can also talk about sports betting,

0:37:28.960 --> 0:37:30.719
<v Speaker 1>but your expertise has to be in what you're an

0:37:30.719 --> 0:37:32.640
<v Speaker 1>expert in, which is losing.

0:37:35.000 --> 0:37:37.040
<v Speaker 2>But I was also thinking you kind of in a way,

0:37:37.120 --> 0:37:39.480
<v Speaker 2>do you do you look down at podcasters because you've

0:37:39.480 --> 0:37:41.799
<v Speaker 2>been the king of radio for thirty years and now

0:37:41.840 --> 0:37:44.160
<v Speaker 2>people are just talking on a mic in their bed,

0:37:44.440 --> 0:37:45.839
<v Speaker 2>and do you think they can do what you do

0:37:45.920 --> 0:37:46.560
<v Speaker 2>the opposite?

0:37:46.920 --> 0:37:49.560
<v Speaker 1>They forever? I mean, but you have to think we

0:37:49.600 --> 0:37:53.600
<v Speaker 1>have been podcasting this show since way before podcasting was normal,

0:37:53.880 --> 0:37:56.000
<v Speaker 1>So we have an advantage in the podcasting world because

0:37:56.000 --> 0:37:58.800
<v Speaker 1>it was so important to me. I was extremely lucky

0:37:58.960 --> 0:38:03.480
<v Speaker 1>in that. Just like if you've read Outliers Malcolm Gladwell,

0:38:03.560 --> 0:38:07.920
<v Speaker 1>Malcolm Gladwell, he would write like Bill Gates, he was

0:38:07.960 --> 0:38:10.400
<v Speaker 1>born where there was a computer, he lived where there

0:38:10.400 --> 0:38:12.080
<v Speaker 1>was a computer, or he wouldn't have been able to

0:38:12.239 --> 0:38:14.040
<v Speaker 1>Bill Gates like in his talent. I was like one

0:38:14.080 --> 0:38:16.880
<v Speaker 1>of the only computers for hundreds of miles. Had that

0:38:16.920 --> 0:38:19.719
<v Speaker 1>one computer not been where he was, he would not

0:38:19.719 --> 0:38:21.319
<v Speaker 1>have been able to be the Bill Gates that we know.

0:38:21.520 --> 0:38:24.359
<v Speaker 1>So there are factors that happen in our lives that

0:38:26.000 --> 0:38:28.239
<v Speaker 1>it's very fortunate, not to say it wouldn't have found

0:38:28.239 --> 0:38:31.600
<v Speaker 1>one somewhere else where. I was fortunate was I was

0:38:31.760 --> 0:38:37.239
<v Speaker 1>very young. So as I was nineteen twenty us twenty three,

0:38:37.360 --> 0:38:41.160
<v Speaker 1>twenty four doing a big morning show, I was podcasting.

0:38:41.600 --> 0:38:44.919
<v Speaker 1>I was already ahead of the gen pop digitally because

0:38:44.920 --> 0:38:46.480
<v Speaker 1>I enjoyed that. But then I was like, we need

0:38:46.480 --> 0:38:48.160
<v Speaker 1>to be doing this with our show. So we shtart

0:38:48.239 --> 0:38:51.680
<v Speaker 1>ed podcasting immediately when nobody was podcasting, but we had

0:38:51.719 --> 0:38:56.640
<v Speaker 1>built up that audience and built up that feed forever. No,

0:38:56.719 --> 0:39:00.240
<v Speaker 1>And I think at times I've been scrutinized by any

0:39:00.280 --> 0:39:01.960
<v Speaker 1>for caring a little too much about it for years

0:39:02.719 --> 0:39:06.120
<v Speaker 1>and now it's finally coming around where it's like we'll

0:39:06.160 --> 0:39:09.400
<v Speaker 1>leave you alone, you know. No. No, I think if

0:39:09.400 --> 0:39:13.480
<v Speaker 1>you can pull off a great podcast like that's that's.

0:39:14.120 --> 0:39:16.920
<v Speaker 1>It's hard to get a good job in radio, especially now,

0:39:17.760 --> 0:39:22.359
<v Speaker 1>it's hard to get a podcast to catch on. Both

0:39:22.360 --> 0:39:23.319
<v Speaker 1>are very hard, but.

0:39:23.280 --> 0:39:25.959
<v Speaker 2>I think podcasts a huge because I commute now. Yeah,

0:39:26.000 --> 0:39:27.480
<v Speaker 2>I mean, I don't think it's ever going away.

0:39:27.840 --> 0:39:29.719
<v Speaker 1>No, it's never. No, No, that's radio. That's the new

0:39:29.719 --> 0:39:32.240
<v Speaker 1>normal radio to me, as anything comes from your phone. Period.

0:39:33.000 --> 0:39:35.560
<v Speaker 1>Sometimes I'll meet with a client and they're just fixated

0:39:35.600 --> 0:39:38.960
<v Speaker 1>on podcasting, which I'm like, great, love it. I got

0:39:38.960 --> 0:39:41.680
<v Speaker 1>like nineteen of them, and I'll call this show a

0:39:41.719 --> 0:39:44.680
<v Speaker 1>live podcast when we do it live, just to if

0:39:44.719 --> 0:39:46.600
<v Speaker 1>they're like, yeah, we really love being on the podcast space.

0:39:46.600 --> 0:39:48.160
<v Speaker 1>Oh that's great. You should hear our live podcasts. We

0:39:48.160 --> 0:39:50.400
<v Speaker 1>do it every morning, and then it goes up digitally.

0:39:52.640 --> 0:39:56.000
<v Speaker 1>It's all the same. So, but it's live. I act

0:39:56.040 --> 0:39:57.640
<v Speaker 1>like it not what we're recording a live one. I'm like,

0:39:57.640 --> 0:39:59.719
<v Speaker 1>we're doing a live podcast that everyone can listen into

0:39:59.760 --> 0:40:03.000
<v Speaker 1>live and call in. No podcasting is awesome.

0:40:03.560 --> 0:40:07.200
<v Speaker 3>Well, so just a little note to encourage anybody listening

0:40:07.239 --> 0:40:10.600
<v Speaker 3>that might be thinking, like, Oh, I have this topic,

0:40:10.640 --> 0:40:12.480
<v Speaker 3>I'm passion about it. I'd like to start a podcast,

0:40:12.480 --> 0:40:14.520
<v Speaker 3>and I don't know who will be listening. It may

0:40:14.560 --> 0:40:17.000
<v Speaker 3>not even be that you're so focused on, you know,

0:40:17.440 --> 0:40:19.520
<v Speaker 3>downloads or success or you're trying to be this like

0:40:19.640 --> 0:40:22.520
<v Speaker 3>crazy huge podcaster. It might just mean that you have

0:40:22.600 --> 0:40:25.080
<v Speaker 3>some experience you want to share and even if one

0:40:25.080 --> 0:40:28.480
<v Speaker 3>person hears it. Because there was a mom that was

0:40:28.520 --> 0:40:30.680
<v Speaker 3>an adoptive mom and she put up a podcast that

0:40:30.760 --> 0:40:33.520
<v Speaker 3>she was recording at her house. I'm sure she's self

0:40:34.520 --> 0:40:37.920
<v Speaker 3>published it, produced it, you know, wasn't it wasn't a

0:40:38.000 --> 0:40:42.160
<v Speaker 3>huge podcast. I found it by just putting some keywords

0:40:42.200 --> 0:40:44.200
<v Speaker 3>into the search bar of stuff that I was going

0:40:44.239 --> 0:40:48.080
<v Speaker 3>through with our adoption, and she had on this other mom.

0:40:48.239 --> 0:40:50.319
<v Speaker 3>I don't even remember the name of the podcast. I've

0:40:50.320 --> 0:40:51.759
<v Speaker 3>got to go find it. And I keep saying that

0:40:51.760 --> 0:40:53.600
<v Speaker 3>anytime I think of this story, and I need to

0:40:53.600 --> 0:40:54.960
<v Speaker 3>do it because I would like to write her a

0:40:55.000 --> 0:40:57.360
<v Speaker 3>thank you note because she had this other mom on

0:40:58.000 --> 0:41:01.719
<v Speaker 3>and those two moms sitting down her house sharing their

0:41:01.800 --> 0:41:05.240
<v Speaker 3>experience on their podcast where they who knows who's listening,

0:41:05.680 --> 0:41:08.040
<v Speaker 3>Well I was. I found it, and it put me

0:41:08.080 --> 0:41:12.640
<v Speaker 3>on a trajectory me and our family of some stuff

0:41:12.640 --> 0:41:14.920
<v Speaker 3>we needed to work through and healing. And it was

0:41:15.000 --> 0:41:17.719
<v Speaker 3>because they decided to sit down and record and you

0:41:17.760 --> 0:41:20.040
<v Speaker 3>know their niche like, they talked about something that was

0:41:20.040 --> 0:41:23.560
<v Speaker 3>passionate to them. They shared their personal experience. And it's

0:41:23.560 --> 0:41:25.960
<v Speaker 3>not like they're professional podcasters, because I mean I could

0:41:26.320 --> 0:41:29.240
<v Speaker 3>I could just tell they were just passionate about sharing

0:41:29.280 --> 0:41:33.839
<v Speaker 3>their story. And I would say, I don't say this, Yeah,

0:41:33.840 --> 0:41:35.440
<v Speaker 3>I'm not going I'm gonna say. I'm gonna say lightly

0:41:35.480 --> 0:41:38.000
<v Speaker 3>like it changed the course of some stuff that was

0:41:38.000 --> 0:41:39.839
<v Speaker 3>going on in our family, like big time, like changed

0:41:39.880 --> 0:41:40.640
<v Speaker 3>our lives.

0:41:41.080 --> 0:41:42.880
<v Speaker 1>My favorite part of that story, and I'm glad you

0:41:42.920 --> 0:41:45.040
<v Speaker 1>shared it, was that here's a podcast that not a

0:41:45.080 --> 0:41:46.759
<v Speaker 1>lot of people subscribe to, but it's great, and you

0:41:46.760 --> 0:41:48.160
<v Speaker 1>still didn't know the name to share it so people

0:41:48.160 --> 0:41:49.400
<v Speaker 1>could hear it and subscribe.

0:41:49.080 --> 0:41:52.640
<v Speaker 3>I know, you know, because this is what what happened

0:41:52.640 --> 0:41:54.560
<v Speaker 3>to you? Great that I don't even know if she

0:41:54.600 --> 0:41:56.319
<v Speaker 3>may still be doing it because this was a few

0:41:56.400 --> 0:42:00.160
<v Speaker 3>years ago, but it it was just such a crazy

0:42:00.239 --> 0:42:02.640
<v Speaker 3>time that that's why I don't even My brain had

0:42:02.680 --> 0:42:04.520
<v Speaker 3>so many other things going on that I'm like, shoot,

0:42:04.600 --> 0:42:06.840
<v Speaker 3>how it was almost like divine that I found it, Like,

0:42:06.840 --> 0:42:10.200
<v Speaker 3>I don't even know. I know that there's certain times

0:42:10.239 --> 0:42:11.120
<v Speaker 3>I've tried to find.

0:42:10.920 --> 0:42:13.360
<v Speaker 1>It, such for words Amy were just use in a search.

0:42:13.160 --> 0:42:16.560
<v Speaker 3>Bar, Well, no, I would be very keywords that are

0:42:16.600 --> 0:42:18.839
<v Speaker 3>personal to my family, so I'm not going to say them.

0:42:18.880 --> 0:42:23.080
<v Speaker 3>But I just you know, yeah, I didn't. I don't know.

0:42:23.520 --> 0:42:33.480
<v Speaker 2>Maybe these women were George straight, Haiti, adoption, iced coffee, meditation.

0:42:35.880 --> 0:42:39.160
<v Speaker 1>Okay, cool, make sure Ray, thank you for that question,

0:42:40.239 --> 0:42:42.040
<v Speaker 1>So create your podcast. I have two other things I'm

0:42:42.040 --> 0:42:43.800
<v Speaker 1>going to talk about Amy. One more thing that you

0:42:43.840 --> 0:42:45.000
<v Speaker 1>sent a couple of days ago. I just want to

0:42:45.000 --> 0:42:46.560
<v Speaker 1>make sure that you have it pulled up if I'm

0:42:46.560 --> 0:42:48.520
<v Speaker 1>going to go to it. Something about five boundaries just

0:42:48.520 --> 0:42:50.360
<v Speaker 1>set with your boss. So I want to get to

0:42:50.400 --> 0:42:51.800
<v Speaker 1>that in a second. And then I do want to

0:42:51.800 --> 0:42:56.799
<v Speaker 1>play do you have this voicemail? Ray? From Brett. Oh,

0:42:56.840 --> 0:42:58.240
<v Speaker 1>I know I didn't do it on the show. Okay

0:42:58.400 --> 0:43:00.759
<v Speaker 1>from Fort Worth, Texas because to do a death all right,

0:43:00.760 --> 0:43:04.480
<v Speaker 1>go ahead, good morning studio. This question goes out to Lunchbox.

0:43:04.560 --> 0:43:06.600
<v Speaker 1>All was worrying if I can get his input on

0:43:06.680 --> 0:43:09.600
<v Speaker 1>the death of twenty seven year old Bottom Critinton.

0:43:09.920 --> 0:43:12.759
<v Speaker 6>She was featured in the sixteen and Pregnant series, and.

0:43:12.680 --> 0:43:15.040
<v Speaker 3>I was wondering if we could get his input on

0:43:15.120 --> 0:43:17.200
<v Speaker 3>that story. Thank you for taking my golf.

0:43:18.239 --> 0:43:20.480
<v Speaker 5>Yeah, she was I don't even know who she was,

0:43:20.520 --> 0:43:23.719
<v Speaker 5>so she was like a weird Yeah, she wasn't like

0:43:23.760 --> 0:43:26.680
<v Speaker 5>a big main person, Like I don't even I mean,

0:43:26.719 --> 0:43:28.359
<v Speaker 5>I never I don't even recognize the name.

0:43:28.360 --> 0:43:29.760
<v Speaker 4>When they announced her death.

0:43:29.600 --> 0:43:31.960
<v Speaker 1>They headlined it different because I thought you had note

0:43:31.719 --> 0:43:32.480
<v Speaker 1>that they.

0:43:32.160 --> 0:43:34.760
<v Speaker 5>Said teen Mom star and I'm like, I don't remember

0:43:34.800 --> 0:43:37.960
<v Speaker 5>her being on the show unless she was like on

0:43:38.000 --> 0:43:39.680
<v Speaker 5>some random show. And then they tried to turn her

0:43:39.680 --> 0:43:42.719
<v Speaker 5>into teen Mom because Teen Moms started leaving and they

0:43:42.719 --> 0:43:45.200
<v Speaker 5>started bringing girls from different shows to be on Teen Mom.

0:43:45.400 --> 0:43:46.800
<v Speaker 4>That's when it kind of jumped the shark.

0:43:47.360 --> 0:43:49.040
<v Speaker 1>So you don't know much about her.

0:43:49.040 --> 0:43:51.359
<v Speaker 4>Didn't know much about her, but may she rest in peace?

0:43:51.880 --> 0:43:53.200
<v Speaker 1>Any give me give me your story.

0:43:53.239 --> 0:43:56.040
<v Speaker 3>Okay. So I came across this post about five boundaries

0:43:56.080 --> 0:43:57.879
<v Speaker 3>to set with your boss, and when I read them,

0:43:57.880 --> 0:43:59.800
<v Speaker 3>I was like, oh, I can.

0:43:59.760 --> 0:44:01.640
<v Speaker 1>See trying to set through with me. No, let's see

0:44:01.640 --> 0:44:01.960
<v Speaker 1>how many.

0:44:02.000 --> 0:44:05.560
<v Speaker 3>Definitely not okay, I don't work weekends.

0:44:07.680 --> 0:44:13.440
<v Speaker 1>I guess just anything universally stated is a bit. It's

0:44:13.480 --> 0:44:16.720
<v Speaker 1>a great point, man, it is a great point. That's funny.

0:44:17.280 --> 0:44:21.239
<v Speaker 1>Anything universally stated to me, if you're saying this is

0:44:21.280 --> 0:44:25.160
<v Speaker 1>the only rigidity to me, is a turn off with people.

0:44:25.360 --> 0:44:27.960
<v Speaker 1>I definitely have boundaries that people can have and respect them,

0:44:28.160 --> 0:44:30.400
<v Speaker 1>but rigidity just for the sake of it, I'm not

0:44:30.400 --> 0:44:32.319
<v Speaker 1>gonna like any of these because of that. But okay,

0:44:32.400 --> 0:44:34.040
<v Speaker 1>I get it. You don't work weekends. It's probably that's cool.

0:44:34.040 --> 0:44:34.399
<v Speaker 1>We don't work.

0:44:34.400 --> 0:44:36.760
<v Speaker 3>We don't work weekends. I don't travel for work.

0:44:37.840 --> 0:44:39.279
<v Speaker 1>And I'm supposed to hire you when you say this

0:44:39.360 --> 0:44:41.360
<v Speaker 1>because the work the job may not have travel. But

0:44:41.400 --> 0:44:43.799
<v Speaker 1>if you come in and go, hey, I don't I'm

0:44:43.800 --> 0:44:46.239
<v Speaker 1>not traveling. What the Okay? Well it wasn't on there,

0:44:46.280 --> 0:44:47.279
<v Speaker 1>but now I don't like you.

0:44:47.440 --> 0:44:50.719
<v Speaker 3>I don't want my identity used like on the website

0:44:50.880 --> 0:44:51.720
<v Speaker 3>or social media.

0:44:52.920 --> 0:44:54.399
<v Speaker 1>Okay, kind of job is it there?

0:44:54.719 --> 0:44:56.880
<v Speaker 4>I mean, let's say you work in an office. Is

0:44:56.880 --> 0:44:57.799
<v Speaker 4>that a big deal?

0:44:58.320 --> 0:45:00.479
<v Speaker 1>I don't even think it really probably needs to be up.

0:45:01.440 --> 0:45:03.160
<v Speaker 3>One of the examples in the post that I saw

0:45:03.320 --> 0:45:05.439
<v Speaker 3>was like I don't know a boss, like they were

0:45:05.600 --> 0:45:08.080
<v Speaker 3>an email when now and like this was an example

0:45:08.400 --> 0:45:10.800
<v Speaker 3>and it was like, hey, everybody record like a selfie

0:45:10.880 --> 0:45:14.200
<v Speaker 3>of you know, your favorite thing about working? Say it.

0:45:14.280 --> 0:45:16.400
<v Speaker 1>Then wouldn't you just be like, oh, I'm not comfortable

0:45:16.400 --> 0:45:16.960
<v Speaker 1>with putting my money.

0:45:16.960 --> 0:45:18.400
<v Speaker 4>I'd prefer to be on Instagram.

0:45:18.600 --> 0:45:21.160
<v Speaker 1>Yeah, yeah, I do not, especially if it's like the

0:45:21.160 --> 0:45:22.320
<v Speaker 1>early part of the job. Go ahead.

0:45:23.120 --> 0:45:27.120
<v Speaker 3>I do not answer my phone after hours.

0:45:27.600 --> 0:45:30.080
<v Speaker 1>See the problem with this is every once in a

0:45:30.080 --> 0:45:33.040
<v Speaker 1>while there needs to be a phone call that needs

0:45:33.080 --> 0:45:35.800
<v Speaker 1>to be answered after hours. Not not much.

0:45:36.160 --> 0:45:38.359
<v Speaker 3>Well, have you have you ever set a boundary with work?

0:45:40.120 --> 0:45:43.800
<v Speaker 3>Any kind the boundaries that I'll know I'll not get naked.

0:45:44.640 --> 0:45:46.759
<v Speaker 1>No, I've been naked at work. That dude painted me.

0:45:46.800 --> 0:45:50.240
<v Speaker 1>It was weirdest thinking, like painting me on a canvas.

0:45:50.280 --> 0:45:52.200
<v Speaker 1>I was button naked. He was stared at my starting

0:45:52.320 --> 0:45:54.600
<v Speaker 1>wiener forever and then painting a leaf over it. Then

0:45:54.600 --> 0:45:55.719
<v Speaker 1>I was like, why are you starting up my wiener

0:45:55.719 --> 0:45:57.520
<v Speaker 1>if you're paying a leaf over it, like, don't look

0:45:57.520 --> 0:45:59.720
<v Speaker 1>at my wiener, just paint the leaf. That's I remember

0:45:59.719 --> 0:46:02.040
<v Speaker 1>thinking that because I lost the will and had to

0:46:02.080 --> 0:46:04.839
<v Speaker 1>be staying naked, I remember that there's a terrible bad

0:46:06.400 --> 0:46:08.920
<v Speaker 1>The only boundaries now that I will have our wife

0:46:08.960 --> 0:46:12.320
<v Speaker 1>related where it is if we are on a trip

0:46:12.800 --> 0:46:18.960
<v Speaker 1>or we're doing something, I will not make a call

0:46:19.200 --> 0:46:21.320
<v Speaker 1>or do emails for the most part. But even then,

0:46:21.520 --> 0:46:24.400
<v Speaker 1>even she knows this is a big part of my

0:46:24.520 --> 0:46:29.480
<v Speaker 1>life in that they don't pay me and us a

0:46:29.520 --> 0:46:31.400
<v Speaker 1>lot of money to have a whole bunch of boundaries

0:46:31.760 --> 0:46:35.279
<v Speaker 1>if something goes wrong or they need us, you know,

0:46:35.320 --> 0:46:37.239
<v Speaker 1>It's like part of the deal is if you have

0:46:37.280 --> 0:46:40.840
<v Speaker 1>a job that has big responsibilities, sometimes you have to

0:46:40.880 --> 0:46:43.440
<v Speaker 1>bend your boundaries. But yeah, if I'm with my wife

0:46:43.520 --> 0:46:47.440
<v Speaker 1>I and we've I'll do it on the toilet. Luckily

0:46:47.440 --> 0:46:49.200
<v Speaker 1>for me, I have IBS, so I can get a

0:46:49.200 --> 0:46:52.280
<v Speaker 1>lot accomplished there. But I won't do it if we're

0:46:52.600 --> 0:46:55.480
<v Speaker 1>there but a few but more than I've ever had before,

0:46:56.200 --> 0:46:59.120
<v Speaker 1>just for her. Otherwise I go, I'll be dead by now,

0:47:00.040 --> 0:47:07.160
<v Speaker 1>almost died a couple of times. I'm dead, right, now inside,

0:47:08.160 --> 0:47:15.080
<v Speaker 1>I'm like, wait, almost died three times. So there have

0:47:15.160 --> 0:47:19.719
<v Speaker 1>been little boundaries that we have, boundaries, not the word

0:47:20.040 --> 0:47:22.520
<v Speaker 1>guidelines that we try to abide by. But I'm different,

0:47:22.680 --> 0:47:24.480
<v Speaker 1>different animal. But if somebody said that to me in

0:47:24.520 --> 0:47:26.440
<v Speaker 1>a job interview, if I'm interview Abbey and she's like,

0:47:26.840 --> 0:47:29.360
<v Speaker 1>oh man, and I'm like, man, your resume is awesome.

0:47:30.080 --> 0:47:32.080
<v Speaker 1>I just interviewed like seven people for a job up

0:47:32.080 --> 0:47:38.560
<v Speaker 1>here and Morgan did not Morgan here, Morgan won. We

0:47:38.600 --> 0:47:42.000
<v Speaker 1>put it on. We put it. We put it on

0:47:42.040 --> 0:47:46.600
<v Speaker 1>that iheart's side. Where else we put it Scuba the

0:47:46.719 --> 0:47:50.320
<v Speaker 1>job where we put that on Zip we put on ZipRecruiter.

0:47:50.600 --> 0:47:53.080
<v Speaker 1>So we had like hundreds of people applying. Morgan went

0:47:53.120 --> 0:47:55.680
<v Speaker 1>through the hundreds and talked to all them. But when

0:47:55.680 --> 0:47:57.879
<v Speaker 1>I got the seven that I met with, I was like, hey,

0:47:57.880 --> 0:47:59.879
<v Speaker 1>your resume is already good. You wouldn't be here if

0:48:00.400 --> 0:48:02.040
<v Speaker 1>you didn't have all the qualifications and your piece of

0:48:02.040 --> 0:48:03.920
<v Speaker 1>paper didn't check out. So now I just want to

0:48:03.960 --> 0:48:05.120
<v Speaker 1>like get to know and see if I like you.

0:48:05.920 --> 0:48:08.520
<v Speaker 1>And if they were like a plus resume and it

0:48:08.560 --> 0:48:10.520
<v Speaker 1>was like I don't travel, I don't.

0:48:10.760 --> 0:48:11.520
<v Speaker 3>Oh that would work.

0:48:11.600 --> 0:48:13.719
<v Speaker 1>I don't hire you you'd be like, okay, yeah, because

0:48:13.760 --> 0:48:15.319
<v Speaker 1>you can have those, that's fine, Like, hey, I really

0:48:15.360 --> 0:48:18.640
<v Speaker 1>can't travel a whole lot kids, for sure, got it.

0:48:19.280 --> 0:48:21.200
<v Speaker 1>Any of the other boundaries that really irritate me.

0:48:21.760 --> 0:48:24.200
<v Speaker 3>There's one final one I don't It's a I will

0:48:24.239 --> 0:48:27.680
<v Speaker 3>not enforce your policies. If you don't have my back.

0:48:28.160 --> 0:48:29.080
<v Speaker 1>I will not hire you.

0:48:29.480 --> 0:48:33.760
<v Speaker 3>I was like, well, I don't know. That one seems weird,

0:48:33.800 --> 0:48:36.520
<v Speaker 3>but it's like you expect, like, okay, have my back

0:48:36.560 --> 0:48:39.839
<v Speaker 3>and then yeah, I'll do that. But yeah, I mean,

0:48:39.880 --> 0:48:40.480
<v Speaker 3>good luck with that.

0:48:40.520 --> 0:48:41.480
<v Speaker 1>If yeah, good luck with that.

0:48:41.520 --> 0:48:43.440
<v Speaker 3>Those are some boundaries you need to set. But I mean,

0:48:43.480 --> 0:48:45.279
<v Speaker 3>I just think it's an interesting thing for a lot

0:48:45.320 --> 0:48:47.880
<v Speaker 3>of people to think about for their own selves and

0:48:47.920 --> 0:48:51.440
<v Speaker 3>their own mental health and their own, you know, families, Like, Yes,

0:48:51.560 --> 0:48:53.560
<v Speaker 3>there might be some boundaries you need to set because

0:48:53.560 --> 0:48:56.759
<v Speaker 3>I think with technology and the way the world is

0:48:56.840 --> 0:48:58.879
<v Speaker 3>right now, it can be easy to do some form

0:48:58.920 --> 0:49:00.960
<v Speaker 3>of work seven days away, and you might need to

0:49:01.000 --> 0:49:03.719
<v Speaker 3>set a boundary with yourself of like hey, you know,

0:49:03.800 --> 0:49:05.880
<v Speaker 3>if it can wait, then you're not going to look

0:49:05.920 --> 0:49:08.279
<v Speaker 3>at your email or touch your computer or whatever on

0:49:08.400 --> 0:49:10.880
<v Speaker 3>Sunday or Saturday. Like pick a day where you don't

0:49:11.200 --> 0:49:13.799
<v Speaker 3>engage with work at all whatsoever. If you have that

0:49:13.920 --> 0:49:17.880
<v Speaker 3>flexibility or that you can do that. I'm saying for

0:49:17.920 --> 0:49:20.200
<v Speaker 3>your if you've got a family, like there's just something

0:49:20.200 --> 0:49:20.640
<v Speaker 3>to think about.

0:49:21.600 --> 0:49:24.040
<v Speaker 1>I think in your twenties you should work until you

0:49:24.120 --> 0:49:28.760
<v Speaker 1>freaking pop. You should work until you pop in your twenties.

0:49:28.960 --> 0:49:31.120
<v Speaker 1>Once you get to your thirties, you got to start

0:49:31.160 --> 0:49:33.240
<v Speaker 1>to make some decisions because your life is about unless

0:49:33.239 --> 0:49:37.239
<v Speaker 1>you like, knock somebody up. But your twenties is when

0:49:37.280 --> 0:49:39.560
<v Speaker 1>you go hard as you possibly can. And then your

0:49:39.600 --> 0:49:43.480
<v Speaker 1>thirties you have to start making some decisions. But the

0:49:43.600 --> 0:49:46.560
<v Speaker 1>rigidity of I'm not gonna look at my phone. Maybe

0:49:46.600 --> 0:49:48.520
<v Speaker 1>you have a job that allows that. This job would

0:49:48.560 --> 0:49:50.480
<v Speaker 1>never allow that, but don't think everybody knows that getting

0:49:50.480 --> 0:49:53.000
<v Speaker 1>into it. And also the balance thing is weird because

0:49:53.000 --> 0:49:56.239
<v Speaker 1>if balance is work, it's hard to have balance like it,

0:49:56.920 --> 0:49:59.759
<v Speaker 1>and they're sacrifice with balance or sacrifice with not having balance.

0:49:59.800 --> 0:50:03.359
<v Speaker 1>There's always sacrifice if you want to have a great

0:50:03.440 --> 0:50:06.040
<v Speaker 1>quality of the life you're searching for. If you want

0:50:06.320 --> 0:50:13.320
<v Speaker 1>hardcore balance, great personal life, family, job, that is hard

0:50:13.400 --> 0:50:15.640
<v Speaker 1>work to get that balance. But you're not gonna have

0:50:15.800 --> 0:50:17.680
<v Speaker 1>a plus A plus on both sides. You're not gonna

0:50:17.719 --> 0:50:19.960
<v Speaker 1>have a plus family and a plus job. That's not

0:50:20.040 --> 0:50:22.880
<v Speaker 1>the balance. The balance is going to be like be minus,

0:50:22.960 --> 0:50:25.719
<v Speaker 1>be minus, and that's gonna be what it is. But

0:50:25.760 --> 0:50:28.200
<v Speaker 1>you can't get mad you don't have a plus job

0:50:28.680 --> 0:50:31.840
<v Speaker 1>if you're wanting a ton of family time for balance,

0:50:31.880 --> 0:50:36.120
<v Speaker 1>and the opposite, if you want the opposite, you can't

0:50:36.160 --> 0:50:38.319
<v Speaker 1>get mad if you have a plus family and you're like, man,

0:50:38.480 --> 0:50:40.080
<v Speaker 1>my job, I spend so much time my family. I

0:50:40.120 --> 0:50:41.880
<v Speaker 1>love it. I wish my job was better, or I

0:50:41.920 --> 0:50:43.440
<v Speaker 1>wish my family life is better, even though my job

0:50:43.480 --> 0:50:46.200
<v Speaker 1>all the time. It is hard work to decide where

0:50:46.239 --> 0:50:49.040
<v Speaker 1>your balance lies, and all of it is hard if

0:50:49.040 --> 0:50:51.760
<v Speaker 1>you want to achieve balance, that's so that's the hard work,

0:50:52.560 --> 0:50:55.160
<v Speaker 1>very hard work, just like having do working all the time.

0:50:55.160 --> 0:50:59.719
<v Speaker 1>It's hard work. So there's this new you know, I

0:50:59.760 --> 0:51:02.080
<v Speaker 1>want to make sure my mental health and that's awesome

0:51:02.360 --> 0:51:04.520
<v Speaker 1>and I love it. But you're not going to be

0:51:04.520 --> 0:51:07.279
<v Speaker 1>wildly successful in your career. You're not gonna have a

0:51:07.280 --> 0:51:09.480
<v Speaker 1>lot of balance and also be wildly successful in your career.

0:51:09.640 --> 0:51:12.399
<v Speaker 1>But that's not important to everybody, and to me, it's

0:51:12.560 --> 0:51:13.920
<v Speaker 1>at times when it's like I want to have a

0:51:14.000 --> 0:51:17.120
<v Speaker 1>lot of balance and be really really successful. The most

0:51:17.200 --> 0:51:21.200
<v Speaker 1>successful people do not have much balance. So you can't

0:51:21.200 --> 0:51:22.840
<v Speaker 1>have both. You can have a plus a plus on

0:51:22.880 --> 0:51:23.320
<v Speaker 1>both sides.

0:51:23.520 --> 0:51:25.719
<v Speaker 3>Shonda rhymes. So she has a commencement speech from this

0:51:25.760 --> 0:51:29.920
<v Speaker 3>is from a long time ago, but I'm paraphrasing her

0:51:30.000 --> 0:51:34.640
<v Speaker 3>talking about being a successful career woman and the mom

0:51:35.040 --> 0:51:37.560
<v Speaker 3>and you know, how do you do it? Shonda? And

0:51:37.560 --> 0:51:41.040
<v Speaker 3>she's like, well, if I'm succeeding in one area, She's like,

0:51:41.080 --> 0:51:44.080
<v Speaker 3>I'm failing in another. If I am at you know,

0:51:45.160 --> 0:51:48.840
<v Speaker 3>my daughter's dance recital, i am missing. Sandra O's final

0:51:48.880 --> 0:51:51.640
<v Speaker 3>scene of Gray's Anatomy always sad. If I'm you know,

0:51:52.400 --> 0:51:56.160
<v Speaker 3>doing this great career thing over here, I'm not at

0:51:56.160 --> 0:51:58.360
<v Speaker 3>home trick or treating with my kids, you know, or

0:51:58.360 --> 0:52:00.880
<v Speaker 3>the opposite or yeah, vice, but you have to look

0:52:00.880 --> 0:52:03.279
<v Speaker 3>at it's like it's yeah, there's not this like, oh,

0:52:03.320 --> 0:52:07.520
<v Speaker 3>I'm winning in all areas at this exact moment. It's like, yeah, well,

0:52:07.560 --> 0:52:10.719
<v Speaker 3>when I'm at work right here for this situation, this

0:52:10.760 --> 0:52:12.960
<v Speaker 3>final scene, this shot, I'm gonna kill it here. But

0:52:13.400 --> 0:52:15.560
<v Speaker 3>my kids are like, wait, where's mom. But then she's

0:52:15.600 --> 0:52:17.399
<v Speaker 3>gonna make sure that she shows up to the kid

0:52:17.440 --> 0:52:19.359
<v Speaker 3>things that she needs to do, but then work will

0:52:19.400 --> 0:52:21.200
<v Speaker 3>be like dang, wish Seanna was here.

0:52:21.280 --> 0:52:23.920
<v Speaker 1>Kind of like Madden points you only have so many Yeah,

0:52:24.000 --> 0:52:25.959
<v Speaker 1>so you can use seven and three, five and five,

0:52:26.200 --> 0:52:28.120
<v Speaker 1>eight and two, but if you use an eight on

0:52:28.120 --> 0:52:29.640
<v Speaker 1>one side, can't get pissed. It's the two sides's not

0:52:29.680 --> 0:52:32.839
<v Speaker 1>doing it very well. And so to me, it's at

0:52:32.880 --> 0:52:35.040
<v Speaker 1>times with people, especially when I'm hiring or they're a

0:52:35.040 --> 0:52:38.319
<v Speaker 1>worker or staff members, that are like, I just need

0:52:38.360 --> 0:52:41.480
<v Speaker 1>way more time for myself, Okay, And that's awesome, and

0:52:41.480 --> 0:52:43.239
<v Speaker 1>I love that for you. You need to prioritize your mental

0:52:43.239 --> 0:52:45.440
<v Speaker 1>health and do what you long term is right for you.

0:52:46.480 --> 0:52:49.520
<v Speaker 1>But I need somebody that can do this other thing,

0:52:50.400 --> 0:52:55.400
<v Speaker 1>and sometimes it can't be the same person. FI ground repeat,

0:52:55.480 --> 0:52:55.920
<v Speaker 1>I say.

0:52:57.840 --> 0:53:00.360
<v Speaker 3>And then take a fight ground repeat. But like Carvell,

0:53:00.440 --> 0:53:05.359
<v Speaker 3>a little time on Saturday or Sunday or Tuesday, run

0:53:05.400 --> 0:53:06.520
<v Speaker 3>yourself in the are my friend, that's a.

0:53:06.520 --> 0:53:08.200
<v Speaker 1>Real healthier to run yourself on the ground.

0:53:08.320 --> 0:53:10.400
<v Speaker 3>She because my friend, she and being a realtor, she

0:53:10.400 --> 0:53:12.799
<v Speaker 3>has to work weekends, you know, so she tries to

0:53:12.840 --> 0:53:16.279
<v Speaker 3>carve out time. She's trying to hold herself accountable. For

0:53:16.320 --> 0:53:19.080
<v Speaker 3>what she calls her own little wellness Wednesday, where she'll

0:53:19.400 --> 0:53:21.600
<v Speaker 3>try to carve out some hours on Wednesday where she's

0:53:21.640 --> 0:53:25.040
<v Speaker 3>not that's doing emails and contracts and looking at houses

0:53:25.080 --> 0:53:28.160
<v Speaker 3>and doing whatever. Because as a realtor, you know you

0:53:28.200 --> 0:53:31.080
<v Speaker 3>can be getting calls from your clients at all times.

0:53:31.160 --> 0:53:33.160
<v Speaker 3>So for her it's important on that Wednesday that she

0:53:33.200 --> 0:53:34.439
<v Speaker 3>has those hours blocked off.

0:53:34.680 --> 0:53:36.600
<v Speaker 1>And I kid when I say run yourself into the ground.

0:53:36.640 --> 0:53:38.400
<v Speaker 1>I have ran myself on the ground a few times

0:53:39.080 --> 0:53:41.600
<v Speaker 1>and I wouldn't have the success without it. But I

0:53:41.680 --> 0:53:44.040
<v Speaker 1>have deficiency in other parts of my life because of that,

0:53:44.080 --> 0:53:47.120
<v Speaker 1>because of how I chose. Like my wife and I

0:53:47.120 --> 0:53:50.279
<v Speaker 1>we set aside a night every week for like four

0:53:50.320 --> 0:53:53.840
<v Speaker 1>hours where it's just us, right, we do something doesn't

0:53:53.840 --> 0:53:57.399
<v Speaker 1>anything big. But it's also a bit fluid to where

0:53:57.400 --> 0:54:03.279
<v Speaker 1>if something big comes up, like she sometimes understands and

0:54:03.320 --> 0:54:05.080
<v Speaker 1>like I get a call, Hey, come work out with

0:54:05.239 --> 0:54:08.120
<v Speaker 1>some team, She's like, oh, that's a big one our anniversary.

0:54:08.120 --> 0:54:11.480
<v Speaker 1>I was with Steve Young and I was like, oh boy,

0:54:11.520 --> 0:54:15.239
<v Speaker 1>and she was like, no, that's big, Like we'll do it.

0:54:16.480 --> 0:54:20.320
<v Speaker 1>So there's some fluidity. It's pretty rigid, but there's fluidity

0:54:20.320 --> 0:54:22.040
<v Speaker 1>if it matters, and that's all. I'm done talking anyway.

0:54:23.040 --> 0:54:25.080
<v Speaker 3>I'm gonna set up boundary right now. We're done.

0:54:25.760 --> 0:54:26.800
<v Speaker 1>Oh yeah, I'm just kidding.

0:54:28.120 --> 0:54:29.640
<v Speaker 4>Set a boundary I'm done.

0:54:30.440 --> 0:54:35.000
<v Speaker 1>It makes me keep going. I'll show you all right

0:54:35.080 --> 0:54:38.080
<v Speaker 1>special Saturday show. Thank you very much. We will see

0:54:38.120 --> 0:54:39.400
<v Speaker 1>you guys on Monday. By everybody,