1 00:00:01,280 --> 00:00:03,920 Speaker 1: It's time for the Bobby Bones Post Show. 2 00:00:04,519 --> 00:00:07,760 Speaker 2: Here's your host, Bobby Bone. 3 00:00:09,000 --> 00:00:15,600 Speaker 1: Hello. It's actually on a Saturday, so we haven't done 4 00:00:15,640 --> 00:00:19,520 Speaker 1: any Saturday shows, but as a bonus to you, a 5 00:00:19,600 --> 00:00:23,440 Speaker 1: Saturday post show, which sometimes I don't want to clutter 6 00:00:23,440 --> 00:00:25,040 Speaker 1: the feed with too many things at once. I get 7 00:00:25,079 --> 00:00:27,280 Speaker 1: so annoyed when people put up random stuff in our 8 00:00:27,320 --> 00:00:29,680 Speaker 1: feed that I have no idea what it is. And 9 00:00:29,720 --> 00:00:33,720 Speaker 1: it's like Frank Sinatra's cousin talks about New York and 10 00:00:33,720 --> 00:00:36,519 Speaker 1: it's an hour long podcast on Frank's and that's not 11 00:00:36,560 --> 00:00:38,920 Speaker 1: a real podcast, but it's like an hour long podcast 12 00:00:39,000 --> 00:00:40,760 Speaker 1: or something that like the company, and it's like right 13 00:00:40,800 --> 00:00:44,960 Speaker 1: in our feed. That annoys me so much. So even 14 00:00:45,000 --> 00:00:47,199 Speaker 1: if we're putting up lots of stuff, I'm gonna put 15 00:00:47,280 --> 00:00:49,120 Speaker 1: this up on Saturday, because there shouldn't be anything from 16 00:00:49,120 --> 00:00:52,240 Speaker 1: Frank Sinatra's cousin up on our feed today. So everybody, 17 00:00:52,240 --> 00:00:54,280 Speaker 1: thanks for being here on Saturday, even though it's actually Friday. 18 00:00:55,160 --> 00:00:55,880 Speaker 3: Happy to be here. 19 00:00:55,920 --> 00:01:00,920 Speaker 1: Thank you real though, since it is Friday, Like I 20 00:01:00,960 --> 00:01:03,280 Speaker 1: was out late last night. Thomas Rhett had an album 21 00:01:03,360 --> 00:01:06,720 Speaker 1: release that we record as like a national album release 22 00:01:06,720 --> 00:01:08,440 Speaker 1: that airs I think in the afternoons on like all 23 00:01:08,480 --> 00:01:10,880 Speaker 1: of our stations. I don't know when it's airing, probably 24 00:01:10,880 --> 00:01:13,600 Speaker 1: the next couple weeks. And so I like Thomas Rhett. 25 00:01:13,880 --> 00:01:15,800 Speaker 1: So I go to this place and I don't do 26 00:01:15,880 --> 00:01:17,760 Speaker 1: many of these. I like to do them with the 27 00:01:17,760 --> 00:01:19,800 Speaker 1: people that I like because it's very easy if that's 28 00:01:19,800 --> 00:01:22,440 Speaker 1: the case. And so I'm hanging out with Thomas Reft 29 00:01:22,440 --> 00:01:25,200 Speaker 1: for a while, and it doesn't really start till like 30 00:01:25,240 --> 00:01:27,800 Speaker 1: seven thirty seven forty five, which is extremely late for 31 00:01:28,040 --> 00:01:30,600 Speaker 1: me in my life, but it's okay, and so do it. 32 00:01:30,640 --> 00:01:32,759 Speaker 1: And it goes a little long at eight fifteen, eight 33 00:01:32,800 --> 00:01:37,280 Speaker 1: twenty A couple observations. They did not know he was 34 00:01:37,319 --> 00:01:39,399 Speaker 1: going to be there. The people there in that room, 35 00:01:39,840 --> 00:01:42,520 Speaker 1: oh was this rise? Sort of? They also did not 36 00:01:42,600 --> 00:01:45,280 Speaker 1: know I was going to be there. So what they 37 00:01:45,319 --> 00:01:47,400 Speaker 1: were pitched it was people from the Thomas RHTT fan 38 00:01:47,480 --> 00:01:52,080 Speaker 1: club that I would assume we're from here or an 39 00:01:52,120 --> 00:01:54,080 Speaker 1: hour and a half or two hours less away. They 40 00:01:54,120 --> 00:01:56,600 Speaker 1: would drive it. They's say, Thomas Reht's new albums coming 41 00:01:56,600 --> 00:01:58,720 Speaker 1: out in a couple of weeks. We actually will play 42 00:01:58,720 --> 00:02:01,200 Speaker 1: it for you guys first, if you want to come. 43 00:02:01,560 --> 00:02:03,440 Speaker 1: And I would think fifteen twenty people, which I had 44 00:02:03,440 --> 00:02:05,800 Speaker 1: one hundred people there. Oh wow, just to listen to music. 45 00:02:07,480 --> 00:02:09,600 Speaker 1: I'm not listening to anybody's music. I'm not driving ten 46 00:02:09,639 --> 00:02:12,040 Speaker 1: minutes just to listen to somebody's pre music. Yeah, now 47 00:02:12,080 --> 00:02:12,680 Speaker 1: maybe jaded. 48 00:02:13,240 --> 00:02:14,080 Speaker 3: They're getting it early. 49 00:02:15,080 --> 00:02:17,880 Speaker 1: Yeah, wait two weeks. But again, they spent their even 50 00:02:18,120 --> 00:02:21,000 Speaker 1: just listening to this. I wouldn't do that for anybody. 51 00:02:22,160 --> 00:02:24,000 Speaker 1: I wish that I had that kind of passion for 52 00:02:24,080 --> 00:02:25,880 Speaker 1: like an artist, that I would go sit and listen 53 00:02:25,919 --> 00:02:29,760 Speaker 1: to their music early, and then the cool thing was 54 00:02:29,800 --> 00:02:33,799 Speaker 1: they listened and then So how I always get screwed 55 00:02:33,800 --> 00:02:36,080 Speaker 1: in these situations, because I'll make this about me for 56 00:02:36,080 --> 00:02:41,320 Speaker 1: a second, is that the guy goes up before me 57 00:02:41,320 --> 00:02:45,080 Speaker 1: who was hosting the tracks, This wasn't recorded for any show, 58 00:02:45,600 --> 00:02:47,079 Speaker 1: and he goes, hey, we got a surprise for you. Guys. 59 00:02:47,080 --> 00:02:50,920 Speaker 1: They're like, it's Tom's rett. He goes it's Bollybones. And 60 00:02:50,960 --> 00:02:56,160 Speaker 1: so it's met with a very tepid response. Right, So 61 00:02:57,040 --> 00:02:58,880 Speaker 1: I wish they would have said nothing about a surprise. 62 00:02:58,960 --> 00:03:01,080 Speaker 1: Who gives a crap about me? If they're there for 63 00:03:01,120 --> 00:03:04,080 Speaker 1: a Thomas Rhett fan club party, Like, who cares about me? 64 00:03:05,200 --> 00:03:08,240 Speaker 1: What would have been nice is Hey, cool, thank you guys, 65 00:03:08,600 --> 00:03:09,959 Speaker 1: and then I just walk on like, what's so, guys, 66 00:03:09,960 --> 00:03:11,200 Speaker 1: say it's Bobby. We once want to come by and 67 00:03:11,200 --> 00:03:13,720 Speaker 1: say whatever, but because it was like, we got a 68 00:03:13,800 --> 00:03:16,359 Speaker 1: surprise for you guys. And they're at a Thomas Rat 69 00:03:16,360 --> 00:03:20,320 Speaker 1: listening party and they're in Nashville and they I can 70 00:03:20,360 --> 00:03:22,680 Speaker 1: feel the like the air in a positive way. Go 71 00:03:23,000 --> 00:03:24,880 Speaker 1: can kind of get sucked out of the room ready 72 00:03:24,919 --> 00:03:28,799 Speaker 1: for Thomas Rhett, Bobby Bones. 73 00:03:30,400 --> 00:03:32,800 Speaker 3: Listen. Then did you get to iding them back up again? 74 00:03:33,200 --> 00:03:37,040 Speaker 1: Yeah, but I had to feel that not without meat 75 00:03:38,200 --> 00:03:41,720 Speaker 1: being reminded. Then nobody gives a crap and I already 76 00:03:41,720 --> 00:03:43,080 Speaker 1: know that, but like, I don't need to ship to 77 00:03:43,120 --> 00:03:45,480 Speaker 1: my face every day, especially when I'm there working voluntarily. 78 00:03:45,760 --> 00:03:47,080 Speaker 4: How was the reaction for Thomas rest? 79 00:03:47,120 --> 00:03:49,280 Speaker 1: It's great. But I walk out and I'm like, what up? 80 00:03:49,320 --> 00:03:51,320 Speaker 1: And they're like, oh, that's how about that. It's like 81 00:03:51,360 --> 00:03:54,240 Speaker 1: seeing your mailman at Walmart. It's kind of weird, but 82 00:03:55,280 --> 00:03:56,560 Speaker 1: you know it's still a thing. You're like, this is 83 00:03:56,600 --> 00:03:58,760 Speaker 1: a mailman, not anymore does mailman clothes? That's crazy. They 84 00:03:58,800 --> 00:04:01,000 Speaker 1: can't believe that's what I feel like. I'm like, oh, 85 00:04:01,080 --> 00:04:03,080 Speaker 1: your maleman at Walmart? You can't believe you see me. 86 00:04:04,440 --> 00:04:06,360 Speaker 1: Third of them probably didn't even know how it was. So 87 00:04:08,080 --> 00:04:10,440 Speaker 1: then I'm I'm like, well, I also have a surprise 88 00:04:10,520 --> 00:04:13,720 Speaker 1: for you guys. At this point, they're like, I'm a 89 00:04:13,760 --> 00:04:18,280 Speaker 1: little unfairly it's unfair. I'm a little unfairly frustrated at 90 00:04:18,320 --> 00:04:20,960 Speaker 1: my setup, and I'm I'm there just to mess with 91 00:04:21,000 --> 00:04:23,920 Speaker 1: people at this point, and t R is outside the door. 92 00:04:24,160 --> 00:04:26,520 Speaker 1: But I'm like, I gotta get a surprise. And so 93 00:04:26,600 --> 00:04:28,760 Speaker 1: now they're ready for Thomas Rhett and and I pick 94 00:04:28,839 --> 00:04:30,080 Speaker 1: up my phone and I go, I got Thomas right 95 00:04:30,160 --> 00:04:36,240 Speaker 1: on FaceTime. And then that's funny, and they're like and 96 00:04:36,279 --> 00:04:38,960 Speaker 1: then something they're like, ooh, and I'm like, he's gonna 97 00:04:38,960 --> 00:04:42,040 Speaker 1: answer some questions on FaceTime for you guys. They're totally 98 00:04:42,080 --> 00:04:43,880 Speaker 1: confused at this point because they've been led to think, 99 00:04:44,040 --> 00:04:47,240 Speaker 1: one Thomas Rhet's there, here comes White Arcle. Then second, 100 00:04:47,640 --> 00:04:50,120 Speaker 1: here comes Thomas rhdd again. Oh but he's on FaceTime. 101 00:04:50,160 --> 00:04:53,480 Speaker 1: He's not even here, And so. 102 00:04:53,600 --> 00:04:55,600 Speaker 3: You think of that, like right when you. 103 00:04:55,680 --> 00:04:58,160 Speaker 1: I thought of that right whenever. My the emotion for 104 00:04:58,279 --> 00:05:00,000 Speaker 1: me existing was not a positive. 105 00:05:00,160 --> 00:05:00,560 Speaker 3: That's quick. 106 00:05:00,640 --> 00:05:02,200 Speaker 1: I don't need it to be positive. I just don't 107 00:05:02,200 --> 00:05:06,760 Speaker 1: want it to be negative. So and I'm like, hey, 108 00:05:06,760 --> 00:05:09,080 Speaker 1: Tom's Ray. You got a lot of people here. They 109 00:05:09,680 --> 00:05:11,520 Speaker 1: paid well, they didn't pay anything to come, but they've 110 00:05:11,520 --> 00:05:13,960 Speaker 1: been listening to music and they'd give it like moderate reviews. 111 00:05:14,160 --> 00:05:15,920 Speaker 1: And the people in the crowd are like, that's not true, 112 00:05:16,080 --> 00:05:18,280 Speaker 1: that's not true. And so I turned the phone and 113 00:05:18,360 --> 00:05:20,880 Speaker 1: I'm like, I'm just kidding. He's not on the phone. 114 00:05:21,160 --> 00:05:23,120 Speaker 1: Still haven't said he's there. I'm just like, he's not 115 00:05:23,160 --> 00:05:24,640 Speaker 1: on the phone. So again they think I'm messing with 116 00:05:24,720 --> 00:05:26,520 Speaker 1: him again, that he's even on FaceTime. At this point, 117 00:05:26,560 --> 00:05:28,720 Speaker 1: I'm enjoying life again, Like it takes me that long 118 00:05:28,760 --> 00:05:32,160 Speaker 1: to get back to enjoy what I'm doing. And then 119 00:05:33,160 --> 00:05:34,680 Speaker 1: I was like, I would never do that. I would 120 00:05:34,720 --> 00:05:36,839 Speaker 1: never lie. So you guys didn't like it, but I 121 00:05:36,920 --> 00:05:38,839 Speaker 1: was like some of it was mid though, right, And 122 00:05:38,880 --> 00:05:40,919 Speaker 1: I know Thomas Red's right out ouside the door, and 123 00:05:40,960 --> 00:05:42,800 Speaker 1: they're like no, and I'm like, well, that's good because 124 00:05:42,800 --> 00:05:45,640 Speaker 1: here's Thomas right, And they're like, ah, but I had 125 00:05:45,640 --> 00:05:47,120 Speaker 1: to get it bad to get my groove back, and 126 00:05:47,160 --> 00:05:49,000 Speaker 1: that's how I did it by messing with them. 127 00:05:49,560 --> 00:05:51,880 Speaker 3: That works. I felt good, I feel it I wasn't 128 00:05:51,880 --> 00:05:52,280 Speaker 3: even there. 129 00:05:52,680 --> 00:05:56,200 Speaker 1: Here's the worst one. If you come to Nashville, there's 130 00:05:56,240 --> 00:05:59,320 Speaker 1: some things that I would recommend as a tourist if 131 00:05:59,360 --> 00:06:01,800 Speaker 1: you're coming for the music part of this city that 132 00:06:01,839 --> 00:06:05,440 Speaker 1: you do. The Ryman's always cool. Sometimes you come and 133 00:06:05,480 --> 00:06:07,440 Speaker 1: you can't. Maybe you don't like the artists playing a 134 00:06:07,440 --> 00:06:10,039 Speaker 1: full show there, but it's cool to go at least 135 00:06:10,040 --> 00:06:11,880 Speaker 1: by the Ryman. If you can tour the Rymen, that's 136 00:06:11,880 --> 00:06:15,120 Speaker 1: pretty cool. Not that it's anything cool to see with 137 00:06:15,240 --> 00:06:20,720 Speaker 1: your eyes, like you know, Elvis's joxtrap isn't hanging up, 138 00:06:21,080 --> 00:06:24,920 Speaker 1: but it's church pews and a concert venue that's called 139 00:06:24,960 --> 00:06:26,760 Speaker 1: the Mother Chuir. Just to have said you've gone through 140 00:06:26,800 --> 00:06:29,520 Speaker 1: it right. It's not a museum. There's some little stuff 141 00:06:30,520 --> 00:06:32,480 Speaker 1: that's cool. Go to a show if you can, if 142 00:06:32,480 --> 00:06:34,159 Speaker 1: it's somebody you like. I would not say go to 143 00:06:34,160 --> 00:06:35,880 Speaker 1: the Ryman just to go to a show. If it's 144 00:06:35,920 --> 00:06:40,120 Speaker 1: somebody you don't like. Touring the Opry awesome. Even if 145 00:06:40,120 --> 00:06:42,400 Speaker 1: you don't go to an Opery show, I would say 146 00:06:42,400 --> 00:06:45,680 Speaker 1: go to the Opry. The Opry is fantastic, and the 147 00:06:45,720 --> 00:06:49,840 Speaker 1: bigger stars are usually on weeknights, Tuesday nights, Wednesday nights, 148 00:06:50,040 --> 00:06:53,920 Speaker 1: whenever the night is because they're not touring, and most 149 00:06:54,120 --> 00:06:57,520 Speaker 1: artists are touring. They make their money Thursday, Friday, Saturday nights. 150 00:06:58,160 --> 00:07:00,679 Speaker 1: But even if you do the daytime tour orts the opry, 151 00:07:01,240 --> 00:07:05,680 Speaker 1: that tour is a plus. Then there's there's a listening 152 00:07:05,720 --> 00:07:07,480 Speaker 1: room cafe, which is cool if you want to like 153 00:07:07,560 --> 00:07:11,520 Speaker 1: see a songwriter around a lot of artists that played that. 154 00:07:11,520 --> 00:07:16,000 Speaker 1: But the Bluebird really cool, really special. And the Bluebird 155 00:07:16,560 --> 00:07:19,160 Speaker 1: I was introduced to it mostly from Nashville the TV 156 00:07:19,200 --> 00:07:20,520 Speaker 1: show I didn't live here. I don't know. I think 157 00:07:20,520 --> 00:07:23,600 Speaker 1: about the freaking Bluebird. I understand now the significance of it. 158 00:07:23,640 --> 00:07:26,640 Speaker 1: I've played it ten times. But the Bluebird, it's in 159 00:07:26,680 --> 00:07:29,920 Speaker 1: a strip mall. It is nothing sexy. Whenever you pull up. 160 00:07:29,840 --> 00:07:31,760 Speaker 3: To it, you're almost confused. 161 00:07:31,760 --> 00:07:33,960 Speaker 1: It's like you're getting a check cash. It's like, you know, 162 00:07:33,960 --> 00:07:37,560 Speaker 1: you get a yeah, it's like five percent, you know whatever. 163 00:07:37,640 --> 00:07:40,200 Speaker 1: So you're gonna go get you check a few days 164 00:07:40,200 --> 00:07:42,640 Speaker 1: early and then go over to the Bluebird. But the 165 00:07:42,640 --> 00:07:47,320 Speaker 1: Bluebird is really cool because, very much like there's other rooms, 166 00:07:47,680 --> 00:07:50,000 Speaker 1: the Bluebird has more of a legacy. Where like Garth 167 00:07:50,160 --> 00:07:54,400 Speaker 1: was found basically at the Bluebird. Tracy Lauren. It's like 168 00:07:54,400 --> 00:07:57,160 Speaker 1: part of his A lot of artists played The Bluebird's 169 00:07:57,160 --> 00:07:59,720 Speaker 1: impossible to get in because it's so small and why 170 00:07:59,800 --> 00:08:04,480 Speaker 1: it's it's weird but amazing for an artist. There's two 171 00:08:04,480 --> 00:08:08,760 Speaker 1: ways you play at one is I think the last 172 00:08:08,760 --> 00:08:11,720 Speaker 1: time I played it, I had Hunter Hayes play with me, 173 00:08:13,640 --> 00:08:20,360 Speaker 1: one of the the dude from Sugarland, Larkin Poe, two 174 00:08:20,360 --> 00:08:22,720 Speaker 1: girls that freaking rock and you sit in a circle 175 00:08:23,360 --> 00:08:25,480 Speaker 1: looking at each other, and everybody's sitting around you, but 176 00:08:25,520 --> 00:08:27,680 Speaker 1: they are right on top of you. If they're eating 177 00:08:27,680 --> 00:08:30,480 Speaker 1: a pancake, you can hear them chew. And the first 178 00:08:30,480 --> 00:08:32,040 Speaker 1: time you played it's so weird because the people are 179 00:08:32,080 --> 00:08:33,839 Speaker 1: right on you and you play music. It's really cool, 180 00:08:34,320 --> 00:08:36,880 Speaker 1: vibes different, really cool, hard to get in. And then 181 00:08:37,080 --> 00:08:39,560 Speaker 1: sometimes people will bring friends and they'll be like, hey, 182 00:08:39,600 --> 00:08:41,960 Speaker 1: I brought my friend, Like I think post Alone showed 183 00:08:42,040 --> 00:08:45,280 Speaker 1: up there right and played at the Bluebird. You never know. 184 00:08:46,000 --> 00:08:49,559 Speaker 1: They have a stage set up and they will at 185 00:08:49,600 --> 00:08:52,960 Speaker 1: times do like rounds on the stage. I prefer when 186 00:08:52,960 --> 00:08:54,839 Speaker 1: they're in the middle. But they also have a small 187 00:08:54,880 --> 00:08:57,920 Speaker 1: stage where like one person can play the little open 188 00:08:57,960 --> 00:09:01,680 Speaker 1: mic switch one person goes up, or if there's a 189 00:09:01,679 --> 00:09:03,079 Speaker 1: couple of people and they just want to do a 190 00:09:03,120 --> 00:09:08,040 Speaker 1: guitar pool type thing goes around again, surprises show up, 191 00:09:08,080 --> 00:09:12,439 Speaker 1: and the surprises are at times awesome, like still like 192 00:09:13,160 --> 00:09:14,839 Speaker 1: you might get a Garth, you might get a post Wall, 193 00:09:14,840 --> 00:09:16,640 Speaker 1: you might get a Taylor Swift. That's happened in the 194 00:09:16,720 --> 00:09:19,560 Speaker 1: last few years. There's a great documentary on The Bluebird. 195 00:09:19,559 --> 00:09:22,079 Speaker 1: I'm in it a lot because I'm lucky enough to 196 00:09:22,080 --> 00:09:24,080 Speaker 1: have played it a bunch of times and enjoy and 197 00:09:24,080 --> 00:09:27,160 Speaker 1: I have learned the history of it. It's on Amazon, 198 00:09:27,160 --> 00:09:30,960 Speaker 1: but it is really good. And so before I went 199 00:09:31,000 --> 00:09:33,240 Speaker 1: on my last tour, I was working on some new 200 00:09:33,320 --> 00:09:34,839 Speaker 1: music and I was like, hey, I think it needs 201 00:09:34,840 --> 00:09:37,400 Speaker 1: to go play a few places. So I called The 202 00:09:37,440 --> 00:09:39,160 Speaker 1: Bluebird and I was like, Hey, is it cool if 203 00:09:39,160 --> 00:09:42,160 Speaker 1: I come and just do a couple of songs on 204 00:09:42,200 --> 00:09:44,240 Speaker 1: the stage night like Wednesday night. They're like, yeah, cool, 205 00:09:44,880 --> 00:09:46,760 Speaker 1: just let us know when you get to the back 206 00:09:46,760 --> 00:09:50,000 Speaker 1: door and it's packed. It's always packed. So I get 207 00:09:50,040 --> 00:09:52,480 Speaker 1: to the back door and they let me in and 208 00:09:52,600 --> 00:09:55,920 Speaker 1: here the guy go, you guys ready for this, And 209 00:09:55,920 --> 00:09:57,280 Speaker 1: I'm like, oh no, no, no, no, no, no, no, no. 210 00:09:58,520 --> 00:10:01,080 Speaker 1: Known all around the world. No no, no, no, no 211 00:10:01,080 --> 00:10:03,320 Speaker 1: no no. In my head, I'm like, please stop, because 212 00:10:03,360 --> 00:10:07,840 Speaker 1: these people, they for sure there's heavy odds they don't 213 00:10:08,120 --> 00:10:09,800 Speaker 1: know who I am, or they don't know play music, 214 00:10:09,880 --> 00:10:13,960 Speaker 1: or they're here to catch some magical surprise guests. They're like, 215 00:10:14,000 --> 00:10:18,240 Speaker 1: he's heard by millions of people, he has he's won cmas, ACMs, 216 00:10:18,440 --> 00:10:21,240 Speaker 1: and I'm like, this is the worst build up ever. 217 00:10:21,880 --> 00:10:23,880 Speaker 1: And he goes give it and they think George Strait's 218 00:10:23,880 --> 00:10:26,640 Speaker 1: about to walk out. I know they think somebody massive 219 00:10:26,720 --> 00:10:29,520 Speaker 1: is about to walk out at how the guy has 220 00:10:29,520 --> 00:10:31,679 Speaker 1: set it up and the environment that they are in, 221 00:10:32,960 --> 00:10:35,360 Speaker 1: and they're like, here he is, Bobby Bones. I swear 222 00:10:35,360 --> 00:10:37,160 Speaker 1: to god, I just want to go home. I wanted 223 00:10:37,160 --> 00:10:38,960 Speaker 1: to walk out the back. I wanted to not show up. 224 00:10:39,000 --> 00:10:40,400 Speaker 1: I think that had been a better surprise if I 225 00:10:40,400 --> 00:10:42,360 Speaker 1: didn't come out than if I did. 226 00:10:43,200 --> 00:10:44,880 Speaker 3: I thought you were around to say that maybe somebody 227 00:10:44,920 --> 00:10:46,559 Speaker 3: else was there in the house all that, and they 228 00:10:46,559 --> 00:10:48,440 Speaker 3: were about to walk past me and be like, what's up, Bobby, 229 00:10:48,440 --> 00:10:49,199 Speaker 3: and it's like, no worse. 230 00:10:49,240 --> 00:10:52,000 Speaker 1: I would rather that would have much rather that happened. 231 00:10:52,040 --> 00:10:53,720 Speaker 1: That had have been much cooler, because then the people 232 00:10:53,720 --> 00:10:55,800 Speaker 1: would not have been disappointed but when they're building it 233 00:10:55,880 --> 00:10:58,720 Speaker 1: up like known all over America in the world, and 234 00:10:58,760 --> 00:11:01,760 Speaker 1: then they go, yeah, want some cmas and ACMs, but 235 00:11:01,800 --> 00:11:06,120 Speaker 1: it's not the same as like what Christapleton wins, and 236 00:11:06,120 --> 00:11:08,079 Speaker 1: they're ready for Tennessee whiskey, and all of a sudden, 237 00:11:08,080 --> 00:11:10,840 Speaker 1: I'm like, my grandma is naked it Oh yeah, true, 238 00:11:10,920 --> 00:11:11,640 Speaker 1: Oh my god. 239 00:11:11,679 --> 00:11:13,600 Speaker 3: But they I'm sure they laughed and enjoyed it. 240 00:11:13,720 --> 00:11:17,000 Speaker 1: I won them back eventually, but I was also playing 241 00:11:17,000 --> 00:11:18,520 Speaker 1: a couple of new songs and one of them was 242 00:11:18,679 --> 00:11:21,240 Speaker 1: just okay, but I can't ever tell if people are 243 00:11:21,280 --> 00:11:23,719 Speaker 1: gonna think they're funny until I played them. But I 244 00:11:24,040 --> 00:11:26,960 Speaker 1: like that, And so they were trying to do me 245 00:11:27,000 --> 00:11:29,839 Speaker 1: a solid by building me up. That's a very kind 246 00:11:29,880 --> 00:11:32,160 Speaker 1: thing to do. But I wish what they would have 247 00:11:32,160 --> 00:11:33,680 Speaker 1: said is, hey, this is really cool Bobby Bones here, 248 00:11:33,800 --> 00:11:35,840 Speaker 1: it's gonna play some comedy music for you guys. In 249 00:11:35,880 --> 00:11:38,360 Speaker 1: case you don't know who he is, he's an American 250 00:11:38,400 --> 00:11:40,760 Speaker 1: idol for four years instead of the other way. Because 251 00:11:40,840 --> 00:11:44,640 Speaker 1: that it just chops my legs out from under me. 252 00:11:44,679 --> 00:11:46,440 Speaker 1: I can never get back. I can never get it back. 253 00:11:47,280 --> 00:11:48,680 Speaker 1: So it was a bit of that last night. But 254 00:11:48,720 --> 00:11:50,120 Speaker 1: then I got to screw with that crowd and be like, 255 00:11:50,240 --> 00:11:50,960 Speaker 1: is that FaceTime? 256 00:11:51,080 --> 00:11:52,679 Speaker 3: Yeah, I feel like that works in your favor to 257 00:11:52,720 --> 00:11:53,440 Speaker 3: have no. 258 00:11:53,200 --> 00:11:56,360 Speaker 1: No, no favor. Well, what if I'd take it back. 259 00:11:56,400 --> 00:11:57,320 Speaker 1: I would never do that again. 260 00:11:57,360 --> 00:12:00,840 Speaker 3: Like ying's funny though, Man. 261 00:12:01,120 --> 00:12:03,720 Speaker 1: That's survival. So I did that until eight fifteen. Had 262 00:12:03,720 --> 00:12:05,760 Speaker 1: a playoff softball game at nine last night. 263 00:12:06,480 --> 00:12:08,440 Speaker 3: Oh I went straight from that to the game. 264 00:12:08,559 --> 00:12:12,320 Speaker 1: Yes, wow, I know I've never played a nine game, 265 00:12:12,360 --> 00:12:14,800 Speaker 1: but it was the playoffs, and so it was like 266 00:12:14,840 --> 00:12:17,840 Speaker 1: the semis of the championship week is next week, and 267 00:12:17,920 --> 00:12:23,120 Speaker 1: so hall Butt North play change in the parking lot, 268 00:12:23,520 --> 00:12:29,800 Speaker 1: have like ten minutes. It's big lightning, big lightning. There 269 00:12:29,880 --> 00:12:32,280 Speaker 1: was a lightning crack that hit so hard I thought 270 00:12:32,280 --> 00:12:35,160 Speaker 1: it was a gun shot like fifty feet away. I 271 00:12:35,160 --> 00:12:37,360 Speaker 1: didn't see that, but it was a boom crack. 272 00:12:38,400 --> 00:12:41,400 Speaker 3: They never called the games a cancel because the lightning. 273 00:12:41,760 --> 00:12:43,679 Speaker 1: I want to make the twenty five bucks and we 274 00:12:43,720 --> 00:12:46,600 Speaker 1: all wanted to play so rock and roll. We ended 275 00:12:46,679 --> 00:12:48,760 Speaker 1: up losing by one run in the last inning, which sucked. 276 00:12:49,600 --> 00:12:51,800 Speaker 1: What sucked even worse is I didn't get to bed 277 00:12:51,920 --> 00:12:53,880 Speaker 1: till like midnight or so last night, which is fine 278 00:12:54,440 --> 00:12:56,599 Speaker 1: because by the time you go nine to ten, is 279 00:12:56,640 --> 00:13:01,960 Speaker 1: the game ten to ten, thirty, get home, shower eleven. 280 00:13:02,400 --> 00:13:04,559 Speaker 1: By the time you really get to sleep, it's eleven 281 00:13:04,559 --> 00:13:07,520 Speaker 1: forty five or so and so so. 282 00:13:07,640 --> 00:13:10,440 Speaker 3: Now, since that was the playoff and y'all lost, what's 283 00:13:10,520 --> 00:13:11,640 Speaker 3: next for you and the team? 284 00:13:11,679 --> 00:13:13,640 Speaker 1: I start season two their Wednesday night games instead of 285 00:13:13,640 --> 00:13:16,320 Speaker 1: Thursday in a couple of weeks, which is much easier. 286 00:13:16,280 --> 00:13:21,760 Speaker 1: A lot of Thursdays will leave town Earth, Yeah, go. 287 00:13:21,800 --> 00:13:22,439 Speaker 4: To outer space. 288 00:13:22,720 --> 00:13:26,640 Speaker 1: Yeah, but that was the night last night. It was 289 00:13:26,679 --> 00:13:29,040 Speaker 1: fun though, Like it was fun playing soft ball. My 290 00:13:29,120 --> 00:13:31,160 Speaker 1: knee all bloody, Like I can't do anything without my 291 00:13:31,240 --> 00:13:33,199 Speaker 1: knees getting bloody. I dive too much. I'm too much 292 00:13:33,200 --> 00:13:35,160 Speaker 1: of an adult to be on the ground that much. 293 00:13:35,240 --> 00:13:37,600 Speaker 3: Were you diving because you were running the bases? 294 00:13:37,760 --> 00:13:39,760 Speaker 1: Or you're no, I don't, I don't sleep. 295 00:13:39,760 --> 00:13:43,040 Speaker 3: Oh no, you you dove to catch a ball? 296 00:13:43,160 --> 00:13:45,680 Speaker 1: Yes, because that is very instinctual. 297 00:13:45,240 --> 00:13:46,920 Speaker 3: In that we're what position were you playing? 298 00:13:46,960 --> 00:13:48,199 Speaker 1: I got to play first last night, and it was 299 00:13:48,240 --> 00:13:52,480 Speaker 1: amazing because I can see freaking eight lights out, lights out. 300 00:13:52,480 --> 00:13:55,120 Speaker 1: I can play first base as good as anybody scooping 301 00:13:55,200 --> 00:13:58,000 Speaker 1: on freaking Megan plays backward on the foul line. I 302 00:13:58,040 --> 00:14:01,880 Speaker 1: can't see in the outfield, so I'm beat b outfielder 303 00:14:02,120 --> 00:14:07,160 Speaker 1: a plus first baseman, but diving forth because those ball 304 00:14:07,360 --> 00:14:10,400 Speaker 1: they're just hit quick, and so that's all instinct. I 305 00:14:10,400 --> 00:14:12,080 Speaker 1: know when I'm running the basis, there's no chance I'm 306 00:14:12,120 --> 00:14:13,480 Speaker 1: going to slide. I don't care how close it is, 307 00:14:13,760 --> 00:14:15,600 Speaker 1: not gonna do it. But if a ball's hit, you're 308 00:14:15,600 --> 00:14:19,560 Speaker 1: just like jump go. Someoneees a bloody took a picture 309 00:14:19,560 --> 00:14:21,160 Speaker 1: of if it though couldn't do it with that documenting it. 310 00:14:21,160 --> 00:14:23,080 Speaker 1: It's on my Instagram, my story. But by the time 311 00:14:23,080 --> 00:14:25,480 Speaker 1: you see this, it won't be up anymore. But uh, yeah, 312 00:14:25,520 --> 00:14:26,840 Speaker 1: that was that was the last night. 313 00:14:27,000 --> 00:14:28,560 Speaker 3: Okay, because it's Saturday. 314 00:14:30,600 --> 00:14:31,320 Speaker 1: They're hearing this. 315 00:14:31,360 --> 00:14:33,280 Speaker 3: They're hearing it on Saturday. 316 00:14:33,080 --> 00:14:35,720 Speaker 1: The picture won't be up two days later. 317 00:14:35,800 --> 00:14:37,920 Speaker 3: I'm like, I'm gonna go look right now, don't you can. 318 00:14:37,800 --> 00:14:41,920 Speaker 1: Look right now? But yeah, so season was over. But 319 00:14:43,080 --> 00:14:45,840 Speaker 1: our little ragtag group of people we did pretty good 320 00:14:45,880 --> 00:14:48,440 Speaker 1: considering a lot of those guys on that team had 321 00:14:48,480 --> 00:14:50,120 Speaker 1: not played in a long time. I hadn't played in 322 00:14:50,240 --> 00:14:53,960 Speaker 1: years on like that kind of league. So and I'm 323 00:14:53,960 --> 00:14:55,880 Speaker 1: trying to find somebody to like coach me in basketball 324 00:14:56,000 --> 00:14:58,160 Speaker 1: before I go play Men's I can tell you about 325 00:14:58,160 --> 00:15:01,160 Speaker 1: that later. Yeah, so I'm here. It's good. 326 00:15:01,480 --> 00:15:02,720 Speaker 3: Sweet till season two. 327 00:15:03,840 --> 00:15:05,360 Speaker 1: Wednesdays, it's gonna be so much better. 328 00:15:05,680 --> 00:15:07,640 Speaker 4: Unless it's at nine o'clock Wednesday. 329 00:15:07,760 --> 00:15:10,760 Speaker 1: I probably won't do those. Okay, this was just a place. 330 00:15:10,840 --> 00:15:13,200 Speaker 1: You know, you wouldn't probably show up to a late 331 00:15:13,240 --> 00:15:16,080 Speaker 1: late game unless it was a big one. 332 00:15:16,600 --> 00:15:18,800 Speaker 3: Well also season two, some of the late late. 333 00:15:18,840 --> 00:15:20,720 Speaker 4: Sometimes, Yeah, I go, no matter what. 334 00:15:20,960 --> 00:15:24,120 Speaker 3: Oh is that because of also temperature? Because is it? 335 00:15:24,160 --> 00:15:26,240 Speaker 3: The weather's gonna get better? So you can play earlier. 336 00:15:26,520 --> 00:15:29,440 Speaker 1: They start at six. Yeah, every game starts the league 337 00:15:29,640 --> 00:15:32,120 Speaker 1: and there's like three fields there, so everything starts at six. 338 00:15:32,160 --> 00:15:33,760 Speaker 1: And we just got caught up in that nine game. 339 00:15:34,520 --> 00:15:36,360 Speaker 1: Try to wake up earlier than you. 340 00:15:36,600 --> 00:15:38,920 Speaker 5: I was gonna say, you get up earlier. You worry 341 00:15:38,920 --> 00:15:41,040 Speaker 5: about things more than me. I'm like, yeah, I'll just 342 00:15:41,080 --> 00:15:42,480 Speaker 5: take a nap the next day. You You're like, I 343 00:15:42,480 --> 00:15:46,120 Speaker 5: got all these dots me. I'm like, I got at 344 00:15:46,360 --> 00:15:47,040 Speaker 5: appointment with the. 345 00:15:47,120 --> 00:15:51,280 Speaker 1: Nap dot dot free. Okay, let's take a break. Come back. 346 00:15:51,320 --> 00:15:53,200 Speaker 1: Glad you guys are here, if you're here on the podcast, 347 00:15:53,240 --> 00:15:55,960 Speaker 1: if you like this, if you're able to even listen 348 00:15:56,000 --> 00:15:57,560 Speaker 1: to this on the weekend. Put a little put a 349 00:15:57,600 --> 00:16:00,760 Speaker 1: little flower up there, lo emoji on whatever my last 350 00:16:00,760 --> 00:16:02,120 Speaker 1: post is, I will see that and I will in 351 00:16:02,160 --> 00:16:04,600 Speaker 1: my heart go thank you. Okay, take a break in 352 00:16:04,680 --> 00:16:07,480 Speaker 1: my head right now, and I'll do this at times 353 00:16:07,520 --> 00:16:10,000 Speaker 1: just to try to, I guess, gather my brain strength back. 354 00:16:10,760 --> 00:16:15,880 Speaker 1: You know the song burning down the House, cool babyl 355 00:16:16,000 --> 00:16:19,680 Speaker 1: watch y'all thinking I know who the artist is. I 356 00:16:19,720 --> 00:16:22,440 Speaker 1: cannot think of it. It has been on the old 357 00:16:22,480 --> 00:16:27,840 Speaker 1: tip of the old tongue for an hour, and I 358 00:16:27,880 --> 00:16:29,760 Speaker 1: feel and I'll do this at times that we mentioned 359 00:16:29,800 --> 00:16:32,600 Speaker 1: on the show before, where it's like I could look 360 00:16:32,600 --> 00:16:36,680 Speaker 1: it up very easily, look it up, don't tell me. 361 00:16:37,200 --> 00:16:41,000 Speaker 1: But in my head it's like something about Staircase, like 362 00:16:41,080 --> 00:16:46,560 Speaker 1: I know it Staircase Flaming. But then I think it's 363 00:16:48,400 --> 00:16:52,000 Speaker 1: it's a British group. It's like a funny name like 364 00:16:52,080 --> 00:16:54,880 Speaker 1: a I'll get to it, but I'm not gonna look 365 00:16:54,920 --> 00:16:57,400 Speaker 1: it up. I may come back Monday still not knowing 366 00:16:57,920 --> 00:17:02,640 Speaker 1: because I will not look it up. Cool baby. No, 367 00:17:04,240 --> 00:17:05,800 Speaker 1: I don't want to have the whole point of this 368 00:17:05,840 --> 00:17:11,480 Speaker 1: is I wan't to hear anything about it. I don't 369 00:17:11,480 --> 00:17:13,400 Speaker 1: even think about it. Don't say anything. I don't even 370 00:17:13,400 --> 00:17:14,560 Speaker 1: know what you did. I don't want to hit because 371 00:17:14,560 --> 00:17:18,000 Speaker 1: I'm trying to figure it out. I'm digging in my brain. 372 00:17:18,280 --> 00:17:20,760 Speaker 1: I know it's in the recesses of it's deep in 373 00:17:20,840 --> 00:17:24,000 Speaker 1: the well. Lassie, go to the well, save the band, 374 00:17:24,200 --> 00:17:30,520 Speaker 1: pull them out of there. It's not neon. Okay, I'm 375 00:17:30,560 --> 00:17:33,320 Speaker 1: gonna get back to it. Carrie is doing Idol. She's 376 00:17:33,320 --> 00:17:37,760 Speaker 1: taking Katie Paris spot Carrie Underwood. Good for her. She 377 00:17:37,880 --> 00:17:42,199 Speaker 1: was obviously on Idol and the and she's always been 378 00:17:42,240 --> 00:17:43,639 Speaker 1: someone too. Even when I was on the show for 379 00:17:43,640 --> 00:17:45,240 Speaker 1: a bunch of years, she would always come back and 380 00:17:45,280 --> 00:17:48,119 Speaker 1: do stuff. She wasn't someone who like avoided it. Some 381 00:17:48,160 --> 00:17:53,080 Speaker 1: of those artists they went to a phase Boom idol Boom, 382 00:17:53,080 --> 00:17:54,639 Speaker 1: did not want to be known as the Idol person 383 00:17:55,840 --> 00:17:58,760 Speaker 1: because they were like, I built my own career. Then 384 00:17:58,800 --> 00:18:00,520 Speaker 1: they would go back and do some idol stuff. If 385 00:18:00,520 --> 00:18:03,760 Speaker 1: they were promoting a project, then they would just be like, 386 00:18:03,800 --> 00:18:05,919 Speaker 1: I'm embracing idol. Now you get to go back and 387 00:18:05,960 --> 00:18:08,119 Speaker 1: be a judge and make I don't know if she's 388 00:18:08,119 --> 00:18:11,359 Speaker 1: doing twenty million or not, but good for her, and 389 00:18:11,400 --> 00:18:13,840 Speaker 1: she'll be really good at it. Carrie's one of those artists. 390 00:18:13,880 --> 00:18:18,639 Speaker 1: I like Carrie a lot, but if you see her 391 00:18:18,680 --> 00:18:20,920 Speaker 1: in real life, which I do at times, and she's 392 00:18:21,000 --> 00:18:24,880 Speaker 1: on camera, it's two different people. Extremely shy and quiet 393 00:18:25,960 --> 00:18:27,560 Speaker 1: when she's doing human Carrie. 394 00:18:27,400 --> 00:18:30,000 Speaker 3: And then when she needs to she's performing awesome as 395 00:18:30,040 --> 00:18:31,040 Speaker 3: a performer, even when. 396 00:18:30,880 --> 00:18:33,840 Speaker 1: She would do the awards or she if she's you know, 397 00:18:33,920 --> 00:18:38,560 Speaker 1: on stage, Yeah, she's excellent on camera. So really kind 398 00:18:38,560 --> 00:18:40,800 Speaker 1: I afford. I think that'll be fun. That show just 399 00:18:40,880 --> 00:18:44,960 Speaker 1: keeps on going, man, Luke just keeps cash those checks. 400 00:18:45,920 --> 00:18:47,920 Speaker 3: Yeah, I wonder how many more years it has. 401 00:18:49,240 --> 00:18:51,719 Speaker 1: So when it went to ABC, I was on one, two, three, 402 00:18:51,760 --> 00:18:54,200 Speaker 1: and four, Like I never did the Fox version. It's 403 00:18:54,240 --> 00:18:56,840 Speaker 1: when they did ABC that I started over there. And 404 00:18:56,960 --> 00:18:59,280 Speaker 1: even my second season when they signed me to a 405 00:18:59,359 --> 00:19:02,359 Speaker 1: full time deal, well they were like, we don't know 406 00:19:02,359 --> 00:19:03,800 Speaker 1: if the show's coming back for the second season, but 407 00:19:03,840 --> 00:19:05,680 Speaker 1: if so, we want to hire you full time. Because 408 00:19:05,680 --> 00:19:10,399 Speaker 1: the first season I did like four episodes sporadically. Second 409 00:19:10,400 --> 00:19:12,840 Speaker 1: season I was there every episode, but even then they 410 00:19:12,840 --> 00:19:14,040 Speaker 1: were like, I don't know if it's going to come back, 411 00:19:14,200 --> 00:19:15,760 Speaker 1: And then season three they were like, I don't know, 412 00:19:15,760 --> 00:19:19,840 Speaker 1: it's fifty to fifty season four, we have to make 413 00:19:19,840 --> 00:19:23,119 Speaker 1: sure the judges signed. We don't know if I can. 414 00:19:23,280 --> 00:19:25,800 Speaker 1: It's like season seven or something. Now, as long as 415 00:19:25,800 --> 00:19:28,959 Speaker 1: the show makes money, that's all that matters. And Carrie's 416 00:19:28,960 --> 00:19:32,120 Speaker 1: going over that's really cool. It's not a hard job. 417 00:19:32,160 --> 00:19:36,600 Speaker 1: It's just a very time consuming job, meaning you have 418 00:19:36,680 --> 00:19:39,000 Speaker 1: to go, especially if you're not in La where like 419 00:19:39,160 --> 00:19:41,159 Speaker 1: Lionel and Katie had it a bit easier because they 420 00:19:41,280 --> 00:19:44,680 Speaker 1: just drive down the road. But especially when I was 421 00:19:44,680 --> 00:19:45,840 Speaker 1: on it, because I would have to be there every 422 00:19:45,920 --> 00:19:47,760 Speaker 1: anytime Luke was there, I was there. I wasn't on 423 00:19:47,800 --> 00:19:49,719 Speaker 1: a camera as much, but I would have to go 424 00:19:49,760 --> 00:19:51,800 Speaker 1: and be there. And so but I'm leaving here, Yes, 425 00:19:51,920 --> 00:19:54,320 Speaker 1: I'd be gone forever. So we had to fly to 426 00:19:54,359 --> 00:19:57,320 Speaker 1: Los Angeles. That's probably where Luke and I got to 427 00:19:57,359 --> 00:19:59,000 Speaker 1: know each other the best. It wasn't even being on 428 00:19:59,040 --> 00:20:01,359 Speaker 1: set of just traveling to get We'd just be on 429 00:20:01,359 --> 00:20:05,040 Speaker 1: a plane. And I've always liked Luca and we've known Luke, 430 00:20:05,080 --> 00:20:08,359 Speaker 1: and I've known Luke professionally, but I think just traveling 431 00:20:08,440 --> 00:20:12,760 Speaker 1: so much back and forth, I think that's probably where 432 00:20:12,760 --> 00:20:15,159 Speaker 1: we forged our relationship. And also Luke was the one 433 00:20:15,160 --> 00:20:18,880 Speaker 1: that was on time always. I was always on time, 434 00:20:18,880 --> 00:20:21,080 Speaker 1: but I had to because I was low Man, that 435 00:20:21,200 --> 00:20:24,879 Speaker 1: total Paul low Man. Ryan always on time, but Ryan 436 00:20:24,920 --> 00:20:29,280 Speaker 1: wasn't always there. Ryan, he would strategically be able to 437 00:20:29,280 --> 00:20:30,840 Speaker 1: shoot a lot of his stuff at the same time, 438 00:20:31,840 --> 00:20:33,960 Speaker 1: where the judges had to be there for everybody, but 439 00:20:34,040 --> 00:20:39,080 Speaker 1: Ryan's doing like talking to specific people outside, especially if 440 00:20:39,080 --> 00:20:41,320 Speaker 1: we're not hosting the live show, like sixty percent of 441 00:20:41,359 --> 00:20:44,880 Speaker 1: the show is, they're in cities, they're doing Hollywood Week, 442 00:20:45,119 --> 00:20:47,359 Speaker 1: and so Ryan could strategically have when he was there 443 00:20:47,400 --> 00:20:50,840 Speaker 1: and knock it all out. Never late, expert, best prompter 444 00:20:50,960 --> 00:20:53,920 Speaker 1: reader I have ever seen, like the Tom Brady, Michael 445 00:20:54,000 --> 00:20:57,800 Speaker 1: Jordan of being a host. He would run fifty screens, 446 00:20:58,119 --> 00:21:00,000 Speaker 1: never have to do a second one. It was awesome 447 00:21:00,240 --> 00:21:04,240 Speaker 1: to watch Ryan never late. I could not be late 448 00:21:04,240 --> 00:21:07,760 Speaker 1: because I'm low man on the totem pole. Luke never late. 449 00:21:08,280 --> 00:21:10,399 Speaker 1: Sometimes it be a battle between Katie and Lionel, and 450 00:21:10,480 --> 00:21:14,680 Speaker 1: I love Lionel. Lionel was the nicest, like sweetest human 451 00:21:15,840 --> 00:21:18,280 Speaker 1: versus the most famous like he did. I don't want 452 00:21:18,280 --> 00:21:20,320 Speaker 1: to say didn't have to be because that's just weird 453 00:21:20,320 --> 00:21:22,600 Speaker 1: to say, but he could have been the biggest diva 454 00:21:22,640 --> 00:21:25,720 Speaker 1: in the whole world, and he was amazing. I loved 455 00:21:26,080 --> 00:21:29,520 Speaker 1: I love Lionel so much. My theory is Kaye would 456 00:21:29,520 --> 00:21:32,240 Speaker 1: be so late. Line would be like, screw this, just 457 00:21:33,880 --> 00:21:40,399 Speaker 1: out later. Sometimes they would be hours late, hours hours, 458 00:21:40,640 --> 00:21:42,240 Speaker 1: And there were times where I'm like, can we just 459 00:21:42,280 --> 00:21:43,760 Speaker 1: start my shooting because I didn't need to be in 460 00:21:43,760 --> 00:21:47,120 Speaker 1: there with them, because what I would be doing if 461 00:21:47,119 --> 00:21:49,960 Speaker 1: they were like wavering on what song to sing, or 462 00:21:50,000 --> 00:21:52,000 Speaker 1: if I'm doing like a personal piece, like getting to 463 00:21:52,000 --> 00:21:55,199 Speaker 1: know them, right, because I was utility guy in every sense, 464 00:21:57,280 --> 00:21:59,080 Speaker 1: which was very apparent when Ryan got sick the one 465 00:21:59,080 --> 00:22:01,320 Speaker 1: time he's ever missed I hope. But I also had 466 00:22:01,359 --> 00:22:06,760 Speaker 1: done a lot of other things on that show, and 467 00:22:06,800 --> 00:22:08,359 Speaker 1: the people just want to show up, and I'll be like, 468 00:22:08,400 --> 00:22:10,199 Speaker 1: can I don't even need them, Like, I know you 469 00:22:10,200 --> 00:22:11,520 Speaker 1: have the seven people you need me to talk to. 470 00:22:12,359 --> 00:22:12,959 Speaker 1: Can I do that? 471 00:22:13,880 --> 00:22:14,040 Speaker 3: Yeah? 472 00:22:14,119 --> 00:22:18,879 Speaker 1: No, there would be But and that Hollywood's weird in 473 00:22:18,960 --> 00:22:21,439 Speaker 1: that it's weird anyway. The people there are weird. It's 474 00:22:21,480 --> 00:22:24,600 Speaker 1: a different culture if I'm comparing it to the Nashville 475 00:22:24,640 --> 00:22:27,919 Speaker 1: culture that we're in, where people are famous whatever that 476 00:22:27,960 --> 00:22:34,800 Speaker 1: means in Nashville. If you have a massive entourage. You 477 00:22:34,840 --> 00:22:38,800 Speaker 1: fake it like you don't, meaning you gotta be like 478 00:22:39,040 --> 00:22:42,359 Speaker 1: normal even though you're not, even though you have fourteen 479 00:22:42,359 --> 00:22:44,680 Speaker 1: people that travel with you. If it's security, if it's 480 00:22:45,000 --> 00:22:48,639 Speaker 1: your all your boys, all your girls, your stylist, you 481 00:22:48,720 --> 00:22:50,600 Speaker 1: fake it like you don't. You gotta be like super 482 00:22:50,600 --> 00:22:53,680 Speaker 1: relatable because I'm Nashville, even though you don't in La. 483 00:22:53,760 --> 00:22:55,399 Speaker 1: If you can't even afford it, you fake it like 484 00:22:55,400 --> 00:22:57,119 Speaker 1: you have it, and you take everybody with you, and 485 00:22:57,160 --> 00:22:59,560 Speaker 1: you try to present yourself as a bigger deal. And 486 00:22:59,600 --> 00:23:02,160 Speaker 1: what I I did not know in the early days, 487 00:23:02,160 --> 00:23:04,360 Speaker 1: when I was just hustling to get anybody to put 488 00:23:04,359 --> 00:23:07,760 Speaker 1: me on TV, they would be like, Hey, we're having 489 00:23:07,760 --> 00:23:11,040 Speaker 1: a meeting on this lot with this executive two o'clock 490 00:23:11,560 --> 00:23:13,240 Speaker 1: and my agent's in La at the TI. I'd be like, 491 00:23:13,240 --> 00:23:15,040 Speaker 1: you mean to go, I'm good. I don't need I 492 00:23:15,080 --> 00:23:20,000 Speaker 1: wasn't doing it to be like. I just didn't want 493 00:23:20,000 --> 00:23:21,680 Speaker 1: them to drop across town. It sucks, So I just 494 00:23:21,720 --> 00:23:24,159 Speaker 1: go buy myself backpack show up and they'd always be like, 495 00:23:24,160 --> 00:23:26,840 Speaker 1: where is there? Your team not coming? I'm like, no, 496 00:23:26,920 --> 00:23:28,959 Speaker 1: they're good. I figured we're just going to talk. But 497 00:23:29,440 --> 00:23:31,840 Speaker 1: what I found out later was they found that so 498 00:23:31,920 --> 00:23:34,840 Speaker 1: refreshing because nobody did that. It wasn't strategy on my part. 499 00:23:34,960 --> 00:23:37,879 Speaker 1: It's just how I would do things. Wanted it to 500 00:23:37,920 --> 00:23:40,119 Speaker 1: be super efficient, don't want them to be late to 501 00:23:40,119 --> 00:23:41,760 Speaker 1: make me look bad, don't want to put them out 502 00:23:41,760 --> 00:23:44,480 Speaker 1: because we're probably just gonna do level surface stuff anyway. 503 00:23:44,800 --> 00:23:47,000 Speaker 1: But I think it got me a couple jobs to 504 00:23:47,000 --> 00:23:48,439 Speaker 1: where I would just show up with a backpack and 505 00:23:48,480 --> 00:23:51,800 Speaker 1: be like, hey, everybody looks goalie g and it really 506 00:23:51,920 --> 00:23:55,240 Speaker 1: wasn't the move. But then I kind of later understood 507 00:23:55,240 --> 00:23:57,520 Speaker 1: that that was the move at times that it helped 508 00:23:58,359 --> 00:24:01,840 Speaker 1: because everybody shows up with an agent, a second agent, 509 00:24:02,240 --> 00:24:07,680 Speaker 1: a manager, an assistant. Because in that culture, even if 510 00:24:07,680 --> 00:24:09,800 Speaker 1: you don't have it, you want to present yourself like 511 00:24:09,800 --> 00:24:11,960 Speaker 1: you're big and you're something and you're popping. You happen 512 00:24:12,000 --> 00:24:16,440 Speaker 1: it opposite here because if you are like Luke, Bryan 513 00:24:16,480 --> 00:24:19,240 Speaker 1: will just show it by himself. And I know Luke 514 00:24:19,240 --> 00:24:20,600 Speaker 1: I use it because he just came do But Luke 515 00:24:20,640 --> 00:24:23,000 Speaker 1: has forty two people that want to make sure that 516 00:24:23,040 --> 00:24:24,560 Speaker 1: he's getting places on time. They want to make sure 517 00:24:24,560 --> 00:24:25,919 Speaker 1: that he's doing his job right. It's not that he 518 00:24:25,960 --> 00:24:27,920 Speaker 1: demands a be around him. It's just like there's a 519 00:24:27,960 --> 00:24:29,919 Speaker 1: lot of people because Luke is the CEO of a 520 00:24:29,960 --> 00:24:31,360 Speaker 1: major company and that companies him. 521 00:24:31,480 --> 00:24:33,880 Speaker 3: I feel like the last time he was here, he's 522 00:24:33,880 --> 00:24:37,840 Speaker 3: throw like his team was like scrambling, like trying to 523 00:24:37,880 --> 00:24:40,960 Speaker 3: find him, and he is already here, just like by himself. 524 00:24:41,359 --> 00:24:44,160 Speaker 1: That's a bad example because we know him. But yes, 525 00:24:44,200 --> 00:24:47,120 Speaker 1: but that's the difference in the two. It is a 526 00:24:47,160 --> 00:24:50,840 Speaker 1: bizarre world. And I get carsick every time I'm in 527 00:24:50,920 --> 00:24:53,080 Speaker 1: Los Angeles because all you do is sit in traffic 528 00:24:53,080 --> 00:24:55,640 Speaker 1: all the time. And nobody's on time in Los Angeles ever, 529 00:24:55,680 --> 00:24:59,000 Speaker 1: And it's not because except for you and Luke well To, 530 00:24:59,000 --> 00:25:00,960 Speaker 1: our shoot would always be I'd be way early because 531 00:25:00,960 --> 00:25:03,040 Speaker 1: they knew how bad traffic would be. And Scooba, I 532 00:25:03,080 --> 00:25:06,040 Speaker 1: think you could probably lend a bit to this conversation. 533 00:25:06,520 --> 00:25:08,280 Speaker 1: Not anybody's asked for me to talk about it, But 534 00:25:09,240 --> 00:25:12,320 Speaker 1: in Los Angeles, nobody's on time. But I don't think 535 00:25:12,359 --> 00:25:15,640 Speaker 1: it's because everybody's like I don't value anyone's time. Traffic 536 00:25:15,800 --> 00:25:18,439 Speaker 1: can be forty minutes or an hour twenty and you 537 00:25:18,480 --> 00:25:19,800 Speaker 1: have no idea. 538 00:25:19,680 --> 00:25:21,199 Speaker 6: You don't know you could be you could think that 539 00:25:21,200 --> 00:25:22,960 Speaker 6: you're it's gonna be forty minutes, and then you're sitting 540 00:25:23,000 --> 00:25:24,840 Speaker 6: in it and all of a sudden, a wrec happens, 541 00:25:24,920 --> 00:25:28,280 Speaker 6: or there's construction at the worst time possible, or there's 542 00:25:28,320 --> 00:25:30,320 Speaker 6: a police chase and so everyone has to stop. It's 543 00:25:30,359 --> 00:25:33,480 Speaker 6: just all these unknown variables. So yeah, But also the 544 00:25:33,520 --> 00:25:34,960 Speaker 6: part that would bother me when I worked in LA 545 00:25:34,960 --> 00:25:37,000 Speaker 6: because people were always late and I was earlier, like you. 546 00:25:37,280 --> 00:25:38,840 Speaker 6: When they would come in late, it was never like hey, 547 00:25:38,840 --> 00:25:40,720 Speaker 6: I'm sorry, I'm late. They just walking with sunglasses like 548 00:25:40,960 --> 00:25:42,920 Speaker 6: I'm here, and I'm like, yeah, oh. 549 00:25:42,960 --> 00:25:46,080 Speaker 1: There's a need to like present yourself as big, bigger 550 00:25:46,119 --> 00:25:46,720 Speaker 1: than you are. 551 00:25:46,800 --> 00:25:49,800 Speaker 6: Yeah, you're lucky that I'm here, and I'm like, oh, okay, cool. 552 00:25:50,800 --> 00:25:53,040 Speaker 1: When I did Dancing with Stars and trust me, they 553 00:25:53,119 --> 00:25:56,560 Speaker 1: used the word star loosely, especially with me, even I 554 00:25:56,600 --> 00:26:01,000 Speaker 1: was like, well, okay, this is this is fun. Like 555 00:26:01,080 --> 00:26:03,399 Speaker 1: a lot of the folks there felt the need to 556 00:26:03,440 --> 00:26:06,720 Speaker 1: like present themselves with big groups for all the time. 557 00:26:07,000 --> 00:26:09,560 Speaker 1: I remember thinking, man, one that much mc hammer, that's 558 00:26:09,560 --> 00:26:13,399 Speaker 1: how I went broke. And then two. I mean I 559 00:26:13,400 --> 00:26:15,240 Speaker 1: had like one person and it was Mike d who 560 00:26:15,280 --> 00:26:18,439 Speaker 1: was living with me in a shared apartment and halftime, 561 00:26:18,480 --> 00:26:20,640 Speaker 1: he wouldn't go because I was like, dude at work good. Yeah, 562 00:26:21,440 --> 00:26:24,760 Speaker 1: So yeah, that that environment. But that's a lot of 563 00:26:24,760 --> 00:26:27,280 Speaker 1: travel for somebody like carried. But it's worth it because 564 00:26:27,280 --> 00:26:28,920 Speaker 1: she's making a ton of money. But I just was 565 00:26:28,960 --> 00:26:30,960 Speaker 1: always jealous that they lived there and got to drive 566 00:26:30,960 --> 00:26:33,040 Speaker 1: down the road and we had to fly there, get 567 00:26:33,040 --> 00:26:34,879 Speaker 1: there the day before, stay in a hotel to be 568 00:26:34,920 --> 00:26:37,800 Speaker 1: prepared to go. So it makes she move in La 569 00:26:37,960 --> 00:26:41,480 Speaker 1: maybe Nah, you know what, there's only no and there's 570 00:26:41,520 --> 00:26:44,320 Speaker 1: only like you go for like three weeks in the 571 00:26:44,400 --> 00:26:47,720 Speaker 1: summer and because you go to the cities, you bounce 572 00:26:47,760 --> 00:26:51,040 Speaker 1: around cities and then you do like extreme because these 573 00:26:51,119 --> 00:26:53,199 Speaker 1: crews want to shoot it all in a block so 574 00:26:53,800 --> 00:26:56,199 Speaker 1: they don't have to pay for crews in space for 575 00:26:56,920 --> 00:26:58,920 Speaker 1: a lot of time. So they're not doing like eight 576 00:26:58,960 --> 00:27:02,240 Speaker 1: shoots over nine weeks. They're trying to do as few 577 00:27:02,280 --> 00:27:05,480 Speaker 1: shoots as possible for as long as they possibly can, 578 00:27:05,800 --> 00:27:07,199 Speaker 1: but to get it all over with so they can 579 00:27:07,200 --> 00:27:09,040 Speaker 1: get in production and then they're not paying for more space. 580 00:27:09,160 --> 00:27:10,320 Speaker 4: That makes sense, but. 581 00:27:10,280 --> 00:27:12,880 Speaker 1: It's a lot of time, but the work's pretty easy. 582 00:27:12,960 --> 00:27:16,199 Speaker 1: Just I'm like, yeah, you suck, Nope, you're good. But 583 00:27:16,240 --> 00:27:19,679 Speaker 1: the judges did get to have their own opinions. Like 584 00:27:20,960 --> 00:27:22,960 Speaker 1: I never saw and I was in there. I never 585 00:27:23,040 --> 00:27:26,600 Speaker 1: saw a producer sway any of them. I would see 586 00:27:26,600 --> 00:27:29,480 Speaker 1: a producer be disappointed in them and afterward telling them like, man, 587 00:27:29,480 --> 00:27:31,399 Speaker 1: I was really rooting for them, And I would be like, man, 588 00:27:31,440 --> 00:27:33,000 Speaker 1: if I was a producer, I'd like nudge one of them, 589 00:27:33,000 --> 00:27:36,280 Speaker 1: if somebody was really good. But they honest to God. 590 00:27:36,560 --> 00:27:38,119 Speaker 1: From everything that I saw and I was in the 591 00:27:38,160 --> 00:27:41,639 Speaker 1: middle of it, I never saw a producer, an executive producer, 592 00:27:41,640 --> 00:27:44,680 Speaker 1: anybody go to one of them and go, we really 593 00:27:44,720 --> 00:27:46,240 Speaker 1: want the person to get through. Let's push them through, 594 00:27:46,520 --> 00:27:47,920 Speaker 1: not once. And I would have been telling them that 595 00:27:47,960 --> 00:27:52,040 Speaker 1: all the time. Yeah, because I just want to want 596 00:27:52,040 --> 00:27:54,560 Speaker 1: to get TV. But there are also legal rules to 597 00:27:54,640 --> 00:27:57,119 Speaker 1: these shows. When I did Dancing with the Stars, they 598 00:27:57,119 --> 00:27:58,960 Speaker 1: couldn't tell me how I was doing. They just tell 599 00:27:58,960 --> 00:28:02,400 Speaker 1: you if you survive. There was a lawsuit back there's 600 00:28:02,440 --> 00:28:05,560 Speaker 1: a game show. It's like the six thousand dollars Question, 601 00:28:05,600 --> 00:28:08,000 Speaker 1: whatever it's called. They found they were cheating, so then 602 00:28:08,280 --> 00:28:10,760 Speaker 1: they had to create laws where you can give nobody 603 00:28:10,760 --> 00:28:16,879 Speaker 1: advantages whenever you're competing for money on a game show. 604 00:28:17,359 --> 00:28:21,160 Speaker 1: If it's on public airwaves type thing. So they never 605 00:28:21,200 --> 00:28:23,400 Speaker 1: told me. I thought I was. I never got put 606 00:28:23,440 --> 00:28:26,280 Speaker 1: in the bottom three. Ever. On Dancing with the Stars, 607 00:28:26,280 --> 00:28:29,080 Speaker 1: I was like, this is crazy, like I was there 608 00:28:29,119 --> 00:28:30,760 Speaker 1: to win, but also it wasn't a very good dancer. 609 00:28:31,160 --> 00:28:32,639 Speaker 1: But I never got put in the bottom three. And 610 00:28:32,680 --> 00:28:36,440 Speaker 1: then after it was way over months and months. One 611 00:28:36,480 --> 00:28:38,920 Speaker 1: of the executives when on my last season of vital 612 00:28:39,840 --> 00:28:41,760 Speaker 1: he was like, we've never seen anything like that. I 613 00:28:41,800 --> 00:28:45,800 Speaker 1: was like, in what way he goes, I'm gonna say dump, 614 00:28:45,840 --> 00:28:47,240 Speaker 1: but you know the word he said. He said, you 615 00:28:47,240 --> 00:28:48,840 Speaker 1: could have went out on your final lance, taken a 616 00:28:48,880 --> 00:28:54,080 Speaker 1: dump on the floor and won, because that's how fan vote. 617 00:28:54,080 --> 00:28:56,640 Speaker 1: You were above everybody else on this show. And I 618 00:28:56,640 --> 00:28:58,280 Speaker 1: was like, well, but if I were taking a dump 619 00:28:58,280 --> 00:29:00,400 Speaker 1: on the floor, that's probably legal. 620 00:29:01,120 --> 00:29:03,480 Speaker 3: If I get this qualified, yeah, it might get some 621 00:29:04,040 --> 00:29:04,560 Speaker 3: weird too. 622 00:29:05,080 --> 00:29:09,600 Speaker 1: You know that would have been weird. What is he doing? 623 00:29:09,960 --> 00:29:11,960 Speaker 3: Where do they take all the celebrities there? We'd have 624 00:29:12,040 --> 00:29:14,520 Speaker 3: to roll you down to Cedars sign I don't you 625 00:29:14,560 --> 00:29:16,360 Speaker 3: need a fifty fifty camera? 626 00:29:18,560 --> 00:29:19,320 Speaker 4: That is where they go. 627 00:29:21,720 --> 00:29:24,479 Speaker 1: I ordered some Uber eights this morning and had it 628 00:29:24,520 --> 00:29:27,480 Speaker 1: sent here, had a little tea and a little box 629 00:29:27,520 --> 00:29:29,920 Speaker 1: of like boiled eggs whatever, And I did the stupid 630 00:29:29,920 --> 00:29:32,080 Speaker 1: thing where I sent it in my house. You guys 631 00:29:32,080 --> 00:29:33,480 Speaker 1: ever do that order uber eates or door to ash 632 00:29:33,520 --> 00:29:35,000 Speaker 1: and you send it here somewhere else and you send 633 00:29:35,040 --> 00:29:35,520 Speaker 1: it somewhere else. 634 00:29:35,520 --> 00:29:37,080 Speaker 3: Oh yeah, No, I was trying to get stuff delivered 635 00:29:37,080 --> 00:29:39,360 Speaker 3: to the house the other day and I sent it 636 00:29:39,400 --> 00:29:43,200 Speaker 3: to my daughter's old school. 637 00:29:43,600 --> 00:29:46,360 Speaker 1: So for old school. 638 00:29:46,160 --> 00:29:48,360 Speaker 3: Yeah, I didn't know until they sent They they said 639 00:29:48,440 --> 00:29:50,960 Speaker 3: that they send you a picture confirmation that's been dropped off. 640 00:29:51,240 --> 00:29:54,880 Speaker 3: And I'm like, what the that's the lobby of because 641 00:29:54,920 --> 00:29:57,480 Speaker 3: I guess I had had something delivered the last time 642 00:29:57,520 --> 00:29:59,280 Speaker 3: I had used that app or for whatever reason, that's 643 00:29:59,320 --> 00:30:01,320 Speaker 3: the address that hold up. And so then I had 644 00:30:01,320 --> 00:30:03,720 Speaker 3: to get in the car, drive to the school, find 645 00:30:03,760 --> 00:30:05,200 Speaker 3: the bag to get it. 646 00:30:06,000 --> 00:30:08,320 Speaker 1: Oh yeah, I've had work before, and they send the 647 00:30:08,360 --> 00:30:10,840 Speaker 1: picture ab outside the building like order today. If I 648 00:30:10,840 --> 00:30:12,880 Speaker 1: don't remember to change it back to my home address, 649 00:30:13,280 --> 00:30:14,880 Speaker 1: they're going to send it back up here. Well school 650 00:30:14,920 --> 00:30:18,440 Speaker 1: wasn't that far but okay, well I'm not driving to work. 651 00:30:18,440 --> 00:30:18,960 Speaker 1: I just left the back. 652 00:30:19,000 --> 00:30:21,120 Speaker 3: Okay, if it was work, I wouldn't There's no way 653 00:30:21,160 --> 00:30:22,040 Speaker 3: that wouldn't be worth it. 654 00:30:22,080 --> 00:30:24,880 Speaker 1: But yeah, my bag of like sadies, my chicken kebabs. 655 00:30:25,440 --> 00:30:28,480 Speaker 1: They just sat at the front door. It's like a Friday. 656 00:30:28,480 --> 00:30:30,040 Speaker 4: Who knows who raccoon got it? 657 00:30:30,160 --> 00:30:32,960 Speaker 1: God, I feel so stupid when I do that. Let's 658 00:30:32,960 --> 00:30:37,560 Speaker 1: see here. I have have weird bites all over my body. 659 00:30:37,800 --> 00:30:40,680 Speaker 1: I have like three or three. I have one here? 660 00:30:42,360 --> 00:30:42,920 Speaker 1: Can you see that? 661 00:30:43,040 --> 00:30:43,280 Speaker 3: Yeah? 662 00:30:43,520 --> 00:30:45,760 Speaker 1: Yeah, I set a picture. 663 00:30:46,080 --> 00:30:49,120 Speaker 3: Look like I say to my doctor, nudes was a mosquito. 664 00:30:49,520 --> 00:30:52,479 Speaker 1: I was like, do I have shingles? Because I've had 665 00:30:52,480 --> 00:30:54,360 Speaker 1: shingles before and they were like here on my ribs 666 00:30:54,720 --> 00:30:58,120 Speaker 1: And He's like, they look like chiggers. Where have I 667 00:30:58,160 --> 00:31:05,240 Speaker 1: been where I would get suggar? Mm hmm, Yeah, that 668 00:31:05,280 --> 00:31:08,320 Speaker 1: actually might be the I dive a lot. 669 00:31:08,680 --> 00:31:10,440 Speaker 4: That's where you got it? 670 00:31:12,160 --> 00:31:15,680 Speaker 1: Wow, because I look, it's all through here. How did 671 00:31:15,720 --> 00:31:20,160 Speaker 1: you know that so quick? You get chickens playing soccer? No, 672 00:31:20,720 --> 00:31:23,360 Speaker 1: but that's exactly what it is. I my mind never 673 00:31:23,440 --> 00:31:23,840 Speaker 1: got there. 674 00:31:24,200 --> 00:31:24,440 Speaker 4: Yeah. 675 00:31:24,560 --> 00:31:26,040 Speaker 1: I was blaming my wife for a hike she took 676 00:31:26,040 --> 00:31:27,360 Speaker 1: me on. I was like, I wouldn't have this week 677 00:31:27,480 --> 00:31:31,000 Speaker 1: on this hike. Don't tell her it's sofall I like, 678 00:31:31,280 --> 00:31:35,320 Speaker 1: definitely hiking. It's but It is definitely softball, because what 679 00:31:35,640 --> 00:31:39,920 Speaker 1: if I'm diving, I'm diving this way and I'm landing 680 00:31:40,040 --> 00:31:43,840 Speaker 1: exactly right here. They don't give you the credit you 681 00:31:43,840 --> 00:31:44,400 Speaker 1: deserve right here. 682 00:31:44,400 --> 00:31:46,560 Speaker 4: Man, I know I told you. Guys almost want to 683 00:31:46,880 --> 00:31:47,920 Speaker 4: give you the No. 684 00:31:49,480 --> 00:31:52,440 Speaker 1: That's that's that's easy. That's crazy. Okay. A couple more 685 00:31:52,440 --> 00:31:53,680 Speaker 1: things I've had on the lest talk about for a 686 00:31:53,720 --> 00:31:59,120 Speaker 1: couple of days. RAYMONDA wants to know Bones to take 687 00:31:59,160 --> 00:32:01,680 Speaker 1: on all these podcast that are now launching. Sometimes I 688 00:32:01,720 --> 00:32:03,480 Speaker 1: make a note, I don't know I wrote it down. 689 00:32:03,920 --> 00:32:06,760 Speaker 1: Raymundo wants to know Bones's take on all these podcasts 690 00:32:06,800 --> 00:32:09,320 Speaker 1: like my network podcast Talk to me. 691 00:32:09,560 --> 00:32:11,840 Speaker 2: Yeah, so I guess the long explanation or I give 692 00:32:11,840 --> 00:32:13,920 Speaker 2: you a short exce long one. So the long one 693 00:32:14,000 --> 00:32:16,239 Speaker 2: is Facebook started where it was just college kids. Then 694 00:32:16,280 --> 00:32:19,000 Speaker 2: it grew to our parents and our grandparents. I'm curious 695 00:32:19,000 --> 00:32:21,560 Speaker 2: how you see podcasts going, because now I see Hawk 696 00:32:21,640 --> 00:32:23,600 Speaker 2: two as she's going to start a podcast. Morgan just 697 00:32:23,640 --> 00:32:27,120 Speaker 2: launched a podcast. Are our parents and grandparents going to 698 00:32:27,200 --> 00:32:29,680 Speaker 2: start podcasts? Or do you do you think this is 699 00:32:30,000 --> 00:32:32,520 Speaker 2: where we're going with podcasts? Are we at the point 700 00:32:32,520 --> 00:32:34,240 Speaker 2: where there's too many podcasts? 701 00:32:34,320 --> 00:32:37,360 Speaker 1: The beauty of podcasts as anybody can do one. The 702 00:32:37,440 --> 00:32:40,600 Speaker 1: difficult thing about podcast is everybody has one and both 703 00:32:40,840 --> 00:32:43,680 Speaker 1: can exist. But it's like anything else, like the cream 704 00:32:43,720 --> 00:32:46,760 Speaker 1: will rise. But we are in such a nuanced media world, 705 00:32:46,840 --> 00:32:51,479 Speaker 1: a fractured fame world where even famous people aren't as 706 00:32:51,520 --> 00:32:53,440 Speaker 1: famous as they used to be, and there are more 707 00:32:53,480 --> 00:32:58,480 Speaker 1: famous people because you get famous for specific areas that 708 00:32:58,520 --> 00:33:03,280 Speaker 1: you're qualified or known for. There could be somebody in 709 00:33:03,360 --> 00:33:05,600 Speaker 1: wellness or a podcaster. Sometimes they may be like, did 710 00:33:05,640 --> 00:33:08,240 Speaker 1: you hear Frank Willich He said, if you take three 711 00:33:08,280 --> 00:33:10,120 Speaker 1: deep breaths in the sun shines right in your bot hole, 712 00:33:10,120 --> 00:33:12,000 Speaker 1: you're gonna have a great And it's like, I don't know, 713 00:33:12,040 --> 00:33:12,840 Speaker 1: Frank Willis is. 714 00:33:12,760 --> 00:33:14,280 Speaker 4: Oh Amy brings a lot of those quotes to. 715 00:33:14,320 --> 00:33:17,120 Speaker 3: Us, But then he'll have like one point five to 716 00:33:17,120 --> 00:33:17,880 Speaker 3: two million followers. 717 00:33:17,920 --> 00:33:20,120 Speaker 1: Right, he's that guy, right, And that's not a real person. 718 00:33:20,640 --> 00:33:23,800 Speaker 1: That guy's famous to a group of folks because of 719 00:33:23,840 --> 00:33:28,440 Speaker 1: what he provides. Niche nuanced even at times could be 720 00:33:28,480 --> 00:33:31,760 Speaker 1: slightly different than someone that something that already exists, but 721 00:33:31,880 --> 00:33:35,320 Speaker 1: that is generally what fame is now. Podcasting is just 722 00:33:35,320 --> 00:33:37,760 Speaker 1: a symptom of it, something with TikTok followers. But you're 723 00:33:37,760 --> 00:33:40,240 Speaker 1: also seeing micro influencers do pretty well who don't have 724 00:33:40,280 --> 00:33:44,120 Speaker 1: a million followers, but micro influenced things like a Pin. 725 00:33:44,800 --> 00:33:46,840 Speaker 1: He's the best pen and they may have a thousand followers, 726 00:33:46,920 --> 00:33:49,640 Speaker 1: but the pen people really want people to go to 727 00:33:49,840 --> 00:33:53,080 Speaker 1: her to talk about pins because they know a thousand 728 00:33:53,080 --> 00:33:56,440 Speaker 1: followers of pins, they're gonna do what she says. So 729 00:33:56,920 --> 00:33:58,400 Speaker 1: I think, and I tell people this all the time. 730 00:33:58,440 --> 00:33:59,719 Speaker 1: I have to go speak in San Diego next week 731 00:33:59,760 --> 00:34:04,120 Speaker 1: about this. It's the more niche you can be with 732 00:34:04,200 --> 00:34:08,560 Speaker 1: your podcast where you feel like, man, I don't know 733 00:34:08,560 --> 00:34:10,600 Speaker 1: if anybody's gonna listen to this, it's so specific. The 734 00:34:10,640 --> 00:34:12,920 Speaker 1: more niche you are, the more chance you have of 735 00:34:13,000 --> 00:34:14,200 Speaker 1: actually having success. 736 00:34:14,600 --> 00:34:15,680 Speaker 4: We're going to San Diego. 737 00:34:15,840 --> 00:34:21,160 Speaker 1: We are not. Oh so, if you were like going 738 00:34:21,160 --> 00:34:23,160 Speaker 1: to a podcast on The Simpsons in nineteen ninety six, 739 00:34:25,200 --> 00:34:26,960 Speaker 1: that podcast would probably do better than somebody going on 740 00:34:26,960 --> 00:34:30,319 Speaker 1: I'm gonna do an interview podcast unless you were able 741 00:34:30,360 --> 00:34:33,920 Speaker 1: to land massive guests, and that is not sustainable unless 742 00:34:33,920 --> 00:34:35,360 Speaker 1: you are massively famous. 743 00:34:36,080 --> 00:34:39,920 Speaker 3: So consistency too, right. 744 00:34:39,880 --> 00:34:42,480 Speaker 1: That is, if you have something good, that is how 745 00:34:42,520 --> 00:34:44,759 Speaker 1: to make sure that it gets to people. But if 746 00:34:44,800 --> 00:34:48,359 Speaker 1: you're consistently bad. No, I just mean, but you have 747 00:34:48,400 --> 00:34:51,040 Speaker 1: to do it consistently in order to if you have 748 00:34:51,160 --> 00:34:55,399 Speaker 1: something good, to have a chance to succeed, you have 749 00:34:55,440 --> 00:34:57,520 Speaker 1: to be consistent. But first of all, you have to 750 00:34:57,520 --> 00:34:59,520 Speaker 1: have something that some people are gonna want to find, 751 00:35:00,080 --> 00:35:02,960 Speaker 1: like people on radio now, because even what is radio 752 00:35:03,080 --> 00:35:05,000 Speaker 1: right and to me, it's just anything that comes out 753 00:35:05,000 --> 00:35:06,600 Speaker 1: of your phone. But there'll be other like morning shows 754 00:35:06,600 --> 00:35:09,400 Speaker 1: that are in certain individual cities, which we did forever 755 00:35:09,880 --> 00:35:13,319 Speaker 1: and they were like, how do I like pop? And 756 00:35:13,360 --> 00:35:17,040 Speaker 1: I'm like, well, keep using what you're doing now, Like 757 00:35:17,080 --> 00:35:19,439 Speaker 1: you have to do well on your own show first 758 00:35:19,440 --> 00:35:21,680 Speaker 1: and foremost, like you got to protect the baby, but do 759 00:35:21,760 --> 00:35:24,239 Speaker 1: a podcast that is extremely niche and something that you 760 00:35:24,320 --> 00:35:28,480 Speaker 1: love extremely niched, and then use your platform to promote that. 761 00:35:28,840 --> 00:35:30,600 Speaker 1: But if you're just like I'm going to do a 762 00:35:30,640 --> 00:35:33,800 Speaker 1: podcast on pop music, no one's gonna come to you 763 00:35:33,840 --> 00:35:36,040 Speaker 1: for that because there are people that are famous or 764 00:35:36,080 --> 00:35:39,160 Speaker 1: have better credentials than you in that. So the more 765 00:35:39,200 --> 00:35:42,920 Speaker 1: niche you can get, the better, unless you're really famous, 766 00:35:42,920 --> 00:35:44,759 Speaker 1: and that is your niche because people come to it 767 00:35:44,800 --> 00:35:48,080 Speaker 1: for you, which is difficult to tell somebody who's not 768 00:35:48,120 --> 00:35:52,160 Speaker 1: that famous. So Ray, the answer is, I love it 769 00:35:52,160 --> 00:35:54,680 Speaker 1: because it gives everybody a shot. It's what's really cool 770 00:35:54,719 --> 00:35:58,600 Speaker 1: about it podcasts is it's a true democracy. Everybody gets 771 00:35:58,600 --> 00:36:01,520 Speaker 1: a shot. You think you got something, give it a run. 772 00:36:02,120 --> 00:36:03,919 Speaker 1: Everybody has a podcast, and I think I was reading 773 00:36:03,960 --> 00:36:06,120 Speaker 1: a stat that like ninety one percent of podcast that 774 00:36:06,200 --> 00:36:08,360 Speaker 1: exists don't really exist anymore because most people do it 775 00:36:08,360 --> 00:36:11,200 Speaker 1: for a few weeks quit because again it's they're not consistent. 776 00:36:11,280 --> 00:36:14,520 Speaker 1: It's almost impossible to build something and it takes forever 777 00:36:14,560 --> 00:36:17,879 Speaker 1: to get that little oh oh, we have something, takes 778 00:36:17,880 --> 00:36:20,279 Speaker 1: forever months and so a lot of people don't have 779 00:36:20,320 --> 00:36:22,359 Speaker 1: the patience to do that. So you're exact, Yeah, you're right, 780 00:36:22,360 --> 00:36:26,160 Speaker 1: there's no consistency. They don't continue to do it. But yeah, 781 00:36:26,160 --> 00:36:28,000 Speaker 1: I hope everybody does. I wish everybody in the world 782 00:36:28,000 --> 00:36:31,480 Speaker 1: had a podcast. Everybody in the world, everybody in the 783 00:36:31,480 --> 00:36:33,840 Speaker 1: world had a podcast. It would make mine more valuable 784 00:36:36,840 --> 00:36:38,800 Speaker 1: because there'd be that many more that are trying. You 785 00:36:38,840 --> 00:36:40,560 Speaker 1: can't do it, and I say mine, it could be 786 00:36:40,560 --> 00:36:43,600 Speaker 1: anybody who has. It's a strong one. So yes, more 787 00:36:43,640 --> 00:36:46,160 Speaker 1: podcasts the better. Nobody's forcing people to listen to them. 788 00:36:46,640 --> 00:36:49,120 Speaker 1: And I think Ray what would you do one if 789 00:36:49,120 --> 00:36:50,239 Speaker 1: you got to do one and you had to do 790 00:36:50,280 --> 00:36:54,279 Speaker 1: it every week. Definitely supports betting betting, like even I 791 00:36:54,360 --> 00:36:55,839 Speaker 1: know you guys do sore losers, but I'm saying if 792 00:36:55,880 --> 00:36:56,600 Speaker 1: it was just you. 793 00:36:56,719 --> 00:36:57,600 Speaker 2: It would be just betting. 794 00:36:57,640 --> 00:36:58,960 Speaker 1: It would be the mistakes I used to have. 795 00:36:59,000 --> 00:37:01,920 Speaker 2: I'd go in depth on gambling, how I overcame it, 796 00:37:02,000 --> 00:37:04,520 Speaker 2: how I made it fun stuff like, but it would 797 00:37:04,520 --> 00:37:06,280 Speaker 2: be really in depth on gambling. 798 00:37:06,520 --> 00:37:10,799 Speaker 1: So and what I would say to Ray is if 799 00:37:10,840 --> 00:37:12,840 Speaker 1: you do the real personal stuff, that's gonna work for you, 800 00:37:12,880 --> 00:37:14,560 Speaker 1: because no one's gonna come to you to hear just 801 00:37:14,600 --> 00:37:17,160 Speaker 1: sports betting because they're like real experts exactly. But if 802 00:37:17,200 --> 00:37:21,120 Speaker 1: it's like heavy Ray fluenced, where it's like I suck. 803 00:37:22,000 --> 00:37:23,719 Speaker 1: This are the mess ups I made, and he brings 804 00:37:23,760 --> 00:37:25,920 Speaker 1: on other people that are in that theme and then 805 00:37:25,960 --> 00:37:27,880 Speaker 1: also talks about you can also talk about sports betting, 806 00:37:28,960 --> 00:37:30,719 Speaker 1: but your expertise has to be in what you're an 807 00:37:30,719 --> 00:37:32,640 Speaker 1: expert in, which is losing. 808 00:37:35,000 --> 00:37:37,040 Speaker 2: But I was also thinking you kind of in a way, 809 00:37:37,120 --> 00:37:39,480 Speaker 2: do you do you look down at podcasters because you've 810 00:37:39,480 --> 00:37:41,799 Speaker 2: been the king of radio for thirty years and now 811 00:37:41,840 --> 00:37:44,160 Speaker 2: people are just talking on a mic in their bed, 812 00:37:44,440 --> 00:37:45,839 Speaker 2: and do you think they can do what you do 813 00:37:45,920 --> 00:37:46,560 Speaker 2: the opposite? 814 00:37:46,920 --> 00:37:49,560 Speaker 1: They forever? I mean, but you have to think we 815 00:37:49,600 --> 00:37:53,600 Speaker 1: have been podcasting this show since way before podcasting was normal, 816 00:37:53,880 --> 00:37:56,000 Speaker 1: So we have an advantage in the podcasting world because 817 00:37:56,000 --> 00:37:58,800 Speaker 1: it was so important to me. I was extremely lucky 818 00:37:58,960 --> 00:38:03,480 Speaker 1: in that. Just like if you've read Outliers Malcolm Gladwell, 819 00:38:03,560 --> 00:38:07,920 Speaker 1: Malcolm Gladwell, he would write like Bill Gates, he was 820 00:38:07,960 --> 00:38:10,400 Speaker 1: born where there was a computer, he lived where there 821 00:38:10,400 --> 00:38:12,080 Speaker 1: was a computer, or he wouldn't have been able to 822 00:38:12,239 --> 00:38:14,040 Speaker 1: Bill Gates like in his talent. I was like one 823 00:38:14,080 --> 00:38:16,880 Speaker 1: of the only computers for hundreds of miles. Had that 824 00:38:16,920 --> 00:38:19,719 Speaker 1: one computer not been where he was, he would not 825 00:38:19,719 --> 00:38:21,319 Speaker 1: have been able to be the Bill Gates that we know. 826 00:38:21,520 --> 00:38:24,359 Speaker 1: So there are factors that happen in our lives that 827 00:38:26,000 --> 00:38:28,239 Speaker 1: it's very fortunate, not to say it wouldn't have found 828 00:38:28,239 --> 00:38:31,600 Speaker 1: one somewhere else where. I was fortunate was I was 829 00:38:31,760 --> 00:38:37,239 Speaker 1: very young. So as I was nineteen twenty us twenty three, 830 00:38:37,360 --> 00:38:41,160 Speaker 1: twenty four doing a big morning show, I was podcasting. 831 00:38:41,600 --> 00:38:44,919 Speaker 1: I was already ahead of the gen pop digitally because 832 00:38:44,920 --> 00:38:46,480 Speaker 1: I enjoyed that. But then I was like, we need 833 00:38:46,480 --> 00:38:48,160 Speaker 1: to be doing this with our show. So we shtart 834 00:38:48,239 --> 00:38:51,680 Speaker 1: ed podcasting immediately when nobody was podcasting, but we had 835 00:38:51,719 --> 00:38:56,640 Speaker 1: built up that audience and built up that feed forever. No, 836 00:38:56,719 --> 00:39:00,240 Speaker 1: And I think at times I've been scrutinized by any 837 00:39:00,280 --> 00:39:01,960 Speaker 1: for caring a little too much about it for years 838 00:39:02,719 --> 00:39:06,120 Speaker 1: and now it's finally coming around where it's like we'll 839 00:39:06,160 --> 00:39:09,400 Speaker 1: leave you alone, you know. No. No, I think if 840 00:39:09,400 --> 00:39:13,480 Speaker 1: you can pull off a great podcast like that's that's. 841 00:39:14,120 --> 00:39:16,920 Speaker 1: It's hard to get a good job in radio, especially now, 842 00:39:17,760 --> 00:39:22,359 Speaker 1: it's hard to get a podcast to catch on. Both 843 00:39:22,360 --> 00:39:23,319 Speaker 1: are very hard, but. 844 00:39:23,280 --> 00:39:25,959 Speaker 2: I think podcasts a huge because I commute now. Yeah, 845 00:39:26,000 --> 00:39:27,480 Speaker 2: I mean, I don't think it's ever going away. 846 00:39:27,840 --> 00:39:29,719 Speaker 1: No, it's never. No, No, that's radio. That's the new 847 00:39:29,719 --> 00:39:32,240 Speaker 1: normal radio to me, as anything comes from your phone. Period. 848 00:39:33,000 --> 00:39:35,560 Speaker 1: Sometimes I'll meet with a client and they're just fixated 849 00:39:35,600 --> 00:39:38,960 Speaker 1: on podcasting, which I'm like, great, love it. I got 850 00:39:38,960 --> 00:39:41,680 Speaker 1: like nineteen of them, and I'll call this show a 851 00:39:41,719 --> 00:39:44,680 Speaker 1: live podcast when we do it live, just to if 852 00:39:44,719 --> 00:39:46,600 Speaker 1: they're like, yeah, we really love being on the podcast space. 853 00:39:46,600 --> 00:39:48,160 Speaker 1: Oh that's great. You should hear our live podcasts. We 854 00:39:48,160 --> 00:39:50,400 Speaker 1: do it every morning, and then it goes up digitally. 855 00:39:52,640 --> 00:39:56,000 Speaker 1: It's all the same. So, but it's live. I act 856 00:39:56,040 --> 00:39:57,640 Speaker 1: like it not what we're recording a live one. I'm like, 857 00:39:57,640 --> 00:39:59,719 Speaker 1: we're doing a live podcast that everyone can listen into 858 00:39:59,760 --> 00:40:03,000 Speaker 1: live and call in. No podcasting is awesome. 859 00:40:03,560 --> 00:40:07,200 Speaker 3: Well, so just a little note to encourage anybody listening 860 00:40:07,239 --> 00:40:10,600 Speaker 3: that might be thinking, like, Oh, I have this topic, 861 00:40:10,640 --> 00:40:12,480 Speaker 3: I'm passion about it. I'd like to start a podcast, 862 00:40:12,480 --> 00:40:14,520 Speaker 3: and I don't know who will be listening. It may 863 00:40:14,560 --> 00:40:17,000 Speaker 3: not even be that you're so focused on, you know, 864 00:40:17,440 --> 00:40:19,520 Speaker 3: downloads or success or you're trying to be this like 865 00:40:19,640 --> 00:40:22,520 Speaker 3: crazy huge podcaster. It might just mean that you have 866 00:40:22,600 --> 00:40:25,080 Speaker 3: some experience you want to share and even if one 867 00:40:25,080 --> 00:40:28,480 Speaker 3: person hears it. Because there was a mom that was 868 00:40:28,520 --> 00:40:30,680 Speaker 3: an adoptive mom and she put up a podcast that 869 00:40:30,760 --> 00:40:33,520 Speaker 3: she was recording at her house. I'm sure she's self 870 00:40:34,520 --> 00:40:37,920 Speaker 3: published it, produced it, you know, wasn't it wasn't a 871 00:40:38,000 --> 00:40:42,160 Speaker 3: huge podcast. I found it by just putting some keywords 872 00:40:42,200 --> 00:40:44,200 Speaker 3: into the search bar of stuff that I was going 873 00:40:44,239 --> 00:40:48,080 Speaker 3: through with our adoption, and she had on this other mom. 874 00:40:48,239 --> 00:40:50,319 Speaker 3: I don't even remember the name of the podcast. I've 875 00:40:50,320 --> 00:40:51,759 Speaker 3: got to go find it. And I keep saying that 876 00:40:51,760 --> 00:40:53,600 Speaker 3: anytime I think of this story, and I need to 877 00:40:53,600 --> 00:40:54,960 Speaker 3: do it because I would like to write her a 878 00:40:55,000 --> 00:40:57,360 Speaker 3: thank you note because she had this other mom on 879 00:40:58,000 --> 00:41:01,719 Speaker 3: and those two moms sitting down her house sharing their 880 00:41:01,800 --> 00:41:05,240 Speaker 3: experience on their podcast where they who knows who's listening, 881 00:41:05,680 --> 00:41:08,040 Speaker 3: Well I was. I found it, and it put me 882 00:41:08,080 --> 00:41:12,640 Speaker 3: on a trajectory me and our family of some stuff 883 00:41:12,640 --> 00:41:14,920 Speaker 3: we needed to work through and healing. And it was 884 00:41:15,000 --> 00:41:17,719 Speaker 3: because they decided to sit down and record and you 885 00:41:17,760 --> 00:41:20,040 Speaker 3: know their niche like, they talked about something that was 886 00:41:20,040 --> 00:41:23,560 Speaker 3: passionate to them. They shared their personal experience. And it's 887 00:41:23,560 --> 00:41:25,960 Speaker 3: not like they're professional podcasters, because I mean I could 888 00:41:26,320 --> 00:41:29,240 Speaker 3: I could just tell they were just passionate about sharing 889 00:41:29,280 --> 00:41:33,839 Speaker 3: their story. And I would say, I don't say this, Yeah, 890 00:41:33,840 --> 00:41:35,440 Speaker 3: I'm not going I'm gonna say. I'm gonna say lightly 891 00:41:35,480 --> 00:41:38,000 Speaker 3: like it changed the course of some stuff that was 892 00:41:38,000 --> 00:41:39,839 Speaker 3: going on in our family, like big time, like changed 893 00:41:39,880 --> 00:41:40,640 Speaker 3: our lives. 894 00:41:41,080 --> 00:41:42,880 Speaker 1: My favorite part of that story, and I'm glad you 895 00:41:42,920 --> 00:41:45,040 Speaker 1: shared it, was that here's a podcast that not a 896 00:41:45,080 --> 00:41:46,759 Speaker 1: lot of people subscribe to, but it's great, and you 897 00:41:46,760 --> 00:41:48,160 Speaker 1: still didn't know the name to share it so people 898 00:41:48,160 --> 00:41:49,400 Speaker 1: could hear it and subscribe. 899 00:41:49,080 --> 00:41:52,640 Speaker 3: I know, you know, because this is what what happened 900 00:41:52,640 --> 00:41:54,560 Speaker 3: to you? Great that I don't even know if she 901 00:41:54,600 --> 00:41:56,319 Speaker 3: may still be doing it because this was a few 902 00:41:56,400 --> 00:42:00,160 Speaker 3: years ago, but it it was just such a crazy 903 00:42:00,239 --> 00:42:02,640 Speaker 3: time that that's why I don't even My brain had 904 00:42:02,680 --> 00:42:04,520 Speaker 3: so many other things going on that I'm like, shoot, 905 00:42:04,600 --> 00:42:06,840 Speaker 3: how it was almost like divine that I found it, Like, 906 00:42:06,840 --> 00:42:10,200 Speaker 3: I don't even know. I know that there's certain times 907 00:42:10,239 --> 00:42:11,120 Speaker 3: I've tried to find. 908 00:42:10,920 --> 00:42:13,360 Speaker 1: It, such for words Amy were just use in a search. 909 00:42:13,160 --> 00:42:16,560 Speaker 3: Bar, Well, no, I would be very keywords that are 910 00:42:16,600 --> 00:42:18,839 Speaker 3: personal to my family, so I'm not going to say them. 911 00:42:18,880 --> 00:42:23,080 Speaker 3: But I just you know, yeah, I didn't. I don't know. 912 00:42:23,520 --> 00:42:33,480 Speaker 2: Maybe these women were George straight, Haiti, adoption, iced coffee, meditation. 913 00:42:35,880 --> 00:42:39,160 Speaker 1: Okay, cool, make sure Ray, thank you for that question, 914 00:42:40,239 --> 00:42:42,040 Speaker 1: So create your podcast. I have two other things I'm 915 00:42:42,040 --> 00:42:43,800 Speaker 1: going to talk about Amy. One more thing that you 916 00:42:43,840 --> 00:42:45,000 Speaker 1: sent a couple of days ago. I just want to 917 00:42:45,000 --> 00:42:46,560 Speaker 1: make sure that you have it pulled up if I'm 918 00:42:46,560 --> 00:42:48,520 Speaker 1: going to go to it. Something about five boundaries just 919 00:42:48,520 --> 00:42:50,360 Speaker 1: set with your boss. So I want to get to 920 00:42:50,400 --> 00:42:51,800 Speaker 1: that in a second. And then I do want to 921 00:42:51,800 --> 00:42:56,799 Speaker 1: play do you have this voicemail? Ray? From Brett. Oh, 922 00:42:56,840 --> 00:42:58,240 Speaker 1: I know I didn't do it on the show. Okay 923 00:42:58,400 --> 00:43:00,759 Speaker 1: from Fort Worth, Texas because to do a death all right, 924 00:43:00,760 --> 00:43:04,480 Speaker 1: go ahead, good morning studio. This question goes out to Lunchbox. 925 00:43:04,560 --> 00:43:06,600 Speaker 1: All was worrying if I can get his input on 926 00:43:06,680 --> 00:43:09,600 Speaker 1: the death of twenty seven year old Bottom Critinton. 927 00:43:09,920 --> 00:43:12,759 Speaker 6: She was featured in the sixteen and Pregnant series, and. 928 00:43:12,680 --> 00:43:15,040 Speaker 3: I was wondering if we could get his input on 929 00:43:15,120 --> 00:43:17,200 Speaker 3: that story. Thank you for taking my golf. 930 00:43:18,239 --> 00:43:20,480 Speaker 5: Yeah, she was I don't even know who she was, 931 00:43:20,520 --> 00:43:23,719 Speaker 5: so she was like a weird Yeah, she wasn't like 932 00:43:23,760 --> 00:43:26,680 Speaker 5: a big main person, Like I don't even I mean, 933 00:43:26,719 --> 00:43:28,359 Speaker 5: I never I don't even recognize the name. 934 00:43:28,360 --> 00:43:29,760 Speaker 4: When they announced her death. 935 00:43:29,600 --> 00:43:31,960 Speaker 1: They headlined it different because I thought you had note 936 00:43:31,719 --> 00:43:32,480 Speaker 1: that they. 937 00:43:32,160 --> 00:43:34,760 Speaker 5: Said teen Mom star and I'm like, I don't remember 938 00:43:34,800 --> 00:43:37,960 Speaker 5: her being on the show unless she was like on 939 00:43:38,000 --> 00:43:39,680 Speaker 5: some random show. And then they tried to turn her 940 00:43:39,680 --> 00:43:42,719 Speaker 5: into teen Mom because Teen Moms started leaving and they 941 00:43:42,719 --> 00:43:45,200 Speaker 5: started bringing girls from different shows to be on Teen Mom. 942 00:43:45,400 --> 00:43:46,800 Speaker 4: That's when it kind of jumped the shark. 943 00:43:47,360 --> 00:43:49,040 Speaker 1: So you don't know much about her. 944 00:43:49,040 --> 00:43:51,359 Speaker 4: Didn't know much about her, but may she rest in peace? 945 00:43:51,880 --> 00:43:53,200 Speaker 1: Any give me give me your story. 946 00:43:53,239 --> 00:43:56,040 Speaker 3: Okay. So I came across this post about five boundaries 947 00:43:56,080 --> 00:43:57,879 Speaker 3: to set with your boss, and when I read them, 948 00:43:57,880 --> 00:43:59,800 Speaker 3: I was like, oh, I can. 949 00:43:59,760 --> 00:44:01,640 Speaker 1: See trying to set through with me. No, let's see 950 00:44:01,640 --> 00:44:01,960 Speaker 1: how many. 951 00:44:02,000 --> 00:44:05,560 Speaker 3: Definitely not okay, I don't work weekends. 952 00:44:07,680 --> 00:44:13,440 Speaker 1: I guess just anything universally stated is a bit. It's 953 00:44:13,480 --> 00:44:16,720 Speaker 1: a great point, man, it is a great point. That's funny. 954 00:44:17,280 --> 00:44:21,239 Speaker 1: Anything universally stated to me, if you're saying this is 955 00:44:21,280 --> 00:44:25,160 Speaker 1: the only rigidity to me, is a turn off with people. 956 00:44:25,360 --> 00:44:27,960 Speaker 1: I definitely have boundaries that people can have and respect them, 957 00:44:28,160 --> 00:44:30,400 Speaker 1: but rigidity just for the sake of it, I'm not 958 00:44:30,400 --> 00:44:32,319 Speaker 1: gonna like any of these because of that. But okay, 959 00:44:32,400 --> 00:44:34,040 Speaker 1: I get it. You don't work weekends. It's probably that's cool. 960 00:44:34,040 --> 00:44:34,399 Speaker 1: We don't work. 961 00:44:34,400 --> 00:44:36,760 Speaker 3: We don't work weekends. I don't travel for work. 962 00:44:37,840 --> 00:44:39,279 Speaker 1: And I'm supposed to hire you when you say this 963 00:44:39,360 --> 00:44:41,360 Speaker 1: because the work the job may not have travel. But 964 00:44:41,400 --> 00:44:43,799 Speaker 1: if you come in and go, hey, I don't I'm 965 00:44:43,800 --> 00:44:46,239 Speaker 1: not traveling. What the Okay? Well it wasn't on there, 966 00:44:46,280 --> 00:44:47,279 Speaker 1: but now I don't like you. 967 00:44:47,440 --> 00:44:50,719 Speaker 3: I don't want my identity used like on the website 968 00:44:50,880 --> 00:44:51,720 Speaker 3: or social media. 969 00:44:52,920 --> 00:44:54,399 Speaker 1: Okay, kind of job is it there? 970 00:44:54,719 --> 00:44:56,880 Speaker 4: I mean, let's say you work in an office. Is 971 00:44:56,880 --> 00:44:57,799 Speaker 4: that a big deal? 972 00:44:58,320 --> 00:45:00,479 Speaker 1: I don't even think it really probably needs to be up. 973 00:45:01,440 --> 00:45:03,160 Speaker 3: One of the examples in the post that I saw 974 00:45:03,320 --> 00:45:05,439 Speaker 3: was like I don't know a boss, like they were 975 00:45:05,600 --> 00:45:08,080 Speaker 3: an email when now and like this was an example 976 00:45:08,400 --> 00:45:10,800 Speaker 3: and it was like, hey, everybody record like a selfie 977 00:45:10,880 --> 00:45:14,200 Speaker 3: of you know, your favorite thing about working? Say it. 978 00:45:14,280 --> 00:45:16,400 Speaker 1: Then wouldn't you just be like, oh, I'm not comfortable 979 00:45:16,400 --> 00:45:16,960 Speaker 1: with putting my money. 980 00:45:16,960 --> 00:45:18,400 Speaker 4: I'd prefer to be on Instagram. 981 00:45:18,600 --> 00:45:21,160 Speaker 1: Yeah, yeah, I do not, especially if it's like the 982 00:45:21,160 --> 00:45:22,320 Speaker 1: early part of the job. Go ahead. 983 00:45:23,120 --> 00:45:27,120 Speaker 3: I do not answer my phone after hours. 984 00:45:27,600 --> 00:45:30,080 Speaker 1: See the problem with this is every once in a 985 00:45:30,080 --> 00:45:33,040 Speaker 1: while there needs to be a phone call that needs 986 00:45:33,080 --> 00:45:35,800 Speaker 1: to be answered after hours. Not not much. 987 00:45:36,160 --> 00:45:38,359 Speaker 3: Well, have you have you ever set a boundary with work? 988 00:45:40,120 --> 00:45:43,800 Speaker 3: Any kind the boundaries that I'll know I'll not get naked. 989 00:45:44,640 --> 00:45:46,759 Speaker 1: No, I've been naked at work. That dude painted me. 990 00:45:46,800 --> 00:45:50,240 Speaker 1: It was weirdest thinking, like painting me on a canvas. 991 00:45:50,280 --> 00:45:52,200 Speaker 1: I was button naked. He was stared at my starting 992 00:45:52,320 --> 00:45:54,600 Speaker 1: wiener forever and then painting a leaf over it. Then 993 00:45:54,600 --> 00:45:55,719 Speaker 1: I was like, why are you starting up my wiener 994 00:45:55,719 --> 00:45:57,520 Speaker 1: if you're paying a leaf over it, like, don't look 995 00:45:57,520 --> 00:45:59,720 Speaker 1: at my wiener, just paint the leaf. That's I remember 996 00:45:59,719 --> 00:46:02,040 Speaker 1: thinking that because I lost the will and had to 997 00:46:02,080 --> 00:46:04,839 Speaker 1: be staying naked, I remember that there's a terrible bad 998 00:46:06,400 --> 00:46:08,920 Speaker 1: The only boundaries now that I will have our wife 999 00:46:08,960 --> 00:46:12,320 Speaker 1: related where it is if we are on a trip 1000 00:46:12,800 --> 00:46:18,960 Speaker 1: or we're doing something, I will not make a call 1001 00:46:19,200 --> 00:46:21,320 Speaker 1: or do emails for the most part. But even then, 1002 00:46:21,520 --> 00:46:24,400 Speaker 1: even she knows this is a big part of my 1003 00:46:24,520 --> 00:46:29,480 Speaker 1: life in that they don't pay me and us a 1004 00:46:29,520 --> 00:46:31,400 Speaker 1: lot of money to have a whole bunch of boundaries 1005 00:46:31,760 --> 00:46:35,279 Speaker 1: if something goes wrong or they need us, you know, 1006 00:46:35,320 --> 00:46:37,239 Speaker 1: It's like part of the deal is if you have 1007 00:46:37,280 --> 00:46:40,840 Speaker 1: a job that has big responsibilities, sometimes you have to 1008 00:46:40,880 --> 00:46:43,440 Speaker 1: bend your boundaries. But yeah, if I'm with my wife 1009 00:46:43,520 --> 00:46:47,440 Speaker 1: I and we've I'll do it on the toilet. Luckily 1010 00:46:47,440 --> 00:46:49,200 Speaker 1: for me, I have IBS, so I can get a 1011 00:46:49,200 --> 00:46:52,280 Speaker 1: lot accomplished there. But I won't do it if we're 1012 00:46:52,600 --> 00:46:55,480 Speaker 1: there but a few but more than I've ever had before, 1013 00:46:56,200 --> 00:46:59,120 Speaker 1: just for her. Otherwise I go, I'll be dead by now, 1014 00:47:00,040 --> 00:47:07,160 Speaker 1: almost died a couple of times. I'm dead, right, now inside, 1015 00:47:08,160 --> 00:47:15,080 Speaker 1: I'm like, wait, almost died three times. So there have 1016 00:47:15,160 --> 00:47:19,719 Speaker 1: been little boundaries that we have, boundaries, not the word 1017 00:47:20,040 --> 00:47:22,520 Speaker 1: guidelines that we try to abide by. But I'm different, 1018 00:47:22,680 --> 00:47:24,480 Speaker 1: different animal. But if somebody said that to me in 1019 00:47:24,520 --> 00:47:26,440 Speaker 1: a job interview, if I'm interview Abbey and she's like, 1020 00:47:26,840 --> 00:47:29,360 Speaker 1: oh man, and I'm like, man, your resume is awesome. 1021 00:47:30,080 --> 00:47:32,080 Speaker 1: I just interviewed like seven people for a job up 1022 00:47:32,080 --> 00:47:38,560 Speaker 1: here and Morgan did not Morgan here, Morgan won. We 1023 00:47:38,600 --> 00:47:42,000 Speaker 1: put it on. We put it. We put it on 1024 00:47:42,040 --> 00:47:46,600 Speaker 1: that iheart's side. Where else we put it Scuba the 1025 00:47:46,719 --> 00:47:50,320 Speaker 1: job where we put that on Zip we put on ZipRecruiter. 1026 00:47:50,600 --> 00:47:53,080 Speaker 1: So we had like hundreds of people applying. Morgan went 1027 00:47:53,120 --> 00:47:55,680 Speaker 1: through the hundreds and talked to all them. But when 1028 00:47:55,680 --> 00:47:57,879 Speaker 1: I got the seven that I met with, I was like, hey, 1029 00:47:57,880 --> 00:47:59,879 Speaker 1: your resume is already good. You wouldn't be here if 1030 00:48:00,400 --> 00:48:02,040 Speaker 1: you didn't have all the qualifications and your piece of 1031 00:48:02,040 --> 00:48:03,920 Speaker 1: paper didn't check out. So now I just want to 1032 00:48:03,960 --> 00:48:05,120 Speaker 1: like get to know and see if I like you. 1033 00:48:05,920 --> 00:48:08,520 Speaker 1: And if they were like a plus resume and it 1034 00:48:08,560 --> 00:48:10,520 Speaker 1: was like I don't travel, I don't. 1035 00:48:10,760 --> 00:48:11,520 Speaker 3: Oh that would work. 1036 00:48:11,600 --> 00:48:13,719 Speaker 1: I don't hire you you'd be like, okay, yeah, because 1037 00:48:13,760 --> 00:48:15,319 Speaker 1: you can have those, that's fine, Like, hey, I really 1038 00:48:15,360 --> 00:48:18,640 Speaker 1: can't travel a whole lot kids, for sure, got it. 1039 00:48:19,280 --> 00:48:21,200 Speaker 1: Any of the other boundaries that really irritate me. 1040 00:48:21,760 --> 00:48:24,200 Speaker 3: There's one final one I don't It's a I will 1041 00:48:24,239 --> 00:48:27,680 Speaker 3: not enforce your policies. If you don't have my back. 1042 00:48:28,160 --> 00:48:29,080 Speaker 1: I will not hire you. 1043 00:48:29,480 --> 00:48:33,760 Speaker 3: I was like, well, I don't know. That one seems weird, 1044 00:48:33,800 --> 00:48:36,520 Speaker 3: but it's like you expect, like, okay, have my back 1045 00:48:36,560 --> 00:48:39,839 Speaker 3: and then yeah, I'll do that. But yeah, I mean, 1046 00:48:39,880 --> 00:48:40,480 Speaker 3: good luck with that. 1047 00:48:40,520 --> 00:48:41,480 Speaker 1: If yeah, good luck with that. 1048 00:48:41,520 --> 00:48:43,440 Speaker 3: Those are some boundaries you need to set. But I mean, 1049 00:48:43,480 --> 00:48:45,279 Speaker 3: I just think it's an interesting thing for a lot 1050 00:48:45,320 --> 00:48:47,880 Speaker 3: of people to think about for their own selves and 1051 00:48:47,920 --> 00:48:51,440 Speaker 3: their own mental health and their own, you know, families, Like, Yes, 1052 00:48:51,560 --> 00:48:53,560 Speaker 3: there might be some boundaries you need to set because 1053 00:48:53,560 --> 00:48:56,759 Speaker 3: I think with technology and the way the world is 1054 00:48:56,840 --> 00:48:58,879 Speaker 3: right now, it can be easy to do some form 1055 00:48:58,920 --> 00:49:00,960 Speaker 3: of work seven days away, and you might need to 1056 00:49:01,000 --> 00:49:03,719 Speaker 3: set a boundary with yourself of like hey, you know, 1057 00:49:03,800 --> 00:49:05,880 Speaker 3: if it can wait, then you're not going to look 1058 00:49:05,920 --> 00:49:08,279 Speaker 3: at your email or touch your computer or whatever on 1059 00:49:08,400 --> 00:49:10,880 Speaker 3: Sunday or Saturday. Like pick a day where you don't 1060 00:49:11,200 --> 00:49:13,799 Speaker 3: engage with work at all whatsoever. If you have that 1061 00:49:13,920 --> 00:49:17,880 Speaker 3: flexibility or that you can do that. I'm saying for 1062 00:49:17,920 --> 00:49:20,200 Speaker 3: your if you've got a family, like there's just something 1063 00:49:20,200 --> 00:49:20,640 Speaker 3: to think about. 1064 00:49:21,600 --> 00:49:24,040 Speaker 1: I think in your twenties you should work until you 1065 00:49:24,120 --> 00:49:28,760 Speaker 1: freaking pop. You should work until you pop in your twenties. 1066 00:49:28,960 --> 00:49:31,120 Speaker 1: Once you get to your thirties, you got to start 1067 00:49:31,160 --> 00:49:33,240 Speaker 1: to make some decisions because your life is about unless 1068 00:49:33,239 --> 00:49:37,239 Speaker 1: you like, knock somebody up. But your twenties is when 1069 00:49:37,280 --> 00:49:39,560 Speaker 1: you go hard as you possibly can. And then your 1070 00:49:39,600 --> 00:49:43,480 Speaker 1: thirties you have to start making some decisions. But the 1071 00:49:43,600 --> 00:49:46,560 Speaker 1: rigidity of I'm not gonna look at my phone. Maybe 1072 00:49:46,600 --> 00:49:48,520 Speaker 1: you have a job that allows that. This job would 1073 00:49:48,560 --> 00:49:50,480 Speaker 1: never allow that, but don't think everybody knows that getting 1074 00:49:50,480 --> 00:49:53,000 Speaker 1: into it. And also the balance thing is weird because 1075 00:49:53,000 --> 00:49:56,239 Speaker 1: if balance is work, it's hard to have balance like it, 1076 00:49:56,920 --> 00:49:59,759 Speaker 1: and they're sacrifice with balance or sacrifice with not having balance. 1077 00:49:59,800 --> 00:50:03,359 Speaker 1: There's always sacrifice if you want to have a great 1078 00:50:03,440 --> 00:50:06,040 Speaker 1: quality of the life you're searching for. If you want 1079 00:50:06,320 --> 00:50:13,320 Speaker 1: hardcore balance, great personal life, family, job, that is hard 1080 00:50:13,400 --> 00:50:15,640 Speaker 1: work to get that balance. But you're not gonna have 1081 00:50:15,800 --> 00:50:17,680 Speaker 1: a plus A plus on both sides. You're not gonna 1082 00:50:17,719 --> 00:50:19,960 Speaker 1: have a plus family and a plus job. That's not 1083 00:50:20,040 --> 00:50:22,880 Speaker 1: the balance. The balance is going to be like be minus, 1084 00:50:22,960 --> 00:50:25,719 Speaker 1: be minus, and that's gonna be what it is. But 1085 00:50:25,760 --> 00:50:28,200 Speaker 1: you can't get mad you don't have a plus job 1086 00:50:28,680 --> 00:50:31,840 Speaker 1: if you're wanting a ton of family time for balance, 1087 00:50:31,880 --> 00:50:36,120 Speaker 1: and the opposite, if you want the opposite, you can't 1088 00:50:36,160 --> 00:50:38,319 Speaker 1: get mad if you have a plus family and you're like, man, 1089 00:50:38,480 --> 00:50:40,080 Speaker 1: my job, I spend so much time my family. I 1090 00:50:40,120 --> 00:50:41,880 Speaker 1: love it. I wish my job was better, or I 1091 00:50:41,920 --> 00:50:43,440 Speaker 1: wish my family life is better, even though my job 1092 00:50:43,480 --> 00:50:46,200 Speaker 1: all the time. It is hard work to decide where 1093 00:50:46,239 --> 00:50:49,040 Speaker 1: your balance lies, and all of it is hard if 1094 00:50:49,040 --> 00:50:51,760 Speaker 1: you want to achieve balance, that's so that's the hard work, 1095 00:50:52,560 --> 00:50:55,160 Speaker 1: very hard work, just like having do working all the time. 1096 00:50:55,160 --> 00:50:59,719 Speaker 1: It's hard work. So there's this new you know, I 1097 00:50:59,760 --> 00:51:02,080 Speaker 1: want to make sure my mental health and that's awesome 1098 00:51:02,360 --> 00:51:04,520 Speaker 1: and I love it. But you're not going to be 1099 00:51:04,520 --> 00:51:07,279 Speaker 1: wildly successful in your career. You're not gonna have a 1100 00:51:07,280 --> 00:51:09,480 Speaker 1: lot of balance and also be wildly successful in your career. 1101 00:51:09,640 --> 00:51:12,399 Speaker 1: But that's not important to everybody, and to me, it's 1102 00:51:12,560 --> 00:51:13,920 Speaker 1: at times when it's like I want to have a 1103 00:51:14,000 --> 00:51:17,120 Speaker 1: lot of balance and be really really successful. The most 1104 00:51:17,200 --> 00:51:21,200 Speaker 1: successful people do not have much balance. So you can't 1105 00:51:21,200 --> 00:51:22,840 Speaker 1: have both. You can have a plus a plus on 1106 00:51:22,880 --> 00:51:23,320 Speaker 1: both sides. 1107 00:51:23,520 --> 00:51:25,719 Speaker 3: Shonda rhymes. So she has a commencement speech from this 1108 00:51:25,760 --> 00:51:29,920 Speaker 3: is from a long time ago, but I'm paraphrasing her 1109 00:51:30,000 --> 00:51:34,640 Speaker 3: talking about being a successful career woman and the mom 1110 00:51:35,040 --> 00:51:37,560 Speaker 3: and you know, how do you do it? Shonda? And 1111 00:51:37,560 --> 00:51:41,040 Speaker 3: she's like, well, if I'm succeeding in one area, She's like, 1112 00:51:41,080 --> 00:51:44,080 Speaker 3: I'm failing in another. If I am at you know, 1113 00:51:45,160 --> 00:51:48,840 Speaker 3: my daughter's dance recital, i am missing. Sandra O's final 1114 00:51:48,880 --> 00:51:51,640 Speaker 3: scene of Gray's Anatomy always sad. If I'm you know, 1115 00:51:52,400 --> 00:51:56,160 Speaker 3: doing this great career thing over here, I'm not at 1116 00:51:56,160 --> 00:51:58,360 Speaker 3: home trick or treating with my kids, you know, or 1117 00:51:58,360 --> 00:52:00,880 Speaker 3: the opposite or yeah, vice, but you have to look 1118 00:52:00,880 --> 00:52:03,279 Speaker 3: at it's like it's yeah, there's not this like, oh, 1119 00:52:03,320 --> 00:52:07,520 Speaker 3: I'm winning in all areas at this exact moment. It's like, yeah, well, 1120 00:52:07,560 --> 00:52:10,719 Speaker 3: when I'm at work right here for this situation, this 1121 00:52:10,760 --> 00:52:12,960 Speaker 3: final scene, this shot, I'm gonna kill it here. But 1122 00:52:13,400 --> 00:52:15,560 Speaker 3: my kids are like, wait, where's mom. But then she's 1123 00:52:15,600 --> 00:52:17,399 Speaker 3: gonna make sure that she shows up to the kid 1124 00:52:17,440 --> 00:52:19,359 Speaker 3: things that she needs to do, but then work will 1125 00:52:19,400 --> 00:52:21,200 Speaker 3: be like dang, wish Seanna was here. 1126 00:52:21,280 --> 00:52:23,920 Speaker 1: Kind of like Madden points you only have so many Yeah, 1127 00:52:24,000 --> 00:52:25,959 Speaker 1: so you can use seven and three, five and five, 1128 00:52:26,200 --> 00:52:28,120 Speaker 1: eight and two, but if you use an eight on 1129 00:52:28,120 --> 00:52:29,640 Speaker 1: one side, can't get pissed. It's the two sides's not 1130 00:52:29,680 --> 00:52:32,839 Speaker 1: doing it very well. And so to me, it's at 1131 00:52:32,880 --> 00:52:35,040 Speaker 1: times with people, especially when I'm hiring or they're a 1132 00:52:35,040 --> 00:52:38,319 Speaker 1: worker or staff members, that are like, I just need 1133 00:52:38,360 --> 00:52:41,480 Speaker 1: way more time for myself, Okay, And that's awesome, and 1134 00:52:41,480 --> 00:52:43,239 Speaker 1: I love that for you. You need to prioritize your mental 1135 00:52:43,239 --> 00:52:45,440 Speaker 1: health and do what you long term is right for you. 1136 00:52:46,480 --> 00:52:49,520 Speaker 1: But I need somebody that can do this other thing, 1137 00:52:50,400 --> 00:52:55,400 Speaker 1: and sometimes it can't be the same person. FI ground repeat, 1138 00:52:55,480 --> 00:52:55,920 Speaker 1: I say. 1139 00:52:57,840 --> 00:53:00,360 Speaker 3: And then take a fight ground repeat. But like Carvell, 1140 00:53:00,440 --> 00:53:05,359 Speaker 3: a little time on Saturday or Sunday or Tuesday, run 1141 00:53:05,400 --> 00:53:06,520 Speaker 3: yourself in the are my friend, that's a. 1142 00:53:06,520 --> 00:53:08,200 Speaker 1: Real healthier to run yourself on the ground. 1143 00:53:08,320 --> 00:53:10,400 Speaker 3: She because my friend, she and being a realtor, she 1144 00:53:10,400 --> 00:53:12,799 Speaker 3: has to work weekends, you know, so she tries to 1145 00:53:12,840 --> 00:53:16,279 Speaker 3: carve out time. She's trying to hold herself accountable. For 1146 00:53:16,320 --> 00:53:19,080 Speaker 3: what she calls her own little wellness Wednesday, where she'll 1147 00:53:19,400 --> 00:53:21,600 Speaker 3: try to carve out some hours on Wednesday where she's 1148 00:53:21,640 --> 00:53:25,040 Speaker 3: not that's doing emails and contracts and looking at houses 1149 00:53:25,080 --> 00:53:28,160 Speaker 3: and doing whatever. Because as a realtor, you know you 1150 00:53:28,200 --> 00:53:31,080 Speaker 3: can be getting calls from your clients at all times. 1151 00:53:31,160 --> 00:53:33,160 Speaker 3: So for her it's important on that Wednesday that she 1152 00:53:33,200 --> 00:53:34,439 Speaker 3: has those hours blocked off. 1153 00:53:34,680 --> 00:53:36,600 Speaker 1: And I kid when I say run yourself into the ground. 1154 00:53:36,640 --> 00:53:38,400 Speaker 1: I have ran myself on the ground a few times 1155 00:53:39,080 --> 00:53:41,600 Speaker 1: and I wouldn't have the success without it. But I 1156 00:53:41,680 --> 00:53:44,040 Speaker 1: have deficiency in other parts of my life because of that, 1157 00:53:44,080 --> 00:53:47,120 Speaker 1: because of how I chose. Like my wife and I 1158 00:53:47,120 --> 00:53:50,279 Speaker 1: we set aside a night every week for like four 1159 00:53:50,320 --> 00:53:53,840 Speaker 1: hours where it's just us, right, we do something doesn't 1160 00:53:53,840 --> 00:53:57,399 Speaker 1: anything big. But it's also a bit fluid to where 1161 00:53:57,400 --> 00:54:03,279 Speaker 1: if something big comes up, like she sometimes understands and 1162 00:54:03,320 --> 00:54:05,080 Speaker 1: like I get a call, Hey, come work out with 1163 00:54:05,239 --> 00:54:08,120 Speaker 1: some team, She's like, oh, that's a big one our anniversary. 1164 00:54:08,120 --> 00:54:11,480 Speaker 1: I was with Steve Young and I was like, oh boy, 1165 00:54:11,520 --> 00:54:15,239 Speaker 1: and she was like, no, that's big, Like we'll do it. 1166 00:54:16,480 --> 00:54:20,320 Speaker 1: So there's some fluidity. It's pretty rigid, but there's fluidity 1167 00:54:20,320 --> 00:54:22,040 Speaker 1: if it matters, and that's all. I'm done talking anyway. 1168 00:54:23,040 --> 00:54:25,080 Speaker 3: I'm gonna set up boundary right now. We're done. 1169 00:54:25,760 --> 00:54:26,800 Speaker 1: Oh yeah, I'm just kidding. 1170 00:54:28,120 --> 00:54:29,640 Speaker 4: Set a boundary I'm done. 1171 00:54:30,440 --> 00:54:35,000 Speaker 1: It makes me keep going. I'll show you all right 1172 00:54:35,080 --> 00:54:38,080 Speaker 1: special Saturday show. Thank you very much. We will see 1173 00:54:38,120 --> 00:54:39,400 Speaker 1: you guys on Monday. By everybody,