1 00:00:01,280 --> 00:00:03,760 Speaker 1: We got that laughter for your soul. You now to 2 00:00:04,000 --> 00:00:08,000 Speaker 1: the into the breaking show. I know, but did you 3 00:00:08,080 --> 00:00:10,160 Speaker 1: see the sound engineer when you give the thumbs up 4 00:00:10,600 --> 00:00:13,480 Speaker 1: A strong dumb yeah? You know what they say about that? 5 00:00:13,760 --> 00:00:16,360 Speaker 1: What do they think that? What a good thumbs up? 6 00:00:17,360 --> 00:00:22,400 Speaker 1: I mean squirting? I not. That's why I like you, girl, 7 00:00:22,440 --> 00:00:25,720 Speaker 1: You're so open, you know, I mean, yeah, I just 8 00:00:26,040 --> 00:00:31,520 Speaker 1: I mean have you squartered before? Girl? Of course? It 9 00:00:31,920 --> 00:00:34,760 Speaker 1: because my man Peter, you've seen this that he plays tennis, 10 00:00:34,760 --> 00:00:36,519 Speaker 1: so he works with different things, but he has a 11 00:00:36,520 --> 00:00:39,800 Speaker 1: strong thumb time, so he does the back can that thing. 12 00:00:39,960 --> 00:00:41,800 Speaker 1: He plays me like he's got he's got it in 13 00:00:41,840 --> 00:00:47,000 Speaker 1: the wrist exactly, girl, and the rist like that. See, 14 00:00:47,479 --> 00:00:50,360 Speaker 1: and it's just a lot of energy when he does that. 15 00:00:51,120 --> 00:00:53,720 Speaker 1: He kind of plays me like he plays the you know, 16 00:00:53,760 --> 00:00:56,240 Speaker 1: that tennis racket. That's why I'm telling you like guitarist 17 00:00:56,320 --> 00:01:00,560 Speaker 1: to like if you find a guitarist tennis sounding engineers, 18 00:01:00,720 --> 00:01:03,800 Speaker 1: DJs or the DJs, I mean, come out the DJs. 19 00:01:03,840 --> 00:01:06,560 Speaker 1: Oh yeah, they know how to what you like? Niagara 20 00:01:06,880 --> 00:01:10,039 Speaker 1: squirt to the USA, you know, and it feels sky 21 00:01:10,920 --> 00:01:13,280 Speaker 1: just thinking. I know me too, I Carona, you're making 22 00:01:13,280 --> 00:01:17,559 Speaker 1: me huh. Okay, should we get started. Okay, you guys, Um, 23 00:01:17,600 --> 00:01:19,840 Speaker 1: you know this is uh, I'm doing an interview right 24 00:01:19,840 --> 00:01:24,720 Speaker 1: here with my homeground, Malice. This is j C. But 25 00:01:24,800 --> 00:01:27,119 Speaker 1: thanks for coming in. Girl. Yeah, I missed you. It's 26 00:01:27,120 --> 00:01:30,039 Speaker 1: cool to hang out. Yeah, it's always kicking it with you. 27 00:01:30,040 --> 00:01:33,399 Speaker 1: You know. So as you know we met because um, 28 00:01:33,920 --> 00:01:35,759 Speaker 1: you were a dancer for a long time. How many 29 00:01:35,800 --> 00:01:39,000 Speaker 1: years were you danceing? Um, I'm aging myself for twenty years. 30 00:01:39,480 --> 00:01:42,360 Speaker 1: Twenty years, I know. And it's a trip because you 31 00:01:42,360 --> 00:01:44,640 Speaker 1: were like you're like a legend and and I've seen 32 00:01:44,720 --> 00:01:47,520 Speaker 1: I remember I went to every every city. I went 33 00:01:47,600 --> 00:01:51,920 Speaker 1: to San Francisco, Los Angeles, Los Angeles, Igo, I was 34 00:01:52,000 --> 00:01:56,840 Speaker 1: in um in Uh. In Portland, people's kind of like 35 00:01:57,240 --> 00:02:00,600 Speaker 1: Jaz you know, Malice. Huh. They were don always name 36 00:02:00,640 --> 00:02:04,120 Speaker 1: dropped you like that. This girl, you know, she'd put 37 00:02:04,160 --> 00:02:06,480 Speaker 1: it down and all. Yeah. I mean Portland was my 38 00:02:06,760 --> 00:02:09,520 Speaker 1: was my coming up turf. And I mean they used 39 00:02:09,560 --> 00:02:12,720 Speaker 1: to they love strippers there. They give them awards. I 40 00:02:12,800 --> 00:02:16,359 Speaker 1: used to win awards and ship. They should give a 41 00:02:16,440 --> 00:02:19,800 Speaker 1: words through strippers in every town. They should like l A. 42 00:02:20,080 --> 00:02:23,360 Speaker 1: They don't care about us. They're just like strippers who 43 00:02:23,480 --> 00:02:25,880 Speaker 1: hide them, but like in Portland, they're like put them 44 00:02:25,919 --> 00:02:28,320 Speaker 1: on a pedestal. These are celebrities. We don't even like 45 00:02:28,400 --> 00:02:30,799 Speaker 1: real celebrities, or they like real celebrities, but they're not 46 00:02:30,840 --> 00:02:33,359 Speaker 1: gonna admit it. Like if you name dropped, like real 47 00:02:33,400 --> 00:02:36,040 Speaker 1: celebrities in Portland, people like roll their eyes, but they 48 00:02:36,040 --> 00:02:38,280 Speaker 1: really want to meet the celebrities right right there, like oh, 49 00:02:38,320 --> 00:02:40,320 Speaker 1: we don't care abouty with celebrities. And then you name 50 00:02:40,919 --> 00:02:43,839 Speaker 1: where where are they They'll they'll they'll act like, oh, 51 00:02:43,960 --> 00:02:46,520 Speaker 1: I see your name dropping, but then really they're like, 52 00:02:46,560 --> 00:02:48,839 Speaker 1: oh god, I hope I made them some day. Yeah 53 00:02:49,040 --> 00:02:51,400 Speaker 1: right there with like in the inside, they want to 54 00:02:51,400 --> 00:02:53,160 Speaker 1: play it cool on the outside like yeah, they try 55 00:02:53,200 --> 00:02:56,600 Speaker 1: so hard, drink like Roal Brewery beer, and you know, 56 00:02:56,639 --> 00:02:58,679 Speaker 1: I don't like celebrities that more like you know what 57 00:02:59,080 --> 00:03:02,160 Speaker 1: cool for that? Here we underground artists, right but as 58 00:03:02,160 --> 00:03:04,320 Speaker 1: soon as they see as the Tom Cruise or whatever, 59 00:03:04,400 --> 00:03:08,600 Speaker 1: that yeah you get popularly so that yeah, I just 60 00:03:08,720 --> 00:03:11,560 Speaker 1: like people that are real, you know saying And that's 61 00:03:11,560 --> 00:03:13,560 Speaker 1: why I hate it when people are like, oh yes, 62 00:03:13,639 --> 00:03:16,440 Speaker 1: strippers like you said here, like oh no, like politicians 63 00:03:16,480 --> 00:03:19,040 Speaker 1: and all that they're like or the preachers of the churches, 64 00:03:19,080 --> 00:03:21,040 Speaker 1: they go, no, it's wrong, but they're the ones and 65 00:03:21,040 --> 00:03:24,320 Speaker 1: then they hang out that exactly girl, And they're right 66 00:03:24,320 --> 00:03:26,240 Speaker 1: there all castor vote for me, but they're in the 67 00:03:26,280 --> 00:03:29,720 Speaker 1: back room at the strip club getting us and they're 68 00:03:29,720 --> 00:03:32,720 Speaker 1: going to the to the dirty or one they're they're going. 69 00:03:33,080 --> 00:03:37,160 Speaker 1: They're going hardcore too. So you witnessed this, Oh yes, 70 00:03:37,440 --> 00:03:39,880 Speaker 1: I know. It's a real thing. That's why when foods 71 00:03:39,880 --> 00:03:41,920 Speaker 1: are out there like no, you need to do the 72 00:03:42,040 --> 00:03:44,560 Speaker 1: right thing, and no, this is wrong, and being gays 73 00:03:44,600 --> 00:03:46,800 Speaker 1: wrong and strippers around like, ok, out on, I got 74 00:03:46,800 --> 00:03:48,640 Speaker 1: may on you because I know you're right there probably 75 00:03:48,640 --> 00:03:50,520 Speaker 1: with a ball gag in your mouth getting things put 76 00:03:50,560 --> 00:03:53,520 Speaker 1: up your huh oh sorry. The ones that screamed the 77 00:03:53,560 --> 00:03:56,000 Speaker 1: out us against it are always the ones who are 78 00:03:56,040 --> 00:03:59,480 Speaker 1: doing it in the side, exactly, girl. When people are 79 00:03:59,480 --> 00:04:01,520 Speaker 1: speaking up about it that much, it's like red flag, 80 00:04:01,720 --> 00:04:05,880 Speaker 1: you know, red like hebably has what do you call it, 81 00:04:05,920 --> 00:04:09,400 Speaker 1: a butt blug right there and vibrating as he's saying it. Yeah, 82 00:04:09,560 --> 00:04:13,200 Speaker 1: just oh you know this and that and ya, but 83 00:04:13,360 --> 00:04:15,320 Speaker 1: you know, to reach us a room, but don't try 84 00:04:15,360 --> 00:04:18,600 Speaker 1: to tell me how to live my life exactly. So 85 00:04:18,760 --> 00:04:20,640 Speaker 1: I just want to well, first, I'm want to give 86 00:04:20,680 --> 00:04:22,720 Speaker 1: you props girl, because I know you're retired and all that, 87 00:04:22,760 --> 00:04:25,119 Speaker 1: but we met when you were still you know, getting 88 00:04:25,120 --> 00:04:27,599 Speaker 1: after doing your thing, and I would go in there too, 89 00:04:27,720 --> 00:04:30,000 Speaker 1: like oh, and I have to admit I went. When 90 00:04:30,040 --> 00:04:32,960 Speaker 1: I started going, I was going to support home girls 91 00:04:33,000 --> 00:04:34,560 Speaker 1: and this and that. But I was like, oh, you know, 92 00:04:34,640 --> 00:04:37,320 Speaker 1: maybe I could give them notes and that d you know, 93 00:04:37,400 --> 00:04:39,359 Speaker 1: like I, you know, because I like to be confident 94 00:04:39,400 --> 00:04:41,560 Speaker 1: and do my thing. And obviously I look good, you know. 95 00:04:41,680 --> 00:04:43,800 Speaker 1: I yeah, I don't want to state the obvious, but 96 00:04:44,160 --> 00:04:47,800 Speaker 1: I shined daily, and so I went into the club like, oh, 97 00:04:47,880 --> 00:04:50,560 Speaker 1: let me see these you know, they're cute little acts whatever. 98 00:04:50,720 --> 00:04:53,880 Speaker 1: But then I saw you take the stage and boom, 99 00:04:54,080 --> 00:04:56,240 Speaker 1: You're just like wow when you had that hair like 100 00:04:56,279 --> 00:04:59,200 Speaker 1: that all crazy and you went to the top of 101 00:04:59,240 --> 00:05:02,919 Speaker 1: the bowl and put your leg you have strong legs, 102 00:05:02,200 --> 00:05:06,320 Speaker 1: and I was like I and I was looking up 103 00:05:06,360 --> 00:05:08,360 Speaker 1: like that, like I was surrendering to your power. In 104 00:05:08,440 --> 00:05:10,760 Speaker 1: that moment, I said, dangn Now I'm the one taking 105 00:05:10,760 --> 00:05:13,680 Speaker 1: notes all of a sudden, so I had misjudge, and 106 00:05:13,760 --> 00:05:17,480 Speaker 1: for that, you know, I'm I was mistaken. I apologize 107 00:05:17,520 --> 00:05:19,320 Speaker 1: because I saw that and I was like, wow, you know, 108 00:05:19,400 --> 00:05:22,240 Speaker 1: it gave me energy. I was inspired. I'm sure you 109 00:05:22,240 --> 00:05:24,560 Speaker 1: could still teach me a thing or two. Yeah, well 110 00:05:24,680 --> 00:05:26,280 Speaker 1: I know I can't, but I'm trying to be humble 111 00:05:26,400 --> 00:05:29,480 Speaker 1: right now for this moment um. But yeah, I was 112 00:05:29,600 --> 00:05:32,320 Speaker 1: just amazed, like the strength that you had and how 113 00:05:32,480 --> 00:05:35,200 Speaker 1: the room just came alive, you know, and including myself. 114 00:05:35,240 --> 00:05:38,480 Speaker 1: I was likern not thank you for your presence everything, 115 00:05:38,920 --> 00:05:40,680 Speaker 1: and you were strong, you know, and you were you 116 00:05:40,680 --> 00:05:43,720 Speaker 1: were just so nice to everybody, a good energy and like, 117 00:05:43,800 --> 00:05:46,239 Speaker 1: you know, that's what's up. I always kind of viewed 118 00:05:46,279 --> 00:05:50,640 Speaker 1: myself as like a jester dancing for kings and queens. 119 00:05:50,839 --> 00:05:53,880 Speaker 1: You know. I just always want everyone to feel like entertained, 120 00:05:53,880 --> 00:05:56,120 Speaker 1: and I'm like or like, I'm like a dolphnit Sea 121 00:05:56,120 --> 00:06:03,159 Speaker 1: World or something. I dophin. Yeah, well you're that top 122 00:06:03,200 --> 00:06:05,960 Speaker 1: dolphins and the dollars are like the little fishes people 123 00:06:05,960 --> 00:06:10,200 Speaker 1: are throwing me. Yeah, yeah, that's what's up. And you 124 00:06:10,200 --> 00:06:13,839 Speaker 1: were doing all the dolphins yeah like that, except you 125 00:06:13,880 --> 00:06:18,440 Speaker 1: had strong legs, you know, but they're they're leggs. Yeah, exactly. Wow. 126 00:06:22,120 --> 00:06:27,279 Speaker 1: M m m m m m m m m Lowing 127 00:06:27,320 --> 00:06:31,600 Speaker 1: away for ball four. That's another walk for Castro. Looks 128 00:06:31,600 --> 00:06:33,920 Speaker 1: like McGillis has seen enough here. He's making his way 129 00:06:33,920 --> 00:06:36,840 Speaker 1: out to the mound signaling for the bullpen. That will 130 00:06:36,880 --> 00:06:39,919 Speaker 1: be the big lefty Chavez coming out to hopefully stop 131 00:06:39,960 --> 00:06:43,240 Speaker 1: some of the bleeding here as we make our way 132 00:06:43,320 --> 00:06:45,880 Speaker 1: to another pitching change, is a perfect time to introduce 133 00:06:45,920 --> 00:06:50,960 Speaker 1: our special guests from the Little Homie Awareness Foundation, Junior Glavies. Dan, 134 00:06:51,560 --> 00:06:54,599 Speaker 1: it's a trip to be here. Um, I'll excited. A 135 00:06:54,640 --> 00:06:56,400 Speaker 1: lot of people don't know that we're in the middle 136 00:06:56,600 --> 00:06:59,560 Speaker 1: of Little Homie Awareness Month. Can you tell us a 137 00:06:59,560 --> 00:07:03,120 Speaker 1: little bout the junior well, little homies or adult males 138 00:07:03,160 --> 00:07:06,000 Speaker 1: who between the heights of Fight three and Fight seven. 139 00:07:06,440 --> 00:07:08,839 Speaker 1: And I go to that foundation, the one off Figure 140 00:07:08,920 --> 00:07:11,320 Speaker 1: Off and I've been going there for about three years now. 141 00:07:11,360 --> 00:07:15,600 Speaker 1: Food and uh they've got computers and camping and special 142 00:07:15,600 --> 00:07:18,560 Speaker 1: outings like like this one right now. It looks like 143 00:07:18,560 --> 00:07:21,440 Speaker 1: you've all taken over the bleachers era. That's where they 144 00:07:21,440 --> 00:07:23,320 Speaker 1: put us in the bleacher section because you know, you 145 00:07:23,320 --> 00:07:26,200 Speaker 1: could fit more of us, like per capitas or how 146 00:07:26,240 --> 00:07:28,840 Speaker 1: do you say food? Um, but we come out and support, 147 00:07:29,000 --> 00:07:31,200 Speaker 1: like you know, the homies shine asking food he was 148 00:07:31,600 --> 00:07:32,840 Speaker 1: you know, he's the lord of the rings on me. 149 00:07:33,160 --> 00:07:36,280 Speaker 1: He throught the first pitch and so yeah, he made 150 00:07:36,280 --> 00:07:38,600 Speaker 1: it all the way to the catcher's mail without bouncing 151 00:07:38,640 --> 00:07:41,520 Speaker 1: it or nothing. Um. So yeah, he didn't even have 152 00:07:41,600 --> 00:07:43,320 Speaker 1: to like throw it from the front of the mound 153 00:07:43,800 --> 00:07:46,280 Speaker 1: or you know sometimes um you fools put like old 154 00:07:46,280 --> 00:07:50,800 Speaker 1: people or people with um like physical disabilities up into 155 00:07:50,880 --> 00:07:53,400 Speaker 1: the front. So he didn't have to do none of that. Food. 156 00:07:53,440 --> 00:07:56,280 Speaker 1: So you know, that says something right there. Johnson took 157 00:07:56,400 --> 00:07:59,040 Speaker 1: the first pitch for a cult strike. What is it 158 00:07:59,080 --> 00:08:02,560 Speaker 1: that you like people to know about your organization that uh, 159 00:08:02,760 --> 00:08:05,840 Speaker 1: some might not know. Well, the main thing is foods 160 00:08:05,880 --> 00:08:09,560 Speaker 1: that you know. We're people to homie and despite like 161 00:08:09,720 --> 00:08:12,520 Speaker 1: how we might look to others, we actually can do 162 00:08:12,600 --> 00:08:16,880 Speaker 1: everything that like normal size men can do. Johnson swings 163 00:08:16,880 --> 00:08:20,360 Speaker 1: and finds the get up. He's got some speed on him. 164 00:08:20,400 --> 00:08:24,800 Speaker 1: There he's rounding first, rounding second. Okay, the third base 165 00:08:24,840 --> 00:08:27,160 Speaker 1: coach Mariota is telling him to hold on third. There, 166 00:08:27,720 --> 00:08:30,200 Speaker 1: that's a triple for Johnson this fifth of the season. 167 00:08:30,400 --> 00:08:33,000 Speaker 1: That'll bring a little life in the stems dank third 168 00:08:33,000 --> 00:08:36,000 Speaker 1: base food. He made it. Hey, Mr Annoler, maybe you 169 00:08:36,000 --> 00:08:38,600 Speaker 1: can help me at this. So I was hooking up 170 00:08:38,600 --> 00:08:41,760 Speaker 1: at this Hina and we were acting food for like 171 00:08:41,880 --> 00:08:44,240 Speaker 1: ten minutes in her car because my car is in 172 00:08:44,280 --> 00:08:46,960 Speaker 1: the shop right now. But anyway, so we were in 173 00:08:46,960 --> 00:08:49,760 Speaker 1: her driveway and I started to fill her up, you know, 174 00:08:49,960 --> 00:08:53,160 Speaker 1: like contentually because she was letting me in everything. Um. 175 00:08:53,280 --> 00:08:55,800 Speaker 1: And then she had um button the top of her 176 00:08:55,840 --> 00:08:59,520 Speaker 1: pants food and I was like, okay, it's on, you know. Yeah, 177 00:08:59,720 --> 00:09:03,200 Speaker 1: she grabbed my ballo food like yeah, but from the 178 00:09:03,200 --> 00:09:06,640 Speaker 1: outside of my pants, but she grabbed it nonetheless, and 179 00:09:07,400 --> 00:09:09,480 Speaker 1: you know, and I started to move my hand like 180 00:09:09,559 --> 00:09:12,360 Speaker 1: across your stomach food. And then then she was the 181 00:09:12,400 --> 00:09:15,720 Speaker 1: top of her panties food and I put my finger 182 00:09:15,800 --> 00:09:19,640 Speaker 1: under the elastic, you know, just like just when I 183 00:09:19,679 --> 00:09:22,960 Speaker 1: was gonna go and like go a little lower, she 184 00:09:23,080 --> 00:09:26,719 Speaker 1: had moaned food. She goes like that, you know, ding 185 00:09:26,880 --> 00:09:29,120 Speaker 1: on me, Like it's really on, you know. So I 186 00:09:29,240 --> 00:09:32,000 Speaker 1: kept moving my hand down food, and then you know, 187 00:09:32,040 --> 00:09:33,840 Speaker 1: I think I touched the top of her hair down 188 00:09:33,840 --> 00:09:36,679 Speaker 1: their food, a little patch. Yeah, yeah, nice. Right when 189 00:09:36,679 --> 00:09:39,040 Speaker 1: I touched it, she moaned again like oh you know. 190 00:09:39,960 --> 00:09:41,640 Speaker 1: And then but right before I was going to go 191 00:09:41,720 --> 00:09:44,079 Speaker 1: down and touch it, food food out in her future, 192 00:09:44,240 --> 00:09:46,959 Speaker 1: you know what I mean. Her brother came out food 193 00:09:46,960 --> 00:09:49,920 Speaker 1: and scared us. I was like, oh dang, she got 194 00:09:49,920 --> 00:09:52,679 Speaker 1: all at him. You know, She's like hey, like you know, 195 00:09:52,800 --> 00:09:57,040 Speaker 1: you're always ruining things, and then you know he did. 196 00:09:57,080 --> 00:09:59,920 Speaker 1: Don't like ruin the moment or the mood or whatever. 197 00:10:00,000 --> 00:10:05,960 Speaker 1: Because so my question to you is, Mr announcer is like, 198 00:10:06,280 --> 00:10:11,600 Speaker 1: is that making it to second base or third base? Food? Well, 199 00:10:11,600 --> 00:10:13,880 Speaker 1: that's a tough call because you were in the area 200 00:10:14,480 --> 00:10:17,240 Speaker 1: past the elastic, so you're definitely in the zone. As 201 00:10:17,240 --> 00:10:19,200 Speaker 1: they say, Oh yeah, who was in the zone? Because 202 00:10:19,240 --> 00:10:21,280 Speaker 1: I had touched her hair and anything food. It was 203 00:10:21,320 --> 00:10:24,840 Speaker 1: all soft and curly, wild pitching of the dirt. Her 204 00:10:24,880 --> 00:10:26,760 Speaker 1: name dos does a great job to recover and hold 205 00:10:26,840 --> 00:10:31,760 Speaker 1: Johnson that third So, Junior, was it thick the hair? 206 00:10:32,679 --> 00:10:36,160 Speaker 1: Uh huh, Yeah, it definitely was thicker food, but it 207 00:10:36,280 --> 00:10:38,520 Speaker 1: was like salto food, like she had to put condition 208 00:10:38,640 --> 00:10:41,000 Speaker 1: on it. In fact, I know she did because it 209 00:10:41,040 --> 00:10:48,680 Speaker 1: has smelled like salon selectives like apples, right, fellball, that's 210 00:10:48,720 --> 00:10:52,040 Speaker 1: a souvenir for a lucky fan. Oh true, who you 211 00:10:52,080 --> 00:10:55,280 Speaker 1: know about the apple smell? Well, Junior, in order to 212 00:10:55,280 --> 00:10:57,679 Speaker 1: get to third base. I think the listeners would agree. 213 00:10:57,760 --> 00:11:00,320 Speaker 1: They said, you have to actually not only to child, 214 00:11:00,840 --> 00:11:02,960 Speaker 1: but you know you have to insert a finger, at 215 00:11:03,040 --> 00:11:06,920 Speaker 1: least the tip of a finger. Oh Dan, but that's 216 00:11:06,920 --> 00:11:08,920 Speaker 1: still good, right, Food, Like what I did? I think 217 00:11:08,960 --> 00:11:10,880 Speaker 1: the important thing is that you know you're out there 218 00:11:10,920 --> 00:11:14,080 Speaker 1: playing the game. Uh. If you were just about stats, 219 00:11:14,080 --> 00:11:16,760 Speaker 1: then you'd be missing out on what's really important. Oh yeah, 220 00:11:17,120 --> 00:11:19,240 Speaker 1: Like if you know she let me go that for who? 221 00:11:19,320 --> 00:11:21,160 Speaker 1: Then who knows? Am I hacky? Next time we kick, 222 00:11:22,200 --> 00:11:25,319 Speaker 1: we might actually like like do it, or maybe she'll 223 00:11:25,400 --> 00:11:29,200 Speaker 1: even chop me up. You gotta expect whether to take 224 00:11:29,240 --> 00:11:31,880 Speaker 1: a swing on this next pitch, and he does. Oh 225 00:11:31,920 --> 00:11:35,559 Speaker 1: and it's going back back and it's gone out of here. 226 00:11:36,280 --> 00:11:38,720 Speaker 1: That is the sixteenth home run this year for whether, 227 00:11:39,360 --> 00:11:42,920 Speaker 1: Oh Dan? Am After that, my homies are texting before 228 00:11:42,920 --> 00:11:44,400 Speaker 1: I gotta go back down there in my seats. I 229 00:11:44,400 --> 00:11:46,840 Speaker 1: guess when the homies Hey, but thank you for your 230 00:11:46,840 --> 00:11:50,480 Speaker 1: wisdom and everything. All right later, Food, and you're welcome, Jr. 231 00:11:50,679 --> 00:11:53,040 Speaker 1: Hopefully we'll be celebrating a home run of your soon, 232 00:11:53,080 --> 00:11:56,720 Speaker 1: if you know what I mean. Alright, folks, we'll be 233 00:11:56,720 --> 00:12:00,719 Speaker 1: back after these messages from our sponsors M m m 234 00:12:00,960 --> 00:12:09,240 Speaker 1: m mmmmmm. We got that laughter for your soul and 235 00:12:09,400 --> 00:12:13,800 Speaker 1: now to be into the Frankie on this show. So 236 00:12:13,840 --> 00:12:17,000 Speaker 1: what was your favorite place, their favorite city, favorite venue, 237 00:12:17,360 --> 00:12:21,760 Speaker 1: favorite night even to dancing? Oh my god, there's so 238 00:12:21,800 --> 00:12:25,600 Speaker 1: many good ones. I mean, I got to perform for 239 00:12:25,640 --> 00:12:27,800 Speaker 1: so many people I loved. I used to dance to 240 00:12:27,840 --> 00:12:30,600 Speaker 1: the House of Blues. I used to dance to the 241 00:12:30,600 --> 00:12:33,280 Speaker 1: the what do you call it? The Whisky a Go Go. 242 00:12:33,400 --> 00:12:36,600 Speaker 1: I dance for so many paces. I love to steal 243 00:12:36,640 --> 00:12:40,120 Speaker 1: panther nights because we're so good, because you've got to 244 00:12:40,200 --> 00:12:43,040 Speaker 1: like relive the eighties, like and it's like almost pureform, 245 00:12:43,120 --> 00:12:44,760 Speaker 1: even though they're tongue in cheek and they're kind of 246 00:12:44,800 --> 00:12:47,480 Speaker 1: making fun of it. It's like, I mean, there's just 247 00:12:47,840 --> 00:12:51,280 Speaker 1: girls taking their tops off, there's people making out everywhere. 248 00:12:51,480 --> 00:12:54,520 Speaker 1: It's just like but it's it's not It's also it's 249 00:12:54,559 --> 00:12:57,400 Speaker 1: not like serious, like people aren't really like being grinding, 250 00:12:57,480 --> 00:13:01,439 Speaker 1: they're actually just being playful. Those are good times. The 251 00:13:01,559 --> 00:13:04,160 Speaker 1: cheats around the vibe, yeah, I mean, and I would 252 00:13:04,200 --> 00:13:06,040 Speaker 1: go on stage with those guys and I'd get I'd 253 00:13:06,120 --> 00:13:08,040 Speaker 1: encourage the girls to take their tops off too, and 254 00:13:08,040 --> 00:13:10,040 Speaker 1: pull their pants down. And like, oh we just had 255 00:13:10,080 --> 00:13:12,360 Speaker 1: a great time. Yeah that's good. So you bring that 256 00:13:12,440 --> 00:13:14,480 Speaker 1: vibe like it's okay, become the mole as long as 257 00:13:14,480 --> 00:13:17,040 Speaker 1: you're around good people and everything. Nobody and nobody there's 258 00:13:17,080 --> 00:13:20,760 Speaker 1: like putting anything in anyone. They just right just unless 259 00:13:20,760 --> 00:13:24,200 Speaker 1: they want to maybe later. And backstage we don't know, 260 00:13:24,320 --> 00:13:28,559 Speaker 1: but you know, yeah, yeah, yeah, I mean I'm sure 261 00:13:28,600 --> 00:13:31,240 Speaker 1: you know how backstage is. Yeah, I can get crazy 262 00:13:31,320 --> 00:13:34,600 Speaker 1: back there, you know, but yeah, there's you know, yeah, 263 00:13:34,600 --> 00:13:39,080 Speaker 1: but it's like Vegas, you know what happens backstage stage 264 00:13:39,120 --> 00:13:40,800 Speaker 1: in there. That's why you know, no cameras in that, 265 00:13:42,120 --> 00:13:44,360 Speaker 1: you know, because there might be a lot of thumbs, 266 00:13:44,400 --> 00:13:49,360 Speaker 1: you know, a lot of waterfalls everywhere exactly, and that 267 00:13:49,360 --> 00:13:51,800 Speaker 1: should just stay in in there. You know, people don't 268 00:13:51,800 --> 00:13:54,560 Speaker 1: need to see that. It's more of a thing that 269 00:13:54,640 --> 00:13:57,120 Speaker 1: you leave for right there in that moment, a special 270 00:13:57,200 --> 00:14:01,280 Speaker 1: experience to have exactly. So yeah, just the levels and 271 00:14:02,000 --> 00:14:06,200 Speaker 1: work that thumbs and that tennis racket you know, shoutout 272 00:14:06,240 --> 00:14:08,839 Speaker 1: too still panther for that. Yeah, the homies love them 273 00:14:09,120 --> 00:14:11,760 Speaker 1: bringing a good vibes, that painful vibes and that cheats out. 274 00:14:11,920 --> 00:14:14,640 Speaker 1: Yeah that and then you know, working in Portland, the 275 00:14:14,679 --> 00:14:17,720 Speaker 1: club I worked at their sees. I mean, it was 276 00:14:17,760 --> 00:14:21,160 Speaker 1: just a different time we were. It was I can't 277 00:14:21,200 --> 00:14:23,920 Speaker 1: even explain it. It was like the Beatles or something, 278 00:14:24,160 --> 00:14:26,200 Speaker 1: you know, It's just it all happened together at the 279 00:14:26,240 --> 00:14:28,880 Speaker 1: same time. At the same time the Suicide Girls came out, 280 00:14:28,880 --> 00:14:32,120 Speaker 1: which I wasn't one, but they like, we're promoting all 281 00:14:32,160 --> 00:14:36,000 Speaker 1: these tattoos, stripper looking girls, and like so stripper like 282 00:14:36,160 --> 00:14:39,240 Speaker 1: strippers with tattoos were becoming cool, and so all of 283 00:14:39,280 --> 00:14:41,480 Speaker 1: us that are club we're getting like worshiped. And it 284 00:14:41,720 --> 00:14:44,880 Speaker 1: just I tell you, it was like the day it 285 00:14:44,920 --> 00:14:47,760 Speaker 1: was the Heyday, because I mean it was new, you know. 286 00:14:47,880 --> 00:14:50,480 Speaker 1: Now it's kind of runn it's course and it's not like, 287 00:14:51,640 --> 00:14:53,840 Speaker 1: you know how any I don't know how to describe it, 288 00:14:53,880 --> 00:14:57,000 Speaker 1: like anything that gets like it just played out after 289 00:14:57,040 --> 00:14:59,120 Speaker 1: a while or whatever. I'm not saying like girls with 290 00:14:59,120 --> 00:15:02,680 Speaker 1: tattoos are, but I'm just saying, like the the I 291 00:15:02,680 --> 00:15:04,920 Speaker 1: don't know, the way that we were at the time, 292 00:15:04,960 --> 00:15:07,280 Speaker 1: and it's like all the different we we were all 293 00:15:07,360 --> 00:15:10,120 Speaker 1: list into all the different genres of music. Everybody had 294 00:15:10,120 --> 00:15:13,040 Speaker 1: their own, like Forte and I got to once again, 295 00:15:13,080 --> 00:15:15,280 Speaker 1: I was like reliving all the eighties rock stuff and 296 00:15:15,320 --> 00:15:20,520 Speaker 1: I loved it. That sounds so cool. Good dang girl. Yeah, 297 00:15:20,560 --> 00:15:23,000 Speaker 1: but I heard it the first time I went to Portland. 298 00:15:23,720 --> 00:15:26,120 Speaker 1: And then they have so many good clubs, their strip clubs. 299 00:15:26,120 --> 00:15:28,040 Speaker 1: They even had a Beacon one. I don't know. I 300 00:15:28,120 --> 00:15:32,680 Speaker 1: was like, you know what, though, I'm not I've just 301 00:15:32,960 --> 00:15:36,560 Speaker 1: that club. It's cool to go as a as a customer, 302 00:15:36,640 --> 00:15:41,680 Speaker 1: kind of like oh the shade that goes on the shade. 303 00:15:41,840 --> 00:15:44,800 Speaker 1: It's like, I can't even I don't even know if 304 00:15:44,800 --> 00:15:46,800 Speaker 1: I should talk about I'll probably go like get what 305 00:15:46,920 --> 00:15:50,840 Speaker 1: you call it? Um, I got six from no, I 306 00:15:50,840 --> 00:15:55,040 Speaker 1: would who I wouldn't care, but no definition deformation. I'd 307 00:15:55,040 --> 00:15:58,520 Speaker 1: probably get a deformation case against me or something. I mean, 308 00:15:58,520 --> 00:16:00,280 Speaker 1: because well it'd be true, but then they have to 309 00:16:00,280 --> 00:16:03,600 Speaker 1: prove it. But she doesn't like I love vegans, but 310 00:16:03,720 --> 00:16:06,720 Speaker 1: like this club is do it? Like that's the thing too. 311 00:16:06,800 --> 00:16:09,400 Speaker 1: It's like, so they're like a vegan club, right, but 312 00:16:09,440 --> 00:16:12,920 Speaker 1: then they treat the girls like literal like they're like 313 00:16:13,000 --> 00:16:20,320 Speaker 1: the cheeseburgers. They're not impossible. That's terrible. Yeah, I'm telling 314 00:16:20,320 --> 00:16:23,800 Speaker 1: you that's just maybe it's different. Now. Hopefully they changed 315 00:16:23,920 --> 00:16:26,360 Speaker 1: management or something but I also thought it was interesting 316 00:16:26,360 --> 00:16:29,320 Speaker 1: back in the day. Like, um, I swear one time 317 00:16:29,360 --> 00:16:31,560 Speaker 1: I went there, you know, did you ever go? Did 318 00:16:31,640 --> 00:16:33,640 Speaker 1: you ever go? Yes, I've been there, and it's a 319 00:16:33,720 --> 00:16:36,120 Speaker 1: place to have a two dollar bills, That's what I'm saying. 320 00:16:36,280 --> 00:16:39,240 Speaker 1: The two dollar bills. Okay, those I swear to God 321 00:16:39,320 --> 00:16:41,120 Speaker 1: one time when I went there and they were giving 322 00:16:41,120 --> 00:16:43,400 Speaker 1: me the two dollar bills, I swear they pulled them 323 00:16:43,440 --> 00:16:46,920 Speaker 1: off of like you know how like not post it notes, 324 00:16:47,000 --> 00:16:48,520 Speaker 1: but kind of like that where they have like the 325 00:16:48,520 --> 00:16:51,240 Speaker 1: sticky back and they pulled it. I swear they made those. 326 00:16:52,560 --> 00:16:54,560 Speaker 1: You know what. You know what's crazy that you said 327 00:16:54,600 --> 00:16:56,520 Speaker 1: that is because they forced you to get them at 328 00:16:56,520 --> 00:16:58,560 Speaker 1: the door. You were going to try to spend them, 329 00:16:58,560 --> 00:17:01,920 Speaker 1: and nobody would take them. So I'm like, what's up 330 00:17:02,280 --> 00:17:04,560 Speaker 1: and somebody's in theason. I don't know if these are 331 00:17:04,560 --> 00:17:07,199 Speaker 1: really you have to take them to the bank, and 332 00:17:07,280 --> 00:17:10,520 Speaker 1: so they're still at my bath them. I still have 333 00:17:10,600 --> 00:17:14,640 Speaker 1: some too, from like twenty years ago. I okay, soon 334 00:17:14,800 --> 00:17:17,679 Speaker 1: heads up on that place. Hopefully they change management and 335 00:17:17,680 --> 00:17:19,679 Speaker 1: that they don't listen to the podcast. I don't know, 336 00:17:19,720 --> 00:17:24,720 Speaker 1: it's very suss. Yeah, yeah, they should treat all cheezburgers 337 00:17:24,760 --> 00:17:28,359 Speaker 1: that same whether it's real or impossible. Me. Okay, you 338 00:17:28,400 --> 00:17:31,200 Speaker 1: should be one love and they're not doing that. I 339 00:17:40,520 --> 00:17:43,840 Speaker 1: and welcome back, folks to bmp X ninety point seven. 340 00:17:44,280 --> 00:17:46,840 Speaker 1: This is your host or Love and we're going to 341 00:17:46,960 --> 00:17:50,200 Speaker 1: kick off the freestyle hour with the classic don't take 342 00:17:50,480 --> 00:17:54,639 Speaker 1: by the One and only might be prod. You know 343 00:17:54,680 --> 00:17:56,560 Speaker 1: what I'm saying. I'm just ticking for that girl, that 344 00:17:56,800 --> 00:18:01,440 Speaker 1: right one, one that knows what's up? Are you out there? Girl? 345 00:18:02,560 --> 00:18:05,000 Speaker 1: See the thing is, i ain't trying to waste no time. 346 00:18:05,560 --> 00:18:09,840 Speaker 1: I'm looking for that real one. Come on, girl, UM 347 00:18:09,880 --> 00:18:12,639 Speaker 1: do you feel it? I know you feel it, So 348 00:18:12,760 --> 00:18:17,560 Speaker 1: let's rocket something special. Let's make it last. Tied up 349 00:18:17,640 --> 00:18:22,760 Speaker 1: the last girl. I'm done with you. Now that it's over. 350 00:18:22,960 --> 00:18:28,800 Speaker 1: What can I do? Maybe you were just in my 351 00:18:28,920 --> 00:18:33,080 Speaker 1: dreams and when I wake up, I don't know what 352 00:18:33,200 --> 00:18:41,880 Speaker 1: it means. Don't take don't take me home tonight unless 353 00:18:41,960 --> 00:18:47,919 Speaker 1: you want this following baby. Don't take don't take me 354 00:18:48,160 --> 00:18:53,560 Speaker 1: home to night unless you want my Weble's baby out 355 00:18:53,600 --> 00:18:59,200 Speaker 1: of the cold and borry range. That tis in your 356 00:18:59,240 --> 00:19:04,240 Speaker 1: eyes dry me insane. But if you you how to 357 00:19:04,280 --> 00:19:10,000 Speaker 1: read my mind, we wouldn't have to waste all this time. 358 00:19:11,440 --> 00:19:17,240 Speaker 1: I know you love it. Fola, I know you want it. 359 00:19:17,840 --> 00:19:21,760 Speaker 1: Where's weeverl a lot of webl's. I know you love it. 360 00:19:22,400 --> 00:19:27,640 Speaker 1: Follow blah la la, I know you want it. Wevels, 361 00:19:28,000 --> 00:19:34,800 Speaker 1: weevel weevels. Don't take don't tell me home to nine 362 00:19:35,800 --> 00:19:41,919 Speaker 1: unless you want it's fine, baby, don't take. Don't take 363 00:19:42,200 --> 00:19:47,119 Speaker 1: me home tonight unless you want my blood. Go baby. 364 00:19:47,800 --> 00:19:50,480 Speaker 1: That's right, girl, don't waste my time. If we're gonna 365 00:19:50,520 --> 00:19:59,720 Speaker 1: get it in, let's get it in. Oh oops, we 366 00:20:00,119 --> 00:20:02,760 Speaker 1: that laugh before your soul. You now to the into 367 00:20:02,840 --> 00:20:06,119 Speaker 1: the freaky on this show, because you know, there's a 368 00:20:06,160 --> 00:20:08,000 Speaker 1: lot of fools that go into strip clubs and they're like, 369 00:20:08,000 --> 00:20:11,680 Speaker 1: oh yeah, you know how they this misstreet women in general. 370 00:20:12,080 --> 00:20:14,120 Speaker 1: For though, that's why you have this dree A lot 371 00:20:14,160 --> 00:20:16,320 Speaker 1: of there's some fools out there that have this imprint 372 00:20:16,359 --> 00:20:18,400 Speaker 1: on their forehand because when they tried to get crazy. 373 00:20:18,480 --> 00:20:24,200 Speaker 1: Let me teach, I thought, just that quick little jack 374 00:20:24,480 --> 00:20:26,800 Speaker 1: to the head and I you know, but at least 375 00:20:26,800 --> 00:20:30,600 Speaker 1: the mark. Oh well, I will tell you, girl, I 376 00:20:30,640 --> 00:20:33,240 Speaker 1: lived on the streets for a long time and I 377 00:20:33,400 --> 00:20:36,359 Speaker 1: just have a I have a radar for the danger. 378 00:20:37,359 --> 00:20:40,760 Speaker 1: So I just avoid them. But you know, any time 379 00:20:40,800 --> 00:20:45,600 Speaker 1: anybody ever did confront me like and be disrespectful, like 380 00:20:46,040 --> 00:20:50,080 Speaker 1: I'd get in their face like I'm nice, I'm super peaceful. 381 00:20:50,280 --> 00:20:52,679 Speaker 1: I know you have that type of girl, but you 382 00:20:52,720 --> 00:20:54,760 Speaker 1: can bring the streets out of me if you if 383 00:20:54,760 --> 00:20:57,600 Speaker 1: you disrespect me, I will. I don't tolerate it. That's 384 00:20:57,600 --> 00:21:00,960 Speaker 1: the thing. It's like, I'm just not submissive female. I 385 00:21:00,960 --> 00:21:03,919 Speaker 1: will be like playing the role for the job, you know, 386 00:21:04,000 --> 00:21:05,800 Speaker 1: like a little bit and be like, oh yeah, give 387 00:21:05,840 --> 00:21:11,440 Speaker 1: me a dollar, you know, but like for real, if 388 00:21:11,760 --> 00:21:16,000 Speaker 1: like you know, they're be okay where I used to 389 00:21:16,040 --> 00:21:20,360 Speaker 1: work here, Um, trying not to talk too much ship 390 00:21:20,440 --> 00:21:23,919 Speaker 1: because um whatever. I mean they fired all of us 391 00:21:24,000 --> 00:21:27,119 Speaker 1: right before COVID. That's cool, but whatever, Um like a 392 00:21:27,160 --> 00:21:30,719 Speaker 1: whole the whole all of us girls got fired. But um, 393 00:21:30,800 --> 00:21:33,120 Speaker 1: that's cool. Whatever, make your money. I get it. They 394 00:21:33,119 --> 00:21:37,720 Speaker 1: wanted to, you know, change to a different style of club. Fine. Anyways, 395 00:21:38,280 --> 00:21:40,960 Speaker 1: the owner of that club. I also have a weird 396 00:21:41,440 --> 00:21:44,280 Speaker 1: like love hate for them, like I miss It's like 397 00:21:44,320 --> 00:21:46,560 Speaker 1: a father and son own it, and I like miss 398 00:21:46,600 --> 00:21:48,359 Speaker 1: those guys, like I want to like hang out with 399 00:21:48,440 --> 00:21:50,160 Speaker 1: them and like hug them and be like I miss 400 00:21:50,200 --> 00:21:53,080 Speaker 1: you guys because I worked there for nine years, like family. 401 00:21:53,840 --> 00:21:57,520 Speaker 1: But they also were like I want to be like, um, 402 00:21:57,800 --> 00:22:00,360 Speaker 1: mafio so guys, and they used done that all they're 403 00:22:00,400 --> 00:22:03,600 Speaker 1: like mafiosa type friends come in there and act mafia so, 404 00:22:03,640 --> 00:22:05,320 Speaker 1: but they're probably not mafio so they want to be 405 00:22:05,400 --> 00:22:07,960 Speaker 1: guys too. And they're just sitting there all night inside 406 00:22:08,000 --> 00:22:12,080 Speaker 1: the club smoking their cigarettes, like, fucking horse, look at 407 00:22:12,080 --> 00:22:15,640 Speaker 1: these fucking horrors. Come talk to me, fucking horror. Let 408 00:22:15,640 --> 00:22:18,240 Speaker 1: me put my cigarette out on you. And like, you know, 409 00:22:18,320 --> 00:22:20,280 Speaker 1: some girls are like fine with it. They'd be like, 410 00:22:20,320 --> 00:22:21,960 Speaker 1: I'm gonna make some money out these guys. I don't 411 00:22:21,960 --> 00:22:24,080 Speaker 1: care if they want to disrespect me or whatever. I 412 00:22:24,119 --> 00:22:27,280 Speaker 1: just don't. Well. Also, I can't stand cigarettes, sorry, and 413 00:22:27,359 --> 00:22:29,240 Speaker 1: so I also wouldn't sit with them for that reason. 414 00:22:29,280 --> 00:22:32,760 Speaker 1: But um they'd be like, come, come talk, come sit 415 00:22:32,840 --> 00:22:35,440 Speaker 1: with me, and be like no, and like one guy 416 00:22:35,440 --> 00:22:38,560 Speaker 1: would grab me and he's like come sit with me, 417 00:22:38,880 --> 00:22:43,280 Speaker 1: and I was like, if you touch me again, you 418 00:22:43,320 --> 00:22:46,480 Speaker 1: will get a shoe in your fucking eye. And he 419 00:22:46,640 --> 00:22:49,440 Speaker 1: was just like what's the problem, you know, Like what 420 00:22:49,760 --> 00:22:54,040 Speaker 1: what's the big I just to talk to you. I 421 00:22:54,080 --> 00:22:56,560 Speaker 1: was like, you don't need to touch me, learn my name, 422 00:22:57,320 --> 00:23:00,800 Speaker 1: and he was and I walked away. That's right, girl, 423 00:23:00,960 --> 00:23:02,800 Speaker 1: that's like you're my home girl. You're a real one, 424 00:23:02,920 --> 00:23:08,840 Speaker 1: that's right. Dang. I mean, I'm sure like if somebody 425 00:23:08,880 --> 00:23:10,560 Speaker 1: really wanted to funk with me, they could. I'm a 426 00:23:10,640 --> 00:23:13,240 Speaker 1: small person, but I'm still going to fight for myself. 427 00:23:13,520 --> 00:23:15,159 Speaker 1: Yeah yeah, but still I pick you that out and 428 00:23:15,280 --> 00:23:19,240 Speaker 1: was like, okay, let me. I don't want to or 429 00:23:19,280 --> 00:23:20,679 Speaker 1: you're just like, oh I don't want to deal with that. 430 00:23:20,680 --> 00:23:23,840 Speaker 1: I'll go to the next one. Man. Yeah she's drama. Yeah, yeah, 431 00:23:23,880 --> 00:23:27,840 Speaker 1: she's drama because she spoke up for herself. Right, he 432 00:23:27,880 --> 00:23:29,840 Speaker 1: would get one of us right there. Oh I should 433 00:23:29,840 --> 00:23:31,440 Speaker 1: have had one of those. I just had the bipes 434 00:23:31,520 --> 00:23:36,439 Speaker 1: on your forehead. Come on, like, I go on, let 435 00:23:36,520 --> 00:23:41,000 Speaker 1: me see that. Yeah, I did Piper spray too. See 436 00:23:41,200 --> 00:23:43,320 Speaker 1: watch you see. If you try to mess with my 437 00:23:43,320 --> 00:23:47,200 Speaker 1: home girl melts, you're gonna get like like the spray 438 00:23:47,359 --> 00:23:51,440 Speaker 1: and who knows where that's gonna go, right pikom mmmm 439 00:23:52,960 --> 00:23:59,040 Speaker 1: my eye? Why Yeah? What's that? Man? I don't dismiss that. 440 00:23:59,240 --> 00:24:01,800 Speaker 1: The oh yeah, she'll get you with me almost like that, 441 00:24:02,520 --> 00:24:04,200 Speaker 1: and you're like that, and then you'll do that and 442 00:24:04,240 --> 00:24:07,240 Speaker 1: then put the spray around and then you're trying to 443 00:24:07,280 --> 00:24:09,280 Speaker 1: find her, but you don't know. I was a dolphins, 444 00:24:09,680 --> 00:24:12,359 Speaker 1: got on the dolphins. I'm away. Okay, you got a 445 00:24:12,440 --> 00:24:14,240 Speaker 1: life thing. Put me saying around with my home girl. 446 00:24:14,359 --> 00:24:20,680 Speaker 1: That's right, that's right girl. Mm hmm alright, my list 447 00:24:20,720 --> 00:24:22,200 Speaker 1: girl thinks so much for being And now we're gonna 448 00:24:22,200 --> 00:24:24,479 Speaker 1: take a call. Okay, so I do my segment advice 449 00:24:24,520 --> 00:24:29,840 Speaker 1: with j C. Here we go. You know what time 450 00:24:29,880 --> 00:24:34,159 Speaker 1: it is everything relationships, they always what they seem. You 451 00:24:34,240 --> 00:24:37,000 Speaker 1: gotta be on the same page to fulfill their dream. 452 00:24:37,040 --> 00:24:39,639 Speaker 1: Talking it out will help you realize things you didn't see. 453 00:24:39,680 --> 00:24:41,600 Speaker 1: That's why it's time to call it for advice with 454 00:24:41,760 --> 00:24:45,560 Speaker 1: j Z. Okay, we have our first color. Hi. Who 455 00:24:45,640 --> 00:24:52,919 Speaker 1: is this? Hi? Jac This is Meredith. Meredith where hells or? 456 00:24:52,920 --> 00:24:57,080 Speaker 1: You're calling from my hills? Oh it's night here, yes, yes, 457 00:24:57,440 --> 00:25:01,000 Speaker 1: it's very hot today. So so what's up here? I 458 00:25:01,040 --> 00:25:03,520 Speaker 1: hear you're having some issues with your man or in 459 00:25:03,560 --> 00:25:09,880 Speaker 1: the bedroom. Yeah yeah, I am. Um, well so we 460 00:25:10,960 --> 00:25:16,720 Speaker 1: so he hasn't really strong thumb and I really really 461 00:25:16,800 --> 00:25:20,240 Speaker 1: like it. Um, so we we did that a lot, 462 00:25:20,320 --> 00:25:25,920 Speaker 1: you know, for a while, Like yeah, but like now, 463 00:25:26,520 --> 00:25:31,240 Speaker 1: the thing is, every time we start to do it, 464 00:25:31,840 --> 00:25:35,480 Speaker 1: he um, he always uses his thumb, you know. So 465 00:25:35,560 --> 00:25:38,400 Speaker 1: it's it's just kind of like I wish he would 466 00:25:38,520 --> 00:25:41,320 Speaker 1: use like a different finger or like we could try 467 00:25:41,400 --> 00:25:44,920 Speaker 1: something else. Like it just feels kind of like that's 468 00:25:44,920 --> 00:25:47,959 Speaker 1: like now he knows I love it, you know, and 469 00:25:48,000 --> 00:25:51,040 Speaker 1: it's and it's great, it's great, don't get me wrong, 470 00:25:51,160 --> 00:25:53,560 Speaker 1: but I just I just don't want to like have 471 00:25:53,920 --> 00:25:57,960 Speaker 1: like always do that, you know, because it's just so 472 00:25:58,440 --> 00:26:01,439 Speaker 1: you would dress. This is interesting. I got the homegrown 473 00:26:01,480 --> 00:26:05,320 Speaker 1: malice or she's a legend okay, um okay, but it 474 00:26:05,400 --> 00:26:08,119 Speaker 1: was interesting. We were talking talking about them play earlier 475 00:26:08,119 --> 00:26:10,000 Speaker 1: and how I could bring a lot of squirting in 476 00:26:10,080 --> 00:26:12,880 Speaker 1: and a lot of fun, and um, like my man 477 00:26:12,960 --> 00:26:14,719 Speaker 1: has a strong term. I don't want to brag, but 478 00:26:14,880 --> 00:26:17,800 Speaker 1: he's a you know, he played tennis in college. Um. 479 00:26:17,840 --> 00:26:20,040 Speaker 1: You see, Santa Cruz is a banana's luck, and it's 480 00:26:20,080 --> 00:26:23,320 Speaker 1: thumb resembles a banana's luck. So it all made sense, 481 00:26:23,400 --> 00:26:25,399 Speaker 1: you know to me. So it was a lot of 482 00:26:25,400 --> 00:26:27,720 Speaker 1: fun because he was using that banana's luck to make 483 00:26:27,760 --> 00:26:30,960 Speaker 1: me squirt and have a good time. But but I 484 00:26:31,000 --> 00:26:33,600 Speaker 1: feel you I had to address like a out on. 485 00:26:33,640 --> 00:26:36,840 Speaker 1: There's other things we can do. Besides, you're big time, 486 00:26:37,560 --> 00:26:41,080 Speaker 1: you know. But so are you having issues communicating this 487 00:26:41,160 --> 00:26:45,560 Speaker 1: to him or yeah, I am, because I just don't 488 00:26:45,680 --> 00:26:49,800 Speaker 1: want I'm afraid that if I say something, then you know, 489 00:26:49,840 --> 00:26:53,440 Speaker 1: it'll hurt his feelings and then he'll get really insecure 490 00:26:53,480 --> 00:26:55,639 Speaker 1: about his thumb. And I just don't want them to 491 00:26:55,640 --> 00:26:58,280 Speaker 1: see really insecure about his thumb, you know, because it 492 00:26:58,400 --> 00:27:03,280 Speaker 1: is really nice and stressed. Um, I love variety, right, 493 00:27:03,320 --> 00:27:05,359 Speaker 1: and who doesn't grow You gotta mix it up, malice. 494 00:27:05,400 --> 00:27:07,160 Speaker 1: Do you have any advice that you could maybe give 495 00:27:07,160 --> 00:27:09,720 Speaker 1: her how she could tell her men like, I mean, 496 00:27:10,240 --> 00:27:13,119 Speaker 1: I've been in that same situation before. I had a 497 00:27:13,160 --> 00:27:16,199 Speaker 1: guy who really liked me to like play like I 498 00:27:16,240 --> 00:27:19,760 Speaker 1: was dead, and then it got more and more severe, 499 00:27:19,840 --> 00:27:21,680 Speaker 1: to the point like he wanted me to like lay 500 00:27:21,760 --> 00:27:24,280 Speaker 1: by the window and get cold, like icy cold, and 501 00:27:24,359 --> 00:27:26,600 Speaker 1: lay there like a dead body. And then he started 502 00:27:26,600 --> 00:27:28,840 Speaker 1: putting me in the tub full of ice, and it 503 00:27:29,000 --> 00:27:31,520 Speaker 1: just got to a point I had to actually, like, 504 00:27:32,840 --> 00:27:34,800 Speaker 1: I mean, I had to flip out. I actually put out. 505 00:27:35,000 --> 00:27:36,320 Speaker 1: But like, you don't want it to get to that 506 00:27:36,359 --> 00:27:41,159 Speaker 1: point you want to just maybe while you're in the 507 00:27:41,200 --> 00:27:44,359 Speaker 1: middle and he's got the thumb in there, like take 508 00:27:44,400 --> 00:27:47,439 Speaker 1: it out and start showing him some other places to 509 00:27:47,480 --> 00:27:50,719 Speaker 1: put it right or other FEUs, because you don't want 510 00:27:50,720 --> 00:27:52,240 Speaker 1: to to a place where you want to cut off 511 00:27:52,240 --> 00:27:54,119 Speaker 1: the thumb, like I'm gonna cut it out. Neet that 512 00:27:54,240 --> 00:27:57,640 Speaker 1: dumb girl, you know, because just like raccoons, they need 513 00:27:57,640 --> 00:28:01,480 Speaker 1: that thumb, you know. So you know what, maybe you 514 00:28:01,600 --> 00:28:04,560 Speaker 1: can you can have a moment like put a pillow 515 00:28:04,560 --> 00:28:07,840 Speaker 1: on your lap, grab his hand, put it on the pillow, 516 00:28:07,920 --> 00:28:10,120 Speaker 1: you know, like kind of how you present a ring 517 00:28:10,240 --> 00:28:13,040 Speaker 1: or something, and then and then pet thumb and just 518 00:28:13,119 --> 00:28:15,119 Speaker 1: let him know, a we had a we had a 519 00:28:15,119 --> 00:28:18,480 Speaker 1: lot of fun. I appreciate you. You know, maybe put 520 00:28:18,560 --> 00:28:23,919 Speaker 1: some lotion, thank you them, you know, and then and 521 00:28:23,960 --> 00:28:26,199 Speaker 1: then kind of be make it at peace, you know, 522 00:28:26,240 --> 00:28:28,200 Speaker 1: and look at your man, say thank you for that. 523 00:28:28,320 --> 00:28:31,280 Speaker 1: But now look it. You know, maybe you could do 524 00:28:31,320 --> 00:28:34,199 Speaker 1: now this whatever they say, and this one and this 525 00:28:34,240 --> 00:28:39,000 Speaker 1: one point out the other fingers to his thiphe into 526 00:28:39,120 --> 00:28:42,400 Speaker 1: his into his webbles and kind of grow there into 527 00:28:42,480 --> 00:28:47,000 Speaker 1: that tank area, like look at look at how much 528 00:28:47,120 --> 00:28:49,680 Speaker 1: other things there are to explore and that might lead 529 00:28:49,680 --> 00:28:52,560 Speaker 1: to something. You know, would you agree my list? Oh? 530 00:28:52,680 --> 00:28:57,120 Speaker 1: I know you you make the thumb join in with 531 00:28:57,160 --> 00:29:03,560 Speaker 1: all the other fingers into a fist. Oh yeah, there 532 00:29:03,560 --> 00:29:06,719 Speaker 1: you go. That's taking it to the next level. Okay, 533 00:29:06,840 --> 00:29:08,640 Speaker 1: so I think, okay, so we got to send that 534 00:29:08,720 --> 00:29:11,120 Speaker 1: time too, even if it's just to Carolina Island and 535 00:29:11,160 --> 00:29:12,800 Speaker 1: a group of for a couple of days. Can now 536 00:29:12,840 --> 00:29:15,400 Speaker 1: you know, and then have them come back, you know, 537 00:29:15,600 --> 00:29:20,080 Speaker 1: do your stretches and get ready for the fist. Yeah awesome, 538 00:29:20,880 --> 00:29:24,280 Speaker 1: Oh my gosh, you're amazing. Thank you so much. J C. Okay, 539 00:29:24,280 --> 00:29:29,600 Speaker 1: thank you, Meredith, have fun right, thank okay, thank you. Okay. 540 00:29:30,400 --> 00:29:32,840 Speaker 1: Oh I hope she gets tisted. That's great. Yeah, that 541 00:29:32,880 --> 00:29:35,280 Speaker 1: sounds fun for her. Right there under the trees and 542 00:29:35,360 --> 00:29:39,680 Speaker 1: a coral hills. It's beautiful. Okay, you guys, that's been 543 00:29:39,760 --> 00:29:42,680 Speaker 1: it our interview. Shout out to my homegirl, Madize girl, 544 00:29:43,160 --> 00:29:45,960 Speaker 1: thank you for having me. It's been a pleasure with home. 545 00:29:46,040 --> 00:29:48,360 Speaker 1: It's always a pleasure just being in your presence. Girl. 546 00:29:48,480 --> 00:29:52,000 Speaker 1: We should do bikini shoot together. Something can do it. Yeah. 547 00:29:52,120 --> 00:29:53,760 Speaker 1: I don't want you to get jealous of how I do, 548 00:29:53,840 --> 00:29:56,800 Speaker 1: little girl, because I'm not retired yet, you know, I 549 00:29:56,920 --> 00:29:59,520 Speaker 1: know girl, I know what you guys? What's up? All right? 550 00:29:59,560 --> 00:30:06,960 Speaker 1: Thank you guys through tuning in ohe sent there for 551 00:30:07,040 --> 00:30:10,200 Speaker 1: tuning into another episode of The Frankie in your Next Show. 552 00:30:10,280 --> 00:30:13,680 Speaker 1: For sended by Will Ferrell's Big Funny Players Network. Shout 553 00:30:13,680 --> 00:30:17,160 Speaker 1: out to the homies hands Olivia Neck, the Homie earned 554 00:30:17,200 --> 00:30:21,200 Speaker 1: dog here in the studio, James Fritz, Kevin Kamia, Bobby 555 00:30:21,320 --> 00:30:25,280 Speaker 1: d J Buzz, the legendary soul assassins by me. You 556 00:30:25,320 --> 00:30:27,320 Speaker 1: know how we do, Homie. Thank you for giving it. 557 00:30:27,400 --> 00:30:29,920 Speaker 1: That's an opportunity on the get down. And if you 558 00:30:29,920 --> 00:30:31,600 Speaker 1: get a chance, told me it's going and rank and 559 00:30:31,680 --> 00:30:35,200 Speaker 1: review the podcast or continue living your life. We'll see 560 00:30:35,240 --> 00:30:38,360 Speaker 1: you on the next episode of The Frankie Next show. 561 00:30:38,440 --> 00:30:39,720 Speaker 1: That's what's soft right there.