1 00:00:04,120 --> 00:00:07,440 Speaker 1: Doll world up his head? Would you believe. 2 00:00:10,200 --> 00:00:22,240 Speaker 2: It's your mindsillion pieces? Would you do? Ba ba. 3 00:00:23,200 --> 00:00:29,600 Speaker 3: Ba? Ladies and gentlemen and are non buying every friends, 4 00:00:29,640 --> 00:00:33,240 Speaker 3: Welcome to another minisode of Bananas. 5 00:00:33,280 --> 00:00:35,159 Speaker 1: I as always am Kurt Brown older. 6 00:00:35,600 --> 00:00:39,920 Speaker 2: I am Scotty banana boy too, Landis. These are your stories. 7 00:00:40,120 --> 00:00:42,760 Speaker 2: We talk about him, we're excited about him. They're they're 8 00:00:42,760 --> 00:00:45,560 Speaker 2: real banana stories from real ban animals and boil boy. 9 00:00:45,600 --> 00:00:46,280 Speaker 2: Do we love them? 10 00:00:46,320 --> 00:00:46,920 Speaker 1: Oh God? 11 00:00:46,960 --> 00:00:49,200 Speaker 3: We got some good ones for you this day. First off, 12 00:00:49,479 --> 00:00:51,840 Speaker 3: check in how you doing, Scottie. 13 00:00:51,920 --> 00:00:54,720 Speaker 2: I'm good and uh. For those who might not have 14 00:00:54,800 --> 00:00:57,400 Speaker 2: heard on the podcast yet, this might come out before 15 00:00:57,640 --> 00:01:01,320 Speaker 2: the podcast we recorded. I'm doing something called to shore. Yeah. 16 00:01:02,440 --> 00:01:04,839 Speaker 2: I had a dream where I was at the beach 17 00:01:05,000 --> 00:01:06,679 Speaker 2: and everybody asked me how I got there, and I 18 00:01:06,680 --> 00:01:09,920 Speaker 2: said I walked and they all laughed, and I woke 19 00:01:10,040 --> 00:01:11,800 Speaker 2: up and I texted Kurt and I said, I'm going 20 00:01:11,880 --> 00:01:14,200 Speaker 2: to walk out my front door to the ocean and 21 00:01:14,400 --> 00:01:17,759 Speaker 2: walk directly into it. So it's for charity. We're raising 22 00:01:17,800 --> 00:01:21,280 Speaker 2: money for cast la which is a charity that helps 23 00:01:22,040 --> 00:01:25,600 Speaker 2: trying to abolish human trafficking and human slavery around the world, 24 00:01:25,640 --> 00:01:27,840 Speaker 2: so for a good cause. We're already up to three 25 00:01:27,880 --> 00:01:31,760 Speaker 2: thousand bucks, which is way more than I expected. But uh, 26 00:01:32,040 --> 00:01:33,720 Speaker 2: you know, I'm gonna Kurt's gonna join me for a 27 00:01:33,720 --> 00:01:35,320 Speaker 2: lot of the walk. We're gonna be high five and 28 00:01:35,360 --> 00:01:38,400 Speaker 2: people along Santa Monica Boulevard. We're walking from my front 29 00:01:38,400 --> 00:01:42,400 Speaker 2: door to the ocean shore. So go to the GoFundMe. 30 00:01:42,520 --> 00:01:45,040 Speaker 2: We have a link on a link tree on her Instagram, 31 00:01:45,080 --> 00:01:48,240 Speaker 2: the Bananas Podcast. Send me five bucks, send me ten bucks. 32 00:01:48,400 --> 00:01:52,160 Speaker 2: Anything goes directly to this great cause. Door to shore. 33 00:01:52,760 --> 00:01:55,360 Speaker 1: Thanks guys, all right, I'm excited to do it. 34 00:01:55,400 --> 00:01:59,000 Speaker 3: That is that harkens me back to my old psychogeography 35 00:01:59,080 --> 00:02:00,200 Speaker 3: days when we would just walk. 36 00:02:00,200 --> 00:02:02,160 Speaker 1: And walk and walk. And I love a long walk. 37 00:02:02,200 --> 00:02:03,320 Speaker 1: I love a long walk. 38 00:02:03,880 --> 00:02:06,680 Speaker 2: Well, this one's fifteen point three miles, so it's gonna 39 00:02:06,680 --> 00:02:09,640 Speaker 2: be a nice long one. Yes, this is five and 40 00:02:09,639 --> 00:02:11,840 Speaker 2: a half hours. But I bet we stop and grab 41 00:02:11,880 --> 00:02:14,440 Speaker 2: a nice coffee, maybe drink a beer with a bananamal. 42 00:02:14,560 --> 00:02:15,960 Speaker 2: Who knows what's gonna happen. 43 00:02:16,080 --> 00:02:18,600 Speaker 1: Oh, come on, I think it's gonna be. 44 00:02:18,639 --> 00:02:23,000 Speaker 3: We're stopping every every hour, every two hours, having a drunk, 45 00:02:23,400 --> 00:02:25,600 Speaker 3: having a snack, we're gonna get hungry. 46 00:02:26,080 --> 00:02:31,280 Speaker 2: I'm gonna eat a banana one tanas. Yeah, oh man, 47 00:02:33,440 --> 00:02:35,680 Speaker 2: he's gonna be great. So thanks to anybody who does 48 00:02:35,720 --> 00:02:38,120 Speaker 2: care to donate, and if not, that's okay too, no 49 00:02:38,240 --> 00:02:40,200 Speaker 2: problem at all. We're doing it no matter what. 50 00:02:41,240 --> 00:02:43,040 Speaker 3: All right, do you want to you got you got 51 00:02:43,040 --> 00:02:45,080 Speaker 3: a great one to jump into? Or shall I go first? 52 00:02:45,400 --> 00:02:47,359 Speaker 2: Why don't you go first? You seem to. I can 53 00:02:47,400 --> 00:02:49,200 Speaker 2: tell by the tone of your voice that you have 54 00:02:49,280 --> 00:02:49,960 Speaker 2: one that you like. 55 00:02:50,200 --> 00:02:51,639 Speaker 1: Ill we'll seem uh. 56 00:02:51,760 --> 00:02:55,800 Speaker 3: This was emailed into The Bananas a podcast at gmail 57 00:02:55,840 --> 00:02:57,839 Speaker 3: dot com and you can send yours there as well. 58 00:02:58,840 --> 00:02:59,520 Speaker 1: Alrighty. 59 00:03:00,160 --> 00:03:02,799 Speaker 3: In two thousand and four or so, I was looking 60 00:03:02,800 --> 00:03:05,799 Speaker 3: for a job. I saw a listing online that said 61 00:03:05,919 --> 00:03:08,920 Speaker 3: artist wanted for fine detail work. I applied, saying I'd 62 00:03:08,960 --> 00:03:12,040 Speaker 3: done art for years. Still life portrait, YadA, YadA. The 63 00:03:12,120 --> 00:03:14,040 Speaker 3: job poster responded to me and said, have you ever 64 00:03:14,040 --> 00:03:17,760 Speaker 3: done autographs? They explained that they dealt in paraphernalia, mainly 65 00:03:17,880 --> 00:03:19,840 Speaker 3: music stuff, and that it was being used as a 66 00:03:19,840 --> 00:03:22,360 Speaker 3: prop in a movie or going up in the wall in. 67 00:03:22,400 --> 00:03:23,400 Speaker 1: A hard rock cafe. 68 00:03:23,440 --> 00:03:26,040 Speaker 3: It didn't have to be real, so they needed someone 69 00:03:26,040 --> 00:03:29,200 Speaker 3: who could replicate autographs to sign stuff. They sent me 70 00:03:29,280 --> 00:03:32,959 Speaker 3: pictures of five famous signatures. I replicated them and sent 71 00:03:33,000 --> 00:03:35,960 Speaker 3: pictures back. I got the job. I drove to a 72 00:03:36,000 --> 00:03:39,880 Speaker 3: private residence in an affluent neighborhood in central southern New 73 00:03:39,960 --> 00:03:43,840 Speaker 3: Jersey and was created by a stooped, wild haired Woody 74 00:03:43,880 --> 00:03:46,680 Speaker 3: Allen esque man who led me to his kitchen. There 75 00:03:46,760 --> 00:03:50,520 Speaker 3: he had several of these white translucent postal service bins 76 00:03:50,520 --> 00:03:54,080 Speaker 3: full of music paraphernalia, album sheet, music, etc. Each one 77 00:03:54,080 --> 00:03:55,880 Speaker 3: had a piece of paper in it with an autograph 78 00:03:55,920 --> 00:03:59,040 Speaker 3: that had been presumably found on the Internet and printed out. 79 00:03:59,320 --> 00:04:01,520 Speaker 3: I sat down a kitchen table with a bin full 80 00:04:01,560 --> 00:04:03,960 Speaker 3: of pens, and he sat across for me and handed 81 00:04:04,000 --> 00:04:07,080 Speaker 3: me each item. I'd practice the autograph a few times, 82 00:04:07,120 --> 00:04:08,960 Speaker 3: then do it on the item, then move on to 83 00:04:09,000 --> 00:04:12,120 Speaker 3: the next one. That first day, I probably worked for 84 00:04:12,200 --> 00:04:14,520 Speaker 3: four hours and went through two or three of those bins. 85 00:04:14,560 --> 00:04:17,400 Speaker 3: I left with a stack of crisp twenties. I would 86 00:04:17,440 --> 00:04:19,200 Speaker 3: only work once in a while, Mike get called in 87 00:04:19,279 --> 00:04:21,400 Speaker 3: twice a month, might not hear from him for three months, 88 00:04:21,400 --> 00:04:23,119 Speaker 3: but I would drive to his house, sit at the table, 89 00:04:23,160 --> 00:04:23,960 Speaker 3: work and get paid. 90 00:04:24,000 --> 00:04:26,080 Speaker 1: I did this for seven years. 91 00:04:26,600 --> 00:04:28,000 Speaker 2: Oh my goodness, I had. 92 00:04:27,920 --> 00:04:30,280 Speaker 1: A regular job. This was just a bonus side gig. 93 00:04:30,320 --> 00:04:32,960 Speaker 3: The sessions eventually got longer and the material started getting 94 00:04:33,000 --> 00:04:35,320 Speaker 3: more strange, and I was getting paid more. I could 95 00:04:35,360 --> 00:04:38,240 Speaker 3: do autographs without practicing, and was probably tearing through seven 96 00:04:38,320 --> 00:04:40,680 Speaker 3: or eight of those bins, my god, per five or 97 00:04:40,720 --> 00:04:43,120 Speaker 3: six hour session. Now I know what you're thinking, There's 98 00:04:43,120 --> 00:04:45,240 Speaker 3: no way this was legit. How did you fall for this? 99 00:04:45,480 --> 00:04:47,680 Speaker 3: I know, but he said it was being sold to 100 00:04:47,680 --> 00:04:50,280 Speaker 3: people who knew they were buying copies. For instance, if 101 00:04:50,279 --> 00:04:52,960 Speaker 3: they were jazz records, I always made them out to Rick, 102 00:04:53,279 --> 00:04:55,320 Speaker 3: because this guy knew a guy named Rick who had 103 00:04:55,360 --> 00:04:57,440 Speaker 3: a jazz club and wanted to hang stuff on his wall. 104 00:04:58,000 --> 00:04:58,599 Speaker 1: Makes sense. 105 00:04:59,080 --> 00:05:01,440 Speaker 3: But then there were other stuff that was definitely not 106 00:05:01,480 --> 00:05:03,680 Speaker 3: getting hung in a restaurant, such as a signing a 107 00:05:03,720 --> 00:05:08,320 Speaker 3: Beatrix Potter on a first edition Peter Rabbit Mussolini on 108 00:05:08,400 --> 00:05:12,080 Speaker 3: a Time magazine from the forties, and a Martin Van 109 00:05:12,160 --> 00:05:15,279 Speaker 3: Buren on a printed transcript of a congressional session. I 110 00:05:15,279 --> 00:05:17,680 Speaker 3: would use fountain pens with water down ink to make 111 00:05:17,720 --> 00:05:20,320 Speaker 3: it look old. My god, the details here. 112 00:05:20,680 --> 00:05:21,000 Speaker 2: Yes. 113 00:05:21,839 --> 00:05:23,560 Speaker 3: Every once in a while I get skeptical and try 114 00:05:23,560 --> 00:05:26,159 Speaker 3: to google my employer, and I never found anything until 115 00:05:26,160 --> 00:05:27,960 Speaker 3: one day I was googling him and I found him. 116 00:05:28,120 --> 00:05:30,680 Speaker 3: He was using a different spelling of his name, and 117 00:05:30,680 --> 00:05:32,760 Speaker 3: which is why I couldn't find him before. What I 118 00:05:32,800 --> 00:05:34,880 Speaker 3: actually found out was a review calling him a crook 119 00:05:34,880 --> 00:05:35,520 Speaker 3: and a swindler. 120 00:05:35,560 --> 00:05:36,000 Speaker 1: Obviously. 121 00:05:36,320 --> 00:05:39,080 Speaker 3: A person apparently bought an autograph online and when it 122 00:05:39,160 --> 00:05:41,040 Speaker 3: arrived it was an item that had been printed after 123 00:05:41,120 --> 00:05:44,960 Speaker 3: the person's death. This angry poster included the swindler's website. 124 00:05:45,000 --> 00:05:47,240 Speaker 3: My employers and I checked it out and there they 125 00:05:47,240 --> 00:05:50,800 Speaker 3: were hundreds of autographs for sale, all of them mine, 126 00:05:51,279 --> 00:05:54,240 Speaker 3: with huge price tags. And there was a section of 127 00:05:54,240 --> 00:05:57,480 Speaker 3: the website with our autographs don't come with a certificate 128 00:05:57,520 --> 00:06:01,919 Speaker 3: of authenticity because so good you don't need one. State Yeah, 129 00:06:01,960 --> 00:06:05,479 Speaker 3: and they proof these days and they were all fake. 130 00:06:05,920 --> 00:06:08,280 Speaker 3: I freaked out. I've been helping this guy swindle people 131 00:06:08,320 --> 00:06:10,279 Speaker 3: for years. Am I committing fraud? Could I get caught? 132 00:06:10,320 --> 00:06:12,920 Speaker 3: At this point in my forgery career, I was getting 133 00:06:12,960 --> 00:06:16,359 Speaker 3: sent home with unimportant stuff think iron Maiden posters to 134 00:06:16,480 --> 00:06:18,960 Speaker 3: sign it home and bring back next time. I took 135 00:06:19,000 --> 00:06:21,320 Speaker 3: pictures of everything to cover my ass, packed it all up, 136 00:06:21,360 --> 00:06:23,440 Speaker 3: wrote I can't do this anymore letter and shoved it 137 00:06:23,480 --> 00:06:25,720 Speaker 3: in there, then left it on his front porch, and 138 00:06:25,800 --> 00:06:28,560 Speaker 3: Ding Dong ditched him. He and his wife, who I'd 139 00:06:28,600 --> 00:06:30,839 Speaker 3: met countless times, called and left messages for weeks, but 140 00:06:30,880 --> 00:06:33,520 Speaker 3: I never picked up, and eventually they stopped calling and 141 00:06:33,560 --> 00:06:35,840 Speaker 3: I never talked to them again. It was hard to 142 00:06:35,880 --> 00:06:38,719 Speaker 3: say goodbye to hundreds of dollars. He was paying me 143 00:06:38,760 --> 00:06:40,719 Speaker 3: one hundred dollars an hour by the time. 144 00:06:40,760 --> 00:06:41,440 Speaker 2: I wow. 145 00:06:41,720 --> 00:06:43,400 Speaker 3: But I'd like to think that when faced with money 146 00:06:43,440 --> 00:06:46,359 Speaker 3: verse morals, I did the right thing. I just googled 147 00:06:46,360 --> 00:06:47,680 Speaker 3: it for the first time in a while. The only 148 00:06:47,720 --> 00:06:49,440 Speaker 3: thing that comes up is a one star Yelp review 149 00:06:49,480 --> 00:06:52,359 Speaker 3: with a picture of a Walt Disney autograph done by me. 150 00:06:55,040 --> 00:06:59,600 Speaker 2: Oh boy, oh boy. Crazy. Right, that's a great one 151 00:06:59,640 --> 00:07:04,160 Speaker 2: because you have to assume. And I send a lot 152 00:07:04,160 --> 00:07:07,159 Speaker 2: of gifts that are signed headshots to friends like there's 153 00:07:07,440 --> 00:07:09,279 Speaker 2: and you've given me. You gave me a David Lee 154 00:07:09,360 --> 00:07:12,200 Speaker 2: Roth signed album by no Album one time, But you 155 00:07:12,360 --> 00:07:16,240 Speaker 2: just have to assume that they're all fake. Yeah, and 156 00:07:16,360 --> 00:07:18,440 Speaker 2: I do, but I still love them. I still have 157 00:07:18,520 --> 00:07:21,760 Speaker 2: a Daisy Duke, the original Daisy Duke Katherine Bach in 158 00:07:21,880 --> 00:07:24,320 Speaker 2: my kitchen, framed right now, I'm looking right at her. 159 00:07:25,000 --> 00:07:26,400 Speaker 2: Probably fake, is it? 160 00:07:26,400 --> 00:07:27,679 Speaker 1: It's signed by her, it's. 161 00:07:27,520 --> 00:07:31,000 Speaker 2: Signed, and uh yeah by someone with great handwriting. And 162 00:07:31,000 --> 00:07:33,120 Speaker 2: then the best one I have is a David Lee 163 00:07:33,200 --> 00:07:37,520 Speaker 2: Roth that is from a hotel in New Jersey that says, 164 00:07:37,640 --> 00:07:40,880 Speaker 2: lou you doll, thanks for the pancakes, David Lee Roth. 165 00:07:43,320 --> 00:07:45,320 Speaker 1: That does seem like how he would talk now. 166 00:07:45,400 --> 00:07:48,720 Speaker 2: Yeah, lou you doll, thanks for the pancakes, David Lee Roth. 167 00:07:48,760 --> 00:07:50,760 Speaker 2: And that one did come a little certificate, but even 168 00:07:50,800 --> 00:07:52,800 Speaker 2: those certificates look like they were make it made at 169 00:07:52,840 --> 00:07:54,080 Speaker 2: the local kinkost. I know. 170 00:07:54,440 --> 00:07:55,160 Speaker 1: Oh that's great. 171 00:07:55,200 --> 00:07:56,960 Speaker 3: I love that idea because you know, whenever I play 172 00:07:57,000 --> 00:07:59,480 Speaker 3: a club, they always have me sign a poster and 173 00:07:59,480 --> 00:08:00,640 Speaker 3: then that may they put it up. 174 00:08:00,680 --> 00:08:01,440 Speaker 1: Probably they don't. 175 00:08:01,760 --> 00:08:05,200 Speaker 3: But I like the idea of just saying, like, Johnny, 176 00:08:05,240 --> 00:08:07,560 Speaker 3: you doll, thanks for letting me perform. 177 00:08:08,120 --> 00:08:10,200 Speaker 2: You should do that, you should start. You should figure 178 00:08:10,200 --> 00:08:13,360 Speaker 2: out your sentence and your like nickname, your cute name 179 00:08:13,360 --> 00:08:16,200 Speaker 2: that you call everybody, and just lay it on everybody, 180 00:08:16,240 --> 00:08:19,480 Speaker 2: so it's yours. I have John Ratzenberg, the guy that 181 00:08:19,520 --> 00:08:22,560 Speaker 2: played chiff On. Excuse me, cliff On cheers, not chiff 182 00:08:22,600 --> 00:08:26,160 Speaker 2: On lears Yeah, he played Cliff Clavin on Cheers, and 183 00:08:26,200 --> 00:08:28,880 Speaker 2: it says like I can't read it from here, but 184 00:08:28,920 --> 00:08:31,520 Speaker 2: it's something like move forward with an open heart and 185 00:08:31,560 --> 00:08:34,120 Speaker 2: always clean your socks. And I guess that's what he 186 00:08:34,160 --> 00:08:36,800 Speaker 2: would always sign, is like always wear fresh clean socks. 187 00:08:36,840 --> 00:08:37,840 Speaker 2: That was like his headshots. 188 00:08:38,160 --> 00:08:38,840 Speaker 1: That was his thing. 189 00:08:39,040 --> 00:08:46,080 Speaker 3: Oh interesting, but this guy's story reminds me so of 190 00:08:46,200 --> 00:08:49,120 Speaker 3: like working for people in their home, especially working for 191 00:08:49,160 --> 00:08:51,720 Speaker 3: strangers in their home. It's always such a strange, weird experience. 192 00:08:51,880 --> 00:08:56,880 Speaker 3: And I've done a couple times, but first one, I 193 00:08:56,960 --> 00:08:59,360 Speaker 3: must have been eighteen. I think I just graduated high 194 00:08:59,360 --> 00:09:02,400 Speaker 3: school and I was going to college the next next, 195 00:09:02,600 --> 00:09:07,480 Speaker 3: next year, next in September, and for June, July, and August, 196 00:09:07,520 --> 00:09:12,360 Speaker 3: I got a job working at the chamber of commerce 197 00:09:12,880 --> 00:09:14,079 Speaker 3: in a what is the. 198 00:09:14,080 --> 00:09:17,000 Speaker 2: Chamber of commerce? Every town has one. I have no 199 00:09:17,080 --> 00:09:19,000 Speaker 2: idea what the hell. Nobody knows what it is. 200 00:09:19,160 --> 00:09:21,720 Speaker 3: Well what this chamber of commerce did. And it was 201 00:09:21,720 --> 00:09:23,760 Speaker 3: like there was no place. I always imagine a chamber 202 00:09:23,800 --> 00:09:25,599 Speaker 3: of commerce at least had a chamber, do you know 203 00:09:25,640 --> 00:09:28,040 Speaker 3: what I mean? There was just the basement of this 204 00:09:28,120 --> 00:09:31,840 Speaker 3: dude's house. Yes, And they you just send out mailings. 205 00:09:31,960 --> 00:09:35,520 Speaker 3: So I think like hotel like you know, Airbnb or 206 00:09:35,559 --> 00:09:37,360 Speaker 3: not airbit, but B and B is like Been and 207 00:09:37,400 --> 00:09:41,320 Speaker 3: Breakfast in that town would essentially send their thing to 208 00:09:41,480 --> 00:09:43,480 Speaker 3: the Chamber of Commerce and probably pay the Chamber of 209 00:09:43,480 --> 00:09:45,360 Speaker 3: Commerce to then send this out. 210 00:09:45,679 --> 00:09:47,360 Speaker 1: I guess it was back in the day when people 211 00:09:47,360 --> 00:09:50,960 Speaker 1: will be like, send me some brochaws for places to visit. 212 00:09:50,800 --> 00:09:53,439 Speaker 3: On the shore, and then they would like that put 213 00:09:53,480 --> 00:09:54,920 Speaker 3: it in an like and then they would just get 214 00:09:54,960 --> 00:09:57,800 Speaker 3: an envelope of all these you know, brochures of places 215 00:09:57,840 --> 00:10:00,720 Speaker 3: to stay the ofic are paying the Chamber of Commerce 216 00:10:00,760 --> 00:10:05,240 Speaker 3: to do. But but so this guy was a vice 217 00:10:05,320 --> 00:10:09,840 Speaker 3: principal of a local Catholic school of which was not 218 00:10:09,960 --> 00:10:12,520 Speaker 3: my Catholic school. It was okay, boy a bunch of 219 00:10:12,520 --> 00:10:16,840 Speaker 3: my friends went to and his name was Mike. I'm 220 00:10:16,840 --> 00:10:18,959 Speaker 3: not using any names of towns or anything like that. 221 00:10:19,559 --> 00:10:24,000 Speaker 2: Okay, this is just just Mike, the Catholic vice principal 222 00:10:24,040 --> 00:10:24,760 Speaker 2: from somewhere. 223 00:10:24,920 --> 00:10:27,560 Speaker 3: Yeah, and people know where I'm from so they can 224 00:10:27,600 --> 00:10:32,360 Speaker 3: put it together. But he Okay, So I start working 225 00:10:32,360 --> 00:10:35,800 Speaker 3: in his basement and I literally just I'm just I'm 226 00:10:35,800 --> 00:10:37,960 Speaker 3: just stuff and envelopes, stuff and envelopes. 227 00:10:37,520 --> 00:10:40,079 Speaker 1: For four hours that it's on that. 228 00:10:39,920 --> 00:10:42,040 Speaker 3: And I always remember hanging over his desk, so he 229 00:10:42,080 --> 00:10:43,880 Speaker 3: had his desk in the basement as well, and hanging 230 00:10:43,880 --> 00:10:46,960 Speaker 3: over his desk, he had a big banner print shop 231 00:10:47,080 --> 00:10:50,199 Speaker 3: banner that just said Lordy, Lordy, Mike turns forty. 232 00:10:50,720 --> 00:10:53,960 Speaker 1: So he had like maybe he was like forty one 233 00:10:54,080 --> 00:10:54,680 Speaker 1: or forty two. 234 00:10:54,840 --> 00:10:58,760 Speaker 3: He's still, Yeah, a funny thing to keep up. A 235 00:10:58,800 --> 00:11:00,640 Speaker 3: funny thing to keep up, do you know what I mean, 236 00:11:00,760 --> 00:11:02,959 Speaker 3: Like just a reminder that you're in middle age. 237 00:11:03,440 --> 00:11:05,000 Speaker 1: Yeah. 238 00:11:05,600 --> 00:11:07,840 Speaker 3: And so then one day he's just like, hey, you know, 239 00:11:08,080 --> 00:11:11,199 Speaker 3: UH got a I got my own fridge back here. 240 00:11:11,240 --> 00:11:13,280 Speaker 1: If you, uh, you ever want to grab a beer 241 00:11:13,320 --> 00:11:15,160 Speaker 1: while you're working, go for it, man. 242 00:11:15,320 --> 00:11:16,200 Speaker 2: And how old are you? 243 00:11:16,520 --> 00:11:16,920 Speaker 1: Eighteen? 244 00:11:17,600 --> 00:11:20,200 Speaker 2: Okay, he's should be able to drink at eighteen. We 245 00:11:20,240 --> 00:11:22,120 Speaker 2: all agree, eighteen year old should be able to drink beer. 246 00:11:22,280 --> 00:11:25,040 Speaker 3: Sure, definitely can't do it legally. And he's a vice 247 00:11:25,040 --> 00:11:29,000 Speaker 3: principal of a high school. Okay, So I'm like, definitely cool. 248 00:11:29,040 --> 00:11:30,440 Speaker 3: So I go down there and I just I'm just 249 00:11:30,480 --> 00:11:32,080 Speaker 3: like pounding beers while I'm working. 250 00:11:32,480 --> 00:11:32,959 Speaker 2: I love it. 251 00:11:33,720 --> 00:11:35,640 Speaker 1: Uh and then uh. 252 00:11:35,440 --> 00:11:37,400 Speaker 3: And then he's just like then a then a little 253 00:11:37,480 --> 00:11:40,800 Speaker 3: couple of days later, he's like, hey, so uh and 254 00:11:40,880 --> 00:11:43,120 Speaker 3: I looked kind of hippish at that time. 255 00:11:43,160 --> 00:11:46,600 Speaker 1: I had hair down to my shoulders, you know. And uh. 256 00:11:46,880 --> 00:11:51,080 Speaker 1: He was like hey you uh you know, and I. 257 00:11:51,040 --> 00:11:52,320 Speaker 2: Was like, beer. 258 00:11:53,160 --> 00:11:54,599 Speaker 1: I don't even know how he wrought it up. And 259 00:11:54,640 --> 00:11:56,720 Speaker 1: I was like, I was like, I do, yeah, I guess. 260 00:11:56,720 --> 00:11:57,040 Speaker 2: I guess. 261 00:11:57,040 --> 00:11:57,720 Speaker 1: We're like chatting. 262 00:11:57,800 --> 00:11:59,760 Speaker 3: He's like cracked open a beer, you know, trying to 263 00:11:59,760 --> 00:12:02,360 Speaker 3: be a buddy buddy with me, and I was like, yeah, 264 00:12:02,360 --> 00:12:04,800 Speaker 3: I smoke weed, and he's just like, well, listen, I 265 00:12:04,840 --> 00:12:06,040 Speaker 3: got this something for you. 266 00:12:06,559 --> 00:12:09,160 Speaker 1: And then he pulls out. 267 00:12:08,640 --> 00:12:12,200 Speaker 3: The weirdest I still can remember exactly what it looked at. 268 00:12:12,360 --> 00:12:15,199 Speaker 3: It was a plastic box. I think he must have 269 00:12:15,280 --> 00:12:18,199 Speaker 3: bought it at like home depot or something. It was 270 00:12:18,200 --> 00:12:21,880 Speaker 3: a plastic bolt see through top, had foam in it, 271 00:12:22,320 --> 00:12:25,600 Speaker 3: and then just perfectly nestled in the foam was a 272 00:12:25,640 --> 00:12:29,559 Speaker 3: pipe and then a rock of hash hash. 273 00:12:29,640 --> 00:12:32,600 Speaker 2: Oh my god. He was really going for it, but 274 00:12:32,760 --> 00:12:34,360 Speaker 2: he's like this is. 275 00:12:34,400 --> 00:12:36,960 Speaker 3: He's like, this has got to be eighteen years old. 276 00:12:37,720 --> 00:12:40,760 Speaker 3: This was his pipe from high school, and I think 277 00:12:40,800 --> 00:12:44,000 Speaker 3: a rock of hash from when he was in high school. 278 00:12:44,120 --> 00:12:46,120 Speaker 2: Yeah, from the from the early seventies. 279 00:12:46,280 --> 00:12:48,920 Speaker 1: Yeah, He's like, do you want this? And I was like, yeah, 280 00:12:48,960 --> 00:12:49,560 Speaker 1: I want it. 281 00:12:49,600 --> 00:12:52,800 Speaker 3: Of course, it's difficult to come by pipes at that age, 282 00:12:52,960 --> 00:12:54,280 Speaker 3: you know, because I didn't live in a big city. 283 00:12:54,280 --> 00:12:55,080 Speaker 1: There was no heade. 284 00:12:54,840 --> 00:12:58,439 Speaker 3: Pipes a big deal, and I never had hash before, 285 00:12:58,480 --> 00:12:59,760 Speaker 3: and I was like very excited to try. 286 00:12:59,800 --> 00:13:01,520 Speaker 2: Hah. Yeah. 287 00:13:01,880 --> 00:13:03,800 Speaker 3: Still weird that it's the vice print of this high 288 00:13:03,800 --> 00:13:06,040 Speaker 3: school giving it to me, and so then I take it, 289 00:13:06,240 --> 00:13:08,640 Speaker 3: I go home and we smoke this entire rock of 290 00:13:08,720 --> 00:13:11,480 Speaker 3: hash and it does not do a damn thing, like 291 00:13:11,559 --> 00:13:13,920 Speaker 3: it must have been just so old if it's eighteen 292 00:13:14,000 --> 00:13:14,800 Speaker 3: years old. 293 00:13:15,559 --> 00:13:18,040 Speaker 1: And then it gets and then there's like another step. 294 00:13:18,080 --> 00:13:22,120 Speaker 3: It gets like a little more intense, like I know, 295 00:13:22,280 --> 00:13:24,720 Speaker 3: when I look back on it, I'm like, this sounds 296 00:13:24,800 --> 00:13:28,719 Speaker 3: like grooming, do you know what I mean. Then the 297 00:13:28,760 --> 00:13:30,520 Speaker 3: next step is, hey, you want to go out and 298 00:13:30,559 --> 00:13:33,760 Speaker 3: grab some pizza at Pete and Elda's. And I was like, yeah, 299 00:13:34,320 --> 00:13:36,400 Speaker 3: it's the only time I've actually been to Betan Elda's. 300 00:13:36,600 --> 00:13:37,680 Speaker 1: Went to Pete and Elda's. 301 00:13:38,000 --> 00:13:43,280 Speaker 3: Neptune has really thin like a saltine pizza place with 302 00:13:43,320 --> 00:13:46,480 Speaker 3: almost like like a salta cracker. It's so thin you 303 00:13:46,480 --> 00:13:49,280 Speaker 3: can eat a whole sixteen inch pie by yourself. And 304 00:13:49,320 --> 00:13:53,640 Speaker 3: then he orders and he orders some uh uh some pitchers, 305 00:13:53,760 --> 00:13:56,720 Speaker 3: and we're just drinking a lot eating pizza, and then 306 00:13:56,760 --> 00:13:58,240 Speaker 3: he's like, so, do you have any weed? 307 00:13:58,640 --> 00:13:58,840 Speaker 1: You know? 308 00:13:58,880 --> 00:14:00,400 Speaker 3: And I was like, yeah, I got weed, but it's 309 00:14:00,400 --> 00:14:02,200 Speaker 3: back at my house, you know. He's like, well, could 310 00:14:02,200 --> 00:14:06,080 Speaker 3: we smoke some? And uh and I'm like yeah sure. 311 00:14:06,160 --> 00:14:08,840 Speaker 3: So then we go think about this like all the steps, 312 00:14:08,880 --> 00:14:11,319 Speaker 3: like he's he's my age or just a little younger 313 00:14:11,320 --> 00:14:14,400 Speaker 3: than I am. At this point, then we go to 314 00:14:14,600 --> 00:14:17,640 Speaker 3: my mom's house while she's at work and go into 315 00:14:17,760 --> 00:14:22,560 Speaker 3: my teenage room and then smoke weed out the window, 316 00:14:22,640 --> 00:14:25,240 Speaker 3: like opening the window and putting a fan in the window, 317 00:14:25,600 --> 00:14:27,640 Speaker 3: and we smoke it because I like lent the pipe 318 00:14:27,680 --> 00:14:30,000 Speaker 3: out to somebody. We smoked it out of like a 319 00:14:30,080 --> 00:14:32,280 Speaker 3: can because we were used to do that if you 320 00:14:32,280 --> 00:14:34,160 Speaker 3: didn't have a pipe, right, make it word. 321 00:14:34,040 --> 00:14:39,320 Speaker 1: Of the cordy, lordy, lordie. Mike stepping over some boundaries. 322 00:14:41,720 --> 00:14:43,880 Speaker 3: And then I was, and then I was, and then 323 00:14:43,880 --> 00:14:45,640 Speaker 3: at that point I was like, this is weird, Like 324 00:14:45,720 --> 00:14:47,000 Speaker 3: what's going on with this guy? 325 00:14:47,320 --> 00:14:47,520 Speaker 1: Right? 326 00:14:47,720 --> 00:14:48,440 Speaker 2: Yeah? 327 00:14:48,760 --> 00:14:51,280 Speaker 1: And and yeah and. 328 00:14:51,240 --> 00:14:54,040 Speaker 3: Then here and then nothing happened, He never made a move, 329 00:14:54,800 --> 00:14:58,000 Speaker 3: nothing was like it never felt sexual in any way, 330 00:14:58,040 --> 00:15:01,960 Speaker 3: shape or form. It Literally it could have been that 331 00:15:02,080 --> 00:15:05,760 Speaker 3: he was just having a massive midlife christ Yes, yeah, 332 00:15:05,760 --> 00:15:08,760 Speaker 3: and that's literally literally keeping the lordy lord he Mike 333 00:15:08,800 --> 00:15:12,440 Speaker 3: turns forty over his head, was reminding him every day 334 00:15:12,520 --> 00:15:17,000 Speaker 3: that he was in midlife, or or he like felt 335 00:15:17,040 --> 00:15:20,480 Speaker 3: me out enough to realize that I wasn't the right target. 336 00:15:20,560 --> 00:15:22,920 Speaker 1: Do you know what I mean? And I still don't know. 337 00:15:23,160 --> 00:15:27,200 Speaker 1: I still don't glad you weren't. My goodness, gracious anyway. 338 00:15:27,280 --> 00:15:30,080 Speaker 2: That is weird. That's but it's always weird when when 339 00:15:30,080 --> 00:15:33,360 Speaker 2: adults hang out with teenagers. It's never good. Look never once. 340 00:15:33,800 --> 00:15:37,200 Speaker 2: If you're over twenty four, leave them kids alone. Yep, 341 00:15:39,920 --> 00:15:44,720 Speaker 2: oh man, you know I I don't like flatbread. I 342 00:15:44,760 --> 00:15:46,960 Speaker 2: don't like flat bread. I'm a pizza guy. If you 343 00:15:47,120 --> 00:15:48,720 Speaker 2: if you go to a restaurant you say, let's get 344 00:15:48,720 --> 00:15:51,920 Speaker 2: a flatbread? What a waste of time and money for me? 345 00:15:52,040 --> 00:15:54,560 Speaker 2: I I never enjoyed one. We were talking about Pete 346 00:15:54,720 --> 00:15:57,600 Speaker 2: Eddings or whatever it's called. I like it now, pizza 347 00:15:58,040 --> 00:16:00,520 Speaker 2: Pete Neldas. If you go you want to get a 348 00:16:00,520 --> 00:16:02,440 Speaker 2: flat bread, you might as well say to me, do 349 00:16:02,480 --> 00:16:05,480 Speaker 2: you want to get nothing? It feels like when it Also, 350 00:16:06,160 --> 00:16:09,320 Speaker 2: here's something very controversial, not a sliders guy. Don't like 351 00:16:09,360 --> 00:16:10,120 Speaker 2: sliders either. 352 00:16:13,240 --> 00:16:13,680 Speaker 1: Time out. 353 00:16:13,720 --> 00:16:16,040 Speaker 3: Here's my question though, When you say flatbread, are you 354 00:16:16,040 --> 00:16:18,200 Speaker 3: talking about a thin a thin pizza crust. 355 00:16:18,760 --> 00:16:21,320 Speaker 2: Yeah, no, I like a thin pizza crust like a 356 00:16:21,520 --> 00:16:25,320 Speaker 2: like I like thin pizza. I don't like those. It's 357 00:16:25,320 --> 00:16:27,680 Speaker 2: like when it's those little squares and they charge you 358 00:16:27,720 --> 00:16:30,920 Speaker 2: like fifteen dollars at restaurants, and it's like it's basically 359 00:16:30,960 --> 00:16:35,320 Speaker 2: like knock off pizza. Sometimes it has like a arugula 360 00:16:35,600 --> 00:16:38,600 Speaker 2: and some bad all ingredients I like, but the way 361 00:16:38,640 --> 00:16:41,160 Speaker 2: they serve it to is basically being like, we're taking 362 00:16:41,200 --> 00:16:43,040 Speaker 2: your money and you're still going to be hungry. 363 00:16:43,560 --> 00:16:46,800 Speaker 3: Like a brushetta flatbread, right, that's usually put on top 364 00:16:46,840 --> 00:16:47,040 Speaker 3: of it. 365 00:16:47,120 --> 00:16:51,080 Speaker 2: Yeah, yeah, I'd rather have brushetta. Brushetta is great to 366 00:16:51,160 --> 00:16:54,160 Speaker 2: share with friends and loved on anyway, it's going on 367 00:16:54,160 --> 00:16:56,600 Speaker 2: a limb. Don't like flatbreads, don't like sliders. 368 00:16:56,200 --> 00:16:58,920 Speaker 3: And oh yeah, all right, I can understand the sliders 369 00:16:58,920 --> 00:17:01,640 Speaker 3: one too. Sometimes it's just not enough meat for it 370 00:17:01,680 --> 00:17:04,720 Speaker 3: to be moist in such right, they're very dry unless 371 00:17:05,119 --> 00:17:06,640 Speaker 3: they are white Castle. 372 00:17:06,800 --> 00:17:09,280 Speaker 1: White Castle sliders are pretty much perfect. 373 00:17:09,560 --> 00:17:12,280 Speaker 2: Yeah, white Castle and Crystal. I'll get down on those. 374 00:17:12,320 --> 00:17:13,960 Speaker 2: But if you go to a restaurant and you give 375 00:17:14,000 --> 00:17:16,840 Speaker 2: me three sliders, I'm like, just give me a burger man. Like, 376 00:17:17,080 --> 00:17:21,200 Speaker 2: why are we beating around the bush. It's not fun. Okay, Dooky, 377 00:17:21,240 --> 00:17:24,080 Speaker 2: Now that I've alienated everyone that listens to the podcast, 378 00:17:24,760 --> 00:17:28,680 Speaker 2: let's see this one. Well, this is a fun one. 379 00:17:28,720 --> 00:17:32,480 Speaker 2: You'll like this one, Okay, Doki. This one is from 380 00:17:32,560 --> 00:17:35,320 Speaker 2: an anonymous person, but we can make up a name. 381 00:17:36,240 --> 00:17:37,920 Speaker 2: We're gonna call her doctor student. 382 00:17:38,080 --> 00:17:39,679 Speaker 1: Okay, all right, doctor student. 383 00:17:41,359 --> 00:17:45,800 Speaker 2: Very nice person. Hi, Kurt and or Scottie. I'm a 384 00:17:45,800 --> 00:17:49,360 Speaker 2: medical student and I recently attended a huge conference where 385 00:17:49,400 --> 00:17:52,520 Speaker 2: I was able to mingle with several world renowned physicians 386 00:17:52,640 --> 00:17:54,440 Speaker 2: That must be predict so you know that must be 387 00:17:54,480 --> 00:17:59,280 Speaker 2: pretty cool. I'm afraid to mention any specifics because I'm 388 00:17:59,280 --> 00:18:01,000 Speaker 2: pretty sure what am I about to tell you is 389 00:18:01,160 --> 00:18:06,800 Speaker 2: at least unethical, if not illegal. Yeah, start great, start money, 390 00:18:07,880 --> 00:18:12,360 Speaker 2: but that's how all good stories start, right, Yes, doctor student, 391 00:18:12,560 --> 00:18:16,639 Speaker 2: you are correct. So I'm attempting to make polite small 392 00:18:16,720 --> 00:18:19,800 Speaker 2: talk with this huge big wig physician. He trained at 393 00:18:19,800 --> 00:18:24,439 Speaker 2: the Mayo Clinic, He's worked with numerous Olympians, etc. Uh, 394 00:18:24,720 --> 00:18:28,119 Speaker 2: let's just call him doctor Heyesuss, because that's who he 395 00:18:28,160 --> 00:18:30,240 Speaker 2: is in this field. Oh no, doctor Jesus. We're gonna 396 00:18:30,240 --> 00:18:33,200 Speaker 2: call him doctor Jesus. Okay, so doctor Jesus, because that's 397 00:18:33,200 --> 00:18:36,399 Speaker 2: who he is in this field. Anyways, doctor Jesus and 398 00:18:36,440 --> 00:18:39,000 Speaker 2: I got on the topic of previous seminars that he 399 00:18:39,040 --> 00:18:43,560 Speaker 2: had taught, and he suddenly looks at me conspiratorially and whispers, 400 00:18:44,400 --> 00:18:47,320 Speaker 2: do you know the fastest way to thalk cadaver? I 401 00:18:47,359 --> 00:18:48,800 Speaker 2: guess he went, do. 402 00:18:48,760 --> 00:18:50,840 Speaker 1: You know the fastest way to talk cadaver? 403 00:18:51,720 --> 00:18:56,320 Speaker 2: I'm not a serial killer, so of course answer no. Apparently, 404 00:18:57,480 --> 00:18:59,919 Speaker 2: there was a seminar several years ago that supplied cadaver 405 00:19:00,280 --> 00:19:03,440 Speaker 2: for medical students to practice procedures on. That makes sense 406 00:19:03,480 --> 00:19:07,320 Speaker 2: so far we understand this. The cadavers were scheduled to 407 00:19:07,359 --> 00:19:11,159 Speaker 2: be delivered at a Marriotte at a Marriotte where the 408 00:19:11,160 --> 00:19:14,080 Speaker 2: conference was being held, at five pm the night before 409 00:19:14,119 --> 00:19:17,000 Speaker 2: the seminar. However, there was a mix up and instead 410 00:19:17,040 --> 00:19:20,040 Speaker 2: of five pm, they were delivered at five am the 411 00:19:20,080 --> 00:19:24,920 Speaker 2: morning of the seminar. Since cadavers are frozen solid during 412 00:19:24,960 --> 00:19:28,399 Speaker 2: storage to prevent de kay. That left doctor Jesus with 413 00:19:28,520 --> 00:19:31,680 Speaker 2: three hours. So doctor Jesus had three hours to fall 414 00:19:31,800 --> 00:19:34,119 Speaker 2: Six frozen solid cadavers. 415 00:19:34,160 --> 00:19:34,680 Speaker 1: Oh my god. 416 00:19:35,760 --> 00:19:40,640 Speaker 2: Doctor Jesus told me he put them in the fucking 417 00:19:40,760 --> 00:19:52,000 Speaker 2: hotel hot tub to thall. Six frozen cadavers. Oh my god. 418 00:19:52,040 --> 00:19:54,120 Speaker 2: At this point in the story, doctor Jesus gets pulled 419 00:19:54,119 --> 00:19:56,760 Speaker 2: away by his assistant to make some mundane announcement to 420 00:19:56,800 --> 00:19:59,440 Speaker 2: the rest of the group. So I don't have more details, 421 00:19:59,560 --> 00:20:02,280 Speaker 2: but in my mind it makes this story even better. 422 00:20:02,480 --> 00:20:05,320 Speaker 2: Were the cadaver shrink wrapped so they was this a 423 00:20:05,359 --> 00:20:09,640 Speaker 2: sous ved situation, which is very funny? Or were they 424 00:20:09,720 --> 00:20:12,760 Speaker 2: just raw dogged and tossed in there? Did any passerby 425 00:20:13,000 --> 00:20:16,000 Speaker 2: between the hours of five and eight am see six 426 00:20:16,119 --> 00:20:18,040 Speaker 2: bodies sitting in a hot tub? 427 00:20:18,240 --> 00:20:20,359 Speaker 1: But also they're sitting straight up, do you know what 428 00:20:20,359 --> 00:20:20,600 Speaker 1: I mean? 429 00:20:20,640 --> 00:20:23,960 Speaker 3: They're just like they're just like at an angle because 430 00:20:24,000 --> 00:20:29,280 Speaker 3: they're frills in solid the hard fasta. 431 00:20:30,600 --> 00:20:33,399 Speaker 2: Oh, and she finally says, what the fuck is a 432 00:20:33,480 --> 00:20:37,360 Speaker 2: cadaver company? Anyways? Thanks guys, love the podcast. 433 00:20:37,440 --> 00:20:38,679 Speaker 1: Wow, that's a great story. 434 00:20:38,720 --> 00:20:43,399 Speaker 2: I love that. Isn't that wild, But like, that's not it. 435 00:20:43,400 --> 00:20:45,680 Speaker 2: It's got it's one hundred percent illegal. There's no way 436 00:20:45,720 --> 00:20:47,679 Speaker 2: you can put it. Like six dead bodies in a 437 00:20:47,680 --> 00:20:48,600 Speaker 2: public hot tub. 438 00:20:48,800 --> 00:20:50,320 Speaker 1: Oh, definitely it's illegal. 439 00:20:50,680 --> 00:20:52,640 Speaker 3: I mean, like especially if the hot tub in any 440 00:20:52,640 --> 00:20:54,879 Speaker 3: way touches the pool, then everything has to be drained 441 00:20:54,880 --> 00:20:57,600 Speaker 3: and cleaned and scrubbed, and it's biohazard. 442 00:20:57,640 --> 00:20:58,199 Speaker 1: That's insane. 443 00:20:58,280 --> 00:21:02,320 Speaker 2: Yes, it's insane. How did they die? I mean, whoever 444 00:21:02,440 --> 00:21:05,000 Speaker 2: stays at the Marriott I wish. I wish, doctor student, 445 00:21:05,080 --> 00:21:07,320 Speaker 2: let us know what town. But I think maybe we 446 00:21:07,359 --> 00:21:10,240 Speaker 2: should all avoid Marriotts for I don't know, three months. 447 00:21:10,280 --> 00:21:12,800 Speaker 2: Let them disinfect, let him get some fresh chlorine in there. 448 00:21:13,080 --> 00:21:15,000 Speaker 3: It reminds me of the joke I have about hot 449 00:21:15,280 --> 00:21:18,879 Speaker 3: hotel hot tubs, which is uh which never which worked 450 00:21:18,880 --> 00:21:24,320 Speaker 3: fifty percent of the time. Hotel hot tubs a terrible 451 00:21:24,359 --> 00:21:27,119 Speaker 3: place to relax, but a great place to take a 452 00:21:27,160 --> 00:21:28,360 Speaker 3: bath with some children. 453 00:21:28,400 --> 00:21:31,800 Speaker 1: You don't know, it's true, it's true. 454 00:21:32,119 --> 00:21:34,480 Speaker 2: So you get into relax and then here come three 455 00:21:34,600 --> 00:21:39,480 Speaker 2: running kids and their exhausted mom, and you're like, all right, 456 00:21:39,720 --> 00:21:41,440 Speaker 2: I have to get out or this GE's weird. 457 00:21:41,480 --> 00:21:43,520 Speaker 3: In it work gets weird because then you're taking a 458 00:21:43,560 --> 00:21:45,000 Speaker 3: bath with a child, You don't. 459 00:21:44,840 --> 00:21:50,960 Speaker 2: Know that's right, Yeah, but it is nice. But also 460 00:21:51,080 --> 00:21:52,800 Speaker 2: remember being a kid, getting a hot tub was the 461 00:21:52,800 --> 00:21:55,160 Speaker 2: single greatest thing you could do. Now as an adult, 462 00:21:55,240 --> 00:21:57,280 Speaker 2: like in a at a hotel or whatever, it's like, oh, 463 00:21:57,320 --> 00:21:59,159 Speaker 2: the the indoor pools he did. And now I just 464 00:21:59,200 --> 00:22:02,400 Speaker 2: look at it and I'm like, ear infection, body infection, 465 00:22:02,840 --> 00:22:05,920 Speaker 2: yeast infection. I'm like, this is not happening anymore. 466 00:22:06,000 --> 00:22:08,040 Speaker 1: That's why I like a sauna. Still like a sauna. 467 00:22:08,480 --> 00:22:10,639 Speaker 2: Love a sauna. Give me a dry sona. We should 468 00:22:10,640 --> 00:22:12,800 Speaker 2: do that. We should go now that the Gray Quaras 469 00:22:12,840 --> 00:22:15,800 Speaker 2: Lift a good brand reopening has commenced, we should go 470 00:22:15,920 --> 00:22:18,399 Speaker 2: to Voda Voda sposa icee. 471 00:22:18,640 --> 00:22:20,800 Speaker 1: Yeah, baby, let's go sweat to the oldies. 472 00:22:20,840 --> 00:22:23,240 Speaker 2: I bet Kristen would want to do that way. Oh yeah, frickin' 473 00:22:23,320 --> 00:22:26,919 Speaker 2: great man. I love these minisodes. Bananimals. Keep sending us, 474 00:22:26,960 --> 00:22:29,040 Speaker 2: even though the Banana fhone's going away. You can always 475 00:22:29,119 --> 00:22:32,480 Speaker 2: DM us your stories to the Bananas Podcast on our Instagram. 476 00:22:32,640 --> 00:22:34,680 Speaker 2: You can email them like Kurt did an email story 477 00:22:34,720 --> 00:22:37,840 Speaker 2: today at the Bananas Podcast at gmail dot com. But 478 00:22:37,960 --> 00:22:41,000 Speaker 2: thanks for sending them. Keep sending us as unexpected bananas 479 00:22:41,000 --> 00:22:43,320 Speaker 2: pictures and just look for all the silly, absurd things 480 00:22:43,359 --> 00:22:45,280 Speaker 2: in the world. They make this big, dumb world so 481 00:22:45,359 --> 00:22:56,960 Speaker 2: much easier to deal with. Bananas Bananas. This has been 482 00:22:57,000 --> 00:22:59,000 Speaker 2: an exactly right production. 483 00:22:58,800 --> 00:23:00,560 Speaker 1: Produced and engineered by Katie. 484 00:23:00,359 --> 00:23:02,680 Speaker 2: Levine, theme music by Kahon. 485 00:23:02,480 --> 00:23:04,840 Speaker 1: And all of our artwork is done by Travis Millard. 486 00:23:05,080 --> 00:23:07,720 Speaker 2: You can follow us on Instagram at the Bananas Podcast, 487 00:23:07,800 --> 00:23:09,960 Speaker 2: where we post stories every day and things that we 488 00:23:10,000 --> 00:23:11,480 Speaker 2: don't cover on the podcast. 489 00:23:11,840 --> 00:23:15,040 Speaker 3: Listen, subscribe, and please leave us a review on Apple podcast, 490 00:23:15,119 --> 00:23:17,040 Speaker 3: Stitcher or wherever you get your podcast. 491 00:23:17,359 --> 00:23:20,439 Speaker 2: And if you're interested in advertising on Bananas, please email 492 00:23:20,520 --> 00:23:23,440 Speaker 2: us at the Bananas Podcast at gmail dot com. That's 493 00:23:23,560 --> 00:23:40,320 Speaker 2: the Bananas Podcast at gmail dot com.