WEBVTT - Circle Yes or No

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<v Speaker 1>Family Secrets is a production of I Heart Radio. This

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<v Speaker 1>episode contains discussions of suicide. Listener discussion is advised. If

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<v Speaker 1>you are a loved one is struggling with suicidal thoughts,

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<v Speaker 1>please call the National Suicide Prevention Hotline. At three at

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<v Speaker 1>my desk, I sped my beer and straightened my back,

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<v Speaker 1>suddenly aware that I am watching us as a family,

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<v Speaker 1>that I'm about to see what we were like together

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<v Speaker 1>before time had scattered us off into our separate lives.

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<v Speaker 1>Playing on the screen in front of me is evidence

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<v Speaker 1>that we've been together, proof that we existed, with clues

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<v Speaker 1>to our disintegration, the possibility that my memories are to

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<v Speaker 1>whatever degree, real and verifiable. So I watch, hoping to

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<v Speaker 1>find answers to questions I hardly have language for about

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<v Speaker 1>who we were during those years that shaped us. That's

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<v Speaker 1>Margaret Kimball, illustrator, lettering artist, and writer, sir of the

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<v Speaker 1>recent graphic memoir and now I spill The Family Secrets.

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<v Speaker 1>Margaret's story is about silence and memory and the powerful

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<v Speaker 1>need to peel back the layers of secrecy and shame

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<v Speaker 1>in order to move forward with grace, strength, and dignity.

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<v Speaker 1>I'm Danny Shapiro, and this is family secrets, the secrets

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<v Speaker 1>that are kept from us, the secrets we keep from others,

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<v Speaker 1>and the secrets we keep from ourselves. We grew up

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<v Speaker 1>in Connecticut and Glastonbury, which is a really cute suburb

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<v Speaker 1>of Hartford, and we lived on this little street called

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<v Speaker 1>Marthew Drive, and there are all these colonial houses and

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<v Speaker 1>it was a safe street, so we could just kind

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<v Speaker 1>of roam freely around. And there was a little side

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<v Speaker 1>street called Little Acres and we could roam down there

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<v Speaker 1>into the creek and there were some woods and there

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<v Speaker 1>was a field beyond that. It felt infinite to me,

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<v Speaker 1>like when I go back there now, it's like such

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<v Speaker 1>a tiny little street, but as a kid, you can just,

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<v Speaker 1>you know, walking up the entire street felt like this

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<v Speaker 1>giant journey. There was one time where my brother and

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<v Speaker 1>I tried to run away and we went literally, I

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<v Speaker 1>mean probably thirty ft down the road, but we felt

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<v Speaker 1>like we were, you know, miles from home, and my

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<v Speaker 1>dad just stepped on the porch and screamed for us

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<v Speaker 1>to come back home, and we immediately did. It felt

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<v Speaker 1>like we had gone like really far. And it felt

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<v Speaker 1>that way when we went to Little aakres we build

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<v Speaker 1>forts there. There were all these twigs and branches, and

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<v Speaker 1>I remember sitting in our woods actually kind of near

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<v Speaker 1>the shed, and just dreaming of tree forts I could build.

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<v Speaker 1>And I loved being in the really tiny woods. In

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<v Speaker 1>the town, there was like a little downtown area so

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<v Speaker 1>near our church, we could ride bikes and go get

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<v Speaker 1>donuts at the little pharmacy. There was a cute restaurant

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<v Speaker 1>called Lotties, which is still there, which I go do

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<v Speaker 1>sometimes when I'm in Connecticut. You know, in many ways,

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<v Speaker 1>it was a sort of visually idyllic childhood. And my

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<v Speaker 1>mom was and is. She's like a very kind woman,

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<v Speaker 1>but you know, I remember her as very tired and distracted,

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<v Speaker 1>and I think she was just having three kids. And

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<v Speaker 1>I remember, maybe a little when I was a little older,

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<v Speaker 1>like maybe ten, her just constantly talking about this career

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<v Speaker 1>she wanted to have. I think she wanted to be

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<v Speaker 1>an English teacher, and that it made me feel guilty,

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<v Speaker 1>like sorry that I exist, you know, I'm sorry for

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<v Speaker 1>your career. So that's what I think of her. I

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<v Speaker 1>just think of her as like really tired and nice,

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<v Speaker 1>although sometimes very angry, but just like a tired person.

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<v Speaker 1>Who kind of has limited resources to manage that exhaustion

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<v Speaker 1>and her feeling of not having had the exact life

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<v Speaker 1>she wanted. Was how I look at it now? And

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<v Speaker 1>how about your dad? He is a workaholic. He was

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<v Speaker 1>gone all week working, but he would play with us

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<v Speaker 1>so much. So I remember on the weekends. There's two

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<v Speaker 1>games that I remember really well. One was I think

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<v Speaker 1>we called it monster, where he'd just like to sit

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<v Speaker 1>on the living room carpet and we'd go near him

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<v Speaker 1>and he'd grab one of us and then we'd have

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<v Speaker 1>to try and escape. It would just go on for hours.

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<v Speaker 1>The other game we called Jail, and we'd go to

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<v Speaker 1>one of the local elementary schools. I think button Ball

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<v Speaker 1>was the one that had the best playground, so he

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<v Speaker 1>would chase us around playing tag around the elementary school

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<v Speaker 1>or the playground, and then when we got caught, would

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<v Speaker 1>have to go into jail, and all the kids, any

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<v Speaker 1>kid that was on the playground would start playing, so

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<v Speaker 1>he'd be, you know, chasing like ten kids. So I

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<v Speaker 1>remember him playing a lot, which I also feel like

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<v Speaker 1>it's probably not a super fair memory, Like my mom's

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<v Speaker 1>exhausted and tired, and God's just so playful and great,

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<v Speaker 1>but I think he was having his own struggles. But

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<v Speaker 1>when we were with him, that's what I remember. Yeah,

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<v Speaker 1>there's so much in your story that really illustrates the

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<v Speaker 1>way that memory plays tricks on us, or sometimes lays

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<v Speaker 1>down tracks like invisible tracks within us that we can't

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<v Speaker 1>really access or don't really know what images or snippets

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<v Speaker 1>of conversation or any of it means until way, way later,

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<v Speaker 1>when the pieces of the puzzle sort of fall together.

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<v Speaker 1>Within the idyllic, sweet landscape of Margaret's childhood, there were

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<v Speaker 1>indeed hidden struggles, but as a small child, of course,

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<v Speaker 1>she doesn't see them, even though perhaps she intuits them.

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<v Speaker 1>She adores her older brother and wants to do everything

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<v Speaker 1>he does. Not only do they get lost in the

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<v Speaker 1>woods together and build forts, but when he starts to

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<v Speaker 1>ride a bike, she wants to ride one too. When

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<v Speaker 1>she's four, she misjudges a corner, falls down, and has

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<v Speaker 1>a pretty bad accident. But this is just one of

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<v Speaker 1>the seminal and destabilizing events that occurred that year. The

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<v Speaker 1>other happens on Mother's Day. That morning, my mom asked

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<v Speaker 1>my dad to take us to church as a Sunday,

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<v Speaker 1>so he did I think I was four, and my

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<v Speaker 1>youngest brother was ten months, and my older brother must

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<v Speaker 1>have been six. So he took us to church, and

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<v Speaker 1>she stayed home and I think kind of spun out

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<v Speaker 1>of control and was looking in the mirror and having

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<v Speaker 1>all these really negative thoughts about herself and finally decided

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<v Speaker 1>that we would be better off if she was dead.

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<v Speaker 1>And so she had been prescribed something like xanex. I

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<v Speaker 1>don't know if it was actually zanex or something like that,

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<v Speaker 1>some anti anxiety medication. She went up to the shed

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<v Speaker 1>in our backyard and she grabbed a belt to just

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<v Speaker 1>planning to hang herself. But she went to the shed

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<v Speaker 1>and took all the pills. I mean, I think there

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<v Speaker 1>were eleven or thirteen something like that, and then down

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<v Speaker 1>goes in vodka and then immediately became unconscious. And so

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<v Speaker 1>that's where my dad found her after church. You were

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<v Speaker 1>four years old, So what, if anything, do you remember

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<v Speaker 1>about that day. Our shed was kind of up a

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<v Speaker 1>little hill and there were these um stone steps that

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<v Speaker 1>just were on a little path back into the woods.

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<v Speaker 1>I remember this picture in my mind of my dad

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<v Speaker 1>carrying my mom across his arms and bringing her into

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<v Speaker 1>the house and kind of brushing past me. It was

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<v Speaker 1>like an image in my mind that I just thought

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<v Speaker 1>was maybe fake, or I had dreamed it or something.

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<v Speaker 1>Margaret has a hazy memory of that image from mother's day,

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<v Speaker 1>but never fully knows the context of what happened. The

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<v Speaker 1>details about the pills and vodka and belt those were

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<v Speaker 1>unknown to her childhood self. It isn't until fifteen years later,

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<v Speaker 1>when she's nineteen years old, that she received a call

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<v Speaker 1>from her brother who tells her he's just learned from

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<v Speaker 1>their father that their mother had attempted suicide that day.

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<v Speaker 1>And what does she do with that information, what so

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<v Speaker 1>many of us do with what we can't yet handle,

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<v Speaker 1>She files it away. You know, one of the things

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<v Speaker 1>I often think about about secrets is that only part

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<v Speaker 1>of the challenge when one finds out something that was

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<v Speaker 1>a secret is the secret itself. It's also when we

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<v Speaker 1>find out what we find out, and whether we have

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<v Speaker 1>the the muscles or the ability psychologically, emotionally, spiritually to

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<v Speaker 1>absorb what we're learning. And I mean, to me, so

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<v Speaker 1>much of your story is about this very powerful need

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<v Speaker 1>that comes over you over time to learn and excavate

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<v Speaker 1>as much of the truth as you possibly can. But

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<v Speaker 1>that doesn't happen right away, right. That doesn't happen when

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<v Speaker 1>you're nineteen and you get that information, right. I mean,

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<v Speaker 1>I love the way you're describing that, like the excavation,

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<v Speaker 1>because as you were speaking and I'm thinking that, my

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<v Speaker 1>brother's phone call was like the stone on a pile.

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<v Speaker 1>I was so angry about my mom. When I'm sixteen,

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<v Speaker 1>she attempts suicide again, and I was so angry about

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<v Speaker 1>that because it just seemed like she didn't care about us.

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<v Speaker 1>I don't feel that way anymore, for the record, but

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<v Speaker 1>when he called and told me that, I just kind

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<v Speaker 1>of put it on that pile of anger and just

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<v Speaker 1>I didn't have any way to think about it other

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<v Speaker 1>than to say, like, of course, of course that's what happened.

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<v Speaker 1>And then it took me years. I mean, yeah, I

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<v Speaker 1>think fifteen or seventeen years or something to really unpack

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<v Speaker 1>was your sense as you grew up that if someone

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<v Speaker 1>had asked you, do you think is your mother depressed?

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<v Speaker 1>Or are you worried about your mother? What would you

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<v Speaker 1>have said? As a kid, I would have said, what

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<v Speaker 1>is depressed? Did you have a sense that something was amiss?

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<v Speaker 1>You know, not until I was ten the first time

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<v Speaker 1>that I was aware, she went to the hospital and

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<v Speaker 1>my dad talked to me about it. That's when I

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<v Speaker 1>first became aware of it. Before that, I knew she

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<v Speaker 1>got mad, especially at me. By this time, Margaret's parents

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<v Speaker 1>had been divorced for a couple of years. When Margaret's

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<v Speaker 1>with her mom, she's also on the receiving end of

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<v Speaker 1>her mother's anger. She sent to her room all the time.

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<v Speaker 1>When she's with her dad, she struggles to communicate with him.

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<v Speaker 1>She's pretty sure her dad has a girlfriend, and the

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<v Speaker 1>way she eventually confirms this is by showing him a

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<v Speaker 1>piece of paper on which she's written, Dad, do you

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<v Speaker 1>have a girlfriend? Circle? Yes or no? So enough said,

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<v Speaker 1>But in fact, the family's lack of communication stretches much

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<v Speaker 1>further back, all the way back to her mom and

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<v Speaker 1>dad's own secretive histories. You describe your father as someone

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<v Speaker 1>who doesn't know how to put language to feeling, which

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<v Speaker 1>really comes from his own history, and you know various

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<v Speaker 1>difficult and even tragic things in his own history, his

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<v Speaker 1>sister Peggy drowning at the age of thirteen in a

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<v Speaker 1>lake while he was there, and the way that these

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<v Speaker 1>things never got talked about. Now that there was this

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<v Speaker 1>kind of silence on both sides of your family, and

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<v Speaker 1>your mother came from a mentally ill mother, but that

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<v Speaker 1>was never talked about. And there's a line in your

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<v Speaker 1>book where you say your forebears want the secrets disappeared,

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<v Speaker 1>Like if you don't, if you don't talk about it,

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<v Speaker 1>then maybe it never happened. I think that's exactly right.

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<v Speaker 1>I think you know secrets sometimes. I think secret is

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<v Speaker 1>another word for shame. And I just think my parents,

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<v Speaker 1>in their own ways, feel so much shame over things

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<v Speaker 1>that have happened, and so much disappointment about the way

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<v Speaker 1>their lives have unfolded in some ways, and I think

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<v Speaker 1>it's too much for them to talk about. Not long

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<v Speaker 1>after Margaret's father circles yes on that slip of paper,

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<v Speaker 1>he marries his then girlfriend Janice. At around the same time,

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<v Speaker 1>Margaret's mother is hospitalized for a second time and diagnosed

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<v Speaker 1>with manic depression. Just before her mother's hospitalization, Margaret notices

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<v Speaker 1>that her mom is buying a ton of jewelry, but

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<v Speaker 1>she can't remotely afford acting completely out of character. As

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<v Speaker 1>time passes and her mom's behavior becomes more erratic, Margaret

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<v Speaker 1>learns to read for signs like this, signs of her

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<v Speaker 1>mother's instability. Her watchfulness becomes part of the texture of

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<v Speaker 1>family life. I think it's it's an education you get

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<v Speaker 1>really quickly. My mom was such a foundational figure for

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<v Speaker 1>me at that point. She was still my best friend,

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<v Speaker 1>and I suddenly realized, or thought I realized that she

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<v Speaker 1>could disappear at any moment, and so I needed to know,

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<v Speaker 1>like what would the signs be so I could help her.

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<v Speaker 1>So I learned pretty quickly, and you know, they stuck

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<v Speaker 1>with me, like later on when she would have an episode.

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<v Speaker 1>I mean, I can recognize it immediately. I think it's

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<v Speaker 1>just something that once you can see those signs, it's

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<v Speaker 1>just it doesn't leave you, or at least it hasn't

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<v Speaker 1>left me. We'll be back in a moment with more

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<v Speaker 1>family secrets. When Margaret enters the sixth grade, she goes

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<v Speaker 1>to a new school, and at first she clocks this

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<v Speaker 1>as an ideal time for a fresh start, an opportunity

0:14:18.400 --> 0:14:21.520
<v Speaker 1>to peel away from her complicated home life. But the

0:14:21.560 --> 0:14:25.480
<v Speaker 1>complications persist, and now her mom is not the only

0:14:25.520 --> 0:14:29.440
<v Speaker 1>one grappling with illness. Margaret herself develops a number of

0:14:29.480 --> 0:14:35.000
<v Speaker 1>inexplicable physical ailments. In the meantime, perhaps not coincidentally, her

0:14:35.040 --> 0:14:38.520
<v Speaker 1>parents are in a custody battle, which her father ultimately wins.

0:14:40.200 --> 0:14:43.920
<v Speaker 1>I remember throwing up a bunch of times in Phitnancy's grade,

0:14:43.920 --> 0:14:46.640
<v Speaker 1>and I remember those moments, but I didn't realize that

0:14:46.680 --> 0:14:49.160
<v Speaker 1>they had had to end so close together and so

0:14:49.280 --> 0:14:53.360
<v Speaker 1>consistently during that time period, during the gusty battle. So

0:14:54.360 --> 0:14:57.040
<v Speaker 1>they seemed so strange. It wasn't like a headstrip throat like.

0:14:57.080 --> 0:15:02.080
<v Speaker 1>I didn't have anything diagnosable. So I just wondered if

0:15:02.120 --> 0:15:05.400
<v Speaker 1>they were related to the stress from, you know, going

0:15:05.440 --> 0:15:09.280
<v Speaker 1>to psychologists and answering questions about my parents which were

0:15:09.320 --> 0:15:11.800
<v Speaker 1>clearly going to put me into loyalty buyings, and going

0:15:11.800 --> 0:15:14.840
<v Speaker 1>to therapists and talking to them about which house they

0:15:14.880 --> 0:15:18.160
<v Speaker 1>felt safest at, or my issues with Janice. Now I

0:15:18.200 --> 0:15:19.840
<v Speaker 1>just look at it and I'm like, oh, of course

0:15:20.120 --> 0:15:24.200
<v Speaker 1>it was were related, like my getting sick and all

0:15:24.200 --> 0:15:28.120
<v Speaker 1>the stress of trying to navigate my loyalty to both

0:15:28.200 --> 0:15:32.920
<v Speaker 1>my parents. Your mother and Janice are about as different

0:15:33.000 --> 0:15:35.960
<v Speaker 1>as two women could be in terms of the way

0:15:36.000 --> 0:15:39.760
<v Speaker 1>that they live, the way that they run their households,

0:15:39.840 --> 0:15:45.080
<v Speaker 1>um just their energy who they are. First, Janice seems

0:15:45.160 --> 0:15:48.200
<v Speaker 1>really worldly. She read the New York or the New

0:15:48.280 --> 0:15:50.680
<v Speaker 1>York Times. She lived in New York City for a while,

0:15:51.800 --> 0:15:54.240
<v Speaker 1>and she loves art and she loves music, and so

0:15:54.320 --> 0:15:58.480
<v Speaker 1>she seems very cultured and she's fun like she you know,

0:15:58.560 --> 0:16:02.480
<v Speaker 1>immediately subscribed me teen Bop and all the like tween

0:16:02.560 --> 0:16:05.360
<v Speaker 1>magazines that I thought were like amazing, and would buy

0:16:05.360 --> 0:16:09.200
<v Speaker 1>me posters of celebrities like Jonathan Taylor Thomas to put

0:16:09.200 --> 0:16:11.960
<v Speaker 1>on my wall. So she's like cultured, but also loves

0:16:11.960 --> 0:16:14.880
<v Speaker 1>pop culture and so it's great. And she loves shopping.

0:16:15.200 --> 0:16:18.600
<v Speaker 1>And she seemed to me like a breath of fresh

0:16:18.640 --> 0:16:22.920
<v Speaker 1>air at the time, but soon that breath of fresh

0:16:22.960 --> 0:16:27.400
<v Speaker 1>air feels more like a cold wind. Janice's attitude towards

0:16:27.440 --> 0:16:32.040
<v Speaker 1>Margaret changes. Unlike Margaret's mother, who has a sort of

0:16:32.080 --> 0:16:36.200
<v Speaker 1>anything goes approach to house rules, Janice runs a tight ship.

0:16:36.880 --> 0:16:41.720
<v Speaker 1>Spills are not tolerated, some couches are off limits, and

0:16:41.760 --> 0:16:45.160
<v Speaker 1>Margaret and her brothers are banned from the kitchen. I

0:16:45.200 --> 0:16:48.680
<v Speaker 1>mean entirely. They are not allowed to enter the kitchen

0:16:48.720 --> 0:16:52.200
<v Speaker 1>of their own home unless Janice is there. As the

0:16:52.240 --> 0:16:55.720
<v Speaker 1>tensions build, Janice and Margaret's father have a child of

0:16:55.760 --> 0:16:59.520
<v Speaker 1>their own, a daughter named Katie, and the divide widens further.

0:17:00.560 --> 0:17:04.560
<v Speaker 1>When Margaret calls Katie her sister, Janice corrects her and

0:17:04.640 --> 0:17:08.960
<v Speaker 1>says she's her half sister. Janice does everything she can

0:17:09.000 --> 0:17:17.560
<v Speaker 1>to keep them apart. That was shocking, um, And you know,

0:17:17.680 --> 0:17:22.440
<v Speaker 1>I wonder if that divide was sort of always there.

0:17:23.080 --> 0:17:25.679
<v Speaker 1>Janice married my dad and they had never lived together

0:17:26.000 --> 0:17:29.639
<v Speaker 1>until they got married, and we all had never lived together,

0:17:29.800 --> 0:17:33.080
<v Speaker 1>and so I think she was kind of signing up

0:17:33.119 --> 0:17:36.879
<v Speaker 1>for something and she just didn't have any clue what

0:17:37.040 --> 0:17:40.440
<v Speaker 1>it might be like. And I think my dad didn't

0:17:40.480 --> 0:17:43.320
<v Speaker 1>have any clue of what kind of person she was

0:17:43.400 --> 0:17:47.000
<v Speaker 1>to live with. But you know, before Katie was born,

0:17:47.640 --> 0:17:50.240
<v Speaker 1>when they lived there was a year. I think that

0:17:50.280 --> 0:17:53.159
<v Speaker 1>they lived together before she was born for maybe two years,

0:17:54.080 --> 0:17:58.439
<v Speaker 1>and the house was immediately filled with Janice's belongings. And

0:17:58.520 --> 0:18:00.560
<v Speaker 1>my dad would say, oh, it's because know, I lost

0:18:00.600 --> 0:18:03.040
<v Speaker 1>everything in the divorce or something like that. And I

0:18:03.080 --> 0:18:07.239
<v Speaker 1>remember when she got pregnant, she just started snapping at us,

0:18:07.240 --> 0:18:09.399
<v Speaker 1>and my dad kept saying, Oh, she's just pregnant, you know,

0:18:09.520 --> 0:18:12.840
<v Speaker 1>she's just not feeling well. I wondered is it because

0:18:12.880 --> 0:18:16.760
<v Speaker 1>she's pregnant or is it something else? And then when

0:18:16.800 --> 0:18:19.840
<v Speaker 1>we all moved in together, became clear that she just

0:18:20.880 --> 0:18:23.520
<v Speaker 1>you know, had her way of doing things and was

0:18:23.640 --> 0:18:28.040
<v Speaker 1>not really interested in compromising. We weren't allowed to do

0:18:28.040 --> 0:18:31.359
<v Speaker 1>our own laundry, which you know should sound like a dream,

0:18:31.359 --> 0:18:33.240
<v Speaker 1>like I would love to not do my own laundry now.

0:18:33.280 --> 0:18:36.520
<v Speaker 1>But it was weird because at my mom's house, you know,

0:18:36.560 --> 0:18:38.439
<v Speaker 1>from the age of ten, she was like, you're going

0:18:38.480 --> 0:18:40.280
<v Speaker 1>to do your own laundry. You're old enough, you know

0:18:40.320 --> 0:18:42.080
<v Speaker 1>how to do it. And then we get to Janice's

0:18:42.080 --> 0:18:43.800
<v Speaker 1>house and all the laundry runs through her. I can't

0:18:43.840 --> 0:18:45.919
<v Speaker 1>use the book. I couldn't. I never once used the machines,

0:18:46.520 --> 0:18:49.160
<v Speaker 1>and I don't even know what they looked like. And

0:18:49.200 --> 0:18:53.480
<v Speaker 1>again the silence and the way that things don't get

0:18:53.960 --> 0:18:58.880
<v Speaker 1>really talked about or get um sort of underplayed by

0:18:59.040 --> 0:19:01.800
<v Speaker 1>your fathers like that's just how that's how she is,

0:19:01.920 --> 0:19:07.560
<v Speaker 1>or making excuses until it reaches a point where you're

0:19:07.560 --> 0:19:12.840
<v Speaker 1>a senior in high school and that's the year that

0:19:14.000 --> 0:19:19.200
<v Speaker 1>your mom makes another suicide attempt, and it's also the

0:19:19.280 --> 0:19:24.360
<v Speaker 1>year that your dad and Janice split up. Yeah, Janis

0:19:24.400 --> 0:19:28.240
<v Speaker 1>and I thought almost the entire time. But the fights

0:19:28.240 --> 0:19:32.400
<v Speaker 1>were never productive, and they, I don't think ever really

0:19:32.440 --> 0:19:40.280
<v Speaker 1>addressed the underlying issues, which probably required a lot of therapy.

0:19:40.359 --> 0:19:42.320
<v Speaker 1>For her to deal with her childhood is use whatever

0:19:42.359 --> 0:19:45.359
<v Speaker 1>they might be, and then for me to try and

0:19:45.480 --> 0:19:49.080
<v Speaker 1>understand why she was the way she was. So yeah,

0:19:49.119 --> 0:19:51.760
<v Speaker 1>of course, eventually in that environment it reaches a fever

0:19:51.880 --> 0:19:56.520
<v Speaker 1>pitch and then everybody disperses, and then my mom, I

0:19:56.560 --> 0:20:01.280
<v Speaker 1>don't know, you know, I had become kind of distant

0:20:01.320 --> 0:20:04.400
<v Speaker 1>from her. She moved a bunch of times in that

0:20:04.440 --> 0:20:08.600
<v Speaker 1>time period. She moved two or three times, and I

0:20:08.760 --> 0:20:11.120
<v Speaker 1>probably saw her or maybe every other weekend, and so

0:20:11.160 --> 0:20:14.520
<v Speaker 1>I wasn't totally connected to what was happening in her life.

0:20:15.000 --> 0:20:17.240
<v Speaker 1>And when I talked to her at one point and

0:20:17.240 --> 0:20:19.879
<v Speaker 1>realized she was manic, I just said, you know, I

0:20:19.920 --> 0:20:23.800
<v Speaker 1>think you're manic, and she just yelled at me, and

0:20:24.160 --> 0:20:30.239
<v Speaker 1>I didn't agree. Now, Margaret is in her senior year

0:20:30.280 --> 0:20:34.800
<v Speaker 1>of high school, a time usually filled with feelings of freedom, excitement, elation.

0:20:35.520 --> 0:20:39.080
<v Speaker 1>But Margaret's senior year is instead weighed down by the

0:20:39.119 --> 0:20:42.479
<v Speaker 1>heft of Janice leaving her father and her mother's ongoing

0:20:42.480 --> 0:20:47.800
<v Speaker 1>struggles with mental illness. But here is where her resilience

0:20:47.840 --> 0:20:51.480
<v Speaker 1>begins to really take form and shape. She finds comfort

0:20:51.520 --> 0:20:54.399
<v Speaker 1>and therapy where she can safely examine the troubles of

0:20:54.440 --> 0:20:57.880
<v Speaker 1>her family. In addition, she sets off on a number

0:20:57.920 --> 0:21:02.000
<v Speaker 1>of healing expeditions too far away places through landscapes, which

0:21:02.040 --> 0:21:07.280
<v Speaker 1>allow her to physically, psychologically, and spiritually distance herself from

0:21:07.280 --> 0:21:10.600
<v Speaker 1>her family in order to turn inward to heal and

0:21:10.680 --> 0:21:15.919
<v Speaker 1>to grow. I was angry, and I was just trying

0:21:15.920 --> 0:21:18.719
<v Speaker 1>to be okay. So I did a bunch of backpacking trips.

0:21:19.240 --> 0:21:21.520
<v Speaker 1>I took a backpacking trip in high school out to

0:21:22.200 --> 0:21:26.639
<v Speaker 1>around moab Utah for three weeks with Howard Bound, and

0:21:26.720 --> 0:21:30.520
<v Speaker 1>that helped me kind of center myself and feel capable.

0:21:31.040 --> 0:21:33.280
<v Speaker 1>You know, when you're hiking and they say like, well,

0:21:33.280 --> 0:21:34.639
<v Speaker 1>if you break your leg, you're still gonna have to

0:21:34.720 --> 0:21:37.280
<v Speaker 1>hike yourself out of here, you know, You're like, okay,

0:21:37.320 --> 0:21:39.880
<v Speaker 1>Like I'm gonna really focus. And then the other thing

0:21:40.440 --> 0:21:45.199
<v Speaker 1>during that first backpacking trip was that I realized this

0:21:45.240 --> 0:21:47.399
<v Speaker 1>sounds really morbid, but it was really helpful to me,

0:21:47.440 --> 0:21:50.600
<v Speaker 1>which I was, you know, hiking in the mountains and

0:21:50.680 --> 0:21:53.800
<v Speaker 1>the canyons and feeling like it doesn't matter if I

0:21:53.920 --> 0:21:57.159
<v Speaker 1>die if I fall off the side, because at first

0:21:57.560 --> 0:22:00.159
<v Speaker 1>it was really hard to kind of walk because there

0:22:00.520 --> 0:22:03.120
<v Speaker 1>was like loose rock and it was hurting my ankles

0:22:03.160 --> 0:22:05.919
<v Speaker 1>and I was carrying like a six pound backpack and

0:22:05.960 --> 0:22:09.680
<v Speaker 1>I was really scared. And then I was like, if

0:22:09.720 --> 0:22:14.400
<v Speaker 1>I fall up this mountain and die, the earth doesn't care.

0:22:14.680 --> 0:22:18.080
<v Speaker 1>It just like absorbs my body. And that made me

0:22:18.200 --> 0:22:25.200
<v Speaker 1>feel somehow calmer, Like my life is small and so

0:22:25.400 --> 0:22:28.040
<v Speaker 1>I can figure out what my priorities are and what

0:22:28.119 --> 0:22:30.159
<v Speaker 1>I want to focus on and try and aim for

0:22:30.200 --> 0:22:34.240
<v Speaker 1>that I'm just like a blip and the history of

0:22:34.280 --> 0:22:39.000
<v Speaker 1>the earth, and that smallness made me feel safe and

0:22:39.160 --> 0:22:43.720
<v Speaker 1>like centered. So I took another backpacking trip to Alaska

0:22:44.080 --> 0:22:47.440
<v Speaker 1>in college in a summer between years, I think after

0:22:47.480 --> 0:22:50.600
<v Speaker 1>my freshman year. So that helped me a ton, just

0:22:50.640 --> 0:22:53.760
<v Speaker 1>to kind of feel calm um. And then you know,

0:22:53.920 --> 0:22:56.920
<v Speaker 1>I ignored it until I took a class with Lynn Bloom.

0:22:56.960 --> 0:22:59.560
<v Speaker 1>She's retired now, but she was professor at the University

0:22:59.560 --> 0:23:02.760
<v Speaker 1>of connectict It and she taught the autobiography class there.

0:23:03.240 --> 0:23:05.520
<v Speaker 1>I read all these memoirs and I suddenly was like,

0:23:05.560 --> 0:23:07.639
<v Speaker 1>oh my god, these books are teaching me how to

0:23:07.680 --> 0:23:11.720
<v Speaker 1>live or like giving me guidance that I don't have otherwise.

0:23:12.440 --> 0:23:15.520
<v Speaker 1>And so from there I started writing kind of lightly

0:23:15.560 --> 0:23:19.840
<v Speaker 1>about my mom and what had happened, and it just

0:23:19.880 --> 0:23:22.760
<v Speaker 1>built up over time, and I took more independent studies

0:23:22.760 --> 0:23:25.720
<v Speaker 1>with her and read more memoirs and just kind of

0:23:25.800 --> 0:23:29.240
<v Speaker 1>slowly chipped away at that until I got to grad school,

0:23:29.280 --> 0:23:32.800
<v Speaker 1>and then I really tried to unpack the story as

0:23:32.880 --> 0:23:55.280
<v Speaker 1>much as I could. We'll be right back. So Margaret

0:23:55.280 --> 0:23:58.840
<v Speaker 1>begins to unpack. She's moved by the art of memoir,

0:23:59.359 --> 0:24:01.080
<v Speaker 1>and we realize is that this will be the way

0:24:01.080 --> 0:24:04.800
<v Speaker 1>to ask and hopefully answer the questions that so defined

0:24:04.800 --> 0:24:09.240
<v Speaker 1>her childhood, namely the nature of her mom's illness and

0:24:09.280 --> 0:24:12.240
<v Speaker 1>the reason behind her multiple attempts to take her own life.

0:24:13.320 --> 0:24:16.040
<v Speaker 1>But as is the case when we grapple with family secrets,

0:24:16.520 --> 0:24:20.560
<v Speaker 1>it's a slow and rocky journey. Remember that call Margaret

0:24:20.560 --> 0:24:23.199
<v Speaker 1>receives when she's nineteen and her brother tells her he's

0:24:23.280 --> 0:24:28.520
<v Speaker 1>learned about their mom's first suicide attempt on Mother's Day. Well,

0:24:28.840 --> 0:24:32.639
<v Speaker 1>it takes five years, and it isn't until Margaret's twenty four,

0:24:33.040 --> 0:24:36.159
<v Speaker 1>when she's actively writing the story of her family, that

0:24:36.280 --> 0:24:39.920
<v Speaker 1>she decides to directly ask the questions she needs to ask.

0:24:41.119 --> 0:24:46.800
<v Speaker 1>I didn't have the wherewithal too articulate a question, and

0:24:46.880 --> 0:24:50.200
<v Speaker 1>I didn't feel like I had one. I was angry,

0:24:50.520 --> 0:24:53.959
<v Speaker 1>and I was just kind of like, oh, of course

0:24:54.440 --> 0:24:58.919
<v Speaker 1>she did that. I wasn't empathetic. I wasn't really thinking

0:24:59.000 --> 0:25:01.080
<v Speaker 1>about what it must have been like for her. I

0:25:01.160 --> 0:25:04.800
<v Speaker 1>was just sort of shoving it away and not thinking

0:25:04.840 --> 0:25:07.120
<v Speaker 1>it was anything I had to address or that there

0:25:07.200 --> 0:25:09.679
<v Speaker 1>was any way to address it because it was so

0:25:09.760 --> 0:25:12.000
<v Speaker 1>far in the past. And I'm like, while we survived,

0:25:12.000 --> 0:25:15.600
<v Speaker 1>we're fine. She survived, it's fine, it doesn't matter. While

0:25:15.680 --> 0:25:18.160
<v Speaker 1>also I think always in the back of your mind

0:25:18.280 --> 0:25:22.359
<v Speaker 1>is like, for me is probably fear and maybe shame

0:25:22.680 --> 0:25:25.920
<v Speaker 1>of like why did that happen? Did she not love us?

0:25:26.320 --> 0:25:32.680
<v Speaker 1>Was she okay? Like? What happened? What happened? Indeed, as

0:25:32.680 --> 0:25:35.800
<v Speaker 1>it turns out, it isn't just Margaret's mom's mental state

0:25:35.880 --> 0:25:40.080
<v Speaker 1>in question. At around this time, Margaret invites her siblings

0:25:40.080 --> 0:25:43.160
<v Speaker 1>to a family reunion of sorts in Kentucky, where she's

0:25:43.160 --> 0:25:46.399
<v Speaker 1>living with her boyfriend, Christian. It's supposed to be a

0:25:46.440 --> 0:25:50.800
<v Speaker 1>fun weekend of bourbon tastings and card games, though Margaret

0:25:50.840 --> 0:25:52.760
<v Speaker 1>and her brothers have always been sort of rough and

0:25:52.800 --> 0:25:57.480
<v Speaker 1>tumble with each other. This time, her brother Ted seems off.

0:25:58.119 --> 0:26:03.199
<v Speaker 1>He punches a table violence, catching everyone off guard, and

0:26:03.240 --> 0:26:07.240
<v Speaker 1>the darkness doesn't subside. The next day, Ted is still

0:26:07.240 --> 0:26:12.480
<v Speaker 1>deeply and inexplicably distraught, and the weekend is ruined. So

0:26:12.560 --> 0:26:14.240
<v Speaker 1>we all go to bed angry. And then the day

0:26:14.240 --> 0:26:16.520
<v Speaker 1>after that he just refuses to come with us. We

0:26:16.560 --> 0:26:19.280
<v Speaker 1>had like some stuff planned, I think a bourbon tour,

0:26:19.880 --> 0:26:23.800
<v Speaker 1>and he skipped it. He just stayed home and I

0:26:23.840 --> 0:26:28.360
<v Speaker 1>didn't speak to anybody. So finally in the evening, Christian

0:26:28.400 --> 0:26:30.800
<v Speaker 1>just looked at him and said, are you okay? And

0:26:30.840 --> 0:26:35.280
<v Speaker 1>he just burst into tears. And I went out and

0:26:35.280 --> 0:26:37.720
<v Speaker 1>talked to him, and he just was like, no one

0:26:37.760 --> 0:26:42.040
<v Speaker 1>listens to me, no one understands me. And I was

0:26:42.080 --> 0:26:44.359
<v Speaker 1>kind of like, what are you talking about? Like it

0:26:44.440 --> 0:26:46.280
<v Speaker 1>just seemed like such a big reaction for such a

0:26:46.359 --> 0:26:48.800
<v Speaker 1>small thing. How many times have we yelled at each other?

0:26:48.880 --> 0:26:51.280
<v Speaker 1>How many times have we just been like piss off?

0:26:51.400 --> 0:26:53.720
<v Speaker 1>We're like a little rough with each other all the time,

0:26:54.000 --> 0:26:56.439
<v Speaker 1>and so none of us think anything of it. And

0:26:56.440 --> 0:26:59.240
<v Speaker 1>then he said, I don't know what's happening to me.

0:26:59.760 --> 0:27:01.919
<v Speaker 1>And I was trying of taken aback. I just like

0:27:02.000 --> 0:27:04.200
<v Speaker 1>sort of noted it. I didn't say anything at the time,

0:27:04.240 --> 0:27:06.760
<v Speaker 1>but I was like, what does that mean? And it

0:27:06.880 --> 0:27:12.639
<v Speaker 1>just sounded a lot bigger. Remember, Margaret has had some

0:27:12.720 --> 0:27:17.200
<v Speaker 1>early life training in this reading the signs. She's developed

0:27:17.200 --> 0:27:20.400
<v Speaker 1>her hyper vigilance skills with regard to her mother. Now

0:27:20.440 --> 0:27:23.520
<v Speaker 1>it appears that the same level of watchfulness she practiced

0:27:23.560 --> 0:27:26.840
<v Speaker 1>as a child is needed for her brother. He's been

0:27:26.840 --> 0:27:32.320
<v Speaker 1>acting paranoid, calling himself a targeted individual and ascribing to

0:27:32.880 --> 0:27:38.720
<v Speaker 1>out their ideas and conspiracy theories. Did alarm bells go

0:27:38.840 --> 0:27:42.920
<v Speaker 1>off for you at all in terms of his behavior,

0:27:42.960 --> 0:27:45.919
<v Speaker 1>which had, you know, kind of a paranoid aspect to it.

0:27:46.520 --> 0:27:51.119
<v Speaker 1>You eventually look up the phrase targeted individual, and you

0:27:51.119 --> 0:27:53.760
<v Speaker 1>know it takes you to this is something that people

0:27:53.800 --> 0:27:58.200
<v Speaker 1>who are schizophrenic often say. Yeah. So I didn't realize

0:27:58.200 --> 0:28:02.000
<v Speaker 1>that until I think sixteen, a couple of years later.

0:28:02.840 --> 0:28:06.720
<v Speaker 1>I didn't put any of the pieces together any Like,

0:28:06.840 --> 0:28:10.159
<v Speaker 1>nothing was flagged for me except for his comment like,

0:28:10.200 --> 0:28:12.800
<v Speaker 1>I don't know what's happening to me, And I just

0:28:12.840 --> 0:28:15.560
<v Speaker 1>thought that sounds really big and scary, and I'm not

0:28:15.600 --> 0:28:20.959
<v Speaker 1>sure what he means. But he's always been unconventional. I

0:28:21.000 --> 0:28:25.040
<v Speaker 1>remember in high school, like he would do weird stuff,

0:28:25.320 --> 0:28:28.040
<v Speaker 1>you know, like, for example, he wanted a parking spot

0:28:28.040 --> 0:28:30.600
<v Speaker 1>in the senior lot and there weren't any. He got

0:28:30.640 --> 0:28:33.000
<v Speaker 1>one in a side lot, and so he went in

0:28:33.040 --> 0:28:35.959
<v Speaker 1>the middle of the night and painted an additional parking

0:28:36.000 --> 0:28:40.000
<v Speaker 1>spot and started parking there, you know, which is funny.

0:28:40.040 --> 0:28:42.280
<v Speaker 1>But he did a million things like that, and then

0:28:42.280 --> 0:28:45.560
<v Speaker 1>would just be a jerk to the principle when you'd

0:28:45.600 --> 0:28:47.320
<v Speaker 1>get called in and get in trouble, you'd just be

0:28:47.360 --> 0:28:50.840
<v Speaker 1>like what and he'd be really belligerent, and I just

0:28:50.880 --> 0:28:54.520
<v Speaker 1>remember thinking, like, why are you so weird? Like somebody

0:28:54.520 --> 0:28:57.080
<v Speaker 1>wanted to fight him once and he bought boxing gloves

0:28:57.880 --> 0:29:01.240
<v Speaker 1>and it's like what a box in a ring? Like

0:29:01.280 --> 0:29:04.520
<v Speaker 1>what are you doing? So he just always seems so

0:29:04.640 --> 0:29:08.720
<v Speaker 1>unconventional to me, and it was funny until it wasn't.

0:29:10.080 --> 0:29:12.640
<v Speaker 1>One of the things that's still moving in your story

0:29:12.760 --> 0:29:16.360
<v Speaker 1>is the way in which you put all these pieces

0:29:16.400 --> 0:29:23.840
<v Speaker 1>together in your mom gives you videos that were transferred

0:29:23.840 --> 0:29:28.959
<v Speaker 1>from film to c D family footage, family videos, which is,

0:29:29.840 --> 0:29:32.880
<v Speaker 1>you know, a treasure trove for anyone who is ever

0:29:32.960 --> 0:29:37.080
<v Speaker 1>trying to understand anything about their family, the role of

0:29:37.080 --> 0:29:41.760
<v Speaker 1>of film, of photographs, of being able to just see

0:29:41.800 --> 0:29:45.960
<v Speaker 1>with your own eyes certain things that happened or didn't happen.

0:29:46.800 --> 0:29:49.320
<v Speaker 1>So it's when you when you head home, which is

0:29:49.320 --> 0:29:52.480
<v Speaker 1>when you get you know, all of this like download

0:29:52.480 --> 0:29:54.840
<v Speaker 1>of information. You get the films and you get the

0:29:55.440 --> 0:29:57.360
<v Speaker 1>you know, you you go searching through the attic, you

0:29:57.440 --> 0:30:01.080
<v Speaker 1>find all this stuff. Yeah, when I sat down to

0:30:01.120 --> 0:30:05.160
<v Speaker 1>watch those videos, it just unlocked a whole world for me.

0:30:05.240 --> 0:30:09.440
<v Speaker 1>Like I just was shocked to see us as a family,

0:30:10.280 --> 0:30:13.520
<v Speaker 1>which it sounds so mundane, but I just hadn't I mean,

0:30:13.560 --> 0:30:17.560
<v Speaker 1>we have photographs, but I hadn't seen any footage at

0:30:17.640 --> 0:30:20.280
<v Speaker 1>least not in the decade or two. I just don't

0:30:20.320 --> 0:30:24.840
<v Speaker 1>even remember like footage of us interacting. And so I

0:30:24.880 --> 0:30:29.200
<v Speaker 1>was just struck. And then realizing the time frame of

0:30:29.240 --> 0:30:33.080
<v Speaker 1>the video because I saw attention between my parents in

0:30:33.120 --> 0:30:36.040
<v Speaker 1>the video, and I'm like, so when was this taken?

0:30:37.120 --> 0:30:39.960
<v Speaker 1>What's going on in her lives? I called my mom.

0:30:40.360 --> 0:30:42.440
<v Speaker 1>I just started talking to her more and asking her

0:30:42.480 --> 0:30:44.920
<v Speaker 1>more questions and coming up with questions that I could

0:30:44.960 --> 0:30:46.840
<v Speaker 1>think about, you know, like, because you don't know what

0:30:46.880 --> 0:30:49.480
<v Speaker 1>you don't know and I just had no idea what

0:30:49.560 --> 0:30:52.080
<v Speaker 1>to even ask, and so my mom would always say,

0:30:52.160 --> 0:30:55.120
<v Speaker 1>you can ask me anything, but it's like, what do

0:30:55.160 --> 0:30:58.480
<v Speaker 1>you ask when the question is not even clear in

0:30:58.520 --> 0:31:01.520
<v Speaker 1>your mind and the problems that I'm clearing your mind.

0:31:01.720 --> 0:31:05.120
<v Speaker 1>So that video really helped give me a starting point

0:31:05.160 --> 0:31:09.040
<v Speaker 1>anyway for asking her questions about that year in particular.

0:31:09.200 --> 0:31:12.400
<v Speaker 1>And then from there, you know, more questions than raveled

0:31:12.400 --> 0:31:15.600
<v Speaker 1>as we as we spoke. That's such a great and

0:31:15.680 --> 0:31:19.760
<v Speaker 1>interesting point, the idea of not knowing the questions. It's

0:31:19.800 --> 0:31:22.240
<v Speaker 1>often you know someone will get to a point of saying,

0:31:22.280 --> 0:31:25.760
<v Speaker 1>ask me anything, but if you don't know, you can't.

0:31:26.760 --> 0:31:28.840
<v Speaker 1>And you write, you write in the book while you're

0:31:28.840 --> 0:31:32.720
<v Speaker 1>watching the films, you write a familiar feeling bloomed in

0:31:32.800 --> 0:31:36.680
<v Speaker 1>my chest, that wide eyed desperation of wanting to hold

0:31:36.760 --> 0:31:40.160
<v Speaker 1>us all together. And I thought that was really moving

0:31:40.240 --> 0:31:43.760
<v Speaker 1>because it was like you were accessing your child's self.

0:31:44.320 --> 0:31:47.240
<v Speaker 1>You know that that even the language bloomed in my chest.

0:31:47.320 --> 0:31:49.720
<v Speaker 1>But the wide eyed desperation of wanting to hold us

0:31:49.760 --> 0:31:53.280
<v Speaker 1>all together is probably something that you felt as a child,

0:31:53.760 --> 0:31:57.400
<v Speaker 1>without even knowing what that meant. And then one of

0:31:57.400 --> 0:31:59.600
<v Speaker 1>the really beautiful things about being able to go back

0:31:59.680 --> 0:32:02.080
<v Speaker 1>as as an adult who's done a lot of work

0:32:02.840 --> 0:32:05.480
<v Speaker 1>and sort of reach a hand out in a way

0:32:05.520 --> 0:32:08.880
<v Speaker 1>to that child is to kind of intervene in that

0:32:09.160 --> 0:32:13.600
<v Speaker 1>after the fact. Yeah, I you know, that's a that's

0:32:13.640 --> 0:32:16.160
<v Speaker 1>a lovely way to put it. Um, My therapist would

0:32:16.160 --> 0:32:20.920
<v Speaker 1>really like that. It was kind of a surprising feeling

0:32:20.920 --> 0:32:23.640
<v Speaker 1>because I think I told myself a story after their

0:32:23.640 --> 0:32:26.120
<v Speaker 1>divorce about like, yeah, they weren't good for each other,

0:32:26.200 --> 0:32:30.200
<v Speaker 1>they needed to be a part best for everybody. I

0:32:30.240 --> 0:32:34.000
<v Speaker 1>still don't remember wanting them to stay together, but I

0:32:34.040 --> 0:32:36.600
<v Speaker 1>remember being sad when they told us they were separating.

0:32:37.560 --> 0:32:39.960
<v Speaker 1>And when I watched that and I felt that feeling.

0:32:40.400 --> 0:32:42.960
<v Speaker 1>It was such a child feeling, like a childhood feeling

0:32:43.000 --> 0:32:46.440
<v Speaker 1>of like thinking, that's something in my behavior, just like

0:32:46.480 --> 0:32:50.600
<v Speaker 1>I'm watching it in my thirties. In my mind, I'm like,

0:32:50.640 --> 0:32:53.080
<v Speaker 1>if I do something different, I can help them, like

0:32:53.160 --> 0:32:56.320
<v Speaker 1>I can keep them together. But I think I must

0:32:56.320 --> 0:33:00.200
<v Speaker 1>have just wondered that a lot to myself. How do

0:33:00.240 --> 0:33:02.120
<v Speaker 1>I help them or would I do differently? You know,

0:33:02.800 --> 0:33:04.800
<v Speaker 1>when I think about getting sent to my room all

0:33:04.800 --> 0:33:07.440
<v Speaker 1>the time, I think, sometimes, oh, well, if I didn't

0:33:07.440 --> 0:33:10.280
<v Speaker 1>make my mom so mad, maybe things would have been

0:33:10.280 --> 0:33:14.920
<v Speaker 1>different or something. When there is a record of some

0:33:15.000 --> 0:33:18.960
<v Speaker 1>sort um like those films were for you, you look

0:33:18.960 --> 0:33:21.880
<v Speaker 1>for evidence. You know, this sort of unlocks, you know,

0:33:22.160 --> 0:33:25.360
<v Speaker 1>the sluice in you. And you go to the attic

0:33:25.520 --> 0:33:28.600
<v Speaker 1>and and go through photos and diaries and videos and

0:33:28.680 --> 0:33:30.720
<v Speaker 1>notes and just anything that you can get your hands on,

0:33:31.480 --> 0:33:34.440
<v Speaker 1>and you even you make a pilgrimage back to the

0:33:34.480 --> 0:33:39.120
<v Speaker 1>old house and the shed where your mother had gone

0:33:39.400 --> 0:33:43.920
<v Speaker 1>that day. In the current owners are oblivious about history,

0:33:43.960 --> 0:33:47.480
<v Speaker 1>which of course is always the case. They've strung up lights,

0:33:47.520 --> 0:33:50.000
<v Speaker 1>and there are these lime green chairs, and it's all

0:33:50.080 --> 0:33:53.120
<v Speaker 1>kind of festive and and pretty and and of course

0:33:53.120 --> 0:33:55.680
<v Speaker 1>they don't know the history. But you're there to try to,

0:33:56.080 --> 0:33:57.760
<v Speaker 1>you know, dig in and find out as much as

0:33:58.320 --> 0:34:03.960
<v Speaker 1>as much as you can. Ye. It's during this pivotal

0:34:04.000 --> 0:34:07.760
<v Speaker 1>trip home when Ted's worrying behaviors begin to crystallize from

0:34:07.800 --> 0:34:11.440
<v Speaker 1>Margaret that she's also immersing herself and the family artifacts

0:34:11.480 --> 0:34:14.719
<v Speaker 1>and memorabilia. She's at a point of readiness to know more,

0:34:15.120 --> 0:34:17.720
<v Speaker 1>to take in more, to know what questions to ask,

0:34:18.040 --> 0:34:21.600
<v Speaker 1>what to look for in terms of signs and patterns.

0:34:21.600 --> 0:34:23.919
<v Speaker 1>She and Ted are in the car together and he's

0:34:23.960 --> 0:34:28.200
<v Speaker 1>acting really fearful and on edge, and so she digs

0:34:28.200 --> 0:34:31.400
<v Speaker 1>into that too and begins to research what might be

0:34:31.480 --> 0:34:34.640
<v Speaker 1>going on with Ted. I mean he helped me with

0:34:34.680 --> 0:34:38.000
<v Speaker 1>that by seeing things like targeted individual and gain stocking.

0:34:38.360 --> 0:34:42.640
<v Speaker 1>Those aren't words or terms I ever would have known

0:34:42.760 --> 0:34:45.480
<v Speaker 1>to look up or think about. And he was so

0:34:45.600 --> 0:34:49.520
<v Speaker 1>distraught in that car ride, like he he was wearing

0:34:49.560 --> 0:34:52.520
<v Speaker 1>this hoodie and covering his face. It was just like

0:34:52.719 --> 0:34:56.759
<v Speaker 1>so odd. He just looked really distressed. And so when

0:34:56.760 --> 0:34:59.600
<v Speaker 1>he started using those terms, I just like walcked them

0:34:59.600 --> 0:35:03.080
<v Speaker 1>in my mind and was like, I need to figure

0:35:03.160 --> 0:35:07.160
<v Speaker 1>out what's going on. And that's yeah. When I started

0:35:07.560 --> 0:35:11.120
<v Speaker 1>looking that scared me. And I didn't want to frighten him,

0:35:11.200 --> 0:35:14.279
<v Speaker 1>and I didn't want to like judge him, and I

0:35:14.320 --> 0:35:17.920
<v Speaker 1>didn't quite know how to approach him with empathy. And

0:35:17.960 --> 0:35:21.840
<v Speaker 1>it took me a while to figure that out. Margaret

0:35:21.840 --> 0:35:25.120
<v Speaker 1>continues her immersion into the family history to work on

0:35:25.160 --> 0:35:28.520
<v Speaker 1>her book, and eventually she meets up with Ted for

0:35:28.560 --> 0:35:32.359
<v Speaker 1>a somewhat official interview at a coffee shop. He knows

0:35:32.440 --> 0:35:35.439
<v Speaker 1>she's writing this book, and she makes the generous move

0:35:36.000 --> 0:35:39.239
<v Speaker 1>as the memoirist to give him the opportunity to tell

0:35:39.280 --> 0:35:42.920
<v Speaker 1>his own story, to convey his experiences in his own words.

0:35:44.200 --> 0:35:48.319
<v Speaker 1>How could I possibly describe his experiences as thoroughly as

0:35:48.360 --> 0:35:51.719
<v Speaker 1>he could. I wanted to give him space to do

0:35:51.800 --> 0:35:54.840
<v Speaker 1>that and to feel safe about the book since he

0:35:54.960 --> 0:35:59.919
<v Speaker 1>was going to be in it. After a few years

0:36:00.040 --> 0:36:02.520
<v Speaker 1>has and Margaret has asked all the questions she can ask,

0:36:03.040 --> 0:36:08.120
<v Speaker 1>mind all the footage and data she possibly can. It's

0:36:08.160 --> 0:36:10.680
<v Speaker 1>and the book is coming out. She shares it with

0:36:10.719 --> 0:36:14.920
<v Speaker 1>her mother, her father, her siblings. In a way, the

0:36:15.000 --> 0:36:18.040
<v Speaker 1>very act of writing the graphic memoir is what gives

0:36:18.160 --> 0:36:21.600
<v Speaker 1>both Margaret and her family the chance to excavate and

0:36:21.680 --> 0:36:26.000
<v Speaker 1>dissect their memories. In the end, Margaret's family has a

0:36:26.120 --> 0:36:29.440
<v Speaker 1>very loving response to the book and the awareness that

0:36:29.520 --> 0:36:33.280
<v Speaker 1>for each of them the story is different and uniquely

0:36:33.360 --> 0:36:40.280
<v Speaker 1>their own. I feel like the book ultimately put language

0:36:40.280 --> 0:36:43.640
<v Speaker 1>to all these experiences and all these things that had happened.

0:36:44.520 --> 0:36:48.000
<v Speaker 1>And I had just hours and hours and hours of

0:36:48.080 --> 0:36:53.040
<v Speaker 1>conversations with my mom about her experiences, and the book

0:36:53.080 --> 0:36:55.200
<v Speaker 1>gave us this space to do that. And I don't

0:36:55.239 --> 0:36:59.239
<v Speaker 1>think we would have had an opportunity otherwise, because it's

0:36:59.280 --> 0:37:00.880
<v Speaker 1>hard to just go to somebody's house and be like,

0:37:00.920 --> 0:37:02.880
<v Speaker 1>tell me about the darkest periods of your life for

0:37:02.920 --> 0:37:07.080
<v Speaker 1>no reason at all. Um. So I think everything was

0:37:07.160 --> 0:37:09.680
<v Speaker 1>said that could be said, and it kind of allowed

0:37:09.800 --> 0:37:14.560
<v Speaker 1>us to move on. I think from all of our

0:37:14.880 --> 0:37:18.960
<v Speaker 1>anger and sadness about and maybe shame, I hope about

0:37:19.160 --> 0:37:23.080
<v Speaker 1>what had happened for my dad. He you know, I

0:37:23.120 --> 0:37:26.800
<v Speaker 1>asked him a few questions throughout the process, like about

0:37:26.800 --> 0:37:30.880
<v Speaker 1>my grandparents, and I wasn't sure if my grandfather's thinking

0:37:30.920 --> 0:37:33.080
<v Speaker 1>ted had really happened or if I had imagined that,

0:37:33.920 --> 0:37:37.000
<v Speaker 1>and my dad was like, no, that absolutely happened. I

0:37:37.000 --> 0:37:39.040
<v Speaker 1>would say, like, this is specifically for the book. I'm

0:37:39.080 --> 0:37:42.840
<v Speaker 1>specifically asking this question for this reason, and he needed

0:37:42.920 --> 0:37:46.080
<v Speaker 1>that information upfront. But he said, I want you to

0:37:46.120 --> 0:37:47.880
<v Speaker 1>write whatever you want to write, but I'm not going

0:37:47.920 --> 0:37:50.840
<v Speaker 1>to read it because I lived it and I don't

0:37:50.880 --> 0:37:52.920
<v Speaker 1>need to go back there and I don't want and

0:37:52.960 --> 0:37:54.640
<v Speaker 1>he didn't want to influence me. He's like, I don't

0:37:54.680 --> 0:37:58.200
<v Speaker 1>want to read it and then change what you've said

0:37:58.239 --> 0:38:03.920
<v Speaker 1>about it through my own memory, and so he just didn't,

0:38:04.000 --> 0:38:07.839
<v Speaker 1>but has been really supportive. I don't feel upset about it.

0:38:08.160 --> 0:38:11.440
<v Speaker 1>I feel sad that he's so sad about the past.

0:38:11.640 --> 0:38:14.400
<v Speaker 1>I wish you could, you know, I'll be okay talking

0:38:14.440 --> 0:38:20.440
<v Speaker 1>about it, but that might not just not happen for him.

0:38:20.480 --> 0:38:24.080
<v Speaker 1>How does it feel now you're a brand new mother yourself,

0:38:24.640 --> 0:38:29.640
<v Speaker 1>You just had a baby, and you've birthed this book

0:38:29.640 --> 0:38:33.840
<v Speaker 1>into the world. How does it feel to have finally

0:38:34.560 --> 0:38:38.520
<v Speaker 1>been able to assemble the shards of this story so

0:38:38.600 --> 0:38:42.640
<v Speaker 1>that it makes something that's whole and that's coherent. And

0:38:43.400 --> 0:38:46.959
<v Speaker 1>is this something you feel that you can now move

0:38:47.000 --> 0:38:52.160
<v Speaker 1>on from. Is they're moving on? I think so. I mean,

0:38:52.239 --> 0:38:57.040
<v Speaker 1>I feel incredibly calm, Like I feel like the book

0:38:57.120 --> 0:39:04.360
<v Speaker 1>gave me solace about everything that happened, the suicide attempts

0:39:04.360 --> 0:39:06.279
<v Speaker 1>and my mom's mental illness and just mental illness in

0:39:06.280 --> 0:39:10.040
<v Speaker 1>our family. Like there was a long period where I

0:39:10.040 --> 0:39:12.040
<v Speaker 1>didn't talk about it, and then I would kind of

0:39:12.120 --> 0:39:14.520
<v Speaker 1>dole it out as like a little party trick, like, oh, well,

0:39:14.640 --> 0:39:17.080
<v Speaker 1>my mom is bi polars, you know, like just to

0:39:17.080 --> 0:39:22.080
<v Speaker 1>get attention or something. And now it feels complicated, and

0:39:22.120 --> 0:39:26.280
<v Speaker 1>I feel like I have empathy for everyone in my family.

0:39:27.239 --> 0:39:29.520
<v Speaker 1>And you know, I was thinking the other day looking

0:39:29.560 --> 0:39:31.440
<v Speaker 1>at my baby, and I was thinking, like, I wonder

0:39:31.480 --> 0:39:35.279
<v Speaker 1>if he'll want to write about whatever torments we do

0:39:35.440 --> 0:39:38.600
<v Speaker 1>to him as he grows up, and I hope he

0:39:38.600 --> 0:39:41.640
<v Speaker 1>feels free too, And the same with my stepdaughter, Like

0:39:41.680 --> 0:39:44.160
<v Speaker 1>I just want them to feel like they can say

0:39:44.200 --> 0:39:47.640
<v Speaker 1>anything they want to say about their Childhood's not perfect,

0:39:47.840 --> 0:39:51.080
<v Speaker 1>you know, like no childhood is perfect, I don't think.

0:39:51.120 --> 0:39:53.839
<v Speaker 1>I think it's really hard for everyone, And I hope

0:39:53.880 --> 0:39:57.799
<v Speaker 1>they feel free to, like, ask us questions and talk

0:39:57.840 --> 0:40:01.120
<v Speaker 1>to us about their experiences and hell in whatever ways

0:40:01.160 --> 0:40:28.160
<v Speaker 1>they need to when they're older. M M Family Secrets

0:40:28.200 --> 0:40:31.200
<v Speaker 1>is a production of I Heart Radio. Molly z Achor

0:40:31.360 --> 0:40:34.600
<v Speaker 1>is the story editor and Dylan Fagan is the executive producer.

0:40:35.880 --> 0:40:37.839
<v Speaker 1>If you have a family secret you'd like to share,

0:40:38.239 --> 0:40:40.680
<v Speaker 1>please leave us a voicemail and your story could appear

0:40:40.719 --> 0:40:44.080
<v Speaker 1>on an upcoming episode. Our number is one eight eight

0:40:44.640 --> 0:40:48.760
<v Speaker 1>Secret zero. That's the number zero. You can also find

0:40:48.840 --> 0:40:53.360
<v Speaker 1>me on Instagram at Danny writer. And if you'd like

0:40:53.400 --> 0:40:55.759
<v Speaker 1>to know more about the story that inspired this podcast,

0:40:56.120 --> 0:41:25.279
<v Speaker 1>check out my memoir Inheritance. For more podcasts for my

0:41:25.360 --> 0:41:28.360
<v Speaker 1>heart Radio, visit the I heart Radio app, Apple podcast,

0:41:28.480 --> 0:41:30.520
<v Speaker 1>or wherever you listen to your favorite shows.