WEBVTT - King Los Interview

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<v Speaker 1>Real celebrity. Yeah, it's the Breakfast Club Charlomagne and God Angelie.

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<v Speaker 1>I don't know where the hell en you went, but

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<v Speaker 1>we have a very very special guest with us. That's

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<v Speaker 1>what Envy says. Yeah, that's what thing he said that

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<v Speaker 1>everybody from loving hip hop very special, special special, something

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<v Speaker 1>not that specials here as well. Huh isn't that wrong? Yeah?

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<v Speaker 1>What's the God King? Los? Yeah? Man, how you doing?

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<v Speaker 1>Blessed Man? God Money War is out now? Yeah, man's

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<v Speaker 1>playing the album title because you know, I've heard album,

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<v Speaker 1>so I get it. But some people might be like,

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<v Speaker 1>why do you why are you mixing God with those

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<v Speaker 1>worldly things? I mean, God created the world, but beyond that, Um,

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<v Speaker 1>I just feel like there's three things in life that

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<v Speaker 1>you know, um, affect us very deeply, you know, and

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<v Speaker 1>need you know, need to be talked about. Um. God

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<v Speaker 1>for one. You know, some people wake up and I

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<v Speaker 1>don't even believe in God and reach with a small

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<v Speaker 1>form before they pray. Yeah, I mean you know, I

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<v Speaker 1>mean not don't even pray. You know what I'm saying,

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<v Speaker 1>like it don't even get to prayer. It's like we

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<v Speaker 1>just had people walking around empty, you know, and we

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<v Speaker 1>wonder why we have so many, so many things that

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<v Speaker 1>they hold us back. You know, No, people don't have

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<v Speaker 1>something higher to reach to. So I feel like I

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<v Speaker 1>just wanted to give that to people, you know, from

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<v Speaker 1>a perspective of you don't have to be perfect to

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<v Speaker 1>love God, you know, and just in that essence, you know,

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<v Speaker 1>and especially with our community and seeing the stuff that

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<v Speaker 1>we'd be going through, you know as of lately. And

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<v Speaker 1>then the money, you know, it's just something that I

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<v Speaker 1>grew up. It's something that I grew up and being

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<v Speaker 1>from Baltimore, you know, being basically like raised by like kingpins.

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<v Speaker 1>Like I lost my dad when I was sixteen. My

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<v Speaker 1>dad was murdered, so like from that point, that's where

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<v Speaker 1>you really start to become a man in shape who

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<v Speaker 1>you are. And I was embraced by just street dudes

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<v Speaker 1>who was doing it on a major level in I

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<v Speaker 1>could have went any way in life, you know what

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<v Speaker 1>I'm saying. So, you know, that was the money part,

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<v Speaker 1>just letting people know that money shouldn't you know, um,

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<v Speaker 1>it shouldn't rule your heart, you know what I'm saying.

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<v Speaker 1>And then um, the war and my and my um

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<v Speaker 1>and my depth definition of war. It's not like the

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<v Speaker 1>stuff we see on TV. And it's not like the racism.

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<v Speaker 1>And it's not that I feel like it's the it's

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<v Speaker 1>the it's the personal wars, the war with for you know,

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<v Speaker 1>it's the war for your soul, you know what I'm saying.

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<v Speaker 1>So those are the things I wanted to break down

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<v Speaker 1>in my in my CD, because my CD wasn't that

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<v Speaker 1>CD in particular wasn't about me. God, money, war wasn't

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<v Speaker 1>about me, one about lows, you know what I'm saying.

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<v Speaker 1>It was about us and what we go through and

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<v Speaker 1>how we just need to be there for each other.

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<v Speaker 1>So and you know what I noticed too, when it

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<v Speaker 1>comes to God, a lot of times people pray when

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<v Speaker 1>they need something, not necessarily to be thankful for the

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<v Speaker 1>things that they have. Sometimes the only time somebody might

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<v Speaker 1>praise if they're like, oh Lord, please don't let me

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<v Speaker 1>be pregnant, you know, don't let you know how you

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<v Speaker 1>paid the thing you have. You made that prayer before.

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<v Speaker 1>I haven't, I never ever. Yeah, But you know it's crazy,

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<v Speaker 1>like that's that's the thing to see some people use

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<v Speaker 1>God selfishly. And it's like I pray for other people

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<v Speaker 1>like before I prayed, or like I never prayed like

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<v Speaker 1>for like, you know, to be successful or like you know,

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<v Speaker 1>even though I mean you can, you can pray for

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<v Speaker 1>anything you want, you know. I rather pay for people

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<v Speaker 1>to be healthy and stuff like that. But it's up

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<v Speaker 1>to you, man. I mean, God ignores prayers. The godson

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<v Speaker 1>a couple of prayers praying for well yeah yeah, I

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<v Speaker 1>mean you gotta be careful what you wish for because

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<v Speaker 1>you might get something you're not even ready for. You know. Um,

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<v Speaker 1>one time it was a preacher who told a story

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<v Speaker 1>about a lady who prayed to to to you know,

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<v Speaker 1>to just get by. And that's all. That's all it

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<v Speaker 1>ever happened. She just got just got by, just barely,

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<v Speaker 1>because that's all she prayed for. Lord, just help us,

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<v Speaker 1>just please just just get by. You know. It's like

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<v Speaker 1>that's the power of positive thinking to maximize your blessings.

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<v Speaker 1>Like you speak things in the fruition. So if that's

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<v Speaker 1>what you're constantly seeing yourself, I just want to get

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<v Speaker 1>bodies gonna get bay, that's gonna happen. Or when people

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<v Speaker 1>be like man, I don't even know there you go.

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<v Speaker 1>You know what's interesting U when you came in h

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<v Speaker 1>angels said something what You've got a gun, I don't

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<v Speaker 1>know what and you was like, no, I got God. Yeah,

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<v Speaker 1>because you know when somebody goes in the bank and

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<v Speaker 1>say where's it? No, I mean that usually that means like,

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<v Speaker 1>you know, you got to you don't want to say

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<v Speaker 1>what it is. Yeah. No, man, that's interesting to hear

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<v Speaker 1>you saying you were saying you were looking for water.

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<v Speaker 1>That's then, I mean, yeah, I was looking. I was

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<v Speaker 1>actually looking for I had a feji water. I don't

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<v Speaker 1>know what I did with it. But it's interesting here

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<v Speaker 1>you say that because it made me think of it.

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<v Speaker 1>I mean, it's fresh on my mind. You know, I'm

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<v Speaker 1>from I'm born to Charleston, so I'm thinking about the

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<v Speaker 1>Charleston shooting. And I heard what the representative said. He goes, oh,

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<v Speaker 1>you know, well if somebody in there could have defended themselves,

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<v Speaker 1>And I'm like, well, that's the church they were in

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<v Speaker 1>their praying. Do you feel like you need guns in

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<v Speaker 1>church now because these things could happen? Or do you

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<v Speaker 1>just rely on God? I mean, at the end of

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<v Speaker 1>the day, man, if things like this are happening, where

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<v Speaker 1>people are going into you know, a holy place in

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<v Speaker 1>committing just like like atrocities, Like there's no way to

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<v Speaker 1>there's no scale to gauge what you do in that situation. Dude,

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<v Speaker 1>murder nine people. So like I think for some extremities,

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<v Speaker 1>you might you might need an extremity. You might. They

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<v Speaker 1>might need to protect themselves because I mean, you're not

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<v Speaker 1>aiming to harm people. So that's someone taking advantage of you.

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<v Speaker 1>And that's different, you know what I'm saying. So it's like,

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<v Speaker 1>I mean, you gotta protect your family. I bet that

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<v Speaker 1>preacher or whoever when they're home. You know, you gotta

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<v Speaker 1>think of the church as your home. You know, if

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<v Speaker 1>somebody walked come in your house and try to harm you,

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<v Speaker 1>you gotta you gotta do what you gotta do to

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<v Speaker 1>protect your children or your wife or you know. Nine

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<v Speaker 1>people died. It was young people, older people or man,

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<v Speaker 1>God protect me. But I still asleep from my get Yeah,

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<v Speaker 1>Curtis Jackson, Hey, you gotta keep it if that's if

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<v Speaker 1>that's if that's what people are doing, then it's it's

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<v Speaker 1>no it's no rules, man, you gotta you gotta protect yourself.

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<v Speaker 1>Now you have to sound glory to the Lord with

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<v Speaker 1>R Kelly. How did y'all hook up? Like, how did

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<v Speaker 1>what's your relationship with R. Kelly? Um, I don't have

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<v Speaker 1>a relationship with R. Kelly. My only relationship with R.

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<v Speaker 1>Kelly is that I think he's amazing and that I've

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<v Speaker 1>been a fan forever like everybody else. Um. I made

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<v Speaker 1>the record Glory to the Lord Um because I wanted

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<v Speaker 1>to talk to the hood. And you know, again, I'm

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<v Speaker 1>from Baltimore, he's from Charleston. Like we're from places where

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<v Speaker 1>we've seen extreme turmoil, you know what I'm saying. So

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<v Speaker 1>me having a foundation in Christ and just growing up

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<v Speaker 1>like in the church or whatever. You know, I'm not

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<v Speaker 1>a perfect person, but I've been extremely blessed and I've

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<v Speaker 1>also went through crazy, crazy situations, you know. But through

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<v Speaker 1>it all, you know, I give the glory to God. Man,

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<v Speaker 1>So I would you a rapper? You're not supposed to

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<v Speaker 1>do that. I don't know what these rappers do. I

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<v Speaker 1>don't know what I don't know what these rappers be doing, man.

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<v Speaker 1>But you know, so why act like you can't put

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<v Speaker 1>hip hop and God together? I remember the time when

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<v Speaker 1>that's all it was about. I grew up on an

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<v Speaker 1>outcasting goodie mob. They were giving it up for God. Yeah, Man,

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<v Speaker 1>when they won awards, you don't want to thank God.

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<v Speaker 1>Now you don't see none of that no more. Man,

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<v Speaker 1>it's just crazy, like I feel like, um, we're going

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<v Speaker 1>towards like you know, it's just anti God, you know, Pete.

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<v Speaker 1>They want to give you every reason to deny God. Man.

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<v Speaker 1>But every day. You know, there was a guy who said, um,

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<v Speaker 1>I watched this guy Robbie zachar Riyas all the time

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<v Speaker 1>like I'd just be trying to get mine, you know,

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<v Speaker 1>you know, and uh he was. Someone asked him, he

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<v Speaker 1>does does a lot of Q and A, but he

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<v Speaker 1>does it at like those prestigious um, you know colleges

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<v Speaker 1>like Yale and Harvard with all these intellects. You know,

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<v Speaker 1>once people get so smart they don't need God. So

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<v Speaker 1>he does Q and A. So the guy asked him

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<v Speaker 1>about um Jonah who was in the in the whale,

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<v Speaker 1>you know, in the Bible, and does he think that's

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<v Speaker 1>ridiculous or does he believe it? Because you know, if

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<v Speaker 1>somebody says something about somebody being in the whale, the

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<v Speaker 1>first thing you would think, in your shallow thinking, so

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<v Speaker 1>you don't believe it, right, So he said, if to

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<v Speaker 1>say you don't believe that is to say that you

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<v Speaker 1>ignore the miracles that we see every day. And I

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<v Speaker 1>think that's what people don't have enough appreciation. Your human

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<v Speaker 1>body is a miracle. You know, everything about you is

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<v Speaker 1>a miracle. It's miraculous for a woman to be able

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<v Speaker 1>to have a child and then be connected emotionally, um,

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<v Speaker 1>he said, even like into like relationships, the way men

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<v Speaker 1>and women, you know, the way um, we are connected

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<v Speaker 1>to each other, the way we're magnetized towards one another.

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<v Speaker 1>All those things are miraculous. But people don't have a

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<v Speaker 1>high enough appreciation for just the simple things in life.

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<v Speaker 1>So of course you don't know that, he said. So

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<v Speaker 1>for somebody that you know, rose from the grave and

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<v Speaker 1>did all that being in someone being in the whale stomach,

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<v Speaker 1>that's a small order. For somebody who created the sun,

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<v Speaker 1>and you look at it every day and appreciate it,

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<v Speaker 1>you know what I'm saying. So that's just my my synopsis.

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<v Speaker 1>Now you have all Kelly on that record. How do

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<v Speaker 1>you think God feels about him peeing on little girls

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<v Speaker 1>at one point? And it's like, I don't know, man,

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<v Speaker 1>Only God can judge them, you know, I don't know, man.

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<v Speaker 1>The alleged pe no we saw the take I ain't

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<v Speaker 1>see nothing, man, I ain't see nothing, man. I don't

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<v Speaker 1>know nothing in the world. But Kevin Wait Wait was

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<v Speaker 1>out part of it. I don't want nothing to do

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<v Speaker 1>with its clear you can get. Yeah, you know, no,

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<v Speaker 1>I saw good Man like I don't. I don't really know.

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<v Speaker 1>I don't really know that artist. And he sounds good

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<v Speaker 1>on the song like that Dave Chappelle's kit. That's crazy now.

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<v Speaker 1>I like a ghetto boy a lot too. It seems like,

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<v Speaker 1>you know, you talk about your grandmother a lot on

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<v Speaker 1>that record. It seems like you have a big influence

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<v Speaker 1>on you. Yeah, you mentioned that you're you just mentioned

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<v Speaker 1>your father got killed. He was murdered when I was

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<v Speaker 1>like sixteen. You said that on the record. He wasn't around,

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<v Speaker 1>so like, like, what she the one that raised you? Um? Not?

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<v Speaker 1>My grandmother didn't raise me, man, um My mama raised me.

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<v Speaker 1>At a point in my life. My grandmother on my

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<v Speaker 1>dad's side raised me for a little while because I

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<v Speaker 1>want to live with my dad. You know, a lot

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<v Speaker 1>of young young young men when their mom and dad's

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<v Speaker 1>not together, they want to go live with their dad,

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<v Speaker 1>you know, Like I wanna go live with my pops.

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<v Speaker 1>Because it's just you. Your dad has this different a

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<v Speaker 1>different essence, and he don't beat you for everything like mama.

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<v Speaker 1>If you want to discipline you all the time, your

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<v Speaker 1>dad like boys stopped and you know it's like more

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<v Speaker 1>of a masculine thing, you know. So my grandma for

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<v Speaker 1>dumb stuff like having Playboy. Like yeah, Like I remember

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<v Speaker 1>one time I was watching um, I was watching the

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<v Speaker 1>like the Spice channel back in the day. I was

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<v Speaker 1>probably like fourteen, and I'm watching it. You know, back

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<v Speaker 1>in the day on the cave, we had the button

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<v Speaker 1>when you could go back to another channel, just one

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<v Speaker 1>button and you go back and forth. So I hear

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<v Speaker 1>my dad come out the ronk go back to the

0:10:52.360 --> 0:10:54.760
<v Speaker 1>last channel would be like a Disney channel or something, right,

0:10:55.080 --> 0:10:56.800
<v Speaker 1>and he come out and get some juicy, go back

0:10:56.800 --> 0:10:58.719
<v Speaker 1>in the room and I go back to Spice and

0:10:58.840 --> 0:11:01.400
<v Speaker 1>he come back out not change. He like, boy, you

0:11:01.440 --> 0:11:04.640
<v Speaker 1>still woke. And I said, I said, yeah, I'm still up.

0:11:04.800 --> 0:11:07.400
<v Speaker 1>He said, yeah, all them neked women keeping you woke

0:11:07.840 --> 0:11:11.080
<v Speaker 1>like I did. I didn't know. I was watching the thing.

0:11:11.400 --> 0:11:14.120
<v Speaker 1>But he had like the monitor thing when his TV change,

0:11:14.559 --> 0:11:16.840
<v Speaker 1>he had a box thing. You worked for the cable

0:11:16.840 --> 0:11:20.600
<v Speaker 1>company now he worked for a cable company. But we

0:11:20.640 --> 0:11:24.280
<v Speaker 1>had we had the worst. Like he worked for change

0:11:24.280 --> 0:11:27.080
<v Speaker 1>his channel. Yeah, yeah, he had a little device when

0:11:27.080 --> 0:11:29.840
<v Speaker 1>he Yeah he knew he was on me. He was

0:11:29.880 --> 0:11:32.120
<v Speaker 1>on me early. But that's like a pop so pops

0:11:32.240 --> 0:11:34.560
<v Speaker 1>like look at him, a mon come out there and

0:11:34.600 --> 0:11:39.640
<v Speaker 1>be crying like, yeah he probably. Man, he keeps changing

0:11:39.679 --> 0:11:41.280
<v Speaker 1>the channel. I'm trying to watch this. You might want

0:11:41.320 --> 0:11:47.480
<v Speaker 1>your son to see them, you might want, um not really,

0:11:48.040 --> 0:11:51.760
<v Speaker 1>not really. My dad was like from the streets, from

0:11:51.840 --> 0:11:55.079
<v Speaker 1>the you know, from the projects and raised around it.

0:11:55.160 --> 0:11:58.280
<v Speaker 1>But like my dad had careers, you know, he was

0:11:58.320 --> 0:12:01.200
<v Speaker 1>a hard working dude. Like he copped cribs and whips

0:12:01.200 --> 0:12:04.280
<v Speaker 1>and had all the flyers stuff from working and that

0:12:04.360 --> 0:12:06.960
<v Speaker 1>was what he basically instilled in us, you know. But

0:12:07.120 --> 0:12:10.080
<v Speaker 1>like all my brothers. Yeah, I'm my older brother right

0:12:10.080 --> 0:12:14.200
<v Speaker 1>now inconcentrated, my younger brother inconcentrated. You know, I'm like

0:12:14.240 --> 0:12:16.800
<v Speaker 1>the one that made it out. Did your dad know

0:12:16.840 --> 0:12:20.000
<v Speaker 1>you wanted to do music before he passed? No, my

0:12:20.080 --> 0:12:24.040
<v Speaker 1>dad never got to, Uh see me rap? Why do

0:12:24.120 --> 0:12:25.840
<v Speaker 1>you get killed? If you don't mind me asking who

0:12:25.920 --> 0:12:32.080
<v Speaker 1>kills the cable guy? Um? Uh, I don't know, man,

0:12:32.160 --> 0:12:35.600
<v Speaker 1>it was like it was like I really don't know

0:12:35.679 --> 0:12:39.920
<v Speaker 1>the true story, but with the you know, the newspapers

0:12:39.960 --> 0:12:43.480
<v Speaker 1>had was that, um, he was giving somebody a ride

0:12:44.280 --> 0:12:47.760
<v Speaker 1>and they went to like rob him because you know,

0:12:47.960 --> 0:12:52.240
<v Speaker 1>he laced, you know what I'm saying, And they went

0:12:52.280 --> 0:12:55.240
<v Speaker 1>to rob him, and I think like all they ended

0:12:55.280 --> 0:12:57.880
<v Speaker 1>up getting was like six bucks or something and they

0:12:58.200 --> 0:13:01.760
<v Speaker 1>killed him. So he died in the car. They killed

0:13:01.800 --> 0:13:06.600
<v Speaker 1>him in the car, you know what I'm saying. Business, Yeah, man,

0:13:06.640 --> 0:13:10.640
<v Speaker 1>So I don't know, man, it's like some weak individuals.

0:13:10.640 --> 0:13:12.320
<v Speaker 1>When did you decide to start doing music? If it

0:13:12.400 --> 0:13:16.160
<v Speaker 1>was after that, like I just started writing. I just

0:13:16.440 --> 0:13:19.280
<v Speaker 1>was looking. I just I needed a way to express

0:13:19.720 --> 0:13:22.560
<v Speaker 1>like all my anger instead of like just having like

0:13:23.480 --> 0:13:26.080
<v Speaker 1>this immense hatred for the world. You know what I'm saying,

0:13:26.080 --> 0:13:28.200
<v Speaker 1>is just turned into that guy like because it was

0:13:28.320 --> 0:13:31.720
<v Speaker 1>it was it was right there. You know. I remember

0:13:31.760 --> 0:13:33.920
<v Speaker 1>like deciding like whether or not I wanted to just

0:13:33.960 --> 0:13:37.200
<v Speaker 1>hate this world and just go massacre on people or

0:13:38.160 --> 0:13:41.640
<v Speaker 1>try to figure something out, you know. So I started writing,

0:13:41.960 --> 0:13:43.800
<v Speaker 1>and many times I would had like a blank piece

0:13:43.800 --> 0:13:45.520
<v Speaker 1>of paper and get up in and still be blank.

0:13:46.160 --> 0:13:48.040
<v Speaker 1>I just knew I wanted to write something and I

0:13:48.040 --> 0:13:50.440
<v Speaker 1>didn't know what I didn't wrap, you know what I'm saying.

0:13:50.480 --> 0:13:52.520
<v Speaker 1>So then I should start writing all kinds of literature,

0:13:53.120 --> 0:13:55.640
<v Speaker 1>you know what I'm saying. And I got into literature early,

0:13:56.280 --> 0:13:58.840
<v Speaker 1>so that like drove me to like you know, like

0:13:59.640 --> 0:14:03.080
<v Speaker 1>you know, Egga Allan Poe and like you know, uh,

0:14:03.160 --> 0:14:07.680
<v Speaker 1>Emily Dickinson, Robert Frost and you know different. So you

0:14:07.679 --> 0:14:09.959
<v Speaker 1>were a poet really at first, I mean I wasn't

0:14:09.960 --> 0:14:12.320
<v Speaker 1>really a poet. I was just write a writer. And

0:14:12.440 --> 0:14:17.160
<v Speaker 1>then I started trying poetry and different you know, different

0:14:17.200 --> 0:14:20.280
<v Speaker 1>displays of um of the artistry, and I just I

0:14:20.360 --> 0:14:23.080
<v Speaker 1>did it and I was I was dope at it.

0:14:23.120 --> 0:14:25.400
<v Speaker 1>And then when I ended up transferring to this other

0:14:25.440 --> 0:14:27.080
<v Speaker 1>school because I was supposed to go to my pops

0:14:27.320 --> 0:14:29.080
<v Speaker 1>because I was I played ball. I was, I was

0:14:29.080 --> 0:14:31.000
<v Speaker 1>a ball player, and I was supposed to go to

0:14:31.080 --> 0:14:33.040
<v Speaker 1>my pops. He was coaching at this other school with

0:14:33.080 --> 0:14:36.800
<v Speaker 1>my uncle Mike, and so I had to go somewhere else.

0:14:37.280 --> 0:14:40.640
<v Speaker 1>So the school I went to, they was rapping. So

0:14:40.760 --> 0:14:44.120
<v Speaker 1>at lunch every day it was on. So I would

0:14:44.120 --> 0:14:46.520
<v Speaker 1>write before lunch, and when I got to lunch, it

0:14:46.560 --> 0:14:48.680
<v Speaker 1>was time for them bars. You know what I'm saying,

0:14:48.720 --> 0:14:50.920
<v Speaker 1>so that was like my introduction. If you would have

0:14:50.920 --> 0:14:53.200
<v Speaker 1>never probably went to that school, well, my dad would

0:14:53.320 --> 0:14:55.440
<v Speaker 1>never and my dad probably wouldn't got killed. I probably

0:14:55.560 --> 0:14:58.040
<v Speaker 1>was be playing ball. Were you were? You were you

0:14:58.120 --> 0:15:00.400
<v Speaker 1>the kid who are brothers and father? I used to

0:15:00.400 --> 0:15:02.600
<v Speaker 1>be like, God, dude, don't come over here with us.

0:15:02.680 --> 0:15:06.040
<v Speaker 1>We're in the street. You go ball go right, um,

0:15:06.080 --> 0:15:08.560
<v Speaker 1>you know what, I've always been embraced by the streets,

0:15:08.600 --> 0:15:11.520
<v Speaker 1>So it was always like I never had to because

0:15:11.560 --> 0:15:14.480
<v Speaker 1>like they always the streets just took kire me. I

0:15:14.640 --> 0:15:17.000
<v Speaker 1>was like colloging them, you know what I'm saying, Like

0:15:17.320 --> 0:15:19.960
<v Speaker 1>they just took they Yeah, they just took hire me man.

0:15:20.040 --> 0:15:23.640
<v Speaker 1>Like I'm I'm closer to some of the the guys,

0:15:24.160 --> 0:15:26.880
<v Speaker 1>you know. I mean, and at something at one point

0:15:26.920 --> 0:15:30.160
<v Speaker 1>in my life, I did stuff, you know, I did

0:15:30.200 --> 0:15:32.320
<v Speaker 1>a lot of stuff, you know what I'm saying, because

0:15:32.360 --> 0:15:35.280
<v Speaker 1>of a connection that I had and the trusted that

0:15:35.480 --> 0:15:39.840
<v Speaker 1>they had for me. You know, on that level, you

0:15:39.960 --> 0:15:42.880
<v Speaker 1>just get introduced to it because it's it's there, it's

0:15:42.960 --> 0:15:45.560
<v Speaker 1>readily available for you. And I did a lot of stuff,

0:15:45.560 --> 0:15:48.040
<v Speaker 1>you know, but I never liked I never glorified it,

0:15:48.080 --> 0:15:49.920
<v Speaker 1>and I never thought it was fly. That's why I

0:15:49.960 --> 0:15:52.720
<v Speaker 1>said the money part for me, it's like it was

0:15:52.760 --> 0:15:56.000
<v Speaker 1>a lot of money, but it just it just it

0:15:56.120 --> 0:16:00.360
<v Speaker 1>wasn't this. It wasn't the breakfast club. It wasn't lights,

0:16:00.400 --> 0:16:03.160
<v Speaker 1>camera action, it wasn't go time. It was just like

0:16:03.560 --> 0:16:06.120
<v Speaker 1>sky boxes and bottles and you know, we was popping

0:16:06.200 --> 0:16:10.520
<v Speaker 1>Chris like all that mob. It wasn't the right it

0:16:10.640 --> 0:16:12.520
<v Speaker 1>wasn't seen in the right way though, Like even when

0:16:12.560 --> 0:16:14.680
<v Speaker 1>Mitche had it was like I didn't want to be

0:16:14.720 --> 0:16:16.920
<v Speaker 1>in a crowd. I wanted I wanted to be liked,

0:16:17.160 --> 0:16:19.200
<v Speaker 1>you know, Like we went to jay Z show and

0:16:19.280 --> 0:16:20.960
<v Speaker 1>jay Z still on the stage and was doing like

0:16:21.040 --> 0:16:22.640
<v Speaker 1>this and it was all in the crowd. I was like,

0:16:22.800 --> 0:16:27.280
<v Speaker 1>I'm in the wrong spot in my spot, like what's up?

0:16:27.600 --> 0:16:31.240
<v Speaker 1>So it was it was like that um because I

0:16:31.320 --> 0:16:34.160
<v Speaker 1>was just on my grind and uh. I went through

0:16:34.200 --> 0:16:36.400
<v Speaker 1>a couple of people, man my man Sadik, shout out

0:16:36.400 --> 0:16:40.520
<v Speaker 1>Sadik and Philly Sadiq did Black Friday to put beans on.

0:16:41.200 --> 0:16:43.840
<v Speaker 1>That's the that's the guy that took me to puff.

0:16:44.360 --> 0:16:46.320
<v Speaker 1>I was doing my my little rap thing. I had

0:16:46.320 --> 0:16:48.320
<v Speaker 1>a ten minute freestyle that I had put together. Was

0:16:48.360 --> 0:16:52.720
<v Speaker 1>over like fifty different beats, and um, I was doing

0:16:52.760 --> 0:16:56.240
<v Speaker 1>that for everybody whoever I could that knew somebody, and

0:16:56.280 --> 0:16:58.120
<v Speaker 1>they would connecting the dots. He was like, Yo, this

0:16:58.200 --> 0:17:00.600
<v Speaker 1>is amazing. I gotta take you to such and and

0:17:00.680 --> 0:17:03.280
<v Speaker 1>I climbed. That's how I climbed the ladder and Sadiq

0:17:03.800 --> 0:17:07.400
<v Speaker 1>took me. The Beans Beans heard it and was like, yo,

0:17:08.040 --> 0:17:11.960
<v Speaker 1>took me the Dame. Dame heard it and was like, yo,

0:17:12.560 --> 0:17:16.639
<v Speaker 1>it was Damon. Biggs was in there um at the time.

0:17:16.720 --> 0:17:20.600
<v Speaker 1>And then it went to like it was about to

0:17:20.640 --> 0:17:23.560
<v Speaker 1>go like the Jay and it was Puff. It was

0:17:23.560 --> 0:17:29.040
<v Speaker 1>the last two and we went to Puff first, and

0:17:29.119 --> 0:17:32.520
<v Speaker 1>Puff shut everything down. Hope wouldn't let you leave the room,

0:17:32.560 --> 0:17:36.440
<v Speaker 1>not at all, especially being not at all. Know why

0:17:36.440 --> 0:17:40.000
<v Speaker 1>didn't it work with Diddy? Um, why didn't it work

0:17:40.040 --> 0:17:44.440
<v Speaker 1>with Diddy? Well, let me get that, nah man, because

0:17:44.520 --> 0:17:47.760
<v Speaker 1>you know I do I make those like like like

0:17:47.760 --> 0:17:52.120
<v Speaker 1>like like like like people make excuses. That's easy. It

0:17:52.200 --> 0:17:54.720
<v Speaker 1>wasn't that, man. It was I lost that first deal

0:17:54.800 --> 0:18:00.280
<v Speaker 1>because the homies everything caught up to to to to

0:18:00.320 --> 0:18:02.639
<v Speaker 1>them at that point. So, I mean, these dudes were

0:18:02.800 --> 0:18:05.960
<v Speaker 1>multime millionaires, you know, like who know the dudes that

0:18:06.000 --> 0:18:08.840
<v Speaker 1>I was with we I took them. We went all

0:18:08.840 --> 0:18:12.400
<v Speaker 1>the way to puff okay, so it was funding everything

0:18:12.800 --> 0:18:18.080
<v Speaker 1>and you know, fast got involved and it got ugly.

0:18:18.480 --> 0:18:23.280
<v Speaker 1>So they came and we had a dissolved this situation.

0:18:23.400 --> 0:18:27.320
<v Speaker 1>It was it just did he yeah, and this is

0:18:27.400 --> 0:18:29.439
<v Speaker 1>right mind you this is like not too long, like

0:18:29.600 --> 0:18:32.680
<v Speaker 1>just the shine stuff. So in his mind he running

0:18:32.720 --> 0:18:36.240
<v Speaker 1>from everything. It feels like he's not about to be

0:18:36.480 --> 0:18:42.320
<v Speaker 1>shout out what I'm saying. Hey man, smart smart man,

0:18:42.720 --> 0:18:45.480
<v Speaker 1>you know. And um, we was right there on like

0:18:45.520 --> 0:18:48.960
<v Speaker 1>the customer like album, and uh, it just didn't work. Man.

0:18:49.440 --> 0:18:51.320
<v Speaker 1>You know, a lot of stuff happened, man, I mean

0:18:51.359 --> 0:18:53.959
<v Speaker 1>like movie stuff with my with my people that I

0:18:54.040 --> 0:18:56.199
<v Speaker 1>was with. So it was a good thing that that

0:18:56.800 --> 0:18:59.560
<v Speaker 1>went the way it went. You know. Um, it was unfortunate,

0:18:59.640 --> 0:19:03.640
<v Speaker 1>but it was the greatest learning experience because after that,

0:19:04.119 --> 0:19:08.400
<v Speaker 1>I was back in the hood and grinding and struggling

0:19:08.440 --> 0:19:12.480
<v Speaker 1>and broke for like six years. So you signed with

0:19:12.480 --> 0:19:15.760
<v Speaker 1>it twice. Yeah, yeah. So the first time you signed

0:19:15.760 --> 0:19:17.520
<v Speaker 1>with him, you were on the CUSP and then all

0:19:17.520 --> 0:19:19.440
<v Speaker 1>that happened, and then you went back and you were

0:19:20.119 --> 0:19:24.840
<v Speaker 1>because nobody else was checking for the kids. I came

0:19:24.880 --> 0:19:27.560
<v Speaker 1>to New York and I went to every meeting with

0:19:27.680 --> 0:19:31.000
<v Speaker 1>everybody that was halfway important and they was like, Yo,

0:19:31.080 --> 0:19:34.120
<v Speaker 1>this is crazy, this is crazy, and did not sign me.

0:19:34.880 --> 0:19:37.040
<v Speaker 1>So when I was back in the hood, broke and

0:19:37.080 --> 0:19:40.240
<v Speaker 1>it was like it's dope is right here and you

0:19:40.320 --> 0:19:43.320
<v Speaker 1>know everybody and you could do this. And it was

0:19:43.359 --> 0:19:46.639
<v Speaker 1>like one day the phone run after six years and

0:19:46.680 --> 0:19:49.800
<v Speaker 1>it was Puff again. Wow, what did he want? He

0:19:49.880 --> 0:19:53.160
<v Speaker 1>was like yo, he was like yo, I no, never

0:19:53.359 --> 0:19:55.760
<v Speaker 1>never never did it. I never had a bat man. Listen,

0:19:55.840 --> 0:19:59.639
<v Speaker 1>check this out. My first after the first deal, we exhausted,

0:19:59.680 --> 0:20:01.760
<v Speaker 1>like with two hundred thousand dollars out of buffers. I

0:20:01.760 --> 0:20:03.600
<v Speaker 1>had a half a million dollars deal back then. You

0:20:03.600 --> 0:20:06.120
<v Speaker 1>know what I'm saying, This is in oh five. So

0:20:06.160 --> 0:20:08.879
<v Speaker 1>that's that was that was wavy. That like for a

0:20:08.920 --> 0:20:12.400
<v Speaker 1>guy from nothing to half a million, nice little advance.

0:20:13.000 --> 0:20:14.840
<v Speaker 1>I've done well, you know what I'm saying. And um,

0:20:15.520 --> 0:20:18.159
<v Speaker 1>we exhausted over two hundred and fifty thousand dollars out

0:20:18.160 --> 0:20:20.520
<v Speaker 1>of that budget. Puff let me have to joint without

0:20:21.000 --> 0:20:23.520
<v Speaker 1>without owning me, without me owning him. That like all

0:20:23.520 --> 0:20:26.080
<v Speaker 1>the things from the past, and people let me go

0:20:26.240 --> 0:20:29.159
<v Speaker 1>Scott free. And we wasn't close at that time. You

0:20:29.160 --> 0:20:31.400
<v Speaker 1>know what I'm saying, let me go Scott free. Look,

0:20:31.680 --> 0:20:34.680
<v Speaker 1>I know, y'all, situation ain't cool. Fast came up here.

0:20:35.400 --> 0:20:37.239
<v Speaker 1>I told him nothing but good stuff about y'all. But

0:20:37.480 --> 0:20:39.520
<v Speaker 1>and that wasn't even Puffed, Like Harve told me that

0:20:39.600 --> 0:20:41.960
<v Speaker 1>they had to not, you know, go any further with it,

0:20:42.040 --> 0:20:43.760
<v Speaker 1>with the deal or whatever. So Puff just like, yeah,

0:20:43.800 --> 0:20:46.400
<v Speaker 1>man kept Kevin the hunting, you know what I'm saying.

0:20:46.400 --> 0:20:50.879
<v Speaker 1>So attachment, so I still had the ability to go

0:20:51.000 --> 0:20:53.159
<v Speaker 1>somewhere else without somebody saying, oh yeah, but did he

0:20:53.160 --> 0:20:57.720
<v Speaker 1>got so after all that time and I go back

0:20:59.240 --> 0:21:02.040
<v Speaker 1>now Puff, it's like, Yo, I'm hearing you. You're making

0:21:02.119 --> 0:21:04.520
<v Speaker 1>so much noise like I saw you didn't even know

0:21:04.560 --> 0:21:07.040
<v Speaker 1>it was you. Cassie told me, like, Yo, that's Lows

0:21:07.119 --> 0:21:09.639
<v Speaker 1>from back in the day. Like that's Lows. Lows. He

0:21:09.760 --> 0:21:12.159
<v Speaker 1>like Lows. So that's when he reached out, and um,

0:21:12.400 --> 0:21:16.879
<v Speaker 1>we got in touch or whatever. I haul put to

0:21:17.000 --> 0:21:18.760
<v Speaker 1>New York, you know what I'm saying, went to his

0:21:18.800 --> 0:21:22.639
<v Speaker 1>book thing when he put out that book, just linked

0:21:22.680 --> 0:21:24.639
<v Speaker 1>up with him. We vibed and he was just like, Yo,

0:21:25.080 --> 0:21:28.400
<v Speaker 1>I'm watching you. I'm interested, Like you know, I might

0:21:28.480 --> 0:21:30.520
<v Speaker 1>want to fix things and let's see like where we

0:21:30.600 --> 0:21:33.360
<v Speaker 1>left off. Because it's seeming like you the one. It's

0:21:33.359 --> 0:21:35.280
<v Speaker 1>seeming like you the one, you know what I'm saying.

0:21:35.320 --> 0:21:38.520
<v Speaker 1>So we linked up and it took. It took a

0:21:38.520 --> 0:21:43.360
<v Speaker 1>little while about how long it take Ernie a few,

0:21:43.720 --> 0:21:46.640
<v Speaker 1>a few like five six about five six months, and

0:21:47.000 --> 0:21:49.720
<v Speaker 1>we did it. We did a new deal, and I mean, yo,

0:21:49.840 --> 0:21:52.560
<v Speaker 1>I owe everything the puff Man. It's like that that

0:21:52.680 --> 0:21:57.239
<v Speaker 1>that next deal um took. That's what took me to La, Like,

0:21:57.359 --> 0:21:59.040
<v Speaker 1>that's what got me out the hood. You know what

0:21:59.080 --> 0:22:02.040
<v Speaker 1>I'm saying. I got a lot of questions ahead, go ahead,

0:22:02.040 --> 0:22:04.120
<v Speaker 1>do you get things? So? Yeah, did jay Z? Did

0:22:04.119 --> 0:22:07.399
<v Speaker 1>he thing? How do you decide I'm gonna sign with

0:22:07.440 --> 0:22:09.560
<v Speaker 1>Diddy over Jay? If it's right there? Like, how do

0:22:09.600 --> 0:22:11.280
<v Speaker 1>you let did he say, Okay, I'm gonna keep you

0:22:11.280 --> 0:22:13.840
<v Speaker 1>in this off because we say you're not moving? We

0:22:13.960 --> 0:22:18.440
<v Speaker 1>never Ah, that's that's hilarious. That's hilarious. We never got

0:22:18.440 --> 0:22:21.280
<v Speaker 1>to Jay because did he wanted it that badly? He

0:22:21.320 --> 0:22:23.480
<v Speaker 1>wasn't going to let you get to that's puff Man.

0:22:23.800 --> 0:22:26.720
<v Speaker 1>At that time, he was like fresh off of marathon.

0:22:27.320 --> 0:22:29.560
<v Speaker 1>What do you say to a man in city? Look

0:22:29.600 --> 0:22:31.479
<v Speaker 1>we was in the thing and he had a window.

0:22:32.119 --> 0:22:34.639
<v Speaker 1>He had a window like from there to there, like

0:22:34.720 --> 0:22:36.840
<v Speaker 1>in his office, and the curtains was closed. He was

0:22:36.840 --> 0:22:38.440
<v Speaker 1>sitting there the whole time, and I did the ten

0:22:38.480 --> 0:22:41.199
<v Speaker 1>minute thing, and you know, he was like he was

0:22:41.240 --> 0:22:43.800
<v Speaker 1>really impressed. He was trying not to be over impressed,

0:22:43.800 --> 0:22:45.919
<v Speaker 1>but he was really impressed. It was hard for him

0:22:45.960 --> 0:22:48.480
<v Speaker 1>to hold it back. And so everybody was quiet because

0:22:48.520 --> 0:22:50.879
<v Speaker 1>I like killed the room. And then he was like

0:22:52.600 --> 0:22:56.280
<v Speaker 1>got up, drew the curtains, open, the curtains and it

0:22:56.359 --> 0:22:59.240
<v Speaker 1>was his billboard in Times Square was right across the

0:22:59.359 --> 0:23:03.480
<v Speaker 1>thing like this. He was like, yeah, okay, okay, I'm back.

0:23:03.680 --> 0:23:05.640
<v Speaker 1>I'm back. And he literally said out that I'm back

0:23:05.800 --> 0:23:07.920
<v Speaker 1>because I guess I took him somewhere with my thing.

0:23:08.240 --> 0:23:10.800
<v Speaker 1>So he was like, look, that's one point five a

0:23:10.880 --> 0:23:13.159
<v Speaker 1>year for me to come to work every day and

0:23:13.160 --> 0:23:16.800
<v Speaker 1>look at myself and every I'm with game, I'm with

0:23:16.840 --> 0:23:21.520
<v Speaker 1>the most treacherous gangster gorilla get just like everybody just

0:23:21.560 --> 0:23:23.399
<v Speaker 1>broke down and just bust out, bust out in the

0:23:23.440 --> 0:23:26.320
<v Speaker 1>smiles because it's like that's puff, that's the that's what

0:23:26.359 --> 0:23:28.439
<v Speaker 1>he do. He put that stamp on who he is.

0:23:28.760 --> 0:23:31.320
<v Speaker 1>And he's you know, he's a genius marketing. And it

0:23:31.359 --> 0:23:34.000
<v Speaker 1>was like, yo, this is this may be a good. Wow,

0:23:34.200 --> 0:23:36.320
<v Speaker 1>I'm not only want my phone. I don't know, so

0:23:37.520 --> 0:23:39.400
<v Speaker 1>I tell everybody else, throw him in the river. Throw

0:23:39.440 --> 0:23:42.080
<v Speaker 1>your phone's in the late. So he said it, man,

0:23:42.280 --> 0:23:44.000
<v Speaker 1>and we were just like, man, let's let's rock with

0:23:44.080 --> 0:23:46.800
<v Speaker 1>this guy. You know, we're coming from where we're coming

0:23:46.840 --> 0:23:48.760
<v Speaker 1>from and we're trying to turn our lives around, so

0:23:49.160 --> 0:23:52.080
<v Speaker 1>let's do it. And we rock with him, and you know,

0:23:52.280 --> 0:23:55.040
<v Speaker 1>I mean everything was good. We that was something that

0:23:55.119 --> 0:23:58.879
<v Speaker 1>we messed up. So I'm not blaming Puff, you know,

0:23:58.960 --> 0:24:01.240
<v Speaker 1>for my career, nothing like that. And then the second

0:24:01.280 --> 0:24:03.320
<v Speaker 1>time around, it was just like the timing of it all.

0:24:03.680 --> 0:24:06.760
<v Speaker 1>It was just in the scope, you know, I can't

0:24:06.760 --> 0:24:10.159
<v Speaker 1>say that they were the most involved. You know, like

0:24:10.280 --> 0:24:12.920
<v Speaker 1>when nobody coming out to you know, like Jay Grant

0:24:12.960 --> 0:24:16.160
<v Speaker 1>come to my session. You know, I'm now so he's

0:24:16.200 --> 0:24:18.720
<v Speaker 1>given me music. Nobody was doing that, you know. So

0:24:18.760 --> 0:24:21.280
<v Speaker 1>basically I was with Puff every day. We was more

0:24:21.320 --> 0:24:24.440
<v Speaker 1>close like brothers than like his artist. So like whatever

0:24:24.480 --> 0:24:26.120
<v Speaker 1>he needed, I was there for him. You know. When

0:24:26.119 --> 0:24:29.119
<v Speaker 1>it came like the same damn time verse and I

0:24:29.200 --> 0:24:34.679
<v Speaker 1>wrote that and yeah, and that was like you, like,

0:24:34.680 --> 0:24:41.280
<v Speaker 1>who wrote that? I saw you when you tweeted verse.

0:24:41.400 --> 0:24:44.399
<v Speaker 1>I saw when you tweeted, like, Yo, what puff just

0:24:44.520 --> 0:24:47.200
<v Speaker 1>did to that even gonna make you quit everything you're

0:24:47.200 --> 0:24:50.600
<v Speaker 1>doing or go harder. And that was the thing. And

0:24:50.640 --> 0:24:54.919
<v Speaker 1>when I wrote it, he didn't um, he didn't. He

0:24:54.960 --> 0:24:59.639
<v Speaker 1>didn't want it at first because he said that he

0:24:59.680 --> 0:25:03.000
<v Speaker 1>does want to intimidate people and he doesn't want to

0:25:03.720 --> 0:25:07.720
<v Speaker 1>come off like two braggadocious. He definitely made your real

0:25:08.000 --> 0:25:10.080
<v Speaker 1>it was two over the top. Yeah, and he said

0:25:10.080 --> 0:25:11.280
<v Speaker 1>it that. He was like, man, I don't know if

0:25:11.359 --> 0:25:13.600
<v Speaker 1>I don't I don't know if people are gonna take

0:25:13.640 --> 0:25:15.920
<v Speaker 1>this the right way by me saying it, because it's

0:25:15.960 --> 0:25:20.040
<v Speaker 1>all true. And I was like, yo, that's crazy. So

0:25:20.280 --> 0:25:22.320
<v Speaker 1>I wrote a new verse. You know what I'm saying.

0:25:22.440 --> 0:25:24.680
<v Speaker 1>I wrote a new verse no worse than the one

0:25:24.720 --> 0:25:27.840
<v Speaker 1>that he put out. Now, you wrote toned down, No, no, no,

0:25:27.880 --> 0:25:29.560
<v Speaker 1>I wrote I wrote not. I just wrote another one.

0:25:29.680 --> 0:25:32.200
<v Speaker 1>Wasn't toned down. I just it just wasn't. It wasn't

0:25:32.320 --> 0:25:34.679
<v Speaker 1>as in your face, you know. I just wrote another

0:25:34.720 --> 0:25:38.040
<v Speaker 1>one that was still crazy. Coming to his crib, pulled

0:25:38.119 --> 0:25:40.439
<v Speaker 1>up to the crib, and when I got to the

0:25:40.800 --> 0:25:43.080
<v Speaker 1>uh yet, we put the little studio on the crib.

0:25:43.119 --> 0:25:45.359
<v Speaker 1>So by time I got to the studio, he opened

0:25:45.400 --> 0:25:47.720
<v Speaker 1>the door. He was like, wait one second, and he

0:25:47.800 --> 0:25:50.600
<v Speaker 1>closed the door. He was in there recording the other verse.

0:25:51.240 --> 0:25:54.200
<v Speaker 1>And because he had recorded it, you know, and at

0:25:54.240 --> 0:25:56.120
<v Speaker 1>the time, I think his assistant Neil told him, like, Yo,

0:25:56.119 --> 0:25:59.400
<v Speaker 1>you bugging you gotta do this verse. When he started

0:25:59.440 --> 0:26:02.240
<v Speaker 1>saying it, it made all the sense in the world.

0:26:02.320 --> 0:26:04.480
<v Speaker 1>I didn't. I didn't even ever give him the second verse.

0:26:04.520 --> 0:26:07.880
<v Speaker 1>I literally had it in my hand, so that at

0:26:07.960 --> 0:26:10.159
<v Speaker 1>the same damn con I can live your life in

0:26:10.240 --> 0:26:13.840
<v Speaker 1>my life. At the same damn time for my riding

0:26:13.840 --> 0:26:16.360
<v Speaker 1>out money that should buy your house money. I got

0:26:16.359 --> 0:26:19.160
<v Speaker 1>that I could buy more. Right, buy your house money.

0:26:19.400 --> 0:26:22.400
<v Speaker 1>Jesus Christ. Now, for those six years that you had

0:26:22.440 --> 0:26:24.600
<v Speaker 1>to go back home, go back to Baltimore, what did

0:26:24.640 --> 0:26:28.359
<v Speaker 1>you do to make money? Um? Like, how were you surviving?

0:26:28.640 --> 0:26:32.520
<v Speaker 1>Ain't no money? No, it wasn't no money. It wasn't

0:26:32.520 --> 0:26:34.800
<v Speaker 1>no money in Baltimore. Like, it's only a couple of

0:26:34.840 --> 0:26:37.600
<v Speaker 1>ways and make some money, you know. So that's like

0:26:37.640 --> 0:26:39.359
<v Speaker 1>a problem. And I didn't want to do that. I

0:26:39.440 --> 0:26:41.320
<v Speaker 1>was just taking care of man, I was just blessed,

0:26:41.359 --> 0:26:43.600
<v Speaker 1>like you know, like the streets took care of me.

0:26:44.240 --> 0:26:47.159
<v Speaker 1>I was protected, you know, like I got fan like

0:26:47.200 --> 0:26:51.600
<v Speaker 1>my older brother was rich. You know what I'm saying. Um, okay,

0:26:51.600 --> 0:26:54.360
<v Speaker 1>so you basically I was took care of my homies

0:26:54.480 --> 0:26:58.080
<v Speaker 1>like they was in situations, you know, with the laws,

0:26:58.119 --> 0:27:00.800
<v Speaker 1>so they couldn't really like you know, a lot of

0:27:00.800 --> 0:27:03.000
<v Speaker 1>them got locked up, every last one of them. Got

0:27:03.160 --> 0:27:05.840
<v Speaker 1>every last person that I took to a bad boy

0:27:05.880 --> 0:27:08.600
<v Speaker 1>at that time, every last person got locked off. People

0:27:08.600 --> 0:27:10.840
<v Speaker 1>at home. Now it's ten years. People, my man did,

0:27:10.960 --> 0:27:13.560
<v Speaker 1>my man did a dime. He home. I got another

0:27:13.600 --> 0:27:16.119
<v Speaker 1>man on waiting for to come home. The other guys

0:27:16.359 --> 0:27:18.600
<v Speaker 1>we don't really care about. They did something. They did

0:27:18.800 --> 0:27:21.040
<v Speaker 1>they did they did no, no, no no, they did some stuff.

0:27:21.480 --> 0:27:24.840
<v Speaker 1>They did some stuff worse than that. They worse than that,

0:27:25.680 --> 0:27:30.760
<v Speaker 1>worse than that. Nah, like but on that level, yeah, man,

0:27:30.920 --> 0:27:35.199
<v Speaker 1>like you know what I'm saying, kid napping, you know, um,

0:27:35.440 --> 0:27:39.040
<v Speaker 1>murder two people in the crew, you know what I'm saying.

0:27:39.320 --> 0:27:41.760
<v Speaker 1>So when they get to that, it's like, dude, like

0:27:41.840 --> 0:27:44.399
<v Speaker 1>you we slept together, you know what I'm saying. You know,

0:27:44.520 --> 0:27:46.639
<v Speaker 1>not like that we but we slept like we we

0:27:46.760 --> 0:27:49.720
<v Speaker 1>grind and we stayed in hotel rooms in Jersey to

0:27:49.840 --> 0:27:51.480
<v Speaker 1>just drive over the bridge. They're going to New York

0:27:51.520 --> 0:27:54.000
<v Speaker 1>and hustle in the morning to try to get out dreams,

0:27:54.000 --> 0:27:56.520
<v Speaker 1>and y'all did that during that time. Did you feel

0:27:56.520 --> 0:27:58.840
<v Speaker 1>like you were going to give up music? Never? I

0:27:58.920 --> 0:28:00.920
<v Speaker 1>never ever felt like I was gonna give up nothing.

0:28:01.320 --> 0:28:03.520
<v Speaker 1>I'm from the worst of the worst. My pops was

0:28:03.600 --> 0:28:06.800
<v Speaker 1>murdered when I was sixteen. What else kid equates to there?

0:28:06.920 --> 0:28:09.720
<v Speaker 1>You know, there's no equivalent. There's nothing you could do

0:28:09.760 --> 0:28:13.760
<v Speaker 1>to me. Nothing. You talk about balance a lot on

0:28:13.800 --> 0:28:15.560
<v Speaker 1>your album. You even got a record call balance is

0:28:15.600 --> 0:28:18.080
<v Speaker 1>good when you encourage brothers to get out the hood.

0:28:18.119 --> 0:28:19.680
<v Speaker 1>Now a lot of people like to glorify the hood.

0:28:19.720 --> 0:28:21.720
<v Speaker 1>You're telling people to get out. Explain on that a

0:28:21.720 --> 0:28:24.280
<v Speaker 1>little bit, um. I mean, you can't help the hood

0:28:24.320 --> 0:28:26.200
<v Speaker 1>unless you get out. You know, I just went back

0:28:26.240 --> 0:28:28.200
<v Speaker 1>to the hood the other day, you know, I went

0:28:28.240 --> 0:28:30.840
<v Speaker 1>back to the project sixteen hundred Bruce Court, you know,

0:28:30.920 --> 0:28:33.000
<v Speaker 1>gil Mahomes project. You know what that is. You know

0:28:33.359 --> 0:28:35.240
<v Speaker 1>that's where they that's where they that's where they did

0:28:35.240 --> 0:28:39.000
<v Speaker 1>the thing to Freddie Gray. Yeah, I stood on them

0:28:39.000 --> 0:28:41.640
<v Speaker 1>blocks every day. You know what I'm saying with all

0:28:41.680 --> 0:28:44.960
<v Speaker 1>them kids, I wrapped on those corners to those kids.

0:28:45.120 --> 0:28:46.600
<v Speaker 1>You know, when I first got my first deal and

0:28:46.600 --> 0:28:49.120
<v Speaker 1>I caught my old school through the twenties on, and

0:28:49.160 --> 0:28:52.880
<v Speaker 1>I came through the block out of sixty five. I

0:28:52.920 --> 0:28:56.440
<v Speaker 1>had a sixty five, not a mana ray, but I

0:28:56.520 --> 0:28:58.520
<v Speaker 1>forget what it was, right, but I had a sixty five.

0:28:58.560 --> 0:29:01.040
<v Speaker 1>It was clean. Came through kids running up to the car,

0:29:01.160 --> 0:29:03.120
<v Speaker 1>you know, like I was that guy to those those

0:29:03.200 --> 0:29:05.560
<v Speaker 1>kids in those same projects where they did that to Freddie.

0:29:06.360 --> 0:29:09.920
<v Speaker 1>So I shot um. You know what, I think I

0:29:10.000 --> 0:29:12.600
<v Speaker 1>knew Freddie. I think he was just really young at

0:29:12.600 --> 0:29:15.720
<v Speaker 1>the time, because this is like six seven years ago.

0:29:16.160 --> 0:29:17.840
<v Speaker 1>So I think at the time he was one of

0:29:17.880 --> 0:29:20.560
<v Speaker 1>the kids that was just running around being you know,

0:29:20.960 --> 0:29:22.920
<v Speaker 1>I had to know him. There's no way I did

0:29:23.040 --> 0:29:25.360
<v Speaker 1>not know him, because I know autumn kids, you know.

0:29:25.600 --> 0:29:27.680
<v Speaker 1>And I just went back the other day and I

0:29:27.680 --> 0:29:30.560
<v Speaker 1>shot Ghetto Boy, you know, and it was almost like

0:29:30.560 --> 0:29:33.920
<v Speaker 1>a tribute to Freddie at the same time, and it

0:29:33.960 --> 0:29:37.160
<v Speaker 1>was just so so reflective of what happened to him

0:29:37.560 --> 0:29:40.360
<v Speaker 1>and those people that are still in that environment. Like

0:29:40.400 --> 0:29:45.000
<v Speaker 1>we shot one scene in the ladies house in the projects,

0:29:45.240 --> 0:29:49.640
<v Speaker 1>and it was like literally like yo, I remember sleeping

0:29:49.840 --> 0:29:54.640
<v Speaker 1>in these these play like what is this place? Like

0:29:55.040 --> 0:29:57.520
<v Speaker 1>we did it in places you can't come though, so

0:29:57.640 --> 0:30:00.920
<v Speaker 1>it's like, you know, it's like really showing these kids

0:30:00.920 --> 0:30:04.120
<v Speaker 1>like being visual inspiration, you know what I'm saying, and

0:30:04.120 --> 0:30:06.600
<v Speaker 1>they still it's the mentality because like even when I

0:30:06.640 --> 0:30:12.000
<v Speaker 1>walked up, it's like I got cranes and cameras and crew,

0:30:12.160 --> 0:30:14.720
<v Speaker 1>like it looked crazy. We got the projects lit. It's

0:30:14.760 --> 0:30:18.240
<v Speaker 1>like three hundred four hundred people out here. Everybody's coming out,

0:30:18.280 --> 0:30:20.360
<v Speaker 1>old people looking out their doors, like what's going on?

0:30:20.520 --> 0:30:22.280
<v Speaker 1>You know what I'm saying? And for the first time,

0:30:22.400 --> 0:30:25.800
<v Speaker 1>it's something good, you know what I'm saying. And it's

0:30:25.840 --> 0:30:29.440
<v Speaker 1>still a mentality there that that it's still like a

0:30:30.040 --> 0:30:34.360
<v Speaker 1>trapped this you know there. So you know, I just

0:30:34.400 --> 0:30:37.720
<v Speaker 1>want to, you know, and embrace those people and show them,

0:30:37.880 --> 0:30:39.640
<v Speaker 1>you know what I'm saying that, like, yo, you could

0:30:39.640 --> 0:30:43.000
<v Speaker 1>do what I'm doing. So getting out the hood, man,

0:30:43.480 --> 0:30:45.520
<v Speaker 1>somebody gotta make it out first to show people that

0:30:45.600 --> 0:30:50.280
<v Speaker 1>it's possible. Absolutely, situations like Freddy Gray, Raymond Martin, Mike

0:30:50.320 --> 0:30:56.120
<v Speaker 1>Brown to dance spire black Blood, um um you know

0:30:56.160 --> 0:31:03.400
<v Speaker 1>what they inspired Guy Money War. You know. Um, I

0:31:03.440 --> 0:31:08.480
<v Speaker 1>wrote the song War New Years. So that's how in

0:31:08.600 --> 0:31:13.120
<v Speaker 1>terms of being ahead, I was because the riots was

0:31:13.160 --> 0:31:15.400
<v Speaker 1>just like what a month and a half ago, almost

0:31:15.440 --> 0:31:17.920
<v Speaker 1>like maybe two months like in that frame. So I

0:31:18.320 --> 0:31:20.600
<v Speaker 1>wrote War, And if you look at the symbols like

0:31:20.680 --> 0:31:23.440
<v Speaker 1>on the television and if you look at the war video,

0:31:23.760 --> 0:31:27.920
<v Speaker 1>I put my pastor, who's Jamal Bryant, who was all

0:31:27.960 --> 0:31:30.360
<v Speaker 1>over CNN doing the riots, and I put the hood

0:31:30.400 --> 0:31:32.760
<v Speaker 1>the same blocks that the riots was on North Avenue

0:31:32.760 --> 0:31:34.800
<v Speaker 1>with a CVS when they was run up in the

0:31:34.840 --> 0:31:37.680
<v Speaker 1>in the right at the CVS all that West bottom

0:31:37.720 --> 0:31:40.240
<v Speaker 1>A where I'm from, you know. So Black Blood was

0:31:40.280 --> 0:31:44.760
<v Speaker 1>just another extension of all those emotions and all those feelings.

0:31:44.880 --> 0:31:47.840
<v Speaker 1>M Jay Grant actually brought me, um black Blood because

0:31:47.840 --> 0:31:49.800
<v Speaker 1>he felt like it would be an essential piece to

0:31:49.880 --> 0:31:54.040
<v Speaker 1>what I was already creating, you know. So it the

0:31:54.080 --> 0:31:56.880
<v Speaker 1>record was just awesome from the beginning, and then uh

0:31:57.640 --> 0:32:00.760
<v Speaker 1>isaiahra Shaw put his artistic piece on it and it

0:32:00.800 --> 0:32:03.360
<v Speaker 1>was like, all right, this is crazy. You say, black

0:32:03.400 --> 0:32:08.320
<v Speaker 1>blood make the grass grow in the ghetto. Um Man,

0:32:08.520 --> 0:32:11.560
<v Speaker 1>that to me, that was so metaphoric and just like

0:32:11.840 --> 0:32:14.720
<v Speaker 1>it was just like such a um, you know, such

0:32:14.760 --> 0:32:19.000
<v Speaker 1>an artistic thing to say. You know, I think I

0:32:19.000 --> 0:32:22.760
<v Speaker 1>think about the concrete rose, you know from Tupac when

0:32:22.760 --> 0:32:26.040
<v Speaker 1>I hear did black the black blood make the Grass

0:32:26.040 --> 0:32:27.800
<v Speaker 1>Grow in the ghetto is probably the only thing that

0:32:27.840 --> 0:32:30.800
<v Speaker 1>could grow a concrete a rose from concrete, you know

0:32:30.840 --> 0:32:33.640
<v Speaker 1>what I'm saying. That's like almost the ingredients to the

0:32:33.680 --> 0:32:36.560
<v Speaker 1>concrete rose, you know what I'm saying. And um, yeah,

0:32:36.680 --> 0:32:39.720
<v Speaker 1>those lyrics was actually already on the song when I

0:32:39.760 --> 0:32:42.720
<v Speaker 1>got it. That black Blood make the Grass Grow in

0:32:42.760 --> 0:32:44.960
<v Speaker 1>the Ghetto, that was already on the record, So it

0:32:45.080 --> 0:32:47.080
<v Speaker 1>was I really thought the events of what we're seeing

0:32:47.080 --> 0:32:50.120
<v Speaker 1>over the past hill police brutality and stuffing inspired of

0:32:50.160 --> 0:32:53.440
<v Speaker 1>that record. I mean it had to, because who's who

0:32:53.440 --> 0:32:56.840
<v Speaker 1>writes that without seeing that? You know, you know, I

0:32:56.880 --> 0:32:59.680
<v Speaker 1>didn't personally write that. That bar that was in the

0:32:59.720 --> 0:33:05.120
<v Speaker 1>hook already, you know, Um huh kn't from overdose? Yeah,

0:33:05.200 --> 0:33:07.480
<v Speaker 1>shout out to him because that's crazy. And what's the

0:33:07.600 --> 0:33:12.800
<v Speaker 1>joint um guns on the table? Oh yeah, you killed

0:33:12.840 --> 0:33:16.440
<v Speaker 1>my papa back in eight back in ninety three, that's crazy.

0:33:17.000 --> 0:33:20.440
<v Speaker 1>I killed ninety six. So that was like, you know,

0:33:20.760 --> 0:33:24.360
<v Speaker 1>things were just fitting you know. But then War, I said, um,

0:33:24.400 --> 0:33:26.880
<v Speaker 1>God told me this movie or right itself, stay humble,

0:33:26.880 --> 0:33:29.720
<v Speaker 1>will be wise and let fooler refight itself. So really,

0:33:29.720 --> 0:33:32.840
<v Speaker 1>God money, War was like putting itself together. I wasn't.

0:33:33.400 --> 0:33:35.680
<v Speaker 1>I was just like getting pieces and it was just

0:33:35.960 --> 0:33:39.760
<v Speaker 1>perfect every time, like literally it flew, It went all

0:33:39.840 --> 0:33:41.960
<v Speaker 1>way through. You also have your son on the album

0:33:42.000 --> 0:33:44.880
<v Speaker 1>as well. Yeah, I got my son and my baby

0:33:44.920 --> 0:33:47.720
<v Speaker 1>MoMA on the on the album. I'm the real MVP.

0:33:48.840 --> 0:33:51.640
<v Speaker 1>My son two years old. Man flossing on black on

0:33:52.240 --> 0:33:55.240
<v Speaker 1>Little Black Boy, you know, A Little Black Boy was

0:33:55.240 --> 0:34:00.440
<v Speaker 1>inspired by Freddie tray Vaughn Mike. You know what I'm saying,

0:34:01.040 --> 0:34:04.240
<v Speaker 1>Little black Boy, and then the fathers, the fathers to

0:34:04.320 --> 0:34:07.320
<v Speaker 1>the tray Varns. You know what I'm saying, Like, we need,

0:34:07.480 --> 0:34:10.800
<v Speaker 1>we need, we need pops, we need, we need people

0:34:10.840 --> 0:34:14.480
<v Speaker 1>to own up and be responsible and raise your sons. Man,

0:34:14.840 --> 0:34:17.440
<v Speaker 1>don't let these little black boys go out here and

0:34:17.480 --> 0:34:20.799
<v Speaker 1>get murdered and be subject to all these things that

0:34:20.840 --> 0:34:23.080
<v Speaker 1>you could protect them from. You know what I'm saying,

0:34:23.560 --> 0:34:26.200
<v Speaker 1>I shouldn't have to raise your children as a rapper.

0:34:27.000 --> 0:34:29.680
<v Speaker 1>You know, now, how hard is it for you with

0:34:29.760 --> 0:34:32.520
<v Speaker 1>everything that goes on of course, you know having a son, Now,

0:34:32.560 --> 0:34:35.239
<v Speaker 1>what are some things that you you are concerned about,

0:34:35.280 --> 0:34:36.560
<v Speaker 1>and what are some things that you're gonna tell your

0:34:36.560 --> 0:34:39.800
<v Speaker 1>son about growing up? And you know, just everything about

0:34:39.840 --> 0:34:45.279
<v Speaker 1>living his life. Man, I'm just like the I'm just

0:34:45.320 --> 0:34:47.719
<v Speaker 1>like the ultimate daddy, you know what I'm saying. So

0:34:48.440 --> 0:34:51.840
<v Speaker 1>I'm pretty sure, like like I'll already be joking with

0:34:51.920 --> 0:34:55.480
<v Speaker 1>my son about like being light skinned. I'll be joking.

0:34:55.840 --> 0:34:57.480
<v Speaker 1>I'll be joking with it, like my son got a

0:34:57.480 --> 0:34:59.719
<v Speaker 1>sense of human Like my son will crack a joke.

0:35:00.600 --> 0:35:04.239
<v Speaker 1>He's not even always like fluid in his speech, but

0:35:04.400 --> 0:35:06.439
<v Speaker 1>he'll crack a joke like he knows when he's doing

0:35:06.480 --> 0:35:09.880
<v Speaker 1>something funny, you know. So like I face time him

0:35:09.880 --> 0:35:13.839
<v Speaker 1>and he'll be like Mama, and I'm like nah, nah nah,

0:35:13.880 --> 0:35:15.480
<v Speaker 1>it's all it's all about dad, dad. And he's like

0:35:15.600 --> 0:35:18.880
<v Speaker 1>na na na mama, And I'm like, oh, so it's

0:35:18.920 --> 0:35:20.960
<v Speaker 1>really about my money, Like no, no, no, me me.

0:35:21.360 --> 0:35:23.319
<v Speaker 1>So he didn't say it's about him, and then he

0:35:23.440 --> 0:35:25.239
<v Speaker 1>just joke put his hand on his mouth and laugh.

0:35:25.280 --> 0:35:28.799
<v Speaker 1>I'm like, this kid is just you know, so I like,

0:35:29.040 --> 0:35:32.320
<v Speaker 1>uh taught him how to walk in all those things.

0:35:32.360 --> 0:35:36.000
<v Speaker 1>So I'm just like that's how my dad was with me.

0:35:36.640 --> 0:35:38.799
<v Speaker 1>You know, he was that connected. So it's like it's

0:35:38.840 --> 0:35:40.920
<v Speaker 1>nothing we're not gonna talk about. We're gonna talk about

0:35:40.920 --> 0:35:48.960
<v Speaker 1>girls and everything. Cheat channel, man channel. Now. I saw

0:35:49.040 --> 0:35:50.800
<v Speaker 1>Meek Mill tweet once that King Loos is one of

0:35:50.840 --> 0:35:53.440
<v Speaker 1>the nicest out here. Everybody in the game knows it.

0:35:53.680 --> 0:35:56.200
<v Speaker 1>Take use yours. So what do you think has been

0:35:56.239 --> 0:36:03.560
<v Speaker 1>to hold up for you? Um? Just the way, just

0:36:03.600 --> 0:36:06.759
<v Speaker 1>the way my story should unfold, just the way it

0:36:06.800 --> 0:36:10.640
<v Speaker 1>should go, you know. Um, just being a real champion

0:36:11.040 --> 0:36:15.719
<v Speaker 1>and like really really being able to like can't know,

0:36:15.960 --> 0:36:20.440
<v Speaker 1>there's there's nothing nobody could say, Like, like there's not

0:36:20.600 --> 0:36:23.480
<v Speaker 1>one thing a person could say. There's not really one

0:36:23.600 --> 0:36:27.680
<v Speaker 1>critique that people can have because I keep on advancing.

0:36:28.440 --> 0:36:30.839
<v Speaker 1>You know, Um, I actually liked my journey better than

0:36:30.880 --> 0:36:33.560
<v Speaker 1>a lot of other people who are more successful than me.

0:36:33.920 --> 0:36:36.799
<v Speaker 1>You know, I gotta be honest with you. A lot

0:36:36.800 --> 0:36:39.720
<v Speaker 1>of people on their way down because they hit peaks.

0:36:40.680 --> 0:36:43.960
<v Speaker 1>You look, man, let's keep it, let's keep it a billion.

0:36:44.760 --> 0:36:48.760
<v Speaker 1>I'm still elevating, you know. To me, that's the Mara thought.

0:36:49.600 --> 0:36:52.880
<v Speaker 1>Everybody was sprinting and just running and now I'm like

0:36:52.960 --> 0:36:55.960
<v Speaker 1>passing them like and they just they looking tired. You

0:36:55.960 --> 0:36:58.200
<v Speaker 1>gotta understand I was going to neck and neck with

0:36:58.280 --> 0:37:01.520
<v Speaker 1>Wayne when Wayne was dropping the hottest freestyles in the

0:37:01.560 --> 0:37:05.200
<v Speaker 1>world and the putting out. I was dropping the hottest

0:37:05.200 --> 0:37:07.480
<v Speaker 1>freestyles in the world. I just didn't have the world

0:37:07.640 --> 0:37:10.239
<v Speaker 1>to know it. Now when I go on Sway, it's

0:37:10.360 --> 0:37:13.880
<v Speaker 1>number one. This is that people are recognizing I did control.

0:37:14.000 --> 0:37:16.680
<v Speaker 1>Kendrick is like, yo, that's that's the best. No. Nobody

0:37:16.680 --> 0:37:19.399
<v Speaker 1>at the record station, at the at the radio station

0:37:19.360 --> 0:37:21.319
<v Speaker 1>and saying, hey, so what do you think about Los's verse?

0:37:22.000 --> 0:37:24.680
<v Speaker 1>They mentioned everybody but me, and Kendrick's like nah and

0:37:24.840 --> 0:37:27.080
<v Speaker 1>Los because it's like, at some point, man, you just

0:37:27.120 --> 0:37:29.359
<v Speaker 1>gotta give it up. If Meek is like, yo, you've

0:37:29.400 --> 0:37:31.959
<v Speaker 1>been the nicest. He giving it up because we gotta

0:37:31.960 --> 0:37:33.560
<v Speaker 1>give it up to Meek. When when he threw the

0:37:33.600 --> 0:37:35.759
<v Speaker 1>intro or do something, it's like, you gotta give it up.

0:37:35.920 --> 0:37:39.200
<v Speaker 1>You can't what can you say the intro Meek Mill

0:37:39.280 --> 0:37:43.279
<v Speaker 1>in the club, let's stop talking. When Drake do with

0:37:43.480 --> 0:37:45.239
<v Speaker 1>Drake do you gotta give it up? So when I

0:37:45.239 --> 0:37:47.719
<v Speaker 1>saw Drake, he gave it up. These artists reach out

0:37:47.760 --> 0:37:50.040
<v Speaker 1>to you, like, let's work on something. Together. They don't.

0:37:50.120 --> 0:37:53.800
<v Speaker 1>They don't necessarily reach out. They don't necessarily reach out,

0:37:53.920 --> 0:37:56.800
<v Speaker 1>you know what I'm saying, because they're like, if he

0:37:56.880 --> 0:38:00.920
<v Speaker 1>get on at helping him because he gonna trump everybody.

0:38:01.320 --> 0:38:03.919
<v Speaker 1>I don't know what they think. Um, I just could

0:38:03.960 --> 0:38:07.879
<v Speaker 1>say that I do recognize in respect and appreciate the

0:38:07.880 --> 0:38:12.279
<v Speaker 1>competitive nature of the art form. Quote unquote that's from

0:38:12.320 --> 0:38:15.440
<v Speaker 1>fifty cent. Fifty cent talks about the competitive nature to

0:38:15.560 --> 0:38:17.440
<v Speaker 1>art form. I just had a conversation with fifty cent

0:38:17.520 --> 0:38:19.280
<v Speaker 1>the other day, by the way, too, that was really

0:38:19.480 --> 0:38:21.319
<v Speaker 1>really in depth because I did this is fifty but

0:38:21.880 --> 0:38:24.360
<v Speaker 1>um yeah, it's a it's a it's a it's a competition.

0:38:24.920 --> 0:38:27.640
<v Speaker 1>You know. Michael Jordan wasn't putting people on. You know

0:38:27.680 --> 0:38:30.799
<v Speaker 1>what I'm saying. He was putting on. So I don't

0:38:30.800 --> 0:38:33.080
<v Speaker 1>expect nobody to you know. That's why I like, I

0:38:33.080 --> 0:38:36.000
<v Speaker 1>don't feel like puff owed me nothing. He gave me chances.

0:38:36.560 --> 0:38:38.440
<v Speaker 1>You know, shucks. If it won't for that first shot

0:38:38.600 --> 0:38:40.920
<v Speaker 1>and the second shot, the third shot, I wouldn't even

0:38:41.000 --> 0:38:43.040
<v Speaker 1>have you know, I wouldn't have my son out of

0:38:43.080 --> 0:38:46.040
<v Speaker 1>a dangerous environment. I'm gucci, you know what I'm saying.

0:38:46.040 --> 0:38:49.200
<v Speaker 1>And um, I don't expect nobody to do nothing for me.

0:38:49.520 --> 0:38:54.319
<v Speaker 1>But what I can promise you is that there you

0:38:54.360 --> 0:38:57.839
<v Speaker 1>won't have a choice soon. And that's that's that's just

0:38:57.880 --> 0:39:01.760
<v Speaker 1>what it is. Like I'm learning, growing and I'm I'm

0:39:01.800 --> 0:39:04.680
<v Speaker 1>I'm coming for the for the I'm coming for the spot. Now.

0:39:04.760 --> 0:39:07.360
<v Speaker 1>Did he did a rant on Rick Ross his mastermind

0:39:07.680 --> 0:39:11.080
<v Speaker 1>more than nobody and everybody said he was talking to um.

0:39:11.880 --> 0:39:18.360
<v Speaker 1>The thing is the way people perceive it. Um, the

0:39:18.480 --> 0:39:22.960
<v Speaker 1>conversation was with me. But um, anybody to know puff

0:39:23.280 --> 0:39:27.560
<v Speaker 1>know that he goes on these these rants, you know,

0:39:28.760 --> 0:39:31.040
<v Speaker 1>and like the thing with us was like yo, he

0:39:31.160 --> 0:39:33.759
<v Speaker 1>started saying like yo, Like I'll be around him and

0:39:33.800 --> 0:39:35.520
<v Speaker 1>I pick up on like you know, he got fifty

0:39:35.520 --> 0:39:38.120
<v Speaker 1>people around him doing stuff. He'll say something like Yo,

0:39:38.239 --> 0:39:41.400
<v Speaker 1>did anybody get that? So the moy kept saying stuff

0:39:41.440 --> 0:39:43.839
<v Speaker 1>like that, I just be on deck. So like when

0:39:43.840 --> 0:39:46.319
<v Speaker 1>he's saying stuff, I'm already on record. So you was

0:39:46.360 --> 0:39:49.080
<v Speaker 1>recording it. I recorded it. So we was in his

0:39:49.200 --> 0:39:52.160
<v Speaker 1>room and we were just talking about the industry and

0:39:52.239 --> 0:39:55.359
<v Speaker 1>just like my direction, like what he saw for me,

0:39:55.840 --> 0:39:59.279
<v Speaker 1>you know, and you know, Um, it's like one of

0:39:59.320 --> 0:40:02.960
<v Speaker 1>the greatest time speeches ever because we was literally talking

0:40:02.960 --> 0:40:06.120
<v Speaker 1>and they chopped it a lot, but we were just

0:40:06.160 --> 0:40:08.719
<v Speaker 1>talking about like the direction of these dudes is going

0:40:08.800 --> 0:40:12.120
<v Speaker 1>in and where he saw me. And he's like, yo,

0:40:12.239 --> 0:40:14.560
<v Speaker 1>I see you as somebody that I could like hand

0:40:14.560 --> 0:40:17.000
<v Speaker 1>the torch to. And I never felt like that about

0:40:17.239 --> 0:40:21.400
<v Speaker 1>an artist, you know, after you know, Biggie and you know,

0:40:21.520 --> 0:40:24.200
<v Speaker 1>he was just giving me such a high, you know, accolade,

0:40:24.239 --> 0:40:26.919
<v Speaker 1>and you know, he was just like, yo, check this out.

0:40:27.160 --> 0:40:29.560
<v Speaker 1>And then he started saying this this piece and he

0:40:29.680 --> 0:40:31.520
<v Speaker 1>just went into like, yo, you don't want to walk

0:40:31.520 --> 0:40:33.919
<v Speaker 1>with these roaches. And then and he's like, you gotta

0:40:33.960 --> 0:40:36.359
<v Speaker 1>walk with God, and you know, and that's the puff

0:40:36.400 --> 0:40:38.360
<v Speaker 1>and he putting on. But he knew I was recording

0:40:38.840 --> 0:40:41.920
<v Speaker 1>because I'm like so he went kept going in. I'm like,

0:40:42.760 --> 0:40:45.280
<v Speaker 1>I'm like not even trying to talk because it's so epic.

0:40:45.600 --> 0:40:49.279
<v Speaker 1>So I had it. And then the next day he

0:40:49.440 --> 0:40:51.759
<v Speaker 1>was like, yo, you recorded that thing that I was.

0:40:51.880 --> 0:40:53.160
<v Speaker 1>I said, yeah. He said, send it to me. I

0:40:53.239 --> 0:40:54.680
<v Speaker 1>want to hear I just want to listen to it.

0:40:55.000 --> 0:40:57.000
<v Speaker 1>So I sent it to him and he played it

0:40:57.080 --> 0:41:01.200
<v Speaker 1>for French, of all people, shout out to my brother French.

0:41:01.239 --> 0:41:03.320
<v Speaker 1>He played it from French, and French played it for

0:41:03.440 --> 0:41:06.520
<v Speaker 1>Ross and that's how it got on Ross's album because

0:41:06.520 --> 0:41:09.440
<v Speaker 1>it French was like, French is like the song maniac

0:41:09.600 --> 0:41:12.600
<v Speaker 1>like he like, so he saw it like being a

0:41:12.680 --> 0:41:15.920
<v Speaker 1>part of a record. And I was already using it

0:41:15.960 --> 0:41:22.240
<v Speaker 1>as something because I recorded because a bootleg at Hard

0:41:23.480 --> 0:41:26.120
<v Speaker 1>French seeing a whole vision for that thing, and um

0:41:26.120 --> 0:41:28.480
<v Speaker 1>he was working in with Ross, so it tied in,

0:41:28.760 --> 0:41:31.239
<v Speaker 1>you know. And um so people just thought like Diddy

0:41:31.360 --> 0:41:34.000
<v Speaker 1>was like getting out on me and going nut crazy

0:41:34.040 --> 0:41:37.560
<v Speaker 1>on me or something. I'm like, like, that's the whole

0:41:37.600 --> 0:41:39.680
<v Speaker 1>thing we do, like we I have. I have so

0:41:39.680 --> 0:41:42.120
<v Speaker 1>many things in my phone, Like I used one on

0:41:42.160 --> 0:41:44.560
<v Speaker 1>my on my album that just came out when he

0:41:44.640 --> 0:41:47.200
<v Speaker 1>was like I ain't here to look all cool. I

0:41:47.239 --> 0:41:49.520
<v Speaker 1>already am cool. So he didn't go in the studio

0:41:49.520 --> 0:41:51.520
<v Speaker 1>and do that. Nah, that was off my phone. I

0:41:51.560 --> 0:41:54.239
<v Speaker 1>got whatever y'all need out there. I got committing but

0:41:54.280 --> 0:41:57.080
<v Speaker 1>this you know it's gonna cost you know what I'm saying. Yeah,

0:41:57.120 --> 0:41:58.799
<v Speaker 1>I got a lot of stuff that Puff say, man,

0:41:58.840 --> 0:42:01.120
<v Speaker 1>because he say that blue stuff that you want to

0:42:01.120 --> 0:42:03.080
<v Speaker 1>be able to go back and listen to. Like I

0:42:03.120 --> 0:42:05.600
<v Speaker 1>got stuff with me and Pharrell like how we come

0:42:05.680 --> 0:42:07.839
<v Speaker 1>up with records, you know, we go back and forth

0:42:07.880 --> 0:42:10.440
<v Speaker 1>and rap I got like twenty thirty minute things of

0:42:10.520 --> 0:42:12.480
<v Speaker 1>me and Pharrell just going back with a freestyle, Like

0:42:12.520 --> 0:42:15.239
<v Speaker 1>I just feel like that's classic something to have, you know,

0:42:15.280 --> 0:42:17.640
<v Speaker 1>I could you could use it at any time in life.

0:42:17.680 --> 0:42:19.960
<v Speaker 1>Even if Diddy was yelling at you. What do you

0:42:20.000 --> 0:42:23.759
<v Speaker 1>say back to Diddy? Nothing If that's the If that's

0:42:23.800 --> 0:42:26.000
<v Speaker 1>the thing that somebody's yelling at you, you might want

0:42:26.040 --> 0:42:28.799
<v Speaker 1>to just be listening and taking it in and not

0:42:28.880 --> 0:42:31.839
<v Speaker 1>being all in your feelings and all being mad and

0:42:31.880 --> 0:42:34.880
<v Speaker 1>really just get that halftime speech in. I mean, any

0:42:34.960 --> 0:42:37.520
<v Speaker 1>you know, anybody that wants to motivate you. They can't

0:42:37.520 --> 0:42:40.520
<v Speaker 1>always just be on your good side or like what

0:42:40.600 --> 0:42:44.799
<v Speaker 1>does that change? Like change comes with devastation, you know,

0:42:45.040 --> 0:42:48.400
<v Speaker 1>and and and extreme discomfort. Change don't come with like

0:42:48.440 --> 0:42:50.959
<v Speaker 1>you being cool with the whole vibe. Like I feel

0:42:51.000 --> 0:42:55.000
<v Speaker 1>like your voice, like you can never change something about me,

0:42:55.160 --> 0:42:58.040
<v Speaker 1>But I feel like you could change a person because

0:42:58.320 --> 0:43:01.400
<v Speaker 1>you you might anti canna a something so much to

0:43:01.440 --> 0:43:04.359
<v Speaker 1>the point where a person, Yo, look what you're gonna

0:43:04.400 --> 0:43:06.520
<v Speaker 1>do and you just keep it in a thousand like

0:43:06.560 --> 0:43:10.040
<v Speaker 1>you're like no cut no cut is good and it's

0:43:10.040 --> 0:43:12.640
<v Speaker 1>a balance. So when you got like the extremely sweet

0:43:12.680 --> 0:43:14.680
<v Speaker 1>like I don't see you do a lot of disagreeing,

0:43:15.080 --> 0:43:16.560
<v Speaker 1>you know what I'm saying. When you got that, then

0:43:16.600 --> 0:43:18.640
<v Speaker 1>you got that, it's like, Okay, I see what the

0:43:18.840 --> 0:43:21.239
<v Speaker 1>I see what the scale is. But that right there

0:43:21.440 --> 0:43:24.279
<v Speaker 1>make you say, it'll make you reevaluate. Well, let's talk

0:43:24.280 --> 0:43:26.120
<v Speaker 1>about that. Because I liked the I love the first

0:43:26.160 --> 0:43:28.360
<v Speaker 1>seven songs on your album Okay, but it seemed like

0:43:28.360 --> 0:43:30.759
<v Speaker 1>the last seven it's like, it's almost like you're doing

0:43:30.840 --> 0:43:33.840
<v Speaker 1>radio records. Is that what it felt like? The last seven?

0:43:33.960 --> 0:43:36.400
<v Speaker 1>It felt like the last seven was like, yeah, this

0:43:36.520 --> 0:43:38.800
<v Speaker 1>is for the label. Well you know what? It was

0:43:38.800 --> 0:43:41.319
<v Speaker 1>a couple did I did? Um like the tides dollar

0:43:41.360 --> 0:43:43.680
<v Speaker 1>signs one with them must be that? That was a

0:43:43.800 --> 0:43:49.840
<v Speaker 1>Jay Grant creation song. Yeah. I did four different versions

0:43:49.840 --> 0:43:54.000
<v Speaker 1>because I had to digress to the we. That was

0:43:54.040 --> 0:43:58.399
<v Speaker 1>an interesting record. Yeah. Um that that Let's see Can't

0:43:58.440 --> 0:44:02.520
<v Speaker 1>Fade Us was Can't fade this? That? That was it? Um?

0:44:02.560 --> 0:44:05.479
<v Speaker 1>That was the radio one. I like confidence, that's tough,

0:44:05.640 --> 0:44:08.960
<v Speaker 1>confidences crazy dull. So you felt like you felt like

0:44:09.000 --> 0:44:11.319
<v Speaker 1>to be Honest was a radio record. To be honest

0:44:11.320 --> 0:44:13.480
<v Speaker 1>it's cool. I like, to be honest, cool, it's more

0:44:13.480 --> 0:44:16.520
<v Speaker 1>like camp fade Us the Tide Dollar signs one. And

0:44:16.960 --> 0:44:20.400
<v Speaker 1>because that's it, I don't really have no radio slave

0:44:20.480 --> 0:44:23.760
<v Speaker 1>with content wise, It's just you know, I was basically

0:44:23.800 --> 0:44:27.120
<v Speaker 1>like this. I was giving people like, uh, what's good

0:44:27.120 --> 0:44:30.600
<v Speaker 1>for you? What vegetable is good for you? Like anything green?

0:44:30.840 --> 0:44:34.640
<v Speaker 1>Like just like yeah, like, uh, broccoli in a Louis

0:44:34.719 --> 0:44:37.560
<v Speaker 1>Va tom box. You get to Louis Va tombox, You're like,

0:44:37.560 --> 0:44:39.560
<v Speaker 1>oh my god, you open up, it's like yo, broccoli.

0:44:39.960 --> 0:44:42.160
<v Speaker 1>That was like slave because like it sounds like a

0:44:42.239 --> 0:44:45.200
<v Speaker 1>trap joint. But if you if you break down my lyrics,

0:44:45.600 --> 0:44:48.560
<v Speaker 1>you know, everybody's a victim. The vindictive system been in

0:44:48.560 --> 0:44:50.239
<v Speaker 1>his dam. I've been thinking the whole the statement is

0:44:50.280 --> 0:44:53.239
<v Speaker 1>in like that. That's that's what I'm giving you. That's like,

0:44:53.640 --> 0:44:56.239
<v Speaker 1>you know, it just I wrapped it in and in

0:44:56.480 --> 0:44:58.239
<v Speaker 1>that because I felt like I didn't want to have

0:44:58.320 --> 0:45:02.360
<v Speaker 1>something that was so preachy and so slow. I felt

0:45:02.360 --> 0:45:05.279
<v Speaker 1>like I wanted something that has some pace and some aggression.

0:45:05.600 --> 0:45:07.680
<v Speaker 1>So that was just me trying to moderate and keep

0:45:07.760 --> 0:45:11.600
<v Speaker 1>like the people who aren't as a stute, you know

0:45:11.640 --> 0:45:13.640
<v Speaker 1>what I'm saying, the people who don't have that attention

0:45:13.680 --> 0:45:16.319
<v Speaker 1>span to just sit there and listen through war and

0:45:16.400 --> 0:45:20.480
<v Speaker 1>God money, war and ghetto boys. Yeah, so that but

0:45:20.520 --> 0:45:22.480
<v Speaker 1>that's the thing. If I could please you with seven

0:45:22.520 --> 0:45:26.319
<v Speaker 1>songs and somebody else with seven then as long as

0:45:26.360 --> 0:45:29.960
<v Speaker 1>I didn't compromise the integrity of my message, then I'm gucci.

0:45:30.160 --> 0:45:32.560
<v Speaker 1>I felt like cam Faders was a little off from

0:45:32.760 --> 0:45:34.880
<v Speaker 1>the message of what I had, but it really fitting

0:45:34.920 --> 0:45:37.160
<v Speaker 1>the money. When you think about the just the money

0:45:37.200 --> 0:45:38.920
<v Speaker 1>of it in the time, you're just being caught up

0:45:38.920 --> 0:45:42.080
<v Speaker 1>in that. It's still fit, you know, and it's adult record.

0:45:42.080 --> 0:45:45.640
<v Speaker 1>It's Mustard and ty Dollar, like that's a no brainer

0:45:45.640 --> 0:45:49.000
<v Speaker 1>for a little commercial though. Yeah, I mean, hey, what's

0:45:49.000 --> 0:45:51.879
<v Speaker 1>wrong with being commercial? Though? I feel like everybody does that,

0:45:52.000 --> 0:45:57.160
<v Speaker 1>like everybody, But to my attribute, I've never had a

0:45:57.160 --> 0:46:01.440
<v Speaker 1>commercial record, like you know, I've never had radio and

0:46:01.520 --> 0:46:03.960
<v Speaker 1>none of that stuff. So it's it's it's still a

0:46:04.000 --> 0:46:06.000
<v Speaker 1>good thing to grow too. You know, you don't want

0:46:06.000 --> 0:46:08.759
<v Speaker 1>to get stuck where you just get boring and you

0:46:08.800 --> 0:46:11.799
<v Speaker 1>know you're just like dry. Like I love those kind

0:46:11.840 --> 0:46:15.480
<v Speaker 1>of records because it reminded me, beat wise of like

0:46:15.880 --> 0:46:18.319
<v Speaker 1>where a Millie was just with the snare with the

0:46:18.400 --> 0:46:22.360
<v Speaker 1>ki ki ki ki ki ki. That's a millie all day.

0:46:22.480 --> 0:46:26.080
<v Speaker 1>So when I first got the song, I just went crazy.

0:46:26.160 --> 0:46:29.040
<v Speaker 1>I went like one hundred miles an hour. And then

0:46:29.040 --> 0:46:31.200
<v Speaker 1>and people who like had to tell me, like Jazzy

0:46:31.280 --> 0:46:34.279
<v Speaker 1>Faye and Puff, like Jazzy Faye is one of my mentors,

0:46:34.280 --> 0:46:36.880
<v Speaker 1>Like he had to tell me, like, dude, it's not

0:46:36.960 --> 0:46:39.879
<v Speaker 1>about rapping. Because if that's the case, thing you already won.

0:46:40.680 --> 0:46:43.960
<v Speaker 1>It's not just about rapping. Think about people who like music,

0:46:44.040 --> 0:46:46.399
<v Speaker 1>who just want to dance. And then Puff was like, yo,

0:46:47.560 --> 0:46:49.759
<v Speaker 1>it's like who could dance to that? Like you're rapping

0:46:49.880 --> 0:46:51.800
<v Speaker 1>so fast, nobody could dance to that. And I didn't.

0:46:51.800 --> 0:46:53.560
<v Speaker 1>I didn't get it. I was I was almost like

0:46:53.600 --> 0:46:56.040
<v Speaker 1>almost offended by that. And I'm like, yo, I'm like no,

0:46:56.080 --> 0:46:58.080
<v Speaker 1>I'm trying to kill the track because I don't want

0:46:58.120 --> 0:47:01.360
<v Speaker 1>somebody to say I did a commercial song. And my

0:47:01.480 --> 0:47:04.920
<v Speaker 1>bars was what, But that's not what it's about. When

0:47:04.960 --> 0:47:07.600
<v Speaker 1>you're making a song for people to have fun, the

0:47:07.640 --> 0:47:10.799
<v Speaker 1>only thing you should worry about is did they have fun?

0:47:11.560 --> 0:47:14.680
<v Speaker 1>Everything don't have to be a lyrical slaughter, you know,

0:47:14.760 --> 0:47:17.120
<v Speaker 1>And I'm just learning that. That's why Jay Biggie and

0:47:17.160 --> 0:47:20.680
<v Speaker 1>pocat Sol though, come on, Biggs man and still have

0:47:20.840 --> 0:47:24.080
<v Speaker 1>it bart so can Faders is still barred up. It's

0:47:24.120 --> 0:47:26.160
<v Speaker 1>still barred up, and I had to tone it down.

0:47:26.480 --> 0:47:29.359
<v Speaker 1>So imagine the other version, you know what I'm saying.

0:47:29.360 --> 0:47:32.040
<v Speaker 1>But yeah, it's still a dope record. Man and confidence?

0:47:32.040 --> 0:47:34.359
<v Speaker 1>Who who is that record for? Man? What insecure, low

0:47:34.400 --> 0:47:36.600
<v Speaker 1>self esteem person did you have in your life that

0:47:36.760 --> 0:47:39.880
<v Speaker 1>you have to instill that confidence in them? I feel

0:47:39.920 --> 0:47:43.800
<v Speaker 1>like I feel like, you know, did this world needs

0:47:44.000 --> 0:47:47.400
<v Speaker 1>a confidence booster? The man. I see so many people

0:47:47.960 --> 0:47:51.080
<v Speaker 1>who are followers and don't have their own thing, you know.

0:47:51.200 --> 0:47:54.560
<v Speaker 1>I feel like, man, just have a little confidence and

0:47:55.760 --> 0:47:57.719
<v Speaker 1>maybe you'll be all right. Like I just see a

0:47:57.800 --> 0:48:00.680
<v Speaker 1>lot of people following, and we have a lack of

0:48:00.760 --> 0:48:03.919
<v Speaker 1>leadership right now, you know, in our community. So I'm

0:48:03.960 --> 0:48:05.719
<v Speaker 1>just trying to show people, man, how to just be

0:48:05.800 --> 0:48:08.680
<v Speaker 1>confident and get through. Like I said, guy, money war

0:48:08.840 --> 0:48:12.080
<v Speaker 1>wasn't for me. It was for all the things I

0:48:12.120 --> 0:48:15.160
<v Speaker 1>felt like we needed, you know, I felt like it

0:48:15.239 --> 0:48:20.640
<v Speaker 1>was necessary devices, you know that need to be implanted

0:48:20.640 --> 0:48:25.640
<v Speaker 1>into our communities, into our kids, and you know, the

0:48:25.760 --> 0:48:28.520
<v Speaker 1>youth especially, but even some of these older people that's

0:48:28.520 --> 0:48:31.839
<v Speaker 1>just stuck, you know, like my mom, Like I want

0:48:31.880 --> 0:48:34.160
<v Speaker 1>my mom to have confidence, Like I don't want you

0:48:34.200 --> 0:48:36.799
<v Speaker 1>to feel like you're too old to do nothing. Now, now,

0:48:36.880 --> 0:48:39.160
<v Speaker 1>my mom was chef, you know, but she used to

0:48:39.160 --> 0:48:41.719
<v Speaker 1>work for the city in Baltimore. Like now she's a

0:48:41.800 --> 0:48:43.680
<v Speaker 1>chef in LA. Like she used to cook for Tiger

0:48:44.080 --> 0:48:46.480
<v Speaker 1>you know what I'm saying, and his whole crew. Yeah,

0:48:46.560 --> 0:48:49.120
<v Speaker 1>go to his crib, cook like his personal chef. Yeah,

0:48:49.120 --> 0:48:50.719
<v Speaker 1>I put my mom, you know, I gave it a

0:48:50.760 --> 0:48:54.600
<v Speaker 1>whole Like, look, we are in LA. You can cook crazy.

0:48:54.960 --> 0:48:57.000
<v Speaker 1>Let's go to culinary school. Let's get this, Let's get it.

0:48:57.040 --> 0:48:59.239
<v Speaker 1>Let's get a popping. Now she is chef and she

0:48:59.280 --> 0:49:02.080
<v Speaker 1>cooked for all this studios. I go to everybody order up.

0:49:02.200 --> 0:49:04.960
<v Speaker 1>She delivered the food like she getting it in. You

0:49:05.000 --> 0:49:07.080
<v Speaker 1>know what I'm saying, Like, do you plan to go

0:49:07.120 --> 0:49:09.600
<v Speaker 1>on tour for this album? Of course? I. Look, I've

0:49:09.600 --> 0:49:12.359
<v Speaker 1>been going on tour for every CD I ever put out,

0:49:12.760 --> 0:49:14.440
<v Speaker 1>and I've been just dropped. I was just only drop

0:49:14.560 --> 0:49:17.200
<v Speaker 1>had ever dropped mixtapes. I've always been going on tour.

0:49:17.200 --> 0:49:20.279
<v Speaker 1>I always had a crazy core, you know, fan base,

0:49:20.320 --> 0:49:22.000
<v Speaker 1>and I've always been torn. So now that I'm on

0:49:22.080 --> 0:49:24.480
<v Speaker 1>a label, and Jay Grant is gonna make sure that

0:49:24.680 --> 0:49:28.719
<v Speaker 1>everything's okay, and ICM is gonna make sure I'm booked up.

0:49:29.600 --> 0:49:31.759
<v Speaker 1>I'm gonna be on tour. It's crazy now. Now we're

0:49:31.760 --> 0:49:35.080
<v Speaker 1>gonna go, you know, across the pond and touch the

0:49:35.160 --> 0:49:37.560
<v Speaker 1>Londons and we gotta hit it everywhere now, So we

0:49:37.640 --> 0:49:40.280
<v Speaker 1>just gotta keep spreading a good word. What's the easiest

0:49:40.280 --> 0:49:43.120
<v Speaker 1>content for you to write about? Man, God, money, war?

0:49:44.440 --> 0:49:49.200
<v Speaker 1>The easiest thing for me to write about, the easiest

0:49:49.200 --> 0:49:53.520
<v Speaker 1>thing for me to write about, man, anything that's real

0:49:53.560 --> 0:49:56.160
<v Speaker 1>in my life. I have a hard time trying to

0:49:56.440 --> 0:50:00.160
<v Speaker 1>do scripted stuff and create stuff that's not real. It's

0:50:00.200 --> 0:50:02.799
<v Speaker 1>harder for me to make a record that everybody could

0:50:02.840 --> 0:50:07.040
<v Speaker 1>turn up to because like I don't even go to

0:50:07.080 --> 0:50:10.120
<v Speaker 1>clubs like that, you know what I'm saying. I pop

0:50:10.160 --> 0:50:12.000
<v Speaker 1>in and out. You know what I'm saying. I'm more low.

0:50:12.320 --> 0:50:15.799
<v Speaker 1>But you know, um, so it's probably easier for me

0:50:15.840 --> 0:50:18.640
<v Speaker 1>to write something with some substance. You know, it's easy

0:50:18.680 --> 0:50:21.160
<v Speaker 1>for me to write something deep, Like it's easier for

0:50:21.200 --> 0:50:22.960
<v Speaker 1>me to write something deep than it is for me

0:50:23.000 --> 0:50:26.680
<v Speaker 1>to write something more basic, you know. So that's that's

0:50:26.719 --> 0:50:29.200
<v Speaker 1>what I'm trying to grow to as well by having

0:50:29.200 --> 0:50:32.360
<v Speaker 1>a two year old. Everything can't be so deep and elaborate,

0:50:32.520 --> 0:50:34.359
<v Speaker 1>you know, you gotta break it down for them. So

0:50:34.960 --> 0:50:37.239
<v Speaker 1>that taught me a lot with this album, you know,

0:50:37.440 --> 0:50:41.120
<v Speaker 1>just talking to everybody, not missing nobody. You know what

0:50:41.400 --> 0:50:43.160
<v Speaker 1>for your son's mother to be on the album, was

0:50:43.200 --> 0:50:45.560
<v Speaker 1>that you asking her, Hey, you know what, I need

0:50:45.600 --> 0:50:46.920
<v Speaker 1>you to come get on this tongue And was she like,

0:50:47.000 --> 0:50:48.520
<v Speaker 1>come on, but I know you're gonna put me on

0:50:48.520 --> 0:50:51.239
<v Speaker 1>the album. No, that's just man though. That's just like

0:50:52.000 --> 0:50:54.960
<v Speaker 1>she's an artist and you know I don't have to

0:50:55.000 --> 0:50:57.120
<v Speaker 1>be an artist. And you can tell her like, look

0:50:57.640 --> 0:51:01.760
<v Speaker 1>isn't for you? She Um. You know, UM, I challenge

0:51:01.840 --> 0:51:06.120
<v Speaker 1>anybody that um because like I don't like, I don't

0:51:06.120 --> 0:51:08.279
<v Speaker 1>write her, I don't write her wraps. You know what

0:51:08.320 --> 0:51:11.640
<v Speaker 1>I'm saying. I know a lot of people, um, especially

0:51:11.680 --> 0:51:16.040
<v Speaker 1>female since the beginning of female rap. You know, UM

0:51:16.280 --> 0:51:19.759
<v Speaker 1>had help, you know, but like I don't help her

0:51:19.800 --> 0:51:22.120
<v Speaker 1>with her stuff. You know, I helped her learn how

0:51:22.160 --> 0:51:25.400
<v Speaker 1>to you know, construct bars and put stuff together. But um,

0:51:25.440 --> 0:51:28.320
<v Speaker 1>she got some stuff that's about to come out that's cold.

0:51:28.480 --> 0:51:30.240
<v Speaker 1>You know what I'm saying. And it's all about growing

0:51:30.320 --> 0:51:32.799
<v Speaker 1>like she hadn't been rapping that long. You know. It's

0:51:32.840 --> 0:51:35.160
<v Speaker 1>it's dudes, it can't rap, you know. And it's a

0:51:35.160 --> 0:51:37.799
<v Speaker 1>couple of things that we did together with I felt

0:51:37.840 --> 0:51:41.520
<v Speaker 1>like she had the better verse your baby mom. Would

0:51:41.520 --> 0:51:45.360
<v Speaker 1>you respect her as the artist? Now? Yeah, I remember

0:51:45.360 --> 0:51:47.520
<v Speaker 1>when she first I remember when she first started rapping

0:51:47.520 --> 0:51:50.200
<v Speaker 1>on when she first started rapping, When she first started rapping,

0:51:50.480 --> 0:51:53.880
<v Speaker 1>she I mean she couldn't rap it period, Like she

0:51:53.880 --> 0:51:58.960
<v Speaker 1>couldn't rap like, but she wanted to rap. I guarantee you,

0:51:59.200 --> 0:52:07.000
<v Speaker 1>I got any amount of money that she is one

0:52:07.040 --> 0:52:10.680
<v Speaker 1>of the dopest female rappers. I got any amount of money.

0:52:10.719 --> 0:52:15.560
<v Speaker 1>I bet you one hundred dollars. I bet you. I

0:52:15.600 --> 0:52:17.719
<v Speaker 1>bet you too, I bet you. I bet you two

0:52:17.800 --> 0:52:19.399
<v Speaker 1>hundred dollars. So what I'm gonna do is I'm gonna

0:52:19.440 --> 0:52:22.760
<v Speaker 1>personally send you. I'm gonna personally send you a record, right, Okay,

0:52:23.080 --> 0:52:25.480
<v Speaker 1>I don't write Now, Hold on, did you hear um

0:52:26.760 --> 0:52:32.080
<v Speaker 1>Lipstick and Pistols what her CD? Yeah? Absolutely? Nut Yo,

0:52:32.200 --> 0:52:35.640
<v Speaker 1>listen to me. Listen, that's why you're talking. If you

0:52:35.719 --> 0:52:39.440
<v Speaker 1>if you heard the song Gorgeous, you would flip man.

0:52:39.480 --> 0:52:41.160
<v Speaker 1>When she did gorgeous. First of all, it's a hip

0:52:41.200 --> 0:52:44.520
<v Speaker 1>hop record, and it's so crazy. The swag of it

0:52:44.560 --> 0:52:48.120
<v Speaker 1>is so ridiculous. Then it made me reassess why I'm

0:52:48.120 --> 0:52:51.160
<v Speaker 1>doing so much stuff. This sounds so clubby. At the time,

0:52:51.400 --> 0:52:53.960
<v Speaker 1>I was kind of all over the place. She did that.

0:52:54.080 --> 0:52:55.759
<v Speaker 1>Now mind you, she was in the hotel a game,

0:52:56.120 --> 0:52:58.680
<v Speaker 1>you know, Wiz and around that. So Wiz got a

0:52:58.760 --> 0:53:02.480
<v Speaker 1>more relaxed overall. He do some turn up, but he

0:53:02.520 --> 0:53:05.759
<v Speaker 1>got a more like you know. And when she got

0:53:05.800 --> 0:53:08.080
<v Speaker 1>into that whole essence, and she just really started to

0:53:08.160 --> 0:53:11.520
<v Speaker 1>learn and embody what it was about, yo, she got

0:53:11.560 --> 0:53:13.440
<v Speaker 1>really really dope. You know what. I'm not even going

0:53:13.480 --> 0:53:15.760
<v Speaker 1>to this future because I am not. I never listened

0:53:15.760 --> 0:53:21.480
<v Speaker 1>to her music. Yeah, but I just say that. But

0:53:21.520 --> 0:53:25.080
<v Speaker 1>you heard her with Calia. I guarantee you I could

0:53:25.120 --> 0:53:29.680
<v Speaker 1>play you something and respectfully, because you respect real music,

0:53:30.080 --> 0:53:34.919
<v Speaker 1>you would dig it in. I do not write any

0:53:35.000 --> 0:53:36.920
<v Speaker 1>of her bars. Let me hear a song, and I

0:53:37.000 --> 0:53:38.920
<v Speaker 1>let you hear a song. What you're gonna tell me

0:53:39.040 --> 0:53:42.200
<v Speaker 1>is this. You're gonna say you wrote that. That's what

0:53:42.200 --> 0:53:44.240
<v Speaker 1>you're gonna try to put on me. And I'm gonna

0:53:44.239 --> 0:53:46.560
<v Speaker 1>tell you I did not write it, and I mean that.

0:53:46.640 --> 0:53:49.040
<v Speaker 1>I do not write her stuff, bro, And I promise

0:53:49.080 --> 0:53:51.440
<v Speaker 1>I'm gonna write you something and you're gonna I'm gonna

0:53:51.600 --> 0:53:53.480
<v Speaker 1>let you hear something and you're gonna respect it. I

0:53:53.560 --> 0:53:55.919
<v Speaker 1>promise you. This is me saying it like I don't

0:53:55.920 --> 0:53:58.279
<v Speaker 1>have to say she dope, like I don't have to

0:53:58.360 --> 0:54:01.799
<v Speaker 1>pump her up like honestly, like I could hold everything down.

0:54:02.080 --> 0:54:04.120
<v Speaker 1>I could write all her wraps if it like, think

0:54:04.160 --> 0:54:06.200
<v Speaker 1>about it, think about the dynamics of it. I could

0:54:06.239 --> 0:54:09.359
<v Speaker 1>write all her wraps and you could never speak like

0:54:09.400 --> 0:54:12.279
<v Speaker 1>I could write her the craziest bars if you got to,

0:54:12.360 --> 0:54:14.480
<v Speaker 1>if you got to go up against females, it ain't

0:54:14.480 --> 0:54:17.200
<v Speaker 1>even fair Like I could do that, but I don't.

0:54:17.320 --> 0:54:19.799
<v Speaker 1>So if I'm telling you she's dope and you're gonna

0:54:19.840 --> 0:54:21.960
<v Speaker 1>like it, I promise you. And I know where it

0:54:22.000 --> 0:54:24.399
<v Speaker 1>comes from. I told her, I said, you're not gonna

0:54:24.440 --> 0:54:26.680
<v Speaker 1>get respect at first. You know, she used to get

0:54:26.719 --> 0:54:28.920
<v Speaker 1>outfits made and all this stuff to go rap, and

0:54:28.960 --> 0:54:31.880
<v Speaker 1>I'm like, yo, that's not I used to tell her

0:54:32.120 --> 0:54:34.160
<v Speaker 1>she come on stage high heels and on. I said, yo,

0:54:34.880 --> 0:54:37.720
<v Speaker 1>you used to be a video model. You're not gonna

0:54:37.719 --> 0:54:41.680
<v Speaker 1>get respect like that. That's why she don't sell sex.

0:54:42.120 --> 0:54:44.120
<v Speaker 1>That's why when she rapped, like it's easy for her

0:54:44.160 --> 0:54:47.719
<v Speaker 1>to have a million followers on Instagram, she got like

0:54:47.760 --> 0:54:51.080
<v Speaker 1>two hundred thousand, like two hundred thousand because she not

0:54:51.200 --> 0:54:54.239
<v Speaker 1>with her out in the booty out. She got all

0:54:54.320 --> 0:54:58.440
<v Speaker 1>that she had a first, but she trying to establish

0:54:58.480 --> 0:55:02.239
<v Speaker 1>that respect. It comes with the hip hop community. She

0:55:02.280 --> 0:55:04.120
<v Speaker 1>really got a love for the craft. And look, she'd

0:55:04.120 --> 0:55:06.279
<v Speaker 1>be writing all night. I'm gonna let you here. She'd

0:55:06.280 --> 0:55:08.359
<v Speaker 1>be writing all night and I don't be helping her,

0:55:08.480 --> 0:55:11.600
<v Speaker 1>and I'd be hard on her. I'd be like, Nah,

0:55:11.640 --> 0:55:14.200
<v Speaker 1>that's that's weak. How did you guys end up getting together?

0:55:14.520 --> 0:55:17.279
<v Speaker 1>I'm gonna mat. I mean, did y'all meet in the

0:55:17.320 --> 0:55:19.960
<v Speaker 1>studio where it was with that video? We met like

0:55:20.040 --> 0:55:22.080
<v Speaker 1>five different times, and she tried to hit me with

0:55:22.120 --> 0:55:26.239
<v Speaker 1>the hidsman, and every time I just swerved it. I

0:55:26.280 --> 0:55:27.839
<v Speaker 1>was like, you can't hit me with the higsman. I'm

0:55:27.880 --> 0:55:31.520
<v Speaker 1>gonna get you. Like like, I had a poster of

0:55:31.560 --> 0:55:34.600
<v Speaker 1>her on my on the wall back when I was

0:55:34.640 --> 0:55:37.359
<v Speaker 1>in Baltimore, and I and every days to tell my man,

0:55:37.480 --> 0:55:39.719
<v Speaker 1>my man's son. I used to I used to be like, yo,

0:55:40.120 --> 0:55:43.239
<v Speaker 1>that's gonna be my girl. I just didn't see a

0:55:43.280 --> 0:55:45.480
<v Speaker 1>girl that looked better than her. And then I've seen

0:55:45.520 --> 0:55:48.520
<v Speaker 1>it in real life. And then I got the number,

0:55:48.840 --> 0:55:51.040
<v Speaker 1>and I even swagged at Charlot Man. I swagged it.

0:55:51.040 --> 0:55:56.800
<v Speaker 1>I waited two weeks. I waited two weeks. Every number

0:55:57.480 --> 0:56:00.719
<v Speaker 1>it was, it was, it was her. Man jet the time,

0:56:00.800 --> 0:56:07.520
<v Speaker 1>Oh Man answer the phone like, yoh this Mike. Now

0:56:07.520 --> 0:56:11.600
<v Speaker 1>we're low lad, Mike, you're playing Oh? I said, Look,

0:56:11.640 --> 0:56:13.160
<v Speaker 1>she gave me the number, told me car so you

0:56:13.200 --> 0:56:15.799
<v Speaker 1>need to put on the phone. So he wouldn't so

0:56:16.120 --> 0:56:18.399
<v Speaker 1>I seen her again. We end up having the same

0:56:18.560 --> 0:56:21.560
<v Speaker 1>entertainment lawyer, and he gave me the one up. Man

0:56:21.560 --> 0:56:22.840
<v Speaker 1>shout out the park guard and he gave me the

0:56:22.880 --> 0:56:25.560
<v Speaker 1>one up. He was like, man, look's coming through the office.

0:56:26.040 --> 0:56:28.839
<v Speaker 1>You could be here and pretend to be leaving. So

0:56:29.120 --> 0:56:31.400
<v Speaker 1>if you just came get down here, I could pretend

0:56:31.400 --> 0:56:32.800
<v Speaker 1>to be leaving so you could say high on the

0:56:32.880 --> 0:56:36.080
<v Speaker 1>way out, did your man. I always got my best

0:56:36.080 --> 0:56:38.960
<v Speaker 1>outfit on. So I came down there, and when she

0:56:39.040 --> 0:56:40.920
<v Speaker 1>came this time, I said, this time, I swag it.

0:56:41.280 --> 0:56:43.839
<v Speaker 1>I'm gonna act like I don't even care. I'm gonna

0:56:43.840 --> 0:56:46.000
<v Speaker 1>act like I never meant you, never saw you in life.

0:56:46.320 --> 0:56:48.000
<v Speaker 1>So she came in there and she walked in that

0:56:48.120 --> 0:56:50.400
<v Speaker 1>joint and I gave it a five, like you give

0:56:50.440 --> 0:56:52.319
<v Speaker 1>a dude. I was like, what's up? What's something up?

0:56:53.280 --> 0:56:56.080
<v Speaker 1>And I walked out and then she she was interested

0:56:56.120 --> 0:56:58.840
<v Speaker 1>in music, so that's what the meeting was about. So

0:56:58.880 --> 0:57:01.320
<v Speaker 1>he called me back. Look, she's interested in doing music,

0:57:01.560 --> 0:57:04.520
<v Speaker 1>you should help her. That would be great. So I

0:57:04.600 --> 0:57:07.000
<v Speaker 1>ended up helping her with music, and now she got

0:57:07.040 --> 0:57:11.880
<v Speaker 1>my son. I remember the news came out. I was like,

0:57:11.920 --> 0:57:17.720
<v Speaker 1>I didn't even know that shot the whole club up. Yeah,

0:57:17.720 --> 0:57:19.160
<v Speaker 1>because a lot of people didn't even know. I remember

0:57:19.200 --> 0:57:21.040
<v Speaker 1>when it came out and I was like, oh, congratulations,

0:57:21.040 --> 0:57:23.240
<v Speaker 1>because I didn't even know y'all were dating. I was like, yeah,

0:57:23.280 --> 0:57:25.800
<v Speaker 1>I'm gonna tell you what though, on some real stuff, man,

0:57:25.960 --> 0:57:27.440
<v Speaker 1>you could look at a person and you can e

0:57:27.440 --> 0:57:29.920
<v Speaker 1>gauge them from what you think. But she earned my

0:57:30.000 --> 0:57:33.120
<v Speaker 1>respect in so many ways. Man. It was so many

0:57:33.200 --> 0:57:36.560
<v Speaker 1>dudes on her heels, so many people, and it was

0:57:36.600 --> 0:57:39.720
<v Speaker 1>like I seen her curve people. I seen her The

0:57:39.800 --> 0:57:43.080
<v Speaker 1>phone calls never curved me. Well. In the beginning, it

0:57:43.120 --> 0:57:44.480
<v Speaker 1>was like just like how how you cute, but were

0:57:44.480 --> 0:57:46.960
<v Speaker 1>in the streets. You ain't getting the number. And that

0:57:47.040 --> 0:57:49.840
<v Speaker 1>was dope, right because I was getting numbers like don't

0:57:49.840 --> 0:57:53.040
<v Speaker 1>play so And another thing was we spent the whole

0:57:53.120 --> 0:57:56.280
<v Speaker 1>year before she even let me get any like in

0:57:56.320 --> 0:58:00.640
<v Speaker 1>the same bed, sleeping every night, nothing, every night nothing.

0:58:00.800 --> 0:58:02.280
<v Speaker 1>Let's not put that out there now. We don't need

0:58:02.320 --> 0:58:05.360
<v Speaker 1>to discourage girls from giving no listen, listen, but this

0:58:05.400 --> 0:58:08.000
<v Speaker 1>is but this is what got my respect. Every night

0:58:08.000 --> 0:58:11.400
<v Speaker 1>I felt like every night, I'm like, I'm gonna crack

0:58:11.480 --> 0:58:14.320
<v Speaker 1>the night, I'm ana crack it. Nothing for a year

0:58:14.400 --> 0:58:18.240
<v Speaker 1>straight after the year, we just had the craziest bond

0:58:18.280 --> 0:58:20.080
<v Speaker 1>and we was tight and it was like, all right,

0:58:20.120 --> 0:58:22.000
<v Speaker 1>come on, so yeah, I was just cuddling in bad

0:58:22.120 --> 0:58:25.960
<v Speaker 1>We was cuddling in bed. But that every the booty

0:58:26.040 --> 0:58:29.440
<v Speaker 1>kept me sane. And then it was just like one day,

0:58:29.680 --> 0:58:31.560
<v Speaker 1>you know, she had to bow down to a player

0:58:31.600 --> 0:58:35.160
<v Speaker 1>greater than her. She had to bow down because I

0:58:35.200 --> 0:58:37.640
<v Speaker 1>stuck in there, hung in there. Man. This is my

0:58:37.640 --> 0:58:39.560
<v Speaker 1>final question. I don't think about this other day. You

0:58:39.600 --> 0:58:41.920
<v Speaker 1>call yourself to God, as I do. So I'm wondering,

0:58:41.960 --> 0:58:43.680
<v Speaker 1>do you think I'll call myself to God? Don't call

0:58:43.720 --> 0:58:47.080
<v Speaker 1>yourself to God. No call myself king los Where did

0:58:47.080 --> 0:58:48.880
<v Speaker 1>you get that? I've never heard that. I was like,

0:58:48.960 --> 0:58:52.720
<v Speaker 1>maybe this is something somebody about. Man. Look they call

0:58:52.880 --> 0:58:56.120
<v Speaker 1>they called me that every time. I don't call myself

0:58:56.120 --> 0:58:59.400
<v Speaker 1>to God, but I do reflecting the God within myself.

0:58:59.280 --> 0:59:01.600
<v Speaker 1>If I do you want to have something that's missing

0:59:01.600 --> 0:59:05.360
<v Speaker 1>because that is empowered? Yes, yes, you post call yourself.

0:59:05.600 --> 0:59:08.320
<v Speaker 1>I feel like that. I feel like that's missing. And

0:59:08.520 --> 0:59:12.480
<v Speaker 1>it's like this, if you say that God is the

0:59:12.520 --> 0:59:15.400
<v Speaker 1>father of Christ. If you could say that and then

0:59:15.440 --> 0:59:18.480
<v Speaker 1>you say that we are children of God, I'm my

0:59:18.520 --> 0:59:21.600
<v Speaker 1>father all day. Walk like them, talk like him, look

0:59:21.680 --> 0:59:24.920
<v Speaker 1>like them. You know what I'm saying. So Genesis one

0:59:25.040 --> 0:59:26.840
<v Speaker 1>twenty six is God pred a man in his image

0:59:26.840 --> 0:59:29.840
<v Speaker 1>according to his likeness. So come on, man. And I

0:59:30.200 --> 0:59:32.360
<v Speaker 1>think that's why people don't do godly things and don't

0:59:32.400 --> 0:59:35.680
<v Speaker 1>be on that frequency because they don't really identify with

0:59:35.760 --> 0:59:38.520
<v Speaker 1>it that that much. They put it over there, and

0:59:38.560 --> 0:59:41.439
<v Speaker 1>then they put themselves in a smaller space. Of course

0:59:41.440 --> 0:59:45.280
<v Speaker 1>we're smaller. We didn't create ourselves. But like you know,

0:59:45.440 --> 0:59:47.640
<v Speaker 1>I just want to do things like you know, like

0:59:47.680 --> 0:59:49.520
<v Speaker 1>how he did it, like he said, let that be light.

0:59:49.800 --> 0:59:52.600
<v Speaker 1>That's why I can't nobody put darkness over me. Can't

0:59:52.600 --> 0:59:54.640
<v Speaker 1>nobody tell me what I'm not gonna be or not do.

0:59:55.160 --> 0:59:57.439
<v Speaker 1>God said, let that be light, So he killed all

0:59:57.440 --> 1:00:00.320
<v Speaker 1>that already. I'm gonna create just like he created, you

1:00:00.360 --> 1:00:03.720
<v Speaker 1>know what I'm saying. So yeah, pretty much that I

1:00:03.800 --> 1:00:06.080
<v Speaker 1>like it. Man, that's the wars and stores right now.

1:00:06.120 --> 1:00:09.080
<v Speaker 1>We out chair, We out chair. Number one in the

1:00:09.080 --> 1:00:14.160
<v Speaker 1>country right now, is not playing. He's jazz. Yeah, it's

1:00:14.200 --> 1:00:16.320
<v Speaker 1>that too, right now. I just seen Meek just drops

1:00:16.320 --> 1:00:21.400
<v Speaker 1>this thing too. Well. Yeah, shout outs to meet though. Man,

1:00:22.120 --> 1:00:24.080
<v Speaker 1>I don't want to sign a major. It's not always

1:00:24.080 --> 1:00:26.760
<v Speaker 1>such a bad thing, you know. Everybody's always like independent.

1:00:33.880 --> 1:00:36.320
<v Speaker 1>My man, King los Man, got money, wants stores right now.

1:00:36.320 --> 1:00:38.120
<v Speaker 1>Thank you for coming to my brother, Thank you man,

1:00:38.200 --> 1:00:40.760
<v Speaker 1>thank you for having me. Man. Absolutely it's the breakfast Club.