WEBVTT - QLS Classic: Snoop Dogg 

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio. This classic

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<v Speaker 1>episode was produced by the team at Pandora.

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<v Speaker 2>The legendary Snoop Dogg joins Team Supreme to talk doggy

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<v Speaker 2>style producing with Doctor Dre and how he became the

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<v Speaker 2>Ultimate Entrepreneur. Originally released in December nineteenth, twenty.

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<v Speaker 3>Eighteen, Supremo s S Suprema Roll Call Suprema su su Supremo,

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<v Speaker 3>Roll Call Suprema so So, Supremo, Roll Call Suprema so So, Supremo.

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<v Speaker 4>Roll Call. My name is.

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<v Speaker 1>Questla Yeah, and I'm out of breath. Yeah snoops gym, Yeah, I'm.

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<v Speaker 5>Suprema su Suprema Roll call Suprema Up Supremo.

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<v Speaker 1>Roll Call.

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<v Speaker 6>My name is Fante. Yeah, please hold my calls. Yeah,

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<v Speaker 6>because everybody got to heal.

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<v Speaker 7>Yeah.

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<v Speaker 4>Ship on w ball.

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<v Speaker 5>Supremo Supremo, Roll Call, Supremo Supremo.

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<v Speaker 8>Roll Call.

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<v Speaker 4>My name is Sugar.

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<v Speaker 9>Yeah.

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<v Speaker 7>I'm a friend indeed Yeah, but a friend in need.

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<v Speaker 4>Yeah, will steal your weed.

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<v Speaker 5>Supremo Supremo, Roll Suprema Supremo, roll.

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<v Speaker 10>The Teva Yeah, once joints or bong Yeah. Somebody grinding

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<v Speaker 10>this weed.

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<v Speaker 8>Yeah.

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<v Speaker 1>Before the end of this song.

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<v Speaker 5>Roll call Supremo Supremo roll call Supremo Supremo roll call.

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<v Speaker 11>It's like yeah and true. YEAHVA ain't real.

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<v Speaker 12>Yeah, how about you?

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<v Speaker 10>Roll call Suprema Sun Supremo, roll call Suprema Suck Suck

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<v Speaker 10>Supremo roll call.

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<v Speaker 7>My name is Snoop. Yeah, I'm not no Bagle. Yeah,

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<v Speaker 7>I'm a Laker fan. Yeah, and I like the Eagle.

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<v Speaker 5>Supreme Supremo roll call Suprema su Su Supremo.

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<v Speaker 10>Roll call Suprema Sun South Supremo. Roll call Suprema Suck

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<v Speaker 10>Suck Supremo.

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<v Speaker 1>Roll call, Ladies and gentlemen, we have reached the pinnacle.

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<v Speaker 1>This podcast Black life goals, Yo, I have nothing compared.

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<v Speaker 1>This is quest Love of course, Love Supreme. As if

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<v Speaker 1>I got to reintroduce the ship that we're going. This

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<v Speaker 1>is our Christmas episode. But I'll be very honest with you.

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<v Speaker 1>It's still August, and we are in We are in

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<v Speaker 1>heaven right now. Compound. Yes, we are in the compound

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<v Speaker 1>of all the compounds. A lot and be said about

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<v Speaker 1>our yesterday, but in my opinion, he's probably hands down

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<v Speaker 1>the most beloved, unique, charismatic, talented MC and hip hop

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<v Speaker 1>culture period and music period in life period fact, and

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<v Speaker 1>I mean hip hop is forty five years old and

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<v Speaker 1>not said period. If I ponder and gave a thorough investigation,

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<v Speaker 1>you actually might catch me saying that he's easily, if

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<v Speaker 1>not the top three, but one of the best voices

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<v Speaker 1>in hip hop. He is the coolest of the cool

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<v Speaker 1>His catalogs outstanding, His anthems are people's high lives. It's

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<v Speaker 1>the craziest live show I've ever seen.

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<v Speaker 4>And I guarantee you he's your mom's favorite rapper.

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<v Speaker 1>That's yo, ladies and gentlemen, your mom's favorite raps straight

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<v Speaker 1>up Snoop dog.

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<v Speaker 4>In the building.

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<v Speaker 9>Thank you.

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<v Speaker 7>I appreciate that. And that roll call was off the

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<v Speaker 7>hook man. I'm a rapper though, so I stay ready.

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<v Speaker 7>I ain't got to get oh yeah.

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<v Speaker 6>Key Balls all day, yeah your album like my mom

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<v Speaker 6>would like. She because I was talking to Dj Quick.

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<v Speaker 6>We had Dj Quick on the show early and h

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<v Speaker 6>his album. I couldn't listen to the cursaon But when

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<v Speaker 6>Doggie Style dropped, that was the one album, like my

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<v Speaker 6>mama was saying, ain't no fun with me.

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<v Speaker 7>The real mothers around the world that was allowing their

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<v Speaker 7>kids to listen to that Snoop dogg music back then

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<v Speaker 7>because they knew I guess they knew that I didn't

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<v Speaker 7>really mean no harm.

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<v Speaker 9>I just was I was the young voice.

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<v Speaker 7>And at the same time, I appreciate the mothers for

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<v Speaker 7>allowing y'all to listen to it because we grew together.

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<v Speaker 4>Oh yeah, absolutely.

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<v Speaker 1>I'm literally out of breath from just being on the

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<v Speaker 1>basketball court. I don't know how you do it, bro,

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<v Speaker 1>I don't know.

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<v Speaker 13>I don't leaders on.

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<v Speaker 4>Where'd you grow up?

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<v Speaker 7>Right?

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<v Speaker 4>Where were you born? LBC?

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<v Speaker 9>I grew up in Long Beach, California, on the east

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<v Speaker 9>side of Long Beach.

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<v Speaker 4>Okay, And what was your when you were first started? Like?

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<v Speaker 4>What was music like in your household?

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<v Speaker 7>In my household, music was like brothers. My mama loved

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<v Speaker 7>some Teddy Pendergrass, Oh Jay stylistics, Uh, Manhattan's the dramatic, definitely.

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<v Speaker 1>Band, the daily black nutrients dipped in the sauce.

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<v Speaker 9>Man Okay, Well.

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<v Speaker 1>Shock is like what what Jawn like? Straight Philly? What Join?

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<v Speaker 13>What all right?

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<v Speaker 1>What John like? Would you would we be shocked that

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<v Speaker 1>you listened to that was outside of the lane of

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<v Speaker 1>what you're known for. Listening to your Cadillac music like what.

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<v Speaker 7>I loved Rod story was hot to me when I

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<v Speaker 7>was young. He was dope, Like I loved his get down,

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<v Speaker 7>like the way he sung his he seemed like he

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<v Speaker 7>was singing off what he was on and and and

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<v Speaker 7>it seemed like he was on the wrong bar, but

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<v Speaker 7>he was always in the right you know what I'm saying.

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<v Speaker 7>Position Like I love the way his voice down.

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<v Speaker 5>He had.

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<v Speaker 9>Told me I loved me.

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<v Speaker 6>Now, did you have any siblings growing up? It's not

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<v Speaker 6>two brothers, you youngest, older older brother and a younger brother.

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<v Speaker 7>And then my mother adopted my cousin and we made

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<v Speaker 7>him my brother, so it was four boys in the house,

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<v Speaker 7>you know what I'm saying, raised by one single mother.

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<v Speaker 7>Music was key, but I probably was the only one

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<v Speaker 7>that like really had a knack for it, like was

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<v Speaker 7>singing the.

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<v Speaker 9>Choir and.

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<v Speaker 7>Talent shows, rapping other people raps like the Sugarhill Gang

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<v Speaker 7>and Jimmy Spicer when they first came out, I learned

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<v Speaker 7>all that they raps and shit because I was like

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<v Speaker 7>these niggas fly. So I learned all they raps and

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<v Speaker 7>went to school and was just put my name and

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<v Speaker 7>they raps. Like that was like my first you know

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<v Speaker 7>intervention with me trying to become a rapper, listening to

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<v Speaker 7>good music and seeing if I could emulate it, and

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<v Speaker 7>not being afraid of doing in front of people, even

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<v Speaker 7>though if I was whack real good.

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<v Speaker 1>So when did you first start realizing that you had

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<v Speaker 1>a knack or a gift for them seeing or singing,

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<v Speaker 1>or you know, just overall talent. When did you realize.

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<v Speaker 9>Eighty six eighty five I was cool.

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<v Speaker 7>I was a you know, basic rapper, you know, rapping

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<v Speaker 7>about cars and swimming pools and shit. I didn't have

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<v Speaker 7>you know what I'm saying, you know, the old basic

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<v Speaker 7>wrap back then in the beginning, I got a big

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<v Speaker 7>old house and a big old card right, and they

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<v Speaker 7>didn't have nothing right, you know what I'm saying. Then

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<v Speaker 7>I gradually grew into you know, style, like what style

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<v Speaker 7>do I want to use? And watching the study and

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<v Speaker 7>the greats and listening to how they vocals and how

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<v Speaker 7>they controlled the microphone, not just what they was, but

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<v Speaker 7>their vocal tones. There was a lot of studying that

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<v Speaker 7>went in the you know what I was doing. I

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<v Speaker 7>wasn't just trying to be a regular rapper. I wanted

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<v Speaker 7>to be great. I wanted to like find ways to

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<v Speaker 7>perfect styles and perfect things that nobody had done. But

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<v Speaker 7>at the same time watching people who inspired me.

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<v Speaker 4>Yeah, I always heard you say that slick Rick was

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<v Speaker 4>on your.

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<v Speaker 7>Face, my man, love them to death, and that's still

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<v Speaker 7>one of my an to this day. Like when I

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<v Speaker 7>got a chance to meet him, he became my friend.

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<v Speaker 7>And it's like to have somebody like that that you

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<v Speaker 7>idolized and that you were able to finally get a

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<v Speaker 7>relationship with. It's beautiful because he's very you know, unique,

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<v Speaker 7>And I still look at him as the same slick

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<v Speaker 7>Rick when I was a kid, because he still dressed

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<v Speaker 7>fresh and honey, chains On still got the coldest conversation

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<v Speaker 7>and he remained him at all times, and that was

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<v Speaker 7>like helpful to me to find out who I was

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<v Speaker 7>and try to remain me and not try to get

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<v Speaker 7>caught up in the phase with rapping hard or rapping

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<v Speaker 7>fast or rapping loud, because when I was coming out,

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<v Speaker 7>most rappers was rapping like aggressive and hard and last yeah,

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<v Speaker 7>very aggressive. It was a couple of smooth ones, but

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<v Speaker 7>not the pocket I was trying to find.

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<v Speaker 1>So well, what slick Rick though, I mean, your your

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<v Speaker 1>your bartune is also key to your your low voice,

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<v Speaker 1>your baratune is key to your delivery. But I mean,

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<v Speaker 1>how did you did you finesse that style that you

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<v Speaker 1>have now? Snarl? I wouldn't know how to. It's somewhere

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<v Speaker 1>between snaggle Puss flick Rick.

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<v Speaker 9>And I think what it is.

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<v Speaker 7>Bosi Conent said it was like a cartoon mine. He like,

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<v Speaker 7>you got a cartoon mine. So a lot of times

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<v Speaker 7>when you rap and the voices that you hear will

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<v Speaker 7>be you know, cartoon related. You know, some sort of

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<v Speaker 7>cartoon that I may have heard or seen as a kid,

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<v Speaker 7>and I emulate that and put that vocal into my

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<v Speaker 7>rap with the delivery. Like you said snaggle Puss like

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<v Speaker 7>because to me, because the way he talked, it's sort

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<v Speaker 7>of kind of like the way I swing it when

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<v Speaker 7>I'm rapping.

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<v Speaker 1>Right, So even as a teen you had this style developed.

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<v Speaker 7>Nah, hell no, I would hate for you niggas to

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<v Speaker 7>hear the met music, all right, That's what I'm trying

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<v Speaker 7>to lead to. Might know, you know some niggas be like, well,

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<v Speaker 7>coming up the nineteen eighty seven version when you were

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<v Speaker 7>Snoop rock Ski and you thought you what was your

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<v Speaker 7>first name, Snoop rock Ski?

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<v Speaker 4>Yes, yeah, got wrong with.

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<v Speaker 7>That shit for a minute.

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<v Speaker 1>It's weird though, I mean because it's most most West Coast. Yeah,

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<v Speaker 1>most West coast cats I know won't even admit to

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<v Speaker 1>having any sort of East Coast in Floridenace.

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<v Speaker 7>Fuck that, nigga. We loved everything about the East Coast.

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<v Speaker 7>If you don't knock it off, nigga, y'all niggas was

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<v Speaker 7>the pavement to all walking on shit.

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<v Speaker 9>Nigga.

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<v Speaker 7>We wanted to be like y'all with the belt buckles,

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<v Speaker 7>the mink coats, the bomber jackets, the motherfucker cane goals,

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<v Speaker 7>the gold chains, all of that shit. We wanted to

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<v Speaker 7>be what y'all was because y'all created that. And I

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<v Speaker 7>say y'all, I say the East in general, because they

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<v Speaker 7>from Philadelphia to New York, Nigga from Steady Bee, the

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<v Speaker 7>motherfucking all these niggas that had all that flavor in

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<v Speaker 7>that style. We watched that and then we emulated and

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<v Speaker 7>put our own flavor on it. That's how the hip

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<v Speaker 7>hop game was created. Somebody had to start it, somebody

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<v Speaker 7>had to see it and then add their pieces on

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<v Speaker 7>what they saw, and then that's what created hip hop.

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<v Speaker 7>That's why it's growing into different nations now. That's why

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<v Speaker 7>people in different countries do hip hop. They can even

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<v Speaker 7>speak English, but they do hip hop.

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<v Speaker 1>What was the first show that you've ever seen? Contract wise? Music?

0:11:09.320 --> 0:11:09.760
<v Speaker 13>Hip Hop?

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<v Speaker 4>Or the Wiz?

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<v Speaker 11>What?

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<v Speaker 1>Wait?

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<v Speaker 7>What the Whiz? In nineteen seventy nine, when Stephanie Mills

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<v Speaker 7>was playing.

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<v Speaker 12>On I saw that one.

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<v Speaker 6>Yeah, that ship was Dope Man, Dope Wow Lie, who

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<v Speaker 6>took you mom?

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<v Speaker 4>So you see it?

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<v Speaker 7>You know it was like a church thing, and that's

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<v Speaker 7>when I was a good boy, and you know, you know,

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<v Speaker 7>the church got us a couple of tickets to go

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<v Speaker 7>through the Wiz. You know we're gonna take brother snowby

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<v Speaker 7>Waters too. He's been acting good in church. You know

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<v Speaker 7>you're gonna water.

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<v Speaker 4>Well.

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<v Speaker 8>All right?

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<v Speaker 13>So hip hop wise, what was the first show you saw?

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<v Speaker 7>Run DMC? First Fresh Past, Yeah, eighty okay, I remember

0:11:51.600 --> 0:11:54.240
<v Speaker 7>when we shut that ship down? I was gonna ask

0:11:54.559 --> 0:11:56.080
<v Speaker 7>was it the Long Beach show that?

0:11:56.480 --> 0:11:56.760
<v Speaker 9>Yep?

0:11:58.240 --> 0:11:58.880
<v Speaker 7>Can you tell?

0:11:58.880 --> 0:11:59.280
<v Speaker 4>All right?

0:11:59.800 --> 0:12:03.760
<v Speaker 1>All the the idea of a riot breaking out at

0:12:03.760 --> 0:12:07.480
<v Speaker 1>a hip hop concert, I'll never forget, Like the coverage

0:12:07.520 --> 0:12:10.319
<v Speaker 1>and write on magazine was like they had to. I

0:12:10.360 --> 0:12:13.000
<v Speaker 1>remember Vanessa Williams was even at the show for some reason.

0:12:13.040 --> 0:12:15.560
<v Speaker 1>But now I know Russell Simmons the way I know him. Yeah,

0:12:15.559 --> 0:12:19.960
<v Speaker 1>of course Vanessa Williams was there, but they had to

0:12:19.960 --> 0:12:22.680
<v Speaker 1>give it like a press conference and the whole ideal

0:12:22.840 --> 0:12:24.640
<v Speaker 1>rapp being violent or whatever, like.

0:12:24.600 --> 0:12:25.719
<v Speaker 9>They put my city on the line.

0:12:25.760 --> 0:12:27.400
<v Speaker 1>It started with this ship. That's how I know what

0:12:27.480 --> 0:12:30.520
<v Speaker 1>Long Beach is. Well, when you do retcall what happened

0:12:30.559 --> 0:12:31.200
<v Speaker 1>at the show.

0:12:31.000 --> 0:12:33.280
<v Speaker 7>Like it was a youngster, I probably was like thirteen fourteen.

0:12:33.640 --> 0:12:36.000
<v Speaker 7>I couldn't get in, so I ended up sneaking in

0:12:36.080 --> 0:12:39.160
<v Speaker 7>one of the homies and when I got in, they.

0:12:39.080 --> 0:12:40.160
<v Speaker 13>Just didn't have no security.

0:12:40.360 --> 0:12:41.800
<v Speaker 7>Like no, it was a good It was a.

0:12:41.800 --> 0:12:43.959
<v Speaker 9>Good show, was tight. It was like LLL Houdini and

0:12:44.000 --> 0:12:44.319
<v Speaker 9>all of them.

0:12:44.360 --> 0:12:47.040
<v Speaker 7>But what the problem was it was some La Niggas

0:12:47.080 --> 0:12:50.040
<v Speaker 7>that came down to Long Beach, and the La Niggas

0:12:50.040 --> 0:12:51.960
<v Speaker 7>was basically known for just you know when you go

0:12:52.000 --> 0:12:53.920
<v Speaker 7>to La they fucked the concerts up and you know

0:12:53.920 --> 0:12:56.400
<v Speaker 7>they run everything. They came to Long Beach and didn't

0:12:56.400 --> 0:12:58.920
<v Speaker 7>realize we was deep and we was we was all

0:12:59.040 --> 0:13:01.640
<v Speaker 7>one gang at one time, was three different gangs and

0:13:01.720 --> 0:13:04.560
<v Speaker 7>Loan Beach, but they all was together at that particular time.

0:13:04.920 --> 0:13:07.320
<v Speaker 7>And when they tried to come and do some shit.

0:13:07.440 --> 0:13:10.440
<v Speaker 7>It happened to be doing the intermission and I spoke

0:13:10.480 --> 0:13:12.600
<v Speaker 7>with Leora to find out exactly what the moment was.

0:13:12.720 --> 0:13:14.720
<v Speaker 7>Leora told me he was like it was a break

0:13:15.120 --> 0:13:18.320
<v Speaker 7>between acts, and when the acts would have a break,

0:13:18.360 --> 0:13:20.320
<v Speaker 7>they wouldn't have a DJ and nobody playing on music,

0:13:20.360 --> 0:13:22.679
<v Speaker 7>and it just went black on stage. And that's when

0:13:22.760 --> 0:13:24.720
<v Speaker 7>niggas seeing each other and was like, I think it

0:13:24.800 --> 0:13:27.840
<v Speaker 7>was between LLL and Houdini as LLL came out with

0:13:27.920 --> 0:13:30.320
<v Speaker 7>all red on and our city is all crips we

0:13:30.360 --> 0:13:33.280
<v Speaker 7>didn't have and that's when bloods and crips wasn't cool

0:13:33.320 --> 0:13:36.120
<v Speaker 7>at all. Like now it's way better, but back then

0:13:36.160 --> 0:13:38.600
<v Speaker 7>it was no dialogue, no understanding that when he came

0:13:38.600 --> 0:13:40.480
<v Speaker 7>out with that red on, niggas.

0:13:40.240 --> 0:13:41.520
<v Speaker 1>Was like that was problematic.

0:13:41.559 --> 0:13:43.320
<v Speaker 9>He waned them, you.

0:13:43.240 --> 0:13:45.360
<v Speaker 7>Know what I'm saying, Like it was shit that was

0:13:45.400 --> 0:13:47.959
<v Speaker 7>going on from that perspective, And then that the La

0:13:48.040 --> 0:13:50.559
<v Speaker 7>Niggas came and tried to push up in Loan Beach,

0:13:50.600 --> 0:13:52.200
<v Speaker 7>and the Loan Beach Niggas had to defend their turf

0:13:52.240 --> 0:13:53.840
<v Speaker 7>and the it was some essays there and it was

0:13:53.880 --> 0:13:57.320
<v Speaker 7>just a bunch of mayhem that had nothing to do

0:13:57.400 --> 0:14:00.640
<v Speaker 7>with the concert, and it fucked the concert up and

0:14:00.640 --> 0:14:02.200
<v Speaker 7>they put our city on the map for all the

0:14:02.240 --> 0:14:02.840
<v Speaker 7>wrong reasons.

0:14:03.720 --> 0:14:05.199
<v Speaker 9>But then I came and cleaned it.

0:14:05.200 --> 0:14:09.800
<v Speaker 13>Up all right.

0:14:09.880 --> 0:14:13.800
<v Speaker 1>So, speaking speaking of those early tapes that you made,

0:14:13.960 --> 0:14:17.240
<v Speaker 1>how did you like was two one three your first project?

0:14:17.679 --> 0:14:20.640
<v Speaker 1>What was your first development actually in doing tape sting?

0:14:20.880 --> 0:14:24.760
<v Speaker 7>No, my first development was probably eighty three. It was

0:14:24.760 --> 0:14:27.520
<v Speaker 7>a rapper named Captain Rap a long but she had

0:14:27.520 --> 0:14:28.840
<v Speaker 7>a song called bad Times.

0:14:29.480 --> 0:14:31.440
<v Speaker 13>Oh Captain Rap from Long Jimmy Jam.

0:14:32.080 --> 0:14:32.320
<v Speaker 9>Yeah.

0:14:32.360 --> 0:14:36.120
<v Speaker 7>So he lived his mama lived on Alm Street, which

0:14:36.160 --> 0:14:38.440
<v Speaker 7>was like the gang Bang Street, twenty first in Alm Street,

0:14:38.440 --> 0:14:40.400
<v Speaker 7>and I lived on twenty third Lungcus, which was like

0:14:40.680 --> 0:14:43.400
<v Speaker 7>three or four blocks away, and I heard that Captain

0:14:43.480 --> 0:14:44.200
<v Speaker 7>Rap was over there.

0:14:44.240 --> 0:14:45.440
<v Speaker 9>So I had made a cassette.

0:14:46.120 --> 0:14:48.440
<v Speaker 7>You know, you push record and play that old school

0:14:48.440 --> 0:14:50.760
<v Speaker 7>shit with you know what I'm saying, rapping into the cassette.

0:14:50.880 --> 0:14:51.680
<v Speaker 13>Yeah, did that?

0:14:51.760 --> 0:14:54.960
<v Speaker 7>Did like about five songs. They was all whack went

0:14:54.960 --> 0:14:56.920
<v Speaker 7>over the Sea the nigga and he listened to him.

0:14:56.960 --> 0:14:58.440
<v Speaker 7>He was like, Nah, you ain't ready. You need to

0:14:58.440 --> 0:14:59.680
<v Speaker 7>buy Whooping the game he game.

0:14:59.760 --> 0:14:59.960
<v Speaker 4>He was.

0:15:00.680 --> 0:15:03.320
<v Speaker 7>I appreciated that because now I hear him and see

0:15:03.360 --> 0:15:06.040
<v Speaker 7>him in real life right now today, and I remember

0:15:06.080 --> 0:15:07.600
<v Speaker 7>how he treated me and how he was to me

0:15:07.640 --> 0:15:10.080
<v Speaker 7>on some real shit like and he was like the

0:15:10.120 --> 0:15:12.800
<v Speaker 7>first rapper from Loan Beach to have a song out,

0:15:12.840 --> 0:15:15.320
<v Speaker 7>but at the same time, he didn't have no more

0:15:15.400 --> 0:15:17.440
<v Speaker 7>songs out. So when I listened to his song, I

0:15:17.480 --> 0:15:18.800
<v Speaker 7>was like, Okay, I want to make a hit, but

0:15:18.800 --> 0:15:21.200
<v Speaker 7>I don't want to just make one hit, you know

0:15:21.240 --> 0:15:22.880
<v Speaker 7>what I'm saying, Like I'm gonna learn from this, like

0:15:23.200 --> 0:15:24.240
<v Speaker 7>fuck that, I'm too greedy.

0:15:24.280 --> 0:15:24.840
<v Speaker 9>I want more.

0:15:25.680 --> 0:15:27.720
<v Speaker 1>So he was just pimping that one song. I got

0:15:27.840 --> 0:15:29.800
<v Speaker 1>no follow up and just nothing else.

0:15:30.040 --> 0:15:32.080
<v Speaker 7>I don't know what happened, you know. Around that time,

0:15:32.120 --> 0:15:33.760
<v Speaker 7>West Coast Rap was limited.

0:15:34.400 --> 0:15:36.760
<v Speaker 9>That was like fast. West Coast Rap was like bad.

0:15:36.640 --> 0:15:40.200
<v Speaker 7>Times, that's what we was rapping like that, you know

0:15:40.240 --> 0:15:40.680
<v Speaker 7>what I'm saying.

0:15:40.680 --> 0:15:42.440
<v Speaker 9>So that shit came and went and.

0:15:42.360 --> 0:15:44.280
<v Speaker 13>Then an effect on you.

0:15:46.560 --> 0:15:50.840
<v Speaker 7>Tidy T is one of the coaches in my football league. Yeah,

0:15:51.000 --> 0:15:53.560
<v Speaker 7>he me and he'd been friends for the past twenty

0:15:53.560 --> 0:15:56.200
<v Speaker 7>five years. But Tody T had a real big effect

0:15:56.200 --> 0:15:59.240
<v Speaker 7>because I was a drug dealer and the bad around

0:15:59.280 --> 0:16:01.240
<v Speaker 7>was really real, like we would really see it come

0:16:01.280 --> 0:16:05.720
<v Speaker 7>through the neighborhoods in that song was so symbolic to

0:16:05.760 --> 0:16:08.280
<v Speaker 7>West Coast music because it was like the first time

0:16:08.320 --> 0:16:11.480
<v Speaker 7>that we had a record that it was about us

0:16:11.640 --> 0:16:14.480
<v Speaker 7>and the ship we was going through that everybody on

0:16:14.520 --> 0:16:17.200
<v Speaker 7>the West could relate to that was selling drugs, and

0:16:17.280 --> 0:16:20.400
<v Speaker 7>most drug dealers became rappers. You know what I'm saying,

0:16:20.400 --> 0:16:23.040
<v Speaker 7>because that's what Tardy TNM was. They were drug dealers

0:16:23.040 --> 0:16:25.920
<v Speaker 7>that were rappers. It just so happened to be making

0:16:26.040 --> 0:16:28.040
<v Speaker 7>music because they were like, like we got a spare time,

0:16:28.080 --> 0:16:30.840
<v Speaker 7>that's mixing music. It was him and another rapper, Nayed

0:16:30.840 --> 0:16:31.760
<v Speaker 7>mixed Master Spade.

0:16:32.200 --> 0:16:33.080
<v Speaker 9>That was the ship.

0:16:33.160 --> 0:16:34.720
<v Speaker 7>He used to rap like he was in church, like

0:16:35.480 --> 0:16:36.200
<v Speaker 7>welcome part.

0:16:36.080 --> 0:16:37.360
<v Speaker 9>Of people in some class year.

0:16:37.360 --> 0:16:42.520
<v Speaker 7>Here got the ladies in the front and whole raps

0:16:42.560 --> 0:16:42.960
<v Speaker 7>sound like.

0:16:45.360 --> 0:16:46.240
<v Speaker 9>It was cold with it.

0:16:47.320 --> 0:16:54.840
<v Speaker 1>I gotta look at he had singles out yeahs yes, sir,

0:16:55.080 --> 0:16:57.480
<v Speaker 1>okay maybe for n w A.

0:16:58.760 --> 0:17:01.480
<v Speaker 7>They were they were the ones before we n WA's

0:17:01.560 --> 0:17:04.520
<v Speaker 7>like they was from Compton. They was representing that gangster shit.

0:17:04.560 --> 0:17:08.840
<v Speaker 7>They was real drug dealers. Theyre the ones, not the tools.

0:17:09.119 --> 0:17:14.640
<v Speaker 1>Did you have any experience like any Uncle Jam situations

0:17:14.760 --> 0:17:15.879
<v Speaker 1>or any of.

0:17:15.880 --> 0:17:20.080
<v Speaker 7>Those actually Uncle Jam Roger Clayton Rest in Peace, came

0:17:20.240 --> 0:17:23.800
<v Speaker 7>to Long Beach in nineteen ninety and was working a

0:17:23.880 --> 0:17:26.359
<v Speaker 7>club called the Toe Jams. And that's what me and

0:17:26.440 --> 0:17:30.280
<v Speaker 7>Domino used to rap at. You know, Domino ye together.

0:17:31.440 --> 0:17:34.040
<v Speaker 7>We was rapping Theirs and the Twins and Warren g

0:17:34.240 --> 0:17:35.080
<v Speaker 7>and the whole little click.

0:17:35.080 --> 0:17:35.960
<v Speaker 9>We was all rapping there.

0:17:36.040 --> 0:17:39.160
<v Speaker 7>And he kind of like knew that me and Domino

0:17:39.240 --> 0:17:42.080
<v Speaker 7>had some special because he would always separate us and

0:17:42.200 --> 0:17:44.080
<v Speaker 7>let us like come in a little booth. He had

0:17:44.080 --> 0:17:46.560
<v Speaker 7>like a space boof in the air, like old school shit,

0:17:46.640 --> 0:17:48.720
<v Speaker 7>like up here, but it's over the ground, and he

0:17:48.720 --> 0:17:51.080
<v Speaker 7>would let us come up in there and let us wrap.

0:17:51.840 --> 0:17:53.960
<v Speaker 7>And it's like you could tell that he knew that

0:17:54.280 --> 0:17:57.520
<v Speaker 7>we were special. And I didn't even know this motherfucker

0:17:57.600 --> 0:18:01.080
<v Speaker 7>was Uncle Jam until after the fact, because he wasn't like,

0:18:01.119 --> 0:18:03.800
<v Speaker 7>I'm Uncle James, just like it's Roger Clayton. Then I

0:18:03.840 --> 0:18:06.160
<v Speaker 7>was telling people, yeah, I did this with right, They're like, nigga,

0:18:06.200 --> 0:18:09.160
<v Speaker 7>you know Uncle Jam? Like what was Uncle Jam?

0:18:09.200 --> 0:18:09.280
<v Speaker 4>Like?

0:18:09.320 --> 0:18:12.119
<v Speaker 1>When did this party start? I've heard of his parties,

0:18:12.119 --> 0:18:12.879
<v Speaker 1>but I just don't know.

0:18:12.960 --> 0:18:14.560
<v Speaker 9>The seventies, late seventies.

0:18:14.560 --> 0:18:17.080
<v Speaker 13>Oh he went back that far. Okay, I think.

0:18:16.920 --> 0:18:19.280
<v Speaker 7>George Clinton blessed him. I think George Clinton was like,

0:18:19.320 --> 0:18:21.679
<v Speaker 7>you know what, you the young gut here in La

0:18:21.760 --> 0:18:23.840
<v Speaker 7>that's pushing and promoting my ship and doing that thing.

0:18:24.200 --> 0:18:25.760
<v Speaker 7>And I think he took it on and say all right,

0:18:25.800 --> 0:18:26.879
<v Speaker 7>I'm Uncle Jam.

0:18:27.720 --> 0:18:28.720
<v Speaker 9>I understand you.

0:18:29.480 --> 0:18:32.080
<v Speaker 7>I'm Uncle Jam's army because I'm part of you know,

0:18:32.119 --> 0:18:34.639
<v Speaker 7>what George and them is doing, and I'm just a

0:18:34.680 --> 0:18:36.440
<v Speaker 7>culmination of it. Like you know how it is. They

0:18:36.480 --> 0:18:40.520
<v Speaker 7>inspired us everything, Uncle Jam. It's funk based. Everything that

0:18:40.680 --> 0:18:43.080
<v Speaker 7>we do is funk based because those were the originators

0:18:43.119 --> 0:18:45.720
<v Speaker 7>of what we love. Damn Rick James, Yeah, being the

0:18:45.760 --> 0:18:47.120
<v Speaker 7>whole funk man.

0:18:47.119 --> 0:18:49.840
<v Speaker 6>Can you explain to us the importance of the roodium

0:18:50.040 --> 0:18:52.040
<v Speaker 6>and like what that was heard all me?

0:18:52.400 --> 0:18:54.520
<v Speaker 4>It was a flea market, Yeah, it was.

0:18:54.520 --> 0:18:56.840
<v Speaker 7>A flea market, but it was the spot that NWA made.

0:18:56.840 --> 0:19:01.800
<v Speaker 7>They first like mixtapes that really broke ice, like Dope Man,

0:19:01.840 --> 0:19:04.159
<v Speaker 7>Gangster Against All. That ship was in there first, like

0:19:04.320 --> 0:19:07.119
<v Speaker 7>on mixed tapes. So they was like there making like

0:19:07.240 --> 0:19:09.520
<v Speaker 7>songs with Cube would be rapping and Dre would be

0:19:09.600 --> 0:19:12.399
<v Speaker 7>on the turntables and it was like jacking for beats

0:19:12.400 --> 0:19:14.159
<v Speaker 7>before Jack and for Beasts, you.

0:19:14.200 --> 0:19:14.760
<v Speaker 9>Know, what I'm saying.

0:19:14.840 --> 0:19:17.520
<v Speaker 7>But Doctor Dre was doing the mixing and taking niggas

0:19:17.560 --> 0:19:19.560
<v Speaker 7>beats and Ice Cube was rapping and sucking it up,

0:19:19.960 --> 0:19:22.080
<v Speaker 7>and they was wrapping Gangster Ship. And back then it

0:19:22.200 --> 0:19:24.720
<v Speaker 7>was it wasn't common to rap Gangster Ship.

0:19:24.760 --> 0:19:24.920
<v Speaker 8>More.

0:19:25.040 --> 0:19:29.119
<v Speaker 7>More rappers were, you know, rapping the right way or

0:19:29.160 --> 0:19:32.480
<v Speaker 7>you know tra correct. Yeah, like Kara rest More didn't

0:19:32.480 --> 0:19:32.960
<v Speaker 7>give a fuck.

0:19:33.119 --> 0:19:34.920
<v Speaker 9>He was going hard. You know what I'm saying.

0:19:34.920 --> 0:19:37.320
<v Speaker 7>He was one nigga just ice didn't give a fuck.

0:19:37.400 --> 0:19:38.960
<v Speaker 7>He was hard, you know what I'm saying. It was

0:19:38.960 --> 0:19:40.800
<v Speaker 7>certain niggas that just didn't care. Ice t didn't give

0:19:40.800 --> 0:19:42.639
<v Speaker 7>a fuck. He was hard. But some of them was

0:19:42.720 --> 0:19:45.199
<v Speaker 7>just like you know, Rock Kim was hard. But I

0:19:45.320 --> 0:19:48.400
<v Speaker 7>never heard him cuss, right, I wanted to hear.

0:19:48.320 --> 0:19:49.880
<v Speaker 4>Him except.

0:19:55.280 --> 0:19:57.199
<v Speaker 13>On the original of My Melody he says, pull up

0:19:57.200 --> 0:19:57.520
<v Speaker 13>a chair, and.

0:19:59.040 --> 0:20:04.359
<v Speaker 7>I ain't ship. I want him to motherfucker give me

0:20:04.480 --> 0:20:05.480
<v Speaker 7>some good shit. Right.

0:20:10.880 --> 0:20:14.200
<v Speaker 1>So for for those tapes, like, were you an ardent

0:20:14.280 --> 0:20:17.600
<v Speaker 1>collector of him? Like, as far as Doctor Dre's concerned,

0:20:17.600 --> 0:20:21.000
<v Speaker 1>were you was it a goal for you to like, Okay,

0:20:21.000 --> 0:20:22.400
<v Speaker 1>one day I got to get to him, or.

0:20:22.680 --> 0:20:25.240
<v Speaker 7>One day I wanted to get to Steve Steve Yano.

0:20:25.720 --> 0:20:28.800
<v Speaker 7>He was the one that ran to Rodehuim swapped.

0:20:28.520 --> 0:20:31.439
<v Speaker 13>Me, Oh so you just want to get your product in.

0:20:31.560 --> 0:20:33.720
<v Speaker 7>I just want to get to him because to me,

0:20:34.800 --> 0:20:37.640
<v Speaker 7>fuck them, he was the one because he could get

0:20:37.680 --> 0:20:40.240
<v Speaker 7>you out there. I wasn't good enough for them. I

0:20:40.240 --> 0:20:42.159
<v Speaker 7>didn't want to go to them and like get him

0:20:42.240 --> 0:20:44.640
<v Speaker 7>music that wasn't dope as theirs, Like that's the kind

0:20:44.680 --> 0:20:46.560
<v Speaker 7>of rapper I was. Like, I never wanted to rap

0:20:46.600 --> 0:20:49.240
<v Speaker 7>for Drel, wanted to get down for w A because

0:20:49.240 --> 0:20:49.760
<v Speaker 7>I didn't think.

0:20:49.680 --> 0:20:50.800
<v Speaker 4>I was ready.

0:20:51.040 --> 0:20:53.520
<v Speaker 7>Like so I would rather make music and get ready

0:20:54.119 --> 0:20:56.680
<v Speaker 7>and then once they discover me and feel like I'm ready,

0:20:56.720 --> 0:20:57.680
<v Speaker 7>then we make that happen.

0:20:57.680 --> 0:20:59.040
<v Speaker 9>And that's exactly what happened.

0:21:00.359 --> 0:21:05.480
<v Speaker 6>Good say, oh so from the first explained us exactly

0:21:05.520 --> 0:21:08.200
<v Speaker 6>how when you first started, when you Warren and Nate

0:21:08.520 --> 0:21:12.119
<v Speaker 6>from two and three, When did y'all start recording together?

0:21:13.400 --> 0:21:17.439
<v Speaker 7>Well, me and Warren g was friends from like elementary school.

0:21:17.640 --> 0:21:20.000
<v Speaker 7>I met Nate dog in high school in eighty six,

0:21:20.240 --> 0:21:21.720
<v Speaker 7>when I was in the tenth grade, he was in

0:21:21.760 --> 0:21:22.399
<v Speaker 7>the twelfth grade.

0:21:22.400 --> 0:21:23.399
<v Speaker 9>We had a class together.

0:21:24.080 --> 0:21:26.280
<v Speaker 7>We just used to be fucking around, you know, beating

0:21:26.280 --> 0:21:28.560
<v Speaker 7>on the table and singing and rapping. Then we had

0:21:28.600 --> 0:21:30.880
<v Speaker 7>seventh period together, which was pe and we never went

0:21:30.920 --> 0:21:32.560
<v Speaker 7>to that, so we would always be singing and shit

0:21:32.600 --> 0:21:35.000
<v Speaker 7>in the back of the gym. So but war and

0:21:35.040 --> 0:21:37.320
<v Speaker 7>G was my dog, and waring G was always wanting

0:21:37.320 --> 0:21:41.000
<v Speaker 7>to do music with me, but we never like did music.

0:21:41.520 --> 0:21:43.359
<v Speaker 7>So then I figured out a way to get all

0:21:43.400 --> 0:21:46.320
<v Speaker 7>three of us together. And once we got together and

0:21:46.480 --> 0:21:49.200
<v Speaker 7>got past all the argument and fighting and shit, because

0:21:49.240 --> 0:21:51.000
<v Speaker 7>them niggas used to fight all the time, Waring G

0:21:51.080 --> 0:21:52.960
<v Speaker 7>and they though them niggas can not stand echere. That's

0:21:52.960 --> 0:21:54.280
<v Speaker 7>why it fucks me up that they got all the

0:21:54.359 --> 0:21:57.280
<v Speaker 7>fucking history right. And them niggas was always fighting each

0:21:57.280 --> 0:21:57.639
<v Speaker 7>other like.

0:21:58.760 --> 0:22:00.520
<v Speaker 1>Brother like water, just like I really go.

0:22:00.680 --> 0:22:03.119
<v Speaker 7>Brother like way, like Nigga like you know how brothers

0:22:03.320 --> 0:22:06.200
<v Speaker 7>is like like what the fuck is y'all? And I'm

0:22:06.240 --> 0:22:07.760
<v Speaker 7>in the middle of ship like this the fuck is

0:22:07.840 --> 0:22:10.760
<v Speaker 7>y'all fighting about? This is bullshit? And this is even

0:22:11.359 --> 0:22:15.480
<v Speaker 7>own records before the know it happened a lot before

0:22:15.520 --> 0:22:18.840
<v Speaker 7>the records. When the records came out, only conflict was

0:22:18.920 --> 0:22:22.600
<v Speaker 7>like just in the studio, you know, Nate Dog like

0:22:22.760 --> 0:22:23.840
<v Speaker 7>doing the ship a certain way.

0:22:23.880 --> 0:22:24.480
<v Speaker 9>He like fucked that.

0:22:24.600 --> 0:22:26.440
<v Speaker 7>He hard aded in the studio. He like doing shit,

0:22:26.840 --> 0:22:29.040
<v Speaker 7>no fuck that, I'm doing it this way. I'm taking

0:22:29.080 --> 0:22:30.600
<v Speaker 7>the motherfucker the way I want to sing it.

0:22:32.480 --> 0:22:36.360
<v Speaker 1>Nate was always singing. Always was he ever at any

0:22:36.359 --> 0:22:37.080
<v Speaker 1>point in his life.

0:22:37.080 --> 0:22:41.000
<v Speaker 7>Never, never, but he could he could, you know, Like

0:22:41.000 --> 0:22:42.879
<v Speaker 7>like I said, when I met him, we was rapping

0:22:42.880 --> 0:22:45.080
<v Speaker 7>and singing in the back of the class. Like he

0:22:45.160 --> 0:22:47.960
<v Speaker 7>wasn't just coming up. Nigga was rapping with me, you know.

0:22:48.000 --> 0:22:50.760
<v Speaker 7>I was, you know, beating on the table and ship

0:22:50.840 --> 0:22:52.479
<v Speaker 7>rapping it at the same time. And he would come

0:22:52.520 --> 0:22:55.320
<v Speaker 7>in and rap and then certain points he would maybe

0:22:55.400 --> 0:22:56.359
<v Speaker 7>sing some ship and they would be.

0:22:56.359 --> 0:22:58.800
<v Speaker 13>Like that was flying and he always had that movie.

0:22:58.680 --> 0:23:01.119
<v Speaker 7>Always had that ship Like He's sounded like an R

0:23:01.160 --> 0:23:03.760
<v Speaker 7>and B Nigga. That to me, you always sounded like

0:23:03.800 --> 0:23:09.399
<v Speaker 7>the dude from A What's the group? Mind blowing decisions? Nigga,

0:23:09.440 --> 0:23:11.840
<v Speaker 7>He sounds just like us if Nate when he used

0:23:11.840 --> 0:23:16.680
<v Speaker 7>to sing always in Forever, he sounded exactly like damn

0:23:16.960 --> 0:23:18.919
<v Speaker 7>like niggas just singing that for the Homiesga, be like

0:23:19.040 --> 0:23:26.360
<v Speaker 7>he sing always in Forever, always Forevergas in the rooms.

0:23:26.440 --> 0:23:27.560
<v Speaker 7>Niggas sing high.

0:23:27.400 --> 0:23:35.879
<v Speaker 6>Part so from the time when y'all started making records.

0:23:35.880 --> 0:23:38.760
<v Speaker 6>I've always heard you credit the DLC is actually teaching

0:23:38.760 --> 0:23:42.000
<v Speaker 6>you how to write rhymes or or structure your rhymes. Rather,

0:23:42.640 --> 0:23:46.080
<v Speaker 6>how did you go from like just freestyling, Like how

0:23:46.080 --> 0:23:48.960
<v Speaker 6>did you start developing, you know, your pen game before

0:23:49.080 --> 0:23:50.720
<v Speaker 6>meeting uh dre and doing.

0:23:50.560 --> 0:23:54.080
<v Speaker 7>Deep free styling was my main thing because I was

0:23:54.160 --> 0:23:55.560
<v Speaker 7>it was easy for me to come to my head

0:23:55.600 --> 0:23:58.520
<v Speaker 7>real quick. I would always you know, I was quick

0:23:58.560 --> 0:24:01.560
<v Speaker 7>with it. And then I started writing. But my rhymes

0:24:01.600 --> 0:24:05.160
<v Speaker 7>that I wrote were like so basic, Like I would

0:24:05.160 --> 0:24:07.760
<v Speaker 7>freestyle complex shit, but I would write basic shit. And

0:24:07.760 --> 0:24:09.439
<v Speaker 7>I couldn't understand, Like why the fuck am I so

0:24:09.560 --> 0:24:12.840
<v Speaker 7>basic when I'm writing? But I ain't, you know, basically

0:24:12.840 --> 0:24:14.600
<v Speaker 7>when I'm freestyling, because I guess it was a more

0:24:14.680 --> 0:24:18.959
<v Speaker 7>challenge exactly. So then I started saying fucking it. When

0:24:19.040 --> 0:24:20.919
<v Speaker 7>we started making tapes, I just started going in there

0:24:21.000 --> 0:24:23.080
<v Speaker 7>just saying shit like fucking I ain't gonna write no shit,

0:24:23.680 --> 0:24:25.720
<v Speaker 7>and that shit was sounding better than the shit I wrote.

0:24:26.800 --> 0:24:30.760
<v Speaker 7>And then once I got with you know, different producers

0:24:30.800 --> 0:24:33.240
<v Speaker 7>and certain motherfuckers giving me game on.

0:24:34.359 --> 0:24:36.000
<v Speaker 9>This is a sixteen bar? What's up?

0:24:36.040 --> 0:24:39.080
<v Speaker 7>Sixteen bar? That's when the shit started. Here and in

0:24:39.200 --> 0:24:42.639
<v Speaker 7>here Nigga rapped forever. You know, back then we had

0:24:42.640 --> 0:24:44.680
<v Speaker 7>one hundred monthfucking bars. You know, that's what rappers did

0:24:44.680 --> 0:24:46.480
<v Speaker 7>back then. Niggas din't know how to break that shit down.

0:24:46.520 --> 0:24:48.440
<v Speaker 7>You know, we just rapped it. We couldn't rap no more.

0:24:48.920 --> 0:24:49.040
<v Speaker 11>So.

0:24:49.080 --> 0:24:50.600
<v Speaker 7>Then once the nigga learned how to structure, it was

0:24:50.640 --> 0:24:53.240
<v Speaker 7>like cool, I got it. But then when I got

0:24:53.280 --> 0:24:56.320
<v Speaker 7>with drinking, DC Doc showed me how to make songs

0:24:57.080 --> 0:25:00.199
<v Speaker 7>like I would bust at least they bust something us

0:25:00.359 --> 0:25:03.679
<v Speaker 7>like three minutes. He'd be like, all right, see what

0:25:03.720 --> 0:25:07.160
<v Speaker 7>you said right here, that's the hook. What you said

0:25:07.200 --> 0:25:11.560
<v Speaker 7>over here, that's the last sixteen. Over here, it's the

0:25:11.600 --> 0:25:14.600
<v Speaker 7>first four right here, that's the next eight. Like he

0:25:14.640 --> 0:25:18.800
<v Speaker 7>would take my restructure. This nigga was nigga like he

0:25:18.840 --> 0:25:20.240
<v Speaker 7>worked for motherfucking Microsoft.

0:25:20.320 --> 0:25:21.720
<v Speaker 13>Nigga.

0:25:24.040 --> 0:25:26.159
<v Speaker 9>Yeah, Nigga put put the thing together.

0:25:26.280 --> 0:25:28.679
<v Speaker 7>Like even when it came to g thing like I

0:25:28.720 --> 0:25:32.320
<v Speaker 7>wrote it on the east side, but the last part

0:25:32.960 --> 0:25:33.639
<v Speaker 7>I was stuck.

0:25:34.400 --> 0:25:35.119
<v Speaker 9>And he came in.

0:25:35.240 --> 0:25:37.200
<v Speaker 7>He because it's something I had said a long time ago,

0:25:37.320 --> 0:25:39.359
<v Speaker 7>and he was like, Nigga, remember that ship. We was

0:25:39.440 --> 0:25:44.080
<v Speaker 7>like like this that and this and up because I

0:25:44.080 --> 0:25:46.400
<v Speaker 7>said that in the freestyle when I was just freestyl

0:25:46.440 --> 0:25:48.919
<v Speaker 7>on one time Nigga's doctor drink and snoop.

0:25:50.280 --> 0:25:53.920
<v Speaker 9>And we do it like this, and he.

0:25:53.920 --> 0:25:55.439
<v Speaker 7>Was like, yeah, do that and put that at the

0:25:55.560 --> 0:26:00.600
<v Speaker 7>end and then put my name in there.

0:25:57.680 --> 0:26:04.760
<v Speaker 11>Like put your opinion now on younger MC's and being

0:26:04.800 --> 0:26:08.080
<v Speaker 11>able to freestyle versus not the.

0:26:08.160 --> 0:26:10.480
<v Speaker 7>Same where it used to be, you know, like basketball

0:26:10.480 --> 0:26:12.199
<v Speaker 7>and what it used to be, football and what it

0:26:12.280 --> 0:26:14.399
<v Speaker 7>used to be. You can't expect them to be on

0:26:14.440 --> 0:26:17.600
<v Speaker 7>the level of the game that ain't the same. You

0:26:17.640 --> 0:26:19.600
<v Speaker 7>know when we came out, you had to have skills

0:26:19.640 --> 0:26:21.320
<v Speaker 7>like that. I remember I had to battle like forty

0:26:21.359 --> 0:26:23.880
<v Speaker 7>niggas in New York one night, like on some real

0:26:23.920 --> 0:26:26.840
<v Speaker 7>shitting and corrupt stepped up and served about a thousand niggas.

0:26:27.000 --> 0:26:28.480
<v Speaker 7>I'm not making this shit up. It was like a

0:26:28.560 --> 0:26:29.160
<v Speaker 7>karate movie.

0:26:29.240 --> 0:26:29.720
<v Speaker 9>Nigga like.

0:26:31.320 --> 0:26:34.280
<v Speaker 7>Niggas was running up with the same outfits on niggas.

0:26:37.480 --> 0:26:40.359
<v Speaker 7>But that's what That's what hip hop was for me.

0:26:40.400 --> 0:26:43.399
<v Speaker 7>When I came in in the eighties, I started rapping

0:26:43.520 --> 0:26:45.960
<v Speaker 7>like eighty four eighty five. I had to battle about

0:26:45.960 --> 0:26:49.640
<v Speaker 7>one hundred niggas before I even got to a microphone.

0:26:50.640 --> 0:26:54.000
<v Speaker 7>Before I even got to a microphone. Yeah, then when

0:26:54.040 --> 0:26:56.080
<v Speaker 7>I got to a microphone, it be like a house party,

0:26:56.800 --> 0:26:58.680
<v Speaker 7>and if you ain't saying the right shit nigga, they'

0:27:00.240 --> 0:27:02.160
<v Speaker 7>DJ put on some shit like Nick, get out of here.

0:27:02.840 --> 0:27:05.080
<v Speaker 7>I say, niggas get shut down to get house parties.

0:27:05.119 --> 0:27:07.760
<v Speaker 7>Then I start doing talent shows. So it's like I

0:27:07.800 --> 0:27:09.800
<v Speaker 7>started getting familiar with the mic in my voice, and

0:27:09.840 --> 0:27:12.600
<v Speaker 7>I started recording myself like I hear what I sound like?

0:27:12.640 --> 0:27:15.199
<v Speaker 7>All right, my voice needs to be like this, not

0:27:15.359 --> 0:27:17.440
<v Speaker 7>all wrapping, all loud and talking like that.

0:27:17.960 --> 0:27:20.240
<v Speaker 9>That ain't me. I need to be in pocket.

0:27:20.520 --> 0:27:20.840
<v Speaker 4>Damn.

0:27:20.960 --> 0:27:24.920
<v Speaker 1>See that's how Usually with people that have low register,

0:27:25.240 --> 0:27:28.120
<v Speaker 1>they do that a lot. They practice and practice, yeah,

0:27:28.200 --> 0:27:31.280
<v Speaker 1>and then they find their zone. That's weird that you

0:27:32.240 --> 0:27:36.879
<v Speaker 1>knew to discover that even without someone you know instructing

0:27:36.920 --> 0:27:38.720
<v Speaker 1>you to practice on tape.

0:27:38.840 --> 0:27:40.640
<v Speaker 9>Ain't that ideas for a drummer too.

0:27:42.040 --> 0:27:45.439
<v Speaker 1>Ah, that's just different. Mindset was more like there's the

0:27:45.440 --> 0:27:48.639
<v Speaker 1>basement going in it don't come out until after five hours.

0:27:48.760 --> 0:27:49.480
<v Speaker 4>Like it was just.

0:27:51.840 --> 0:27:53.399
<v Speaker 13>It wasn't like let me find my style.

0:27:53.480 --> 0:27:56.120
<v Speaker 1>It's more like, yeah, it's better be home right after school,

0:27:56.280 --> 0:27:56.880
<v Speaker 1>But how do you.

0:27:56.880 --> 0:27:59.320
<v Speaker 7>Like For example, like if I say give me some

0:27:59.359 --> 0:28:03.200
<v Speaker 7>Al Green and then give me some James Brown drums.

0:28:02.880 --> 0:28:04.000
<v Speaker 13>Well that see.

0:28:04.040 --> 0:28:07.480
<v Speaker 7>The thing is is that the mic even.

0:28:07.040 --> 0:28:14.440
<v Speaker 1>I think, even beyond drumming, I am, I mean, I'm

0:28:14.440 --> 0:28:20.800
<v Speaker 1>a record collector and I process information different. So for me,

0:28:21.200 --> 0:28:24.600
<v Speaker 1>I've discovered that it's really in the microphone, in the

0:28:24.640 --> 0:28:27.159
<v Speaker 1>mixing I mentioned in the style. Also, so if you

0:28:27.440 --> 0:28:30.320
<v Speaker 1>want Al Jackson and I know that, okay you want,

0:28:30.720 --> 0:28:32.760
<v Speaker 1>I'm so glad your mine or whatever, then I know, okay,

0:28:32.800 --> 0:28:34.600
<v Speaker 1>I gotta tune this down and all that stuff. But

0:28:34.720 --> 0:28:41.040
<v Speaker 1>that really just comes from listening to listening to drummers

0:28:41.080 --> 0:28:43.360
<v Speaker 1>and knowing how to tune my drums to sound like their's.

0:28:43.880 --> 0:28:47.160
<v Speaker 1>It's not even a technique. So I consider myself more

0:28:47.320 --> 0:28:51.160
<v Speaker 1>like a mirror than an actual person with the style.

0:28:50.920 --> 0:28:53.040
<v Speaker 7>Because I noticed you can get those sounds. It's like

0:28:53.200 --> 0:28:54.960
<v Speaker 7>I listened to you. I'm like, okay, he can get

0:28:54.960 --> 0:28:58.600
<v Speaker 7>any sound. He won't like the wots y'all be playing

0:28:58.600 --> 0:29:01.360
<v Speaker 7>with all kinds of sounds. That sound I like is

0:29:01.360 --> 0:29:02.080
<v Speaker 7>when y'all did that.

0:29:02.640 --> 0:29:11.400
<v Speaker 14>If you don't want me about that, baby, you don't

0:29:11.440 --> 0:29:12.880
<v Speaker 14>want me, you know that.

0:29:12.760 --> 0:29:15.239
<v Speaker 13>You got me, Thank you, bro.

0:29:15.880 --> 0:29:16.440
<v Speaker 1>Appreciate that.

0:29:18.160 --> 0:29:18.360
<v Speaker 7>Shit.

0:29:18.800 --> 0:29:21.320
<v Speaker 1>I almost got talked out of that. The label was

0:29:21.400 --> 0:29:24.440
<v Speaker 1>like dog y'all got to hit, don't do this fancy.

0:29:24.720 --> 0:29:28.720
<v Speaker 1>The thing was we we lived in London. We had

0:29:28.880 --> 0:29:34.160
<v Speaker 1>exiled to the UK from like ninety three to about

0:29:34.240 --> 0:29:38.960
<v Speaker 1>ninety seven, even though we was living like both in

0:29:39.000 --> 0:29:42.760
<v Speaker 1>Philadelphia and abroad, but we were torn more abroad, and

0:29:42.800 --> 0:29:46.480
<v Speaker 1>so that's when drum and bass was just starting to

0:29:46.480 --> 0:29:48.880
<v Speaker 1>pop off garage and two steps and all that stuff.

0:29:48.920 --> 0:29:51.160
<v Speaker 13>So when I got back to the stats, I was like,

0:29:51.160 --> 0:29:51.920
<v Speaker 13>all right, let.

0:29:51.840 --> 0:29:53.400
<v Speaker 1>Me add some of that London shit that I learned,

0:29:53.440 --> 0:29:56.440
<v Speaker 1>which is weird because outcasts and doing bombs over Baghdad.

0:29:57.080 --> 0:29:59.320
<v Speaker 1>That was their version of that. You know, okay, let's

0:30:00.160 --> 0:30:01.920
<v Speaker 1>do what we learned in London. But I tried to

0:30:01.920 --> 0:30:03.840
<v Speaker 1>do it in the label like try to talk me

0:30:03.880 --> 0:30:06.160
<v Speaker 1>out of it, like real nah, radio is not going

0:30:06.240 --> 0:30:10.120
<v Speaker 1>to play this, You're messing it up. So I fought

0:30:09.480 --> 0:30:12.680
<v Speaker 1>they taught me out of Jills Scott, but I kept

0:30:12.680 --> 0:30:13.640
<v Speaker 1>the drumming biggs.

0:30:14.360 --> 0:30:17.440
<v Speaker 7>Who get rid of Jill Scott, But I'm keeping my drums.

0:30:17.840 --> 0:30:20.720
<v Speaker 7>That crazy labels like back then had more say so

0:30:20.880 --> 0:30:22.600
<v Speaker 7>and could really like come in there and say some

0:30:22.680 --> 0:30:24.720
<v Speaker 7>ship that you had to do well.

0:30:24.840 --> 0:30:27.120
<v Speaker 1>At that point, we were unproving, and it was just

0:30:27.160 --> 0:30:29.440
<v Speaker 1>like this was our fourth attempt at trying to make

0:30:29.480 --> 0:30:29.960
<v Speaker 1>it happen.

0:30:30.240 --> 0:30:32.680
<v Speaker 7>Even for the proven, they did that like they were

0:30:32.720 --> 0:30:34.400
<v Speaker 7>coming there and tell them motherfucker on some where else

0:30:34.480 --> 0:30:36.920
<v Speaker 7>did It was many times where I sat down with Jimmy,

0:30:36.920 --> 0:30:40.000
<v Speaker 7>I being on some good ship, but I liked his respective.

0:30:40.000 --> 0:30:41.920
<v Speaker 7>But then sometimes we clash because I was like, Nigga,

0:30:41.960 --> 0:30:43.520
<v Speaker 7>you can't tell me, nigga, you don't know my ship.

0:30:43.640 --> 0:30:46.280
<v Speaker 7>Nigga Like hold on this, nigga, do no nigga, this

0:30:46.360 --> 0:30:50.560
<v Speaker 7>nigga didn't work with nigga boot Springsteens.

0:30:51.640 --> 0:30:53.880
<v Speaker 10>Can you give us an example? Can you give us

0:30:53.920 --> 0:30:55.520
<v Speaker 10>an example of something you two classed over?

0:30:56.600 --> 0:31:01.120
<v Speaker 9>Oh man? Uh? Producers?

0:31:01.800 --> 0:31:02.120
<v Speaker 4>Really?

0:31:02.320 --> 0:31:02.760
<v Speaker 9>Yeah?

0:31:03.320 --> 0:31:04.840
<v Speaker 1>Who did you want to work with that he didn't

0:31:04.840 --> 0:31:05.720
<v Speaker 1>want you to work with him?

0:31:07.240 --> 0:31:08.640
<v Speaker 7>I don't want to say no name, but it was

0:31:08.680 --> 0:31:11.880
<v Speaker 7>a producer that I really fucking wanted to work with

0:31:12.360 --> 0:31:15.960
<v Speaker 7>that He didn't really see it, but he kind of

0:31:15.960 --> 0:31:22.320
<v Speaker 7>saw it, and then once we started doing it, he

0:31:22.400 --> 0:31:23.880
<v Speaker 7>understood it was for real.

0:31:24.880 --> 0:31:30.440
<v Speaker 1>Wow wait wait wow, he couldn't see that. You know what, though,

0:31:30.720 --> 0:31:34.840
<v Speaker 1>I'm gonna tell you something. In the beginning, you.

0:31:34.720 --> 0:31:35.440
<v Speaker 7>Couldn't see it.

0:31:35.800 --> 0:31:39.640
<v Speaker 1>Pharrell was a hard sell for me. Here's here's the

0:31:39.640 --> 0:31:43.080
<v Speaker 1>stupid ship I loved. I can't make a mistake by

0:31:43.200 --> 0:31:45.760
<v Speaker 1>mc light. I love this shit because it was loud

0:31:45.760 --> 0:31:52.520
<v Speaker 1>as ship. But it's almost like there's some unconventional there's

0:31:52.520 --> 0:31:56.239
<v Speaker 1>something unconventional about the Neptune sound drew me to it

0:31:56.360 --> 0:32:00.120
<v Speaker 1>that took me. It took me two months to to

0:32:00.120 --> 0:32:02.760
<v Speaker 1>to really really get it and get aboard. And now

0:32:02.800 --> 0:32:05.760
<v Speaker 1>it's like, the weirder this shit is, like take like

0:32:05.840 --> 0:32:08.480
<v Speaker 1>the clip second album. The weirder that ship is, the

0:32:08.480 --> 0:32:10.120
<v Speaker 1>more I'm all for it, you know what I'm saying.

0:32:10.120 --> 0:32:12.000
<v Speaker 6>But that's what they were hard sell because I mean

0:32:12.040 --> 0:32:14.120
<v Speaker 6>the first my first I CA remainer was on the

0:32:14.160 --> 0:32:16.520
<v Speaker 6>Mace album, like they're looking at me joint and.

0:32:16.800 --> 0:32:18.720
<v Speaker 1>You didn't like that, Okay, I didn't know who they were.

0:32:18.840 --> 0:32:21.640
<v Speaker 6>You feel me like I remember this, But then like

0:32:21.720 --> 0:32:25.240
<v Speaker 6>I think I got it around like super Thug like

0:32:25.320 --> 0:32:28.440
<v Speaker 6>super Thug and like I mean the stuff with Norway,

0:32:28.480 --> 0:32:30.720
<v Speaker 6>like all that shit got But I could see the So.

0:32:30.720 --> 0:32:34.840
<v Speaker 1>Your first of the palace right at least, no, I think, uh,

0:32:34.960 --> 0:32:35.920
<v Speaker 1>the chronic's blowing.

0:32:37.200 --> 0:32:41.520
<v Speaker 7>Uh yeah, yeah, blowing chronic to me is like a tradition.

0:32:41.640 --> 0:32:43.640
<v Speaker 7>To me, I got to pick the So sit down

0:32:43.720 --> 0:32:46.000
<v Speaker 7>and listen to me. Don't go against me food, go

0:32:46.120 --> 0:32:48.080
<v Speaker 7>with me, and we can blow it all together like

0:32:48.120 --> 0:32:51.400
<v Speaker 7>Bobby Brown and with me. Yeah, we got something to

0:32:51.480 --> 0:32:53.800
<v Speaker 7>come and nigga search your nigga, but they never finding

0:32:53.880 --> 0:32:57.120
<v Speaker 7>my bomb and I got the stashot my cash, got

0:32:57.320 --> 0:33:00.080
<v Speaker 7>a lot of motherfucking punk police shot. I'm not the

0:33:00.120 --> 0:33:02.760
<v Speaker 7>one nigga. You can call me the two Bob Marley.

0:33:02.800 --> 0:33:06.320
<v Speaker 7>We incordinated, pupils, dilated and maxipated.

0:33:09.440 --> 0:33:12.760
<v Speaker 1>This almost like that I'll be sure episode again you

0:33:12.760 --> 0:33:14.680
<v Speaker 1>get hypnotizing someone's voice.

0:33:14.640 --> 0:33:19.440
<v Speaker 7>And then the nigga just stopped. Thank you for sucking

0:33:19.480 --> 0:33:20.240
<v Speaker 7>over me fast.

0:33:21.600 --> 0:33:24.520
<v Speaker 6>Was it true that Deep Cover y'all didn't even have

0:33:24.840 --> 0:33:27.560
<v Speaker 6>the record done before y'all signed the deal to do the.

0:33:27.800 --> 0:33:29.920
<v Speaker 7>I like, sure, I tell this story, he'll tell it

0:33:29.960 --> 0:33:33.320
<v Speaker 7>better than me. What it was was Doctor Dre was

0:33:33.320 --> 0:33:36.440
<v Speaker 7>going to the gym right and we was in Calabasas

0:33:36.440 --> 0:33:38.800
<v Speaker 7>at his house living at the time. You know, he

0:33:38.880 --> 0:33:40.480
<v Speaker 7>gave me a beat and he was like.

0:33:41.960 --> 0:33:42.560
<v Speaker 4>This the beat.

0:33:42.760 --> 0:33:46.120
<v Speaker 7>I want my ship to start off like this tonights tonight,

0:33:46.160 --> 0:33:49.800
<v Speaker 7>I get add some ship deep cover on the incognito tip.

0:33:51.160 --> 0:33:52.160
<v Speaker 9>And then he left.

0:33:52.960 --> 0:33:54.640
<v Speaker 13>So he gave you those four lines.

0:33:54.320 --> 0:33:56.400
<v Speaker 7>And then the nigga left. I'm not making it up,

0:33:56.720 --> 0:33:59.160
<v Speaker 7>so they sure call about an hour and a half

0:33:59.280 --> 0:34:02.760
<v Speaker 7>letter Doggie Dog, I'm gonna call you back on the

0:34:02.840 --> 0:34:07.040
<v Speaker 7>phone with the people from Sony. You got the song done?

0:34:07.080 --> 0:34:07.400
<v Speaker 9>I said no.

0:34:07.520 --> 0:34:09.520
<v Speaker 7>The nigga just tolked, just gave me the beat and laft,

0:34:09.520 --> 0:34:12.440
<v Speaker 7>what what the song about? I don't know what it's about,

0:34:12.960 --> 0:34:16.440
<v Speaker 7>but the movie is about the undercover police officer.

0:34:16.680 --> 0:34:17.799
<v Speaker 9>So I'm gonna call you back.

0:34:18.200 --> 0:34:21.000
<v Speaker 7>I want you to like freestyle a little bit, and

0:34:21.040 --> 0:34:23.040
<v Speaker 7>then I want you to get to a certain point

0:34:23.360 --> 0:34:25.319
<v Speaker 7>and I'm gonna say, all right, cut it off, and

0:34:25.360 --> 0:34:27.200
<v Speaker 7>you're gonna hit the button and cut the music off,

0:34:27.280 --> 0:34:29.799
<v Speaker 7>like everything cut off, and I'm gonna call you back.

0:34:30.360 --> 0:34:34.000
<v Speaker 7>I'm like, all right, come on, and nigga ain't making

0:34:34.040 --> 0:34:36.640
<v Speaker 7>this shit up, Nigga. The nigga called me back about

0:34:36.640 --> 0:34:38.920
<v Speaker 7>an hour later, and I had a little bit of it,

0:34:38.960 --> 0:34:40.759
<v Speaker 7>had like maybe like four bars of it.

0:34:41.360 --> 0:34:42.080
<v Speaker 9>So he called back.

0:34:42.160 --> 0:34:44.200
<v Speaker 7>He like, Doggy Dog, I got the people on from

0:34:44.200 --> 0:34:46.120
<v Speaker 7>a Sony didn't want to hear the song.

0:34:47.000 --> 0:34:48.040
<v Speaker 9>Nigga, I put the beat.

0:34:48.080 --> 0:34:51.000
<v Speaker 7>Old Nigga just start busting their freestyling and going and going,

0:34:51.000 --> 0:34:52.239
<v Speaker 7>and Nigga, all right, cut it off.

0:34:53.400 --> 0:34:54.439
<v Speaker 9>I'm gonna call you back.

0:34:55.280 --> 0:34:57.279
<v Speaker 7>Nigga called me back and said, Nigga write the song

0:34:57.360 --> 0:35:02.279
<v Speaker 7>niggas called Deep Covers about a undercover police officer going

0:35:02.360 --> 0:35:05.680
<v Speaker 7>undercover and selling drugs. I'm like, Nigga, my dope case

0:35:06.160 --> 0:35:08.560
<v Speaker 7>was about me selling dope to an undercover cop in.

0:35:08.440 --> 0:35:09.320
<v Speaker 9>My real life.

0:35:10.400 --> 0:35:14.680
<v Speaker 7>WHOA yeah, So I took my real life and put

0:35:14.719 --> 0:35:15.280
<v Speaker 7>it in Deep.

0:35:15.200 --> 0:35:16.960
<v Speaker 12>Cover and it just so happened.

0:35:17.000 --> 0:35:22.239
<v Speaker 7>It all came came. And then when we do this

0:35:22.320 --> 0:35:23.920
<v Speaker 7>song right now, this the fucked up part. When we

0:35:23.960 --> 0:35:26.680
<v Speaker 7>finish it, everybody in the room like this a hit.

0:35:27.600 --> 0:35:33.560
<v Speaker 7>Only one motherfucker don't like it? Doctor Dre What he's

0:35:33.560 --> 0:35:34.759
<v Speaker 7>the only nigga that don't like it?

0:35:35.360 --> 0:35:40.160
<v Speaker 1>Seemed like an insatiable perfectionist, where like, do it again?

0:35:40.280 --> 0:35:41.759
<v Speaker 4>Do it that?

0:35:41.840 --> 0:35:45.000
<v Speaker 7>Nigga did not like it. And when the trick was

0:35:45.360 --> 0:35:47.239
<v Speaker 7>they tricked me too. They tricked him too. They were like,

0:35:47.239 --> 0:35:49.839
<v Speaker 7>we're gonna do a photo shoot, Higo, five hundred dollars

0:35:49.840 --> 0:35:51.480
<v Speaker 7>snooker get you something to wear. So I go to

0:35:51.520 --> 0:35:54.640
<v Speaker 7>the swap meet. Give me some Kaki Chicago white Sox

0:35:54.840 --> 0:35:56.319
<v Speaker 7>jacket with the long beach hat.

0:35:56.680 --> 0:35:58.359
<v Speaker 9>You know what I'm saying. I'm like T shirt and chucks.

0:35:58.400 --> 0:36:00.919
<v Speaker 9>I'm like, I'm cool. We get to the photo shoot.

0:36:01.000 --> 0:36:07.200
<v Speaker 7>Nigga, it's a video, so I ain't never been on

0:36:07.200 --> 0:36:08.839
<v Speaker 7>no video before, so I don't know what the fuck

0:36:08.960 --> 0:36:12.640
<v Speaker 7>is going on. So now the director like he talking

0:36:12.640 --> 0:36:14.040
<v Speaker 7>to me and Dre like all right, I try. I

0:36:14.080 --> 0:36:17.319
<v Speaker 7>need you to act on this scene right here, and like, shit,

0:36:17.400 --> 0:36:19.080
<v Speaker 7>I don't do all that. Let that nigga do it.

0:36:22.520 --> 0:36:25.080
<v Speaker 7>I'm like They're like, yeah, well, the you know, and

0:36:25.080 --> 0:36:27.600
<v Speaker 7>what with the beauty of it is? It was the

0:36:27.600 --> 0:36:29.440
<v Speaker 7>part I did at the beginning of the song with

0:36:29.600 --> 0:36:32.320
<v Speaker 7>the I think you hit this in front of you

0:36:32.600 --> 0:36:35.920
<v Speaker 7>with the whoop that ship. So he was like, do that,

0:36:36.120 --> 0:36:37.960
<v Speaker 7>but I'm gonna have somebody acting with you. You don't

0:36:37.960 --> 0:36:40.319
<v Speaker 7>have to do both parts. You just do your part

0:36:40.760 --> 0:36:42.520
<v Speaker 7>and whoop the wap. So he had the actor come

0:36:42.560 --> 0:36:46.560
<v Speaker 7>in Drake just sitting down the whole scene just just look.

0:36:47.400 --> 0:36:49.120
<v Speaker 7>I'm like, nigga, you the star, nigga. You got me

0:36:49.160 --> 0:36:52.120
<v Speaker 7>doing all these lines in this dialogue and I thought

0:36:52.120 --> 0:36:53.120
<v Speaker 7>this was a photo shoot.

0:36:53.160 --> 0:36:59.920
<v Speaker 1>Nigga, How long did it take for you for Dreda

0:37:00.280 --> 0:37:08.320
<v Speaker 1>know that in you he had his greatest discovery.

0:37:09.160 --> 0:37:10.839
<v Speaker 9>That would probably have to be a question he would

0:37:10.840 --> 0:37:11.600
<v Speaker 9>have to answer.

0:37:11.840 --> 0:37:13.880
<v Speaker 1>Because I mean from the first from the time you

0:37:13.960 --> 0:37:16.560
<v Speaker 1>met him to the time where he's like come to

0:37:16.640 --> 0:37:19.239
<v Speaker 1>the studio, how many how much time was in between them?

0:37:19.880 --> 0:37:21.839
<v Speaker 7>At least four years? But I never rapped for him?

0:37:21.880 --> 0:37:22.439
<v Speaker 1>Wait what?

0:37:22.880 --> 0:37:24.400
<v Speaker 7>I never rapped for him? Let me tell you how

0:37:24.440 --> 0:37:25.040
<v Speaker 7>I used to go there.

0:37:25.680 --> 0:37:27.759
<v Speaker 9>Warn G and Dre.

0:37:29.440 --> 0:37:33.239
<v Speaker 7>Mother and father were married, Okay, so there would be

0:37:33.280 --> 0:37:37.200
<v Speaker 7>functions at their house and Dre would show up and

0:37:38.400 --> 0:37:40.360
<v Speaker 7>warn G had like some turntables in the back, and

0:37:40.360 --> 0:37:41.840
<v Speaker 7>he would try to always get traded to come in

0:37:41.880 --> 0:37:46.360
<v Speaker 7>the back like Snoopy can rap m And you know,

0:37:46.400 --> 0:37:47.640
<v Speaker 7>back then niggas was like I don't want to hear

0:37:47.719 --> 0:37:49.319
<v Speaker 7>nigga rap. So he would never be like, let me

0:37:49.320 --> 0:37:50.279
<v Speaker 7>hear something.

0:37:49.960 --> 0:37:52.359
<v Speaker 13>This n w A era, Dre just like.

0:37:52.400 --> 0:37:56.560
<v Speaker 7>This is when the nigga was making he shot. I

0:37:56.680 --> 0:38:00.560
<v Speaker 7>shot because he played that for us. He was like,

0:38:00.560 --> 0:38:01.960
<v Speaker 7>I want you all to hear this shit I'm working on.

0:38:02.320 --> 0:38:05.040
<v Speaker 7>He just played that one particular part of the song

0:38:05.080 --> 0:38:08.319
<v Speaker 7>was easy he said he shot and niggas like, damn

0:38:08.360 --> 0:38:12.040
<v Speaker 7>that shit hard and one he was like, Snoopy can rap, And.

0:38:11.960 --> 0:38:13.719
<v Speaker 9>I'm like, what the fuck did he say?

0:38:15.480 --> 0:38:17.479
<v Speaker 7>And then luckily the nigga did say let me hear something.

0:38:17.480 --> 0:38:18.480
<v Speaker 9>He was like, okay, all right.

0:38:18.520 --> 0:38:22.200
<v Speaker 7>Then he walked in the living room. I was like, yes, like, nigga,

0:38:22.200 --> 0:38:24.560
<v Speaker 7>don't ever tell that nigga I can rap. Nigga we nigga.

0:38:24.560 --> 0:38:25.759
<v Speaker 7>I don't want that nigga to hear me.

0:38:27.239 --> 0:38:27.399
<v Speaker 4>Say.

0:38:27.440 --> 0:38:30.360
<v Speaker 6>Do you finally get to you? Being on decover, who

0:38:30.440 --> 0:38:31.160
<v Speaker 6>made that connection?

0:38:31.880 --> 0:38:33.000
<v Speaker 9>Warren Jill Warren.

0:38:34.960 --> 0:38:38.360
<v Speaker 7>We had a tape two one three mixtape and it

0:38:38.440 --> 0:38:42.040
<v Speaker 7>had a song on there called super Duper and a

0:38:42.080 --> 0:38:47.120
<v Speaker 7>song called Gangster's Life. And the Gangster's Life song was

0:38:47.160 --> 0:38:50.400
<v Speaker 7>like a story about me being born. You know, the

0:38:50.440 --> 0:38:52.120
<v Speaker 7>first day I get born, I go to the liquor

0:38:52.160 --> 0:38:54.480
<v Speaker 7>store and get arrested. Like it's like a cold ass

0:38:54.520 --> 0:38:57.239
<v Speaker 7>gagster story. Then at the end, my brother ends up

0:38:57.239 --> 0:38:59.520
<v Speaker 7>becoming a gangster and ended up getting killed. So it

0:38:59.600 --> 0:39:01.520
<v Speaker 7>was like it was a gang bang ass story, but

0:39:01.560 --> 0:39:03.680
<v Speaker 7>it had like some positivity. You could see the writing

0:39:04.400 --> 0:39:05.200
<v Speaker 7>was the next level.

0:39:05.239 --> 0:39:10.080
<v Speaker 9>So Dre. I guess he liked that style. But how

0:39:10.120 --> 0:39:10.759
<v Speaker 9>he heard it.

0:39:11.360 --> 0:39:14.359
<v Speaker 7>They was at a bachelor party and the music cut

0:39:14.400 --> 0:39:15.719
<v Speaker 7>off for one and G used to always go to

0:39:15.760 --> 0:39:18.320
<v Speaker 7>their parties and the music cut off. So Warren g

0:39:19.360 --> 0:39:22.360
<v Speaker 7>slide in my tape when the music go off, Okay,

0:39:22.480 --> 0:39:25.520
<v Speaker 7>now the party back rocket and Niggass like.

0:39:25.440 --> 0:39:25.839
<v Speaker 8>Who is that?

0:39:27.120 --> 0:39:30.399
<v Speaker 7>Oh that's uh my homeboy snoopy and woofed it woo

0:39:30.440 --> 0:39:33.399
<v Speaker 7>woo whoop. So Drake like, oh, nigga, that shit sound hard,

0:39:33.440 --> 0:39:36.480
<v Speaker 7>nigga let me And then that's how he heard it,

0:39:36.560 --> 0:39:40.040
<v Speaker 7>from watching the reaction of the people and having the

0:39:40.080 --> 0:39:42.279
<v Speaker 7>air at the same time, probably hearing my voice, hearing

0:39:42.280 --> 0:39:44.960
<v Speaker 7>the delivery the way, like I say, the song was structured.

0:39:45.080 --> 0:39:47.200
<v Speaker 9>It was one of my best structured songs.

0:39:48.080 --> 0:39:51.719
<v Speaker 4>Is that Yeah? It is? It is?

0:39:51.800 --> 0:39:54.279
<v Speaker 9>Yeah, it is. Okay, I can get you that gangscious life.

0:39:54.320 --> 0:39:56.719
<v Speaker 7>I can get you the original version and it was

0:39:56.760 --> 0:40:00.400
<v Speaker 7>a version that we did with Nate Dog on it after.

0:40:00.239 --> 0:40:03.480
<v Speaker 1>We was on pissing everything. Okay, great, awesome.

0:40:05.160 --> 0:40:08.000
<v Speaker 6>So from the time that y'all got into after you

0:40:08.080 --> 0:40:11.239
<v Speaker 6>do deep Cover, how did the transition go from deep

0:40:11.280 --> 0:40:12.040
<v Speaker 6>Cover to death Row?

0:40:13.480 --> 0:40:13.840
<v Speaker 4>Oh?

0:40:14.120 --> 0:40:17.600
<v Speaker 9>When we did deep Cover, we didn't have no money.

0:40:17.719 --> 0:40:20.279
<v Speaker 7>We was just it was also on Solar right, yeah,

0:40:20.800 --> 0:40:22.440
<v Speaker 7>maybe that Solar records exactly.

0:40:22.440 --> 0:40:25.320
<v Speaker 1>Did you have any interactions with Dick griff Yes.

0:40:25.160 --> 0:40:28.160
<v Speaker 7>Sir Griffy used to give us money for chicken wings

0:40:28.200 --> 0:40:30.799
<v Speaker 7>and bout us our first apartment where we was living

0:40:30.800 --> 0:40:37.479
<v Speaker 7>next door to Calvin from two to seven. We're acting

0:40:37.520 --> 0:40:40.120
<v Speaker 7>like you and watched that show exactly what.

0:40:43.239 --> 0:40:45.200
<v Speaker 12>I'm saying with the Calvin at the time. Was he Calvin?

0:40:45.640 --> 0:40:47.759
<v Speaker 7>He was still that was.

0:40:47.760 --> 0:40:51.319
<v Speaker 1>After Calvin, but he was always gonna be in.

0:40:51.400 --> 0:40:52.960
<v Speaker 9>Your family around.

0:41:00.200 --> 0:41:03.800
<v Speaker 1>It's like bad that mean no.

0:41:03.760 --> 0:41:14.360
<v Speaker 15>Place, no place, I mean no place child.

0:41:21.239 --> 0:41:24.000
<v Speaker 7>Ya'll play too much, I'll watch too much like television

0:41:25.360 --> 0:41:27.680
<v Speaker 7>when you can get into your watching. No hell yeah

0:41:28.480 --> 0:41:29.000
<v Speaker 7>a syllable.

0:41:29.440 --> 0:41:31.360
<v Speaker 10>You should have heard us in here singing the Amen's

0:41:31.360 --> 0:41:32.160
<v Speaker 10>theme song early.

0:41:33.200 --> 0:41:42.279
<v Speaker 7>That it was like shoutow like bump.

0:41:42.680 --> 0:41:54.759
<v Speaker 8>Know me, know me.

0:41:54.520 --> 0:41:58.240
<v Speaker 7>The words, anyone your words.

0:41:59.320 --> 0:42:03.279
<v Speaker 12>That's worse than good time, that's awful like credit.

0:42:03.760 --> 0:42:06.319
<v Speaker 7>Who was singing that the home was on the lead?

0:42:06.440 --> 0:42:09.960
<v Speaker 6>Was I think it was?

0:42:10.320 --> 0:42:10.880
<v Speaker 7>That was?

0:42:11.280 --> 0:42:12.719
<v Speaker 13>Yeah, I'm almost of.

0:42:12.800 --> 0:42:17.640
<v Speaker 10>The sisters right from Yes, I did not know she

0:42:17.680 --> 0:42:19.000
<v Speaker 10>had a deal back in the seventies.

0:42:19.719 --> 0:42:21.360
<v Speaker 13>Y'all was next door to Calvin.

0:42:23.920 --> 0:42:26.719
<v Speaker 7>That this Dick Griffy got his apartment with us. They

0:42:26.719 --> 0:42:28.400
<v Speaker 7>say death fro got it, but Dick Griffy got it

0:42:28.400 --> 0:42:30.680
<v Speaker 7>because they had no motherfucking money at the time. So

0:42:30.719 --> 0:42:34.120
<v Speaker 7>Dick Griffy got his apartment right. So the apartment was

0:42:34.160 --> 0:42:36.240
<v Speaker 7>in Rage name because she didn't want to had credits.

0:42:38.680 --> 0:42:41.080
<v Speaker 7>All of y'all, Rage and War and g was living

0:42:41.080 --> 0:42:43.759
<v Speaker 7>in a one barroom apartment and Rage had a dog

0:42:43.840 --> 0:42:49.080
<v Speaker 7>named Buster. We all stayed in at one bearing apartment

0:42:49.200 --> 0:42:51.239
<v Speaker 7>on Third in Detroit Street, and we used to walk

0:42:51.280 --> 0:42:54.640
<v Speaker 7>from Third in Detroit all the way to sixteen Kwana.

0:42:55.560 --> 0:42:57.239
<v Speaker 13>That's a that's a long ass walk.

0:42:57.360 --> 0:43:00.200
<v Speaker 7>Yes, every day in the studio and then we the

0:43:00.239 --> 0:43:02.239
<v Speaker 7>pop Eyes chicken if we had like five or ten

0:43:02.320 --> 0:43:04.480
<v Speaker 7>dollars to get a few wings and try to figure

0:43:04.480 --> 0:43:06.120
<v Speaker 7>it out that men.

0:43:06.600 --> 0:43:08.279
<v Speaker 9>Let me don't split that last wing. I'm gonna take

0:43:08.280 --> 0:43:08.680
<v Speaker 9>this part.

0:43:11.920 --> 0:43:14.080
<v Speaker 13>You know, this is the Jimmy jam story all over again.

0:43:14.600 --> 0:43:15.560
<v Speaker 9>That's how it was.

0:43:16.320 --> 0:43:18.640
<v Speaker 1>They came out to l A with what three hundred

0:43:18.680 --> 0:43:22.320
<v Speaker 1>bucks and a cassio machine because when they made the

0:43:22.840 --> 0:43:27.280
<v Speaker 1>Hard Times beat for Captain from Captain Ratt.

0:43:26.920 --> 0:43:31.600
<v Speaker 7>They made that beat. Yes, wait a minute, yes, they

0:43:31.640 --> 0:43:32.640
<v Speaker 7>can't they.

0:43:32.520 --> 0:43:35.840
<v Speaker 1>Make that beat they got they got fired from a

0:43:35.920 --> 0:43:39.080
<v Speaker 1>time and then Terry Lewis is like, yo is either

0:43:39.120 --> 0:43:42.080
<v Speaker 1>doing die Let's go back to La.

0:43:46.440 --> 0:43:46.920
<v Speaker 13>Yeah.

0:43:47.040 --> 0:43:49.239
<v Speaker 1>They came out there with yeah and Terry little three

0:43:49.320 --> 0:43:53.759
<v Speaker 1>hundred dollars each and some suits and they lived off

0:43:53.760 --> 0:43:55.800
<v Speaker 1>of chicken wings and milkshakes.

0:43:56.880 --> 0:43:58.160
<v Speaker 13>And sold that beat.

0:43:58.440 --> 0:43:59.719
<v Speaker 1>And that's you.

0:43:59.680 --> 0:44:02.040
<v Speaker 4>Know, his history right, thirty million albums.

0:44:02.120 --> 0:44:05.680
<v Speaker 7>But see how they moved on and he didn't. And

0:44:05.760 --> 0:44:08.680
<v Speaker 7>they were just the production and he was the face,

0:44:08.760 --> 0:44:10.400
<v Speaker 7>the voice, the whole nine.

0:44:11.000 --> 0:44:14.760
<v Speaker 9>But they moved on. They probably had more dry.

0:44:15.400 --> 0:44:17.879
<v Speaker 13>Well, they had something to prove, you know, they had

0:44:17.920 --> 0:44:18.399
<v Speaker 13>more dry.

0:44:18.640 --> 0:44:19.480
<v Speaker 4>You shouldn't have fired.

0:44:19.360 --> 0:44:22.160
<v Speaker 7>His nig Bigga gonna find me gota rap song that's

0:44:22.160 --> 0:44:24.279
<v Speaker 7>hot right now, Nigga wait till I get a hold

0:44:24.280 --> 0:44:29.680
<v Speaker 7>of Janet Nigga and funny how time fish.

0:44:27.760 --> 0:44:31.880
<v Speaker 1>That story Prince uh Wait through Control out out the

0:44:31.880 --> 0:44:35.720
<v Speaker 1>car window, Jimmy Jam's house and through it at Jimmy

0:44:35.760 --> 0:44:39.959
<v Speaker 1>Jam's mom script Why the Control album after it was done?

0:44:40.040 --> 0:44:41.719
<v Speaker 4>Yeah, yeah, after it was out?

0:44:42.200 --> 0:44:46.920
<v Speaker 1>Why because he's petty like that, like when you leave him,

0:44:47.080 --> 0:44:49.000
<v Speaker 1>even if you fire him, if you leave.

0:44:48.880 --> 0:44:51.560
<v Speaker 7>Me, yes, no disrespect, but you know you couldn't fuck

0:44:51.560 --> 0:44:56.200
<v Speaker 7>with that album. She was all grown up? Nigga one nine?

0:44:56.239 --> 0:44:57.040
<v Speaker 7>What's samping?

0:44:57.200 --> 0:45:07.960
<v Speaker 8>Team? I did what people told.

0:45:08.600 --> 0:45:15.799
<v Speaker 1>Whatever, it's gonna be a hard to clear episode.

0:45:16.320 --> 0:45:16.919
<v Speaker 4>We got time.

0:45:16.960 --> 0:45:19.400
<v Speaker 13>It's August?

0:45:21.520 --> 0:45:24.960
<v Speaker 1>It is Christmas? Should I ask one Chris? No, it's

0:45:25.040 --> 0:45:30.600
<v Speaker 1>Christmas in August anyway? All right, So in the beginning,

0:45:30.800 --> 0:45:37.239
<v Speaker 1>I mean at the time, did you even envision that

0:45:37.440 --> 0:45:41.560
<v Speaker 1>this would happen? Like what was around the corner? Was

0:45:41.600 --> 0:45:43.359
<v Speaker 1>it just like, all right, we're gonna work on this

0:45:43.400 --> 0:45:44.440
<v Speaker 1>one song and then.

0:45:45.840 --> 0:45:47.360
<v Speaker 7>You know, you know, you don't really I don't know,

0:45:47.360 --> 0:45:48.480
<v Speaker 7>I don't know how big it could be.

0:45:48.960 --> 0:45:51.120
<v Speaker 13>When did you realize that something is about to happen?

0:45:51.840 --> 0:45:55.959
<v Speaker 4>When I was on the box, Remember.

0:45:55.600 --> 0:45:58.480
<v Speaker 7>The box, nigga, the box was the ship, niggah.

0:45:58.239 --> 0:45:59.319
<v Speaker 12>You call joint?

0:45:59.400 --> 0:45:59.719
<v Speaker 1>Right now?

0:45:59.800 --> 0:46:00.560
<v Speaker 13>Girl, what's coming on here?

0:46:00.680 --> 0:46:03.640
<v Speaker 7>One day, that motherfucker came on like fifty times, back

0:46:03.680 --> 0:46:10.080
<v Speaker 7>to back to back, the thing. Hey, where y'all going today? Drake?

0:46:10.120 --> 0:46:11.600
<v Speaker 7>Can I go with y'all? You know, when Dad's run

0:46:11.640 --> 0:46:13.719
<v Speaker 7>down the steps, they're showing the same shit just over

0:46:13.760 --> 0:46:16.360
<v Speaker 7>and over again, over and over again. It's just getting

0:46:16.360 --> 0:46:18.960
<v Speaker 7>requested and then they show you what's the next video coming.

0:46:18.719 --> 0:46:19.120
<v Speaker 4>On with them?

0:46:19.680 --> 0:46:21.640
<v Speaker 7>I'm like, damn, my poppet. And I was staying with

0:46:21.680 --> 0:46:24.160
<v Speaker 7>my cousin on the couch and I woke up on

0:46:24.200 --> 0:46:26.200
<v Speaker 7>her couch and she was like, Nigga, you a star.

0:46:27.200 --> 0:46:29.239
<v Speaker 7>I'm like, I'm a star. She's like, yeah, nigga, your

0:46:29.280 --> 0:46:32.600
<v Speaker 7>video came on like all day and night. And I

0:46:32.640 --> 0:46:34.960
<v Speaker 7>was on the couch like, damn, this is our stars.

0:46:35.280 --> 0:46:38.200
<v Speaker 7>I ain't got no money. I'm on your couch.

0:46:38.239 --> 0:46:40.800
<v Speaker 1>You want to know something, you know? You sampled with

0:46:40.880 --> 0:46:47.239
<v Speaker 1>my parents, right what my mom and my dad? My

0:46:47.239 --> 0:46:47.959
<v Speaker 1>mom and my dad.

0:46:49.800 --> 0:46:55.080
<v Speaker 6>Just chill to the next episode.

0:46:55.560 --> 0:46:56.600
<v Speaker 13>It's my mom and my dad.

0:46:58.600 --> 0:47:03.759
<v Speaker 7>And then the yeah, the shot holding back on that

0:47:03.920 --> 0:47:10.120
<v Speaker 7>ass with the hell of five. I came off.

0:47:10.040 --> 0:47:15.520
<v Speaker 1>From Mom's and back like, Yo, this is the funny shit.

0:47:15.640 --> 0:47:17.160
<v Speaker 1>So when the ship would come on the box in

0:47:17.239 --> 0:47:20.040
<v Speaker 1>Philly and I heard that, that.

0:47:20.080 --> 0:47:20.520
<v Speaker 13>Was like.

0:47:21.960 --> 0:47:23.640
<v Speaker 1>Yo, me and to lost.

0:47:23.360 --> 0:47:26.959
<v Speaker 7>It, like because y'all know you that's your mom and dad.

0:47:27.080 --> 0:47:29.880
<v Speaker 1>Yeah, it was like we won the lottery ticket.

0:47:31.320 --> 0:47:36.160
<v Speaker 7>It was a big record, man, A big, big record man.

0:47:36.239 --> 0:47:38.960
<v Speaker 11>For real, man, how did y'all never have this conversation?

0:47:39.080 --> 0:47:42.160
<v Speaker 11>I don't it's the first time y'all to know each other.

0:47:43.440 --> 0:47:46.319
<v Speaker 1>Yeah, I mean I want to introduced, like, yeah, you

0:47:46.360 --> 0:47:50.640
<v Speaker 1>said I forgot you said ge thing.

0:47:50.680 --> 0:47:52.719
<v Speaker 13>I was like, thinking, oh, ship, I forgot my mom

0:47:52.760 --> 0:47:53.120
<v Speaker 13>and dad.

0:47:53.400 --> 0:47:55.040
<v Speaker 7>That ain't what I wrote thing off of.

0:47:55.719 --> 0:47:57.719
<v Speaker 13>No, I know, the bitches ain't ship.

0:47:58.239 --> 0:47:58.319
<v Speaker 4>No.

0:47:58.400 --> 0:47:59.120
<v Speaker 9>I wrote it off of.

0:48:06.160 --> 0:48:08.600
<v Speaker 1>Really the south Side.

0:48:08.680 --> 0:48:10.560
<v Speaker 13>Uh, it's called south side.

0:48:10.840 --> 0:48:14.080
<v Speaker 1>It's that was the initial beat for g think.

0:48:13.960 --> 0:48:15.960
<v Speaker 9>That's what That's the beat he gave me.

0:48:16.640 --> 0:48:18.480
<v Speaker 7>And I took it on tenth and line on my

0:48:18.680 --> 0:48:22.120
<v Speaker 7>over my cousin house, and I wrote the whole g

0:48:22.360 --> 0:48:25.480
<v Speaker 7>thang songs that came back to the studio and bust

0:48:25.520 --> 0:48:29.600
<v Speaker 7>that ship off of that for him. Yeah, drinking to

0:48:29.760 --> 0:48:32.960
<v Speaker 7>the Snoop Doggy Dog and doctor Drake is after Doug,

0:48:33.200 --> 0:48:34.319
<v Speaker 7>ready to make him entrist.

0:48:34.400 --> 0:48:36.880
<v Speaker 9>So back on up because you know about the rocks,

0:48:37.520 --> 0:48:37.879
<v Speaker 9>give me.

0:48:37.840 --> 0:48:41.120
<v Speaker 7>The microphone, FoST walking bus like a bubble, comping the

0:48:41.200 --> 0:48:43.520
<v Speaker 7>long beach together and now you know you can trouble

0:48:43.560 --> 0:48:47.640
<v Speaker 7>with saying nothing but the cheek thanks to loath thinking

0:48:47.719 --> 0:48:52.000
<v Speaker 7>so and death wrote is the label that we done

0:48:52.040 --> 0:48:53.920
<v Speaker 7>fainted most please don't try to fade?

0:49:00.320 --> 0:49:00.640
<v Speaker 9>Was winning?

0:49:02.920 --> 0:49:03.160
<v Speaker 4>Man?

0:49:03.239 --> 0:49:06.399
<v Speaker 6>Can you describe so like break down what was kind

0:49:06.440 --> 0:49:11.600
<v Speaker 6>of the division of labor in the studio between like Dazz, Dre, Nate,

0:49:12.239 --> 0:49:15.400
<v Speaker 6>uh corrupt, you know what I'm saying, Like what was

0:49:15.480 --> 0:49:17.680
<v Speaker 6>kind of each person's job? Was one person better at

0:49:17.680 --> 0:49:19.719
<v Speaker 6>hooks or so then the other? Or like how did

0:49:19.760 --> 0:49:20.200
<v Speaker 6>y'all work?

0:49:20.360 --> 0:49:24.600
<v Speaker 4>And DLC, because DC he was for the chronic as well. Well.

0:49:24.680 --> 0:49:28.880
<v Speaker 7>D OC was like the guy that he was like

0:49:28.960 --> 0:49:32.480
<v Speaker 7>the sen and say you had to the rap had

0:49:32.520 --> 0:49:36.200
<v Speaker 7>to pass his I fucked with it before Dre would

0:49:36.200 --> 0:49:39.240
<v Speaker 7>fuck with it. Like those the ears that Dre trusted

0:49:39.280 --> 0:49:42.719
<v Speaker 7>most was his, you know, with everything. Remember he had

0:49:42.760 --> 0:49:45.000
<v Speaker 7>just came off with the easy w A h. He

0:49:45.000 --> 0:49:46.880
<v Speaker 7>wrote all of that shit. He wrote a lot of

0:49:46.880 --> 0:49:48.759
<v Speaker 7>that n w A and niggas for life shit. Listen

0:49:48.800 --> 0:49:50.880
<v Speaker 7>to them styles and all that always into something and

0:49:50.960 --> 0:49:53.640
<v Speaker 7>all that. He was Dre's most trusted ear and he

0:49:53.680 --> 0:49:57.000
<v Speaker 7>was a VET. So we was trying to impress DC,

0:49:57.480 --> 0:49:59.960
<v Speaker 7>and then once we impressed DC, then he would work

0:50:00.040 --> 0:50:03.920
<v Speaker 7>with us accordingly, okay, And then I attracted to him

0:50:03.960 --> 0:50:07.360
<v Speaker 7>more because I moved in with DCA, like he became

0:50:07.440 --> 0:50:09.520
<v Speaker 7>like my real sense. They and everybody else was like

0:50:09.920 --> 0:50:12.840
<v Speaker 7>not under us, but they were like playing their roles accordingly,

0:50:12.920 --> 0:50:15.640
<v Speaker 7>like Corrupt was like the assassin. Raige was like the

0:50:15.680 --> 0:50:18.439
<v Speaker 7>hard female Jewels had to sing in vocals. Nate Dogg

0:50:18.440 --> 0:50:20.120
<v Speaker 7>will come in with the hook. But that's what doctor

0:50:20.200 --> 0:50:25.480
<v Speaker 7>Dre was like Phil Jackson, like a great coach that

0:50:25.600 --> 0:50:29.600
<v Speaker 7>can take everybody on the team and make him valuable,

0:50:30.400 --> 0:50:33.800
<v Speaker 7>Like everybody was valuable. Wasn't nobody more valuable than nobody?

0:50:34.440 --> 0:50:36.759
<v Speaker 7>He made everybody valuable. When that song came on with

0:50:36.840 --> 0:50:38.680
<v Speaker 7>Nate's voice, you loved it. When it came on with

0:50:38.760 --> 0:50:40.920
<v Speaker 7>Dad's voice, you loved it. When it came home with Corrupt,

0:50:41.120 --> 0:50:42.600
<v Speaker 7>you loved it. When it came home with me, you

0:50:42.640 --> 0:50:45.000
<v Speaker 7>loved it cause he he knew how to put everybody

0:50:45.000 --> 0:50:48.160
<v Speaker 7>in positions to make them strong. And to me that

0:50:48.160 --> 0:50:50.279
<v Speaker 7>that was the strength of the team. That doctor Dre

0:50:51.080 --> 0:50:54.239
<v Speaker 7>was the visionary. Like it wasn't us. We just was raw,

0:50:54.600 --> 0:50:56.160
<v Speaker 7>you know what I'm saying, Just a bunch of raw

0:50:56.200 --> 0:50:59.080
<v Speaker 7>motherfuckers that was bringing it to the table. But he

0:50:59.120 --> 0:51:01.000
<v Speaker 7>had to clean the table up and set the table,

0:51:01.640 --> 0:51:04.440
<v Speaker 7>prepare the meal, you know, And he knew what people like,

0:51:04.560 --> 0:51:06.760
<v Speaker 7>so he had the ingredients to put it all together.

0:51:07.120 --> 0:51:09.800
<v Speaker 7>He knew what the rock was that was a diamond.

0:51:09.840 --> 0:51:12.080
<v Speaker 7>We didn't know. We just was Rocks trying to, you know, click.

0:51:11.960 --> 0:51:17.200
<v Speaker 1>Like, what's the sixteen songs that make up the Chronic?

0:51:17.480 --> 0:51:22.400
<v Speaker 1>I mean, were those the only the specific sixteen that

0:51:22.440 --> 0:51:25.880
<v Speaker 1>you worked on, or was the Chronic like a combination

0:51:26.000 --> 0:51:29.319
<v Speaker 1>of forty or fifty songs worked on and then we'll

0:51:29.360 --> 0:51:32.400
<v Speaker 1>pick the best of the lot, and this is the album.

0:51:32.719 --> 0:51:35.120
<v Speaker 7>I say it was probably twenty five songs at the most.

0:51:35.320 --> 0:51:37.760
<v Speaker 7>It was one song that we really liked that didn't

0:51:37.760 --> 0:51:40.759
<v Speaker 7>make it was called Whole Hopper. I really wanted it

0:51:40.800 --> 0:51:44.080
<v Speaker 7>on there. It went like, you know, I like buzzy,

0:51:44.480 --> 0:51:46.600
<v Speaker 7>so you can call me your hound. So here's the

0:51:46.680 --> 0:51:48.600
<v Speaker 7>name I go by, one of them rolling around the

0:51:48.719 --> 0:51:54.600
<v Speaker 7>Whole Hopper. Tell your friends, bitch all you I give

0:51:54.640 --> 0:51:57.239
<v Speaker 7>it to you, smooth hoh. Can't you see then when

0:51:57.280 --> 0:51:59.640
<v Speaker 7>you need some dig bitch, call old me the Whole

0:51:59.680 --> 0:52:04.480
<v Speaker 7>hop But tell your friends all your friends bitch.

0:52:04.560 --> 0:52:04.880
<v Speaker 4>Wow.

0:52:05.960 --> 0:52:07.440
<v Speaker 9>And Drake was on one on that one.

0:52:10.000 --> 0:52:10.640
<v Speaker 7>Make the cut?

0:52:11.400 --> 0:52:15.360
<v Speaker 1>Why did that not make the I don't know. There

0:52:15.360 --> 0:52:16.200
<v Speaker 1>stuck around this.

0:52:17.719 --> 0:52:20.239
<v Speaker 7>Doctor dre was on some real ship like he would

0:52:20.320 --> 0:52:22.520
<v Speaker 7>let us make any fucking kind of song we wanted.

0:52:22.560 --> 0:52:26.239
<v Speaker 1>Who would write the hooks, because the thing that I

0:52:26.320 --> 0:52:32.759
<v Speaker 1>didn't appreciate until much later was just how effortless you

0:52:32.840 --> 0:52:37.239
<v Speaker 1>guys were with hooks and b parts, Like even you

0:52:37.239 --> 0:52:38.880
<v Speaker 1>can take parts that weren't the hooks.

0:52:39.120 --> 0:52:41.359
<v Speaker 6>You could take any four balls out of g thing

0:52:41.480 --> 0:52:43.399
<v Speaker 6>and that to be a hook for another song.

0:52:43.480 --> 0:52:46.920
<v Speaker 1>Right, So I never until we started, until like you know,

0:52:47.000 --> 0:52:51.319
<v Speaker 1>writers block catches and you realize, like how effortless that

0:52:51.360 --> 0:52:52.120
<v Speaker 1>shit sounds.

0:52:52.320 --> 0:52:56.719
<v Speaker 13>So it's like, how, I don't know how uh.

0:52:58.960 --> 0:53:01.600
<v Speaker 7>I think the thing was us When it came to

0:53:01.680 --> 0:53:04.239
<v Speaker 7>like that kind of ship, we just went, We just

0:53:04.280 --> 0:53:06.359
<v Speaker 7>threw it in the air. And then, like I said,

0:53:06.400 --> 0:53:08.680
<v Speaker 7>that's when it was people like Dre who knew how

0:53:08.680 --> 0:53:12.080
<v Speaker 7>to take it because bitches ain't ship but holes and tricks.

0:53:12.440 --> 0:53:15.680
<v Speaker 7>That was Corrupt's first that was the start of his verse.

0:53:15.760 --> 0:53:18.680
<v Speaker 7>His verse started like that bitches ain't shit but holesing trick.

0:53:18.960 --> 0:53:20.719
<v Speaker 7>No no no no, no, no no no no no, And

0:53:21.760 --> 0:53:24.600
<v Speaker 7>the makeup going to the store and doctor Dre said, nah, nigga,

0:53:25.320 --> 0:53:28.360
<v Speaker 7>that's the hook, and he made bitches ain't ship but

0:53:28.600 --> 0:53:33.480
<v Speaker 7>holes and tricks. Ain't shit but.

0:53:33.680 --> 0:53:34.520
<v Speaker 9>Holes and tricks.

0:53:36.320 --> 0:53:38.839
<v Speaker 7>So it was like Corrupt wrote the hook, but didn't

0:53:38.840 --> 0:53:41.560
<v Speaker 7>know it was a hook, You get what I'm saying, Like,

0:53:41.760 --> 0:53:43.880
<v Speaker 7>that's what the our ship was so good that we

0:53:44.040 --> 0:53:46.759
<v Speaker 7>we would always write the hook within the song where

0:53:46.800 --> 0:53:49.759
<v Speaker 7>it was somebody's job to find that, and we didn't

0:53:49.800 --> 0:53:51.520
<v Speaker 7>know that all the time, Like we didn't know that, damn,

0:53:51.560 --> 0:53:54.160
<v Speaker 7>this was the hook. But Nackdog and Juells is probably

0:53:54.160 --> 0:53:56.799
<v Speaker 7>the only ones that knew what the hook was because

0:53:56.800 --> 0:54:00.200
<v Speaker 7>they was definitely writing for the hook for everybody that's

0:54:00.239 --> 0:54:01.000
<v Speaker 7>was just right and here.

0:54:00.960 --> 0:54:02.759
<v Speaker 1>Just come with the power verses and then they were

0:54:02.800 --> 0:54:03.760
<v Speaker 1>coming and.

0:54:05.120 --> 0:54:05.920
<v Speaker 13>Just take it with fit.

0:54:06.000 --> 0:54:09.480
<v Speaker 7>Certain times it would fit like certain songs, a motherfucker

0:54:09.600 --> 0:54:10.880
<v Speaker 7>just it just fit in place.

0:54:13.080 --> 0:54:16.279
<v Speaker 4>Was it a certain time? We talked last night.

0:54:16.360 --> 0:54:17.920
<v Speaker 6>We've had a couple of people on the show that

0:54:18.040 --> 0:54:20.719
<v Speaker 6>always talk about the night of the Source Awards. And

0:54:21.480 --> 0:54:23.680
<v Speaker 6>one thing I was always curious to hear from you,

0:54:24.360 --> 0:54:26.920
<v Speaker 6>like what was going through your mind, like when you

0:54:26.960 --> 0:54:29.600
<v Speaker 6>got on stage. My I remember watching it because at

0:54:29.600 --> 0:54:31.240
<v Speaker 6>the time I was like, this is what ninety.

0:54:32.520 --> 0:54:35.040
<v Speaker 4>I was. I was fifteen to sixteen.

0:54:34.520 --> 0:54:37.640
<v Speaker 6>And like I watched it, and so then the next day, everybody,

0:54:37.680 --> 0:54:39.600
<v Speaker 6>you know we in high school around lunch statement shit,

0:54:40.120 --> 0:54:42.600
<v Speaker 6>and so everybody was like, well, man, Snoop.

0:54:42.320 --> 0:54:44.879
<v Speaker 4>I can't believe, like he was so mad, like that's

0:54:44.920 --> 0:54:46.080
<v Speaker 4>the fuck what Snoop said?

0:54:46.160 --> 0:54:48.640
<v Speaker 6>And me, I always looked at it as I said,

0:54:48.760 --> 0:54:50.160
<v Speaker 6>I don't know if it's necessarily anger.

0:54:50.160 --> 0:54:51.759
<v Speaker 4>I said, think it may be anger me I said,

0:54:51.760 --> 0:54:54.239
<v Speaker 4>but man, yeah, give him misrespect. I said, come on, man, I.

0:54:54.239 --> 0:54:56.680
<v Speaker 6>Said, each and every one of us got Doggie style

0:54:56.719 --> 0:54:59.279
<v Speaker 6>and my walkman right now, like everybody's bumping and shit

0:54:59.360 --> 0:55:02.360
<v Speaker 6>like we loved the Imagine how fucked up it feel

0:55:03.000 --> 0:55:06.040
<v Speaker 6>to be a dude that is respecting the auto hip

0:55:06.040 --> 0:55:08.960
<v Speaker 6>hop making incredible fucking records and you come to the

0:55:08.960 --> 0:55:11.440
<v Speaker 6>place that you got so much reverence for and they

0:55:11.520 --> 0:55:13.879
<v Speaker 6>pissed on you. I said, man, that's like for real,

0:55:14.040 --> 0:55:16.080
<v Speaker 6>you know what I mean? So I was always curious

0:55:16.080 --> 0:55:18.560
<v Speaker 6>to hear, like what was going through your mind when

0:55:18.760 --> 0:55:20.720
<v Speaker 6>you know y'all got no love as New dog.

0:55:21.640 --> 0:55:24.319
<v Speaker 7>Well, I was in the moment. The moment was more

0:55:24.400 --> 0:55:28.239
<v Speaker 7>about what Sugar said. It wasn't about nothing else but

0:55:28.360 --> 0:55:31.560
<v Speaker 7>that because New York respected us, and they respected me,

0:55:32.239 --> 0:55:33.920
<v Speaker 7>and they gave me that because I gave them that.

0:55:33.960 --> 0:55:35.880
<v Speaker 7>I came into game saying that this is the mechan

0:55:35.960 --> 0:55:39.200
<v Speaker 7>I respect and appreciate everybody before me. When I met

0:55:39.239 --> 0:55:41.400
<v Speaker 7>him a bow down, I treated him with love and respect.

0:55:41.520 --> 0:55:44.640
<v Speaker 7>So it was a feeling was mutual when I spoke,

0:55:45.000 --> 0:55:47.120
<v Speaker 7>because I didn't speak from a point of view of

0:55:47.320 --> 0:55:49.799
<v Speaker 7>I want to fuck y'all up. I spoke from the

0:55:49.800 --> 0:55:52.839
<v Speaker 7>perspective of we know where we at. Nobody should get

0:55:52.880 --> 0:55:55.520
<v Speaker 7>fucked up based off of the fact that we all

0:55:55.920 --> 0:55:58.920
<v Speaker 7>gangsters in here. So what we got to prove is

0:56:00.160 --> 0:56:02.520
<v Speaker 7>we know where we're at, we know where we're from.

0:56:03.080 --> 0:56:05.600
<v Speaker 7>This ain't the time and place for that. It was

0:56:05.640 --> 0:56:09.160
<v Speaker 7>some dialogue that was needed. It wasn't planned, it wasn't

0:56:09.400 --> 0:56:13.080
<v Speaker 7>It just was needed and my calling, you know what

0:56:13.120 --> 0:56:15.040
<v Speaker 7>I'm saying, Like to me, that was my calling, Like

0:56:15.719 --> 0:56:17.920
<v Speaker 7>this show moment Dog to step into that role of

0:56:18.480 --> 0:56:21.000
<v Speaker 7>being the leader and being a role model and being

0:56:21.040 --> 0:56:24.000
<v Speaker 7>a piece advocate for hip hop that you're going to

0:56:24.120 --> 0:56:28.000
<v Speaker 7>end up being ten years from that day, because twenty

0:56:28.080 --> 0:56:30.920
<v Speaker 7>years after that day, me and Doctor Dre was on

0:56:31.000 --> 0:56:35.520
<v Speaker 7>stage at that same building doing the show, and Puffy

0:56:35.600 --> 0:56:38.920
<v Speaker 7>was there too, and we all performed together, and then

0:56:38.920 --> 0:56:42.280
<v Speaker 7>we were just thinking back of how it was based

0:56:42.280 --> 0:56:45.959
<v Speaker 7>off of comments and small shit, but we always loved

0:56:45.960 --> 0:56:48.160
<v Speaker 7>each other, but we never could show it because.

0:56:49.320 --> 0:56:52.439
<v Speaker 6>The bullshit we had steeched out on like not too

0:56:52.440 --> 0:56:54.959
<v Speaker 6>long ago. And he kind of echoed what you said.

0:56:55.000 --> 0:56:57.160
<v Speaker 6>He was like, man with Snoop got up there, he said,

0:56:57.160 --> 0:56:58.879
<v Speaker 6>you actually kind of calmed things down a little bit.

0:56:58.920 --> 0:57:02.200
<v Speaker 1>Like if he didn't, it would have been almost.

0:57:04.200 --> 0:57:06.640
<v Speaker 7>If I didn't say nothing niggas, some niggas would have

0:57:06.640 --> 0:57:11.400
<v Speaker 7>died that night. Nod said it perfectly on defying ones.

0:57:12.239 --> 0:57:14.520
<v Speaker 7>He said something to the fact that you know, when

0:57:14.560 --> 0:57:19.800
<v Speaker 7>Snoop got up there, he said the right ship, because

0:57:19.960 --> 0:57:22.680
<v Speaker 7>at that point, when they first got there, it was

0:57:22.760 --> 0:57:25.280
<v Speaker 7>New York versus New York, it was Borrow versus Burrow.

0:57:25.800 --> 0:57:27.680
<v Speaker 7>And when Shug said what he said, he made it

0:57:27.760 --> 0:57:30.920
<v Speaker 7>New York versus them niggas. Then when Snoop got up

0:57:30.920 --> 0:57:33.280
<v Speaker 7>there and said what he said, a lot of New

0:57:33.360 --> 0:57:35.680
<v Speaker 7>York niggas had love for Snoop and just couldn't see

0:57:35.720 --> 0:57:39.080
<v Speaker 7>themselves just taking off on him for something that this

0:57:39.160 --> 0:57:42.760
<v Speaker 7>nigga said. So it was like it was it was

0:57:42.840 --> 0:57:46.320
<v Speaker 7>that deep in that detrimental because these was real street niggas.

0:57:46.320 --> 0:57:51.200
<v Speaker 7>He wasn't like record label executives or managers or agents

0:57:51.280 --> 0:57:55.960
<v Speaker 7>or may the production guys, this was nigga. That nigga

0:57:56.080 --> 0:57:59.640
<v Speaker 7>just got out. He just got out fifteen minutes ago.

0:58:00.080 --> 0:58:02.560
<v Speaker 7>He been in twenty years. He ain't got no money.

0:58:02.920 --> 0:58:05.440
<v Speaker 7>He looking to do something so he can get on

0:58:05.480 --> 0:58:09.720
<v Speaker 7>the payroll. Like everybody had forty of them niggas with them. Like,

0:58:10.080 --> 0:58:12.800
<v Speaker 7>imagine that time in the early nineties, how hip hop was.

0:58:13.280 --> 0:58:15.320
<v Speaker 7>You had to have a hundred niggas of your entourage.

0:58:15.680 --> 0:58:18.120
<v Speaker 7>That just was part of how you was, like whether

0:58:18.160 --> 0:58:20.120
<v Speaker 7>you wanted it or not. Like even the roots had

0:58:20.120 --> 0:58:21.120
<v Speaker 7>a hundred niggas with them.

0:58:22.200 --> 0:58:24.919
<v Speaker 1>We couldn't afford that. But when you have a large

0:58:25.080 --> 0:58:29.560
<v Speaker 1>encage like hotel bills front, Like, how were y'all y'all

0:58:29.560 --> 0:58:33.760
<v Speaker 1>were touring during that period, How are y'all handling just

0:58:33.800 --> 0:58:35.800
<v Speaker 1>the basic shit fights.

0:58:35.840 --> 0:58:40.160
<v Speaker 7>My first fifteen years a torn I can say this,

0:58:40.480 --> 0:58:43.440
<v Speaker 7>and I ain't ashamed to say, I probably made like

0:58:44.400 --> 0:58:47.480
<v Speaker 7>fifteen percent of my tour money.

0:58:48.360 --> 0:58:51.840
<v Speaker 1>Because of everything you had to cover as far as hotels.

0:58:51.920 --> 0:58:54.960
<v Speaker 7>Yeah, fifteen percent of my tour money is what I

0:58:55.000 --> 0:58:58.880
<v Speaker 7>made my first fifteen years because I would have thirty

0:58:58.960 --> 0:59:01.360
<v Speaker 7>niggas on the road. Everybody was getting paid and this

0:59:01.400 --> 0:59:03.640
<v Speaker 7>and that, and then I wouldn't look back until the

0:59:03.800 --> 0:59:06.440
<v Speaker 7>end of it, and it'd be like, well you uh,

0:59:07.040 --> 0:59:11.360
<v Speaker 7>you grossed this amount and you netted this amount, and well,

0:59:11.400 --> 0:59:15.800
<v Speaker 7>god damn everybody on tour and enjoying life except me.

0:59:18.080 --> 0:59:19.280
<v Speaker 9>Man, it's a business man.

0:59:24.320 --> 0:59:28.200
<v Speaker 1>I gotta jump to the real white elf in the room,

0:59:28.800 --> 0:59:32.000
<v Speaker 1>which to mean is the dog Father. Okay, I gotta

0:59:32.080 --> 0:59:36.200
<v Speaker 1>jump to that. Do you do you feel that the

0:59:36.240 --> 0:59:40.440
<v Speaker 1>dog Father has gotten this proper just due respect, because

0:59:41.240 --> 0:59:45.480
<v Speaker 1>for some reason, I don't think the world realizes how

0:59:45.520 --> 0:59:51.120
<v Speaker 1>incredible that shit was when it came out, and the

0:59:51.160 --> 0:59:56.120
<v Speaker 1>fact that it's still timeless late, Like, you know, was

0:59:56.160 --> 0:59:57.000
<v Speaker 1>it twenty years later?

0:59:57.120 --> 0:59:59.720
<v Speaker 4>Yeah? About Yeah, it was ninety six.

1:00:00.680 --> 1:00:05.280
<v Speaker 1>Yeah, Like, what are your personal opinions on your follow up?

1:00:06.000 --> 1:00:08.760
<v Speaker 7>When I first came out with it, I was getting

1:00:08.760 --> 1:00:10.560
<v Speaker 7>a lot of hate and a lot of like, oh,

1:00:10.600 --> 1:00:13.720
<v Speaker 7>it ain't doggy style, drain't do this, and why it

1:00:13.720 --> 1:00:16.160
<v Speaker 7>ain't and this and that, and it used to fuck

1:00:16.200 --> 1:00:18.480
<v Speaker 7>with me a little bit. And then I used to

1:00:18.520 --> 1:00:21.200
<v Speaker 7>go out and do shows and then fans would bring

1:00:21.200 --> 1:00:24.200
<v Speaker 7>me the album to sign, like you know what I'm saying, Like,

1:00:24.240 --> 1:00:26.760
<v Speaker 7>that's a cold twist when they like niggas talking about you.

1:00:26.840 --> 1:00:30.160
<v Speaker 7>But then a fan bring three copies of Doggy Style

1:00:30.240 --> 1:00:32.720
<v Speaker 7>and two copies of dog Father and say can you

1:00:32.760 --> 1:00:35.880
<v Speaker 7>sign these? And you sign these and I'm looking like

1:00:36.360 --> 1:00:38.920
<v Speaker 7>damn from signing dog Father. I mean, they bought it.

1:00:39.440 --> 1:00:41.680
<v Speaker 7>And then I started doing songs from the dog Father

1:00:41.760 --> 1:00:45.280
<v Speaker 7>on stage, Snoops, upside your Head, big fucking record. Charlie

1:00:45.320 --> 1:00:48.360
<v Speaker 7>Wilson started rolling with me. Me and Charlie became like this.

1:00:48.840 --> 1:00:50.800
<v Speaker 7>So it was blessings that came out of that that

1:00:51.280 --> 1:00:53.400
<v Speaker 7>they was making happen and didn't even know that they

1:00:53.480 --> 1:00:56.200
<v Speaker 7>was making happen. Then we went overseas to Europe, and

1:00:56.280 --> 1:00:59.320
<v Speaker 7>I toured in Europe and the record was so big

1:00:59.400 --> 1:01:02.400
<v Speaker 7>over there to where it's like it solidified me as

1:01:02.400 --> 1:01:06.040
<v Speaker 7>an artist that was gonna be here on the follow

1:01:06.120 --> 1:01:08.480
<v Speaker 7>up tip. So it's just in America where it was

1:01:08.520 --> 1:01:12.000
<v Speaker 7>a lot of not covering it the right way or

1:01:12.080 --> 1:01:12.800
<v Speaker 7>saying the right things.

1:01:12.800 --> 1:01:13.880
<v Speaker 9>I remember, Biggie.

1:01:13.720 --> 1:01:17.520
<v Speaker 7>Got killed, Tupaca got killed, Biggie's album came out, Tupac's

1:01:17.520 --> 1:01:20.400
<v Speaker 7>album came out, So they just drowned me out on

1:01:20.480 --> 1:01:22.440
<v Speaker 7>some Oh this nigga ain't gang banging no more. He

1:01:22.960 --> 1:01:25.040
<v Speaker 7>just beat a murder case. He's a family man. Now

1:01:25.040 --> 1:01:27.880
<v Speaker 7>he's soft. Now he'd be happy. Now look at him

1:01:27.920 --> 1:01:29.880
<v Speaker 7>rapping about happy shit doggies laying. I had a song

1:01:29.960 --> 1:01:32.840
<v Speaker 7>called Doggie land that was a song about peace, love

1:01:32.880 --> 1:01:36.080
<v Speaker 7>and nobody dying and just a beautiful record that was

1:01:36.120 --> 1:01:39.800
<v Speaker 7>about Doggie landing. Niggas didn't understand it, like, Nigga, that's soft, nigga.

1:01:39.800 --> 1:01:43.360
<v Speaker 7>I'm like, what's living? Life is soft? Like I don't

1:01:43.360 --> 1:01:45.200
<v Speaker 7>need to be with you, niggas if y'all deaf is

1:01:45.280 --> 1:01:47.000
<v Speaker 7>cool nigga, Nigga, I'm gonna die, Nigga.

1:01:47.000 --> 1:01:49.520
<v Speaker 9>That shit hard nigga. How you gonna die?

1:01:49.560 --> 1:01:52.880
<v Speaker 7>I'm being a blaze of bullets nigga, the hard way

1:01:53.000 --> 1:01:54.400
<v Speaker 7>nigga like a Western movie.

1:01:54.680 --> 1:01:56.560
<v Speaker 9>Fuck that, Nigga. I want to die nigga sipping on

1:01:56.600 --> 1:01:57.040
<v Speaker 9>some coffee.

1:01:57.080 --> 1:01:57.720
<v Speaker 8>Nigga land in.

1:01:57.720 --> 1:02:00.200
<v Speaker 7>Bed, not a shelf eighty years old? You know what

1:02:00.240 --> 1:02:00.560
<v Speaker 7>I'm saying?

1:02:00.640 --> 1:02:02.720
<v Speaker 4>Men? What was it like?

1:02:02.880 --> 1:02:02.960
<v Speaker 14>Uh?

1:02:03.160 --> 1:02:06.040
<v Speaker 6>I was always curious to know the transition from death

1:02:06.160 --> 1:02:09.520
<v Speaker 6>row to no limit and like being with being under

1:02:09.520 --> 1:02:11.440
<v Speaker 6>somebody like Shug versus somebody like Pete.

1:02:11.480 --> 1:02:13.400
<v Speaker 4>What was p like as a businessman?

1:02:14.520 --> 1:02:16.800
<v Speaker 7>Sug was a great businessman first and foremost. Let me

1:02:16.840 --> 1:02:21.360
<v Speaker 7>say that very strong, very shrewd, got to it like

1:02:21.400 --> 1:02:23.720
<v Speaker 7>you do. It did a lot of things that was,

1:02:23.880 --> 1:02:25.800
<v Speaker 7>you know, groundbreaking for the industry that I see a

1:02:25.840 --> 1:02:28.600
<v Speaker 7>lot of niggas doing now. But when I got with

1:02:28.680 --> 1:02:31.280
<v Speaker 7>master p he was more of a He was a finesser,

1:02:32.160 --> 1:02:35.680
<v Speaker 7>like I want to shake hands with him, pump shoulders

1:02:35.680 --> 1:02:38.600
<v Speaker 7>with him, do business with him, be executive.

1:02:38.880 --> 1:02:40.000
<v Speaker 9>I want to own shit.

1:02:40.400 --> 1:02:43.080
<v Speaker 7>I want to be a part of the executive branch

1:02:43.760 --> 1:02:46.160
<v Speaker 7>and not just the you know, employee side of it.

1:02:46.560 --> 1:02:48.520
<v Speaker 7>And then he passed it on. You know, he was

1:02:48.560 --> 1:02:52.600
<v Speaker 7>one of those informative guys that hey put this in

1:02:52.640 --> 1:02:55.160
<v Speaker 7>your name. Hey get you a bank account, Hey, get

1:02:55.200 --> 1:02:57.439
<v Speaker 7>you some credit cards, Hey get you some property, Hey

1:02:57.480 --> 1:03:01.000
<v Speaker 7>get you some this like get your record label, get

1:03:01.040 --> 1:03:03.960
<v Speaker 7>you some clothing, clothing line. Like All the shit I

1:03:04.000 --> 1:03:07.040
<v Speaker 7>did was by being with him. He showed me how

1:03:07.040 --> 1:03:07.360
<v Speaker 7>to do it, and.

1:03:07.360 --> 1:03:10.800
<v Speaker 4>I went, that's so dope.

1:03:11.320 --> 1:03:15.480
<v Speaker 7>And don't be afraid they laughed at him in the beginning.

1:03:15.480 --> 1:03:16.920
<v Speaker 7>They used to laugh at him. I used to watch

1:03:17.000 --> 1:03:19.280
<v Speaker 7>him laugh, laugh, laugh. Then when I sign him with

1:03:19.360 --> 1:03:22.000
<v Speaker 7>no limit, like I'm not saying, I made the laughs

1:03:22.040 --> 1:03:23.840
<v Speaker 7>go away. But all the laughs was gone after that,

1:03:24.360 --> 1:03:27.640
<v Speaker 7>and Niggas was like this, Nigga really is a business man.

1:03:27.720 --> 1:03:30.400
<v Speaker 7>He really sharp because my first album with them paid

1:03:30.400 --> 1:03:34.200
<v Speaker 7>the cost to be the boss two million records in America,

1:03:34.400 --> 1:03:37.000
<v Speaker 7>two million records overseas. Then we put out a movie

1:03:37.640 --> 1:03:39.520
<v Speaker 7>called The Game of Life and he sold it for

1:03:39.640 --> 1:03:42.800
<v Speaker 7>nineteen ninety five and it sold two million copies. You

1:03:42.840 --> 1:03:46.360
<v Speaker 7>do the fucking maths, and he made all the fucking money.

1:03:46.920 --> 1:03:48.240
<v Speaker 7>Wasn't no middle man, none of that.

1:03:48.320 --> 1:03:50.280
<v Speaker 12>That was the thing about master P and nobody really

1:03:50.360 --> 1:03:51.000
<v Speaker 12>re emphasized.

1:03:51.040 --> 1:03:53.080
<v Speaker 7>It wasn't no rap. It wasn't no money a rapper

1:03:53.160 --> 1:03:55.600
<v Speaker 7>til No Limit came. And I say that honestly. It

1:03:55.720 --> 1:03:58.800
<v Speaker 7>wasn't no rappers making no money into No Limit. Niggas

1:03:58.840 --> 1:04:01.680
<v Speaker 7>was getting crumbs and a little bit negotiating and fighting

1:04:01.680 --> 1:04:04.000
<v Speaker 7>with record labels and artists and management. Master he cut

1:04:04.040 --> 1:04:05.800
<v Speaker 7>all that shit out. He was the what Sugar should

1:04:05.800 --> 1:04:09.680
<v Speaker 7>have been, the less violent, more business.

1:04:09.280 --> 1:04:10.920
<v Speaker 12>Approach and he shared information.

1:04:11.080 --> 1:04:13.840
<v Speaker 7>Yes, all of the above. You know what I'm saying, Like,

1:04:13.960 --> 1:04:14.760
<v Speaker 7>come on, man.

1:04:15.880 --> 1:04:19.200
<v Speaker 6>From the time that you went from because after you

1:04:19.200 --> 1:04:21.160
<v Speaker 6>did the three records on No Limit and then.

1:04:21.320 --> 1:04:26.840
<v Speaker 7>Three album deal five million dollars, I can say that now,

1:04:26.920 --> 1:04:29.920
<v Speaker 7>respectful I wanted to put that contract out there so

1:04:29.960 --> 1:04:32.080
<v Speaker 7>in case you niggas want a new three albums do,

1:04:32.160 --> 1:04:33.400
<v Speaker 7>it's gonna be way more than that.

1:04:33.560 --> 1:04:33.760
<v Speaker 4>Now.

1:04:34.400 --> 1:04:38.000
<v Speaker 7>Last I mean, I like, did the records get better

1:04:38.000 --> 1:04:40.960
<v Speaker 7>for you as I got to know the first one?

1:04:41.200 --> 1:04:44.120
<v Speaker 4>I didn't. I was like, right, but no limit to

1:04:44.320 --> 1:04:45.320
<v Speaker 4>do in last MILLI.

1:04:45.760 --> 1:04:46.080
<v Speaker 9>You see it.

1:04:46.200 --> 1:04:48.520
<v Speaker 7>But you know when my mind state was there, I

1:04:48.560 --> 1:04:50.840
<v Speaker 7>started grabbing my mind state the first record. You know

1:04:50.880 --> 1:04:53.160
<v Speaker 7>what I did. I said, pee, do it with me,

1:04:53.240 --> 1:04:56.280
<v Speaker 7>whatever you want to do, nigga. I'm doctor. I'm doctor Frankenstein.

1:04:56.320 --> 1:04:58.160
<v Speaker 7>Ig I'm gonna pay on the table and let you

1:04:58.240 --> 1:04:59.919
<v Speaker 7>go ahead and put me together the way you think

1:05:00.360 --> 1:05:02.240
<v Speaker 7>is y' all hot right now? And this is your label.

1:05:02.240 --> 1:05:04.520
<v Speaker 7>When you got the Snoop Dogg as your artist, Nigga,

1:05:04.920 --> 1:05:07.240
<v Speaker 7>go to work. You just paid for this, nigga, it's

1:05:07.280 --> 1:05:09.680
<v Speaker 7>gonna be your record forever. You got a Snoop Dogg record.

1:05:10.120 --> 1:05:12.440
<v Speaker 7>My third solo record is yours. So he did it.

1:05:12.920 --> 1:05:18.640
<v Speaker 7>Second record. I was like, all right, I got the

1:05:18.720 --> 1:05:21.720
<v Speaker 7>joy stick back. Yeah, and I'm going back to the west.

1:05:21.400 --> 1:05:23.960
<v Speaker 6>Man, Okay, speaking the joystick the two one three albums,

1:05:24.440 --> 1:05:24.880
<v Speaker 6>why is.

1:05:24.840 --> 1:05:27.200
<v Speaker 4>That not out? Like on streaming whatever.

1:05:27.520 --> 1:05:29.120
<v Speaker 7>Man, we didn't get no love for the two one

1:05:29.240 --> 1:05:29.640
<v Speaker 7>three hours.

1:05:29.680 --> 1:05:32.080
<v Speaker 9>Man, we Warren. She pushed that shit so hard.

1:05:32.120 --> 1:05:33.960
<v Speaker 6>I don't know what I love that I love man,

1:05:34.080 --> 1:05:37.600
<v Speaker 6>the only girl. Motherfucking you gotta find a way, yeah,

1:05:37.720 --> 1:05:38.240
<v Speaker 6>find a way.

1:05:38.720 --> 1:05:39.760
<v Speaker 1>You gotta find a way.

1:05:39.960 --> 1:05:43.080
<v Speaker 7>Yes, fine, man, I don't know. I don't know what

1:05:43.120 --> 1:05:45.800
<v Speaker 7>goes on with And then I'm watching music nowadays like

1:05:46.040 --> 1:05:51.920
<v Speaker 7>that's a hit. He said the same thing twenty five times.

1:05:52.440 --> 1:05:56.080
<v Speaker 6>Oh my god, did they when you end up doing

1:05:56.440 --> 1:05:58.880
<v Speaker 6>I'm jumping to your Uh well, first I want to

1:05:58.920 --> 1:06:00.360
<v Speaker 6>go to your snoop line record.

1:06:01.920 --> 1:06:03.280
<v Speaker 4>What moved you in that direction?

1:06:03.360 --> 1:06:04.600
<v Speaker 6>Like what was going on in your life at that

1:06:04.680 --> 1:06:07.200
<v Speaker 6>time that made you want to go there?

1:06:07.720 --> 1:06:11.840
<v Speaker 9>Man, I just love reggae music.

1:06:12.320 --> 1:06:15.240
<v Speaker 7>And I was like, you know what, every time I

1:06:15.240 --> 1:06:17.000
<v Speaker 7>go to Jamaica, I always just go to my room,

1:06:17.080 --> 1:06:19.440
<v Speaker 7>smoke weed and do the show and leave and never

1:06:19.480 --> 1:06:21.560
<v Speaker 7>get to explore Jamaica. I never get to see it.

1:06:22.000 --> 1:06:23.680
<v Speaker 7>Like fuck that. I want to see Jamaica because these

1:06:23.720 --> 1:06:25.800
<v Speaker 7>niggas love me over here and I love them. So

1:06:25.840 --> 1:06:27.280
<v Speaker 7>I said, I'm gonna set up a trip. I'm gonna

1:06:27.280 --> 1:06:29.880
<v Speaker 7>go over there for thirty days and just live over

1:06:29.920 --> 1:06:34.600
<v Speaker 7>there get with some producers called a dip Loo Major Laser.

1:06:35.080 --> 1:06:37.840
<v Speaker 9>Look y'all gonna do my whole record called a Vice.

1:06:37.960 --> 1:06:40.680
<v Speaker 7>Vice was a magazine company at the time that was

1:06:40.720 --> 1:06:42.760
<v Speaker 7>creating content, and I was like, look, I want you

1:06:42.880 --> 1:06:44.840
<v Speaker 7>to come shoot this shit for me, cause I like,

1:06:44.840 --> 1:06:47.720
<v Speaker 7>how y'all be doing on location shit in dangerous neighborhoods,

1:06:47.760 --> 1:06:50.440
<v Speaker 7>in dangerous areas. And this shit is dangerous because Chris

1:06:50.520 --> 1:06:54.200
<v Speaker 7>Koki just went to jail, which was dudas. So I said,

1:06:54.200 --> 1:06:55.640
<v Speaker 7>I want to go beat that nigga family.

1:06:55.680 --> 1:06:56.280
<v Speaker 9>I want a nigga.

1:06:56.280 --> 1:06:56.480
<v Speaker 1>I went.

1:06:56.680 --> 1:06:59.480
<v Speaker 7>They took me everywhere and so by me going all

1:06:59.520 --> 1:07:01.480
<v Speaker 7>into these areas, which this is the real nigga that

1:07:01.480 --> 1:07:01.720
<v Speaker 7>I am.

1:07:01.760 --> 1:07:02.640
<v Speaker 9>I love to explore.

1:07:03.280 --> 1:07:06.120
<v Speaker 7>I go to the Naibinie Temple and when I go there,

1:07:07.320 --> 1:07:10.040
<v Speaker 7>the spirit is in me. I can't even fake it.

1:07:10.040 --> 1:07:12.040
<v Speaker 7>When I walk into temple, it's a lady about ninety

1:07:12.120 --> 1:07:14.920
<v Speaker 7>years old. As soon as I walk in, she like

1:07:15.000 --> 1:07:17.840
<v Speaker 7>the prodigal son has returned. I don't even know what

1:07:17.840 --> 1:07:21.120
<v Speaker 7>she's saying. Well, like the prodigal son has returned. The

1:07:21.200 --> 1:07:24.600
<v Speaker 7>prodigal son has returned. I don't even know what this means.

1:07:24.640 --> 1:07:27.080
<v Speaker 7>At the time, she grabbed me by my hands and

1:07:27.120 --> 1:07:28.800
<v Speaker 7>she started praying with me, and they like, the whole

1:07:28.840 --> 1:07:33.280
<v Speaker 7>wound just collapsed on me, like it was crazy for me.

1:07:33.720 --> 1:07:36.200
<v Speaker 7>It's crazy as the whole spirit. And we walked around

1:07:36.200 --> 1:07:38.840
<v Speaker 7>the fire. Fire was burning. Me and my wife were

1:07:38.840 --> 1:07:42.600
<v Speaker 7>holding hands. Long story short, when we leave, my wife

1:07:42.600 --> 1:07:44.120
<v Speaker 7>didn't eat no meat. From that day on, when I

1:07:44.160 --> 1:07:49.120
<v Speaker 7>was twenty ten, learned from that dawn and I took

1:07:49.160 --> 1:07:53.080
<v Speaker 7>on a new peaceful approach. I ain't been into it

1:07:53.080 --> 1:07:54.320
<v Speaker 7>with no niggas. I ain't got it, you know what

1:07:54.320 --> 1:07:58.160
<v Speaker 7>I'm saying, And that she used to always come on, man,

1:07:58.400 --> 1:07:59.120
<v Speaker 7>I'm waking it.

1:07:59.160 --> 1:08:01.080
<v Speaker 6>Is that how it led to your gospel. First, let

1:08:01.080 --> 1:08:03.440
<v Speaker 6>me just say the gospel record is jamming. That ship

1:08:03.520 --> 1:08:04.360
<v Speaker 6>jamming like a motherfucker.

1:08:04.360 --> 1:08:05.560
<v Speaker 4>I say that.

1:08:06.920 --> 1:08:07.640
<v Speaker 8>That match.

1:08:13.040 --> 1:08:14.720
<v Speaker 4>That this is hard.

1:08:15.080 --> 1:08:16.640
<v Speaker 1>But the thing I liked about is it's like you

1:08:16.720 --> 1:08:19.200
<v Speaker 1>got like real, You got the real Oh Jesus.

1:08:19.000 --> 1:08:21.240
<v Speaker 6>You had rams Allen on the ship, and I mean,

1:08:21.680 --> 1:08:23.639
<v Speaker 6>that's like, how did you put all that together?

1:08:24.240 --> 1:08:27.040
<v Speaker 7>First of all, shout out to my homeboy, Lonnie Lonnie Brell.

1:08:27.240 --> 1:08:29.200
<v Speaker 7>He was one of the main instruments to putting this

1:08:29.280 --> 1:08:35.040
<v Speaker 7>project together. I had a dream and a wishless making

1:08:35.080 --> 1:08:37.960
<v Speaker 7>my grandmother proud of me. My grandmother was here, she

1:08:37.960 --> 1:08:42.040
<v Speaker 7>would always you know, talk to her friends and people

1:08:42.080 --> 1:08:44.439
<v Speaker 7>about me, but she can never talk about my music.

1:08:45.160 --> 1:08:47.320
<v Speaker 7>And I always wanted to make something that she could

1:08:47.360 --> 1:08:49.240
<v Speaker 7>be proud of, that she could hear, and that her friends,

1:08:49.240 --> 1:08:51.840
<v Speaker 7>her church friends could really you know, be proud of.

1:08:51.960 --> 1:08:53.920
<v Speaker 7>So and she passed away, I was like, you know,

1:08:54.080 --> 1:08:56.200
<v Speaker 7>that's my mission. I've been always talking about doing it.

1:08:56.360 --> 1:08:58.200
<v Speaker 7>I'm just gonna do it. And I just went in

1:08:58.240 --> 1:09:00.519
<v Speaker 7>there and did it and started all and all of

1:09:00.560 --> 1:09:02.600
<v Speaker 7>the people that I wanted to be on it and

1:09:02.720 --> 1:09:04.640
<v Speaker 7>expressed to them while I wanted the moment what I

1:09:04.720 --> 1:09:09.280
<v Speaker 7>was doing, and they already loved my spirit as before that.

1:09:10.080 --> 1:09:11.840
<v Speaker 7>It wasn't like, oh, we're gonna do it now. We've

1:09:11.840 --> 1:09:14.320
<v Speaker 7>been following you, brother, We've been with you. You know,

1:09:14.400 --> 1:09:17.559
<v Speaker 7>we got you what you need. I need a saying

1:09:17.560 --> 1:09:20.439
<v Speaker 7>something on their brother rams, Clark sisters. I need you

1:09:20.560 --> 1:09:23.519
<v Speaker 7>to do something on there, Kimberrell, you do something by

1:09:23.520 --> 1:09:26.840
<v Speaker 7>friend Hammon, John p Key, Jesus.

1:09:26.920 --> 1:09:27.360
<v Speaker 4>Yeah.

1:09:27.400 --> 1:09:27.639
<v Speaker 13>Yeah.

1:09:27.640 --> 1:09:28.240
<v Speaker 8>It was incredible.

1:09:28.320 --> 1:09:32.200
<v Speaker 1>And seeing it at the Essence Festival that knocked me out.

1:09:32.360 --> 1:09:35.360
<v Speaker 9>That was pratty I felt like it was the right

1:09:35.400 --> 1:09:36.000
<v Speaker 9>moment for that.

1:09:36.000 --> 1:09:37.280
<v Speaker 13>That was the best thing I've ever seen.

1:09:37.400 --> 1:09:40.680
<v Speaker 1>That was amazing moment. Brother, we thank you, we got

1:09:40.680 --> 1:09:44.160
<v Speaker 1>ap Okay, damn, let's do all right.

1:09:44.720 --> 1:09:49.080
<v Speaker 12>I was just you know, we was getting the rap rap.

1:09:51.400 --> 1:09:53.160
<v Speaker 9>Y'all doing good. I like when the ship is good,

1:09:53.160 --> 1:09:53.800
<v Speaker 9>I break ruds.

1:09:54.360 --> 1:09:59.519
<v Speaker 10>Thank you Jesus appreciate a central seduction.

1:10:00.560 --> 1:10:01.519
<v Speaker 7>Yes, that's one of that.

1:10:01.920 --> 1:10:03.800
<v Speaker 6>I want to say, you have one of the only

1:10:04.720 --> 1:10:07.320
<v Speaker 6>like rap records or records and hip hop that I

1:10:07.439 --> 1:10:08.880
<v Speaker 6>like the clean version better than I.

1:10:08.840 --> 1:10:15.799
<v Speaker 1>Like, yeah brook.

1:10:16.640 --> 1:10:17.200
<v Speaker 4>Brookly Zoo.

1:10:17.439 --> 1:10:20.040
<v Speaker 6>But yeah, so talk about that record because the cat

1:10:20.080 --> 1:10:24.439
<v Speaker 6>that did that, Red Shorty Red. He was so talented man,

1:10:24.520 --> 1:10:26.120
<v Speaker 6>and he did like a lot of ship for Jez.

1:10:26.400 --> 1:10:27.439
<v Speaker 9>He was on some gangster ship.

1:10:27.439 --> 1:10:29.479
<v Speaker 7>He was like really one of the gangster producers, right,

1:10:30.000 --> 1:10:32.920
<v Speaker 7>so he's one of my little nephews. And he was like,

1:10:33.960 --> 1:10:36.720
<v Speaker 7>I got a song, but it ain't gangster, and I

1:10:36.720 --> 1:10:39.920
<v Speaker 7>think I think it's I think it's for you. And

1:10:39.960 --> 1:10:41.599
<v Speaker 7>he played it for me and he was he was

1:10:41.720 --> 1:10:43.680
<v Speaker 7>he was doing everything that I was doing. But he

1:10:43.800 --> 1:10:46.360
<v Speaker 7>wasn't like he didn't put that thing on it. He

1:10:46.439 --> 1:10:48.680
<v Speaker 7>just like just laid it and I was like, I'm

1:10:48.720 --> 1:10:50.240
<v Speaker 7>gonna put that T pain on it, but I ain't

1:10:50.280 --> 1:10:52.920
<v Speaker 7>gonna put all of that te pain. I'm gonna put

1:10:52.920 --> 1:10:55.200
<v Speaker 7>a little trip of T pain with my real voice.

1:10:55.400 --> 1:10:58.120
<v Speaker 7>Then I'm gonna put like a vote colder and twisting

1:10:58.160 --> 1:11:00.280
<v Speaker 7>this waite so that when when you're hearing, he ain't

1:11:00.320 --> 1:11:02.720
<v Speaker 7>two row body like them. Because I didn't want to

1:11:02.800 --> 1:11:06.840
<v Speaker 7>sound like everybody that sounds like auto tune. I wanted

1:11:06.880 --> 1:11:10.280
<v Speaker 7>some of my voice to overwhelm the auto tune because

1:11:10.280 --> 1:11:12.280
<v Speaker 7>I feel like I got a nice voice that could

1:11:12.320 --> 1:11:12.880
<v Speaker 7>blend with that.

1:11:13.720 --> 1:11:14.479
<v Speaker 9>And that was the key.

1:11:14.479 --> 1:11:17.960
<v Speaker 7>And then watch this when I do it. I take

1:11:18.000 --> 1:11:20.840
<v Speaker 7>it to the label and it's a motherfucking white boy

1:11:20.920 --> 1:11:25.920
<v Speaker 7>up there, and he like, let me mix it. I'm like,

1:11:26.040 --> 1:11:31.840
<v Speaker 7>he don't know. He's like, let me mix this, motherfucker.

1:11:31.880 --> 1:11:34.360
<v Speaker 7>I know what it needs. Give it here. But we

1:11:34.439 --> 1:11:35.920
<v Speaker 7>kind of clashed for a minute, and I end up

1:11:36.000 --> 1:11:38.000
<v Speaker 7>letting mix it. Right when he mixed it, I called him,

1:11:38.000 --> 1:11:43.040
<v Speaker 7>I'm like, man, you a bad motherfucker motherfucker named Ron Fair.

1:11:44.360 --> 1:11:46.800
<v Speaker 1>Wait, oh my god, that's the last name.

1:11:49.040 --> 1:11:51.840
<v Speaker 7>Look request you gotta you're dealing with Snoop Dorog. You're

1:11:51.840 --> 1:11:54.680
<v Speaker 7>dealing with ignorant ass Snoop Dogg, you ain't dealing with

1:11:54.680 --> 1:11:57.360
<v Speaker 7>the nigga right now? To hey, okay, you're sure whatever

1:11:57.720 --> 1:12:00.599
<v Speaker 7>you're dealing with the na tell me how mother fucking

1:12:00.600 --> 1:12:01.479
<v Speaker 7>mixed my song the.

1:12:01.439 --> 1:12:03.320
<v Speaker 1>Way the way you built it up. It's just that

1:12:03.400 --> 1:12:06.200
<v Speaker 1>we had a few episodes where Ron's names come up

1:12:06.640 --> 1:12:09.479
<v Speaker 1>and it wasn't and it wasn't too savory. So he

1:12:09.600 --> 1:12:12.720
<v Speaker 1>was like, name Ron Fair. I was like, oh God, yes,

1:12:12.880 --> 1:12:13.680
<v Speaker 1>he's haunting us.

1:12:13.920 --> 1:12:16.120
<v Speaker 7>Yes, And that nigga mixed the ship out of it,

1:12:16.200 --> 1:12:18.360
<v Speaker 7>the dog ship out of it because I could play

1:12:18.400 --> 1:12:20.880
<v Speaker 7>the mixed before he mixed it. He made it a

1:12:20.920 --> 1:12:23.479
<v Speaker 7>fucking big record like the Ship. That he did was

1:12:23.520 --> 1:12:25.840
<v Speaker 7>just making my voice and the music and the way.

1:12:27.280 --> 1:12:27.479
<v Speaker 5>Right.

1:12:28.680 --> 1:12:31.959
<v Speaker 1>Because it fooled everybody. When we heard it, my jaw.

1:12:31.840 --> 1:12:33.800
<v Speaker 4>Dropped like, oh shot, that shit go hard.

1:12:33.840 --> 1:12:34.839
<v Speaker 13>It was an instant classic.

1:12:35.240 --> 1:12:35.439
<v Speaker 4>Yeah.

1:12:35.560 --> 1:12:37.479
<v Speaker 7>See that was on the record that I think for real?

1:12:39.080 --> 1:12:39.920
<v Speaker 7>Was that a record for real?

1:12:39.960 --> 1:12:41.280
<v Speaker 9>Producer? Was that ego tripping?

1:12:41.560 --> 1:12:43.160
<v Speaker 4>That was okay?

1:12:43.240 --> 1:12:46.840
<v Speaker 9>That was me Teddy Riley and Quick on that record?

1:12:48.520 --> 1:12:51.280
<v Speaker 4>Was not on that record? You work like hoe.

1:12:51.320 --> 1:12:53.320
<v Speaker 9>He was not the ship.

1:12:53.840 --> 1:12:55.839
<v Speaker 4>How did y'all hold up? Man? Because he's Virginia.

1:12:56.120 --> 1:12:58.360
<v Speaker 7>And so that's something about me and Virginia. I got

1:12:58.960 --> 1:13:02.120
<v Speaker 7>a real bond with you. With Virginia, man, I fucked

1:13:02.120 --> 1:13:04.559
<v Speaker 7>with the Virginia crowd. I don't know why how, but

1:13:04.600 --> 1:13:07.280
<v Speaker 7>it's just like we just magical when we're together. It's

1:13:07.280 --> 1:13:10.519
<v Speaker 7>been like that, from timbling the parral to not even

1:13:10.520 --> 1:13:14.439
<v Speaker 7>the nigga drum like Teddy Riley, Like I just fox

1:13:14.479 --> 1:13:17.280
<v Speaker 7>with it like and then, and I never looked for it.

1:13:17.280 --> 1:13:19.160
<v Speaker 7>It was like, I'm gonna focus and niggas from Virginia.

1:13:19.200 --> 1:13:21.160
<v Speaker 7>The ship just fall in place like that, Like it

1:13:21.280 --> 1:13:24.200
<v Speaker 7>just happens like that. And every time it happens like that,

1:13:24.280 --> 1:13:27.280
<v Speaker 7>it's like it's some magical ship. And then I find

1:13:27.280 --> 1:13:29.840
<v Speaker 7>out this nigga from Virginia too. It's something in the

1:13:29.880 --> 1:13:31.200
<v Speaker 7>water man, y'all cold man.

1:13:31.479 --> 1:13:35.599
<v Speaker 6>Yeah, you also had like the only for a long time,

1:13:35.640 --> 1:13:37.280
<v Speaker 6>you had the only D'Angelo feature.

1:13:37.760 --> 1:13:39.400
<v Speaker 4>Imagine that the.

1:13:39.760 --> 1:13:44.559
<v Speaker 7>Imagine shut out to shut out to Angie Stone, Oh

1:13:44.600 --> 1:13:45.799
<v Speaker 7>my god, going to Guinea.

1:13:47.000 --> 1:13:49.360
<v Speaker 9>So y'all don't understand how hard it was to get.

1:13:55.960 --> 1:14:02.960
<v Speaker 7>Stories. I'm gonna tell mine, million all. So we call

1:14:03.040 --> 1:14:05.519
<v Speaker 7>the nigga, right, everybody scared to call him? Give me

1:14:05.520 --> 1:14:12.680
<v Speaker 7>the mother fucking phone DeAngelo. Hey, nigga is snoop yah

1:14:13.200 --> 1:14:15.720
<v Speaker 7>he nigga. I need them vocals because it's already wrote

1:14:15.720 --> 1:14:16.679
<v Speaker 7>pool Beard and wrote the ship.

1:14:16.720 --> 1:14:17.960
<v Speaker 9>All you gotta do is just singing this ship.

1:14:18.040 --> 1:14:18.320
<v Speaker 4>Nigga.

1:14:18.600 --> 1:14:20.680
<v Speaker 7>Understand me, and you're gonna be there with you. She

1:14:20.760 --> 1:14:23.000
<v Speaker 7>take him to the studio. He listened to it.

1:14:23.080 --> 1:14:24.640
<v Speaker 9>He like it. He go to the car and she

1:14:24.760 --> 1:14:25.240
<v Speaker 9>came back.

1:14:25.560 --> 1:14:28.320
<v Speaker 7>He left whoa Break You Off?

1:14:28.360 --> 1:14:28.760
<v Speaker 1>Part two?

1:14:30.720 --> 1:14:33.680
<v Speaker 7>Next day he comes in, he sings two lines and

1:14:33.720 --> 1:14:34.720
<v Speaker 7>then he leaves what.

1:14:35.920 --> 1:14:37.840
<v Speaker 1>You should be here?

1:14:39.760 --> 1:14:42.719
<v Speaker 7>Fourth day, Pool Beard, go sing all of that ship

1:14:42.920 --> 1:14:44.960
<v Speaker 7>and have that nigga up under you, and we're gonna

1:14:44.960 --> 1:14:47.559
<v Speaker 7>blend your voice together because this nigga keep ripping and running.

1:14:47.800 --> 1:14:49.960
<v Speaker 7>You serious listen to it.

1:14:50.400 --> 1:14:53.840
<v Speaker 6>Wow, it's him on and poo bear. He's all pool

1:14:53.960 --> 1:14:54.719
<v Speaker 6>from fifteen hundred.

1:14:55.479 --> 1:14:57.960
<v Speaker 7>He used to be with Scott Stores that one, okay, gotcha?

1:14:58.120 --> 1:14:58.320
<v Speaker 4>Yeah.

1:14:58.439 --> 1:15:01.640
<v Speaker 7>He used to write for Justin to be Yeah, but

1:15:01.680 --> 1:15:03.479
<v Speaker 7>that was but you know I had to me and

1:15:03.520 --> 1:15:05.560
<v Speaker 7>my conversation with him, and then Angie she pulled it

1:15:05.600 --> 1:15:07.120
<v Speaker 7>all together. Like That's why I got to give her

1:15:07.120 --> 1:15:09.920
<v Speaker 7>a shout out, because she was instrumental. I'm going to

1:15:09.960 --> 1:15:12.120
<v Speaker 7>get him. I'm finna make it happen, and like she

1:15:12.360 --> 1:15:14.800
<v Speaker 7>was really a soldier, you understand me, Like going to

1:15:14.840 --> 1:15:15.799
<v Speaker 7>make shit happen.

1:15:15.880 --> 1:15:17.240
<v Speaker 4>Man, what year was that?

1:15:17.840 --> 1:15:22.639
<v Speaker 1>Two thousand and three and two thousand and six album

1:15:22.680 --> 1:15:25.760
<v Speaker 1>came out in two thousand. Yeah that sounds just about right, man,

1:15:26.280 --> 1:15:31.120
<v Speaker 1>Like you have to well, you know, rap your story right. Yes, Yeah,

1:15:31.400 --> 1:15:34.680
<v Speaker 1>physically got on the plane to knocked on his door.

1:15:36.640 --> 1:15:38.080
<v Speaker 4>To make him come to the video. Shoot.

1:15:39.800 --> 1:15:43.240
<v Speaker 12>Every generation needs one. It's fine, fine, fine.

1:15:44.880 --> 1:15:48.960
<v Speaker 11>Whoever seven thousand private jet, whoever d is? Every generation

1:15:49.080 --> 1:15:50.280
<v Speaker 11>needs one. It's all I'm saying.

1:15:52.479 --> 1:15:57.920
<v Speaker 7>And then I just feel goody me. Biggie Puffy, a

1:15:57.920 --> 1:16:00.040
<v Speaker 7>couple of my cousins were in New York for he

1:16:00.080 --> 1:16:05.040
<v Speaker 7>ange little concert. Supposed to get on it nine twelve thirty.

1:16:05.040 --> 1:16:07.760
<v Speaker 7>We out there still smoking one in the morning, Me

1:16:07.800 --> 1:16:08.879
<v Speaker 7>and Biggie fall asleep.

1:16:10.720 --> 1:16:11.240
<v Speaker 9>Two thirty.

1:16:11.280 --> 1:16:13.559
<v Speaker 7>The nigga finally hit the stage and do five songs

1:16:13.560 --> 1:16:13.920
<v Speaker 7>and leave.

1:16:14.120 --> 1:16:14.320
<v Speaker 4>Wow.

1:16:14.960 --> 1:16:16.360
<v Speaker 7>Wow, didn't even do them.

1:16:16.360 --> 1:16:17.160
<v Speaker 9>While I liked.

1:16:20.800 --> 1:16:25.200
<v Speaker 7>That this nigga didn't do double fine, nigga, you didn't

1:16:25.200 --> 1:16:25.360
<v Speaker 7>do it?

1:16:26.320 --> 1:16:28.240
<v Speaker 4>Yeah, man, what's it like? You work?

1:16:28.280 --> 1:16:29.880
<v Speaker 6>It's another one my homeboys. You work with a lot

1:16:29.960 --> 1:16:33.280
<v Speaker 6>Denan Porter, Oh, what's man in the studio?

1:16:33.360 --> 1:16:37.360
<v Speaker 7>Twelve like Me and Detroit got a cold, Cold Cold

1:16:37.400 --> 1:16:40.479
<v Speaker 7>Twist two then nin like I discovered hear him off

1:16:40.520 --> 1:16:44.760
<v Speaker 7>of like Nigga's not taking his beats, Like he's a

1:16:44.840 --> 1:16:46.960
<v Speaker 7>nigga on the sideline and I'm listening to that nigga.

1:16:46.960 --> 1:16:48.120
<v Speaker 9>Be's like, Oh, they don't want that.

1:16:48.760 --> 1:16:51.840
<v Speaker 7>They don't want that. He didn't want that. Get here

1:16:52.720 --> 1:16:55.000
<v Speaker 7>and you can stay on the hook, nigga. You know

1:16:55.040 --> 1:16:57.200
<v Speaker 7>what I'm saying that I am mind the kind nigga

1:16:57.200 --> 1:16:58.599
<v Speaker 7>toll be. Oh man, it sounds awesome. If we can

1:16:58.640 --> 1:17:02.760
<v Speaker 7>get our Chris Brown or may be Jeremi had senig

1:17:03.080 --> 1:17:05.719
<v Speaker 7>something niggas stay on there, see if you can become

1:17:05.800 --> 1:17:06.360
<v Speaker 7>something nigga.

1:17:06.680 --> 1:17:09.160
<v Speaker 4>Yeah, her him and the girl Tone Treasure.

1:17:10.880 --> 1:17:14.320
<v Speaker 7>Nigga, what nigga? I got hits with her, he around

1:17:14.360 --> 1:17:16.320
<v Speaker 7>the world hits.

1:17:16.800 --> 1:17:18.680
<v Speaker 4>She go go, go, go go.

1:17:19.439 --> 1:17:21.400
<v Speaker 9>That is one of the most talented females I've ever

1:17:21.439 --> 1:17:22.320
<v Speaker 9>worked with in the studio.

1:17:23.160 --> 1:17:26.200
<v Speaker 12>Yeah, So, Snoop, where are you at musically right now?

1:17:26.240 --> 1:17:30.600
<v Speaker 11>Because you didn't done pretty much everything done country I

1:17:30.640 --> 1:17:31.479
<v Speaker 11>couldn't remember.

1:17:31.920 --> 1:17:34.600
<v Speaker 12>I feel like you have I feel like a will record.

1:17:36.600 --> 1:17:37.479
<v Speaker 4>Record that actually might be.

1:17:37.680 --> 1:17:39.920
<v Speaker 12>I mean a bluegrass I can see that. I don't

1:17:40.200 --> 1:17:41.120
<v Speaker 12>like where you at.

1:17:41.240 --> 1:17:42.400
<v Speaker 9>Well, I have a couple of things that.

1:17:42.400 --> 1:17:45.040
<v Speaker 4>I'm working on. Bluegrass has a lot of connotations.

1:17:45.160 --> 1:17:45.960
<v Speaker 9>Does I like that?

1:17:49.040 --> 1:17:51.439
<v Speaker 4>Way you gotta come to North Carolina to do it?

1:17:51.560 --> 1:17:52.000
<v Speaker 9>May happen.

1:17:52.800 --> 1:17:54.600
<v Speaker 7>Well, right now, I just finished the EP with the

1:17:54.880 --> 1:17:58.599
<v Speaker 7>Dave East We did a nice little EP together, east

1:17:58.600 --> 1:18:00.439
<v Speaker 7>Side Stories, Ship.

1:18:01.240 --> 1:18:04.800
<v Speaker 6>Dame, Well the Dame thing on two. I was thinking,

1:18:04.800 --> 1:18:06.679
<v Speaker 6>you say east Side Stores the east Siders.

1:18:06.920 --> 1:18:11.320
<v Speaker 7>Yeah, oh yeah, Trady, God, Yeah, what I got? I

1:18:11.400 --> 1:18:13.639
<v Speaker 7>got a new single that I just did for them

1:18:14.160 --> 1:18:17.320
<v Speaker 7>for to Meet the Blacks to soundtrack. I may want

1:18:17.360 --> 1:18:19.200
<v Speaker 7>to play for y'all in the studio, let y'all get away,

1:18:20.000 --> 1:18:21.519
<v Speaker 7>but it's gonna be the lead single off for the

1:18:21.600 --> 1:18:24.040
<v Speaker 7>Meet the Blacks to soundtrack produced by battle Cat.

1:18:24.320 --> 1:18:28.040
<v Speaker 1>Yes, okay, that's what I mean.

1:18:28.120 --> 1:18:32.200
<v Speaker 7>I learned he's going, don't look at the clock, keep talking,

1:18:33.080 --> 1:18:40.400
<v Speaker 7>watch that man, look out the clock. I pushed Paul's

1:18:40.439 --> 1:18:40.560
<v Speaker 7>on it.

1:18:40.600 --> 1:18:41.000
<v Speaker 9>Don't want to.

1:18:42.680 --> 1:18:44.400
<v Speaker 1>You're talking the walk away because I'm scared of that.

1:18:50.120 --> 1:18:52.240
<v Speaker 4>Talking about battle He is just another one of those

1:18:52.320 --> 1:18:55.000
<v Speaker 4>dudes that just so underrated.

1:18:54.560 --> 1:18:55.840
<v Speaker 9>So unsung.

1:18:55.920 --> 1:19:00.479
<v Speaker 7>He Battle Cat is like Doctor Dre on stereo to me,

1:19:01.040 --> 1:19:03.880
<v Speaker 7>because you know he's always been that that spot to

1:19:03.960 --> 1:19:06.680
<v Speaker 7>fill in the blank. When Dre is on hiatus for

1:19:06.800 --> 1:19:09.160
<v Speaker 7>making music, Battle Cat always feel in the blank spots

1:19:09.479 --> 1:19:12.200
<v Speaker 7>with some good music, that feel good, that got great bottom,

1:19:12.280 --> 1:19:15.360
<v Speaker 7>that got great musical arrangement, nights singing. So it's like,

1:19:15.479 --> 1:19:17.519
<v Speaker 7>you know, he feels in the blank and he does

1:19:17.600 --> 1:19:19.840
<v Speaker 7>his part because he is a part of Uncle Jam's army.

1:19:20.320 --> 1:19:23.320
<v Speaker 7>So he's been around since to get around and he

1:19:23.439 --> 1:19:24.920
<v Speaker 7>produced Domino's first album.

1:19:25.720 --> 1:19:27.439
<v Speaker 4>We were talking about that earlier, that East Side is

1:19:27.479 --> 1:19:28.479
<v Speaker 4>the albums just expect.

1:19:30.920 --> 1:19:34.080
<v Speaker 7>We did that at my house in Claremont, Like that's

1:19:34.120 --> 1:19:35.880
<v Speaker 7>when we used to make records in my living room,

1:19:36.000 --> 1:19:38.120
<v Speaker 7>like on some real shit like Trade and Goldie Lope

1:19:38.400 --> 1:19:41.400
<v Speaker 7>from two different neighborhoods, Goldie from my neighborhood twenty Crip

1:19:41.880 --> 1:19:45.000
<v Speaker 7>and Trade from Masane. And we all started together when

1:19:45.040 --> 1:19:47.680
<v Speaker 7>the fresh Vest was happening. We was all together. Then

1:19:47.720 --> 1:19:51.880
<v Speaker 7>an incident happened where they separated, and this was like

1:19:52.040 --> 1:19:54.400
<v Speaker 7>us bringing it back together again on the music tip

1:19:54.720 --> 1:19:56.639
<v Speaker 7>and putting the hood back together. So when we put

1:19:56.760 --> 1:19:59.599
<v Speaker 7>the east Siders together, it was a movement in the streets.

1:20:00.120 --> 1:20:03.639
<v Speaker 7>That really was the real movement on we Ain't killing

1:20:03.680 --> 1:20:04.360
<v Speaker 7>each other no more?

1:20:05.560 --> 1:20:09.560
<v Speaker 6>Man, you please tell me there's an unreleased album or

1:20:09.800 --> 1:20:10.559
<v Speaker 6>something coming out?

1:20:11.320 --> 1:20:14.040
<v Speaker 4>Brother, where is LaToya will? I was gonna ask about her.

1:20:14.240 --> 1:20:17.759
<v Speaker 7>Bruh Wreatha Frankment just passed away, rest in piece of RYTHD.

1:20:17.960 --> 1:20:21.679
<v Speaker 7>That was like the closest thing to like I always said,

1:20:21.720 --> 1:20:23.920
<v Speaker 7>I never made a record with Aretha, but I made

1:20:23.960 --> 1:20:25.080
<v Speaker 7>a record with a wreath.

1:20:24.800 --> 1:20:28.040
<v Speaker 9>Of Spirit with toy Like. I don't know, man, I

1:20:28.080 --> 1:20:29.080
<v Speaker 9>don't know what she on right now.

1:20:29.120 --> 1:20:31.439
<v Speaker 7>I love her voice. I really love to see if

1:20:31.479 --> 1:20:33.000
<v Speaker 7>she'd like to get back in the studio again. So

1:20:33.040 --> 1:20:35.320
<v Speaker 7>if you're listening to it, we love for you to

1:20:35.360 --> 1:20:35.760
<v Speaker 7>come back in.

1:20:35.840 --> 1:20:39.320
<v Speaker 6>And yeah, her and Knats was doing something for a

1:20:39.360 --> 1:20:41.120
<v Speaker 6>little bit and then I don't know whatever.

1:20:41.120 --> 1:20:43.120
<v Speaker 7>It came the follow through. Some some people don't have

1:20:43.160 --> 1:20:44.639
<v Speaker 7>that follow through, you know what I'm saying. It takes

1:20:44.680 --> 1:20:46.000
<v Speaker 7>the team to make sure that you got the whole

1:20:46.040 --> 1:20:46.559
<v Speaker 7>follow through.

1:20:48.240 --> 1:20:50.600
<v Speaker 4>Oh okay, so.

1:20:52.160 --> 1:20:56.160
<v Speaker 6>The record of it was on the Snoops it was

1:20:56.240 --> 1:20:58.080
<v Speaker 6>the compilation record Doghouse Records.

1:20:58.120 --> 1:20:59.960
<v Speaker 4>Compilation? Was it that one doing with Trump?

1:21:01.320 --> 1:21:01.439
<v Speaker 11>Oh?

1:21:01.560 --> 1:21:03.720
<v Speaker 9>Trouble Trouble guess where you're from.

1:21:04.000 --> 1:21:05.799
<v Speaker 1>Where Virginia?

1:21:07.160 --> 1:21:10.400
<v Speaker 7>For real nigga named Vinnie. Guess where I met him?

1:21:10.400 --> 1:21:15.280
<v Speaker 7>At Nigga seven eleven. It was snowing my night. Wait what, nigga,

1:21:15.479 --> 1:21:18.479
<v Speaker 7>It was snowing one night Nigga seven eleven. Nigga and

1:21:18.600 --> 1:21:21.120
<v Speaker 7>I get out the little van and go buy me

1:21:21.200 --> 1:21:24.360
<v Speaker 7>something out of the store right in Virginia. The nigga like,

1:21:24.640 --> 1:21:27.080
<v Speaker 7>got to CD, man, I make music, Like, let me

1:21:27.120 --> 1:21:28.960
<v Speaker 7>hear this motherfucker. I said, I it's white. Niggam gonna

1:21:28.960 --> 1:21:31.559
<v Speaker 7>slang that motherfucker on the freeway. Get in the van,

1:21:31.680 --> 1:21:35.599
<v Speaker 7>were riding. This nigga should sound good. This nigga got arrangement,

1:21:35.680 --> 1:21:38.560
<v Speaker 7>and this nigga got toned, and I'm like, nigga, I

1:21:38.640 --> 1:21:40.800
<v Speaker 7>call a nigga like, Nigga, your shit hard, nigga, Let

1:21:40.840 --> 1:21:43.360
<v Speaker 7>me let me buy that song. So I bought that

1:21:43.479 --> 1:21:45.680
<v Speaker 7>song Trouble and put it on my ship. And then

1:21:45.720 --> 1:21:47.479
<v Speaker 7>we made a couple of songs we didn't want called

1:21:47.520 --> 1:21:50.840
<v Speaker 7>a uh just Get carried Away.

1:21:52.520 --> 1:21:58.040
<v Speaker 4>And my uncle Rell, Oh wow, okay, yep, that was another.

1:21:58.120 --> 1:22:00.439
<v Speaker 6>It was on that album you had. It was the

1:22:00.479 --> 1:22:04.280
<v Speaker 6>Trouble record and it was somebody else. God Man who

1:22:04.320 --> 1:22:05.720
<v Speaker 6>was on that record? I used to I used to

1:22:05.760 --> 1:22:06.240
<v Speaker 6>play the hell.

1:22:06.120 --> 1:22:08.040
<v Speaker 4>Out of that album. It was another cat that you've

1:22:08.120 --> 1:22:10.640
<v Speaker 4>oh tripping superfly? What's going on with him?

1:22:12.600 --> 1:22:14.560
<v Speaker 7>He got a song right now on to Meet the

1:22:14.600 --> 1:22:16.759
<v Speaker 7>Black soundtrack that's called Past the Sticks.

1:22:17.400 --> 1:22:18.640
<v Speaker 9>I like to play that for y'all us.

1:22:18.640 --> 1:22:22.599
<v Speaker 1>When does it come out? The soundtrack went up next month,

1:22:23.560 --> 1:22:24.360
<v Speaker 1>the next month.

1:22:24.200 --> 1:22:24.599
<v Speaker 9>Of to be Out.

1:22:29.040 --> 1:22:31.240
<v Speaker 4>It's it's not. I don't know he was. I think

1:22:31.280 --> 1:22:34.320
<v Speaker 4>he was one D Dre's camp, but nocturnal. Is he still?

1:22:35.920 --> 1:22:37.680
<v Speaker 7>I heard from him minute minute? Yeah, he was, Uh

1:22:37.760 --> 1:22:39.760
<v Speaker 7>what with the circle? You know he was in the crew,

1:22:40.320 --> 1:22:41.880
<v Speaker 7>but I ain't heard from him in a minute. You know,

1:22:42.200 --> 1:22:43.760
<v Speaker 7>this is the one wild West you got to stay

1:22:43.760 --> 1:22:44.320
<v Speaker 7>in at the winning.

1:22:45.760 --> 1:22:47.760
<v Speaker 11>I just ask, at what point in your career did

1:22:47.800 --> 1:22:51.719
<v Speaker 11>you know that you could sell things to all of America?

1:22:51.800 --> 1:22:54.320
<v Speaker 12>Like it was a point where you crossed over white people. Yeah,

1:22:54.400 --> 1:22:54.960
<v Speaker 12>to white people.

1:22:54.960 --> 1:22:57.840
<v Speaker 1>What was like, how did you get Martha Stewart's trust?

1:22:58.200 --> 1:22:58.400
<v Speaker 4>Yeah?

1:23:00.080 --> 1:23:05.840
<v Speaker 11>Start, but yeah, beforet it was before all of that though.

1:23:05.880 --> 1:23:08.479
<v Speaker 12>It was before Martha Stewart. It's been for a while now,

1:23:08.520 --> 1:23:08.920
<v Speaker 12>you've been in.

1:23:08.920 --> 1:23:12.800
<v Speaker 13>The Charisma goes a long ass way.

1:23:13.360 --> 1:23:15.960
<v Speaker 1>Most charismatic people aren't talented.

1:23:16.200 --> 1:23:16.920
<v Speaker 12>But it must have been.

1:23:17.320 --> 1:23:19.360
<v Speaker 11>It must have been a point though where you were like, ship,

1:23:19.720 --> 1:23:21.880
<v Speaker 11>look at this, they're paying attention, and they gonna let

1:23:21.920 --> 1:23:23.080
<v Speaker 11>me sell this to everybody.

1:23:23.680 --> 1:23:25.800
<v Speaker 7>You know, whatever it was, it's like you don't never

1:23:25.880 --> 1:23:29.240
<v Speaker 7>realize until it actually happens, Like because you don't. Nobody

1:23:29.320 --> 1:23:32.160
<v Speaker 7>really watches their highlights while they playing the game, you know,

1:23:32.960 --> 1:23:38.640
<v Speaker 7>like true superstars, they don't really you know, look at that.

1:23:38.720 --> 1:23:41.320
<v Speaker 7>They're too busy trying to get more highlights. And then

1:23:41.360 --> 1:23:42.599
<v Speaker 7>at the end of the day, then I'll be able

1:23:42.600 --> 1:23:44.960
<v Speaker 7>to look back and say, Wow, I didn't realize I

1:23:45.120 --> 1:23:46.760
<v Speaker 7>was doing X, Y, and Z. Right now, I'm just

1:23:46.840 --> 1:23:49.600
<v Speaker 7>doing me and all the opportunities that that happen to

1:23:49.680 --> 1:23:52.080
<v Speaker 7>fall my direction, I try to make the most of

1:23:52.160 --> 1:23:54.919
<v Speaker 7>them and try to put things together that are gonna.

1:23:54.680 --> 1:23:55.479
<v Speaker 9>Be here for the future.

1:23:55.520 --> 1:23:57.320
<v Speaker 7>I had like stages of my life when I didn't

1:23:57.320 --> 1:23:59.800
<v Speaker 7>really give a fuck about the future, and I feel

1:23:59.840 --> 1:24:01.880
<v Speaker 7>like those moments are see many and they mean a

1:24:01.960 --> 1:24:04.880
<v Speaker 7>lot because they helped raise people and they helped cement

1:24:05.080 --> 1:24:06.680
<v Speaker 7>who I was and how I'm supposed to do it.

1:24:07.200 --> 1:24:09.280
<v Speaker 7>Then his stages in my life where was like I

1:24:09.360 --> 1:24:12.720
<v Speaker 7>gotta mean something. I gotta like give some information and

1:24:12.840 --> 1:24:15.680
<v Speaker 7>direction because now I'm on the on the level of

1:24:16.080 --> 1:24:18.560
<v Speaker 7>one who has that, and I shouldn't be selfish and

1:24:18.640 --> 1:24:19.719
<v Speaker 7>try to keep it to myself.

1:24:21.080 --> 1:24:23.080
<v Speaker 4>How long did Jun Pharrell work on the Bush album?

1:24:23.640 --> 1:24:25.479
<v Speaker 4>I love that recormend and I don't know.

1:24:26.520 --> 1:24:30.439
<v Speaker 9>What Bruno Moore's album. It sounded just like.

1:24:33.439 --> 1:24:36.840
<v Speaker 7>Now that's sound like a the Spruntle nigadamous front Now

1:24:36.920 --> 1:24:38.960
<v Speaker 7>Bruno Moore shout out to Bruno for writing a young,

1:24:39.040 --> 1:24:41.960
<v Speaker 7>Wild and Free and not wanting no credit.

1:24:42.439 --> 1:24:43.360
<v Speaker 4>Oh he wrote that one.

1:24:43.520 --> 1:24:46.080
<v Speaker 9>Yeah, wow mm hmm.

1:24:46.120 --> 1:24:49.840
<v Speaker 7>He was going through some things judicially, So we worked

1:24:49.880 --> 1:24:51.519
<v Speaker 7>it out to where I wrote it and you know

1:24:51.720 --> 1:24:52.360
<v Speaker 7>he wrote it it.

1:24:52.720 --> 1:24:55.519
<v Speaker 1>Wait, I forgot we did that together. Yeah, you came

1:24:55.600 --> 1:24:58.160
<v Speaker 1>to the show. It was Bruno back when I knew

1:24:58.160 --> 1:24:58.840
<v Speaker 1>who Bruno was.

1:24:58.960 --> 1:25:03.519
<v Speaker 7>Yes, know you and uh yeah, see quest I forgot

1:25:04.080 --> 1:25:05.200
<v Speaker 7>every nigga, Yeah.

1:25:05.280 --> 1:25:05.719
<v Speaker 1>I forgot.

1:25:05.880 --> 1:25:07.880
<v Speaker 4>It's like, what's your name?

1:25:07.960 --> 1:25:08.240
<v Speaker 1>Bruno?

1:25:08.439 --> 1:25:09.880
<v Speaker 13>Okay, nice to meet you.

1:25:10.400 --> 1:25:14.200
<v Speaker 7>Now look at him, now, who are you? Nigga?

1:25:14.200 --> 1:25:15.000
<v Speaker 4>Who is your right?

1:25:16.320 --> 1:25:21.400
<v Speaker 6>On the California Road joint with Stevie watched it, Watch

1:25:21.479 --> 1:25:21.760
<v Speaker 6>this moment.

1:25:21.800 --> 1:25:24.680
<v Speaker 7>I got tell you the moment first, so we're up

1:25:24.720 --> 1:25:27.160
<v Speaker 7>there with the music right. First of all, he made

1:25:27.200 --> 1:25:30.840
<v Speaker 7>the song the school Boy Q, school Boy the school

1:25:30.840 --> 1:25:32.759
<v Speaker 7>Boy Q that morning. It was for like a remix

1:25:33.040 --> 1:25:35.439
<v Speaker 7>or something. He didn't morning I heard, I was like, Nigga,

1:25:35.439 --> 1:25:37.519
<v Speaker 7>I need that nigga. That shit hard give me that.

1:25:37.800 --> 1:25:40.040
<v Speaker 7>I'm a sing and I'm gonna have my nigga, James

1:25:40.080 --> 1:25:41.360
<v Speaker 7>Fundroy write my verses.

1:25:41.439 --> 1:25:43.600
<v Speaker 9>So that way I got some some melody about it.

1:25:44.080 --> 1:25:46.920
<v Speaker 7>So then I'm listening to Pharaal saying, I'm like, so

1:25:47.040 --> 1:25:48.920
<v Speaker 7>now we're in the studio, I'm smoking.

1:25:49.000 --> 1:25:50.559
<v Speaker 9>I'm like, we need to get Stevie one on.

1:25:50.640 --> 1:25:53.640
<v Speaker 7>This mother, Like you got his number? Like, yeah, I

1:25:53.680 --> 1:25:57.880
<v Speaker 7>got the nigga number. Nigga. Hold on, Stevie, what's hadding it?

1:25:58.400 --> 1:25:58.559
<v Speaker 5>Hey?

1:25:58.800 --> 1:26:01.120
<v Speaker 7>Hey, I need you have to studio, nigga. What you're doing?

1:26:01.160 --> 1:26:01.280
<v Speaker 1>Man?

1:26:01.280 --> 1:26:02.760
<v Speaker 7>I got to hit record with me and forhar Real.

1:26:03.240 --> 1:26:07.120
<v Speaker 7>I'll be right there. Stevie comes to the studio. Now,

1:26:07.439 --> 1:26:09.519
<v Speaker 7>mind you, me and Pharreal in the studio were smoking.

1:26:09.720 --> 1:26:12.040
<v Speaker 7>He ain't smoking, but we smoking. He right next to us.

1:26:12.040 --> 1:26:13.840
<v Speaker 13>He's smoking him out the fuck out.

1:26:18.400 --> 1:26:19.920
<v Speaker 9>So now Stevie get there, right.

1:26:20.479 --> 1:26:22.800
<v Speaker 7>So Stevie listening to the record in the in the

1:26:22.960 --> 1:26:24.639
<v Speaker 7>in the room with us. Then he going to booth.

1:26:25.680 --> 1:26:27.760
<v Speaker 7>So he in there f the sing. He got his

1:26:27.840 --> 1:26:29.960
<v Speaker 7>head fus on. He's singing, and I'm like, for real,

1:26:30.040 --> 1:26:33.360
<v Speaker 7>tell him what to do and for real, like m

1:26:35.360 --> 1:26:38.519
<v Speaker 7>I said, because Stevie, been in there for five minutes,

1:26:38.560 --> 1:26:40.360
<v Speaker 7>cause you ain't told cause nothing. He just sitting in

1:26:40.439 --> 1:26:43.360
<v Speaker 7>the booth for like five minutes. I'm like, first of all,

1:26:43.439 --> 1:26:45.160
<v Speaker 7>somebody need to go in there for that nigga fall.

1:26:48.080 --> 1:26:48.920
<v Speaker 7>So he don't say that.

1:26:49.040 --> 1:26:50.960
<v Speaker 9>I'm like, cud tell the nigga what to do because

1:26:51.000 --> 1:26:51.880
<v Speaker 9>so he don't say nothing.

1:26:51.880 --> 1:26:55.320
<v Speaker 7>So he pushed the little thing I said Stevie Pharrell said,

1:26:56.320 --> 1:26:58.439
<v Speaker 7>sing on this part and sing on that part.

1:26:58.560 --> 1:26:59.479
<v Speaker 9>So he started singing.

1:27:00.320 --> 1:27:02.240
<v Speaker 7>He doing this thing, and I'm like, for real, tell

1:27:02.280 --> 1:27:04.320
<v Speaker 7>the nigga be comes. This ain't my expertise. I don't

1:27:04.320 --> 1:27:06.559
<v Speaker 7>do all that. But niggas is saying, I just sit

1:27:06.640 --> 1:27:08.280
<v Speaker 7>back and watch nigga. You're suposed to telling him to

1:27:08.320 --> 1:27:11.479
<v Speaker 7>do the runs. And this nigga, for real, just sitting

1:27:11.520 --> 1:27:12.360
<v Speaker 7>there stuck.

1:27:13.800 --> 1:27:14.599
<v Speaker 9>Some of the coaching.

1:27:14.640 --> 1:27:16.160
<v Speaker 7>Stevie. I'm like, I know, I'm for the fuck this

1:27:16.280 --> 1:27:18.519
<v Speaker 7>song all right, Stephen, When you get you this part,

1:27:18.560 --> 1:27:23.559
<v Speaker 7>need you to go. And then Steven did you bring

1:27:23.640 --> 1:27:24.280
<v Speaker 7>your harmonica?

1:27:24.720 --> 1:27:25.000
<v Speaker 4>Wow?

1:27:25.439 --> 1:27:28.160
<v Speaker 7>Did you bring it? Pull it out? All right, Stevie,

1:27:28.240 --> 1:27:31.160
<v Speaker 7>just play anything you want. When Pharrell gets sober, we're

1:27:31.160 --> 1:27:35.719
<v Speaker 7>gonna take the best part. And that's how that motherfucker

1:27:35.800 --> 1:27:38.720
<v Speaker 7>song came about. I ain't making this ship up.

1:27:39.280 --> 1:27:40.880
<v Speaker 4>Thank you over, I love it.

1:27:41.280 --> 1:27:42.519
<v Speaker 13>I love it too, Thank you, thank you.

1:27:42.880 --> 1:27:45.320
<v Speaker 12>Can I ask one week question? Okay, yeah, because I

1:27:45.360 --> 1:27:46.559
<v Speaker 12>got a few, so listen.

1:27:47.040 --> 1:27:50.200
<v Speaker 7>First of all, that's not like a black woman. Can

1:27:50.240 --> 1:27:52.679
<v Speaker 7>I asked one week question there because I got a few.

1:27:53.080 --> 1:27:54.400
<v Speaker 11>Well, I wanted to go back to my roll call

1:27:54.439 --> 1:27:56.200
<v Speaker 11>because I was serious about this question because it's been

1:27:56.240 --> 1:27:58.280
<v Speaker 11>like some documentaries and some studies and whatnot, and I

1:27:58.360 --> 1:28:00.559
<v Speaker 11>wanted to know your opinion on what people are saying

1:28:00.560 --> 1:28:03.160
<v Speaker 11>about the Indica versus s Tativa and saying that it's

1:28:03.479 --> 1:28:05.600
<v Speaker 11>it's all bullshit, Like where are you with that?

1:28:05.760 --> 1:28:05.920
<v Speaker 4>Well?

1:28:05.920 --> 1:28:08.639
<v Speaker 7>I think that sativa is for certain people and Indicas

1:28:08.680 --> 1:28:11.000
<v Speaker 7>for certain people. That's whatever you make it is. It's

1:28:11.040 --> 1:28:14.760
<v Speaker 7>like some people like gins, some people like uh whiskey, some.

1:28:14.800 --> 1:28:17.320
<v Speaker 13>People like bring it down to like a kindergarten.

1:28:17.240 --> 1:28:22.080
<v Speaker 7>To versus Indica is for the aggressive, for the ones

1:28:22.200 --> 1:28:23.720
<v Speaker 7>like myself, the ones who've been doing it for a

1:28:23.800 --> 1:28:26.519
<v Speaker 7>long time. We need like a high tolerance who looking

1:28:26.560 --> 1:28:30.439
<v Speaker 7>for the highest level of getting there. Sativa is more

1:28:30.439 --> 1:28:33.080
<v Speaker 7>of a female relaxation.

1:28:33.439 --> 1:28:33.600
<v Speaker 4>You know.

1:28:33.920 --> 1:28:36.840
<v Speaker 12>To me down, I never heard it described.

1:28:37.680 --> 1:28:39.600
<v Speaker 9>It's real. I don't see a lot of niggas that

1:28:39.760 --> 1:28:41.840
<v Speaker 9>be like, you want to hit this sativa.

1:28:43.120 --> 1:28:45.000
<v Speaker 7>Damn so fast?

1:28:46.760 --> 1:28:48.519
<v Speaker 9>You got a flower with that too, nigga.

1:28:48.920 --> 1:28:50.880
<v Speaker 11>But the word is that it's not real. The concept

1:28:50.960 --> 1:28:52.400
<v Speaker 11>is not real. That's what I was saying. The word

1:28:52.479 --> 1:28:54.679
<v Speaker 11>is that the concept is not real. And some bullshit

1:28:54.880 --> 1:28:57.840
<v Speaker 11>Indica and different so that that is.

1:28:57.960 --> 1:29:01.759
<v Speaker 7>Very real because they're two different and strange. They're two different.

1:29:01.800 --> 1:29:03.800
<v Speaker 7>How would I explain that, Frank? What are they two different?

1:29:03.840 --> 1:29:09.599
<v Speaker 4>What I want to make you want to go to sleep,

1:29:09.640 --> 1:29:10.880
<v Speaker 4>the other one will keep you up eating.

1:29:11.439 --> 1:29:15.880
<v Speaker 7>Yes, it's like like a relax like Sativa is more

1:29:16.000 --> 1:29:20.479
<v Speaker 7>like connected with medical you know, because it's the yeah, exactly.

1:29:20.560 --> 1:29:23.880
<v Speaker 7>And then the Indicas like the party ship where all

1:29:23.920 --> 1:29:25.960
<v Speaker 7>the rappers and you know what I'm saying, the high

1:29:26.080 --> 1:29:27.599
<v Speaker 7>energy and you got ship to do when you're trying

1:29:27.640 --> 1:29:28.160
<v Speaker 7>to get it done.

1:29:28.200 --> 1:29:29.719
<v Speaker 9>And you know what I'm saying I've.

1:29:29.560 --> 1:29:31.320
<v Speaker 6>Heard what I've heard described, and I don't know if

1:29:31.320 --> 1:29:34.000
<v Speaker 6>it's in different strains within them, but like one is

1:29:34.080 --> 1:29:36.880
<v Speaker 6>like a body high and one is overhead high. So

1:29:37.000 --> 1:29:39.040
<v Speaker 6>which one would you recommend, like for pain, like for

1:29:39.400 --> 1:29:41.439
<v Speaker 6>like joints off writers out that kind of ship, which

1:29:41.479 --> 1:29:42.400
<v Speaker 6>one words better for pain?

1:29:43.120 --> 1:29:44.680
<v Speaker 9>You would have to be prescribed. I would go to

1:29:44.760 --> 1:29:46.400
<v Speaker 9>a real, real ship.

1:29:46.560 --> 1:29:48.280
<v Speaker 4>You could go to a real yeah.

1:29:48.200 --> 1:29:50.360
<v Speaker 9>Dispecially and go see a real doctor and they'll tell

1:29:50.400 --> 1:29:51.240
<v Speaker 9>you exactly.

1:29:50.960 --> 1:29:54.280
<v Speaker 4>What rub some tossing on it? Are you?

1:29:54.520 --> 1:29:57.120
<v Speaker 1>Are you looking to get into the dispensary games?

1:29:57.160 --> 1:29:57.400
<v Speaker 7>That's what?

1:29:58.120 --> 1:30:01.040
<v Speaker 12>No, not that game you That's what I was gonna say.

1:30:01.040 --> 1:30:02.840
<v Speaker 12>How invested are you in that? In that game?

1:30:03.120 --> 1:30:06.679
<v Speaker 7>Snow premium nutrients, That's what I was going to speak

1:30:06.720 --> 1:30:09.000
<v Speaker 7>about that. Just think about what a nutrient is. A

1:30:09.080 --> 1:30:13.280
<v Speaker 7>nutrient is what you need to grow the flower. So

1:30:13.680 --> 1:30:21.880
<v Speaker 7>everyone who grows flowers, I know.

1:30:22.120 --> 1:30:23.360
<v Speaker 12>Some genius you was gonna drop.

1:30:24.880 --> 1:30:25.439
<v Speaker 7>I don't want to.

1:30:28.280 --> 1:30:28.719
<v Speaker 1>Stadium.

1:30:29.080 --> 1:30:30.880
<v Speaker 7>I don't want to be the grass that they playing

1:30:31.000 --> 1:30:31.519
<v Speaker 7>on man.

1:30:34.160 --> 1:30:34.800
<v Speaker 1>That every night.

1:30:35.880 --> 1:30:37.439
<v Speaker 7>I can't play the game without grass.

1:30:39.280 --> 1:30:41.400
<v Speaker 13>Just wow, you just give me food for thought.

1:30:42.400 --> 1:30:44.160
<v Speaker 7>Yeah, go that direction. You know what I'm saying, because

1:30:44.479 --> 1:30:48.960
<v Speaker 7>I can trying to everybody because it's a race horse?

1:30:49.120 --> 1:30:52.080
<v Speaker 9>Is it public to get to the pinnacle of I

1:30:52.160 --> 1:30:53.600
<v Speaker 9>got the best product. I'm doing this.

1:30:53.720 --> 1:30:56.880
<v Speaker 7>I'm in this industry. But it's like alcohol. This probably

1:30:56.880 --> 1:30:59.840
<v Speaker 7>happened when alcohol was pro prohibition. When it became what

1:31:00.000 --> 1:31:03.200
<v Speaker 7>I were legal, it was probably sixteen seventeen different brands

1:31:03.240 --> 1:31:06.280
<v Speaker 7>that was competing, and then there were seagums. Then there

1:31:06.439 --> 1:31:08.519
<v Speaker 7>was you know, certain motherfuckers that just pushed out the

1:31:08.560 --> 1:31:11.679
<v Speaker 7>way like there were just four exactly like, ain't nothing

1:31:11.680 --> 1:31:13.519
<v Speaker 7>had any y'all can't fuck with this because we thinking

1:31:13.600 --> 1:31:14.960
<v Speaker 7>way further than y'all.

1:31:15.160 --> 1:31:16.080
<v Speaker 9>The product is better and.

1:31:16.160 --> 1:31:16.720
<v Speaker 4>We do it better.

1:31:16.840 --> 1:31:18.080
<v Speaker 12>Can you advise for the middle man?

1:31:18.120 --> 1:31:20.639
<v Speaker 11>Because literally, my my mother was like she really wants

1:31:20.640 --> 1:31:22.240
<v Speaker 11>to invest in the marijuana industry.

1:31:22.280 --> 1:31:24.160
<v Speaker 9>And tell Mama and I'll let me give me a

1:31:24.160 --> 1:31:25.240
<v Speaker 9>few dollars. I'll give a nice look.

1:31:25.360 --> 1:31:26.920
<v Speaker 12>Yoh, okay, all right, I got you.

1:31:26.960 --> 1:31:30.160
<v Speaker 7>All right, then Mama double up pack to get it going.

1:31:31.040 --> 1:31:34.880
<v Speaker 7>I got to ask bones, Yeah, what was it like

1:31:34.960 --> 1:31:40.639
<v Speaker 7>shooting at when I When I got the role Ernest Dickerson,

1:31:40.920 --> 1:31:45.519
<v Speaker 7>he was like Pam gres signed on and I was like, yeah,

1:31:45.800 --> 1:31:46.960
<v Speaker 7>you know, I'm cool as a motherfucker.

1:31:47.040 --> 1:31:47.200
<v Speaker 10>Yeah.

1:31:47.320 --> 1:31:50.080
<v Speaker 9>So he like, I got y'all flight together.

1:31:50.200 --> 1:31:52.120
<v Speaker 7>They y'all gonna fly in so that way y'all can,

1:31:52.200 --> 1:31:54.320
<v Speaker 7>you know, get acquainted because there's a lot of scenes

1:31:54.360 --> 1:31:56.160
<v Speaker 7>that y'all got together. I'm like, all right, cool, bamn,

1:31:56.240 --> 1:31:59.479
<v Speaker 7>grand nigga do this shit. Nigga flying to first go,

1:32:00.280 --> 1:32:03.479
<v Speaker 7>she flying the fresh Go. I'm sitting down. She come

1:32:03.560 --> 1:32:05.720
<v Speaker 7>behind me and tap me on the shoulder and I

1:32:05.800 --> 1:32:08.400
<v Speaker 7>look back and I'm like, damn cause it's Pam Grid.

1:32:12.680 --> 1:32:15.360
<v Speaker 7>So I'm like I look at her, give her hug,

1:32:15.439 --> 1:32:17.080
<v Speaker 7>and she like chopping it up with me for a minute.

1:32:17.080 --> 1:32:20.679
<v Speaker 7>I'm like, all right, I go to the bathroom. Nigga

1:32:20.840 --> 1:32:22.080
<v Speaker 7>just faint, just.

1:32:22.160 --> 1:32:23.920
<v Speaker 9>Fall out, boom, right on the floor.

1:32:24.479 --> 1:32:26.160
<v Speaker 7>I'm laid on the floor for like five minutes.

1:32:26.240 --> 1:32:27.840
<v Speaker 9>My security coming in, like, nigga, get off there.

1:32:28.120 --> 1:32:34.280
<v Speaker 6>Literally, nigga for real, metaphorically, Nigga, I got a heap niggas.

1:32:34.360 --> 1:32:35.320
<v Speaker 7>I've seen Pam.

1:32:37.960 --> 1:32:40.000
<v Speaker 13>Nigga said, It's like when I saw Janet Jackson.

1:32:41.040 --> 1:32:41.760
<v Speaker 7>Nigga went limp.

1:32:41.840 --> 1:32:42.080
<v Speaker 5>Nigga.

1:32:43.800 --> 1:32:45.760
<v Speaker 7>Niggas come grab me off the floor. They throwing water

1:32:45.800 --> 1:32:48.200
<v Speaker 7>and shit on the niggas. So I regroup and Nigga

1:32:48.280 --> 1:32:51.360
<v Speaker 7>are a flight. We sitting side by side the whole flight, Nigga,

1:32:51.400 --> 1:32:53.880
<v Speaker 7>my heart beating like ninety go West, and she just

1:32:54.000 --> 1:32:56.280
<v Speaker 7>chopping up with me, just being so real. She makes

1:32:56.360 --> 1:32:59.280
<v Speaker 7>me comfortable, like this is one of the only motherfuckers

1:32:59.360 --> 1:33:01.800
<v Speaker 7>ever been like struck around because I'm like, I got

1:33:01.880 --> 1:33:04.200
<v Speaker 7>scenes whatever, I gotta catch her, and I gotta so

1:33:04.240 --> 1:33:06.720
<v Speaker 7>I'm getting nervous and shit like. But then she like

1:33:06.880 --> 1:33:10.679
<v Speaker 7>break me all the way down and she like, call

1:33:10.760 --> 1:33:12.640
<v Speaker 7>your wife for me when we land, and then she

1:33:12.760 --> 1:33:14.439
<v Speaker 7>how let my wife when I land. I'm like, this

1:33:14.600 --> 1:33:18.320
<v Speaker 7>is a real fucking queen devil right here, you hear me?

1:33:19.560 --> 1:33:21.040
<v Speaker 7>And it just put me in his zone where I

1:33:21.160 --> 1:33:23.320
<v Speaker 7>was like, all right, cool and I went to set

1:33:23.600 --> 1:33:25.760
<v Speaker 7>and then Ricky Harris was there rest in peace.

1:33:26.160 --> 1:33:26.360
<v Speaker 4>Yeah.

1:33:26.760 --> 1:33:28.960
<v Speaker 7>He made my job real easy because he had already

1:33:29.000 --> 1:33:31.360
<v Speaker 7>been on many movie sets and he was just like,

1:33:31.520 --> 1:33:34.679
<v Speaker 7>Nigga killed this shit, Nigga like we used to do. Nigga,

1:33:34.760 --> 1:33:37.800
<v Speaker 7>fuck that, nigga, you know, giving me that confidence, like Nigga,

1:33:37.800 --> 1:33:39.560
<v Speaker 7>you the league, Nigga, you to start Nigga. And it

1:33:39.680 --> 1:33:42.160
<v Speaker 7>was like I needed that, not in the cocky way,

1:33:42.200 --> 1:33:44.479
<v Speaker 7>but I needed that in a confident way.

1:33:44.640 --> 1:33:46.840
<v Speaker 4>You talk about Ricky Man, because I didn't really know

1:33:47.200 --> 1:33:49.120
<v Speaker 4>much about him, but I know he was. I mean

1:33:49.200 --> 1:33:50.560
<v Speaker 4>we knew him from their comedy.

1:33:50.320 --> 1:33:52.479
<v Speaker 7>Jam and like he was like on all the skits

1:33:52.680 --> 1:33:54.200
<v Speaker 7>and the voice from the w Ball.

1:33:55.320 --> 1:33:57.880
<v Speaker 4>Yeah, what was Ricky like? Man working with him?

1:33:58.160 --> 1:34:02.960
<v Speaker 7>Funny, real, serious, Like My whole childhood was put him

1:34:02.960 --> 1:34:04.840
<v Speaker 7>in church. His father was the preacher of our church,

1:34:05.080 --> 1:34:10.840
<v Speaker 7>Reverend Richard George has the Fund. Ricky was always athletic.

1:34:11.000 --> 1:34:14.240
<v Speaker 7>He taught me how to play quarterback in nineteen seventy

1:34:14.320 --> 1:34:16.040
<v Speaker 7>nine behind revend Vin's house.

1:34:16.760 --> 1:34:18.679
<v Speaker 9>He was funny in church.

1:34:18.800 --> 1:34:21.840
<v Speaker 7>He was he could sing, He was like all this,

1:34:22.120 --> 1:34:25.000
<v Speaker 7>all the things that you see me doing, it had

1:34:25.000 --> 1:34:27.360
<v Speaker 7>to be somebody you've seen doing it first. He was

1:34:27.400 --> 1:34:32.520
<v Speaker 7>probably the first person I seen doing the do you know, multitasking,

1:34:32.640 --> 1:34:35.400
<v Speaker 7>being funny, being real, being an athlete, being this, being that,

1:34:36.120 --> 1:34:38.120
<v Speaker 7>you know what I'm saying. So it was like when

1:34:38.160 --> 1:34:41.080
<v Speaker 7>he made it, we made it. Then he got on

1:34:41.160 --> 1:34:42.200
<v Speaker 7>ice Cube album.

1:34:41.960 --> 1:34:44.880
<v Speaker 4>First and he was.

1:34:47.000 --> 1:34:56.240
<v Speaker 1>Ice That was Ricky. I did not know that.

1:34:57.000 --> 1:34:58.680
<v Speaker 7>So when I hear that, I'm like, Nigga, I need

1:34:58.800 --> 1:35:02.439
<v Speaker 7>you on my ship, Nigga for our radio station w Ball.

1:35:04.000 --> 1:35:06.720
<v Speaker 7>He just handled it from there. But like even from

1:35:06.920 --> 1:35:09.800
<v Speaker 7>just being kids to us making it, it was a

1:35:09.880 --> 1:35:12.200
<v Speaker 7>comfort zone working with him, like whenever I would have

1:35:12.320 --> 1:35:14.400
<v Speaker 7>him around, like he would be in a lot of

1:35:14.439 --> 1:35:17.360
<v Speaker 7>the writing, like when I had my show Doggie Fillers

1:35:17.439 --> 1:35:19.559
<v Speaker 7>and all that shit. He was one of the writers,

1:35:19.640 --> 1:35:21.639
<v Speaker 7>and like I would always bring him to the job,

1:35:21.760 --> 1:35:23.280
<v Speaker 7>like to be one of the niggas behind the scenes

1:35:23.320 --> 1:35:26.200
<v Speaker 7>with that pen because he knew me, like a lot

1:35:26.240 --> 1:35:27.680
<v Speaker 7>of them writers in Hollywood didn't know me.

1:35:27.720 --> 1:35:29.000
<v Speaker 9>They just was writing bullshit.

1:35:29.280 --> 1:35:30.840
<v Speaker 7>We think this will be funny if you say this,

1:35:31.280 --> 1:35:32.519
<v Speaker 7>and I need a nigga in a room, But like

1:35:32.520 --> 1:35:36.400
<v Speaker 7>that nigga ain't gonna say that. You know what I'm saying,

1:35:36.520 --> 1:35:38.280
<v Speaker 7>Like you need that kind of motherfuck in the room?

1:35:39.000 --> 1:35:42.639
<v Speaker 6>Did you improvise the line fuck your fort little nigga

1:35:43.000 --> 1:35:43.679
<v Speaker 6>and baby boy?

1:35:44.360 --> 1:35:45.400
<v Speaker 9>You know that ship wasn't.

1:35:50.120 --> 1:35:50.280
<v Speaker 1>Yo.

1:35:50.560 --> 1:35:52.439
<v Speaker 4>That is like you know me and my boys, we

1:35:52.560 --> 1:35:54.280
<v Speaker 4>played bad and this ship whoever got.

1:35:56.320 --> 1:35:57.320
<v Speaker 1>That pot?

1:35:57.439 --> 1:35:57.640
<v Speaker 4>That was.

1:36:00.400 --> 1:36:01.439
<v Speaker 13>So thank you for calling that.

1:36:01.520 --> 1:36:07.639
<v Speaker 1>It's so much you've given to the game, every roots argument.

1:36:12.360 --> 1:36:14.360
<v Speaker 9>You know what I was talking to Max is Julian right,

1:36:14.520 --> 1:36:16.800
<v Speaker 9>and Max, this is my nigga, right, here. I love

1:36:16.880 --> 1:36:17.320
<v Speaker 9>him to death.

1:36:17.479 --> 1:36:17.679
<v Speaker 4>Mac.

1:36:17.840 --> 1:36:20.280
<v Speaker 9>So we're talking about the Mac, right, and he's like, yeah, man,

1:36:20.320 --> 1:36:21.640
<v Speaker 9>you know what, So Richard.

1:36:21.439 --> 1:36:23.600
<v Speaker 7>Man, we get to the set the director, because the

1:36:23.600 --> 1:36:26.360
<v Speaker 7>director was a white dude named Michael Campus, You're like, yeah,

1:36:26.479 --> 1:36:28.160
<v Speaker 7>so the white boy, you know, trying to tell Richard

1:36:28.200 --> 1:36:30.320
<v Speaker 7>what to do. Richard like, white boy, you can't tell

1:36:30.360 --> 1:36:35.120
<v Speaker 7>me a motherfucking thing. I write my own mother fucking line,

1:36:35.640 --> 1:36:37.560
<v Speaker 7>he said. So Richard did all his lines. You know,

1:36:37.640 --> 1:36:39.519
<v Speaker 7>he wrote his own ship. Your nigga. I couldn't tell

1:36:39.560 --> 1:36:40.000
<v Speaker 7>him nothing.

1:36:40.320 --> 1:36:42.960
<v Speaker 9>So when you watch the Mac, know that that nigga.

1:36:43.120 --> 1:36:46.840
<v Speaker 7>Every line he did in there was his. Wow, he

1:36:47.040 --> 1:36:47.920
<v Speaker 7>wasn't having it.

1:36:48.800 --> 1:36:50.720
<v Speaker 4>But what was it like with John Singles and man?

1:36:50.760 --> 1:36:52.840
<v Speaker 4>How how did it all go? Man?

1:36:52.960 --> 1:36:55.280
<v Speaker 7>John is a dear friend. He's been with us for

1:36:55.360 --> 1:36:58.320
<v Speaker 7>a long time. He was like always supportive of the

1:36:58.360 --> 1:36:59.920
<v Speaker 7>two one three movement. He was one of the people

1:37:00.040 --> 1:37:01.639
<v Speaker 7>I really wanted to do a two one three movie

1:37:01.720 --> 1:37:03.880
<v Speaker 7>back in the days. Like he was really into what

1:37:03.960 --> 1:37:06.760
<v Speaker 7>we was doing. Remember he gave warn g that shot,

1:37:06.800 --> 1:37:10.800
<v Speaker 7>would you know with the first say yeah, put him on.

1:37:11.439 --> 1:37:13.800
<v Speaker 7>You know what I'm saying. So working with him is

1:37:13.840 --> 1:37:17.559
<v Speaker 7>like it's so easy. But he's so professional. So it's

1:37:17.680 --> 1:37:21.680
<v Speaker 7>like you're getting you're getting your comfort zone. But at

1:37:21.720 --> 1:37:24.759
<v Speaker 7>the same time, this motherfucker's professional. You know when he finished,

1:37:24.760 --> 1:37:26.560
<v Speaker 7>but you're gonna look amazing. You know, it's gonna be

1:37:26.560 --> 1:37:28.760
<v Speaker 7>a part of something that's a story. So you really

1:37:28.800 --> 1:37:30.719
<v Speaker 7>want to follow his direction. A lot of the things

1:37:30.720 --> 1:37:33.240
<v Speaker 7>that we would do, he would give me direction and

1:37:33.320 --> 1:37:35.400
<v Speaker 7>he would say, all right, I won't I want to

1:37:35.400 --> 1:37:37.560
<v Speaker 7>shoot it my way, and then I'm gonna shoot it

1:37:37.680 --> 1:37:38.040
<v Speaker 7>Joe way.

1:37:38.640 --> 1:37:42.400
<v Speaker 9>Like what would Rodney do? What will Rodney say?

1:37:43.200 --> 1:37:43.360
<v Speaker 4>Then?

1:37:43.479 --> 1:37:45.960
<v Speaker 7>Like he'd say, well, do it this way, say it

1:37:46.080 --> 1:37:47.519
<v Speaker 7>like this, and then I do it that way. Be

1:37:47.600 --> 1:37:50.639
<v Speaker 7>like all right, I got that. Now what would Rodney say?

1:37:51.360 --> 1:37:54.000
<v Speaker 7>H shit, fuck your fort little.

1:37:56.600 --> 1:38:00.760
<v Speaker 1>Any plans for your biopic of you? Because everyone is

1:38:00.800 --> 1:38:01.880
<v Speaker 1>doing their biopics now.

1:38:02.160 --> 1:38:04.439
<v Speaker 7>That's what I wouldn't do. I wouldn't do everyone else.

1:38:04.840 --> 1:38:06.120
<v Speaker 4>Yeah, man, what happened? Okay?

1:38:06.400 --> 1:38:09.960
<v Speaker 6>The tupac I just forget the tupop Bob. Why did

1:38:10.040 --> 1:38:13.759
<v Speaker 6>they have you doing your own voice as the characters?

1:38:13.920 --> 1:38:17.400
<v Speaker 6>You think that's what it sounds just like you think

1:38:17.680 --> 1:38:21.719
<v Speaker 6>it was printed somewhere about you post that Oh.

1:38:24.160 --> 1:38:24.759
<v Speaker 7>That Google?

1:38:32.520 --> 1:38:35.040
<v Speaker 12>Can I can I ask the quick John Singleton questions.

1:38:35.080 --> 1:38:35.479
<v Speaker 4>You want to know.

1:38:35.600 --> 1:38:37.680
<v Speaker 12>Since you mentioned John, I want to see what you

1:38:37.720 --> 1:38:38.920
<v Speaker 12>thought about Snowfall.

1:38:40.280 --> 1:38:48.599
<v Speaker 7>Franklin is the ship, yes, but can you else Nigga

1:38:48.640 --> 1:38:54.639
<v Speaker 7>to Snoop Dogg. Hear me, just his train of thoult.

1:38:54.800 --> 1:38:59.720
<v Speaker 7>He's just the way he This motherfucker is so Snoop Dogg.

1:38:59.760 --> 1:39:01.599
<v Speaker 7>When I watch him, I wasn't watching it in the beginning.

1:39:01.640 --> 1:39:03.120
<v Speaker 7>I'm gonna be honest with you. I wouldn't watching him

1:39:03.120 --> 1:39:08.000
<v Speaker 7>like I don't want to see another in the eighties.

1:39:08.040 --> 1:39:11.559
<v Speaker 7>I'm tired of this. But the story watching that ship

1:39:11.600 --> 1:39:17.160
<v Speaker 7>out way, I had to go back and tape season one.

1:39:17.720 --> 1:39:20.120
<v Speaker 7>Now in season two when I'm like this, Nigga, Franklin

1:39:20.240 --> 1:39:24.240
<v Speaker 7>is so motherfucking cold blooded with his spiel, his conversation,

1:39:24.520 --> 1:39:26.160
<v Speaker 7>like he's so snooked.

1:39:26.040 --> 1:39:28.839
<v Speaker 11>Smart and what do you it's crazy because he's British,

1:39:29.040 --> 1:39:29.880
<v Speaker 11>Like how you feel about that?

1:39:30.479 --> 1:39:44.720
<v Speaker 6>Yeah, right, No, he's British, so so in the all

1:39:44.760 --> 1:39:47.040
<v Speaker 6>eyes on me, that's not how did that happen? Because

1:39:47.080 --> 1:39:49.639
<v Speaker 6>it sounds like it was you doing the post.

1:39:49.880 --> 1:39:58.080
<v Speaker 7>Yeah, you have to ask the director and h okay,

1:39:58.600 --> 1:40:01.800
<v Speaker 7>but I was saying about my fan. Okay, you're always

1:40:01.800 --> 1:40:04.640
<v Speaker 7>asking about a Snoop dogg bio pick. I'm like, I

1:40:04.720 --> 1:40:06.559
<v Speaker 7>would never do that for the simple fact that it's

1:40:06.600 --> 1:40:08.759
<v Speaker 7>been done and I wouldn't want to do what everybody

1:40:08.760 --> 1:40:09.360
<v Speaker 7>else is doing.

1:40:10.000 --> 1:40:11.840
<v Speaker 9>But there could be a.

1:40:12.000 --> 1:40:19.160
<v Speaker 7>Series sort of kind of like Knockos. You understand me

1:40:19.360 --> 1:40:25.640
<v Speaker 7>based on the life before there and after you know

1:40:25.800 --> 1:40:29.040
<v Speaker 7>from father in Vietnam sixty eight.

1:40:30.200 --> 1:40:35.880
<v Speaker 1>Spoiler your childhood, Jimmy, that's amazing, right, Like.

1:40:35.960 --> 1:40:37.880
<v Speaker 7>That makes more sense for me as supposed to try

1:40:37.920 --> 1:40:41.040
<v Speaker 7>to squeeze two hours of all of this shit that

1:40:41.120 --> 1:40:43.360
<v Speaker 7>I'm doing and done and try to make it, you know,

1:40:43.560 --> 1:40:46.040
<v Speaker 7>worthy of you understanding it and loving it and appreciating

1:40:46.040 --> 1:40:48.639
<v Speaker 7>it and not offending anyone, because I believe I would

1:40:48.680 --> 1:40:50.760
<v Speaker 7>leave some things out if I tried to buy it.

1:40:50.880 --> 1:40:53.439
<v Speaker 1>You might leave some in and then people, right, you

1:40:53.560 --> 1:40:56.080
<v Speaker 1>know how to starting to tell other people's stories, and right, I.

1:40:56.120 --> 1:40:57.639
<v Speaker 9>See, I think it's better that way.

1:41:02.240 --> 1:41:03.920
<v Speaker 4>So Luke, can you give us some marriage hipsfore we

1:41:04.040 --> 1:41:04.559
<v Speaker 4>roll out month?

1:41:04.880 --> 1:41:09.000
<v Speaker 7>Oh Man, happy wife, happy life. She's always right, You're

1:41:09.000 --> 1:41:15.559
<v Speaker 7>always wrong. Your compound name your company and your compound.

1:41:15.640 --> 1:41:21.439
<v Speaker 7>After make sure that there's constant sufficient funds in her account.

1:41:24.000 --> 1:41:27.760
<v Speaker 7>True keep the girls to a minimum at work and

1:41:28.160 --> 1:41:28.800
<v Speaker 7>after work?

1:41:30.080 --> 1:41:32.000
<v Speaker 12>Can can you talk about what you learned being a

1:41:32.040 --> 1:41:32.880
<v Speaker 12>father to a daughter.

1:41:33.920 --> 1:41:36.280
<v Speaker 9>That this world we live in is fast. These girls

1:41:36.400 --> 1:41:37.479
<v Speaker 9>is hot tailed and fast.

1:41:37.640 --> 1:41:40.720
<v Speaker 7>Ye love showing they rumps and putting their leg out,

1:41:40.800 --> 1:41:44.040
<v Speaker 7>taking pictures and winning makeup and trying to be grown.

1:41:44.800 --> 1:41:46.200
<v Speaker 7>Like you know, I remember when it was the time

1:41:46.240 --> 1:41:47.840
<v Speaker 7>when you was a teenager. You wanted to be a

1:41:47.880 --> 1:41:50.720
<v Speaker 7>teenager for a long time. They do because you you

1:41:51.000 --> 1:41:53.920
<v Speaker 7>enjoy the moment of being a teenager. And now it's like,

1:41:54.120 --> 1:41:56.720
<v Speaker 7>I can't wait to not be a teenager so I

1:41:56.800 --> 1:41:59.200
<v Speaker 7>can be grown. And that's from not age nine, ten

1:41:59.280 --> 1:42:02.639
<v Speaker 7>eleven to go to nineteen. It ain't going from nineteen eleven,

1:42:02.680 --> 1:42:04.960
<v Speaker 7>twelve thirteen no more. It was like and to have

1:42:05.120 --> 1:42:08.760
<v Speaker 7>a girl so many influences and so many girls that's

1:42:08.800 --> 1:42:11.000
<v Speaker 7>doing at her age, younger than her, older than her.

1:42:11.160 --> 1:42:13.200
<v Speaker 7>So you just try to, you know, raise them the

1:42:13.280 --> 1:42:15.360
<v Speaker 7>right way and teach them to you know, the ins

1:42:15.400 --> 1:42:17.200
<v Speaker 7>and outs. But they have their own minds, they do

1:42:17.280 --> 1:42:19.280
<v Speaker 7>their own thing. You just try to make sure that

1:42:19.720 --> 1:42:22.040
<v Speaker 7>we did our part like me and Boss like he

1:42:22.120 --> 1:42:24.200
<v Speaker 7>did our parties for us. Like I was saying, it's

1:42:24.200 --> 1:42:25.920
<v Speaker 7>only so much you can do when your kid leaves

1:42:25.920 --> 1:42:28.360
<v Speaker 7>the house, just like you can't overparent. You just got

1:42:28.479 --> 1:42:30.080
<v Speaker 7>to do your job and pray that you did a

1:42:30.160 --> 1:42:33.280
<v Speaker 7>great job, and you know the results will be seen

1:42:33.479 --> 1:42:34.320
<v Speaker 7>in the near future.

1:42:34.680 --> 1:42:36.880
<v Speaker 6>Who are some of the people that you like when

1:42:36.920 --> 1:42:39.040
<v Speaker 6>you and your wife will have problems in your marriage

1:42:39.160 --> 1:42:41.640
<v Speaker 6>or just y y'all have hard times. Who were some

1:42:41.800 --> 1:42:44.280
<v Speaker 6>of the people that you could talk to to say like, Yo,

1:42:44.400 --> 1:42:46.439
<v Speaker 6>I'm in this situation, how can you help me?

1:42:46.520 --> 1:42:46.560
<v Speaker 11>Like?

1:42:46.600 --> 1:42:49.360
<v Speaker 6>Who was some of the married couples or other couples

1:42:49.400 --> 1:42:51.040
<v Speaker 6>of just old gg men in the industry or whatever

1:42:51.560 --> 1:42:53.679
<v Speaker 6>that you could actually talk to about that kind of stuff.

1:42:54.040 --> 1:42:54.160
<v Speaker 11>Uh?

1:42:54.320 --> 1:42:56.640
<v Speaker 7>With me, it was probably Charlie Wilson was probably the

1:42:56.680 --> 1:42:58.920
<v Speaker 7>only one that I could actually talk to for the

1:42:59.000 --> 1:43:03.120
<v Speaker 7>simple fact that he he loved my wife, my kids. Uh,

1:43:03.240 --> 1:43:05.200
<v Speaker 7>he loves me, and my wife loved him and his

1:43:05.360 --> 1:43:08.800
<v Speaker 7>wife and his family. So it's like it's a mutual understanding.

1:43:08.840 --> 1:43:10.679
<v Speaker 7>When he gets involved and he ain't never gonna play

1:43:11.400 --> 1:43:13.280
<v Speaker 7>to my side. If I'm wrong, he gonna shoot me

1:43:13.360 --> 1:43:15.519
<v Speaker 7>down and tell me, niggas you're wrong. Was the motherfucker?

1:43:15.600 --> 1:43:17.760
<v Speaker 7>Get your ass home. I'm gonna call and try to

1:43:17.760 --> 1:43:19.760
<v Speaker 7>smoothhit over nigga. Hear him get in through the back door,

1:43:19.840 --> 1:43:23.560
<v Speaker 7>nigga before I hang up with him. You know, he

1:43:23.640 --> 1:43:25.080
<v Speaker 7>wanted them kind of niggas. You know what I'm saying,

1:43:25.120 --> 1:43:26.320
<v Speaker 7>One of them uncles will be like, this is a

1:43:26.360 --> 1:43:27.120
<v Speaker 7>good ass nigga.

1:43:27.200 --> 1:43:29.439
<v Speaker 4>Right, was anybody else in the game yet like that

1:43:29.560 --> 1:43:30.360
<v Speaker 4>other than Charlie?

1:43:30.439 --> 1:43:32.240
<v Speaker 6>Just catch that you could really you know, look up

1:43:32.280 --> 1:43:34.519
<v Speaker 6>to and that would like help you in that way

1:43:34.920 --> 1:43:37.080
<v Speaker 6>or just anyway, like career Rise, anybody that gave you

1:43:37.120 --> 1:43:37.880
<v Speaker 6>good career advice.

1:43:38.360 --> 1:43:40.560
<v Speaker 7>I like ice cubes advice. Ice Cube is giving me

1:43:40.600 --> 1:43:42.360
<v Speaker 7>a lot of great advice. A lot of shit he

1:43:42.439 --> 1:43:44.880
<v Speaker 7>told me to pass on. I was hard hitded in

1:43:44.920 --> 1:43:46.879
<v Speaker 7>the beginning because I was like, Nigga, I'm hot, niggama

1:43:46.920 --> 1:43:50.320
<v Speaker 7>doing They want me to be in thirteen movies nigga, Nigga,

1:43:50.360 --> 1:43:51.920
<v Speaker 7>they want you to be in Who's the Man?

1:43:52.000 --> 1:43:52.280
<v Speaker 4>Nigga?

1:43:55.439 --> 1:43:58.280
<v Speaker 7>Who's the man for too? Nigga? Better sit your ass down, nigga.

1:43:58.760 --> 1:44:00.400
<v Speaker 7>You know what I'm saying, Like, it's a couple things

1:44:00.439 --> 1:44:02.960
<v Speaker 7>I did that I'm not, you know, too happy about that.

1:44:03.000 --> 1:44:05.080
<v Speaker 7>I should have took his advice. But as I got

1:44:05.120 --> 1:44:07.559
<v Speaker 7>older and started making better decisions. I could thank him

1:44:07.600 --> 1:44:10.439
<v Speaker 7>and say, well, you know, I ain't about the money, snop.

1:44:10.479 --> 1:44:11.800
<v Speaker 7>We got a whole bunch of moneyf we gelt to

1:44:11.840 --> 1:44:15.960
<v Speaker 7>be in this garbage ass movie. This shit sucks, cock,

1:44:16.400 --> 1:44:19.599
<v Speaker 7>but we're gonna pay you so much fucking money. It's

1:44:19.720 --> 1:44:24.840
<v Speaker 7>fucking horrible. That's basically what the nigga should say, you

1:44:24.840 --> 1:44:26.120
<v Speaker 7>know what I mean, That's what it boils down.

1:44:26.400 --> 1:44:28.000
<v Speaker 11>I was wondering if you was like your own brain

1:44:28.080 --> 1:44:31.520
<v Speaker 11>trust in that way, because you make some pretty awesome decisions.

1:44:32.439 --> 1:44:34.240
<v Speaker 9>That's what it's been for like the past ten years.

1:44:34.240 --> 1:44:36.120
<v Speaker 7>And I got a lot of that from like one

1:44:36.160 --> 1:44:39.360
<v Speaker 7>of the young niggas, fifty cent, Like it was one

1:44:39.400 --> 1:44:41.679
<v Speaker 7>point in time where fifty men him was rolling together

1:44:42.320 --> 1:44:43.920
<v Speaker 7>and he was doing a lot of shit on his own.

1:44:44.000 --> 1:44:45.479
<v Speaker 7>Like it was fucking me up that I would always

1:44:45.479 --> 1:44:47.479
<v Speaker 7>have my people going there meeting. This nigga would be

1:44:47.479 --> 1:44:49.439
<v Speaker 7>in the meeting, and how this nigga in there and

1:44:49.479 --> 1:44:51.519
<v Speaker 7>I'm not in there, and and it's certain shit he

1:44:51.640 --> 1:44:53.320
<v Speaker 7>was doing. He put me up on certain things, and

1:44:53.320 --> 1:44:56.479
<v Speaker 7>I was like, you know what, this nigga's smart, he brilliant,

1:44:56.680 --> 1:44:59.200
<v Speaker 7>and he passed information on and you know when I

1:44:59.240 --> 1:45:01.800
<v Speaker 7>got that information and I ran with it and don't

1:45:01.880 --> 1:45:03.560
<v Speaker 7>mind sharing the fact that I got it from you.

1:45:04.120 --> 1:45:07.840
<v Speaker 4>Yeah, what do you do with your kids now? Because

1:45:07.880 --> 1:45:09.840
<v Speaker 4>how old? How old are your your kids though?

1:45:10.160 --> 1:45:11.400
<v Speaker 9>The motherfuckers in the twenties?

1:45:11.479 --> 1:45:15.840
<v Speaker 7>Yea, I am. I just had a granddaughter I know, was.

1:45:15.840 --> 1:45:17.520
<v Speaker 12>Gonna graduate regulations.

1:45:17.640 --> 1:45:18.040
<v Speaker 8>Gorgeous.

1:45:18.040 --> 1:45:20.520
<v Speaker 7>I think I saw in the bathroom her name is eleven.

1:45:22.320 --> 1:45:22.759
<v Speaker 8>Eleven.

1:45:24.040 --> 1:45:28.519
<v Speaker 7>That nigga's twenty eighteen knocking. You ain't for no regular names,

1:45:28.600 --> 1:45:36.280
<v Speaker 7>No more gonna say her name is Isabella, it's eleven.

1:45:36.400 --> 1:45:40.479
<v Speaker 7>But you know I'm grandpa eleven. Come in back, come

1:45:40.560 --> 1:45:41.080
<v Speaker 7>gr grandpa.

1:45:41.320 --> 1:45:42.519
<v Speaker 13>What's the significance behind?

1:45:43.160 --> 1:45:44.200
<v Speaker 9>I ain't even masked my son?

1:45:44.280 --> 1:45:44.400
<v Speaker 11>You know?

1:45:45.800 --> 1:45:46.880
<v Speaker 9>How do you ask the nigga?

1:45:46.920 --> 1:45:46.960
<v Speaker 1>What?

1:45:47.479 --> 1:45:47.519
<v Speaker 4>So?

1:45:47.640 --> 1:45:48.960
<v Speaker 7>What was y'all thinking?

1:45:50.000 --> 1:45:50.200
<v Speaker 5>You know?

1:45:51.240 --> 1:45:52.080
<v Speaker 1>Ones equal?

1:45:52.479 --> 1:45:55.080
<v Speaker 9>What happened was it was ten nine?

1:45:59.560 --> 1:46:02.360
<v Speaker 4>What I was as a dad?

1:46:02.640 --> 1:46:04.559
<v Speaker 6>Like you know what I'm saying, being that you had

1:46:04.600 --> 1:46:08.000
<v Speaker 6>so much assess in your career and you know your upbringing,

1:46:08.040 --> 1:46:12.040
<v Speaker 6>all your kids upbringing was way different than yours. How

1:46:12.120 --> 1:46:14.679
<v Speaker 6>did you, I guess, how did you navigate that? Being

1:46:14.760 --> 1:46:16.920
<v Speaker 6>that you know how you came up versus how your

1:46:17.000 --> 1:46:18.920
<v Speaker 6>kids came up? But not wanting to spoil them or

1:46:19.120 --> 1:46:20.720
<v Speaker 6>and still wanting to be able to, you know, find

1:46:20.760 --> 1:46:21.479
<v Speaker 6>their own way in life.

1:46:21.840 --> 1:46:24.000
<v Speaker 7>Thank god for the Snoop you football league, because my

1:46:24.080 --> 1:46:27.080
<v Speaker 7>football league was urban and it was them playing with

1:46:27.240 --> 1:46:30.400
<v Speaker 7>kids that came from urban communities, then building relationships and

1:46:30.439 --> 1:46:32.880
<v Speaker 7>then going to school with kids like that and learning

1:46:32.920 --> 1:46:35.800
<v Speaker 7>how to live within but without, and then me and

1:46:35.920 --> 1:46:38.000
<v Speaker 7>my wife would bring them to certain situations where they

1:46:38.000 --> 1:46:39.439
<v Speaker 7>could see this is where we grew up at, this

1:46:39.600 --> 1:46:41.920
<v Speaker 7>is where we lived at, and walk around and look

1:46:41.960 --> 1:46:44.760
<v Speaker 7>aside this one bedroom and like nigga, y'all got a

1:46:44.920 --> 1:46:46.960
<v Speaker 7>room that's yours, and we lived in a house that

1:46:47.160 --> 1:46:49.640
<v Speaker 7>was the size of your room. Like to appreciate, to

1:46:49.760 --> 1:46:52.360
<v Speaker 7>understand the fact that it's a struggle and it's a hustle.

1:46:52.400 --> 1:46:54.439
<v Speaker 7>We want you to live better, but don't take it

1:46:54.479 --> 1:46:56.560
<v Speaker 7>for granted because they can all be taken away. And

1:46:57.040 --> 1:46:58.560
<v Speaker 7>this is where we come from. We know how to

1:46:58.560 --> 1:46:59.920
<v Speaker 7>adjust to it. If we have to go back to

1:47:01.040 --> 1:47:02.840
<v Speaker 7>y'all don't. So the best thing you can do is

1:47:02.880 --> 1:47:05.200
<v Speaker 7>prepare yourself and try to do some things that were

1:47:05.200 --> 1:47:07.479
<v Speaker 7>you not connected to my thing, but create your own thing.

1:47:07.600 --> 1:47:08.519
<v Speaker 4>It's gonna be understood.

1:47:09.040 --> 1:47:11.360
<v Speaker 7>They didn't understand it, but I think as as time

1:47:11.479 --> 1:47:13.479
<v Speaker 7>goes on, they get it. And I'm gonna do what

1:47:13.560 --> 1:47:15.160
<v Speaker 7>the real people do. I'm gonna make sure my family

1:47:15.240 --> 1:47:17.800
<v Speaker 7>tied into my business, so I'm gonna make sure they're

1:47:17.800 --> 1:47:19.120
<v Speaker 7>gonna learn this shit one way or the other.

1:47:19.840 --> 1:47:24.080
<v Speaker 1>Well, Uncle Snoop, we thank you for your why savee device?

1:47:25.160 --> 1:47:28.439
<v Speaker 1>We gotta wrap up even though we got fifty nine

1:47:28.479 --> 1:47:29.360
<v Speaker 1>billion more questions.

1:47:29.760 --> 1:47:30.800
<v Speaker 12>Oh can I thank you for what?

1:47:31.040 --> 1:47:33.040
<v Speaker 11>For the Hall of the Sisters, for what you said

1:47:33.080 --> 1:47:35.120
<v Speaker 11>on the view, because you know, we like forwarded that

1:47:35.240 --> 1:47:37.360
<v Speaker 11>like fifty thousand times, watched it again again and again

1:47:37.360 --> 1:47:40.519
<v Speaker 11>and again and again, and put it on when he

1:47:40.720 --> 1:47:43.120
<v Speaker 11>was asked about well, he was asked about Kanye, and

1:47:43.200 --> 1:47:45.040
<v Speaker 11>he basically said that he needed a good black woman

1:47:45.080 --> 1:47:45.960
<v Speaker 11>beside him, and that's.

1:47:45.800 --> 1:47:46.599
<v Speaker 12>What was wrong with him.

1:47:47.760 --> 1:47:48.920
<v Speaker 13>You ain't never leaving Kanye.

1:47:49.479 --> 1:47:53.800
<v Speaker 12>I was just saying I reposted to John, thank you.

1:47:54.240 --> 1:47:56.120
<v Speaker 7>It was true, and it didn't mean like a lover,

1:47:56.360 --> 1:47:58.360
<v Speaker 7>which just means somebody was the ability.

1:47:58.080 --> 1:47:59.360
<v Speaker 4>That he needed.

1:47:59.439 --> 1:48:01.439
<v Speaker 12>It is no one around you understood what you meant,

1:48:01.479 --> 1:48:03.200
<v Speaker 12>whether it was a sister, whether it was.

1:48:03.240 --> 1:48:04.000
<v Speaker 4>What happened.

1:48:06.040 --> 1:48:09.679
<v Speaker 7>For flowing flying in the day, obviously she coming straight

1:48:09.720 --> 1:48:11.880
<v Speaker 7>over here. Let me know when you get here, like

1:48:11.920 --> 1:48:13.680
<v Speaker 7>you got scared when she coming in.

1:48:13.760 --> 1:48:14.040
<v Speaker 13>She got.

1:48:16.520 --> 1:48:17.040
<v Speaker 7>Bring your.

1:48:19.360 --> 1:48:19.479
<v Speaker 11>Man.

1:48:19.600 --> 1:48:21.040
<v Speaker 1>We thank you for everything.

1:48:21.400 --> 1:48:21.800
<v Speaker 4>Just thank you.

1:48:22.479 --> 1:48:25.720
<v Speaker 10>Come on, man, just watching your journey just for over

1:48:25.800 --> 1:48:28.479
<v Speaker 10>these years, it's been it's been a great and seeing

1:48:28.520 --> 1:48:30.320
<v Speaker 10>what you've built here at this compound and it's like

1:48:30.640 --> 1:48:31.439
<v Speaker 10>you don't want to go home.

1:48:31.520 --> 1:48:32.360
<v Speaker 4>Yeah, life goals.

1:48:32.520 --> 1:48:32.800
<v Speaker 13>Thank you.

1:48:33.560 --> 1:48:35.439
<v Speaker 6>You're one of the people I tell my kids just

1:48:35.479 --> 1:48:38.200
<v Speaker 6>the story of like innovation and like how long is

1:48:38.240 --> 1:48:38.800
<v Speaker 6>my oldest son?

1:48:38.880 --> 1:48:39.559
<v Speaker 4>He likes rhyming.

1:48:39.600 --> 1:48:41.639
<v Speaker 6>You want to wrap and stuff and I'm just like, man,

1:48:41.760 --> 1:48:43.680
<v Speaker 6>but you look at a cat like snoop, it's like

1:48:43.760 --> 1:48:46.439
<v Speaker 6>killing it now to know where he came from.

1:48:47.200 --> 1:48:49.200
<v Speaker 7>And let your son know I was weak once upon

1:48:49.240 --> 1:48:52.920
<v Speaker 7>a time I wasn't wasn't great. I was awake and

1:48:53.080 --> 1:48:56.200
<v Speaker 7>I had to get better. I knew I was wake.

1:48:57.200 --> 1:48:58.200
<v Speaker 9>You know what I'm saying. That's the thing.

1:48:58.280 --> 1:49:00.320
<v Speaker 7>When you're wake and you know you're weak, are you

1:49:00.400 --> 1:49:03.240
<v Speaker 7>gonna accept it or you're gonna get better? You know

1:49:03.320 --> 1:49:04.720
<v Speaker 7>what I'm saying, Yeah, do something about it.

1:49:04.800 --> 1:49:05.360
<v Speaker 9>So let him know.

1:49:06.040 --> 1:49:07.760
<v Speaker 7>You know, he ain't he ain't great right now, but

1:49:07.840 --> 1:49:10.439
<v Speaker 7>he can be great. And don't accept that ship. Keep

1:49:10.520 --> 1:49:11.719
<v Speaker 7>going till he find greatness.

1:49:12.120 --> 1:49:12.559
<v Speaker 4>Why is where?

1:49:12.560 --> 1:49:14.800
<v Speaker 1>It's the live by well, ladies and gentlemen. On behalf

1:49:14.840 --> 1:49:18.559
<v Speaker 1>of Team Supreme. I'm leaving the proper music in the background,

1:49:19.080 --> 1:49:20.000
<v Speaker 1>so anyway.

1:49:23.240 --> 1:49:24.960
<v Speaker 7>On behalf on the rough side.

1:49:30.200 --> 1:49:30.839
<v Speaker 9>He's gone.

1:49:34.040 --> 1:49:40.360
<v Speaker 1>Span Holidays everyone, Yeah, happy holadays. Thank you very much, stupid.

1:49:41.680 --> 1:49:43.320
<v Speaker 13>Be half of What's Up Supreme?

1:49:44.680 --> 1:49:47.880
<v Speaker 7>It's the Supreme team, that's right, h.

1:49:59.800 --> 1:50:03.519
<v Speaker 1>What Love Supreme is a production of iHeartRadio. This classic

1:50:03.600 --> 1:50:10.479
<v Speaker 1>episode was produced by the team at Pandora. For more

1:50:10.560 --> 1:50:15.040
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1:50:15.080 --> 1:50:16.679
<v Speaker 1>wherever you listen to your favorite shows.