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Speaker 1: Quest Love Supreme is a production of iHeartRadio. This classic

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Speaker 1: episode was produced by the team at Pandora.

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Speaker 2: The legendary Snoop Dogg joins Team Supreme to talk doggy

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Speaker 2: style producing with Doctor Dre and how he became the

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Speaker 2: Ultimate Entrepreneur. Originally released in December nineteenth, twenty.

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Speaker 3: Eighteen, Supremo s S Suprema Roll Call Suprema su su Supremo,

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Speaker 3: Roll Call Suprema so So, Supremo, Roll Call Suprema so So, Supremo.

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Speaker 4: Roll Call. My name is.

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Speaker 1: Questla Yeah, and I'm out of breath. Yeah snoops gym, Yeah, I'm.

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Speaker 5: Suprema su Suprema Roll call Suprema Up Supremo.

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Speaker 1: Roll Call.

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Speaker 6: My name is Fante. Yeah, please hold my calls. Yeah,

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Speaker 6: because everybody got to heal.

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Speaker 7: Yeah.

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Speaker 4: Ship on w ball.

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Speaker 5: Supremo Supremo, Roll Call, Supremo Supremo.

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Speaker 8: Roll Call.

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Speaker 4: My name is Sugar.

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Speaker 9: Yeah.

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Speaker 7: I'm a friend indeed Yeah, but a friend in need.

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Speaker 4: Yeah, will steal your weed.

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Speaker 5: Supremo Supremo, Roll Suprema Supremo, roll.

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Speaker 10: The Teva Yeah, once joints or bong Yeah. Somebody grinding

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Speaker 10: this weed.

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Speaker 8: Yeah.

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Speaker 1: Before the end of this song.

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Speaker 5: Roll call Supremo Supremo roll call Supremo Supremo roll call.

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Speaker 11: It's like yeah and true. YEAHVA ain't real.

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Speaker 12: Yeah, how about you?

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Speaker 10: Roll call Suprema Sun Supremo, roll call Suprema Suck Suck

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Speaker 10: Supremo roll call.

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Speaker 7: My name is Snoop. Yeah, I'm not no Bagle. Yeah,

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Speaker 7: I'm a Laker fan. Yeah, and I like the Eagle.

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Speaker 5: Supreme Supremo roll call Suprema su Su Supremo.

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Speaker 10: Roll call Suprema Sun South Supremo. Roll call Suprema Suck

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Speaker 10: Suck Supremo.

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Speaker 1: Roll call, Ladies and gentlemen, we have reached the pinnacle.

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Speaker 1: This podcast Black life goals, Yo, I have nothing compared.

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Speaker 1: This is quest Love of course, Love Supreme. As if

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Speaker 1: I got to reintroduce the ship that we're going. This

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Speaker 1: is our Christmas episode. But I'll be very honest with you.

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Speaker 1: It's still August, and we are in We are in

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Speaker 1: heaven right now. Compound. Yes, we are in the compound

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Speaker 1: of all the compounds. A lot and be said about

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Speaker 1: our yesterday, but in my opinion, he's probably hands down

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Speaker 1: the most beloved, unique, charismatic, talented MC and hip hop

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Speaker 1: culture period and music period in life period fact, and

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Speaker 1: I mean hip hop is forty five years old and

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Speaker 1: not said period. If I ponder and gave a thorough investigation,

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Speaker 1: you actually might catch me saying that he's easily, if

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Speaker 1: not the top three, but one of the best voices

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Speaker 1: in hip hop. He is the coolest of the cool

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Speaker 1: His catalogs outstanding, His anthems are people's high lives. It's

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Speaker 1: the craziest live show I've ever seen.

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Speaker 4: And I guarantee you he's your mom's favorite rapper.

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Speaker 1: That's yo, ladies and gentlemen, your mom's favorite raps straight

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Speaker 1: up Snoop dog.

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Speaker 4: In the building.

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Speaker 9: Thank you.

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Speaker 7: I appreciate that. And that roll call was off the

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Speaker 7: hook man. I'm a rapper though, so I stay ready.

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Speaker 7: I ain't got to get oh yeah.

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Speaker 6: Key Balls all day, yeah your album like my mom

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Speaker 6: would like. She because I was talking to Dj Quick.

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Speaker 6: We had Dj Quick on the show early and h

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Speaker 6: his album. I couldn't listen to the cursaon But when

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Speaker 6: Doggie Style dropped, that was the one album, like my

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Speaker 6: mama was saying, ain't no fun with me.

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Speaker 7: The real mothers around the world that was allowing their

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Speaker 7: kids to listen to that Snoop dogg music back then

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Speaker 7: because they knew I guess they knew that I didn't

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Speaker 7: really mean no harm.

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Speaker 9: I just was I was the young voice.

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Speaker 7: And at the same time, I appreciate the mothers for

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Speaker 7: allowing y'all to listen to it because we grew together.

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Speaker 4: Oh yeah, absolutely.

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Speaker 1: I'm literally out of breath from just being on the

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Speaker 1: basketball court. I don't know how you do it, bro,

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Speaker 1: I don't know.

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Speaker 13: I don't leaders on.

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Speaker 4: Where'd you grow up?

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Speaker 7: Right?

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Speaker 4: Where were you born? LBC?

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Speaker 9: I grew up in Long Beach, California, on the east

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Speaker 9: side of Long Beach.

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Speaker 4: Okay, And what was your when you were first started? Like?

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Speaker 4: What was music like in your household?

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Speaker 7: In my household, music was like brothers. My mama loved

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Speaker 7: some Teddy Pendergrass, Oh Jay stylistics, Uh, Manhattan's the dramatic, definitely.

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Speaker 1: Band, the daily black nutrients dipped in the sauce.

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Speaker 9: Man Okay, Well.

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Speaker 1: Shock is like what what Jawn like? Straight Philly? What Join?

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Speaker 13: What all right?

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Speaker 1: What John like? Would you would we be shocked that

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Speaker 1: you listened to that was outside of the lane of

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Speaker 1: what you're known for. Listening to your Cadillac music like what.

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Speaker 7: I loved Rod story was hot to me when I

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Speaker 7: was young. He was dope, Like I loved his get down,

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Speaker 7: like the way he sung his he seemed like he

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Speaker 7: was singing off what he was on and and and

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Speaker 7: it seemed like he was on the wrong bar, but

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Speaker 7: he was always in the right you know what I'm saying.

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Speaker 7: Position Like I love the way his voice down.

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Speaker 5: He had.

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Speaker 9: Told me I loved me.

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Speaker 6: Now, did you have any siblings growing up? It's not

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Speaker 6: two brothers, you youngest, older older brother and a younger brother.

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Speaker 7: And then my mother adopted my cousin and we made

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Speaker 7: him my brother, so it was four boys in the house,

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Speaker 7: you know what I'm saying, raised by one single mother.

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Speaker 7: Music was key, but I probably was the only one

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Speaker 7: that like really had a knack for it, like was

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Speaker 7: singing the.

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Speaker 9: Choir and.

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Speaker 7: Talent shows, rapping other people raps like the Sugarhill Gang

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Speaker 7: and Jimmy Spicer when they first came out, I learned

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Speaker 7: all that they raps and shit because I was like

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Speaker 7: these niggas fly. So I learned all they raps and

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Speaker 7: went to school and was just put my name and

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Speaker 7: they raps. Like that was like my first you know

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Speaker 7: intervention with me trying to become a rapper, listening to

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Speaker 7: good music and seeing if I could emulate it, and

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Speaker 7: not being afraid of doing in front of people, even

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Speaker 7: though if I was whack real good.

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Speaker 1: So when did you first start realizing that you had

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Speaker 1: a knack or a gift for them seeing or singing,

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Speaker 1: or you know, just overall talent. When did you realize.

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Speaker 9: Eighty six eighty five I was cool.

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Speaker 7: I was a you know, basic rapper, you know, rapping

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Speaker 7: about cars and swimming pools and shit. I didn't have

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Speaker 7: you know what I'm saying, you know, the old basic

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Speaker 7: wrap back then in the beginning, I got a big

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Speaker 7: old house and a big old card right, and they

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Speaker 7: didn't have nothing right, you know what I'm saying. Then

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Speaker 7: I gradually grew into you know, style, like what style

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Speaker 7: do I want to use? And watching the study and

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Speaker 7: the greats and listening to how they vocals and how

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Speaker 7: they controlled the microphone, not just what they was, but

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Speaker 7: their vocal tones. There was a lot of studying that

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Speaker 7: went in the you know what I was doing. I

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Speaker 7: wasn't just trying to be a regular rapper. I wanted

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Speaker 7: to be great. I wanted to like find ways to

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Speaker 7: perfect styles and perfect things that nobody had done. But

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Speaker 7: at the same time watching people who inspired me.

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Speaker 4: Yeah, I always heard you say that slick Rick was

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Speaker 4: on your.

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Speaker 7: Face, my man, love them to death, and that's still

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Speaker 7: one of my an to this day. Like when I

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Speaker 7: got a chance to meet him, he became my friend.

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Speaker 7: And it's like to have somebody like that that you

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Speaker 7: idolized and that you were able to finally get a

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Speaker 7: relationship with. It's beautiful because he's very you know, unique,

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Speaker 7: And I still look at him as the same slick

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Speaker 7: Rick when I was a kid, because he still dressed

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Speaker 7: fresh and honey, chains On still got the coldest conversation

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Speaker 7: and he remained him at all times, and that was

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Speaker 7: like helpful to me to find out who I was

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Speaker 7: and try to remain me and not try to get

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Speaker 7: caught up in the phase with rapping hard or rapping

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Speaker 7: fast or rapping loud, because when I was coming out,

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Speaker 7: most rappers was rapping like aggressive and hard and last yeah,

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Speaker 7: very aggressive. It was a couple of smooth ones, but

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Speaker 7: not the pocket I was trying to find.

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Speaker 1: So well, what slick Rick though, I mean, your your

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Speaker 1: your bartune is also key to your your low voice,

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Speaker 1: your baratune is key to your delivery. But I mean,

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Speaker 1: how did you did you finesse that style that you

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Speaker 1: have now? Snarl? I wouldn't know how to. It's somewhere

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Speaker 1: between snaggle Puss flick Rick.

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Speaker 9: And I think what it is.

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Speaker 7: Bosi Conent said it was like a cartoon mine. He like,

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Speaker 7: you got a cartoon mine. So a lot of times

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Speaker 7: when you rap and the voices that you hear will

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Speaker 7: be you know, cartoon related. You know, some sort of

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Speaker 7: cartoon that I may have heard or seen as a kid,

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Speaker 7: and I emulate that and put that vocal into my

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Speaker 7: rap with the delivery. Like you said snaggle Puss like

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Speaker 7: because to me, because the way he talked, it's sort

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Speaker 7: of kind of like the way I swing it when

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Speaker 7: I'm rapping.

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Speaker 1: Right, So even as a teen you had this style developed.

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Speaker 7: Nah, hell no, I would hate for you niggas to

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Speaker 7: hear the met music, all right, That's what I'm trying

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Speaker 7: to lead to. Might know, you know some niggas be like, well,

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Speaker 7: coming up the nineteen eighty seven version when you were

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Speaker 7: Snoop rock Ski and you thought you what was your

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Speaker 7: first name, Snoop rock Ski?

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Speaker 4: Yes, yeah, got wrong with.

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Speaker 7: That shit for a minute.

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Speaker 1: It's weird though, I mean because it's most most West Coast. Yeah,

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Speaker 1: most West coast cats I know won't even admit to

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Speaker 1: having any sort of East Coast in Floridenace.

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Speaker 7: Fuck that, nigga. We loved everything about the East Coast.

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Speaker 7: If you don't knock it off, nigga, y'all niggas was

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Speaker 7: the pavement to all walking on shit.

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Speaker 9: Nigga.

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Speaker 7: We wanted to be like y'all with the belt buckles,

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Speaker 7: the mink coats, the bomber jackets, the motherfucker cane goals,

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Speaker 7: the gold chains, all of that shit. We wanted to

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Speaker 7: be what y'all was because y'all created that. And I

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Speaker 7: say y'all, I say the East in general, because they

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Speaker 7: from Philadelphia to New York, Nigga from Steady Bee, the

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Speaker 7: motherfucking all these niggas that had all that flavor in

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Speaker 7: that style. We watched that and then we emulated and

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Speaker 7: put our own flavor on it. That's how the hip

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Speaker 7: hop game was created. Somebody had to start it, somebody

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Speaker 7: had to see it and then add their pieces on

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Speaker 7: what they saw, and then that's what created hip hop.

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Speaker 7: That's why it's growing into different nations now. That's why

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Speaker 7: people in different countries do hip hop. They can even

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Speaker 7: speak English, but they do hip hop.

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Speaker 1: What was the first show that you've ever seen? Contract wise? Music?

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Speaker 13: Hip Hop?

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Speaker 4: Or the Wiz?

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Speaker 11: What?

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Speaker 1: Wait?

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Speaker 7: What the Whiz? In nineteen seventy nine, when Stephanie Mills

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Speaker 7: was playing.

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Speaker 12: On I saw that one.

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Speaker 6: Yeah, that ship was Dope Man, Dope Wow Lie, who

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Speaker 6: took you mom?

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Speaker 4: So you see it?

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Speaker 7: You know it was like a church thing, and that's

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Speaker 7: when I was a good boy, and you know, you know,

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Speaker 7: the church got us a couple of tickets to go

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Speaker 7: through the Wiz. You know we're gonna take brother snowby

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Speaker 7: Waters too. He's been acting good in church. You know

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Speaker 7: you're gonna water.

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Speaker 4: Well.

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Speaker 8: All right?

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Speaker 13: So hip hop wise, what was the first show you saw?

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Speaker 7: Run DMC? First Fresh Past, Yeah, eighty okay, I remember

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Speaker 7: when we shut that ship down? I was gonna ask

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Speaker 7: was it the Long Beach show that?

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Speaker 9: Yep?

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Speaker 7: Can you tell?

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Speaker 4: All right?

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Speaker 1: All the the idea of a riot breaking out at

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Speaker 1: a hip hop concert, I'll never forget, Like the coverage

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Speaker 1: and write on magazine was like they had to. I

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Speaker 1: remember Vanessa Williams was even at the show for some reason.

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Speaker 1: But now I know Russell Simmons the way I know him. Yeah,

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Speaker 1: of course Vanessa Williams was there, but they had to

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Speaker 1: give it like a press conference and the whole ideal

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Speaker 1: rapp being violent or whatever, like.

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Speaker 9: They put my city on the line.

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Speaker 1: It started with this ship. That's how I know what

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Speaker 1: Long Beach is. Well, when you do retcall what happened

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Speaker 1: at the show.

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Speaker 7: Like it was a youngster, I probably was like thirteen fourteen.

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Speaker 7: I couldn't get in, so I ended up sneaking in

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Speaker 7: one of the homies and when I got in, they.

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Speaker 13: Just didn't have no security.

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Speaker 7: Like no, it was a good It was a.

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Speaker 9: Good show, was tight. It was like LLL Houdini and

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Speaker 9: all of them.

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Speaker 7: But what the problem was it was some La Niggas

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Speaker 7: that came down to Long Beach, and the La Niggas

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Speaker 7: was basically known for just you know when you go

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Speaker 7: to La they fucked the concerts up and you know

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Speaker 7: they run everything. They came to Long Beach and didn't

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Speaker 7: realize we was deep and we was we was all

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Speaker 7: one gang at one time, was three different gangs and

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Speaker 7: Loan Beach, but they all was together at that particular time.

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Speaker 7: And when they tried to come and do some shit.

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Speaker 7: It happened to be doing the intermission and I spoke

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Speaker 7: with Leora to find out exactly what the moment was.

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Speaker 7: Leora told me he was like it was a break

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Speaker 7: between acts, and when the acts would have a break,

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Speaker 7: they wouldn't have a DJ and nobody playing on music,

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Speaker 7: and it just went black on stage. And that's when

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Speaker 7: niggas seeing each other and was like, I think it

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Speaker 7: was between LLL and Houdini as LLL came out with

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Speaker 7: all red on and our city is all crips we

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Speaker 7: didn't have and that's when bloods and crips wasn't cool

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Speaker 7: at all. Like now it's way better, but back then

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Speaker 7: it was no dialogue, no understanding that when he came

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Speaker 7: out with that red on, niggas.

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Speaker 1: Was like that was problematic.

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Speaker 9: He waned them, you.

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Speaker 7: Know what I'm saying, Like it was shit that was

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Speaker 7: going on from that perspective, And then that the La

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Speaker 7: Niggas came and tried to push up in Loan Beach,

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Speaker 7: and the Loan Beach Niggas had to defend their turf

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Speaker 7: and the it was some essays there and it was

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Speaker 7: just a bunch of mayhem that had nothing to do

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Speaker 7: with the concert, and it fucked the concert up and

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Speaker 7: they put our city on the map for all the

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Speaker 7: wrong reasons.

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Speaker 9: But then I came and cleaned it.

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Speaker 13: Up all right.

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Speaker 1: So, speaking speaking of those early tapes that you made,

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Speaker 1: how did you like was two one three your first project?

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Speaker 1: What was your first development actually in doing tape sting?

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Speaker 7: No, my first development was probably eighty three. It was

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Speaker 7: a rapper named Captain Rap a long but she had

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Speaker 7: a song called bad Times.

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Speaker 13: Oh Captain Rap from Long Jimmy Jam.

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Speaker 9: Yeah.

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Speaker 7: So he lived his mama lived on Alm Street, which

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Speaker 7: was like the gang Bang Street, twenty first in Alm Street,

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Speaker 7: and I lived on twenty third Lungcus, which was like

303
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Speaker 7: three or four blocks away, and I heard that Captain

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Speaker 7: Rap was over there.

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Speaker 9: So I had made a cassette.

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Speaker 7: You know, you push record and play that old school

307
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Speaker 7: shit with you know what I'm saying, rapping into the cassette.

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Speaker 13: Yeah, did that?

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Speaker 7: Did like about five songs. They was all whack went

310
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Speaker 7: over the Sea the nigga and he listened to him.

311
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Speaker 7: He was like, Nah, you ain't ready. You need to

312
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Speaker 7: buy Whooping the game he game.

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Speaker 4: He was.

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Speaker 7: I appreciated that because now I hear him and see

315
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Speaker 7: him in real life right now today, and I remember

316
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Speaker 7: how he treated me and how he was to me

317
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Speaker 7: on some real shit like and he was like the

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Speaker 7: first rapper from Loan Beach to have a song out,

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Speaker 7: but at the same time, he didn't have no more

320
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Speaker 7: songs out. So when I listened to his song, I

321
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Speaker 7: was like, Okay, I want to make a hit, but

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Speaker 7: I don't want to just make one hit, you know

323
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Speaker 7: what I'm saying, Like I'm gonna learn from this, like

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Speaker 7: fuck that, I'm too greedy.

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Speaker 9: I want more.

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Speaker 1: So he was just pimping that one song. I got

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Speaker 1: no follow up and just nothing else.

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Speaker 7: I don't know what happened, you know. Around that time,

329
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Speaker 7: West Coast Rap was limited.

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Speaker 9: That was like fast. West Coast Rap was like bad.

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Speaker 7: Times, that's what we was rapping like that, you know

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Speaker 7: what I'm saying.

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Speaker 9: So that shit came and went and.

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Speaker 13: Then an effect on you.

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Speaker 7: Tidy T is one of the coaches in my football league. Yeah,

336
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Speaker 7: he me and he'd been friends for the past twenty

337
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Speaker 7: five years. But Tody T had a real big effect

338
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Speaker 7: because I was a drug dealer and the bad around

339
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Speaker 7: was really real, like we would really see it come

340
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Speaker 7: through the neighborhoods in that song was so symbolic to

341
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Speaker 7: West Coast music because it was like the first time

342
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Speaker 7: that we had a record that it was about us

343
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Speaker 7: and the ship we was going through that everybody on

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Speaker 7: the West could relate to that was selling drugs, and

345
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Speaker 7: most drug dealers became rappers. You know what I'm saying,

346
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Speaker 7: because that's what Tardy TNM was. They were drug dealers

347
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Speaker 7: that were rappers. It just so happened to be making

348
00:16:26,040 --> 00:16:28,040
Speaker 7: music because they were like, like we got a spare time,

349
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Speaker 7: that's mixing music. It was him and another rapper, Nayed

350
00:16:30,840 --> 00:16:31,760
Speaker 7: mixed Master Spade.

351
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Speaker 9: That was the ship.

352
00:16:33,160 --> 00:16:34,720
Speaker 7: He used to rap like he was in church, like

353
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Speaker 7: welcome part.

354
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Speaker 9: Of people in some class year.

355
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Speaker 7: Here got the ladies in the front and whole raps

356
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Speaker 7: sound like.

357
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Speaker 9: It was cold with it.

358
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Speaker 1: I gotta look at he had singles out yeahs yes, sir,

359
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Speaker 1: okay maybe for n w A.

360
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Speaker 7: They were they were the ones before we n WA's

361
00:17:01,560 --> 00:17:04,520
Speaker 7: like they was from Compton. They was representing that gangster shit.

362
00:17:04,560 --> 00:17:08,840
Speaker 7: They was real drug dealers. Theyre the ones, not the tools.

363
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Speaker 1: Did you have any experience like any Uncle Jam situations

364
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Speaker 1: or any of.

365
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Speaker 7: Those actually Uncle Jam Roger Clayton Rest in Peace, came

366
00:17:20,240 --> 00:17:23,800
Speaker 7: to Long Beach in nineteen ninety and was working a

367
00:17:23,880 --> 00:17:26,359
Speaker 7: club called the Toe Jams. And that's what me and

368
00:17:26,440 --> 00:17:30,280
Speaker 7: Domino used to rap at. You know, Domino ye together.

369
00:17:31,440 --> 00:17:34,040
Speaker 7: We was rapping Theirs and the Twins and Warren g

370
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Speaker 7: and the whole little click.

371
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Speaker 9: We was all rapping there.

372
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Speaker 7: And he kind of like knew that me and Domino

373
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Speaker 7: had some special because he would always separate us and

374
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Speaker 7: let us like come in a little booth. He had

375
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Speaker 7: like a space boof in the air, like old school shit,

376
00:17:46,640 --> 00:17:48,720
Speaker 7: like up here, but it's over the ground, and he

377
00:17:48,720 --> 00:17:51,080
Speaker 7: would let us come up in there and let us wrap.

378
00:17:51,840 --> 00:17:53,960
Speaker 7: And it's like you could tell that he knew that

379
00:17:54,280 --> 00:17:57,520
Speaker 7: we were special. And I didn't even know this motherfucker

380
00:17:57,600 --> 00:18:01,080
Speaker 7: was Uncle Jam until after the fact, because he wasn't like,

381
00:18:01,119 --> 00:18:03,800
Speaker 7: I'm Uncle James, just like it's Roger Clayton. Then I

382
00:18:03,840 --> 00:18:06,160
Speaker 7: was telling people, yeah, I did this with right, They're like, nigga,

383
00:18:06,200 --> 00:18:09,160
Speaker 7: you know Uncle Jam? Like what was Uncle Jam?

384
00:18:09,200 --> 00:18:09,280
Speaker 4: Like?

385
00:18:09,320 --> 00:18:12,119
Speaker 1: When did this party start? I've heard of his parties,

386
00:18:12,119 --> 00:18:12,879
Speaker 1: but I just don't know.

387
00:18:12,960 --> 00:18:14,560
Speaker 9: The seventies, late seventies.

388
00:18:14,560 --> 00:18:17,080
Speaker 13: Oh he went back that far. Okay, I think.

389
00:18:16,920 --> 00:18:19,280
Speaker 7: George Clinton blessed him. I think George Clinton was like,

390
00:18:19,320 --> 00:18:21,679
Speaker 7: you know what, you the young gut here in La

391
00:18:21,760 --> 00:18:23,840
Speaker 7: that's pushing and promoting my ship and doing that thing.

392
00:18:24,200 --> 00:18:25,760
Speaker 7: And I think he took it on and say all right,

393
00:18:25,800 --> 00:18:26,879
Speaker 7: I'm Uncle Jam.

394
00:18:27,720 --> 00:18:28,720
Speaker 9: I understand you.

395
00:18:29,480 --> 00:18:32,080
Speaker 7: I'm Uncle Jam's army because I'm part of you know,

396
00:18:32,119 --> 00:18:34,639
Speaker 7: what George and them is doing, and I'm just a

397
00:18:34,680 --> 00:18:36,440
Speaker 7: culmination of it. Like you know how it is. They

398
00:18:36,480 --> 00:18:40,520
Speaker 7: inspired us everything, Uncle Jam. It's funk based. Everything that

399
00:18:40,680 --> 00:18:43,080
Speaker 7: we do is funk based because those were the originators

400
00:18:43,119 --> 00:18:45,720
Speaker 7: of what we love. Damn Rick James, Yeah, being the

401
00:18:45,760 --> 00:18:47,120
Speaker 7: whole funk man.

402
00:18:47,119 --> 00:18:49,840
Speaker 6: Can you explain to us the importance of the roodium

403
00:18:50,040 --> 00:18:52,040
Speaker 6: and like what that was heard all me?

404
00:18:52,400 --> 00:18:54,520
Speaker 4: It was a flea market, Yeah, it was.

405
00:18:54,520 --> 00:18:56,840
Speaker 7: A flea market, but it was the spot that NWA made.

406
00:18:56,840 --> 00:19:01,800
Speaker 7: They first like mixtapes that really broke ice, like Dope Man,

407
00:19:01,840 --> 00:19:04,159
Speaker 7: Gangster Against All. That ship was in there first, like

408
00:19:04,320 --> 00:19:07,119
Speaker 7: on mixed tapes. So they was like there making like

409
00:19:07,240 --> 00:19:09,520
Speaker 7: songs with Cube would be rapping and Dre would be

410
00:19:09,600 --> 00:19:12,399
Speaker 7: on the turntables and it was like jacking for beats

411
00:19:12,400 --> 00:19:14,159
Speaker 7: before Jack and for Beasts, you.

412
00:19:14,200 --> 00:19:14,760
Speaker 9: Know, what I'm saying.

413
00:19:14,840 --> 00:19:17,520
Speaker 7: But Doctor Dre was doing the mixing and taking niggas

414
00:19:17,560 --> 00:19:19,560
Speaker 7: beats and Ice Cube was rapping and sucking it up,

415
00:19:19,960 --> 00:19:22,080
Speaker 7: and they was wrapping Gangster Ship. And back then it

416
00:19:22,200 --> 00:19:24,720
Speaker 7: was it wasn't common to rap Gangster Ship.

417
00:19:24,760 --> 00:19:24,920
Speaker 8: More.

418
00:19:25,040 --> 00:19:29,119
Speaker 7: More rappers were, you know, rapping the right way or

419
00:19:29,160 --> 00:19:32,480
Speaker 7: you know tra correct. Yeah, like Kara rest More didn't

420
00:19:32,480 --> 00:19:32,960
Speaker 7: give a fuck.

421
00:19:33,119 --> 00:19:34,920
Speaker 9: He was going hard. You know what I'm saying.

422
00:19:34,920 --> 00:19:37,320
Speaker 7: He was one nigga just ice didn't give a fuck.

423
00:19:37,400 --> 00:19:38,960
Speaker 7: He was hard, you know what I'm saying. It was

424
00:19:38,960 --> 00:19:40,800
Speaker 7: certain niggas that just didn't care. Ice t didn't give

425
00:19:40,800 --> 00:19:42,639
Speaker 7: a fuck. He was hard. But some of them was

426
00:19:42,720 --> 00:19:45,199
Speaker 7: just like you know, Rock Kim was hard. But I

427
00:19:45,320 --> 00:19:48,400
Speaker 7: never heard him cuss, right, I wanted to hear.

428
00:19:48,320 --> 00:19:49,880
Speaker 4: Him except.

429
00:19:55,280 --> 00:19:57,199
Speaker 13: On the original of My Melody he says, pull up

430
00:19:57,200 --> 00:19:57,520
Speaker 13: a chair, and.

431
00:19:59,040 --> 00:20:04,359
Speaker 7: I ain't ship. I want him to motherfucker give me

432
00:20:04,480 --> 00:20:05,480
Speaker 7: some good shit. Right.

433
00:20:10,880 --> 00:20:14,200
Speaker 1: So for for those tapes, like, were you an ardent

434
00:20:14,280 --> 00:20:17,600
Speaker 1: collector of him? Like, as far as Doctor Dre's concerned,

435
00:20:17,600 --> 00:20:21,000
Speaker 1: were you was it a goal for you to like, Okay,

436
00:20:21,000 --> 00:20:22,400
Speaker 1: one day I got to get to him, or.

437
00:20:22,680 --> 00:20:25,240
Speaker 7: One day I wanted to get to Steve Steve Yano.

438
00:20:25,720 --> 00:20:28,800
Speaker 7: He was the one that ran to Rodehuim swapped.

439
00:20:28,520 --> 00:20:31,439
Speaker 13: Me, Oh so you just want to get your product in.

440
00:20:31,560 --> 00:20:33,720
Speaker 7: I just want to get to him because to me,

441
00:20:34,800 --> 00:20:37,640
Speaker 7: fuck them, he was the one because he could get

442
00:20:37,680 --> 00:20:40,240
Speaker 7: you out there. I wasn't good enough for them. I

443
00:20:40,240 --> 00:20:42,159
Speaker 7: didn't want to go to them and like get him

444
00:20:42,240 --> 00:20:44,640
Speaker 7: music that wasn't dope as theirs, Like that's the kind

445
00:20:44,680 --> 00:20:46,560
Speaker 7: of rapper I was. Like, I never wanted to rap

446
00:20:46,600 --> 00:20:49,240
Speaker 7: for Drel, wanted to get down for w A because

447
00:20:49,240 --> 00:20:49,760
Speaker 7: I didn't think.

448
00:20:49,680 --> 00:20:50,800
Speaker 4: I was ready.

449
00:20:51,040 --> 00:20:53,520
Speaker 7: Like so I would rather make music and get ready

450
00:20:54,119 --> 00:20:56,680
Speaker 7: and then once they discover me and feel like I'm ready,

451
00:20:56,720 --> 00:20:57,680
Speaker 7: then we make that happen.

452
00:20:57,680 --> 00:20:59,040
Speaker 9: And that's exactly what happened.

453
00:21:00,359 --> 00:21:05,480
Speaker 6: Good say, oh so from the first explained us exactly

454
00:21:05,520 --> 00:21:08,200
Speaker 6: how when you first started, when you Warren and Nate

455
00:21:08,520 --> 00:21:12,119
Speaker 6: from two and three, When did y'all start recording together?

456
00:21:13,400 --> 00:21:17,439
Speaker 7: Well, me and Warren g was friends from like elementary school.

457
00:21:17,640 --> 00:21:20,000
Speaker 7: I met Nate dog in high school in eighty six,

458
00:21:20,240 --> 00:21:21,720
Speaker 7: when I was in the tenth grade, he was in

459
00:21:21,760 --> 00:21:22,399
Speaker 7: the twelfth grade.

460
00:21:22,400 --> 00:21:23,399
Speaker 9: We had a class together.

461
00:21:24,080 --> 00:21:26,280
Speaker 7: We just used to be fucking around, you know, beating

462
00:21:26,280 --> 00:21:28,560
Speaker 7: on the table and singing and rapping. Then we had

463
00:21:28,600 --> 00:21:30,880
Speaker 7: seventh period together, which was pe and we never went

464
00:21:30,920 --> 00:21:32,560
Speaker 7: to that, so we would always be singing and shit

465
00:21:32,600 --> 00:21:35,000
Speaker 7: in the back of the gym. So but war and

466
00:21:35,040 --> 00:21:37,320
Speaker 7: G was my dog, and waring G was always wanting

467
00:21:37,320 --> 00:21:41,000
Speaker 7: to do music with me, but we never like did music.

468
00:21:41,520 --> 00:21:43,359
Speaker 7: So then I figured out a way to get all

469
00:21:43,400 --> 00:21:46,320
Speaker 7: three of us together. And once we got together and

470
00:21:46,480 --> 00:21:49,200
Speaker 7: got past all the argument and fighting and shit, because

471
00:21:49,240 --> 00:21:51,000
Speaker 7: them niggas used to fight all the time, Waring G

472
00:21:51,080 --> 00:21:52,960
Speaker 7: and they though them niggas can not stand echere. That's

473
00:21:52,960 --> 00:21:54,280
Speaker 7: why it fucks me up that they got all the

474
00:21:54,359 --> 00:21:57,280
Speaker 7: fucking history right. And them niggas was always fighting each

475
00:21:57,280 --> 00:21:57,639
Speaker 7: other like.

476
00:21:58,760 --> 00:22:00,520
Speaker 1: Brother like water, just like I really go.

477
00:22:00,680 --> 00:22:03,119
Speaker 7: Brother like way, like Nigga like you know how brothers

478
00:22:03,320 --> 00:22:06,200
Speaker 7: is like like what the fuck is y'all? And I'm

479
00:22:06,240 --> 00:22:07,760
Speaker 7: in the middle of ship like this the fuck is

480
00:22:07,840 --> 00:22:10,760
Speaker 7: y'all fighting about? This is bullshit? And this is even

481
00:22:11,359 --> 00:22:15,480
Speaker 7: own records before the know it happened a lot before

482
00:22:15,520 --> 00:22:18,840
Speaker 7: the records. When the records came out, only conflict was

483
00:22:18,920 --> 00:22:22,600
Speaker 7: like just in the studio, you know, Nate Dog like

484
00:22:22,760 --> 00:22:23,840
Speaker 7: doing the ship a certain way.

485
00:22:23,880 --> 00:22:24,480
Speaker 9: He like fucked that.

486
00:22:24,600 --> 00:22:26,440
Speaker 7: He hard aded in the studio. He like doing shit,

487
00:22:26,840 --> 00:22:29,040
Speaker 7: no fuck that, I'm doing it this way. I'm taking

488
00:22:29,080 --> 00:22:30,600
Speaker 7: the motherfucker the way I want to sing it.

489
00:22:32,480 --> 00:22:36,360
Speaker 1: Nate was always singing. Always was he ever at any

490
00:22:36,359 --> 00:22:37,080
Speaker 1: point in his life.

491
00:22:37,080 --> 00:22:41,000
Speaker 7: Never, never, but he could he could, you know, Like

492
00:22:41,000 --> 00:22:42,879
Speaker 7: like I said, when I met him, we was rapping

493
00:22:42,880 --> 00:22:45,080
Speaker 7: and singing in the back of the class. Like he

494
00:22:45,160 --> 00:22:47,960
Speaker 7: wasn't just coming up. Nigga was rapping with me, you know.

495
00:22:48,000 --> 00:22:50,760
Speaker 7: I was, you know, beating on the table and ship

496
00:22:50,840 --> 00:22:52,479
Speaker 7: rapping it at the same time. And he would come

497
00:22:52,520 --> 00:22:55,320
Speaker 7: in and rap and then certain points he would maybe

498
00:22:55,400 --> 00:22:56,359
Speaker 7: sing some ship and they would be.

499
00:22:56,359 --> 00:22:58,800
Speaker 13: Like that was flying and he always had that movie.

500
00:22:58,680 --> 00:23:01,119
Speaker 7: Always had that ship Like He's sounded like an R

501
00:23:01,160 --> 00:23:03,760
Speaker 7: and B Nigga. That to me, you always sounded like

502
00:23:03,800 --> 00:23:09,399
Speaker 7: the dude from A What's the group? Mind blowing decisions? Nigga,

503
00:23:09,440 --> 00:23:11,840
Speaker 7: He sounds just like us if Nate when he used

504
00:23:11,840 --> 00:23:16,680
Speaker 7: to sing always in Forever, he sounded exactly like damn

505
00:23:16,960 --> 00:23:18,919
Speaker 7: like niggas just singing that for the Homiesga, be like

506
00:23:19,040 --> 00:23:26,360
Speaker 7: he sing always in Forever, always Forevergas in the rooms.

507
00:23:26,440 --> 00:23:27,560
Speaker 7: Niggas sing high.

508
00:23:27,400 --> 00:23:35,879
Speaker 6: Part so from the time when y'all started making records.

509
00:23:35,880 --> 00:23:38,760
Speaker 6: I've always heard you credit the DLC is actually teaching

510
00:23:38,760 --> 00:23:42,000
Speaker 6: you how to write rhymes or or structure your rhymes. Rather,

511
00:23:42,640 --> 00:23:46,080
Speaker 6: how did you go from like just freestyling, Like how

512
00:23:46,080 --> 00:23:48,960
Speaker 6: did you start developing, you know, your pen game before

513
00:23:49,080 --> 00:23:50,720
Speaker 6: meeting uh dre and doing.

514
00:23:50,560 --> 00:23:54,080
Speaker 7: Deep free styling was my main thing because I was

515
00:23:54,160 --> 00:23:55,560
Speaker 7: it was easy for me to come to my head

516
00:23:55,600 --> 00:23:58,520
Speaker 7: real quick. I would always you know, I was quick

517
00:23:58,560 --> 00:24:01,560
Speaker 7: with it. And then I started writing. But my rhymes

518
00:24:01,600 --> 00:24:05,160
Speaker 7: that I wrote were like so basic, Like I would

519
00:24:05,160 --> 00:24:07,760
Speaker 7: freestyle complex shit, but I would write basic shit. And

520
00:24:07,760 --> 00:24:09,439
Speaker 7: I couldn't understand, Like why the fuck am I so

521
00:24:09,560 --> 00:24:12,840
Speaker 7: basic when I'm writing? But I ain't, you know, basically

522
00:24:12,840 --> 00:24:14,600
Speaker 7: when I'm freestyling, because I guess it was a more

523
00:24:14,680 --> 00:24:18,959
Speaker 7: challenge exactly. So then I started saying fucking it. When

524
00:24:19,040 --> 00:24:20,919
Speaker 7: we started making tapes, I just started going in there

525
00:24:21,000 --> 00:24:23,080
Speaker 7: just saying shit like fucking I ain't gonna write no shit,

526
00:24:23,680 --> 00:24:25,720
Speaker 7: and that shit was sounding better than the shit I wrote.

527
00:24:26,800 --> 00:24:30,760
Speaker 7: And then once I got with you know, different producers

528
00:24:30,800 --> 00:24:33,240
Speaker 7: and certain motherfuckers giving me game on.

529
00:24:34,359 --> 00:24:36,000
Speaker 9: This is a sixteen bar? What's up?

530
00:24:36,040 --> 00:24:39,080
Speaker 7: Sixteen bar? That's when the shit started. Here and in

531
00:24:39,200 --> 00:24:42,639
Speaker 7: here Nigga rapped forever. You know, back then we had

532
00:24:42,640 --> 00:24:44,680
Speaker 7: one hundred monthfucking bars. You know, that's what rappers did

533
00:24:44,680 --> 00:24:46,480
Speaker 7: back then. Niggas din't know how to break that shit down.

534
00:24:46,520 --> 00:24:48,440
Speaker 7: You know, we just rapped it. We couldn't rap no more.

535
00:24:48,920 --> 00:24:49,040
Speaker 11: So.

536
00:24:49,080 --> 00:24:50,600
Speaker 7: Then once the nigga learned how to structure, it was

537
00:24:50,640 --> 00:24:53,240
Speaker 7: like cool, I got it. But then when I got

538
00:24:53,280 --> 00:24:56,320
Speaker 7: with drinking, DC Doc showed me how to make songs

539
00:24:57,080 --> 00:25:00,199
Speaker 7: like I would bust at least they bust something us

540
00:25:00,359 --> 00:25:03,679
Speaker 7: like three minutes. He'd be like, all right, see what

541
00:25:03,720 --> 00:25:07,160
Speaker 7: you said right here, that's the hook. What you said

542
00:25:07,200 --> 00:25:11,560
Speaker 7: over here, that's the last sixteen. Over here, it's the

543
00:25:11,600 --> 00:25:14,600
Speaker 7: first four right here, that's the next eight. Like he

544
00:25:14,640 --> 00:25:18,800
Speaker 7: would take my restructure. This nigga was nigga like he

545
00:25:18,840 --> 00:25:20,240
Speaker 7: worked for motherfucking Microsoft.

546
00:25:20,320 --> 00:25:21,720
Speaker 13: Nigga.

547
00:25:24,040 --> 00:25:26,159
Speaker 9: Yeah, Nigga put put the thing together.

548
00:25:26,280 --> 00:25:28,679
Speaker 7: Like even when it came to g thing like I

549
00:25:28,720 --> 00:25:32,320
Speaker 7: wrote it on the east side, but the last part

550
00:25:32,960 --> 00:25:33,639
Speaker 7: I was stuck.

551
00:25:34,400 --> 00:25:35,119
Speaker 9: And he came in.

552
00:25:35,240 --> 00:25:37,200
Speaker 7: He because it's something I had said a long time ago,

553
00:25:37,320 --> 00:25:39,359
Speaker 7: and he was like, Nigga, remember that ship. We was

554
00:25:39,440 --> 00:25:44,080
Speaker 7: like like this that and this and up because I

555
00:25:44,080 --> 00:25:46,400
Speaker 7: said that in the freestyle when I was just freestyl

556
00:25:46,440 --> 00:25:48,919
Speaker 7: on one time Nigga's doctor drink and snoop.

557
00:25:50,280 --> 00:25:53,920
Speaker 9: And we do it like this, and he.

558
00:25:53,920 --> 00:25:55,439
Speaker 7: Was like, yeah, do that and put that at the

559
00:25:55,560 --> 00:26:00,600
Speaker 7: end and then put my name in there.

560
00:25:57,680 --> 00:26:04,760
Speaker 11: Like put your opinion now on younger MC's and being

561
00:26:04,800 --> 00:26:08,080
Speaker 11: able to freestyle versus not the.

562
00:26:08,160 --> 00:26:10,480
Speaker 7: Same where it used to be, you know, like basketball

563
00:26:10,480 --> 00:26:12,199
Speaker 7: and what it used to be, football and what it

564
00:26:12,280 --> 00:26:14,399
Speaker 7: used to be. You can't expect them to be on

565
00:26:14,440 --> 00:26:17,600
Speaker 7: the level of the game that ain't the same. You

566
00:26:17,640 --> 00:26:19,600
Speaker 7: know when we came out, you had to have skills

567
00:26:19,640 --> 00:26:21,320
Speaker 7: like that. I remember I had to battle like forty

568
00:26:21,359 --> 00:26:23,880
Speaker 7: niggas in New York one night, like on some real

569
00:26:23,920 --> 00:26:26,840
Speaker 7: shitting and corrupt stepped up and served about a thousand niggas.

570
00:26:27,000 --> 00:26:28,480
Speaker 7: I'm not making this shit up. It was like a

571
00:26:28,560 --> 00:26:29,160
Speaker 7: karate movie.

572
00:26:29,240 --> 00:26:29,720
Speaker 9: Nigga like.

573
00:26:31,320 --> 00:26:34,280
Speaker 7: Niggas was running up with the same outfits on niggas.

574
00:26:37,480 --> 00:26:40,359
Speaker 7: But that's what That's what hip hop was for me.

575
00:26:40,400 --> 00:26:43,399
Speaker 7: When I came in in the eighties, I started rapping

576
00:26:43,520 --> 00:26:45,960
Speaker 7: like eighty four eighty five. I had to battle about

577
00:26:45,960 --> 00:26:49,640
Speaker 7: one hundred niggas before I even got to a microphone.

578
00:26:50,640 --> 00:26:54,000
Speaker 7: Before I even got to a microphone. Yeah, then when

579
00:26:54,040 --> 00:26:56,080
Speaker 7: I got to a microphone, it be like a house party,

580
00:26:56,800 --> 00:26:58,680
Speaker 7: and if you ain't saying the right shit nigga, they'

581
00:27:00,240 --> 00:27:02,160
Speaker 7: DJ put on some shit like Nick, get out of here.

582
00:27:02,840 --> 00:27:05,080
Speaker 7: I say, niggas get shut down to get house parties.

583
00:27:05,119 --> 00:27:07,760
Speaker 7: Then I start doing talent shows. So it's like I

584
00:27:07,800 --> 00:27:09,800
Speaker 7: started getting familiar with the mic in my voice, and

585
00:27:09,840 --> 00:27:12,600
Speaker 7: I started recording myself like I hear what I sound like?

586
00:27:12,640 --> 00:27:15,199
Speaker 7: All right, my voice needs to be like this, not

587
00:27:15,359 --> 00:27:17,440
Speaker 7: all wrapping, all loud and talking like that.

588
00:27:17,960 --> 00:27:20,240
Speaker 9: That ain't me. I need to be in pocket.

589
00:27:20,520 --> 00:27:20,840
Speaker 4: Damn.

590
00:27:20,960 --> 00:27:24,920
Speaker 1: See that's how Usually with people that have low register,

591
00:27:25,240 --> 00:27:28,120
Speaker 1: they do that a lot. They practice and practice, yeah,

592
00:27:28,200 --> 00:27:31,280
Speaker 1: and then they find their zone. That's weird that you

593
00:27:32,240 --> 00:27:36,879
Speaker 1: knew to discover that even without someone you know instructing

594
00:27:36,920 --> 00:27:38,720
Speaker 1: you to practice on tape.

595
00:27:38,840 --> 00:27:40,640
Speaker 9: Ain't that ideas for a drummer too.

596
00:27:42,040 --> 00:27:45,439
Speaker 1: Ah, that's just different. Mindset was more like there's the

597
00:27:45,440 --> 00:27:48,639
Speaker 1: basement going in it don't come out until after five hours.

598
00:27:48,760 --> 00:27:49,480
Speaker 4: Like it was just.

599
00:27:51,840 --> 00:27:53,399
Speaker 13: It wasn't like let me find my style.

600
00:27:53,480 --> 00:27:56,120
Speaker 1: It's more like, yeah, it's better be home right after school,

601
00:27:56,280 --> 00:27:56,880
Speaker 1: But how do you.

602
00:27:56,880 --> 00:27:59,320
Speaker 7: Like For example, like if I say give me some

603
00:27:59,359 --> 00:28:03,200
Speaker 7: Al Green and then give me some James Brown drums.

604
00:28:02,880 --> 00:28:04,000
Speaker 13: Well that see.

605
00:28:04,040 --> 00:28:07,480
Speaker 7: The thing is is that the mic even.

606
00:28:07,040 --> 00:28:14,440
Speaker 1: I think, even beyond drumming, I am, I mean, I'm

607
00:28:14,440 --> 00:28:20,800
Speaker 1: a record collector and I process information different. So for me,

608
00:28:21,200 --> 00:28:24,600
Speaker 1: I've discovered that it's really in the microphone, in the

609
00:28:24,640 --> 00:28:27,159
Speaker 1: mixing I mentioned in the style. Also, so if you

610
00:28:27,440 --> 00:28:30,320
Speaker 1: want Al Jackson and I know that, okay you want,

611
00:28:30,720 --> 00:28:32,760
Speaker 1: I'm so glad your mine or whatever, then I know, okay,

612
00:28:32,800 --> 00:28:34,600
Speaker 1: I gotta tune this down and all that stuff. But

613
00:28:34,720 --> 00:28:41,040
Speaker 1: that really just comes from listening to listening to drummers

614
00:28:41,080 --> 00:28:43,360
Speaker 1: and knowing how to tune my drums to sound like their's.

615
00:28:43,880 --> 00:28:47,160
Speaker 1: It's not even a technique. So I consider myself more

616
00:28:47,320 --> 00:28:51,160
Speaker 1: like a mirror than an actual person with the style.

617
00:28:50,920 --> 00:28:53,040
Speaker 7: Because I noticed you can get those sounds. It's like

618
00:28:53,200 --> 00:28:54,960
Speaker 7: I listened to you. I'm like, okay, he can get

619
00:28:54,960 --> 00:28:58,600
Speaker 7: any sound. He won't like the wots y'all be playing

620
00:28:58,600 --> 00:29:01,360
Speaker 7: with all kinds of sounds. That sound I like is

621
00:29:01,360 --> 00:29:02,080
Speaker 7: when y'all did that.

622
00:29:02,640 --> 00:29:11,400
Speaker 14: If you don't want me about that, baby, you don't

623
00:29:11,440 --> 00:29:12,880
Speaker 14: want me, you know that.

624
00:29:12,760 --> 00:29:15,239
Speaker 13: You got me, Thank you, bro.

625
00:29:15,880 --> 00:29:16,440
Speaker 1: Appreciate that.

626
00:29:18,160 --> 00:29:18,360
Speaker 7: Shit.

627
00:29:18,800 --> 00:29:21,320
Speaker 1: I almost got talked out of that. The label was

628
00:29:21,400 --> 00:29:24,440
Speaker 1: like dog y'all got to hit, don't do this fancy.

629
00:29:24,720 --> 00:29:28,720
Speaker 1: The thing was we we lived in London. We had

630
00:29:28,880 --> 00:29:34,160
Speaker 1: exiled to the UK from like ninety three to about

631
00:29:34,240 --> 00:29:38,960
Speaker 1: ninety seven, even though we was living like both in

632
00:29:39,000 --> 00:29:42,760
Speaker 1: Philadelphia and abroad, but we were torn more abroad, and

633
00:29:42,800 --> 00:29:46,480
Speaker 1: so that's when drum and bass was just starting to

634
00:29:46,480 --> 00:29:48,880
Speaker 1: pop off garage and two steps and all that stuff.

635
00:29:48,920 --> 00:29:51,160
Speaker 13: So when I got back to the stats, I was like,

636
00:29:51,160 --> 00:29:51,920
Speaker 13: all right, let.

637
00:29:51,840 --> 00:29:53,400
Speaker 1: Me add some of that London shit that I learned,

638
00:29:53,440 --> 00:29:56,440
Speaker 1: which is weird because outcasts and doing bombs over Baghdad.

639
00:29:57,080 --> 00:29:59,320
Speaker 1: That was their version of that. You know, okay, let's

640
00:30:00,160 --> 00:30:01,920
Speaker 1: do what we learned in London. But I tried to

641
00:30:01,920 --> 00:30:03,840
Speaker 1: do it in the label like try to talk me

642
00:30:03,880 --> 00:30:06,160
Speaker 1: out of it, like real nah, radio is not going

643
00:30:06,240 --> 00:30:10,120
Speaker 1: to play this, You're messing it up. So I fought

644
00:30:09,480 --> 00:30:12,680
Speaker 1: they taught me out of Jills Scott, but I kept

645
00:30:12,680 --> 00:30:13,640
Speaker 1: the drumming biggs.

646
00:30:14,360 --> 00:30:17,440
Speaker 7: Who get rid of Jill Scott, But I'm keeping my drums.

647
00:30:17,840 --> 00:30:20,720
Speaker 7: That crazy labels like back then had more say so

648
00:30:20,880 --> 00:30:22,600
Speaker 7: and could really like come in there and say some

649
00:30:22,680 --> 00:30:24,720
Speaker 7: ship that you had to do well.

650
00:30:24,840 --> 00:30:27,120
Speaker 1: At that point, we were unproving, and it was just

651
00:30:27,160 --> 00:30:29,440
Speaker 1: like this was our fourth attempt at trying to make

652
00:30:29,480 --> 00:30:29,960
Speaker 1: it happen.

653
00:30:30,240 --> 00:30:32,680
Speaker 7: Even for the proven, they did that like they were

654
00:30:32,720 --> 00:30:34,400
Speaker 7: coming there and tell them motherfucker on some where else

655
00:30:34,480 --> 00:30:36,920
Speaker 7: did It was many times where I sat down with Jimmy,

656
00:30:36,920 --> 00:30:40,000
Speaker 7: I being on some good ship, but I liked his respective.

657
00:30:40,000 --> 00:30:41,920
Speaker 7: But then sometimes we clash because I was like, Nigga,

658
00:30:41,960 --> 00:30:43,520
Speaker 7: you can't tell me, nigga, you don't know my ship.

659
00:30:43,640 --> 00:30:46,280
Speaker 7: Nigga Like hold on this, nigga, do no nigga, this

660
00:30:46,360 --> 00:30:50,560
Speaker 7: nigga didn't work with nigga boot Springsteens.

661
00:30:51,640 --> 00:30:53,880
Speaker 10: Can you give us an example? Can you give us

662
00:30:53,920 --> 00:30:55,520
Speaker 10: an example of something you two classed over?

663
00:30:56,600 --> 00:31:01,120
Speaker 9: Oh man? Uh? Producers?

664
00:31:01,800 --> 00:31:02,120
Speaker 4: Really?

665
00:31:02,320 --> 00:31:02,760
Speaker 9: Yeah?

666
00:31:03,320 --> 00:31:04,840
Speaker 1: Who did you want to work with that he didn't

667
00:31:04,840 --> 00:31:05,720
Speaker 1: want you to work with him?

668
00:31:07,240 --> 00:31:08,640
Speaker 7: I don't want to say no name, but it was

669
00:31:08,680 --> 00:31:11,880
Speaker 7: a producer that I really fucking wanted to work with

670
00:31:12,360 --> 00:31:15,960
Speaker 7: that He didn't really see it, but he kind of

671
00:31:15,960 --> 00:31:22,320
Speaker 7: saw it, and then once we started doing it, he

672
00:31:22,400 --> 00:31:23,880
Speaker 7: understood it was for real.

673
00:31:24,880 --> 00:31:30,440
Speaker 1: Wow wait wait wow, he couldn't see that. You know what, though,

674
00:31:30,720 --> 00:31:34,840
Speaker 1: I'm gonna tell you something. In the beginning, you.

675
00:31:34,720 --> 00:31:35,440
Speaker 7: Couldn't see it.

676
00:31:35,800 --> 00:31:39,640
Speaker 1: Pharrell was a hard sell for me. Here's here's the

677
00:31:39,640 --> 00:31:43,080
Speaker 1: stupid ship I loved. I can't make a mistake by

678
00:31:43,200 --> 00:31:45,760
Speaker 1: mc light. I love this shit because it was loud

679
00:31:45,760 --> 00:31:52,520
Speaker 1: as ship. But it's almost like there's some unconventional there's

680
00:31:52,520 --> 00:31:56,239
Speaker 1: something unconventional about the Neptune sound drew me to it

681
00:31:56,360 --> 00:32:00,120
Speaker 1: that took me. It took me two months to to

682
00:32:00,120 --> 00:32:02,760
Speaker 1: to really really get it and get aboard. And now

683
00:32:02,800 --> 00:32:05,760
Speaker 1: it's like, the weirder this shit is, like take like

684
00:32:05,840 --> 00:32:08,480
Speaker 1: the clip second album. The weirder that ship is, the

685
00:32:08,480 --> 00:32:10,120
Speaker 1: more I'm all for it, you know what I'm saying.

686
00:32:10,120 --> 00:32:12,000
Speaker 6: But that's what they were hard sell because I mean

687
00:32:12,040 --> 00:32:14,120
Speaker 6: the first my first I CA remainer was on the

688
00:32:14,160 --> 00:32:16,520
Speaker 6: Mace album, like they're looking at me joint and.

689
00:32:16,800 --> 00:32:18,720
Speaker 1: You didn't like that, Okay, I didn't know who they were.

690
00:32:18,840 --> 00:32:21,640
Speaker 6: You feel me like I remember this, But then like

691
00:32:21,720 --> 00:32:25,240
Speaker 6: I think I got it around like super Thug like

692
00:32:25,320 --> 00:32:28,440
Speaker 6: super Thug and like I mean the stuff with Norway,

693
00:32:28,480 --> 00:32:30,720
Speaker 6: like all that shit got But I could see the So.

694
00:32:30,720 --> 00:32:34,840
Speaker 1: Your first of the palace right at least, no, I think, uh,

695
00:32:34,960 --> 00:32:35,920
Speaker 1: the chronic's blowing.

696
00:32:37,200 --> 00:32:41,520
Speaker 7: Uh yeah, yeah, blowing chronic to me is like a tradition.

697
00:32:41,640 --> 00:32:43,640
Speaker 7: To me, I got to pick the So sit down

698
00:32:43,720 --> 00:32:46,000
Speaker 7: and listen to me. Don't go against me food, go

699
00:32:46,120 --> 00:32:48,080
Speaker 7: with me, and we can blow it all together like

700
00:32:48,120 --> 00:32:51,400
Speaker 7: Bobby Brown and with me. Yeah, we got something to

701
00:32:51,480 --> 00:32:53,800
Speaker 7: come and nigga search your nigga, but they never finding

702
00:32:53,880 --> 00:32:57,120
Speaker 7: my bomb and I got the stashot my cash, got

703
00:32:57,320 --> 00:33:00,080
Speaker 7: a lot of motherfucking punk police shot. I'm not the

704
00:33:00,120 --> 00:33:02,760
Speaker 7: one nigga. You can call me the two Bob Marley.

705
00:33:02,800 --> 00:33:06,320
Speaker 7: We incordinated, pupils, dilated and maxipated.

706
00:33:09,440 --> 00:33:12,760
Speaker 1: This almost like that I'll be sure episode again you

707
00:33:12,760 --> 00:33:14,680
Speaker 1: get hypnotizing someone's voice.

708
00:33:14,640 --> 00:33:19,440
Speaker 7: And then the nigga just stopped. Thank you for sucking

709
00:33:19,480 --> 00:33:20,240
Speaker 7: over me fast.

710
00:33:21,600 --> 00:33:24,520
Speaker 6: Was it true that Deep Cover y'all didn't even have

711
00:33:24,840 --> 00:33:27,560
Speaker 6: the record done before y'all signed the deal to do the.

712
00:33:27,800 --> 00:33:29,920
Speaker 7: I like, sure, I tell this story, he'll tell it

713
00:33:29,960 --> 00:33:33,320
Speaker 7: better than me. What it was was Doctor Dre was

714
00:33:33,320 --> 00:33:36,440
Speaker 7: going to the gym right and we was in Calabasas

715
00:33:36,440 --> 00:33:38,800
Speaker 7: at his house living at the time. You know, he

716
00:33:38,880 --> 00:33:40,480
Speaker 7: gave me a beat and he was like.

717
00:33:41,960 --> 00:33:42,560
Speaker 4: This the beat.

718
00:33:42,760 --> 00:33:46,120
Speaker 7: I want my ship to start off like this tonights tonight,

719
00:33:46,160 --> 00:33:49,800
Speaker 7: I get add some ship deep cover on the incognito tip.

720
00:33:51,160 --> 00:33:52,160
Speaker 9: And then he left.

721
00:33:52,960 --> 00:33:54,640
Speaker 13: So he gave you those four lines.

722
00:33:54,320 --> 00:33:56,400
Speaker 7: And then the nigga left. I'm not making it up,

723
00:33:56,720 --> 00:33:59,160
Speaker 7: so they sure call about an hour and a half

724
00:33:59,280 --> 00:34:02,760
Speaker 7: letter Doggie Dog, I'm gonna call you back on the

725
00:34:02,840 --> 00:34:07,040
Speaker 7: phone with the people from Sony. You got the song done?

726
00:34:07,080 --> 00:34:07,400
Speaker 9: I said no.

727
00:34:07,520 --> 00:34:09,520
Speaker 7: The nigga just tolked, just gave me the beat and laft,

728
00:34:09,520 --> 00:34:12,440
Speaker 7: what what the song about? I don't know what it's about,

729
00:34:12,960 --> 00:34:16,440
Speaker 7: but the movie is about the undercover police officer.

730
00:34:16,680 --> 00:34:17,799
Speaker 9: So I'm gonna call you back.

731
00:34:18,200 --> 00:34:21,000
Speaker 7: I want you to like freestyle a little bit, and

732
00:34:21,040 --> 00:34:23,040
Speaker 7: then I want you to get to a certain point

733
00:34:23,360 --> 00:34:25,319
Speaker 7: and I'm gonna say, all right, cut it off, and

734
00:34:25,360 --> 00:34:27,200
Speaker 7: you're gonna hit the button and cut the music off,

735
00:34:27,280 --> 00:34:29,799
Speaker 7: like everything cut off, and I'm gonna call you back.

736
00:34:30,360 --> 00:34:34,000
Speaker 7: I'm like, all right, come on, and nigga ain't making

737
00:34:34,040 --> 00:34:36,640
Speaker 7: this shit up, Nigga. The nigga called me back about

738
00:34:36,640 --> 00:34:38,920
Speaker 7: an hour later, and I had a little bit of it,

739
00:34:38,960 --> 00:34:40,759
Speaker 7: had like maybe like four bars of it.

740
00:34:41,360 --> 00:34:42,080
Speaker 9: So he called back.

741
00:34:42,160 --> 00:34:44,200
Speaker 7: He like, Doggy Dog, I got the people on from

742
00:34:44,200 --> 00:34:46,120
Speaker 7: a Sony didn't want to hear the song.

743
00:34:47,000 --> 00:34:48,040
Speaker 9: Nigga, I put the beat.

744
00:34:48,080 --> 00:34:51,000
Speaker 7: Old Nigga just start busting their freestyling and going and going,

745
00:34:51,000 --> 00:34:52,239
Speaker 7: and Nigga, all right, cut it off.

746
00:34:53,400 --> 00:34:54,439
Speaker 9: I'm gonna call you back.

747
00:34:55,280 --> 00:34:57,279
Speaker 7: Nigga called me back and said, Nigga write the song

748
00:34:57,360 --> 00:35:02,279
Speaker 7: niggas called Deep Covers about a undercover police officer going

749
00:35:02,360 --> 00:35:05,680
Speaker 7: undercover and selling drugs. I'm like, Nigga, my dope case

750
00:35:06,160 --> 00:35:08,560
Speaker 7: was about me selling dope to an undercover cop in.

751
00:35:08,440 --> 00:35:09,320
Speaker 9: My real life.

752
00:35:10,400 --> 00:35:14,680
Speaker 7: WHOA yeah, So I took my real life and put

753
00:35:14,719 --> 00:35:15,280
Speaker 7: it in Deep.

754
00:35:15,200 --> 00:35:16,960
Speaker 12: Cover and it just so happened.

755
00:35:17,000 --> 00:35:22,239
Speaker 7: It all came came. And then when we do this

756
00:35:22,320 --> 00:35:23,920
Speaker 7: song right now, this the fucked up part. When we

757
00:35:23,960 --> 00:35:26,680
Speaker 7: finish it, everybody in the room like this a hit.

758
00:35:27,600 --> 00:35:33,560
Speaker 7: Only one motherfucker don't like it? Doctor Dre What he's

759
00:35:33,560 --> 00:35:34,759
Speaker 7: the only nigga that don't like it?

760
00:35:35,360 --> 00:35:40,160
Speaker 1: Seemed like an insatiable perfectionist, where like, do it again?

761
00:35:40,280 --> 00:35:41,759
Speaker 4: Do it that?

762
00:35:41,840 --> 00:35:45,000
Speaker 7: Nigga did not like it. And when the trick was

763
00:35:45,360 --> 00:35:47,239
Speaker 7: they tricked me too. They tricked him too. They were like,

764
00:35:47,239 --> 00:35:49,839
Speaker 7: we're gonna do a photo shoot, Higo, five hundred dollars

765
00:35:49,840 --> 00:35:51,480
Speaker 7: snooker get you something to wear. So I go to

766
00:35:51,520 --> 00:35:54,640
Speaker 7: the swap meet. Give me some Kaki Chicago white Sox

767
00:35:54,840 --> 00:35:56,319
Speaker 7: jacket with the long beach hat.

768
00:35:56,680 --> 00:35:58,359
Speaker 9: You know what I'm saying. I'm like T shirt and chucks.

769
00:35:58,400 --> 00:36:00,919
Speaker 9: I'm like, I'm cool. We get to the photo shoot.

770
00:36:01,000 --> 00:36:07,200
Speaker 7: Nigga, it's a video, so I ain't never been on

771
00:36:07,200 --> 00:36:08,839
Speaker 7: no video before, so I don't know what the fuck

772
00:36:08,960 --> 00:36:12,640
Speaker 7: is going on. So now the director like he talking

773
00:36:12,640 --> 00:36:14,040
Speaker 7: to me and Dre like all right, I try. I

774
00:36:14,080 --> 00:36:17,319
Speaker 7: need you to act on this scene right here, and like, shit,

775
00:36:17,400 --> 00:36:19,080
Speaker 7: I don't do all that. Let that nigga do it.

776
00:36:22,520 --> 00:36:25,080
Speaker 7: I'm like They're like, yeah, well, the you know, and

777
00:36:25,080 --> 00:36:27,600
Speaker 7: what with the beauty of it is? It was the

778
00:36:27,600 --> 00:36:29,440
Speaker 7: part I did at the beginning of the song with

779
00:36:29,600 --> 00:36:32,320
Speaker 7: the I think you hit this in front of you

780
00:36:32,600 --> 00:36:35,920
Speaker 7: with the whoop that ship. So he was like, do that,

781
00:36:36,120 --> 00:36:37,960
Speaker 7: but I'm gonna have somebody acting with you. You don't

782
00:36:37,960 --> 00:36:40,319
Speaker 7: have to do both parts. You just do your part

783
00:36:40,760 --> 00:36:42,520
Speaker 7: and whoop the wap. So he had the actor come

784
00:36:42,560 --> 00:36:46,560
Speaker 7: in Drake just sitting down the whole scene just just look.

785
00:36:47,400 --> 00:36:49,120
Speaker 7: I'm like, nigga, you the star, nigga. You got me

786
00:36:49,160 --> 00:36:52,120
Speaker 7: doing all these lines in this dialogue and I thought

787
00:36:52,120 --> 00:36:53,120
Speaker 7: this was a photo shoot.

788
00:36:53,160 --> 00:36:59,920
Speaker 1: Nigga, How long did it take for you for Dreda

789
00:37:00,280 --> 00:37:08,320
Speaker 1: know that in you he had his greatest discovery.

790
00:37:09,160 --> 00:37:10,839
Speaker 9: That would probably have to be a question he would

791
00:37:10,840 --> 00:37:11,600
Speaker 9: have to answer.

792
00:37:11,840 --> 00:37:13,880
Speaker 1: Because I mean from the first from the time you

793
00:37:13,960 --> 00:37:16,560
Speaker 1: met him to the time where he's like come to

794
00:37:16,640 --> 00:37:19,239
Speaker 1: the studio, how many how much time was in between them?

795
00:37:19,880 --> 00:37:21,839
Speaker 7: At least four years? But I never rapped for him?

796
00:37:21,880 --> 00:37:22,439
Speaker 1: Wait what?

797
00:37:22,880 --> 00:37:24,400
Speaker 7: I never rapped for him? Let me tell you how

798
00:37:24,440 --> 00:37:25,040
Speaker 7: I used to go there.

799
00:37:25,680 --> 00:37:27,759
Speaker 9: Warn G and Dre.

800
00:37:29,440 --> 00:37:33,239
Speaker 7: Mother and father were married, Okay, so there would be

801
00:37:33,280 --> 00:37:37,200
Speaker 7: functions at their house and Dre would show up and

802
00:37:38,400 --> 00:37:40,360
Speaker 7: warn G had like some turntables in the back, and

803
00:37:40,360 --> 00:37:41,840
Speaker 7: he would try to always get traded to come in

804
00:37:41,880 --> 00:37:46,360
Speaker 7: the back like Snoopy can rap m And you know,

805
00:37:46,400 --> 00:37:47,640
Speaker 7: back then niggas was like I don't want to hear

806
00:37:47,719 --> 00:37:49,319
Speaker 7: nigga rap. So he would never be like, let me

807
00:37:49,320 --> 00:37:50,279
Speaker 7: hear something.

808
00:37:49,960 --> 00:37:52,359
Speaker 13: This n w A era, Dre just like.

809
00:37:52,400 --> 00:37:56,560
Speaker 7: This is when the nigga was making he shot. I

810
00:37:56,680 --> 00:38:00,560
Speaker 7: shot because he played that for us. He was like,

811
00:38:00,560 --> 00:38:01,960
Speaker 7: I want you all to hear this shit I'm working on.

812
00:38:02,320 --> 00:38:05,040
Speaker 7: He just played that one particular part of the song

813
00:38:05,080 --> 00:38:08,319
Speaker 7: was easy he said he shot and niggas like, damn

814
00:38:08,360 --> 00:38:12,040
Speaker 7: that shit hard and one he was like, Snoopy can rap, And.

815
00:38:11,960 --> 00:38:13,719
Speaker 9: I'm like, what the fuck did he say?

816
00:38:15,480 --> 00:38:17,479
Speaker 7: And then luckily the nigga did say let me hear something.

817
00:38:17,480 --> 00:38:18,480
Speaker 9: He was like, okay, all right.

818
00:38:18,520 --> 00:38:22,200
Speaker 7: Then he walked in the living room. I was like, yes, like, nigga,

819
00:38:22,200 --> 00:38:24,560
Speaker 7: don't ever tell that nigga I can rap. Nigga we nigga.

820
00:38:24,560 --> 00:38:25,759
Speaker 7: I don't want that nigga to hear me.

821
00:38:27,239 --> 00:38:27,399
Speaker 4: Say.

822
00:38:27,440 --> 00:38:30,360
Speaker 6: Do you finally get to you? Being on decover, who

823
00:38:30,440 --> 00:38:31,160
Speaker 6: made that connection?

824
00:38:31,880 --> 00:38:33,000
Speaker 9: Warren Jill Warren.

825
00:38:34,960 --> 00:38:38,360
Speaker 7: We had a tape two one three mixtape and it

826
00:38:38,440 --> 00:38:42,040
Speaker 7: had a song on there called super Duper and a

827
00:38:42,080 --> 00:38:47,120
Speaker 7: song called Gangster's Life. And the Gangster's Life song was

828
00:38:47,160 --> 00:38:50,400
Speaker 7: like a story about me being born. You know, the

829
00:38:50,440 --> 00:38:52,120
Speaker 7: first day I get born, I go to the liquor

830
00:38:52,160 --> 00:38:54,480
Speaker 7: store and get arrested. Like it's like a cold ass

831
00:38:54,520 --> 00:38:57,239
Speaker 7: gagster story. Then at the end, my brother ends up

832
00:38:57,239 --> 00:38:59,520
Speaker 7: becoming a gangster and ended up getting killed. So it

833
00:38:59,600 --> 00:39:01,520
Speaker 7: was like it was a gang bang ass story, but

834
00:39:01,560 --> 00:39:03,680
Speaker 7: it had like some positivity. You could see the writing

835
00:39:04,400 --> 00:39:05,200
Speaker 7: was the next level.

836
00:39:05,239 --> 00:39:10,080
Speaker 9: So Dre. I guess he liked that style. But how

837
00:39:10,120 --> 00:39:10,759
Speaker 9: he heard it.

838
00:39:11,360 --> 00:39:14,359
Speaker 7: They was at a bachelor party and the music cut

839
00:39:14,400 --> 00:39:15,719
Speaker 7: off for one and G used to always go to

840
00:39:15,760 --> 00:39:18,320
Speaker 7: their parties and the music cut off. So Warren g

841
00:39:19,360 --> 00:39:22,360
Speaker 7: slide in my tape when the music go off, Okay,

842
00:39:22,480 --> 00:39:25,520
Speaker 7: now the party back rocket and Niggass like.

843
00:39:25,440 --> 00:39:25,839
Speaker 8: Who is that?

844
00:39:27,120 --> 00:39:30,399
Speaker 7: Oh that's uh my homeboy snoopy and woofed it woo

845
00:39:30,440 --> 00:39:33,399
Speaker 7: woo whoop. So Drake like, oh, nigga, that shit sound hard,

846
00:39:33,440 --> 00:39:36,480
Speaker 7: nigga let me And then that's how he heard it,

847
00:39:36,560 --> 00:39:40,040
Speaker 7: from watching the reaction of the people and having the

848
00:39:40,080 --> 00:39:42,279
Speaker 7: air at the same time, probably hearing my voice, hearing

849
00:39:42,280 --> 00:39:44,960
Speaker 7: the delivery the way, like I say, the song was structured.

850
00:39:45,080 --> 00:39:47,200
Speaker 9: It was one of my best structured songs.

851
00:39:48,080 --> 00:39:51,719
Speaker 4: Is that Yeah? It is? It is?

852
00:39:51,800 --> 00:39:54,279
Speaker 9: Yeah, it is. Okay, I can get you that gangscious life.

853
00:39:54,320 --> 00:39:56,719
Speaker 7: I can get you the original version and it was

854
00:39:56,760 --> 00:40:00,400
Speaker 7: a version that we did with Nate Dog on it after.

855
00:40:00,239 --> 00:40:03,480
Speaker 1: We was on pissing everything. Okay, great, awesome.

856
00:40:05,160 --> 00:40:08,000
Speaker 6: So from the time that y'all got into after you

857
00:40:08,080 --> 00:40:11,239
Speaker 6: do deep Cover, how did the transition go from deep

858
00:40:11,280 --> 00:40:12,040
Speaker 6: Cover to death Row?

859
00:40:13,480 --> 00:40:13,840
Speaker 4: Oh?

860
00:40:14,120 --> 00:40:17,600
Speaker 9: When we did deep Cover, we didn't have no money.

861
00:40:17,719 --> 00:40:20,279
Speaker 7: We was just it was also on Solar right, yeah,

862
00:40:20,800 --> 00:40:22,440
Speaker 7: maybe that Solar records exactly.

863
00:40:22,440 --> 00:40:25,320
Speaker 1: Did you have any interactions with Dick griff Yes.

864
00:40:25,160 --> 00:40:28,160
Speaker 7: Sir Griffy used to give us money for chicken wings

865
00:40:28,200 --> 00:40:30,799
Speaker 7: and bout us our first apartment where we was living

866
00:40:30,800 --> 00:40:37,479
Speaker 7: next door to Calvin from two to seven. We're acting

867
00:40:37,520 --> 00:40:40,120
Speaker 7: like you and watched that show exactly what.

868
00:40:43,239 --> 00:40:45,200
Speaker 12: I'm saying with the Calvin at the time. Was he Calvin?

869
00:40:45,640 --> 00:40:47,759
Speaker 7: He was still that was.

870
00:40:47,760 --> 00:40:51,319
Speaker 1: After Calvin, but he was always gonna be in.

871
00:40:51,400 --> 00:40:52,960
Speaker 9: Your family around.

872
00:41:00,200 --> 00:41:03,800
Speaker 1: It's like bad that mean no.

873
00:41:03,760 --> 00:41:14,360
Speaker 15: Place, no place, I mean no place child.

874
00:41:21,239 --> 00:41:24,000
Speaker 7: Ya'll play too much, I'll watch too much like television

875
00:41:25,360 --> 00:41:27,680
Speaker 7: when you can get into your watching. No hell yeah

876
00:41:28,480 --> 00:41:29,000
Speaker 7: a syllable.

877
00:41:29,440 --> 00:41:31,360
Speaker 10: You should have heard us in here singing the Amen's

878
00:41:31,360 --> 00:41:32,160
Speaker 10: theme song early.

879
00:41:33,200 --> 00:41:42,279
Speaker 7: That it was like shoutow like bump.

880
00:41:42,680 --> 00:41:54,759
Speaker 8: Know me, know me.

881
00:41:54,520 --> 00:41:58,240
Speaker 7: The words, anyone your words.

882
00:41:59,320 --> 00:42:03,279
Speaker 12: That's worse than good time, that's awful like credit.

883
00:42:03,760 --> 00:42:06,319
Speaker 7: Who was singing that the home was on the lead?

884
00:42:06,440 --> 00:42:09,960
Speaker 6: Was I think it was?

885
00:42:10,320 --> 00:42:10,880
Speaker 7: That was?

886
00:42:11,280 --> 00:42:12,719
Speaker 13: Yeah, I'm almost of.

887
00:42:12,800 --> 00:42:17,640
Speaker 10: The sisters right from Yes, I did not know she

888
00:42:17,680 --> 00:42:19,000
Speaker 10: had a deal back in the seventies.

889
00:42:19,719 --> 00:42:21,360
Speaker 13: Y'all was next door to Calvin.

890
00:42:23,920 --> 00:42:26,719
Speaker 7: That this Dick Griffy got his apartment with us. They

891
00:42:26,719 --> 00:42:28,400
Speaker 7: say death fro got it, but Dick Griffy got it

892
00:42:28,400 --> 00:42:30,680
Speaker 7: because they had no motherfucking money at the time. So

893
00:42:30,719 --> 00:42:34,120
Speaker 7: Dick Griffy got his apartment right. So the apartment was

894
00:42:34,160 --> 00:42:36,240
Speaker 7: in Rage name because she didn't want to had credits.

895
00:42:38,680 --> 00:42:41,080
Speaker 7: All of y'all, Rage and War and g was living

896
00:42:41,080 --> 00:42:43,759
Speaker 7: in a one barroom apartment and Rage had a dog

897
00:42:43,840 --> 00:42:49,080
Speaker 7: named Buster. We all stayed in at one bearing apartment

898
00:42:49,200 --> 00:42:51,239
Speaker 7: on Third in Detroit Street, and we used to walk

899
00:42:51,280 --> 00:42:54,640
Speaker 7: from Third in Detroit all the way to sixteen Kwana.

900
00:42:55,560 --> 00:42:57,239
Speaker 13: That's a that's a long ass walk.

901
00:42:57,360 --> 00:43:00,200
Speaker 7: Yes, every day in the studio and then we the

902
00:43:00,239 --> 00:43:02,239
Speaker 7: pop Eyes chicken if we had like five or ten

903
00:43:02,320 --> 00:43:04,480
Speaker 7: dollars to get a few wings and try to figure

904
00:43:04,480 --> 00:43:06,120
Speaker 7: it out that men.

905
00:43:06,600 --> 00:43:08,279
Speaker 9: Let me don't split that last wing. I'm gonna take

906
00:43:08,280 --> 00:43:08,680
Speaker 9: this part.

907
00:43:11,920 --> 00:43:14,080
Speaker 13: You know, this is the Jimmy jam story all over again.

908
00:43:14,600 --> 00:43:15,560
Speaker 9: That's how it was.

909
00:43:16,320 --> 00:43:18,640
Speaker 1: They came out to l A with what three hundred

910
00:43:18,680 --> 00:43:22,320
Speaker 1: bucks and a cassio machine because when they made the

911
00:43:22,840 --> 00:43:27,280
Speaker 1: Hard Times beat for Captain from Captain Ratt.

912
00:43:26,920 --> 00:43:31,600
Speaker 7: They made that beat. Yes, wait a minute, yes, they

913
00:43:31,640 --> 00:43:32,640
Speaker 7: can't they.

914
00:43:32,520 --> 00:43:35,840
Speaker 1: Make that beat they got they got fired from a

915
00:43:35,920 --> 00:43:39,080
Speaker 1: time and then Terry Lewis is like, yo is either

916
00:43:39,120 --> 00:43:42,080
Speaker 1: doing die Let's go back to La.

917
00:43:46,440 --> 00:43:46,920
Speaker 13: Yeah.

918
00:43:47,040 --> 00:43:49,239
Speaker 1: They came out there with yeah and Terry little three

919
00:43:49,320 --> 00:43:53,759
Speaker 1: hundred dollars each and some suits and they lived off

920
00:43:53,760 --> 00:43:55,800
Speaker 1: of chicken wings and milkshakes.

921
00:43:56,880 --> 00:43:58,160
Speaker 13: And sold that beat.

922
00:43:58,440 --> 00:43:59,719
Speaker 1: And that's you.

923
00:43:59,680 --> 00:44:02,040
Speaker 4: Know, his history right, thirty million albums.

924
00:44:02,120 --> 00:44:05,680
Speaker 7: But see how they moved on and he didn't. And

925
00:44:05,760 --> 00:44:08,680
Speaker 7: they were just the production and he was the face,

926
00:44:08,760 --> 00:44:10,400
Speaker 7: the voice, the whole nine.

927
00:44:11,000 --> 00:44:14,760
Speaker 9: But they moved on. They probably had more dry.

928
00:44:15,400 --> 00:44:17,879
Speaker 13: Well, they had something to prove, you know, they had

929
00:44:17,920 --> 00:44:18,399
Speaker 13: more dry.

930
00:44:18,640 --> 00:44:19,480
Speaker 4: You shouldn't have fired.

931
00:44:19,360 --> 00:44:22,160
Speaker 7: His nig Bigga gonna find me gota rap song that's

932
00:44:22,160 --> 00:44:24,279
Speaker 7: hot right now, Nigga wait till I get a hold

933
00:44:24,280 --> 00:44:29,680
Speaker 7: of Janet Nigga and funny how time fish.

934
00:44:27,760 --> 00:44:31,880
Speaker 1: That story Prince uh Wait through Control out out the

935
00:44:31,880 --> 00:44:35,720
Speaker 1: car window, Jimmy Jam's house and through it at Jimmy

936
00:44:35,760 --> 00:44:39,959
Speaker 1: Jam's mom script Why the Control album after it was done?

937
00:44:40,040 --> 00:44:41,719
Speaker 4: Yeah, yeah, after it was out?

938
00:44:42,200 --> 00:44:46,920
Speaker 1: Why because he's petty like that, like when you leave him,

939
00:44:47,080 --> 00:44:49,000
Speaker 1: even if you fire him, if you leave.

940
00:44:48,880 --> 00:44:51,560
Speaker 7: Me, yes, no disrespect, but you know you couldn't fuck

941
00:44:51,560 --> 00:44:56,200
Speaker 7: with that album. She was all grown up? Nigga one nine?

942
00:44:56,239 --> 00:44:57,040
Speaker 7: What's samping?

943
00:44:57,200 --> 00:45:07,960
Speaker 8: Team? I did what people told.

944
00:45:08,600 --> 00:45:15,799
Speaker 1: Whatever, it's gonna be a hard to clear episode.

945
00:45:16,320 --> 00:45:16,919
Speaker 4: We got time.

946
00:45:16,960 --> 00:45:19,400
Speaker 13: It's August?

947
00:45:21,520 --> 00:45:24,960
Speaker 1: It is Christmas? Should I ask one Chris? No, it's

948
00:45:25,040 --> 00:45:30,600
Speaker 1: Christmas in August anyway? All right, So in the beginning,

949
00:45:30,800 --> 00:45:37,239
Speaker 1: I mean at the time, did you even envision that

950
00:45:37,440 --> 00:45:41,560
Speaker 1: this would happen? Like what was around the corner? Was

951
00:45:41,600 --> 00:45:43,359
Speaker 1: it just like, all right, we're gonna work on this

952
00:45:43,400 --> 00:45:44,440
Speaker 1: one song and then.

953
00:45:45,840 --> 00:45:47,360
Speaker 7: You know, you know, you don't really I don't know,

954
00:45:47,360 --> 00:45:48,480
Speaker 7: I don't know how big it could be.

955
00:45:48,960 --> 00:45:51,120
Speaker 13: When did you realize that something is about to happen?

956
00:45:51,840 --> 00:45:55,959
Speaker 4: When I was on the box, Remember.

957
00:45:55,600 --> 00:45:58,480
Speaker 7: The box, nigga, the box was the ship, niggah.

958
00:45:58,239 --> 00:45:59,319
Speaker 12: You call joint?

959
00:45:59,400 --> 00:45:59,719
Speaker 1: Right now?

960
00:45:59,800 --> 00:46:00,560
Speaker 13: Girl, what's coming on here?

961
00:46:00,680 --> 00:46:03,640
Speaker 7: One day, that motherfucker came on like fifty times, back

962
00:46:03,680 --> 00:46:10,080
Speaker 7: to back to back, the thing. Hey, where y'all going today? Drake?

963
00:46:10,120 --> 00:46:11,600
Speaker 7: Can I go with y'all? You know, when Dad's run

964
00:46:11,640 --> 00:46:13,719
Speaker 7: down the steps, they're showing the same shit just over

965
00:46:13,760 --> 00:46:16,360
Speaker 7: and over again, over and over again. It's just getting

966
00:46:16,360 --> 00:46:18,960
Speaker 7: requested and then they show you what's the next video coming.

967
00:46:18,719 --> 00:46:19,120
Speaker 4: On with them?

968
00:46:19,680 --> 00:46:21,640
Speaker 7: I'm like, damn, my poppet. And I was staying with

969
00:46:21,680 --> 00:46:24,160
Speaker 7: my cousin on the couch and I woke up on

970
00:46:24,200 --> 00:46:26,200
Speaker 7: her couch and she was like, Nigga, you a star.

971
00:46:27,200 --> 00:46:29,239
Speaker 7: I'm like, I'm a star. She's like, yeah, nigga, your

972
00:46:29,280 --> 00:46:32,600
Speaker 7: video came on like all day and night. And I

973
00:46:32,640 --> 00:46:34,960
Speaker 7: was on the couch like, damn, this is our stars.

974
00:46:35,280 --> 00:46:38,200
Speaker 7: I ain't got no money. I'm on your couch.

975
00:46:38,239 --> 00:46:40,800
Speaker 1: You want to know something, you know? You sampled with

976
00:46:40,880 --> 00:46:47,239
Speaker 1: my parents, right what my mom and my dad? My

977
00:46:47,239 --> 00:46:47,959
Speaker 1: mom and my dad.

978
00:46:49,800 --> 00:46:55,080
Speaker 6: Just chill to the next episode.

979
00:46:55,560 --> 00:46:56,600
Speaker 13: It's my mom and my dad.

980
00:46:58,600 --> 00:47:03,759
Speaker 7: And then the yeah, the shot holding back on that

981
00:47:03,920 --> 00:47:10,120
Speaker 7: ass with the hell of five. I came off.

982
00:47:10,040 --> 00:47:15,520
Speaker 1: From Mom's and back like, Yo, this is the funny shit.

983
00:47:15,640 --> 00:47:17,160
Speaker 1: So when the ship would come on the box in

984
00:47:17,239 --> 00:47:20,040
Speaker 1: Philly and I heard that, that.

985
00:47:20,080 --> 00:47:20,520
Speaker 13: Was like.

986
00:47:21,960 --> 00:47:23,640
Speaker 1: Yo, me and to lost.

987
00:47:23,360 --> 00:47:26,959
Speaker 7: It, like because y'all know you that's your mom and dad.

988
00:47:27,080 --> 00:47:29,880
Speaker 1: Yeah, it was like we won the lottery ticket.

989
00:47:31,320 --> 00:47:36,160
Speaker 7: It was a big record, man, A big, big record man.

990
00:47:36,239 --> 00:47:38,960
Speaker 11: For real, man, how did y'all never have this conversation?

991
00:47:39,080 --> 00:47:42,160
Speaker 11: I don't it's the first time y'all to know each other.

992
00:47:43,440 --> 00:47:46,319
Speaker 1: Yeah, I mean I want to introduced, like, yeah, you

993
00:47:46,360 --> 00:47:50,640
Speaker 1: said I forgot you said ge thing.

994
00:47:50,680 --> 00:47:52,719
Speaker 13: I was like, thinking, oh, ship, I forgot my mom

995
00:47:52,760 --> 00:47:53,120
Speaker 13: and dad.

996
00:47:53,400 --> 00:47:55,040
Speaker 7: That ain't what I wrote thing off of.

997
00:47:55,719 --> 00:47:57,719
Speaker 13: No, I know, the bitches ain't ship.

998
00:47:58,239 --> 00:47:58,319
Speaker 4: No.

999
00:47:58,400 --> 00:47:59,120
Speaker 9: I wrote it off of.

1000
00:48:06,160 --> 00:48:08,600
Speaker 1: Really the south Side.

1001
00:48:08,680 --> 00:48:10,560
Speaker 13: Uh, it's called south side.

1002
00:48:10,840 --> 00:48:14,080
Speaker 1: It's that was the initial beat for g think.

1003
00:48:13,960 --> 00:48:15,960
Speaker 9: That's what That's the beat he gave me.

1004
00:48:16,640 --> 00:48:18,480
Speaker 7: And I took it on tenth and line on my

1005
00:48:18,680 --> 00:48:22,120
Speaker 7: over my cousin house, and I wrote the whole g

1006
00:48:22,360 --> 00:48:25,480
Speaker 7: thang songs that came back to the studio and bust

1007
00:48:25,520 --> 00:48:29,600
Speaker 7: that ship off of that for him. Yeah, drinking to

1008
00:48:29,760 --> 00:48:32,960
Speaker 7: the Snoop Doggy Dog and doctor Drake is after Doug,

1009
00:48:33,200 --> 00:48:34,319
Speaker 7: ready to make him entrist.

1010
00:48:34,400 --> 00:48:36,880
Speaker 9: So back on up because you know about the rocks,

1011
00:48:37,520 --> 00:48:37,879
Speaker 9: give me.

1012
00:48:37,840 --> 00:48:41,120
Speaker 7: The microphone, FoST walking bus like a bubble, comping the

1013
00:48:41,200 --> 00:48:43,520
Speaker 7: long beach together and now you know you can trouble

1014
00:48:43,560 --> 00:48:47,640
Speaker 7: with saying nothing but the cheek thanks to loath thinking

1015
00:48:47,719 --> 00:48:52,000
Speaker 7: so and death wrote is the label that we done

1016
00:48:52,040 --> 00:48:53,920
Speaker 7: fainted most please don't try to fade?

1017
00:49:00,320 --> 00:49:00,640
Speaker 9: Was winning?

1018
00:49:02,920 --> 00:49:03,160
Speaker 4: Man?

1019
00:49:03,239 --> 00:49:06,399
Speaker 6: Can you describe so like break down what was kind

1020
00:49:06,440 --> 00:49:11,600
Speaker 6: of the division of labor in the studio between like Dazz, Dre, Nate,

1021
00:49:12,239 --> 00:49:15,400
Speaker 6: uh corrupt, you know what I'm saying, Like what was

1022
00:49:15,480 --> 00:49:17,680
Speaker 6: kind of each person's job? Was one person better at

1023
00:49:17,680 --> 00:49:19,719
Speaker 6: hooks or so then the other? Or like how did

1024
00:49:19,760 --> 00:49:20,200
Speaker 6: y'all work?

1025
00:49:20,360 --> 00:49:24,600
Speaker 4: And DLC, because DC he was for the chronic as well. Well.

1026
00:49:24,680 --> 00:49:28,880
Speaker 7: D OC was like the guy that he was like

1027
00:49:28,960 --> 00:49:32,480
Speaker 7: the sen and say you had to the rap had

1028
00:49:32,520 --> 00:49:36,200
Speaker 7: to pass his I fucked with it before Dre would

1029
00:49:36,200 --> 00:49:39,240
Speaker 7: fuck with it. Like those the ears that Dre trusted

1030
00:49:39,280 --> 00:49:42,719
Speaker 7: most was his, you know, with everything. Remember he had

1031
00:49:42,760 --> 00:49:45,000
Speaker 7: just came off with the easy w A h. He

1032
00:49:45,000 --> 00:49:46,880
Speaker 7: wrote all of that shit. He wrote a lot of

1033
00:49:46,880 --> 00:49:48,759
Speaker 7: that n w A and niggas for life shit. Listen

1034
00:49:48,800 --> 00:49:50,880
Speaker 7: to them styles and all that always into something and

1035
00:49:50,960 --> 00:49:53,640
Speaker 7: all that. He was Dre's most trusted ear and he

1036
00:49:53,680 --> 00:49:57,000
Speaker 7: was a VET. So we was trying to impress DC,

1037
00:49:57,480 --> 00:49:59,960
Speaker 7: and then once we impressed DC, then he would work

1038
00:50:00,040 --> 00:50:03,920
Speaker 7: with us accordingly, okay, And then I attracted to him

1039
00:50:03,960 --> 00:50:07,360
Speaker 7: more because I moved in with DCA, like he became

1040
00:50:07,440 --> 00:50:09,520
Speaker 7: like my real sense. They and everybody else was like

1041
00:50:09,920 --> 00:50:12,840
Speaker 7: not under us, but they were like playing their roles accordingly,

1042
00:50:12,920 --> 00:50:15,640
Speaker 7: like Corrupt was like the assassin. Raige was like the

1043
00:50:15,680 --> 00:50:18,439
Speaker 7: hard female Jewels had to sing in vocals. Nate Dogg

1044
00:50:18,440 --> 00:50:20,120
Speaker 7: will come in with the hook. But that's what doctor

1045
00:50:20,200 --> 00:50:25,480
Speaker 7: Dre was like Phil Jackson, like a great coach that

1046
00:50:25,600 --> 00:50:29,600
Speaker 7: can take everybody on the team and make him valuable,

1047
00:50:30,400 --> 00:50:33,800
Speaker 7: Like everybody was valuable. Wasn't nobody more valuable than nobody?

1048
00:50:34,440 --> 00:50:36,759
Speaker 7: He made everybody valuable. When that song came on with

1049
00:50:36,840 --> 00:50:38,680
Speaker 7: Nate's voice, you loved it. When it came on with

1050
00:50:38,760 --> 00:50:40,920
Speaker 7: Dad's voice, you loved it. When it came home with Corrupt,

1051
00:50:41,120 --> 00:50:42,600
Speaker 7: you loved it. When it came home with me, you

1052
00:50:42,640 --> 00:50:45,000
Speaker 7: loved it cause he he knew how to put everybody

1053
00:50:45,000 --> 00:50:48,160
Speaker 7: in positions to make them strong. And to me that

1054
00:50:48,160 --> 00:50:50,279
Speaker 7: that was the strength of the team. That doctor Dre

1055
00:50:51,080 --> 00:50:54,239
Speaker 7: was the visionary. Like it wasn't us. We just was raw,

1056
00:50:54,600 --> 00:50:56,160
Speaker 7: you know what I'm saying, Just a bunch of raw

1057
00:50:56,200 --> 00:50:59,080
Speaker 7: motherfuckers that was bringing it to the table. But he

1058
00:50:59,120 --> 00:51:01,000
Speaker 7: had to clean the table up and set the table,

1059
00:51:01,640 --> 00:51:04,440
Speaker 7: prepare the meal, you know, And he knew what people like,

1060
00:51:04,560 --> 00:51:06,760
Speaker 7: so he had the ingredients to put it all together.

1061
00:51:07,120 --> 00:51:09,800
Speaker 7: He knew what the rock was that was a diamond.

1062
00:51:09,840 --> 00:51:12,080
Speaker 7: We didn't know. We just was Rocks trying to, you know, click.

1063
00:51:11,960 --> 00:51:17,200
Speaker 1: Like, what's the sixteen songs that make up the Chronic?

1064
00:51:17,480 --> 00:51:22,400
Speaker 1: I mean, were those the only the specific sixteen that

1065
00:51:22,440 --> 00:51:25,880
Speaker 1: you worked on, or was the Chronic like a combination

1066
00:51:26,000 --> 00:51:29,319
Speaker 1: of forty or fifty songs worked on and then we'll

1067
00:51:29,360 --> 00:51:32,400
Speaker 1: pick the best of the lot, and this is the album.

1068
00:51:32,719 --> 00:51:35,120
Speaker 7: I say it was probably twenty five songs at the most.

1069
00:51:35,320 --> 00:51:37,760
Speaker 7: It was one song that we really liked that didn't

1070
00:51:37,760 --> 00:51:40,759
Speaker 7: make it was called Whole Hopper. I really wanted it

1071
00:51:40,800 --> 00:51:44,080
Speaker 7: on there. It went like, you know, I like buzzy,

1072
00:51:44,480 --> 00:51:46,600
Speaker 7: so you can call me your hound. So here's the

1073
00:51:46,680 --> 00:51:48,600
Speaker 7: name I go by, one of them rolling around the

1074
00:51:48,719 --> 00:51:54,600
Speaker 7: Whole Hopper. Tell your friends, bitch all you I give

1075
00:51:54,640 --> 00:51:57,239
Speaker 7: it to you, smooth hoh. Can't you see then when

1076
00:51:57,280 --> 00:51:59,640
Speaker 7: you need some dig bitch, call old me the Whole

1077
00:51:59,680 --> 00:52:04,480
Speaker 7: hop But tell your friends all your friends bitch.

1078
00:52:04,560 --> 00:52:04,880
Speaker 4: Wow.

1079
00:52:05,960 --> 00:52:07,440
Speaker 9: And Drake was on one on that one.

1080
00:52:10,000 --> 00:52:10,640
Speaker 7: Make the cut?

1081
00:52:11,400 --> 00:52:15,360
Speaker 1: Why did that not make the I don't know. There

1082
00:52:15,360 --> 00:52:16,200
Speaker 1: stuck around this.

1083
00:52:17,719 --> 00:52:20,239
Speaker 7: Doctor dre was on some real ship like he would

1084
00:52:20,320 --> 00:52:22,520
Speaker 7: let us make any fucking kind of song we wanted.

1085
00:52:22,560 --> 00:52:26,239
Speaker 1: Who would write the hooks, because the thing that I

1086
00:52:26,320 --> 00:52:32,759
Speaker 1: didn't appreciate until much later was just how effortless you

1087
00:52:32,840 --> 00:52:37,239
Speaker 1: guys were with hooks and b parts, Like even you

1088
00:52:37,239 --> 00:52:38,880
Speaker 1: can take parts that weren't the hooks.

1089
00:52:39,120 --> 00:52:41,359
Speaker 6: You could take any four balls out of g thing

1090
00:52:41,480 --> 00:52:43,399
Speaker 6: and that to be a hook for another song.

1091
00:52:43,480 --> 00:52:46,920
Speaker 1: Right, So I never until we started, until like you know,

1092
00:52:47,000 --> 00:52:51,319
Speaker 1: writers block catches and you realize, like how effortless that

1093
00:52:51,360 --> 00:52:52,120
Speaker 1: shit sounds.

1094
00:52:52,320 --> 00:52:56,719
Speaker 13: So it's like, how, I don't know how uh.

1095
00:52:58,960 --> 00:53:01,600
Speaker 7: I think the thing was us When it came to

1096
00:53:01,680 --> 00:53:04,239
Speaker 7: like that kind of ship, we just went, We just

1097
00:53:04,280 --> 00:53:06,359
Speaker 7: threw it in the air. And then, like I said,

1098
00:53:06,400 --> 00:53:08,680
Speaker 7: that's when it was people like Dre who knew how

1099
00:53:08,680 --> 00:53:12,080
Speaker 7: to take it because bitches ain't ship but holes and tricks.

1100
00:53:12,440 --> 00:53:15,680
Speaker 7: That was Corrupt's first that was the start of his verse.

1101
00:53:15,760 --> 00:53:18,680
Speaker 7: His verse started like that bitches ain't shit but holesing trick.

1102
00:53:18,960 --> 00:53:20,719
Speaker 7: No no no no, no, no no no no no, And

1103
00:53:21,760 --> 00:53:24,600
Speaker 7: the makeup going to the store and doctor Dre said, nah, nigga,

1104
00:53:25,320 --> 00:53:28,360
Speaker 7: that's the hook, and he made bitches ain't ship but

1105
00:53:28,600 --> 00:53:33,480
Speaker 7: holes and tricks. Ain't shit but.

1106
00:53:33,680 --> 00:53:34,520
Speaker 9: Holes and tricks.

1107
00:53:36,320 --> 00:53:38,839
Speaker 7: So it was like Corrupt wrote the hook, but didn't

1108
00:53:38,840 --> 00:53:41,560
Speaker 7: know it was a hook, You get what I'm saying, Like,

1109
00:53:41,760 --> 00:53:43,880
Speaker 7: that's what the our ship was so good that we

1110
00:53:44,040 --> 00:53:46,759
Speaker 7: we would always write the hook within the song where

1111
00:53:46,800 --> 00:53:49,759
Speaker 7: it was somebody's job to find that, and we didn't

1112
00:53:49,800 --> 00:53:51,520
Speaker 7: know that all the time, Like we didn't know that, damn,

1113
00:53:51,560 --> 00:53:54,160
Speaker 7: this was the hook. But Nackdog and Juells is probably

1114
00:53:54,160 --> 00:53:56,799
Speaker 7: the only ones that knew what the hook was because

1115
00:53:56,800 --> 00:54:00,200
Speaker 7: they was definitely writing for the hook for everybody that's

1116
00:54:00,239 --> 00:54:01,000
Speaker 7: was just right and here.

1117
00:54:00,960 --> 00:54:02,759
Speaker 1: Just come with the power verses and then they were

1118
00:54:02,800 --> 00:54:03,760
Speaker 1: coming and.

1119
00:54:05,120 --> 00:54:05,920
Speaker 13: Just take it with fit.

1120
00:54:06,000 --> 00:54:09,480
Speaker 7: Certain times it would fit like certain songs, a motherfucker

1121
00:54:09,600 --> 00:54:10,880
Speaker 7: just it just fit in place.

1122
00:54:13,080 --> 00:54:16,279
Speaker 4: Was it a certain time? We talked last night.

1123
00:54:16,360 --> 00:54:17,920
Speaker 6: We've had a couple of people on the show that

1124
00:54:18,040 --> 00:54:20,719
Speaker 6: always talk about the night of the Source Awards. And

1125
00:54:21,480 --> 00:54:23,680
Speaker 6: one thing I was always curious to hear from you,

1126
00:54:24,360 --> 00:54:26,920
Speaker 6: like what was going through your mind, like when you

1127
00:54:26,960 --> 00:54:29,600
Speaker 6: got on stage. My I remember watching it because at

1128
00:54:29,600 --> 00:54:31,240
Speaker 6: the time I was like, this is what ninety.

1129
00:54:32,520 --> 00:54:35,040
Speaker 4: I was. I was fifteen to sixteen.

1130
00:54:34,520 --> 00:54:37,640
Speaker 6: And like I watched it, and so then the next day, everybody,

1131
00:54:37,680 --> 00:54:39,600
Speaker 6: you know we in high school around lunch statement shit,

1132
00:54:40,120 --> 00:54:42,600
Speaker 6: and so everybody was like, well, man, Snoop.

1133
00:54:42,320 --> 00:54:44,879
Speaker 4: I can't believe, like he was so mad, like that's

1134
00:54:44,920 --> 00:54:46,080
Speaker 4: the fuck what Snoop said?

1135
00:54:46,160 --> 00:54:48,640
Speaker 6: And me, I always looked at it as I said,

1136
00:54:48,760 --> 00:54:50,160
Speaker 6: I don't know if it's necessarily anger.

1137
00:54:50,160 --> 00:54:51,759
Speaker 4: I said, think it may be anger me I said,

1138
00:54:51,760 --> 00:54:54,239
Speaker 4: but man, yeah, give him misrespect. I said, come on, man, I.

1139
00:54:54,239 --> 00:54:56,680
Speaker 6: Said, each and every one of us got Doggie style

1140
00:54:56,719 --> 00:54:59,279
Speaker 6: and my walkman right now, like everybody's bumping and shit

1141
00:54:59,360 --> 00:55:02,360
Speaker 6: like we loved the Imagine how fucked up it feel

1142
00:55:03,000 --> 00:55:06,040
Speaker 6: to be a dude that is respecting the auto hip

1143
00:55:06,040 --> 00:55:08,960
Speaker 6: hop making incredible fucking records and you come to the

1144
00:55:08,960 --> 00:55:11,440
Speaker 6: place that you got so much reverence for and they

1145
00:55:11,520 --> 00:55:13,879
Speaker 6: pissed on you. I said, man, that's like for real,

1146
00:55:14,040 --> 00:55:16,080
Speaker 6: you know what I mean? So I was always curious

1147
00:55:16,080 --> 00:55:18,560
Speaker 6: to hear, like what was going through your mind when

1148
00:55:18,760 --> 00:55:20,720
Speaker 6: you know y'all got no love as New dog.

1149
00:55:21,640 --> 00:55:24,319
Speaker 7: Well, I was in the moment. The moment was more

1150
00:55:24,400 --> 00:55:28,239
Speaker 7: about what Sugar said. It wasn't about nothing else but

1151
00:55:28,360 --> 00:55:31,560
Speaker 7: that because New York respected us, and they respected me,

1152
00:55:32,239 --> 00:55:33,920
Speaker 7: and they gave me that because I gave them that.

1153
00:55:33,960 --> 00:55:35,880
Speaker 7: I came into game saying that this is the mechan

1154
00:55:35,960 --> 00:55:39,200
Speaker 7: I respect and appreciate everybody before me. When I met

1155
00:55:39,239 --> 00:55:41,400
Speaker 7: him a bow down, I treated him with love and respect.

1156
00:55:41,520 --> 00:55:44,640
Speaker 7: So it was a feeling was mutual when I spoke,

1157
00:55:45,000 --> 00:55:47,120
Speaker 7: because I didn't speak from a point of view of

1158
00:55:47,320 --> 00:55:49,799
Speaker 7: I want to fuck y'all up. I spoke from the

1159
00:55:49,800 --> 00:55:52,839
Speaker 7: perspective of we know where we at. Nobody should get

1160
00:55:52,880 --> 00:55:55,520
Speaker 7: fucked up based off of the fact that we all

1161
00:55:55,920 --> 00:55:58,920
Speaker 7: gangsters in here. So what we got to prove is

1162
00:56:00,160 --> 00:56:02,520
Speaker 7: we know where we're at, we know where we're from.

1163
00:56:03,080 --> 00:56:05,600
Speaker 7: This ain't the time and place for that. It was

1164
00:56:05,640 --> 00:56:09,160
Speaker 7: some dialogue that was needed. It wasn't planned, it wasn't

1165
00:56:09,400 --> 00:56:13,080
Speaker 7: It just was needed and my calling, you know what

1166
00:56:13,120 --> 00:56:15,040
Speaker 7: I'm saying, Like to me, that was my calling, Like

1167
00:56:15,719 --> 00:56:17,920
Speaker 7: this show moment Dog to step into that role of

1168
00:56:18,480 --> 00:56:21,000
Speaker 7: being the leader and being a role model and being

1169
00:56:21,040 --> 00:56:24,000
Speaker 7: a piece advocate for hip hop that you're going to

1170
00:56:24,120 --> 00:56:28,000
Speaker 7: end up being ten years from that day, because twenty

1171
00:56:28,080 --> 00:56:30,920
Speaker 7: years after that day, me and Doctor Dre was on

1172
00:56:31,000 --> 00:56:35,520
Speaker 7: stage at that same building doing the show, and Puffy

1173
00:56:35,600 --> 00:56:38,920
Speaker 7: was there too, and we all performed together, and then

1174
00:56:38,920 --> 00:56:42,280
Speaker 7: we were just thinking back of how it was based

1175
00:56:42,280 --> 00:56:45,959
Speaker 7: off of comments and small shit, but we always loved

1176
00:56:45,960 --> 00:56:48,160
Speaker 7: each other, but we never could show it because.

1177
00:56:49,320 --> 00:56:52,439
Speaker 6: The bullshit we had steeched out on like not too

1178
00:56:52,440 --> 00:56:54,959
Speaker 6: long ago. And he kind of echoed what you said.

1179
00:56:55,000 --> 00:56:57,160
Speaker 6: He was like, man with Snoop got up there, he said,

1180
00:56:57,160 --> 00:56:58,879
Speaker 6: you actually kind of calmed things down a little bit.

1181
00:56:58,920 --> 00:57:02,200
Speaker 1: Like if he didn't, it would have been almost.

1182
00:57:04,200 --> 00:57:06,640
Speaker 7: If I didn't say nothing niggas, some niggas would have

1183
00:57:06,640 --> 00:57:11,400
Speaker 7: died that night. Nod said it perfectly on defying ones.

1184
00:57:12,239 --> 00:57:14,520
Speaker 7: He said something to the fact that you know, when

1185
00:57:14,560 --> 00:57:19,800
Speaker 7: Snoop got up there, he said the right ship, because

1186
00:57:19,960 --> 00:57:22,680
Speaker 7: at that point, when they first got there, it was

1187
00:57:22,760 --> 00:57:25,280
Speaker 7: New York versus New York, it was Borrow versus Burrow.

1188
00:57:25,800 --> 00:57:27,680
Speaker 7: And when Shug said what he said, he made it

1189
00:57:27,760 --> 00:57:30,920
Speaker 7: New York versus them niggas. Then when Snoop got up

1190
00:57:30,920 --> 00:57:33,280
Speaker 7: there and said what he said, a lot of New

1191
00:57:33,360 --> 00:57:35,680
Speaker 7: York niggas had love for Snoop and just couldn't see

1192
00:57:35,720 --> 00:57:39,080
Speaker 7: themselves just taking off on him for something that this

1193
00:57:39,160 --> 00:57:42,760
Speaker 7: nigga said. So it was like it was it was

1194
00:57:42,840 --> 00:57:46,320
Speaker 7: that deep in that detrimental because these was real street niggas.

1195
00:57:46,320 --> 00:57:51,200
Speaker 7: He wasn't like record label executives or managers or agents

1196
00:57:51,280 --> 00:57:55,960
Speaker 7: or may the production guys, this was nigga. That nigga

1197
00:57:56,080 --> 00:57:59,640
Speaker 7: just got out. He just got out fifteen minutes ago.

1198
00:58:00,080 --> 00:58:02,560
Speaker 7: He been in twenty years. He ain't got no money.

1199
00:58:02,920 --> 00:58:05,440
Speaker 7: He looking to do something so he can get on

1200
00:58:05,480 --> 00:58:09,720
Speaker 7: the payroll. Like everybody had forty of them niggas with them. Like,

1201
00:58:10,080 --> 00:58:12,800
Speaker 7: imagine that time in the early nineties, how hip hop was.

1202
00:58:13,280 --> 00:58:15,320
Speaker 7: You had to have a hundred niggas of your entourage.

1203
00:58:15,680 --> 00:58:18,120
Speaker 7: That just was part of how you was, like whether

1204
00:58:18,160 --> 00:58:20,120
Speaker 7: you wanted it or not. Like even the roots had

1205
00:58:20,120 --> 00:58:21,120
Speaker 7: a hundred niggas with them.

1206
00:58:22,200 --> 00:58:24,919
Speaker 1: We couldn't afford that. But when you have a large

1207
00:58:25,080 --> 00:58:29,560
Speaker 1: encage like hotel bills front, Like, how were y'all y'all

1208
00:58:29,560 --> 00:58:33,760
Speaker 1: were touring during that period, How are y'all handling just

1209
00:58:33,800 --> 00:58:35,800
Speaker 1: the basic shit fights.

1210
00:58:35,840 --> 00:58:40,160
Speaker 7: My first fifteen years a torn I can say this,

1211
00:58:40,480 --> 00:58:43,440
Speaker 7: and I ain't ashamed to say, I probably made like

1212
00:58:44,400 --> 00:58:47,480
Speaker 7: fifteen percent of my tour money.

1213
00:58:48,360 --> 00:58:51,840
Speaker 1: Because of everything you had to cover as far as hotels.

1214
00:58:51,920 --> 00:58:54,960
Speaker 7: Yeah, fifteen percent of my tour money is what I

1215
00:58:55,000 --> 00:58:58,880
Speaker 7: made my first fifteen years because I would have thirty

1216
00:58:58,960 --> 00:59:01,360
Speaker 7: niggas on the road. Everybody was getting paid and this

1217
00:59:01,400 --> 00:59:03,640
Speaker 7: and that, and then I wouldn't look back until the

1218
00:59:03,800 --> 00:59:06,440
Speaker 7: end of it, and it'd be like, well you uh,

1219
00:59:07,040 --> 00:59:11,360
Speaker 7: you grossed this amount and you netted this amount, and well,

1220
00:59:11,400 --> 00:59:15,800
Speaker 7: god damn everybody on tour and enjoying life except me.

1221
00:59:18,080 --> 00:59:19,280
Speaker 9: Man, it's a business man.

1222
00:59:24,320 --> 00:59:28,200
Speaker 1: I gotta jump to the real white elf in the room,

1223
00:59:28,800 --> 00:59:32,000
Speaker 1: which to mean is the dog Father. Okay, I gotta

1224
00:59:32,080 --> 00:59:36,200
Speaker 1: jump to that. Do you do you feel that the

1225
00:59:36,240 --> 00:59:40,440
Speaker 1: dog Father has gotten this proper just due respect, because

1226
00:59:41,240 --> 00:59:45,480
Speaker 1: for some reason, I don't think the world realizes how

1227
00:59:45,520 --> 00:59:51,120
Speaker 1: incredible that shit was when it came out, and the

1228
00:59:51,160 --> 00:59:56,120
Speaker 1: fact that it's still timeless late, Like, you know, was

1229
00:59:56,160 --> 00:59:57,000
Speaker 1: it twenty years later?

1230
00:59:57,120 --> 00:59:59,720
Speaker 4: Yeah? About Yeah, it was ninety six.

1231
01:00:00,680 --> 01:00:05,280
Speaker 1: Yeah, Like, what are your personal opinions on your follow up?

1232
01:00:06,000 --> 01:00:08,760
Speaker 7: When I first came out with it, I was getting

1233
01:00:08,760 --> 01:00:10,560
Speaker 7: a lot of hate and a lot of like, oh,

1234
01:00:10,600 --> 01:00:13,720
Speaker 7: it ain't doggy style, drain't do this, and why it

1235
01:00:13,720 --> 01:00:16,160
Speaker 7: ain't and this and that, and it used to fuck

1236
01:00:16,200 --> 01:00:18,480
Speaker 7: with me a little bit. And then I used to

1237
01:00:18,520 --> 01:00:21,200
Speaker 7: go out and do shows and then fans would bring

1238
01:00:21,200 --> 01:00:24,200
Speaker 7: me the album to sign, like you know what I'm saying, Like,

1239
01:00:24,240 --> 01:00:26,760
Speaker 7: that's a cold twist when they like niggas talking about you.

1240
01:00:26,840 --> 01:00:30,160
Speaker 7: But then a fan bring three copies of Doggy Style

1241
01:00:30,240 --> 01:00:32,720
Speaker 7: and two copies of dog Father and say can you

1242
01:00:32,760 --> 01:00:35,880
Speaker 7: sign these? And you sign these and I'm looking like

1243
01:00:36,360 --> 01:00:38,920
Speaker 7: damn from signing dog Father. I mean, they bought it.

1244
01:00:39,440 --> 01:00:41,680
Speaker 7: And then I started doing songs from the dog Father

1245
01:00:41,760 --> 01:00:45,280
Speaker 7: on stage, Snoops, upside your Head, big fucking record. Charlie

1246
01:00:45,320 --> 01:00:48,360
Speaker 7: Wilson started rolling with me. Me and Charlie became like this.

1247
01:00:48,840 --> 01:00:50,800
Speaker 7: So it was blessings that came out of that that

1248
01:00:51,280 --> 01:00:53,400
Speaker 7: they was making happen and didn't even know that they

1249
01:00:53,480 --> 01:00:56,200
Speaker 7: was making happen. Then we went overseas to Europe, and

1250
01:00:56,280 --> 01:00:59,320
Speaker 7: I toured in Europe and the record was so big

1251
01:00:59,400 --> 01:01:02,400
Speaker 7: over there to where it's like it solidified me as

1252
01:01:02,400 --> 01:01:06,040
Speaker 7: an artist that was gonna be here on the follow

1253
01:01:06,120 --> 01:01:08,480
Speaker 7: up tip. So it's just in America where it was

1254
01:01:08,520 --> 01:01:12,000
Speaker 7: a lot of not covering it the right way or

1255
01:01:12,080 --> 01:01:12,800
Speaker 7: saying the right things.

1256
01:01:12,800 --> 01:01:13,880
Speaker 9: I remember, Biggie.

1257
01:01:13,720 --> 01:01:17,520
Speaker 7: Got killed, Tupaca got killed, Biggie's album came out, Tupac's

1258
01:01:17,520 --> 01:01:20,400
Speaker 7: album came out, So they just drowned me out on

1259
01:01:20,480 --> 01:01:22,440
Speaker 7: some Oh this nigga ain't gang banging no more. He

1260
01:01:22,960 --> 01:01:25,040
Speaker 7: just beat a murder case. He's a family man. Now

1261
01:01:25,040 --> 01:01:27,880
Speaker 7: he's soft. Now he'd be happy. Now look at him

1262
01:01:27,920 --> 01:01:29,880
Speaker 7: rapping about happy shit doggies laying. I had a song

1263
01:01:29,960 --> 01:01:32,840
Speaker 7: called Doggie land that was a song about peace, love

1264
01:01:32,880 --> 01:01:36,080
Speaker 7: and nobody dying and just a beautiful record that was

1265
01:01:36,120 --> 01:01:39,800
Speaker 7: about Doggie landing. Niggas didn't understand it, like, Nigga, that's soft, nigga.

1266
01:01:39,800 --> 01:01:43,360
Speaker 7: I'm like, what's living? Life is soft? Like I don't

1267
01:01:43,360 --> 01:01:45,200
Speaker 7: need to be with you, niggas if y'all deaf is

1268
01:01:45,280 --> 01:01:47,000
Speaker 7: cool nigga, Nigga, I'm gonna die, Nigga.

1269
01:01:47,000 --> 01:01:49,520
Speaker 9: That shit hard nigga. How you gonna die?

1270
01:01:49,560 --> 01:01:52,880
Speaker 7: I'm being a blaze of bullets nigga, the hard way

1271
01:01:53,000 --> 01:01:54,400
Speaker 7: nigga like a Western movie.

1272
01:01:54,680 --> 01:01:56,560
Speaker 9: Fuck that, Nigga. I want to die nigga sipping on

1273
01:01:56,600 --> 01:01:57,040
Speaker 9: some coffee.

1274
01:01:57,080 --> 01:01:57,720
Speaker 8: Nigga land in.

1275
01:01:57,720 --> 01:02:00,200
Speaker 7: Bed, not a shelf eighty years old? You know what

1276
01:02:00,240 --> 01:02:00,560
Speaker 7: I'm saying?

1277
01:02:00,640 --> 01:02:02,720
Speaker 4: Men? What was it like?

1278
01:02:02,880 --> 01:02:02,960
Speaker 14: Uh?

1279
01:02:03,160 --> 01:02:06,040
Speaker 6: I was always curious to know the transition from death

1280
01:02:06,160 --> 01:02:09,520
Speaker 6: row to no limit and like being with being under

1281
01:02:09,520 --> 01:02:11,440
Speaker 6: somebody like Shug versus somebody like Pete.

1282
01:02:11,480 --> 01:02:13,400
Speaker 4: What was p like as a businessman?

1283
01:02:14,520 --> 01:02:16,800
Speaker 7: Sug was a great businessman first and foremost. Let me

1284
01:02:16,840 --> 01:02:21,360
Speaker 7: say that very strong, very shrewd, got to it like

1285
01:02:21,400 --> 01:02:23,720
Speaker 7: you do. It did a lot of things that was,

1286
01:02:23,880 --> 01:02:25,800
Speaker 7: you know, groundbreaking for the industry that I see a

1287
01:02:25,840 --> 01:02:28,600
Speaker 7: lot of niggas doing now. But when I got with

1288
01:02:28,680 --> 01:02:31,280
Speaker 7: master p he was more of a He was a finesser,

1289
01:02:32,160 --> 01:02:35,680
Speaker 7: like I want to shake hands with him, pump shoulders

1290
01:02:35,680 --> 01:02:38,600
Speaker 7: with him, do business with him, be executive.

1291
01:02:38,880 --> 01:02:40,000
Speaker 9: I want to own shit.

1292
01:02:40,400 --> 01:02:43,080
Speaker 7: I want to be a part of the executive branch

1293
01:02:43,760 --> 01:02:46,160
Speaker 7: and not just the you know, employee side of it.

1294
01:02:46,560 --> 01:02:48,520
Speaker 7: And then he passed it on. You know, he was

1295
01:02:48,560 --> 01:02:52,600
Speaker 7: one of those informative guys that hey put this in

1296
01:02:52,640 --> 01:02:55,160
Speaker 7: your name. Hey get you a bank account, Hey, get

1297
01:02:55,200 --> 01:02:57,439
Speaker 7: you some credit cards, Hey get you some property, Hey

1298
01:02:57,480 --> 01:03:01,000
Speaker 7: get you some this like get your record label, get

1299
01:03:01,040 --> 01:03:03,960
Speaker 7: you some clothing, clothing line. Like All the shit I

1300
01:03:04,000 --> 01:03:07,040
Speaker 7: did was by being with him. He showed me how

1301
01:03:07,040 --> 01:03:07,360
Speaker 7: to do it, and.

1302
01:03:07,360 --> 01:03:10,800
Speaker 4: I went, that's so dope.

1303
01:03:11,320 --> 01:03:15,480
Speaker 7: And don't be afraid they laughed at him in the beginning.

1304
01:03:15,480 --> 01:03:16,920
Speaker 7: They used to laugh at him. I used to watch

1305
01:03:17,000 --> 01:03:19,280
Speaker 7: him laugh, laugh, laugh. Then when I sign him with

1306
01:03:19,360 --> 01:03:22,000
Speaker 7: no limit, like I'm not saying, I made the laughs

1307
01:03:22,040 --> 01:03:23,840
Speaker 7: go away. But all the laughs was gone after that,

1308
01:03:24,360 --> 01:03:27,640
Speaker 7: and Niggas was like this, Nigga really is a business man.

1309
01:03:27,720 --> 01:03:30,400
Speaker 7: He really sharp because my first album with them paid

1310
01:03:30,400 --> 01:03:34,200
Speaker 7: the cost to be the boss two million records in America,

1311
01:03:34,400 --> 01:03:37,000
Speaker 7: two million records overseas. Then we put out a movie

1312
01:03:37,640 --> 01:03:39,520
Speaker 7: called The Game of Life and he sold it for

1313
01:03:39,640 --> 01:03:42,800
Speaker 7: nineteen ninety five and it sold two million copies. You

1314
01:03:42,840 --> 01:03:46,360
Speaker 7: do the fucking maths, and he made all the fucking money.

1315
01:03:46,920 --> 01:03:48,240
Speaker 7: Wasn't no middle man, none of that.

1316
01:03:48,320 --> 01:03:50,280
Speaker 12: That was the thing about master P and nobody really

1317
01:03:50,360 --> 01:03:51,000
Speaker 12: re emphasized.

1318
01:03:51,040 --> 01:03:53,080
Speaker 7: It wasn't no rap. It wasn't no money a rapper

1319
01:03:53,160 --> 01:03:55,600
Speaker 7: til No Limit came. And I say that honestly. It

1320
01:03:55,720 --> 01:03:58,800
Speaker 7: wasn't no rappers making no money into No Limit. Niggas

1321
01:03:58,840 --> 01:04:01,680
Speaker 7: was getting crumbs and a little bit negotiating and fighting

1322
01:04:01,680 --> 01:04:04,000
Speaker 7: with record labels and artists and management. Master he cut

1323
01:04:04,040 --> 01:04:05,800
Speaker 7: all that shit out. He was the what Sugar should

1324
01:04:05,800 --> 01:04:09,680
Speaker 7: have been, the less violent, more business.

1325
01:04:09,280 --> 01:04:10,920
Speaker 12: Approach and he shared information.

1326
01:04:11,080 --> 01:04:13,840
Speaker 7: Yes, all of the above. You know what I'm saying, Like,

1327
01:04:13,960 --> 01:04:14,760
Speaker 7: come on, man.

1328
01:04:15,880 --> 01:04:19,200
Speaker 6: From the time that you went from because after you

1329
01:04:19,200 --> 01:04:21,160
Speaker 6: did the three records on No Limit and then.

1330
01:04:21,320 --> 01:04:26,840
Speaker 7: Three album deal five million dollars, I can say that now,

1331
01:04:26,920 --> 01:04:29,920
Speaker 7: respectful I wanted to put that contract out there so

1332
01:04:29,960 --> 01:04:32,080
Speaker 7: in case you niggas want a new three albums do,

1333
01:04:32,160 --> 01:04:33,400
Speaker 7: it's gonna be way more than that.

1334
01:04:33,560 --> 01:04:33,760
Speaker 4: Now.

1335
01:04:34,400 --> 01:04:38,000
Speaker 7: Last I mean, I like, did the records get better

1336
01:04:38,000 --> 01:04:40,960
Speaker 7: for you as I got to know the first one?

1337
01:04:41,200 --> 01:04:44,120
Speaker 4: I didn't. I was like, right, but no limit to

1338
01:04:44,320 --> 01:04:45,320
Speaker 4: do in last MILLI.

1339
01:04:45,760 --> 01:04:46,080
Speaker 9: You see it.

1340
01:04:46,200 --> 01:04:48,520
Speaker 7: But you know when my mind state was there, I

1341
01:04:48,560 --> 01:04:50,840
Speaker 7: started grabbing my mind state the first record. You know

1342
01:04:50,880 --> 01:04:53,160
Speaker 7: what I did. I said, pee, do it with me,

1343
01:04:53,240 --> 01:04:56,280
Speaker 7: whatever you want to do, nigga. I'm doctor. I'm doctor Frankenstein.

1344
01:04:56,320 --> 01:04:58,160
Speaker 7: Ig I'm gonna pay on the table and let you

1345
01:04:58,240 --> 01:04:59,919
Speaker 7: go ahead and put me together the way you think

1346
01:05:00,360 --> 01:05:02,240
Speaker 7: is y' all hot right now? And this is your label.

1347
01:05:02,240 --> 01:05:04,520
Speaker 7: When you got the Snoop Dogg as your artist, Nigga,

1348
01:05:04,920 --> 01:05:07,240
Speaker 7: go to work. You just paid for this, nigga, it's

1349
01:05:07,280 --> 01:05:09,680
Speaker 7: gonna be your record forever. You got a Snoop Dogg record.

1350
01:05:10,120 --> 01:05:12,440
Speaker 7: My third solo record is yours. So he did it.

1351
01:05:12,920 --> 01:05:18,640
Speaker 7: Second record. I was like, all right, I got the

1352
01:05:18,720 --> 01:05:21,720
Speaker 7: joy stick back. Yeah, and I'm going back to the west.

1353
01:05:21,400 --> 01:05:23,960
Speaker 6: Man, Okay, speaking the joystick the two one three albums,

1354
01:05:24,440 --> 01:05:24,880
Speaker 6: why is.

1355
01:05:24,840 --> 01:05:27,200
Speaker 4: That not out? Like on streaming whatever.

1356
01:05:27,520 --> 01:05:29,120
Speaker 7: Man, we didn't get no love for the two one

1357
01:05:29,240 --> 01:05:29,640
Speaker 7: three hours.

1358
01:05:29,680 --> 01:05:32,080
Speaker 9: Man, we Warren. She pushed that shit so hard.

1359
01:05:32,120 --> 01:05:33,960
Speaker 6: I don't know what I love that I love man,

1360
01:05:34,080 --> 01:05:37,600
Speaker 6: the only girl. Motherfucking you gotta find a way, yeah,

1361
01:05:37,720 --> 01:05:38,240
Speaker 6: find a way.

1362
01:05:38,720 --> 01:05:39,760
Speaker 1: You gotta find a way.

1363
01:05:39,960 --> 01:05:43,080
Speaker 7: Yes, fine, man, I don't know. I don't know what

1364
01:05:43,120 --> 01:05:45,800
Speaker 7: goes on with And then I'm watching music nowadays like

1365
01:05:46,040 --> 01:05:51,920
Speaker 7: that's a hit. He said the same thing twenty five times.

1366
01:05:52,440 --> 01:05:56,080
Speaker 6: Oh my god, did they when you end up doing

1367
01:05:56,440 --> 01:05:58,880
Speaker 6: I'm jumping to your Uh well, first I want to

1368
01:05:58,920 --> 01:06:00,360
Speaker 6: go to your snoop line record.

1369
01:06:01,920 --> 01:06:03,280
Speaker 4: What moved you in that direction?

1370
01:06:03,360 --> 01:06:04,600
Speaker 6: Like what was going on in your life at that

1371
01:06:04,680 --> 01:06:07,200
Speaker 6: time that made you want to go there?

1372
01:06:07,720 --> 01:06:11,840
Speaker 9: Man, I just love reggae music.

1373
01:06:12,320 --> 01:06:15,240
Speaker 7: And I was like, you know what, every time I

1374
01:06:15,240 --> 01:06:17,000
Speaker 7: go to Jamaica, I always just go to my room,

1375
01:06:17,080 --> 01:06:19,440
Speaker 7: smoke weed and do the show and leave and never

1376
01:06:19,480 --> 01:06:21,560
Speaker 7: get to explore Jamaica. I never get to see it.

1377
01:06:22,000 --> 01:06:23,680
Speaker 7: Like fuck that. I want to see Jamaica because these

1378
01:06:23,720 --> 01:06:25,800
Speaker 7: niggas love me over here and I love them. So

1379
01:06:25,840 --> 01:06:27,280
Speaker 7: I said, I'm gonna set up a trip. I'm gonna

1380
01:06:27,280 --> 01:06:29,880
Speaker 7: go over there for thirty days and just live over

1381
01:06:29,920 --> 01:06:34,600
Speaker 7: there get with some producers called a dip Loo Major Laser.

1382
01:06:35,080 --> 01:06:37,840
Speaker 9: Look y'all gonna do my whole record called a Vice.

1383
01:06:37,960 --> 01:06:40,680
Speaker 7: Vice was a magazine company at the time that was

1384
01:06:40,720 --> 01:06:42,760
Speaker 7: creating content, and I was like, look, I want you

1385
01:06:42,880 --> 01:06:44,840
Speaker 7: to come shoot this shit for me, cause I like,

1386
01:06:44,840 --> 01:06:47,720
Speaker 7: how y'all be doing on location shit in dangerous neighborhoods,

1387
01:06:47,760 --> 01:06:50,440
Speaker 7: in dangerous areas. And this shit is dangerous because Chris

1388
01:06:50,520 --> 01:06:54,200
Speaker 7: Koki just went to jail, which was dudas. So I said,

1389
01:06:54,200 --> 01:06:55,640
Speaker 7: I want to go beat that nigga family.

1390
01:06:55,680 --> 01:06:56,280
Speaker 9: I want a nigga.

1391
01:06:56,280 --> 01:06:56,480
Speaker 1: I went.

1392
01:06:56,680 --> 01:06:59,480
Speaker 7: They took me everywhere and so by me going all

1393
01:06:59,520 --> 01:07:01,480
Speaker 7: into these areas, which this is the real nigga that

1394
01:07:01,480 --> 01:07:01,720
Speaker 7: I am.

1395
01:07:01,760 --> 01:07:02,640
Speaker 9: I love to explore.

1396
01:07:03,280 --> 01:07:06,120
Speaker 7: I go to the Naibinie Temple and when I go there,

1397
01:07:07,320 --> 01:07:10,040
Speaker 7: the spirit is in me. I can't even fake it.

1398
01:07:10,040 --> 01:07:12,040
Speaker 7: When I walk into temple, it's a lady about ninety

1399
01:07:12,120 --> 01:07:14,920
Speaker 7: years old. As soon as I walk in, she like

1400
01:07:15,000 --> 01:07:17,840
Speaker 7: the prodigal son has returned. I don't even know what

1401
01:07:17,840 --> 01:07:21,120
Speaker 7: she's saying. Well, like the prodigal son has returned. The

1402
01:07:21,200 --> 01:07:24,600
Speaker 7: prodigal son has returned. I don't even know what this means.

1403
01:07:24,640 --> 01:07:27,080
Speaker 7: At the time, she grabbed me by my hands and

1404
01:07:27,120 --> 01:07:28,800
Speaker 7: she started praying with me, and they like, the whole

1405
01:07:28,840 --> 01:07:33,280
Speaker 7: wound just collapsed on me, like it was crazy for me.

1406
01:07:33,720 --> 01:07:36,200
Speaker 7: It's crazy as the whole spirit. And we walked around

1407
01:07:36,200 --> 01:07:38,840
Speaker 7: the fire. Fire was burning. Me and my wife were

1408
01:07:38,840 --> 01:07:42,600
Speaker 7: holding hands. Long story short, when we leave, my wife

1409
01:07:42,600 --> 01:07:44,120
Speaker 7: didn't eat no meat. From that day on, when I

1410
01:07:44,160 --> 01:07:49,120
Speaker 7: was twenty ten, learned from that dawn and I took

1411
01:07:49,160 --> 01:07:53,080
Speaker 7: on a new peaceful approach. I ain't been into it

1412
01:07:53,080 --> 01:07:54,320
Speaker 7: with no niggas. I ain't got it, you know what

1413
01:07:54,320 --> 01:07:58,160
Speaker 7: I'm saying, And that she used to always come on, man,

1414
01:07:58,400 --> 01:07:59,120
Speaker 7: I'm waking it.

1415
01:07:59,160 --> 01:08:01,080
Speaker 6: Is that how it led to your gospel. First, let

1416
01:08:01,080 --> 01:08:03,440
Speaker 6: me just say the gospel record is jamming. That ship

1417
01:08:03,520 --> 01:08:04,360
Speaker 6: jamming like a motherfucker.

1418
01:08:04,360 --> 01:08:05,560
Speaker 4: I say that.

1419
01:08:06,920 --> 01:08:07,640
Speaker 8: That match.

1420
01:08:13,040 --> 01:08:14,720
Speaker 4: That this is hard.

1421
01:08:15,080 --> 01:08:16,640
Speaker 1: But the thing I liked about is it's like you

1422
01:08:16,720 --> 01:08:19,200
Speaker 1: got like real, You got the real Oh Jesus.

1423
01:08:19,000 --> 01:08:21,240
Speaker 6: You had rams Allen on the ship, and I mean,

1424
01:08:21,680 --> 01:08:23,639
Speaker 6: that's like, how did you put all that together?

1425
01:08:24,240 --> 01:08:27,040
Speaker 7: First of all, shout out to my homeboy, Lonnie Lonnie Brell.

1426
01:08:27,240 --> 01:08:29,200
Speaker 7: He was one of the main instruments to putting this

1427
01:08:29,280 --> 01:08:35,040
Speaker 7: project together. I had a dream and a wishless making

1428
01:08:35,080 --> 01:08:37,960
Speaker 7: my grandmother proud of me. My grandmother was here, she

1429
01:08:37,960 --> 01:08:42,040
Speaker 7: would always you know, talk to her friends and people

1430
01:08:42,080 --> 01:08:44,439
Speaker 7: about me, but she can never talk about my music.

1431
01:08:45,160 --> 01:08:47,320
Speaker 7: And I always wanted to make something that she could

1432
01:08:47,360 --> 01:08:49,240
Speaker 7: be proud of, that she could hear, and that her friends,

1433
01:08:49,240 --> 01:08:51,840
Speaker 7: her church friends could really you know, be proud of.

1434
01:08:51,960 --> 01:08:53,920
Speaker 7: So and she passed away, I was like, you know,

1435
01:08:54,080 --> 01:08:56,200
Speaker 7: that's my mission. I've been always talking about doing it.

1436
01:08:56,360 --> 01:08:58,200
Speaker 7: I'm just gonna do it. And I just went in

1437
01:08:58,240 --> 01:09:00,519
Speaker 7: there and did it and started all and all of

1438
01:09:00,560 --> 01:09:02,600
Speaker 7: the people that I wanted to be on it and

1439
01:09:02,720 --> 01:09:04,640
Speaker 7: expressed to them while I wanted the moment what I

1440
01:09:04,720 --> 01:09:09,280
Speaker 7: was doing, and they already loved my spirit as before that.

1441
01:09:10,080 --> 01:09:11,840
Speaker 7: It wasn't like, oh, we're gonna do it now. We've

1442
01:09:11,840 --> 01:09:14,320
Speaker 7: been following you, brother, We've been with you. You know,

1443
01:09:14,400 --> 01:09:17,559
Speaker 7: we got you what you need. I need a saying

1444
01:09:17,560 --> 01:09:20,439
Speaker 7: something on their brother rams, Clark sisters. I need you

1445
01:09:20,560 --> 01:09:23,519
Speaker 7: to do something on there, Kimberrell, you do something by

1446
01:09:23,520 --> 01:09:26,840
Speaker 7: friend Hammon, John p Key, Jesus.

1447
01:09:26,920 --> 01:09:27,360
Speaker 4: Yeah.

1448
01:09:27,400 --> 01:09:27,639
Speaker 13: Yeah.

1449
01:09:27,640 --> 01:09:28,240
Speaker 8: It was incredible.

1450
01:09:28,320 --> 01:09:32,200
Speaker 1: And seeing it at the Essence Festival that knocked me out.

1451
01:09:32,360 --> 01:09:35,360
Speaker 9: That was pratty I felt like it was the right

1452
01:09:35,400 --> 01:09:36,000
Speaker 9: moment for that.

1453
01:09:36,000 --> 01:09:37,280
Speaker 13: That was the best thing I've ever seen.

1454
01:09:37,400 --> 01:09:40,680
Speaker 1: That was amazing moment. Brother, we thank you, we got

1455
01:09:40,680 --> 01:09:44,160
Speaker 1: ap Okay, damn, let's do all right.

1456
01:09:44,720 --> 01:09:49,080
Speaker 12: I was just you know, we was getting the rap rap.

1457
01:09:51,400 --> 01:09:53,160
Speaker 9: Y'all doing good. I like when the ship is good,

1458
01:09:53,160 --> 01:09:53,800
Speaker 9: I break ruds.

1459
01:09:54,360 --> 01:09:59,519
Speaker 10: Thank you Jesus appreciate a central seduction.

1460
01:10:00,560 --> 01:10:01,519
Speaker 7: Yes, that's one of that.

1461
01:10:01,920 --> 01:10:03,800
Speaker 6: I want to say, you have one of the only

1462
01:10:04,720 --> 01:10:07,320
Speaker 6: like rap records or records and hip hop that I

1463
01:10:07,439 --> 01:10:08,880
Speaker 6: like the clean version better than I.

1464
01:10:08,840 --> 01:10:15,799
Speaker 1: Like, yeah brook.

1465
01:10:16,640 --> 01:10:17,200
Speaker 4: Brookly Zoo.

1466
01:10:17,439 --> 01:10:20,040
Speaker 6: But yeah, so talk about that record because the cat

1467
01:10:20,080 --> 01:10:24,439
Speaker 6: that did that, Red Shorty Red. He was so talented man,

1468
01:10:24,520 --> 01:10:26,120
Speaker 6: and he did like a lot of ship for Jez.

1469
01:10:26,400 --> 01:10:27,439
Speaker 9: He was on some gangster ship.

1470
01:10:27,439 --> 01:10:29,479
Speaker 7: He was like really one of the gangster producers, right,

1471
01:10:30,000 --> 01:10:32,920
Speaker 7: so he's one of my little nephews. And he was like,

1472
01:10:33,960 --> 01:10:36,720
Speaker 7: I got a song, but it ain't gangster, and I

1473
01:10:36,720 --> 01:10:39,920
Speaker 7: think I think it's I think it's for you. And

1474
01:10:39,960 --> 01:10:41,599
Speaker 7: he played it for me and he was he was

1475
01:10:41,720 --> 01:10:43,680
Speaker 7: he was doing everything that I was doing. But he

1476
01:10:43,800 --> 01:10:46,360
Speaker 7: wasn't like he didn't put that thing on it. He

1477
01:10:46,439 --> 01:10:48,680
Speaker 7: just like just laid it and I was like, I'm

1478
01:10:48,720 --> 01:10:50,240
Speaker 7: gonna put that T pain on it, but I ain't

1479
01:10:50,280 --> 01:10:52,920
Speaker 7: gonna put all of that te pain. I'm gonna put

1480
01:10:52,920 --> 01:10:55,200
Speaker 7: a little trip of T pain with my real voice.

1481
01:10:55,400 --> 01:10:58,120
Speaker 7: Then I'm gonna put like a vote colder and twisting

1482
01:10:58,160 --> 01:11:00,280
Speaker 7: this waite so that when when you're hearing, he ain't

1483
01:11:00,320 --> 01:11:02,720
Speaker 7: two row body like them. Because I didn't want to

1484
01:11:02,800 --> 01:11:06,840
Speaker 7: sound like everybody that sounds like auto tune. I wanted

1485
01:11:06,880 --> 01:11:10,280
Speaker 7: some of my voice to overwhelm the auto tune because

1486
01:11:10,280 --> 01:11:12,280
Speaker 7: I feel like I got a nice voice that could

1487
01:11:12,320 --> 01:11:12,880
Speaker 7: blend with that.

1488
01:11:13,720 --> 01:11:14,479
Speaker 9: And that was the key.

1489
01:11:14,479 --> 01:11:17,960
Speaker 7: And then watch this when I do it. I take

1490
01:11:18,000 --> 01:11:20,840
Speaker 7: it to the label and it's a motherfucking white boy

1491
01:11:20,920 --> 01:11:25,920
Speaker 7: up there, and he like, let me mix it. I'm like,

1492
01:11:26,040 --> 01:11:31,840
Speaker 7: he don't know. He's like, let me mix this, motherfucker.

1493
01:11:31,880 --> 01:11:34,360
Speaker 7: I know what it needs. Give it here. But we

1494
01:11:34,439 --> 01:11:35,920
Speaker 7: kind of clashed for a minute, and I end up

1495
01:11:36,000 --> 01:11:38,000
Speaker 7: letting mix it. Right when he mixed it, I called him,

1496
01:11:38,000 --> 01:11:43,040
Speaker 7: I'm like, man, you a bad motherfucker motherfucker named Ron Fair.

1497
01:11:44,360 --> 01:11:46,800
Speaker 1: Wait, oh my god, that's the last name.

1498
01:11:49,040 --> 01:11:51,840
Speaker 7: Look request you gotta you're dealing with Snoop Dorog. You're

1499
01:11:51,840 --> 01:11:54,680
Speaker 7: dealing with ignorant ass Snoop Dogg, you ain't dealing with

1500
01:11:54,680 --> 01:11:57,360
Speaker 7: the nigga right now? To hey, okay, you're sure whatever

1501
01:11:57,720 --> 01:12:00,599
Speaker 7: you're dealing with the na tell me how mother fucking

1502
01:12:00,600 --> 01:12:01,479
Speaker 7: mixed my song the.

1503
01:12:01,439 --> 01:12:03,320
Speaker 1: Way the way you built it up. It's just that

1504
01:12:03,400 --> 01:12:06,200
Speaker 1: we had a few episodes where Ron's names come up

1505
01:12:06,640 --> 01:12:09,479
Speaker 1: and it wasn't and it wasn't too savory. So he

1506
01:12:09,600 --> 01:12:12,720
Speaker 1: was like, name Ron Fair. I was like, oh God, yes,

1507
01:12:12,880 --> 01:12:13,680
Speaker 1: he's haunting us.

1508
01:12:13,920 --> 01:12:16,120
Speaker 7: Yes, And that nigga mixed the ship out of it,

1509
01:12:16,200 --> 01:12:18,360
Speaker 7: the dog ship out of it because I could play

1510
01:12:18,400 --> 01:12:20,880
Speaker 7: the mixed before he mixed it. He made it a

1511
01:12:20,920 --> 01:12:23,479
Speaker 7: fucking big record like the Ship. That he did was

1512
01:12:23,520 --> 01:12:25,840
Speaker 7: just making my voice and the music and the way.

1513
01:12:27,280 --> 01:12:27,479
Speaker 5: Right.

1514
01:12:28,680 --> 01:12:31,959
Speaker 1: Because it fooled everybody. When we heard it, my jaw.

1515
01:12:31,840 --> 01:12:33,800
Speaker 4: Dropped like, oh shot, that shit go hard.

1516
01:12:33,840 --> 01:12:34,839
Speaker 13: It was an instant classic.

1517
01:12:35,240 --> 01:12:35,439
Speaker 4: Yeah.

1518
01:12:35,560 --> 01:12:37,479
Speaker 7: See that was on the record that I think for real?

1519
01:12:39,080 --> 01:12:39,920
Speaker 7: Was that a record for real?

1520
01:12:39,960 --> 01:12:41,280
Speaker 9: Producer? Was that ego tripping?

1521
01:12:41,560 --> 01:12:43,160
Speaker 4: That was okay?

1522
01:12:43,240 --> 01:12:46,840
Speaker 9: That was me Teddy Riley and Quick on that record?

1523
01:12:48,520 --> 01:12:51,280
Speaker 4: Was not on that record? You work like hoe.

1524
01:12:51,320 --> 01:12:53,320
Speaker 9: He was not the ship.

1525
01:12:53,840 --> 01:12:55,839
Speaker 4: How did y'all hold up? Man? Because he's Virginia.

1526
01:12:56,120 --> 01:12:58,360
Speaker 7: And so that's something about me and Virginia. I got

1527
01:12:58,960 --> 01:13:02,120
Speaker 7: a real bond with you. With Virginia, man, I fucked

1528
01:13:02,120 --> 01:13:04,559
Speaker 7: with the Virginia crowd. I don't know why how, but

1529
01:13:04,600 --> 01:13:07,280
Speaker 7: it's just like we just magical when we're together. It's

1530
01:13:07,280 --> 01:13:10,519
Speaker 7: been like that, from timbling the parral to not even

1531
01:13:10,520 --> 01:13:14,439
Speaker 7: the nigga drum like Teddy Riley, Like I just fox

1532
01:13:14,479 --> 01:13:17,280
Speaker 7: with it like and then, and I never looked for it.

1533
01:13:17,280 --> 01:13:19,160
Speaker 7: It was like, I'm gonna focus and niggas from Virginia.

1534
01:13:19,200 --> 01:13:21,160
Speaker 7: The ship just fall in place like that, Like it

1535
01:13:21,280 --> 01:13:24,200
Speaker 7: just happens like that. And every time it happens like that,

1536
01:13:24,280 --> 01:13:27,280
Speaker 7: it's like it's some magical ship. And then I find

1537
01:13:27,280 --> 01:13:29,840
Speaker 7: out this nigga from Virginia too. It's something in the

1538
01:13:29,880 --> 01:13:31,200
Speaker 7: water man, y'all cold man.

1539
01:13:31,479 --> 01:13:35,599
Speaker 6: Yeah, you also had like the only for a long time,

1540
01:13:35,640 --> 01:13:37,280
Speaker 6: you had the only D'Angelo feature.

1541
01:13:37,760 --> 01:13:39,400
Speaker 4: Imagine that the.

1542
01:13:39,760 --> 01:13:44,559
Speaker 7: Imagine shut out to shut out to Angie Stone, Oh

1543
01:13:44,600 --> 01:13:45,799
Speaker 7: my god, going to Guinea.

1544
01:13:47,000 --> 01:13:49,360
Speaker 9: So y'all don't understand how hard it was to get.

1545
01:13:55,960 --> 01:14:02,960
Speaker 7: Stories. I'm gonna tell mine, million all. So we call

1546
01:14:03,040 --> 01:14:05,519
Speaker 7: the nigga, right, everybody scared to call him? Give me

1547
01:14:05,520 --> 01:14:12,680
Speaker 7: the mother fucking phone DeAngelo. Hey, nigga is snoop yah

1548
01:14:13,200 --> 01:14:15,720
Speaker 7: he nigga. I need them vocals because it's already wrote

1549
01:14:15,720 --> 01:14:16,679
Speaker 7: pool Beard and wrote the ship.

1550
01:14:16,720 --> 01:14:17,960
Speaker 9: All you gotta do is just singing this ship.

1551
01:14:18,040 --> 01:14:18,320
Speaker 4: Nigga.

1552
01:14:18,600 --> 01:14:20,680
Speaker 7: Understand me, and you're gonna be there with you. She

1553
01:14:20,760 --> 01:14:23,000
Speaker 7: take him to the studio. He listened to it.

1554
01:14:23,080 --> 01:14:24,640
Speaker 9: He like it. He go to the car and she

1555
01:14:24,760 --> 01:14:25,240
Speaker 9: came back.

1556
01:14:25,560 --> 01:14:28,320
Speaker 7: He left whoa Break You Off?

1557
01:14:28,360 --> 01:14:28,760
Speaker 1: Part two?

1558
01:14:30,720 --> 01:14:33,680
Speaker 7: Next day he comes in, he sings two lines and

1559
01:14:33,720 --> 01:14:34,720
Speaker 7: then he leaves what.

1560
01:14:35,920 --> 01:14:37,840
Speaker 1: You should be here?

1561
01:14:39,760 --> 01:14:42,719
Speaker 7: Fourth day, Pool Beard, go sing all of that ship

1562
01:14:42,920 --> 01:14:44,960
Speaker 7: and have that nigga up under you, and we're gonna

1563
01:14:44,960 --> 01:14:47,559
Speaker 7: blend your voice together because this nigga keep ripping and running.

1564
01:14:47,800 --> 01:14:49,960
Speaker 7: You serious listen to it.

1565
01:14:50,400 --> 01:14:53,840
Speaker 6: Wow, it's him on and poo bear. He's all pool

1566
01:14:53,960 --> 01:14:54,719
Speaker 6: from fifteen hundred.

1567
01:14:55,479 --> 01:14:57,960
Speaker 7: He used to be with Scott Stores that one, okay, gotcha?

1568
01:14:58,120 --> 01:14:58,320
Speaker 4: Yeah.

1569
01:14:58,439 --> 01:15:01,640
Speaker 7: He used to write for Justin to be Yeah, but

1570
01:15:01,680 --> 01:15:03,479
Speaker 7: that was but you know I had to me and

1571
01:15:03,520 --> 01:15:05,560
Speaker 7: my conversation with him, and then Angie she pulled it

1572
01:15:05,600 --> 01:15:07,120
Speaker 7: all together. Like That's why I got to give her

1573
01:15:07,120 --> 01:15:09,920
Speaker 7: a shout out, because she was instrumental. I'm going to

1574
01:15:09,960 --> 01:15:12,120
Speaker 7: get him. I'm finna make it happen, and like she

1575
01:15:12,360 --> 01:15:14,800
Speaker 7: was really a soldier, you understand me, Like going to

1576
01:15:14,840 --> 01:15:15,799
Speaker 7: make shit happen.

1577
01:15:15,880 --> 01:15:17,240
Speaker 4: Man, what year was that?

1578
01:15:17,840 --> 01:15:22,639
Speaker 1: Two thousand and three and two thousand and six album

1579
01:15:22,680 --> 01:15:25,760
Speaker 1: came out in two thousand. Yeah that sounds just about right, man,

1580
01:15:26,280 --> 01:15:31,120
Speaker 1: Like you have to well, you know, rap your story right. Yes, Yeah,

1581
01:15:31,400 --> 01:15:34,680
Speaker 1: physically got on the plane to knocked on his door.

1582
01:15:36,640 --> 01:15:38,080
Speaker 4: To make him come to the video. Shoot.

1583
01:15:39,800 --> 01:15:43,240
Speaker 12: Every generation needs one. It's fine, fine, fine.

1584
01:15:44,880 --> 01:15:48,960
Speaker 11: Whoever seven thousand private jet, whoever d is? Every generation

1585
01:15:49,080 --> 01:15:50,280
Speaker 11: needs one. It's all I'm saying.

1586
01:15:52,479 --> 01:15:57,920
Speaker 7: And then I just feel goody me. Biggie Puffy, a

1587
01:15:57,920 --> 01:16:00,040
Speaker 7: couple of my cousins were in New York for he

1588
01:16:00,080 --> 01:16:05,040
Speaker 7: ange little concert. Supposed to get on it nine twelve thirty.

1589
01:16:05,040 --> 01:16:07,760
Speaker 7: We out there still smoking one in the morning, Me

1590
01:16:07,800 --> 01:16:08,879
Speaker 7: and Biggie fall asleep.

1591
01:16:10,720 --> 01:16:11,240
Speaker 9: Two thirty.

1592
01:16:11,280 --> 01:16:13,559
Speaker 7: The nigga finally hit the stage and do five songs

1593
01:16:13,560 --> 01:16:13,920
Speaker 7: and leave.

1594
01:16:14,120 --> 01:16:14,320
Speaker 4: Wow.

1595
01:16:14,960 --> 01:16:16,360
Speaker 7: Wow, didn't even do them.

1596
01:16:16,360 --> 01:16:17,160
Speaker 9: While I liked.

1597
01:16:20,800 --> 01:16:25,200
Speaker 7: That this nigga didn't do double fine, nigga, you didn't

1598
01:16:25,200 --> 01:16:25,360
Speaker 7: do it?

1599
01:16:26,320 --> 01:16:28,240
Speaker 4: Yeah, man, what's it like? You work?

1600
01:16:28,280 --> 01:16:29,880
Speaker 6: It's another one my homeboys. You work with a lot

1601
01:16:29,960 --> 01:16:33,280
Speaker 6: Denan Porter, Oh, what's man in the studio?

1602
01:16:33,360 --> 01:16:37,360
Speaker 7: Twelve like Me and Detroit got a cold, Cold Cold

1603
01:16:37,400 --> 01:16:40,479
Speaker 7: Twist two then nin like I discovered hear him off

1604
01:16:40,520 --> 01:16:44,760
Speaker 7: of like Nigga's not taking his beats, Like he's a

1605
01:16:44,840 --> 01:16:46,960
Speaker 7: nigga on the sideline and I'm listening to that nigga.

1606
01:16:46,960 --> 01:16:48,120
Speaker 9: Be's like, Oh, they don't want that.

1607
01:16:48,760 --> 01:16:51,840
Speaker 7: They don't want that. He didn't want that. Get here

1608
01:16:52,720 --> 01:16:55,000
Speaker 7: and you can stay on the hook, nigga. You know

1609
01:16:55,040 --> 01:16:57,200
Speaker 7: what I'm saying that I am mind the kind nigga

1610
01:16:57,200 --> 01:16:58,599
Speaker 7: toll be. Oh man, it sounds awesome. If we can

1611
01:16:58,640 --> 01:17:02,760
Speaker 7: get our Chris Brown or may be Jeremi had senig

1612
01:17:03,080 --> 01:17:05,719
Speaker 7: something niggas stay on there, see if you can become

1613
01:17:05,800 --> 01:17:06,360
Speaker 7: something nigga.

1614
01:17:06,680 --> 01:17:09,160
Speaker 4: Yeah, her him and the girl Tone Treasure.

1615
01:17:10,880 --> 01:17:14,320
Speaker 7: Nigga, what nigga? I got hits with her, he around

1616
01:17:14,360 --> 01:17:16,320
Speaker 7: the world hits.

1617
01:17:16,800 --> 01:17:18,680
Speaker 4: She go go, go, go go.

1618
01:17:19,439 --> 01:17:21,400
Speaker 9: That is one of the most talented females I've ever

1619
01:17:21,439 --> 01:17:22,320
Speaker 9: worked with in the studio.

1620
01:17:23,160 --> 01:17:26,200
Speaker 12: Yeah, So, Snoop, where are you at musically right now?

1621
01:17:26,240 --> 01:17:30,600
Speaker 11: Because you didn't done pretty much everything done country I

1622
01:17:30,640 --> 01:17:31,479
Speaker 11: couldn't remember.

1623
01:17:31,920 --> 01:17:34,600
Speaker 12: I feel like you have I feel like a will record.

1624
01:17:36,600 --> 01:17:37,479
Speaker 4: Record that actually might be.

1625
01:17:37,680 --> 01:17:39,920
Speaker 12: I mean a bluegrass I can see that. I don't

1626
01:17:40,200 --> 01:17:41,120
Speaker 12: like where you at.

1627
01:17:41,240 --> 01:17:42,400
Speaker 9: Well, I have a couple of things that.

1628
01:17:42,400 --> 01:17:45,040
Speaker 4: I'm working on. Bluegrass has a lot of connotations.

1629
01:17:45,160 --> 01:17:45,960
Speaker 9: Does I like that?

1630
01:17:49,040 --> 01:17:51,439
Speaker 4: Way you gotta come to North Carolina to do it?

1631
01:17:51,560 --> 01:17:52,000
Speaker 9: May happen.

1632
01:17:52,800 --> 01:17:54,600
Speaker 7: Well, right now, I just finished the EP with the

1633
01:17:54,880 --> 01:17:58,599
Speaker 7: Dave East We did a nice little EP together, east

1634
01:17:58,600 --> 01:18:00,439
Speaker 7: Side Stories, Ship.

1635
01:18:01,240 --> 01:18:04,800
Speaker 6: Dame, Well the Dame thing on two. I was thinking,

1636
01:18:04,800 --> 01:18:06,679
Speaker 6: you say east Side Stores the east Siders.

1637
01:18:06,920 --> 01:18:11,320
Speaker 7: Yeah, oh yeah, Trady, God, Yeah, what I got? I

1638
01:18:11,400 --> 01:18:13,639
Speaker 7: got a new single that I just did for them

1639
01:18:14,160 --> 01:18:17,320
Speaker 7: for to Meet the Blacks to soundtrack. I may want

1640
01:18:17,360 --> 01:18:19,200
Speaker 7: to play for y'all in the studio, let y'all get away,

1641
01:18:20,000 --> 01:18:21,519
Speaker 7: but it's gonna be the lead single off for the

1642
01:18:21,600 --> 01:18:24,040
Speaker 7: Meet the Blacks to soundtrack produced by battle Cat.

1643
01:18:24,320 --> 01:18:28,040
Speaker 1: Yes, okay, that's what I mean.

1644
01:18:28,120 --> 01:18:32,200
Speaker 7: I learned he's going, don't look at the clock, keep talking,

1645
01:18:33,080 --> 01:18:40,400
Speaker 7: watch that man, look out the clock. I pushed Paul's

1646
01:18:40,439 --> 01:18:40,560
Speaker 7: on it.

1647
01:18:40,600 --> 01:18:41,000
Speaker 9: Don't want to.

1648
01:18:42,680 --> 01:18:44,400
Speaker 1: You're talking the walk away because I'm scared of that.

1649
01:18:50,120 --> 01:18:52,240
Speaker 4: Talking about battle He is just another one of those

1650
01:18:52,320 --> 01:18:55,000
Speaker 4: dudes that just so underrated.

1651
01:18:54,560 --> 01:18:55,840
Speaker 9: So unsung.

1652
01:18:55,920 --> 01:19:00,479
Speaker 7: He Battle Cat is like Doctor Dre on stereo to me,

1653
01:19:01,040 --> 01:19:03,880
Speaker 7: because you know he's always been that that spot to

1654
01:19:03,960 --> 01:19:06,680
Speaker 7: fill in the blank. When Dre is on hiatus for

1655
01:19:06,800 --> 01:19:09,160
Speaker 7: making music, Battle Cat always feel in the blank spots

1656
01:19:09,479 --> 01:19:12,200
Speaker 7: with some good music, that feel good, that got great bottom,

1657
01:19:12,280 --> 01:19:15,360
Speaker 7: that got great musical arrangement, nights singing. So it's like,

1658
01:19:15,479 --> 01:19:17,519
Speaker 7: you know, he feels in the blank and he does

1659
01:19:17,600 --> 01:19:19,840
Speaker 7: his part because he is a part of Uncle Jam's army.

1660
01:19:20,320 --> 01:19:23,320
Speaker 7: So he's been around since to get around and he

1661
01:19:23,439 --> 01:19:24,920
Speaker 7: produced Domino's first album.

1662
01:19:25,720 --> 01:19:27,439
Speaker 4: We were talking about that earlier, that East Side is

1663
01:19:27,479 --> 01:19:28,479
Speaker 4: the albums just expect.

1664
01:19:30,920 --> 01:19:34,080
Speaker 7: We did that at my house in Claremont, Like that's

1665
01:19:34,120 --> 01:19:35,880
Speaker 7: when we used to make records in my living room,

1666
01:19:36,000 --> 01:19:38,120
Speaker 7: like on some real shit like Trade and Goldie Lope

1667
01:19:38,400 --> 01:19:41,400
Speaker 7: from two different neighborhoods, Goldie from my neighborhood twenty Crip

1668
01:19:41,880 --> 01:19:45,000
Speaker 7: and Trade from Masane. And we all started together when

1669
01:19:45,040 --> 01:19:47,680
Speaker 7: the fresh Vest was happening. We was all together. Then

1670
01:19:47,720 --> 01:19:51,880
Speaker 7: an incident happened where they separated, and this was like

1671
01:19:52,040 --> 01:19:54,400
Speaker 7: us bringing it back together again on the music tip

1672
01:19:54,720 --> 01:19:56,639
Speaker 7: and putting the hood back together. So when we put

1673
01:19:56,760 --> 01:19:59,599
Speaker 7: the east Siders together, it was a movement in the streets.

1674
01:20:00,120 --> 01:20:03,639
Speaker 7: That really was the real movement on we Ain't killing

1675
01:20:03,680 --> 01:20:04,360
Speaker 7: each other no more?

1676
01:20:05,560 --> 01:20:09,560
Speaker 6: Man, you please tell me there's an unreleased album or

1677
01:20:09,800 --> 01:20:10,559
Speaker 6: something coming out?

1678
01:20:11,320 --> 01:20:14,040
Speaker 4: Brother, where is LaToya will? I was gonna ask about her.

1679
01:20:14,240 --> 01:20:17,759
Speaker 7: Bruh Wreatha Frankment just passed away, rest in piece of RYTHD.

1680
01:20:17,960 --> 01:20:21,679
Speaker 7: That was like the closest thing to like I always said,

1681
01:20:21,720 --> 01:20:23,920
Speaker 7: I never made a record with Aretha, but I made

1682
01:20:23,960 --> 01:20:25,080
Speaker 7: a record with a wreath.

1683
01:20:24,800 --> 01:20:28,040
Speaker 9: Of Spirit with toy Like. I don't know, man, I

1684
01:20:28,080 --> 01:20:29,080
Speaker 9: don't know what she on right now.

1685
01:20:29,120 --> 01:20:31,439
Speaker 7: I love her voice. I really love to see if

1686
01:20:31,479 --> 01:20:33,000
Speaker 7: she'd like to get back in the studio again. So

1687
01:20:33,040 --> 01:20:35,320
Speaker 7: if you're listening to it, we love for you to

1688
01:20:35,360 --> 01:20:35,760
Speaker 7: come back in.

1689
01:20:35,840 --> 01:20:39,320
Speaker 6: And yeah, her and Knats was doing something for a

1690
01:20:39,360 --> 01:20:41,120
Speaker 6: little bit and then I don't know whatever.

1691
01:20:41,120 --> 01:20:43,120
Speaker 7: It came the follow through. Some some people don't have

1692
01:20:43,160 --> 01:20:44,639
Speaker 7: that follow through, you know what I'm saying. It takes

1693
01:20:44,680 --> 01:20:46,000
Speaker 7: the team to make sure that you got the whole

1694
01:20:46,040 --> 01:20:46,559
Speaker 7: follow through.

1695
01:20:48,240 --> 01:20:50,600
Speaker 4: Oh okay, so.

1696
01:20:52,160 --> 01:20:56,160
Speaker 6: The record of it was on the Snoops it was

1697
01:20:56,240 --> 01:20:58,080
Speaker 6: the compilation record Doghouse Records.

1698
01:20:58,120 --> 01:20:59,960
Speaker 4: Compilation? Was it that one doing with Trump?

1699
01:21:01,320 --> 01:21:01,439
Speaker 11: Oh?

1700
01:21:01,560 --> 01:21:03,720
Speaker 9: Trouble Trouble guess where you're from.

1701
01:21:04,000 --> 01:21:05,799
Speaker 1: Where Virginia?

1702
01:21:07,160 --> 01:21:10,400
Speaker 7: For real nigga named Vinnie. Guess where I met him?

1703
01:21:10,400 --> 01:21:15,280
Speaker 7: At Nigga seven eleven. It was snowing my night. Wait what, nigga,

1704
01:21:15,479 --> 01:21:18,479
Speaker 7: It was snowing one night Nigga seven eleven. Nigga and

1705
01:21:18,600 --> 01:21:21,120
Speaker 7: I get out the little van and go buy me

1706
01:21:21,200 --> 01:21:24,360
Speaker 7: something out of the store right in Virginia. The nigga like,

1707
01:21:24,640 --> 01:21:27,080
Speaker 7: got to CD, man, I make music, Like, let me

1708
01:21:27,120 --> 01:21:28,960
Speaker 7: hear this motherfucker. I said, I it's white. Niggam gonna

1709
01:21:28,960 --> 01:21:31,559
Speaker 7: slang that motherfucker on the freeway. Get in the van,

1710
01:21:31,680 --> 01:21:35,599
Speaker 7: were riding. This nigga should sound good. This nigga got arrangement,

1711
01:21:35,680 --> 01:21:38,560
Speaker 7: and this nigga got toned, and I'm like, nigga, I

1712
01:21:38,640 --> 01:21:40,800
Speaker 7: call a nigga like, Nigga, your shit hard, nigga, Let

1713
01:21:40,840 --> 01:21:43,360
Speaker 7: me let me buy that song. So I bought that

1714
01:21:43,479 --> 01:21:45,680
Speaker 7: song Trouble and put it on my ship. And then

1715
01:21:45,720 --> 01:21:47,479
Speaker 7: we made a couple of songs we didn't want called

1716
01:21:47,520 --> 01:21:50,840
Speaker 7: a uh just Get carried Away.

1717
01:21:52,520 --> 01:21:58,040
Speaker 4: And my uncle Rell, Oh wow, okay, yep, that was another.

1718
01:21:58,120 --> 01:22:00,439
Speaker 6: It was on that album you had. It was the

1719
01:22:00,479 --> 01:22:04,280
Speaker 6: Trouble record and it was somebody else. God Man who

1720
01:22:04,320 --> 01:22:05,720
Speaker 6: was on that record? I used to I used to

1721
01:22:05,760 --> 01:22:06,240
Speaker 6: play the hell.

1722
01:22:06,120 --> 01:22:08,040
Speaker 4: Out of that album. It was another cat that you've

1723
01:22:08,120 --> 01:22:10,640
Speaker 4: oh tripping superfly? What's going on with him?

1724
01:22:12,600 --> 01:22:14,560
Speaker 7: He got a song right now on to Meet the

1725
01:22:14,600 --> 01:22:16,759
Speaker 7: Black soundtrack that's called Past the Sticks.

1726
01:22:17,400 --> 01:22:18,640
Speaker 9: I like to play that for y'all us.

1727
01:22:18,640 --> 01:22:22,599
Speaker 1: When does it come out? The soundtrack went up next month,

1728
01:22:23,560 --> 01:22:24,360
Speaker 1: the next month.

1729
01:22:24,200 --> 01:22:24,599
Speaker 9: Of to be Out.

1730
01:22:29,040 --> 01:22:31,240
Speaker 4: It's it's not. I don't know he was. I think

1731
01:22:31,280 --> 01:22:34,320
Speaker 4: he was one D Dre's camp, but nocturnal. Is he still?

1732
01:22:35,920 --> 01:22:37,680
Speaker 7: I heard from him minute minute? Yeah, he was, Uh

1733
01:22:37,760 --> 01:22:39,760
Speaker 7: what with the circle? You know he was in the crew,

1734
01:22:40,320 --> 01:22:41,880
Speaker 7: but I ain't heard from him in a minute. You know,

1735
01:22:42,200 --> 01:22:43,760
Speaker 7: this is the one wild West you got to stay

1736
01:22:43,760 --> 01:22:44,320
Speaker 7: in at the winning.

1737
01:22:45,760 --> 01:22:47,760
Speaker 11: I just ask, at what point in your career did

1738
01:22:47,800 --> 01:22:51,719
Speaker 11: you know that you could sell things to all of America?

1739
01:22:51,800 --> 01:22:54,320
Speaker 12: Like it was a point where you crossed over white people. Yeah,

1740
01:22:54,400 --> 01:22:54,960
Speaker 12: to white people.

1741
01:22:54,960 --> 01:22:57,840
Speaker 1: What was like, how did you get Martha Stewart's trust?

1742
01:22:58,200 --> 01:22:58,400
Speaker 4: Yeah?

1743
01:23:00,080 --> 01:23:05,840
Speaker 11: Start, but yeah, beforet it was before all of that though.

1744
01:23:05,880 --> 01:23:08,479
Speaker 12: It was before Martha Stewart. It's been for a while now,

1745
01:23:08,520 --> 01:23:08,920
Speaker 12: you've been in.

1746
01:23:08,920 --> 01:23:12,800
Speaker 13: The Charisma goes a long ass way.

1747
01:23:13,360 --> 01:23:15,960
Speaker 1: Most charismatic people aren't talented.

1748
01:23:16,200 --> 01:23:16,920
Speaker 12: But it must have been.

1749
01:23:17,320 --> 01:23:19,360
Speaker 11: It must have been a point though where you were like, ship,

1750
01:23:19,720 --> 01:23:21,880
Speaker 11: look at this, they're paying attention, and they gonna let

1751
01:23:21,920 --> 01:23:23,080
Speaker 11: me sell this to everybody.

1752
01:23:23,680 --> 01:23:25,800
Speaker 7: You know, whatever it was, it's like you don't never

1753
01:23:25,880 --> 01:23:29,240
Speaker 7: realize until it actually happens, Like because you don't. Nobody

1754
01:23:29,320 --> 01:23:32,160
Speaker 7: really watches their highlights while they playing the game, you know,

1755
01:23:32,960 --> 01:23:38,640
Speaker 7: like true superstars, they don't really you know, look at that.

1756
01:23:38,720 --> 01:23:41,320
Speaker 7: They're too busy trying to get more highlights. And then

1757
01:23:41,360 --> 01:23:42,599
Speaker 7: at the end of the day, then I'll be able

1758
01:23:42,600 --> 01:23:44,960
Speaker 7: to look back and say, Wow, I didn't realize I

1759
01:23:45,120 --> 01:23:46,760
Speaker 7: was doing X, Y, and Z. Right now, I'm just

1760
01:23:46,840 --> 01:23:49,600
Speaker 7: doing me and all the opportunities that that happen to

1761
01:23:49,680 --> 01:23:52,080
Speaker 7: fall my direction, I try to make the most of

1762
01:23:52,160 --> 01:23:54,919
Speaker 7: them and try to put things together that are gonna.

1763
01:23:54,680 --> 01:23:55,479
Speaker 9: Be here for the future.

1764
01:23:55,520 --> 01:23:57,320
Speaker 7: I had like stages of my life when I didn't

1765
01:23:57,320 --> 01:23:59,800
Speaker 7: really give a fuck about the future, and I feel

1766
01:23:59,840 --> 01:24:01,880
Speaker 7: like those moments are see many and they mean a

1767
01:24:01,960 --> 01:24:04,880
Speaker 7: lot because they helped raise people and they helped cement

1768
01:24:05,080 --> 01:24:06,680
Speaker 7: who I was and how I'm supposed to do it.

1769
01:24:07,200 --> 01:24:09,280
Speaker 7: Then his stages in my life where was like I

1770
01:24:09,360 --> 01:24:12,720
Speaker 7: gotta mean something. I gotta like give some information and

1771
01:24:12,840 --> 01:24:15,680
Speaker 7: direction because now I'm on the on the level of

1772
01:24:16,080 --> 01:24:18,560
Speaker 7: one who has that, and I shouldn't be selfish and

1773
01:24:18,640 --> 01:24:19,719
Speaker 7: try to keep it to myself.

1774
01:24:21,080 --> 01:24:23,080
Speaker 4: How long did Jun Pharrell work on the Bush album?

1775
01:24:23,640 --> 01:24:25,479
Speaker 4: I love that recormend and I don't know.

1776
01:24:26,520 --> 01:24:30,439
Speaker 9: What Bruno Moore's album. It sounded just like.

1777
01:24:33,439 --> 01:24:36,840
Speaker 7: Now that's sound like a the Spruntle nigadamous front Now

1778
01:24:36,920 --> 01:24:38,960
Speaker 7: Bruno Moore shout out to Bruno for writing a young,

1779
01:24:39,040 --> 01:24:41,960
Speaker 7: Wild and Free and not wanting no credit.

1780
01:24:42,439 --> 01:24:43,360
Speaker 4: Oh he wrote that one.

1781
01:24:43,520 --> 01:24:46,080
Speaker 9: Yeah, wow mm hmm.

1782
01:24:46,120 --> 01:24:49,840
Speaker 7: He was going through some things judicially, So we worked

1783
01:24:49,880 --> 01:24:51,519
Speaker 7: it out to where I wrote it and you know

1784
01:24:51,720 --> 01:24:52,360
Speaker 7: he wrote it it.

1785
01:24:52,720 --> 01:24:55,519
Speaker 1: Wait, I forgot we did that together. Yeah, you came

1786
01:24:55,600 --> 01:24:58,160
Speaker 1: to the show. It was Bruno back when I knew

1787
01:24:58,160 --> 01:24:58,840
Speaker 1: who Bruno was.

1788
01:24:58,960 --> 01:25:03,519
Speaker 7: Yes, know you and uh yeah, see quest I forgot

1789
01:25:04,080 --> 01:25:05,200
Speaker 7: every nigga, Yeah.

1790
01:25:05,280 --> 01:25:05,719
Speaker 1: I forgot.

1791
01:25:05,880 --> 01:25:07,880
Speaker 4: It's like, what's your name?

1792
01:25:07,960 --> 01:25:08,240
Speaker 1: Bruno?

1793
01:25:08,439 --> 01:25:09,880
Speaker 13: Okay, nice to meet you.

1794
01:25:10,400 --> 01:25:14,200
Speaker 7: Now look at him, now, who are you? Nigga?

1795
01:25:14,200 --> 01:25:15,000
Speaker 4: Who is your right?

1796
01:25:16,320 --> 01:25:21,400
Speaker 6: On the California Road joint with Stevie watched it, Watch

1797
01:25:21,479 --> 01:25:21,760
Speaker 6: this moment.

1798
01:25:21,800 --> 01:25:24,680
Speaker 7: I got tell you the moment first, so we're up

1799
01:25:24,720 --> 01:25:27,160
Speaker 7: there with the music right. First of all, he made

1800
01:25:27,200 --> 01:25:30,840
Speaker 7: the song the school Boy Q, school Boy the school

1801
01:25:30,840 --> 01:25:32,759
Speaker 7: Boy Q that morning. It was for like a remix

1802
01:25:33,040 --> 01:25:35,439
Speaker 7: or something. He didn't morning I heard, I was like, Nigga,

1803
01:25:35,439 --> 01:25:37,519
Speaker 7: I need that nigga. That shit hard give me that.

1804
01:25:37,800 --> 01:25:40,040
Speaker 7: I'm a sing and I'm gonna have my nigga, James

1805
01:25:40,080 --> 01:25:41,360
Speaker 7: Fundroy write my verses.

1806
01:25:41,439 --> 01:25:43,600
Speaker 9: So that way I got some some melody about it.

1807
01:25:44,080 --> 01:25:46,920
Speaker 7: So then I'm listening to Pharaal saying, I'm like, so

1808
01:25:47,040 --> 01:25:48,920
Speaker 7: now we're in the studio, I'm smoking.

1809
01:25:49,000 --> 01:25:50,559
Speaker 9: I'm like, we need to get Stevie one on.

1810
01:25:50,640 --> 01:25:53,640
Speaker 7: This mother, Like you got his number? Like, yeah, I

1811
01:25:53,680 --> 01:25:57,880
Speaker 7: got the nigga number. Nigga. Hold on, Stevie, what's hadding it?

1812
01:25:58,400 --> 01:25:58,559
Speaker 5: Hey?

1813
01:25:58,800 --> 01:26:01,120
Speaker 7: Hey, I need you have to studio, nigga. What you're doing?

1814
01:26:01,160 --> 01:26:01,280
Speaker 1: Man?

1815
01:26:01,280 --> 01:26:02,760
Speaker 7: I got to hit record with me and forhar Real.

1816
01:26:03,240 --> 01:26:07,120
Speaker 7: I'll be right there. Stevie comes to the studio. Now,

1817
01:26:07,439 --> 01:26:09,519
Speaker 7: mind you, me and Pharreal in the studio were smoking.

1818
01:26:09,720 --> 01:26:12,040
Speaker 7: He ain't smoking, but we smoking. He right next to us.

1819
01:26:12,040 --> 01:26:13,840
Speaker 13: He's smoking him out the fuck out.

1820
01:26:18,400 --> 01:26:19,920
Speaker 9: So now Stevie get there, right.

1821
01:26:20,479 --> 01:26:22,800
Speaker 7: So Stevie listening to the record in the in the

1822
01:26:22,960 --> 01:26:24,639
Speaker 7: in the room with us. Then he going to booth.

1823
01:26:25,680 --> 01:26:27,760
Speaker 7: So he in there f the sing. He got his

1824
01:26:27,840 --> 01:26:29,960
Speaker 7: head fus on. He's singing, and I'm like, for real,

1825
01:26:30,040 --> 01:26:33,360
Speaker 7: tell him what to do and for real, like m

1826
01:26:35,360 --> 01:26:38,519
Speaker 7: I said, because Stevie, been in there for five minutes,

1827
01:26:38,560 --> 01:26:40,360
Speaker 7: cause you ain't told cause nothing. He just sitting in

1828
01:26:40,439 --> 01:26:43,360
Speaker 7: the booth for like five minutes. I'm like, first of all,

1829
01:26:43,439 --> 01:26:45,160
Speaker 7: somebody need to go in there for that nigga fall.

1830
01:26:48,080 --> 01:26:48,920
Speaker 7: So he don't say that.

1831
01:26:49,040 --> 01:26:50,960
Speaker 9: I'm like, cud tell the nigga what to do because

1832
01:26:51,000 --> 01:26:51,880
Speaker 9: so he don't say nothing.

1833
01:26:51,880 --> 01:26:55,320
Speaker 7: So he pushed the little thing I said Stevie Pharrell said,

1834
01:26:56,320 --> 01:26:58,439
Speaker 7: sing on this part and sing on that part.

1835
01:26:58,560 --> 01:26:59,479
Speaker 9: So he started singing.

1836
01:27:00,320 --> 01:27:02,240
Speaker 7: He doing this thing, and I'm like, for real, tell

1837
01:27:02,280 --> 01:27:04,320
Speaker 7: the nigga be comes. This ain't my expertise. I don't

1838
01:27:04,320 --> 01:27:06,559
Speaker 7: do all that. But niggas is saying, I just sit

1839
01:27:06,640 --> 01:27:08,280
Speaker 7: back and watch nigga. You're suposed to telling him to

1840
01:27:08,320 --> 01:27:11,479
Speaker 7: do the runs. And this nigga, for real, just sitting

1841
01:27:11,520 --> 01:27:12,360
Speaker 7: there stuck.

1842
01:27:13,800 --> 01:27:14,599
Speaker 9: Some of the coaching.

1843
01:27:14,640 --> 01:27:16,160
Speaker 7: Stevie. I'm like, I know, I'm for the fuck this

1844
01:27:16,280 --> 01:27:18,519
Speaker 7: song all right, Stephen, When you get you this part,

1845
01:27:18,560 --> 01:27:23,559
Speaker 7: need you to go. And then Steven did you bring

1846
01:27:23,640 --> 01:27:24,280
Speaker 7: your harmonica?

1847
01:27:24,720 --> 01:27:25,000
Speaker 4: Wow?

1848
01:27:25,439 --> 01:27:28,160
Speaker 7: Did you bring it? Pull it out? All right, Stevie,

1849
01:27:28,240 --> 01:27:31,160
Speaker 7: just play anything you want. When Pharrell gets sober, we're

1850
01:27:31,160 --> 01:27:35,719
Speaker 7: gonna take the best part. And that's how that motherfucker

1851
01:27:35,800 --> 01:27:38,720
Speaker 7: song came about. I ain't making this ship up.

1852
01:27:39,280 --> 01:27:40,880
Speaker 4: Thank you over, I love it.

1853
01:27:41,280 --> 01:27:42,519
Speaker 13: I love it too, Thank you, thank you.

1854
01:27:42,880 --> 01:27:45,320
Speaker 12: Can I ask one week question? Okay, yeah, because I

1855
01:27:45,360 --> 01:27:46,559
Speaker 12: got a few, so listen.

1856
01:27:47,040 --> 01:27:50,200
Speaker 7: First of all, that's not like a black woman. Can

1857
01:27:50,240 --> 01:27:52,679
Speaker 7: I asked one week question there because I got a few.

1858
01:27:53,080 --> 01:27:54,400
Speaker 11: Well, I wanted to go back to my roll call

1859
01:27:54,439 --> 01:27:56,200
Speaker 11: because I was serious about this question because it's been

1860
01:27:56,240 --> 01:27:58,280
Speaker 11: like some documentaries and some studies and whatnot, and I

1861
01:27:58,360 --> 01:28:00,559
Speaker 11: wanted to know your opinion on what people are saying

1862
01:28:00,560 --> 01:28:03,160
Speaker 11: about the Indica versus s Tativa and saying that it's

1863
01:28:03,479 --> 01:28:05,600
Speaker 11: it's all bullshit, Like where are you with that?

1864
01:28:05,760 --> 01:28:05,920
Speaker 4: Well?

1865
01:28:05,920 --> 01:28:08,639
Speaker 7: I think that sativa is for certain people and Indicas

1866
01:28:08,680 --> 01:28:11,000
Speaker 7: for certain people. That's whatever you make it is. It's

1867
01:28:11,040 --> 01:28:14,760
Speaker 7: like some people like gins, some people like uh whiskey, some.

1868
01:28:14,800 --> 01:28:17,320
Speaker 13: People like bring it down to like a kindergarten.

1869
01:28:17,240 --> 01:28:22,080
Speaker 7: To versus Indica is for the aggressive, for the ones

1870
01:28:22,200 --> 01:28:23,720
Speaker 7: like myself, the ones who've been doing it for a

1871
01:28:23,800 --> 01:28:26,519
Speaker 7: long time. We need like a high tolerance who looking

1872
01:28:26,560 --> 01:28:30,439
Speaker 7: for the highest level of getting there. Sativa is more

1873
01:28:30,439 --> 01:28:33,080
Speaker 7: of a female relaxation.

1874
01:28:33,439 --> 01:28:33,600
Speaker 4: You know.

1875
01:28:33,920 --> 01:28:36,840
Speaker 12: To me down, I never heard it described.

1876
01:28:37,680 --> 01:28:39,600
Speaker 9: It's real. I don't see a lot of niggas that

1877
01:28:39,760 --> 01:28:41,840
Speaker 9: be like, you want to hit this sativa.

1878
01:28:43,120 --> 01:28:45,000
Speaker 7: Damn so fast?

1879
01:28:46,760 --> 01:28:48,519
Speaker 9: You got a flower with that too, nigga.

1880
01:28:48,920 --> 01:28:50,880
Speaker 11: But the word is that it's not real. The concept

1881
01:28:50,960 --> 01:28:52,400
Speaker 11: is not real. That's what I was saying. The word

1882
01:28:52,479 --> 01:28:54,679
Speaker 11: is that the concept is not real. And some bullshit

1883
01:28:54,880 --> 01:28:57,840
Speaker 11: Indica and different so that that is.

1884
01:28:57,960 --> 01:29:01,759
Speaker 7: Very real because they're two different and strange. They're two different.

1885
01:29:01,800 --> 01:29:03,800
Speaker 7: How would I explain that, Frank? What are they two different?

1886
01:29:03,840 --> 01:29:09,599
Speaker 4: What I want to make you want to go to sleep,

1887
01:29:09,640 --> 01:29:10,880
Speaker 4: the other one will keep you up eating.

1888
01:29:11,439 --> 01:29:15,880
Speaker 7: Yes, it's like like a relax like Sativa is more

1889
01:29:16,000 --> 01:29:20,479
Speaker 7: like connected with medical you know, because it's the yeah, exactly.

1890
01:29:20,560 --> 01:29:23,880
Speaker 7: And then the Indicas like the party ship where all

1891
01:29:23,920 --> 01:29:25,960
Speaker 7: the rappers and you know what I'm saying, the high

1892
01:29:26,080 --> 01:29:27,599
Speaker 7: energy and you got ship to do when you're trying

1893
01:29:27,640 --> 01:29:28,160
Speaker 7: to get it done.

1894
01:29:28,200 --> 01:29:29,719
Speaker 9: And you know what I'm saying I've.

1895
01:29:29,560 --> 01:29:31,320
Speaker 6: Heard what I've heard described, and I don't know if

1896
01:29:31,320 --> 01:29:34,000
Speaker 6: it's in different strains within them, but like one is

1897
01:29:34,080 --> 01:29:36,880
Speaker 6: like a body high and one is overhead high. So

1898
01:29:37,000 --> 01:29:39,040
Speaker 6: which one would you recommend, like for pain, like for

1899
01:29:39,400 --> 01:29:41,439
Speaker 6: like joints off writers out that kind of ship, which

1900
01:29:41,479 --> 01:29:42,400
Speaker 6: one words better for pain?

1901
01:29:43,120 --> 01:29:44,680
Speaker 9: You would have to be prescribed. I would go to

1902
01:29:44,760 --> 01:29:46,400
Speaker 9: a real, real ship.

1903
01:29:46,560 --> 01:29:48,280
Speaker 4: You could go to a real yeah.

1904
01:29:48,200 --> 01:29:50,360
Speaker 9: Dispecially and go see a real doctor and they'll tell

1905
01:29:50,400 --> 01:29:51,240
Speaker 9: you exactly.

1906
01:29:50,960 --> 01:29:54,280
Speaker 4: What rub some tossing on it? Are you?

1907
01:29:54,520 --> 01:29:57,120
Speaker 1: Are you looking to get into the dispensary games?

1908
01:29:57,160 --> 01:29:57,400
Speaker 7: That's what?

1909
01:29:58,120 --> 01:30:01,040
Speaker 12: No, not that game you That's what I was gonna say.

1910
01:30:01,040 --> 01:30:02,840
Speaker 12: How invested are you in that? In that game?

1911
01:30:03,120 --> 01:30:06,679
Speaker 7: Snow premium nutrients, That's what I was going to speak

1912
01:30:06,720 --> 01:30:09,000
Speaker 7: about that. Just think about what a nutrient is. A

1913
01:30:09,080 --> 01:30:13,280
Speaker 7: nutrient is what you need to grow the flower. So

1914
01:30:13,680 --> 01:30:21,880
Speaker 7: everyone who grows flowers, I know.

1915
01:30:22,120 --> 01:30:23,360
Speaker 12: Some genius you was gonna drop.

1916
01:30:24,880 --> 01:30:25,439
Speaker 7: I don't want to.

1917
01:30:28,280 --> 01:30:28,719
Speaker 1: Stadium.

1918
01:30:29,080 --> 01:30:30,880
Speaker 7: I don't want to be the grass that they playing

1919
01:30:31,000 --> 01:30:31,519
Speaker 7: on man.

1920
01:30:34,160 --> 01:30:34,800
Speaker 1: That every night.

1921
01:30:35,880 --> 01:30:37,439
Speaker 7: I can't play the game without grass.

1922
01:30:39,280 --> 01:30:41,400
Speaker 13: Just wow, you just give me food for thought.

1923
01:30:42,400 --> 01:30:44,160
Speaker 7: Yeah, go that direction. You know what I'm saying, because

1924
01:30:44,479 --> 01:30:48,960
Speaker 7: I can trying to everybody because it's a race horse?

1925
01:30:49,120 --> 01:30:52,080
Speaker 9: Is it public to get to the pinnacle of I

1926
01:30:52,160 --> 01:30:53,600
Speaker 9: got the best product. I'm doing this.

1927
01:30:53,720 --> 01:30:56,880
Speaker 7: I'm in this industry. But it's like alcohol. This probably

1928
01:30:56,880 --> 01:30:59,840
Speaker 7: happened when alcohol was pro prohibition. When it became what

1929
01:31:00,000 --> 01:31:03,200
Speaker 7: I were legal, it was probably sixteen seventeen different brands

1930
01:31:03,240 --> 01:31:06,280
Speaker 7: that was competing, and then there were seagums. Then there

1931
01:31:06,439 --> 01:31:08,519
Speaker 7: was you know, certain motherfuckers that just pushed out the

1932
01:31:08,560 --> 01:31:11,679
Speaker 7: way like there were just four exactly like, ain't nothing

1933
01:31:11,680 --> 01:31:13,519
Speaker 7: had any y'all can't fuck with this because we thinking

1934
01:31:13,600 --> 01:31:14,960
Speaker 7: way further than y'all.

1935
01:31:15,160 --> 01:31:16,080
Speaker 9: The product is better and.

1936
01:31:16,160 --> 01:31:16,720
Speaker 4: We do it better.

1937
01:31:16,840 --> 01:31:18,080
Speaker 12: Can you advise for the middle man?

1938
01:31:18,120 --> 01:31:20,639
Speaker 11: Because literally, my my mother was like she really wants

1939
01:31:20,640 --> 01:31:22,240
Speaker 11: to invest in the marijuana industry.

1940
01:31:22,280 --> 01:31:24,160
Speaker 9: And tell Mama and I'll let me give me a

1941
01:31:24,160 --> 01:31:25,240
Speaker 9: few dollars. I'll give a nice look.

1942
01:31:25,360 --> 01:31:26,920
Speaker 12: Yoh, okay, all right, I got you.

1943
01:31:26,960 --> 01:31:30,160
Speaker 7: All right, then Mama double up pack to get it going.

1944
01:31:31,040 --> 01:31:34,880
Speaker 7: I got to ask bones, Yeah, what was it like

1945
01:31:34,960 --> 01:31:40,639
Speaker 7: shooting at when I When I got the role Ernest Dickerson,

1946
01:31:40,920 --> 01:31:45,519
Speaker 7: he was like Pam gres signed on and I was like, yeah,

1947
01:31:45,800 --> 01:31:46,960
Speaker 7: you know, I'm cool as a motherfucker.

1948
01:31:47,040 --> 01:31:47,200
Speaker 10: Yeah.

1949
01:31:47,320 --> 01:31:50,080
Speaker 9: So he like, I got y'all flight together.

1950
01:31:50,200 --> 01:31:52,120
Speaker 7: They y'all gonna fly in so that way y'all can,

1951
01:31:52,200 --> 01:31:54,320
Speaker 7: you know, get acquainted because there's a lot of scenes

1952
01:31:54,360 --> 01:31:56,160
Speaker 7: that y'all got together. I'm like, all right, cool, bamn,

1953
01:31:56,240 --> 01:31:59,479
Speaker 7: grand nigga do this shit. Nigga flying to first go,

1954
01:32:00,280 --> 01:32:03,479
Speaker 7: she flying the fresh Go. I'm sitting down. She come

1955
01:32:03,560 --> 01:32:05,720
Speaker 7: behind me and tap me on the shoulder and I

1956
01:32:05,800 --> 01:32:08,400
Speaker 7: look back and I'm like, damn cause it's Pam Grid.

1957
01:32:12,680 --> 01:32:15,360
Speaker 7: So I'm like I look at her, give her hug,

1958
01:32:15,439 --> 01:32:17,080
Speaker 7: and she like chopping it up with me for a minute.

1959
01:32:17,080 --> 01:32:20,679
Speaker 7: I'm like, all right, I go to the bathroom. Nigga

1960
01:32:20,840 --> 01:32:22,080
Speaker 7: just faint, just.

1961
01:32:22,160 --> 01:32:23,920
Speaker 9: Fall out, boom, right on the floor.

1962
01:32:24,479 --> 01:32:26,160
Speaker 7: I'm laid on the floor for like five minutes.

1963
01:32:26,240 --> 01:32:27,840
Speaker 9: My security coming in, like, nigga, get off there.

1964
01:32:28,120 --> 01:32:34,280
Speaker 6: Literally, nigga for real, metaphorically, Nigga, I got a heap niggas.

1965
01:32:34,360 --> 01:32:35,320
Speaker 7: I've seen Pam.

1966
01:32:37,960 --> 01:32:40,000
Speaker 13: Nigga said, It's like when I saw Janet Jackson.

1967
01:32:41,040 --> 01:32:41,760
Speaker 7: Nigga went limp.

1968
01:32:41,840 --> 01:32:42,080
Speaker 5: Nigga.

1969
01:32:43,800 --> 01:32:45,760
Speaker 7: Niggas come grab me off the floor. They throwing water

1970
01:32:45,800 --> 01:32:48,200
Speaker 7: and shit on the niggas. So I regroup and Nigga

1971
01:32:48,280 --> 01:32:51,360
Speaker 7: are a flight. We sitting side by side the whole flight, Nigga,

1972
01:32:51,400 --> 01:32:53,880
Speaker 7: my heart beating like ninety go West, and she just

1973
01:32:54,000 --> 01:32:56,280
Speaker 7: chopping up with me, just being so real. She makes

1974
01:32:56,360 --> 01:32:59,280
Speaker 7: me comfortable, like this is one of the only motherfuckers

1975
01:32:59,360 --> 01:33:01,800
Speaker 7: ever been like struck around because I'm like, I got

1976
01:33:01,880 --> 01:33:04,200
Speaker 7: scenes whatever, I gotta catch her, and I gotta so

1977
01:33:04,240 --> 01:33:06,720
Speaker 7: I'm getting nervous and shit like. But then she like

1978
01:33:06,880 --> 01:33:10,679
Speaker 7: break me all the way down and she like, call

1979
01:33:10,760 --> 01:33:12,640
Speaker 7: your wife for me when we land, and then she

1980
01:33:12,760 --> 01:33:14,439
Speaker 7: how let my wife when I land. I'm like, this

1981
01:33:14,600 --> 01:33:18,320
Speaker 7: is a real fucking queen devil right here, you hear me?

1982
01:33:19,560 --> 01:33:21,040
Speaker 7: And it just put me in his zone where I

1983
01:33:21,160 --> 01:33:23,320
Speaker 7: was like, all right, cool and I went to set

1984
01:33:23,600 --> 01:33:25,760
Speaker 7: and then Ricky Harris was there rest in peace.

1985
01:33:26,160 --> 01:33:26,360
Speaker 4: Yeah.

1986
01:33:26,760 --> 01:33:28,960
Speaker 7: He made my job real easy because he had already

1987
01:33:29,000 --> 01:33:31,360
Speaker 7: been on many movie sets and he was just like,

1988
01:33:31,520 --> 01:33:34,679
Speaker 7: Nigga killed this shit, Nigga like we used to do. Nigga,

1989
01:33:34,760 --> 01:33:37,800
Speaker 7: fuck that, nigga, you know, giving me that confidence, like Nigga,

1990
01:33:37,800 --> 01:33:39,560
Speaker 7: you the league, Nigga, you to start Nigga. And it

1991
01:33:39,680 --> 01:33:42,160
Speaker 7: was like I needed that, not in the cocky way,

1992
01:33:42,200 --> 01:33:44,479
Speaker 7: but I needed that in a confident way.

1993
01:33:44,640 --> 01:33:46,840
Speaker 4: You talk about Ricky Man, because I didn't really know

1994
01:33:47,200 --> 01:33:49,120
Speaker 4: much about him, but I know he was. I mean

1995
01:33:49,200 --> 01:33:50,560
Speaker 4: we knew him from their comedy.

1996
01:33:50,320 --> 01:33:52,479
Speaker 7: Jam and like he was like on all the skits

1997
01:33:52,680 --> 01:33:54,200
Speaker 7: and the voice from the w Ball.

1998
01:33:55,320 --> 01:33:57,880
Speaker 4: Yeah, what was Ricky like? Man working with him?

1999
01:33:58,160 --> 01:34:02,960
Speaker 7: Funny, real, serious, Like My whole childhood was put him

2000
01:34:02,960 --> 01:34:04,840
Speaker 7: in church. His father was the preacher of our church,

2001
01:34:05,080 --> 01:34:10,840
Speaker 7: Reverend Richard George has the Fund. Ricky was always athletic.

2002
01:34:11,000 --> 01:34:14,240
Speaker 7: He taught me how to play quarterback in nineteen seventy

2003
01:34:14,320 --> 01:34:16,040
Speaker 7: nine behind revend Vin's house.

2004
01:34:16,760 --> 01:34:18,679
Speaker 9: He was funny in church.

2005
01:34:18,800 --> 01:34:21,840
Speaker 7: He was he could sing, He was like all this,

2006
01:34:22,120 --> 01:34:25,000
Speaker 7: all the things that you see me doing, it had

2007
01:34:25,000 --> 01:34:27,360
Speaker 7: to be somebody you've seen doing it first. He was

2008
01:34:27,400 --> 01:34:32,520
Speaker 7: probably the first person I seen doing the do you know, multitasking,

2009
01:34:32,640 --> 01:34:35,400
Speaker 7: being funny, being real, being an athlete, being this, being that,

2010
01:34:36,120 --> 01:34:38,120
Speaker 7: you know what I'm saying. So it was like when

2011
01:34:38,160 --> 01:34:41,080
Speaker 7: he made it, we made it. Then he got on

2012
01:34:41,160 --> 01:34:42,200
Speaker 7: ice Cube album.

2013
01:34:41,960 --> 01:34:44,880
Speaker 4: First and he was.

2014
01:34:47,000 --> 01:34:56,240
Speaker 1: Ice That was Ricky. I did not know that.

2015
01:34:57,000 --> 01:34:58,680
Speaker 7: So when I hear that, I'm like, Nigga, I need

2016
01:34:58,800 --> 01:35:02,439
Speaker 7: you on my ship, Nigga for our radio station w Ball.

2017
01:35:04,000 --> 01:35:06,720
Speaker 7: He just handled it from there. But like even from

2018
01:35:06,920 --> 01:35:09,800
Speaker 7: just being kids to us making it, it was a

2019
01:35:09,880 --> 01:35:12,200
Speaker 7: comfort zone working with him, like whenever I would have

2020
01:35:12,320 --> 01:35:14,400
Speaker 7: him around, like he would be in a lot of

2021
01:35:14,439 --> 01:35:17,360
Speaker 7: the writing, like when I had my show Doggie Fillers

2022
01:35:17,439 --> 01:35:19,559
Speaker 7: and all that shit. He was one of the writers,

2023
01:35:19,640 --> 01:35:21,639
Speaker 7: and like I would always bring him to the job,

2024
01:35:21,760 --> 01:35:23,280
Speaker 7: like to be one of the niggas behind the scenes

2025
01:35:23,320 --> 01:35:26,200
Speaker 7: with that pen because he knew me, like a lot

2026
01:35:26,240 --> 01:35:27,680
Speaker 7: of them writers in Hollywood didn't know me.

2027
01:35:27,720 --> 01:35:29,000
Speaker 9: They just was writing bullshit.

2028
01:35:29,280 --> 01:35:30,840
Speaker 7: We think this will be funny if you say this,

2029
01:35:31,280 --> 01:35:32,519
Speaker 7: and I need a nigga in a room, But like

2030
01:35:32,520 --> 01:35:36,400
Speaker 7: that nigga ain't gonna say that. You know what I'm saying,

2031
01:35:36,520 --> 01:35:38,280
Speaker 7: Like you need that kind of motherfuck in the room?

2032
01:35:39,000 --> 01:35:42,639
Speaker 6: Did you improvise the line fuck your fort little nigga

2033
01:35:43,000 --> 01:35:43,679
Speaker 6: and baby boy?

2034
01:35:44,360 --> 01:35:45,400
Speaker 9: You know that ship wasn't.

2035
01:35:50,120 --> 01:35:50,280
Speaker 1: Yo.

2036
01:35:50,560 --> 01:35:52,439
Speaker 4: That is like you know me and my boys, we

2037
01:35:52,560 --> 01:35:54,280
Speaker 4: played bad and this ship whoever got.

2038
01:35:56,320 --> 01:35:57,320
Speaker 1: That pot?

2039
01:35:57,439 --> 01:35:57,640
Speaker 4: That was.

2040
01:36:00,400 --> 01:36:01,439
Speaker 13: So thank you for calling that.

2041
01:36:01,520 --> 01:36:07,639
Speaker 1: It's so much you've given to the game, every roots argument.

2042
01:36:12,360 --> 01:36:14,360
Speaker 9: You know what I was talking to Max is Julian right,

2043
01:36:14,520 --> 01:36:16,800
Speaker 9: and Max, this is my nigga, right, here. I love

2044
01:36:16,880 --> 01:36:17,320
Speaker 9: him to death.

2045
01:36:17,479 --> 01:36:17,679
Speaker 4: Mac.

2046
01:36:17,840 --> 01:36:20,280
Speaker 9: So we're talking about the Mac, right, and he's like, yeah, man,

2047
01:36:20,320 --> 01:36:21,640
Speaker 9: you know what, So Richard.

2048
01:36:21,439 --> 01:36:23,600
Speaker 7: Man, we get to the set the director, because the

2049
01:36:23,600 --> 01:36:26,360
Speaker 7: director was a white dude named Michael Campus, You're like, yeah,

2050
01:36:26,479 --> 01:36:28,160
Speaker 7: so the white boy, you know, trying to tell Richard

2051
01:36:28,200 --> 01:36:30,320
Speaker 7: what to do. Richard like, white boy, you can't tell

2052
01:36:30,360 --> 01:36:35,120
Speaker 7: me a motherfucking thing. I write my own mother fucking line,

2053
01:36:35,640 --> 01:36:37,560
Speaker 7: he said. So Richard did all his lines. You know,

2054
01:36:37,640 --> 01:36:39,519
Speaker 7: he wrote his own ship. Your nigga. I couldn't tell

2055
01:36:39,560 --> 01:36:40,000
Speaker 7: him nothing.

2056
01:36:40,320 --> 01:36:42,960
Speaker 9: So when you watch the Mac, know that that nigga.

2057
01:36:43,120 --> 01:36:46,840
Speaker 7: Every line he did in there was his. Wow, he

2058
01:36:47,040 --> 01:36:47,920
Speaker 7: wasn't having it.

2059
01:36:48,800 --> 01:36:50,720
Speaker 4: But what was it like with John Singles and man?

2060
01:36:50,760 --> 01:36:52,840
Speaker 4: How how did it all go? Man?

2061
01:36:52,960 --> 01:36:55,280
Speaker 7: John is a dear friend. He's been with us for

2062
01:36:55,360 --> 01:36:58,320
Speaker 7: a long time. He was like always supportive of the

2063
01:36:58,360 --> 01:36:59,920
Speaker 7: two one three movement. He was one of the people

2064
01:37:00,040 --> 01:37:01,639
Speaker 7: I really wanted to do a two one three movie

2065
01:37:01,720 --> 01:37:03,880
Speaker 7: back in the days. Like he was really into what

2066
01:37:03,960 --> 01:37:06,760
Speaker 7: we was doing. Remember he gave warn g that shot,

2067
01:37:06,800 --> 01:37:10,800
Speaker 7: would you know with the first say yeah, put him on.

2068
01:37:11,439 --> 01:37:13,800
Speaker 7: You know what I'm saying. So working with him is

2069
01:37:13,840 --> 01:37:17,559
Speaker 7: like it's so easy. But he's so professional. So it's

2070
01:37:17,680 --> 01:37:21,680
Speaker 7: like you're getting you're getting your comfort zone. But at

2071
01:37:21,720 --> 01:37:24,759
Speaker 7: the same time, this motherfucker's professional. You know when he finished,

2072
01:37:24,760 --> 01:37:26,560
Speaker 7: but you're gonna look amazing. You know, it's gonna be

2073
01:37:26,560 --> 01:37:28,760
Speaker 7: a part of something that's a story. So you really

2074
01:37:28,800 --> 01:37:30,719
Speaker 7: want to follow his direction. A lot of the things

2075
01:37:30,720 --> 01:37:33,240
Speaker 7: that we would do, he would give me direction and

2076
01:37:33,320 --> 01:37:35,400
Speaker 7: he would say, all right, I won't I want to

2077
01:37:35,400 --> 01:37:37,560
Speaker 7: shoot it my way, and then I'm gonna shoot it

2078
01:37:37,680 --> 01:37:38,040
Speaker 7: Joe way.

2079
01:37:38,640 --> 01:37:42,400
Speaker 9: Like what would Rodney do? What will Rodney say?

2080
01:37:43,200 --> 01:37:43,360
Speaker 4: Then?

2081
01:37:43,479 --> 01:37:45,960
Speaker 7: Like he'd say, well, do it this way, say it

2082
01:37:46,080 --> 01:37:47,519
Speaker 7: like this, and then I do it that way. Be

2083
01:37:47,600 --> 01:37:50,639
Speaker 7: like all right, I got that. Now what would Rodney say?

2084
01:37:51,360 --> 01:37:54,000
Speaker 7: H shit, fuck your fort little.

2085
01:37:56,600 --> 01:38:00,760
Speaker 1: Any plans for your biopic of you? Because everyone is

2086
01:38:00,800 --> 01:38:01,880
Speaker 1: doing their biopics now.

2087
01:38:02,160 --> 01:38:04,439
Speaker 7: That's what I wouldn't do. I wouldn't do everyone else.

2088
01:38:04,840 --> 01:38:06,120
Speaker 4: Yeah, man, what happened? Okay?

2089
01:38:06,400 --> 01:38:09,960
Speaker 6: The tupac I just forget the tupop Bob. Why did

2090
01:38:10,040 --> 01:38:13,759
Speaker 6: they have you doing your own voice as the characters?

2091
01:38:13,920 --> 01:38:17,400
Speaker 6: You think that's what it sounds just like you think

2092
01:38:17,680 --> 01:38:21,719
Speaker 6: it was printed somewhere about you post that Oh.

2093
01:38:24,160 --> 01:38:24,759
Speaker 7: That Google?

2094
01:38:32,520 --> 01:38:35,040
Speaker 12: Can I can I ask the quick John Singleton questions.

2095
01:38:35,080 --> 01:38:35,479
Speaker 4: You want to know.

2096
01:38:35,600 --> 01:38:37,680
Speaker 12: Since you mentioned John, I want to see what you

2097
01:38:37,720 --> 01:38:38,920
Speaker 12: thought about Snowfall.

2098
01:38:40,280 --> 01:38:48,599
Speaker 7: Franklin is the ship, yes, but can you else Nigga

2099
01:38:48,640 --> 01:38:54,639
Speaker 7: to Snoop Dogg. Hear me, just his train of thoult.

2100
01:38:54,800 --> 01:38:59,720
Speaker 7: He's just the way he This motherfucker is so Snoop Dogg.

2101
01:38:59,760 --> 01:39:01,599
Speaker 7: When I watch him, I wasn't watching it in the beginning.

2102
01:39:01,640 --> 01:39:03,120
Speaker 7: I'm gonna be honest with you. I wouldn't watching him

2103
01:39:03,120 --> 01:39:08,000
Speaker 7: like I don't want to see another in the eighties.

2104
01:39:08,040 --> 01:39:11,559
Speaker 7: I'm tired of this. But the story watching that ship

2105
01:39:11,600 --> 01:39:17,160
Speaker 7: out way, I had to go back and tape season one.

2106
01:39:17,720 --> 01:39:20,120
Speaker 7: Now in season two when I'm like this, Nigga, Franklin

2107
01:39:20,240 --> 01:39:24,240
Speaker 7: is so motherfucking cold blooded with his spiel, his conversation,

2108
01:39:24,520 --> 01:39:26,160
Speaker 7: like he's so snooked.

2109
01:39:26,040 --> 01:39:28,839
Speaker 11: Smart and what do you it's crazy because he's British,

2110
01:39:29,040 --> 01:39:29,880
Speaker 11: Like how you feel about that?

2111
01:39:30,479 --> 01:39:44,720
Speaker 6: Yeah, right, No, he's British, so so in the all

2112
01:39:44,760 --> 01:39:47,040
Speaker 6: eyes on me, that's not how did that happen? Because

2113
01:39:47,080 --> 01:39:49,639
Speaker 6: it sounds like it was you doing the post.

2114
01:39:49,880 --> 01:39:58,080
Speaker 7: Yeah, you have to ask the director and h okay,

2115
01:39:58,600 --> 01:40:01,800
Speaker 7: but I was saying about my fan. Okay, you're always

2116
01:40:01,800 --> 01:40:04,640
Speaker 7: asking about a Snoop dogg bio pick. I'm like, I

2117
01:40:04,720 --> 01:40:06,559
Speaker 7: would never do that for the simple fact that it's

2118
01:40:06,600 --> 01:40:08,759
Speaker 7: been done and I wouldn't want to do what everybody

2119
01:40:08,760 --> 01:40:09,360
Speaker 7: else is doing.

2120
01:40:10,000 --> 01:40:11,840
Speaker 9: But there could be a.

2121
01:40:12,000 --> 01:40:19,160
Speaker 7: Series sort of kind of like Knockos. You understand me

2122
01:40:19,360 --> 01:40:25,640
Speaker 7: based on the life before there and after you know

2123
01:40:25,800 --> 01:40:29,040
Speaker 7: from father in Vietnam sixty eight.

2124
01:40:30,200 --> 01:40:35,880
Speaker 1: Spoiler your childhood, Jimmy, that's amazing, right, Like.

2125
01:40:35,960 --> 01:40:37,880
Speaker 7: That makes more sense for me as supposed to try

2126
01:40:37,920 --> 01:40:41,040
Speaker 7: to squeeze two hours of all of this shit that

2127
01:40:41,120 --> 01:40:43,360
Speaker 7: I'm doing and done and try to make it, you know,

2128
01:40:43,560 --> 01:40:46,040
Speaker 7: worthy of you understanding it and loving it and appreciating

2129
01:40:46,040 --> 01:40:48,639
Speaker 7: it and not offending anyone, because I believe I would

2130
01:40:48,680 --> 01:40:50,760
Speaker 7: leave some things out if I tried to buy it.

2131
01:40:50,880 --> 01:40:53,439
Speaker 1: You might leave some in and then people, right, you

2132
01:40:53,560 --> 01:40:56,080
Speaker 1: know how to starting to tell other people's stories, and right, I.

2133
01:40:56,120 --> 01:40:57,639
Speaker 9: See, I think it's better that way.

2134
01:41:02,240 --> 01:41:03,920
Speaker 4: So Luke, can you give us some marriage hipsfore we

2135
01:41:04,040 --> 01:41:04,559
Speaker 4: roll out month?

2136
01:41:04,880 --> 01:41:09,000
Speaker 7: Oh Man, happy wife, happy life. She's always right, You're

2137
01:41:09,000 --> 01:41:15,559
Speaker 7: always wrong. Your compound name your company and your compound.

2138
01:41:15,640 --> 01:41:21,439
Speaker 7: After make sure that there's constant sufficient funds in her account.

2139
01:41:24,000 --> 01:41:27,760
Speaker 7: True keep the girls to a minimum at work and

2140
01:41:28,160 --> 01:41:28,800
Speaker 7: after work?

2141
01:41:30,080 --> 01:41:32,000
Speaker 12: Can can you talk about what you learned being a

2142
01:41:32,040 --> 01:41:32,880
Speaker 12: father to a daughter.

2143
01:41:33,920 --> 01:41:36,280
Speaker 9: That this world we live in is fast. These girls

2144
01:41:36,400 --> 01:41:37,479
Speaker 9: is hot tailed and fast.

2145
01:41:37,640 --> 01:41:40,720
Speaker 7: Ye love showing they rumps and putting their leg out,

2146
01:41:40,800 --> 01:41:44,040
Speaker 7: taking pictures and winning makeup and trying to be grown.

2147
01:41:44,800 --> 01:41:46,200
Speaker 7: Like you know, I remember when it was the time

2148
01:41:46,240 --> 01:41:47,840
Speaker 7: when you was a teenager. You wanted to be a

2149
01:41:47,880 --> 01:41:50,720
Speaker 7: teenager for a long time. They do because you you

2150
01:41:51,000 --> 01:41:53,920
Speaker 7: enjoy the moment of being a teenager. And now it's like,

2151
01:41:54,120 --> 01:41:56,720
Speaker 7: I can't wait to not be a teenager so I

2152
01:41:56,800 --> 01:41:59,200
Speaker 7: can be grown. And that's from not age nine, ten

2153
01:41:59,280 --> 01:42:02,639
Speaker 7: eleven to go to nineteen. It ain't going from nineteen eleven,

2154
01:42:02,680 --> 01:42:04,960
Speaker 7: twelve thirteen no more. It was like and to have

2155
01:42:05,120 --> 01:42:08,760
Speaker 7: a girl so many influences and so many girls that's

2156
01:42:08,800 --> 01:42:11,000
Speaker 7: doing at her age, younger than her, older than her.

2157
01:42:11,160 --> 01:42:13,200
Speaker 7: So you just try to, you know, raise them the

2158
01:42:13,280 --> 01:42:15,360
Speaker 7: right way and teach them to you know, the ins

2159
01:42:15,400 --> 01:42:17,200
Speaker 7: and outs. But they have their own minds, they do

2160
01:42:17,280 --> 01:42:19,280
Speaker 7: their own thing. You just try to make sure that

2161
01:42:19,720 --> 01:42:22,040
Speaker 7: we did our part like me and Boss like he

2162
01:42:22,120 --> 01:42:24,200
Speaker 7: did our parties for us. Like I was saying, it's

2163
01:42:24,200 --> 01:42:25,920
Speaker 7: only so much you can do when your kid leaves

2164
01:42:25,920 --> 01:42:28,360
Speaker 7: the house, just like you can't overparent. You just got

2165
01:42:28,479 --> 01:42:30,080
Speaker 7: to do your job and pray that you did a

2166
01:42:30,160 --> 01:42:33,280
Speaker 7: great job, and you know the results will be seen

2167
01:42:33,479 --> 01:42:34,320
Speaker 7: in the near future.

2168
01:42:34,680 --> 01:42:36,880
Speaker 6: Who are some of the people that you like when

2169
01:42:36,920 --> 01:42:39,040
Speaker 6: you and your wife will have problems in your marriage

2170
01:42:39,160 --> 01:42:41,640
Speaker 6: or just y y'all have hard times. Who were some

2171
01:42:41,800 --> 01:42:44,280
Speaker 6: of the people that you could talk to to say like, Yo,

2172
01:42:44,400 --> 01:42:46,439
Speaker 6: I'm in this situation, how can you help me?

2173
01:42:46,520 --> 01:42:46,560
Speaker 11: Like?

2174
01:42:46,600 --> 01:42:49,360
Speaker 6: Who was some of the married couples or other couples

2175
01:42:49,400 --> 01:42:51,040
Speaker 6: of just old gg men in the industry or whatever

2176
01:42:51,560 --> 01:42:53,679
Speaker 6: that you could actually talk to about that kind of stuff.

2177
01:42:54,040 --> 01:42:54,160
Speaker 11: Uh?

2178
01:42:54,320 --> 01:42:56,640
Speaker 7: With me, it was probably Charlie Wilson was probably the

2179
01:42:56,680 --> 01:42:58,920
Speaker 7: only one that I could actually talk to for the

2180
01:42:59,000 --> 01:43:03,120
Speaker 7: simple fact that he he loved my wife, my kids. Uh,

2181
01:43:03,240 --> 01:43:05,200
Speaker 7: he loves me, and my wife loved him and his

2182
01:43:05,360 --> 01:43:08,800
Speaker 7: wife and his family. So it's like it's a mutual understanding.

2183
01:43:08,840 --> 01:43:10,679
Speaker 7: When he gets involved and he ain't never gonna play

2184
01:43:11,400 --> 01:43:13,280
Speaker 7: to my side. If I'm wrong, he gonna shoot me

2185
01:43:13,360 --> 01:43:15,519
Speaker 7: down and tell me, niggas you're wrong. Was the motherfucker?

2186
01:43:15,600 --> 01:43:17,760
Speaker 7: Get your ass home. I'm gonna call and try to

2187
01:43:17,760 --> 01:43:19,760
Speaker 7: smoothhit over nigga. Hear him get in through the back door,

2188
01:43:19,840 --> 01:43:23,560
Speaker 7: nigga before I hang up with him. You know, he

2189
01:43:23,640 --> 01:43:25,080
Speaker 7: wanted them kind of niggas. You know what I'm saying,

2190
01:43:25,120 --> 01:43:26,320
Speaker 7: One of them uncles will be like, this is a

2191
01:43:26,360 --> 01:43:27,120
Speaker 7: good ass nigga.

2192
01:43:27,200 --> 01:43:29,439
Speaker 4: Right, was anybody else in the game yet like that

2193
01:43:29,560 --> 01:43:30,360
Speaker 4: other than Charlie?

2194
01:43:30,439 --> 01:43:32,240
Speaker 6: Just catch that you could really you know, look up

2195
01:43:32,280 --> 01:43:34,519
Speaker 6: to and that would like help you in that way

2196
01:43:34,920 --> 01:43:37,080
Speaker 6: or just anyway, like career Rise, anybody that gave you

2197
01:43:37,120 --> 01:43:37,880
Speaker 6: good career advice.

2198
01:43:38,360 --> 01:43:40,560
Speaker 7: I like ice cubes advice. Ice Cube is giving me

2199
01:43:40,600 --> 01:43:42,360
Speaker 7: a lot of great advice. A lot of shit he

2200
01:43:42,439 --> 01:43:44,880
Speaker 7: told me to pass on. I was hard hitded in

2201
01:43:44,920 --> 01:43:46,879
Speaker 7: the beginning because I was like, Nigga, I'm hot, niggama

2202
01:43:46,920 --> 01:43:50,320
Speaker 7: doing They want me to be in thirteen movies nigga, Nigga,

2203
01:43:50,360 --> 01:43:51,920
Speaker 7: they want you to be in Who's the Man?

2204
01:43:52,000 --> 01:43:52,280
Speaker 4: Nigga?

2205
01:43:55,439 --> 01:43:58,280
Speaker 7: Who's the man for too? Nigga? Better sit your ass down, nigga.

2206
01:43:58,760 --> 01:44:00,400
Speaker 7: You know what I'm saying, Like, it's a couple things

2207
01:44:00,439 --> 01:44:02,960
Speaker 7: I did that I'm not, you know, too happy about that.

2208
01:44:03,000 --> 01:44:05,080
Speaker 7: I should have took his advice. But as I got

2209
01:44:05,120 --> 01:44:07,559
Speaker 7: older and started making better decisions. I could thank him

2210
01:44:07,600 --> 01:44:10,439
Speaker 7: and say, well, you know, I ain't about the money, snop.

2211
01:44:10,479 --> 01:44:11,800
Speaker 7: We got a whole bunch of moneyf we gelt to

2212
01:44:11,840 --> 01:44:15,960
Speaker 7: be in this garbage ass movie. This shit sucks, cock,

2213
01:44:16,400 --> 01:44:19,599
Speaker 7: but we're gonna pay you so much fucking money. It's

2214
01:44:19,720 --> 01:44:24,840
Speaker 7: fucking horrible. That's basically what the nigga should say, you

2215
01:44:24,840 --> 01:44:26,120
Speaker 7: know what I mean, That's what it boils down.

2216
01:44:26,400 --> 01:44:28,000
Speaker 11: I was wondering if you was like your own brain

2217
01:44:28,080 --> 01:44:31,520
Speaker 11: trust in that way, because you make some pretty awesome decisions.

2218
01:44:32,439 --> 01:44:34,240
Speaker 9: That's what it's been for like the past ten years.

2219
01:44:34,240 --> 01:44:36,120
Speaker 7: And I got a lot of that from like one

2220
01:44:36,160 --> 01:44:39,360
Speaker 7: of the young niggas, fifty cent, Like it was one

2221
01:44:39,400 --> 01:44:41,679
Speaker 7: point in time where fifty men him was rolling together

2222
01:44:42,320 --> 01:44:43,920
Speaker 7: and he was doing a lot of shit on his own.

2223
01:44:44,000 --> 01:44:45,479
Speaker 7: Like it was fucking me up that I would always

2224
01:44:45,479 --> 01:44:47,479
Speaker 7: have my people going there meeting. This nigga would be

2225
01:44:47,479 --> 01:44:49,439
Speaker 7: in the meeting, and how this nigga in there and

2226
01:44:49,479 --> 01:44:51,519
Speaker 7: I'm not in there, and and it's certain shit he

2227
01:44:51,640 --> 01:44:53,320
Speaker 7: was doing. He put me up on certain things, and

2228
01:44:53,320 --> 01:44:56,479
Speaker 7: I was like, you know what, this nigga's smart, he brilliant,

2229
01:44:56,680 --> 01:44:59,200
Speaker 7: and he passed information on and you know when I

2230
01:44:59,240 --> 01:45:01,800
Speaker 7: got that information and I ran with it and don't

2231
01:45:01,880 --> 01:45:03,560
Speaker 7: mind sharing the fact that I got it from you.

2232
01:45:04,120 --> 01:45:07,840
Speaker 4: Yeah, what do you do with your kids now? Because

2233
01:45:07,880 --> 01:45:09,840
Speaker 4: how old? How old are your your kids though?

2234
01:45:10,160 --> 01:45:11,400
Speaker 9: The motherfuckers in the twenties?

2235
01:45:11,479 --> 01:45:15,840
Speaker 7: Yea, I am. I just had a granddaughter I know, was.

2236
01:45:15,840 --> 01:45:17,520
Speaker 12: Gonna graduate regulations.

2237
01:45:17,640 --> 01:45:18,040
Speaker 8: Gorgeous.

2238
01:45:18,040 --> 01:45:20,520
Speaker 7: I think I saw in the bathroom her name is eleven.

2239
01:45:22,320 --> 01:45:22,759
Speaker 8: Eleven.

2240
01:45:24,040 --> 01:45:28,519
Speaker 7: That nigga's twenty eighteen knocking. You ain't for no regular names,

2241
01:45:28,600 --> 01:45:36,280
Speaker 7: No more gonna say her name is Isabella, it's eleven.

2242
01:45:36,400 --> 01:45:40,479
Speaker 7: But you know I'm grandpa eleven. Come in back, come

2243
01:45:40,560 --> 01:45:41,080
Speaker 7: gr grandpa.

2244
01:45:41,320 --> 01:45:42,519
Speaker 13: What's the significance behind?

2245
01:45:43,160 --> 01:45:44,200
Speaker 9: I ain't even masked my son?

2246
01:45:44,280 --> 01:45:44,400
Speaker 11: You know?

2247
01:45:45,800 --> 01:45:46,880
Speaker 9: How do you ask the nigga?

2248
01:45:46,920 --> 01:45:46,960
Speaker 1: What?

2249
01:45:47,479 --> 01:45:47,519
Speaker 4: So?

2250
01:45:47,640 --> 01:45:48,960
Speaker 7: What was y'all thinking?

2251
01:45:50,000 --> 01:45:50,200
Speaker 5: You know?

2252
01:45:51,240 --> 01:45:52,080
Speaker 1: Ones equal?

2253
01:45:52,479 --> 01:45:55,080
Speaker 9: What happened was it was ten nine?

2254
01:45:59,560 --> 01:46:02,360
Speaker 4: What I was as a dad?

2255
01:46:02,640 --> 01:46:04,559
Speaker 6: Like you know what I'm saying, being that you had

2256
01:46:04,600 --> 01:46:08,000
Speaker 6: so much assess in your career and you know your upbringing,

2257
01:46:08,040 --> 01:46:12,040
Speaker 6: all your kids upbringing was way different than yours. How

2258
01:46:12,120 --> 01:46:14,679
Speaker 6: did you, I guess, how did you navigate that? Being

2259
01:46:14,760 --> 01:46:16,920
Speaker 6: that you know how you came up versus how your

2260
01:46:17,000 --> 01:46:18,920
Speaker 6: kids came up? But not wanting to spoil them or

2261
01:46:19,120 --> 01:46:20,720
Speaker 6: and still wanting to be able to, you know, find

2262
01:46:20,760 --> 01:46:21,479
Speaker 6: their own way in life.

2263
01:46:21,840 --> 01:46:24,000
Speaker 7: Thank god for the Snoop you football league, because my

2264
01:46:24,080 --> 01:46:27,080
Speaker 7: football league was urban and it was them playing with

2265
01:46:27,240 --> 01:46:30,400
Speaker 7: kids that came from urban communities, then building relationships and

2266
01:46:30,439 --> 01:46:32,880
Speaker 7: then going to school with kids like that and learning

2267
01:46:32,920 --> 01:46:35,800
Speaker 7: how to live within but without, and then me and

2268
01:46:35,920 --> 01:46:38,000
Speaker 7: my wife would bring them to certain situations where they

2269
01:46:38,000 --> 01:46:39,439
Speaker 7: could see this is where we grew up at, this

2270
01:46:39,600 --> 01:46:41,920
Speaker 7: is where we lived at, and walk around and look

2271
01:46:41,960 --> 01:46:44,760
Speaker 7: aside this one bedroom and like nigga, y'all got a

2272
01:46:44,920 --> 01:46:46,960
Speaker 7: room that's yours, and we lived in a house that

2273
01:46:47,160 --> 01:46:49,640
Speaker 7: was the size of your room. Like to appreciate, to

2274
01:46:49,760 --> 01:46:52,360
Speaker 7: understand the fact that it's a struggle and it's a hustle.

2275
01:46:52,400 --> 01:46:54,439
Speaker 7: We want you to live better, but don't take it

2276
01:46:54,479 --> 01:46:56,560
Speaker 7: for granted because they can all be taken away. And

2277
01:46:57,040 --> 01:46:58,560
Speaker 7: this is where we come from. We know how to

2278
01:46:58,560 --> 01:46:59,920
Speaker 7: adjust to it. If we have to go back to

2279
01:47:01,040 --> 01:47:02,840
Speaker 7: y'all don't. So the best thing you can do is

2280
01:47:02,880 --> 01:47:05,200
Speaker 7: prepare yourself and try to do some things that were

2281
01:47:05,200 --> 01:47:07,479
Speaker 7: you not connected to my thing, but create your own thing.

2282
01:47:07,600 --> 01:47:08,519
Speaker 4: It's gonna be understood.

2283
01:47:09,040 --> 01:47:11,360
Speaker 7: They didn't understand it, but I think as as time

2284
01:47:11,479 --> 01:47:13,479
Speaker 7: goes on, they get it. And I'm gonna do what

2285
01:47:13,560 --> 01:47:15,160
Speaker 7: the real people do. I'm gonna make sure my family

2286
01:47:15,240 --> 01:47:17,800
Speaker 7: tied into my business, so I'm gonna make sure they're

2287
01:47:17,800 --> 01:47:19,120
Speaker 7: gonna learn this shit one way or the other.

2288
01:47:19,840 --> 01:47:24,080
Speaker 1: Well, Uncle Snoop, we thank you for your why savee device?

2289
01:47:25,160 --> 01:47:28,439
Speaker 1: We gotta wrap up even though we got fifty nine

2290
01:47:28,479 --> 01:47:29,360
Speaker 1: billion more questions.

2291
01:47:29,760 --> 01:47:30,800
Speaker 12: Oh can I thank you for what?

2292
01:47:31,040 --> 01:47:33,040
Speaker 11: For the Hall of the Sisters, for what you said

2293
01:47:33,080 --> 01:47:35,120
Speaker 11: on the view, because you know, we like forwarded that

2294
01:47:35,240 --> 01:47:37,360
Speaker 11: like fifty thousand times, watched it again again and again

2295
01:47:37,360 --> 01:47:40,519
Speaker 11: and again and again, and put it on when he

2296
01:47:40,720 --> 01:47:43,120
Speaker 11: was asked about well, he was asked about Kanye, and

2297
01:47:43,200 --> 01:47:45,040
Speaker 11: he basically said that he needed a good black woman

2298
01:47:45,080 --> 01:47:45,960
Speaker 11: beside him, and that's.

2299
01:47:45,800 --> 01:47:46,599
Speaker 12: What was wrong with him.

2300
01:47:47,760 --> 01:47:48,920
Speaker 13: You ain't never leaving Kanye.

2301
01:47:49,479 --> 01:47:53,800
Speaker 12: I was just saying I reposted to John, thank you.

2302
01:47:54,240 --> 01:47:56,120
Speaker 7: It was true, and it didn't mean like a lover,

2303
01:47:56,360 --> 01:47:58,360
Speaker 7: which just means somebody was the ability.

2304
01:47:58,080 --> 01:47:59,360
Speaker 4: That he needed.

2305
01:47:59,439 --> 01:48:01,439
Speaker 12: It is no one around you understood what you meant,

2306
01:48:01,479 --> 01:48:03,200
Speaker 12: whether it was a sister, whether it was.

2307
01:48:03,240 --> 01:48:04,000
Speaker 4: What happened.

2308
01:48:06,040 --> 01:48:09,679
Speaker 7: For flowing flying in the day, obviously she coming straight

2309
01:48:09,720 --> 01:48:11,880
Speaker 7: over here. Let me know when you get here, like

2310
01:48:11,920 --> 01:48:13,680
Speaker 7: you got scared when she coming in.

2311
01:48:13,760 --> 01:48:14,040
Speaker 13: She got.

2312
01:48:16,520 --> 01:48:17,040
Speaker 7: Bring your.

2313
01:48:19,360 --> 01:48:19,479
Speaker 11: Man.

2314
01:48:19,600 --> 01:48:21,040
Speaker 1: We thank you for everything.

2315
01:48:21,400 --> 01:48:21,800
Speaker 4: Just thank you.

2316
01:48:22,479 --> 01:48:25,720
Speaker 10: Come on, man, just watching your journey just for over

2317
01:48:25,800 --> 01:48:28,479
Speaker 10: these years, it's been it's been a great and seeing

2318
01:48:28,520 --> 01:48:30,320
Speaker 10: what you've built here at this compound and it's like

2319
01:48:30,640 --> 01:48:31,439
Speaker 10: you don't want to go home.

2320
01:48:31,520 --> 01:48:32,360
Speaker 4: Yeah, life goals.

2321
01:48:32,520 --> 01:48:32,800
Speaker 13: Thank you.

2322
01:48:33,560 --> 01:48:35,439
Speaker 6: You're one of the people I tell my kids just

2323
01:48:35,479 --> 01:48:38,200
Speaker 6: the story of like innovation and like how long is

2324
01:48:38,240 --> 01:48:38,800
Speaker 6: my oldest son?

2325
01:48:38,880 --> 01:48:39,559
Speaker 4: He likes rhyming.

2326
01:48:39,600 --> 01:48:41,639
Speaker 6: You want to wrap and stuff and I'm just like, man,

2327
01:48:41,760 --> 01:48:43,680
Speaker 6: but you look at a cat like snoop, it's like

2328
01:48:43,760 --> 01:48:46,439
Speaker 6: killing it now to know where he came from.

2329
01:48:47,200 --> 01:48:49,200
Speaker 7: And let your son know I was weak once upon

2330
01:48:49,240 --> 01:48:52,920
Speaker 7: a time I wasn't wasn't great. I was awake and

2331
01:48:53,080 --> 01:48:56,200
Speaker 7: I had to get better. I knew I was wake.

2332
01:48:57,200 --> 01:48:58,200
Speaker 9: You know what I'm saying. That's the thing.

2333
01:48:58,280 --> 01:49:00,320
Speaker 7: When you're wake and you know you're weak, are you

2334
01:49:00,400 --> 01:49:03,240
Speaker 7: gonna accept it or you're gonna get better? You know

2335
01:49:03,320 --> 01:49:04,720
Speaker 7: what I'm saying, Yeah, do something about it.

2336
01:49:04,800 --> 01:49:05,360
Speaker 9: So let him know.

2337
01:49:06,040 --> 01:49:07,760
Speaker 7: You know, he ain't he ain't great right now, but

2338
01:49:07,840 --> 01:49:10,439
Speaker 7: he can be great. And don't accept that ship. Keep

2339
01:49:10,520 --> 01:49:11,719
Speaker 7: going till he find greatness.

2340
01:49:12,120 --> 01:49:12,559
Speaker 4: Why is where?

2341
01:49:12,560 --> 01:49:14,800
Speaker 1: It's the live by well, ladies and gentlemen. On behalf

2342
01:49:14,840 --> 01:49:18,559
Speaker 1: of Team Supreme. I'm leaving the proper music in the background,

2343
01:49:19,080 --> 01:49:20,000
Speaker 1: so anyway.

2344
01:49:23,240 --> 01:49:24,960
Speaker 7: On behalf on the rough side.

2345
01:49:30,200 --> 01:49:30,839
Speaker 9: He's gone.

2346
01:49:34,040 --> 01:49:40,360
Speaker 1: Span Holidays everyone, Yeah, happy holadays. Thank you very much, stupid.

2347
01:49:41,680 --> 01:49:43,320
Speaker 13: Be half of What's Up Supreme?

2348
01:49:44,680 --> 01:49:47,880
Speaker 7: It's the Supreme team, that's right, h.

2349
01:49:59,800 --> 01:50:03,519
Speaker 1: What Love Supreme is a production of iHeartRadio. This classic

2350
01:50:03,600 --> 01:50:10,479
Speaker 1: episode was produced by the team at Pandora. For more

2351
01:50:10,560 --> 01:50:15,040
Speaker 1: podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

2352
01:50:15,080 --> 01:50:16,679
Speaker 1: wherever you listen to your favorite shows.