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Speaker 1: The marriage. You and I on a date. Russell Sprout's come.

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Speaker 1: We're splitting and I go, oh wow.

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Speaker 2: Okay, not the way because.

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Speaker 3: You didn't get that.

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Speaker 1: You wouldn't you enjoy food like that. I can't do that.

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Speaker 2: You did it gay but me, And when we had

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Speaker 2: you did, Julian was like like Julian was like, oh wow,

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Speaker 2: these are good, like.

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Speaker 1: Wow, Julian is city gay man and it's okay, No cig.

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Speaker 4: Nigga stiggity niggas, hire some help.

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Speaker 3: Get ready to what what it was? What it is?

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Speaker 1: Whatever you did, what it is?

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Speaker 2: And I'm so tied.

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Speaker 3: I'm father with the mom and I got tied.

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Speaker 1: Knock you all to pay that ties.

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Speaker 3: They're only going, we don't.

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Speaker 5: Know why fire that love it ship. I'm your brother ship,

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Speaker 5: all that other ship. Tou it's toulet for it.

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Speaker 6: Hey, all right, mass so we're back.

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Speaker 7: We are back, y listen, So how did themorrow? I

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Speaker 7: know you had a Mars cast removed this week. I

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Speaker 7: know that was like a real trying tough time for

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Speaker 7: you as a as a first time father.

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Speaker 1: If this was like your third kid, this will probably

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Speaker 1: whatever like whatever that's like, but this is just forget.

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Speaker 1: They're even like they're.

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Speaker 6: Exactly but this is your first time.

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Speaker 1: How was it? The cast actually wasn't as bad as

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Speaker 1: an experience as I thought it would be. She handled

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Speaker 1: it like a champ. You should have seen the female

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Speaker 1: dog that I turned into when that saw came out

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Speaker 1: to saw her cast off. I thought, I'm thinking with kids,

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Speaker 1: like they probably soak it and then it's just gonna

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Speaker 1: like demummify them or something like there's no way they

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Speaker 1: break out the saw. Your daughter wasn't mummified. She just

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Speaker 1: had a cast on. It is kind of like mummifying

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Speaker 1: someone though, I guess. So yeah, yeah, they're taking like

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Speaker 1: you know, arts and crafts, like yeah, just putting it

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Speaker 1: around their leg.

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Speaker 7: When we used to have to build a volcano with

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Speaker 7: the toilet tisue rolling, yeah, kind of like it's kind

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Speaker 7: of the same.

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Speaker 1: It's a wild motion. That was like, yeah, that was crazy.

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Speaker 3: He doubled back on.

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Speaker 1: I just had flashback pepper volcano flashbacks.

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Speaker 6: No, just gonna, you know, night with a young lady.

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Speaker 6: But yeah, anyway, you.

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Speaker 1: Were the Coca cola. What's the mix that made.

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Speaker 3: The mountain not mountain dew coke and mentos mentos?

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Speaker 1: Yeah, she menos. Yeah, but yeah, I almost hit an

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Speaker 1: octave I've never hit when that saw.

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Speaker 6: Started, How did Amar do?

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Speaker 1: She was cool. She was crying because like it's loud,

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Speaker 1: but she wasn't really looking at the saw. I'm staring

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Speaker 1: at the saw, holding her arms in her leg to

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Speaker 1: like make sure she doesn't throw a finger into the saw. Yeah,

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Speaker 1: and like this guy is just casually sawing something off

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Speaker 1: a toddler's leg like it's nothing.

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Speaker 8: But aren't they soft saws? They don't they don't pierce skin.

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Speaker 1: Yeah, no, you know that looks like it could pierce

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Speaker 1: some skin.

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Speaker 7: But it's just the noise and the fact that it

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Speaker 7: is something cutting. People assume like it's a saw that

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Speaker 7: you fucking cut four boyle fours with, but it's not.

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Speaker 6: It's just specifically for that for the cast.

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Speaker 1: You would have swore I was getting my entire cast off.

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Speaker 1: It was. It was like a scene out of Saw.

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Speaker 6: I'm glad. Yeah, I'm glad. Amara took it better than.

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Speaker 1: You, she said. Yeah, she rubbed my back. Yeah, she

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Speaker 1: helped told me to calm down. It's gonna be okay.

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Speaker 1: Everything everything held up, Yeah, every everything's good.

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Speaker 3: Now.

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Speaker 1: She's just got like a stupid boot on her leg

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Speaker 1: which takes about another week. But she's moving around, so

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Speaker 1: it's cool.

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Speaker 7: All right, We're good. Prayers for Mara in a speedy

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Speaker 7: recovery for her. Prayers for you too, Dad, I mean,

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Speaker 7: I know that was a tough time for you.

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Speaker 1: I found out my mom took Amara to like some

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Speaker 1: type of mass over More day weekend, like she had Amora,

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Speaker 1: Like she went for a walk and just walk and

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Speaker 1: walked to a mass and you guys know that area

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Speaker 1: that I live by, They were doing like some memorial

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Speaker 1: service mass ship in the graveyard right over there. Okay,

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Speaker 1: so I found out my mom, who I caught trying

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Speaker 1: to secretly baptize Amara and a baptis really then then

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Speaker 1: snuck my baby to a graveyard so she could go

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Speaker 1: to a Catholic mass.

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Speaker 7: Wait a minute, Wait a minute, your mom tried to

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Speaker 7: secretly baptize, yes, her grandchild.

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Speaker 1: Her one of her close friends did it with her

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Speaker 1: daughter's kid. That's where she got the idea. And then

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Speaker 1: I was like, man, you're not a priest, Like like

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Speaker 1: I don't about to say it is your mom?

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Speaker 2: Like what original sin are you?

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Speaker 5: Like?

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Speaker 2: Which is next to a rubber ducky?

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Speaker 1: Yeah?

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Speaker 6: Like what is she YouTube.

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Speaker 1: That YouTube how to baptize your her friend told her

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Speaker 1: how to do.

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Speaker 2: It's your favor, Amara's soul.

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Speaker 1: Yeah, but your friend can't tell you how to That's

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Speaker 1: not how that goes.

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Speaker 3: What are you put in the water?

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Speaker 1: Like you cold?

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Speaker 3: Like epsom salt? Like what makes it Jesus water.

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Speaker 1: I don't really know what the process was, except for, hey,

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Speaker 1: what are you doing? Why is there a Bible in

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Speaker 1: the bathroom when there wasn't. This is in a hotel room.

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Speaker 5: Yo.

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Speaker 7: Wait, so your mom tried to baptize her, yes, and

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Speaker 7: you walked in on it.

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Speaker 6: H was it like a was like the lights off?

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Speaker 1: Like what was the No, it's just a setting with

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Speaker 1: the Bible? And that was like what are you doing

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Speaker 1: with the Bible? And then she confessed.

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Speaker 3: Now she's like I'm reading.

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Speaker 6: That is some of the funniest, scariest.

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Speaker 1: My friend Annie baptized her granddaughter secretly in a bathtub,

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Speaker 1: and I was trying to do the same thing. At

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Speaker 1: least in that moment, it was like a reconciliation. She

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Speaker 1: didn't lie, she did confess her sins to me.

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Speaker 7: Okay, naturally right, the Bible's right here. I can't lie

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Speaker 7: from the Bible.

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Speaker 2: I just well, Kendrick said you could hide it, man,

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Speaker 2: none of that.

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Speaker 3: She just let her throw some ashes. Let her throw

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Speaker 3: some ashes on Amar's head and dunk her head and

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Speaker 3: some white it doesn't matter. Just let her do it

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Speaker 3: for peace of mind. Well none of that shit matters,

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Speaker 3: does but it doesn't matter to him or Kia.

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Speaker 8: So so let her do it to make her feel

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Speaker 8: good about herself and then just let it go away.

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Speaker 1: I wouldn't particularly care. I just think it would be

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Speaker 1: weird to try to do it, like at a church

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Speaker 1: that I didn't go to, like pulling up somewhere in

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Speaker 1: Jersey City to try to like batsy, like, yo, we

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Speaker 1: don't go here, but can I learn?

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Speaker 7: Yeah, that's just so such a random thing to walk

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Speaker 7: in the bathroom and just see you're trying to baptize.

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Speaker 7: I don't know, I just I've never heard of that before. Yeah,

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Speaker 7: is that white people ship Catholicism? I mean that's pretty white.

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Speaker 3: I was baptized. But again, like, no, they dunked me.

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Speaker 2: Well yeah at the church, Yeah, they dunk you hard.

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Speaker 2: Then just a little wet water was like that ship

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Speaker 2: turned black.

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Speaker 6: I was fish water.

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Speaker 3: It's activated my curls.

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Speaker 1: But then you got to like just start thinking about

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Speaker 1: why you get baptized and like original sin, and then

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Speaker 1: you just have so many other questions that put you

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Speaker 1: in a dark rabbit hole of ship. Yeah, like what

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Speaker 1: what incesses? That the original sin? What are we doing here?

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Speaker 6: That's one of them? Probably what are we doing?

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Speaker 1: Definitely ate the apple? There was a snake from a rib.

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Speaker 1: She was hungry. Y'all were the two first people here.

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Speaker 1: Y'all was fucking that's weird. Ye never mind, Well, I'm

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Speaker 1: glad of Mars. Okay, my mother was my Sunday school

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Speaker 1: teacher forever and uh it wasn't allowed to ask questions?

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Speaker 1: All good? So yeah, back another week. Some more interesting

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Speaker 1: things have come out since we've been going.

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Speaker 6: Let's get into it.

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Speaker 1: I kind of wanted like a cleanse. This is a

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Speaker 1: selfish thing. I wanted to cleanse this week of anything

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Speaker 1: Puff related or Drake related for that matter, two things

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Speaker 1: that I could not escape this entire week. I didn't

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Speaker 1: fully get through this Rolling Stone article that is about

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Speaker 1: Puff and what they've been doing for the last six months,

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Speaker 1: talking to former Bad Boy employees, artists, people that.

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Speaker 2: Are around them.

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Speaker 1: Family. I get it, and this is important, but I

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Speaker 1: needed like a week to just not think about Puff

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Speaker 1: in his nasty behavior.

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Speaker 7: But I don't think, yeah, I don't think this is

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Speaker 7: something that's going away anytime soon. I think, unfortunately, this

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Speaker 7: is just the very beginning of it. I think that,

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Speaker 7: you know, as more things come out, we are most

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Speaker 7: likely going to come to realize that a lot of

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Speaker 7: the things rumors and gossips that we've heard over the

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Speaker 7: years about Puff in his lifestyle that we kind of

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Speaker 7: just like waved off and was like, yeah, right. I

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Speaker 7: think unfortunately, we are gonna find out that some, if

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Speaker 7: not most, of those things are indeed true.

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Speaker 2: This I knew the media was like really sick.

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Speaker 1: Outside of the Rolling Stone article at the top of

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Speaker 1: the week, there was a headline saying, the FEDS have

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Speaker 1: uncovered a video of Puff victimizing a male prostitute in

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Speaker 1: his house or some shit. Yeah, and then they used

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Speaker 1: a picture of Puff in like the shower, in like

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Speaker 1: the fetal position, and that's what I had to scroll

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Speaker 1: past for at least seventy two hours. Why is that

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Speaker 1: Puff's getty image? He's like curled up in the shower

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Speaker 1: like this and the water's just coming down on him,

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Speaker 1: and that's the photo they chose to spread all this news.

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Speaker 6: What does that symbolize?

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Speaker 1: St of me in a shower?

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Speaker 2: Yeah, the washing of his sins.

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Speaker 1: Oh, the mom should have gave Puff. I mean, that's

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Speaker 1: what Puff is gonna do. Yeah, he's gonna start a church.

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Speaker 1: He's gonna be reborn Christianity. That's definitely gonna happen. So

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Speaker 1: I don't know. Maybe this is the photo that he sent.

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Speaker 9: Me.

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Speaker 2: This's what's his prospect.

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Speaker 1: Was like, Yo, all right, if you're gonna do this,

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Speaker 1: should at least get the one of washing the sins

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Speaker 1: off me. It's funny that you said that because I

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Speaker 1: went to see a locker room shower though.

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Speaker 7: I went to see the Why I went to see

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Speaker 7: Mona Don't call Me White Girl. She had a live

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Speaker 7: podcast Real sureed you the other day, so I went

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Speaker 7: to see her. I went to check out because she

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Speaker 7: was in Brooklyn. I think last weekend. I didn't know

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Speaker 7: about that show. Shout out to my guy Tom, one

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Speaker 7: of the producers and hosts on the show, been supporting

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Speaker 7: him for a while, happy to see his growth and everything.

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Speaker 7: But shout out the Mona. She's super dope, super funny,

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Speaker 7: had a great show. If you ever get a chance

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Speaker 7: to go see her, it's worth it. Shout out to

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Speaker 7: Mona much love and respect her. And she said that

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Speaker 7: I told her in Philly, uh soon in July. So

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Speaker 7: she said she's definitely gonna come by and come come

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Speaker 7: see it. So shout out to Mona. Don't call me

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Speaker 7: white girl. Shout out Tom, Shout out the Phelps.

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Speaker 2: Mona is fucking hilarious.

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Speaker 7: No, she's she's very fun she's funny. But that was

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Speaker 7: that was one thing that she said at the show.

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Speaker 7: She was like, Oh, y'all know it. You know what

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Speaker 7: Puff gonna do. He gonna, you know, go to turn

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Speaker 7: into the past TDJ. Yeah, like he's gonna do whatever.

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Speaker 1: I unfortunately his disciple King lost.

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Speaker 7: I don't think that that's gonna happen. I could see

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Speaker 7: it happening if maybe some of the things that the

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Speaker 7: Feds are investigating they weren't under investigation. I do think

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Speaker 7: that it's gonna be some severe jail time at the

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Speaker 7: end of this though, So I don't know if that

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Speaker 7: is going to be possible.

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Speaker 6: I don't know if the church route is going to

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Speaker 6: be possible.

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Speaker 1: I think I think he will go to jail, but

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Speaker 1: I'm not sure if they're gonna be able to get

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Speaker 1: him on some of like the major crimes we already

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Speaker 1: saw with the casti thing, that statute limitations and all that.

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Speaker 1: I think he's gonna find his way out of the

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Speaker 1: charges that could like land him in jail for over

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Speaker 1: twenty years. But I think he will sit down for

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Speaker 1: a little bit. Yeah, come about reborn, and you know

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Speaker 1: it's all about Jesus and we all have to heal.

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Speaker 1: And who are we as Christians to judge somebody. Yeah,

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Speaker 1: but I don't know if people make sure you donate

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Speaker 1: to him. I don't know if people.

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Speaker 7: Can support somebody that because you know people, you know

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Speaker 7: when people usually turn the church's use things, you know,

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Speaker 7: taxing Asian things like that. When you talk about some

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Speaker 7: of these crimes and that he's being alleged of committing,

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Speaker 7: I don't see how he can go do jail time,

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Speaker 7: come home, start, you know, become a pastor and started

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Speaker 7: his own church and people will actually go and support

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Speaker 7: it because of the charges and the allegations that, especially

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Speaker 7: after seeing the video of I don't see people going

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Speaker 7: to a church to watch him speak.

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Speaker 1: No, I mean it can fit the church narrative the

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Speaker 1: same way we were talking about with like Republican news spots.

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Speaker 1: This fit their democratic narrative as far as how nasty

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Speaker 1: democrats are. He could walk into a church and say,

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Speaker 1: the music industry is the devil. It took over me.

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Speaker 1: I went in as a Christian man. My mother raised

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Speaker 1: me this way. Then I got into the industry and

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Speaker 1: the devil took me over. And then finally I got

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Speaker 1: rid of the devil. Like this is hard, I'm not

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Speaker 1: I'm not gazed no more. Whatever that that gay guy said, Oh,

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Speaker 1: I don't I don't like Men's and I don't.

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Speaker 2: Like Men's no more. Damn ry. You seem like you

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Speaker 2: thought about this this year. Your way out too, no

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Speaker 2: way out? Mmm, like you see like you had that

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Speaker 2: was like thought out so mad.

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Speaker 1: I can never listen to that album again. Great, No,

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Speaker 1: I didn't think this through. But you've seen this was

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Speaker 1: pastors on like a lower level. If you really get

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Speaker 1: into a lot of pastors from your neighborhood and who

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Speaker 1: they were before, it gets a little nastier than like

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Speaker 1: maybe they were doing home invasions. Were just on the

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Speaker 1: wrong side of the tracks. Some of them went nasty

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Speaker 1: as fuck, and this was their way up. Yeah, and

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Speaker 1: they'll they'll even give you fucking hints in their sermons sometimes.

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Speaker 8: Speaking of No Way Out, one of the sickest things

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Speaker 8: from this article is when Biggie passed the cover of

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Speaker 8: Rolling Stone. Was going to put Biggie on it, but

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Speaker 8: Puff said, fuck that, put me on it because he

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Speaker 8: wanted to use it as an opportunity to promote his

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Speaker 8: album No Way Out. So you know, he said, I

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Speaker 8: was telling Sean is a quote from the article. I

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Speaker 8: was telling Sean, let's make it, Biggie, you still have

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Speaker 8: a chance for the cover in the future.

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Speaker 3: Burrows, the rep from Rolling Stone, recalls, he was like, no,

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Speaker 3: he's dead. I'm putting out his album No Way Out

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Speaker 3: in July. I need to be on the cover of

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Speaker 3: Rolling Stone. And then this is the official cover that

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Speaker 3: came out.

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Speaker 6: Burroughs was actually I think.

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Speaker 3: He may have been he worked for bad Boy or sorry, yeah,

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Speaker 3: but yeah, anyway, is.

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Speaker 1: That a steak tattoo? Does he have a big tattoo

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Speaker 1: or they just do that for the cover. If that's

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Speaker 1: just for the cover, that's probably for the cover.

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Speaker 7: Yeah, I think that was just for the I mean

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Speaker 7: you might, I don't know. I've never looked at Puff's chests.

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Speaker 1: Like that, but neither of I That's why I'm asking.

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Speaker 7: Yeah, I don't know which tattoo he has on his chest.

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Speaker 7: But you know, a lot of these things now looking

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Speaker 7: you know, now that we have a lot of these

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Speaker 7: things to go back to and look at, of course,

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Speaker 7: things are going to look a lot different now with

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Speaker 7: some of these uh you know, the information in the

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Speaker 7: confessions and interviews that we're getting from a bunch of people,

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Speaker 7: a lot of things from you know, such a prestigious,

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Speaker 7: monumental era in music and hip hop, from one of

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Speaker 7: the most iconic labels. A lot of these things going

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Speaker 7: to start to look a lot different. A lot of

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Speaker 7: these things are going to start to come across a

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Speaker 7: lot different. And that's one of the things that you know,

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Speaker 7: I'm looking down the line at. It's like, how much

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Speaker 7: of my childhood and things that I thought we was

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Speaker 7: super cool and dope and how much of that changes

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Speaker 7: and looks completely fucked up?

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Speaker 1: Now.

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Speaker 7: Yeah, that's one of the things that I've been thinking

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Speaker 7: about with this whole uh puff situation. You know, I'm

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Speaker 7: I'm a little older than everybody in the room, so

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Speaker 7: I remember that time better than most of y'all, and

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Speaker 7: it was a it was a really dope time and

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Speaker 7: dope moment just for music, for hip hop, for New York.

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Speaker 1: Hey, you guys, remind us how much cooler it was

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Speaker 1: in our era? Yeah, often so much, so much cooler.

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Speaker 1: But but it isn't even let me like Nelly, but

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Speaker 1: but but is it cooler?

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Speaker 3: Though?

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Speaker 7: Now you see what I'm saying, Like now with a

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Speaker 7: lot of this ship, A lot of this ship ain't cool.

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Speaker 1: I don't know, I unfortunately feel like abuses across the

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Speaker 1: board for generations generation. Every generation has its uh, I

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Speaker 1: don't I don't know if it's any different than mine

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Speaker 1: because I don't think it's a hip hop problem. I

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Speaker 1: think it's a life problem. And yeah, I'm sure my

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Speaker 1: era has its fair share of abusers as well that

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Speaker 1: will come to the light soon and some that have

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Speaker 1: already come to light. But everyone just kept scrolling. Yeah,

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Speaker 1: so I mean, I hear you, But I don't think

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Speaker 1: my generation is any different. I don't think the generation

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Speaker 1: before you was any different. Hopefully generation after us will be.

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Speaker 1: But I don't know. Well, I donating and baptized.

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Speaker 7: I gotta read that Rolling Stone article, Julian. I know

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Speaker 7: you said you read it.

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Speaker 8: Yeah, a couple of things that were just circulating the timeline.

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Speaker 8: I mean it just kind of emboldens what we've learned

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Speaker 8: from Diddy this whole thing. But it's cool because there's

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Speaker 8: more personal anecdotes. So, like Wendy Williams is firing from

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Speaker 8: Hot ninety seven was directly because because she called Diddy

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Speaker 8: gay on air and he wasn't playing that, so he

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Speaker 8: had her removed from the station.

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Speaker 1: She had a gay list. Do you remember Wendy Williams gay list.

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Speaker 8: Yeah, well she was one for one at least she

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Speaker 8: had Diddy, right, and then Biggie. This was also again

364
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Speaker 8: rumors swirling around the time of Biggie's death he was

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Speaker 8: ready to leave Puff because he wanted to own his publishing.

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Speaker 1: There was a lot of legal battles.

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Speaker 3: Puff was had him in like a chokehold creatively and financially,

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Speaker 3: and and Biggie was very much ready to get out

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Speaker 3: of that deal right before his passing.

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Speaker 1: Yeah, him, and we're trying to go to epic. Yeah.

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Speaker 8: So it's just, you know, outside of the nasty sexual stuff,

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Speaker 8: it's just a lot of control and power on everybody

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Speaker 8: that he came in contact with, whether it be from

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Speaker 8: the label employee side to the to the artist side

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Speaker 8: as well. So it's just it kind of reaffirms what

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Speaker 8: we knew, but just with more personal anecdotes.

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Speaker 3: It's a really good read too.

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Speaker 1: Yeah, I saw some people from Howard that he went

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Speaker 1: to school with were discussing.

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Speaker 3: Oh he was he was a terrible person in college.

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Speaker 3: Oh my god, it was.

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Speaker 1: It was a lot of the stuff that I did read.

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Speaker 1: I read the entire thing with the excerpts word more

384
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Speaker 1: nasty shit, more believable shit. But yeah, it will remain

385
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Speaker 1: to be seeing what happens. Like, I'm happy the stories

386
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Speaker 1: are getting out, but what's going to be done with it?

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Speaker 3: What's going to be the constant Andre Herrel got rid

388
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Speaker 3: of him, created distance from him and his whole thing,

389
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Speaker 3: and then that kind of, unfortunately became like the spark

390
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Speaker 3: that's that led Puff on his own developed at what

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Speaker 3: became bad Boy. But yeah, it's just it's sickening, and

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Speaker 3: you can just see the dominoes falling in place to

393
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Speaker 3: make someone that's already deranged, because it's your point. At Howard,

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Speaker 3: he was a demon even in college, before he had

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Speaker 3: any money, any real notoriety. He was an awful person then.

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Speaker 1: So yeah, so even the Valletta Wallace, which I don't

397
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Speaker 1: think this was in the Rolling Stone article, but they

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Speaker 1: did cover a quote of her saying she wants to

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Speaker 1: slap the daylight out a puff yep, to get getting

400
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Speaker 1: a Christian jamaking woman to say that you gotta do

401
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Speaker 1: some nasty shit.

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Speaker 7: Yeah, and you know, for miss Wallace to say that,

403
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Speaker 7: that means that you know, she's heard or learned enough

404
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Speaker 7: to be at that point where she feels like, you know,

405
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Speaker 7: those are the words she wants to She's Miss Willers doesn't.

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Speaker 7: I've never I thought that was a fake quote, that's all.

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Speaker 7: I was like, wait, what is that? Because I've never

408
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Speaker 7: seen Miss Willers being quoted speaking that way or you know,

409
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Speaker 7: talking that way. So she's obviously upset about some some

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Speaker 7: findings and some things that she's learned. I'm pretty sure

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Speaker 7: she's had years of people telling her things that she

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Speaker 7: probably didn't believe or didn't think were going on.

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Speaker 1: She's been kind of vocal. I feel like since BIG's

414
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Speaker 1: passing against Puff, I mean they were cordial and.

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Speaker 6: We're more so what that was most on a business

416
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Speaker 6: side though.

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Speaker 1: Because I mean she wasn't around like that she was home. Yeah, so,

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Speaker 1: I mean she had a gripce about business stuff. But

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Speaker 1: I'm sure she has had conversations with sees Kim people

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Speaker 1: that were around some nasty shit and heard her her

421
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Speaker 1: fair share of stories.

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Speaker 8: They said, like in the article you I never knew this,

423
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Speaker 8: but Puff his nickname came from. They said when he

424
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Speaker 8: was younger, when he would get angry, which was often,

425
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Speaker 8: he would often.

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Speaker 3: Huff and huff.

427
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Speaker 2: Oh, he was one of them.

428
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Speaker 3: Literally, when I read that, I pictured those kids I

429
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Speaker 3: used to teach in Chicago had some anger issues and

430
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Speaker 3: you see them in the back of class, like, Oh,

431
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Speaker 3: that's Puff.

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Speaker 2: Nobody reflex from that.

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Speaker 8: That ship starts when you're exactly that shit starts when

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Speaker 8: you're in grade school, like, and then that develops over time.

435
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Speaker 3: You become a man.

436
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Speaker 8: You have strength now, and then physical rage is your

437
00:19:21,760 --> 00:19:27,200
Speaker 8: most easiest way to get out your anger. You can't communicate,

438
00:19:27,200 --> 00:19:29,760
Speaker 8: you hit shit Like. I don't think that's a mentally

439
00:19:29,840 --> 00:19:33,800
Speaker 8: ill I just think that's bad, like parenting, learning pattern

440
00:19:33,880 --> 00:19:36,639
Speaker 8: behaviors like that still starts that developmentally stuff.

441
00:19:37,400 --> 00:19:38,920
Speaker 3: I don't think like he went crazy, but.

442
00:19:38,880 --> 00:19:41,200
Speaker 7: That's my okay, And you're you're correcting what you're saying,

443
00:19:41,200 --> 00:19:42,800
Speaker 7: but again I'm speaking to.

444
00:19:44,320 --> 00:19:44,399
Speaker 1: You.

445
00:19:44,440 --> 00:19:47,800
Speaker 7: Would we've never really seen signs that would lead us

446
00:19:47,840 --> 00:19:49,240
Speaker 7: to think that he was like that.

447
00:19:49,359 --> 00:19:51,959
Speaker 1: Well we're not, because yeah, it wasn't next to them.

448
00:19:52,040 --> 00:19:52,840
Speaker 2: Yeah, you don't show that.

449
00:19:54,359 --> 00:19:55,199
Speaker 1: I'm sure we would have.

450
00:19:56,000 --> 00:19:58,680
Speaker 8: Yeah, Like sounds like plenty of people saw him abuse people.

451
00:19:59,320 --> 00:20:01,800
Speaker 7: And then like we've I've seen people that are public

452
00:20:01,840 --> 00:20:05,000
Speaker 7: figures that we in any capacity that we see them,

453
00:20:05,040 --> 00:20:09,120
Speaker 7: whether it's you know, television, radio or whatever, you can

454
00:20:09,200 --> 00:20:09,800
Speaker 7: kind of pick.

455
00:20:09,720 --> 00:20:12,920
Speaker 1: Up on things like like who, I mean, it's been

456
00:20:13,400 --> 00:20:14,720
Speaker 1: a few people that we've seen.

457
00:20:14,760 --> 00:20:16,560
Speaker 7: I mean, no name really jumps out at the top

458
00:20:16,560 --> 00:20:19,119
Speaker 7: of my head because I'm focused on this. But my

459
00:20:19,200 --> 00:20:22,320
Speaker 7: thing is sometimes you can kind of see people and

460
00:20:22,359 --> 00:20:23,880
Speaker 7: be like, yo, something, something is off of.

461
00:20:23,840 --> 00:20:24,640
Speaker 1: This dude right here.

462
00:20:25,640 --> 00:20:27,800
Speaker 7: So I think, like, to me, Puffin's done a great

463
00:20:27,880 --> 00:20:30,480
Speaker 7: job at kind of masking all of that and kind

464
00:20:30,520 --> 00:20:33,800
Speaker 7: of like keeping that for somebody that's been in the spotlight,

465
00:20:33,920 --> 00:20:37,080
Speaker 7: under the spotlight that he's been under so long, he's

466
00:20:37,080 --> 00:20:41,200
Speaker 7: been able to keep that away from it better than

467
00:20:42,320 --> 00:20:44,280
Speaker 7: anybody that I could probably think of that was under

468
00:20:44,320 --> 00:20:47,320
Speaker 7: this type of spotlight for so many years. Like it's

469
00:20:47,400 --> 00:20:50,359
Speaker 7: like bro how many how many people have worked under

470
00:20:50,400 --> 00:20:53,639
Speaker 7: him and been around him that now we understand know

471
00:20:53,680 --> 00:20:56,639
Speaker 7: that they're doing interviews there talking about it, But like,

472
00:20:58,119 --> 00:21:02,280
Speaker 7: these people never really to this until.

473
00:21:02,000 --> 00:21:02,840
Speaker 6: A few years ago.

474
00:21:02,920 --> 00:21:04,639
Speaker 1: I mean, Kanye's been in the West. You didn't need

475
00:21:04,720 --> 00:21:06,919
Speaker 1: to be next to or be around to know that

476
00:21:07,000 --> 00:21:10,760
Speaker 1: he probably has some mental health issues, right Puff, But again,

477
00:21:11,040 --> 00:21:13,679
Speaker 1: Puff's also a businessman, where Kanye is a super creative

478
00:21:13,680 --> 00:21:16,640
Speaker 1: and doesn't really give a single fuck how he comes across,

479
00:21:17,040 --> 00:21:19,920
Speaker 1: where Puff, being the good businessman that he is, will

480
00:21:19,960 --> 00:21:22,280
Speaker 1: know how to mask everything because he's so brand aware

481
00:21:22,760 --> 00:21:25,679
Speaker 1: of what he's saying, what he's doing, how he's being perceived.

482
00:21:26,640 --> 00:21:28,840
Speaker 1: To me, that's not mental illness. And I think there

483
00:21:28,880 --> 00:21:32,840
Speaker 1: are narcissists that have mental illness, but not every narcissist

484
00:21:32,880 --> 00:21:35,800
Speaker 1: is mentally ill. Some of them are just fucking ego

485
00:21:35,880 --> 00:21:40,040
Speaker 1: driven and terrible human beings. Like that also exists too,

486
00:21:40,040 --> 00:21:43,439
Speaker 1: I don't think me but you should always be a

487
00:21:43,480 --> 00:21:45,080
Speaker 1: reason for everything, per se.

488
00:21:45,240 --> 00:21:47,000
Speaker 2: But you could be mentally ill and still be a

489
00:21:47,000 --> 00:21:49,879
Speaker 2: shitty person, like mental illness does not does not like

490
00:21:49,960 --> 00:21:51,639
Speaker 2: take away, Oh you're not a shitty person because you're

491
00:21:51,640 --> 00:21:53,160
Speaker 2: mentally Yeah, you could be a mentally ill.

492
00:21:53,840 --> 00:21:55,960
Speaker 7: Absolutely that type of behavior to be able to turn

493
00:21:56,000 --> 00:21:58,800
Speaker 7: that on and off like that, that's a mental something

494
00:21:58,880 --> 00:22:02,199
Speaker 7: is off mentally, something is like off balance for you

495
00:22:02,240 --> 00:22:05,000
Speaker 7: to be able to be this person that they're a

496
00:22:05,080 --> 00:22:08,560
Speaker 7: legend in these lawsuits, in these in these documents, and

497
00:22:08,640 --> 00:22:12,239
Speaker 7: obviously the Feds have seized video footage for you to

498
00:22:12,280 --> 00:22:15,160
Speaker 7: have that going on and to be able to kind

499
00:22:15,160 --> 00:22:17,920
Speaker 7: of like jump in and out of that world into

500
00:22:17,960 --> 00:22:19,600
Speaker 7: a world where people know that none of that is

501
00:22:19,640 --> 00:22:23,119
Speaker 7: going on, that's something mentally that's like, how are you

502
00:22:23,200 --> 00:22:24,120
Speaker 7: able to do that?

503
00:22:24,680 --> 00:22:27,320
Speaker 1: I think hush money plays more into it than having

504
00:22:27,359 --> 00:22:29,719
Speaker 1: some mental illness to turn it on and off, because,

505
00:22:30,440 --> 00:22:32,320
Speaker 1: like we said before, Puff did that shit in a

506
00:22:32,359 --> 00:22:35,920
Speaker 1: public hallway, and when we're reading about this Howard shit,

507
00:22:36,000 --> 00:22:38,199
Speaker 1: he's been doing shit in hallways forever. He doesn't know

508
00:22:38,359 --> 00:22:39,800
Speaker 1: when to turn it off and when to turn it on.

509
00:22:40,040 --> 00:22:43,399
Speaker 1: He knows how to clean it up. I think a

510
00:22:43,440 --> 00:22:46,960
Speaker 1: mentally ill person would know how to turn that rage

511
00:22:47,040 --> 00:22:50,080
Speaker 1: and only do it privately, And that's a whole different

512
00:22:50,200 --> 00:22:53,840
Speaker 1: mind state. I think. I think Puff is puff all

513
00:22:53,880 --> 00:22:57,240
Speaker 1: the time and just knows how to move the pay.

514
00:22:58,200 --> 00:23:00,600
Speaker 7: But yeah, unfortunately, I think that you know, again, this

515
00:23:00,680 --> 00:23:03,639
Speaker 7: is something that is just the beginning of the end, obviously,

516
00:23:04,160 --> 00:23:06,359
Speaker 7: and there's more to come and more things that we

517
00:23:06,400 --> 00:23:08,520
Speaker 7: are going to learn that are unfortunate and nasty and

518
00:23:08,600 --> 00:23:11,640
Speaker 7: dark and disgusting, and you know, I think that we've

519
00:23:11,680 --> 00:23:14,919
Speaker 7: all heard things obviously rory over the years, and you know,

520
00:23:14,960 --> 00:23:17,399
Speaker 7: we kind of say, nah, there's no fucking way and

521
00:23:17,480 --> 00:23:19,600
Speaker 7: ignore a lot of shit. I think a lot of

522
00:23:19,600 --> 00:23:23,000
Speaker 7: those things, unfortunately, are going to be proven to be

523
00:23:23,480 --> 00:23:27,520
Speaker 7: real and true and actually did happen. So as much

524
00:23:27,560 --> 00:23:29,480
Speaker 7: as we don't want to continue talking about this type

525
00:23:29,480 --> 00:23:31,760
Speaker 7: of shit, I think that we are going to have

526
00:23:31,840 --> 00:23:34,240
Speaker 7: to because there's going to be more to come.

527
00:23:34,400 --> 00:23:38,840
Speaker 1: So, Yeah, another generational thing that I think your your

528
00:23:38,840 --> 00:23:44,360
Speaker 1: generation invented didn't escape my timeline all week ghostwriting mis

529
00:23:44,400 --> 00:23:45,280
Speaker 1: y'all swag.

530
00:23:46,520 --> 00:23:47,240
Speaker 6: That's how swag.

531
00:23:47,320 --> 00:23:48,920
Speaker 1: Yeah, you guys invented ghost ghost writing.

532
00:23:50,680 --> 00:23:52,199
Speaker 6: I don't think people know what ghostwriting is.

533
00:23:52,359 --> 00:23:53,160
Speaker 2: I don't think they do either.

534
00:23:53,240 --> 00:23:54,920
Speaker 1: Rappers the Light that's ghost writing.

535
00:23:55,400 --> 00:23:59,720
Speaker 7: Yeah, but ghostwriting means that somebody wasn't credited for writing. Yes,

536
00:24:00,440 --> 00:24:02,800
Speaker 7: I think that all of these songs or reference tracks

537
00:24:02,800 --> 00:24:07,719
Speaker 7: that are coming out, I don't check all of you know,

538
00:24:07,960 --> 00:24:09,800
Speaker 7: this book, the credits and things like that. But I'm

539
00:24:09,800 --> 00:24:12,399
Speaker 7: pretty sure all of these people have been credited on

540
00:24:12,440 --> 00:24:13,600
Speaker 7: all of these records.

541
00:24:13,280 --> 00:24:15,480
Speaker 1: Before we get into this, who do you think really

542
00:24:15,640 --> 00:24:18,679
Speaker 1: coined that term? Do you think it was Kanye college

543
00:24:18,760 --> 00:24:20,880
Speaker 1: dropout when he was telling the story of ghostwriting I'm

544
00:24:20,880 --> 00:24:23,120
Speaker 1: sorry ghost producing for d doc And then d Doc

545
00:24:23,200 --> 00:24:26,159
Speaker 1: came out and was like, Bro, you were credited on everything,

546
00:24:26,200 --> 00:24:28,879
Speaker 1: got paid. That's not ghost producing. Like, you worked on

547
00:24:28,920 --> 00:24:32,840
Speaker 1: records with me, you got your credit, You're in the

548
00:24:32,880 --> 00:24:35,880
Speaker 1: Harlem World credits, you got paid. You did not ghost produced,

549
00:24:36,760 --> 00:24:39,639
Speaker 1: you collabed with me. Do we think Kanye started this

550
00:24:39,960 --> 00:24:40,879
Speaker 1: whole ghost writing?

551
00:24:41,280 --> 00:24:44,160
Speaker 6: No, ghostwriting was a term wait before, it's no, I know.

552
00:24:44,119 --> 00:24:46,720
Speaker 1: That, but I'm saying it's just crazing this focus on it.

553
00:24:47,320 --> 00:24:50,119
Speaker 1: I don't think it was really a thing until Kanye

554
00:24:50,160 --> 00:24:53,399
Speaker 1: became such a superstar that he kind of forced people

555
00:24:53,560 --> 00:24:56,080
Speaker 1: the way fifty forced people to look at numbers. I

556
00:24:56,119 --> 00:24:58,920
Speaker 1: almost feel like Kanye forced people to look at credits

557
00:24:59,240 --> 00:25:01,679
Speaker 1: when he just kept I did this blueprint beat, I

558
00:25:01,680 --> 00:25:03,480
Speaker 1: did this, Yo just did this, like.

559
00:25:04,359 --> 00:25:07,639
Speaker 7: Well, I think in this situation, I think the the

560
00:25:07,720 --> 00:25:11,639
Speaker 7: Meek and Drake battle is what caused people to start

561
00:25:11,720 --> 00:25:15,480
Speaker 7: using this term when it comes to Drake and saying

562
00:25:15,520 --> 00:25:19,000
Speaker 7: he doesn't right, which is I you know, I'm again

563
00:25:19,040 --> 00:25:21,479
Speaker 7: they kill me any time I speak about Drake. But whatever,

564
00:25:22,600 --> 00:25:25,200
Speaker 7: I'm just tired of talking about this because he's never

565
00:25:25,920 --> 00:25:29,359
Speaker 7: said he hasn't worked on records with people. These artists

566
00:25:29,359 --> 00:25:33,240
Speaker 7: are credited on these songs. He's been very vocal about

567
00:25:33,560 --> 00:25:36,280
Speaker 7: working with artists, liking to work with different artists on records.

568
00:25:36,760 --> 00:25:39,840
Speaker 7: The artists that he's worked with have spoken about their

569
00:25:41,720 --> 00:25:48,000
Speaker 7: contribution to records, most notably Quentin Miller was very vocal

570
00:25:48,040 --> 00:25:50,680
Speaker 7: about the album when he came to the studio was

571
00:25:50,720 --> 00:25:56,320
Speaker 7: pretty much done. Drake definitely writes his shit. Even with

572
00:25:56,400 --> 00:26:00,320
Speaker 7: this new reference track that leaked with believor.

573
00:26:00,680 --> 00:26:03,919
Speaker 3: Did mob Tie pnd? Did Rattion Happy Birthday?

574
00:26:04,080 --> 00:26:07,479
Speaker 7: I believe or did he referenced, which sounds like the

575
00:26:07,480 --> 00:26:12,359
Speaker 7: hook when you listen to which is cool, But the verse,

576
00:26:12,440 --> 00:26:16,199
Speaker 7: the actual lyrics in the verse is Drake. If you

577
00:26:16,240 --> 00:26:18,480
Speaker 7: listen to the album, I don't hear vory reference in

578
00:26:18,560 --> 00:26:22,520
Speaker 7: any of Drake's.

579
00:26:21,080 --> 00:26:23,520
Speaker 1: He clearly came up with cadences and came up with

580
00:26:23,560 --> 00:26:28,120
Speaker 1: certain stuff. But but I kind of don't care.

581
00:26:29,560 --> 00:26:32,760
Speaker 7: I mean, it's not about Karen. People in the moment

582
00:26:34,240 --> 00:26:36,439
Speaker 7: this is but this is part of the new found

583
00:26:36,560 --> 00:26:38,040
Speaker 7: hatred for Drake and people that.

584
00:26:38,040 --> 00:26:38,840
Speaker 6: Don't like Drake.

585
00:26:38,920 --> 00:26:42,720
Speaker 7: And he doesn't write, and he's he has people writing

586
00:26:42,760 --> 00:26:45,639
Speaker 7: his verses and all his records. This is just the

587
00:26:45,680 --> 00:26:47,600
Speaker 7: moment that we're in right now. All of a sudden,

588
00:26:47,720 --> 00:26:51,320
Speaker 7: Drake doesn't write anything, even though your favorite artists are

589
00:26:51,359 --> 00:26:56,520
Speaker 7: on these same YouTube channels saying that he's written verses

590
00:26:56,680 --> 00:26:59,840
Speaker 7: in songs for them. But you know when tracks like

591
00:26:59,840 --> 00:27:03,280
Speaker 7: this come out and Leak, Drake does all of a sudden,

592
00:27:03,280 --> 00:27:06,359
Speaker 7: he doesn't write his own shit. I mean, he's vocal

593
00:27:06,400 --> 00:27:08,600
Speaker 7: about loving the work with Party on records, which is

594
00:27:08,640 --> 00:27:11,920
Speaker 7: his artists. So the Happy Birthday, the Ratchet Happy Birthday

595
00:27:11,960 --> 00:27:17,160
Speaker 7: song that reference Leak again, you can hear the differences. Yes,

596
00:27:17,320 --> 00:27:20,159
Speaker 7: did Party later ideas does he if is he referenceing

597
00:27:20,160 --> 00:27:23,440
Speaker 7: the idea Cadence flow, Yes.

598
00:27:23,359 --> 00:27:27,040
Speaker 1: For Ratch Happy Birthday the lyrics, But he always talks

599
00:27:27,080 --> 00:27:29,520
Speaker 1: about working with Party, like Party writing shit for him.

600
00:27:29,359 --> 00:27:32,000
Speaker 6: Like that's not that's all we say ghosts just like

601
00:27:32,320 --> 00:27:32,960
Speaker 6: he's spoken about it.

602
00:27:33,160 --> 00:27:34,600
Speaker 1: If you're reading this, it's too late. I'm a legend.

603
00:27:34,760 --> 00:27:36,880
Speaker 1: Love that intro, one of my favorite Drake intros. There's

604
00:27:36,880 --> 00:27:41,640
Speaker 1: a full reference of parties doing that, right, even people

605
00:27:41,680 --> 00:27:43,600
Speaker 1: that aren't in the industry or in the no Like

606
00:27:44,000 --> 00:27:46,080
Speaker 1: if you're just a nerd and are on the internet.

607
00:27:46,280 --> 00:27:49,680
Speaker 1: There's a million references to Drake records that aren't the

608
00:27:49,760 --> 00:27:53,040
Speaker 1: Quentin Miller, ones that aren't the mob sized ones like that,

609
00:27:53,160 --> 00:27:57,240
Speaker 1: aren't certain party records, like he's been doing this forever,

610
00:27:57,280 --> 00:28:01,120
Speaker 1: and I guess I just don't really care. No, Well,

611
00:28:01,119 --> 00:28:03,399
Speaker 1: this is the time, but I know the outrage and

612
00:28:03,440 --> 00:28:05,679
Speaker 1: why it's coming because before when the Quentin Miller shit happened,

613
00:28:05,760 --> 00:28:10,520
Speaker 1: Oh holy shit, that's crazy. Drake survived it because all

614
00:28:10,560 --> 00:28:12,120
Speaker 1: of us were like, all right, cool, he's a pop star.

615
00:28:12,520 --> 00:28:15,280
Speaker 1: A lot of that shit was still wrap records, but

616
00:28:16,040 --> 00:28:18,400
Speaker 1: it was hits, like it's cool. It was a hook

617
00:28:18,880 --> 00:28:20,720
Speaker 1: as long as it's not the time stamp points. I

618
00:28:20,760 --> 00:28:24,120
Speaker 1: think the more this shit comes out, the closer some

619
00:28:24,200 --> 00:28:26,720
Speaker 1: of us are getting to all right, man, there might

620
00:28:26,760 --> 00:28:29,920
Speaker 1: be a time stamp reference one day. It's just it's

621
00:28:29,920 --> 00:28:34,720
Speaker 1: getting us closer to us not making excuses anymore, because

622
00:28:34,720 --> 00:28:37,000
Speaker 1: it's just so many records at this point, and we're

623
00:28:37,040 --> 00:28:39,840
Speaker 1: getting closer and closer to all right, man, what happens

624
00:28:39,840 --> 00:28:43,680
Speaker 1: when five Am in Toronto comes out? Yeah?

625
00:28:43,720 --> 00:28:44,920
Speaker 6: No, I don't think that that's happening.

626
00:28:44,960 --> 00:28:48,520
Speaker 1: Though. It doesn't feel like it's just a few records anymore.

627
00:28:49,360 --> 00:28:52,480
Speaker 1: I'm saying perception wise. I look through credits because I'm

628
00:28:52,480 --> 00:28:52,800
Speaker 1: a nerd.

629
00:28:52,920 --> 00:28:54,880
Speaker 6: How many reference tracks have leaked?

630
00:28:55,800 --> 00:28:57,600
Speaker 1: Countless? Too many? Don't even know?

631
00:28:57,680 --> 00:29:03,360
Speaker 7: How many points tom stamps? No, tom Stamp records, yeah, zero?

632
00:29:03,480 --> 00:29:03,840
Speaker 2: How many?

633
00:29:03,840 --> 00:29:04,120
Speaker 5: How many?

634
00:29:05,160 --> 00:29:07,960
Speaker 3: It's only like seven times six records?

635
00:29:08,800 --> 00:29:14,800
Speaker 7: How many of his versus bars heave leaked? Or reference

636
00:29:14,840 --> 00:29:20,000
Speaker 7: tracks for those like with people rapping Drake's raps, not

637
00:29:20,080 --> 00:29:23,920
Speaker 7: his vibe records like mob tizes. Know I'm talking about rapping?

638
00:29:23,960 --> 00:29:26,200
Speaker 7: How many of that? How many reference tracks of those

639
00:29:26,200 --> 00:29:26,959
Speaker 7: have leaked?

640
00:29:27,120 --> 00:29:27,400
Speaker 3: I don't.

641
00:29:27,440 --> 00:29:29,160
Speaker 8: I can't tell at the top of my head, but

642
00:29:29,200 --> 00:29:31,160
Speaker 8: I will say, everyone that's listening to this, would you say,

643
00:29:31,160 --> 00:29:32,320
Speaker 8: you're just moving the goalpost?

644
00:29:33,040 --> 00:29:34,880
Speaker 7: How am I moving a goalpost for something that has

645
00:29:34,880 --> 00:29:37,120
Speaker 7: been spoken about years ago? I understand in the moment,

646
00:29:37,200 --> 00:29:40,440
Speaker 7: people want to discredit Drake. He lost the battle. Kendrick

647
00:29:40,520 --> 00:29:42,800
Speaker 7: raps better than him. Drake is a terrible artist. He

648
00:29:42,800 --> 00:29:44,920
Speaker 7: doesn't write under his ship well in.

649
00:29:44,880 --> 00:29:47,360
Speaker 2: The moment because these conversations were had during the Quentin

650
00:29:47,400 --> 00:29:47,840
Speaker 2: Miller thing.

651
00:29:47,840 --> 00:29:49,960
Speaker 7: I don't care if the conversation was had. Did they

652
00:29:50,000 --> 00:29:52,360
Speaker 7: not hear Quinton say his album was already done and

653
00:29:52,440 --> 00:29:54,680
Speaker 7: Drake writes all of his raps?

654
00:29:54,840 --> 00:29:55,880
Speaker 6: Did they not hear that part?

655
00:29:56,200 --> 00:29:56,320
Speaker 1: No?

656
00:29:56,360 --> 00:29:58,640
Speaker 7: Of course not exactly. So why do I have to

657
00:29:58,680 --> 00:30:00,520
Speaker 7: be here city to say it? And then me called

658
00:30:00,520 --> 00:30:05,880
Speaker 7: the Glazer for another two weeks like Quinton Miller said it,

659
00:30:06,640 --> 00:30:07,200
Speaker 7: West said it.

660
00:30:07,240 --> 00:30:07,720
Speaker 1: I agree with you.

661
00:30:08,480 --> 00:30:10,680
Speaker 2: They don't tear me up on Twitter for forever because

662
00:30:10,720 --> 00:30:12,560
Speaker 2: I said, like, this is this is a vibe record.

663
00:30:12,600 --> 00:30:15,240
Speaker 2: I don't I wasn't expecting Drake to be writing these.

664
00:30:15,280 --> 00:30:18,040
Speaker 2: I don't think Drake writes the majority of his music.

665
00:30:18,840 --> 00:30:20,600
Speaker 2: Like his music, I'm like, why does he have to

666
00:30:20,600 --> 00:30:23,000
Speaker 2: be Brian Michael Cox and fucking come up with hooks

667
00:30:23,000 --> 00:30:25,320
Speaker 2: and melodies and all of that shit like and they're like, oh,

668
00:30:25,600 --> 00:30:28,880
Speaker 2: fucking jay Z doesn't have any reference tracks. And then

669
00:30:28,920 --> 00:30:30,760
Speaker 2: I just shut up and I don't say nothing because

670
00:30:30,840 --> 00:30:32,320
Speaker 2: if I say what I want to say, y'all gonna

671
00:30:32,360 --> 00:30:33,840
Speaker 2: call me. Y'all gonna call me a hater And it's

672
00:30:33,840 --> 00:30:37,360
Speaker 2: really not that. But Jay don't make songs like Drake

673
00:30:37,440 --> 00:30:38,880
Speaker 2: makes songs and he doesn't make.

674
00:30:38,840 --> 00:30:40,080
Speaker 6: They're two different type of artists.

675
00:30:40,160 --> 00:30:41,800
Speaker 7: Like I said, when you start hearing Win it's a

676
00:30:41,800 --> 00:30:44,240
Speaker 7: pop art he starts showing me, Dudes, that's like with

677
00:30:44,440 --> 00:30:47,480
Speaker 7: Drake rap his bars like Wickman and all of that, and.

678
00:30:47,880 --> 00:30:49,440
Speaker 6: Those type of first person shooting.

679
00:30:49,560 --> 00:30:52,400
Speaker 7: You start showing me reference tracks of those and Nigga

680
00:30:52,400 --> 00:30:53,480
Speaker 7: spinning those bars.

681
00:30:53,800 --> 00:30:53,960
Speaker 1: Oh.

682
00:30:54,040 --> 00:30:56,120
Speaker 7: Then I come on here and say something something totally different.

683
00:30:56,120 --> 00:30:58,920
Speaker 7: I start speaking differently, But I know that that's something

684
00:30:58,960 --> 00:31:02,320
Speaker 7: that's not gonna happen because it's been cemented already by

685
00:31:02,440 --> 00:31:04,560
Speaker 7: the guys that work with Drake, that go in the

686
00:31:04,600 --> 00:31:07,000
Speaker 7: studio with him, and they're telling you out of their mouths,

687
00:31:07,040 --> 00:31:10,600
Speaker 7: not me. These writers, these artists are saying the dude

688
00:31:10,680 --> 00:31:12,400
Speaker 7: definitely writes his own raps.

689
00:31:12,440 --> 00:31:14,840
Speaker 1: What are people talking about? All Right? But I understand

690
00:31:14,880 --> 00:31:15,600
Speaker 1: in the moment, I get it.

691
00:31:15,600 --> 00:31:18,240
Speaker 7: I understand everybody this is this is the season four

692
00:31:18,520 --> 00:31:21,480
Speaker 7: discrediting Drake and everything that he's done and accomplished thus far.

693
00:31:21,720 --> 00:31:23,680
Speaker 1: I get it the same way you talked about with

694
00:31:23,720 --> 00:31:26,680
Speaker 1: the Cole thing like he can't talk as greasy anymore

695
00:31:26,880 --> 00:31:29,000
Speaker 1: because of certain things. That's where I feel like a

696
00:31:29,000 --> 00:31:31,240
Speaker 1: lot of fans are at now with the amount of

697
00:31:31,600 --> 00:31:35,040
Speaker 1: reference tracks that have came out with Drake, Like you

698
00:31:35,080 --> 00:31:37,040
Speaker 1: never hear us say Kanye West is in the best

699
00:31:37,160 --> 00:31:40,080
Speaker 1: MC category, Like, we don't debate that because we know

700
00:31:40,120 --> 00:31:42,680
Speaker 1: who Kanye is. An artist, he's a collaborator, he's a producer,

701
00:31:43,000 --> 00:31:46,680
Speaker 1: He's that always has been that. Drake has talked greasy

702
00:31:46,800 --> 00:31:49,560
Speaker 1: like he is the greatest rapper of all time. He

703
00:31:49,640 --> 00:31:52,920
Speaker 1: has been debated in barbershops with the likes of hove Nas.

704
00:31:53,240 --> 00:31:55,239
Speaker 1: Whether you like it or not, we've put Drake in

705
00:31:55,400 --> 00:31:59,280
Speaker 1: that conversation. M h. I think fans that are talking

706
00:31:59,400 --> 00:32:02,080
Speaker 1: MC shit are starting to get to the point of, like,

707
00:32:02,440 --> 00:32:04,000
Speaker 1: all right, man, it's getting a little too far with

708
00:32:04,080 --> 00:32:07,600
Speaker 1: some of these references. It's not just Magid just hold on,

709
00:32:07,640 --> 00:32:10,760
Speaker 1: we're going home. It's not just pop records anymore. So Yeah,

710
00:32:10,800 --> 00:32:13,440
Speaker 1: it's starting to have people feel like there's an asterisk.

711
00:32:14,000 --> 00:32:16,200
Speaker 1: And I also don't think we'll ever get a timestamp

712
00:32:16,840 --> 00:32:20,400
Speaker 1: record reference because I don't think that's how Drake collaborates

713
00:32:20,440 --> 00:32:23,480
Speaker 1: when it comes to raps. So I don't think there's

714
00:32:23,560 --> 00:32:25,160
Speaker 1: I don't think they'll never there will never be an

715
00:32:25,560 --> 00:32:26,640
Speaker 1: in Dallas. Huh.

716
00:32:26,680 --> 00:32:27,840
Speaker 6: You believe he writes his raps.

717
00:32:27,880 --> 00:32:30,200
Speaker 1: I think Drake is a phenomenal writer, but I also

718
00:32:30,240 --> 00:32:32,200
Speaker 1: think Drake collapse and gets a lot of helpe. I

719
00:32:32,240 --> 00:32:34,040
Speaker 1: think there's been plenty of times he sat in the

720
00:32:34,080 --> 00:32:37,320
Speaker 1: studio like a lot of your favorite rappers and has

721
00:32:37,320 --> 00:32:43,640
Speaker 1: had his collaborators in the room feeding him lines. I

722
00:32:43,680 --> 00:32:45,600
Speaker 1: think a lot of time stamp records he's probably had

723
00:32:45,640 --> 00:32:48,680
Speaker 1: help from Hush. He's admitted that he thinks Hush is

724
00:32:48,680 --> 00:32:51,040
Speaker 1: the greatest rapper of all time. I think there's been

725
00:32:51,080 --> 00:32:53,360
Speaker 1: plenty of time stamps where he's gotten help. But I

726
00:32:53,440 --> 00:32:55,959
Speaker 1: also think there's been plenty of times where Hove has

727
00:32:55,960 --> 00:32:59,240
Speaker 1: been fed lines. I think Nas has been fed lines.

728
00:32:59,280 --> 00:33:02,479
Speaker 1: I think every great rapper has been fed lines. I

729
00:33:02,520 --> 00:33:05,120
Speaker 1: think Drake maybe has been fed a little bit more

730
00:33:05,160 --> 00:33:07,920
Speaker 1: than the average rapper because he's such a collaborator and

731
00:33:08,000 --> 00:33:11,360
Speaker 1: has such a chemistry with his circle of people, including Hush,

732
00:33:11,400 --> 00:33:16,440
Speaker 1: who's been with him forever. I've been in the credits

733
00:33:16,480 --> 00:33:19,920
Speaker 1: of Thank Me Later, of the Thank Yous, thank you

734
00:33:20,040 --> 00:33:23,640
Speaker 1: Hush for putting all these records together with me. So

735
00:33:23,880 --> 00:33:26,440
Speaker 1: I don't think we'll ever get like a Hush eight

736
00:33:26,480 --> 00:33:28,560
Speaker 1: Am and Charlotte reference because I don't think that's how

737
00:33:28,600 --> 00:33:31,280
Speaker 1: he writes them. But I think Hush may write eight

738
00:33:31,360 --> 00:33:34,880
Speaker 1: bars and Drake may rap that shit mm hmm. But

739
00:33:34,960 --> 00:33:37,120
Speaker 1: I think I don't think some of my favorite rappers

740
00:33:37,160 --> 00:33:38,400
Speaker 1: ever have done the same fucking thing.

741
00:33:38,440 --> 00:33:39,560
Speaker 6: I agree, yeah, but I don't.

742
00:33:39,560 --> 00:33:41,920
Speaker 1: I don't think that's why Drake that I agree.

743
00:33:41,960 --> 00:33:44,640
Speaker 7: I agree that a lot of rappers probably do have

744
00:33:44,720 --> 00:33:46,440
Speaker 7: people that theyre in the studio with that you know,

745
00:33:46,640 --> 00:33:48,800
Speaker 7: feet throw lines and you should say it like this,

746
00:33:48,960 --> 00:33:49,320
Speaker 7: that type.

747
00:33:49,360 --> 00:33:50,000
Speaker 1: But I've seen it.

748
00:33:51,000 --> 00:33:54,520
Speaker 7: But I'm talking about with Drake in particulars to the

749
00:33:54,560 --> 00:33:57,440
Speaker 7: point where people are now starting to try to build

750
00:33:57,480 --> 00:33:59,920
Speaker 7: this narrative that he doesn't write any of his rap,

751
00:34:01,240 --> 00:34:03,280
Speaker 7: And that's to me what I'm just like, I can't

752
00:34:03,400 --> 00:34:07,640
Speaker 7: entertain that conversation because it's just stupid, because again, you

753
00:34:07,800 --> 00:34:11,800
Speaker 7: have the same guys that are credited for collaborating and

754
00:34:11,880 --> 00:34:15,600
Speaker 7: writing on certain songs. They're telling you out of their mouths,

755
00:34:15,719 --> 00:34:20,799
Speaker 7: not me, not you. These guys are saying he absolutely

756
00:34:20,960 --> 00:34:24,640
Speaker 7: writes his own raps. He writes his bars. Now do

757
00:34:24,760 --> 00:34:29,279
Speaker 7: we collaborate on style and sauce and certain records and

758
00:34:29,400 --> 00:34:32,640
Speaker 7: vibes and shit like that, of course, But when it

759
00:34:32,760 --> 00:34:37,840
Speaker 7: comes to the bars and raps, not songs, not you know,

760
00:34:38,360 --> 00:34:41,840
Speaker 7: those type of records. I'm talking about bars. Do I

761
00:34:42,440 --> 00:34:46,080
Speaker 7: believe Drake is writing his own bars? Absolutely so, and so.

762
00:34:46,160 --> 00:34:48,640
Speaker 2: I agree with you when it comes to mob Ties

763
00:34:48,719 --> 00:34:51,239
Speaker 2: A lot of people are saying and Drake has also

764
00:34:51,680 --> 00:34:55,239
Speaker 2: kind of insinuated that mob Tize was a response to

765
00:34:55,480 --> 00:34:58,800
Speaker 2: the pusher situation. So for you not to write that,

766
00:34:59,040 --> 00:35:00,680
Speaker 2: I think a lot of people feelings were her. I

767
00:35:00,680 --> 00:35:03,239
Speaker 2: remember Julian texted group chat like damn mob Ties with

768
00:35:03,480 --> 00:35:05,560
Speaker 2: like the broken hearts emojis and ship like because a

769
00:35:05,600 --> 00:35:07,520
Speaker 2: lot of people felt like that was a response to

770
00:35:07,719 --> 00:35:08,080
Speaker 2: push it.

771
00:35:08,360 --> 00:35:11,640
Speaker 7: Yeah, and he but his wraps on it. Vori is

772
00:35:11,680 --> 00:35:14,600
Speaker 7: not rapping with Drake is rapping on that record? Is

773
00:35:14,680 --> 00:35:17,759
Speaker 7: he wrapping the hook and and and this this the

774
00:35:17,880 --> 00:35:20,200
Speaker 7: style of the record in the Cadus. Yeah, I'm talking

775
00:35:20,200 --> 00:35:23,040
Speaker 7: about the bars on mob Ties. Vori is not wrapping

776
00:35:23,080 --> 00:35:25,080
Speaker 7: that on that reference truck. You don't hear him saying.

777
00:35:25,080 --> 00:35:26,799
Speaker 7: None of those bars that Drake is wrapping.

778
00:35:26,760 --> 00:35:29,160
Speaker 1: There's like one of two. But it's not that big

779
00:35:29,200 --> 00:35:31,200
Speaker 1: of a deal to me even is it? Because I

780
00:35:31,200 --> 00:35:32,960
Speaker 1: would do what I just listened to. It's none of

781
00:35:33,000 --> 00:35:37,719
Speaker 1: that is on it there, but also there's some bars

782
00:35:37,760 --> 00:35:42,400
Speaker 1: on the future reference to like certain small bars to

783
00:35:42,480 --> 00:35:45,280
Speaker 1: get you to the next line. Like again, that's collaborating.

784
00:35:45,320 --> 00:35:47,239
Speaker 1: I don't really look at that as that crazy, No.

785
00:35:47,360 --> 00:35:47,959
Speaker 6: I'm talking about.

786
00:35:48,200 --> 00:35:50,759
Speaker 1: I think rapping dude caught a cool pocket and Drake

787
00:35:51,440 --> 00:35:53,800
Speaker 1: followed the pocket followed a lot of the tones the

788
00:35:53,920 --> 00:35:55,719
Speaker 1: background that that ship, like all.

789
00:35:55,680 --> 00:35:56,400
Speaker 3: That he followed.

790
00:35:57,680 --> 00:36:00,640
Speaker 1: Listen, because you are one, you can say it. I

791
00:36:00,719 --> 00:36:02,960
Speaker 1: also like the original. I don't like the Drake change

792
00:36:03,000 --> 00:36:05,520
Speaker 1: that ship too. I'm not with the Rara. I am

793
00:36:05,560 --> 00:36:09,800
Speaker 1: a dada yeah, like since Scorpion came out. But I

794
00:36:09,920 --> 00:36:14,399
Speaker 1: like maptas this is before you a data. Mmm, I'm

795
00:36:14,400 --> 00:36:18,239
Speaker 1: still with the Rara a game I am.

796
00:36:20,320 --> 00:36:22,319
Speaker 6: That's it. That's what his church board days.

797
00:36:23,160 --> 00:36:25,560
Speaker 1: That's just calic, those just Catholic Catholic days, right because

798
00:36:25,560 --> 00:36:28,000
Speaker 1: I was baptized, could never I think.

799
00:36:28,120 --> 00:36:30,840
Speaker 8: I think this is a good because I think what

800
00:36:30,920 --> 00:36:32,560
Speaker 8: you guys are saying there's a lot of nuance to it.

801
00:36:32,640 --> 00:36:34,359
Speaker 8: And I think there's so many people that are trying

802
00:36:34,440 --> 00:36:37,680
Speaker 8: to be vocal about industry or like a space of

803
00:36:37,800 --> 00:36:40,080
Speaker 8: song creation that they know little to nothing about.

804
00:36:40,280 --> 00:36:42,320
Speaker 3: This is me so I think this is like a good.

805
00:36:42,360 --> 00:36:46,400
Speaker 8: Educational moment, like maybe before you tweet or jump in comments,

806
00:36:46,560 --> 00:36:49,680
Speaker 8: just like understand what it means. What are the differences

807
00:36:49,760 --> 00:36:52,080
Speaker 8: between a collaborator and a ghost writer and those kind

808
00:36:52,120 --> 00:36:52,359
Speaker 8: of thing.

809
00:36:52,280 --> 00:36:55,120
Speaker 3: Because it is there's a lot there's a lot of kerfuffle.

810
00:36:55,160 --> 00:36:56,680
Speaker 8: I'm not going to go to a mechanic and say

811
00:36:56,719 --> 00:36:58,640
Speaker 8: that's the wrong tube you're supposed to use this. I

812
00:36:58,680 --> 00:37:01,080
Speaker 8: don't know what I'm talking about, but with this, there

813
00:37:01,160 --> 00:37:05,120
Speaker 8: are technical terms here which can lead to either understanding

814
00:37:05,280 --> 00:37:07,880
Speaker 8: or just like piling on hate that already exists. And

815
00:37:07,880 --> 00:37:10,040
Speaker 8: I'm not shooting Drake Bail, but I think that there's

816
00:37:10,120 --> 00:37:12,680
Speaker 8: like a lot more to this if you just look

817
00:37:12,719 --> 00:37:14,960
Speaker 8: a little more into it than just blanket statement.

818
00:37:15,360 --> 00:37:17,680
Speaker 3: This sounds like Drake. This is Drake stole it, because

819
00:37:17,680 --> 00:37:18,600
Speaker 3: that's not what happened.

820
00:37:18,760 --> 00:37:21,480
Speaker 2: When it comes to music industry Twitter, Rory was just

821
00:37:21,520 --> 00:37:23,239
Speaker 2: talking about them. What was it with the Meg They

822
00:37:23,280 --> 00:37:27,960
Speaker 2: were talking about the Meg record deal with rock Nation,

823
00:37:28,320 --> 00:37:31,919
Speaker 2: I mean the management MANAGERI o'deal remember we were talking

824
00:37:31,960 --> 00:37:32,279
Speaker 2: about that.

825
00:37:32,520 --> 00:37:33,600
Speaker 1: Yeah, remind me of Gun exactly.

826
00:37:33,719 --> 00:37:35,880
Speaker 2: They were saying that they were like, well, Meg got

827
00:37:35,920 --> 00:37:40,799
Speaker 2: a fucked up managerial deal over a rock Nation. Oh yeah,

828
00:37:41,120 --> 00:37:42,960
Speaker 2: because somebody was in an interview talking about it.

829
00:37:43,040 --> 00:37:43,400
Speaker 5: What was that?

830
00:37:43,480 --> 00:37:46,520
Speaker 1: Who was that? It was? Sautwalker was a great, great

831
00:37:46,600 --> 00:37:51,800
Speaker 1: rapper turned down a rock Nation deal, and I have

832
00:37:51,920 --> 00:37:54,000
Speaker 1: the quote of what it was, and I'm not shitting

833
00:37:54,040 --> 00:37:57,080
Speaker 1: on it. More so music industry Twitter saying that this

834
00:37:57,239 --> 00:37:59,960
Speaker 1: was like an awful deal. They offered me a management deal. Basically,

835
00:38:00,080 --> 00:38:02,880
Speaker 1: it's a very fancy way of saying not being in

836
00:38:02,920 --> 00:38:05,200
Speaker 1: a three sixty contract, but something so close that it's

837
00:38:05,200 --> 00:38:07,759
Speaker 1: still maybe uncomfortable, which is cool as sauces if he

838
00:38:07,800 --> 00:38:11,000
Speaker 1: doesn't want to do it. Great. This means that they

839
00:38:11,000 --> 00:38:13,719
Speaker 1: would participate in all other income streams even though they're

840
00:38:13,760 --> 00:38:16,040
Speaker 1: acting as management and not the label. That's weird for

841
00:38:16,239 --> 00:38:18,960
Speaker 1: management coming to participate in all your three sixty rights.

842
00:38:19,840 --> 00:38:23,640
Speaker 1: That's a management deal. That's a standard management deal. You

843
00:38:23,760 --> 00:38:26,839
Speaker 1: get between ten and twenty percent for the most part

844
00:38:27,280 --> 00:38:31,160
Speaker 1: of every stream of income its labels. Where that shit

845
00:38:31,239 --> 00:38:33,439
Speaker 1: gets dicey and why they invented the three sixty deal

846
00:38:33,440 --> 00:38:36,240
Speaker 1: because they were not eating off tour and merch management

847
00:38:36,320 --> 00:38:39,640
Speaker 1: has always, always, always, always, always, since the beginning of

848
00:38:39,719 --> 00:38:43,560
Speaker 1: time eight, off your merch ate, off your tour ate,

849
00:38:43,600 --> 00:38:46,799
Speaker 1: off your music and then music industry Twitter was like, yo,

850
00:38:46,920 --> 00:38:49,000
Speaker 1: see this is why Meg signs the worst fucking deals.

851
00:38:49,360 --> 00:38:51,759
Speaker 1: She's in another three sixty now she's in a management deal.

852
00:38:53,000 --> 00:38:57,080
Speaker 1: So I see it with this this ghost writing thing

853
00:38:57,239 --> 00:39:00,399
Speaker 1: as well. They're pulling on Yo. Drake got twenty five

854
00:39:00,400 --> 00:39:03,640
Speaker 1: writers on one song. Yeah, there's also three samples that

855
00:39:03,840 --> 00:39:07,120
Speaker 1: also have fifteen other writers on there from the sample people.

856
00:39:07,440 --> 00:39:09,919
Speaker 7: But again, this is but you got to understand what's

857
00:39:10,000 --> 00:39:14,319
Speaker 7: happening specifically to this moment is people are just going

858
00:39:14,440 --> 00:39:18,719
Speaker 7: to try to piece together things and create these narratives

859
00:39:19,080 --> 00:39:21,839
Speaker 7: to discredit Drake as an artist, as a writer, as

860
00:39:21,840 --> 00:39:24,600
Speaker 7: a rappers an MC as much as possible. This is

861
00:39:24,680 --> 00:39:28,200
Speaker 7: the pile on moment he lost to Kendrick. He doesn't

862
00:39:28,239 --> 00:39:30,360
Speaker 7: really write, He's not as dope as you think he is.

863
00:39:30,560 --> 00:39:35,160
Speaker 7: Here's another reference track. It's that type of shit that's

864
00:39:35,160 --> 00:39:37,920
Speaker 7: happening on right now. But you know those that understand

865
00:39:38,000 --> 00:39:41,000
Speaker 7: what's happening and what's been happening, and you know that's it.

866
00:39:41,120 --> 00:39:41,759
Speaker 7: That's all that matters.

867
00:39:41,840 --> 00:39:43,520
Speaker 1: I think it just it just again has to do

868
00:39:43,680 --> 00:39:46,480
Speaker 1: with we've added Drake into that combo, so he's going

869
00:39:46,600 --> 00:39:49,759
Speaker 1: to be compared amongst his his peers, because I do

870
00:39:50,120 --> 00:39:52,800
Speaker 1: mean that you can kill me if you want. I

871
00:39:52,840 --> 00:39:54,760
Speaker 1: think Jay and Nas are as peers as far as rappers,

872
00:39:55,040 --> 00:39:58,000
Speaker 1: kill me if you want. He's being compared that way.

873
00:39:58,600 --> 00:40:02,799
Speaker 1: So yeah, this stuff does matter in that conversation. If

874
00:40:02,840 --> 00:40:06,399
Speaker 1: we can't really prove that he does write all his raps, Yeah,

875
00:40:06,520 --> 00:40:08,839
Speaker 1: it adds an asterisk to a lot of shit. Even

876
00:40:08,880 --> 00:40:11,319
Speaker 1: though there's been rumors with other artists that hasn't been

877
00:40:11,360 --> 00:40:14,480
Speaker 1: to this degree. But they also weren't pop stars like

878
00:40:14,760 --> 00:40:16,359
Speaker 1: and that's like we've heard, we've heard.

879
00:40:16,400 --> 00:40:16,919
Speaker 6: That's the key.

880
00:40:17,080 --> 00:40:17,920
Speaker 1: We love the difference.

881
00:40:18,040 --> 00:40:22,319
Speaker 7: That's the difference right there in between Jay, Nas and Drake.

882
00:40:23,200 --> 00:40:29,400
Speaker 7: Those guys are the quintessential rap stars. Drake is a

883
00:40:29,760 --> 00:40:35,400
Speaker 7: pop star that happens to rap as well. That's the

884
00:40:35,480 --> 00:40:38,560
Speaker 7: difference in these artists. Jay and Nas don't make the

885
00:40:38,680 --> 00:40:41,520
Speaker 7: music that Drake makes exactly. No, they don't make the

886
00:40:41,640 --> 00:40:43,960
Speaker 7: type of songs. They won't dare try to make the

887
00:40:44,000 --> 00:40:46,600
Speaker 7: type some of the songs that people would kill j

888
00:40:46,719 --> 00:40:48,440
Speaker 7: if he made some of the songs that Drake does.

889
00:40:48,560 --> 00:40:51,160
Speaker 2: But I'm sure they've had help on hooks too. I'm

890
00:40:51,239 --> 00:40:53,640
Speaker 2: sure that they've had hooks and melodies written for that,

891
00:40:53,800 --> 00:40:54,640
Speaker 2: like come on, bro.

892
00:40:55,200 --> 00:40:56,920
Speaker 1: Well yeah people have yeah, I mean that's not I

893
00:40:56,960 --> 00:40:59,200
Speaker 1: don't that's not something that I mean, we know that.

894
00:40:59,280 --> 00:40:59,680
Speaker 6: That's true.

895
00:40:59,760 --> 00:41:02,480
Speaker 7: Jays have had hooks and things, you know, written for

896
00:41:02,560 --> 00:41:05,560
Speaker 7: them and you know things, especially when Kanye was producing

897
00:41:05,920 --> 00:41:08,080
Speaker 7: a lot of j shit. Some of that that was

898
00:41:08,160 --> 00:41:10,680
Speaker 7: Kanye's way of getting some of his beats off was

899
00:41:10,920 --> 00:41:13,160
Speaker 7: he already got the hook to it, which is like

900
00:41:13,239 --> 00:41:15,560
Speaker 7: a layup for a great rapper, like, oh shit, beat

901
00:41:15,640 --> 00:41:17,000
Speaker 7: odd hooks already did.

902
00:41:17,560 --> 00:41:21,120
Speaker 1: I forgot what rapper was doing some podcasts years ago,

903
00:41:21,280 --> 00:41:24,120
Speaker 1: saying someone asked him why Swizz dominated like that mid

904
00:41:24,480 --> 00:41:27,320
Speaker 1: early mid two thousand times, like he was selling beats

905
00:41:27,400 --> 00:41:29,360
Speaker 1: for one point five million because the beats came with

906
00:41:29,440 --> 00:41:31,759
Speaker 1: a hook. I had to fill in twelve fucking bars,

907
00:41:31,760 --> 00:41:33,360
Speaker 1: and I had a number one record, right, ye, Like

908
00:41:33,520 --> 00:41:37,560
Speaker 1: these producers were coming with something already done. I put

909
00:41:38,080 --> 00:41:41,080
Speaker 1: some catchy shit about a girl, here's a monster hook,

910
00:41:41,320 --> 00:41:42,840
Speaker 1: some more catchy shit about a girl, and I have

911
00:41:42,880 --> 00:41:46,839
Speaker 1: a number one record, right I wrote fourteen bars? Who cares?

912
00:41:47,080 --> 00:41:49,120
Speaker 6: I mean, if you go look at Fade the Black.

913
00:41:50,440 --> 00:41:54,960
Speaker 7: When Kanye's playing a Lucier for track for Jay he

914
00:41:55,120 --> 00:41:59,200
Speaker 7: starts rhyming, Lord, I gotta get my soul right, I

915
00:41:59,280 --> 00:42:00,960
Speaker 7: need to get these was out my life. All of

916
00:42:01,040 --> 00:42:04,600
Speaker 7: that was Kanye. Now for a reference track with Kanye

917
00:42:04,760 --> 00:42:07,800
Speaker 7: doing that came out today. People try to say Jayden

918
00:42:07,920 --> 00:42:09,839
Speaker 7: don't write his his like this is what I'm saying.

919
00:42:09,840 --> 00:42:12,920
Speaker 7: It's like, it's so the same thing. It's stupid.

920
00:42:12,960 --> 00:42:14,160
Speaker 3: It's like, Yo, what it's on camera?

921
00:42:14,280 --> 00:42:15,279
Speaker 6: What are y'all talking about?

922
00:42:15,440 --> 00:42:18,279
Speaker 7: Like, It's like, but people again, when they're trying to

923
00:42:18,320 --> 00:42:20,839
Speaker 7: create a certain narrative, they act like certain things don't

924
00:42:20,880 --> 00:42:23,680
Speaker 7: already exist that you can look up and find yourself.

925
00:42:23,760 --> 00:42:25,920
Speaker 2: So well, I mean, it's it's tip for tat and

926
00:42:26,000 --> 00:42:27,600
Speaker 2: it's really who you like the most.

927
00:42:27,680 --> 00:42:30,080
Speaker 1: But I could see appear ast being like, Yo, if

928
00:42:30,280 --> 00:42:33,200
Speaker 1: the producer helped you pick a pocket in a flow,

929
00:42:33,840 --> 00:42:37,840
Speaker 1: it's not the same as ten bands, fifty bands, hundred

930
00:42:37,880 --> 00:42:41,919
Speaker 1: bands like that. Whole entire bridge was written and done

931
00:42:42,600 --> 00:42:46,760
Speaker 1: a little different than like just trying to find a pocket.

932
00:42:47,680 --> 00:42:49,719
Speaker 1: So I think there is a difference. But again, I

933
00:42:49,800 --> 00:42:51,719
Speaker 1: think Jay and Drake are drastically different.

934
00:42:51,520 --> 00:42:52,839
Speaker 6: Arts, different artists.

935
00:42:52,840 --> 00:42:53,760
Speaker 1: To begin I can't really.

936
00:42:53,600 --> 00:42:54,600
Speaker 6: Compared to Dark all right.

937
00:42:54,680 --> 00:42:57,960
Speaker 7: I'm again I've said it before I say it again

938
00:42:58,480 --> 00:43:00,399
Speaker 7: the day I get a reference from one of them,

939
00:43:00,480 --> 00:43:03,359
Speaker 7: Tom Stamp George where Drake is giving us straight wrapping bought.

940
00:43:03,719 --> 00:43:06,640
Speaker 1: Oh, then my conversation is totally different. I hoping that happens.

941
00:43:06,680 --> 00:43:08,799
Speaker 1: We're in the store, of course you are.

942
00:43:09,160 --> 00:43:10,200
Speaker 3: But I also think it happened.

943
00:43:10,360 --> 00:43:12,960
Speaker 1: I think Drake maybe got into habits early too, And

944
00:43:13,239 --> 00:43:15,239
Speaker 1: this is just me thinking. I have no evidence of this.

945
00:43:15,280 --> 00:43:17,880
Speaker 1: I could be completely wrong. So, with apologies to Toronto

946
00:43:17,920 --> 00:43:21,279
Speaker 1: if I am, I think Drake being on TV and

947
00:43:21,360 --> 00:43:24,600
Speaker 1: being somewhat of a local celebrity did help him in

948
00:43:24,640 --> 00:43:27,279
Speaker 1: a music scene that wasn't really thriving. So I think

949
00:43:27,280 --> 00:43:29,719
Speaker 1: a lot of people did go to Drake with a

950
00:43:29,760 --> 00:43:33,080
Speaker 1: lot of great ideas and a lot of help, which

951
00:43:33,160 --> 00:43:35,200
Speaker 1: is cool. I mean, I think I'm sure Drake did

952
00:43:35,239 --> 00:43:39,000
Speaker 1: most of Comeback Season in the writing, but all the

953
00:43:39,120 --> 00:43:42,120
Speaker 1: genius minds from Toronto were like, well, he's the most

954
00:43:42,160 --> 00:43:42,640
Speaker 1: popular one.

955
00:43:43,360 --> 00:43:43,600
Speaker 6: Yeah.

956
00:43:43,920 --> 00:43:46,040
Speaker 1: I think it was similar to what Ali was talking

957
00:43:46,040 --> 00:43:49,480
Speaker 1: about on Vlad with the Nelly shit, Like listen man,

958
00:43:49,560 --> 00:43:51,040
Speaker 1: Nelly was about to get a deal, so we was like,

959
00:43:51,360 --> 00:43:53,800
Speaker 1: you take all the hot shit, yeah, and we'll just

960
00:43:53,880 --> 00:43:55,640
Speaker 1: all go with you and Drake has been with the

961
00:43:55,680 --> 00:44:01,080
Speaker 1: same engineer, producers camp since then. So yeah, I can

962
00:44:01,160 --> 00:44:03,600
Speaker 1: see Hush trying to get on, but yo, you take

963
00:44:03,640 --> 00:44:06,880
Speaker 1: this verse instead. Yeah, because you have you have it

964
00:44:06,960 --> 00:44:08,480
Speaker 1: right now, so go ahead and do it. So I

965
00:44:08,520 --> 00:44:11,480
Speaker 1: think he may got in that habit early before he

966
00:44:11,600 --> 00:44:14,879
Speaker 1: even popped off of being the collaborator in the face

967
00:44:15,000 --> 00:44:18,080
Speaker 1: of Toronto music at the time. Yeah, so it's probably

968
00:44:18,120 --> 00:44:20,200
Speaker 1: not that weird to him to be like, Yo, you

969
00:44:20,280 --> 00:44:22,040
Speaker 1: got a twelve let me hear it. I'll fix it up.

970
00:44:23,560 --> 00:44:24,400
Speaker 1: That's making music.

971
00:44:24,680 --> 00:44:28,440
Speaker 2: Yeah, and he releases such a high volume of music,

972
00:44:28,680 --> 00:44:31,960
Speaker 2: like yeah, I mean, Drake is an amazing rapper. But

973
00:44:32,080 --> 00:44:34,280
Speaker 2: to think he's sent up there putting fucking one hundred

974
00:44:34,400 --> 00:44:37,680
Speaker 2: songs a year together by him, No, bro, Like, let's stop.

975
00:44:38,680 --> 00:44:40,480
Speaker 7: And not only that, when you have the type of

976
00:44:41,040 --> 00:44:43,560
Speaker 7: crew that you have and have had for so long,

977
00:44:43,640 --> 00:44:46,439
Speaker 7: it's a reason that you have that crew. It's y'all,

978
00:44:46,520 --> 00:44:48,160
Speaker 7: it's a it's a collective effort.

979
00:44:48,480 --> 00:44:49,360
Speaker 6: It's everybody.

980
00:44:49,920 --> 00:44:50,080
Speaker 1: You know.

981
00:44:50,239 --> 00:44:53,200
Speaker 6: Forty has the music. He knows what pocket to leave open.

982
00:44:54,160 --> 00:44:54,320
Speaker 1: You know.

983
00:44:54,840 --> 00:44:56,800
Speaker 6: Noel is obviously recording most of it.

984
00:44:58,080 --> 00:45:01,040
Speaker 7: Hush and Drake, if I was been together for years,

985
00:45:01,520 --> 00:45:05,759
Speaker 7: working on ideas a Party Drake, who Drake speaks about

986
00:45:05,760 --> 00:45:09,879
Speaker 7: he loves working and writing along with party. But again,

987
00:45:09,920 --> 00:45:11,840
Speaker 7: I think most of these guys would laugh at some

988
00:45:11,920 --> 00:45:13,799
Speaker 7: of the shit that they're reading, Like Drake doesn't write

989
00:45:13,800 --> 00:45:16,080
Speaker 7: his raps, Like, like, what are y'all talking about?

990
00:45:16,080 --> 00:45:19,480
Speaker 1: You don't think if around take care of time? I'm

991
00:45:19,520 --> 00:45:23,120
Speaker 1: trying to sign the weekends, I'm not. I'm not gonna

992
00:45:23,120 --> 00:45:26,160
Speaker 1: have that guy help me find some melodies, right, you

993
00:45:26,200 --> 00:45:28,520
Speaker 1: think I'm signing party. We're not gonna work together. You

994
00:45:28,520 --> 00:45:29,960
Speaker 1: don't think I'm gonna hear some shit in the studio

995
00:45:29,960 --> 00:45:33,319
Speaker 1: and be like, all right, man, I'm gonna take that one.

996
00:45:33,480 --> 00:45:37,279
Speaker 1: Yeah it happens. Yeah, it definitely happens. But again, I

997
00:45:37,400 --> 00:45:39,640
Speaker 1: understand the optics and everything that's going on right now,

998
00:45:39,800 --> 00:45:42,520
Speaker 1: so you know, I'll just see why it pisses off

999
00:45:42,520 --> 00:45:45,560
Speaker 1: the purists. I know Julian can't wait to shit on Eminem,

1000
00:45:45,600 --> 00:45:47,360
Speaker 1: which we'll get to. But speaking of peeris, I can

1001
00:45:47,440 --> 00:45:50,879
Speaker 1: see that bothering a lot of people that have been

1002
00:45:51,200 --> 00:45:53,680
Speaker 1: writing all their shit, Like when Andre in two thousand

1003
00:45:53,760 --> 00:45:57,359
Speaker 1: said on Blonde in that interlude, like it's coming back

1004
00:45:57,440 --> 00:45:59,200
Speaker 1: that everyone's not writing this shit. I guess I've been

1005
00:45:59,280 --> 00:46:02,560
Speaker 1: working just way. What the fuck am I? You're allowed

1006
00:46:02,560 --> 00:46:05,319
Speaker 1: to do that? I thought everyone was writing all their ship.

1007
00:46:06,840 --> 00:46:08,960
Speaker 1: This is why I retired. I didn't know I had

1008
00:46:08,960 --> 00:46:11,400
Speaker 1: to write all the ship. So I can see that

1009
00:46:11,480 --> 00:46:14,920
Speaker 1: pissing off purist. I think Eminem should get some more

1010
00:46:14,960 --> 00:46:21,040
Speaker 1: help use it, or you could just stop. Well, we

1011
00:46:21,160 --> 00:46:23,400
Speaker 1: gotta be fair. We didn't hear anything. We don't know

1012
00:46:23,480 --> 00:46:24,120
Speaker 1: what this sounds like.

1013
00:46:24,239 --> 00:46:26,200
Speaker 3: This looks like enough for me, yeah, but we don't.

1014
00:46:26,200 --> 00:46:27,840
Speaker 7: We don't know what it sounds like. We don't know

1015
00:46:27,920 --> 00:46:30,759
Speaker 7: what This is what Eminem has giving us on this

1016
00:46:30,960 --> 00:46:32,759
Speaker 7: Hodi project. This comes out tonight, right.

1017
00:46:33,080 --> 00:46:35,160
Speaker 1: This is a single. I think it's a single single

1018
00:46:35,400 --> 00:46:37,239
Speaker 1: because I think the name of the album is Death

1019
00:46:37,320 --> 00:46:38,040
Speaker 1: of Slim Shady.

1020
00:46:38,560 --> 00:46:41,320
Speaker 3: No great, yeah, yeah, the death of some Shady.

1021
00:46:41,520 --> 00:46:44,440
Speaker 1: That was the rumor online. All right, I'm gonna go

1022
00:46:44,520 --> 00:46:48,879
Speaker 1: on a limb. I think is a good Eminem album.

1023
00:46:49,080 --> 00:46:51,000
Speaker 3: This is a single, the lead single for the album.

1024
00:46:51,360 --> 00:46:52,520
Speaker 6: And this is with David Blaine.

1025
00:46:53,000 --> 00:46:56,000
Speaker 3: He just did a teaser with David Blaine because he's

1026
00:46:56,040 --> 00:46:57,040
Speaker 3: obviously leaning into the.

1027
00:46:57,600 --> 00:46:59,319
Speaker 1: Is David Blaine on the writing credits because I can't

1028
00:46:59,320 --> 00:47:00,120
Speaker 1: respect it the.

1029
00:47:00,320 --> 00:47:02,359
Speaker 7: Stavid Blaine doesn't write, then we just she's the worst

1030
00:47:02,400 --> 00:47:03,279
Speaker 7: magician of all time?

1031
00:47:03,800 --> 00:47:04,520
Speaker 2: Is this the reference?

1032
00:47:04,600 --> 00:47:05,120
Speaker 1: So this is the.

1033
00:47:06,920 --> 00:47:07,200
Speaker 5: David?

1034
00:47:07,280 --> 00:47:07,600
Speaker 1: What up?

1035
00:47:07,640 --> 00:47:07,799
Speaker 5: Man?

1036
00:47:08,640 --> 00:47:08,759
Speaker 1: Yo?

1037
00:47:08,880 --> 00:47:11,600
Speaker 2: Listen, I need your help with something song wherever you need.

1038
00:47:12,440 --> 00:47:13,920
Speaker 1: First of all, I just want to say, you know

1039
00:47:13,960 --> 00:47:15,960
Speaker 1: you're the greatest to ever do it right? We should

1040
00:47:16,000 --> 00:47:19,520
Speaker 1: do something together one time. So this is clearly a

1041
00:47:19,560 --> 00:47:20,200
Speaker 1: real conversation.

1042
00:47:20,360 --> 00:47:22,400
Speaker 3: Didn't Yeah no, they didn't doctor this in posts with

1043
00:47:22,560 --> 00:47:25,280
Speaker 3: this magic like can we do like a stunt or something.

1044
00:47:25,320 --> 00:47:27,640
Speaker 1: Trying to trick us with a bad service something like this?

1045
00:47:29,040 --> 00:47:29,840
Speaker 3: Oh ship.

1046
00:47:35,400 --> 00:47:41,000
Speaker 1: Read them all? Why don't he keep doing for my

1047
00:47:41,160 --> 00:47:45,759
Speaker 1: last trick? I'm gonna make my career disappear? Wait what

1048
00:47:46,239 --> 00:47:46,560
Speaker 1: let's go?

1049
00:47:48,840 --> 00:47:49,440
Speaker 3: Make it all go?

1050
00:47:50,000 --> 00:47:52,040
Speaker 2: Producer of that god that was all?

1051
00:47:52,239 --> 00:47:53,040
Speaker 3: Make it all go?

1052
00:47:53,320 --> 00:47:56,879
Speaker 6: Why you understand important of having the team of collaborators

1053
00:47:56,880 --> 00:47:57,239
Speaker 6: and people.

1054
00:47:57,360 --> 00:47:58,160
Speaker 3: Now I'm just tapped in.

1055
00:47:58,239 --> 00:48:01,279
Speaker 1: That's why he's to go. And like, you know, m

1056
00:48:01,360 --> 00:48:03,880
Speaker 1: actually may be a great marketer for a while, but

1057
00:48:04,120 --> 00:48:07,160
Speaker 1: he got old and just stop caring. He's a fucking

1058
00:48:07,200 --> 00:48:11,080
Speaker 1: billionaire and had been there. But like this type of

1059
00:48:11,200 --> 00:48:13,000
Speaker 1: artwork and that type of stuff just shows me that

1060
00:48:13,560 --> 00:48:15,480
Speaker 1: no offense shady staff, I know you hate me already

1061
00:48:15,560 --> 00:48:18,279
Speaker 1: that it's a little out of touch. But with all

1062
00:48:18,320 --> 00:48:20,800
Speaker 1: that said, I think em has listened to all of

1063
00:48:20,840 --> 00:48:22,960
Speaker 1: our critiques, and I don't think we're gonna get the

1064
00:48:23,000 --> 00:48:26,160
Speaker 1: angry fuck all y'all album. I think we're gonna get

1065
00:48:26,239 --> 00:48:28,439
Speaker 1: the type of Eminem album that we've wanted for quite

1066
00:48:28,480 --> 00:48:30,719
Speaker 1: some time. I think he's gonna work with the producers

1067
00:48:30,760 --> 00:48:33,480
Speaker 1: that we wanted him to work. I think we're going

1068
00:48:33,560 --> 00:48:38,720
Speaker 1: to get the m album that we desperately wanted for God.

1069
00:48:40,520 --> 00:48:43,840
Speaker 6: I've only ever had one real critique of Eminem.

1070
00:48:43,920 --> 00:48:46,919
Speaker 7: It's just to stop rapping, like you're trying to prove

1071
00:48:47,000 --> 00:48:48,680
Speaker 7: to us that you can rap double time shit.

1072
00:48:48,680 --> 00:48:49,840
Speaker 1: I think the slowest flow down.

1073
00:48:49,800 --> 00:48:51,120
Speaker 6: Like we know you could rap already.

1074
00:48:51,160 --> 00:48:54,160
Speaker 7: I'm just I just want to hear different music, different production,

1075
00:48:54,920 --> 00:48:57,520
Speaker 7: different type of sounds, Like I don't want like, don't

1076
00:48:57,680 --> 00:48:59,839
Speaker 7: rap to me like you're trying to prove that you can.

1077
00:49:00,040 --> 00:49:03,880
Speaker 7: They'll outrap everybody. That's that's my only critique of Eminem ever.

1078
00:49:04,000 --> 00:49:07,000
Speaker 1: And I think if he works with the Premieres, the

1079
00:49:07,080 --> 00:49:10,359
Speaker 1: Pete Rocks, like a lot of people that he's been

1080
00:49:10,440 --> 00:49:12,520
Speaker 1: vocal about wanting to work with, but was clearly on

1081
00:49:12,600 --> 00:49:15,960
Speaker 1: his superstar status and couldn't at the time, wouldn't make

1082
00:49:16,040 --> 00:49:18,800
Speaker 1: him slow his flow down in those pockets. We wouldn't

1083
00:49:18,840 --> 00:49:22,600
Speaker 1: get the Eminem beats that he makes with the intention

1084
00:49:22,800 --> 00:49:26,640
Speaker 1: to rap double, triple, quadruple time, and we not understand

1085
00:49:26,680 --> 00:49:30,160
Speaker 1: a fucking word that's going on. I think we'll finally

1086
00:49:30,200 --> 00:49:31,719
Speaker 1: get this. I have hope this time.

1087
00:49:32,200 --> 00:49:34,279
Speaker 2: Man, what he can?

1088
00:49:34,360 --> 00:49:37,520
Speaker 6: You show me who the production like, the producers that

1089
00:49:37,640 --> 00:49:38,080
Speaker 6: worked on this.

1090
00:49:38,960 --> 00:49:41,560
Speaker 7: Just show me that, and and I could already you

1091
00:49:41,560 --> 00:49:42,799
Speaker 7: know what I mean, Like, I just need to see

1092
00:49:43,080 --> 00:49:45,360
Speaker 7: who worked on it, who produced on this, on this album,

1093
00:49:46,480 --> 00:49:48,360
Speaker 7: maybe even just show me the features, so when the

1094
00:49:48,440 --> 00:49:50,640
Speaker 7: track list comes out, I have a better gauge.

1095
00:49:50,400 --> 00:49:53,080
Speaker 6: But I need to know the production of the on this.

1096
00:49:53,360 --> 00:49:56,000
Speaker 1: I have no faith in the song Houdini. I have

1097
00:49:56,120 --> 00:49:59,399
Speaker 1: faith in the album. Usually Eminem first singles, no matter

1098
00:49:59,440 --> 00:50:01,800
Speaker 1: even when I liked em all some of my favorite

1099
00:50:01,920 --> 00:50:06,279
Speaker 1: M projects usually fucking stinks. A first single from M

1100
00:50:06,400 --> 00:50:09,640
Speaker 1: has really never been that good. But I think the

1101
00:50:09,880 --> 00:50:10,879
Speaker 1: album will be good.

1102
00:50:12,520 --> 00:50:14,279
Speaker 3: I was his last trick, is him just saying the

1103
00:50:14,400 --> 00:50:18,200
Speaker 3: N word, Julian from my last you know what it's

1104
00:50:18,200 --> 00:50:19,880
Speaker 3: gonna be my last? You said it on camera before

1105
00:50:20,600 --> 00:50:22,719
Speaker 3: Will your last week be his last day?

1106
00:50:23,080 --> 00:50:25,759
Speaker 7: That's gonna be my last trick for Julie. What You're

1107
00:50:25,760 --> 00:50:27,399
Speaker 7: gonna come in here one day and everything is gonna

1108
00:50:27,400 --> 00:50:30,160
Speaker 7: be gone. It's gonna be an empty room, like you

1109
00:50:30,560 --> 00:50:33,439
Speaker 7: not gonna know where nobody is moving the plant today

1110
00:50:33,560 --> 00:50:36,600
Speaker 7: was like that was just that was the start. That

1111
00:50:36,719 --> 00:50:39,920
Speaker 7: was that was the time one. Yeah, that was a

1112
00:50:40,000 --> 00:50:40,840
Speaker 7: teaser right there for you.

1113
00:50:41,400 --> 00:50:41,560
Speaker 5: Man.

1114
00:50:41,640 --> 00:50:43,120
Speaker 3: No one wants to us keep it real, No one

1115
00:50:43,520 --> 00:50:44,560
Speaker 3: wants to.

1116
00:50:44,800 --> 00:50:47,440
Speaker 2: Be honestly, you know that we've been all waiting for it.

1117
00:50:48,560 --> 00:50:51,080
Speaker 1: Who I don't mean waiting like I've been at the

1118
00:50:51,160 --> 00:50:53,799
Speaker 1: edge of my seat for an album. I'm saying, I'm

1119
00:50:53,800 --> 00:50:56,279
Speaker 1: gonna listen. Don't get it twisted. I have to listen

1120
00:50:56,320 --> 00:50:58,839
Speaker 1: to the second last career that album I did.

1121
00:50:59,080 --> 00:50:59,600
Speaker 6: I listened to it.

1122
00:50:59,600 --> 00:51:01,799
Speaker 3: I listened every what's his last album called?

1123
00:51:02,440 --> 00:51:05,399
Speaker 6: I Don't Rory? I'm terrible with titles and names.

1124
00:51:05,600 --> 00:51:07,640
Speaker 1: What what's the name of Ory album? I thought it'd

1125
00:51:07,640 --> 00:51:10,400
Speaker 1: be different. That's my that's my nigga, that's my wiged though,

1126
00:51:10,440 --> 00:51:11,839
Speaker 1: that's different. Did you buy the vinyl?

1127
00:51:12,640 --> 00:51:13,120
Speaker 6: I didn't buy.

1128
00:51:13,560 --> 00:51:15,160
Speaker 1: I want it though it's on sale. I definitely want

1129
00:51:15,160 --> 00:51:18,000
Speaker 1: to buy the vinyl. That's hard you're saying. No, you

1130
00:51:18,040 --> 00:51:20,640
Speaker 1: think I'm gonna go and purchase? But any guys, I'm

1131
00:51:20,680 --> 00:51:22,480
Speaker 1: sure when just get here, you will just take it out.

1132
00:51:22,680 --> 00:51:23,080
Speaker 1: I will.

1133
00:51:25,000 --> 00:51:26,439
Speaker 3: Yl, I'll ask you to sign it, and I will

1134
00:51:26,480 --> 00:51:26,839
Speaker 3: walk out.

1135
00:51:28,160 --> 00:51:29,800
Speaker 2: Well, you're gonna ask worry for his I don't have

1136
00:51:31,120 --> 00:51:31,440
Speaker 2: why not?

1137
00:51:32,760 --> 00:51:36,600
Speaker 1: Don't make the lame one? Right? Was right there?

1138
00:51:36,640 --> 00:51:39,239
Speaker 3: Head to go for it anyway. Man, you guys are

1139
00:51:39,320 --> 00:51:42,560
Speaker 3: listening to this, I'm not what when was the last

1140
00:51:42,680 --> 00:51:43,440
Speaker 3: M album? Keep it?

1141
00:51:44,200 --> 00:51:44,600
Speaker 6: Was it comic?

1142
00:51:45,040 --> 00:51:46,960
Speaker 1: I think it might have been. I was gonna say,

1143
00:51:47,000 --> 00:51:49,320
Speaker 1: kamic Cozi. I think we're all wrong, Peter, are you

1144
00:51:49,320 --> 00:51:50,399
Speaker 1: even looking forward to this? Ship?

1145
00:51:50,480 --> 00:51:53,960
Speaker 2: But I would is eminem fan or is he just

1146
00:51:54,040 --> 00:51:55,040
Speaker 2: a lot of resident white man?

1147
00:51:55,640 --> 00:51:57,480
Speaker 3: If you could guess someone in the room that would

1148
00:51:57,480 --> 00:52:00,080
Speaker 3: be an Eminem fan. I would guess music to be

1149
00:52:00,200 --> 00:52:01,560
Speaker 3: murdered by? Music to be murdered.

1150
00:52:01,560 --> 00:52:03,160
Speaker 8: Oh god, he should have killed his career that Oh

1151
00:52:03,200 --> 00:52:07,720
Speaker 8: he did one more preme one year, probably sucked twenty twenty.

1152
00:52:10,040 --> 00:52:11,759
Speaker 6: Yeah, music to be murdered by I was the last one.

1153
00:52:12,840 --> 00:52:14,520
Speaker 1: I feel like em got all that shit out of

1154
00:52:14,560 --> 00:52:17,439
Speaker 1: his system. Yeah, that's I think he's finally gonna listen

1155
00:52:17,480 --> 00:52:18,840
Speaker 1: to us, just give us, just.

1156
00:52:18,880 --> 00:52:20,160
Speaker 6: Give me some just some good meal.

1157
00:52:20,280 --> 00:52:22,000
Speaker 7: I don't rap to me like you're still trying to

1158
00:52:22,000 --> 00:52:25,320
Speaker 7: show what you can out bar and out double time everybody.

1159
00:52:25,360 --> 00:52:27,880
Speaker 6: I don't need that. We know that that's already cemented.

1160
00:52:27,920 --> 00:52:29,480
Speaker 6: That's that's why you are who you are.

1161
00:52:29,600 --> 00:52:32,640
Speaker 1: Also, don'tant you to out celebrity us like or like

1162
00:52:32,760 --> 00:52:35,719
Speaker 1: out trans joke us. Listen. I don't want to be

1163
00:52:35,960 --> 00:52:37,960
Speaker 1: politically correct by any means. I want M to be

1164
00:52:38,160 --> 00:52:40,440
Speaker 1: M all the time. I just don't want him to

1165
00:52:40,560 --> 00:52:44,520
Speaker 1: like sins Death of slim Shady. He's gonna just start

1166
00:52:45,080 --> 00:52:48,360
Speaker 1: rapping about all the Kardashians. He becomes it the transgender like,

1167
00:52:48,560 --> 00:52:49,320
Speaker 1: I don't want to hear that.

1168
00:52:49,840 --> 00:52:52,560
Speaker 6: So the Whodini single is tonight. Well, if you're hearing

1169
00:52:52,600 --> 00:52:54,120
Speaker 6: this now, the Whodini singles.

1170
00:52:53,800 --> 00:52:57,400
Speaker 1: Out, you can't stop. It's on to repeat. All right,

1171
00:52:57,400 --> 00:52:59,200
Speaker 1: Well you say that, but he's gonna stream more than

1172
00:52:59,239 --> 00:52:59,839
Speaker 1: anybody else.

1173
00:53:00,040 --> 00:53:02,400
Speaker 8: Yeah, of course it's eminet Like that doesn't mean anything,

1174
00:53:03,160 --> 00:53:06,359
Speaker 8: shiit No, I mean obviously successful, he'll be fine. I'm

1175
00:53:06,400 --> 00:53:09,160
Speaker 8: not That's it makes no difference what I think I'm saying, Like,

1176
00:53:09,520 --> 00:53:12,440
Speaker 8: that's not the signifier of a a good song of

1177
00:53:12,480 --> 00:53:13,160
Speaker 8: a good artist.

1178
00:53:13,280 --> 00:53:15,280
Speaker 2: You ever, well, music is subject. Have you ever considered

1179
00:53:15,320 --> 00:53:16,920
Speaker 2: that maybe it's just not good to you, it's good

1180
00:53:16,960 --> 00:53:19,080
Speaker 2: to the mid stream his ship.

1181
00:53:19,800 --> 00:53:22,040
Speaker 3: No, it's good to them. Their taste sucks too, Like,

1182
00:53:22,120 --> 00:53:24,439
Speaker 3: I'm not look like this can all be true.

1183
00:53:24,480 --> 00:53:26,279
Speaker 1: I have I have friends from high school that are

1184
00:53:26,320 --> 00:53:29,080
Speaker 1: on fentanyl. Now that thought Kamakazi was the greatest people

1185
00:53:29,560 --> 00:53:32,399
Speaker 1: you need like a lot a lot of people from

1186
00:53:32,440 --> 00:53:35,399
Speaker 1: my era that went on, you know, to do great

1187
00:53:35,680 --> 00:53:39,640
Speaker 1: extracurricular activities and certain and I'm really not trying to

1188
00:53:39,640 --> 00:53:42,279
Speaker 1: shoo it on em this, but they find that when

1189
00:53:42,320 --> 00:53:45,680
Speaker 1: someone raps really fast, yeah, they like that type of ship.

1190
00:53:45,920 --> 00:53:48,839
Speaker 7: Yeah yeah, No, I get it. It's certain certain things

1191
00:53:48,880 --> 00:53:50,960
Speaker 7: are for certain people. So I'm not you know, I'm

1192
00:53:51,040 --> 00:53:53,640
Speaker 7: just saying for me, I just want him to just

1193
00:53:54,880 --> 00:53:56,560
Speaker 7: just just switch the music up a little bit.

1194
00:53:56,600 --> 00:53:56,880
Speaker 1: That's all.

1195
00:53:58,040 --> 00:53:59,439
Speaker 2: Eminem was the original to Baby.

1196
00:54:01,520 --> 00:54:03,319
Speaker 1: Why you say that, I don't think that.

1197
00:54:03,520 --> 00:54:05,640
Speaker 2: Was the double time? The sound that the flow?

1198
00:54:06,239 --> 00:54:07,600
Speaker 1: Do you think if you think different, do.

1199
00:54:07,600 --> 00:54:09,319
Speaker 6: You think Eminem invented double time?

1200
00:54:09,680 --> 00:54:09,719
Speaker 3: No?

1201
00:54:09,800 --> 00:54:11,400
Speaker 2: I don't think he invented it. What I'm saying is

1202
00:54:11,480 --> 00:54:14,880
Speaker 2: he rand it into the ground like the baby is doing.

1203
00:54:15,480 --> 00:54:18,280
Speaker 1: Yeah, but em always had different flows. Once he started

1204
00:54:18,320 --> 00:54:20,640
Speaker 1: on that fast ship is when I stopped liking Eminem

1205
00:54:21,480 --> 00:54:24,960
Speaker 1: like Slim Hdop, Marshall, mallters LP, Eminem show those are

1206
00:54:25,080 --> 00:54:28,040
Speaker 1: am not trying to out rap everyone on earth, like

1207
00:54:28,360 --> 00:54:29,399
Speaker 1: he's just making good music.

1208
00:54:29,600 --> 00:54:32,480
Speaker 7: His greatest song, Lose Yourself, that's not a double time

1209
00:54:32,600 --> 00:54:34,719
Speaker 7: that's just somebody getting.

1210
00:54:36,080 --> 00:54:39,120
Speaker 1: It's like, you know what type of shit? We all

1211
00:54:39,200 --> 00:54:41,960
Speaker 1: praised them as we should have. That last verse of

1212
00:54:42,080 --> 00:54:46,120
Speaker 1: Forever with Kanye, Wayne and Drake, he did the double

1213
00:54:46,200 --> 00:54:48,360
Speaker 1: Time ship and was almost sounded like he was a

1214
00:54:48,400 --> 00:54:50,640
Speaker 1: little offbeat even though he wasn't. And everyone's like, Yo,

1215
00:54:50,719 --> 00:54:53,520
Speaker 1: that's the greatest rapper we've ever seen it, And was like,

1216
00:54:53,560 --> 00:54:57,759
Speaker 1: that's what y'all like? Yeah, ten years, ten years, and

1217
00:54:57,840 --> 00:54:59,280
Speaker 1: since it's double Tom, it's twenty.

1218
00:55:01,160 --> 00:55:03,040
Speaker 8: Even the features that he gets now are like they

1219
00:55:03,160 --> 00:55:05,759
Speaker 8: just let him go for like thirty six bar it's

1220
00:55:05,840 --> 00:55:06,759
Speaker 8: just too much rap.

1221
00:55:07,640 --> 00:55:12,399
Speaker 7: Stop but listen, man, he's still a goat. The song

1222
00:55:12,480 --> 00:55:14,359
Speaker 7: might drop him. Have to come in here and mop

1223
00:55:14,440 --> 00:55:16,160
Speaker 7: up ower say that shit was hard.

1224
00:55:16,239 --> 00:55:17,960
Speaker 1: I would I would love to come in here and

1225
00:55:18,040 --> 00:55:19,200
Speaker 1: say I loved it.

1226
00:55:19,280 --> 00:55:21,560
Speaker 6: I'm with you on that. I'm definitely with you, Julian.

1227
00:55:21,680 --> 00:55:24,000
Speaker 2: Julian said, why do we call him that? If over

1228
00:55:24,080 --> 00:55:26,080
Speaker 2: half his career has been shitty music, why do y'all

1229
00:55:26,080 --> 00:55:26,680
Speaker 2: call him a goat?

1230
00:55:27,400 --> 00:55:29,480
Speaker 3: Eighty five percent of his career is just dog shit,

1231
00:55:29,600 --> 00:55:33,400
Speaker 3: You guys go heat because he sells the other.

1232
00:55:33,400 --> 00:55:36,399
Speaker 1: What he's saying the other fifteen is greater than most

1233
00:55:36,600 --> 00:55:38,640
Speaker 1: rap rappers that you can probably.

1234
00:55:38,440 --> 00:55:40,960
Speaker 3: Some artists have put out one album that has done

1235
00:55:41,880 --> 00:55:43,680
Speaker 3: like more like Biggie's one album.

1236
00:55:44,360 --> 00:55:46,279
Speaker 2: And also how many goats this and the thing, how

1237
00:55:46,320 --> 00:55:49,000
Speaker 2: many goats we allowed half? Because goat means greatest of

1238
00:55:49,040 --> 00:55:51,520
Speaker 2: all time. It can't be ten greatest of all times.

1239
00:55:51,920 --> 00:55:53,680
Speaker 2: Somebody got to actually be the greatest.

1240
00:55:54,200 --> 00:55:57,200
Speaker 7: Yeah, I mean, I'm with you on that. But I

1241
00:55:57,280 --> 00:56:00,279
Speaker 7: think people have their because again it's objective. So people

1242
00:56:00,360 --> 00:56:04,200
Speaker 7: have their goat, and people have the list of you know,

1243
00:56:04,280 --> 00:56:06,399
Speaker 7: the ones that they can't ever remove from the goat

1244
00:56:06,440 --> 00:56:07,600
Speaker 7: list because those are cemented.

1245
00:56:08,200 --> 00:56:09,600
Speaker 6: So I just think it just adds on.

1246
00:56:09,840 --> 00:56:11,839
Speaker 7: We get different people that add on to a list

1247
00:56:11,920 --> 00:56:13,960
Speaker 7: that's already obviously cemented in history.

1248
00:56:14,520 --> 00:56:16,719
Speaker 1: You guys are gonna make me defend Eminem the same

1249
00:56:16,760 --> 00:56:19,800
Speaker 1: way I was so mad that Twitter is allowed to

1250
00:56:19,840 --> 00:56:22,640
Speaker 1: say Tupac sucks. What's the other thing that's been going

1251
00:56:22,760 --> 00:56:26,919
Speaker 1: Rampant Slim Shady, LP, Marshall Mathers, LP, the eminem Show.

1252
00:56:27,960 --> 00:56:30,480
Speaker 7: If you stop right there, that's three. Those three albums

1253
00:56:30,560 --> 00:56:34,120
Speaker 7: are better than eight rappers career.

1254
00:56:34,480 --> 00:56:38,719
Speaker 1: It changed well then to Encore, Refill was bullshit, Recovery

1255
00:56:38,880 --> 00:56:40,919
Speaker 1: was good, and then after that everything's been dog shit.

1256
00:56:41,160 --> 00:56:44,560
Speaker 1: That's those are That's a crazy run. Yeah right.

1257
00:56:44,920 --> 00:56:48,160
Speaker 2: What I'm saying is if you were to play them now,

1258
00:56:48,360 --> 00:56:50,799
Speaker 2: not using your nostalgia ears, if you were to play

1259
00:56:50,840 --> 00:56:54,040
Speaker 2: them now, like to a new listener.

1260
00:56:53,880 --> 00:56:55,719
Speaker 1: It sounds better than this half of this dog shit

1261
00:56:55,719 --> 00:56:56,160
Speaker 1: that's out here.

1262
00:56:56,320 --> 00:56:59,080
Speaker 2: And I know we're not discussing those because a lot

1263
00:56:59,120 --> 00:57:01,000
Speaker 2: of shit that's out here now is terrible. We're not

1264
00:57:01,080 --> 00:57:03,960
Speaker 2: discussing those dogs being goats. They're just dogs who ship.

1265
00:57:04,160 --> 00:57:06,520
Speaker 2: We're talking about some niggas that they called goats.

1266
00:57:06,719 --> 00:57:13,200
Speaker 7: Now, then I'm like, what listen, man, I'm not listen.

1267
00:57:14,000 --> 00:57:17,760
Speaker 7: Ravon Ravon Rayvaughon think I'm a hater. He thinks I'm

1268
00:57:17,760 --> 00:57:19,800
Speaker 7: a Kendrick hated. So I'm not gonna start naming names

1269
00:57:19,800 --> 00:57:22,120
Speaker 7: of niggas that niggas think is dope. But I'm not

1270
00:57:22,160 --> 00:57:24,160
Speaker 7: speaking to my Kendrick. Not to my Kendrick. In the situation,

1271
00:57:24,280 --> 00:57:27,360
Speaker 7: Kendrick is dope. But if I start naming, Oh, he's

1272
00:57:27,360 --> 00:57:29,440
Speaker 7: a hater, I don't hate on I don't. I think

1273
00:57:29,440 --> 00:57:31,160
Speaker 7: in order for me to hate, I have to want

1274
00:57:31,200 --> 00:57:33,160
Speaker 7: to do what you do, and I don't want to rap.

1275
00:57:33,280 --> 00:57:35,120
Speaker 6: I never tried to really rap, so I've never tried

1276
00:57:35,120 --> 00:57:35,600
Speaker 6: to be an artist.

1277
00:57:35,720 --> 00:57:37,120
Speaker 1: So I'm not hating. That's not how hating.

1278
00:57:37,360 --> 00:57:38,479
Speaker 2: But some people just be hating.

1279
00:57:38,640 --> 00:57:40,280
Speaker 1: You can't say hating if you have.

1280
00:57:40,840 --> 00:57:43,200
Speaker 3: Something like I hate on ball players all the time.

1281
00:57:43,440 --> 00:57:44,800
Speaker 1: He played basketball every other day.

1282
00:57:44,840 --> 00:57:48,520
Speaker 3: Yeah, but like I'm saying, like, professionally, you can't professionally.

1283
00:57:48,080 --> 00:57:51,280
Speaker 1: Because you're not good. You don't play professionally because you're

1284
00:57:51,320 --> 00:57:51,600
Speaker 1: not good.

1285
00:57:52,720 --> 00:57:54,520
Speaker 3: I think I'm just not a professional bat.

1286
00:57:54,880 --> 00:57:55,280
Speaker 1: That's not like.

1287
00:57:56,680 --> 00:57:59,920
Speaker 7: But if you hate on basketball players, somebody would be back, Damn,

1288
00:57:59,920 --> 00:58:01,160
Speaker 7: he played basketball every week.

1289
00:58:01,200 --> 00:58:02,840
Speaker 6: He might just be mad that he's not that good.

1290
00:58:03,160 --> 00:58:03,600
Speaker 6: Right or wrong.

1291
00:58:03,720 --> 00:58:05,840
Speaker 7: If I was in the studio every week trying to

1292
00:58:05,880 --> 00:58:08,240
Speaker 7: write bars and lay down make songs, and then I

1293
00:58:08,320 --> 00:58:09,840
Speaker 7: come on here and say, oh, that shit was trash,

1294
00:58:10,640 --> 00:58:12,760
Speaker 7: I'm hating because I try I want to do that

1295
00:58:12,960 --> 00:58:14,800
Speaker 7: on that level, I don't want to.

1296
00:58:14,920 --> 00:58:16,800
Speaker 6: I'm not hating. I don't hate on anybody.

1297
00:58:16,880 --> 00:58:19,400
Speaker 1: Like if I say I don't like that song, you

1298
00:58:19,560 --> 00:58:21,400
Speaker 1: missed the two other albums that I said I loved,

1299
00:58:21,840 --> 00:58:25,640
Speaker 1: I just don't like this song. Hating. I think anyone

1300
00:58:25,760 --> 00:58:27,760
Speaker 1: even trying to, for example, go to the league or

1301
00:58:27,800 --> 00:58:30,400
Speaker 1: try to be an artist. I think you're only hating

1302
00:58:30,440 --> 00:58:34,000
Speaker 1: if there's an agenda on why you're being negative on something. Exactly,

1303
00:58:34,080 --> 00:58:36,840
Speaker 1: if you love art and that art is just not

1304
00:58:36,960 --> 00:58:38,480
Speaker 1: for you, I don't think that's hating it all.

1305
00:58:38,520 --> 00:58:38,720
Speaker 6: That's not.

1306
00:58:38,840 --> 00:58:40,960
Speaker 1: But when you get personal and there's a reason why

1307
00:58:41,360 --> 00:58:44,760
Speaker 1: you don't like that and aren't being objective, yes you're

1308
00:58:44,840 --> 00:58:47,360
Speaker 1: just you're hating. Agreed.

1309
00:58:48,120 --> 00:58:51,400
Speaker 7: But if I say I don't like a song, just

1310
00:58:51,520 --> 00:58:55,000
Speaker 7: a song, that's not hating. No, I don't you missed

1311
00:58:55,080 --> 00:58:57,720
Speaker 7: the three other albums that I said I love, like

1312
00:58:57,800 --> 00:58:58,240
Speaker 7: where was it?

1313
00:58:58,520 --> 00:58:59,120
Speaker 1: Where was it at?

1314
00:58:59,160 --> 00:58:59,280
Speaker 3: Then?

1315
00:58:59,320 --> 00:59:00,600
Speaker 1: When it was like y'all loved that album?

1316
00:59:00,720 --> 00:59:00,960
Speaker 6: Love that.

1317
00:59:01,280 --> 00:59:02,320
Speaker 3: That's my argument with Eminem.

1318
00:59:02,400 --> 00:59:03,080
Speaker 1: People ignore it.

1319
00:59:03,480 --> 00:59:06,360
Speaker 3: To Rory's point, to the Matthew did earlier, Eminem had

1320
00:59:06,440 --> 00:59:08,640
Speaker 3: three good albums, the last good one was in two

1321
00:59:08,680 --> 00:59:11,320
Speaker 3: thousand and four, twenty years of dog shit.

1322
00:59:11,560 --> 00:59:13,880
Speaker 2: When I say that, you're like, that's hate. No, it's

1323
00:59:14,240 --> 00:59:14,760
Speaker 2: it's truth.

1324
00:59:14,920 --> 00:59:17,400
Speaker 8: He's put out whatever's come out and since two thousand

1325
00:59:17,400 --> 00:59:18,160
Speaker 8: and four has been ass.

1326
00:59:19,360 --> 00:59:22,760
Speaker 1: No, because listen, do I go back and listen to

1327
00:59:22,880 --> 00:59:27,320
Speaker 1: Recovery by Eminem? No, But being objective for me to

1328
00:59:27,400 --> 00:59:30,560
Speaker 1: say that this Recovery album is not good, I'd be hating.

1329
00:59:31,800 --> 00:59:35,280
Speaker 3: Okay, fine, give you Recovery. Fourteen years of shit music.

1330
00:59:35,600 --> 00:59:37,760
Speaker 1: Said I said after Recovery, I've hated everything.

1331
00:59:37,520 --> 00:59:40,480
Speaker 3: That he's He's said every fourteen years of his straight ass.

1332
00:59:41,760 --> 00:59:44,360
Speaker 7: Yeah, but this, you know, when you've been in the

1333
00:59:44,480 --> 00:59:47,560
Speaker 7: game as long as m there's a few artists that

1334
00:59:47,600 --> 00:59:50,360
Speaker 7: you can look at. That's if they're crossing two decades,

1335
00:59:50,440 --> 00:59:52,480
Speaker 7: twenty years, twenty five years.

1336
00:59:52,560 --> 00:59:54,280
Speaker 3: But then don't put him in the God conversation.

1337
00:59:54,680 --> 00:59:55,000
Speaker 1: Stop.

1338
00:59:55,080 --> 00:59:57,600
Speaker 7: If I had eight years while I was fucking smashing everything,

1339
00:59:57,640 --> 00:59:58,959
Speaker 7: I had full classic.

1340
00:59:58,640 --> 01:00:01,400
Speaker 8: Album, makes it go, he's looking jevity. Longevity is a

1341
01:00:01,480 --> 01:00:03,440
Speaker 8: big to me, is a big barometer.

1342
01:00:03,560 --> 01:00:04,640
Speaker 1: Okay to you, right.

1343
01:00:04,800 --> 01:00:07,080
Speaker 7: But what I'm saying is if I am Eminem and

1344
01:00:07,200 --> 01:00:09,480
Speaker 7: I put out a classic when it was Emma's first

1345
01:00:09,520 --> 01:00:14,520
Speaker 7: album nine. When I came in, I was the biggest

1346
01:00:14,520 --> 01:00:17,920
Speaker 7: star in rap. I was putting out doing numbers crazy,

1347
01:00:18,200 --> 01:00:20,360
Speaker 7: the same shit that they praised gods for. Now in

1348
01:00:20,440 --> 01:00:22,720
Speaker 7: the streaming era, Eminem was doing that when you had

1349
01:00:22,760 --> 01:00:25,440
Speaker 7: to go to the store. He was physically You saw

1350
01:00:25,520 --> 01:00:29,120
Speaker 7: people lined up around the block when Eminem album dropped.

1351
01:00:29,240 --> 01:00:31,920
Speaker 1: And it's different, like when you hold an entire era

1352
01:00:32,160 --> 01:00:35,640
Speaker 1: like that in a genre that comes and goes the

1353
01:00:35,680 --> 01:00:38,160
Speaker 1: way it does, Yes, that's goat status. Like I don't

1354
01:00:38,160 --> 01:00:40,160
Speaker 1: think we give Nelly enough flowers. Do I want to

1355
01:00:40,160 --> 01:00:42,919
Speaker 1: hear an Nelly album today? Probably fucking not right. I'm cool,

1356
01:00:43,480 --> 01:00:45,880
Speaker 1: But to discredit everything he did when he had a

1357
01:00:46,040 --> 01:00:47,880
Speaker 1: whole era would be I don't want to hear a

1358
01:00:47,960 --> 01:00:50,440
Speaker 1: fifty house. Like if you try to discredit what he

1359
01:00:50,520 --> 01:00:52,640
Speaker 1: did with Country Graham and all that, it's like, bro, Like,

1360
01:00:53,000 --> 01:00:55,439
Speaker 1: I don't shit on what Joe Montana did with Kansas City.

1361
01:00:55,920 --> 01:00:58,320
Speaker 1: Does that take away everything he did with San Francisco.

1362
01:01:00,560 --> 01:01:02,680
Speaker 1: Brett fav stayed way too long in the fucking league.

1363
01:01:02,680 --> 01:01:04,320
Speaker 1: He's a piece of shit, But we're talking about his career.

1364
01:01:05,400 --> 01:01:08,000
Speaker 1: Brett Farv stayed in the league. He out outweighed is

1365
01:01:08,040 --> 01:01:10,880
Speaker 1: fucking welcome the entire time. Am I going to erase

1366
01:01:10,960 --> 01:01:13,919
Speaker 1: everything he ever did with Green Bay? No, I'll even

1367
01:01:13,960 --> 01:01:15,400
Speaker 1: be like, Yo, you tried it with the Jets, but

1368
01:01:15,720 --> 01:01:17,720
Speaker 1: Vikings you even you caught a little steam.

1369
01:01:17,920 --> 01:01:20,080
Speaker 2: Yeah, but I get and I agree with you. But

1370
01:01:20,600 --> 01:01:23,560
Speaker 2: Julian isn't trying to eat But it's not not calling

1371
01:01:23,640 --> 01:01:27,520
Speaker 2: him a goat is not erasing everything that he did.

1372
01:01:28,000 --> 01:01:31,080
Speaker 2: There's there's you having an amazing run and you owning

1373
01:01:31,160 --> 01:01:34,160
Speaker 2: an era, and you being one of the greatest artists

1374
01:01:34,200 --> 01:01:36,800
Speaker 2: of all time. Because when you're saying greatest, that means

1375
01:01:36,840 --> 01:01:40,040
Speaker 2: you're comparing to other rappers. So if we're comparing you

1376
01:01:40,480 --> 01:01:43,200
Speaker 2: to the other greats who have also had super long

1377
01:01:43,280 --> 01:01:46,280
Speaker 2: careers and fourteen of it isn't dog shit? Are you

1378
01:01:46,400 --> 01:01:49,360
Speaker 2: a goat? Also, I'm not saying this is not how

1379
01:01:49,400 --> 01:01:51,160
Speaker 2: I feel, but it is worth a question that people

1380
01:01:51,200 --> 01:01:53,800
Speaker 2: have had the question of did he have was he

1381
01:01:53,920 --> 01:01:56,360
Speaker 2: in the Great White Hope conversation of yes, he sold

1382
01:01:56,440 --> 01:01:58,320
Speaker 2: that much because he was a white rapper.

1383
01:01:59,240 --> 01:02:01,240
Speaker 1: He has a whole song called White America where he says,

1384
01:02:01,400 --> 01:02:04,080
Speaker 1: I if I wasn't white, it would have sold half

1385
01:02:04,120 --> 01:02:07,080
Speaker 1: Like are you that's not a combo. I think we

1386
01:02:07,200 --> 01:02:09,320
Speaker 1: even everyone in the world knows that if em was

1387
01:02:09,400 --> 01:02:11,880
Speaker 1: not a white guy with blonde hair, no, he may

1388
01:02:12,080 --> 01:02:15,560
Speaker 1: he may be cannabis. It could be drastically different. But

1389
01:02:16,720 --> 01:02:21,880
Speaker 1: can we have like real conversations he's white, If he

1390
01:02:22,000 --> 01:02:24,040
Speaker 1: was black, he may have ended up being just some

1391
01:02:24,200 --> 01:02:26,040
Speaker 1: underground artists that we did not know. I agree with

1392
01:02:26,080 --> 01:02:28,800
Speaker 1: you there, but I'm also dealing with the same people

1393
01:02:28,880 --> 01:02:30,720
Speaker 1: that say, Yo, Big didn't die, j wouldn't be Jay,

1394
01:02:30,720 --> 01:02:32,320
Speaker 1: all right, can we deal with what actually happened in

1395
01:02:32,320 --> 01:02:38,640
Speaker 1: the world. M became a superstar and Jay became Jay, Like, yeah,

1396
01:02:39,080 --> 01:02:41,280
Speaker 1: we could sit here all day with hypotheticals. Yeah, if

1397
01:02:41,400 --> 01:02:43,760
Speaker 1: M was black, I don't know if it would have

1398
01:02:43,800 --> 01:02:46,200
Speaker 1: worked with what dra was doing. Fucking sticking nine inch

1399
01:02:46,320 --> 01:02:47,760
Speaker 1: needles in your eyelids now, I don't know if that

1400
01:02:47,760 --> 01:02:49,360
Speaker 1: would have worked with a black guy at that time.

1401
01:02:49,480 --> 01:02:51,840
Speaker 2: So that's what But that brings up like, Okay, so

1402
01:02:51,880 --> 01:02:54,800
Speaker 2: you're a gimmick. So part of your career, in your success,

1403
01:02:54,960 --> 01:02:58,200
Speaker 2: is you being a gimmick. So again, when people are questioning,

1404
01:02:58,280 --> 01:03:01,240
Speaker 2: like Julian if he's a goat, this is these are

1405
01:03:01,400 --> 01:03:03,360
Speaker 2: factors that people need to think about. Here's the thing.

1406
01:03:03,480 --> 01:03:07,280
Speaker 1: Okay, gimmick with M, I'm going to give pushback because

1407
01:03:07,320 --> 01:03:10,800
Speaker 1: I do think his gimmick was being a dirty mid Midwestern,

1408
01:03:10,960 --> 01:03:14,560
Speaker 1: poor white, Yes, and I think that's exactly who he was.

1409
01:03:14,600 --> 01:03:16,800
Speaker 1: And I think that spoke to a lot of fucking people.

1410
01:03:17,240 --> 01:03:20,600
Speaker 1: A majority of this country is dirty, poor whites, raw,

1411
01:03:21,080 --> 01:03:22,440
Speaker 1: So yes, did they did?

1412
01:03:22,480 --> 01:03:22,560
Speaker 5: They?

1413
01:03:22,640 --> 01:03:25,840
Speaker 1: Probably America add some sauce to that with the machine,

1414
01:03:26,160 --> 01:03:28,240
Speaker 1: for sure, But I think M came in as a

1415
01:03:28,400 --> 01:03:31,280
Speaker 1: rap nerd that was a dirty, poor kid from Kansas

1416
01:03:31,320 --> 01:03:34,880
Speaker 1: City and from Detroit and just spoke for a whole culture.

1417
01:03:35,400 --> 01:03:37,200
Speaker 8: I'm not even talking about how he was marketed. I'm

1418
01:03:37,200 --> 01:03:39,280
Speaker 8: really just talking about what he's saying. He's not saying

1419
01:03:39,360 --> 01:03:42,680
Speaker 8: ship he didn't get it. He's not saying the thing

1420
01:03:44,160 --> 01:03:44,560
Speaker 8: is the same.

1421
01:03:44,760 --> 01:03:46,720
Speaker 2: Listen. I'm one of the people that says that Eminem

1422
01:03:46,800 --> 01:03:49,320
Speaker 2: is one of the greatest, UH has one of the

1423
01:03:49,360 --> 01:03:50,919
Speaker 2: best flows or one of the best.

1424
01:03:52,680 --> 01:03:54,200
Speaker 6: We don't even have to that's not debatable.

1425
01:03:54,280 --> 01:03:55,960
Speaker 2: I mean, I just I feel like I think it

1426
01:03:56,040 --> 01:03:57,640
Speaker 2: is debatable. I just brought up mad reasons why you

1427
01:03:57,680 --> 01:03:58,320
Speaker 2: should debate.

1428
01:03:58,160 --> 01:04:01,680
Speaker 1: It, but he can't debate it. Remember Drake, As far

1429
01:04:01,760 --> 01:04:07,760
Speaker 1: as what artist artists Drake as far as wrappability, but

1430
01:04:07,880 --> 01:04:13,840
Speaker 1: I may want to hear the shittier version break if

1431
01:04:13,920 --> 01:04:16,520
Speaker 1: you get into the technical of rap, I don't always

1432
01:04:16,560 --> 01:04:18,760
Speaker 1: want to hear the guy that's the best of technically rapping.

1433
01:04:18,800 --> 01:04:20,240
Speaker 6: Yeah, I don't want to hear that you, But that's.

1434
01:04:20,160 --> 01:04:22,320
Speaker 2: What I was in reference into the best the person

1435
01:04:22,360 --> 01:04:23,959
Speaker 2: who's the best at technically.

1436
01:04:23,680 --> 01:04:27,520
Speaker 1: Eminem is a drastically better rapper than Drake. Yes, but

1437
01:04:27,600 --> 01:04:29,760
Speaker 1: I don't hear that Sometimes.

1438
01:04:29,680 --> 01:04:32,040
Speaker 7: Floyd Mayweather is the greatest technical box of all time.

1439
01:04:33,960 --> 01:04:35,160
Speaker 7: Is the greatest fight of all time.

1440
01:04:42,160 --> 01:04:46,000
Speaker 1: Before we get out of music, though, there was a

1441
01:04:46,120 --> 01:04:51,920
Speaker 1: bunch of tweets from DJ head Daylight like just you know,

1442
01:04:52,240 --> 01:04:55,720
Speaker 1: the typical Kendrick is about to drop something Twitter crew.

1443
01:04:57,640 --> 01:05:03,040
Speaker 6: Yeah, how fuck with you? I don't know, but I

1444
01:05:03,080 --> 01:05:03,880
Speaker 6: think I think it's dope.

1445
01:05:04,640 --> 01:05:07,280
Speaker 1: I think he's a talented rapper too. But I stopped

1446
01:05:07,280 --> 01:05:10,240
Speaker 1: myself phone replying. The therapy is working well on me.

1447
01:05:10,400 --> 01:05:12,000
Speaker 8: Do you want to give some context because you've mentioned

1448
01:05:12,080 --> 01:05:13,520
Speaker 8: a few times, I don't think many people have seen

1449
01:05:13,560 --> 01:05:14,200
Speaker 8: the tweet.

1450
01:05:14,280 --> 01:05:16,800
Speaker 1: You just Raveon tweeted out that mall dude, he's probably

1451
01:05:16,840 --> 01:05:18,640
Speaker 1: still going. I'm sure if we're refreshed. Right now, he's

1452
01:05:18,640 --> 01:05:19,120
Speaker 1: still tweeting.

1453
01:05:19,160 --> 01:05:21,600
Speaker 7: It's obsessed with hating on a dot. I don't know

1454
01:05:21,640 --> 01:05:24,000
Speaker 7: who a dot is, but and it's weird as fuck.

1455
01:05:24,080 --> 01:05:26,919
Speaker 7: Only time I see him go viral is hating? Mm hmm,

1456
01:05:27,880 --> 01:05:30,240
Speaker 7: Well that means you're just not U neque glasses or

1457
01:05:30,840 --> 01:05:32,000
Speaker 7: I don't know, a different wi fi.

1458
01:05:32,040 --> 01:05:32,360
Speaker 1: I don't know.

1459
01:05:33,640 --> 01:05:35,880
Speaker 2: Also hat and goes viral, It doesn't mean that I

1460
01:05:35,960 --> 01:05:38,840
Speaker 2: hate all day. You came across a clip and.

1461
01:05:40,480 --> 01:05:42,960
Speaker 7: Around for was that hating because I said, good kid,

1462
01:05:43,400 --> 01:05:46,280
Speaker 7: uh Mad City isn't a number seven album of all time?

1463
01:05:46,720 --> 01:05:48,680
Speaker 7: Because I agree, I don't think people have that as

1464
01:05:48,680 --> 01:05:50,920
Speaker 7: that number one seven rap album of all time, So

1465
01:05:51,600 --> 01:05:54,040
Speaker 7: number seven album, I don't think that's hate. But again,

1466
01:05:54,080 --> 01:05:56,800
Speaker 7: people don't have the word the correct words sometime to you,

1467
01:05:57,040 --> 01:05:59,280
Speaker 7: so you don't know what to say. Insert hat And

1468
01:05:59,320 --> 01:06:01,200
Speaker 7: it's kind of like guys are taking pictures they don't

1469
01:06:01,200 --> 01:06:02,320
Speaker 7: know what to do with their hands. They kind of

1470
01:06:02,400 --> 01:06:04,320
Speaker 7: just like hold their wrist like it's kind of like

1471
01:06:04,360 --> 01:06:04,840
Speaker 7: the same shit.

1472
01:06:07,080 --> 01:06:08,760
Speaker 1: I have nothing against Rayvon. I don't even know if

1473
01:06:08,800 --> 01:06:12,720
Speaker 1: this was his angle on anything, but everyone that is

1474
01:06:12,760 --> 01:06:15,600
Speaker 1: saying podcasters are catching a lick off this whole Draken

1475
01:06:15,640 --> 01:06:18,520
Speaker 1: Kendrick thing, and we getting views off this. Y'all are

1476
01:06:18,560 --> 01:06:20,919
Speaker 1: catching licks off talking about us talking about other shit.

1477
01:06:21,160 --> 01:06:23,840
Speaker 1: So we're all in the same ecosystem, So shut up.

1478
01:06:24,280 --> 01:06:27,439
Speaker 1: We're all guilty of it. Everyone wants to go viral,

1479
01:06:27,720 --> 01:06:30,479
Speaker 1: but also like we're all catching steam from talking about

1480
01:06:30,480 --> 01:06:31,800
Speaker 1: the biggest topic ever. Cool.

1481
01:06:31,960 --> 01:06:33,200
Speaker 2: Bet we're all in the same boat.

1482
01:06:33,360 --> 01:06:35,960
Speaker 7: Sorry that the two biggest artists of their generation had

1483
01:06:36,000 --> 01:06:37,280
Speaker 7: a battle and we spoke about it.

1484
01:06:37,320 --> 01:06:39,600
Speaker 1: Because even though I disagreed with Maul, because we have

1485
01:06:39,680 --> 01:06:41,400
Speaker 1: a podcast and we argue about a lot of shit.

1486
01:06:42,000 --> 01:06:45,240
Speaker 1: Even with me disagreeing with him, you guys all caught

1487
01:06:45,240 --> 01:06:49,400
Speaker 1: a lick off your disagreements with him. That is true.

1488
01:06:49,680 --> 01:06:55,080
Speaker 1: So everybody shut up. If he's hating and if he's

1489
01:06:55,120 --> 01:06:57,240
Speaker 1: catching a lick or if he's doing something crazy, y'all

1490
01:06:57,280 --> 01:06:59,440
Speaker 1: are reacting in the exact same way we're reacting to

1491
01:06:59,480 --> 01:07:01,720
Speaker 1: what's going on. I'm you are in the same boat

1492
01:07:01,800 --> 01:07:04,240
Speaker 1: as us. Everybody's shut up. Different dicks.

1493
01:07:04,480 --> 01:07:06,520
Speaker 7: I'm not well, I don't know what that is. But

1494
01:07:07,120 --> 01:07:09,440
Speaker 7: I don't say everybody sucking dicks a different d I'm

1495
01:07:09,440 --> 01:07:09,840
Speaker 7: not sucking.

1496
01:07:10,200 --> 01:07:10,880
Speaker 1: Don't know what that is.

1497
01:07:11,040 --> 01:07:13,280
Speaker 2: I'm just in reference to when people are saying, oh

1498
01:07:13,320 --> 01:07:15,600
Speaker 2: you glazing, you glazing, you glazing, Okay, then if that

1499
01:07:15,720 --> 01:07:18,360
Speaker 2: people don't know that's blazing, then we're all glazing, just

1500
01:07:18,400 --> 01:07:18,959
Speaker 2: different dicks.

1501
01:07:19,160 --> 01:07:22,560
Speaker 7: They're glazing, Kendrick, I can say that that's yea the

1502
01:07:22,640 --> 01:07:25,720
Speaker 7: same if that's the case, because I feel like this person,

1503
01:07:25,760 --> 01:07:26,320
Speaker 7: wont you f like this?

1504
01:07:26,440 --> 01:07:28,560
Speaker 6: So I can say that's gat It's just all stupid.

1505
01:07:28,800 --> 01:07:31,080
Speaker 7: That's why I laughed when Ravon said what he said,

1506
01:07:31,200 --> 01:07:33,560
Speaker 7: like it's just something to laugh at, Like, all right, man,

1507
01:07:33,640 --> 01:07:36,000
Speaker 7: do you think that's hating? Because I don't think good

1508
01:07:36,040 --> 01:07:38,480
Speaker 7: Kid Mas City is a number seven album of all time.

1509
01:07:39,720 --> 01:07:40,480
Speaker 6: I don't know what to tell you.

1510
01:07:40,480 --> 01:07:42,200
Speaker 7: I just want people to find the right words to

1511
01:07:42,280 --> 01:07:46,160
Speaker 7: insert when talking about me, in particular, because a hater

1512
01:07:46,280 --> 01:07:46,920
Speaker 7: I've never been.

1513
01:07:47,080 --> 01:07:48,920
Speaker 2: What word would you think that they word do you

1514
01:07:48,920 --> 01:07:49,800
Speaker 2: think they should use.

1515
01:07:50,040 --> 01:07:50,880
Speaker 6: When speaking about me?

1516
01:07:52,600 --> 01:07:54,840
Speaker 1: Vegan the realest nigga they ever met or didn't know,

1517
01:07:54,960 --> 01:07:56,440
Speaker 1: but for real, Mo, instead of calling you a hater

1518
01:07:56,520 --> 01:07:58,920
Speaker 1: where they're if they're disagreeing with you, what do you

1519
01:07:59,040 --> 01:08:01,680
Speaker 1: what word do you think they should use? A contrarian,

1520
01:08:01,840 --> 01:08:04,600
Speaker 1: I'll throw one out there, contra don't call me that

1521
01:08:04,960 --> 01:08:07,440
Speaker 1: why not because I'm not a contrarian.

1522
01:08:07,520 --> 01:08:11,000
Speaker 8: Well in this case, you are, because like we've all agreed,

1523
01:08:11,280 --> 01:08:13,480
Speaker 8: everyone in this room and the internet.

1524
01:08:13,800 --> 01:08:16,160
Speaker 1: Royce said Maul was being weird and then explained that

1525
01:08:16,240 --> 01:08:18,479
Speaker 1: he's just a loyal person. That's what made me laugh.

1526
01:08:22,200 --> 01:08:25,960
Speaker 1: Was yo, actually not mals, just math loyal. I was like, wait,

1527
01:08:26,080 --> 01:08:27,080
Speaker 1: so that's why you But.

1528
01:08:27,160 --> 01:08:29,040
Speaker 7: This is why I laugh when people say things about me,

1529
01:08:29,080 --> 01:08:31,080
Speaker 7: because you're not You're going to start reaching when you

1530
01:08:31,160 --> 01:08:33,000
Speaker 7: try to find something negative to say about me, because

1531
01:08:33,040 --> 01:08:34,000
Speaker 7: I'm not a negative person.

1532
01:08:34,120 --> 01:08:36,360
Speaker 1: I just said the word vigon. Well yeah, well you

1533
01:08:36,439 --> 01:08:39,160
Speaker 1: say hating. I laugh at that because it's like, bro,

1534
01:08:39,360 --> 01:08:41,479
Speaker 1: I don't care enough to hate on anybody.

1535
01:08:41,560 --> 01:08:42,519
Speaker 6: We're talking about.

1536
01:08:42,439 --> 01:08:45,840
Speaker 2: Contrarian about none of that country. And a person who

1537
01:08:45,960 --> 01:08:49,880
Speaker 2: opposes or rejects popular opinion, especially in stocking change dealing,

1538
01:08:50,160 --> 01:08:54,120
Speaker 2: well basically you're opposing and rejecting popular opinion. Everybody of notoriety,

1539
01:08:54,400 --> 01:08:55,400
Speaker 2: including Ray Vaughan.

1540
01:08:55,560 --> 01:08:58,439
Speaker 1: Everyone in notoriety I have seen talk about Maul and

1541
01:08:58,600 --> 01:09:02,760
Speaker 1: his rants for Drake have done the exact same thing

1542
01:09:02,800 --> 01:09:05,599
Speaker 1: in their past, every last one of them. And I've

1543
01:09:05,640 --> 01:09:08,360
Speaker 1: seen that we know that's had the check that I've

1544
01:09:08,479 --> 01:09:12,040
Speaker 1: seen has done the exact same thing. As far as

1545
01:09:12,080 --> 01:09:14,160
Speaker 1: that word that I cannot pronounce because I went to

1546
01:09:14,240 --> 01:09:18,000
Speaker 1: public school, of course, but being a contrarian, thank you,

1547
01:09:18,080 --> 01:09:18,920
Speaker 1: thank you.

1548
01:09:19,360 --> 01:09:21,200
Speaker 8: The reason why I use that word is because the

1549
01:09:21,800 --> 01:09:24,720
Speaker 8: definition of marriage is read. The popular opinion is Kendrick one.

1550
01:09:25,360 --> 01:09:28,839
Speaker 8: The world knows Kendrick one except mall. So the contrarian

1551
01:09:28,920 --> 01:09:31,080
Speaker 8: is to be like counterculture. I could tweet. I could

1552
01:09:31,080 --> 01:09:32,840
Speaker 8: tweet right now. You'll see people agreeing with me.

1553
01:09:33,600 --> 01:09:36,519
Speaker 3: There's a whole now and there's that like Eminem's music too.

1554
01:09:36,560 --> 01:09:38,600
Speaker 1: We've just s there's people that think Kendrick has a

1555
01:09:38,720 --> 01:09:39,680
Speaker 1: dope record out right now.

1556
01:09:40,280 --> 01:09:43,479
Speaker 3: You don't see not. I don't think that you you

1557
01:09:43,520 --> 01:09:45,480
Speaker 3: don't think Not like Us is a great record.

1558
01:09:45,479 --> 01:09:46,800
Speaker 6: A great record? Absolutely not.

1559
01:09:47,439 --> 01:09:52,519
Speaker 1: Well that's yo me, No, I just don't think it's

1560
01:09:52,520 --> 01:09:53,880
Speaker 1: a great record. It's cool.

1561
01:09:54,040 --> 01:09:55,800
Speaker 2: I think it's a great record. Okay, what was what

1562
01:09:55,960 --> 01:09:58,400
Speaker 2: was the last great record you heard? The last great

1563
01:09:58,439 --> 01:10:03,240
Speaker 2: record I heard outside of family matters? I want to

1564
01:10:03,360 --> 01:10:04,880
Speaker 2: I just I'm trying to gauge what he thinks.

1565
01:10:05,680 --> 01:10:06,960
Speaker 1: All for All the Dogs.

1566
01:10:09,880 --> 01:10:15,479
Speaker 7: Bravo by Nick Grant, Great records, great song, Well that

1567
01:10:15,600 --> 01:10:18,360
Speaker 7: is the great record if you really listen to that record.

1568
01:10:19,680 --> 01:10:20,479
Speaker 6: Amazing record.

1569
01:10:21,120 --> 01:10:22,960
Speaker 1: I can't find this tweet. I did want to screenshot it,

1570
01:10:23,000 --> 01:10:25,920
Speaker 1: and I thought I did, But somebody tweeted earlier today

1571
01:10:26,000 --> 01:10:29,759
Speaker 1: or last night that the hip hop's stands have taken

1572
01:10:29,840 --> 01:10:32,400
Speaker 1: over hip hop Twitter kind of like what we're arguing

1573
01:10:32,400 --> 01:10:34,680
Speaker 1: about me saying everyone that was putting comments under your

1574
01:10:34,720 --> 01:10:36,760
Speaker 1: shit has done the same thing when it comes to

1575
01:10:36,840 --> 01:10:39,439
Speaker 1: pop Twitter, people that are passionate about this shit and

1576
01:10:39,560 --> 01:10:42,400
Speaker 1: want to argue about it in a passionate way. We've

1577
01:10:42,479 --> 01:10:47,679
Speaker 1: all been overtaken by the stand culture. It was clear

1578
01:10:47,800 --> 01:10:50,639
Speaker 1: in this entire Drake and Kendrick battle, we watched both

1579
01:10:50,680 --> 01:10:53,960
Speaker 1: of those communities dig every last bit of dirt you

1580
01:10:54,000 --> 01:10:56,240
Speaker 1: could find them, both of them, all for the sake

1581
01:10:56,280 --> 01:11:00,360
Speaker 1: of just stand culture. Nobody was arguing music, nobody arguing

1582
01:11:00,400 --> 01:11:03,040
Speaker 1: any of that shit. As a hip hop Twitter nerd

1583
01:11:03,720 --> 01:11:08,880
Speaker 1: been here since eight We've been infiltrated, and I did

1584
01:11:08,960 --> 01:11:12,040
Speaker 1: nothing about it. The stands one, I didn't even know

1585
01:11:12,240 --> 01:11:16,160
Speaker 1: that they were. Like music debates are done, it's been done.

1586
01:11:16,640 --> 01:11:19,760
Speaker 2: When when Kendricks, I knew Drake had stands, But when

1587
01:11:19,800 --> 01:11:22,640
Speaker 2: I started getting harassed by Kendrick stands, I was like Oh,

1588
01:11:22,760 --> 01:11:25,040
Speaker 2: he doesn't even come out. Y'all are staying as somebody

1589
01:11:25,040 --> 01:11:26,760
Speaker 2: who don't even be outside.

1590
01:11:26,880 --> 01:11:29,040
Speaker 6: That's not that's not see, that's not what that is.

1591
01:11:29,520 --> 01:11:30,679
Speaker 6: And I said this week's ago.

1592
01:11:30,800 --> 01:11:32,400
Speaker 1: No, I'm not talking about people who just hate Drake.

1593
01:11:32,400 --> 01:11:35,840
Speaker 1: I'm talking about actual ding people just became Drake and

1594
01:11:35,920 --> 01:11:38,040
Speaker 1: Kendrick stands because this was the thing to stand about

1595
01:11:38,040 --> 01:11:42,320
Speaker 1: at the moment. Yes, and they're still sitting there, but

1596
01:11:43,520 --> 01:11:47,960
Speaker 1: Standrick put out this O d thing is crazy. Wait,

1597
01:11:48,240 --> 01:11:52,479
Speaker 1: Drake is wrapped on Dilla beats like cool. It's stand

1598
01:11:52,560 --> 01:11:57,599
Speaker 1: culture overtook everything in conclusion, But I did see shout

1599
01:11:57,600 --> 01:12:01,280
Speaker 1: out to djhad Daylight everybody. I'm fucking around, But you

1600
01:12:01,320 --> 01:12:03,080
Speaker 1: guys are the ones that we all look at now

1601
01:12:03,320 --> 01:12:07,400
Speaker 1: when you tweet eyes, we're like, oh, Kendrick's dropping. Do

1602
01:12:07,520 --> 01:12:10,080
Speaker 1: we think he's putting the album out midnight when people

1603
01:12:10,160 --> 01:12:13,400
Speaker 1: hear this, don't know. I think it's not like US video.

1604
01:12:14,200 --> 01:12:15,840
Speaker 1: I don't think Kendrick's putting that album.

1605
01:12:15,560 --> 01:12:19,040
Speaker 2: Tonight, maybe with a remix, not like US, with a

1606
01:12:19,080 --> 01:12:19,840
Speaker 2: remix in a video.

1607
01:12:20,280 --> 01:12:21,720
Speaker 1: If it's not black hippy. I don't want to hear

1608
01:12:21,960 --> 01:12:23,720
Speaker 1: not like US remix. I don't want to hear Dre.

1609
01:12:23,880 --> 01:12:25,400
Speaker 1: I don't want to hear snoop. I don't want to

1610
01:12:25,400 --> 01:12:28,200
Speaker 1: hear cube. I don't hear I don't want the entire

1611
01:12:28,240 --> 01:12:30,200
Speaker 1: West coast if it's not black hippie, I don't want

1612
01:12:30,240 --> 01:12:33,280
Speaker 1: to hear it. Who why g oh Man? Not?

1613
01:12:33,439 --> 01:12:35,040
Speaker 2: Why why g you would skate on that?

1614
01:12:35,240 --> 01:12:37,920
Speaker 1: That beat though it's a Mustard.

1615
01:12:39,160 --> 01:12:40,040
Speaker 3: Should have been his song.

1616
01:12:40,200 --> 01:12:43,800
Speaker 1: I'm sure it was. I know why you heard that

1617
01:12:43,840 --> 01:12:45,880
Speaker 1: ship like mustard? What the fuck?

1618
01:12:46,080 --> 01:12:46,920
Speaker 6: Should have got a remix?

1619
01:12:46,960 --> 01:12:47,000
Speaker 9: It?

1620
01:12:47,080 --> 01:12:49,160
Speaker 1: Not like us? No, I think they got a video.

1621
01:12:49,240 --> 01:12:51,080
Speaker 1: I have no info. I'm just guessing.

1622
01:12:51,160 --> 01:12:53,560
Speaker 2: I only said remix because what were those lyrics that

1623
01:12:53,960 --> 01:12:54,839
Speaker 2: to Punch tweeted?

1624
01:12:55,880 --> 01:12:56,040
Speaker 1: Oh?

1625
01:12:56,439 --> 01:12:59,759
Speaker 3: Uh, Punch tweeted? Is some Bigie lyrics?

1626
01:13:01,000 --> 01:13:01,160
Speaker 1: Oh?

1627
01:13:01,960 --> 01:13:04,559
Speaker 8: Sound like sasquad feet thunder and shaking the concrete.

1628
01:13:06,320 --> 01:13:09,040
Speaker 1: Did Biggie really write it? Though? M M, maybe Kendrick

1629
01:13:09,080 --> 01:13:15,240
Speaker 1: wrote that for big? Is that glazing? Wow? Wait? Tweeting

1630
01:13:15,880 --> 01:13:20,400
Speaker 1: big lyrics? No, how's that a glaze? Wait? Tweeting lyricslaz

1631
01:13:21,920 --> 01:13:23,559
Speaker 1: fam I don't know delete mind time.

1632
01:13:23,560 --> 01:13:25,560
Speaker 7: I guarantee you if I tweet something right now like that,

1633
01:13:25,640 --> 01:13:26,679
Speaker 7: they're gonna say I'm glazing.

1634
01:13:26,800 --> 01:13:31,000
Speaker 2: Yeah, but you're not. Punch from TD What the fuck

1635
01:13:31,040 --> 01:13:31,519
Speaker 2: does that mean?

1636
01:13:32,439 --> 01:13:32,960
Speaker 1: From ovo?

1637
01:13:36,600 --> 01:13:38,960
Speaker 2: That was his artist at one point. That's like family, Like,

1638
01:13:39,080 --> 01:13:40,960
Speaker 2: that's like his family. That was his artist.

1639
01:13:41,320 --> 01:13:43,080
Speaker 6: All right? So if I, if I, if I tweet

1640
01:13:43,439 --> 01:13:46,080
Speaker 6: any lyrics from anybody, is that glazing?

1641
01:13:46,640 --> 01:13:46,680
Speaker 3: No?

1642
01:13:48,320 --> 01:13:52,080
Speaker 1: So I don't think tweeting lyrics at all. You aren't

1643
01:13:52,080 --> 01:13:55,439
Speaker 1: see me tweet lyrics right now? Watch how many people

1644
01:13:55,479 --> 01:13:56,479
Speaker 1: tomorrow lyrics?

1645
01:13:56,720 --> 01:13:57,000
Speaker 2: Lyrics?

1646
01:13:57,200 --> 01:13:58,559
Speaker 3: Lyrics? Can you tweet any lyric?

1647
01:13:58,720 --> 01:14:01,000
Speaker 6: It can be from anybody? And I'm glazy.

1648
01:14:01,080 --> 01:14:03,320
Speaker 8: Can you tweet the lyrics during this? So when people

1649
01:14:03,439 --> 01:14:05,920
Speaker 8: hear it tomorrow, they'll understand why you made this tweet.

1650
01:14:06,479 --> 01:14:08,640
Speaker 8: And they'll because by the time say you tweet it now,

1651
01:14:08,840 --> 01:14:11,839
Speaker 8: there'll be all this fan theory and like I'm crashing

1652
01:14:11,880 --> 01:14:13,320
Speaker 8: out overo deck suckers all that.

1653
01:14:13,439 --> 01:14:14,840
Speaker 3: They'll do all that in real time.

1654
01:14:14,960 --> 01:14:18,280
Speaker 8: Yeah, but come tomorrow they'll see they'll listen to this like, oh,

1655
01:14:18,400 --> 01:14:19,439
Speaker 8: they were just fucking with them.

1656
01:14:19,439 --> 01:14:24,200
Speaker 1: You should just tweet mother I four times, mmm, tweet

1657
01:14:24,200 --> 01:14:25,120
Speaker 1: anytime the mother.

1658
01:14:27,760 --> 01:14:32,280
Speaker 7: At the end of it, clazy niggas gonna put knee

1659
01:14:32,280 --> 01:14:33,759
Speaker 7: padd emoji's all of my comments.

1660
01:14:33,800 --> 01:14:35,120
Speaker 2: Okay, they got knee padmotes.

1661
01:14:35,200 --> 01:14:36,880
Speaker 1: I don't know they gonna find it anything when it

1662
01:14:37,000 --> 01:14:39,120
Speaker 1: come to me. When you come to me, tweet anything,

1663
01:14:39,160 --> 01:14:41,280
Speaker 1: they gonna find it. It's like, fam, I can't even

1664
01:14:41,439 --> 01:14:44,439
Speaker 1: like lyrics. I'm problem. I'm not trying to clown on Drake,

1665
01:14:44,479 --> 01:14:46,760
Speaker 1: but that set up is so fucking funny. And he's like, yeah,

1666
01:14:46,880 --> 01:14:49,360
Speaker 1: you know, my mom came over today and she was like, yo, mother,

1667
01:14:49,479 --> 01:14:53,400
Speaker 1: I oh fuck, he got molested mother. That's what happens

1668
01:14:53,400 --> 01:14:55,000
Speaker 1: when your mom comes over me. I just made the

1669
01:14:55,040 --> 01:14:58,639
Speaker 1: whole connection. That's that one record where you talk about

1670
01:14:58,640 --> 01:15:03,040
Speaker 1: getting molested. Do you think that's what hit Drake when

1671
01:15:03,080 --> 01:15:05,000
Speaker 1: his mom walked in the door, Like damn, yo, can

1672
01:15:05,080 --> 01:15:05,479
Speaker 1: you said it?

1673
01:15:06,040 --> 01:15:07,960
Speaker 6: Yeah, that's what happened. But yeah, if I was to

1674
01:15:08,120 --> 01:15:09,360
Speaker 6: tweet any lyrics right now.

1675
01:15:09,479 --> 01:15:11,559
Speaker 2: Tweet anytime any place, I don't care who's.

1676
01:15:11,400 --> 01:15:13,320
Speaker 6: They put them. They put the bicycle with the eggplant.

1677
01:15:13,960 --> 01:15:14,839
Speaker 1: It's that's a classic.

1678
01:15:15,160 --> 01:15:18,040
Speaker 7: It's like, I mean, I'm just I'll just be chilling

1679
01:15:18,120 --> 01:15:19,680
Speaker 7: listening to the music and like a bar that I

1680
01:15:19,760 --> 01:15:21,960
Speaker 7: hear and I just tweeted all of a sudden glazing

1681
01:15:22,040 --> 01:15:22,639
Speaker 7: like bam.

1682
01:15:23,160 --> 01:15:25,280
Speaker 2: I know it's like disrespectful to you, So I get

1683
01:15:25,400 --> 01:15:27,800
Speaker 2: like you not. But some of the jokes that people

1684
01:15:27,840 --> 01:15:29,800
Speaker 2: were saying was funny. Somebody said you was making a squirt.

1685
01:15:30,000 --> 01:15:39,040
Speaker 1: That's with making what squirt? Dick like it was? I can't. Yeah,

1686
01:15:39,320 --> 01:15:40,599
Speaker 1: I don't even I don't even know what you's doing.

1687
01:15:40,960 --> 01:15:42,479
Speaker 1: What did I but what did I say? What did

1688
01:15:42,520 --> 01:15:42,640
Speaker 1: I do?

1689
01:15:42,760 --> 01:15:43,479
Speaker 2: I don't even remember.

1690
01:15:43,800 --> 01:15:46,120
Speaker 1: That's what I'm saying. I remember no matter what I

1691
01:15:46,280 --> 01:15:48,519
Speaker 1: do or say. Yo, you glazed a fam I'm just

1692
01:15:48,600 --> 01:15:49,240
Speaker 1: talking about.

1693
01:15:49,040 --> 01:15:51,800
Speaker 2: The web if okay, So Devil's Advocate, right, I don't

1694
01:15:51,800 --> 01:15:53,720
Speaker 2: think you're nick writing, but one could say that you

1695
01:15:53,880 --> 01:15:59,000
Speaker 2: tweeting the red button was dick writing. How Like they

1696
01:15:59,040 --> 01:16:00,720
Speaker 2: could say that she was like to roll out, but

1697
01:16:00,800 --> 01:16:01,559
Speaker 2: like you're not getting paid.

1698
01:16:01,720 --> 01:16:02,799
Speaker 6: How was that part of the rollout?

1699
01:16:03,200 --> 01:16:03,519
Speaker 1: Rollout?

1700
01:16:03,600 --> 01:16:05,080
Speaker 6: I know everybody knew a record.

1701
01:16:04,920 --> 01:16:05,400
Speaker 1: Was coming.

1702
01:16:07,320 --> 01:16:09,839
Speaker 2: On that day, five ten minutes for a drop. Everybody

1703
01:16:09,880 --> 01:16:10,080
Speaker 2: in that.

1704
01:16:10,160 --> 01:16:11,559
Speaker 1: Yeah, it was pretty close. But at the same time,

1705
01:16:11,600 --> 01:16:14,360
Speaker 1: would you say that, I don't say that about Daylight

1706
01:16:15,360 --> 01:16:18,840
Speaker 1: DJ had and I can't because because Kendrick don't talk

1707
01:16:18,840 --> 01:16:19,639
Speaker 1: to none of them niggas.

1708
01:16:20,360 --> 01:16:23,160
Speaker 2: Punch, but he put out a text Kendrick don't.

1709
01:16:23,040 --> 01:16:25,320
Speaker 6: Talk to none of them niggas. Well, he put out

1710
01:16:25,680 --> 01:16:26,720
Speaker 6: maybe not punch.

1711
01:16:27,720 --> 01:16:33,400
Speaker 1: Kendrick and Punch speak okay to others, hashtag the others.

1712
01:16:35,080 --> 01:16:37,439
Speaker 1: I don't know. Kendrick don't speak And I've heard this.

1713
01:16:37,479 --> 01:16:41,280
Speaker 7: From t D niggas. All right, so yeah, let's let's listen.

1714
01:16:41,520 --> 01:16:43,320
Speaker 7: I'm gonna start throwing some egg plants at you niggas.

1715
01:16:43,360 --> 01:16:47,320
Speaker 7: Egg plant palm, egg planting. Yeah, all your niggas about

1716
01:16:47,320 --> 01:16:49,040
Speaker 7: to get egg plant palms sent to your door. Uber

1717
01:16:49,080 --> 01:16:50,080
Speaker 7: eats niggas.

1718
01:16:52,680 --> 01:16:52,920
Speaker 1: All this.

1719
01:16:53,080 --> 01:16:55,080
Speaker 6: Kendrick Kenz don't even speak to them niggas.

1720
01:16:55,120 --> 01:17:00,080
Speaker 2: But was Kendrick given signed when Ray Vaughan got man, Kendrick.

1721
01:16:59,800 --> 01:17:02,679
Speaker 1: Don't speak to them niggas. Man, Kidrick don't know them niggas.

1722
01:17:02,680 --> 01:17:04,519
Speaker 1: Don't speak to them niggas. If Kendrick walked in the hall,

1723
01:17:04,520 --> 01:17:05,400
Speaker 1: they can't even look kend.

1724
01:17:05,800 --> 01:17:06,920
Speaker 2: He's putting on for the West.

1725
01:17:09,479 --> 01:17:13,600
Speaker 1: Kendrick not West was put on. Yeah, like before we

1726
01:17:14,120 --> 01:17:16,679
Speaker 1: talking about has years and years of classic music.

1727
01:17:16,880 --> 01:17:19,800
Speaker 2: Okay, but before Kendrick, like they had a little dry spell.

1728
01:17:19,880 --> 01:17:23,479
Speaker 6: No, no, the dry spell the West Coast.

1729
01:17:24,560 --> 01:17:28,040
Speaker 1: I guess between for and Kendrick. Yeah, there was a

1730
01:17:28,120 --> 01:17:31,280
Speaker 1: few years. I would say the gap. The game was

1731
01:17:31,320 --> 01:17:33,320
Speaker 1: way longer than game.

1732
01:17:33,200 --> 01:17:36,439
Speaker 6: To Kendrick in my opinion, y'all feel like it was

1733
01:17:36,920 --> 01:17:38,679
Speaker 6: really like a dry spell for the West.

1734
01:17:39,120 --> 01:17:40,920
Speaker 2: I don't feel like that. I'm saying what people I love.

1735
01:17:41,760 --> 01:17:44,240
Speaker 1: I mean that for real. I thought YG and Ty

1736
01:17:44,400 --> 01:17:47,400
Speaker 1: was going crazy before Kendrick Popp about say, yg Niggas

1737
01:17:47,400 --> 01:17:51,320
Speaker 1: ain't I'm talking about on a major level.

1738
01:17:51,840 --> 01:17:52,800
Speaker 6: He's not a major artist.

1739
01:17:53,040 --> 01:17:54,960
Speaker 2: He's not well even because I was at def jam Win,

1740
01:17:55,640 --> 01:17:56,559
Speaker 2: but it came out no ship.

1741
01:17:56,600 --> 01:17:59,120
Speaker 1: There was also a time when yg was had that

1742
01:17:59,240 --> 01:18:01,320
Speaker 1: crazy to the record and then was quiet for a

1743
01:18:01,360 --> 01:18:03,800
Speaker 1: little bit and then my crazy life came and that

1744
01:18:03,880 --> 01:18:09,200
Speaker 1: was after Good Kid. So yeah, I guess there's we're

1745
01:18:09,200 --> 01:18:13,160
Speaker 1: from New York. It's been they are about to it's

1746
01:18:13,160 --> 01:18:17,840
Speaker 1: been dry. No, we got We're fine now, but we've

1747
01:18:17,840 --> 01:18:20,000
Speaker 1: had some dry spells, is what I'm saying. We got

1748
01:18:20,080 --> 01:18:21,000
Speaker 1: Cash is going crazy?

1749
01:18:21,160 --> 01:18:23,680
Speaker 2: When was our dry spell? And I'm talking about for

1750
01:18:23,760 --> 01:18:25,920
Speaker 2: major artists. Please, well, all the respect to Cash and

1751
01:18:25,960 --> 01:18:27,719
Speaker 2: I love Cash, but that's not the type of artists

1752
01:18:27,760 --> 01:18:29,840
Speaker 2: that I'm talking about. There was a there was a

1753
01:18:29,920 --> 01:18:30,439
Speaker 2: weird time.

1754
01:18:31,040 --> 01:18:32,160
Speaker 6: Everybody love cash.

1755
01:18:33,680 --> 01:18:33,880
Speaker 1: Man.

1756
01:18:33,960 --> 01:18:36,559
Speaker 2: Nobody never said they didn't like Cash. Mall you said

1757
01:18:36,600 --> 01:18:38,000
Speaker 2: that that was gonna be song in the summer, and

1758
01:18:38,120 --> 01:18:40,000
Speaker 2: we potentially disagreed.

1759
01:18:39,520 --> 01:18:41,639
Speaker 3: With you, which is not because not like us as.

1760
01:18:46,000 --> 01:18:47,759
Speaker 1: Don't ask me if I like cash when you're supposed

1761
01:18:47,760 --> 01:18:50,080
Speaker 1: to propose the cash doll. Like we both fucked up

1762
01:18:50,080 --> 01:18:50,519
Speaker 1: with the cash.

1763
01:18:50,800 --> 01:18:52,920
Speaker 2: We both fucked up the bag. You were supposed to

1764
01:18:52,920 --> 01:18:53,760
Speaker 2: propose the cash dog.

1765
01:18:53,840 --> 01:18:56,280
Speaker 1: I was supposed to bag get it. I was not

1766
01:18:56,360 --> 01:19:02,400
Speaker 1: supposed to suppose the cash doll. You know in theory though, no,

1767
01:19:02,920 --> 01:19:05,720
Speaker 1: in theory that you should tweet at her. Isn't you

1768
01:19:05,760 --> 01:19:09,840
Speaker 1: pregnant right now? I don't know her business, so that's

1769
01:19:09,840 --> 01:19:11,000
Speaker 1: why you should just shut the fuck up.

1770
01:19:11,760 --> 01:19:12,799
Speaker 3: Did you know what she was pregnant?

1771
01:19:13,800 --> 01:19:15,439
Speaker 6: Yes, this is her second child.

1772
01:19:16,120 --> 01:19:18,600
Speaker 1: Good for her either way. During our dry spell, I

1773
01:19:18,640 --> 01:19:22,519
Speaker 1: think people forgot that Nicki Minaj was from New York City. Yeah,

1774
01:19:23,439 --> 01:19:26,760
Speaker 1: so like we've been okay during that dry spell, big

1775
01:19:26,840 --> 01:19:28,840
Speaker 1: bar the whole lot of times people were like, yo,

1776
01:19:28,960 --> 01:19:31,320
Speaker 1: new York got nothing, like we got big niggas from queens,

1777
01:19:31,439 --> 01:19:35,400
Speaker 1: like we got Barty. Yeah that's the Bronx. But we're

1778
01:19:35,400 --> 01:19:42,560
Speaker 1: talking about like two tens, Yeah, mid two thousands tens.

1779
01:19:42,720 --> 01:19:43,200
Speaker 1: It was rough.

1780
01:19:43,640 --> 01:19:46,040
Speaker 2: It was rough before Niki. I think, yeah, who was

1781
01:19:46,080 --> 01:19:46,719
Speaker 2: before Nikki?

1782
01:19:47,479 --> 01:19:50,680
Speaker 1: Like major French was great, but French was doing like

1783
01:19:50,760 --> 01:19:51,799
Speaker 1: mixtapes at that time.

1784
01:19:52,040 --> 01:19:55,240
Speaker 3: So fab Fab was that a little too early too though?

1785
01:19:55,560 --> 01:19:57,360
Speaker 1: No, that was a little I don't mean too late,

1786
01:19:57,400 --> 01:20:00,320
Speaker 1: but Fab was already like established fab, Like we didn't

1787
01:20:00,320 --> 01:20:02,519
Speaker 1: have any new artis Yeah, we didn't have any new French,

1788
01:20:03,160 --> 01:20:07,160
Speaker 1: right Avendu? Yeah, Rocky, but why everyone was mad as

1789
01:20:07,360 --> 01:20:09,839
Speaker 1: Rocky at that time? It sounded like he was from Houston.

1790
01:20:09,920 --> 01:20:12,160
Speaker 1: That's why nobody really claimed that as New York. But

1791
01:20:12,280 --> 01:20:14,920
Speaker 1: I've always found that weird because everyone from the Asap

1792
01:20:14,960 --> 01:20:17,479
Speaker 1: mob is like the most New Yorkers on earth.

1793
01:20:17,800 --> 01:20:20,320
Speaker 2: Super New York, yeah, super Harlem.

1794
01:20:20,640 --> 01:20:20,840
Speaker 3: Yeah.

1795
01:20:21,360 --> 01:20:23,559
Speaker 1: So that's why I never always subscribed to New York

1796
01:20:24,040 --> 01:20:26,880
Speaker 1: being dry at a time, because there was always something

1797
01:20:27,280 --> 01:20:29,960
Speaker 1: going on. Oh and then we always we had songs

1798
01:20:30,000 --> 01:20:31,920
Speaker 1: the summer for like six years in a row when

1799
01:20:32,200 --> 01:20:33,479
Speaker 1: no one was coming out of New York.

1800
01:20:34,560 --> 01:20:37,080
Speaker 2: You know, just Rico, what was our six song of

1801
01:20:37,120 --> 01:20:38,920
Speaker 2: the summer, Our six songs of the summer?

1802
01:20:39,320 --> 01:20:41,120
Speaker 1: Young A, Bobby Schmurda.

1803
01:20:43,120 --> 01:20:45,519
Speaker 3: The well run dry quick on this one, but the

1804
01:20:45,600 --> 01:20:49,559
Speaker 3: box roddy rich pop, smoked pop.

1805
01:20:50,439 --> 01:20:54,799
Speaker 1: You're saying West Coast for oh my god, rows wow,

1806
01:20:56,600 --> 01:20:59,960
Speaker 1: he just took me back. But we always had a record,

1807
01:21:01,280 --> 01:21:05,599
Speaker 1: and it was usually the biggest record. But listen, ice, spice,

1808
01:21:05,680 --> 01:21:07,799
Speaker 1: be good, give.

1809
01:21:07,720 --> 01:21:08,160
Speaker 8: Me a lot.

1810
01:21:09,320 --> 01:21:13,080
Speaker 7: I'm sitting an eggplant palm to niggas. I can't wait

1811
01:21:13,120 --> 01:21:15,240
Speaker 7: to find the best egg plant in California.

1812
01:21:15,840 --> 01:21:21,040
Speaker 1: Yep, it was a little crazy best egg plant. He

1813
01:21:21,240 --> 01:21:23,320
Speaker 1: finding the best eggplant in Cali.

1814
01:21:23,200 --> 01:21:25,360
Speaker 3: Is crazy things that saddle edge.

1815
01:21:26,240 --> 01:21:28,240
Speaker 6: See, niggas, just be reaching, boy, I'll be reaching for

1816
01:21:28,320 --> 01:21:28,639
Speaker 6: the homo.

1817
01:21:30,880 --> 01:21:31,760
Speaker 1: I should stretch first.

1818
01:21:32,200 --> 01:21:34,200
Speaker 2: I feel like if you find some homo shit out

1819
01:21:34,240 --> 01:21:35,920
Speaker 2: of some ship that wasn't really homo, you the one

1820
01:21:35,960 --> 01:21:37,600
Speaker 2: with the gay ass brain, It just.

1821
01:21:37,680 --> 01:21:40,840
Speaker 8: Said he were the whole impetus of the bit was

1822
01:21:40,960 --> 01:21:43,519
Speaker 8: because people saying when he was on a bicycle riding Dick,

1823
01:21:43,960 --> 01:21:44,839
Speaker 8: which was an eggplant.

1824
01:21:45,800 --> 01:21:48,519
Speaker 1: So the eggplant meaning Dick, he's sending it to people.

1825
01:21:48,960 --> 01:21:50,439
Speaker 7: So if I said I find the best eggplant, you

1826
01:21:50,560 --> 01:21:54,719
Speaker 7: automatically assume you said that that we were talking about.

1827
01:21:54,840 --> 01:21:56,800
Speaker 6: We're also talking about eggplant like food, like.

1828
01:21:56,880 --> 01:21:59,679
Speaker 3: Well, yeah, it's it's become the food. But the initial

1829
01:22:00,080 --> 01:22:00,719
Speaker 3: always the food.

1830
01:22:00,800 --> 01:22:02,240
Speaker 6: They it became some other ship.

1831
01:22:02,960 --> 01:22:04,879
Speaker 3: Oh no, now I see, Well that's a different conversation.

1832
01:22:05,080 --> 01:22:08,400
Speaker 1: Like eggplant parm and Kelly would be awful, though, No, I.

1833
01:22:08,600 --> 01:22:10,600
Speaker 2: Like they got a good egg plant. Where would you

1834
01:22:10,640 --> 01:22:12,240
Speaker 2: feel like egg plant would be good?

1835
01:22:12,400 --> 01:22:16,920
Speaker 1: Here? Great Italian right where Italians congregate, where we're not

1836
01:22:17,520 --> 01:22:17,840
Speaker 1: la a.

1837
01:22:17,840 --> 01:22:18,920
Speaker 3: Block from where we're sitting.

1838
01:22:19,160 --> 01:22:20,640
Speaker 6: They have some good Italian restaurants, you.

1839
01:22:20,640 --> 01:22:22,920
Speaker 1: Know, not John and Vinnie's, like the only Italian restaurant

1840
01:22:22,960 --> 01:22:23,479
Speaker 1: I know in l A.

1841
01:22:23,680 --> 01:22:25,360
Speaker 6: Yeah, No, they have some good Italians.

1842
01:22:25,400 --> 01:22:28,240
Speaker 1: Foster Well, I mean either way, he was smelted, gated,

1843
01:22:28,320 --> 01:22:30,000
Speaker 1: whatever your expression is.

1844
01:22:30,439 --> 01:22:31,360
Speaker 2: He smelled it, suck it.

1845
01:22:35,840 --> 01:22:38,080
Speaker 1: It was actually funny. I'm sorry I found that funny.

1846
01:22:39,520 --> 01:22:41,719
Speaker 6: This is finding this, this is what I found funny.

1847
01:22:42,000 --> 01:22:43,800
Speaker 7: So this whole clip is going viral with this guy

1848
01:22:43,880 --> 01:22:48,160
Speaker 7: that was he attended his court hearing via zoom and

1849
01:22:48,520 --> 01:22:51,240
Speaker 7: apparently his driver license was suspended, which is why he

1850
01:22:51,360 --> 01:22:52,840
Speaker 7: was having a court hearing on zoom.

1851
01:22:53,040 --> 01:22:57,360
Speaker 1: Wasn't apparent he had a suspended license. Well, the judge

1852
01:22:57,400 --> 01:22:58,679
Speaker 1: and myself were very confused.

1853
01:22:58,720 --> 01:23:00,960
Speaker 7: Let's just say that I was just just fused as

1854
01:23:01,040 --> 01:23:05,639
Speaker 7: the judge, the Honorable Judge Cedric Simpson was in this case.

1855
01:23:07,560 --> 01:23:11,120
Speaker 7: So the guy calls into his zoom, He downs into

1856
01:23:11,160 --> 01:23:15,560
Speaker 7: his zoom and he's driving on his way to his

1857
01:23:15,640 --> 01:23:19,160
Speaker 7: doctor's appointment, he says, and the judge starts looking at

1858
01:23:19,160 --> 01:23:22,320
Speaker 7: the camera like this case is about not being able

1859
01:23:22,360 --> 01:23:25,360
Speaker 7: to drive because somebody's licenses suspend it right, They're like,

1860
01:23:25,720 --> 01:23:28,519
Speaker 7: you get the the H I guess the DA or whoever,

1861
01:23:28,720 --> 01:23:31,800
Speaker 7: saying yes, that's exactly what this about.

1862
01:23:32,400 --> 01:23:34,200
Speaker 1: So the judge looking around like, I don't even know

1863
01:23:34,280 --> 01:23:36,800
Speaker 1: what to say. Let's just play the fucking call, Joe.

1864
01:23:36,840 --> 01:23:38,960
Speaker 1: I know you have a queued up at where the

1865
01:23:39,120 --> 01:23:42,679
Speaker 1: license suspense is. The funniest part to me is the beginning,

1866
01:23:43,280 --> 01:23:45,920
Speaker 1: when he is driving and trying to like show off

1867
01:23:45,960 --> 01:23:48,840
Speaker 1: to the court how responsible he's being. He's like, I'm

1868
01:23:48,880 --> 01:23:52,040
Speaker 1: gonna pull over and be stationary very soon. Yeah, he

1869
01:23:52,160 --> 01:23:54,400
Speaker 1: told the judge he was going to be stationary. Yeah,

1870
01:23:55,800 --> 01:23:59,280
Speaker 1: gudge you guys. In one second, d stationary.

1871
01:24:00,640 --> 01:24:01,400
Speaker 9: Right now.

1872
01:24:01,920 --> 01:24:08,600
Speaker 1: The second, yes, I am. He thought he smoked that.

1873
01:24:08,840 --> 01:24:10,599
Speaker 1: He thought he was the most responsible. He's the guy

1874
01:24:10,640 --> 01:24:12,840
Speaker 1: that shows up for a parking ticket in a tie. Yeah,

1875
01:24:13,080 --> 01:24:16,280
Speaker 1: he's that guy, like, sir, I am here, I understand.

1876
01:24:16,320 --> 01:24:18,760
Speaker 1: I love your court, right, A big fan of the law.

1877
01:24:18,840 --> 01:24:19,120
Speaker 1: All right.

1878
01:24:19,160 --> 01:24:22,200
Speaker 3: Here, here's where he pulls over and the judge realizes

1879
01:24:22,240 --> 01:24:22,679
Speaker 3: what happened.

1880
01:24:23,320 --> 01:24:26,639
Speaker 1: So maybe I don't understand something. This is the driving

1881
01:24:26,920 --> 01:24:27,760
Speaker 1: license suspended.

1882
01:24:28,560 --> 01:24:32,000
Speaker 2: That is correct, your enter and he was just driving.

1883
01:24:33,320 --> 01:24:37,040
Speaker 1: And mouth he didn't have a license.

1884
01:24:39,160 --> 01:24:40,360
Speaker 3: They put him on both cameras.

1885
01:24:44,520 --> 01:24:45,280
Speaker 6: You don't know what to say.

1886
01:24:46,400 --> 01:24:46,880
Speaker 3: He turned his.

1887
01:24:46,920 --> 01:24:50,000
Speaker 1: Camera on in the car record he doesn't have a license.

1888
01:24:50,960 --> 01:24:53,920
Speaker 1: Seat and he's just driving. You know. He put that

1889
01:24:53,960 --> 01:24:56,719
Speaker 1: seatpot on before he hit his video on the zoom

1890
01:24:56,800 --> 01:24:58,280
Speaker 1: to show the court how responsible he was.

1891
01:24:59,760 --> 01:25:01,160
Speaker 2: No heat, that stupid.

1892
01:25:02,880 --> 01:25:07,559
Speaker 1: He raised, Yeah, I'm in the passenger seat.

1893
01:25:08,000 --> 01:25:10,680
Speaker 7: Like once the court room get quiet, and they just

1894
01:25:10,760 --> 01:25:13,719
Speaker 7: thought kerfuffling with papers and writing ship you going to jail?

1895
01:25:13,920 --> 01:25:16,559
Speaker 1: You know, I respect his judge. This judge was confused.

1896
01:25:16,640 --> 01:25:19,000
Speaker 1: He thought maybe his team fucked up. Like there's no

1897
01:25:19,160 --> 01:25:20,760
Speaker 1: way that this is the case is about.

1898
01:25:20,800 --> 01:25:21,800
Speaker 6: Yeah you yea?

1899
01:25:21,800 --> 01:25:24,519
Speaker 1: How quiet the court room is? Hello? Yeah?

1900
01:25:24,600 --> 01:25:27,320
Speaker 6: Yeah, now we're here, Harris.

1901
01:25:27,680 --> 01:25:30,200
Speaker 1: One minute, your ass is gready to go to jail

1902
01:25:30,680 --> 01:25:33,320
Speaker 1: and take your fake cardier is off. You can look

1903
01:25:33,320 --> 01:25:35,200
Speaker 1: the judge on the eye. I don't get it.

1904
01:25:35,280 --> 01:25:36,400
Speaker 2: Did he not know that's slow?

1905
01:25:36,439 --> 01:25:36,800
Speaker 1: Bucks ty?

1906
01:25:37,280 --> 01:25:38,720
Speaker 2: He didn't. He wasn't thinking about it.

1907
01:25:38,840 --> 01:25:39,120
Speaker 3: He did it.

1908
01:25:39,160 --> 01:25:41,519
Speaker 6: He's never whenever the judge start looking at the clock.

1909
01:25:42,600 --> 01:25:45,559
Speaker 1: Look at the judge that you defend.

1910
01:25:45,760 --> 01:25:49,479
Speaker 9: Bond is revoked in this manner, defend turn himself into

1911
01:25:49,479 --> 01:25:51,360
Speaker 9: the watching By six pm the.

1912
01:25:51,400 --> 01:26:02,360
Speaker 1: Day the cold drive there be with no bond, it's over.

1913
01:26:03,160 --> 01:26:05,519
Speaker 1: Thank you you a call.

1914
01:26:07,040 --> 01:26:08,600
Speaker 2: The lawyer is irritated.

1915
01:26:08,680 --> 01:26:16,000
Speaker 7: Bruh, because that's that's just see listen. I'm never for

1916
01:26:16,200 --> 01:26:18,360
Speaker 7: people going to jail for especially for dumb shit. If

1917
01:26:18,400 --> 01:26:22,200
Speaker 7: it's some serious shit and then cool, But that level

1918
01:26:22,400 --> 01:26:27,800
Speaker 7: of incompetence and that level of just like just not

1919
01:26:28,439 --> 01:26:31,679
Speaker 7: being just being dumb, go go sit in the county.

1920
01:26:31,760 --> 01:26:34,320
Speaker 7: Go sitting in jail for a few hours. That's the

1921
01:26:34,400 --> 01:26:37,040
Speaker 7: type of go sit down. Because you could have took

1922
01:26:37,120 --> 01:26:40,800
Speaker 7: that call anywhere anywhere other than the car. He could

1923
01:26:40,840 --> 01:26:43,559
Speaker 7: have been walking outside and took that call and been

1924
01:26:43,680 --> 01:26:44,080
Speaker 7: just fine.

1925
01:26:44,840 --> 01:26:47,760
Speaker 1: He could have just parked. The convenience of even being

1926
01:26:47,800 --> 01:26:50,400
Speaker 1: able to still do zoom with the court at this time,

1927
01:26:50,640 --> 01:26:52,719
Speaker 1: I think is a luxury for all of us exactly

1928
01:26:53,280 --> 01:26:55,040
Speaker 1: because usually it's like I'll just pay the ship because

1929
01:26:55,040 --> 01:26:57,759
Speaker 1: there's no way I'm going down to go fight this ticket,

1930
01:26:57,800 --> 01:27:00,280
Speaker 1: even if I'm right, Like if I could have zoom

1931
01:27:00,360 --> 01:27:02,320
Speaker 1: and just be like, all right, here's a photo. I

1932
01:27:02,520 --> 01:27:06,360
Speaker 1: parked legally. This is a luxury to all citizens. And

1933
01:27:06,439 --> 01:27:09,240
Speaker 1: he And the crazy part is he's in the car

1934
01:27:09,360 --> 01:27:11,200
Speaker 1: with somebody. Why they wasn't driving.

1935
01:27:11,760 --> 01:27:13,560
Speaker 3: Stationary like you.

1936
01:27:13,920 --> 01:27:16,719
Speaker 1: I just don that level of just you know, Okay,

1937
01:27:17,000 --> 01:27:18,920
Speaker 1: he really want to shoot him? Something really wasn't I

1938
01:27:18,960 --> 01:27:22,160
Speaker 1: don't think he was even thinking. I revoked with nobail.

1939
01:27:22,200 --> 01:27:24,040
Speaker 1: You ain't got to shoot No fucking bath. He's not

1940
01:27:24,120 --> 01:27:26,320
Speaker 1: at the courthouse by six m in that day. I'll

1941
01:27:26,320 --> 01:27:28,760
Speaker 1: pay his bond. Yeah, he's fucking I'm saying I have

1942
01:27:29,160 --> 01:27:32,040
Speaker 1: had a suspended license for a long time and been

1943
01:27:32,160 --> 01:27:35,120
Speaker 1: with people that have legal license that could have drove

1944
01:27:35,200 --> 01:27:37,960
Speaker 1: my car, and I didn't let them. Why because you're

1945
01:27:37,960 --> 01:27:40,360
Speaker 1: not drive my car? Why though, because I'm a better

1946
01:27:40,439 --> 01:27:42,640
Speaker 1: driver with a suspended license than you are with a

1947
01:27:42,720 --> 01:27:43,080
Speaker 1: real one.

1948
01:27:43,320 --> 01:27:44,960
Speaker 2: But how do you know you can't even parallel park?

1949
01:27:46,120 --> 01:27:47,560
Speaker 1: Okay, who are you in the call with? Though? Like

1950
01:27:47,960 --> 01:27:54,200
Speaker 1: the good It's happened multiple times friends, women women really

1951
01:27:54,240 --> 01:27:56,920
Speaker 1: good women drivers though, like really really good. I never

1952
01:27:56,960 --> 01:27:59,439
Speaker 1: heard you speak great about a woman uber drivers. No,

1953
01:27:59,800 --> 01:28:01,960
Speaker 1: but I did get one. I did professional ones, right,

1954
01:28:02,160 --> 01:28:05,200
Speaker 1: I know I did get one female uber driver that

1955
01:28:05,880 --> 01:28:07,760
Speaker 1: I had to ask a halfway through drive and I'm like, yo,

1956
01:28:07,800 --> 01:28:10,160
Speaker 1: how many brothers you got? Because she was whipping that

1957
01:28:10,240 --> 01:28:12,919
Speaker 1: ship like she's trying to get me away from a shootout.

1958
01:28:13,600 --> 01:28:16,200
Speaker 1: I'm like, yo, why she I wasn't mad, but I was.

1959
01:28:16,439 --> 01:28:20,040
Speaker 1: I never had a female uber driver that drove that

1960
01:28:20,200 --> 01:28:21,439
Speaker 1: aggressive and that like.

1961
01:28:21,880 --> 01:28:22,320
Speaker 3: I loved it.

1962
01:28:22,400 --> 01:28:23,519
Speaker 7: She was like, she asked me, no, you want me

1963
01:28:23,560 --> 01:28:25,400
Speaker 7: to like? I said no, no, no, you're doing great.

1964
01:28:25,760 --> 01:28:28,960
Speaker 7: But I know that you men taught you how to drive.

1965
01:28:29,200 --> 01:28:30,679
Speaker 7: And she was like, yeah, she was the only girl

1966
01:28:31,160 --> 01:28:32,519
Speaker 7: seven brothers. I said, oh, there you go.

1967
01:28:33,240 --> 01:28:35,240
Speaker 1: I mean when I got my DUI that got thrown out,

1968
01:28:36,760 --> 01:28:41,640
Speaker 1: I drove supporter to throw it out. So I had

1969
01:28:41,640 --> 01:28:44,160
Speaker 1: to go every two weeks every Thursday, every two weeks

1970
01:28:44,200 --> 01:28:47,519
Speaker 1: on a Thursday, and the cop kept not showing up.

1971
01:28:47,560 --> 01:28:49,080
Speaker 1: And this went on for like six months. It ended

1972
01:28:49,160 --> 01:28:51,080
Speaker 1: up being thrown out because the cop was corrupted, shit

1973
01:28:51,120 --> 01:28:52,519
Speaker 1: and fucked up, and that's why I got thrown out.

1974
01:28:52,840 --> 01:28:55,439
Speaker 1: I was drunk. Let's be let's be real, let's be honest.

1975
01:28:55,880 --> 01:28:56,439
Speaker 1: Let's be clear.

1976
01:28:56,560 --> 01:28:57,200
Speaker 3: He fucked up.

1977
01:28:58,040 --> 01:28:59,719
Speaker 6: It wasn't It wasn't that you weren't drunk.

1978
01:29:00,400 --> 01:29:01,400
Speaker 2: My courtterpointed.

1979
01:29:01,439 --> 01:29:04,840
Speaker 1: Lawyer was like, yeah, we're gonna calibrate the uh, the breathalyzer.

1980
01:29:04,880 --> 01:29:06,720
Speaker 1: I'm sure it was wrong. He came back the next week.

1981
01:29:07,040 --> 01:29:11,720
Speaker 1: She was super accurate. I can't use that. Yeah, So

1982
01:29:12,600 --> 01:29:14,559
Speaker 1: I just kept going every two weeks and the cop

1983
01:29:14,600 --> 01:29:16,679
Speaker 1: would not show up. But I had a suspended license

1984
01:29:16,760 --> 01:29:20,240
Speaker 1: already when I got arrested, so I had that charge

1985
01:29:20,240 --> 01:29:22,200
Speaker 1: as well. But how else was I supposed to get

1986
01:29:22,680 --> 01:29:26,240
Speaker 1: from t Neck, New Jersey to North Why were you

1987
01:29:26,320 --> 01:29:28,679
Speaker 1: in tea Neck, New Jersey. I was going to Fairley

1988
01:29:28,720 --> 01:29:35,320
Speaker 1: Dickinson University getting some tea in the dorms at that time,

1989
01:29:36,000 --> 01:29:39,720
Speaker 1: and you just drunk driving. I mean it was from

1990
01:29:39,800 --> 01:29:41,639
Speaker 1: the summertime and then I went to That's how long

1991
01:29:41,680 --> 01:29:46,120
Speaker 1: it was? Six months of going every two weeks. So yeah,

1992
01:29:46,160 --> 01:29:48,080
Speaker 1: I just kept going. I drove my car with a

1993
01:29:48,120 --> 01:29:51,080
Speaker 1: suspended license. Like, how I have to get to court? Oh?

1994
01:29:51,479 --> 01:29:54,280
Speaker 1: I feel this guy like, yeah, but I don't because

1995
01:29:54,479 --> 01:29:56,160
Speaker 1: if it was a zoom, I'd be in the computer lab.

1996
01:29:56,600 --> 01:29:58,719
Speaker 1: But yeah, like you had to get to court somehow.

1997
01:29:58,920 --> 01:30:01,280
Speaker 1: So I drove my car. Think he for six months

1998
01:30:01,320 --> 01:30:03,040
Speaker 1: to court with the suspended license. I think this was

1999
01:30:03,080 --> 01:30:03,600
Speaker 1: I gonna get there.

2000
01:30:03,640 --> 01:30:05,680
Speaker 2: I think he forgot that he had court. This is

2001
01:30:05,760 --> 01:30:08,280
Speaker 2: the only way I can for being this stupid. You

2002
01:30:08,400 --> 01:30:10,720
Speaker 2: people can if it's on zoom, you can figure, oh, ship, my.

2003
01:30:10,720 --> 01:30:12,960
Speaker 1: Court date is today, lord, your lawyer, your lawyer is

2004
01:30:13,200 --> 01:30:15,479
Speaker 1: I'm not turning that camera on. I'm getting out of

2005
01:30:15,560 --> 01:30:17,040
Speaker 1: the car and Sam in the fucking park.

2006
01:30:17,160 --> 01:30:19,120
Speaker 2: I just don't think he was thinking. I don't think

2007
01:30:19,320 --> 01:30:21,479
Speaker 2: that's what I said, because he'd be driving so much.

2008
01:30:21,520 --> 01:30:23,719
Speaker 2: He'd probably like he'd be driving so much for that license.

2009
01:30:23,720 --> 01:30:25,519
Speaker 2: He probably didn't even put the ship together so that

2010
01:30:25,920 --> 01:30:26,599
Speaker 2: we'll an idiot.

2011
01:30:26,640 --> 01:30:28,599
Speaker 1: But I can see how you be like me walking

2012
01:30:28,640 --> 01:30:30,960
Speaker 1: into that courtroom and pouring a shot and be like, yo,

2013
01:30:31,000 --> 01:30:35,080
Speaker 1: I forgot I'm in court for my drinking and driving,

2014
01:30:35,479 --> 01:30:37,479
Speaker 1: like I take a shot or taking or taking his

2015
01:30:37,640 --> 01:30:39,920
Speaker 1: charges of suspended license he's driving. It's the same way

2016
01:30:39,960 --> 01:30:42,519
Speaker 1: if I walked in, took a shot and then walked out, and.

2017
01:30:42,720 --> 01:30:43,880
Speaker 6: It would be the same as if you took that

2018
01:30:43,960 --> 01:30:45,960
Speaker 6: zoom call from the bar with.

2019
01:30:46,080 --> 01:30:48,519
Speaker 1: My key, with my keys. Dang, Like, yo, can we

2020
01:30:48,600 --> 01:30:50,160
Speaker 1: wrap this up? Because I gotta know you walk to

2021
01:30:50,240 --> 01:30:54,960
Speaker 1: the car that get the locked room like fam, you

2022
01:30:55,120 --> 01:30:57,760
Speaker 1: just walked out the bar, you walk into the car like, no,

2023
01:30:58,840 --> 01:31:01,560
Speaker 1: he's I'm just he's driving on the suspended license is

2024
01:31:01,560 --> 01:31:03,719
Speaker 1: one of the most normal things on earth.

2025
01:31:03,760 --> 01:31:09,479
Speaker 7: Oh yeah, for for you driving with a suspended license,

2026
01:31:09,520 --> 01:31:12,479
Speaker 7: Answering the zoom call while you're driving is not a

2027
01:31:12,560 --> 01:31:15,280
Speaker 7: regular thing. That's we We will never see that again.

2028
01:31:15,320 --> 01:31:17,320
Speaker 7: That's like seeing a unicorn right there. I don't think

2029
01:31:17,320 --> 01:31:19,960
Speaker 7: we'll ever see anything like that. Level of stupidity is just.

2030
01:31:20,240 --> 01:31:21,800
Speaker 3: Take it up a notch. Should he be able to

2031
01:31:21,920 --> 01:31:23,599
Speaker 3: vote just being that dumb.

2032
01:31:25,400 --> 01:31:26,320
Speaker 6: Probably vote for Biden?

2033
01:31:28,280 --> 01:31:30,720
Speaker 1: No, he looked like he's probably vote. He actually gives me.

2034
01:31:30,720 --> 01:31:34,160
Speaker 1: Trump looks like, I'm right.

2035
01:31:34,080 --> 01:31:36,599
Speaker 6: There, that's that's Biden. That's those that's a Biden baby

2036
01:31:36,680 --> 01:31:37,000
Speaker 6: right there.

2037
01:31:37,960 --> 01:31:40,080
Speaker 1: They cut it off. He probably said at the end

2038
01:31:40,080 --> 01:31:42,120
Speaker 1: of this clip. Now now Trump feels this is this

2039
01:31:42,240 --> 01:31:43,679
Speaker 1: is ridiculous, that's Trump.

2040
01:31:43,760 --> 01:31:45,599
Speaker 7: He was actually like he's about to say, Biden said

2041
01:31:45,640 --> 01:31:48,200
Speaker 7: that this was America. And you know, if I didn't

2042
01:31:48,280 --> 01:31:48,840
Speaker 7: vote for him, I was.

2043
01:31:49,400 --> 01:31:51,439
Speaker 2: He was smiling the camera. First of all, you got

2044
01:31:51,479 --> 01:31:54,040
Speaker 2: your camera and you really think you cute smiling in

2045
01:31:54,120 --> 01:31:58,960
Speaker 2: the camera. Fucking idiot. The way his mouth dropped when

2046
01:31:59,040 --> 01:32:02,160
Speaker 2: the when he figured the ship out This.

2047
01:32:02,320 --> 01:32:03,960
Speaker 3: Is so funny and I love that.

2048
01:32:04,040 --> 01:32:05,760
Speaker 1: You know what I really love about this the fact

2049
01:32:05,800 --> 01:32:09,479
Speaker 1: that it's an older, black male judge. Think, yeah, that

2050
01:32:09,920 --> 01:32:11,600
Speaker 1: this was because he's just like No.

2051
01:32:11,960 --> 01:32:13,479
Speaker 7: I wish it would have been a black I know

2052
01:32:13,560 --> 01:32:16,080
Speaker 7: he wanted to say, you stupid motherfuckers. I know the

2053
01:32:16,160 --> 01:32:22,000
Speaker 7: judge one today, the judge playing with yes.

2054
01:32:22,000 --> 01:32:26,120
Speaker 6: I am, look at the judge like smile, I look

2055
01:32:26,160 --> 01:32:27,280
Speaker 6: at this dumb motherfucker.

2056
01:32:27,560 --> 01:32:29,519
Speaker 2: If it was a black woman judge, Yo, this ship

2057
01:32:29,520 --> 01:32:32,720
Speaker 2: would have been broke. Yes I am, I'm doing the

2058
01:32:32,880 --> 01:32:35,400
Speaker 2: ride NW Yes I am.

2059
01:32:36,000 --> 01:32:38,599
Speaker 7: You going to jail right now, get your ass down

2060
01:32:38,600 --> 01:32:40,479
Speaker 7: here to this courthouse and getting that fuck they just

2061
01:32:40,560 --> 01:32:42,240
Speaker 7: left the cell over and walk your ass in it.

2062
01:32:42,320 --> 01:32:43,120
Speaker 6: Man, just go shit down.

2063
01:32:43,880 --> 01:32:45,479
Speaker 1: He's definitely time to show us the court like try

2064
01:32:45,560 --> 01:32:47,320
Speaker 1: to make cute jokes to the judge. Go sit down,

2065
01:32:47,720 --> 01:32:51,920
Speaker 1: go shit down, go shit down. Well, anyways, well hopefully

2066
01:32:52,000 --> 01:32:54,040
Speaker 1: he's out of jail. And you know, I was so

2067
01:32:54,160 --> 01:32:56,160
Speaker 1: paranoid too when I did that. For six months, I

2068
01:32:56,240 --> 01:33:00,439
Speaker 1: was parking so far away from the courthouse. Yeah, to

2069
01:33:00,640 --> 01:33:02,760
Speaker 1: just walk as far the fuck as I could so

2070
01:33:02,920 --> 01:33:04,439
Speaker 1: no one could see that I was driving. When I

2071
01:33:04,520 --> 01:33:05,639
Speaker 1: was walking into a courthouse.

2072
01:33:06,080 --> 01:33:08,280
Speaker 6: I thought you use using your fucking brain. This guy

2073
01:33:08,400 --> 01:33:09,640
Speaker 6: clearly doesn't have one.

2074
01:33:09,680 --> 01:33:10,240
Speaker 1: But it's all right.

2075
01:33:10,600 --> 01:33:14,000
Speaker 7: Hopefully he's working on getting his licensed back so that

2076
01:33:14,520 --> 01:33:17,240
Speaker 7: he doesn't have to be going to zoom call and

2077
01:33:17,360 --> 01:33:18,320
Speaker 7: while he's driving again.

2078
01:33:18,400 --> 01:33:20,479
Speaker 6: So but that's a funny clip. Fuck it, it is

2079
01:33:20,560 --> 01:33:20,880
Speaker 6: what it is.

2080
01:33:21,240 --> 01:33:23,960
Speaker 1: That's not much jail Tom though, right, n he'll be fine,

2081
01:33:24,000 --> 01:33:27,200
Speaker 1: that's not no, he'll have to pay whatever the fine is. Yeah,

2082
01:33:27,240 --> 01:33:28,960
Speaker 1: he'll spend a night. Oh yeah, that ain't shit. I

2083
01:33:29,000 --> 01:33:31,880
Speaker 1: mean unless he can't pay and he might sit there

2084
01:33:31,880 --> 01:33:32,320
Speaker 1: for a little bit.

2085
01:33:32,880 --> 01:33:33,439
Speaker 6: He'll be all right.

2086
01:33:33,880 --> 01:33:35,680
Speaker 1: We have any voicemails we do.

2087
01:33:35,920 --> 01:33:39,960
Speaker 8: In the spirit of all this uh beef glaziing and

2088
01:33:40,080 --> 01:33:43,439
Speaker 8: glazing and anger that we've had and not only on

2089
01:33:43,520 --> 01:33:46,439
Speaker 8: the podcast, just all over the internet sphere, I wanted

2090
01:33:46,479 --> 01:33:51,720
Speaker 8: to play a voicemail where we could share something with

2091
01:33:51,880 --> 01:33:53,920
Speaker 8: each other that has to do with this and give

2092
01:33:53,960 --> 01:33:54,920
Speaker 8: this person advice.

2093
01:33:55,600 --> 01:33:59,200
Speaker 4: That's a good John Tay from Saint Louis. I'll be

2094
01:33:59,280 --> 01:34:04,000
Speaker 4: thirty two, this big, big fan of the show being

2095
01:34:04,080 --> 01:34:05,320
Speaker 4: rock with y'all since the beginning.

2096
01:34:05,360 --> 01:34:07,200
Speaker 6: Man appreciate that.

2097
01:34:07,439 --> 01:34:11,400
Speaker 4: So that's my question for y'all. So for background, me

2098
01:34:11,439 --> 01:34:14,280
Speaker 4: and my old lady got into an argument last week,

2099
01:34:14,920 --> 01:34:16,559
Speaker 4: and long story short, she was right.

2100
01:34:16,960 --> 01:34:19,400
Speaker 6: You feel me so not me.

2101
01:34:19,600 --> 01:34:21,679
Speaker 4: I don't have a problem with admitting when I'm wrong

2102
01:34:21,880 --> 01:34:24,160
Speaker 4: or saying like damn, ill fucked up, you know what

2103
01:34:24,160 --> 01:34:28,479
Speaker 4: I'm saying. But my issue trying to deal with my

2104
01:34:28,600 --> 01:34:32,479
Speaker 4: shit is that you know, we got into this argument,

2105
01:34:32,720 --> 01:34:35,800
Speaker 4: But could I have avoided that if I just would

2106
01:34:35,840 --> 01:34:37,679
Speaker 4: have shut the fuck up in a moment? You feel

2107
01:34:37,760 --> 01:34:39,960
Speaker 4: me like I don't want to take my lady through

2108
01:34:40,000 --> 01:34:42,040
Speaker 4: all these loops and all this stuff if I don't

2109
01:34:42,080 --> 01:34:44,640
Speaker 4: have to, Like is that my ego? You know what

2110
01:34:44,680 --> 01:34:47,320
Speaker 4: I'm saying. I don't know what it is. So my

2111
01:34:47,479 --> 01:34:50,680
Speaker 4: question to y'all is when you when you arguing with

2112
01:34:50,760 --> 01:34:54,320
Speaker 4: somebody that could be your spouse, a friend, or you know,

2113
01:34:54,400 --> 01:34:57,760
Speaker 4: business for anybody, how do you deal with knowing like, damn,

2114
01:34:57,800 --> 01:34:59,760
Speaker 4: I actually might be wrong in this moment and I

2115
01:34:59,840 --> 01:35:02,080
Speaker 4: need to shut up and listen, you know what I'm saying, Like,

2116
01:35:03,120 --> 01:35:05,920
Speaker 4: how do y'all how do y'all handle knowing when is

2117
01:35:06,000 --> 01:35:06,639
Speaker 4: this my ego?

2118
01:35:06,800 --> 01:35:07,519
Speaker 1: Is this my gut?

2119
01:35:07,720 --> 01:35:09,719
Speaker 4: Or you know, I just want to hear y'all discernment

2120
01:35:09,760 --> 01:35:12,280
Speaker 4: on how y'all handle with how I deal with some situations.

2121
01:35:12,360 --> 01:35:14,160
Speaker 1: So love what y'all do.

2122
01:35:14,240 --> 01:35:16,200
Speaker 4: Man, appreciate y'all want to know your thoughts.

2123
01:35:17,520 --> 01:35:19,920
Speaker 1: I mean, he has the awareness. You just have to

2124
01:35:20,000 --> 01:35:23,040
Speaker 1: remind yourself of the awareness when the ego and rage

2125
01:35:23,080 --> 01:35:25,360
Speaker 1: starts to ensue. Yeah.

2126
01:35:26,360 --> 01:35:29,960
Speaker 7: I think it also depends on exactly what you're arguing about.

2127
01:35:31,120 --> 01:35:32,720
Speaker 7: Like if it's you and your your girl and yo,

2128
01:35:32,840 --> 01:35:35,280
Speaker 7: you know, whatever you're arguing about in the moment, if

2129
01:35:35,280 --> 01:35:39,120
Speaker 7: you notice she's right, just shut the fuck up and

2130
01:35:39,200 --> 01:35:39,760
Speaker 7: tell you right.

2131
01:35:40,920 --> 01:35:41,200
Speaker 1: I don't.

2132
01:35:41,200 --> 01:35:43,439
Speaker 7: I don't know why people can't just to me, that's

2133
01:35:43,680 --> 01:35:48,080
Speaker 7: just such an easy because what happens if you're wrong

2134
01:35:48,120 --> 01:35:51,400
Speaker 7: in a in a debate, especially with your significant other,

2135
01:35:51,520 --> 01:35:53,400
Speaker 7: Like what's what's the worst that could happen?

2136
01:35:54,760 --> 01:35:58,679
Speaker 1: And this this won't be gaslighting or manipulation. This is healthy,

2137
01:35:58,880 --> 01:36:01,439
Speaker 1: I promise. If you start to take the l when

2138
01:36:01,439 --> 01:36:03,800
Speaker 1: you're wrong and admits you're wrong and continue doing that,

2139
01:36:04,600 --> 01:36:05,920
Speaker 1: you put the pressure on her to have to do

2140
01:36:06,000 --> 01:36:08,880
Speaker 1: the same, because if you start combating every last thing

2141
01:36:08,960 --> 01:36:12,559
Speaker 1: like I've done in the past, it's just a whole

2142
01:36:12,680 --> 01:36:15,519
Speaker 1: tornado of bullshit all the time because no one will

2143
01:36:15,520 --> 01:36:17,880
Speaker 1: take accountability no one will say they're wrong. We're just

2144
01:36:17,920 --> 01:36:20,320
Speaker 1: gonna argue all day until we fucking hate each other

2145
01:36:20,360 --> 01:36:22,040
Speaker 1: and we get too tired and go to sleep.

2146
01:36:22,560 --> 01:36:25,360
Speaker 7: You know, when you really mastered it, like a different

2147
01:36:25,479 --> 01:36:27,960
Speaker 7: level of yourself, when you know you're right in an

2148
01:36:28,080 --> 01:36:30,880
Speaker 7: argument or debate and you shut the fuck up and

2149
01:36:31,000 --> 01:36:33,920
Speaker 7: let her have it, and then like two hours later

2150
01:36:34,040 --> 01:36:36,680
Speaker 7: it hits her that you're right. Oh man, that's just

2151
01:36:36,760 --> 01:36:39,680
Speaker 7: God's way of winking at you. Yeah, it's just tough

2152
01:36:39,720 --> 01:36:43,240
Speaker 7: to find it. Whatever, just let it go, let her

2153
01:36:43,280 --> 01:36:46,000
Speaker 7: have it. And if she realizes just doing some regular

2154
01:36:46,000 --> 01:36:47,080
Speaker 7: shit and you'll just be looking at it.

2155
01:36:47,160 --> 01:36:49,800
Speaker 1: Like you're saying, self, the woman would have to do

2156
01:36:49,920 --> 01:36:51,320
Speaker 1: some self reflection or not.

2157
01:36:52,160 --> 01:36:53,760
Speaker 7: I mean, I don't know if women know how to

2158
01:36:53,840 --> 01:36:56,240
Speaker 7: do that, but I see he getting into a whole

2159
01:36:56,240 --> 01:37:01,680
Speaker 7: different debate. Now what No, nothing eg Playing emoji's in

2160
01:37:01,720 --> 01:37:02,240
Speaker 7: your comments?

2161
01:37:05,360 --> 01:37:08,400
Speaker 1: How really? I don't know. I'm still trying to think.

2162
01:37:08,760 --> 01:37:10,720
Speaker 1: I don't know, man, I don't know who's the girl

2163
01:37:10,720 --> 01:37:11,679
Speaker 1: on this, Kendrick or Drake.

2164
01:37:14,479 --> 01:37:17,360
Speaker 6: I didn't see see, I didn't respond, I didn't say nothing.

2165
01:37:17,680 --> 01:37:21,960
Speaker 1: But no, to be serious, doing that and holding yourself

2166
01:37:22,000 --> 01:37:25,640
Speaker 1: accountable will start to put pressure on her that she

2167
01:37:25,720 --> 01:37:29,200
Speaker 1: has to do the same when she's wrong. Shit, it

2168
01:37:29,560 --> 01:37:31,640
Speaker 1: evens things out in a healthy way. It's not a

2169
01:37:31,680 --> 01:37:33,720
Speaker 1: manipultive way of you know, I fucked up, I was wrong. Here,

2170
01:37:33,800 --> 01:37:36,760
Speaker 1: all right? You right? Cool? Next time when you're right,

2171
01:37:36,840 --> 01:37:38,640
Speaker 1: which tay, I'm sure you are ninety nine percent of

2172
01:37:38,720 --> 01:37:40,320
Speaker 1: the time, because you're a man when she's a woman.

2173
01:37:40,840 --> 01:37:43,080
Speaker 1: It's going to start to dawn on her the amount

2174
01:37:43,120 --> 01:37:46,200
Speaker 1: of times you've taken accountability. It's true as the man. Yeah,

2175
01:37:46,240 --> 01:37:48,160
Speaker 1: he's definitely right. And if you want to get a

2176
01:37:48,200 --> 01:37:51,200
Speaker 1: little sassy and a little toxic, you can bring up

2177
01:37:51,240 --> 01:37:53,880
Speaker 1: the few times that you said, yo, when I was wrong,

2178
01:37:53,920 --> 01:37:56,400
Speaker 1: I said I was wrong. You seem to have trouble

2179
01:37:56,479 --> 01:37:59,000
Speaker 1: with that. You should figure that out. It seems like

2180
01:37:59,040 --> 01:38:02,519
Speaker 1: a youth thing because when you arguing I'm wrong, I say, yo,

2181
01:38:02,760 --> 01:38:05,280
Speaker 1: I'm sorry, you're right. I apologize. Why is that so

2182
01:38:05,400 --> 01:38:06,519
Speaker 1: tough for you? It's her fault?

2183
01:38:06,760 --> 01:38:08,639
Speaker 6: And then you're throwing maybe you should see a therapist.

2184
01:38:09,479 --> 01:38:11,599
Speaker 6: Oh you know you throw that in there. She turned

2185
01:38:11,640 --> 01:38:12,080
Speaker 6: into the check.

2186
01:38:13,960 --> 01:38:15,800
Speaker 1: I think I'm starting to realize this has nothing to

2187
01:38:15,840 --> 01:38:17,519
Speaker 1: do with me and everything to do with what's in

2188
01:38:17,680 --> 01:38:18,080
Speaker 1: your head.

2189
01:38:18,240 --> 01:38:20,320
Speaker 6: What very trauma are you like? Fighting right now?

2190
01:38:21,320 --> 01:38:22,840
Speaker 1: You're mad at your father, You're not mad at me.

2191
01:38:23,520 --> 01:38:25,120
Speaker 1: She has nothing to do with the dishes in the sink.

2192
01:38:25,880 --> 01:38:27,920
Speaker 1: It's a deeper, darker and I'm here to help you.

2193
01:38:30,080 --> 01:38:32,560
Speaker 3: Damn I looked at That's all we're really trying to

2194
01:38:32,600 --> 01:38:33,840
Speaker 3: do at the end of the day is help women.

2195
01:38:34,360 --> 01:38:39,880
Speaker 2: Yeah, shall be careful the way that y'all argue, because

2196
01:38:40,000 --> 01:38:42,680
Speaker 2: most of the times when y'all are dis especially if

2197
01:38:42,680 --> 01:38:45,000
Speaker 2: you're in a relationship, when you're disagreeing about something, and

2198
01:38:45,160 --> 01:38:48,240
Speaker 2: also with like family too, what you're disagreeing about is

2199
01:38:48,400 --> 01:38:51,479
Speaker 2: how the other one feels about something. It's not you're

2200
01:38:51,520 --> 01:38:54,400
Speaker 2: not arguing a fact. You're arguing feelings. So when you're

2201
01:38:54,479 --> 01:38:57,759
Speaker 2: arguing feelings, sometimes people will be right, but most times

2202
01:38:57,920 --> 01:39:00,200
Speaker 2: there's no right or wrong answer. Just make sure you're

2203
01:39:00,880 --> 01:39:03,080
Speaker 2: disagreeing with each other. In love, it shouldn't be a

2204
01:39:03,200 --> 01:39:05,760
Speaker 2: big argument. There should be no disrespect, there should be

2205
01:39:05,840 --> 01:39:08,880
Speaker 2: no stepping on people's points. Just learn how to talk

2206
01:39:08,960 --> 01:39:10,560
Speaker 2: to each other so then you don't have anything to

2207
01:39:10,640 --> 01:39:13,680
Speaker 2: apologize for. You see what I'm saying, Like, if we

2208
01:39:13,800 --> 01:39:16,000
Speaker 2: agree to listen, we're just gonna agree to disagree. Because

2209
01:39:16,000 --> 01:39:17,600
Speaker 2: at the end of the day, if our goal is

2210
01:39:17,960 --> 01:39:20,480
Speaker 2: to be together and to have a healthy functioning relationship,

2211
01:39:20,680 --> 01:39:23,080
Speaker 2: then us arguing with each other is not working toward

2212
01:39:23,200 --> 01:39:26,760
Speaker 2: that goal. So if our goal is that, then it's

2213
01:39:26,840 --> 01:39:29,040
Speaker 2: just okay, you think this way, I think this way.

2214
01:39:29,080 --> 01:39:31,400
Speaker 2: We don't think the same. Let's just agree to disagree

2215
01:39:31,840 --> 01:39:35,480
Speaker 2: and pick away to move forward together and not disrespect

2216
01:39:35,520 --> 01:39:37,599
Speaker 2: each other, argue at each other, yell at each other

2217
01:39:37,680 --> 01:39:39,840
Speaker 2: like none of that shit, like, none of that shit

2218
01:39:39,880 --> 01:39:40,880
Speaker 2: is necessary, and if.

2219
01:39:40,800 --> 01:39:42,400
Speaker 1: It doesn't work, just be like, oh, I see, you

2220
01:39:42,479 --> 01:39:44,120
Speaker 1: just want to argue. So if you just want to argue,

2221
01:39:44,320 --> 01:39:44,920
Speaker 1: let's argue.

2222
01:39:46,760 --> 01:39:47,600
Speaker 6: No, don't never do that.

2223
01:39:50,240 --> 01:39:52,320
Speaker 1: Don't. Oh, I see what you're doing. You just want

2224
01:39:52,360 --> 01:39:53,719
Speaker 1: to argue. You don't want to find resolution.

2225
01:39:54,400 --> 01:39:56,519
Speaker 2: And also so let's argue at our big ass age

2226
01:39:56,560 --> 01:39:58,760
Speaker 2: like we're old, y'all. We none of us should be

2227
01:39:58,840 --> 01:40:00,760
Speaker 2: with people who don't know how to admit that they're wrong.

2228
01:40:00,800 --> 01:40:02,960
Speaker 2: I'm quick to admit that I'm wrong. When I'm wrong,

2229
01:40:06,200 --> 01:40:07,880
Speaker 2: I'm wrong a lot.

2230
01:40:08,080 --> 01:40:10,400
Speaker 7: Oh yeah, but the whin I'm wrong is always subjective,

2231
01:40:11,640 --> 01:40:14,280
Speaker 7: Like y'all like to use the when I'm wrong like

2232
01:40:14,640 --> 01:40:16,240
Speaker 7: that's like, was I really wrong?

2233
01:40:16,720 --> 01:40:18,639
Speaker 2: But it's not even about being wrong in the argument.

2234
01:40:18,680 --> 01:40:20,519
Speaker 2: It's about being wrong and how you, like I said,

2235
01:40:20,600 --> 01:40:22,960
Speaker 2: how you handle the argument, because there's some things that

2236
01:40:23,439 --> 01:40:26,880
Speaker 2: in my relationship a lot with my little sister. When

2237
01:40:26,920 --> 01:40:28,880
Speaker 2: you really really love somebody and they really really love you,

2238
01:40:29,000 --> 01:40:31,720
Speaker 2: they know your trigger points and sometimes they might push

2239
01:40:31,840 --> 01:40:37,200
Speaker 2: them accidentally or on purpose. Yeah they pushed they pushed

2240
01:40:37,200 --> 01:40:40,240
Speaker 2: the red button, and then it's I overreact. So and

2241
01:40:40,479 --> 01:40:43,080
Speaker 2: my thing when I was younger was Okay, you know

2242
01:40:43,520 --> 01:40:45,600
Speaker 2: that this is going to cause me to become a

2243
01:40:45,600 --> 01:40:48,080
Speaker 2: different human being, and you did it anyway. I feel

2244
01:40:48,120 --> 01:40:49,800
Speaker 2: like that was spiteful because what I used to feel

2245
01:40:49,800 --> 01:40:51,160
Speaker 2: like my family would do a lot to me with

2246
01:40:51,640 --> 01:40:53,600
Speaker 2: pope little buttons. And then when I start trying to

2247
01:40:53,640 --> 01:40:55,880
Speaker 2: burn the house down, everybody's like, oh, Demia s you're

2248
01:40:55,920 --> 01:40:57,680
Speaker 2: fucking crazy or fucking crazy. But you knew I was

2249
01:40:57,720 --> 01:40:59,320
Speaker 2: going to have that reaction when you did it. Now

2250
01:40:59,400 --> 01:41:02,400
Speaker 2: that I'm an adult, well, I apologize now, like, Okay,

2251
01:41:02,680 --> 01:41:04,599
Speaker 2: even if you were purposely trying to trigger me, whether

2252
01:41:04,600 --> 01:41:07,759
Speaker 2: it was purposely for or not, I apologize for taking

2253
01:41:07,800 --> 01:41:09,840
Speaker 2: it too far because I shouldn't have taken it too far.

2254
01:41:10,200 --> 01:41:12,240
Speaker 2: I can't control what you say, I can only control

2255
01:41:12,280 --> 01:41:14,680
Speaker 2: my reaction. I feel like that's adulthood. So none of

2256
01:41:14,720 --> 01:41:16,360
Speaker 2: us should be dating people who don't know how to

2257
01:41:17,080 --> 01:41:19,800
Speaker 2: admit that they overreacted or that they reacted in a

2258
01:41:19,880 --> 01:41:20,680
Speaker 2: disrespectful way.

2259
01:41:20,800 --> 01:41:24,479
Speaker 8: Yeah, even outside of dating with friends and work, I

2260
01:41:25,160 --> 01:41:28,120
Speaker 8: feel like I've entered this phase of I don't know,

2261
01:41:28,520 --> 01:41:30,960
Speaker 8: for better or worse, kind of an avoidance phase where

2262
01:41:31,120 --> 01:41:33,080
Speaker 8: if it's not I'm not even like on the big

2263
01:41:33,200 --> 01:41:36,000
Speaker 8: like holistic heal me tip, but like if it's if

2264
01:41:36,040 --> 01:41:39,000
Speaker 8: it's someone that's like bringing constant negativity or just a

2265
01:41:39,120 --> 01:41:41,560
Speaker 8: nuisance in my life, and especially if they've done me

2266
01:41:41,640 --> 01:41:44,000
Speaker 8: wrong in the past, to my face or behind closures,

2267
01:41:44,040 --> 01:41:46,719
Speaker 8: whatever the case may be, I can gladly just remove

2268
01:41:46,760 --> 01:41:49,720
Speaker 8: myself from that relationship and just go about what I

2269
01:41:50,400 --> 01:41:53,880
Speaker 8: deem to be the right way to handle something, which

2270
01:41:54,000 --> 01:41:55,640
Speaker 8: I think what Demyer said earlier, like if you have

2271
01:41:55,760 --> 01:41:58,160
Speaker 8: a common goal, which in one case I did with someone,

2272
01:41:58,400 --> 01:42:00,320
Speaker 8: and then they go off the hook, disrespect the shit

2273
01:42:00,360 --> 01:42:02,320
Speaker 8: out of you, and then you choose to not go

2274
01:42:02,479 --> 01:42:04,200
Speaker 8: with that person anymore, talk to them, or whatever the

2275
01:42:04,240 --> 01:42:06,840
Speaker 8: case may be. I still haven't changed, I haven't switched

2276
01:42:06,920 --> 01:42:10,000
Speaker 8: up I'm still choosing this thing. I'm just not trying

2277
01:42:10,000 --> 01:42:11,360
Speaker 8: to change who I am, nor do I want to

2278
01:42:11,400 --> 01:42:13,559
Speaker 8: continue to argue. I'm just done with that. I don't

2279
01:42:13,560 --> 01:42:15,280
Speaker 8: want to waste energy arguing.

2280
01:42:15,640 --> 01:42:17,400
Speaker 3: I think it's just it's it gives me a headache,

2281
01:42:17,680 --> 01:42:19,400
Speaker 3: makes you feel like a worse version of yourself. You

2282
01:42:19,439 --> 01:42:22,080
Speaker 3: sleep shitty at night, fox up your eating. Like there's

2283
01:42:22,120 --> 01:42:25,400
Speaker 3: so much like reverberation that happens when you surround yourself

2284
01:42:25,439 --> 01:42:27,040
Speaker 3: with those kind of people that I'm just choosing to

2285
01:42:27,120 --> 01:42:29,719
Speaker 3: like implicitly ignore you, so like you're in your soft

2286
01:42:29,760 --> 01:42:32,639
Speaker 3: girl or I'm low key like the last like three

2287
01:42:32,760 --> 01:42:35,400
Speaker 3: four months, I've really been in like a leave me

2288
01:42:35,479 --> 01:42:36,200
Speaker 3: the fuck alone.

2289
01:42:36,760 --> 01:42:38,040
Speaker 1: Your Yeah, if.

2290
01:42:37,920 --> 01:42:40,599
Speaker 2: We're not operating on the same wavelength to the point

2291
01:42:40,640 --> 01:42:44,479
Speaker 2: where we can't agree or disagree in a respectful way

2292
01:42:44,560 --> 01:42:46,280
Speaker 2: that works forward to go, then we don't need to

2293
01:42:46,320 --> 01:42:47,920
Speaker 2: be around each other, no matter who you are.

2294
01:42:47,920 --> 01:42:48,080
Speaker 1: Are.

2295
01:42:48,280 --> 01:42:50,280
Speaker 8: To Demarus's point, two of the people that I'm referring

2296
01:42:50,320 --> 01:42:52,280
Speaker 8: to have tried to do the spin the block my bad.

2297
01:42:52,400 --> 01:42:55,800
Speaker 3: Nope, you very much jumped out. I'm good, keep it.

2298
01:42:56,320 --> 01:42:58,559
Speaker 3: I'm straight because I'm sleeping much better now.

2299
01:42:59,160 --> 01:43:01,679
Speaker 2: There's some people will forgive for jumping out the gate,

2300
01:43:02,160 --> 01:43:05,000
Speaker 2: and then some people just you haven't earned that forgiveness

2301
01:43:05,040 --> 01:43:07,040
Speaker 2: for me, you you're not that big of a factor

2302
01:43:07,120 --> 01:43:09,760
Speaker 2: in my life for me to go out of my

2303
01:43:09,840 --> 01:43:11,400
Speaker 2: way to forgive you. No, you jumped out and you

2304
01:43:11,439 --> 01:43:13,400
Speaker 2: don't belong with here anyway. I can't do that with

2305
01:43:13,479 --> 01:43:16,280
Speaker 2: my little sister though I have to, except because of

2306
01:43:16,320 --> 01:43:23,680
Speaker 2: the whole family. Yeah, chick trash, But yes, for you,

2307
01:43:23,720 --> 01:43:24,240
Speaker 2: I don't.

2308
01:43:24,080 --> 01:43:28,120
Speaker 1: Speak so much about family my family what.

2309
01:43:28,760 --> 01:43:32,920
Speaker 2: But yeah, for him, definitely, just make sure you're you're

2310
01:43:33,040 --> 01:43:35,640
Speaker 2: apologizing and you're leading with love and your arguments and

2311
01:43:35,720 --> 01:43:38,360
Speaker 2: you you're not saying anything in your arguments that you

2312
01:43:38,479 --> 01:43:40,720
Speaker 2: can't take that because you can't unring a bell. Yeah,

2313
01:43:40,760 --> 01:43:42,599
Speaker 2: once you call me a ballhead bitch, like I'm gonna

2314
01:43:42,600 --> 01:43:44,880
Speaker 2: remember that, you know what I'm saying, no matter whether

2315
01:43:44,920 --> 01:43:46,920
Speaker 2: I was wrong or not, Like I'm gonna remember that.

2316
01:43:47,120 --> 01:43:48,840
Speaker 1: Okay, were you ball headed at the time?

2317
01:43:49,160 --> 01:43:52,200
Speaker 3: And where you be in a bitch? Yeah, See, we

2318
01:43:52,439 --> 01:43:54,559
Speaker 3: look into those things, say that's the things you gotta

2319
01:43:54,560 --> 01:43:57,160
Speaker 3: look into. It could just be observational exactly.

2320
01:43:57,160 --> 01:43:59,040
Speaker 1: But he seems like he has a tool, he's aware

2321
01:43:59,479 --> 01:44:02,080
Speaker 1: of what he just has to remind himself when your

2322
01:44:02,479 --> 01:44:03,960
Speaker 1: legal feelings come up.

2323
01:44:04,080 --> 01:44:06,200
Speaker 6: Juliet is so gay. I like this guy you don't

2324
01:44:06,320 --> 01:44:07,960
Speaker 6: notice nigga to have.

2325
01:44:08,120 --> 01:44:10,439
Speaker 8: That self awareness and to to want to check yourself

2326
01:44:10,479 --> 01:44:12,360
Speaker 8: and ask people that before you record.

2327
01:44:12,400 --> 01:44:13,960
Speaker 3: I want advice from Yeah, he could be lying. You

2328
01:44:14,000 --> 01:44:14,880
Speaker 3: can send him some palm.

2329
01:44:14,920 --> 01:44:15,719
Speaker 6: You get a piece of ship.

2330
01:44:16,280 --> 01:44:17,200
Speaker 3: He doesn't sound like one.

2331
01:44:18,160 --> 01:44:18,360
Speaker 1: It did.

2332
01:44:18,400 --> 01:44:19,519
Speaker 2: He didn't sound like one either.

2333
01:44:19,479 --> 01:44:24,160
Speaker 1: No, he always did. Yeah, I mean it never sounded like.

2334
01:44:25,800 --> 01:44:26,960
Speaker 3: He changed his name to us.

2335
01:44:27,000 --> 01:44:31,080
Speaker 2: I was gonna say that they didn't give. Yes, that

2336
01:44:31,120 --> 01:44:32,720
Speaker 2: didn't give y'all narcissistic.

2337
01:44:32,479 --> 01:44:34,920
Speaker 6: That now, No, we know he knew what was coming.

2338
01:44:36,120 --> 01:44:38,120
Speaker 1: He tried to get out of the way of that love.

2339
01:44:38,280 --> 01:44:40,800
Speaker 6: Yeah, I know, no love.

2340
01:44:40,880 --> 01:44:44,280
Speaker 1: Huh. Yeah, because at least like puff Daddy Puff to

2341
01:44:44,320 --> 01:44:48,439
Speaker 1: Puff Daddy, p Diddy, p Diddy to Diddy, like everything

2342
01:44:48,560 --> 01:44:50,080
Speaker 1: started to make sense with the tree and then it

2343
01:44:50,200 --> 01:44:53,880
Speaker 1: was just like yo, love, We're just love. Now.

2344
01:44:54,360 --> 01:44:57,200
Speaker 6: Love need to spread more love. I bet we do.

2345
01:44:57,439 --> 01:44:58,960
Speaker 6: It's truth, spread more of it.

2346
01:44:59,080 --> 01:45:03,879
Speaker 1: We got one more. Yeah, speaking of chicken parm.

2347
01:45:05,280 --> 01:45:11,479
Speaker 9: Arm, Hey, what's up, guys. This is Nick mc big

2348
01:45:11,560 --> 01:45:15,240
Speaker 9: fan of the pod. Shout out to everybody involved. A

2349
01:45:16,920 --> 01:45:21,320
Speaker 9: big looks to demeras. I don't really ever agree with

2350
01:45:21,560 --> 01:45:23,960
Speaker 9: a lot of what she says, but I still respect

2351
01:45:24,000 --> 01:45:28,840
Speaker 9: that she holds it down and young stop talking over please,

2352
01:45:30,160 --> 01:45:31,600
Speaker 9: but big looks and brass.

2353
01:45:31,720 --> 01:45:36,679
Speaker 1: Uh calling the pot with a question? Is it hip hop.

2354
01:45:38,000 --> 01:45:41,960
Speaker 9: To make audible sounds when you're eating Ben and Jerry's

2355
01:45:41,960 --> 01:45:43,640
Speaker 9: rec's PC side screw.

2356
01:45:44,880 --> 01:45:52,120
Speaker 1: Like I'm talking going oh so good, like just sounded refreshed,

2357
01:45:52,880 --> 01:45:53,960
Speaker 1: sounding happy with life.

2358
01:45:55,240 --> 01:45:57,679
Speaker 9: I'm just curious because I feel like personally, I don't

2359
01:45:57,760 --> 01:46:01,080
Speaker 9: question it because I do it clearly.

2360
01:46:01,200 --> 01:46:04,920
Speaker 6: We know that I feel like the same thing you

2361
01:46:05,040 --> 01:46:05,920
Speaker 6: got moll fucked up.

2362
01:46:07,000 --> 01:46:08,200
Speaker 1: So I just had that question.

2363
01:46:08,400 --> 01:46:12,920
Speaker 2: He said, you do that lot cone. Let's let's widden

2364
01:46:13,000 --> 01:46:16,040
Speaker 2: it to eating anything extravagant because I have a convo

2365
01:46:16,120 --> 01:46:18,120
Speaker 2: from this. But what do you guys moan when you eat?

2366
01:46:18,360 --> 01:46:22,759
Speaker 3: No, you've never I said, m that's good. What about

2367
01:46:22,760 --> 01:46:26,280
Speaker 3: like a happy dance? I get the food happy dance. Yeah,

2368
01:46:27,120 --> 01:46:28,439
Speaker 3: then that's the level of like autism.

2369
01:46:29,640 --> 01:46:31,240
Speaker 2: I think it is too no real ship Like, I

2370
01:46:31,280 --> 01:46:33,479
Speaker 2: think you're right, but I do dance.

2371
01:46:33,640 --> 01:46:35,920
Speaker 1: Enjoying your food like dancing, Well, you're.

2372
01:46:35,720 --> 01:46:37,280
Speaker 3: Eating vegan ship, there's nothing to dance.

2373
01:46:38,000 --> 01:46:39,600
Speaker 1: You just you can't really be in convers This is

2374
01:46:39,640 --> 01:46:41,560
Speaker 1: why I can't fuck with you. He just ate some

2375
01:46:41,680 --> 01:46:47,320
Speaker 1: bullshit from Spicy Moon. You gotta try this. This is amazing.

2376
01:46:48,760 --> 01:46:50,600
Speaker 1: With his fucking bucket of noodles in his hand. It

2377
01:46:50,640 --> 01:46:52,640
Speaker 1: did smell good. And now he comes in here talking about, Oh,

2378
01:46:52,680 --> 01:46:55,280
Speaker 1: you eat vegan so that it tastes like ship. That's

2379
01:46:55,280 --> 01:46:55,720
Speaker 1: what I'm saying.

2380
01:46:56,000 --> 01:46:59,880
Speaker 7: Just these kinding fans that come out of know where

2381
01:46:59,880 --> 01:47:03,120
Speaker 7: the same way him. This guy just came in here

2382
01:47:03,160 --> 01:47:07,200
Speaker 7: this morning. You gotta try this vegan's vegan Spicy Moon

2383
01:47:10,600 --> 01:47:13,439
Speaker 7: now sudden vegan food. Now, all of a sudden, vegan

2384
01:47:13,479 --> 01:47:14,280
Speaker 7: food tastes like shit.

2385
01:47:15,640 --> 01:47:18,920
Speaker 1: It does. I know it doesn't. Y'all just eat y'all

2386
01:47:18,920 --> 01:47:21,759
Speaker 1: don't know what it get good Vegan FOODGA food doesn't

2387
01:47:21,760 --> 01:47:24,240
Speaker 1: taste I say this is really good when it's vegan,

2388
01:47:24,320 --> 01:47:26,800
Speaker 1: because I'm so surprised that this vegan food is good.

2389
01:47:27,080 --> 01:47:29,519
Speaker 3: It's always surprising. Yeah, don't do that. That's why the

2390
01:47:29,600 --> 01:47:31,840
Speaker 3: food I got earlier is vegan and it was all right.

2391
01:47:31,880 --> 01:47:34,680
Speaker 1: The shittiest pizza I've had is better than the best

2392
01:47:34,800 --> 01:47:35,599
Speaker 1: vegan food I've had.

2393
01:47:35,640 --> 01:47:37,800
Speaker 2: That vegan burgers that we had made for us.

2394
01:47:37,960 --> 01:47:40,000
Speaker 1: And shout out to them, but even the noops, so

2395
01:47:40,040 --> 01:47:41,360
Speaker 1: it's cool. Yeah, Now I was the best shit I've

2396
01:47:41,360 --> 01:47:44,120
Speaker 1: ever had. The vegan burgers are really I know. Yeah,

2397
01:47:44,160 --> 01:47:49,200
Speaker 1: I'm saying I was the best hot dogs, hot dogs,

2398
01:47:49,720 --> 01:47:51,680
Speaker 1: vegan hot I'm not even hot dogs. Don't even know

2399
01:47:51,720 --> 01:47:54,240
Speaker 1: what's in it to begin with. You can stuff anything with.

2400
01:47:54,320 --> 01:47:58,080
Speaker 6: Ut, yeah, which is what they do. Actually, any scraps

2401
01:47:58,160 --> 01:47:58,479
Speaker 6: put in.

2402
01:47:58,520 --> 01:48:00,679
Speaker 1: There, So how do you think they land on? Because

2403
01:48:00,720 --> 01:48:02,200
Speaker 1: hot dogs are good, But how do you think they

2404
01:48:02,280 --> 01:48:03,519
Speaker 1: layd it on? That whole formula?

2405
01:48:04,400 --> 01:48:06,360
Speaker 7: So they just want there was there was a meat

2406
01:48:06,439 --> 01:48:08,080
Speaker 7: markets or a bunch of markets, and there was a

2407
01:48:08,120 --> 01:48:09,760
Speaker 7: bunch of scrap, bunch of shit, and it was like

2408
01:48:10,120 --> 01:48:12,920
Speaker 7: we could probably getting tired of throwing this out every night. Yeah,

2409
01:48:13,000 --> 01:48:16,000
Speaker 7: we could probably do something with this. Let's fucking grind

2410
01:48:16,080 --> 01:48:18,800
Speaker 7: this up, make it into paste or something. Yeah, put

2411
01:48:18,800 --> 01:48:20,680
Speaker 7: it through a tube and fucking let people grill it.

2412
01:48:20,760 --> 01:48:22,240
Speaker 1: And deep fry it delicious.

2413
01:48:23,000 --> 01:48:24,479
Speaker 2: I've never had a deep fried hot dog.

2414
01:48:24,840 --> 01:48:27,599
Speaker 1: All the best deepried hot dogs are by far.

2415
01:48:27,720 --> 01:48:29,400
Speaker 6: I think you could deep fry anything. You can deep

2416
01:48:29,400 --> 01:48:30,120
Speaker 6: fry a whole nigga.

2417
01:48:33,160 --> 01:48:36,559
Speaker 7: I'm just saying, like deep fried turkey, like when they

2418
01:48:36,560 --> 01:48:37,559
Speaker 7: started frying Turkey's, I.

2419
01:48:37,600 --> 01:48:40,640
Speaker 1: Was ever seen racism and the LGBTQ community come to

2420
01:48:40,680 --> 01:48:42,400
Speaker 1: get listen, we're conquering all platforms here.

2421
01:48:44,200 --> 01:48:47,640
Speaker 2: So going into his off of his question, I had

2422
01:48:47,680 --> 01:48:49,800
Speaker 2: a conversation with Alex and we came up with the

2423
01:48:49,920 --> 01:48:52,800
Speaker 2: idea that do men enjoy food as much as women do?

2424
01:48:54,080 --> 01:48:54,519
Speaker 2: Like really?

2425
01:48:55,160 --> 01:48:57,200
Speaker 6: Because well, I don't know. I've never enjoyed it as

2426
01:48:57,200 --> 01:48:59,960
Speaker 6: a woman, but I enjoy food.

2427
01:49:00,040 --> 01:49:04,240
Speaker 1: But you guys, you guys have experience with food that

2428
01:49:04,800 --> 01:49:08,519
Speaker 1: we don't have because we are stressed while we're eating

2429
01:49:08,560 --> 01:49:10,240
Speaker 1: because we have to pay for We're paying for you.

2430
01:49:11,880 --> 01:49:13,839
Speaker 1: We have to put on we have to be funny, charming,

2431
01:49:14,439 --> 01:49:15,439
Speaker 1: we have to pay for the food.

2432
01:49:15,880 --> 01:49:17,479
Speaker 2: Were gonna bring up how he paid for some ship

2433
01:49:17,600 --> 01:49:18,040
Speaker 2: handle the.

2434
01:49:18,080 --> 01:49:22,479
Speaker 1: Date I'm going off. I didn't men paying for women's dates.

2435
01:49:22,479 --> 01:49:23,240
Speaker 1: What are you talking about?

2436
01:49:24,160 --> 01:49:25,800
Speaker 7: It tastes great when she picked up the check. So

2437
01:49:25,920 --> 01:49:28,679
Speaker 7: every single time, like I'm coming here every week, every.

2438
01:49:28,520 --> 01:49:30,080
Speaker 2: Single time you eat you on a date, you don't

2439
01:49:30,080 --> 01:49:30,880
Speaker 2: eat no other meals.

2440
01:49:31,600 --> 01:49:34,560
Speaker 1: I paid for all my money groceries by myself or

2441
01:49:34,640 --> 01:49:35,280
Speaker 1: with someone else.

2442
01:49:35,400 --> 01:49:37,479
Speaker 2: Okay, and I'm single. I pay for all my meals too.

2443
01:49:37,479 --> 01:49:38,400
Speaker 2: And I still you.

2444
01:49:38,640 --> 01:49:40,120
Speaker 7: No, No, I'm not gonna let you get that off

2445
01:49:40,600 --> 01:49:42,960
Speaker 7: because a few weeks ago you came in here and

2446
01:49:43,040 --> 01:49:45,519
Speaker 7: you told a story about you went on a date

2447
01:49:45,560 --> 01:49:49,880
Speaker 7: with somebody and he didn't he paid or some shiit.

2448
01:49:50,320 --> 01:49:51,479
Speaker 7: So don't say you pay for your meal.

2449
01:49:51,600 --> 01:49:55,479
Speaker 2: That was literally like four months ago. I know I've

2450
01:49:55,479 --> 01:49:55,880
Speaker 2: been counting.

2451
01:49:55,920 --> 01:49:58,559
Speaker 1: I was gonna land my point. Okay, shouts Studio seventy one.

2452
01:49:58,880 --> 01:50:01,880
Speaker 1: They took us out to dinner. Mmmm. I had more

2453
01:50:02,000 --> 01:50:05,000
Speaker 1: fun on that dinner knowing that I was not paying

2454
01:50:05,040 --> 01:50:08,799
Speaker 1: for anything on that fucking menu. I was tasting apps.

2455
01:50:09,040 --> 01:50:10,559
Speaker 1: I don't even eat seafood. I was like, oh, give

2456
01:50:10,600 --> 01:50:13,799
Speaker 1: me that shrimp. I was trying anything. I was gleeful.

2457
01:50:14,640 --> 01:50:17,479
Speaker 1: Was a shitty restaurant, had like five stars all that,

2458
01:50:17,560 --> 01:50:20,120
Speaker 1: but I hate those restaurants. But I was so gleeful

2459
01:50:20,200 --> 01:50:23,760
Speaker 1: and enjoying myself because I had no stress. This isn't

2460
01:50:23,760 --> 01:50:26,920
Speaker 1: coming out of my fucking bank account. I'm not responsible

2461
01:50:27,000 --> 01:50:29,479
Speaker 1: for anything that happens with this food except for when

2462
01:50:29,479 --> 01:50:30,000
Speaker 1: I have to take a.

2463
01:50:30,000 --> 01:50:31,320
Speaker 3: Shit fuck around and get dessert.

2464
01:50:31,560 --> 01:50:35,760
Speaker 1: So yeah, there's a different experience between men and women

2465
01:50:35,880 --> 01:50:36,679
Speaker 1: and enjoying food.

2466
01:50:36,880 --> 01:50:40,240
Speaker 2: Rory me and Yomi go out and eat me and

2467
01:50:40,320 --> 01:50:42,719
Speaker 2: all my homegirls go out and eat and eat crazier

2468
01:50:42,760 --> 01:50:43,120
Speaker 2: than we do.

2469
01:50:43,200 --> 01:50:43,519
Speaker 1: What men?

2470
01:50:43,680 --> 01:50:44,679
Speaker 2: What are you talking about?

2471
01:50:44,920 --> 01:50:46,680
Speaker 1: What's more gleeful when you did?

2472
01:50:46,880 --> 01:50:49,000
Speaker 2: When I'm with my homegirls and I don't got a

2473
01:50:49,080 --> 01:50:51,000
Speaker 2: nigga thinking he gonna take me home because he just

2474
01:50:51,040 --> 01:50:51,639
Speaker 2: fed me a steak.

2475
01:50:51,800 --> 01:50:55,479
Speaker 1: Actually, that's because you don't like men. That's see, you

2476
01:50:55,560 --> 01:50:57,240
Speaker 1: ain't think about that. You don't even like man like that.

2477
01:50:57,560 --> 01:51:00,040
Speaker 2: I'm sure eas really get to the actual.

2478
01:51:03,560 --> 01:51:04,640
Speaker 1: You don't like me.

2479
01:51:04,760 --> 01:51:05,519
Speaker 6: She tolerates man.

2480
01:51:05,640 --> 01:51:08,439
Speaker 7: She don't like men like if if y on me

2481
01:51:08,520 --> 01:51:10,040
Speaker 7: woke up in the morning, all men were going to

2482
01:51:10,120 --> 01:51:11,920
Speaker 7: the planet like it's a beautiful day outside.

2483
01:51:12,520 --> 01:51:14,640
Speaker 2: It's not true, that's not You don't even know yo

2484
01:51:14,760 --> 01:51:18,719
Speaker 2: me like that. You disagree you only like men living.

2485
01:51:19,040 --> 01:51:21,559
Speaker 1: I mean we're not telling that way. We're just saying

2486
01:51:21,600 --> 01:51:24,760
Speaker 1: men is like a species. I'd be ecstatic if all

2487
01:51:24,800 --> 01:51:27,080
Speaker 1: men were gone. I'd be worried about our plumbing system

2488
01:51:27,880 --> 01:51:31,000
Speaker 1: or like you know, construction. But other than that, yeah,

2489
01:51:31,120 --> 01:51:32,240
Speaker 1: I'd like to see them gone.

2490
01:51:32,320 --> 01:51:34,559
Speaker 2: I was asking a serious question, but somehow you managed

2491
01:51:34,600 --> 01:51:36,880
Speaker 2: to make it misogynistic. I don't know how you just

2492
01:51:37,000 --> 01:51:39,320
Speaker 2: pulled the misogyny out your fucking.

2493
01:51:39,160 --> 01:51:40,960
Speaker 1: Left ass because I'm misogynistic.

2494
01:51:41,320 --> 01:51:44,360
Speaker 7: Yeah, and that's okay. See self awareness. He knows he's

2495
01:51:44,720 --> 01:51:45,760
Speaker 7: also picks up the tab.

2496
01:51:45,960 --> 01:51:47,919
Speaker 1: Yeah, I believe in double standards.

2497
01:51:48,560 --> 01:51:48,880
Speaker 6: Healthy.

2498
01:51:50,000 --> 01:51:50,479
Speaker 1: We need him.

2499
01:51:51,080 --> 01:51:52,320
Speaker 6: She's wat's two bathrooms.

2500
01:51:53,479 --> 01:51:56,200
Speaker 1: But I'm also a friend of the feminists. I think

2501
01:51:56,200 --> 01:51:57,160
Speaker 1: I'm pretty well balanced.

2502
01:51:57,560 --> 01:51:59,559
Speaker 2: Can y'all give this man some advice? Fuck my question?

2503
01:52:00,040 --> 01:52:03,120
Speaker 1: I liked your question. Okay, Yes, I think women enjoy

2504
01:52:03,240 --> 01:52:04,280
Speaker 1: things more than men do.

2505
01:52:04,479 --> 01:52:06,680
Speaker 7: I think men women they try food more than men

2506
01:52:06,760 --> 01:52:10,400
Speaker 7: do because when darker seventeen of their personalities when they eat,

2507
01:52:11,120 --> 01:52:11,760
Speaker 7: that's what it is.

2508
01:52:12,040 --> 01:52:13,320
Speaker 6: So that's like one of the personalities.

2509
01:52:13,360 --> 01:52:14,120
Speaker 1: Like girl, this is good.

2510
01:52:14,160 --> 01:52:16,200
Speaker 7: Y'all talk to yourself when y'all eat and everything that

2511
01:52:16,439 --> 01:52:21,000
Speaker 7: is true. Yeah, that's like the personality sting that. Yeah, here,

2512
01:52:21,439 --> 01:52:23,360
Speaker 7: that's not like a knock. But I've seen you like yourself.

2513
01:52:23,560 --> 01:52:24,160
Speaker 1: Are you talking to me?

2514
01:52:24,240 --> 01:52:27,560
Speaker 7: He's like, no word, Yeah, when y'all do that. He

2515
01:52:27,720 --> 01:52:29,639
Speaker 7: had me fucked up thinking that I moan when I eat.

2516
01:52:29,680 --> 01:52:31,559
Speaker 7: I don't, sir, I don't know where you're from going from.

2517
01:52:31,560 --> 01:52:33,360
Speaker 6: Again, I don't do that. I don't moan when I eat.

2518
01:52:35,000 --> 01:52:39,000
Speaker 1: Not hip hop m it's kind of well, I've definitely

2519
01:52:39,040 --> 01:52:41,800
Speaker 1: said it, though I said not to like bet and Jerry's.

2520
01:52:43,800 --> 01:52:47,400
Speaker 2: Me, yeah, you eating because it's too masculine enjoy food.

2521
01:52:47,400 --> 01:52:49,760
Speaker 6: I'm chewing. I'm enjoying my food, but I'm like, I'm

2522
01:52:49,800 --> 01:52:50,240
Speaker 6: not doing that.

2523
01:52:51,000 --> 01:52:54,599
Speaker 1: What is that? And what am I talking to the chef?

2524
01:52:54,720 --> 01:52:56,360
Speaker 2: So yeah, I never rose to the back of your head.

2525
01:52:56,360 --> 01:52:58,839
Speaker 2: You was never like, fuck, oh my god, this is something.

2526
01:52:58,800 --> 01:53:01,280
Speaker 7: Whatever in my fucking life. And I've been to some

2527
01:53:01,360 --> 01:53:04,000
Speaker 7: of the greatest restaurants in the world. I've never rolled

2528
01:53:04,040 --> 01:53:07,960
Speaker 7: my back in my head and said, fuck, this is

2529
01:53:08,320 --> 01:53:08,800
Speaker 7: over a string?

2530
01:53:08,880 --> 01:53:09,720
Speaker 6: Are you kidding me?

2531
01:53:10,360 --> 01:53:12,400
Speaker 2: Which is why I said men and with not even

2532
01:53:12,479 --> 01:53:14,200
Speaker 2: that being gay. But it's just like men and women

2533
01:53:14,280 --> 01:53:16,920
Speaker 2: do enjoy food differently, because I've had food that has

2534
01:53:17,000 --> 01:53:18,720
Speaker 2: damn there giving me an orgasm, like I feel it

2535
01:53:18,800 --> 01:53:20,800
Speaker 2: in my whole entire body. Like I really, food is

2536
01:53:20,840 --> 01:53:23,160
Speaker 2: really inexperience to me. It's my favorite thing in the world.

2537
01:53:23,360 --> 01:53:25,360
Speaker 2: And I feel like more women feel like that than men.

2538
01:53:25,400 --> 01:53:27,360
Speaker 2: I feel like y'all just eat just to like survive.

2539
01:53:27,600 --> 01:53:29,719
Speaker 1: All right, this isn't a misogynistic thing. What's the opposite,

2540
01:53:29,760 --> 01:53:34,559
Speaker 1: what's the feministic miss we're all miss Sandras.

2541
01:53:34,640 --> 01:53:36,360
Speaker 6: That was my homeroom about to say it.

2542
01:53:36,640 --> 01:53:39,880
Speaker 3: I make hair products to.

2543
01:53:39,920 --> 01:53:41,640
Speaker 2: A social studies who is that.

2544
01:53:42,680 --> 01:53:46,280
Speaker 1: We're not allowed to enjoy things. You guys do not

2545
01:53:46,360 --> 01:53:48,720
Speaker 1: allow us to enjoy things. We can't even thinkuppies are

2546
01:53:49,800 --> 01:53:53,200
Speaker 1: let me but women. But let me tell you why,

2547
01:53:53,280 --> 01:53:55,800
Speaker 1: y'all y'all would call us gay if let me tell

2548
01:53:55,800 --> 01:53:55,960
Speaker 1: you what.

2549
01:53:56,000 --> 01:53:57,439
Speaker 7: The marriage is funny because if you was on a

2550
01:53:57,520 --> 01:53:59,240
Speaker 7: date with a nigga and he was chewing, he said,

2551
01:53:59,560 --> 01:54:00,280
Speaker 7: you wouldn't never.

2552
01:54:00,240 --> 01:54:02,040
Speaker 1: Going to do that. Exactly, we couldn't do it. If

2553
01:54:02,080 --> 01:54:06,519
Speaker 1: we wanted, you would never go the mate, stop, don't

2554
01:54:06,560 --> 01:54:08,600
Speaker 1: do that. We're not doing that because they say I

2555
01:54:08,680 --> 01:54:09,880
Speaker 1: yell at you, and I'm never yelling at you.

2556
01:54:09,920 --> 01:54:10,360
Speaker 3: I just get.

2557
01:54:11,760 --> 01:54:13,479
Speaker 1: I'm not yelling at you and yelling at the conversation

2558
01:54:13,560 --> 01:54:17,040
Speaker 1: around you. Yeah, it's like you wanted. The movie is

2559
01:54:17,040 --> 01:54:19,200
Speaker 1: like throwing the bullet around, just this curving. It looks

2560
01:54:19,240 --> 01:54:21,680
Speaker 1: like it's going at you, but it's like, yeah, it's

2561
01:54:21,680 --> 01:54:23,720
Speaker 1: going to Morgan Freeman's exactly like you.

2562
01:54:24,240 --> 01:54:25,800
Speaker 7: If you want a date with a guy. He was

2563
01:54:25,840 --> 01:54:28,599
Speaker 7: eating and he said, did a little shuffling this ship.

2564
01:54:28,680 --> 01:54:34,360
Speaker 1: You wouldn't never go, I'm relative this is so good,

2565
01:54:34,440 --> 01:54:38,320
Speaker 1: I'm so glad we picked this spot. You would actually

2566
01:54:38,440 --> 01:54:40,360
Speaker 1: you would get up and leave that, Nigga.

2567
01:54:40,320 --> 01:54:43,880
Speaker 2: This shuffle is crazy. If he said like okay, like

2568
01:54:43,960 --> 01:54:45,680
Speaker 2: I would not, I'll speak.

2569
01:54:45,440 --> 01:54:49,000
Speaker 7: About almost through my phone at you don't stop playing

2570
01:54:49,040 --> 01:54:52,800
Speaker 7: with me, stop playing with Oh we are suppressed stop playing.

2571
01:54:52,880 --> 01:54:55,080
Speaker 1: We are suppressed to be like yeah, your fire.

2572
01:54:57,960 --> 01:55:00,600
Speaker 3: I'll speak about the food, but I won't be like like,

2573
01:55:00,720 --> 01:55:03,720
Speaker 3: I'll talk about it sprouts amazing.

2574
01:55:03,880 --> 01:55:06,920
Speaker 1: I said like this is good, like oh this is good. Yeah, but.

2575
01:55:09,120 --> 01:55:11,520
Speaker 2: About what about like a like a oh wow.

2576
01:55:12,360 --> 01:55:17,600
Speaker 1: Who are you? Nigga's saying, oh wow to food? Oh wow?

2577
01:55:18,240 --> 01:55:20,120
Speaker 2: What the marriage? You and I on a date?

2578
01:55:20,240 --> 01:55:22,800
Speaker 1: Brussel Sprout's come, We're splitting and I go, oh wow.

2579
01:55:23,040 --> 01:55:24,160
Speaker 2: Okay, not the way.

2580
01:55:26,840 --> 01:55:30,720
Speaker 1: You would you enjoyed food like that. I can't do that.

2581
01:55:30,920 --> 01:55:32,760
Speaker 2: You did it gay but me and when we had

2582
01:55:33,360 --> 01:55:36,040
Speaker 2: you did a gay Julian was like like Julian was like,

2583
01:55:36,120 --> 01:55:39,640
Speaker 2: oh wow, these are good like we wow, Julian.

2584
01:55:39,480 --> 01:55:43,640
Speaker 1: Is gay man and it's okay.

2585
01:55:44,400 --> 01:55:45,400
Speaker 9: I love I still love.

2586
01:55:46,360 --> 01:55:49,960
Speaker 3: Brussel Sprout was like last week, yeah, Moday, Monday.

2587
01:55:50,000 --> 01:55:51,760
Speaker 1: On Monday and they were very good and we did

2588
01:55:51,840 --> 01:55:53,880
Speaker 1: not did not Wow, I just ate them and they're.

2589
01:55:54,040 --> 01:55:55,600
Speaker 2: No, you were like, no, these are like, these are good,

2590
01:55:55,920 --> 01:55:57,240
Speaker 2: Like yeah, that's okay, Ye.

2591
01:55:57,440 --> 01:55:59,680
Speaker 1: That these are good, that's okay. You could get They

2592
01:55:59,720 --> 01:56:01,920
Speaker 1: went easy with the truffle as far as we can go.

2593
01:56:02,120 --> 01:56:04,200
Speaker 2: We split something else that was really good too, Calamari,

2594
01:56:04,560 --> 01:56:06,360
Speaker 2: but what if Okay, I'm just trying to figure out

2595
01:56:06,360 --> 01:56:08,320
Speaker 2: a way that a man can be excited without coming

2596
01:56:08,360 --> 01:56:09,640
Speaker 2: across as a homosexual.

2597
01:56:09,680 --> 01:56:11,640
Speaker 1: And who do you think that comes from?

2598
01:56:12,320 --> 01:56:12,720
Speaker 3: Mm hmm.

2599
01:56:14,600 --> 01:56:17,920
Speaker 2: I've already said that men not being able to just

2600
01:56:18,080 --> 01:56:20,480
Speaker 2: have fun is coming from men. Yes, we as women,

2601
01:56:20,640 --> 01:56:24,520
Speaker 2: uphold your fucking patriarchal bullshit. But y'all come up with

2602
01:56:24,600 --> 01:56:26,800
Speaker 2: that ship, you know how. I just like y'all are

2603
01:56:26,840 --> 01:56:28,960
Speaker 2: telling me what men can't do, can and cannot do.

2604
01:56:29,040 --> 01:56:31,040
Speaker 2: How niggas are calling y'all and asking what's hip hop?

2605
01:56:31,120 --> 01:56:32,800
Speaker 2: They're not calling and asking me it was hip hop.

2606
01:56:32,840 --> 01:56:35,520
Speaker 2: They're calling and asking y'all. And I'm gonna take these ideas,

2607
01:56:35,600 --> 01:56:37,160
Speaker 2: and I'm gonna go on a date and I'm gonna say,

2608
01:56:37,160 --> 01:56:38,840
Speaker 2: oh my god, he was too excited about the food.

2609
01:56:38,960 --> 01:56:40,480
Speaker 2: And Marl and Rory said that this is a sign

2610
01:56:40,560 --> 01:56:41,160
Speaker 2: of gayness.

2611
01:56:41,640 --> 01:56:44,800
Speaker 1: So and I haven't lied to you yet, have I?

2612
01:56:45,840 --> 01:56:47,840
Speaker 1: And if we were wanting to take I'll ask a

2613
01:56:47,920 --> 01:56:50,280
Speaker 1: question again, would you dat a man that sucked the

2614
01:56:50,320 --> 01:56:57,800
Speaker 1: dick or what would you call him? As a bisexual

2615
01:56:58,720 --> 01:57:03,800
Speaker 1: I've been calling bisexual. He's we asked that question.

2616
01:57:04,000 --> 01:57:05,840
Speaker 7: Just say on sucial media, a man that ever sucked

2617
01:57:05,920 --> 01:57:07,520
Speaker 7: dick in his life can be nothing more than me

2618
01:57:07,560 --> 01:57:13,360
Speaker 7: than the system, which I'll be saying, y'd. A man

2619
01:57:13,440 --> 01:57:15,120
Speaker 7: that smoked hooker could be nothing more to me than

2620
01:57:15,160 --> 01:57:16,040
Speaker 7: it's just like a homegirl.

2621
01:57:18,160 --> 01:57:20,920
Speaker 2: My ex girlfriend is very pro if you smoke hooka,

2622
01:57:21,000 --> 01:57:23,120
Speaker 2: you're gay. She thinks men sucking on hooka tips is

2623
01:57:23,160 --> 01:57:25,960
Speaker 2: the gayest ship in the world. I have heavily disagree

2624
01:57:25,960 --> 01:57:27,840
Speaker 2: with her, Like I don't think that men smoking hookah

2625
01:57:27,920 --> 01:57:29,720
Speaker 2: is gay, but I think she got that from a man.

2626
01:57:29,800 --> 01:57:31,400
Speaker 2: I think a man set that precedent.

2627
01:57:31,800 --> 01:57:36,640
Speaker 1: I changed a gay man. Yeah, no, a woman did what.

2628
01:57:37,400 --> 01:57:39,720
Speaker 1: I changed the hookah cold once and like blew out

2629
01:57:39,800 --> 01:57:42,920
Speaker 1: the dust that was there. And this girl said, damn,

2630
01:57:42,920 --> 01:57:43,760
Speaker 1: I know ory was like that.

2631
01:57:46,080 --> 01:57:48,240
Speaker 6: I didn't know that either. I never knew you blew

2632
01:57:48,280 --> 01:57:49,720
Speaker 6: out hookah cold before I never knew that.

2633
01:57:50,840 --> 01:57:53,600
Speaker 2: Was like, it's funny as fuck.

2634
01:57:54,120 --> 01:57:57,080
Speaker 1: It all comes from y'all. We can't enjoy things or

2635
01:57:57,160 --> 01:57:58,120
Speaker 1: do anything.

2636
01:57:57,920 --> 01:58:01,080
Speaker 2: Funds from other men. Y'all, y'all bettle women on each other.

2637
01:58:01,280 --> 01:58:05,800
Speaker 1: That outside of women finding Baisley super cute, the amount

2638
01:58:05,840 --> 01:58:07,880
Speaker 1: of women I've seen in my comments and in real

2639
01:58:08,000 --> 01:58:10,360
Speaker 1: life that is like not kind of lets you a

2640
01:58:10,400 --> 01:58:13,160
Speaker 1: little weird when you had a multiple because they.

2641
01:58:13,160 --> 01:58:14,720
Speaker 2: Got that from other men, because men are like, you

2642
01:58:14,760 --> 01:58:17,440
Speaker 2: can't have that bitch ass dog. That's a bitch dog.

2643
01:58:18,160 --> 01:58:19,680
Speaker 6: Yeah, you're supposed to be walking around with a baby

2644
01:58:19,760 --> 01:58:22,400
Speaker 6: rot something like that. For what, I don't know.

2645
01:58:23,840 --> 01:58:26,160
Speaker 1: I can protect myself and I like to cuddle with Baisley.

2646
01:58:27,440 --> 01:58:29,280
Speaker 1: For me, that's the most masculine thing that could happen.

2647
01:58:29,400 --> 01:58:31,960
Speaker 6: Something like to cuddle with you know, red nose pits.

2648
01:58:32,520 --> 01:58:33,960
Speaker 1: First of all, I have cuddled with a pop before.

2649
01:58:34,120 --> 01:58:34,520
Speaker 1: They're great.

2650
01:58:34,680 --> 01:58:36,839
Speaker 2: They're the best color. Pits are really good cuddlers.

2651
01:58:37,160 --> 01:58:38,040
Speaker 6: Yeah, great dogs.

2652
01:58:38,600 --> 01:58:42,880
Speaker 2: But I just sir, enjoy your ice cream. Enjoy your

2653
01:58:42,920 --> 01:58:43,360
Speaker 2: ice cream.

2654
01:58:44,920 --> 01:58:46,080
Speaker 1: I got we were talking about that.

2655
01:58:46,120 --> 01:58:48,080
Speaker 2: They gonna call you gay. I don't think you're get

2656
01:58:48,320 --> 01:58:48,960
Speaker 2: it A cone.

2657
01:58:49,040 --> 01:58:51,520
Speaker 8: Or a said, he gets the pint of ben and

2658
01:58:51,640 --> 01:58:53,080
Speaker 8: Jerry's peanut butter?

2659
01:58:53,400 --> 01:58:53,520
Speaker 1: Was it?

2660
01:58:53,680 --> 01:58:55,560
Speaker 3: You know he licked the springs sees peanut butter.

2661
01:58:55,800 --> 01:58:56,760
Speaker 1: That one's good though.

2662
01:58:58,080 --> 01:59:00,520
Speaker 3: You Ever, it's a no.

2663
01:59:01,320 --> 01:59:03,520
Speaker 8: You bite the bottom of the cone so it's hollowed out,

2664
01:59:03,560 --> 01:59:04,960
Speaker 8: and you sucked the ice cream through the back of

2665
01:59:05,000 --> 01:59:05,360
Speaker 8: the cone.

2666
01:59:06,120 --> 01:59:07,920
Speaker 2: Julian, I will beat the back teeth out of your mouth.

2667
01:59:07,920 --> 01:59:10,800
Speaker 2: Stop playing with the beat, yo, I'm stealing that. Beat

2668
01:59:10,840 --> 01:59:13,000
Speaker 2: the back teeth. Ask me if I baked the bottom

2669
01:59:13,000 --> 01:59:14,560
Speaker 2: of a cone and sucked the ice cream through it.

2670
01:59:15,320 --> 01:59:16,000
Speaker 3: You never done that.

2671
01:59:16,280 --> 01:59:19,400
Speaker 1: No, I've no reason why. I never did cohones and

2672
01:59:19,720 --> 01:59:21,560
Speaker 1: liked the cup is actually gayer because I was like,

2673
01:59:21,760 --> 01:59:23,280
Speaker 1: I hated getting sticky on.

2674
01:59:24,040 --> 01:59:26,320
Speaker 8: The prop the combo you do the cup, That's like

2675
01:59:26,640 --> 01:59:28,480
Speaker 8: it was way more masculine when they got the cone

2676
01:59:29,160 --> 01:59:31,440
Speaker 8: you put the bitch ass was like, I'd rather the spoon?

2677
01:59:31,760 --> 01:59:33,400
Speaker 2: Am I too old to run outside for the ice

2678
01:59:33,440 --> 01:59:33,880
Speaker 2: cream truck?

2679
01:59:34,000 --> 01:59:34,520
Speaker 3: I ran out?

2680
01:59:36,280 --> 01:59:39,920
Speaker 1: Name is the Answers? Yes, jam was yesterday to get

2681
01:59:39,960 --> 01:59:41,360
Speaker 1: ice I did it this past weekend.

2682
01:59:42,000 --> 01:59:44,680
Speaker 2: Like I was running to the truck. I know he

2683
01:59:44,760 --> 01:59:46,600
Speaker 2: was looking at me, like, girl, you are too fucking

2684
01:59:46,680 --> 01:59:48,560
Speaker 2: big to be running too The ice First of all.

2685
01:59:48,480 --> 01:59:50,320
Speaker 6: The truck ain't going nowhere. It's gonna park.

2686
01:59:50,600 --> 01:59:52,960
Speaker 2: He was driving. I had to catch him for he

2687
01:59:53,040 --> 01:59:53,440
Speaker 2: left the block.

2688
01:59:53,480 --> 01:59:54,320
Speaker 1: I had my reason.

2689
01:59:54,320 --> 01:59:55,920
Speaker 6: It wasn't nobody outside then, yeah, it.

2690
01:59:55,920 --> 01:59:57,600
Speaker 1: Wasn't euse That's what I'm saying. There's only a few

2691
01:59:57,640 --> 01:59:59,600
Speaker 1: kids on my block. So I got to I got

2692
01:59:59,720 --> 01:59:59,920
Speaker 1: to run.

2693
02:00:00,480 --> 02:00:02,440
Speaker 2: They't leave quick, they leave.

2694
02:00:03,480 --> 02:00:04,880
Speaker 7: Yeah, but what kind of ice cream truck? I was

2695
02:00:04,920 --> 02:00:07,000
Speaker 7: gonna say, what's your what's your order? What do you

2696
02:00:07,040 --> 02:00:09,600
Speaker 7: guys got so you ain't miss the softy?

2697
02:00:09,680 --> 02:00:10,000
Speaker 6: Pause?

2698
02:00:10,320 --> 02:00:13,000
Speaker 2: It was a mister Softy because I wasn't running after

2699
02:00:13,240 --> 02:00:14,680
Speaker 2: after this ship. That's some ship I could buy in

2700
02:00:14,680 --> 02:00:17,640
Speaker 2: a grocery store. It was mister Softy. But from that

2701
02:00:17,800 --> 02:00:19,880
Speaker 2: I used to get the tweety bird with the gumball eyes.

2702
02:00:20,120 --> 02:00:22,240
Speaker 6: Remember one time I was about tweet Bird as a classic.

2703
02:00:22,760 --> 02:00:25,800
Speaker 7: Remember when when the whack ice cream truck started coming

2704
02:00:25,800 --> 02:00:29,280
Speaker 7: around the neighborhood. One time I ran downstairs and it

2705
02:00:29,400 --> 02:00:31,440
Speaker 7: was the whack truck. I was like, get your ass off,

2706
02:00:32,160 --> 02:00:32,920
Speaker 7: what's the whack truck?

2707
02:00:33,000 --> 02:00:33,040
Speaker 1: This?

2708
02:00:33,520 --> 02:00:34,840
Speaker 7: I don't even know the name of it. It was

2709
02:00:34,840 --> 02:00:37,080
Speaker 7: some nigga that like he painted the figures himself. I

2710
02:00:37,200 --> 02:00:42,040
Speaker 7: was like, fan, Fan, this ain't even your route. Get

2711
02:00:42,080 --> 02:00:44,160
Speaker 7: out't your route, Fan, you don't come through this block

2712
02:00:44,240 --> 02:00:44,440
Speaker 7: no more.

2713
02:00:45,120 --> 02:00:47,960
Speaker 2: Softee is like a major city thing. I never knew

2714
02:00:48,000 --> 02:00:50,400
Speaker 2: about a mister Softy icy ice cream truck until I

2715
02:00:50,480 --> 02:00:52,360
Speaker 2: moved to New York because we only had this with

2716
02:00:52,520 --> 02:00:56,320
Speaker 2: like the regular ship. We didn't have universal.

2717
02:00:56,760 --> 02:00:59,960
Speaker 7: No, no, really, mister Softy is definitely in New York,

2718
02:01:00,120 --> 02:01:03,000
Speaker 7: the New York thing, really New York City.

2719
02:01:04,040 --> 02:01:06,880
Speaker 1: I think I love mister Softy. It's good. I gotta

2720
02:01:06,880 --> 02:01:09,520
Speaker 1: get thought that was like a brand name, like Pepsi.

2721
02:01:09,600 --> 02:01:11,680
Speaker 1: That's a brand name. Mister Softie is not a brand name.

2722
02:01:11,800 --> 02:01:12,720
Speaker 1: It is, but it is.

2723
02:01:12,840 --> 02:01:15,240
Speaker 7: But they don't they don't have those like outside of

2724
02:01:15,320 --> 02:01:17,640
Speaker 7: New York City, at least I don't. I don't believe that.

2725
02:01:17,680 --> 02:01:20,200
Speaker 7: I've never seen a mississ Softy truck in California.

2726
02:01:21,480 --> 02:01:22,000
Speaker 6: Never seen it.

2727
02:01:22,520 --> 02:01:26,040
Speaker 1: They have an app. Everybody has an app, a Mister

2728
02:01:26,200 --> 02:01:33,240
Speaker 1: Softy app. He said, it's not reliable block, use them

2729
02:01:33,280 --> 02:01:37,000
Speaker 1: like an uber. You said, y'all was on my block.

2730
02:01:37,080 --> 02:01:37,760
Speaker 6: You're not here yet.

2731
02:01:39,520 --> 02:01:41,000
Speaker 1: That's a cool app, though, I could think, like if

2732
02:01:41,000 --> 02:01:43,840
Speaker 1: you could find the mister Softee truck in your neighborhood

2733
02:01:43,840 --> 02:01:44,160
Speaker 1: and just walk.

2734
02:01:44,200 --> 02:01:46,560
Speaker 7: I mean certain neighborhoods you they don't even have, You

2735
02:01:46,600 --> 02:01:48,760
Speaker 7: don't even need an app. They in the certain summertime,

2736
02:01:49,440 --> 02:01:52,640
Speaker 7: you know that they're going to be outside of one

2737
02:01:52,680 --> 02:01:54,640
Speaker 7: of the schools in your neighborhood when it's time for

2738
02:01:54,720 --> 02:01:56,880
Speaker 7: the kids to get out, or next to one of

2739
02:01:56,920 --> 02:01:59,160
Speaker 7: the parks, like you know where missus Softy is at.

2740
02:02:00,640 --> 02:02:02,840
Speaker 1: But the app is a good idea, though, great idea.

2741
02:02:02,920 --> 02:02:05,480
Speaker 1: But even the bullshit ones, like you know, even though

2742
02:02:05,520 --> 02:02:08,760
Speaker 1: you get the fire crackers at the grocery store, I

2743
02:02:08,880 --> 02:02:10,880
Speaker 1: still grab one. Yeah, the bullshit ones as long as

2744
02:02:10,880 --> 02:02:14,680
Speaker 1: they got like the the sponge SpongeBob always comes out

2745
02:02:14,720 --> 02:02:16,600
Speaker 1: like he has down syndrome. He never looks like the

2746
02:02:16,640 --> 02:02:20,640
Speaker 1: picture every time, like he melted. And then his eye

2747
02:02:20,720 --> 02:02:24,320
Speaker 1: is always where his hands should be, like console painting.

2748
02:02:24,360 --> 02:02:24,680
Speaker 6: Every time.

2749
02:02:25,920 --> 02:02:28,280
Speaker 1: The chocolate chip, that's a classic. The baseball glove and

2750
02:02:28,680 --> 02:02:30,720
Speaker 1: the ball was classic.

2751
02:02:31,640 --> 02:02:34,840
Speaker 3: SpongeBob always looks like this, yes, like come on, man,

2752
02:02:35,640 --> 02:02:36,400
Speaker 3: every time?

2753
02:02:36,760 --> 02:02:39,160
Speaker 1: Is that an olive that she looked like it fell

2754
02:02:39,200 --> 02:02:43,160
Speaker 1: on the sidewalk and picked it up, But the SpongeBob

2755
02:02:43,240 --> 02:02:45,440
Speaker 1: that looked like that's debris on the excreme, Like, what

2756
02:02:45,600 --> 02:02:45,760
Speaker 1: is that?

2757
02:02:46,880 --> 02:02:47,480
Speaker 3: Get this one?

2758
02:02:48,360 --> 02:02:48,960
Speaker 1: You cut it out?

2759
02:02:49,000 --> 02:02:50,400
Speaker 2: You could buy him in the grocery store. But the

2760
02:02:50,480 --> 02:02:51,160
Speaker 2: eyes aren't gum.

2761
02:02:51,840 --> 02:02:53,440
Speaker 1: I've never seen them at the grocery store.

2762
02:02:53,880 --> 02:02:56,480
Speaker 2: Mm hmm my home for a bosn. But the yeah,

2763
02:02:56,520 --> 02:02:57,720
Speaker 2: the eyes are not gum.

2764
02:02:58,160 --> 02:03:00,480
Speaker 1: Is the fire cracker the best one? No? No ice

2765
02:03:00,520 --> 02:03:01,160
Speaker 1: cream sandwich?

2766
02:03:01,320 --> 02:03:03,640
Speaker 2: Ice cream sandwich with the with the chocolate chips around.

2767
02:03:03,520 --> 02:03:04,400
Speaker 1: Talking about popsicles.

2768
02:03:05,000 --> 02:03:07,640
Speaker 6: Oh yeah, obviously that's what you like.

2769
02:03:08,160 --> 02:03:09,200
Speaker 2: I like no homo.

2770
02:03:09,240 --> 02:03:12,800
Speaker 1: When the high school started selling Jumbo one, Hey, yo,

2771
02:03:13,080 --> 02:03:14,880
Speaker 1: there's no way to get out of no homo Like,

2772
02:03:15,640 --> 02:03:19,240
Speaker 1: that's very homo. Peas were around the same age. Jolian too.

2773
02:03:19,320 --> 02:03:21,440
Speaker 1: Remember you don't remember when that they made the Jumbo

2774
02:03:21,520 --> 02:03:25,320
Speaker 1: onesause you got to wait for the Jumble War, right, yeah,

2775
02:03:25,440 --> 02:03:27,800
Speaker 1: you put you on it. I was I was going

2776
02:03:27,800 --> 02:03:28,320
Speaker 1: through puberty.

2777
02:03:28,800 --> 02:03:32,680
Speaker 7: Yeah, Griffy crazy, it was like a dollar twenty five

2778
02:03:32,880 --> 02:03:35,440
Speaker 7: was the best ice Cuge saying is the WrestleMania bars?

2779
02:03:36,840 --> 02:03:39,160
Speaker 1: I don't remind me. I don't remember the w Y

2780
02:03:39,240 --> 02:03:43,400
Speaker 1: don't remember the w W F ice cream bars. No, Julian,

2781
02:03:43,400 --> 02:03:45,960
Speaker 1: you don't remember the w W I know he don't.

2782
02:03:46,040 --> 02:03:47,840
Speaker 1: You don't remember the w w F ice cream bars

2783
02:03:48,720 --> 02:03:50,640
Speaker 1: never were built, made in like the thirties. No, I

2784
02:03:50,680 --> 02:03:53,400
Speaker 1: don't know these. What is that? Do you remember the

2785
02:03:53,480 --> 02:03:55,480
Speaker 1: ice the w w F ice cream bars? No, I

2786
02:03:55,520 --> 02:03:56,080
Speaker 1: don't remember this.

2787
02:03:56,440 --> 02:03:57,600
Speaker 6: Oh man, y'all too young?

2788
02:03:58,080 --> 02:03:58,880
Speaker 3: Cream Mania?

2789
02:04:00,080 --> 02:04:01,160
Speaker 1: Was that the name of it? I don't know if

2790
02:04:01,160 --> 02:04:05,360
Speaker 1: that was the name. The Superstar Superstars Taste the Superstars.

2791
02:04:05,480 --> 02:04:10,200
Speaker 1: It's the craziest market bars of the Superstars. Now, hold on,

2792
02:04:10,520 --> 02:04:12,480
Speaker 1: that's the new ship. That wasn't on the box when

2793
02:04:12,520 --> 02:04:20,000
Speaker 1: I you could never send that to play the Superstars.

2794
02:04:21,120 --> 02:04:23,760
Speaker 7: The bars and the Superstars was not the slogan when

2795
02:04:23,760 --> 02:04:25,400
Speaker 7: I bought that, I that you love the undertake.

2796
02:04:26,240 --> 02:04:29,280
Speaker 2: Speaking of which, did you guys see sexy Red on

2797
02:04:29,400 --> 02:04:30,000
Speaker 2: wrestling on.

2798
02:04:30,160 --> 02:04:34,200
Speaker 1: W w e X. Yeah, the first time I ever

2799
02:04:34,920 --> 02:04:36,800
Speaker 1: thought of taking back the clock is on.

2800
02:04:37,080 --> 02:04:38,000
Speaker 2: Oh that's why I brought.

2801
02:04:38,000 --> 02:04:39,720
Speaker 1: And I saw that, I was like, all right, never mind,

2802
02:04:40,120 --> 02:04:40,720
Speaker 1: I'm wrong, and.

2803
02:04:40,760 --> 02:04:42,120
Speaker 3: She's like hosting something too.

2804
02:04:42,920 --> 02:04:45,440
Speaker 2: So I saw I saw tweet that said that old

2805
02:04:45,480 --> 02:04:48,280
Speaker 2: white men love Sexy Red because she fits into every

2806
02:04:48,360 --> 02:04:50,440
Speaker 2: stereotype that they've ever thought about black people.

2807
02:04:50,640 --> 02:04:52,040
Speaker 1: Facts they can always turn in.

2808
02:04:53,160 --> 02:04:57,160
Speaker 7: She just was at a wrestling event and Sean Michael's like,

2809
02:04:57,280 --> 02:04:59,640
Speaker 7: you know, like they just did a video together, like

2810
02:05:00,040 --> 02:05:03,240
Speaker 7: I gotta be Sean Michael's infatuated with the stereotypical.

2811
02:05:02,680 --> 02:05:05,800
Speaker 2: Black white men, like she was in the Sexy represent

2812
02:05:05,840 --> 02:05:06,120
Speaker 2: the ring.

2813
02:05:06,200 --> 02:05:06,640
Speaker 1: Yeah, that's it.

2814
02:05:07,280 --> 02:05:08,120
Speaker 6: She was at the wrestling them.

2815
02:05:09,840 --> 02:05:11,640
Speaker 1: But is that a thing that old white men are

2816
02:05:11,680 --> 02:05:16,120
Speaker 1: in her or just because the WWE and her label

2817
02:05:16,160 --> 02:05:17,240
Speaker 1: were like this would be a good man.

2818
02:05:17,480 --> 02:05:20,960
Speaker 2: It was also the country music star who's things she

2819
02:05:21,040 --> 02:05:24,120
Speaker 2: went on there I did. I did not agree with it.

2820
02:05:24,240 --> 02:05:26,720
Speaker 2: I just bought it up for discussion. If y'all think

2821
02:05:27,080 --> 02:05:29,040
Speaker 2: that not even I won't even say just white men

2822
02:05:29,120 --> 02:05:29,720
Speaker 2: men period.

2823
02:05:30,160 --> 02:05:32,120
Speaker 1: For Patreon, I'm glad you brought this up and we

2824
02:05:32,160 --> 02:05:35,080
Speaker 1: can wrap up. I watched Iron.

2825
02:05:34,800 --> 02:05:37,080
Speaker 2: Claw Oh over the weekend.

2826
02:05:37,160 --> 02:05:37,520
Speaker 1: I saw it.

2827
02:05:37,800 --> 02:05:41,040
Speaker 3: Jesus Christ is the most depressing movie of all time, and.

2828
02:05:41,160 --> 02:05:43,120
Speaker 1: To find out what's talk on Patreon to find out

2829
02:05:43,200 --> 02:05:45,040
Speaker 1: they made it less depressing than it needed to be.

2830
02:05:45,120 --> 02:05:47,320
Speaker 1: When movies try to make things more depressing than they

2831
02:05:47,440 --> 02:05:47,800
Speaker 1: should be.

2832
02:05:49,240 --> 02:05:52,720
Speaker 8: Yeah, to Demerius's point about Sexy Red, I agree. I

2833
02:05:52,840 --> 02:05:56,640
Speaker 8: think when people see stereotypes of beliefs, things about certain

2834
02:05:56,680 --> 02:05:59,120
Speaker 8: people and they're reaffirmed, it just it just makes them

2835
02:05:59,160 --> 02:06:01,080
Speaker 8: feel better about themsels because like, oh, I always write

2836
02:06:01,080 --> 02:06:05,240
Speaker 8: about these people. Therefore, you know my assumptions are correct,

2837
02:06:05,760 --> 02:06:08,760
Speaker 8: because these people aren't coming across sexty reds in their

2838
02:06:08,800 --> 02:06:11,200
Speaker 8: everyday life. Sure they haven't seen her in the ring

2839
02:06:11,360 --> 02:06:13,440
Speaker 8: in Michigan, and they're like, yep, there's there. There's one

2840
02:06:13,480 --> 02:06:13,720
Speaker 8: of them.

2841
02:06:14,080 --> 02:06:14,920
Speaker 2: She has a bell.

2842
02:06:16,880 --> 02:06:18,960
Speaker 1: That's dope. Shout out the sexy red man. Yes she's

2843
02:06:18,960 --> 02:06:20,880
Speaker 1: doing great, shout out she is all right.

2844
02:06:20,960 --> 02:06:22,800
Speaker 6: Well, some new music dropping tonight.

2845
02:06:23,240 --> 02:06:27,280
Speaker 7: Belly's uh ninety six Miles from Bethlehem a very important

2846
02:06:27,480 --> 02:06:31,000
Speaker 7: UH project from my god Belly, especially with the times

2847
02:06:31,040 --> 02:06:35,240
Speaker 7: and everything surrounding the gods of conflict and uh, you know,

2848
02:06:35,480 --> 02:06:38,960
Speaker 7: Belly being Palestinian, this project is very near and dear

2849
02:06:39,040 --> 02:06:41,760
Speaker 7: in his heart. I'm happy that he's finally releasing it.

2850
02:06:42,280 --> 02:06:43,840
Speaker 7: Some great music on there from my guy, one of

2851
02:06:43,880 --> 02:06:47,080
Speaker 7: my favorite rappers, one of my favorite artists. Ninety six

2852
02:06:47,160 --> 02:06:50,320
Speaker 7: Miles from Bethlehem available now. The live link is in

2853
02:06:50,440 --> 02:06:54,320
Speaker 7: his bio, so download that support Belly support a great

2854
02:06:54,360 --> 02:06:56,959
Speaker 7: project for a great cause, and I believe he's donating

2855
02:06:58,160 --> 02:07:02,840
Speaker 7: the proceeds to go to the gaysa people in Palestine

2856
02:07:02,840 --> 02:07:03,320
Speaker 7: and things like that.

2857
02:07:03,480 --> 02:07:04,840
Speaker 1: So shout out to Belly.

2858
02:07:04,920 --> 02:07:06,960
Speaker 7: Shout out to a great album for a great cause,

2859
02:07:07,160 --> 02:07:10,080
Speaker 7: bringing awareness to a situation that we all need to

2860
02:07:10,120 --> 02:07:13,080
Speaker 7: be paying attention to and supporting the people.

2861
02:07:15,120 --> 02:07:16,400
Speaker 6: Any more. Music dropping tonight.

2862
02:07:17,320 --> 02:07:19,880
Speaker 1: It's a lot of singles from what I saw, well.

2863
02:07:19,800 --> 02:07:24,200
Speaker 7: We talked about day has a single out tonight. Oh

2864
02:07:24,400 --> 02:07:28,200
Speaker 7: now if you're listening to this, yeah, there's it's just

2865
02:07:28,280 --> 02:07:29,760
Speaker 7: a lot of singles. I don't think there's an actual

2866
02:07:29,840 --> 02:07:33,200
Speaker 7: project that's really coming out, all right, Well, shout out

2867
02:07:33,200 --> 02:07:35,400
Speaker 7: to Belly ninety six Miles from Bethlehem available now.

2868
02:07:35,840 --> 02:07:36,320
Speaker 6: Support that.

2869
02:07:36,560 --> 02:07:39,360
Speaker 7: Shout out the Vince Stables for another dope project, another

2870
02:07:39,440 --> 02:07:43,640
Speaker 7: dope project in his h his his discography, Uh, Vince

2871
02:07:43,960 --> 02:07:47,280
Speaker 7: quietly has some some really really dope albums.

2872
02:07:47,360 --> 02:07:48,920
Speaker 1: Man, I don't really like this one.

2873
02:07:49,040 --> 02:07:49,920
Speaker 6: Yeah, this one was dope.

2874
02:07:49,960 --> 02:07:51,080
Speaker 1: The last last three.

2875
02:07:53,080 --> 02:07:55,160
Speaker 6: Ramona Park Broke My Heart as a classic album to me?

2876
02:07:56,800 --> 02:07:57,400
Speaker 6: Is that glazing?

2877
02:07:57,480 --> 02:07:58,040
Speaker 1: Maybe? Whatever?

2878
02:07:59,000 --> 02:08:01,560
Speaker 7: But yeah, man, this doesn't the events. Shout out to

2879
02:08:01,640 --> 02:08:05,440
Speaker 7: Vince Staples really really dope album. What are you here for, Vince? Yeah, great,

2880
02:08:05,480 --> 02:08:08,560
Speaker 7: great great album, great show. Hopefully Netflix renews that you

2881
02:08:08,680 --> 02:08:12,600
Speaker 7: get a second season. But yeah, support dope music. Support

2882
02:08:12,840 --> 02:08:17,920
Speaker 7: dope artists, neworymaal dot com. Now for everything Roryamal and

2883
02:08:18,160 --> 02:08:20,520
Speaker 7: we'll talk to y'all soon. Heading to Patreon to finish

2884
02:08:20,600 --> 02:08:21,920
Speaker 7: this conversation, So meet us there.

2885
02:08:22,080 --> 02:08:23,840
Speaker 6: I'm that nigga. He's just Ginger peace

2886
02:08:25,560 --> 02:08:25,600
Speaker 4: En