1 00:00:03,600 --> 00:00:05,600 Speaker 1: I'm just looking around and like, yeah, it's just the 2 00:00:05,640 --> 00:00:09,039 Speaker 1: fellows here. Can I ask a question to the fellows? 3 00:00:10,640 --> 00:00:12,040 Speaker 2: Brother, you're in the right place. 4 00:00:13,520 --> 00:00:16,919 Speaker 1: So you're with your girl, right, Okay, you lost me, 5 00:00:19,720 --> 00:00:20,880 Speaker 1: but that's where you lost me. 6 00:00:21,600 --> 00:00:24,200 Speaker 3: No, No, I'm sorry, man, I'm sorry. You're trying to 7 00:00:24,200 --> 00:00:25,480 Speaker 3: be uh you're trying. 8 00:00:25,520 --> 00:00:27,680 Speaker 1: I actually do have a question. So you're with your girl. 9 00:00:28,440 --> 00:00:31,040 Speaker 1: M h Okay. It starts to get a little hot 10 00:00:31,040 --> 00:00:33,680 Speaker 1: and heavy and like it's it's like starting to go down. 11 00:00:33,840 --> 00:00:36,200 Speaker 3: I'm not going to say you lost me, like because 12 00:00:36,240 --> 00:00:36,640 Speaker 3: I know that. 13 00:00:36,720 --> 00:00:39,599 Speaker 1: Thank you, because I really do, Like, yeah, I really. 14 00:00:39,560 --> 00:00:42,080 Speaker 3: You felt that he was coutu and I did that. 15 00:00:42,120 --> 00:00:44,440 Speaker 1: If we could actually talk, it's a good opportunity to 16 00:00:44,479 --> 00:00:44,840 Speaker 1: do it. 17 00:00:45,760 --> 00:00:46,600 Speaker 3: But go ahead. 18 00:00:46,680 --> 00:00:48,519 Speaker 1: Yeah, so you're worth your girl. And it's like starting 19 00:00:48,520 --> 00:00:50,919 Speaker 1: to like it's like starting to geel hot and heavy, 20 00:00:52,040 --> 00:00:54,800 Speaker 1: and you're starting to do your thing a little bit 21 00:00:54,880 --> 00:00:56,720 Speaker 1: and you just kind of like spin it like that 22 00:00:56,960 --> 00:00:58,960 Speaker 1: and like just kind of like twist it around a 23 00:00:58,960 --> 00:01:00,240 Speaker 1: little bit like that. 24 00:01:00,400 --> 00:01:01,640 Speaker 2: Yeah, you playing bop it? 25 00:01:02,080 --> 00:01:04,040 Speaker 1: You bop? Yes, yeah, you bop it a little bit, 26 00:01:05,560 --> 00:01:07,520 Speaker 1: just a tiny, tiny bop. 27 00:01:08,319 --> 00:01:12,400 Speaker 3: And littlest bop. You kind of flip it over, you work. 28 00:01:12,200 --> 00:01:16,040 Speaker 1: On it, and then she starts telling you that's really 29 00:01:16,120 --> 00:01:19,560 Speaker 1: his Yeah, she starts telling you with your girl, she 30 00:01:19,600 --> 00:01:24,039 Speaker 1: starts telling you to freak her blazunkis. Oh what do 31 00:01:24,120 --> 00:01:25,280 Speaker 1: you what do you do? 32 00:01:25,640 --> 00:01:26,000 Speaker 3: Yeah? 33 00:01:26,120 --> 00:01:31,560 Speaker 4: Yeah, yeah, I'm in We all run into this where 34 00:01:32,240 --> 00:01:35,680 Speaker 4: at sort of the moment of truth, right, because what 35 00:01:35,720 --> 00:01:37,800 Speaker 4: we're talking about is we're probably a couple of minutes 36 00:01:37,800 --> 00:01:40,040 Speaker 4: and I've finished twice already. 37 00:01:40,640 --> 00:01:43,720 Speaker 3: Somebody telling me to freak their blazunkis when I'm like. 38 00:01:43,920 --> 00:01:48,720 Speaker 1: And I'm still I'm ready. I'm still busying myself, but like. 39 00:01:49,560 --> 00:01:54,280 Speaker 4: Yeah, I'm kind of flopping around a little bit still. 40 00:01:54,360 --> 00:01:56,880 Speaker 1: But I also, so you sound like you know what 41 00:01:56,920 --> 00:01:59,120 Speaker 1: it is because I didn't know what it was and 42 00:01:59,160 --> 00:02:00,960 Speaker 1: I got it. You. Yeah, that's kind of what i'man. 43 00:02:01,040 --> 00:02:03,600 Speaker 3: You've got a non opinion on the blowzuncus. 44 00:02:03,120 --> 00:02:05,640 Speaker 1: You're indifferent to it. You also sound like you know 45 00:02:05,680 --> 00:02:06,200 Speaker 1: what it is. 46 00:02:06,440 --> 00:02:09,200 Speaker 2: Well, I'm never like aware of it in the moment. 47 00:02:09,240 --> 00:02:11,839 Speaker 2: I'm kind of being present, so I'm never being like, oh, 48 00:02:11,919 --> 00:02:13,919 Speaker 2: the blazunkist, But it. 49 00:02:13,919 --> 00:02:17,040 Speaker 1: Sounds like you, but talking about it now it means 50 00:02:17,040 --> 00:02:19,160 Speaker 1: something to you because what I can get to it 51 00:02:19,200 --> 00:02:21,919 Speaker 1: but I'm never like trying to get But the way 52 00:02:22,000 --> 00:02:24,360 Speaker 1: you're talking about it sounds like you know what it is, 53 00:02:24,440 --> 00:02:26,760 Speaker 1: you have some concept, So what is it? So because 54 00:02:26,800 --> 00:02:31,119 Speaker 1: I say I wasn't sure if she had said free, 55 00:02:31,280 --> 00:02:33,000 Speaker 1: Mike blazunkis. 56 00:02:33,960 --> 00:02:35,360 Speaker 2: Yeah, which we should do. 57 00:02:37,560 --> 00:02:39,560 Speaker 1: But why are we talking about this now? I think 58 00:02:41,000 --> 00:02:41,320 Speaker 1: I think he. 59 00:02:41,320 --> 00:02:45,240 Speaker 4: Deserves a presidential pardon, Mike Bluzunkus. That's the wrong place, 60 00:02:45,280 --> 00:02:46,240 Speaker 4: wrong time kind of thing. 61 00:02:46,280 --> 00:02:47,280 Speaker 2: I'm out there at city Hall. 62 00:02:47,320 --> 00:02:50,160 Speaker 4: I had the sign, but I but what I do, Hayes, 63 00:02:50,200 --> 00:02:51,560 Speaker 4: and you can use this, and I don't think it's 64 00:02:51,560 --> 00:02:53,680 Speaker 4: gonna help as much as whatever Gavin can do for you. 65 00:02:53,840 --> 00:02:56,920 Speaker 3: Is I go like, oh no, no way, I. 66 00:02:56,880 --> 00:03:01,720 Speaker 4: Give you that much pleasure, Okay, because I then okay, free, 67 00:03:01,760 --> 00:03:04,080 Speaker 4: you're a girl. Try to turn it into some kind 68 00:03:04,080 --> 00:03:06,919 Speaker 4: of like it's like a playful. 69 00:03:08,280 --> 00:03:13,680 Speaker 2: Shuns girl girl, free, free, the free, the brother of 70 00:03:13,720 --> 00:03:14,360 Speaker 2: his children. 71 00:03:14,600 --> 00:03:16,160 Speaker 3: I go, freak your own blizunkiss. 72 00:03:16,200 --> 00:03:18,320 Speaker 2: I want to watch damn. 73 00:03:18,440 --> 00:03:22,680 Speaker 1: Now that Now that's good, Yes, that's cool. Or I 74 00:03:22,680 --> 00:03:25,200 Speaker 1: could say like at least motion towards it. I want 75 00:03:25,240 --> 00:03:27,480 Speaker 1: to watch you at least motion towards where it is. 76 00:03:28,480 --> 00:03:32,240 Speaker 2: I go, that's my thing is you don't actually know 77 00:03:32,320 --> 00:03:33,240 Speaker 2: what what it is. 78 00:03:33,320 --> 00:03:35,200 Speaker 1: You know, when he asked you to do that, you're 79 00:03:35,280 --> 00:03:38,600 Speaker 1: kind of like, oh that is so I'm sorry. I 80 00:03:39,600 --> 00:03:42,240 Speaker 1: explained that pretty clearly, but you do seem to know 81 00:03:42,480 --> 00:03:42,760 Speaker 1: I will. 82 00:03:43,600 --> 00:03:45,960 Speaker 2: I kind of guy, A guy like me, definitely. Yeah. 83 00:03:46,200 --> 00:03:50,240 Speaker 1: So my question was like, even just a basic is 84 00:03:50,280 --> 00:03:53,400 Speaker 1: it a part? Is it something else that I have 85 00:03:53,480 --> 00:03:54,200 Speaker 1: to go get? 86 00:03:54,800 --> 00:03:58,800 Speaker 2: It's almost like mantra esque, like you know, like you 87 00:03:58,800 --> 00:03:59,920 Speaker 2: can feel it and you. 88 00:03:59,840 --> 00:04:03,520 Speaker 1: Know, okay, this is Lynch thing. 89 00:04:03,920 --> 00:04:06,840 Speaker 2: Yeah, it's David Lynch kind of getting down with your 90 00:04:06,880 --> 00:04:07,720 Speaker 2: girl kind of style. 91 00:04:08,000 --> 00:04:10,160 Speaker 1: Just be I'll just be trying to talk to someone 92 00:04:10,200 --> 00:04:14,000 Speaker 1: that that, like the David Lynch TM stuff will come up. 93 00:04:14,120 --> 00:04:15,160 Speaker 3: I know, I know. 94 00:04:15,320 --> 00:04:17,920 Speaker 1: It sounds fine, but it's just I'm not going to tell. 95 00:04:17,839 --> 00:04:21,080 Speaker 4: You my mantra I asked. I tried to guess someone's mantra. 96 00:04:21,160 --> 00:04:26,440 Speaker 4: Once they got fucking pissed, well guess. 97 00:04:27,480 --> 00:04:28,080 Speaker 3: I guessed. 98 00:04:28,200 --> 00:04:31,040 Speaker 4: Well, I I guessed twice, and that was when they 99 00:04:31,040 --> 00:04:33,560 Speaker 4: really got mad. My first guess was like, oh, let 100 00:04:33,600 --> 00:04:39,839 Speaker 4: me guess it's Zomzo. They were like, no, it's not Zomzo, 101 00:04:39,880 --> 00:04:41,080 Speaker 4: and I was like, oh, then it must be. 102 00:04:43,880 --> 00:04:45,560 Speaker 1: And then they got mad and they were like, just 103 00:04:45,640 --> 00:04:50,200 Speaker 1: don't just like you got right close. You either this 104 00:04:50,360 --> 00:04:52,719 Speaker 1: is my thing or you were getting really really I 105 00:04:52,720 --> 00:04:54,720 Speaker 1: was getting so close that they were like, if you're 106 00:04:54,760 --> 00:04:57,000 Speaker 1: going to get one. 107 00:04:56,720 --> 00:04:58,920 Speaker 2: When I'm in l A and I'm guessing mantras, it's 108 00:04:59,000 --> 00:05:01,400 Speaker 2: kind of you kind of just go for the zips episode. 109 00:05:01,480 --> 00:05:02,840 Speaker 1: Who are you? Sorry? 110 00:05:03,000 --> 00:05:03,360 Speaker 2: Yeah? 111 00:05:03,400 --> 00:05:06,200 Speaker 4: That thank you, because I was actually trying to enjoy 112 00:05:06,279 --> 00:05:09,680 Speaker 4: the conversation with the fellas and it's starting to get Oh, 113 00:05:09,720 --> 00:05:10,479 Speaker 4: you realize. 114 00:05:10,160 --> 00:05:13,080 Speaker 2: That maybe you wasn't one of the fellas. 115 00:05:12,279 --> 00:05:15,159 Speaker 3: I love. 116 00:05:15,240 --> 00:05:15,800 Speaker 1: I don't know. 117 00:05:17,000 --> 00:05:19,200 Speaker 3: I I thought you were one of the fellas. 118 00:05:19,240 --> 00:05:21,560 Speaker 4: The way you talk about the Blazunkas, it seems like 119 00:05:22,240 --> 00:05:23,640 Speaker 4: you get down but. 120 00:05:25,640 --> 00:05:27,360 Speaker 3: I don't know who this is. 121 00:05:27,680 --> 00:05:29,919 Speaker 1: Yes, and that's fine. That doesn't bother me. 122 00:05:30,040 --> 00:05:32,480 Speaker 3: I don't care you are Hey, we got to do 123 00:05:32,520 --> 00:05:33,280 Speaker 3: a show, so. 124 00:05:33,440 --> 00:05:36,560 Speaker 1: Yes, and like this is actually yep, back to our 125 00:05:36,640 --> 00:05:39,799 Speaker 1: roots a little bit, having someone. 126 00:05:39,880 --> 00:05:40,440 Speaker 3: All the time. 127 00:05:40,480 --> 00:05:42,680 Speaker 1: We'd get somebody booked and we'd just kind of like 128 00:05:43,400 --> 00:05:44,560 Speaker 1: truck yeah. 129 00:05:44,720 --> 00:05:46,960 Speaker 2: Oh well, let me just say, like, if you knew 130 00:05:47,000 --> 00:05:49,640 Speaker 2: like Blazunkis and stuff like that, you would probably be 131 00:05:49,720 --> 00:05:51,360 Speaker 2: on the same level to where you would know who 132 00:05:51,400 --> 00:05:52,160 Speaker 2: I was. 133 00:05:52,440 --> 00:05:54,160 Speaker 1: But we're not talking about that anymore. 134 00:05:54,200 --> 00:05:55,000 Speaker 2: So you're like, what I mean? 135 00:05:55,040 --> 00:05:57,480 Speaker 1: But I do think it is a perfect analogy, but 136 00:05:57,520 --> 00:05:59,039 Speaker 1: we're not discussing it anymore. 137 00:05:59,120 --> 00:06:00,560 Speaker 2: Okay, we're moving on, and I'm good. 138 00:06:00,640 --> 00:06:05,920 Speaker 1: Who are you? What? What what is it that you do? 139 00:06:06,320 --> 00:06:06,560 Speaker 2: Yeah? 140 00:06:06,560 --> 00:06:08,039 Speaker 3: How did we kind of end up here? 141 00:06:09,040 --> 00:06:11,080 Speaker 2: I kind of do a little bit of everything, but 142 00:06:11,200 --> 00:06:13,200 Speaker 2: on a level that maybe you would have. 143 00:06:13,320 --> 00:06:16,360 Speaker 1: No, No, this actually is the thing. 144 00:06:16,640 --> 00:06:18,280 Speaker 2: Well, I thought it was just cool to be on 145 00:06:18,839 --> 00:06:22,039 Speaker 2: just you guys, kind of breaking another underground artist. 146 00:06:22,200 --> 00:06:25,719 Speaker 1: So that is that is cool. That is a cool 147 00:06:25,760 --> 00:06:30,839 Speaker 1: thing to do. People come in here, they fall off 148 00:06:30,839 --> 00:06:37,240 Speaker 1: the turnip truck. They are just like posting their shit 149 00:06:38,000 --> 00:06:41,359 Speaker 1: and they're just like wandering in the meetings and they're 150 00:06:41,480 --> 00:06:43,360 Speaker 1: they're they're making a list here and there. 151 00:06:44,720 --> 00:06:46,200 Speaker 3: Yeah, they're hustling. 152 00:06:46,440 --> 00:06:48,400 Speaker 2: I guess I've been on a list. 153 00:06:49,040 --> 00:06:53,320 Speaker 1: What list were you on? Not the Vulture list? 154 00:06:54,880 --> 00:06:56,400 Speaker 3: Tell me it's not the volt list. 155 00:06:56,480 --> 00:06:58,600 Speaker 2: I didn't ask to be on it. They didn't really 156 00:06:58,600 --> 00:07:00,360 Speaker 2: give me a choice in the matter, you know. 157 00:07:00,600 --> 00:07:04,400 Speaker 3: Kevin, can you turn my headphones down? This vultureless guys? 158 00:07:04,480 --> 00:07:06,719 Speaker 1: Are you one of these should and will guys? 159 00:07:07,200 --> 00:07:13,400 Speaker 2: Wouldn't know huh, shouldn't Yeah, couldn't will could, couldn't. 160 00:07:13,040 --> 00:07:18,640 Speaker 1: Have, could and have no comedians? You could and have no. 161 00:07:20,120 --> 00:07:22,160 Speaker 2: Every press is bad press. 162 00:07:23,120 --> 00:07:26,080 Speaker 1: I'm starting to I'm starting to wonder about that myself. 163 00:07:26,200 --> 00:07:28,360 Speaker 2: It was a little too mainstream for me to honestly 164 00:07:28,400 --> 00:07:28,840 Speaker 2: want to be. 165 00:07:28,840 --> 00:07:31,560 Speaker 1: On because you're an underground artist. 166 00:07:31,560 --> 00:07:33,920 Speaker 2: I'm pretty I'm kind of underg like the turn up. 167 00:07:34,280 --> 00:07:39,080 Speaker 1: Yeah, non truck, Yeah yeah, they dug you out with 168 00:07:39,120 --> 00:07:39,720 Speaker 1: a trowel? 169 00:07:40,600 --> 00:07:41,920 Speaker 3: What about this for a saying? 170 00:07:42,120 --> 00:07:43,800 Speaker 1: And this would be like if I worked in a 171 00:07:43,840 --> 00:07:47,360 Speaker 1: factory or something, all press is drill press. 172 00:07:47,920 --> 00:07:48,520 Speaker 2: Uh huh? 173 00:07:48,960 --> 00:07:52,440 Speaker 1: Could that be some hard people say drill press? 174 00:07:52,440 --> 00:07:53,640 Speaker 2: I had the factory for sure. 175 00:07:53,800 --> 00:08:00,280 Speaker 1: Your girl right? What is your name? Game? 176 00:08:01,240 --> 00:08:01,680 Speaker 2: Gavin? 177 00:08:02,000 --> 00:08:09,800 Speaker 1: Gavin? Gavin? Are we doing just doing the Gavin Matts? 178 00:08:10,360 --> 00:08:14,520 Speaker 2: Isn't to have a mat I know that. 179 00:08:14,440 --> 00:08:16,840 Speaker 3: We've already got it. We've already got a pretty big Gavin. 180 00:08:17,080 --> 00:08:18,480 Speaker 2: Which one Rossdale? 181 00:08:19,000 --> 00:08:24,200 Speaker 1: Mm hmm, de Gras Gavin Mattz, Having Gats. 182 00:08:25,280 --> 00:08:26,000 Speaker 2: I've heard them all. 183 00:08:27,520 --> 00:08:30,360 Speaker 1: You you've heard that one. You've heard Having Gats? I 184 00:08:30,480 --> 00:08:32,400 Speaker 1: heard that? What other one? Did you hear? 185 00:08:33,280 --> 00:08:34,800 Speaker 2: Mavin Fats? 186 00:08:35,640 --> 00:08:36,760 Speaker 1: Why did you hear that? 187 00:08:37,040 --> 00:08:42,080 Speaker 2: Someone said it? Mavin, and I'm an active listener. 188 00:08:42,000 --> 00:08:43,840 Speaker 1: And now he's thinking, and he's going to give you 189 00:08:43,840 --> 00:08:44,839 Speaker 1: what that you haven't heard. 190 00:08:45,720 --> 00:08:48,960 Speaker 4: It's got to be really it's got to be really absurd. 191 00:08:49,360 --> 00:08:52,960 Speaker 4: You have to kind of go away from all of 192 00:08:53,000 --> 00:08:56,200 Speaker 4: the typical minds that you've encountered and come up with 193 00:08:56,280 --> 00:08:58,880 Speaker 4: something that's truly crazy. 194 00:09:02,080 --> 00:09:05,040 Speaker 3: Gavin bats Oh, that. 195 00:09:05,120 --> 00:09:09,320 Speaker 2: Was too crazy. That was one of the crazier ones 196 00:09:09,360 --> 00:09:12,840 Speaker 2: I have heard. You're right, you're not a typical mind. Yeah. 197 00:09:12,920 --> 00:09:14,439 Speaker 2: I am happy to be here. I don't know how 198 00:09:14,440 --> 00:09:16,199 Speaker 2: I ended up here, Like you're saying. 199 00:09:15,960 --> 00:09:19,000 Speaker 1: But who else was on the Vulture list for that. 200 00:09:19,080 --> 00:09:22,079 Speaker 2: Year twenty twenty four? 201 00:09:22,160 --> 00:09:23,720 Speaker 1: Okay, thank god it was recent. 202 00:09:24,320 --> 00:09:27,120 Speaker 2: I'm not holding onto that credit. Okay, I'd let it 203 00:09:27,160 --> 00:09:30,160 Speaker 2: go next year. Well, going to make it. 204 00:09:30,160 --> 00:09:30,960 Speaker 1: Eight years ago? 205 00:09:31,160 --> 00:09:32,040 Speaker 3: We talk about it. 206 00:09:32,160 --> 00:09:36,760 Speaker 2: Yeah, Malika Lassl he was on it. 207 00:09:36,840 --> 00:09:38,120 Speaker 1: But I'm even touching that. 208 00:09:38,280 --> 00:09:40,760 Speaker 2: Emil Jaukee two friends. 209 00:09:41,160 --> 00:09:43,720 Speaker 1: Neither of them are here, though they're there is one 210 00:09:43,880 --> 00:09:46,000 Speaker 1: or they're just friends with each other and they got I'm. 211 00:09:45,920 --> 00:09:47,920 Speaker 2: Also for I'm also friends with them. You know that. 212 00:09:47,960 --> 00:09:49,360 Speaker 2: I would say they were one of the fellas if 213 00:09:49,400 --> 00:09:50,200 Speaker 2: I was around them. 214 00:09:50,760 --> 00:09:51,840 Speaker 3: Talk about having friends. 215 00:09:52,840 --> 00:09:56,439 Speaker 2: It's nice and they live near me and that brings 216 00:09:56,480 --> 00:09:57,360 Speaker 2: me a lot of peace. 217 00:09:58,000 --> 00:10:04,040 Speaker 1: Okay, So you're out there, you're doing what you're doing, 218 00:10:04,080 --> 00:10:05,200 Speaker 1: all different things. 219 00:10:05,480 --> 00:10:06,360 Speaker 3: A little bit of everything. 220 00:10:06,480 --> 00:10:09,560 Speaker 2: Can just I mean, I'm kind of like I'm like 221 00:10:09,600 --> 00:10:13,199 Speaker 2: a stand up but I also write and and I 222 00:10:13,679 --> 00:10:15,120 Speaker 2: do do some acting. 223 00:10:15,760 --> 00:10:21,120 Speaker 1: Okay, yeah, but what is it about just like standing 224 00:10:21,160 --> 00:10:24,680 Speaker 1: there and and talking about your little things that makes 225 00:10:24,720 --> 00:10:27,439 Speaker 1: you all think that you can inhabit some other character? 226 00:10:27,840 --> 00:10:28,480 Speaker 3: Mm hmmmm? 227 00:10:30,480 --> 00:10:33,120 Speaker 1: What is it about that that that that that that 228 00:10:33,320 --> 00:10:35,400 Speaker 1: cause that to curge you? Hey, I go up and 229 00:10:35,440 --> 00:10:38,120 Speaker 1: I do the I'm just me every. 230 00:10:38,000 --> 00:10:40,280 Speaker 3: Night, I tell little stories. 231 00:10:40,480 --> 00:10:44,000 Speaker 1: Yeah, I can go now be anyone else because I 232 00:10:44,120 --> 00:10:46,600 Speaker 1: was because I'm just going up and I'm just doing. 233 00:10:46,760 --> 00:10:51,360 Speaker 3: I have an inalienable right to be whatever I want. 234 00:10:51,600 --> 00:10:53,439 Speaker 2: Oh you know, I'm kind of aiming to just kind 235 00:10:53,440 --> 00:10:55,040 Speaker 2: of play myself. 236 00:10:56,040 --> 00:11:00,320 Speaker 1: Do you see? Okay? Okay, all right, and I sort 237 00:11:00,320 --> 00:11:02,040 Speaker 1: of wonder how you will so what. 238 00:11:01,960 --> 00:11:03,679 Speaker 4: So this is what it is, though, Hayes, if I 239 00:11:03,679 --> 00:11:05,640 Speaker 4: could say it is, you're standing up there doing your 240 00:11:05,640 --> 00:11:07,000 Speaker 4: little thing, and you're going this. 241 00:11:06,960 --> 00:11:08,560 Speaker 2: Should be a TV in movies. 242 00:11:08,760 --> 00:11:11,439 Speaker 1: Yes, Oh what I'm doing right now. 243 00:11:12,880 --> 00:11:14,199 Speaker 2: I never actually thought that I. 244 00:11:14,240 --> 00:11:17,240 Speaker 3: Say, you want to play yourself because I come to meet. 245 00:11:17,040 --> 00:11:19,240 Speaker 2: The other people playing themselves and I say, well that 246 00:11:19,640 --> 00:11:22,920 Speaker 2: I don't know how I feel about them. Oh well, 247 00:11:23,000 --> 00:11:24,959 Speaker 2: you see other people just playing themselves. You're like, I 248 00:11:25,000 --> 00:11:25,920 Speaker 2: could play myself. 249 00:11:26,000 --> 00:11:28,560 Speaker 1: I just sort of how you would themselves. 250 00:11:29,600 --> 00:11:31,319 Speaker 2: Spencer William Frichner. 251 00:11:32,160 --> 00:11:35,560 Speaker 1: Yeah, great. If William Frichner showed up playing himself, you 252 00:11:35,600 --> 00:11:42,319 Speaker 1: obviously haven't met him. He shows up to the scum 253 00:11:42,400 --> 00:11:46,839 Speaker 1: hole or wherever you perform, and he he does a 254 00:11:46,960 --> 00:11:50,199 Speaker 1: drop in and he comes in and he does you. 255 00:11:51,600 --> 00:11:53,400 Speaker 2: I would love to see that he does. 256 00:11:53,280 --> 00:11:55,000 Speaker 1: Gavi, he performs Gavin Matts. 257 00:11:55,440 --> 00:11:57,280 Speaker 2: He's up there doing bits and goofs. 258 00:11:57,760 --> 00:12:00,679 Speaker 1: Is that what you do of thoughts? 259 00:12:02,400 --> 00:12:05,959 Speaker 2: Kind of just like not well thought out thoughts don't 260 00:12:05,960 --> 00:12:13,679 Speaker 2: go anywhere. Sounds terrible. I'm a class cures stand up. 261 00:12:13,920 --> 00:12:17,520 Speaker 1: Okay, So you're feeling like it's not the stand up 262 00:12:17,600 --> 00:12:22,680 Speaker 1: is just a way to break into other forms of performing. 263 00:12:22,840 --> 00:12:24,959 Speaker 1: It's not gonna be stand up something. 264 00:12:24,800 --> 00:12:26,320 Speaker 3: Of a trojan horse, is it. 265 00:12:26,320 --> 00:12:29,880 Speaker 2: It's a little bit of a trojan horse. But I 266 00:12:29,920 --> 00:12:32,360 Speaker 2: actually never thought about doing anything else. I was kind 267 00:12:32,400 --> 00:12:35,320 Speaker 2: of just like, I'm gonna do stand up when I 268 00:12:35,400 --> 00:12:37,800 Speaker 2: started to do it, okay, and then and then I 269 00:12:37,960 --> 00:12:39,280 Speaker 2: and then you alter. 270 00:12:39,160 --> 00:12:43,800 Speaker 1: Less people demanded that you do other things just the 271 00:12:43,840 --> 00:12:44,800 Speaker 1: force of yours. 272 00:12:44,679 --> 00:12:46,840 Speaker 2: And I didn't want to even be on that lit want. 273 00:12:46,720 --> 00:12:48,920 Speaker 1: To do any of it? No, of course not okay, 274 00:12:49,000 --> 00:12:49,920 Speaker 1: that's actually. 275 00:12:49,679 --> 00:12:53,480 Speaker 2: I kind of just want to stay and just do 276 00:12:53,720 --> 00:12:55,760 Speaker 2: stand up. And is that what happens? 277 00:12:55,800 --> 00:12:58,120 Speaker 4: Because I'm out here, I've been like, I was like, 278 00:12:58,480 --> 00:13:02,000 Speaker 4: let me try Watt stuff, let me try to get in, 279 00:13:02,600 --> 00:13:04,960 Speaker 4: and I keep meeting people like you who are like 280 00:13:05,160 --> 00:13:07,680 Speaker 4: I fell ass backwards into it. I just haven't a 281 00:13:07,760 --> 00:13:09,920 Speaker 4: half thought. And then everybody's like, want to be on 282 00:13:09,960 --> 00:13:10,760 Speaker 4: the movie show? 283 00:13:10,840 --> 00:13:15,040 Speaker 1: And my thing is basically going into meetings and panting. 284 00:13:16,120 --> 00:13:18,000 Speaker 2: And how does that or how does that kind of go? 285 00:13:18,400 --> 00:13:20,600 Speaker 2: If I'm the executive? What does that look like? 286 00:13:21,200 --> 00:13:22,240 Speaker 3: You want to be the executive. 287 00:13:22,280 --> 00:13:24,839 Speaker 4: I was going to be the executive. I could be okay, 288 00:13:24,880 --> 00:13:29,040 Speaker 4: well let him be the executive. No, you be the executive, Hayes, 289 00:13:29,080 --> 00:13:29,720 Speaker 4: you be hates. 290 00:13:29,760 --> 00:13:31,320 Speaker 2: I could be anything, you know what I mean. This 291 00:13:31,360 --> 00:13:34,320 Speaker 2: guy's an incredible character actor, but I only do one character. 292 00:13:34,600 --> 00:13:37,319 Speaker 3: Okay, so this will be okay, so this will be hate. 293 00:13:37,360 --> 00:13:40,400 Speaker 1: So that is actually what they should be called characters actor. 294 00:13:41,160 --> 00:13:43,880 Speaker 3: Characters actors would be the better characters actor. 295 00:13:44,440 --> 00:13:48,040 Speaker 1: You are a character actor? Yeah? Character actor is just one. 296 00:13:48,160 --> 00:13:50,320 Speaker 2: I don't even know myself sometimes. 297 00:13:49,880 --> 00:13:51,640 Speaker 3: I mean, this is the view all over again. 298 00:13:52,400 --> 00:13:55,760 Speaker 1: This is always comes back to that, doesn't It would. 299 00:13:55,640 --> 00:13:58,920 Speaker 3: Just always end up back talking about the view, which should. 300 00:13:58,640 --> 00:14:04,720 Speaker 2: Really be Okay, it should be called the views because 301 00:14:04,720 --> 00:14:06,880 Speaker 2: they actually have multiple people on there and they don't 302 00:14:06,920 --> 00:14:08,160 Speaker 2: really align all the time. 303 00:14:08,520 --> 00:14:10,439 Speaker 4: A lot of stuff is like that. I'm not afraid 304 00:14:10,480 --> 00:14:12,400 Speaker 4: it shouldn't be called Good Mornings America. 305 00:14:15,160 --> 00:14:21,080 Speaker 2: Oh yeah, oh oh yeah, oh yeah. It should be 306 00:14:21,120 --> 00:14:24,960 Speaker 2: called Good Mornings America. And it should be called Americans 307 00:14:25,000 --> 00:14:30,880 Speaker 2: Got Talents because it's not just America's got talent. 308 00:14:32,080 --> 00:14:33,800 Speaker 3: America as entity, because. 309 00:14:33,640 --> 00:14:34,600 Speaker 2: It's not every. 310 00:14:35,920 --> 00:14:39,000 Speaker 3: And it's not one talent either, Americans got talents. 311 00:14:39,040 --> 00:14:43,880 Speaker 2: Sometimes they're spinning things on fingers and toes. Okay, in 312 00:14:43,920 --> 00:14:46,120 Speaker 2: this panting. 313 00:14:45,400 --> 00:14:46,400 Speaker 1: And who are you again? 314 00:14:46,960 --> 00:14:49,520 Speaker 4: Well, I was hoping someone could help me with that, 315 00:14:49,680 --> 00:14:50,600 Speaker 4: because we got. 316 00:14:51,840 --> 00:14:54,800 Speaker 1: Someone for me. When I go into the meetings. The 317 00:14:54,880 --> 00:14:57,920 Speaker 1: water is a big part of it. But offering the water, 318 00:14:58,040 --> 00:15:00,120 Speaker 1: so like someone is going to have to like be 319 00:15:00,160 --> 00:15:00,760 Speaker 1: having the water. 320 00:15:00,840 --> 00:15:02,400 Speaker 3: But that's happening in the waiting room. 321 00:15:02,440 --> 00:15:07,080 Speaker 1: No, it's it's extending into the meeting. 322 00:15:07,200 --> 00:15:09,440 Speaker 4: Okay, so I'll be in the waiting room. I'll be 323 00:15:09,440 --> 00:15:12,560 Speaker 4: in the waiting room. You're not in yet because he's 324 00:15:12,560 --> 00:15:14,560 Speaker 4: got to come in to see you. So hey, as 325 00:15:14,600 --> 00:15:18,200 Speaker 4: you come into the lobby, yeah, all right, and I'm here, 326 00:15:18,680 --> 00:15:20,760 Speaker 4: and then I'm gonna bring you in to see mister Gavin. 327 00:15:20,880 --> 00:15:25,160 Speaker 1: Okay, hey, I'm here to see uh, mister Gavin the executive. 328 00:15:25,240 --> 00:15:34,200 Speaker 3: I'm sorry, So. 329 00:15:30,280 --> 00:15:33,400 Speaker 1: Who are you? Can I have your name? I'm Hayes Davenport. 330 00:15:33,760 --> 00:15:36,640 Speaker 1: I do a bunch of different stuff. I write, I 331 00:15:36,680 --> 00:15:39,840 Speaker 1: also perform. I'm a podcaster. Okay, I'll let mister Gavin 332 00:15:39,840 --> 00:15:41,360 Speaker 1: know you're here. Okay, have a seat, you can have 333 00:15:41,400 --> 00:15:42,960 Speaker 1: a seat. I'll let mister Gavin know you're here. 334 00:15:44,280 --> 00:15:45,600 Speaker 3: Can I get you a water. 335 00:15:45,600 --> 00:15:48,000 Speaker 1: Or that would be amazing? Yeah, thank you so much 336 00:15:48,040 --> 00:15:49,560 Speaker 1: if I could have it. Do you have it right now? 337 00:15:54,840 --> 00:15:57,040 Speaker 1: Do you have any more? Because I thank you for 338 00:15:57,040 --> 00:15:59,400 Speaker 1: giving me to the water. I was panting so much 339 00:15:59,400 --> 00:16:03,320 Speaker 1: it just kind of slid right off my my tongue 340 00:16:04,040 --> 00:16:06,440 Speaker 1: slide like a water slide. 341 00:16:07,200 --> 00:16:09,160 Speaker 3: Okay, mister Gavin will see you now. 342 00:16:09,480 --> 00:16:11,720 Speaker 1: And then it's lights out for me in the in 343 00:16:11,840 --> 00:16:15,320 Speaker 1: the lobby when you're panting like that, even doing it 344 00:16:15,400 --> 00:16:19,640 Speaker 1: right now. Well, what you know is, as I'm taking 345 00:16:19,680 --> 00:16:22,280 Speaker 1: you in to see mister Gavin, I have sent a signal. 346 00:16:21,960 --> 00:16:26,000 Speaker 3: Already to mister Gavin. Okay, as like as the person 347 00:16:26,040 --> 00:16:26,680 Speaker 3: in the lobby. 348 00:16:26,800 --> 00:16:30,080 Speaker 4: Yeah, I'm I'm actually sending a signal to his screen 349 00:16:30,680 --> 00:16:33,920 Speaker 4: and I'm letting him know this guy pants too much. 350 00:16:36,240 --> 00:16:41,040 Speaker 2: Heyn is my is my ten? Is my ten thirty pm? Here? 351 00:16:42,880 --> 00:16:44,360 Speaker 2: I don't know how late these meetings go. 352 00:16:44,920 --> 00:16:47,800 Speaker 1: Yeah, he's yeah, okay, because you're an underground guy, like 353 00:16:49,200 --> 00:16:53,560 Speaker 1: basically the ski by gbis of meetings. Yeah, like going 354 00:16:53,720 --> 00:16:56,000 Speaker 1: to the rest of the town goes to sleep. 355 00:16:56,160 --> 00:16:59,200 Speaker 2: I'm at vice underground. I'm advice to. 356 00:17:00,760 --> 00:17:01,920 Speaker 1: Jesus Christ. 357 00:17:02,400 --> 00:17:06,240 Speaker 2: I'm advice TV. I'm saying, what kind of a documentary 358 00:17:06,320 --> 00:17:07,200 Speaker 2: series could we do? 359 00:17:07,359 --> 00:17:08,560 Speaker 3: You know what that should be called? 360 00:17:09,560 --> 00:17:14,560 Speaker 1: What? First of all, it should be called vices and 361 00:17:14,680 --> 00:17:23,680 Speaker 1: TVs Execondly, why don't we call it advice? Advice? Advice? 362 00:17:24,480 --> 00:17:28,240 Speaker 2: Well, you kind of cooked? You cooked with that? I well, 363 00:17:28,359 --> 00:17:31,919 Speaker 2: I ate, yeah, ate you cooked, and you ate that 364 00:17:32,080 --> 00:17:32,680 Speaker 2: I cooked? 365 00:17:32,960 --> 00:17:38,200 Speaker 1: While here? It should be Gavin Matt, Yeah, there's only 366 00:17:38,200 --> 00:17:39,160 Speaker 1: just while we're here. 367 00:17:39,520 --> 00:17:42,320 Speaker 3: You're not wrong, I'm myself. 368 00:17:42,960 --> 00:17:45,919 Speaker 2: I was thinking, maybe we've put an apostrophe in between 369 00:17:45,920 --> 00:17:49,400 Speaker 2: the T and the S because Matt, maybe Matt belongs 370 00:17:49,400 --> 00:17:49,720 Speaker 2: to me. 371 00:17:50,840 --> 00:17:54,080 Speaker 1: Well no, no, you know, because that would be possessive. 372 00:17:54,280 --> 00:17:57,200 Speaker 1: Not one bed is what that would mean. 373 00:17:57,400 --> 00:18:00,720 Speaker 3: It could be Gavin's Matt. 374 00:18:01,600 --> 00:18:02,080 Speaker 2: You're right. 375 00:18:03,880 --> 00:18:06,640 Speaker 1: There's long question long. You don't even have to say 376 00:18:06,680 --> 00:18:08,520 Speaker 1: you're right. What am? I never any question of who 377 00:18:08,560 --> 00:18:10,480 Speaker 1: was right and wrong about scenario? 378 00:18:10,680 --> 00:18:11,679 Speaker 2: It was up in the air. 379 00:18:12,640 --> 00:18:13,080 Speaker 3: I so. 380 00:18:13,240 --> 00:18:15,280 Speaker 1: But it used to be you go into these meetings 381 00:18:15,320 --> 00:18:17,520 Speaker 1: and they'd want to see panting. They want to see 382 00:18:17,520 --> 00:18:20,040 Speaker 1: a hustler. They don't want to see that anymore. I 383 00:18:20,080 --> 00:18:24,719 Speaker 1: think this, this type of energy, this underground energy, is 384 00:18:24,760 --> 00:18:27,080 Speaker 1: you don't need it. It's more what they're looking for. 385 00:18:27,240 --> 00:18:29,080 Speaker 2: I don't even ask for a water. 386 00:18:29,400 --> 00:18:32,440 Speaker 4: When I was growing up, Stiffler was doing push ups 387 00:18:32,480 --> 00:18:34,680 Speaker 4: in the waiting room of the audition. 388 00:18:34,600 --> 00:18:36,280 Speaker 3: And that's how he got the job. 389 00:18:37,359 --> 00:18:39,320 Speaker 4: This guy's doing push ups in the waiting room, he's 390 00:18:39,359 --> 00:18:45,520 Speaker 4: gotta be Stiffler's. Now what happens is you'd be better 391 00:18:45,560 --> 00:18:48,719 Speaker 4: off being asleep, which I think Stiffler also is at 392 00:18:48,720 --> 00:18:51,879 Speaker 4: this point, but you'd be better off being asleep in 393 00:18:51,880 --> 00:18:55,120 Speaker 4: the waiting room, which is basically what the energy I'm 394 00:18:55,160 --> 00:18:55,880 Speaker 4: feeling from you. 395 00:18:56,000 --> 00:18:57,639 Speaker 2: You go down, lie on the couch. 396 00:18:57,760 --> 00:19:00,000 Speaker 3: Energy from me, that's what I'm getting. 397 00:19:00,080 --> 00:19:03,280 Speaker 1: And yeah, I thought the waiting room was dead, so 398 00:19:03,320 --> 00:19:04,600 Speaker 1: there's no waiting room anymore. 399 00:19:04,640 --> 00:19:06,560 Speaker 2: I kind of just walk in right in time, and 400 00:19:06,600 --> 00:19:09,400 Speaker 2: I make sure that I don't have to sit anywhere. 401 00:19:11,560 --> 00:19:15,800 Speaker 2: I'm not here to hang out with with with who's 402 00:19:15,920 --> 00:19:16,760 Speaker 2: who's this person? 403 00:19:17,720 --> 00:19:21,520 Speaker 1: So you're talking about these meetings, what are they? Are 404 00:19:21,520 --> 00:19:24,680 Speaker 1: they circling any particular type of projects? 405 00:19:25,000 --> 00:19:26,880 Speaker 3: Like gotten one in a while, So just. 406 00:19:27,080 --> 00:19:29,360 Speaker 1: For you, like, what are we like, what what are 407 00:19:29,359 --> 00:19:32,359 Speaker 1: we meeting on? Yeah? 408 00:19:32,840 --> 00:19:38,880 Speaker 2: Just kind of like I got like six things one sheets. 409 00:19:39,960 --> 00:19:42,320 Speaker 3: Let me see if I have any meetings coming up. 410 00:19:44,040 --> 00:19:48,760 Speaker 1: You have six things and more than one of them 411 00:19:48,880 --> 00:19:49,720 Speaker 1: is a one sheet? 412 00:19:50,480 --> 00:19:51,320 Speaker 3: You got multiple? 413 00:19:51,320 --> 00:19:54,520 Speaker 1: How many? Since there are six of them? 414 00:19:54,920 --> 00:19:56,000 Speaker 3: That's mine as you have. 415 00:19:55,920 --> 00:20:00,840 Speaker 2: One six sheet, I have a half sheet too, okay, Yeah, 416 00:20:01,240 --> 00:20:05,080 Speaker 2: so you have maybe two one sheets and one half sheet. Yeah, 417 00:20:05,080 --> 00:20:09,640 Speaker 2: and they're all kind of like maybe this person and me, okay, right, 418 00:20:10,119 --> 00:20:17,040 Speaker 2: maybe met some creative Yeah, I'm kind of yeah, I'm 419 00:20:17,080 --> 00:20:18,720 Speaker 2: like him works well with me. 420 00:20:18,920 --> 00:20:22,040 Speaker 1: You know, let's call him, you know, Tim Simon, not. 421 00:20:22,000 --> 00:20:23,960 Speaker 2: At all, but I just think we would kind of 422 00:20:23,960 --> 00:20:24,840 Speaker 2: bounce off each other. 423 00:20:25,200 --> 00:20:27,159 Speaker 1: Let's get him in here. We can at least leave 424 00:20:27,200 --> 00:20:27,760 Speaker 1: a voicemail. 425 00:20:30,600 --> 00:20:33,800 Speaker 2: It's me, Tim Simon's we were We work at a 426 00:20:34,000 --> 00:20:40,800 Speaker 2: repossession company. We repossessed stuff. Not just cars. 427 00:20:43,600 --> 00:20:46,000 Speaker 1: That's a that's getting ahead of what their question is 428 00:20:46,040 --> 00:20:50,080 Speaker 1: gonna be. Oh well, just cars exactly, No, ma'am. 429 00:20:50,560 --> 00:20:53,800 Speaker 2: No, sometimes jewelry, anything like that. 430 00:20:54,480 --> 00:20:55,000 Speaker 1: Message. 431 00:20:57,000 --> 00:20:59,960 Speaker 3: Hey hey Tim, Hey Tim, it's Sean klin. 432 00:21:01,240 --> 00:21:01,520 Speaker 2: Uh. 433 00:21:01,680 --> 00:21:03,840 Speaker 4: Sorry to leave you a voicemail like this. I know 434 00:21:04,000 --> 00:21:08,960 Speaker 4: people feel there intrusive. I'm recording the podcast. I'm here 435 00:21:08,960 --> 00:21:11,600 Speaker 4: with a stand up named Gavin mattz Uh. 436 00:21:11,840 --> 00:21:12,680 Speaker 2: Pretty underground. 437 00:21:12,760 --> 00:21:15,119 Speaker 4: He's kind of an underground artist, but he was on 438 00:21:15,200 --> 00:21:18,560 Speaker 4: Vulture's list of comedians you could and Have known, and 439 00:21:19,200 --> 00:21:22,000 Speaker 4: he uh, we were asking him, like, what he's up to, 440 00:21:22,080 --> 00:21:24,840 Speaker 4: what's next? And he was saying that he had some 441 00:21:24,920 --> 00:21:28,880 Speaker 4: creative pairings for different TV shows he was pitching. 442 00:21:29,000 --> 00:21:31,159 Speaker 3: One of them was him with you. He's kind of 443 00:21:31,160 --> 00:21:31,680 Speaker 3: called your name. 444 00:21:31,680 --> 00:21:33,040 Speaker 4: I don't know if it was comedic that he pulled 445 00:21:33,040 --> 00:21:34,360 Speaker 4: your name out of their but he said your name, 446 00:21:34,400 --> 00:21:35,560 Speaker 4: so I figured i'd call you up. 447 00:21:36,040 --> 00:21:38,480 Speaker 3: What was the Was it a repo company. 448 00:21:39,560 --> 00:21:41,480 Speaker 1: Name around town like Johnny Apples? 449 00:21:41,680 --> 00:21:46,160 Speaker 2: Yeah, me and you we just reposteduff. Okay, scripted, it's narrative. 450 00:21:46,359 --> 00:21:47,960 Speaker 3: It's a narrative show. It's scripted. 451 00:21:48,040 --> 00:21:49,120 Speaker 2: You have a half sheet? 452 00:21:50,000 --> 00:21:51,840 Speaker 3: Is it serialized? Heavily serialized? 453 00:21:51,960 --> 00:21:53,080 Speaker 2: Heavily serialized? 454 00:21:53,119 --> 00:21:54,320 Speaker 3: So he's got a half sheet on it. 455 00:21:54,320 --> 00:21:56,000 Speaker 1: I mean it's got marshmallows in it. 456 00:21:56,600 --> 00:22:00,359 Speaker 4: Because anyway, call I mean, I know you're busy, obviously, 457 00:22:00,359 --> 00:22:03,040 Speaker 4: but this seems like a big opportunity for maybe all 458 00:22:03,080 --> 00:22:07,240 Speaker 4: of us. So, uh, give me a call back whenever. 459 00:22:08,040 --> 00:22:08,200 Speaker 1: Love. 460 00:22:08,240 --> 00:22:12,560 Speaker 2: You see things like that just work out for me. 461 00:22:13,960 --> 00:22:14,399 Speaker 2: I didn't know. 462 00:22:14,520 --> 00:22:17,520 Speaker 1: And what in what sense did oh that that you 463 00:22:17,640 --> 00:22:20,080 Speaker 1: end up getting a voicemail in their phone? Yeah? You 464 00:22:20,200 --> 00:22:24,000 Speaker 1: just start talking. You just see, that's manifestation. 465 00:22:24,920 --> 00:22:27,160 Speaker 2: Voicemails are the original manifestation. 466 00:22:27,280 --> 00:22:29,720 Speaker 1: Now you're inside their phone, call me back? 467 00:22:30,359 --> 00:22:34,280 Speaker 2: They did? Who did when you leave a voicemail? 468 00:22:35,440 --> 00:22:35,720 Speaker 3: Well? 469 00:22:35,800 --> 00:22:38,040 Speaker 4: Yeah, I mean I'm hoping that we do get that 470 00:22:38,160 --> 00:22:39,600 Speaker 4: call back. Could be pretty big. 471 00:22:40,359 --> 00:22:42,560 Speaker 3: I mean he's on a big show right now. 472 00:22:42,600 --> 00:22:43,119 Speaker 2: You've seen this. 473 00:22:43,440 --> 00:22:47,320 Speaker 3: Uh, nobody wants this, but. 474 00:22:47,359 --> 00:22:49,880 Speaker 2: That's already out, so he's looking probably for other things. 475 00:22:49,880 --> 00:22:50,600 Speaker 2: He's a hustler. 476 00:22:51,920 --> 00:22:55,280 Speaker 3: Yeah, they're going to do another season of it, but 477 00:22:55,440 --> 00:22:56,320 Speaker 3: I think it could be great. 478 00:22:56,359 --> 00:22:58,639 Speaker 1: He's confused because that's what they wrote on his one sheet. 479 00:22:59,240 --> 00:23:02,480 Speaker 4: What well, I was gonna say, Yeah, that title really 480 00:23:02,520 --> 00:23:05,639 Speaker 4: could have gone the other way. But man, it's got 481 00:23:05,760 --> 00:23:10,959 Speaker 4: to feel so good that nobody used it against him. 482 00:23:10,960 --> 00:23:15,760 Speaker 1: So, Gavin, you are It sounds like the direction you're 483 00:23:15,880 --> 00:23:19,719 Speaker 1: going we're talking about Netflix is more of a like 484 00:23:20,000 --> 00:23:25,280 Speaker 1: the Gillis maneuver, right, just like if you're repo guys, 485 00:23:26,240 --> 00:23:30,159 Speaker 1: guys that you know, get their hands dirty, work in 486 00:23:30,240 --> 00:23:31,120 Speaker 1: the shop. 487 00:23:31,160 --> 00:23:33,800 Speaker 3: A little bit of a blue collar philosopher. 488 00:23:35,880 --> 00:23:40,640 Speaker 1: Yeah, you hadn't thought of that, Like you honestly went 489 00:23:40,680 --> 00:23:42,199 Speaker 1: in and pitched that, and you did not You were 490 00:23:42,240 --> 00:23:44,200 Speaker 1: saying to me as a repo guy, you didn't see 491 00:23:44,240 --> 00:23:46,080 Speaker 1: that as a comp Yeah, I was kind of. 492 00:23:46,119 --> 00:23:50,679 Speaker 2: I'm kind of woke and and Tim. Tim is like 493 00:23:51,880 --> 00:23:54,800 Speaker 2: not woke, okay, And I'm woke. 494 00:23:55,160 --> 00:23:56,760 Speaker 3: Oh and the show you're woke? 495 00:23:56,840 --> 00:24:00,320 Speaker 2: And Tim we kind of have these like super crazy, easy, 496 00:24:00,520 --> 00:24:02,960 Speaker 2: like Carmichael Show level conversation. 497 00:24:03,160 --> 00:24:08,080 Speaker 1: So that's your boat race, Michael and and your name 498 00:24:08,200 --> 00:24:14,640 Speaker 1: is guy, could be Carmichael. Yea, well it's it's not 499 00:24:14,720 --> 00:24:19,879 Speaker 1: just cars. Okay, well that's interesting, Like what is the 500 00:24:20,040 --> 00:24:25,359 Speaker 1: non say as you're at every turn shooing it away 501 00:24:26,040 --> 00:24:29,560 Speaker 1: as you go to Repo like car michael show, no Max. 502 00:24:30,560 --> 00:24:32,919 Speaker 2: No, it can be Carmichael's show. And then in brackets, 503 00:24:33,280 --> 00:24:34,560 Speaker 2: what's your not just cars? 504 00:24:35,400 --> 00:24:36,240 Speaker 1: What's your title? 505 00:24:36,480 --> 00:24:39,400 Speaker 2: It's a untitled Cavin Batt's project. 506 00:24:41,200 --> 00:24:44,520 Speaker 3: That's exciting to me, and. 507 00:24:44,400 --> 00:24:46,720 Speaker 2: That's exciting to a lot of people that have seen 508 00:24:46,760 --> 00:24:50,480 Speaker 2: the Vulture List. 509 00:24:52,880 --> 00:24:54,560 Speaker 3: What if you went to Repo like. 510 00:24:56,480 --> 00:25:01,040 Speaker 4: A doll collection something like this, and then the woke 511 00:25:01,760 --> 00:25:05,600 Speaker 4: guy is going like, I think it's good that this 512 00:25:07,040 --> 00:25:10,000 Speaker 4: adult man has all these dolls, you know what I mean? 513 00:25:10,359 --> 00:25:15,320 Speaker 4: But then the sort of the Tim Simon's character is like, no, 514 00:25:15,400 --> 00:25:16,119 Speaker 4: it's bad. 515 00:25:16,320 --> 00:25:18,320 Speaker 2: Yeah, why And then maybe the guy has like a 516 00:25:18,760 --> 00:25:20,679 Speaker 2: doll that's like a different race than he is. 517 00:25:20,840 --> 00:25:23,840 Speaker 1: Well that's okay, that's what obviously ends up happening. This 518 00:25:23,920 --> 00:25:26,480 Speaker 1: is the doll collection. The woke guy said it was good, 519 00:25:26,520 --> 00:25:29,320 Speaker 1: but they're all they're probably gonna be Asian dolls. Just 520 00:25:29,359 --> 00:25:31,720 Speaker 1: like if the show is happening. 521 00:25:31,400 --> 00:25:33,560 Speaker 2: And now you're like fetishiz yeah, could we actually not? 522 00:25:33,680 --> 00:25:35,879 Speaker 2: Can we actually cut all this stuff so that I 523 00:25:35,880 --> 00:25:37,640 Speaker 2: can use that so. 524 00:25:38,800 --> 00:25:39,760 Speaker 3: No one's gonna hear it? 525 00:25:39,920 --> 00:25:44,760 Speaker 4: Kevin, Okay, the show has a baseline of like a 526 00:25:44,840 --> 00:25:47,040 Speaker 4: small number of listeners, and then when we have a 527 00:25:47,080 --> 00:25:50,560 Speaker 4: guest that even we haven't heard of, there's. 528 00:25:50,400 --> 00:25:51,320 Speaker 3: Actually a dip. 529 00:25:51,960 --> 00:25:54,920 Speaker 2: Really oh, because I was hoping you get maybe like 530 00:25:55,160 --> 00:25:57,359 Speaker 2: thirty to fifty followers from this. 531 00:25:57,359 --> 00:26:01,080 Speaker 1: We end up incurrying like a listener debt that we 532 00:26:01,160 --> 00:26:03,440 Speaker 1: have to play off in the next episode. We dig 533 00:26:03,480 --> 00:26:04,840 Speaker 1: a little hole for ourselves. 534 00:26:05,160 --> 00:26:07,640 Speaker 4: If you look at the graph, there's like this low 535 00:26:07,720 --> 00:26:10,520 Speaker 4: number of listeners, and then when the dip happens, we 536 00:26:10,600 --> 00:26:11,439 Speaker 4: got to make that up. 537 00:26:11,520 --> 00:26:13,520 Speaker 3: Yeah, we actually, oh listeners. 538 00:26:13,720 --> 00:26:18,119 Speaker 2: Oh, Kevin didn't mention any of graph. I wouldn't have 539 00:26:18,119 --> 00:26:21,879 Speaker 2: brought anything anyway, or maybe looked at it, but it 540 00:26:21,880 --> 00:26:23,360 Speaker 2: would have been good to know about. But I am 541 00:26:23,400 --> 00:26:24,200 Speaker 2: sorry about that. 542 00:26:25,240 --> 00:26:26,400 Speaker 3: It's fun, it's wet. 543 00:26:26,480 --> 00:26:28,560 Speaker 1: I mean, as long as we make our nut the 544 00:26:28,680 --> 00:26:31,000 Speaker 1: end of the day, like, we're good. And so if 545 00:26:31,000 --> 00:26:33,800 Speaker 1: we're talking about projects, if we're talking about like what 546 00:26:33,880 --> 00:26:38,400 Speaker 1: we can kind of stand up out of this conversation 547 00:26:39,800 --> 00:26:42,080 Speaker 1: always looking for the next snefield, right. 548 00:26:42,320 --> 00:26:45,280 Speaker 3: Yeah, and so there hasn't been one for. 549 00:26:47,119 --> 00:26:51,800 Speaker 1: On NBC's and I think it's always a question of 550 00:26:51,880 --> 00:26:56,000 Speaker 1: like of assembling the crew right should be ABC's. 551 00:26:57,080 --> 00:27:00,560 Speaker 2: Right. They have multiple kind of that as you can 552 00:27:00,600 --> 00:27:03,240 Speaker 2: go to you can watch SNL early you know what I. 553 00:27:03,280 --> 00:27:06,240 Speaker 1: Mean, and they should trade it with the song that 554 00:27:06,280 --> 00:27:07,520 Speaker 1: should be now I know my ABC? 555 00:27:07,760 --> 00:27:08,640 Speaker 3: Can we talk about this. 556 00:27:08,760 --> 00:27:09,359 Speaker 1: That's just one. 557 00:27:10,440 --> 00:27:13,120 Speaker 4: The number of apps that NBC has is like, there's 558 00:27:13,160 --> 00:27:15,920 Speaker 4: an NBC app, There's an NBC Sports app. 559 00:27:17,160 --> 00:27:19,360 Speaker 2: I think there's a third one peacock. 560 00:27:19,560 --> 00:27:23,320 Speaker 3: But but hang on, oh sorry. What I'm getting to 561 00:27:23,520 --> 00:27:25,399 Speaker 3: is the NBC app. 562 00:27:25,440 --> 00:27:27,280 Speaker 1: What is it? Do your stand up? 563 00:27:27,840 --> 00:27:28,360 Speaker 2: Pull pull? 564 00:27:28,640 --> 00:27:29,320 Speaker 3: Pull this up? 565 00:27:29,840 --> 00:27:33,800 Speaker 1: The NBC app, what is the image? It's the colorful 566 00:27:33,840 --> 00:27:36,159 Speaker 1: peacock feathers. The NBC Sports app, it. 567 00:27:36,280 --> 00:27:39,119 Speaker 4: Just says sports and like sort of a script writing 568 00:27:39,240 --> 00:27:41,080 Speaker 4: and it says NBC above and it's. 569 00:27:40,920 --> 00:27:43,560 Speaker 3: Got the peacock feathers. Then they have one app that's 570 00:27:43,600 --> 00:27:46,200 Speaker 3: called Peacock. What's the image. 571 00:27:47,320 --> 00:27:52,120 Speaker 4: The word peacock at four dots. This is a graphic design, 572 00:27:53,920 --> 00:27:55,960 Speaker 4: fucking face plant. 573 00:27:56,520 --> 00:28:02,160 Speaker 5: This is one of the biggest failures visual branding of 574 00:28:02,160 --> 00:28:06,160 Speaker 5: our lifetimes. They have the peacock symbol on all their 575 00:28:06,240 --> 00:28:11,320 Speaker 5: other apps. 576 00:28:08,200 --> 00:28:13,520 Speaker 3: The NBC logo and the peacock. That's so fucking. 577 00:28:13,320 --> 00:28:20,160 Speaker 1: Stupid constantly, and they're like, okay, okay, we'll work. That's 578 00:28:20,280 --> 00:28:22,600 Speaker 1: not right, Jesus. 579 00:28:22,200 --> 00:28:24,600 Speaker 3: Put the fucking feathers on it. 580 00:28:24,840 --> 00:28:27,879 Speaker 2: That's a fucking picture of a peacock on the NBC logo. 581 00:28:30,600 --> 00:28:34,119 Speaker 3: It's such a hardcore fail. Gavin, can you fix this 582 00:28:34,200 --> 00:28:35,800 Speaker 3: in one of these meetings you walk into. 583 00:28:36,720 --> 00:28:40,240 Speaker 2: Yeah, I mean, since I don't really I guess slowly 584 00:28:40,280 --> 00:28:43,360 Speaker 2: learning from like kind of Hayes's criticism is that I 585 00:28:43,360 --> 00:28:45,840 Speaker 2: don't really have anything to give to people, so maybe 586 00:28:45,840 --> 00:28:47,000 Speaker 2: I can help on the graphic. 587 00:28:47,200 --> 00:28:49,720 Speaker 4: Well, yeah, walk in and go like, hey, you know, 588 00:28:49,840 --> 00:28:51,120 Speaker 4: you think you're here to help me. 589 00:28:51,200 --> 00:28:53,680 Speaker 3: I'm actually here to help you. I'm gonna save this company. 590 00:28:53,920 --> 00:28:54,440 Speaker 1: Yeah. 591 00:28:54,600 --> 00:28:57,680 Speaker 2: I go in, I talk to Lauren Michaels, I break 592 00:28:57,720 --> 00:28:59,280 Speaker 2: into thirty Rock, I go up there. 593 00:29:00,120 --> 00:29:03,840 Speaker 1: Yeah, and it's kind of like, hey, show about nothing, right, 594 00:29:03,880 --> 00:29:06,200 Speaker 1: one of the biggest shows ever. You're looking at nothing 595 00:29:06,320 --> 00:29:06,720 Speaker 1: right here. 596 00:29:08,080 --> 00:29:10,480 Speaker 2: It doesn't get less than this, and that that could 597 00:29:10,640 --> 00:29:13,160 Speaker 2: kind of that could hit for some people, right, Oh 598 00:29:13,160 --> 00:29:14,360 Speaker 2: my god, you can trick. 599 00:29:14,560 --> 00:29:17,400 Speaker 1: But it's really about assembling the crew isn't it. So 600 00:29:17,440 --> 00:29:19,280 Speaker 1: we got tim sibuds locked up. 601 00:29:19,520 --> 00:29:22,600 Speaker 3: He's locked in Tim's in Let me try to call 602 00:29:22,680 --> 00:29:23,360 Speaker 3: him again. 603 00:29:26,360 --> 00:29:28,920 Speaker 1: And I could see him, you know, exuding a little 604 00:29:28,920 --> 00:29:35,960 Speaker 1: bit of a Mike Richards down the hall that's ringing. 605 00:29:37,920 --> 00:29:39,400 Speaker 1: It didn't ring last time. I know. 606 00:29:45,160 --> 00:29:52,280 Speaker 2: This is how bad I guessed. I am, Yeah, message we. 607 00:29:52,200 --> 00:29:55,480 Speaker 4: Haven't Maybe hey Tim, Shawn Clements again. I just saw 608 00:29:55,520 --> 00:29:57,480 Speaker 4: that you didn't answer last time, and I was wondering 609 00:29:57,520 --> 00:30:02,640 Speaker 4: if that was maybe a mistake. Anyways, still doing the show. 610 00:30:03,120 --> 00:30:06,360 Speaker 4: Gavin has an interesting pitch. I know you don't know him, 611 00:30:06,360 --> 00:30:12,040 Speaker 4: but so he would be woke, you wouldn't be. And then, uh, 612 00:30:12,640 --> 00:30:14,959 Speaker 4: you know, remember how Seinfeld was a show about nothing. 613 00:30:15,320 --> 00:30:17,440 Speaker 4: I think his pitch is kind of like this show 614 00:30:17,480 --> 00:30:21,320 Speaker 4: could be about less than nothing, Like it might not 615 00:30:21,400 --> 00:30:25,200 Speaker 4: even be on Call me Back, I Love you. 616 00:30:26,360 --> 00:30:28,520 Speaker 2: Yeah, And maybe there's an episode where like we're not 617 00:30:28,600 --> 00:30:32,880 Speaker 2: even there, like it's just kind of like the set 618 00:30:33,000 --> 00:30:36,880 Speaker 2: kind of filmed, you know, maybe a wind breeze. 619 00:30:37,440 --> 00:30:40,080 Speaker 3: Well, what if we're just following other characters. 620 00:30:40,880 --> 00:30:47,560 Speaker 1: Master of some of these other characters maintenance, low maintenance, 621 00:30:48,800 --> 00:30:50,400 Speaker 1: low maintenance, master of some. 622 00:30:52,200 --> 00:30:52,800 Speaker 3: Siginfold. 623 00:30:53,880 --> 00:30:56,400 Speaker 1: But who are these other. I mean, like, all you've 624 00:30:56,400 --> 00:31:00,680 Speaker 1: mentioned is Tim Simon's love. You talk about your brother, 625 00:31:00,880 --> 00:31:02,960 Speaker 1: you know, like you really makes me laugh you're talking 626 00:31:02,960 --> 00:31:04,400 Speaker 1: about you talk about the Fellas. 627 00:31:04,520 --> 00:31:06,600 Speaker 3: I like having two tall white guys on the show. 628 00:31:06,840 --> 00:31:07,920 Speaker 1: Who was a little. 629 00:31:07,640 --> 00:31:09,920 Speaker 2: Taller though, which is nice because then it kind of 630 00:31:10,240 --> 00:31:12,240 Speaker 2: it puts up in the air. How tall is this guy? 631 00:31:12,360 --> 00:31:12,600 Speaker 1: Wait? 632 00:31:12,680 --> 00:31:14,480 Speaker 3: Is this guy shorter? Is Tim just really tall? 633 00:31:15,200 --> 00:31:15,800 Speaker 2: Exactly? 634 00:31:16,280 --> 00:31:17,720 Speaker 1: Who are these other fellas? 635 00:31:19,080 --> 00:31:20,120 Speaker 3: The fellas are in there? 636 00:31:20,320 --> 00:31:24,600 Speaker 2: Maybe Conan runs a cafe. God, if we want to 637 00:31:24,600 --> 00:31:24,920 Speaker 2: go to the. 638 00:31:24,880 --> 00:31:28,240 Speaker 3: Tall route, Okay, let me call Conan. 639 00:31:28,320 --> 00:31:31,280 Speaker 1: And runs a cafe And you're Repo guys and you're 640 00:31:31,320 --> 00:31:32,800 Speaker 1: going to a cafe. 641 00:31:32,760 --> 00:31:37,240 Speaker 2: Well, it's like a classic cafe and he and Conan 642 00:31:37,280 --> 00:31:37,680 Speaker 2: has a boss. 643 00:31:37,800 --> 00:31:40,440 Speaker 1: What do you mean a classic cat It's like, it's like, 644 00:31:42,840 --> 00:31:43,680 Speaker 1: what are you talking? 645 00:31:44,400 --> 00:31:46,160 Speaker 2: You don't know. 646 00:31:46,440 --> 00:31:48,040 Speaker 3: Conan has a Boston accent. 647 00:31:48,600 --> 00:31:50,840 Speaker 4: I don't know why I keep getting sold on this, 648 00:31:51,760 --> 00:31:54,360 Speaker 4: Like I know it's not a good idea, but for 649 00:31:54,440 --> 00:31:55,800 Speaker 4: some reason I want to see it. 650 00:31:55,920 --> 00:32:00,600 Speaker 1: What distinguishes it a cafe from a classic cafe? That 651 00:32:00,720 --> 00:32:03,080 Speaker 1: Repo guys are going to the classic cafe? 652 00:32:03,280 --> 00:32:08,920 Speaker 2: Well, because the baristo played by Conan also owner Boston 653 00:32:08,960 --> 00:32:14,200 Speaker 2: accents that makes it classic. The accent. It's not like 654 00:32:14,440 --> 00:32:17,600 Speaker 2: it's not like some millennial making me a mancho latte. 655 00:32:17,960 --> 00:32:20,120 Speaker 1: It's not a fancy French cafe. 656 00:32:20,200 --> 00:32:23,600 Speaker 2: It's Conan and and and he's giving you coffee black 657 00:32:24,600 --> 00:32:25,960 Speaker 2: and it's Boston accent. 658 00:32:26,920 --> 00:32:28,640 Speaker 4: It's the kind of cafe where it feels like they 659 00:32:28,680 --> 00:32:31,120 Speaker 4: might have crossed out Tyria on the end of it. 660 00:32:31,280 --> 00:32:33,960 Speaker 2: Yeah, and they have jokes on the bathroom door. 661 00:32:34,600 --> 00:32:35,560 Speaker 1: What are they like? 662 00:32:35,680 --> 00:32:39,800 Speaker 2: Gender jokes, which my character obviously not okay with because 663 00:32:39,840 --> 00:32:41,240 Speaker 2: I'm like, all gender should. 664 00:32:41,040 --> 00:32:42,840 Speaker 4: Yeah, to hold it till he gets home because he 665 00:32:42,840 --> 00:32:45,280 Speaker 4: can't use the bathroom there because he's so offended by 666 00:32:45,280 --> 00:32:50,720 Speaker 4: the Uh so he's always going there and would you 667 00:32:50,800 --> 00:32:51,880 Speaker 4: like a huge iced tea? 668 00:32:51,960 --> 00:32:54,200 Speaker 1: And he's like, I really can't. 669 00:32:54,440 --> 00:32:57,560 Speaker 2: What are the what are the jokes mean? 670 00:32:57,640 --> 00:32:59,160 Speaker 1: You can't just be like its gender jokes. 671 00:32:59,200 --> 00:33:01,520 Speaker 2: Well, it's like it's like say, it's like, uh, it's 672 00:33:01,560 --> 00:33:03,360 Speaker 2: only one bathroom, you know what I mean. And you 673 00:33:03,400 --> 00:33:05,920 Speaker 2: go in and it's solo and you lock it. But 674 00:33:06,000 --> 00:33:08,440 Speaker 2: on the front it says all genders are welcome. But 675 00:33:08,480 --> 00:33:11,520 Speaker 2: it's like, yeah, duh. It's like anyone can just go 676 00:33:11,640 --> 00:33:14,520 Speaker 2: in there. It's not like a man or. It's not gendered. 677 00:33:14,600 --> 00:33:17,040 Speaker 2: It's not a gender bathroom. There's just one toilet, one 678 00:33:17,160 --> 00:33:19,080 Speaker 2: urinal in there, so you go in and lock it. 679 00:33:19,120 --> 00:33:20,800 Speaker 2: And then so we have a conversation about that. 680 00:33:20,880 --> 00:33:23,880 Speaker 1: It's like, yeah, the front says all genders are welcome. Yeah, 681 00:33:23,880 --> 00:33:25,040 Speaker 1: but then it's only a joke. 682 00:33:25,080 --> 00:33:26,960 Speaker 2: But it's just a urinal and yeah, this is the 683 00:33:27,000 --> 00:33:28,239 Speaker 2: kind of stuff you're gonna get with it. 684 00:33:28,400 --> 00:33:31,840 Speaker 1: Very it's very subdued joke. 685 00:33:32,880 --> 00:33:33,760 Speaker 2: I think it's funny. 686 00:33:35,000 --> 00:33:37,440 Speaker 3: Well it is actually sort of lynching in as well, 687 00:33:37,800 --> 00:33:40,320 Speaker 3: and we were back around to some of this TM stuff. 688 00:33:41,240 --> 00:33:44,200 Speaker 2: It's I think it's really good and you're upset about 689 00:33:44,200 --> 00:33:48,800 Speaker 2: the joke. Yeah, I'm just saying it doesn't make sense. 690 00:33:48,840 --> 00:33:52,200 Speaker 3: It's a god subdued is a good title? 691 00:33:52,240 --> 00:33:55,400 Speaker 2: Too subdue or maybe Tim Tim sees it and his 692 00:33:55,560 --> 00:33:58,520 Speaker 2: character's name is like Tim, and. 693 00:33:59,320 --> 00:34:01,680 Speaker 1: We've been trying to get Kevin on something. Sorry, I 694 00:34:01,840 --> 00:34:06,480 Speaker 1: just like I'm just kind of hearing Kevin vibing with this. Yeah, 695 00:34:07,040 --> 00:34:10,560 Speaker 1: and like I don't like we we're talking about assembling 696 00:34:10,560 --> 00:34:13,640 Speaker 1: the crew, right, Like all we have is Tim Simon's 697 00:34:14,160 --> 00:34:18,200 Speaker 1: who's not woke, and Conan the Barista. 698 00:34:17,760 --> 00:34:19,319 Speaker 3: And Tim has a conflict as well. 699 00:34:19,880 --> 00:34:20,640 Speaker 1: Yes, that's right. 700 00:34:21,680 --> 00:34:23,719 Speaker 2: We have to shoot him out. 701 00:34:24,000 --> 00:34:24,400 Speaker 1: We have to. 702 00:34:24,520 --> 00:34:26,120 Speaker 2: We're gonna have to shoot him out because if he's 703 00:34:26,160 --> 00:34:28,320 Speaker 2: doing a second season, if nobody wants this. 704 00:34:28,400 --> 00:34:30,880 Speaker 1: We gotta shoot Tim's coverage first, and then we have 705 00:34:30,960 --> 00:34:31,800 Speaker 1: to write the scripts. 706 00:34:32,000 --> 00:34:35,440 Speaker 2: They do that for Gary Oldman on Slow Horses, so 707 00:34:35,480 --> 00:34:37,400 Speaker 2: it can be done. 708 00:34:39,680 --> 00:34:41,920 Speaker 3: So you walk into the meeting, you go, we're gonna 709 00:34:41,920 --> 00:34:46,680 Speaker 3: slow horses this thing. Let me, let me stop you. 710 00:34:46,760 --> 00:34:48,720 Speaker 1: We're gonna we're doing horse hours. 711 00:34:48,840 --> 00:34:52,000 Speaker 2: And keep in mind they actually don't know what I'm 712 00:34:52,040 --> 00:34:55,080 Speaker 2: talking about, and they don't know what's coming next. So 713 00:34:55,280 --> 00:34:57,319 Speaker 2: just say we're gonna slow horses them. This is a 714 00:34:57,320 --> 00:35:00,480 Speaker 2: show that's won an award for writing, so they know 715 00:35:00,560 --> 00:35:01,360 Speaker 2: this is about to be. 716 00:35:01,560 --> 00:35:03,960 Speaker 1: And keep in mind the fundamental premise of your idea 717 00:35:04,719 --> 00:35:07,960 Speaker 1: pretty similar. Keep in mind it's actually similar. Keep in 718 00:35:07,960 --> 00:35:11,319 Speaker 1: mind what exactly what you were saying, keep in mind 719 00:35:11,400 --> 00:35:11,879 Speaker 1: part of it. 720 00:35:12,600 --> 00:35:14,200 Speaker 3: Okay, thanks, we'll do. 721 00:35:16,320 --> 00:35:19,799 Speaker 2: The fucking guy. I'm selling this in the room. 722 00:35:20,719 --> 00:35:24,040 Speaker 1: If we have if we have space for Kevin for us, 723 00:35:24,160 --> 00:35:27,759 Speaker 1: that could be meaningful because we have been looking for 724 00:35:27,840 --> 00:35:30,799 Speaker 1: something to kind of match Kevin up with and sort 725 00:35:30,840 --> 00:35:33,719 Speaker 1: of dematch him from from this. 726 00:35:34,239 --> 00:35:37,239 Speaker 2: Okay, now, well, maybe Kevin can play my character and 727 00:35:37,280 --> 00:35:40,680 Speaker 2: I can just be kind of like an instillar area. However, 728 00:35:40,719 --> 00:35:43,680 Speaker 2: you say that character on the show, you're I can 729 00:35:43,680 --> 00:35:47,879 Speaker 2: play like a different guy. So we're still in cell Larry. Oh, 730 00:35:48,080 --> 00:35:52,160 Speaker 2: in cell Larry. That's a good actually character name for 731 00:35:52,200 --> 00:35:54,240 Speaker 2: maybe the character I could be playing on this show. 732 00:35:54,920 --> 00:35:57,680 Speaker 1: And this is in the first version. 733 00:35:57,800 --> 00:36:00,440 Speaker 2: Or well, now Kevin is going to play Kevin is 734 00:36:00,440 --> 00:36:03,680 Speaker 2: gonna be Now, yeah, I'm gonna be Maybe we just 735 00:36:03,760 --> 00:36:11,080 Speaker 2: had that, Yeah, Gvinvin or he or Kevin could maybe 736 00:36:11,120 --> 00:36:12,200 Speaker 2: be like a. 737 00:36:11,960 --> 00:36:16,440 Speaker 4: Dog Larry for what I'm working on, which is in 738 00:36:16,480 --> 00:36:19,800 Speaker 4: cel Larry, which is like a much darker version of Curb. 739 00:36:20,239 --> 00:36:24,200 Speaker 1: Mmmm, well Gavin is going to play in cell Larry? Yeah? 740 00:36:24,360 --> 00:36:26,960 Speaker 2: Yeah, Or maybe Kevin can and he's in cel Larry 741 00:36:27,080 --> 00:36:32,319 Speaker 2: and that he's in a dog costume in my mind, okay, 742 00:36:33,160 --> 00:36:35,440 Speaker 2: he could be in a dog costume. But in my mind, 743 00:36:35,520 --> 00:36:39,960 Speaker 2: are we gonna Wilbur this thing? I don't know what 744 00:36:40,040 --> 00:36:40,520 Speaker 2: that is. 745 00:36:40,960 --> 00:36:43,839 Speaker 1: I don't know why that wasp you were thinking of? 746 00:36:44,120 --> 00:36:45,440 Speaker 3: No, is it Wilfred. 747 00:36:47,520 --> 00:36:52,560 Speaker 1: Everyone knows what it's like Wilbur. Everyone is gonna think 748 00:36:52,600 --> 00:36:53,720 Speaker 1: about the dog costume. 749 00:36:53,960 --> 00:36:54,919 Speaker 2: I don't know what that is. 750 00:36:56,080 --> 00:36:58,279 Speaker 1: So you were just bringing up a him wearing a 751 00:36:58,280 --> 00:37:00,960 Speaker 1: dog costume a dog and you're and you don't know 752 00:37:00,960 --> 00:37:01,759 Speaker 1: about Wilburt. 753 00:37:01,800 --> 00:37:03,920 Speaker 2: It's probably before my time then, I didn't know. I 754 00:37:03,920 --> 00:37:06,160 Speaker 2: thought it was original cleat idea. Maybe you could be 755 00:37:06,160 --> 00:37:13,040 Speaker 2: a cat. Then if there's somebody already did that, maybe 756 00:37:13,040 --> 00:37:15,400 Speaker 2: somebody wants to be a cat. People like cats. Nowadays 757 00:37:15,920 --> 00:37:17,320 Speaker 2: people stay home more and more. 758 00:37:18,760 --> 00:37:21,959 Speaker 1: Yeah, I guess that's true. I guess that's happening ever 759 00:37:22,000 --> 00:37:25,720 Speaker 1: since COVID Everyone's Life and the show's titled untitled Gavin 760 00:37:25,760 --> 00:37:29,920 Speaker 1: Matt's Project. Yeah, but now we have Kevin playing. 761 00:37:29,840 --> 00:37:35,200 Speaker 2: Right, I'm kind of fifth on the cat guy. Yeah, okay, 762 00:37:35,360 --> 00:37:38,000 Speaker 2: but it's not untitled because I'm in the show. It's 763 00:37:38,000 --> 00:37:39,719 Speaker 2: because I kind of do a little bit of all 764 00:37:39,800 --> 00:37:41,759 Speaker 2: kinds of different things just. 765 00:37:41,719 --> 00:37:44,239 Speaker 1: For set building and stuff to the repo guys. I 766 00:37:44,239 --> 00:37:47,399 Speaker 1: mean they're going to the classic cafe? Do they have? 767 00:37:47,960 --> 00:37:49,000 Speaker 2: It's all on location? 768 00:37:49,160 --> 00:37:55,120 Speaker 1: A home base? Jesus, Okay, doesn't seem necessary at budget wise? 769 00:37:55,400 --> 00:37:55,640 Speaker 2: Is it? 770 00:37:55,680 --> 00:37:56,680 Speaker 3: Where does it film? 771 00:37:56,760 --> 00:37:56,840 Speaker 2: Like? 772 00:37:56,840 --> 00:37:59,000 Speaker 3: Where do you see it? Just for production? 773 00:37:59,239 --> 00:38:04,240 Speaker 1: Like can I think Canada is it a in a meeting? 774 00:38:04,840 --> 00:38:06,440 Speaker 1: Is it Canada for Tehran? 775 00:38:07,400 --> 00:38:09,520 Speaker 2: Mm hmm, yeah, it's for Tehran. 776 00:38:10,280 --> 00:38:14,000 Speaker 1: If you have a meeting about this and they ask 777 00:38:14,080 --> 00:38:17,440 Speaker 1: you a basic question like where's the show set, I 778 00:38:17,480 --> 00:38:20,799 Speaker 1: think you should try to tilt your head to the side, 779 00:38:21,480 --> 00:38:23,800 Speaker 1: maybe twenty degrees less. 780 00:38:27,680 --> 00:38:29,960 Speaker 2: Ask me again, where is the show set? 781 00:38:30,040 --> 00:38:33,000 Speaker 1: Where is the set? That's right? 782 00:38:33,120 --> 00:38:35,719 Speaker 3: Nice, any major city. 783 00:38:36,080 --> 00:38:39,120 Speaker 2: It could be any major city, but maybe any major 784 00:38:39,200 --> 00:38:41,400 Speaker 2: secondary city like a Chicago. 785 00:38:42,120 --> 00:38:46,080 Speaker 1: Okay, and what is it about. 786 00:38:45,840 --> 00:38:49,359 Speaker 2: Bost You say it like that too, like you're kind 787 00:38:49,400 --> 00:38:53,279 Speaker 2: of unsure of what city, like you've thought about it, 788 00:38:53,280 --> 00:38:54,640 Speaker 2: but not completely. 789 00:38:54,719 --> 00:39:01,800 Speaker 4: There's a vocal fry that only exists for city names. 790 00:39:03,040 --> 00:39:06,399 Speaker 2: Okay, London. If you do London, I have a great 791 00:39:06,480 --> 00:39:07,200 Speaker 2: character for you. 792 00:39:07,480 --> 00:39:09,480 Speaker 3: Okay, well we got to hear it. 793 00:39:09,560 --> 00:39:14,319 Speaker 1: At least I just have the name and their relationship 794 00:39:14,640 --> 00:39:15,760 Speaker 1: Sherlock Holmes. 795 00:39:19,320 --> 00:39:21,600 Speaker 3: If it's in London, I have an incredible character name 796 00:39:21,640 --> 00:39:22,919 Speaker 3: for you. And I don't know what he does. 797 00:39:23,400 --> 00:39:24,440 Speaker 1: It should just be Surelock. 798 00:39:24,680 --> 00:39:27,120 Speaker 2: That's good Sherlock Holmes. And he's really good at like 799 00:39:27,160 --> 00:39:29,200 Speaker 2: figuring out how to repossess something. 800 00:39:30,600 --> 00:39:39,080 Speaker 1: That's good and cops as a repo man. Why does 801 00:39:39,120 --> 00:39:43,359 Speaker 1: he always have to be a fucking detective. Yeah, that's 802 00:39:43,400 --> 00:39:47,160 Speaker 1: a good show, that's a good idea. He has like 803 00:39:48,200 --> 00:39:53,920 Speaker 1: amazing powers of deduction used for taking people's things. 804 00:39:53,960 --> 00:39:56,680 Speaker 4: He can figure out exactly where this person who's like 805 00:39:56,760 --> 00:40:00,000 Speaker 4: delinquent on their payments is storing their stuff. 806 00:40:00,280 --> 00:40:00,640 Speaker 1: Yeah. 807 00:40:00,800 --> 00:40:02,880 Speaker 2: I feel like you guys are really coming around on 808 00:40:03,120 --> 00:40:03,920 Speaker 2: you did nothing. 809 00:40:04,360 --> 00:40:06,640 Speaker 1: We're not coming around to it, and haven't brought us 810 00:40:06,640 --> 00:40:09,279 Speaker 1: Sherlock Holmes. I guess you brought us London. He brought 811 00:40:09,320 --> 00:40:11,480 Speaker 1: us No, No, he didn't even bring London. 812 00:40:11,560 --> 00:40:11,879 Speaker 2: I'm here. 813 00:40:13,080 --> 00:40:16,000 Speaker 1: I haven't said that he had a character idea. You 814 00:40:16,080 --> 00:40:20,879 Speaker 1: said Sherlock Holmes, and then someone else said Sherlock as 815 00:40:20,920 --> 00:40:22,160 Speaker 1: a as a repo guy. 816 00:40:22,520 --> 00:40:25,720 Speaker 3: That's the thing that was unfortunately Gvin. 817 00:40:26,280 --> 00:40:31,600 Speaker 2: But I I mean, I'm just in the room. I'm 818 00:40:31,800 --> 00:40:35,200 Speaker 2: I'm kind of like an open book. You're bouncing any 819 00:40:35,239 --> 00:40:37,880 Speaker 2: ideas off me, they're sticking and then you know what 820 00:40:37,960 --> 00:40:40,080 Speaker 2: I mean, this is what happens in those meetings you 821 00:40:40,080 --> 00:40:42,440 Speaker 2: wanted to know, and you've completely come around on me. 822 00:40:42,520 --> 00:40:44,440 Speaker 2: At the beginning, you're like, who the fuck is this? 823 00:40:44,520 --> 00:40:46,799 Speaker 2: And now you're like I was out a little bit 824 00:40:46,840 --> 00:40:49,960 Speaker 2: after this. Maybe now we have a show that's like 825 00:40:50,280 --> 00:40:55,560 Speaker 2: ready like from The Comedian You Could Know Vulture twenty 826 00:40:55,600 --> 00:40:59,719 Speaker 2: twenty four, from The Insane Mind. 827 00:40:59,480 --> 00:41:02,400 Speaker 1: Can you do So? Just as I've already seen you 828 00:41:02,480 --> 00:41:06,279 Speaker 1: like process information, this is mainly what Sherlock Holmes does 829 00:41:07,160 --> 00:41:10,480 Speaker 1: and like and the head tilt thing. We're not gonna 830 00:41:10,480 --> 00:41:12,480 Speaker 1: be able to go in there with like we have 831 00:41:12,520 --> 00:41:14,440 Speaker 1: Sherlock Holmes. And when he's trying to figure something out, 832 00:41:14,440 --> 00:41:22,920 Speaker 1: he goes, so we're gonna be yes, both hands both 833 00:41:24,280 --> 00:41:28,560 Speaker 1: both hands are there squeezing her. 834 00:41:28,680 --> 00:41:31,080 Speaker 2: No, I really don't want to repossess people's stuff. 835 00:41:31,920 --> 00:41:35,200 Speaker 1: No, he's trying to figure out. It's him deducing information. 836 00:41:35,360 --> 00:41:38,839 Speaker 1: He doesn't he's not grappling with it. And he can 837 00:41:38,880 --> 00:41:42,800 Speaker 1: be with like a Tim Simon's type. I guess he 838 00:41:43,239 --> 00:41:49,280 Speaker 1: is like Monk's friends, like who's like little more normal. 839 00:41:50,360 --> 00:41:52,960 Speaker 1: Can't live with him, can't live without him. Boy, he's 840 00:41:53,000 --> 00:41:55,640 Speaker 1: sure is good at figuring stuff out. And I I 841 00:41:55,719 --> 00:41:58,760 Speaker 1: hate talking to this guy and. 842 00:41:59,080 --> 00:42:01,719 Speaker 4: So many tick and bad habits, but at the end 843 00:42:01,719 --> 00:42:03,560 Speaker 4: of the day, it's the only way we're going to 844 00:42:03,600 --> 00:42:05,960 Speaker 4: get back that precious doll collection. 845 00:42:10,200 --> 00:42:12,880 Speaker 2: And sometimes maybe I go I love that guy. 846 00:42:13,040 --> 00:42:19,120 Speaker 1: But he hates me. Uh, your your Sherlock Holmes. Okay, 847 00:42:19,320 --> 00:42:23,759 Speaker 1: now they already did another Sherlock. They did Little Girl 848 00:42:23,840 --> 00:42:24,760 Speaker 1: Sherlock Holmes. 849 00:42:24,840 --> 00:42:27,360 Speaker 3: They've done a few of them. That's in that's in Nola. 850 00:42:28,320 --> 00:42:31,759 Speaker 1: That's yes, And so we we do have to figure 851 00:42:31,800 --> 00:42:37,920 Speaker 1: out another name for And this is kind of like. 852 00:42:41,640 --> 00:42:43,560 Speaker 2: Mm hmm, can I pitch something? 853 00:42:44,200 --> 00:42:51,120 Speaker 1: Yeah? Okay, Big J Blokerson, Oh my god, is that 854 00:42:51,400 --> 00:42:53,800 Speaker 1: what you had before? Yes? 855 00:42:54,040 --> 00:42:57,399 Speaker 3: Okay, uh, this isn't it. 856 00:42:57,440 --> 00:42:59,440 Speaker 1: But just to get us rolling because you wanted to 857 00:42:59,480 --> 00:43:02,640 Speaker 1: do animal suits before, it could be squirrelock homes. Squirrel 858 00:43:02,680 --> 00:43:06,520 Speaker 1: lock Homes. I was gonna say Steve lock Homes because 859 00:43:06,560 --> 00:43:08,880 Speaker 1: it's like a kind of this is like an American. 860 00:43:10,320 --> 00:43:12,240 Speaker 2: And the squirrels in my mind. 861 00:43:13,239 --> 00:43:14,160 Speaker 1: Yea, we have kind of. 862 00:43:14,120 --> 00:43:17,120 Speaker 4: Gotten away from that, but yeah, there's someone in a 863 00:43:17,160 --> 00:43:21,239 Speaker 4: squirrel suit in your mind, and so that could be 864 00:43:21,320 --> 00:43:23,680 Speaker 4: the way this is illustrate you figuring things out. Is 865 00:43:23,719 --> 00:43:26,120 Speaker 4: the squirrel is like running and hitting different switches and 866 00:43:26,239 --> 00:43:29,240 Speaker 4: things like we show them in basically like a maze 867 00:43:29,239 --> 00:43:31,760 Speaker 4: that is representative of like your complex mind. 868 00:43:31,800 --> 00:43:34,200 Speaker 1: But this is like a blue collar Sherlock Holmes. Right, 869 00:43:34,280 --> 00:43:36,399 Speaker 1: So if we're staying on this instead of going into 870 00:43:36,440 --> 00:43:39,960 Speaker 1: your mind palace. You go into your mind trailer. 871 00:43:41,719 --> 00:43:42,840 Speaker 3: It's filled with squirrels. 872 00:43:42,960 --> 00:43:44,040 Speaker 1: It's filled with squirrels. 873 00:43:44,120 --> 00:43:46,240 Speaker 3: Yeah, yeah, like the Zodiac Killer. 874 00:43:46,400 --> 00:43:49,520 Speaker 2: Okay, and I'm kind of like, what's the accent? 875 00:43:51,680 --> 00:43:54,640 Speaker 1: I think we might correct, but what do you have 876 00:43:54,760 --> 00:43:56,520 Speaker 1: in in in the in the chamber? 877 00:43:56,719 --> 00:43:56,919 Speaker 2: Yeah? 878 00:43:56,960 --> 00:44:00,319 Speaker 1: I want to pay you. We have because if you 879 00:44:00,360 --> 00:44:03,359 Speaker 1: did come up with the one liner, nothing you can 880 00:44:03,400 --> 00:44:04,120 Speaker 1: really do, you have. 881 00:44:05,120 --> 00:44:06,319 Speaker 2: No nothing, I can really do. 882 00:44:06,400 --> 00:44:09,000 Speaker 3: Nothing you can do on a podcast? Yeah, because you 883 00:44:09,040 --> 00:44:11,640 Speaker 3: do want to go ultimately. 884 00:44:11,560 --> 00:44:14,000 Speaker 2: Yeah, okay, And the best way to get you don't 885 00:44:14,000 --> 00:44:17,560 Speaker 2: want to take this one particular podcast, one particular accent. 886 00:44:17,719 --> 00:44:23,120 Speaker 1: Right, that's right, yeah, okay, okay. 887 00:44:22,719 --> 00:44:28,520 Speaker 2: All right, well it can Liverpool, like you know what 888 00:44:28,560 --> 00:44:30,640 Speaker 2: I mean something like that. I get a dialoc coach 889 00:44:30,680 --> 00:44:31,120 Speaker 2: of course. 890 00:44:31,800 --> 00:44:32,360 Speaker 3: Mm hmmm. 891 00:44:32,800 --> 00:44:42,759 Speaker 1: And were you saying Liverpool, Liverpool, Yes, Liverpool where the 892 00:44:42,760 --> 00:44:51,360 Speaker 1: Beatles love. Okay, it's really good. The premise is really good. 893 00:44:51,480 --> 00:44:56,880 Speaker 1: Repo guy Sherlock Holmes, he's like the blue collar American 894 00:44:56,920 --> 00:45:00,719 Speaker 1: Sherlock Holmes. He's a genius. He works with uh just 895 00:45:00,800 --> 00:45:02,320 Speaker 1: kind of like a more every day. 896 00:45:02,600 --> 00:45:04,279 Speaker 2: And I go around and I'm like, tell me back 897 00:45:04,320 --> 00:45:05,439 Speaker 2: that MacLaren love. 898 00:45:07,400 --> 00:45:13,319 Speaker 3: It's starting to feel we're sort of like, look Caribbean 899 00:45:13,400 --> 00:45:13,880 Speaker 3: or something. 900 00:45:13,920 --> 00:45:17,959 Speaker 2: Am I Oh, well, I spent I spent a month 901 00:45:18,280 --> 00:45:21,680 Speaker 2: in Jamaica. Okay, the character, not me. I've never been, 902 00:45:24,800 --> 00:45:26,800 Speaker 2: but I wanted to add kind of depth. I guess 903 00:45:26,840 --> 00:45:27,640 Speaker 2: in the moment. 904 00:45:27,400 --> 00:45:29,759 Speaker 1: The characters spent a month in Jamaica and came back 905 00:45:29,800 --> 00:45:31,720 Speaker 1: talking like that forever. 906 00:45:36,719 --> 00:45:40,800 Speaker 2: It comes out sometimes, did Tim call back when he's upset? 907 00:45:42,640 --> 00:45:44,520 Speaker 2: Give me back that MacLaren. 908 00:45:44,080 --> 00:45:46,920 Speaker 1: Oh my god, we have to go. We have to 909 00:45:46,960 --> 00:45:49,480 Speaker 1: go by