WEBVTT - How Corsets Work

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<v Speaker 1>Welcome to Stuff you Should Know from House Stuff Works

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<v Speaker 1>dot com. Hey, and welcome to the podcast. I'm Josh

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<v Speaker 1>Clark with Charles W. Charles Chuck Bryant, and Jerry Jerome Roland.

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<v Speaker 1>So it's stuff you should know. Yeah, Jerry wore her

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<v Speaker 1>Swan Bill corset today. Yes, she looks like a freak

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<v Speaker 1>of nature. I'm nervous about this one. It's gonna go

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<v Speaker 1>ahead and say that, don't be really, Yeah, I'm nervous. Well,

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<v Speaker 1>here I am to relax. You chuck me, pat your beard,

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<v Speaker 1>give you a little nap. That didn't help making things worse. Yeah,

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<v Speaker 1>this one, I don't know. I mean the history and

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<v Speaker 1>stuff is interesting, which I assume we'll talk to you first,

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<v Speaker 1>since we don't plan this stuff out. But um, you know,

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<v Speaker 1>we're all with a live and let live thing. And

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<v Speaker 1>I certainly have no problem with a lady or a

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<v Speaker 1>dude that wants to wear a corset or anybody. Okay,

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<v Speaker 1>what's wrong? But when I started reading about the the

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<v Speaker 1>uh the Guinness Book lady and I went to her

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<v Speaker 1>website and watch the YouTube, it just kind of freaked

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<v Speaker 1>me out a little bit. Cathy Young, Yeah, yeah, and

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<v Speaker 1>we'll talk about her later, but it kind of crossed

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<v Speaker 1>the line to me to like weird obsessions with physical appearance.

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<v Speaker 1>But then I think about, like, I'm not going to

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<v Speaker 1>condemn anyone forgetting all the kinds of weird plastic surgery either,

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<v Speaker 1>if that's your thing. I think that I just want

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<v Speaker 1>people to be happy, you know, right, But I think

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<v Speaker 1>the um extreme lacing is one thing. It's called also

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<v Speaker 1>um well extreme lacing, I think is the general preferred term,

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<v Speaker 1>right um tight lacing. Yeah, it's a perfect example of

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<v Speaker 1>you're harming nobody. This is strictly your body. It's yours

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<v Speaker 1>to do what you want with it, have at it. Yeah,

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<v Speaker 1>but what if it's in the like because men say

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<v Speaker 1>that's the only way a woman will be attractive, and like,

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<v Speaker 1>what's different it's just been in footbinding. That to me

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<v Speaker 1>is sad and and it's a that's part of a

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<v Speaker 1>larger issue, you know what I mean, Like if you're

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<v Speaker 1>doing it because you know you want to catch a

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<v Speaker 1>man's attention or something like that, who knows, we're not

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<v Speaker 1>pop psychologists, and it just all this makes me nervous.

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<v Speaker 1>I did. Actually I had a conversation with um Holly

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<v Speaker 1>from miss in History stuff. You miss in history class.

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<v Speaker 1>She's probably one of course it in her time. Yes, yes,

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<v Speaker 1>and she actually defends course it's too because I thought, well,

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<v Speaker 1>it's like the the Western equivalent of footbody. She said, no, no, no,

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<v Speaker 1>my friend. Uh, it lacks in reality and actuality, a

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<v Speaker 1>lot of the um, a lot of the sexism associated

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<v Speaker 1>with footbindinging. That makes me feel a little bit better.

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<v Speaker 1>And that course it's in in reality and truth. In

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<v Speaker 1>the nineteenth century and before, we're um very much chosen

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<v Speaker 1>to be worn by women for their own tastes, sometimes

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<v Speaker 1>at the out of spy or not out of spite,

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<v Speaker 1>but um, contrary to what the with the men in

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<v Speaker 1>their life might want or desire. Okay, okay, so it's

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<v Speaker 1>actually it's not necessarily a feminist article of clothing, although

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<v Speaker 1>Madonna certainly made a case for that, so did Vivian Westwood. Um,

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<v Speaker 1>but it's it's not as bad as you're thinking. I

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<v Speaker 1>think I do feel better now, do you? Yeah? Good.

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<v Speaker 1>I just don't want to, you know, I don't want

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<v Speaker 1>to make people feel bad. I want people to feel

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<v Speaker 1>good always. I want everyone to feel good. That's my problem. Yeah,

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<v Speaker 1>and we should say, if you're wearing a courser right now,

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<v Speaker 1>and it feels bad. Everything I've seen in my research

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<v Speaker 1>says you need to loosen that thing because it's not

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<v Speaker 1>supposed to hurt. Well yeah, and um even Cathy Young,

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<v Speaker 1>who um again we will talk about. But she's againness

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<v Speaker 1>record holder because she formed her waists into the size

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<v Speaker 1>of a jar mayonnaise. Um. Literally, oh yeah, gallant size mayonnaise.

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<v Speaker 1>It said the thing I had said, an average jar,

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<v Speaker 1>But I don't think that's correct unless those photos on

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<v Speaker 1>her site though look photo shopped. Okay, but she said that.

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<v Speaker 1>All the advice she gave was you go slow. Don't like,

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<v Speaker 1>you know, if you want to train your waists to

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<v Speaker 1>be smaller, which you can do, um, don't you know,

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<v Speaker 1>dive in and just start, you know, doing the extreme

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<v Speaker 1>lacing right away. No, there's into it. There's something called

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<v Speaker 1>um waste training, and that's kind of a uh it's

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<v Speaker 1>not necessarily the ultimate goal of corseting, which can be

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<v Speaker 1>a verb, but it is um a kind of a

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<v Speaker 1>parallels subculture of the corseting culture, and waist training is

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<v Speaker 1>simply where you are basically through the use of corsets

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<v Speaker 1>and pretty tight course. It's over a period of time,

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<v Speaker 1>usually about a decade. You are reshaping your body mechanically, right,

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<v Speaker 1>you're not actually losing weight. Although a tight fitting corset

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<v Speaker 1>acts something like a gastric bypass surgery without the surgery

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<v Speaker 1>because you just can't put as much stuff in your

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<v Speaker 1>stomach is normal UM. But the waste training itself, it's

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<v Speaker 1>just it's a reshaping. It's not actually making you lose weight.

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<v Speaker 1>So what it's doing is taking uh inches out of

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<v Speaker 1>the middle and sliding them down to the hips and

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<v Speaker 1>all of this the whole point for course, it's from

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<v Speaker 1>the beginning of course, it's to um. The world record

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<v Speaker 1>holding course at waste is to um amplify existing female

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<v Speaker 1>UM body features. Yes, that's the point, that's right. The

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<v Speaker 1>word uh comes from an old French word c o

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<v Speaker 1>r s, meaning body and UM. Here's the history, which

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<v Speaker 1>oddly came three quarters the way through this article. UH.

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<v Speaker 1>If you go back in time and the way Back

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<v Speaker 1>machine to the days of ancient crete, there were women

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<v Speaker 1>who well I think he and before crete, there were

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<v Speaker 1>women who tied ropes around their waist to make their

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<v Speaker 1>waistline look slimmer acentuate maybe the bust and the rear end. Uh.

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<v Speaker 1>So they were doing that a long time ago and

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<v Speaker 1>then an ancient create. Um people think that they are historians,

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<v Speaker 1>think through the first women that actually wore something that

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<v Speaker 1>you could call a corset. It was a garment that

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<v Speaker 1>shaped the body more than three thousand years ago, right

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<v Speaker 1>it um It covered the I think the waist and

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<v Speaker 1>the hips and um crete and women went around um

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<v Speaker 1>bare breasted, so they would have their breasts like saying, hey, everybody,

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<v Speaker 1>how's it going? And then below that was the corset okay,

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<v Speaker 1>And I would imagine um that it probably enhanced the

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<v Speaker 1>breasts as well. Uh yeah, sure, if you're sent and

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<v Speaker 1>everything up like that probably probably acted sort of like

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<v Speaker 1>a pre brazier support and lift. See them so uncomfortable

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<v Speaker 1>a man. We did one on female puberty that was easier.

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<v Speaker 1>Oh really yeah, well that was science. This is I see,

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<v Speaker 1>I see, you make a valid point. Uh So if

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<v Speaker 1>you go forward a bit to the Middle Ages, they

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<v Speaker 1>um for the first time, these undergarments came out in

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<v Speaker 1>something called the heavy stay, and it was very much

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<v Speaker 1>an outerwear, but it kind of accomplished the same goal.

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<v Speaker 1>But it was you know, very decorative and and pretty um.

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<v Speaker 1>But that I don't think that lasted too long. They

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<v Speaker 1>went back under the garment in the eighteenth century, right,

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<v Speaker 1>and then um, up until the eighteenth century, most things

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<v Speaker 1>that were part of the Corset family tree or predecessors

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<v Speaker 1>of course it's were conical. Um no, they were tubular,

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<v Speaker 1>totally tubular. And then once we hit I think about

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<v Speaker 1>the eighteenth century, what we start to see today as

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<v Speaker 1>of course it began to emerge where that's conical, it's

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<v Speaker 1>cone shaped, right, um. And from from I guess, yeah,

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<v Speaker 1>the eighteen century on, of course, it's were like a

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<v Speaker 1>pretty pretty much a mainstay of fashion, if not the

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<v Speaker 1>basic ingredient of women's fashion from about the end of

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<v Speaker 1>the sevres until World War One. Basically, yeah, it wasn't

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<v Speaker 1>like some weird thing like today. Um. I mean they're

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<v Speaker 1>still in fashion today, and if you know in certain

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<v Speaker 1>um like cosplay and costumes in the fetish world and

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<v Speaker 1>burlesque and stuff like that, or just you know, just

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<v Speaker 1>playing sexy time. Sure, regular old sexy time. But um,

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<v Speaker 1>the stuff I read said it was it was no

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<v Speaker 1>like more of a strange thing than like a woman

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<v Speaker 1>to wear a bra today, right exactly, it's just a

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<v Speaker 1>regular fashion accessory. Yeah. And as we'll see, it was

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<v Speaker 1>like kind of essential depending on the clos you're wearing,

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<v Speaker 1>depending on the period. Yeah, that's true. Um, there was

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<v Speaker 1>a a real movement. And when I was saying like

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<v Speaker 1>some men were saying like, you shouldn't be wearing corsets,

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<v Speaker 1>and women said, t s for you, Pal, I'm still

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<v Speaker 1>wearing a corset. There was actually a big movement that

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<v Speaker 1>was UM that came out of uh I guess the

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<v Speaker 1>nineteenth century, late nineteenth century, that was spearheaded by two brothers,

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<v Speaker 1>Ira and Lucian Warner Um. And they came up with

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<v Speaker 1>an alternative too. They actually were anti corset crusaders. They

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<v Speaker 1>were both doctors, and they Um basically said you can't

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<v Speaker 1>beat them, join them, but let's try to create a

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<v Speaker 1>corset that's less problematic for women. And the idea that

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<v Speaker 1>corsets were problematic for women can actually be traced back

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<v Speaker 1>to a sevente medical article by a guy named Dr

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<v Speaker 1>Samuel Thomas von Sommering, and Um von Sommering basically made

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<v Speaker 1>up a lot of the myths about corsets that we

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<v Speaker 1>know today, that they can cause scoliosis, that they can

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<v Speaker 1>mess up your liver, that they can lead to permanent

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<v Speaker 1>deformation of your body and your internal or inns. Uh.

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<v Speaker 1>It all kind of came from this and a hundred

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<v Speaker 1>years after Von Summering wrote his article, UM, the Warner

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<v Speaker 1>Brothers got in and said, we're gonna come up with

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<v Speaker 1>a health health courset. Yeah, but they definitely can change. Um.

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<v Speaker 1>There's something called uh viscer optosis or Glennard's disease, which

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<v Speaker 1>if you do the tight lacing long term, you're your

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<v Speaker 1>organs can actually sink and shift away from where they

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<v Speaker 1>should be. Right. So, I mean that's that's something that

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<v Speaker 1>can happen that there is a really good point, man,

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<v Speaker 1>we should delineate here. Wearing a corset normally, even when

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<v Speaker 1>you're doing waste training, should not result in that. There

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<v Speaker 1>is a definite line where if you are getting into

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<v Speaker 1>extreme corseting, then yes, all sorts of medical problems can happen. Um.

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<v Speaker 1>But just about every corseting site out there on the

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<v Speaker 1>Internet will warn you about going past that line. And

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<v Speaker 1>in fact, there was a really there's a good um

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<v Speaker 1>site by Orchard Corsets. They sell corsets. They have a

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<v Speaker 1>really extensive site. You know, there's stuff about corsets. They

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<v Speaker 1>actually say one of the ways that the body can

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<v Speaker 1>be deformed. Is if you're an adolescent girl wearing a corset, Um,

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<v Speaker 1>your ribs can develop improperly because you're wearing the course.

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<v Speaker 1>As they say, girls under eighteen shouldn't wear corsets. Uh.

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<v Speaker 1>So then along came this guy, um. And we should

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<v Speaker 1>mention too that when these two the two uh Warner

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<v Speaker 1>brothers within the United States. Yeah, they were out of Bridgeport, Connecticut.

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<v Speaker 1>I was gonna say Wigner, but maybe a generation or

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<v Speaker 1>two before probably so. Um they also changed around the

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<v Speaker 1>same time at least Um. I think we have not

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<v Speaker 1>mentioned yet that Uh, one of the you know, the

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<v Speaker 1>the course it has to and we'll get into all

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<v Speaker 1>the parts of the corset, but one of the things

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<v Speaker 1>that keeps it rigid and stiff and the old days

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<v Speaker 1>was baleen whale um. And it was actually it was

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<v Speaker 1>a teeth, right even though called a whalebone. And they

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<v Speaker 1>would use this to, you know, to make the corsets

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<v Speaker 1>stiff in in place, keep everything where it should be.

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<v Speaker 1>But around that time, in the late eighteen hundreds, is

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<v Speaker 1>they were overhunted, became really expensive, so they said, all right,

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<v Speaker 1>forget the whale teeth, let's put in steel in which

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<v Speaker 1>I'm sure that was quite comfortable, right. Well, yeah, but

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<v Speaker 1>and I mean women were wearing these like every day. Yeah.

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<v Speaker 1>But I mean one of the as we'll see when

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<v Speaker 1>we talk about manufacturing, course it's the UM. One of

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<v Speaker 1>the points is to make it as comfortable as possible,

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<v Speaker 1>this very uncomfortable contraption. Yea, but yeah, they started to

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<v Speaker 1>use steel, and even today you'll find steel in corsets

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<v Speaker 1>that are meant to for like waste training or something

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<v Speaker 1>like that. Uh. And then, like I teased a moment ago,

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<v Speaker 1>along came this guy named Charles Dana Gibson. He's a

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<v Speaker 1>he was a graphic artist in the Victorian times, and

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<v Speaker 1>he became very famous, and a lot of artists that

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<v Speaker 1>came after him emulated his style. But he became very

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<v Speaker 1>famous in the eighteen nineties for creating what was known

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<v Speaker 1>as the Gibson Girl. So what he did was he

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<v Speaker 1>he drew all these pictures of this, uh, these ladies

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<v Speaker 1>who were I mean some say it was like the

0:13:15.200 --> 0:13:21.360
<v Speaker 1>first ideal of of UM American attractiveness for for women,

0:13:22.160 --> 0:13:25.320
<v Speaker 1>and it was they wore these swan bill corsets, which

0:13:25.360 --> 0:13:27.720
<v Speaker 1>made I mean these were even more extreme. They would

0:13:27.720 --> 0:13:30.240
<v Speaker 1>make you kind of stick the bust out and stick

0:13:30.280 --> 0:13:33.880
<v Speaker 1>your your rear end back. And if you just look

0:13:33.920 --> 0:13:36.360
<v Speaker 1>up Gibson girl. I mean, you've seen these drawings before.

0:13:37.000 --> 0:13:40.400
<v Speaker 1>It's like America's first cheesecake drawings. I don't know what

0:13:40.400 --> 0:13:43.800
<v Speaker 1>a cheesecake drawing is. It's like a Gibson girl, okay?

0:13:43.920 --> 0:13:47.280
<v Speaker 1>Or a Vargus girl is another a little more modern one. Well,

0:13:47.360 --> 0:13:53.000
<v Speaker 1>supposedly his American boy. You see them cheesecake girls, apparently

0:13:53.040 --> 0:13:55.720
<v Speaker 1>as his wife and her sisters were his inspiration. And

0:13:55.880 --> 0:14:01.600
<v Speaker 1>um m is it the sister it's weird. Yeah, they

0:14:01.600 --> 0:14:04.239
<v Speaker 1>said they were all pretty okay, and he was celebrating.

0:14:04.280 --> 0:14:06.200
<v Speaker 1>He said that this was not a woman, but it

0:14:06.320 --> 0:14:10.400
<v Speaker 1>was a thousand women, is his quote. Got um. And

0:14:10.440 --> 0:14:12.920
<v Speaker 1>supposedly the Gibson cocktail is named after him, but I'm

0:14:12.920 --> 0:14:16.520
<v Speaker 1>not sure if that's true. Oh that's great, good for him.

0:14:16.720 --> 0:14:22.120
<v Speaker 1>M gut him. Pickle onions? Yeah, put in Martini, call

0:14:22.200 --> 0:14:25.520
<v Speaker 1>it after me. So what happened? He was actually um

0:14:25.560 --> 0:14:29.760
<v Speaker 1>working from a corset that was invented by a doctor

0:14:29.960 --> 0:14:36.240
<v Speaker 1>ines ghosh, so terrible Um who created this course at

0:14:36.240 --> 0:14:40.320
<v Speaker 1>the straight front, also called the swan Bill corset and

0:14:40.360 --> 0:14:42.600
<v Speaker 1>the whole problem with it was, and Charles Dana Gibson

0:14:42.720 --> 0:14:48.720
<v Speaker 1>is criticized for popularizing this because it's so bad for you, Like,

0:14:48.800 --> 0:14:52.120
<v Speaker 1>there's no question that the swan bill corset is really

0:14:52.160 --> 0:14:55.320
<v Speaker 1>bad for your posture because the thing that it forces

0:14:55.360 --> 0:14:59.040
<v Speaker 1>your spine into is just totally unnatural. And apparently that

0:14:59.120 --> 0:15:02.120
<v Speaker 1>trend only last for about a decade during the Awardian

0:15:02.120 --> 0:15:06.920
<v Speaker 1>period of first century of the just ten years, and

0:15:06.960 --> 0:15:10.920
<v Speaker 1>then pretty much right after that, not right after pretty

0:15:10.960 --> 0:15:15.040
<v Speaker 1>close of course, it's suddenly just went away because World

0:15:15.080 --> 0:15:20.440
<v Speaker 1>War One had such a sweeping change on the world.

0:15:21.160 --> 0:15:24.080
<v Speaker 1>It just it just it was. It created social upheaval.

0:15:24.080 --> 0:15:26.840
<v Speaker 1>And one of the things that um came out of

0:15:26.920 --> 0:15:28.960
<v Speaker 1>this was women said, you know what we're done. Of

0:15:29.000 --> 0:15:31.360
<v Speaker 1>course it's I'm a flapper now I need to do

0:15:31.440 --> 0:15:35.080
<v Speaker 1>the Charleston, can't do the Charleston and of courset um

0:15:35.280 --> 0:15:37.200
<v Speaker 1>and the whole fashion was just different looking, you know

0:15:37.680 --> 0:15:40.680
<v Speaker 1>it was, and the idealized body was different too. So

0:15:40.960 --> 0:15:45.160
<v Speaker 1>prior to that and throughout basically history, the Venus body type,

0:15:45.200 --> 0:15:51.520
<v Speaker 1>which is you know them, the fertile women curves type,

0:15:52.320 --> 0:15:54.480
<v Speaker 1>was replaced by the Diana type, which is the more

0:15:54.560 --> 0:15:57.920
<v Speaker 1>athletic type that's now has been in fashion basically ever

0:15:57.960 --> 0:16:01.160
<v Speaker 1>since World War One. That basically kill the corset. But

0:16:01.280 --> 0:16:04.560
<v Speaker 1>the modern bra and slip and all of that stuff

0:16:05.040 --> 0:16:08.040
<v Speaker 1>came out of that the death of the corset, because

0:16:08.040 --> 0:16:09.800
<v Speaker 1>they were like, we still need something, we still want

0:16:09.800 --> 0:16:12.360
<v Speaker 1>to course it anymore. Okay. I think one of the

0:16:12.400 --> 0:16:14.360
<v Speaker 1>reasons all this made me uncomfortable is just all the

0:16:14.360 --> 0:16:18.040
<v Speaker 1>categorizations over the years, like this is the ideal women

0:16:18.120 --> 0:16:20.640
<v Speaker 1>and she's called a Diana, and this is what they

0:16:20.640 --> 0:16:23.960
<v Speaker 1>should look like. Yeah, that's mean that to me is

0:16:24.000 --> 0:16:27.280
<v Speaker 1>like a whole other podcast, you know. I mean, like

0:16:28.560 --> 0:16:31.320
<v Speaker 1>because plenty of women buy into that, and there they

0:16:31.320 --> 0:16:34.160
<v Speaker 1>don't feel bad about themselves for buying into it. They say, oh, yeah,

0:16:34.160 --> 0:16:38.000
<v Speaker 1>this is what I find attractive to uh So. Anyway,

0:16:38.040 --> 0:16:40.160
<v Speaker 1>during this time in the Roaring twenties, there were the

0:16:40.200 --> 0:16:43.600
<v Speaker 1>corsetiers that were just like, oh no, well, how about

0:16:43.680 --> 0:16:46.120
<v Speaker 1>this kind that you can still wear and it's not

0:16:46.160 --> 0:16:48.240
<v Speaker 1>like the other course that you can actually dance on them,

0:16:48.800 --> 0:16:53.120
<v Speaker 1>and you know, it's sunk and it. It basically stayed

0:16:53.160 --> 0:16:55.080
<v Speaker 1>that way for the rest of the twentieth century. There

0:16:55.160 --> 0:16:58.160
<v Speaker 1>was a brief resurgence. Christian Dior brought it back in

0:16:58.200 --> 0:17:03.120
<v Speaker 1>the forties, um, and it was kind of akin to that, uh,

0:17:03.480 --> 0:17:07.760
<v Speaker 1>that Swan Bill corset. Yeah. Uh. And then it went

0:17:07.800 --> 0:17:12.360
<v Speaker 1>out pretty quickly. And then in two Vivian Westwood had

0:17:12.400 --> 0:17:16.520
<v Speaker 1>a show called Buffalo Girls, her collection for two eighty three,

0:17:16.880 --> 0:17:20.280
<v Speaker 1>and it brought corsets out. Vivian west Wood, she's a

0:17:20.359 --> 0:17:24.320
<v Speaker 1>famous designer, kind of punk fashion, um, and she brought

0:17:24.359 --> 0:17:27.640
<v Speaker 1>courses out from underneath the clothing and made it like

0:17:27.840 --> 0:17:30.199
<v Speaker 1>basically into a shirt. It was Outerwhere now was that

0:17:30.240 --> 0:17:33.040
<v Speaker 1>when Madonna got on the train? That was about six

0:17:33.119 --> 0:17:35.720
<v Speaker 1>years later, And that was Jean Paul Gautier that designed

0:17:35.720 --> 0:17:38.600
<v Speaker 1>that very famous corset with the conical bra that would

0:17:38.640 --> 0:17:42.680
<v Speaker 1>take your eye clean out. Yeah. What was the what's

0:17:42.720 --> 0:17:44.960
<v Speaker 1>the video? I don't remember. I can sing the song

0:17:45.000 --> 0:17:48.280
<v Speaker 1>in my head, sing it. No, you know the one Vogue?

0:17:49.119 --> 0:17:52.080
<v Speaker 1>It was okay, that was a Vogue video, right, I think? So, okay,

0:17:52.160 --> 0:17:54.879
<v Speaker 1>Well we'll find out if it's not. Um, But that

0:17:54.960 --> 0:17:58.000
<v Speaker 1>was Jean Paul Gautier. And uh. From that point on

0:17:58.359 --> 0:18:01.720
<v Speaker 1>the course that has basically stuck a down, sometimes a

0:18:01.720 --> 0:18:06.320
<v Speaker 1>little a little more predominantly, sometimes a little more in

0:18:06.320 --> 0:18:08.480
<v Speaker 1>the background, but it's basically been a fashion accessory that

0:18:08.560 --> 0:18:11.200
<v Speaker 1>you could conceivably wear out in public in the West

0:18:11.240 --> 0:18:13.840
<v Speaker 1>ever since. Yeah, I mean it sticks around these days,

0:18:13.880 --> 0:18:17.359
<v Speaker 1>like you see costumes and stuff like that. But um,

0:18:17.400 --> 0:18:20.600
<v Speaker 1>and then occasionally, I guess if you're in a swinging nightclub,

0:18:20.960 --> 0:18:25.359
<v Speaker 1>you might see a lady in a corset or maybe

0:18:25.359 --> 0:18:28.760
<v Speaker 1>a man. Yeah, we'll talk about that after this. How

0:18:28.720 --> 0:18:55.600
<v Speaker 1>about that? So chuck your teased men wearing corsets? Literally, Uh,

0:18:55.880 --> 0:18:58.920
<v Speaker 1>I never tease a man for wearing anything except those

0:18:58.960 --> 0:19:02.800
<v Speaker 1>dolphin running shorts. Those are great to get back in

0:19:02.840 --> 0:19:05.639
<v Speaker 1>your time machine. I saw The Boy in the Bubble

0:19:05.720 --> 0:19:07.800
<v Speaker 1>for the first time. Have you ever seen that movie

0:19:07.800 --> 0:19:10.600
<v Speaker 1>here at Trivolta. Yeah, I never saw it, and I

0:19:10.640 --> 0:19:12.960
<v Speaker 1>watched the riff Trecks version of it. Well that's the

0:19:12.960 --> 0:19:17.920
<v Speaker 1>only way to pervde it a lot better. Yeah, where

0:19:17.920 --> 0:19:20.920
<v Speaker 1>did that come from? Oh? I think he's wearing dolphins

0:19:20.960 --> 0:19:22.760
<v Speaker 1>shorts on one of the scenes, and I was like,

0:19:23.320 --> 0:19:29.080
<v Speaker 1>dolphins shorts. So, um, yeah, what we're talking about men

0:19:29.119 --> 0:19:32.600
<v Speaker 1>wearing him? Yeah, So apparently this article makes it seem

0:19:32.640 --> 0:19:35.520
<v Speaker 1>like it was fairly normal. But from what I saw

0:19:35.560 --> 0:19:39.640
<v Speaker 1>in the nineteenth century and there, from what I saw

0:19:39.680 --> 0:19:42.600
<v Speaker 1>in the nineteenth century was that if you were wearing

0:19:42.640 --> 0:19:45.480
<v Speaker 1>a corset, and you were a man, you were probably

0:19:45.520 --> 0:19:49.640
<v Speaker 1>suspected as being gay. And so here's where this kind

0:19:49.680 --> 0:19:57.439
<v Speaker 1>of patriarchal view. Of course, it's does definitely hold fast. Um,

0:19:57.480 --> 0:20:01.640
<v Speaker 1>if you were if you were like a straight establishment

0:20:01.720 --> 0:20:07.760
<v Speaker 1>type male, Um, you probably did not cotton two men

0:20:07.800 --> 0:20:10.200
<v Speaker 1>wearing corsets and didn't want to associate with any guy

0:20:10.240 --> 0:20:12.880
<v Speaker 1>wearing corses because you didn't trust him he was probably gay.

0:20:12.920 --> 0:20:16.440
<v Speaker 1>But if you were in favor of your wife wearing

0:20:16.440 --> 0:20:18.920
<v Speaker 1>a corset, she'd better be wearing a corset or else

0:20:18.960 --> 0:20:21.560
<v Speaker 1>she wouldn't be viewed as a proper woman in normal,

0:20:21.640 --> 0:20:25.119
<v Speaker 1>polite society. So it's it's not fair to say like

0:20:25.200 --> 0:20:29.280
<v Speaker 1>that myth about the corset being a part of the

0:20:29.320 --> 0:20:33.119
<v Speaker 1>patriarchy is not true. It is true in some ways,

0:20:33.520 --> 0:20:37.040
<v Speaker 1>but not It's not like women were forced to wear

0:20:37.160 --> 0:20:42.680
<v Speaker 1>corsets throughout history. They donned it in particular on purpose.

0:20:43.119 --> 0:20:46.000
<v Speaker 1>And one of the reasons why women wore corsets was

0:20:46.160 --> 0:20:51.040
<v Speaker 1>because it also served as a basically the thing that

0:20:51.119 --> 0:20:54.840
<v Speaker 1>held up all of their really heavy clothes. Yeah, like

0:20:54.920 --> 0:20:57.120
<v Speaker 1>you couldn't you couldn't just slip into one of those

0:20:57.200 --> 0:21:01.199
<v Speaker 1>dresses in Victorian times. No, Um, it had a certain

0:21:01.240 --> 0:21:06.520
<v Speaker 1>shape that required a certain uh form to put it on,

0:21:07.320 --> 0:21:09.440
<v Speaker 1>and you know that course it would help your body

0:21:10.040 --> 0:21:14.159
<v Speaker 1>like morph into that form basically, you know, it was

0:21:14.200 --> 0:21:16.840
<v Speaker 1>a low there was a load bearing structure that you

0:21:16.880 --> 0:21:21.320
<v Speaker 1>wore under her clothes, a load bearing beam. So I

0:21:21.359 --> 0:21:25.080
<v Speaker 1>don't think we've really described the how these things were

0:21:25.160 --> 0:21:27.280
<v Speaker 1>kind of came you know, how they came together. There's

0:21:27.320 --> 0:21:31.400
<v Speaker 1>some people out there are like, what is a corset? Well, geez,

0:21:31.440 --> 0:21:35.160
<v Speaker 1>do we not even say that? And not in so

0:21:35.200 --> 0:21:37.320
<v Speaker 1>many words? All right, Well, it's a garment and it's

0:21:37.440 --> 0:21:40.800
<v Speaker 1>usually pretty short, uh, and it's like a it's like

0:21:40.800 --> 0:21:45.080
<v Speaker 1>a belt, like a a not a wide belt, but

0:21:45.760 --> 0:21:48.280
<v Speaker 1>a towel, a tall belt. It's like a vest that

0:21:48.480 --> 0:21:51.160
<v Speaker 1>doesn't go over your shoulders. Yeah, but some of them

0:21:51.160 --> 0:21:55.000
<v Speaker 1>could go over your shoulders. Well that was the health coursets.

0:21:55.040 --> 0:21:57.920
<v Speaker 1>I think that did that, all right. Um, they lace

0:21:58.000 --> 0:22:00.880
<v Speaker 1>up in the back. We mentioned the whale own, which

0:22:00.920 --> 0:22:04.160
<v Speaker 1>was actually the teeth of the baleen as these reads,

0:22:04.200 --> 0:22:06.320
<v Speaker 1>and they were put in what we're called boning channels,

0:22:06.320 --> 0:22:09.520
<v Speaker 1>which were just a little sheaths basically where they would

0:22:09.520 --> 0:22:12.720
<v Speaker 1>slip these things down in and um, it's like you know,

0:22:12.760 --> 0:22:14.720
<v Speaker 1>if you've ever had to wear a back brace or something,

0:22:15.240 --> 0:22:17.600
<v Speaker 1>it's very much like that. And like Andy Warhol had

0:22:17.600 --> 0:22:19.200
<v Speaker 1>to wear one of these after he got shot by

0:22:19.280 --> 0:22:21.640
<v Speaker 1>Valerie Salon. Yeah, for the rest of his life, who

0:22:21.640 --> 0:22:24.600
<v Speaker 1>went on to write the Scum Manifesto. You ever read that? Yeah?

0:22:24.640 --> 0:22:26.280
<v Speaker 1>I thought she wrote it before she shot him, Now

0:22:27.440 --> 0:22:29.680
<v Speaker 1>did she? We should do one on that whole scene, Yeah,

0:22:29.720 --> 0:22:32.680
<v Speaker 1>we should. All right, we'll get that, uh. And then

0:22:32.760 --> 0:22:35.800
<v Speaker 1>they were made out of this um cotton fabric, fabric

0:22:35.840 --> 0:22:39.720
<v Speaker 1>called kutial c o U t I l um and

0:22:39.760 --> 0:22:42.080
<v Speaker 1>it's still used today. In course it's because it um

0:22:42.119 --> 0:22:45.119
<v Speaker 1>doesn't stretch, has very high thread count, keeps all those

0:22:45.440 --> 0:22:49.359
<v Speaker 1>boning channels and rib or I guess bones in place.

0:22:49.960 --> 0:22:52.960
<v Speaker 1>And you you have to understand, like this whole thing,

0:22:53.119 --> 0:22:58.280
<v Speaker 1>this whole mechanism that is the corset, is basically defying

0:22:58.480 --> 0:23:01.439
<v Speaker 1>physics at any given point in time. So you have

0:23:01.480 --> 0:23:05.240
<v Speaker 1>to have some really strong stuff involved in the manufacture

0:23:05.280 --> 0:23:07.959
<v Speaker 1>of it. So what else you got? You got on

0:23:07.960 --> 0:23:09.879
<v Speaker 1>on the front part where it meets you have a

0:23:10.400 --> 0:23:15.639
<v Speaker 1>busk Yeah, and um that's actually needs to be pretty

0:23:15.680 --> 0:23:19.040
<v Speaker 1>strong as well, right, So usually that's um wood or

0:23:19.080 --> 0:23:23.440
<v Speaker 1>metal maybe bone originally, and it was two flat pieces

0:23:24.000 --> 0:23:28.119
<v Speaker 1>that um that basically went up and down alongside a scene.

0:23:28.800 --> 0:23:31.160
<v Speaker 1>And most people are I don't want to say most people.

0:23:31.200 --> 0:23:33.560
<v Speaker 1>I for a very long time thought that you put

0:23:33.600 --> 0:23:36.240
<v Speaker 1>the corset on and then laced it up, and that

0:23:36.480 --> 0:23:38.960
<v Speaker 1>you put it on and then laced up the back, right,

0:23:39.080 --> 0:23:41.200
<v Speaker 1>you put it around your stuff like that. It's actually

0:23:41.240 --> 0:23:44.320
<v Speaker 1>not the case. You, um, you were doing it all wrong.

0:23:44.359 --> 0:23:47.680
<v Speaker 1>I had it all wrong. When you put on the corset, um,

0:23:47.760 --> 0:23:50.560
<v Speaker 1>you've already got it laced and you're putting the front together.

0:23:50.640 --> 0:23:53.119
<v Speaker 1>You're putting it around yourself and then fastening the front

0:23:53.200 --> 0:23:56.000
<v Speaker 1>at the buss. Yeah, but then you tighten the lacens

0:23:56.080 --> 0:23:58.080
<v Speaker 1>like you don't lace it tight and try to put

0:23:58.119 --> 0:23:59.840
<v Speaker 1>it on exactly. You just have it kind of pre

0:24:00.080 --> 0:24:03.360
<v Speaker 1>lace like your shoes. And the lacing kind of confused

0:24:03.359 --> 0:24:06.200
<v Speaker 1>me to Actually we'll get into that. Well. First of all,

0:24:06.240 --> 0:24:08.360
<v Speaker 1>we need to finish the front. There was a flattened

0:24:08.400 --> 0:24:10.919
<v Speaker 1>part on the stomach. A lot of times it was

0:24:11.080 --> 0:24:15.400
<v Speaker 1>decorative called the stomacher. Yeah. It was very lovely designs

0:24:15.400 --> 0:24:17.960
<v Speaker 1>and embroidery and stuff, and that had the added benefit

0:24:18.000 --> 0:24:20.280
<v Speaker 1>if you were trying to adjust your shape of keeping

0:24:20.280 --> 0:24:26.240
<v Speaker 1>your stomach flat. That's right, just person all it. So, uh,

0:24:26.280 --> 0:24:29.360
<v Speaker 1>what else? Are there any other components to the corset

0:24:29.400 --> 0:24:33.760
<v Speaker 1>that we haven't mentioned? I don't think so. Um, just

0:24:33.840 --> 0:24:38.439
<v Speaker 1>the the the lacing. Okay, so we'll talk lacing now

0:24:38.520 --> 0:24:44.360
<v Speaker 1>then you're ready. Yeah. So, traditionally in the in the

0:24:44.400 --> 0:24:49.720
<v Speaker 1>Western Europe, the the method of lacing was we're basically

0:24:49.720 --> 0:24:53.560
<v Speaker 1>like you would lace the shoe. Okay, it's called bidirectional lacing,

0:24:53.600 --> 0:24:59.000
<v Speaker 1>where you just alternate from one hole of the other diagonally. Right. Um,

0:24:59.119 --> 0:25:03.200
<v Speaker 1>that's typically what you think of when you see of course,

0:25:03.200 --> 0:25:06.439
<v Speaker 1>it's probably what you're seeing is bidirectional lacing. If you

0:25:06.480 --> 0:25:10.560
<v Speaker 1>look at Italian paintings from the medieval era, you're probably

0:25:10.600 --> 0:25:15.240
<v Speaker 1>gonna see what's called ladder lacing. It's all right angles, right,

0:25:15.280 --> 0:25:19.320
<v Speaker 1>so you go from one hole down and then over

0:25:20.000 --> 0:25:22.840
<v Speaker 1>and then maybe up and then down again, then over,

0:25:23.359 --> 0:25:26.280
<v Speaker 1>then down and then over, and it forms a ladder.

0:25:26.440 --> 0:25:29.200
<v Speaker 1>The name is pretty appropriate for that one. And I wonder,

0:25:29.359 --> 0:25:32.879
<v Speaker 1>was this just to make it look different? I would

0:25:32.920 --> 0:25:35.439
<v Speaker 1>guess that had something to do with it, But I

0:25:35.440 --> 0:25:37.720
<v Speaker 1>would also imagine that it had to do with you know,

0:25:37.760 --> 0:25:41.600
<v Speaker 1>if somebody was like this actually, this doesn't loosen during

0:25:41.600 --> 0:25:44.440
<v Speaker 1>the day very much. Because I also saw with the

0:25:45.280 --> 0:25:48.840
<v Speaker 1>bi directional what you would create in the not at

0:25:48.880 --> 0:25:50.280
<v Speaker 1>the bottom at the top, it's sort of in the

0:25:50.320 --> 0:25:53.160
<v Speaker 1>middle of where it laces these bunny ears. And that

0:25:53.240 --> 0:25:56.199
<v Speaker 1>was for women because a lot of times in the

0:25:56.240 --> 0:25:59.840
<v Speaker 1>movies you've seen like the you know, the like down

0:25:59.840 --> 0:26:02.800
<v Speaker 1>and be like the the lady holding the bed post

0:26:02.920 --> 0:26:07.320
<v Speaker 1>and then her valet or I guess where the females

0:26:07.320 --> 0:26:12.479
<v Speaker 1>called valets was valley girl. The lady who helps them

0:26:12.560 --> 0:26:15.240
<v Speaker 1>dress would be like, you know, cinching this thing down

0:26:15.280 --> 0:26:17.119
<v Speaker 1>so tight, and they'd be like, breathe in, you know,

0:26:17.160 --> 0:26:20.040
<v Speaker 1>sucking your breath. But these bunny ears allowed women to

0:26:20.400 --> 0:26:23.720
<v Speaker 1>that didn't have a personal dresser to tighten it themselves. Yeah,

0:26:23.800 --> 0:26:28.040
<v Speaker 1>and apparently that was fairly normal. Um for women wearing courses.

0:26:28.080 --> 0:26:30.520
<v Speaker 1>They usually put them on themselves more often than not.

0:26:31.080 --> 0:26:34.760
<v Speaker 1>And those those bunny ears were just two loops of

0:26:35.280 --> 0:26:39.160
<v Speaker 1>lacing at about the thinnest part, the narrowest part where

0:26:39.160 --> 0:26:42.120
<v Speaker 1>you had some slack, and then when you put your

0:26:42.200 --> 0:26:45.520
<v Speaker 1>corset on, you wrap it around you. You um fasten

0:26:45.600 --> 0:26:47.760
<v Speaker 1>the busk the little the buttons on the bus the

0:26:47.840 --> 0:26:52.960
<v Speaker 1>front and then you just pull back tighten it done right.

0:26:53.080 --> 0:26:56.240
<v Speaker 1>And this is again ideally after you have visited your

0:26:57.040 --> 0:27:01.680
<v Speaker 1>uh course a tear because apparently, like buying a braw,

0:27:01.960 --> 0:27:04.960
<v Speaker 1>guys don't know this stuff. It's apparently tough to get

0:27:04.960 --> 0:27:07.399
<v Speaker 1>one that like fits just right, and so you need

0:27:07.440 --> 0:27:11.800
<v Speaker 1>to get like professionally fitted and um, like the off

0:27:11.840 --> 0:27:13.800
<v Speaker 1>the shelf thing doesn't work for a lot of ladies, right,

0:27:13.880 --> 0:27:15.679
<v Speaker 1>And that was the case for of course it's for

0:27:15.720 --> 0:27:17.240
<v Speaker 1>a very long time. You had to go to a

0:27:17.280 --> 0:27:20.480
<v Speaker 1>corsetier to to be fitted for one, um and it

0:27:20.560 --> 0:27:26.919
<v Speaker 1>was expensive from what I understand right, Um, today there

0:27:27.320 --> 0:27:30.960
<v Speaker 1>I guess because of mass manufacturing, UM, it's a lot

0:27:31.000 --> 0:27:34.160
<v Speaker 1>easier to make coursets that are fairly close to what

0:27:34.800 --> 0:27:38.080
<v Speaker 1>a large number of people would use. But the fit

0:27:38.240 --> 0:27:41.480
<v Speaker 1>is still extraordinarily important. And apparently from what I well,

0:27:41.520 --> 0:27:44.680
<v Speaker 1>I should say, from what orchard course, it says, um,

0:27:45.520 --> 0:27:50.240
<v Speaker 1>women tend to miss uh or to underestimate the length

0:27:50.320 --> 0:27:52.720
<v Speaker 1>that they need, so that leads to a lot of

0:27:52.760 --> 0:27:56.080
<v Speaker 1>discomfort there of course it's too short for their body.

0:27:57.119 --> 0:27:59.639
<v Speaker 1>So I mean, I don't mean to buzz market or anything,

0:27:59.680 --> 0:28:02.320
<v Speaker 1>but just based on my research orchery, of course, it's

0:28:02.640 --> 0:28:05.080
<v Speaker 1>if you're getting into corsetting, there might be a pretty

0:28:05.119 --> 0:28:07.440
<v Speaker 1>decent place to start. Wow, you might get a little

0:28:07.440 --> 0:28:10.840
<v Speaker 1>treat in the mail. Uh, let's take another break and

0:28:10.880 --> 0:28:14.359
<v Speaker 1>we'll talk a little bit more about Cathy Young and

0:28:14.680 --> 0:28:38.080
<v Speaker 1>some of the myths about corsetting. So I think we

0:28:38.080 --> 0:28:42.720
<v Speaker 1>didn't mention after corsetting went out of fashion. Uh, girdles

0:28:42.760 --> 0:28:47.080
<v Speaker 1>came along, like everything has kind of been replaced by

0:28:47.120 --> 0:28:50.320
<v Speaker 1>something else that does something similar, you know, and like

0:28:50.400 --> 0:28:54.920
<v Speaker 1>men these days have those. Uh. It was like, I

0:28:54.920 --> 0:28:59.680
<v Speaker 1>guess spanks for men almost like these tummy tummy shirts

0:29:00.480 --> 0:29:05.640
<v Speaker 1>the dudes can wear Marino that suck everything in and uh,

0:29:06.080 --> 0:29:09.400
<v Speaker 1>and it's all fools gold because what lies beneath is

0:29:09.440 --> 0:29:11.720
<v Speaker 1>still there, right, I guess if you're trying to impress

0:29:11.760 --> 0:29:13.920
<v Speaker 1>people who will never see you without your shirt on,

0:29:14.840 --> 0:29:20.520
<v Speaker 1>go nuts. Um. But Cathy Young, we mentioned a few

0:29:20.520 --> 0:29:24.480
<v Speaker 1>times she is a Guinness record holder and she started

0:29:24.640 --> 0:29:27.840
<v Speaker 1>waste training at the age of forty eight. Yeah, it

0:29:27.880 --> 0:29:30.000
<v Speaker 1>seems a little late to get into it. Yeah, I

0:29:30.040 --> 0:29:32.800
<v Speaker 1>thought so too, But she got into a big time.

0:29:33.280 --> 0:29:35.720
<v Speaker 1>And you were saying earlier. I think at the beginning

0:29:35.720 --> 0:29:38.800
<v Speaker 1>of the episode that you this is not something that

0:29:38.840 --> 0:29:41.240
<v Speaker 1>happens overnight. If you're doing waste training, it can usually

0:29:41.240 --> 0:29:43.880
<v Speaker 1>take it seems to me, about a decade before you

0:29:43.920 --> 0:29:47.680
<v Speaker 1>get the results you're looking for, which is a waste

0:29:47.760 --> 0:29:52.680
<v Speaker 1>that the average five year old could put two fingers around. Well.

0:29:52.760 --> 0:29:55.239
<v Speaker 1>She said that her goal was never to earn an

0:29:55.240 --> 0:29:58.880
<v Speaker 1>award and Aguinness called her uh And she holds that

0:29:58.920 --> 0:30:02.200
<v Speaker 1>record now at fifteen inches thirty eight point one centimeters,

0:30:02.360 --> 0:30:06.959
<v Speaker 1>So that's for living on a living person. There's actually

0:30:06.960 --> 0:30:10.760
<v Speaker 1>a woman who holds the record for the narrowest waist ever,

0:30:11.000 --> 0:30:16.360
<v Speaker 1>narrowest corpse thirteen inches. Who was she? Her name, my

0:30:16.480 --> 0:30:23.480
<v Speaker 1>friend was as follows Ethel Granger. Thirty three centimeters thirteen

0:30:23.480 --> 0:30:25.920
<v Speaker 1>inches in nineteen thirty nine was what her waist was

0:30:25.920 --> 0:30:29.520
<v Speaker 1>measured at. And she obviously trained her waist yeah over

0:30:29.600 --> 0:30:32.800
<v Speaker 1>again about the course of a decade. So did you

0:30:32.840 --> 0:30:36.280
<v Speaker 1>go to Cathy Young's website? Did you see the YouTube's? No?

0:30:37.480 --> 0:30:39.040
<v Speaker 1>I think that's where I got a little freaked out

0:30:39.040 --> 0:30:40.959
<v Speaker 1>because on her website she has like a she has

0:30:40.960 --> 0:30:43.640
<v Speaker 1>an f a Q section and people were writing in

0:30:43.680 --> 0:30:44.920
<v Speaker 1>and a lot of people were just like, you know,

0:30:45.000 --> 0:30:47.080
<v Speaker 1>I think you look great, and you know, give me

0:30:47.120 --> 0:30:48.479
<v Speaker 1>some tips here and there, and that was all well

0:30:48.520 --> 0:30:51.120
<v Speaker 1>and good, but then there was one where this husband

0:30:51.200 --> 0:30:54.640
<v Speaker 1>was like, I'm waist training my wife and just hearing

0:30:54.640 --> 0:30:57.840
<v Speaker 1>that made it sound like a dog bowl. Yeah, it

0:30:57.840 --> 0:31:00.000
<v Speaker 1>made it seem like something that he was making her

0:31:00.080 --> 0:31:01.719
<v Speaker 1>do right, which may not been the case. It may

0:31:01.720 --> 0:31:03.680
<v Speaker 1>have been the wording, but it just freaked me out.

0:31:04.040 --> 0:31:05.480
<v Speaker 1>And he says, right now, I've got her up to

0:31:05.520 --> 0:31:08.240
<v Speaker 1>eighteen hours a day, but I'm really looking looking forward

0:31:08.240 --> 0:31:10.760
<v Speaker 1>to seven, and can you give me some tips on

0:31:10.800 --> 0:31:14.280
<v Speaker 1>how we can accomplish this because she does seven except

0:31:14.320 --> 0:31:17.880
<v Speaker 1>for when she showers. Cathy Young does okay, always in

0:31:17.920 --> 0:31:20.920
<v Speaker 1>a courset right, and you know, she gave tips and everything,

0:31:21.000 --> 0:31:22.960
<v Speaker 1>and like I said, it, just the way this guy

0:31:23.040 --> 0:31:24.840
<v Speaker 1>was talking, it just seemed a little creepy. Yeah, no,

0:31:24.880 --> 0:31:27.520
<v Speaker 1>that is creepy. Sounds like a huge jerk who needs

0:31:27.560 --> 0:31:30.680
<v Speaker 1>to be set straight. Probably get his butt kicked by

0:31:30.800 --> 0:31:34.640
<v Speaker 1>a larger dude. Right, But it also chuck. You may

0:31:34.680 --> 0:31:39.360
<v Speaker 1>also be witnessing, um a B DSM couple coming up

0:31:39.400 --> 0:31:43.160
<v Speaker 1>for tips or whatever. That's just the reality. And if

0:31:43.200 --> 0:31:46.800
<v Speaker 1>the if they're both equally into it, and the into

0:31:46.840 --> 0:31:51.800
<v Speaker 1>that like dynamic, neither one is psychologically suffering or physically

0:31:51.800 --> 0:31:55.120
<v Speaker 1>suffering from it, then hey, but it could also probably

0:31:55.200 --> 0:31:57.680
<v Speaker 1>even more likely be just the guy's a jerk. That

0:31:57.760 --> 0:32:00.920
<v Speaker 1>was my instinct, but you never know. And the other thing,

0:32:00.920 --> 0:32:03.480
<v Speaker 1>if you go to YouTube, there's parts Cathy Young, parts

0:32:03.480 --> 0:32:07.680
<v Speaker 1>one through six, and they are five minute videos of

0:32:07.680 --> 0:32:11.360
<v Speaker 1>her in different lingeries standing in front of a white

0:32:11.360 --> 0:32:14.720
<v Speaker 1>backdrop while her picture was being taken and her husband.

0:32:15.440 --> 0:32:17.960
<v Speaker 1>She's silent the whole time and just kind of turning

0:32:17.960 --> 0:32:20.200
<v Speaker 1>around and stuff, and her husband is just sort of

0:32:20.360 --> 0:32:25.680
<v Speaker 1>very calmly talking about it and describing her waist and

0:32:25.720 --> 0:32:28.480
<v Speaker 1>what she did and the techniques used. And he's an

0:32:28.560 --> 0:32:32.000
<v Speaker 1>orthopedic surgeon, so there's a chilliness to it, and it's

0:32:32.120 --> 0:32:36.360
<v Speaker 1>just creepy man on the subject. Like go watch one

0:32:36.360 --> 0:32:39.000
<v Speaker 1>of those videos and yeah, that's exactly how it sounds.

0:32:39.320 --> 0:32:42.680
<v Speaker 1>And you just hear the photograph going to keep and

0:32:42.720 --> 0:32:44.840
<v Speaker 1>that's the only other thing you hear. It's got like

0:32:44.840 --> 0:32:49.440
<v Speaker 1>a houseplant. It was just all just weird. But then again,

0:32:49.720 --> 0:32:52.440
<v Speaker 1>she feels great about herself and that's what she wanted

0:32:52.480 --> 0:32:55.120
<v Speaker 1>to do. I'm not saying he forced her, because there

0:32:55.120 --> 0:32:57.320
<v Speaker 1>were rumors because she was he was an orthopedic surgeon

0:32:57.360 --> 0:33:00.680
<v Speaker 1>that she he had removed some of her ribs, which

0:33:00.720 --> 0:33:05.520
<v Speaker 1>is one of the big myths of supposed myths um

0:33:05.640 --> 0:33:08.479
<v Speaker 1>of back in the day. Uh. And I believe it

0:33:08.480 --> 0:33:10.400
<v Speaker 1>was a myth because they said back then like surgery

0:33:10.480 --> 0:33:13.400
<v Speaker 1>was very dangerous. You would have to be one of

0:33:13.440 --> 0:33:19.200
<v Speaker 1>the um one of the least risk averse people on

0:33:19.240 --> 0:33:23.640
<v Speaker 1>the planet to undergo elective surgery to removed in the

0:33:23.720 --> 0:33:26.920
<v Speaker 1>nineteenth century, you know. So that's by all accounts, very

0:33:26.960 --> 0:33:30.000
<v Speaker 1>much a myth. Yes, same with Marilyn Manson, I think too.

0:33:30.440 --> 0:33:35.120
<v Speaker 1>Oh sure, I remember hearing that one. Uh. But she

0:33:35.200 --> 0:33:37.240
<v Speaker 1>said that you know, no, my husband didn't remove any

0:33:37.240 --> 0:33:41.200
<v Speaker 1>of my ribs and it's all natural, and um, you know,

0:33:41.480 --> 0:33:43.120
<v Speaker 1>she's into it, she's very proud of it. So I

0:33:43.120 --> 0:33:46.400
<v Speaker 1>don't want to It's the same thing with with corseting

0:33:46.440 --> 0:33:48.840
<v Speaker 1>in general. I think like just to assume that men

0:33:49.680 --> 0:33:52.480
<v Speaker 1>made women do that really takes a tremendous amount of

0:33:52.520 --> 0:33:56.200
<v Speaker 1>agency away from women, you know, like they're just completely

0:33:57.280 --> 0:34:02.280
<v Speaker 1>vapid shells that are bost around by their husbands regardless,

0:34:02.320 --> 0:34:08.880
<v Speaker 1>you know. Sure, so you want busts a couple more myths.

0:34:08.920 --> 0:34:13.640
<v Speaker 1>That's what we do. We're known as myth busters. So

0:34:13.880 --> 0:34:15.960
<v Speaker 1>one of the things that I saw. It's hilarious. In

0:34:16.000 --> 0:34:19.400
<v Speaker 1>this article, um, it says that there's the myth of

0:34:19.480 --> 0:34:22.719
<v Speaker 1>the Victorian waif who fainted at the drop of a

0:34:22.760 --> 0:34:26.640
<v Speaker 1>hat because of a lack of oxygen from wearing a corset.

0:34:27.680 --> 0:34:32.000
<v Speaker 1>And at the bottom of this paragraph the author says, no, no, no,

0:34:32.080 --> 0:34:36.479
<v Speaker 1>it wasn't that. It was malnutrition and not being able

0:34:36.480 --> 0:34:42.719
<v Speaker 1>to breathe very well because of the Yeah. Uh that

0:34:43.040 --> 0:34:45.560
<v Speaker 1>are there any other myths? Yep, that's it. Those are

0:34:45.600 --> 0:34:49.080
<v Speaker 1>all the myth Now, there's plenty of other ones. There's

0:34:49.080 --> 0:34:52.080
<v Speaker 1>actually a pretty cool article on Collectors Weekly written by

0:34:52.120 --> 0:34:57.440
<v Speaker 1>Lisa Hicks about um corset myths. Uh. And again you

0:34:57.440 --> 0:34:59.919
<v Speaker 1>should probably if you're getting into this kind of thing,

0:35:00.440 --> 0:35:03.440
<v Speaker 1>go check out UM well a bunch of sites, but

0:35:03.480 --> 0:35:07.000
<v Speaker 1>also check out Orchard Course. It's again I have no

0:35:07.160 --> 0:35:11.000
<v Speaker 1>financial stake in them whatsoever, but check it out. Uh.

0:35:11.000 --> 0:35:13.360
<v Speaker 1>And it's as I said, go to orchard Orchard of

0:35:13.400 --> 0:35:18.959
<v Speaker 1>course its dot com slash josh um. Since I said

0:35:19.120 --> 0:35:24.960
<v Speaker 1>Orchard course, it's it's time for a listener mail. I'm

0:35:24.960 --> 0:35:29.160
<v Speaker 1>gonna call this. Thank god that episode is over. Hey, guys,

0:35:29.160 --> 0:35:31.239
<v Speaker 1>it just finished episode on pain scales, and I find

0:35:31.239 --> 0:35:34.000
<v Speaker 1>it fascinating when humans try to put an objective score

0:35:34.000 --> 0:35:36.480
<v Speaker 1>on something very subjective. I'm not sure if he came

0:35:36.480 --> 0:35:38.359
<v Speaker 1>across this info and your research, but I thought you'd

0:35:38.360 --> 0:35:40.400
<v Speaker 1>be interested to know that we use pain scales and

0:35:40.480 --> 0:35:43.600
<v Speaker 1>veterinary medicine as well. It's even more challenging because obviously

0:35:43.640 --> 0:35:46.200
<v Speaker 1>our dogs and cats can't tell us verbally and certainly

0:35:46.200 --> 0:35:50.080
<v Speaker 1>can't draw happier sad faces. And that's the saddest thing

0:35:50.080 --> 0:35:53.400
<v Speaker 1>of all. Um our assessment is based completely on behavioral

0:35:53.719 --> 0:35:57.320
<v Speaker 1>behavioral cues and body language. For instance, I'm sure everyone

0:35:57.600 --> 0:36:00.319
<v Speaker 1>but know a happy, pain free puppy. Uh you saw

0:36:00.360 --> 0:36:02.880
<v Speaker 1>one sitting square looking you in the eye, ears perked up,

0:36:02.920 --> 0:36:07.279
<v Speaker 1>wagging his tail. Because dogs are very stoic, higher pain

0:36:07.320 --> 0:36:09.600
<v Speaker 1>tolerance than even chuck it can all, it can be

0:36:09.719 --> 0:36:13.360
<v Speaker 1>very hard to tell when they are feeling pain. Um My,

0:36:13.480 --> 0:36:15.759
<v Speaker 1>both my dogs got sick recently, so I got to

0:36:15.800 --> 0:36:18.799
<v Speaker 1>see this in action, like they didn't act sick for

0:36:18.840 --> 0:36:21.200
<v Speaker 1>a long time, and then I was like, you guys

0:36:21.200 --> 0:36:23.920
<v Speaker 1>are sick. That's why they recommend, like if your dog vomiting,

0:36:23.960 --> 0:36:26.520
<v Speaker 1>take them to the vet, because it's really tough to

0:36:26.560 --> 0:36:29.120
<v Speaker 1>tell if your dog's bad off norm just by looking

0:36:29.160 --> 0:36:32.399
<v Speaker 1>at their behavior totally um or if they like don't

0:36:32.440 --> 0:36:35.400
<v Speaker 1>eat all of a sudden, because that's you know, most dogs,

0:36:36.080 --> 0:36:37.600
<v Speaker 1>or at least all the dogs out had eat like,

0:36:38.000 --> 0:36:41.560
<v Speaker 1>you know, voraciously, or if their head comes off that too.

0:36:42.000 --> 0:36:44.200
<v Speaker 1>As recently the nineteen eighties, it was why we believed

0:36:44.200 --> 0:36:47.400
<v Speaker 1>the animals didn't feel pain at all, And isn't that crazy.

0:36:47.600 --> 0:36:50.240
<v Speaker 1>In fact, you would still encounter veterinarians who don't believe

0:36:50.320 --> 0:36:53.920
<v Speaker 1>in giving pain meds for surgery and other injuries and animals.

0:36:54.000 --> 0:36:55.560
<v Speaker 1>Do you remember what kind of talks about that in

0:36:55.600 --> 0:36:59.920
<v Speaker 1>the animal rights episodes? Oh yeah, that's nuts. It is.

0:37:00.520 --> 0:37:02.719
<v Speaker 1>This line of thinking is obviously known to be wrong now,

0:37:02.800 --> 0:37:04.160
<v Speaker 1>and we have come a very long way in the

0:37:04.200 --> 0:37:06.840
<v Speaker 1>last twenty or thirty years giving better pain control to

0:37:06.880 --> 0:37:09.919
<v Speaker 1>animals in our care. Google dog pain scale you'll find

0:37:09.920 --> 0:37:12.439
<v Speaker 1>a large variety of different pain charts for animals. Keep

0:37:12.480 --> 0:37:15.200
<v Speaker 1>up the great work. We are eagerly, eagerly awaiting a

0:37:15.200 --> 0:37:18.240
<v Speaker 1>live show in St. Louis and now it's from Michael Richards.

0:37:18.840 --> 0:37:21.480
<v Speaker 1>Thanks a lot, Michael Richards. We appreciate you writing it.

0:37:21.600 --> 0:37:24.200
<v Speaker 1>We come into St. Louis. Maybe all right, it's on

0:37:24.239 --> 0:37:26.279
<v Speaker 1>the table. Yeah, I think we've got some We're gonna

0:37:26.280 --> 0:37:28.759
<v Speaker 1>do some shows this year, folks, So look out in

0:37:28.800 --> 0:37:32.640
<v Speaker 1>the future. Look out. Maybe we'll see you there. If

0:37:32.719 --> 0:37:34.279
<v Speaker 1>you want to get in touch with us, you can

0:37:34.280 --> 0:37:37.280
<v Speaker 1>tweet to us on s YSK podcast and at josh

0:37:37.400 --> 0:37:40.640
<v Speaker 1>um Clark. You can hang out with Chuck on Facebook

0:37:40.680 --> 0:37:43.799
<v Speaker 1>at Charles W. Chuck Bryant and uh Facebook dot com

0:37:43.840 --> 0:37:46.080
<v Speaker 1>slash Stuff you Should Know. You can send us an

0:37:46.080 --> 0:37:48.399
<v Speaker 1>email the Stuff podcast to how Stuff Works dot com

0:37:48.680 --> 0:37:50.560
<v Speaker 1>and has always joined us at our home on the web,

0:37:50.880 --> 0:37:57.560
<v Speaker 1>Stuff you Should Know dot com for more on this

0:37:57.760 --> 0:38:00.239
<v Speaker 1>and thousands of other topics. Is it how Stuff Works

0:38:00.280 --> 0:38:11.040
<v Speaker 1>dot com? Mhm