WEBVTT - Vaudeville: Step Right Up!

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<v Speaker 1>Welcome to Stuff you Should Know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh

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<v Speaker 1>chuckles Clark, there's Chuck Josh's chuckles. Bryant. Yeah, that would

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<v Speaker 1>have been way better. And there's Jerry just Jerry rolling

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<v Speaker 1>hanging out too, and that makes this stuff you should

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<v Speaker 1>Know about Vaudeville. Uh, my favorite day of the year

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<v Speaker 1>is today, Uh, Vaudeville Day. No, I mean, you can

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<v Speaker 1>never tell when it's gonna happen, and it will get

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<v Speaker 1>hot again. But it's that first whiff of fall. Oh,

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<v Speaker 1>I love that so much. It's so nice, isn't it.

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<v Speaker 1>It's one o'clock in Atlanta and it's seventy three degrees humidity,

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<v Speaker 1>which is for Atlanta that means zero humidity. Yeah, exactly,

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<v Speaker 1>a little cool breeze blowing. Yeah, it's beautiful out Those

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<v Speaker 1>leads are gonna start turning any second. No, we'll get

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<v Speaker 1>hot as hades again before October. It just does Yeah,

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<v Speaker 1>it does that, like it makes sure it's nice and

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<v Speaker 1>balmy and muggy on Thanksgiving for some reason. And then

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<v Speaker 1>in the winter it'll start to get nice, like you're like, okay,

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<v Speaker 1>spring is here, and then bam, they dumped you with

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<v Speaker 1>the only snowfall of the year in mid February. But

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<v Speaker 1>is an odd place at least for this one day

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<v Speaker 1>we get a little a little whiff of fall, a

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<v Speaker 1>little whiff of football in the air. Yeah, the stank

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<v Speaker 1>of football is in the air. So we're not talking

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<v Speaker 1>about football, although I'm sure somebody did a jokey football

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<v Speaker 1>routine at some point in the history of vaudeville, which

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<v Speaker 1>is what we're talking about. We're talking about vaudeville. Like

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<v Speaker 1>I just said, yeah, and this was an idea by

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<v Speaker 1>the very guy who wrote it for us, or old

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<v Speaker 1>pal Dave Ruse. He said, uh. He got very aggressive

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<v Speaker 1>and said, hey, Chuck, since it's your turn to pick one.

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<v Speaker 1>You know this thing on vaudeville or saw something on vaudeville.

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<v Speaker 1>It sounded interesting, And I said, all right, smarty pants,

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<v Speaker 1>good do it. He said, oh, you want me do it?

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<v Speaker 1>Huh huh. Very. I'm surprised we haven't done this before though,

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<v Speaker 1>because it's really cool and kind of I think it's

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<v Speaker 1>appropriate that it's uh, sort of nearby our sitcoms too,

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<v Speaker 1>for right, because this was like this was it, this

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<v Speaker 1>was TV baby before there was TV. Yeah, and there's

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<v Speaker 1>before we get started. I'm hoping you can help me

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<v Speaker 1>figure this out. But we have definitely talked about the

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<v Speaker 1>vaudeville circuit at length in another episode, and it's been

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<v Speaker 1>driving me bananas because I cannot think of what the

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<v Speaker 1>episode was. Was it freak Shows? No, I think it

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<v Speaker 1>was more recent than that, within the last year or

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<v Speaker 1>two it was. I don't think it was freak shows, man,

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<v Speaker 1>I really don't. But I looked. I was like, wait

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<v Speaker 1>a minute, have we done Vaudeville? But warm we definitely

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<v Speaker 1>have not, because we talked about the circuit on another

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<v Speaker 1>episode exactly. Yeah, that was so we talked about like

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<v Speaker 1>the Poconos, the borsched Belt and all that. Yeah. I

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<v Speaker 1>don't remember what we would have been talking. I don't

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<v Speaker 1>think it had anything to do with desert survival. Luckily,

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<v Speaker 1>we have a thousand people that listen to our show

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<v Speaker 1>every week, at the very least eight hundred. Uh. Yeah,

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<v Speaker 1>it's it's very familiar to me. I don't I don't

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<v Speaker 1>know unless we did. Boud Villain just spaced both of

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<v Speaker 1>us and didn't title it appropriately. We titled a podcast

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<v Speaker 1>to remember, so we are talking vaud Villain. I think

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<v Speaker 1>it's one of those things where even if you're gen Z,

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<v Speaker 1>even if you're a boomer, it doesn't matter. Everybody's at

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<v Speaker 1>least somewhat familiar cognizant that Vaudeville existed at some time

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<v Speaker 1>in the past and had to do with um jokes,

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<v Speaker 1>There were yucks involved. Um, it happened on stage. It

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<v Speaker 1>was deeply racist in a lot of places, and for

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<v Speaker 1>a lot of people that's like the sum total of

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<v Speaker 1>what they understand about Vaudeville. But it is not h

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<v Speaker 1>an overstatement to say that Vaudeville basically gave birth to

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<v Speaker 1>every form of entertainment that we know and love today.

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<v Speaker 1>It was a strange midwife between the theater and mass

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<v Speaker 1>um commercial media. Yeah, did you write that down? That

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<v Speaker 1>was good? I did. I didn't, but I'm like furiously

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<v Speaker 1>rubbing it off in my form. Uh. You know, it's

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<v Speaker 1>for sure deeply racist in some ways at times, which

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<v Speaker 1>we'll talk about, but also deeply inclusive and that uh,

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<v Speaker 1>all kinds of people performed Vaudeville. Everybody loved Vaudeville. I

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<v Speaker 1>mean it spanned every sort of demographic you could imagine,

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<v Speaker 1>from old to young and ethnic ethnicity to uh, wealthy

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<v Speaker 1>people to poor people because it didn't cost a whole lot.

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<v Speaker 1>You know, people would would literally save their pennies to

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<v Speaker 1>get into these cheap dime Uh I was about say

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<v Speaker 1>dime store, but whatever dime a ticket entry shows, right,

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<v Speaker 1>and it was family friendly too, as we'll see, which

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<v Speaker 1>was kind of revolutionary. Um and that actually established vaudeville

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<v Speaker 1>is like a like a genuine American phenomenon. Yeah, I

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<v Speaker 1>mean that was the deal. And you know, we were

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<v Speaker 1>sort of the Vaudeville of podcast fifteen years ago in

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<v Speaker 1>some ways because everyone else came out of the gate, say,

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<v Speaker 1>you know what, FCC doesn't care what we say, Phil Florence,

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<v Speaker 1>Phil foul And uh, looking back now, we were lucky

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<v Speaker 1>enough to have a I guess fortunate enough to have

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<v Speaker 1>a company at the time that was like you're not

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<v Speaker 1>allowed to cuss and stuff, Uh, I don't even try stuff.

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<v Speaker 1>We didn't and uh we we had to park our

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<v Speaker 1>notoriously foul tongues at the door. And I think that's

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<v Speaker 1>what helped our show out in a lot of ways,

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<v Speaker 1>is that people listen to it in classrooms and in

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<v Speaker 1>the car with their families and stuff like that. Right, absolutely,

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<v Speaker 1>and like to to think today like of just randomly

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<v Speaker 1>cursing casually and stuff. You should know. It's it seems weird.

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<v Speaker 1>We could now if we wanted to. I mean, I

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<v Speaker 1>don't want to chuck. Don't make me oh cus cuss nay. Instead,

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<v Speaker 1>let's talk about Vaudeville. And we're gonna keep it clean

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<v Speaker 1>and family friendly, just like Vaudeville. And we're gonna start

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<v Speaker 1>chuck with actually the word vaudeville, which it sounds French,

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<v Speaker 1>vaguely French, and um correctly so because it actually originates

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<v Speaker 1>in the French language. That's right, apparently. And this is

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<v Speaker 1>I think Dave was right on point. He says it

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<v Speaker 1>has a pretty interesting etymology as far as etymologies go,

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<v Speaker 1>this one seems to be kind of ironclad and interesting. Yeah,

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<v Speaker 1>it's rare, because yeah, it's very rare. So uh. In

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<v Speaker 1>the fifteenth century in France, it was a poet. His

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<v Speaker 1>name was, I guess you would say Olivier Bassilie. But

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<v Speaker 1>the ironic thing is he didn't know it. It took

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<v Speaker 1>me a half a beat to get that one. It did.

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<v Speaker 1>I was like, is there a latency here? Uh? And

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<v Speaker 1>he was a poet who wrote a satire. He was

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<v Speaker 1>I guess sort of like the Ray Stevens of his time.

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<v Speaker 1>That's something that gen Z will not get for sure.

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<v Speaker 1>God bless you for that, gen Z. And so what

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<v Speaker 1>was the deal that? Where was he from? He was

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<v Speaker 1>from the vau de Vie, which is the Vier Valley

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<v Speaker 1>in French. And so um, these kind of silly, folksy

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<v Speaker 1>country songs, often satirical, that you know, found their origination

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<v Speaker 1>in the fourteen hundreds in France came to be known

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<v Speaker 1>as chanson de vaudeville, so songs from the Vier Valley

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<v Speaker 1>and basically, yeah, that would have that would have absolutely

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<v Speaker 1>been a chanson de vaudevie. So um. Over time, I

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<v Speaker 1>guess in France, everybody's sick of, you know, putting the

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<v Speaker 1>Vier Valley on the map, and they just changed veer

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<v Speaker 1>to veal, which means town. So technically vaudeville means valley town,

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<v Speaker 1>which makes zero sense if you stop and think about it.

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<v Speaker 1>But it doesn't matter because it gets the point across,

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<v Speaker 1>because it's evolved to take on a different meaning over time. Yeah,

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<v Speaker 1>and these in France they had uh fiata du vaudeville,

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<v Speaker 1>which were these parody plays. And then when America, you know,

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<v Speaker 1>Vaudeville is a uniquely American thing. Uh. Well, not uniquely American,

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<v Speaker 1>because there were precedents in other countries, but Vaudeville itself

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<v Speaker 1>became very American, and you'll see why. But they basically

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<v Speaker 1>just said, hey, that sounds kind of fancy and French,

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<v Speaker 1>and that was at a time in America and when

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<v Speaker 1>they liked to name things fancy French things. Well, yes, also,

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<v Speaker 1>so one of the things about Vaudeville that it's important

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<v Speaker 1>to realize is that it was created for this burgeoning

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<v Speaker 1>middle class where there like a lot more there's people

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<v Speaker 1>had a little more spending money than they did before.

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<v Speaker 1>There weren't conditions stunk, as we'll see, but there was

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<v Speaker 1>a middle class developing and this was designed specifically to

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<v Speaker 1>target those people. And they wanted to differentiate themselves from

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<v Speaker 1>some of the predecessors, which were much bodier, much racier,

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<v Speaker 1>much more drunken um and Vaudeville was like, no, we're different,

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<v Speaker 1>even though it's a lot the same stuff. Yeah, England, Italy,

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<v Speaker 1>they all had these sort of body plays where people

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<v Speaker 1>would get hammered in the audience or and or on stage. Uh.

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<v Speaker 1>In America, even pre Civil War, the shows were um,

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<v Speaker 1>you know, they were very risque. They were kind of

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<v Speaker 1>burlesque in nature, or you might have like, you know,

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<v Speaker 1>sort of uh scantily clad. At the time, of course

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<v Speaker 1>there was nothing like you would see today, but like

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<v Speaker 1>a scantily clad uh ladies dancing, uh and then like

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<v Speaker 1>two guys bare knuckle boxing right afterward and everyone is

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<v Speaker 1>getting drunk. And I bet those were a lot of fun.

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<v Speaker 1>But uh, you know, it sounds a lot like a

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<v Speaker 1>Chelsea Handler show today. But a few gentlemen came along,

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<v Speaker 1>in particular in the United States that said, hey, why

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<v Speaker 1>don't we, like you said, open this up to the

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<v Speaker 1>middle class, make it for everyone, and make it where

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<v Speaker 1>families could come. Because they wanted to make money. I

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<v Speaker 1>don't think they're on a crusade to clean up America's act.

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<v Speaker 1>Is they wanted to get rich. No, but they were

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<v Speaker 1>the kind of strict um like I guess taskmasters that

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<v Speaker 1>that like, they had some really strange requirements as we'll see.

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<v Speaker 1>Well we'll get to that in a second. But um,

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<v Speaker 1>in addition to the variety shows, circuses were a thing.

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<v Speaker 1>I think they we've never done an actual circus episode,

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<v Speaker 1>have we. We've done a lot of the circus arts,

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<v Speaker 1>but I don't know that we've done a full like

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<v Speaker 1>circus apply. I think very us it's hilarious. So circuses

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<v Speaker 1>were kind of coming of age at the time. UM.

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<v Speaker 1>There were also side shows something called dime museums, which

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<v Speaker 1>is basically like a storefront um where people would pay

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<v Speaker 1>and just come look at some exhibits. And I saw

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<v Speaker 1>I found this amazing contemporary yes, reporting from the Saturday

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<v Speaker 1>Evening Post from June and it was basically UM an

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<v Speaker 1>article written by one of the big vaudeville producers at

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<v Speaker 1>the time, Percy G. Williams, and it was called Vaudeville

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<v Speaker 1>and the Vaudevillians, and he's talking about some of the

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<v Speaker 1>origins of vaudeville and he says that one of them

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<v Speaker 1>the three biggest people to establish vaudeville was Benjamin Franklin Keith,

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<v Speaker 1>and his first role as a manager was of a

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<v Speaker 1>store show that featured a fat baby as the main attractions.

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<v Speaker 1>Did that baby grow up to be? Is there a

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<v Speaker 1>great ending there? Then the baby grew up to be

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<v Speaker 1>DC Fields. Let's you should just say that everybody would

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<v Speaker 1>believe you? Sure, I know that's It wasn't as funny

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<v Speaker 1>because it was sobelievable. No, no, no, I love it.

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<v Speaker 1>So b F. Keith was one of the guys. A

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<v Speaker 1>guy named e F. Albie was another guy. They teamed

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<v Speaker 1>up um As Cohorts in Boston and opened up the

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<v Speaker 1>Bijou Theater and basically developed a and as you'll see,

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<v Speaker 1>kind of with vaudeville, it wasn't just like, hey, listen,

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<v Speaker 1>you know, we'll just do a show every now and then.

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<v Speaker 1>They developed these circuits in these systems, in these tours

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<v Speaker 1>and these basically management companies where they would just send

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<v Speaker 1>people out all over the country, and it really kind

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<v Speaker 1>of quickly became like a big, big business. Chuck asked

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<v Speaker 1>me again, who the fat baby grew up to be? He?

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<v Speaker 1>Is there a great ending like who that fat baby

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<v Speaker 1>grew up to be? Yeah? That fathe? Take three? Hey?

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<v Speaker 1>Yeah that who that fat baby? Take four? Hey, does

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<v Speaker 1>have a great inning here that that baby grow up

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<v Speaker 1>to be Tony Danza even better? Okay, that's Tony Dance

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<v Speaker 1>is a better punch line in almost every joke. Agreed, man.

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<v Speaker 1>And apparently Who's the Boss is having some sort of

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<v Speaker 1>reboot in I saw it on Entertainment tonight. So um

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<v Speaker 1>so it's true. So Tony Pastor was the guy who

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<v Speaker 1>supposedly coined the term vaudeville or adopted the term vaudeville

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<v Speaker 1>to describe this thing that was basically like those variety shows,

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<v Speaker 1>except no not body. Um there was no liquor on

0:13:39.120 --> 0:13:43.120
<v Speaker 1>the premises, which was a big one at the time. Um,

0:13:43.360 --> 0:13:47.440
<v Speaker 1>the skits and the performers were all family friendly. The

0:13:47.520 --> 0:13:49.960
<v Speaker 1>language was family friendly. It was like the kind of

0:13:50.000 --> 0:13:52.600
<v Speaker 1>thing that like the whole family, from the little kids

0:13:52.640 --> 0:13:54.720
<v Speaker 1>to the grandma and the parents could all go sit

0:13:54.760 --> 0:13:58.480
<v Speaker 1>down and enjoy this this show together. Right. Um. And

0:13:58.679 --> 0:14:02.200
<v Speaker 1>like I said, they had some really like strict requirements.

0:14:02.640 --> 0:14:08.120
<v Speaker 1>I saw BF Keith, Benjamin Franklin Keith particularly did not

0:14:08.320 --> 0:14:13.520
<v Speaker 1>like certain kinds of language. Um, he's he didn't like

0:14:13.600 --> 0:14:17.160
<v Speaker 1>it if you said slab okay, son of a gun,

0:14:18.640 --> 0:14:22.560
<v Speaker 1>holy g, which I think is maybe gali G. Yeah,

0:14:22.680 --> 0:14:24.960
<v Speaker 1>I don't get that one. That one's weird. And the

0:14:25.000 --> 0:14:29.720
<v Speaker 1>kuda gra chuck pants. Do not say pants around b F. Keith.

0:14:29.760 --> 0:14:32.120
<v Speaker 1>You better say trousers or else you're gonna get what

0:14:32.200 --> 0:14:36.240
<v Speaker 1>was referred to as a blue envelope. Right Yeah, and

0:14:36.280 --> 0:14:41.200
<v Speaker 1>here's where it gets, Um, the whole notion of blue comedy,

0:14:41.280 --> 0:14:44.640
<v Speaker 1>which is comedy that is got like foul language or whatever,

0:14:44.880 --> 0:14:47.800
<v Speaker 1>like if you're doing blue work or blue comedy. There

0:14:47.840 --> 0:14:50.840
<v Speaker 1>are a lot of different because you know, Dave said

0:14:50.840 --> 0:14:53.200
<v Speaker 1>in here, uh, and Dave didnt make this up, but

0:14:53.240 --> 0:14:55.720
<v Speaker 1>he saw that that may have been one of the

0:14:55.760 --> 0:14:57.960
<v Speaker 1>origins of some people think it's the origin of the

0:14:58.080 --> 0:15:02.160
<v Speaker 1>term working blue. We're doing blue comedy. And I looked

0:15:02.160 --> 0:15:04.080
<v Speaker 1>into it and there were there there are a lot

0:15:04.640 --> 0:15:08.600
<v Speaker 1>of different explanations. Um, I mean I saw like eight

0:15:08.680 --> 0:15:12.240
<v Speaker 1>or ten and they all sounded pretty realistic. Everything from

0:15:12.240 --> 0:15:16.200
<v Speaker 1>this one uh comedian named Max Miller who kept all

0:15:16.240 --> 0:15:18.760
<v Speaker 1>his adult jokes in a blue notebook. That's kind of

0:15:18.840 --> 0:15:23.200
<v Speaker 1>roundly been dismissed to In England after the Theater Act

0:15:23.200 --> 0:15:26.240
<v Speaker 1>of eighty three, they had to submit plays to the

0:15:26.320 --> 0:15:30.880
<v Speaker 1>Examiner of Plays like Capital the Capital p to audit

0:15:30.920 --> 0:15:33.320
<v Speaker 1>the scripts and then send them back and say you

0:15:33.360 --> 0:15:36.960
<v Speaker 1>can't get a permit with the script. And apparently they

0:15:36.960 --> 0:15:40.280
<v Speaker 1>would do that in blue pencil. That sounded really realistic.

0:15:40.360 --> 0:15:43.160
<v Speaker 1>But there were a bunch of different stories. But at

0:15:43.200 --> 0:15:46.040
<v Speaker 1>any rate, perhaps if you got a blue envelope from

0:15:46.160 --> 0:15:49.400
<v Speaker 1>Benjamin Franklin Keith that that could have been the origin

0:15:49.440 --> 0:15:52.080
<v Speaker 1>as well. Who knows. Yeah, because it meant like he

0:15:52.160 --> 0:15:53.880
<v Speaker 1>was sending you a note to say, like, you better

0:15:53.960 --> 0:15:56.840
<v Speaker 1>tone your act down or you're gonna get the boot. Basically,

0:15:56.920 --> 0:16:00.160
<v Speaker 1>that's right. And in addition to blue, a lot out

0:16:00.160 --> 0:16:02.880
<v Speaker 1>of the terms we used today came out of Vaudeville.

0:16:02.960 --> 0:16:08.080
<v Speaker 1>I saw um like killing them, killing them, not that

0:16:08.120 --> 0:16:13.000
<v Speaker 1>word I just made up, just killed on stage, Yes, exactly, headliner,

0:16:13.640 --> 0:16:19.240
<v Speaker 1>sure fire, lemon for like a bad thing, like a failure, um,

0:16:19.280 --> 0:16:21.520
<v Speaker 1>a bunch of different stuff that I had no idea of.

0:16:21.560 --> 0:16:24.240
<v Speaker 1>This just completely part of the common vernacular. Just came

0:16:24.240 --> 0:16:30.400
<v Speaker 1>out of the vaudeville world. It's the origins of origins

0:16:30.440 --> 0:16:35.200
<v Speaker 1>of popular entertainment. We're having a hard time today. I

0:16:35.200 --> 0:16:37.040
<v Speaker 1>don't know what's going on. I got marbles in my mouth.

0:16:37.080 --> 0:16:40.160
<v Speaker 1>I'm all excited about fall. Maybe just take a break, okay,

0:16:40.160 --> 0:16:41.920
<v Speaker 1>Oh yeah, let's do that, all right. I'm gonna get

0:16:41.920 --> 0:17:00.160
<v Speaker 1>these marbles out and we'll be right back. Okay. So

0:17:00.200 --> 0:17:02.360
<v Speaker 1>this is something we've talked a lot about in various

0:17:02.360 --> 0:17:06.040
<v Speaker 1>episodes over the years. But um, pre Civil War and

0:17:06.119 --> 0:17:10.119
<v Speaker 1>post Civil War America were very different in how people lived.

0:17:10.480 --> 0:17:14.560
<v Speaker 1>Pre Civil War about nine of Americans lived in the country.

0:17:15.160 --> 0:17:19.480
<v Speaker 1>Um by the you know, mid eighteen eighties or so. Um,

0:17:19.480 --> 0:17:23.119
<v Speaker 1>the industrial the Second Industrial Revolution comes around all of

0:17:23.160 --> 0:17:26.080
<v Speaker 1>a sudden, it is almost flip flopped. It's about half

0:17:26.080 --> 0:17:28.800
<v Speaker 1>and half of people living in cities and people still

0:17:28.840 --> 0:17:31.560
<v Speaker 1>hanging out in the country. And in those cities there

0:17:31.400 --> 0:17:34.240
<v Speaker 1>are obviously a lot of immigrants coming in like really

0:17:34.280 --> 0:17:38.240
<v Speaker 1>really quickly, especially in places like New York obviously, and

0:17:38.400 --> 0:17:41.919
<v Speaker 1>they were you know, didn't make a lot of money,

0:17:41.960 --> 0:17:44.720
<v Speaker 1>but they worked really really long hours and had very

0:17:44.760 --> 0:17:47.280
<v Speaker 1>little free time. And all of a sudden, there was

0:17:47.400 --> 0:17:50.080
<v Speaker 1>this thing that you could do with your very little

0:17:50.080 --> 0:17:53.160
<v Speaker 1>free time that costs like a nickel or a dime,

0:17:53.600 --> 0:17:55.560
<v Speaker 1>and you could go in there for a few hours

0:17:55.640 --> 0:17:58.959
<v Speaker 1>and kind of forget the drudgery of living in a

0:17:58.960 --> 0:18:03.000
<v Speaker 1>tenement building and working in a factory. Yeah, and so like,

0:18:03.520 --> 0:18:05.240
<v Speaker 1>not only did it bring like the people from the

0:18:05.240 --> 0:18:09.120
<v Speaker 1>neighborhood around, because like one vaudeville theater owner might own

0:18:09.400 --> 0:18:13.000
<v Speaker 1>ten theaters in one city like New York, so that

0:18:13.040 --> 0:18:14.960
<v Speaker 1>they were they catered to the neighborhood, so you don't

0:18:15.000 --> 0:18:18.560
<v Speaker 1>have to go very far. Um. Dave also points out

0:18:18.640 --> 0:18:22.199
<v Speaker 1>that through some of like the the most cringe e

0:18:22.359 --> 0:18:26.840
<v Speaker 1>and outright racist ethnic jokes and slurs that were part

0:18:26.840 --> 0:18:29.080
<v Speaker 1>of the acts of some of these not all the acts,

0:18:29.119 --> 0:18:31.120
<v Speaker 1>but enough of them that it was definitely a thing

0:18:31.720 --> 0:18:36.440
<v Speaker 1>that it wasn't meant to be mean spirited, um, at

0:18:36.520 --> 0:18:39.080
<v Speaker 1>least not in the vaudeville world that had definitely been

0:18:39.160 --> 0:18:42.480
<v Speaker 1>means spirited before. UM. But say like if you were

0:18:42.560 --> 0:18:46.200
<v Speaker 1>poking fun at Chinese immigrants and how they talked, or um,

0:18:46.240 --> 0:18:49.840
<v Speaker 1>Irish immigrants and how they talked, um, it was a

0:18:49.880 --> 0:18:53.359
<v Speaker 1>form of assimilation in a weird way because those very

0:18:53.400 --> 0:18:57.040
<v Speaker 1>people were out there in the audience laughing along with

0:18:57.080 --> 0:19:01.480
<v Speaker 1>everybody else. Or sometimes, as we'll see, um, people of

0:19:01.560 --> 0:19:05.000
<v Speaker 1>that ethnicity may have been playing those you know, over

0:19:05.040 --> 0:19:08.800
<v Speaker 1>the top stereotype versions of their ethnicity and and in

0:19:08.840 --> 0:19:11.000
<v Speaker 1>a weird way it does. It is kind of how

0:19:11.080 --> 0:19:15.159
<v Speaker 1>people came together and initially melted together when America was

0:19:15.240 --> 0:19:17.960
<v Speaker 1>just beginning to be a melting pot. Yeah, was the

0:19:18.040 --> 0:19:21.719
<v Speaker 1>initial melt right. Um. So let's talk a little bit

0:19:21.720 --> 0:19:24.399
<v Speaker 1>about how these things went down, because there was a

0:19:24.480 --> 0:19:28.800
<v Speaker 1>very kind of great motto for vaudeville, which was, if

0:19:28.800 --> 0:19:32.160
<v Speaker 1>you don't like this, wait a few minutes and that's

0:19:32.200 --> 0:19:37.240
<v Speaker 1>how it went down. They were variety shows in every uh,

0:19:37.280 --> 0:19:40.160
<v Speaker 1>every essence of that word. Um. We've done a few

0:19:40.440 --> 0:19:44.439
<v Speaker 1>variety shows over the years, and I definitely enjoy our

0:19:44.520 --> 0:19:47.480
<v Speaker 1>stuff you should know live, which, by the way, look

0:19:47.520 --> 0:19:51.879
<v Speaker 1>for some announcements soon for early next year. Yeah, West Coast,

0:19:52.400 --> 0:19:56.480
<v Speaker 1>Hint Antonia. I definitely prefer those. But early on we

0:19:56.520 --> 0:19:58.440
<v Speaker 1>did a few variety shows where we would have like

0:19:58.920 --> 0:20:01.200
<v Speaker 1>some music and it can median and someone you were

0:20:01.200 --> 0:20:06.639
<v Speaker 1>reading and uh, you know the someone uh interpretive dance.

0:20:07.200 --> 0:20:09.720
<v Speaker 1>That's the one thing we liked. But those are always

0:20:09.720 --> 0:20:11.240
<v Speaker 1>a lot of fun because I think we both enjoyed

0:20:11.280 --> 0:20:15.200
<v Speaker 1>that spirit of the variety show. When you're a kid

0:20:15.240 --> 0:20:18.360
<v Speaker 1>of the seventies and eighties, those were still very much

0:20:18.359 --> 0:20:21.560
<v Speaker 1>a part of television growing up. Um, and they they're

0:20:21.600 --> 0:20:24.520
<v Speaker 1>they're the you can draw a direct line from what

0:20:24.560 --> 0:20:27.520
<v Speaker 1>you saw on you know, the Mandrell Sister Show or

0:20:27.560 --> 0:20:31.200
<v Speaker 1>he haw right back to vaudeville. Uh. And the whole

0:20:31.240 --> 0:20:33.240
<v Speaker 1>idea was, if you don't like it, wait a few minutes.

0:20:33.280 --> 0:20:38.240
<v Speaker 1>They would have you know, maybe ten fifteen minute, twenty

0:20:38.280 --> 0:20:41.640
<v Speaker 1>minute at the longest, the thirty minute act and then

0:20:41.760 --> 0:20:45.760
<v Speaker 1>somebody completely different would come out next. Yeah, and um,

0:20:45.800 --> 0:20:48.239
<v Speaker 1>Percy Williams kind of put it pretty plainly in that

0:20:48.280 --> 0:20:51.920
<v Speaker 1>Saturday Evening Post article that like a vaudeville theater manager

0:20:52.000 --> 0:20:55.440
<v Speaker 1>is entirely different from what he called the legitimate theater

0:20:55.520 --> 0:20:59.520
<v Speaker 1>manager um in that every week you were coming up

0:20:59.560 --> 0:21:04.040
<v Speaker 1>with a new you like show of ten twelve acts

0:21:04.560 --> 0:21:06.879
<v Speaker 1>that you had to arrange just the right way to

0:21:06.960 --> 0:21:10.920
<v Speaker 1>keep the audience entertained. You lull them into like complacency

0:21:10.920 --> 0:21:13.680
<v Speaker 1>with a beautiful like ballet act, and then after that,

0:21:13.760 --> 0:21:16.080
<v Speaker 1>like two acrobats who may or may not have been

0:21:16.080 --> 0:21:19.320
<v Speaker 1>brothers came bounding out onto the stage, and after that

0:21:19.359 --> 0:21:22.359
<v Speaker 1>there was a comedian who would just slay everybody. Um Like.

0:21:22.400 --> 0:21:25.200
<v Speaker 1>It was very much laid out in the way that

0:21:25.359 --> 0:21:27.639
<v Speaker 1>um that it was supposed to be, and it was

0:21:27.720 --> 0:21:30.439
<v Speaker 1>all all vaudeville shows were laid out in the exact

0:21:30.440 --> 0:21:33.400
<v Speaker 1>same way, but they're the different kinds of acts. Dave

0:21:33.480 --> 0:21:36.639
<v Speaker 1>dug up a handbook from nineteen fourteen called how to

0:21:36.840 --> 0:21:42.480
<v Speaker 1>Enter Vaudeville Your Favorites, Yes, proceed though I'm marked down

0:21:43.640 --> 0:21:47.320
<v Speaker 1>five six seven. All right, Uh, well, my first favorite

0:21:47.359 --> 0:21:49.160
<v Speaker 1>was the first one on the list, a shadow list,

0:21:50.160 --> 0:21:52.399
<v Speaker 1>because those are just fun those are people who I

0:21:52.440 --> 0:21:55.080
<v Speaker 1>guess do like the hand shadows and things, right, that

0:21:55.119 --> 0:21:59.320
<v Speaker 1>would be my take on it too, Yeah for sure. Yeah. Um.

0:21:59.359 --> 0:22:01.919
<v Speaker 1>My first him was a hobo act. And the reason

0:22:01.920 --> 0:22:05.920
<v Speaker 1>why the reason why I chose hobo acts because I

0:22:05.960 --> 0:22:10.560
<v Speaker 1>saw that, Um, Benjamin Franklin Keith's shows at his theaters.

0:22:10.600 --> 0:22:12.520
<v Speaker 1>Even if you're doing a hobo act, you still had

0:22:12.560 --> 0:22:16.760
<v Speaker 1>to wear a clean shirt. That's pretty funny. Yeah, You're like, no,

0:22:16.840 --> 0:22:20.080
<v Speaker 1>but this is my outfit and said sorry sorry. The

0:22:20.119 --> 0:22:25.000
<v Speaker 1>next on my list was the human Calculator act. Okay,

0:22:25.119 --> 0:22:29.480
<v Speaker 1>I'd like that too. Yeah. Um, I've got one electrical act,

0:22:30.080 --> 0:22:32.280
<v Speaker 1>which I mean we're talking like the beginning of the

0:22:32.280 --> 0:22:36.919
<v Speaker 1>twentieth century, so electricity was really strange and exotic, and

0:22:36.960 --> 0:22:40.560
<v Speaker 1>there were people who would have different acts. So, um,

0:22:40.560 --> 0:22:45.399
<v Speaker 1>I found this site called uh Vaudeville America, and every

0:22:45.480 --> 0:22:48.040
<v Speaker 1>single Vaudeville act that ever performed would have a little

0:22:48.040 --> 0:22:51.600
<v Speaker 1>note card with like a little summation about their show,

0:22:51.960 --> 0:22:55.400
<v Speaker 1>how it was received by the audience, how long it ran, um,

0:22:55.480 --> 0:22:58.280
<v Speaker 1>and Vaudeville America has all of these things, and I

0:22:58.320 --> 0:23:01.560
<v Speaker 1>found him for electrical act. It was all over the place,

0:23:01.600 --> 0:23:05.000
<v Speaker 1>like it could be electricity used to trigger special effects

0:23:05.160 --> 0:23:09.240
<v Speaker 1>or um it could be like a scientist demonstrating different

0:23:09.240 --> 0:23:14.640
<v Speaker 1>things with electricity, or sometimes people took massive electrical shocks

0:23:14.680 --> 0:23:17.720
<v Speaker 1>to the body to perform, like that was what they

0:23:17.760 --> 0:23:20.679
<v Speaker 1>did as part of their electrical show. So that was

0:23:20.720 --> 0:23:22.919
<v Speaker 1>definitely one of my favorites too. Yeah, I mean there

0:23:22.920 --> 0:23:26.600
<v Speaker 1>were definitely some sort of Jim Rose Circus adjacent things

0:23:27.880 --> 0:23:30.119
<v Speaker 1>like sword swallowing and stuff like that. Um, but my

0:23:30.240 --> 0:23:39.000
<v Speaker 1>favorite my last two our statuary posing and uh paper tearing. Yeah,

0:23:39.440 --> 0:23:42.280
<v Speaker 1>paper tearing. It was like I don't know about that one.

0:23:42.600 --> 0:23:44.960
<v Speaker 1>I mean it must be well, I don't know. I

0:23:45.040 --> 0:23:46.960
<v Speaker 1>was gonna say it must be like ripping phone books

0:23:46.960 --> 0:23:49.840
<v Speaker 1>in f but it might not have been. Maybe it

0:23:49.880 --> 0:23:53.560
<v Speaker 1>was tearing paper like a reverse or a gami or something. Yeah,

0:23:54.000 --> 0:23:56.400
<v Speaker 1>that's what I would take it as for sure. It's

0:23:56.400 --> 0:24:00.879
<v Speaker 1>basically a vaudeville show. Was uh comp elation of stuff

0:24:00.920 --> 0:24:04.280
<v Speaker 1>that you would see today at halftime at NBA games.

0:24:05.960 --> 0:24:08.000
<v Speaker 1>You know, like there'd be a dude like balancing a

0:24:08.119 --> 0:24:11.159
<v Speaker 1>chair on his chin and on top of that or

0:24:11.160 --> 0:24:13.159
<v Speaker 1>eight other chairs and at the very top of that

0:24:13.280 --> 0:24:16.119
<v Speaker 1>is his wife. Like like that's the kind of stuff

0:24:16.160 --> 0:24:18.000
<v Speaker 1>that you would see at vaudeville, and then you'd also

0:24:18.040 --> 0:24:20.920
<v Speaker 1>see serious stuff too, Like there were tabloid plays where

0:24:20.920 --> 0:24:25.600
<v Speaker 1>they would distill like a three four act play down

0:24:25.600 --> 0:24:29.359
<v Speaker 1>into fifteen minutes, and it wasn't necessarily a comedy. It

0:24:29.359 --> 0:24:31.480
<v Speaker 1>could be a tragedy. And these people just figured out

0:24:31.520 --> 0:24:34.000
<v Speaker 1>how to do the reader's diegt version. So it was

0:24:34.160 --> 0:24:36.600
<v Speaker 1>all over the place, and they they were laid out

0:24:36.600 --> 0:24:39.640
<v Speaker 1>in just the right way by the vaudeville theater managers. Yeah,

0:24:39.680 --> 0:24:41.800
<v Speaker 1>that was a great quote from this. Did you watch

0:24:41.800 --> 0:24:44.760
<v Speaker 1>any of that PDS documentary? Yeah, it was very good.

0:24:44.800 --> 0:24:47.000
<v Speaker 1>It was good. Uh. The quote from there was there

0:24:47.040 --> 0:24:49.439
<v Speaker 1>was everything from a guy playing a piano to a

0:24:49.480 --> 0:24:53.280
<v Speaker 1>guy eating a piano. Did you see that agent who

0:24:53.320 --> 0:24:57.199
<v Speaker 1>described the guy who would eat a baby shark and

0:24:57.240 --> 0:25:00.280
<v Speaker 1>then throw it up back into like a are and

0:25:00.280 --> 0:25:03.560
<v Speaker 1>the shark would just swim around afterwards. It's I mean,

0:25:03.560 --> 0:25:06.240
<v Speaker 1>that was vaudeville, um, And you know, like you said,

0:25:06.240 --> 0:25:08.040
<v Speaker 1>they had to lay it out in such a way

0:25:08.760 --> 0:25:10.520
<v Speaker 1>it was. It wasn't just willy nilly, you know, it

0:25:10.560 --> 0:25:14.240
<v Speaker 1>was very intentional. And apparently the first act to be

0:25:14.359 --> 0:25:17.960
<v Speaker 1>the first act of the last act wasn't a great sign. Uh,

0:25:18.000 --> 0:25:20.439
<v Speaker 1>for you that well, probably what it probably meant is

0:25:20.480 --> 0:25:24.560
<v Speaker 1>that you were either brand new or just not very good,

0:25:24.600 --> 0:25:26.639
<v Speaker 1>and you didn't really have a great act. But they

0:25:26.680 --> 0:25:29.800
<v Speaker 1>needed somebody because the opening act would be kind of

0:25:29.800 --> 0:25:31.920
<v Speaker 1>the seating act, like people are still sort of getting

0:25:31.920 --> 0:25:33.960
<v Speaker 1>in their seats and doing their thing, but they wanted

0:25:33.960 --> 0:25:35.920
<v Speaker 1>to have something up there. I was about to say

0:25:35.960 --> 0:25:38.560
<v Speaker 1>on the screen on the stage. Um. And then the

0:25:38.640 --> 0:25:42.720
<v Speaker 1>last one, which is hysterical and goes counter to every

0:25:43.160 --> 0:25:45.359
<v Speaker 1>show biz rule now, which was like leave them with

0:25:45.400 --> 0:25:48.840
<v Speaker 1>something great. They wanted to purposely leave them with something

0:25:48.920 --> 0:25:51.320
<v Speaker 1>not so great so they could just turn the house

0:25:51.320 --> 0:25:53.240
<v Speaker 1>over and get people the heck out of there and

0:25:53.240 --> 0:25:56.919
<v Speaker 1>they wouldn't be like more and more so they would

0:25:57.320 --> 0:25:59.919
<v Speaker 1>It was like in Mexicali Grill in Athens when we

0:26:00.000 --> 0:26:03.520
<v Speaker 1>would uh, we would crank like you know Public Enemy

0:26:03.760 --> 0:26:06.560
<v Speaker 1>or you know, some really heavy metal or something at

0:26:06.560 --> 0:26:07.880
<v Speaker 1>the end of the night, just to get people out

0:26:07.920 --> 0:26:10.840
<v Speaker 1>of there. For sure, they called the last act on

0:26:10.880 --> 0:26:14.080
<v Speaker 1>the bill of the haircut act because that performer would

0:26:14.080 --> 0:26:16.520
<v Speaker 1>just see the back of everybody's heads on their way out.

0:26:16.880 --> 0:26:20.240
<v Speaker 1>To be clear, we loved Public Enemy. The people that

0:26:20.280 --> 0:26:25.040
<v Speaker 1>dined at Mexicali hated it. Sure, just wat chocolate and

0:26:25.080 --> 0:26:27.879
<v Speaker 1>public Enemy to get people out of there if you need.

0:26:27.920 --> 0:26:30.879
<v Speaker 1>The clientele at Mexicality, Rill and Athens in the mid nighties,

0:26:30.960 --> 0:26:34.280
<v Speaker 1>you know, yeah, some email are just just like yeah,

0:26:34.359 --> 0:26:39.320
<v Speaker 1>same draft. Um. So what that meant was that second

0:26:39.359 --> 0:26:41.400
<v Speaker 1>to the last act was is what you would look

0:26:41.440 --> 0:26:44.040
<v Speaker 1>at as sort of the the best act of the night.

0:26:44.560 --> 0:26:47.680
<v Speaker 1>And sometimes yeah, that could be like a really big name.

0:26:47.840 --> 0:26:50.240
<v Speaker 1>I mean it could be Harry Hudini on any given night.

0:26:50.280 --> 0:26:54.200
<v Speaker 1>It could be um, you know, Al Jolson for better

0:26:54.280 --> 0:26:57.480
<v Speaker 1>or for worse on any given night, like a huge,

0:26:57.760 --> 0:27:01.720
<v Speaker 1>massive star. Like these the people who were um, who

0:27:01.760 --> 0:27:04.520
<v Speaker 1>were the second to last act on a bill at

0:27:04.560 --> 0:27:08.600
<v Speaker 1>a big vaudeville theater in a big city were probably

0:27:08.760 --> 0:27:12.160
<v Speaker 1>the most famous people in the United States and Europe

0:27:12.240 --> 0:27:15.320
<v Speaker 1>in a lot of cases. Like they were as famous

0:27:15.359 --> 0:27:19.959
<v Speaker 1>as you can possibly get, legendary in their fields, beloved

0:27:19.960 --> 0:27:23.639
<v Speaker 1>by all, like and you could go spend ten or

0:27:23.800 --> 0:27:26.199
<v Speaker 1>twenty five cents, depending on how good the show was,

0:27:26.480 --> 0:27:29.080
<v Speaker 1>and see those people like in your neighborhood, you know,

0:27:29.160 --> 0:27:31.880
<v Speaker 1>depending on what city it was. Because like you said,

0:27:31.880 --> 0:27:35.800
<v Speaker 1>the um, the whole thing that kind of spread Vaudeville

0:27:35.800 --> 0:27:37.880
<v Speaker 1>far and wide was the fact that they created these

0:27:37.880 --> 0:27:41.240
<v Speaker 1>circuits and so you didn't even necessarily have to live

0:27:41.240 --> 0:27:43.879
<v Speaker 1>in a big city to see these people alive. Um,

0:27:44.000 --> 0:27:46.840
<v Speaker 1>because if you had a theater in your town that

0:27:46.920 --> 0:27:49.920
<v Speaker 1>was part of a circuit that originated in New York,

0:27:50.560 --> 0:27:53.199
<v Speaker 1>they might end up there performing as the second to

0:27:53.280 --> 0:27:55.720
<v Speaker 1>last act on the bill. And we'll, I mean, we'll

0:27:55.760 --> 0:27:57.560
<v Speaker 1>talk more about circuits in a minute, but I just

0:27:57.600 --> 0:28:03.320
<v Speaker 1>got very excited about that. Yeah, let's go back to racism. Yeah, okay,

0:28:03.400 --> 0:28:05.480
<v Speaker 1>So you know we made the point that um or

0:28:05.520 --> 0:28:07.840
<v Speaker 1>I don't know if we made this original point. Um,

0:28:08.200 --> 0:28:11.879
<v Speaker 1>when the someone was doing what you would call like

0:28:11.920 --> 0:28:16.880
<v Speaker 1>an ethnic dialogue act or a dialect act um, they

0:28:16.920 --> 0:28:21.080
<v Speaker 1>would go up there and do this racial ethnic stereotype

0:28:21.840 --> 0:28:24.879
<v Speaker 1>and it could be anything. It was like nobody was safe.

0:28:25.240 --> 0:28:27.680
<v Speaker 1>It could be a big Italitian guy doing this is

0:28:27.760 --> 0:28:31.080
<v Speaker 1>big spicy meatball thing. That's the only one I'm allowed

0:28:31.080 --> 0:28:32.520
<v Speaker 1>to do, so that's all I'm gonna do. No, it

0:28:32.560 --> 0:28:36.280
<v Speaker 1>could be like German, Irish, uh in any sort of

0:28:36.320 --> 0:28:39.880
<v Speaker 1>European immigrant. They could be making fun of Jewish people,

0:28:40.000 --> 0:28:44.280
<v Speaker 1>Chinese people, Native Americans who also had as we'll see,

0:28:44.320 --> 0:28:47.240
<v Speaker 1>their own circuit, and they would also make fun of themselves.

0:28:47.280 --> 0:28:50.000
<v Speaker 1>So it was interesting in that it was sort of

0:28:50.040 --> 0:28:54.520
<v Speaker 1>a uh, it was sort of the great leveling ground,

0:28:54.760 --> 0:28:59.760
<v Speaker 1>and that no one was really spared right right, And

0:29:00.760 --> 0:29:03.400
<v Speaker 1>in a lot of ways, it was because a lot

0:29:03.480 --> 0:29:06.440
<v Speaker 1>of the members of those same ethnic groups, like I

0:29:06.520 --> 0:29:10.760
<v Speaker 1>was saying, performed those dialect acts where they were really

0:29:10.800 --> 0:29:13.600
<v Speaker 1>hamming it up and really going over the top with

0:29:13.640 --> 0:29:18.360
<v Speaker 1>these stereotypes of their own ethnicity. Um. And even black face,

0:29:18.960 --> 0:29:24.240
<v Speaker 1>depending on the context was um depending on who is

0:29:24.280 --> 0:29:26.880
<v Speaker 1>doing it was anti racist because one of the overlooked

0:29:26.880 --> 0:29:30.040
<v Speaker 1>things about black faces as far as vaudeville is concerned,

0:29:30.320 --> 0:29:34.400
<v Speaker 1>there were a number of African American vaudeville performers who

0:29:34.480 --> 0:29:37.040
<v Speaker 1>did black face and actually preferred to do black face

0:29:37.320 --> 0:29:41.160
<v Speaker 1>because it changed everything. It said, we're in an alternate

0:29:41.280 --> 0:29:43.680
<v Speaker 1>universe here and the rules are kind of out the window.

0:29:44.400 --> 0:29:46.880
<v Speaker 1>And then they could all of a sudden do it

0:29:46.920 --> 0:29:50.840
<v Speaker 1>a take on a satire, let's say about the white

0:29:50.840 --> 0:29:53.680
<v Speaker 1>guy who's running the vaudeville show and get away and

0:29:53.680 --> 0:29:57.240
<v Speaker 1>get away with it, yeah, or make fun of the

0:29:57.280 --> 0:30:00.680
<v Speaker 1>idea of black face done by white people, like make

0:30:00.720 --> 0:30:04.480
<v Speaker 1>fun of black face acts as a black face act

0:30:05.280 --> 0:30:08.440
<v Speaker 1>performed by an African American, So yeah, it gave them

0:30:08.480 --> 0:30:11.280
<v Speaker 1>a lot more leeway to just kind of set things

0:30:11.320 --> 0:30:14.840
<v Speaker 1>straight a little more. But um, the history of black

0:30:14.840 --> 0:30:20.040
<v Speaker 1>faces terribly horribly racist. Um, but everything leading up to vaudeville,

0:30:20.120 --> 0:30:23.640
<v Speaker 1>and some vaudeville acts were still terribly racist. But um,

0:30:24.240 --> 0:30:29.840
<v Speaker 1>the stuff leading up to it was indisputably vilely racist. Yeah. Absolutely. Um.

0:30:29.920 --> 0:30:33.320
<v Speaker 1>One of the biggest stars in the early twentieth century

0:30:34.120 --> 0:30:39.040
<v Speaker 1>was a black man named Burt Williams. Very handsome, smooth,

0:30:39.080 --> 0:30:41.160
<v Speaker 1>cool looking dude. If you look at pictures of this guy,

0:30:41.800 --> 0:30:44.480
<v Speaker 1>he's like, he's like the Billy D. Williams of his time,

0:30:45.440 --> 0:30:48.560
<v Speaker 1>Billy D. Williams. Did I get that right? Yeah? Okay,

0:30:48.560 --> 0:30:50.320
<v Speaker 1>I don't know why that sounded wrong all of a sudden.

0:30:50.840 --> 0:30:54.440
<v Speaker 1>Do you ever do that? Yeah, and you're like what

0:30:55.440 --> 0:30:59.280
<v Speaker 1>it's called semantic satiation, really where you you do or say,

0:30:59.320 --> 0:31:03.960
<v Speaker 1>you're speak something so much that it just loses its

0:31:04.000 --> 0:31:06.640
<v Speaker 1>meaning and like doesn't look right spelled and all that stuff.

0:31:06.680 --> 0:31:08.240
<v Speaker 1>You know, I thought I got it wrong, actually just

0:31:08.240 --> 0:31:12.360
<v Speaker 1>figured out because in my head I had D as

0:31:12.520 --> 0:31:15.760
<v Speaker 1>D period like an initial and not D e E

0:31:16.840 --> 0:31:22.200
<v Speaker 1>like d Wallace, Billy D Wallace Williams anyway, Uh, he

0:31:22.280 --> 0:31:24.160
<v Speaker 1>kind of looked like Billy D a little bit, very

0:31:24.160 --> 0:31:27.440
<v Speaker 1>smooth looking guy. And he was the first black performer

0:31:27.520 --> 0:31:31.800
<v Speaker 1>to star to star in the Zike Field Follies, which was,

0:31:32.240 --> 0:31:34.479
<v Speaker 1>you know, one of the biggest vaudeville reviews in New

0:31:34.560 --> 0:31:37.800
<v Speaker 1>York City at the time. And he and also all

0:31:37.800 --> 0:31:41.200
<v Speaker 1>white too. Well, yeah, exactly. That's why it was important

0:31:41.200 --> 0:31:44.680
<v Speaker 1>that he was the first black performer. Sure, but he

0:31:44.800 --> 0:31:47.560
<v Speaker 1>was um. He did black face, of course, and he

0:31:47.960 --> 0:31:50.840
<v Speaker 1>was on record as saying, like he said, quote, it

0:31:50.880 --> 0:31:53.400
<v Speaker 1>was not until I was able to see myself as

0:31:53.440 --> 0:31:56.440
<v Speaker 1>another person, and I think he meaning black face, that

0:31:56.520 --> 0:31:59.080
<v Speaker 1>my sense of humor developed. So for him, I think

0:31:59.160 --> 0:32:01.120
<v Speaker 1>he said it a lot of to come out of

0:32:01.120 --> 0:32:05.400
<v Speaker 1>his shell sort of comedically. Fully. Yeah, there's um. They

0:32:05.440 --> 0:32:08.200
<v Speaker 1>covered him really well in that PBS documentary and there

0:32:08.280 --> 0:32:11.800
<v Speaker 1>was a quote from W. C. Fields. No word what

0:32:11.880 --> 0:32:15.240
<v Speaker 1>Tony Danza had to say, but W. C. Fields said that, um,

0:32:15.240 --> 0:32:18.320
<v Speaker 1>Burt Williams was the funniest man I ever saw and

0:32:18.400 --> 0:32:21.360
<v Speaker 1>the saddest man I ever met. And what he was

0:32:21.400 --> 0:32:24.240
<v Speaker 1>referring to is that Burt Williams is called the Jackie

0:32:24.360 --> 0:32:27.480
<v Speaker 1>Robinson of of vaudeville because he broke that color. Berrier

0:32:27.520 --> 0:32:29.680
<v Speaker 1>was the first one. But he also like seemed to

0:32:29.720 --> 0:32:31.800
<v Speaker 1>feel like the weight of history on his shoulders, and

0:32:32.160 --> 0:32:35.520
<v Speaker 1>he spent He just worked tirelessly to prove that he

0:32:35.640 --> 0:32:38.640
<v Speaker 1>was at least as good, if not better than any

0:32:38.680 --> 0:32:42.840
<v Speaker 1>white Carville performer, and supposedly, according to this PBS documentary,

0:32:42.880 --> 0:32:47.480
<v Speaker 1>essentially worked himself to death at age forty. Yeah, but

0:32:47.560 --> 0:32:50.560
<v Speaker 1>he was a great talent and um even even in

0:32:50.640 --> 0:32:53.760
<v Speaker 1>his time he was considered just a legendary star and

0:32:53.840 --> 0:32:58.120
<v Speaker 1>comedian but like beloved by all. Yeah, I'm gonna take

0:32:58.160 --> 0:33:00.640
<v Speaker 1>issue with PBS and if someone else right in saying

0:33:00.640 --> 0:33:04.000
<v Speaker 1>the same thing, I don't think you can say that

0:33:04.040 --> 0:33:07.240
<v Speaker 1>someone is said Jackie Robinson of something before Jackie Robinson

0:33:09.960 --> 0:33:12.680
<v Speaker 1>what people like to say, but like Jackie Robinson was

0:33:12.680 --> 0:33:15.720
<v Speaker 1>the Burt Williams of baseball if anything, very nice, very nice.

0:33:16.280 --> 0:33:19.880
<v Speaker 1>That's a great, great correction. Well, I think a lot

0:33:19.880 --> 0:33:21.840
<v Speaker 1>of people just use that term now, you know, like

0:33:22.480 --> 0:33:24.880
<v Speaker 1>somebody could say so and so is the Jackie Robinson

0:33:24.880 --> 0:33:29.160
<v Speaker 1>of cave People. It took took was the Jackie Robinson

0:33:29.160 --> 0:33:32.720
<v Speaker 1>of cave People. All right, I mean it still gets

0:33:32.800 --> 0:33:36.680
<v Speaker 1>the point across into a prescriptive no no, no, no no.

0:33:36.960 --> 0:33:40.440
<v Speaker 1>I'm moving on. Uh to al Jolson, who he mentioned earlier.

0:33:40.520 --> 0:33:42.600
<v Speaker 1>He was one of the biggest stars in the world

0:33:42.600 --> 0:33:46.560
<v Speaker 1>as well. He very famously uh don blackface. Uh. And

0:33:46.640 --> 0:33:49.360
<v Speaker 1>he is someone who went on to have a huge

0:33:49.400 --> 0:33:52.040
<v Speaker 1>career once movies came around. And won't you know, we'll

0:33:52.040 --> 0:33:54.640
<v Speaker 1>get to the effect movies had on all that. But

0:33:54.720 --> 0:33:57.800
<v Speaker 1>he started he was Jewish and he started the jazz singer,

0:33:58.120 --> 0:34:02.280
<v Speaker 1>which was the big sort of first huge feature length

0:34:02.320 --> 0:34:07.920
<v Speaker 1>talkie in n Yeah. And it's interesting that this vaudeville

0:34:07.920 --> 0:34:13.960
<v Speaker 1>star became the first um talkie star for movies because um,

0:34:14.040 --> 0:34:18.280
<v Speaker 1>that was that was a transition that that quickly took over. Actually,

0:34:18.320 --> 0:34:20.399
<v Speaker 1>as we'll see um and I say, we take a break,

0:34:20.520 --> 0:34:23.680
<v Speaker 1>chuck and come back to more vaudeville stuff about that.

0:34:23.800 --> 0:34:43.439
<v Speaker 1>Let's do it. So now finally we're onto that part

0:34:43.480 --> 0:34:47.240
<v Speaker 1>that I was so excited about. Circuits. Yeah, the circuit

0:34:47.360 --> 0:34:52.360
<v Speaker 1>was the business model basically, uh, that allowed everybody to

0:34:52.400 --> 0:34:55.680
<v Speaker 1>make a lot of money. Certainly the owners of these

0:34:55.719 --> 0:34:59.239
<v Speaker 1>theaters and the people who UM had lots and lots

0:34:59.280 --> 0:35:03.080
<v Speaker 1>of these performers signed up to exclusive contracts. Yeah, and

0:35:03.280 --> 0:35:06.720
<v Speaker 1>just as an aside about that big money, UM, I

0:35:06.800 --> 0:35:13.480
<v Speaker 1>put together Percy Williams Saturday Evening post information with our

0:35:13.560 --> 0:35:17.799
<v Speaker 1>friends at west Egg the inflation calculator. Some of the

0:35:18.040 --> 0:35:20.759
<v Speaker 1>some of the amounts that he was thrown out, like

0:35:20.880 --> 0:35:23.480
<v Speaker 1>three dollars a week was not out of the question,

0:35:24.320 --> 0:35:29.520
<v Speaker 1>um for a good like performer on vaudeville, and that

0:35:29.560 --> 0:35:32.200
<v Speaker 1>meant you automatically made half a million dollars a year.

0:35:32.920 --> 0:35:35.239
<v Speaker 1>But it just kept going up from there, like UM,

0:35:35.280 --> 0:35:38.319
<v Speaker 1>I think the highest paid that he mentioned, um was

0:35:38.360 --> 0:35:41.320
<v Speaker 1>a performer who pulled in three thousand dollars a week

0:35:41.600 --> 0:35:45.480
<v Speaker 1>a week, yes, which is forty seven grand a week today,

0:35:45.520 --> 0:35:49.240
<v Speaker 1>which is like over five million dollars in today's money

0:35:49.239 --> 0:35:55.759
<v Speaker 1>for a year. It's like mid level podcaster money, right. Uh,

0:35:55.960 --> 0:36:00.680
<v Speaker 1>the average American was making about bucks at the time.

0:36:01.360 --> 0:36:04.640
<v Speaker 1>So if you're making three fifty dollars a week, and

0:36:04.719 --> 0:36:07.200
<v Speaker 1>you know, it's the same today that the big entertainers

0:36:08.080 --> 0:36:10.520
<v Speaker 1>sort of have always made lots and lots and lots

0:36:10.520 --> 0:36:14.319
<v Speaker 1>of money because they could charge a lot or not

0:36:14.400 --> 0:36:16.120
<v Speaker 1>a lot of money, but they could charge a lot

0:36:16.160 --> 0:36:19.839
<v Speaker 1>of people money to buy to the cell tickets. Yeah,

0:36:19.880 --> 0:36:22.400
<v Speaker 1>and Percy Williams also said one of the other distinctions

0:36:22.440 --> 0:36:25.799
<v Speaker 1>between a legitimate theater house and a vaudeville theater house

0:36:26.160 --> 0:36:28.200
<v Speaker 1>is that that legitimate theater might be happy to have

0:36:28.280 --> 0:36:31.160
<v Speaker 1>five thousand patrons in a week, whereas on a really

0:36:31.160 --> 0:36:34.040
<v Speaker 1>good week with a really good bill of vaudeville house

0:36:34.120 --> 0:36:37.319
<v Speaker 1>might pull in thirty five thousand people in that week.

0:36:37.400 --> 0:36:38.840
<v Speaker 1>So that kind of gives you an idea of just

0:36:38.880 --> 0:36:41.799
<v Speaker 1>how popular it was because it wasn't high brow, it

0:36:41.840 --> 0:36:45.160
<v Speaker 1>wasn't high falutin, it was understandable, it was funny, it

0:36:45.239 --> 0:36:48.439
<v Speaker 1>was moving, um, and just about anybody could could tap

0:36:48.480 --> 0:36:50.440
<v Speaker 1>into it and get it and be moved by it.

0:36:50.560 --> 0:36:54.560
<v Speaker 1>So um. The The thing is, though, is if they're

0:36:54.640 --> 0:36:58.759
<v Speaker 1>charging ten cents apiece, that's still only thirty dollars. So

0:36:58.840 --> 0:37:00.759
<v Speaker 1>one of the ways these theaters made money is to

0:37:00.840 --> 0:37:04.319
<v Speaker 1>have really good performers that they just squeezed because three

0:37:04.360 --> 0:37:07.120
<v Speaker 1>hundred bucks a week was not the average, and apparently

0:37:07.120 --> 0:37:09.239
<v Speaker 1>there were plenty of performers who all they wanted to

0:37:09.239 --> 0:37:11.120
<v Speaker 1>do was perform, and if you could give them just

0:37:11.239 --> 0:37:14.000
<v Speaker 1>enough money to get to the next show and maybe

0:37:14.040 --> 0:37:16.440
<v Speaker 1>eat along the way, they would just keep doing it

0:37:16.600 --> 0:37:18.719
<v Speaker 1>year after year. And that's how they really made their

0:37:18.719 --> 0:37:20.680
<v Speaker 1>money was with those acts. Yeah, and they I mean

0:37:20.680 --> 0:37:26.000
<v Speaker 1>these people were performing, um, fourteen to twenty times a week,

0:37:26.440 --> 0:37:28.640
<v Speaker 1>you know, definitely two shows a day. Sometimes on the

0:37:28.640 --> 0:37:32.560
<v Speaker 1>weekend they would do three or more. And they were

0:37:32.600 --> 0:37:34.840
<v Speaker 1>you know, I'm not sure how much I guess the

0:37:34.840 --> 0:37:37.799
<v Speaker 1>bigger star you get, you know, leverage is always worked

0:37:37.800 --> 0:37:40.080
<v Speaker 1>the same way. You might have had a little more say,

0:37:40.160 --> 0:37:43.120
<v Speaker 1>but unless you got to that tippy top point, like

0:37:43.160 --> 0:37:45.400
<v Speaker 1>you were kind of doing what you were told and

0:37:45.440 --> 0:37:48.240
<v Speaker 1>you were getting paid handsomely for it. But these people

0:37:48.280 --> 0:37:51.680
<v Speaker 1>were working themselves to the bone on stage every day. Yeah.

0:37:51.760 --> 0:37:53.520
<v Speaker 1>And I also have the impression that if you're a

0:37:53.560 --> 0:37:58.640
<v Speaker 1>Volueville performer, even the top of the pile, uh, to

0:37:58.640 --> 0:38:01.919
<v Speaker 1>to act like a a normal star, like a theater star,

0:38:02.000 --> 0:38:05.840
<v Speaker 1>would be anathetical to the whole spirit of vaudeville. I

0:38:05.880 --> 0:38:09.000
<v Speaker 1>think even like the biggest stars were still like, you know,

0:38:09.560 --> 0:38:11.960
<v Speaker 1>work people, like they just got to work, and they

0:38:11.960 --> 0:38:14.040
<v Speaker 1>didn't they didn't put on airs. I guess you could

0:38:14.080 --> 0:38:17.760
<v Speaker 1>say is they would put it in Scotland, right, Uh,

0:38:17.800 --> 0:38:21.000
<v Speaker 1>there was a black vaudeville circuit that was fully its

0:38:21.040 --> 0:38:25.200
<v Speaker 1>own thing. Uh. Generally black owned theaters and there was

0:38:25.239 --> 0:38:28.680
<v Speaker 1>a booking circuit of vaudeville circuit um called the Theater

0:38:28.800 --> 0:38:33.239
<v Speaker 1>Owners Booking Association or TOBA t O b A. And

0:38:33.400 --> 0:38:35.919
<v Speaker 1>they were again they were, you know, grinding these people

0:38:35.960 --> 0:38:39.000
<v Speaker 1>through the entertainment grinder. Still paying them pretty well though

0:38:39.320 --> 0:38:42.800
<v Speaker 1>although it was less than people on the white vaudeville circuit.

0:38:42.800 --> 0:38:45.440
<v Speaker 1>We're getting paid and I think the theaters probably were

0:38:45.480 --> 0:38:49.040
<v Speaker 1>cheaper as well. Um, but the performers used to joke

0:38:49.080 --> 0:38:52.640
<v Speaker 1>apparently that t O b A uh stood for tough

0:38:52.760 --> 0:38:56.960
<v Speaker 1>on black asses. Yeah, because they really like put them

0:38:56.960 --> 0:39:00.200
<v Speaker 1>through the grinder, like you need to be here, and um,

0:39:00.239 --> 0:39:03.200
<v Speaker 1>the gigs were guaranteed and there was you know, good money,

0:39:03.200 --> 0:39:05.800
<v Speaker 1>like you said, but it was I get the impression

0:39:05.800 --> 0:39:08.200
<v Speaker 1>too that it was more grueling. They're also a little

0:39:08.200 --> 0:39:11.120
<v Speaker 1>bit looser, so you could get away with a little

0:39:11.239 --> 0:39:15.080
<v Speaker 1>less family friendly content, a little more sexual innuendo and

0:39:15.120 --> 0:39:18.680
<v Speaker 1>body humor. Um. There was one example they found called

0:39:19.280 --> 0:39:21.759
<v Speaker 1>It was a husband wife duo called butter Beans and

0:39:21.840 --> 0:39:26.840
<v Speaker 1>Susie and their big hit song was uh that Susie

0:39:26.840 --> 0:39:29.600
<v Speaker 1>saying was I want a hot dog for my role m.

0:39:29.960 --> 0:39:34.759
<v Speaker 1>So you know, just there you have it. One of

0:39:34.800 --> 0:39:37.759
<v Speaker 1>the other um stars of the Black vaudeville circuit was

0:39:37.840 --> 0:39:42.120
<v Speaker 1>Mom's Madly Isn't Madly? Or Maybely? Okay, that's what I

0:39:42.160 --> 0:39:46.000
<v Speaker 1>thought too. So Mom's maybe was a star UM into

0:39:46.040 --> 0:39:48.600
<v Speaker 1>the sixties and I think maybe even the seventies on

0:39:48.640 --> 0:39:51.399
<v Speaker 1>television with this one vaudeville character that she came up

0:39:51.400 --> 0:39:54.520
<v Speaker 1>with way back in the twenties, Um, and I saw

0:39:54.600 --> 0:39:57.239
<v Speaker 1>that she was a trailblazer in that she came out

0:39:57.280 --> 0:40:03.160
<v Speaker 1>as a lesbian in N one. Yeah, and they called

0:40:03.160 --> 0:40:05.080
<v Speaker 1>her Moms. Her real name was Jackie, but they called

0:40:05.080 --> 0:40:07.640
<v Speaker 1>her Moms because she was such like a maternal figure

0:40:07.920 --> 0:40:10.440
<v Speaker 1>to all of the other performers on the vaudeville circuit,

0:40:10.520 --> 0:40:13.160
<v Speaker 1>whoever she was on the bill with. You know, backstage,

0:40:13.160 --> 0:40:15.840
<v Speaker 1>she's had kind of a maternal presence, so everybody nicknamed

0:40:15.840 --> 0:40:18.799
<v Speaker 1>her Mom's and that led to that character that just

0:40:18.880 --> 0:40:21.759
<v Speaker 1>carried her for decades on. Yeah. I mean she if

0:40:21.800 --> 0:40:24.240
<v Speaker 1>you look up a picture of her, like I forture

0:40:24.280 --> 0:40:27.360
<v Speaker 1>saw her on television in the seventies, right, she definitely

0:40:27.360 --> 0:40:29.960
<v Speaker 1>looks familiar. So, um, did you see that there is

0:40:30.000 --> 0:40:34.320
<v Speaker 1>still a theater, a black owned theater from the black

0:40:34.600 --> 0:40:38.239
<v Speaker 1>vaudeville circuit? Um in Athens, still in operation today, the

0:40:38.239 --> 0:40:40.319
<v Speaker 1>Morton Theater. Did you know that I've been to a

0:40:40.320 --> 0:40:43.919
<v Speaker 1>play there. Yeah, so it started in nineteen and it's

0:40:43.960 --> 0:40:46.920
<v Speaker 1>still going. It's awesome. There's another one in make in

0:40:46.920 --> 0:40:50.399
<v Speaker 1>Georgia called the Douglas Theater. Uh. So it's it's cool

0:40:50.440 --> 0:40:53.319
<v Speaker 1>that these are still around. I love it. Yeah. Uh.

0:40:53.360 --> 0:40:56.440
<v Speaker 1>And then in addition to the Um Black Vaudeville Circuit,

0:40:56.480 --> 0:40:59.720
<v Speaker 1>there was also a Yiddih Vaudeville circuit Um which Fanny

0:40:59.760 --> 0:41:02.400
<v Speaker 1>b Ice, the inspiration for Funny Girl, came out of.

0:41:03.440 --> 0:41:05.600
<v Speaker 1>There was that Native American volb Will Circle that you

0:41:05.640 --> 0:41:09.080
<v Speaker 1>talked about. And I don't remember what episode we talked

0:41:09.080 --> 0:41:13.080
<v Speaker 1>about it, and maybe Geronimo, yeah, or the Apache Wars

0:41:13.160 --> 0:41:17.080
<v Speaker 1>episode we talked about how Geronimo joined Buffalo Bill's Wild

0:41:17.080 --> 0:41:20.560
<v Speaker 1>West Show. That would be an excellent example of native

0:41:20.680 --> 0:41:23.680
<v Speaker 1>Native American vaudeville from what I understand. Yeah, and they

0:41:23.680 --> 0:41:26.600
<v Speaker 1>would do you know, they would uh sort of play

0:41:26.640 --> 0:41:29.680
<v Speaker 1>up their ethnic stereotype as well for yucks, but then

0:41:29.719 --> 0:41:32.920
<v Speaker 1>also do stuff like, you know, show off some of

0:41:32.920 --> 0:41:36.920
<v Speaker 1>their their skills, like whether it's roping or dancing or

0:41:37.080 --> 0:41:39.960
<v Speaker 1>you know, shooting arrows and stuff like that. So you know,

0:41:40.360 --> 0:41:43.439
<v Speaker 1>it had something for everyone, and I think their audiences, um,

0:41:43.520 --> 0:41:46.560
<v Speaker 1>we're pretty much exclusively although that's not true. They would

0:41:46.800 --> 0:41:51.759
<v Speaker 1>perform for uh all kinds of audiences, right, yeah, I

0:41:51.800 --> 0:41:55.319
<v Speaker 1>think basically everybody that It wasn't a segregated performance from

0:41:55.320 --> 0:41:58.279
<v Speaker 1>what I understand, unless, of course, the theater was strictly segregated.

0:41:58.960 --> 0:42:02.200
<v Speaker 1>Good point, So I should also I think we should

0:42:02.200 --> 0:42:04.760
<v Speaker 1>point out, Chuck that when we're saying yuck's in this episode,

0:42:04.760 --> 0:42:08.080
<v Speaker 1>we're saying it without a seat, like not yuck, but

0:42:08.320 --> 0:42:11.120
<v Speaker 1>like a laugh, right, Just want to make sure everybody

0:42:11.120 --> 0:42:13.640
<v Speaker 1>knows that because we're always talking about yuck in somebody's

0:42:13.719 --> 0:42:16.920
<v Speaker 1>yum and they might be confused at this point. Oh yeah, yeah,

0:42:17.000 --> 0:42:22.520
<v Speaker 1>yuck like a comedic yuck. Yeah, uk, exactly. I guess

0:42:22.520 --> 0:42:25.600
<v Speaker 1>we can go over here towards the end some of

0:42:25.640 --> 0:42:29.040
<v Speaker 1>the bigger stars who came out of vaudeville. I mean,

0:42:29.080 --> 0:42:31.920
<v Speaker 1>it's sort of a a hit list of some of

0:42:31.960 --> 0:42:36.360
<v Speaker 1>the most famous people of early televised entertainment when that

0:42:36.440 --> 0:42:39.960
<v Speaker 1>came along, everyone from Jack Benny to Fred Astaire and

0:42:40.160 --> 0:42:43.440
<v Speaker 1>Will Rogers and Bob Hope. You know they you think, like,

0:42:43.520 --> 0:42:49.400
<v Speaker 1>were they old enough? They were generally child performers in vaudeville. Yeah,

0:42:49.640 --> 0:42:53.839
<v Speaker 1>um so uh. I Also I saw George Burns one

0:42:53.880 --> 0:42:56.040
<v Speaker 1>of them, and he apparently had been in vaudeville since

0:42:56.040 --> 0:43:00.800
<v Speaker 1>he was seven, and he finally met his wife, Gracie Allen,

0:43:01.160 --> 0:43:04.160
<v Speaker 1>and they became this amazing comic duo that went onto

0:43:04.239 --> 0:43:06.640
<v Speaker 1>the radio and went onto the TV. Like they followed

0:43:06.680 --> 0:43:11.080
<v Speaker 1>the trajectory that um that most like the the absolute

0:43:11.160 --> 0:43:15.800
<v Speaker 1>cream of the crop, most successful vaudeville performers followed um.

0:43:15.840 --> 0:43:19.719
<v Speaker 1>And for our younger listeners, George Burns played God in

0:43:19.840 --> 0:43:24.120
<v Speaker 1>the John Denver vehicle, Oh God and Joker more familiar

0:43:25.480 --> 0:43:28.160
<v Speaker 1>folk singer who you should listen to because he was

0:43:28.160 --> 0:43:32.840
<v Speaker 1>the best. Would you call him a folk singer? Yeah, singer, songwriter,

0:43:32.880 --> 0:43:39.160
<v Speaker 1>folk singer? What would you call him? Just called? I

0:43:39.160 --> 0:43:41.719
<v Speaker 1>mean he was kind of his own thing. It was yeah, yeah,

0:43:41.760 --> 0:43:44.279
<v Speaker 1>I mean he was definitely not like yacht rock or

0:43:44.280 --> 0:43:47.000
<v Speaker 1>anything like that, because he was a mountain lion sure,

0:43:47.480 --> 0:43:51.480
<v Speaker 1>who liked flying his plane high on cocaine. Was he

0:43:51.560 --> 0:43:54.640
<v Speaker 1>high on cocaine? Yes, but that's not why you crashed.

0:43:54.640 --> 0:43:56.279
<v Speaker 1>I think he ran out of gas. But they he

0:43:56.320 --> 0:43:58.680
<v Speaker 1>did have cocaine into the system when they did the autopsy.

0:43:58.880 --> 0:44:01.399
<v Speaker 1>That's sad. Uh. Quickly, I do want to mention Jack

0:44:01.400 --> 0:44:05.200
<v Speaker 1>Benny's story because it's kind of cool. Uh. He was

0:44:05.280 --> 0:44:10.160
<v Speaker 1>born Benjamin Kubelski and he was a violin prodigy. So

0:44:10.320 --> 0:44:13.239
<v Speaker 1>his act at first as a vaudevillian as a child

0:44:13.400 --> 0:44:16.000
<v Speaker 1>was a very serious sort of let me play my violin.

0:44:16.560 --> 0:44:20.160
<v Speaker 1>But as the story goes, he bombed really bad one

0:44:20.280 --> 0:44:23.200
<v Speaker 1>night and like cracked a really great one liner which

0:44:23.200 --> 0:44:26.520
<v Speaker 1>made everyone laugh really hard, and then started sort of

0:44:26.560 --> 0:44:28.640
<v Speaker 1>working jokes into his act, and before he knew it,

0:44:28.680 --> 0:44:32.720
<v Speaker 1>he was a comedian. Yeah. Yeah, I guess Will Rogers

0:44:32.800 --> 0:44:34.279
<v Speaker 1>had the same thing happened to him. He was a

0:44:34.400 --> 0:44:40.440
<v Speaker 1>rope trick roper, roper, sure, and um he failed at

0:44:40.480 --> 0:44:43.000
<v Speaker 1>some trick and made a joke and everybody laughed, and

0:44:43.040 --> 0:44:45.200
<v Speaker 1>he's like, maybe I should try adding jokes to my act,

0:44:45.239 --> 0:44:47.920
<v Speaker 1>and that kind of went from there. He became America's

0:44:47.920 --> 0:44:51.560
<v Speaker 1>most beloved humorous after a while. That's right. Uh, But

0:44:51.640 --> 0:44:54.920
<v Speaker 1>you teased earlier about movies, and I think I teased

0:44:54.920 --> 0:44:57.200
<v Speaker 1>it too, And I think everybody sees where this is

0:44:57.239 --> 0:45:02.240
<v Speaker 1>headed is movies came along, and movies throwing a movie

0:45:02.280 --> 0:45:04.080
<v Speaker 1>on a TV on a on a movie screen in

0:45:04.080 --> 0:45:06.920
<v Speaker 1>a theater as a heck of a lot easier than

0:45:06.960 --> 0:45:11.440
<v Speaker 1>booking eight or ten human animal acts every single day

0:45:11.440 --> 0:45:14.520
<v Speaker 1>of the week. Yeah, and um, apparently movies kind of

0:45:14.600 --> 0:45:17.479
<v Speaker 1>started out as a vaudeville act, like you might see

0:45:17.480 --> 0:45:20.680
<v Speaker 1>a ten or twenty minute short film as part of

0:45:20.719 --> 0:45:24.440
<v Speaker 1>the show. Um and Keith Benjamin Franklin Keith and his

0:45:24.600 --> 0:45:27.600
<v Speaker 1>partner Mr. Albi I don't remember his first thing. They

0:45:27.640 --> 0:45:30.120
<v Speaker 1>are aptly they were the first ones to actually start

0:45:30.160 --> 0:45:34.880
<v Speaker 1>showing movies at vaudeville shows. And then it started a transition, chuck,

0:45:35.280 --> 0:45:38.000
<v Speaker 1>because they would need time to cool down the projector

0:45:38.040 --> 0:45:42.600
<v Speaker 1>in between shows, and um, they would have vaudeville acts

0:45:42.680 --> 0:45:46.759
<v Speaker 1>in between movies. So it went from a movie is

0:45:46.880 --> 0:45:49.880
<v Speaker 1>just one part of a vaudeville bill to vaudeville just

0:45:49.920 --> 0:45:54.360
<v Speaker 1>getting narrower, narrower and smushed down into these lesser roles.

0:45:54.440 --> 0:45:56.680
<v Speaker 1>And then movies just kind of took off from there,

0:45:56.680 --> 0:45:59.720
<v Speaker 1>and vaudeville got left in the dust, left in the dust.

0:46:00.520 --> 0:46:03.640
<v Speaker 1>But again, if you look at early TV, uh, and

0:46:03.800 --> 0:46:08.239
<v Speaker 1>even again into the fifties, sixties and seventies, that those

0:46:08.239 --> 0:46:11.600
<v Speaker 1>were vaudeville shows. Heehaw and the man drell sisters and

0:46:12.520 --> 0:46:18.319
<v Speaker 1>uh solid gold maybe not solid gold, kind of still

0:46:18.440 --> 0:46:23.960
<v Speaker 1>dance focused. Yeah. What about Ed Sullivan? Yeah, probably so.

0:46:24.000 --> 0:46:26.839
<v Speaker 1>Supposedly when he was canceled in nine seventy one, he said,

0:46:27.239 --> 0:46:32.440
<v Speaker 1>Vaudeville has died at second death. Wow. Yeah, he dropped

0:46:32.440 --> 0:46:35.680
<v Speaker 1>his mind after that. I love it. This is good stuff.

0:46:36.800 --> 0:46:39.440
<v Speaker 1>You got anything else about Vaudeville? I got nothing else.

0:46:39.480 --> 0:46:42.799
<v Speaker 1>Go out and support your local Vaudeville theater, that's all right,

0:46:43.160 --> 0:46:45.879
<v Speaker 1>and then maybe see your roller Derby after that. Uh.

0:46:45.920 --> 0:46:48.719
<v Speaker 1>And since I said roller Derby everybody, of course, that

0:46:48.760 --> 0:46:53.319
<v Speaker 1>means it's time for listener mail. Al Right, what we're

0:46:53.320 --> 0:46:56.799
<v Speaker 1>gonna do today instead of listener mail is, uh, do

0:46:56.960 --> 0:47:01.520
<v Speaker 1>a way overdue plug for a couple of things. But

0:47:01.640 --> 0:47:05.480
<v Speaker 1>certainly our Kiva team, Um, many years ago, what year

0:47:05.640 --> 0:47:08.919
<v Speaker 1>was this, I'm trying to see you two two thousand

0:47:09.000 --> 0:47:11.560
<v Speaker 1>nine October two thousand nine, So this is close to

0:47:11.600 --> 0:47:15.560
<v Speaker 1>the anniversary actually of when we started this team in

0:47:15.600 --> 0:47:17.640
<v Speaker 1>the very early days of stuff. You should know. Kiva

0:47:17.760 --> 0:47:22.759
<v Speaker 1>is a micro lending organization who uh does great work.

0:47:22.800 --> 0:47:26.319
<v Speaker 1>Micro Lending organizations aren't perfect, but Kiva is a good

0:47:26.320 --> 0:47:29.120
<v Speaker 1>one and they do a pretty good job of getting

0:47:29.760 --> 0:47:32.720
<v Speaker 1>very small amounts of money sourced from around the world

0:47:32.719 --> 0:47:37.120
<v Speaker 1>into the hands of entrepreneurs and uh sometimes in America.

0:47:37.120 --> 0:47:40.799
<v Speaker 1>We usually in in developing countries who really need it. Right. Yeah,

0:47:40.840 --> 0:47:43.440
<v Speaker 1>it's like you said, it's a great organization. We've our

0:47:43.560 --> 0:47:47.440
<v Speaker 1>team has been going gangbusters for years. So let me

0:47:47.520 --> 0:47:50.080
<v Speaker 1>just update everyone with a couple of stats. If you

0:47:50.080 --> 0:47:53.319
<v Speaker 1>want to join, Kiva, doesn't cost anything to join, but

0:47:53.400 --> 0:47:55.920
<v Speaker 1>to make a donation. I think you can donate as

0:47:55.920 --> 0:47:58.440
<v Speaker 1>little as like twenty five bucks. Yeah, if you want

0:47:58.440 --> 0:48:00.160
<v Speaker 1>to just get the ball rolling. And the idea is

0:48:00.200 --> 0:48:02.880
<v Speaker 1>that these people pay the stuff back almost all the time,

0:48:03.320 --> 0:48:06.000
<v Speaker 1>and then you can re lend that money. And I've

0:48:06.040 --> 0:48:09.520
<v Speaker 1>been relending the same you know, from the same kitty

0:48:09.520 --> 0:48:12.319
<v Speaker 1>of money I started with years ago. But we have

0:48:12.440 --> 0:48:15.120
<v Speaker 1>now raised as a collective stuff you should know, team

0:48:15.160 --> 0:48:20.560
<v Speaker 1>over twelve million dollars, which is staggering, uh four hundred

0:48:20.560 --> 0:48:25.279
<v Speaker 1>and fifty five thousand loans uh plus you know and

0:48:25.440 --> 0:48:29.080
<v Speaker 1>change and then for an average of almost forty loans

0:48:29.680 --> 0:48:36.200
<v Speaker 1>per member and eleven thousand, five hundred and six team members.

0:48:36.719 --> 0:48:40.759
<v Speaker 1>That's fantastic. It's really congratulations to everybody on the Kiva team.

0:48:40.840 --> 0:48:43.520
<v Speaker 1>Keep it up and what else we got going, Well,

0:48:43.520 --> 0:48:45.320
<v Speaker 1>hold on one other thing about the Kiva team. I

0:48:45.400 --> 0:48:47.680
<v Speaker 1>always wanted to make sure to say, like, it's extremely

0:48:47.719 --> 0:48:51.680
<v Speaker 1>inclusive and they're always happy to let any new member joined,

0:48:51.760 --> 0:48:54.719
<v Speaker 1>so don't feel shy about it at all. And then

0:48:54.719 --> 0:48:56.799
<v Speaker 1>the other thing we just found out about recently we

0:48:56.840 --> 0:49:00.319
<v Speaker 1>didn't know is we have not one, but two Red

0:49:00.440 --> 0:49:03.680
<v Speaker 1>Cross blood donation teams Stuff you Should Know teams. I

0:49:03.719 --> 0:49:05.440
<v Speaker 1>didn't know. I didn't know that was a thing. I

0:49:05.480 --> 0:49:08.759
<v Speaker 1>didn't know there were blood donation teams at all. Now

0:49:08.840 --> 0:49:12.040
<v Speaker 1>you do. So if you donate blood to the Red Cross,

0:49:12.280 --> 0:49:14.799
<v Speaker 1>you can do it as a part of the stuff

0:49:14.840 --> 0:49:17.560
<v Speaker 1>you Should Know team if you want, we'll be happy

0:49:17.640 --> 0:49:21.879
<v Speaker 1>to support you anyway. We can't with T shirts, maybe UM,

0:49:21.920 --> 0:49:25.759
<v Speaker 1>small grants, UM or just you know, our thanks in

0:49:25.800 --> 0:49:29.520
<v Speaker 1>advance for being a good person. Let's go get a go,

0:49:29.640 --> 0:49:35.839
<v Speaker 1>donate some blood butters in our name, get your sweet cookies. God,

0:49:35.880 --> 0:49:39.080
<v Speaker 1>I love Nutter butters. Yeah they're great, but they're particularly

0:49:39.120 --> 0:49:40.839
<v Speaker 1>great when you're down a pine of blood in your

0:49:40.840 --> 0:49:42.520
<v Speaker 1>head swimming a little bit. That's the only time I

0:49:42.560 --> 0:49:44.040
<v Speaker 1>have I m I can't buy Nutter butters and keep

0:49:44.120 --> 0:49:46.480
<v Speaker 1>them in the house. You know. It's one of the

0:49:46.600 --> 0:49:50.680
<v Speaker 1>weird things of America is that there's two types of

0:49:50.760 --> 0:49:54.000
<v Speaker 1>Nutter butters and they're totally different. Have you noticed there's

0:49:54.040 --> 0:50:00.239
<v Speaker 1>like a wafer like there's a wafer e kindly, Yes, No,

0:50:00.600 --> 0:50:04.120
<v Speaker 1>it's square, it's very basic hashtag basic. But then there's

0:50:04.160 --> 0:50:07.440
<v Speaker 1>the peanut shaped one that's a cookie. It's got you know,

0:50:07.480 --> 0:50:13.080
<v Speaker 1>it's a cookie sandwich. This is like a filled wafer. Um. Yeah,

0:50:13.120 --> 0:50:16.480
<v Speaker 1>And they're both Nutter butters, same logo, same packaging, just

0:50:16.880 --> 0:50:19.759
<v Speaker 1>two different types of peanut butter cookies. Man, you know

0:50:19.800 --> 0:50:23.440
<v Speaker 1>how disappointed I would be if I bought the wrong package.

0:50:23.760 --> 0:50:26.560
<v Speaker 1>Hopefully this happening more than one person for sure, all right,

0:50:26.640 --> 0:50:30.200
<v Speaker 1>So pay attention at the cookie everyone. So if you

0:50:30.239 --> 0:50:32.839
<v Speaker 1>want to join our keyva team, go ahead. Uh it's

0:50:32.880 --> 0:50:36.120
<v Speaker 1>at kiva dot org slash team slash stuff you should Know.

0:50:36.160 --> 0:50:38.319
<v Speaker 1>If I'm not mistaken, or just go to kiva dot

0:50:38.400 --> 0:50:40.920
<v Speaker 1>organ search Stuff you should know. I'm quite sure you

0:50:40.960 --> 0:50:42.719
<v Speaker 1>can do the same thing on the Red Cross Blow

0:50:43.480 --> 0:50:47.359
<v Speaker 1>Good donation site. And you can also get in touch

0:50:47.400 --> 0:50:53.480
<v Speaker 1>with us at stuff Podcasts at iHeart radio dot com.

0:50:53.600 --> 0:50:55.880
<v Speaker 1>Stuff you should Know is a production of iHeart Radio

0:50:56.360 --> 0:50:59.200
<v Speaker 1>For more podcasts my heart Radio, visit the iHeart Radio

0:50:59.280 --> 0:51:02.240
<v Speaker 1>app app podcasts, or wherever you listen to your favorite

0:51:02.239 --> 0:51:09.239
<v Speaker 1>shows h m hm