WEBVTT - 2 | Critical Conditions

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<v Speaker 1>iHeart three D audio.

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<v Speaker 2>For full exposure listen with headphones.

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<v Speaker 3>Havoctown is a production of iHeart Podcasts and Grimm and

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<v Speaker 3>Mild from Aaron Mankey Headphones recommended. Listener discretion advised.

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<v Speaker 4>Our lead story today, Raymond Bachman, the man accused of

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<v Speaker 4>driving his car into a crowd of people at the

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<v Speaker 4>Havoc Township courthouse, has died today. Police are still investigating

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<v Speaker 4>the cause of the incident. Bachmann's family could not be

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<v Speaker 4>reached for comment.

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<v Speaker 1>Okay, We're okay, We're gonna be okay. Say you're just

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<v Speaker 1>living your life, obsessed with your bills and shit at

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<v Speaker 1>work and what's for dinner for that party you have

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<v Speaker 1>to go to for your best friend because you owe

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<v Speaker 1>them one. You are immersed in the constant deluge of

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<v Speaker 1>the day to day, swimming in it. It has always

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<v Speaker 1>been and will always be life, normal, life, tedious and lovely.

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<v Speaker 1>And then one morning, as you're bringing the garbage down

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<v Speaker 1>to the street before heading off to work, boom wolf

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<v Speaker 1>Man in your yard. Poseidon pops up from the sewers descend,

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<v Speaker 1>bringing new revelations from on high. Blood drenched madman goes

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<v Speaker 1>on a violent killing spree with a fireman's axe. What

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<v Speaker 1>happens the next morning? Do you wake up at the

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<v Speaker 1>normal time, go through your morning checklist, you brush your teeth?

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<v Speaker 1>Do you floss? In this new reality? You cancel dinner plans? Dad?

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<v Speaker 1>Your call has been forwarded to an automatic voice message system. Hey, Sylvie, uh,

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<v Speaker 1>I think we keep the bar closed today out of

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<v Speaker 1>respect for the dead day off? Okay, bye? How do

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<v Speaker 1>you just sit with your coffee? In my head, I

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<v Speaker 1>ran through the previous day, the same wall I made

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<v Speaker 1>every day, the car careening around the corner, the bloodshed

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<v Speaker 1>that followed, and then later that night, meeting my savior

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<v Speaker 1>a second time, which you know didn't go great. Hello.

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<v Speaker 2>I am Sylvie. I work here and I am.

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<v Speaker 1>Friends with Krine. Oh god, I'm sorry. This is Sylvie. Sylvie.

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<v Speaker 1>This nicely dressed man pushed me out of the way

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<v Speaker 1>of a moving car and saved my life. And I

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<v Speaker 1>never caught his name.

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<v Speaker 5>All right, I'm Jury Jerry Havoc. Well, shit again, I

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<v Speaker 5>quite a lot.

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<v Speaker 1>Actually, which number are you?

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<v Speaker 2>The fourteenth?

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<v Speaker 6>Shit?

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<v Speaker 1>There are a lot of you.

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<v Speaker 2>Well what right?

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<v Speaker 1>Right? Sorry? Jury Havoc. In the Flash, the fourteenth Sigon

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<v Speaker 1>to the Havoc Empire for whom our town is named.

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<v Speaker 2>Yeah, I suppose Karen. Yes, and do you have a

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<v Speaker 2>last name? Krin?

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<v Speaker 1>Oh yeah, it's Abbess.

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<v Speaker 5>No shit, yeah, of the famed vampire hunters. Tell me

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<v Speaker 5>you're still out there every night digging up the dead.

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<v Speaker 1>You're still out there breaking labor laws in your factories.

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<v Speaker 1>Uh sorry, that was that was just that was way

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<v Speaker 1>out of line.

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<v Speaker 5>No, no, it was it was fair considering. I'm sorry.

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<v Speaker 5>Let's start again, shall we. Hello karinn Abbess. My name

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<v Speaker 5>is Jerry Havoc. I come in peace.

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<v Speaker 1>Hmmm you want to drink?

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<v Speaker 5>Uh no, I have to take a rain check. Actually,

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<v Speaker 5>I just stopped by to drop off the phone and

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<v Speaker 5>you know, introduce myself formerly.

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<v Speaker 1>Hm, well, thank you.

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<v Speaker 2>And I'll bid you ladies a good night.

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<v Speaker 7>Good night, don't be a stranger.

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<v Speaker 5>Oh and so you know, I've been trying very hard

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<v Speaker 5>to get my house in order. The men whoever saw

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<v Speaker 5>those labor violations that they've been terminated. I'm trying to

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<v Speaker 5>do better than we've done in the past.

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<v Speaker 7>Oh.

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<v Speaker 1>I I was just reacting, you know, in a moment.

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<v Speaker 2>I didn't mean no, no, no, no, no, it's okay,

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<v Speaker 2>it's okay. You weren't wrong. Exactly.

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<v Speaker 1>Well, just so you know, we gave up the vampire

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<v Speaker 1>hunting business a couple of years back.

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<v Speaker 2>Oh, good to know.

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<v Speaker 1>It was dead. Anyway, that's terrible.

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<v Speaker 2>Well i'll see you ladies around.

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<v Speaker 1>You are horrible at flirting. Yeah, I'm gonna need another drink.

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<v Speaker 1>You got it, mama, And I wasn't flirting, clearly stupid.

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<v Speaker 1>A terrible day had led to a very involved evening

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<v Speaker 1>of drinking, a long stumble home in the cold, and

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<v Speaker 1>a fitful night of bad dreams and trips to the bathroom.

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<v Speaker 1>The morning began, as such mornings usually do, with an

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<v Speaker 1>almost operatic hangover. I was going to get so much worse. Dad, Hey, Dad,

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<v Speaker 1>you awake, Dad. It's almost ten. We need to start

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<v Speaker 1>getting rolling if we're going to make your appointment, Dad, Dad,

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<v Speaker 1>Oh please please, oh god, oh god, no, no, no, no, no, no, no,

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<v Speaker 1>no no. What happened? Did you fall getting out of bed?

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<v Speaker 1>Your lips are blue? Can you hear me? Daddy? Okay, okay,

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<v Speaker 1>I'll be right back. I'm gonna call the ambulance. Hello, Yes,

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<v Speaker 1>I found my father on the floor. He's barely breathing.

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<v Speaker 1>He's unresponsive. Eight one seven twin Oaks Drive, it looks

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<v Speaker 1>like he tripped or collapsed or something. He's got cancer.

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<v Speaker 1>This is his daughter, Corinne. Okay, please please hurry. Is

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<v Speaker 1>there anything I can do? I followed to the hospital.

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<v Speaker 1>All I could think about was how long he'd been there?

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<v Speaker 1>An hour? All night? Why hadn't I checked on him

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<v Speaker 1>when I got home? Hi? Yeah, my sorry, my father

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<v Speaker 1>was brought in here by an ambulance. I lost track

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<v Speaker 1>of them while like name in abbis No, your father's

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<v Speaker 1>oh Jonathan Abos. He probably came in like five minutes ago.

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<v Speaker 1>I got stuck at a light and I lost track

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<v Speaker 1>of them.

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<v Speaker 3>He's not in the system yet.

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<v Speaker 2>I'll call you when he pops up.

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<v Speaker 1>Okay, how long does it normally take?

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<v Speaker 3>Depends on a lot of factors.

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<v Speaker 2>Excuse me, horn So.

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<v Speaker 1>Wait wait wait, there's nothing I can do. I'll call you.

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<v Speaker 6>Please sit Corren Jimbo, Hey kid, everything okay?

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<v Speaker 1>Uh? Well no, no, actually I I found dad this morning.

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<v Speaker 1>Oh no, yeah, he was some got chimbo. I don't know.

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<v Speaker 1>I don't know what's happening. He was just he was

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<v Speaker 1>just lying there.

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<v Speaker 6>And hey, come here. Look your dad's a real fighter.

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<v Speaker 6>You know that? Yeah? Yeah, hey, I ever tell you

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<v Speaker 6>about the time Old Tom stabanaw got his blood up

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<v Speaker 6>about the Pats and started trying to get into it

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<v Speaker 6>with Pauli Shelton for wearing a giant's jersey. I was

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<v Speaker 6>about to take a swing, and your dad, all five

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<v Speaker 6>foot seven of him, took that goliath down with a

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<v Speaker 6>single swing.

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<v Speaker 1>Dad, my dad.

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<v Speaker 6>Yeah. Yeah. He stood over Old Tom made sure he

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<v Speaker 6>could hear him, and then just said be polite. Really yeah, yeah,

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<v Speaker 6>he was just a James Horn. Yeah. Yeah, hold your horses,

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<v Speaker 6>I'm coming. You. Let me and Barbara know if there's

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<v Speaker 6>anything you or your dad need.

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<v Speaker 1>Huh wait, I'm sorry, Jesus, what's going on? Why are

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<v Speaker 1>you here? You all right?

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<v Speaker 6>Yeah? I just uh the guy yesterday bit me and.

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<v Speaker 1>It's Jesus, Jimbo. That looks terrible.

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<v Speaker 6>Yeah, it's a little angry, for sure.

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<v Speaker 1>Your whole arm is swollen.

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<v Speaker 6>Yeah. Well, I just hope that guy wasn't rabid. No, no,

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<v Speaker 6>that was a joke.

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<v Speaker 1>Mister Horn.

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<v Speaker 6>I said I was coming, you goddamn.

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<v Speaker 1>Hoppy, jim You can't scream.

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<v Speaker 6>Do not tell me what I can't do.

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<v Speaker 8>I'm an officer the goddamn law security.

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<v Speaker 6>Don't you dare call o goddamn rent a cop on me.

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<v Speaker 1>You stupid Jesus Jimbough.

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<v Speaker 2>I'm hot.

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<v Speaker 1>I can't, Jimbo, your nose is bleeding.

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<v Speaker 6>I'm sorry, I'm so I'm so sorry. I just need

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<v Speaker 6>to just sit shit.

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<v Speaker 4>So if you need to sit down, jim we need

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<v Speaker 4>a team. In Lobby three, a man's fainted.

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<v Speaker 1>He's burning up, and for the third time in twenty

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<v Speaker 1>four hours, I watched man being carted away. The look

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<v Speaker 1>in his eyes in that moment had been feral. Spittle

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<v Speaker 1>had flown from his mouth. If I didn't know him,

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<v Speaker 1>I'd think he was capable in that moment of anything.

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<v Speaker 1>Jimbohrn the sweetest man I'd ever met. When fishing with

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<v Speaker 1>my father, we'd barbecued at his house. He threw Dad's

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<v Speaker 1>retirement party when he'd handed the keys over to me,

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<v Speaker 1>and still had coffee at the bar every morning, just

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<v Speaker 1>like he had every day for the last thirty years.

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<v Speaker 1>I needed to call his wife, Barbara. What would I

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<v Speaker 1>tell her?

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<v Speaker 8>Do I have the family of Jonathan Abbess?

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<v Speaker 1>Here? Jonathan Abbess, Hi, Yes, I'm his daughter.

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<v Speaker 8>Please follow me. Your father is stabilized, but he doesn't

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<v Speaker 8>look good. He's dehydrated, and he seems to have hit

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<v Speaker 8>his head pretty hard. Just here, Oh dad, the doctor

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<v Speaker 8>will be back with you shortly.

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<v Speaker 1>Thank you. I'm sorry, I'm just I'm so sorry about everything.

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<v Speaker 1>The next few hours were a blur, you know the kind.

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<v Speaker 1>Too much information, too fast, too many changes. When you're

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<v Speaker 1>jarred so far off course in a single day, when

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<v Speaker 1>you've lost the steady path, it takes time to reacclimate.

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<v Speaker 1>They detests, took blood, scanned his head. All the while

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<v Speaker 1>I kept looking for signs of life, fluttering eyelashes, a

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<v Speaker 1>grunt of pain, a spare curse word. Part of me

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<v Speaker 1>knew better, part of me just knew. Hours passed as

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<v Speaker 1>they do. When I got tired of sitting, I paced

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<v Speaker 1>his room, and I got tired of pacing there. I

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<v Speaker 1>took to the hallways, and then in the lobby, look

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<v Speaker 1>at you eating like a child. The hell? Hey, hey, Durie, Hey,

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<v Speaker 1>oh hi, yes, Krink yes right hi. Sorry, I just

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<v Speaker 1>I saw you across the lobby and what, oh it's nothing.

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<v Speaker 2>You've got a little something on your teeth.

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<v Speaker 1>A little Debbie. Sorry, I haven't eaten. I think I

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<v Speaker 1>went feral vermint of there.

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<v Speaker 5>Ah yeah, so everything all right?

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<v Speaker 1>Oh yeah, I just Oh why you mean? Why am

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<v Speaker 1>I in the hospital? Right?

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<v Speaker 2>It's my father, your father? What happened?

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<v Speaker 1>He's I don't know. I found him passed out this morning.

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<v Speaker 2>Oh no, yeah, I'm so sorry.

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<v Speaker 1>Yeah.

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<v Speaker 2>Do they know what it is? Were there other symptoms?

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<v Speaker 1>No, I'm well the cancer.

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<v Speaker 2>Cancer Jesus again, I'm so so sorry.

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<v Speaker 1>Yeah, me too. I was so wrapped up in everything

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<v Speaker 1>yesterday that I I didn't check in on him until

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<v Speaker 1>this morning.

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<v Speaker 5>And well, I think that's understandable considering I mean, you

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<v Speaker 5>were a taped by a man with an axe after

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<v Speaker 5>he tried to kill you with his car.

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<v Speaker 1>Yeah. I guess it's just it's not gonna make the

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<v Speaker 1>guilt go away. You know what are you doing here?

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<v Speaker 2>Me?

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<v Speaker 5>I was meeting with the CEO about donation build a

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<v Speaker 5>new wing.

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<v Speaker 2>I don't know, something like that.

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<v Speaker 1>Yeah, oh, just a new wing, maybe fleet of ambulances.

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<v Speaker 2>Look, I've got to go. I'm sorry.

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<v Speaker 1>Oh hey, sorry, I was joking. That seemed to keep

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<v Speaker 1>pissing you off.

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<v Speaker 2>No, no, no, it's not that.

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<v Speaker 5>I just have to go, goodbye, goodbye.

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<v Speaker 2>Would you like to have dinner?

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<v Speaker 1>Yes?

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<v Speaker 2>Good, I'll be in touch.

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<v Speaker 1>Okay, sure, just contact my assistant it's silly to say

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<v Speaker 1>that you hate hospitals. Everybody hates hospitals. Everyone's visited a

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<v Speaker 1>dying relative, or spent a week recovering from the accident

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<v Speaker 1>or the surgery or the tumor, had needles pressed into

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<v Speaker 1>their skin, tubes flow in and out of them, saw

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<v Speaker 1>the terminal point where their hope ended and the science

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<v Speaker 1>we built it on began. My mother died here in

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<v Speaker 1>this place, of course, I thought of her when I

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<v Speaker 1>walked the halls. I had my appendix out here. Not

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<v Speaker 1>two years later, I entered inflamed and doubled over in pain,

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<v Speaker 1>not sure I'd ever make it out again. But here

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<v Speaker 1>I am. Now. My father was dying. I knew walking

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<v Speaker 1>through the halls that he would meet his end here.

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<v Speaker 1>I hate hospitals. Oh sorry, you surprise me.

0:17:15.800 --> 0:17:18.800
<v Speaker 7>Oh sorry to startle you. I'll just be a minute here,

0:17:20.480 --> 0:17:20.920
<v Speaker 7>all right?

0:17:21.800 --> 0:17:24.359
<v Speaker 1>Are you family? Uh? Yeah, daughter?

0:17:25.160 --> 0:17:27.640
<v Speaker 7>Ah, I see the resemblance.

0:17:28.160 --> 0:17:33.440
<v Speaker 1>Hmm, it's not subtle. I'm krinn Marie. How's he doing.

0:17:34.000 --> 0:17:35.399
<v Speaker 7>He's holding on?

0:17:36.320 --> 0:17:36.639
<v Speaker 2>Hm.

0:17:37.280 --> 0:17:40.080
<v Speaker 7>He's been fighting a long time, hasn't.

0:17:39.720 --> 0:17:43.880
<v Speaker 1>He He has? We thought we'd had a beat, but.

0:17:44.960 --> 0:17:46.520
<v Speaker 7>I know it's hard.

0:17:48.160 --> 0:17:51.520
<v Speaker 1>You live nearby. Yeah, just over in Havoc.

0:17:52.160 --> 0:17:53.679
<v Speaker 7>How is it Havoc?

0:17:54.280 --> 0:17:59.960
<v Speaker 1>Oh, it's fine. Quiet. Mostly you're new to the area.

0:18:00.520 --> 0:18:04.719
<v Speaker 7>Yeah, I just moved up from Boston, living over in Barnstead.

0:18:05.400 --> 0:18:08.240
<v Speaker 1>Well, if you're a reveren habit coming to Dotty's, I'll

0:18:08.840 --> 0:18:09.520
<v Speaker 1>buy you a drink.

0:18:10.359 --> 0:18:14.760
<v Speaker 7>Might just take you up on that invitation. And what

0:18:14.800 --> 0:18:16.119
<v Speaker 7>do you suppose that's about.

0:18:17.400 --> 0:18:20.919
<v Speaker 1>Cops? About a dozen of them fanning out over the floor.

0:18:22.359 --> 0:18:24.560
<v Speaker 6>Just keep everyone in that room for right now. We'll

0:18:24.640 --> 0:18:26.120
<v Speaker 6>keep a couple of men on the floor here.

0:18:27.160 --> 0:18:31.119
<v Speaker 7>I'm gonna go find out what's happening. Hang tit okay?

0:18:31.920 --> 0:18:39.359
<v Speaker 1>Yeah, okay, Dad, Dad? No, no, no, no, sit still,

0:18:39.440 --> 0:18:43.199
<v Speaker 1>sits still? Marie? Hello, no, no, Dad, the mask is

0:18:43.240 --> 0:18:47.360
<v Speaker 1>giving you air. It's okay, sh It's okay. I'm listening.

0:18:47.440 --> 0:18:48.000
<v Speaker 1>I'm listening.

0:18:50.800 --> 0:18:55.480
<v Speaker 2>Bestroom, closset.

0:19:00.119 --> 0:19:00.320
<v Speaker 7>Up?

0:19:04.160 --> 0:19:12.400
<v Speaker 2>Black? What black? What box?

0:19:14.840 --> 0:19:18.879
<v Speaker 1>Dad? It's okay, calm down, a black wood box in

0:19:19.240 --> 0:19:23.639
<v Speaker 1>your closet, Dad, It's okay, it's okay.

0:19:27.960 --> 0:19:28.440
<v Speaker 2>Mares.

0:19:29.280 --> 0:19:34.760
<v Speaker 1>Demeris like like like my middle name. Yeah, okay, what

0:19:34.760 --> 0:19:35.280
<v Speaker 1>what about it?

0:19:36.640 --> 0:19:36.920
<v Speaker 5>Dad?

0:19:38.359 --> 0:19:44.919
<v Speaker 6>Dad? Hey kiddo, good time, Jimbo.

0:19:46.119 --> 0:19:48.480
<v Speaker 1>Hey, how you doing? Man?

0:19:49.119 --> 0:19:49.359
<v Speaker 2>Ah?

0:19:49.359 --> 0:19:54.040
<v Speaker 6>The sending me home gave me just a shipload of shots, antibiotics.

0:19:54.119 --> 0:19:54.920
<v Speaker 6>Tiling off of the.

0:19:54.880 --> 0:19:56.480
<v Speaker 1>Fever sounds fun.

0:19:57.440 --> 0:20:04.040
<v Speaker 6>Yeah, listen, I'm I'm real sorry about early losing my

0:20:04.240 --> 0:20:05.000
<v Speaker 6>temper and all.

0:20:06.160 --> 0:20:08.760
<v Speaker 1>Oh, jim, don't worry about it. You were sick.

0:20:09.640 --> 0:20:13.600
<v Speaker 6>Yeah, I don't know what happened. I I just sort

0:20:13.600 --> 0:20:14.560
<v Speaker 6>of blanked out there.

0:20:15.160 --> 0:20:15.720
<v Speaker 1>It happens.

0:20:17.560 --> 0:20:18.840
<v Speaker 6>How's the old man?

0:20:19.119 --> 0:20:21.920
<v Speaker 1>Not great, Jimbo, not great?

0:20:22.359 --> 0:20:25.760
<v Speaker 6>He'll pull through. Don't you think I don't know this time?

0:20:26.640 --> 0:20:29.080
<v Speaker 6>Well may I?

0:20:29.520 --> 0:20:30.000
<v Speaker 1>Of course?

0:20:33.760 --> 0:20:36.879
<v Speaker 9>Hey, you old bastard. I need you to hang in

0:20:36.920 --> 0:20:40.000
<v Speaker 9>there a little longer for me. You still only fifty

0:20:40.000 --> 0:20:43.840
<v Speaker 9>dollars on that Dodger's game. Never bet against.

0:20:43.520 --> 0:20:46.119
<v Speaker 1>The sacks Man. Let me break your heart.

0:20:47.440 --> 0:20:48.960
<v Speaker 6>What can I say? I'm a romantic.

0:20:50.080 --> 0:20:52.320
<v Speaker 1>What the hell's going on out there? Jim saw the

0:20:52.359 --> 0:20:53.760
<v Speaker 1>cavalry come rolling in?

0:20:54.440 --> 0:20:58.760
<v Speaker 6>Oh shit, you will not believe this. So that guy

0:20:58.760 --> 0:21:00.000
<v Speaker 6>that attacked you, Bachmann?

0:21:00.400 --> 0:21:05.320
<v Speaker 9>Yeah, yeah, well he uh well he didn't make it.

0:21:06.520 --> 0:21:10.719
<v Speaker 1>I heard on the news. How do you feel about that, Jimbo?

0:21:12.000 --> 0:21:12.600
<v Speaker 6>You know, it's.

0:21:12.600 --> 0:21:15.520
<v Speaker 9>It's you do things in the line of duty, you know.

0:21:16.760 --> 0:21:19.199
<v Speaker 9>Don't worry about me, Krin. They'll send me right to

0:21:19.240 --> 0:21:23.520
<v Speaker 9>the shrink tomorrow anyway. Bachman At some point this afternoon,

0:21:24.440 --> 0:21:29.160
<v Speaker 9>someone walked into the margue snapped the mortician's neck. What

0:21:29.720 --> 0:21:32.359
<v Speaker 9>I know, it's insane, but that's not the weirdest pot.

0:21:33.000 --> 0:21:34.440
<v Speaker 1>That's not the weirdest part.

0:21:34.840 --> 0:21:39.720
<v Speaker 6>Krinn. Someone pulled out Bachmann's body and well, they cut

0:21:39.800 --> 0:21:44.399
<v Speaker 6>the heart out of it. What yeah, left it on

0:21:44.480 --> 0:21:47.960
<v Speaker 6>the table with a scalpel sticking in it. In the mafia,

0:21:48.160 --> 0:21:49.639
<v Speaker 6>that's a wanting Do.

0:21:49.640 --> 0:21:50.880
<v Speaker 1>You think this is mafia?

0:21:51.920 --> 0:21:54.560
<v Speaker 6>They'll do. I know. My last big case was about

0:21:54.560 --> 0:21:57.960
<v Speaker 6>who was stealing cheese from Hannafa's and we never caught

0:21:57.960 --> 0:21:58.399
<v Speaker 6>the son.

0:21:58.280 --> 0:21:58.720
<v Speaker 2>Of a bitch.

0:22:00.040 --> 0:22:05.640
<v Speaker 10>You have a feel like this something big coming, Clouds gathering,

0:22:05.800 --> 0:22:09.920
<v Speaker 10>like you know, like when Bob's knee hurts before starm

0:22:10.320 --> 0:22:15.040
<v Speaker 10>I do, well, I got that feeling deep in my bones.

0:22:16.119 --> 0:22:17.360
<v Speaker 10>Something's coming.

0:22:19.240 --> 0:22:22.119
<v Speaker 6>Anyway. You should go home, get some rest.

0:22:23.080 --> 0:22:26.879
<v Speaker 1>Yeah, I've had today to eat. Is a Swiss.

0:22:26.520 --> 0:22:31.000
<v Speaker 6>Cake roll man can't survive on Swiss cake alone.

0:22:30.920 --> 0:22:33.640
<v Speaker 1>Right, take care of Jimbo.

0:22:34.520 --> 0:22:35.560
<v Speaker 6>We'll pray for your boat.

0:22:36.400 --> 0:22:37.840
<v Speaker 1>Thanks love to Barb.

0:22:38.760 --> 0:22:41.800
<v Speaker 6>Buy now watch the skies you.

0:22:41.800 --> 0:22:57.439
<v Speaker 1>Too, Dad, Dad? Oh my help help, I'm.

0:23:08.200 --> 0:23:11.399
<v Speaker 3>Havoctown was created by me Aaron Mankey. The show was

0:23:11.440 --> 0:23:15.720
<v Speaker 3>written and directed by Nicholas Tukoski. This episode was edited

0:23:15.760 --> 0:23:20.280
<v Speaker 3>and sound designed by Jesse Funk, starring Jewels State as

0:23:20.359 --> 0:23:24.960
<v Speaker 3>Corene Abbas, James Callus as Jerry Havoc, Felicia Day as

0:23:25.000 --> 0:23:30.520
<v Speaker 3>Sylvie Harris, Crystal Lee as Demeris, Robin Bludworth as jimbo Horn,

0:23:31.040 --> 0:23:35.640
<v Speaker 3>David Calhoun as Jonathan Abbas, with additional voice acting from

0:23:35.760 --> 0:23:41.520
<v Speaker 3>Kanisha Johnson, Sasha Hatfield, David Davrees, and Aaron Mankey. This

0:23:41.600 --> 0:23:45.600
<v Speaker 3>season is directed by Nicholas Tukoski, with assistant directors Sarah

0:23:45.640 --> 0:23:49.879
<v Speaker 3>Klein and Jake Diamond. Casting by Sunday Bowling CSA and

0:23:50.000 --> 0:23:55.080
<v Speaker 3>Meg Mormon CSA. Production coordinator Wayna Calderon. Our theme song

0:23:55.200 --> 0:23:59.960
<v Speaker 3>was created by Chris Childs executive producers Aaron Mankey, Trevor Gunn,

0:24:00.240 --> 0:24:04.719
<v Speaker 3>and Matt Frederick, with supervising producer Rima Lkali and producers

0:24:04.840 --> 0:24:08.080
<v Speaker 3>Nomes Griffin and Jesse Funk. Havoctown is set in the

0:24:08.119 --> 0:24:12.800
<v Speaker 3>Bridgewater Audio Universe, which includes the hit fiction podcasts Bridgewater

0:24:12.960 --> 0:24:16.160
<v Speaker 3>and Consumed. Learn more about both shows, as well as

0:24:16.200 --> 0:24:20.520
<v Speaker 3>Havoctown at grimandmild dot com, and find more podcasts from

0:24:20.560 --> 0:24:25.000
<v Speaker 3>iHeartRadio by visiting the iHeartRadio app, Apple podcasts, or wherever

0:24:25.040 --> 0:24:30.840
<v Speaker 3>you listen to your favorite shows.