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Speaker 1: Jo Waldsmost Dangerous Morning Show, The Breakfast Club, Club Business.

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Speaker 1: Y'all together, y'all are like a manga for us. Y'all

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Speaker 1: just took over him with your past. Is Chris Brown.

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Speaker 1: I've officially joined the Breakfast Club. Say something, mother, I'm

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Speaker 1: with it, Walmo, Dangerous Morning Show, Brecklas Club Pies, Good

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Speaker 1: Morning Usa, yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo. Good morning ANGELA. Ye,

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Speaker 1: that's Cholamine the guy. He's to the plane. It is Monday, Yes,

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Speaker 1: it's Monday. A great start to the work week, simply

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Speaker 1: because my Dallas Cowboys are now one in one trap.

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Speaker 1: Want to clues moms from my Dallas Cowboys, damn it.

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Speaker 1: And of course my New York Giants are undefeated two

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Speaker 1: and oh yeah, I barely squeezed out one out. Hey,

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Speaker 1: a win is a win, win is the damn win

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Speaker 1: is a win. I'm not I'll take them how we

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Speaker 1: can get them. Hey, I'm with you. Damn everybody's in

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Speaker 1: a good movie. Undefeated Giants. A lot going on over

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Speaker 1: the weekend. I was out in a Canada shop. Everybody

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Speaker 1: that was in Toronto. In Ottawa, Canada's kind of like

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Speaker 1: my second home. I've been traveling there a lot recently,

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Speaker 1: have you now? Yeah? I like Canada. Passport is all clear,

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Speaker 1: no problems. No, I'm good, I'm good, get the kid

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Speaker 1: in and anytime I need to. Yeah. I was sitting

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Speaker 1: back watching all the hip hop. She again of the weekend,

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Speaker 1: feeling so good, feeling so good as I did things

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Speaker 1: like sitting on my dad, you know, laying my bed

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Speaker 1: with my nice linen sheets, you know what I mean,

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Speaker 1: play with my kids, and just thank god that I'm

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Speaker 1: not in the jungle. I like hip hop aboards were

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Speaker 1: over the weekend. I like being part of the Safari

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Speaker 1: took the game showing Kingston. Yeah. Like I like being

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Speaker 1: in the jeep riding through the jungle. We're looking at

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Speaker 1: the animals the windows up. Feels so good. Did not

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Speaker 1: have to be an animal anymore. But we have, of

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Speaker 1: course for you about all of that. I was traveling

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Speaker 1: this weekend as well. I was in Charlotte, North Carolina.

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Speaker 1: Shout to Charlotte, had a great time. I was at

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Speaker 1: that club one in Charlotte that Peter Thomas from real

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Speaker 1: high school. You was done there with the King of Charlotte.

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Speaker 1: Dave was in there though Peter Lucky hadn't get beat up. Buddy,

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Speaker 1: don't the Queen city don't like around they talking about you.

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Speaker 1: The King of Charlotte. Did he look like the King?

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Speaker 1: I mean he was in the club. You know, he

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Speaker 1: was chilling. I don't know about being the King, but

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Speaker 1: they ain't like chill. You better just be happy to

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Speaker 1: be there. When you ain't from someplace and you run

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Speaker 1: up in necessity talking about you the King of you

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Speaker 1: need to relax and just be happy to beat a

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Speaker 1: little bit. And then I left there and I went

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Speaker 1: to Boston. A lot of people were in Boston over

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Speaker 1: the weekend. They had this big hemp fest. Hemp, oh hemp.

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Speaker 1: So I think Dave East was coming the day and

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Speaker 1: I was leaving at metha Man and Red Man that

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Speaker 1: we need right, Yes, okay, they knew a weed fest

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Speaker 1: in Boston, Yeah they do. I was asking about that

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Speaker 1: because I was at Is we legal? And they said

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Speaker 1: it's not, but for that one day. They don't give

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Speaker 1: you a hard time about anything. So had a good

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Speaker 1: time there. They know you live in the city. That's

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Speaker 1: predominantly white fun weekend. Let think slide, Yeah, it's today,

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Speaker 1: We'll have a perch. Okay, just today, Now we got

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Speaker 1: to talk about Front page News. There's a lot of

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Speaker 1: things going on that I'm not sure explosions all over

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Speaker 1: the place right at that, Well, traveling is a little

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Speaker 1: bit rough fare in New York City and New Jersey

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Speaker 1: because there were some explosions that happened over the weekend.

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Speaker 1: And I'll give you as much information as we have

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Speaker 1: on that as of now. Is Mercury is still in retrograde.

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Speaker 1: That's where we need to all be keeping in my

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Speaker 1: own no. If if Mercury's still in a retrograde, that

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Speaker 1: is the reasons for all the crazy stuff we're seeing.

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Speaker 1: It said it was a pipe bomb. Then there was

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Speaker 1: a bomb on twenty third Street in Manhattan, and they

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Speaker 1: found a bomb on twenty seventh, and then there was

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Speaker 1: one Jersey. All right, Well, Usher will be joining us

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Speaker 1: this morning as well. I've heard of No No, I've

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Speaker 1: heard of a little bit of all Right to Love.

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Speaker 1: That album's out, all right, So we'll kicking with us

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Speaker 1: in a little bit. But let's get the show popping.

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Speaker 1: Front Page News next, just to breakfast Club. Good morning.

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Speaker 1: That was for free Jaleck Drake Morning. Everybody is DJ Envy,

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Speaker 1: Angelie Charlomagne the God. We are the Breakfast Club. Now

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Speaker 1: let's get in some front page news. Last night the

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Speaker 1: Giants too and O undefeated. They beat the Saints, Steelers

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Speaker 1: beat the Bengals, Titans beat the Lions, Ravens beat the Browns,

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Speaker 1: Cowboys beat the Redskins, Panthers beat the forty nine is,

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Speaker 1: the Patriots beat the Dolphins, Texans beat the Chiefs, the

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Speaker 1: Rams beat the Seahawks, the Cardinals beat the Bucks, the

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Speaker 1: Chargers beat the Jags, the Falcons beat the Raiders, the

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Speaker 1: Broncos beat the Coats, the Frikons beat the Pacers, or

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Speaker 1: the Packers paces the Packers. And in Monday night football

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Speaker 1: the Eagles played the Bear. I don't like how you

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Speaker 1: just slid over. The Cowboys, you know, beat the Redskins. Okay,

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Speaker 1: I need you to say that with more emphasis. I

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Speaker 1: said it enough. Okay, that emphasize that. My Dallas Cowboys

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Speaker 1: beat the Washington Redskins. Thank you, no, no, no no, I

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Speaker 1: said it right now. Let's talk about these three attacks

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Speaker 1: in the US. Man. This was crazy over the weekends.

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Speaker 1: They were three attacks in twelve hours in New York

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Speaker 1: and New Jersey streets, and there was also a stabbing

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Speaker 1: spree at a mall in Minnesota. The hell's going on now?

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Speaker 1: There were twenty nine people in injured because of a

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Speaker 1: bombing that happened in Manhattan on twenty third Street, and

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Speaker 1: they did find a device, a mysterious device that was

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Speaker 1: blocked away, so people are extra on guard. You know,

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Speaker 1: the UN is actually having their debate at the General Assembly,

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Speaker 1: so that's happening today. So if you're in the New

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Speaker 1: York City area, it's a little bit crazy even just

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Speaker 1: trying to get around what did what? Did? Demand say

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Speaker 1: that it was intentional but it wasn't an active terrorism

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Speaker 1: and what the hell was it? They haven't defined it yet.

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Speaker 1: I mean it wasn't Muslim. He wasn't Muslim. That's what

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Speaker 1: it means. I don't think they're shure yet, So I

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Speaker 1: may give you some more things. On nine thirty am

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Speaker 1: and Seaside Park, New Jersey, one of three pipe bomb

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Speaker 1: type devices were wired together. They detonated in a garbage can.

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Speaker 1: They tore apart the container, but nobody else was injured.

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Speaker 1: What have happened to the term domestic terrorism. If you

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Speaker 1: put a bomb and a garbage can and it blows

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Speaker 1: up and you hit your twenty nine people, that's an

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Speaker 1: active domestic terrorism. I'm sorry, let's just not show you

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Speaker 1: why when you say it's intentional. How can you if

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Speaker 1: you if you say it's intentional, then that's letting me

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Speaker 1: know kids at terrorists period. All right, Then, we told

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Speaker 1: you about the bomb that happened in Manhattan's Chelsea neighborhood.

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Speaker 1: It was an explosion on twenty third Street and sixth

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Speaker 1: Avenue with twenty nine people injured. They did find an

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Speaker 1: intact pressure cooker blocks away. Now, the Governor, Andrew Cuomo

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Speaker 1: said the pressure cooker and the exploded device in Chelsea

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Speaker 1: were similar. So they said both devices had cell phones

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Speaker 1: as timers. Then, at nine pm in Saint Cloud, Minnesota,

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Speaker 1: a man was wearing a security uniform. He entered Crossroads mall,

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Speaker 1: made a reference to a lot, and he stabbed nine

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Speaker 1: people before an off duty police officers shot him dead.

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Speaker 1: The police said that Sean Kingston told him Meek Mill

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Speaker 1: put the bombs in the trash cans all through the

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Speaker 1: all stop and then then did you get the one

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Speaker 1: on Elizabeth, New Jersey? This morning? Yeah, so that happened

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Speaker 1: Elizabeth in New Jersey this morning. That's actually why the

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Speaker 1: path trains are I mean, New Jersey Terranger trains aren't

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Speaker 1: really running. You have to do Amtrak and they're on

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Speaker 1: a limited schedule. What happened There was a bomb found

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Speaker 1: in a garbage can. A homeless man was going through

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Speaker 1: the garbage and found it cold nine on one and

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Speaker 1: they sent the little robot to detonate it and it exploded.

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Speaker 1: Made a mistake and it did explode, but nobody was

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Speaker 1: injured because it was a robot that went to Bob.

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Speaker 1: Are they saying, if you see something, say something. I

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Speaker 1: wouldn't even know what the bomb looked like. I need

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Speaker 1: to know what this homeless man can identify a ball.

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Speaker 1: I'm thinking about bombs from the movies. Remember the bomb

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Speaker 1: that I was tied up on Pookie and New Jackson.

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Speaker 1: That's kind of what it looked like. It looked like

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Speaker 1: a bunch of annually to a flip phone. You can

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Speaker 1: see a flip phone in the garbage can. You're gonna

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Speaker 1: be and who left the homeless manhold their phone to

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Speaker 1: be able to call in and say that you found

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Speaker 1: a bomb in the trash can something man right about this? Now,

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Speaker 1: I'm just smelling some no fuckiness in the water right now. Now,

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Speaker 1: that's where is the homeless man just randomly find a

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Speaker 1: phone to call in and say it was a bomb

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Speaker 1: in the trash the pay phone. They don't know. They

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Speaker 1: don't really have pay phones anymore, Yes they do. You

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Speaker 1: think that homes man' was gonna waste his a little

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Speaker 1: couple change on the payphone. Oh it is one those guys.

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Speaker 1: I don't know. I don't know latime. I see them

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Speaker 1: pay phone, I phone a long time. But that's not

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Speaker 1: the issue. Man, that's not the right next to one

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Speaker 1: in New Jersey? Did you yeah? But did it work? Yeah?

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Speaker 1: I didn't need to know what the bomb looked like

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Speaker 1: a buzz anymore. You see it was wire is connected

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Speaker 1: to a flip phone. You see a flip phone, you

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Speaker 1: think you know fire connected. But I think they already

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Speaker 1: detained the people that they feel like I had something

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Speaker 1: to do explosion in Chelsea, So they already have people

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Speaker 1: arrested in connection and they're questioning them. They arrested three

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Speaker 1: people on the bridge and those three people are from Elizabeth,

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Speaker 1: New Jersey. I don't bombs identified themselves a lot going on. Okay,

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Speaker 1: that's front page news. Now tell them why you're mad.

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Speaker 1: Eight hundred five eighty five one oh five one. If

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Speaker 1: you're upset, you need to vent callers right now, phone

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Speaker 1: line to wide open. Maybe you need to get some

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Speaker 1: things off your chest. Eight hundred five eight five one

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Speaker 1: oh five one. Tell them why you're mad. It's the

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Speaker 1: Breakfast Club. Good morning, the breakfast Club. Hey, yo, this

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Speaker 1: is a man wrapper cood morning y'all. Food. I'm gonna

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Speaker 1: tell you why man. I'm gonna tell you why man?

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Speaker 1: For real? Man, Hey yo, my girl keep coming home

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Speaker 1: swelling like paul o'calog so like like that ain't for

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Speaker 1: girls like I love. Something's going on for real, like

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Speaker 1: like like I'm heated about that. And now I need

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Speaker 1: you try to tell me why you are man? Why

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Speaker 1: are you man on the breakfast club? For real? John

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Speaker 1: Josh three? In the building? Work go down a lot familiar, y'all.

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Speaker 1: Don't nobody want to hear from you? And this explosions

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Speaker 1: going off all over the country. Sir, oh man, I

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Speaker 1: thought we was bronze. No oh man, that breaks my heart. Ajul, Yeah,

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Speaker 1: I miss you said you didn't call me yet. I

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Speaker 1: gave you my business card. Oh shoot, you still got

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Speaker 1: business cars in its twenty sixteen? Yeah, business cards in

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Speaker 1: CD Sarah. I'm like, okay, all right, old school, young og.

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Speaker 1: I'm living on what I'm preaching. I see people act

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Speaker 1: one way to change their image on the weekend. I

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Speaker 1: don't do that. I get on air and spitch true facts.

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Speaker 1: We live it. But Houston is my city, like New

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Speaker 1: Jack City, other purple. But I'm swerving in the cool black.

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Speaker 1: Bring your rams to the wrong hood and get your

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Speaker 1: twenty two jack. That's the same reason that I say

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Speaker 1: where the stew at flow, so seek me where the

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Speaker 1: chicken soup at. I'm fighting in a piece of paper

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Speaker 1: bearing my name. I'm the type to say the stuff

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Speaker 1: that they're too scary to save breakfast club on my back.

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Speaker 1: I got to carry the way with young black men.

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Speaker 1: But they want us to remember we slaves, no money,

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Speaker 1: all struggle. I remember them days now. I'm signing so hard.

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Speaker 1: I ain't getting no shade. I got the salts, I

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Speaker 1: got the flavor, most flavored and flavor. I make the

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Speaker 1: tests look easy because I studied my waist. I've been

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Speaker 1: down okay manye, hello, hello, who's this Yo, this is

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Speaker 1: d from Jersey. Tell them why you're mad? Man, Listen,

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Speaker 1: I got I got some little kids coming around my house. Man.

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Speaker 1: They keep trying to get into my car. Wow, are

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Speaker 1: you kidding me? That's crazy. I got a camera, you know,

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Speaker 1: I just moved to this new community and I got

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Speaker 1: a camera. I put it up. I got, I got

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Speaker 1: the little kid on video. Tend to tend it to

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Speaker 1: the cops, and the cops aren't doing anything. Man, I

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Speaker 1: don't know what to do. Well, don't do nothing stupid.

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Speaker 1: I've been watching a lot of criminalize. These people set

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Speaker 1: kids up and then they do something bad to them,

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Speaker 1: and then they get in trouble for pre planning. So

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Speaker 1: try to follow the kid home and talk to the

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Speaker 1: kid's parents if the kid is young. But don't do

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Speaker 1: nothing stupid. Shot the kid, don't stab the kid. Don't

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Speaker 1: do nothing crazy. Don't get you a pitbull or rout

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Speaker 1: waller and say I post that video for this right

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Speaker 1: on social media? I did. I put it on Facebook.

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Speaker 1: I tended to the cops. You know, I don't know

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Speaker 1: how old. First of all, you'll never finding them kids

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Speaker 1: on Facebook. Game, no kids on Facebook? No, how old

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Speaker 1: is the kid? I don't know. The kid looks like

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Speaker 1: a teenager. Get a pit bull, man, get you a

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Speaker 1: pit bull, and only feed him gunpowder. You know, if

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Speaker 1: this guy goes out there with a gun and does

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Speaker 1: something to the kid, he's in trouble because he pre

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Speaker 1: planned it. You know that I've been watching m line

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Speaker 1: did just well if he called the police already, he

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Speaker 1: told the police, and they're not doing nothing. You still

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Speaker 1: got to protection. He still can't do nothing unless he's

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Speaker 1: please do something about it. You just can't. Hello, who's

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Speaker 1: this yo? First, I want to say what's up to y'all?

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Speaker 1: Peace and blessing, say everybody. I appreciate your every morning.

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Speaker 1: But yeah, I'm I'm a little mad because it suck

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Speaker 1: at work talking all this jump and I'm about ready

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Speaker 1: to pop off phony. You ain't gonna dude nothing, what's happening?

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Speaker 1: He came at me wrong. I had to put him

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Speaker 1: in this place. And you know, now he being an

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Speaker 1: ass because you know, maybe because I ow him a

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Speaker 1: couple of dollars. But that's decide. Now you owe him money,

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Speaker 1: but you're mad at him because you owe him money.

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Speaker 1: Come on now, bottom blind. The bottom line is you

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Speaker 1: own from buying money money. You owe him some money,

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Speaker 1: paying his money. I hate people like you. I learned

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Speaker 1: you some money and then you get mad when I did.

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Speaker 1: Now you're trying to come in. He wasn't asking for

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Speaker 1: the money back. This has something to do with work.

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Speaker 1: I think he was just feeling some type of way

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Speaker 1: because I owed him to the last few little dollars. So,

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Speaker 1: like I said, it didn't have nothing to do with

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Speaker 1: the money. Can you admit that you're wrong because you

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Speaker 1: owe this man some money. You should go to work

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Speaker 1: and say, look, I know you're feeling some type of

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Speaker 1: way because I owe you some money. That's my bad.

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Speaker 1: I don't want to be beefing about this. Let me

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Speaker 1: take care of it. I'm gonna give your money on

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Speaker 1: this day, word word gotcha. And I hate people like

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Speaker 1: you that be like, whatever I owe you, I owe

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Speaker 1: him a few little funking dollars. No, give me my money,

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Speaker 1: give me my few little funky dollars, because a few

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Speaker 1: little funking dollars. You sure needed that a couple of

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Speaker 1: weeks going down and broke. Tell him why you're man

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Speaker 1: eight hundred five eight five one oh five one. If

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Speaker 1: you're upset, you need to VNK call us Now it's

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Speaker 1: the Breakfast Club. Go morning, the Breakfast Club. That was

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Speaker 1: Drake one Dance Morning. Everybody's DJ mvy Angela Yee, Charlomagne

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Speaker 1: the guy. We are the Breakfast Club. Listen. I'm glad

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Speaker 1: mac mill responded with balls finally this morning, right, well

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Speaker 1: last time, I'm sure in the rumors and also in

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Speaker 1: the mix this morning they teased me with the Beanie

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Speaker 1: Seagull part. Though I thought Beanie was actually gonna spit

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Speaker 1: a verse or something. All he literally says is what

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Speaker 1: was on that take me out of retirement? Yes, but

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Speaker 1: that's it's the record though. I like the fact that

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Speaker 1: they're respond to the ball, right, but all that violence

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Speaker 1: is knock it off? And I know Andrews gonna talk

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Speaker 1: about it in the rumors, but I need to know

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Speaker 1: why Sean Kingston is out here. I can like Oxford

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Speaker 1: Belly anybody know, And I know Sean, you won't even

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Speaker 1: put yourself in that leave it alone. Well, he is

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Speaker 1: in it, whether or not he wants to be at all.

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Speaker 1: He don't have to be in it in that capacity.

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Speaker 1: Now he's in it, might catch a fade. Yeah, we

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Speaker 1: don't think, we don't look at Sean Kingston as that

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Speaker 1: type of person. But he got into a bad situation

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Speaker 1: while he has security and his people around him, like

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Speaker 1: don't you don't want to put yourself in another situation,

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Speaker 1: just leave it alone. And I feel bad about the

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Speaker 1: fact that Meek actually his cousin just got killed and

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Speaker 1: he was coming from his funeral. This all just happened

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Speaker 1: last week too. And then that's well, we'll get on.

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Speaker 1: I'm sure we'll get all into that in the rumors.

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Speaker 1: And also, don't forget usher, we'll be joining us in

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Speaker 1: a role, so don't go anywhere. It's the Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. This is the rumor Report

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Speaker 1: with angela Ye Breakfast Club. Listen. Well, right when we

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Speaker 1: were leaving work on Friday, we got some updates on

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Speaker 1: this game versus Meek Mill issues. It all started off

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Speaker 1: with game in the club and he went in at

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Speaker 1: Meek Mill this in him and everything, and we were like,

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Speaker 1: what happened, what's going on? Then we found out he

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Speaker 1: had to this song and but you knew about this

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Speaker 1: this song for a while. It's called ninety two bars.

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Speaker 1: Then they told me about it a couple of months,

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Speaker 1: about a month ago, they talked about it, all right. Well,

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Speaker 1: here's a little snippet from the ninety two bars. She

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Speaker 1: got a couple more and she don't even know me

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Speaker 1: and never since that nick show me, we just don't speak.

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Speaker 1: Will breaks like the flow week blood to be cook

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Speaker 1: him like Naya poke, Nicky want it no freak, I'm

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Speaker 1: coming to it book deep to leave the dead body.

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Speaker 1: You want to cook steak. I think it happened, low Key,

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Speaker 1: you better have walk call me or you're gonna be

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Speaker 1: our level with a whoop up around and be a

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Speaker 1: news clip with the loose slips. Money begins Rizzy and

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00:15:10,240 --> 00:15:12,400
Speaker 1: packed you out when you ain't douched. It's it's the

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Speaker 1: Golden State, and my shooters ain't gonna know who's it's Eve.

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Speaker 1: If you know that I snapped you like a toothpick

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Speaker 1: and snitching on Higgins ain't never been no coosh. It's

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Speaker 1: And I've been wanting to give Nikki this pool stick

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Speaker 1: to tell your little vibrant thing come up a Q tip.

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Speaker 1: We know where you live. You better move quick and

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Speaker 1: start thinking twice about who you hopping the coop with it?

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Speaker 1: All right, Well, there you have it. That was the

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Speaker 1: ninety two bars snippet, and after that he also posted

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Speaker 1: a picture of the game, posted a picture with Nicki Minaj.

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Speaker 1: He tagged her in it, and he tagged himself real

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Speaker 1: and word and he said the last time Nikki held

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Speaker 1: a real and word seventh grade body. Having asked n word, everybody,

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Speaker 1: you know you the wife? If she take her father

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Speaker 1: with back, you're gonna be back at one hundred thousand.

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Speaker 1: Miek Mill responded, putting up a picture with him and

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Speaker 1: Nikki where she's kissing him and he has his middle

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Speaker 1: fingers up and he said, you want to fight next morning?

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Speaker 1: It disraps. Then the pre order links. The jig is up,

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Speaker 1: y'all guys, real rappers, make sure y'all go support them,

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00:16:06,120 --> 00:16:09,960
Speaker 1: industry cats, niggers, Mercy's in retrograde. Miek Mill said, you're

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Speaker 1: gonna learn about speaking my name with the word rat.

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Speaker 1: Then he tagged game. He says, somebody must have scept

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Speaker 1: you with Mickey You tipping all right? Then Meek Mail

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00:16:17,000 --> 00:16:19,040
Speaker 1: posted a picture of game from when he was on

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Speaker 1: Change of Heart. He said, how do you get on

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00:16:21,200 --> 00:16:23,480
Speaker 1: change your heart? You are fake gangster, ain't no real

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00:16:23,600 --> 00:16:26,320
Speaker 1: la and word standing behind this efforty? Where was you

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Speaker 1: at in life when you decided to go on change

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00:16:28,360 --> 00:16:30,360
Speaker 1: of heart and the hole had to change your heart

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00:16:30,400 --> 00:16:33,400
Speaker 1: on you because you lame all right, Well, the game

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00:16:33,400 --> 00:16:36,000
Speaker 1: posted a picture, a throwback picture of Meek Mill. He said,

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Speaker 1: shout out to all my boss bitches, wife and n

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00:16:38,120 --> 00:16:41,000
Speaker 1: words and put up an old picture. Then that's when

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Speaker 1: the memes started, and the photoshot pictures and all that

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00:16:44,080 --> 00:16:46,200
Speaker 1: social media and meme stuff is corny. I'm gonna be

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Speaker 1: honest with y'all, like boss right, of course we do.

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Speaker 1: Like nothing looks crazy than screet beef online. It just

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Speaker 1: looks ridiculous. And some more bars did come after all

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Speaker 1: of that, but I will get into Seaun Kingston's part.

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Speaker 1: I guess the real issue here is that the game fails.

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Speaker 1: Like Meek went and said told Seaun Kingston that he

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Speaker 1: got him robbed at a club in La. Now Meek Mail, also,

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Speaker 1: I guess, was trying to call the game. Game posted

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Speaker 1: pictures of miss cars to MK Meil to show that

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00:17:12,080 --> 00:17:14,720
Speaker 1: he wasn't picking up his cars. Then Sean Kingston also

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Speaker 1: jumped in and it started off a little peaceful. Here's

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00:17:17,920 --> 00:17:20,960
Speaker 1: how Sean Kingston started, I'm just cooling man, trying to

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00:17:21,000 --> 00:17:23,040
Speaker 1: stay positive, work on my new album, come back with

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00:17:23,080 --> 00:17:24,960
Speaker 1: good music for my fans. Man ain't trying to be

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Speaker 1: no more media, no more drama, no nothing. That's my dog.

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00:17:28,080 --> 00:17:32,280
Speaker 1: We never had no conversation about nothing. All right, Well

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00:17:32,359 --> 00:17:36,359
Speaker 1: that's hounds started things that I don't know what happened.

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Speaker 1: I know what happened behind the scenes whatever. But then

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Speaker 1: Sean Kingston came with this video youngster in the world.

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Speaker 1: No y'all a bumble clock, youngster, y'all fraud take care

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Speaker 1: of nigga's Then you're straight like that whole ass man

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Speaker 1: quote you little dirt pulled up on your ass, ready

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Speaker 1: to drop your ass. You called peace. Pet Rally, Oh man,

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00:17:54,560 --> 00:17:57,600
Speaker 1: I ain't no, no no, no whole as thug was about

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Speaker 1: ready to drop your ass. You called peace. We've seen

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00:18:00,480 --> 00:18:03,040
Speaker 1: this movie before. Get this clown out of here. This

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00:18:03,080 --> 00:18:04,920
Speaker 1: is meg Miller Games fault. I'm gonna tell you why.

401
00:18:05,000 --> 00:18:07,920
Speaker 1: Sean saw all those posts and memes game and Meek

402
00:18:08,000 --> 00:18:10,840
Speaker 1: Mill was posting, and saw all those lights and shade

403
00:18:10,840 --> 00:18:13,520
Speaker 1: the room and ball alert and academic retweets they was

404
00:18:13,560 --> 00:18:16,560
Speaker 1: getting and he said, I want and dammit, I want it.

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Speaker 1: We asked the more from John Kingston, but First, here's

406
00:18:18,720 --> 00:18:21,919
Speaker 1: what the game had to say. This is very message.

407
00:18:21,960 --> 00:18:24,639
Speaker 1: Robbed in the club, ran for all your fucking jury.

408
00:18:24,840 --> 00:18:28,080
Speaker 1: You ain't do. Call my phone, said game, big bro,

409
00:18:28,240 --> 00:18:30,480
Speaker 1: somebody robbed me. Can you help me get my change back?

410
00:18:30,680 --> 00:18:33,399
Speaker 1: Called me back ten minutes later, talking about Meek called

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00:18:33,440 --> 00:18:35,320
Speaker 1: you and told you that I had you set up

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Speaker 1: and robbed in the club. Called detectives with Meek on

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00:18:37,680 --> 00:18:40,679
Speaker 1: the phone, incriminate me and my fucker entourage, saying that

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00:18:40,720 --> 00:18:44,199
Speaker 1: we robbed you. Your lion, asked and Meek, you know

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Speaker 1: you can't fucking put your hands on Nobody out front

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00:18:46,920 --> 00:18:49,920
Speaker 1: for his Instagram follows, I you up on site. Yeah.

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00:18:49,920 --> 00:18:51,800
Speaker 1: I haven't even taken my vitamins yet this morning. I

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00:18:51,840 --> 00:18:54,080
Speaker 1: just thought sipping my green. Oh this more. Well, here's

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Speaker 1: Sean Kingston. Now, yeah, I'm a fact the world, normal fact.

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00:18:57,920 --> 00:19:01,200
Speaker 1: I went pla being a fact. Facts still feel beat?

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00:19:01,280 --> 00:19:04,720
Speaker 1: Oh my god, you bought that? Still would thats going

422
00:19:04,720 --> 00:19:08,320
Speaker 1: to winning Kennon every day for then, for the figness.

423
00:19:08,440 --> 00:19:11,520
Speaker 1: Don't take another steward pill you ask you just want

424
00:19:11,520 --> 00:19:13,800
Speaker 1: to thune. You can't talk to me. I ain't a rapper.

425
00:19:13,920 --> 00:19:16,040
Speaker 1: I gotta be a stream the world know what you

426
00:19:16,200 --> 00:19:19,080
Speaker 1: is you ain't even good of your own sitting in

427
00:19:19,160 --> 00:19:23,520
Speaker 1: the whole world. Nope. In scene Sean Kingston a teleprompt.

428
00:19:23,560 --> 00:19:25,280
Speaker 1: I don't want you to know that somebody was holding

429
00:19:25,359 --> 00:19:27,439
Speaker 1: up a telepromt. Is there more you well, Beanie Seagull

430
00:19:27,480 --> 00:19:30,439
Speaker 1: now has come out of retirement. Oh my goodness. So

431
00:19:30,560 --> 00:19:32,800
Speaker 1: Meek Mail posted video and he said, please don't bring

432
00:19:32,840 --> 00:19:34,960
Speaker 1: me out of retirement. I'm putting them fatigues back on

433
00:19:35,080 --> 00:19:38,119
Speaker 1: from my city. Straighten up or get straightened out one hundred.

434
00:19:38,200 --> 00:19:40,800
Speaker 1: So I guess now, Beanie Seagull, it's rapping for Philly.

435
00:19:40,880 --> 00:19:42,400
Speaker 1: You know, I didn't mind that though. I didn't mind

436
00:19:42,440 --> 00:19:44,840
Speaker 1: that because that was actually on a track. It was

437
00:19:44,840 --> 00:19:47,960
Speaker 1: over the remix. It was bars. I don't mind rap.

438
00:19:48,119 --> 00:19:51,200
Speaker 1: We have that next. Now this is Mieke Mail put

439
00:19:51,200 --> 00:19:54,560
Speaker 1: out a song. Oh and check it out, don't check

440
00:19:54,640 --> 00:20:03,320
Speaker 1: you fifth drop Stripp. Look when we come to Lady

441
00:20:03,400 --> 00:20:10,600
Speaker 1: Another like Mad at the Bars, I'm gonna play the

442
00:20:10,640 --> 00:20:12,800
Speaker 1: full version in the mix. Not Mad at the Bars

443
00:20:13,920 --> 00:20:16,320
Speaker 1: wanted some bars. He also told them he sufted in

444
00:20:16,480 --> 00:20:21,200
Speaker 1: Drake as well. No, Mellie said that. Actually he said,

445
00:20:21,200 --> 00:20:23,280
Speaker 1: you soft, didn't Drake. But yeah, there's a lot more

446
00:20:23,280 --> 00:20:25,480
Speaker 1: that we had to skip over, but basically a lot

447
00:20:25,480 --> 00:20:27,119
Speaker 1: of back and forth. There were a lot of pictures.

448
00:20:27,440 --> 00:20:30,760
Speaker 1: Mickmeil posted a lot of throwback pictures of game at

449
00:20:31,080 --> 00:20:34,040
Speaker 1: back pictures. They actually also posted a video that Envy

450
00:20:34,119 --> 00:20:36,800
Speaker 1: did with the game where the game said that he

451
00:20:36,960 --> 00:20:40,960
Speaker 1: was just tired of hip hop. Oh from uh sucker Free, no,

452
00:20:41,880 --> 00:20:46,440
Speaker 1: sucker free? This was I can't remember the video show. Yeah,

453
00:20:46,680 --> 00:20:52,120
Speaker 1: that was the show called sucker Free before sucker Free music?

454
00:20:52,359 --> 00:20:56,240
Speaker 1: Whose music choice? It was music? That's when he was crying.

455
00:20:56,280 --> 00:20:58,320
Speaker 1: It was crying a little bit, right, Yeah, Yeah, all

456
00:20:58,359 --> 00:21:03,840
Speaker 1: I know is Mercury's and retrograde niggers or nagging and yeah,

457
00:21:03,880 --> 00:21:05,760
Speaker 1: it's gonna be good. And I want to tell you

458
00:21:05,800 --> 00:21:08,919
Speaker 1: this though. I saw Nipsey Hustle also put up some tweets.

459
00:21:08,920 --> 00:21:10,080
Speaker 1: I don't know if you guys had a chance to

460
00:21:10,080 --> 00:21:12,679
Speaker 1: see what Nipsey said. Hold on me. There was so

461
00:21:12,800 --> 00:21:14,679
Speaker 1: much going on. I gotta pull all this up. But

462
00:21:15,000 --> 00:21:16,520
Speaker 1: I actually like what Nipsy had to say. He went

463
00:21:16,560 --> 00:21:19,200
Speaker 1: on Twitter and he added the game and meek mail.

464
00:21:19,200 --> 00:21:20,960
Speaker 1: He said, for emmerons to do this on social media,

465
00:21:21,160 --> 00:21:23,960
Speaker 1: this Internet is a dividing conquer You got a a

466
00:21:23,960 --> 00:21:26,280
Speaker 1: lot of young black men on your payroll. Same with Meek.

467
00:21:26,359 --> 00:21:28,800
Speaker 1: This is bad leadership. If someone's in the wrong, then

468
00:21:28,800 --> 00:21:30,600
Speaker 1: it should be handled and then everyone get back to

469
00:21:30,600 --> 00:21:32,879
Speaker 1: the money and gonna be no East Coast, West coast.

470
00:21:32,880 --> 00:21:34,880
Speaker 1: Were ain't gonna be no black man killing black men

471
00:21:35,160 --> 00:21:37,240
Speaker 1: and come to an understanding. Hip hop needs to stop

472
00:21:37,240 --> 00:21:39,720
Speaker 1: gassing this beef between Game and Meek Mail and was

473
00:21:39,760 --> 00:21:42,159
Speaker 1: gonna sit down like men and express their differences. That

474
00:21:42,320 --> 00:21:44,639
Speaker 1: I agree with because I feel like the situation was

475
00:21:44,760 --> 00:21:47,200
Speaker 1: like a screet situation, right, so he shouldn't be handled

476
00:21:47,200 --> 00:21:50,439
Speaker 1: with like phone calls and handled in the street. Right.

477
00:21:50,520 --> 00:21:53,000
Speaker 1: I don't see how it turned until a rat beef,

478
00:21:53,040 --> 00:21:54,919
Speaker 1: but we appreciate the balls. I think I happened when

479
00:21:54,960 --> 00:21:57,560
Speaker 1: he when he was on stage in Miami and he

480
00:21:57,600 --> 00:21:59,480
Speaker 1: said something and then people videotaped it, and then it

481
00:21:59,520 --> 00:22:02,159
Speaker 1: just became an in the internet, and then his album's

482
00:22:02,160 --> 00:22:03,639
Speaker 1: about to come out and the song is on his

483
00:22:03,680 --> 00:22:06,120
Speaker 1: album right, right, so it was about to come out anyway,

484
00:22:06,359 --> 00:22:08,520
Speaker 1: And you can't be upset when people look at this

485
00:22:08,560 --> 00:22:10,080
Speaker 1: and say, well, you know what, Game might be pulling

486
00:22:10,119 --> 00:22:12,119
Speaker 1: a publicity then, because it's just been going on for

487
00:22:12,119 --> 00:22:14,040
Speaker 1: the past few months. All right, let it seems like

488
00:22:14,040 --> 00:22:15,840
Speaker 1: something that should have been handled. Well, that is your

489
00:22:15,880 --> 00:22:17,840
Speaker 1: rumor report. We're gonna, of course, have more for you

490
00:22:17,840 --> 00:22:19,880
Speaker 1: throughout the morning. The game coming in this week, game

491
00:22:20,000 --> 00:22:23,239
Speaker 1: is coming this week. Okay, right, all right, well, um,

492
00:22:23,480 --> 00:22:25,840
Speaker 1: get it all out of your head. Whosa, whosa, I'm

493
00:22:25,920 --> 00:22:28,320
Speaker 1: drinking my green juice, but drinking green juice, drinking coffee?

494
00:22:28,359 --> 00:22:30,439
Speaker 1: Is it all out? Get it all out. If somebody

495
00:22:30,480 --> 00:22:31,879
Speaker 1: tells you you're in the club with someone and they

496
00:22:31,960 --> 00:22:34,919
Speaker 1: about to get robbed, but you tell them that's a

497
00:22:34,960 --> 00:22:37,760
Speaker 1: good it depends. It depends who it is. It depends

498
00:22:37,760 --> 00:22:39,480
Speaker 1: who it is, because guess what, if you're telling me

499
00:22:39,520 --> 00:22:41,320
Speaker 1: that you're about to rob somebody, that person is not

500
00:22:41,320 --> 00:22:43,239
Speaker 1: my man, and you know that's not my man. You're

501
00:22:43,280 --> 00:22:44,680
Speaker 1: not gonna come to me and tell me you about

502
00:22:44,680 --> 00:22:46,920
Speaker 1: to rob my man. Let's talk about it later. That's

503
00:22:46,920 --> 00:22:49,840
Speaker 1: a good question. Let's change the topic because it bring

504
00:22:49,840 --> 00:22:53,240
Speaker 1: in some R and B usha when we come back. Yeah,

505
00:22:53,240 --> 00:22:54,760
Speaker 1: you know, people fighting the club and then you're fighting

506
00:22:54,760 --> 00:22:59,400
Speaker 1: the club. You gotta play R and B song. There's

507
00:22:59,400 --> 00:23:01,320
Speaker 1: no limit, all right, when we come back, ears, I'm

508
00:23:01,320 --> 00:23:02,680
Speaker 1: gonna do a Usher Mini Mix two because he's in

509
00:23:02,720 --> 00:23:05,679
Speaker 1: the building. It's a breakfast club morning. That was Drake

510
00:23:05,960 --> 00:23:10,399
Speaker 1: Popcorn Controller Morning. Everybody's DJ M v Angela. Ye, the

511
00:23:10,480 --> 00:23:13,560
Speaker 1: guy the breakfast club. We got a special guest in

512
00:23:13,560 --> 00:23:18,560
Speaker 1: the building time. He really is a special guest man.

513
00:23:18,640 --> 00:23:21,840
Speaker 1: Congratulations on the new album. Yes, really enjoyed it. I

514
00:23:21,840 --> 00:23:23,480
Speaker 1: know you put it out early on title. I don't

515
00:23:23,480 --> 00:23:25,080
Speaker 1: have titles, so I had to listen to it. I

516
00:23:25,080 --> 00:23:29,800
Speaker 1: don't have title because it's I'm gonna tell you, I

517
00:23:29,800 --> 00:23:33,399
Speaker 1: already have Apple. I already had Pandora. If you had Pandora,

518
00:23:33,240 --> 00:23:37,520
Speaker 1: you have apples? You have because I have too many already.

519
00:23:36,359 --> 00:23:39,600
Speaker 1: You just say it, that's not I mean, I had

520
00:23:39,600 --> 00:23:44,359
Speaker 1: to back people. Just say it fine that we was

521
00:23:44,400 --> 00:23:47,879
Speaker 1: having a conversation earlier. Is Usher appreciated like he needed

522
00:23:47,920 --> 00:23:50,520
Speaker 1: to be? Like all you've done in music? Been around

523
00:23:50,520 --> 00:23:55,040
Speaker 1: since ninety four? Yeah, are you appreciated? That's a question

524
00:23:55,080 --> 00:23:56,679
Speaker 1: I can't answer. You know what I'm saying that I

525
00:23:56,680 --> 00:24:00,480
Speaker 1: mean it. It obviously UM says a lot that I've

526
00:24:00,520 --> 00:24:03,280
Speaker 1: been around as long as I have. But I mean,

527
00:24:03,320 --> 00:24:05,080
Speaker 1: I'm you know, I don't know if I do it

528
00:24:05,119 --> 00:24:07,439
Speaker 1: for that reason. I do it to celebrate music. I

529
00:24:07,480 --> 00:24:10,800
Speaker 1: do it to kind of celebrate, um, the cultures that

530
00:24:10,840 --> 00:24:12,560
Speaker 1: I come from. I mean, and and I've been a

531
00:24:12,640 --> 00:24:14,720
Speaker 1: lot of places and picking up that culture. I started

532
00:24:14,760 --> 00:24:16,240
Speaker 1: here in New York, you know what I'm saying. From

533
00:24:16,560 --> 00:24:19,640
Speaker 1: from that, I made my reconnection with the South in Atlanta,

534
00:24:19,720 --> 00:24:21,399
Speaker 1: and you know, as it relates to R and B

535
00:24:21,560 --> 00:24:23,880
Speaker 1: music and rhythmic music in a way that I do.

536
00:24:23,960 --> 00:24:27,359
Speaker 1: You know, I try to bring everybody back together, even

537
00:24:27,359 --> 00:24:28,879
Speaker 1: when I kind of went off the beaten path and

538
00:24:28,960 --> 00:24:31,440
Speaker 1: just start, you know, trying to other other genres of

539
00:24:31,560 --> 00:24:35,080
Speaker 1: music and other space. Yeah, I mean, yeah, I mean

540
00:24:35,119 --> 00:24:38,160
Speaker 1: but that everybody does, you know. And the one cool

541
00:24:38,200 --> 00:24:40,040
Speaker 1: thing about it is that I was fairless in doing it,

542
00:24:40,080 --> 00:24:42,720
Speaker 1: but then that became, you know, a relevant thing for

543
00:24:42,800 --> 00:24:46,280
Speaker 1: artists to do. It's a departure, but this album about that.

544
00:24:46,320 --> 00:24:48,399
Speaker 1: This album is kind of bringing it back to the center.

545
00:24:48,440 --> 00:24:51,160
Speaker 1: You know what I'm saying. I made a conscious decision

546
00:24:51,359 --> 00:24:53,320
Speaker 1: to go towards my own culture. I mean, if I

547
00:24:53,359 --> 00:24:56,560
Speaker 1: listen to radio right now, everybody sounds like Atlanta, you

548
00:24:56,560 --> 00:24:58,960
Speaker 1: know what I'm saying, Even if you're from New Jersey, Brooklyn,

549
00:24:59,080 --> 00:25:01,360
Speaker 1: wherever you're from. I was like Atlanta as a fact,

550
00:25:01,480 --> 00:25:03,320
Speaker 1: now I talk about No Limit to single. Yeah, you

551
00:25:03,359 --> 00:25:06,240
Speaker 1: released that? Did it catch you on immediately? Yeah? You know,

552
00:25:06,280 --> 00:25:08,560
Speaker 1: it took a minute. Did everybody wanted Master on the record?

553
00:25:09,160 --> 00:25:13,360
Speaker 1: Somebody from No Limit? Did somebody? Still? Yeah, we took

554
00:25:13,359 --> 00:25:15,320
Speaker 1: it up with Pa. It was cool. I mean it

555
00:25:15,359 --> 00:25:17,080
Speaker 1: was It was cool to be a part of what

556
00:25:17,119 --> 00:25:19,679
Speaker 1: P's working on because now he's kind of doing a

557
00:25:19,760 --> 00:25:23,320
Speaker 1: documentary around No Limit Records and just kind of what

558
00:25:23,359 --> 00:25:26,160
Speaker 1: it is to be an entrepreneur in the South. And

559
00:25:26,359 --> 00:25:28,520
Speaker 1: you know, I just felt like I just kind of, man,

560
00:25:28,520 --> 00:25:30,600
Speaker 1: this is this kind of like a tribute to to

561
00:25:30,720 --> 00:25:32,359
Speaker 1: you too in a in an our way. The record

562
00:25:32,440 --> 00:25:35,040
Speaker 1: wasn't about Master P. It just happened to use him

563
00:25:35,080 --> 00:25:37,199
Speaker 1: as a metaphor. But why not put P on it?

564
00:25:37,240 --> 00:25:40,760
Speaker 1: You know, friends like Ghetto D. So it all worked out.

565
00:25:41,040 --> 00:25:43,199
Speaker 1: Like what she said, she like Ghetto D. She like

566
00:25:43,440 --> 00:25:45,760
Speaker 1: she like you like Ghetto Yeah. We're gonna tell no,

567
00:25:45,920 --> 00:25:49,359
Speaker 1: we don't all like the ladies. We all like that.

568
00:25:49,600 --> 00:25:51,240
Speaker 1: Some of the boyfriends she had. You'd be like, yeah,

569
00:25:51,240 --> 00:25:54,679
Speaker 1: she liked that. Getting Now, why No Limit? Because you

570
00:25:54,680 --> 00:25:57,000
Speaker 1: are from Atlanta, so you have some historic labels there.

571
00:25:57,720 --> 00:25:59,600
Speaker 1: It was more South than it was Atlanta. You know

572
00:25:59,600 --> 00:26:02,240
Speaker 1: what I'm saying, But no limit to me felt like

573
00:26:03,080 --> 00:26:04,800
Speaker 1: where we are at. You know what I'm saying, Like

574
00:26:04,920 --> 00:26:08,480
Speaker 1: this is, this is It's all about getting reconnected with

575
00:26:08,720 --> 00:26:10,520
Speaker 1: the people, the energy, you know what I'm saying. And

576
00:26:11,000 --> 00:26:13,560
Speaker 1: then I brought the dance to the table because the

577
00:26:14,080 --> 00:26:16,160
Speaker 1: record was what it was. And then to be able

578
00:26:16,200 --> 00:26:20,280
Speaker 1: to just start moving again and dancing and celebrating the movement,

579
00:26:20,280 --> 00:26:22,000
Speaker 1: you know what I'm saying. That's that's what it was

580
00:26:22,160 --> 00:26:23,960
Speaker 1: more for me than anything. You think it's too early

581
00:26:23,960 --> 00:26:25,200
Speaker 1: in your career for people to be like us. She

582
00:26:25,320 --> 00:26:27,480
Speaker 1: still got it. You watched the video and you're watching

583
00:26:27,480 --> 00:26:29,480
Speaker 1: you dance. You're like, oh, let's just do it. Got it?

584
00:26:29,600 --> 00:26:32,160
Speaker 1: I mean, hey, you know you know Guy rested Dad.

585
00:26:32,440 --> 00:26:34,040
Speaker 1: They went to the same thing with Michael. They went

586
00:26:34,080 --> 00:26:35,840
Speaker 1: to the same thing with Prince. You know what I'm saying.

587
00:26:35,840 --> 00:26:38,640
Speaker 1: And I don't know. I mean, I feel like I'm

588
00:26:38,640 --> 00:26:40,400
Speaker 1: twenty eight, you know what I'm saying, Like it never

589
00:26:40,480 --> 00:26:44,679
Speaker 1: hurts a little bit, a little poplock, a little what

590
00:26:44,800 --> 00:26:53,520
Speaker 1: is that? That's like a seizure. And you do have

591
00:26:53,520 --> 00:26:56,000
Speaker 1: some songs on here that are very nostalgic too, which

592
00:26:56,040 --> 00:26:58,000
Speaker 1: I see is really popular now with some of the

593
00:26:58,040 --> 00:27:00,400
Speaker 1: newer artists kind of throwing it back, and I'm way

594
00:27:00,440 --> 00:27:03,560
Speaker 1: I think that all of late eighties and nineties, you know,

595
00:27:03,680 --> 00:27:06,240
Speaker 1: kind of gave me a little inspiration. But I had

596
00:27:06,280 --> 00:27:08,560
Speaker 1: a departure, you know, just just from music. I was

597
00:27:08,560 --> 00:27:11,240
Speaker 1: just trying different space, just kind of working on different

598
00:27:11,280 --> 00:27:13,760
Speaker 1: things and allowing myself to just be, you know, just

599
00:27:13,800 --> 00:27:17,080
Speaker 1: explore as much as I possibly can. And then you know,

600
00:27:17,080 --> 00:27:18,520
Speaker 1: I start looking at some of the things that I

601
00:27:18,560 --> 00:27:20,399
Speaker 1: was going through, and then I start using some of

602
00:27:20,400 --> 00:27:23,840
Speaker 1: that as well. You know, that transition in life, you know,

603
00:27:23,880 --> 00:27:25,600
Speaker 1: where you kind of look at yourself in the mirror

604
00:27:25,600 --> 00:27:27,960
Speaker 1: and you're like, man, I'm anna bit hard to Love.

605
00:27:28,000 --> 00:27:30,000
Speaker 1: I ain't been. I ain't been the best that your

606
00:27:30,000 --> 00:27:32,640
Speaker 1: ex wife put. The new album hard to Love is out.

607
00:27:32,680 --> 00:27:41,800
Speaker 1: That title is perfect. I literally just saw you. Guys

608
00:27:41,800 --> 00:27:43,840
Speaker 1: are in a good space now. So yeah, no, we're

609
00:27:43,840 --> 00:27:46,880
Speaker 1: good man, Right, you really think you're heart to love? Though?

610
00:27:47,320 --> 00:27:49,440
Speaker 1: I e if you have ever loved me, and you

611
00:27:49,440 --> 00:27:52,320
Speaker 1: you have, you know, I mean no, I mean not

612
00:27:52,400 --> 00:27:54,080
Speaker 1: to everybody, you know what I mean, but like, we

613
00:27:54,119 --> 00:27:56,720
Speaker 1: love your music, but if somebody's close to you, you

614
00:27:56,720 --> 00:27:58,600
Speaker 1: know what I'm saying, it seems like you're very transparent

615
00:27:58,600 --> 00:28:02,320
Speaker 1: in your music, but I guess guarded in real life

616
00:28:02,480 --> 00:28:04,600
Speaker 1: not really, you know, for the most part, I just

617
00:28:04,920 --> 00:28:08,240
Speaker 1: you know, I kind of live with my book open,

618
00:28:08,280 --> 00:28:10,639
Speaker 1: you know what I'm saying. It's like I'm near it

619
00:28:10,800 --> 00:28:13,600
Speaker 1: is what it is. Congratulations by the way on your

620
00:28:13,720 --> 00:28:16,959
Speaker 1: star on the Walk of Things. That was big because

621
00:28:16,960 --> 00:28:18,639
Speaker 1: I was surprised. It seemed like it came out of

622
00:28:18,640 --> 00:28:20,359
Speaker 1: nowhere because one day we seen a pick one. I

623
00:28:20,359 --> 00:28:22,160
Speaker 1: think they give you advance. Now I wouldn't. It wasn't

624
00:28:22,160 --> 00:28:23,840
Speaker 1: a surprised like Jay. They have to petition, you know

625
00:28:23,880 --> 00:28:25,680
Speaker 1: what I'm saying, So the fans have to begin to,

626
00:28:25,760 --> 00:28:27,760
Speaker 1: you know, start to go through the process of raising

627
00:28:27,760 --> 00:28:30,240
Speaker 1: the funding. My fans are the reason that that happened,

628
00:28:30,440 --> 00:28:33,600
Speaker 1: and it could have happened, you know, years before. Um,

629
00:28:33,640 --> 00:28:35,879
Speaker 1: but I think that this was a perfect time. And

630
00:28:35,960 --> 00:28:38,560
Speaker 1: you know what I'm saying, It's been really an amazing year, man,

631
00:28:38,680 --> 00:28:41,560
Speaker 1: Like starting with going out to Golden Stayed and win

632
00:28:41,600 --> 00:28:44,720
Speaker 1: in with the Calves after an eleven year investment with them.

633
00:28:44,760 --> 00:28:48,120
Speaker 1: It's a nice little sneaky investment you got, Yeah, yeah,

634
00:28:48,240 --> 00:28:51,480
Speaker 1: eleven years of sneaking, right, I never thought that was

635
00:28:51,520 --> 00:28:53,560
Speaker 1: gonna happen. Did you even in the finals, did you

636
00:28:53,560 --> 00:28:55,720
Speaker 1: think the Calves are gonna win? I think people only

637
00:28:55,760 --> 00:28:58,800
Speaker 1: remember the success, right, So we kind of have now

638
00:28:58,960 --> 00:29:02,920
Speaker 1: kind of abandoned the idea of what happened before because

639
00:29:03,400 --> 00:29:06,280
Speaker 1: Cleveland has now, you know, kind of made the full

640
00:29:06,320 --> 00:29:08,440
Speaker 1: circuit that they all were hopeful for, you know. And

641
00:29:08,480 --> 00:29:12,320
Speaker 1: when Lebron decided to leave and go to Miami, I

642
00:29:12,400 --> 00:29:15,719
Speaker 1: was still there in Cleveland. Did you burn this Jersey? Na?

643
00:29:16,240 --> 00:29:18,760
Speaker 1: Of course not, you know, at once again that perspective

644
00:29:18,800 --> 00:29:20,520
Speaker 1: of being hard to love, you know what I'm saying.

645
00:29:20,640 --> 00:29:24,120
Speaker 1: But you know, hey, listen, now, eleven years later, we

646
00:29:24,240 --> 00:29:27,520
Speaker 1: got an incredible team, got a ring to go with it,

647
00:29:27,960 --> 00:29:32,160
Speaker 1: and uh looking forward to an incredible Yeah. Did you

648
00:29:32,160 --> 00:29:36,040
Speaker 1: ever think about selling your staking the team when Lebron left? Nah?

649
00:29:36,080 --> 00:29:39,440
Speaker 1: Not at all, because it's important to be a black owner.

650
00:29:39,880 --> 00:29:42,680
Speaker 1: I mean as it relates to being a part of

651
00:29:43,320 --> 00:29:47,880
Speaker 1: an incredible group. Um, you know, don't jump ship, you

652
00:29:47,920 --> 00:29:49,640
Speaker 1: know what I mean. And then when Kyrie came, I

653
00:29:49,680 --> 00:29:52,240
Speaker 1: actually built a great report with him. But it served

654
00:29:52,280 --> 00:29:53,640
Speaker 1: to be a good business, you know what I mean.

655
00:29:53,920 --> 00:29:56,240
Speaker 1: It wasn't that wasn't a decline in that way, you

656
00:29:56,240 --> 00:29:58,320
Speaker 1: know what I'm saying. He was still just as popular

657
00:29:58,360 --> 00:30:01,760
Speaker 1: and just as uh success and the efforts of the

658
00:30:01,800 --> 00:30:05,800
Speaker 1: team were to you know, rebuild, and then when Lebron

659
00:30:05,880 --> 00:30:09,200
Speaker 1: came back, it just became a continual conversation about what

660
00:30:09,240 --> 00:30:12,840
Speaker 1: we're gonna do to continue to build the team. Hey,

661
00:30:12,880 --> 00:30:15,320
Speaker 1: thank you, thank you for having that hopeful. Now you

662
00:30:15,360 --> 00:30:18,720
Speaker 1: playing Sugary Lind, how'd you prepare for that? You know,

663
00:30:18,840 --> 00:30:20,840
Speaker 1: just being a boxer, you know what I'm saying. So

664
00:30:21,440 --> 00:30:24,760
Speaker 1: instead of looking at it like an acting role, I

665
00:30:24,800 --> 00:30:27,200
Speaker 1: just decided that I was gonna put the gloves on

666
00:30:27,280 --> 00:30:30,320
Speaker 1: and and train like an actual boxer. I spent about

667
00:30:30,320 --> 00:30:33,720
Speaker 1: a year. Eventually, um Sugary Lyndon came and put the

668
00:30:33,720 --> 00:30:36,680
Speaker 1: finishing touches on, making sure that I understood exactly what

669
00:30:36,760 --> 00:30:39,880
Speaker 1: happened in the two fights between he and Roberto Duran.

670
00:30:40,080 --> 00:30:42,520
Speaker 1: Now did you sall yeah and everything? You know, you

671
00:30:42,520 --> 00:30:45,760
Speaker 1: can play basketball and play football, play baseball, you can't

672
00:30:45,760 --> 00:30:47,880
Speaker 1: play boxing. No, you know what I'm saying. It's what

673
00:30:47,960 --> 00:30:49,760
Speaker 1: you put in the ring and you put them gloves on,

674
00:30:49,840 --> 00:30:52,160
Speaker 1: you put the pads on, and you go for it.

675
00:30:52,360 --> 00:30:54,280
Speaker 1: And I wanted to I wanted to make sure I

676
00:30:54,320 --> 00:30:56,760
Speaker 1: can handle myself, so I boxed with amateurs. I didn't

677
00:30:56,760 --> 00:30:58,280
Speaker 1: just because they doct you on your ask a couple

678
00:30:58,280 --> 00:30:59,840
Speaker 1: of times they had to a couple of times. Yeah,

679
00:31:00,120 --> 00:31:01,800
Speaker 1: you've always worked out and been in good shape. Though.

680
00:31:01,800 --> 00:31:03,800
Speaker 1: I remember when August was up here, he was saying,

681
00:31:03,800 --> 00:31:06,200
Speaker 1: how when he was on tour with you, how you

682
00:31:06,280 --> 00:31:07,880
Speaker 1: kind of had to tell him listen, you got to

683
00:31:07,920 --> 00:31:10,760
Speaker 1: work out, getting the gym be healthy. Yeah. I mean

684
00:31:10,760 --> 00:31:13,400
Speaker 1: I ended up being like a mentor all you know,

685
00:31:13,440 --> 00:31:16,200
Speaker 1: my little brothers. You know what I'm saying. Then, yeah

686
00:31:16,240 --> 00:31:17,720
Speaker 1: it is. I mean, if you're going to travel on

687
00:31:17,800 --> 00:31:19,560
Speaker 1: that road, you know. And I did tell him. I

688
00:31:19,560 --> 00:31:22,280
Speaker 1: showed him too, like just did we do in order to,

689
00:31:22,360 --> 00:31:24,040
Speaker 1: you know, keep it up, keep the red, keep the

690
00:31:24,040 --> 00:31:26,479
Speaker 1: regiment going. All right? We got more with us when

691
00:31:26,520 --> 00:31:28,720
Speaker 1: we come back. Keeping locked us to breakfast club Good Morning,

692
00:31:29,200 --> 00:31:36,000
Speaker 1: the breakfast club that was Kent Jones, who don't mind Morning?

693
00:31:36,000 --> 00:31:39,240
Speaker 1: Everybody's DJ M vy Angela Yee Shlomne. The guy we

694
00:31:39,280 --> 00:31:42,800
Speaker 1: all to breakfast Club Ussia is in the building. Why

695
00:31:42,960 --> 00:31:44,880
Speaker 1: we never seeing she'd go crazy? Because you've been around

696
00:31:44,920 --> 00:31:50,280
Speaker 1: since he was fourteen? Why are you never going crazy

697
00:31:50,280 --> 00:31:52,360
Speaker 1: because it wasn't the social media earl. I think that

698
00:31:52,400 --> 00:31:54,120
Speaker 1: we all go crazy, and I mind, it's no matter

699
00:31:54,360 --> 00:31:57,720
Speaker 1: what you choose to show social media, all of them

700
00:31:57,760 --> 00:32:00,000
Speaker 1: kind of gay an opportunity to while out a little bit. Yeah,

701
00:32:00,080 --> 00:32:01,920
Speaker 1: y'all see me in the in the steam shower. We

702
00:32:01,960 --> 00:32:05,560
Speaker 1: see your penis? Why a penis? You were looking at

703
00:32:05,560 --> 00:32:07,760
Speaker 1: my penis? I just was showing them the picture too.

704
00:32:08,040 --> 00:32:10,440
Speaker 1: She was, I'm not pressure you keep it in you

705
00:32:10,600 --> 00:32:12,440
Speaker 1: in your phone, and I was like, listen, I'm glad

706
00:32:12,480 --> 00:32:14,920
Speaker 1: that emoji couldn't hide it. Man. You know, if you

707
00:32:15,000 --> 00:32:17,080
Speaker 1: have an emoji over your penis and you can't see

708
00:32:17,080 --> 00:32:19,560
Speaker 1: the penis, then you know, it was like a shadow.

709
00:32:19,600 --> 00:32:22,080
Speaker 1: I think I feel like I saw like pieces you

710
00:32:22,640 --> 00:32:25,520
Speaker 1: a hard damn you couldn't really see it, right, It's

711
00:32:25,520 --> 00:32:28,040
Speaker 1: a piece of sir coming out the side of the emoji.

712
00:32:28,880 --> 00:32:30,120
Speaker 1: How did that happen to you? Was having a young

713
00:32:30,120 --> 00:32:34,680
Speaker 1: old g moment, you know. Sometimes he was doing a

714
00:32:34,760 --> 00:32:36,800
Speaker 1: tour of the house and then he stripped down in

715
00:32:36,880 --> 00:32:39,360
Speaker 1: the steam shower and the sauna he was keeping the

716
00:32:39,440 --> 00:32:42,320
Speaker 1: rim was blow off steam. Man. You know, I just said,

717
00:32:42,400 --> 00:32:45,040
Speaker 1: if I get a link Usher's penis is exposed. I'm

718
00:32:45,080 --> 00:32:48,840
Speaker 1: gonna look at it. Why wouldn't this, gracious ye, why

719
00:32:48,880 --> 00:32:51,800
Speaker 1: wouldn't I look? Na? You know this, this, this right

720
00:32:51,800 --> 00:32:54,520
Speaker 1: here proves that you know cough syrup. And you know

721
00:32:54,560 --> 00:32:59,520
Speaker 1: what I'm saying, steam showers don't work. That ain't a

722
00:32:59,560 --> 00:33:02,280
Speaker 1: good place. That's gonna be the headline. I just said

723
00:33:02,320 --> 00:33:07,520
Speaker 1: he was high. When you leave? What you did you

724
00:33:07,520 --> 00:33:09,480
Speaker 1: think it was funny? Or were you like, oh my god?

725
00:33:09,480 --> 00:33:11,280
Speaker 1: I just say, you know what, I just some Sometimes

726
00:33:11,360 --> 00:33:13,400
Speaker 1: I use Snapchat or you or one of them to

727
00:33:13,480 --> 00:33:15,120
Speaker 1: kind of like allow you to, you know, look at

728
00:33:15,120 --> 00:33:20,600
Speaker 1: my life, my day. You said, at my day? Damn man,

729
00:33:20,720 --> 00:33:27,240
Speaker 1: She's like, did we started with yet? O? D regret?

730
00:33:28,080 --> 00:33:29,480
Speaker 1: I think I read in New York Times all the

731
00:33:29,480 --> 00:33:32,760
Speaker 1: coolinges said regret? Is there any regret what they have? Yeah?

732
00:33:32,760 --> 00:33:35,160
Speaker 1: Like I said, you talking about being regretful a lot.

733
00:33:35,240 --> 00:33:37,360
Speaker 1: Now I feel like he's more like I'd be messing up,

734
00:33:37,360 --> 00:33:39,800
Speaker 1: but you're gonna be with me anyway? Nah, not really.

735
00:33:40,400 --> 00:33:43,840
Speaker 1: I mean it's been a process. Like the albumin about

736
00:33:43,920 --> 00:33:46,040
Speaker 1: just where we are? You know what I'm saying, Where

737
00:33:46,080 --> 00:33:47,840
Speaker 1: men are? I mean, if you listen to music and

738
00:33:47,920 --> 00:33:49,600
Speaker 1: you hear the contrast to you the other side here

739
00:33:49,640 --> 00:33:51,520
Speaker 1: women talking about some of the things that men are

740
00:33:51,560 --> 00:33:54,160
Speaker 1: doing right. So men have to kind of go through

741
00:33:54,160 --> 00:33:57,320
Speaker 1: this transformation where they finally get it, you know. And

742
00:33:57,600 --> 00:33:59,720
Speaker 1: if you look at my life and you know a

743
00:33:59,720 --> 00:34:02,120
Speaker 1: lot of this that I've been through and things I've done,

744
00:34:02,400 --> 00:34:04,400
Speaker 1: it ain't been the greatest. So you know, I kind

745
00:34:04,400 --> 00:34:06,080
Speaker 1: of owned up to it. I don't want no more rivals.

746
00:34:06,120 --> 00:34:08,120
Speaker 1: I just want to kind of straighten it out, you

747
00:34:08,120 --> 00:34:10,160
Speaker 1: know what I mean. And a man's favorite phrases, I'm

748
00:34:10,160 --> 00:34:14,680
Speaker 1: a working progress man always say when they messed up,

749
00:34:14,719 --> 00:34:16,719
Speaker 1: they'd be like, listen, I'm just a working progress man.

750
00:34:16,800 --> 00:34:18,480
Speaker 1: But don't you love a dude who would just say

751
00:34:18,480 --> 00:34:20,960
Speaker 1: that as opposed to lying and just like, nah, you're

752
00:34:21,000 --> 00:34:23,479
Speaker 1: reading it wrong. You ain't that with me? You see it? No,

753
00:34:24,400 --> 00:34:26,120
Speaker 1: you got on it. And what I'm saying, And I

754
00:34:26,160 --> 00:34:28,080
Speaker 1: think that that was part of the gear back, you

755
00:34:28,080 --> 00:34:30,000
Speaker 1: know what I'm saying, to make sure that men have

756
00:34:30,680 --> 00:34:32,400
Speaker 1: that kind of record to make it a little bit

757
00:34:32,440 --> 00:34:35,440
Speaker 1: easier to get over that hump of just having the conversation. Man.

758
00:34:35,920 --> 00:34:38,560
Speaker 1: But you've always had a thing for older women, Yep?

759
00:34:38,960 --> 00:34:42,240
Speaker 1: Why is that? There's no reason? There's there's no logic

760
00:34:42,400 --> 00:34:44,680
Speaker 1: behind you know who. I've chosen to spend my time

761
00:34:44,880 --> 00:34:46,279
Speaker 1: like a younger woman too, you know what I'm saying.

762
00:34:46,280 --> 00:34:50,360
Speaker 1: Like I had a variety, you know, but when it

763
00:34:50,360 --> 00:34:55,759
Speaker 1: comes to age, there's no limit. There is a limit, no,

764
00:34:55,880 --> 00:34:57,719
Speaker 1: not there. I don't go too I don't go too low.

765
00:34:58,000 --> 00:34:59,759
Speaker 1: I don't go too low one of it because you

766
00:35:00,000 --> 00:35:01,960
Speaker 1: had it in the game early, so a lot of

767
00:35:01,960 --> 00:35:04,480
Speaker 1: people your age probably couldn't relate to what you were

768
00:35:04,520 --> 00:35:06,719
Speaker 1: going through. Maybe. I mean my first single was can

769
00:35:06,800 --> 00:35:08,279
Speaker 1: you get with it? You know what I'm saying that

770
00:35:08,440 --> 00:35:10,960
Speaker 1: fourteen years old? What the hell that I know about

771
00:35:11,000 --> 00:35:13,040
Speaker 1: any of it? You know what? But now that ain't it?

772
00:35:13,160 --> 00:35:16,200
Speaker 1: I just you know, I just choose, you know, based

773
00:35:16,200 --> 00:35:18,600
Speaker 1: off for who I know I resonate with and I

774
00:35:18,600 --> 00:35:20,239
Speaker 1: connect with it. And it ain't got nothing new with

775
00:35:20,320 --> 00:35:23,279
Speaker 1: age or anything specific. It's like if you connect with

776
00:35:23,320 --> 00:35:25,920
Speaker 1: somebody then you then you jail with him that. I

777
00:35:25,960 --> 00:35:28,200
Speaker 1: love older women too. Patty Labella is my woman. Crushed

778
00:35:28,440 --> 00:35:32,920
Speaker 1: like pies. You want him, pist God, he go hard

779
00:35:32,920 --> 00:35:36,200
Speaker 1: for them. Patty to play with Patty's son and had

780
00:35:36,239 --> 00:35:38,080
Speaker 1: to check him a couple of times. Patty something checked me.

781
00:35:38,120 --> 00:35:40,440
Speaker 1: One just like, please stop talking about my mom and

782
00:35:40,480 --> 00:35:42,239
Speaker 1: this man. I'm like, Bro, it's not my fault. Your

783
00:35:42,280 --> 00:35:45,959
Speaker 1: mom was hot. Bro, I'm not like, I'm being disrespectful,

784
00:35:46,000 --> 00:35:48,440
Speaker 1: so you hurt? How personal would you say this album

785
00:35:48,520 --> 00:35:52,240
Speaker 1: is hard to love? I mean the process was personal,

786
00:35:52,360 --> 00:35:54,640
Speaker 1: you know what I'm saying, and kind of that transformation

787
00:35:54,680 --> 00:35:57,799
Speaker 1: and me being open about being hard to love and

788
00:35:58,000 --> 00:36:00,320
Speaker 1: hard to trust. Yep, So if you tell all that

789
00:36:00,440 --> 00:36:03,200
Speaker 1: you cheat, it's kind of on her. No, no, no,

790
00:36:03,760 --> 00:36:06,000
Speaker 1: it's hard to love. Ain't just necessarily cheating. It's just

791
00:36:06,080 --> 00:36:08,600
Speaker 1: kind of getting through the layers of put all these

792
00:36:08,640 --> 00:36:12,360
Speaker 1: blocks up when you go through, you know, life's changes.

793
00:36:12,400 --> 00:36:15,120
Speaker 1: I went through with divorce. It ain't like I kind

794
00:36:15,160 --> 00:36:17,560
Speaker 1: of have made had you know, one hundred percent like

795
00:36:17,600 --> 00:36:20,520
Speaker 1: great relationships all the way across the board. So with

796
00:36:20,680 --> 00:36:23,040
Speaker 1: all of that, I made it very difficult for a

797
00:36:23,120 --> 00:36:24,839
Speaker 1: lot of women. I was hard on it. You kind

798
00:36:24,840 --> 00:36:27,160
Speaker 1: of take the blame for yeah, I'm taking I took

799
00:36:27,160 --> 00:36:29,360
Speaker 1: the blame for a lot of the things that I

800
00:36:29,440 --> 00:36:31,600
Speaker 1: kind of went through. I don't take all of it,

801
00:36:31,640 --> 00:36:33,200
Speaker 1: but I can tell I can own my part. But

802
00:36:33,239 --> 00:36:34,799
Speaker 1: how do they, like, how do women trust you now?

803
00:36:34,840 --> 00:36:37,319
Speaker 1: Because you're still usher you talked about your life on

804
00:36:37,400 --> 00:36:39,560
Speaker 1: these records, and you're seeing you're hard to trust on

805
00:36:39,600 --> 00:36:42,320
Speaker 1: this side. But you're still touring, You're still in the

806
00:36:42,360 --> 00:36:44,200
Speaker 1: strip clubs. You still so how do you? How do

807
00:36:44,280 --> 00:36:46,520
Speaker 1: they still trust? Usher? He giving himself a window, He

808
00:36:46,560 --> 00:36:48,279
Speaker 1: got a little door open. So if I messed up,

809
00:36:48,280 --> 00:36:52,359
Speaker 1: I told you what I'm about. No, I mean, I'm

810
00:36:52,440 --> 00:36:56,320
Speaker 1: just I'm just being honest for all men, not just myself.

811
00:36:56,440 --> 00:36:58,960
Speaker 1: You know what I said. I think that I'm faithful,

812
00:37:02,200 --> 00:37:07,960
Speaker 1: but you are definitely hard to love. Yes, do you

813
00:37:08,000 --> 00:37:10,839
Speaker 1: think women don't take responsibility enough for our part? I think,

814
00:37:10,920 --> 00:37:13,680
Speaker 1: y'all do. I think that you probably do more than

815
00:37:13,719 --> 00:37:17,120
Speaker 1: you need to. And I think that maybe um men

816
00:37:17,200 --> 00:37:19,840
Speaker 1: don't necessarily understand how to say it. I think that

817
00:37:19,920 --> 00:37:21,759
Speaker 1: we both speak different languages. You know what I'm saying.

818
00:37:21,840 --> 00:37:23,560
Speaker 1: We could be saying it very clearly, and you don't

819
00:37:23,600 --> 00:37:25,319
Speaker 1: get it. So like when you break it down to

820
00:37:25,360 --> 00:37:28,560
Speaker 1: the like the simplest common denominator, it makes it easy.

821
00:37:28,600 --> 00:37:30,919
Speaker 1: It makes the conversation easy to kind of move through.

822
00:37:31,040 --> 00:37:32,719
Speaker 1: What conversation do you have with your sons? You have

823
00:37:33,120 --> 00:37:39,160
Speaker 1: a couple of black boys impressed. I got a couple

824
00:37:39,200 --> 00:37:41,480
Speaker 1: of black boys too young black men. You have a

825
00:37:41,480 --> 00:37:46,960
Speaker 1: couple of How about this, You have two sons and

826
00:37:47,000 --> 00:37:52,400
Speaker 1: that's from the South. You have that boy thing, right, boys?

827
00:37:52,920 --> 00:37:56,560
Speaker 1: Do you have two young black sons? Right? Yeah? What

828
00:37:56,600 --> 00:37:59,080
Speaker 1: conversations do you have with them about everything that's going on?

829
00:37:59,120 --> 00:38:03,160
Speaker 1: Because everything is social Coach he wrote this book and

830
00:38:03,280 --> 00:38:05,359
Speaker 1: he wrote a book to his son, and it then

831
00:38:05,400 --> 00:38:08,480
Speaker 1: made me you know what I'm talking about, right, so,

832
00:38:08,480 --> 00:38:10,719
Speaker 1: so a great book. After reading that book, I then

833
00:38:10,840 --> 00:38:14,799
Speaker 1: begin to understand the reality of how important fathers are

834
00:38:14,880 --> 00:38:16,680
Speaker 1: for kids. Right there. We have to be able to

835
00:38:16,680 --> 00:38:20,040
Speaker 1: communicate with our sons and make them aware and prepare

836
00:38:20,120 --> 00:38:24,000
Speaker 1: them for the world that is judging them. They're living

837
00:38:24,000 --> 00:38:27,320
Speaker 1: in a different space and time, and while the reality

838
00:38:27,719 --> 00:38:30,040
Speaker 1: that there is somebody out there who has the right

839
00:38:30,080 --> 00:38:34,640
Speaker 1: to take your life. You should be aware that a

840
00:38:34,760 --> 00:38:38,480
Speaker 1: situation can escalate, you know, and you should be responsible

841
00:38:38,520 --> 00:38:40,759
Speaker 1: in that moment and stay alive. That's the whole point.

842
00:38:41,160 --> 00:38:43,719
Speaker 1: Stay alive in that process. Now, don't get me wrong,

843
00:38:44,000 --> 00:38:45,600
Speaker 1: there's a lot of anger if you look at what's

844
00:38:45,600 --> 00:38:48,160
Speaker 1: going on in the fact that nobody's able to stay

845
00:38:48,200 --> 00:38:51,040
Speaker 1: the course. There's major conversations about what happens. We'll look

846
00:38:51,080 --> 00:38:52,600
Speaker 1: on the We'll look on the news, We'll see what's

847
00:38:52,600 --> 00:38:54,360
Speaker 1: going on with Trayvon Martin, We'll see what's going on

848
00:38:54,600 --> 00:38:56,919
Speaker 1: with these court cases, and then it kind of doing

849
00:38:56,960 --> 00:38:59,279
Speaker 1: those babe back to the next news, you know what

850
00:38:59,320 --> 00:39:02,040
Speaker 1: I'm saying. So it's really up to us as men,

851
00:39:02,480 --> 00:39:05,359
Speaker 1: as fathers of our children to have that conversation, had

852
00:39:05,360 --> 00:39:08,319
Speaker 1: those difficult conversations with them, to let them know, this

853
00:39:08,400 --> 00:39:10,759
Speaker 1: is what has happened here, this is the reality of

854
00:39:10,800 --> 00:39:14,799
Speaker 1: where you live. This is how certain people feel, you know.

855
00:39:14,920 --> 00:39:18,080
Speaker 1: And my kids, man, they have many cultures of people

856
00:39:18,080 --> 00:39:20,520
Speaker 1: that they not only hang out with, they know, they've

857
00:39:20,560 --> 00:39:22,879
Speaker 1: been around the world, They've seen people, They've heard other

858
00:39:22,880 --> 00:39:26,120
Speaker 1: people speak out of dialects. So they really they respect

859
00:39:26,120 --> 00:39:28,800
Speaker 1: They're respectful of themselves and respectful about this. I was

860
00:39:28,800 --> 00:39:30,600
Speaker 1: gonna say that because I mean me growing up in

861
00:39:30,640 --> 00:39:32,239
Speaker 1: Quis I'm sure you growing up in the South, we

862
00:39:32,320 --> 00:39:34,240
Speaker 1: had it. It It was nothing but black kids in our class.

863
00:39:34,520 --> 00:39:36,520
Speaker 1: But my kids is a little different. Yeah, So telling

864
00:39:36,560 --> 00:39:38,239
Speaker 1: them about racism and they're looking at it kind of

865
00:39:38,280 --> 00:39:43,400
Speaker 1: different like nah class, Yeah, like Mikey's is my friends,

866
00:39:44,719 --> 00:39:47,160
Speaker 1: it's a little different to relate. Even if they go

867
00:39:47,160 --> 00:39:49,800
Speaker 1: to your shows. Your shows are so diverse. So talking

868
00:39:49,800 --> 00:39:54,160
Speaker 1: to them, do they really get it? I mean, they're

869
00:39:54,320 --> 00:39:58,640
Speaker 1: young boys and they're growing to be conscious young men.

870
00:39:58,880 --> 00:40:01,360
Speaker 1: You know what I'm saying. I'm certain you know. And

871
00:40:02,239 --> 00:40:04,160
Speaker 1: what I can say is, while I have them in

872
00:40:04,280 --> 00:40:08,799
Speaker 1: my care, I'm preparing them to be mindful men of

873
00:40:08,840 --> 00:40:11,719
Speaker 1: the world that they live in and the reality of

874
00:40:11,800 --> 00:40:13,600
Speaker 1: what their life looks like. To make sure that they

875
00:40:13,680 --> 00:40:16,520
Speaker 1: understand their history, make sure that they understand what's not

876
00:40:16,560 --> 00:40:20,040
Speaker 1: written in textbooks, make sure they understand who they are,

877
00:40:20,040 --> 00:40:23,560
Speaker 1: where they come from, what responsibility comes with what they have.

878
00:40:24,040 --> 00:40:26,320
Speaker 1: And it may not necessarily be theirs. They may be judged,

879
00:40:26,360 --> 00:40:28,480
Speaker 1: it may hurt, but off somebody may say something that

880
00:40:28,560 --> 00:40:30,360
Speaker 1: might call them a nick and they white, They're like,

881
00:40:31,080 --> 00:40:33,279
Speaker 1: where did that come from? What do you say? My nick?

882
00:40:33,360 --> 00:40:36,359
Speaker 1: What's something? Yeah? But that's where we headed is We're

883
00:40:36,360 --> 00:40:38,800
Speaker 1: in a really, really odd balance right now. You know

884
00:40:38,800 --> 00:40:40,359
Speaker 1: what I mean. I love them while I got them,

885
00:40:40,520 --> 00:40:42,600
Speaker 1: as long as I have them, protect them as much

886
00:40:42,600 --> 00:40:44,840
Speaker 1: as I can. Absolutely, I always want to ask you

887
00:40:44,880 --> 00:40:47,040
Speaker 1: when you did the same girl with all Kelly, are

888
00:40:47,040 --> 00:40:55,960
Speaker 1: you concerned that people know itwhere quick we're getting too?

889
00:41:00,280 --> 00:41:02,359
Speaker 1: Were you concerned that people may think that same girl

890
00:41:02,360 --> 00:41:10,359
Speaker 1: was thirteen. Oh man, good question? Is it? Get out

891
00:41:10,360 --> 00:41:14,360
Speaker 1: of there? All right? Well, let's get into an Usher

892
00:41:14,400 --> 00:41:16,640
Speaker 1: mini mix. Let me know your favorite Usher joint right

893
00:41:16,640 --> 00:41:20,120
Speaker 1: now at dj Envy, it's the breakfast club. Come boy.

894
00:41:21,200 --> 00:41:24,760
Speaker 1: That was an Usher mini mix Morning. Everybody is dj Envy.

895
00:41:24,800 --> 00:41:27,960
Speaker 1: Angela yee, Charlemagne, the guy we are the breakfast club.

896
00:41:28,080 --> 00:41:30,960
Speaker 1: Usher is in the building, Charlemagne. Now can we talk

897
00:41:31,000 --> 00:41:34,520
Speaker 1: about how you ruined Chili? Ruined? Because remember when she

898
00:41:34,600 --> 00:41:38,840
Speaker 1: did the TV show Ruined a grown ass person and

899
00:41:38,960 --> 00:41:40,680
Speaker 1: she had that long checklist. I said, this is us

900
00:41:40,719 --> 00:41:44,759
Speaker 1: your fault. I said, this is all Usher fault that

901
00:41:44,880 --> 00:41:48,640
Speaker 1: she got this long checklist. She happy now though, Yeah,

902
00:41:50,520 --> 00:41:53,440
Speaker 1: I don't know that. Nick Cannon said in the freestyle

903
00:41:53,440 --> 00:41:57,399
Speaker 1: that he first tried to hollow when Usher was witch Chili.

904
00:41:59,080 --> 00:42:03,439
Speaker 1: That was then you think I ruined Chili for real?

905
00:42:03,600 --> 00:42:06,640
Speaker 1: Did you see her checklist on what Chili wants? Yet?

906
00:42:06,840 --> 00:42:10,359
Speaker 1: Chili checklist was But they did it a long time ago.

907
00:42:10,400 --> 00:42:13,680
Speaker 1: I'm sure there's been other things. Definitely that's happened since.

908
00:42:13,719 --> 00:42:15,440
Speaker 1: So it didn't have to be Usher. I won the

909
00:42:15,480 --> 00:42:21,200
Speaker 1: last time you interviewed her that ruined her did you

910
00:42:21,239 --> 00:42:23,719
Speaker 1: ask her about it? Yeah, she said you ruined her.

911
00:42:23,880 --> 00:42:28,520
Speaker 1: She said, I thought she just said something like you

912
00:42:28,560 --> 00:42:30,520
Speaker 1: have some growing up to do or something like that.

913
00:42:30,520 --> 00:42:32,800
Speaker 1: That's part of the reason that I wrote the song Rivals.

914
00:42:33,040 --> 00:42:35,200
Speaker 1: You know what I'm saying, I did have some growing

915
00:42:35,280 --> 00:42:39,000
Speaker 1: up to do. You know, you know that that relationship

916
00:42:39,080 --> 00:42:40,920
Speaker 1: served you know you kind of you kind of had

917
00:42:40,960 --> 00:42:42,520
Speaker 1: these categories. You know what I'm saying. You got to

918
00:42:42,560 --> 00:42:44,920
Speaker 1: read the season or a lifetime. That one didn't food

919
00:42:44,920 --> 00:42:47,080
Speaker 1: to be a lifetime. You got an album out of it, though,

920
00:42:47,120 --> 00:42:56,879
Speaker 1: ten million records. So Mary JH. Your advice to men,

921
00:42:57,160 --> 00:43:00,399
Speaker 1: when you make your mistakes, own up to them, take

922
00:43:00,440 --> 00:43:04,440
Speaker 1: responsibility and learn from them. Yes, so how about just

923
00:43:04,480 --> 00:43:07,080
Speaker 1: not get caught? How about just don't do it? Charlemagne

924
00:43:07,160 --> 00:43:08,399
Speaker 1: said it just don't get great. But if you want

925
00:43:08,400 --> 00:43:10,560
Speaker 1: to deal with fantasy coup, But it took him time

926
00:43:10,600 --> 00:43:13,120
Speaker 1: to get to that point. I'm sure, be honest that

927
00:43:13,320 --> 00:43:16,759
Speaker 1: all men have their own timing, you know what I mean,

928
00:43:16,840 --> 00:43:19,120
Speaker 1: and and have their own things that we have to

929
00:43:19,160 --> 00:43:22,000
Speaker 1: deal with, and women will never understand it. You know,

930
00:43:22,200 --> 00:43:24,439
Speaker 1: you don't have a penis, so you don't understand it.

931
00:43:24,680 --> 00:43:26,360
Speaker 1: We just that we don't know that about you and

932
00:43:26,680 --> 00:43:30,000
Speaker 1: you guys don't when we might not necessarily understand everything.

933
00:43:31,080 --> 00:43:36,480
Speaker 1: So we're trying to figure out this connection between between

934
00:43:36,560 --> 00:43:38,640
Speaker 1: man and woman. You got a snapchat naked from the

935
00:43:38,680 --> 00:43:43,480
Speaker 1: team and make sure you don't got no. You can

936
00:43:43,520 --> 00:43:48,879
Speaker 1: always touch it, you talk it. But I mean, it's

937
00:43:48,920 --> 00:43:53,720
Speaker 1: something about that insecurity that men have that at times

938
00:43:53,760 --> 00:43:56,920
Speaker 1: makes it a bit begin to balance it that if

939
00:43:56,960 --> 00:43:59,000
Speaker 1: you cheat and you don't get caught, that you shouldn't

940
00:43:59,000 --> 00:44:03,239
Speaker 1: tell you damn right. But some people feel like, man,

941
00:44:03,280 --> 00:44:05,360
Speaker 1: I feel so guilty about this. I feel like I

942
00:44:05,440 --> 00:44:07,440
Speaker 1: need to go to my significant other and be like,

943
00:44:07,520 --> 00:44:10,080
Speaker 1: I made a huge mistake. This is what happened. So

944
00:44:10,120 --> 00:44:12,399
Speaker 1: what's your advice on if you cheat and don't get caught.

945
00:44:12,440 --> 00:44:16,440
Speaker 1: Should you confess or should you just you're speaking to

946
00:44:16,520 --> 00:44:18,600
Speaker 1: the guy who puts it in this music, right, I'm

947
00:44:18,640 --> 00:44:23,600
Speaker 1: like a tattle tale. I tell on myself involved in something. Yeah,

948
00:44:23,640 --> 00:44:27,719
Speaker 1: but I mean you can't really get around that. Eventually

949
00:44:28,040 --> 00:44:31,080
Speaker 1: she's gonna see the baby, you know what I'm saying.

950
00:44:30,000 --> 00:44:35,359
Speaker 1: But people have said it's very selfish if you don't

951
00:44:35,360 --> 00:44:37,319
Speaker 1: get caught to tell because it relieves your guilt. But

952
00:44:37,320 --> 00:44:40,480
Speaker 1: then it makes the other person feel terrible. I disagree.

953
00:44:40,719 --> 00:44:43,120
Speaker 1: I think that if you're trying to move forward in

954
00:44:43,120 --> 00:44:46,440
Speaker 1: a relationship, let it come from your mouth to the

955
00:44:46,480 --> 00:44:49,520
Speaker 1: person that you want to figure this out because there's

956
00:44:49,560 --> 00:44:51,600
Speaker 1: a reason why you, why you went through that, that's

957
00:44:51,600 --> 00:44:54,239
Speaker 1: a reason why you had that moment. Why she or

958
00:44:54,280 --> 00:44:56,400
Speaker 1: you ain't just guys either. By the way, women on

959
00:44:56,440 --> 00:44:59,040
Speaker 1: that on that too, say that more now than ever

960
00:45:00,000 --> 00:45:01,560
Speaker 1: what I'm saying, but that was going to come up.

961
00:45:01,719 --> 00:45:04,000
Speaker 1: Could you be with the woman who cheated on you?

962
00:45:03,320 --> 00:45:06,560
Speaker 1: If I made a huge mistake, it was just one

963
00:45:06,560 --> 00:45:11,759
Speaker 1: time contrition. When I get there, I don't put that

964
00:45:11,800 --> 00:45:14,800
Speaker 1: out there like us. You got money to hide the baby,

965
00:45:15,239 --> 00:45:17,120
Speaker 1: You've got money to hide the whole family. I don't

966
00:45:17,120 --> 00:45:19,160
Speaker 1: want you. Don't sit here and hand me that. What's

967
00:45:19,160 --> 00:45:21,600
Speaker 1: the biggest adjustment you've had to make in your twenty

968
00:45:21,600 --> 00:45:24,920
Speaker 1: plus year career as an artist than man, if that

969
00:45:24,960 --> 00:45:27,759
Speaker 1: comes with the territory, You're always making an adjustment, You're

970
00:45:27,760 --> 00:45:31,640
Speaker 1: always listening to a music kid, you're always kind of collaborating.

971
00:45:31,920 --> 00:45:36,280
Speaker 1: I think that that's probably one of the hardest places

972
00:45:36,320 --> 00:45:39,560
Speaker 1: for writers producers to get when they you know, because

973
00:45:39,600 --> 00:45:42,600
Speaker 1: something about having a hit record makes you feel like

974
00:45:42,640 --> 00:45:46,400
Speaker 1: you don't need anybody. But collaboration is what gives you perspective.

975
00:45:46,440 --> 00:45:48,359
Speaker 1: So when you begin to work with other people, then

976
00:45:48,440 --> 00:45:50,160
Speaker 1: you get you go further. You know what I'm saying,

977
00:45:50,160 --> 00:45:52,680
Speaker 1: and that that probably is the hardest thing, just when

978
00:45:52,680 --> 00:45:54,839
Speaker 1: you when you finally get that, Wait a minute, it's

979
00:45:54,840 --> 00:45:56,920
Speaker 1: not just all me. It is collaboration. It is the

980
00:45:56,960 --> 00:45:59,360
Speaker 1: people that are helping me understand and see things that

981
00:45:59,400 --> 00:46:01,560
Speaker 1: maybe I didn't catch. You put in the work, understand

982
00:46:01,640 --> 00:46:03,680
Speaker 1: if you If you don't, you ain't gonna have a longevity,

983
00:46:03,840 --> 00:46:06,760
Speaker 1: and I might have Angevity is your live show because

984
00:46:06,800 --> 00:46:08,719
Speaker 1: there's people you can go see perform live and you're like,

985
00:46:08,760 --> 00:46:11,040
Speaker 1: I've listened to the album at home, But then there's

986
00:46:11,040 --> 00:46:13,040
Speaker 1: people you see perform live and it's like, wow, that

987
00:46:13,120 --> 00:46:15,160
Speaker 1: was a great experience. Yeah. I mean, especially if you're

988
00:46:15,160 --> 00:46:18,120
Speaker 1: gonna spend that forty dollars or fifty nine dollars whatever

989
00:46:18,120 --> 00:46:20,480
Speaker 1: it costs to go see your favorite celebrity, you wan't

990
00:46:20,520 --> 00:46:22,600
Speaker 1: you want them to show up for you? What do

991
00:46:22,600 --> 00:46:25,400
Speaker 1: you think about people live show? Now? Because seeing you

992
00:46:25,440 --> 00:46:28,520
Speaker 1: perform sometimes I'm like, don't work, don't don't work as

993
00:46:28,520 --> 00:46:32,160
Speaker 1: hard as I'm like, man, you perform, always practiced. First

994
00:46:32,160 --> 00:46:33,680
Speaker 1: time I've ever seen us it was about two years

995
00:46:33,680 --> 00:46:35,680
Speaker 1: ago at the Ieheart Festival and he walked in the

996
00:46:35,760 --> 00:46:38,239
Speaker 1: room and it's like a path clard. He danced all

997
00:46:38,280 --> 00:46:43,480
Speaker 1: the way to the podium and danced to go do

998
00:46:43,520 --> 00:46:45,239
Speaker 1: your interview. I was like, well, stay ready, you ain't

999
00:46:45,239 --> 00:46:49,560
Speaker 1: gotta get ready. Nah, But I'm a bit disappointed with

1000
00:46:49,600 --> 00:46:52,200
Speaker 1: live shows that I'm very disappointed with live shows. I'm

1001
00:46:52,239 --> 00:46:55,880
Speaker 1: not as disappointed for the creative directors because they getting

1002
00:46:55,880 --> 00:46:58,080
Speaker 1: paid a lot of money to put the lights in it.

1003
00:46:58,280 --> 00:47:00,759
Speaker 1: Now you discovered Justin people. Is it hard for you

1004
00:47:00,800 --> 00:47:03,920
Speaker 1: to like pick another artist now because of a success?

1005
00:47:03,960 --> 00:47:07,279
Speaker 1: Bad success has a million fathers. There's a ton of

1006
00:47:07,320 --> 00:47:10,600
Speaker 1: people who were part of Justin Bieber's discovery. Schooter brought

1007
00:47:10,640 --> 00:47:13,560
Speaker 1: it to me, a ton of people. That's not necessarily

1008
00:47:13,640 --> 00:47:16,279
Speaker 1: the business that I have been in. You know, I've

1009
00:47:16,320 --> 00:47:19,200
Speaker 1: been more focused on continuing to keep music. And if

1010
00:47:19,200 --> 00:47:22,600
Speaker 1: I do hear anything uh an artist, I'll pull them

1011
00:47:22,600 --> 00:47:24,399
Speaker 1: to the front. I might collaborate with him, i might

1012
00:47:24,400 --> 00:47:26,920
Speaker 1: help help them and mentor them. I'm mentor the more

1013
00:47:26,920 --> 00:47:29,320
Speaker 1: people than you would ever know any R and B artist,

1014
00:47:29,560 --> 00:47:31,879
Speaker 1: if you name them, right now. I probably know him,

1015
00:47:32,000 --> 00:47:35,440
Speaker 1: mentor him, talk to him. I'm the youngest og that

1016
00:47:35,480 --> 00:47:41,000
Speaker 1: they got, you know what I'm saying. Well, no songs,

1017
00:47:45,200 --> 00:47:47,600
Speaker 1: definitely Miguel, because did he I mean, did he did

1018
00:47:47,640 --> 00:47:49,879
Speaker 1: that for you? Yeah? Yeah, I mean it's it's it's

1019
00:47:49,880 --> 00:47:51,719
Speaker 1: about you know, the gift of the trade. You know,

1020
00:47:51,840 --> 00:47:54,040
Speaker 1: if you if you have some perspective by not off it.

1021
00:47:54,080 --> 00:47:55,759
Speaker 1: You know what I'm saying, Chris, all of them, you

1022
00:47:55,760 --> 00:47:58,040
Speaker 1: know what I mean. Alright, make sure you'll follow us,

1023
00:47:58,040 --> 00:48:00,400
Speaker 1: you and snap, something else might slip out, you never know. Well,

1024
00:48:00,400 --> 00:48:02,400
Speaker 1: he's performing at Powerhouse, so make sure you get your

1025
00:48:02,400 --> 00:48:08,759
Speaker 1: tickets for Powerhouse. Are you with us? Yeah? With y'all. Well,

1026
00:48:08,760 --> 00:48:11,360
Speaker 1: we appreciate you joining us. The album, the eighth studio

1027
00:48:11,400 --> 00:48:15,160
Speaker 1: album Hard to Love out right now. We appreciate you, yeah, man,

1028
00:48:15,239 --> 00:48:17,640
Speaker 1: thank you all man. It's the Breakfast Club is Ersham

1029
00:48:18,080 --> 00:48:35,040
Speaker 1: the Breakfast Club. It's about Angela Yee on the Breakfast Club. Well,

1030
00:48:35,160 --> 00:48:37,960
Speaker 1: the Game went in on Meek Mill on ninety two bars. Now,

1031
00:48:38,000 --> 00:48:40,440
Speaker 1: just to fill you in on what's going on, the

1032
00:48:40,520 --> 00:48:44,400
Speaker 1: Game thinks that Meek Mill told Sean Kingston that he

1033
00:48:44,480 --> 00:48:46,600
Speaker 1: had him set up and robbed in a club in La.

1034
00:48:47,480 --> 00:48:49,600
Speaker 1: Now the Game is saying that he was interviewed by

1035
00:48:49,600 --> 00:48:52,000
Speaker 1: police and cleared of all charges, but he does feel

1036
00:48:52,040 --> 00:48:54,359
Speaker 1: like Meek Mill is a rat for that situation. Mick

1037
00:48:54,400 --> 00:48:56,839
Speaker 1: Miller saying he never did that. Sean Kingston is saying

1038
00:48:56,880 --> 00:48:59,480
Speaker 1: that Meek never told him anything, so it seems like

1039
00:48:59,520 --> 00:49:04,080
Speaker 1: a misunderstanding on who told what. Okay, Well, at first,

1040
00:49:04,200 --> 00:49:06,120
Speaker 1: the Game put out this this song that's gonna be

1041
00:49:06,160 --> 00:49:08,319
Speaker 1: on his new album. It's called ninety two bars, and

1042
00:49:08,320 --> 00:49:11,799
Speaker 1: he's taking aim at me. She got a couple more,

1043
00:49:11,920 --> 00:49:14,399
Speaker 1: but she don't even know me. And never since that again,

1044
00:49:14,480 --> 00:49:17,320
Speaker 1: slips show me we just don't speak. See that you

1045
00:49:17,400 --> 00:49:19,719
Speaker 1: y'all will break. It's like a flow roof blood to

1046
00:49:19,760 --> 00:49:22,719
Speaker 1: be clipping like Naya, you fuck poking me. Nikki won't

1047
00:49:22,760 --> 00:49:25,399
Speaker 1: get no street. I'm coming through it. Floy have flow

1048
00:49:25,520 --> 00:49:27,920
Speaker 1: deep to leave the dead body on a coach seat.

1049
00:49:28,040 --> 00:49:30,799
Speaker 1: They can have the low keep. You better have roll

1050
00:49:30,920 --> 00:49:33,040
Speaker 1: called me or you're gonna be our level with a

1051
00:49:33,200 --> 00:49:37,840
Speaker 1: roach speak first of all around to be a news

1052
00:49:37,880 --> 00:49:40,839
Speaker 1: clip with the loose slips money begins ridge and packed

1053
00:49:40,880 --> 00:49:43,120
Speaker 1: you out when you ain't douche. It's this the Golden

1054
00:49:43,120 --> 00:49:45,440
Speaker 1: State and my shooters, ain't gonna know who's it's? And

1055
00:49:45,520 --> 00:49:47,279
Speaker 1: then do you know that I snap you like a

1056
00:49:47,360 --> 00:49:50,400
Speaker 1: toothpick and snitching on themes ain't never been no coos

1057
00:49:50,520 --> 00:49:53,160
Speaker 1: it's And I've been wanting to give Nikki this pool

1058
00:49:53,200 --> 00:49:55,759
Speaker 1: stick to tell your low vibrant thing come up a

1059
00:49:55,840 --> 00:49:58,439
Speaker 1: Q tip. We know when you live again, you better

1060
00:49:58,480 --> 00:50:01,160
Speaker 1: move quick and start thinking twice about who you hopped into.

1061
00:50:01,200 --> 00:50:03,400
Speaker 1: Cool with it. Let's applaud the Breakfast Club for not

1062
00:50:03,400 --> 00:50:07,320
Speaker 1: giving a damn about quality because the actual quality version

1063
00:50:07,400 --> 00:50:10,120
Speaker 1: is out there, but we don't care. Why why I

1064
00:50:10,160 --> 00:50:12,680
Speaker 1: played the quality version? Why who can't we played the

1065
00:50:12,719 --> 00:50:15,040
Speaker 1: one that we receive. That's where we got all right,

1066
00:50:15,480 --> 00:50:18,400
Speaker 1: all right, yeah we did get that exclusively on Friday

1067
00:50:18,440 --> 00:50:22,400
Speaker 1: after everything went down. Well, Mick mil has responded on Wax.

1068
00:50:22,480 --> 00:50:26,160
Speaker 1: He actually uh, he actually did his song Oh over

1069
00:50:26,280 --> 00:50:28,759
Speaker 1: the Young m a song. Check it out, don't check

1070
00:50:28,840 --> 00:50:35,320
Speaker 1: you fifth drop out strippers, turn rappers, Look where we

1071
00:50:35,400 --> 00:50:39,560
Speaker 1: come to? Raga for my lady? Enough for me, drop

1072
00:50:39,600 --> 00:50:41,440
Speaker 1: on a clue bomb from Mik mil damn hit some

1073
00:50:41,560 --> 00:50:44,000
Speaker 1: more from me again? What's the forty and you get

1074
00:50:44,040 --> 00:50:46,680
Speaker 1: some never with forty seconds promo y'all and we got

1075
00:50:46,719 --> 00:50:49,360
Speaker 1: you making enough stories and stripping the rapper rapper, the

1076
00:50:49,440 --> 00:50:52,560
Speaker 1: stripping you corny, then we'll suck us. That's what you

1077
00:50:52,600 --> 00:50:55,160
Speaker 1: do to sell your album. You're only gonna sell it

1078
00:50:55,200 --> 00:50:57,960
Speaker 1: like fifteen thousand. The first week, Meek and Game both

1079
00:50:57,960 --> 00:51:03,120
Speaker 1: from rapping as negirls Now they both both spitball and

1080
00:51:03,160 --> 00:51:05,560
Speaker 1: posted a picture of a rat and put meeky mouse

1081
00:51:06,040 --> 00:51:08,560
Speaker 1: after I whip his rat ass. And how much crack

1082
00:51:08,640 --> 00:51:11,680
Speaker 1: you had to give that smoker weeny seagull to escape

1083
00:51:11,680 --> 00:51:15,160
Speaker 1: from rehab the bad homie stack posting pictures of that

1084
00:51:15,239 --> 00:51:18,839
Speaker 1: sick d word. He need a bath, some warm food, Yes,

1085
00:51:20,040 --> 00:51:23,320
Speaker 1: yes he did, he said, Or what he needs bath,

1086
00:51:23,400 --> 00:51:26,040
Speaker 1: some warm food and a hug, he said, Give me

1087
00:51:26,080 --> 00:51:29,160
Speaker 1: the fat seagle back and take that saggy titty, sucked

1088
00:51:29,239 --> 00:51:33,480
Speaker 1: up shirmhead back to Self Help Movement Center of Philadelphia.

1089
00:51:34,000 --> 00:51:37,560
Speaker 1: Well be he's in Jesus Christ, right. So there's a

1090
00:51:37,680 --> 00:51:40,880
Speaker 1: much longer post if you want to longer than that. Yeah,

1091
00:51:41,040 --> 00:51:43,479
Speaker 1: Oh my goodness. So I'm just giving you guys an update.

1092
00:51:43,480 --> 00:51:45,440
Speaker 1: I know Charlottaigne has his Donkey of the Day, but

1093
00:51:45,560 --> 00:51:47,239
Speaker 1: I'm just telling you what's going on. There's a lot

1094
00:51:47,320 --> 00:51:49,719
Speaker 1: with this Meek mill end game situation. And I'm gonna

1095
00:51:49,719 --> 00:51:51,400
Speaker 1: play the full version during the mix too, so if

1096
00:51:51,440 --> 00:51:53,840
Speaker 1: you want to be that quality of oh, this is

1097
00:51:53,880 --> 00:51:57,480
Speaker 1: crystal clear quality. All right, Well, that is your rumor report.

1098
00:51:57,520 --> 00:51:59,120
Speaker 1: I'm Angela. And by the way, I just want to

1099
00:51:59,120 --> 00:52:01,120
Speaker 1: make sure we give a shout out to Max B.

1100
00:52:01,360 --> 00:52:04,040
Speaker 1: Apparently he is going to be coming home. Originally he

1101
00:52:04,160 --> 00:52:06,920
Speaker 1: was sentenced to a seventy five year prison sentence, but

1102
00:52:06,960 --> 00:52:09,799
Speaker 1: there's some recent changes. He has a new legal team,

1103
00:52:09,840 --> 00:52:12,319
Speaker 1: new management. They now have a different agreement and it

1104
00:52:12,320 --> 00:52:15,359
Speaker 1: looks like he'll be home in two years. Bomb from

1105
00:52:15,360 --> 00:52:18,640
Speaker 1: Max B. Damn it, that's my guy. So he did

1106
00:52:18,760 --> 00:52:21,120
Speaker 1: put out a message to everybody he thinked us too,

1107
00:52:21,520 --> 00:52:23,880
Speaker 1: and Da in the French Montana and all his fans

1108
00:52:23,880 --> 00:52:26,239
Speaker 1: that have been holding him down. Slu to his mom,

1109
00:52:26,320 --> 00:52:28,640
Speaker 1: slew to Frank's manager, that's my guy right there. Lu

1110
00:52:28,680 --> 00:52:30,560
Speaker 1: to Max B. Man, all right, well that is your

1111
00:52:30,680 --> 00:52:32,960
Speaker 1: rumor report. I'm Angela. Year all right, we got don'ty

1112
00:52:33,000 --> 00:52:35,640
Speaker 1: today coming up? Yes, man, don't you today? We need

1113
00:52:35,680 --> 00:52:38,120
Speaker 1: Sean Kingston to come to the front of the congregation. Okay,

1114
00:52:38,160 --> 00:52:42,480
Speaker 1: because when you're looking at these maybe potential volatile situations.

1115
00:52:42,560 --> 00:52:45,480
Speaker 1: There's certain people that should not be involved, and Sean

1116
00:52:45,560 --> 00:52:47,239
Speaker 1: Kingston is one of them, so we need to have

1117
00:52:47,360 --> 00:52:48,920
Speaker 1: him come to the front of the congregation. This is

1118
00:52:48,920 --> 00:52:50,879
Speaker 1: a teachable moment, all right. We'll get into that when

1119
00:52:50,880 --> 00:52:52,640
Speaker 1: we come back. Keep a lot this to Breakfast Club.

1120
00:52:52,640 --> 00:53:03,279
Speaker 1: Good morning, Donkey of the Day, being Dunky of the day,

1121
00:53:03,880 --> 00:53:07,200
Speaker 1: a little bit of a mic like a dog the

1122
00:53:07,280 --> 00:53:13,319
Speaker 1: other day. Now, I've been called a lot of my

1123
00:53:13,360 --> 00:53:15,320
Speaker 1: twenty three years, but Donkey of the Day is a

1124
00:53:15,400 --> 00:53:20,759
Speaker 1: new wife. Yes, donkey today for Monday, September nineteenth, goes

1125
00:53:20,760 --> 00:53:23,360
Speaker 1: to Sean Kingston. Now, if you haven't heard, mercury is

1126
00:53:23,400 --> 00:53:26,600
Speaker 1: in retrograde and Nigress is nigging more than usual. As

1127
00:53:26,640 --> 00:53:29,080
Speaker 1: we reported last week, Game took some shots to Meek

1128
00:53:29,160 --> 00:53:31,560
Speaker 1: Mill and a disrecord called ninety two bars. Game said

1129
00:53:31,600 --> 00:53:33,799
Speaker 1: he wants to fight Meek Mill one on one, all

1130
00:53:33,840 --> 00:53:37,120
Speaker 1: because Sean Kingston got robbed, and Game claims that Meek

1131
00:53:37,520 --> 00:53:40,560
Speaker 1: gave Sean the idea. It was someone from games Camp

1132
00:53:40,920 --> 00:53:43,319
Speaker 1: that robbed him. Look, I don't know what's really going on.

1133
00:53:43,400 --> 00:53:45,759
Speaker 1: I'm just watching from the sidelines like the rest of y'all.

1134
00:53:45,760 --> 00:53:48,120
Speaker 1: All I know is Game ninety two Bars is very

1135
00:53:48,239 --> 00:53:52,120
Speaker 1: violent but fire, and Meek Mills who Remix is violent

1136
00:53:52,400 --> 00:53:55,200
Speaker 1: but fire. So minus all the threats of violence, it

1137
00:53:55,239 --> 00:53:57,240
Speaker 1: was a pretty good weekend in hip hop ronif applause

1138
00:53:57,239 --> 00:54:01,799
Speaker 1: for those guys in their Boss. Okay, Now, I used

1139
00:54:01,800 --> 00:54:04,760
Speaker 1: to like when my gangster rappers actually did gangster things,

1140
00:54:05,600 --> 00:54:08,640
Speaker 1: actually lived alive they rapped about. But I'm grown now

1141
00:54:09,719 --> 00:54:12,160
Speaker 1: so I don't anymore. I just want y'all to rap

1142
00:54:12,200 --> 00:54:14,479
Speaker 1: about it and not actually harm each other, because hey,

1143
00:54:14,719 --> 00:54:17,759
Speaker 1: rap lives matter. But when two screed rappers Meek millon

1144
00:54:17,840 --> 00:54:20,959
Speaker 1: game with throwing shots at each other, sadly, it's gonna

1145
00:54:21,000 --> 00:54:24,759
Speaker 1: be some violence. Maybe it's expected Meek Mill from the

1146
00:54:24,800 --> 00:54:27,120
Speaker 1: Mean Screech the Philly and Games from the jungle known

1147
00:54:27,120 --> 00:54:29,399
Speaker 1: as Compton. So yes, they're gonna talk tough to each other.

1148
00:54:29,640 --> 00:54:32,240
Speaker 1: It is what it is. Now. Who we aren't expecting

1149
00:54:32,239 --> 00:54:36,600
Speaker 1: to hear tough talk from It's Sean Kingston. Let's play

1150
00:54:36,600 --> 00:54:38,840
Speaker 1: the original because this is what Sean originally had to

1151
00:54:38,880 --> 00:54:41,200
Speaker 1: say concerning the whole situation. Played the calm one. Yeah,

1152
00:54:41,520 --> 00:54:43,840
Speaker 1: I'm just cooler man, trying to stay positive, work on

1153
00:54:43,920 --> 00:54:46,160
Speaker 1: my new album commeec with good losing for my fans.

1154
00:54:46,160 --> 00:54:48,280
Speaker 1: Man ain't trying to be no more media, no more drama,

1155
00:54:48,320 --> 00:54:51,160
Speaker 1: no nothing. That's my dog. We never had no conversation

1156
00:54:51,200 --> 00:54:53,759
Speaker 1: about nothing. That's the right approach. Round applause to Sean

1157
00:54:53,840 --> 00:54:57,719
Speaker 1: Kingston for initially taking the right approach. Okay, now I'm

1158
00:54:57,719 --> 00:55:01,320
Speaker 1: blaming what you're about to hear on Meek Millan game. Okay,

1159
00:55:01,400 --> 00:55:05,040
Speaker 1: Sean saw all those posts and memes game and Meikle posting.

1160
00:55:05,120 --> 00:55:07,920
Speaker 1: He saw all those lights. Thing was getting all those shade,

1161
00:55:07,960 --> 00:55:11,440
Speaker 1: room ball alert and academic post and Sean wanted in.

1162
00:55:12,360 --> 00:55:15,080
Speaker 1: So Sean watched the episode, he watched, he watched the movie,

1163
00:55:15,080 --> 00:55:19,800
Speaker 1: shot us, he smoked some ganja, He wrote up a scrip,

1164
00:55:19,880 --> 00:55:22,320
Speaker 1: put it in that little teleprompter app on the iPhone,

1165
00:55:22,320 --> 00:55:24,560
Speaker 1: and went to work. Let's hear it, a youngster of

1166
00:55:24,640 --> 00:55:26,640
Speaker 1: the world, No y'ad a bum back clock. Youngster, y'all

1167
00:55:26,640 --> 00:55:29,560
Speaker 1: froud take care of Nigga's Then you straight like that

1168
00:55:29,680 --> 00:55:33,080
Speaker 1: whole ass man wrote you little dirt pulled up on

1169
00:55:33,120 --> 00:55:35,120
Speaker 1: your ass, ready to drop your ass. You called peace.

1170
00:55:35,200 --> 00:55:39,719
Speaker 1: Pet Rally, Oh man, I ain't no whole ass thug

1171
00:55:39,760 --> 00:55:41,840
Speaker 1: was about ready to drop your ass. You called peace.

1172
00:55:42,239 --> 00:55:44,719
Speaker 1: Can we've seen this movie before get this clown out

1173
00:55:44,719 --> 00:55:50,960
Speaker 1: of here, Sean Kingston. Why I don't know why nobody

1174
00:55:51,040 --> 00:55:54,080
Speaker 1: looks at you in that way? Nobody thinks of you

1175
00:55:54,160 --> 00:55:56,640
Speaker 1: in that manner. In fact, when you get robbed and stuff,

1176
00:55:56,680 --> 00:55:59,760
Speaker 1: we say things like, now, why would somebody rob Sean Kingston?

1177
00:56:00,040 --> 00:56:02,680
Speaker 1: Why would somebody hit him alone? Leaves Sean alone? Why

1178
00:56:02,680 --> 00:56:04,880
Speaker 1: would somebody hit Sean Kingston in the head with a bottle?

1179
00:56:04,880 --> 00:56:07,719
Speaker 1: He's a nice guy. But now, after hearing you impersonate

1180
00:56:07,800 --> 00:56:10,920
Speaker 1: Ox from Belly, if God forbid you find yourself in

1181
00:56:10,920 --> 00:56:13,399
Speaker 1: another situation like that, people are gonna say, well, that's

1182
00:56:13,400 --> 00:56:16,520
Speaker 1: what he gets. Serious question, does social media make you

1183
00:56:16,560 --> 00:56:20,480
Speaker 1: feel like you have to be be tough? Thum thumb thugging,

1184
00:56:20,880 --> 00:56:25,200
Speaker 1: cyber cripping, broadband blooding? Why all you did, Sean Kingston

1185
00:56:25,239 --> 00:56:27,239
Speaker 1: was opened the door for negativity in your life. And

1186
00:56:27,280 --> 00:56:29,120
Speaker 1: I really don't know you, but I don't believe you

1187
00:56:29,160 --> 00:56:31,600
Speaker 1: built for it when your chain got snatched in the club.

1188
00:56:31,960 --> 00:56:36,200
Speaker 1: Correct me if I'm wrong here, your mother, Sean Kingston's

1189
00:56:36,239 --> 00:56:40,480
Speaker 1: mama got on Twitter and ask for the jewelry back right. Yes,

1190
00:56:40,719 --> 00:56:43,439
Speaker 1: I'm not making this up at that's that's the first

1191
00:56:43,480 --> 00:56:45,080
Speaker 1: we heard of it. Too, knowing that he got robbed

1192
00:56:45,080 --> 00:56:47,640
Speaker 1: because his mom actually took the social media. We saw

1193
00:56:47,680 --> 00:56:51,400
Speaker 1: the tweet from Mama Kingston one at in game asking

1194
00:56:51,520 --> 00:56:54,719
Speaker 1: for your jewelry back. So sorry, Sean. If we don't

1195
00:56:54,760 --> 00:56:57,040
Speaker 1: believe y'all gangster could just play the play to playto

1196
00:56:57,120 --> 00:57:00,959
Speaker 1: second clip one time. Yeah, I'm a fact, no normal fact.

1197
00:57:01,280 --> 00:57:04,319
Speaker 1: I would platinum being a fact. Fact that still your

1198
00:57:04,400 --> 00:57:08,120
Speaker 1: bitch anywell, you both that still would as going to

1199
00:57:08,200 --> 00:57:10,960
Speaker 1: winny ten and every day for the inns, for the

1200
00:57:11,000 --> 00:57:13,959
Speaker 1: in the fitness Gonna take another steroid pill? You ask

1201
00:57:14,360 --> 00:57:16,440
Speaker 1: you just one? Don't you can't talk to me. I

1202
00:57:16,480 --> 00:57:19,080
Speaker 1: ain't a rapper. I gotta be no treat. The world

1203
00:57:19,080 --> 00:57:20,600
Speaker 1: know what you is. You ain't even good at your

1204
00:57:20,640 --> 00:57:23,200
Speaker 1: own city. You're a hope and the whole world. No.

1205
00:57:24,080 --> 00:57:27,720
Speaker 1: So if you're not a screet niggro, why you're acting

1206
00:57:27,760 --> 00:57:30,360
Speaker 1: like one, Sean. The moral of the story is, if

1207
00:57:30,360 --> 00:57:32,440
Speaker 1: you're not a savage in the screech, don't be a

1208
00:57:32,480 --> 00:57:35,200
Speaker 1: savage in the tweets. If you're not an og, don't

1209
00:57:35,240 --> 00:57:38,440
Speaker 1: front like your one on. I g okay, Sean, I'll

1210
00:57:38,520 --> 00:57:41,040
Speaker 1: leave you with this. Be careful who you pretend to be.

1211
00:57:41,480 --> 00:57:45,320
Speaker 1: You might forget who you are. Now, Sean Kingston, get

1212
00:57:45,360 --> 00:57:48,560
Speaker 1: the biggest, he hardest, sweet sounds of the Hamletones sounds. Okay,

1213
00:57:48,560 --> 00:57:53,240
Speaker 1: give him some sweet sounds in the Hamletones. You the donkey,

1214
00:57:56,240 --> 00:58:13,000
Speaker 1: the d you the donkey. He too beautiful for this.

1215
00:58:13,240 --> 00:58:15,160
Speaker 1: My mom want it. Did the same thing, boy, Shut

1216
00:58:15,280 --> 00:58:17,320
Speaker 1: but you bage, though we expect that from you. Shut up.

1217
00:58:17,360 --> 00:58:20,240
Speaker 1: I just don't understand all the thumb thugging, the cyber cripping,

1218
00:58:20,600 --> 00:58:23,760
Speaker 1: the broad being blunting. What's the point. Why why be

1219
00:58:23,800 --> 00:58:26,800
Speaker 1: a social media savage? Why if you're seeing you're not

1220
00:58:26,840 --> 00:58:30,520
Speaker 1: a street dude, don't act like one. Like Wait, that

1221
00:58:30,600 --> 00:58:32,960
Speaker 1: sounds like somebody who wants some action to me. Sounded

1222
00:58:33,000 --> 00:58:34,480
Speaker 1: like he was a little action. It sounds like you

1223
00:58:34,520 --> 00:58:39,480
Speaker 1: want some action. Okay, that sound like you want action. Okay,

1224
00:58:39,880 --> 00:58:43,439
Speaker 1: all right, well, thank you for that. Donkey up the day. Now,

1225
00:58:43,560 --> 00:58:46,000
Speaker 1: let's ask this question that he asked earlier eight hundred

1226
00:58:46,120 --> 00:58:48,640
Speaker 1: five eight five one oh five one. I just was

1227
00:58:48,720 --> 00:58:51,880
Speaker 1: asking for you, guys, because when we go out sometimes

1228
00:58:51,880 --> 00:58:54,680
Speaker 1: things happen and we hear some inside information. If you

1229
00:58:54,800 --> 00:58:57,480
Speaker 1: found out that somebody you know, that you was, you know,

1230
00:58:57,600 --> 00:58:59,560
Speaker 1: kind of cool with maybe not your bestie or nothing

1231
00:58:59,600 --> 00:59:02,000
Speaker 1: like that, was about to get robbed or set up

1232
00:59:02,040 --> 00:59:04,040
Speaker 1: in the club. Do you say something or do you

1233
00:59:04,120 --> 00:59:06,560
Speaker 1: mind your business? Eight hundred five eighty five one oh

1234
00:59:06,600 --> 00:59:08,280
Speaker 1: five one. You in the club, somebody comes up to

1235
00:59:08,320 --> 00:59:10,480
Speaker 1: you and says, hey, we're about to rob so and so.

1236
00:59:10,880 --> 00:59:12,560
Speaker 1: You know him, you know him. You might not be

1237
00:59:12,600 --> 00:59:15,480
Speaker 1: the coolest in the world'all y'all, y'all know each other.

1238
00:59:15,840 --> 00:59:17,960
Speaker 1: Would you say something or would you mind your business?

1239
00:59:17,960 --> 00:59:19,800
Speaker 1: That's why you got to carry a fake badge around

1240
00:59:19,840 --> 00:59:21,200
Speaker 1: with you. Some when people walk up to you and

1241
00:59:21,200 --> 00:59:23,240
Speaker 1: say stuff like that, you just flash your badge on them.

1242
00:59:24,160 --> 00:59:27,360
Speaker 1: You can't flip. Are you talking about? Eight hundred eighty

1243
00:59:27,360 --> 00:59:30,400
Speaker 1: five one oh five one? That is the question. Call

1244
00:59:30,480 --> 00:59:32,000
Speaker 1: us up right now, we'll talk about it. It's the

1245
00:59:32,040 --> 00:59:39,040
Speaker 1: Breakfast Club, The Morning The Breakfast Club. That was Drake

1246
00:59:39,120 --> 00:59:43,440
Speaker 1: and reread with two Good Morning. Everybody's DJ Envy Angela Yee, Charlomagne,

1247
00:59:43,440 --> 00:59:46,360
Speaker 1: the Godriall the Breakfast Club. Now, if you just join us,

1248
00:59:46,360 --> 00:59:48,960
Speaker 1: we're asking eight hundred five eighty five one oh five one.

1249
00:59:48,960 --> 00:59:52,560
Speaker 1: This is out of the game. Sean Kingston meek Mill story.

1250
00:59:52,640 --> 00:59:54,920
Speaker 1: If you're in the club and somebody comes up to

1251
00:59:54,960 --> 00:59:57,160
Speaker 1: you and says they're gonna rob somebody else that you know,

1252
00:59:57,880 --> 01:00:00,480
Speaker 1: Would you say something? That is the question? Start with you?

1253
01:00:00,600 --> 01:00:02,960
Speaker 1: YEA man, that's a hard one. How well do I

1254
01:00:03,120 --> 01:00:06,480
Speaker 1: know them? Is the question? I probably, this is how

1255
01:00:06,520 --> 01:00:08,320
Speaker 1: I look at it. I would probably try to talk

1256
01:00:08,360 --> 01:00:11,000
Speaker 1: them out of robbing the person. That's the most I

1257
01:00:11,000 --> 01:00:13,959
Speaker 1: could do. And if you don't say anything to the person,

1258
01:00:14,000 --> 01:00:16,280
Speaker 1: you can't never say anything to anybody. So if you

1259
01:00:16,360 --> 01:00:18,880
Speaker 1: choose to mind your business, you can't tell anyone ever

1260
01:00:19,240 --> 01:00:21,360
Speaker 1: that you even had any information about it. You gotta

1261
01:00:21,400 --> 01:00:23,960
Speaker 1: just say, hey, I'm not in it. So if it's

1262
01:00:24,000 --> 01:00:25,680
Speaker 1: a really good friend of mine, of course I would

1263
01:00:25,720 --> 01:00:26,880
Speaker 1: have to tell them, and I would also have to

1264
01:00:26,880 --> 01:00:28,200
Speaker 1: tell the person who was about to do it, like

1265
01:00:28,200 --> 01:00:30,440
Speaker 1: you know, that's my homie, So I can't just let

1266
01:00:30,440 --> 01:00:31,960
Speaker 1: this go down. Well, if they were a really good

1267
01:00:31,960 --> 01:00:34,480
Speaker 1: friend of mine, I'm sure that everybody would know that

1268
01:00:34,520 --> 01:00:36,520
Speaker 1: as a friend of mine, and they wouldn't ask. Sometimes

1269
01:00:36,560 --> 01:00:39,200
Speaker 1: people don't know your relationships. YEA. True. If they're asking

1270
01:00:39,280 --> 01:00:40,880
Speaker 1: and they're not really a good friend of mine, and

1271
01:00:40,880 --> 01:00:42,760
Speaker 1: I just know them know a mind of my business,

1272
01:00:42,960 --> 01:00:45,040
Speaker 1: and when you see me exit that means something's about

1273
01:00:45,040 --> 01:00:46,920
Speaker 1: to happen. I'm out of there. I am not saying

1274
01:00:46,920 --> 01:00:48,640
Speaker 1: nothing to mine in my business has nothing to do

1275
01:00:48,680 --> 01:00:50,400
Speaker 1: with me. I don't want to be involved with this.

1276
01:00:50,760 --> 01:00:54,320
Speaker 1: I am a regular citizen. I have a family. I

1277
01:00:54,360 --> 01:00:56,000
Speaker 1: want to go home. That's how I look at it.

1278
01:00:56,080 --> 01:00:59,280
Speaker 1: Charlomagne tough one man. I mean, first of all, if

1279
01:00:59,280 --> 01:01:01,400
Speaker 1: you come to me and tell me you're gonna rob someone,

1280
01:01:01,560 --> 01:01:03,560
Speaker 1: I number one want to know why you're promoting and

1281
01:01:03,640 --> 01:01:07,320
Speaker 1: marketing your crime. Second, it's clearly not someone I'm close to,

1282
01:01:07,440 --> 01:01:09,400
Speaker 1: because you wouldn't be telling me if it was. That's

1283
01:01:09,400 --> 01:01:12,919
Speaker 1: what I said, yea. And three, natural humanity is going

1284
01:01:12,960 --> 01:01:15,360
Speaker 1: to kick in and you're not gonna want to see

1285
01:01:15,400 --> 01:01:18,960
Speaker 1: someone get it hurt or get robbed. So I really

1286
01:01:19,080 --> 01:01:21,960
Speaker 1: don't know. But if you say something that puts you involved,

1287
01:01:22,040 --> 01:01:24,000
Speaker 1: now now you're involved. Now. Yeah. You can't just say

1288
01:01:24,040 --> 01:01:26,000
Speaker 1: you don't know that you're here. You're in this situation.

1289
01:01:26,160 --> 01:01:29,160
Speaker 1: What do you do? Quick story? Remember one time I

1290
01:01:29,240 --> 01:01:32,000
Speaker 1: old this dude some money because I was selling dope

1291
01:01:32,000 --> 01:01:33,640
Speaker 1: for him. That dope gave me was horrible. I couldn't

1292
01:01:33,680 --> 01:01:35,280
Speaker 1: sell it, so I ended up on him some money. Right,

1293
01:01:35,360 --> 01:01:37,920
Speaker 1: So he wanted me to do a home invasion with him.

1294
01:01:37,960 --> 01:01:39,640
Speaker 1: There's no way I was doing a home invasion. I

1295
01:01:39,720 --> 01:01:42,200
Speaker 1: knew that from the jump, right, But I said, okay,

1296
01:01:42,480 --> 01:01:45,040
Speaker 1: I'll go along with the home invasion. So we're get

1297
01:01:45,040 --> 01:01:47,720
Speaker 1: in the car and we're riding around smoking weed, and

1298
01:01:47,760 --> 01:01:49,400
Speaker 1: I already knew he's one of those guys that smokes

1299
01:01:49,400 --> 01:01:51,440
Speaker 1: and get paranoid. So I just started telling them all

1300
01:01:51,520 --> 01:01:53,360
Speaker 1: kind of stuff. Old, I think I just saw a

1301
01:01:53,360 --> 01:01:56,240
Speaker 1: police car behind us, so old, the lights are still

1302
01:01:56,280 --> 01:01:58,920
Speaker 1: on in the house. I don't think we should do it. Whatever, whatever.

1303
01:01:59,200 --> 01:02:02,960
Speaker 1: So I'm saying everything I can to make this guy

1304
01:02:03,040 --> 01:02:05,160
Speaker 1: not want to do this home invasion, and it worked.

1305
01:02:05,280 --> 01:02:06,960
Speaker 1: So I would think that after what I would do

1306
01:02:07,000 --> 01:02:08,840
Speaker 1: in this situation. If a guy can't even say I'm

1307
01:02:08,840 --> 01:02:10,520
Speaker 1: about to rob somebody, I'm like, yo, I don't think

1308
01:02:10,520 --> 01:02:13,080
Speaker 1: I would do that. It's mad police outside. I heard

1309
01:02:13,080 --> 01:02:15,160
Speaker 1: this dude got twenty guns with him on him right now.

1310
01:02:15,160 --> 01:02:16,440
Speaker 1: I don't think you're gonna be able to get up

1311
01:02:16,440 --> 01:02:19,000
Speaker 1: out here. I would say something to try to keep

1312
01:02:19,040 --> 01:02:21,880
Speaker 1: this situation from happening, because that's just my natural humanity talking.

1313
01:02:22,000 --> 01:02:24,680
Speaker 1: I've been in an incident where that has actually happened.

1314
01:02:24,680 --> 01:02:26,320
Speaker 1: I was in the club and somebody was like, you'll eat.

1315
01:02:26,800 --> 01:02:28,320
Speaker 1: If I was you, I'll get out the club right now.

1316
01:02:28,360 --> 01:02:29,720
Speaker 1: And I was like wow, he said, because it's about

1317
01:02:29,720 --> 01:02:31,320
Speaker 1: to get ugly. And then when I got out the club,

1318
01:02:31,320 --> 01:02:34,320
Speaker 1: it really got ugly. Now that's different, that's that's that's

1319
01:02:34,360 --> 01:02:37,160
Speaker 1: just a general statement. You know what I'm saying, right so, Jesa,

1320
01:02:37,400 --> 01:02:40,640
Speaker 1: But but saying I'm about to rob this person right

1321
01:02:40,680 --> 01:02:43,479
Speaker 1: now is a little different. After humanity kicks in telling

1322
01:02:43,480 --> 01:02:44,880
Speaker 1: me to get out. The clubs about to get ugly.

1323
01:02:44,920 --> 01:02:46,760
Speaker 1: Thank you for the one. I'm out. I don't even know.

1324
01:02:47,440 --> 01:02:51,880
Speaker 1: It's not anybody target in particular. Somebody target in particular.

1325
01:02:51,960 --> 01:02:54,040
Speaker 1: I think you really do have a responsibility to try

1326
01:02:54,040 --> 01:02:55,520
Speaker 1: to talk him out of it. You do. If you

1327
01:02:55,560 --> 01:02:58,480
Speaker 1: know the person, see you're gonna do it. You did

1328
01:02:58,520 --> 01:03:02,800
Speaker 1: what you could see in these streets, especially Brooklyn Queen's Bronx.

1329
01:03:02,920 --> 01:03:06,200
Speaker 1: It happens all the time. We don't tell me, why

1330
01:03:06,240 --> 01:03:07,920
Speaker 1: are you telling me? Glad you told me? Chuck you out?

1331
01:03:07,920 --> 01:03:09,680
Speaker 1: Then I want to go. I want to get out

1332
01:03:09,680 --> 01:03:10,800
Speaker 1: of here. I don't want to I'm gonna go when

1333
01:03:10,800 --> 01:03:11,960
Speaker 1: you try to rob me. He pulls out of a a gun,

1334
01:03:11,960 --> 01:03:13,840
Speaker 1: they start shooting. Now I'm in the crossfire. I want

1335
01:03:13,840 --> 01:03:16,880
Speaker 1: to go home. Hello, who's this Brothers club? What's up? Man?

1336
01:03:16,920 --> 01:03:19,360
Speaker 1: It's Tony, Tony. What would you do in that situation? Tony?

1337
01:03:19,560 --> 01:03:22,240
Speaker 1: All right, be honest. If we kick it and then

1338
01:03:22,280 --> 01:03:24,960
Speaker 1: we're cool, I'm gonna let him know. Well, I ain't

1339
01:03:24,960 --> 01:03:27,760
Speaker 1: gonna let him know. I'm gonna talking about homies like yo, cool,

1340
01:03:27,800 --> 01:03:31,160
Speaker 1: he cool, chill out. And if they straight up savages, well,

1341
01:03:31,360 --> 01:03:34,120
Speaker 1: let God be with them. You're like, yeah, I can't

1342
01:03:34,160 --> 01:03:36,560
Speaker 1: do nothing for you. Hello, but it puts you in

1343
01:03:36,560 --> 01:03:38,880
Speaker 1: the middle of it. It does. Hello, how are you brother?

1344
01:03:39,440 --> 01:03:45,080
Speaker 1: What's going on? Brother? Yeah? Yeah. My answer would be

1345
01:03:45,120 --> 01:03:47,360
Speaker 1: I would if someon came try to run somebody up

1346
01:03:47,400 --> 01:03:49,640
Speaker 1: that I know, I would ask how to respect for them?

1347
01:03:49,680 --> 01:03:51,720
Speaker 1: Nothing to do it, and then when I get a chance,

1348
01:03:51,760 --> 01:03:53,320
Speaker 1: like get over to that person, let him know they're

1349
01:03:53,360 --> 01:03:55,640
Speaker 1: getting licked up and they need to go now. So

1350
01:03:55,720 --> 01:04:00,600
Speaker 1: you would do what they're saying me did pretty much? Okay, Yeah,

1351
01:04:00,640 --> 01:04:04,240
Speaker 1: I mean, truthfully speaking, that's really just being a good

1352
01:04:04,320 --> 01:04:07,640
Speaker 1: human being. Mean, I understand that different rules applied in

1353
01:04:07,680 --> 01:04:10,360
Speaker 1: the street. That's why. If you know what game is

1354
01:04:10,360 --> 01:04:13,040
Speaker 1: saying is true. It is wrong with Meek did because

1355
01:04:13,040 --> 01:04:15,520
Speaker 1: both of them are street dudes. But for us, regular

1356
01:04:15,600 --> 01:04:18,760
Speaker 1: human beings who don't live by those rules, don't tell

1357
01:04:18,800 --> 01:04:22,560
Speaker 1: me things like that, Okay, because I'm I got humanity,

1358
01:04:22,680 --> 01:04:27,120
Speaker 1: I'm gonna tell somebody probably Yeah, maybe I doubt it.

1359
01:04:27,560 --> 01:04:30,160
Speaker 1: I'm not. I said too many people in the clubs.

1360
01:04:30,200 --> 01:04:32,400
Speaker 1: I know too many people. I know the grimy, I

1361
01:04:32,440 --> 01:04:34,920
Speaker 1: know the goons, I know the regular people. I know everybody.

1362
01:04:35,000 --> 01:04:37,440
Speaker 1: So it keeps me out of everything, you know what

1363
01:04:37,520 --> 01:04:39,720
Speaker 1: I mean? I want to know. I want to know everybody. Yeah.

1364
01:04:39,880 --> 01:04:42,080
Speaker 1: Eight hundred five eight five one o five one. You're

1365
01:04:42,080 --> 01:04:43,600
Speaker 1: in a club, somebody comes up to you and says

1366
01:04:43,600 --> 01:04:46,280
Speaker 1: they're gonna rob somebody that you know. You don't necessarily

1367
01:04:46,280 --> 01:04:47,760
Speaker 1: have to be cool with them, y'all don't have to

1368
01:04:47,800 --> 01:04:50,400
Speaker 1: be type, but you know them. Would you say something?

1369
01:04:50,520 --> 01:04:52,440
Speaker 1: Eight hundred five eight five one o five one. It

1370
01:04:52,480 --> 01:04:56,439
Speaker 1: is to Breakfast Club, Go Morning. That was more money,

1371
01:04:56,480 --> 01:04:59,840
Speaker 1: more problems Morning. Everybody is DJ M v Angela Ye

1372
01:05:00,040 --> 01:05:03,080
Speaker 1: Sharlamagne the guy. We are the Breakfast Club. Eight hundred

1373
01:05:03,200 --> 01:05:05,640
Speaker 1: five eight five one oh five one. Now we're asking

1374
01:05:05,720 --> 01:05:08,520
Speaker 1: out of what's going on allegedly with Meek Mills, Sean

1375
01:05:08,640 --> 01:05:11,320
Speaker 1: Kingston and the Game. You're in the club chilling, somebody

1376
01:05:11,320 --> 01:05:12,760
Speaker 1: comes up to you and says they want to line

1377
01:05:12,840 --> 01:05:15,520
Speaker 1: or rob somebody that you know, you don't necessarily have

1378
01:05:15,560 --> 01:05:17,640
Speaker 1: to be cool with him. What would you say? Would

1379
01:05:17,640 --> 01:05:19,680
Speaker 1: you tell him or would you mind your business? Me?

1380
01:05:19,800 --> 01:05:22,800
Speaker 1: I'm minding my business. If I'm tight with them, then hey,

1381
01:05:22,880 --> 01:05:24,720
Speaker 1: we gotta do what we gotta do. If I'm not

1382
01:05:24,760 --> 01:05:26,080
Speaker 1: tight with him and I don't know him, I know

1383
01:05:26,160 --> 01:05:28,440
Speaker 1: him kind of like it, what's up? How would you

1384
01:05:28,520 --> 01:05:30,880
Speaker 1: feel if you know you minded your business and then

1385
01:05:30,960 --> 01:05:34,600
Speaker 1: this person goes to rob this individual but ends up

1386
01:05:34,640 --> 01:05:38,280
Speaker 1: accidentally killing them or something like that, and you had

1387
01:05:38,320 --> 01:05:41,440
Speaker 1: a chance to prevent this. I keep that. I think

1388
01:05:41,480 --> 01:05:45,800
Speaker 1: about Spider Man bro when Peter Parker got got by

1389
01:05:45,800 --> 01:05:48,680
Speaker 1: that wrestling promoter and then that somebody came in there

1390
01:05:48,680 --> 01:05:51,720
Speaker 1: to rob the wrestling promoter and Peter Parker had a

1391
01:05:51,800 --> 01:05:55,400
Speaker 1: chance to stop the robber, and that robber went out

1392
01:05:55,480 --> 01:05:59,440
Speaker 1: and killed his uncle right after that. Right, It's like, yo,

1393
01:05:59,520 --> 01:06:01,400
Speaker 1: I think about things like but you know what too,

1394
01:06:01,440 --> 01:06:03,280
Speaker 1: and this and this is a true story. It's a

1395
01:06:03,320 --> 01:06:06,200
Speaker 1: real story. When somebody lined me up and they lined

1396
01:06:06,240 --> 01:06:07,960
Speaker 1: me up and they and they tried to rob me,

1397
01:06:08,200 --> 01:06:10,240
Speaker 1: and they were shooting at me when I tried to

1398
01:06:10,240 --> 01:06:12,840
Speaker 1: figure out who it was. Everybody that I thought was

1399
01:06:12,880 --> 01:06:15,560
Speaker 1: cool with me. Everybody minded their business, that's right. And

1400
01:06:15,600 --> 01:06:17,400
Speaker 1: then you said you would mind your business, and everybody

1401
01:06:17,480 --> 01:06:19,560
Speaker 1: minded that business. So that makes me look at people differently.

1402
01:06:19,600 --> 01:06:21,400
Speaker 1: Now I know that you guys in these clubs you're

1403
01:06:21,480 --> 01:06:23,680
Speaker 1: not really my friends, but you said you mind your business.

1404
01:06:23,720 --> 01:06:25,600
Speaker 1: Now I wouldn't mind my business because of what people

1405
01:06:25,640 --> 01:06:27,400
Speaker 1: were done to me because I thought we were cool

1406
01:06:27,440 --> 01:06:29,560
Speaker 1: and somebody tried to line me up and shoot at me.

1407
01:06:30,040 --> 01:06:32,720
Speaker 1: And now the people that I think, but then you,

1408
01:06:32,880 --> 01:06:35,560
Speaker 1: but you also you also know that's a difficult situation

1409
01:06:35,600 --> 01:06:38,640
Speaker 1: to be in, this difficul situation. Now you see what

1410
01:06:38,760 --> 01:06:40,640
Speaker 1: happened to me. Now, everybody but you don't need to

1411
01:06:40,680 --> 01:06:43,680
Speaker 1: be minding their business. The criminals don't tell people what

1412
01:06:43,760 --> 01:06:45,560
Speaker 1: you're about to do. Just go do it. Why are

1413
01:06:45,560 --> 01:06:47,360
Speaker 1: you giving me warning? He probably does. He was looking

1414
01:06:47,360 --> 01:06:48,720
Speaker 1: out for me, like get out of here. Were you

1415
01:06:48,760 --> 01:06:51,200
Speaker 1: about to do this? I mean, we don't even know

1416
01:06:51,200 --> 01:06:54,360
Speaker 1: what happened for real, but I'm just speculating. I get it.

1417
01:06:54,600 --> 01:06:56,600
Speaker 1: I can see it from both sides. It's like, you

1418
01:06:56,880 --> 01:07:00,959
Speaker 1: mind my business? Hello, who's this from? Hey? What's up mama?

1419
01:07:01,000 --> 01:07:03,440
Speaker 1: What would you do in that situation? Um? No, there

1420
01:07:03,560 --> 01:07:06,560
Speaker 1: is no dry stitches. You do not snitch, So you're

1421
01:07:06,560 --> 01:07:09,560
Speaker 1: not saying nothing. No, you do not say nothing. And

1422
01:07:09,680 --> 01:07:11,720
Speaker 1: how you know that they're not telling you that considering

1423
01:07:11,760 --> 01:07:15,840
Speaker 1: your relationship with your man's like, no, no job, you

1424
01:07:15,920 --> 01:07:17,760
Speaker 1: on you on you on your way to your nice

1425
01:07:17,800 --> 01:07:20,440
Speaker 1: corporate job. And you're talking about no snakes from Brooklyn.

1426
01:07:20,600 --> 01:07:23,240
Speaker 1: The hell is around you. That's enough blood. Where do

1427
01:07:23,280 --> 01:07:28,480
Speaker 1: you work at the medal? The medical reception is in

1428
01:07:28,520 --> 01:07:34,280
Speaker 1: these creeks talk about stopping the bus. Come on, man,

1429
01:07:34,280 --> 01:07:38,800
Speaker 1: thank you, mama, thank you? Hello? Who's this June for

1430
01:07:38,880 --> 01:07:40,960
Speaker 1: far Rock to sixth Brow. You already know what it does?

1431
01:07:41,120 --> 01:07:44,560
Speaker 1: Far rockaway Queens. June's going on? Yeah, I'm calling about

1432
01:07:44,560 --> 01:07:47,680
Speaker 1: the topic. Man, listen, if I'm cool with both parties, right,

1433
01:07:47,840 --> 01:07:50,280
Speaker 1: you feel like you feel like that type of information

1434
01:07:50,280 --> 01:07:52,400
Speaker 1: should be shared with me. I can't let you go

1435
01:07:52,440 --> 01:07:54,200
Speaker 1: ahead and do that, bro, I can't let you go

1436
01:07:54,240 --> 01:07:56,400
Speaker 1: wrong my other man's man. We have to find another

1437
01:07:56,440 --> 01:07:58,280
Speaker 1: way to get that chicken, to get that bread and

1438
01:07:58,320 --> 01:08:00,800
Speaker 1: go get digital chains or whatever. You're trying good, but

1439
01:08:01,200 --> 01:08:03,400
Speaker 1: I can't. I can't let that happen. I feel liable.

1440
01:08:03,440 --> 01:08:05,880
Speaker 1: You told me that information that already put me in

1441
01:08:05,880 --> 01:08:08,680
Speaker 1: the spot. Yes, what you said, it is very true.

1442
01:08:08,720 --> 01:08:11,880
Speaker 1: Once you tell me, then I become liable. I become

1443
01:08:11,920 --> 01:08:16,280
Speaker 1: an accessory to your bs. Don't tell me how about that.

1444
01:08:16,360 --> 01:08:18,840
Speaker 1: Don't tell me nothing. But allegedly he told them I'd

1445
01:08:18,920 --> 01:08:21,880
Speaker 1: rather not cop off. You are in probation. I just

1446
01:08:21,920 --> 01:08:23,479
Speaker 1: want you out of here so you you don't get

1447
01:08:23,479 --> 01:08:25,040
Speaker 1: in trouble, and you you know, you stay over. He

1448
01:08:25,080 --> 01:08:28,960
Speaker 1: didn't do nothing again before? Hey, you never know. What's

1449
01:08:28,960 --> 01:08:32,000
Speaker 1: the moral of the story, guys, don't anyone? Yeah, the story.

1450
01:08:32,080 --> 01:08:34,639
Speaker 1: The moral of the story is, don't rob nobody. Okay,

1451
01:08:34,720 --> 01:08:37,760
Speaker 1: but no, actually, man, if my actions don't concern you,

1452
01:08:38,240 --> 01:08:42,439
Speaker 1: don't concern yourself for my actions, and don't concern me

1453
01:08:42,640 --> 01:08:46,479
Speaker 1: with your actions. Okay, leave me alone. Why are you

1454
01:08:46,520 --> 01:08:49,439
Speaker 1: telling me about who you're about to rob? Hey, tell

1455
01:08:49,520 --> 01:08:51,360
Speaker 1: me so I'll get out of dodge. I tell me,

1456
01:08:52,000 --> 01:08:54,280
Speaker 1: because if not, they go to rob somebody, they're shooting

1457
01:08:54,280 --> 01:08:56,360
Speaker 1: in the club. You get shot. You could have been home. Lord,

1458
01:08:56,400 --> 01:08:58,760
Speaker 1: have mercy? All right, Well, we got roomors coming up you. Yes,

1459
01:08:58,800 --> 01:09:01,400
Speaker 1: we'll talk about some more songs that are coming out.

1460
01:09:01,400 --> 01:09:04,879
Speaker 1: I will tell you who is going at Drake Okay

1461
01:09:04,920 --> 01:09:07,880
Speaker 1: and Kanye on a new song. Also find out about

1462
01:09:07,880 --> 01:09:11,599
Speaker 1: an NBA player who once made sixty six million dollars

1463
01:09:11,680 --> 01:09:14,880
Speaker 1: and now has filed for bankruptcy. Okay, ore keep it

1464
01:09:14,960 --> 01:09:23,840
Speaker 1: Lockedice to Breakfast Club, Good morning, listen, it's just Ohler Gos' reports.

1465
01:09:25,439 --> 01:09:30,800
Speaker 1: It's a rule report. But chocolate dropping is coming for everybody.

1466
01:09:30,920 --> 01:09:33,599
Speaker 1: We've got a new song out. It's called Baller Alert,

1467
01:09:34,439 --> 01:09:36,200
Speaker 1: all right. And and you're gonna play that in the

1468
01:09:36,240 --> 01:09:38,519
Speaker 1: mix this morning, right, Yeah, yeah, I heard he's got

1469
01:09:38,640 --> 01:09:42,479
Speaker 1: this songs about Kanye Drake, Nobody's safe, no boy, so

1470
01:09:42,560 --> 01:09:44,439
Speaker 1: it should be pretty interesting. But shout out to our

1471
01:09:44,479 --> 01:09:46,519
Speaker 1: people over at baller Alert as well. That has to

1472
01:09:46,560 --> 01:09:50,120
Speaker 1: be exciting. His first single is called baller Alert all right.

1473
01:09:50,280 --> 01:09:54,040
Speaker 1: And speaking of which, Kanye joined Instagram. I don't know

1474
01:09:54,040 --> 01:09:55,760
Speaker 1: if you guys saw that over the weekend. I did

1475
01:09:55,880 --> 01:09:58,439
Speaker 1: see that, but he did. He's been contemplating joining Instagram

1476
01:09:58,479 --> 01:10:00,280
Speaker 1: for some time and he finally did. All So over

1477
01:10:00,360 --> 01:10:03,960
Speaker 1: the weekend was the b ET Hip Hop Awards in Atlanta.

1478
01:10:04,360 --> 01:10:07,639
Speaker 1: Now two Chains opened his restaurant. It's called Escobar Lounge.

1479
01:10:08,000 --> 01:10:09,680
Speaker 1: He opened that in Atlanta, so I know he had

1480
01:10:09,720 --> 01:10:11,719
Speaker 1: a big event, a late night brunch that was hosted

1481
01:10:11,760 --> 01:10:14,679
Speaker 1: by def Jam. So that was going down. So there's

1482
01:10:14,680 --> 01:10:17,439
Speaker 1: a lot of brunches, a lot of dinners. Looked pretty nice.

1483
01:10:17,479 --> 01:10:21,719
Speaker 1: I saw Khalid was honored at a dinner. What's so funny,

1484
01:10:21,800 --> 01:10:26,479
Speaker 1: Charlotta Magne? Nothing out loud love suitable man spank, I

1485
01:10:26,560 --> 01:10:29,760
Speaker 1: wasn't paying attention comedians bank He's an idiot. Okay, Now,

1486
01:10:29,840 --> 01:10:34,800
Speaker 1: Little Wayne, what is going on with this situation with Birdman? Now,

1487
01:10:35,000 --> 01:10:36,960
Speaker 1: what they are saying is that there was a one

1488
01:10:37,080 --> 01:10:39,720
Speaker 1: hundred million dollars advance that Birdman had gotten for a

1489
01:10:39,800 --> 01:10:42,720
Speaker 1: distribution deal for Universal Music Group. It was supposed to

1490
01:10:42,760 --> 01:10:47,400
Speaker 1: be split between him and Little Wayne, but unfortunately Birdman

1491
01:10:47,520 --> 01:10:50,720
Speaker 1: blew through seventy million dollars of the advance, and now

1492
01:10:50,800 --> 01:10:53,439
Speaker 1: Wayne wants to see those receipts. Now, they have handed

1493
01:10:53,479 --> 01:10:57,160
Speaker 1: over some documents, twenty two thousand pages of documents to

1494
01:10:57,280 --> 01:10:59,479
Speaker 1: Little Wayn's lawyers. That's a lot to go through, but

1495
01:10:59,560 --> 01:11:02,040
Speaker 1: they said none of those pages include details on how

1496
01:11:02,080 --> 01:11:04,280
Speaker 1: the seventy million dollars was spent. So that's what they're

1497
01:11:04,320 --> 01:11:08,519
Speaker 1: trying to figure out now, So basically thousand pages. We

1498
01:11:08,680 --> 01:11:10,600
Speaker 1: basically burn Man told somebody in the club he was

1499
01:11:10,600 --> 01:11:13,920
Speaker 1: about to rob Wayne, and nobody told Wayne. See pretty much.

1500
01:11:13,920 --> 01:11:16,800
Speaker 1: Why you gotta say something? Oh my goodness. All right,

1501
01:11:16,880 --> 01:11:20,040
Speaker 1: And speaking of the BT Awards, Chief Keief, I guess

1502
01:11:20,160 --> 01:11:23,000
Speaker 1: has been banned. He's upset that he's not invited by

1503
01:11:23,120 --> 01:11:26,240
Speaker 1: WAU even went on Instagram and said that he tried

1504
01:11:26,280 --> 01:11:28,599
Speaker 1: to get BT to lift the band on Chief Keief,

1505
01:11:28,680 --> 01:11:31,639
Speaker 1: but to no avail. Well, Chief Keef, have no fair.

1506
01:11:31,960 --> 01:11:33,560
Speaker 1: He don't want to go anywhere, he said, f the

1507
01:11:33,640 --> 01:11:37,280
Speaker 1: BT Awards. Check it out, Man b Award. We go

1508
01:11:37,360 --> 01:11:41,000
Speaker 1: to the BT Awards, chains getting took, this, getting big,

1509
01:11:41,120 --> 01:11:44,840
Speaker 1: Mom's getting still pregnant, all exactly why you shouldn't be that?

1510
01:11:44,920 --> 01:11:49,519
Speaker 1: Why why anybody listen? I'm not sure he's banned from

1511
01:11:49,520 --> 01:11:51,120
Speaker 1: a lot of places. It feels like remember he had

1512
01:11:51,120 --> 01:11:53,720
Speaker 1: to do the Hologram show and then they shut that down.

1513
01:11:54,200 --> 01:11:56,080
Speaker 1: I don't know what happened with him in BT, but

1514
01:11:56,200 --> 01:11:59,200
Speaker 1: apparently there's an issue there, all right. Lady Gaga is

1515
01:11:59,400 --> 01:12:02,439
Speaker 1: said to be headlining Super Bowl twenty seventeen. She's going

1516
01:12:02,520 --> 01:12:05,360
Speaker 1: to be the halftime headliner. The NFL has not confirmed

1517
01:12:05,439 --> 01:12:08,080
Speaker 1: this news yet. They said, we have had conversations with

1518
01:12:08,200 --> 01:12:11,840
Speaker 1: several fantastic artists about the Pepsi super Bowl halftime show. However,

1519
01:12:11,880 --> 01:12:13,599
Speaker 1: at this point, we do not have a final decision.

1520
01:12:13,680 --> 01:12:15,800
Speaker 1: We're happy there is so much excitement about the show.

1521
01:12:16,160 --> 01:12:18,479
Speaker 1: But Lady Gaga has stated already that she's going to

1522
01:12:18,520 --> 01:12:20,639
Speaker 1: be doing that. She's also putting out a new music

1523
01:12:20,800 --> 01:12:23,640
Speaker 1: video for her latest single, Perfect Illusion, and that's going

1524
01:12:23,680 --> 01:12:26,960
Speaker 1: to go out tomorrow during the premiere of Scream Queens

1525
01:12:27,040 --> 01:12:29,599
Speaker 1: on five. Why haven't Rihanna done the super Bowl halftime

1526
01:12:29,640 --> 01:12:33,360
Speaker 1: show yet? Are you even justin Bieber? They haven't? I

1527
01:12:33,439 --> 01:12:37,000
Speaker 1: don't think so that I remember why Lady Gaga I

1528
01:12:37,040 --> 01:12:39,720
Speaker 1: don't know. I mean, Lady Gaga is a big star. Now,

1529
01:12:40,320 --> 01:12:45,000
Speaker 1: you can't deny that, all right now. Darius Miles, NBA player,

1530
01:12:45,080 --> 01:12:48,760
Speaker 1: has filed for bankruptcy. He made sixty six million dollars

1531
01:12:48,840 --> 01:12:51,519
Speaker 1: in the NBA. You guys know him, yep, yeah, all right,

1532
01:12:51,600 --> 01:12:54,760
Speaker 1: Well what happened to Darius Mouse? He was a first

1533
01:12:54,840 --> 01:12:57,840
Speaker 1: round draft pick with the Clippers and he signed a

1534
01:12:57,880 --> 01:13:00,280
Speaker 1: contact with nine million dollars. He also started a movie

1535
01:13:00,320 --> 01:13:03,320
Speaker 1: with Scarlett Johansson and Ryan Reynolds. He had a Jordan

1536
01:13:03,400 --> 01:13:06,639
Speaker 1: and Athletic brand endorsement deal. He's thirty four years old now,

1537
01:13:07,320 --> 01:13:11,000
Speaker 1: and he's had injuries, legal problems, and bad investments. All

1538
01:13:11,040 --> 01:13:13,600
Speaker 1: of that have left him in court asking if he

1539
01:13:13,680 --> 01:13:16,799
Speaker 1: can sell off his assets to pay creditors. He actually

1540
01:13:16,880 --> 01:13:19,320
Speaker 1: has about four hundred and sixty thousand dollars in assets,

1541
01:13:19,680 --> 01:13:22,520
Speaker 1: and he has one point five million dollars in liabilities.

1542
01:13:22,560 --> 01:13:24,800
Speaker 1: He has a twenty thousand dollars child support debt in

1543
01:13:24,880 --> 01:13:27,519
Speaker 1: his bankruptcy, and he lost more than a hundred thousand

1544
01:13:27,520 --> 01:13:30,440
Speaker 1: dollars in a California real estate deal. All kinds of situations.

1545
01:13:30,640 --> 01:13:33,000
Speaker 1: He's not asking for no sympathy, is he. Well, now,

1546
01:13:33,040 --> 01:13:35,840
Speaker 1: we're just telling you what happens. Filing for bankruptcy after

1547
01:13:35,920 --> 01:13:38,280
Speaker 1: making sixty six million dollars in the NBA, he now

1548
01:13:38,479 --> 01:13:40,880
Speaker 1: is broke and owes more money than what he had.

1549
01:13:40,960 --> 01:13:43,200
Speaker 1: Don't feel sorry for him. I can't even begin to

1550
01:13:43,200 --> 01:13:45,559
Speaker 1: feel sorry for somebody who's made sixty six million dollars

1551
01:13:45,560 --> 01:13:47,599
Speaker 1: in their life and went broke. That's they don't ask. Well,

1552
01:13:47,640 --> 01:13:49,000
Speaker 1: he probably just didn't know, he didn't know how to

1553
01:13:49,040 --> 01:13:50,920
Speaker 1: invest his money. That's a bad thing. A lot of

1554
01:13:51,040 --> 01:13:52,600
Speaker 1: players get all his money, just don't know what to

1555
01:13:52,640 --> 01:13:54,240
Speaker 1: do with it. Hey, you ain't got to know to investment.

1556
01:13:54,280 --> 01:13:57,280
Speaker 1: You can aught to save you, right, sixty six million dollars.

1557
01:13:57,600 --> 01:14:00,439
Speaker 1: I wish I would, all right, please, it's on a

1558
01:14:00,479 --> 01:14:03,080
Speaker 1: dirt road. Okay, how you did that? Hell, I'm gonna

1559
01:14:03,080 --> 01:14:08,479
Speaker 1: go bro drive a cadilat Esclade twenty. We haven't seen

1560
01:14:08,520 --> 01:14:10,800
Speaker 1: that cat like Esclade in years. I just upgraded. And

1561
01:14:10,880 --> 01:14:12,720
Speaker 1: the only reason the upgraded because I got I got

1562
01:14:12,800 --> 01:14:15,160
Speaker 1: a free truck. How much you blue book value of

1563
01:14:15,240 --> 01:14:20,160
Speaker 1: that escalade when you sold it? Umfund dollars. I sold

1564
01:14:20,200 --> 01:14:22,720
Speaker 1: it for a good stack and left all the old

1565
01:14:22,800 --> 01:14:25,800
Speaker 1: CDs that was in there in there. Man, he came

1566
01:14:25,880 --> 01:14:28,600
Speaker 1: up here, you go. Okay, all right, let's go to

1567
01:14:28,640 --> 01:14:30,559
Speaker 1: People's Choice mixes up next. You want to hear something

1568
01:14:30,600 --> 01:14:33,200
Speaker 1: eight hundred five eight five one oh five one. We're

1569
01:14:33,240 --> 01:14:35,720
Speaker 1: all gonna get that chocolate dropper on and also the

1570
01:14:35,800 --> 01:14:37,240
Speaker 1: meek Mill dish. You want to hit a full record,

1571
01:14:37,240 --> 01:14:39,840
Speaker 1: We're gonna play that as well. Shout out family at Revolt.

1572
01:14:40,160 --> 01:14:43,120
Speaker 1: We'll see you guys on tomorrow. It's a breakfast lub.

1573
01:14:43,160 --> 01:14:43,640
Speaker 1: Come on, let's go