WEBVTT - Mini Crush #92

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Mini Crush with Chuck and Noll.

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<v Speaker 1>Sorry Chuck, I was just drinking My god, damn Mike.

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<v Speaker 1>I didn't slip on the mic. I was off Mike,

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<v Speaker 1>but that was an off Mike slurp. And I was

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<v Speaker 1>referencing the fact that our new coffee machine doesn't make

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<v Speaker 1>latte's anymore, and that that's upsetting. It's upsetting to me.

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<v Speaker 1>Did you drink LTTE's? I like a latte? The thing

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<v Speaker 1>about the old machine, though, is it used like this

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<v Speaker 1>powdered milk stuff, so they always tasted a little funny.

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<v Speaker 1>Is that what that was? There wasn't a real milk

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<v Speaker 1>if you if you opened it up, there was like

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<v Speaker 1>a big column of like weird white powder. Sorry that

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<v Speaker 1>I did demystify. I meanerience certainly didn't think there was

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<v Speaker 1>a tiny cow in there. That would have been nice.

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<v Speaker 1>The cow would have to be in another room with

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<v Speaker 1>the tubes kind of going off and you know, winding

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<v Speaker 1>through the ceiling, and then there's this cow room. Tiny cow,

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<v Speaker 1>you know. My one of my new cats. I don't

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<v Speaker 1>know if I can call them new anymore, but I

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<v Speaker 1>guess they're new. Is uh call him a cow kittie

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<v Speaker 1>or the hole Stein because he's you know, black and

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<v Speaker 1>white Holstein spotted Holstein. Is that a breed of cattle? Yeah?

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<v Speaker 1>I didn't know that Holstein cow? Huh yeah, man was

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<v Speaker 1>the best milk cows, beef cows, kind of flavor of cow.

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<v Speaker 1>You know what, what is a whole stein? I want

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<v Speaker 1>to say a whole stein is a dairy cow. Mm hmm. Yeah,

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<v Speaker 1>Holstein's beautiful. Look at those look at those babies. Oh yeah,

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<v Speaker 1>of course, the classic it's a classic cow. Classic cow,

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<v Speaker 1>like the cow from the cover of the Pink Floyd

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<v Speaker 1>record or the cow from the Hate Chicken restaurant. I

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<v Speaker 1>don't know that. Yeah, I eat more chicken. Yeah, hate chicken.

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<v Speaker 1>That'd be funny if that would be really an escalation.

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<v Speaker 1>That's what. That's what my cat looks like. I love that.

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<v Speaker 1>So what's your cat's name? Uh? While I have Luna

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<v Speaker 1>and leave on which one is the whole stein? Uh?

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<v Speaker 1>Levin is the whole stein. Luna is black, although she

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<v Speaker 1>has a little white on her belly. Got it. And

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<v Speaker 1>they are siblings and they're very very sweet and crazy.

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<v Speaker 1>I've never had crazy cats like this. I've been dating

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<v Speaker 1>a lovely lady for a while now, and she has Chihuahuas.

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<v Speaker 1>And I used to think they were creepy and and

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<v Speaker 1>and you know, skittery and annoying. But hers are lovely.

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<v Speaker 1>They're so steadily and sweet. They're like little cat dogs.

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<v Speaker 1>Chihuahuas are easy to snark at until you meet a

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<v Speaker 1>really good chihuahua. Yeah, my brother has a great Chihuahua

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<v Speaker 1>named Wallace. And this dog is great. This one is Layla,

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<v Speaker 1>and that mom dog mom goes all out, like dress

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<v Speaker 1>him up in little costumes and little bows on. It's

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<v Speaker 1>just it's just a whole thing. It's oh, you know,

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<v Speaker 1>and I can see, I see, I see what you're

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<v Speaker 1>doing their chuck, I'm not doing anything. I see what

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<v Speaker 1>you're doing. That what you're doing. If you want to

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<v Speaker 1>dress up your little purse dogs, that's great. I think

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<v Speaker 1>it's adorable. That's one. It may just be that I'm

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<v Speaker 1>kind of smitten for this woman, so she can do

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<v Speaker 1>no wrong in my eyes. So that's true. One day,

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<v Speaker 1>you may hate those dogs as possible. Apparently they age,

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<v Speaker 1>they don't age well. They get real snaggle toothed and Drulie.

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<v Speaker 1>When you know, Wallace is getting up there and he's

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<v Speaker 1>got a an eye situation sort of like a bug

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<v Speaker 1>eye situation on one side. But he's still a good

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<v Speaker 1>little boy. Yeah, good to know what I have to look.

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<v Speaker 1>I'm a big dog guy. But you know it's fine.

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<v Speaker 1>They're all kinds of dogs and all kinds of people. Know. Agree,

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<v Speaker 1>that's our motto around here. That is the movie crush motto.

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<v Speaker 1>That is on our our Tartan you know our flag.

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<v Speaker 1>Our crests are Scottish Tartan. Indeed. So no, we're gonna

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<v Speaker 1>start out this week with some uh social studies on

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<v Speaker 1>social this movie. I watched The Ice Storm last night

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<v Speaker 1>because Casey's coming in after this good one. For in fact,

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<v Speaker 1>by the time this comes out, that show will already

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<v Speaker 1>be out. One of my favorite movies, and it for

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<v Speaker 1>it nails a time and place almost better than any

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<v Speaker 1>other movie I've seen, which was seventies. Uh suburbs, northeastern

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<v Speaker 1>suburb but like a wooded suburb. It's not like it's

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<v Speaker 1>not like cul de sac house after house, neighborhood these

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<v Speaker 1>this sort of a rural area of Connecticut. But really

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<v Speaker 1>just the time and place just nails it and very

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<v Speaker 1>evocative for me, especially having grown up in that era.

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<v Speaker 1>So as everyone, what what is your number one movie

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<v Speaker 1>for nailing a specific time and place. That just nailed

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<v Speaker 1>it more than any other movie. And I'll allow you

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<v Speaker 1>to think, unless you've got one with a bullet, it's

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<v Speaker 1>just the most recent obvious one. I thought, Once upon

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<v Speaker 1>a Time in Hollywood resolutely destroyed it. Yeah, and doing that,

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<v Speaker 1>not that I remember, Okay, yeah, yeah, it just it

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<v Speaker 1>just really felt transported there. You felt like you were

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<v Speaker 1>occupying that world. Yes, you you can imagine that he

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<v Speaker 1>nailed it perfectly. I would, Yes, I totally agree. So

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<v Speaker 1>we're gonna start off with the old pal Mike Ireland says, uh,

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<v Speaker 1>coming to America. He said, it really nails gritty eighties

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<v Speaker 1>New York. Wasn't it filmed in gritty eighties New York? Yes,

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<v Speaker 1>these aren't people who have fooled people in like by

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<v Speaker 1>filming in see what's upon the time in Hollywood? Was

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<v Speaker 1>filmed in Hollywood? It was? It was, indeed, So I

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<v Speaker 1>see what you mean. Noo. Know what I mean is

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<v Speaker 1>like set in the time where when it was filmed. Yeah,

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<v Speaker 1>I get your point, And you do have a point.

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<v Speaker 1>I mean, you can still look at it as an artifact,

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<v Speaker 1>like as, oh, this this is a really good representation

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<v Speaker 1>of this time, because you can also not nail it

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<v Speaker 1>your own time and place. You know for sure what

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<v Speaker 1>I get, I get what you mean. One I think

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<v Speaker 1>that does a really good job of what we're talking

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<v Speaker 1>about here is A Bad Lieutenant with Harvey Kitel, because

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<v Speaker 1>it's like super gritty eighties New York to the point

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<v Speaker 1>where it almost looks like seventies New York. It's nineties

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<v Speaker 1>even excuse me, it's like late eighties early nineties New York.

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<v Speaker 1>But when you watch that movie, it feels like Taxi Driver,

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<v Speaker 1>which is another good example. Yeah, I agreed, boy, Bad Lieutenant.

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<v Speaker 1>I haven't seen that in a while. It's it's a

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<v Speaker 1>it's a good one. It's it's it's super messed up,

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<v Speaker 1>but it's like it does a really good job of

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<v Speaker 1>transporting you to that like totally New York world. Uh well,

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<v Speaker 1>And in fact, on Mike Ireland's comments, Culver Matthew says,

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<v Speaker 1>but it was made in the mid eighties in New York,

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<v Speaker 1>and Mike said, when does it take place? Then? Ha ha,

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<v Speaker 1>So Mike is uh, yeah, Mike's a good guy. It

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<v Speaker 1>seems that way. He's laughing at himself. I like that

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<v Speaker 1>Matt Cliffs is paper Moon. Peter Bogdanovitch totally nailed what

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<v Speaker 1>I would imagine nineteen thirties rurals small town America would

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<v Speaker 1>feel like. Great movie. I have not seen it. Uh,

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<v Speaker 1>it is really good. That has long been purported to

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<v Speaker 1>be Josh Clark's favorite movie? Is that right? Yes? And

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<v Speaker 1>one day he's going to come on here and talk

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<v Speaker 1>about it. I hope. I hope so too. I mean,

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<v Speaker 1>I hope he'll talk about paper Moon. You'll come on

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<v Speaker 1>and talk about something eventually. Eventually, I'd like to get

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<v Speaker 1>Josh in here on a round table too. That'd be fun.

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<v Speaker 1>That would be Leona Stones as good Fellas and a

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<v Speaker 1>civil action with John Travola. Travola, he dropped the tea.

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<v Speaker 1>Did you know that? Nol? Is that his new thing?

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<v Speaker 1>John Travola a lawyer, And you go clear, you gotta

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<v Speaker 1>drop a constant and whoa, he went clear on his head.

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<v Speaker 1>He did to me, so gosh, he looks great. Yeah,

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<v Speaker 1>But I have you seen this new movie he's in,

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<v Speaker 1>this Fred Durst vehicle. Well, I haven't seen it that.

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<v Speaker 1>I mean it was in the theater for like, I

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<v Speaker 1>think they pulled it after a Friday release even well,

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<v Speaker 1>I think it's just patently offensive. Yeah, it looks pretty

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<v Speaker 1>bad because he plays like sort of a mentally challenged individual.

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<v Speaker 1>Right is that even okay to say? I don't even

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<v Speaker 1>know what to say anymore, but yeah, it seems like

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<v Speaker 1>he's really leaning into that and it's not good, really interesting.

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<v Speaker 1>But he's bald now, which is where I was, and

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<v Speaker 1>he looks great. He should be bald, and he should

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<v Speaker 1>also not be a member of a cult that is abusive.

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<v Speaker 1>Matthias Larsen old pal says, let the Right One In

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<v Speaker 1>pretty much nails the early in mid eighties of wintry Sweden. Yeah,

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<v Speaker 1>I bet you Larsen with two s s would know

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<v Speaker 1>it sounds very Swedish. I do not recall that feeling

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<v Speaker 1>like a period piece at all. Maybe to me that

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<v Speaker 1>just means it was effective and didn't like shove it down.

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<v Speaker 1>But I have a feeling he was from Sweden and

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<v Speaker 1>the era, so it's probably evocative for him. Charles Martin,

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<v Speaker 1>Aaker's old pal, says, home Alone in Christmas vacation late eighties,

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<v Speaker 1>early nineties, middle class Midwestern style. Okay, Jeff Moore, Revolutionary

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<v Speaker 1>Road wasn't alive in the nineteen fifties, but I think

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<v Speaker 1>that film probably gets it right, both the good and

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<v Speaker 1>the bad. Yeah, that is true. Uh. And then Culver Matthew,

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<v Speaker 1>he's got to be in his bonnet because he says,

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<v Speaker 1>people keep naming movies that were filmed in the time

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<v Speaker 1>and place that they nailed. I don't think this is

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<v Speaker 1>the exercise that was. That was my question. I know,

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<v Speaker 1>so you and Culvert Matthew, Well, Culver Matthew, you have

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<v Speaker 1>your name backwards. I love that he referred to it

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<v Speaker 1>as an exercise though. That's that's adds a lot of

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<v Speaker 1>gravitas to they proceeded bit of an exercise thought experiments.

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<v Speaker 1>The gooch says, Ladybird nailing early two thousand Sacramento, which

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<v Speaker 1>I think is so funny that now early two thousands

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<v Speaker 1>is like a historical period that just makes me feel

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<v Speaker 1>so old. But I also kind of love it, yeah

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<v Speaker 1>for sure, because it did have a feel of like

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<v Speaker 1>the late that that's the thing, like the beginning of

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<v Speaker 1>every new era feels like the tail end of the

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<v Speaker 1>previous one. It's some weird confluence you know what I mean, Like, yeah,

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<v Speaker 1>that's because it's all arbitrary. Of course, if we just

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<v Speaker 1>draw these lines between anything, it takes time for us

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<v Speaker 1>to even get what's the thing of the two thousands?

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<v Speaker 1>Doesn't happen on day one of two thousand, that's right, No,

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<v Speaker 1>it doesn't, of course not. That's when the Y two

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<v Speaker 1>K bug makes the elevators not worth exactly, and all

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<v Speaker 1>the money in your bank account disappear. As long as

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<v Speaker 1>you've got like lots of you know, bottled water, You're okay,

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<v Speaker 1>Daniel Quinn and Booley says mid nineties, I was born.

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<v Speaker 1>What are did that? Now? I'm confused. That's funny now sorry.

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<v Speaker 1>Michael McCord link Ladder's Days and Confused Man nineteen seventy

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<v Speaker 1>six and Sophia Copple's adaptation of The Virgin Suicides. Totally.

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<v Speaker 1>She really nailed that that seventies era. Michael Patrick's Boyhood,

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<v Speaker 1>although that that took place over quite a period of time,

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<v Speaker 1>but I agree that he really nailed that. I still

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<v Speaker 1>have not caught boyhood, Chuck. That's a whole, it's a

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<v Speaker 1>whole thing. It's a whole. Debbie Franka Dakas one of

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<v Speaker 1>our Oldest of Friends election exactly like Suburbia Suburban Omaha

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<v Speaker 1>in the nineties could be a time capsule. Yeah, I

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<v Speaker 1>love it. Man Alexander Pain and his dirty cars one

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<v Speaker 1>of his things. Vanessa Lopez, oldest of Friends, lords of

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<v Speaker 1>Dogtown spot on for early skate culture in southern California.

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<v Speaker 1>Patrick Gorman, another old pal, says boiler room was essentially

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<v Speaker 1>the way sales worked before the financial crisis. Interesting, I

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<v Speaker 1>never saw that, right, that's all right. We've got computers

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<v Speaker 1>that make noises, knowl we do. That's where it's the future.

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<v Speaker 1>Blair Christensen says, a New Hope nails the portrayal of

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<v Speaker 1>far far away and long ago. That's very cute, just

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<v Speaker 1>like a mad Max Fury Road really nails Trump's America.

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<v Speaker 1>Sarah Stapleton Hell or high Water. I have not seen that.

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<v Speaker 1>I want to see that. It's supposed to be really good.

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<v Speaker 1>Oh it's great. Yeah, Oh it's grizzled. It's very no

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<v Speaker 1>country for old men. Uh that vibe. It's uh, what's

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<v Speaker 1>his name, Jeff Bridges and who's his counterpart buddy? I

0:11:52.800 --> 0:11:55.200
<v Speaker 1>don't remember, but it's really really good bow Bridges. No,

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<v Speaker 1>it's that kid who who's in the X Men movies.

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<v Speaker 1>And he was in that. He was in Six ft Under.

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<v Speaker 1>He played the troubled art student that Claire falls in

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<v Speaker 1>love with. Oh sure, Ben Foster, Ben Foster, he's in it.

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<v Speaker 1>And he's a hell of an actor. That's so good. Yeah,

0:12:07.920 --> 0:12:10.480
<v Speaker 1>I gotta see that love Ben Foster. Boys. He good.

0:12:10.760 --> 0:12:12.400
<v Speaker 1>He's one of the best of his generation. I think

0:12:12.480 --> 0:12:15.040
<v Speaker 1>have you seen The Lighthouse, Chuck? I have we talked

0:12:15.040 --> 0:12:19.080
<v Speaker 1>about that? We did? Okay, take this out. Did you

0:12:19.080 --> 0:12:21.760
<v Speaker 1>see it yet? Yeah, we'll have to crush it. We should.

0:12:22.160 --> 0:12:23.920
<v Speaker 1>Maybe you would. Maybe I hadn't seen it yet. I

0:12:23.920 --> 0:12:26.000
<v Speaker 1>don't remember you had not. Oh well, then we're not

0:12:26.000 --> 0:12:28.160
<v Speaker 1>taking any of this out because it wasn't a stupid question.

0:12:28.800 --> 0:12:30.760
<v Speaker 1>And no, I don't think you've ever repeat yourself on

0:12:30.800 --> 0:12:32.560
<v Speaker 1>the show, so it should not be a problem. Always

0:12:32.600 --> 0:12:35.560
<v Speaker 1>repeat myself on the show, Chuck. And you you you

0:12:35.600 --> 0:12:45.800
<v Speaker 1>know that. Sarah Stapleton says, Heller high Water, she said

0:12:45.880 --> 0:12:49.000
<v Speaker 1>nails the Texas Panhandle even though it was filmed in

0:12:49.000 --> 0:12:52.760
<v Speaker 1>New Mexico. That's all right, you can still fake. That's

0:12:52.760 --> 0:12:56.280
<v Speaker 1>the magic of movie making. Both places have dust, that's true.

0:12:57.280 --> 0:13:00.600
<v Speaker 1>Oh boy, you're right at my Alley Alec alec Man

0:13:00.720 --> 0:13:06.520
<v Speaker 1>with the vowels maxim Witch inside Lewin Davis. He said,

0:13:06.520 --> 0:13:08.160
<v Speaker 1>it wasn't around New York in the sixties, but it

0:13:08.200 --> 0:13:12.280
<v Speaker 1>sure makes me feel like I was. Yes, Joker Mike

0:13:12.360 --> 0:13:16.480
<v Speaker 1>meets as Joker, eighties New York vibe. When is the

0:13:16.559 --> 0:13:20.280
<v Speaker 1>Joker set? Though, I mean it feels like that. It

0:13:20.320 --> 0:13:23.400
<v Speaker 1>feels I mean, it feels like think King of Comedy

0:13:23.480 --> 0:13:27.840
<v Speaker 1>era New York to me and I I'm not supposed

0:13:27.880 --> 0:13:29.600
<v Speaker 1>to think. I think that's it, right. It just sort

0:13:29.600 --> 0:13:31.360
<v Speaker 1>of like they don't really, you know, make a big deal.

0:13:31.440 --> 0:13:32.880
<v Speaker 1>Did you finally see that? I haven't seen it yet.

0:13:32.880 --> 0:13:36.120
<v Speaker 1>I don't. I really want to. Grant Woody the assassination

0:13:36.400 --> 0:13:40.560
<v Speaker 1>Assassination of Jesse James by the coward Robert Ford captures

0:13:40.559 --> 0:13:42.160
<v Speaker 1>the look and feel of the time. I would think

0:13:42.280 --> 0:13:45.640
<v Speaker 1>pretty accurately. Grant, that is one of my faves. With

0:13:45.679 --> 0:13:48.480
<v Speaker 1>a friend of the show, Paul Schneider, The Schneids Nights

0:13:48.559 --> 0:13:52.240
<v Speaker 1>is in that movie Oldest of Friends, Yvonne Boudette. It

0:13:52.280 --> 0:13:56.880
<v Speaker 1>says taxi driver of course, Benjamin Johnson, Goonies and Grimlin's

0:13:59.000 --> 0:14:02.880
<v Speaker 1>Nail the eighties Somewhere Culvert Matthew is just spinning out

0:14:02.880 --> 0:14:09.640
<v Speaker 1>of control his mind. You don't get the exercise. Ryan

0:14:09.679 --> 0:14:13.200
<v Speaker 1>Folinger says the fifties in Greece. I'm not sure if

0:14:13.200 --> 0:14:15.480
<v Speaker 1>that nails the time and place so much as Ryan

0:14:15.520 --> 0:14:17.560
<v Speaker 1>just loves Greece. I think it's also just sort of

0:14:17.600 --> 0:14:22.440
<v Speaker 1>like a it's a stereotypical, kind of just absolute send

0:14:22.480 --> 0:14:25.320
<v Speaker 1>up of that era. Shot on a Happy Days. It's

0:14:25.320 --> 0:14:27.640
<v Speaker 1>all the same. Are they nailing time in places or

0:14:27.640 --> 0:14:32.600
<v Speaker 1>are they just omaging? I think it's it's it's absurdly omagy. Yeah.

0:14:32.800 --> 0:14:35.280
<v Speaker 1>By the way, happy anniversary, nol oh Man. Thanks Bud.

0:14:35.280 --> 0:14:37.400
<v Speaker 1>What did you get me? Uh? Three days ago we

0:14:37.400 --> 0:14:39.240
<v Speaker 1>had our two year anniversary on this show. A. We're

0:14:39.240 --> 0:14:41.640
<v Speaker 1>gonna respond. I didn't get you anything. I got you.

0:14:42.480 --> 0:14:45.560
<v Speaker 1>I made your co host. That's true. I appreciate that. Now.

0:14:45.600 --> 0:14:47.320
<v Speaker 1>I started this show, it was much different. It was

0:14:47.720 --> 0:14:50.200
<v Speaker 1>it's like, oh, I'm gonna interview celebrities every Friday, and

0:14:50.200 --> 0:14:54.240
<v Speaker 1>that's the show. And then you were the producer an editor.

0:14:54.480 --> 0:14:57.240
<v Speaker 1>It was early on. Yeah, and then you toss that

0:14:57.320 --> 0:14:59.720
<v Speaker 1>like a bat and toss it chuck. I I was

0:15:00.040 --> 0:15:03.720
<v Speaker 1>hold elsewhere. You're pulling different directions, but you were kind

0:15:03.840 --> 0:15:05.840
<v Speaker 1>enough to join me as co host of the Mini Crushes.

0:15:05.880 --> 0:15:08.120
<v Speaker 1>I love it, dude. I always say that the biggest

0:15:08.120 --> 0:15:09.520
<v Speaker 1>part of the show. Well, I always say this is

0:15:09.560 --> 0:15:11.360
<v Speaker 1>like I always look forward to do because we do

0:15:11.360 --> 0:15:13.400
<v Speaker 1>it early in the morning and it's just a nice

0:15:13.560 --> 0:15:15.760
<v Speaker 1>tone setter for my day. And I always find that

0:15:15.800 --> 0:15:17.440
<v Speaker 1>I have a really nice day when we do these.

0:15:17.800 --> 0:15:20.280
<v Speaker 1>You always have a nice day. When you started with Chuck,

0:15:20.320 --> 0:15:22.160
<v Speaker 1>It's true that should be on a T shirt. I

0:15:22.200 --> 0:15:25.640
<v Speaker 1>love that a bumper sticker at the very least. All right, now,

0:15:25.680 --> 0:15:28.840
<v Speaker 1>we're gonna move on. Because I wanted this is an

0:15:28.880 --> 0:15:31.920
<v Speaker 1>exercise coming up. I wanted to see if people could

0:15:31.920 --> 0:15:35.600
<v Speaker 1>write movie log lines new ones. I saw this one

0:15:35.720 --> 0:15:37.680
<v Speaker 1>crossing my find I did not read any of these.

0:15:37.720 --> 0:15:39.240
<v Speaker 1>I didn't want to spoil any of these, did you.

0:15:39.440 --> 0:15:41.000
<v Speaker 1>I like the one that you like because I wasn't

0:15:41.000 --> 0:15:43.000
<v Speaker 1>aware of it. And I love Royal tannin bounds and

0:15:43.040 --> 0:15:45.160
<v Speaker 1>I never because I think about the the tagline, Well,

0:15:45.200 --> 0:15:47.400
<v Speaker 1>that's the tagline. I'm talking about the log lines. Wait

0:15:47.400 --> 0:15:50.440
<v Speaker 1>a minute, there are these two different exercises. Yeah, tagline

0:15:50.640 --> 0:15:53.600
<v Speaker 1>is like the fifteen words sentence on the movie on

0:15:53.640 --> 0:15:57.040
<v Speaker 1>the poster. The log line is what you tell the

0:15:57.080 --> 0:16:00.480
<v Speaker 1>executive in the room, Yes, I got it. I think

0:16:00.480 --> 0:16:03.080
<v Speaker 1>that's interesting though, the idea of the tagline because it's

0:16:03.080 --> 0:16:06.440
<v Speaker 1>so ephemeral because they they disappear. You don't remember those anymore.

0:16:06.960 --> 0:16:08.760
<v Speaker 1>I do, but you do. But that's cool. I want

0:16:08.760 --> 0:16:10.320
<v Speaker 1>to know them. That's why I'm fascinated by that one.

0:16:10.360 --> 0:16:12.440
<v Speaker 1>But I'm jumping the gun here, let's get that'll be

0:16:12.480 --> 0:16:17.440
<v Speaker 1>next week. Everybody taglines, so I asked everyone to write

0:16:17.480 --> 0:16:19.440
<v Speaker 1>a log line. A log line is a one sentence

0:16:19.480 --> 0:16:22.640
<v Speaker 1>description of your movie. It's also known as the elevator pitch.

0:16:23.360 --> 0:16:25.440
<v Speaker 1>If you know what an elevator pitches for any business,

0:16:26.000 --> 0:16:29.760
<v Speaker 1>that's the very quick summation because you've just happened to

0:16:29.800 --> 0:16:32.200
<v Speaker 1>be on the elevator with Steven Spielberg and you got

0:16:32.200 --> 0:16:35.320
<v Speaker 1>to tell him because he's these Flord's coming up. Oh yeah,

0:16:35.440 --> 0:16:38.000
<v Speaker 1>you got one sentence. He's got places to go. So

0:16:38.200 --> 0:16:41.200
<v Speaker 1>it's interesting. I wanted people to write original log lines,

0:16:41.920 --> 0:16:44.440
<v Speaker 1>but I was not clear. So they're writing log lines

0:16:44.440 --> 0:16:49.320
<v Speaker 1>for existing films. That's fine, Or should I pull a

0:16:49.400 --> 0:16:52.520
<v Speaker 1>culver Matthew and bitch of fit. No, you often aren't

0:16:52.600 --> 0:16:56.200
<v Speaker 1>very clear with these posts, Chuck. That's sort of that's

0:16:56.440 --> 0:16:58.080
<v Speaker 1>the fun of it, because then we get to like

0:16:58.160 --> 0:17:01.600
<v Speaker 1>bitch about it and decide whose fault it is. Who

0:17:01.720 --> 0:17:05.480
<v Speaker 1>dropped the ball here and I dropped the ball, Vanessa

0:17:05.560 --> 0:17:09.240
<v Speaker 1>Lopez said. For zombie Land, we're just gonna go with

0:17:09.280 --> 0:17:12.680
<v Speaker 1>it because this is what you want. Everybody. Four new

0:17:12.720 --> 0:17:16.960
<v Speaker 1>friends survived the zombie Apocalypse because there never ever, because

0:17:17.000 --> 0:17:19.600
<v Speaker 1>they never ever forget the cardinal rule, the double tap.

0:17:21.200 --> 0:17:24.280
<v Speaker 1>Mm hmm, I don't get it. No, I mean, is

0:17:24.320 --> 0:17:28.399
<v Speaker 1>that the real one? She wrote? She wrote it for

0:17:28.440 --> 0:17:31.520
<v Speaker 1>the movie. These are all original creations, whether it's an

0:17:31.520 --> 0:17:36.320
<v Speaker 1>original movie or an original log line for an existing movie. Yes,

0:17:36.400 --> 0:17:37.880
<v Speaker 1>is that what we're saying. We're gonna get a mix

0:17:37.920 --> 0:17:42.560
<v Speaker 1>of these things. It looks like it, because it seems

0:17:42.600 --> 0:17:45.240
<v Speaker 1>like I was not clear enough. Should we guess? Should

0:17:45.280 --> 0:17:50.400
<v Speaker 1>we play the game? Let's make this fun for us, Beccalou,

0:17:50.480 --> 0:17:53.040
<v Speaker 1>one of our oldest friends, says. A ragtag group of

0:17:53.040 --> 0:17:56.000
<v Speaker 1>friends sets out on an adventure to find a lost

0:17:56.000 --> 0:17:58.520
<v Speaker 1>treasure in the hopes of saving their homes, making a

0:17:58.520 --> 0:18:01.600
<v Speaker 1>new friend and a few enemies along the way. First

0:18:01.600 --> 0:18:05.160
<v Speaker 1>of all, what constitutes rag tag in a group? They're

0:18:05.160 --> 0:18:07.639
<v Speaker 1>just like seat of their pants kind of like, you know,

0:18:07.840 --> 0:18:11.399
<v Speaker 1>I think rag tag means disparate, right, or they're all different.

0:18:11.480 --> 0:18:13.159
<v Speaker 1>They're all like that like gets like a like a

0:18:13.200 --> 0:18:16.440
<v Speaker 1>Motley Crue Motley Well see even then motley Crue, doesn't

0:18:16.480 --> 0:18:18.960
<v Speaker 1>that mean like a gang of thugs that are gonna

0:18:19.000 --> 0:18:24.040
<v Speaker 1>beat you up? All right? Ragtag untidy, disorganized or incongruously

0:18:24.119 --> 0:18:27.560
<v Speaker 1>varied in character. Yeah, so it is rag Yeah that's

0:18:27.600 --> 0:18:31.480
<v Speaker 1>a good description. Then. Now so rag tag search for treasure,

0:18:31.600 --> 0:18:34.720
<v Speaker 1>group of friends save their homes. Adventure to search for

0:18:34.760 --> 0:18:39.880
<v Speaker 1>treasure to save their homes. Yes, yeah, what's the deal.

0:18:39.880 --> 0:18:42.200
<v Speaker 1>They're the developers are gonna take their homes or something

0:18:42.200 --> 0:18:44.760
<v Speaker 1>like that. Yeah, yeah, exactly. So they need the money

0:18:45.320 --> 0:18:47.560
<v Speaker 1>because they live in a seaside community. They live in

0:18:47.560 --> 0:18:50.120
<v Speaker 1>a hamlet, and that's a big deal for developers. They

0:18:50.160 --> 0:18:51.920
<v Speaker 1>love that ship. They wants a big hotel or some

0:18:52.000 --> 0:18:55.320
<v Speaker 1>big hotels. You're about the Margaritaville hotel here in Atlanta,

0:18:55.359 --> 0:18:58.040
<v Speaker 1>By the way, I feel like I heard something. I

0:18:58.040 --> 0:19:00.639
<v Speaker 1>think it's it's a big kerfuffle, like these developers are

0:19:00.640 --> 0:19:03.520
<v Speaker 1>swooping in and they're going to build a Margaritaville hotel

0:19:03.800 --> 0:19:06.240
<v Speaker 1>where I don't remember, but it's in an area people

0:19:06.280 --> 0:19:09.480
<v Speaker 1>are not happy about. And also Richard's variety store is

0:19:09.520 --> 0:19:12.119
<v Speaker 1>getting forced out apparently, which is a real bummer. I

0:19:12.160 --> 0:19:15.640
<v Speaker 1>don't know what that is. What you call yourself an Atlantean? Now,

0:19:15.680 --> 0:19:17.400
<v Speaker 1>it's just a cool little store that sells like fake

0:19:17.440 --> 0:19:20.280
<v Speaker 1>poop and wigs and you know, two twos and board

0:19:20.320 --> 0:19:22.520
<v Speaker 1>games and it's a variety store. They sell a variety

0:19:22.520 --> 0:19:26.280
<v Speaker 1>of where it's it's right by a trader Joe's on Monroe,

0:19:26.400 --> 0:19:28.879
<v Speaker 1>like on the outer shopping center where the movie theaters

0:19:28.880 --> 0:19:31.320
<v Speaker 1>behind him. It's a beloved spot. But the rents are

0:19:31.840 --> 0:19:35.359
<v Speaker 1>forcing folks out. Well that's sad. Then I'm sad for Richard.

0:19:35.880 --> 0:19:38.080
<v Speaker 1>Maybe I should have bought some fake poop. There's just

0:19:38.160 --> 0:19:43.320
<v Speaker 1>still time, chucker, still time, Caleb Selman says. Man regrets

0:19:43.359 --> 0:19:48.399
<v Speaker 1>life choices after being foist, foisted forced to join the

0:19:48.440 --> 0:19:53.680
<v Speaker 1>family business. That could be so many man regrets. What's

0:19:53.680 --> 0:19:56.520
<v Speaker 1>the biggest movie ever about a man being forced to

0:19:56.560 --> 0:20:01.480
<v Speaker 1>join his family business. I don't know, the Godfather. Oh see,

0:20:01.480 --> 0:20:05.800
<v Speaker 1>that's you threw me there with family business. Luke Harkell Road,

0:20:05.920 --> 0:20:09.040
<v Speaker 1>one of our oldest to pal, says a fun space

0:20:09.080 --> 0:20:12.639
<v Speaker 1>adventure movie based on a failed space adventure television show

0:20:14.080 --> 0:20:16.040
<v Speaker 1>was it. It's not a great log line, but it

0:20:16.119 --> 0:20:21.639
<v Speaker 1>is funny. Failed, that's a I don't know if I

0:20:21.680 --> 0:20:24.840
<v Speaker 1>would say failed because it's a favorite television show, Lost

0:20:24.840 --> 0:20:30.200
<v Speaker 1>in Space, but it was canceled eventually Start Trek Firefly.

0:20:31.960 --> 0:20:36.480
<v Speaker 1>Great show and movie. I wonder if anyone wrote an original.

0:20:36.560 --> 0:20:41.479
<v Speaker 1>I'm not seeing that. That wasn't clear. No, it's okay,

0:20:41.840 --> 0:20:44.800
<v Speaker 1>this is fun all right. Paul Stevens says this, No

0:20:45.840 --> 0:20:49.639
<v Speaker 1>purple man's lust for jewelry will end half of the

0:20:49.720 --> 0:20:52.679
<v Speaker 1>life on Earth. That's clever, that's very easy. Yeah, it

0:20:52.680 --> 0:20:56.840
<v Speaker 1>almost reads like a haiku. Um uh, it's it would

0:20:56.840 --> 0:21:00.359
<v Speaker 1>be the Avengers. That's right. This is int sting and

0:21:00.400 --> 0:21:03.240
<v Speaker 1>you probably already know this, but I recently started watching

0:21:03.240 --> 0:21:07.520
<v Speaker 1>Community Um the Dan Harmon Show, and the first several

0:21:07.520 --> 0:21:11.359
<v Speaker 1>episodes are directed by the Russo brothers, who went on

0:21:11.400 --> 0:21:14.000
<v Speaker 1>to direct like all the Avengers movies and like all

0:21:14.040 --> 0:21:15.760
<v Speaker 1>the big Marvel movies, is that where they got their start?

0:21:15.800 --> 0:21:19.160
<v Speaker 1>I think it is interesting. It is interesting. Austin our

0:21:19.480 --> 0:21:23.280
<v Speaker 1>deb Ski says, a mischievous, suspender wearing young man agrees

0:21:24.400 --> 0:21:26.919
<v Speaker 1>to be experimented on, resulting in the loss of his

0:21:27.040 --> 0:21:32.800
<v Speaker 1>free will Is it the lawnmower Man clockwork Orange. No,

0:21:32.960 --> 0:21:35.639
<v Speaker 1>the guy in lawnmore Man didn't watch suspenders, he wore overalls.

0:21:35.680 --> 0:21:39.840
<v Speaker 1>Those are not the Yeah, I think I saw lawmore Man,

0:21:40.640 --> 0:21:42.960
<v Speaker 1>like you know, when it was out. It's terrible. It's

0:21:42.960 --> 0:21:44.439
<v Speaker 1>just like what it's like one of those early like

0:21:44.800 --> 0:21:47.320
<v Speaker 1>it's like VR you know, like it was. There's a

0:21:47.320 --> 0:21:49.280
<v Speaker 1>big moment for that in in in the nineties. It

0:21:49.359 --> 0:21:53.720
<v Speaker 1>was a virtuosity when it was all like wire frame polygons,

0:21:53.760 --> 0:21:57.960
<v Speaker 1>like just shapes, you know, Was that was virtuosity Kanu

0:21:58.040 --> 0:22:01.840
<v Speaker 1>Reeves or was that a virtual city? Was you're thinking

0:22:01.840 --> 0:22:05.640
<v Speaker 1>of Johnny Nemonic? Maybe? And virtuosity was actually Russell Crowe

0:22:05.680 --> 0:22:10.240
<v Speaker 1>and Denzel Washington was quite a big big Budge picture

0:22:10.280 --> 0:22:13.800
<v Speaker 1>at the time. Big Budge, Big Budge, Louis Silva, he

0:22:13.840 --> 0:22:16.600
<v Speaker 1>gets it. It's not just a boxing movie. It's the

0:22:16.600 --> 0:22:25.840
<v Speaker 1>greatest love story ever told. Hurricane Raging Bull, Rocky Raging

0:22:25.960 --> 0:22:31.159
<v Speaker 1>Bull had a love story. That's true. Uh, let me

0:22:31.200 --> 0:22:34.359
<v Speaker 1>see here. Some of these are a little on the nose,

0:22:34.920 --> 0:22:37.120
<v Speaker 1>all right, No, let's do one more because I wasn't

0:22:37.119 --> 0:22:41.760
<v Speaker 1>clear enough. Have I mentioned that? Uh maybe a time

0:22:41.800 --> 0:22:43.840
<v Speaker 1>or two. But but but I think it yielded a result

0:22:44.400 --> 0:22:48.280
<v Speaker 1>that is consistent. So yeah, I wanted people to make

0:22:48.359 --> 0:22:52.280
<v Speaker 1>up their own movie ideas well. Put it in a sentence.

0:22:52.320 --> 0:22:54.720
<v Speaker 1>So you should you should have said literally that next time.

0:22:55.359 --> 0:23:01.840
<v Speaker 1>Dylan Thomas screw you know, Dylan Thomas says, seriously, this

0:23:01.880 --> 0:23:07.800
<v Speaker 1>guy freaking loved his dog. Oh gosh, Marley and me. No,

0:23:08.520 --> 0:23:11.840
<v Speaker 1>wait a minute, hold on, freaking loved his dog. A

0:23:11.920 --> 0:23:17.679
<v Speaker 1>boy and his dog dog bites Mann dog tooth. This

0:23:17.920 --> 0:23:24.080
<v Speaker 1>has been a wash dog dog bill dog? What is it?

0:23:24.160 --> 0:23:28.240
<v Speaker 1>What recent movie? He really loved his dog? He really

0:23:28.320 --> 0:23:31.960
<v Speaker 1>so that he would kill thousands of people for Oh John,

0:23:32.160 --> 0:23:36.359
<v Speaker 1>John vic Yes, John, Yes, all right, I'm sorry everyone,

0:23:36.359 --> 0:23:38.720
<v Speaker 1>that's my fault. Why are you apologizing? That would take

0:23:38.800 --> 0:23:40.640
<v Speaker 1>this one on the gin? That was a fun segment.

0:23:42.800 --> 0:23:46.440
<v Speaker 1>I screwed the pooch, as they say, that's really gross

0:23:46.440 --> 0:23:49.760
<v Speaker 1>saying when you think of it, really, is anyone do that?

0:23:49.960 --> 0:23:52.239
<v Speaker 1>How is it so accepted? And just like you know,

0:23:52.480 --> 0:23:53.960
<v Speaker 1>I don't know if it still is. I think I

0:23:54.040 --> 0:23:57.920
<v Speaker 1>just dug that one up from the past. Screwed the pooch.

0:23:58.040 --> 0:24:02.040
<v Speaker 1>Here the pooch, poor dog. Did you see that cat

0:24:02.080 --> 0:24:05.800
<v Speaker 1>on Monday Night Football? The other night Wolf Uh no, No,

0:24:06.080 --> 0:24:09.840
<v Speaker 1>that was a kitty cat. The black cat that was

0:24:09.920 --> 0:24:11.639
<v Speaker 1>just all of a sudden was on the football field

0:24:11.880 --> 0:24:16.159
<v Speaker 1>during the Giants Cowboys game, and uh, this cat is

0:24:16.240 --> 0:24:20.439
<v Speaker 1>running scared, and all Emily and I, Emily and I

0:24:20.440 --> 0:24:22.320
<v Speaker 1>can do is just feel bad for this cat. Like

0:24:22.359 --> 0:24:25.399
<v Speaker 1>people are laughing and the commentators are having fun, and

0:24:25.440 --> 0:24:27.440
<v Speaker 1>people are, you know, in the stadium, are having a

0:24:27.440 --> 0:24:29.000
<v Speaker 1>good time. And all I could think of is that

0:24:29.080 --> 0:24:33.200
<v Speaker 1>poor cat is petrified. But as the cat is running,

0:24:33.800 --> 0:24:36.320
<v Speaker 1>it's running towards the end zone. And I went watch Emily,

0:24:36.400 --> 0:24:38.480
<v Speaker 1>that's like, people are gonna cheer when that cat gets

0:24:38.480 --> 0:24:41.639
<v Speaker 1>into the end zone. She's like what I was like,

0:24:41.680 --> 0:24:43.800
<v Speaker 1>you watch? I bet you anything. And that cat got

0:24:43.800 --> 0:24:47.040
<v Speaker 1>closer and closer across the goal line and everyone erupted

0:24:47.160 --> 0:24:50.080
<v Speaker 1>as if it had scored. Amazing football fans, you can

0:24:50.080 --> 0:24:52.360
<v Speaker 1>count on a knoll. They're very They're they're nothing if

0:24:52.359 --> 0:24:55.080
<v Speaker 1>not consistent. That's right, all right, We're gonna finish up

0:24:55.080 --> 0:24:59.239
<v Speaker 1>with comment card because there's no way that I can

0:24:59.280 --> 0:25:07.320
<v Speaker 1>screw that up. Mhm, scared, you know. Mike Ireland, oldest

0:25:07.359 --> 0:25:12.560
<v Speaker 1>of friends, says, I know Halloween, Halloween is past, guys,

0:25:12.640 --> 0:25:17.959
<v Speaker 1>but what's the scariest movie you've ever seen. Scariest, like

0:25:18.119 --> 0:25:27.159
<v Speaker 1>really scariest movie. Mm hmmm, I don't know. I mean

0:25:27.200 --> 0:25:31.679
<v Speaker 1>I always I found Hereditary to be quite scary. Might

0:25:31.840 --> 0:25:35.800
<v Speaker 1>be scared me pretty pretty well quite affecting. Um. I

0:25:35.840 --> 0:25:39.320
<v Speaker 1>thought that the original Halloween was pretty scary. I was

0:25:39.400 --> 0:25:43.840
<v Speaker 1>particularly damaged as a kid by the original pet Cemetery movie.

0:25:43.880 --> 0:25:45.239
<v Speaker 1>I think I've mentioned that at a time or two

0:25:45.280 --> 0:25:53.800
<v Speaker 1>on this shows Lost Lost. I remember that movie scared me.

0:25:54.760 --> 0:25:56.280
<v Speaker 1>It had to do with the time I saw it.

0:25:56.280 --> 0:25:58.480
<v Speaker 1>It was way above my pay grade, you know, like

0:25:58.720 --> 0:26:01.399
<v Speaker 1>as a as my emotion al pay grade. And there

0:26:01.440 --> 0:26:03.639
<v Speaker 1>are some things about it that really jacked up my

0:26:03.760 --> 0:26:08.560
<v Speaker 1>little child mind. Like Zelda the creepy skinny sister, you

0:26:08.600 --> 0:26:11.680
<v Speaker 1>know that kind of crawls right towards the camera. Yeah,

0:26:11.760 --> 0:26:14.879
<v Speaker 1>any skitterery movements or like crab crawls or anything that

0:26:14.880 --> 0:26:17.760
<v Speaker 1>will get me every time. Uh. There's a fabulous Korean

0:26:17.800 --> 0:26:22.280
<v Speaker 1>movie that was horribly remade um for American audiences, which

0:26:22.680 --> 0:26:25.040
<v Speaker 1>always always annoys me when the original is just so great.

0:26:25.040 --> 0:26:28.399
<v Speaker 1>It's like read some subtitles, people, But it's called a

0:26:28.440 --> 0:26:30.960
<v Speaker 1>Tale of Two Sisters. It's a Korean ghost story. That

0:26:31.240 --> 0:26:34.399
<v Speaker 1>is quite scary. I recommended highly. I like being scared

0:26:34.440 --> 0:26:38.399
<v Speaker 1>in a movie. I will say Chainsaw Masker got got

0:26:38.480 --> 0:26:44.720
<v Speaker 1>under my skin pretty well. Slica was pretty scary. Um,

0:26:44.800 --> 0:26:47.240
<v Speaker 1>and yeah, that original Halloween. That really got me, you know,

0:26:47.240 --> 0:26:50.080
<v Speaker 1>how to watch the other night, dude, was the original

0:26:50.160 --> 0:26:53.000
<v Speaker 1>Evil Dead because I had just seen part two for

0:26:53.040 --> 0:26:56.280
<v Speaker 1>the Joe Gardens episode and I hadn't seen the I

0:26:56.280 --> 0:26:58.600
<v Speaker 1>think I've only seen the original Evil Dead once maybe,

0:26:59.240 --> 0:27:02.399
<v Speaker 1>and it was a while go. Because I didn't, I

0:27:02.480 --> 0:27:05.520
<v Speaker 1>kind of forgot how fucking bonkers that movie is. Yeah,

0:27:05.520 --> 0:27:07.280
<v Speaker 1>it's bonkers. The thing that it's interesting to me is

0:27:07.359 --> 0:27:09.080
<v Speaker 1>I want to hear your take on this lay. It

0:27:09.200 --> 0:27:11.760
<v Speaker 1>felt like the work of a filmmaker who was trying

0:27:11.760 --> 0:27:14.560
<v Speaker 1>to make a scary movie, and then the second one

0:27:15.240 --> 0:27:17.440
<v Speaker 1>leaned into the fact that it was kind of funny.

0:27:17.840 --> 0:27:20.480
<v Speaker 1>Uh well, certainly changed as the tone of the second

0:27:20.520 --> 0:27:22.840
<v Speaker 1>film a little bit. Yeah, the first film was straight horror,

0:27:23.480 --> 0:27:26.640
<v Speaker 1>and then they got progressively fun more fun exact. But

0:27:26.680 --> 0:27:28.600
<v Speaker 1>I think there were some things about the first one

0:27:28.680 --> 0:27:33.359
<v Speaker 1>that maybe accidentally read is funny, you know, after the fact,

0:27:33.520 --> 0:27:36.560
<v Speaker 1>it was all pretty fu Yeah, I haven't seen it

0:27:36.640 --> 0:27:38.520
<v Speaker 1>a long time, but that's just I remember making that

0:27:38.560 --> 0:27:40.520
<v Speaker 1>connection because I did it the same way you did.

0:27:40.520 --> 0:27:42.800
<v Speaker 1>Like I think I saw Army of Darkness first, then

0:27:42.880 --> 0:27:45.960
<v Speaker 1>Evil Dead to second, and then eventually Evil Dead. Were

0:27:46.000 --> 0:27:49.439
<v Speaker 1>you confused? It didn't really. I don't know that it matters.

0:27:49.560 --> 0:27:52.920
<v Speaker 1>The mythology is so loose and sort of doesn't really

0:27:53.000 --> 0:27:56.000
<v Speaker 1>matter too much. You know, boy that the the original

0:27:56.119 --> 0:28:00.000
<v Speaker 1>was just really Uh, I guess i'd forgotten how nuts

0:28:00.000 --> 0:28:02.560
<v Speaker 1>o that movie was. Like the last twenty minutes was

0:28:02.640 --> 0:28:08.440
<v Speaker 1>just crazy. Yeah, the practical special effects and the tree.

0:28:08.520 --> 0:28:11.120
<v Speaker 1>I remember the tree well that that that's the one

0:28:11.119 --> 0:28:15.440
<v Speaker 1>scene that does not age well because it's a tree rape. Yeah, right, exactly. Yeah,

0:28:15.480 --> 0:28:17.439
<v Speaker 1>And Sam Raimi has come out and been like, uh,

0:28:17.760 --> 0:28:20.280
<v Speaker 1>you know, I regret having that scene, but I actually

0:28:20.280 --> 0:28:22.879
<v Speaker 1>feel like they did something along the lines of that

0:28:22.960 --> 0:28:25.440
<v Speaker 1>in the remake that came out a handful of years ago.

0:28:25.840 --> 0:28:28.960
<v Speaker 1>I have not seen that, but they did because I

0:28:29.000 --> 0:28:30.840
<v Speaker 1>did read some articles because I was like, I wonder

0:28:30.840 --> 0:28:32.960
<v Speaker 1>if saying Ramie feels bad about this, and he does,

0:28:33.600 --> 0:28:36.360
<v Speaker 1>and then they said they mentioned that the new one,

0:28:36.440 --> 0:28:38.800
<v Speaker 1>Like why did they even redo that scene in the

0:28:38.840 --> 0:28:43.160
<v Speaker 1>new movie? So I don't know it was it definitely

0:28:43.160 --> 0:28:46.160
<v Speaker 1>did not even watching it the other night, I was

0:28:46.200 --> 0:28:49.920
<v Speaker 1>like you, I don't like this scene. No, I didn't

0:28:49.960 --> 0:28:52.920
<v Speaker 1>need that. I didn't serve the story. You know it

0:28:54.240 --> 0:28:58.240
<v Speaker 1>was it was shocking. Yeah, I bet Sarah Negi says

0:28:58.320 --> 0:29:03.280
<v Speaker 1>this favorite holiday foods? What favorite holiday foods? And all?

0:29:03.360 --> 0:29:05.520
<v Speaker 1>That's a movie related questions. They don't have to be

0:29:05.560 --> 0:29:07.760
<v Speaker 1>movie related. Okay, you're right. I told them they could

0:29:07.760 --> 0:29:10.400
<v Speaker 1>ask anything they wanted. This is an A M A situation. Okay,

0:29:11.040 --> 0:29:13.440
<v Speaker 1>holiday foods, Yeah, I mean you got any special family

0:29:13.440 --> 0:29:15.640
<v Speaker 1>things you always do, Like you know, when we used

0:29:15.640 --> 0:29:17.560
<v Speaker 1>to go to Ohio for Emily's thing, that always did

0:29:17.600 --> 0:29:21.200
<v Speaker 1>skyline chili and buck eyeballs, And that's the only time

0:29:21.240 --> 0:29:23.800
<v Speaker 1>that we had that stuff was in the holidays. Oh,

0:29:24.000 --> 0:29:29.840
<v Speaker 1>buck eye balls, not buck eyeballs. Buck eyeballs, it's a testicles,

0:29:30.440 --> 0:29:34.720
<v Speaker 1>rocky mountain oysters or whatever. Rocky Mountain oysters or testicles

0:29:34.960 --> 0:29:37.600
<v Speaker 1>these are. But these are eyeballs you're talking about. No

0:29:37.840 --> 0:29:40.600
<v Speaker 1>buck eyeballs. It's a little sweet peanut butter and chocolate

0:29:40.680 --> 0:29:44.760
<v Speaker 1>things made in Ohio, the Buckeye State. Sorry, sorry, Chuck,

0:29:46.160 --> 0:29:48.280
<v Speaker 1>you were talking about like crazy traditions. I was I

0:29:48.320 --> 0:29:50.800
<v Speaker 1>assumed it had to be all just a little sweet

0:29:51.200 --> 0:29:53.000
<v Speaker 1>love that they make every year. That sounds good. My

0:29:53.040 --> 0:29:56.680
<v Speaker 1>mom does a really nice leg of lamb situation, you mean,

0:29:56.760 --> 0:30:01.400
<v Speaker 1>like testicles, just like that stuffed with lamb, testicles and eyeballs.

0:30:02.600 --> 0:30:04.760
<v Speaker 1>Leg of lamb. It's just my it's such a something

0:30:04.800 --> 0:30:07.800
<v Speaker 1>I don't eat except on holidays with my mom, and

0:30:07.840 --> 0:30:12.240
<v Speaker 1>so it's a very it's very nostalgic. I like it. Yeah,

0:30:12.280 --> 0:30:15.760
<v Speaker 1>we don't have any like I mean our standard Thanksgiving.

0:30:16.360 --> 0:30:18.480
<v Speaker 1>You know. I make the stuffing in the benshed potatoes

0:30:18.560 --> 0:30:21.920
<v Speaker 1>and we do sort of all the standard Southern trimmings.

0:30:22.400 --> 0:30:25.160
<v Speaker 1>But Thanksgiving is different all over the country. Training up

0:30:25.160 --> 0:30:27.920
<v Speaker 1>north then had Thanksgiving and they had like oysters in

0:30:27.960 --> 0:30:31.080
<v Speaker 1>their stuffing. Oh, I've had oyster dressing. It's great. Well

0:30:31.120 --> 0:30:33.760
<v Speaker 1>here we call it dressing. There it's stuffing. But my

0:30:33.800 --> 0:30:35.600
<v Speaker 1>mom makes that. She'll she'll make a couple of different

0:30:35.600 --> 0:30:37.800
<v Speaker 1>types and she'll do it oyster really. Yeah, it's it's

0:30:37.800 --> 0:30:39.800
<v Speaker 1>super good. I wasn't wild about it. But I don't

0:30:39.800 --> 0:30:42.880
<v Speaker 1>like cooked oysters got it at all, which is weird.

0:30:43.360 --> 0:30:47.320
<v Speaker 1>Like I can eat three dozen raw oysters, but I

0:30:47.600 --> 0:30:49.640
<v Speaker 1>don't like a cook Like I don't like a Rockefeller

0:30:50.280 --> 0:30:51.800
<v Speaker 1>or a fried oyster? Is that the one with the

0:30:51.840 --> 0:30:57.960
<v Speaker 1>bread crumbs and the spinachi. It's baked, and I prefer

0:30:58.040 --> 0:31:00.600
<v Speaker 1>them raw as well. I like them. I like them cook,

0:31:00.640 --> 0:31:04.480
<v Speaker 1>you know, like an oyster. Po boy. No, no, no,

0:31:04.800 --> 0:31:07.640
<v Speaker 1>I don't like I really especially don't like the fried oyster,

0:31:07.680 --> 0:31:09.920
<v Speaker 1>which is weird because I like fried food more than anything.

0:31:10.240 --> 0:31:12.880
<v Speaker 1>Something about the texture. I like that it's not e

0:31:13.000 --> 0:31:19.680
<v Speaker 1>raw that's slipping down my troat. You really paint a picture, Chuck,

0:31:20.120 --> 0:31:32.200
<v Speaker 1>thank you. Let me see here. Christine ein Rickson Garaway,

0:31:32.440 --> 0:31:39.560
<v Speaker 1>what movie best describes your family of origin? Does that

0:31:39.640 --> 0:31:43.840
<v Speaker 1>mean like your ancestry or your people, just you know,

0:31:44.600 --> 0:31:48.200
<v Speaker 1>life for young knowl with mom and dad, you know,

0:31:48.800 --> 0:31:52.160
<v Speaker 1>in true movie crush fashion. I think we should go

0:31:52.520 --> 0:31:57.240
<v Speaker 1>both ways. Okay, do you have an answer the movie

0:31:57.320 --> 0:31:59.960
<v Speaker 1>that described my I mean, I don't really have much

0:32:00.160 --> 0:32:03.400
<v Speaker 1>heritage as a tour I'm pretty sure you do, Vanilla.

0:32:03.680 --> 0:32:06.040
<v Speaker 1>You know, I think I'm Scandinavian. I did one of

0:32:06.040 --> 0:32:09.800
<v Speaker 1>those twenty three and me tests and it was very unremarkable. Yeah,

0:32:10.160 --> 0:32:15.320
<v Speaker 1>it was largely Nordic, you know, stock that's exciting, a

0:32:15.320 --> 0:32:20.040
<v Speaker 1>little little miniature Viking, a little lafe lafe ericson with

0:32:20.080 --> 0:32:23.440
<v Speaker 1>a k um. I don't know, man, that's tough. I

0:32:23.720 --> 0:32:25.880
<v Speaker 1>wouldn't have an answer for that version of the question.

0:32:25.920 --> 0:32:28.960
<v Speaker 1>For family, I just have distinct memories of going to

0:32:29.080 --> 0:32:31.280
<v Speaker 1>movies with my mom when I was a kid, and

0:32:31.320 --> 0:32:34.160
<v Speaker 1>I remember like going to see Jurassic Park with my mom.

0:32:34.360 --> 0:32:36.680
<v Speaker 1>So that describes your family kind of. I don't know.

0:32:36.720 --> 0:32:38.440
<v Speaker 1>We didn't watch movies as a family really. I just

0:32:38.520 --> 0:32:40.400
<v Speaker 1>it's just a memory I have of being young. I

0:32:40.440 --> 0:32:42.400
<v Speaker 1>got you. I think what She's after is a movie

0:32:42.440 --> 0:32:45.240
<v Speaker 1>that reminds you of your family, not like I saw

0:32:45.280 --> 0:32:49.320
<v Speaker 1>this with my family, but it was my family because

0:32:49.360 --> 0:32:54.040
<v Speaker 1>I was in I had a bunch of child geniuses siblings. Yeah,

0:32:54.400 --> 0:32:57.720
<v Speaker 1>I don't know, Like maybe, uh, that would be pretty good.

0:32:57.840 --> 0:33:01.000
<v Speaker 1>There was a lot of like consternation in my family,

0:33:01.120 --> 0:33:03.800
<v Speaker 1>a lot of a lot of drama and uh and

0:33:03.920 --> 0:33:07.840
<v Speaker 1>big personalities. Okay, so not not as clever or as

0:33:07.840 --> 0:33:12.000
<v Speaker 1>symmetrically framed as Royal Tennant Bounds, but definitely uh. Yeah,

0:33:12.360 --> 0:33:15.840
<v Speaker 1>I don't have an answer. So your answer wasn't Royal tannonbounds.

0:33:16.000 --> 0:33:19.000
<v Speaker 1>You didn't have child geniuses? No, I feel betrayed. My

0:33:19.040 --> 0:33:22.200
<v Speaker 1>brother was pretty smart right on my sister and I

0:33:22.200 --> 0:33:27.040
<v Speaker 1>are just average and all the best ways. Megan, Carol,

0:33:27.080 --> 0:33:32.760
<v Speaker 1>what villain or monster do you have the most sympathy for? Hmm,

0:33:32.920 --> 0:33:39.240
<v Speaker 1>that's a good one. I think. I always like that alien,

0:33:40.800 --> 0:33:45.920
<v Speaker 1>that alien, which one et he wasn't a he wasn't alien,

0:33:46.320 --> 0:33:49.080
<v Speaker 1>the alien the xeno morph. Is that what it's called?

0:33:49.400 --> 0:33:51.640
<v Speaker 1>Eno morph? Yeah? I don't even know this stuff. I

0:33:51.680 --> 0:33:54.920
<v Speaker 1>love sure like that alien. A lot of sympathy for

0:33:54.960 --> 0:33:58.280
<v Speaker 1>that alien. Would you consider e T to be a

0:33:58.280 --> 0:34:01.600
<v Speaker 1>movie monster? Not a monster? He was. He was a

0:34:01.680 --> 0:34:05.000
<v Speaker 1>kind of a monster, but it didn't monster indicate bad

0:34:05.040 --> 0:34:09.360
<v Speaker 1>and scary. I don't know. Frankenstein's monster wasn't bad and scary.

0:34:09.440 --> 0:34:11.640
<v Speaker 1>He was. He was a sweet, sweet boy at heart.

0:34:12.840 --> 0:34:15.000
<v Speaker 1>Maybe he was like sniffing flowers and stuff. He was

0:34:15.040 --> 0:34:18.960
<v Speaker 1>misunderstood well in one scene, well that's a famous scene. Shock. Yeah.

0:34:19.000 --> 0:34:21.000
<v Speaker 1>But he also smashed his head. Does he Does he

0:34:21.040 --> 0:34:23.840
<v Speaker 1>really smash heads? I don't. I don't know either. It

0:34:23.880 --> 0:34:26.880
<v Speaker 1>depends on what Frankenstein you're talking about. We remember that

0:34:27.000 --> 0:34:29.399
<v Speaker 1>Robert de Niro Frankenstein. Was it not good? I heard

0:34:29.400 --> 0:34:30.880
<v Speaker 1>it was not good. It's a bit of a stinker.

0:34:32.160 --> 0:34:33.480
<v Speaker 1>I think that was like a college movie, and I

0:34:33.520 --> 0:34:35.680
<v Speaker 1>went and saw it. I was all excited. That was

0:34:35.719 --> 0:34:38.320
<v Speaker 1>a real stretch for him, you know, like he was

0:34:38.360 --> 0:34:41.399
<v Speaker 1>really like trying to lean into something new, you think

0:34:41.480 --> 0:34:44.000
<v Speaker 1>for his career, like like you know, to agree to

0:34:44.080 --> 0:34:47.640
<v Speaker 1>do that role. I mean maybe in his mind it's

0:34:47.680 --> 0:34:51.280
<v Speaker 1>like the Boris Karloff, you know, Frankenstein is arc Is iconic,

0:34:51.320 --> 0:34:52.799
<v Speaker 1>and he wanted to like be a part of that

0:34:52.880 --> 0:34:55.279
<v Speaker 1>canon or whatever. Maybe it was a big deal movie

0:34:55.320 --> 0:34:58.480
<v Speaker 1>to him when he was a kid, but odd choice choice.

0:34:59.200 --> 0:35:03.319
<v Speaker 1>Kevin Herbond Old Friends says, the studio gives you a

0:35:03.320 --> 0:35:09.920
<v Speaker 1>ton of money to make Jaws five, what's your plot? Well, Kevin,

0:35:10.680 --> 0:35:12.680
<v Speaker 1>I think if I was going to make Jaws five,

0:35:13.840 --> 0:35:16.879
<v Speaker 1>the only thing to do would be to go back

0:35:16.880 --> 0:35:21.440
<v Speaker 1>to the beginning set it at Amity Island, bring in

0:35:21.640 --> 0:35:25.760
<v Speaker 1>Richard Dreyfuss. Sadly, Roy Scheider and Robert Shaw are gone,

0:35:26.800 --> 0:35:30.080
<v Speaker 1>but you gotta bring Richard Dreyfuss back. And maybe if

0:35:30.120 --> 0:35:32.160
<v Speaker 1>we're just gonna really go out there and make up

0:35:32.160 --> 0:35:34.759
<v Speaker 1>a brand new movie that doesn't have to be believable,

0:35:35.719 --> 0:35:40.640
<v Speaker 1>maybe some of the some of the blown up shark

0:35:41.120 --> 0:35:45.480
<v Speaker 1>from Jots one has morphed into a brand new giant

0:35:45.520 --> 0:35:48.160
<v Speaker 1>shark maybe like a piece of blown up shark meat,

0:35:48.560 --> 0:35:52.200
<v Speaker 1>lands in a pool of ecto ooze Ninja turtle ooze,

0:35:52.640 --> 0:35:56.440
<v Speaker 1>and then it turns into mega shark, Yeah, mega Jaws.

0:35:56.520 --> 0:36:00.560
<v Speaker 1>And then Richard Dreyfuss is the only person. Mr Holland, yes,

0:36:00.719 --> 0:36:03.120
<v Speaker 1>has to come back. He has to Louise, he has

0:36:03.160 --> 0:36:06.879
<v Speaker 1>to lure the shark into docile ness with his sim

0:36:06.960 --> 0:36:10.360
<v Speaker 1>his opus. That's right. As my my only request for

0:36:10.440 --> 0:36:14.160
<v Speaker 1>Jaws five would be that it's in five D five

0:36:14.320 --> 0:36:20.920
<v Speaker 1>D two better than three D two more d's all right?

0:36:20.960 --> 0:36:23.080
<v Speaker 1>You know, No, I think we should kind of wrap

0:36:23.120 --> 0:36:25.880
<v Speaker 1>this one up and spank it on the bottom and

0:36:25.920 --> 0:36:27.560
<v Speaker 1>get it up on out of here. I will say, though,

0:36:28.040 --> 0:36:31.359
<v Speaker 1>Vanessa Lopez question from a couple of weeks ago about

0:36:31.400 --> 0:36:33.680
<v Speaker 1>going on a double date with the celebrity couple, I

0:36:33.719 --> 0:36:37.080
<v Speaker 1>told Emily about that question and she said the same

0:36:37.120 --> 0:36:40.080
<v Speaker 1>thing I did. So that means we are sympatico with

0:36:40.200 --> 0:36:44.520
<v Speaker 1>Sarah Jessica Parker and Matthew Broderick with a bullet for

0:36:44.560 --> 0:36:49.120
<v Speaker 1>both of us. As JP. Whatever happened to her? What

0:36:49.160 --> 0:36:51.080
<v Speaker 1>do you mean? She's around? She's around, but she's not

0:36:51.120 --> 0:36:54.080
<v Speaker 1>really don't really act so much anymore she does. She

0:36:54.120 --> 0:36:56.400
<v Speaker 1>did that Sex in the City movie. She's done more

0:36:56.440 --> 0:36:58.320
<v Speaker 1>than that. She's great. I know she's great, But I

0:36:58.400 --> 0:37:00.840
<v Speaker 1>didn't go anywhere and Ol, he's all over the place.

0:37:01.400 --> 0:37:05.560
<v Speaker 1>Are you certain? What are her latest credits? Chuck? I'm

0:37:05.560 --> 0:37:09.920
<v Speaker 1>looking now because I I made such a statement that

0:37:09.960 --> 0:37:11.440
<v Speaker 1>she hasn't gone anywhere. I told you she's gonna be

0:37:11.440 --> 0:37:13.520
<v Speaker 1>in that play in New York that we're going to

0:37:13.560 --> 0:37:16.120
<v Speaker 1>see next year. That's cool. Well, she had the TV

0:37:16.239 --> 0:37:19.600
<v Speaker 1>series for three years, Divorce, that's right, that's right. I

0:37:19.600 --> 0:37:23.479
<v Speaker 1>remember that, and she was on Glee three episodes of Glee.

0:37:24.800 --> 0:37:28.920
<v Speaker 1>But you're right. Movie wise, I think Sex in the

0:37:28.960 --> 0:37:30.799
<v Speaker 1>City too was one of the last things she did,

0:37:31.800 --> 0:37:34.040
<v Speaker 1>although she wasn't. A movie last year called Here and Now,

0:37:34.880 --> 0:37:37.239
<v Speaker 1>which I call that one. I don't know, but she

0:37:37.360 --> 0:37:40.800
<v Speaker 1>was the lead, so I like her too. You know

0:37:40.840 --> 0:37:43.920
<v Speaker 1>what she says, screw you know that? Give me the

0:37:44.120 --> 0:37:47.360
<v Speaker 1>subtitle of this episode. It probably should be like, all right,

0:37:47.560 --> 0:37:51.239
<v Speaker 1>thanks everybody for for sticking it out through this one,

0:37:51.719 --> 0:38:08.320
<v Speaker 1>and we'll see you next week. Yeah. For more podcasts

0:38:08.320 --> 0:38:10.560
<v Speaker 1>for my Heart Radio, visit the I Heart Radio app,

0:38:10.600 --> 0:38:13.360
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows,