1 00:00:00,120 --> 00:00:03,120 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:03,160 --> 00:00:05,600 Speaker 1: am your host. Movie Mike have a fun episode for 3 00:00:05,640 --> 00:00:09,280 Speaker 1: you today talking about one of my favorite categories, underrated 4 00:00:09,360 --> 00:00:13,280 Speaker 1: movies of the nineties. I asked everybody online so many 5 00:00:13,360 --> 00:00:16,439 Speaker 1: great answers. I will tell you that some memories were 6 00:00:16,520 --> 00:00:18,880 Speaker 1: unlocked while I was going through all the movies I 7 00:00:18,920 --> 00:00:21,079 Speaker 1: could include in this segment, so can't wait to share 8 00:00:21,120 --> 00:00:23,159 Speaker 1: these with you. In the movie review, we're gonna be 9 00:00:23,160 --> 00:00:27,040 Speaker 1: talking about the MCU's shortest movie ever, The Marvels and 10 00:00:27,120 --> 00:00:30,360 Speaker 1: in the Trailer Park. They're not remaking Mean Girls, but 11 00:00:30,360 --> 00:00:33,120 Speaker 1: they're making a movie based on the musical, which is 12 00:00:33,159 --> 00:00:36,239 Speaker 1: oddly similar to the original just twenty years later. Have 13 00:00:36,280 --> 00:00:38,000 Speaker 1: a lot of thoughts about this movie, so thank you 14 00:00:38,040 --> 00:00:40,240 Speaker 1: for being here. Shout out to the Monday Morning Movie crew. 15 00:00:40,560 --> 00:00:42,440 Speaker 1: And now let's talk movies. 16 00:00:42,760 --> 00:00:46,000 Speaker 2: In a world where everyone and their mother has a podcast, 17 00:00:46,479 --> 00:00:50,360 Speaker 2: one man stands to infiltrate the ears of listeners like 18 00:00:50,479 --> 00:00:54,400 Speaker 2: never before in a movie podcast. A man with so 19 00:00:54,560 --> 00:00:59,840 Speaker 2: much movie knowledge, he's basically like a walking IMTB with glasses. 20 00:01:00,360 --> 00:01:05,600 Speaker 1: From the Nashville Podcast Network. This is Movie Mike Movie Podcast. 21 00:01:05,920 --> 00:01:08,360 Speaker 1: I am on a quest for nostalgia right now. Maybe 22 00:01:08,360 --> 00:01:10,960 Speaker 1: it's because I just started therapy and I'm reverting back 23 00:01:11,000 --> 00:01:13,760 Speaker 1: to my childhood where I had no problems. Yes, that 24 00:01:13,880 --> 00:01:16,280 Speaker 1: is what I'm doing right now. But it came across 25 00:01:16,319 --> 00:01:18,600 Speaker 1: the movies recently that I hadn't watched in a really 26 00:01:18,640 --> 00:01:20,959 Speaker 1: long time, and there are movies from the nineties I 27 00:01:21,000 --> 00:01:24,560 Speaker 1: feel are underrated and underappreciated because they didn't make the 28 00:01:24,600 --> 00:01:26,640 Speaker 1: most money at the box office. Some of these are 29 00:01:26,720 --> 00:01:30,360 Speaker 1: actually box office bombs, but they have a special place 30 00:01:30,360 --> 00:01:32,399 Speaker 1: in my heart, and some of these have developed the 31 00:01:32,400 --> 00:01:35,760 Speaker 1: cult classic following. But overall, I feel like these are 32 00:01:35,840 --> 00:01:40,000 Speaker 1: underrated movies and sometimes forgotten movies of the nineties, and 33 00:01:40,040 --> 00:01:41,800 Speaker 1: I want to share them with you. I also put 34 00:01:41,800 --> 00:01:46,039 Speaker 1: the question out on Facebook xaka Twitter and Instagram to 35 00:01:46,080 --> 00:01:48,920 Speaker 1: get your responses, so I'll include some of those in 36 00:01:49,000 --> 00:01:51,120 Speaker 1: the honorable mentions. But I have nine of these to 37 00:01:51,160 --> 00:01:54,280 Speaker 1: go with the nineties theme, So at number nine, I 38 00:01:54,360 --> 00:01:58,040 Speaker 1: have almost heroes from nineteen ninety eight. This movie really 39 00:01:58,160 --> 00:02:01,520 Speaker 1: kicked off my inspiration for this episode because with the 40 00:02:01,560 --> 00:02:04,760 Speaker 1: recent passing of Matthew Perry and everybody talking about his 41 00:02:04,840 --> 00:02:08,640 Speaker 1: character on Friends, which was a cultural icon. My mind 42 00:02:08,720 --> 00:02:11,800 Speaker 1: actually first went to his movie career, which I feel 43 00:02:11,840 --> 00:02:14,320 Speaker 1: like out of the Friends stars who went on to 44 00:02:14,400 --> 00:02:17,600 Speaker 1: star in movies, he had my favorite movies out of 45 00:02:17,680 --> 00:02:21,480 Speaker 1: every single cast member, and almost Heroes was the movie 46 00:02:21,480 --> 00:02:24,160 Speaker 1: he did with Chris Farley where they played two explorers 47 00:02:24,200 --> 00:02:27,079 Speaker 1: trying to beat Lewis and Clark to the Pacific Ocean. 48 00:02:27,280 --> 00:02:29,920 Speaker 1: So it's like a modern at the time modern anyway 49 00:02:30,240 --> 00:02:34,440 Speaker 1: Western Frontier movie set in the early eighteen hundreds, and 50 00:02:34,600 --> 00:02:37,400 Speaker 1: I don't really love period pieces, but when you put 51 00:02:37,440 --> 00:02:41,680 Speaker 1: two great comedic actors like Matthew Perry and Chris Farley together. 52 00:02:42,360 --> 00:02:45,440 Speaker 1: I remember watching this movie and loving it as a kid, 53 00:02:45,480 --> 00:02:47,959 Speaker 1: and now it's sad to say that both of these 54 00:02:48,000 --> 00:02:50,840 Speaker 1: actors have now passed on, and even weird when you 55 00:02:50,880 --> 00:02:53,200 Speaker 1: look at the history of this movie. It was also 56 00:02:53,320 --> 00:02:56,400 Speaker 1: the last leading role for Chris Farley, who died just 57 00:02:56,520 --> 00:02:59,839 Speaker 1: five months after this movie was released. However, it wasn't 58 00:02:59,880 --> 00:03:02,760 Speaker 1: a last movie appearance, because he had a cameo in 59 00:03:02,800 --> 00:03:05,120 Speaker 1: a movie that you're gonna hear later on on this list. 60 00:03:05,200 --> 00:03:06,840 Speaker 1: So just kind of weird to think as I was 61 00:03:06,880 --> 00:03:09,200 Speaker 1: putting together this list, that we had all these connections 62 00:03:09,240 --> 00:03:11,040 Speaker 1: going on. But when you look at the numbers of 63 00:03:11,080 --> 00:03:13,800 Speaker 1: this movie. It had a budget of thirty million dollars, 64 00:03:13,800 --> 00:03:17,480 Speaker 1: which is a pretty decent budget for a comedy, especially 65 00:03:17,520 --> 00:03:20,360 Speaker 1: back in the nineties, but a box office opening of 66 00:03:20,440 --> 00:03:24,200 Speaker 1: only two point eight million dollars. In overall, this movie 67 00:03:24,240 --> 00:03:28,160 Speaker 1: only made six point one million dollars in its theatrical run. 68 00:03:28,560 --> 00:03:31,160 Speaker 1: So not only do I feel it's a forgotten movie, 69 00:03:31,160 --> 00:03:32,919 Speaker 1: but it's also a movie that didn't do so great 70 00:03:32,960 --> 00:03:34,960 Speaker 1: at the box office. But when you look at this 71 00:03:35,080 --> 00:03:37,160 Speaker 1: movie on paper, and if you watch it without a 72 00:03:37,200 --> 00:03:40,120 Speaker 1: critical lie, it's a lot of fun. And there are 73 00:03:40,200 --> 00:03:42,720 Speaker 1: so many scenes from this movie that still are engraved 74 00:03:42,720 --> 00:03:44,840 Speaker 1: in my head. But this is my favorite one that 75 00:03:45,000 --> 00:03:48,480 Speaker 1: captures the humor of this movie. It's whenever Chris Farley 76 00:03:48,560 --> 00:03:51,320 Speaker 1: and Matthew Perry are on their boat. They have this 77 00:03:51,520 --> 00:03:54,680 Speaker 1: crew which is basically just the crew of idiots, and 78 00:03:54,720 --> 00:03:57,320 Speaker 1: this one guy keeps playing the bagpipe, but he only 79 00:03:57,360 --> 00:03:59,440 Speaker 1: knows one song, and then this happens. 80 00:04:03,800 --> 00:04:06,960 Speaker 3: He can When I said your music would be a 81 00:04:07,000 --> 00:04:09,320 Speaker 3: welcome companion, I didn't mean don't. 82 00:04:09,160 --> 00:04:11,080 Speaker 1: You know any other damn tune? 83 00:04:11,600 --> 00:04:16,120 Speaker 3: Ha, No, sir, of course you do that. Play him 84 00:04:16,160 --> 00:04:26,120 Speaker 3: that haunting air. You played me this morning, and. 85 00:04:26,080 --> 00:04:28,920 Speaker 1: Then he just plays the same song again. What I 86 00:04:28,960 --> 00:04:31,640 Speaker 1: love about that clip in that moment is it shows 87 00:04:31,680 --> 00:04:35,640 Speaker 1: you the other thing that Chris Farley I feel is 88 00:04:36,000 --> 00:04:38,279 Speaker 1: the best quality of him. Now. He was known a 89 00:04:38,320 --> 00:04:41,400 Speaker 1: lot for his physical comedy and him putting his body 90 00:04:41,440 --> 00:04:43,320 Speaker 1: on the line for the sake of a laugh, but 91 00:04:43,400 --> 00:04:46,279 Speaker 1: the inflection he would always have on his voice and 92 00:04:46,360 --> 00:04:49,600 Speaker 1: delivering his lines was always the thing that drew me 93 00:04:49,680 --> 00:04:53,000 Speaker 1: to Chris Farley. My favorite SNL sketch ever with Chris 94 00:04:53,040 --> 00:04:56,280 Speaker 1: Farley is the Colombian Coffee crystals. When they give him 95 00:04:56,279 --> 00:04:58,240 Speaker 1: this cup of coffee, they tell him to drink it, 96 00:04:58,400 --> 00:05:01,360 Speaker 1: and then they reveal to him that it's actually Colombian 97 00:05:01,400 --> 00:05:03,520 Speaker 1: coffee crystals that they gave him, and he feels so 98 00:05:03,680 --> 00:05:06,279 Speaker 1: betrayed and goes into this fit of rage, and just 99 00:05:06,320 --> 00:05:08,599 Speaker 1: the inflection on his voice as he's yelling out things 100 00:05:08,600 --> 00:05:11,680 Speaker 1: when they're beating him on the head is hilarious. Or 101 00:05:11,720 --> 00:05:14,920 Speaker 1: even his late night talk show appearances, I remember him 102 00:05:14,960 --> 00:05:17,120 Speaker 1: doing impressions of his dad that I still do to 103 00:05:17,160 --> 00:05:19,960 Speaker 1: this day, talking about how his dad would go from 104 00:05:20,120 --> 00:05:23,200 Speaker 1: zero to one hundred and no time whatsoever, he would 105 00:05:23,200 --> 00:05:25,240 Speaker 1: get mad at them for not shoveling the snow and 106 00:05:25,279 --> 00:05:28,839 Speaker 1: be like I thought, I told you to shovel the walk, 107 00:05:29,400 --> 00:05:33,160 Speaker 1: get out there. I love Chris Farley, I love Matthew Perry, 108 00:05:33,520 --> 00:05:35,839 Speaker 1: and this movie may not have had success at the 109 00:05:35,880 --> 00:05:38,320 Speaker 1: box office, but it had success in my heart. I 110 00:05:38,360 --> 00:05:41,640 Speaker 1: feel like it's underrated and hilarious. So at number nine, 111 00:05:41,720 --> 00:05:46,400 Speaker 1: I have almost Heroes. At number eight from nineteen ninety five, 112 00:05:46,960 --> 00:05:50,480 Speaker 1: I have a Goofy movie. You knew it was gonna 113 00:05:50,520 --> 00:05:52,760 Speaker 1: be on this list, and maybe if this list was 114 00:05:52,800 --> 00:05:54,920 Speaker 1: made one or two years ago, it would have been 115 00:05:54,960 --> 00:05:57,360 Speaker 1: higher up on the list. But I kind of feel 116 00:05:57,440 --> 00:06:00,880 Speaker 1: that Goofy movie is starting to get its People are 117 00:06:00,920 --> 00:06:04,400 Speaker 1: starting to recognize it. It has this cult classic, probably 118 00:06:04,480 --> 00:06:07,279 Speaker 1: due to TikTok and people getting on there being like 119 00:06:07,360 --> 00:06:10,200 Speaker 1: me and saying, everybody, remember this movie, how great it is. 120 00:06:10,360 --> 00:06:13,920 Speaker 1: So I feel now that the movie is getting more recognized. 121 00:06:14,120 --> 00:06:15,960 Speaker 1: Without a doubt, when you look at all the big 122 00:06:16,000 --> 00:06:18,719 Speaker 1: Disney movies from the nineties, this one always gets left 123 00:06:18,760 --> 00:06:21,360 Speaker 1: off the list when it is such a great movie, 124 00:06:21,400 --> 00:06:23,719 Speaker 1: such a great coming of age story. Even when you 125 00:06:23,760 --> 00:06:26,839 Speaker 1: look at the runtime, it's only one hour in sixteen minutes. 126 00:06:26,880 --> 00:06:29,839 Speaker 1: This movie has no fat on it whatsoever. It is 127 00:06:29,960 --> 00:06:33,920 Speaker 1: non stop laughs and thrills and animation gold. The movie 128 00:06:33,960 --> 00:06:37,400 Speaker 1: cost eighteen million dollars to make and only opened to 129 00:06:37,520 --> 00:06:40,600 Speaker 1: six million dollars on its opening weekend. Did end up 130 00:06:40,600 --> 00:06:43,440 Speaker 1: making some money, making thirty five million dollars in its 131 00:06:43,440 --> 00:06:47,200 Speaker 1: theatrical run. But it's a top five Disney movie for me. 132 00:06:47,680 --> 00:06:49,760 Speaker 1: And when you tell that to somebody else, they call 133 00:06:49,880 --> 00:06:53,000 Speaker 1: you crazy. I mean it has the animation style I 134 00:06:53,040 --> 00:06:56,480 Speaker 1: love that two D Disney animation in the nineties is beautiful. 135 00:06:56,560 --> 00:07:00,600 Speaker 1: But also the soundtrack on this movie, to Eye is 136 00:07:00,640 --> 00:07:03,839 Speaker 1: one of the best original Disney songs of all time. 137 00:07:04,080 --> 00:07:07,760 Speaker 1: This movie had swagger in the nineties. Disney movies haven't 138 00:07:07,800 --> 00:07:10,920 Speaker 1: had swagger since the nineties because of a goofy movie. 139 00:07:11,040 --> 00:07:14,520 Speaker 1: The movie is underrated. That is my movie at number eight. 140 00:07:14,960 --> 00:07:18,040 Speaker 1: At number seven from nineteen ninety six, have a little 141 00:07:18,080 --> 00:07:22,600 Speaker 1: movie called House Arrest. This movie embodies everything that I 142 00:07:22,600 --> 00:07:25,520 Speaker 1: love about nineties movies. And I am incredibly biased here 143 00:07:25,560 --> 00:07:28,080 Speaker 1: because group in the nineties. I was born in ninety one. 144 00:07:28,360 --> 00:07:30,680 Speaker 1: I am a full on nineties kid, which really just 145 00:07:30,760 --> 00:07:33,000 Speaker 1: means I'm in my thirties now. So again, I'm coming 146 00:07:33,000 --> 00:07:35,400 Speaker 1: from a place of bias here, but I feel like 147 00:07:35,600 --> 00:07:38,960 Speaker 1: family and kid friendly movies in the nineties were the 148 00:07:39,000 --> 00:07:43,000 Speaker 1: best and the most creative. There was always some waggy 149 00:07:43,000 --> 00:07:45,200 Speaker 1: twist that would hook me in and make me want 150 00:07:45,240 --> 00:07:47,440 Speaker 1: to watch the movie. And as a kid, you don't 151 00:07:47,480 --> 00:07:50,240 Speaker 1: care about all of the tech specs and all of 152 00:07:50,280 --> 00:07:52,239 Speaker 1: the plot points in a movie. You just want something 153 00:07:52,320 --> 00:07:55,160 Speaker 1: really fun. So On Paper is a movie about a 154 00:07:55,240 --> 00:07:58,120 Speaker 1: kid trying to stop his parents from getting divorced by 155 00:07:58,160 --> 00:08:02,160 Speaker 1: locking them in his basement. You know, the most logical plot, no, 156 00:08:02,280 --> 00:08:05,240 Speaker 1: but it's an incredibly fun movie. So that's what our 157 00:08:05,280 --> 00:08:08,119 Speaker 1: hero does. In this movie, you have this teenager played 158 00:08:08,160 --> 00:08:11,000 Speaker 1: by Kyle Howard, locks his parents in his basement, and 159 00:08:11,040 --> 00:08:13,160 Speaker 1: then all his friends and other kids in the neighborhood 160 00:08:13,200 --> 00:08:15,320 Speaker 1: think it's a great idea, so they all bring their 161 00:08:15,400 --> 00:08:17,600 Speaker 1: parents over and lock them in the basement and they 162 00:08:17,640 --> 00:08:20,200 Speaker 1: try to have like this therapy session to get everybody 163 00:08:20,200 --> 00:08:22,760 Speaker 1: to kiss and make up. A great concept for a 164 00:08:22,840 --> 00:08:25,160 Speaker 1: nineties movie. Again, not a whole lot of thought has 165 00:08:25,200 --> 00:08:27,680 Speaker 1: to be put into it, but it works incredibly well 166 00:08:27,720 --> 00:08:30,560 Speaker 1: for me, and this movie was highly influential on my 167 00:08:30,680 --> 00:08:32,760 Speaker 1: taste of the movies growing up in the nineties. But 168 00:08:32,880 --> 00:08:35,719 Speaker 1: was it a commercial success, Not at all. It's one 169 00:08:35,720 --> 00:08:38,040 Speaker 1: that I feel people forget and don't even talk about. 170 00:08:38,240 --> 00:08:40,800 Speaker 1: The movie had a five million dollar budget, which is 171 00:08:40,840 --> 00:08:43,160 Speaker 1: pretty low, but when you look at this movie on paper, 172 00:08:43,320 --> 00:08:46,320 Speaker 1: it's essentially one big bottle episode of a TV show, 173 00:08:46,360 --> 00:08:49,760 Speaker 1: which bottle episodes were episodes that shows would make to 174 00:08:49,800 --> 00:08:53,200 Speaker 1: save money. By containing it primarily in one location, you 175 00:08:53,320 --> 00:08:56,079 Speaker 1: save a lot of money on sets, so that's probably 176 00:08:56,120 --> 00:08:57,800 Speaker 1: where this movie saved a lot of money. But with 177 00:08:57,880 --> 00:09:00,680 Speaker 1: that five million dollar budget, it only opened to two 178 00:09:00,720 --> 00:09:04,000 Speaker 1: million dollars and had a box office run of seven 179 00:09:04,040 --> 00:09:06,920 Speaker 1: million dollars. But for seven million dollars, they have a 180 00:09:06,920 --> 00:09:10,000 Speaker 1: movie that has stayed with me for now almost thirty years. 181 00:09:10,200 --> 00:09:12,480 Speaker 1: Another thing I loved about movies like this in the 182 00:09:12,559 --> 00:09:15,960 Speaker 1: nineties were the trailers. Those would hook you in. When 183 00:09:15,960 --> 00:09:18,280 Speaker 1: you'd pop into VHS, the first thing that would play 184 00:09:18,679 --> 00:09:20,760 Speaker 1: were the trailers. So this is for all the kids listening, 185 00:09:20,840 --> 00:09:23,120 Speaker 1: maybe born in the twenty tens or in the late 186 00:09:23,160 --> 00:09:26,000 Speaker 1: two thousands. Used to get a VHS tape, which was 187 00:09:26,040 --> 00:09:28,480 Speaker 1: this big brick you'd put into a VHS player, which 188 00:09:28,559 --> 00:09:31,520 Speaker 1: was another big brick. You'd hit play, and before you 189 00:09:31,559 --> 00:09:33,800 Speaker 1: got to the movie, you'd have these trailers. So just 190 00:09:33,840 --> 00:09:35,400 Speaker 1: like when you go see a movie, there were trailers, 191 00:09:35,520 --> 00:09:38,160 Speaker 1: they were already baked into the movie. And I just 192 00:09:38,280 --> 00:09:41,360 Speaker 1: love the sound and feel of that because through those trailers, 193 00:09:41,400 --> 00:09:43,800 Speaker 1: I ended up finding other movies that I wanted to watch. 194 00:09:43,840 --> 00:09:46,000 Speaker 1: So here's a little bit of that House Arrest trailer. 195 00:09:46,400 --> 00:09:49,959 Speaker 3: Janet and ned Bendorf appeared to have the perfect marriage 196 00:09:50,840 --> 00:09:52,560 Speaker 3: the anniversary. 197 00:09:51,760 --> 00:09:54,720 Speaker 1: But they decided to celebrate their anniversary Daddy and I 198 00:09:54,760 --> 00:09:56,560 Speaker 1: have something we need to talk to you by getting 199 00:09:56,600 --> 00:10:01,520 Speaker 1: a divorce. Are you having no? So their kids decided 200 00:10:01,559 --> 00:10:03,439 Speaker 1: to have a celebration of their own. 201 00:10:03,600 --> 00:10:08,320 Speaker 3: How by locking them in the basement. 202 00:10:08,640 --> 00:10:11,600 Speaker 1: Listen to that. We don't get trailers like that anymore. 203 00:10:11,600 --> 00:10:16,200 Speaker 1: With that classic voiceover that sounds so sweet and innocent. Disney, 204 00:10:16,320 --> 00:10:18,880 Speaker 1: take it back to the basics. Give me a trailer 205 00:10:19,040 --> 00:10:22,160 Speaker 1: like that. But that is why I have House Arrests 206 00:10:22,160 --> 00:10:25,360 Speaker 1: as an underrated movie from the nineties at number seven. 207 00:10:25,480 --> 00:10:28,760 Speaker 1: At number six is a movie from nineteen ninety eight 208 00:10:28,840 --> 00:10:32,240 Speaker 1: called SLC Punk. This movie takes place in the early 209 00:10:32,400 --> 00:10:34,959 Speaker 1: eighties where punk rock was in its heyday. If I 210 00:10:35,000 --> 00:10:37,800 Speaker 1: could go back to one time period in America, I 211 00:10:37,840 --> 00:10:41,000 Speaker 1: would go back to the eighties to experience that punk 212 00:10:41,040 --> 00:10:44,520 Speaker 1: hardcore scene that has been very influential in my life. 213 00:10:44,559 --> 00:10:46,760 Speaker 1: So you have these two characters in this movie, Steve 214 00:10:46,800 --> 00:10:49,679 Speaker 1: and Harrow and Bob, who were really just big nerds 215 00:10:49,760 --> 00:10:52,160 Speaker 1: until they decided, we don't want to be nerds anymore. 216 00:10:52,200 --> 00:10:53,840 Speaker 1: We want to be punk rockers, and we want to 217 00:10:53,880 --> 00:10:56,760 Speaker 1: live the punk rock life and the very conservative Salt 218 00:10:56,840 --> 00:10:59,440 Speaker 1: Lake City. Which I just visited Salt Lake City for 219 00:10:59,480 --> 00:11:02,040 Speaker 1: the first time ever, and that place is beautiful, and 220 00:11:02,160 --> 00:11:04,560 Speaker 1: the whole time I was there, I was quoting SLC 221 00:11:04,679 --> 00:11:07,480 Speaker 1: punk because that's really the only relationship I've had with 222 00:11:07,679 --> 00:11:10,400 Speaker 1: Salt Lake City. But this movie was made on a 223 00:11:10,480 --> 00:11:14,040 Speaker 1: six hundred thousand dollars budget, which sounds like nothing, even 224 00:11:14,080 --> 00:11:16,520 Speaker 1: though that's an incredible amount of money to make a 225 00:11:16,559 --> 00:11:18,960 Speaker 1: movie for six hundred thousand dollars and one that is 226 00:11:19,000 --> 00:11:22,440 Speaker 1: so influential on my taste in music and film is 227 00:11:22,440 --> 00:11:25,800 Speaker 1: pretty incredible. But the movie only grows two hundred and 228 00:11:25,960 --> 00:11:29,000 Speaker 1: ninety nine thousand, so obviously some things went wrong. But 229 00:11:29,080 --> 00:11:31,520 Speaker 1: it's an independent movie. It wasn't supposed to make a 230 00:11:31,520 --> 00:11:34,440 Speaker 1: lot of money. But I feel like this movie really 231 00:11:34,480 --> 00:11:37,280 Speaker 1: had a second life with that VHS and I just 232 00:11:37,360 --> 00:11:39,840 Speaker 1: have this VHS just pictured in my mind of being 233 00:11:39,840 --> 00:11:42,760 Speaker 1: this bright green and bright orange and seeing that cover 234 00:11:42,920 --> 00:11:46,280 Speaker 1: of Matthew Lillard and colored hair and heroin bile with 235 00:11:46,280 --> 00:11:50,480 Speaker 1: a big mohawk. It is one of the best looking 236 00:11:50,559 --> 00:11:53,120 Speaker 1: vhs is you will one of the best looking vhs 237 00:11:53,200 --> 00:11:55,760 Speaker 1: is you will ever set eyes on. But aside from 238 00:11:55,760 --> 00:11:58,560 Speaker 1: the plot points of this movie of kind of going 239 00:11:58,600 --> 00:12:02,240 Speaker 1: against the grain, not conf forming to society, having these 240 00:12:02,280 --> 00:12:05,480 Speaker 1: punk rock values, but then questioning those punk rock values, 241 00:12:05,520 --> 00:12:09,040 Speaker 1: the movie was also highly influential in my music taste. 242 00:12:09,080 --> 00:12:12,160 Speaker 1: On this soundtrack, you have The Dead, Kennedy's Fear, the Specials, 243 00:12:12,280 --> 00:12:16,240 Speaker 1: Generation X, and Blondie, the Ramones, all these really great 244 00:12:16,280 --> 00:12:19,320 Speaker 1: punk bands that were thriving in the early eighties and 245 00:12:19,400 --> 00:12:22,000 Speaker 1: late seventies. It was all over this movie, and I 246 00:12:22,160 --> 00:12:24,680 Speaker 1: was all about it. I wanted to look and dress 247 00:12:25,000 --> 00:12:27,440 Speaker 1: just like Matthew Lillard in this movie, but obviously my 248 00:12:27,520 --> 00:12:30,400 Speaker 1: parents vetoed me getting a real mohawk. But I have 249 00:12:30,480 --> 00:12:33,880 Speaker 1: watched this movie so many times and I quote it NonStop. 250 00:12:34,200 --> 00:12:37,880 Speaker 1: One of my favorite quotes is whenever one of the characters, Mark, 251 00:12:37,920 --> 00:12:40,480 Speaker 1: who is one of the most unhinged characters in any 252 00:12:40,559 --> 00:12:43,080 Speaker 1: movie I've ever seen. He plays like this really straight 253 00:12:43,120 --> 00:12:45,360 Speaker 1: laced guy who is friends with the two punk rockers. 254 00:12:45,440 --> 00:12:48,079 Speaker 1: They go out one night, steal a car, and then 255 00:12:48,120 --> 00:12:50,240 Speaker 1: decide to get rid of the evidence by throwing the 256 00:12:50,280 --> 00:12:54,360 Speaker 1: car into the Great Salt Lake sink you for Hey, 257 00:12:54,720 --> 00:12:57,760 Speaker 1: why won't she sink? Well, it's because it's the Great 258 00:12:57,800 --> 00:13:02,640 Speaker 1: Salt Lake. And yeah, dude, there's salt in it. It's 259 00:13:02,679 --> 00:13:05,880 Speaker 1: like saltiest lake in the world. It makes things poyant. 260 00:13:05,960 --> 00:13:06,320 Speaker 3: You know, you. 261 00:13:08,160 --> 00:13:11,360 Speaker 1: Vat So that is the quote I kept saying while 262 00:13:11,400 --> 00:13:15,160 Speaker 1: I was in Salt Lake City recently Centerfool, but that 263 00:13:15,320 --> 00:13:17,560 Speaker 1: character was played by Till Schweiger, who went on to 264 00:13:17,600 --> 00:13:21,360 Speaker 1: play Hugo Stiglitz in Inglorious Bastards. So at number six, 265 00:13:21,520 --> 00:13:24,840 Speaker 1: an underrated movie from the nineties is SLC Punk. At 266 00:13:24,920 --> 00:13:28,000 Speaker 1: number five from nineteen ninety eight is a little movie 267 00:13:28,000 --> 00:13:31,320 Speaker 1: called Basketball. This movie is from the creators of South Park, 268 00:13:31,400 --> 00:13:34,840 Speaker 1: Trey Parker and Matt Stone, who are two comedic geniuses, 269 00:13:35,040 --> 00:13:38,880 Speaker 1: probably my favorite creators in comedy. I've learned so much 270 00:13:38,920 --> 00:13:41,760 Speaker 1: from them over the years. What Basketball is about. It's 271 00:13:41,800 --> 00:13:44,960 Speaker 1: these two guys who their life really doesn't go the 272 00:13:44,960 --> 00:13:48,080 Speaker 1: way they'd plan. As kids, they had dreams of playing 273 00:13:48,200 --> 00:13:51,280 Speaker 1: in Major League Baseball, but then as adults just turned 274 00:13:51,280 --> 00:13:53,280 Speaker 1: out to kind of be losers. But they end up 275 00:13:53,360 --> 00:13:57,520 Speaker 1: inventing this game that combines baseball and basketball, and they 276 00:13:57,600 --> 00:13:59,920 Speaker 1: end up developing this whole league that goes from just 277 00:14:00,240 --> 00:14:04,080 Speaker 1: they would play in their backyard into a real professional league. 278 00:14:04,120 --> 00:14:06,920 Speaker 1: You could probably make a movie like this now about pickball. 279 00:14:06,960 --> 00:14:09,080 Speaker 1: But the movie was made on a budget of twenty 280 00:14:09,120 --> 00:14:12,840 Speaker 1: five million dollars, which is pretty substantial. It only opened 281 00:14:12,840 --> 00:14:16,640 Speaker 1: a three million dollars and this one hurts. As funny 282 00:14:16,640 --> 00:14:19,920 Speaker 1: as this movie is, the movie only made seven million 283 00:14:20,000 --> 00:14:23,040 Speaker 1: dollars at the box office, which is sad because I 284 00:14:23,160 --> 00:14:25,600 Speaker 1: found this movie so funny as a kid. I rewatched 285 00:14:25,600 --> 00:14:27,840 Speaker 1: it as an adult and it still holds up. It's 286 00:14:27,880 --> 00:14:31,120 Speaker 1: exactly what you would expect from the creators of South Park. 287 00:14:31,240 --> 00:14:35,480 Speaker 1: It's dirty, it's graphic, the jokes are viol at times, 288 00:14:36,000 --> 00:14:39,400 Speaker 1: but man, is it funny. Here's probably the only joke 289 00:14:39,520 --> 00:14:42,520 Speaker 1: I can play from basketball, and it's a great moment. 290 00:14:42,560 --> 00:14:44,960 Speaker 1: This movie has a great opening scene. It starts out 291 00:14:45,000 --> 00:14:48,400 Speaker 1: with them as kids at a baseball game, being inspired 292 00:14:48,440 --> 00:14:51,280 Speaker 1: and then leading to their adult life of well, we're 293 00:14:51,320 --> 00:14:54,840 Speaker 1: not gonna have those dreams we sought out to have. No, Reamer, Someday, 294 00:14:55,240 --> 00:14:59,000 Speaker 1: I'm gonna be a big sports start, you know, Reamer. 295 00:14:59,720 --> 00:15:02,800 Speaker 1: Some I'm going to own a big sports bar. So 296 00:15:02,840 --> 00:15:07,280 Speaker 1: at number five, my underrated movie from the ninety is Basketball. 297 00:15:07,640 --> 00:15:10,600 Speaker 1: At number four, we'll get into a drama. It also 298 00:15:10,640 --> 00:15:12,720 Speaker 1: has a little bit of comedy. We call him Dramatis. 299 00:15:13,080 --> 00:15:17,120 Speaker 1: From nineteen ninety six is Jack starring Robin Williams. This 300 00:15:17,200 --> 00:15:19,960 Speaker 1: movie hits me in the fields. What it's about. Robin 301 00:15:19,960 --> 00:15:22,680 Speaker 1: Williams plays the main character in this movie named Jack, 302 00:15:22,720 --> 00:15:26,560 Speaker 1: who has an unusual disorder who has aged him four 303 00:15:26,600 --> 00:15:30,880 Speaker 1: times faster than any other human. So he's really a boy, 304 00:15:30,920 --> 00:15:33,240 Speaker 1: but he looks like a forty year old man. His 305 00:15:33,280 --> 00:15:36,840 Speaker 1: mom had an unusually short pregnancy. They found out this 306 00:15:36,960 --> 00:15:39,920 Speaker 1: after he was born, so his entire life he is 307 00:15:39,960 --> 00:15:43,120 Speaker 1: homeschooled until he starts the fifth grade and decides he 308 00:15:43,160 --> 00:15:45,560 Speaker 1: wants to go to real school. It's his first time 309 00:15:45,600 --> 00:15:48,200 Speaker 1: being around other kids and trying to make friends. So 310 00:15:48,240 --> 00:15:51,560 Speaker 1: it's him getting through those challenges of being a kid 311 00:15:51,680 --> 00:15:55,400 Speaker 1: inside his head, but outward looking like a forty year 312 00:15:55,440 --> 00:15:58,720 Speaker 1: old man. There's obviously some fun they have of getting 313 00:15:58,800 --> 00:16:01,680 Speaker 1: him to do things that only adults could do. But 314 00:16:01,760 --> 00:16:05,000 Speaker 1: the struggle he has is in order to connect with 315 00:16:05,040 --> 00:16:07,280 Speaker 1: somebody who looks like him. He falls in love with 316 00:16:07,320 --> 00:16:10,200 Speaker 1: his teacher played by Jennifer Lopez, and there is a 317 00:16:10,240 --> 00:16:13,120 Speaker 1: scene that still guts me. He decides he wants to 318 00:16:13,160 --> 00:16:15,640 Speaker 1: make a move because he can't control his feelings. He 319 00:16:15,720 --> 00:16:18,000 Speaker 1: feels like he is falling in love with her, and 320 00:16:18,040 --> 00:16:20,360 Speaker 1: he wants to invite her to a dance and this, Oh, 321 00:16:20,640 --> 00:16:22,360 Speaker 1: I'm gonna play a little bit of it, but this 322 00:16:22,400 --> 00:16:24,760 Speaker 1: one gets me emotional. Even as I was loading this clip, 323 00:16:24,800 --> 00:16:27,960 Speaker 1: I thought of this rejection scene and it still hits me. 324 00:16:28,040 --> 00:16:28,200 Speaker 2: Good. 325 00:16:29,000 --> 00:16:31,440 Speaker 3: I'm sorry, honey, it just wouldn't be right. 326 00:16:32,400 --> 00:16:43,040 Speaker 1: Do you understand, Oh, Jackie, don't okay, jack jack come back, 327 00:16:43,120 --> 00:16:48,120 Speaker 1: let's talk. Jackie has nothing to do with you. I 328 00:16:48,160 --> 00:16:51,280 Speaker 1: feel that because then he collapses on the stairs, grabs 329 00:16:51,280 --> 00:16:54,640 Speaker 1: his heart, ends up in the hospital, and then gets 330 00:16:54,640 --> 00:16:57,320 Speaker 1: into this depression where you see him with a beard. 331 00:16:57,320 --> 00:16:59,520 Speaker 1: This movie hits you. It also reminds you how great 332 00:16:59,560 --> 00:17:02,120 Speaker 1: of an act Robin Williams is. And I know we 333 00:17:02,160 --> 00:17:04,680 Speaker 1: all love him for his comedies, but when he gets 334 00:17:04,680 --> 00:17:07,400 Speaker 1: into the dramatic stuff. I think that's where he really shines. 335 00:17:07,680 --> 00:17:10,959 Speaker 1: Oh man, this is a great movie, and I'm surprised 336 00:17:10,960 --> 00:17:13,600 Speaker 1: it did not do as well as I expected. A 337 00:17:13,640 --> 00:17:16,679 Speaker 1: movie with Jennifer Lopez and Robin Williams with a budget 338 00:17:16,720 --> 00:17:19,280 Speaker 1: of forty five million dollars, which, again, like all these movies, 339 00:17:19,400 --> 00:17:22,280 Speaker 1: is pretty substantial the most we've seen so far. It 340 00:17:22,440 --> 00:17:25,880 Speaker 1: only opened to eleven million dollars, but in its run 341 00:17:25,920 --> 00:17:29,320 Speaker 1: it ended up making fifty eight million, which is a 342 00:17:29,400 --> 00:17:32,359 Speaker 1: decent amount of money. At least they didn't go into 343 00:17:32,359 --> 00:17:34,639 Speaker 1: the hole so much. So for this one, it's not 344 00:17:34,680 --> 00:17:38,320 Speaker 1: so much the financial ramifications of it being a flap, 345 00:17:38,400 --> 00:17:40,800 Speaker 1: but I just feel like this movie gets understated and 346 00:17:40,920 --> 00:17:43,920 Speaker 1: underrecognized as being one of the best movies of the nineties. 347 00:17:44,080 --> 00:17:46,320 Speaker 1: So I had to put this one in at number four. 348 00:17:46,520 --> 00:17:50,280 Speaker 1: At number three from nineteen ninety four, is the best 349 00:17:50,440 --> 00:17:53,360 Speaker 1: baseball movie of all time, hands down. I don't care 350 00:17:53,400 --> 00:17:56,080 Speaker 1: what you say. It's not the Standlot, it's not any 351 00:17:56,160 --> 00:17:59,520 Speaker 1: other baseball movie in the nineties, eighties, whatever. This is 352 00:17:59,560 --> 00:18:02,400 Speaker 1: the best baseball movie ever made, and it does not 353 00:18:02,480 --> 00:18:04,920 Speaker 1: get the recognition it deserves. The movie I am talking 354 00:18:04,960 --> 00:18:07,520 Speaker 1: about is Angels in the Outfield. It's about a kid 355 00:18:07,560 --> 00:18:10,520 Speaker 1: played by Joseph Gordon Levitt who just wants the chance 356 00:18:10,520 --> 00:18:13,359 Speaker 1: of having a family again. And I just rewatched this 357 00:18:13,400 --> 00:18:16,399 Speaker 1: movie recently because my favorite team, the Texas Rangers, had 358 00:18:16,440 --> 00:18:18,359 Speaker 1: a chance to win the World Series, and I thought 359 00:18:18,400 --> 00:18:20,640 Speaker 1: I need to go back and revisit this because I 360 00:18:20,680 --> 00:18:23,639 Speaker 1: was reminded of the deal he made with his dad 361 00:18:24,119 --> 00:18:26,320 Speaker 1: was once the Angels win the Pennant, in this movie, 362 00:18:26,760 --> 00:18:30,239 Speaker 1: we can be a family again. And Texas Rangers, if 363 00:18:30,240 --> 00:18:32,320 Speaker 1: you're not familiar, they just won the World Series, but 364 00:18:32,720 --> 00:18:35,239 Speaker 1: and the entire history of the team never want it. 365 00:18:35,320 --> 00:18:37,480 Speaker 1: So I feel like this movie could have played out now. 366 00:18:37,600 --> 00:18:40,479 Speaker 1: So deadbeat dad telling his kid, Hey, if the Rangers 367 00:18:40,480 --> 00:18:42,800 Speaker 1: win the Pennant, we can be a family again. And 368 00:18:42,800 --> 00:18:45,199 Speaker 1: that was my inspiration to go back and watch this movie. 369 00:18:45,280 --> 00:18:47,320 Speaker 1: When the Rangers were playing the Astros, I thought, Man, 370 00:18:47,320 --> 00:18:48,800 Speaker 1: if they could just pull this off and make it 371 00:18:48,840 --> 00:18:51,560 Speaker 1: to the World Series, I've watched this movie for good luck. 372 00:18:51,960 --> 00:18:54,119 Speaker 1: Rangers went on to not only win the Pennant, but 373 00:18:54,200 --> 00:18:57,640 Speaker 1: win the entire World Series, So now every time they're 374 00:18:57,680 --> 00:18:59,080 Speaker 1: in the playoffs, I'm gonna have to go back and 375 00:18:59,119 --> 00:19:02,280 Speaker 1: watch this movie. But the movie was made for thirty 376 00:19:02,320 --> 00:19:05,119 Speaker 1: one million dollars. It had an opening of eight point 377 00:19:05,200 --> 00:19:08,159 Speaker 1: nine million dollars. It went on to make fifty million 378 00:19:08,240 --> 00:19:11,080 Speaker 1: dollars in its theatrical run. But if you look at 379 00:19:11,080 --> 00:19:14,760 Speaker 1: the cast in this movie, Yeah, Matthew McConaughey, Danny Glover, 380 00:19:14,960 --> 00:19:20,360 Speaker 1: Joseph Gordon Levitt, this cast is stacked. And surprisingly, this 381 00:19:20,480 --> 00:19:24,400 Speaker 1: movie was a lot more emotional than I remembered because 382 00:19:24,440 --> 00:19:26,000 Speaker 1: of the fact that he is just trying to get 383 00:19:26,040 --> 00:19:30,000 Speaker 1: his dad back, who doesn't want him. Yeah, when't we. 384 00:19:29,960 --> 00:19:31,040 Speaker 3: Going to be a family again? 385 00:19:31,680 --> 00:19:34,199 Speaker 2: From where I'm sitting, I'd say, when the Angels win 386 00:19:34,280 --> 00:19:37,960 Speaker 2: the pennant, you stay out of trouble sign. 387 00:19:39,880 --> 00:19:41,800 Speaker 1: I almost cried again at the scene wherever he sees 388 00:19:41,840 --> 00:19:44,919 Speaker 1: his dad in court and realizes what is happening. So 389 00:19:44,960 --> 00:19:47,679 Speaker 1: this movie has it all. It has the emotion, it 390 00:19:47,720 --> 00:19:51,080 Speaker 1: has the baseball, it has comedy, it has all those 391 00:19:51,119 --> 00:19:54,520 Speaker 1: things working together with the charm of the nineties, and 392 00:19:54,600 --> 00:19:57,359 Speaker 1: not enough people talk about this movie so much so 393 00:19:57,520 --> 00:20:00,280 Speaker 1: that it's even hard to watch this movie. I just 394 00:20:00,320 --> 00:20:03,159 Speaker 1: happened to find out that TBS is carrying it, and 395 00:20:03,200 --> 00:20:06,760 Speaker 1: since we have Hulu Plus with TV Live, whatever that 396 00:20:06,920 --> 00:20:08,919 Speaker 1: is I was able to watch it for the first 397 00:20:08,920 --> 00:20:12,040 Speaker 1: time in years. So if you have Hulu Live Plus 398 00:20:12,040 --> 00:20:14,600 Speaker 1: with TBS or whatever, you can watch it too. But 399 00:20:14,680 --> 00:20:17,320 Speaker 1: it's a Disney movie, it needs to be on Disney Plus. 400 00:20:17,600 --> 00:20:19,919 Speaker 1: Justice for Angels in the Outfield, That's why I have 401 00:20:20,000 --> 00:20:23,640 Speaker 1: it at number three at number two is a comedy 402 00:20:23,680 --> 00:20:28,399 Speaker 1: from nineteen ninety eight. It stars the late and great 403 00:20:28,760 --> 00:20:32,880 Speaker 1: Norm McDonald. It also has already lang Chris Farley, which 404 00:20:32,920 --> 00:20:36,120 Speaker 1: I mentioned that Almost Heroes was his last starring role, 405 00:20:36,480 --> 00:20:39,159 Speaker 1: but this ended up being his final film credit. You 406 00:20:39,200 --> 00:20:42,840 Speaker 1: also have a surprise cameo from Adam Sandler in this movie. 407 00:20:42,960 --> 00:20:46,240 Speaker 1: But what this movie is about is Norm McDonald plays 408 00:20:46,280 --> 00:20:48,879 Speaker 1: this character who is a loser. I guess we have 409 00:20:48,920 --> 00:20:51,960 Speaker 1: a theme here, and he finds success in a revenge 410 00:20:51,960 --> 00:20:54,679 Speaker 1: for higher business. People come to him to do his 411 00:20:54,760 --> 00:20:58,960 Speaker 1: dirty work, whether it be to deal with a noisy neighbor, 412 00:20:59,240 --> 00:21:01,919 Speaker 1: a jerk of a or the big evil guy in 413 00:21:01,960 --> 00:21:05,160 Speaker 1: town who wants to destroy a retirement home. I could 414 00:21:05,240 --> 00:21:08,040 Speaker 1: quote this movie all day long from start to finish. 415 00:21:08,240 --> 00:21:11,800 Speaker 1: I know every single line in this movie, and again 416 00:21:12,160 --> 00:21:14,879 Speaker 1: it's a movie that's not entirely appropriate. And I know 417 00:21:15,240 --> 00:21:17,040 Speaker 1: there's a kids who listen to this podcast. So this 418 00:21:17,119 --> 00:21:19,200 Speaker 1: is the cleanest joke I can play from a movie 419 00:21:19,240 --> 00:21:20,040 Speaker 1: called Dirty Work. 420 00:21:20,480 --> 00:21:26,840 Speaker 3: Hey, Mitch, you're really starting to like this Kathy, aren't you. No, Mitch, 421 00:21:27,000 --> 00:21:27,439 Speaker 3: I know you. 422 00:21:27,560 --> 00:21:30,640 Speaker 1: Man. When you say no like that, you really mean yes, 423 00:21:30,840 --> 00:21:33,600 Speaker 1: we are talking about watch. I'll show you, Mitch. Did 424 00:21:33,680 --> 00:21:34,840 Speaker 1: you ever rob a bank? 425 00:21:35,160 --> 00:21:35,400 Speaker 3: Now? 426 00:21:35,960 --> 00:21:37,680 Speaker 1: Did you ever climb Mount Everest? 427 00:21:37,760 --> 00:21:37,879 Speaker 3: No? 428 00:21:39,240 --> 00:21:41,240 Speaker 1: Did you ever say that you can see why women 429 00:21:41,359 --> 00:21:42,920 Speaker 1: find Sean Connery sexy? 430 00:21:43,920 --> 00:21:44,240 Speaker 3: No? 431 00:21:45,400 --> 00:21:47,520 Speaker 1: Okay, So I like Kathy a little bit, and I 432 00:21:47,560 --> 00:21:48,920 Speaker 1: still do that to this day. 433 00:21:49,160 --> 00:21:49,440 Speaker 3: No. 434 00:21:50,119 --> 00:21:53,639 Speaker 1: It also has the late great Don Rickles, who is 435 00:21:53,960 --> 00:21:57,639 Speaker 1: famous for just rattling off insults the people, and I 436 00:21:57,680 --> 00:22:00,560 Speaker 1: think this is his best showcase of doing this. When 437 00:22:00,560 --> 00:22:03,919 Speaker 1: he just keeps going off on AARTI lane look like 438 00:22:03,960 --> 00:22:06,400 Speaker 1: a fucking alert on a bad day. Got a call 439 00:22:06,480 --> 00:22:10,040 Speaker 1: yesterday from Baskin Robbins. They said that they're down to 440 00:22:10,119 --> 00:22:13,600 Speaker 1: only five flavors. You're swelling up as I talk to you. Hello, 441 00:22:13,720 --> 00:22:16,679 Speaker 1: I scream having a good time running around? What you 442 00:22:16,800 --> 00:22:19,000 Speaker 1: laughing at because I called your friend the fat pig? 443 00:22:19,080 --> 00:22:19,280 Speaker 2: Hey? 444 00:22:19,359 --> 00:22:21,520 Speaker 1: You think that's funny? Oh No, I was just laughing 445 00:22:21,880 --> 00:22:24,040 Speaker 1: earlier when you were talking to his ballet, so that 446 00:22:24,200 --> 00:22:27,920 Speaker 1: is number two. Dirty Work is an underrated movie from 447 00:22:27,960 --> 00:22:30,320 Speaker 1: the nineties. Before we get to number one. I do 448 00:22:30,480 --> 00:22:33,320 Speaker 1: have a lot of honorable mentions, a lot that you 449 00:22:33,359 --> 00:22:37,120 Speaker 1: guys sent in on social media. Canaan Cox said The Pagemaster, 450 00:22:37,240 --> 00:22:41,520 Speaker 1: which was an incredibly sophisticated animated movie from the nineties. 451 00:22:41,560 --> 00:22:44,520 Speaker 1: Adam can Two said Street Fighter, which I feel like 452 00:22:44,560 --> 00:22:47,359 Speaker 1: in the nineties we had this fascination with video game 453 00:22:47,359 --> 00:22:51,119 Speaker 1: adaptations that didn't really live up to expectations. I'm more 454 00:22:51,160 --> 00:22:54,040 Speaker 1: of a Mortal Kombat guy myself, but I can respect 455 00:22:54,040 --> 00:22:57,480 Speaker 1: it no quarter on X. I keep calling it X, 456 00:22:57,480 --> 00:22:59,920 Speaker 1: but it's Twitter said Cool Runnings, which was also the 457 00:23:00,160 --> 00:23:04,159 Speaker 1: last role of John Candy, a great Disney live action movie, 458 00:23:04,400 --> 00:23:08,520 Speaker 1: one of their better sports films. Joey Gibson also said Heavyweights, 459 00:23:08,560 --> 00:23:11,520 Speaker 1: which I kind of put in that category of a 460 00:23:11,520 --> 00:23:14,720 Speaker 1: goofy movie that I don't think it's as underrated as 461 00:23:14,760 --> 00:23:17,600 Speaker 1: it was five years ago, but I do love that movie. 462 00:23:17,720 --> 00:23:20,080 Speaker 1: Another one that a lot of people commented with was 463 00:23:20,119 --> 00:23:22,280 Speaker 1: The Iron Giant from nineteen ninety nine, which is an 464 00:23:22,280 --> 00:23:26,600 Speaker 1: animated movie and I never really fully understood the fascination 465 00:23:26,680 --> 00:23:29,359 Speaker 1: with that movie, so maybe that's my goofy movie. It 466 00:23:29,400 --> 00:23:31,920 Speaker 1: was good. I enjoyed it, but I think that one's 467 00:23:31,960 --> 00:23:37,160 Speaker 1: properly rated. But finally, at number one from nineteen ninety eight, 468 00:23:37,680 --> 00:23:42,560 Speaker 1: the most underrated movie from the nineties is Small Soldiers. 469 00:23:42,880 --> 00:23:45,040 Speaker 1: What this movie is about. You have these two guys 470 00:23:45,040 --> 00:23:47,560 Speaker 1: who work at a toy company and they need the 471 00:23:47,600 --> 00:23:51,639 Speaker 1: next big thing, something that's so cool and innovative and 472 00:23:51,720 --> 00:23:54,239 Speaker 1: hardcore that every kid is gonna want to buy it. 473 00:23:54,400 --> 00:23:57,600 Speaker 1: And what they end up doing is putting missile technology 474 00:23:57,680 --> 00:24:00,600 Speaker 1: in these toy action figures, and they think it's cool. 475 00:24:00,760 --> 00:24:03,040 Speaker 1: It makes them smart, and they fight with each other, 476 00:24:03,359 --> 00:24:05,360 Speaker 1: and one of them is programmed to kill, and one 477 00:24:05,400 --> 00:24:07,640 Speaker 1: of them is programmed to hide and be the peaceful one. 478 00:24:07,680 --> 00:24:09,720 Speaker 1: So you have the villains and you have the heroes. 479 00:24:09,840 --> 00:24:13,080 Speaker 1: But what they don't count on happening is the chips 480 00:24:13,119 --> 00:24:15,919 Speaker 1: end up malfunctioning and they start not only attacking the 481 00:24:15,920 --> 00:24:18,840 Speaker 1: other toys, but start attacking humans. The movie had a 482 00:24:18,880 --> 00:24:22,360 Speaker 1: budget of forty million dollars and it opened a fourteen 483 00:24:22,440 --> 00:24:26,399 Speaker 1: million dollars, which isn't the worst opening. It did end 484 00:24:26,480 --> 00:24:29,880 Speaker 1: up grossing fifty four million dollars at the box office, 485 00:24:29,920 --> 00:24:32,919 Speaker 1: so it had a little bit of a profit. But 486 00:24:32,960 --> 00:24:35,359 Speaker 1: when you look at the highest grossing movies of the 487 00:24:35,480 --> 00:24:38,800 Speaker 1: nineties and compare it to even the top one hundred 488 00:24:38,800 --> 00:24:41,040 Speaker 1: grossing movies of the nineties made at least one hundred 489 00:24:41,040 --> 00:24:44,520 Speaker 1: and ten million dollars as minimum, Lion King made almost 490 00:24:44,520 --> 00:24:47,480 Speaker 1: a billion dollars at nine hundred and seventy million, or 491 00:24:47,520 --> 00:24:50,479 Speaker 1: another iconic movie like Toy Story. It made forty million 492 00:24:50,520 --> 00:24:53,680 Speaker 1: dollars at the box office, so a mere fifty four 493 00:24:53,760 --> 00:24:56,720 Speaker 1: million dollars back then, they didn't really seem like a 494 00:24:56,720 --> 00:24:59,080 Speaker 1: whole lot when you have all these other movies crushing it. 495 00:24:59,240 --> 00:25:01,400 Speaker 1: And like all the other movies on this list, there 496 00:25:01,400 --> 00:25:03,399 Speaker 1: are lines that have just stuck with me for my 497 00:25:03,640 --> 00:25:08,199 Speaker 1: entire life. One specifically is in the final scene wherever 498 00:25:08,200 --> 00:25:10,679 Speaker 1: they're trying to take out the Commando elites, and you 499 00:25:10,760 --> 00:25:14,360 Speaker 1: have them revolting against the family and revolting against humans 500 00:25:14,680 --> 00:25:17,440 Speaker 1: and attacking them with all these weapons they have created 501 00:25:17,520 --> 00:25:19,880 Speaker 1: with things they found in the garage, which this movie 502 00:25:19,920 --> 00:25:22,600 Speaker 1: gets a lot more violent than you would expect forty 503 00:25:22,680 --> 00:25:25,280 Speaker 1: kids movie. People get hurt, people probably could have died. 504 00:25:25,720 --> 00:25:28,159 Speaker 1: But it's this one small little scene and this line 505 00:25:28,400 --> 00:25:31,040 Speaker 1: that this Toy says to the human that has stayed 506 00:25:31,080 --> 00:25:34,399 Speaker 1: with me forever, what are you packing? Tiny? Packing? 507 00:25:35,320 --> 00:25:35,840 Speaker 3: Packing you? 508 00:25:37,960 --> 00:25:40,679 Speaker 1: I continue to say that packing back in you. But 509 00:25:40,760 --> 00:25:44,080 Speaker 1: you also have Tommy Lee Jones as the voice of 510 00:25:44,160 --> 00:25:47,360 Speaker 1: the main commando Elite, who he just has a very 511 00:25:47,400 --> 00:25:51,680 Speaker 1: commanding and intimidating voice. So I feel like that goes underappreciated. 512 00:25:51,960 --> 00:25:54,920 Speaker 1: But not only that, when you look at the special 513 00:25:54,960 --> 00:25:57,840 Speaker 1: effects used to make these toys come to life, it 514 00:25:57,920 --> 00:26:00,640 Speaker 1: was pretty advanced for the nineties. And maybe you've seen 515 00:26:00,640 --> 00:26:04,080 Speaker 1: the meme online with people comparing VFX from the nineties 516 00:26:04,119 --> 00:26:07,600 Speaker 1: and early two thousands to vfx now we have somehow 517 00:26:07,640 --> 00:26:10,399 Speaker 1: regressed because if you go back and watch Small Soldiers, 518 00:26:10,840 --> 00:26:13,399 Speaker 1: it is a triumph because I didn't even question it 519 00:26:13,440 --> 00:26:15,320 Speaker 1: as a kid, and if I go back and watch 520 00:26:15,359 --> 00:26:17,520 Speaker 1: it now, it still holds up and looks pretty good. 521 00:26:17,840 --> 00:26:20,159 Speaker 1: Is some of it a little bit cheesy, Yeah, but 522 00:26:20,200 --> 00:26:23,760 Speaker 1: they did a really good job overall with a pretty 523 00:26:23,760 --> 00:26:27,200 Speaker 1: modest budget of forty million dollars, and Marvel Movies now 524 00:26:27,240 --> 00:26:30,440 Speaker 1: with two hundred, two hundred and fifty million dollar budgets 525 00:26:30,800 --> 00:26:34,200 Speaker 1: can't even replicate something like Small Soldiers from the nineties, 526 00:26:34,600 --> 00:26:36,720 Speaker 1: And again, gonna get a little bit morbid here, and 527 00:26:36,800 --> 00:26:39,639 Speaker 1: I didn't really set out to have this theme, but 528 00:26:39,880 --> 00:26:43,080 Speaker 1: Small Soldiers also has the final on screen appearance for 529 00:26:43,119 --> 00:26:46,120 Speaker 1: the late Phil Harmon, who I knew him from being 530 00:26:46,200 --> 00:26:48,720 Speaker 1: in this movie, but mainly with his voice work in 531 00:26:48,760 --> 00:26:51,960 Speaker 1: The Simpsons of characters like Troy McClure. So just through 532 00:26:51,960 --> 00:26:55,000 Speaker 1: this list, unintentionally, I shared with you a lot of 533 00:26:55,080 --> 00:26:57,919 Speaker 1: last on screen appearances from actors who have passed away, 534 00:26:58,200 --> 00:27:01,080 Speaker 1: which I feel like I should dedicate an entire episode 535 00:27:01,119 --> 00:27:03,000 Speaker 1: to that, but as I was going through my notes, 536 00:27:03,040 --> 00:27:04,600 Speaker 1: I just had to share that with you. But the 537 00:27:04,640 --> 00:27:07,720 Speaker 1: reason I included this one as my number one picks 538 00:27:07,840 --> 00:27:10,560 Speaker 1: underrated movie from the nineties. If you grew up in 539 00:27:10,600 --> 00:27:13,679 Speaker 1: this decade and you didn't watch and love this movie, 540 00:27:13,760 --> 00:27:16,080 Speaker 1: you're not a nineties kid. I'm sorry. You have to 541 00:27:16,119 --> 00:27:20,119 Speaker 1: appreciate the charm of this movie, the comedy in this movie, 542 00:27:20,119 --> 00:27:23,320 Speaker 1: the action in this movie, the lesson you learn, which 543 00:27:23,359 --> 00:27:26,880 Speaker 1: is don't put military technology in toys. We should all 544 00:27:26,920 --> 00:27:29,240 Speaker 1: know that, right. Okay, that is the list. If your 545 00:27:29,400 --> 00:27:32,040 Speaker 1: favorite underrated movie from the nineties didn't make it, let 546 00:27:32,080 --> 00:27:34,760 Speaker 1: me know what it is. Email me Moviemike d at 547 00:27:34,760 --> 00:27:37,240 Speaker 1: gmail dot com or links to all my socials or 548 00:27:37,240 --> 00:27:39,399 Speaker 1: in the episode notes. We'll come back, I'll give you 549 00:27:39,480 --> 00:27:41,800 Speaker 1: my spoiler free review of The Marvels and then we'll 550 00:27:41,800 --> 00:27:48,120 Speaker 1: talk about the new Mean Girls trailer. Let's get into 551 00:27:48,200 --> 00:27:50,760 Speaker 1: it now. A spoiler free movie review of The Marvels. 552 00:27:50,960 --> 00:27:53,560 Speaker 1: And I'm probably in the minority here, but I was 553 00:27:53,640 --> 00:27:56,600 Speaker 1: excited to see the sequel to Captain Marvel. I think 554 00:27:56,600 --> 00:28:00,159 Speaker 1: the character herself is a really great character, arguably the 555 00:28:00,200 --> 00:28:03,919 Speaker 1: strongest Avenger. I don't care what to say. I do think, however, 556 00:28:04,000 --> 00:28:07,200 Speaker 1: that movie was rush because they're really trying to establish 557 00:28:07,200 --> 00:28:10,000 Speaker 1: that character as we went into Endgame. So I feel 558 00:28:10,000 --> 00:28:12,080 Speaker 1: like the timeline when that movie came out, we didn't 559 00:28:12,119 --> 00:28:14,120 Speaker 1: have enough attention to it, and then we went into 560 00:28:14,200 --> 00:28:16,320 Speaker 1: Endgame and we haven't seen the character since. So what 561 00:28:16,359 --> 00:28:19,159 Speaker 1: this movie is about. You have Captain Marvel now teaming 562 00:28:19,240 --> 00:28:22,120 Speaker 1: up with Miss Marvel and Monica Rambo, and all their 563 00:28:22,119 --> 00:28:25,560 Speaker 1: powers become entangled, so whenever one tries to fully use 564 00:28:25,560 --> 00:28:27,920 Speaker 1: their powers, they switch with another member of the crew. 565 00:28:28,000 --> 00:28:30,440 Speaker 1: So you have them teaming up learning how to work 566 00:28:30,440 --> 00:28:33,160 Speaker 1: together and make it to where they can all change 567 00:28:33,200 --> 00:28:35,639 Speaker 1: powers and it be seamless and they can go against 568 00:28:35,680 --> 00:28:38,640 Speaker 1: the big villain. You also have Nick Fury in here 569 00:28:39,160 --> 00:28:42,200 Speaker 1: kind of ill placed in this entire movie. And I'm 570 00:28:42,200 --> 00:28:44,480 Speaker 1: gonna go with three things I liked and three things 571 00:28:44,520 --> 00:28:47,600 Speaker 1: I didn't like about this movie, starting with the positive. First, 572 00:28:47,760 --> 00:28:50,440 Speaker 1: Miss Marvel. I didn't love the Disney Plus show, but 573 00:28:50,520 --> 00:28:53,040 Speaker 1: her character in this movie was probably the best part. 574 00:28:53,080 --> 00:28:55,160 Speaker 1: And it's also the only part of this movie that 575 00:28:55,280 --> 00:28:59,080 Speaker 1: really had heart. Phase five is just lacking emotion and 576 00:28:59,160 --> 00:29:02,720 Speaker 1: lacking heart. The Marvel identity is kind of getting watered 577 00:29:02,720 --> 00:29:05,880 Speaker 1: down because what made those initial movies great were the 578 00:29:05,920 --> 00:29:09,080 Speaker 1: emotional connection we had with the characters, and I'm not 579 00:29:09,120 --> 00:29:12,320 Speaker 1: really feeling that anymore. The only time I ever felt 580 00:29:12,320 --> 00:29:15,240 Speaker 1: a sliver of that was with Miss Marvel's family. Second 581 00:29:15,280 --> 00:29:17,880 Speaker 1: thing I liked about this movie was the costume design. 582 00:29:18,280 --> 00:29:21,640 Speaker 1: A good superhero costume goes a long way. Miss Marvel's 583 00:29:21,680 --> 00:29:24,640 Speaker 1: suit was very bright and colorful, and Captain Marvel had 584 00:29:25,040 --> 00:29:27,880 Speaker 1: like the worn down sub dude colors kind of reminded 585 00:29:27,920 --> 00:29:30,040 Speaker 1: me of the old Captain America suit that I love 586 00:29:30,200 --> 00:29:33,640 Speaker 1: so Aesthetically, the suits look great in this movie, which 587 00:29:33,680 --> 00:29:35,560 Speaker 1: I feel like in Phase five there hasn't been much 588 00:29:35,560 --> 00:29:38,000 Speaker 1: attention to that, so they didn't really need a whole 589 00:29:38,040 --> 00:29:40,320 Speaker 1: lot of special effects going on with those suits to 590 00:29:40,400 --> 00:29:42,880 Speaker 1: make them look great. Second thing I liked about the movie. 591 00:29:42,960 --> 00:29:45,080 Speaker 1: Third thing I liked about the movie The visual effects 592 00:29:45,120 --> 00:29:47,960 Speaker 1: were actually a lot better than I was expecting, which 593 00:29:48,000 --> 00:29:50,240 Speaker 1: they've been struggling with. But I was kind of looking 594 00:29:50,240 --> 00:29:52,480 Speaker 1: for those moments that took me out of the movie, 595 00:29:52,600 --> 00:29:55,400 Speaker 1: whether it be something with a weird facial expression. I 596 00:29:55,400 --> 00:29:59,440 Speaker 1: didn't see blatant bad visual effects. I do think though 597 00:29:59,480 --> 00:30:02,440 Speaker 1: they're using way too much as far as all the 598 00:30:02,560 --> 00:30:06,000 Speaker 1: backgrounds not really feeling like there's any life to them. Again, 599 00:30:06,080 --> 00:30:08,280 Speaker 1: that's kind of the theme with Phase five right now, 600 00:30:08,440 --> 00:30:11,760 Speaker 1: is we're out of the MCU that exists in the 601 00:30:11,800 --> 00:30:13,840 Speaker 1: real world that we know. They're not in New York 602 00:30:13,920 --> 00:30:16,680 Speaker 1: City or New Jersey like Miss Marvel would be. They're 603 00:30:16,720 --> 00:30:19,720 Speaker 1: really just going out into space. It feels very Star 604 00:30:19,800 --> 00:30:22,240 Speaker 1: Wars ish right now, but not in a good way. 605 00:30:22,320 --> 00:30:24,880 Speaker 1: Probably all the bad parts that everybody hates about Star 606 00:30:24,920 --> 00:30:27,720 Speaker 1: Wars right now is kind of what the MCU is doing, 607 00:30:27,840 --> 00:30:30,360 Speaker 1: So I really think they need to get away from that, 608 00:30:30,880 --> 00:30:33,840 Speaker 1: and that would also solve their issues with spending so 609 00:30:33,920 --> 00:30:36,080 Speaker 1: much money on these movies. And then losing a bunch 610 00:30:36,080 --> 00:30:39,680 Speaker 1: of cash. Because if they stop focusing so much on 611 00:30:39,760 --> 00:30:42,080 Speaker 1: everything that needs to come and post and get us 612 00:30:42,080 --> 00:30:45,120 Speaker 1: in some real, just sets where you can actually interact 613 00:30:45,120 --> 00:30:48,120 Speaker 1: with things, you see some backgrounds, I think that would 614 00:30:48,120 --> 00:30:52,360 Speaker 1: help the actors get better performances, because throughout this entire film, 615 00:30:52,840 --> 00:30:55,560 Speaker 1: Ree Larson had about one acting note. I guess I'm 616 00:30:55,600 --> 00:30:58,080 Speaker 1: getting into the negative thing. So the first thing I 617 00:30:58,080 --> 00:31:01,280 Speaker 1: didn't like about this movie was the act And I'm 618 00:31:01,320 --> 00:31:03,360 Speaker 1: looking to Breed Larson, our star here, who I was 619 00:31:03,400 --> 00:31:06,320 Speaker 1: the most excited to see. She had about one note 620 00:31:06,760 --> 00:31:09,560 Speaker 1: throughout this entire movie, this one blank expression on her 621 00:31:09,560 --> 00:31:12,600 Speaker 1: face that was her confused face, her happy face or 622 00:31:12,600 --> 00:31:15,080 Speaker 1: what is going on face? And I feel like it 623 00:31:15,120 --> 00:31:18,680 Speaker 1: really changed the tone of Captain Marvel, who was so 624 00:31:18,960 --> 00:31:22,160 Speaker 1: heroic in the first film and so heroic an Endgame. 625 00:31:22,800 --> 00:31:25,480 Speaker 1: I feel like that identity kind of was washed away 626 00:31:25,520 --> 00:31:28,200 Speaker 1: in this movie to where she didn't really feel as 627 00:31:28,360 --> 00:31:31,680 Speaker 1: powerful and as in control. And that's what I wanted 628 00:31:31,720 --> 00:31:34,200 Speaker 1: my superhero. I want them to come in and dominate, 629 00:31:34,280 --> 00:31:38,240 Speaker 1: especially her, who has these incredible powers of harnessing all 630 00:31:38,280 --> 00:31:40,720 Speaker 1: this light energy, being able to fly, being able to 631 00:31:40,760 --> 00:31:44,120 Speaker 1: destroy cities. I didn't really feel that it was kind 632 00:31:44,120 --> 00:31:46,840 Speaker 1: of like she didn't know how to play the character anymore. 633 00:31:47,240 --> 00:31:49,960 Speaker 1: But again, I think it goes back to there's so 634 00:31:50,160 --> 00:31:52,480 Speaker 1: many things going on in the background that they don't 635 00:31:52,480 --> 00:31:55,360 Speaker 1: get to interact with. They don't really have anything to 636 00:31:55,400 --> 00:31:58,440 Speaker 1: play off when they're filming these movies. That is something 637 00:31:58,440 --> 00:32:01,640 Speaker 1: I'm realizing more and more really affects how we grasp 638 00:32:01,680 --> 00:32:05,280 Speaker 1: onto these movies. So I don't think it's entirely her fault. 639 00:32:05,760 --> 00:32:08,200 Speaker 1: Maybe a little bit on the director, maybe just a 640 00:32:08,200 --> 00:32:11,360 Speaker 1: little bit on the way that the MCU cranks South 641 00:32:11,360 --> 00:32:15,160 Speaker 1: East movies. So again, scaling back the budget, getting back 642 00:32:15,200 --> 00:32:17,440 Speaker 1: to some basics I think would help the MCU right 643 00:32:17,480 --> 00:32:20,920 Speaker 1: now because it's just lacking some identity. Second thing I 644 00:32:20,960 --> 00:32:23,240 Speaker 1: didn't like about the movie was the lack of action. 645 00:32:23,400 --> 00:32:25,760 Speaker 1: The fight scenes and the MCU used to be top 646 00:32:25,840 --> 00:32:29,600 Speaker 1: tier and now they're a lot more comical, probably a 647 00:32:29,600 --> 00:32:32,320 Speaker 1: lot more kid friendly, but there's no grit in the 648 00:32:32,360 --> 00:32:34,760 Speaker 1: action anymore like there was in Civil War, like there 649 00:32:34,800 --> 00:32:38,200 Speaker 1: wasn't Captain America or the early Ironman films. It just 650 00:32:38,240 --> 00:32:41,640 Speaker 1: feels very lighthearted and like there's really nothing on the line. 651 00:32:42,000 --> 00:32:44,080 Speaker 1: When a fight scene is happening right now. So this 652 00:32:44,160 --> 00:32:46,320 Speaker 1: movie was lacking a lot of action and a lot 653 00:32:46,320 --> 00:32:48,720 Speaker 1: of direction of where our heroes were trying to go. 654 00:32:49,080 --> 00:32:52,200 Speaker 1: It wasn't until really forty minutes into the movie that 655 00:32:52,280 --> 00:32:55,000 Speaker 1: we had a clear action, a clear mission, which usually 656 00:32:55,080 --> 00:32:57,960 Speaker 1: is something you should establish early on. Who's there, villain? 657 00:32:58,120 --> 00:32:59,760 Speaker 1: What do we need to do to defeat them? What's 658 00:32:59,800 --> 00:33:02,280 Speaker 1: the plan? Which is weird for a movie that's only 659 00:33:02,360 --> 00:33:04,240 Speaker 1: an hour and a half. I know the runtime is 660 00:33:04,280 --> 00:33:06,520 Speaker 1: listed is one hour and forty five minutes, but we 661 00:33:06,520 --> 00:33:08,760 Speaker 1: were out of there in ninety minutes, with the post 662 00:33:08,800 --> 00:33:11,280 Speaker 1: credit scene maybe coming at the one thirty five marks. 663 00:33:11,400 --> 00:33:14,640 Speaker 1: So for something to feel so rushed at the end, 664 00:33:14,920 --> 00:33:18,040 Speaker 1: I feel like this movie was treacherous in the editing 665 00:33:18,120 --> 00:33:21,240 Speaker 1: process of figuring out what to do. Maybe it's because 666 00:33:21,240 --> 00:33:24,560 Speaker 1: of all the reshoots that they decided, maybe we don't 667 00:33:24,560 --> 00:33:27,080 Speaker 1: have a full story here to flesh out a two 668 00:33:27,080 --> 00:33:29,400 Speaker 1: hour mar of a movie. Let's at least make it 669 00:33:29,480 --> 00:33:31,960 Speaker 1: quicker and get people out of there and don't give 670 00:33:32,080 --> 00:33:34,840 Speaker 1: people enough time to hate it, which is how I 671 00:33:34,920 --> 00:33:37,880 Speaker 1: kind of ended up feeling about this movie. There was 672 00:33:37,960 --> 00:33:40,840 Speaker 1: nothing I loved about it, but by the time it 673 00:33:40,920 --> 00:33:43,360 Speaker 1: was over there really wasn't anything I hated about it, 674 00:33:44,040 --> 00:33:46,920 Speaker 1: but I found myself just getting a little bit bored 675 00:33:46,960 --> 00:33:50,080 Speaker 1: at the story. I love the characters, I just didn't 676 00:33:50,080 --> 00:33:52,280 Speaker 1: love the story. I didn't love the villain, so I 677 00:33:52,320 --> 00:33:54,400 Speaker 1: wasn't ready to go on this journey with them. So 678 00:33:54,520 --> 00:33:57,160 Speaker 1: it was almost like I would have clicked next mission 679 00:33:57,200 --> 00:33:59,640 Speaker 1: on this movie and picked something else, because I actually 680 00:33:59,640 --> 00:34:01,880 Speaker 1: think that this plot point is really great of them 681 00:34:01,960 --> 00:34:04,880 Speaker 1: having these entangled powers. They should have had a lot 682 00:34:04,920 --> 00:34:07,080 Speaker 1: more fun with that, so I kind of lumped it 683 00:34:07,080 --> 00:34:09,040 Speaker 1: in there. But the third thing I did not like 684 00:34:09,080 --> 00:34:12,560 Speaker 1: about this movie was the villain. There was no point 685 00:34:12,600 --> 00:34:15,480 Speaker 1: where I felt that anything was really on the line, 686 00:34:15,520 --> 00:34:18,800 Speaker 1: like they were really fighting for something. The objective really 687 00:34:18,840 --> 00:34:20,920 Speaker 1: wasn't that clear of why they were trying to take 688 00:34:20,960 --> 00:34:24,240 Speaker 1: down this villain. So in order for me to really 689 00:34:24,239 --> 00:34:26,560 Speaker 1: be invested and get that Hurrah moment that we all 690 00:34:26,560 --> 00:34:28,920 Speaker 1: look for in an MCU movie, you're supposed to have 691 00:34:28,920 --> 00:34:31,359 Speaker 1: that heroic feeling, like you just watch your heroes take 692 00:34:31,400 --> 00:34:34,720 Speaker 1: on somebody that looked at one point to be unstoppable. 693 00:34:35,280 --> 00:34:38,120 Speaker 1: I didn't get that here. Again, it felt very rushed 694 00:34:38,160 --> 00:34:41,400 Speaker 1: in those last fifteen to twenty minutes, so there was 695 00:34:41,480 --> 00:34:44,319 Speaker 1: no real a we're not going to get our heroes 696 00:34:44,360 --> 00:34:46,000 Speaker 1: to where we need them to be. It was just okay, 697 00:34:46,040 --> 00:34:48,680 Speaker 1: here we are, here's the situation, and now it's over. 698 00:34:48,920 --> 00:34:51,840 Speaker 1: What exactly did we just experience here? So, by no 699 00:34:51,960 --> 00:34:55,160 Speaker 1: means is this movie just blatantly bad. It's just very 700 00:34:55,320 --> 00:34:58,840 Speaker 1: bland and generic and safe. I wanted them to go 701 00:34:58,880 --> 00:35:01,759 Speaker 1: a little bit harder, especially when you have an all 702 00:35:01,840 --> 00:35:05,360 Speaker 1: female lead cast, which I love. Again, the characters are great. 703 00:35:05,440 --> 00:35:08,160 Speaker 1: The story in this movie just doesn't really make sense 704 00:35:08,200 --> 00:35:11,560 Speaker 1: and didn't really need to happen, and therefore just kind 705 00:35:11,600 --> 00:35:14,000 Speaker 1: of feels like a weak stepping stone as we are 706 00:35:14,120 --> 00:35:17,520 Speaker 1: navigating through phase five, really just trying to scrape through 707 00:35:17,560 --> 00:35:19,960 Speaker 1: it and keep people interested in Marvel as they go 708 00:35:20,040 --> 00:35:22,440 Speaker 1: into phase six. I also feel like this is a 709 00:35:22,440 --> 00:35:24,799 Speaker 1: movie because it is female led, that people are just 710 00:35:24,840 --> 00:35:27,839 Speaker 1: gonna hate without even watching the movie. Because really, when 711 00:35:27,840 --> 00:35:30,480 Speaker 1: it was all said and done, this movie felt to 712 00:35:30,520 --> 00:35:33,719 Speaker 1: me like it was made for Disney. Plus just the 713 00:35:33,760 --> 00:35:37,440 Speaker 1: film quality itself, the cinematography. Nothing screamed to me that 714 00:35:37,520 --> 00:35:40,040 Speaker 1: this needed to be on the big screen. I think 715 00:35:40,120 --> 00:35:42,279 Speaker 1: if you took this same story and chopped it up 716 00:35:42,320 --> 00:35:45,799 Speaker 1: into four or five maybe six episodes. It would have 717 00:35:45,800 --> 00:35:48,759 Speaker 1: been a smash hit, but again, it's pretty expensive, so 718 00:35:48,800 --> 00:35:51,319 Speaker 1: they couldn't do that. It just feels like something that 719 00:35:51,480 --> 00:35:53,919 Speaker 1: didn't have a whole lot of hype going into it. 720 00:35:54,200 --> 00:35:57,600 Speaker 1: They didn't take any risks, and therefore it's not really 721 00:35:57,600 --> 00:35:59,319 Speaker 1: going to motivate people to want to go see this 722 00:35:59,360 --> 00:36:01,320 Speaker 1: in theaters when it's going to come out on Disney 723 00:36:01,360 --> 00:36:03,719 Speaker 1: Plus in a couple or few months. And I don't 724 00:36:03,719 --> 00:36:05,719 Speaker 1: think that puts the MCU in a great place when 725 00:36:05,719 --> 00:36:08,239 Speaker 1: they are in the business of making money. So this 726 00:36:08,360 --> 00:36:11,359 Speaker 1: movie was all trouble and no base. And I think 727 00:36:11,400 --> 00:36:14,120 Speaker 1: it's very lazy to call a movie mid. I hate 728 00:36:14,160 --> 00:36:17,680 Speaker 1: it when reviewers say mid because it feels so disrespectful. 729 00:36:17,760 --> 00:36:19,920 Speaker 1: But it feels so uncreative to me of just to 730 00:36:19,960 --> 00:36:22,400 Speaker 1: call something mid, because you know that it gets a 731 00:36:22,480 --> 00:36:24,920 Speaker 1: rise out of people, Especially when somebody loves something and 732 00:36:24,960 --> 00:36:27,560 Speaker 1: you call it mid. It's like a big dig right 733 00:36:27,600 --> 00:36:30,320 Speaker 1: into your face, right into your fandom. But that's really 734 00:36:30,320 --> 00:36:33,000 Speaker 1: the only way I can describe this movie. And I 735 00:36:33,040 --> 00:36:34,600 Speaker 1: hate to say it, I hate to use it, but 736 00:36:34,640 --> 00:36:36,640 Speaker 1: it was so mid. I said the same thing about 737 00:36:36,719 --> 00:36:39,560 Speaker 1: ant Man, though, because even though I love parts of it. 738 00:36:39,719 --> 00:36:43,280 Speaker 1: The overall story just keeps me thinking did we really 739 00:36:43,320 --> 00:36:47,400 Speaker 1: need this? Therefore, this movie was really mid and especially 740 00:36:47,400 --> 00:36:50,560 Speaker 1: going into it where I wanted the Captain Marvel character 741 00:36:50,640 --> 00:36:53,600 Speaker 1: to have so much time to flourish, didn't really do 742 00:36:53,680 --> 00:36:56,040 Speaker 1: it for me for Captain Marvel. I give it two 743 00:36:56,120 --> 00:36:58,560 Speaker 1: point five out of five cats. 744 00:37:02,120 --> 00:37:05,759 Speaker 2: It's time to head down to movie Mike trailer Paul. 745 00:37:07,120 --> 00:37:10,680 Speaker 1: Is Hollywood out of ideas? That's always the big question 746 00:37:10,800 --> 00:37:14,200 Speaker 1: I see online. The main criticism I see when it 747 00:37:14,200 --> 00:37:16,640 Speaker 1: comes to movies right now is that everything is a remake, 748 00:37:16,760 --> 00:37:21,200 Speaker 1: everything is a sequel, and there are no original ideas left. 749 00:37:21,400 --> 00:37:24,160 Speaker 1: And I will have to say the trailer for Me 750 00:37:24,160 --> 00:37:27,960 Speaker 1: and Girls twenty twenty four does not help that argument. 751 00:37:28,360 --> 00:37:31,520 Speaker 1: Even though the movie is based on the musical, so 752 00:37:31,560 --> 00:37:33,399 Speaker 1: it's not a direct remake of the movie from two 753 00:37:33,400 --> 00:37:36,920 Speaker 1: thousand and four, it is a movie based on the musical, 754 00:37:37,640 --> 00:37:40,160 Speaker 1: which the movie is based on them. You know, it's 755 00:37:40,160 --> 00:37:44,040 Speaker 1: this entire loop thing and after watching the trailer, there's 756 00:37:44,080 --> 00:37:47,400 Speaker 1: nothing that screams musical to me. What this trailer looks 757 00:37:47,480 --> 00:37:50,239 Speaker 1: like is they really want to cash in on the 758 00:37:50,280 --> 00:37:53,440 Speaker 1: fact that the entire plot feels familiar, and that's what 759 00:37:53,480 --> 00:37:56,960 Speaker 1: they are going after. There are direct references line for 760 00:37:57,200 --> 00:38:00,840 Speaker 1: line from the original movie in this trailer. The wardrobe 761 00:38:00,880 --> 00:38:03,160 Speaker 1: is the same, the characters are the same. It just 762 00:38:03,200 --> 00:38:06,120 Speaker 1: feels like the gen Z remake of that original movie 763 00:38:06,120 --> 00:38:08,840 Speaker 1: because there's no singing in the trailer. So to the 764 00:38:08,920 --> 00:38:12,480 Speaker 1: casual person just stumbling upon this trailer, you're really not 765 00:38:12,480 --> 00:38:15,040 Speaker 1: gonna know that even though that's the case here with 766 00:38:15,239 --> 00:38:18,319 Speaker 1: remakes and sequels, is they want to cash in on 767 00:38:18,360 --> 00:38:21,279 Speaker 1: the familiarity and what has already been proven to work. 768 00:38:21,360 --> 00:38:24,799 Speaker 1: Because everybody knows and loves the original movie, they kind 769 00:38:24,840 --> 00:38:27,320 Speaker 1: of just bring out all those elements, feature them again 770 00:38:27,520 --> 00:38:29,919 Speaker 1: and think, oh, in turn, people want to go watch 771 00:38:29,960 --> 00:38:32,759 Speaker 1: this again. But I have never not wanted to see 772 00:38:32,760 --> 00:38:35,600 Speaker 1: a movie so much after watching a trailer. I'll get 773 00:38:35,600 --> 00:38:38,240 Speaker 1: into more of my thoughts, but before I do, here's 774 00:38:38,320 --> 00:38:40,319 Speaker 1: just a little bit of the Mean Girls twenty twenty 775 00:38:40,360 --> 00:38:42,479 Speaker 1: four trailer, which is also weird to say because it's 776 00:38:42,520 --> 00:38:45,080 Speaker 1: just called mean Girls, not called mean girls too, not 777 00:38:45,160 --> 00:38:47,120 Speaker 1: called me mean girls. They have to add in the 778 00:38:47,239 --> 00:38:50,359 Speaker 1: year to differentiate the two. So here's a little bit 779 00:38:50,480 --> 00:38:54,600 Speaker 1: of the trailer. Get in, Lisa, Welcome Skiti. You're never 780 00:38:54,600 --> 00:38:58,280 Speaker 1: gonna believe what I found this morning your burn book, Mom. 781 00:38:58,360 --> 00:39:03,000 Speaker 1: It makes naps for sure, sure, Regina, Yeah, do you 782 00:39:03,160 --> 00:39:03,520 Speaker 1: like them? 783 00:39:03,840 --> 00:39:04,080 Speaker 3: Sure? 784 00:39:04,680 --> 00:39:07,520 Speaker 1: Oh no, I don't have any. I was just you're 785 00:39:07,520 --> 00:39:11,640 Speaker 1: a max. We will help you. Gatty, Why are you 786 00:39:12,000 --> 00:39:15,279 Speaker 1: so scary? It's Halloween. If you don't dress slutty, that 787 00:39:15,440 --> 00:39:19,160 Speaker 1: is slutch shaming us. That's just unprofessional. So what you 788 00:39:19,280 --> 00:39:22,040 Speaker 1: heard in that trailer are some of the same gags 789 00:39:22,120 --> 00:39:25,800 Speaker 1: and jokes from the original movie, just change just a 790 00:39:25,920 --> 00:39:27,759 Speaker 1: little bit. So what you have in this movie is 791 00:39:27,840 --> 00:39:30,879 Speaker 1: Tina Fey and Tim Meadows reprising their roles from their 792 00:39:30,960 --> 00:39:33,960 Speaker 1: old characters in the first movie. John hamm is taking 793 00:39:34,040 --> 00:39:36,200 Speaker 1: over the role of Coach Carter, and you have a 794 00:39:36,320 --> 00:39:39,880 Speaker 1: lot of new actors playing all of the young people 795 00:39:40,000 --> 00:39:42,840 Speaker 1: from the original movie. So what you didn't hear in 796 00:39:42,960 --> 00:39:45,399 Speaker 1: that clip or the rest of the trailer was any 797 00:39:45,520 --> 00:39:48,240 Speaker 1: of the singing. And I'm not too familiar with the musical, 798 00:39:48,560 --> 00:39:51,440 Speaker 1: but it's supposed to be adapted from the movie. So 799 00:39:51,560 --> 00:39:54,640 Speaker 1: what we are seeing here is just all the acting parts. 800 00:39:54,760 --> 00:39:56,440 Speaker 1: I wanted to see a little bit of the singing. 801 00:39:56,520 --> 00:39:59,080 Speaker 1: I wanted to see a little bit what is going 802 00:39:59,160 --> 00:40:01,800 Speaker 1: to make this movie different? Because it's not a remake. 803 00:40:02,320 --> 00:40:06,239 Speaker 1: They're calling it a hybrid, which we've seen done recently 804 00:40:06,480 --> 00:40:09,839 Speaker 1: with Matilda, and we have the color purple. So it's 805 00:40:09,920 --> 00:40:14,239 Speaker 1: not a completely new idea to make a musical adaptation 806 00:40:14,440 --> 00:40:17,560 Speaker 1: of a movie we've already seen. I just haven't seen 807 00:40:17,640 --> 00:40:20,880 Speaker 1: a version where they've done a musical remake and not 808 00:40:21,120 --> 00:40:24,120 Speaker 1: included any of that in the trailer. When the Matilda 809 00:40:24,200 --> 00:40:26,160 Speaker 1: trailer came out, the one that came out on Netflix, 810 00:40:26,320 --> 00:40:29,160 Speaker 1: it was very apparent that it was going to be 811 00:40:29,239 --> 00:40:32,640 Speaker 1: a musical and therefore completely different, and that one in 812 00:40:32,800 --> 00:40:36,319 Speaker 1: no way felt like that original movie from the nineties. Here, 813 00:40:36,640 --> 00:40:39,600 Speaker 1: it just feels like they are remaking the movie. And 814 00:40:39,760 --> 00:40:42,960 Speaker 1: Mean Girls, to me, is one of those perfect movies, 815 00:40:43,120 --> 00:40:46,120 Speaker 1: a movie that really shouldn't have been touched. I would 816 00:40:46,160 --> 00:40:49,200 Speaker 1: have been more excited to see a direct sequel a 817 00:40:49,320 --> 00:40:52,400 Speaker 1: Mean Girls, too, not based on the musical, but instead 818 00:40:52,480 --> 00:40:54,840 Speaker 1: what they've been doing recently with all these Mean Girls 819 00:40:54,960 --> 00:40:57,759 Speaker 1: advertisements that they've been doing with the original actors of 820 00:40:57,920 --> 00:41:00,799 Speaker 1: them twenty years later. Now in that moment, I think 821 00:41:00,920 --> 00:41:03,279 Speaker 1: that would have been a much more interesting movie of 822 00:41:03,400 --> 00:41:05,759 Speaker 1: how the Mean Girls grow up, become moms and their 823 00:41:05,880 --> 00:41:08,279 Speaker 1: daughters are the new focus instead of having just new 824 00:41:08,360 --> 00:41:11,799 Speaker 1: people come in and remake what happened in that original movie. 825 00:41:11,880 --> 00:41:14,120 Speaker 1: I think that would be a much more interesting story 826 00:41:14,280 --> 00:41:18,120 Speaker 1: and more creative. I worry that making what seems like 827 00:41:18,200 --> 00:41:21,040 Speaker 1: an exact copy of the original movie with some songs 828 00:41:21,080 --> 00:41:22,880 Speaker 1: that are going in there isn't going to really do 829 00:41:23,080 --> 00:41:26,640 Speaker 1: that well, and you're gonna anger those people who hate remakes, 830 00:41:27,040 --> 00:41:30,040 Speaker 1: especially with the movie that has such a dedicated fan 831 00:41:30,120 --> 00:41:32,520 Speaker 1: base as Mean Girls, one of the best movies of 832 00:41:32,560 --> 00:41:35,320 Speaker 1: the two thousands, one of the most quotable movies of 833 00:41:35,400 --> 00:41:38,960 Speaker 1: all time, And although twenty years is a significant amount 834 00:41:38,960 --> 00:41:41,160 Speaker 1: of time that has passed between that one and now, 835 00:41:41,480 --> 00:41:43,600 Speaker 1: it's crazy. I think it's been twenty years since that 836 00:41:43,719 --> 00:41:46,480 Speaker 1: movie came out, really making us feel old here. I 837 00:41:46,680 --> 00:41:49,080 Speaker 1: just think you have to make it different instead of 838 00:41:49,200 --> 00:41:52,520 Speaker 1: just updating everything to make all these gen Z references 839 00:41:52,600 --> 00:41:54,680 Speaker 1: that are going to feel cringey in ten years. 840 00:41:54,880 --> 00:41:55,040 Speaker 3: Oh. 841 00:41:55,200 --> 00:41:56,840 Speaker 1: I don't think this movie is going to stand the 842 00:41:56,920 --> 00:41:59,200 Speaker 1: test of time like the original one did, which has. 843 00:41:59,440 --> 00:42:02,080 Speaker 1: If you go back and watch that original movie, it 844 00:42:02,239 --> 00:42:04,320 Speaker 1: is still a great movie. But this one is just 845 00:42:04,400 --> 00:42:07,120 Speaker 1: adding in things like TikTok, changing some of the jokes, 846 00:42:07,160 --> 00:42:09,120 Speaker 1: to make them a little bit more riskue, a little 847 00:42:09,160 --> 00:42:11,920 Speaker 1: bit more sexual. I don't feel like that's gonna be 848 00:42:12,040 --> 00:42:14,800 Speaker 1: enough to really carry this movie. Another thing that worries me, 849 00:42:14,960 --> 00:42:18,760 Speaker 1: it's coming out on January twelfth, historically not the best 850 00:42:18,880 --> 00:42:21,800 Speaker 1: month to release a movie. Maybe they're just trying to 851 00:42:21,960 --> 00:42:25,279 Speaker 1: counter program and put it out after the holidays when 852 00:42:25,320 --> 00:42:28,320 Speaker 1: there's not much going on, So that worries me a 853 00:42:28,440 --> 00:42:31,000 Speaker 1: little bit. And going back to the trailer where they're 854 00:42:31,080 --> 00:42:34,759 Speaker 1: just playing off the familiarity of the movie, making a 855 00:42:34,840 --> 00:42:37,719 Speaker 1: trailer that's very shareable so you can tell all your friends, look, 856 00:42:37,760 --> 00:42:39,920 Speaker 1: they're remaking the movie. I feel like that was the 857 00:42:40,000 --> 00:42:43,520 Speaker 1: intention of this trailer. The next trailer they put out, 858 00:42:43,600 --> 00:42:46,040 Speaker 1: I feel it's gonna have that musical element and really 859 00:42:46,120 --> 00:42:48,640 Speaker 1: make it look like something different. So I don't want 860 00:42:48,680 --> 00:42:50,440 Speaker 1: to say this one is dead in the water yet. 861 00:42:50,560 --> 00:42:53,279 Speaker 1: For me, I just need to see that next trailer. Now, 862 00:42:53,320 --> 00:42:55,640 Speaker 1: if that trailer comes out still doesn't speak to me, 863 00:42:55,800 --> 00:42:58,440 Speaker 1: I'm gonna say this was a bad, bad decision and 864 00:42:58,600 --> 00:43:01,120 Speaker 1: just the cash grab, which I hate, a cash grab 865 00:43:01,280 --> 00:43:03,959 Speaker 1: that tugs at the nostalgias streams inside of our heart. 866 00:43:04,120 --> 00:43:06,120 Speaker 1: I would just go watch Mean Girls again. If I 867 00:43:06,200 --> 00:43:08,879 Speaker 1: wanted the exact same plot points. So again, that's coming 868 00:43:08,920 --> 00:43:12,080 Speaker 1: out in theaters on January twelfth. The jury is still 869 00:43:12,120 --> 00:43:15,080 Speaker 1: out on this one, waiting for that second trailer head 870 00:43:15,120 --> 00:43:18,560 Speaker 1: That for was this week's edition of Movie by Tram 871 00:43:18,680 --> 00:43:21,400 Speaker 1: or Bar and that's gonna do it for this week's episode. 872 00:43:21,440 --> 00:43:23,280 Speaker 1: But before I go, I got to give my listeners 873 00:43:23,320 --> 00:43:25,279 Speaker 1: shout out of the week. How do you get a 874 00:43:25,320 --> 00:43:27,160 Speaker 1: listener's shout out of the week? Where you can comment 875 00:43:27,239 --> 00:43:30,040 Speaker 1: on my Instagram TikTok at Mike d Shrow. I have 876 00:43:30,120 --> 00:43:33,719 Speaker 1: a Facebook page, Facebook dot com slash Mike dstro and 877 00:43:33,840 --> 00:43:37,080 Speaker 1: the YouTube channel where if you've missed any individual movie 878 00:43:37,160 --> 00:43:39,080 Speaker 1: review or you just want to see it and hear 879 00:43:39,160 --> 00:43:41,360 Speaker 1: it at the same time, I put all those up 880 00:43:41,400 --> 00:43:44,560 Speaker 1: on my channel YouTube dot com slash Mike Dstrow, which 881 00:43:45,080 --> 00:43:47,080 Speaker 1: some of the reviews have been starting to pop off 882 00:43:47,120 --> 00:43:50,000 Speaker 1: over there, but I find now that YouTube can be 883 00:43:50,120 --> 00:43:51,960 Speaker 1: kind of a dark place, and some people have not 884 00:43:52,080 --> 00:43:54,840 Speaker 1: been so nice in the comments. I'd say eighty percent 885 00:43:54,960 --> 00:43:59,200 Speaker 1: are pretty positive. Fifteen percent may not like my point 886 00:43:59,280 --> 00:44:02,280 Speaker 1: of view, but we can challenge each other. I'm always 887 00:44:02,360 --> 00:44:05,480 Speaker 1: fine with that movie interpretations are always up for debate, 888 00:44:05,560 --> 00:44:07,759 Speaker 1: but it doesn't feel like they are attacking me. And 889 00:44:07,960 --> 00:44:11,560 Speaker 1: another five percent of just people commenting on my physical appearance, 890 00:44:11,840 --> 00:44:14,040 Speaker 1: which is not cool. So YouTube can be kind of 891 00:44:14,080 --> 00:44:17,120 Speaker 1: a dark place, but I'm still posting there every single week. 892 00:44:17,440 --> 00:44:19,600 Speaker 1: But this week's listener shout out of the Week comes 893 00:44:19,640 --> 00:44:22,719 Speaker 1: to us from Instagram Jelyissa Davis, who commented and said, 894 00:44:23,040 --> 00:44:26,000 Speaker 1: listen to twenty six episodes this weekend on mine drives 895 00:44:26,239 --> 00:44:28,680 Speaker 1: from Florida to South Carolina and back. You got me 896 00:44:28,760 --> 00:44:30,800 Speaker 1: through the entire drive back and forth. Keep up the 897 00:44:30,840 --> 00:44:33,680 Speaker 1: great work. Your podcast is fire. That is a lot 898 00:44:33,840 --> 00:44:36,800 Speaker 1: of episodes, a lot of me, too much of me, 899 00:44:37,040 --> 00:44:39,400 Speaker 1: a lot of movie content. So just a round of 900 00:44:39,440 --> 00:44:42,160 Speaker 1: applause for listening to that many episodes. I don't think 901 00:44:42,160 --> 00:44:43,919 Speaker 1: I could listen to myself for that amount of time, 902 00:44:44,160 --> 00:44:46,680 Speaker 1: So you lista for that commitment. You probably deserve more 903 00:44:46,719 --> 00:44:48,839 Speaker 1: than just listener of the week. That is a lot 904 00:44:48,880 --> 00:44:51,120 Speaker 1: of episodes, But thank you so much for listening. Thank 905 00:44:51,160 --> 00:44:54,080 Speaker 1: you to everyone in the movie crew. And until next time, 906 00:44:54,320 --> 00:44:56,480 Speaker 1: go out and watch good movies and I will talk 907 00:44:56,520 --> 00:44:57,759 Speaker 1: to you later.