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Speaker 1: I listened to The Black Guy Who Tips because Rod

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Speaker 1: and Karen are so hot. Hey, welcome to another episode

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Speaker 1: of The Black Guy to his podcast. I'm your host, Rod,

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Speaker 1: joined is always my coast Karen, and we are live

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Speaker 1: on a Tuesday.

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Speaker 2: I think it is.

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Speaker 1: I think it's a Tuesday.

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Speaker 2: I think it is Tuesday.

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Speaker 1: Guys, it's all blending together. I'm working very hard here,

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Speaker 1: but yeah, we're live on a Tuesday. We actually didn't

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Speaker 1: have a show yesterday, because that's right. I went out

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Speaker 1: to dinner with BOSSI and ray I met for the

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Speaker 1: first time in person. I had already met ray her. Yeah,

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Speaker 1: I had already met ray SONI at Drunk Black History. Uh,

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Speaker 1: so that you know, like and and of course we

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Speaker 1: hung out together last year, uh in the Airbnb, so

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Speaker 1: you know that was obviously She's a joint pleasure and

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Speaker 1: it's always great to see you.

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Speaker 2: Always love to see her, and same with Boston.

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Speaker 1: You know the person. I feel like it's one of

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Speaker 1: those things where you know somebody and you talk to

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Speaker 1: him all the time, and you know, this is one

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Speaker 1: of the good sides of digital connection in the Internet,

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Speaker 1: and you know, it's cool to like be face to

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Speaker 1: face and talk and chat and gossip and all that

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Speaker 1: stuff and and not feel like a weirdo. And everybody

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Speaker 1: was just like they are, you know online, right, So

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Speaker 1: it was fun.

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Speaker 3: Yes, Yes, I'm very very glad that y'all got to

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Speaker 3: kick it.

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Speaker 2: And I know y'all had a great time.

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Speaker 3: And I figured out that y'all probably chatting for a while,

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Speaker 3: so I was like, uh, y'all just go and have

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Speaker 3: a good time.

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Speaker 2: What did y'all eat?

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Speaker 1: You know me, I'm to a place called the Valerie

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Speaker 1: or something, and we just got we ordered so much food.

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Speaker 1: It was all like advertisers and stuff. We just got

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Speaker 1: kind of like topas. Yeah, we just got all that

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Speaker 1: stuff like macaroni and cheese, uh, charcouieri, which is of

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Speaker 1: course lunchables.

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Speaker 3: Uh fancy lunchbles, harder choked dip, uh crab.

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Speaker 1: I got a crab cake and we and we split everything.

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Speaker 1: We were just all eating everybody's food like it was.

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Speaker 1: It was fun. And and then we just had a

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Speaker 1: lot of drinks and uh, it was like it was

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Speaker 1: so fun. It was so good. Uh and uh yeah,

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Speaker 1: and like you know, such good conversation and you know,

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Speaker 1: and it's that thing where like because you're not like

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Speaker 1: a complete stranger. You don't have to have like so

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Speaker 1: where'd you go to school? You know, Like it was

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Speaker 1: just actually like yeah, and you know, it's one of

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Speaker 1: those things too, where like I know Ray and I

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Speaker 1: know Bossy and I've known them both pretty well for

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Speaker 1: a while, and it's one of those things where I

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Speaker 1: wanted them to hit it off, and I was so

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Speaker 1: happy that they did, you know, and and they both

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Speaker 1: like are dope and admire each other. So that was cool,

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Speaker 1: you know, like it was a love fast man. Like,

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Speaker 1: it was just a big old was it was so sweet.

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Speaker 3: I'm not gonna lie I was jealous only because I

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Speaker 3: couldn't beat it.

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Speaker 2: I wouldn't. I ain't jealous of the relationships. I was

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Speaker 2: just sad because I was like, I want to beat

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Speaker 2: in crab cakes too.

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Speaker 1: Absolutely, yeah, I wish she could have been there with us,

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Speaker 1: and it was like, uh but yeah, it was. It

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Speaker 1: was a lot of fun and just you know Ray,

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Speaker 1: and Ray just kept trying to convince me to do

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Speaker 1: stand up. That's her new thing.

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Speaker 2: Yeah, she seen you do that jump. Black history is

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Speaker 2: like this nigga funny, real funny.

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Speaker 1: Yeah, it's a hell of a compliment.

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Speaker 2: You know a comedy mind started ticking.

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Speaker 1: Boy, yeah, it's a hell of a compliment and stuff.

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Speaker 1: I told her, I think about think about that. Maybe

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Speaker 1: if we get renewed, or if it's something where I

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Speaker 1: have to be up here for an extended period of time,

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Speaker 1: or something just based on the future, maybe I'll think

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Speaker 1: about it then, you know, because it really seems like

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Speaker 1: no point of trying to be a stand up comedian

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Speaker 1: in Charlotte. Not no offense to the local market, but

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Speaker 1: it just don't seem like no point. And then it's

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Speaker 1: not really like my necessary Yeah, and being a stand

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Speaker 1: up isn't necessarily my dream. And also have it's a

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Speaker 1: lot of work to do this show that many times

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Speaker 1: a week and stuff. I feel like stand up people

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Speaker 1: go get up that many times a week, you know,

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Speaker 1: like that's what they're putting their work. It's like, okay, boom,

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Speaker 1: I got to hit three mics tonight. You know, I

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Speaker 1: need to do that three four times a week. I

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Speaker 1: got you know, I gotta stay sharp, I gotta get better.

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Speaker 1: I gotta work, and I respect the work they put in.

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Speaker 1: And I don't know that I want to make the

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Speaker 1: trade off of giving up anything, like you know, I

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Speaker 1: like being dope at writing a TV show. I like

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Speaker 1: being dope at doing this pod, and I like being

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Speaker 1: funny in the way that I'm funny. I think if

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Speaker 1: it was something where we were up here for extended

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Speaker 1: period of time, maybe we do more live shows because

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Speaker 1: it's easier to get a venue and just sell out

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Speaker 1: or as many tickets as you can and do a

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Speaker 1: live show than it is like that.

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Speaker 3: Yeah, that's stuff that I've been thinking about too. We're

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Speaker 3: probably talking about that when you get back to jail.

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Speaker 3: That's something I've been thinking about.

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Speaker 1: I mean, all that stuff is just depending on a

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Speaker 1: bunch of moving parts that I don't got no control over.

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Speaker 1: But yeah, man, it was such a good time. Man, everybody.

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Speaker 1: The waiter was like this cool dude that I forget

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Speaker 1: what he was, like Tibetan and something else, but he

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Speaker 1: had this accent. It was funny because Ray just kept

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Speaker 1: talking about his like he sounded like he was from

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Speaker 1: New York and he obviously gets this question a lot,

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Speaker 1: you know. He's like, yeah, I'm from Brooklyn, Da Da

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Speaker 1: Da and all the stuff, and uh it was like okay.

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Speaker 1: He was like, yeah, most people expect me to have

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Speaker 1: an accent or something now like oh my god, is

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Speaker 1: that racist, I'm sorry or whatever, And I was like, yeah,

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Speaker 1: I didn't expect you to have an accent because I'm

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Speaker 1: so woked that anything, anything you would have said would

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Speaker 1: have been fine to me, you know, but but nah,

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Speaker 1: it was. It was a great time the man, I

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Speaker 1: will say, And it could just be this restaurant, but

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Speaker 1: I think it might be kind of in general. Drinks

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Speaker 1: are more expensive in New York.

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Speaker 2: You know, yes they are.

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Speaker 1: They definitely caused me. You got to think about like

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Speaker 1: I was looking at that menu like as a cheesecake factor.

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Speaker 1: I was like, and it was like a big men.

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Speaker 1: You had like fifty four drinks on this one menu

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Speaker 1: and they were delicious. They were good. And shout out

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Speaker 1: to shout out to because Ray paid for the meal

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Speaker 1: because she got it like that, you know what I'm saying.

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Speaker 1: She she just y'all see the resume, go to her IMDb.

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Speaker 1: You know what I'm saying. She getting these writer of checks.

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Speaker 1: She she out here. And it was yeah, and I

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Speaker 1: don't and like it's funny because oh, I don't know

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Speaker 1: if it's a black thing or what. But whenever you

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Speaker 1: say somebody got got it like that, and I'm guilty

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Speaker 1: of this too. Everybody is. It's like that you immediately

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Speaker 1: have to start justifying that just spending money. And so

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Speaker 1: it's like black people start telling you how hard their

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Speaker 1: life was or how you know, like how little they

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Speaker 1: have or whatever, and it's always the scene. Yeah, like

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Speaker 1: I'm like, man, flex on me, you like, let me

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Speaker 1: make my joke about you having money. But just know that,

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Speaker 1: like you know, it's I want to You're gonna get

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Speaker 1: these jokes though. Yeah, it's just me trying to tell

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Speaker 1: it's me trying to take the awkwardness out of it

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Speaker 1: and tell you that you know, it's thank you, it's

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Speaker 1: you know, And I definitely made sure to tell it

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Speaker 1: thank you quite a few times. But it was just

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Speaker 1: so funny because like as soon as you said it's like, oh, no,

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Speaker 1: you know, I don't have no kids. You know I'm

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Speaker 1: doing this. I'm doing that. I got shot. I got

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Speaker 1: shot in fifteen, and I got shot when I was

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Speaker 1: fifteen years old. I'm not unsuppo to be alive.

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Speaker 2: You know.

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Speaker 3: I used to be on foodstamps, you knowst I you know,

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Speaker 3: I got free of a news lunch.

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Speaker 2: You're like, it's okay, it's Okay.

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Speaker 1: My grandma was a My grandma was a former slave

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Speaker 1: and she she escaped to the north. And I'm like, man,

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Speaker 1: why are we always trying to justify, like because you know,

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Speaker 1: being black, because because most of the time we don't

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Speaker 1: have generation on wealth anyway, being black and being like

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Speaker 1: even middle class or like doing Okay, it's like a

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Speaker 1: guilt or it's like you need an explanation. Yes, all right, guys,

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Speaker 1: I promise I'm still black.

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Speaker 2: Almost like you feel what do they call it the remorse.

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Speaker 3: Survivor's guilt, Yes, survivors guilt type of thing. It's like,

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Speaker 3: I survived blackness, so you know, because I survived blackness

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Speaker 3: and me being black didn't take me out.

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Speaker 2: You know, I gotta justify but you actually, in reality

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Speaker 2: you don't.

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Speaker 3: But I think for a lot of people they may

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Speaker 3: feel that thing, and then then for a lot of

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Speaker 3: people they feel like, well, okay, now I have to

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Speaker 3: quote unquote just for my blackness. But you know me

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Speaker 3: and you, I don't be kicking nobody any blackness because

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Speaker 3: I didn't put your ass in blackness?

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Speaker 2: So who am I to kick you out?

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Speaker 1: Yeah? Man, honestly do the other thing. And you know,

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Speaker 1: we do this a lot in real life where we

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Speaker 1: have conversations on the podcast but also off the podcast,

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Speaker 1: and it's refreshing to talk to people about, you know,

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Speaker 1: for those of us who are like kind of hyper online,

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Speaker 1: whether it's your job or just your addiction or just

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Speaker 1: your you know, how you pass time. You know, this podcast,

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Speaker 1: I would consider us, you know, we're hyper online, partially

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Speaker 1: because of what we do, but partially just in general,

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Speaker 1: you know.

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Speaker 2: And yeah, probably a lot more than an average person.

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Speaker 1: Yes, I agree, And so it feels good sometimes I

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Speaker 1: like talk to people outside of that and you know,

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Speaker 1: like where things match up where they don't like how

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Speaker 1: you you know, make each other feel less fucking crazy.

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Speaker 3: Yes, it helps justify your reality because online will make

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Speaker 3: you think you're a lunatic. And so some of these

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Speaker 3: conversations actually need to be offline, not recorded anything like that.

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Speaker 2: Like I said, it's a generational thing.

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Speaker 3: Everything that you do and everywhere that you go, it's

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Speaker 3: not meant for public consumption.

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Speaker 2: It's just not.

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Speaker 3: And so then you need a space that you can

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Speaker 3: have to yourself, for yourself without judgment.

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Speaker 1: And well also to me, a lot of it is

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Speaker 1: like you need not even just a space, right but

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Speaker 1: you need like to be able to confirm sometimes that

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Speaker 1: you're not crazy, you know, because like motherfuckers will make you.

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Speaker 1: I'll give you I'll give an example that it's not

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Speaker 1: related to something current, so that people can at least

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Speaker 1: have they can see what my perspective is right, because

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Speaker 1: I think saying current shit, motherfuckers are so caught up

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Speaker 1: in the matrix that they immediately get you know, reflexive.

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Speaker 1: But the thing I like, remember when Offset allegedly cheated

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Speaker 1: on Cardi b and then he showed up with her

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Speaker 1: show with all these flowers, and it was this big,

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Speaker 1: you know, almost like a rom Com level of like

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Speaker 1: whatever you call that, you know, And I remember watching

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Speaker 1: that and I saw a lote how many people were like,

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Speaker 1: this is abuse. He's stalking her, She's not safe. This

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Speaker 1: men like this kill women. He's he's probably hurting her

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Speaker 1: behind the scenes. And I remember thinking, like, how many

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Speaker 1: people are saying this and we don't know nothing about

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Speaker 1: these people, you know. And then it became very personally.

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Speaker 1: I had them in it showed up to my job,

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Speaker 1: like it turned into like other shit. But it's been

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Speaker 1: what two years maybe since then, It's been a while

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Speaker 1: since then years I mean, he's he lost his you know,

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Speaker 1: one of his is essentially his brothers, you know, and

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Speaker 1: their marriage has stayed strong through all this shit. You

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Speaker 1: know that they've had his It just fucking sold the

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Speaker 1: McDonald's meal together. Yes, they did so. But but if

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Speaker 1: I would have just listened to the people in my

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Speaker 1: bubble online off like, oh my god, he gonna kill

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Speaker 1: her some shit. But then, like you know, in real

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Speaker 1: fucking life, when you talk to other people, it's like, yeah,

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Speaker 1: we don't know them people like and then that's not

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Speaker 1: good or bad. Just we actually don't know these motherfuckers.

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Speaker 1: And all the conspiracy THEORYQ and non ship that we can,

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Speaker 1: all the bubbles we can get into, it's not really real.

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Speaker 1: And so I love having conversations with people that you're

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Speaker 1: just not worried about that stuff, but you still are

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Speaker 1: aware of that stuff, so you can make jokes about it,

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Speaker 1: you can make.

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Speaker 2: Reverence to it.

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Speaker 1: You know, it's always great when you pull out the

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Speaker 1: sheet and you match up with who you think is

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Speaker 1: crazy and who you think is cool and who you're

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Speaker 1: not supposed to like and all that shit. Like I

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Speaker 1: love that shit. I bet a lot of people do

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Speaker 1: that that are online a lot. But yeah, so we

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Speaker 1: just had a great conversation man, and you know, it's

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Speaker 1: all love, man, and it went great, and I you know,

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Speaker 1: I just I was thankful I got to hang out

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Speaker 1: with them and spend the evening and stuff just chatting.

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Speaker 1: So it was a fun time.

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Speaker 2: I'm good.

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Speaker 1: And then oh, go ahead, go ahead, I'm gonna say.

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Speaker 1: And then tonight we filmed some Men on the Street stuff,

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Speaker 1: which is why we were recording so late. And so

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Speaker 1: Men on the Street is when Bo goes out and

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Speaker 1: he interviews people and we take the clips and we

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Speaker 1: put them on the show. And I had to be there,

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Speaker 1: like it was the kind of thing where like we

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Speaker 1: actually I didn't even realize it was today. We were

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Speaker 1: supposed to do, uh, what's the t there with cap

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Speaker 1: and and and and I've I've basically both reminded me

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Speaker 1: or told me like like noon or something like hey

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Speaker 1: or three o'clock. I think he was just like DJ

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Speaker 1: Mike Hitman's coming to town for this Man on the Street.

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Speaker 1: And I'm like, I gotta be there. You know, what's so,

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Speaker 1: what time? What location? I said, I can't be there.

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Speaker 1: I can't if you know this show we had Mike

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Speaker 1: On a long time ago. You know, if you know Jones,

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Speaker 1: he used to call in to the show like every

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Speaker 1: he used to call into that show like every day,

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Speaker 1: multiple times a day, give out his number on the end,

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Speaker 1: like he's that dude, and you know he's a character.

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Speaker 1: You know, he hangs out with a bunch of hemps,

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Speaker 1: you know, good game looking Strike Spanish Fly.

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Speaker 2: Donelle.

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Speaker 1: Yeah. So, uh, man, I dropped. I was like I'm

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Speaker 1: gonna be there, and so I came home from work

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Speaker 1: like recharged for like thirty minutes, forty minutes and then

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Speaker 1: just hit hit the uber and got down there. It's

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Speaker 1: kind of code out and stuff, but man, like I

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Speaker 1: went to I went to the location and it was

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Speaker 1: this place called like Madam X that is like some

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Speaker 1: type of sex bar. I don't know what kind of

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Speaker 1: and it's just.

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Speaker 2: Sound like the strip joint Madam Max.

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Speaker 1: He didn't pick the bar, so it's us that picked it.

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Speaker 1: But it was like, like I think I took a

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Speaker 1: picture of it. I put it on Instagram. I put

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Speaker 1: all these pictures on Instagram with Ray and Bossy and

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Speaker 1: all that stuff too. I made it real, but I'll

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Speaker 1: actually put like the pictures on there at some point.

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Speaker 1: But I come in and like the bathroom door is

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Speaker 1: just like a nude woman painting with titties and everything.

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Speaker 1: I was like, okay, I said, okay, so this is

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Speaker 1: different this, I said, it's kind of fitting though, that

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Speaker 1: we got mic in here.

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Speaker 4: It is.

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Speaker 1: That's I was like, did he picking it right? And

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Speaker 1: so I'm you know, I walk in, I see Bo

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Speaker 1: and James in there talking and I'm talking to them,

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Speaker 1: and then I look in the back sitting on the

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Speaker 1: couch looking luxurious in a fur coat, you know, all

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Speaker 1: the way down to the flow suit of course, down

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Speaker 1: shades Mike Hitman DJ Mike Hitman in there, glistening, shining,

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Speaker 1: and so you know, I had I mean, I immediately

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Speaker 1: was like, my man, what's going on, brother Mike Man.

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Speaker 2: We was your first time meeting him.

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Speaker 1: Yeah, I've never got the meanim in person, you know,

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Speaker 1: And so, uh, we just chopped it up, and he, like,

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Speaker 1: you know, unbeknownst to me, like he kept up with

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Speaker 1: us too, like he knows about writing for the show.

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Speaker 1: He you know, still he asked about you. He asked

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Speaker 1: about the podcast, and you know, we talked about, you know,

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00:17:09,760 --> 00:17:12,600
Speaker 1: just stuff that happened with the Morning Jones and I

324
00:17:12,640 --> 00:17:15,680
Speaker 1: asked him about you know, good Game and all them,

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00:17:15,880 --> 00:17:18,280
Speaker 1: and we talked about the time he went to get

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00:17:18,280 --> 00:17:25,680
Speaker 1: the Pimp Cup from Gary, Indiana, like we just had

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00:17:26,000 --> 00:17:31,840
Speaker 1: a blast ball. Yes, and hopefully I don't know how

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00:17:31,920 --> 00:17:35,280
Speaker 1: much stuff of his interview with Bo's gonna make it,

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00:17:35,320 --> 00:17:37,639
Speaker 1: but I hope it all stays in, but you know,

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Speaker 1: we'll see. But he was just giving great answers to

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Speaker 1: the questions we came up with, and I mean, it

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Speaker 1: was everything just not to try to like I was

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00:17:46,040 --> 00:17:48,080
Speaker 1: just trying not to laugh during any of the takes

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00:17:48,080 --> 00:17:51,439
Speaker 1: because I didn't want to fuck up nothing. But he

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00:17:51,680 --> 00:17:56,119
Speaker 1: had me dying. And it was so funny with the

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00:17:56,160 --> 00:17:58,600
Speaker 1: man on the street stuff because like Mike is a

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00:17:58,720 --> 00:18:03,240
Speaker 1: character and people were you can see people walking by

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00:18:03,400 --> 00:18:05,719
Speaker 1: just looking like what the fuck are they feeling?

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00:18:05,720 --> 00:18:08,879
Speaker 3: It's happening, They're not gonna Why does it have on

340
00:18:08,920 --> 00:18:09,639
Speaker 3: a fur coat?

341
00:18:09,760 --> 00:18:12,879
Speaker 2: Like that is definitely like a Chicago thing. You know,

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00:18:12,920 --> 00:18:14,679
Speaker 2: it's certain places where people.

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00:18:14,440 --> 00:18:16,920
Speaker 1: Do that and they look like are they filming The Mac?

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Speaker 1: Part three? Like what is happening?

345
00:18:18,920 --> 00:18:20,200
Speaker 2: I didn't know what was happening?

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00:18:20,359 --> 00:18:23,520
Speaker 1: Return of the Mac, Like what is happening? And you know,

347
00:18:23,800 --> 00:18:24,679
Speaker 1: we don't dress like that.

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00:18:24,840 --> 00:18:25,600
Speaker 2: I'm confused.

349
00:18:25,800 --> 00:18:27,960
Speaker 1: It was and I just it was such a bubble goo.

350
00:18:29,240 --> 00:18:31,159
Speaker 1: The move around the office has been really good, but

351
00:18:31,240 --> 00:18:33,760
Speaker 1: it was also just such a like, you know, a

352
00:18:33,880 --> 00:18:36,800
Speaker 1: moment of reflection for a second, you know. I think

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Speaker 1: specifically for me and Bow to be able to like

354
00:18:41,600 --> 00:18:46,080
Speaker 1: be there with Mike like this dude that you know,

355
00:18:47,080 --> 00:18:48,879
Speaker 1: me and Bow go all the way back to like,

356
00:18:49,640 --> 00:18:52,639
Speaker 1: you know, SA change message board people, y'all know what

357
00:18:52,680 --> 00:18:57,160
Speaker 1: I'm talking about. Mike goes back to fucking the Morning

358
00:18:57,280 --> 00:19:01,440
Speaker 1: Jones on serious satellite radio that's probably ten years old

359
00:19:01,480 --> 00:19:05,919
Speaker 1: at least now, you know, and he followed Bo ever

360
00:19:06,040 --> 00:19:11,160
Speaker 1: since and stuff and then this TV show and to

361
00:19:11,200 --> 00:19:15,640
Speaker 1: be able to like have all of that come to fruition.

362
00:19:16,560 --> 00:19:20,960
Speaker 1: When I remember when Bo was just thinking about like

363
00:19:21,280 --> 00:19:24,919
Speaker 1: no joke. We would have conversations and he'd be like

364
00:19:25,000 --> 00:19:27,080
Speaker 1: this before I think even game there, He's like, if

365
00:19:27,160 --> 00:19:29,240
Speaker 1: I when I get my own TV show, and when

366
00:19:29,240 --> 00:19:31,520
Speaker 1: I get a TV show, we gotta figure out a

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00:19:31,520 --> 00:19:33,520
Speaker 1: way to get Mike him in involved. I'm like, as

368
00:19:33,520 --> 00:19:36,199
Speaker 1: so fucking Louie, it don't matter what it is, it

369
00:19:36,240 --> 00:19:39,439
Speaker 1: don't matter how Once you get some people that you

370
00:19:39,480 --> 00:19:42,600
Speaker 1: can tell what to do. One of the things you

371
00:19:42,600 --> 00:19:44,719
Speaker 1: got to tell him is we're getting this man on

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Speaker 1: the air. And trust me, like we don't. This ain't

373
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Speaker 1: a request, this ain't a gamble. We know for a

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00:19:52,280 --> 00:19:56,040
Speaker 1: fucking fact, this nigga's box office. Turn the cameras on

375
00:19:56,160 --> 00:19:59,159
Speaker 1: point him towards him. It don't matter. What we do,

376
00:19:59,160 --> 00:20:04,760
Speaker 1: don't matter. And so being able to see, uh, you know,

377
00:20:05,040 --> 00:20:08,440
Speaker 1: my this moment come together man, we I mean, we

378
00:20:08,480 --> 00:20:12,239
Speaker 1: was all smiles. I posted the real on the on

379
00:20:12,320 --> 00:20:15,640
Speaker 1: my Instagram and TikTok and stuff so people can kind

380
00:20:15,640 --> 00:20:18,040
Speaker 1: of see like the last couple of days me with

381
00:20:18,240 --> 00:20:21,040
Speaker 1: BOSSI and Ray and and I'll go back and post

382
00:20:21,119 --> 00:20:23,760
Speaker 1: some pictures like cause I took many pictures with everybody.

383
00:20:23,960 --> 00:20:25,879
Speaker 1: I'll definitely go back and post the whole thing. But

384
00:20:27,119 --> 00:20:31,600
Speaker 1: it was just so dope man, and and like you know, uh,

385
00:20:32,240 --> 00:20:34,680
Speaker 1: it was like one of those full circle moments where

386
00:20:34,680 --> 00:20:37,680
Speaker 1: it's just like look at this, you know what I mean,

387
00:20:37,840 --> 00:20:42,120
Speaker 1: Like we came from just talking shit on message boards

388
00:20:42,200 --> 00:20:46,439
Speaker 1: and chopping it up on the radio and making jokes

389
00:20:46,440 --> 00:20:52,000
Speaker 1: and now, uh, you know, we out here making this

390
00:20:52,160 --> 00:20:55,920
Speaker 1: black ass TV show and making jokes and and doing

391
00:20:55,960 --> 00:20:59,720
Speaker 1: all that stuff, and you know, I'm doing a good job,

392
00:21:00,200 --> 00:21:03,560
Speaker 1: Like I'm really uh, I'm really doing a good job

393
00:21:03,600 --> 00:21:06,120
Speaker 1: at work, like I'm getting this stuff in. But I'm

394
00:21:06,160 --> 00:21:10,119
Speaker 1: also like I'm learning so much, but I'm putting what

395
00:21:10,240 --> 00:21:12,080
Speaker 1: I learned now. I'm in this place where I'm putting

396
00:21:12,119 --> 00:21:15,399
Speaker 1: what I've learned to use and I'm seeing I'm starting

397
00:21:15,440 --> 00:21:17,320
Speaker 1: to see stuff. It's not all the way where I

398
00:21:17,359 --> 00:21:20,359
Speaker 1: want to be, Like I'm still working hard so that

399
00:21:20,440 --> 00:21:24,520
Speaker 1: I can like anticipate shit even further than I see

400
00:21:24,560 --> 00:21:27,199
Speaker 1: it now, but like I'm able to like look at

401
00:21:27,200 --> 00:21:29,160
Speaker 1: stuff and be like, Okay, this is what we need

402
00:21:29,200 --> 00:21:32,240
Speaker 1: to do here, or here's an interesting way we could

403
00:21:32,240 --> 00:21:36,560
Speaker 1: flip something. Here's you know, I'm just getting better, you know,

404
00:21:38,359 --> 00:21:42,359
Speaker 1: and like low key, you know, I'm getting trusted with

405
00:21:42,480 --> 00:21:46,640
Speaker 1: more stuff, you know, like people. I think people are

406
00:21:46,680 --> 00:21:50,280
Speaker 1: starting to like say, you know, say and see like, Okay,

407
00:21:50,320 --> 00:21:56,760
Speaker 1: this dude for this show specifically knows Bow's voice in

408
00:21:56,800 --> 00:22:01,680
Speaker 1: a way that makes everyone's job easier. If I'm able

409
00:22:01,760 --> 00:22:03,960
Speaker 1: to like go in there and be like we can

410
00:22:04,760 --> 00:22:07,119
Speaker 1: anticipate what I think he would want. You know, I

411
00:22:07,119 --> 00:22:09,479
Speaker 1: can't always get it right in two different people. That's

412
00:22:09,960 --> 00:22:12,760
Speaker 1: you know, I'm not ridiculous. There's gonna be times where

413
00:22:12,800 --> 00:22:15,399
Speaker 1: I think something's hot and he's gonna absolutely disagree. But

414
00:22:16,359 --> 00:22:19,280
Speaker 1: you know there's a lot of times where I'm like, no,

415
00:22:19,600 --> 00:22:22,679
Speaker 1: he would say it this way or you know, uh,

416
00:22:23,080 --> 00:22:26,919
Speaker 1: the perspective for this part of this deep dive it

417
00:22:26,960 --> 00:22:30,160
Speaker 1: has to come from like, you know, an angle where

418
00:22:30,200 --> 00:22:33,560
Speaker 1: he's like talking down to somebody or something or or

419
00:22:33,760 --> 00:22:36,359
Speaker 1: you know, being relaxed. We're writing it like he's hyped,

420
00:22:36,359 --> 00:22:39,520
Speaker 1: but he would be relaxed in this case. So you know,

421
00:22:39,680 --> 00:22:45,760
Speaker 1: it's stuff like that that we're doing. Okay, baby, okay.

422
00:22:45,960 --> 00:22:51,760
Speaker 3: Oh yes, sorry, Yeah, I'm okay, all right, but I'm

423
00:22:51,760 --> 00:22:53,040
Speaker 3: sus took my hand.

424
00:22:53,080 --> 00:22:54,040
Speaker 2: I was trying to click it off.

425
00:22:54,119 --> 00:22:55,639
Speaker 1: Oh okay, yeah, no, fole. I just want to make

426
00:22:55,640 --> 00:22:57,919
Speaker 1: sure you sorry. But yeah, so it was it was.

427
00:22:59,680 --> 00:22:59,920
Speaker 2: It was.

428
00:23:00,040 --> 00:23:02,640
Speaker 1: It was like a full circle moment. And and and

429
00:23:02,720 --> 00:23:04,840
Speaker 1: like I said, everything's going well with the show. I

430
00:23:04,840 --> 00:23:07,000
Speaker 1: feel like I'm in a good groove and I feel like.

431
00:23:08,240 --> 00:23:09,320
Speaker 2: That's a good thing.

432
00:23:09,640 --> 00:23:12,440
Speaker 1: Yeah, you know, I'm getting used to this Airbnbut I

433
00:23:12,440 --> 00:23:15,000
Speaker 1: figured out how to get the air wash the dry

434
00:23:15,119 --> 00:23:15,480
Speaker 1: to work.

435
00:23:16,720 --> 00:23:18,000
Speaker 2: Let's go dry.

436
00:23:18,359 --> 00:23:21,199
Speaker 1: Is it a combo it's a combo one. It doesn't

437
00:23:21,280 --> 00:23:23,920
Speaker 1: dry as good as the last one we had, and

438
00:23:24,000 --> 00:23:29,160
Speaker 1: so I basically you wash dry and then it'll still

439
00:23:29,200 --> 00:23:31,240
Speaker 1: be kind of damp, and then you run. You can run.

440
00:23:31,320 --> 00:23:33,560
Speaker 1: I figured out how to run just the dryer cycle,

441
00:23:34,920 --> 00:23:36,840
Speaker 1: and so then that's what I used to dry to close,

442
00:23:37,600 --> 00:23:41,640
Speaker 1: you know. So uh but yeah, that's you know, that's

443
00:23:41,720 --> 00:23:44,160
Speaker 1: kind of an update on me. I don't have much

444
00:23:44,200 --> 00:23:47,080
Speaker 1: else to to add, you know. Oh, I want to

445
00:23:47,119 --> 00:23:50,000
Speaker 1: thank all the fans and stuff that I really commented

446
00:23:50,000 --> 00:23:53,800
Speaker 1: on our episode with BOSSI already Yes, a lot of

447
00:23:53,800 --> 00:23:55,080
Speaker 1: people really enjoy y'all.

448
00:23:55,720 --> 00:23:55,960
Speaker 5: Yeah.

449
00:23:56,080 --> 00:23:59,880
Speaker 1: I think you know. I'm saying this to Ray last night,

450
00:24:00,280 --> 00:24:04,000
Speaker 1: you know, because Ray listens to the show, and you know,

451
00:24:04,160 --> 00:24:08,240
Speaker 1: she was saying, like, you know, I don't always agree.

452
00:24:08,280 --> 00:24:10,720
Speaker 1: Sometimes I vehemily disagree about it, you know, And I

453
00:24:10,800 --> 00:24:15,520
Speaker 1: was like, you know, that's the thing. Right when Ray

454
00:24:15,640 --> 00:24:18,880
Speaker 1: had her shows, It's not like every time I listen.

455
00:24:18,960 --> 00:24:21,800
Speaker 1: I was like, well, I can't disagree there, you know,

456
00:24:21,920 --> 00:24:24,760
Speaker 1: Like we're all human and if anybody puts their opinion

457
00:24:24,800 --> 00:24:27,679
Speaker 1: out to the world, there's gonna be people that disagree.

458
00:24:27,840 --> 00:24:28,280
Speaker 1: I think.

459
00:24:28,680 --> 00:24:28,920
Speaker 2: Yep.

460
00:24:29,359 --> 00:24:31,800
Speaker 1: The main thing for me is to think about is

461
00:24:31,880 --> 00:24:38,159
Speaker 1: really being authentic and being real because I'd rather you

462
00:24:38,240 --> 00:24:40,720
Speaker 1: disagree with my genuine opinion and you just don't fuck

463
00:24:40,760 --> 00:24:42,919
Speaker 1: with what I said and you just came away with

464
00:24:42,960 --> 00:24:47,240
Speaker 1: a different understanding. But so often I try to like

465
00:24:47,400 --> 00:24:50,199
Speaker 1: allow for other people's opinions even in mind, you know,

466
00:24:50,280 --> 00:24:52,359
Speaker 1: to be like hey, and you can feel differently. You know,

467
00:24:52,440 --> 00:24:56,000
Speaker 1: that's at this point, you know, I bet every black

468
00:24:56,040 --> 00:24:58,680
Speaker 1: podcast is gonna talk about that damn special and you're

469
00:24:58,680 --> 00:25:01,960
Speaker 1: gonna get a lot of rehashes and retreads, a lot

470
00:25:01,960 --> 00:25:05,880
Speaker 1: of projection, a lot of you know, a lot of defensiveness,

471
00:25:06,000 --> 00:25:09,000
Speaker 1: a lot of attacking and all kinds of shit. And

472
00:25:09,080 --> 00:25:12,240
Speaker 1: I'm just I'm happy to have this space where people

473
00:25:13,840 --> 00:25:16,280
Speaker 1: where we allow each other to be real and be

474
00:25:16,359 --> 00:25:20,440
Speaker 1: authentic in that way and arrive to the conclusions that

475
00:25:21,040 --> 00:25:23,879
Speaker 1: you know, and show our work for how we arrived

476
00:25:23,880 --> 00:25:29,640
Speaker 1: at those conclusions, and like to see the audience respond

477
00:25:29,680 --> 00:25:32,640
Speaker 1: with like this was one of the best conversations I've

478
00:25:32,680 --> 00:25:35,840
Speaker 1: heard about this or this is the only conversation I

479
00:25:35,880 --> 00:25:39,000
Speaker 1: wanted to hear about this special between me and you

480
00:25:39,080 --> 00:25:42,800
Speaker 1: and VOSSI. That means a lot to me because I

481
00:25:42,880 --> 00:25:45,680
Speaker 1: know a lot of people been talking about it, and

482
00:25:45,720 --> 00:25:48,280
Speaker 1: you at this point, if you just want to get

483
00:25:48,320 --> 00:25:52,000
Speaker 1: like the opinion that you have regurgitated back to you,

484
00:25:52,000 --> 00:25:54,720
Speaker 1: you can just pick a source, because there's mad people

485
00:25:54,720 --> 00:25:58,680
Speaker 1: that are like very surface level, very just reactionary, very

486
00:25:59,680 --> 00:26:02,840
Speaker 1: still it from Black Twitter and regurgitated back for clout

487
00:26:03,600 --> 00:26:05,359
Speaker 1: and I didn't want to do that kind of show.

488
00:26:05,359 --> 00:26:06,879
Speaker 1: And I don't want to. I don't want to have

489
00:26:06,920 --> 00:26:08,840
Speaker 1: that kind of show. I don't. I feel like a

490
00:26:08,840 --> 00:26:11,800
Speaker 1: lot of these podcasts troll Black Twitter for content that

491
00:26:11,920 --> 00:26:14,160
Speaker 1: they don't even really understand, and they don't really care

492
00:26:14,200 --> 00:26:19,320
Speaker 1: that it doesn't make there's not a logical congruence to

493
00:26:19,440 --> 00:26:22,040
Speaker 1: what they're saying. They're just like, listen, this is what

494
00:26:22,119 --> 00:26:24,080
Speaker 1: Black Twitter on today. That's why they can say stuff

495
00:26:24,119 --> 00:26:27,479
Speaker 1: like words are violence and trauma is very real. But

496
00:26:28,119 --> 00:26:32,080
Speaker 1: Wanda Sykes can't be traumatized that her friend and mentor

497
00:26:32,160 --> 00:26:34,560
Speaker 1: got hid in front of her like they can in

498
00:26:34,600 --> 00:26:36,960
Speaker 1: their in their minds, both of those things make sense.

499
00:26:37,040 --> 00:26:42,959
Speaker 1: And I think it's so so crazy, you know, just

500
00:26:43,000 --> 00:26:46,159
Speaker 1: how much that it's human. But it's just I'm trying

501
00:26:46,280 --> 00:26:49,520
Speaker 1: to divorce ourselves from some of that. So you know,

502
00:26:49,880 --> 00:26:51,439
Speaker 1: I'm think I want to say thank you to the

503
00:26:51,440 --> 00:26:54,640
Speaker 1: fans who've already chimed in to say like they they

504
00:26:54,680 --> 00:26:57,120
Speaker 1: thought we had a great discussion, So thank you.

505
00:26:58,359 --> 00:27:04,280
Speaker 3: Me too, because it matters, because I think that it

506
00:27:04,480 --> 00:27:10,680
Speaker 3: was a lot of nuanced conversations. And when you talk

507
00:27:10,680 --> 00:27:12,560
Speaker 3: about it, you have to talk about social media, because

508
00:27:12,560 --> 00:27:13,840
Speaker 3: social media played the big role.

509
00:27:14,760 --> 00:27:16,919
Speaker 2: But at the same time, it.

510
00:27:16,840 --> 00:27:20,199
Speaker 3: Can't be so I don't want to say quote unquote

511
00:27:20,240 --> 00:27:22,800
Speaker 3: one sided, because you know, a lot of people is.

512
00:27:23,000 --> 00:27:25,520
Speaker 2: You know, fuck Will Smith, fuck Chris Rock.

513
00:27:25,359 --> 00:27:27,040
Speaker 3: And that's time to kind of the end for a

514
00:27:27,040 --> 00:27:29,959
Speaker 3: lot of people, and they're not really examining or looking

515
00:27:30,080 --> 00:27:35,399
Speaker 3: or analyzing anything from the quote unquote opposite side, you know,

516
00:27:35,640 --> 00:27:38,399
Speaker 3: because it's one of those things where people do things

517
00:27:38,480 --> 00:27:40,040
Speaker 3: in this human nature because we do do it too.

518
00:27:40,240 --> 00:27:42,720
Speaker 3: People do things for clickbait, and if that's what's hot,

519
00:27:42,760 --> 00:27:45,680
Speaker 3: that's what you're doing. And the thing is everybody wants

520
00:27:45,720 --> 00:27:47,800
Speaker 3: to be the first. Everybody wants to get this shit

521
00:27:47,840 --> 00:27:49,920
Speaker 3: out there the quickest, but a lot of times being

522
00:27:49,960 --> 00:27:52,000
Speaker 3: the first and the quickest don't always make you right,

523
00:27:52,119 --> 00:27:55,960
Speaker 3: and it doesn't always mean that it's well thought out.

524
00:27:56,400 --> 00:27:59,240
Speaker 1: Yeah, and it feels a lot like people are waiting

525
00:27:59,280 --> 00:28:01,919
Speaker 1: for the second they disagree with you, they're like jumping

526
00:28:01,920 --> 00:28:04,639
Speaker 1: your shit, or they're like cast you aside. You know,

527
00:28:04,720 --> 00:28:08,080
Speaker 1: I was thinking about this. Seth Rogan said something today

528
00:28:08,680 --> 00:28:12,480
Speaker 1: in an interview about, you know a lot of critics

529
00:28:12,520 --> 00:28:16,000
Speaker 1: don't think about how they make people feel that put

530
00:28:16,040 --> 00:28:18,399
Speaker 1: their hard and souls into making this art that you're like,

531
00:28:18,800 --> 00:28:22,639
Speaker 1: you know, shitting on and it wasn't necessarily a you

532
00:28:22,760 --> 00:28:25,000
Speaker 1: need to like it. But they were asking him like,

533
00:28:25,440 --> 00:28:28,200
Speaker 1: why doesn't he really you know, read the reviews and

534
00:28:28,240 --> 00:28:30,119
Speaker 1: how does a bad review for something he did make

535
00:28:30,160 --> 00:28:32,520
Speaker 1: him feeling he's like bad, you know, like he's human.

536
00:28:33,400 --> 00:28:37,760
Speaker 1: And I heard a podcast a while ago that by

537
00:28:38,000 --> 00:28:40,120
Speaker 1: a couple of film critics that were kind of talking

538
00:28:40,120 --> 00:28:44,040
Speaker 1: about this stuff too, and it's like everyone's so caught

539
00:28:44,120 --> 00:28:49,280
Speaker 1: up in validating themselves that they want to come first.

540
00:28:49,360 --> 00:28:51,600
Speaker 1: Everything's bout getting your voice out there. That it is

541
00:28:52,080 --> 00:28:55,520
Speaker 1: not a lack of consideration a lot of times. And

542
00:28:55,560 --> 00:28:58,360
Speaker 1: the people that create these are that create things are

543
00:28:58,480 --> 00:29:02,840
Speaker 1: people too. And you know, it's like, why I'm proud

544
00:29:02,880 --> 00:29:05,600
Speaker 1: of the way we review movies. I'm proud that we're

545
00:29:05,640 --> 00:29:08,080
Speaker 1: not just pastor feel and or that we just get

546
00:29:08,080 --> 00:29:09,880
Speaker 1: off on being mean about it. You know, that's a

547
00:29:09,880 --> 00:29:12,880
Speaker 1: big it's a big thing, is you know, the meaner

548
00:29:12,880 --> 00:29:14,800
Speaker 1: you can be about a movie or a meaning you

549
00:29:14,800 --> 00:29:17,480
Speaker 1: can be about TV show, like it's funny, you know,

550
00:29:17,600 --> 00:29:20,080
Speaker 1: means funny for a lot of people. But at some

551
00:29:20,200 --> 00:29:23,760
Speaker 1: point the point becomes less about being accurate and more

552
00:29:23,760 --> 00:29:27,520
Speaker 1: about being mean, right, Like every movie is an f

553
00:29:27,760 --> 00:29:31,040
Speaker 1: you know, it's like you know, like I'm like, that's

554
00:29:31,040 --> 00:29:34,120
Speaker 1: probably the closer to the truth is like every movie's

555
00:29:34,160 --> 00:29:38,640
Speaker 1: probably somewhere between like B and a deed, Like that's

556
00:29:38,680 --> 00:29:42,280
Speaker 1: probably the we're being real, Like at this point, most

557
00:29:42,320 --> 00:29:43,760
Speaker 1: shit is in the middle somewhere.

558
00:29:44,960 --> 00:29:45,640
Speaker 2: Yeah, it is.

559
00:29:45,720 --> 00:29:49,920
Speaker 3: And it's also one of those things where there are

560
00:29:50,120 --> 00:29:53,920
Speaker 3: people whose whole thing is to hate watch there are

561
00:29:53,960 --> 00:29:56,960
Speaker 3: people whose whole thing like like that's their jam to

562
00:29:57,160 --> 00:30:00,760
Speaker 3: pile up, and there are a lot of uh podcasts

563
00:30:00,760 --> 00:30:04,120
Speaker 3: and critics they would actually feel that void. But then

564
00:30:04,160 --> 00:30:05,760
Speaker 3: there are people like me, and there's a lot of

565
00:30:05,760 --> 00:30:07,440
Speaker 3: people like me. But to see people like me, we

566
00:30:07,440 --> 00:30:11,000
Speaker 3: aren't that vocal. Who if I like some shit on

567
00:30:11,200 --> 00:30:13,200
Speaker 3: the side and I listened to you, I don't want

568
00:30:13,200 --> 00:30:14,480
Speaker 3: to hear you trash the shit that I like.

569
00:30:15,360 --> 00:30:16,800
Speaker 2: So, you know, a lot of times. That's why I

570
00:30:16,840 --> 00:30:17,640
Speaker 2: don't listen to.

571
00:30:17,600 --> 00:30:20,120
Speaker 3: A lot of critics and a lot of critiques on

572
00:30:20,280 --> 00:30:23,360
Speaker 3: shit that I like, because it's one of those things

573
00:30:23,360 --> 00:30:25,680
Speaker 3: where you come in here talking about it's trash and

574
00:30:25,760 --> 00:30:26,080
Speaker 3: you're not.

575
00:30:26,080 --> 00:30:29,880
Speaker 2: Using any logic. You're not in logic. I'm like, the fuck. Then, no,

576
00:30:29,920 --> 00:30:31,480
Speaker 2: I don't want to hear anything you have to say.

577
00:30:31,720 --> 00:30:34,760
Speaker 1: So the thing that I said was I feel like,

578
00:30:37,640 --> 00:30:40,400
Speaker 1: what what's missing is that the critic is a brand

579
00:30:40,440 --> 00:30:43,840
Speaker 1: now too, right, And I know critics used to always

580
00:30:43,840 --> 00:30:46,040
Speaker 1: be a brand, but it used to be like you

581
00:30:46,080 --> 00:30:47,959
Speaker 1: had to go through a bunch of gatekeepers, so like

582
00:30:48,560 --> 00:30:50,760
Speaker 1: you need to find a paper and convince them to

583
00:30:50,760 --> 00:30:54,840
Speaker 1: do it over and show some level of like skill

584
00:30:55,120 --> 00:30:59,680
Speaker 1: or some level of uh, you know, like training or whatever.

585
00:30:59,720 --> 00:31:01,480
Speaker 1: And I'm not saying that's even a good thing, but

586
00:31:01,520 --> 00:31:03,800
Speaker 1: that's what it used to be. But now it's become

587
00:31:03,800 --> 00:31:08,000
Speaker 1: a bit more democratized. But because of social media, what

588
00:31:08,160 --> 00:31:13,760
Speaker 1: is rewarded, right, Like, we reward the flat critique, we

589
00:31:13,880 --> 00:31:16,720
Speaker 1: reward the black and white, we reward the simple, we

590
00:31:16,840 --> 00:31:23,520
Speaker 1: reward the mean, the salacious, the controversial, And even with

591
00:31:23,760 --> 00:31:26,640
Speaker 1: a lot of critics, the way they approach criticism is

592
00:31:26,760 --> 00:31:30,040
Speaker 1: very much like a like they're playing a stock market

593
00:31:30,120 --> 00:31:33,560
Speaker 1: game of like what movie made the most money, which

594
00:31:33,640 --> 00:31:37,200
Speaker 1: movies had the biggest budgets. Who are they rooting for?

595
00:31:37,920 --> 00:31:41,080
Speaker 1: You know, the big the big movies you can shoot

596
00:31:41,120 --> 00:31:43,560
Speaker 1: on because they're gonna make money anyway. The little movies

597
00:31:43,560 --> 00:31:47,280
Speaker 1: you gotta root for and overhype because they're never gonna

598
00:31:47,280 --> 00:31:49,840
Speaker 1: make money. And so it's your job now with some

599
00:31:49,920 --> 00:31:52,239
Speaker 1: type of evangelists, And of course they see themselves as

600
00:31:52,280 --> 00:31:55,160
Speaker 1: influencers to a certain extent, and so it's less about

601
00:31:55,200 --> 00:31:59,040
Speaker 1: colin balls and strikes. It's kind of like asserting your influence, right,

602
00:31:59,760 --> 00:32:03,680
Speaker 1: And I feel like, you know, we lose sight of

603
00:32:03,760 --> 00:32:07,640
Speaker 1: like in your game of influence, some motherfucker tried to

604
00:32:07,680 --> 00:32:08,240
Speaker 1: make something.

605
00:32:08,480 --> 00:32:08,719
Speaker 2: You know.

606
00:32:08,840 --> 00:32:11,160
Speaker 1: It's why I like our reviews because our reviews are

607
00:32:11,200 --> 00:32:15,480
Speaker 1: always what did we like, what we didn't like? Seems

608
00:32:15,600 --> 00:32:18,360
Speaker 1: very simple. Vast majority of reviews are not like that.

609
00:32:19,040 --> 00:32:22,080
Speaker 1: Vast majority of people reviewing movies now are. It just

610
00:32:22,080 --> 00:32:25,440
Speaker 1: either becomes like a pal on or stand fest or whatever,

611
00:32:25,520 --> 00:32:27,800
Speaker 1: which is is fine. You know a lot of people

612
00:32:27,880 --> 00:32:31,440
Speaker 1: like that. But I just think it's interesting like that

613
00:32:31,520 --> 00:32:35,040
Speaker 1: there's no consideration of oh yeah, there's a person that

614
00:32:35,160 --> 00:32:39,400
Speaker 1: made this thing. And I guess what I was trying

615
00:32:39,400 --> 00:32:41,000
Speaker 1: to say is, like, so when I was listening to

616
00:32:41,080 --> 00:32:43,840
Speaker 1: this podcast and they were talking about it was two

617
00:32:43,880 --> 00:32:47,880
Speaker 1: critics talking about online culture wars and all this stuff,

618
00:32:48,600 --> 00:32:52,960
Speaker 1: and what I was hearing was them bitch about the

619
00:32:53,000 --> 00:32:56,600
Speaker 1: fans who come at them because they don't like the

620
00:32:56,600 --> 00:32:59,320
Speaker 1: critiques that they level towards their favorite movies and stuff.

621
00:33:01,000 --> 00:33:05,800
Speaker 1: And now their criticism and their stuff has now become

622
00:33:06,160 --> 00:33:08,760
Speaker 1: just like the artist that made the movie. It's a

623
00:33:08,800 --> 00:33:12,720
Speaker 1: come about your feelings, right, do you see what I'm saying?

624
00:33:12,800 --> 00:33:17,120
Speaker 3: Like right right, It's real easy to to put it

625
00:33:17,160 --> 00:33:20,440
Speaker 3: out there when when not trying funny, you aren't really

626
00:33:20,440 --> 00:33:21,160
Speaker 3: the targeted it.

627
00:33:21,400 --> 00:33:22,600
Speaker 2: You're not the targeted person.

628
00:33:22,800 --> 00:33:25,040
Speaker 3: It's like you target somebody else and somebody else, but hey,

629
00:33:25,080 --> 00:33:27,360
Speaker 3: you put something for me to consume, because guess what,

630
00:33:27,640 --> 00:33:29,600
Speaker 3: they put something for you to consume. You consume it,

631
00:33:29,640 --> 00:33:32,960
Speaker 3: then you critique it, and then you are critiquing something.

632
00:33:33,000 --> 00:33:34,360
Speaker 3: You put it out there and there are people that

633
00:33:34,440 --> 00:33:36,720
Speaker 3: are critiquing your critique, and then it becomes a problem.

634
00:33:36,720 --> 00:33:39,040
Speaker 3: Because my thing is I don't mind people saying they

635
00:33:39,080 --> 00:33:42,800
Speaker 3: don't like things. I don't mind people you know, expressing

636
00:33:42,800 --> 00:33:43,360
Speaker 3: these things.

637
00:33:43,760 --> 00:33:45,360
Speaker 2: A lot of times for me, I just want a

638
00:33:45,440 --> 00:33:46,480
Speaker 2: logic behind.

639
00:33:46,160 --> 00:33:48,520
Speaker 3: It, you know, like explain and go into details and

640
00:33:49,040 --> 00:33:52,880
Speaker 3: have some nuance and have critical thinking and things like that.

641
00:33:53,080 --> 00:33:57,520
Speaker 1: There's also like a dopamine hit to it, like I'm

642
00:33:57,520 --> 00:34:01,360
Speaker 1: getting attention. It's like it's hard to get attention, especially

643
00:34:01,440 --> 00:34:03,640
Speaker 1: when like people love or hate something and you're going

644
00:34:03,680 --> 00:34:07,120
Speaker 1: the opposite way, like you get an attention. It's you know,

645
00:34:07,240 --> 00:34:09,040
Speaker 1: we all want it. We I mean, we don't do

646
00:34:09,080 --> 00:34:11,759
Speaker 1: this podcast for nobody to hear it. You know. I

647
00:34:11,800 --> 00:34:14,279
Speaker 1: don't write these jokes at work and shit and hope

648
00:34:14,400 --> 00:34:16,759
Speaker 1: nobody you know, I'm not like a fucking monk or

649
00:34:16,840 --> 00:34:18,440
Speaker 1: write it. And I'm just like, well, if no one

650
00:34:18,520 --> 00:34:21,520
Speaker 1: laughs or if everyone laughs, it's all to say to me, like, no, nigga,

651
00:34:21,560 --> 00:34:24,680
Speaker 1: I want I want that hit. I want that dopeam hit.

652
00:34:24,719 --> 00:34:28,040
Speaker 1: It's just you know, but but it just it just

653
00:34:28,080 --> 00:34:31,120
Speaker 1: made me think about that because then of course everybody

654
00:34:31,160 --> 00:34:33,080
Speaker 1: was straw Man and the argument and it was you know,

655
00:34:33,200 --> 00:34:36,319
Speaker 1: these critics, these artists want everyone to love their movies.

656
00:34:36,560 --> 00:34:39,319
Speaker 1: Like I don't think that's the same as some of

657
00:34:39,360 --> 00:34:42,239
Speaker 1: the I guess, okay, this is what I said on Twitter,

658
00:34:42,280 --> 00:34:44,560
Speaker 1: I forgot to say that this is most important. Mark,

659
00:34:44,680 --> 00:34:49,120
Speaker 1: How did I get sidetrack? We have gotten at so

660
00:34:49,640 --> 00:34:54,440
Speaker 1: impersonal because of social media and m personal because of

661
00:34:54,560 --> 00:34:58,000
Speaker 1: how we cast each other out in the side. But

662
00:34:58,040 --> 00:35:02,879
Speaker 1: at the same time we're so connected. Now we are

663
00:35:02,920 --> 00:35:07,120
Speaker 1: more personal than ever when we come for somebody, like

664
00:35:07,239 --> 00:35:11,600
Speaker 1: we don't just yeah, it ain't surface level no more

665
00:35:11,719 --> 00:35:14,919
Speaker 1: like I can go find the thing, I can go.

666
00:35:15,640 --> 00:35:18,520
Speaker 1: I remember the other time you did this, and I

667
00:35:18,560 --> 00:35:21,719
Speaker 1: remember if you had a big family event, if you

668
00:35:21,920 --> 00:35:24,479
Speaker 1: lost the weight to your gained weight, if you broke

669
00:35:24,600 --> 00:35:27,160
Speaker 1: up with somebody, if you lost a job. Like we

670
00:35:27,200 --> 00:35:30,400
Speaker 1: are at once more impersonal in the way that we

671
00:35:30,480 --> 00:35:34,840
Speaker 1: can just shit on somebody because because we didn't agree

672
00:35:34,920 --> 00:35:38,080
Speaker 1: one time or with one thing or whatever, but so

673
00:35:38,400 --> 00:35:42,600
Speaker 1: fucking personal with just the way we ship when the

674
00:35:42,680 --> 00:35:46,719
Speaker 1: way we do it is just magnifig. It's so and

675
00:35:46,760 --> 00:35:49,080
Speaker 1: so like even when you see like a movie review,

676
00:35:50,080 --> 00:35:53,080
Speaker 1: it don't just be about I didn't like the movie anymore.

677
00:35:53,080 --> 00:35:56,440
Speaker 1: And now it's like seth rogen needs to mature as

678
00:35:56,480 --> 00:35:59,279
Speaker 1: a person. And so yeah, they probably do read that

679
00:35:59,320 --> 00:36:01,839
Speaker 1: shit and see all that projection, and it probably hurt

680
00:36:01,880 --> 00:36:04,600
Speaker 1: their feelings because they're human. So it just made me think,

681
00:36:04,760 --> 00:36:07,200
Speaker 1: like everyone in the critics, theay feelings hurt when the

682
00:36:07,200 --> 00:36:09,279
Speaker 1: fans don't like their critigue and all that shit. So

683
00:36:09,360 --> 00:36:11,240
Speaker 1: it just made me think of that big ass circle,

684
00:36:11,280 --> 00:36:11,480
Speaker 1: you know.

685
00:36:12,520 --> 00:36:15,160
Speaker 2: Yeah, and like you say, it's a circle.

686
00:36:15,239 --> 00:36:18,080
Speaker 3: And it's also, I guess, in my opinion, one of

687
00:36:18,160 --> 00:36:22,040
Speaker 3: those things where, like you said, everybody's projecting. Everybody has

688
00:36:22,080 --> 00:36:24,440
Speaker 3: all these opinions, and when you're something like the personal

689
00:36:25,040 --> 00:36:28,480
Speaker 3: impersonal thing, it's one of those things where.

690
00:36:29,760 --> 00:36:33,760
Speaker 2: I just said, when people come at.

691
00:36:33,640 --> 00:36:37,359
Speaker 3: You very personal like that and they don't really quote

692
00:36:37,440 --> 00:36:40,879
Speaker 3: unquote know you, it still hurts because, like you say,

693
00:36:40,920 --> 00:36:43,600
Speaker 3: it's a personal thing that you opted and you chose

694
00:36:43,680 --> 00:36:47,080
Speaker 3: to share, right. And so at the same time, it's

695
00:36:47,120 --> 00:36:51,800
Speaker 3: the catch twenty two because the public in general, including

696
00:36:51,880 --> 00:36:54,799
Speaker 3: myself to an extent, they just want to consume shit, right,

697
00:36:55,040 --> 00:36:59,120
Speaker 3: And you don't care about the person that you're consuming.

698
00:36:59,440 --> 00:37:01,560
Speaker 3: You just don't care put shit out there for me

699
00:37:01,640 --> 00:37:04,080
Speaker 3: to consume. That's all I care about. You as an

700
00:37:04,080 --> 00:37:07,360
Speaker 3: individual don't matter. So I should have the right in

701
00:37:07,400 --> 00:37:10,680
Speaker 3: the luxury to do whatever I want to do and

702
00:37:10,800 --> 00:37:14,400
Speaker 3: say whatever I want to say, because your whole job

703
00:37:14,480 --> 00:37:16,279
Speaker 3: is the motherfucking tap dance for me.

704
00:37:16,440 --> 00:37:18,360
Speaker 2: Like literally anything.

705
00:37:18,000 --> 00:37:21,279
Speaker 3: That people consume, they for some people, they erase and

706
00:37:21,320 --> 00:37:25,200
Speaker 3: they separate the person's humanity. And sometimes these people remind

707
00:37:25,239 --> 00:37:27,960
Speaker 3: you that they're human. And what they do they buck back,

708
00:37:28,080 --> 00:37:30,239
Speaker 3: They cut everybody out. They start showing their asks and

709
00:37:30,280 --> 00:37:32,360
Speaker 3: people go whoa, whoa. What was like, Yeah, this is

710
00:37:32,360 --> 00:37:36,200
Speaker 3: a human being, y'all. And you have been attacking somebody

711
00:37:36,239 --> 00:37:38,359
Speaker 3: and they have been They've got fed up and they

712
00:37:38,440 --> 00:37:42,560
Speaker 3: actually start responding. And so you can't have it both ways.

713
00:37:42,600 --> 00:37:46,239
Speaker 3: You can't say, well, I miss making the stallion. But

714
00:37:46,360 --> 00:37:51,720
Speaker 3: at the same time, when somebody like Rihanna Beyonce, don't

715
00:37:51,719 --> 00:37:55,480
Speaker 3: say shit, don't do shit, have assistance and everybody post

716
00:37:55,560 --> 00:37:58,040
Speaker 3: everything you're boring, ain't nothing about you, We don't know

717
00:37:58,080 --> 00:38:00,600
Speaker 3: nothing about you, right right right, right right right, because

718
00:38:01,000 --> 00:38:03,040
Speaker 3: you know, they want to keep their sanity.

719
00:38:03,080 --> 00:38:05,799
Speaker 2: Because I have lived and been on in it long enough.

720
00:38:05,840 --> 00:38:09,399
Speaker 3: A lot of these people, particularly celebrities that actually got

721
00:38:09,480 --> 00:38:11,680
Speaker 3: raised up on the internet, they get to a point

722
00:38:11,719 --> 00:38:13,400
Speaker 3: where a lot of them have to leave and have

723
00:38:13,480 --> 00:38:17,080
Speaker 3: to reduce their time and have to separate themselves just

724
00:38:17,120 --> 00:38:21,560
Speaker 3: because of the craziness in the in the in the

725
00:38:21,600 --> 00:38:25,600
Speaker 3: insanity of the fans and the demands that they consistently

726
00:38:26,200 --> 00:38:30,840
Speaker 3: do something for them, and human beings, I will continue

727
00:38:30,840 --> 00:38:34,360
Speaker 3: to say, as human beings are not designed to get

728
00:38:34,520 --> 00:38:37,640
Speaker 3: all this information at once. We're not designed to be

729
00:38:37,760 --> 00:38:40,799
Speaker 3: critiqued by ten million people, and we're not designed to

730
00:38:40,800 --> 00:38:42,440
Speaker 3: be praised by ten million people.

731
00:38:42,640 --> 00:38:44,440
Speaker 2: We just aren't designed for that.

732
00:38:44,920 --> 00:38:48,120
Speaker 3: You know, your brain does not have the capacity to

733
00:38:48,360 --> 00:38:51,480
Speaker 3: compute all those things, and it's very hard to navigate.

734
00:38:51,560 --> 00:38:54,000
Speaker 2: People average person will never deal with it, so they

735
00:38:54,080 --> 00:38:54,640
Speaker 2: just don't care.

736
00:38:55,040 --> 00:38:59,120
Speaker 1: I mean, it's weird because you know, we know how

737
00:38:59,160 --> 00:39:02,399
Speaker 1: it affects people, cause we've seen so many celebrities and

738
00:39:02,920 --> 00:39:06,640
Speaker 1: musicians and shit that fucking like off themselves or died

739
00:39:06,680 --> 00:39:10,600
Speaker 1: of drug overdose or whatever at very young ages. And

740
00:39:10,640 --> 00:39:15,200
Speaker 1: we never thought. It's just wild that we still always

741
00:39:15,239 --> 00:39:18,319
Speaker 1: not all I'm talking very generally, but that so many

742
00:39:18,320 --> 00:39:20,680
Speaker 1: people were like, and now I want to be famous.

743
00:39:21,760 --> 00:39:24,040
Speaker 1: I covered that I want that worship I want And

744
00:39:24,080 --> 00:39:28,239
Speaker 1: we see like the the way it drives people just

745
00:39:28,719 --> 00:39:31,400
Speaker 1: you know, up a wall, the way it just affects

746
00:39:31,440 --> 00:39:34,320
Speaker 1: their whole lives and they can't cope and all this stuff,

747
00:39:34,360 --> 00:39:36,600
Speaker 1: and it's like but I but I want to be

748
00:39:36,640 --> 00:39:38,920
Speaker 1: in a spot like too, and I hate that this

749
00:39:38,960 --> 00:39:41,880
Speaker 1: person is spotlight not me and all the emotions that

750
00:39:41,920 --> 00:39:45,040
Speaker 1: come with that. But yeah, it's a very real thing,

751
00:39:45,160 --> 00:39:47,799
Speaker 1: and in a way, we're all kind of chasing it,

752
00:39:47,960 --> 00:39:50,799
Speaker 1: you know, and social media's made it where you could

753
00:39:50,880 --> 00:39:53,120
Speaker 1: chase it. You know. When I see like people like

754
00:39:53,160 --> 00:39:56,160
Speaker 1: Big Groove, I see a person that probably doesn't have

755
00:39:56,200 --> 00:39:59,080
Speaker 1: a lot of talent, doesn't isn't putting a shit ton

756
00:39:59,080 --> 00:40:01,560
Speaker 1: of thought into what they're doing, but they know they're

757
00:40:01,640 --> 00:40:04,440
Speaker 1: chasing that fame. They know they want to be They

758
00:40:04,480 --> 00:40:07,279
Speaker 1: want to be famous, they want to be somebody, you know.

759
00:40:07,400 --> 00:40:08,560
Speaker 2: That's commodity.

760
00:40:08,600 --> 00:40:11,720
Speaker 3: And the thing is for some people, there are people

761
00:40:12,160 --> 00:40:15,200
Speaker 3: that are famous and the money is behind it.

762
00:40:15,239 --> 00:40:17,120
Speaker 2: But there are some people that are famous and they

763
00:40:17,160 --> 00:40:19,960
Speaker 2: are broke. You know, people people.

764
00:40:19,719 --> 00:40:22,360
Speaker 3: Assume that you're famous, you have money, and that those

765
00:40:22,400 --> 00:40:23,800
Speaker 3: things are not a true statement.

766
00:40:24,280 --> 00:40:26,600
Speaker 2: Just because you got a million something TikTok follows all

767
00:40:26,600 --> 00:40:28,200
Speaker 2: that shit. It don't mean your bank account got a

768
00:40:28,200 --> 00:40:29,120
Speaker 2: million dollars in it.

769
00:40:29,120 --> 00:40:34,799
Speaker 1: It's just the illusion even if even if you even

770
00:40:34,840 --> 00:40:37,160
Speaker 1: if you have money. We've seen people with money. I mean,

771
00:40:37,200 --> 00:40:41,040
Speaker 1: people are famous and have money, and still they it

772
00:40:41,160 --> 00:40:43,439
Speaker 1: don't make them happy like it's it's you know, it's

773
00:40:43,520 --> 00:40:46,200
Speaker 1: just shit is just tough all the way around. I guess,

774
00:40:46,280 --> 00:40:50,880
Speaker 1: Oh did we lose care? Oh I see, I hear you.

775
00:40:50,960 --> 00:40:55,799
Speaker 1: I just can't see you for some reason my internet.

776
00:40:56,080 --> 00:40:58,440
Speaker 2: Yeah it might be because you move it on my side.

777
00:40:59,040 --> 00:41:01,440
Speaker 1: Okay, all right, Well I'm not going to touch anything

778
00:41:01,480 --> 00:41:03,360
Speaker 1: as long as maybe it'll come back in a few minutes.

779
00:41:03,360 --> 00:41:07,080
Speaker 1: But okay, all right, Well that was all I had

780
00:41:07,120 --> 00:41:13,040
Speaker 1: for the upfront stuff. You know, Uh, we did say

781
00:41:13,080 --> 00:41:15,439
Speaker 1: this was gonna be a shorter show. I do want

782
00:41:15,440 --> 00:41:18,560
Speaker 1: to mention this, and we'll we'll get into a couple

783
00:41:18,600 --> 00:41:24,800
Speaker 1: of segments after this. But Janelle James is torn right now, okay,

784
00:41:25,320 --> 00:41:28,120
Speaker 1: friend of the show. You know, y'all know her, y'all

785
00:41:28,120 --> 00:41:34,480
Speaker 1: see her. Okay, and uh, let me tell you you

786
00:41:34,640 --> 00:41:39,640
Speaker 1: need to and want to get these tickets because these

787
00:41:39,640 --> 00:41:42,040
Speaker 1: motherfuckers ain't finn to be here forever. I just looked

788
00:41:42,120 --> 00:41:46,120
Speaker 1: up Karen is going to see her Friday, so there

789
00:41:46,120 --> 00:41:48,560
Speaker 1: won't be there won't be any premium show on Friday.

790
00:41:49,680 --> 00:41:49,919
Speaker 2: Show.

791
00:41:51,320 --> 00:41:58,960
Speaker 1: Yeah, but Karen loves to say how much she's not

792
00:41:59,000 --> 00:42:02,560
Speaker 1: gonna be here. Guys, but listen. I clicked on I

793
00:42:02,600 --> 00:42:06,239
Speaker 1: clicked on the link for the Comedy Zone, which is

794
00:42:06,239 --> 00:42:09,880
Speaker 1: in Charlotte, to see if tickets are still available. There's

795
00:42:10,000 --> 00:42:13,239
Speaker 1: one show a tickets available Friday at nine forty five.

796
00:42:13,280 --> 00:42:16,080
Speaker 1: The other three shows are sold out already.

797
00:42:16,200 --> 00:42:19,520
Speaker 3: Yep, yep, because as soon because I was on Facebook,

798
00:42:20,080 --> 00:42:23,000
Speaker 3: and when I was on Facebook, she posted it, And

799
00:42:23,160 --> 00:42:24,600
Speaker 3: when she posted it, I.

800
00:42:24,360 --> 00:42:26,840
Speaker 2: Immediately went and got to tickets immediately.

801
00:42:27,000 --> 00:42:29,839
Speaker 1: Yeah, I was. I think I told I think then

802
00:42:29,880 --> 00:42:32,000
Speaker 1: I text you that she was coming to Charlotte and

803
00:42:32,080 --> 00:42:33,680
Speaker 1: just to let you know, because it was one of

804
00:42:33,719 --> 00:42:36,920
Speaker 1: those things where I would have I remember thinking to myself,

805
00:42:36,960 --> 00:42:39,400
Speaker 1: if I was home, I'd fucking be going to this,

806
00:42:39,600 --> 00:42:40,520
Speaker 1: you know. So I.

807
00:42:42,160 --> 00:42:43,719
Speaker 2: Think I asked you or something like that.

808
00:42:43,800 --> 00:42:45,279
Speaker 3: I was, oh, no, I think I might say if

809
00:42:45,360 --> 00:42:47,560
Speaker 3: Janelle James coming town, I'm thinking about getting tickets, And

810
00:42:47,560 --> 00:42:48,560
Speaker 3: he was like, well go see her.

811
00:42:48,640 --> 00:42:50,400
Speaker 2: Yeah, yeah, yeah, you're coming to go see her.

812
00:42:50,520 --> 00:42:52,440
Speaker 3: And so when you said that, I immediately went and

813
00:42:52,480 --> 00:42:54,920
Speaker 3: got some tickets for me and your mom.

814
00:42:55,200 --> 00:42:58,640
Speaker 1: She's so funny. It's so crazy because I mean, obviously

815
00:42:58,760 --> 00:43:02,440
Speaker 1: now the world is aware, uh, through her, of her talent,

816
00:43:02,560 --> 00:43:07,359
Speaker 1: through you know, Avid elementary, but but honestly, like, uh,

817
00:43:07,920 --> 00:43:11,280
Speaker 1: she's not Ava. She's funny and Ava is a great character,

818
00:43:11,400 --> 00:43:14,600
Speaker 1: but she's acting, so some people still ain't familiar with,

819
00:43:14,840 --> 00:43:17,600
Speaker 1: like how fucking great her stand up is. It's you know,

820
00:43:17,719 --> 00:43:22,800
Speaker 1: different muscle, different skill. And I hope that like even

821
00:43:23,520 --> 00:43:26,120
Speaker 1: you know, because I know her as she's so funny,

822
00:43:26,120 --> 00:43:28,319
Speaker 1: but she's also like she loves stand up. She's like

823
00:43:28,320 --> 00:43:31,400
Speaker 1: a pure stand up even though she's multi talented and

824
00:43:31,480 --> 00:43:34,440
Speaker 1: all that stuff, right, you know, all that stuff, but

825
00:43:34,920 --> 00:43:39,000
Speaker 1: she's she she's so good at stand up. And to

826
00:43:39,120 --> 00:43:41,359
Speaker 1: now know that there's a world of people that's about

827
00:43:41,360 --> 00:43:44,800
Speaker 1: to get introduced to Janelle James stand up, not Janelle

828
00:43:44,920 --> 00:43:48,919
Speaker 1: James gift from Twitter, not Janelle James walk in there.

829
00:43:48,880 --> 00:43:50,759
Speaker 2: Like, oh my god, what did I walk into it?

830
00:43:50,960 --> 00:43:53,600
Speaker 1: I cannot fucking wait. I cannot fucking wait.

831
00:43:54,560 --> 00:44:00,880
Speaker 3: I am so excited and uh and there are four shows, uh,

832
00:44:01,360 --> 00:44:03,640
Speaker 3: and so I think it's like two on Friday, two

833
00:44:03,640 --> 00:44:04,200
Speaker 3: on Saturday.

834
00:44:04,800 --> 00:44:05,520
Speaker 2: For those of you.

835
00:44:05,760 --> 00:44:09,279
Speaker 3: She's gonna be in Marsh the ninth, She's gonna be

836
00:44:09,280 --> 00:44:12,560
Speaker 3: in Washington d c uh, the Comedy Zone, Marsh the

837
00:44:12,640 --> 00:44:18,360
Speaker 3: twenty fifth, She's gonna be in Minneapolis, Minnesota, March the

838
00:44:18,480 --> 00:44:19,960
Speaker 3: thirty first through April the first.

839
00:44:20,280 --> 00:44:21,160
Speaker 2: What's that Wick.

840
00:44:21,320 --> 00:44:25,160
Speaker 1: West West, New York? I like or I love that.

841
00:44:25,239 --> 00:44:27,439
Speaker 1: You just was like, I'm doing this. I don't care.

842
00:44:27,760 --> 00:44:30,480
Speaker 1: Oh yeah, let me let me help everybody out so

843
00:44:30,520 --> 00:44:33,160
Speaker 1: we don't have to go through all that. Janelle James

844
00:44:33,600 --> 00:44:37,280
Speaker 1: Comedy dot Com. That's how you can find out. Janelle

845
00:44:37,360 --> 00:44:41,560
Speaker 1: Jamescomedy dot Com has got all her dates, all the

846
00:44:41,600 --> 00:44:44,880
Speaker 1: plus I can tell everybody. I mean, was tearing the

847
00:44:45,000 --> 00:44:46,759
Speaker 1: names up. You was just tearing the names up. I'm

848
00:44:46,760 --> 00:44:48,560
Speaker 1: just trying to save you. I don't know why you

849
00:44:48,560 --> 00:44:50,560
Speaker 1: don't want to be saved, but I'm just trying to

850
00:44:50,600 --> 00:44:51,400
Speaker 1: save you.

851
00:44:51,400 --> 00:44:54,040
Speaker 2: Go ahead, go ahead, save me from myself. I got

852
00:44:54,080 --> 00:44:55,920
Speaker 2: to singing ship over here. I'm talking of some India

853
00:44:56,080 --> 00:44:57,480
Speaker 2: New York. There was like, where is that at?

854
00:44:57,960 --> 00:45:00,480
Speaker 1: You're just confusing, You're just confusing p people. They're not

855
00:45:00,520 --> 00:45:04,000
Speaker 1: gonna show up at the right places. Janelle Jamescomedy dot

856
00:45:04,040 --> 00:45:06,839
Speaker 1: Com is where you can find a list of all

857
00:45:06,840 --> 00:45:09,640
Speaker 1: the places that she's gonna be friend of the show.

858
00:45:09,880 --> 00:45:13,960
Speaker 1: If you a BLACKOUTISS fan and you show up, get

859
00:45:14,080 --> 00:45:16,200
Speaker 1: you know, let her know we sent you or whatever

860
00:45:16,360 --> 00:45:19,239
Speaker 1: you know like like, and I promise you're gonna have

861
00:45:19,280 --> 00:45:20,799
Speaker 1: a good time. I can't even imagine what a stand

862
00:45:20,840 --> 00:45:24,160
Speaker 1: ups like now, because I know she's gonna have mad

863
00:45:24,239 --> 00:45:26,799
Speaker 1: funny shit to say about everything that's happened to her

864
00:45:26,840 --> 00:45:29,320
Speaker 1: just in the last couple of years. You want to

865
00:45:29,360 --> 00:45:33,120
Speaker 1: warm up. She's got comedy, she got comedy stand up

866
00:45:33,200 --> 00:45:37,799
Speaker 1: on on Netflix and all that stuff. So just so

867
00:45:37,960 --> 00:45:42,560
Speaker 1: fucking funny. Man love her. So all right, let's get

868
00:45:42,640 --> 00:45:49,120
Speaker 1: into some other news. Let's do some of our segments, know,

869
00:45:49,239 --> 00:45:53,560
Speaker 1: skip regular news and uh go straight to like okay,

870
00:45:53,600 --> 00:45:54,319
Speaker 1: go ahead.

871
00:45:54,840 --> 00:45:57,480
Speaker 2: Oh before you go, I mean before we go on.

872
00:45:57,920 --> 00:46:01,040
Speaker 3: If you have not heard her album, go back and

873
00:46:01,080 --> 00:46:07,320
Speaker 3: get her album. Uh albums, and uh yeah she is hilarious,

874
00:46:07,920 --> 00:46:10,640
Speaker 3: so go purchase them, stream them, do all that stuff

875
00:46:10,719 --> 00:46:11,520
Speaker 3: support her.

876
00:46:11,840 --> 00:46:16,720
Speaker 1: Yeah, exactly. So I think we'll just get straight into

877
00:46:16,840 --> 00:46:20,600
Speaker 1: like the guest, the race and stuff like that. So

878
00:46:20,680 --> 00:46:24,880
Speaker 1: let's do some guess the race. It's already late, so

879
00:46:25,040 --> 00:46:28,520
Speaker 1: you know, we gotta beat around the bush. All right,

880
00:46:28,560 --> 00:46:31,840
Speaker 1: We're guessing races, and then we do some of ratchetness

881
00:46:32,560 --> 00:46:34,759
Speaker 1: and then we're gonna wrap this up because I still

882
00:46:34,840 --> 00:46:36,680
Speaker 1: got some some stuff to do for the.

883
00:46:36,600 --> 00:46:37,120
Speaker 4: For the show.

884
00:46:38,280 --> 00:46:41,200
Speaker 1: Yeah, uh, you know, I gotta write some alts to name.

885
00:46:41,480 --> 00:46:43,719
Speaker 1: I gotta finish that deep dive.

886
00:46:49,280 --> 00:46:57,480
Speaker 4: It's time to the race. It's time. It's time. It's

887
00:46:57,600 --> 00:46:59,000
Speaker 4: time to the race.

888
00:47:00,000 --> 00:47:01,800
Speaker 1: I just guess the race. Timetime to go around, to

889
00:47:01,800 --> 00:47:04,880
Speaker 1: go find different articles, guess the race of the people involved. Today,

890
00:47:06,360 --> 00:47:09,080
Speaker 1: the contestants are Karen and the chat room. And they

891
00:47:09,080 --> 00:47:13,800
Speaker 1: are racist, all right. They've always been racist. They'll probably

892
00:47:13,840 --> 00:47:18,319
Speaker 1: always be racist. They can't help themselves. They were just

893
00:47:18,360 --> 00:47:24,840
Speaker 1: born racist. They were born this way. They say, nobody's

894
00:47:24,880 --> 00:47:29,360
Speaker 1: born racist. They said, I want to bet slought l

895
00:47:29,520 --> 00:47:34,600
Speaker 1: police bust ice cream truck driver for meth uh the

896
00:47:34,640 --> 00:47:40,560
Speaker 1: slide Yeah, the slidel police saying go ahead, where is

897
00:47:40,640 --> 00:47:44,719
Speaker 1: is it? Well, Karen, I mean, think about what was

898
00:47:44,840 --> 00:47:47,160
Speaker 1: what was happening? We've only done in two thousand and

899
00:47:47,239 --> 00:47:51,080
Speaker 1: some shows. What do you think what's gonna happen? Karen?

900
00:47:51,080 --> 00:47:52,840
Speaker 1: Do you think I was gonna keep it to myself?

901
00:47:52,960 --> 00:47:54,640
Speaker 1: You think I was gonna say guess the race and

902
00:47:54,760 --> 00:47:56,480
Speaker 1: just after that one sentence.

903
00:47:56,160 --> 00:48:00,319
Speaker 2: Or like, no, I'll let you finish, Okay.

904
00:48:00,400 --> 00:48:02,399
Speaker 1: I just want to know. I mean, maybe you knew

905
00:48:02,400 --> 00:48:06,160
Speaker 1: something I didn't know that you know, I'm reading go

906
00:48:06,239 --> 00:48:07,080
Speaker 1: to you, but.

907
00:48:07,320 --> 00:48:09,439
Speaker 2: You know you let me talk, so I'll let you talk.

908
00:48:09,520 --> 00:48:10,600
Speaker 2: On my bad, my bad.

909
00:48:11,080 --> 00:48:13,319
Speaker 1: The slide out of police department saying ice cream truck

910
00:48:13,400 --> 00:48:17,160
Speaker 1: driver had more than push ups and chip witches on board.

911
00:48:17,200 --> 00:48:19,319
Speaker 1: The police say they believe the driver, forty two year

912
00:48:19,360 --> 00:48:22,759
Speaker 1: old to Mi Sha Moran, was selling meth and fhatamine

913
00:48:22,880 --> 00:48:26,600
Speaker 1: from the truck. Police said they caught wind of the

914
00:48:26,680 --> 00:48:32,760
Speaker 1: vehicle with expired tags. Apparently right, I think we're starting

915
00:48:32,800 --> 00:48:36,000
Speaker 1: to get a little bit of a delay hold on everybody.

916
00:48:36,080 --> 00:48:43,000
Speaker 1: I'm gonna pause this all right. So as I was saying, uh,

917
00:48:43,160 --> 00:48:45,920
Speaker 1: this woman, uh now, I got to pull back up

918
00:48:45,960 --> 00:48:50,279
Speaker 1: the broser. Yeah. So the police said they that she

919
00:48:50,360 --> 00:48:54,080
Speaker 1: had expired tags and no brake lights on Old Spanish

920
00:48:54,080 --> 00:48:55,560
Speaker 1: Trail late yesterday morning.

921
00:48:56,760 --> 00:49:00,680
Speaker 2: What you asking to be pulled over? I I'll never.

922
00:49:00,680 --> 00:49:09,680
Speaker 1: Understand the people that know what they doing is extremely illegal.

923
00:49:09,719 --> 00:49:11,560
Speaker 2: And have all your in order.

924
00:49:11,880 --> 00:49:14,760
Speaker 3: Make sure all your light's working, all your grace working,

925
00:49:14,840 --> 00:49:16,560
Speaker 3: be sure, be sure nothing expired.

926
00:49:16,680 --> 00:49:19,840
Speaker 2: I mean, goddamn you just drawing attention. Put your seat

927
00:49:19,840 --> 00:49:22,200
Speaker 2: bet on. I mean, I mean, don't give them no

928
00:49:22,280 --> 00:49:22,960
Speaker 2: reason to pull yo.

929
00:49:23,040 --> 00:49:25,759
Speaker 1: But it's a stupid Yeah, it feels very much like

930
00:49:25,960 --> 00:49:29,480
Speaker 1: this is a layup, Like why would you be riding

931
00:49:29,520 --> 00:49:34,359
Speaker 1: dirty and knowing you've got an ice cream refrigerator full

932
00:49:34,360 --> 00:49:34,759
Speaker 1: of myth?

933
00:49:38,200 --> 00:49:40,000
Speaker 2: You got myth by the pint.

934
00:49:40,280 --> 00:49:42,800
Speaker 1: The ice cream truck was a particular interest to detectives

935
00:49:42,840 --> 00:49:45,440
Speaker 1: do to previously receive information that the owner was allegedly

936
00:49:45,520 --> 00:49:48,839
Speaker 1: using and selling myth from the truck. That's one thing

937
00:49:48,880 --> 00:49:53,640
Speaker 1: about myth. It's never no Walter White shit. The ones

938
00:49:53,680 --> 00:49:56,040
Speaker 1: that be catching in real life always getting high on

939
00:49:56,080 --> 00:50:02,879
Speaker 1: their own supply. Like I'm never surprised to hear that

940
00:50:03,000 --> 00:50:05,520
Speaker 1: when they're just like, oh yeah, yeah, they was real.

941
00:50:05,800 --> 00:50:08,759
Speaker 1: They was on the math too, Like of course they

942
00:50:08,760 --> 00:50:13,280
Speaker 1: were on the math. Of course, upon searching the truck,

943
00:50:13,400 --> 00:50:16,359
Speaker 1: detectives located melted ice cream in the freezer. Well that's

944
00:50:16,400 --> 00:50:18,319
Speaker 1: already a bad sign.

945
00:50:18,320 --> 00:50:21,439
Speaker 6: Not melted ice cream. But but does ice cream truck

946
00:50:21,480 --> 00:50:24,400
Speaker 6: had ice cream melted? How are you still in business?

947
00:50:24,800 --> 00:50:27,120
Speaker 1: Yeah, you're not even really trying to cover your tracks

948
00:50:27,120 --> 00:50:30,560
Speaker 1: if you got melted ice cream, Like it's not gonna

949
00:50:30,560 --> 00:50:35,200
Speaker 1: pass any level of inspection, no, because everybody's just gonna

950
00:50:35,239 --> 00:50:36,799
Speaker 1: be like the.

951
00:50:36,680 --> 00:50:39,759
Speaker 3: Ice cream expect to come and you're like, okay, they're like,

952
00:50:40,120 --> 00:50:44,040
Speaker 3: but all this ice cream is right in degrees.

953
00:50:43,760 --> 00:50:47,400
Speaker 1: It's all melted, Like you sell ice cream, Yeah, I

954
00:50:47,480 --> 00:50:51,839
Speaker 1: sell ice cream. Okay, so let's just start off. You

955
00:50:51,920 --> 00:50:56,480
Speaker 1: sell ice cream out this truck and nothing else. Yeah okay,

956
00:50:56,520 --> 00:50:58,600
Speaker 1: So why is the ice cream all melted and laying

957
00:50:58,600 --> 00:51:02,160
Speaker 1: on the floor. Yeah, that's just how That's just how

958
00:51:02,200 --> 00:51:04,640
Speaker 1: I like it, you know, just.

959
00:51:05,040 --> 00:51:07,479
Speaker 3: Like this wouldn't even pass regular ass inspection, no matter

960
00:51:07,560 --> 00:51:08,719
Speaker 3: ice cream inspection.

961
00:51:09,239 --> 00:51:11,920
Speaker 1: Yeah, like that's just how we you know, that's how

962
00:51:11,920 --> 00:51:13,080
Speaker 1: the kids like it these days.

963
00:51:13,080 --> 00:51:15,399
Speaker 2: They're like, uh, they're like melted ice cream.

964
00:51:15,400 --> 00:51:17,200
Speaker 1: They like melted ice cream on the floor.

965
00:51:17,600 --> 00:51:21,719
Speaker 3: It's uhlops Okay.

966
00:51:20,960 --> 00:51:23,719
Speaker 1: They said that's it's it's they said it's good. They

967
00:51:23,719 --> 00:51:29,080
Speaker 1: say it's the best for oh my god, that's that's liquidity.

968
00:51:30,719 --> 00:51:33,880
Speaker 1: Not everybody. So what everybody gotta want their ice cream coat.

969
00:51:35,719 --> 00:51:36,120
Speaker 2: Some people.

970
00:51:37,680 --> 00:51:39,320
Speaker 1: Some people like to drink their ice cream.

971
00:51:39,680 --> 00:51:45,160
Speaker 3: Okay, Uh, why is there no ice in the ice cream?

972
00:51:45,920 --> 00:51:50,000
Speaker 1: Right? Okay, maybe you should stop being so judgmental. You

973
00:51:50,000 --> 00:51:54,640
Speaker 1: don't know, but yeah. She was booked in county jail.

974
00:51:54,680 --> 00:51:57,960
Speaker 1: Her ice cream cruck Tammy's ice Cream and Sweet Treats,

975
00:51:58,280 --> 00:52:00,759
Speaker 1: was impounded in a dish into the melt of ice

976
00:52:00,800 --> 00:52:03,320
Speaker 1: cream and the meth. They also found two puppies on board.

977
00:52:03,360 --> 00:52:09,520
Speaker 1: Oh god, I know, the black just hopped out of

978
00:52:09,560 --> 00:52:13,520
Speaker 1: me because I'm more upset about dogs being around the

979
00:52:13,560 --> 00:52:17,240
Speaker 1: food ice cream. I'm like, you just had your dogs

980
00:52:17,280 --> 00:52:19,359
Speaker 1: around the ice cream? Is like rod Rod calmed down.

981
00:52:19,440 --> 00:52:22,759
Speaker 1: She also had meth. It's like, oh, yeah, that's not

982
00:52:22,840 --> 00:52:23,399
Speaker 1: good too.

983
00:52:24,080 --> 00:52:25,520
Speaker 2: One of the puppies name King.

984
00:52:27,760 --> 00:52:32,600
Speaker 1: Right, So yeah, police do not believe any children were

985
00:52:32,640 --> 00:52:34,879
Speaker 1: exposed to her alleged mess tray, and the ice cream

986
00:52:34,880 --> 00:52:38,120
Speaker 1: truck has been out of commission for several months, so

987
00:52:38,360 --> 00:52:38,800
Speaker 1: of course.

988
00:52:38,680 --> 00:52:40,600
Speaker 3: Because ain't no kids coming up there, ain't nothing but

989
00:52:40,719 --> 00:52:41,960
Speaker 3: adults coming up there.

990
00:52:42,520 --> 00:52:47,319
Speaker 1: It's almost genius, right, because it's like you bought the

991
00:52:47,400 --> 00:52:50,680
Speaker 1: ice cream truck as covered and like if you just

992
00:52:50,719 --> 00:52:54,719
Speaker 1: would have done the bare minimum of registering the tags,

993
00:52:56,040 --> 00:52:57,840
Speaker 1: you you would have been fine.

994
00:52:58,080 --> 00:52:59,799
Speaker 2: But you you't even got pulled over.

995
00:53:00,239 --> 00:53:02,719
Speaker 1: Yeah, Like you wouldn't even have to sell ice cream.

996
00:53:02,760 --> 00:53:05,960
Speaker 1: You just needed to like keep your tags up to date,

997
00:53:06,000 --> 00:53:09,600
Speaker 1: and you couldn't do that. And I'm blamed the myth

998
00:53:10,080 --> 00:53:16,520
Speaker 1: like drugs. In some level, it's like the best advertisement

999
00:53:16,560 --> 00:53:19,080
Speaker 1: and the worst advertisement for myth. It's like myth is

1000
00:53:19,080 --> 00:53:23,760
Speaker 1: so good, you'll spend money on myth before you fucking

1001
00:53:23,800 --> 00:53:27,360
Speaker 1: get your tags replaced on your myth selling truck.

1002
00:53:27,640 --> 00:53:28,960
Speaker 2: Like it's a hell of a drug.

1003
00:53:29,640 --> 00:53:33,719
Speaker 1: All right, Karen, Well, guess the race of tummission morn.

1004
00:53:35,320 --> 00:53:35,720
Speaker 2: Black.

1005
00:53:36,080 --> 00:53:40,919
Speaker 1: Karen's going black for this ice cream myth seller. Let's

1006
00:53:40,920 --> 00:53:43,799
Speaker 1: see what they say in the chat room. Missus ice

1007
00:53:43,840 --> 00:53:47,360
Speaker 1: cream man but not masterp black black myth suggests white

1008
00:53:47,400 --> 00:53:53,719
Speaker 1: but Tomisia. Tomisia is giving black black queen doing doing

1009
00:53:53,760 --> 00:53:57,000
Speaker 1: it different and having herself a merry meth. Miss the

1010
00:53:57,120 --> 00:54:00,759
Speaker 1: Public Health Department says, no, tricky but black method woman,

1011
00:54:00,920 --> 00:54:04,719
Speaker 1: black black opposite of the vanilla ice cream, too lazy

1012
00:54:04,760 --> 00:54:09,880
Speaker 1: to sell meth black enterprising system knowing her white base. Uh,

1013
00:54:10,360 --> 00:54:12,839
Speaker 1: everyone went black on this, which I am shocked because

1014
00:54:12,840 --> 00:54:16,880
Speaker 1: it's a meth story, and everyone you got it wrong.

1015
00:54:19,160 --> 00:54:20,040
Speaker 7: With that name.

1016
00:54:28,400 --> 00:54:28,880
Speaker 2: Recount.

1017
00:54:31,120 --> 00:54:32,239
Speaker 1: Uh that's her right there?

1018
00:54:34,000 --> 00:54:35,279
Speaker 2: Who named her?

1019
00:54:36,560 --> 00:54:39,920
Speaker 1: Right? I mean she that's a white and that's her

1020
00:54:39,960 --> 00:54:42,160
Speaker 1: bus right there with space jam is.

1021
00:54:42,120 --> 00:54:44,839
Speaker 6: A white with a black ass name. I know her

1022
00:54:44,840 --> 00:54:46,920
Speaker 6: resume be getting thrown in the trash cans.

1023
00:54:47,000 --> 00:54:49,600
Speaker 1: And that's why she's to go sell.

1024
00:54:49,480 --> 00:54:52,359
Speaker 6: Mouse because does her name get through that that all

1025
00:54:52,400 --> 00:54:54,280
Speaker 6: the computer systems project them bitches.

1026
00:54:54,600 --> 00:54:57,120
Speaker 1: Mm mm hmmm mm hmmmmm.

1027
00:54:58,080 --> 00:54:59,799
Speaker 2: Well I'll take that all because I'm trying to tell

1028
00:54:59,840 --> 00:55:01,120
Speaker 2: you that the black ass name.

1029
00:55:01,480 --> 00:55:02,839
Speaker 1: It is a pretty black ass name.

1030
00:55:02,920 --> 00:55:03,200
Speaker 7: Karen.

1031
00:55:03,200 --> 00:55:06,399
Speaker 1: Now I do have to give you a thank you.

1032
00:55:07,400 --> 00:55:09,920
Speaker 1: All right, let's go to the next one. Karen is

1033
00:55:10,200 --> 00:55:12,000
Speaker 1: Ozer for one, and so are the rest of y'all.

1034
00:55:12,120 --> 00:55:16,680
Speaker 1: Nobody got that one. Uh Palm Beach, Palm Beach Gardens.

1035
00:55:17,080 --> 00:55:21,920
Speaker 1: Uh is where this one takes place. It's in Florida,

1036
00:55:23,840 --> 00:55:27,080
Speaker 1: and uh it's about the mail. Let me see if

1037
00:55:27,080 --> 00:55:29,040
Speaker 1: I can actually might be able to play the audio

1038
00:55:29,120 --> 00:55:31,279
Speaker 1: for this, but car you'll have to let me know

1039
00:55:31,320 --> 00:55:33,240
Speaker 1: if you can hear it. In the second.

1040
00:55:33,960 --> 00:55:36,440
Speaker 7: Continuing coverage tonight of a shocking story at a Palm

1041
00:55:36,520 --> 00:55:38,839
Speaker 7: Beach Gardens, a mail carrier and a gated.

1042
00:55:38,640 --> 00:55:39,200
Speaker 1: Can you hear that?

1043
00:55:40,160 --> 00:55:44,200
Speaker 5: Yes, community spotted dumping bins of mail into a lake.

1044
00:55:44,400 --> 00:55:46,759
Speaker 7: Now we're learning more about what happened and the woman

1045
00:55:46,880 --> 00:55:48,440
Speaker 7: police say was behind it.

1046
00:55:48,640 --> 00:55:49,279
Speaker 5: See me as twelve.

1047
00:55:49,360 --> 00:55:52,919
Speaker 7: Al Pathley joins us live outside Mirabella at Mirror Soul

1048
00:55:53,280 --> 00:55:53,880
Speaker 7: in Palm.

1049
00:55:53,640 --> 00:55:56,320
Speaker 1: Beach Gardens to break down those new details.

1050
00:55:55,840 --> 00:56:01,720
Speaker 7: Out The new information is contained in this police report

1051
00:56:01,719 --> 00:56:04,080
Speaker 7: we got from Palm Beach Garden's police. We have learned

1052
00:56:04,080 --> 00:56:07,279
Speaker 7: that a contractor did in fact throw bundles of mail

1053
00:56:07,360 --> 00:56:10,400
Speaker 7: into a lake here, confirming what a homeowner says she

1054
00:56:10,480 --> 00:56:13,320
Speaker 7: saw it taking place inside this gated community.

1055
00:56:15,120 --> 00:56:18,560
Speaker 5: It's terrible, but there's been a problem since we moved here.

1056
00:56:18,600 --> 00:56:21,840
Speaker 7: Briant Kane, a retiree, has lived at Mirabella at Mirisol

1057
00:56:21,880 --> 00:56:24,239
Speaker 7: for twelve years. Like others here, it angers him that

1058
00:56:24,280 --> 00:56:27,280
Speaker 7: a private contractor dumped mail into a lak last week.

1059
00:56:27,520 --> 00:56:29,520
Speaker 5: A lot of my bills I don't get and they

1060
00:56:29,560 --> 00:56:32,520
Speaker 5: sent us late notices and my wife has to get

1061
00:56:32,560 --> 00:56:35,400
Speaker 5: on the phone talk to him, which takes hours.

1062
00:56:35,400 --> 00:56:37,959
Speaker 7: At A Palm Beach Garden's police report identifies the woman

1063
00:56:37,960 --> 00:56:40,440
Speaker 7: who dumped the mail as twenty five year old Bendina

1064
00:56:40,480 --> 00:56:43,040
Speaker 7: Tropness of Wellington. This appears to be a photo of

1065
00:56:43,080 --> 00:56:45,279
Speaker 7: Tropness and a photo taken by a resident on the

1066
00:56:45,360 --> 00:56:48,120
Speaker 7: day of the incident. Tropeness works for a Cummings Contract

1067
00:56:48,120 --> 00:56:51,400
Speaker 7: Delivery Service of Crescent City, Florida, a private company that

1068
00:56:51,480 --> 00:56:54,439
Speaker 7: is contracted by the US Postal Service to deliver mail.

1069
00:56:54,560 --> 00:56:57,560
Speaker 7: According to the police report, on Tuesday, January tenth. A

1070
00:56:57,600 --> 00:57:01,160
Speaker 7: resident at Mirabella at Mirisol watched Trope and she jumped

1071
00:57:01,160 --> 00:57:04,080
Speaker 7: a container full of mail into the lake behind some houses.

1072
00:57:04,520 --> 00:57:07,080
Speaker 7: The residents then followed Troping's to the front gate, where

1073
00:57:07,120 --> 00:57:09,600
Speaker 7: she noted to find a security guard who contacted police.

1074
00:57:09,920 --> 00:57:12,720
Speaker 1: Imagine you gotta go to the lake and go fishing

1075
00:57:12,800 --> 00:57:16,440
Speaker 1: for your your power bill, you know.

1076
00:57:17,600 --> 00:57:20,400
Speaker 3: Imagine you're trying to catch some trout and you are

1077
00:57:20,480 --> 00:57:21,440
Speaker 3: you catching them.

1078
00:57:23,440 --> 00:57:28,080
Speaker 1: Somebody's credit card bill, right, You're getting somebody's grandmama's the

1079
00:57:28,480 --> 00:57:31,040
Speaker 1: birthday card that that that they supposed that they got

1080
00:57:31,040 --> 00:57:34,280
Speaker 1: from their grandmama. Because this motherfucker just do everything in

1081
00:57:34,320 --> 00:57:38,960
Speaker 1: the lake. Damn right, what do they mean? What do

1082
00:57:39,040 --> 00:57:43,280
Speaker 1: they be like? Because my guess is like there has

1083
00:57:43,320 --> 00:57:45,680
Speaker 1: to be tracking of this. You know, you're gonna get

1084
00:57:45,720 --> 00:57:46,480
Speaker 1: caught eventually.

1085
00:57:47,400 --> 00:57:50,240
Speaker 2: Yeah, because people don't get tired of not getting their mail.

1086
00:57:50,800 --> 00:57:53,480
Speaker 1: The companies and the and the people complain when they

1087
00:57:53,520 --> 00:57:56,200
Speaker 1: don't get their mail. The company is gonna know the

1088
00:57:56,320 --> 00:57:58,960
Speaker 1: people are gonna get suspicious. Like it's not it's not

1089
00:57:59,040 --> 00:58:02,160
Speaker 1: a crime of like and I'm all, I just need

1090
00:58:02,200 --> 00:58:03,960
Speaker 1: to scheme the right way and I'll get away with it.

1091
00:58:03,960 --> 00:58:07,600
Speaker 1: It's a crime of like okay, but like pretty soon

1092
00:58:07,640 --> 00:58:08,400
Speaker 1: they gonna catch you.

1093
00:58:08,680 --> 00:58:12,600
Speaker 3: And yet your route nobody else but your route. Everybody

1094
00:58:12,600 --> 00:58:13,640
Speaker 3: else's been getting their mail.

1095
00:58:14,160 --> 00:58:18,720
Speaker 1: Yeah, like mail literally yes, tracking on it. I mean

1096
00:58:18,760 --> 00:58:21,360
Speaker 1: like if you don't get an Amazon package, how many

1097
00:58:21,400 --> 00:58:23,880
Speaker 1: people are like, yeah, I'm hit enough Amazon. I want

1098
00:58:23,880 --> 00:58:26,600
Speaker 1: to know what this shit is to the and not

1099
00:58:26,720 --> 00:58:28,800
Speaker 1: to mention. Like with a lot of these companies now

1100
00:58:28,840 --> 00:58:31,120
Speaker 1: they track shit down to like the foot with GPS,

1101
00:58:31,160 --> 00:58:36,320
Speaker 1: they'd be like, your Amazon package is three stops away.

1102
00:58:35,400 --> 00:58:36,840
Speaker 2: That's what that's what my be telling me.

1103
00:58:37,040 --> 00:58:41,200
Speaker 3: It'd be like your Amazon package is eight stops away, Yeah, tells.

1104
00:58:40,960 --> 00:58:44,800
Speaker 1: You your Amazon packages is next door. Your neighbor got it,

1105
00:58:44,840 --> 00:58:46,960
Speaker 1: you know, and so you just throwing it at your

1106
00:58:47,760 --> 00:58:51,240
Speaker 1: Your Amazon package is seventeen feet under the water. Like what.

1107
00:58:54,120 --> 00:58:55,960
Speaker 3: And you've mean tell me you think you're gonna do

1108
00:58:56,000 --> 00:58:58,600
Speaker 3: this and nobody find you think people aren't gonna be

1109
00:58:58,800 --> 00:59:03,320
Speaker 3: Like why is there like terms of mail rising up

1110
00:59:03,360 --> 00:59:04,440
Speaker 3: in this lake down here?

1111
00:59:04,880 --> 00:59:08,280
Speaker 1: Yeah? I see if I go to the pond and

1112
00:59:08,320 --> 00:59:12,320
Speaker 1: I see a big mouth bass wearing my slippers that

1113
00:59:12,400 --> 00:59:16,440
Speaker 1: I ordered, I'm gonna be like, now, damn it, some hemmin.

1114
00:59:17,280 --> 00:59:19,400
Speaker 1: Those are the arrings my Grandmama says she sent me

1115
00:59:19,880 --> 00:59:21,080
Speaker 1: you know right.

1116
00:59:21,320 --> 00:59:24,400
Speaker 7: The police report says trop has had no identification or

1117
00:59:24,480 --> 00:59:25,320
Speaker 7: driver's license.

1118
00:59:25,520 --> 00:59:27,440
Speaker 4: The police report says, quote.

1119
00:59:27,080 --> 00:59:29,480
Speaker 7: She would not give a clear explanation of why she

1120
00:59:29,560 --> 00:59:33,240
Speaker 7: threw mail into the water. The report says, quote Tropeness

1121
00:59:33,280 --> 00:59:35,680
Speaker 7: did state she threw five bundles of mail into the

1122
00:59:35,680 --> 00:59:39,240
Speaker 7: water that were dated from twenty twenty two. Her boss,

1123
00:59:39,280 --> 00:59:41,880
Speaker 7: Timothy Cummings, came to the scene and was allowed to

1124
00:59:41,880 --> 00:59:44,320
Speaker 7: go into the water to retrieve two bundles of mail

1125
00:59:44,360 --> 00:59:47,040
Speaker 7: that were still floating, but the other three bundles could

1126
00:59:47,080 --> 00:59:49,479
Speaker 7: not be found. Cummings sold police the bundles of mail

1127
00:59:49,520 --> 00:59:52,600
Speaker 7: were newspapers and magazines. We went back to the neighborhood

1128
00:59:52,600 --> 00:59:54,800
Speaker 7: and found a similar van with the words us male

1129
00:59:54,920 --> 00:59:57,400
Speaker 7: frequent stops on the back of the van driving through

1130
00:59:57,440 --> 01:00:00,160
Speaker 7: the neighborhood. According to an email sent to Mirabella at

1131
01:00:00,160 --> 01:00:04,520
Speaker 7: Marisol Residence, the property manager says she believes the subcontractor

1132
01:00:04,600 --> 01:00:05,200
Speaker 7: was arrested.

1133
01:00:05,360 --> 01:00:09,560
Speaker 5: I think we should have the postal service takeover from

1134
01:00:09,920 --> 01:00:10,880
Speaker 5: the contractors.

1135
01:00:11,120 --> 01:00:13,480
Speaker 7: Kane says he feels mail service would improve if the

1136
01:00:13,520 --> 01:00:16,720
Speaker 7: postal service was delivering the mail, because the service provided

1137
01:00:16,760 --> 01:00:19,200
Speaker 7: by the contractor leaves a lot to be desired.

1138
01:00:20,000 --> 01:00:24,280
Speaker 1: All right, Yeah, I wonder what her excuse is gonna.

1139
01:00:24,040 --> 01:00:27,520
Speaker 2: Be told me to do it? Who told you to

1140
01:00:27,560 --> 01:00:27,800
Speaker 2: do it?

1141
01:00:31,000 --> 01:00:32,360
Speaker 1: Karen? I guess the rice?

1142
01:00:33,560 --> 01:00:34,480
Speaker 2: What was her name again?

1143
01:00:35,120 --> 01:00:44,280
Speaker 1: Uh? Old don uh they said earlier?

1144
01:00:46,160 --> 01:00:47,840
Speaker 2: Oh it's not here is not right now? I'm gonna

1145
01:00:47,840 --> 01:00:48,240
Speaker 2: go black?

1146
01:00:48,760 --> 01:00:52,080
Speaker 1: Is bendina chopness?

1147
01:00:58,160 --> 01:00:59,080
Speaker 2: I'm gonna go black?

1148
01:00:59,360 --> 01:01:01,520
Speaker 1: All right? Cam going black? Let's check the chat room

1149
01:01:01,560 --> 01:01:06,480
Speaker 1: and top of us. Mm hmmmm mm hmm.

1150
01:01:07,560 --> 01:01:11,480
Speaker 2: I'd say so so I sound like.

1151
01:01:11,440 --> 01:01:15,959
Speaker 3: A Latino Hispanic type of name.

1152
01:01:17,520 --> 01:01:22,000
Speaker 2: Then black, that's where IM gonna go.

1153
01:01:22,280 --> 01:01:23,120
Speaker 1: Where are you gonna go?

1154
01:01:24,320 --> 01:01:24,960
Speaker 2: The second one?

1155
01:01:25,920 --> 01:01:27,240
Speaker 1: What's what's the second one?

1156
01:01:27,960 --> 01:01:28,120
Speaker 2: Oh?

1157
01:01:28,240 --> 01:01:28,400
Speaker 1: Oh?

1158
01:01:28,600 --> 01:01:30,400
Speaker 2: Like Hispanic Latino versus black?

1159
01:01:30,560 --> 01:01:33,760
Speaker 1: Okay, the chat room says, black woman who goes to

1160
01:01:34,040 --> 01:01:38,479
Speaker 1: her hair appointment over delivered the mail. I ain't gonna

1161
01:01:38,480 --> 01:01:42,960
Speaker 1: be wasting my time today. Black Latina Hispanic nigga name

1162
01:01:43,120 --> 01:01:47,440
Speaker 1: for some nigga ship Latino, South Floridian trumpet, uh Mexican

1163
01:01:47,480 --> 01:01:51,320
Speaker 1: with nigga tendency, Puerto Rican, neither rain nor sleep. But

1164
01:01:51,440 --> 01:01:54,600
Speaker 1: we can't do anything about this, some lazy negress. The

1165
01:01:54,680 --> 01:02:00,760
Speaker 1: correct answer is and Karen said Latina or and uh

1166
01:02:01,880 --> 01:02:17,720
Speaker 1: uh you were wrong, Karen, the correct answer is black

1167
01:02:19,160 --> 01:02:24,120
Speaker 1: with my first speak. Yeah, you talked yourself out of it.

1168
01:02:25,120 --> 01:02:27,600
Speaker 1: I'm just mad at this picture. This picture looked like

1169
01:02:28,280 --> 01:02:31,280
Speaker 1: this must have been the picture of them like literally

1170
01:02:31,320 --> 01:02:34,360
Speaker 1: catching her in the act. Mm hmm, cause she's looking

1171
01:02:34,360 --> 01:02:38,560
Speaker 1: at the camera like, God, damn it, I fire like,

1172
01:02:38,640 --> 01:02:41,040
Speaker 1: I know you ain't. I know what you're even doing

1173
01:02:41,080 --> 01:02:42,520
Speaker 1: over by the lake, you.

1174
01:02:42,480 --> 01:02:45,480
Speaker 2: Know, I bet you. They was like, they probably like

1175
01:02:45,480 --> 01:02:47,640
Speaker 2: you're breaking records. You got finished in the in the

1176
01:02:47,760 --> 01:02:49,040
Speaker 2: in the no time.

1177
01:02:49,280 --> 01:02:53,320
Speaker 1: Right of course ducted right. She was like, well, the

1178
01:02:53,320 --> 01:02:54,120
Speaker 1: good news is.

1179
01:02:55,240 --> 01:02:57,240
Speaker 2: That's a federal laws, so you're going to jail.

1180
01:02:58,040 --> 01:03:00,520
Speaker 1: She's like, the good news is I'm done with shift

1181
01:03:00,840 --> 01:03:04,760
Speaker 1: by ten a m. Everybody's like, man, that's crazy. Every

1182
01:03:04,840 --> 01:03:09,040
Speaker 1: all used to take eight hours. I'm back home, I'm working.

1183
01:03:09,160 --> 01:03:13,360
Speaker 1: I'm working from home now. Yeah great, all right, Well Karen,

1184
01:03:13,480 --> 01:03:16,400
Speaker 1: so far you are old for too is just not

1185
01:03:16,520 --> 01:03:17,320
Speaker 1: a I am.

1186
01:03:17,400 --> 01:03:20,080
Speaker 2: I'm taking these ls because of them names.

1187
01:03:20,120 --> 01:03:22,320
Speaker 1: Not a good showing for you at all. Today.

1188
01:03:22,400 --> 01:03:28,160
Speaker 3: It's just Nope, it happens to the best off.

1189
01:03:28,440 --> 01:03:31,040
Speaker 1: We all have. We all have off days. But let's

1190
01:03:31,040 --> 01:03:32,000
Speaker 1: go to the bonus round.

1191
01:03:38,520 --> 01:03:44,440
Speaker 4: It's time to guess the race. It's time. It's time

1192
01:03:44,640 --> 01:03:48,240
Speaker 4: to guess the race. It's time to guess the race.

1193
01:03:49,240 --> 01:03:54,400
Speaker 1: All right, it's time to guess the race. Karen so

1194
01:03:54,560 --> 01:03:59,240
Speaker 1: far as oh for two, but this is worth double

1195
01:03:59,240 --> 01:04:03,400
Speaker 1: the points, double the race. Okay, see if she can

1196
01:04:04,680 --> 01:04:08,720
Speaker 1: maybe break on my note, let's see Wall Street sugar

1197
01:04:08,800 --> 01:04:17,840
Speaker 1: daddy who fell for a Manhattan stripper sues m A

1198
01:04:17,920 --> 01:04:21,040
Speaker 1: Wall Street financier is suing a stripper out there he

1199
01:04:21,280 --> 01:04:25,600
Speaker 1: learned lent her hundreds of thousands of dollars and a

1200
01:04:25,600 --> 01:04:30,680
Speaker 1: Gucci scarf when COVID shut down her club. John Leehy

1201
01:04:30,720 --> 01:04:34,480
Speaker 1: Scarf of Union, Michigan filed the suit against Aleen Loves

1202
01:04:34,720 --> 01:04:39,160
Speaker 1: Dunga and her mother of at Noulah Gomez and Manhattan

1203
01:04:39,160 --> 01:04:42,160
Speaker 1: Supreme Court. Now we're not guessing their races, we're guessing his.

1204
01:04:44,440 --> 01:04:47,080
Speaker 1: He filed a suit and John Leehy is his name

1205
01:04:47,400 --> 01:04:49,560
Speaker 1: on February twenty fourth. A legend that they never paid

1206
01:04:49,600 --> 01:04:51,680
Speaker 1: them back the money they led him, that he let

1207
01:04:51,760 --> 01:04:54,360
Speaker 1: them over three year sped. He claims in the suit

1208
01:04:54,400 --> 01:04:58,080
Speaker 1: that he fell for Alleen Love's Dunga when she first

1209
01:04:58,200 --> 01:05:00,360
Speaker 1: met her, When he first met her at her job

1210
01:05:00,400 --> 01:05:03,200
Speaker 1: as an exotic dancer and thought they were in a

1211
01:05:03,280 --> 01:05:05,960
Speaker 1: serious relationship, as he spent one hundred and twenty five

1212
01:05:06,040 --> 01:05:09,680
Speaker 1: thousand dollars to help her through the global pandemic who

1213
01:05:10,960 --> 01:05:14,360
Speaker 1: He also claimed he once lent her his Gucci scarf,

1214
01:05:14,440 --> 01:05:16,400
Speaker 1: which she never gave back. Oh what do you want

1215
01:05:16,440 --> 01:05:22,680
Speaker 1: a hoodie? Dicks, and he helped pay her mother's camp,

1216
01:05:22,760 --> 01:05:26,760
Speaker 1: for her mother's cancer treatments and Massachusetts state taxes before

1217
01:05:26,800 --> 01:05:30,160
Speaker 1: they stopped speaking with him. Now, I will say I'm

1218
01:05:30,200 --> 01:05:32,600
Speaker 1: shocked they stopped speaking with him because it sounded like

1219
01:05:32,600 --> 01:05:34,520
Speaker 1: they had an all day long sucker.

1220
01:05:36,680 --> 01:05:39,280
Speaker 3: According to the Loss again sued because they stopped speaking

1221
01:05:39,320 --> 01:05:39,680
Speaker 3: with them.

1222
01:05:39,840 --> 01:05:42,360
Speaker 1: Yes, that's what I'm saying. This is a needless suit.

1223
01:05:42,400 --> 01:05:45,080
Speaker 1: I will just get back with him Lee. He set

1224
01:05:45,160 --> 01:05:47,320
Speaker 1: up a sort of stimulus package for the struggling stripper,

1225
01:05:47,720 --> 01:05:51,160
Speaker 1: lending her money on a regular basis for maintenance. He

1226
01:05:51,240 --> 01:05:55,200
Speaker 1: also spent several thousands to help Gomez Dounga's mother pay

1227
01:05:55,200 --> 01:05:59,920
Speaker 1: off her state taxes and cancer treatments. Gomez has a

1228
01:06:00,120 --> 01:06:02,440
Speaker 1: history of defaulted loans in the past, and total he

1229
01:06:02,480 --> 01:06:04,280
Speaker 1: says he died out one hundred and twenty five thousand

1230
01:06:04,280 --> 01:06:08,440
Speaker 1: dollars from twenty nineteen to twenty twenty one, and Dounga

1231
01:06:08,480 --> 01:06:11,080
Speaker 1: was supposed to eventually pay him back, and he thought

1232
01:06:11,080 --> 01:06:13,000
Speaker 1: they were a serious relationship. Well, my thing is, is

1233
01:06:13,000 --> 01:06:14,960
Speaker 1: it really a serious relationship? You thought she was gonna

1234
01:06:15,000 --> 01:06:19,439
Speaker 1: pay you back? I felt like it's not that serious then,

1235
01:06:19,840 --> 01:06:23,360
Speaker 1: you know. And I get that where all woke and superminded.

1236
01:06:23,400 --> 01:06:29,280
Speaker 1: But I feel like, if you're in a serious relationship,

1237
01:06:29,400 --> 01:06:30,560
Speaker 1: you either help him or you're not.

1238
01:06:30,560 --> 01:06:34,080
Speaker 2: Helping, right, there's no one between with that.

1239
01:06:34,200 --> 01:06:36,080
Speaker 1: I'm mad. This article got a picture of the Gucci

1240
01:06:36,120 --> 01:06:39,240
Speaker 1: scarf in it. It's just that's ridiculous.

1241
01:06:40,960 --> 01:06:41,040
Speaker 2: Like.

1242
01:06:42,680 --> 01:06:45,960
Speaker 1: Gucci, like like we're looking for it in the lineup

1243
01:06:46,080 --> 01:06:49,440
Speaker 1: or something. Is this the scarf that did it? But

1244
01:06:49,480 --> 01:06:53,240
Speaker 1: the money dried up, right, Like I'm gonna see somebody

1245
01:06:53,240 --> 01:06:55,240
Speaker 1: walking down the street and be like, God, damn, that's

1246
01:06:55,280 --> 01:06:58,320
Speaker 1: his carf. But the money dried up. When Lee finally

1247
01:06:58,360 --> 01:07:01,160
Speaker 1: realized in August twenty twenty one, Dungo was only interested

1248
01:07:01,160 --> 01:07:04,240
Speaker 1: in his cash, at which point he forced her to

1249
01:07:04,280 --> 01:07:06,720
Speaker 1: pay back ten thousand dollars. Just a few months later,

1250
01:07:07,160 --> 01:07:09,480
Speaker 1: go Ma has borrowed six thousand more to pay off

1251
01:07:09,480 --> 01:07:13,280
Speaker 1: her Massachusetts tolling. This exercise tax and borrowed another eight

1252
01:07:13,320 --> 01:07:15,600
Speaker 1: thousand shortly after. And now see, this is what I'm

1253
01:07:15,640 --> 01:07:18,040
Speaker 1: starting to think. This man is a pay pig and

1254
01:07:18,160 --> 01:07:20,400
Speaker 1: it's on him. I hate to be a victim, mimo,

1255
01:07:20,560 --> 01:07:25,200
Speaker 1: but I'm just saying, you said, pay me back ten

1256
01:07:25,240 --> 01:07:27,680
Speaker 1: thousand dollars. I know you only want me for my cash,

1257
01:07:28,000 --> 01:07:31,320
Speaker 1: and then you win gave her mama fourteen mo thousand dollars.

1258
01:07:31,400 --> 01:07:32,320
Speaker 1: How did that make sense?

1259
01:07:34,280 --> 01:07:34,919
Speaker 2: House way?

1260
01:07:35,560 --> 01:07:38,000
Speaker 1: She allegedly never paid him back for that money, and

1261
01:07:38,120 --> 01:07:40,680
Speaker 1: soon she and younger cut off all contact with him

1262
01:07:41,120 --> 01:07:43,720
Speaker 1: and ignored his please to refund the money. He is

1263
01:07:43,800 --> 01:07:45,760
Speaker 1: now asking the judge to force the two women to

1264
01:07:45,800 --> 01:07:48,240
Speaker 1: pay all the money back. You know how fucking mad

1265
01:07:48,280 --> 01:07:53,520
Speaker 1: this man must be. That he is a goddamn All

1266
01:07:53,560 --> 01:07:55,160
Speaker 1: Street street huh.

1267
01:07:56,240 --> 01:07:57,760
Speaker 2: He put all his bus down on the street. He

1268
01:07:57,800 --> 01:07:58,520
Speaker 2: want that money?

1269
01:07:58,680 --> 01:08:00,600
Speaker 1: He must be so mad. But because he is a

1270
01:08:00,640 --> 01:08:04,439
Speaker 1: Wall Street person, I assume that his name must mean

1271
01:08:04,560 --> 01:08:08,640
Speaker 1: something to somebody somewhere. And this man went to fucking court,

1272
01:08:08,800 --> 01:08:10,840
Speaker 1: put his government on it, and then let it be

1273
01:08:10,880 --> 01:08:15,360
Speaker 1: reported in the news. Bro, Honestly, if you play me

1274
01:08:15,480 --> 01:08:17,519
Speaker 1: like this, I'm gotta take it to the grave.

1275
01:08:19,280 --> 01:08:21,439
Speaker 2: I just took I'm like you. I just took that a.

1276
01:08:22,080 --> 01:08:24,200
Speaker 1: Yeah, take this. You gotta take this one to the grave,

1277
01:08:24,280 --> 01:08:28,080
Speaker 1: doll a A. I can't make that trip this weekend.

1278
01:08:28,600 --> 01:08:30,599
Speaker 1: What's wrong, man, You ain't got the money. I don't

1279
01:08:30,600 --> 01:08:32,240
Speaker 1: even want to talk about. I just can't make the trip.

1280
01:08:32,479 --> 01:08:34,000
Speaker 1: Like I just like, I'm gonna just have to cut

1281
01:08:34,040 --> 01:08:36,599
Speaker 1: back on spending. But I karen guess the race.

1282
01:08:39,000 --> 01:08:41,280
Speaker 2: I'm going white.

1283
01:08:41,640 --> 01:08:43,760
Speaker 1: All right, let's check the chat room, see what they

1284
01:08:43,800 --> 01:08:54,479
Speaker 1: believe the races. Uh, here we go white white. But

1285
01:08:54,680 --> 01:08:57,400
Speaker 1: all mister white folks pimping back was old, dumb and white.

1286
01:08:58,600 --> 01:09:01,800
Speaker 1: So he was paying sugar daddy money, peak white mass,

1287
01:09:01,800 --> 01:09:05,240
Speaker 1: translucent white Gucci scars, sound like some nigga shit. So

1288
01:09:05,360 --> 01:09:08,160
Speaker 1: look like all whites and one black. And you know

1289
01:09:08,200 --> 01:09:11,280
Speaker 1: what I want to say, Guys, whether he said white, whether

1290
01:09:11,280 --> 01:09:13,479
Speaker 1: he said black, you got it right.

1291
01:09:24,479 --> 01:09:29,440
Speaker 3: Yeah, ain't no killing, but that is yeah, I'm with you.

1292
01:09:29,439 --> 01:09:32,720
Speaker 1: You gotta remember when the sound effect is playing, it's

1293
01:09:32,720 --> 01:09:36,080
Speaker 1: harder to hear you. But go ahead, go ahead, you

1294
01:09:36,120 --> 01:09:36,880
Speaker 1: got it. Go ahead.

1295
01:09:37,560 --> 01:09:39,960
Speaker 3: Oh im about to say yeah, Looking at that, I'm

1296
01:09:40,040 --> 01:09:41,200
Speaker 3: like you, everybody wins.

1297
01:09:41,600 --> 01:09:43,920
Speaker 1: He passing. That's I think we out of him as

1298
01:09:44,320 --> 01:09:48,320
Speaker 1: not just a sugar Daddy pay pig. But also he

1299
01:09:48,400 --> 01:09:51,320
Speaker 1: might want to check. He might want to shake that tree,

1300
01:09:51,520 --> 01:09:54,640
Speaker 1: that family tree, because I think you're gonna see some

1301
01:09:54,640 --> 01:09:56,599
Speaker 1: some negroes falling out, if you know what I'm saying.

1302
01:09:56,640 --> 01:09:57,240
Speaker 1: You know what I mean?

1303
01:10:00,160 --> 01:10:00,400
Speaker 5: Man?

1304
01:10:00,520 --> 01:10:03,559
Speaker 1: What a what a crazy story? Like I cannot believe

1305
01:10:03,600 --> 01:10:06,720
Speaker 1: he told the world that. Man, I I just would

1306
01:10:06,760 --> 01:10:09,040
Speaker 1: have been out of the money and and nobody would

1307
01:10:09,040 --> 01:10:12,400
Speaker 1: have had to know about it. Oh m, Like I

1308
01:10:12,400 --> 01:10:14,160
Speaker 1: would have. I would have flipped it into like you know,

1309
01:10:14,160 --> 01:10:16,880
Speaker 1: I'm a sugar daddy. I be meaning to pay these

1310
01:10:16,920 --> 01:10:19,800
Speaker 1: women and not get the money back. That's how you know.

1311
01:10:20,280 --> 01:10:22,559
Speaker 1: That's how much I'm a baller. I wouldn't. I wouldn't.

1312
01:10:22,600 --> 01:10:25,960
Speaker 1: Never let y'all know. I got played boy, alright, last

1313
01:10:26,240 --> 01:10:27,640
Speaker 1: last thing, sore ratchetness.

1314
01:10:46,120 --> 01:10:51,559
Speaker 3: Apparently the sugar Daddy game doesn't change.

1315
01:10:51,600 --> 01:10:54,120
Speaker 2: Boy. Sugar Daddy is like, look, I want my money back.

1316
01:10:54,720 --> 01:10:59,599
Speaker 1: Yeah? Uh, the man, this story is old as hell.

1317
01:11:00,000 --> 01:11:03,680
Speaker 1: What the hell is this in here? Twenty twenty? All right?

1318
01:11:04,160 --> 01:11:07,920
Speaker 1: Let me, I'm sorry, Let me find another story. Yeah,

1319
01:11:08,280 --> 01:11:10,479
Speaker 1: I think they must have put it in there like

1320
01:11:10,520 --> 01:11:14,040
Speaker 1: it was new, but it wasn't. All right, We'll do

1321
01:11:14,080 --> 01:11:19,360
Speaker 1: this one instead uh samurai sword. Will then man at

1322
01:11:19,640 --> 01:11:26,120
Speaker 1: Boncock get jailed eighteen months? All right, Singapore, the man

1323
01:11:26,200 --> 01:11:28,479
Speaker 1: who used the samarais or the slash a pedestrian in

1324
01:11:28,560 --> 01:11:33,080
Speaker 1: several cars that Boncock Square Mall March in March was

1325
01:11:33,240 --> 01:11:35,720
Speaker 1: sentenced to eighteen months in jail and six strokes of

1326
01:11:35,760 --> 01:11:37,840
Speaker 1: the cane. Six strokes of the cane?

1327
01:11:38,360 --> 01:11:40,600
Speaker 2: What the hell is six strokes of the cane.

1328
01:11:40,840 --> 01:11:44,479
Speaker 1: They must hit you like with a cane. Yeah, they

1329
01:11:44,520 --> 01:11:47,160
Speaker 1: must some kind of cane. A cane polled them. I

1330
01:11:47,240 --> 01:11:50,000
Speaker 1: just pictured them making you pick out your switch. That's crazy,

1331
01:11:50,479 --> 01:11:53,800
Speaker 1: Like it's I don't know which way is crazy. Is

1332
01:11:53,840 --> 01:11:58,839
Speaker 1: it crazy that another country like you get a whipping

1333
01:11:59,360 --> 01:12:01,519
Speaker 1: or is it crazy see that like black people are

1334
01:12:01,640 --> 01:12:05,559
Speaker 1: using the punishment that another country gives thieves to discipline

1335
01:12:05,560 --> 01:12:08,599
Speaker 1: their kids sometimes, you know, Like either way, it's crazy

1336
01:12:09,439 --> 01:12:10,400
Speaker 1: if you think about it.

1337
01:12:11,439 --> 01:12:14,000
Speaker 2: But in addition to it, you get the right.

1338
01:12:15,640 --> 01:12:17,599
Speaker 1: Yeah. I'm just picturing them making you pick out your

1339
01:12:17,640 --> 01:12:19,479
Speaker 1: cane and if they don't like it, they hit you

1340
01:12:19,520 --> 01:12:24,519
Speaker 1: with it and make you get another one. Yeah. But then

1341
01:12:24,600 --> 01:12:27,559
Speaker 1: the thirty eight year old damaged some passing cars. It's

1342
01:12:27,600 --> 01:12:29,799
Speaker 1: traffic junction in front of the mall with the sword.

1343
01:12:31,320 --> 01:12:34,280
Speaker 1: He also caused the victim lacerations on the left arm

1344
01:12:34,760 --> 01:12:37,920
Speaker 1: and shoulder, the cars and current damages causing up to

1345
01:12:37,960 --> 01:12:42,040
Speaker 1: one thousand dollars in repair. You played guilty the three charges,

1346
01:12:42,439 --> 01:12:45,920
Speaker 1: including a rash act and dangering life involuntarily causing her

1347
01:12:45,960 --> 01:12:48,800
Speaker 1: by a dangerous weapon. Another two charges were considered in

1348
01:12:48,840 --> 01:12:55,439
Speaker 1: the centicing he had consumed unknown pills before leaving home. Oh, no,

1349
01:12:57,880 --> 01:13:05,040
Speaker 1: unknown pills. You know how you just consume unknown? Uh,

1350
01:13:05,560 --> 01:13:07,880
Speaker 1: unknown pills.

1351
01:13:08,600 --> 01:13:10,559
Speaker 2: Not unknown. I'm good on the unknown.

1352
01:13:10,960 --> 01:13:12,920
Speaker 1: I think he must. I know where he got them

1353
01:13:12,920 --> 01:13:23,479
Speaker 1: pills from. That's why he got them pills. He walked

1354
01:13:23,560 --> 01:13:25,400
Speaker 1: up there trying to get some ice cream.

1355
01:13:25,960 --> 01:13:28,639
Speaker 3: She said, I ain't got no ice cream, but when

1356
01:13:28,680 --> 01:13:30,000
Speaker 3: I got some unknown pills.

1357
01:13:30,040 --> 01:13:32,639
Speaker 1: But I do got some unknown pills. And he said, well,

1358
01:13:32,640 --> 01:13:35,000
Speaker 1: I got these two puppets. You want to trade? And

1359
01:13:35,080 --> 01:13:38,519
Speaker 1: she said absolutely, that's how she got the puppets. And

1360
01:13:38,520 --> 01:13:43,120
Speaker 1: here's a sword on the side, because.

1361
01:13:43,080 --> 01:13:45,080
Speaker 3: Because because what I'm gonna do, what I'm gonna do

1362
01:13:45,080 --> 01:13:47,120
Speaker 3: with this, I can't have a frozen sword.

1363
01:13:47,280 --> 01:13:49,000
Speaker 2: Right because my ice cream ain't frozen.

1364
01:13:49,520 --> 01:13:52,599
Speaker 1: So he hit four passing cars at the traffic junction,

1365
01:13:53,439 --> 01:13:59,680
Speaker 1: uh oh, what is he doing? Yeah, I stancing at

1366
01:13:59,680 --> 01:14:02,840
Speaker 1: the end. The section passes by saw the commotion rushed

1367
01:14:02,920 --> 01:14:07,120
Speaker 1: for it to restrain him until the police arrived. He

1368
01:14:07,240 --> 01:14:09,760
Speaker 1: was taken to the hospital. The victim was taken to

1369
01:14:09,760 --> 01:14:11,920
Speaker 1: the hospital or braising the cuts and giving three days

1370
01:14:11,920 --> 01:14:14,360
Speaker 1: medical leave and current bills of one hundred and ten dollars.

1371
01:14:14,760 --> 01:14:20,000
Speaker 1: Must be nice to have real afordable health care. Deputy

1372
01:14:20,040 --> 01:14:24,519
Speaker 1: Public Prosecutor Daniel Daniel Ling asked for eighteen to twenty

1373
01:14:24,560 --> 01:14:27,960
Speaker 1: four months with six strokes of the cane. That's crazy.

1374
01:14:28,000 --> 01:14:30,840
Speaker 1: They have to consider that in their sentence and like, yeah,

1375
01:14:30,960 --> 01:14:33,599
Speaker 1: you'r honor. The state is asking for eighteen to twenty

1376
01:14:33,600 --> 01:14:37,360
Speaker 1: four months with seven wax on the ass. Okay, thank you.

1377
01:14:39,040 --> 01:14:42,360
Speaker 1: Fingers crossed. Hopefully we can get justice in this one.

1378
01:14:45,160 --> 01:14:46,360
Speaker 2: Yeah, we're.

1379
01:14:47,800 --> 01:14:52,920
Speaker 3: Asking for you know, six to eighteen months with five

1380
01:14:53,000 --> 01:14:53,760
Speaker 3: wax on the head.

1381
01:14:54,720 --> 01:14:58,759
Speaker 1: Also we like to get two years plus purple neurple,

1382
01:14:59,280 --> 01:15:10,680
Speaker 1: so just uh uh right, yeah, and then who has

1383
01:15:10,760 --> 01:15:12,840
Speaker 1: to do it? They just got like an old black

1384
01:15:12,880 --> 01:15:15,840
Speaker 1: grandmama in the background, like don't get the switch.

1385
01:15:15,640 --> 01:15:20,160
Speaker 2: And then speak about that. Gotta be somebody's job actually

1386
01:15:20,160 --> 01:15:22,360
Speaker 2: do the cane and what what what do they do?

1387
01:15:22,560 --> 01:15:24,400
Speaker 2: I mean, do everybody know? What do? They go out

1388
01:15:24,439 --> 01:15:26,439
Speaker 2: there with a mask on? So don't nobody know that

1389
01:15:26,479 --> 01:15:28,120
Speaker 2: they official of the town.

1390
01:15:28,840 --> 01:15:33,680
Speaker 1: Gonna get my whipping cane. They probably got a name

1391
01:15:33,760 --> 01:15:40,200
Speaker 1: for old Sycamore. Go get old Sycamore. He he doesn't.

1392
01:15:39,680 --> 01:15:41,160
Speaker 2: Do it in the public square.

1393
01:15:41,600 --> 01:15:44,240
Speaker 1: Right, it's gonna be a long day to day. My

1394
01:15:44,280 --> 01:15:45,400
Speaker 1: whipping hand is itching.

1395
01:15:48,000 --> 01:15:49,880
Speaker 2: You better come on, come on, come on. I got

1396
01:15:49,880 --> 01:15:52,160
Speaker 2: eight more, eight more whoopings today.

1397
01:15:52,400 --> 01:15:54,240
Speaker 1: You just gotta hope they're not mad at the crime.

1398
01:15:54,360 --> 01:15:56,320
Speaker 1: All right, y'all, that's it. We gotta get out of here.

1399
01:15:56,360 --> 01:16:00,080
Speaker 1: I got other stuff to do until next time. I

1400
01:16:00,160 --> 01:16:01,960
Speaker 1: love you, I love you too.