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Speaker 1: Hey, everybody, and thank you so much for joining us

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Speaker 1: on this park Hopper episode of Magical Rewind.

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Speaker 2: We got a special kind of BTS.

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Speaker 1: And by that, I don't mean the awesome Korean boy

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Speaker 1: pop group that is my.

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Speaker 2: Fave and they're coming back.

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Speaker 1: No, I am talking, of course about behind the scenes,

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Speaker 1: and we've got a really kind of I would say niche,

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Speaker 1: but it wasn't. It was huge at the time, and

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Speaker 1: I know Sabrina is very upset that it's kind of

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Speaker 1: not really a thing anymore.

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Speaker 2: It's not, is it it?

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Speaker 3: No, it's it's gone away, and it's sad because this

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Speaker 3: this this play, this company, this station was the one

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Speaker 3: that was really a huge key in finding new talent,

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Speaker 3: and so much of the talent that they found and

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Speaker 3: kind of helped start their career is now just like

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Speaker 3: trailblazing pop cunture right now.

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Speaker 1: So okay, great, Well, I can't get I can't wait

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Speaker 1: to get into all of it. We are talking about

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Speaker 1: the vice president of programming at wait for it, Radio Disney. Yes,

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Speaker 1: something we all did back in the day. You go

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Speaker 1: there to promote your stuff. New bands would drop so cool.

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Speaker 1: We can't wait to see all Well, I have the

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Speaker 1: Disney sausage is made for lack of a well a

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Speaker 1: creepy term.

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Speaker 2: There you go.

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Speaker 1: So how do you make the Mickey sausage? And how

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Speaker 1: much Pluto's actually in it? Thanks so much, everybody, please

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Speaker 1: help us. Welcome Robin Jones.

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Speaker 4: Hello, Don Hello, how are you.

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Speaker 5: Goodness? It is so good to see you.

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Speaker 4: How are you doing? Awesome? How are you well?

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Speaker 5: I am even better now.

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Speaker 3: I can't wait to take this trip down memory lane

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Speaker 3: with you, because I mean, you still have a space.

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Speaker 5: Line I do. You're the best. I know you put

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Speaker 5: that up today.

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Speaker 1: Hammer and Nail five minutes before, like, oh god, I

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Speaker 1: gotta find a picture of Sabrina oh man.

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Speaker 5: Wow.

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Speaker 3: Okay, So I was just telling Will like my first

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Speaker 3: memory of you was when we were doing Disney Mania,

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Speaker 3: the actual performance aspect of it, where we filmed a

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Speaker 3: live concert and Disney Mami I've talked to him a

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Speaker 3: little bit about was these awesome CDs that they would

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Speaker 3: put together CDs, Yes, people, we are talking about CDs.

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Speaker 3: And it was a compilation album of all these artists

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Speaker 3: that were on the channel or happening through Disney outlets

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Speaker 3: that were redoing like kind of the famous Disney songs,

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Speaker 3: you know, Like I remember the one that we did

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Speaker 3: was I Think I'm in Love. So these are covers, Yes,

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Speaker 3: they were covers, okay, the animated movies. So ours was

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Speaker 3: from Tarzan I think, if I remember correctly, Raven had

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Speaker 3: done one she did under the Sea from Little Mermaid,

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Speaker 3: and you know, Alan Aj had a song Jesse McCartney. Like,

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Speaker 3: everyone was redoing these covers and so we had.

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Speaker 5: I think we joined well after it started, right, we

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Speaker 5: were like on disney Mania three.

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Speaker 3: I don't think we were the first ones, right, But

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Speaker 3: by this time those albums were doing so well that

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Speaker 3: they wanted to do like a live concert.

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Speaker 5: So they shut.

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Speaker 3: Down the Hollywood Boulevard of Disneyland, and that's where they

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Speaker 3: set up a big stage and people came and did

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Speaker 3: live performances. And since they asked the Cheetah Girls, they

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Speaker 3: asked me, Adrian and Keeley to do one of the songs.

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Speaker 3: We went and did a live performance and that was

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Speaker 3: our first time as a girl group in any sense

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Speaker 3: after our first movie, in front of a live audience.

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Speaker 5: And Robin was there.

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Speaker 3: And she said to our managers, you guys have something here.

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Speaker 3: You need to make a real girl group out of this,

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Speaker 3: like this is something big, and I think we were like,

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Speaker 3: hell yeah, let's run with that and go Yeah.

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Speaker 4: I remember the day specifically seeing you guys and going

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Speaker 4: why are they not on tour? What the heck?

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Speaker 2: Yeah, that's incredible you've.

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Speaker 3: I mean, I can't wait to hear because that's one

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Speaker 3: of many stories I feel like you got a chance

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Speaker 3: to do. You were front row for so many artists

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Speaker 3: that were coming up through Radio Disney.

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Speaker 1: I'm curious did you did you start in the world

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Speaker 1: of radio, Is this something you'd always wanted to do,

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Speaker 1: or did you start in the world of Disney and

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Speaker 1: then find radio?

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Speaker 2: Which one which? Which came first? Chicken or the Mouse?

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Speaker 4: Yeah? Yeah, radio came first.

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Speaker 2: Okay.

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Speaker 4: So I had been in radio for a number of years,

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Speaker 4: worked for the ABC Radio Networks, and there was a

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Speaker 4: leader there who had an idea to do a kid's format,

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Speaker 4: David Canter was it my idea, And we kept pitching

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Speaker 4: it to Disney, and Disney didn't own us yet, and

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Speaker 4: Eisner was at the Helm and he would go, yeah,

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Speaker 4: I don't know. So we do another iteration another year later,

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Speaker 4: and they do another business plan and send it again

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Speaker 4: and yeah, So finally Disney bought ABC Radio and then

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Speaker 4: he was interested. Okay, so essentially he gave they. Eisner

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Speaker 4: gave us four what they call him radio sticks, and

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Speaker 4: he said, you have a year and a half. You

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Speaker 4: have eighteen months. If it takes off, awesome. If it doesn't, sorry,

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Speaker 4: you have to send everybody. Nobody has a job. So

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Speaker 4: I hired all these people to do this job that

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Speaker 4: nobody really in our mind ever done before. There was

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Speaker 4: another children's network, but we didn't even really look at them.

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Speaker 4: But the goal was, at the time, Barney was the

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Speaker 4: only sort of kids music, and in addition, music was

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Speaker 4: becoming a little more graphic and content and nature. You know,

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Speaker 4: kids want to listen to contemporary music, but they couldn't

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Speaker 4: listen to it because it had lyrics in it that

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Speaker 4: mom would be like, oh my gosh, what is happening?

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Speaker 4: How does my kid note what that is? Or the

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Speaker 4: sort of benchmark for us was if the kid has

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Speaker 4: to ask about it from the back seat and mom

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Speaker 4: wants to slam on the brakes, it's not the right

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Speaker 4: So sure, sure, so we set out to build this

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Speaker 4: radio network that appeal to kids. But also, you know,

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Speaker 4: if you sort of think of the Aladdin role model

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Speaker 4: of it was funny to parents, and some of the

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Speaker 4: jokes kids didn't get, but it was really targeted the

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Speaker 4: kids with mom or dad alongside. That's what we started

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Speaker 4: out to do. So what we thought kids would love,

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Speaker 4: they didn't necessarily love. So we really tested kids ten

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Speaker 4: to twelve years old and figured out what kind of

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Speaker 4: music they liked. And it stayed that way, funny through

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Speaker 4: the whole time I was there. So for what I

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Speaker 4: was there eleven years, you could still I could test

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Speaker 4: a ten to twelve year old boy today and it'd

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Speaker 4: probably be the same. They want repetitive lyrics, silly think

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Speaker 4: do you remember that song blue on Blue Dubbad but

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Speaker 4: that stupid stuff like that?

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Speaker 2: They want the repetitive like baby Shark.

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Speaker 1: Yes, yeah, okay, So now when you started in the

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Speaker 1: mid nineties, yes, so you're the lyrics really were even

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Speaker 1: the younger people were talking hit me baby one more time,

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Speaker 1: Britney Spears kind of stuff.

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Speaker 4: Yeah, Hanson, I clearly remember sending listening to him about

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Speaker 4: three hundred thousand times what they were saying, because at

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Speaker 4: the time, labels didn't give you the lyrics sheet. Right, Oh,

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Speaker 4: what they're kids, what can they be saying, You're like, well, you.

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Speaker 2: Never know, right, Oh god, that's so interesting.

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Speaker 1: So now as you're going off to build a separate

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Speaker 1: radio network, which is what you're doing was at the

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Speaker 1: time was because we hear this word a thousand times

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Speaker 1: when it comes to Disney, was synergy at the top

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Speaker 1: of the list. It wasn't yet our artists on label.

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Speaker 1: It was just kind of, hey, go and build a

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Speaker 1: radio station.

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Speaker 4: So maybe for the first four or five years we

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Speaker 4: operated in a vacuum. The Disney Core group didn't even

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Speaker 4: really look our way. We had been given the go

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Speaker 4: ahead in eighteen months. By the way it did work,

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Speaker 4: the phones were blowing up. We blew up three phone

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Speaker 4: trunks at the network because again, kids had someplace to

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Speaker 4: go to call somebody and talk to them and tell

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Speaker 4: them what they thought. I mean, I grew up listening

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Speaker 4: to Donnie Osmond and the Party family in in my bedroom.

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Speaker 1: I mean that I think, right, yeah, and the monkeys

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Speaker 1: and everybody was like the greatest thing in the world.

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Speaker 2: Yeah.

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Speaker 4: Yes, So we were just recreating that sort of landscape

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Speaker 4: and making it safe for them.

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Speaker 3: Yeah, and a place where your parents could feel safe,

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Speaker 3: not having to like, you know, sit on their shoulder

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Speaker 3: while they're doing it, Like you knew that. Within the

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Speaker 3: Disney Company, their things were thought out, Things were being

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Speaker 3: you know, really looked at as far as a safe,

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Speaker 3: safe place for your kids.

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Speaker 4: Brand brand protection. Yeah, so we had an extensive BSMP

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Speaker 4: brand standards and practices and they had to go through everything.

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Speaker 4: So every song lyric was approved and signed off on

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Speaker 4: and if it hit the air and it wasn't you know,

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Speaker 4: the right, it wouldn't. It wouldn't hit the air without

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Speaker 4: that wow sort of thing. So at the time we

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Speaker 4: didn't have a lot of pop music. So this was

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Speaker 4: about the time that I think maybe a year in two.

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Speaker 4: It was when one of my music director came into

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Speaker 4: me and said, Robin, I had this sow this record

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Speaker 4: and it's really taken off in Europe and it was

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Speaker 4: the Backstreet Boys. Oh geez, right, So it was like

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Speaker 4: the planet sort of aligned and we hit the air

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Speaker 4: with that, and of course kids.

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Speaker 2: Went wild, crazy, yeah, crazy for it.

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Speaker 4: Again. The phones lit up all the time. We had

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Speaker 4: to have not only the on air talent, but a

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Speaker 4: phone screener all the time because kids called all night long,

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Speaker 4: even though you'd say, don't call overnight, you know, right,

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Speaker 4: my save by under the cover.

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Speaker 2: With the corn, the phone hanging out under the bed. Yes, exactly.

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Speaker 4: I mean. And the other thing for kids is think

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Speaker 4: about when you're in middle school, So ten to twelve

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Speaker 4: is that time of your life when you're really things

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Speaker 4: are changing, your body's changing, your hormones are changing. World

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Speaker 4: is crazy, and you're trying to fit in. We couldn't

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Speaker 4: see you, so if you had really thick glasses or

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Speaker 4: your hair was all tangled up, nobody it was blind. Yeah,

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Speaker 4: we loved that about it. So it was this safe

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Speaker 4: place for kids where they could come be themselves, enjoy

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Speaker 4: music that was fun for them, participate with the on

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Speaker 4: air talent. We were always glad to hear from them.

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Speaker 4: It wasn't like, oh you stupid kid, what do you

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Speaker 4: want right? Yeah, that would have been what it was.

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Speaker 1: Oh yeah, now you said that it worked after eighteen months.

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Speaker 1: Did it work instantly or were there growing pains? Well?

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Speaker 4: I think with everything there's growing pains. You know. It

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Speaker 4: took a minute to get the word out. We had

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Speaker 4: a team that did launches in the markets that were

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Speaker 4: really great, and we would launch in a market with

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Speaker 4: a big billboard campaign that had like Mickey's hands like this,

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Speaker 4: and so you could tell something was coming. It was

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Speaker 4: bright yellow. And then the week the station launched, it

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Speaker 4: would hands would move and it would have the frequency

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Speaker 4: because they were all AM stations. That was the other thing.

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Speaker 2: Yeah, it was wait, there was no FM at all?

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Speaker 5: No, yeah, oh, very long time. When did it ever

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Speaker 5: switch over to FM?

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Speaker 4: We did have some fms.

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Speaker 3: Hey, it's Sabrina Bryant from the Magical Rewine podcast.

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Speaker 6: Get ready for three Energetic Nights of Magic this April

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Speaker 6: at the Disneyland After Dark Disney Channel Night, enjoy special

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Speaker 6: after hours access to Disneyland Park with themed entertainment, character

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Speaker 6: sightings and amazing photo ops. You'll be able to cheer

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Speaker 6: on your favorite team at the high School musical Zombies

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Speaker 6: pep Rowley, learn the dance moves at Descend Dance, and

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Speaker 6: seeing your Heart Out at Disney Channel Rocks, a concert

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Speaker 6: celebrating your favorite Disney Channel hits. Plus there's exclusive merch

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Speaker 6: them food, and even early park entry to the Disneyland

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Speaker 6: Park starting at six pm, three whole hours before the

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Speaker 6: event begins. I'll also be there recording a few podcast

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Speaker 6: episodes at Disneyland after Dark Disney Channel Night on April

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Speaker 6: twelfth with high school musicals Bart Johnson and April fourteenth

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Speaker 6: with Christy Carlson, Romano from Even Stevens and Kim Possible.

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Speaker 6: Don't miss out on this unforgettable night of Disney Channel Magic.

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Speaker 6: Select nights are still available, so make sure you get

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Speaker 6: your tickets now.

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Speaker 5: I'm not really at all sure how the.

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Speaker 3: Radio aspect works of getting the albums, the upcoming stuff

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Speaker 3: and the premiering and all that. Did you have a

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Speaker 3: hard time at first of artists wanting to be on

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Speaker 3: the Disney Channel because I know, like you know that

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Speaker 3: obviously with the standard although it's great for kids and

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Speaker 3: great for families as far as an artist goes like,

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Speaker 3: did you have a hard time finding artists that maybe

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Speaker 3: would have been like, oh, I don't I don't want

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Speaker 3: to be, you know, put in that pigeonhole of a

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Speaker 3: Disney artist or something like that.

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Speaker 4: A kid's artist. Yeah, a kid's artist, Yeah?

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Speaker 2: Sure?

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Speaker 3: Was that was that difficult at first? Because I know

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Speaker 3: after a while everyone was like, yes, get me on.

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Speaker 3: I want the kids fan base for sure, But maybe

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Speaker 3: at first I would see how it'd be kind of hard.

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Speaker 4: It was hard because they didn't want the stigma of

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Speaker 4: being a kid's artist. They felt like, I mean, and

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Speaker 4: you saw it. And some of them that grew out

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Speaker 4: of the of the model. You know. Aaron Carter was one.

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Speaker 4: He was just our poster boy forever.

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Speaker 2: Yeah, yeah, and.

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Speaker 4: Then he just hated it because he was aligned with

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Speaker 4: me in a kids act and then it's you know,

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Speaker 4: fell out. But so, yeah, it was hard. Then some

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Speaker 4: of the younger artists they would bring to us. I mean,

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Speaker 4: Mandy Moore when she was fourteen, I'll never forget her

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Speaker 4: with her little toe rings on. She comes in and

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Speaker 4: flip blops, you know, just and they would do, especially

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Speaker 4: when they were launching a career, they would acquiesce to it,

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Speaker 4: I guess right, or be open to it. But as

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Speaker 4: they got bigger and bolder and older, then they kind of.

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Speaker 2: They shied away.

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Speaker 1: Yeah, which is such a shame because when you forget

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Speaker 1: the kind of the fan base that got you there.

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Speaker 1: We see that all the time, and it's one of

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Speaker 1: the things we talk about, not only in this podcast,

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Speaker 1: but are the other podcast with child actors especially, but

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Speaker 1: you see it with artists all the time, is how

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Speaker 1: do you break the mold from child to adult? And unfortunately,

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Speaker 1: some of the ways to do that are not always

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Speaker 1: the healthiest. Yeah, so you see the I've got to

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Speaker 1: take a big swing and be naked in a movie,

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Speaker 1: or I've got to do this, or I've got to

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Speaker 1: do that, which is such the antithesis of Disney. And

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Speaker 1: then you get away from what you knew and then

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Speaker 1: you kind of go from there and you see on

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Speaker 1: some unfortunate stories and I'm sure you've you've seen them

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Speaker 1: up close and personal, which is we all have and

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Speaker 1: it's very sad. So, yeah, that's one thing we always

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Speaker 1: kind of think about as the balance of going from

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Speaker 1: that young artist too, and it is it's the people

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Speaker 1: that kind of forget what got them there in the

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Speaker 1: first place.

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Speaker 2: That being said, when they are there and they're huge.

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Speaker 1: It must also be really interesting to watch somebody like

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Speaker 1: a Mandy Moore walk into the office or somebody right

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Speaker 1: at the start of their career and then know that

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Speaker 1: you're instrumental in what happens next. And I'm just wondering,

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Speaker 1: what was one of your favorite journeys to watch of

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Speaker 1: somebody who walked in and it was like, Ooh, that

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Speaker 1: person's going to be big and then wow.

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Speaker 2: Look what Look what just happened Jonas brothers. Yeah, the

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Speaker 2: Joe Bros. That's a perfect example, I guess, isn't.

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Speaker 4: It because the man we worked hard on them for

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Speaker 4: a long time.

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Speaker 5: You did, you guys really?

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Speaker 2: Yes? Yeah, they didn't break right away, did they?

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Speaker 4: No?

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Speaker 3: They were I mean how many different because they were

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Speaker 3: on our Christmas tour that we did.

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Speaker 5: We did a Christmas albuth They were our opening opening act.

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Speaker 3: They opened, Yeah, it went Joe Bros, Ali and a j.

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Speaker 3: We interviewed Will from Cowbells and then us and it

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Speaker 3: was like the Jonas brothers were so good, like we

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Speaker 3: were just like these how of these kids not made?

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Speaker 3: But you guys were really behind them for a long

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Speaker 3: time before they really got their like big big break.

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Speaker 4: So so the way artists made it on Radio Disney

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Speaker 4: number one, they had clean lyrics of course, right or

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Speaker 4: we had to have an edit of something that was

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Speaker 4: clean and they had to fit the mold, right. It

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Speaker 4: had to be mostly somebody that we would present to kids.

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Speaker 4: And then it was about research and it really was

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Speaker 4: about how much they blew up the phones for their artists.

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Speaker 4: We notated we had a you know, back in the day,

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Speaker 4: you wrote it down tick Mark so this one had

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Speaker 4: forty five and this one had seven und and fifty

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Speaker 4: five requests today wow. And then we studied kids. We

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Speaker 4: would go around the country and do music groups where

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Speaker 4: I did music tests with kids ten to twelve years

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Speaker 4: old and we'd play a song and they rated it,

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Speaker 4: you know, one to ten, and so we find all

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Speaker 4: that and you know, the first sort of blush they

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Speaker 4: would have on Radio Disney was I can't remember the

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Speaker 4: name of the feature. It was like pick it or

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Speaker 4: click it. It was it was a do you like

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Speaker 4: it or do you not?

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Speaker 2: Feature?

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Speaker 4: And so that gave us an indication of whether it

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Speaker 4: was going to actually start. And sometimes, like Joe Bros.

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Speaker 4: We had to do their first song like three or

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Speaker 4: four times until Year three thousand hit. And then when

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Speaker 4: that hit, it was.

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Speaker 1: Like, even I know that song, Yeah, yeah, I mean yeah,

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Speaker 1: that one made it into the zeitgeis because even I

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Speaker 1: know that one.

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Speaker 4: I played the unmastered version accidentally, I don't know until

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Speaker 4: their music I'd called me, He's like runny.

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Speaker 2: Sorry, my bad.

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Speaker 5: So I was there.

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Speaker 3: It was after the first Cheetah Girls when the rumblings

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Speaker 3: of Hannah Montana started and it was I if it correct

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Speaker 3: me if I'm wrong, But it seems like Hannah Montana

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Speaker 3: was the first time the Channel was understanding, like really

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Speaker 3: understanding the music.

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Speaker 5: Driven idea of a show would be epic.

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Speaker 3: And to take a young girl and basically just mulled

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Speaker 3: her into a superstar. Now she was a superstar on

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Speaker 3: her own. I'm not taking that away, but the way

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Speaker 3: they they morphed it from the the Channel doing it

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Speaker 3: on the channel with the show, but then also linking

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Speaker 3: with Radio Disney to create her as an actual artist

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Speaker 3: like my and Hannah, like, what was that world like

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Speaker 3: when you because you were right up front for that.

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Speaker 4: So I'm gonna back up just a little second, okay,

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Speaker 4: because I think they the Channel, like I said, they

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Speaker 4: didn't pay attention to us. And I think when the

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Speaker 4: Cheetah Girls came out was when they finally it was

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Speaker 4: like you could hear the Titanic.

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Speaker 2: Going, what is that right?

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Speaker 4: What is that noise going on over there? And why

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Speaker 4: are they so successful? I mean, you guys were successful

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Speaker 4: in your own right, but no, they had no idea

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Speaker 4: and it was I mean, of course it was a

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Speaker 4: huge hit, and so they thought, oh my gosh, we

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Speaker 4: need help, we need to work together with them. And

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Speaker 4: at that point was when Gary Marsh started giving me

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Speaker 4: intel on things that he had in the pike and

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Speaker 4: he called me one timer. I think I went to

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Speaker 4: lunch with him in Burbank and he said, I got

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Speaker 4: this girl and he showed her head shot or something

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Speaker 4: and he said, I promise you you know she's Billy

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Speaker 4: Ray Cyrus's daughter. If are you kidding? And he said,

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Speaker 4: I think I have something. So that was when we

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Speaker 4: really started to get stuff in advance, and really, you know,

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Speaker 4: understand how we could work together to make that person

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Speaker 4: work again. It I can do all the things in

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Speaker 4: the world. I can play some hit that no kid

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Speaker 4: cares about it and it's never going to work. Really,

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Speaker 4: we just gave the launching. We have the intel. We

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Speaker 4: knew what sounds work, we knew what sort of style

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Speaker 4: of music worked, we knew what lyrics worked. So that

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Speaker 4: part all played together. I would go to them and

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Speaker 4: share them and tell that we had the information that

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Speaker 4: we had, and then they just got really smart about

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Speaker 4: putting it together.

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Speaker 1: So, if I'm hearing you righte, the Cheetah Girls really

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Speaker 1: had a lot to do with what happened with of

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Speaker 1: course Radio Wow. Sabrina so I hear Paul exactly. I

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Speaker 1: have to ask, and I don't not trying to call

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Speaker 1: anybody out, but was there an artist that you were

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Speaker 1: sure was going to break and no.

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Speaker 2: Matter how hard you tried, it just didn't work?

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Speaker 4: Well? Jesse McCartney, We had a hard time with it first,

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Speaker 4: but he did finally. I can't think of anybody right

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Speaker 4: off the top of my head. Maybe I swept it

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Speaker 4: to the back of the room. Those hard things. Sure, Yeah,

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Speaker 4: I'm sure there were, because you know, there were so

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Speaker 4: many ones it started working. There were so many youth

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Speaker 4: acts that started coming out.

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Speaker 3: Yes, okay, So we just actually rewatched Tiger Cruz and

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Speaker 3: at the end, Hayden Pantier, who's the main actress in

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Speaker 3: the movie, has a song, and I went.

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Speaker 4: I forgot she was a singer, right.

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Speaker 3: Well, I knew she was a singer because she ended

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Speaker 3: up going on to be on a really big show

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Speaker 3: Nashville where she sang. But I remember at a time

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Speaker 3: because she was not really a Disney kid.

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Speaker 5: She wasn't like.

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Speaker 3: On the channel, but I remember her wanting to break

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Speaker 3: into the music world. And the last song that they

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Speaker 3: play as the credits are going, it sounds and I

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Speaker 3: was like, I remember Hayden kind of wanting to break

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Speaker 3: into the music industry at that point for her career.

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Speaker 3: But if you got on the channel and you were

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Speaker 3: a singer, that was a good opportunity for you then

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Speaker 3: to start a music career, like right at that early

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Speaker 3: two thousands was a perfect.

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Speaker 5: Time to be on the channel.

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Speaker 4: It's funny you say that because I saw Keiky Palmer

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Speaker 4: on American Idol last week and I thought the same thing.

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Speaker 4: I was like, I don't remember her being a singer,

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Speaker 4: but she was.

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Speaker 5: Yes, she's a great singer, but yeah, I mean that.

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Speaker 5: It's crazy because she was.

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Speaker 3: So big at when she was younger. You would have

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Speaker 3: thought she would have been on Radio Disney. That's where

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Speaker 3: you go, I.

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Speaker 4: Know, and she was, but I didn't remember until I, oh,

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Speaker 4: that's right, because I remember her first and foremost as

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Speaker 4: an actress, right, Yeah.

440
00:23:01,680 --> 00:23:02,480
Speaker 2: I remember the taking.

441
00:23:02,520 --> 00:23:04,960
Speaker 1: I remember when we would take over quote unquote takeover

442
00:23:05,040 --> 00:23:07,720
Speaker 1: Radio Disney, because when I was doing Kim Possible, I

443
00:23:07,720 --> 00:23:10,760
Speaker 1: remember Christy Carlson and I going in and as our characters.

444
00:23:10,880 --> 00:23:13,720
Speaker 1: Oh and we did yeah, and we like hosted posted

445
00:23:13,800 --> 00:23:15,760
Speaker 1: the radio show for an hour or two and it

446
00:23:15,800 --> 00:23:17,439
Speaker 1: was a ton of fun. People were calling in to

447
00:23:17,480 --> 00:23:19,119
Speaker 1: talk to our characters, and it was like that was

448
00:23:19,119 --> 00:23:21,399
Speaker 1: a stop you would always whenever you were doing anything

449
00:23:22,040 --> 00:23:24,440
Speaker 1: for the channel. Radio Disney was a stop. We're doing

450
00:23:24,440 --> 00:23:26,200
Speaker 1: this for this day, We're doing that for that day.

451
00:23:26,480 --> 00:23:30,040
Speaker 1: And so do you remember when you realized it was

452
00:23:30,040 --> 00:23:33,840
Speaker 1: becoming kind of part of the lexicon of everything in Disney,

453
00:23:33,880 --> 00:23:37,400
Speaker 1: because by high School Musical it was already they were

454
00:23:37,440 --> 00:23:40,440
Speaker 1: sending everybody to you right, yes, and you can't say

455
00:23:40,440 --> 00:23:42,280
Speaker 1: the Cheetah Girls again because my girl's going to get

456
00:23:42,320 --> 00:23:45,560
Speaker 1: such a swelled heead. Knowing that she essentially started this

457
00:23:45,600 --> 00:23:46,440
Speaker 1: part of Radio Disney.

458
00:23:46,600 --> 00:23:49,640
Speaker 3: I didn't need to do this interview to know Miss

459
00:23:49,840 --> 00:23:50,919
Speaker 3: Robin loves me.

460
00:23:51,240 --> 00:23:54,040
Speaker 5: I have spent lots of time with her. I didn't

461
00:23:54,040 --> 00:23:55,600
Speaker 5: need this interview to know that.

462
00:23:55,880 --> 00:23:57,240
Speaker 4: So it's okay, It's.

463
00:23:57,080 --> 00:24:00,200
Speaker 5: Okay, we could we could loss it.

464
00:24:00,280 --> 00:24:04,160
Speaker 4: Yes, and I am a a sort of celebrity amongst

465
00:24:04,160 --> 00:24:05,280
Speaker 4: my friend's children.

466
00:24:06,240 --> 00:24:08,000
Speaker 2: I'm sure, I'm sure.

467
00:24:08,280 --> 00:24:12,320
Speaker 4: Oh yeah, So, I mean I forgot what your question was,

468
00:24:12,400 --> 00:24:13,159
Speaker 4: now will it was?

469
00:24:13,480 --> 00:24:15,520
Speaker 1: It was kind of like, when did it did Radio

470
00:24:15,560 --> 00:24:18,320
Speaker 1: Disney really mesh with the rest of Disney to where, hey,

471
00:24:18,320 --> 00:24:21,400
Speaker 1: we're all one team, and this is we're gonna I'm

472
00:24:21,400 --> 00:24:23,119
Speaker 1: gonna send you stuff, You're gonna send me stuff, and

473
00:24:23,160 --> 00:24:24,439
Speaker 1: we're going to do this all together.

474
00:24:24,800 --> 00:24:27,920
Speaker 4: So that was what happened with Miley with hands.

475
00:24:28,000 --> 00:24:29,920
Speaker 1: It was so that was the first time was and

476
00:24:30,000 --> 00:24:32,400
Speaker 1: Miley okay, yeah.

477
00:24:31,720 --> 00:24:35,040
Speaker 4: And because even Hillary Duff we didn't have quite the

478
00:24:35,840 --> 00:24:37,000
Speaker 4: mesh yet.

479
00:24:37,320 --> 00:24:38,320
Speaker 2: Yeah.

480
00:24:38,640 --> 00:24:42,720
Speaker 4: So because I remember being at shows where we would

481
00:24:42,720 --> 00:24:44,840
Speaker 4: get to go, but we didn't have any sort of

482
00:24:45,359 --> 00:24:48,240
Speaker 4: end to her. You go by like mok.

483
00:24:49,520 --> 00:24:49,920
Speaker 5: Wow.

484
00:24:50,280 --> 00:24:53,000
Speaker 4: But so it's interesting. Yeah, I think Miley was the

485
00:24:53,000 --> 00:24:56,399
Speaker 4: big one, and then everybody sort of fell in line

486
00:24:56,560 --> 00:25:01,520
Speaker 4: and it started to be how can we assist and

487
00:25:01,600 --> 00:25:04,919
Speaker 4: not in not in the standpoint of how can we

488
00:25:04,920 --> 00:25:08,840
Speaker 4: make your person a superstar? It was how can we

489
00:25:08,920 --> 00:25:13,199
Speaker 4: get behind the scenes, you know, sort of backstage information

490
00:25:13,440 --> 00:25:16,880
Speaker 4: or conversation or a feeling for these kids that they

491
00:25:16,920 --> 00:25:22,560
Speaker 4: have actual relationship with this this artist, right yeah, right,

492
00:25:22,840 --> 00:25:25,600
Speaker 4: she likes you know, beanie babies, or she likes this

493
00:25:25,880 --> 00:25:29,040
Speaker 4: or whatever. You know. That's the things kids wanted to know,

494
00:25:29,119 --> 00:25:32,000
Speaker 4: what is this artist like? So if we could sort

495
00:25:32,040 --> 00:25:35,720
Speaker 4: of pre launch that with that information, it helped the

496
00:25:35,800 --> 00:25:37,720
Speaker 4: kids and it helped their cause, and it was just

497
00:25:38,040 --> 00:25:38,800
Speaker 4: you know at that point.

498
00:25:39,240 --> 00:25:41,480
Speaker 1: So, I mean it was essentially it sounds almost like

499
00:25:41,560 --> 00:25:43,879
Speaker 1: you were doing a radio version of like what I

500
00:25:43,960 --> 00:25:45,920
Speaker 1: was in as a kid, like the teen magazines. What's

501
00:25:45,920 --> 00:25:49,639
Speaker 1: your favorite pizza topping? Yes, yeah, take a day in

502
00:25:49,680 --> 00:25:51,919
Speaker 1: your bedroom. I mean that was like being in Tiger

503
00:25:51,960 --> 00:25:53,280
Speaker 1: Beat in nineteen ninety two.

504
00:25:53,760 --> 00:25:56,520
Speaker 2: Yes, so oh interesting. It's just kind of the radio

505
00:25:56,600 --> 00:25:57,119
Speaker 2: version of that.

506
00:25:57,400 --> 00:25:57,840
Speaker 4: Yeah.

507
00:25:57,960 --> 00:25:58,200
Speaker 5: Yeah.

508
00:25:58,240 --> 00:26:02,680
Speaker 3: And they get such great interviews because, like you said, well,

509
00:26:02,800 --> 00:26:04,600
Speaker 3: like it was, they had a station.

510
00:26:04,800 --> 00:26:08,919
Speaker 5: Now your main station was in Texas, right, Dallas, Yes, Dallas.

511
00:26:08,560 --> 00:26:13,119
Speaker 3: Texas, but they had at the Burbank Building. That every

512
00:26:13,200 --> 00:26:17,440
Speaker 3: interview we do pretty much talks about the Burbank Building

513
00:26:17,440 --> 00:26:19,280
Speaker 3: because that's where you went and did your auditions. That's

514
00:26:19,280 --> 00:26:21,800
Speaker 3: where you'd go and have your meet and greets with

515
00:26:21,880 --> 00:26:25,800
Speaker 3: casting directors or producers or directors or whatever within the channel.

516
00:26:25,840 --> 00:26:29,840
Speaker 3: But on the first floor was a built in radio thing.

517
00:26:29,920 --> 00:26:32,320
Speaker 3: So whenever books yep, right Acrost with.

518
00:26:32,280 --> 00:26:33,719
Speaker 5: Star Wicks whatever, you would go up.

519
00:26:33,760 --> 00:26:35,520
Speaker 3: It was like and then Radio Dizzy would hear you

520
00:26:35,560 --> 00:26:37,640
Speaker 3: were in the building. It was like, oh cool, come

521
00:26:37,680 --> 00:26:39,800
Speaker 3: on down, and it was either like a quick interview

522
00:26:40,240 --> 00:26:43,760
Speaker 3: or like you said, the going and doing the one

523
00:26:43,800 --> 00:26:46,080
Speaker 3: liners like, hey, this is the Cheetah Girls. You're listening

524
00:26:46,080 --> 00:26:48,159
Speaker 3: to Radio Disney, you know that kind of stuff.

525
00:26:48,760 --> 00:26:49,840
Speaker 5: So you guys really had.

526
00:26:49,720 --> 00:26:52,680
Speaker 3: Great access to so many of the people that were

527
00:26:52,720 --> 00:26:55,320
Speaker 3: both just on the channel or actual artists that were

528
00:26:55,359 --> 00:26:58,080
Speaker 3: going in and out of the channel, which was very cool.

529
00:26:58,080 --> 00:26:59,640
Speaker 5: I mean it was cool for both sides.

530
00:26:59,680 --> 00:27:02,359
Speaker 3: We were excited to be there, and then also for

531
00:27:02,400 --> 00:27:05,359
Speaker 3: the for the fans. You've got a lot of good

532
00:27:05,359 --> 00:27:08,199
Speaker 3: interviews just from being so close to that Burbank building

533
00:27:08,280 --> 00:27:09,360
Speaker 3: right proximity.

534
00:27:09,520 --> 00:27:20,160
Speaker 1: Absolutely, so, we obviously are show here. We're watching every

535
00:27:20,280 --> 00:27:23,560
Speaker 1: d coom in the history of the channel. We've done

536
00:27:23,760 --> 00:27:25,919
Speaker 1: one hundred, like one hundred and ten d coms now

537
00:27:25,960 --> 00:27:28,399
Speaker 1: at this point. And one of the things that is

538
00:27:28,560 --> 00:27:31,360
Speaker 1: very much a character even in the early decoms before

539
00:27:31,400 --> 00:27:34,560
Speaker 1: this has happened, is the music, which then translates into

540
00:27:34,880 --> 00:27:39,560
Speaker 1: we're seeing now all these kind of Hollywood Records artists.

541
00:27:39,640 --> 00:27:42,040
Speaker 1: That part of the deal is you're not only starring

542
00:27:42,040 --> 00:27:43,720
Speaker 1: in it, but you're doing three of the songs in

543
00:27:43,760 --> 00:27:47,120
Speaker 1: the movie and both was Radio Disney connected with Hollywood

544
00:27:47,160 --> 00:27:50,479
Speaker 1: Records in any way, and was there kind of a

545
00:27:50,560 --> 00:27:52,720
Speaker 1: co op there a partnership there or were they two

546
00:27:52,720 --> 00:27:54,000
Speaker 1: completely separate things.

547
00:27:54,240 --> 00:27:59,160
Speaker 4: Two completely separate things. I think in when I was there.

548
00:27:59,240 --> 00:28:04,240
Speaker 4: So when Radio Disney moved to Burbank, the studios actually

549
00:28:04,280 --> 00:28:08,080
Speaker 4: moved everybody to Burbank. I didn't go. I chose not

550
00:28:08,200 --> 00:28:12,160
Speaker 4: to go because my family was in Texas. I had

551
00:28:12,280 --> 00:28:15,480
Speaker 4: support from my parents with my children. My kids were

552
00:28:15,480 --> 00:28:17,400
Speaker 4: middle schoolers. It was the whole thing.

553
00:28:17,400 --> 00:28:18,000
Speaker 5: It was the.

554
00:28:18,040 --> 00:28:22,959
Speaker 4: Hardest decision ever. Loved that job and still do. So

555
00:28:24,000 --> 00:28:25,879
Speaker 4: we had in the beginning, we had a very close

556
00:28:25,920 --> 00:28:28,479
Speaker 4: relationship with Walt Disney Records and at the time it

557
00:28:28,520 --> 00:28:32,720
Speaker 4: was called Buena Vista, Yes, and so we had a

558
00:28:32,720 --> 00:28:35,879
Speaker 4: really close relationship with them, and Hollywood was kind of

559
00:28:36,240 --> 00:28:38,520
Speaker 4: on their own. I think that was before they signed

560
00:28:38,560 --> 00:28:43,440
Speaker 4: Jonas Brothers. They had Jesse and they had Hillary right

561
00:28:43,560 --> 00:28:46,560
Speaker 4: and they kind of kept them off, like, no, you

562
00:28:46,600 --> 00:28:48,840
Speaker 4: can't talk to them. You know, you chan't have anything

563
00:28:48,880 --> 00:28:51,640
Speaker 4: to do with this, because again I think it fell

564
00:28:51,680 --> 00:28:55,080
Speaker 4: back into the thing of let's keep these guys not

565
00:28:55,320 --> 00:29:00,440
Speaker 4: kid artists. We want to make them adult artists. So

566
00:29:00,520 --> 00:29:03,400
Speaker 4: it got better as we moved on, as we progressed.

567
00:29:03,440 --> 00:29:07,400
Speaker 4: But remember we also had disney Mania, but we also

568
00:29:07,440 --> 00:29:12,280
Speaker 4: had the Radio Disney Jam CDs that went through Buena Vista. Okay,

569
00:29:12,640 --> 00:29:15,960
Speaker 4: so jams, our Radio Disney Jam CDs were actually before

570
00:29:16,000 --> 00:29:20,920
Speaker 4: Disney Mania. Oh they saw those selling and they went, oh,

571
00:29:21,280 --> 00:29:23,840
Speaker 4: heck fire, we got to do something like this, and

572
00:29:23,920 --> 00:29:26,760
Speaker 4: so the Disney Mania got it.

573
00:29:27,440 --> 00:29:30,959
Speaker 1: I'm always so amazed that when you get because you

574
00:29:31,040 --> 00:29:33,720
Speaker 1: hear this story all the time, the kind of like, hey,

575
00:29:34,080 --> 00:29:36,520
Speaker 1: we're going to do this smaller thing for this giant corporation.

576
00:29:37,080 --> 00:29:38,960
Speaker 2: Okay, good luck, We'll give you a little bit of money.

577
00:29:38,960 --> 00:29:41,120
Speaker 1: We're going to turn our back on you and hopefully

578
00:29:41,200 --> 00:29:43,040
Speaker 1: if it works great, If it doesn't, fine, and then

579
00:29:43,200 --> 00:29:44,760
Speaker 1: it becomes successful and then it's like.

580
00:29:45,000 --> 00:29:48,760
Speaker 2: Hi, let's see all the stuff we can do now.

581
00:29:48,800 --> 00:29:51,200
Speaker 2: We need to filter everything through you, and we're going

582
00:29:51,280 --> 00:29:51,920
Speaker 2: to go from there.

583
00:29:52,200 --> 00:29:55,480
Speaker 1: So I mean, was there ever a time that Radio

584
00:29:55,480 --> 00:29:56,920
Speaker 1: Disney got the pad on the back of men?

585
00:29:57,080 --> 00:29:59,239
Speaker 2: This is we didn't think this was going to be this,

586
00:29:59,440 --> 00:30:00,480
Speaker 2: and look at you did?

587
00:30:01,320 --> 00:30:03,560
Speaker 4: I think I got I have a letter somewhere from

588
00:30:03,560 --> 00:30:07,880
Speaker 4: Michael Eisner that was okay, wow, pretty cool. I think

589
00:30:07,880 --> 00:30:10,560
Speaker 4: when we made the front of Billboard magazine or something,

590
00:30:12,280 --> 00:30:16,720
Speaker 4: he congratulated us. So yes, we did get that. You

591
00:30:16,760 --> 00:30:21,840
Speaker 4: know we were never on an equal footing with a

592
00:30:21,880 --> 00:30:23,920
Speaker 4: Disney channel just because they were so powerful.

593
00:30:24,040 --> 00:30:25,840
Speaker 2: Sure, so powerful.

594
00:30:25,880 --> 00:30:28,800
Speaker 4: But I will say, you know, Gary marsh was a

595
00:30:28,840 --> 00:30:32,200
Speaker 4: delight to work with. And I didn't hammer you in

596
00:30:32,240 --> 00:30:34,840
Speaker 4: the head and say this is going to work. You'd like,

597
00:30:35,040 --> 00:30:37,640
Speaker 4: see if it works, you know, let's see what we

598
00:30:37,680 --> 00:30:41,600
Speaker 4: can do. So you know, it was a perfect synergy

599
00:30:42,720 --> 00:30:44,520
Speaker 4: there for a time. And I can only speak to

600
00:30:44,560 --> 00:30:45,440
Speaker 4: the time when I was there.

601
00:30:45,600 --> 00:30:48,000
Speaker 1: Sure, sure, no, of course it's great. I'm curious do

602
00:30:48,040 --> 00:30:49,960
Speaker 1: you remember for the time you're there? And it's such

603
00:30:49,960 --> 00:30:52,560
Speaker 1: a specific question, not artists, but do you remember the

604
00:30:52,600 --> 00:30:55,160
Speaker 1: biggest most requested song for the time you were there?

605
00:30:55,280 --> 00:30:59,200
Speaker 4: Oh, for gosh sake, that's a hard one.

606
00:30:59,360 --> 00:30:59,959
Speaker 2: I'm just curious.

607
00:31:00,080 --> 00:31:01,480
Speaker 1: What's the one where you're like, oh my god, they

608
00:31:01,480 --> 00:31:02,760
Speaker 1: made us play an eight thousand times.

609
00:31:02,800 --> 00:31:04,840
Speaker 5: She has already said she would never need to ever

610
00:31:04,920 --> 00:31:05,720
Speaker 5: hear bop.

611
00:31:06,760 --> 00:31:09,600
Speaker 2: Yeah, it could be what yeh, which I think stands

612
00:31:09,640 --> 00:31:10,280
Speaker 2: for me know what?

613
00:31:11,000 --> 00:31:14,400
Speaker 4: But what those guys hands And you have to admit

614
00:31:14,480 --> 00:31:17,120
Speaker 4: they crossed the barrier into adult artists. I don't know

615
00:31:17,120 --> 00:31:18,720
Speaker 4: if you've heard their adult stuff, but it's.

616
00:31:19,440 --> 00:31:25,040
Speaker 2: It's great, mainly good stuff. Wow. Their slow acoustic version

617
00:31:25,080 --> 00:31:27,200
Speaker 2: of is phenomenally good.

618
00:31:27,600 --> 00:31:33,360
Speaker 3: Oh my, I had a roommate that just slaughtered that

619
00:31:33,520 --> 00:31:35,920
Speaker 3: song for me. She was such a giant fan still

620
00:31:36,000 --> 00:31:37,320
Speaker 3: is still ask me if I want to go to

621
00:31:37,400 --> 00:31:39,760
Speaker 3: the shows, but she has no idea. She ruined it

622
00:31:39,800 --> 00:31:42,000
Speaker 3: for me. I listened to that song so many times.

623
00:31:42,040 --> 00:31:45,480
Speaker 3: It's like, no, no, I don't put me in a

624
00:31:45,560 --> 00:31:47,080
Speaker 3: room with a bunch of people that love it too.

625
00:31:47,160 --> 00:31:48,280
Speaker 1: No, no, I can't.

626
00:31:48,400 --> 00:31:52,080
Speaker 4: So funny, she just it for me. So jock jam?

627
00:31:52,160 --> 00:31:53,720
Speaker 4: Do you remember that? Yes?

628
00:31:55,120 --> 00:31:59,520
Speaker 2: Dock jam? Okay, yes you have? What's the I'm fifty

629
00:31:59,600 --> 00:32:00,440
Speaker 2: Sabrina don't know?

630
00:32:00,600 --> 00:32:01,000
Speaker 5: This is?

631
00:32:01,120 --> 00:32:01,280
Speaker 4: This?

632
00:32:01,360 --> 00:32:01,440
Speaker 1: Is?

633
00:32:05,160 --> 00:32:09,480
Speaker 5: It's that? Isn't it? Dunn't right?

634
00:32:09,800 --> 00:32:14,920
Speaker 3: No, that's no, that's okay, that's a different one.

635
00:32:15,160 --> 00:32:20,640
Speaker 5: Get ready for this, Get ready for this. Oh it's good.

636
00:32:20,840 --> 00:32:21,800
Speaker 2: It's a good jam.

637
00:32:22,120 --> 00:32:25,160
Speaker 4: It's a good jam. It's so funny because one of

638
00:32:25,160 --> 00:32:29,040
Speaker 4: the women who used to work with us, she's said

639
00:32:29,120 --> 00:32:31,800
Speaker 4: in an argument with the neighbor who plays their music

640
00:32:31,840 --> 00:32:34,440
Speaker 4: too loud, and so she put a speaker in her window,

641
00:32:34,960 --> 00:32:37,560
Speaker 4: and so all the radio Disney people started telling her

642
00:32:37,600 --> 00:32:41,520
Speaker 4: what songs to play. Bob was one the things that

643
00:32:41,560 --> 00:32:43,240
Speaker 4: we would like go, oh my gosh, I'm going to

644
00:32:43,280 --> 00:32:46,040
Speaker 4: stab myself in the eye if I heard again, Oh yeah,

645
00:32:46,120 --> 00:32:49,960
Speaker 4: I'm blue that I'm blue. Oh boy, there's a frog song.

646
00:32:50,000 --> 00:32:52,520
Speaker 4: There was a frog song. I can't remember how it goes.

647
00:32:52,600 --> 00:32:55,600
Speaker 4: It was the frog song. It was the dumbest things

648
00:32:55,680 --> 00:32:58,160
Speaker 4: that made it to the top. But you know, of course,

649
00:32:58,720 --> 00:33:00,640
Speaker 4: if something made it to the top, of course, any

650
00:33:00,680 --> 00:33:06,040
Speaker 4: Cheah Girls record Year three thousand, it's stayed there because

651
00:33:06,280 --> 00:33:08,120
Speaker 4: one of the things you have to understand about kids

652
00:33:08,160 --> 00:33:11,160
Speaker 4: and music is once they know something and they can

653
00:33:11,200 --> 00:33:14,440
Speaker 4: sing it along with their friends, then it you know,

654
00:33:14,480 --> 00:33:17,240
Speaker 4: it's their favorite forever. I mean, I think you know

655
00:33:17,360 --> 00:33:19,720
Speaker 4: the stuff I loved as a kid, the Michael Jackson stuff,

656
00:33:19,720 --> 00:33:23,800
Speaker 4: the donnioskra stuff. You know still And so it's brilliant

657
00:33:23,800 --> 00:33:25,880
Speaker 4: from the standpoint if you can keep your feet on

658
00:33:25,920 --> 00:33:28,600
Speaker 4: the ground and not do some of the stupid things

659
00:33:28,600 --> 00:33:33,520
Speaker 4: that young artists do. When they're sixty, they'll still be

660
00:33:33,560 --> 00:33:36,720
Speaker 4: wanting to listen to your music. You know, call back

661
00:33:36,800 --> 00:33:38,600
Speaker 4: to a time in your life when you were happy

662
00:33:38,600 --> 00:33:42,360
Speaker 4: and everything was you know, easy and not necessarily easy,

663
00:33:42,400 --> 00:33:44,800
Speaker 4: but you didn't have a mortgage, and right, all those

664
00:33:44,880 --> 00:33:45,560
Speaker 4: kinds of things.

665
00:33:46,040 --> 00:33:50,520
Speaker 1: Man, you mentioned that every word asession essentially has to

666
00:33:50,560 --> 00:33:53,680
Speaker 1: be cleared for the song to be on. There could

667
00:33:53,720 --> 00:33:57,360
Speaker 1: a song be dinged from like one or two words

668
00:33:57,440 --> 00:33:59,880
Speaker 1: and it's not even swears, but it's just something they Hey,

669
00:34:00,120 --> 00:34:03,160
Speaker 1: somebody somewhere might find this inappropriate.

670
00:34:03,240 --> 00:34:05,800
Speaker 2: So wow, that's amazing.

671
00:34:06,000 --> 00:34:10,640
Speaker 3: Yeah, suggestive, which I miss now, Like, I don't have

672
00:34:10,719 --> 00:34:16,160
Speaker 3: a station that I fully feel good listening to music

673
00:34:16,400 --> 00:34:20,080
Speaker 3: with my daughter in the car. She's five, and she

674
00:34:20,280 --> 00:34:22,440
Speaker 3: picks up on songs she's got.

675
00:34:22,719 --> 00:34:25,560
Speaker 5: She's actually her Her ability to like.

676
00:34:25,600 --> 00:34:29,640
Speaker 3: Match tones and match like keys is unreal to me,

677
00:34:30,120 --> 00:34:33,960
Speaker 3: but she can remember beats and rhythms and things like that.

678
00:34:34,080 --> 00:34:37,360
Speaker 3: And she hears one song and I'm like, oh gosh,

679
00:34:37,440 --> 00:34:39,600
Speaker 3: if I have to like change, it doesn't matter. I'm

680
00:34:39,600 --> 00:34:42,040
Speaker 3: hearing that song out of her the rest of the day.

681
00:34:42,840 --> 00:34:45,080
Speaker 3: And I just there's nowhere for me to go with

682
00:34:45,120 --> 00:34:48,360
Speaker 3: her except for like finding like something like a YouTube

683
00:34:48,400 --> 00:34:51,279
Speaker 3: mix or something on my phone to then be able

684
00:34:51,320 --> 00:34:52,120
Speaker 3: to listen to.

685
00:34:52,080 --> 00:34:52,919
Speaker 5: It ahead of time.

686
00:34:53,360 --> 00:34:56,439
Speaker 3: Know that it's the not a bad you know, there's

687
00:34:56,480 --> 00:34:57,920
Speaker 3: not gonna be a bad word or whatever.

688
00:34:58,840 --> 00:35:00,399
Speaker 1: Oh, you're gonna have to rip some of the old

689
00:35:00,520 --> 00:35:03,320
Speaker 1: radio Disney CDs and put them on your phone and

690
00:35:03,360 --> 00:35:05,000
Speaker 1: then you're gonna have music for today.

691
00:35:05,040 --> 00:35:05,279
Speaker 2: Listen.

692
00:35:05,480 --> 00:35:10,160
Speaker 3: I listened to like a Disney channel on iHeart. Like

693
00:35:10,200 --> 00:35:13,040
Speaker 3: there's like Disney like channels that you can go by

694
00:35:13,080 --> 00:35:16,120
Speaker 3: listening to that stuff, but there's nothing on like the radio.

695
00:35:16,160 --> 00:35:18,080
Speaker 3: And she likes the idea of it being like on

696
00:35:18,120 --> 00:35:19,960
Speaker 3: the radio. She can tell when it's on my phone

697
00:35:20,080 --> 00:35:22,960
Speaker 3: versus listening to like we listen to Kiss FM in

698
00:35:22,960 --> 00:35:23,840
Speaker 3: the morning, you know.

699
00:35:24,960 --> 00:35:26,960
Speaker 5: And she likes the radio.

700
00:35:27,000 --> 00:35:30,040
Speaker 3: She likes the talkback stuff versus like on a like

701
00:35:30,120 --> 00:35:31,240
Speaker 3: a phone.

702
00:35:31,239 --> 00:35:31,640
Speaker 5: I guess.

703
00:35:31,640 --> 00:35:35,640
Speaker 3: But one song I will say that's a newer umbop

704
00:35:35,800 --> 00:35:39,560
Speaker 3: or I'm Blue. Is this freaking song called Chicken Banana.

705
00:35:39,800 --> 00:35:44,239
Speaker 3: I don't know if it's so stupid, but her and

706
00:35:44,280 --> 00:35:46,880
Speaker 3: her friends, her bestie Ray Ray, anytime they're in the

707
00:35:46,880 --> 00:35:51,520
Speaker 3: car together they play Chicken Banana and it's like, what

708
00:35:51,560 --> 00:35:53,200
Speaker 3: the like, what does the fox say?

709
00:35:53,239 --> 00:35:55,880
Speaker 5: It sounds like that. It's like a like you're like,

710
00:35:56,040 --> 00:35:56,840
Speaker 5: oh my gosh.

711
00:35:56,880 --> 00:35:58,880
Speaker 1: If it's not by Pink Floyd, I probably don't know it.

712
00:36:00,719 --> 00:36:02,920
Speaker 1: So I just thank you so much for joining us.

713
00:36:02,920 --> 00:36:06,480
Speaker 1: Final question here because we're I'm so curious looking back

714
00:36:06,480 --> 00:36:08,320
Speaker 1: at your entire time with Radio Disney.

715
00:36:08,320 --> 00:36:10,120
Speaker 2: What are you most proud of?

716
00:36:10,560 --> 00:36:15,359
Speaker 4: Oh, I think the fact that we were able to

717
00:36:16,680 --> 00:36:24,040
Speaker 4: help kids have fun and enjoy music. The Radio Disney

718
00:36:24,080 --> 00:36:28,960
Speaker 4: tenth Birthday show, which you were a part of, yeah,

719
00:36:29,120 --> 00:36:32,880
Speaker 4: in Los Angeles. To me, I remember standing there in

720
00:36:32,920 --> 00:36:36,200
Speaker 4: the in the arena and looking around at the screaming

721
00:36:36,280 --> 00:36:40,839
Speaker 4: kids and their parents and thinking, Wow, we actually did this.

722
00:36:41,239 --> 00:36:45,440
Speaker 4: We did this because, you know, didn't have a place

723
00:36:45,480 --> 00:36:48,000
Speaker 4: to go like that. They didn't have an arena tour

724
00:36:48,080 --> 00:36:51,719
Speaker 4: to go to that they could sing and not be afraid.

725
00:36:51,840 --> 00:36:54,560
Speaker 4: And I mean I had been to don't I'll say

726
00:36:54,600 --> 00:36:57,239
Speaker 4: I went to a female artist who is not necessarily

727
00:36:57,239 --> 00:37:01,520
Speaker 4: a Disney act show and she came out strapped to

728
00:37:01,560 --> 00:37:04,879
Speaker 4: an ax and I'm sitting there and looking at the

729
00:37:05,160 --> 00:37:09,200
Speaker 4: parents and their little girls. They're going, what in the

730
00:37:09,239 --> 00:37:10,839
Speaker 4: world And you can probably figure out who it is.

731
00:37:10,840 --> 00:37:14,520
Speaker 3: But my friend went to the same concert and went

732
00:37:14,560 --> 00:37:17,200
Speaker 3: she took her seven year old and went, Well, that

733
00:37:17,360 --> 00:37:23,520
Speaker 3: wasn't a flying parent moment for me.

734
00:37:24,080 --> 00:37:26,680
Speaker 4: I actually left that show and went to see The

735
00:37:26,719 --> 00:37:31,479
Speaker 4: White Stripes. But that's a whole nother But I think

736
00:37:31,520 --> 00:37:34,080
Speaker 4: to be able to do that, to give families and

737
00:37:34,160 --> 00:37:38,560
Speaker 4: kids the opportunity to really enjoy music, scream at the

738
00:37:38,560 --> 00:37:43,319
Speaker 4: top of their alongs with our friends and kids. That

739
00:37:43,560 --> 00:37:47,319
Speaker 4: was to me what the golden piece of it was.

740
00:37:47,600 --> 00:37:49,440
Speaker 1: Okay, so I'm sorry, I know, I said, I know,

741
00:37:49,520 --> 00:37:51,640
Speaker 1: I said last question, but I have one more than

742
00:37:51,680 --> 00:37:53,040
Speaker 1: because who would know better than you?

743
00:37:53,280 --> 00:37:54,480
Speaker 2: What do you think's changed?

744
00:37:55,080 --> 00:37:58,359
Speaker 1: What's changed to where that's not a somebody decided that's

745
00:37:58,400 --> 00:37:59,720
Speaker 1: not a thing for kids anymore.

746
00:38:00,520 --> 00:38:02,279
Speaker 4: It's not it's money. It's me.

747
00:38:02,400 --> 00:38:03,040
Speaker 2: Is that what it is?

748
00:38:03,239 --> 00:38:07,160
Speaker 4: So so with radio, just the business of radio, it

749
00:38:07,239 --> 00:38:09,399
Speaker 4: costs a lot of money to operate a station. There's

750
00:38:09,440 --> 00:38:12,480
Speaker 4: a lot of FCC laws and blah blah blah, and

751
00:38:12,560 --> 00:38:15,799
Speaker 4: so the cost to run it is hard. If you

752
00:38:15,920 --> 00:38:20,600
Speaker 4: run a commercial station. The advertisers, it took a long

753
00:38:20,640 --> 00:38:23,440
Speaker 4: time to get advertisers to believe that kids had a

754
00:38:23,520 --> 00:38:27,880
Speaker 4: nag factor. So for Toyota to buy ads on a

755
00:38:27,960 --> 00:38:32,200
Speaker 4: kid's radio station was weird. But kids would hear the

756
00:38:32,239 --> 00:38:35,600
Speaker 4: ads and be like, Mom, I wanted Toyota, and so,

757
00:38:36,080 --> 00:38:38,480
Speaker 4: you know, then it started to work. But it is

758
00:38:38,520 --> 00:38:41,600
Speaker 4: a hard it is a hard boat to row, you know.

759
00:38:41,640 --> 00:38:45,640
Speaker 4: It's just it's that it's the financial situation of it.

760
00:38:45,800 --> 00:38:47,640
Speaker 4: I mean, I love to do it again. Man, I'd

761
00:38:47,640 --> 00:38:50,719
Speaker 4: be in, like all in if we could do it again.

762
00:38:50,800 --> 00:38:55,600
Speaker 4: But that's that's really the The financial nature of radios

763
00:38:55,760 --> 00:38:56,200
Speaker 4: is tough.

764
00:38:57,280 --> 00:38:57,879
Speaker 2: That's so sad.

765
00:38:57,880 --> 00:38:58,000
Speaker 4: Do you.

766
00:38:58,000 --> 00:39:00,000
Speaker 2: Everybody's telling the kids have changed, and I just don't

767
00:39:00,080 --> 00:39:02,000
Speaker 2: believe it. I know the rest of society has changed,

768
00:39:02,000 --> 00:39:02,960
Speaker 2: and kids are the same.

769
00:39:03,080 --> 00:39:07,359
Speaker 3: So I went to the Burbank building last year, right

770
00:39:07,400 --> 00:39:11,000
Speaker 3: before the Zombies four, and I was out at the

771
00:39:11,480 --> 00:39:12,360
Speaker 3: window going.

772
00:39:13,440 --> 00:39:14,520
Speaker 2: Just open the.

773
00:39:16,280 --> 00:39:19,040
Speaker 4: I'm in the building, Phil, are you in there? I'm

774
00:39:19,080 --> 00:39:22,279
Speaker 4: here because it's still there.

775
00:39:22,320 --> 00:39:24,759
Speaker 5: You could see inside. They still have it sort of

776
00:39:24,840 --> 00:39:26,680
Speaker 5: set up, but it's just dark.

777
00:39:26,880 --> 00:39:30,000
Speaker 4: And I think we should do, you know, a redo

778
00:39:30,239 --> 00:39:32,680
Speaker 4: for at least a week or so, and see what happens.

779
00:39:32,840 --> 00:39:36,319
Speaker 5: Right, Robin, you know where to find me?

780
00:39:36,800 --> 00:39:38,160
Speaker 2: Can we will do it?

781
00:39:38,239 --> 00:39:41,240
Speaker 3: Will there, He's not always easy to convince to do stuff,

782
00:39:41,239 --> 00:39:41,719
Speaker 3: but this.

783
00:39:41,800 --> 00:39:42,239
Speaker 5: I will get.

784
00:39:42,880 --> 00:39:44,240
Speaker 2: You need me to do it, We'll do a whole

785
00:39:44,239 --> 00:39:44,960
Speaker 2: thing about him.

786
00:39:45,000 --> 00:39:46,520
Speaker 1: Yes, First we have to go and we have to

787
00:39:46,520 --> 00:39:48,360
Speaker 1: find the generator and we like turn it back on

788
00:39:48,520 --> 00:39:51,040
Speaker 1: and all the lights come on and then it's like, hey,

789
00:39:51,080 --> 00:39:53,480
Speaker 1: it's Will and Sabrina and we are taking over radio

790
00:39:53,520 --> 00:39:54,319
Speaker 1: Disney for the radio.

791
00:39:55,160 --> 00:39:57,400
Speaker 5: Let's go, guys, let's bring it back.

792
00:39:57,800 --> 00:40:00,680
Speaker 2: I love I love that. All right, Well you're our

793
00:40:00,680 --> 00:40:01,120
Speaker 2: first call.

794
00:40:01,480 --> 00:40:03,640
Speaker 3: Yes, okay, you know how to do it, so we

795
00:40:03,680 --> 00:40:04,600
Speaker 3: got we need.

796
00:40:04,400 --> 00:40:05,200
Speaker 5: You big time.

797
00:40:05,680 --> 00:40:07,759
Speaker 4: Yes, I can build the clocks for you. I can

798
00:40:07,800 --> 00:40:09,480
Speaker 4: bring in the all the features.

799
00:40:10,040 --> 00:40:13,040
Speaker 2: We're doing it. We're doing it. We're going to figure

800
00:40:13,040 --> 00:40:14,319
Speaker 2: out how to do it. But we're gonna do.

801
00:40:14,360 --> 00:40:16,759
Speaker 3: You know why it would work because it's the same

802
00:40:16,800 --> 00:40:19,640
Speaker 3: thing as what's happening on Disney, plus the resurgence of

803
00:40:19,719 --> 00:40:23,080
Speaker 3: all these dcoms, these d cooms that we're watching now

804
00:40:23,200 --> 00:40:27,960
Speaker 3: the generation that watched them originally have children, and they

805
00:40:28,040 --> 00:40:30,799
Speaker 3: want them to be fans just like they were, or

806
00:40:30,840 --> 00:40:33,479
Speaker 3: regardless if they don't have kids, they love going down

807
00:40:33,880 --> 00:40:34,840
Speaker 3: their memory lane.

808
00:40:34,960 --> 00:40:38,080
Speaker 1: Well it's there was a there was a study done.

809
00:40:38,080 --> 00:40:39,560
Speaker 2: I believe it was by a Harvard professor.

810
00:40:39,600 --> 00:40:41,760
Speaker 1: I can't remember what, but that said, when the world

811
00:40:41,840 --> 00:40:44,680
Speaker 1: seems uncertain, as it certainly does right now, the two

812
00:40:44,719 --> 00:40:48,799
Speaker 1: things people go for are nostalgia and fantasy because it

813
00:40:48,840 --> 00:40:50,320
Speaker 1: brings them right. They either takes them out of the

814
00:40:50,320 --> 00:40:52,320
Speaker 1: world or brings them back to the world they understood.

815
00:40:52,880 --> 00:40:58,319
Speaker 1: So I think a week of nostalgia. Yes, so our

816
00:40:58,320 --> 00:41:00,200
Speaker 1: producer just said, I would listen to Radio Disney over

817
00:41:00,239 --> 00:41:01,280
Speaker 1: any local radio station.

818
00:41:01,360 --> 00:41:03,000
Speaker 2: I'm thirty one and have no kids.

819
00:41:03,239 --> 00:41:06,120
Speaker 4: Yeah, she's my oldest daughter's age, so yeah, she grew

820
00:41:06,200 --> 00:41:08,839
Speaker 4: up in there. And then yes, yeah, all.

821
00:41:08,800 --> 00:41:12,400
Speaker 3: Right, and we're going to start making Plus Disney Radio

822
00:41:12,680 --> 00:41:16,640
Speaker 3: had the hits. It wasn't like you're just listening to

823
00:41:16,680 --> 00:41:19,560
Speaker 3: disney Mania stuff. You were listening to what was being

824
00:41:19,840 --> 00:41:23,760
Speaker 3: on every other big kid or adult radio station.

825
00:41:24,000 --> 00:41:26,600
Speaker 4: Yeah, your mom, But your mom knew that it was clean,

826
00:41:26,719 --> 00:41:28,800
Speaker 4: so she didn't worry about cool.

827
00:41:28,960 --> 00:41:31,359
Speaker 1: Okay, So if we had no joke, if we talk

828
00:41:31,440 --> 00:41:32,920
Speaker 1: to you, would you be able to help us fight

829
00:41:33,000 --> 00:41:36,040
Speaker 1: a way to Radio Disney it for a week, Because

830
00:41:36,040 --> 00:41:37,239
Speaker 1: I think we can do this so.

831
00:41:37,440 --> 00:41:39,480
Speaker 4: Rad oh my gosh, so much fun.

832
00:41:39,600 --> 00:41:40,879
Speaker 2: I think we could do it. I think we bring

833
00:41:40,880 --> 00:41:41,520
Speaker 2: it back for a week.

834
00:41:41,560 --> 00:41:43,319
Speaker 1: I think we get all the old stars to even

835
00:41:43,400 --> 00:41:48,200
Speaker 1: just send in, hey, this is Miley Cyrus in our heart.

836
00:41:49,440 --> 00:41:52,600
Speaker 3: Yeah, even we would even be able to look at

837
00:41:52,680 --> 00:41:57,320
Speaker 3: like Miley Cyrus right now, given the flowers like we're saying,

838
00:41:57,320 --> 00:42:01,120
Speaker 3: we say to the channel, like came back for ath anniversary,

839
00:42:01,600 --> 00:42:05,600
Speaker 3: Like these these artists know where they got their start from.

840
00:42:05,760 --> 00:42:09,080
Speaker 4: Well, you think about Wizards of Lake Waverley Place has

841
00:42:09,120 --> 00:42:13,440
Speaker 4: had to reboot reboots that are going on. It's nostalgic, y'all.

842
00:42:13,480 --> 00:42:16,560
Speaker 4: But think McDonald's knew this early on. That's why they

843
00:42:16,560 --> 00:42:19,239
Speaker 4: did the Happy Meal. They knew that when you grew up,

844
00:42:19,440 --> 00:42:21,200
Speaker 4: you were going to bring your kid back to get

845
00:42:21,200 --> 00:42:25,719
Speaker 4: the Happy Meal. Oh yes, it's just about that early adoption. O.

846
00:42:28,120 --> 00:42:29,360
Speaker 5: You heard it here first.

847
00:42:29,440 --> 00:42:33,319
Speaker 1: Everybody, We're seriously going to be in touch because I

848
00:42:33,320 --> 00:42:36,320
Speaker 1: think this is honestly something we can probably get done, okay,

849
00:42:36,680 --> 00:42:38,279
Speaker 1: and I think it would be just a ton of fun.

850
00:42:38,320 --> 00:42:39,960
Speaker 2: So yeah, we will. We will certainly be in touch,

851
00:42:40,000 --> 00:42:41,480
Speaker 2: rob and we want we wanted to come back.

852
00:42:41,719 --> 00:42:44,600
Speaker 3: I'll get all the out Oh yes, yes, you get

853
00:42:44,600 --> 00:42:45,560
Speaker 3: them CDs out.

854
00:42:46,400 --> 00:42:48,759
Speaker 2: Thank you so much for joining us.

855
00:42:48,760 --> 00:42:51,440
Speaker 1: This has been really, really cool and you're absolutely going

856
00:42:51,520 --> 00:42:53,880
Speaker 1: to be hearing from us in future.

857
00:42:55,239 --> 00:42:57,600
Speaker 5: Good to see you, Robin. Thank you so much for

858
00:42:57,680 --> 00:43:00,160
Speaker 5: taking time and doing this interview.

859
00:42:59,840 --> 00:43:02,240
Speaker 4: With just know you still live on my wall.

860
00:43:02,560 --> 00:43:04,680
Speaker 5: God everything to me.

861
00:43:05,000 --> 00:43:11,640
Speaker 4: I love it, guys, Thank you, bye, thank you bye.

862
00:43:12,520 --> 00:43:13,560
Speaker 2: Okay, so hear me out.

863
00:43:15,680 --> 00:43:21,279
Speaker 1: I well a week of Radio Disney YEP leading up

864
00:43:21,960 --> 00:43:26,160
Speaker 1: to the Disney Channel games, and it's old school Disney

865
00:43:26,239 --> 00:43:30,040
Speaker 1: Channel versus New school Disney Channel for the games. And

866
00:43:30,080 --> 00:43:34,000
Speaker 1: the final Radio Disney is the announcement from the games

867
00:43:34,040 --> 00:43:36,799
Speaker 1: of what's actually going on. It's like a commentary of

868
00:43:36,840 --> 00:43:40,120
Speaker 1: what's going on. It's two weeks that Disney could put on.

869
00:43:40,239 --> 00:43:45,200
Speaker 1: They'd have content for months, for years based on this stuff.

870
00:43:45,680 --> 00:43:47,719
Speaker 2: For so also, don't.

871
00:43:47,400 --> 00:43:51,759
Speaker 1: Think it would be ridiculously expensive to do. No, And

872
00:43:51,840 --> 00:43:55,359
Speaker 1: I think this might be. So we get Stapanic back. Yeah,

873
00:43:55,680 --> 00:43:59,360
Speaker 1: he's a he's a correspondent on our show on Radio Disney.

874
00:43:59,480 --> 00:44:02,080
Speaker 1: All the old school people come back, the new school

875
00:44:02,080 --> 00:44:02,959
Speaker 1: people are on there.

876
00:44:03,200 --> 00:44:06,640
Speaker 2: You can maybe even get something like a Cheetah Girls reunion.

877
00:44:07,280 --> 00:44:09,000
Speaker 5: Let's do it on Radio Disney.

878
00:44:09,080 --> 00:44:10,560
Speaker 1: I mean, I'm not saying I have to do it

879
00:44:10,560 --> 00:44:12,040
Speaker 1: on the games, but on Radio Disney.

880
00:44:12,080 --> 00:44:13,759
Speaker 2: You get people to call in. Maybe we get some

881
00:44:13,800 --> 00:44:16,600
Speaker 2: people to call in, old school people. Yeah, people you've

882
00:44:16,600 --> 00:44:19,280
Speaker 2: wanted to see together. I honestly think this could happen.

883
00:44:19,760 --> 00:44:22,760
Speaker 5: I do too, And I think it's time for something

884
00:44:22,840 --> 00:44:24,160
Speaker 5: like this, like it needs.

885
00:44:24,640 --> 00:44:28,400
Speaker 3: We do need a reseurg it's in that musical world,

886
00:44:28,520 --> 00:44:32,279
Speaker 3: especially because we've got the zombies and the descendants and

887
00:44:32,360 --> 00:44:35,399
Speaker 3: the new gen out there doing it right.

888
00:44:36,160 --> 00:44:39,080
Speaker 1: Well, thank you so much for joining us again. We

889
00:44:39,200 --> 00:44:41,280
Speaker 1: just want to reiterate we'd love to do this. We're

890
00:44:41,320 --> 00:44:42,799
Speaker 1: not saying we can get it done, but we'd like

891
00:44:42,880 --> 00:44:46,560
Speaker 1: to try. Yes, And if you want to see it happen,

892
00:44:46,680 --> 00:44:49,040
Speaker 1: make sure to send all your emails directly to Sabrina

893
00:44:49,040 --> 00:44:50,320
Speaker 1: because I don't know how to use the computer to

894
00:44:50,320 --> 00:44:53,439
Speaker 1: actually read any of this stuff, but she knows all that.

895
00:44:54,000 --> 00:44:57,560
Speaker 1: Until then, though, please join us over on our other feed,

896
00:44:57,600 --> 00:44:59,960
Speaker 1: where I'm pretty sure our next movie.

897
00:45:02,760 --> 00:45:04,640
Speaker 5: We're going there, serious one.

898
00:45:04,400 --> 00:45:06,040
Speaker 1: We're going there. That's why I took a pause and

899
00:45:06,080 --> 00:45:08,239
Speaker 1: a deep breath. I took a dramatic pause and a

900
00:45:08,280 --> 00:45:11,640
Speaker 1: deep breath. Let's just say we got to find out

901
00:45:11,680 --> 00:45:15,840
Speaker 1: what happens after your alone singing on a golf course

902
00:45:15,880 --> 00:45:20,320
Speaker 1: by yourself and staring at your reflection in the puddle.

903
00:45:20,360 --> 00:45:22,799
Speaker 1: I'm hoping he now stares at his reflection in the

904
00:45:22,840 --> 00:45:25,520
Speaker 1: sky because he's now ascended.

905
00:45:26,520 --> 00:45:29,120
Speaker 2: Yes, we're talking about Troy Bolton. Yes, my friends, we're

906
00:45:29,120 --> 00:45:32,799
Speaker 2: talking Is it to tv HS three?

907
00:45:32,840 --> 00:45:34,720
Speaker 1: Is that just what we're calling it? I think HSM

908
00:45:34,800 --> 00:45:38,160
Speaker 1: three H three that's right. We are doing High.

909
00:45:38,040 --> 00:45:42,399
Speaker 2: School Musical three lock exactly. I think this is the one.

910
00:45:42,400 --> 00:45:44,200
Speaker 2: If I know the story. They all join the CIA

911
00:45:44,480 --> 00:45:47,640
Speaker 2: and they go in to cover but but also with singing.

912
00:45:47,840 --> 00:45:49,719
Speaker 1: I don't know anything about this, but yes, we are

913
00:45:49,760 --> 00:45:52,839
Speaker 1: doing High School Musical three. This time it's even more

914
00:45:52,880 --> 00:45:54,600
Speaker 1: personal than High School Musical two.

915
00:45:54,760 --> 00:45:56,080
Speaker 5: Do you want to know something?

916
00:45:57,080 --> 00:46:01,400
Speaker 3: I have zero ideas in this movie?

917
00:46:02,360 --> 00:46:03,919
Speaker 5: Are they they're all back.

918
00:46:03,960 --> 00:46:06,160
Speaker 3: I remember it being a big deal because it took

919
00:46:06,160 --> 00:46:08,040
Speaker 3: a long time to get them all to agree to

920
00:46:08,080 --> 00:46:08,360
Speaker 3: do it.

921
00:46:08,400 --> 00:46:11,640
Speaker 1: They made like millions of dollars to the bank.

922
00:46:11,880 --> 00:46:13,120
Speaker 5: But I never saw it.

923
00:46:13,280 --> 00:46:16,319
Speaker 3: I never saw it, so I am kimpe it.

924
00:46:16,360 --> 00:46:19,200
Speaker 2: I watch it all the time. My favorite.

925
00:46:19,239 --> 00:46:23,160
Speaker 3: Oh my god, after that, after that golf scene, you,

926
00:46:23,360 --> 00:46:25,600
Speaker 3: oh my god, me went straight to it.

927
00:46:25,719 --> 00:46:27,239
Speaker 5: Even though we weren't doing it yet. We weren't.

928
00:46:27,480 --> 00:46:28,040
Speaker 2: Were you watching it?

929
00:46:28,080 --> 00:46:28,880
Speaker 5: Yeah, you went right to it.

930
00:46:29,200 --> 00:46:30,279
Speaker 2: I watched the second one.

931
00:46:30,360 --> 00:46:32,560
Speaker 1: I have yet to walk by a puddle and not

932
00:46:32,640 --> 00:46:33,880
Speaker 1: sing to myself in the reflection.

933
00:46:34,719 --> 00:46:37,759
Speaker 2: Just for the record, that's kind of a it has

934
00:46:37,800 --> 00:46:39,480
Speaker 2: and I just stare at that puddle.

935
00:46:39,560 --> 00:46:40,799
Speaker 5: She wants to do is get through the walk.

936
00:46:41,320 --> 00:46:44,200
Speaker 1: She's like, for God's sake, you can stop at every puzzle.

937
00:46:44,239 --> 00:46:46,720
Speaker 1: I can't talk to you right now. It's a puddle,

938
00:46:46,760 --> 00:46:48,560
Speaker 1: and I got a sing to myself, babe, and she

939
00:46:48,600 --> 00:46:49,040
Speaker 1: gets it.

940
00:46:49,200 --> 00:46:49,839
Speaker 2: She gets it.

941
00:46:50,680 --> 00:46:53,239
Speaker 1: But thank you everybody so much for joining us, and

942
00:46:53,520 --> 00:46:55,560
Speaker 1: thank you once again to our guest Robin Jones.

943
00:46:55,600 --> 00:46:57,880
Speaker 2: Who God, I'm excited. I don't know.

944
00:46:57,920 --> 00:46:59,600
Speaker 1: It might just be that I'm actually drinking my first

945
00:46:59,600 --> 00:47:01,759
Speaker 1: real couple coffee in years, so it could just be

946
00:47:01,840 --> 00:47:05,319
Speaker 1: afeen buzz, but I was out of decaf, so it's

947
00:47:05,360 --> 00:47:07,120
Speaker 1: I'm a going a little nuts, Sabrina.

948
00:47:08,600 --> 00:47:10,880
Speaker 2: But I am very excited.

949
00:47:10,960 --> 00:47:13,000
Speaker 1: So thank you everybody for joining us, and join us

950
00:47:13,000 --> 00:47:15,319
Speaker 1: again next time HMS three.

951
00:47:16,160 --> 00:47:27,920
Speaker 2: Bye everybody,