1
00:00:03,080 --> 00:00:08,559
Speaker 1: Welcome back to Alchemy this Yes, I'm your host, Kevin Pollock. Oh,

2
00:00:08,680 --> 00:00:12,560
Speaker 1: that's right, that Kevin Pollock. Was that the one from

3
00:00:12,600 --> 00:00:15,000
Speaker 1: the other night, Ladies and Jews. Over the years, I've

4
00:00:15,000 --> 00:00:17,600
Speaker 1: been annoyingly lucky to see my fair share of true alchemy.

5
00:00:17,640 --> 00:00:20,639
Speaker 1: By definition, alchemy is quote when a person creates something

6
00:00:20,640 --> 00:00:23,720
Speaker 1: through a seemingly magical process. Well, citizens of the world.

7
00:00:23,760 --> 00:00:25,920
Speaker 1: Like I said, I've been witnessed to the stuff on

8
00:00:25,960 --> 00:00:29,600
Speaker 1: several occasions. An example, you asked, all right, sure, let

9
00:00:29,640 --> 00:00:34,280
Speaker 1: us tomato, a pickle, and a bun. Didn't come together

10
00:00:34,320 --> 00:00:37,519
Speaker 1: from a script or a think tank. You dig that

11
00:00:37,600 --> 00:00:40,159
Speaker 1: shit was designed in heaven. Speaking of which, not too

12
00:00:40,159 --> 00:00:42,480
Speaker 1: long ago, the idea hit me. What if I brought

13
00:00:42,479 --> 00:00:44,400
Speaker 1: together the right creative people and asked them to make

14
00:00:44,440 --> 00:00:46,839
Speaker 1: a shit up based on my own twisted, demented ideas,

15
00:00:46,880 --> 00:00:51,120
Speaker 1: then offered a podcast of this seemingly magical process. Why

16
00:00:51,320 --> 00:00:54,000
Speaker 1: I could call it alchemy this time? And I'm not

17
00:00:54,160 --> 00:00:57,240
Speaker 1: fucking around. Well, after a bit of title tankering, I'm

18
00:00:57,280 --> 00:00:59,280
Speaker 1: so very proud to welcome you, dear friends to another

19
00:00:59,320 --> 00:01:04,399
Speaker 1: episode of Alchemy. There, let's meet our alchemists, shall we?

20
00:01:04,480 --> 00:01:07,959
Speaker 1: In no particular order, say Hello to Joey Greer Greer today,

21
00:01:08,040 --> 00:01:14,520
Speaker 1: gone tomorrow. What's your favorite shade of pale? Oh? Uh neutral? Sure, perfect, Jesus,

22
00:01:14,840 --> 00:01:18,520
Speaker 1: put on your danceing shoe because we've got Vanessa Raglan Vanessa,

23
00:01:18,720 --> 00:01:22,440
Speaker 1: who was your best pal? Grown up? Sarah Ziegler, Love

24
00:01:22,480 --> 00:01:28,320
Speaker 1: you girl? That's correct. Up, Chris Alvarado, Time, Christopher, did

25
00:01:28,360 --> 00:01:30,520
Speaker 1: we really land on the moon in sixty eight? Come on?

26
00:01:30,600 --> 00:01:34,240
Speaker 1: Of course it was sixty nine? Well why not? Some

27
00:01:34,280 --> 00:01:37,360
Speaker 1: great Kokowski while we're out at cacoun do you remember

28
00:01:37,400 --> 00:01:41,679
Speaker 1: who framed Roger Rabbit? It was a tune of some kind.

29
00:01:41,720 --> 00:01:45,360
Speaker 1: I hate all those tunes. Correct, continue last, but I'll

30
00:01:45,400 --> 00:01:46,959
Speaker 1: punch you right in this now if you're think him late.

31
00:01:47,160 --> 00:01:50,160
Speaker 1: It's James Heny. James. Can I call you Connie Stephens?

32
00:01:50,560 --> 00:01:54,480
Speaker 1: That's a woman's name. Sure, I prefer maybe Connor. All right,

33
00:01:54,800 --> 00:01:57,480
Speaker 1: Connor Stephens it is. Let's get to our first scene,

34
00:01:57,760 --> 00:02:02,480
Speaker 1: shall we. Sorry, I had a smaller version of me

35
00:02:02,520 --> 00:02:08,560
Speaker 1: in my throat. First. Up. Mark Zuckelberg Today, played by

36
00:02:08,840 --> 00:02:13,400
Speaker 1: Joey Zuckelberg, is stepping down. But first he's meeting with

37
00:02:13,440 --> 00:02:17,360
Speaker 1: several candidates, one at a time to see who will

38
00:02:17,400 --> 00:02:22,840
Speaker 1: take his place. We take you to Mark's office, which

39
00:02:22,880 --> 00:02:27,680
Speaker 1: is just shy the size of Kansas City, Missouri. I

40
00:02:27,720 --> 00:02:33,399
Speaker 1: told you to keep the orange rides on, please, I tried. Okay, well,

41
00:02:33,880 --> 00:02:37,079
Speaker 1: they were just peeling away from the flash of the orange. Mark.

42
00:02:38,200 --> 00:02:41,680
Speaker 1: I can't keep everything together around here. We better keep

43
00:02:41,720 --> 00:02:45,320
Speaker 1: something together. Don't talk to me like that. Forgive me.

44
00:02:45,680 --> 00:02:52,639
Speaker 1: I do love you too. I'll go under the desk.

45
00:02:52,639 --> 00:02:57,400
Speaker 1: Thank you, Mark, I'm here for my interview. It's me wary,

46
00:02:57,520 --> 00:03:00,320
Speaker 1: I know. Larry, come in. Uh oh wow, you've got

47
00:03:00,440 --> 00:03:05,320
Speaker 1: such a nice office. How are these books real? Yes,

48
00:03:05,360 --> 00:03:10,360
Speaker 1: they're all glass, Larry. Yeah. As you know, I'm stepping

49
00:03:10,360 --> 00:03:15,079
Speaker 1: down from Facebook and because of that, someone needs to

50
00:03:15,120 --> 00:03:19,079
Speaker 1: stand in my stead. So with that being as it is,

51
00:03:19,520 --> 00:03:22,880
Speaker 1: i'd like to see if you might be a candidate

52
00:03:23,200 --> 00:03:28,880
Speaker 1: for that position. Oh my gosh, i'd love the Mark. Yeah, yes,

53
00:03:29,000 --> 00:03:30,920
Speaker 1: I'll take it. Well, no, Larry, it's I'm not just

54
00:03:30,960 --> 00:03:36,440
Speaker 1: giving it right now. Oh, several candidates for this position

55
00:03:36,960 --> 00:03:39,040
Speaker 1: or I'm sure there's probably a lot of people that

56
00:03:39,120 --> 00:03:41,040
Speaker 1: want it. There is a lot of people that want it. Okay,

57
00:03:41,920 --> 00:03:44,640
Speaker 1: what do I gotta do? Well? Number one? How many

58
00:03:44,720 --> 00:03:47,680
Speaker 1: jumping jacks can you do? Endurance is a critical part

59
00:03:47,680 --> 00:03:50,840
Speaker 1: of this position. Jeez, I could do them right now.

60
00:03:51,480 --> 00:03:59,080
Speaker 1: But okay, here coour Okay, I'm doing them with you. Okay.

61
00:03:59,200 --> 00:04:01,400
Speaker 1: I mean I could do this for a long time, Martin,

62
00:04:01,440 --> 00:04:03,480
Speaker 1: do it for a long time too. Can you go?

63
00:04:03,560 --> 00:04:08,280
Speaker 1: Can you keep up? Okay, I gotta stop. I couldn't

64
00:04:08,320 --> 00:04:11,840
Speaker 1: count while I was doing it. Oh that was good, Larry,

65
00:04:11,880 --> 00:04:14,840
Speaker 1: that was fantastic. Wow, you're sweating. Let me get that here.

66
00:04:15,080 --> 00:04:17,520
Speaker 1: Thank you. Oh wow, you brought your own houndkerchief. Oh yeah,

67
00:04:17,560 --> 00:04:20,360
Speaker 1: of course I did. Haven't had a dummy. I mean

68
00:04:20,360 --> 00:04:22,279
Speaker 1: sometimes I sweat when I get nervous, but I'm not

69
00:04:22,400 --> 00:04:25,080
Speaker 1: nervous around you. Mark. I appreciate that a lot of

70
00:04:25,080 --> 00:04:28,919
Speaker 1: people feel uncomfortable around me because of my energy. Mark.

71
00:04:29,000 --> 00:04:31,880
Speaker 1: Your next cand dame is here. Larry. Would you please

72
00:04:31,880 --> 00:04:34,880
Speaker 1: step outside away. I didn't even get to You're fine.

73
00:04:34,880 --> 00:04:37,760
Speaker 1: The endurance was enough. Oh, thank you. You'll be Uh.

74
00:04:37,839 --> 00:04:39,720
Speaker 1: I'll give you a message later. But there's a lot

75
00:04:39,720 --> 00:04:43,720
Speaker 1: of Okay, bye, it's cramped down here. Shut up, stop

76
00:04:43,760 --> 00:04:48,800
Speaker 1: peeling those oranges. Sorry forgive me. Hello. Hello, my name

77
00:04:48,880 --> 00:04:52,440
Speaker 1: is Connor Stevens. I am obviously American tech guru. Here

78
00:04:52,560 --> 00:04:56,760
Speaker 1: to uh interview for position of Facebook. Mister Stevens, your

79
00:04:56,839 --> 00:05:02,040
Speaker 1: reputation precedes you. Thank you very much. You're welcome. How

80
00:05:02,080 --> 00:05:06,039
Speaker 1: long have you loved me? How long have I loved you?

81
00:05:06,160 --> 00:05:10,360
Speaker 1: How long I have loved you? Since the Facebook first

82
00:05:10,440 --> 00:05:13,760
Speaker 1: came out? Fantastic? We never that was. I mean, I

83
00:05:13,800 --> 00:05:15,920
Speaker 1: am American and I've been here the whole time, so

84
00:05:16,240 --> 00:05:19,880
Speaker 1: of course of course I went to American school Boston accent.

85
00:05:19,920 --> 00:05:24,440
Speaker 1: If I could try to locate the region you're from, yeah, yeah,

86
00:05:24,520 --> 00:05:29,279
Speaker 1: I'm from Boston area, right, you know, South Boston. I'm

87
00:05:29,279 --> 00:05:35,039
Speaker 1: a southee. Mister, mister Stevens, that there is Stevens Connor,

88
00:05:35,080 --> 00:05:40,080
Speaker 1: Stephen Stevens. Excuse me. The security privacy is something that

89
00:05:40,120 --> 00:05:42,520
Speaker 1: we really are loose about here. Okay, It's something that

90
00:05:42,760 --> 00:05:46,400
Speaker 1: this is red job for me. I'm hoping so obviously

91
00:05:46,400 --> 00:05:48,120
Speaker 1: you know that I need to step down for reasons

92
00:05:48,120 --> 00:05:50,520
Speaker 1: that the press are making bigger than I believe are.

93
00:05:51,040 --> 00:05:54,200
Speaker 1: It is fat news, it is fact news, and because

94
00:05:54,200 --> 00:05:57,359
Speaker 1: of that, I need someone else to fill this position.

95
00:05:58,480 --> 00:06:02,360
Speaker 1: I'd be happy to is the uh, oh, you still

96
00:06:02,400 --> 00:06:05,280
Speaker 1: have all the data. I'll have all the Americans all

97
00:06:05,320 --> 00:06:10,039
Speaker 1: the data. Something that I'd love to do is draw sorry,

98
00:06:10,440 --> 00:06:13,440
Speaker 1: shut off something that I love? What's going on down there?

99
00:06:13,640 --> 00:06:18,599
Speaker 1: Mister Stevenson, please Stevens, yes, sir, please please, can we

100
00:06:18,640 --> 00:06:21,120
Speaker 1: just focus on task at hand. I need to fill

101
00:06:21,160 --> 00:06:23,280
Speaker 1: this position, and I'd hate to put someone in there

102
00:06:23,279 --> 00:06:25,719
Speaker 1: who's not ready for the job. I am totally ready

103
00:06:25,760 --> 00:06:28,080
Speaker 1: for a job, are you? Yes? What happens if four

104
00:06:28,160 --> 00:06:31,400
Speaker 1: hundred lizards were let loose on the data processing floor?

105
00:06:32,080 --> 00:06:36,560
Speaker 1: Four hundred? Oh dear god, what's get these lizards out

106
00:06:36,600 --> 00:06:39,240
Speaker 1: of here? What the fuck is happening? Exactly? Mister Stephenson,

107
00:06:39,400 --> 00:06:42,839
Speaker 1: what would you do? I'll kill you. I'll kill you Zuckerberg.

108
00:06:43,000 --> 00:06:47,360
Speaker 1: I love it. I love it. Mark you're here, Thank

109
00:06:47,400 --> 00:06:49,080
Speaker 1: you so much. Mister Stevenson. Please wait out in the

110
00:06:49,080 --> 00:06:52,440
Speaker 1: bean bags. Okay, good day. I'm sorry if my hair tickled? Year?

111
00:06:52,520 --> 00:06:58,760
Speaker 1: Can you please do that more? Absolutely? Bye? Bye? Hello,

112
00:06:59,240 --> 00:07:02,320
Speaker 1: it's that Mark. How do you do? Good man? Tyler,

113
00:07:02,440 --> 00:07:05,479
Speaker 1: let's cut right to it. Okay, you're giving me this job, Tyler.

114
00:07:05,480 --> 00:07:09,400
Speaker 1: You know I can't do. You're giving me this fucking job. Tyler. Please,

115
00:07:09,680 --> 00:07:13,400
Speaker 1: this isn't high school. Please, gud. I know all your

116
00:07:13,400 --> 00:07:15,920
Speaker 1: fucking secrets. I know you're a fucking dork. Tyler and

117
00:07:15,920 --> 00:07:25,920
Speaker 1: you're giving me this turn around? Taylor, who the fight out?

118
00:07:27,920 --> 00:07:29,760
Speaker 1: I feel like I'm bleeding internally. What's going on? You

119
00:07:29,760 --> 00:07:32,560
Speaker 1: should be? Do you want me to do another one?

120
00:07:32,640 --> 00:07:37,600
Speaker 1: Of course I do. No one threatens my boss slash

121
00:07:37,880 --> 00:07:42,080
Speaker 1: lover Christina table, Thank you very much. P s. Mister Zuckerberg.

122
00:07:42,680 --> 00:07:48,640
Speaker 1: I'll take that position now. There's still a lot of

123
00:07:48,720 --> 00:07:53,720
Speaker 1: lizards here. Mister Stevens, and please wait in I mean Stevens,

124
00:07:53,880 --> 00:07:57,480
Speaker 1: you Coolovich Stevens, You Colovich Stevens, you Coolovitch Stevens. Christina,

125
00:07:58,080 --> 00:07:59,920
Speaker 1: run a name processing right now. I want to see

126
00:08:00,040 --> 00:08:03,080
Speaker 1: and in the database, your Coolovich Stevenson. See if those

127
00:08:03,120 --> 00:08:08,320
Speaker 1: names cross reference. I'm pulling up fifteen, all of them

128
00:08:08,360 --> 00:08:14,320
Speaker 1: located in North Boston. Interesting. Oh oh, yes, that's what

129
00:08:14,360 --> 00:08:17,440
Speaker 1: that means, North Boston. I'm a Southey who moved to

130
00:08:17,480 --> 00:08:21,320
Speaker 1: North Boston. So do you identify as North or South?

131
00:08:22,000 --> 00:08:25,600
Speaker 1: Identify as both? I mean it gon to be a

132
00:08:25,600 --> 00:08:28,520
Speaker 1: big deal around there. Where are you from? Right? Go

133
00:08:28,680 --> 00:08:33,400
Speaker 1: Celtics anyway? Yes, Go Celtics, Go Celtics, Go Celtics. I'm

134
00:08:34,040 --> 00:08:41,199
Speaker 1: I'm still alive. Tyler, give me the fucking j Tyler stop,

135
00:08:43,920 --> 00:08:47,840
Speaker 1: thank you? She is very dangerous to have some deity

136
00:08:47,880 --> 00:08:51,040
Speaker 1: formidable at your right end. Always I'm hoping to pass

137
00:08:51,080 --> 00:08:54,120
Speaker 1: her along to whoever takes this position. I'll be taking

138
00:08:54,160 --> 00:08:58,560
Speaker 1: the position, possibly, Mark Larry, Would you mind stepping back in? Okay?

139
00:08:58,920 --> 00:09:00,600
Speaker 1: I was. I had my ear to the door, and

140
00:09:00,679 --> 00:09:03,080
Speaker 1: I was worried that the lad the lizards, we're gonna

141
00:09:03,120 --> 00:09:05,320
Speaker 1: get out. I'm glad that they didn't. If you can't

142
00:09:05,360 --> 00:09:08,600
Speaker 1: handle lizard, you'll never be able to handle this position. Wow.

143
00:09:08,760 --> 00:09:12,520
Speaker 1: Oh geez, are you bleeding internally? I don't know, but

144
00:09:12,520 --> 00:09:17,360
Speaker 1: there's certainly swelling. Oh, your body is strong. Oh you

145
00:09:17,400 --> 00:09:19,800
Speaker 1: don't mind if I start drinking some ice cold borshed,

146
00:09:19,880 --> 00:09:25,240
Speaker 1: do you? Of course not? Okay, it smells horrible. It's

147
00:09:25,360 --> 00:09:29,600
Speaker 1: just it's just beats and garlic that is strong. Come in,

148
00:09:30,559 --> 00:09:34,960
Speaker 1: Hey probably didn't expect to see me. It's the guy

149
00:09:35,000 --> 00:09:39,920
Speaker 1: who started my space. How are you, Tom? Tom? I

150
00:09:40,000 --> 00:09:42,520
Speaker 1: refer to myself as the guy who started my space. Here,

151
00:09:42,559 --> 00:09:45,000
Speaker 1: you're having some problems. Why won't you look at us

152
00:09:45,000 --> 00:09:47,160
Speaker 1: directly in the face. He's just side eyeing us. I'm

153
00:09:47,160 --> 00:09:49,680
Speaker 1: pointing over my back to let you know you're out

154
00:09:49,679 --> 00:09:51,320
Speaker 1: of here. Do you have to wheel that computer in

155
00:09:51,360 --> 00:09:53,800
Speaker 1: with you. Yeah, we know what the profile pick looks like.

156
00:09:53,880 --> 00:09:57,800
Speaker 1: Look at this. You can add music now, that's that's great. Tom. Look,

157
00:09:57,800 --> 00:10:00,520
Speaker 1: we're trying to fill a position that actually matters you, okay,

158
00:10:00,640 --> 00:10:06,520
Speaker 1: for a website that people love and use? Is that

159
00:10:06,559 --> 00:10:11,640
Speaker 1: a dead body? Almost? Yes, I've actually been working at

160
00:10:11,679 --> 00:10:14,080
Speaker 1: Facebook for a long time, so I think I've earned it.

161
00:10:14,160 --> 00:10:17,079
Speaker 1: And plus Mark, one of these people in the room

162
00:10:17,200 --> 00:10:32,920
Speaker 1: is a Russian spy. Wait, I know you. I know you.

163
00:10:34,240 --> 00:10:38,360
Speaker 1: You're both from Boston. I am from North I am

164
00:10:38,400 --> 00:10:41,160
Speaker 1: also from North. Wait, you were from the South and

165
00:10:41,200 --> 00:10:44,040
Speaker 1: then you move north. That's right, of course. I mean

166
00:10:44,200 --> 00:10:52,120
Speaker 1: my story is consistent X four two zero one j

167
00:10:52,520 --> 00:10:56,280
Speaker 1: j O K. He's just saying numbers doesn't know what

168
00:10:56,320 --> 00:11:00,360
Speaker 1: you're doing. Tom, Tom, Tom, come on, okay, we let

169
00:11:00,400 --> 00:11:01,679
Speaker 1: you in the building. You can have all the time.

170
00:11:01,720 --> 00:11:04,559
Speaker 1: I broke you. I broke you, Okay, Okay, Tom, all right,

171
00:11:04,600 --> 00:11:07,760
Speaker 1: you broke in. That's you did it. You had all

172
00:11:07,800 --> 00:11:11,280
Speaker 1: the dolly and everything you can, all the treats you want. Okay,

173
00:11:11,280 --> 00:11:14,040
Speaker 1: those are for free for everybody. That's right. That's right.

174
00:11:14,080 --> 00:11:18,880
Speaker 1: I'm a Russian spy. Okay, Tom, all right, Tom, cool,

175
00:11:19,000 --> 00:11:23,480
Speaker 1: you believe me, right, yes for sure that I think

176
00:11:23,520 --> 00:11:26,520
Speaker 1: I have a boy clott in my throat. My throat

177
00:11:26,640 --> 00:11:29,920
Speaker 1: is really swelling fast, Larry, just sit with it, all right,

178
00:11:30,600 --> 00:11:32,360
Speaker 1: all right? Mark? Do I have the job or not?

179
00:11:32,679 --> 00:11:36,679
Speaker 1: I don't know. I need one more test anything. I'm

180
00:11:36,720 --> 00:11:42,960
Speaker 1: thinking of a number one. You got it? Tom is

181
00:11:42,960 --> 00:11:46,440
Speaker 1: now the new head of Facebook. Okay, way the gold Dmitri,

182
00:11:46,679 --> 00:11:50,679
Speaker 1: I mean Tom from my space. No, you already know.

183
00:11:50,720 --> 00:11:54,120
Speaker 1: I told you I'm a Russian spot right right? Yeah? Cool?

184
00:11:54,160 --> 00:11:57,720
Speaker 1: I will take over. Well, what are your plans? But? Oh? Wow? Wow?

185
00:11:57,760 --> 00:11:59,640
Speaker 1: What am I planing? What are you gonna do? I'm

186
00:11:59,640 --> 00:12:04,480
Speaker 1: opening a dojo? Wow, I've been so caught up with

187
00:12:04,640 --> 00:12:06,400
Speaker 1: who's going to fill this position? I haven't thought about

188
00:12:06,400 --> 00:12:08,320
Speaker 1: what I'm going to have to sit down? I'm sorry?

189
00:12:11,559 --> 00:12:14,680
Speaker 1: What am I gonna do? I guess I could start face?

190
00:12:14,800 --> 00:12:18,040
Speaker 1: But no, that's taking your Are you taking your hoodie off? Yeah?

191
00:12:18,120 --> 00:12:22,000
Speaker 1: I want to feel the wind on top of my head.

192
00:12:22,080 --> 00:12:26,720
Speaker 1: That's a lot of tattoos. Jesus, boy, he is cut.

193
00:12:28,760 --> 00:12:32,120
Speaker 1: Do you feel the heat? Don't jump? Please? Don't jump.

194
00:12:32,160 --> 00:12:35,480
Speaker 1: I think I can fly. You definitely can't fly. Mark, Wait,

195
00:12:35,520 --> 00:12:40,079
Speaker 1: I recognize this R two four six two two j

196
00:12:40,240 --> 00:12:46,480
Speaker 1: J J J J JJ. I know it. He's a

197
00:12:46,480 --> 00:12:50,040
Speaker 1: lizard man. I'm a lizard man. Get out of my mouth.

198
00:12:50,080 --> 00:12:52,839
Speaker 1: Get out of my mouth. That's a warm in your mouth.

199
00:12:54,640 --> 00:12:59,000
Speaker 1: And I'll let you destroy each other. I'm Tom. I'm Tom.

200
00:12:59,040 --> 00:13:02,040
Speaker 1: Though I'm Tom. I don't think you're Tom. I think

201
00:13:02,480 --> 00:13:05,440
Speaker 1: you have a lizard man inside of courts. Well, just

202
00:13:06,360 --> 00:13:16,240
Speaker 1: a typical day and Facebook. Let's shoot on over across

203
00:13:16,320 --> 00:13:19,680
Speaker 1: town shall I? Oh my god? Just off Highway twenty two.

204
00:13:20,440 --> 00:13:24,200
Speaker 1: It's Carl's Motor Lave, A fine place to rest your

205
00:13:24,240 --> 00:13:27,400
Speaker 1: weary head for the night. Behind the camera waiting to

206
00:13:27,480 --> 00:13:34,440
Speaker 1: register folks from all over there's Timmy. You want a room?

207
00:13:35,120 --> 00:13:37,720
Speaker 1: Yes please, I'd like to stay here overnight. You look

208
00:13:37,800 --> 00:13:41,800
Speaker 1: like you from around here. I'm not I'm traveling, shoutsman,

209
00:13:41,840 --> 00:13:46,680
Speaker 1: I'm just passing. Look all right, So usually we rent

210
00:13:46,760 --> 00:13:49,040
Speaker 1: out by the hour, but I assume you want to

211
00:13:49,040 --> 00:13:51,160
Speaker 1: stay overnight. I wanted to talk to you about that.

212
00:13:51,640 --> 00:13:55,439
Speaker 1: If I were to have my girlfriend visit me for

213
00:13:55,840 --> 00:13:59,520
Speaker 1: one to two hours, is would that be a problem? Look,

214
00:13:59,720 --> 00:14:03,800
Speaker 1: let me turn this camera up really quick. Right, let's

215
00:14:03,840 --> 00:14:10,080
Speaker 1: cut straight. She's the prostitute, right, feelings for each other? Well,

216
00:14:10,280 --> 00:14:16,840
Speaker 1: there certing her feelings? Are you I take care of her?

217
00:14:17,320 --> 00:14:22,840
Speaker 1: You do? Yeah? I pay for her rent. Wait a second,

218
00:14:23,720 --> 00:14:27,600
Speaker 1: Wait a second. Are you from out of town? Yes,

219
00:14:27,680 --> 00:14:31,240
Speaker 1: I'm a traveling salesman. Then how do you does she

220
00:14:31,320 --> 00:14:35,720
Speaker 1: come with you on your travels? I see the problem. Huh,

221
00:14:36,800 --> 00:14:39,200
Speaker 1: you're in the hell whatever here, it's not sound kind

222
00:14:39,200 --> 00:14:42,320
Speaker 1: of weird. Whatever y'all got got right on. I don't

223
00:14:42,320 --> 00:14:45,200
Speaker 1: think this is that important. I have this. I can

224
00:14:45,280 --> 00:14:48,600
Speaker 1: handle the thought. I'd come out on the floor manager,

225
00:14:48,720 --> 00:14:52,600
Speaker 1: I manage the floor. Well, did you play fifteen dollars

226
00:14:52,680 --> 00:14:54,920
Speaker 1: extrause the room? Can come with a bird that can

227
00:14:54,920 --> 00:14:58,920
Speaker 1: play up the five thing? No, thank you. You can

228
00:14:59,000 --> 00:15:01,480
Speaker 1: also have that for free. We have birds and most.

229
00:15:01,600 --> 00:15:04,920
Speaker 1: Now that the cameras off, I have something to get

230
00:15:04,920 --> 00:15:07,880
Speaker 1: off my chest. What is that thing? Is in a mole?

231
00:15:08,040 --> 00:15:10,320
Speaker 1: I was noticing in it? Oh? This is a This

232
00:15:10,400 --> 00:15:13,160
Speaker 1: is just a necklace. I'll off, but I have something

233
00:15:13,200 --> 00:15:16,880
Speaker 1: to say. Necklace looks like a mole to me. It's

234
00:15:16,920 --> 00:15:21,680
Speaker 1: a stone. It's a stone. I'm I'm a married man.

235
00:15:22,000 --> 00:15:26,440
Speaker 1: Oh no, congratulations to her. I'm sir. Once a year

236
00:15:26,920 --> 00:15:31,840
Speaker 1: I meet this woman here at this hotel. I've never

237
00:15:31,920 --> 00:15:33,520
Speaker 1: seen you but I'll take your room for it. I

238
00:15:33,840 --> 00:15:36,160
Speaker 1: get a lot of people through here. Yeah, I've never

239
00:15:36,200 --> 00:15:39,720
Speaker 1: seen you either. Well, I can't on intally say if

240
00:15:39,760 --> 00:15:42,160
Speaker 1: I've seen you or not, because it's a medical to

241
00:15:42,240 --> 00:15:45,520
Speaker 1: eat you. So my recall is not what it used

242
00:15:45,560 --> 00:15:49,080
Speaker 1: to be. Just give me a room please with a bird.

243
00:15:50,600 --> 00:15:56,760
Speaker 1: No room, I mean no bird, no bird, one room,

244
00:15:57,080 --> 00:16:02,280
Speaker 1: no bird smoking? Please? Please? Is it taking a cup?

245
00:16:02,520 --> 00:16:04,920
Speaker 1: You gotta tell me if you're a cup, that's not true.

246
00:16:04,960 --> 00:16:08,000
Speaker 1: First of all, you do take your top, bar, you

247
00:16:08,120 --> 00:16:12,400
Speaker 1: gotta tell us, good girl? Okay, wait, take my top off?

248
00:16:13,240 --> 00:16:15,520
Speaker 1: If you're wired, honey, if I was a cop, I

249
00:16:15,560 --> 00:16:17,120
Speaker 1: don't think I come in here with a wire. But

250
00:16:17,200 --> 00:16:21,000
Speaker 1: here sure, Look they're happy. There's the moles on who

251
00:16:21,000 --> 00:16:25,040
Speaker 1: they was under? There also a necklace. Where's the beef?

252
00:16:25,840 --> 00:16:29,520
Speaker 1: A good girl feed her meat? Don't you want us

253
00:16:29,560 --> 00:16:32,680
Speaker 1: to put rose petals or some sort of romance on

254
00:16:32,800 --> 00:16:35,400
Speaker 1: top of the bed before y'all might love only? I

255
00:16:35,600 --> 00:16:38,560
Speaker 1: just want to keep room one twelve if it's available.

256
00:16:38,600 --> 00:16:44,920
Speaker 1: Do you want any beef? Where's the beef? Thank you? Sweethearts? Kids? Mama,

257
00:16:46,160 --> 00:16:49,200
Speaker 1: is there an issue? What's the issue? The issue? You

258
00:16:49,240 --> 00:16:53,120
Speaker 1: want your room with a side of beef the lovers special. No,

259
00:16:53,200 --> 00:16:57,840
Speaker 1: thank you? Okay, that was not hard. You gotta tell

260
00:16:57,920 --> 00:17:03,840
Speaker 1: us one room, no bird, no one room coming up?

261
00:17:04,560 --> 00:17:07,840
Speaker 1: I room, no bird, no beef coming up. You want stairs?

262
00:17:08,359 --> 00:17:10,199
Speaker 1: I want room one twelve. So that's in the first one.

263
00:17:10,240 --> 00:17:13,000
Speaker 1: That's a pretty specific room. It's where I don't love

264
00:17:13,040 --> 00:17:15,680
Speaker 1: if we have cleaned that, I don't care. I need

265
00:17:15,760 --> 00:17:18,159
Speaker 1: room one twelve. All right, Well, I'm gonna have to

266
00:17:18,200 --> 00:17:21,000
Speaker 1: accompany you to the room. Why what is going on?

267
00:17:21,040 --> 00:17:23,240
Speaker 1: I want to see you? What's in there that's so special?

268
00:17:25,119 --> 00:17:27,239
Speaker 1: Come here? Get on my How do you get how

269
00:17:27,280 --> 00:17:30,240
Speaker 1: do you? Okay, make any money here? If you harass everything,

270
00:17:30,720 --> 00:17:33,840
Speaker 1: plenty of money. Don't worry about us. We're doing great. Okay,

271
00:17:33,880 --> 00:17:37,040
Speaker 1: you don't harass every customer. Just let the room. Not

272
00:17:37,200 --> 00:17:39,639
Speaker 1: every customer comes in and tell him us his little

273
00:17:39,640 --> 00:17:43,040
Speaker 1: horse is gonna be here. She's my girlfriend. Okay, once

274
00:17:43,080 --> 00:17:46,160
Speaker 1: to your girlfriend. Yes we married, man, that's right. Yes,

275
00:17:46,960 --> 00:17:49,440
Speaker 1: somebody will write a place. But bard no beef. You

276
00:17:49,520 --> 00:17:53,320
Speaker 1: got it clean on the fro? How much is it?

277
00:17:56,040 --> 00:18:00,199
Speaker 1: Here's my here's how charge it? Mister? Money bance? Okay, up,

278
00:18:00,240 --> 00:18:06,640
Speaker 1: there's a mole on your finger too covered in moles.

279
00:18:06,720 --> 00:18:09,439
Speaker 1: Let's disgusting. You're lucky you can get a room with

280
00:18:09,480 --> 00:18:12,120
Speaker 1: the bird because birds. You gotta tell us off your

281
00:18:12,160 --> 00:18:19,720
Speaker 1: flesh charging. Thank you so much. Oh who's here? High

282
00:18:25,359 --> 00:18:30,240
Speaker 1: casey sisters are here? Oh gosh, I hope you don't mind.

283
00:18:30,240 --> 00:18:32,520
Speaker 1: We bring on Rudu. He's coming in here. It's gonna

284
00:18:32,560 --> 00:18:35,119
Speaker 1: hunting them birds if we let him out. No bird,

285
00:18:35,600 --> 00:18:40,639
Speaker 1: no birds in your room. Welcome back, honey. Why you

286
00:18:40,720 --> 00:18:45,880
Speaker 1: got kick the house offmating and too much smiking there

287
00:18:45,920 --> 00:18:51,560
Speaker 1: to slate, like to slay down. You want beef beef,

288
00:18:52,119 --> 00:18:55,840
Speaker 1: Let's get a couple of arms length beef and then

289
00:18:57,359 --> 00:19:04,960
Speaker 1: hell just do twos. Why that room is quiet? Oh lord,

290
00:19:05,119 --> 00:19:07,800
Speaker 1: I'll go take care of Timmy. Can you finish this up?

291
00:19:10,040 --> 00:19:13,359
Speaker 1: Somebody's got to walk into the room one twelve, Tammy,

292
00:19:13,920 --> 00:19:15,720
Speaker 1: I was, I was already on my way to my room.

293
00:19:15,880 --> 00:19:18,080
Speaker 1: I am not I don't trust you. Somebody's got to

294
00:19:18,119 --> 00:19:22,760
Speaker 1: see what you're doing. Okay, Well miss ma'am sir, Well,

295
00:19:22,280 --> 00:19:26,119
Speaker 1: well that was not nice. I was not nice. That

296
00:19:26,280 --> 00:19:33,000
Speaker 1: was not note is a mystery. Would you mind walking

297
00:19:33,000 --> 00:19:35,040
Speaker 1: me into my room? Please? I would love to escort

298
00:19:35,119 --> 00:19:37,520
Speaker 1: you to your room. Get your hand off my back.

299
00:19:37,680 --> 00:19:39,920
Speaker 1: I can't not touch your back if I'm showing you

300
00:19:39,920 --> 00:19:46,200
Speaker 1: where your rooms, genius. Just move it. Timmy, Timmy, Timmy,

301
00:19:46,320 --> 00:19:49,440
Speaker 1: you can't. You can't. We can't do this. I'll come on.

302
00:19:49,800 --> 00:19:52,640
Speaker 1: We can't do this. Why we can? Horse, we can

303
00:19:53,560 --> 00:19:59,119
Speaker 1: It's all about want. No, it's just Timmy. Of course

304
00:19:59,160 --> 00:20:04,639
Speaker 1: I want to. Of course I want to, just so

305
00:20:04,800 --> 00:20:10,000
Speaker 1: you know, it gets weird. Get a whole bunch of meat.

306
00:20:10,080 --> 00:20:12,679
Speaker 1: We'll just do it on a meat bed. Where's the beef?

307
00:20:13,280 --> 00:20:16,119
Speaker 1: Is that beef on? Tim? Sometimes I feel like I

308
00:20:16,160 --> 00:20:19,240
Speaker 1: feel like Polly's gonna tell him as if when do it? Oh?

309
00:20:19,320 --> 00:20:22,320
Speaker 1: I know know this bird. I don't know that many words.

310
00:20:22,320 --> 00:20:25,600
Speaker 1: I don't know five sentences. Where's the beef for? I

311
00:20:25,680 --> 00:20:27,600
Speaker 1: know what you're doing. I know what you're doing. Some

312
00:20:27,680 --> 00:20:32,320
Speaker 1: another one. Come on now, I'm coming. She knows, she

313
00:20:32,480 --> 00:20:34,760
Speaker 1: knows that we're not supposed to be the good just

314
00:20:34,800 --> 00:20:36,679
Speaker 1: a bird of beat. Yeah, she don't know everything that

315
00:20:36,680 --> 00:20:39,160
Speaker 1: a human does. No, mister bird, we brought you into

316
00:20:39,400 --> 00:20:42,760
Speaker 1: the police station for some questioning. There was a horrific,

317
00:20:42,920 --> 00:20:47,680
Speaker 1: horrific crime committed on the night of March twenty sixth,

318
00:20:47,840 --> 00:20:52,920
Speaker 1: twenty eighteen. You were the only witness. Please state your name.

319
00:20:53,560 --> 00:20:58,280
Speaker 1: Brab Oh shit, I thought this was going to go better.

320
00:21:00,240 --> 00:21:02,520
Speaker 1: Let me see, let me see, let me see. What

321
00:21:02,560 --> 00:21:07,679
Speaker 1: did you see? All right? You gotta tell us? Okay, okay,

322
00:21:07,720 --> 00:21:11,439
Speaker 1: you got it? Tell us? Okay? Now can you can

323
00:21:11,480 --> 00:21:13,080
Speaker 1: you give me a name of somebody who was in

324
00:21:13,080 --> 00:21:18,480
Speaker 1: the room? Rob? Hey, y'all, I told you this wasn't

325
00:21:18,520 --> 00:21:21,000
Speaker 1: gonna work, Terry, Rob. Where's the beef? I think it's

326
00:21:21,040 --> 00:21:22,960
Speaker 1: all helpful. Where's the bee? First of all? Tell us?

327
00:21:23,080 --> 00:21:25,720
Speaker 1: When am I gonna get them a dang bird back? Okay,

328
00:21:25,880 --> 00:21:28,439
Speaker 1: you know what we're done here. I can take my

329
00:21:28,520 --> 00:21:32,600
Speaker 1: bird now. I know what you're doing out here. Hold on,

330
00:21:32,720 --> 00:21:35,159
Speaker 1: you know who who did what? Yeah? I know what

331
00:21:35,200 --> 00:21:38,040
Speaker 1: you're doing. Specifically thought your point a finger? I mean

332
00:21:38,080 --> 00:21:42,880
Speaker 1: a hey, y'all, Chris, okay, have a good day. They

333
00:21:42,920 --> 00:21:45,280
Speaker 1: rid of the bird. You're only a couple of humans

334
00:21:45,320 --> 00:21:47,520
Speaker 1: being rude to a bird. How does that make y'all

335
00:21:47,600 --> 00:21:50,760
Speaker 1: look like a couple of dummy where'd you get this bird?

336
00:21:50,800 --> 00:21:55,959
Speaker 1: I guess this bird? You tell me the Amazon Jungle, baby,

337
00:21:56,640 --> 00:21:59,320
Speaker 1: I take it that means Amazon dot com. No, No,

338
00:21:59,400 --> 00:22:05,000
Speaker 1: I went to the jungle. Actually Amazon Jungle. Tim birds.

339
00:22:05,080 --> 00:22:08,679
Speaker 1: I see, welcome through the alas on jungle. Wow, this

340
00:22:08,760 --> 00:22:15,679
Speaker 1: is nice. So so many like this. Now, how the

341
00:22:15,720 --> 00:22:19,159
Speaker 1: process works is the bird chooses you. You don't choose

342
00:22:19,200 --> 00:22:22,639
Speaker 1: the bird. A lot of them look all right, all right,

343
00:22:22,680 --> 00:22:25,040
Speaker 1: this this is getting just freaking out. They're coming down.

344
00:22:26,400 --> 00:22:28,800
Speaker 1: You must take them all, take them off. I don't

345
00:22:28,800 --> 00:22:30,520
Speaker 1: know if I can bring these back because they're spitting

346
00:22:30,520 --> 00:22:33,240
Speaker 1: at us. I don't mind it. I don't mind it

347
00:22:33,320 --> 00:22:37,560
Speaker 1: at all. I'm gonna wait in the jeep. Pardon me,

348
00:22:39,200 --> 00:22:41,040
Speaker 1: I asked her. A smoking room on twelve used to

349
00:22:41,119 --> 00:22:45,280
Speaker 1: be smoking, and now there's no smoking sign. Well, we're

350
00:22:45,280 --> 00:22:48,560
Speaker 1: not have any smoking in this in this state anymore.

351
00:22:48,560 --> 00:22:51,000
Speaker 1: We had to change all our rooms. I didn't know that. Yeah,

352
00:22:51,320 --> 00:22:55,359
Speaker 1: it's it's a new law. You have a hickey. Oh no, no,

353
00:22:55,440 --> 00:23:02,840
Speaker 1: it's not hickey, it's it's a bed bud bite. Very well, thanks,

354
00:23:03,240 --> 00:23:06,800
Speaker 1: uh oh, where are you going back into the room?

355
00:23:06,960 --> 00:23:09,080
Speaker 1: If you're gonna smoke a cigarette, you guys smoke out sign.

356
00:23:09,200 --> 00:23:11,760
Speaker 1: It's not for me. I don't smoke. I know what

357
00:23:11,800 --> 00:23:14,760
Speaker 1: you're doing. I asked for the room with no bird.

358
00:23:15,160 --> 00:23:17,520
Speaker 1: We have to have a bird in every room. That

359
00:23:17,680 --> 00:23:22,080
Speaker 1: was not clear. Well, birds are prop back about let's

360
00:23:22,119 --> 00:23:26,280
Speaker 1: see twenty four birds and they fight with each other.

361
00:23:26,359 --> 00:23:28,800
Speaker 1: So we have that one in every room. They don't

362
00:23:28,800 --> 00:23:35,240
Speaker 1: go home. Oh what this? Okay? Oh shoot, here comes

363
00:23:35,240 --> 00:23:39,879
Speaker 1: my girl now. Oh she's pretty. Hi baby, Hi honey.

364
00:23:41,280 --> 00:23:43,840
Speaker 1: Why what's with the no smoking sign? I'm working on that.

365
00:23:43,920 --> 00:23:46,080
Speaker 1: I'm working you. Look, I get you once a year.

366
00:23:46,640 --> 00:23:49,199
Speaker 1: I like that with a back of cigarettes. I brought him.

367
00:23:49,240 --> 00:23:54,359
Speaker 1: I brought them. I brought them marble reds those away.

368
00:23:54,400 --> 00:23:57,760
Speaker 1: You can's moving? I can hold them out, can't. I good?

369
00:23:59,200 --> 00:24:02,920
Speaker 1: She works here. Maybe I've missed you, missed you so much?

370
00:24:04,200 --> 00:24:10,159
Speaker 1: Is that a wedding ring you're wearing. It's not. I

371
00:24:10,200 --> 00:24:14,440
Speaker 1: don't believe you. It's because I'm lying. It's a wedding

372
00:24:14,520 --> 00:24:20,560
Speaker 1: ring I'm wearing. I'm we did since last we saw

373
00:24:20,560 --> 00:24:25,679
Speaker 1: each other. That doesn't change our year affair. No, it

374
00:24:25,680 --> 00:24:29,560
Speaker 1: does for me. Why you you have a whole life

375
00:24:29,600 --> 00:24:32,560
Speaker 1: without me? Isn't me? Once a year? That was the

376
00:24:32,560 --> 00:24:35,959
Speaker 1: way I liked it. I can still be that way.

377
00:24:36,160 --> 00:24:37,639
Speaker 1: But now I know you're with someone else that you

378
00:24:37,680 --> 00:24:41,119
Speaker 1: feel weird. We broke up. Oh okay, come on in

379
00:24:41,119 --> 00:24:48,400
Speaker 1: the room. Thanks smoky, Jesus Christ, Baby, keeping you keep

380
00:24:48,400 --> 00:24:54,680
Speaker 1: any address? Okay, yes, complimentary beef, blatant champagne. Where's the beef?

381
00:24:54,760 --> 00:24:59,080
Speaker 1: I ordered no beef. I understand complimentary beef playing. Where's

382
00:24:59,119 --> 00:25:01,800
Speaker 1: the beef? What's a bird doing in here? I also

383
00:25:01,880 --> 00:25:04,200
Speaker 1: ordered no bird. We got to put this other bird

384
00:25:04,240 --> 00:25:10,159
Speaker 1: in here. Careful, separate and they will fight. Jesus, they're attacking.

385
00:25:10,520 --> 00:25:15,200
Speaker 1: I gotta get out of you. Oh god, oh god,

386
00:25:16,440 --> 00:25:20,080
Speaker 1: no he comes dogs. Now? Can I shut this door?

387
00:25:20,560 --> 00:25:25,720
Speaker 1: I think you're out of eyes. They're just strong maybe maybe, Okay,

388
00:25:26,720 --> 00:25:29,600
Speaker 1: my eyes are pretty bloody. You don't they're out of

389
00:25:29,600 --> 00:25:35,320
Speaker 1: your socket. No, Oh, are you kidding me? Darling? I

390
00:25:35,359 --> 00:25:38,160
Speaker 1: know you're in there. Just open the door. Honey. We've

391
00:25:38,200 --> 00:25:40,520
Speaker 1: been married for less than a year. I can't believe

392
00:25:40,560 --> 00:25:44,480
Speaker 1: I found you here. This is your husband? Yes, no,

393
00:25:45,560 --> 00:25:51,280
Speaker 1: come on, honey, just old What the you hate birds?

394
00:25:52,640 --> 00:25:56,960
Speaker 1: You wouldn't let us get a bird? The dry balls out? Honey.

395
00:25:58,240 --> 00:26:01,679
Speaker 1: I'm not having a great day. I see I see you.

396
00:26:01,800 --> 00:26:04,680
Speaker 1: I can't believe you can't let me call nine one one?

397
00:26:04,800 --> 00:26:08,439
Speaker 1: Thank you? Hold on? Who's this guy? Who's an old friend?

398
00:26:08,720 --> 00:26:12,920
Speaker 1: I'm just what's the name, Just a friend, just a friend.

399
00:26:13,480 --> 00:26:22,560
Speaker 1: German that's right. This is fucked up. Can somebody help me?

400
00:26:24,040 --> 00:26:26,440
Speaker 1: Hold on, honey, they're on their way. I knew something

401
00:26:26,520 --> 00:26:29,840
Speaker 1: was fish from one twelve. Your birds? What? What? Or what?

402
00:26:30,280 --> 00:26:32,840
Speaker 1: You don't know you got more than two guests in here. No,

403
00:26:32,920 --> 00:26:35,720
Speaker 1: he just showed up. Oh yeah, just showed up. They

404
00:26:35,760 --> 00:26:41,320
Speaker 1: always just should. Problem. You're let the birds hang out together.

405
00:26:41,640 --> 00:26:44,560
Speaker 1: I know what you're doing. Somebody's got to put that

406
00:26:44,600 --> 00:26:47,560
Speaker 1: girl's ice back in her head. That's a big problem.

407
00:26:47,600 --> 00:26:50,960
Speaker 1: We got on our hands. We also got snigger. What

408
00:26:53,640 --> 00:26:56,840
Speaker 1: no smoking in your genius, We didn't smoke. Got your

409
00:26:56,880 --> 00:26:59,800
Speaker 1: little horse eyes. Believe my girlfriend, she also happens to

410
00:26:59,840 --> 00:27:01,440
Speaker 1: be a married will be now and she has no eyes.

411
00:27:01,600 --> 00:27:08,080
Speaker 1: I'm here. I'll put it back in your hand. They're

412
00:27:08,119 --> 00:27:12,480
Speaker 1: clean hands. I wash my hand. You got a hickey,

413
00:27:12,600 --> 00:27:17,880
Speaker 1: it's a bite. Okay. See, I guess we just wait

414
00:27:18,040 --> 00:27:20,960
Speaker 1: from the mom No, no, we don't just wait. No.

415
00:27:21,080 --> 00:27:22,920
Speaker 1: I use this moment to say something I've been meaning

416
00:27:22,920 --> 00:27:25,800
Speaker 1: to say to all of them. Everybody here. You've ruined.

417
00:27:26,000 --> 00:27:30,000
Speaker 1: You've got a little bigger and you know, don't get

418
00:27:30,040 --> 00:27:35,600
Speaker 1: your hands off of me. You the one special day

419
00:27:35,640 --> 00:27:41,679
Speaker 1: of the year I I look forward to I'm gonna

420
00:27:41,720 --> 00:27:54,280
Speaker 1: place this pillow over your head darkly. Everybody just shut up. Hey,

421
00:27:55,440 --> 00:27:58,359
Speaker 1: I did love her, but with those eyes out, I

422
00:27:58,440 --> 00:28:01,880
Speaker 1: put one of them back in. If the cops come

423
00:28:01,960 --> 00:28:05,600
Speaker 1: this dead body, it's only one of heart worries because

424
00:28:05,640 --> 00:28:09,240
Speaker 1: there's a bird code this state that we've been flagrantly breaking,

425
00:28:10,119 --> 00:28:13,600
Speaker 1: and there's a beef code. I could take a couple

426
00:28:13,600 --> 00:28:16,040
Speaker 1: of the birds. But she probably also think your dead wife. Yeah,

427
00:28:16,080 --> 00:28:19,679
Speaker 1: yeah right, they show us. I feel real bad about that.

428
00:28:20,119 --> 00:28:23,760
Speaker 1: This is a hickey from my from my sisters. All right,

429
00:28:23,800 --> 00:28:34,040
Speaker 1: police are here, Police are here. You answer some questions

430
00:28:34,960 --> 00:28:45,200
Speaker 1: my gun, and just up the road, apiece, don't you know?

431
00:28:46,240 --> 00:28:50,880
Speaker 1: San Diego Way, A honeymoon couple have somehow ventured out

432
00:28:50,880 --> 00:28:54,200
Speaker 1: of their hotel room. Finally, they stroll along the boardwalk,

433
00:28:54,280 --> 00:28:57,400
Speaker 1: discussing their wedding reception from a few days ago. Eventually,

434
00:28:57,960 --> 00:29:00,800
Speaker 1: they stop at several vendors along this time, book selling art,

435
00:29:00,840 --> 00:29:07,360
Speaker 1: homemade food and grafted items, books. Music. No, I'm serious,

436
00:29:07,400 --> 00:29:09,640
Speaker 1: you look more fautiful than you've ever booked. No, you

437
00:29:09,640 --> 00:29:12,720
Speaker 1: look more handsome than you look at me. Cher let

438
00:29:12,720 --> 00:29:15,080
Speaker 1: me I swear to God like I'm not kidding you

439
00:29:15,120 --> 00:29:16,880
Speaker 1: like this morning, you look like beautiful and right now

440
00:29:16,920 --> 00:29:20,880
Speaker 1: you look more beautiful you've ever looked. God, Mikey, it's

441
00:29:20,920 --> 00:29:23,000
Speaker 1: the San Diego Son. I swear to God, it's the

442
00:29:23,040 --> 00:29:26,000
Speaker 1: San Diego Son. I think it's wherever you walk. Oh

443
00:29:26,040 --> 00:29:38,360
Speaker 1: my god, key snow cos yes, yes, good man, you can.

444
00:29:39,520 --> 00:29:43,960
Speaker 1: We would love. It's okay, we would love, darling. What

445
00:29:44,080 --> 00:29:47,040
Speaker 1: flavor would you like? What flavor? The two flavors you've

446
00:29:47,040 --> 00:29:52,840
Speaker 1: got orange and diet. I guess we'll have two oranges.

447
00:29:53,160 --> 00:29:55,960
Speaker 1: Did you hear how she said that two oranges? She's

448
00:29:56,080 --> 00:30:00,920
Speaker 1: a poet everywhere. Four oranges just too just too us too,

449
00:30:01,720 --> 00:30:08,440
Speaker 1: that's missus. Mendelssohn to you. Gotta give you this syrup, okay,

450
00:30:09,080 --> 00:30:11,920
Speaker 1: just syrup in a little cup. Hot, it's hotful, Well past,

451
00:30:11,960 --> 00:30:15,240
Speaker 1: we'll past. Thank you, thank you, thank you. It's like

452
00:30:15,320 --> 00:30:17,480
Speaker 1: even in those moments you make these decisions baby that

453
00:30:17,640 --> 00:30:21,480
Speaker 1: like I just follow my gut. You have the best cut.

454
00:30:21,280 --> 00:30:23,840
Speaker 1: You know what, when I saw your dad dancing on

455
00:30:23,880 --> 00:30:25,800
Speaker 1: the dance floor, I had this glimpse of what our

456
00:30:25,840 --> 00:30:28,240
Speaker 1: future is going to be. And I'm still going to

457
00:30:28,320 --> 00:30:31,360
Speaker 1: be really into you. Want I want. I want to

458
00:30:31,360 --> 00:30:34,800
Speaker 1: be a dad. By the way, hither folks, would you

459
00:30:34,880 --> 00:30:41,320
Speaker 1: like your beloved's name and grave gran of rice? Yeah? Yeah, yeah,

460
00:30:41,720 --> 00:30:55,240
Speaker 1: really yeah, absolutely, that's amazing. Wow. So okay, Mikey, can

461
00:30:55,280 --> 00:30:58,160
Speaker 1: we just say mike or I'd like you to know

462
00:30:58,360 --> 00:31:00,680
Speaker 1: his given name is Mikey. What about just an m

463
00:31:01,200 --> 00:31:08,320
Speaker 1: I mean, oh man, Okay. Nobody said yes before I

464
00:31:08,360 --> 00:31:12,200
Speaker 1: have all these grains of rice, these carving tools. No, no,

465
00:31:12,200 --> 00:31:14,440
Speaker 1: no no, we said we'd do it like go on

466
00:31:14,520 --> 00:31:19,120
Speaker 1: my wrist, sir, stay here, you stay here, you're Mikey,

467
00:31:20,000 --> 00:31:23,960
Speaker 1: Mikey okay, m y k y, all right, okay, I've

468
00:31:23,960 --> 00:31:28,280
Speaker 1: already cut this grain of rice in half. I was

469
00:31:28,320 --> 00:31:29,960
Speaker 1: trained for this, it was it was about three years

470
00:31:30,000 --> 00:31:33,000
Speaker 1: ago though, so it's we're newlyweds. So oh, you could

471
00:31:33,040 --> 00:31:38,480
Speaker 1: just do one this as newlyweds or our wedding dates. Jesus, Jesus,

472
00:31:38,520 --> 00:31:42,640
Speaker 1: that's long. What was your wedding date? It was March

473
00:31:42,760 --> 00:31:47,960
Speaker 1: twenty six, twenty eighteen, only the best date I've three

474
00:31:48,400 --> 00:31:51,560
Speaker 1: six eighteen. Can we do it without the slashes or

475
00:31:51,680 --> 00:31:53,040
Speaker 1: do you think you would be clear if it was

476
00:31:53,120 --> 00:31:54,600
Speaker 1: just then? I don't. I think it would look sort

477
00:31:54,600 --> 00:31:57,680
Speaker 1: of bad without the hyphens, because it could look like

478
00:31:57,720 --> 00:32:01,280
Speaker 1: a cereal maker, taste maker, hyphens, that's what they're called.

479
00:32:01,280 --> 00:32:05,640
Speaker 1: Do you want to sure? Sure? It is twenty two

480
00:32:05,640 --> 00:32:10,040
Speaker 1: thousand followers. Oh wow, Yeah, that's done. I'm married up.

481
00:32:10,600 --> 00:32:14,520
Speaker 1: I'm married up for sure. We'll see what we can

482
00:32:14,560 --> 00:32:16,080
Speaker 1: do about that. I just want to be clear. It's

483
00:32:16,080 --> 00:32:19,400
Speaker 1: a grain of rice. It's just really small. I mean,

484
00:32:19,920 --> 00:32:22,480
Speaker 1: there's like the guy across the way has you can

485
00:32:22,480 --> 00:32:25,800
Speaker 1: get a photo taken, and you know, let's go do that. Okay,

486
00:32:25,960 --> 00:32:28,840
Speaker 1: thank thank god. Hold on, before we go any further.

487
00:32:30,440 --> 00:32:35,040
Speaker 1: I am. I need to tell you when you were

488
00:32:36,080 --> 00:32:40,320
Speaker 1: when you threw the bouquet the other night. Your arms

489
00:32:40,320 --> 00:32:41,680
Speaker 1: went up into the air and it was like you

490
00:32:41,760 --> 00:32:44,640
Speaker 1: were in like slow motion. And as your hands were

491
00:32:44,680 --> 00:32:46,600
Speaker 1: right above your head, I looked at you and I

492
00:32:46,720 --> 00:32:51,920
Speaker 1: was like, she's reaching for the heavens. And and then

493
00:32:51,920 --> 00:32:56,600
Speaker 1: I reached for the heavens. Do you know what I got? You? Sure,

494
00:32:59,080 --> 00:33:09,040
Speaker 1: let's get her. Let's our pictures taken? Oh? Hi, hey, hi,

495
00:33:11,600 --> 00:33:16,120
Speaker 1: so we could do a photograph. Where's your camera? Well,

496
00:33:16,160 --> 00:33:20,120
Speaker 1: here's the thing. It's not so it's how about we

497
00:33:20,200 --> 00:33:25,840
Speaker 1: do a picture that I draw? Why do you have

498
00:33:26,000 --> 00:33:29,360
Speaker 1: cats in your pocket? It's a cat it's one cat

499
00:33:29,440 --> 00:33:33,479
Speaker 1: in my pocket, miikey. No, no, no, no, no. I

500
00:33:33,600 --> 00:33:37,520
Speaker 1: usually do photographs. I'm great photographer. But today I've got

501
00:33:37,600 --> 00:33:43,320
Speaker 1: a special changing. What. No, what's happening to you? What

502
00:33:45,240 --> 00:33:49,080
Speaker 1: there's more than one cat in your pocket. There's two cats.

503
00:33:49,120 --> 00:33:51,920
Speaker 1: There's two cats. I lied. Your eyes are becoming bloodshot

504
00:33:52,000 --> 00:33:54,680
Speaker 1: right before very eyes. I'm just a little nervous. It's

505
00:33:54,680 --> 00:33:57,480
Speaker 1: just a little nervous. What's happening. Listen, Just sit down

506
00:33:57,480 --> 00:34:01,560
Speaker 1: really quick, quick, quick, quick. Okay, we're sitting. Okay, act

507
00:34:01,560 --> 00:34:04,040
Speaker 1: like you're getting your pictures drawn. What just do it?

508
00:34:04,120 --> 00:34:09,359
Speaker 1: Smile baby? Good? Wait? Wait? Why did you get freaked

509
00:34:09,360 --> 00:34:11,239
Speaker 1: out on that cop walk by? I'm not freaked out.

510
00:34:11,800 --> 00:34:20,200
Speaker 1: Just sit there are we accessories of officers. I'm not

511
00:34:20,239 --> 00:34:23,200
Speaker 1: a bit you your husband, I know she said that.

512
00:34:24,040 --> 00:34:26,359
Speaker 1: Somebody call me. No no, no, no no, no, no, no,

513
00:34:26,360 --> 00:34:28,920
Speaker 1: no no no no over here, officer. Hi, Hello, Hi,

514
00:34:29,040 --> 00:34:33,960
Speaker 1: we we just got married. Thank you, thank you. Let

515
00:34:34,040 --> 00:34:37,640
Speaker 1: the cat. Yes, where's a good cat? Cannot be on

516
00:34:37,680 --> 00:34:41,919
Speaker 1: the boardwalk. I don't have any cat. There's no cats

517
00:34:41,960 --> 00:34:44,800
Speaker 1: in pockets. All right, all right, I'm gonna go on

518
00:34:44,920 --> 00:34:49,360
Speaker 1: break all right, I'm gonna go on. Yeah, you didn't

519
00:34:49,400 --> 00:34:54,000
Speaker 1: fix the cat thing. Manu, it's it's union break. He

520
00:34:54,000 --> 00:34:57,160
Speaker 1: should take a break. He looks tired. Look, no cats

521
00:34:57,160 --> 00:34:59,440
Speaker 1: could be on the boardwalker. I agree. That's that's what

522
00:34:59,480 --> 00:35:01,920
Speaker 1: we're saying. I was asking us to take a picture

523
00:35:01,960 --> 00:35:03,800
Speaker 1: and then he was pushing us. And there's cats. And

524
00:35:04,000 --> 00:35:07,000
Speaker 1: he called me a bitch, called me a husband a bit. Look,

525
00:35:07,000 --> 00:35:09,280
Speaker 1: and there's cats on the borderwalk. It's a death penalty

526
00:35:09,280 --> 00:35:12,040
Speaker 1: to saying diego all right, Okay, that's what we're saying. Listen,

527
00:35:12,120 --> 00:35:17,719
Speaker 1: my my wife, who I love? What baby? Okay, there

528
00:35:17,760 --> 00:35:23,600
Speaker 1: are Mikeyay, this right, Mikey, this right, Mikey, there are

529
00:35:23,600 --> 00:35:26,200
Speaker 1: no cats. You have a good a good break, officer.

530
00:35:26,440 --> 00:35:29,520
Speaker 1: I gotta take this break, all right. Maybe this is

531
00:35:29,520 --> 00:35:34,799
Speaker 1: an important issue. We're both gonna die one day. What

532
00:35:35,160 --> 00:35:37,359
Speaker 1: I know you don't. I know you don't believe that,

533
00:35:37,440 --> 00:35:40,840
Speaker 1: and like I love that about you. But like one day,

534
00:35:41,200 --> 00:35:44,160
Speaker 1: I've got it. I got it. I did it. I

535
00:35:44,239 --> 00:35:50,799
Speaker 1: did it, Mike Keimondlson three twenty six eighteen. Oh, oh,

536
00:35:50,960 --> 00:35:54,000
Speaker 1: I did it? Where is it? Wait? Where I had it?

537
00:35:54,360 --> 00:35:57,279
Speaker 1: I think it fell out over there? Okay, okay, don't wait,

538
00:35:57,280 --> 00:36:00,560
Speaker 1: there are pelicans. You guys, get a wait by pelicans,

539
00:36:01,120 --> 00:36:05,319
Speaker 1: get away, sons of bitches. Oh they love rice, they

540
00:36:05,400 --> 00:36:12,360
Speaker 1: love rice, these pelicans. Oh god, my hand from the Amazon.

541
00:36:13,520 --> 00:36:15,839
Speaker 1: All right, you guys were moving around quite a bit.

542
00:36:15,920 --> 00:36:18,399
Speaker 1: So this picture is a little squiggly. We don't want it, sir.

543
00:36:18,760 --> 00:36:21,239
Speaker 1: It looks just like me. No, it was these two

544
00:36:21,560 --> 00:36:24,319
Speaker 1: two people's two people. It does kind of look like him.

545
00:36:24,360 --> 00:36:27,000
Speaker 1: It's weird. It looks just like him. Most of you too,

546
00:36:27,280 --> 00:36:29,799
Speaker 1: And you owe me for this character. No, it's him

547
00:36:29,920 --> 00:36:32,759
Speaker 1: and a grain of rice. It's a character of you guys.

548
00:36:33,200 --> 00:36:35,040
Speaker 1: So which one of us is the rice? What are

549
00:36:35,040 --> 00:36:36,960
Speaker 1: you talking about? One of them is a piece of rice,

550
00:36:36,960 --> 00:36:41,040
Speaker 1: and one of them is him. Picture. You are this nice, slender, thin,

551
00:36:41,840 --> 00:36:46,960
Speaker 1: straight guy, and you're the squiggly guy. Oh I'm the rice.

552
00:36:47,560 --> 00:36:51,840
Speaker 1: No it's you, it's not rice. How much twenty dollars dollars?

553
00:36:52,120 --> 00:36:55,879
Speaker 1: Twenty dollars. Okay, we will die, Thank you to die

554
00:36:56,760 --> 00:36:59,040
Speaker 1: in our vowels. You probably still love me forever and

555
00:36:59,120 --> 00:37:01,120
Speaker 1: forever it is eternal and forever doesn't have a death.

556
00:37:01,200 --> 00:37:03,239
Speaker 1: Can we work on a payment planned business? It's been

557
00:37:03,239 --> 00:37:05,440
Speaker 1: a little slow. And if you don't believe in death,

558
00:37:05,520 --> 00:37:09,000
Speaker 1: you never die This painting is not for you. This

559
00:37:09,160 --> 00:37:11,560
Speaker 1: is them. You can't have it. We don't want it.

560
00:37:12,440 --> 00:37:14,520
Speaker 1: I want I'll give you twenty bucks for it. I'm

561
00:37:14,520 --> 00:37:20,080
Speaker 1: just gonna tear it up. Oh no, I don't want

562
00:37:20,080 --> 00:37:24,479
Speaker 1: to keep fighting. This actually said even fighting to discussions. Fight. Okay,

563
00:37:24,640 --> 00:37:26,319
Speaker 1: why did you call it a fight? I didn't know.

564
00:37:28,080 --> 00:37:35,880
Speaker 1: Now we're fighting. We're fightingposas. Okay, san Diego. Let me

565
00:37:35,960 --> 00:37:43,640
Speaker 1: to rule my girl. Those those those papoosas you'll say,

566
00:37:44,760 --> 00:37:51,400
Speaker 1: oh really, two tow yes, okay, okay? And can we

567
00:37:51,440 --> 00:37:55,200
Speaker 1: have a veggie and a chicken? Veggie and the chicken okay,

568
00:37:55,760 --> 00:37:58,640
Speaker 1: keeps me healthy. She keeps me healthy. That's that. Okay. Well,

569
00:37:58,680 --> 00:38:03,160
Speaker 1: first I'm going to have to the oh all right,

570
00:38:03,480 --> 00:38:09,520
Speaker 1: the tortilla like thing. It's not a tortilla because yes, okay,

571
00:38:09,600 --> 00:38:12,200
Speaker 1: let me work on it. Nobody's ever ordered one before.

572
00:38:12,400 --> 00:38:16,320
Speaker 1: So okay, San Diego, this is gonna be weird, Cheryl.

573
00:38:17,120 --> 00:38:21,239
Speaker 1: But I did a little something, Mikey. I did a

574
00:38:21,239 --> 00:38:23,719
Speaker 1: little tiny thing. Did you do a Mikey, did you

575
00:38:23,719 --> 00:38:30,840
Speaker 1: pull a little thing? Cheryl? We're here to say days, no,

576
00:38:30,960 --> 00:38:38,800
Speaker 1: thank you, I love you and we wanted you. Okay,

577
00:38:38,840 --> 00:38:49,640
Speaker 1: And sweet gloves make gloves. We all loved you. At

578
00:38:49,640 --> 00:38:55,040
Speaker 1: some point, Cheryl hit it out one of you. Let

579
00:38:55,040 --> 00:38:56,680
Speaker 1: me know if you want the coltala and the hot

580
00:38:56,719 --> 00:39:02,760
Speaker 1: sauce on it, because Jesus. Now, Roger's got his personal

581
00:39:02,840 --> 00:39:05,160
Speaker 1: verse about the first time you guys met. When I

582
00:39:05,200 --> 00:39:09,040
Speaker 1: saw your feet, I thought to myself, how many how

583
00:39:10,360 --> 00:39:12,920
Speaker 1: I like your long toes in the way they hooked

584
00:39:13,040 --> 00:39:17,160
Speaker 1: on the ground, the ground, let the way your knees

585
00:39:17,440 --> 00:39:23,239
Speaker 1: slap the round town round. But I love you more

586
00:39:23,320 --> 00:39:25,560
Speaker 1: than I know, and I want you to leave your

587
00:39:25,640 --> 00:39:34,120
Speaker 1: husband forever. Me go to you right here in sand

588
00:39:34,120 --> 00:39:40,040
Speaker 1: diego to you, all right, Tyler take it away? There

589
00:39:40,120 --> 00:39:44,960
Speaker 1: you go, all right, Tyler's got a We're almost done

590
00:39:45,120 --> 00:39:49,080
Speaker 1: always men have loved you, baby. This feels aggressive all

591
00:39:49,080 --> 00:39:51,319
Speaker 1: my axes, but you haven't. You haven't heard. This is

592
00:39:51,360 --> 00:39:54,120
Speaker 1: more like a taco I hope that's cool. It's not

593
00:39:54,239 --> 00:39:57,799
Speaker 1: even quite like a tailcoat. This is just some ingredients soft.

594
00:39:57,920 --> 00:40:00,960
Speaker 1: It's a piece of bread with some and hot sauce.

595
00:40:01,360 --> 00:40:03,840
Speaker 1: You so much, babe? Can I at least sing you

596
00:40:03,880 --> 00:40:12,280
Speaker 1: my verse? Okay? So many men have been inside you.

597
00:40:12,960 --> 00:40:20,200
Speaker 1: Excite you? Okay, so many men excite you? Excited? Nothing

598
00:40:20,280 --> 00:40:27,319
Speaker 1: wrong with that. You chose me, and I feel good.

599
00:40:27,480 --> 00:40:35,200
Speaker 1: We're gonna live. We're gonna never die. We're gonna live forever. Baby,

600
00:40:35,200 --> 00:40:42,239
Speaker 1: But they're gonna wait. Okay, okay, I tried my best

601
00:40:42,280 --> 00:40:46,719
Speaker 1: to make a good papoosa. Put the gun down, Nick Love,

602
00:40:50,000 --> 00:40:54,160
Speaker 1: I did it. I did it. Oh yes, Oh check

603
00:40:54,200 --> 00:40:57,960
Speaker 1: out my handiwork. And I've got this greater Rice right

604
00:40:58,000 --> 00:41:05,839
Speaker 1: between these tweezers. Wait, it's a cat man. Yeah, yeah,

605
00:41:06,160 --> 00:41:09,520
Speaker 1: it's for you guys. C A T M A N.

606
00:41:09,760 --> 00:41:13,680
Speaker 1: Wait a second, I'm cat man. No, this is for them. No,

607
00:41:13,719 --> 00:41:16,680
Speaker 1: but but give me that. No. They asked to have

608
00:41:16,719 --> 00:41:21,800
Speaker 1: their name and grave to preserve their honeymoon. Man, everyone

609
00:41:21,840 --> 00:41:25,000
Speaker 1: on this boardwalks doors. I'm cat man. He's got cats

610
00:41:25,000 --> 00:41:28,360
Speaker 1: in his pocket. Yeah, but he denies it. Well, not

611
00:41:28,840 --> 00:41:34,000
Speaker 1: only when cops are round. And Rice guy gonna make

612
00:41:34,200 --> 00:41:40,760
Speaker 1: love to you. Cat man gonna make love to you.

613
00:41:41,000 --> 00:41:44,040
Speaker 1: I think. Maybe thank you, bab your dad gave it

614
00:41:44,080 --> 00:41:50,600
Speaker 1: to me. Hey, happy happy, happy marriage, happy marriage forever.

615
00:41:51,320 --> 00:41:55,040
Speaker 1: Maybe not, maybe you bring him the FuG me Roger.

616
00:41:55,120 --> 00:42:02,279
Speaker 1: All right, I'm not gonna I'm over Roger. Oh yes,

617
00:42:04,000 --> 00:42:09,480
Speaker 1: say it ain't so. Another wonderful episode of Alchemy this. Hmmm,

618
00:42:10,520 --> 00:42:13,759
Speaker 1: let's go around and thank our alchemists and see what's

619
00:42:13,800 --> 00:42:16,760
Speaker 1: going on in their neck of the word. James Heeny,

620
00:42:17,080 --> 00:42:19,640
Speaker 1: that's me. Talk to me, Pappy. Oh jeez, I keep

621
00:42:19,719 --> 00:42:23,120
Speaker 1: I'm just keeping on keeping on doing that YouTube thing.

622
00:42:24,360 --> 00:42:27,120
Speaker 1: And how are the T shirts coming along? Well I

623
00:42:27,239 --> 00:42:31,560
Speaker 1: haven't printed them, weird, but I'm still accepting money for it. Right. Well,

624
00:42:31,560 --> 00:42:35,239
Speaker 1: that's the that's the American way. Nice work. So check

625
00:42:35,280 --> 00:42:37,600
Speaker 1: you out on the YouTube. Yep, the real James Heini.

626
00:42:37,800 --> 00:42:40,799
Speaker 1: Oh nicely done, Venet. You had a hell of a

627
00:42:40,840 --> 00:42:43,840
Speaker 1: week a week oh my coming out for air. We

628
00:42:43,880 --> 00:42:46,960
Speaker 1: had Adam Sandler a Dynasty typewriter for four nights and

629
00:42:46,960 --> 00:42:53,080
Speaker 1: it was so dreamy shot for a Netflix a special. Yeah,

630
00:42:53,120 --> 00:42:55,040
Speaker 1: it was a dream and we've got so much other

631
00:42:55,480 --> 00:42:57,680
Speaker 1: wonderful things on the schedule. You can check it out

632
00:42:57,680 --> 00:43:00,759
Speaker 1: at Dynasty Typewriter dot com. Oh so very exciting. It's

633
00:43:00,800 --> 00:43:02,680
Speaker 1: one of the great theaters in Los Angeles. And thank

634
00:43:02,680 --> 00:43:04,920
Speaker 1: you for all that you and Jamie Flamm do anytime.

635
00:43:04,920 --> 00:43:08,560
Speaker 1: Thank you for your support. Alright, Joey Greer Halla, what

636
00:43:08,640 --> 00:43:10,759
Speaker 1: the hell? Check me out a Westside comedy theater. Bear

637
00:43:10,800 --> 00:43:15,880
Speaker 1: supply pretty pretty pony with these motherfuckers check it out. Okay,

638
00:43:15,880 --> 00:43:19,399
Speaker 1: people don't know where you're pointing. I mean, that's eater

639
00:43:19,440 --> 00:43:22,040
Speaker 1: of the mind, right, that's what I'm trying to help.

640
00:43:24,640 --> 00:43:27,680
Speaker 1: Who are the motherfuckers in question? Hone? That mind man

641
00:43:27,800 --> 00:43:32,359
Speaker 1: seemed like you were pointing it, Chris, Okay, cool, cool?

642
00:43:32,640 --> 00:43:35,600
Speaker 1: When is the next Pretty Pony by the first Monday

643
00:43:35,320 --> 00:43:38,960
Speaker 1: every month? Nicely done? And then Bear Supply second and

644
00:43:39,000 --> 00:43:42,600
Speaker 1: fourth Wednesday at nine west Side Comedy dot com is

645
00:43:42,640 --> 00:43:48,120
Speaker 1: the calendar and I'm in that, James that the Bear Supply.

646
00:43:49,080 --> 00:43:56,200
Speaker 1: It's gonna make Oh the RAPHI yell yeah, we'll get

647
00:43:56,239 --> 00:43:59,839
Speaker 1: to him. Craig Kokowski at Kowski on Twitter. Also, it's

648
00:43:59,840 --> 00:44:05,640
Speaker 1: in the craigs List podcast with this guy definitely bunny

649
00:44:05,680 --> 00:44:09,120
Speaker 1: at himself. Not about selling your old ship, it's about movies. Nice.

650
00:44:10,040 --> 00:44:13,880
Speaker 1: That's good news because they did some made some changes

651
00:44:13,920 --> 00:44:16,279
Speaker 1: to the other craigs List. That's right. I've been no

652
00:44:16,400 --> 00:44:19,600
Speaker 1: changes to mine. None, just my one hundred favorite movies. Sure,

653
00:44:19,640 --> 00:44:23,560
Speaker 1: none of which star Adam Sam. Do you remember number seventeen? Sure?

654
00:44:24,120 --> 00:44:28,200
Speaker 1: I believe it's The Apartment correct. Oh, how did you

655
00:44:28,239 --> 00:44:32,040
Speaker 1: get that? Son of a bitch? You're not wrong. Let's

656
00:44:32,080 --> 00:44:34,480
Speaker 1: slide on over to Chris Alvarado. Yeah, I'm jump on

657
00:44:34,960 --> 00:44:38,720
Speaker 1: Joey's back. That's right cool, Yeah, just on Wesley Comedy

658
00:44:38,920 --> 00:44:40,879
Speaker 1: dot Com. Actually, I performed there a lot. I teach

659
00:44:40,920 --> 00:44:42,440
Speaker 1: there at Bartender There. We a lot of us spend

660
00:44:42,440 --> 00:44:45,040
Speaker 1: our time there. It's a great place. It is truly love.

661
00:44:45,840 --> 00:44:48,879
Speaker 1: I hope that you don't miss this opportunity. We don't

662
00:44:48,880 --> 00:44:50,440
Speaker 1: know when this is, what the air date is, I

663
00:44:50,520 --> 00:44:52,760
Speaker 1: don't but you know, you had a little something special

664
00:44:52,800 --> 00:44:55,680
Speaker 1: and I would like to congratulate you on that on

665
00:44:55,719 --> 00:45:00,160
Speaker 1: your you're a damn fine fella. I mean, that's really

666
00:45:00,200 --> 00:45:04,800
Speaker 1: awesome and we love you. Season twenty nine, episode thirteen.

667
00:45:04,920 --> 00:45:07,239
Speaker 1: If you want to go through the arch of over

668
00:45:07,320 --> 00:45:09,920
Speaker 1: six hundred shows, one of them I was. I've been

669
00:45:09,960 --> 00:45:12,920
Speaker 1: starting from the beginning, so I'll get yeah, yeah, I've heard,

670
00:45:13,000 --> 00:45:15,959
Speaker 1: it's good. Please be seated. Let's go around and thank

671
00:45:15,960 --> 00:45:26,120
Speaker 1: you Raphael. Yeah, that's it. And Doug Bame our engineer.

672
00:45:27,400 --> 00:45:31,400
Speaker 1: Love him. So all the folks at how Stuff Works,

673
00:45:31,440 --> 00:45:34,600
Speaker 1: the wonderful network that's allowed us into the studio yet again,

674
00:45:35,680 --> 00:45:39,319
Speaker 1: jokes on them, I think, all right right to us,

675
00:45:39,320 --> 00:45:43,880
Speaker 1: won't you please at your name here at Alchemy This

676
00:45:44,040 --> 00:45:47,920
Speaker 1: dot com. Your name here at alchemy this dot com.

677
00:45:47,960 --> 00:45:51,440
Speaker 1: We love to hear from you. Subscribe, write a review,

678
00:45:51,520 --> 00:45:53,799
Speaker 1: damn it, let people know. Tell everyone you've ever met.

679
00:45:53,800 --> 00:45:56,040
Speaker 1: That's all we're asking. I don't think it's too much.

680
00:45:58,000 --> 00:45:59,879
Speaker 1: We love you so and we'll see you next time.

681
00:46:00,360 --> 00:46:04,440
Speaker 1: Until then, An is always Alchemy as