WEBVTT - From the Vault: Dinner with King Tut, with Sam Kean

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<v Speaker 1>Hey, Welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb. It is Saturday, so we got a

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<v Speaker 1>vault episode for you here. This is going to be

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<v Speaker 1>my interview from seven three, twenty twenty five with author

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<v Speaker 1>Sam Keen about the book Dinner with King Tut full

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<v Speaker 1>title Dinner with King Tut How rogue archaeologist are recreating

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<v Speaker 1>the site sound, smells and Tastes of Lost Civilizations. Really

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<v Speaker 1>cool book. I keep seeing this one at bookstores and

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<v Speaker 1>I always have to point out to my family. I'm like, hey, hey,

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<v Speaker 1>I chatted with that person. I do this with any

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<v Speaker 1>book that I see in bookstores where I've interviewed the author.

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<v Speaker 1>It probably gets a little annoying, but I still I

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<v Speaker 1>love these conversations that I get to have with folks,

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<v Speaker 1>and this one was a lot of fun. So let's

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<v Speaker 1>jump right in.

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<v Speaker 2>Welcome to Stuff to Blow Your Mind, the production of iHeartRadio.

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb, and on today's episode, I'm going to

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<v Speaker 1>be talking with author Sam King whose new book Dinner

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<v Speaker 1>with King Tut, How rogue archaeologist are recreating the site sounds, smells,

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<v Speaker 1>and tastes of Lost Civilizations is going to be out

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<v Speaker 1>July eighth. This is a terrific book and I really

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<v Speaker 1>enjoyed chatting with Sam here about it. So let's go

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<v Speaker 1>ahead and jump right into the interview. Hi, Sam, Welcome

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<v Speaker 1>to the show.

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<v Speaker 2>Hi thanks for having me.

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<v Speaker 1>So the new book is Dinner with King Tut How

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<v Speaker 1>rogue archaeologist are recreating the site, sounds, smells, and tastes

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<v Speaker 1>of Lost Civilizations. This deals with the topic that I've

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<v Speaker 1>found quite exciting for a while now, but I didn't

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<v Speaker 1>realize we had a specific name for it, experimental archaeology.

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<v Speaker 1>Tell us a little bit about experimental archaeology, how and

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<v Speaker 1>to what extent it is different compared to traditional archaeology,

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<v Speaker 1>and how the to get along.

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<v Speaker 2>So I always had kind of a I guess a

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<v Speaker 2>gripe with regular archaeology in that, on some level it

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<v Speaker 2>was the most fascinating subject I could imagine, deals with

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<v Speaker 2>the deep history of humankind, where we came from, how

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<v Speaker 2>we spread across the globe, the rise of great civilizations,

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<v Speaker 2>all these big meaty questions about history. But whenever I

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<v Speaker 2>would go to an actual archaeological site, I always found

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<v Speaker 2>it extremely dull. It was just people sitting around in

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<v Speaker 2>the dirt, brushing off pot shards or whatever with toothbrushes

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<v Speaker 2>dental picks. And it looked the same everywhere around the

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<v Speaker 2>world too, no matter what different cultures you were talking about.

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<v Speaker 2>So it was always a big disappointment to go to

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<v Speaker 2>these sites. And I contrast it in my mind with

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<v Speaker 2>experimental archaeology, which when I heard about it, I thought, ooh,

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<v Speaker 2>now this is the type of archaeology I like. Essentially,

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<v Speaker 2>experimental archaeologist make and do things, so instead of just

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<v Speaker 2>digging something up and theorizing it, they actually try to

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<v Speaker 2>recreate the past in different ways, and that manifests itself

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<v Speaker 2>in all sorts of different ways. Sometimes they're creating ancient

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<v Speaker 2>foods and lost recipes. Sometimes they're making ancient tools or weapons,

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<v Speaker 2>or recreating medicines, things like that. At different points in

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<v Speaker 2>the book, I got to attend an authentic Roman banquet.

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<v Speaker 2>I got to spend a day out in Utah with

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<v Speaker 2>a guy who had built a giant medieval catapult, and

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<v Speaker 2>we spent an afternoon throwing these huge garden stones around.

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<v Speaker 2>I got to talk to people who made a human

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<v Speaker 2>mummy and Egyptian style mummy of a human in modern times.

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<v Speaker 2>They're just all of these different projects that people are doing.

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<v Speaker 2>And what really excites me about it is that it's

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<v Speaker 2>a very sensory rich version of archaeology in that you

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<v Speaker 2>can actually hear what it sounds like when a big

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<v Speaker 2>catapult ball slams home into a wall, so you can

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<v Speaker 2>taste the food, the sour dough bread, or the beer

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<v Speaker 2>that King Tutt would have been. So it really brings

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<v Speaker 2>the past alive in a way that to me, traditional

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<v Speaker 2>archaeology just could not do.

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<v Speaker 1>It kind of gets this halfway at least to Indiana

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<v Speaker 1>Jones territory, I guess.

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<v Speaker 2>Just halfway there. Yes, much more than setting around in

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<v Speaker 2>the dirt, for sure.

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<v Speaker 1>Now, I found it interesting you pointed out that some

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<v Speaker 1>traditional archaeologists have been opposed to this sort of thing,

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<v Speaker 1>and I guess I was a little surprised by this

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<v Speaker 1>as well, because I know that and we'll get to

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<v Speaker 1>some of these examples have encountered some of this work before,

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<v Speaker 1>and in some cases it's by very respected archaeologists of

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<v Speaker 1>you know, reconstructing tools from ancient times or you know,

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<v Speaker 1>creating you know, recreating Greek trirems, that sort of thing.

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<v Speaker 1>But yeah, you outline some of the pushback that experimental

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<v Speaker 1>archaeologists have encountered.

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<v Speaker 2>Yeah, there is a bit of a conflict in the

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<v Speaker 2>field with sort of you know, traditional scholarly academic archaeologists

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<v Speaker 2>and the people trying to do this new method bit

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<v Speaker 2>of archaeology, experimental archaeology. Some of that, I think is

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<v Speaker 2>just sort of traditional inertia where people are used to

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<v Speaker 2>doing things a certain way. Might be a bit of

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<v Speaker 2>a generational gap as well in there too, But some

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<v Speaker 2>of it I think is a little bit of resentment

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<v Speaker 2>of Sometimes the people I talked to do in the

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<v Speaker 2>book weren't traditional archaeologists. They were maybe a brewer or

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<v Speaker 2>a chef, or even a hairdresser in one case who

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<v Speaker 2>had an interest in history and came in and sort

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<v Speaker 2>of proved traditional archaeologists wrong, And I think there was

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<v Speaker 2>a bit of resentment about that. They didn't like being

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<v Speaker 2>told they were wrong by essentially what they considered an amateur.

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<v Speaker 2>So there is a little bit of tension within the

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<v Speaker 2>field still, And to be fair, there are examples out

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<v Speaker 2>there of bad experimental archaeology where people just didn't take

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<v Speaker 2>the time to do it properly the first time. One

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<v Speaker 2>good example of that was the person I talked to

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<v Speaker 2>who recreated Egyptian bread. His name was Seamus Blackley. He's

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<v Speaker 2>best known. Actually he worked at Microsoft and he created

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<v Speaker 2>the Xbox. That's sort of his claim to fame. But

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<v Speaker 2>after that he went and founded his own company, and

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<v Speaker 2>as a hobby, he decided he wanted to make heirloom bread.

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<v Speaker 2>So he started with medieval bread and eventually transitioned into

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<v Speaker 2>making Egyptian style bread. And his first attempt, you know,

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<v Speaker 2>he just got some yeast, got some basic grain, put

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<v Speaker 2>something up there on Twitter, and a lot of people

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<v Speaker 2>wrote to him and said, you're full of crap. This

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<v Speaker 2>is a terrible, terrible job you did recreating this bread.

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<v Speaker 2>And he thought about it, probably got a little mad

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<v Speaker 2>at first, but he said, you know what, they're right.

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<v Speaker 2>I did a poor job of this. I am going

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<v Speaker 2>to now do a proper job of it. So he

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<v Speaker 2>flew over to Egypt with a microbiology kit. He started

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<v Speaker 2>swabbing the inside of pots to get the actual yeast

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<v Speaker 2>from the pots and the molds that they used to

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<v Speaker 2>make the bread. He sourced some heirloom grain, he sourced

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<v Speaker 2>the kind of wood that they would have used. He

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<v Speaker 2>had some one make him an authentic bread mold. He

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<v Speaker 2>built a fire pit in his backyard. He kind of

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<v Speaker 2>went all out on this, and he got let me

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<v Speaker 2>try some of the bread eventually after he had sort

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<v Speaker 2>of perfected it, and it was probably the best thing

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<v Speaker 2>I ate in the entire book, one of the best

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<v Speaker 2>loads of bread I've ever had in my life. So

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<v Speaker 2>you do have people kind of doing poor jobs of

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<v Speaker 2>this work at the beginning, but in some cases they

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<v Speaker 2>learned from that and did much better jobs by the end.

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<v Speaker 1>One quick question about the bread, what did you expect

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<v Speaker 1>it to taste liked? Were you sort of expecting it

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<v Speaker 1>to taste like archaeology to some degree.

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<v Speaker 2>Or dusty, like really hard and great? Yeah? I didn't know.

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<v Speaker 2>I guess I expected it to be very bland and

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<v Speaker 2>very flat. Yeah. I pictured something just very flat, you know,

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<v Speaker 2>pretty bland, not much taste to it. I was surprised,

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<v Speaker 2>first of all how big it was. It was about

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<v Speaker 2>a foot wide, maybe a little bigger even, and it

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<v Speaker 2>was conical shaped. It reminded me of if you've seen

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<v Speaker 2>those old pictures of the Mercury astronauts from NASA would

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<v Speaker 2>re enter the Earth in this sort of conical shaped

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<v Speaker 2>space capsule, and it looked a lot like that. That

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<v Speaker 2>was the shape. It had a nice springy crust on it,

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<v Speaker 2>and it had a really nice sour dough taste to it.

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<v Speaker 2>There were only a few ingredients in it, emergrain, coriander, salt, yeast,

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<v Speaker 2>and water was basically it. And the sour dough combined

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<v Speaker 2>with sort of the whole wheat from the emmer and

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<v Speaker 2>the coriander coming in it was delicious. It was far

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<v Speaker 2>far better than I expected it was going to be.

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<v Speaker 1>Now you mentioned bad experimental archaeology. I was wondering, this

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<v Speaker 1>isn't really something that is the focus of the book

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<v Speaker 1>or anything, But at least in your preliminary research, did

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<v Speaker 1>you find examples of experimental archaeology either veering into the

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<v Speaker 1>realm of or originating within the realms of alternative archaeology

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<v Speaker 1>or pseudo archaeology.

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<v Speaker 2>I definitely came across those kind of things, but most

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<v Speaker 2>of that stuff sort of falls in the realm of

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<v Speaker 2>maybe not traditional archaeology, but at least sort of the

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<v Speaker 2>methods they used, where it's a little bit more armchair

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<v Speaker 2>and removed. You're looking at documents, artifacts, things like that.

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<v Speaker 2>So certainly not good archaeology and poorly reasoned in a

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<v Speaker 2>lot of cases, but it is a little bit more

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<v Speaker 2>on the I guess, traditional side, so to speak, as

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<v Speaker 2>opposed to the people who are actually making and doing

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<v Speaker 2>things that you can hear and taste and touch.

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<v Speaker 1>Now getting back into the positives here, something you write

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<v Speaker 1>about numerous examples of this in the book. How important

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<v Speaker 1>is experimental archaeology for the exploration and even revitalization of

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<v Speaker 1>traditions that have been lost or eroded via s a

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<v Speaker 1>Western colonialism.

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<v Speaker 2>Yeah, that's actually a really important theme in the book

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<v Speaker 2>is that there are a lot of different people doing it.

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<v Speaker 2>Some are traditional scholarly archaeologists who just wanted to do

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<v Speaker 2>something a little different. But the other thread on the

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<v Speaker 2>other groups of people doing this are you know, indigenous

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<v Speaker 2>peopleeople from native cultures who to them this isn't archaeology

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<v Speaker 2>as much as it's their ancestry, it's their history. And

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<v Speaker 2>in a lot of cases they are either reviving the

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<v Speaker 2>traditions themselves, you know, going back to look at songs, poems,

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<v Speaker 2>traditions that they had and reviving them, or in some

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<v Speaker 2>cases they have actually kept their traditions alive despite the

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<v Speaker 2>struggles of you know, colonialism and things like that. Kind

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<v Speaker 2>of decimating their culture. So in a lot of cases,

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<v Speaker 2>they are the ones going to the archaeologists teaching them,

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<v Speaker 2>correcting them, showing them how their ancestors lived. That's another

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<v Speaker 2>really important element of the book is talking to those

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<v Speaker 2>people about the wonderful job they've done preserving and reviving

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<v Speaker 2>their cultures.

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<v Speaker 1>Yeah. One example of this, I was excited to read

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<v Speaker 1>about traditional Native American acorn processing practices in the book.

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<v Speaker 1>This is something I myself had just learned about fairly

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<v Speaker 1>recently on a trip to Yosemite National Park, where they have,

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<v Speaker 1>you know, various places where you can learn about this.

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<v Speaker 1>Can you tell us a little bit about the labor

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<v Speaker 1>that went into cultivating and processing these nuts and what

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<v Speaker 1>the final culinary results tasted like.

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<v Speaker 2>Yeah, So this was one of the cases in the book,

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<v Speaker 2>you know, kind of going through the different projects that

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<v Speaker 2>I did. In a lot of cases, I was essentially

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<v Speaker 2>just floundering around and that I was trying something out.

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<v Speaker 2>I was very poor at it, and it sort of

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<v Speaker 2>reinforced how difficult it was in some cases to do

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<v Speaker 2>something even basically get a meal for yourself. So essentially

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<v Speaker 2>what I did is I gathered a bunch of acorns

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<v Speaker 2>from different trees around my neighborhood, maybe a few hundred

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<v Speaker 2>of them, five hundred something like that. Then I had

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<v Speaker 2>to look around for a hammerstone and an anvil and

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<v Speaker 2>essentially just brought them home and started cracking them open,

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<v Speaker 2>digging the meat out, and processing them. I learned pretty

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<v Speaker 2>quickly that maybe a third or so of them were

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<v Speaker 2>rotten on the inside. Some actually had weavils inside them,

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<v Speaker 2>so no, I had bugs crawling around in my homes.

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<v Speaker 2>I'd brought them in and the other and so I

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<v Speaker 2>had to discard a lot of them. And then I

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<v Speaker 2>had to just essentially grind them up into flour as

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<v Speaker 2>finally as I could. And that was a step especially

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<v Speaker 2>that got discouraging because I had, you know, a big

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<v Speaker 2>bucket full of acorns and that eventually ground down to

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<v Speaker 2>much less than a cup of accnable flour. And it

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<v Speaker 2>was very very frustrating thinking about all the work I

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<v Speaker 2>had done to gather them to grind them up. Oh,

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<v Speaker 2>and actually skip a step because I had to leach

0:12:34.960 --> 0:12:37.840
<v Speaker 2>them then to try to get the tannins the bitter

0:12:37.960 --> 0:12:41.679
<v Speaker 2>flavor out of them. And I ended up with basically

0:12:41.760 --> 0:12:43.600
<v Speaker 2>just a cup of flour and could make a few

0:12:43.679 --> 0:12:46.800
<v Speaker 2>muffins out of them, and then apparently I did a

0:12:46.800 --> 0:12:49.280
<v Speaker 2>bad job with the leeching as well, because they tasted

0:12:50.080 --> 0:12:52.400
<v Speaker 2>like the most bitter thing I've ever eaten in my life.

0:12:52.440 --> 0:12:57.400
<v Speaker 2>It was like a colaxon of bitterness raging inside my mouth.

0:12:57.480 --> 0:12:59.280
<v Speaker 2>They were not very good the way I made them.

0:13:00.200 --> 0:13:03.480
<v Speaker 2>Actually got to travel to a school that does some

0:13:03.559 --> 0:13:07.560
<v Speaker 2>experimental archaeology work in Maine. They do teach survivalist skills

0:13:07.600 --> 0:13:09.800
<v Speaker 2>things like that, and they showed me a little bit

0:13:09.840 --> 0:13:11.880
<v Speaker 2>more about how to process them, and they ended up

0:13:11.920 --> 0:13:15.840
<v Speaker 2>being absolutely delicious. We made acorn pancakes fresh on a

0:13:15.880 --> 0:13:18.080
<v Speaker 2>hot stone griddle. We had a little bit of butter

0:13:18.160 --> 0:13:22.000
<v Speaker 2>on them. They were absolutely scrumgious, wonderful stuff. So it

0:13:22.040 --> 0:13:25.400
<v Speaker 2>was a good learning experience and humbling in sort of

0:13:25.400 --> 0:13:29.160
<v Speaker 2>a nice way to, yeah, to just show how difficult

0:13:29.160 --> 0:13:31.280
<v Speaker 2>it was to do something basic like get a meal.

0:13:31.520 --> 0:13:33.720
<v Speaker 1>Now, you chat with a number of researchers in this

0:13:33.760 --> 0:13:36.960
<v Speaker 1>book whose work I was familiar with to some degree

0:13:37.040 --> 0:13:39.520
<v Speaker 1>or another, like they'd come up on previous episodes of

0:13:39.800 --> 0:13:44.600
<v Speaker 1>this show. One in particular is Lynn Wadley on the

0:13:44.640 --> 0:13:47.680
<v Speaker 1>topic of ancient bedding. I was familiar with her work,

0:13:47.720 --> 0:13:50.400
<v Speaker 1>but not the hurdles she faced over her own use

0:13:50.400 --> 0:13:52.640
<v Speaker 1>of experimental archaeology. Can you tell us a little bit

0:13:52.640 --> 0:13:53.040
<v Speaker 1>about this.

0:13:53.520 --> 0:13:57.960
<v Speaker 2>Yeah, So she's an archaeologist in South Africa and she

0:13:58.000 --> 0:14:00.880
<v Speaker 2>does a lot of traditional archaeology, digging things out of

0:14:00.880 --> 0:14:03.760
<v Speaker 2>the dirt, stuff like that. But she had an idea

0:14:03.840 --> 0:14:07.480
<v Speaker 2>she wanted to try an experiment with the bedding that

0:14:07.520 --> 0:14:10.560
<v Speaker 2>she found in one cave. There she found what we

0:14:10.600 --> 0:14:14.560
<v Speaker 2>think is probably the oldest bed on Earth, from about

0:14:14.640 --> 0:14:19.120
<v Speaker 2>seventy five thousand or so years ago. And essentially it's

0:14:19.160 --> 0:14:22.320
<v Speaker 2>a two part bed that's pretty ingenious in a way.

0:14:22.400 --> 0:14:24.760
<v Speaker 2>There's a layer of ash on the ground, so you

0:14:24.880 --> 0:14:27.200
<v Speaker 2>just burn a bunch of debris, get a nice layer

0:14:27.200 --> 0:14:29.440
<v Speaker 2>of ash there, and then you put what she called

0:14:29.480 --> 0:14:33.120
<v Speaker 2>a top sheet on there of aromatic leaves that you

0:14:33.120 --> 0:14:38.080
<v Speaker 2>can pick from trees around the cave. And basically what

0:14:38.160 --> 0:14:41.240
<v Speaker 2>that does is it provides a nice soft place to

0:14:41.280 --> 0:14:43.760
<v Speaker 2>lie down, which is kind of the main function of

0:14:43.800 --> 0:14:47.240
<v Speaker 2>a bed. But in combination, the ash and the leaves

0:14:47.360 --> 0:14:51.240
<v Speaker 2>keep insects away, they keep mosquitoes away. The aromatic leaves

0:14:51.320 --> 0:14:54.760
<v Speaker 2>keep the mosquitoes away, and the ash is important for

0:14:54.880 --> 0:14:59.160
<v Speaker 2>keeping ticks away. And she showed this by gathering a

0:14:59.160 --> 0:15:01.680
<v Speaker 2>bunch of ticks on the farm that she lives in

0:15:01.680 --> 0:15:06.040
<v Speaker 2>in South Africa, and she essentially put them down on

0:15:06.200 --> 0:15:08.600
<v Speaker 2>I think they were in a bucket, and she put

0:15:08.640 --> 0:15:12.520
<v Speaker 2>a ring of ash around these ticks that she had gathered,

0:15:12.920 --> 0:15:15.120
<v Speaker 2>and she just saw what would happen. She let them

0:15:15.120 --> 0:15:17.840
<v Speaker 2>try to escape, so they had to burrow through this

0:15:17.960 --> 0:15:19.680
<v Speaker 2>ring of ash to try to get out of there,

0:15:20.200 --> 0:15:22.200
<v Speaker 2>and she found that most of the ticks did not

0:15:22.440 --> 0:15:24.920
<v Speaker 2>even make it through the ring of ash. They died

0:15:25.000 --> 0:15:28.280
<v Speaker 2>halfway through. The ones that did make it out, their

0:15:28.360 --> 0:15:31.320
<v Speaker 2>mouth parts were so gummed up with ash that they

0:15:31.320 --> 0:15:34.880
<v Speaker 2>couldn't effectively bite anyone. So this ash layer provided a

0:15:34.880 --> 0:15:40.640
<v Speaker 2>really nice barrier against ticks biting you, spreading diseases, things

0:15:40.720 --> 0:15:43.320
<v Speaker 2>like that. So I thought it was a really ingenious experiment.

0:15:43.440 --> 0:15:46.640
<v Speaker 2>And then she actually had some people spend a night

0:15:46.800 --> 0:15:49.760
<v Speaker 2>on one of the a recreation of one of these

0:15:49.800 --> 0:15:51.880
<v Speaker 2>beds in the cave, which I thought would have been

0:15:51.920 --> 0:15:54.120
<v Speaker 2>really cool. I wish I had gotten a chance to

0:15:54.160 --> 0:15:58.280
<v Speaker 2>do that. They said it was a little nerve wracking,

0:15:58.320 --> 0:15:59.800
<v Speaker 2>you know, they were kind of out there. They'd know,

0:16:00.080 --> 0:16:03.600
<v Speaker 2>animals prowling around or whatever. But apparently the beds themselves

0:16:03.680 --> 0:16:07.520
<v Speaker 2>were fairly comfortable. So she was telling me about all this.

0:16:07.600 --> 0:16:10.880
<v Speaker 2>I thought it was a really cool little experiment, and

0:16:11.240 --> 0:16:12.760
<v Speaker 2>I was surprised to hear that she had a lot

0:16:12.760 --> 0:16:16.600
<v Speaker 2>of trouble publishing anything about it. And in fact, the

0:16:16.760 --> 0:16:18.960
<v Speaker 2>editor of the paper said, you know, I love all

0:16:19.000 --> 0:16:23.640
<v Speaker 2>the traditional archaeology. I am not mentioning this little informal

0:16:23.680 --> 0:16:26.200
<v Speaker 2>experiment you did, either with the ticks or having people

0:16:26.520 --> 0:16:28.840
<v Speaker 2>spend a night on them. And the editor would not

0:16:28.920 --> 0:16:32.520
<v Speaker 2>budge on this and cut that section from the paper.

0:16:32.880 --> 0:16:35.480
<v Speaker 2>And it kind of highlights the tensions that you see

0:16:35.480 --> 0:16:39.240
<v Speaker 2>between traditional archaeology and even someone running sort of an

0:16:39.240 --> 0:16:42.360
<v Speaker 2>informal experiment. And I told her, and I'd write about

0:16:42.360 --> 0:16:45.000
<v Speaker 2>this in the book, that it's even more disappointing because

0:16:45.080 --> 0:16:48.560
<v Speaker 2>I was thinking about Charles Darwin especially, He ran tons

0:16:48.600 --> 0:16:52.040
<v Speaker 2>of informal experiments like this, and they helped him generate

0:16:52.080 --> 0:16:54.960
<v Speaker 2>new ideas to test, They helped inform the biology of

0:16:55.000 --> 0:16:57.720
<v Speaker 2>the time. So she was really working in the spirit

0:16:57.760 --> 0:17:01.760
<v Speaker 2>of Charles Darwin and was just disappointing an editor put

0:17:01.800 --> 0:17:02.720
<v Speaker 2>his foot down like that.

0:17:03.440 --> 0:17:05.040
<v Speaker 1>Yeah, And then that's the kind of stuff too that

0:17:05.560 --> 0:17:08.680
<v Speaker 1>helps make it real for people like most of most

0:17:08.680 --> 0:17:11.199
<v Speaker 1>of the listeners here, certainly like myself outside of the

0:17:11.440 --> 0:17:14.560
<v Speaker 1>academic world. Do you hear about these informal experiments and yeah,

0:17:14.600 --> 0:17:15.520
<v Speaker 1>it fleshes it out.

0:17:15.720 --> 0:17:18.560
<v Speaker 2>Yeah, and captures your imagination. You can imagine yourself lying

0:17:18.560 --> 0:17:21.480
<v Speaker 2>on this bed, what it would feel like. It's much

0:17:21.600 --> 0:17:25.560
<v Speaker 2>more close to your heart then you're just reading about

0:17:25.600 --> 0:17:26.960
<v Speaker 2>digging something up out of the dirt.

0:17:27.640 --> 0:17:29.680
<v Speaker 1>Now, speaking of digging things out of the dirt, can

0:17:29.720 --> 0:17:31.800
<v Speaker 1>you tell us a little bit about your experiences eating

0:17:31.840 --> 0:17:33.240
<v Speaker 1>toxic potatoes in Peru?

0:17:33.480 --> 0:17:34.960
<v Speaker 2>Yeah, that was another case where I was a bit

0:17:35.000 --> 0:17:40.000
<v Speaker 2>surprised at the outcomes of what happened. So potatoes are

0:17:40.080 --> 0:17:43.760
<v Speaker 2>native to the Andian Highlands in Peru, and I didn't

0:17:43.760 --> 0:17:48.360
<v Speaker 2>realize when I started doing this project the sheer variety

0:17:48.520 --> 0:17:52.800
<v Speaker 2>you see of potatoes up there, just the colors, the shapes,

0:17:52.840 --> 0:17:57.160
<v Speaker 2>they're really really beautiful, all the different tubers you get

0:17:58.680 --> 0:18:02.000
<v Speaker 2>in the Indian Highlands where they're they're native to. One

0:18:02.000 --> 0:18:04.480
<v Speaker 2>thing I didn't realize also though, was that they're toxic.

0:18:04.840 --> 0:18:07.760
<v Speaker 2>So native potatoes you who cannot eat because they have

0:18:08.200 --> 0:18:11.639
<v Speaker 2>certain chemicals in them that will poison you. So you

0:18:11.680 --> 0:18:14.760
<v Speaker 2>have to process them in different ways. You can make

0:18:14.800 --> 0:18:17.680
<v Speaker 2>a couple of different dishes out of them, depending on

0:18:17.760 --> 0:18:21.000
<v Speaker 2>how you process them. One way is essentially that you

0:18:21.200 --> 0:18:25.080
<v Speaker 2>freeze dry them, so you leave them out overnight soaking

0:18:25.119 --> 0:18:29.399
<v Speaker 2>in water, and the chemical reactions take place and it

0:18:29.520 --> 0:18:35.000
<v Speaker 2>essentially disables breaks down these chemicals and they leech out

0:18:35.080 --> 0:18:37.639
<v Speaker 2>and then they're safe to eat after that. And another

0:18:37.720 --> 0:18:40.399
<v Speaker 2>way is you can process them a little bit but

0:18:40.480 --> 0:18:43.800
<v Speaker 2>also mix in a clay sauce. So you take dirt

0:18:43.880 --> 0:18:47.159
<v Speaker 2>clay from riverbank, mix it up with water, and you

0:18:47.240 --> 0:18:50.680
<v Speaker 2>eat the potatoes with that sauce, and the clay actually

0:18:50.720 --> 0:18:54.600
<v Speaker 2>binds to the poison chemicals and it goes through your

0:18:54.600 --> 0:18:58.120
<v Speaker 2>digestive system. It doesn't end up poisoning you. And when

0:18:58.160 --> 0:19:01.200
<v Speaker 2>I got started with this, the first dish, the freeze

0:19:01.240 --> 0:19:03.240
<v Speaker 2>dried one, was the one I was excited about. So

0:19:03.280 --> 0:19:05.040
<v Speaker 2>I thought it was like sort of a you know,

0:19:05.080 --> 0:19:07.679
<v Speaker 2>an ancient astronaut food almost. I was like, this is

0:19:07.720 --> 0:19:09.399
<v Speaker 2>so cool, you know, the freeze drying this food in

0:19:09.440 --> 0:19:12.840
<v Speaker 2>this way. And I tried it and it just didn't

0:19:12.880 --> 0:19:15.119
<v Speaker 2>taste good to me. And I recognized I didn't grow

0:19:15.200 --> 0:19:17.919
<v Speaker 2>up eating it, so people there probably have a different opinion.

0:19:18.000 --> 0:19:21.760
<v Speaker 2>But it just tasted sort of like the desiccated husk

0:19:21.840 --> 0:19:24.840
<v Speaker 2>of a potato. There's a bit of flavor there, not much.

0:19:24.840 --> 0:19:27.560
<v Speaker 2>It was very mealy and dry and just did not

0:19:28.119 --> 0:19:30.919
<v Speaker 2>really impressed me. I just didn't enjoy the taste. So

0:19:30.960 --> 0:19:32.560
<v Speaker 2>then I moved on to the other one, which I

0:19:32.600 --> 0:19:35.120
<v Speaker 2>was not excited about, which was the one you mixed

0:19:35.160 --> 0:19:38.480
<v Speaker 2>with clay, and to my delight, that actually tasted really good.

0:19:38.600 --> 0:19:41.439
<v Speaker 2>It had a very nice earthy flavor to it. The

0:19:41.520 --> 0:19:43.639
<v Speaker 2>sauce was sort of brown. It had kind of a

0:19:43.760 --> 0:19:47.879
<v Speaker 2>nice almost a texture like a ti peanut sauce to it.

0:19:47.920 --> 0:19:51.080
<v Speaker 2>So a nice earthy flavor, a good texture, and I

0:19:51.200 --> 0:19:55.760
<v Speaker 2>really really enjoyed that dish. So it surprised me a

0:19:55.760 --> 0:19:58.679
<v Speaker 2>bit that, you know, eating clay essentially would really improve

0:19:58.760 --> 0:19:59.760
<v Speaker 2>this dish and make it good.

0:20:00.119 --> 0:20:02.639
<v Speaker 1>Oh wow, Yeah, that that runs counter to what I

0:20:02.640 --> 0:20:04.520
<v Speaker 1>think my expectations would have been as well. I mean,

0:20:04.520 --> 0:20:08.920
<v Speaker 1>I guess we have a predisposition to judge the use

0:20:08.960 --> 0:20:12.399
<v Speaker 1>of clay and other related substances in our food. But

0:20:12.800 --> 0:20:13.639
<v Speaker 1>that's fascinating.

0:20:14.200 --> 0:20:16.240
<v Speaker 2>Yeah, it's normally something we would brush off the food.

0:20:16.359 --> 0:20:18.000
<v Speaker 2>I think, like this is integral to be able to

0:20:18.000 --> 0:20:19.160
<v Speaker 2>eat the food. But it wasn't.

0:20:19.200 --> 0:20:29.800
<v Speaker 1>This case. Now another I have to ask you about

0:20:29.840 --> 0:20:32.600
<v Speaker 1>another topic that had come up previously on stuff to

0:20:32.640 --> 0:20:35.639
<v Speaker 1>blow your mind. You talk about the at Lotto spear thrower.

0:20:36.920 --> 0:20:38.560
<v Speaker 1>Tell us what it was like getting to try out

0:20:38.600 --> 0:20:39.919
<v Speaker 1>or reconstruction of this weapon.

0:20:41.000 --> 0:20:45.840
<v Speaker 2>Yeah, so the laddle is probably the most widespread hunting

0:20:45.920 --> 0:20:49.919
<v Speaker 2>tool in history. I was surprised at how widespread it is,

0:20:50.040 --> 0:20:52.240
<v Speaker 2>much more so than bows and arrows, much more so

0:20:52.359 --> 0:20:55.359
<v Speaker 2>than spears. And if anyone has not heard of a

0:20:55.440 --> 0:20:59.879
<v Speaker 2>net laddle, it's essentially a long, flexible spear, but instead

0:20:59.920 --> 0:21:03.359
<v Speaker 2>of throwing it with your hand, you use a throwing stick.

0:21:03.480 --> 0:21:05.840
<v Speaker 2>So it's just a long straight stick with a bit

0:21:05.840 --> 0:21:08.800
<v Speaker 2>of a notch on the end, and you put that

0:21:08.840 --> 0:21:10.359
<v Speaker 2>in your hand. You hold that in your hand and

0:21:10.400 --> 0:21:13.439
<v Speaker 2>you use that to throw the spear. And essentially what

0:21:13.480 --> 0:21:15.680
<v Speaker 2>it does is it extends the length of your arm,

0:21:16.000 --> 0:21:20.040
<v Speaker 2>gives you more leverage and power in throwing it. And

0:21:20.320 --> 0:21:23.600
<v Speaker 2>I spent a great afternoon at an experimental archaeology lab

0:21:23.640 --> 0:21:26.760
<v Speaker 2>at Kent State University. They have a wonderful little program there,

0:21:27.720 --> 0:21:31.240
<v Speaker 2>and the guy there and the who was in charge

0:21:31.240 --> 0:21:34.160
<v Speaker 2>of this program, he had a bunch of at laddles

0:21:34.280 --> 0:21:36.879
<v Speaker 2>and spears. I mean, just so he spent an afternoon

0:21:37.760 --> 0:21:40.840
<v Speaker 2>throwing them at these little foam dummies that he had.

0:21:41.119 --> 0:21:43.840
<v Speaker 2>They had one that was sort of a beloved mascot

0:21:44.640 --> 0:21:48.399
<v Speaker 2>that they called Bambo. It was much loved, much abused.

0:21:48.840 --> 0:21:51.000
<v Speaker 2>After years of throwing at laddles at it, it actually

0:21:51.000 --> 0:21:53.600
<v Speaker 2>didn't have any legs anymore because it's been hit so

0:21:53.680 --> 0:21:55.920
<v Speaker 2>many times. So they propped that up in the field.

0:21:56.000 --> 0:21:58.480
<v Speaker 2>Then they had another one that was like a third

0:21:58.680 --> 0:22:01.960
<v Speaker 2>size replic of a cariboo. I think it was I

0:22:02.040 --> 0:22:04.320
<v Speaker 2>got it from target or whatever. So we set those

0:22:04.359 --> 0:22:07.000
<v Speaker 2>up in the field and we just spent an afternoon

0:22:07.119 --> 0:22:09.960
<v Speaker 2>throwing these at laddle darts at them. And I was

0:22:10.000 --> 0:22:13.840
<v Speaker 2>surprised at how easy it was to get distance with

0:22:13.920 --> 0:22:16.239
<v Speaker 2>an at laddle dart. I don't remember off the top

0:22:16.280 --> 0:22:18.280
<v Speaker 2>of my head, but the world record for throwing one

0:22:18.400 --> 0:22:21.680
<v Speaker 2>is something like two hundred and fifty yards, whereas the

0:22:21.720 --> 0:22:24.040
<v Speaker 2>world record for throwing a javelin is much closer to

0:22:24.040 --> 0:22:26.680
<v Speaker 2>one hundred yards, maybe one hundred and ten something like that.

0:22:26.880 --> 0:22:29.320
<v Speaker 2>So you can really get a lot of distance on

0:22:29.400 --> 0:22:31.879
<v Speaker 2>these things. And even I, who had never picked one

0:22:31.960 --> 0:22:34.240
<v Speaker 2>up before, could throw it. You know, most of a

0:22:34.240 --> 0:22:42.399
<v Speaker 2>football field pretty easily, but accuracy was another matter. I

0:22:42.600 --> 0:22:45.360
<v Speaker 2>tickled the chin of that cariboo, I swear like four

0:22:45.440 --> 0:22:48.280
<v Speaker 2>or five times. It just kept going just left, just right,

0:22:48.400 --> 0:22:50.600
<v Speaker 2>just over it. I just could not quite hit it.

0:22:51.040 --> 0:22:54.200
<v Speaker 2>There was a pretty common experience. The archaeologist I mentioned

0:22:54.240 --> 0:22:56.840
<v Speaker 2>actually brought his class in there. So there were maybe

0:22:56.960 --> 0:23:00.719
<v Speaker 2>thirty of us students and me the fling these around,

0:23:00.880 --> 0:23:03.679
<v Speaker 2>and we probably hit it, you know, maybe a dozen

0:23:03.760 --> 0:23:06.840
<v Speaker 2>times over the course of a couple of hours. And

0:23:06.880 --> 0:23:09.080
<v Speaker 2>the students were motivated. They got extra credit if they

0:23:09.160 --> 0:23:11.600
<v Speaker 2>hit it, so they were really motivated to try to

0:23:11.640 --> 0:23:15.440
<v Speaker 2>hit this thing. But it proved difficult to aim for

0:23:15.560 --> 0:23:17.280
<v Speaker 2>us amateurs. But it's a really fun way to spend

0:23:17.280 --> 0:23:17.840
<v Speaker 2>an afternoon.

0:23:18.160 --> 0:23:19.960
<v Speaker 1>Now I want to come back to the title of

0:23:20.000 --> 0:23:22.639
<v Speaker 1>the book is, of course, Dinner with King Tutt. We

0:23:22.680 --> 0:23:26.600
<v Speaker 1>already talked a little bit about Egyptian bread, but how

0:23:26.600 --> 0:23:29.119
<v Speaker 1>about Egyptian beer. Now, this is one, this is another

0:23:29.119 --> 0:23:31.359
<v Speaker 1>one where you attempted to brew this yourself right at home.

0:23:31.960 --> 0:23:35.320
<v Speaker 2>I did. Yeah, So I didn't go all out getting

0:23:35.680 --> 0:23:40.040
<v Speaker 2>the grain source from Egypt and you know, getting the

0:23:40.320 --> 0:23:42.119
<v Speaker 2>right type of ye stuff like that. I just wanted

0:23:42.119 --> 0:23:45.040
<v Speaker 2>a basic flavor of what it might have tasted like.

0:23:45.240 --> 0:23:47.640
<v Speaker 2>So I got some emmer grain, which is the grain

0:23:47.680 --> 0:23:50.280
<v Speaker 2>that they would have used, and barley, a mix of

0:23:50.280 --> 0:23:53.959
<v Speaker 2>those two things, and I essentially just fermented them in

0:23:53.960 --> 0:23:56.439
<v Speaker 2>my home with a basic beer fermenting kit. So you

0:23:56.480 --> 0:23:58.240
<v Speaker 2>make the mash, you know, you heat it up, you

0:23:58.280 --> 0:24:00.320
<v Speaker 2>had the yeast, all those kind of things through in

0:24:00.320 --> 0:24:04.120
<v Speaker 2>some different plausible ingredients that they might have used in beer, cinnamon,

0:24:04.240 --> 0:24:07.720
<v Speaker 2>things like that. And one important difference was that they

0:24:07.720 --> 0:24:11.720
<v Speaker 2>did not use hops in Egyptian beer. That's a later

0:24:11.880 --> 0:24:15.399
<v Speaker 2>invention from medieval times, and that really makes a big

0:24:15.400 --> 0:24:19.880
<v Speaker 2>difference with beer because hops is a fairly strong bitter flavor.

0:24:20.280 --> 0:24:23.720
<v Speaker 2>So the Egyptian beer did not have the bitter flavor

0:24:23.800 --> 0:24:27.000
<v Speaker 2>that were used to with modern beers, and that actually

0:24:27.080 --> 0:24:32.479
<v Speaker 2>allowed other flavors to come forward, sour flavors especially, and

0:24:32.640 --> 0:24:35.880
<v Speaker 2>to my taste, it tasted less like a beer than

0:24:35.920 --> 0:24:38.480
<v Speaker 2>it did like a cambucha essentially, so it was a

0:24:38.560 --> 0:24:42.919
<v Speaker 2>nice sour flavor to it, and I could imagine it

0:24:43.000 --> 0:24:47.480
<v Speaker 2>being really delicious and thirst quenching after a long hot

0:24:47.560 --> 0:24:50.880
<v Speaker 2>day in the sun, you know, shoving pyramid blocks into

0:24:50.880 --> 0:24:53.679
<v Speaker 2>place or whatever. So that was one interesting thing was

0:24:53.720 --> 0:24:56.640
<v Speaker 2>the taste was sour. And the other thing that I noticed,

0:24:56.680 --> 0:24:59.480
<v Speaker 2>and you know, you hear about this from archaeologists or

0:24:59.480 --> 0:25:02.199
<v Speaker 2>people have re created the beer in other ways, is

0:25:02.240 --> 0:25:05.119
<v Speaker 2>that they didn't have filters back then modern filters to

0:25:05.160 --> 0:25:08.200
<v Speaker 2>get the chaff and the little bits of grain out

0:25:08.200 --> 0:25:10.720
<v Speaker 2>of the beer. They spent grain, So the beer was

0:25:10.760 --> 0:25:14.359
<v Speaker 2>a little maybe chunkier, you might say, and that there

0:25:14.400 --> 0:25:18.119
<v Speaker 2>was stuff floating on the top. And in some places,

0:25:18.200 --> 0:25:21.120
<v Speaker 2>maybe not Egypt necessarily as much, but in some places

0:25:21.119 --> 0:25:23.800
<v Speaker 2>in the Caucuses and other areas they were making this beer,

0:25:24.280 --> 0:25:27.239
<v Speaker 2>they actually traditionally drank the beer with a straw in

0:25:27.440 --> 0:25:30.560
<v Speaker 2>order to get below the chaffline and just get at

0:25:30.560 --> 0:25:32.520
<v Speaker 2>the beer, as opposed to, you know, getting a big

0:25:32.560 --> 0:25:34.440
<v Speaker 2>mouthful of the stuff you don't want.

0:25:34.960 --> 0:25:36.879
<v Speaker 1>Oh wow, So any of us that are inclined to

0:25:37.000 --> 0:25:38.879
<v Speaker 1>use a straw the next time we are having a

0:25:38.960 --> 0:25:39.960
<v Speaker 1>pint out se.

0:25:41.600 --> 0:25:44.280
<v Speaker 2>Yes, Yes, there were, actually it was this was in

0:25:44.320 --> 0:25:46.880
<v Speaker 2>a different area, not in Egypt, but there was one

0:25:46.920 --> 0:25:52.080
<v Speaker 2>case where archaeologists found a straw that they think it

0:25:52.119 --> 0:25:54.000
<v Speaker 2>was you know, maybe a king would have given it

0:25:54.040 --> 0:25:57.800
<v Speaker 2>as a gift to a visiting monarch or something like that.

0:25:58.400 --> 0:26:00.600
<v Speaker 2>But it was about two or three feet long, so

0:26:00.760 --> 0:26:04.399
<v Speaker 2>very big, and it was so ornately decorated that they

0:26:04.440 --> 0:26:07.399
<v Speaker 2>mistook it for a scepter at first. That's how elaborate

0:26:07.400 --> 0:26:10.520
<v Speaker 2>this straw was. But you know, these were valuable items

0:26:10.520 --> 0:26:11.159
<v Speaker 2>to people back then.

0:26:11.280 --> 0:26:15.240
<v Speaker 1>Wow, that's awesome. Now, on the subject of Egyptian bread

0:26:15.280 --> 0:26:17.560
<v Speaker 1>and beer, you also get into how these would not

0:26:17.640 --> 0:26:22.160
<v Speaker 1>just be valued for their role as sustenance and refreshment,

0:26:22.160 --> 0:26:23.760
<v Speaker 1>but these were also spiritually important.

0:26:24.640 --> 0:26:28.280
<v Speaker 2>Yeah, beer and bread were. They basically permeated every aspect

0:26:28.560 --> 0:26:31.600
<v Speaker 2>of Egyptian life. The workers on the pyramids, for instance,

0:26:31.600 --> 0:26:35.960
<v Speaker 2>were paid wages in bread and beer, and then they

0:26:36.119 --> 0:26:38.679
<v Speaker 2>ate them with every meal, both of those things with

0:26:38.720 --> 0:26:43.480
<v Speaker 2>every meal, And when they were preparing people for the

0:26:43.520 --> 0:26:47.159
<v Speaker 2>afterlife their tombs, they would always include bread and beer

0:26:47.680 --> 0:26:50.560
<v Speaker 2>to get them to the afterlife and for sustenance in

0:26:50.640 --> 0:26:53.359
<v Speaker 2>the afterlife. It was so ingrained in their culture they

0:26:53.359 --> 0:26:56.840
<v Speaker 2>could not imagine life or the afterlife without these two things.

0:26:57.119 --> 0:26:59.560
<v Speaker 1>Now, this is obviously the point to ask to come

0:26:59.600 --> 0:27:02.679
<v Speaker 1>back to some thing you mentioned earlier, The Maryland Mummy,

0:27:03.240 --> 0:27:07.679
<v Speaker 1>the work of Bob Bryer and Ron Wade. Tell us

0:27:07.680 --> 0:27:09.560
<v Speaker 1>a little bit about this, how it went down and

0:27:10.080 --> 0:27:12.040
<v Speaker 1>how has this project aged like tell us a little

0:27:12.040 --> 0:27:13.840
<v Speaker 1>bit about how it was received at the time and

0:27:14.080 --> 0:27:16.080
<v Speaker 1>have archaeologists warmed up to it.

0:27:16.400 --> 0:27:20.080
<v Speaker 2>So this project I started in Baltimore, Maryland in the

0:27:20.119 --> 0:27:23.920
<v Speaker 2>mid nineties. There was an egyptologist and the head of

0:27:23.960 --> 0:27:28.280
<v Speaker 2>the State Anatomy Board. There an anatomist and the egyptologist

0:27:28.320 --> 0:27:30.399
<v Speaker 2>I think he was sort of the prime mover behind this.

0:27:31.119 --> 0:27:32.960
<v Speaker 2>He realized that, you know, we have a lot of

0:27:32.960 --> 0:27:35.960
<v Speaker 2>Egyptian mummies, but there's not a lot written down about

0:27:36.080 --> 0:27:39.040
<v Speaker 2>how they actually made the mummies. It's kind of a

0:27:39.080 --> 0:27:43.080
<v Speaker 2>mysterious process and we don't know if you know, the

0:27:43.119 --> 0:27:45.320
<v Speaker 2>information got lost. We don't know if they were keeping

0:27:45.359 --> 0:27:48.080
<v Speaker 2>it a secret, they just passed down to brissions orally

0:27:48.160 --> 0:27:50.280
<v Speaker 2>whatever the case was. But there's not a lot written

0:27:50.320 --> 0:27:54.120
<v Speaker 2>about how they actually made the mummies. So he decided

0:27:54.160 --> 0:27:57.880
<v Speaker 2>he wanted to recreate a human mummy. He approached this

0:27:58.320 --> 0:28:00.800
<v Speaker 2>anatomist who was head of the State Anatomy Board, and

0:28:00.880 --> 0:28:03.159
<v Speaker 2>he said, here's a proposal for a project. You know,

0:28:03.200 --> 0:28:05.760
<v Speaker 2>people donate their bodies to science. What do you think

0:28:06.119 --> 0:28:08.960
<v Speaker 2>The anatomist was gung how about it, And so they

0:28:09.000 --> 0:28:12.480
<v Speaker 2>decided they were gonna mummify a human being, and the

0:28:12.520 --> 0:28:17.399
<v Speaker 2>Egyptologist especially got pretty excited about this idea in that

0:28:17.520 --> 0:28:20.560
<v Speaker 2>he tried to be as authentic as possible, to the

0:28:20.560 --> 0:28:23.680
<v Speaker 2>point that he flew over to Egypt and he actually

0:28:23.800 --> 0:28:27.880
<v Speaker 2>dug out the mineral that they used to dehydrate the body.

0:28:28.040 --> 0:28:32.280
<v Speaker 2>It's a mineral called natron, and chemically it's essentially a

0:28:32.320 --> 0:28:36.400
<v Speaker 2>mix of baking soda and table salt, so pretty simple chemically,

0:28:36.640 --> 0:28:40.720
<v Speaker 2>but it forms naturally in dry gullies and waddies over

0:28:40.720 --> 0:28:43.200
<v Speaker 2>in Egypt. So he flew all the way over there,

0:28:43.440 --> 0:28:46.440
<v Speaker 2>got a shovel, dug out hundreds of pounds of this stuff,

0:28:47.000 --> 0:28:50.160
<v Speaker 2>and actually, he said, one of the more ticklish aspects

0:28:50.200 --> 0:28:53.480
<v Speaker 2>of the project was smuggling it back into the US,

0:28:53.560 --> 0:28:56.680
<v Speaker 2>all this unidentified white powder that he had in his luggage,

0:28:56.720 --> 0:29:01.120
<v Speaker 2>but got it into the US, got it down to Maryland,

0:29:01.440 --> 0:29:05.120
<v Speaker 2>and they essentially just mummified the body. They opened it up,

0:29:05.440 --> 0:29:08.600
<v Speaker 2>got the organs out, dried them out with the natron,

0:29:09.680 --> 0:29:11.600
<v Speaker 2>you know, washed the body out the way that they

0:29:11.640 --> 0:29:14.840
<v Speaker 2>would have back then, used oils on it, got the

0:29:14.880 --> 0:29:17.040
<v Speaker 2>brain out of the head in the way that they

0:29:17.080 --> 0:29:20.160
<v Speaker 2>would have back then, and then just piled it under

0:29:20.240 --> 0:29:23.480
<v Speaker 2>hundreds of pounds of this natron mineral to dry it out.

0:29:24.000 --> 0:29:26.560
<v Speaker 2>And when word got out there about this experiment, it

0:29:26.680 --> 0:29:30.840
<v Speaker 2>proved pretty controversial within the archaeological community and sort of

0:29:30.880 --> 0:29:35.200
<v Speaker 2>the wider biology community. There were some bioethicists who came

0:29:35.240 --> 0:29:38.160
<v Speaker 2>out against it. Some archaeologists also came out against it.

0:29:38.320 --> 0:29:41.320
<v Speaker 2>They said it was sort of tasteless, macabre. They didn't

0:29:41.360 --> 0:29:44.040
<v Speaker 2>see much value in it. And I do see their

0:29:44.080 --> 0:29:47.719
<v Speaker 2>point that, you know, when you're donating your body to science,

0:29:47.760 --> 0:29:49.760
<v Speaker 2>you're probably assuming it's going to go to a medical

0:29:49.800 --> 0:29:53.440
<v Speaker 2>school or something like that. You're not necessarily signing up

0:29:53.480 --> 0:29:57.400
<v Speaker 2>to become a mummy. But you know, legally they had

0:29:57.400 --> 0:29:59.520
<v Speaker 2>backing for it. It said, you know, you're going to

0:29:59.560 --> 0:30:01.720
<v Speaker 2>end up in a medical school, or we have other

0:30:01.760 --> 0:30:05.800
<v Speaker 2>projects sometimes we use. And they defended the project by

0:30:05.840 --> 0:30:09.200
<v Speaker 2>saying that they actually learned a lot about how we

0:30:09.280 --> 0:30:12.880
<v Speaker 2>mummified the body. So they learned how long it took

0:30:12.960 --> 0:30:15.440
<v Speaker 2>roughly to mummify the body. They learned how to get

0:30:15.480 --> 0:30:17.640
<v Speaker 2>the organs out of the body, which is something they

0:30:17.640 --> 0:30:21.040
<v Speaker 2>did not know. One really cool thing I think they

0:30:21.160 --> 0:30:25.440
<v Speaker 2>learned is the Egyptologists had always wanted to know. You know,

0:30:25.480 --> 0:30:28.640
<v Speaker 2>you see a classic mummy its skin is very dry,

0:30:28.720 --> 0:30:31.800
<v Speaker 2>it's pulled back from the face, the teeth are probably protruding.

0:30:31.880 --> 0:30:33.920
<v Speaker 2>It sort of has a classic mummy look to it,

0:30:34.520 --> 0:30:36.440
<v Speaker 2>and he wanted to know is that due to the

0:30:36.480 --> 0:30:39.880
<v Speaker 2>mummification process or is that because this body has been

0:30:39.920 --> 0:30:42.520
<v Speaker 2>in a very dry environment in Egypt for three or

0:30:42.560 --> 0:30:45.880
<v Speaker 2>four thousand years? What causes these changes to the body

0:30:46.640 --> 0:30:48.800
<v Speaker 2>and about I think it was like five weeks into

0:30:48.840 --> 0:30:52.120
<v Speaker 2>the project. They had to change the mineral out and

0:30:52.160 --> 0:30:54.800
<v Speaker 2>put fresh mineral on, but they decided to take a

0:30:54.840 --> 0:30:58.000
<v Speaker 2>peek at the body, and even by that point five

0:30:58.080 --> 0:31:01.320
<v Speaker 2>weeks in, the Egyptology was sort of startled and he said,

0:31:01.360 --> 0:31:04.920
<v Speaker 2>oh my god, this looks exactly like Ramses the Great.

0:31:05.040 --> 0:31:08.080
<v Speaker 2>It was incredible. So it was the mummification process they

0:31:08.200 --> 0:31:12.200
<v Speaker 2>learned that caused the changes in sort of give mummies

0:31:12.240 --> 0:31:15.560
<v Speaker 2>their iconic look. So they defended it by saying, you know,

0:31:15.680 --> 0:31:18.200
<v Speaker 2>they first of all learned a lot about it, and

0:31:18.280 --> 0:31:20.840
<v Speaker 2>second of all, they said they treated this body much

0:31:20.880 --> 0:31:24.720
<v Speaker 2>better than most bodies get treated. And the body is

0:31:24.800 --> 0:31:27.520
<v Speaker 2>still around today. It's in an office building in Maryland.

0:31:27.920 --> 0:31:30.800
<v Speaker 2>It is perfectly well preserved. It's probably going to look

0:31:30.800 --> 0:31:32.400
<v Speaker 2>a lot better than any of us will in one

0:31:32.440 --> 0:31:35.320
<v Speaker 2>hundred years, so he got treated, as they put it,

0:31:35.400 --> 0:31:36.080
<v Speaker 2>sort of like the king.

0:31:36.640 --> 0:31:40.240
<v Speaker 1>It's been many years since I read Mary Roach's book Stiff,

0:31:40.400 --> 0:31:43.959
<v Speaker 1>but if memory serves, it's like the mummification process is

0:31:44.320 --> 0:31:47.800
<v Speaker 1>probably a step above some of the other legitimate uses

0:31:48.040 --> 0:31:50.240
<v Speaker 1>that are employees donated body.

0:31:50.320 --> 0:31:52.920
<v Speaker 2>Yes, that's a good point. Yeah, And actually I got to,

0:31:53.760 --> 0:31:56.560
<v Speaker 2>you know again, sort of doing a secondary version of this.

0:31:56.960 --> 0:32:01.320
<v Speaker 2>I actually made a fish mummy in my apartment in Washington, DC.

0:32:02.080 --> 0:32:04.120
<v Speaker 2>And you know, it's kind of sweltering hot right now,

0:32:04.160 --> 0:32:07.240
<v Speaker 2>and it was when I made that fish mummy. But

0:32:07.440 --> 0:32:09.880
<v Speaker 2>that fish, I bought it whole from the store. It

0:32:10.000 --> 0:32:13.000
<v Speaker 2>never saw the inside of refrigerator. And fish are sort

0:32:13.040 --> 0:32:15.840
<v Speaker 2>of a classic animal that you think is gonna smell bad,

0:32:15.880 --> 0:32:18.440
<v Speaker 2>it's not gonna last very long. But I just mixed

0:32:18.440 --> 0:32:20.880
<v Speaker 2>some baking soda and salt together, put it in a

0:32:20.920 --> 0:32:25.200
<v Speaker 2>casserole dish, and mummified this fish and it went perfectly well.

0:32:25.280 --> 0:32:28.320
<v Speaker 2>The fish never smelled, never got rotten. I still have

0:32:28.400 --> 0:32:32.040
<v Speaker 2>it on my counter today. It's perfectly preserved. So it's

0:32:32.080 --> 0:32:35.520
<v Speaker 2>pretty easy to do this project on your own, and

0:32:35.520 --> 0:32:38.720
<v Speaker 2>in some ways it sort of fulfills the Egyptian traditions

0:32:38.760 --> 0:32:41.200
<v Speaker 2>and that they mummified a lot of animals as well

0:32:41.200 --> 0:32:41.960
<v Speaker 2>as human beings.

0:32:42.400 --> 0:32:44.520
<v Speaker 1>Now, I want to make it clear for listeners out

0:32:44.560 --> 0:32:47.320
<v Speaker 1>there that I'm not asking you about even I think

0:32:47.360 --> 0:32:50.400
<v Speaker 1>half of the wonderful examples and topics you get into here.

0:32:50.400 --> 0:32:56.440
<v Speaker 1>There's a whole chapter dealing with with various Chinese traditions

0:32:56.440 --> 0:33:01.240
<v Speaker 1>and inventions. You deal with the multiple different time periods

0:33:01.280 --> 0:33:05.560
<v Speaker 1>and places. There's the Viking chapter. So I'm only scratching

0:33:05.560 --> 0:33:08.720
<v Speaker 1>the surface here with my questions, but I am going

0:33:08.800 --> 0:33:12.440
<v Speaker 1>to ask you about the Meso American ballgame. This is

0:33:12.480 --> 0:33:15.400
<v Speaker 1>one that I think anyone who's ever even like casually

0:33:15.560 --> 0:33:18.160
<v Speaker 1>studied anything to do with az Tech history and as

0:33:18.200 --> 0:33:21.000
<v Speaker 1>tech culture has come across examples of this, tell us

0:33:21.040 --> 0:33:22.800
<v Speaker 1>a little bit about this and did you get to

0:33:22.840 --> 0:33:23.240
<v Speaker 1>play it?

0:33:23.920 --> 0:33:27.080
<v Speaker 2>Yeah, So, if you're not familiar with it, the Aztec

0:33:27.160 --> 0:33:31.360
<v Speaker 2>ballgame is a it's sort of a weird mashup of

0:33:31.400 --> 0:33:34.080
<v Speaker 2>maybe tennis and soccer, I guess is the way you

0:33:34.120 --> 0:33:37.160
<v Speaker 2>would describe it. You have two teams and you're knocking

0:33:37.160 --> 0:33:39.640
<v Speaker 2>a ball back and forth from one team to the other,

0:33:39.920 --> 0:33:43.080
<v Speaker 2>but you're also moving down the field trying to knock

0:33:43.080 --> 0:33:45.720
<v Speaker 2>get past your opponent's end line. And what makes this

0:33:45.760 --> 0:33:48.680
<v Speaker 2>game unusual is that you can't kick the ball. You

0:33:48.720 --> 0:33:50.960
<v Speaker 2>can't use your arms at all. You can only use

0:33:51.000 --> 0:33:53.280
<v Speaker 2>your hips. You have to turn and you have to

0:33:53.520 --> 0:33:56.240
<v Speaker 2>hit the ball with your hip. And when I was

0:33:56.280 --> 0:33:58.280
<v Speaker 2>learning how to so it spoiler a bit. I guess

0:33:58.480 --> 0:34:00.400
<v Speaker 2>I did learn how to play the game. And when

0:34:00.400 --> 0:34:02.960
<v Speaker 2>I was learning how to do it, the instructor said,

0:34:03.120 --> 0:34:05.320
<v Speaker 2>just do a shakira, So you take your hip and

0:34:05.360 --> 0:34:07.920
<v Speaker 2>you twist it hit the ball with your hip like shakira.

0:34:08.000 --> 0:34:11.279
<v Speaker 2>So that kind of puts you in the mindset of

0:34:11.320 --> 0:34:13.400
<v Speaker 2>what it's like to play this game. And it was

0:34:13.440 --> 0:34:18.080
<v Speaker 2>surprised about a few things, especially the size of the ball,

0:34:18.719 --> 0:34:21.160
<v Speaker 2>in that it was roughly the size of a bowling ball,

0:34:21.640 --> 0:34:24.200
<v Speaker 2>and it was also as heavy as a bowling bar.

0:34:24.480 --> 0:34:27.239
<v Speaker 2>Was it was softer than a bowling ball because it

0:34:27.280 --> 0:34:30.000
<v Speaker 2>was made out of rubber, but it was solid rubber

0:34:30.040 --> 0:34:32.560
<v Speaker 2>all the way through. There was no inflatable bladder or

0:34:32.600 --> 0:34:36.320
<v Speaker 2>anything inside it, so it was a really heavy, dense ball.

0:34:36.880 --> 0:34:39.240
<v Speaker 2>And this is the ball that you're knocking with your hips,

0:34:39.360 --> 0:34:42.640
<v Speaker 2>hitting it back and forth, So imagine basically sending a

0:34:42.719 --> 0:34:46.080
<v Speaker 2>padded bowling ball bouncing back and forth with your hip.

0:34:46.680 --> 0:34:49.120
<v Speaker 2>So despite that, when I did get to play this game,

0:34:50.239 --> 0:34:53.839
<v Speaker 2>it was fun at first because you serve the ball

0:34:53.880 --> 0:34:55.680
<v Speaker 2>you tossed to the other team, and when the ball's

0:34:55.719 --> 0:34:58.200
<v Speaker 2>bouncing back and forth, you know, you kind of get

0:34:58.200 --> 0:34:59.920
<v Speaker 2>the hang of it. You hit it with your hips.

0:35:00.120 --> 0:35:04.320
<v Speaker 2>Sort of a fun little game. The problem is, because

0:35:04.320 --> 0:35:07.520
<v Speaker 2>the ball is so heavy, it eventually loses momentum and

0:35:07.560 --> 0:35:11.160
<v Speaker 2>starts rolling along the ground, and again you can only

0:35:11.280 --> 0:35:13.360
<v Speaker 2>hit it with your hip. So you have to do

0:35:13.480 --> 0:35:15.160
<v Speaker 2>is when the ball comes your way, you have to

0:35:15.280 --> 0:35:18.200
<v Speaker 2>drop to the ground. We were playing on hard pavement here,

0:35:18.280 --> 0:35:20.400
<v Speaker 2>not grass or anything. You have to drop to the

0:35:20.440 --> 0:35:24.040
<v Speaker 2>pavement and use your hip like a pinball paddle essentially,

0:35:24.560 --> 0:35:27.319
<v Speaker 2>and sort of swing it and knock the ball back

0:35:27.680 --> 0:35:30.160
<v Speaker 2>with your hip, and then you have to pop back

0:35:30.239 --> 0:35:32.680
<v Speaker 2>up because it's a penalty if you're still on the

0:35:32.680 --> 0:35:34.520
<v Speaker 2>ground before the ball gets back to the other team.

0:35:34.719 --> 0:35:36.600
<v Speaker 2>You have to pop back up, and then they'll hit

0:35:36.640 --> 0:35:38.000
<v Speaker 2>it right back to you. You have to drop to

0:35:38.000 --> 0:35:40.480
<v Speaker 2>the ground again, hit it back, pop up, and just

0:35:40.560 --> 0:35:44.000
<v Speaker 2>keep doing this over and over and over. It was

0:35:44.040 --> 0:35:47.040
<v Speaker 2>like doing essentially a hundred burpies in a row, except

0:35:47.040 --> 0:35:48.879
<v Speaker 2>then you had to knock a bowling ball back each

0:35:48.920 --> 0:35:52.640
<v Speaker 2>time you did it, and before long, maybe half an

0:35:52.640 --> 0:35:58.719
<v Speaker 2>hour in, my legs were just quaking with fatigue and cramping.

0:35:58.840 --> 0:36:02.080
<v Speaker 2>I was really really hurting after doing all of these

0:36:02.120 --> 0:36:05.200
<v Speaker 2>calisthenics for a while, and eventually I feel a bit

0:36:05.239 --> 0:36:09.160
<v Speaker 2>craven about this, but eventually I was hiding behind one

0:36:09.160 --> 0:36:12.000
<v Speaker 2>of my teammates who happened to be an eleven year

0:36:12.040 --> 0:36:16.000
<v Speaker 2>old child, because I just couldn't take this anymore going

0:36:16.080 --> 0:36:18.480
<v Speaker 2>up and down, and the child was very good. They

0:36:18.520 --> 0:36:20.600
<v Speaker 2>were popping right up and down. She was just knocking

0:36:20.600 --> 0:36:22.920
<v Speaker 2>the ball back and forth. So I let her have

0:36:23.000 --> 0:36:25.919
<v Speaker 2>her fun after a while and sort of effectively quit

0:36:25.960 --> 0:36:28.520
<v Speaker 2>playing this, and then spent the next day limping around

0:36:28.640 --> 0:36:31.000
<v Speaker 2>Mexico City, where I ended up going to play it,

0:36:31.120 --> 0:36:33.960
<v Speaker 2>just limping around, wincing every time I had to use

0:36:33.960 --> 0:36:38.400
<v Speaker 2>the stairs. But it really did drive home what an

0:36:38.480 --> 0:36:41.160
<v Speaker 2>unusual game this was. I played a lot of sports

0:36:41.239 --> 0:36:44.240
<v Speaker 2>going up, but never anything like this, And just how

0:36:44.320 --> 0:36:48.239
<v Speaker 2>tough the people were who played this game, because these

0:36:48.280 --> 0:36:50.880
<v Speaker 2>games could go on for you know, days at a

0:36:50.920 --> 0:36:54.440
<v Speaker 2>time sometimes and they actually used it as training for

0:36:54.760 --> 0:36:57.400
<v Speaker 2>war to toughen their warriors up, and I can really

0:36:57.440 --> 0:37:00.080
<v Speaker 2>see how it would be effective as training for so

0:37:00.520 --> 0:37:02.799
<v Speaker 2>because again, even after half an hour or so, I

0:37:02.920 --> 0:37:04.000
<v Speaker 2>was I was a hurting unit.

0:37:04.560 --> 0:37:07.920
<v Speaker 1>Yeah, it's yeah, absolutely sounds brutal, and yeah, you can

0:37:07.960 --> 0:37:10.799
<v Speaker 1>see how it is, certainly based on your experiences here.

0:37:10.840 --> 0:37:14.440
<v Speaker 1>It's it's how it conditions the warrior. And yet that

0:37:14.920 --> 0:37:20.040
<v Speaker 1>it does feel weirdly foreign compared to like modern so

0:37:20.040 --> 0:37:23.040
<v Speaker 1>many modern popular sports, but in a weird way, like,

0:37:23.080 --> 0:37:25.359
<v Speaker 1>how is it really that different from soccer? We're kicking

0:37:25.400 --> 0:37:28.000
<v Speaker 1>the ball around? Is that? You know, it's it's not

0:37:28.040 --> 0:37:31.759
<v Speaker 1>like people kick each other in war. So I don't know,

0:37:31.840 --> 0:37:34.880
<v Speaker 1>it's it's it's it's I guess it's just a difficult

0:37:34.920 --> 0:37:38.080
<v Speaker 1>one to try and contemplate as like a modern somewhat

0:37:38.080 --> 0:37:39.560
<v Speaker 1>familiar with modern sports.

0:37:39.840 --> 0:37:42.920
<v Speaker 2>Yeah, and I guess I didn't even think about sports

0:37:42.960 --> 0:37:45.719
<v Speaker 2>as something you could really investigate with archaeology. We think

0:37:45.760 --> 0:37:50.520
<v Speaker 2>about them as much more of a modern phenomenon. And yeah,

0:37:50.520 --> 0:37:52.399
<v Speaker 2>this was just kind of an unusual chance to do

0:37:52.480 --> 0:37:57.000
<v Speaker 2>something outside of the normal realm of recreating recipes, recreating tools,

0:37:57.000 --> 0:38:00.680
<v Speaker 2>things like that, to try out a sport that, Yeah,

0:38:01.160 --> 0:38:03.520
<v Speaker 2>you can definitely see affinities with modern sports, but it

0:38:03.600 --> 0:38:04.760
<v Speaker 2>is its own distinct thing.

0:38:13.360 --> 0:38:17.440
<v Speaker 1>Now, on the subject of like recreating recreating history certainly

0:38:18.120 --> 0:38:22.000
<v Speaker 1>a huge part of experimental archaeology, tell us a little

0:38:22.000 --> 0:38:26.360
<v Speaker 1>bit about how you utilized fiction writing in this book,

0:38:26.960 --> 0:38:33.319
<v Speaker 1>using fiction alongside the nonfiction to recreate possible chapters from

0:38:33.480 --> 0:38:33.960
<v Speaker 1>the past.

0:38:34.320 --> 0:38:37.359
<v Speaker 2>Yeah, so the book structure is a bit unusual. Each

0:38:37.480 --> 0:38:41.480
<v Speaker 2>chapter puts you in a specific time and a specific place.

0:38:41.560 --> 0:38:45.439
<v Speaker 2>So one chapter is Africa seventy five thousand years ago,

0:38:45.840 --> 0:38:51.000
<v Speaker 2>another chapter is medieval China. You're in ancient Egypt, ancient Rome,

0:38:51.160 --> 0:38:54.560
<v Speaker 2>Viking times, Arctic a thousand years ago, a bunch of

0:38:54.560 --> 0:38:57.719
<v Speaker 2>different places. And the premise of each chapter was to

0:38:57.800 --> 0:39:01.200
<v Speaker 2>really immerse you and just spend a day in the

0:39:01.320 --> 0:39:04.760
<v Speaker 2>life of a person from that time and that place,

0:39:05.200 --> 0:39:07.480
<v Speaker 2>and each of the things that I do and describe

0:39:07.560 --> 0:39:11.640
<v Speaker 2>the archaeological experiments are related to that time and place.

0:39:12.400 --> 0:39:15.960
<v Speaker 2>But overall, I thought, you know, fiction can do some

0:39:16.160 --> 0:39:20.440
<v Speaker 2>things that nonfiction cannot. It's a bit more immersive being

0:39:20.480 --> 0:39:23.760
<v Speaker 2>in that character's point of view. So for each chapter

0:39:23.960 --> 0:39:27.160
<v Speaker 2>there is a fictional sort of a short story where

0:39:27.200 --> 0:39:30.760
<v Speaker 2>you are in the character's mind going through a day

0:39:30.880 --> 0:39:33.600
<v Speaker 2>in their life, usually a pretty bad day, some dramatic

0:39:33.640 --> 0:39:35.640
<v Speaker 2>things happen to them, but you're going through a day

0:39:35.640 --> 0:39:39.840
<v Speaker 2>in their life, experiencing what they would have experienced. And

0:39:39.880 --> 0:39:42.600
<v Speaker 2>then the story, the fiction story sort of stops at

0:39:42.600 --> 0:39:45.960
<v Speaker 2>a dramatic moment, jumps to the nonfiction, and then I

0:39:46.080 --> 0:39:48.560
<v Speaker 2>come in, explain what they were doing, Explain how the

0:39:48.600 --> 0:39:51.759
<v Speaker 2>experimental archaeology works, stuff like that, who it fit in

0:39:51.800 --> 0:39:54.080
<v Speaker 2>with our culture. Then you jump back to the fiction

0:39:54.280 --> 0:39:57.360
<v Speaker 2>and it sort of alternates like that. But basically, the

0:39:57.360 --> 0:40:00.560
<v Speaker 2>fiction seemed like a better way to really imm yourself

0:40:00.640 --> 0:40:03.080
<v Speaker 2>in that time place, and it was a lot of

0:40:03.080 --> 0:40:05.480
<v Speaker 2>fun to write. All my books so far have been

0:40:05.800 --> 0:40:09.160
<v Speaker 2>strictly nonfiction. There's definitely a narrative component to it, but

0:40:09.560 --> 0:40:11.799
<v Speaker 2>this was explicitly fiction, and so it was a kind

0:40:11.840 --> 0:40:12.560
<v Speaker 2>of a fun experiment.

0:40:13.160 --> 0:40:15.239
<v Speaker 1>It's made for a fun reading experience as well.

0:40:15.560 --> 0:40:16.040
<v Speaker 2>Oh thank you.

0:40:16.160 --> 0:40:18.640
<v Speaker 1>But I do have to wonder, though, is this because

0:40:18.800 --> 0:40:22.880
<v Speaker 1>ultimately I can imagine thinking about this and planning this

0:40:22.960 --> 0:40:25.440
<v Speaker 1>out at the planning stage of the book, and then

0:40:25.560 --> 0:40:27.279
<v Speaker 1>it sounds like you kind of set yourself up with

0:40:27.320 --> 0:40:31.080
<v Speaker 1>a kind of a sizeable challenge to write. In addition

0:40:31.120 --> 0:40:33.360
<v Speaker 1>to the nonfiction, portions of the book what ten or

0:40:33.360 --> 0:40:37.120
<v Speaker 1>eleven short stories, each set in a different time, in place,

0:40:37.239 --> 0:40:38.319
<v Speaker 1>and perspective.

0:40:38.719 --> 0:40:41.239
<v Speaker 2>Yeah, it took a lot of reading to make sure

0:40:41.239 --> 0:40:43.600
<v Speaker 2>I got all the details right of all of these places,

0:40:43.760 --> 0:40:46.400
<v Speaker 2>and you know, not only what places looked like, but

0:40:46.480 --> 0:40:50.239
<v Speaker 2>also people's worldviews, how they thought about religion, how they

0:40:50.239 --> 0:40:53.080
<v Speaker 2>thought about family, all these different things. So it did

0:40:53.120 --> 0:40:56.880
<v Speaker 2>take a lot of reading. But I'd always been interested

0:40:56.920 --> 0:41:00.719
<v Speaker 2>in these topics, and I'd been kind of gathering for

0:41:00.800 --> 0:41:03.960
<v Speaker 2>this book for a while, so I had done some

0:41:04.000 --> 0:41:06.000
<v Speaker 2>of the reading ahead of time and could draw on

0:41:06.320 --> 0:41:08.640
<v Speaker 2>those kind of things. And I've been working on this

0:41:08.719 --> 0:41:11.759
<v Speaker 2>book since actually I think before the pandemic, So I've

0:41:11.760 --> 0:41:14.319
<v Speaker 2>been put a lot of time and effort into this one.

0:41:14.400 --> 0:41:16.719
<v Speaker 2>So I think it paid off. I think the richness

0:41:16.719 --> 0:41:20.000
<v Speaker 2>of detail in each chapter really does bring a.

0:41:19.960 --> 0:41:23.160
<v Speaker 1>Live Yeah, the proof is in the pudding. So the

0:41:23.160 --> 0:41:26.160
<v Speaker 1>book again is Dinner with King tut how rogue archaeologists

0:41:26.160 --> 0:41:30.040
<v Speaker 1>are recreating the site, sound, smells, and tastes of lost civilizations.

0:41:30.360 --> 0:41:33.280
<v Speaker 1>It's fantastic. Highly recommend it to listeners of this show,

0:41:33.600 --> 0:41:36.480
<v Speaker 1>and as far as podcast listeners go, you also host

0:41:36.480 --> 0:41:38.880
<v Speaker 1>a podcast, tell Us a Little bit about this I do.

0:41:38.960 --> 0:41:42.359
<v Speaker 2>It's called Disappearing Spoon, which happens to be the name

0:41:42.440 --> 0:41:46.000
<v Speaker 2>of my first book, and if you're familiar with that book,

0:41:46.040 --> 0:41:49.040
<v Speaker 2>the podcast is actually on a different topic. The book

0:41:49.120 --> 0:41:53.879
<v Speaker 2>was about the periodic table. This is more. I come

0:41:53.920 --> 0:41:57.120
<v Speaker 2>across a lot of stories when I'm doing research, really good,

0:41:57.280 --> 0:42:01.439
<v Speaker 2>interesting stories about science and history that just don't fit

0:42:01.520 --> 0:42:03.880
<v Speaker 2>in the books that I'm writing. And it always killed

0:42:03.920 --> 0:42:05.719
<v Speaker 2>me to have no place for these stories. I had

0:42:05.719 --> 0:42:09.319
<v Speaker 2>this big file of orphan stories that I had, but

0:42:09.440 --> 0:42:12.640
<v Speaker 2>having the podcast gives me a chance to put them

0:42:12.640 --> 0:42:16.000
<v Speaker 2>out there. So I've done series on things like, you know,

0:42:16.160 --> 0:42:19.680
<v Speaker 2>the dumbest mistake Einstein ever made, or you know, how

0:42:19.800 --> 0:42:22.920
<v Speaker 2>climate change could change the shape of the human body,

0:42:23.000 --> 0:42:26.120
<v Speaker 2>and things like that. So just little snippets I've come across.

0:42:26.120 --> 0:42:28.719
<v Speaker 2>Each one's pretty bite sized, maybe twenty minutes or so,

0:42:29.400 --> 0:42:32.719
<v Speaker 2>and yeah, they're out there, little fun sized bits of

0:42:32.760 --> 0:42:33.600
<v Speaker 2>science and history.

0:42:33.960 --> 0:42:36.439
<v Speaker 1>Awesome. Well, Sam, thanks again for coming on the show

0:42:36.440 --> 0:42:39.560
<v Speaker 1>and chatting with me again. The book Dinner with King

0:42:39.640 --> 0:42:42.359
<v Speaker 1>tut fabulous read, highly recommend it.

0:42:42.920 --> 0:42:44.960
<v Speaker 2>Thanks for having me, Thank you, thank you.

0:42:47.000 --> 0:42:49.959
<v Speaker 1>All right, Thanks once again to Sam Keen for coming

0:42:50.000 --> 0:42:52.520
<v Speaker 1>on the show. And chatting with me again. His website

0:42:52.560 --> 0:42:55.840
<v Speaker 1>is sam Keen dot com and the book is Dinner

0:42:55.840 --> 0:42:59.040
<v Speaker 1>with King Tut how rogue archaeologists are recreating the site

0:42:59.080 --> 0:43:02.799
<v Speaker 1>Sound Smells and Case of Lost Civilizations. It is out

0:43:02.840 --> 0:43:07.120
<v Speaker 1>in hardcover July eighth, twenty twenty five. Thanks as always

0:43:07.120 --> 0:43:10.160
<v Speaker 1>to the excellent JJ Possway for producing the show here

0:43:10.440 --> 0:43:13.520
<v Speaker 1>and if you would like to ride in with any feedback,

0:43:13.640 --> 0:43:15.799
<v Speaker 1>If you would like to just touch base with Joe

0:43:15.880 --> 0:43:19.080
<v Speaker 1>or myself, well, you can email us at contact at

0:43:19.080 --> 0:43:20.280
<v Speaker 1>stuff to Blow your Mind.

0:43:20.400 --> 0:43:30.839
<v Speaker 2>Dot Stuff to Blow Your Mind is production of iHeartRadio.

0:43:31.160 --> 0:43:34.120
<v Speaker 2>For more podcasts from my Heart Radio, visit the iHeartRadio app,

0:43:34.280 --> 0:43:53.399
<v Speaker 2>Apple Podcasts, or wherever you're listening to your favorite shows.