WEBVTT - Will Packer Interview

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<v Speaker 1>I'm a real, real celebrity, joined the Breakfast Morning. Everybody

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<v Speaker 1>is DJ Envy Angela Ye, Charlomane the guy. We are

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<v Speaker 1>the Breakfast Club. We have a special guest in the

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<v Speaker 1>building this morning. That's right, mister Will Packer, Yo, a

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<v Speaker 1>lot of money looking like money. Okay, success generated about

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<v Speaker 1>a half a billy for Hollywood the past decade. He

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<v Speaker 1>has great teeth. Get me robbed outside, Gotta get back.

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<v Speaker 1>You know what I'm saying that that was a comfortable

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<v Speaker 1>environ You know New York. You know what, I don't

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<v Speaker 1>have a lot of business in New York. First of all,

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<v Speaker 1>thank you for saying that about my teeth at twice

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<v Speaker 1>a day. Kids, Absolutely, thank you. Doctor King in Atlanta,

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<v Speaker 1>you know, uh, New York. I love New York man.

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<v Speaker 1>It's just, you know what in my side of the business.

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<v Speaker 1>You know, I'm producing film and TV, and I'm I'm

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<v Speaker 1>in Atlanta, I'm in the A and I'm in Hollywood.

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<v Speaker 1>You know, I'm my office is in LA and I

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<v Speaker 1>live in Atlanta, and I go back and forth, and

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<v Speaker 1>but I'm up here now because it's like the network

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<v Speaker 1>up fronts as this is where like all the shows,

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<v Speaker 1>you know how you're looking. You say, oh, why they

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<v Speaker 1>pick up that show? Why they cancel that show? This

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<v Speaker 1>is where that's all determined and announced. All the big

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<v Speaker 1>networks are here and they're selling their shows to the advertise.

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<v Speaker 1>So this is like a little behind the scenes of

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<v Speaker 1>how the business really works. So I'm up here because

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<v Speaker 1>I got two new shows, one on ABC, one on NBC.

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<v Speaker 1>Up front? Did you attend, sir? Both of them? ABC?

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<v Speaker 1>I go to I gotta see what everybody else is doing.

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<v Speaker 1>I went to Fox. I snuck in CBS. I gotta

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<v Speaker 1>see what it is. You know, So you got two shows?

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<v Speaker 1>Come into show? Yeah, man, um, I see the one

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<v Speaker 1>on NBC and ABC. Ye. People are talking by the way,

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<v Speaker 1>that looks hilarious. Oh, it goes there, it goes there.

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<v Speaker 1>It's it's a funny show. It's it's like it's this

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<v Speaker 1>white dude, just like like really neurotic jewish white dude.

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<v Speaker 1>His best friend is black. His wife is like mix,

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<v Speaker 1>you don't really know what she is. She's ethnically ambiguous.

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<v Speaker 1>And the black dude does stand up and the white

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<v Speaker 1>dudes are as a professor and all they talk talk

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<v Speaker 1>about his race and sex and politics and stuff that

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<v Speaker 1>like everybody else would consider awkward conversations like they go there,

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<v Speaker 1>you know what I mean. So it's crazy like in

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<v Speaker 1>the opening episode, like, uh, they're about to hire this babysitter,

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<v Speaker 1>but then the babysity it turns out to be hot,

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<v Speaker 1>so it's like, can we hire her? And then the

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<v Speaker 1>black dudees like I think I saw on huts porn

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<v Speaker 1>star Exactly what would you do if your babysitter was

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<v Speaker 1>a porn star, Because then it's weird, like Okay, she's hot,

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<v Speaker 1>but then you see her holding the baby that was

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<v Speaker 1>the thing, but they needed babysit. It's so bad and

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<v Speaker 1>wife was like, well she ain't doing it no more.

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<v Speaker 1>I mean it's really bad. And it was like debating it.

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<v Speaker 1>You know what I'm saying. It wanted to go. My

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<v Speaker 1>wife just asking that the other day. So about this

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<v Speaker 1>old pair, do you wanted to be young and old?

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<v Speaker 1>I said, old, old, nold temptation. You know, you know

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<v Speaker 1>we we disliked you, me and you disliked you for

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<v Speaker 1>a while. What happened Charlemagne came back and had a

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<v Speaker 1>big head after being in a movie. Yeah, yeah, right

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<v Speaker 1>along in a big movie. Bill. I don't know that

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<v Speaker 1>we would say star. I don't know if that's exactly accurate,

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<v Speaker 1>but but we're going to keep going. Starting came back

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<v Speaker 1>and he's had a big head ever since. Okay, there's

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<v Speaker 1>people are recognizing him when he goes out. Is a

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<v Speaker 1>resume for the movie? I have an It was all method.

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<v Speaker 1>Actually was about the face to walk, you know, the

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<v Speaker 1>way I held the fold. If you if you love

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<v Speaker 1>his line and ride along, wait till you see his

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<v Speaker 1>line and ride along too. Wait I'm saying, and um,

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<v Speaker 1>you know every starting power. So you guys both ride

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<v Speaker 1>along too. That's my I was like, dain't got it?

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<v Speaker 1>Right along? He does? He does the same line, but

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<v Speaker 1>even better. Where do you get the inspiration for these movies?

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<v Speaker 1>You know why? It comes from everywhere? Like So, as

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<v Speaker 1>a producer, a lot of people don't even know what

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<v Speaker 1>like a movie producer does. So my job is to

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<v Speaker 1>bring together all the people that actually make the movie.

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<v Speaker 1>So I'm like the general man jo on the football team. Right.

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<v Speaker 1>I gotta bring in my director, got to bring in

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<v Speaker 1>my actors. I gotta find a financing now, I gotta

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<v Speaker 1>find the writers who will go. So a lot of

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<v Speaker 1>times I'll have an idea for a movie, and then

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<v Speaker 1>I'll go get the right writer to go and actually

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<v Speaker 1>execute it and put it together. It sound so simple.

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<v Speaker 1>I have an idea for a movie, let me get

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<v Speaker 1>someone to write it. Because we all have ideas. Everybody

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<v Speaker 1>thinks they can produce and direct a movie until you

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<v Speaker 1>know it's crazy though, you actually you can. And I

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<v Speaker 1>say that to people like these days, like there's nothing's time.

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<v Speaker 1>You can go take your smartphone and you could actually shoot,

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<v Speaker 1>and you can edit on your laptop or your or

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<v Speaker 1>your tablet, and you could actually make a movie. But

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<v Speaker 1>people don't have to. People don't have to. That's right.

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<v Speaker 1>Your first one's gonna be garbage, that's what. And I

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<v Speaker 1>tell people who want to get in this game, I'm like,

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<v Speaker 1>you know, just go out and start shooting stuff because

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<v Speaker 1>the first is gonna be hot garbage. The second we

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<v Speaker 1>will be a little less hot garbage. But then you know,

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<v Speaker 1>you get better and better east time. A lot of

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<v Speaker 1>people don't have the drive to really do that. That's

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<v Speaker 1>the truth. You have millions of dollars, you gotta make this,

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<v Speaker 1>you know, fifty million dollars, you know, ride a long

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<v Speaker 1>type move. I'm like na make a like ten thousand

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<v Speaker 1>or make a hundred dollars movie. Just make a movie

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<v Speaker 1>for nothing, you know, and just see what if people

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<v Speaker 1>watch it, if it's good. A lot of people don't

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<v Speaker 1>know you've been doing it since the nineties. I've been

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<v Speaker 1>in it, man, Yeah, I've been in it. Yeah. Man.

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<v Speaker 1>I went to family down to tylahas she graduated from there.

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<v Speaker 1>I made my first little movie there, and then I

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<v Speaker 1>made a movie called TWA That was the first one

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<v Speaker 1>that went in there. I actually saw that movie, remember

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<v Speaker 1>that yet that was the hustle. I made that little

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<v Speaker 1>movie and literally like it was like a three time

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<v Speaker 1>they had a couple had a three you know who

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<v Speaker 1>was in Gary Doordan. Yeah, I just saw him imagine

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<v Speaker 1>Palmer and Kenya More, Kenya More. That's right, that's when

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<v Speaker 1>she was in. Yeah. Would you put her in anything now? Um,

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<v Speaker 1>if it was right role. You know, I don't work

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<v Speaker 1>with a lot of reality stars, um, just because there's

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<v Speaker 1>so many And that's nothing against him at all, but

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<v Speaker 1>there's so many like like actors that are out there

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<v Speaker 1>and like getting in the game, and like that's interesting

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<v Speaker 1>because La, You've worked with Lila and she came up

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<v Speaker 1>parents said she stopped doing her show because she feels

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<v Speaker 1>like there's a stigma attached to being a reality star,

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<v Speaker 1>and it was hard for her to get wrong. A

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<v Speaker 1>lot of people in the industry view that as what

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<v Speaker 1>you do and your talent, and they say, you know what,

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<v Speaker 1>we'd rather have somebody that can separate themselves because as

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<v Speaker 1>reality you're known for like playing yourself as an actor.

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<v Speaker 1>You want people who can become other characters. It's not

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<v Speaker 1>to say they're not talented people out there, but like

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<v Speaker 1>Lie is talented, a Lie works hard. Like Lie is

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<v Speaker 1>somebody that's like taking acting classes and has a coach,

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<v Speaker 1>and she's very very serious about it. So it's not like,

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<v Speaker 1>you know, the reality thing was something she did. It's

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<v Speaker 1>not who she is. No, let me running the resume

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<v Speaker 1>down for people who may not know you produced Takers Did,

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<v Speaker 1>which was a big movie like a Man one and

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<v Speaker 1>two ride along about Last Night, No Good Deed, the

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<v Speaker 1>Wedding Ringer. Yeah, they see your executive producer spreared out

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<v Speaker 1>of content that man coming out August. Yeah. How did

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<v Speaker 1>you go from you know, just being the guy that

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<v Speaker 1>did twar in the nineties or early two thousands to

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<v Speaker 1>being the go to guy in Hollywood achieve grime? Man,

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<v Speaker 1>that grind just not stopping. You know. The first the

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<v Speaker 1>first like big movie was Stomped the Yard. That was

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<v Speaker 1>my first one. Yeah, and it was like, you know,

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<v Speaker 1>I went to a black college. I was in a fraternity,

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<v Speaker 1>So I made a movie about something that we knew

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<v Speaker 1>college family, Florida and dam University. Uh. And you know what,

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<v Speaker 1>that was the first one that like made Hollywood take note.

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<v Speaker 1>But to even get to that point was because we

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<v Speaker 1>made that little movie TWI and we made money outside

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<v Speaker 1>of Hollywood, spake money without them. You see them be

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<v Speaker 1>absolutely Are they doing a Stump the Yard TV show

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<v Speaker 1>now or something not serious about that? I wonder what

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<v Speaker 1>makes you pick your talent? Because you put Terrence Jay

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<v Speaker 1>in Stump the Yard early, you put them in think

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<v Speaker 1>like a mane one in two. Yeah, Like what made

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<v Speaker 1>you see something in Terrence Jay? You know what? Terence

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<v Speaker 1>is a hustler? Man. I tell you true story with Terrace.

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<v Speaker 1>Terrace was on one oh six right, and I was

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<v Speaker 1>doing a table read that's where you get the whole

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<v Speaker 1>cast together for the movie. We had like basically most

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<v Speaker 1>of the cast out in LA and I said, yo,

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<v Speaker 1>t I have a couple roles that haven't been cash.

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<v Speaker 1>Yet I'm doing a table read in LA. I know

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<v Speaker 1>you're shooting in New York. If you can make it

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<v Speaker 1>and just read this role alongside the actors, you probably

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<v Speaker 1>not gonna get the role. But the studio was that

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<v Speaker 1>there was littlely no chance team was gonna get this role,

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<v Speaker 1>you know, because I mean, you know, I had Kevin Harder,

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<v Speaker 1>had Taji, I had Michael Eally, you know, and he

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<v Speaker 1>was so he came in just for the table read

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<v Speaker 1>and he took off work like Stephen Hill knows the

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<v Speaker 1>story now, but he liked lied and said he was sick,

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<v Speaker 1>flew to LA for this table read, got in the

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<v Speaker 1>room with the actors and killed it. Like while everybody

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<v Speaker 1>else was just reading the lines. You know what I'm saying.

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<v Speaker 1>Terrence had memorized that I was acting it out and

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<v Speaker 1>he did so good, Like he had that little small

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<v Speaker 1>window of opportunity and he just ran with it. Yeah,

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<v Speaker 1>and that's direct, Like, Yo, Who's who's that guy that

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<v Speaker 1>was reading the role of Michael? Who is he? I

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<v Speaker 1>was like, you know what, we should consider him, and

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<v Speaker 1>he gave me the ammunition I needed. He got that wrong. Wow,

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<v Speaker 1>that's interesting. Kevin hard too, like it's like you two

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<v Speaker 1>have a chemistry like dream snoopad in the nineties. Yeah,

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<v Speaker 1>I got to keV become like I guess you're mused,

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<v Speaker 1>so to speak, dude, work ethic because keV keV like

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<v Speaker 1>worked so hard and go so hard and like I'm

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<v Speaker 1>the same way. So we just we just connect on

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<v Speaker 1>that level, you know what I mean, Like just like

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<v Speaker 1>on some real professional stuff, like we both are like, yo,

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<v Speaker 1>let's go get it. Like I'll never forget the day

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<v Speaker 1>Ride Along opened, we were everybody was like, yo, we

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<v Speaker 1>opened number one. We made like forty plus million dollars kicking,

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<v Speaker 1>and me and keV had to get up like six

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<v Speaker 1>am the next one to do promo shoots for about

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<v Speaker 1>last night with our next movie that was opening, and

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<v Speaker 1>we was like, yo, we'll celebrate later. We gotta get

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<v Speaker 1>it like we did one, Let's get two, Let's get three.

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<v Speaker 1>Like he's he's always thinking four or five steps ahead.

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<v Speaker 1>And with keV, people don't know it, but keV was

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<v Speaker 1>in the game for a minute and was losing. Was like,

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<v Speaker 1>that's the worst people we have ever made. Like people

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<v Speaker 1>wrote Kevin Hart off for dead like true story. I

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<v Speaker 1>went to Hollywood like would think like a man. I

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<v Speaker 1>was like, yo, Kevin Hart, I want to put him

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<v Speaker 1>in it. He would be great as this central role.

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<v Speaker 1>It was like it was like, we know Kevin Hart.

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<v Speaker 1>He's not a star, Like he's not a leading man.

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<v Speaker 1>We're not hiring Kevin Hart. Like literally they told me that.

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<v Speaker 1>And now all those people call me like you think

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<v Speaker 1>you'll you think you dotely? Absolutely, did you know you

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<v Speaker 1>could be a superstar? I did. I did, because the

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<v Speaker 1>reality is that, and you guys noticed, like the streets

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<v Speaker 1>know it before Hollywood does. Hollywood doesn't have their finger

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<v Speaker 1>on any particular post. They're trying, you know, But my

0:10:17.840 --> 0:10:20.960
<v Speaker 1>job is connect with real people, and real people were

0:10:21.040 --> 0:10:24.280
<v Speaker 1>feeling keV way before Hollywood was taking notice. And that's

0:10:24.280 --> 0:10:26.600
<v Speaker 1>what I brought. And I said, Yo, I'm telling you,

0:10:26.880 --> 0:10:29.640
<v Speaker 1>this guy is building a fan base that is monstrous

0:10:29.640 --> 0:10:31.920
<v Speaker 1>and will not stop. Now they're aware of it. But

0:10:32.000 --> 0:10:33.960
<v Speaker 1>he went out there and he made his own just

0:10:34.000 --> 0:10:36.080
<v Speaker 1>like we were talking about making a movie. He made

0:10:36.120 --> 0:10:38.079
<v Speaker 1>his own through his whole digital stuff and through a

0:10:38.160 --> 0:10:40.199
<v Speaker 1>stand up and you know all the movies that was

0:10:40.240 --> 0:10:42.079
<v Speaker 1>on bootleg, Like I joke about it, but that got

0:10:42.160 --> 0:10:43.680
<v Speaker 1>him in like a bunch of living rooms. People was

0:10:43.679 --> 0:10:46.520
<v Speaker 1>watching the stand up way before Hollywood to know they're

0:10:46.559 --> 0:10:49.400
<v Speaker 1>straight out of Compton. Yeah, man, I was filming that

0:10:49.400 --> 0:10:50.839
<v Speaker 1>movie because I mean, it seems like there would be

0:10:50.880 --> 0:10:53.800
<v Speaker 1>so much controversy about that movie and people wanting to

0:10:53.800 --> 0:10:55.360
<v Speaker 1>be in and wanting to put their parts in their

0:10:55.360 --> 0:10:57.400
<v Speaker 1>two cents in that movie, and then people being mad

0:10:57.440 --> 0:10:59.720
<v Speaker 1>about what you say about them and how they portrayed

0:10:59.720 --> 0:11:02.920
<v Speaker 1>in that movie. Biopics are are challenging, I will tell

0:11:02.960 --> 0:11:04.760
<v Speaker 1>you that because you know it's a it's a true

0:11:04.800 --> 0:11:08.000
<v Speaker 1>life story. But if there is an ever a biopic,

0:11:08.080 --> 0:11:11.040
<v Speaker 1>man that the timing was right and the story needed

0:11:11.080 --> 0:11:13.040
<v Speaker 1>to be told, it was this one. And I gotta

0:11:13.080 --> 0:11:15.760
<v Speaker 1>give major props to f Gary Gray, the director, because

0:11:15.800 --> 0:11:18.040
<v Speaker 1>you know, he's from that world. He knows it like

0:11:18.080 --> 0:11:20.560
<v Speaker 1>that was his life. And this movie had been around

0:11:20.559 --> 0:11:23.640
<v Speaker 1>a long long time and a lot of challenges were

0:11:23.679 --> 0:11:26.160
<v Speaker 1>in the way of getting made, and it finally got made.

0:11:26.200 --> 0:11:29.200
<v Speaker 1>And it's funny because it's um you know, obviously Cube's

0:11:29.200 --> 0:11:34.160
<v Speaker 1>son plays him. And we were actually shooting right along too,

0:11:34.440 --> 0:11:37.120
<v Speaker 1>in like Miami and Atlanta, and they were at the

0:11:37.200 --> 0:11:39.760
<v Speaker 1>same time straight out of convers shooting in la and

0:11:39.800 --> 0:11:43.319
<v Speaker 1>so in between takes, like Cube would have the tablet

0:11:43.360 --> 0:11:45.520
<v Speaker 1>ie we got the technology now where we can actually

0:11:45.559 --> 0:11:48.240
<v Speaker 1>watch what's going on on another set. Then between him

0:11:48.240 --> 0:11:49.960
<v Speaker 1>and acting right along too, he'd be trying to see

0:11:49.960 --> 0:11:51.280
<v Speaker 1>what the son was doing, you know what I mean.

0:11:51.440 --> 0:11:53.240
<v Speaker 1>I was like, Yo, how are you doing this? This

0:11:53.440 --> 0:11:55.920
<v Speaker 1>must be nerve racking, Like you got your you got

0:11:55.960 --> 0:11:58.600
<v Speaker 1>the movie about you. First of all, this is your movie,

0:11:58.640 --> 0:12:01.360
<v Speaker 1>your life, and then your son and it's playing you

0:12:01.440 --> 0:12:02.880
<v Speaker 1>in the movie. You want him to do good, you

0:12:02.920 --> 0:12:04.720
<v Speaker 1>want the movie to be good. You're trying to act

0:12:04.720 --> 0:12:06.760
<v Speaker 1>in this other big action movie we're doing like, how

0:12:06.800 --> 0:12:08.920
<v Speaker 1>are you doing it? And it was just crazy trying

0:12:08.920 --> 0:12:11.839
<v Speaker 1>to balance all that, but it came together. Manum, it's

0:12:11.880 --> 0:12:14.000
<v Speaker 1>it's good. I gotta give props to Gary and Dre

0:12:14.120 --> 0:12:16.240
<v Speaker 1>and Cube, And you know, I can't wait for y'all

0:12:16.240 --> 0:12:17.439
<v Speaker 1>to see that. You're working with a lot of old

0:12:17.440 --> 0:12:19.400
<v Speaker 1>g's lately. I see I see you and LeVar Burton.

0:12:19.400 --> 0:12:24.800
<v Speaker 1>They say, y'all remaking roots roots man actual And so

0:12:24.880 --> 0:12:28.520
<v Speaker 1>that's gonna play on like I read Lifetime ay and

0:12:28.880 --> 0:12:31.040
<v Speaker 1>in History Chat. Yeah, it's gonna be simulcast at the

0:12:31.040 --> 0:12:33.240
<v Speaker 1>same time, it's gonna be really really big. I gotta

0:12:33.280 --> 0:12:35.760
<v Speaker 1>tell y'all, like more than anything. I'm proud of everything

0:12:35.800 --> 0:12:38.640
<v Speaker 1>I'm doing, but this is special to me. It's special

0:12:38.720 --> 0:12:41.160
<v Speaker 1>because it's such an iconic film and there's a whole

0:12:41.200 --> 0:12:44.000
<v Speaker 1>generation out there. They don't know roots, right, you know,

0:12:44.080 --> 0:12:46.440
<v Speaker 1>like some people like our roots. It's like you're retelling

0:12:46.480 --> 0:12:48.560
<v Speaker 1>the story. And I'm like, when you say retelling, that

0:12:48.640 --> 0:12:51.160
<v Speaker 1>implies that you told it. But there's a whole generation

0:12:51.200 --> 0:12:53.240
<v Speaker 1>that don't know it. They haven't seen it. Like all

0:12:53.360 --> 0:12:58.040
<v Speaker 1>they know I saw a django, you know, that's this

0:12:58.120 --> 0:13:01.800
<v Speaker 1>is the ultimate or Virgin's story, Like this is it.

0:13:01.920 --> 0:13:04.480
<v Speaker 1>This is like coming from Africa, kings and queens and

0:13:04.559 --> 0:13:08.040
<v Speaker 1>warriors and how you end up from that into how

0:13:08.080 --> 0:13:10.480
<v Speaker 1>we all sit in the studio today, you know. So

0:13:10.600 --> 0:13:12.959
<v Speaker 1>it's it's uh, it's it's a hell of an undertake

0:13:13.000 --> 0:13:15.000
<v Speaker 1>and I'm proud. We got some dope directors that were

0:13:15.040 --> 0:13:18.000
<v Speaker 1>lining up that I'll be able to announce soon. And yeah,

0:13:18.040 --> 0:13:20.520
<v Speaker 1>LeVar Burton from the original, you know, he's down with it.

0:13:20.559 --> 0:13:22.679
<v Speaker 1>But yeah, that's something brought to them or they were

0:13:22.679 --> 0:13:24.400
<v Speaker 1>going to do it and they were trying to find somebody.

0:13:24.520 --> 0:13:26.040
<v Speaker 1>They brought it to me. Yeah, That's the thing, like

0:13:26.040 --> 0:13:27.880
<v Speaker 1>how Charlotmagne was saying, when you get to kind of

0:13:27.920 --> 0:13:30.200
<v Speaker 1>be in that position where Hollywood will come to you.

0:13:30.280 --> 0:13:32.080
<v Speaker 1>So I'm very blessed that I was in a position

0:13:32.120 --> 0:13:33.880
<v Speaker 1>they came to me. They were doing it, and they

0:13:33.920 --> 0:13:35.800
<v Speaker 1>came to me to help, you know, bring my flavor. Now.

0:13:35.840 --> 0:13:37.440
<v Speaker 1>You tweeted one time you said, how can we expect

0:13:37.440 --> 0:13:39.920
<v Speaker 1>you have to behave? Behave? If they were descended from kings,

0:13:40.040 --> 0:13:43.240
<v Speaker 1>queens and noble warriors, if they're unaware it's in their DNA.

0:13:43.600 --> 0:13:45.880
<v Speaker 1>So I always wonder, why does Hollywood keep showing us

0:13:46.040 --> 0:13:48.600
<v Speaker 1>the slave stories? Then why not show us when we

0:13:48.600 --> 0:13:51.600
<v Speaker 1>were kings and queens and noble war Not a lot

0:13:51.640 --> 0:13:53.880
<v Speaker 1>of stories about that, not a lot of stories about that.

0:13:53.920 --> 0:13:56.000
<v Speaker 1>You're absolutely right. That's one of the reasons I want

0:13:56.000 --> 0:13:57.640
<v Speaker 1>to do this. I mean, I'm gonna show the whole journey,

0:13:57.640 --> 0:13:59.640
<v Speaker 1>and obviously slaver is an important part of it. But

0:13:59.720 --> 0:14:02.280
<v Speaker 1>this is going to go where it begins. It's just

0:14:02.360 --> 0:14:04.559
<v Speaker 1>going to start, you know, like the original in Africa.

0:14:04.600 --> 0:14:07.319
<v Speaker 1>And here's the thing about Hollywood. Hollywood is a business.

0:14:07.480 --> 0:14:09.040
<v Speaker 1>So at the end of the day, if people want

0:14:09.040 --> 0:14:10.760
<v Speaker 1>to see that, and they'll pay to see that. You know,

0:14:11.120 --> 0:14:12.840
<v Speaker 1>that's what they'll make. You know, you think it's like

0:14:12.880 --> 0:14:14.720
<v Speaker 1>I don't think people will pay to see black people

0:14:14.720 --> 0:14:19.120
<v Speaker 1>will be great and not a lot of stories. I

0:14:19.160 --> 0:14:22.000
<v Speaker 1>think that a lot of the stories that are in

0:14:22.040 --> 0:14:26.880
<v Speaker 1>a historical context about the black journey, the African American

0:14:27.000 --> 0:14:31.080
<v Speaker 1>journey is um you know, based around slavery or civil rights,

0:14:31.360 --> 0:14:33.080
<v Speaker 1>and those are important stories. There are a ton of

0:14:33.120 --> 0:14:35.160
<v Speaker 1>those stories that haven't been told, but a lot of

0:14:35.200 --> 0:14:38.440
<v Speaker 1>them have. And so this is one that is going

0:14:38.560 --> 0:14:42.240
<v Speaker 1>to take it from a totally different direction. It's going

0:14:42.320 --> 0:14:45.320
<v Speaker 1>to the original. Like my kids like, they don't want

0:14:45.320 --> 0:14:47.280
<v Speaker 1>to see the original rules you know, it was made

0:14:47.280 --> 0:14:49.760
<v Speaker 1>a long time ago. It feels like it's an old movie.

0:14:49.800 --> 0:14:51.880
<v Speaker 1>It feels like it was made in the style of

0:14:52.080 --> 0:14:53.680
<v Speaker 1>how movies were made and then they don't move as

0:14:53.720 --> 0:14:56.040
<v Speaker 1>fast and not as interesting and not as exciting. I

0:14:56.160 --> 0:14:58.560
<v Speaker 1>want to do a retelling and this for this to

0:14:58.720 --> 0:15:03.240
<v Speaker 1>be that movie, like that definitive origin story. Like I say,

0:15:03.360 --> 0:15:05.040
<v Speaker 1>you know that people can go, you can watch it,

0:15:05.120 --> 0:15:07.400
<v Speaker 1>you know, watching in schools. Why and it's gonna be entertained.

0:15:07.400 --> 0:15:09.200
<v Speaker 1>It's not like a history lesson and the foot getting

0:15:09.200 --> 0:15:13.800
<v Speaker 1>cut off can look even more realistic. It's also remaking

0:15:13.840 --> 0:15:16.160
<v Speaker 1>the whiz. Is that true? That's me. They're doing it,

0:15:16.280 --> 0:15:19.200
<v Speaker 1>NBC is doing it. But everything, everybody wants to be

0:15:19.200 --> 0:15:24.120
<v Speaker 1>in everything. What motivates you now, because obviously it's not

0:15:24.200 --> 0:15:28.080
<v Speaker 1>bunny you know what it's it's um, it's the grime. Man.

0:15:28.720 --> 0:15:30.880
<v Speaker 1>Here's the thing when you and I tell people this

0:15:30.960 --> 0:15:33.120
<v Speaker 1>all the time, like if you if you hustle, you

0:15:33.120 --> 0:15:34.520
<v Speaker 1>want to work hard, you want to like get to

0:15:34.520 --> 0:15:36.520
<v Speaker 1>a certain level, you gotta start now, Like I don't

0:15:36.520 --> 0:15:38.320
<v Speaker 1>care if you listen to me right now you're watching

0:15:38.320 --> 0:15:40.480
<v Speaker 1>this on revote. Then you in a job that you hate,

0:15:40.560 --> 0:15:42.600
<v Speaker 1>do that to the best your ability, because it's not

0:15:42.680 --> 0:15:45.000
<v Speaker 1>like just when the opportunity pops all of a sudden,

0:15:45.000 --> 0:15:46.280
<v Speaker 1>you're gonna know how to be great, and you're gonna

0:15:46.280 --> 0:15:47.760
<v Speaker 1>know how to hustle. You're gonna know how to grind.

0:15:47.840 --> 0:15:52.200
<v Speaker 1>Like no, you start that wherever you are, whatever you're doing, like,

0:15:52.400 --> 0:15:57.200
<v Speaker 1>be the best, you know, janitor, be the best you know, consultant, telemarket,

0:15:57.280 --> 0:16:00.160
<v Speaker 1>whatever it is like that grind and and to ask

0:16:00.200 --> 0:16:01.760
<v Speaker 1>your question, you don't just turn it off, you know.

0:16:01.880 --> 0:16:04.560
<v Speaker 1>So I'm driven because I want to make great stories.

0:16:04.640 --> 0:16:06.920
<v Speaker 1>Because I want to hire new actors, you know, because

0:16:06.960 --> 0:16:09.240
<v Speaker 1>I want to leave a legacy. You know, my kids

0:16:09.280 --> 0:16:11.640
<v Speaker 1>push me. I just for me. That's who I am.

0:16:11.880 --> 0:16:13.600
<v Speaker 1>You know, do you feel like more doors are open

0:16:13.640 --> 0:16:15.720
<v Speaker 1>for people of color? Now? They've been talking about network

0:16:15.800 --> 0:16:19.760
<v Speaker 1>television obviously, now you have two shows, you know, simultaneously,

0:16:20.080 --> 0:16:23.560
<v Speaker 1>and they say Empire was a big part of it. Man, Yeah,

0:16:23.760 --> 0:16:26.200
<v Speaker 1>Lee and Taragi and Terrence all the fam that was

0:16:26.240 --> 0:16:28.080
<v Speaker 1>a big, big part of it. The reality is that

0:16:28.400 --> 0:16:31.400
<v Speaker 1>diversity is business now, it's real business. Like, if you're

0:16:31.400 --> 0:16:34.080
<v Speaker 1>a networking you're only I don't care what you are.

0:16:34.160 --> 0:16:36.440
<v Speaker 1>If you're only selling the white people, you're losing. That's

0:16:36.440 --> 0:16:38.680
<v Speaker 1>what it is. You know. If you don't have Hispanic autist,

0:16:38.680 --> 0:16:39.960
<v Speaker 1>if you don't have black artis, if you don't have

0:16:40.000 --> 0:16:44.160
<v Speaker 1>Asian audiences, then you're losing. Advertisers want everybody. So diversity

0:16:44.200 --> 0:16:46.560
<v Speaker 1>is winning. Did you try to go to network television previously?

0:16:46.600 --> 0:16:48.360
<v Speaker 1>But and it was a lot more difficult, And now

0:16:48.360 --> 0:16:49.880
<v Speaker 1>you went and they're like, come on, we need stuff.

0:16:50.520 --> 0:16:52.000
<v Speaker 1>You know what I didn't. This is my first year

0:16:52.040 --> 0:16:54.560
<v Speaker 1>in television, so it's crazy because even in my first year,

0:16:54.600 --> 0:16:57.000
<v Speaker 1>I sold two shows. So that's like that's huge, Like

0:16:57.080 --> 0:17:00.240
<v Speaker 1>my team is amazing. Okay, but no, but just ask

0:17:00.280 --> 0:17:03.280
<v Speaker 1>your question. It was like that though. Definitely there are

0:17:03.280 --> 0:17:05.600
<v Speaker 1>people this is my first foray into television, but there

0:17:05.600 --> 0:17:07.199
<v Speaker 1>are people that tell you they've been banging on that

0:17:07.280 --> 0:17:09.480
<v Speaker 1>TV door for years with people of color that have

0:17:09.520 --> 0:17:11.520
<v Speaker 1>been trying to get a network TV. And the reality

0:17:11.560 --> 0:17:13.320
<v Speaker 1>is that there weren't not a lot of shows. You

0:17:13.400 --> 0:17:16.240
<v Speaker 1>had like an air in the eighties, um late eighties,

0:17:16.280 --> 0:17:18.119
<v Speaker 1>early nights where you had a lot of black shows

0:17:18.119 --> 0:17:20.040
<v Speaker 1>and you had CW and up and that at first

0:17:20.119 --> 0:17:22.600
<v Speaker 1>came out, but for a while it was a drought.

0:17:22.640 --> 0:17:24.439
<v Speaker 1>There a lot of studies and people complaining about it

0:17:24.480 --> 0:17:27.520
<v Speaker 1>because it was just so just white, just white, primarily

0:17:27.520 --> 0:17:30.560
<v Speaker 1>white men. And that's what you saw came along. Yeah,

0:17:30.560 --> 0:17:34.399
<v Speaker 1>it came in, and that's the day they the ratchetness

0:17:34.440 --> 0:17:37.119
<v Speaker 1>to get it. That's you know, that's part of it too.

0:17:37.160 --> 0:17:39.200
<v Speaker 1>We gotta show it off. Go back to the beginning.

0:17:39.640 --> 0:17:42.119
<v Speaker 1>How did you start in the game and getting into

0:17:42.119 --> 0:17:43.560
<v Speaker 1>everything that you do, because there's a lot of kids

0:17:43.560 --> 0:17:46.199
<v Speaker 1>out there that was going to college, going to community college,

0:17:46.240 --> 0:17:48.200
<v Speaker 1>going to whatever college, and how did they get their start?

0:17:48.200 --> 0:17:50.160
<v Speaker 1>How did you get your start? I was in college

0:17:50.240 --> 0:17:53.560
<v Speaker 1>right and I was majoring in engineering. I did not

0:17:53.640 --> 0:17:55.200
<v Speaker 1>want to be an engineer. And a lot of people

0:17:55.200 --> 0:17:56.760
<v Speaker 1>can feel me on this right now, I was in

0:17:56.760 --> 0:17:59.440
<v Speaker 1>a major I didn't want to do. It wasn't my passion.

0:17:59.600 --> 0:18:02.280
<v Speaker 1>But like I said, I was going hard. I have

0:18:02.359 --> 0:18:05.040
<v Speaker 1>an engineering degree. I graduated magna coom law. Like I

0:18:05.080 --> 0:18:07.080
<v Speaker 1>did my put the time in, put the work in.

0:18:07.560 --> 0:18:11.359
<v Speaker 1>And while I was there, I met a cat from Philly,

0:18:11.720 --> 0:18:14.840
<v Speaker 1>Rob Hardy, and he wanted to be the next John

0:18:14.920 --> 0:18:16.639
<v Speaker 1>Singleton of Spike Lee was like, I want to be

0:18:16.680 --> 0:18:18.760
<v Speaker 1>a director, and I helped him to make his first

0:18:18.840 --> 0:18:21.600
<v Speaker 1>movie while we were still college students. We didn't know

0:18:21.640 --> 0:18:23.560
<v Speaker 1>what we didn't know. We thought, oh, you make a movie,

0:18:23.560 --> 0:18:24.840
<v Speaker 1>you send in the Hollywood, and that's it. When we

0:18:24.880 --> 0:18:26.960
<v Speaker 1>send in Hollywood, and Hollywood was like, um, don't send

0:18:27.040 --> 0:18:30.679
<v Speaker 1>us trash, no more right so um, but that was

0:18:30.720 --> 0:18:33.720
<v Speaker 1>what started to hustle. And from that little movie we

0:18:33.760 --> 0:18:36.439
<v Speaker 1>went out and we independently distributed it, and we hustled

0:18:36.480 --> 0:18:38.320
<v Speaker 1>our way in the theaters and said, please show our

0:18:38.359 --> 0:18:40.920
<v Speaker 1>little movie. And so the first one was called Chocolate City,

0:18:41.000 --> 0:18:43.800
<v Speaker 1>and the next one was called TWI and after that,

0:18:44.080 --> 0:18:50.720
<v Speaker 1>you know, the money is right now, not just kidding, mom,

0:18:51.320 --> 0:18:53.840
<v Speaker 1>but you know what from the twis, I actually did

0:18:53.840 --> 0:18:55.960
<v Speaker 1>a movie called a Gospel, which was a faith based movie,

0:18:56.200 --> 0:18:57.840
<v Speaker 1>just to show we could have a little range, and

0:18:57.880 --> 0:19:00.760
<v Speaker 1>then stomped y'arvis wanted took it over to I feel

0:19:00.760 --> 0:19:03.320
<v Speaker 1>like your films are more diverse than see like a

0:19:03.400 --> 0:19:08.960
<v Speaker 1>Tyler Perry. Is that by design? Definitely? I mean, you know, look,

0:19:09.000 --> 0:19:11.440
<v Speaker 1>I love Tyler does what he does. We're different filmmakers.

0:19:11.480 --> 0:19:13.840
<v Speaker 1>I think that what I've always tried to do is

0:19:13.880 --> 0:19:18.560
<v Speaker 1>tell stories that aren't necessarily black, aren't necessarily about any

0:19:18.560 --> 0:19:21.440
<v Speaker 1>particular ethnicity of culture, but then put black people in them,

0:19:21.560 --> 0:19:25.480
<v Speaker 1>right like Uncle Buck, you know, or even like things

0:19:25.520 --> 0:19:27.320
<v Speaker 1>like a man if you look that could be like

0:19:27.440 --> 0:19:29.640
<v Speaker 1>a white cat white cast, you know what I mean,

0:19:29.680 --> 0:19:32.080
<v Speaker 1>Like really like any of my movie, I mean, Takers,

0:19:32.160 --> 0:19:34.240
<v Speaker 1>you know, originally was like all white. We like put

0:19:34.280 --> 0:19:36.320
<v Speaker 1>you know what I'm saying, drifts and tip in it,

0:19:36.440 --> 0:19:38.760
<v Speaker 1>you know. So for me, I love the idea of

0:19:38.800 --> 0:19:43.240
<v Speaker 1>a universal story and then putting flavor in it. Because

0:19:43.240 --> 0:19:45.320
<v Speaker 1>people with the NBC Show, it seems like you're trying

0:19:45.320 --> 0:19:46.840
<v Speaker 1>to show that black and white people have more in

0:19:46.880 --> 0:19:49.680
<v Speaker 1>common and we may think, yeah, the NBC show, you

0:19:49.720 --> 0:19:52.400
<v Speaker 1>know what, it goes there, because I think that right now,

0:19:52.600 --> 0:19:55.200
<v Speaker 1>on like social media, people are having like real conversations

0:19:55.200 --> 0:19:56.920
<v Speaker 1>that they would never have before. You know, you can

0:19:56.960 --> 0:19:58.520
<v Speaker 1>go on and you can tweet somebody that lives in

0:19:58.560 --> 0:20:00.600
<v Speaker 1>Iowa that you wouldn't even never meet and give me

0:20:00.680 --> 0:20:03.040
<v Speaker 1>your perspective on something, and they can give you theirs,

0:20:03.040 --> 0:20:06.320
<v Speaker 1>and y'all having an interaction. And sometimes it's really raw, right,

0:20:06.400 --> 0:20:09.320
<v Speaker 1>Sometimes it's like, you know, just real going there, and

0:20:09.440 --> 0:20:12.200
<v Speaker 1>other times it's you know, more polite whatever it is. Though,

0:20:12.240 --> 0:20:14.560
<v Speaker 1>they are conversations that are being had out there in

0:20:14.600 --> 0:20:16.760
<v Speaker 1>the world. You can go look on your timeline right

0:20:16.800 --> 0:20:19.000
<v Speaker 1>now as people saying all kinds of crazy stuff and

0:20:19.240 --> 0:20:21.760
<v Speaker 1>all kinds of intelligent stuff and everything in between. So

0:20:22.480 --> 0:20:24.600
<v Speaker 1>there's nothing like that on TV. There's nothing like that

0:20:24.640 --> 0:20:27.960
<v Speaker 1>on TV that's having the real conversation, you know. Like

0:20:28.160 --> 0:20:30.119
<v Speaker 1>in one scene in that new show, people are talking.

0:20:30.800 --> 0:20:33.640
<v Speaker 1>The white dude is so proud because he finally learned

0:20:33.680 --> 0:20:35.479
<v Speaker 1>all the lyrics to Empire State of Mind. And all

0:20:35.480 --> 0:20:36.760
<v Speaker 1>he wants to do is I press his black friend

0:20:36.760 --> 0:20:38.520
<v Speaker 1>because they got tickets to the jay Z concert, right,

0:20:38.680 --> 0:20:40.560
<v Speaker 1>And so the only way and he's playing it and

0:20:40.640 --> 0:20:42.400
<v Speaker 1>he's rapping. He's so proud of it. And he gets

0:20:42.440 --> 0:20:44.159
<v Speaker 1>to the part where Jay says the N word and

0:20:44.320 --> 0:20:46.640
<v Speaker 1>back he's like, oh, whoa, whoa, whoa. What you're doing? Man?

0:20:46.640 --> 0:20:48.359
<v Speaker 1>He's like, nanah, I can't. I was just gonna wrap it.

0:20:48.359 --> 0:20:50.040
<v Speaker 1>I wasn't going You should hear me saying like, I

0:20:50.040 --> 0:20:51.520
<v Speaker 1>don't say the er. I can do the A like

0:20:51.520 --> 0:20:53.440
<v Speaker 1>I've been practicing. Mind flag. He's like, dude, you can't.

0:20:53.920 --> 0:20:55.840
<v Speaker 1>He's like, well, I can. I humm it can I

0:20:55.880 --> 0:20:57.880
<v Speaker 1>He's like, nah, dude, you gotta seeing Alicia Keys part.

0:20:57.920 --> 0:21:00.280
<v Speaker 1>You can't say any And he's like, what this rapper

0:21:00.320 --> 0:21:02.280
<v Speaker 1>is a song? Why can't I? Like? It goes there,

0:21:02.359 --> 0:21:04.600
<v Speaker 1>it does that in the conversation, why not you say?

0:21:04.640 --> 0:21:06.520
<v Speaker 1>White guy like, that's not Zach from Saved by the

0:21:06.560 --> 0:21:12.000
<v Speaker 1>Belt's Zach bell y'all, Mark, Paul Gosselin, I got Zach.

0:21:12.040 --> 0:21:15.640
<v Speaker 1>You believe that I got classic cats in my joints. Man,

0:21:16.080 --> 0:21:17.600
<v Speaker 1>you got to Uncle Buck coming with me a long

0:21:17.680 --> 0:21:20.320
<v Speaker 1>and Mike Mike do it movies? How do you convince

0:21:20.400 --> 0:21:22.760
<v Speaker 1>them to do TV? You know what it's it's good

0:21:22.800 --> 0:21:26.600
<v Speaker 1>content and TV now is like because there's such good

0:21:26.600 --> 0:21:29.359
<v Speaker 1>content on TV. You can't get movie stars, which is

0:21:29.400 --> 0:21:31.320
<v Speaker 1>what they are. That's look, Taranti is a movie star,

0:21:31.640 --> 0:21:34.240
<v Speaker 1>me along as a movie star apps movie star, but

0:21:34.560 --> 0:21:37.439
<v Speaker 1>there's good content on TV and it's giving them opportunity.

0:21:37.520 --> 0:21:39.640
<v Speaker 1>So for me, who wants to do both, it's a

0:21:39.640 --> 0:21:41.600
<v Speaker 1>great time because I can work with some of these

0:21:41.640 --> 0:21:44.359
<v Speaker 1>like a list top actors and bring them to my

0:21:44.440 --> 0:21:47.040
<v Speaker 1>content where whether it's big street or small screen. I

0:21:47.200 --> 0:21:48.879
<v Speaker 1>was how important is it for you to use your

0:21:49.000 --> 0:21:52.520
<v Speaker 1>your platform to teach? It's really important. It's interesting because

0:21:52.600 --> 0:21:53.919
<v Speaker 1>you know, I try to do it or not let

0:21:54.000 --> 0:21:55.639
<v Speaker 1>people know. Because if you walk in the door, all right,

0:21:55.640 --> 0:21:57.520
<v Speaker 1>I'm gonna teach you. Everybody sit down and you know,

0:21:58.160 --> 0:22:00.280
<v Speaker 1>nobody playing attention. Nobody want to hear that you're on

0:22:00.320 --> 0:22:02.320
<v Speaker 1>the panel coming up, right, aren't you? You do all

0:22:02.359 --> 0:22:04.280
<v Speaker 1>these panels and stuff that I do. I do public

0:22:04.280 --> 0:22:06.800
<v Speaker 1>speaking panels. I just did the commencement at my alma mater,

0:22:06.920 --> 0:22:08.679
<v Speaker 1>fam you. I'm proud of that. I do a lot

0:22:08.760 --> 0:22:11.560
<v Speaker 1>of that. Absolutely, um. But to your point, Charlotte Man,

0:22:11.640 --> 0:22:15.280
<v Speaker 1>I tried to within the content, within the entertainment. You know,

0:22:15.480 --> 0:22:18.359
<v Speaker 1>I try to have stuff in there that can elevate us,

0:22:18.359 --> 0:22:19.399
<v Speaker 1>you know what I mean, it can take us and

0:22:19.440 --> 0:22:20.920
<v Speaker 1>push us to the next level, because that's who I

0:22:20.920 --> 0:22:22.240
<v Speaker 1>am at the end of the day. You know, like

0:22:22.320 --> 0:22:26.560
<v Speaker 1>I'm I'm a smart black dude and I'm proud of yeah,

0:22:26.560 --> 0:22:29.280
<v Speaker 1>and I do. Yes, that's like I think it's like

0:22:29.359 --> 0:22:32.960
<v Speaker 1>Chatted get to the Sea. I think it sounds bigger

0:22:33.000 --> 0:22:38.440
<v Speaker 1>than it respect to chat Town, like Barrock or nothing.

0:22:38.480 --> 0:22:43.400
<v Speaker 1>But yeah, it was a slow day, chat I think. Yeah,

0:22:43.600 --> 0:22:45.320
<v Speaker 1>you're the only booking Deer fan I know in the

0:22:46.040 --> 0:22:48.919
<v Speaker 1>serious business. It's me. That's yeah, we had jamis. Now

0:22:48.960 --> 0:22:56.760
<v Speaker 1>what say something? I can't. I gotta wait. Tampa fans,

0:22:56.760 --> 0:22:59.040
<v Speaker 1>we cautiously you don't have the draft. Everybody's a super

0:22:59.080 --> 0:23:02.240
<v Speaker 1>Bowl winner. Every team has got a chance. Every like

0:23:02.280 --> 0:23:04.760
<v Speaker 1>it's Cleveland Brown fans like all this year, you know

0:23:04.760 --> 0:23:07.480
<v Speaker 1>what I'm saying. So I can't say nothing. But we

0:23:07.560 --> 0:23:10.320
<v Speaker 1>do have a super Bowl though, we got ours, wet

0:23:10.359 --> 0:23:13.800
<v Speaker 1>I got four five Dallas Cowboy fan, Yeah, I know,

0:23:13.920 --> 0:23:16.719
<v Speaker 1>I live with a Dallas Cowboy fan, my fiance. Let

0:23:16.760 --> 0:23:20.920
<v Speaker 1>me here's the thing about y'all, Like history is so

0:23:21.000 --> 0:23:25.200
<v Speaker 1>far back, like I'm at least mine is current. You're

0:23:25.240 --> 0:23:29.480
<v Speaker 1>going back to like the paleo if the era I

0:23:29.600 --> 0:23:32.440
<v Speaker 1>just made up a word. Y'all was back, man, y'all

0:23:32.520 --> 0:23:34.560
<v Speaker 1>was way way back. How does that work? A Tampa

0:23:34.600 --> 0:23:38.040
<v Speaker 1>fan and the Dallas fan get U. It's a house divided,

0:23:38.600 --> 0:23:40.639
<v Speaker 1>and she's serious about you got on my Instagram. You

0:23:40.680 --> 0:23:43.080
<v Speaker 1>see like I got a little little like sports thing

0:23:43.119 --> 0:23:45.720
<v Speaker 1>in my in my career. I got a Dallas Cowboy corner.

0:23:45.760 --> 0:23:49.800
<v Speaker 1>I have to I gotta give. Let's be some fun bets. Yeah,

0:23:50.000 --> 0:23:53.000
<v Speaker 1>she swears if if, if, if the Cowboys win the

0:23:53.040 --> 0:23:55.119
<v Speaker 1>Super Bowl, she's getting the star tattooed. I'm like, not

0:23:55.280 --> 0:24:04.840
<v Speaker 1>with me. If they win, that's I'll be back on

0:24:04.840 --> 0:24:06.840
<v Speaker 1>this show. Y'all got what happened to? I don't know.

0:24:06.960 --> 0:24:12.280
<v Speaker 1>I think she's Yeah, she's good. I appreciate you joining

0:24:12.400 --> 0:24:14.639
<v Speaker 1>yoh fam, This is awesome. I appreciate y'all. Let me

0:24:14.680 --> 0:24:16.359
<v Speaker 1>come on, let me just kick a little knowledge. You

0:24:16.400 --> 0:24:18.440
<v Speaker 1>know what I'm saying. And I love what y'all are doing.

0:24:19.320 --> 0:24:22.359
<v Speaker 1>What's in the immediate future? Uh? Straight out of Compton

0:24:22.440 --> 0:24:27.800
<v Speaker 1>August fourteenth, Ride along too, January? Um, This Friday, eight

0:24:27.960 --> 0:24:31.000
<v Speaker 1>thirty people are talking on NBC check that Joining out

0:24:31.280 --> 0:24:35.800
<v Speaker 1>Friday hilarious fall on Fridays at eight thirty, and it's

0:24:35.800 --> 0:24:38.119
<v Speaker 1>gonna be funny. Yeah, that one's coming out, and then

0:24:38.200 --> 0:24:40.520
<v Speaker 1>Uncle Buck's coming out at the top of the year.

0:24:40.520 --> 0:24:45.680
<v Speaker 1>That's mid season. Show Roots is coming out next Memorial Day.

0:24:45.840 --> 0:24:48.359
<v Speaker 1>We keep it a pop, Yo, keep the radio show

0:24:48.359 --> 0:24:50.159
<v Speaker 1>for your movies and TV shows. You can always just

0:24:50.160 --> 0:24:52.240
<v Speaker 1>come film us because you know absolutely Tyler used to

0:24:52.240 --> 0:24:54.959
<v Speaker 1>always throw like Tom join in yo. You know. I

0:24:55.000 --> 0:24:57.280
<v Speaker 1>love that idea, y'all playing. I think that'd be great.

0:24:57.320 --> 0:25:00.919
<v Speaker 1>I think it absolutely. Yeah, there we go. I love it,

0:25:00.960 --> 0:25:02.560
<v Speaker 1>and we do. We got to do something different though,

0:25:02.600 --> 0:25:05.680
<v Speaker 1>we need y'all Like, why do you look like that?

0:25:06.600 --> 0:25:10.920
<v Speaker 1>I don't think you talked to your look a little

0:25:10.920 --> 0:25:15.920
<v Speaker 1>crazy man. I don't think there was a vote take

0:25:15.960 --> 0:25:18.960
<v Speaker 1>it on. How else did you get for ride along?

0:25:21.119 --> 0:25:23.280
<v Speaker 1>There you go? But when you when you have a line,

0:25:23.280 --> 0:25:24.960
<v Speaker 1>don't you have to get paid? Once you have a line,

0:25:25.440 --> 0:25:27.240
<v Speaker 1>do you do that? People will do that. That's the

0:25:27.320 --> 0:25:29.719
<v Speaker 1>extra trick. Like if you're extra and you say something,

0:25:30.080 --> 0:25:32.720
<v Speaker 1>if they film it, they gotta pay you. That's the thing.

0:25:32.760 --> 0:25:41.160
<v Speaker 1>But absolutely, we could have a silent radio show now.

0:25:41.160 --> 0:25:43.480
<v Speaker 1>We would love to whatever. I love it, man, appreciate

0:25:43.520 --> 0:25:45.320
<v Speaker 1>you All Family Breakfast Club when