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Speaker 1: First of all, you don't know me.

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Speaker 2: All about that high school drama, Girl drama, Girl, all

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Speaker 2: about them high school queens, We'll take you for a ride,

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Speaker 2: and our comic girl sharing for the right teams.

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Speaker 3: Drama Queenslie of girl fashion, but your tough girl, you.

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Speaker 1: Could sit with us.

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Speaker 4: Girl Drama, Queens Drama, Queens Drama, Queens Drama Drawn the

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Speaker 4: Queens Drama Queens.

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Speaker 5: How are you doing? Enjoy We missed you last week.

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Speaker 4: I'm sorry I missed it last week, although I did

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Speaker 4: listen back to the to the episode you guys did,

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Speaker 4: and it was really fun to listen to while I

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Speaker 4: was making my I was making my lunch, my prepping

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Speaker 4: my meals.

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Speaker 6: For the week.

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Speaker 5: Was it okay that I accepted all of the compliments?

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Speaker 4: Yes, I appreciate I sincerely appreciate all of that. Okay, okay, cool,

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Speaker 4: Thanks for stepping in. Yes, something had to be said.

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Speaker 4: You can't just leave compliments floating out in the air

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Speaker 4: like that need to be gathered, So I appreciate you

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Speaker 4: gathering them from.

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Speaker 1: When you can't attend the ceremony. Someone has to get

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Speaker 1: your awards right.

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Speaker 5: That's it.

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Speaker 4: I had, Like I was just telling Rob, I wish

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Speaker 4: I wish I remembered. I wish I'd written down notes

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Speaker 4: because as I was listening through, I was like, oh,

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Speaker 4: I want to comment on this, and I want to

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Speaker 4: mention that. And then you know the big lie that

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Speaker 4: we tell ourselves that we're going to remember things that

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Speaker 4: we don't write down after a certain age. I don't

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Speaker 4: understand what happens to my brain. But yeah, so I

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Speaker 4: didn't write them down, except I do remember that I

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Speaker 4: wanted to put my hat in the ring for the

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Speaker 4: listener question about.

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Speaker 5: Snacks, which is say more yeah she said.

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Speaker 4: The question was she had a snack where the calories

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Speaker 4: didn't count, and I was like, oh, I want to

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Speaker 4: do this one. Yeah, so bread for me too, or

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Speaker 4: cheese that my first thought was cheese, which I would

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Speaker 4: have expected it to be bread, But I'm definitely going

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Speaker 4: to go cheese because there's so many different kinds of

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Speaker 4: cheeses and they all fit on so many.

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Speaker 1: They can be deserved cheeses. It can be a cream cheese.

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Speaker 5: Just let me ask a question to someone who's not

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Speaker 5: a big cheese conass or can you sit down with

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Speaker 5: a block of cheese the way you can sit down

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Speaker 5: with a fresh loaf of bread and pretty much just

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Speaker 5: house it. You can, wow, yes, yes you can.

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Speaker 6: Absolutely.

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Speaker 4: I don't tend to go for blocks of cheese. If

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Speaker 4: I was going to do that would probably be like

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Speaker 4: a little wheel or something that's maybe a softer cheese.

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Speaker 1: For me, old ball of Barada broken open, yeah, olive oil, salt, pepper, crackers,

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Speaker 1: tomatoes if they're in season, the whole thing.

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Speaker 5: Here's the one thing I will say in this discussion

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Speaker 5: that I think bread has over cheese. Like so if

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Speaker 5: you just described an amazing thing, but it is leaning

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Speaker 5: on the crutch of crackers, whereas if you get a

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Speaker 5: fresh loaf of bread, you can just eat that bad

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Speaker 5: boy all by itself.

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Speaker 4: Yeah, yeah, yeah, I think you said like half a

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Speaker 4: loaf in the morning and half a sour dough in

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Speaker 4: the evening. So I was like, yes, that sound that's

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Speaker 4: all I need.

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Speaker 1: It's really all I And to your point, Rob, bread

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Speaker 1: only gets better with things, but the things are unnecessary.

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Speaker 1: I would struggle to eat a whole wheel of cheese

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Speaker 1: without other.

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Speaker 5: Things way to hit that soft h wheel.

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Speaker 1: But bread, I mean god, it's like if you have

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Speaker 1: a perfect loaf of bread, especially fresh, still warm and

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Speaker 1: a little butter, preferably for me, a little mald and salt.

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Speaker 1: You're done.

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Speaker 6: Yeah, that's it, you guys.

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Speaker 1: My mouth is watering. I need us to talk about

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Speaker 1: work because now I'm spamished.

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Speaker 4: Oh well, what an episode this one was. I'll read

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Speaker 4: the thing. Okay, we have, we have, we have, Season nine,

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Speaker 4: Episode nine, Every Breath is a Bomb. Air date March seventh,

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Speaker 4: twenty twelve. I actually think this episode is titled Broken Systems,

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Speaker 4: but we'll get there. Brooke and Julian take a new take,

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Speaker 4: new measures to protect their family skills, Help's mouth get

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Speaker 4: to a turning point, Chase forces faces a consequences for

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Speaker 4: defending Chuck, while Clay reaches a new understanding with Logan.

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Speaker 4: Pete Kolski directed this.

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Speaker 5: Ian Biggins wrote it, Ian Biggins sounds like he should

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Speaker 5: be in the Shire and Friends with Frodo, doesn't He agreed?

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Speaker 6: He does.

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Speaker 4: Ian Biggins tis for you episode, But we really loved it.

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Speaker 5: Thank you so much.

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Speaker 1: He did a great job.

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Speaker 5: Well, this episode had a lot going on.

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Speaker 4: Joy.

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Speaker 5: Do you want to explain why you think it should

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Speaker 5: be called Broken Systems?

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Speaker 1: Yeah?

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Speaker 4: Well it felt like the theme to me. I mean,

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Speaker 4: we've got the police letting brook Down. We've got the

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Speaker 4: government system letting down Chase and Chuck.

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Speaker 6: We've got the uh oh, what's the other one, Clay Brooke.

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Speaker 4: Oh, well, obviously the police and the systems are letting

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Speaker 4: down Dan and Haley. They can't find Nathan, and nobody

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Speaker 4: seems to be really looking for him, and just like

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Speaker 4: feels like everywhere people are turning for help from the

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Speaker 4: people that are supposed to be helping them, nobody's doing anything.

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Speaker 5: Before I forget towards the end of the episode, the

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Speaker 5: scene with Chase having his sort of tribunal with the

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Speaker 5: Air Force peeps, the lead guy. Was he not our

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Speaker 5: head of transpo or something? He was? He was one

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Speaker 5: of our crew, wasn't he? Was he? He was so

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Speaker 5: familiar when I was like, I'm pretty sure was he

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Speaker 5: a transpot camp?

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Speaker 1: And he just goes back in there. Because I remember,

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Speaker 1: to your point, thinking oh my gosh, and then thinking

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Speaker 1: I'd remember when I watched the episode, and now that

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Speaker 1: it's the day we're recording, I don't.

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Speaker 4: We were pulling a lot from our own because when

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Speaker 4: one of the plumbers was Pekowalski's son, Yeah, which was

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Speaker 4: so fun.

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Speaker 1: The middle one, the second plumber to walk in the

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Speaker 1: handsome young guy.

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Speaker 6: Yeah, yeah, so it was.

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Speaker 1: It was really fun getting toward the end because we

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Speaker 1: did sort of figure out all these little places to

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Speaker 1: put crew and friends and family as little easter eggs

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Speaker 1: as the show was wrapping up.

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Speaker 6: But I have to go back.

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Speaker 5: And look, Yeah, it's super memorable. Face. Well, then let's

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Speaker 5: go back to the beginning because that first scene I

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Speaker 5: had a laugh out loud moment and what was not

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Speaker 5: a funny scene, which is Chase in the back of

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Speaker 5: the police car, Chuck and his mom on the porch.

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Speaker 5: But it's it killed me because Chase is handcuffed in

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Speaker 5: the back of the police car, covered in another man's blood. So,

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Speaker 5: but I'm not the one you should be arresting. And

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Speaker 5: I'm like, sir, you just beat a man with a

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Speaker 5: tire iron so hard his blood is covering you. You

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Speaker 5: should definitely be the one getting arrested. Like, I understand

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Speaker 5: the moral point of your argument, but you gotta look

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Speaker 5: at the visuals.

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Speaker 4: Yeah, they arrest the data as well, because I didn't

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Speaker 4: see that guy in the back.

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Speaker 5: Of a car. No, sure he was. Did he get

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Speaker 5: escreed out in a stretcher?

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Speaker 1: I didn't see him in evidence anywhere. But it was

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Speaker 1: interesting to your point. It's almost like you can start

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Speaker 1: to trace where people lose the plot little bit because

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Speaker 1: Chase is sitting there going, no, I did the heroic thing,

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Speaker 1: and it's like, but you tried to do a heroic thing,

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Speaker 1: but what you actually did was assault and batteries, sir,

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Speaker 1: So like, yes, you were defending a kid, but you

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Speaker 1: still beat the shit out of somebody. And it's a

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Speaker 1: weird suspension of reality when you're so on the side

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Speaker 1: of one character that you start to lose the moral core.

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Speaker 4: I missed the scene in the previous episode. Do they

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Speaker 4: show Chase like launching into this guy us and is

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Speaker 4: he just standing in the street or is this guy

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Speaker 4: like actually in the act and he's defending.

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Speaker 5: No, he's not beating him, because what happens is Chase

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Speaker 5: goes to walk up and Chuck comes running out of

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Speaker 5: the house. So it's like Chuck is trying to like

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Speaker 5: flee a scary situation, and then you see Chase walk in,

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Speaker 5: and then through the silhouette of the living room curtains

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Speaker 5: in the window, you just see Chase like full extension

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Speaker 5: all the way back and coming down violently multiple times.

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Speaker 1: It's almost vaudeville in almost silly, but it's also, to

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Speaker 1: Rob's point, so violent.

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Speaker 4: Yeah, so's he's not interrupting a moment of violence and

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Speaker 4: trying to get.

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Speaker 6: This guy to stop.

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Speaker 5: Correct, Okay, because I just.

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Speaker 4: Want to understand if this is not if this is

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Speaker 4: like a defense situation, or if this is just like

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Speaker 4: he's angry and lost his head and went in after

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Speaker 4: this guy.

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Speaker 5: It's an enough is enough situation? I think.

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Speaker 1: I also think the thought was I think the reason

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Speaker 1: the writers wrote it the way they did, having Chuck

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Speaker 1: running out of the house. What they're saying is this

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Speaker 1: kid is being beaten and manages to like squirrel out

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Speaker 1: of his dad's grip, and Chase is coming up as

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Speaker 1: Chuck is coming out of the house, and they both

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Speaker 1: know what's going on. And I will say I appreciate

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Speaker 1: that the writers the directors didn't force Michael May to

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Speaker 1: get beat up on camera by an adult. I'm glad

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Speaker 1: we didn't show that. I don't think violence, particularly again children,

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Speaker 1: should ever be shown in that manner. And so it's like,

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Speaker 1: I get it, But to your point, it also puts

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Speaker 1: Chase in a more gray area because what you see

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Speaker 1: through the shadow of the curtain is so aggressive. And

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Speaker 1: then to Rob's point, they really put a hat on

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Speaker 1: a hat, splattering blood on his face like he was

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Speaker 1: Jackson Pollock who'd been like painting on drugs for two days.

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Speaker 1: I was like, it's so much blood that it is. Yeah,

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Speaker 1: it kind of makes you giggle because it's so ridiculous

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Speaker 1: and it's uncomfortable.

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Speaker 5: And let's just assume they're a normal family and the

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Speaker 5: dad was fully clothed. If blood is being splattered, it's

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Speaker 5: going to be from his face or head. Yes, so

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Speaker 5: I guess to answer the question of why we didn't

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Speaker 5: see the dad, you're not walking away from that, so

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Speaker 5: he's either laying there in the floor or he's been

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Speaker 5: stretched away. But yes, just the irony of Chase has

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Speaker 5: a blood soaked shirt, splattered face and he's like, you're

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Speaker 5: resting the wrong guy, and.

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Speaker 4: It's like, sir, not in this situation.

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Speaker 5: His intent was gold a plus, but his execution was

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Speaker 5: a dnus.

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Speaker 1: I like that. That's a great way to put it.

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Speaker 4: I guess he could have been a little more like Dan,

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Speaker 4: a little more thoughtful and methodical, gone and found the

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Speaker 4: guy later.

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Speaker 1: Oh that's the thing. Very impressed with Dan and I

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Speaker 1: like coming, you know, sort of full circle with our

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Speaker 1: theories about who's behind Nathan's kidnapping. It's kind of interesting

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Speaker 1: to be the fly on the wall in the car

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Speaker 1: with Haley and Dan because Dan is explaining everything he

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Speaker 1: knows to you, right like he's letting you in on

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Speaker 1: the research. And this is what I figured out, and

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Speaker 1: this is how I kind of got to the bottom

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Speaker 1: of it. And in an interesting way, while he's telling

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Speaker 1: you these details, it's showing the audience. Maybe Dan is

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Speaker 1: a good guy, you know, maybe he did just get

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Speaker 1: caught up in the wrong moment. Maybe he really was

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Speaker 1: just threatening Clay's drug dealer and all this other stuff happened.

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Speaker 1: It still leaves that little question mark for me of

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Speaker 1: did Dan getting involved in the Clay of it all

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Speaker 1: really highlight you know, Nathan to these people.

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Speaker 5: So to your point, though, Sofie, let me ask you

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Speaker 5: a question. First of all, it was so fun watching

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Speaker 5: Haley Haley pull a Jennifer Garner alias and dress up

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Speaker 5: like a street walker. That was fun, But was that

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Speaker 5: necessary because all you ended up doing was just getting

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Speaker 5: him to walk outside and then Dan jumps him, and

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Speaker 5: I kind of just felt like totally. You put your

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Speaker 5: son's wife in a very uncomfortable situation. It seems like

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Speaker 5: pretty unnecessarily to just grab a guy behind a dumpster

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Speaker 5: in broad daylight and beat him to death and kidnap him.

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Speaker 4: Yeah, this was Haley's This was her plan, right. So

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Speaker 4: she goes to Dan and he's like, I'm just gonna

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Speaker 4: he cox. He's got the gun, and he's like, I'm

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Speaker 4: gonna go tell this guy what's up. And she's like,

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Speaker 4: you can't just walk in there.

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Speaker 6: With the gun. And he's like, do you have a

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Speaker 6: better plan.

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Speaker 4: She says yes, So yeah, this is Haley's plan, but

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Speaker 4: it does feel extremely superfluous.

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Speaker 1: It's really like it could have been at a six

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Speaker 1: and they took it to a ten.

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Speaker 6: Yeah.

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Speaker 4: I mean I had fun, don't get me wrong, but

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Speaker 4: like the whole thing of that's it. I mean I

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Speaker 4: really thought they were going somewhere with this. Watching it

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Speaker 4: back because I didn't remember, I was like, oh, wow,

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Speaker 4: this is a whole thing that they've concocted. I mean,

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Speaker 4: that's so in the middle of the day, Like, how

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Speaker 4: easy is that to just get some guy to like

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Speaker 4: walk behind a dumpster. I don't know, it just didn't

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Speaker 4: seem necessary.

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Speaker 1: Yeah, I mean maybe maybe the idea is if these

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Speaker 1: are guys as as they've said, as the warehouse guys

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Speaker 1: have said, right with if the audience knows that these

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Speaker 1: dudes in this crew run drugs and prostitutes, which I

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Speaker 1: mean essentially means I would imagine they're involved in some

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Speaker 1: kind of human trafficking, which is pretty grotesque. Like knowing

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Speaker 1: what we know about them, is Haley thinking like, oh, well,

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Speaker 1: I've got to be dressed up like a sex worker,

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Speaker 1: not just like a hawk girl at a bar, Like

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Speaker 1: you could have just as easily been in a haltertop

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Speaker 1: and a pair of jeans and had that guy staring

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Speaker 1: at you. But it's like the haltertop and the miniskirt

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Speaker 1: in the boots, like it's the thing.

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Speaker 6: The whole thing.

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Speaker 4: He also doesn't know who what Haley looks like.

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Speaker 6: You're telling me this.

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Speaker 1: Guy wife of the guy that you can she is

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Speaker 1: a pop star, she's a rock star or whatever she

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Speaker 1: went on tour.

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Speaker 4: She's got you know, she's like a local celebrity. Now,

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Speaker 4: as you were mentioning about the holding in the airport

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Speaker 4: with Lucas, yes people recognize her. You're telling me this

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Speaker 4: guy does not know that the wife of the kidnapped

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Speaker 4: person looks like a Actually the fact that she's a

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Speaker 4: local celebrity.

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Speaker 1: What well, And this is what doesn't make sense about

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Speaker 1: our show. Sometimes, the like hodumdum like idiocy of this

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Speaker 1: cop being like a small town man sounded like the

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Speaker 1: guy was hungry.

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Speaker 5: People are going to run into.

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Speaker 1: Each other like and then the other side of the

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Speaker 1: scales of our show is that Nathan's an NBA player,

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Speaker 1: Haley's a rock star. Book is like a multi billion

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Speaker 1: dollar corporation, which you know she's lost now, but still

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Speaker 1: like famous.

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Speaker 5: What like what do you mean?

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Speaker 1: It's like, are we in a teeny tiny small town

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Speaker 1: or are we like exceptionally famous people. I don't get it.

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Speaker 5: We're both Sophie Gosh.

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Speaker 4: You know.

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Speaker 5: In Haley's defense, maybe listen, it's been a nightmare of

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Speaker 5: a couple of days for her. Yes, that would have

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Speaker 5: made more sense. But maybe she was just like, I

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Speaker 5: want to get drunk during the daytime, and this is

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Speaker 5: the perfect She just wanted to blow off some steam.

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Speaker 5: She wanted her escapism. So she's like, I'm gonna just

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Speaker 5: I'm gonna tart myself up to the nine. I'm gonna

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Speaker 5: catch a little buzz while it's like lunchtime, you know.

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Speaker 7: Oh yeah, I do just love though that.

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Speaker 1: It's the It's kind of the inverse of when we

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Speaker 1: did our Superhero episode when I had to beg you

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Speaker 1: to dress up with me and then you bring the boots, which,

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Speaker 1: by the way, are basically the boots we wore in

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Speaker 1: the Superhero episode. It must have been, and it's like

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Speaker 1: you Haley comes to see brook and is like, dress

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Speaker 1: me up like a hooker from the nineties, and Brooks

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Speaker 1: like got it all over it. Let me whip you

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Speaker 1: up a metallic top.

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Speaker 5: Yes, that would have been an incredible montage. Also, you

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Speaker 5: know what I was thinking to Joy as I watched

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Speaker 5: the scene, I thought, just good for Joy, Like, you're

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Speaker 5: such a team player because you had had Maria what

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Speaker 5: four months before this scene?

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Speaker 6: Yeah, I guess so.

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Speaker 5: And they're like, hey, you just had your body totally

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Speaker 5: given away to another human being for a year. How

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Speaker 5: about we put you in the tightest pleather skirt and

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Speaker 5: boosty it like it was such an outfit. I'm sure

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Speaker 5: that could make you feel so vulnerable and like here

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Speaker 5: you had just had a baby and you were a

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Speaker 5: gamer and you did it.

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Speaker 4: Thanks Rob, Thank you so much. Yeah, I really appreciate that.

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Speaker 4: I remember that being a thing. I was like, oh boy,

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Speaker 4: this is going to be this is going to be interesting.

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Speaker 4: But it turned out okay. You know, I think they

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Speaker 4: shot it really well and it looked great.

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Speaker 1: Honestly, Rob started it, so I'll follow up with my thought.

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Speaker 1: When you like sidled up to the bar and leaned over,

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Speaker 1: I was like, use the breastfeeding for the people. Joy. Yeah,

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Speaker 1: I think this is incredible. You looked amazing and I

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Speaker 1: loved that you literally just like walked up and put

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Speaker 1: yours on the bar. I was like, you do it.

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Speaker 6: Listen, I don't have fass anything. Okay, I know it.

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Speaker 1: I appreciate it. It was so great.

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Speaker 4: Thanks. Oh yeah, that was fun, but definitely uh but

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Speaker 4: to your point, Rob, I agree, it was a bit strange.

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Speaker 4: There was a lot about it that, you know, there's

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Speaker 4: so much that enters into the realm of camp and

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Speaker 4: unintentionally that we have to keep. You were saying this

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Speaker 4: in the last episode, so about us riding the shark,

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Speaker 4: the bridle on the shark.

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Speaker 1: You know, Rob said riding the shark and then I

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Speaker 1: got the bridle.

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Speaker 4: Oh yeah, that's right, okay, yes, so okay, rob this

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Speaker 4: oh yeah, you were floating your your idea about how this,

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Speaker 4: how this goes down on our show, and we do,

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Speaker 4: we do have perfected this riding the shark thing. But

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Speaker 4: the camp elements of like him are guy what's his name,

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Speaker 4: our guy Dmitri. You know, he's bending over to fix

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Speaker 4: something on his bike and his gun is just fully

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Speaker 4: hanging out of the back of his pants in the

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Speaker 4: middle of the street in the middle of the day.

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Speaker 6: Like, okay, that's really a lot.

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Speaker 4: And then we've got Dan beating this guy up in

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Speaker 4: the middle of the day behind a bar, which what

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Speaker 4: in the middle of the day. When then we get

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Speaker 4: him into a warehouse and this is now why we

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Speaker 4: understand he got a sound stage so that he can

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Speaker 4: torture someone. Yeah, in the sound stage where he makes

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Speaker 4: his hot dogs on his grill.

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Speaker 5: Also, I think, okay, I'm sure because it's called a

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Speaker 5: sound stage that the majority of our viewers have never

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Speaker 5: been in a sound stage, so they just go, oh,

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Speaker 5: sound must not escape it. Sound escapes it. So the

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Speaker 5: man is screaming bloody murder like you will hear that

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Speaker 5: outside the stage. So it was also odd that I

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Speaker 5: was like not like take him somewhere in the woods,

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Speaker 5: you know. But it's like the sound stage doesn't mean

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Speaker 5: it sound proof exactly.

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Speaker 1: Occasionally, actually sound stages make sound worse, like when we'd

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Speaker 1: have crazy torrential rain and have to hold because I

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Speaker 1: mean it sounded like we were inside of a popcorn popper.

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Speaker 4: Airplanes, we were right next to the airport. We'd have

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Speaker 4: to pause for airplanes all the time.

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Speaker 1: Yeah, the fact, listen, civil engineers, where you at? Because

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Speaker 1: the fact that somebody built a movie studio across the

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Speaker 1: street from the airport, just like yeah, knock knock, is

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Speaker 1: anybody home? How could this have been the choice?

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Speaker 5: Did you guys ever shoot at STU Seagull Studios in

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Speaker 5: San Diego?

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Speaker 1: Wait? What?

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Speaker 2: No?

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Speaker 5: I did two things down there. It's really did like Veronica,

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Speaker 5: mars and a bunch of other things. But it literally

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Speaker 5: shares space with They like leased out half of the

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Speaker 5: area too, It's like the Marines. So there would be

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Speaker 5: days where they would be practicing helicopter touchdowns, which is

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Speaker 5: literally flyover at land flybacks. So you would have a

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Speaker 5: twelve hour day that you would lose, like no joke,

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Speaker 5: an hour and a half to holding for helicopters. Oh

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Speaker 5: so yeah, it was to your point. So if it

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Speaker 5: was just like whoever designed this clearly didn't care about

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Speaker 5: efficiency or no how sound works.

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Speaker 6: Yeah.

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Speaker 4: I wonder if the airport was even there, because didn't

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Speaker 4: Capridge Junior, Frank Capra or Caper Junior like start the studio,

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Speaker 4: which would have been a long time ago.

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Speaker 1: I mean, yeah, but I think it was in like

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Speaker 1: the sixties. There was an airport there?

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Speaker 6: Oh there was? Yeah, yeah, so weird.

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Speaker 1: It's also interesting to me everyone at home is like, okay, guys,

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Speaker 1: thank you so much. On the topic of things that

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Speaker 1: are extreme, the fact that Brooks, convicted not just stalker

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Speaker 1: but assaulter, yeah, is allowed to work across the street

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Speaker 1: from her. It drives me crazy because listen, it's it's

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Speaker 1: a I understand that it's a great device for the

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Speaker 1: discomfort that she can't escape this person, but that's literally

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Speaker 1: not how the law works.

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Speaker 4: So actually, this is one of the things I was

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Speaker 4: wondering because I mean, I think there are there are

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Speaker 4: a lot of broken systems, particularly for women and their abusers.

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Speaker 4: Oh yeah, there's huge problems with the legal system in

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Speaker 4: that card. So is there an implied restraining order do

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Speaker 4: you know something about this that we don't know that

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Speaker 4: there's an implied restraining order when some or a very

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Speaker 4: literal restraining order usually put in place. Yeah.

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Speaker 1: I mean, if you're asked to speak at a parole

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Speaker 1: hearing for someone who assaulted you, yeah, it's because you're

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Speaker 1: giving a victim impact statement, so you are registered as

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Speaker 1: a victim. And listen, we haven't seen this on the show,

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Speaker 1: but by the way the law is supposed to go. Yeah,

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Speaker 1: Brooke has a restraining order against this person, and you know,

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Speaker 1: civil restraining orders usually last for ten years, or criminal

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Speaker 1: restraining orders rather. So it's just so weird to me

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Speaker 1: that then this police officer is like, oh, he said

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Speaker 1: he didn't know it was your place, and you know,

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Speaker 1: he called me to let me know, and it's like, dude,

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Speaker 1: it's the same place where he beat the shit out

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Speaker 1: of her. It used to be her store and now

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Speaker 1: it's her and her best friend cafe. Like yeah, and

441
00:22:03,520 --> 00:22:06,840
Speaker 1: to your point, Joy, we've seen this. I mean, women

442
00:22:06,880 --> 00:22:11,640
Speaker 1: who go through domestic violence or you know, stalking, or

443
00:22:12,480 --> 00:22:16,240
Speaker 1: you know, partner or non partner violence like this absolutely

444
00:22:16,240 --> 00:22:18,000
Speaker 1: don't get treated the way they should. They don't get

445
00:22:18,040 --> 00:22:21,840
Speaker 1: protected the way they should if they're believed exactly right

446
00:22:21,880 --> 00:22:24,639
Speaker 1: in the first place. But the crazy part of this

447
00:22:24,920 --> 00:22:27,320
Speaker 1: is to me is like this guy did go to

448
00:22:27,440 --> 00:22:31,560
Speaker 1: jail for this, yeah, and everybody's acting like it's no

449
00:22:31,640 --> 00:22:35,919
Speaker 1: big deal. And I'm like, ah, she's actually one of

450
00:22:35,920 --> 00:22:37,600
Speaker 1: the ones who did get believed.

451
00:22:37,960 --> 00:22:38,600
Speaker 6: Yeah.

452
00:22:38,640 --> 00:22:41,280
Speaker 5: And it's also this, we don't this this show doesn't

453
00:22:41,320 --> 00:22:43,960
Speaker 5: take place in New York or Detroit, where there's a

454
00:22:44,160 --> 00:22:46,920
Speaker 5: lot of crime and there are a lot of things

455
00:22:46,920 --> 00:22:48,919
Speaker 5: happening to people, like a lot of people. This is

456
00:22:49,119 --> 00:22:52,639
Speaker 5: Tree Hill. It's a small town. So a man breaking

457
00:22:52,680 --> 00:22:56,800
Speaker 5: into a store and beating a woman very badly, that's

458
00:22:56,840 --> 00:22:57,960
Speaker 5: a huge thing.

459
00:22:58,400 --> 00:23:01,159
Speaker 4: And she's a celebrity, a famous woman in town, and

460
00:23:01,200 --> 00:23:02,280
Speaker 4: she's like a local hero.

461
00:23:02,520 --> 00:23:04,600
Speaker 5: And so it's odd that in a small town where

462
00:23:04,600 --> 00:23:06,919
Speaker 5: typically you would think that would be under a like

463
00:23:06,960 --> 00:23:11,560
Speaker 5: a micro microglass, no microscope. Yeah, and like and they

464
00:23:11,560 --> 00:23:14,479
Speaker 5: would be like overreacting, if anything. They're having like this

465
00:23:14,520 --> 00:23:17,480
Speaker 5: big city reaction of like, well, you know, he's got

466
00:23:17,520 --> 00:23:19,600
Speaker 5: to eat. It's like what.

467
00:23:19,640 --> 00:23:22,480
Speaker 4: It's this storyline makes me feel so claustrophobic.

468
00:23:22,640 --> 00:23:23,040
Speaker 1: Me too.

469
00:23:23,280 --> 00:23:27,480
Speaker 4: It's just the because it's so real. I mean, I

470
00:23:27,480 --> 00:23:29,320
Speaker 4: don't know about the restraining order thing in the element,

471
00:23:29,359 --> 00:23:32,200
Speaker 4: but the element of like of coercive control and how

472
00:23:32,280 --> 00:23:38,400
Speaker 4: someone can harm you, abuse you, whether it's psychological or physical,

473
00:23:38,560 --> 00:23:41,960
Speaker 4: and then whether they've paid their time or not that

474
00:23:42,040 --> 00:23:44,800
Speaker 4: they can still walk around. And the way that he's

475
00:23:44,840 --> 00:23:48,800
Speaker 4: behaving with right, because he's making her think she's the

476
00:23:48,880 --> 00:23:49,600
Speaker 4: crazy one.

477
00:23:49,880 --> 00:23:51,200
Speaker 6: He's behaving in this way.

478
00:23:51,240 --> 00:23:54,399
Speaker 4: That's like, you know, everything in your body is telling

479
00:23:54,400 --> 00:23:59,160
Speaker 4: you this person has ill will toward me, they want

480
00:23:59,200 --> 00:24:03,439
Speaker 4: to harm me again in some way, but everything on

481
00:24:03,480 --> 00:24:06,439
Speaker 4: the surface looks perfect, so nobody's going to do anything

482
00:24:06,440 --> 00:24:08,600
Speaker 4: about it. And I just wanted to crawl out of

483
00:24:08,640 --> 00:24:11,280
Speaker 4: my skin. It was, Yeah, it really hit home for me.

484
00:24:11,359 --> 00:24:12,399
Speaker 4: It was just tough to watch.

485
00:24:12,840 --> 00:24:15,240
Speaker 1: Yeah, it drives me crazy for the same reasons. And

486
00:24:15,560 --> 00:24:18,320
Speaker 1: you know what's interesting to me, Rob now that you're

487
00:24:18,359 --> 00:24:22,200
Speaker 1: saying that, it's like it's making no shock here because

488
00:24:22,440 --> 00:24:25,520
Speaker 1: I memorize statistics for weird reasons, like I don't understand

489
00:24:25,560 --> 00:24:29,399
Speaker 1: my own brain. But like eight of the ten states

490
00:24:29,440 --> 00:24:34,240
Speaker 1: where women go through the most violence aren't like the

491
00:24:34,280 --> 00:24:37,680
Speaker 1: states with those big cities you're talking about. They actually

492
00:24:37,720 --> 00:24:41,960
Speaker 1: are more like quote unquote rural states to begin with.

493
00:24:42,600 --> 00:24:45,280
Speaker 1: And so part of me is like, oh, maybe maybe

494
00:24:45,280 --> 00:24:48,480
Speaker 1: the thing that feels so ridiculous to me about the

495
00:24:48,480 --> 00:24:51,240
Speaker 1: way these cops are reacting to what Brooke is saying

496
00:24:51,480 --> 00:24:57,199
Speaker 1: is actually frustratingly more accurate, you know, because this is

497
00:24:57,240 --> 00:25:01,040
Speaker 1: what women typically go through. They don't get believed and

498
00:25:01,560 --> 00:25:04,760
Speaker 1: they get told like, well, once he tries to kill you,

499
00:25:04,840 --> 00:25:07,040
Speaker 1: we can do something. Once there's an attempt on your

500
00:25:07,080 --> 00:25:09,000
Speaker 1: life again, we can.

501
00:25:08,960 --> 00:25:12,560
Speaker 4: Do reasonable, Like we understand why you'd be a little paranoid.

502
00:25:12,920 --> 00:25:15,840
Speaker 4: Of course this person assaulted you, but look, he's paid

503
00:25:15,880 --> 00:25:18,560
Speaker 4: his time. He just needs a regular job, like you

504
00:25:18,600 --> 00:25:20,280
Speaker 4: don't need to be hysterical.

505
00:25:20,720 --> 00:25:23,000
Speaker 1: Yeah, And they make you feel crazy about it. And

506
00:25:23,040 --> 00:25:25,679
Speaker 1: then then I think the craziest part of it is

507
00:25:26,480 --> 00:25:29,040
Speaker 1: you see, not that that's like where this is going,

508
00:25:29,119 --> 00:25:32,200
Speaker 1: but then you do see with women who fight back,

509
00:25:32,359 --> 00:25:34,760
Speaker 1: you know, joy to your point, Like with all the

510
00:25:34,800 --> 00:25:38,199
Speaker 1: things we know about how true these situations are. So

511
00:25:38,359 --> 00:25:40,960
Speaker 1: often the women that fight back, who do the stand

512
00:25:41,000 --> 00:25:43,040
Speaker 1: your ground, who like who go out and get a

513
00:25:43,080 --> 00:25:44,639
Speaker 1: gun and do all the things that they tell you

514
00:25:44,640 --> 00:25:47,280
Speaker 1: you're supposed to do, then they go to jail.

515
00:25:47,680 --> 00:25:49,639
Speaker 4: Or yeah, or they look crazy to the people in

516
00:25:49,680 --> 00:25:52,600
Speaker 4: their community because everybody just wants everything to be super

517
00:25:52,680 --> 00:25:56,520
Speaker 4: nice and easy. Let's just believe that everything's nice and okay.

518
00:25:56,840 --> 00:25:58,959
Speaker 1: Yeah, it's kind of crazy and maybe part of what

519
00:25:59,040 --> 00:26:01,720
Speaker 1: makes me feel to use that word that you used,

520
00:26:01,760 --> 00:26:04,720
Speaker 1: because it's so accurate. The thing that makes me feel

521
00:26:04,920 --> 00:26:09,919
Speaker 1: so claustrophobic about this, I can I can separate the

522
00:26:09,960 --> 00:26:12,840
Speaker 1: two like certainly from my own personal experience, and then

523
00:26:12,880 --> 00:26:17,120
Speaker 1: watching it happen on screen is the way TERA's behaving

524
00:26:19,080 --> 00:26:22,520
Speaker 1: because not only to have a man like a police officer,

525
00:26:22,680 --> 00:26:26,159
Speaker 1: be like okay, little lady, but to have another woman

526
00:26:26,920 --> 00:26:31,280
Speaker 1: look at you and go good when when when? When? Like,

527
00:26:32,359 --> 00:26:39,640
Speaker 1: it's so upsetting and even that she's still playing her

528
00:26:39,720 --> 00:26:43,240
Speaker 1: competitive thing and that brooke looks at her and is like,

529
00:26:43,280 --> 00:26:47,040
Speaker 1: you're not listening to me, like please, and for you

530
00:26:47,080 --> 00:26:49,919
Speaker 1: and everyone else, this man is dangerous and she's just

531
00:26:50,000 --> 00:26:51,960
Speaker 1: like great, makes it even better for me to make

532
00:26:51,960 --> 00:26:55,120
Speaker 1: you squirm. It's like an injury on an injury, if

533
00:26:55,160 --> 00:26:57,440
Speaker 1: that makes sense, Yes it is.

534
00:26:57,760 --> 00:27:00,560
Speaker 5: I was thinking about this because that's seen my mind.

535
00:27:02,320 --> 00:27:05,760
Speaker 5: First of all, she's a straight up sociopaths.

536
00:27:05,840 --> 00:27:06,840
Speaker 6: We don't even know why.

537
00:27:06,920 --> 00:27:09,359
Speaker 4: Is it literally just because she wants her cafe to

538
00:27:09,400 --> 00:27:12,200
Speaker 4: do well she blows into town. We don't know anything

539
00:27:12,240 --> 00:27:14,240
Speaker 4: about her motives. What the hell I.

540
00:27:14,160 --> 00:27:16,600
Speaker 5: Don't see I don't think we they haven't laid enough

541
00:27:16,600 --> 00:27:18,920
Speaker 5: groundwork for that to be the case, because we really

542
00:27:18,960 --> 00:27:21,719
Speaker 5: haven't seen her like taking any pride really in it

543
00:27:21,800 --> 00:27:25,400
Speaker 5: or like they've told us nothing equity in our cafe exactly.

544
00:27:25,440 --> 00:27:31,240
Speaker 5: So that's what Like, Okay, obviously Xavier is so dangerous

545
00:27:31,240 --> 00:27:35,879
Speaker 5: and such a threat, and obviously the kidnappers are very dangerous.

546
00:27:36,040 --> 00:27:38,960
Speaker 5: But it's like you can almost explain away the kidnappers though,

547
00:27:39,080 --> 00:27:41,520
Speaker 5: like they are in it for money, Like their actions

548
00:27:41,520 --> 00:27:44,080
Speaker 5: are still dangerous and scary, but like they are just

549
00:27:44,560 --> 00:27:49,159
Speaker 5: like profiteering, right, But Tara and Xavier are kind of

550
00:27:49,200 --> 00:27:51,720
Speaker 5: in a group of their own where it's like it's

551
00:27:51,760 --> 00:27:57,240
Speaker 5: like sociopathic behavior. It's unpredictable, and it's that's kind of

552
00:27:57,280 --> 00:27:59,760
Speaker 5: that's like the scariest kind though, because at least, like you,

553
00:28:00,200 --> 00:28:03,119
Speaker 5: like the kidnappers, there's an angle, like they just want money,

554
00:28:03,320 --> 00:28:05,000
Speaker 5: so they're going to do whatever is going to yield

555
00:28:05,000 --> 00:28:07,600
Speaker 5: the most money. When Tara after that scene, I'm like,

556
00:28:09,240 --> 00:28:11,119
Speaker 5: she's truly a psychopath.

557
00:28:11,720 --> 00:28:15,680
Speaker 4: Yeah, it's a psychological torment. Yes, what she's doing and

558
00:28:15,920 --> 00:28:18,359
Speaker 4: it's all for the end goal I guess, of getting

559
00:28:18,359 --> 00:28:21,080
Speaker 4: Brooke to leave and getting her out. So it's this

560
00:28:21,200 --> 00:28:24,320
Speaker 4: is another way that really sick people try and get

561
00:28:24,359 --> 00:28:25,880
Speaker 4: what they want if they don't know how to take

562
00:28:25,880 --> 00:28:28,480
Speaker 4: it by force or they feel like they'll they'll get

563
00:28:28,480 --> 00:28:30,600
Speaker 4: in trouble, they'll suffer some consequences they don't want to

564
00:28:30,640 --> 00:28:33,040
Speaker 4: have to suffer by taking something by force. Then they

565
00:28:33,160 --> 00:28:35,879
Speaker 4: that's coercion. Then they start to try and control the

566
00:28:35,920 --> 00:28:38,800
Speaker 4: situation with this like psychological torment.

567
00:28:39,040 --> 00:28:40,360
Speaker 6: It's so awful.

568
00:28:40,440 --> 00:28:43,320
Speaker 5: But it wasn't even like she had a cafe going

569
00:28:43,520 --> 00:28:47,600
Speaker 5: and you guys opened a cafe street. Yeah, she chose

570
00:28:47,680 --> 00:28:48,680
Speaker 5: this tiny town.

571
00:28:49,000 --> 00:28:49,720
Speaker 3: She chows the.

572
00:28:49,720 --> 00:28:53,160
Speaker 5: Spot across the street from you. It just that's what

573
00:28:53,240 --> 00:28:55,640
Speaker 5: makes her look even crazier is that there appears to

574
00:28:55,680 --> 00:29:03,360
Speaker 5: be no rationale for why she is going just balls out, gasly, menacing, destructive.

575
00:29:03,600 --> 00:29:05,360
Speaker 1: And by the way, I wish we were getting some

576
00:29:05,480 --> 00:29:10,360
Speaker 1: motivation because Chelsea plays her so well, but I don't

577
00:29:10,480 --> 00:29:14,280
Speaker 1: understand why she's being asked to play these things, Like

578
00:29:14,840 --> 00:29:17,200
Speaker 1: why is Tara, to your point, the kind of person

579
00:29:17,240 --> 00:29:19,360
Speaker 1: who goes, I'm going to move in across from a

580
00:29:19,400 --> 00:29:23,160
Speaker 1: beloved cafe from a cultural institution in this small town

581
00:29:23,240 --> 00:29:26,320
Speaker 1: and try to ruin them. I'm I'm going to date

582
00:29:26,360 --> 00:29:29,800
Speaker 1: a rock star and then sleep with his best friend

583
00:29:29,880 --> 00:29:33,680
Speaker 1: behind his back, Like, who is this person? She seems

584
00:29:33,720 --> 00:29:37,120
Speaker 1: like an She's like an archetype of a femme fatale

585
00:29:38,240 --> 00:29:40,920
Speaker 1: that like an eight year old boy would come up

586
00:29:40,920 --> 00:29:44,160
Speaker 1: with or a twelve year old boy, which then makes

587
00:29:44,200 --> 00:29:46,520
Speaker 1: me go like how old is our bouse at this point,

588
00:29:46,560 --> 00:29:48,800
Speaker 1: like forty eight? Like, bro, are you okay?

589
00:29:49,520 --> 00:29:49,760
Speaker 4: Yeah?

590
00:29:49,960 --> 00:29:54,360
Speaker 1: And if she's gonna be this person, give her a reason,

591
00:29:54,680 --> 00:29:58,080
Speaker 1: give us, give us like some juice, make it make

592
00:29:58,200 --> 00:30:02,640
Speaker 1: sense so we can we can expect crazier and crazier

593
00:30:02,680 --> 00:30:03,080
Speaker 1: from her.

594
00:30:03,400 --> 00:30:08,080
Speaker 4: Yeah, even just being a sociopath, which she is absolutely

595
00:30:08,800 --> 00:30:12,440
Speaker 4: and just obsessed with needing to get her way in

596
00:30:12,480 --> 00:30:16,000
Speaker 4: every situation and creating situations so that she can get

597
00:30:16,000 --> 00:30:20,320
Speaker 4: her way. But even that, we still need a reason

598
00:30:20,360 --> 00:30:24,240
Speaker 4: for her in the show to be doing that. There's

599
00:30:24,360 --> 00:30:28,120
Speaker 4: just there's no backstory for the support of the show,

600
00:30:28,200 --> 00:30:30,280
Speaker 4: Like I'm fine to have a sociopath, but we need

601
00:30:30,320 --> 00:30:31,840
Speaker 4: to know why why?

602
00:30:32,000 --> 00:30:34,400
Speaker 5: You know, it would actually be enough if even in

603
00:30:34,440 --> 00:30:37,440
Speaker 5: that scene, if she had been like do you remember

604
00:30:37,480 --> 00:30:39,880
Speaker 5: such and such clothing line and you're like what and

605
00:30:39,880 --> 00:30:42,240
Speaker 5: she's like, yes, that was mine and it went out

606
00:30:42,280 --> 00:30:45,320
Speaker 5: of business. One You're like, even that would be like, oh,

607
00:30:45,360 --> 00:30:47,200
Speaker 5: she has an axe to grind.

608
00:30:47,040 --> 00:30:50,120
Speaker 4: That design you stole that, you're a victorious stole that

609
00:30:50,160 --> 00:30:52,040
Speaker 4: you didn't know Victoria stole and you used it and

610
00:30:52,040 --> 00:30:53,280
Speaker 4: it became a big thing and it put her out

611
00:30:53,320 --> 00:30:53,719
Speaker 4: of business.

612
00:30:53,760 --> 00:30:54,560
Speaker 5: Like anything.

613
00:30:55,360 --> 00:30:57,680
Speaker 1: Yeah, by the way, even it could have been like

614
00:30:58,160 --> 00:31:01,239
Speaker 1: I applied for a job at closed Her Bros. And

615
00:31:01,400 --> 00:31:04,640
Speaker 1: was told like Victoria told me, I was a shoe in.

616
00:31:05,560 --> 00:31:07,520
Speaker 1: I quit my job, I moved to New York and

617
00:31:07,560 --> 00:31:10,360
Speaker 1: then you guys hired someone else. And yeah, it could

618
00:31:10,360 --> 00:31:13,080
Speaker 1: be like I never even saw you what, I never

619
00:31:13,120 --> 00:31:16,200
Speaker 1: saw your resume? What are you talking about? Like something?

620
00:31:17,320 --> 00:31:19,760
Speaker 1: But there's just no reason for her to hate this

621
00:31:19,840 --> 00:31:21,120
Speaker 1: other woman so much.

622
00:31:21,400 --> 00:31:25,719
Speaker 4: I wonder if Chelsea ever asked if any of us

623
00:31:25,720 --> 00:31:27,840
Speaker 4: are still in touch, it would be interesting to find out,

624
00:31:27,960 --> 00:31:31,880
Speaker 4: like what what she would have Because she's the actress

625
00:31:31,920 --> 00:31:33,520
Speaker 4: having to play the part. She would have had to

626
00:31:33,520 --> 00:31:35,840
Speaker 4: ask these questions and get answers about it.

627
00:31:36,080 --> 00:31:39,800
Speaker 5: Yes and no. Because it's a super successful show. She's

628
00:31:39,840 --> 00:31:42,960
Speaker 5: coming on for the last season. I can see her.

629
00:31:43,040 --> 00:31:45,320
Speaker 5: I can understand if I was in that spot maybe

630
00:31:45,440 --> 00:31:47,080
Speaker 5: being like an I don't want to rock the boat

631
00:31:47,120 --> 00:31:49,240
Speaker 5: thing and I'll just sure, I'll just play it. But

632
00:31:49,240 --> 00:31:51,760
Speaker 5: I wonder because I listen, that's those are the kind

633
00:31:51,800 --> 00:32:05,080
Speaker 5: of questions you'd be asking, like why am I doing this?

634
00:32:07,560 --> 00:32:11,800
Speaker 5: I will say to the episode's credit different than this,

635
00:32:12,240 --> 00:32:14,600
Speaker 5: we actually got a lot of questions answered with Clay

636
00:32:14,600 --> 00:32:15,680
Speaker 5: and Logan, which.

637
00:32:15,520 --> 00:32:18,800
Speaker 1: I was I'm so excited to talk finally, and that

638
00:32:18,920 --> 00:32:21,800
Speaker 1: was a highlight of the episode for sure. How did

639
00:32:21,840 --> 00:32:22,719
Speaker 1: you feel about all that?

640
00:32:22,800 --> 00:32:25,040
Speaker 5: Rub I thought was great, and I think that is

641
00:32:25,160 --> 00:32:29,960
Speaker 5: largely due to Pierce, because every time we cut to

642
00:32:30,080 --> 00:32:33,280
Speaker 5: him and his little earnest eyes looking up at Clay,

643
00:32:34,760 --> 00:32:39,720
Speaker 5: I'm just I'm there, I'm on board, I'm emotionally invested exactly.

644
00:32:39,920 --> 00:32:44,240
Speaker 5: He's so open that you don't really have to do

645
00:32:44,400 --> 00:32:46,160
Speaker 5: much else in a scene with him, and so I

646
00:32:46,160 --> 00:32:48,120
Speaker 5: thought the stuff. I thought it all worked, and I

647
00:32:48,120 --> 00:32:50,080
Speaker 5: thought it was great that he told Clay no at

648
00:32:50,080 --> 00:32:52,720
Speaker 5: the end. I didn't remember that. I didn't, like I said,

649
00:32:52,760 --> 00:32:55,680
Speaker 5: I only remember how we end, like the ending of

650
00:32:55,800 --> 00:32:59,400
Speaker 5: Sofa's episode that she directed, But I don't recall the

651
00:32:59,440 --> 00:33:01,240
Speaker 5: path to get there. So I liked that it wasn't

652
00:33:01,280 --> 00:33:04,840
Speaker 5: easy for Clay shouldn't be. I liked that we got

653
00:33:05,160 --> 00:33:08,000
Speaker 5: clarity as to where he's been for six years and

654
00:33:08,040 --> 00:33:11,640
Speaker 5: why this whole charade is unfolding the way it is.

655
00:33:11,840 --> 00:33:13,480
Speaker 5: The One thing I will say that was funny, and

656
00:33:13,520 --> 00:33:17,200
Speaker 5: they at least acknowledged it was when Clay and Logan

657
00:33:17,240 --> 00:33:20,240
Speaker 5: are talking outside and for some reason, the therapist and

658
00:33:20,320 --> 00:33:22,920
Speaker 5: Quinn are like ten feet away watching, which which is fine,

659
00:33:23,240 --> 00:33:26,680
Speaker 5: but then just apropos of nothing. The therapist is like,

660
00:33:27,680 --> 00:33:32,200
Speaker 5: he loves you, you know, he loves you, And in

661
00:33:32,240 --> 00:33:35,400
Speaker 5: my head immediately I'm like, that's such a violation. What

662
00:33:35,440 --> 00:33:38,840
Speaker 5: are you doing? And then he's like, I just violated

663
00:33:38,880 --> 00:33:42,200
Speaker 5: patient doctor confidentiality. But I'm pretty sure you knew it anyways.

664
00:33:42,240 --> 00:33:44,920
Speaker 5: I'm just like, what are we friends? Now?

665
00:33:44,960 --> 00:33:46,080
Speaker 6: We're all friends?

666
00:33:46,120 --> 00:33:46,239
Speaker 4: Oh?

667
00:33:47,040 --> 00:33:47,360
Speaker 2: Yeah?

668
00:33:47,400 --> 00:33:48,560
Speaker 1: It was so weird.

669
00:33:48,920 --> 00:33:51,840
Speaker 4: It was like, Okay, I loved I really also did

670
00:33:51,880 --> 00:33:55,320
Speaker 4: love this storyline in this episode in particular, But it

671
00:33:55,400 --> 00:33:58,200
Speaker 4: was funny to me when Clay, when you were explaining

672
00:33:58,240 --> 00:34:01,640
Speaker 4: to Quinn the truth of of who Logan is, and

673
00:34:01,720 --> 00:34:03,680
Speaker 4: she says, are you sure?

674
00:34:06,600 --> 00:34:07,320
Speaker 6: Are you sure?

675
00:34:07,680 --> 00:34:08,520
Speaker 5: Are you sure?

676
00:34:09,640 --> 00:34:13,960
Speaker 4: I'm just thinking about the practicality of that line, like yes, yes,

677
00:34:14,040 --> 00:34:16,759
Speaker 4: he's sure. There's no there's no way he's going to

678
00:34:16,840 --> 00:34:18,960
Speaker 4: be explaining any of this to you. I don't know,

679
00:34:19,400 --> 00:34:21,160
Speaker 4: maybe it was just dumb to me. I was listening

680
00:34:21,200 --> 00:34:22,799
Speaker 4: to this like, oh, I wish I wish they had

681
00:34:22,800 --> 00:34:25,000
Speaker 4: cut that line for her. That just seemed like such

682
00:34:25,040 --> 00:34:31,759
Speaker 4: a uh it's such a girl, like a like a

683
00:34:31,800 --> 00:34:36,600
Speaker 4: caricature girlfriend line like that, what are we going to do?

684
00:34:37,239 --> 00:34:39,280
Speaker 5: Can I tell you what I see? I didn't bump

685
00:34:39,320 --> 00:34:41,800
Speaker 5: on that at all. I hear what you're saying, though,

686
00:34:42,160 --> 00:34:44,920
Speaker 5: But I think because to me it is that is

687
00:34:45,040 --> 00:34:50,200
Speaker 5: such an absurd, out of left field statement from Clay

688
00:34:50,239 --> 00:34:51,959
Speaker 5: that she's like, whatever it is, we're gonna be okay,

689
00:34:51,960 --> 00:34:54,640
Speaker 5: and he's like, I have a son I forgot about

690
00:34:54,640 --> 00:34:59,319
Speaker 5: for six years. That is bonkers. So I think I

691
00:34:59,360 --> 00:35:03,880
Speaker 5: totally except any person just going are you sure, because

692
00:35:03,920 --> 00:35:06,520
Speaker 5: that is just so absurd to say.

693
00:35:06,840 --> 00:35:09,399
Speaker 6: Okay, fair enough, yeah, that's good.

694
00:35:09,440 --> 00:35:11,719
Speaker 4: Well, but let me let me give your flowers too,

695
00:35:11,800 --> 00:35:17,040
Speaker 4: Because that scene where you were explaining to Logan who

696
00:35:17,080 --> 00:35:19,960
Speaker 4: you are. I got so emotional. I was on my

697
00:35:20,080 --> 00:35:23,600
Speaker 4: treadmill with my ten pound or whatever, the twenty pound

698
00:35:23,600 --> 00:35:26,680
Speaker 4: weight best. And I'm just walking watching this episode and

699
00:35:26,719 --> 00:35:28,920
Speaker 4: I had to just stop. I had to step off

700
00:35:28,960 --> 00:35:31,160
Speaker 4: to the side of my treadmill and just let myself

701
00:35:31,200 --> 00:35:33,560
Speaker 4: be emotional for a minute. You really really got me.

702
00:35:33,880 --> 00:35:35,000
Speaker 4: It was so beautiful.

703
00:35:35,560 --> 00:35:36,040
Speaker 5: Thanks.

704
00:35:36,400 --> 00:35:36,920
Speaker 6: Yeah.

705
00:35:37,040 --> 00:35:39,120
Speaker 4: Yeah, And I was so sad when he said no

706
00:35:39,239 --> 00:35:40,239
Speaker 4: and walked away.

707
00:35:40,680 --> 00:35:44,239
Speaker 1: Him saying no, like it knocked the wind at me

708
00:35:45,120 --> 00:35:49,680
Speaker 1: and your face, Rob and yeah, I don't know. There

709
00:35:49,680 --> 00:35:54,239
Speaker 1: was something so interesting, like the whole way that was

710
00:35:54,280 --> 00:35:56,560
Speaker 1: written for all the things that are done at a

711
00:35:56,640 --> 00:35:59,440
Speaker 1: ten when they should be at a six. That whole

712
00:35:59,480 --> 00:36:03,759
Speaker 1: scene was so gorgeous because it felt so human, even

713
00:36:03,800 --> 00:36:05,680
Speaker 1: the fact that Quinn said, just walk over there and

714
00:36:05,680 --> 00:36:08,680
Speaker 1: say hi, Logan and the rest will come. And then

715
00:36:08,719 --> 00:36:10,719
Speaker 1: you're like, are are you? Are you eating healthy? Like

716
00:36:10,800 --> 00:36:13,160
Speaker 1: it's so you have no idea what to say, and

717
00:36:14,640 --> 00:36:16,719
Speaker 1: we know why, you know, we know what's up, which

718
00:36:16,760 --> 00:36:20,040
Speaker 1: is a fun moment as an audience member. The whole

719
00:36:20,040 --> 00:36:22,839
Speaker 1: thing is so beautiful, and then for him to say no,

720
00:36:22,960 --> 00:36:23,480
Speaker 1: it's just.

721
00:36:25,120 --> 00:36:28,480
Speaker 4: You were so breaking sort of you just kept it

722
00:36:28,560 --> 00:36:31,120
Speaker 4: really simple. I think that's what I really appreciated about it.

723
00:36:31,120 --> 00:36:36,800
Speaker 4: It wasn't I felt Clay's uncertainty. I felt the deep

724
00:36:36,960 --> 00:36:42,920
Speaker 4: care and the sensitivity and like the respect of not

725
00:36:43,080 --> 00:36:45,880
Speaker 4: expecting this kid all of a sudden to just be like, Daddy,

726
00:36:46,080 --> 00:36:49,400
Speaker 4: everything's fine. You know there was so you you really

727
00:36:49,640 --> 00:36:51,040
Speaker 4: handled that so beautifully.

728
00:36:51,640 --> 00:36:55,080
Speaker 5: Oh yeah, thanks guys. Yeah. I think they did that

729
00:36:55,160 --> 00:36:58,520
Speaker 5: storyline a huge service by not making it easy for Clay.

730
00:36:59,120 --> 00:37:03,320
Speaker 5: Yes needed to be because you really, you make Logan

731
00:37:03,600 --> 00:37:06,600
Speaker 5: so much more of a real human To have him

732
00:37:06,640 --> 00:37:10,160
Speaker 5: not immediately go dad and have this great moment it

733
00:37:10,200 --> 00:37:14,600
Speaker 5: should be earned. He should be angry and yeah, and

734
00:37:14,680 --> 00:37:18,200
Speaker 5: I think they did also just with the dialogue, because

735
00:37:18,280 --> 00:37:21,200
Speaker 5: nothing about that scene should have had any polish on it.

736
00:37:22,080 --> 00:37:24,520
Speaker 5: Clay has no idea what he's doing, So the fact

737
00:37:24,560 --> 00:37:25,960
Speaker 5: that he's coming in and all of a sudden he's

738
00:37:26,000 --> 00:37:28,960
Speaker 5: like are you eating? Are you eating healthy? Or like

739
00:37:28,760 --> 00:37:30,759
Speaker 5: it's like what are you talking about? Like, oh yeah,

740
00:37:30,800 --> 00:37:32,120
Speaker 5: he has no idea what he's doing.

741
00:37:32,480 --> 00:37:38,280
Speaker 1: Yeah, it's very sweet. It communicated so well. How suddenly

742
00:37:38,400 --> 00:37:43,399
Speaker 1: rudderless you feel, you know how, in a way having

743
00:37:43,440 --> 00:37:47,640
Speaker 1: the answer is almost harder than the mystery. And because

744
00:37:47,640 --> 00:37:50,000
Speaker 1: you've built up this beautiful rapport with this little boy,

745
00:37:50,040 --> 00:37:52,720
Speaker 1: it's like, well, what are you going to do? How?

746
00:37:53,840 --> 00:37:56,000
Speaker 1: How are you going to do this right? And it's

747
00:37:56,160 --> 00:38:01,560
Speaker 1: really nice to see you not have all of the answers,

748
00:38:01,640 --> 00:38:04,640
Speaker 1: you know, did.

749
00:38:04,480 --> 00:38:08,520
Speaker 4: Anyone bump on the fact that the therapist said it

750
00:38:08,600 --> 00:38:13,560
Speaker 4: was my decision to not allow anyone to talk to

751
00:38:13,640 --> 00:38:17,399
Speaker 4: him until he found his way out of this fugue state?

752
00:38:17,520 --> 00:38:19,760
Speaker 4: Like I was like, Okay, maybe a few weeks, I guess,

753
00:38:19,760 --> 00:38:21,799
Speaker 4: like I could see a month or two, but like,

754
00:38:21,880 --> 00:38:24,799
Speaker 4: you're going to let this go on for six years years,

755
00:38:25,080 --> 00:38:29,799
Speaker 4: like that is seem super negligible to me. I mean,

756
00:38:29,840 --> 00:38:31,960
Speaker 4: I'm not a therapist who deals with people in the

757
00:38:31,960 --> 00:38:34,200
Speaker 4: fugue states, But good lord.

758
00:38:34,480 --> 00:38:37,440
Speaker 5: That's a great point. I didn't bump on it in

759
00:38:37,520 --> 00:38:39,400
Speaker 5: the moment, but now that you're saying it, because I

760
00:38:39,440 --> 00:38:41,440
Speaker 5: was just thinking, like I don't know the rules of

761
00:38:41,440 --> 00:38:43,759
Speaker 5: fugue states, like like how you don't wake a sleepwalker.

762
00:38:44,080 --> 00:38:46,720
Speaker 5: R don't know if there's a protocol for fugue states.

763
00:38:46,760 --> 00:38:49,920
Speaker 5: But yeah, that's a good point because it's a really

764
00:38:49,960 --> 00:38:52,879
Speaker 5: long time. You can't also only be looking at how

765
00:38:52,880 --> 00:38:56,520
Speaker 5: it's affecting Clay. You are now choosing that a child

766
00:38:56,640 --> 00:38:59,160
Speaker 5: is going to grow up without his one parent for

767
00:38:59,360 --> 00:39:01,640
Speaker 5: six years, right, and.

768
00:39:01,600 --> 00:39:04,120
Speaker 1: Then who's he living with Is he living with grandparents?

769
00:39:04,400 --> 00:39:06,680
Speaker 5: It's her parents, Sarah, Yeah, Sarah's parents.

770
00:39:06,719 --> 00:39:10,239
Speaker 1: So it's like it it's just such a it's such

771
00:39:10,239 --> 00:39:12,439
Speaker 1: a crazy thing. And again takes me back to where

772
00:39:12,480 --> 00:39:17,480
Speaker 1: we started. I'm like the cops incompetent malpractice. The therapist.

773
00:39:17,640 --> 00:39:20,560
Speaker 1: This feels like malpractice, Like what is everybody doing?

774
00:39:21,280 --> 00:39:24,520
Speaker 5: And did the grandparents never show Logan a picture of

775
00:39:24,600 --> 00:39:25,279
Speaker 5: their mom, of.

776
00:39:25,280 --> 00:39:29,279
Speaker 4: His mom and dad saying yes, no pictures. They didn't,

777
00:39:29,280 --> 00:39:32,439
Speaker 4: they didn't. They just obeyed this therapist just they were like, Okay, sure,

778
00:39:32,520 --> 00:39:34,600
Speaker 4: sounds good. We'll just raise his kid until he's ready.

779
00:39:34,640 --> 00:39:36,120
Speaker 4: I guess I'll never be ready.

780
00:39:36,480 --> 00:39:37,200
Speaker 5: That's crazy.

781
00:39:37,360 --> 00:39:39,359
Speaker 1: This little Boys essentially on the Truman Show.

782
00:39:40,000 --> 00:39:41,359
Speaker 6: Uh huh, I don't like it.

783
00:39:41,400 --> 00:39:45,120
Speaker 5: Also, yeah, yeah, and this therapist was so lackadaisical about

784
00:39:45,200 --> 00:39:48,960
Speaker 5: just being like he'll come around and literally six years

785
00:39:49,000 --> 00:39:52,319
Speaker 5: go by. Yeah yeah, he needed to be like way

786
00:39:52,360 --> 00:39:53,960
Speaker 5: more proactive or something.

787
00:39:54,360 --> 00:39:56,919
Speaker 4: He was so invested though, he like comes to Tree

788
00:39:56,960 --> 00:39:59,920
Speaker 4: Hill to be a part b Clay's therapist and Logan

789
00:40:00,120 --> 00:40:04,160
Speaker 4: with him. Yeah, there's a whole there's a whole backstory

790
00:40:04,200 --> 00:40:06,440
Speaker 4: here that we just did not get.

791
00:40:06,800 --> 00:40:09,320
Speaker 5: You know what else left me with more questions and

792
00:40:09,440 --> 00:40:12,640
Speaker 5: answered sweet Sweet Mouth's prosthetics.

793
00:40:13,640 --> 00:40:14,600
Speaker 6: This is my note.

794
00:40:14,920 --> 00:40:17,000
Speaker 4: Mouth is still in this stupid weight suit.

795
00:40:18,520 --> 00:40:22,760
Speaker 5: I mean, okay, it's fine. I like that when Skills

796
00:40:22,840 --> 00:40:26,080
Speaker 5: is like, what has happened? At first, he just starts

797
00:40:26,120 --> 00:40:29,399
Speaker 5: to say, I'm eating for my job, and it's very

798
00:40:29,400 --> 00:40:31,640
Speaker 5: easy for just like one meal owed to become two

799
00:40:31,640 --> 00:40:33,279
Speaker 5: and three and it just builds up. I was like, yeah,

800
00:40:33,280 --> 00:40:37,640
Speaker 5: that's actually totally fair. But I appreciated that Skills went, yeah,

801
00:40:37,640 --> 00:40:41,120
Speaker 5: that's all fine and well, but you seem sad to me. Yeah, yeah,

802
00:40:41,320 --> 00:40:43,799
Speaker 5: you don't seem like the old mouth, And I thought

803
00:40:43,800 --> 00:40:47,200
Speaker 5: that was so smart because then it wasn't. It just

804
00:40:47,239 --> 00:40:49,560
Speaker 5: became a real issue that I think more people can

805
00:40:51,000 --> 00:40:54,439
Speaker 5: relate with, relate to. Yes, you know, and that was great.

806
00:40:54,480 --> 00:40:56,359
Speaker 5: I will say the hard part of me for that

807
00:40:56,400 --> 00:41:00,319
Speaker 5: scene was Mouth looks like a ghoule when he's sitting

808
00:41:00,360 --> 00:41:04,080
Speaker 5: at the table, the way the lighting in his prosthetics,

809
00:41:04,440 --> 00:41:08,680
Speaker 5: there is just something that does not look human about it,

810
00:41:08,760 --> 00:41:11,000
Speaker 5: and we have got to get him out of that.

811
00:41:11,360 --> 00:41:13,960
Speaker 1: Because he's literally i mean, his face is covered in

812
00:41:14,120 --> 00:41:19,480
Speaker 1: layers of silicone, like it doesn't when it's not lit correctly.

813
00:41:19,560 --> 00:41:24,120
Speaker 1: It literally doesn't look like human flesh, and so it's

814
00:41:24,200 --> 00:41:28,960
Speaker 1: an unfortunate thing when you're watching an actor you really

815
00:41:29,080 --> 00:41:31,919
Speaker 1: like and you're so taken out of their performance by

816
00:41:31,960 --> 00:41:33,680
Speaker 1: something that's beyond their control.

817
00:41:34,160 --> 00:41:36,719
Speaker 5: Yeah, he has the crow's feet of an eighty year

818
00:41:36,719 --> 00:41:41,720
Speaker 5: old farmer. It's like he gained weight. He didn't also

819
00:41:41,840 --> 00:41:43,840
Speaker 5: exist for sixty years on the side, you know.

820
00:41:44,080 --> 00:41:50,520
Speaker 1: Yeah, Yeah, he didn't age decades. It's so weird.

821
00:41:51,200 --> 00:41:54,840
Speaker 5: Tyler was great in this episode. Oh this moment, the

822
00:41:54,880 --> 00:41:57,080
Speaker 5: scene where he has to figure out a way to

823
00:41:57,239 --> 00:41:59,520
Speaker 5: help Chase and he goes into his office in the

824
00:41:59,520 --> 00:42:02,600
Speaker 5: two twin and interns are sitting there and it's basically

825
00:42:02,680 --> 00:42:05,520
Speaker 5: just him talking at himself the entire time and then

826
00:42:05,520 --> 00:42:11,120
Speaker 5: getting excited about it at the end. Was so freaking funny, man.

827
00:42:11,239 --> 00:42:12,120
Speaker 1: Yeah, so great.

828
00:42:12,320 --> 00:42:14,640
Speaker 4: I also loved him with Chase coming out of the

829
00:42:14,640 --> 00:42:17,719
Speaker 4: police station and him grabbing the ticket off of the

830
00:42:17,760 --> 00:42:20,399
Speaker 4: top of his windshield, rolling it up and throwing it

831
00:42:20,560 --> 00:42:23,359
Speaker 4: into the car the cop car next to him. Did

832
00:42:23,400 --> 00:42:25,880
Speaker 4: you notice this, Yes, it's just all part of the

833
00:42:25,960 --> 00:42:29,200
Speaker 4: action that he did. I don't know if Tyler asked

834
00:42:29,239 --> 00:42:31,279
Speaker 4: somebody to put a ticket on his car or if

835
00:42:31,320 --> 00:42:33,160
Speaker 4: it was like his car has a ticket. I don't

836
00:42:33,200 --> 00:42:36,239
Speaker 4: know who thought of that, but the man. Those are

837
00:42:36,280 --> 00:42:38,719
Speaker 4: the kinds of magic moments that I live for when

838
00:42:38,760 --> 00:42:41,520
Speaker 4: I'm watching shows. The stuff that's not being it has

839
00:42:41,560 --> 00:42:43,440
Speaker 4: nothing to do with the scene. It's not being said.

840
00:42:43,480 --> 00:42:45,560
Speaker 4: It's just normal, everyday action.

841
00:42:58,880 --> 00:43:00,839
Speaker 5: Quick magic moment that I I want to circle back

842
00:43:00,840 --> 00:43:03,440
Speaker 5: to a scene we've already discussed, but it's when you

843
00:43:03,520 --> 00:43:06,399
Speaker 5: and Haley's leaving the bar and Dan is waiting for him,

844
00:43:06,440 --> 00:43:09,920
Speaker 5: and there's the slow mo shot of Haley putting on

845
00:43:10,120 --> 00:43:14,279
Speaker 5: her glasses walking away, and instead of an explosion because

846
00:43:14,280 --> 00:43:16,480
Speaker 5: that's usually what happens in these sort of slow mo scenes,

847
00:43:16,760 --> 00:43:20,200
Speaker 5: it is Dan Scott just beating the life out of

848
00:43:20,239 --> 00:43:21,880
Speaker 5: the drug dealer next to a dumpster.

849
00:43:22,280 --> 00:43:22,840
Speaker 6: Yeah.

850
00:43:22,920 --> 00:43:24,840
Speaker 1: Joy, I feel like they really gave you your David

851
00:43:24,880 --> 00:43:27,640
Speaker 1: Caruso moment with those sunglasses, and I was like.

852
00:43:27,800 --> 00:43:29,919
Speaker 4: Yeah, wait to have some on my desk right now.

853
00:43:30,200 --> 00:43:30,480
Speaker 4: Oh yeah.

854
00:43:30,520 --> 00:43:31,840
Speaker 6: It was like that slow mock.

855
00:43:32,640 --> 00:43:35,799
Speaker 4: Yes, yes, that's it, and my elevens really showed up

856
00:43:35,800 --> 00:43:37,799
Speaker 4: that I've got their botox now.

857
00:43:37,960 --> 00:43:39,839
Speaker 5: The only thing, because you were looking into the sun,

858
00:43:40,160 --> 00:43:43,279
Speaker 5: the only thing missing from that scene was just damn,

859
00:43:43,280 --> 00:43:45,600
Speaker 5: it feels good to be a gangster playing with the background.

860
00:43:47,800 --> 00:43:48,080
Speaker 1: Yes.

861
00:43:48,760 --> 00:43:51,719
Speaker 5: Also, the worst line of the episode was that drug

862
00:43:51,760 --> 00:43:54,440
Speaker 5: dealer in the scene prior in the bar, going, you

863
00:43:54,520 --> 00:43:55,840
Speaker 5: know what I like in a woman?

864
00:43:56,480 --> 00:43:56,560
Speaker 4: Me?

865
00:43:57,680 --> 00:43:59,480
Speaker 1: Oh, I know.

866
00:44:01,520 --> 00:44:04,200
Speaker 5: He was sweet though he was he is, he's a

867
00:44:04,239 --> 00:44:09,319
Speaker 5: sweet guy, but he commits to some pretty tough dialogue.

868
00:44:09,960 --> 00:44:13,120
Speaker 4: Yeah, he was great. I remember him being like, I'm

869
00:44:13,160 --> 00:44:15,400
Speaker 4: so sorry, I have to say this. I'm sorry.

870
00:44:16,440 --> 00:44:17,600
Speaker 6: It's okay, buddy, go ahead.

871
00:44:17,800 --> 00:44:20,239
Speaker 1: Yeah, you're like, just lay it on me. It's it's

872
00:44:20,280 --> 00:44:21,160
Speaker 1: our jobs today.

873
00:44:21,680 --> 00:44:22,040
Speaker 5: Yeah.

874
00:44:22,080 --> 00:44:24,359
Speaker 1: Also you had to throw it right back at him

875
00:44:24,360 --> 00:44:27,200
Speaker 1: and do the whole threesome gag. Like they really made

876
00:44:27,200 --> 00:44:28,120
Speaker 1: you guys go for it.

877
00:44:29,200 --> 00:44:32,120
Speaker 4: Also, Stephen COLLETTI I just I have his name here

878
00:44:32,160 --> 00:44:34,960
Speaker 4: with a thousand exclamation points next to it because his

879
00:44:35,040 --> 00:44:38,399
Speaker 4: performance was so so good in this episode and the

880
00:44:38,480 --> 00:44:43,319
Speaker 4: way that he and he's so underrated, like watching him

881
00:44:44,160 --> 00:44:46,319
Speaker 4: on I want to say on trial, but that's not

882
00:44:46,320 --> 00:44:48,760
Speaker 4: the right word. Whatever they were at the at the hearing,

883
00:44:49,600 --> 00:44:56,480
Speaker 4: and the way his face he got all choked up,

884
00:44:56,520 --> 00:44:59,239
Speaker 4: his eyes got all watery and weepy when Chuck was

885
00:44:59,600 --> 00:45:01,719
Speaker 4: tested buying for him and came in and did the

886
00:45:01,840 --> 00:45:06,080
Speaker 4: right thing. I just really love watching Stephen work. He's

887
00:45:07,160 --> 00:45:10,280
Speaker 4: I just think he's so underrated. He keeps it all

888
00:45:10,480 --> 00:45:12,680
Speaker 4: pretty close to the vest, but if you're really watching,

889
00:45:12,760 --> 00:45:15,080
Speaker 4: you can see all the gears turning all the time.

890
00:45:15,520 --> 00:45:18,399
Speaker 1: Yeah, Well he has such a Stephen has such an

891
00:45:18,400 --> 00:45:22,000
Speaker 1: inherent sweetness of spirit, and it's what made him so

892
00:45:22,200 --> 00:45:24,680
Speaker 1: great to come in as Chase in high school as

893
00:45:24,719 --> 00:45:28,080
Speaker 1: a clean teen you bought that he was just this

894
00:45:28,239 --> 00:45:33,440
Speaker 1: really pure, sweet teenage boy. And there is something about

895
00:45:33,560 --> 00:45:38,280
Speaker 1: that earnestness that he has maintained as he's grown into

896
00:45:38,280 --> 00:45:46,600
Speaker 1: a serious leading man, and it is so able to shine.

897
00:45:46,960 --> 00:45:50,400
Speaker 1: It's highlighted so well in this Big Brother story.

898
00:45:50,880 --> 00:45:53,040
Speaker 6: Yeah, you know, because because yeah, all of.

899
00:45:53,000 --> 00:45:56,799
Speaker 1: You guys, you're like gorgeous, hunky leading men, you know,

900
00:45:56,960 --> 00:46:00,239
Speaker 1: in these big relationships and doing the things. And but

901
00:46:00,440 --> 00:46:03,839
Speaker 1: to see this guy as a volunteer with a boy

902
00:46:03,920 --> 00:46:06,439
Speaker 1: who needs a mentor, it's a rare thing to see

903
00:46:06,560 --> 00:46:11,600
Speaker 1: on camera. And I think it's a very perfect device

904
00:46:12,440 --> 00:46:16,960
Speaker 1: that the writers gave to let something that is inherent

905
00:46:17,040 --> 00:46:19,439
Speaker 1: in our friend really shine through. And when you get

906
00:46:19,440 --> 00:46:24,400
Speaker 1: those moments, it feels it feels very emotionally profound.

907
00:46:25,360 --> 00:46:27,680
Speaker 4: Yeah, I'm just glad they finally got him out from

908
00:46:27,719 --> 00:46:30,120
Speaker 4: behind the bar and just back happened Mia.

909
00:46:30,000 --> 00:46:31,520
Speaker 6: And Alex and blah blah blah.

910
00:46:31,600 --> 00:46:36,239
Speaker 4: Okay, okay, enough already, give this man something actually to do, and.

911
00:46:36,160 --> 00:46:39,960
Speaker 5: They did something smart. Obviously it's great, see Chuck did

912
00:46:40,000 --> 00:46:43,640
Speaker 5: the right thing, But that they included Chuck's mom in

913
00:46:43,719 --> 00:46:46,520
Speaker 5: on it. I didn't realize how much we needed it

914
00:46:46,600 --> 00:46:50,760
Speaker 5: until she was there and actually said, we've reported to police.

915
00:46:50,760 --> 00:46:53,120
Speaker 5: We told him what was going on, because we like

916
00:46:53,520 --> 00:46:55,840
Speaker 5: Chuck so much by this point that we need to

917
00:46:55,960 --> 00:46:59,640
Speaker 5: know he's going to have at least one decent parent. Yes,

918
00:47:00,280 --> 00:47:02,160
Speaker 5: So the fact that she was in on I thought

919
00:47:02,200 --> 00:47:04,080
Speaker 5: was a really smart device to include her, because it

920
00:47:04,080 --> 00:47:06,440
Speaker 5: could have easily been Chuck doing it by himself, and

921
00:47:06,480 --> 00:47:09,040
Speaker 5: it wouldn't have had quite the same payoff because we

922
00:47:09,120 --> 00:47:10,839
Speaker 5: now are kind of so invested in him.

923
00:47:10,960 --> 00:47:12,120
Speaker 3: Yeah.

924
00:47:12,560 --> 00:47:13,200
Speaker 1: Agree.

925
00:47:14,000 --> 00:47:17,640
Speaker 5: There were so many, like, so many great lines as

926
00:47:17,680 --> 00:47:20,800
Speaker 5: well in this, like when it was such a badass

927
00:47:20,840 --> 00:47:23,280
Speaker 5: moment of Dan sending Haley away at the sound stage

928
00:47:23,320 --> 00:47:26,480
Speaker 5: and saying he says something to the effect of like,

929
00:47:26,760 --> 00:47:28,200
Speaker 5: I'm going to have to do some things I don't

930
00:47:28,200 --> 00:47:29,400
Speaker 5: want you to see. Yeh, I'm going to I'm going

931
00:47:29,440 --> 00:47:31,600
Speaker 5: to need to do some things you shouldn't see. And I

932
00:47:31,640 --> 00:47:34,480
Speaker 5: love that as Haley is walking away, he just goes,

933
00:47:35,200 --> 00:47:37,680
Speaker 5: he's about to torture man, but he's never gonna miss

934
00:47:37,719 --> 00:47:40,200
Speaker 5: a great one liner, right, and he just goes, Yay, Haley,

935
00:47:40,400 --> 00:47:45,279
Speaker 5: you should give deb back her clothes. Like the fact

936
00:47:45,320 --> 00:47:47,520
Speaker 5: that he's got a little zinger when he's about to

937
00:47:47,640 --> 00:47:51,600
Speaker 5: burn a man was terrific. Here's a line I was

938
00:47:51,640 --> 00:47:53,600
Speaker 5: immediately curious about. Do you want to say something?

939
00:47:53,600 --> 00:47:56,080
Speaker 1: So yes, I do before we move on, because this

940
00:47:56,120 --> 00:47:58,120
Speaker 1: is on the subject matter of death. Just in the

941
00:47:58,160 --> 00:48:02,080
Speaker 1: timeline of when we're this episode, I was just on

942
00:48:02,120 --> 00:48:04,759
Speaker 1: the West Coast for work. Ash came out to meet me,

943
00:48:05,000 --> 00:48:08,840
Speaker 1: and the week she was visiting coincided with Emmy weekend,

944
00:48:09,400 --> 00:48:11,879
Speaker 1: so we went out to things like, you know, we

945
00:48:11,880 --> 00:48:13,840
Speaker 1: were doing the thing with the folks who were working

946
00:48:14,160 --> 00:48:16,440
Speaker 1: with a Netflix. We like w into the night before

947
00:48:17,800 --> 00:48:22,480
Speaker 1: on the Sunday night in walk Barbara and her daughter

948
00:48:23,320 --> 00:48:26,080
Speaker 1: and we're just screaming and shrieking and we're like, oh

949
00:48:26,080 --> 00:48:27,759
Speaker 1: my god, oh my God, and we're having the whole thing.

950
00:48:28,120 --> 00:48:30,480
Speaker 1: And I'm like, honey, this is Barbara. You know, you

951
00:48:30,480 --> 00:48:32,200
Speaker 1: always hear us talk about the women who play the

952
00:48:32,200 --> 00:48:35,400
Speaker 1: moms on our show, and ash literally goes, what show

953
00:48:36,680 --> 00:48:38,000
Speaker 1: she plays a mom on?

954
00:48:38,000 --> 00:48:38,160
Speaker 5: On?

955
00:48:38,200 --> 00:48:40,840
Speaker 1: Which show? And I'm like, no, not now. She played

956
00:48:40,840 --> 00:48:42,720
Speaker 1: one of the moms on one trail And she literally

957
00:48:42,719 --> 00:48:45,400
Speaker 1: looks at Barbara and goes, I'm sorry, that's not possible.

958
00:48:45,960 --> 00:48:48,719
Speaker 1: Whose mom were you playing twenty years ago? I was like,

959
00:48:49,239 --> 00:48:54,799
Speaker 1: I'm telling you, And to watch Ashland's brain explode. She

960
00:48:54,960 --> 00:48:57,680
Speaker 1: was like, I don't understand what you're saying to me

961
00:48:57,800 --> 00:48:59,880
Speaker 1: right now, and I was like, no, yeah, Barbara just

962
00:49:00,120 --> 00:49:03,359
Speaker 1: is ageless. I don't I don't know what else to say.

963
00:49:03,640 --> 00:49:05,680
Speaker 6: So hot always.

964
00:49:05,280 --> 00:49:07,439
Speaker 1: Just like literally the hottest person in the room. None

965
00:49:07,440 --> 00:49:09,120
Speaker 1: of us know what to do about it.

966
00:49:09,640 --> 00:49:11,560
Speaker 4: I know. I'm just glad I saw that in the

967
00:49:11,640 --> 00:49:14,480
Speaker 4: like next like coming up in the next episode or whatever.

968
00:49:14,640 --> 00:49:16,440
Speaker 4: I think she's in it, or she's in at some

969
00:49:16,520 --> 00:49:18,640
Speaker 4: point over the next couple of episodes. She's in it.

970
00:49:18,680 --> 00:49:20,719
Speaker 4: I saw her face somewhere, so I know she's coming

971
00:49:20,760 --> 00:49:22,600
Speaker 4: back for a little bit, which makes me really happy

972
00:49:22,600 --> 00:49:25,279
Speaker 4: that we get her before the end. But yeah, that

973
00:49:25,400 --> 00:49:27,359
Speaker 4: was a great moment. By the way, just to full

974
00:49:27,400 --> 00:49:31,640
Speaker 4: circle that line that Dan thrust out, it was sure

975
00:49:31,680 --> 00:49:33,600
Speaker 4: to give her dead, back her clothes.

976
00:49:33,840 --> 00:49:36,880
Speaker 5: And then at the at the almost end of the episode,

977
00:49:37,000 --> 00:49:39,600
Speaker 5: Skills is asleep on the couch and Mouth goes to

978
00:49:39,600 --> 00:49:40,960
Speaker 5: wake him up, so I think they can go for

979
00:49:41,040 --> 00:49:47,959
Speaker 5: like a run or something, and in his slumber, Skills says, baby, please,

980
00:49:48,000 --> 00:49:48,920
Speaker 5: I'm not from Havana.

981
00:49:49,320 --> 00:49:49,800
Speaker 6: Brilliant.

982
00:49:50,080 --> 00:49:53,240
Speaker 5: I was immediately fast like I needed an episode about

983
00:49:53,280 --> 00:49:57,480
Speaker 5: what that means. Yes, yeah, it raised so many questions

984
00:49:57,520 --> 00:49:59,120
Speaker 5: I desperately wanted an answer to.

985
00:49:59,560 --> 00:49:59,840
Speaker 1: Yes.

986
00:50:00,480 --> 00:50:02,799
Speaker 5: Kudos to whoever threw that line in there, because that

987
00:50:02,880 --> 00:50:03,520
Speaker 5: was so funny.

988
00:50:03,840 --> 00:50:06,360
Speaker 4: It was probably Antoine just laying there on the couch.

989
00:50:06,440 --> 00:50:08,640
Speaker 4: They're like, Antoine, just say something.

990
00:50:09,239 --> 00:50:10,080
Speaker 6: He came up with it.

991
00:50:10,200 --> 00:50:12,839
Speaker 5: Let's go with that, because I would. I love that

992
00:50:12,960 --> 00:50:14,960
Speaker 5: version of it. Yeah, it was just Twan ad libbing.

993
00:50:15,200 --> 00:50:19,319
Speaker 5: And then the last shot of the episode was a

994
00:50:19,360 --> 00:50:24,760
Speaker 5: real gasper because Xavier holding the baby.

995
00:50:26,239 --> 00:50:27,160
Speaker 6: I don't like it.

996
00:50:27,280 --> 00:50:31,520
Speaker 4: I'm I'm over the device of babies being stolen by

997
00:50:31,560 --> 00:50:37,120
Speaker 4: crazy people, crazy people breaking into bedrooms upstairs, just something else,

998
00:50:37,160 --> 00:50:39,399
Speaker 4: anything else, Crazy people do all kinds of crazy things.

999
00:50:39,400 --> 00:50:41,960
Speaker 4: Does it have to be even just him being outside

1000
00:50:41,960 --> 00:50:43,840
Speaker 4: the house, like he could have just been standing on

1001
00:50:43,840 --> 00:50:46,560
Speaker 4: the corner smoking a cigarette outside the house watch.

1002
00:50:46,280 --> 00:50:48,520
Speaker 6: And that would have been enough. Like I don't need

1003
00:50:48,560 --> 00:50:50,400
Speaker 6: to see him in the room.

1004
00:50:51,040 --> 00:50:54,480
Speaker 5: What because we're doing that thing again where we assume

1005
00:50:54,640 --> 00:50:57,520
Speaker 5: just because someone's a full blown psycho that they also

1006
00:50:57,560 --> 00:51:00,880
Speaker 5: suddenly inherited the skills of a cat burglar. Yeah, because

1007
00:51:00,920 --> 00:51:03,280
Speaker 5: you know, Brooke and Julian right now are on the

1008
00:51:03,480 --> 00:51:07,520
Speaker 5: highest of alert, meaning exactly everything was double locked, everything

1009
00:51:07,600 --> 00:51:11,120
Speaker 5: was triple checked, and he somehow got through all of

1010
00:51:11,160 --> 00:51:12,880
Speaker 5: that woke up a baby, and.

1011
00:51:13,280 --> 00:51:15,759
Speaker 1: Like, yeah, it feels like.

1012
00:51:15,719 --> 00:51:19,680
Speaker 4: It's insulting the audience's intelligence too, Like we we get

1013
00:51:19,840 --> 00:51:22,480
Speaker 4: the suspense, we feel it there. You don't have to

1014
00:51:22,520 --> 00:51:24,839
Speaker 4: tell us more that we need to be afraid more.

1015
00:51:24,880 --> 00:51:26,080
Speaker 4: We're already afraid.

1016
00:51:26,239 --> 00:51:29,759
Speaker 1: We're good, We're already creeped up. It's also such a

1017
00:51:29,760 --> 00:51:34,719
Speaker 1: weird thing, isn't it that that, despite being a ridiculous,

1018
00:51:34,760 --> 00:51:40,279
Speaker 1: overdone choice, that theoretically Xavier could have gotten away with

1019
00:51:40,320 --> 00:51:43,839
Speaker 1: that then had he managed to do all the things

1020
00:51:43,920 --> 00:51:46,719
Speaker 1: you just said, Rob But now, like who doesn't have

1021
00:51:46,760 --> 00:51:49,600
Speaker 1: a nanet or a nest camera in their kids room?

1022
00:51:49,800 --> 00:51:53,200
Speaker 1: Like you just would never it would never happen, like

1023
00:51:53,239 --> 00:51:55,839
Speaker 1: you could, you would know you get an alert like

1024
00:51:55,880 --> 00:51:58,080
Speaker 1: a fly goes by in your kid's room and your

1025
00:51:58,120 --> 00:52:02,160
Speaker 1: phone lights up like MOS detected, and I don't know.

1026
00:52:02,239 --> 00:52:08,479
Speaker 1: It's so it's weird to think about these these sort

1027
00:52:08,480 --> 00:52:12,439
Speaker 1: of moments, especially with our show in the way tech

1028
00:52:12,520 --> 00:52:15,960
Speaker 1: has taken all these leaps, like the fact that all

1029
00:52:16,000 --> 00:52:17,880
Speaker 1: the kids were on flip phones at the beginning of

1030
00:52:17,920 --> 00:52:20,600
Speaker 1: the show, and like the fact that there wasn't a

1031
00:52:20,719 --> 00:52:22,560
Speaker 1: camera in a nursery.

1032
00:52:22,640 --> 00:52:25,080
Speaker 4: Then how about the fact that you guys are following

1033
00:52:25,160 --> 00:52:27,359
Speaker 4: him and watching him break into a window, and you

1034
00:52:27,440 --> 00:52:29,520
Speaker 4: have a phone with you, but you decided to make

1035
00:52:29,560 --> 00:52:32,040
Speaker 4: a phone call with it instead of film him breaking

1036
00:52:32,080 --> 00:52:32,920
Speaker 4: into the house.

1037
00:52:35,000 --> 00:52:38,080
Speaker 1: It's so silly. It's all so silly.

1038
00:52:39,640 --> 00:52:40,920
Speaker 5: We got to get to this question, but I got

1039
00:52:41,040 --> 00:52:44,000
Speaker 5: say the one last silly thing was when Brooke walks

1040
00:52:44,040 --> 00:52:50,240
Speaker 5: into the rival's cafe and sees Xavier. Dude. People can't

1041
00:52:50,280 --> 00:52:53,360
Speaker 5: help themselves from doing a close up on the object

1042
00:52:53,520 --> 00:52:57,200
Speaker 5: falling from someone's hand because I'm shocked. But I love

1043
00:52:57,280 --> 00:52:59,600
Speaker 5: that this time, because it's always glass, it always needs

1044
00:52:59,640 --> 00:53:01,719
Speaker 5: to break. I love that this time it was a

1045
00:53:01,760 --> 00:53:04,200
Speaker 5: coffee pot with metal on the bottom, so it didn't

1046
00:53:04,400 --> 00:53:07,000
Speaker 5: It was almost like them going this is the last one, guys,

1047
00:53:07,280 --> 00:53:10,040
Speaker 5: this is but it's like, just trust that we're going

1048
00:53:10,120 --> 00:53:12,879
Speaker 5: to see it on Brook's face. But no, we got

1049
00:53:12,880 --> 00:53:15,319
Speaker 5: to show it falling and hitting the ground because that

1050
00:53:15,400 --> 00:53:16,560
Speaker 5: means it's really scary.

1051
00:53:17,040 --> 00:53:22,799
Speaker 1: She's so startled she dropped something. Yeah, it's like okay, guys.

1052
00:53:23,320 --> 00:53:27,080
Speaker 5: Okay, I'll read this one. Peter asks Joy, what sort

1053
00:53:27,080 --> 00:53:29,480
Speaker 5: of training did you do for that fight scene and

1054
00:53:29,719 --> 00:53:31,760
Speaker 5: if you actually got to punch someone?

1055
00:53:31,920 --> 00:53:33,680
Speaker 6: Oh, Peter, Oh hi Peter.

1056
00:53:33,960 --> 00:53:36,799
Speaker 4: Well, it wasn't really a fight scene. It wasn't much

1057
00:53:36,800 --> 00:53:39,680
Speaker 4: of a fight scene to me. I mean no, not really.

1058
00:53:39,719 --> 00:53:42,080
Speaker 4: There wasn't much training involved. We had a stunt coordinator

1059
00:53:42,080 --> 00:53:44,640
Speaker 4: who was like, here's about how far away you can

1060
00:53:44,680 --> 00:53:48,239
Speaker 4: get from his face when you swing. Yeah, try not

1061
00:53:48,320 --> 00:53:51,760
Speaker 4: to go any closer. And he was pretty good at

1062
00:53:52,080 --> 00:53:56,400
Speaker 4: doing the reaction, which is surprisingly It can be hard

1063
00:53:56,440 --> 00:53:59,279
Speaker 4: to do to get the timing right on that. So

1064
00:54:00,080 --> 00:54:02,759
Speaker 4: we probably rehearsed it a couple of times. But now

1065
00:54:02,880 --> 00:54:05,120
Speaker 4: there's no, no, no real training required.

1066
00:54:05,600 --> 00:54:06,040
Speaker 6: Yeah.

1067
00:54:06,200 --> 00:54:08,760
Speaker 1: I think one of the things that's always interesting about

1068
00:54:09,160 --> 00:54:12,520
Speaker 1: throwing a slap or throwing a punch is there's obviously

1069
00:54:12,520 --> 00:54:15,080
Speaker 1: a way you do that as a human, but for

1070
00:54:15,160 --> 00:54:17,799
Speaker 1: our friends at home. Depending on where the camera is,

1071
00:54:18,360 --> 00:54:21,320
Speaker 1: you often have to do a really weird exaggerated angle,

1072
00:54:21,600 --> 00:54:24,200
Speaker 1: So like for a slap to look like it goes

1073
00:54:24,239 --> 00:54:27,279
Speaker 1: straight across someone's face, depending on where the camera is,

1074
00:54:27,960 --> 00:54:30,560
Speaker 1: it'll look straight in the scene, but you have to

1075
00:54:30,600 --> 00:54:35,000
Speaker 1: start like lower right and go upper left or you do.

1076
00:54:35,000 --> 00:54:37,120
Speaker 1: You have to do all these weird little things to

1077
00:54:37,239 --> 00:54:42,480
Speaker 1: make it look correct on screen versus feel right in

1078
00:54:42,520 --> 00:54:45,400
Speaker 1: your body. But if you do the weird thing that

1079
00:54:45,480 --> 00:54:48,359
Speaker 1: feels really wrong that the stunt coordinator shows you to do,

1080
00:54:48,760 --> 00:54:49,960
Speaker 1: then you see it on screen and.

1081
00:54:49,880 --> 00:54:53,440
Speaker 7: You're like, damn, it really looks like I hit that guy.

1082
00:54:54,040 --> 00:54:56,359
Speaker 1: That's like a fun little bts for you, Peter.

1083
00:54:56,760 --> 00:54:58,680
Speaker 5: Yeah, it's the same with love scenes where people are like,

1084
00:54:58,800 --> 00:55:00,600
Speaker 5: oh my gosh, youus it's so hot, and you're like,

1085
00:55:00,760 --> 00:55:05,000
Speaker 5: it is the opposite, Like there is so much technical

1086
00:55:05,200 --> 00:55:07,160
Speaker 5: to it, like are they blocking my light? Am I

1087
00:55:07,160 --> 00:55:09,000
Speaker 5: blocking theirs? Can I put my arm here? Like it

1088
00:55:09,080 --> 00:55:10,520
Speaker 5: is the most uncomfortable.

1089
00:55:10,680 --> 00:55:12,400
Speaker 4: Yeah, if I've been that way, then I get all

1090
00:55:12,440 --> 00:55:14,200
Speaker 4: these weird lines in my side, so I have to

1091
00:55:14,200 --> 00:55:16,799
Speaker 4: make sure that I'm like my back is arched, you know,

1092
00:55:16,840 --> 00:55:19,480
Speaker 4: it's like so comfortable.

1093
00:55:19,120 --> 00:55:21,439
Speaker 1: And then Also, you finally think you've got it right,

1094
00:55:21,480 --> 00:55:24,359
Speaker 1: and it's like you were you were in her light,

1095
00:55:24,400 --> 00:55:26,520
Speaker 1: you were in his light. You got to readjust this way,

1096
00:55:26,560 --> 00:55:29,440
Speaker 1: so you have to make it look really passionate and

1097
00:55:29,560 --> 00:55:31,520
Speaker 1: also keep your head at a weird angle. They get

1098
00:55:31,560 --> 00:55:32,200
Speaker 1: you a cramp.

1099
00:55:33,239 --> 00:55:35,920
Speaker 6: Oh yeah, it's like such a bizarre.

1100
00:55:35,480 --> 00:55:36,560
Speaker 1: Thing to have to do.

1101
00:55:37,880 --> 00:55:39,399
Speaker 5: All right, let's spin a wheel.

1102
00:55:41,680 --> 00:55:45,200
Speaker 1: Alrighty.

1103
00:55:49,520 --> 00:55:54,440
Speaker 5: Most likely to become a professional gambler.

1104
00:55:54,440 --> 00:56:00,719
Speaker 1: Oh Antoine Antoine jinks. Oh yeah, yes, that man loves

1105
00:56:00,719 --> 00:56:03,440
Speaker 1: a sports bet. He also is so good at bluffing.

1106
00:56:03,840 --> 00:56:06,680
Speaker 1: I feel like you could be playing poker with Antoine

1107
00:56:07,080 --> 00:56:10,680
Speaker 1: and he would just totally knock you sideways because he'd

1108
00:56:10,760 --> 00:56:13,520
Speaker 1: have a great story no matter what his hand actually

1109
00:56:13,640 --> 00:56:14,080
Speaker 1: looked like.

1110
00:56:14,320 --> 00:56:18,520
Speaker 5: And he plays, I think regularly in Domino's tournaments. So yeah, yeah, easily.

1111
00:56:18,880 --> 00:56:20,480
Speaker 6: Are you allowed to talk and poker?

1112
00:56:20,520 --> 00:56:23,120
Speaker 4: Can you just like yes, blah blah blah blah blah

1113
00:56:23,160 --> 00:56:25,680
Speaker 4: blah blah, just talk. Yeah, so that could be part

1114
00:56:25,719 --> 00:56:27,920
Speaker 4: of his Oh man, I would throw everybody off, I

1115
00:56:27,960 --> 00:56:30,040
Speaker 4: bet because he would just go.

1116
00:56:30,320 --> 00:56:32,120
Speaker 6: He knows how to just run.

1117
00:56:34,520 --> 00:56:39,480
Speaker 5: Right. Next week we have season nine, episode ten Hardcore

1118
00:56:39,600 --> 00:56:43,640
Speaker 5: will Never Die, but you will, Oh, boy, that's a

1119
00:56:43,680 --> 00:56:45,920
Speaker 5: good title. It is, see if it lives up to

1120
00:56:45,960 --> 00:56:47,520
Speaker 5: it heavy though.

1121
00:56:47,360 --> 00:56:52,040
Speaker 1: Heavy titles, hardcore and death and bombs. And we got

1122
00:56:52,040 --> 00:56:53,120
Speaker 1: a lot going on this year.

1123
00:56:53,280 --> 00:56:56,000
Speaker 4: My god, I think we're wrapping it up soon with

1124
00:56:56,080 --> 00:56:59,960
Speaker 4: those with those storylines. I hope at times coming, happy

1125
00:57:00,080 --> 00:57:00,720
Speaker 4: times coming.

1126
00:57:01,000 --> 00:57:03,680
Speaker 5: I know. Can you believe there's only four episodes left

1127
00:57:03,719 --> 00:57:08,880
Speaker 5: for us to covert? Wait? Is that actually ten? Eleven, twelve, thirteen? Gasp,

1128
00:57:09,000 --> 00:57:10,719
Speaker 5: you shall joy? It's crazy.

1129
00:57:11,719 --> 00:57:13,680
Speaker 1: I know, I'm gonna go cry.

1130
00:57:13,719 --> 00:57:16,160
Speaker 5: We should just start watching them back in different languages

1131
00:57:18,360 --> 00:57:20,320
Speaker 5: and we're like, well, none of us speak Farsie, but

1132
00:57:20,400 --> 00:57:26,880
Speaker 5: what we think happened in this episode? All right, King,

1133
00:57:27,360 --> 00:57:28,680
Speaker 5: thanks for joining us.

1134
00:57:28,880 --> 00:57:29,920
Speaker 1: See you next week.

1135
00:57:30,360 --> 00:57:31,520
Speaker 6: Hey, thanks for listening.

1136
00:57:31,640 --> 00:57:33,880
Speaker 1: Don't forget to leave us a review. You can also

1137
00:57:33,960 --> 00:57:37,040
Speaker 1: follow us on Instagram at Drama Queen's ot.

1138
00:57:37,040 --> 00:57:41,760
Speaker 2: H or email us at Drama Queens at iHeartRadio dot com.

1139
00:57:42,000 --> 00:57:45,640
Speaker 1: See you next time. We all about that.

1140
00:57:45,640 --> 00:57:48,720
Speaker 2: High school drama Girl, Drama Girl, all about them high.

1141
00:57:48,600 --> 00:57:51,480
Speaker 1: School queens forever. We'll take you for a ride, and

1142
00:57:51,600 --> 00:57:54,640
Speaker 1: our comic girl shared for the right teams.

1143
00:57:54,440 --> 00:57:58,680
Speaker 3: Drama Queens Up Girl Fashion Mitch, You'll tough, Girl, You

1144
00:57:58,680 --> 00:58:02,920
Speaker 3: could sit with us, Girl Ramaquins Drama, Queas Drama, Queens Drama,

1145
00:58:03,000 --> 00:58:04,600
Speaker 3: John Mcqueens Drama, Queens

1146
00:58:07,520 --> 00:58:07,560
Speaker 6: M