WEBVTT - Rhodium Nights w/ Brooke Smith

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<v Speaker 1>Okay, guys, and a little announcement about our tour. We

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<v Speaker 1>have some good news and some bad news. The good

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<v Speaker 1>news is we will be at Austin, Texas on nine

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<v Speaker 1>to twenty seven. We're really excited to do a live

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<v Speaker 1>show for you guys at Capcity Comedy Club there, So

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<v Speaker 1>if you live in and around Austin, please come see us.

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<v Speaker 1>That's messed uplive dot com for tickets. Other good news

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<v Speaker 1>is that one of us has had a very fun

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<v Speaker 1>professional opportunity pop up and it's awesome and we're going

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<v Speaker 1>to talk about it more later. But unfortunately it means

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<v Speaker 1>that we do have to reschedule our Houston and our

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<v Speaker 1>Dallas dates. We are working with the club to reschedule

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<v Speaker 1>those as soon as possible. I'm sure you're either going

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<v Speaker 1>to get refunded or.

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<v Speaker 2>Have your tickets.

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<v Speaker 1>Well, you'll definitely get refunded if you can't make it

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<v Speaker 1>to the new show date, but or your ticket will

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<v Speaker 1>be honored at the next show dates. So we will

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<v Speaker 1>get you those new show dates as soon as possible.

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<v Speaker 2>We're so sorry.

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<v Speaker 1>We were so excited to see you guys in Dallas

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<v Speaker 1>and Houston, but you know, scheduling stuff happens, and we

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<v Speaker 1>are super excited to reschedule.

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<v Speaker 2>Them and come to you guys eventually, so we will

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<v Speaker 2>let you.

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<v Speaker 1>Know of the Law and Order franchises. SVU is considered

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<v Speaker 1>especially watchable.

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<v Speaker 3>We are the amateur detectives who kind of investigate the

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<v Speaker 3>vicious felonies. These episodes are based on. These are our

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<v Speaker 3>stories done done. Hello, It's that's messed up an SVU podcast.

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<v Speaker 2>I'm Lie as a.

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<v Speaker 1>Tragger and I'm Kara Klank and you guys, hopefully by

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<v Speaker 1>now know what we do. We are just gonna talk

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<v Speaker 1>about an SVU episode, break down the true crime it

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<v Speaker 1>was based on, and chat with an amazing guest from

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<v Speaker 1>the show, and then at the beginning we just sort

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<v Speaker 1>of chat and catch up because Lisa has abandoned me

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<v Speaker 1>is currently living across the country just to get away

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<v Speaker 1>from for me, honestly, and it hurts.

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<v Speaker 2>We are in the time machine.

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<v Speaker 3>But today, while you're listening to this is Kara's birthday.

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<v Speaker 2>And also I will be.

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<v Speaker 3>Seeing you in New York at that weekend, so we're

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<v Speaker 3>all over, we're traveling, we're making it. There's a big

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<v Speaker 3>surprise actually happening this weekend, so stay tuned for that bitches,

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<v Speaker 3>you know what I'm talking about.

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<v Speaker 2>Don't tell them what big surprise this weekend? What are

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<v Speaker 2>you talking about? Wait, I'm gonna type it in the chat.

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<v Speaker 2>This is insane that you're not what's the big surprise?

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<v Speaker 2>You know?

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<v Speaker 1>My mind is made out of what are you talking

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<v Speaker 1>You're gonna feel so stupid when you read it that weekend. Sorry,

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<v Speaker 1>I thought you met like this weekend. We're in the

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<v Speaker 1>time machine. I'm very confused.

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<v Speaker 2>Okay, listen, but I am coming home.

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<v Speaker 3>I will be home tomorrow and uh yeah, I'll come

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<v Speaker 3>get my car.

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<v Speaker 2>Maybe let's go get breakfast burritos. Okay, yeah, when.

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<v Speaker 1>You come get your car, yeahs burritos and one other thing. Oh,

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<v Speaker 1>while we're talking about just like jet setting, I'll just

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<v Speaker 1>get it out of the way. I gotta keep plugging.

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<v Speaker 1>Our tour, guys, we are going on tour. We're so

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<v Speaker 1>excited to see all of you guys. Thank you for

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<v Speaker 1>telling us when you buy tickets. It makes me feel

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<v Speaker 1>good when every time someone says I just bought a

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<v Speaker 1>ticket for X show, it really does lift my spirits.

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<v Speaker 1>We're going to be in Austin on September twenty seventh.

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<v Speaker 1>We're going to be in Dallas at Improvent Addison on

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<v Speaker 1>the twenty eighth, and we're going to be in Houston

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<v Speaker 1>on the twenty ninth. So Texas, this is your opportunity

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<v Speaker 1>to see us live. Our live shows are so fucking fun.

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<v Speaker 1>It's not just a listen I will. I'm not trying

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<v Speaker 1>to shut another podcasts. A lot of podcasts live, it's

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<v Speaker 1>just them and it's sitting on it. I'm just saying

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<v Speaker 1>that's fine if that's what you want to do. If

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<v Speaker 1>you want to go watch a podcast, just be taped

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<v Speaker 1>live and feel like, oh, magically I was in the

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<v Speaker 1>room for that. Wow, how fun amazing. Ours is just

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<v Speaker 1>like a little bit different. It's a full show. It's entertaining,

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<v Speaker 1>there's visuals, there's clips, there's people coming up on stage

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<v Speaker 1>like it's really fun. It's not just like sitting and

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<v Speaker 1>listening to a podcast. So I think it's worth your tend.

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<v Speaker 2>One show.

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<v Speaker 3>So I did bring a skeleton hand, and then I've

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<v Speaker 3>forgotten it every show, So stay tuned if I bring

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<v Speaker 3>up Oh my God, it's going.

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<v Speaker 1>To be spooky season when we're on the road, you

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<v Speaker 1>got to bring that skeleton handback out.

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<v Speaker 4>Girl.

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<v Speaker 3>I cannot wait for spooky season. Yeah, I cannot wait

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<v Speaker 3>like it. I'm gonna get a Halloween tattoo for sure

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<v Speaker 3>this year. Okay, great, that's a great idea. Let Rosie

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<v Speaker 3>help you pick it out.

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<v Speaker 2>She'll be obsessed. Yes, guess what she wants to be

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<v Speaker 2>for Halloween? A bat? Oh good? Simple? Easy?

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<v Speaker 1>Ye?

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<v Speaker 3>And today, time machine, Today is your birthday as they're

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<v Speaker 3>listening today while we record, is the first day of

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<v Speaker 3>you know, preschool again for oh.

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<v Speaker 2>Yes, Rosie went back to school.

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<v Speaker 1>It's not a big thing because she went to the

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<v Speaker 1>summer program in the summer, so she wasn't like she

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<v Speaker 1>doesn't know anything. But she is meeting a new teacher,

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<v Speaker 1>so she's excited.

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<v Speaker 2>But you know, well, no, in the little pictures, they

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<v Speaker 2>look so much older.

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<v Speaker 1>It's she's so funny, like because I go, okay, do

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<v Speaker 1>a smile. She hates smiling for pictures, but she will

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<v Speaker 1>do it for me. And then I go okay, now

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<v Speaker 1>do a goofy one and that's where she really gets.

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<v Speaker 1>She really shines, you know. But there were bats on it,

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<v Speaker 1>so she's really into her batmoment. Yeah, Jared drew those

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<v Speaker 1>bats on there for her. Here's the thing she's obsessed

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<v Speaker 1>with the show PJ Masks, there's a character named Catboy.

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<v Speaker 1>She is obsessed with Catboy. He wears a blue outfit obsessed,

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<v Speaker 1>but he does not have wings. And so she has

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<v Speaker 1>said she has been introducing herself to people as bat Boy.

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<v Speaker 1>People say what's your name, and she goes Batboy, and

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<v Speaker 1>so it's really like what she thinks bat Boy is

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<v Speaker 1>in her head is just Catboy with bat wings.

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<v Speaker 2>So we've sort of talked about it, and she keeps saying,

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<v Speaker 2>I want.

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<v Speaker 1>To be bat Boy for Halloween, and I keep being like,

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<v Speaker 1>there is no Batboy costume. I guess I could get

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<v Speaker 1>her a cat Boy costume, and like, so what about

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<v Speaker 1>That's not what she's into. She likes Catboy with wings

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<v Speaker 1>and then bat Boy, and she made it up.

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<v Speaker 2>Yeah, buy a normal and put some wings on it. Yeah,

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<v Speaker 2>maybe I'll buy a cat Boy and put wings on it.

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<v Speaker 2>We'll see.

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<v Speaker 1>We've been looking at Amazon together and some other resources

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<v Speaker 1>for Halloween costumes, but we will see what she does, cause.

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<v Speaker 2>Yeah, I don't know. I would liked to turn a look.

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<v Speaker 3>I mean I did run in to a celebrity, I

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<v Speaker 3>would say, and their girlfriend said that they do a

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<v Speaker 3>giant Halloween party every year and we did follow each

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<v Speaker 3>other and they were like, we'll invite you, but it

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<v Speaker 3>was drunk and like in May, so who knows, but

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<v Speaker 3>I will be following up.

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<v Speaker 1>But I really hope I get to go to this

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<v Speaker 1>cool person's party. I really hope so too, And I

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<v Speaker 1>can't wait for you to tell me who that is.

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<v Speaker 3>But we also did get invited to a wedding together,

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<v Speaker 3>which I thought was cute, and we do have to

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<v Speaker 3>say we can't go, but that was fun to have.

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<v Speaker 3>Aliza Kara Well, because you know, I've been, there's been.

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<v Speaker 3>You know, I'm on the internet a lot. I'm on

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<v Speaker 3>the internet and there is just there's like a lot

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<v Speaker 3>of chats now of like plus ones and who do

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<v Speaker 3>you like bring someone in not? And it's like, yeah,

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<v Speaker 3>why is a boyfriend of one year more valuable if

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<v Speaker 3>then you bring your best friend of ten years?

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<v Speaker 2>You know what I mean.

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<v Speaker 3>It's like, if you can afford it, I think people

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<v Speaker 3>should be able to bring whoever the fuck they want

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<v Speaker 3>to the wedding.

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<v Speaker 2>Yeah.

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<v Speaker 1>I let my friend bring a date to my wedding

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<v Speaker 1>who was her friend who I was friends who I

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<v Speaker 1>knew too, And was like, yeah, bringer.

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<v Speaker 2>Because you're a girls girl. Yeah. But here's the thing.

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<v Speaker 1>I also am not really down with somebody bringing someone

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<v Speaker 1>that they're like just hooking up with if I'm paying

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<v Speaker 1>like a lot of money for it.

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<v Speaker 2>I on Sex and the City that was like so weird.

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<v Speaker 3>When Miranda was like, yeah, I'll bring this speed dating

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<v Speaker 3>guy will earn it to this wedding, I'm like, itause

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<v Speaker 3>your best friend's wedding.

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<v Speaker 1>You want to entertain a strange man. I would so

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<v Speaker 1>much rather go alone. I'm going to a wedding alone

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<v Speaker 1>in three weeks in Boston. Wait, but can we can

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<v Speaker 1>say whose wedding we got invited to together?

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<v Speaker 2>We got invited to a really fun couple.

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<v Speaker 1>Chelsea Davonta's Chelsea Davantes is a great writer who has

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<v Speaker 1>an amazing podcast that les and I have been on

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<v Speaker 1>called Celebrity book Club. She is marrying Yaser Lester, an

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<v Speaker 1>amazingly funny comic and writer and actor, and their wedding

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<v Speaker 1>is just going to be like I'm actually almost relieved

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<v Speaker 1>that I don't have to find an outfit for it,

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<v Speaker 1>because I just think the outfits are going to be

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<v Speaker 1>so over the top. And oh yeah, so the theme

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<v Speaker 1>of the wedding is try to outdo us. Yeah, so

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<v Speaker 1>because they're fashion icons and so their whole thing is

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<v Speaker 1>like try to top us, bitch, And so I think

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<v Speaker 1>people will be turning looks.

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<v Speaker 2>Like they're over the top.

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<v Speaker 1>Like Chelsea makes her own shoes and like adds like

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<v Speaker 1>little things to him and shit like that, Like they

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<v Speaker 1>are over the top. And I've been following her, like

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<v Speaker 1>on her stories, I've been following her wedding dress selection journey,

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<v Speaker 1>and it's I just can't wait to see what the

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<v Speaker 1>final product is. And I just was honored that we

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<v Speaker 1>were invited and it was hilarious to get anything that

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<v Speaker 1>said Karen Clinken Lea's a trigger on the front of

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<v Speaker 1>the envelope, like we were invited as a couple.

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<v Speaker 2>Yeah, and I loved it, loved it.

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<v Speaker 1>Unfortunately, we're going to be on tour with you guys,

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<v Speaker 1>and so we won't be able to go to the

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<v Speaker 1>wedding because we I think we'll be in Alabama. Yeah,

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<v Speaker 1>we give up everything for you guys. Yeah, Huntsville, Alabama.

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<v Speaker 2>Come see us. Do people listen to us there? Please

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<v Speaker 2>come see us. Oh wait, wait, we're gonna tell me

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<v Speaker 2>about some Twitter thing. Oh.

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<v Speaker 1>I was just gonna say because we were going to

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<v Speaker 1>talk about Housewives really quickly because the Salt Lake City

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<v Speaker 1>trailer just dropped and it's got all this like juicy

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<v Speaker 1>gen Shaw stuff in it. And I was recently on

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<v Speaker 1>Amy Phillips Queen Amy Phillips. She's one of the one

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<v Speaker 1>of the best Housewives imitators, Housewives experts.

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<v Speaker 2>She's got a show on radio, Andy Lison.

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<v Speaker 1>I go on it, and I was just on and

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<v Speaker 1>she told me about this account called the Bravo Docket.

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<v Speaker 2>It's also in a podcast, and they are.

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<v Speaker 1>Two lawyers that analyze all the legal shit on Housewives.

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<v Speaker 2>Wow.

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<v Speaker 1>And I thought you would appreciate that because because you're like,

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<v Speaker 1>the Housewives has become true crime, you know, we talk

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<v Speaker 1>about that all the time.

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<v Speaker 3>Yeah, I mean also, okay, obviously Jenshaw will be going

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<v Speaker 3>to Jill for fifteen years. But the additional thing of

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<v Speaker 3>that Salt Lake City trailer was Heather Gay has a

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<v Speaker 3>fully black eye.

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<v Speaker 2>Someone punched her in the face, So or do you

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<v Speaker 2>think it's back else? Do you get that?

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<v Speaker 3>Because she took off her glasses like look, I could

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<v Speaker 3>just see the show teasing.

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<v Speaker 2>It and it being like, I fucking a huge Okay,

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<v Speaker 2>then what shut her eye fully closed a baseball bat.

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<v Speaker 1>What like running into a like a plank of wood

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<v Speaker 1>where you're getting your new a new beauty lab made

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<v Speaker 1>or something like.

0:09:55.040 --> 0:09:55.440
<v Speaker 2>I don't know.

0:09:55.520 --> 0:09:57.280
<v Speaker 1>I just have a feeling. It's not from a person.

0:09:57.480 --> 0:09:59.960
<v Speaker 1>I have a feeling. It's just a feeling. I'd like

0:10:00.120 --> 0:10:02.120
<v Speaker 1>to hope. I'd like to hope. It's like, I know,

0:10:02.200 --> 0:10:04.240
<v Speaker 1>it's not ever real. When someone's like I ran into

0:10:04.240 --> 0:10:06.200
<v Speaker 1>a door, it's like, you know, that looks like it's

0:10:06.200 --> 0:10:10.800
<v Speaker 1>from a punch. But yeah, it's an intriguing trailer. It

0:10:10.840 --> 0:10:11.560
<v Speaker 1>looks really good.

0:10:11.840 --> 0:10:13.280
<v Speaker 2>Wait, so Southern Charm.

0:10:13.360 --> 0:10:16.600
<v Speaker 3>I have been watching and it is uncomfortable and bad

0:10:16.640 --> 0:10:17.880
<v Speaker 3>and there's such bad people.

0:10:17.960 --> 0:10:20.439
<v Speaker 2>But yet I think I thought why I had to stop.

0:10:20.559 --> 0:10:22.840
<v Speaker 2>I had to stop. That stops I was.

0:10:22.960 --> 0:10:25.280
<v Speaker 1>I was late to join and then I stopped. But

0:10:25.320 --> 0:10:27.800
<v Speaker 1>I did dabble for a few seasons. So it's like

0:10:27.960 --> 0:10:29.679
<v Speaker 1>you're just where I was a couple like a year

0:10:29.760 --> 0:10:31.600
<v Speaker 1>or two ago. And then I think when it got

0:10:31.640 --> 0:10:34.160
<v Speaker 1>too plantation y, and I was like I gotta go,

0:10:34.400 --> 0:10:38.280
<v Speaker 1>like I can't. It's just sad to watch Catherine. She's

0:10:38.360 --> 0:10:41.880
<v Speaker 1>really a mess, Like yeah, but overall it.

0:10:42.040 --> 0:10:47.360
<v Speaker 3>Just in jet like I calling someone racist, is not

0:10:47.679 --> 0:10:50.680
<v Speaker 3>that Like if you say, like that's racist, it's like

0:10:51.000 --> 0:10:51.880
<v Speaker 3>you can't throw that.

0:10:51.920 --> 0:10:53.680
<v Speaker 2>And it's like, but you are racist. What are you

0:10:53.720 --> 0:10:54.240
<v Speaker 2>talking about?

0:10:54.480 --> 0:10:57.199
<v Speaker 3>Your family owned slaves and you will not admit it,

0:10:58.520 --> 0:11:01.160
<v Speaker 3>like your family owned people, and you won't even do

0:11:01.400 --> 0:11:04.200
<v Speaker 3>enough to like actually learn what is happening and what

0:11:04.240 --> 0:11:06.400
<v Speaker 3>the truth of everything is, and you're offended you might

0:11:06.440 --> 0:11:08.959
<v Speaker 3>be called a racist. It's like, even if you're not

0:11:09.000 --> 0:11:11.080
<v Speaker 3>a racist, you are. We're part of the system. And

0:11:11.120 --> 0:11:14.160
<v Speaker 3>I just hate how they don't listen or want to

0:11:14.240 --> 0:11:18.560
<v Speaker 3>learn anything when it's like your family did this, because

0:11:18.559 --> 0:11:19.840
<v Speaker 3>I know a lot of people should be like we

0:11:19.880 --> 0:11:21.880
<v Speaker 3>came in the nineteen hundred. It's not us, but it's

0:11:21.920 --> 0:11:24.920
<v Speaker 3>like it was you. It's your families. You're living in

0:11:24.960 --> 0:11:28.240
<v Speaker 3>those homes. How are you not acknowledging a little bit?

0:11:28.400 --> 0:11:29.480
<v Speaker 3>It's it is fucked.

0:11:29.600 --> 0:11:31.920
<v Speaker 1>Like I know, I haven't I haven't watched it in

0:11:31.960 --> 0:11:33.559
<v Speaker 1>a minute, so I don't even know who's still on.

0:11:33.720 --> 0:11:39.600
<v Speaker 1>But like it's like Thomas Ravenel, like those people like Whitney,

0:11:39.600 --> 0:11:41.040
<v Speaker 1>I don't know, they seem like bad.

0:11:41.120 --> 0:11:42.679
<v Speaker 3>I don't know it's bad. I shouldn't watch it. But

0:11:42.679 --> 0:11:44.560
<v Speaker 3>now that page isn't it's it is really tough.

0:11:45.000 --> 0:11:45.160
<v Speaker 2>You know.

0:11:45.200 --> 0:11:48.360
<v Speaker 3>I was at our friend Allison's house. Mm hmm, she's

0:11:48.400 --> 0:11:51.920
<v Speaker 3>such an adult. I mean a totalini pesto pasta salad,

0:11:52.200 --> 0:11:55.360
<v Speaker 3>a roast chicken salad with pormage, not fresh, not like

0:11:55.600 --> 0:11:58.440
<v Speaker 3>like I couldn't believe it made an olive oil.

0:11:58.280 --> 0:11:59.960
<v Speaker 2>Cake with fresh whipped cream.

0:12:00.040 --> 0:12:03.200
<v Speaker 1>It's like a delicious whole foods like foody gall It's great.

0:12:03.400 --> 0:12:06.360
<v Speaker 2>I literally have you know what I brought Reese's peanut

0:12:06.360 --> 0:12:10.640
<v Speaker 2>butter cups and little one are the chips uts chips.

0:12:11.080 --> 0:12:11.920
<v Speaker 2>That's why I brought.

0:12:12.480 --> 0:12:15.199
<v Speaker 1>I think Alison loves uts chips, and I will confirm

0:12:15.280 --> 0:12:16.120
<v Speaker 1>she loves us chips.

0:12:16.120 --> 0:12:17.440
<v Speaker 2>That's actually a perfect thing to bring.

0:12:17.840 --> 0:12:21.880
<v Speaker 3>But cocktail weenies. I brought frozen kosher cocktail weenies. This

0:12:22.040 --> 0:12:24.400
<v Speaker 3>bitch is whipping up salads. I keep interrupting. I'm sorry.

0:12:24.480 --> 0:12:25.880
<v Speaker 2>It was just I love that.

0:12:25.880 --> 0:12:28.360
<v Speaker 1>That's very funny too, that you brought the wienies, like,

0:12:28.600 --> 0:12:31.199
<v Speaker 1>not with the bread around the outside, just the naked weenies.

0:12:31.280 --> 0:12:33.640
<v Speaker 2>No no, no, no, no, no, the whole thing. They had

0:12:33.720 --> 0:12:35.920
<v Speaker 2>the okay, they had their outfits. I thought it brought

0:12:35.960 --> 0:12:39.880
<v Speaker 2>like a bag of the wienies. No, no, they okay, No.

0:12:40.080 --> 0:12:42.439
<v Speaker 1>All I was gonna say is I literally texted Alison

0:12:42.640 --> 0:12:45.120
<v Speaker 1>yesterday and I go, I need your help. I need

0:12:45.160 --> 0:12:47.080
<v Speaker 1>to know how to make a good salad at home.

0:12:47.240 --> 0:12:49.839
<v Speaker 1>Like I don't understand. I buy all the stuff and

0:12:49.880 --> 0:12:51.240
<v Speaker 1>I'm like, this is all the stuff I like in

0:12:51.280 --> 0:12:54.520
<v Speaker 1>a salad at Sweet Green, and then it doesn't taste good.

0:12:54.520 --> 0:12:56.720
<v Speaker 1>And I know Sweet Green like salts their salads and whatever,

0:12:56.720 --> 0:12:59.040
<v Speaker 1>that's a different thing. It's just why can I not

0:12:59.280 --> 0:13:01.520
<v Speaker 1>make it even haste the way a side salad at

0:13:01.559 --> 0:13:03.200
<v Speaker 1>a restaurant tastes like it's not.

0:13:03.400 --> 0:13:05.360
<v Speaker 2>Did she help you? What's this? She gave me some

0:13:05.400 --> 0:13:07.720
<v Speaker 2>good tips? She gave me some good tips.

0:13:06.760 --> 0:13:10.280
<v Speaker 1>Well, she said, a good well, she said, it starts

0:13:10.280 --> 0:13:11.480
<v Speaker 1>with the kind of greens that you like.

0:13:11.559 --> 0:13:12.679
<v Speaker 2>So like, I gotta, I gotta.

0:13:12.720 --> 0:13:14.560
<v Speaker 1>I think I gotta not get my greens at Trader Joe's.

0:13:14.559 --> 0:13:15.960
<v Speaker 1>I love Trader Joe's, but I think I gotta get

0:13:16.000 --> 0:13:16.840
<v Speaker 1>my greens someone.

0:13:16.720 --> 0:13:19.160
<v Speaker 2>An expensive, nice crunchy lea.

0:13:19.320 --> 0:13:21.319
<v Speaker 1>Yes, And then she said for her, she thinks it's

0:13:21.320 --> 0:13:26.080
<v Speaker 1>all about the dressing, so she grates. She grates garlic

0:13:26.240 --> 0:13:28.400
<v Speaker 1>into her dressing, which is usually I think just a

0:13:28.400 --> 0:13:32.800
<v Speaker 1>little bit of like oil and and uh maybe even vinegar,

0:13:32.840 --> 0:13:33.240
<v Speaker 1>but maybe not.

0:13:33.320 --> 0:13:36.520
<v Speaker 3>I gotta make cretons. She made sesame croutons.

0:13:37.600 --> 0:13:39.840
<v Speaker 2>I've made a creuton before for one of these meal kits.

0:13:39.880 --> 0:13:42.640
<v Speaker 1>But like, yeah, it's like wild, like she is really got,

0:13:42.720 --> 0:13:45.520
<v Speaker 1>she's got going on with the oh, come on over,

0:13:45.640 --> 0:13:48.040
<v Speaker 1>and then just there's a beautiful like spread, like a

0:13:48.080 --> 0:13:51.320
<v Speaker 1>beautiful Instagram level sharcuterie platter.

0:13:51.440 --> 0:13:52.520
<v Speaker 2>You know, that's her vibe.

0:13:52.640 --> 0:13:54.560
<v Speaker 3>So she after we went to her last show, she

0:13:54.679 --> 0:13:57.160
<v Speaker 3>showed me a cool restaurant called Commerce In and I

0:13:57.200 --> 0:14:00.640
<v Speaker 3>went again this past week with a few friends and

0:14:00.760 --> 0:14:02.920
<v Speaker 3>I wanted to get a gift certificate for some friends.

0:14:03.040 --> 0:14:05.680
<v Speaker 2>I asked, they don't do gift certificates. So then our other.

0:14:05.559 --> 0:14:07.559
<v Speaker 3>Friend went, oh, can you maybe just call and like

0:14:07.600 --> 0:14:08.640
<v Speaker 3>buy a bottle for someone?

0:14:08.720 --> 0:14:11.480
<v Speaker 2>And they go, we don't have a phone. Oh a

0:14:11.480 --> 0:14:14.760
<v Speaker 2>lot of restaurants don't have phones anymore. That's sexy. No phone,

0:14:14.800 --> 0:14:15.920
<v Speaker 2>No get certificates.

0:14:16.000 --> 0:14:18.600
<v Speaker 1>Okay, I tried to get I tried to change something

0:14:18.600 --> 0:14:20.800
<v Speaker 1>with a restaurant, and like their website was like just

0:14:20.920 --> 0:14:23.120
<v Speaker 1>email us, like we don't have a phone, Like they're

0:14:23.160 --> 0:14:24.960
<v Speaker 1>just not here to talk to you anymore.

0:14:25.560 --> 0:14:28.760
<v Speaker 3>Now they're just here to whip up, you know, delicious salads.

0:14:28.840 --> 0:14:30.960
<v Speaker 1>I gotta try that place. Maybe we'll go there after

0:14:31.000 --> 0:14:35.920
<v Speaker 1>our meetup in New York. Anyway, guys, we're going to

0:14:35.960 --> 0:14:39.480
<v Speaker 1>start the episode That's Messed Up. That's messed Up. Live

0:14:39.520 --> 0:14:42.360
<v Speaker 1>dot Com has all people keep going no Philly, and

0:14:42.400 --> 0:14:44.280
<v Speaker 1>I'm like, Philly's on there, or like they'll be like,

0:14:44.360 --> 0:14:45.240
<v Speaker 1>are you coming to Boston?

0:14:45.280 --> 0:14:47.440
<v Speaker 2>It's on there. Check out all of our dates.

0:14:47.480 --> 0:14:50.840
<v Speaker 1>They're all up at That's messed Up live dot Com

0:14:51.200 --> 0:14:52.880
<v Speaker 1>And uh yeah.

0:14:52.880 --> 0:14:55.000
<v Speaker 3>And I met a lot of our great listeners while

0:14:55.000 --> 0:14:57.120
<v Speaker 3>I was here in New York bopping around. They came

0:14:57.160 --> 0:15:00.280
<v Speaker 3>out to the show. So thanks. I enjoyed meeting all

0:15:00.320 --> 0:15:01.800
<v Speaker 3>of you. Thanks for complimenting me.

0:15:02.480 --> 0:15:05.640
<v Speaker 1>Yeah, all right, guys, let's dive into Oh it's a

0:15:05.720 --> 0:15:13.240
<v Speaker 1>killer episode, so good. All right, all right, it's time

0:15:13.320 --> 0:15:17.960
<v Speaker 1>to do Roodium Nights, Season thirteen, episode twenty three.

0:15:18.560 --> 0:15:21.200
<v Speaker 2>I don't know why this is called roodium Nights.

0:15:21.560 --> 0:15:24.240
<v Speaker 1>I looked it up and I found some Reddit conversation

0:15:24.440 --> 0:15:26.640
<v Speaker 1>of a bunch of people that were also confused and

0:15:26.720 --> 0:15:29.280
<v Speaker 1>were some people were trying to do math about like

0:15:29.880 --> 0:15:33.240
<v Speaker 1>the chemical compound of rodium is the number of letters

0:15:33.240 --> 0:15:35.320
<v Speaker 1>that are in this title, and I was like, I

0:15:35.320 --> 0:15:38.840
<v Speaker 1>think you guys are overthinking it. But rodium's like an

0:15:38.880 --> 0:15:42.680
<v Speaker 1>element that's very shiny and dark or something, So maybe

0:15:42.720 --> 0:15:48.360
<v Speaker 1>that's alluding to the underworld of high class sex rings.

0:15:48.400 --> 0:15:52.360
<v Speaker 1>But anyway, here we go this episode on Hulu. The

0:15:52.400 --> 0:15:55.080
<v Speaker 1>thumbnail is a thumbnail of our girl, Laura ban Anti

0:15:55.200 --> 0:15:56.960
<v Speaker 1>with the deadist eyes I've ever seen.

0:15:57.160 --> 0:16:00.320
<v Speaker 2>She's just like staring and she's like barely in this.

0:16:01.120 --> 0:16:02.320
<v Speaker 2>I know. It's weird.

0:16:02.400 --> 0:16:04.560
<v Speaker 1>Like I don't know who's picking the thumbnails over at Hulu,

0:16:04.600 --> 0:16:05.720
<v Speaker 1>but maybe they thought that well.

0:16:05.640 --> 0:16:06.920
<v Speaker 2>Man's annoying.

0:16:07.040 --> 0:16:09.640
<v Speaker 3>Like this is the beginning of a series of three

0:16:09.720 --> 0:16:15.200
<v Speaker 3>episodes spanning two seasons. Hulu combines things fucks the numbers, it's.

0:16:15.040 --> 0:16:16.240
<v Speaker 2>Like so obnoxious.

0:16:16.520 --> 0:16:18.160
<v Speaker 1>Yeah, it's like we don't need to see it the

0:16:18.160 --> 0:16:20.880
<v Speaker 1>way that it aired on NBC at the time. They're

0:16:20.880 --> 0:16:21.960
<v Speaker 1>all separate episodes.

0:16:22.080 --> 0:16:23.600
<v Speaker 2>Just put them. It's so weird.

0:16:24.200 --> 0:16:27.640
<v Speaker 1>But we open on a wild party and you can

0:16:27.680 --> 0:16:30.360
<v Speaker 1>tell because they immediately show two women kissing.

0:16:30.480 --> 0:16:32.760
<v Speaker 2>Woo woo. This party's wild.

0:16:34.120 --> 0:16:37.280
<v Speaker 1>We're seeing some shots through the POV of a video camera,

0:16:37.360 --> 0:16:40.440
<v Speaker 1>so someone's clearly like making a documentary about this party.

0:16:40.920 --> 0:16:43.760
<v Speaker 1>And then I don't understand really why at all these

0:16:43.800 --> 0:16:47.200
<v Speaker 1>wild parties there's always somebody like fully videotaping it, like

0:16:47.360 --> 0:16:50.040
<v Speaker 1>outside of cell phone video, Like I don't understand, Like

0:16:50.080 --> 0:16:50.440
<v Speaker 1>if you're.

0:16:50.480 --> 0:16:52.000
<v Speaker 2>Well, the criminals like it.

0:16:52.120 --> 0:16:54.760
<v Speaker 3>You know, this wouldn't be the first rape situation that

0:16:54.920 --> 0:16:55.840
<v Speaker 3>caught on tape.

0:16:56.240 --> 0:16:58.560
<v Speaker 1>Yeah, yeah, that there's it always. I mean it also

0:16:58.640 --> 0:17:01.600
<v Speaker 1>like allows the cops later to have a full breakdown

0:17:01.600 --> 0:17:03.760
<v Speaker 1>of everything that happened where they can zoom in and

0:17:03.800 --> 0:17:05.840
<v Speaker 1>say that person went there, that person went there.

0:17:05.840 --> 0:17:07.680
<v Speaker 2>So I get why we do it as a TV device, But.

0:17:07.600 --> 0:17:09.480
<v Speaker 1>It's always like is that guy gonna get to enjoy

0:17:09.480 --> 0:17:13.199
<v Speaker 1>the party or is he just like videography like videographers.

0:17:13.359 --> 0:17:14.720
<v Speaker 2>It's strange anyway.

0:17:15.119 --> 0:17:17.679
<v Speaker 1>So pretty much every woman at this entire party is

0:17:17.680 --> 0:17:21.080
<v Speaker 1>in lingerie. Everybody's dancing, they're grinding. I see a man

0:17:21.119 --> 0:17:24.160
<v Speaker 1>being led on a leash. There's cigars, there's coke on mirrors.

0:17:24.240 --> 0:17:26.919
<v Speaker 1>This is a time. And now we are out on

0:17:26.920 --> 0:17:30.080
<v Speaker 1>the balcony and there are these finance douche bros talking

0:17:30.119 --> 0:17:32.719
<v Speaker 1>about like the market and the economy and like bailing

0:17:32.720 --> 0:17:35.159
<v Speaker 1>out Greece in Italy and nobody cares, and one of

0:17:35.160 --> 0:17:37.960
<v Speaker 1>the girls that is with them looks super fucked up.

0:17:38.000 --> 0:17:40.800
<v Speaker 1>She's like slumped over trying to get champagne. She's like

0:17:40.840 --> 0:17:43.879
<v Speaker 1>spilling it on the bros. They're like, whoa babe, chill out.

0:17:44.080 --> 0:17:46.600
<v Speaker 1>And then this one guy walks up and tells one

0:17:46.640 --> 0:17:49.000
<v Speaker 1>of the bros we have a situation. And the guy

0:17:49.000 --> 0:17:51.200
<v Speaker 1>who walks up and says that is an actor named

0:17:51.359 --> 0:17:54.920
<v Speaker 1>Eric Leyden, and I obviously know him from Bosh and

0:17:55.119 --> 0:17:58.080
<v Speaker 1>he also is He's very prolific. He was also in

0:17:58.160 --> 0:18:01.679
<v Speaker 1>The Killing Boardwalk Empire. He's a character actor. He has

0:18:01.720 --> 0:18:04.520
<v Speaker 1>a very like Neil Patrick harrisy vibe to me, and

0:18:04.680 --> 0:18:06.840
<v Speaker 1>he is working, honey. He has a lot of credits,

0:18:06.840 --> 0:18:09.800
<v Speaker 1>so you've seen him in something. Back inside the apartment,

0:18:09.920 --> 0:18:13.080
<v Speaker 1>their problem is revealed itself and it is two uniformed

0:18:13.080 --> 0:18:17.160
<v Speaker 1>police officers standing by the door, music blaring, everyone's still grinding.

0:18:17.280 --> 0:18:19.760
<v Speaker 2>Party is still raging, and the douche guy.

0:18:19.840 --> 0:18:22.800
<v Speaker 1>Goes, oh, you're with the third My dad speaks really

0:18:22.840 --> 0:18:23.800
<v Speaker 1>highly of your captain.

0:18:23.920 --> 0:18:26.000
<v Speaker 2>So immediately we don't know who this douche guy.

0:18:25.920 --> 0:18:27.639
<v Speaker 1>Is, but we know that he is super connected with

0:18:27.680 --> 0:18:30.159
<v Speaker 1>the cops somehow. And they're like, I just like, in

0:18:30.200 --> 0:18:33.879
<v Speaker 1>what universe is the dad talking about like which captains

0:18:33.960 --> 0:18:36.879
<v Speaker 1>are killer to his son, I don't get it. Like

0:18:36.960 --> 0:18:39.320
<v Speaker 1>over dinner, they're like, you know who rocks the captain

0:18:39.359 --> 0:18:43.520
<v Speaker 1>of the third Yeah, I see, you get it. So yes,

0:18:43.640 --> 0:18:46.200
<v Speaker 1>it's it's nuts. But we get an immediate idea who

0:18:46.200 --> 0:18:48.080
<v Speaker 1>this guy is. And they say there's been a new

0:18:48.200 --> 0:18:52.880
<v Speaker 1>noise complaint and my little dougie howser guy explains, I'm

0:18:52.920 --> 0:18:56.480
<v Speaker 1>just throwing my bachelor party for my boy. So they're like,

0:18:56.560 --> 0:18:58.399
<v Speaker 1>we'll keep it down, and then the cops just like

0:18:58.560 --> 0:19:01.800
<v Speaker 1>buy that and leave. They're like, okay, thank you, Like

0:19:01.840 --> 0:19:04.760
<v Speaker 1>there's no like you could just see how these people

0:19:04.760 --> 0:19:07.800
<v Speaker 1>are getting away with whatever they want. It's definitely the

0:19:07.800 --> 0:19:10.840
<v Speaker 1>politest behavior I've ever seen from cops. So now it's

0:19:10.880 --> 0:19:13.480
<v Speaker 1>apparently showtime where the bachelor is going to get a

0:19:13.480 --> 0:19:15.639
<v Speaker 1>big lap dance. Even though naked women have been like

0:19:15.680 --> 0:19:17.679
<v Speaker 1>hanging all over him the entire night, this is like

0:19:17.720 --> 0:19:20.879
<v Speaker 1>the big performance. So two women are like dancing up

0:19:20.920 --> 0:19:23.640
<v Speaker 1>on the sky and there are so many people video

0:19:23.840 --> 0:19:26.200
<v Speaker 1>on their phones, but there is also the documentary in

0:19:26.240 --> 0:19:28.680
<v Speaker 1>there with his big ass camera getting all the shots

0:19:28.720 --> 0:19:31.680
<v Speaker 1>he needs to get this baby into sun dance and

0:19:32.320 --> 0:19:35.600
<v Speaker 1>Doogie is making out with a blonde woman on the

0:19:35.680 --> 0:19:37.960
<v Speaker 1>side and they decide to like sneak away to fuck

0:19:38.359 --> 0:19:41.560
<v Speaker 1>and then back in the bedroom there are a thousand

0:19:41.600 --> 0:19:42.760
<v Speaker 1>coats and purses on the bed.

0:19:42.840 --> 0:19:44.399
<v Speaker 2>I mean, this party has passed apps.

0:19:44.440 --> 0:19:46.439
<v Speaker 1>I thought maybe they'd have like a coat closet, you

0:19:46.440 --> 0:19:46.960
<v Speaker 1>know what I mean.

0:19:47.440 --> 0:19:48.919
<v Speaker 2>But nah, it's just the bed, you know.

0:19:49.560 --> 0:19:53.199
<v Speaker 3>So, but how you are there empty coat closets, Like

0:19:53.320 --> 0:19:55.480
<v Speaker 3>my parent's coat closet.

0:19:55.119 --> 0:19:56.600
<v Speaker 2>Is filled, I know.

0:19:56.640 --> 0:19:58.720
<v Speaker 1>But like this guy is this massive apartment he lives

0:19:58.760 --> 0:20:01.199
<v Speaker 1>in by himself, Like I assume there would be like

0:20:01.720 --> 0:20:03.920
<v Speaker 1>I don't know, some kind of area for coats or

0:20:03.920 --> 0:20:04.800
<v Speaker 1>whatever the reason.

0:20:04.800 --> 0:20:05.760
<v Speaker 2>It's so nineties to me.

0:20:05.840 --> 0:20:08.800
<v Speaker 3>I mean, I'm sure people are layering coats on beds now,

0:20:09.480 --> 0:20:10.960
<v Speaker 3>but like it's such a.

0:20:11.000 --> 0:20:12.199
<v Speaker 2>Nineties thing to me.

0:20:12.680 --> 0:20:15.920
<v Speaker 3>Where the side parties, there's a sex in the city, like, yeah,

0:20:16.080 --> 0:20:19.880
<v Speaker 3>so many like storylines based on coat piles.

0:20:20.200 --> 0:20:26.879
<v Speaker 1>Yeah, And whenever I had there have been multiple people

0:20:26.920 --> 0:20:28.840
<v Speaker 1>found in coat piles. I feel like in this show

0:20:28.880 --> 0:20:31.800
<v Speaker 1>as well, this is not the only one. Whenever I

0:20:31.800 --> 0:20:33.280
<v Speaker 1>had a party in New York, my bed was just

0:20:33.320 --> 0:20:35.280
<v Speaker 1>a coat pile. I just I lived in a one

0:20:35.320 --> 0:20:38.639
<v Speaker 1>bedroom like, I thought this rich man would have, you know,

0:20:38.960 --> 0:20:39.840
<v Speaker 1>more coat access.

0:20:39.880 --> 0:20:40.760
<v Speaker 2>But anyway, here we are.

0:20:40.880 --> 0:20:43.479
<v Speaker 1>They're they're they're canoodling on this bed full of coats

0:20:43.480 --> 0:20:47.080
<v Speaker 1>and Chanel purses and then or maybe they're not Chanell purses.

0:20:47.119 --> 0:20:49.280
<v Speaker 1>I don't know, maybe they're knockoffs. But then the girl

0:20:49.440 --> 0:20:51.919
<v Speaker 1>feels like she's on top of something. She pulls a

0:20:51.960 --> 0:20:54.880
<v Speaker 1>coat back and dunt on it's the poor wasted girl

0:20:54.920 --> 0:20:59.000
<v Speaker 1>from earlier, eyes wide open, what looks like vomit on

0:20:59.040 --> 0:21:03.399
<v Speaker 1>her chin, and she is dead. So yikes. They start

0:21:03.440 --> 0:21:07.560
<v Speaker 1>freaking out. Dougie goes right into spin mode. He is

0:21:07.640 --> 0:21:09.400
<v Speaker 1>just like, uh, okay, wait, let.

0:21:09.359 --> 0:21:10.800
<v Speaker 2>Me figure this out. I got this, I got this.

0:21:12.119 --> 0:21:14.520
<v Speaker 1>And it turns out that his name is Clayton Hannigan

0:21:14.640 --> 0:21:17.080
<v Speaker 1>and he is a cable news host and my money

0:21:17.119 --> 0:21:19.800
<v Speaker 1>is on Fox News. But they do not specify. In

0:21:19.880 --> 0:21:23.000
<v Speaker 1>the next scene, Olivia, we find this all out. In

0:21:23.040 --> 0:21:25.080
<v Speaker 1>the next scene when Olivia and Tomorrow arriving, they're getting

0:21:25.080 --> 0:21:27.120
<v Speaker 1>the scoop from the uniformed officers. It's the same two

0:21:27.160 --> 0:21:30.800
<v Speaker 1>cops from the night before. They're back again and they're like, yeah,

0:21:30.880 --> 0:21:34.960
<v Speaker 1>Clayton hosted this bachelor party gone wrong and they're like, yeah,

0:21:35.000 --> 0:21:37.240
<v Speaker 1>the victim was found in the rooftop pool, so already

0:21:37.280 --> 0:21:39.240
<v Speaker 1>we as viewers, we know that's not where she was found.

0:21:39.280 --> 0:21:39.960
<v Speaker 2>So what's going on?

0:21:40.440 --> 0:21:43.000
<v Speaker 1>And liv wants to know why SVU is there and

0:21:43.040 --> 0:21:45.159
<v Speaker 1>the cops like, my captain's not a risk taker.

0:21:45.480 --> 0:21:47.080
<v Speaker 2>We don't know what that means, but we do find out.

0:21:47.600 --> 0:21:49.000
<v Speaker 2>So then in a.

0:21:48.960 --> 0:21:51.640
<v Speaker 1>Moment of pure comedy, we find out that all these

0:21:51.680 --> 0:21:53.560
<v Speaker 1>people were in such a rush to get the hell

0:21:53.560 --> 0:21:55.040
<v Speaker 1>out of there when they found a dead body that

0:21:55.040 --> 0:21:57.399
<v Speaker 1>they overloaded the penthouse elevator and they have all been

0:21:57.440 --> 0:21:59.800
<v Speaker 1>stuck in there for over an hour. And I wish

0:21:59.800 --> 0:22:02.440
<v Speaker 1>that we got some footage from inside the elevator. Would

0:22:02.480 --> 0:22:04.320
<v Speaker 1>love to say it is a fear.

0:22:04.520 --> 0:22:08.119
<v Speaker 3>It doesn't like overtake my whole life, But well, no

0:22:08.160 --> 0:22:09.720
<v Speaker 3>one wants to get stuck in an elevator.

0:22:09.760 --> 0:22:11.280
<v Speaker 1>I guess we're all kind of scared of that a

0:22:11.320 --> 0:22:14.240
<v Speaker 1>little bit. Yes, well I did I did? Did I

0:22:14.280 --> 0:22:15.840
<v Speaker 1>ever tell you about when.

0:22:15.680 --> 0:22:17.520
<v Speaker 3>My aunt Did you work at an elevator company?

0:22:18.000 --> 0:22:20.919
<v Speaker 1>No? But my aunt and uncle had this like really

0:22:21.280 --> 0:22:24.880
<v Speaker 1>gorgeous like loft in Soho for a few years where

0:22:24.920 --> 0:22:27.359
<v Speaker 1>they moved and because they live they've always lived on

0:22:27.359 --> 0:22:28.760
<v Speaker 1>the Upper West Side, but they decided they wanted to

0:22:28.800 --> 0:22:30.679
<v Speaker 1>live in a different neighborhood for a few years, so

0:22:30.720 --> 0:22:32.760
<v Speaker 1>they moved to this big loft and soho I was

0:22:32.920 --> 0:22:35.560
<v Speaker 1>house sitting it one year in the summer, and I

0:22:35.600 --> 0:22:38.359
<v Speaker 1>had a big party, all these comedians and they had

0:22:38.359 --> 0:22:40.320
<v Speaker 1>an You needed an elevator to get up to it.

0:22:40.359 --> 0:22:41.800
<v Speaker 1>I mean you could take the stairs, but like the

0:22:41.840 --> 0:22:44.600
<v Speaker 1>elevator was what everybody took, and all these comics overloaded

0:22:44.600 --> 0:22:47.280
<v Speaker 1>it and broke it, and I had to like make

0:22:47.359 --> 0:22:49.280
<v Speaker 1>up a story. It was like, I don't even know

0:22:49.280 --> 0:22:51.640
<v Speaker 1>if my cousin listens to this podcast, but if you're listening,

0:22:51.760 --> 0:22:55.520
<v Speaker 1>don't rat me out, but sorry, did you spin? I

0:22:55.560 --> 0:22:57.480
<v Speaker 1>think I was said that it was just my brother

0:22:57.560 --> 0:22:59.800
<v Speaker 1>and his two friends in the elevator, and it suddenly stopped,

0:22:59.880 --> 0:23:01.760
<v Speaker 1>like I was like, I don't know what happened, you know,

0:23:01.880 --> 0:23:03.480
<v Speaker 1>like and then we had to call a person. It

0:23:03.560 --> 0:23:06.120
<v Speaker 1>was so stressful because all these people and I think

0:23:06.160 --> 0:23:07.920
<v Speaker 1>my brother was in the elevator and a bunch of

0:23:07.960 --> 0:23:08.960
<v Speaker 1>people and they were all like.

0:23:08.880 --> 0:23:10.880
<v Speaker 2>Oh my god, we were sweating. It was a nightmare.

0:23:11.000 --> 0:23:12.560
<v Speaker 1>Like everyone was trying to figure out how we could

0:23:12.840 --> 0:23:15.960
<v Speaker 1>climb out of the elevator, like, but and this is

0:23:16.000 --> 0:23:18.880
<v Speaker 1>like a four story build, a four story building, Like

0:23:19.359 --> 0:23:20.920
<v Speaker 1>it's not that many floors, you know.

0:23:21.320 --> 0:23:23.440
<v Speaker 3>But I would also be scared to climb out because

0:23:23.480 --> 0:23:26.320
<v Speaker 3>what if in that moment it started right, it starts moving.

0:23:26.560 --> 0:23:28.560
<v Speaker 3>It's like I'm sure you've seen that in a horror movie.

0:23:28.560 --> 0:23:31.760
<v Speaker 3>But it's like, I think that happens in like speed. Yeah,

0:23:31.840 --> 0:23:32.679
<v Speaker 3>I love speed.

0:23:32.760 --> 0:23:37.960
<v Speaker 2>It's nodding. Speed holds up, dude, It's scary, it's good.

0:23:38.400 --> 0:23:39.399
<v Speaker 2>Speed is wild.

0:23:39.760 --> 0:23:43.080
<v Speaker 1>So anyway, these people are living out their speed fantasy

0:23:43.119 --> 0:23:46.479
<v Speaker 1>stuck in an elevator and up on the roof they

0:23:46.560 --> 0:23:49.400
<v Speaker 1>are loading this dead girl onto a gurney and live

0:23:49.480 --> 0:23:52.600
<v Speaker 1>comments about how young she looks. And she must be

0:23:52.640 --> 0:23:54.640
<v Speaker 1>able to tell because she works in this line of work,

0:23:54.680 --> 0:23:56.800
<v Speaker 1>because I cannot tell how old girls are ever.

0:23:56.880 --> 0:23:57.880
<v Speaker 2>I'm like, you could.

0:23:57.760 --> 0:24:00.520
<v Speaker 1>Be the varsity field hockey captain, or you could be

0:24:00.600 --> 0:24:02.399
<v Speaker 1>like an executive with a four oh one K. Like

0:24:02.480 --> 0:24:07.200
<v Speaker 1>I truly cannot gauge age anymore. Like, especially when I'm

0:24:07.240 --> 0:24:09.199
<v Speaker 1>taking my kid to school. There's a high school right there,

0:24:09.240 --> 0:24:10.960
<v Speaker 1>I'm like, you're in high school? Like some of them

0:24:11.040 --> 0:24:16.119
<v Speaker 1>just looks so old. But lives Chris Deliah, I know,

0:24:16.359 --> 0:24:18.200
<v Speaker 1>I'm like, well, Dan, look no, I'm just joke.

0:24:18.320 --> 0:24:18.919
<v Speaker 2>I please.

0:24:19.560 --> 0:24:23.199
<v Speaker 1>I think you can definitely tell when someone's young. I

0:24:23.320 --> 0:24:27.440
<v Speaker 1>just can't differentiate college, high school, college, and like young

0:24:27.720 --> 0:24:28.560
<v Speaker 1>just out of college.

0:24:29.000 --> 0:24:30.760
<v Speaker 2>Anyway, they talked to Clayton.

0:24:30.880 --> 0:24:33.440
<v Speaker 1>He's all wet and he's telling them that a caterwaiter

0:24:33.520 --> 0:24:35.560
<v Speaker 1>found the body and that this girl must have just

0:24:35.600 --> 0:24:38.720
<v Speaker 1>been skinny dipping and like you know, died and he

0:24:38.800 --> 0:24:40.680
<v Speaker 1>jumped in, pulled her out and tried to do mount

0:24:40.720 --> 0:24:42.520
<v Speaker 1>to mouth. So he's painting himself a nice little hero

0:24:42.640 --> 0:24:45.119
<v Speaker 1>portrait and he doesn't know her. She must have been

0:24:45.119 --> 0:24:47.920
<v Speaker 1>someone's plus one. And when Amaro asks for the invite list,

0:24:47.960 --> 0:24:49.800
<v Speaker 1>he goes it was more of a word of mouth

0:24:49.880 --> 0:24:51.359
<v Speaker 1>type of thing, like I don't think this guy made

0:24:51.400 --> 0:24:53.880
<v Speaker 1>an evite, if you know what I'm saying, and lives

0:24:53.920 --> 0:24:57.760
<v Speaker 1>like you're a journalist, do better, And then Rollinson interrupts

0:24:57.760 --> 0:25:00.680
<v Speaker 1>with Finn and is like, live, there's the scoop, like

0:25:00.720 --> 0:25:02.760
<v Speaker 1>this is why the local precinct does not want to

0:25:02.760 --> 0:25:04.919
<v Speaker 1>touch this. It's because the elevator was packed with all

0:25:04.920 --> 0:25:08.200
<v Speaker 1>these like high powered VIP people like a former Yankee

0:25:08.320 --> 0:25:11.920
<v Speaker 1>two current MLB players, an NHL player, two Hedge fun guys,

0:25:11.960 --> 0:25:15.400
<v Speaker 1>two secret service agents, and then there's the Bachelor who

0:25:15.480 --> 0:25:19.840
<v Speaker 1>is named Will Brady and he is the police commissioner's son.

0:25:20.160 --> 0:25:20.360
<v Speaker 2>Done.

0:25:20.440 --> 0:25:23.040
<v Speaker 1>Done, and now we finally get to the credits. A

0:25:23.160 --> 0:25:25.400
<v Speaker 1>very packed cold open. We've got a dead body, We've

0:25:25.440 --> 0:25:29.600
<v Speaker 1>got a lot of high powered players, and I love

0:25:29.680 --> 0:25:32.280
<v Speaker 1>this arc. This three episode arc was like so fun

0:25:32.320 --> 0:25:33.399
<v Speaker 1>to me when it was first on.

0:25:33.680 --> 0:25:38.600
<v Speaker 2>I love it. Yeah, it really is great.

0:25:38.880 --> 0:25:41.040
<v Speaker 3>You know, they don't do it very often, and so

0:25:41.280 --> 0:25:44.160
<v Speaker 3>it was a treat to have, like the cliffhanger and

0:25:44.680 --> 0:25:47.080
<v Speaker 3>sorry to bust, sorry to blow it, but there is

0:25:47.119 --> 0:25:49.800
<v Speaker 3>a cliffhanger at the end of the episode. But yeah,

0:25:49.840 --> 0:25:51.760
<v Speaker 3>I love when they take this thing and the guest

0:25:51.800 --> 0:25:53.280
<v Speaker 3>stars have like a stretch.

0:25:53.520 --> 0:25:55.280
<v Speaker 2>Yeah, it is very cool.

0:25:55.400 --> 0:25:57.719
<v Speaker 1>Yeah, and there's a lot of good guest stars in this.

0:25:58.000 --> 0:25:59.639
<v Speaker 1>I will review them as we go through them, but

0:25:59.680 --> 0:26:01.479
<v Speaker 1>there's like a lot of people. Okay.

0:26:01.520 --> 0:26:02.520
<v Speaker 2>So top of act.

0:26:02.400 --> 0:26:05.919
<v Speaker 1>One, the detectives are interviewing Will the bachelor, the little

0:26:06.160 --> 0:26:09.960
<v Speaker 1>like daddy boy who has a powerful daddy. So he's like, yeah,

0:26:10.000 --> 0:26:12.679
<v Speaker 1>my dad told me to fully cooperate, Like what a

0:26:12.720 --> 0:26:16.439
<v Speaker 1>tragedy I'm super broken up about this girl who died, and.

0:26:16.840 --> 0:26:18.040
<v Speaker 2>He doesn't know who she is.

0:26:18.280 --> 0:26:20.639
<v Speaker 1>And he's like and he's like, and I don't know

0:26:20.680 --> 0:26:22.480
<v Speaker 1>if anyone was hired to come to the party, and

0:26:22.520 --> 0:26:25.080
<v Speaker 1>if anyone was, it's not a crime, like he's you know,

0:26:25.119 --> 0:26:27.359
<v Speaker 1>he's like, escorts aren't a crime. They're just dates, you know,

0:26:27.880 --> 0:26:30.600
<v Speaker 1>and lives like, yeah, but all you little sardines and

0:26:30.640 --> 0:26:33.080
<v Speaker 1>that elevator looked like you were fleeing the scenes, So

0:26:33.160 --> 0:26:35.679
<v Speaker 1>what's up? Like why the rush if nothing illegal was

0:26:35.720 --> 0:26:38.880
<v Speaker 1>going on? And he says to Live, I get a detective,

0:26:38.920 --> 0:26:41.399
<v Speaker 1>you're in a tough spot here, and it's like Live's

0:26:41.440 --> 0:26:44.359
<v Speaker 1>face is immediately livid, and it's kind of like implying

0:26:45.119 --> 0:26:46.760
<v Speaker 1>that I know it's going to be hard for you

0:26:46.800 --> 0:26:49.160
<v Speaker 1>to work this case with so many connected people involved,

0:26:49.200 --> 0:26:50.760
<v Speaker 1>Like it's gonna be really tough. And I get where

0:26:50.800 --> 0:26:54.560
<v Speaker 1>you're coming from, like lives like exqueeze me, like she's mad,

0:26:54.960 --> 0:26:57.560
<v Speaker 1>And then Daddy Craigan has to swoop into diffuse and

0:26:57.600 --> 0:27:00.360
<v Speaker 1>Will's like, I gotta go call my feet on stand

0:27:00.359 --> 0:27:03.480
<v Speaker 1>away before this whole thing goes viral, and it's like, okay, dog,

0:27:04.760 --> 0:27:09.520
<v Speaker 1>so tomorrow is now talking to Clayton, who I've been

0:27:09.520 --> 0:27:12.000
<v Speaker 1>calling Doogie up until now, and he and Will are

0:27:12.040 --> 0:27:14.880
<v Speaker 1>college buds and he is going to be the best

0:27:14.920 --> 0:27:15.639
<v Speaker 1>man in the wedding.

0:27:15.720 --> 0:27:16.840
<v Speaker 2>And he says, you look.

0:27:16.880 --> 0:27:18.720
<v Speaker 1>Look when the body was discovered, I was in the

0:27:18.720 --> 0:27:19.959
<v Speaker 1>living room giving a toast.

0:27:20.040 --> 0:27:23.200
<v Speaker 3>Wait, I am sorry to go off topic again. You're

0:27:23.240 --> 0:27:26.800
<v Speaker 3>doing such a great job, but something did come to me,

0:27:26.920 --> 0:27:28.359
<v Speaker 3>and it doesn't need to be in an intro.

0:27:28.440 --> 0:27:31.240
<v Speaker 2>I think it's worth it. Do you know that?

0:27:32.000 --> 0:27:34.920
<v Speaker 3>Uh a friend of a friend. I hate this, I

0:27:34.960 --> 0:27:39.320
<v Speaker 3>don't hate it. Whatever, I got scoop that someone in

0:27:39.800 --> 0:27:42.800
<v Speaker 3>my extended circle of friends did suck his own dick.

0:27:44.640 --> 0:27:46.480
<v Speaker 2>What do I know this person?

0:27:46.920 --> 0:27:48.480
<v Speaker 3>I don't know if you know them or not, but

0:27:48.560 --> 0:27:51.119
<v Speaker 3>the name sounded familiar and that's why I started laughing

0:27:51.160 --> 0:27:57.280
<v Speaker 3>about it in my own head. But yeah, he like

0:27:57.600 --> 0:28:01.239
<v Speaker 3>walked his legs up on the wall and like did it.

0:28:01.320 --> 0:28:03.680
<v Speaker 3>But he said, this is the funniest part. I mean,

0:28:03.680 --> 0:28:06.119
<v Speaker 3>this is sick. But he said it's more like sucking

0:28:06.160 --> 0:28:07.960
<v Speaker 3>your own dick than getting a blowjob.

0:28:10.080 --> 0:28:12.920
<v Speaker 1>Right, yeah, like it like it feels better to get

0:28:12.960 --> 0:28:14.680
<v Speaker 1>a hand job than to jerk yourself off.

0:28:14.760 --> 0:28:14.960
<v Speaker 2>Right.

0:28:16.240 --> 0:28:17.880
<v Speaker 3>I don't know if that's even true all the time

0:28:17.920 --> 0:28:20.160
<v Speaker 3>with the hand jobs, that's like a controversial take care.

0:28:20.400 --> 0:28:22.520
<v Speaker 1>Oh no, I no, I mean I feel like, don't

0:28:22.560 --> 0:28:24.600
<v Speaker 1>people always like doesn't? Oh I thought I didn't know

0:28:24.640 --> 0:28:27.800
<v Speaker 1>that was controversial. Oh God, better when someone else did it.

0:28:27.960 --> 0:28:28.639
<v Speaker 2>No, I think they.

0:28:28.760 --> 0:28:31.360
<v Speaker 3>I think they don't want hand jobs because they're better

0:28:31.440 --> 0:28:33.480
<v Speaker 3>at hand jobs because they're jerking it all the time.

0:28:33.800 --> 0:28:38.560
<v Speaker 2>Oh gotcha, gotcha? Yeah? Wait, what made you think of this?

0:28:38.840 --> 0:28:43.040
<v Speaker 3>The name sounds Clayton, It like reminded me of the name,

0:28:43.280 --> 0:28:46.120
<v Speaker 3>and then I had just heard the stories. So then

0:28:46.160 --> 0:28:49.520
<v Speaker 3>I just started like like being discusted and laughing and

0:28:49.640 --> 0:28:51.960
<v Speaker 3>if I have to have this horrific image in my head,

0:28:52.000 --> 0:28:53.480
<v Speaker 3>now you do too, you know what I mean?

0:28:53.600 --> 0:28:55.560
<v Speaker 2>And all of our listeners amazing.

0:28:56.160 --> 0:28:59.920
<v Speaker 1>So Amaro's talking to Clayton and he's like, yeah, we're

0:29:00.080 --> 0:29:04.800
<v Speaker 1>college buds. I'm the best man, and he said when

0:29:04.800 --> 0:29:06.960
<v Speaker 1>the body was discovered by the cater raider, I was

0:29:07.000 --> 0:29:08.720
<v Speaker 1>in the living room giving a toast, so like it

0:29:08.720 --> 0:29:11.520
<v Speaker 1>definitely wasn't me that or like if you're suspecting anything,

0:29:11.960 --> 0:29:14.040
<v Speaker 1>And then Finn's like, where'd you get all the girls from?

0:29:14.280 --> 0:29:16.160
<v Speaker 1>And he plays dumb and he's like oh, these are

0:29:16.280 --> 0:29:18.600
<v Speaker 1>all people's guests and dates, like, I can't stop people

0:29:18.600 --> 0:29:19.560
<v Speaker 1>from bringing dates.

0:29:19.320 --> 0:29:20.000
<v Speaker 2>To my parties.

0:29:20.320 --> 0:29:23.520
<v Speaker 1>And then Rollin's at the same time is interviewing one

0:29:23.560 --> 0:29:25.960
<v Speaker 1>of the finance bros who we saw the dead girl

0:29:26.080 --> 0:29:28.760
<v Speaker 1>earlier kind of like falling all over and spilling her

0:29:28.800 --> 0:29:31.600
<v Speaker 1>champagne on. And he sees a picture of her and

0:29:31.760 --> 0:29:35.080
<v Speaker 1>so respectfully says he mostly remembers the top of her head,

0:29:35.200 --> 0:29:36.800
<v Speaker 1>so he's a douche.

0:29:37.080 --> 0:29:39.239
<v Speaker 2>But then he goes, listen, she was super fucked up.

0:29:39.280 --> 0:29:41.640
<v Speaker 1>She could barely talk, and he says, I didn't give

0:29:41.640 --> 0:29:43.320
<v Speaker 1>her anything like, but she did seem like she was

0:29:43.360 --> 0:29:46.640
<v Speaker 1>on something. And he then he like sees Rollin's cuffs

0:29:46.680 --> 0:29:49.240
<v Speaker 1>in her pocket. He goes, you ever use your handcuffs

0:29:49.240 --> 0:29:51.080
<v Speaker 1>in bed? And she just comes right back and goes,

0:29:51.120 --> 0:29:53.040
<v Speaker 1>you ever get laid without paying for it? And I

0:29:53.160 --> 0:29:57.880
<v Speaker 1>like that, I'll give that. I like Rollin's telling Finance

0:29:58.040 --> 0:30:00.560
<v Speaker 1>Wall Street finance bros where they can fuck it stick it.

0:30:01.120 --> 0:30:01.920
<v Speaker 2>And now the.

0:30:01.920 --> 0:30:05.040
<v Speaker 1>Squad is all together outside on this rooftop beautiful root

0:30:05.120 --> 0:30:08.080
<v Speaker 1>near this beautiful rooftop pool, chatting about how like, look,

0:30:08.120 --> 0:30:11.040
<v Speaker 1>no one's really talking. Everyone's kind of throwing up roadblocks,

0:30:11.080 --> 0:30:13.120
<v Speaker 1>and Amorrow's like, we should compasit gate all the cell

0:30:13.160 --> 0:30:16.360
<v Speaker 1>phones because these dudes definitely filmed all the action. Craigan's like,

0:30:16.400 --> 0:30:19.200
<v Speaker 1>with these people not without a warrant, let's slow down

0:30:19.240 --> 0:30:22.880
<v Speaker 1>until we hear from them, and then lives like sidebars

0:30:22.880 --> 0:30:24.520
<v Speaker 1>with the Captain and is like, why are we going

0:30:24.560 --> 0:30:26.280
<v Speaker 1>so easy on these guys, and he's like if we

0:30:26.280 --> 0:30:29.120
<v Speaker 1>push too hard, the lawyer up. Like Captain Craigan, I

0:30:29.120 --> 0:30:30.960
<v Speaker 1>think as many years as he's been in SVU, he

0:30:31.040 --> 0:30:35.000
<v Speaker 1>kind of gets the politics of it all. So now WHOA.

0:30:35.120 --> 0:30:37.120
<v Speaker 1>Now we're at like a scene that I didn't really

0:30:37.200 --> 0:30:39.480
<v Speaker 1>need to see. It doesn't really like matter in this

0:30:39.600 --> 0:30:42.800
<v Speaker 1>episode very much. But we're at Amorrow's apartment getting a

0:30:42.840 --> 0:30:46.160
<v Speaker 1>sneak peek into his loveless marriage. He's on an hour break,

0:30:46.240 --> 0:30:49.200
<v Speaker 1>wanted to catch some you know Z's at home and

0:30:49.360 --> 0:30:53.160
<v Speaker 1>Maria is just staring aka Laura b Nanty friend of

0:30:53.200 --> 0:30:57.040
<v Speaker 1>the Pod. She's just standing on her sitting on a

0:30:57.080 --> 0:31:00.040
<v Speaker 1>couch like staring at him super blankly, and he's like,

0:31:00.720 --> 0:31:03.200
<v Speaker 1>what's up, Like it's so weird, like and then she's like,

0:31:03.600 --> 0:31:05.480
<v Speaker 1>you know, we have to talk about this at some point, right,

0:31:05.520 --> 0:31:07.760
<v Speaker 1>And he goes, I know, and then it's clearly their

0:31:07.760 --> 0:31:10.800
<v Speaker 1>appending divorce, but they don't really get into it anymore

0:31:10.800 --> 0:31:12.840
<v Speaker 1>and it's really hard to care. That's all she is

0:31:12.840 --> 0:31:15.720
<v Speaker 1>in the entire episode, and they do make her the thumbnail.

0:31:15.800 --> 0:31:16.960
<v Speaker 2>So congrats girl.

0:31:17.480 --> 0:31:20.200
<v Speaker 1>Now we're at Melinda's house, as Lisa calls it, and

0:31:20.320 --> 0:31:23.040
<v Speaker 1>she's got the autopsy, and she says, what's up. This

0:31:23.120 --> 0:31:25.440
<v Speaker 1>girl did not die drowning. She had no water in

0:31:25.480 --> 0:31:30.600
<v Speaker 1>her lungs. She odeed on scopolamine. Hello, old friend. If

0:31:30.640 --> 0:31:33.240
<v Speaker 1>you guys remember I did a sort of a thorough

0:31:33.280 --> 0:31:36.920
<v Speaker 1>breakdown on scopolamine in the episode Smut where we talked

0:31:36.920 --> 0:31:39.200
<v Speaker 1>about this drug. It's also called Devil's breath, and it

0:31:39.240 --> 0:31:43.080
<v Speaker 1>makes people able to sort of like walk around semifunctionally

0:31:43.360 --> 0:31:46.200
<v Speaker 1>while they're completely blacked out, like creating no new memories.

0:31:46.680 --> 0:31:48.920
<v Speaker 1>So in the episode Smut, the guy uses it to

0:31:48.960 --> 0:31:52.600
<v Speaker 1>rape women in like urban legend, and a little bit

0:31:52.960 --> 0:31:55.520
<v Speaker 1>people use it to like when people come to like

0:31:55.560 --> 0:31:58.000
<v Speaker 1>foreign countries, they'll like blow it in your face and

0:31:58.000 --> 0:31:59.720
<v Speaker 1>then take you to an ATM and make you empty

0:31:59.720 --> 0:32:01.000
<v Speaker 1>out your whole account or whatever.

0:32:01.120 --> 0:32:03.120
<v Speaker 2>Like there's all kinds of ways you can use it. Yeah,

0:32:03.280 --> 0:32:03.600
<v Speaker 2>I don't.

0:32:03.640 --> 0:32:06.920
<v Speaker 3>I can't imagine there's any good reasons that people are

0:32:07.000 --> 0:32:08.120
<v Speaker 3>using scopolamine.

0:32:08.120 --> 0:32:10.600
<v Speaker 1>Well, then here's the thing. So then Rollins goes, isn't

0:32:10.600 --> 0:32:13.720
<v Speaker 1>that for seasickness? And then I look up scopolamine again

0:32:13.760 --> 0:32:15.800
<v Speaker 1>and nothing in my original research said.

0:32:15.600 --> 0:32:16.200
<v Speaker 2>Anything about this.

0:32:16.280 --> 0:32:18.320
<v Speaker 1>But I guess it's used a lot for motion sickness,

0:32:18.800 --> 0:32:22.280
<v Speaker 1>but probably in very small doses. Probably not like you know, like,

0:32:22.320 --> 0:32:26.320
<v Speaker 1>I'm sure it's I'm sure someone medical or chemistry savvy

0:32:26.400 --> 0:32:28.000
<v Speaker 1>is going to write us and tell us the difference.

0:32:28.000 --> 0:32:30.640
<v Speaker 1>But like, you can use it, I guess for any

0:32:30.720 --> 0:32:34.240
<v Speaker 1>kind of motion sickness. And Melinda says it can also

0:32:34.240 --> 0:32:36.320
<v Speaker 1>be used to treat a few other medical conditions, but

0:32:36.400 --> 0:32:38.480
<v Speaker 1>this girl did not have any of those medical conditions,

0:32:38.520 --> 0:32:43.680
<v Speaker 1>So what's up. I didn't know scopolamine had any valid

0:32:43.080 --> 0:32:47.280
<v Speaker 1>uh uses, but I guess it does. And Finn says, yeah,

0:32:47.320 --> 0:32:49.240
<v Speaker 1>like I've heard of working girls like slipping it to

0:32:49.280 --> 0:32:52.040
<v Speaker 1>their john's and Rollins's like, okay, so maybe someone turned

0:32:52.080 --> 0:32:55.120
<v Speaker 1>the tables on this girl. And then Melinda says there's

0:32:55.120 --> 0:32:57.160
<v Speaker 1>no signs of trauma on her except for abrasions on

0:32:57.200 --> 0:32:59.680
<v Speaker 1>her knees, semen in her mouth and throat and two

0:32:59.720 --> 0:33:01.160
<v Speaker 1>and a half ounces in her stomach.

0:33:02.040 --> 0:33:04.200
<v Speaker 2>It's like a lot of semen to have in your stomach.

0:33:04.760 --> 0:33:07.640
<v Speaker 1>So then Melinda says that nothing about this really makes

0:33:07.640 --> 0:33:10.320
<v Speaker 1>it a definitive homicide, so this could have all been

0:33:10.360 --> 0:33:13.600
<v Speaker 1>like consensual sexual activity. So Melinda goes, it's a cuppy

0:33:13.720 --> 0:33:16.320
<v Speaker 1>and I was. I originally glossed over it, and then

0:33:16.320 --> 0:33:18.960
<v Speaker 1>of course, you know, I googled it. So cuppy stands

0:33:18.960 --> 0:33:26.840
<v Speaker 1>for Circumstances undetermined pending police investigation. So essentially we who knows, Like,

0:33:26.920 --> 0:33:30.480
<v Speaker 1>we don't really know for sure, but more evidence could

0:33:30.520 --> 0:33:33.880
<v Speaker 1>back up or support, like, you know, what's happened to her,

0:33:33.920 --> 0:33:36.240
<v Speaker 1>but we're not sure. The Emmy is like not making

0:33:36.280 --> 0:33:40.040
<v Speaker 1>a you know, determination, whether about it being homicide or not.

0:33:40.440 --> 0:33:42.920
<v Speaker 1>And Rollins is like, yeah, but somebody put her body

0:33:42.920 --> 0:33:45.600
<v Speaker 1>in the pool. And Melinda's like yeah, and that proves nothing.

0:33:45.640 --> 0:33:48.560
<v Speaker 1>It's your job to prove homicide, sweetie. And Rollins is

0:33:48.600 --> 0:33:51.120
<v Speaker 1>giving Melinda shit and Melinda is throwing it right back

0:33:51.160 --> 0:33:53.959
<v Speaker 1>at her. And it truly was not until I started

0:33:53.960 --> 0:33:56.080
<v Speaker 1>doing this podcast that I even clocked that these two

0:33:56.120 --> 0:33:59.600
<v Speaker 1>are enemies, Like these two have a lot of tension.

0:33:59.800 --> 0:34:01.600
<v Speaker 3>Yeah, yeah, I was just thinking, I didn't realize the

0:34:01.640 --> 0:34:04.520
<v Speaker 3>tension went this far back, Like we now covered a

0:34:04.520 --> 0:34:08.279
<v Speaker 3>few episodes where they are not friends.

0:34:08.640 --> 0:34:11.240
<v Speaker 1>Yeah yeah, yeah, like this is this is season thirteen,

0:34:11.280 --> 0:34:14.240
<v Speaker 1>so this is like first season of Orleans. Maybe Melinda's

0:34:14.239 --> 0:34:17.000
<v Speaker 1>pissed that Maloney's gone. I don't know, it's weird, but

0:34:18.000 --> 0:34:21.160
<v Speaker 1>Finn steps in to be like Melinda, my girl, anyway

0:34:21.160 --> 0:34:23.480
<v Speaker 1>you can help us id this victim. And Melinda's like,

0:34:23.600 --> 0:34:26.719
<v Speaker 1>for you, ice anything, and she's like, this girl had

0:34:26.760 --> 0:34:27.520
<v Speaker 1>breast implants.

0:34:27.560 --> 0:34:28.880
<v Speaker 2>We're tracking the serial number.

0:34:29.080 --> 0:34:30.719
<v Speaker 1>So we finally get a little bit of good news

0:34:31.160 --> 0:34:34.279
<v Speaker 1>and I mean semi good news from Melinda. So now

0:34:34.280 --> 0:34:36.000
<v Speaker 1>we're back at the precinct and Finn is talking to

0:34:36.000 --> 0:34:39.160
<v Speaker 1>one of the cops who was at the party that night,

0:34:39.320 --> 0:34:41.600
<v Speaker 1>like the two guys that answered the noise complaint, and

0:34:41.640 --> 0:34:43.920
<v Speaker 1>he says they responded to the noise complain at two twenty,

0:34:44.040 --> 0:34:47.200
<v Speaker 1>gave a stern warning lol. Second call was at three

0:34:47.320 --> 0:34:49.360
<v Speaker 1>fifty was a woman with a Spanish accent. And then

0:34:49.400 --> 0:34:51.960
<v Speaker 1>they got a third call from Clayton when they were

0:34:52.080 --> 0:34:55.080
<v Speaker 1>en route from the from the three fifty call. And

0:34:55.120 --> 0:34:57.279
<v Speaker 1>then Amarro's talking to the other cop who swears he

0:34:57.320 --> 0:34:58.360
<v Speaker 1>had no he had no idea.

0:34:58.360 --> 0:35:00.000
<v Speaker 2>This was a party for the police commissioner's son.

0:35:00.680 --> 0:35:04.120
<v Speaker 1>And when they talked to Craigan, Amaro's like, these guys

0:35:04.120 --> 0:35:06.520
<v Speaker 1>both sound very rehearsed, like they know, you know, they've

0:35:06.520 --> 0:35:07.960
<v Speaker 1>probably talked to their IAB reps.

0:35:08.000 --> 0:35:08.759
<v Speaker 2>They know what to say.

0:35:09.360 --> 0:35:11.759
<v Speaker 1>Rollins gets a hit on the breast implants and it

0:35:11.800 --> 0:35:14.640
<v Speaker 1>turns out this girl, our victim's name is Maggie Murphy

0:35:14.680 --> 0:35:16.480
<v Speaker 1>and she's from Winnipeg, up in Canada.

0:35:16.760 --> 0:35:17.839
<v Speaker 2>I've been there.

0:35:18.120 --> 0:35:22.040
<v Speaker 1>Yeah, yeah, I had a therapist from Winnipeg and she

0:35:22.080 --> 0:35:23.080
<v Speaker 1>told me it kind of sucked.

0:35:23.960 --> 0:35:27.440
<v Speaker 2>Yeah, yeah, just cold. I think I went to the movies.

0:35:27.480 --> 0:35:29.879
<v Speaker 3>I like that you could get mini Cadbury eggs at

0:35:29.920 --> 0:35:32.759
<v Speaker 3>the movie theater. Oh, I went to a bookstore. I

0:35:32.760 --> 0:35:34.840
<v Speaker 3>mean I was doing shows. I actually met up with

0:35:34.920 --> 0:35:38.960
<v Speaker 3>long lost family. That's fun. Yeah, it was fun. And

0:35:39.000 --> 0:35:41.640
<v Speaker 3>there in the audience there was an arm wrestling competition

0:35:42.280 --> 0:35:44.239
<v Speaker 3>and they were wasted. It was like all these people

0:35:44.280 --> 0:35:46.520
<v Speaker 3>from an arm wrestling match came and they were just

0:35:46.600 --> 0:35:49.200
<v Speaker 3>drunk out of their goards. And then this was also

0:35:49.239 --> 0:35:53.400
<v Speaker 3>the place where a man he kept swirling his eyes

0:35:53.440 --> 0:35:54.160
<v Speaker 3>so loudly.

0:35:54.239 --> 0:35:55.640
<v Speaker 2>And I went can you just stop?

0:35:56.200 --> 0:35:58.320
<v Speaker 3>And he stood up and went, you need to shut

0:35:58.360 --> 0:36:01.439
<v Speaker 3>the fuck up in the A yes, and I said

0:36:01.480 --> 0:36:04.000
<v Speaker 3>I have the microphone and it was his birthday and

0:36:04.120 --> 0:36:05.359
<v Speaker 3>I had to wait for all of them to get

0:36:05.440 --> 0:36:08.719
<v Speaker 3>kicked out and they were like so mad, but you

0:36:08.760 --> 0:36:09.520
<v Speaker 3>can't swirl.

0:36:09.560 --> 0:36:13.440
<v Speaker 1>I stop swirling your fucking ice, dude. They bring up

0:36:13.440 --> 0:36:16.000
<v Speaker 1>Winnipeg in the show a lot. Remember in the episode

0:36:16.120 --> 0:36:19.520
<v Speaker 1>about with Stevie Lynn Jones, what was it the episode

0:36:19.760 --> 0:36:23.320
<v Speaker 1>producer's back end, There was a movie called Winnipeg Nights.

0:36:23.400 --> 0:36:24.800
<v Speaker 2>They like Winnipeg on SVU.

0:36:25.200 --> 0:36:29.439
<v Speaker 3>I wonder if someone's from there, because it is like, wait,

0:36:29.880 --> 0:36:32.440
<v Speaker 3>you know who else is from Winnipeg. That episode was

0:36:32.520 --> 0:36:36.400
<v Speaker 3>Steve Howie, the like catfishing in between with the NBA player. Yeah,

0:36:36.480 --> 0:36:40.520
<v Speaker 3>she was on she lived two hours away from Winnipeg.

0:36:40.560 --> 0:36:43.880
<v Speaker 3>But Winnipeg was mentioned again. Yeah, yeah, you're right on

0:36:44.040 --> 0:36:48.640
<v Speaker 3>APEG killing it Winnipeg getting it's mentioned, okay.

0:36:49.400 --> 0:36:52.160
<v Speaker 1>So Live is immediately upset that someone gave us sixteen

0:36:52.239 --> 0:36:54.400
<v Speaker 1>year old fake tits, and Craigan's like, let's focus, like,

0:36:54.440 --> 0:36:56.279
<v Speaker 1>we're not going after Canadian plastic.

0:36:55.960 --> 0:36:56.840
<v Speaker 2>Surgeons right now.

0:36:57.160 --> 0:36:59.720
<v Speaker 1>So we find out that Maggie ran away from foster

0:36:59.840 --> 0:37:02.440
<v Speaker 1>care six months ago and had her checks forwarded to

0:37:02.480 --> 0:37:03.600
<v Speaker 1>an address in Astoria.

0:37:04.560 --> 0:37:05.680
<v Speaker 2>I didn't know that they would do that.

0:37:06.960 --> 0:37:09.200
<v Speaker 1>No roommates at her apartment, No one seems to know

0:37:09.280 --> 0:37:11.040
<v Speaker 1>her around there. I don't really even know how a

0:37:11.080 --> 0:37:13.279
<v Speaker 1>sixteen year old girl finds an apartment in New York.

0:37:13.320 --> 0:37:14.240
<v Speaker 2>It's like not easy.

0:37:14.560 --> 0:37:16.200
<v Speaker 1>So Finn's like, what about this girl with the accent

0:37:16.239 --> 0:37:17.960
<v Speaker 1>who called the police? So then they're like, okay, let's

0:37:17.960 --> 0:37:20.360
<v Speaker 1>look at the footage that they have from the everybody

0:37:20.360 --> 0:37:23.520
<v Speaker 1>fleeing the scene, and it's literally just like a parade

0:37:23.719 --> 0:37:27.520
<v Speaker 1>of these strippers and sex workers just leaving, all holding

0:37:27.560 --> 0:37:29.560
<v Speaker 1>their purses in front of their faces because they know

0:37:29.600 --> 0:37:32.000
<v Speaker 1>exactly where the security cameras are, and like this isn't

0:37:32.000 --> 0:37:34.000
<v Speaker 1>their first rodeo, and they know how to hide their faces,

0:37:34.080 --> 0:37:37.160
<v Speaker 1>so they're getting nothing. The Secret Service agents are protected

0:37:37.200 --> 0:37:39.680
<v Speaker 1>by Homeland Security. The hockey players back in Canada, the

0:37:39.719 --> 0:37:43.719
<v Speaker 1>baseball players are playing a game hungover, and so they're

0:37:43.800 --> 0:37:46.040
<v Speaker 1>kind of feeling like they're a little bit at a

0:37:46.040 --> 0:37:47.799
<v Speaker 1>dead end, and then they realize, oh, wait, if the

0:37:47.840 --> 0:37:51.200
<v Speaker 1>girl's body was moved, Clayton's penthouse is a crime scene.

0:37:51.400 --> 0:37:54.680
<v Speaker 1>Craigan says, go back with csu. It's Sunday. The garbage

0:37:54.680 --> 0:37:56.520
<v Speaker 1>hasn't gone out yet. These guys always have to dig

0:37:56.560 --> 0:38:00.799
<v Speaker 1>through garbage. Liv wants to investigate also the multiple counts

0:38:00.840 --> 0:38:02.920
<v Speaker 1>of statutory rape that happened at the party, but Craigan

0:38:03.080 --> 0:38:05.000
<v Speaker 1>is like, that's up to the DA let's focus on

0:38:05.040 --> 0:38:07.480
<v Speaker 1>the murder. And livis pissed. She's like, this was a

0:38:07.600 --> 0:38:10.080
<v Speaker 1>kid who spent the entire night on her knees. Like

0:38:10.400 --> 0:38:12.920
<v Speaker 1>it doesn't sit well with Olivia, obviously, and then they

0:38:12.960 --> 0:38:15.800
<v Speaker 1>get interrupted when Will Brady walks in with his lawyer.

0:38:16.520 --> 0:38:19.080
<v Speaker 1>His lawyer is unnamed, but he is played by an

0:38:19.120 --> 0:38:21.960
<v Speaker 1>actor named Sam McMurray. He has one hundred and ninety

0:38:22.000 --> 0:38:24.399
<v Speaker 1>eight IMDb credits. I feel like I've seen this man

0:38:24.400 --> 0:38:26.960
<v Speaker 1>in everything I've ever seen. I truly thought he'd been

0:38:26.960 --> 0:38:29.440
<v Speaker 1>on multiple sviews, but this is his only sview and

0:38:29.520 --> 0:38:32.680
<v Speaker 1>his name on the show is Will Brady's attorney, and

0:38:34.000 --> 0:38:37.600
<v Speaker 1>he's been in like Scandal, Breaking, Bad Friends, King of

0:38:37.680 --> 0:38:40.680
<v Speaker 1>Queen's one of my favorite movies of all time, La Story,

0:38:41.200 --> 0:38:43.400
<v Speaker 1>And one of the craziest things I saw when I

0:38:43.400 --> 0:38:45.360
<v Speaker 1>was looking at his IMDb is that he did a

0:38:45.400 --> 0:38:49.520
<v Speaker 1>couple of voices on Law and Order colon Justice Is Served,

0:38:49.560 --> 0:38:52.480
<v Speaker 1>which is a law and order video game that I

0:38:52.560 --> 0:38:55.480
<v Speaker 1>did not know existed, and this guy has done some

0:38:55.600 --> 0:38:56.359
<v Speaker 1>voices on it.

0:38:56.480 --> 0:38:59.680
<v Speaker 2>So anyway, funck, dude, I just met someone who has

0:38:59.719 --> 0:39:03.000
<v Speaker 2>worked looking on an SVU walking Long order walking tour

0:39:03.080 --> 0:39:05.560
<v Speaker 2>in Manhattan, like the sexost City ones and stuff.

0:39:06.000 --> 0:39:08.440
<v Speaker 3>Yeah, she was at a show I was doing. Shout

0:39:08.480 --> 0:39:11.799
<v Speaker 3>out great idea, Catherine. I think that's her name. Watch,

0:39:11.800 --> 0:39:14.000
<v Speaker 3>I got it right, you should sponsor us on our podcast.

0:39:14.040 --> 0:39:17.760
<v Speaker 3>We'll talk about it. Wait, but I'm looking at this actor,

0:39:17.840 --> 0:39:19.000
<v Speaker 3>oh Christmas vacation.

0:39:19.520 --> 0:39:21.840
<v Speaker 2>I was like, he seems like such an eighties dude.

0:39:22.280 --> 0:39:25.440
<v Speaker 1>Yeah, like I know his vacation is he he's one

0:39:25.440 --> 0:39:27.240
<v Speaker 1>of the co workers with Clark or something.

0:39:27.480 --> 0:39:29.920
<v Speaker 2>Yeah, he's like in so many things that we've watched. Oh,

0:39:29.960 --> 0:39:33.840
<v Speaker 2>he's also Simpson's no way and a lot of voiceover.

0:39:33.920 --> 0:39:36.720
<v Speaker 2>I noticed a lot of voiceover, like cool animation voiceover.

0:39:36.920 --> 0:39:38.120
<v Speaker 2>So so they.

0:39:38.000 --> 0:39:41.080
<v Speaker 1>Walk in at the perfect time holding a USB drive

0:39:41.680 --> 0:39:45.040
<v Speaker 1>full of footage of the party and it shows Will's

0:39:45.040 --> 0:39:47.520
<v Speaker 1>activity the entire party, showing that he never was with

0:39:47.600 --> 0:39:51.960
<v Speaker 1>this victim, and so, uh, they start watching the footage

0:39:52.160 --> 0:39:56.200
<v Speaker 1>live looks like very unimpressed. She he doesn't remember seeing

0:39:56.239 --> 0:39:59.200
<v Speaker 1>Maggie with anyone. Will says, she seems sloppy and out

0:39:59.200 --> 0:40:00.560
<v Speaker 1>of it, and I think I think I saw her

0:40:00.600 --> 0:40:03.399
<v Speaker 1>making out with a tall, tan brunette woman. And so

0:40:03.520 --> 0:40:05.799
<v Speaker 1>they're like, okay, we'll go through this footage. What is

0:40:05.800 --> 0:40:07.799
<v Speaker 1>it like four hours? And he's like, more like eight

0:40:07.840 --> 0:40:09.799
<v Speaker 1>hours and he's like, what, you only get married for

0:40:09.840 --> 0:40:12.280
<v Speaker 1>the first time once, and he's trying to be funny,

0:40:12.280 --> 0:40:15.800
<v Speaker 1>but liv is not buying it. Rollin's, Finn, and Tomorrow

0:40:15.960 --> 0:40:18.680
<v Speaker 1>are now gathered around the laptops with snacks and they're

0:40:18.680 --> 0:40:22.360
<v Speaker 1>all looking at footage of this debaucherous bachelor party, and

0:40:22.440 --> 0:40:25.399
<v Speaker 1>Amarro's like, these guys probably think these girls like it,

0:40:25.480 --> 0:40:27.560
<v Speaker 1>like they see them as more than just a payday,

0:40:27.640 --> 0:40:30.120
<v Speaker 1>and Rollin's is like, uh, yeah, men are delusional, we

0:40:30.239 --> 0:40:32.800
<v Speaker 1>know this. And Finn's like, hey, now, don't tell me

0:40:32.840 --> 0:40:35.120
<v Speaker 1>you've never been to a strip club, and Tomorrow's like, yeah,

0:40:35.120 --> 0:40:37.560
<v Speaker 1>on the job, maybe my cousin's bachelor party, but now

0:40:37.560 --> 0:40:40.600
<v Speaker 1>it makes me feel uncomfortable, and Finn starts making fun

0:40:40.600 --> 0:40:41.880
<v Speaker 1>of him, like, oh, are you out there one of

0:40:41.880 --> 0:40:43.839
<v Speaker 1>those guys that says like no thanks on the lap

0:40:43.920 --> 0:40:46.600
<v Speaker 1>dance and tries to tell strippers about their their options

0:40:46.680 --> 0:40:49.960
<v Speaker 1>and stuff, and I just like Finn being funny and

0:40:50.239 --> 0:40:53.320
<v Speaker 1>seizing tomorrow. Well, and we know that Finn loves it,

0:40:53.560 --> 0:40:57.040
<v Speaker 1>loves a strip club. And Amarrow is like, I respect women.

0:40:57.160 --> 0:40:59.319
<v Speaker 1>I have sisters and a daughter, you know, the age

0:40:59.320 --> 0:41:02.000
<v Speaker 1>old argument that's like I'm related to women, so I

0:41:02.080 --> 0:41:04.719
<v Speaker 1>respect them, and that you have to be related to

0:41:04.760 --> 0:41:08.000
<v Speaker 1>them to respect them. And now their little tiff gets

0:41:08.000 --> 0:41:11.839
<v Speaker 1>interrupted when Rollin's finds something and she's now we cut

0:41:11.840 --> 0:41:13.960
<v Speaker 1>to her showing the footage to Live in Captain Craigs,

0:41:14.000 --> 0:41:17.720
<v Speaker 1>and we see Maggie staggering in the background of the party,

0:41:17.760 --> 0:41:20.040
<v Speaker 1>like staggering back to the bedroom. The timestamp is three

0:41:20.120 --> 0:41:23.560
<v Speaker 1>twenty five am, and she's already been doped with a scopolamine.

0:41:23.640 --> 0:41:26.000
<v Speaker 1>She's like heading back to the bedroom to die, Olivia says,

0:41:26.040 --> 0:41:29.080
<v Speaker 1>because like she's all over the place. And honestly, I

0:41:29.080 --> 0:41:32.279
<v Speaker 1>think the Carlton nine when one comes twenty five minutes later.

0:41:32.640 --> 0:41:35.520
<v Speaker 1>So right after this on the footage, we see Clayton

0:41:35.600 --> 0:41:38.560
<v Speaker 1>and this blonde woman making their way back to the bedroom.

0:41:38.560 --> 0:41:40.479
<v Speaker 1>We've already seen this scene, but this is their first

0:41:40.480 --> 0:41:43.160
<v Speaker 1>time seeing it. Amaro busts in to say that they

0:41:43.200 --> 0:41:45.800
<v Speaker 1>found vomit on the sheets that were in Clayton's trash

0:41:45.840 --> 0:41:47.720
<v Speaker 1>and they're going to test it for scapolamine.

0:41:48.000 --> 0:41:50.600
<v Speaker 2>So now they're like, we got to talk to Clayton again.

0:41:50.640 --> 0:41:52.600
<v Speaker 1>He just headed back to the bedroom where this poor

0:41:52.600 --> 0:41:55.080
<v Speaker 1>little girl went to like you know, pass out and die,

0:41:55.360 --> 0:41:58.160
<v Speaker 1>and he must know more than he's saying. And Clayton

0:41:58.400 --> 0:42:00.239
<v Speaker 1>is it turns out it's supposed to be leave that

0:42:00.320 --> 0:42:02.760
<v Speaker 1>day to cover the crisis in North Korea. I didn't

0:42:02.760 --> 0:42:05.279
<v Speaker 1>really know that we went over there. I didn't really

0:42:05.320 --> 0:42:07.120
<v Speaker 1>think we were allowed to go into North Korea, but

0:42:08.120 --> 0:42:10.279
<v Speaker 1>I didn't think they were sending wolf Blitzer over there

0:42:10.320 --> 0:42:10.840
<v Speaker 1>these days.

0:42:10.880 --> 0:42:14.600
<v Speaker 2>But we'll see. Cragan sends them to go get them.

0:42:14.640 --> 0:42:16.640
<v Speaker 1>He's like, I'll hold the plane with port authorities. So

0:42:16.680 --> 0:42:19.680
<v Speaker 1>then Live hangs back to talk to Cragan and she's like,

0:42:19.760 --> 0:42:21.720
<v Speaker 1>we can have the case now that Will is cleared,

0:42:21.760 --> 0:42:24.520
<v Speaker 1>Like it's not that high profile now that like, you know,

0:42:24.840 --> 0:42:27.719
<v Speaker 1>the police commissioner's son has been you know, exonerated and

0:42:28.040 --> 0:42:30.920
<v Speaker 1>found that he couldn't be involved. And Craigan's like ONEPP

0:42:31.080 --> 0:42:34.000
<v Speaker 1>wants the DA's office to handle this and lives like, great,

0:42:34.040 --> 0:42:36.080
<v Speaker 1>I'll call my boyfriend Hayden and he'll back us. And

0:42:36.080 --> 0:42:38.560
<v Speaker 1>Craigan's like, girl, stop like digging into this is only

0:42:38.600 --> 0:42:39.480
<v Speaker 1>going to lead to trouble.

0:42:39.840 --> 0:42:42.000
<v Speaker 2>These girls are connected to politicians.

0:42:42.120 --> 0:42:45.640
<v Speaker 1>Das brass like, it just goes a lot deeper than

0:42:45.719 --> 0:42:48.480
<v Speaker 1>just like you know, and he says, we've got to

0:42:48.480 --> 0:42:49.640
<v Speaker 1>play our cards close.

0:42:49.440 --> 0:42:49.919
<v Speaker 2>To the vest.

0:42:50.719 --> 0:42:54.720
<v Speaker 1>So that's the end of act one at too. Clayton

0:42:54.760 --> 0:42:57.080
<v Speaker 1>is now an interrogation with his lawyer. Her name is

0:42:57.160 --> 0:43:00.640
<v Speaker 1>Kendra Gill and she is in New Jersey, Ada, turned

0:43:00.719 --> 0:43:01.480
<v Speaker 1>defense attorney.

0:43:01.520 --> 0:43:03.160
<v Speaker 2>I guess she wanted to make more cash. Baby.

0:43:03.520 --> 0:43:06.000
<v Speaker 1>She is an episode Hot House with Sarah Hiland and

0:43:06.040 --> 0:43:08.160
<v Speaker 1>she's the one who gives her a break so that

0:43:08.160 --> 0:43:10.840
<v Speaker 1>she doesn't go to jail forever. She's like, they're like,

0:43:10.880 --> 0:43:12.560
<v Speaker 1>please go easy on or she's young, and then she

0:43:12.600 --> 0:43:15.280
<v Speaker 1>does and her name is that actress's name is Gretchen

0:43:15.320 --> 0:43:18.640
<v Speaker 1>eGolf and she says Clayton will spill all the tea,

0:43:18.680 --> 0:43:21.840
<v Speaker 1>don't even worry about it, and he says, listen, they're like,

0:43:21.880 --> 0:43:23.319
<v Speaker 1>who helped you get the girl into the pool and

0:43:23.360 --> 0:43:26.080
<v Speaker 1>she's like, he says, there were some diplomats from Middle

0:43:26.080 --> 0:43:29.280
<v Speaker 1>East there and their security guys helped me. And Amorrow

0:43:29.480 --> 0:43:31.520
<v Speaker 1>is like, well, he says, like, I'm telling you guys

0:43:31.520 --> 0:43:33.319
<v Speaker 1>the truth that Tomorrow's like, oh, like you've been doing

0:43:33.360 --> 0:43:35.400
<v Speaker 1>with your whole wet suit mouth to mouth act that

0:43:35.440 --> 0:43:37.400
<v Speaker 1>you told us at the beginning, and he's like, okay,

0:43:37.440 --> 0:43:39.160
<v Speaker 1>that was a bad mood. But she was dead when

0:43:39.160 --> 0:43:41.160
<v Speaker 1>I found her. I didn't call nine one one right

0:43:41.200 --> 0:43:43.919
<v Speaker 1>away because Secret Service had to escort some guests out.

0:43:44.160 --> 0:43:45.719
<v Speaker 2>I also didn't know she was sixteen.

0:43:45.960 --> 0:43:48.160
<v Speaker 1>And they're like, well, at least five of your friends

0:43:48.200 --> 0:43:50.719
<v Speaker 1>had sex with an underage girl at this party, and

0:43:51.200 --> 0:43:52.880
<v Speaker 1>who was with you when you found her? And he

0:43:53.000 --> 0:43:55.440
<v Speaker 1>was like, that was my He tells them that his

0:43:55.520 --> 0:43:58.520
<v Speaker 1>blonde is a friend. She's not an escort, she's a friend,

0:43:58.920 --> 0:44:01.319
<v Speaker 1>and her name is Chris and he doesn't know her

0:44:01.400 --> 0:44:03.920
<v Speaker 1>last name, and Live goes, oh, so a close friend.

0:44:04.320 --> 0:44:07.520
<v Speaker 1>I love that. Like the Olivia shade is so funny

0:44:07.560 --> 0:44:11.480
<v Speaker 1>to me. So next scene, they're bringing in Carissa, telling

0:44:11.520 --> 0:44:13.960
<v Speaker 1>her that once she lawyers up, they cannot help her,

0:44:14.239 --> 0:44:16.520
<v Speaker 1>and she still decides to wait for her lawyer, but

0:44:16.600 --> 0:44:18.799
<v Speaker 1>before then, she makes sure to create a lot of

0:44:18.800 --> 0:44:22.239
<v Speaker 1>sexual tension with Amorrow, and she's flirting, asking for a

0:44:22.320 --> 0:44:24.600
<v Speaker 1>drink and saying she hasn't seen him around, like she

0:44:24.680 --> 0:44:26.719
<v Speaker 1>knows every sex crimes detective in the city, Like do

0:44:26.719 --> 0:44:27.680
<v Speaker 1>you think she knew Stabler?

0:44:27.920 --> 0:44:28.399
<v Speaker 2>Who knows?

0:44:28.960 --> 0:44:31.440
<v Speaker 1>And when she says some water would be great, I

0:44:31.520 --> 0:44:34.520
<v Speaker 1>really hear an Australian accent. So I go to IMDb

0:44:34.719 --> 0:44:36.640
<v Speaker 1>look her up. Her name is Pipa Black and she

0:44:36.760 --> 0:44:40.160
<v Speaker 1>is indeed from Downanda, and she is on the Australian

0:44:40.239 --> 0:44:43.360
<v Speaker 1>soap Neighbors and she's been on it for like seventeen years.

0:44:43.719 --> 0:44:45.560
<v Speaker 1>So I used to watch Neighbors when I went to

0:44:45.560 --> 0:44:47.560
<v Speaker 1>Ireland when I was like eleven, I watched Neighbors all

0:44:47.560 --> 0:44:47.920
<v Speaker 1>the time.

0:44:48.400 --> 0:44:52.920
<v Speaker 2>Anyway, this girl to me. So there's an Irish comic

0:44:52.960 --> 0:44:58.360
<v Speaker 2>at the cellar now and.

0:44:55.880 --> 0:44:58.640
<v Speaker 3>He introduced himself yesterday. I was like, yeah, we've met.

0:44:58.680 --> 0:45:00.200
<v Speaker 3>He goes, well, I don't know. You seem drunk last

0:45:00.239 --> 0:45:02.200
<v Speaker 3>time I met you. I was like, excuse me, we've

0:45:02.239 --> 0:45:04.480
<v Speaker 3>met and he goes, well, no, I know, but I

0:45:04.560 --> 0:45:06.959
<v Speaker 3>met you. And then the same day, about an hour later,

0:45:07.000 --> 0:45:09.080
<v Speaker 3>you came up and introduced yourself again to me and

0:45:09.120 --> 0:45:14.080
<v Speaker 3>I go, okay, touche.

0:45:15.880 --> 0:45:19.120
<v Speaker 2>I was so pissed, but and you were like, I

0:45:19.160 --> 0:45:19.760
<v Speaker 2>got got.

0:45:23.239 --> 0:45:26.880
<v Speaker 1>Anyway, this girl has like a very Naomi Watts, Nicole

0:45:27.000 --> 0:45:30.360
<v Speaker 1>Kidman had a baby, but kind of generic vibe to me.

0:45:30.520 --> 0:45:33.040
<v Speaker 3>Margo, Robbie. They all do neighbors and they all come

0:45:33.080 --> 0:45:34.880
<v Speaker 3>to America. I was Tony Colat on.

0:45:34.880 --> 0:45:37.920
<v Speaker 2>Neighbors, you know, I like on neighbors. They all love it.

0:45:38.320 --> 0:45:41.720
<v Speaker 2>But anyway, she's like, I haven't seen you around.

0:45:41.719 --> 0:45:43.279
<v Speaker 1>We get a lot of cops on the job, so

0:45:43.280 --> 0:45:45.680
<v Speaker 1>she's just being very upfront that she's like a sex worker.

0:45:45.719 --> 0:45:49.160
<v Speaker 1>And she teases Nick for being mister clean and he's like, actually,

0:45:49.200 --> 0:45:51.920
<v Speaker 1>I'm married, and it's like yeah for about two more minutes.

0:45:51.960 --> 0:45:57.000
<v Speaker 1>Buddy and Carissa immediately like reads in Nick's eyes that

0:45:57.040 --> 0:45:58.799
<v Speaker 1>he's been hurt by his wife and he's keeping it

0:45:58.800 --> 0:46:01.000
<v Speaker 1>bottled up and he needs to release that, like maybe

0:46:01.000 --> 0:46:05.080
<v Speaker 1>fucking her would possibly even things right up, and it's wild.

0:46:05.160 --> 0:46:08.399
<v Speaker 1>She's like, uh, she just feels like she can read

0:46:08.440 --> 0:46:11.040
<v Speaker 1>inside his soul immediately, and then a knock at the

0:46:11.080 --> 0:46:14.160
<v Speaker 1>door breaks the tension, and Craigan's been watching the entire thing,

0:46:14.239 --> 0:46:16.440
<v Speaker 1>pulls Amorrow out and he's like, what's up with you?

0:46:16.480 --> 0:46:19.080
<v Speaker 1>In blondie and he's like, well, witness wants to talk.

0:46:19.160 --> 0:46:21.120
<v Speaker 1>You talk, and he's like, that wasn't about the case tomorrow,

0:46:21.239 --> 0:46:23.600
<v Speaker 1>put your dick back in your pants. And then he's like,

0:46:23.640 --> 0:46:25.319
<v Speaker 1>we got to wait for her lawyer. This all has

0:46:25.360 --> 0:46:27.160
<v Speaker 1>to be by the book. Craigan like knows from the

0:46:27.200 --> 0:46:29.120
<v Speaker 1>get go like this we cannot fuck around with this,

0:46:29.239 --> 0:46:32.040
<v Speaker 1>like no cutting corners because like these are powerful people.

0:46:32.520 --> 0:46:34.880
<v Speaker 1>So the next thing we see is Carissa with her lawyer,

0:46:35.120 --> 0:46:38.239
<v Speaker 1>the legendary Regi Kathy and.

0:46:38.200 --> 0:46:40.120
<v Speaker 2>He is a Liza fave.

0:46:40.920 --> 0:46:43.200
<v Speaker 1>I know him as Freddy from House of Cards, but

0:46:43.280 --> 0:46:48.360
<v Speaker 1>he was also one of the animal smugglers in the

0:46:48.560 --> 0:46:51.880
<v Speaker 1>iconic s View episode Wildlife, which we just covered in Montreal.

0:46:52.440 --> 0:46:55.200
<v Speaker 1>And he is also from the Wire and Oz and

0:46:55.239 --> 0:46:57.080
<v Speaker 1>I didn't know he died in twenty eighteen.

0:46:58.239 --> 0:46:58.800
<v Speaker 2>That's sad.

0:46:59.120 --> 0:47:02.799
<v Speaker 1>Yeah, he was a legend and rest in peace. His

0:47:02.920 --> 0:47:06.000
<v Speaker 1>character is named Barry Querns. And he's telling them that

0:47:06.120 --> 0:47:08.759
<v Speaker 1>Carissa didn't know Maggie and barely saw her that night,

0:47:09.080 --> 0:47:11.320
<v Speaker 1>and she says she knew every girl at the party

0:47:11.320 --> 0:47:12.640
<v Speaker 1>there except for Maggie.

0:47:12.719 --> 0:47:13.520
<v Speaker 2>She's an escort.

0:47:13.600 --> 0:47:16.000
<v Speaker 1>She gets paid to do parties, do dinners and the

0:47:16.080 --> 0:47:18.719
<v Speaker 1>lawyer's like, there's nothing illegal about that. As Tomorrow and

0:47:18.760 --> 0:47:21.319
<v Speaker 1>her give each other like fuck me eyes again, So

0:47:21.640 --> 0:47:24.680
<v Speaker 1>who's your booker? And Big Shock Barry Quorn's is like

0:47:24.680 --> 0:47:26.759
<v Speaker 1>you can talk to him, no problem, I represent him

0:47:26.760 --> 0:47:29.400
<v Speaker 1>as well. So now we are at the apartment of

0:47:29.480 --> 0:47:32.960
<v Speaker 1>Bart Ganzel. I would say one of my favorite side

0:47:33.080 --> 0:47:39.600
<v Speaker 1>characters in SVU. He is this like extremely powerful pimp essentially,

0:47:40.520 --> 0:47:44.080
<v Speaker 1>but who's also a Seinfeld character, right, Like he's so

0:47:44.680 --> 0:47:47.879
<v Speaker 1>like dorky and like he's like a little Jewish man.

0:47:47.960 --> 0:47:49.719
<v Speaker 1>I don't know, it's funny. He's very funny to me.

0:47:50.080 --> 0:47:52.000
<v Speaker 1>He's sitting on a couch in like jeans.

0:47:51.680 --> 0:47:56.360
<v Speaker 2>And stackers, George Castanza in like clubber gear. Yeah, like

0:47:56.440 --> 0:47:58.800
<v Speaker 2>black t shirts with gold writing.

0:48:00.560 --> 0:48:03.680
<v Speaker 3>Such bushy and like an emotional soul but a criminal

0:48:04.000 --> 0:48:05.600
<v Speaker 3>bad at it but also good.

0:48:05.640 --> 0:48:08.680
<v Speaker 2>It's it is very twisted and funny. Yeah.

0:48:08.840 --> 0:48:11.360
<v Speaker 1>So he's like in the couch in jeans and sneakers

0:48:11.360 --> 0:48:14.400
<v Speaker 1>and like a button down shirt that's like very open,

0:48:14.520 --> 0:48:16.360
<v Speaker 1>like a lot of chest hair, and all these women

0:48:16.719 --> 0:48:18.920
<v Speaker 1>who work for him are like around him in underwear

0:48:18.960 --> 0:48:21.200
<v Speaker 1>and like he's flirting. They're all flirting with him, and

0:48:21.280 --> 0:48:23.120
<v Speaker 1>you know, it's like he's We're getting the idea he's

0:48:23.120 --> 0:48:25.319
<v Speaker 1>the king. There's like a party underway by the way

0:48:25.320 --> 0:48:27.799
<v Speaker 1>at this apartment. We're at his apartment in Chelsea, and

0:48:27.920 --> 0:48:30.440
<v Speaker 1>Ganzelle is played by Peter Jacobson, who has been in

0:48:30.480 --> 0:48:32.800
<v Speaker 1>tons of shit, like The Americans House.

0:48:32.880 --> 0:48:35.840
<v Speaker 2>He was on for many many years Ray Donovan.

0:48:36.400 --> 0:48:39.680
<v Speaker 1>And what's wild is he played a defense attorney in

0:48:39.760 --> 0:48:42.320
<v Speaker 1>old seasons of Original Recipe, like one season from the

0:48:42.400 --> 0:48:45.240
<v Speaker 1>nineties and some from the early two thousands, and then

0:48:45.400 --> 0:48:49.359
<v Speaker 1>that character crossed over to SVU in season nineteen and

0:48:49.440 --> 0:48:52.600
<v Speaker 1>did like three episodes of season nineteen as this lawyer,

0:48:52.960 --> 0:48:55.239
<v Speaker 1>this defense attorney. And it's kind of nuts because I

0:48:55.280 --> 0:48:57.239
<v Speaker 1>just feel like the Ganzel arc is so memorable to

0:48:57.280 --> 0:48:58.880
<v Speaker 1>me that you know, I know they don't care how

0:48:58.920 --> 0:49:00.880
<v Speaker 1>I feel, but it's just weird to like bring him

0:49:00.880 --> 0:49:02.640
<v Speaker 1>back as a lawyer a few years after he's this

0:49:03.239 --> 0:49:06.840
<v Speaker 1>major pimp in this three episode arc, you know. So anyway,

0:49:07.480 --> 0:49:09.520
<v Speaker 1>Ganzelle's making the rounds at his house and we hear

0:49:09.520 --> 0:49:11.280
<v Speaker 1>a cell phone ring and who picks up the phone

0:49:11.600 --> 0:49:17.240
<v Speaker 1>but Brian Cassidy aka Dean Winters aka Mayhem aka a guest.

0:49:17.239 --> 0:49:19.440
<v Speaker 2>We're desperate to get who keeps eluding us.

0:49:20.040 --> 0:49:22.560
<v Speaker 1>He hangs up the phone, he kisses a girl goodbye,

0:49:22.719 --> 0:49:24.719
<v Speaker 1>tells Ganzel we got to bounce. We got to get

0:49:24.760 --> 0:49:27.000
<v Speaker 1>out of here, And just as they're trying to scurry out,

0:49:27.360 --> 0:49:31.080
<v Speaker 1>this SVU squad arrives, Cassidy and Tomorrow immediately start beefing,

0:49:32.200 --> 0:49:35.920
<v Speaker 1>like Cassidy's like, where's the warrant? And then he Tomorrow's

0:49:35.960 --> 0:49:39.560
<v Speaker 1>like slawyer role and then Cassidy throws a punch at him,

0:49:39.600 --> 0:49:42.000
<v Speaker 1>just fully cold cock Tomorrow in the face, and then

0:49:42.040 --> 0:49:47.160
<v Speaker 1>they haul him and Ganzell both off, so really escalated quickly.

0:49:48.200 --> 0:49:51.879
<v Speaker 1>In interrogation, Cassidy's like with Tomorrow and he's like, sorry, bro,

0:49:51.960 --> 0:49:54.040
<v Speaker 1>I had to make it look real like, so we

0:49:54.200 --> 0:49:57.440
<v Speaker 1>find out quickly Cassidy's undercover. Amorro's standing there icing his

0:49:57.520 --> 0:50:00.120
<v Speaker 1>jaw with an ice pack and he's like, fuck you man, Like,

0:50:00.120 --> 0:50:02.160
<v Speaker 1>there's other ways to do this. I've been undercover before.

0:50:02.200 --> 0:50:04.319
<v Speaker 1>You don't have to like punch people. But we did

0:50:04.360 --> 0:50:07.120
<v Speaker 1>just see an undercover mother. The guy who played the

0:50:07.120 --> 0:50:09.600
<v Speaker 1>guy who's Rollin's baby daddy does the same thing, like

0:50:09.640 --> 0:50:13.440
<v Speaker 1>he like Jaccalyn Murphy, Yeah, Jack Glen Murphy like pistol

0:50:13.440 --> 0:50:17.120
<v Speaker 1>whips Careesi. So you know, Undercovers are wild, and I

0:50:17.200 --> 0:50:19.759
<v Speaker 1>bet watching these two like measure their dicks and fight

0:50:19.800 --> 0:50:21.520
<v Speaker 1>with each other is getting a lot of our listeners

0:50:21.600 --> 0:50:23.080
<v Speaker 1>very horny because I know a lot of people love

0:50:23.080 --> 0:50:24.640
<v Speaker 1>Dean Winters, a lot of people love Tomorrow.

0:50:24.800 --> 0:50:27.320
<v Speaker 2>So this is a scene of these two.

0:50:27.239 --> 0:50:31.840
<v Speaker 1>Guys really yeah, really, you know, trying to have a

0:50:31.880 --> 0:50:35.040
<v Speaker 1>pissing contest. So in walks Benson and she's like, Cassidy,

0:50:35.120 --> 0:50:37.600
<v Speaker 1>you ass and then Cassidy grabs her hand with both

0:50:37.600 --> 0:50:40.680
<v Speaker 1>of his hands, you know, like a cupped shaking of hands,

0:50:40.840 --> 0:50:42.759
<v Speaker 1>and immediately flirts with her, like, looks up and down

0:50:42.840 --> 0:50:45.799
<v Speaker 1>and goes you look good. Like it's immediately there are

0:50:45.880 --> 0:50:48.920
<v Speaker 1>vibes and he's like, look, I've been Undercovered with Ganzel

0:50:48.960 --> 0:50:51.120
<v Speaker 1>for three years. I wasn't going to jeopardize that by like,

0:50:51.320 --> 0:50:55.440
<v Speaker 1>you know, playing nice with you guys. And he doesn't

0:50:55.440 --> 0:50:59.160
<v Speaker 1>know Maggie, and he knows all of Ganzell's girls very well,

0:50:59.360 --> 0:51:01.360
<v Speaker 1>and they're like, maybe Carrissa brought her, And they're like,

0:51:01.360 --> 0:51:02.600
<v Speaker 1>there's no way Carissa brought her.

0:51:02.920 --> 0:51:04.840
<v Speaker 2>Carrisa's the queen Bee. And then he's like, oh, by

0:51:04.880 --> 0:51:05.440
<v Speaker 2>the way, tomorrow.

0:51:05.480 --> 0:51:07.560
<v Speaker 1>I heard you two hit it off, so word travels

0:51:07.560 --> 0:51:10.600
<v Speaker 1>fast that you know, these two have a connect, and

0:51:11.000 --> 0:51:13.600
<v Speaker 1>Liv gets these two to chill out. She's like, listen, Cassidy,

0:51:13.640 --> 0:51:15.239
<v Speaker 1>we need the names of the girls. And he's like,

0:51:15.440 --> 0:51:17.719
<v Speaker 1>go get that from Ganzel. And for me, you got

0:51:17.760 --> 0:51:19.440
<v Speaker 1>to put me in wrikers for the night. Get we

0:51:19.440 --> 0:51:22.200
<v Speaker 1>got to make this look good. And Amarro's like, one

0:51:22.200 --> 0:51:24.120
<v Speaker 1>more thing, you and a Ganzel. We're kind of on

0:51:24.160 --> 0:51:26.279
<v Speaker 1>your way out when we arrived, So did someone tip

0:51:26.320 --> 0:51:28.160
<v Speaker 1>you guys off that we were coming? And Cassidy's like,

0:51:28.440 --> 0:51:31.200
<v Speaker 1>who would do that? And he looks really cocky and

0:51:31.280 --> 0:51:33.839
<v Speaker 1>really menacing, like you kind of can't sell, Like, oh,

0:51:33.880 --> 0:51:36.640
<v Speaker 1>has has Cassidy been undercover too long? Because it seems

0:51:36.680 --> 0:51:38.879
<v Speaker 1>like he's really loving, like hooking up with all these

0:51:38.960 --> 0:51:43.640
<v Speaker 1>sex workers and you know, helping this man run a ring.

0:51:44.400 --> 0:51:46.680
<v Speaker 1>Now we're in with Ganzel and he's being questioned by

0:51:46.680 --> 0:51:49.080
<v Speaker 1>Finn and Rollins and he's like, Maggie is not my girl.

0:51:49.719 --> 0:51:51.520
<v Speaker 1>And he's like, I have no clue how she got

0:51:51.520 --> 0:51:54.160
<v Speaker 1>into the party. And he's asked every escort that he

0:51:54.280 --> 0:51:56.560
<v Speaker 1>sent there that night and they all say that she

0:51:56.600 --> 0:51:59.359
<v Speaker 1>came with Anya solar, but Anya hasn't returned to any

0:51:59.400 --> 0:52:01.799
<v Speaker 1>of his calls, and they're like, describe Anya. She's a

0:52:01.840 --> 0:52:04.640
<v Speaker 1>tall tan brunette, which is how they described the woman

0:52:04.680 --> 0:52:05.359
<v Speaker 1>that you.

0:52:05.320 --> 0:52:07.480
<v Speaker 2>Know, Maggie had been making out with earlier.

0:52:07.640 --> 0:52:10.959
<v Speaker 1>And then yeah, Ganzel also adds that she's hot, and

0:52:11.040 --> 0:52:12.640
<v Speaker 1>Finn's like, well, we got to talk to her, and

0:52:12.680 --> 0:52:17.360
<v Speaker 1>Ganzelle's like, you don't have her, and like then Ganzell

0:52:17.520 --> 0:52:21.319
<v Speaker 1>just goes, oh, man, that just sucks, like he knows

0:52:21.360 --> 0:52:26.160
<v Speaker 1>that probably means this girl is dead, but he's like, oh,

0:52:26.480 --> 0:52:28.200
<v Speaker 1>bomber Man, like it's just funny.

0:52:28.280 --> 0:52:29.800
<v Speaker 2>He has funny reactions to things.

0:52:30.360 --> 0:52:33.480
<v Speaker 1>Next scene, we're getting the scoop on Anya, like we're

0:52:33.480 --> 0:52:34.120
<v Speaker 1>at the precinct.

0:52:34.200 --> 0:52:35.520
<v Speaker 2>She's got a dozen aliases.

0:52:35.600 --> 0:52:37.880
<v Speaker 1>She's from Columbia, she's twenty three, she's been in the

0:52:37.880 --> 0:52:39.080
<v Speaker 1>country on a student visa.

0:52:39.120 --> 0:52:39.840
<v Speaker 2>But oh guess what.

0:52:39.960 --> 0:52:43.080
<v Speaker 1>She went back to Cartagena on Sunday and the doorman

0:52:43.160 --> 0:52:46.400
<v Speaker 1>said she left in a hurry because he remembers everyone.

0:52:46.960 --> 0:52:49.319
<v Speaker 1>And they found the purse she was carrying in the

0:52:49.360 --> 0:52:52.160
<v Speaker 1>party footage, and in it is a bottle of scopolamine

0:52:52.200 --> 0:52:55.799
<v Speaker 1>and it's made out to Anya Brown. So a lot

0:52:55.800 --> 0:52:58.880
<v Speaker 1>of things are coming together here. So they're like, Okay,

0:52:58.880 --> 0:53:01.080
<v Speaker 1>what's the deal? Anya bring Maggie to the party and

0:53:01.120 --> 0:53:03.560
<v Speaker 1>then drugs her. There's like so many easier ways to

0:53:03.640 --> 0:53:06.600
<v Speaker 1>kill someone. And they're like it was to cause a scandal.

0:53:06.680 --> 0:53:09.440
<v Speaker 1>They wanted to hurt Clayton or hurt the commissioner or

0:53:09.480 --> 0:53:12.920
<v Speaker 1>like hurt somebody, because you know, a dead escort at

0:53:12.920 --> 0:53:15.400
<v Speaker 1>a party does not look great for anyone optics wise.

0:53:15.840 --> 0:53:19.239
<v Speaker 1>And Anya was one of Ganzel's girls though, So let's

0:53:19.239 --> 0:53:22.680
<v Speaker 1>go talk to Cassidy about it again. So they go

0:53:22.719 --> 0:53:26.040
<v Speaker 1>see Cassidy at like a dive bar that has strippers

0:53:26.040 --> 0:53:28.440
<v Speaker 1>in it. I really can't tell like where they are, like,

0:53:28.480 --> 0:53:29.520
<v Speaker 1>it's not a strip club.

0:53:29.560 --> 0:53:32.680
<v Speaker 3>It's like, well, is that like Jimbo's or like Jumbo's

0:53:32.719 --> 0:53:35.840
<v Speaker 3>clown Room or whatever in La Yeah, but just or

0:53:35.880 --> 0:53:38.120
<v Speaker 3>where Erica used to work in Jersey.

0:53:38.400 --> 0:53:41.040
<v Speaker 1>Yeah, yeah, it's a good place where Erica Girardi used

0:53:41.080 --> 0:53:42.800
<v Speaker 1>to work maybe, But even that had more of like

0:53:42.840 --> 0:53:46.399
<v Speaker 1>a strip club vibe like the and Jumbo's has more

0:53:46.400 --> 0:53:48.759
<v Speaker 1>of like a cabaret vibe, Like I don't know, this

0:53:48.840 --> 0:53:50.919
<v Speaker 1>place looked like truly a dive bar where you would

0:53:50.960 --> 0:53:53.360
<v Speaker 1>drink PBRs and then there's just a couple of girls

0:53:53.360 --> 0:53:54.200
<v Speaker 1>shaking their butts.

0:53:54.560 --> 0:53:57.479
<v Speaker 3>Actually across the street from the New Little Field, there's

0:53:57.560 --> 0:54:00.799
<v Speaker 3>like a metally type bar that sometimes will dance on them.

0:54:00.960 --> 0:54:05.480
<v Speaker 3>Oh okay, I get it, but yeah, I feel like

0:54:05.520 --> 0:54:08.200
<v Speaker 3>I like that kind of vibe, more more casual.

0:54:09.640 --> 0:54:09.960
<v Speaker 2>Yeah.

0:54:10.040 --> 0:54:12.120
<v Speaker 1>Yeah, well, I would say it doesn't seem like the

0:54:12.160 --> 0:54:14.160
<v Speaker 1>girls are the center of the action there. They're kind

0:54:14.200 --> 0:54:16.640
<v Speaker 1>of just like it's like the way Go go boys

0:54:16.640 --> 0:54:18.520
<v Speaker 1>are at Gabe what bars, kind of like they're not

0:54:18.600 --> 0:54:20.480
<v Speaker 1>You're not there to watch them, but they're just like

0:54:20.520 --> 0:54:22.040
<v Speaker 1>they're dancing and you love it, you know.

0:54:22.640 --> 0:54:22.920
<v Speaker 2>Yeah.

0:54:22.960 --> 0:54:25.160
<v Speaker 1>So they go see him there and he's at they're

0:54:25.160 --> 0:54:27.880
<v Speaker 1>asking about Anya. He's being super cagey. He's saying a

0:54:27.880 --> 0:54:29.960
<v Speaker 1>lot of throaty platitudes.

0:54:29.360 --> 0:54:33.040
<v Speaker 2>Like hookers, never trust him, you know what's going on

0:54:33.120 --> 0:54:33.920
<v Speaker 2>with you, Cassidy?

0:54:34.400 --> 0:54:38.279
<v Speaker 1>And then Carissa arrives, kisses Cassidy on the mouth and

0:54:38.280 --> 0:54:40.200
<v Speaker 1>then tells him the boss misses you, Like, I don't

0:54:40.200 --> 0:54:41.880
<v Speaker 1>know what's going on with any of these people, what

0:54:41.920 --> 0:54:45.120
<v Speaker 1>the relationships are. He tells Nick, why don't you and

0:54:45.160 --> 0:54:46.319
<v Speaker 1>Carrissa go catch up?

0:54:46.360 --> 0:54:48.239
<v Speaker 2>And he says it in a really funny way. Like,

0:54:48.280 --> 0:54:49.600
<v Speaker 2>I like the way he says it. He goes, why

0:54:49.640 --> 0:54:50.719
<v Speaker 2>don't you two go catch up?

0:54:51.000 --> 0:54:54.279
<v Speaker 1>Like and now now that Nick's out of the way,

0:54:54.360 --> 0:54:56.360
<v Speaker 1>he's like, I'll give Live the info, like this is

0:54:56.400 --> 0:54:59.239
<v Speaker 1>my girl, okay. So he's like, listen, Anya, it was

0:54:59.280 --> 0:55:02.400
<v Speaker 1>one of Delia's Wilson's top girls and then Ganzel stole

0:55:02.440 --> 0:55:02.880
<v Speaker 1>her away.

0:55:03.320 --> 0:55:04.640
<v Speaker 2>Live doesn't know who Delia is.

0:55:04.760 --> 0:55:09.160
<v Speaker 1>Delia is runs a high profile, discreete matchmaking service. She's

0:55:09.200 --> 0:55:14.040
<v Speaker 1>got politicians like really important people bfds. He says, big

0:55:14.040 --> 0:55:16.960
<v Speaker 1>fucking deal. Two ex governors have her on their speed dial.

0:55:17.200 --> 0:55:21.239
<v Speaker 1>Like she's got the high class clientele, and she was

0:55:21.320 --> 0:55:24.160
<v Speaker 1>number one in town until Ganzel moved in, but now

0:55:24.200 --> 0:55:26.760
<v Speaker 1>he's got the hottest girls and she's got the highest

0:55:26.760 --> 0:55:31.200
<v Speaker 1>profile clients. And so they are like fighting feuding so

0:55:32.040 --> 0:55:34.200
<v Speaker 1>over on the other side of the bar, Carisa's back

0:55:34.239 --> 0:55:37.200
<v Speaker 1>to laying it on thick with Amara. She's like, I

0:55:37.200 --> 0:55:39.400
<v Speaker 1>feel like I can tell you anything like I want to.

0:55:39.600 --> 0:55:42.520
<v Speaker 1>It's like really really like hard to listen to. And

0:55:42.560 --> 0:55:45.600
<v Speaker 1>he's like, don't work me, babe, Like amorrow, he's at

0:55:45.680 --> 0:55:48.600
<v Speaker 1>least not fully following for it, and she's like, no,

0:55:48.680 --> 0:55:50.759
<v Speaker 1>I'm serious, like I'm around if you want to talk

0:55:50.880 --> 0:55:53.920
<v Speaker 1>or not talk or whatever, and he accuses her of

0:55:53.920 --> 0:55:55.759
<v Speaker 1>trying to bribe a cop, and then she does a

0:55:55.800 --> 0:55:58.879
<v Speaker 1>little bit more psychoanalyzing and says like, I know there's

0:55:58.920 --> 0:56:01.960
<v Speaker 1>things you don't tell your part nerd It's like it's hilarious.

0:56:02.360 --> 0:56:05.640
<v Speaker 1>And then he tries to shame her, like is this

0:56:05.680 --> 0:56:07.880
<v Speaker 1>the life you dreamed of when you were little? And

0:56:07.920 --> 0:56:10.560
<v Speaker 1>she's like, listen, I'm engaged to bart so I'm gonna

0:56:10.560 --> 0:56:13.600
<v Speaker 1>be fine, Like I'm gonna have money. And he says,

0:56:13.760 --> 0:56:15.640
<v Speaker 1>Ganzelle's gonna go down eventually, and you're going to go

0:56:15.640 --> 0:56:18.280
<v Speaker 1>down with them, and she's like, do you like saving women?

0:56:18.360 --> 0:56:18.840
<v Speaker 2>Detective?

0:56:19.000 --> 0:56:21.880
<v Speaker 1>Like it's very her dialogue is all very cliche. I

0:56:21.880 --> 0:56:26.080
<v Speaker 1>feel like in this episode Mary Soap opera, very neighbors, Yes,

0:56:26.360 --> 0:56:30.560
<v Speaker 1>very neighbors, and you know they have their that's their

0:56:30.560 --> 0:56:33.160
<v Speaker 1>cute little moment. So then Cassidy back to Cassidy and Live.

0:56:33.560 --> 0:56:35.680
<v Speaker 1>He tells her that two months ago, Delia sent a

0:56:35.680 --> 0:56:38.120
<v Speaker 1>couple goons over to the loft to threaten Ganzel, tell

0:56:38.160 --> 0:56:40.680
<v Speaker 1>him to stop taking girls, stop taking clients. And now

0:56:40.719 --> 0:56:43.120
<v Speaker 1>Ganzel's in the middle of this mess, so why didn't

0:56:43.160 --> 0:56:47.000
<v Speaker 1>Ganzelle say hey, like this could be Delia, and it's like, oh,

0:56:47.080 --> 0:56:50.200
<v Speaker 1>obviously ganzel wants to go after her himself. Like none

0:56:50.200 --> 0:56:52.040
<v Speaker 1>of these people want the cops involved with any of this.

0:56:52.080 --> 0:56:54.600
<v Speaker 1>They're going to do their own retaliation their own way.

0:56:55.200 --> 0:56:59.200
<v Speaker 1>So Cassidy warns Live be careful. Nobody knows how deep

0:56:59.320 --> 0:57:03.919
<v Speaker 1>Delia's hooked. Go Okay, So, like in when I'm first

0:57:03.960 --> 0:57:06.960
<v Speaker 1>watching this episode, I'm envisioning, like, oh my god, who's Delia,

0:57:07.160 --> 0:57:09.439
<v Speaker 1>Like she must be some the way Live looks when

0:57:09.440 --> 0:57:11.439
<v Speaker 1>she gets dressed up in like a fur coat and says,

0:57:11.440 --> 0:57:13.360
<v Speaker 1>I need I'm from Chicago and I need some girls

0:57:13.360 --> 0:57:16.200
<v Speaker 1>for my party, you know, Like like I think she's

0:57:16.240 --> 0:57:19.960
<v Speaker 1>going to be this like high class, expensive looking madam

0:57:20.640 --> 0:57:24.160
<v Speaker 1>who wears expensive perfume or something. But in the next scene,

0:57:24.280 --> 0:57:26.360
<v Speaker 1>we're on a farm in upstate New York and a

0:57:26.360 --> 0:57:28.560
<v Speaker 1>blonde woman is leading the detectives out back to see

0:57:28.640 --> 0:57:30.560
<v Speaker 1>Delia and telling them that they should have worn boots

0:57:30.600 --> 0:57:33.120
<v Speaker 1>because they're currently walking through mud and shit, And we

0:57:33.200 --> 0:57:37.560
<v Speaker 1>find Delia sitting and bottle feeding a baby goat and

0:57:37.600 --> 0:57:39.440
<v Speaker 1>this is just not what I pictured it of a

0:57:39.480 --> 0:57:42.919
<v Speaker 1>high level madam. She is played by brook Smith, who

0:57:43.400 --> 0:57:46.800
<v Speaker 1>I love. She famously played Catherine Martin, the girl in

0:57:46.840 --> 0:57:49.120
<v Speaker 1>the Well in the Klang Family classic The Silence of

0:57:49.160 --> 0:57:50.920
<v Speaker 1>the Lambs, which you guys all know I bring up

0:57:50.960 --> 0:57:54.240
<v Speaker 1>constantly on this podcast. She's also been in Big Sky

0:57:54.400 --> 0:57:57.640
<v Speaker 1>Gray's Anatomy Weeds. Like the woman is constantly working, very talented,

0:57:57.840 --> 0:58:02.720
<v Speaker 1>and she just is like wearing you know, like a

0:58:02.720 --> 0:58:06.560
<v Speaker 1>flannel shirt, sweater and a sweater and like jeans and boots.

0:58:06.560 --> 0:58:07.440
<v Speaker 2>It's like she's not.

0:58:07.720 --> 0:58:11.040
<v Speaker 1>She's no make a yeah, very honest, very farm like

0:58:11.080 --> 0:58:13.439
<v Speaker 1>a woman who owns an organic farm upstate New York.

0:58:14.400 --> 0:58:17.200
<v Speaker 3>And she's like, well, it's like when we met Gusts

0:58:17.280 --> 0:58:21.200
<v Speaker 3>and Breaking Bad, you know, the chicken guy, and we're like, whoa, yeah,

0:58:21.720 --> 0:58:24.680
<v Speaker 3>you don't know where a giant and the crime pin.

0:58:25.080 --> 0:58:28.400
<v Speaker 1>Is true and it's more interesting to sort of make

0:58:28.440 --> 0:58:31.040
<v Speaker 1>it exactly what you're saying, like unexpected.

0:58:31.600 --> 0:58:32.520
<v Speaker 2>So well they.

0:58:32.480 --> 0:58:34.080
<v Speaker 3>Might they have to be if they're the best of

0:58:34.160 --> 0:58:37.000
<v Speaker 3>the best, only like like we also assume.

0:58:36.800 --> 0:58:40.720
<v Speaker 2>She's better than Genzel. Yeah, but it's all.

0:58:40.720 --> 0:58:43.600
<v Speaker 3>He's competing with her, but she's not competing with him.

0:58:44.080 --> 0:58:44.520
<v Speaker 2>Yeah.

0:58:44.680 --> 0:58:46.880
<v Speaker 1>Yeah, but you also put a target on your back

0:58:46.880 --> 0:58:49.240
<v Speaker 1>when you're like riding around in an escalade with like

0:58:49.280 --> 0:58:52.200
<v Speaker 1>all the fancy shit and like eating at fancy restaurants.

0:58:52.200 --> 0:58:53.960
<v Speaker 1>Like I think, if you lay low, you can just

0:58:54.040 --> 0:58:57.080
<v Speaker 1>enjoy your accent, your your assets that you've hidden in

0:58:57.160 --> 0:59:01.000
<v Speaker 1>offshore bank accounts. So anyway, she is sitting there feeding

0:59:01.000 --> 0:59:03.320
<v Speaker 1>this cute little goat and the detectives ask her about

0:59:03.360 --> 0:59:06.080
<v Speaker 1>Anya and Maggie and she's like, no, not ringing any bell.

0:59:06.160 --> 0:59:09.400
<v Speaker 2>She plays it so casual. She seems like actually.

0:59:09.240 --> 0:59:12.560
<v Speaker 1>Very confused about the line of questioning, like what's what's up,

0:59:12.600 --> 0:59:16.240
<v Speaker 1>what's this about? And then they're like, tell us about

0:59:16.240 --> 0:59:18.520
<v Speaker 1>your relationship with bart Ganzell and she's like, there is

0:59:18.600 --> 0:59:22.360
<v Speaker 1>no relationship. I've heard of him, Like she's really downplaying it,

0:59:22.480 --> 0:59:25.360
<v Speaker 1>like he's kind of inconsequential in my life. I don't care.

0:59:26.080 --> 0:59:28.840
<v Speaker 1>And she's like, look, I'm a mother of three. Between

0:59:28.880 --> 0:59:31.440
<v Speaker 1>taking care of them and my husband and the farm,

0:59:31.480 --> 0:59:33.480
<v Speaker 1>I barely have a moment to myself. And she like

0:59:33.680 --> 0:59:36.160
<v Speaker 1>she plays the juggling at all woman card to Benson.

0:59:36.200 --> 0:59:39.480
<v Speaker 1>She's like, you can relate, detective, and then uh, when

0:59:39.520 --> 0:59:40.560
<v Speaker 1>they call it, they're like, yeah, but.

0:59:40.480 --> 0:59:41.960
<v Speaker 2>You have time to run an escort agency.

0:59:42.000 --> 0:59:44.440
<v Speaker 1>She's like it's a matchmaking service, and it's a hobby,

0:59:45.080 --> 0:59:46.240
<v Speaker 1>a mere side hustle.

0:59:46.440 --> 0:59:49.440
<v Speaker 2>It's not a big part of my life.

0:59:50.120 --> 0:59:52.720
<v Speaker 1>And she's playing dumb saying she's never met Ganzell, she

0:59:52.760 --> 0:59:55.080
<v Speaker 1>doesn't even know anything about the poaching of girls or

0:59:55.120 --> 0:59:58.120
<v Speaker 1>any of this, and she's so straight faced. She's just like, sorry,

0:59:58.160 --> 1:00:00.560
<v Speaker 1>I've got nothing for you, Like ganze E seems like

1:00:00.600 --> 1:00:02.440
<v Speaker 1>a criminal, but I'm sorry you came all this way

1:00:02.440 --> 1:00:05.360
<v Speaker 1>for nothing. Like she's truly stonewalling them in a great,

1:00:06.000 --> 1:00:10.960
<v Speaker 1>great performance, And in the next scene lives updating Craigan

1:00:11.000 --> 1:00:11.440
<v Speaker 1>and she's.

1:00:11.320 --> 1:00:13.200
<v Speaker 2>Like, I don't buy the Sunnybrook Farm act.

1:00:13.360 --> 1:00:16.480
<v Speaker 1>She thinks Maggie was a full declaration of war from

1:00:16.560 --> 1:00:20.360
<v Speaker 1>Delia to bart And and Craigin's like this woman like

1:00:20.400 --> 1:00:23.320
<v Speaker 1>teaches Sunday school, she drives her kids to soccer games,

1:00:23.360 --> 1:00:26.439
<v Speaker 1>like if she's a notorious like Madam, then it's it's

1:00:26.480 --> 1:00:30.680
<v Speaker 1>honestly quite a front. And Weiss turns out investigated her

1:00:30.680 --> 1:00:32.880
<v Speaker 1>for five years. Lives like, I'm trying to get the file,

1:00:33.000 --> 1:00:36.080
<v Speaker 1>and Craigan's like, yeah, they didn't find anything. Why do

1:00:36.120 --> 1:00:37.960
<v Speaker 1>you think, like you're not gonna find anything in the files?

1:00:38.040 --> 1:00:39.440
<v Speaker 1>They never find anything. Why do you think she's never

1:00:39.480 --> 1:00:41.600
<v Speaker 1>been prosecuted and lives like, so you want me to

1:00:41.680 --> 1:00:44.800
<v Speaker 1>drop a good lead, and Craigan hands her an envelope

1:00:44.840 --> 1:00:47.120
<v Speaker 1>that was slid under his apartment door, and it is

1:00:47.120 --> 1:00:50.640
<v Speaker 1>a photo of him from the Russian Bride's episode, which

1:00:50.680 --> 1:00:53.560
<v Speaker 1>if you can remember, they send Craigan undercover with this

1:00:53.640 --> 1:00:57.400
<v Speaker 1>sex worker named Lena and they're all canoodling at the

1:00:57.440 --> 1:00:59.920
<v Speaker 1>restaurant and there's photos of these are photos of that,

1:01:00.400 --> 1:01:03.920
<v Speaker 1>and he's undercover and Benson's like, this is totally legit,

1:01:04.040 --> 1:01:06.080
<v Speaker 1>and He's like yeah, but taken out of context, it

1:01:06.120 --> 1:01:09.000
<v Speaker 1>looks really bad. So Daddy Craigan says he's going to

1:01:09.080 --> 1:01:12.560
<v Speaker 1>have to recuse himself and SVU from this case, and

1:01:12.680 --> 1:01:14.600
<v Speaker 1>liv is like upset that this is going to get

1:01:14.680 --> 1:01:16.720
<v Speaker 1>kicked to one PP when they could be the ones

1:01:16.720 --> 1:01:19.280
<v Speaker 1>who lead these photos in the first place. And then

1:01:19.600 --> 1:01:24.000
<v Speaker 1>they get interrupted, as every single scene in the show

1:01:24.440 --> 1:01:26.840
<v Speaker 1>ends with someone coming in and going, we got something,

1:01:26.960 --> 1:01:28.520
<v Speaker 1>so something has gone down.

1:01:28.880 --> 1:01:30.320
<v Speaker 2>The next scene, we're.

1:01:30.120 --> 1:01:33.400
<v Speaker 1>At the Fifth Avenue office of the former Governor Harrison Fletcher,

1:01:34.080 --> 1:01:36.880
<v Speaker 1>and the former governor was apparently they're late working on

1:01:36.920 --> 1:01:38.920
<v Speaker 1>his memoir with his assistant and had a heart attack,

1:01:39.080 --> 1:01:41.560
<v Speaker 1>So why do we call SVU? The guy there goes,

1:01:41.600 --> 1:01:43.880
<v Speaker 1>I mean, I'm no expert, but the guy's pants are

1:01:43.960 --> 1:01:47.880
<v Speaker 1>unzipped and they're on backwards. So then they pan to

1:01:47.920 --> 1:01:51.200
<v Speaker 1>the victim and it's this old man sitting upright on

1:01:51.280 --> 1:01:55.200
<v Speaker 1>like a fancy leather couch, eyes wide open, like not

1:01:55.240 --> 1:01:58.000
<v Speaker 1>even slumped, just as if he were alive but dead.

1:01:58.560 --> 1:02:01.920
<v Speaker 2>And yeah, answer on backwards. So that's fucked.

1:02:02.000 --> 1:02:05.520
<v Speaker 1>And I guess now Delia only has one former governor

1:02:06.280 --> 1:02:07.560
<v Speaker 1>to be on their speed dial.

1:02:07.720 --> 1:02:10.760
<v Speaker 2>So that's the end of act three.

1:02:10.840 --> 1:02:13.280
<v Speaker 1>And at the top of act four, the assistant is

1:02:13.320 --> 1:02:16.120
<v Speaker 1>telling Rollins and Finn, we were editing chapter seven of

1:02:16.160 --> 1:02:18.320
<v Speaker 1>his book and he just keeled over. She's not very

1:02:18.320 --> 1:02:20.680
<v Speaker 1>good with the details of this woman. She seems very flustered.

1:02:20.840 --> 1:02:24.160
<v Speaker 1>They ask about the backward pants and she immediately admits everything.

1:02:24.280 --> 1:02:25.960
<v Speaker 2>That the governor was actually getting a.

1:02:25.880 --> 1:02:29.200
<v Speaker 1>Massage when he died, and that his aid called her

1:02:29.240 --> 1:02:31.280
<v Speaker 1>over and that's when they met, and they dressed him

1:02:31.280 --> 1:02:33.040
<v Speaker 1>because he was Nudi judy on the couch and they

1:02:33.040 --> 1:02:34.880
<v Speaker 1>did not want his wife and kids to find out

1:02:34.920 --> 1:02:37.800
<v Speaker 1>that he died getting a happy ending, as Finn says,

1:02:38.160 --> 1:02:40.840
<v Speaker 1>and then she points them to the rolodex and is like,

1:02:40.880 --> 1:02:42.680
<v Speaker 1>the messuse's contact is in there.

1:02:42.760 --> 1:02:45.800
<v Speaker 2>And then Finn really shades.

1:02:45.400 --> 1:02:48.160
<v Speaker 1>The assistant after she leaves and goes, oh, man, that

1:02:48.200 --> 1:02:50.400
<v Speaker 1>makes me feel better, knowing that the assistant's face isn't

1:02:50.440 --> 1:02:51.960
<v Speaker 1>the last one he saw before he died.

1:02:52.040 --> 1:02:55.160
<v Speaker 2>It's like, Finn, don't be mean to this one. I

1:02:55.920 --> 1:02:58.760
<v Speaker 2>miss that. I miss that. He says, like, oh, I

1:02:58.800 --> 1:03:00.479
<v Speaker 2>hate to think that was the last phase he saw

1:03:00.520 --> 1:03:01.080
<v Speaker 2>before he died.

1:03:01.120 --> 1:03:04.600
<v Speaker 1>I was like, shit, it's like just this like little frumpy,

1:03:04.600 --> 1:03:09.600
<v Speaker 1>little assistant woman. Anyway, Melinda, with the scoop as always,

1:03:09.640 --> 1:03:12.920
<v Speaker 1>tells us that this guy did not really die. He

1:03:12.960 --> 1:03:14.280
<v Speaker 1>did die of a heart attack, but it was not

1:03:14.280 --> 1:03:16.960
<v Speaker 1>because of low blood blood pressure. He had heart meds

1:03:16.960 --> 1:03:20.040
<v Speaker 1>in a system alcohol as well as two hundred milligrams

1:03:20.040 --> 1:03:23.280
<v Speaker 1>of Viagara, which is four times the dosage, plus eight

1:03:23.320 --> 1:03:29.280
<v Speaker 1>milligrams of She's back scopolamine. So it was murder. But

1:03:29.360 --> 1:03:32.080
<v Speaker 1>why would Delia kill a client? This must be ganza

1:03:32.240 --> 1:03:34.720
<v Speaker 1>a murder what But was it murder?

1:03:34.800 --> 1:03:37.760
<v Speaker 2>But was it murder? So why would Delia kill a client?

1:03:38.000 --> 1:03:40.960
<v Speaker 1>This must be Ganzell striking back at Telia. So they

1:03:41.000 --> 1:03:42.560
<v Speaker 1>bring them a sus into interrogation.

1:03:42.680 --> 1:03:43.200
<v Speaker 2>So funny.

1:03:43.280 --> 1:03:46.080
<v Speaker 3>It's like they're getting back at each other, but everyone

1:03:46.080 --> 1:03:49.280
<v Speaker 3>else is getting murdered. Like it's not even like their

1:03:49.320 --> 1:03:52.160
<v Speaker 3>properties damaged, kill one of the it's like they're just

1:03:52.280 --> 1:03:55.240
<v Speaker 3>killing the governor, like what the fuck?

1:03:55.440 --> 1:03:58.400
<v Speaker 1>And like sixteen year old girls who ran away from

1:03:58.440 --> 1:04:01.200
<v Speaker 1>foster care, Like I think, I don't know. These are

1:04:01.240 --> 1:04:06.040
<v Speaker 1>bad people truly, but they bring this messuse into interrogation.

1:04:06.200 --> 1:04:08.720
<v Speaker 1>She says she didn't kill him. She sees him every week,

1:04:08.760 --> 1:04:12.120
<v Speaker 1>twice a week. She knows that he is on heart medication,

1:04:12.200 --> 1:04:15.120
<v Speaker 1>he's not allowed to take Viagara all that stuff. Rollins

1:04:15.200 --> 1:04:17.800
<v Speaker 1>is like, we could support you back to Japan, and

1:04:17.880 --> 1:04:21.000
<v Speaker 1>she's like, no, listen. When I got there, he was dead.

1:04:21.040 --> 1:04:23.000
<v Speaker 1>He was lying on the couch, not moving or breathing,

1:04:23.040 --> 1:04:25.320
<v Speaker 1>and he was naked. She was afraid to call nine

1:04:25.360 --> 1:04:27.800
<v Speaker 1>one one, so she called Iris. Iris is her booker

1:04:27.840 --> 1:04:31.120
<v Speaker 1>at the agency, and she told her get out of there,

1:04:31.360 --> 1:04:33.840
<v Speaker 1>so the Messuse left. She was like, he was a

1:04:33.920 --> 1:04:36.600
<v Speaker 1>very nice man, very generous and very quick.

1:04:37.760 --> 1:04:39.680
<v Speaker 2>You know, that's the best you can ask for, I think.

1:04:40.240 --> 1:04:42.959
<v Speaker 1>And now they're questioning Iris, and this is the woman

1:04:43.000 --> 1:04:47.320
<v Speaker 1>who was walking the detectives back to meet Delia at

1:04:47.320 --> 1:04:49.600
<v Speaker 1>the farm. This is the blonde woman and her name

1:04:49.800 --> 1:04:53.960
<v Speaker 1>is This actress's name is Amy Hargraves, and she actually

1:04:54.000 --> 1:04:57.320
<v Speaker 1>played Carrie Matheson's sister on Homeland, and she was the

1:04:57.360 --> 1:04:59.800
<v Speaker 1>main dude's mom in Thirteen Reasons Why I knew I

1:04:59.800 --> 1:05:01.080
<v Speaker 1>reck a nicer from a bunch of stuff.

1:05:01.120 --> 1:05:02.360
<v Speaker 2>But she's she's worked on a bunch of.

1:05:02.400 --> 1:05:04.720
<v Speaker 1>Things, and those are just two that I remember, and

1:05:05.840 --> 1:05:08.320
<v Speaker 1>she confirms the Messusa story. She's like, listen, I told

1:05:08.320 --> 1:05:10.120
<v Speaker 1>her to leave, and then I called the Governor's aid

1:05:10.240 --> 1:05:12.959
<v Speaker 1>right away, and Iris said she didn't know anything about

1:05:12.960 --> 1:05:15.600
<v Speaker 1>the drugs that killed the governor and lives like, you've

1:05:15.640 --> 1:05:18.840
<v Speaker 1>got two daughters, right like, if you don't like start

1:05:18.880 --> 1:05:20.840
<v Speaker 1>helping us out, you're going to be they're going to

1:05:20.880 --> 1:05:23.400
<v Speaker 1>be teenagers before you get out of jail. And then

1:05:24.080 --> 1:05:28.280
<v Speaker 1>Daddy Cragan walks in, followed by defense attorney Marvin Exley

1:05:28.400 --> 1:05:29.960
<v Speaker 1>played by Ron Rifkin.

1:05:30.280 --> 1:05:30.920
<v Speaker 2>A legend.

1:05:31.320 --> 1:05:34.960
<v Speaker 1>He's played this character Marvin Exley in seven s VU episodes,

1:05:34.960 --> 1:05:36.400
<v Speaker 1>so we've seen him before. I think he was in

1:05:36.440 --> 1:05:39.000
<v Speaker 1>producers back end.

1:05:39.080 --> 1:05:41.960
<v Speaker 3>Yeah, he was in producers back end. And he tells

1:05:42.000 --> 1:05:44.280
<v Speaker 3>me you gotta be rich to work with Marvin Xley.

1:05:44.400 --> 1:05:45.160
<v Speaker 2>Yeah, exactly.

1:05:45.720 --> 1:05:49.040
<v Speaker 1>He tells Iris to shut the fuck up, and Live says,

1:05:49.200 --> 1:05:51.560
<v Speaker 1>you should help yourself, and he's like, I think she's

1:05:51.560 --> 1:05:54.320
<v Speaker 1>going to be quiet, right Iris, And Iris is like, nah,

1:05:54.320 --> 1:05:55.960
<v Speaker 1>fuck this, I'm not going down for this.

1:05:56.360 --> 1:05:58.880
<v Speaker 2>I'll talk to the detectives by myself, which I think

1:05:58.880 --> 1:06:02.480
<v Speaker 2>that's a big mistake, mistake, you know. But she thinks

1:06:02.480 --> 1:06:03.000
<v Speaker 2>that they're.

1:06:02.840 --> 1:06:05.400
<v Speaker 3>Gonna die, like your daughters will be killed or you

1:06:05.440 --> 1:06:07.400
<v Speaker 3>will be killed, Like why are you fucking with them?

1:06:07.440 --> 1:06:09.960
<v Speaker 2>And also they like have nothing on you. You weren't the.

1:06:09.920 --> 1:06:11.520
<v Speaker 1>Scene, like they don't really have.

1:06:11.480 --> 1:06:13.520
<v Speaker 2>Anything on you. Iris, Like it's kind of I know,

1:06:13.600 --> 1:06:14.600
<v Speaker 2>Livia is telling.

1:06:14.360 --> 1:06:18.400
<v Speaker 1>You you're going to s Yeah, I don't know. So

1:06:18.440 --> 1:06:20.680
<v Speaker 1>the next thing we see are a ton of cops

1:06:20.760 --> 1:06:23.960
<v Speaker 1>rolling up on Sunnybrook Farm. Marvin Xley's already there, He's

1:06:24.000 --> 1:06:27.280
<v Speaker 1>beaten them there. They arrest her. She says, I make

1:06:27.320 --> 1:06:29.560
<v Speaker 1>fresh goat cheese and help people find love. There's no

1:06:29.720 --> 1:06:33.400
<v Speaker 1>crime here, and Axley says one of Ganzel's whores must

1:06:33.400 --> 1:06:35.800
<v Speaker 1>have killed the governor, and Live says, great, do you

1:06:35.800 --> 1:06:39.760
<v Speaker 1>have any evidence of that? And then at arraignment, We've

1:06:39.760 --> 1:06:43.240
<v Speaker 1>got Ada Rose Callier, who is played by Tabitha Hulbert,

1:06:43.280 --> 1:06:44.840
<v Speaker 1>and she is like an EIGHTA that we haven't really

1:06:44.880 --> 1:06:48.480
<v Speaker 1>talked about before. She is sprinkled a little bit throughout

1:06:48.520 --> 1:06:51.840
<v Speaker 1>season thirteen, fifteen, sixteen, seventeen, and eighteen, but she's usually

1:06:51.880 --> 1:06:54.120
<v Speaker 1>just in like one to two episodes per season, so

1:06:54.200 --> 1:06:56.200
<v Speaker 1>I think we haven't really gotten a sense of her yet.

1:06:56.200 --> 1:07:00.080
<v Speaker 1>But she is one of the eighty as, and she's like,

1:07:00.360 --> 1:07:02.200
<v Speaker 1>your honor, we have evidence that this is a madam

1:07:02.200 --> 1:07:04.800
<v Speaker 1>who's been running a prostitution ring for a decade, and

1:07:04.880 --> 1:07:08.240
<v Speaker 1>Exley's arguing she's a farmer and a mom and a matchmaker.

1:07:08.280 --> 1:07:11.200
<v Speaker 1>She has no assets, and then the Ada is like, yeah, yeah, yeah,

1:07:11.200 --> 1:07:14.240
<v Speaker 1>all the assets are overseas in Anguela in accounts that

1:07:14.480 --> 1:07:17.200
<v Speaker 1>Marvin Exley helped to set up. So actually we're asking

1:07:17.200 --> 1:07:19.800
<v Speaker 1>that he be dismissed his counsel, and Marvin Exley's like,

1:07:20.000 --> 1:07:22.800
<v Speaker 1>this is a witch hunt, which Republicans love to talk about.

1:07:23.040 --> 1:07:25.600
<v Speaker 1>And then the judge sets the bail at two million dollars,

1:07:25.640 --> 1:07:27.960
<v Speaker 1>which you immediately get the sense that that's not going

1:07:28.000 --> 1:07:30.480
<v Speaker 1>to be that hard for Delia. But she gets out

1:07:30.520 --> 1:07:34.080
<v Speaker 1>on bail immediately her lawyer put his own townhouse up

1:07:34.600 --> 1:07:37.680
<v Speaker 1>up for collateral to bail her out, and Exley walks

1:07:37.720 --> 1:07:39.919
<v Speaker 1>over and goes, yeah, I put my townhouse up. We're

1:07:39.920 --> 1:07:42.560
<v Speaker 1>wor old pals, and you guys do not get how

1:07:42.600 --> 1:07:43.600
<v Speaker 1>deep this shit runs.

1:07:43.880 --> 1:07:46.320
<v Speaker 2>She's avoided arrest for ten years. How do you think

1:07:46.360 --> 1:07:46.760
<v Speaker 2>she did that?

1:07:47.160 --> 1:07:50.160
<v Speaker 1>She's got the goods on all your bosses, your future bosses,

1:07:50.240 --> 1:07:53.680
<v Speaker 1>everyone at the top. And he's like, oh, Like he's like,

1:07:53.880 --> 1:07:55.640
<v Speaker 1>live you think you and your pal Hayden are going

1:07:55.720 --> 1:07:58.160
<v Speaker 1>to stop her? You're in over your head and he's like,

1:07:58.200 --> 1:08:02.960
<v Speaker 1>my expert advice is walk away, little people, okay, And

1:08:03.080 --> 1:08:05.520
<v Speaker 1>from Ron Rifkin you kind of believe it, like he's

1:08:05.560 --> 1:08:09.720
<v Speaker 1>really I'm scared. Amorrow is like back off, dude, and

1:08:09.720 --> 1:08:12.280
<v Speaker 1>Nextuley goes, you think your marriage is rocky, Now wait

1:08:12.320 --> 1:08:14.680
<v Speaker 1>till the missus hears about your little relationship with the

1:08:14.680 --> 1:08:17.200
<v Speaker 1>star witness. So it's like everyone in town knows about

1:08:17.200 --> 1:08:20.160
<v Speaker 1>Carissa and Tomorrow flirting with each other. And then he's

1:08:20.200 --> 1:08:22.400
<v Speaker 1>just kind of like mic drop Rifkin out.

1:08:22.479 --> 1:08:23.400
<v Speaker 2>He just walks away.

1:08:23.920 --> 1:08:26.559
<v Speaker 1>Craigan's like, uh, yeah, Wemorrow, is there anything you want

1:08:26.560 --> 1:08:28.599
<v Speaker 1>to tell me? And Tomorrow's like, nope, we're good. And

1:08:28.640 --> 1:08:32.679
<v Speaker 1>then outside the precinct at night, Amorrow's walking to his car,

1:08:32.720 --> 1:08:36.639
<v Speaker 1>it seems when he gets approached by Carrissa, she looks scared.

1:08:36.920 --> 1:08:39.200
<v Speaker 1>He's like, let's go inside, but she looks so nervous.

1:08:39.439 --> 1:08:41.040
<v Speaker 1>She's like, if I tell you what I know about

1:08:41.040 --> 1:08:43.760
<v Speaker 1>the Governor's death, can you protect me. She thinks she's

1:08:43.760 --> 1:08:46.360
<v Speaker 1>the next casualty in this war between Delia and Ganzell.

1:08:46.720 --> 1:08:49.080
<v Speaker 1>And he says he can protect her, but like, let's

1:08:49.080 --> 1:08:51.720
<v Speaker 1>go inside, and she's like she gets all freaked out

1:08:51.720 --> 1:08:53.360
<v Speaker 1>and goes, no, no, no, this was a mistake and run

1:08:53.400 --> 1:08:55.200
<v Speaker 1>starts to run off, and Nick's like, first, let me

1:08:55.200 --> 1:08:57.040
<v Speaker 1>give you my business card, and he's like, call me

1:08:57.080 --> 1:09:00.680
<v Speaker 1>if you need me, so you know what's going on.

1:09:01.680 --> 1:09:04.519
<v Speaker 1>The final scene of the show, we see a close

1:09:04.600 --> 1:09:07.280
<v Speaker 1>up of a vodka bottle on a nightstand and then

1:09:07.400 --> 1:09:11.400
<v Speaker 1>shockingly pan over to find Daddy Kragan walk waking up confused. Now,

1:09:11.400 --> 1:09:14.479
<v Speaker 1>if you don't remember, he's a recovering alcoholic. He does

1:09:14.479 --> 1:09:16.719
<v Speaker 1>not drink. Why is there a vodka bottle on his nightstand?

1:09:17.200 --> 1:09:20.920
<v Speaker 1>He immediately sees blood on his own hand. He sees

1:09:21.000 --> 1:09:23.559
<v Speaker 1>a woman's arm coming out from underneath the covers. He

1:09:23.600 --> 1:09:27.920
<v Speaker 1>pulls back the comforter and done done. It's fucking Carissa

1:09:28.439 --> 1:09:32.200
<v Speaker 1>lying in her bed with her throat slit dead. Daddy

1:09:32.240 --> 1:09:35.360
<v Speaker 1>Kragan is shaking in his Haines white tank top. And

1:09:35.400 --> 1:09:40.720
<v Speaker 1>that is Dick Wolf baby. A wild episode. And this

1:09:40.800 --> 1:09:44.280
<v Speaker 1>is the season thirteen finale. Season fourteen opens with a

1:09:44.280 --> 1:09:47.760
<v Speaker 1>two parter called Lost Reputation and Above Suspicion. And we

1:09:47.800 --> 1:09:49.839
<v Speaker 1>will be covering one of those episodes in the future,

1:09:49.880 --> 1:09:50.880
<v Speaker 1>so do not worry.

1:09:51.520 --> 1:09:52.280
<v Speaker 2>We will get back there.

1:09:52.320 --> 1:09:58.040
<v Speaker 3>I remember this, like this finale shook my life, Like

1:09:58.200 --> 1:10:00.280
<v Speaker 3>I remember this being like what off?

1:10:00.360 --> 1:10:02.639
<v Speaker 2>Fuck? Like I couldn't what. Yeah?

1:10:02.760 --> 1:10:06.479
<v Speaker 3>Great, Yeah, television, you used to have to make you

1:10:06.560 --> 1:10:08.800
<v Speaker 3>like want more at the end of the summer to

1:10:08.920 --> 1:10:09.400
<v Speaker 3>come back.

1:10:09.560 --> 1:10:11.519
<v Speaker 2>Yeah, it's like and they made you.

1:10:11.600 --> 1:10:15.120
<v Speaker 1>Wait, it's a full Godfather reference, like leaving a horse

1:10:15.120 --> 1:10:17.799
<v Speaker 1>head in someone's bed, like leaving a dead sex worker

1:10:17.840 --> 1:10:21.439
<v Speaker 1>who's like the star of the investigation, who also is

1:10:21.479 --> 1:10:27.080
<v Speaker 1>engaged to one of these king pimps. Right, Like it's wild.

1:10:27.280 --> 1:10:31.840
<v Speaker 1>But anyway, that's all for Carissa. We'll be back with

1:10:32.040 --> 1:10:34.080
<v Speaker 1>We'll be back with them crime.

1:10:46.920 --> 1:10:47.320
<v Speaker 2>All right.

1:10:47.560 --> 1:10:51.120
<v Speaker 3>So this is you know, there's obviously layers and layers

1:10:51.120 --> 1:10:54.000
<v Speaker 3>of crimes. Are just gonna focus on one. It's the

1:10:54.040 --> 1:10:56.840
<v Speaker 3>Greg Calli rape allegation. Now, Kara, do.

1:10:56.840 --> 1:10:59.599
<v Speaker 2>You remember this happening while you were here in New York? Yes?

1:11:00.120 --> 1:11:04.280
<v Speaker 1>Yes, because Greg Kelly it used to be on like

1:11:04.880 --> 1:11:07.599
<v Speaker 1>I think, like Fox's Morning show locally in New York

1:11:07.680 --> 1:11:12.200
<v Speaker 1>with Rosanna Scatto, and she's very like personable and lovable.

1:11:12.280 --> 1:11:16.120
<v Speaker 1>He's like a full idiot, like he would constantly be

1:11:16.439 --> 1:11:18.720
<v Speaker 1>on the Soup. The Soup would always show clips of

1:11:18.720 --> 1:11:21.120
<v Speaker 1>Greg Kelly because he would just always say stupid shit

1:11:21.280 --> 1:11:23.880
<v Speaker 1>or like stuff that was seemed like pervy or I

1:11:23.880 --> 1:11:26.240
<v Speaker 1>don't know, like he just this did not like surprise

1:11:26.280 --> 1:11:27.760
<v Speaker 1>me when I heard it. I think what surprised me

1:11:27.800 --> 1:11:30.240
<v Speaker 1>was I didn't know how connected he was. So why

1:11:30.200 --> 1:11:31.160
<v Speaker 1>I'll let you get into that.

1:11:31.479 --> 1:11:31.839
<v Speaker 2>Yeah.

1:11:31.920 --> 1:11:35.880
<v Speaker 3>So Greg Kelly, like Kara said, is a local TV anchor.

1:11:36.640 --> 1:11:38.920
<v Speaker 2>And who is he though? He is the son of.

1:11:38.880 --> 1:11:42.320
<v Speaker 3>The police commissioner at the time, So that's Raymond W.

1:11:42.479 --> 1:11:43.599
<v Speaker 2>Kelly. So we have a.

1:11:43.560 --> 1:11:46.760
<v Speaker 3>Police commissioner's son who's a reporter. I think you can

1:11:46.800 --> 1:11:49.960
<v Speaker 3>see the direct link to the episode.

1:11:50.680 --> 1:11:53.759
<v Speaker 1>Unless he's like Clayton, he's like Clayton and will Brady

1:11:53.800 --> 1:11:56.839
<v Speaker 1>combined into one care like they separated them as characters

1:11:56.880 --> 1:11:57.120
<v Speaker 1>for this.

1:11:57.280 --> 1:12:00.320
<v Speaker 2>But yeah, yeah, he is still working.

1:12:00.400 --> 1:12:04.160
<v Speaker 3>But on his own show on Newsmax Network that's whatever.

1:12:04.320 --> 1:12:06.920
<v Speaker 2>That's right wing, that's oh.

1:12:06.680 --> 1:12:10.519
<v Speaker 3>Yeah, so says he's a radio host and podcast or whatever.

1:12:10.720 --> 1:12:12.599
<v Speaker 3>But I went on his Twitter and he's a very

1:12:12.600 --> 1:12:16.280
<v Speaker 3>big a Hunter Biden laptop guy. Yeah that says big

1:12:16.320 --> 1:12:19.720
<v Speaker 3>thing and what I always am, Like, Okay, let's say

1:12:19.720 --> 1:12:22.240
<v Speaker 3>this Hunter Biden sucks. He has no power, he's not

1:12:22.240 --> 1:12:26.120
<v Speaker 3>in the government. Yeah, like who cares, you know what

1:12:26.120 --> 1:12:28.559
<v Speaker 3>I mean, Like, he's not working. I just don't understand

1:12:28.560 --> 1:12:30.439
<v Speaker 3>who he has to be good for. Like I don't

1:12:30.479 --> 1:12:33.960
<v Speaker 3>understand why his laptop is important. He doesn't work. He's

1:12:34.000 --> 1:12:36.320
<v Speaker 3>just like a kokehead son. Like I don't get it.

1:12:36.479 --> 1:12:36.960
<v Speaker 2>I know it.

1:12:36.960 --> 1:12:39.519
<v Speaker 1>They all think that he's involved with like all this

1:12:39.680 --> 1:12:42.800
<v Speaker 1>government corruption and stuff. It's like it's wild. It's like,

1:12:42.880 --> 1:12:44.280
<v Speaker 1>don't I don't want to get a look at Eric

1:12:44.320 --> 1:12:45.080
<v Speaker 1>Trump's laptop.

1:12:45.120 --> 1:12:46.760
<v Speaker 2>I wouldn't want to know what the fuck is on there.

1:12:47.880 --> 1:12:51.240
<v Speaker 3>Well, yeah, so once you see yeah Hunter Biden stuff,

1:12:51.280 --> 1:12:54.640
<v Speaker 3>you know he's wild. He reposts and loves Ben Shapiro.

1:12:55.479 --> 1:12:58.240
<v Speaker 3>He's had Eric Trump as a guest on his show.

1:12:59.000 --> 1:13:03.040
<v Speaker 3>He called the rate of mar A Lago a legal atrocity.

1:13:03.280 --> 1:13:07.760
<v Speaker 3>So this is this guy, Okay, yeah, so unfavorable to

1:13:07.880 --> 1:13:10.960
<v Speaker 3>us immediately at the time of the case though, he

1:13:11.040 --> 1:13:13.080
<v Speaker 3>was an anchor on Good Day New York on Channel

1:13:13.120 --> 1:13:16.280
<v Speaker 3>five and a former New York one political reporter, and

1:13:16.360 --> 1:13:18.719
<v Speaker 3>he has other credits and like the military and stuff.

1:13:18.760 --> 1:13:22.800
<v Speaker 3>But this BuzzFeed news thing included the soup. It's like,

1:13:22.840 --> 1:13:25.080
<v Speaker 3>this guy is such a laughing stock, like they were,

1:13:25.120 --> 1:13:28.479
<v Speaker 3>Like he's most known from his often being on the soup.

1:13:30.000 --> 1:13:32.040
<v Speaker 2>Yeah, because I didn't watch Good Day New York.

1:13:32.120 --> 1:13:36.400
<v Speaker 1>I just knew everything about them from the soup, like.

1:13:36.640 --> 1:13:37.400
<v Speaker 2>All the time.

1:13:38.600 --> 1:13:40.760
<v Speaker 3>So he was accused of raping a young woman in

1:13:40.800 --> 1:13:44.880
<v Speaker 3>Lower Manhattan in October twenty eleven. There was obviously a

1:13:44.880 --> 1:13:47.760
<v Speaker 3>conflict of interest from the police department to investigate the

1:13:47.800 --> 1:13:52.120
<v Speaker 3>sexual assault accusation since it was the commissioner's son, so

1:13:52.160 --> 1:13:54.559
<v Speaker 3>the case was handed over to the office of the

1:13:54.600 --> 1:13:56.400
<v Speaker 3>District Attorney, Cyrus R.

1:13:56.680 --> 1:13:57.639
<v Speaker 2>Vance Junior.

1:13:58.760 --> 1:14:03.559
<v Speaker 3>He of course denied the accusation, but the woman was

1:14:03.600 --> 1:14:05.880
<v Speaker 3>in her late Can you imagine someone being like I

1:14:05.920 --> 1:14:08.200
<v Speaker 3>did do it. I did do it. Yeah, So where

1:14:08.240 --> 1:14:14.680
<v Speaker 3>do we go from here? I have never never seen that. Yeah.

1:14:14.760 --> 1:14:17.200
<v Speaker 3>So the woman was in her late twenties early thirties.

1:14:17.240 --> 1:14:21.639
<v Speaker 3>She was twenty nine and a paralegal, but the media

1:14:21.760 --> 1:14:26.040
<v Speaker 3>kept describing her as an aspiring model actress. But like

1:14:26.479 --> 1:14:29.240
<v Speaker 3>she kind of dabbled and she was a paralegal. Like,

1:14:30.120 --> 1:14:32.160
<v Speaker 3>there's a lot of spin in this case. It's really

1:14:32.160 --> 1:14:36.080
<v Speaker 3>frustrating because he's so connected that you don't like, within

1:14:36.120 --> 1:14:38.400
<v Speaker 3>the media and the police, you really don't know the

1:14:38.439 --> 1:14:40.040
<v Speaker 3>truth and the spin that's really happens.

1:14:40.280 --> 1:14:41.759
<v Speaker 2>A lot of shady stuff happens.

1:14:41.800 --> 1:14:44.400
<v Speaker 1>It's such a spin because paralegal makes it seem like

1:14:44.439 --> 1:14:48.320
<v Speaker 1>this woman knows the difference between consensual and nonconsensual sex,

1:14:48.360 --> 1:14:51.120
<v Speaker 1>and aspiring model actress makes people think this is a

1:14:51.160 --> 1:14:53.600
<v Speaker 1>woman who will do anything to get famous, you know.

1:14:54.479 --> 1:14:56.439
<v Speaker 2>Yeah, that's that's yeah.

1:14:56.800 --> 1:15:00.400
<v Speaker 3>So she walked into the thirteenth Precinct station house with

1:15:00.479 --> 1:15:02.600
<v Speaker 3>her sister on Tuesday after eight pm in.

1:15:02.640 --> 1:15:03.839
<v Speaker 2>January twenty twelve.

1:15:04.240 --> 1:15:07.120
<v Speaker 3>The attack did happen in October, this is January.

1:15:07.160 --> 1:15:08.600
<v Speaker 2>It took her a while to disclose.

1:15:09.000 --> 1:15:11.720
<v Speaker 3>She said that she met Kellyana the street and the

1:15:11.760 --> 1:15:14.120
<v Speaker 3>two went to the South Street Seaport for drinks on

1:15:14.120 --> 1:15:17.840
<v Speaker 3>October eighth, and then went to her office and to

1:15:17.880 --> 1:15:20.160
<v Speaker 3>her downtown law firm, and that's where she told police

1:15:20.200 --> 1:15:23.960
<v Speaker 3>the rape occurred. So this is from the New York Times,

1:15:24.000 --> 1:15:26.160
<v Speaker 3>and it's tied in with the police like all of that.

1:15:26.320 --> 1:15:28.920
<v Speaker 3>It's really a hard time reading the spin or like

1:15:29.160 --> 1:15:31.960
<v Speaker 3>you know, seeing the article for what it is because

1:15:32.000 --> 1:15:35.519
<v Speaker 3>of all these connections. So the article claimed that she

1:15:35.600 --> 1:15:38.000
<v Speaker 3>later told her boyfriend about the night, and he became

1:15:38.120 --> 1:15:41.519
<v Speaker 3>angry and approached the police commissioner at a public event

1:15:41.680 --> 1:15:44.200
<v Speaker 3>and told him that his son sexually assaulted his girlfriend.

1:15:45.000 --> 1:15:48.400
<v Speaker 3>And so you know that's they use that to spin

1:15:48.479 --> 1:15:51.360
<v Speaker 3>it as like she actually just cheated on her boyfriend

1:15:51.360 --> 1:15:53.479
<v Speaker 3>and he got mad, so she cried rape. So that's

1:15:53.520 --> 1:15:57.880
<v Speaker 3>like their big kind of story. But the commissioner confirms

1:15:57.880 --> 1:16:01.479
<v Speaker 3>this interaction. And so the boyfriend told him that his

1:16:01.560 --> 1:16:04.960
<v Speaker 3>son had ruined his girlfriend's life, and the commissioner told.

1:16:04.880 --> 1:16:06.280
<v Speaker 2>Him, why don't you go write a letter?

1:16:07.439 --> 1:16:10.720
<v Speaker 3>Wow, So basically he was running on the secret, like

1:16:10.760 --> 1:16:13.280
<v Speaker 3>he was like outside and he saw the commissioner doing

1:16:13.320 --> 1:16:15.599
<v Speaker 3>some sort of speech. Event I get in more details

1:16:15.640 --> 1:16:18.080
<v Speaker 3>about it, but like approached while he was on his run.

1:16:18.200 --> 1:16:19.519
<v Speaker 2>He was like, I gotta take my shot.

1:16:19.560 --> 1:16:21.120
<v Speaker 3>If I don't take my shot, I'm going to regret

1:16:21.120 --> 1:16:24.160
<v Speaker 3>it forever and was like your son, And the commissioner

1:16:24.200 --> 1:16:24.400
<v Speaker 3>was like.

1:16:24.320 --> 1:16:26.880
<v Speaker 2>Why don't you write a letter? And that was that.

1:16:26.960 --> 1:16:29.040
<v Speaker 2>So they both confirmed that that interaction.

1:16:28.680 --> 1:16:32.599
<v Speaker 3>Did happen, but the charges were eventually dropped and never

1:16:32.640 --> 1:16:36.760
<v Speaker 3>went forward. But sixteen days after she reported it, her

1:16:36.800 --> 1:16:38.439
<v Speaker 3>picture was on the front page of The New York

1:16:38.479 --> 1:16:40.160
<v Speaker 3>Post with the headline shady lady.

1:16:41.120 --> 1:16:42.760
<v Speaker 1>This is why the New York Post is like the

1:16:42.760 --> 1:16:44.360
<v Speaker 1>most disgusting publication.

1:16:44.920 --> 1:16:48.679
<v Speaker 3>So February twenty twelve, the DA Sex Crimes Unit chief

1:16:48.720 --> 1:16:52.280
<v Speaker 3>sent a letter to Kelly's lawyer declaring her office's investigation

1:16:52.400 --> 1:16:55.800
<v Speaker 3>found no criminal charges were appropriate, and right after that,

1:16:55.920 --> 1:16:59.679
<v Speaker 3>the Post dropped its identity protection so early in the case,

1:16:59.760 --> 1:17:03.000
<v Speaker 3>no outlets named her, following a long accepted media standard

1:17:03.040 --> 1:17:05.640
<v Speaker 3>in protecting the identities of sex crime victims unless they

1:17:05.680 --> 1:17:06.759
<v Speaker 3>publicly come forward.

1:17:07.320 --> 1:17:09.680
<v Speaker 2>So it was secret, secret, secret, and.

1:17:09.680 --> 1:17:13.080
<v Speaker 3>Then it's like immediately charges dropped and her faces everywhere

1:17:13.120 --> 1:17:15.120
<v Speaker 3>and like smearing her and what a liar she is.

1:17:16.320 --> 1:17:17.679
<v Speaker 2>So that's pretty fucked.

1:17:17.680 --> 1:17:21.120
<v Speaker 3>But it wasn't even just the post like immediately it happened.

1:17:21.720 --> 1:17:25.920
<v Speaker 3>So two years later, this woman, finally, Maria de Toro,

1:17:26.240 --> 1:17:29.040
<v Speaker 3>the accuser, went public for the first time to BuzzFeed News.

1:17:29.080 --> 1:17:30.439
<v Speaker 2>So that is in twenty fourteen.

1:17:30.920 --> 1:17:34.559
<v Speaker 3>So from twenty twelve to then, she didn't really say anything,

1:17:34.720 --> 1:17:37.680
<v Speaker 3>but this is when she decided to talk, and she

1:17:37.800 --> 1:17:40.559
<v Speaker 3>says the you know how the tabloids eventually moved on,

1:17:40.760 --> 1:17:44.080
<v Speaker 3>but she didn't know how to move on, like you know,

1:17:44.160 --> 1:17:47.280
<v Speaker 3>she was just like this salacious tale, but like she

1:17:47.320 --> 1:17:49.479
<v Speaker 3>had to deal with this like trauma for a long time.

1:17:50.240 --> 1:17:53.400
<v Speaker 3>She was scared into submission, she said, and she couldn't

1:17:53.439 --> 1:17:55.680
<v Speaker 3>say anything to the press because her statement to the

1:17:55.720 --> 1:17:58.439
<v Speaker 3>police was twisted, and so she was scared of what

1:17:58.520 --> 1:18:01.040
<v Speaker 3>happened again if she did an interview, Like you know,

1:18:01.120 --> 1:18:03.360
<v Speaker 3>she just didn't feel like her words were being taken

1:18:04.520 --> 1:18:09.000
<v Speaker 3>at face value and like used as such, and with

1:18:09.040 --> 1:18:11.960
<v Speaker 3>all the connections, she was right to be suspicious of everything.

1:18:12.360 --> 1:18:16.040
<v Speaker 3>Like the DA's office denied Buzzfeeds freedom of information law

1:18:16.080 --> 1:18:19.000
<v Speaker 3>request for De Toro's report, which is sealed, and de

1:18:19.160 --> 1:18:22.680
<v Speaker 3>Toro was also denied a request to obtain her own records.

1:18:23.680 --> 1:18:26.080
<v Speaker 2>That's crazy, So I don't.

1:18:25.880 --> 1:18:29.080
<v Speaker 3>Really know how, but if it's like I guess, if

1:18:29.080 --> 1:18:30.400
<v Speaker 3>this law is really should be.

1:18:30.640 --> 1:18:33.320
<v Speaker 2>But yeah, everything is sealed, you cannot see anything.

1:18:34.560 --> 1:18:37.080
<v Speaker 3>Yet some of the information was leaked into the press

1:18:37.080 --> 1:18:39.720
<v Speaker 3>in the early twenty twelve. So she said that they

1:18:39.720 --> 1:18:41.960
<v Speaker 3>met on Third Avenue when she was walking her dog

1:18:42.360 --> 1:18:45.000
<v Speaker 3>and she recognized him and they chatted and he asked

1:18:45.040 --> 1:18:47.880
<v Speaker 3>for her phone number and she did give it, so

1:18:47.920 --> 1:18:50.080
<v Speaker 3>she told her sister, and her sister had posted that

1:18:50.160 --> 1:18:52.880
<v Speaker 3>he asked for her phone number on Facebook. So then

1:18:52.920 --> 1:18:55.439
<v Speaker 3>they texted, and then the next Friday, he called her

1:18:55.439 --> 1:18:58.519
<v Speaker 3>at her office and asked what her favorite sexual position was.

1:18:59.320 --> 1:19:02.760
<v Speaker 3>So the text, she said, became more casual, trusting, and

1:19:02.840 --> 1:19:07.360
<v Speaker 3>consensually explicit. The next day, on October eighth, de Toro

1:19:07.520 --> 1:19:09.880
<v Speaker 3>told Kelly she was going to her office on Wall

1:19:09.920 --> 1:19:13.120
<v Speaker 3>Street around noon to finish up some work, and he

1:19:13.200 --> 1:19:17.040
<v Speaker 3>allegedly suggested meeting up when she was done. And yeah,

1:19:17.200 --> 1:19:20.080
<v Speaker 3>so everyone said, yes, we're meeting up. She told her

1:19:20.120 --> 1:19:22.240
<v Speaker 3>boyfriend of three years that she was getting drinks with

1:19:22.280 --> 1:19:25.240
<v Speaker 3>a girlfriend. So obviously you can see the messiness of

1:19:25.280 --> 1:19:27.040
<v Speaker 3>this case investigation.

1:19:28.280 --> 1:19:31.759
<v Speaker 2>So they met up and headed towards the seaport.

1:19:32.000 --> 1:19:33.680
<v Speaker 3>So she claims that they both knew that they were

1:19:33.720 --> 1:19:36.280
<v Speaker 3>both dating other people, and that she had told him

1:19:36.280 --> 1:19:39.280
<v Speaker 3>that like nothing is going to happen between them, and

1:19:39.479 --> 1:19:41.960
<v Speaker 3>they chatted about that as they walked and talked to

1:19:42.000 --> 1:19:45.720
<v Speaker 3>get drinks at Jeremy's alehouse. The convo over drinks got

1:19:45.720 --> 1:19:49.200
<v Speaker 3>more explicit sexual and filled with admissions of fetishes and

1:19:49.240 --> 1:19:50.440
<v Speaker 3>sexual experiences.

1:19:50.960 --> 1:19:51.439
<v Speaker 2>She says.

1:19:51.520 --> 1:19:53.720
<v Speaker 3>After taking a few SIPs of her third drink, she

1:19:53.760 --> 1:19:58.000
<v Speaker 3>said she felt like suddenly, like super strongly impaired, and

1:19:58.040 --> 1:20:01.839
<v Speaker 3>they left the bar and her memor became just clips

1:20:01.880 --> 1:20:04.040
<v Speaker 3>and visions and a blur, and she said it was

1:20:04.080 --> 1:20:06.400
<v Speaker 3>fucked like she only had two drinks, like she wouldn't

1:20:06.400 --> 1:20:09.000
<v Speaker 3>be this messed up, and like she couldn't.

1:20:08.680 --> 1:20:13.160
<v Speaker 1>Even damn finish her third drink. She threw feet her

1:20:13.200 --> 1:20:14.840
<v Speaker 1>two Jesus.

1:20:14.880 --> 1:20:17.400
<v Speaker 3>That she was just like really fucked up, and he

1:20:17.479 --> 1:20:21.120
<v Speaker 3>started kissing her, and she remembered like seeing his bare shoulders,

1:20:21.160 --> 1:20:23.720
<v Speaker 3>blurred face, and just not being able to move her

1:20:23.760 --> 1:20:26.479
<v Speaker 3>body or have control over it. And then he sat

1:20:26.600 --> 1:20:28.320
<v Speaker 3>up on a chair and asked her if she was

1:20:28.320 --> 1:20:30.960
<v Speaker 3>on the pill, and like she remembers waking up alone,

1:20:31.520 --> 1:20:34.200
<v Speaker 3>rolling over and vomiting and this is all at her job,

1:20:34.880 --> 1:20:37.360
<v Speaker 3>and then her bra was unhooked but on, and she

1:20:37.439 --> 1:20:39.400
<v Speaker 3>just kept puking and puking and trying to clean up

1:20:39.439 --> 1:20:42.240
<v Speaker 3>her office. She doesn't even remember how she got back

1:20:42.240 --> 1:20:45.839
<v Speaker 3>to her apartment. Eventually, she disclosed this to her boyfriend

1:20:45.880 --> 1:20:48.639
<v Speaker 3>and sister and mom, and she said after she explained

1:20:48.640 --> 1:20:50.800
<v Speaker 3>it to her sister, the sister was like, wait, so

1:20:50.880 --> 1:20:53.639
<v Speaker 3>he raped you, and same with her boyfriend, so she

1:20:53.680 --> 1:20:56.360
<v Speaker 3>wasn't really ready to admit it to herself what happened,

1:20:56.360 --> 1:20:58.360
<v Speaker 3>but anyone that she told the story to was like,

1:20:58.720 --> 1:20:59.559
<v Speaker 3>you fucking got right.

1:20:59.720 --> 1:21:00.520
<v Speaker 4>Yeah.

1:21:00.640 --> 1:21:03.439
<v Speaker 3>So then Kelly called her and they discussed how drunk

1:21:03.439 --> 1:21:06.000
<v Speaker 3>they were, and when she said she didn't remember anything,

1:21:06.200 --> 1:21:09.320
<v Speaker 3>he filled her in about really graphic details and said

1:21:09.360 --> 1:21:11.200
<v Speaker 3>that he was trying to put his dick in her

1:21:11.280 --> 1:21:14.720
<v Speaker 3>throat and she wasn't having any of it, And when

1:21:14.760 --> 1:21:16.720
<v Speaker 3>she asked if you put anything in her drink, he

1:21:16.760 --> 1:21:19.800
<v Speaker 3>said he was uncomfortable with her questions and did not

1:21:20.000 --> 1:21:23.000
<v Speaker 3>like where the conversation was going. But she didn't understand

1:21:23.080 --> 1:21:25.320
<v Speaker 3>how only after two drinks she was unable to remember

1:21:25.360 --> 1:21:28.120
<v Speaker 3>anything and not even how she got home. So then

1:21:28.960 --> 1:21:31.519
<v Speaker 3>what I talked about earlier about the boyfriend and the

1:21:31.520 --> 1:21:33.080
<v Speaker 3>commissioner interacting.

1:21:33.200 --> 1:21:33.880
<v Speaker 2>That happened on.

1:21:33.840 --> 1:21:38.559
<v Speaker 3>Thursday, October thirteenth, so like five days after and so

1:21:38.600 --> 1:21:40.360
<v Speaker 3>the boyfriend was out for a run, like I said,

1:21:40.439 --> 1:21:42.799
<v Speaker 3>came across Ray Kelly giving a speech at a police

1:21:42.840 --> 1:21:45.680
<v Speaker 3>memorial on the Hudson River, and he's like, if I

1:21:45.720 --> 1:21:48.519
<v Speaker 3>don't do this now, I won't ever forget myself. And

1:21:48.600 --> 1:21:51.600
<v Speaker 3>so he confirmed the letter's suggestion, but instead both he

1:21:51.680 --> 1:21:54.799
<v Speaker 3>and Rhea started texting Kelly, and Kelly stopped responding fully.

1:21:56.040 --> 1:22:00.479
<v Speaker 3>And then Dundune, on Halloween, she discovers she's pregnant and

1:22:00.520 --> 1:22:03.840
<v Speaker 3>her boyfriend had a vasectomy, so now she's pregnant with

1:22:03.880 --> 1:22:06.680
<v Speaker 3>this lunatics baby. She kept trying to keep him in

1:22:06.680 --> 1:22:09.920
<v Speaker 3>the loop and Kelly did not respond and he's smarter

1:22:10.040 --> 1:22:12.040
<v Speaker 3>than that. I'm sorry, he's not going to be responding

1:22:12.040 --> 1:22:14.000
<v Speaker 3>to your team. Yeah, just like come on.

1:22:14.880 --> 1:22:15.800
<v Speaker 2>So she ended up.

1:22:16.040 --> 1:22:18.680
<v Speaker 3>She did get an abortion, but she kept trying to

1:22:18.720 --> 1:22:20.760
<v Speaker 3>include Kelly and was like, I'm at the clinic, blah blah.

1:22:20.880 --> 1:22:24.400
<v Speaker 3>Kelly just like stopped responding to anything ever again. But

1:22:24.479 --> 1:22:27.599
<v Speaker 3>she did get an abortion, and then not until January

1:22:27.600 --> 1:22:29.639
<v Speaker 3>twenty fourth did she report the crime, and she had

1:22:29.640 --> 1:22:31.640
<v Speaker 3>to repeat her story five times as she was like

1:22:31.680 --> 1:22:35.280
<v Speaker 3>passed around to all the departments, so and then like

1:22:35.400 --> 1:22:38.880
<v Speaker 3>all and then the press just like had at her,

1:22:39.000 --> 1:22:40.760
<v Speaker 3>you know what I mean, they really had at her,

1:22:40.960 --> 1:22:43.719
<v Speaker 3>and they built up Kelly and then maybe they're all friends,

1:22:43.720 --> 1:22:45.479
<v Speaker 3>but they were just saying, what a great dude he is.

1:22:45.720 --> 1:22:49.400
<v Speaker 3>Like one of the reasons a lot of his colleagues

1:22:49.640 --> 1:22:52.479
<v Speaker 3>did not believe that this he could have done this

1:22:53.120 --> 1:22:57.120
<v Speaker 3>was because he was pissed and Grille die cy vance

1:22:57.200 --> 1:22:59.840
<v Speaker 3>about why he dropped the charges against Dominique strass Cohn

1:23:00.200 --> 1:23:02.519
<v Speaker 3>And this is hopefully a case we'll cover in the future,

1:23:03.439 --> 1:23:07.360
<v Speaker 3>but he is the former International Monetary fun chief accused

1:23:07.360 --> 1:23:10.240
<v Speaker 3>of rape in May twenty eleven.

1:23:10.760 --> 1:23:12.720
<v Speaker 1>So yeah, and then they did an SVU episode on

1:23:12.760 --> 1:23:15.880
<v Speaker 1>it called Scorched Earth that we will definitely cover at

1:23:15.880 --> 1:23:16.280
<v Speaker 1>some point.

1:23:16.520 --> 1:23:18.360
<v Speaker 2>Yeah, but this is a case you remember living in

1:23:18.360 --> 1:23:19.160
<v Speaker 2>New York as well.

1:23:19.400 --> 1:23:23.280
<v Speaker 1>Yeah, So they're acting like because he was convinced that

1:23:23.320 --> 1:23:25.920
<v Speaker 1>Dominique straus Khan was guilty, there's no way he could

1:23:25.920 --> 1:23:27.360
<v Speaker 1>have essentially done the same thing.

1:23:28.479 --> 1:23:31.040
<v Speaker 3>Yeah, because he was like pissed that the DA dropped

1:23:31.040 --> 1:23:33.320
<v Speaker 3>it and that they weren't doing hard enough and so

1:23:34.200 --> 1:23:36.679
<v Speaker 3>that is all of their evidence to be like, yeah,

1:23:36.720 --> 1:23:38.400
<v Speaker 3>he got mad at this rapist.

1:23:38.000 --> 1:23:41.160
<v Speaker 2>Why would he rape? So yeah, it's like, yeah, their thing.

1:23:41.680 --> 1:23:45.000
<v Speaker 3>Then, as I said above, On February seventh, no criminal

1:23:45.080 --> 1:23:50.360
<v Speaker 3>charges would be pursued, was announced by Martha Bashford, chief

1:23:50.400 --> 1:23:54.160
<v Speaker 3>of the DA Sex Crimes Unit. Now Linda Fairstein, who

1:23:54.200 --> 1:23:56.599
<v Speaker 3>has served as the DA's Sex Crimes Unit chief for

1:23:56.640 --> 1:23:59.360
<v Speaker 3>twenty six years until retiring in two thousand and two,

1:23:59.840 --> 1:24:02.240
<v Speaker 3>was actually on the a member of the board of

1:24:02.360 --> 1:24:06.200
<v Speaker 3>Murushko Hargate's Joyful Heart Foundation, and she is known for

1:24:06.560 --> 1:24:09.719
<v Speaker 3>prosecuting the nineteen eighty nine Central Park jogger rape case,

1:24:10.120 --> 1:24:12.800
<v Speaker 3>in which five men were imprisoned for years, only to

1:24:12.840 --> 1:24:16.639
<v Speaker 3>be exonerated in two thousand and two, which is right

1:24:16.680 --> 1:24:17.640
<v Speaker 3>when she retired.

1:24:17.920 --> 1:24:22.040
<v Speaker 2>Yeah, so that seems like they're connected.

1:24:22.640 --> 1:24:26.040
<v Speaker 3>But she said there wasn't any signs of inability to

1:24:26.080 --> 1:24:27.840
<v Speaker 3>say no, how.

1:24:27.680 --> 1:24:29.160
<v Speaker 2>Do you know that? How would she know that?

1:24:29.479 --> 1:24:33.640
<v Speaker 3>So the evidence for that is that she signed the

1:24:33.680 --> 1:24:36.320
<v Speaker 3>receipt at the bar, and there's a video of her

1:24:36.360 --> 1:24:37.880
<v Speaker 3>walking on her own two feet.

1:24:38.240 --> 1:24:39.800
<v Speaker 2>But hello scopolaman.

1:24:40.280 --> 1:24:43.000
<v Speaker 3>But because she was able to sign the receipt and

1:24:43.520 --> 1:24:47.280
<v Speaker 3>the newscaster guy was quoted being like our tab was

1:24:47.400 --> 1:24:51.200
<v Speaker 3>so cheap, Like she's out of her mind, Like he

1:24:51.320 --> 1:24:54.880
<v Speaker 3>was just like that was in like a throwaway drink

1:24:54.920 --> 1:24:56.920
<v Speaker 3>and meant nothing like it was just like so cheap.

1:24:56.920 --> 1:24:58.320
<v Speaker 2>What do you mean you got wasted?

1:24:59.120 --> 1:25:02.439
<v Speaker 3>But I'm really thinking there is like hardcore scoopolamine vibes here.

1:25:03.680 --> 1:25:06.720
<v Speaker 3>So basically they're saying if she walked from the bar

1:25:06.880 --> 1:25:10.200
<v Speaker 3>to the office building and paid the bill, like that's

1:25:10.240 --> 1:25:13.320
<v Speaker 3>what this prosecutor is using to measure impairment or not.

1:25:14.080 --> 1:25:18.519
<v Speaker 2>And so she couldn't prove that. She couldn't say no, And.

1:25:18.439 --> 1:25:21.120
<v Speaker 1>It's like, what would she What does she get out

1:25:21.160 --> 1:25:23.080
<v Speaker 1>of this? What does she get out of if she

1:25:23.160 --> 1:25:25.920
<v Speaker 1>made it up? If she let's say, she got drunk,

1:25:26.200 --> 1:25:28.839
<v Speaker 1>had sex with Greg, Kelly, felt bad, she cheated, her boyfriend,

1:25:28.840 --> 1:25:31.360
<v Speaker 1>wakes up the next day and then goes to the

1:25:31.520 --> 1:25:33.680
<v Speaker 1>like decides two months later to tell the police to

1:25:33.720 --> 1:25:35.800
<v Speaker 1>blow up her life, Like it just does not make

1:25:35.840 --> 1:25:36.880
<v Speaker 1>sense why you would do it?

1:25:37.280 --> 1:25:40.879
<v Speaker 3>Yeah, because her boyfriend already was like gonna keep staying

1:25:40.920 --> 1:25:43.240
<v Speaker 3>with her, you know what I mean? Like I and

1:25:43.760 --> 1:25:47.200
<v Speaker 3>from far I know they they have stayed together. And

1:25:47.280 --> 1:25:50.760
<v Speaker 3>the also like since there were text messages after and

1:25:50.800 --> 1:25:52.960
<v Speaker 3>like between them, and those were also and like the

1:25:53.040 --> 1:25:54.760
<v Speaker 3>night of it, so those were kind of used to

1:25:54.800 --> 1:25:58.040
<v Speaker 3>drop the case as well, since they had communication after

1:25:58.080 --> 1:26:02.880
<v Speaker 3>the assaults. But Firestine said, it's still fucked up, like

1:26:02.920 --> 1:26:03.880
<v Speaker 3>with the papers and the.

1:26:03.800 --> 1:26:04.479
<v Speaker 2>Press and stuff.

1:26:04.520 --> 1:26:06.120
<v Speaker 3>So she at least is like, yeah, what happened with

1:26:06.160 --> 1:26:07.439
<v Speaker 3>the press is really messed up.

1:26:07.479 --> 1:26:09.240
<v Speaker 2>But chargers were dropped.

1:26:09.560 --> 1:26:12.200
<v Speaker 3>She was all over like that she's like a lying,

1:26:12.320 --> 1:26:16.679
<v Speaker 3>shady person. And and he but he didn't go back.

1:26:16.720 --> 1:26:19.360
<v Speaker 3>I mean he's not at a respectable news place anymore,

1:26:19.439 --> 1:26:22.200
<v Speaker 3>but he is working and nothing really happened to him.

1:26:22.240 --> 1:26:26.240
<v Speaker 3>And yeah, it's just kind of like what happens I

1:26:26.240 --> 1:26:28.880
<v Speaker 3>guess in the episode, it's like these people will get

1:26:28.920 --> 1:26:31.720
<v Speaker 3>away with doing shady stuff, and you know, we're so

1:26:31.840 --> 1:26:34.320
<v Speaker 3>focused on like legal not this and like all these

1:26:34.360 --> 1:26:36.559
<v Speaker 3>details of like consent and not and it's like these

1:26:36.560 --> 1:26:40.800
<v Speaker 3>are obviously people who don't like believe in the autonomy

1:26:40.880 --> 1:26:42.800
<v Speaker 3>or freedom of women, you know what I mean.

1:26:43.000 --> 1:26:45.400
<v Speaker 2>Like that party scene was gross to.

1:26:45.400 --> 1:26:52.120
<v Speaker 1>Watch, yeah for sure, Yeah, and they that, Yeah, I

1:26:52.280 --> 1:26:55.320
<v Speaker 1>just don't understand when you consider what her motive would be,

1:26:55.479 --> 1:26:58.040
<v Speaker 1>like what would be anyone's motive to tell this story

1:26:58.080 --> 1:27:00.599
<v Speaker 1>about how they vomited all over the place they.

1:27:01.560 --> 1:27:04.240
<v Speaker 3>I think the their spin is that she's just trying

1:27:04.320 --> 1:27:06.320
<v Speaker 3>to like for her boyfriend not to be mad at her.

1:27:07.720 --> 1:27:11.120
<v Speaker 1>This is a famous person, like you know, this is

1:27:11.160 --> 1:27:12.719
<v Speaker 1>there's gonna be press about this.

1:27:12.720 --> 1:27:13.799
<v Speaker 2>This is a famous person.

1:27:15.360 --> 1:27:17.360
<v Speaker 1>She might like she knows he's related to the police

1:27:17.360 --> 1:27:19.760
<v Speaker 1>commissioner too, So it's like she took a huge risk

1:27:19.840 --> 1:27:21.559
<v Speaker 1>to go to the cop.

1:27:21.640 --> 1:27:24.120
<v Speaker 3>But even like while reading a lot of the stuff,

1:27:24.320 --> 1:27:26.840
<v Speaker 3>I was like, she's lying, Like it is like the

1:27:26.920 --> 1:27:30.160
<v Speaker 3>spin is real, you know what I mean, and it

1:27:30.240 --> 1:27:32.880
<v Speaker 3>is really fucked. That's why, Like while reading the Times

1:27:32.960 --> 1:27:35.719
<v Speaker 3>articles and stuff, I'm like, I don't love the way

1:27:36.360 --> 1:27:37.519
<v Speaker 3>they're spinning shit.

1:27:37.800 --> 1:27:41.320
<v Speaker 1>If she if she went to him Greg Kelly and

1:27:41.360 --> 1:27:43.400
<v Speaker 1>said I'm gonna go to the cops if you don't

1:27:43.400 --> 1:27:46.240
<v Speaker 1>give me ten thousand dollars, Okay, then I see that.

1:27:47.120 --> 1:27:48.439
<v Speaker 2>But she's not asking for money.

1:27:48.479 --> 1:27:51.280
<v Speaker 1>She's asking you know, like she It's just crazy, like

1:27:51.320 --> 1:27:53.639
<v Speaker 1>to me to think that all these people that think

1:27:53.680 --> 1:27:55.760
<v Speaker 1>that women are like making up rape charges just to

1:27:55.880 --> 1:27:59.040
<v Speaker 1>like fucking spike men or like make sure yet to

1:27:59.160 --> 1:28:06.719
<v Speaker 1>destroy men, because that's what art, you know, like fucking nuts. Anyway,

1:28:06.760 --> 1:28:08.720
<v Speaker 1>thank you for the breakdown, because you know what, I

1:28:08.760 --> 1:28:10.400
<v Speaker 1>didn't know a lot of that. I didn't know about

1:28:10.400 --> 1:28:12.559
<v Speaker 1>the pregnancy. I think I just knew generally, and I

1:28:12.600 --> 1:28:14.760
<v Speaker 1>know who Greg Kelly is. I remember this case happened like.

1:28:14.840 --> 1:28:15.320
<v Speaker 2>That's the thing.

1:28:15.400 --> 1:28:19.200
<v Speaker 1>I remember it, the allegation and the dismissal happening really

1:28:19.240 --> 1:28:22.800
<v Speaker 1>quick like that. It was like not a big, like

1:28:22.840 --> 1:28:26.759
<v Speaker 1>a blip in that guy's like life. But this episode

1:28:26.800 --> 1:28:29.760
<v Speaker 1>is also based on an amazing escort rivalry, and we

1:28:29.800 --> 1:28:32.599
<v Speaker 1>will of course cover that when we do our next.

1:28:32.439 --> 1:28:36.799
<v Speaker 2>Episode about this three episode arc. And don't go anywhere

1:28:36.840 --> 1:28:49.040
<v Speaker 2>because we have an amazing guest. You're gonna be obsessed. Okay, guys, guys.

1:28:49.280 --> 1:28:51.599
<v Speaker 1>When we started this podcast, there were certain people Lisa

1:28:51.640 --> 1:28:54.400
<v Speaker 1>really wanted to get. Ari Grainer, other people that she

1:28:54.479 --> 1:28:57.280
<v Speaker 1>said she wanted to get. I have always wanted to

1:28:57.280 --> 1:28:59.639
<v Speaker 1>get today's guest. She is an actor who has starred

1:28:59.640 --> 1:29:03.840
<v Speaker 1>in some iconic television shows, Gray's Anatomy, Ray Donovan Bates Motel,

1:29:04.160 --> 1:29:06.040
<v Speaker 1>a fan of two shows.

1:29:06.040 --> 1:29:08.040
<v Speaker 2>I'm big fans of Big. You can't even get this out.

1:29:08.080 --> 1:29:10.200
<v Speaker 2>I don't think I've ever seen this. You can't even

1:29:10.240 --> 1:29:12.519
<v Speaker 2>see it's like I'm stumbling all over the place.

1:29:13.040 --> 1:29:16.840
<v Speaker 1>Most importantly, she played Catherine Martin in a seminal Clank

1:29:16.880 --> 1:29:18.400
<v Speaker 1>family film called.

1:29:18.120 --> 1:29:19.439
<v Speaker 2>The Silence of the Lambs.

1:29:19.720 --> 1:29:22.840
<v Speaker 1>But you know her in a three episode SBU arc

1:29:23.240 --> 1:29:28.200
<v Speaker 1>as Upper east Side Madam Delia Wilson. Guys, please to

1:29:28.439 --> 1:29:30.880
<v Speaker 1>enjoy our amazing chat with Brooke Smith.

1:29:31.360 --> 1:29:33.880
<v Speaker 2>Hi, Brook, thank you so much for talking to us.

1:29:34.400 --> 1:29:37.679
<v Speaker 5>Yeah, I mean, I hope it's not like a five minute,

1:29:37.920 --> 1:29:39.240
<v Speaker 5>you know episode.

1:29:41.280 --> 1:29:44.439
<v Speaker 3>Well, we've been dreaming of talking to you since we

1:29:44.560 --> 1:29:45.680
<v Speaker 3>started this podcast.

1:29:45.800 --> 1:29:49.880
<v Speaker 2>It's really it's thrilling that you're here. Delia so evil,

1:29:50.680 --> 1:29:53.240
<v Speaker 2>but she's just misunderstood.

1:29:56.200 --> 1:29:58.360
<v Speaker 1>I mean, she's such an interesting character because she like

1:29:58.479 --> 1:30:00.960
<v Speaker 1>lives on a farm and like baby goats.

1:30:00.960 --> 1:30:02.040
<v Speaker 2>But then it is like, what's up.

1:30:02.080 --> 1:30:04.880
<v Speaker 1>I'm an Upper east Side madam, but I only wear

1:30:05.479 --> 1:30:07.280
<v Speaker 1>like Wellington boots and vests.

1:30:07.360 --> 1:30:10.479
<v Speaker 2>Like it's a confusing She's not what you normally think of.

1:30:11.160 --> 1:30:14.880
<v Speaker 5>Yeah, I mean, that's that sounds a little Martha, doesn't it.

1:30:15.000 --> 1:30:18.840
<v Speaker 1>It's like if Martha Stewart had a side business supplying

1:30:19.439 --> 1:30:21.400
<v Speaker 1>sex workers to the britch and powerful.

1:30:21.960 --> 1:30:24.200
<v Speaker 5>And I remember, I mean, you guys probably know better

1:30:24.200 --> 1:30:26.280
<v Speaker 5>than me, but I feel like you know, it was

1:30:26.360 --> 1:30:28.200
<v Speaker 5>loosely based on something real.

1:30:28.560 --> 1:30:29.800
<v Speaker 4>You know that there was a woman.

1:30:30.000 --> 1:30:33.320
<v Speaker 2>Yeah, yes, yes, well we're going to so.

1:30:33.439 --> 1:30:36.320
<v Speaker 4>Yeah, and it didn't really end well for her, did it.

1:30:37.200 --> 1:30:38.320
<v Speaker 2>I No, I don't think so.

1:30:38.479 --> 1:30:41.120
<v Speaker 4>I think she's in prison. Yeah.

1:30:41.360 --> 1:30:43.400
<v Speaker 2>Did you know, did you do any research on the

1:30:43.439 --> 1:30:46.040
<v Speaker 2>real version or did you just go in?

1:30:47.000 --> 1:30:47.200
<v Speaker 1>Yeah?

1:30:47.280 --> 1:30:47.880
<v Speaker 4>Not so much.

1:30:47.920 --> 1:30:50.320
<v Speaker 5>I knew about her, and I knew enough about her,

1:30:50.439 --> 1:30:52.679
<v Speaker 5>and then it was just I think the whole point

1:30:52.760 --> 1:30:55.519
<v Speaker 5>was just that she has some, you know, pretty well

1:30:55.560 --> 1:30:58.920
<v Speaker 5>placed clients, you know, like pretty high up in the

1:30:58.960 --> 1:31:01.160
<v Speaker 5>government type people.

1:31:01.720 --> 1:31:02.640
<v Speaker 4>Yeah.

1:31:02.680 --> 1:31:05.720
<v Speaker 5>So, but she was Russian, I think. So it's not

1:31:05.760 --> 1:31:08.800
<v Speaker 5>like I ever decided to make her Russian or because.

1:31:08.520 --> 1:31:10.800
<v Speaker 2>It was you know, yeah, well that would have been

1:31:10.840 --> 1:31:11.360
<v Speaker 2>a choice.

1:31:11.479 --> 1:31:16.200
<v Speaker 1>Yeah, yes, So, I mean my immediate first question, how

1:31:16.280 --> 1:31:17.760
<v Speaker 1>was bottle feeding that baby goat?

1:31:17.840 --> 1:31:20.200
<v Speaker 2>I mean, how was that experience? I can't forget.

1:31:20.040 --> 1:31:22.519
<v Speaker 5>Starting there because it's literally like we're gonna have to

1:31:22.560 --> 1:31:25.880
<v Speaker 5>stretch this into the entire interview because it's kind of

1:31:25.920 --> 1:31:27.240
<v Speaker 5>all I remember.

1:31:28.880 --> 1:31:31.720
<v Speaker 4>That thing had just been born that day.

1:31:31.920 --> 1:31:31.960
<v Speaker 2>No.

1:31:33.600 --> 1:31:36.439
<v Speaker 5>Yes, And these are the perks of being an actor,

1:31:36.560 --> 1:31:39.000
<v Speaker 5>Like who gets to hold a baby goat and feed it?

1:31:39.080 --> 1:31:41.519
<v Speaker 2>I can't believe they're ready to work so fast.

1:31:42.479 --> 1:31:46.400
<v Speaker 4>Well, I don't know that they asked the goat, you know.

1:31:47.040 --> 1:31:49.559
<v Speaker 1>Yeah, no, It's so funny because it's like you see

1:31:49.560 --> 1:31:51.519
<v Speaker 1>a baby born in a movie and you're like, that's

1:31:51.560 --> 1:31:54.479
<v Speaker 1>a three month old baby. But like the baby goats,

1:31:54.560 --> 1:31:56.240
<v Speaker 1>what do we know that could have been? You didn't

1:31:56.280 --> 1:31:57.320
<v Speaker 1>have to be a day old.

1:31:57.600 --> 1:31:58.840
<v Speaker 4>Yeah, no, that's really true.

1:31:58.880 --> 1:32:02.959
<v Speaker 5>Actually, yeah, I don't think they do like hours freshly

1:32:03.120 --> 1:32:04.440
<v Speaker 5>born humans.

1:32:04.720 --> 1:32:05.519
<v Speaker 4>Yeah, that's not a lot.

1:32:05.560 --> 1:32:07.519
<v Speaker 1>Well, the goat probably as a baby goat has like

1:32:07.600 --> 1:32:10.320
<v Speaker 1>certain union hours. It's allowed to work on sex and

1:32:10.400 --> 1:32:12.160
<v Speaker 1>you know, like have to get it to its tutor

1:32:12.200 --> 1:32:12.759
<v Speaker 1>and everything.

1:32:12.880 --> 1:32:14.400
<v Speaker 4>So I wonder where the goat is now?

1:32:14.920 --> 1:32:18.679
<v Speaker 3>Was the goat well behaved like you enjoyed, very great time.

1:32:18.720 --> 1:32:21.600
<v Speaker 4>Adorable, so cute. I get to hold it. It was

1:32:21.640 --> 1:32:23.800
<v Speaker 4>like a little my No, it was very very nice.

1:32:23.800 --> 1:32:25.639
<v Speaker 2>Where did you guys film the farm scenes?

1:32:26.360 --> 1:32:29.599
<v Speaker 4>I'm going to say Long Island?

1:32:29.760 --> 1:32:30.839
<v Speaker 2>Oh that makes sense.

1:32:31.120 --> 1:32:32.559
<v Speaker 5>That's what I'm going to say. I feel like it

1:32:32.600 --> 1:32:34.519
<v Speaker 5>was Long Island. I almost said New Jersey.

1:32:34.960 --> 1:32:35.280
<v Speaker 2>Ps.

1:32:35.360 --> 1:32:36.479
<v Speaker 4>Where are you guys are?

1:32:36.520 --> 1:32:38.719
<v Speaker 3>We're in LA But I'm in New York right now.

1:32:38.760 --> 1:32:42.720
<v Speaker 3>I'm in Sunset Park at the moment. Oh why, I

1:32:42.760 --> 1:32:45.040
<v Speaker 3>just love it here. I miss it and I just

1:32:45.160 --> 1:32:47.519
<v Speaker 3>we do stand up comedy and so coming to New

1:32:47.600 --> 1:32:50.160
<v Speaker 3>York you just get to do a lot of it,

1:32:50.920 --> 1:32:52.639
<v Speaker 3>party dinners, friends.

1:32:52.680 --> 1:32:53.200
<v Speaker 2>I like it.

1:32:54.080 --> 1:32:56.439
<v Speaker 5>Yeah, I guess I do miss New York. I think

1:32:56.439 --> 1:32:57.920
<v Speaker 5>I'm starting to realize.

1:32:57.479 --> 1:32:59.679
<v Speaker 2>That are you in La Yeah?

1:33:00.200 --> 1:33:05.160
<v Speaker 5>Here for like, you know, fourteen thirteen years something like that.

1:33:05.800 --> 1:33:08.439
<v Speaker 5>But I have a daughter who's now at Pratt So

1:33:08.520 --> 1:33:11.400
<v Speaker 5>I've been going to oh cool, you know, New York,

1:33:11.560 --> 1:33:14.880
<v Speaker 5>mostly in Brooklyn. I feel so weird about Manhattan, you guys,

1:33:14.960 --> 1:33:15.479
<v Speaker 5>I don't know.

1:33:16.160 --> 1:33:18.400
<v Speaker 2>No, I don't really Brooklyn's the coolest spot to be.

1:33:19.080 --> 1:33:22.080
<v Speaker 5>Yeah, I don't really relate in any way to the

1:33:22.120 --> 1:33:24.639
<v Speaker 5>city that literally made me who I am.

1:33:25.439 --> 1:33:26.639
<v Speaker 2>Did you grow up in New York?

1:33:27.600 --> 1:33:28.000
<v Speaker 4>I did?

1:33:28.400 --> 1:33:31.880
<v Speaker 5>And actually, oh, look at this perfect publicity moment.

1:33:32.960 --> 1:33:34.720
<v Speaker 4>I was a punk rocker.

1:33:34.800 --> 1:33:38.280
<v Speaker 5>And I in the mid eighties lived in a squat

1:33:38.360 --> 1:33:41.520
<v Speaker 5>on the Lower East Side and took all these photographs.

1:33:41.560 --> 1:33:43.400
<v Speaker 5>And I have a book coming out in the fall

1:33:43.560 --> 1:33:44.200
<v Speaker 5>in November.

1:33:44.400 --> 1:33:45.679
<v Speaker 2>Wow. Cool.

1:33:46.680 --> 1:33:49.240
<v Speaker 5>So it's about you know, it's there's not a lot

1:33:49.240 --> 1:33:52.080
<v Speaker 5>of words, it's mostly photographs. Oh god, I'm touching the phone.

1:33:52.120 --> 1:33:57.559
<v Speaker 5>Hold on, I'm not supposed to do that, Okay anyway, So, yeah,

1:33:57.800 --> 1:34:01.000
<v Speaker 5>that's so. I'm from New York, but I don't recognize it.

1:34:01.040 --> 1:34:01.599
<v Speaker 4>I I don't.

1:34:01.680 --> 1:34:03.640
<v Speaker 5>And even when I stay at my friend's house in

1:34:03.640 --> 1:34:05.920
<v Speaker 5>Brooklyn and she has a view of like all of Manhattan,

1:34:05.960 --> 1:34:07.640
<v Speaker 5>I'm like, is that Cleveland?

1:34:08.080 --> 1:34:11.080
<v Speaker 4>I have no idea. Like those tall, skinny buildings near

1:34:11.240 --> 1:34:12.599
<v Speaker 4>Central Park? What are those?

1:34:13.360 --> 1:34:14.400
<v Speaker 2>Oh? I don't even know.

1:34:14.520 --> 1:34:17.559
<v Speaker 1>I lived in New York for eleven years, but I

1:34:17.840 --> 1:34:20.120
<v Speaker 1>left six years ago to La So I don't really

1:34:20.240 --> 1:34:20.679
<v Speaker 1>know the sky.

1:34:20.840 --> 1:34:22.920
<v Speaker 2>I mean especially I don't know.

1:34:23.000 --> 1:34:26.160
<v Speaker 1>I don't know New York as well, especially because of pandemic.

1:34:26.160 --> 1:34:28.040
<v Speaker 2>I didn't go for like two over two years.

1:34:28.080 --> 1:34:28.240
<v Speaker 1>You know.

1:34:29.520 --> 1:34:32.000
<v Speaker 2>But you're you're were you born and raised Upper West Side?

1:34:32.240 --> 1:34:35.240
<v Speaker 4>Well, I mean I was born in Manhattan.

1:34:35.360 --> 1:34:39.639
<v Speaker 5>I was raised near Nyak Huh A lot of shooting

1:34:39.680 --> 1:34:40.839
<v Speaker 5>of sbu up therapy.

1:34:40.960 --> 1:34:41.400
<v Speaker 1>Yeah. Yeah.

1:34:41.439 --> 1:34:44.160
<v Speaker 2>I have performed in the Mall comedy club before.

1:34:44.160 --> 1:34:48.919
<v Speaker 4>Oh yeah, the Nanuet or the Nanuet Mall.

1:34:48.800 --> 1:34:52.000
<v Speaker 2>Is it called the Levity where Levity Live is right?

1:34:52.040 --> 1:34:53.160
<v Speaker 3>I don't know the name of them all, but I

1:34:53.439 --> 1:34:55.840
<v Speaker 3>visited Sleepy Hollow. I saw like the I went to

1:34:55.880 --> 1:34:56.439
<v Speaker 3>the cemetery.

1:34:56.479 --> 1:34:59.640
<v Speaker 4>I had some fun but nice nice.

1:34:59.640 --> 1:35:04.160
<v Speaker 3>But New York at NAY is gritty and scary like

1:35:04.200 --> 1:35:07.280
<v Speaker 3>it used to be, So maybe it'll feel familiar.

1:35:07.360 --> 1:35:10.599
<v Speaker 2>Yeah, they post pandemic. It's gone well.

1:35:10.640 --> 1:35:12.600
<v Speaker 3>At first, like an older comic was telling me, I

1:35:12.640 --> 1:35:14.040
<v Speaker 3>was like, he's just an old man. And then I

1:35:14.040 --> 1:35:17.320
<v Speaker 3>stayed out till five and it's like, oh, this is different.

1:35:17.439 --> 1:35:17.599
<v Speaker 1>Yeah.

1:35:17.600 --> 1:35:19.599
<v Speaker 5>I mean it was weird because I was there last

1:35:19.600 --> 1:35:23.200
<v Speaker 5>week and I took my daughter nineteen to Tompkins Square,

1:35:23.240 --> 1:35:26.360
<v Speaker 5>which used to be literally I knew the payphone number

1:35:26.360 --> 1:35:29.280
<v Speaker 5>by heart, and you know, sat on a bench there

1:35:29.360 --> 1:35:33.040
<v Speaker 5>smoking pot with my daughter. It's just so bizarre, you know, Like,

1:35:33.320 --> 1:35:36.760
<v Speaker 5>and I actually did notice that some kind of old

1:35:36.760 --> 1:35:39.040
<v Speaker 5>timey things like people shooting up in the middle of

1:35:39.120 --> 1:35:42.120
<v Speaker 5>the day in the park. You know that didn't feel

1:35:42.120 --> 1:35:44.200
<v Speaker 5>like you know, it was like that a couple of

1:35:44.240 --> 1:35:44.760
<v Speaker 5>years back.

1:35:44.840 --> 1:35:47.080
<v Speaker 3>But yeah, no, but the smell of weed is fun

1:35:47.120 --> 1:35:48.960
<v Speaker 3>when you're walking by, and it's so cool you get

1:35:49.000 --> 1:35:50.400
<v Speaker 3>to smoke with your daughter.

1:35:51.240 --> 1:35:54.679
<v Speaker 5>Yeah, I know, right, I'd rather people walk walk smoking

1:35:54.680 --> 1:35:57.160
<v Speaker 5>weed than on the goddamn cell phone. I I have

1:35:57.280 --> 1:35:59.519
<v Speaker 5>a rule, I do not move out of the way, Like,

1:35:59.600 --> 1:36:02.160
<v Speaker 5>if I'm walking and you're on your cell and you're walking,

1:36:02.200 --> 1:36:05.880
<v Speaker 5>you got to pull over otherwise I'm gonna you just

1:36:05.920 --> 1:36:07.840
<v Speaker 5>saying yeah.

1:36:07.880 --> 1:36:09.920
<v Speaker 2>And I'm assuming they just offered this part to you.

1:36:10.800 --> 1:36:12.680
<v Speaker 4>Oh they did, yeah.

1:36:12.920 --> 1:36:14.040
<v Speaker 2>Offer only baby.

1:36:14.320 --> 1:36:16.479
<v Speaker 1>Well, and you had done like a lot of law

1:36:16.479 --> 1:36:18.840
<v Speaker 1>and order, like you've been in criminal intent, you've been

1:36:18.840 --> 1:36:21.160
<v Speaker 1>in regular law and order and SV You've done the

1:36:21.160 --> 1:36:21.960
<v Speaker 1>whole trifecta.

1:36:22.640 --> 1:36:23.479
<v Speaker 4>I have.

1:36:23.680 --> 1:36:25.559
<v Speaker 5>And I have to say, I think it took so

1:36:25.640 --> 1:36:28.960
<v Speaker 5>long for SBU because every time. I think there were

1:36:28.960 --> 1:36:31.120
<v Speaker 5>a couple of times before when they asked me and

1:36:31.560 --> 1:36:33.439
<v Speaker 5>I was like, do I get raped? Does my kid

1:36:33.479 --> 1:36:36.960
<v Speaker 5>get raped? I'm just not really in the mood for that.

1:36:37.200 --> 1:36:40.800
<v Speaker 5>So this one was like, yeah, I'll do this one.

1:36:40.920 --> 1:36:43.679
<v Speaker 1>Yeah, almost when you're like, I'm just getting people killed

1:36:43.880 --> 1:36:46.720
<v Speaker 1>from crossing me, but nothing, you know, you don't really

1:36:46.760 --> 1:36:48.160
<v Speaker 1>get your hands dirty per se.

1:36:48.960 --> 1:36:50.599
<v Speaker 2>But yeah, it's terrifying character.

1:36:51.040 --> 1:36:54.160
<v Speaker 3>So you're curious which ones you turned down, though, like

1:36:54.200 --> 1:36:57.599
<v Speaker 3>I want to know what the like, that's a wild

1:36:57.680 --> 1:37:01.120
<v Speaker 3>question to remember, but I'm so curiously Yeah.

1:37:01.160 --> 1:37:01.639
<v Speaker 2>So cool.

1:37:01.720 --> 1:37:04.320
<v Speaker 5>I know, I know one involved a kid being taken,

1:37:04.360 --> 1:37:06.080
<v Speaker 5>and I thought, oh no, I can't do that?

1:37:06.439 --> 1:37:07.519
<v Speaker 2>Yeah too close?

1:37:07.720 --> 1:37:09.599
<v Speaker 4>Yeah, just too too.

1:37:10.640 --> 1:37:13.040
<v Speaker 2>Yeah, QUSVU REALLYSVU.

1:37:13.840 --> 1:37:15.839
<v Speaker 3>But even though you didn't, we weren't like a criminal

1:37:15.920 --> 1:37:17.679
<v Speaker 3>criminal you did get I mean you were a criminal.

1:37:17.720 --> 1:37:19.840
<v Speaker 3>You didn't get your hands dirty, but you got a

1:37:19.920 --> 1:37:20.960
<v Speaker 3>nice courtroom scene.

1:37:21.080 --> 1:37:23.400
<v Speaker 2>I was. Do you remember filming the courtroom scene?

1:37:23.680 --> 1:37:26.080
<v Speaker 4>Oh god, will you guys tell me some stuff? What

1:37:26.160 --> 1:37:26.679
<v Speaker 4>did I do?

1:37:26.960 --> 1:37:31.360
<v Speaker 2>I don't know. Well, your lawyer? Your lawyer was Ron Rifkin.

1:37:31.760 --> 1:37:34.240
<v Speaker 4>Oh yeah, I love Ron?

1:37:34.560 --> 1:37:34.800
<v Speaker 2>Yeah?

1:37:34.880 --> 1:37:35.080
<v Speaker 1>Yeah?

1:37:35.240 --> 1:37:37.400
<v Speaker 2>Was that good? Was that fun? That's crazy?

1:37:37.439 --> 1:37:40.200
<v Speaker 5>It's like crazy that I totally forgot that until you

1:37:40.240 --> 1:37:43.200
<v Speaker 5>said that. Is this what happens to people when they

1:37:43.200 --> 1:37:45.120
<v Speaker 5>come on They're like, holy shit, he was.

1:37:45.240 --> 1:37:47.519
<v Speaker 2>He was in a lot of people. A lot of

1:37:47.560 --> 1:37:49.240
<v Speaker 2>people are like, wait.

1:37:49.280 --> 1:37:52.240
<v Speaker 1>You tell me what happened next, were like, what happened.

1:37:52.040 --> 1:37:52.519
<v Speaker 2>When you shot?

1:37:52.560 --> 1:37:54.120
<v Speaker 1>When you had that blood all over you? And she's

1:37:54.160 --> 1:37:56.599
<v Speaker 1>like wait, I did well you get that a lot?

1:37:56.840 --> 1:37:57.120
<v Speaker 2>Wow.

1:37:57.240 --> 1:37:59.400
<v Speaker 3>And then we're kind of like, I said so in

1:37:59.439 --> 1:38:00.679
<v Speaker 3>depth that we'll talk to someone.

1:38:00.680 --> 1:38:02.360
<v Speaker 2>They're like, that was twenty two years ago.

1:38:04.000 --> 1:38:06.800
<v Speaker 3>Like sometimes I do feel our questions are inappropriate.

1:38:07.680 --> 1:38:09.880
<v Speaker 5>I mean, let's face it, I could have rewatched it,

1:38:09.880 --> 1:38:10.519
<v Speaker 5>couldn't I have?

1:38:10.720 --> 1:38:13.599
<v Speaker 4>I could have like crept I did google it. I

1:38:13.640 --> 1:38:15.200
<v Speaker 4>saw it ten years ago.

1:38:15.280 --> 1:38:18.240
<v Speaker 1>Ten years ago, the ten year anniversary of that of

1:38:18.280 --> 1:38:23.040
<v Speaker 1>that full three episode arc that goes across seasons.

1:38:23.600 --> 1:38:26.120
<v Speaker 4>Oh yeah, yeah from thirteen to fourteen.

1:38:26.320 --> 1:38:30.800
<v Speaker 1>Yeah yeah, there you got it. But do you have

1:38:30.880 --> 1:38:34.360
<v Speaker 1>any memories of like working with Marishko, working with Braun,

1:38:34.439 --> 1:38:36.599
<v Speaker 1>like working like being on the set or anything like

1:38:37.000 --> 1:38:40.080
<v Speaker 1>anything our listeners might like, nice hotel, a little bit

1:38:40.080 --> 1:38:40.439
<v Speaker 1>of tea.

1:38:41.200 --> 1:38:44.960
<v Speaker 5>I remember, Oh god, I wish I had tea. I

1:38:45.000 --> 1:38:47.400
<v Speaker 5>remember Mary, she could being very very nice. She had

1:38:47.439 --> 1:38:50.360
<v Speaker 5>a baby too. She had a baby, like right there

1:38:50.360 --> 1:38:54.880
<v Speaker 5>in a crib, baby like right there, her youngest one. Yeah,

1:38:54.880 --> 1:38:56.519
<v Speaker 5>I'm thinking right ten years ago.

1:38:56.680 --> 1:38:58.880
<v Speaker 4>Yeah. How many does she have?

1:38:59.280 --> 1:39:00.000
<v Speaker 2>She has three?

1:39:00.080 --> 1:39:01.880
<v Speaker 1>But I think her oldest son is like a teen,

1:39:02.280 --> 1:39:03.559
<v Speaker 1>like a seventeen or eighteen.

1:39:04.000 --> 1:39:08.559
<v Speaker 5>Oh yeah, oh good luck. I guess that's why she's

1:39:08.560 --> 1:39:14.320
<v Speaker 5>still working. They're still doing this show. Yes, Oh yeah, baby, Okay,

1:39:14.400 --> 1:39:15.280
<v Speaker 5>what season is it?

1:39:15.320 --> 1:39:19.599
<v Speaker 2>Twenty? It's about to be twenty four? Holy shit. Wow.

1:39:19.720 --> 1:39:21.519
<v Speaker 1>Yeah, they're never going to stop. I think they'll just

1:39:21.560 --> 1:39:23.479
<v Speaker 1>stop when she stops. I truly don't think they're going

1:39:23.560 --> 1:39:25.240
<v Speaker 1>to stop it until she stops.

1:39:25.439 --> 1:39:26.320
<v Speaker 4>Oh my god.

1:39:26.560 --> 1:39:30.120
<v Speaker 5>Yeah yeah, wait, so let me think, Well, when you

1:39:30.160 --> 1:39:32.160
<v Speaker 5>asked that question, I all of a sudden thought of

1:39:32.760 --> 1:39:35.240
<v Speaker 5>Law and Order, which isn't the same. But I just

1:39:35.360 --> 1:39:37.880
<v Speaker 5>remember being in a courtroom in Law and Order, So

1:39:37.920 --> 1:39:39.800
<v Speaker 5>you think, why wouldn't I remember this one? It was

1:39:39.880 --> 1:39:44.400
<v Speaker 5>more recent, but I remember asking questions and Sam Waterston

1:39:44.479 --> 1:39:47.280
<v Speaker 5>being like, don't ask questions.

1:39:48.600 --> 1:39:50.479
<v Speaker 4>Don't it's Pandora's box.

1:39:50.560 --> 1:39:52.799
<v Speaker 5>If you ask questions, it's all going to fall apart,

1:39:52.880 --> 1:39:54.480
<v Speaker 5>you know, Because I was like, wait a minute.

1:39:54.160 --> 1:39:56.559
<v Speaker 4>Why was I here? If this happened then, you know

1:39:56.680 --> 1:39:59.080
<v Speaker 4>that kind of thing. He's like, no, no, no, no, no, no, no,

1:39:59.080 --> 1:40:02.680
<v Speaker 4>no god, the scripts are in. We only have till Friday, Like,

1:40:02.840 --> 1:40:04.040
<v Speaker 4>let's just shoot this thing.

1:40:04.280 --> 1:40:07.519
<v Speaker 1>At that point it was probably Sam Waterson's like fifteenth season.

1:40:07.600 --> 1:40:10.400
<v Speaker 2>He was like, nope, we don't do questions.

1:40:10.680 --> 1:40:15.000
<v Speaker 4>Yeah, yeah, no, just just play the scene, Brooke. Yeah,

1:40:15.040 --> 1:40:16.200
<v Speaker 4>that's so. I don't know.

1:40:16.280 --> 1:40:18.599
<v Speaker 5>I don't remember much else. It's really just the goat.

1:40:19.640 --> 1:40:24.200
<v Speaker 5>Everybody was very nice, and yeah, I do remember that

1:40:24.280 --> 1:40:28.519
<v Speaker 5>kind of burbery clothing thing that yeare Richie kind of yeah, and.

1:40:28.479 --> 1:40:31.000
<v Speaker 1>Like when they when they lead you down the courthouse steps,

1:40:31.040 --> 1:40:32.320
<v Speaker 1>which I don't know if you remember this, when you

1:40:32.360 --> 1:40:34.040
<v Speaker 1>finally do get busted, they lead you down to the

1:40:34.040 --> 1:40:34.639
<v Speaker 1>courthouse steps.

1:40:34.680 --> 1:40:37.960
<v Speaker 2>I think you're wearing Wellington's. I mean, you're like rubber

1:40:38.000 --> 1:40:38.840
<v Speaker 2>boots to court.

1:40:38.920 --> 1:40:41.559
<v Speaker 4>It's because they picked me up there, don't they. Yeah,

1:40:41.560 --> 1:40:42.120
<v Speaker 4>it happens.

1:40:42.400 --> 1:40:48.080
<v Speaker 3>Yeah, well obviously we we want to know how often

1:40:48.080 --> 1:40:50.839
<v Speaker 3>do people bring up the lotion to you in the streets.

1:40:53.439 --> 1:40:57.240
<v Speaker 5>You know, still they still do it, but less, I'd

1:40:57.280 --> 1:40:59.559
<v Speaker 5>say less. It used to be weirder, you know, when

1:40:59.600 --> 1:41:02.960
<v Speaker 5>people be like, you know, oh my god, my boyfriend

1:41:03.000 --> 1:41:05.160
<v Speaker 5>does that same thing when he texts his penis in

1:41:05.400 --> 1:41:06.680
<v Speaker 5>and you're just like.

1:41:06.400 --> 1:41:07.519
<v Speaker 2>Oh my god.

1:41:07.800 --> 1:41:09.760
<v Speaker 5>I don't know if I need to know that or

1:41:09.920 --> 1:41:15.840
<v Speaker 5>that should be your boyfriend or I just like, yeah.

1:41:15.439 --> 1:41:19.400
<v Speaker 2>So I do get that sometimes, Yeah, it seemly that.

1:41:19.960 --> 1:41:22.240
<v Speaker 5>Or Grey's anatomy, because I guess those are the two

1:41:22.400 --> 1:41:24.160
<v Speaker 5>biggest things.

1:41:24.280 --> 1:41:26.280
<v Speaker 1>You know, I was gonna ask you, do you get more?

1:41:26.600 --> 1:41:28.439
<v Speaker 1>Do you get more silence of the Lambs? People are

1:41:28.439 --> 1:41:29.679
<v Speaker 1>more Gray's Anatomy people.

1:41:30.040 --> 1:41:31.519
<v Speaker 4>I think it's like fifty to fifteen.

1:41:31.720 --> 1:41:34.559
<v Speaker 1>Yeah, yeah, Because like when Lisa was saying how she

1:41:34.600 --> 1:41:37.519
<v Speaker 1>sees people, and she's like svusvusbu. I've seen you in

1:41:37.560 --> 1:41:39.400
<v Speaker 1>a ton of stuff that you've done, but I always

1:41:39.439 --> 1:41:40.280
<v Speaker 1>am like, oh my god.

1:41:40.160 --> 1:41:43.400
<v Speaker 2>Yes it's brook Smith from Silence of the Lambs. Yeah,

1:41:43.439 --> 1:41:46.800
<v Speaker 2>just like that movie. The listeners know. I bring up

1:41:46.800 --> 1:41:48.599
<v Speaker 2>that movie all the time, like.

1:41:48.560 --> 1:41:50.960
<v Speaker 1>It's just like it was like a seminal movie for me,

1:41:51.040 --> 1:41:52.800
<v Speaker 1>Like it was very disturbing. I think I watched it

1:41:52.840 --> 1:41:55.360
<v Speaker 1>when I was like twelve or thirteen, maybe too early,

1:41:55.760 --> 1:41:58.880
<v Speaker 1>and I like really love it, and my family like

1:41:58.960 --> 1:42:00.800
<v Speaker 1>quotes it and makes jokes about it all the time.

1:42:00.840 --> 1:42:04.000
<v Speaker 1>I don't know, we're sick, but you're so good in that,

1:42:04.680 --> 1:42:06.920
<v Speaker 1>And that was one of your first big roles, right.

1:42:07.280 --> 1:42:09.240
<v Speaker 4>Yeah, it was kind of my big first thing.

1:42:09.520 --> 1:42:11.920
<v Speaker 3>Yeah, it was your big because you're also associated not

1:42:11.960 --> 1:42:14.000
<v Speaker 3>only with Logan but the song like the American Girl.

1:42:14.000 --> 1:42:16.599
<v Speaker 3>I feel like, you know, there's certain movies where that's

1:42:16.640 --> 1:42:18.639
<v Speaker 3>all like all I think about when I hear that song.

1:42:19.360 --> 1:42:21.320
<v Speaker 5>Yeah, it's it's funny because I'll be like in a

1:42:21.439 --> 1:42:24.200
<v Speaker 5>mall and I'll hear that song and I'll fee I'll

1:42:24.280 --> 1:42:25.920
<v Speaker 5>kind of look around secretly I.

1:42:25.840 --> 1:42:28.320
<v Speaker 4>Can't believe saying this, and I'll be like, is everybody

1:42:28.320 --> 1:42:32.160
<v Speaker 4>gonna mob me? Now? Like, no, no one sees you.

1:42:32.680 --> 1:42:36.240
<v Speaker 5>No one is making that connection, Brooke, No, no, but.

1:42:36.200 --> 1:42:38.320
<v Speaker 2>It's just like it is such a song.

1:42:38.520 --> 1:42:41.639
<v Speaker 1>I connect to one person and that person is you.

1:42:41.680 --> 1:42:44.639
<v Speaker 4>Even though crazy, I wish I had met Tom Petty.

1:42:44.720 --> 1:42:49.040
<v Speaker 1>You guys, and I know I know, so can I

1:42:49.120 --> 1:42:51.120
<v Speaker 1>just like take it back? So you grew up in

1:42:51.160 --> 1:42:54.439
<v Speaker 1>New York, the New York area, and I was reading

1:42:54.479 --> 1:42:56.479
<v Speaker 1>about you that your mother was this like well known

1:42:56.479 --> 1:42:58.519
<v Speaker 1>publicist and had like a lot of big clients. So

1:42:59.040 --> 1:43:01.240
<v Speaker 1>was that something that kind of sparked your interest in

1:43:01.280 --> 1:43:03.360
<v Speaker 1>getting into the acting world. Did you already have that

1:43:03.640 --> 1:43:05.840
<v Speaker 1>or like what how did you get started in this

1:43:06.720 --> 1:43:07.639
<v Speaker 1>crazy biz?

1:43:08.160 --> 1:43:08.439
<v Speaker 4>Yeah?

1:43:08.520 --> 1:43:10.400
<v Speaker 5>I mean I would say that was it, and that

1:43:10.560 --> 1:43:13.720
<v Speaker 5>Freud or whoever would probably say that my mom was

1:43:13.720 --> 1:43:16.920
<v Speaker 5>always off with actors, So hello, I became an actor,

1:43:17.120 --> 1:43:17.360
<v Speaker 5>you know.

1:43:18.680 --> 1:43:21.479
<v Speaker 4>But she was East Coast, so that's a little different. Yeah,

1:43:21.600 --> 1:43:23.120
<v Speaker 4>and she was different in every way.

1:43:23.200 --> 1:43:25.639
<v Speaker 5>Like this morning, I was I'm just going to diss

1:43:25.680 --> 1:43:28.960
<v Speaker 5>the New York Times once but this and I sound

1:43:29.240 --> 1:43:31.000
<v Speaker 5>just like my dad who worked at the New York Times.

1:43:31.080 --> 1:43:33.720
<v Speaker 5>But I saw the cover today and there was some

1:43:33.880 --> 1:43:37.800
<v Speaker 5>piece like halfway down about some publicist and I remember

1:43:37.920 --> 1:43:40.160
<v Speaker 5>my mom used to say, like, if you're a publicist

1:43:40.200 --> 1:43:41.840
<v Speaker 5>and you're publicizing yourself, like.

1:43:42.040 --> 1:43:42.800
<v Speaker 4>You know, what is that?

1:43:42.920 --> 1:43:45.799
<v Speaker 5>I don't know, but anyway, so yes, grew up around

1:43:45.840 --> 1:43:48.439
<v Speaker 5>it and I don't know what.

1:43:48.479 --> 1:43:50.680
<v Speaker 4>To say except I always knew that's what I was

1:43:50.680 --> 1:43:52.080
<v Speaker 4>going to do. I just always knew.

1:43:52.720 --> 1:43:56.160
<v Speaker 5>And I guess I would say nepotism was a piece

1:43:56.200 --> 1:44:01.799
<v Speaker 5>of it, probably because Jonathan Demi was a publicist prior

1:44:01.880 --> 1:44:05.920
<v Speaker 5>to being a direct so he knew my mom somehow,

1:44:06.120 --> 1:44:08.360
<v Speaker 5>and I think when he was starting to look for

1:44:08.520 --> 1:44:11.160
<v Speaker 5>someone to play that role, somebody said, oh you should,

1:44:11.720 --> 1:44:15.519
<v Speaker 5>you know, talk to Lois's daughter, and that's kind of

1:44:15.520 --> 1:44:18.519
<v Speaker 5>how I met it, and boom, yeah, so there you go.

1:44:18.560 --> 1:44:20.599
<v Speaker 3>Well I read it the I think it was Vulture

1:44:20.720 --> 1:44:22.960
<v Speaker 3>did like the anniversary of Silence of the Lambs or

1:44:22.960 --> 1:44:24.680
<v Speaker 3>like an oral history, and you were a part of

1:44:24.720 --> 1:44:26.639
<v Speaker 3>it and talking, and I did.

1:44:26.479 --> 1:44:27.280
<v Speaker 2>Really love that.

1:44:27.560 --> 1:44:29.840
<v Speaker 3>You're like the only person ever in the history of

1:44:29.960 --> 1:44:32.560
<v Speaker 3>entertainment that's ever been like, oh yeah, my mom was

1:44:32.600 --> 1:44:33.439
<v Speaker 3>in the bus and that's.

1:44:33.280 --> 1:44:35.000
<v Speaker 2>How I got connected. And then I got a thing

1:44:35.080 --> 1:44:36.720
<v Speaker 2>like no one ever wants to say that.

1:44:37.439 --> 1:44:40.000
<v Speaker 4>I guess people feel like it means they're not good

1:44:40.120 --> 1:44:41.559
<v Speaker 4>or something. Or whatever.

1:44:41.760 --> 1:44:44.439
<v Speaker 1>But if you had been terrible, A, we would have

1:44:44.479 --> 1:44:46.320
<v Speaker 1>seen it, and B you would have stopped working.

1:44:46.520 --> 1:44:49.160
<v Speaker 2>I think, you know, hopefully.

1:44:49.920 --> 1:44:53.720
<v Speaker 5>There's a lot of bad actors out there working guys.

1:44:56.200 --> 1:44:58.920
<v Speaker 1>I know, right, Oh wait, but did you you saw

1:44:58.960 --> 1:45:01.519
<v Speaker 1>this whole thing O like a year ago maybe with

1:45:01.600 --> 1:45:04.080
<v Speaker 1>the anniversary of Sound Slams, where everybody said that you

1:45:04.400 --> 1:45:07.000
<v Speaker 1>and the guy who played Buffalo Bill were dating.

1:45:07.439 --> 1:45:10.080
<v Speaker 5>Yes, And it was a picture from my camera of

1:45:10.200 --> 1:45:12.800
<v Speaker 5>us sitting on the edge of the pit right with

1:45:13.080 --> 1:45:15.960
<v Speaker 5>their arms around each other, Ted Levine, who was married,

1:45:16.040 --> 1:45:18.280
<v Speaker 5>And I was like, you know, no, we were I

1:45:18.360 --> 1:45:18.960
<v Speaker 5>never dated.

1:45:19.200 --> 1:45:21.479
<v Speaker 1>Yeah, every and then you wrote on Instagram and were

1:45:21.520 --> 1:45:24.480
<v Speaker 1>like this isn't true but cute pick or something exactly.

1:45:24.760 --> 1:45:27.320
<v Speaker 5>Yeah, and people still didn't believe me, and yeah, all right,

1:45:27.720 --> 1:45:30.400
<v Speaker 5>that was getting so viral for like three days.

1:45:30.439 --> 1:45:33.320
<v Speaker 2>It was like, can you believe these two co stars dated?

1:45:33.760 --> 1:45:35.800
<v Speaker 4>I know, very weird, very weird.

1:45:35.880 --> 1:45:37.880
<v Speaker 5>I mean, I will say, and I've said this before

1:45:38.000 --> 1:45:40.439
<v Speaker 5>that Jody used to refer to me as Patty Hurst

1:45:40.560 --> 1:45:41.800
<v Speaker 5>because she.

1:45:41.800 --> 1:45:44.080
<v Speaker 4>Didn't really get. I mean she did get because she

1:45:44.120 --> 1:45:45.080
<v Speaker 4>had done the accused.

1:45:45.160 --> 1:45:48.320
<v Speaker 5>But that thing of when you kind of overcompensate with

1:45:48.360 --> 1:45:51.200
<v Speaker 5>an actor who's like on screen torturing you and going

1:45:51.280 --> 1:45:54.040
<v Speaker 5>to kill you, so you kind of bend over the

1:45:54.080 --> 1:45:57.200
<v Speaker 5>other way when you're off screen. Yeah, we became really

1:45:57.240 --> 1:46:00.639
<v Speaker 5>tight and hung out all the time when we weren't working.

1:46:00.760 --> 1:46:03.599
<v Speaker 2>So well, that's cool. How deep was the hole?

1:46:04.640 --> 1:46:07.479
<v Speaker 5>It was deep, you guys, it was And it was

1:46:07.600 --> 1:46:13.519
<v Speaker 5>in a factory in Pittsburgh weirdly whoa, and so.

1:46:13.400 --> 1:46:16.000
<v Speaker 4>They like, I don't know, they made it and I could.

1:46:15.760 --> 1:46:18.400
<v Speaker 5>Get in it from down below or from the side

1:46:18.520 --> 1:46:20.280
<v Speaker 5>or from above, but it was pretty deep.

1:46:20.320 --> 1:46:21.080
<v Speaker 4>I got a sign.

1:46:21.720 --> 1:46:22.760
<v Speaker 2>Oh my gosh.

1:46:22.840 --> 1:46:25.040
<v Speaker 3>Well, so Kara's always Silence of the Lambs with you

1:46:25.080 --> 1:46:28.519
<v Speaker 3>and wildly. In my theater class in high school, we

1:46:28.560 --> 1:46:33.240
<v Speaker 3>watched Uncle Manya on forty second Street and that's that

1:46:33.360 --> 1:46:34.600
<v Speaker 3>was my introduction to you.

1:46:34.800 --> 1:46:36.840
<v Speaker 4>So wait, what theater class? What theater class?

1:46:36.880 --> 1:46:37.000
<v Speaker 5>Oh?

1:46:37.000 --> 1:46:39.240
<v Speaker 3>Like at my high school, I went to Niles North

1:46:39.280 --> 1:46:43.040
<v Speaker 3>in the Chicago suburbs, and mister Ortman loved him. He

1:46:43.120 --> 1:46:45.880
<v Speaker 3>retired this past year. But we had a we had

1:46:45.920 --> 1:46:48.560
<v Speaker 3>an amazing theater department. We had like a full costume

1:46:48.720 --> 1:46:52.160
<v Speaker 3>and scene workshop, and I mean we had like we

1:46:52.200 --> 1:46:55.280
<v Speaker 3>did equis in high school, kabuki plays like it was

1:46:55.400 --> 1:46:58.799
<v Speaker 3>really cool and I forgot, well we're probably just studying

1:46:58.840 --> 1:47:01.080
<v Speaker 3>Chekhov or something, but we watched and.

1:47:00.920 --> 1:47:06.120
<v Speaker 4>It was nice. Shout out to mister or Yeah.

1:47:06.200 --> 1:47:08.479
<v Speaker 5>Yeah, that was one of my faves. I think, I

1:47:08.479 --> 1:47:09.400
<v Speaker 5>think probably my fave.

1:47:09.600 --> 1:47:10.040
<v Speaker 4>I don't know.

1:47:10.120 --> 1:47:12.439
<v Speaker 1>And then of course I've seen you in Bosh. I'm

1:47:12.479 --> 1:47:15.559
<v Speaker 1>a huge Bosh head and Big Sky was one of

1:47:15.560 --> 1:47:18.880
<v Speaker 1>my big pandemic watches. Loved your whole arc in Big Sky.

1:47:19.080 --> 1:47:22.439
<v Speaker 1>I was really nervous and scared for you. But I

1:47:22.520 --> 1:47:24.200
<v Speaker 1>kind of like that your character ends up well and

1:47:24.200 --> 1:47:25.360
<v Speaker 1>I don't want to spoil it for any of the

1:47:25.360 --> 1:47:26.000
<v Speaker 1>Big Sky.

1:47:25.840 --> 1:47:28.840
<v Speaker 2>Yet it's out there. Yeah, yeah, no.

1:47:28.880 --> 1:47:30.920
<v Speaker 4>I was happy with how that turned out as well.

1:47:31.120 --> 1:47:34.760
<v Speaker 5>And yeah, and Bosh, I don't know, they brought me on.

1:47:34.880 --> 1:47:36.720
<v Speaker 5>This happens to me where they bring me on to

1:47:36.800 --> 1:47:40.040
<v Speaker 5>be like Grumpy and the foil and like and I'm like,

1:47:40.080 --> 1:47:42.400
<v Speaker 5>why do why don't I like that person? And they're like,

1:47:42.439 --> 1:47:44.320
<v Speaker 5>we don't know, we just need somebody to not like

1:47:44.360 --> 1:47:47.760
<v Speaker 5>that person. So yeah, I don't know. I just kind

1:47:47.760 --> 1:47:49.400
<v Speaker 5>of disappeared on Bosh, didn't Yeah.

1:47:49.520 --> 1:47:51.960
<v Speaker 1>Yeah, you were like against the chief, right, like you

1:47:52.000 --> 1:47:53.920
<v Speaker 1>didn't like you were making her life a living hell

1:47:54.080 --> 1:47:54.400
<v Speaker 1>kind of.

1:47:54.960 --> 1:47:57.240
<v Speaker 5>I think I probably yeah, because then I remember Amy

1:47:57.280 --> 1:48:01.719
<v Speaker 5>Akino and Io that's her. Yeah, we were like saying,

1:48:02.200 --> 1:48:04.439
<v Speaker 5>wouldn't it be nice if we could like come together

1:48:04.520 --> 1:48:07.040
<v Speaker 5>and be women who like support each other and not like.

1:48:07.040 --> 1:48:09.280
<v Speaker 4>Attack each other like they always do. And then I

1:48:09.320 --> 1:48:09.719
<v Speaker 4>was gone.

1:48:09.840 --> 1:48:13.519
<v Speaker 1>So they're like, actually, no getting rid of her.

1:48:13.640 --> 1:48:15.439
<v Speaker 4>No, you know, we don't want that. She has too

1:48:15.479 --> 1:48:16.240
<v Speaker 4>many ideas.

1:48:16.280 --> 1:48:17.760
<v Speaker 2>Do you watch your projects?

1:48:17.960 --> 1:48:18.639
<v Speaker 4>I do?

1:48:19.360 --> 1:48:21.639
<v Speaker 5>I feel like there was on recently that I didn't,

1:48:21.800 --> 1:48:25.120
<v Speaker 5>but uh no, you know what there's I mostly do.

1:48:25.320 --> 1:48:27.920
<v Speaker 4>I mostly do. There's been a couple that I haven't.

1:48:27.960 --> 1:48:30.160
<v Speaker 5>There was one I did that I'm sure is terrible,

1:48:30.439 --> 1:48:32.320
<v Speaker 5>but I had so much fun that I don't want to,

1:48:32.600 --> 1:48:34.200
<v Speaker 5>you know, have that memory?

1:48:34.400 --> 1:48:37.559
<v Speaker 2>Do you know it's terrible as you work? Honestly?

1:48:37.560 --> 1:48:40.800
<v Speaker 5>Oh that's a good question. Well, h no, I'll get

1:48:40.840 --> 1:48:44.760
<v Speaker 5>in trouble. I can't say much. But uh, they you know,

1:48:44.880 --> 1:48:47.240
<v Speaker 5>I just did something recently that I really have no

1:48:47.320 --> 1:48:49.760
<v Speaker 5>idea what the hell we did, no clue, and so

1:48:49.920 --> 1:48:52.640
<v Speaker 5>we'll see what they, you know, turn it into I

1:48:52.680 --> 1:48:55.200
<v Speaker 5>really don't know. So I guess it's true that we

1:48:55.280 --> 1:48:57.160
<v Speaker 5>never really know. But I will say I knew on

1:48:57.280 --> 1:48:59.160
<v Speaker 5>Silence of the Lamps that it was going to be huge.

1:48:59.479 --> 1:49:02.640
<v Speaker 5>Yeah you did, Yeah, that one, I know, yeah, and

1:49:02.680 --> 1:49:04.040
<v Speaker 5>the other ones I guess.

1:49:03.800 --> 1:49:04.439
<v Speaker 4>I can know.

1:49:04.840 --> 1:49:08.360
<v Speaker 1>And you ended up being like on Grays, which I'm

1:49:08.400 --> 1:49:12.880
<v Speaker 1>not a Gray's person, but I was wondering, like, Dick

1:49:12.920 --> 1:49:16.599
<v Speaker 1>Wolfe Universe, shondaaland those are kind of two huge, you know,

1:49:17.200 --> 1:49:18.320
<v Speaker 1>TV powerhouses.

1:49:19.120 --> 1:49:20.040
<v Speaker 2>How do you think they compare?

1:49:20.960 --> 1:49:25.479
<v Speaker 5>Oh my god, you mean specifically Dick Wolf and Shonda Rhimes.

1:49:25.520 --> 1:49:28.040
<v Speaker 1>Well, no, just like this, the feelings of the sets,

1:49:28.120 --> 1:49:29.800
<v Speaker 1>like the you know, be it because you've been on

1:49:30.120 --> 1:49:32.880
<v Speaker 1>you were really recurring on Grays. Obviously you did like

1:49:33.520 --> 1:49:35.840
<v Speaker 1>dozens of episodes on Grays, but you've been on like

1:49:36.360 --> 1:49:39.599
<v Speaker 1>three different Law and Order sets and various roles, and

1:49:39.840 --> 1:49:41.640
<v Speaker 1>you probably got a sense for what it's like. I

1:49:41.680 --> 1:49:44.480
<v Speaker 1>was just wondering if like it's like, no, it's shondaland

1:49:44.720 --> 1:49:46.400
<v Speaker 1>like it's this way, and you know, I don't know.

1:49:46.760 --> 1:49:47.639
<v Speaker 4>Yeah, I don't know what.

1:49:47.680 --> 1:49:50.719
<v Speaker 5>To say about that. They do feel like different lands.

1:49:50.880 --> 1:49:54.040
<v Speaker 5>And I remember I had a friend who was on

1:49:54.120 --> 1:49:56.639
<v Speaker 5>Grays when I got there, who said, Okay, at the table,

1:49:56.680 --> 1:49:58.240
<v Speaker 5>read sit next to Shonda.

1:49:58.439 --> 1:50:00.120
<v Speaker 4>If you have a major script note.

1:50:00.120 --> 1:50:02.320
<v Speaker 5>Take it right to her right after the table read

1:50:02.560 --> 1:50:04.640
<v Speaker 5>if not, go to the writer that's name is on

1:50:04.720 --> 1:50:07.000
<v Speaker 5>the script, because you don't want to make that you know,

1:50:07.040 --> 1:50:09.599
<v Speaker 5>you don't want to get into Shonda unless it's really

1:50:09.640 --> 1:50:11.479
<v Speaker 5>really structurally something.

1:50:12.400 --> 1:50:14.440
<v Speaker 4>And I was like, oh my god, Okay.

1:50:15.280 --> 1:50:18.479
<v Speaker 5>And lately I've been hearing this thing where you can't, like,

1:50:19.680 --> 1:50:21.360
<v Speaker 5>if you have a question and you want to ask

1:50:21.400 --> 1:50:27.080
<v Speaker 5>a writer a question that doesn't always get answered. In fact,

1:50:27.600 --> 1:50:30.120
<v Speaker 5>lately it really doesn't get answered at all. I've been

1:50:30.120 --> 1:50:34.840
<v Speaker 5>finding like, you know, I was on a show, and

1:50:36.240 --> 1:50:39.479
<v Speaker 5>you know, I wasn't a series regular, but I had

1:50:39.560 --> 1:50:41.560
<v Speaker 5>this massive scene to do and I really had a

1:50:41.640 --> 1:50:44.360
<v Speaker 5>lot of questions and I just couldn't get any writer

1:50:44.479 --> 1:50:46.799
<v Speaker 5>to call me back. And I just thought, well, that's weird,

1:50:47.160 --> 1:50:50.800
<v Speaker 5>because if I'm writing something and you have questions hit me,

1:50:50.960 --> 1:50:53.280
<v Speaker 5>you know, like I'll I don't know.

1:50:53.240 --> 1:50:55.320
<v Speaker 4>What that is. I don't know if they I don't

1:50:55.360 --> 1:50:56.599
<v Speaker 4>know what that is. It's weird.

1:50:56.720 --> 1:50:59.800
<v Speaker 5>And then I've worked recently on ones where they don't

1:50:59.840 --> 1:51:00.639
<v Speaker 5>talk to us at all.

1:51:00.680 --> 1:51:03.280
<v Speaker 2>That's so wild. That is so crazy.

1:51:03.520 --> 1:51:05.680
<v Speaker 4>Have you guys not experienced this or I don't know.

1:51:05.640 --> 1:51:08.240
<v Speaker 2>If we're working as much as you are working as

1:51:08.320 --> 1:51:08.760
<v Speaker 2>much as you.

1:51:08.800 --> 1:51:10.879
<v Speaker 5>I mean, I mean, and I don't want to be negative,

1:51:10.920 --> 1:51:13.800
<v Speaker 5>but I do feel like there is this kind of corporate,

1:51:14.040 --> 1:51:19.080
<v Speaker 5>kind of streamer model thing maybe happening where people are

1:51:19.120 --> 1:51:23.160
<v Speaker 5>all in their own lanes and they're like not collaborating

1:51:23.200 --> 1:51:26.000
<v Speaker 5>as much, and maybe someone comes up with a great

1:51:26.040 --> 1:51:28.920
<v Speaker 5>idea but they don't have a lot of experience or something.

1:51:29.120 --> 1:51:30.200
<v Speaker 4>I don't know, I really don't know.

1:51:30.240 --> 1:51:32.800
<v Speaker 1>I also wonder if it's like remnants of COVID too,

1:51:32.880 --> 1:51:35.280
<v Speaker 1>where like I was hearing like during COVID, like writers

1:51:35.320 --> 1:51:36.920
<v Speaker 1>weren't allowed to come to the set, so then they

1:51:36.920 --> 1:51:39.160
<v Speaker 1>wouldn't be there, like because like only actors can be

1:51:39.240 --> 1:51:41.560
<v Speaker 1>near each other or because of like all these regulations

1:51:41.600 --> 1:51:42.080
<v Speaker 1>and stuff.

1:51:42.560 --> 1:51:44.400
<v Speaker 4>Oh yeah, but they have email.

1:51:44.360 --> 1:51:46.519
<v Speaker 1>Yeah, or call you back on the phone.

1:51:46.680 --> 1:51:49.120
<v Speaker 2>Sure, yeah, you know the emails. I think.

1:51:49.160 --> 1:51:50.680
<v Speaker 3>I guess that most of our friends too, are like

1:51:50.720 --> 1:51:53.400
<v Speaker 3>comedy writers, and I wonder if we're just like more desperate.

1:51:53.479 --> 1:51:57.559
<v Speaker 3>But I feel like everyone I know that does comedy writing,

1:51:57.600 --> 1:52:00.200
<v Speaker 3>there's like punch up on set, and people like all

1:52:00.240 --> 1:52:03.639
<v Speaker 3>my friends that have done that seem to be very involved.

1:52:03.680 --> 1:52:06.400
<v Speaker 2>So I wonder, Yeah, you would think genre difference.

1:52:07.120 --> 1:52:08.479
<v Speaker 3>Well, I have a nut you're in One of my

1:52:08.520 --> 1:52:13.400
<v Speaker 3>other favorite movies. In Her Shoes is like, oh, I

1:52:13.479 --> 1:52:15.920
<v Speaker 3>watch it all the time. And Mark Firestein is gonna

1:52:15.920 --> 1:52:17.880
<v Speaker 3>be a guest next week on the pod because he's

1:52:17.880 --> 1:52:18.559
<v Speaker 3>in an SBO.

1:52:19.160 --> 1:52:23.240
<v Speaker 2>He plays like, what is this plastic surgeon? Rape guy?

1:52:23.320 --> 1:52:27.439
<v Speaker 3>And him and his girlfriend drug women and rape them.

1:52:27.520 --> 1:52:30.280
<v Speaker 3>And then you find out that he actually started dating

1:52:30.280 --> 1:52:31.840
<v Speaker 3>her when she was a child and made her get

1:52:31.840 --> 1:52:33.679
<v Speaker 3>all this plastic surgery as they dated.

1:52:34.479 --> 1:52:36.439
<v Speaker 4>Oh, even worse, that's even worse.

1:52:36.520 --> 1:52:38.519
<v Speaker 3>Yeah, there's like a body in a wall and they're

1:52:38.600 --> 1:52:39.840
<v Speaker 3>drugging a lot of young women.

1:52:40.640 --> 1:52:42.080
<v Speaker 4>There's a body in a wall.

1:52:42.920 --> 1:52:45.960
<v Speaker 2>Yeah, alright, alright, but he'll be on.

1:52:46.240 --> 1:52:49.880
<v Speaker 3>But I love that movie so much. It's like, oh, goody,

1:52:50.120 --> 1:52:50.880
<v Speaker 3>one of my watches.

1:52:50.880 --> 1:52:52.599
<v Speaker 2>Did you enjoy it? What did you get? You film

1:52:52.640 --> 1:52:53.400
<v Speaker 2>it in Philly? Or No?

1:52:54.360 --> 1:52:56.960
<v Speaker 4>I did film it in Philly. I did enjoy it.

1:52:56.960 --> 1:53:01.400
<v Speaker 5>It was hard originally because truth beat old. I gave

1:53:01.439 --> 1:53:03.680
<v Speaker 5>one of the best auditions of my life for the

1:53:03.720 --> 1:53:05.080
<v Speaker 5>part Tony Collette played.

1:53:05.880 --> 1:53:07.080
<v Speaker 4>In fact, I made.

1:53:06.920 --> 1:53:10.599
<v Speaker 5>The director cry in the room, and I was pretty

1:53:10.640 --> 1:53:13.400
<v Speaker 5>certain I was going to get it, and I did not,

1:53:13.920 --> 1:53:16.640
<v Speaker 5>So for a long time. My husband said it was

1:53:16.680 --> 1:53:20.480
<v Speaker 5>his phrase. He would always say, you're you're not thin enough.

1:53:20.240 --> 1:53:22.200
<v Speaker 4>To be the fat girl in Hollywood.

1:53:24.960 --> 1:53:29.200
<v Speaker 5>Sorry, yeah, but uh yeah, I did have fun doing it.

1:53:29.240 --> 1:53:31.920
<v Speaker 5>And I remember I had a baby then, so she

1:53:32.080 --> 1:53:34.519
<v Speaker 5>like learned to walk, you know. That's how I remember

1:53:34.520 --> 1:53:38.320
<v Speaker 5>these projects now, I guess, yeah, hundred, I'm a hundred yeah.

1:53:38.360 --> 1:53:40.160
<v Speaker 2>Wow was it weird being on set? How did you

1:53:40.200 --> 1:53:43.559
<v Speaker 2>deal with your feelings on set and being this, you know,

1:53:43.600 --> 1:53:44.080
<v Speaker 2>the friend.

1:53:44.800 --> 1:53:48.320
<v Speaker 5>I'm glad you're asking this because and I hope Tony

1:53:48.360 --> 1:53:51.080
<v Speaker 5>hears this one day, because god damn it, I'm mortified.

1:53:51.800 --> 1:53:52.639
<v Speaker 4>We were shooting a.

1:53:52.600 --> 1:53:54.880
<v Speaker 5>Scene like where we're in a bed and we're I'm

1:53:54.880 --> 1:53:57.640
<v Speaker 5>the best friend and she likes a guy and he

1:53:57.680 --> 1:53:58.320
<v Speaker 5>doesn't like her.

1:53:58.479 --> 1:54:00.759
<v Speaker 4>So what are we doing. We're like, you know, moaning

1:54:00.760 --> 1:54:02.360
<v Speaker 4>and eating candy like women do.

1:54:04.320 --> 1:54:06.599
<v Speaker 5>And actually I also took a tooth out in that

1:54:06.680 --> 1:54:09.360
<v Speaker 5>scene with I think a juji fruit, if I want

1:54:09.360 --> 1:54:11.080
<v Speaker 5>to know the whole thing.

1:54:11.240 --> 1:54:17.880
<v Speaker 4>But not once, not twice, three times I called Tony's

1:54:18.120 --> 1:54:20.439
<v Speaker 4>character my character's name.

1:54:21.200 --> 1:54:24.360
<v Speaker 5>Like I didn't do it on purpose, obviously, but whatever

1:54:24.400 --> 1:54:26.200
<v Speaker 5>my character's name was, if it was Betty, I was

1:54:26.240 --> 1:54:28.439
<v Speaker 5>like so Betty, I don't think you And on the

1:54:28.479 --> 1:54:31.280
<v Speaker 5>third time she was like, no, you're fucking Betty and

1:54:31.360 --> 1:54:32.320
<v Speaker 5>I'm fucking and I.

1:54:32.240 --> 1:54:35.240
<v Speaker 2>Was like, my god, I'm so sorry, you.

1:54:35.200 --> 1:54:37.440
<v Speaker 5>Know, And I just thought, because I love Tony, I

1:54:37.440 --> 1:54:40.200
<v Speaker 5>have no problem with Tony. I just I did want

1:54:40.240 --> 1:54:44.879
<v Speaker 5>to play that part because you know, fat girls. I mean, Jesus,

1:54:45.000 --> 1:54:48.680
<v Speaker 5>It's like, I know what that is. Okay, that's all

1:54:48.680 --> 1:54:49.200
<v Speaker 5>I'm saying.

1:54:49.520 --> 1:54:52.280
<v Speaker 3>Yeah, the audition, Yeah, it's so funny. The auditions are

1:54:52.280 --> 1:54:54.680
<v Speaker 3>always just like that. I get her, always like she

1:54:54.720 --> 1:54:57.520
<v Speaker 3>loves eat lunch, she's a bitch at work, everyone hates her,

1:54:57.560 --> 1:54:59.680
<v Speaker 3>and that's like all the descriptions of every one.

1:54:59.720 --> 1:55:02.640
<v Speaker 2>And then I I helped my Red. She's like, that's

1:55:02.640 --> 1:55:03.880
<v Speaker 2>always a description that I help.

1:55:03.960 --> 1:55:09.360
<v Speaker 3>Our friend Sidney Washington is like a really beautiful, stereotypically

1:55:09.400 --> 1:55:11.680
<v Speaker 3>beautiful woman, and I helped her read lines and the

1:55:11.720 --> 1:55:15.600
<v Speaker 3>description was like Fox NBA players so hot, and I

1:55:15.600 --> 1:55:18.200
<v Speaker 3>was like, it's so fun how we have such different

1:55:18.280 --> 1:55:20.520
<v Speaker 3>different breakdowns, different breakdowns.

1:55:20.760 --> 1:55:21.640
<v Speaker 4>Oh my god.

1:55:21.840 --> 1:55:24.280
<v Speaker 5>I love the way that every woman is always described

1:55:24.320 --> 1:55:28.680
<v Speaker 5>as being like unbelievably beautiful first, you know, yeah.

1:55:28.440 --> 1:55:30.960
<v Speaker 1>But she doesn't know it.

1:55:30.360 --> 1:55:32.760
<v Speaker 2>She never knows it.

1:55:33.160 --> 1:55:35.600
<v Speaker 1>She knows because if she knew it, because then she

1:55:36.440 --> 1:55:39.280
<v Speaker 1>if she knew it one a nightmare exactly.

1:55:39.040 --> 1:55:42.800
<v Speaker 3>Or like a lot of my descriptions like disheveled, annoying,

1:55:42.960 --> 1:55:44.520
<v Speaker 3>you know, but I'm happy to do it.

1:55:44.720 --> 1:55:45.120
<v Speaker 2>I don't know.

1:55:46.200 --> 1:55:47.920
<v Speaker 4>Yeah, she's available people.

1:55:48.080 --> 1:55:51.560
<v Speaker 2>Yeah, that's just so cool. I've known we haven't talked

1:55:51.600 --> 1:55:51.960
<v Speaker 2>to someone.

1:55:52.160 --> 1:55:54.200
<v Speaker 3>I've never really heard an experience of like being on

1:55:54.280 --> 1:55:56.360
<v Speaker 3>set with this like huge part that you really wanted.

1:55:56.400 --> 1:55:57.560
<v Speaker 2>That's like really wild.

1:55:58.560 --> 1:55:59.920
<v Speaker 4>Yeah, it was a lot.

1:56:00.200 --> 1:56:03.360
<v Speaker 5>I remember being like, oh great, I'm sloppy seconds they're

1:56:03.400 --> 1:56:05.000
<v Speaker 5>going to give me scale and I got to be

1:56:05.040 --> 1:56:05.560
<v Speaker 5>the friend.

1:56:06.520 --> 1:56:10.680
<v Speaker 4>I'll do it, you know, I'll be right there. Yeah.

1:56:10.760 --> 1:56:12.760
<v Speaker 3>Do you have anything coming up you'd love to share

1:56:12.880 --> 1:56:14.240
<v Speaker 3>with our listeners to find?

1:56:14.320 --> 1:56:17.000
<v Speaker 1>Yeah, besides, what's the name of the book yet?

1:56:17.280 --> 1:56:22.040
<v Speaker 4>Wait? What book? I'm like, what book? Sunday Matinee.

1:56:22.280 --> 1:56:23.480
<v Speaker 2>Sunday Matinee. I love that.

1:56:23.640 --> 1:56:26.400
<v Speaker 1>Okay, Sunday Matinee by brook Smith coming out this fall.

1:56:26.440 --> 1:56:28.920
<v Speaker 1>Everyone will check that out and then any other any

1:56:29.000 --> 1:56:32.520
<v Speaker 1>like acting projects happening in the game A.

1:56:33.440 --> 1:56:35.920
<v Speaker 5>There is something in the can It's I don't think

1:56:35.920 --> 1:56:37.920
<v Speaker 5>it's going to have that title though, that's the thing.

1:56:38.680 --> 1:56:42.560
<v Speaker 5>It's an FX limited series with one of my favorite actors,

1:56:42.600 --> 1:56:43.919
<v Speaker 5>Brian Tyree Henry.

1:56:44.080 --> 1:56:45.840
<v Speaker 2>Oh he's so good. I love him.

1:56:45.840 --> 1:56:47.440
<v Speaker 4>Oh my god, I love him too.

1:56:47.560 --> 1:56:49.680
<v Speaker 2>I will watch him in anything. I love it literally

1:56:49.720 --> 1:56:52.200
<v Speaker 2>the same. I love him.

1:56:52.200 --> 1:56:57.440
<v Speaker 4>He's so I mean beyond. And Kate Marra and this

1:56:57.440 --> 1:56:59.280
<v Speaker 4>guy Jake McDormand.

1:56:58.840 --> 1:56:59.839
<v Speaker 2>She's an SVU.

1:57:00.880 --> 1:57:03.920
<v Speaker 4>Oh I'll bet she is it happen to her something bad?

1:57:04.400 --> 1:57:06.160
<v Speaker 2>Or no, she was a bad girl.

1:57:06.440 --> 1:57:09.520
<v Speaker 1>Yes, she was a gymnast that killed her friend because

1:57:09.560 --> 1:57:10.520
<v Speaker 1>she wanted to be the best.

1:57:11.120 --> 1:57:15.200
<v Speaker 5>Oh yes, oh, okay, yeah, I love that.

1:57:15.320 --> 1:57:16.200
<v Speaker 4>What season is that?

1:57:16.240 --> 1:57:20.320
<v Speaker 1>I'm all early like four or five. It's called Pixies.

1:57:20.360 --> 1:57:21.520
<v Speaker 1>The episode is called Pixies.

1:57:21.600 --> 1:57:24.959
<v Speaker 3>Oh wait is the FX is it like a mystery Vibe.

1:57:25.920 --> 1:57:29.720
<v Speaker 5>It's kind of jumps all around in time, past, present, future,

1:57:30.320 --> 1:57:35.720
<v Speaker 5>FBI AI. There's a lot of AI stuff happening. I'm

1:57:35.720 --> 1:57:37.000
<v Speaker 5>an FBI instructor.

1:57:38.240 --> 1:57:40.880
<v Speaker 4>Oh, and it's all about my class right now. It's

1:57:40.880 --> 1:57:41.960
<v Speaker 4>called Class of O nine.

1:57:42.080 --> 1:57:44.080
<v Speaker 5>And it's the Class of O nine and what happens

1:57:44.080 --> 1:57:45.400
<v Speaker 5>to each one of them when they get out of

1:57:45.480 --> 1:57:48.240
<v Speaker 5>Quantico and and one of them becomes the head of

1:57:48.240 --> 1:57:53.480
<v Speaker 5>the FBI and maybe chooses safety rather than privacy. I

1:57:53.520 --> 1:57:57.240
<v Speaker 5>guess it's all happening in real life right now in

1:57:57.320 --> 1:58:02.080
<v Speaker 5>our country and others. Yeah, so that's that's what that is.

1:58:02.120 --> 1:58:02.800
<v Speaker 5>I have no idea.

1:58:02.840 --> 1:58:04.880
<v Speaker 4>I haven't even gone and done ad R yet, so

1:58:04.960 --> 1:58:06.040
<v Speaker 4>I don't know what it's all.

1:58:06.120 --> 1:58:09.080
<v Speaker 1>Right. Well, that's actually on the IMDb as class of

1:58:09.160 --> 1:58:11.400
<v Speaker 1>O nine, so we'll have everybody check that out when

1:58:11.400 --> 1:58:12.040
<v Speaker 1>it comes out.

1:58:13.240 --> 1:58:16.040
<v Speaker 2>This was really thank you so much. I truly was like,

1:58:16.120 --> 1:58:16.440
<v Speaker 2>are we.

1:58:16.400 --> 1:58:19.919
<v Speaker 1>Gonna get Delia? Like, I was so excited to have you. Yeah,

1:58:19.960 --> 1:58:24.600
<v Speaker 1>totally aka Catherine, aka all of the different awesome roles

1:58:24.600 --> 1:58:25.040
<v Speaker 1>you've played.

1:58:25.040 --> 1:58:27.160
<v Speaker 2>Were so excited to talk to you. Thank you so much.

1:58:27.720 --> 1:58:29.640
<v Speaker 4>Thank you guys.

1:58:32.760 --> 1:58:34.640
<v Speaker 2>How do you feel Kara? Oh my god.

1:58:34.680 --> 1:58:35.960
<v Speaker 1>I just love her. I just want to hang out

1:58:35.960 --> 1:58:37.520
<v Speaker 1>with her. And I don't think that she wants to.

1:58:37.560 --> 1:58:39.880
<v Speaker 1>I don't think she feels the same. But I would

1:58:39.920 --> 1:58:42.120
<v Speaker 1>like to think you pop up from doobesy. Yeah, so

1:58:42.360 --> 1:58:44.000
<v Speaker 1>pot with me in the East village with her daughter.

1:58:44.400 --> 1:58:45.000
<v Speaker 2>I'll do it.

1:58:45.600 --> 1:58:47.840
<v Speaker 1>I was like when she said that, I was like,

1:58:47.880 --> 1:58:50.280
<v Speaker 1>you're probably such a fun mom, Like I would love

1:58:50.320 --> 1:58:51.960
<v Speaker 1>to be like the kind of mom that she is.

1:58:52.000 --> 1:58:52.520
<v Speaker 2>I bet no.

1:58:52.760 --> 1:58:55.280
<v Speaker 3>I actually walked through Thompson Square Park and thought of

1:58:55.280 --> 1:58:58.960
<v Speaker 3>her on my latest New York visit. I was like, wow,

1:58:59.040 --> 1:59:03.920
<v Speaker 3>this is where Brooks smoke pot so but I had

1:59:03.920 --> 1:59:05.920
<v Speaker 3>just speed walk. I was running late to something. And

1:59:05.960 --> 1:59:08.760
<v Speaker 3>you know, I've said this, I keep saying. I think

1:59:08.760 --> 1:59:11.040
<v Speaker 3>I might have mentioned an intro. But I love that

1:59:11.120 --> 1:59:14.800
<v Speaker 3>she brings up nepotism in a casual, real way, and

1:59:15.000 --> 1:59:15.920
<v Speaker 3>I am honored.

1:59:16.000 --> 1:59:19.040
<v Speaker 2>And it's just like, thank you.

1:59:19.280 --> 1:59:21.840
<v Speaker 3>It doesn't make you less talented, it doesn't make you

1:59:21.920 --> 1:59:25.560
<v Speaker 3>less worthy. It's just admitting that you had an in

1:59:26.000 --> 1:59:28.160
<v Speaker 3>and it helped you. Yeah, what's the problem.

1:59:28.480 --> 1:59:31.280
<v Speaker 1>Yeah you got I tell everybody about my little legs

1:59:31.360 --> 1:59:35.720
<v Speaker 1>up whenever I've gotten any But you know, I can't

1:59:35.720 --> 1:59:37.320
<v Speaker 1>wait to see the next stuff that she does.

1:59:37.360 --> 1:59:39.040
<v Speaker 2>And I bet that that album, I bet that that.

1:59:39.960 --> 1:59:42.240
<v Speaker 1>Book of photography she does about the punk scene is

1:59:42.280 --> 1:59:43.800
<v Speaker 1>like cool as hell. I bet that would be an

1:59:43.840 --> 1:59:46.600
<v Speaker 1>awesome gift for like a coffee table book for.

1:59:46.800 --> 1:59:48.400
<v Speaker 2>Your cool, edgy arty friend.

1:59:48.920 --> 1:59:51.160
<v Speaker 3>And she gave us tea, I mean the Tony Collett tea.

1:59:51.240 --> 1:59:52.920
<v Speaker 3>I mean that's like, she is great.

1:59:53.040 --> 1:59:54.880
<v Speaker 2>Love that. You know, It's funny.

1:59:54.880 --> 1:59:56.840
<v Speaker 3>We talked about auditions and stuff with her. So I

1:59:56.880 --> 2:00:01.200
<v Speaker 3>did have a callback today and I took a sip

2:00:01.200 --> 2:00:04.040
<v Speaker 3>of white Claw like on the call because it's like Ferner.

2:00:04.240 --> 2:00:06.800
<v Speaker 3>But then they go love the white Claw, and I go, well,

2:00:06.800 --> 2:00:08.480
<v Speaker 3>you know, I'm a little nervous, and then they go,

2:00:08.560 --> 2:00:10.080
<v Speaker 3>we thought it was part of the character, and I

2:00:10.120 --> 2:00:10.720
<v Speaker 3>went it was.

2:00:10.840 --> 2:00:19.400
<v Speaker 2>It was for sure, amazing. I love, but the character

2:00:19.520 --> 2:00:19.960
<v Speaker 2>is whacky.

2:00:20.000 --> 2:00:22.960
<v Speaker 1>I only go out really for you wear your emotions

2:00:23.040 --> 2:00:25.520
<v Speaker 1>right on your fucking sleeve, Liza.

2:00:26.560 --> 2:00:27.600
<v Speaker 2>I know I can't.

2:00:27.680 --> 2:00:29.760
<v Speaker 3>I mean honestly, like, we love doing this in the

2:00:29.760 --> 2:00:32.840
<v Speaker 3>post mortem. But I did send Kara a screenshot of

2:00:32.880 --> 2:00:35.760
<v Speaker 3>a disturbing text I just got and I cannot wait

2:00:35.760 --> 2:00:36.640
<v Speaker 3>to discuss it with you.

2:00:37.520 --> 2:00:38.600
<v Speaker 2>It's like nuts, It's.

2:00:38.440 --> 2:00:40.360
<v Speaker 3>Like, okay, yeah, Brooks Smith was great, move it along.

2:00:40.440 --> 2:00:46.200
<v Speaker 2>What's the charity? I'm kidding, It's amazing and we It's.

2:00:46.040 --> 2:00:48.600
<v Speaker 3>Hard, honestly, on a macro serious level.

2:00:48.680 --> 2:00:49.520
<v Speaker 2>It's so hard to.

2:00:49.720 --> 2:00:54.040
<v Speaker 3>Envision change happening on a big stage because all of

2:00:54.120 --> 2:00:57.840
<v Speaker 3>the power players are part of this trafficking sex, trafficking

2:00:58.600 --> 2:01:03.000
<v Speaker 3>underage girl Ray. It's like, how do we crush a

2:01:03.040 --> 2:01:06.720
<v Speaker 3>system when the judges and cops and district attorneys and

2:01:06.760 --> 2:01:07.200
<v Speaker 3>all of them.

2:01:07.440 --> 2:01:10.120
<v Speaker 1>Everybody at the top has secrets. Everybody at the top

2:01:10.160 --> 2:01:12.520
<v Speaker 1>has to protect their own ass. There's always like money.

2:01:12.560 --> 2:01:14.640
<v Speaker 1>I mean, we just keep running into that, like in

2:01:14.720 --> 2:01:17.440
<v Speaker 1>episodes that we're doing for this podcast of like, yeah,

2:01:17.440 --> 2:01:19.280
<v Speaker 1>they were found guilty, but then they just appealed and

2:01:19.280 --> 2:01:21.520
<v Speaker 1>appealed and appealed because they had endless money and then

2:01:21.520 --> 2:01:22.080
<v Speaker 1>they were out.

2:01:22.200 --> 2:01:25.840
<v Speaker 2>You know, like it's just, uh, it's it's wild.

2:01:25.840 --> 2:01:28.360
<v Speaker 1>But that Ron Rifkin part at the end really like

2:01:28.840 --> 2:01:30.960
<v Speaker 1>it encapsulates that. It's like, you guys don't know how

2:01:31.000 --> 2:01:33.720
<v Speaker 1>fucking deep this goes. Like the shit goes really deep.

2:01:33.720 --> 2:01:37.280
<v Speaker 1>I was just reading an article on that Hillary Clinton

2:01:37.360 --> 2:01:40.480
<v Speaker 1>aide who got murdered in DC, and like there was

2:01:40.520 --> 2:01:42.960
<v Speaker 1>a fucking pro Trump cop that was trying to meddle

2:01:43.000 --> 2:01:43.880
<v Speaker 1>with the investigation.

2:01:44.080 --> 2:01:45.280
<v Speaker 2>Like there's just so much.

2:01:46.080 --> 2:01:48.280
<v Speaker 1>We look at other countries, like we look at like

2:01:48.280 --> 2:01:50.280
<v Speaker 1>third world countries, We're like, look at all that corruption.

2:01:50.520 --> 2:01:51.760
<v Speaker 2>We have just as fucking much.

2:01:51.880 --> 2:01:54.839
<v Speaker 1>You know, we're just on another level with our corruption

2:01:56.080 --> 2:01:56.920
<v Speaker 1>and worldwide.

2:01:56.920 --> 2:01:59.760
<v Speaker 3>I mean I remember like sometimes when you travel you

2:01:59.800 --> 2:02:02.120
<v Speaker 3>meet people and they're just like, oh, well, I used

2:02:02.120 --> 2:02:02.960
<v Speaker 3>to live in this country.

2:02:02.960 --> 2:02:05.120
<v Speaker 2>But then your country bombed it and now it doesn't exist.

2:02:05.320 --> 2:02:08.240
<v Speaker 3>Yeah, like oh yeah, my bad, Like it's just like

2:02:08.360 --> 2:02:09.919
<v Speaker 3>international terrorism.

2:02:10.000 --> 2:02:11.840
<v Speaker 2>I hope they don't shut down this podcast. But we

2:02:11.880 --> 2:02:12.400
<v Speaker 2>know the truth.

2:02:15.240 --> 2:02:17.880
<v Speaker 1>Oh, I would say another post mortem take away from

2:02:17.880 --> 2:02:20.280
<v Speaker 1>this episode is like definitely the don't judge.

2:02:20.120 --> 2:02:20.920
<v Speaker 2>A book by its cover.

2:02:21.040 --> 2:02:23.400
<v Speaker 1>You would never run into someone who looks like Delia

2:02:23.440 --> 2:02:29.240
<v Speaker 1>Wilson in her you know, little padded vests and Wellington's

2:02:29.240 --> 2:02:34.280
<v Speaker 1>and think that she was leaving dead sex workers in

2:02:34.400 --> 2:02:36.880
<v Speaker 1>beds of Captain Creagan and all this stuff.

2:02:36.960 --> 2:02:39.880
<v Speaker 2>So you know, just you never know what people are best.

2:02:40.000 --> 2:02:44.680
<v Speaker 3>Criminals are the most underground, because why do if you're flashy,

2:02:44.720 --> 2:02:48.080
<v Speaker 3>you're not that deep, like yeah, right, or you're dumb

2:02:48.120 --> 2:02:52.240
<v Speaker 3>like Teresa Judy che right right?

2:02:52.520 --> 2:02:53.879
<v Speaker 2>Like who?

2:02:54.040 --> 2:02:57.680
<v Speaker 1>Like okay, the BTK was like a pastor and like

2:02:57.720 --> 2:03:00.040
<v Speaker 1>a family man. You know, there's like all kinds of

2:03:00.040 --> 2:03:03.280
<v Speaker 1>of same with that Baker Butcher of Alaska, Like I

2:03:03.280 --> 2:03:05.240
<v Speaker 1>mean with men, I always believe there can be a

2:03:05.280 --> 2:03:07.120
<v Speaker 1>second side. What I like on this one is that

2:03:07.160 --> 2:03:09.640
<v Speaker 1>it's a woman who's got this like devious sect. Like

2:03:09.800 --> 2:03:11.400
<v Speaker 1>obviously I wouldn't like to see it in real life,

2:03:11.440 --> 2:03:15.560
<v Speaker 1>but in the show it's fun. Yeah, and then I

2:03:16.360 --> 2:03:21.760
<v Speaker 1>really like, I unfortunately learned a lot of sad information

2:03:21.840 --> 2:03:25.960
<v Speaker 1>about that case against Greg Kelly that you researched, because

2:03:25.960 --> 2:03:26.440
<v Speaker 1>that was.

2:03:26.960 --> 2:03:27.560
<v Speaker 2>So fucked it.

2:03:27.560 --> 2:03:29.760
<v Speaker 1>It's just so fucked that people with power can just

2:03:29.840 --> 2:03:32.880
<v Speaker 1>like humiliate a victim and like run their name through

2:03:32.880 --> 2:03:34.640
<v Speaker 1>the mud until they don't want to press charges anymore,

2:03:34.760 --> 2:03:36.800
<v Speaker 1>until they just like back down, and like it's it's

2:03:36.800 --> 2:03:38.160
<v Speaker 1>so fucked up, it really is.

2:03:38.200 --> 2:03:40.480
<v Speaker 3>I just had a conversation with a comment We were

2:03:40.520 --> 2:03:44.920
<v Speaker 3>talking about like warm up comedians for sitcoms, and it's

2:03:44.960 --> 2:03:47.720
<v Speaker 3>like the people who entertain the people that are at

2:03:47.960 --> 2:03:50.240
<v Speaker 3>the live tapings, the laughs that you hear, and they

2:03:50.240 --> 2:03:52.560
<v Speaker 3>really have to entertain everyone for six seven hours.

2:03:52.640 --> 2:03:55.760
<v Speaker 2>It's really wild. Sometimes on their chin it's like nuts.

2:03:56.160 --> 2:03:59.320
<v Speaker 3>Not for a sitcom, he has, Oh my god, it's

2:03:59.320 --> 2:03:59.840
<v Speaker 3>done it for sick.

2:04:00.400 --> 2:04:02.640
<v Speaker 1>It's it's called up down because like you have to

2:04:02.720 --> 2:04:04.280
<v Speaker 1>get up. You have to sit down, like you have

2:04:04.320 --> 2:04:06.000
<v Speaker 1>to just keep getting up. When they need a break,

2:04:06.040 --> 2:04:08.280
<v Speaker 1>you just get up and like are like dance, monkey dance.

2:04:08.360 --> 2:04:09.360
<v Speaker 1>You know, it's crazy.

2:04:09.560 --> 2:04:12.400
<v Speaker 3>I guess one of the hot shot ones a long

2:04:12.440 --> 2:04:15.240
<v Speaker 3>time ago did a thing with an audience member where

2:04:15.600 --> 2:04:18.840
<v Speaker 3>he like, did it you know that joke where it's like, oh,

2:04:18.960 --> 2:04:20.600
<v Speaker 3>just kiss me on the cheek and then you move

2:04:20.640 --> 2:04:23.040
<v Speaker 3>and you get kissed on the lips. Oh yeah, And

2:04:23.080 --> 2:04:25.440
<v Speaker 3>so this woman ended up suing the network and getting

2:04:25.440 --> 2:04:27.400
<v Speaker 3>all this money because this guy was talented and they

2:04:27.440 --> 2:04:30.120
<v Speaker 3>wanted to protect whatever. And then we were talking about

2:04:30.120 --> 2:04:32.640
<v Speaker 3>it and one comic goes, oh, come on, you're gonna.

2:04:32.360 --> 2:04:33.000
<v Speaker 2>Sue the network.

2:04:33.000 --> 2:04:37.600
<v Speaker 3>I go, you cannot kiss someone without their without say, but.

2:04:37.560 --> 2:04:38.040
<v Speaker 2>You have to say.

2:04:38.080 --> 2:04:40.560
<v Speaker 3>I'm like, I don't understand how this is even a conversation.

2:04:41.000 --> 2:04:43.400
<v Speaker 3>I'm like, you shouldn't talk about this out loud. You

2:04:43.440 --> 2:04:45.840
<v Speaker 3>think it's okay to trick someone into kissing you on

2:04:45.880 --> 2:04:47.720
<v Speaker 3>the lips and you think, I'm like, he still has

2:04:47.720 --> 2:04:49.800
<v Speaker 3>his job. So I don't know why you're so concerned

2:04:49.840 --> 2:04:52.680
<v Speaker 3>that a corporation lost money. Of course they did, but

2:04:52.760 --> 2:04:55.800
<v Speaker 3>it's like even these little things where it's like what

2:04:56.120 --> 2:04:59.160
<v Speaker 3>world are we living in? Like I have to convince

2:04:59.240 --> 2:05:01.320
<v Speaker 3>it because I'm like, well, let's change it up and

2:05:01.400 --> 2:05:03.400
<v Speaker 3>let's say it was a dude and it was like

2:05:03.440 --> 2:05:05.560
<v Speaker 3>a straight guy who then got tricked into kissing a

2:05:05.560 --> 2:05:07.000
<v Speaker 3>guy on the lips. Are you going to have the

2:05:07.000 --> 2:05:11.480
<v Speaker 3>same reaction. Is it just fun in games? Everyone's chilling cool, Like,

2:05:11.560 --> 2:05:15.640
<v Speaker 3>I'm sure you would think differently about it. I don't

2:05:15.680 --> 2:05:17.200
<v Speaker 3>know it just like I don't know how we even

2:05:17.240 --> 2:05:19.240
<v Speaker 3>got here or how it connected what we were talking about.

2:05:19.240 --> 2:05:20.720
<v Speaker 3>But it was this wild thing of like, oh, the

2:05:20.800 --> 2:05:23.040
<v Speaker 3>lawsuits and stuff. Yeah, but it was this wild thing

2:05:23.040 --> 2:05:27.080
<v Speaker 3>of like, yeah, you can't do that, Yeah I don't.

2:05:27.200 --> 2:05:28.960
<v Speaker 3>And so then it starts little and then it's like,

2:05:29.000 --> 2:05:31.080
<v Speaker 3>when do you stop excusing this stuff?

2:05:31.320 --> 2:05:35.280
<v Speaker 1>Yes, you can kiss someone on the lips at work, Yeah,

2:05:35.800 --> 2:05:38.680
<v Speaker 1>that seems like something. Honestly, that seems like something Greg

2:05:38.760 --> 2:05:39.400
<v Speaker 1>Kelly would do.

2:05:40.240 --> 2:05:40.800
<v Speaker 2>Oh my god.

2:05:40.920 --> 2:05:42.960
<v Speaker 3>And the audience at the show, there was like two

2:05:43.040 --> 2:05:45.440
<v Speaker 3>lawyers that worked together and they pretended they weren't fucking,

2:05:45.440 --> 2:05:48.040
<v Speaker 3>and it's like we I wouldn't leave them alone, and

2:05:48.080 --> 2:05:51.680
<v Speaker 3>obviously they were fucking. But she kept like, weaseling out

2:05:51.720 --> 2:05:54.200
<v Speaker 3>of my accusations, and I go, are you guys lawyers?

2:05:54.240 --> 2:05:55.760
<v Speaker 2>And she goes, how'd you know? I go, the way

2:05:55.800 --> 2:06:02.200
<v Speaker 2>you're weaseling this stuff? Of course your lawyer is very apparent.

2:06:02.440 --> 2:06:04.840
<v Speaker 1>She's like, how do you know you're of course, we

2:06:04.880 --> 2:06:07.040
<v Speaker 1>love all our listeners that are lawyers. But you guys

2:06:07.080 --> 2:06:09.480
<v Speaker 1>are very good at weaseling out of conversation.

2:06:09.880 --> 2:06:13.240
<v Speaker 3>I'm done doing tangents. Let's move this saloon. Yeah, so sorry.

2:06:13.640 --> 2:06:15.560
<v Speaker 1>Let's get to this week's What would Sister Peg Do?

2:06:15.840 --> 2:06:17.920
<v Speaker 1>You guys know what would Sister Peg Do? It is

2:06:17.920 --> 2:06:21.000
<v Speaker 1>our weekly segment where we point you to a organization,

2:06:21.320 --> 2:06:23.560
<v Speaker 1>a resource, an article, a book, something they can give

2:06:23.600 --> 2:06:26.080
<v Speaker 1>you more info about what we touched on in today's episode.

2:06:26.160 --> 2:06:28.800
<v Speaker 1>And I think this week, since I don't think there's

2:06:28.840 --> 2:06:30.720
<v Speaker 1>a ton of like, hey, don't get involved with an

2:06:30.800 --> 2:06:34.400
<v Speaker 1>Upper east Side madam, advice we can give, I wanted

2:06:34.440 --> 2:06:36.839
<v Speaker 1>to point you all to the BuzzFeed article that Lisa

2:06:37.080 --> 2:06:39.440
<v Speaker 1>used in some of her research from two penty fourteen

2:06:39.560 --> 2:06:43.000
<v Speaker 1>about the Greg Kelly rape allegation. It's titled she Accused

2:06:43.000 --> 2:06:45.680
<v Speaker 1>a TV anchor of rape and got dragged through the tabloids.

2:06:46.120 --> 2:06:48.480
<v Speaker 1>It was written by Jessica Tessa, and, like Lisa mentioned,

2:06:48.480 --> 2:06:50.480
<v Speaker 1>before this article was published, there was so much spin

2:06:50.600 --> 2:06:52.880
<v Speaker 1>going on about how the girl was shady and in

2:06:52.960 --> 2:06:55.040
<v Speaker 1>it for money and in it for fame.

2:06:54.760 --> 2:06:55.520
<v Speaker 2>Of some sort.

2:06:56.000 --> 2:06:57.680
<v Speaker 1>But this article does a good job of laying out

2:06:57.680 --> 2:06:59.680
<v Speaker 1>the events of the crime in an objective manner and

2:06:59.680 --> 2:07:02.040
<v Speaker 1>getting Maria de Toro's side of the story, which I

2:07:02.040 --> 2:07:05.720
<v Speaker 1>think we all should hear. So you can find that

2:07:05.800 --> 2:07:07.560
<v Speaker 1>article on BuzzFeed. We also linked to it in our

2:07:07.560 --> 2:07:09.920
<v Speaker 1>show notes. We also put it on our Instagram stories

2:07:09.920 --> 2:07:13.160
<v Speaker 1>the day that the show is released, and all of

2:07:13.200 --> 2:07:15.320
<v Speaker 1>our what would Sister peg dos are saved into a

2:07:15.400 --> 2:07:17.600
<v Speaker 1>highlight on our Instagram called WWSPD.

2:07:18.080 --> 2:07:21.080
<v Speaker 2>Thank you so much. Yeah, it was a good read.

2:07:21.240 --> 2:07:22.640
<v Speaker 2>Thank you for highlighting.

2:07:22.800 --> 2:07:27.520
<v Speaker 3>And next week we'll be doing Plastic Season twenty, episode eleven.

2:07:28.160 --> 2:07:32.040
<v Speaker 3>Get ready, bucks, it's wild, it's sexy. Maybe get some lube.

2:07:32.040 --> 2:07:36.680
<v Speaker 3>There will be girls kissing bye guys. See you next week.

2:07:47.360 --> 2:07:49.560
<v Speaker 3>That's Messed Up as an exactly right production.

2:07:50.040 --> 2:07:52.120
<v Speaker 1>If you have compliments you'd like to give us or

2:07:52.200 --> 2:07:54.440
<v Speaker 1>episodes you'd like us to cover, shoot us an email.

2:07:54.600 --> 2:07:57.160
<v Speaker 1>That's messed uppod at gmail dot com.

2:07:57.440 --> 2:08:00.600
<v Speaker 3>Follow the podcast on Instagram at That's mess step pod

2:08:00.840 --> 2:08:03.720
<v Speaker 3>and on Twitter at messed Up Pod, and follow us

2:08:03.760 --> 2:08:05.640
<v Speaker 3>personally at Kara Klank and.

2:08:05.760 --> 2:08:06.839
<v Speaker 2>At glitter Cheese.

2:08:07.160 --> 2:08:09.840
<v Speaker 1>As always, please see our show notes for sources and

2:08:09.880 --> 2:08:10.560
<v Speaker 1>more information.

2:08:11.160 --> 2:08:14.360
<v Speaker 3>Thank you so much to our producer Kacy O'Brien and.

2:08:14.440 --> 2:08:15.839
<v Speaker 2>To our mixer John Bradley.

2:08:15.880 --> 2:08:18.160
<v Speaker 1>And our guest booker, Patrick Cottner, and.

2:08:18.200 --> 2:08:20.960
<v Speaker 3>To Henry Kaperski for our theme song and Carly gen

2:08:21.040 --> 2:08:24.520
<v Speaker 3>Andrews for our artwork. Thank you to our executive producers

2:08:24.560 --> 2:08:28.200
<v Speaker 3>Georgia hard Star, Karen Kilgarriff, Daniel Kramer, and everybody at

2:08:28.240 --> 2:08:29.120
<v Speaker 3>Exactly Right Media.

2:08:30.720 --> 2:08:31.560
<v Speaker 2>Dun Dun,