1 00:00:00,360 --> 00:00:04,920 Speaker 1: Hey, rain Drops. Yes, so I finally got merch. That's right. 2 00:00:05,440 --> 00:00:11,080 Speaker 1: You can buy your allegedly and my Voice mugs, T shirts, 3 00:00:11,360 --> 00:00:16,280 Speaker 1: rain Drops, hoodies and T shirts all on Carlos Kingshop 4 00:00:16,800 --> 00:00:20,960 Speaker 1: dot com. That's right. Get your hoodies, your T shirts, 5 00:00:21,000 --> 00:00:28,120 Speaker 1: and your mugs all on Carlos Kingshop dot com. Welcome 6 00:00:28,160 --> 00:00:31,920 Speaker 1: to Reality the King. It's me Carlos kings the King 7 00:00:32,080 --> 00:00:34,840 Speaker 1: of Reality TV and one of the most sought after 8 00:00:35,040 --> 00:00:39,440 Speaker 1: executive producers in reality television with over ten years of 9 00:00:39,560 --> 00:00:43,480 Speaker 1: production experience. Twice a week on Reality with the King, 10 00:00:43,720 --> 00:00:46,960 Speaker 1: we'll sit down with my friends across the entertainment industry, 11 00:00:47,200 --> 00:00:51,760 Speaker 1: recap our favorite reality shows, and revisit unforgettable moments that 12 00:00:51,840 --> 00:01:02,600 Speaker 1: we are still talking and tweeting about. Hey, rain Drops. 13 00:01:02,680 --> 00:01:06,320 Speaker 1: On today's episode of Reality with King, honey is an emergency, 14 00:01:06,840 --> 00:01:10,920 Speaker 1: It's a bird, it's a plane. No, it's the end 15 00:01:11,040 --> 00:01:13,720 Speaker 1: of an era. We have to talk about the breaking 16 00:01:13,760 --> 00:01:18,520 Speaker 1: news of what's been happening today in the sense of 17 00:01:19,319 --> 00:01:22,440 Speaker 1: that the Pump Rules as we all know it is 18 00:01:22,480 --> 00:01:26,520 Speaker 1: coming to an end. But with a twist, I could 19 00:01:26,520 --> 00:01:30,960 Speaker 1: not do this episode. Hello, please help me In breaking back, 20 00:01:31,080 --> 00:01:39,679 Speaker 1: fan favorite gip said John Well I'm happy to have 21 00:01:39,720 --> 00:01:44,319 Speaker 1: you on board and thank you for being available. So listen. 22 00:01:44,600 --> 00:01:46,880 Speaker 1: I think we all knew where we were when we 23 00:01:46,959 --> 00:01:51,160 Speaker 1: first heard that Arianna was being cheated on by Tom 24 00:01:51,200 --> 00:01:55,040 Speaker 1: with Raquel. I think we all knew where we were 25 00:01:55,880 --> 00:02:01,160 Speaker 1: when major events happened in the world. And today we 26 00:02:01,200 --> 00:02:03,200 Speaker 1: all knew where we were when we got the news 27 00:02:03,240 --> 00:02:07,240 Speaker 1: that have Ban the Poem Rules original cast is out 28 00:02:07,280 --> 00:02:13,440 Speaker 1: the door. So Gibson, the news has broken that the 29 00:02:13,560 --> 00:02:16,760 Speaker 1: current cast, the legacy cast of Band the Poem Rules, 30 00:02:17,440 --> 00:02:21,120 Speaker 1: is gone, but that the show will be rebooted with 31 00:02:21,200 --> 00:02:25,040 Speaker 1: a brand new cast of young kull Falls. Break it 32 00:02:25,080 --> 00:02:28,120 Speaker 1: down to me, Gibson, what's going on here? I'm like 33 00:02:28,160 --> 00:02:29,040 Speaker 1: freaking out. 34 00:02:29,360 --> 00:02:34,000 Speaker 2: This this sort of brings Lisa back into the set 35 00:02:34,120 --> 00:02:36,160 Speaker 2: the spotlight like she because her her star has been 36 00:02:36,440 --> 00:02:39,120 Speaker 2: kind of fading in the Bravo worlds. She's taking her 37 00:02:39,120 --> 00:02:41,680 Speaker 2: show to Hulu. So I kind of think this is partially, 38 00:02:42,000 --> 00:02:44,200 Speaker 2: you know, a play to get Lisa sort of back 39 00:02:44,200 --> 00:02:46,280 Speaker 2: in the fold in a big way. I think it's 40 00:02:46,720 --> 00:02:48,880 Speaker 2: I think their budgets were all ballooning. I think that 41 00:02:49,000 --> 00:02:51,000 Speaker 2: you know, there was the highest rate show on Bravo. 42 00:02:51,880 --> 00:02:56,000 Speaker 2: It was going to be expensive, and yeah, it's gonna 43 00:02:56,040 --> 00:02:59,320 Speaker 2: be a whole new crop of hopefully messy, hopefully not 44 00:02:59,480 --> 00:03:05,280 Speaker 2: too hopefully not too you know, fame hungry, hopefully not 45 00:03:05,400 --> 00:03:07,680 Speaker 2: too like aware, like I hope they just to kind 46 00:03:07,720 --> 00:03:09,680 Speaker 2: of find a great group that works there. 47 00:03:09,720 --> 00:03:13,320 Speaker 3: But you know, I don't know. It threw me for 48 00:03:13,360 --> 00:03:14,200 Speaker 3: a loop today, it did. 49 00:03:14,639 --> 00:03:16,240 Speaker 1: How do you feel about it? Do you think it's 50 00:03:16,280 --> 00:03:19,840 Speaker 1: a step in the right direction or are you afraid 51 00:03:19,919 --> 00:03:22,480 Speaker 1: that is going to go down the route of the 52 00:03:22,600 --> 00:03:25,600 Speaker 1: horrible season that we have a Roney reboot. 53 00:03:25,720 --> 00:03:30,280 Speaker 2: Yeah, I think that I'm sad about it. My initial 54 00:03:30,680 --> 00:03:32,720 Speaker 2: emotion was sad because it's the end of an era 55 00:03:32,760 --> 00:03:34,600 Speaker 2: and it was such a good run for this show, 56 00:03:35,160 --> 00:03:38,640 Speaker 2: and it's it's weird because the show two seasons ago, 57 00:03:38,680 --> 00:03:41,320 Speaker 2: the Scandabal season, was such a high, not just for 58 00:03:41,360 --> 00:03:43,400 Speaker 2: the show but for Bravo. It was like the most 59 00:03:43,400 --> 00:03:45,840 Speaker 2: all encompassing moment that brab was maybe ever had in 60 00:03:45,880 --> 00:03:48,240 Speaker 2: its entire run. Just kind of like like kind of 61 00:03:48,600 --> 00:03:51,560 Speaker 2: the size of pop the portion of pop culture that 62 00:03:51,560 --> 00:03:53,760 Speaker 2: I was taking up, Like it's gone from such a 63 00:03:53,840 --> 00:03:55,480 Speaker 2: high to now, oh my god, we're saying goodbye to 64 00:03:55,520 --> 00:03:57,960 Speaker 2: all these people. Two years later, less than two years later, 65 00:03:58,640 --> 00:04:01,839 Speaker 2: and I'm sad about it, but I think realistically they 66 00:04:01,880 --> 00:04:04,080 Speaker 2: maybe would have gotten one more season out of these people. 67 00:04:04,160 --> 00:04:05,960 Speaker 2: It wouldn't have been a very good season. You know, 68 00:04:06,760 --> 00:04:08,880 Speaker 2: none of them talk to each other anymore. They don't 69 00:04:08,960 --> 00:04:10,440 Speaker 2: like each other, they don't want to film with each other, 70 00:04:11,120 --> 00:04:14,200 Speaker 2: And so in my mind I've kind of gotten to 71 00:04:14,280 --> 00:04:16,520 Speaker 2: a point already today where I'm like, why not try 72 00:04:16,560 --> 00:04:18,599 Speaker 2: this out? Why not see if you can go back 73 00:04:18,600 --> 00:04:21,880 Speaker 2: to the basics and get some cheap talent, get some 74 00:04:21,880 --> 00:04:24,240 Speaker 2: people who are really desperate to make a name for themselves. 75 00:04:24,240 --> 00:04:26,640 Speaker 2: And because the thing is the thing that I think 76 00:04:26,640 --> 00:04:28,520 Speaker 2: a lot of people have compared it to the Rony 77 00:04:28,560 --> 00:04:32,080 Speaker 2: reboot in a you know, it makes sense because these 78 00:04:32,120 --> 00:04:34,680 Speaker 2: are the only two times we've seen them kind of 79 00:04:34,720 --> 00:04:37,599 Speaker 2: wipe the whole slate clean. But the difference for me 80 00:04:37,800 --> 00:04:42,200 Speaker 2: is that there's two. One is that desperation and wanting 81 00:04:42,240 --> 00:04:44,920 Speaker 2: to be famous is sort of intrinsic to the vander 82 00:04:44,960 --> 00:04:49,800 Speaker 2: pumb Rules DNA that first season, Sheena Jack Stace Sandival. 83 00:04:49,920 --> 00:04:51,840 Speaker 2: They all wanted to be actors, they all wanted to 84 00:04:51,880 --> 00:04:55,120 Speaker 2: be celebrities, and that was sort of that's what LA 85 00:04:55,200 --> 00:04:57,280 Speaker 2: is all about. It's about climbing that ladder, and if 86 00:04:57,360 --> 00:05:00,400 Speaker 2: reality TV is that avenue for these people, then beeit. 87 00:05:01,200 --> 00:05:02,240 Speaker 3: And then the other thing is. 88 00:05:02,200 --> 00:05:05,880 Speaker 2: That, like on Roney, one of the biggest things I 89 00:05:05,880 --> 00:05:08,800 Speaker 2: think that has has hurt has heard its chances of 90 00:05:08,839 --> 00:05:10,800 Speaker 2: really connecting is that this isn't a real that is 91 00:05:10,800 --> 00:05:12,880 Speaker 2: not a real group of friends. They weren't friends before 92 00:05:12,920 --> 00:05:15,599 Speaker 2: the show, and maybe these aren't. This isn't a group 93 00:05:15,600 --> 00:05:18,080 Speaker 2: of friends. But these people work together whoever they find, 94 00:05:18,200 --> 00:05:20,679 Speaker 2: they're all working in the same place, and so there's 95 00:05:20,960 --> 00:05:24,920 Speaker 2: a natural meeting point, there's a natural connection, there's a 96 00:05:25,000 --> 00:05:28,400 Speaker 2: natural point of like something they have in common, and 97 00:05:28,440 --> 00:05:30,440 Speaker 2: so I think that it has a better chance. A 98 00:05:30,440 --> 00:05:32,320 Speaker 2: show like this has a better chance that a reboot 99 00:05:32,360 --> 00:05:35,640 Speaker 2: than I think a Housewives does in terms of wiping 100 00:05:35,640 --> 00:05:36,120 Speaker 2: this saying clean. 101 00:05:36,120 --> 00:05:37,479 Speaker 3: At least from my point of view. 102 00:05:37,760 --> 00:05:43,320 Speaker 1: Yes, I agree with that. So this this is my 103 00:05:43,320 --> 00:05:45,800 Speaker 1: My initial reaction upon hearing the news was like, oh 104 00:05:45,800 --> 00:05:51,000 Speaker 1: my gosh, because I still have Ptsdeah from the Roney 105 00:05:51,120 --> 00:05:54,159 Speaker 1: reboot that that's that's not serving me. So that was 106 00:05:54,240 --> 00:05:59,160 Speaker 1: my initial, you know, knee jerk reaction, like, oh my gosh, 107 00:05:59,279 --> 00:06:03,839 Speaker 1: I don't need another show ruined like shade if you 108 00:06:03,880 --> 00:06:06,599 Speaker 1: want it. I'm not being shady, I'm being honest. Ronnie 109 00:06:06,600 --> 00:06:08,960 Speaker 1: reboot is not good, and I don't care who says 110 00:06:09,000 --> 00:06:12,839 Speaker 1: it is. It's not good. It's not good. The cast 111 00:06:13,120 --> 00:06:20,360 Speaker 1: are great, talented, successful women. They're accomplished, they're they're everything 112 00:06:20,600 --> 00:06:24,960 Speaker 1: you want in an accomplish New York City women. They're 113 00:06:25,000 --> 00:06:28,920 Speaker 1: not reality stars. And it's and it's okay to say that. 114 00:06:29,400 --> 00:06:33,880 Speaker 1: I Carlos King have a great personality. I'm whimsical. I'm 115 00:06:33,920 --> 00:06:37,039 Speaker 1: not that bad to look at. Okay, I would be 116 00:06:37,120 --> 00:06:41,039 Speaker 1: a horrible reality star. I'm private. I have never shared 117 00:06:41,040 --> 00:06:44,839 Speaker 1: my relationship. I don't want you guys knowing anything I 118 00:06:44,920 --> 00:06:47,920 Speaker 1: do between the hours of nine am and nine pm. 119 00:06:48,560 --> 00:06:52,560 Speaker 1: And granted i'm working, so I'm kind of boring, you know, 120 00:06:52,680 --> 00:06:55,359 Speaker 1: like I don't. I'm kind of boring. I would be 121 00:06:55,400 --> 00:07:00,160 Speaker 1: a horrible reality star. So it's not a disc it's is. 122 00:07:00,360 --> 00:07:02,960 Speaker 1: It is what it is. So that was my kneej reaction. 123 00:07:03,400 --> 00:07:07,839 Speaker 1: And then I calmed down, and then I was driving 124 00:07:07,920 --> 00:07:12,080 Speaker 1: to get my haircut and I had a moment of 125 00:07:12,200 --> 00:07:16,200 Speaker 1: reflection and I said, you know what, kudos, so bravo, 126 00:07:16,520 --> 00:07:21,440 Speaker 1: And here's why I'm sick and tired of talent on 127 00:07:21,760 --> 00:07:26,200 Speaker 1: ensemble shows thinking they're the star of it and that 128 00:07:26,320 --> 00:07:31,760 Speaker 1: the show will not continue without them. Yes, like guys 129 00:07:31,840 --> 00:07:35,200 Speaker 1: like it needs them, Yeah, it needs them. Like I'm 130 00:07:35,240 --> 00:07:38,160 Speaker 1: sick and tired of talent on ensemble shows thinking like 131 00:07:38,960 --> 00:07:41,640 Speaker 1: I can do what I want and they'll fire everybody 132 00:07:41,680 --> 00:07:42,160 Speaker 1: else but me. 133 00:07:42,720 --> 00:07:43,080 Speaker 2: You should. 134 00:07:43,440 --> 00:07:48,600 Speaker 1: No one's safe. It's an ensemble show. It's a group. Okay, 135 00:07:49,280 --> 00:07:53,280 Speaker 1: no one makes it as a solo star in reality television. Okay, 136 00:07:53,640 --> 00:07:57,160 Speaker 1: we fell in love with you, the star of the show, 137 00:07:57,200 --> 00:07:59,760 Speaker 1: because yes, you can be the star of the ensemble show. 138 00:08:00,200 --> 00:08:03,960 Speaker 1: But make no mistake, it doesn't mean that the show 139 00:08:05,000 --> 00:08:07,880 Speaker 1: cannot go on without you. And one thing I'll always 140 00:08:07,880 --> 00:08:11,679 Speaker 1: tell people is when it comes to the ensemble world, 141 00:08:13,000 --> 00:08:16,680 Speaker 1: it's like the starting five lineup of a sports game. 142 00:08:17,240 --> 00:08:22,760 Speaker 1: Lebron James is arguably the greatest athlete of all time 143 00:08:22,800 --> 00:08:27,000 Speaker 1: in the NBA, Right, Michael Jordan, Lebron James, Michael Jordan 144 00:08:27,160 --> 00:08:29,760 Speaker 1: is nothing without his team, of the of the of 145 00:08:29,800 --> 00:08:34,680 Speaker 1: the players. Lebron James is not anything without his team. 146 00:08:35,040 --> 00:08:37,840 Speaker 1: Lebron James cannot win a championship ring if he's on 147 00:08:37,880 --> 00:08:42,000 Speaker 1: the court by himself. Right, Yeah, I wish reality stars 148 00:08:42,080 --> 00:08:45,520 Speaker 1: would understand that. And the problem with these VANDAM Pump 149 00:08:45,640 --> 00:08:49,400 Speaker 1: Rules cast members. They drank the kool A, they drank 150 00:08:49,440 --> 00:08:52,800 Speaker 1: them OA, they drank the Asus Spades, and they got 151 00:08:52,920 --> 00:08:56,079 Speaker 1: drunk with fame. They got drunk with power, and they 152 00:08:56,080 --> 00:08:58,600 Speaker 1: got drunk with delusion. And this is what the fuck 153 00:08:58,720 --> 00:09:01,440 Speaker 1: you get. This is what the get when you think 154 00:09:01,480 --> 00:09:04,320 Speaker 1: your shit doesn't think. This is what you get when 155 00:09:04,360 --> 00:09:07,360 Speaker 1: you lost the plot. We loved you, guys when you 156 00:09:07,440 --> 00:09:12,079 Speaker 1: were broke in an apartment with doodoo brown carpet that 157 00:09:12,200 --> 00:09:15,600 Speaker 1: needed cleaning. We loved you when you had the blinthe 158 00:09:15,679 --> 00:09:18,480 Speaker 1: in your apartment that you have to twist in order 159 00:09:18,520 --> 00:09:21,680 Speaker 1: to pull it down. We loved it. Yeah, yeah, we 160 00:09:21,800 --> 00:09:22,760 Speaker 1: love to come up. 161 00:09:23,040 --> 00:09:25,839 Speaker 2: And that's what vander Hump Rules ultimately has always been 162 00:09:25,840 --> 00:09:28,080 Speaker 2: a like that, that sort of it was sort of 163 00:09:28,080 --> 00:09:29,960 Speaker 2: this like Cinderella story, that's sort of like you wanted 164 00:09:29,960 --> 00:09:32,360 Speaker 2: to root for these people, but ultimately they've gotten to 165 00:09:32,400 --> 00:09:33,880 Speaker 2: the point that we are rooting for them to get 166 00:09:33,880 --> 00:09:36,120 Speaker 2: to and now it's sort of like, well, let's let's 167 00:09:36,120 --> 00:09:37,520 Speaker 2: pull it back here a little bit, you know what 168 00:09:37,559 --> 00:09:40,559 Speaker 2: I mean. And the other thing is that now Bravo 169 00:09:40,679 --> 00:09:43,839 Speaker 2: has other avenue to keep these people in the full 170 00:09:43,880 --> 00:09:46,800 Speaker 2: which is via the Valley. So and that really is 171 00:09:46,880 --> 00:09:49,920 Speaker 2: what that that makes sense for maybe some of these 172 00:09:49,920 --> 00:09:52,360 Speaker 2: people to graduate into that eventually. I you know, we're 173 00:09:52,360 --> 00:09:55,240 Speaker 2: gonna see Sheena, La La Schwartz and brock On there 174 00:09:55,280 --> 00:09:58,040 Speaker 2: in some capacity next season, not as full time people, but. 175 00:09:59,600 --> 00:10:00,360 Speaker 3: Separate the two. 176 00:10:00,480 --> 00:10:02,439 Speaker 2: I think I think that these two shows were sort 177 00:10:02,440 --> 00:10:04,480 Speaker 2: of verging into the same lane. It's sort of like 178 00:10:04,520 --> 00:10:06,720 Speaker 2: there's only so much space on that road. And I 179 00:10:06,720 --> 00:10:08,559 Speaker 2: think that the Valley has been such has been such 180 00:10:08,559 --> 00:10:12,760 Speaker 2: a hit and such a that's just getting started. So 181 00:10:12,800 --> 00:10:15,839 Speaker 2: it's sort of like reset the Vanda pump rules thing, 182 00:10:16,559 --> 00:10:19,880 Speaker 2: you know, reined in. And I think it's really smart, 183 00:10:19,880 --> 00:10:22,319 Speaker 2: I really do. And I'm again I'm sad that it's 184 00:10:22,360 --> 00:10:27,640 Speaker 2: the end of the era, but you know, the show 185 00:10:27,800 --> 00:10:30,720 Speaker 2: was reaching its end, its natural endpoint. It really was, 186 00:10:30,880 --> 00:10:33,000 Speaker 2: and and I think that like it had that one 187 00:10:33,080 --> 00:10:35,680 Speaker 2: last burst where it reached heights that had never reached 188 00:10:35,679 --> 00:10:38,439 Speaker 2: before was scandabal and I will always have that moment 189 00:10:38,480 --> 00:10:40,760 Speaker 2: as Bravo fans and people. I mean, it was it 190 00:10:40,840 --> 00:10:43,520 Speaker 2: was such a moment, but it was only going to 191 00:10:43,559 --> 00:10:46,000 Speaker 2: come down from that. You can't you can't sustain that, 192 00:10:46,040 --> 00:10:48,240 Speaker 2: And and I was thinking about it because I'm like 193 00:10:48,960 --> 00:10:51,280 Speaker 2: Southern Charm and Vanda Pump Rules sort of started around 194 00:10:51,320 --> 00:10:54,160 Speaker 2: the same time, and they had a similar trajectory at first, 195 00:10:54,240 --> 00:10:57,280 Speaker 2: but then Vanda Pump Rules obviously took it much like 196 00:10:57,400 --> 00:11:00,160 Speaker 2: you know, it went to New Heights and Van think 197 00:11:00,160 --> 00:11:04,000 Speaker 2: Southern Charm is more a steady, a steady burn. And 198 00:11:04,240 --> 00:11:09,040 Speaker 2: it's interesting because I'm sort of like it's almost a testament. Obviously, 199 00:11:09,080 --> 00:11:11,280 Speaker 2: Scandabal was so huge, I mean, you got it. It 200 00:11:11,320 --> 00:11:15,319 Speaker 2: nominated for an Emmy Highest Rate of John Bravo. But 201 00:11:15,640 --> 00:11:17,400 Speaker 2: it may be also as a testament to not have 202 00:11:17,640 --> 00:11:20,959 Speaker 2: a big moment like that, because slow and steady might 203 00:11:21,400 --> 00:11:23,600 Speaker 2: keep you going for longer, you know what I mean, 204 00:11:23,720 --> 00:11:27,000 Speaker 2: Because I don't know, I just think it's so hard 205 00:11:27,040 --> 00:11:30,559 Speaker 2: to come back from that, and sometimes you can get 206 00:11:30,559 --> 00:11:32,520 Speaker 2: too big to sustain, you know. 207 00:11:32,920 --> 00:11:35,280 Speaker 1: No, it's true, it's true. No, that's a really good point. 208 00:11:36,280 --> 00:11:40,000 Speaker 1: Sometimes it's felt like when you jump the shark, right, Like, 209 00:11:40,080 --> 00:11:42,560 Speaker 1: when something is so big, it's sort of like, how 210 00:11:42,600 --> 00:11:45,000 Speaker 1: can you top this? And hard it milked? 211 00:11:45,040 --> 00:11:47,240 Speaker 3: It's so hard to you know, Yeah. 212 00:11:47,080 --> 00:11:48,920 Speaker 1: It's hard to do that. In reality, like in the 213 00:11:48,960 --> 00:11:52,079 Speaker 1: scripted world, you have the imagination to come up with 214 00:11:52,240 --> 00:11:56,320 Speaker 1: anything you know on the top of your head, but 215 00:11:56,559 --> 00:11:58,559 Speaker 1: in reality you have to work with real people to 216 00:11:58,679 --> 00:12:03,280 Speaker 1: get real stories. That makes sense. Let's let's let's go 217 00:12:03,400 --> 00:12:06,000 Speaker 1: back to the original plot of Vanda Pump rule. Yeah, 218 00:12:06,440 --> 00:12:12,319 Speaker 1: you know, the genius idea following Let's let's call it 219 00:12:12,400 --> 00:12:16,360 Speaker 1: what it is. Lisa Vanda Pump was the breakout star 220 00:12:16,480 --> 00:12:20,800 Speaker 1: of Belly Hills, right, I mean, fan favorite the whole night. 221 00:12:21,040 --> 00:12:25,679 Speaker 1: I personally, after episode one, I was standing for a 222 00:12:25,720 --> 00:12:28,439 Speaker 1: chimio grammar minority, you know. 223 00:12:28,559 --> 00:12:32,079 Speaker 2: Like, but Lisa Vanner Pump was like the the shiny 224 00:12:32,120 --> 00:12:33,880 Speaker 2: new thing that we've never seen before, you know what 225 00:12:33,920 --> 00:12:34,280 Speaker 2: I mean? 226 00:12:34,679 --> 00:12:39,560 Speaker 1: Yeah, yes, and she represented Beverly Hill feel Yes, yes 227 00:12:39,679 --> 00:12:43,120 Speaker 1: it was. It was. It was over the tiles, oh, 228 00:12:43,160 --> 00:12:44,760 Speaker 1: all of those things and the doggies. 229 00:12:44,920 --> 00:12:47,280 Speaker 3: Yeah, like it was many ponies. 230 00:12:47,400 --> 00:12:52,040 Speaker 1: Yes, exactly. So I mean her daughter's name is Pandora. 231 00:12:52,080 --> 00:12:54,280 Speaker 1: I mean, what more do we have to say. I mean, 232 00:12:54,320 --> 00:12:58,320 Speaker 1: let's talk about the wealth of that. Okay, So it 233 00:12:58,400 --> 00:13:06,480 Speaker 1: was genius give said to take this breakout star and say, oh, 234 00:13:06,559 --> 00:13:09,000 Speaker 1: you have a restaurant. You have these kids who work there, 235 00:13:09,040 --> 00:13:15,880 Speaker 1: that's interesting. And Brandy Glanville husband slept with a waitress there, like, 236 00:13:16,120 --> 00:13:20,960 Speaker 1: what what's happening at your restaurant, pup. So it was 237 00:13:21,080 --> 00:13:23,120 Speaker 1: genius to sort of like do a pilot to see 238 00:13:23,160 --> 00:13:25,480 Speaker 1: what was going on there, what was cooking and and 239 00:13:25,679 --> 00:13:27,560 Speaker 1: and this is why you have to give Bravo props 240 00:13:27,600 --> 00:13:32,880 Speaker 1: because listen up. Bravo is known as a network to 241 00:13:32,920 --> 00:13:37,360 Speaker 1: show the opulent world of the elite. And when it 242 00:13:37,400 --> 00:13:40,000 Speaker 1: came to Vandapart rules, it was it was it was 243 00:13:40,120 --> 00:13:43,600 Speaker 1: risky to say, okay, we have this opulent woman named 244 00:13:43,640 --> 00:13:47,000 Speaker 1: Lisa Amandam pomp who has a famous last name. But 245 00:13:47,120 --> 00:13:51,000 Speaker 1: will people be invested in these kids living like being 246 00:13:51,080 --> 00:13:54,920 Speaker 1: roommates like like kind of on this sort of like 247 00:13:55,240 --> 00:13:57,640 Speaker 1: this is no shade but kind of like a mama 248 00:13:57,760 --> 00:14:01,439 Speaker 1: June asked, you know, back, if you will, just very 249 00:14:01,600 --> 00:14:06,199 Speaker 1: like normal and the class isn't. 250 00:14:06,080 --> 00:14:15,480 Speaker 4: Isn't attainable attainable, thank you Gibson, much more political correctionable, 251 00:14:15,679 --> 00:14:16,240 Speaker 4: if you will. 252 00:14:16,320 --> 00:14:20,320 Speaker 1: Right. So it was risky because the the number one 253 00:14:20,360 --> 00:14:24,760 Speaker 1: demographic for Bravo is high affluent white women, right, That's 254 00:14:24,840 --> 00:14:27,320 Speaker 1: that's the number one demo for that network. So it 255 00:14:27,400 --> 00:14:29,920 Speaker 1: was risky to show these kids not have it all, 256 00:14:30,480 --> 00:14:35,120 Speaker 1: but it goes to show you that story will always 257 00:14:35,400 --> 00:14:39,360 Speaker 1: rule any TV show. Total. It was the personal stories 258 00:14:39,360 --> 00:14:43,240 Speaker 1: of this cast. And they're gorgeous and they're messy and 259 00:14:43,720 --> 00:14:46,000 Speaker 1: they sleep with each other, but they also are like 260 00:14:46,080 --> 00:14:50,080 Speaker 1: best friends and it's okay to grow. We saw Kim 261 00:14:50,160 --> 00:14:53,200 Speaker 1: Kardashian girl from being like, oh that's that girl that 262 00:14:53,280 --> 00:14:56,080 Speaker 1: David ray j to like this bona fide star. But 263 00:14:56,160 --> 00:14:59,360 Speaker 1: let's have a real conversation. You and I are fans 264 00:14:59,360 --> 00:15:05,080 Speaker 1: of the kardash A lot of people are like famous, Yeah, 265 00:15:05,120 --> 00:15:08,800 Speaker 1: you'reself famous. Is like, are you really gonna give us 266 00:15:08,840 --> 00:15:10,560 Speaker 1: the real deal? Like you did when you called it? 267 00:15:10,600 --> 00:15:16,000 Speaker 1: Reggie Bush and had said, who are these floors you're talking? Said, yeah, 268 00:15:17,760 --> 00:15:20,040 Speaker 1: one day you and I would do a podcast episode 269 00:15:20,080 --> 00:15:24,560 Speaker 1: dedicated to every nash. But you do put your point, 270 00:15:24,560 --> 00:15:28,480 Speaker 1: Gibson to where you lost the plot. And I think 271 00:15:28,520 --> 00:15:32,840 Speaker 1: the problem was these want to be actors and musicians 272 00:15:32,880 --> 00:15:39,000 Speaker 1: became famous and then they became rich. And what was 273 00:15:39,040 --> 00:15:41,280 Speaker 1: the problem. Do you do you think the problem was 274 00:15:42,360 --> 00:15:45,080 Speaker 1: some of the cast members and and and I'm gonna 275 00:15:45,080 --> 00:15:47,120 Speaker 1: call their names and you don't have to at all. Gibbs. 276 00:15:48,120 --> 00:15:50,080 Speaker 1: Do you think some of the cast members I E. 277 00:15:50,360 --> 00:15:56,480 Speaker 1: La La Kent, Tom Sandoval, Tom Schwortz, those three to 278 00:15:56,560 --> 00:16:02,479 Speaker 1: me drink the kool aid? If I'm being completely honest, Arianna, 279 00:16:03,160 --> 00:16:05,960 Speaker 1: I think just started sipping the kool aid out of 280 00:16:05,960 --> 00:16:09,720 Speaker 1: her sippy cup, and that was evident in this last 281 00:16:09,960 --> 00:16:13,960 Speaker 1: season where she did not want to even give Tom 282 00:16:14,080 --> 00:16:19,240 Speaker 1: aa conversation on camera. Do you think that's what caused 283 00:16:19,240 --> 00:16:21,760 Speaker 1: this show to lose his luster? Or do you think 284 00:16:21,920 --> 00:16:26,960 Speaker 1: it's the fact that they became so famous and successful 285 00:16:27,080 --> 00:16:31,720 Speaker 1: that the audience didn't care. Child, We are just getting started. 286 00:16:43,760 --> 00:16:46,520 Speaker 1: This is Reality with the King, and I'm Carlos King. 287 00:16:47,040 --> 00:16:53,400 Speaker 1: Let's get back into the show. Arianna, I think just 288 00:16:53,480 --> 00:16:56,160 Speaker 1: started sipping the kool aid out of her sippy cup, 289 00:16:57,120 --> 00:17:00,200 Speaker 1: and that was evident in this last season where she 290 00:17:00,240 --> 00:17:05,399 Speaker 1: did not want to even give Tom a conversation on camera. 291 00:17:06,800 --> 00:17:09,560 Speaker 1: Do you think that's what caused this show to lose 292 00:17:09,600 --> 00:17:12,320 Speaker 1: his luster? Or do you think is the fact that 293 00:17:13,080 --> 00:17:18,040 Speaker 1: they became so famous and successful that the audience didn't care. 294 00:17:18,400 --> 00:17:19,439 Speaker 3: It's a really good question. 295 00:17:20,080 --> 00:17:23,640 Speaker 2: I think that I think it was almost this convergence 296 00:17:23,680 --> 00:17:27,960 Speaker 2: of like what's expected of reality stars and what is 297 00:17:28,040 --> 00:17:29,320 Speaker 2: right is good for you as a human. 298 00:17:29,440 --> 00:17:31,120 Speaker 3: I think that Arianna put up. 299 00:17:31,040 --> 00:17:35,680 Speaker 2: Some human, very human and very necessary for her own sake, 300 00:17:36,119 --> 00:17:38,720 Speaker 2: boundaries for herself, and that was all I was a 301 00:17:38,720 --> 00:17:41,800 Speaker 2: result of scandaval and being portrayed in real life, but 302 00:17:42,280 --> 00:17:44,639 Speaker 2: that was intension with what you're supposed to do as 303 00:17:44,640 --> 00:17:45,640 Speaker 2: a reality star. 304 00:17:45,960 --> 00:17:47,080 Speaker 3: And so and I. 305 00:17:47,160 --> 00:17:51,119 Speaker 2: You know, when Vanderhubtruls was getting to this point and 306 00:17:51,160 --> 00:17:53,679 Speaker 2: sort of post and especially post scandival, something that I 307 00:17:53,800 --> 00:17:57,159 Speaker 2: was saying and thinking about was like, I actually think 308 00:17:57,200 --> 00:17:58,760 Speaker 2: that the way that they could have maybe sustained the 309 00:17:58,760 --> 00:18:03,640 Speaker 2: show for slightly longer is to have leaned into slightly 310 00:18:03,640 --> 00:18:06,040 Speaker 2: breaking the fourth wall and acknowledging their fame in a 311 00:18:06,080 --> 00:18:08,240 Speaker 2: really overt way and really making it like a show 312 00:18:08,280 --> 00:18:10,760 Speaker 2: about reality stars. You know, like if you bring it 313 00:18:10,760 --> 00:18:13,440 Speaker 2: back to the Kardashians. The moments that they can still 314 00:18:13,480 --> 00:18:15,199 Speaker 2: really pique my interest in a big way on the 315 00:18:15,240 --> 00:18:17,920 Speaker 2: show is when they really show me the moment behind 316 00:18:17,920 --> 00:18:20,320 Speaker 2: the moment, Like when there's a big public moment for 317 00:18:20,359 --> 00:18:22,720 Speaker 2: them that we have seen in the headlines already, but 318 00:18:22,760 --> 00:18:24,760 Speaker 2: we don't know what really happened behind the scenes, and 319 00:18:24,800 --> 00:18:27,200 Speaker 2: they show us on the show months later. That gets 320 00:18:27,200 --> 00:18:29,480 Speaker 2: my attention because it shows me how it all worked. 321 00:18:29,680 --> 00:18:32,920 Speaker 2: You know, what was the messaging, How who was texting who? 322 00:18:33,040 --> 00:18:36,520 Speaker 2: All that kind of shit. I wanted that on ban 323 00:18:36,920 --> 00:18:40,679 Speaker 2: rules in some capacity, like show me them like with 324 00:18:40,720 --> 00:18:44,640 Speaker 2: their competing celebrity brands and podcasts and whatever, because that's 325 00:18:44,640 --> 00:18:47,840 Speaker 2: the real tension here. The real tension is I want 326 00:18:47,840 --> 00:18:50,480 Speaker 2: this cash cow. I still want this job that my 327 00:18:50,720 --> 00:18:53,399 Speaker 2: entire business is based around, and it wouldn't have to 328 00:18:53,440 --> 00:18:55,159 Speaker 2: be too business, ye, I think, because I think that 329 00:18:55,640 --> 00:19:00,399 Speaker 2: if they were allowed to really again overtly talk about 330 00:19:00,600 --> 00:19:03,280 Speaker 2: this stuff, it would have freed them up to like 331 00:19:03,320 --> 00:19:04,720 Speaker 2: because I feel like they were also kind of talking 332 00:19:04,760 --> 00:19:06,080 Speaker 2: around it a lot of the time, you know what 333 00:19:06,080 --> 00:19:07,880 Speaker 2: an I mean. It was sort of like they could 334 00:19:07,880 --> 00:19:11,200 Speaker 2: acknowledge the show, but not really And that was really 335 00:19:11,200 --> 00:19:14,480 Speaker 2: the ultimate crux of the issue, was like the fact 336 00:19:14,480 --> 00:19:16,600 Speaker 2: that they're on TV and they're expected to show things. 337 00:19:16,640 --> 00:19:19,040 Speaker 2: But so I don't know exactly what that would have 338 00:19:19,080 --> 00:19:21,800 Speaker 2: looked like, but I kind of wish they had pivoted 339 00:19:21,800 --> 00:19:26,320 Speaker 2: a little bit to it being more about the show 340 00:19:26,920 --> 00:19:28,919 Speaker 2: it being a show, if that makes sense, because I 341 00:19:28,920 --> 00:19:31,359 Speaker 2: think that would have given them a little more breathing 342 00:19:31,440 --> 00:19:33,760 Speaker 2: room and it would have like it just felt like 343 00:19:33,760 --> 00:19:36,280 Speaker 2: people were walking on eggshells last season until the very 344 00:19:36,440 --> 00:19:40,040 Speaker 2: end when they had that big blow up, which maybe 345 00:19:40,160 --> 00:19:41,000 Speaker 2: was too little, too late. 346 00:19:41,040 --> 00:19:43,760 Speaker 1: I don't know. Yeah, no, I agree with you. Listen, 347 00:19:44,480 --> 00:19:47,800 Speaker 1: the jig is up right. The audience understands that. Guys, 348 00:19:48,040 --> 00:19:50,520 Speaker 1: we understand you. Guys call the location, you pay them 349 00:19:50,520 --> 00:19:53,479 Speaker 1: a fee them, you tell the cast where to go, 350 00:19:53,800 --> 00:19:55,360 Speaker 1: you tell them where to be at, you give them 351 00:19:55,800 --> 00:19:58,920 Speaker 1: a call sheet, you give them a schedule. Like the 352 00:19:59,320 --> 00:20:03,520 Speaker 1: audience other stands that. So to your point, breaking the 353 00:20:03,560 --> 00:20:09,120 Speaker 1: fourth wall is fantastic in this day and age because 354 00:20:09,200 --> 00:20:12,560 Speaker 1: the audience wants to feel like, Okay, we know this 355 00:20:12,680 --> 00:20:16,959 Speaker 1: isn't scripted, we know that it's situational, and we're okay 356 00:20:17,080 --> 00:20:19,840 Speaker 1: with it. Yeah. So I love a show when you 357 00:20:19,880 --> 00:20:21,960 Speaker 1: talk about like, well, no bitch, you said this about 358 00:20:22,000 --> 00:20:24,400 Speaker 1: me on Twitter, or like I watched a fucking episode 359 00:20:24,400 --> 00:20:27,240 Speaker 1: you said about me last year. I got mad at ya, 360 00:20:27,480 --> 00:20:31,400 Speaker 1: Like that's real life stuff. And again, it's what we 361 00:20:31,560 --> 00:20:37,320 Speaker 1: want to see, and we just wasn't getting the real 362 00:20:37,359 --> 00:20:42,240 Speaker 1: anymore because the reality is like again, it's like I 363 00:20:42,280 --> 00:20:44,640 Speaker 1: love a boy band too. It's like in sync. It's 364 00:20:44,640 --> 00:20:48,040 Speaker 1: sort of like how Lance Band spilt the tea, Lance Bass, 365 00:20:48,040 --> 00:20:51,640 Speaker 1: excuse me spilt the tea? That look justin temper Lake 366 00:20:51,720 --> 00:20:55,160 Speaker 1: felt like I don't need you guys anymore, like I'm 367 00:20:55,320 --> 00:21:01,600 Speaker 1: just in Temperlake. And how Lance Bass admits it that 368 00:21:02,080 --> 00:21:07,840 Speaker 1: every male in that group felt like, well, can this 369 00:21:07,920 --> 00:21:12,879 Speaker 1: group move on without justin Timberlake. You know, That's what 370 00:21:13,080 --> 00:21:16,760 Speaker 1: happens in these ensemble shows. So what people don't know 371 00:21:16,840 --> 00:21:19,400 Speaker 1: is this, and I've worked on many ensembles in my lifetime, 372 00:21:21,760 --> 00:21:27,000 Speaker 1: there is a breakout star, right what happens Sometimes the 373 00:21:27,040 --> 00:21:30,600 Speaker 1: breakout star gets an ego and they start to say 374 00:21:30,680 --> 00:21:33,080 Speaker 1: to and you don't, you don't. You probably don't know 375 00:21:33,119 --> 00:21:39,399 Speaker 1: this Gibson the breakout star. Some of them starts to 376 00:21:39,520 --> 00:21:44,199 Speaker 1: say this while filming, Well, it's my show, so you 377 00:21:44,240 --> 00:21:47,399 Speaker 1: know I'm the star of the show. It's my show. 378 00:21:47,440 --> 00:21:49,800 Speaker 1: I'm the star of the show. And not only do 379 00:21:49,880 --> 00:21:52,879 Speaker 1: they say that to the producers, they say that in 380 00:21:53,000 --> 00:21:59,800 Speaker 1: front of their cast and Gibson it happens more times 381 00:22:00,040 --> 00:22:07,760 Speaker 1: and you think, and what that does for a cast 382 00:22:07,880 --> 00:22:12,760 Speaker 1: member is they feel like, well, why am I here? 383 00:22:13,480 --> 00:22:17,520 Speaker 1: And that's when you start seeing moments uppear on camera 384 00:22:17,560 --> 00:22:20,159 Speaker 1: when you hear reality starts saying, I'm not giving her 385 00:22:20,200 --> 00:22:22,800 Speaker 1: a moment. She wants a moment. She wants a moment 386 00:22:23,320 --> 00:22:26,399 Speaker 1: because and this is something you may not also know, 387 00:22:26,480 --> 00:22:30,639 Speaker 1: GiB say, you may know this. The star will not 388 00:22:31,000 --> 00:22:34,120 Speaker 1: film with the person they have an issue with because 389 00:22:34,160 --> 00:22:36,680 Speaker 1: they feel like if I don't film with them, they'll 390 00:22:36,720 --> 00:22:41,680 Speaker 1: get fired. Let me ice them out. I want them 391 00:22:41,800 --> 00:22:44,719 Speaker 1: out the show. I want them gone. And when you 392 00:22:44,760 --> 00:22:48,080 Speaker 1: have producers say to them, like, guys, it's an ensemble show, 393 00:22:48,160 --> 00:22:50,439 Speaker 1: like this show is big because all of you guys 394 00:22:50,520 --> 00:22:56,399 Speaker 1: make sense. It's it's hard to deal with the ego. 395 00:22:57,000 --> 00:22:59,240 Speaker 1: And I feel like with the vand the Pump Rules, 396 00:22:59,600 --> 00:23:02,280 Speaker 1: the real lot of egos. There were lots of egos 397 00:23:02,320 --> 00:23:05,720 Speaker 1: on that show. And I think the only person who 398 00:23:05,760 --> 00:23:10,320 Speaker 1: may not suffered with an ego to me is Katie. 399 00:23:11,320 --> 00:23:12,679 Speaker 3: I think that's probably accurate. 400 00:23:12,720 --> 00:23:15,240 Speaker 2: I think that what's also interesting about that dynamic and 401 00:23:15,359 --> 00:23:19,719 Speaker 2: Vander Pump Rules is that Arianna and I've always loved 402 00:23:19,760 --> 00:23:21,440 Speaker 2: her on the show because I always just felt, I 403 00:23:21,480 --> 00:23:23,439 Speaker 2: don't know, she always is like cool and like kind 404 00:23:23,440 --> 00:23:25,600 Speaker 2: of unbothered the whole time, but she was kind of 405 00:23:25,600 --> 00:23:29,480 Speaker 2: a reluctant star of the show because this happened to her, 406 00:23:30,119 --> 00:23:32,239 Speaker 2: and then she became this woman scored, and she kind 407 00:23:32,240 --> 00:23:34,680 Speaker 2: of took advantage of every opportunity as she should have done. 408 00:23:34,720 --> 00:23:36,200 Speaker 3: And she she. 409 00:23:37,119 --> 00:23:39,480 Speaker 2: You know, she built her this thing and she capitalized 410 00:23:39,480 --> 00:23:42,080 Speaker 2: on it to an extent where she kind of outgrew 411 00:23:42,119 --> 00:23:44,280 Speaker 2: the show. She's really the only one that I think 412 00:23:44,320 --> 00:23:48,000 Speaker 2: can sustain something completely unrelated to Vander Rules for the 413 00:23:48,000 --> 00:23:49,400 Speaker 2: next five or ten years. 414 00:23:49,640 --> 00:23:53,920 Speaker 1: But gives I'd never cut you off. Baby. You think 415 00:23:53,960 --> 00:23:56,000 Speaker 1: Arianna has thing Papa five years? 416 00:23:56,560 --> 00:23:58,360 Speaker 2: She could host Love Island for the next five years. 417 00:23:58,400 --> 00:24:00,840 Speaker 1: I think, yeah, I give her two years. Max. 418 00:24:00,920 --> 00:24:02,520 Speaker 2: Okay, well, I think that she could. I think that 419 00:24:02,560 --> 00:24:04,399 Speaker 2: she could at least host Love Island for a while, 420 00:24:04,480 --> 00:24:07,000 Speaker 2: and that's enough to sustain a career in my opinion. 421 00:24:07,040 --> 00:24:08,840 Speaker 1: Okay, do you see her doing anything else with I 422 00:24:08,880 --> 00:24:11,840 Speaker 1: was hosting Love Island. 423 00:24:12,280 --> 00:24:13,960 Speaker 2: I don't think it's gonna be like another Dancing with 424 00:24:14,000 --> 00:24:17,240 Speaker 2: the Stars big moment or like whatever. But I think 425 00:24:17,280 --> 00:24:19,600 Speaker 2: that she's made I think that she's built herself enough 426 00:24:19,640 --> 00:24:22,159 Speaker 2: into a recognizable name, more so than her castmates at 427 00:24:22,160 --> 00:24:24,639 Speaker 2: this point, to like a broader swath of people that 428 00:24:24,680 --> 00:24:27,160 Speaker 2: she could be called to do random you know, guests, 429 00:24:27,320 --> 00:24:29,120 Speaker 2: like she's about to do a get like a guest 430 00:24:29,119 --> 00:24:30,960 Speaker 2: and on some show that I've ever heard of. But like, 431 00:24:31,280 --> 00:24:32,639 Speaker 2: I think she can continue to do that kind of 432 00:24:32,640 --> 00:24:35,400 Speaker 2: stuff for a while. Personally, I really do. I will 433 00:24:35,400 --> 00:24:36,800 Speaker 2: say this, though she has a good agent. 434 00:24:39,760 --> 00:24:42,480 Speaker 1: I will say this. I will say this. I will 435 00:24:42,480 --> 00:24:46,720 Speaker 1: give Arianna her props when it comes to this. The 436 00:24:46,760 --> 00:24:50,320 Speaker 1: woman studied, she did hosting. 437 00:24:51,119 --> 00:24:51,600 Speaker 3: She's good. 438 00:24:51,720 --> 00:24:56,320 Speaker 1: I'm impressed. I got a chance to see some of 439 00:24:56,400 --> 00:25:00,159 Speaker 1: Love Island. I got a chance to see her do 440 00:25:00,280 --> 00:25:07,280 Speaker 1: the Emmy's after party with like nine leaks and Justin Sylvester. 441 00:25:08,600 --> 00:25:13,280 Speaker 1: I will say this, Gibson, the woman has what it takes. 442 00:25:14,520 --> 00:25:17,120 Speaker 1: And the only reason why I'm pushing back is this. 443 00:25:18,560 --> 00:25:21,600 Speaker 1: She was springboarded because of the scandal, and you're she's 444 00:25:21,680 --> 00:25:25,520 Speaker 1: like this reluctant star. I'm gonna say it, And guys, 445 00:25:25,600 --> 00:25:27,840 Speaker 1: it's because I know a lot about how this how 446 00:25:27,880 --> 00:25:32,160 Speaker 1: this shit works. You got those gigs because of the scandal, 447 00:25:32,240 --> 00:25:35,520 Speaker 1: because you were on the tip of everyone's time. You're 448 00:25:35,560 --> 00:25:39,040 Speaker 1: only as good as your last episode. You're only as 449 00:25:39,119 --> 00:25:44,000 Speaker 1: good as your last season. When you when you're agent 450 00:25:44,160 --> 00:25:48,280 Speaker 1: in Hollywood, sends you offer gigs and they say, Hi, 451 00:25:48,440 --> 00:25:54,600 Speaker 1: I have Arianno Mattos. What shows y'all currently? Well, you 452 00:25:54,640 --> 00:25:58,399 Speaker 1: know she's hosting Love Island. Is the number one thing 453 00:25:58,400 --> 00:26:01,000 Speaker 1: that showed Peacock okay, is she's so in that show 454 00:26:01,040 --> 00:26:03,840 Speaker 1: Man the Pump Rules that gets two million views a week. No, 455 00:26:04,000 --> 00:26:07,640 Speaker 1: that show is done. Oh can we get Bronway from 456 00:26:07,640 --> 00:26:08,280 Speaker 1: Salt Lake City? 457 00:26:08,320 --> 00:26:11,679 Speaker 4: Because we hear she was talk of the town. 458 00:26:13,680 --> 00:26:16,040 Speaker 1: That's that's that's going to be it. And that's the 459 00:26:16,119 --> 00:26:18,159 Speaker 1: reason why. Because a lot of people are like, why 460 00:26:18,160 --> 00:26:19,760 Speaker 1: are you so hard on Arianna? I'm not hard on 461 00:26:19,840 --> 00:26:23,879 Speaker 1: any of the of my of my reality cast. I 462 00:26:24,160 --> 00:26:27,879 Speaker 1: try to give them advice. My problem with Ariana was 463 00:26:28,000 --> 00:26:31,280 Speaker 1: I wish her agent, her lawyer, her best friend, and 464 00:26:31,320 --> 00:26:33,399 Speaker 1: I saw the producers do it, so shout out to 465 00:26:33,440 --> 00:26:37,160 Speaker 1: the producers. I wish somebody what I said to her, 466 00:26:38,080 --> 00:26:42,680 Speaker 1: love girl. We don't have that much time to milk 467 00:26:42,720 --> 00:26:48,119 Speaker 1: this ship. I understand it's a problem. Give give us 468 00:26:48,119 --> 00:26:50,600 Speaker 1: a scene with you and Tom give us because I'm 469 00:26:50,640 --> 00:26:53,080 Speaker 1: able to at least give you two years of more gigs. 470 00:26:54,520 --> 00:26:59,800 Speaker 1: And La La, in my opinion, became jealous of Arianna, 471 00:27:01,400 --> 00:27:03,800 Speaker 1: and because La La felt like I give my bluff 472 00:27:03,880 --> 00:27:04,960 Speaker 1: went in tears and she did. 473 00:27:05,119 --> 00:27:07,120 Speaker 3: She did, Yeah, she did, La La. 474 00:27:07,160 --> 00:27:11,199 Speaker 1: To me, to me, to me. Before the scandal, La 475 00:27:11,320 --> 00:27:13,000 Speaker 1: La was the face of Man the Pump Rules. 476 00:27:13,160 --> 00:27:15,240 Speaker 2: To me, I think she was the most natural reality 477 00:27:15,280 --> 00:27:18,840 Speaker 2: star on that show and probably still is. Yeah, you know, yeah, yeah, 478 00:27:19,160 --> 00:27:20,440 Speaker 2: I star power. 479 00:27:21,359 --> 00:27:24,520 Speaker 1: I low key feel sorry for her because she did 480 00:27:24,560 --> 00:27:27,000 Speaker 1: give so much of the show. It's like it's like 481 00:27:27,320 --> 00:27:30,320 Speaker 1: giving yourself to any job and all of a sudden 482 00:27:30,359 --> 00:27:31,920 Speaker 1: you get laid off, you know what I mean? 483 00:27:32,040 --> 00:27:36,000 Speaker 2: So yeah, literally, I think I think, and who knows 484 00:27:36,000 --> 00:27:37,760 Speaker 2: what Season two of The Valley really is going to be, 485 00:27:38,560 --> 00:27:40,640 Speaker 2: but I really do think that like that show will 486 00:27:40,800 --> 00:27:41,640 Speaker 2: ingest one or two of. 487 00:27:41,560 --> 00:27:43,960 Speaker 3: These people at some point, I really do. 488 00:27:44,040 --> 00:27:45,919 Speaker 2: I think you let the dust settle, you kind of 489 00:27:46,760 --> 00:27:50,560 Speaker 2: let the association or whatever kind of reputation they have 490 00:27:51,480 --> 00:27:53,480 Speaker 2: from the past year or two kind of fade away, 491 00:27:53,720 --> 00:27:56,240 Speaker 2: and then you bring them back to the If if 492 00:27:56,320 --> 00:28:00,359 Speaker 2: Lala basically fades from from TV for the next two 493 00:28:00,440 --> 00:28:04,359 Speaker 2: years and then they Bravo teases a big return to 494 00:28:04,400 --> 00:28:06,520 Speaker 2: her on The Valley, I think it would be heralded 495 00:28:06,600 --> 00:28:07,040 Speaker 2: as kind. 496 00:28:06,920 --> 00:28:08,720 Speaker 3: Of a moment, you know what I mean. Like, I 497 00:28:08,720 --> 00:28:10,720 Speaker 3: think that like, you. 498 00:28:10,680 --> 00:28:13,600 Speaker 2: Know, everyone loves a return, and we have we have 499 00:28:13,920 --> 00:28:18,000 Speaker 2: short memories and we're fickle as viewers, and people would 500 00:28:18,040 --> 00:28:18,880 Speaker 2: like to see her back. 501 00:28:18,920 --> 00:28:20,480 Speaker 3: I think in two years. I really do. 502 00:28:20,760 --> 00:28:23,440 Speaker 2: I really think that. So maybe that's the key to you. 503 00:28:23,520 --> 00:28:25,040 Speaker 2: Maybe just wait it out a little bit and keep 504 00:28:25,080 --> 00:28:27,960 Speaker 2: doing your podcast and raising your two daughters, and then 505 00:28:29,520 --> 00:28:32,440 Speaker 2: pitch yourself to Bravo in two years for the Valley 506 00:28:32,480 --> 00:28:33,000 Speaker 2: season four. 507 00:28:33,560 --> 00:28:36,080 Speaker 1: You know, yeah, I actually agree with that. I think listen, 508 00:28:36,160 --> 00:28:38,360 Speaker 1: I think a Lotla is meant to be in reality television. 509 00:28:39,800 --> 00:28:41,760 Speaker 2: She went too far, she took it to she got, 510 00:28:42,160 --> 00:28:43,360 Speaker 2: she got ahead of her herself. 511 00:28:43,440 --> 00:28:45,400 Speaker 1: You know, Oh she did, she did, she did, and 512 00:28:45,400 --> 00:28:47,920 Speaker 1: that's the listen. Listen, listen, listen. If you are a 513 00:28:47,960 --> 00:28:53,360 Speaker 1: reality star, will want to become one. Listen up. You 514 00:28:53,640 --> 00:28:58,320 Speaker 1: have to have people on your team who tells you 515 00:28:58,440 --> 00:29:03,400 Speaker 1: things you do not want to hear totally, who challenges you. Okay, 516 00:29:03,880 --> 00:29:07,080 Speaker 1: the moment you push back and you feel like you 517 00:29:07,160 --> 00:29:09,720 Speaker 1: know everything, some things you are going to know and 518 00:29:09,760 --> 00:29:11,720 Speaker 1: have an instinct about, and you should ride with that. 519 00:29:12,560 --> 00:29:15,040 Speaker 1: A lot of things you're not going to know because 520 00:29:15,520 --> 00:29:19,160 Speaker 1: you have an emotional reaction to things, and that's going 521 00:29:19,240 --> 00:29:21,960 Speaker 1: to be the problem. So this is what La La says. 522 00:29:22,200 --> 00:29:24,440 Speaker 1: I want to start reading the reactions of the capah. 523 00:29:24,800 --> 00:29:28,000 Speaker 1: So Lala said, where to begin. I was a young 524 00:29:28,080 --> 00:29:30,640 Speaker 1: girl from Salt Lake City. I mean, I wouldn't mind 525 00:29:30,680 --> 00:29:34,320 Speaker 1: seeing La La take Heather down on Salt Lake City. 526 00:29:34,320 --> 00:29:38,760 Speaker 2: But that's put Lala on secret Lizer woman wives. 527 00:29:38,680 --> 00:29:45,000 Speaker 1: Right exactly. Okay, So she talks about La La being 528 00:29:45,040 --> 00:29:48,560 Speaker 1: her nickname. Sir was a place that became home. She 529 00:29:48,720 --> 00:29:51,200 Speaker 1: was sipping vodka. Blah blah, blah, blah blah. A short 530 00:29:51,200 --> 00:29:57,120 Speaker 1: time later, Ben the Porrules called whatever she said. I 531 00:29:57,160 --> 00:29:58,880 Speaker 1: want to say thank you for rocking with us for 532 00:29:58,960 --> 00:30:03,440 Speaker 1: so many years. This show changed my whole life. I'm 533 00:30:03,560 --> 00:30:08,320 Speaker 1: unbelievably grateful for every moment. I'm unbelievably grateful for Bravo, 534 00:30:08,360 --> 00:30:11,880 Speaker 1: for NBA Universal, for our crew, the entire cast, and 535 00:30:12,000 --> 00:30:15,760 Speaker 1: most importantly all of you. We rock this bitch out. 536 00:30:15,920 --> 00:30:20,440 Speaker 1: I thought that was a great me too. Now juxtapposed 537 00:30:20,520 --> 00:30:24,280 Speaker 1: that against Arianna. Okay, this is what she had to say. 538 00:30:24,840 --> 00:30:27,200 Speaker 1: I was up till four o'clock in the morning looking 539 00:30:27,240 --> 00:30:28,480 Speaker 1: for all the right pictures. 540 00:30:28,800 --> 00:30:29,760 Speaker 3: Not this voice changed. 541 00:30:29,800 --> 00:30:36,280 Speaker 1: Carlos GiB said, why are you telling me the first 542 00:30:36,360 --> 00:30:39,320 Speaker 1: sentence that you stayed up all I'm looking for photos. 543 00:30:39,960 --> 00:30:44,959 Speaker 1: That's not a humble woman who feels I digress. I 544 00:30:45,040 --> 00:30:47,000 Speaker 1: was up till four o'clock in the morning looking for 545 00:30:47,120 --> 00:30:50,040 Speaker 1: all the right pictures and the right words. But there's 546 00:30:50,120 --> 00:30:54,360 Speaker 1: no post or caption that could ever encapsulate everything. I'm 547 00:30:54,400 --> 00:30:57,680 Speaker 1: further grateful to Bravo, l Sabana, Pump Evolution, blah blah blah, 548 00:30:57,760 --> 00:31:03,160 Speaker 1: the showrunners, every single remember producer, and our showrunners. She 549 00:31:03,400 --> 00:31:06,640 Speaker 1: did not mention the cast was at Gibson. I'm bother 550 00:31:06,760 --> 00:31:09,800 Speaker 1: fucking sorry. I have an issue with that. If it 551 00:31:09,880 --> 00:31:13,880 Speaker 1: wasn't for this cast, who's whose coat tails? You were 552 00:31:13,920 --> 00:31:17,160 Speaker 1: writing for all of these seasons before Tom decided to 553 00:31:17,160 --> 00:31:21,440 Speaker 1: stick his pen in another woman while I'm together. This 554 00:31:21,640 --> 00:31:24,600 Speaker 1: cast carried the show while you were in the back 555 00:31:24,720 --> 00:31:29,720 Speaker 1: seat wearing a seatbelt drinking up fucking Deer Park bottle water. 556 00:31:30,200 --> 00:31:33,360 Speaker 1: Are you kidding me? You have the audacity to sit 557 00:31:33,440 --> 00:31:35,920 Speaker 1: up and say I'm looking for photos. I want to 558 00:31:35,920 --> 00:31:40,880 Speaker 1: thank Lisa, Bravo, NBC, the crew, which, yes, the crew 559 00:31:40,960 --> 00:31:45,600 Speaker 1: is everything, but not your fellow cast members. I did 560 00:31:45,720 --> 00:31:47,320 Speaker 1: not like that, And you can say what you want 561 00:31:47,320 --> 00:31:51,280 Speaker 1: about La La, I can't, she said to the entire cast, 562 00:31:51,760 --> 00:31:55,120 Speaker 1: and that to me is a woman that is going 563 00:31:55,200 --> 00:31:58,280 Speaker 1: to eat this humble pie that she's been fed. And 564 00:31:58,520 --> 00:32:03,239 Speaker 1: La La with alone, my advice to you listen to 565 00:32:03,320 --> 00:32:08,680 Speaker 1: your team because you at least have enough sense to 566 00:32:08,720 --> 00:32:10,719 Speaker 1: make sure to bring it back to the cast. 567 00:32:11,800 --> 00:32:14,240 Speaker 2: Well, first of all, I don't agree that Ariana road 568 00:32:14,320 --> 00:32:18,160 Speaker 2: road coketail. That's not my interpretation of Ariana's time on 569 00:32:18,160 --> 00:32:24,240 Speaker 2: the show. But and I don't we want shady reality stars. 570 00:32:24,280 --> 00:32:26,640 Speaker 2: It's shady that she didn't that she didn't mention the cast, 571 00:32:26,720 --> 00:32:29,800 Speaker 2: and if it were me, I would have, but she didn't. 572 00:32:30,160 --> 00:32:33,000 Speaker 3: She's still she's still, you know, holding. 573 00:32:32,720 --> 00:32:35,720 Speaker 2: On to that, and I like the shade. That's that's 574 00:32:35,720 --> 00:32:40,479 Speaker 2: a good reality star to me as well. So we 575 00:32:40,480 --> 00:32:44,680 Speaker 2: we have a different you know, responses to that post. 576 00:32:44,760 --> 00:32:48,080 Speaker 1: And you know what, that's okay, okay, No, you and 577 00:32:48,080 --> 00:32:51,800 Speaker 1: I are able to have a healthy debate that that 578 00:32:51,840 --> 00:32:53,600 Speaker 1: did rub me the wrong way, and. 579 00:32:53,520 --> 00:32:55,760 Speaker 3: I understand that. I understand that I do. 580 00:32:55,960 --> 00:32:58,800 Speaker 1: Yeah, it's like it's an ensemble show. You are not 581 00:32:58,920 --> 00:33:01,760 Speaker 1: Diana Roth and are the supremes like, get out of 582 00:33:01,800 --> 00:33:05,000 Speaker 1: her sister. I'm over it. So last one. I want 583 00:33:05,000 --> 00:33:08,520 Speaker 1: to say because I thought this was funny, is it, Katie? 584 00:33:09,440 --> 00:33:17,760 Speaker 2: Yes, because it's funny. Now your Carlos's Mike just fell 585 00:33:17,800 --> 00:33:21,040 Speaker 2: down because he's freaking out. 586 00:33:22,640 --> 00:33:24,880 Speaker 3: No, it's funny, Carlos, it's funny. 587 00:33:27,440 --> 00:33:32,400 Speaker 1: Knock me off my feet. Okay, So so Katie said, 588 00:33:33,360 --> 00:33:35,480 Speaker 1: and I thought that's my first of all, Katie made 589 00:33:35,480 --> 00:33:39,480 Speaker 1: this her stories, not even posted her feet. And my 590 00:33:39,600 --> 00:33:44,040 Speaker 1: girl said, that's a mixed bag. But I wouldn't change 591 00:33:44,040 --> 00:33:46,480 Speaker 1: a thing. Thank you for the memories and the love 592 00:33:46,600 --> 00:33:52,360 Speaker 1: for the last love years. Like it's ax yeah, like whatever, 593 00:33:52,480 --> 00:33:57,600 Speaker 1: girl like. So, I haven't seen anything from the Toms 594 00:33:57,720 --> 00:34:00,920 Speaker 1: yet to my team, let me know if you. If 595 00:34:00,960 --> 00:34:05,640 Speaker 1: you see anything, send it to media tax. But yesterday 596 00:34:05,800 --> 00:34:09,640 Speaker 1: we did find out and Gibson, is this true that 597 00:34:10,360 --> 00:34:15,640 Speaker 1: Tom Schwortz and Tom send the Ball restaurant. It's good. 598 00:34:15,840 --> 00:34:16,640 Speaker 3: They're shutting it down. 599 00:34:16,680 --> 00:34:19,040 Speaker 2: In December they announced, I think one day before you, 600 00:34:19,120 --> 00:34:22,000 Speaker 2: one day before this news came out, they announced they're 601 00:34:22,000 --> 00:34:24,000 Speaker 2: shotting down the restaurant, Shorts and Sandy's. 602 00:34:24,239 --> 00:34:28,880 Speaker 3: So but the TMZ article said that. 603 00:34:28,840 --> 00:34:32,120 Speaker 2: The Phantom Homp Rules cast was informed that the show 604 00:34:32,200 --> 00:34:35,600 Speaker 2: is being recast last night, which would have been after 605 00:34:35,640 --> 00:34:39,719 Speaker 2: they announced the restaurant news. So I think I saw 606 00:34:39,760 --> 00:34:42,120 Speaker 2: some people speculating that like it was all timed together. 607 00:34:42,320 --> 00:34:46,080 Speaker 2: But if the cast just found out last night, they 608 00:34:46,080 --> 00:34:49,040 Speaker 2: would have made this decision about the restaurant probably weeks ago, 609 00:34:49,320 --> 00:34:51,719 Speaker 2: you know, so maybe they saw the writing on the wall. 610 00:34:51,760 --> 00:34:54,440 Speaker 3: But I don't know if those two things are related. 611 00:34:54,480 --> 00:34:56,279 Speaker 2: I think it's just like a double hit of bad 612 00:34:56,360 --> 00:34:57,799 Speaker 2: news for the Toms. 613 00:34:58,239 --> 00:35:01,279 Speaker 1: Yeah, now listen, it's it's it's you never want to 614 00:35:01,320 --> 00:35:04,360 Speaker 1: see a business suffer through, you know, a situation to 615 00:35:04,400 --> 00:35:07,279 Speaker 1: where it is no longer is able to like, you know, 616 00:35:07,360 --> 00:35:08,320 Speaker 1: monetize anything. 617 00:35:08,640 --> 00:35:10,840 Speaker 3: Of course, not in the employee. I feel bad for 618 00:35:10,880 --> 00:35:12,000 Speaker 3: the employees of that restaurant. 619 00:35:15,520 --> 00:35:20,360 Speaker 1: Okay, So last one, Sandival said with a heavy heart, 620 00:35:20,760 --> 00:35:28,360 Speaker 1: Oh no, that's about the restaurant. That's what is that way. 621 00:35:28,080 --> 00:35:33,360 Speaker 1: He hasn't said any I'm going through all his stories. 622 00:35:34,120 --> 00:35:37,919 Speaker 1: As at the time of this recording, Tom Sandaval has 623 00:35:38,000 --> 00:35:39,360 Speaker 1: not released a statement. 624 00:35:39,800 --> 00:35:41,480 Speaker 2: Yeah, I feel like nobody. I haven't seen anything else 625 00:35:41,480 --> 00:35:43,800 Speaker 2: from anybody else. I want she in a statement. 626 00:35:44,080 --> 00:35:46,879 Speaker 1: Baby Sina wanted this more than Leasta Vanda Pump did. 627 00:35:47,480 --> 00:35:50,040 Speaker 2: And and you know what she knows, actually one of 628 00:35:50,080 --> 00:35:53,480 Speaker 2: those rare people who she did start the show. It 629 00:35:53,600 --> 00:35:58,560 Speaker 2: was all based on her sleeping with Brandy's X or whatever, 630 00:36:00,600 --> 00:36:03,440 Speaker 2: and she she never became bigger than the show, you 631 00:36:03,480 --> 00:36:05,520 Speaker 2: know what I mean. Like she I think that, you know, 632 00:36:05,880 --> 00:36:08,080 Speaker 2: people make jokes like has anybody checked on gena and 633 00:36:08,239 --> 00:36:11,200 Speaker 2: and all that kind of stuff, but like, ultimately, Sheena 634 00:36:11,360 --> 00:36:13,279 Speaker 2: was kind of down to do whatever it tip took 635 00:36:13,320 --> 00:36:16,040 Speaker 2: for the sake of the show to continue it, and 636 00:36:16,400 --> 00:36:19,759 Speaker 2: she was also I think that's kudos to her. You know, 637 00:36:19,960 --> 00:36:22,640 Speaker 2: I think that she's she's easily the butt of the 638 00:36:22,719 --> 00:36:24,719 Speaker 2: joke a lot of the time, but ultimately, like she 639 00:36:24,840 --> 00:36:26,000 Speaker 2: was pretty damn good at her job. 640 00:36:26,800 --> 00:36:30,719 Speaker 1: I'm keam Sheena as well. I think she's great. Give 641 00:36:30,760 --> 00:36:34,239 Speaker 1: the girl her props, I mean totally. I mean, allegedly 642 00:36:34,320 --> 00:36:39,759 Speaker 1: she had no idea that Eddie was married, So I say, 643 00:36:40,040 --> 00:36:41,400 Speaker 1: give one of prosperous cheating. 644 00:36:41,560 --> 00:36:42,279 Speaker 3: Not to take it back. 645 00:36:42,880 --> 00:36:45,640 Speaker 1: I'm not I'm not saying that. I'm not saying that. 646 00:36:46,040 --> 00:36:48,160 Speaker 1: I'm not saying that. I'm not saying that. I'm not 647 00:36:48,239 --> 00:36:48,759 Speaker 1: saying that. 648 00:36:48,880 --> 00:36:50,680 Speaker 3: But look, but look what we got out of it, 649 00:36:50,760 --> 00:36:51,359 Speaker 3: you know what I mean? 650 00:36:51,480 --> 00:36:55,760 Speaker 1: And now listen, Uh, well, life give you limits, Hey, Beyonce, 651 00:36:55,880 --> 00:36:59,880 Speaker 1: make lemonade. As we come to a close, Gibson, John 652 00:37:00,360 --> 00:37:05,799 Speaker 1: and Vanda Pump Rules no longer is going to have 653 00:37:05,840 --> 00:37:09,799 Speaker 1: the same cast. This cast was as brilliant as the 654 00:37:09,840 --> 00:37:12,719 Speaker 1: casting in Jersey Shore. You know what I mean when 655 00:37:12,800 --> 00:37:14,759 Speaker 1: you when you look at when you look back on 656 00:37:14,840 --> 00:37:19,560 Speaker 1: reality television, band, the Pump Rules original cast will always 657 00:37:19,560 --> 00:37:21,560 Speaker 1: go down as top five the best cast in history 658 00:37:21,560 --> 00:37:25,719 Speaker 1: of reality television. And I would like to thank the 659 00:37:25,760 --> 00:37:28,560 Speaker 1: cast for giving us some great moments. I would like 660 00:37:28,640 --> 00:37:32,920 Speaker 1: to thank the producers, the entire crew, Lisa, Vanda Pump, 661 00:37:33,760 --> 00:37:38,000 Speaker 1: Andy Cohen and all Bravo for really providing us with 662 00:37:38,120 --> 00:37:42,640 Speaker 1: a show that really and you don't know this, Gibson. 663 00:37:43,239 --> 00:37:47,760 Speaker 1: So in my business there was always always always talks 664 00:37:47,760 --> 00:37:49,360 Speaker 1: of what's our. 665 00:37:49,320 --> 00:37:51,960 Speaker 2: Version of Vanda Pump Rules totally? 666 00:37:52,239 --> 00:37:56,400 Speaker 1: Like that was the message that went around the production 667 00:37:56,520 --> 00:37:59,120 Speaker 1: companies like myself, like find me the other version of that. 668 00:37:59,520 --> 00:38:01,560 Speaker 1: So you have to give the network and the cast 669 00:38:01,640 --> 00:38:03,040 Speaker 1: and at least amound of the Pump and the crew 670 00:38:03,080 --> 00:38:07,680 Speaker 1: all the props to that. Are you looking forward to 671 00:38:07,719 --> 00:38:11,480 Speaker 1: a new crop of people? It's scary times on our business, 672 00:38:12,120 --> 00:38:18,879 Speaker 1: So to invest in a new cast hoping that the 673 00:38:18,960 --> 00:38:22,680 Speaker 1: audience receives them. Is it is it too risky or 674 00:38:22,920 --> 00:38:25,520 Speaker 1: do you think is going to pay off in the end. 675 00:38:26,920 --> 00:38:27,600 Speaker 3: I mean, I hope. 676 00:38:27,600 --> 00:38:30,360 Speaker 2: So I always come from the perspective of like wanting 677 00:38:30,360 --> 00:38:33,399 Speaker 2: a show to succeed because I love watching reality TV 678 00:38:33,760 --> 00:38:36,319 Speaker 2: and I'd like to watch a good show, you know. 679 00:38:36,400 --> 00:38:38,360 Speaker 2: So I hope that they figure it out. I hope that, like, 680 00:38:39,280 --> 00:38:41,920 Speaker 2: you know, hopefully the people who work at these restaurants 681 00:38:41,920 --> 00:38:45,200 Speaker 2: are just easily castable, and they kind of had that 682 00:38:45,280 --> 00:38:46,600 Speaker 2: in the back of the mind when they hired them, 683 00:38:46,600 --> 00:38:48,759 Speaker 2: and it was like it can kind of like hit 684 00:38:48,800 --> 00:38:51,520 Speaker 2: the ground running. I mean, that's I hope that's the case. 685 00:38:51,680 --> 00:38:55,600 Speaker 2: And they'll never recreate the magic of early bandit rules ever, 686 00:38:55,840 --> 00:38:57,840 Speaker 2: because that was a different time in our culture. 687 00:38:58,360 --> 00:38:59,720 Speaker 3: Social media was so different. 688 00:39:00,080 --> 00:39:02,799 Speaker 2: Reality TV meant something totally different when it related as 689 00:39:02,800 --> 00:39:05,759 Speaker 2: it related to like general fame, and it's I think 690 00:39:05,800 --> 00:39:09,200 Speaker 2: now it's just seen as a much more like viable 691 00:39:09,880 --> 00:39:13,640 Speaker 2: path to superstardom, and it wasn't. It wasn't taken as 692 00:39:13,680 --> 00:39:16,879 Speaker 2: seriously before in that regard, you know, And that's why 693 00:39:16,880 --> 00:39:19,800 Speaker 2: we see people like Garcel and people going to reality 694 00:39:19,840 --> 00:39:22,520 Speaker 2: TV to get to sort of you know, sustain their 695 00:39:23,200 --> 00:39:26,560 Speaker 2: their fame, and so I hope that they can find 696 00:39:26,560 --> 00:39:28,880 Speaker 2: that a group of green people who just like are 697 00:39:29,000 --> 00:39:32,200 Speaker 2: just kind of down to do it. And I really 698 00:39:32,280 --> 00:39:34,080 Speaker 2: like and it's again this is it is not van 699 00:39:34,120 --> 00:39:35,840 Speaker 2: on pub rules level, So I'm not saying that, but 700 00:39:35,920 --> 00:39:39,000 Speaker 2: I really enjoy Southern Hospitality, which is the show that's 701 00:39:39,000 --> 00:39:42,400 Speaker 2: the Southern Charms been off at Lev's Club Republic in Charleston, 702 00:39:43,080 --> 00:39:45,400 Speaker 2: and they hire everybody who worked there. They all have 703 00:39:45,880 --> 00:39:48,799 Speaker 2: built in mess and connections and they're pretty good at 704 00:39:48,800 --> 00:39:51,799 Speaker 2: reality TV. Again, there's some there's some stuff to work 705 00:39:51,840 --> 00:39:54,440 Speaker 2: out there, but ultimately it's a pretty good show. And 706 00:39:54,480 --> 00:39:56,480 Speaker 2: so there's proof of concept that like it can still 707 00:39:56,520 --> 00:39:59,319 Speaker 2: work in this era of reality TV to find a 708 00:39:59,320 --> 00:40:02,200 Speaker 2: group of young twenty two, twenty three, twenty four year 709 00:40:02,200 --> 00:40:04,879 Speaker 2: olds who like just kind of they don't really think 710 00:40:04,920 --> 00:40:07,240 Speaker 2: before they act basically, and like they can be messy, 711 00:40:07,560 --> 00:40:10,040 Speaker 2: and that's what I want to see. And I think 712 00:40:10,040 --> 00:40:13,879 Speaker 2: that like that's in Charleston, South Carolina, where people don't 713 00:40:13,920 --> 00:40:16,400 Speaker 2: go there to be famous. People go to LA to 714 00:40:16,440 --> 00:40:21,560 Speaker 2: be famous, and so I would I'm cautiously optimistic that 715 00:40:21,600 --> 00:40:24,480 Speaker 2: they can that they there are people who fit that 716 00:40:24,600 --> 00:40:28,359 Speaker 2: mold and just are so driven to like do that, 717 00:40:28,520 --> 00:40:30,920 Speaker 2: to make a name for themselves in whatever capacity possible, 718 00:40:31,719 --> 00:40:33,960 Speaker 2: and it results in mess, and like that's ultimately what 719 00:40:34,000 --> 00:40:34,799 Speaker 2: Vandon Pump Rules is. 720 00:40:34,800 --> 00:40:35,440 Speaker 3: It's mess. 721 00:40:35,640 --> 00:40:37,440 Speaker 2: It's not aspirational to attainable. 722 00:40:38,040 --> 00:40:40,480 Speaker 1: And that's so. 723 00:40:40,520 --> 00:40:44,560 Speaker 2: Yeah, I'm I'm it's sort of like, you know, we'll 724 00:40:44,560 --> 00:40:48,759 Speaker 2: always have Vandam Pupper Rules the first ten seasons. The 725 00:40:48,800 --> 00:40:51,360 Speaker 2: eleventh season is forgettable. The first ten seasons of the 726 00:40:51,400 --> 00:40:55,320 Speaker 2: show will always have that never recreate that magic. 727 00:40:56,160 --> 00:40:59,000 Speaker 3: But I hope it's good. 728 00:40:59,080 --> 00:41:01,240 Speaker 2: I hope season twelve of the Rules is good because 729 00:41:03,840 --> 00:41:05,279 Speaker 2: and I think they can make it good. That's what 730 00:41:05,320 --> 00:41:05,919 Speaker 2: I'm gonna say. 731 00:41:06,000 --> 00:41:07,080 Speaker 1: Yeah, I. 732 00:41:09,640 --> 00:41:11,080 Speaker 3: Long answer, but that's my no. 733 00:41:11,400 --> 00:41:13,760 Speaker 1: Listen, it's a lot of listen. Not in your defense, 734 00:41:13,760 --> 00:41:16,880 Speaker 1: there's a lot of process, a lot to digest. I 735 00:41:16,960 --> 00:41:20,440 Speaker 1: would I would feel better if Ronnie reboot was great. 736 00:41:22,360 --> 00:41:25,560 Speaker 1: It's just it's very tricky. My hope, my hope is this, 737 00:41:26,120 --> 00:41:30,160 Speaker 1: I'll end with this. My hope is that these people 738 00:41:30,560 --> 00:41:36,279 Speaker 1: have organic friendships, organic relationships that they actually know each other, 739 00:41:36,280 --> 00:41:39,279 Speaker 1: they hang out with each other, and it's not a 740 00:41:39,320 --> 00:41:45,200 Speaker 1: bunch of strangers that are trying to become friends, and 741 00:41:45,239 --> 00:41:49,719 Speaker 1: I think that's a mistake with Ronnie and I will 742 00:41:49,800 --> 00:41:54,480 Speaker 1: end with this again, do not touch Jersey Housewives. Leave 743 00:41:54,520 --> 00:41:57,960 Speaker 1: it alone, Melissa Gorga. I love you so much. I 744 00:41:57,960 --> 00:42:00,840 Speaker 1: can't wait to see you back on the show. I 745 00:42:00,960 --> 00:42:05,400 Speaker 1: want the listen Teresa back breaking news. Do not touch. Wow. 746 00:42:06,040 --> 00:42:07,839 Speaker 2: I never thought i'd hear those words at your mouse, 747 00:42:08,520 --> 00:42:13,480 Speaker 2: Carlos King talk about talk about us coming from different perspectives, 748 00:42:15,640 --> 00:42:17,000 Speaker 2: how the times have changed. 749 00:42:17,520 --> 00:42:23,200 Speaker 1: Listen. I am scared. I am nervous about the fate 750 00:42:23,360 --> 00:42:27,400 Speaker 1: of Jersey and after these two breaking news with like 751 00:42:28,000 --> 00:42:31,400 Speaker 1: the horrible reboot of New York City to the reboot 752 00:42:31,400 --> 00:42:35,880 Speaker 1: of Bad Rules. At this point, give me Teresa March 753 00:42:36,120 --> 00:42:39,399 Speaker 1: Melissa Gorgon and I'll listen. I'll deal with this ship later. 754 00:42:39,480 --> 00:42:42,120 Speaker 2: I just Carlos, you're you're giving that meme of Tyra 755 00:42:42,160 --> 00:42:44,680 Speaker 2: where she walks in, She's like, who else was scared? 756 00:42:52,000 --> 00:42:56,440 Speaker 1: Gives it? I love you two pieces, my friend, I 757 00:42:56,520 --> 00:42:56,840 Speaker 1: really do. 758 00:42:56,960 --> 00:42:57,879 Speaker 3: Thank you so much. 759 00:42:58,520 --> 00:43:00,840 Speaker 1: Let the rain Johnson know again when they can subscribe 760 00:43:00,880 --> 00:43:03,759 Speaker 1: and like and lead great reviews of your amazing podcast. 761 00:43:04,239 --> 00:43:08,239 Speaker 2: Yes, so my podcast is gaping with Gibb similar discussions 762 00:43:08,239 --> 00:43:11,080 Speaker 2: to what we have here, Carlos has been on and 763 00:43:11,719 --> 00:43:15,520 Speaker 2: yeah most things Reality TV, Bravo. Wherever your podcast Tuesdays 764 00:43:15,560 --> 00:43:17,480 Speaker 2: and Fridays, new episodes go. 765 00:43:17,520 --> 00:43:19,920 Speaker 1: Follow it, love it, love it, love all right. Gibson, 766 00:43:20,080 --> 00:43:21,480 Speaker 1: thank you so much, and. 767 00:43:21,480 --> 00:43:22,839 Speaker 3: Rain Dry, thank you. 768 00:43:23,239 --> 00:43:25,719 Speaker 1: I will see you on the next one. Good night. 769 00:43:29,600 --> 00:43:32,479 Speaker 1: Thank you for listening to Reality with the King. New 770 00:43:32,560 --> 00:43:38,279 Speaker 1: episodes drop on Tuesdays and Thursdays. Share, comment, follow, and 771 00:43:38,360 --> 00:43:42,600 Speaker 1: subscribe to Reality with the King. Wherever you get your podcast, 772 00:43:43,200 --> 00:43:46,600 Speaker 1: visit Reality withthe King dot com and be sure to 773 00:43:46,719 --> 00:43:51,360 Speaker 1: follow me at the Carlos King Underscore on Instagram, Twitter, 774 00:43:51,600 --> 00:43:55,120 Speaker 1: TikTok and yes, Baby, my YouTube channel where you could 775 00:43:55,120 --> 00:43:59,120 Speaker 1: get all of my visuals, baby, my expressions. Yeah, and 776 00:43:59,280 --> 00:44:02,680 Speaker 1: don't forget Tweet me your thoughts and hot takes about 777 00:44:02,680 --> 00:44:08,520 Speaker 1: this episode using the hashtag Reality with the King. Reality 778 00:44:08,560 --> 00:44:12,000 Speaker 1: with the King is a production of Kingdom Rain Entertainment, 779 00:44:12,680 --> 00:44:29,520 Speaker 1: an executive produced by me Carlos King, king Domrain Entertainment, Baby,