1 00:00:03,360 --> 00:00:13,760 Speaker 1: Transmitting this Alaska. Welcome to Thursday's show Morning Studio Morning 2 00:00:13,920 --> 00:00:16,160 Speaker 1: Slider Buddies. Here, I want to go over to Elizabeth 3 00:00:16,239 --> 00:00:19,599 Speaker 1: in Oklahoma City. She got a big day today. Elizabeth, 4 00:00:19,680 --> 00:00:22,279 Speaker 1: what's going on? Um? So, yes, I have a job 5 00:00:22,320 --> 00:00:25,640 Speaker 1: interview today and um. You know how at the end 6 00:00:25,640 --> 00:00:28,120 Speaker 1: of the interviews, people always ask if you have any 7 00:00:28,200 --> 00:00:31,160 Speaker 1: questions for us, and they say that if you answer 8 00:00:31,200 --> 00:00:34,960 Speaker 1: that that you should, like, you know, be interested in 9 00:00:34,960 --> 00:00:37,440 Speaker 1: the job or ask something really good to kind of 10 00:00:37,440 --> 00:00:40,200 Speaker 1: catch their attention. Because I was just wondering, if you've 11 00:00:40,200 --> 00:00:43,920 Speaker 1: ever had that opportunity, what's something that you ask or 12 00:00:44,120 --> 00:00:46,800 Speaker 1: what's an idea of something I could ask a good question? 13 00:00:47,080 --> 00:00:48,840 Speaker 1: So this is what I would do. I would jump 14 00:00:48,840 --> 00:00:51,920 Speaker 1: even ahead of that. And if you can ask questions 15 00:00:52,320 --> 00:00:57,160 Speaker 1: in the interview, it's so much stronger than if you 16 00:00:57,200 --> 00:01:00,800 Speaker 1: ask at the very end. So my tip to you 17 00:01:00,960 --> 00:01:03,080 Speaker 1: is go into this interview with a few questions and 18 00:01:03,120 --> 00:01:06,520 Speaker 1: have them ready and ask them while you're being interviewed, 19 00:01:07,160 --> 00:01:08,920 Speaker 1: and then at the end they're going to say, hey, 20 00:01:08,920 --> 00:01:10,720 Speaker 1: do you have any any other questions and then have 21 00:01:10,880 --> 00:01:14,679 Speaker 1: one have one just waiting to go. So basically, go 22 00:01:14,680 --> 00:01:16,279 Speaker 1: on to the five questions. You may use four, hopefully 23 00:01:16,400 --> 00:01:18,479 Speaker 1: use all five. You go, you ask that final question, 24 00:01:18,640 --> 00:01:20,680 Speaker 1: and they anything else, and you go, this is what 25 00:01:20,720 --> 00:01:24,240 Speaker 1: I say, not anything else. I've really asked all I 26 00:01:24,240 --> 00:01:25,960 Speaker 1: had ready and you answer, you nailed it. I really 27 00:01:25,959 --> 00:01:28,840 Speaker 1: appreciate that. It really, you know, makes me even more 28 00:01:28,880 --> 00:01:30,320 Speaker 1: interested in this job, and it makes me feel like 29 00:01:30,360 --> 00:01:31,520 Speaker 1: I could do an even better job. I have to 30 00:01:31,520 --> 00:01:35,319 Speaker 1: answer all those questions. So it's just about you being 31 00:01:35,400 --> 00:01:39,160 Speaker 1: dialed in and even questioning do you even want the job? 32 00:01:39,280 --> 00:01:40,360 Speaker 1: You know, I don't know what kind of job it is. 33 00:01:40,360 --> 00:01:41,520 Speaker 1: I don't know if you're coming off a job. I 34 00:01:41,520 --> 00:01:43,280 Speaker 1: don't know if they're trying to hire you away from something. 35 00:01:43,600 --> 00:01:46,399 Speaker 1: What kind of specific job is it? It would be 36 00:01:46,440 --> 00:01:49,120 Speaker 1: working with startups, I would be working with an accelerator 37 00:01:49,200 --> 00:01:51,760 Speaker 1: here in the area and would be working with I 38 00:01:51,840 --> 00:01:54,880 Speaker 1: kind of like with a shark tanklo tasty. I would 39 00:01:54,920 --> 00:01:56,160 Speaker 1: love to hear it. So are they trying to hire 40 00:01:56,160 --> 00:01:58,080 Speaker 1: you away from someone? Do you have a job right now? 41 00:01:58,080 --> 00:02:01,360 Speaker 1: What's that question? Oh? You have all the power, Yeah, 42 00:02:01,400 --> 00:02:04,000 Speaker 1: you have all the power, and you really don't. But 43 00:02:04,640 --> 00:02:09,040 Speaker 1: if you, for example, back when everybody was dating, all 44 00:02:09,040 --> 00:02:10,519 Speaker 1: you had to do is act like somebody else was 45 00:02:10,560 --> 00:02:14,600 Speaker 1: interested in you. Come on, everybody's like, ooh, I like 46 00:02:14,639 --> 00:02:16,960 Speaker 1: to have them. Then if I was ever dating a 47 00:02:17,000 --> 00:02:18,760 Speaker 1: girl and I found out that, you know, I was 48 00:02:18,840 --> 00:02:20,600 Speaker 1: nineteen or twenty, well, first of all, no girls wanted 49 00:02:20,600 --> 00:02:22,600 Speaker 1: to date me. But if so, and I was like, oh, 50 00:02:22,600 --> 00:02:24,320 Speaker 1: he likes her. I liked her a whole lot more 51 00:02:24,360 --> 00:02:27,080 Speaker 1: than only because somebody else liked her. So you go 52 00:02:27,120 --> 00:02:30,600 Speaker 1: into this interview, you're smiling. Remember, the key is just 53 00:02:30,639 --> 00:02:33,080 Speaker 1: getting them to like you and then proving that you 54 00:02:33,120 --> 00:02:35,160 Speaker 1: have the credentials, and that's it. Closed the door. Shut 55 00:02:35,200 --> 00:02:36,640 Speaker 1: the door at your job if you want it. And 56 00:02:36,639 --> 00:02:38,560 Speaker 1: then you ask questions during the interview, and at the 57 00:02:38,680 --> 00:02:40,320 Speaker 1: end you have one question left. And when they said 58 00:02:40,320 --> 00:02:41,840 Speaker 1: do you have any other questions, you say no, I've 59 00:02:41,840 --> 00:02:43,280 Speaker 1: asked all of them. I brought a bunch and you 60 00:02:43,400 --> 00:02:46,560 Speaker 1: nailed them. And it really gets me excited that maybe 61 00:02:46,560 --> 00:02:47,799 Speaker 1: I want to do this job and crush it, you 62 00:02:47,800 --> 00:02:49,880 Speaker 1: know that kind of thing. Okay, that's it, you got it, 63 00:02:50,400 --> 00:02:53,519 Speaker 1: Go get the job and come in eight percent. Yeah, yeah, yeah, yeah, 64 00:02:53,520 --> 00:02:55,920 Speaker 1: it's a consulting fee that that happens in the real world. Well, 65 00:02:55,919 --> 00:02:58,360 Speaker 1: thank you very much. I really appreciate it, and can 66 00:02:58,400 --> 00:03:00,360 Speaker 1: I ask I just say one more thing, Yeah, go ahead. 67 00:03:00,600 --> 00:03:03,320 Speaker 1: I want to say that I love Lunchbox. He's super, 68 00:03:03,400 --> 00:03:05,240 Speaker 1: super funny, and so I know he has a lot 69 00:03:05,280 --> 00:03:07,560 Speaker 1: of haters out there, but I just want to encourage 70 00:03:07,639 --> 00:03:10,120 Speaker 1: him and be like, keep me funny. I don't even 71 00:03:10,120 --> 00:03:11,480 Speaker 1: think he has had many haters. I think he just 72 00:03:11,520 --> 00:03:13,080 Speaker 1: says it. Yeah, I do have a lot of haters. 73 00:03:13,080 --> 00:03:14,640 Speaker 1: Thank you for that. I'm glad that you're smart and 74 00:03:14,639 --> 00:03:16,400 Speaker 1: I can tell you're a very intelligent person. I know 75 00:03:16,440 --> 00:03:18,639 Speaker 1: you're gonna get that job now. And I don't think 76 00:03:18,680 --> 00:03:20,639 Speaker 1: he needs to be funny. He's just that's a good 77 00:03:20,680 --> 00:03:22,360 Speaker 1: point to you know, that's a good point too. He 78 00:03:22,400 --> 00:03:24,600 Speaker 1: just says dumb stuff. It's funny. It's funny. Yeah, it's 79 00:03:24,600 --> 00:03:27,120 Speaker 1: true funny. All right, Elizabeth's good luck. Hope you nail it. 80 00:03:27,600 --> 00:03:29,560 Speaker 1: I appreciate it. Thank you so much. All right, check 81 00:03:29,600 --> 00:03:32,400 Speaker 1: back with us. Let us know how it wins. It 82 00:03:32,600 --> 00:03:39,040 Speaker 1: is time to open up the mailbage get something. We 83 00:03:39,200 --> 00:03:44,560 Speaker 1: call ye Hello, Bobby Bones. My ten year old son 84 00:03:44,680 --> 00:03:47,760 Speaker 1: loves movies. He recently expressed to me that he wants 85 00:03:47,760 --> 00:03:51,280 Speaker 1: to watch Forrest Gump. It's ready PG. Thirteen. I think 86 00:03:51,320 --> 00:03:53,560 Speaker 1: he's a little young for it. There are things I'm 87 00:03:53,600 --> 00:03:55,680 Speaker 1: not sure he's ready for, like how will I explain 88 00:03:55,760 --> 00:03:59,360 Speaker 1: to him about Jenny's abuse from her father and Forrest's 89 00:03:59,440 --> 00:04:03,160 Speaker 1: mother sleeping with the school official. And then there's the 90 00:04:03,280 --> 00:04:06,480 Speaker 1: violence and unrest of the the Vietnam War, Forrest being bullied 91 00:04:06,480 --> 00:04:08,680 Speaker 1: by the local boys. There are more adult themes in 92 00:04:08,720 --> 00:04:11,400 Speaker 1: that movie than I think he's ready for. He's ten. 93 00:04:11,720 --> 00:04:15,520 Speaker 1: What do you think is ten too young for Forrest Gump? 94 00:04:15,920 --> 00:04:20,359 Speaker 1: Signed Melanie in Kansas. That's interesting because I think the 95 00:04:20,400 --> 00:04:22,560 Speaker 1: first time I watched Forrest Gump, I didn't understand the 96 00:04:22,600 --> 00:04:25,200 Speaker 1: mom and the principal thing. Yeah, I don't think I 97 00:04:25,240 --> 00:04:28,320 Speaker 1: got it exactly. I don't at all. And I was like, 98 00:04:28,600 --> 00:04:33,400 Speaker 1: and I just moved on. The Vietnam War, Nope, didn't 99 00:04:33,440 --> 00:04:35,440 Speaker 1: get that. Just thought it was fight war. I don't 100 00:04:35,440 --> 00:04:38,160 Speaker 1: know Jenny's dad abuse stuff. I didn't get that either 101 00:04:38,200 --> 00:04:39,719 Speaker 1: at all when I first watched it. I mean, and 102 00:04:39,760 --> 00:04:42,520 Speaker 1: this came out in ninety four, so i'd have been fourteen, 103 00:04:43,240 --> 00:04:45,040 Speaker 1: and some of that stuff still went over my head. 104 00:04:45,080 --> 00:04:47,880 Speaker 1: Then you know you're a parent, you know your son obviously. 105 00:04:48,520 --> 00:04:51,360 Speaker 1: I think PG. Thirteen probably back then as a little 106 00:04:51,360 --> 00:04:54,560 Speaker 1: different than PG. Thirteen now even But I'll go to 107 00:04:54,680 --> 00:04:57,560 Speaker 1: Eddie first, since he has, first of all, loves Forrest 108 00:04:57,600 --> 00:05:00,279 Speaker 1: Gump and has held all of your boys. Well, my 109 00:05:00,320 --> 00:05:03,039 Speaker 1: oldest is fourteen, and we went through this a couple 110 00:05:03,040 --> 00:05:05,080 Speaker 1: of years ago. That when he wanted to watch Forrest 111 00:05:05,120 --> 00:05:07,080 Speaker 1: Gump because it is my favorite movie, and I told 112 00:05:07,160 --> 00:05:08,799 Speaker 1: him that, he said, I want to watch that someday. 113 00:05:09,120 --> 00:05:10,680 Speaker 1: So we watched it for the first time when he 114 00:05:10,720 --> 00:05:13,680 Speaker 1: was thirteen last year, and they were like, she's right, 115 00:05:13,720 --> 00:05:16,119 Speaker 1: there are some parts in there that are a little scary. 116 00:05:16,120 --> 00:05:19,160 Speaker 1: I fast forwarded through a couple There's a little bit 117 00:05:19,160 --> 00:05:21,880 Speaker 1: of nudity too that I forgot that Forrest Gump had. 118 00:05:22,200 --> 00:05:24,520 Speaker 1: So there are things that I don't think. I think 119 00:05:24,560 --> 00:05:26,560 Speaker 1: he's too young for it. Ten is a little too young. 120 00:05:26,640 --> 00:05:28,800 Speaker 1: We did it at thirteen, that's three years later. But 121 00:05:29,000 --> 00:05:31,200 Speaker 1: no the movie and no win to pause, no win 122 00:05:31,240 --> 00:05:33,719 Speaker 1: to forward. That'll help a lot. I love that Kenny song, 123 00:05:34,120 --> 00:05:39,719 Speaker 1: No Windward, that's the Watcher of the Gambler. Hey, so 124 00:05:40,240 --> 00:05:42,760 Speaker 1: what about the theory. I'm just throwing this out there 125 00:05:42,760 --> 00:05:45,720 Speaker 1: that at ten he won't understand any of that. Yeah, see, 126 00:05:45,720 --> 00:05:48,960 Speaker 1: I thought about that but my son understood every thirteen. 127 00:05:49,760 --> 00:05:52,679 Speaker 1: Between ten and thirteen, there's a lot of development. It's risky. 128 00:05:52,839 --> 00:05:55,960 Speaker 1: It's risky because be prepared to explain stuff early, if 129 00:05:56,000 --> 00:05:57,960 Speaker 1: you know. If yeah, that's why you don't watch it 130 00:05:57,960 --> 00:06:01,159 Speaker 1: with him. You never explained anything, Okay, so Eddie says, 131 00:06:01,520 --> 00:06:04,560 Speaker 1: and oh no, wait, okay, Amy, Well, so I watched 132 00:06:04,560 --> 00:06:07,360 Speaker 1: Pretty Woman when I was nine, and I had no 133 00:06:07,440 --> 00:06:09,960 Speaker 1: idea what was happening, and it's one of my favorite 134 00:06:09,960 --> 00:06:12,680 Speaker 1: movies ever, and I think I just pieced together what 135 00:06:12,760 --> 00:06:15,200 Speaker 1: I thought, and it was a beautiful love story. Had 136 00:06:15,320 --> 00:06:18,520 Speaker 1: no idea the nuances of what was happening actually in 137 00:06:18,560 --> 00:06:21,600 Speaker 1: the film. So I think that similarly, a ten year 138 00:06:21,640 --> 00:06:24,640 Speaker 1: old could watch that movie and still enjoy it and 139 00:06:24,680 --> 00:06:27,120 Speaker 1: not understand some of the heavy stuff. And hey, you 140 00:06:27,120 --> 00:06:29,640 Speaker 1: should watch it beforehand, make note of, yeah, when you 141 00:06:29,720 --> 00:06:31,920 Speaker 1: might need to fast forward or cover the eyes. That's 142 00:06:31,960 --> 00:06:34,839 Speaker 1: what my parents did, hand over the face, and then 143 00:06:35,080 --> 00:06:37,520 Speaker 1: you just have conversations about it too. What if it 144 00:06:37,560 --> 00:06:40,200 Speaker 1: opens up some conversation that you could talk about with 145 00:06:40,240 --> 00:06:44,320 Speaker 1: your son. I like fast forwarding it wants to Yeah, 146 00:06:44,320 --> 00:06:45,760 Speaker 1: but if you've seen it, you kind of know what's 147 00:06:45,800 --> 00:06:47,520 Speaker 1: coming up. In totally and then if you actually fast 148 00:06:47,520 --> 00:06:50,680 Speaker 1: forward over something that you just rewind it. Yeah, I'm 149 00:06:50,720 --> 00:06:54,039 Speaker 1: thinking about again. I was fourteen. I didn't know any 150 00:06:54,040 --> 00:06:55,640 Speaker 1: of that. I didn't know. I knew at all. But 151 00:06:55,720 --> 00:06:57,560 Speaker 1: I didn't watch the movie and pick out any of 152 00:06:57,560 --> 00:06:59,560 Speaker 1: that even made me a birds I can fly fall 153 00:06:59,560 --> 00:07:03,400 Speaker 1: far away. I didn't even get that. Yeah, didn't either. Yeah. So, 154 00:07:04,320 --> 00:07:07,440 Speaker 1: and as a pretty smart kid, I didn't get a 155 00:07:07,720 --> 00:07:11,480 Speaker 1: dnny abuse to the force and mother Vietnam War for sure, 156 00:07:11,560 --> 00:07:16,400 Speaker 1: no bullied oz bully to whatever. I don't. I think 157 00:07:16,440 --> 00:07:19,160 Speaker 1: he could probably watch it and not get or understand 158 00:07:19,200 --> 00:07:21,000 Speaker 1: any of that that's going on. I agree, and still 159 00:07:21,080 --> 00:07:23,480 Speaker 1: like the movie. And see Forrest Gump playing football to 160 00:07:23,480 --> 00:07:27,840 Speaker 1: Alabama yea, and see Forstcump run. That's interesting, lunchbox. I 161 00:07:27,920 --> 00:07:29,480 Speaker 1: think you let him watch it, Like I mean, you're 162 00:07:29,480 --> 00:07:30,960 Speaker 1: saying some of the stuff like make a bird fly 163 00:07:31,080 --> 00:07:33,040 Speaker 1: fly away. I don't know what you mean by that. Still, 164 00:07:33,240 --> 00:07:35,680 Speaker 1: did you ever watch Forst. Gump? Yeah? Still don't know 165 00:07:35,720 --> 00:07:38,320 Speaker 1: what that means. So I think it's fine that a 166 00:07:38,360 --> 00:07:40,400 Speaker 1: ten year old watches it. He's gonna see it as Oh, 167 00:07:40,440 --> 00:07:43,560 Speaker 1: they go fishing, they go running, he plays football, he 168 00:07:43,640 --> 00:07:47,040 Speaker 1: meets the President, I tend to agree with you. Yeah, 169 00:07:47,240 --> 00:07:50,080 Speaker 1: that tends kind of in front of the line where 170 00:07:50,120 --> 00:07:51,800 Speaker 1: you gotta start worrying about him understanding that. But you 171 00:07:51,840 --> 00:07:53,880 Speaker 1: can always sit with them watching fast forward to a 172 00:07:53,920 --> 00:07:55,480 Speaker 1: couple of those scenes. And lets be real, a ten 173 00:07:55,560 --> 00:07:57,000 Speaker 1: year old is not gonna sit down and watch all 174 00:07:57,040 --> 00:07:58,640 Speaker 1: a forst Gump. They're gonna be coming in and out 175 00:07:58,680 --> 00:08:01,840 Speaker 1: and they're gonna support it's four days long, okay, So yes, 176 00:08:02,160 --> 00:08:04,520 Speaker 1: it's like a festival. Um, okay, so we got Eddie 177 00:08:04,560 --> 00:08:07,480 Speaker 1: and no, I'm gonna go and side with Amy and 178 00:08:07,560 --> 00:08:09,760 Speaker 1: say yes, but you can fast forward through a couple 179 00:08:09,840 --> 00:08:13,480 Speaker 1: of the scenes if you need to. But Lunchbox says, well, 180 00:08:13,560 --> 00:08:15,920 Speaker 1: let me just let him watch straight up. Let them 181 00:08:16,160 --> 00:08:18,560 Speaker 1: all right, there you go, Melanie, Thank you, good luck. 182 00:08:18,640 --> 00:08:21,080 Speaker 1: It is a great movie. Awesome, maybe the greatest movie 183 00:08:21,160 --> 00:08:23,000 Speaker 1: made in our lifetime. That's what I say. It's after 184 00:08:23,160 --> 00:08:27,120 Speaker 1: that and Shaw and Bill and Ted's excellent adventure. All right, 185 00:08:29,200 --> 00:08:38,559 Speaker 1: We've got you now. Was a little controversy here on 186 00:08:38,600 --> 00:08:41,959 Speaker 1: the show because the guys on the show claim that 187 00:08:42,120 --> 00:08:45,280 Speaker 1: the ladies on the show get dressed up whenever male artists. 188 00:08:47,080 --> 00:08:49,200 Speaker 1: It's not a controversy, it's true, that's what happens. Well, 189 00:08:49,280 --> 00:08:50,960 Speaker 1: they say that's not true, and they get dressed up 190 00:08:51,000 --> 00:08:52,640 Speaker 1: all the time for different reasons. Okay, So I got 191 00:08:52,679 --> 00:08:54,079 Speaker 1: a couple of things I want to bring up here. 192 00:08:54,600 --> 00:08:57,079 Speaker 1: Um So, Eddie, I'm gonna let you go first. Yep, 193 00:08:57,280 --> 00:08:59,480 Speaker 1: what did you notice? Well? I came to you first 194 00:08:59,480 --> 00:09:02,280 Speaker 1: when I told when Cody Johnson was in, and you know, 195 00:09:02,679 --> 00:09:06,160 Speaker 1: Morgan and Abbey were wearing dresses and Morgan had a 196 00:09:06,240 --> 00:09:10,559 Speaker 1: nice blouse. Now what happened Morgan? Do you have anything 197 00:09:10,559 --> 00:09:12,120 Speaker 1: you would even call a blouse? Do you call anything 198 00:09:12,160 --> 00:09:13,800 Speaker 1: of blas she's wearing a blouse right now? Would you 199 00:09:13,800 --> 00:09:15,800 Speaker 1: call it a blouse? No? I just call him shut okay, 200 00:09:15,880 --> 00:09:18,360 Speaker 1: just making a blouse. Go ahead. So what happened when 201 00:09:18,480 --> 00:09:21,240 Speaker 1: Marion Morris came in? I don't know, I mean sweats. 202 00:09:21,600 --> 00:09:25,440 Speaker 1: There was no effort in getting dressed at all. I noticed. 203 00:09:25,520 --> 00:09:28,800 Speaker 1: Because they don't want to make out with Marion. That's 204 00:09:28,880 --> 00:09:31,720 Speaker 1: why they don't want to. They just they don't want 205 00:09:31,720 --> 00:09:35,640 Speaker 1: to impress Mary at all. It's like, whatever's Cody Johnson? 206 00:09:35,720 --> 00:09:38,520 Speaker 1: Different story, Morgan? Anything you want to say, Yeah, that's 207 00:09:38,559 --> 00:09:40,520 Speaker 1: not true. I had jeans on and I had a 208 00:09:40,640 --> 00:09:43,079 Speaker 1: nice outfit on. You just didn't pay attention to what 209 00:09:43,280 --> 00:09:45,599 Speaker 1: was going on because of you're a narrative that you 210 00:09:45,679 --> 00:09:48,240 Speaker 1: wanted to create. I was dressed up for Marion, negative, 211 00:09:48,280 --> 00:09:50,800 Speaker 1: I paid attention. Yeah, and Abby, where was her cocktail dress? 212 00:09:51,840 --> 00:09:55,360 Speaker 1: Wore a cocktail dress for? Yeah? Yeah, it was prom 213 00:09:55,559 --> 00:10:01,120 Speaker 1: night back there. It's formal yet curse and everything. I 214 00:10:01,160 --> 00:10:04,959 Speaker 1: didn't notice all that. So okay, Eddie you say the 215 00:10:05,120 --> 00:10:08,160 Speaker 1: ladies only dress up for male artists and they just 216 00:10:08,280 --> 00:10:11,440 Speaker 1: don't care for female arts. Correct. And Morgan you say, 217 00:10:11,520 --> 00:10:14,800 Speaker 1: that's just Eddie, he's just making up his own crap 218 00:10:14,880 --> 00:10:16,880 Speaker 1: at this point because I was dressed up for Marion. 219 00:10:16,960 --> 00:10:18,520 Speaker 1: Have you offended? Your voice sounds a little bit like 220 00:10:18,520 --> 00:10:20,800 Speaker 1: you're offended. Yes, Because also, why is he even paying 221 00:10:20,800 --> 00:10:22,680 Speaker 1: att engine too my outfits? Why doesn't he pay att 222 00:10:22,679 --> 00:10:27,199 Speaker 1: engine too his job? What I do? It's hard to 223 00:10:27,240 --> 00:10:32,480 Speaker 1: ignore the fact and something that obvious. Okay, so are 224 00:10:32,480 --> 00:10:35,480 Speaker 1: we still friends? Yes, we're friends. Bus. I was just 225 00:10:35,640 --> 00:10:37,839 Speaker 1: pointed it out because it's pretty obvious that when you 226 00:10:37,920 --> 00:10:40,000 Speaker 1: have a picture of what Morgan was wearing, I can 227 00:10:40,040 --> 00:10:45,640 Speaker 1: probably pull it up in video. Absolutely sweats No, I 228 00:10:45,840 --> 00:10:48,800 Speaker 1: know when Maren came in here that I had on 229 00:10:49,000 --> 00:10:51,439 Speaker 1: a nice outfit, welso, and they're gonna for the next 230 00:10:51,480 --> 00:10:53,880 Speaker 1: few artists. They're definitely gonna dress up for every female 231 00:10:53,960 --> 00:10:55,959 Speaker 1: artist now because they've been called out. So we gotta 232 00:10:56,120 --> 00:10:58,760 Speaker 1: let it soak a little bit, let them forget about it, 233 00:10:58,840 --> 00:11:01,840 Speaker 1: and then bust them again. I wouldn't doubt they pull 234 00:11:01,840 --> 00:11:04,000 Speaker 1: out the cocktail dress for another few Mars, just to 235 00:11:04,120 --> 00:11:06,120 Speaker 1: prove you don't know what cocktail dresses. No, they don't 236 00:11:06,160 --> 00:11:12,200 Speaker 1: want So here's what I'm going to say. I'm going 237 00:11:12,280 --> 00:11:14,520 Speaker 1: to say if I felt like we had a guest 238 00:11:14,600 --> 00:11:19,640 Speaker 1: up here and somebody just look like total garbage, I 239 00:11:19,760 --> 00:11:21,720 Speaker 1: think I would say something, No, No, they don't look 240 00:11:21,760 --> 00:11:23,400 Speaker 1: like total garbage. We're not saying they look like the 241 00:11:23,440 --> 00:11:25,640 Speaker 1: trashes it's got taken out to the dumpster. Weren't talking like. 242 00:11:25,920 --> 00:11:27,760 Speaker 1: They don't go above and beyond. They don't wake up 243 00:11:27,760 --> 00:11:29,680 Speaker 1: an hour early and have their makeup and hair person 244 00:11:29,720 --> 00:11:32,360 Speaker 1: at their house. Nobody here has a hair person at 245 00:11:32,400 --> 00:11:34,320 Speaker 1: their house. Well, that's what it looks like when Cody 246 00:11:34,400 --> 00:11:36,120 Speaker 1: Johnson comes in, when Maren comes in. It's just a 247 00:11:36,160 --> 00:11:37,960 Speaker 1: normal day at all. I would also like to say 248 00:11:38,000 --> 00:11:39,800 Speaker 1: that every single day, even if we don't have a 249 00:11:39,840 --> 00:11:42,360 Speaker 1: guest in. My makeup and hair are done just because 250 00:11:42,400 --> 00:11:44,160 Speaker 1: it may not be what you want it to look like. 251 00:11:44,320 --> 00:11:46,520 Speaker 1: My makeup and my hair are done every single day. 252 00:11:47,240 --> 00:11:51,800 Speaker 1: Oh lunchbox, okayame. I guess he thinks that we look otherwise, 253 00:11:51,960 --> 00:11:53,520 Speaker 1: or the girls on the show look other well, I 254 00:11:53,600 --> 00:11:55,400 Speaker 1: think they think when we put our hair up, it 255 00:11:55,480 --> 00:11:57,400 Speaker 1: means we're not doing it. I'm like, some days I 256 00:11:57,480 --> 00:11:58,680 Speaker 1: just don't want to do my hair. You know how 257 00:11:58,760 --> 00:12:00,560 Speaker 1: much effort it takes to do your hair every day. 258 00:12:00,679 --> 00:12:02,200 Speaker 1: On those days that you don't want to do your 259 00:12:02,240 --> 00:12:08,840 Speaker 1: hair's only when female artists come in. Guess what always 260 00:12:08,840 --> 00:12:11,599 Speaker 1: when Cody Johnson comes in. No, that's normally when no 261 00:12:11,840 --> 00:12:13,640 Speaker 1: artists come in. It's like, I'm like, okay, I can 262 00:12:13,800 --> 00:12:15,400 Speaker 1: you know, throw my hair up today. It'll be fine. 263 00:12:15,520 --> 00:12:17,800 Speaker 1: I when if we're gonna have guests, oh, come in 264 00:12:17,840 --> 00:12:20,000 Speaker 1: and sweats in a T shirt. As long as my 265 00:12:20,040 --> 00:12:21,679 Speaker 1: top half looks decent, I don't care because I want 266 00:12:21,679 --> 00:12:24,000 Speaker 1: camera right, So I don't have a problem if we 267 00:12:24,120 --> 00:12:26,400 Speaker 1: do that as a group. But and if anyone we're 268 00:12:26,400 --> 00:12:27,720 Speaker 1: going to get hate it on for dressing. But at 269 00:12:27,800 --> 00:12:33,000 Speaker 1: least he's consistent. His Lunchbox because he always just lost. 270 00:12:33,040 --> 00:12:34,200 Speaker 1: You didn't know what you're trying to say right now, 271 00:12:34,440 --> 00:12:36,840 Speaker 1: you're trying to say, you just you just are consistent 272 00:12:37,080 --> 00:12:39,079 Speaker 1: in your style and that's good. Good for you, buddy. 273 00:12:39,120 --> 00:12:40,920 Speaker 1: Yeah we're a hoodie man. Good for you. But cold 274 00:12:41,000 --> 00:12:42,640 Speaker 1: in here, Yeah, good for you, buddy. What was the 275 00:12:42,679 --> 00:12:45,080 Speaker 1: thing with Lunchbox? Like there was somebody had another story? 276 00:12:45,160 --> 00:12:46,719 Speaker 1: Was it you Morgan? I did well. I had a 277 00:12:46,760 --> 00:12:49,600 Speaker 1: story about these two because they talk crap on our 278 00:12:49,640 --> 00:12:51,520 Speaker 1: outfits all the time. But we had to take a 279 00:12:51,600 --> 00:12:54,960 Speaker 1: photo for a client. Okay, a social post, not anything 280 00:12:55,040 --> 00:12:57,640 Speaker 1: super intense, but still for a client, but still for 281 00:12:57,720 --> 00:13:00,160 Speaker 1: a client. And Sonic, by the way, who is our 282 00:13:00,200 --> 00:13:03,120 Speaker 1: massive clients, and these two we told them about it. 283 00:13:03,440 --> 00:13:05,440 Speaker 1: Do you think either one of them shaved, made their 284 00:13:05,480 --> 00:13:08,040 Speaker 1: hair look good or didn't wear a sweatshirt that day? No, 285 00:13:08,600 --> 00:13:11,040 Speaker 1: they showed up just like they do every single day 286 00:13:11,520 --> 00:13:15,000 Speaker 1: in their sweatshirt. Lunchbox still had this crazy were wolf 287 00:13:15,040 --> 00:13:17,559 Speaker 1: thing going on on his face, and neither one of 288 00:13:17,640 --> 00:13:21,200 Speaker 1: them cleaned up for this photo for a client. Yeah, 289 00:13:21,240 --> 00:13:23,240 Speaker 1: we're not going to sit here and give you a 290 00:13:23,280 --> 00:13:25,400 Speaker 1: fake photo for the client like we're you're supposed to 291 00:13:25,400 --> 00:13:27,160 Speaker 1: look at your best whenever it's a paid spot. If 292 00:13:27,160 --> 00:13:29,200 Speaker 1: they hired you for a commercial, if Sonic said, hey, 293 00:13:29,240 --> 00:13:30,480 Speaker 1: we want you to do a commercial, would you show 294 00:13:30,520 --> 00:13:31,920 Speaker 1: up like that? I would say how would you like 295 00:13:32,000 --> 00:13:33,920 Speaker 1: me to look? And they would give me a direction. 296 00:13:33,960 --> 00:13:35,520 Speaker 1: Then why didn't you said that to Morgan? When it's like, hey, 297 00:13:35,559 --> 00:13:37,800 Speaker 1: I didn't? She said, look camera ready. I was camera ready. 298 00:13:40,160 --> 00:13:42,160 Speaker 1: It was not camera ready. It was camera ready. We 299 00:13:42,240 --> 00:13:46,960 Speaker 1: were swebones. We weren't trying to make out with Sonic dress. 300 00:13:47,040 --> 00:13:51,439 Speaker 1: It's a good point. That's it, all right, Next time 301 00:13:51,480 --> 00:13:55,760 Speaker 1: we'll wear a cocktail dress. You guys are idiots, total idiots. 302 00:13:55,800 --> 00:13:57,920 Speaker 1: We've had this conversation. Everybody. Just be aware that you're 303 00:13:57,960 --> 00:13:59,559 Speaker 1: being judged now by what you wear and who's in 304 00:13:59,600 --> 00:14:01,440 Speaker 1: the room. Okay, and if a client says we need 305 00:14:01,520 --> 00:14:05,080 Speaker 1: you for something, turn it out twenty seven percent? I did. 306 00:14:05,120 --> 00:14:07,240 Speaker 1: I didn't wear a logo on my shirt. That was 307 00:14:07,320 --> 00:14:08,800 Speaker 1: a big That was a big step for him. Yeah, 308 00:14:08,880 --> 00:14:10,280 Speaker 1: I mean a lot of my shirts have logos. What 309 00:14:10,320 --> 00:14:12,599 Speaker 1: do you want me to wear? I said, do you 310 00:14:12,640 --> 00:14:13,920 Speaker 1: want me to take the hoodie off? She said no, 311 00:14:14,160 --> 00:14:18,760 Speaker 1: So that's on her. That's director. Otherwise, Okay, I'm done 312 00:14:18,800 --> 00:14:21,000 Speaker 1: with this segment. You guys have exhausted me, and so 313 00:14:21,080 --> 00:14:23,600 Speaker 1: I'm gonna hit this song. But just know everybody's watching 314 00:14:23,640 --> 00:14:25,240 Speaker 1: you in this room and they could need time. Say 315 00:14:25,240 --> 00:14:27,920 Speaker 1: I want to spell the tea on somebody. Okay, it's 316 00:14:28,000 --> 00:14:36,080 Speaker 1: time for the good news. Holly and Keely Pettit flew 317 00:14:36,120 --> 00:14:39,040 Speaker 1: their first Southwest flight together on flight thirty six fifty 318 00:14:39,040 --> 00:14:41,320 Speaker 1: eight from Denver, where the two of them are from 319 00:14:42,000 --> 00:14:44,200 Speaker 1: Saint Louis. And why you ask, because I had a 320 00:14:44,200 --> 00:14:50,000 Speaker 1: big deal. Well, mom and daughter, the two pilots. I 321 00:14:50,120 --> 00:14:54,600 Speaker 1: was waiting for some sort of reaction. Holly and Keily 322 00:14:54,640 --> 00:14:57,320 Speaker 1: Pettit flew together on that fly at mom and daughter, 323 00:14:57,440 --> 00:15:00,280 Speaker 1: that's Holly dreamed of being a pilot after ding in 324 00:15:00,280 --> 00:15:02,880 Speaker 1: the jump seat as a flight attendant for another carrier, 325 00:15:03,280 --> 00:15:07,120 Speaker 1: so she took flying lessons. Her husband took care of 326 00:15:07,200 --> 00:15:09,920 Speaker 1: the kids while she went and did all the flying 327 00:15:10,000 --> 00:15:13,200 Speaker 1: and the training, and so at fourteen years old, Keiley said, 328 00:15:13,200 --> 00:15:14,960 Speaker 1: I want to be like my mom, And so then 329 00:15:15,120 --> 00:15:18,760 Speaker 1: she trained through all the school, pursued a career in aviation, 330 00:15:18,880 --> 00:15:20,840 Speaker 1: and then all of a sudden they're both working in Southwest. 331 00:15:20,920 --> 00:15:23,160 Speaker 1: They pair them together about being about a boom. They're 332 00:15:23,240 --> 00:15:26,400 Speaker 1: up in the air, mom and daughter. That's that's that's 333 00:15:26,440 --> 00:15:28,440 Speaker 1: pretty cool there, all right, that's what it's all about. 334 00:15:29,280 --> 00:15:33,720 Speaker 1: That was tell me something good, the trivia game and 335 00:15:33,880 --> 00:15:38,320 Speaker 1: a battle of generations. It's elder versus millennial. Here's what 336 00:15:38,320 --> 00:15:41,240 Speaker 1: we're gonna do. The buttons are broken, I'm hearing yeah, 337 00:15:41,320 --> 00:15:43,160 Speaker 1: do you have yours? Morgan? Yeah, I do, but it 338 00:15:43,480 --> 00:15:45,640 Speaker 1: doesn't really work well, just let the listeners hear it. 339 00:15:47,320 --> 00:15:50,520 Speaker 1: So that's supposed to be a clown car horn. And 340 00:15:50,680 --> 00:15:53,360 Speaker 1: we paid a lot of money for these four dollars, 341 00:15:53,680 --> 00:15:57,920 Speaker 1: so they broke. We got their worth hole or some more. 342 00:15:58,160 --> 00:16:00,280 Speaker 1: So today you'll just do your sound out of your mouth. 343 00:16:00,640 --> 00:16:03,160 Speaker 1: So Morgan, you's that that clown car horn? It we 344 00:16:03,280 --> 00:16:06,720 Speaker 1: go like, wow, that's actually pretty good. That was really good. 345 00:16:06,840 --> 00:16:08,080 Speaker 1: I thought I was gonna get a good laugh at 346 00:16:08,080 --> 00:16:09,800 Speaker 1: how it's funny it was. And I gotta do mine. 347 00:16:13,160 --> 00:16:16,720 Speaker 1: We'll hire I mean, I'm the one that did it, 348 00:16:16,800 --> 00:16:21,440 Speaker 1: so like this, okay, I'll turn my bet. All right. 349 00:16:21,480 --> 00:16:24,120 Speaker 1: So we got questions at Eddie. We'll know probably questions 350 00:16:24,160 --> 00:16:26,240 Speaker 1: that Morgan will know. And so the object that is 351 00:16:26,440 --> 00:16:28,880 Speaker 1: trying to steal one from the other category let's play 352 00:16:28,920 --> 00:16:32,960 Speaker 1: elder versus millennial. Question number one, Here we go the 353 00:16:33,080 --> 00:16:38,800 Speaker 1: elder question. What actress had starring roles as the title 354 00:16:38,920 --> 00:16:47,680 Speaker 1: characters in these sitcoms. Clarissa explains it all and that's 355 00:16:47,760 --> 00:16:51,080 Speaker 1: Melissa Joan Hart. That is correct. Let's do and Sabrine 356 00:16:51,120 --> 00:16:56,040 Speaker 1: of the teenage witch. Next question in the millennial category, 357 00:16:57,400 --> 00:17:00,160 Speaker 1: what was the name of the main character in the 358 00:17:00,320 --> 00:17:04,479 Speaker 1: Disney Channel original movie Girl of the twenty first Century. 359 00:17:06,280 --> 00:17:12,800 Speaker 1: You're now till I hear it. Oh, hear an ambulance. 360 00:17:12,880 --> 00:17:25,680 Speaker 1: We're getting closer. Correct corrects. All right, everybody take a breath. Well, 361 00:17:25,760 --> 00:17:28,199 Speaker 1: go a gat nail this con car go. I need 362 00:17:28,280 --> 00:17:33,000 Speaker 1: to hear it again. No, now that she can never 363 00:17:34,720 --> 00:17:36,920 Speaker 1: lose this game, it's gone. It's gone from my brain. 364 00:17:38,359 --> 00:17:42,360 Speaker 1: Can you do it? I can do it to begin with, Mike, 365 00:17:42,400 --> 00:17:46,440 Speaker 1: can you do it? Okay, anyway, do your best. Next 366 00:17:46,560 --> 00:17:49,760 Speaker 1: question elder versus a millennial. I'm gonna play a hook 367 00:17:49,760 --> 00:17:57,680 Speaker 1: at this song. Here you go. So her name is 368 00:17:57,720 --> 00:18:01,560 Speaker 1: Cindy Lauper. She mentions the girls want to do what 369 00:18:05,119 --> 00:18:07,360 Speaker 1: that is? Uh? They just want to have fun? That's correct, Yeah, 370 00:18:10,920 --> 00:18:17,440 Speaker 1: tell you what did she want to get started? Eddie 371 00:18:17,440 --> 00:18:21,640 Speaker 1: do you want to get the party starts? Correct? Yeah, 372 00:18:22,000 --> 00:18:25,040 Speaker 1: I literally don't. She just said it, Morgan, I don't 373 00:18:25,040 --> 00:18:32,960 Speaker 1: know the game all right. Next up in the elder category, 374 00:18:33,040 --> 00:18:37,520 Speaker 1: the final question, Inspector Gadget love him is a cartoon 375 00:18:37,800 --> 00:18:45,159 Speaker 1: Manta Mama. Inspector Gadget mane alright, his everyday outfit consists 376 00:18:45,200 --> 00:18:49,359 Speaker 1: of his gray She'll be hat. And what piece of 377 00:18:49,480 --> 00:18:55,560 Speaker 1: outerwear poopoo peep yep, that's me, Eddie. It's a trench coat. 378 00:18:55,640 --> 00:19:00,200 Speaker 1: That's correct. Yeah, And finally open the millennial category. What 379 00:19:00,359 --> 00:19:02,880 Speaker 1: member of n Sync was pranked on the first episode 380 00:19:02,960 --> 00:19:10,320 Speaker 1: of Punk? That is uh, Joey Fatone incorrect. I'm gonna 381 00:19:10,359 --> 00:19:16,160 Speaker 1: go with Nick Lasha. Well, remember justin timber Lake. Well 382 00:19:22,880 --> 00:19:26,760 Speaker 1: that was way too focused on trying to make my 383 00:19:26,840 --> 00:19:30,040 Speaker 1: sound noise. I can't do the clown car either. Now 384 00:19:30,119 --> 00:19:34,920 Speaker 1: that's hard. That's donkey. That's a donkey. Okay, Eddie, you're 385 00:19:34,920 --> 00:19:38,480 Speaker 1: on the winner. You're dominating, You're dominating this round. Thank 386 00:19:38,520 --> 00:19:42,280 Speaker 1: you guys. A few weeks ago, I did say we 387 00:19:42,359 --> 00:19:45,960 Speaker 1: should eliminate everything from the eighties, have no need for it, 388 00:19:46,119 --> 00:19:49,199 Speaker 1: no use for it, not on this show. Well, then 389 00:19:49,320 --> 00:19:52,439 Speaker 1: yesterday we had Richard Marks on Who's from the eighties. 390 00:19:52,840 --> 00:19:55,720 Speaker 1: He was awesome. He's awesome. He has wherever you go, 391 00:19:56,560 --> 00:20:00,680 Speaker 1: whatever you do will be rank you wait I for 392 00:20:01,240 --> 00:20:02,720 Speaker 1: he's awesome. He came on the show, he killed it, 393 00:20:03,040 --> 00:20:06,119 Speaker 1: and he had great stories. For example, the story he 394 00:20:06,240 --> 00:20:09,399 Speaker 1: told about him and Lionel Ritchie. Here you go. So 395 00:20:09,560 --> 00:20:11,600 Speaker 1: there I am, you know, singing background vocals on this 396 00:20:11,720 --> 00:20:13,879 Speaker 1: Kenny Rogers album and he's there at the studio and 397 00:20:14,000 --> 00:20:17,120 Speaker 1: I went up to him and said, I'm a songwriter. 398 00:20:17,280 --> 00:20:19,200 Speaker 1: I'd love to play you a song I wrote for you. 399 00:20:19,760 --> 00:20:21,919 Speaker 1: And he should have thrown me out of the studio. 400 00:20:22,040 --> 00:20:24,159 Speaker 1: He should have had security, you know, throw me on 401 00:20:24,200 --> 00:20:26,840 Speaker 1: the street. But he was cool, and he said, yeah, 402 00:20:26,960 --> 00:20:29,000 Speaker 1: let me hear it. And we sat down at the 403 00:20:29,080 --> 00:20:31,440 Speaker 1: piano and he cut my song, and then he cut 404 00:20:31,520 --> 00:20:34,200 Speaker 1: two more in my songs and that launched my songwriting career. 405 00:20:34,320 --> 00:20:39,440 Speaker 1: Wood So I was lucky enough to befriend Lionel do 406 00:20:39,520 --> 00:20:41,359 Speaker 1: I did four season of American Idol. But he's the 407 00:20:41,440 --> 00:20:44,040 Speaker 1: kindest guy. Was he like that even when he was 408 00:20:44,440 --> 00:20:48,360 Speaker 1: young and killing it then. I have never known anybody 409 00:20:48,400 --> 00:20:51,240 Speaker 1: who was a superstar who acted less like a superstar 410 00:20:51,359 --> 00:20:54,720 Speaker 1: than Lyle. He's just the most gracious kind you know, 411 00:20:54,800 --> 00:20:56,800 Speaker 1: he's still got a wicked sense of humor, and he 412 00:20:56,920 --> 00:20:59,840 Speaker 1: can be sarcastic and he can be like he can 413 00:21:00,080 --> 00:21:03,200 Speaker 1: hang with the best of them, but inside his soul 414 00:21:03,560 --> 00:21:06,280 Speaker 1: is just kindness and want. He loves to help people 415 00:21:06,359 --> 00:21:08,680 Speaker 1: and it's just the best. Like, I just love the guy. 416 00:21:08,720 --> 00:21:11,639 Speaker 1: He changed my life. Great interview from Richard Marks, and 417 00:21:11,720 --> 00:21:13,360 Speaker 1: it's twenty minutes long if you want to go listen 418 00:21:13,400 --> 00:21:15,720 Speaker 1: to yesterday's podcast. But I've made a list now thinks 419 00:21:15,720 --> 00:21:19,240 Speaker 1: from the eighties that I will allow Richard Marks. Okay, 420 00:21:19,320 --> 00:21:21,080 Speaker 1: what else? So I'm in so far I got Richard 421 00:21:21,119 --> 00:21:25,040 Speaker 1: Marks on the list. He's cleared through the eighties. I 422 00:21:25,119 --> 00:21:28,920 Speaker 1: also have the Beastie Boys. Yeah, and finally my birth. 423 00:21:29,240 --> 00:21:31,640 Speaker 1: Other than that, good, all right, I made the list. Yeah, 424 00:21:31,800 --> 00:21:34,880 Speaker 1: that's it. Here we go. My birth, the Beastie Boys, 425 00:21:34,880 --> 00:21:36,440 Speaker 1: and Richard Marks the only things from the eighties that 426 00:21:36,480 --> 00:21:40,080 Speaker 1: I think right now I'm allowing to be on. If 427 00:21:40,119 --> 00:21:42,800 Speaker 1: there's anything else, we can dive back into it, like 428 00:21:42,920 --> 00:21:45,440 Speaker 1: I'm leaning toward Bill and Ted's excellent venture that movie. 429 00:21:45,560 --> 00:21:47,320 Speaker 1: Oh yeah, but I don't want to break the role 430 00:21:47,320 --> 00:21:50,679 Speaker 1: too many times. So those are the three things, right, 431 00:21:50,720 --> 00:21:53,280 Speaker 1: now that we love from the eighties, which, by the way, Abbey, 432 00:21:53,400 --> 00:21:55,960 Speaker 1: great job on getting that interview. Thank you. I think 433 00:21:56,000 --> 00:21:58,040 Speaker 1: a lot of folks they're like, that show must have 434 00:21:58,160 --> 00:22:00,840 Speaker 1: some big celebrity interview booker, and they do want No. 435 00:22:01,040 --> 00:22:03,600 Speaker 1: You know what, Abby did she? I saw the message 436 00:22:03,600 --> 00:22:05,159 Speaker 1: on Instagram that you sent him. You were like, Hi, 437 00:22:05,240 --> 00:22:07,360 Speaker 1: I'm Abbey, I'm on a show. Will you come on? Yeah? 438 00:22:07,400 --> 00:22:10,080 Speaker 1: I just messaged him. Surprise. He was like, yeah, sure, 439 00:22:10,200 --> 00:22:12,399 Speaker 1: why not, And that's how he came on. That's amazing. 440 00:22:12,440 --> 00:22:15,120 Speaker 1: I didn't know that either, did you say. I saw 441 00:22:15,160 --> 00:22:17,400 Speaker 1: the DM Yeah, I thought this will whole Scooba Steve deal. 442 00:22:17,520 --> 00:22:19,560 Speaker 1: But no, what Abby? No, We just like talked back 443 00:22:19,600 --> 00:22:22,040 Speaker 1: and forth a little bit, and like because when he 444 00:22:22,119 --> 00:22:23,679 Speaker 1: reposted mine, I was like, oh, I bet it's one 445 00:22:23,680 --> 00:22:26,080 Speaker 1: of his people, you know, just like reposting to be nice, 446 00:22:26,160 --> 00:22:28,200 Speaker 1: but it was actually him. Well it's a great interview. 447 00:22:28,200 --> 00:22:30,040 Speaker 1: I hope you listened to it. And you know what 448 00:22:30,160 --> 00:22:34,880 Speaker 1: Bill and Ted's it's one Bill and Ted's excellent adventure. 449 00:22:34,960 --> 00:22:37,680 Speaker 1: And I'm gonna change my birth to our births. Thank you, 450 00:22:38,320 --> 00:22:41,240 Speaker 1: except for Eddie. I was waiting for that guy. Yeah 451 00:22:41,560 --> 00:22:44,760 Speaker 1: sent nine. Yeah, so sorry, but it's all right. It's 452 00:22:44,760 --> 00:22:46,760 Speaker 1: one year. Yeah it is, though, but you're a seventies child. 453 00:22:47,160 --> 00:22:51,560 Speaker 1: Flower Power, buddy, flower Power, that's sixties. Here's the top 454 00:22:51,640 --> 00:22:54,679 Speaker 1: three on the go breakfast at number three, fruit, at 455 00:22:54,760 --> 00:22:57,440 Speaker 1: number two just coffee, and at number one boiled eggs. 456 00:22:58,040 --> 00:22:59,560 Speaker 1: But then you gotta but you gotta boil it before 457 00:22:59,560 --> 00:23:01,920 Speaker 1: you get it, or you do it before. That's what 458 00:23:01,960 --> 00:23:04,440 Speaker 1: I'm saying. It's already, it's ready in the fridge. No, 459 00:23:04,600 --> 00:23:05,760 Speaker 1: I know, but you got to boil it at some 460 00:23:05,800 --> 00:23:07,480 Speaker 1: points on the goad. The night before I bought it, 461 00:23:07,520 --> 00:23:10,640 Speaker 1: I bought packaged boiled eggs. You're already. I don't feel 462 00:23:10,640 --> 00:23:12,640 Speaker 1: good about that. Yeah, you're right, some of them don't 463 00:23:12,640 --> 00:23:14,960 Speaker 1: smell about. Don't feel good about that at all. I 464 00:23:15,119 --> 00:23:17,359 Speaker 1: have boiled egg phases of my life. I don't feel 465 00:23:17,400 --> 00:23:19,800 Speaker 1: good about that at all. The top reasons for household 466 00:23:19,880 --> 00:23:27,639 Speaker 1: arguments number two chores, Number one money kids kid, Oh 467 00:23:27,720 --> 00:23:32,879 Speaker 1: my gosh, Yes, you're Amy's pile of stories. Are you 468 00:23:32,960 --> 00:23:36,200 Speaker 1: a doctor pimple popper watcher? This is disgusting to me. 469 00:23:36,800 --> 00:23:38,479 Speaker 1: Uh no, I don't watch it, and they should ban 470 00:23:38,520 --> 00:23:40,359 Speaker 1: her from the internet. I'm off on free speech except 471 00:23:40,400 --> 00:23:44,520 Speaker 1: that well, She used to make a hundred thousand dollars 472 00:23:44,680 --> 00:23:48,879 Speaker 1: a month, just a month alone on YouTube videos, but 473 00:23:49,040 --> 00:23:50,960 Speaker 1: now a lot of companies don't want to advertise with 474 00:23:51,040 --> 00:23:54,639 Speaker 1: her because her content is flagged as too graphic, and 475 00:23:54,840 --> 00:23:59,000 Speaker 1: she is annoyed because they're mischaracterizing her videos. She said 476 00:23:59,040 --> 00:24:02,200 Speaker 1: that they're educational content, they're not sensitive content. I wonder 477 00:24:02,240 --> 00:24:04,119 Speaker 1: what we could find the hypocrisy here? I mean, can 478 00:24:04,119 --> 00:24:06,159 Speaker 1: you watch any sort of surgical video on YouTube? I 479 00:24:06,240 --> 00:24:09,120 Speaker 1: don't know because I don't go and just look at YouTube. 480 00:24:09,200 --> 00:24:11,959 Speaker 1: I find I go and search for things on YouTube specifically, 481 00:24:12,440 --> 00:24:18,320 Speaker 1: but can you find people giving birth on YouTube? Can 482 00:24:18,359 --> 00:24:20,840 Speaker 1: you find It's just you know, we could play the 483 00:24:20,880 --> 00:24:23,960 Speaker 1: game and find hypocrisy, but pimple popping is awful, and 484 00:24:24,000 --> 00:24:25,720 Speaker 1: even if you can, I still stand behind their decision. 485 00:24:25,800 --> 00:24:28,520 Speaker 1: It's disgusting. Oh it is one of the most satisfying 486 00:24:28,640 --> 00:24:32,320 Speaker 1: things to watch when she extracts something and it's oozing out. 487 00:24:32,400 --> 00:24:34,320 Speaker 1: I love it, Eddie. Why your eyes big because I 488 00:24:34,520 --> 00:24:38,200 Speaker 1: pull that off my screen on my screen like Nope, 489 00:24:38,520 --> 00:24:42,720 Speaker 1: the best and quickest all natural birthing video nope, or 490 00:24:42,760 --> 00:24:46,840 Speaker 1: twenty two thousand views birth video and five time parents 491 00:24:49,400 --> 00:24:53,439 Speaker 1: open heart surgery over here. Not good justice for pimple popper. 492 00:24:54,480 --> 00:24:58,120 Speaker 1: Oh my good? Okay, all right, what else you got? 493 00:24:58,440 --> 00:25:01,200 Speaker 1: So Ribo would like everyone's know that she has never 494 00:25:01,480 --> 00:25:07,200 Speaker 1: endorsed Nature's one, CBD gummies or Keto gummy items. Scammers 495 00:25:07,280 --> 00:25:11,160 Speaker 1: created paid ads on Facebook that used Reba's image and likeness. 496 00:25:11,720 --> 00:25:15,200 Speaker 1: Like her face is on these ads. They look so legit, 497 00:25:15,760 --> 00:25:18,119 Speaker 1: But she has nothing to do with the products and 498 00:25:18,280 --> 00:25:20,160 Speaker 1: is not associated. It's not hard to cut her face 499 00:25:20,160 --> 00:25:21,920 Speaker 1: off of a picture and then be like, Reba endorses it. 500 00:25:22,240 --> 00:25:26,400 Speaker 1: But they can't do so legit. All it takes as 501 00:25:26,400 --> 00:25:29,480 Speaker 1: you going photo, here's a picture of his face. She 502 00:25:29,680 --> 00:25:32,960 Speaker 1: likes it. They can't do that legally, but of course 503 00:25:32,960 --> 00:25:35,680 Speaker 1: it's gonna look legit. That's easy to fake. Oh yeah, 504 00:25:35,840 --> 00:25:38,040 Speaker 1: I know that part. I just made that for her. 505 00:25:38,160 --> 00:25:40,800 Speaker 1: I just made one of you and eat pills. I 506 00:25:40,920 --> 00:25:43,760 Speaker 1: want to put that makes zero sense, but it looks 507 00:25:43,840 --> 00:25:45,600 Speaker 1: leg So there you go. I just took your face, 508 00:25:45,640 --> 00:25:48,879 Speaker 1: all right? What else? Okay? Well, a woman has started 509 00:25:48,880 --> 00:25:52,840 Speaker 1: a whole conversation online after she posted that she let 510 00:25:52,920 --> 00:25:56,320 Speaker 1: her friend breastfeed her baby so that she could have 511 00:25:56,359 --> 00:25:59,159 Speaker 1: a few drinks. Oh that part's weird because I have 512 00:25:59,240 --> 00:26:01,720 Speaker 1: heard stories of people breastfeeding other people's babies for different 513 00:26:01,760 --> 00:26:05,800 Speaker 1: reasons as far as they're not healthy physical. Yeah, but 514 00:26:05,920 --> 00:26:07,800 Speaker 1: I didn't. Yeah, that's a tough one. I don't think 515 00:26:07,800 --> 00:26:09,439 Speaker 1: I like that one. I don't know the rules though, 516 00:26:09,440 --> 00:26:11,080 Speaker 1: I don't know the rules. Well, I mean, I would 517 00:26:11,119 --> 00:26:12,880 Speaker 1: just think that what most people do is they get 518 00:26:12,920 --> 00:26:15,640 Speaker 1: those pumps and they pump their milk and they save 519 00:26:15,720 --> 00:26:18,280 Speaker 1: it and then they go have a few drinks and 520 00:26:18,400 --> 00:26:20,720 Speaker 1: then they can serve their baby the pumped milk. But 521 00:26:20,760 --> 00:26:22,960 Speaker 1: then also after you have drinks, you can pump that 522 00:26:23,119 --> 00:26:25,639 Speaker 1: stuff out and then make your pump and dump. There 523 00:26:25,680 --> 00:26:27,320 Speaker 1: you go. That's what it's I understand that. I've never 524 00:26:27,720 --> 00:26:30,359 Speaker 1: understand that. But I'm saying, what, let's look at the alternative. 525 00:26:30,600 --> 00:26:33,120 Speaker 1: Would you have rather her done this or actually drank 526 00:26:33,160 --> 00:26:37,000 Speaker 1: and had and the baby had the breastfed with drink. No, 527 00:26:37,080 --> 00:26:39,520 Speaker 1: you don't want that, right, So this one's better than that. 528 00:26:40,080 --> 00:26:44,760 Speaker 1: But I don't know, actually meta if this is okay? Well, 529 00:26:44,920 --> 00:26:49,280 Speaker 1: pediatricians are saying that if you're just informally breastfeeding other 530 00:26:49,359 --> 00:26:52,879 Speaker 1: people's kids, it could expose to them to certain medications 531 00:26:52,960 --> 00:26:55,719 Speaker 1: you have on any alphone in your body. So if 532 00:26:55,760 --> 00:27:00,400 Speaker 1: she's like not, she's clean. Interesting term. If she's clean, 533 00:27:01,040 --> 00:27:04,520 Speaker 1: then okay, let's go boobies everywhere for every baby. Huh. Okay, 534 00:27:04,960 --> 00:27:07,320 Speaker 1: I guess well, I mean this is the conversation online. 535 00:27:07,359 --> 00:27:09,200 Speaker 1: But I think best case scenarios what you said. But 536 00:27:09,359 --> 00:27:11,560 Speaker 1: as we know, life isn't always best case scenarios, right, 537 00:27:11,720 --> 00:27:16,240 Speaker 1: and we would rather do this than drink and breastfeed, 538 00:27:17,000 --> 00:27:18,520 Speaker 1: you know, instead of an F. She's getting a solid 539 00:27:18,560 --> 00:27:21,920 Speaker 1: D minus. Yeah, okay, you know you pass? No, yeah, 540 00:27:23,600 --> 00:27:28,040 Speaker 1: passes absolutely. Yeah, we found that out. Really really it's failing, 541 00:27:28,119 --> 00:27:29,840 Speaker 1: I know, but I thought maybe a D. Still was like, 542 00:27:30,520 --> 00:27:32,560 Speaker 1: we still fail. Yeah, I don't know. It's like dumb 543 00:27:32,760 --> 00:27:35,520 Speaker 1: D for dumb. You're dumb when we fail. Yeah, no, no, 544 00:27:35,960 --> 00:27:37,480 Speaker 1: I never had a D. I don't know. D is 545 00:27:37,880 --> 00:27:41,399 Speaker 1: doing all right? These we got you guys lit up 546 00:27:41,440 --> 00:27:43,879 Speaker 1: and I was like, does fail. You're like, no, it 547 00:27:44,000 --> 00:27:47,280 Speaker 1: didn't fail, all right, thank you, Amy, go ahead, I'm Amy. 548 00:27:47,400 --> 00:27:51,760 Speaker 1: That's my pile. That was Amy's pile of stories. It's 549 00:27:51,840 --> 00:27:58,840 Speaker 1: time for the good news. Good. For the last ten years, 550 00:27:58,920 --> 00:28:02,040 Speaker 1: Suzanne Miller from Illinois has been running a marathon that 551 00:28:02,119 --> 00:28:05,879 Speaker 1: helps support Saint Jude Research Hospital and her kids have 552 00:28:06,040 --> 00:28:08,159 Speaker 1: been doing a lemonade stand just to raise money so 553 00:28:08,280 --> 00:28:10,840 Speaker 1: she can actually do the marathon. So it's been great. 554 00:28:11,040 --> 00:28:12,680 Speaker 1: But her neighbors said, God, they've been doing this for 555 00:28:12,760 --> 00:28:15,679 Speaker 1: ten years, we should all pitch in do a neighborhood 556 00:28:15,800 --> 00:28:18,639 Speaker 1: lemonade stand. That way the kids and Suzanna doesn't have 557 00:28:18,680 --> 00:28:22,399 Speaker 1: to worry about it. They raised over two thousand dollars 558 00:28:22,520 --> 00:28:24,000 Speaker 1: for her to run and all the money goes to 559 00:28:24,040 --> 00:28:25,879 Speaker 1: Saint Jude. Yeah, that's pretty cool that all the neighbors 560 00:28:25,920 --> 00:28:27,960 Speaker 1: have volunteer their time to do that too, and doing 561 00:28:28,000 --> 00:28:30,440 Speaker 1: over ten years. Yeah, that's a long time they've been 562 00:28:30,920 --> 00:28:33,760 Speaker 1: active with Saint Jude, which is just really a fantastic place. 563 00:28:33,960 --> 00:28:36,239 Speaker 1: The marathon Abbey saying it it last year that may 564 00:28:36,280 --> 00:28:40,960 Speaker 1: have been Abbey's first, like first performance in years right 565 00:28:41,240 --> 00:28:44,120 Speaker 1: where she liked it wasn't with us, you know where 566 00:28:44,120 --> 00:28:45,960 Speaker 1: they were actually like we heard you saying please come here. 567 00:28:46,280 --> 00:28:48,120 Speaker 1: That's pretty cool if you guys want to get to 568 00:28:48,160 --> 00:28:50,120 Speaker 1: know more about Saint Jude. It's a really remarkable place 569 00:28:50,120 --> 00:28:52,200 Speaker 1: where nobody has to pay a bill if you go in. 570 00:28:52,520 --> 00:28:54,520 Speaker 1: If a doctor says you have a certain type of cancer, 571 00:28:54,880 --> 00:29:00,440 Speaker 1: you go, they pay for your travel, your medicine, your stay, everything. 572 00:29:00,840 --> 00:29:03,240 Speaker 1: So Saint Juda's Place is helping so many kids all around, 573 00:29:03,640 --> 00:29:05,400 Speaker 1: not only America but the world. And shout out to 574 00:29:05,400 --> 00:29:07,400 Speaker 1: that neighborhood for coming together for that. All right, that's 575 00:29:07,400 --> 00:29:10,320 Speaker 1: what it's all about. That was telling me something good.