1 00:00:03,560 --> 00:00:07,160 Speaker 1: Welcome back to another episode of Alchemy. This COVID nine 2 00:00:08,680 --> 00:00:14,200 Speaker 1: edition on your host is well usually it's not always, 3 00:00:14,320 --> 00:00:18,680 Speaker 1: I would say, but also sometimes and definitely not true. 4 00:00:18,720 --> 00:00:21,279 Speaker 1: But I digress. Let's meet our alchemist, shall we? In 5 00:00:21,600 --> 00:00:26,200 Speaker 1: no particular what I say? Hey, Christopher, nothing but chaps, 6 00:00:26,200 --> 00:00:30,120 Speaker 1: strangest place you ever made whoopee and no details needed 7 00:00:30,240 --> 00:00:37,960 Speaker 1: other than location unless strangest place I ever made whooping. Well, 8 00:00:38,280 --> 00:00:41,600 Speaker 1: the only thing that stands out to me is is 9 00:00:41,680 --> 00:00:45,480 Speaker 1: I made whoopee on the sand on the beach one time, 10 00:00:45,560 --> 00:00:52,480 Speaker 1: and that was not fucking not great. Yeah you got 11 00:00:52,560 --> 00:00:55,320 Speaker 1: the sand, yeah, and it was it was it was 12 00:00:55,360 --> 00:00:57,920 Speaker 1: I remember it was under the stars. It was like really, 13 00:00:57,960 --> 00:01:00,840 Speaker 1: I mean, everything else was set up perfect except it's 14 00:01:00,920 --> 00:01:06,360 Speaker 1: getting in. It's getting in, and like sandinor office is 15 00:01:06,400 --> 00:01:09,080 Speaker 1: never good. Not great, no, not great. Thank you for 16 00:01:09,680 --> 00:01:12,160 Speaker 1: I haven't thought about that memory since it probably happened, Kevin, 17 00:01:12,240 --> 00:01:16,680 Speaker 1: So I appreciate the it's fine. Yeah, that's the best 18 00:01:16,680 --> 00:01:20,440 Speaker 1: possible sonar for me. Let's say hello to a tool 19 00:01:20,520 --> 00:01:26,039 Speaker 1: sing not so tiny dancer. How did your senior prom go? Uh? 20 00:01:26,160 --> 00:01:28,040 Speaker 1: It went all right. It was at the Union station 21 00:01:28,160 --> 00:01:34,000 Speaker 1: in in Dallas and um, yeah, I remember my date. 22 00:01:34,520 --> 00:01:36,840 Speaker 1: It was it was fine, like we didn't have My 23 00:01:37,040 --> 00:01:38,600 Speaker 1: nephew just went to his problem and they had a 24 00:01:38,680 --> 00:01:41,600 Speaker 1: huge after prom, which I guess they just stay up 25 00:01:41,640 --> 00:01:43,679 Speaker 1: all night at the school and it was like a 26 00:01:43,760 --> 00:01:46,400 Speaker 1: carnival and dunking tank and stuff. We didn't have any 27 00:01:46,400 --> 00:01:49,720 Speaker 1: of that. Wow, we didn't have an organized after prime. 28 00:01:49,880 --> 00:01:52,840 Speaker 1: We prom we'd go to someone's house and and try 29 00:01:52,880 --> 00:01:56,400 Speaker 1: to stay awake. They had an organized after prom. Yeah, yeah, 30 00:01:56,760 --> 00:02:00,280 Speaker 1: and then yeah, it's interesting. So it was he's say 31 00:02:00,280 --> 00:02:04,000 Speaker 1: anything about there was molly at the after party. No, 32 00:02:04,080 --> 00:02:06,200 Speaker 1: he didn't say anything to me. He usually doesn't confess 33 00:02:06,200 --> 00:02:09,320 Speaker 1: anything to me. Joey, is there a new drug has 34 00:02:09,400 --> 00:02:13,320 Speaker 1: replaced molly? You know what? The new drug that's replacing 35 00:02:13,360 --> 00:02:17,760 Speaker 1: it all is just legal psychedelics, psilocybin, mushrooms for real. 36 00:02:17,800 --> 00:02:21,200 Speaker 1: It's just oh yeah, it's just speaking of trip and 37 00:02:21,280 --> 00:02:28,160 Speaker 1: there's Craig Kakowski. Kakaw third car and what happened to it? Okay. 38 00:02:28,480 --> 00:02:33,200 Speaker 1: My first car was was Dodge Colts. My second car 39 00:02:33,840 --> 00:02:37,080 Speaker 1: was a nineteen seventy nine Lincoln Continental. My third car 40 00:02:37,800 --> 00:02:43,839 Speaker 1: was Pontiac Fierro two seater. Uh. Also the strangest place 41 00:02:43,880 --> 00:02:48,360 Speaker 1: I made whippy and uh it had those headlights that 42 00:02:48,440 --> 00:02:52,799 Speaker 1: kind of came up, but one of them, uh always stuck. 43 00:02:52,840 --> 00:02:54,560 Speaker 1: So it just kind of like it would kind of 44 00:02:54,560 --> 00:02:56,680 Speaker 1: like be winking at you a little bit, a little 45 00:02:56,720 --> 00:03:01,000 Speaker 1: bit of Peter Faulk thing happening. Yes, uh it and 46 00:03:01,200 --> 00:03:04,000 Speaker 1: uh it just it had so many problems. It just died. 47 00:03:04,400 --> 00:03:07,720 Speaker 1: You went from a Lincoln Condental to a Faro. Hm. 48 00:03:07,880 --> 00:03:17,359 Speaker 1: It's the biggest car in the world that way, Joey. Yeah. Um, 49 00:03:17,440 --> 00:03:21,600 Speaker 1: let me talk to James for a second. He's he's 50 00:03:21,600 --> 00:03:25,520 Speaker 1: start three thousand. What was a performance billing that maybe 51 00:03:25,720 --> 00:03:31,560 Speaker 1: you didn't appreciate? Performance billing that I didn't appreciate. I 52 00:03:31,600 --> 00:03:34,280 Speaker 1: don't think I've ever There's never been a billing I 53 00:03:34,320 --> 00:03:37,680 Speaker 1: didn't appreciate. Even if I'm an offstage voice, I'll take 54 00:03:37,720 --> 00:03:42,680 Speaker 1: the credit unless I'm not understanding the billing. Can I 55 00:03:42,720 --> 00:03:46,240 Speaker 1: send you a couple press releases I've seen that were 56 00:03:47,200 --> 00:03:50,600 Speaker 1: that didn't seem that great? Sure, I mean, there's no 57 00:03:50,640 --> 00:03:54,160 Speaker 1: such thing as bad press for James Heeney, I don't cank. 58 00:03:54,640 --> 00:03:56,520 Speaker 1: I mean actually I said it to me privately and 59 00:03:56,520 --> 00:04:01,240 Speaker 1: then ask me again later, Okay. And last, but no 60 00:04:01,400 --> 00:04:03,560 Speaker 1: rufiees for you. If you think of Lisa's Joey Greer 61 00:04:03,720 --> 00:04:06,640 Speaker 1: life swapper, tell us about the first time you felt 62 00:04:06,760 --> 00:04:12,960 Speaker 1: a party had started in your pants. Oh my gosh, well, uh, 63 00:04:13,000 --> 00:04:15,000 Speaker 1: this is true. There there. I didn't know this, but 64 00:04:15,040 --> 00:04:18,800 Speaker 1: like I would go into my closet and get my 65 00:04:18,800 --> 00:04:21,360 Speaker 1: my jeans out, and I'd always find these different things, 66 00:04:21,360 --> 00:04:23,599 Speaker 1: like little pieces of confetti and you tiny tiny pieces 67 00:04:23,640 --> 00:04:26,080 Speaker 1: of confetti and like a disco ball and what was 68 00:04:26,200 --> 00:04:28,400 Speaker 1: like you know, a DJ said, as well as like 69 00:04:28,440 --> 00:04:32,440 Speaker 1: a floor plane in a layout. Well, this is what 70 00:04:32,480 --> 00:04:35,120 Speaker 1: I'm getting at all, right, So there there, I don't 71 00:04:35,120 --> 00:04:38,960 Speaker 1: know what happened, but there were these troublems that would 72 00:04:38,960 --> 00:04:42,560 Speaker 1: come in troubles and then come in and they set 73 00:04:42,680 --> 00:04:45,680 Speaker 1: up parties in my pants, right, So they were just 74 00:04:45,760 --> 00:04:48,679 Speaker 1: like running all these illegal parties in my pants. Illegal 75 00:04:48,720 --> 00:04:50,640 Speaker 1: like I guess like in the fantasy world whatnot, but 76 00:04:51,040 --> 00:04:53,039 Speaker 1: I guess still illegal. Didn't ask me, And then I 77 00:04:53,040 --> 00:04:55,240 Speaker 1: found out that this was going on across the city. 78 00:04:55,480 --> 00:04:58,920 Speaker 1: Troublings were going into everyone's pants and starting all these parties. 79 00:04:58,920 --> 00:05:01,240 Speaker 1: So they would run from on closet that run through 80 00:05:01,240 --> 00:05:02,920 Speaker 1: the pants. When someone found out that they were doing 81 00:05:02,920 --> 00:05:04,600 Speaker 1: that you know, shake them out, you know, they get 82 00:05:04,640 --> 00:05:06,960 Speaker 1: disrupted and they go to someone else's pants and then 83 00:05:07,000 --> 00:05:08,520 Speaker 1: they just moved on. And so I don't know where 84 00:05:08,520 --> 00:05:11,839 Speaker 1: the problems are now or what pats do the problems. 85 00:05:11,839 --> 00:05:14,600 Speaker 1: Ask you to come at those parties. Let's do a 86 00:05:14,640 --> 00:05:18,120 Speaker 1: damn show, salwi ash Shawie. All of our theme suggestions 87 00:05:18,120 --> 00:05:20,520 Speaker 1: are gathered from your listener emails or from our patron 88 00:05:20,600 --> 00:05:22,800 Speaker 1: v I p s to become a patron supporter. Thanks 89 00:05:22,800 --> 00:05:25,840 Speaker 1: for asking of the show and enjoy sput content and 90 00:05:25,880 --> 00:05:29,760 Speaker 1: other perk's. Head on over to Patrick Patreon dot com. 91 00:05:29,880 --> 00:05:32,280 Speaker 1: Slash alchemy. This is if you'd like some of the 92 00:05:32,320 --> 00:05:35,640 Speaker 1: scene suggestion by email, please, oh please right to the podcast. 93 00:05:35,680 --> 00:05:40,839 Speaker 1: That are new ish email address Alchemy. This email at 94 00:05:40,839 --> 00:05:48,279 Speaker 1: gmail dot com. That's seen one comes from patron v 95 00:05:48,320 --> 00:05:52,159 Speaker 1: I P. Ben Booth. What a great name, Ben Booth, 96 00:05:52,279 --> 00:05:54,479 Speaker 1: who wrote, Hi, Kevin, I had an issue with my 97 00:05:54,560 --> 00:05:57,480 Speaker 1: patron payment and resolved, and I am not sure if 98 00:05:57,520 --> 00:06:00,760 Speaker 1: I should re submit my previous scene suggests or not. 99 00:06:01,000 --> 00:06:05,240 Speaker 1: Here it is again below, Sorry to bother you. Hello friends, 100 00:06:05,320 --> 00:06:07,560 Speaker 1: I joined the patron because the scene suggestions. I've been 101 00:06:07,600 --> 00:06:13,800 Speaker 1: absolutely terrible lately. That's a great reason to join. This 102 00:06:14,240 --> 00:06:20,680 Speaker 1: better be amazing. Then he really did, adam pressure to himself. Yeah, folks, 103 00:06:20,680 --> 00:06:25,560 Speaker 1: never start a story with this is hilarious. Um, he continues, 104 00:06:25,680 --> 00:06:29,280 Speaker 1: I kid, I kid, you guys are all amazing and 105 00:06:29,279 --> 00:06:32,159 Speaker 1: funny and I love you all, etcetera. Here's my scene suggestion. 106 00:06:32,279 --> 00:06:36,960 Speaker 1: Welcome to the darkest timeline. No, it's not climate change 107 00:06:37,360 --> 00:06:41,800 Speaker 1: and that political system or a ravaging pandemic. It is 108 00:06:42,680 --> 00:06:47,279 Speaker 1: Gilligan's Island was never canceled, and it's in its forty season. 109 00:06:47,720 --> 00:06:50,719 Speaker 1: We bring you to the writer's room where these poor 110 00:06:50,800 --> 00:06:53,880 Speaker 1: souls have to come up with the original plots. Thank 111 00:06:53,880 --> 00:06:56,960 Speaker 1: you all so much for what you do. Ben Booth, 112 00:06:59,160 --> 00:07:03,719 Speaker 1: who had the two of fish right here to the fish, gotcha, 113 00:07:03,880 --> 00:07:09,520 Speaker 1: gotcha corned beef. Just play it out, we'll pick at it. 114 00:07:09,600 --> 00:07:11,360 Speaker 1: We just leave it out. And I was told to 115 00:07:11,520 --> 00:07:18,760 Speaker 1: distribute the sandwiches, so see storyline. Guys, I cannot stress. 116 00:07:18,800 --> 00:07:22,600 Speaker 1: It's enough. They're already at sea and they've landed. We're 117 00:07:22,600 --> 00:07:27,200 Speaker 1: not gonna do a se I'm just saying I don't 118 00:07:27,240 --> 00:07:32,640 Speaker 1: want to hear the word coconut ever again. Let's try 119 00:07:32,680 --> 00:07:34,800 Speaker 1: to do this one without using the word that he 120 00:07:34,960 --> 00:07:38,560 Speaker 1: just said. Why don't we a yeah, why don't we 121 00:07:38,680 --> 00:07:41,840 Speaker 1: all give our attention to the new hot shot writer, 122 00:07:42,000 --> 00:07:47,400 Speaker 1: the new the new digital content come on YouTube face 123 00:07:47,840 --> 00:07:52,120 Speaker 1: studio thought would be what we need. Greg, relax, just 124 00:07:52,240 --> 00:07:55,240 Speaker 1: leave the kid alone. No, no, I've been here for 125 00:07:55,440 --> 00:07:58,880 Speaker 1: thirty four seasons. Tom, you made a lot of money, 126 00:07:59,040 --> 00:08:00,600 Speaker 1: You made a lot of want to do it this. 127 00:08:02,040 --> 00:08:04,080 Speaker 1: We don't care about money anymore. We have to keep 128 00:08:04,120 --> 00:08:09,280 Speaker 1: this ship and flowid I'm intimidated by him. What do 129 00:08:09,280 --> 00:08:13,680 Speaker 1: you gotta say, hot Shot? Alright, alright, alright, I think 130 00:08:13,760 --> 00:08:17,040 Speaker 1: I'm prepared. I wanted to spend the first few weeks 131 00:08:17,160 --> 00:08:20,320 Speaker 1: watching what you guys do in the creative process, and 132 00:08:20,400 --> 00:08:22,080 Speaker 1: you did great at that. By the way, you did 133 00:08:22,200 --> 00:08:26,920 Speaker 1: really great at the watching. Well yeah, unfortunately nobody else 134 00:08:27,040 --> 00:08:29,200 Speaker 1: is watching the show, so we're gonna have to do 135 00:08:29,320 --> 00:08:31,840 Speaker 1: a little shake up. Okay, yeah, yeah, that's why we're 136 00:08:31,880 --> 00:08:34,800 Speaker 1: on forty years because no one is watching any who. 137 00:08:35,520 --> 00:08:39,640 Speaker 1: What is your scene? See your c story suggestion. We 138 00:08:39,800 --> 00:08:43,240 Speaker 1: need to have a new cast of people come to 139 00:08:43,360 --> 00:08:48,040 Speaker 1: the island. I'm thinking to get some of the biggest personalities, 140 00:08:48,480 --> 00:08:55,240 Speaker 1: biggest influences that we did that season episode four, the 141 00:08:55,360 --> 00:09:00,280 Speaker 1: Battle for the Network Stars arrived on the island. Huh okay, 142 00:09:00,320 --> 00:09:04,360 Speaker 1: we'll see there's a new network. That was a great episode. 143 00:09:04,440 --> 00:09:07,760 Speaker 1: Bob Denver competed as himself, had a scene with Gilligan 144 00:09:08,520 --> 00:09:12,480 Speaker 1: playing gill again. So good, so good. Sorry, new guys. 145 00:09:12,960 --> 00:09:15,000 Speaker 1: You just say there's a new network and it's called 146 00:09:15,040 --> 00:09:18,320 Speaker 1: the Internet. Yeah, I don't know, Greg. Come on, Greg, 147 00:09:18,440 --> 00:09:22,839 Speaker 1: just know how wealthy I am, Yes, very wealthy, and 148 00:09:22,920 --> 00:09:25,199 Speaker 1: you know how scared I am of this guy. It 149 00:09:25,240 --> 00:09:29,560 Speaker 1: makes nor sense I rest in my case. Yeah, fuck, 150 00:09:31,040 --> 00:09:34,160 Speaker 1: I'll take the nine iron Isaac baby commitrement. How's it going? 151 00:09:34,240 --> 00:09:35,559 Speaker 1: I was it going in the rider room on my 152 00:09:35,679 --> 00:09:38,199 Speaker 1: Star Rider, my new juice? What's going on? Tell me 153 00:09:38,240 --> 00:09:42,520 Speaker 1: about it? I just I feel like somebody hit that 154 00:09:42,640 --> 00:09:53,199 Speaker 1: duck Wild is a go for it babycase talk to 155 00:09:54,000 --> 00:09:56,400 Speaker 1: So this is what I think. Like, it's fun for 156 00:09:56,520 --> 00:09:58,880 Speaker 1: me to get into this writer's room. But everybody in 157 00:09:58,960 --> 00:10:03,079 Speaker 1: there so old, just talking about their classic episodes. I 158 00:10:03,120 --> 00:10:05,200 Speaker 1: think you need to get a bunch of new kids 159 00:10:05,280 --> 00:10:08,880 Speaker 1: in there, a bunch of new fresh talent. I got 160 00:10:09,000 --> 00:10:12,959 Speaker 1: friends and we made YouTube videos and TikTok things, And 161 00:10:15,720 --> 00:10:20,480 Speaker 1: what do you mean you're letting me go? I don't 162 00:10:20,520 --> 00:10:23,240 Speaker 1: know if you realize this. But I've been promoted to 163 00:10:24,080 --> 00:10:28,240 Speaker 1: big boss head writer, okay, and you've given me quite 164 00:10:28,280 --> 00:10:30,719 Speaker 1: a bit of attitude, so I wanted to I want 165 00:10:30,760 --> 00:10:32,360 Speaker 1: to take you up. All right, I'll say this is 166 00:10:32,480 --> 00:10:35,560 Speaker 1: on my way out. This makes sense. I'm sure you're 167 00:10:35,559 --> 00:10:37,319 Speaker 1: gonna do great things, and I'm very afraid of you. 168 00:10:37,480 --> 00:10:39,199 Speaker 1: You have a nice life. I'm not gonna watch the show. 169 00:10:39,280 --> 00:10:48,199 Speaker 1: Goodbye you. Oh alright, Yeah he's not really dead. He 170 00:10:48,280 --> 00:10:50,719 Speaker 1: just makes those noises when he leaves. It's it's his 171 00:10:50,840 --> 00:10:54,480 Speaker 1: father is Jolly Kallis? Okay, Well, I got badness. Char 172 00:10:54,720 --> 00:11:00,560 Speaker 1: kellis guest starred season eight, episode twenty two. He played 173 00:11:01,080 --> 00:11:03,800 Speaker 1: type so good. I don't want to go back to 174 00:11:03,880 --> 00:11:06,880 Speaker 1: the same Well hell, but have we thought about bringing 175 00:11:06,960 --> 00:11:11,599 Speaker 1: back the Harlem Globetrotters, putting them on the island and 176 00:11:11,800 --> 00:11:16,880 Speaker 1: maybe they play basketball with coconuts? I still can't. First 177 00:11:16,880 --> 00:11:18,839 Speaker 1: of all, Mr Barkley just want to say how well, 178 00:11:19,000 --> 00:11:20,800 Speaker 1: I can't believe we got you on the writing staff. 179 00:11:21,360 --> 00:11:26,199 Speaker 1: I mean, Charles fucking Barkley, it's so great hurle idea. Yeah, no, 180 00:11:26,320 --> 00:11:28,480 Speaker 1: it's a great idea. It's shocking you would come up 181 00:11:28,480 --> 00:11:30,880 Speaker 1: with the basketball theme. But uh, I say we go 182 00:11:31,000 --> 00:11:33,240 Speaker 1: with it for the C story until someone has a 183 00:11:33,280 --> 00:11:38,199 Speaker 1: better idea a story another C story in the canon 184 00:11:38,280 --> 00:11:40,199 Speaker 1: of the show, the Harlem Globe Trotters went to the 185 00:11:40,240 --> 00:11:43,760 Speaker 1: Seventh Circle of Hell in season thirty three, and we 186 00:11:43,920 --> 00:11:46,280 Speaker 1: we never wrote them out of there. So if we 187 00:11:46,400 --> 00:11:49,079 Speaker 1: can bring back the Globe Trotters but they're still in Hell. 188 00:11:51,800 --> 00:11:55,480 Speaker 1: Got some wings for my favorite rider, Greg, How why you? 189 00:11:56,679 --> 00:12:00,920 Speaker 1: Oh gosh, I said Greg. I don't know who you are. 190 00:12:01,000 --> 00:12:04,959 Speaker 1: You need to leave, I said Greg. I said Greg. 191 00:12:05,160 --> 00:12:09,760 Speaker 1: This is a new space than Who the hell is 192 00:12:09,840 --> 00:12:13,800 Speaker 1: this guy? Do you wonder who that is? Yeah, he's 193 00:12:13,880 --> 00:12:19,040 Speaker 1: the future. He's scary. Oh god, I can't handle this. 194 00:12:19,360 --> 00:12:22,400 Speaker 1: The future? What does that mean? He's an embodiment of time? 195 00:12:22,679 --> 00:12:24,840 Speaker 1: Who do you try to say? If I touched him, 196 00:12:24,840 --> 00:12:26,719 Speaker 1: I'll be stuck into some kind of type What what 197 00:12:26,800 --> 00:12:30,559 Speaker 1: do you mean? All I'm saying is things are about 198 00:12:30,600 --> 00:12:36,040 Speaker 1: to change now. These wings and this recipe should never change, Darling, 199 00:12:36,320 --> 00:12:41,199 Speaker 1: You and that smile should never change. Oh god, but 200 00:12:41,320 --> 00:12:44,400 Speaker 1: that Anti Christ over there, it's about to shake things up. 201 00:12:44,920 --> 00:12:50,320 Speaker 1: Anti Christ. He seems powerful, he seems dark. Eddie controls 202 00:12:50,400 --> 00:12:53,080 Speaker 1: Tip like he's wearing a Simpson Shure, for goodness thinks 203 00:12:53,559 --> 00:12:57,120 Speaker 1: that's trumble irony happening. I love this Simpsons, I know, 204 00:12:57,240 --> 00:13:02,240 Speaker 1: but he doesn't. And that's what's crazy. Darling. I've been 205 00:13:02,320 --> 00:13:04,160 Speaker 1: meaning to ask you something. I've been coming here for 206 00:13:04,240 --> 00:13:08,719 Speaker 1: what thirty four years? But just about do you want 207 00:13:08,760 --> 00:13:12,559 Speaker 1: to go away with me for a while to an island? Oh? 208 00:13:12,640 --> 00:13:18,959 Speaker 1: Go you and meet I got a little that you know. 209 00:13:19,160 --> 00:13:21,480 Speaker 1: I want you, Darling. I want to go to an 210 00:13:21,559 --> 00:13:25,560 Speaker 1: island with you. We'll take a three hour tour. Well sorry, 211 00:13:25,600 --> 00:13:28,640 Speaker 1: you weren't able to to to book the private tour, 212 00:13:28,720 --> 00:13:31,400 Speaker 1: so you're on here with a few other randos. But yeah, 213 00:13:31,480 --> 00:13:34,440 Speaker 1: it's gonna do a three hour tour around the island. 214 00:13:35,160 --> 00:13:37,719 Speaker 1: Still fun. I'm still excited. This is a good time. 215 00:13:38,120 --> 00:13:39,719 Speaker 1: So what you're a you're a TV writer and you're 216 00:13:39,720 --> 00:13:44,400 Speaker 1: a diner waitress. Yeah that's right. Yeah, we're more than 217 00:13:45,200 --> 00:13:47,480 Speaker 1: I served some of the best wigs in the city. 218 00:13:47,960 --> 00:13:49,439 Speaker 1: Are you gonna ask the rest of us what we do? 219 00:13:49,679 --> 00:13:52,559 Speaker 1: Or just no? I have it all here. You're you're 220 00:13:52,600 --> 00:13:55,280 Speaker 1: a Wall Street executive and my friend you know who 221 00:13:55,320 --> 00:14:00,520 Speaker 1: he is. Yes, that's better, Yes, that's right. Your federal 222 00:14:01,280 --> 00:14:05,199 Speaker 1: tennis legend and this and this gentleman right here. His 223 00:14:05,280 --> 00:14:06,880 Speaker 1: name is Isaac and he's actually one of the right 224 00:14:07,000 --> 00:14:08,480 Speaker 1: is with Greg. Is that right? Do you guys just 225 00:14:08,520 --> 00:14:11,200 Speaker 1: work bunnies? Right? You know? One of the chances. Oh, 226 00:14:11,280 --> 00:14:13,280 Speaker 1: I was hoping for more diversity. But yeah, we got 227 00:14:13,320 --> 00:14:16,280 Speaker 1: to two writers from Gilligan's Island on here. Well, I 228 00:14:16,320 --> 00:14:18,280 Speaker 1: don't even think about that Gilligan's Island. This is meta, 229 00:14:18,360 --> 00:14:20,160 Speaker 1: Like we're out for a three hour tour right now. 230 00:14:20,440 --> 00:14:23,880 Speaker 1: No more than that. I like, what are you doing here? Well, 231 00:14:24,200 --> 00:14:26,440 Speaker 1: first of all, you don't actually work. I don't want 232 00:14:26,440 --> 00:14:29,840 Speaker 1: to spoil it, but he actually doesn't work for Gilligan's 233 00:14:29,880 --> 00:14:34,160 Speaker 1: Island anymore. I had to let him go. But but 234 00:14:35,200 --> 00:14:37,600 Speaker 1: I've got a contract here and we're trying to spice 235 00:14:37,640 --> 00:14:40,160 Speaker 1: things up because, as you know, Gilligan's Island's got a 236 00:14:40,160 --> 00:14:44,960 Speaker 1: little old over the years. I still love it. Sorry, sorry. 237 00:14:45,160 --> 00:14:48,200 Speaker 1: It feels like as a skipper, as a skipper of 238 00:14:48,240 --> 00:14:50,360 Speaker 1: a little boat. It just feels like one of the 239 00:14:50,440 --> 00:14:53,240 Speaker 1: few shows that really gets me. It's got a real 240 00:14:53,400 --> 00:14:56,600 Speaker 1: niche audience. But but hold on, I'm getting a little 241 00:14:56,640 --> 00:14:58,880 Speaker 1: sick here. This is this is ways trying to pick up. 242 00:14:58,960 --> 00:15:05,400 Speaker 1: Hold on, little buddy, Oh, God you come here. Oh God, Isaac, 243 00:15:06,080 --> 00:15:08,880 Speaker 1: if if you don't mind me, Roger Feder would like 244 00:15:08,920 --> 00:15:11,560 Speaker 1: to put in my my hat into the ring to 245 00:15:11,640 --> 00:15:16,520 Speaker 1: be a writer for your show. Oh, I don't know, Roger. 246 00:15:17,520 --> 00:15:20,120 Speaker 1: Are you hipping in fresh with the kids these days? 247 00:15:20,120 --> 00:15:22,560 Speaker 1: Because we're trying to get here's the goats, here's the goat. 248 00:15:22,600 --> 00:15:24,960 Speaker 1: I mean some people Djokovic, some people in the dollars 249 00:15:25,000 --> 00:15:27,840 Speaker 1: always gonna be Roger. Oh God, I'm slipping. I'm slipping. 250 00:15:35,960 --> 00:15:41,400 Speaker 1: That has seen one. Oh my goodness, Uh sausage fests 251 00:15:41,440 --> 00:15:49,080 Speaker 1: Sea seen too comes from being the road. Hello alcoholics, 252 00:15:49,960 --> 00:15:54,080 Speaker 1: I mean alchemy much of mccollins. Any who a short? 253 00:15:54,120 --> 00:15:56,520 Speaker 1: Did he before my scene suggestion? I was walking to 254 00:15:56,640 --> 00:16:00,200 Speaker 1: the store listening to you guys unmasked because I'm in 255 00:16:00,240 --> 00:16:04,000 Speaker 1: the UK where it is allowed. M hmm. Plus I've 256 00:16:04,000 --> 00:16:08,120 Speaker 1: had my jabs they call it jabs, and one of 257 00:16:08,160 --> 00:16:10,960 Speaker 1: you crazy kids said something that made me laugh out loud, 258 00:16:11,160 --> 00:16:13,480 Speaker 1: And just at that exact moment, I caught the eye 259 00:16:13,520 --> 00:16:17,000 Speaker 1: of a toddler rolling past me, pushed by her mom 260 00:16:17,240 --> 00:16:21,640 Speaker 1: in a stroller. M you use the word stroller instead 261 00:16:21,680 --> 00:16:27,560 Speaker 1: of what do they call pram pram? I'm I'm a 262 00:16:27,600 --> 00:16:30,560 Speaker 1: little quizzical if this is actually a UK citizen. He 263 00:16:30,720 --> 00:16:33,640 Speaker 1: goes on the little girl and I locked eyes mine 264 00:16:33,960 --> 00:16:38,760 Speaker 1: with full guffawdness due to you crazy bastards. She returned 265 00:16:39,120 --> 00:16:42,760 Speaker 1: the sweetest, most beautiful little smile that kept me beaming 266 00:16:43,000 --> 00:16:45,840 Speaker 1: all the way to the store and back. So the 267 00:16:46,000 --> 00:16:50,640 Speaker 1: takeaway is this COVID sucks and wear a mask, and 268 00:16:50,720 --> 00:16:53,920 Speaker 1: when you don't, the mighty infectious power of alchemy. This 269 00:16:54,080 --> 00:16:57,320 Speaker 1: smites the evil and replaces it with the joy from 270 00:16:57,360 --> 00:17:01,400 Speaker 1: a two year old. Nothing better than that scene. Suggestion 271 00:17:02,320 --> 00:17:06,879 Speaker 1: redneck cooking competition, I love you all. Ian Shook, a 272 00:17:07,000 --> 00:17:12,320 Speaker 1: Canadian in Britain. There you go, there's the answer. There's 273 00:17:12,320 --> 00:17:16,080 Speaker 1: the mix of wingo. So maybe get off his back. 274 00:17:16,119 --> 00:17:18,400 Speaker 1: You know what I mean, I'm off it. You're not wrong, 275 00:17:19,640 --> 00:17:25,320 Speaker 1: Pram you Canadian? M Yeah, I mean the way I 276 00:17:25,400 --> 00:17:28,159 Speaker 1: cook is just good. So I mean, I don't understand 277 00:17:28,200 --> 00:17:29,920 Speaker 1: what you all are saying. I look, I understand I 278 00:17:30,000 --> 00:17:36,520 Speaker 1: was supposed to use pork, but I mean you can do. Yeah, 279 00:17:36,560 --> 00:17:39,160 Speaker 1: it was all right, And I did use the cracklings 280 00:17:39,160 --> 00:17:42,640 Speaker 1: in there, so I don't understand the half the animals. 281 00:17:42,920 --> 00:17:46,120 Speaker 1: I mean no, I did use the crackling, and that's 282 00:17:46,480 --> 00:17:48,239 Speaker 1: that's just a portion we need you to use as 283 00:17:48,320 --> 00:17:50,520 Speaker 1: much as because I made a crackling salad. It's just 284 00:17:50,640 --> 00:17:54,040 Speaker 1: pork crackling and a little bit of mannaise. That's all 285 00:17:54,080 --> 00:17:57,800 Speaker 1: it is. Okay, listen, all right, we love you. You're 286 00:17:57,800 --> 00:17:59,840 Speaker 1: a hit with the audiences, but we need you to 287 00:18:00,000 --> 00:18:04,560 Speaker 1: allow the rules to win the competition. Didn't No, that's 288 00:18:04,680 --> 00:18:07,280 Speaker 1: that's what I'm having this coming. There's pork in the saal. 289 00:18:07,520 --> 00:18:11,640 Speaker 1: It's pork crack lands, man mate. I don't think there's 290 00:18:11,680 --> 00:18:15,920 Speaker 1: any point arguing here. We're on different pages. Um all right, everybody, 291 00:18:16,000 --> 00:18:20,960 Speaker 1: all right, everybody gather around. New challenge, New cooking challenge. 292 00:18:21,680 --> 00:18:24,960 Speaker 1: Now please get to your stations as we reveal the 293 00:18:25,119 --> 00:18:31,040 Speaker 1: secret ingredients. All of your plates must include motor oi, 294 00:18:32,920 --> 00:18:36,520 Speaker 1: a muffler. I'm not done, a muffler. Hold on, I'm 295 00:18:36,560 --> 00:18:40,720 Speaker 1: writing it down. Well, they're right here in front of you. 296 00:18:40,840 --> 00:18:43,960 Speaker 1: So it's mufflo. You got it written down, not written. 297 00:18:43,960 --> 00:18:48,840 Speaker 1: I'm showing you this is actual motor oil. Oh, I'll 298 00:18:48,880 --> 00:18:51,439 Speaker 1: tell you that. This is what we're using for the competition. 299 00:18:51,680 --> 00:18:54,920 Speaker 1: And there's one sect ingredient, but it's at your mama's house. 300 00:18:55,800 --> 00:18:59,040 Speaker 1: The last ingredient is at your mama's house. All right, 301 00:19:00,080 --> 00:19:03,960 Speaker 1: But if my mother is no longer alive, well we 302 00:19:04,080 --> 00:19:06,840 Speaker 1: have contacted somebody who feels that they are a motherly 303 00:19:06,920 --> 00:19:09,800 Speaker 1: figure in your life. I mean, I live, I live 304 00:19:10,240 --> 00:19:14,160 Speaker 1: in my mother's house, but she's no longer alive. What's 305 00:19:14,200 --> 00:19:16,200 Speaker 1: he said? In your mama's house? Man? Why do you 306 00:19:16,240 --> 00:19:18,960 Speaker 1: got to be all technical and ship? There's stuff there 307 00:19:19,480 --> 00:19:24,280 Speaker 1: just belong in this competition, like he don't belong here. 308 00:19:24,880 --> 00:19:27,320 Speaker 1: You know, there are only there are three requirements to 309 00:19:27,520 --> 00:19:33,600 Speaker 1: join this competition. One, you gotta be you gotta be hungry, sir? 310 00:19:33,800 --> 00:19:37,480 Speaker 1: You are you hungry? Sir? I mean he's hungry in 311 00:19:37,520 --> 00:19:39,880 Speaker 1: the way talking to all of us? Are I'm talking 312 00:19:40,200 --> 00:19:42,879 Speaker 1: to him? Talking to Anthony. I'm under the impression that 313 00:19:43,000 --> 00:19:47,639 Speaker 1: this is a redneck cooking competition. Oh we just call 314 00:19:47,720 --> 00:19:51,520 Speaker 1: it a cooking competition. Yeah, yeah, exactly. Are you trying 315 00:19:51,560 --> 00:19:54,959 Speaker 1: to say? That's some serious finger pointing you Anthony Perkins 316 00:19:55,119 --> 00:19:59,120 Speaker 1: mother Flissa? Why don't we take it out on the competition? Huh? 317 00:19:59,400 --> 00:20:03,040 Speaker 1: All right, stare the set up for five minutes taking. Listen, 318 00:20:03,240 --> 00:20:08,040 Speaker 1: you didn't use the oil, taking, you didn't use Come on, man, 319 00:20:08,359 --> 00:20:10,919 Speaker 1: you made a pumpkin pie. We all know we are right. 320 00:20:11,000 --> 00:20:14,480 Speaker 1: I did eat it, you bitch. No, no, taking can't 321 00:20:14,520 --> 00:20:17,440 Speaker 1: talk to me like that, all right, you you you're 322 00:20:17,480 --> 00:20:23,040 Speaker 1: I'm I'm in charge here, I'm free. It's a mad motherfucker. 323 00:20:23,320 --> 00:20:27,200 Speaker 1: What he made was a Costco pumpkin pie. Oh, shut 324 00:20:27,280 --> 00:20:30,640 Speaker 1: the hell up. It's a great, goddamn just you such 325 00:20:30,640 --> 00:20:33,080 Speaker 1: a little piece of ship. You know that. I'm coming 326 00:20:33,119 --> 00:20:35,520 Speaker 1: over to my station. We should have to cook. It's 327 00:20:35,560 --> 00:20:39,720 Speaker 1: a cooking contest and I did. Harold is absolutely right, Okay, 328 00:20:39,800 --> 00:20:44,440 Speaker 1: classic cover on it. Five minutes left, five minutes left? Well, 329 00:20:44,800 --> 00:20:46,639 Speaker 1: hell am I already getting judged on my dish? I 330 00:20:46,720 --> 00:20:51,440 Speaker 1: there's five minutes out a chair and laid down. No, 331 00:20:51,680 --> 00:20:57,760 Speaker 1: I can't. I'm done. That's why we're judging already. Time's up, man, 332 00:20:57,880 --> 00:21:01,880 Speaker 1: time slips. We will go around and talk to each 333 00:21:01,920 --> 00:21:05,159 Speaker 1: of you and you will tell us what your dish is. Now, 334 00:21:05,280 --> 00:21:08,720 Speaker 1: you freshly shaved gentleman, what have you prepared for us today? 335 00:21:09,640 --> 00:21:16,120 Speaker 1: I prepared Uh it's a submarine sandwich with the meat 336 00:21:16,240 --> 00:21:19,720 Speaker 1: being a muffler and a drizzle of motor oil on top. 337 00:21:20,200 --> 00:21:23,080 Speaker 1: And what was the secret ingredient found at your mama's house. 338 00:21:23,560 --> 00:21:27,560 Speaker 1: It was this baked loaf of bread. Very nice, thank you, 339 00:21:27,840 --> 00:21:30,040 Speaker 1: thank you. I had not much of a choice. After 340 00:21:30,119 --> 00:21:32,080 Speaker 1: I found the baked loaf of bread, I figured I 341 00:21:32,200 --> 00:21:35,360 Speaker 1: had to make myself a submarine sand All right, we will, 342 00:21:35,440 --> 00:21:38,359 Speaker 1: we will taste this in just a moment. You said, tigging, 343 00:21:38,640 --> 00:21:42,840 Speaker 1: what do you make? That's a costco pumpkin pie? I 344 00:21:42,880 --> 00:21:44,760 Speaker 1: mean I made the pie. Man. Y'all know I was 345 00:21:44,800 --> 00:21:48,680 Speaker 1: getting judged on this ship, all right. And what was 346 00:21:48,720 --> 00:21:52,440 Speaker 1: the secret ingredient found at your mama's house? Fuck you, 347 00:21:52,880 --> 00:21:57,520 Speaker 1: that's what it was, all right, all right, honey, you 348 00:21:58,040 --> 00:22:00,879 Speaker 1: speaking sure? I think this teaking is gonna win. I mean, 349 00:22:00,920 --> 00:22:04,240 Speaker 1: I hate him, but I love him. How did you 350 00:22:04,320 --> 00:22:07,000 Speaker 1: say it? What is it? What are you watching? I'm 351 00:22:07,040 --> 00:22:11,080 Speaker 1: watching watching the cooking show? Aren't in cooking show? And 352 00:22:11,320 --> 00:22:13,800 Speaker 1: I mean this guy, I don't know what are they? 353 00:22:14,280 --> 00:22:17,760 Speaker 1: What are they making? Well, today's a bunch of weird ingredients. 354 00:22:17,800 --> 00:22:20,959 Speaker 1: But he made a pumpkin pie that just looks delicious. 355 00:22:21,560 --> 00:22:24,560 Speaker 1: I'm gonna call in and vote for him. Pumpkin pie. June. 356 00:22:25,680 --> 00:22:28,399 Speaker 1: And sir, who is not from here but whose MoMA's 357 00:22:28,440 --> 00:22:31,440 Speaker 1: house is from here? Uh? What what did you prepare 358 00:22:31,440 --> 00:22:34,000 Speaker 1: for us today. First of all, I use the motor 359 00:22:34,040 --> 00:22:39,399 Speaker 1: oil to drive to my mother's house. That loud. I 360 00:22:39,480 --> 00:22:43,040 Speaker 1: didn't put it in the dish as that's disgusting, okay. 361 00:22:43,840 --> 00:22:47,560 Speaker 1: And what did you do with the muffler? A good sir. Well, 362 00:22:48,119 --> 00:22:50,680 Speaker 1: you'll see here that the stew is baked right into 363 00:22:50,760 --> 00:22:56,760 Speaker 1: the muffler and I think you'll find the meat delectable? 364 00:22:57,960 --> 00:22:59,959 Speaker 1: Is that the secret ingredient found out your mother's house? 365 00:23:02,520 --> 00:23:08,720 Speaker 1: Redneck cooking competition? Wet? You an me that that twelve would? 366 00:23:08,800 --> 00:23:10,680 Speaker 1: Let me just get them here? Greg? Look, I know 367 00:23:10,760 --> 00:23:13,159 Speaker 1: we've had some outs in the past, but uh, I 368 00:23:13,240 --> 00:23:15,240 Speaker 1: want you to know. Do someone just spit on my ball? 369 00:23:17,880 --> 00:23:24,600 Speaker 1: Just love it? I love it so Greg. I love 370 00:23:24,680 --> 00:23:26,640 Speaker 1: this new show. You got, this red Kneck cooking show. 371 00:23:26,640 --> 00:23:28,439 Speaker 1: It's fantastic. He's got a lot of ratings. People are 372 00:23:28,480 --> 00:23:31,040 Speaker 1: really into it. You know. I like, maybe we could 373 00:23:31,040 --> 00:23:37,280 Speaker 1: do something with this. Uh yeah, great? Greg? Are you there? Am? 374 00:23:37,320 --> 00:23:43,520 Speaker 1: I are you on my losing you that drop the call? Greg? Listen, Isaac, 375 00:23:43,560 --> 00:23:48,320 Speaker 1: I'm not talking to you. You're not talking Give me. 376 00:23:49,000 --> 00:23:51,440 Speaker 1: I'm very I'm very happy that that you that you 377 00:23:51,600 --> 00:23:53,360 Speaker 1: like it. But listen, I'm mad at you. I'm rather 378 00:23:53,400 --> 00:23:55,400 Speaker 1: I'm out of the game. I'm out of the Rider's game. 379 00:23:55,960 --> 00:23:58,800 Speaker 1: But you just have Redneck Cookie show. That's your show. 380 00:23:58,880 --> 00:24:00,920 Speaker 1: So that's my that's my show. But that's it. And 381 00:24:00,960 --> 00:24:03,440 Speaker 1: then I'm done. I'm done, Like this is just a 382 00:24:03,560 --> 00:24:06,920 Speaker 1: temporary squall. You know. I'll get you back on land anytime. Greg, 383 00:24:07,040 --> 00:24:09,480 Speaker 1: don't don't worry. We're gonna make one more loop around 384 00:24:09,480 --> 00:24:13,320 Speaker 1: the island. Thank you. Look, I don't know what. I 385 00:24:13,359 --> 00:24:16,000 Speaker 1: don't know why you're calling me to be honest, what 386 00:24:16,240 --> 00:24:21,280 Speaker 1: what do you What is it you want? Initially said well, 387 00:24:21,320 --> 00:24:25,040 Speaker 1: I just once, Isaac, go ahead, I say that. Let 388 00:24:25,119 --> 00:24:27,040 Speaker 1: the shows do well. I'd love to pair it up 389 00:24:27,080 --> 00:24:29,800 Speaker 1: with you again. But nothing, Here's here's Isaac, Here's Isaac. 390 00:24:30,520 --> 00:24:34,560 Speaker 1: I think we should think that woman fell off the boat. 391 00:24:34,880 --> 00:24:36,720 Speaker 1: We should be focusing on I don't know what. Don't 392 00:24:36,760 --> 00:24:39,800 Speaker 1: listen to anybody in the background. I'm really excited about 393 00:24:39,840 --> 00:24:42,760 Speaker 1: this show that I'm working on. Okay, I've decided I 394 00:24:42,800 --> 00:24:45,480 Speaker 1: want to make it a reality show, Gilligan's Island, and 395 00:24:45,560 --> 00:24:48,439 Speaker 1: I think that you're gonna like it a lot. Well, 396 00:24:48,480 --> 00:24:51,000 Speaker 1: that's not why I hired you, Isaac. I know, but 397 00:24:51,080 --> 00:24:53,800 Speaker 1: it's just that I got on this ship. And all right, well, 398 00:24:53,920 --> 00:24:57,679 Speaker 1: last dish to look at here, sir, uh tell us 399 00:24:57,720 --> 00:24:59,760 Speaker 1: what you prepare for us? That's a beef well? And 400 00:25:02,080 --> 00:25:04,440 Speaker 1: and what was the secret ingredient found at your mother's top? Oh, 401 00:25:04,520 --> 00:25:07,320 Speaker 1: give me one second, I'm sorry for I'm getting something 402 00:25:07,400 --> 00:25:10,240 Speaker 1: in my earpiece. Here. Turns out that the gentleman who's 403 00:25:10,280 --> 00:25:12,119 Speaker 1: not from the South, but his mother's house is in 404 00:25:12,200 --> 00:25:16,040 Speaker 1: the South. The meat has been tested. Turns out that's 405 00:25:16,400 --> 00:25:20,359 Speaker 1: his mother. He used his actually was a redneck. My 406 00:25:20,520 --> 00:25:25,840 Speaker 1: mother was a rednecks. Holy ship man, that's a turn 407 00:25:26,000 --> 00:25:31,520 Speaker 1: man rene cooking competition. Everything you've eaten is that human 408 00:25:31,640 --> 00:25:36,120 Speaker 1: in it? Humans. We are not angry that you're still 409 00:25:36,240 --> 00:25:39,560 Speaker 1: in the competition. Now back to you, sir, Now what 410 00:25:40,280 --> 00:25:43,200 Speaker 1: was the secret you found at your mom's house? I 411 00:25:43,400 --> 00:25:47,120 Speaker 1: can't believe that fellow used his mama's neck. Um. Yeah, 412 00:25:47,200 --> 00:25:49,440 Speaker 1: so in the house, you know, we got all kinds 413 00:25:49,520 --> 00:25:53,800 Speaker 1: of spices, So I used the possum spies and that 414 00:25:53,960 --> 00:26:01,680 Speaker 1: was a secret ingredient. Very nice. Now we will take well, well, 415 00:26:01,760 --> 00:26:04,600 Speaker 1: well look at this. Oh my god, man, that's last 416 00:26:04,720 --> 00:26:09,040 Speaker 1: year's winter only ship. Manly well looking looking. I got 417 00:26:09,119 --> 00:26:10,880 Speaker 1: a whole bunch of people in here, and then they're 418 00:26:10,920 --> 00:26:13,760 Speaker 1: gonna be the next red neckt chef. Hold, how did 419 00:26:13,840 --> 00:26:17,680 Speaker 1: you did? You just beam from outer space? I did? Man? Yeah, 420 00:26:18,040 --> 00:26:22,080 Speaker 1: what's up? Grandpa? Honey? You really gotta watch this show. 421 00:26:23,080 --> 00:26:25,080 Speaker 1: If I can use an old phrases, jump the shark. 422 00:26:25,680 --> 00:26:29,359 Speaker 1: It's a cooking show. Haghey really got almighty? No, honey. 423 00:26:29,760 --> 00:26:31,920 Speaker 1: One guy admitted that he cooked his mom, but no 424 00:26:32,040 --> 00:26:36,720 Speaker 1: one cares. Another guy just proved physics wrong by beaming 425 00:26:36,840 --> 00:26:40,680 Speaker 1: in all right, And the weirdest part is that somebody 426 00:26:40,760 --> 00:26:49,840 Speaker 1: made a beef Wellington. Honey, you gotta honey. Alright. So 427 00:26:50,080 --> 00:26:52,639 Speaker 1: so all right, the old champ is back. What what what? What? 428 00:26:52,800 --> 00:26:56,639 Speaker 1: What's your business here, old man? I'll tell you right now. 429 00:26:56,680 --> 00:26:58,639 Speaker 1: I mean, this is what we gotta do, man, this 430 00:26:58,720 --> 00:27:00,240 Speaker 1: is what we gotta do. We out of my Sure, 431 00:27:00,359 --> 00:27:03,040 Speaker 1: everybody comes out of here, and everyone looks in the 432 00:27:03,160 --> 00:27:07,160 Speaker 1: eye and tells me whir alright, because ain't nobody leaving 433 00:27:07,320 --> 00:27:10,000 Speaker 1: here telling me I ain't the chair? All right? Now? 434 00:27:10,119 --> 00:27:12,440 Speaker 1: Hold on, hold on, all right. Look, look, I'm not 435 00:27:12,560 --> 00:27:14,760 Speaker 1: against this. I think we should call the creator of 436 00:27:14,800 --> 00:27:16,640 Speaker 1: the show to see if he's okay with this, though, 437 00:27:17,920 --> 00:27:20,399 Speaker 1: what do you say. I don't know, man, I'm just 438 00:27:20,480 --> 00:27:27,480 Speaker 1: on the competition, alight, all right? Somebody called Greg, Yeah, 439 00:27:27,560 --> 00:27:34,479 Speaker 1: hello Greg, listen to Terry down at the show, and uh, 440 00:27:35,160 --> 00:27:38,720 Speaker 1: what is it? Terry? Grandpa Jones showed up last year's winner. 441 00:27:38,880 --> 00:27:41,520 Speaker 1: We all thought he was dead, and uh, he just 442 00:27:41,640 --> 00:27:44,800 Speaker 1: walked onto the set. Somebody said he beamed on the set. 443 00:27:44,960 --> 00:27:47,960 Speaker 1: I obviously ain't buying that. So what would you like 444 00:27:48,080 --> 00:27:50,639 Speaker 1: to do? There's a quandary as to whether or not 445 00:27:50,720 --> 00:27:55,040 Speaker 1: he should be. Hey, Isaac, I know you and I 446 00:27:55,359 --> 00:27:56,920 Speaker 1: we don't. We don't see. We don't see eye to 447 00:27:56,960 --> 00:27:59,760 Speaker 1: eye a lot of times. All right, I gotta ask 448 00:27:59,800 --> 00:28:02,840 Speaker 1: you for fashional opinion. Oh my gosh, yes, please ask 449 00:28:02,920 --> 00:28:06,840 Speaker 1: me something. You know, I have a very popular cooking show, 450 00:28:06,960 --> 00:28:09,960 Speaker 1: right that I just produced from the Islands. Right. I know. 451 00:28:10,040 --> 00:28:12,080 Speaker 1: I can't get any work on the island. I can't 452 00:28:12,080 --> 00:28:18,119 Speaker 1: get a stick. No, I need your ideas. We have 453 00:28:18,359 --> 00:28:21,719 Speaker 1: last year's winner, who was presumed dead. He is now 454 00:28:21,840 --> 00:28:24,000 Speaker 1: back and he is asking me part of the competition, 455 00:28:24,040 --> 00:28:25,480 Speaker 1: and the part of the competition he says he wants 456 00:28:25,480 --> 00:28:27,359 Speaker 1: to be a part of is If I understand this correctly, 457 00:28:27,560 --> 00:28:29,760 Speaker 1: he wants all the contestants to look into their eyes 458 00:28:29,840 --> 00:28:33,359 Speaker 1: and tell him why. Now do you think this is wise? Honey? 459 00:28:33,400 --> 00:28:35,840 Speaker 1: You gotta now the screen has gone black and they're 460 00:28:35,920 --> 00:28:39,520 Speaker 1: just only covering a phone call between somebody in the 461 00:28:39,600 --> 00:28:44,920 Speaker 1: production office, and yeah, it's on speaker. Honey, you're missing 462 00:28:45,000 --> 00:28:56,040 Speaker 1: that Isaac one more. Oh man, that's that's it. Just 463 00:28:56,440 --> 00:29:04,520 Speaker 1: it got unwieldy. Seen three is from patron archomaniac Jason 464 00:29:04,600 --> 00:29:08,360 Speaker 1: to Grab, who wrote, I was late to the Alchemyist 465 00:29:08,440 --> 00:29:12,000 Speaker 1: party and have been working my way backward between new episodes. 466 00:29:12,920 --> 00:29:17,120 Speaker 1: I've noticed the somewhat sudden appearance or disappearance in the 467 00:29:17,240 --> 00:29:24,840 Speaker 1: forward timeline of one Rafael Brito suggestion the downfall of 468 00:29:25,080 --> 00:29:32,640 Speaker 1: Rafael Britto subtitle dirty Laundry. Um, okay, so we just 469 00:29:32,840 --> 00:29:37,320 Speaker 1: need uh some fully effects on the track here and 470 00:29:37,400 --> 00:29:41,000 Speaker 1: will be ready to go. Uh does anyone have a 471 00:29:41,080 --> 00:29:49,080 Speaker 1: good fully expert Joey Joey's friend Joey, I mean I 472 00:29:49,160 --> 00:29:51,920 Speaker 1: can do it, you can do the fully? No? No, 473 00:29:52,000 --> 00:29:53,400 Speaker 1: what am I doing it? Don't you have a friend 474 00:29:53,480 --> 00:29:57,200 Speaker 1: that does? Uh? Yeah, yeah, I got an. I spent 475 00:29:57,400 --> 00:30:02,160 Speaker 1: four years at Juilliard learning fully. But if we want 476 00:30:02,200 --> 00:30:04,120 Speaker 1: to use Joey's friend that's fine with me as well. 477 00:30:05,200 --> 00:30:07,200 Speaker 1: I thought you were Joey's friend. No, I don't know 478 00:30:07,280 --> 00:30:10,840 Speaker 1: the funk that guys. Um. I was walking by and 479 00:30:11,000 --> 00:30:16,520 Speaker 1: I saw a congregation. I'll excuse myself. No, please, don't 480 00:30:16,560 --> 00:30:18,880 Speaker 1: we need a fully guy? So you do fully? I 481 00:30:19,040 --> 00:30:23,000 Speaker 1: do fully. I can do it too. What about your friend? 482 00:30:23,120 --> 00:30:33,440 Speaker 1: What about your friends? Yeah? Okay, I'll hit him up. Finally, Hello, Ralph, 483 00:30:33,480 --> 00:30:39,760 Speaker 1: are you doing Joey? Joey? Did you just wake up? Yeah? 484 00:30:39,800 --> 00:30:44,320 Speaker 1: I'm waking up. Okay, who is it on the phone. 485 00:30:44,360 --> 00:30:47,680 Speaker 1: Who's on the phone. It's Joey Greer, my good friend 486 00:30:47,760 --> 00:30:51,600 Speaker 1: from years ago. I'm just gonna keep looking at you, okay, 487 00:30:52,640 --> 00:30:54,640 Speaker 1: try to keep it soft liking so that it doesn't 488 00:30:54,680 --> 00:30:56,040 Speaker 1: show up a Do you want to call me back? 489 00:30:56,120 --> 00:30:59,360 Speaker 1: I hear everything that's going on, Joey. No, no, no, 490 00:30:59,440 --> 00:31:02,760 Speaker 1: this is a good time. Are you sure someone's licking you? 491 00:31:03,040 --> 00:31:07,560 Speaker 1: I mean I don't. It doesn't matter. What can I 492 00:31:07,640 --> 00:31:10,640 Speaker 1: help you with? It doesn't matter what I'm listening to. 493 00:31:10,760 --> 00:31:12,640 Speaker 1: Somebody just get licked. What do you mean it doesn't matter? 494 00:31:13,120 --> 00:31:14,600 Speaker 1: I have a choice in this too. What are you saying? 495 00:31:14,680 --> 00:31:16,920 Speaker 1: It doesn't matter? If you need me to stop getting 496 00:31:16,960 --> 00:31:20,760 Speaker 1: like the stop stop stop licking me, stop licking stop 497 00:31:20,800 --> 00:31:24,080 Speaker 1: licking me. I guess it's bothering Joey. Who's Joe him? 498 00:31:24,720 --> 00:31:28,240 Speaker 1: Joey Career, my friend. I haven't ever heard that name before. 499 00:31:28,920 --> 00:31:31,240 Speaker 1: Oh maybe I just used to call him. Do you 500 00:31:31,280 --> 00:31:33,400 Speaker 1: want to call me back or no, Joe, don't go 501 00:31:34,320 --> 00:31:36,280 Speaker 1: I need this. He's probably gonna hook me up with 502 00:31:36,360 --> 00:31:41,640 Speaker 1: some folly art work too that I need it now. 503 00:31:41,880 --> 00:31:44,520 Speaker 1: I need to for that. You used to play live 504 00:31:44,600 --> 00:31:48,680 Speaker 1: improv shows you something in the past. Nothing goes on anymore. 505 00:31:48,840 --> 00:31:51,400 Speaker 1: I haven't done folly art since, Stephanie. You teld me 506 00:31:51,440 --> 00:31:54,440 Speaker 1: he just told you to stop licking him. He didn't 507 00:31:55,840 --> 00:31:57,400 Speaker 1: mean when you say when you say it that way, 508 00:31:57,400 --> 00:31:59,040 Speaker 1: it sounds like he was like rude. He wasn't rude 509 00:31:59,040 --> 00:32:01,440 Speaker 1: about it. That's a bad signs, Stephanie. Al Right, I 510 00:32:01,480 --> 00:32:04,320 Speaker 1: got a tune amount um no, no, thank you, no 511 00:32:04,720 --> 00:32:11,520 Speaker 1: want to go over to the tunamount here, and I 512 00:32:11,560 --> 00:32:16,239 Speaker 1: gotta get an order. I'm busy. Why do we come here? 513 00:32:16,320 --> 00:32:19,160 Speaker 1: I'm just saying, you've been in relation, you've you've you've 514 00:32:19,240 --> 00:32:26,360 Speaker 1: moved in practically. But Jen, Jen, he's the breat I know, 515 00:32:26,680 --> 00:32:29,680 Speaker 1: I know, But how how low do you are you 516 00:32:29,720 --> 00:32:32,640 Speaker 1: gonna put yourself to be with the breed? Probably pretty low. 517 00:32:35,200 --> 00:32:38,280 Speaker 1: I'm not better than just being near him. He's an 518 00:32:38,560 --> 00:32:43,680 Speaker 1: he's like he's like he's like, you know, dark and mysterious, 519 00:32:44,360 --> 00:32:46,240 Speaker 1: and the way he could pull up sounds and that 520 00:32:46,360 --> 00:32:49,640 Speaker 1: keyboard is just all go as low as I need 521 00:32:49,680 --> 00:32:54,440 Speaker 1: to go with Jen, I mean, really a fully art person. Hey, Craig, 522 00:32:54,480 --> 00:32:56,960 Speaker 1: thanks for meeting me. Yeah. Sorry, I know you're not 523 00:32:57,520 --> 00:33:01,200 Speaker 1: completely comfortable with dining indoors yet, but it's just like, 524 00:33:01,360 --> 00:33:04,520 Speaker 1: we got to talk about this Joey Britail situation. You know, 525 00:33:04,560 --> 00:33:06,560 Speaker 1: as I mentioned in the email, Beato has been after 526 00:33:06,640 --> 00:33:09,640 Speaker 1: me about being on the show, and Joey's made it 527 00:33:09,680 --> 00:33:11,960 Speaker 1: crystal fucking clear there's a problem between them and that's 528 00:33:12,000 --> 00:33:15,920 Speaker 1: why he's not been with us for a while. I mean, 529 00:33:16,240 --> 00:33:20,000 Speaker 1: if you don't mind, I just felt like, and I 530 00:33:20,080 --> 00:33:26,719 Speaker 1: got the messy pasta. You got the messy pasta? Rob Yeah, mask, man, 531 00:33:28,680 --> 00:33:30,959 Speaker 1: I have the messy pasta. You got the messy pasta, 532 00:33:31,040 --> 00:33:33,760 Speaker 1: and I can be eating with that mask. I'm not 533 00:33:33,840 --> 00:33:37,760 Speaker 1: taking off the mask. Okay, you want me to box it, No, 534 00:33:37,920 --> 00:33:43,640 Speaker 1: I'm gonna eat it, okay. Uh and uh I'm coming 535 00:33:43,680 --> 00:33:45,360 Speaker 1: back with your order. Don't tell me what it was. 536 00:33:45,400 --> 00:33:51,680 Speaker 1: I didn't forget it. Huh, Agent Britto, thank you for 537 00:33:51,800 --> 00:33:55,480 Speaker 1: coming to see us in short, such short notice. Thank 538 00:33:55,520 --> 00:33:59,360 Speaker 1: you for having me fully killed. It has been brought 539 00:33:59,400 --> 00:34:01,760 Speaker 1: to our attention, and that you are do do do 540 00:34:01,880 --> 00:34:06,480 Speaker 1: do do do looking for employment? M I want to 541 00:34:06,520 --> 00:34:10,160 Speaker 1: get back into the fully fold. Have you considered that 542 00:34:10,239 --> 00:34:14,040 Speaker 1: maybe the podcast game would be the lowest form of 543 00:34:14,160 --> 00:34:17,839 Speaker 1: fully art there is that perhaps maybe you are better 544 00:34:17,960 --> 00:34:22,920 Speaker 1: than that? What better than that? Created of the mind? 545 00:34:23,600 --> 00:34:29,960 Speaker 1: Podcast don't tend to pay, Agent Bright, They don't not 546 00:34:30,200 --> 00:34:34,440 Speaker 1: very well? Oh can you can you hook me up 547 00:34:34,480 --> 00:34:40,400 Speaker 1: with something that pays better? Look what I was going 548 00:34:40,480 --> 00:34:42,440 Speaker 1: to do the podcasting thing. But if you're saying there's 549 00:34:42,480 --> 00:34:45,160 Speaker 1: better work, you got to make a decision. A choice 550 00:34:46,440 --> 00:34:51,359 Speaker 1: is your friendship with this Joey um Zelsie r. Look, 551 00:34:51,400 --> 00:34:53,040 Speaker 1: we're going in a new direction with the guild. We're 552 00:34:53,040 --> 00:34:55,920 Speaker 1: gonna find some younger talents to what do you? What 553 00:34:56,040 --> 00:35:00,160 Speaker 1: do you in? What? What capacity? Celsie are? It's um, 554 00:35:00,719 --> 00:35:02,640 Speaker 1: there's nothing personal, it's just the way to do you 555 00:35:02,680 --> 00:35:08,799 Speaker 1: hear that horse coming? That's pretty good. That's that's pretty good. 556 00:35:09,600 --> 00:35:10,920 Speaker 1: We're not going to take that away from you. But 557 00:35:12,520 --> 00:35:17,160 Speaker 1: people don't ride horses anymore. Wait do you know? Do 558 00:35:17,200 --> 00:35:21,759 Speaker 1: you hear that? Tesla? See what I did there? Come on, 559 00:35:22,880 --> 00:35:25,640 Speaker 1: you're embarrassing yourself. You don't need to do this. You 560 00:35:25,719 --> 00:35:31,279 Speaker 1: have a storied career, you got a pension. Where will 561 00:35:31,320 --> 00:35:35,520 Speaker 1: we go? Where? What do I do? Now? Well? Look 562 00:35:35,560 --> 00:35:41,920 Speaker 1: who has returned? Who his home planet after ten thousand years? 563 00:35:42,440 --> 00:35:52,520 Speaker 1: And tell us that wasn't on Earth? SUSI are? That's 564 00:35:52,719 --> 00:35:55,440 Speaker 1: that's the sound of earth water. This is why we 565 00:35:55,600 --> 00:36:02,040 Speaker 1: cast you away from annoying sound effects. You the Burke. Look, 566 00:36:02,080 --> 00:36:06,480 Speaker 1: I'm just I'm here to retire. Okay, thanks for coming in. 567 00:36:06,680 --> 00:36:08,759 Speaker 1: As you know, we're just looking for a folio artist 568 00:36:09,000 --> 00:36:12,279 Speaker 1: who doesn't use any equipment at all, but rather it 569 00:36:12,400 --> 00:36:17,799 Speaker 1: all comes verbally audibly, if you will, so hey, if 570 00:36:17,840 --> 00:36:21,719 Speaker 1: you tell us okay, can you do the sound of 571 00:36:21,760 --> 00:36:24,640 Speaker 1: a train going by train going me? Or who do 572 00:36:24,680 --> 00:36:26,560 Speaker 1: you want on the line? Whoever would like to try 573 00:36:26,640 --> 00:36:28,759 Speaker 1: to auditions? I don't mind going first if anyone does 574 00:36:28,800 --> 00:36:31,719 Speaker 1: a mind, I mean, okay, you said it, you go? 575 00:36:31,880 --> 00:36:33,720 Speaker 1: You know you said it? You go? Yeah, the second 576 00:36:33,760 --> 00:36:35,920 Speaker 1: guy go, because this first guy is annoying. Piste out 577 00:36:35,960 --> 00:36:38,880 Speaker 1: of me. So, what's your name? Second guy? How you 578 00:36:39,600 --> 00:36:42,200 Speaker 1: how your thanks for being here today? How about the 579 00:36:42,280 --> 00:36:56,880 Speaker 1: sound of train going by? Just a train? Okay, let 580 00:36:56,920 --> 00:36:59,040 Speaker 1: me stop you there if I can't. Uh So when 581 00:36:59,080 --> 00:37:02,400 Speaker 1: I say going by, do you does that conjure a 582 00:37:02,560 --> 00:37:07,000 Speaker 1: moving image? And if so, you like a doppler? Huh? 583 00:37:07,239 --> 00:37:12,720 Speaker 1: Who said that? It's me Kevin, It's Craig, Oh Greig. Sorry, yeah, sorry, 584 00:37:12,760 --> 00:37:15,880 Speaker 1: he's I got guys in the booth. So, yeah, we 585 00:37:16,000 --> 00:37:18,560 Speaker 1: need we need a faster moving train. Where's the where's 586 00:37:18,560 --> 00:37:22,040 Speaker 1: the booth? The booth is behind that. It doesn't matter 587 00:37:22,040 --> 00:37:23,600 Speaker 1: where the booth is. I mean, just trust him and 588 00:37:23,640 --> 00:37:25,759 Speaker 1: he says it's a guy. He first guy in line 589 00:37:25,960 --> 00:37:29,920 Speaker 1: again on my last nerve. Uh, there's what appears to 590 00:37:29,960 --> 00:37:33,600 Speaker 1: be a mirror to you is actually a one way 591 00:37:35,920 --> 00:37:38,319 Speaker 1: Do you ever do you ever look at these mirror 592 00:37:38,400 --> 00:37:40,759 Speaker 1: things and just be like, and what do they can 593 00:37:40,800 --> 00:37:47,520 Speaker 1: see us? Do you think about that? You talking to me? Yeah, 594 00:37:47,640 --> 00:37:50,440 Speaker 1: talking to him. We gotta be watching these fully artists 595 00:37:50,560 --> 00:37:55,680 Speaker 1: do the thing. Two way mirrors? Man, the hell that 596 00:37:55,760 --> 00:37:57,600 Speaker 1: were they thinking when they made those two ways? So 597 00:37:57,719 --> 00:38:02,960 Speaker 1: they see us and we see them on two ways? Um, ship, 598 00:38:03,000 --> 00:38:05,160 Speaker 1: what is it? You guys give me a little room 599 00:38:05,239 --> 00:38:11,279 Speaker 1: by the way. You really like Hey, ref Chris, you 600 00:38:11,280 --> 00:38:14,320 Speaker 1: remember me from Alchemy this? Oh my god. Yeah, I'm 601 00:38:14,360 --> 00:38:18,000 Speaker 1: trying to get back into the Joey contacted me. Um yeah, 602 00:38:18,160 --> 00:38:21,279 Speaker 1: what's up? Um, dude, just want to say, like, first 603 00:38:21,320 --> 00:38:23,920 Speaker 1: of all, you're missed. You know when you added like 604 00:38:24,040 --> 00:38:26,000 Speaker 1: the kind of like this, like the sounds for the 605 00:38:26,040 --> 00:38:28,759 Speaker 1: first couple of episodes, it really added a flavor, you 606 00:38:28,800 --> 00:38:31,480 Speaker 1: know what I mean? Um, if I'm honest, you like 607 00:38:31,600 --> 00:38:34,880 Speaker 1: Kevin misses you, Craig misses you. I miss you. Vanessa 608 00:38:35,000 --> 00:38:37,080 Speaker 1: she's not even around, but she misses you. The one 609 00:38:37,160 --> 00:38:40,239 Speaker 1: hold up right now, dude, is something is your boy 610 00:38:41,360 --> 00:38:45,759 Speaker 1: Joe Joey fucking Grier. He just he keeps saying like 611 00:38:45,880 --> 00:38:47,799 Speaker 1: he could do it. He could. He's like I could 612 00:38:47,840 --> 00:38:50,000 Speaker 1: do it, and uh, I don't know, just it just 613 00:38:50,040 --> 00:38:52,000 Speaker 1: seems weird. I don't know if he he could do it. 614 00:38:52,719 --> 00:38:55,560 Speaker 1: I stopped mid lick with for him. I got I 615 00:38:55,640 --> 00:39:00,000 Speaker 1: stopped midle with him, Okay, stopped made like I would 616 00:39:00,040 --> 00:39:01,960 Speaker 1: was getting licked and I was almost done getting licked, 617 00:39:02,000 --> 00:39:05,120 Speaker 1: but I stopped mid lick means I've been I've been 618 00:39:05,200 --> 00:39:07,600 Speaker 1: mid lighted. Look, Relf. All I'm saying is maybe you 619 00:39:07,640 --> 00:39:09,759 Speaker 1: want to settle what's going on personally between you, enjoy 620 00:39:09,880 --> 00:39:13,680 Speaker 1: before the professional can happen. Okay, now, can you do 621 00:39:13,880 --> 00:39:15,200 Speaker 1: do some kind of sound like I'm getting on my 622 00:39:15,239 --> 00:39:17,839 Speaker 1: motorcycle and driving away or something just for all time? Well, 623 00:39:17,960 --> 00:39:21,480 Speaker 1: I usually capture the audio and then use it afterwards. 624 00:39:21,600 --> 00:39:23,960 Speaker 1: I could do. I could do some mouth stuff if 625 00:39:24,000 --> 00:39:27,279 Speaker 1: you want. Mr Greer. There's a person outside, he doesn't 626 00:39:27,320 --> 00:39:30,360 Speaker 1: have an appointment, says he knows you, says you're a 627 00:39:30,480 --> 00:39:33,880 Speaker 1: good friend. Put it in quotes Raphael for two. I 628 00:39:33,960 --> 00:39:36,960 Speaker 1: think something like that, but I don't know the name. 629 00:39:37,040 --> 00:39:40,680 Speaker 1: Sounds familiar. Get all the goblins together. Uh, I want 630 00:39:40,680 --> 00:39:43,960 Speaker 1: to do a house cleaning tonight. Okay, yeah, but what 631 00:39:44,040 --> 00:39:46,479 Speaker 1: do I tell this guy? Just bring him in whatever, 632 00:39:46,600 --> 00:39:55,319 Speaker 1: bring him in, yeah, and then I'll call the gobbets. Okay, whatever, Okay, okay, yeah, good, okay, great, 633 00:39:55,320 --> 00:39:57,839 Speaker 1: I'm gonna leave now. Then leave. You keep on saying 634 00:39:57,880 --> 00:40:02,960 Speaker 1: you're gonna leave. You don't leave, okay, Joey fucking career rap. 635 00:40:04,040 --> 00:40:14,040 Speaker 1: But yeah, yeah, yeah, yeah, I am he Gablin meeting. Yeah, 636 00:40:14,040 --> 00:40:18,160 Speaker 1: you're the first one to have a seat for the 637 00:40:18,200 --> 00:40:22,919 Speaker 1: Gablin meeting. Are you in the second one here? Yeah, 638 00:40:23,080 --> 00:40:26,279 Speaker 1: coffee's it's an espresso, so just grab it as you want. 639 00:40:27,800 --> 00:40:30,919 Speaker 1: Are these donuts for every money? Yeah? Just we didn't 640 00:40:30,920 --> 00:40:33,040 Speaker 1: get a lot, so there's about until you comments to 641 00:40:33,120 --> 00:40:36,120 Speaker 1: just cut them in half that way if others want them. Hey, 642 00:40:36,480 --> 00:40:40,040 Speaker 1: please don't drool on the furniture, don't d how about it? 643 00:40:40,120 --> 00:40:44,360 Speaker 1: Heads up about why were here? All right, I'm excited 644 00:40:44,640 --> 00:40:49,839 Speaker 1: everyone's here back in the studio. I heart got that babe. Chris, Hey, 645 00:40:50,160 --> 00:40:53,960 Speaker 1: it's it's me Joey obviously. Um, what's up? Jesus Christ, 646 00:40:54,040 --> 00:40:57,080 Speaker 1: gonna have to let you a lot of gold, dude, Yeah, yeah, 647 00:40:57,200 --> 00:40:59,640 Speaker 1: we're gonna have to. That's a lot. I was like, blame, 648 00:40:59,719 --> 00:41:04,160 Speaker 1: blame when you see me coming through playing Chris, We're 649 00:41:04,200 --> 00:41:10,680 Speaker 1: gonna have to let you go. What do you who's we? Yeah? Sorry, Craig, 650 00:41:12,120 --> 00:41:14,399 Speaker 1: before you ask, it's not shut on my mask. It's 651 00:41:14,440 --> 00:41:18,680 Speaker 1: bowling your sauce. Oy, it looks like it's it's it 652 00:41:18,840 --> 00:41:23,800 Speaker 1: looks like it looks like sauce. Do clean the mask, 653 00:41:23,920 --> 00:41:28,200 Speaker 1: Man clean the mask? Where is the bullet? Don't wearing 654 00:41:28,239 --> 00:41:32,040 Speaker 1: a mask? No one's saying not wear a masks just clean. Chris. Look, 655 00:41:32,120 --> 00:41:36,840 Speaker 1: this is all I've got, guys. You know, my career 656 00:41:37,080 --> 00:41:40,799 Speaker 1: is not even a fucking cre And it's like, maybe 657 00:41:40,880 --> 00:41:42,960 Speaker 1: something's happening in the audition, you know what I mean, 658 00:41:43,080 --> 00:41:44,840 Speaker 1: because like Joe Joey, look at me, look at me, 659 00:41:44,840 --> 00:41:46,680 Speaker 1: because you know, I get the opportunities, you know what 660 00:41:46,760 --> 00:41:49,480 Speaker 1: I mean, Dude, I get the opportunity. I just freeze 661 00:41:49,560 --> 00:41:51,120 Speaker 1: up in the audition. I'm more of like, who do 662 00:41:51,160 --> 00:41:52,480 Speaker 1: you want us to do? Chris? What do you want 663 00:41:52,520 --> 00:41:54,759 Speaker 1: us to do? Okay, can't Why can't Kevin pull some 664 00:41:54,800 --> 00:41:57,000 Speaker 1: more stringers or something? Man? He is he's getting the 665 00:41:57,080 --> 00:42:00,560 Speaker 1: top TikTok voices online to go on the podcast. Okay, 666 00:42:00,719 --> 00:42:03,920 Speaker 1: what I'm sorry, Chris, that's just the way that TikTok. Hey, 667 00:42:04,000 --> 00:42:08,319 Speaker 1: you guys, I'm here now. No, it's crazy Phil you guys, 668 00:42:08,560 --> 00:42:12,960 Speaker 1: I'm starting my TikTok channel. That guy's good. What do 669 00:42:13,040 --> 00:42:17,880 Speaker 1: we start? Hey, Chris, thanks for coming in today. What 670 00:42:17,960 --> 00:42:19,960 Speaker 1: do you mean? We're really good friends. So of course, 671 00:42:20,200 --> 00:42:21,960 Speaker 1: of course when you knew want to see me, I 672 00:42:22,080 --> 00:42:25,680 Speaker 1: was like, yeah, let's go. I mean, I'm surprised, but 673 00:42:25,760 --> 00:42:29,400 Speaker 1: today I'm looking for I'm looking for something special in 674 00:42:29,440 --> 00:42:32,640 Speaker 1: this fireman part. I think I wanted to bring you 675 00:42:32,680 --> 00:42:35,160 Speaker 1: in because I I really think you could you could do. 676 00:42:35,239 --> 00:42:36,920 Speaker 1: It's going to be quick because we get a lot 677 00:42:36,960 --> 00:42:39,760 Speaker 1: of people to see. Yep. I'm doing the best I can. Gloria. 678 00:42:40,239 --> 00:42:42,560 Speaker 1: By the way, dude, you directing again, that's like, yeah, 679 00:42:42,640 --> 00:42:46,839 Speaker 1: sweet dude, Yeah, it's pretty cool. Um, I just uh 680 00:42:46,960 --> 00:42:51,920 Speaker 1: he remember we do this? Oh yeah, yeah, that was 681 00:42:51,960 --> 00:42:55,080 Speaker 1: such a good times. Great. Yeah, I can't believe you 682 00:42:55,120 --> 00:42:58,279 Speaker 1: guys have twenty four million dollows. Perhaps it went a 683 00:42:58,320 --> 00:43:03,480 Speaker 1: little crazy. Raphael came back and can we get your 684 00:43:03,560 --> 00:43:05,040 Speaker 1: name when you sleep? By the way, because all I 685 00:43:05,120 --> 00:43:07,560 Speaker 1: have down here on the on the call sheet is 686 00:43:07,600 --> 00:43:13,800 Speaker 1: favor for Kevin. Yeah. Fact, Tommy's got that right, go ahead? 687 00:43:20,600 --> 00:43:24,880 Speaker 1: Uh yeah, man, Okay, So I gotta tell you I 688 00:43:24,960 --> 00:43:27,080 Speaker 1: have no questions about the about the role. I think 689 00:43:27,560 --> 00:43:29,719 Speaker 1: I know I know who this is. You got this guy, 690 00:43:29,800 --> 00:43:32,560 Speaker 1: I know who he is. Okay, great, great, let's start 691 00:43:32,600 --> 00:43:37,600 Speaker 1: whenever you're ready. Okay, it just doesn't for Kevin. Take one, Chris, 692 00:43:37,680 --> 00:43:38,680 Speaker 1: I don't know what to tell you. I mean, I 693 00:43:38,760 --> 00:43:41,720 Speaker 1: got the audition tape back. You should have asked questions. 694 00:43:42,520 --> 00:43:46,520 Speaker 1: I mean, it was nuts what you did it was crazy. 695 00:43:47,400 --> 00:43:49,799 Speaker 1: He's sort of making horse noises because you know, they 696 00:43:50,040 --> 00:43:52,640 Speaker 1: made choices, and they they make choices. Yeah, but then 697 00:43:52,680 --> 00:43:54,600 Speaker 1: you brought out some raw meat and you said, this 698 00:43:54,680 --> 00:43:56,120 Speaker 1: is a redneck look at meat. And it was like, 699 00:43:56,440 --> 00:43:59,520 Speaker 1: come on. That was let's do the firefighter outside of 700 00:43:59,560 --> 00:44:01,920 Speaker 1: the bar, outside the box thinking. So what's so are 701 00:44:01,920 --> 00:44:04,560 Speaker 1: they making an offer or like, what's Chris, come on 702 00:44:04,600 --> 00:44:06,440 Speaker 1: a question, I'm making an offer. Okay, you know what 703 00:44:06,520 --> 00:44:09,600 Speaker 1: I Kevin, Hey, Chris Man, when you're out here on 704 00:44:09,640 --> 00:44:12,000 Speaker 1: the surf man, you let you all your problems go, 705 00:44:12,160 --> 00:44:17,319 Speaker 1: all right, So it's nice to be out in the ocean. Hey, 706 00:44:17,400 --> 00:44:22,000 Speaker 1: watch your board, all right, all right? But yeah, when 707 00:44:22,040 --> 00:44:25,600 Speaker 1: you're out here, it's all peace and quiet and feeling 708 00:44:25,680 --> 00:44:30,399 Speaker 1: the nature. Hey, you're a local. I swear to God 709 00:44:30,560 --> 00:44:33,440 Speaker 1: if you bring that board next to me one more time. Okay, okay, 710 00:44:33,520 --> 00:44:35,560 Speaker 1: I'm just gonna paddle out to the island. I see 711 00:44:35,560 --> 00:44:38,320 Speaker 1: a way out there. You have a good day, crazy 712 00:44:38,360 --> 00:44:49,759 Speaker 1: Phil Island. Ah, oh my god, Oh my god. Do 713 00:44:49,800 --> 00:44:59,120 Speaker 1: you have a cell phone? Oh? Oh god, damn. So 714 00:44:59,280 --> 00:45:01,200 Speaker 1: this is for the those of you listening and wondering. 715 00:45:01,400 --> 00:45:03,960 Speaker 1: This is why we don't go meta, because we just 716 00:45:04,400 --> 00:45:09,080 Speaker 1: can't stop laughing. How absurd and wonderful. Thank you all 717 00:45:09,239 --> 00:45:17,400 Speaker 1: for that. Whatever the funk that favor for? Oh fun? Fuck? 718 00:45:18,840 --> 00:45:21,000 Speaker 1: Why would that be on any slate? Why? Why? Who 719 00:45:21,040 --> 00:45:24,480 Speaker 1: would have written? Who would have written that any scenario? 720 00:45:25,160 --> 00:45:28,360 Speaker 1: Who was that for? Who was that for? Who was 721 00:45:28,560 --> 00:45:35,799 Speaker 1: editorializing on the slate? Oh? What a fucking choice. Thank 722 00:45:35,880 --> 00:45:39,920 Speaker 1: you all for being here, especially Joey Greer. Joey, thank you? 723 00:45:40,200 --> 00:45:47,520 Speaker 1: And what putting on some sunscreen? Now? What's happening? Getting 724 00:45:47,560 --> 00:45:51,120 Speaker 1: ready for the cruise? I just don't want to burn. No, 725 00:45:51,320 --> 00:45:54,800 Speaker 1: you don't, you do not want to burn? Hail, Yeah, Bail. 726 00:45:55,560 --> 00:45:58,600 Speaker 1: Folks can find you on Bear Supply on Wednesdays. They 727 00:45:58,719 --> 00:46:03,560 Speaker 1: can't bs Comedy on Twitch at every Wednesday at eight 728 00:46:03,640 --> 00:46:07,719 Speaker 1: o'clock Pacific Standard time. Also check out alchemy this Instagram 729 00:46:08,120 --> 00:46:12,320 Speaker 1: and alchemy this pod on Reddit. Gotta thriving community of 730 00:46:12,800 --> 00:46:16,840 Speaker 1: sixteen people. We just want to talk about this stuff, 731 00:46:16,880 --> 00:46:19,719 Speaker 1: so check it out right on. Thank you for that, 732 00:46:20,960 --> 00:46:23,719 Speaker 1: Chris Avado, good gosh, I'm so glad you're back at 733 00:46:23,760 --> 00:46:28,080 Speaker 1: surf and I'll text you about lunch on Friday. Yeah, 734 00:46:28,160 --> 00:46:30,960 Speaker 1: yes please, uh, which is like a real thing we do, 735 00:46:31,239 --> 00:46:32,960 Speaker 1: so you know, I do have lunch of Kevin Pollic, 736 00:46:33,080 --> 00:46:34,440 Speaker 1: and I do want to say one time I was 737 00:46:34,560 --> 00:46:38,560 Speaker 1: talking to Joey about auditions and he was like, well, 738 00:46:38,600 --> 00:46:39,719 Speaker 1: the way I handle it's just like the way I 739 00:46:39,760 --> 00:46:41,399 Speaker 1: do an improp show, like it's going there and have fun. 740 00:46:43,000 --> 00:46:45,759 Speaker 1: And I think about that a lot. So he goes 741 00:46:45,840 --> 00:46:48,080 Speaker 1: into the room and he says, stand the funk up, 742 00:46:51,320 --> 00:46:53,759 Speaker 1: and you know what, you know what you know. I 743 00:46:53,800 --> 00:46:55,200 Speaker 1: don't know if he books or not, but at least 744 00:46:55,239 --> 00:46:58,600 Speaker 1: he's not scared to death. So all that said, I 745 00:46:58,680 --> 00:47:00,680 Speaker 1: have an audition tomorrow and I'll be all informed with 746 00:47:00,760 --> 00:47:03,320 Speaker 1: how that goes. Just have fun, dude, let's talk about 747 00:47:03,360 --> 00:47:06,960 Speaker 1: that at lunch on Friday. How you're how great your 748 00:47:06,960 --> 00:47:09,520 Speaker 1: audition went, and how you went in and yelled at 749 00:47:09,520 --> 00:47:15,920 Speaker 1: everyone to get up a tool sing uh, thanks for 750 00:47:15,960 --> 00:47:17,600 Speaker 1: having me. If you if you don't, if you're not 751 00:47:17,680 --> 00:47:19,840 Speaker 1: a patrent, remember I feel like this was maybe a 752 00:47:19,920 --> 00:47:22,960 Speaker 1: great one to see because there's a huge pause and 753 00:47:23,120 --> 00:47:27,440 Speaker 1: voices because we were all dying of laughter. Oh I 754 00:47:27,520 --> 00:47:29,920 Speaker 1: got my ears are my eyes are cheering up so much? 755 00:47:30,400 --> 00:47:31,960 Speaker 1: But thank you, thanks for having me. This is so 756 00:47:32,120 --> 00:47:35,600 Speaker 1: much fun. And uh, Chris, I appreciate the email updates. 757 00:47:35,640 --> 00:47:37,200 Speaker 1: I get about your acting career, but I would like 758 00:47:37,320 --> 00:47:40,080 Speaker 1: to unsubscribe for sure. But you want to say that 759 00:47:40,160 --> 00:47:42,799 Speaker 1: out loud here Now you have to do that. It's done. 760 00:47:42,920 --> 00:47:51,120 Speaker 1: Chris doesn't do that. There's no subscribe button. Oh is 761 00:47:51,120 --> 00:47:54,879 Speaker 1: there a phone call? Occult? You got a Joey list 762 00:47:55,040 --> 00:48:00,239 Speaker 1: dot com? I'll be able to take Uh yeah, thank 763 00:48:00,280 --> 00:48:02,560 Speaker 1: you a tool this. You don't normally cry this much 764 00:48:02,640 --> 00:48:06,080 Speaker 1: during your podcast. I'll give you that. James Heeny, good 765 00:48:06,120 --> 00:48:09,680 Speaker 1: luck on the open road tomorrow. Maybe um put up 766 00:48:09,719 --> 00:48:13,520 Speaker 1: a couple of of videos, maybe to shoot over to Joey, 767 00:48:13,560 --> 00:48:17,240 Speaker 1: to give the alchemy this Instagram account something to follow 768 00:48:17,320 --> 00:48:20,520 Speaker 1: along with you. I mean I should because when I 769 00:48:20,640 --> 00:48:22,680 Speaker 1: ask if something that people have come through with it, 770 00:48:22,760 --> 00:48:26,040 Speaker 1: Like when I asked about doing reviews, and tons of 771 00:48:26,080 --> 00:48:29,040 Speaker 1: people brought it. So I'll do. I'll make some videos 772 00:48:29,080 --> 00:48:31,239 Speaker 1: and send them to Joey. In fact, we got uh 773 00:48:31,440 --> 00:48:34,759 Speaker 1: an inner Uh what's a rating? A five star rating 774 00:48:34,840 --> 00:48:38,680 Speaker 1: from Buttermilk Jones. It says nine. I'm tenant. Dennists agree 775 00:48:39,080 --> 00:48:41,480 Speaker 1: this is hands down the greatest thing ever to hit 776 00:48:41,560 --> 00:48:44,120 Speaker 1: the Internet. I test you to find a funnier group 777 00:48:44,160 --> 00:48:47,120 Speaker 1: of people. They bring me joy every Tuesday and Thursday 778 00:48:47,360 --> 00:48:50,200 Speaker 1: and every day in between. Blah blah blah blah blah, iTunes, iTunes, 779 00:48:50,280 --> 00:48:53,080 Speaker 1: five stars. Are you happy now, James, And the answer 780 00:48:53,320 --> 00:48:57,080 Speaker 1: is Buttermilk Jones. I am happy, and I am gonna 781 00:48:57,120 --> 00:48:59,160 Speaker 1: make videos while I'm on the road and I'll send 782 00:48:59,200 --> 00:49:01,400 Speaker 1: it to Joey to put on the alchemy this Instagram. 783 00:49:02,000 --> 00:49:04,760 Speaker 1: Thank you for that, James, and also, uh my thanks 784 00:49:04,840 --> 00:49:07,319 Speaker 1: to Aaron for coming up with such a creative name 785 00:49:07,400 --> 00:49:13,040 Speaker 1: like Buttermilk Jones. Craig, thank you for being here, my pleasure. Kevin, 786 00:49:13,080 --> 00:49:14,880 Speaker 1: you asked me last time if there was an upcoming 787 00:49:14,880 --> 00:49:17,480 Speaker 1: thrilling adventure our show. I very curtly said no, But 788 00:49:17,560 --> 00:49:23,000 Speaker 1: of course there is, and it's gonna be June twelve, 789 00:49:23,160 --> 00:49:26,120 Speaker 1: which is a Saturday at five pm Pacific time, And 790 00:49:26,320 --> 00:49:28,360 Speaker 1: it's a show and tell show where each of us 791 00:49:28,360 --> 00:49:31,359 Speaker 1: show an old clip from our early days and show 792 00:49:31,440 --> 00:49:34,440 Speaker 1: business and we laugh at each other. Uh so that 793 00:49:34,640 --> 00:49:37,280 Speaker 1: Go to house seats dot live for more information about 794 00:49:37,320 --> 00:49:40,960 Speaker 1: that show and should this be listened to by a 795 00:49:41,080 --> 00:49:45,480 Speaker 1: fan after June twelve? Two one? Is there a archive? 796 00:49:45,880 --> 00:49:48,080 Speaker 1: I believe if you buy a ticket it'll be up 797 00:49:48,200 --> 00:49:50,680 Speaker 1: for about a month after that. So you don't need 798 00:49:50,760 --> 00:49:52,880 Speaker 1: to watch it live. You can buy a ticket and 799 00:49:52,960 --> 00:49:56,560 Speaker 1: then watch it at your leisure later and six months 800 00:49:56,640 --> 00:50:02,560 Speaker 1: from now and someone's listening to this episode, it's meaningless. Okay, excellent, 801 00:50:02,719 --> 00:50:06,640 Speaker 1: Thank you for that. Um let's thank um our dear 802 00:50:06,760 --> 00:50:13,800 Speaker 1: friend Raphael the great engineer and producer of the stars, 803 00:50:13,960 --> 00:50:22,640 Speaker 1: Mr Dougbean. Fine, folks, that I hear media. I'm your host, 804 00:50:22,719 --> 00:50:24,640 Speaker 1: Kevin Pollack reminding you to please be kind you each other, 805 00:50:24,719 --> 00:50:28,040 Speaker 1: And thank you all so very damn much for giving 806 00:50:28,080 --> 00:50:30,960 Speaker 1: a good, good, gosh darn about what it is we 807 00:50:31,120 --> 00:50:33,960 Speaker 1: do here. Thank you for the reviews, please keep them coming, 808 00:50:34,000 --> 00:50:35,919 Speaker 1: and for no other reason, to have James stopped yelling 809 00:50:35,960 --> 00:50:39,680 Speaker 1: at you in front of us, that'd be great. Uh yep, 810 00:50:40,200 --> 00:50:40,960 Speaker 1: Until next time,