WEBVTT - In Defense of PAW Patrol

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<v Speaker 1>Pushkin. Hello, Hello, everyone, You're in for a treat today.

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<v Speaker 1>I'm going to do battle on behalf of my three

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<v Speaker 1>year old against some of the leading intellectuals of our day.

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<v Speaker 1>My producer says this is her favorite revisionist history episode ever.

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<v Speaker 1>As they say on the internet, big if true. If

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<v Speaker 1>you missed it. We opened this many season with two

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<v Speaker 1>episodes about the death of George Floyd, which I hope

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<v Speaker 1>you listen to if you haven't already, and coming up soon.

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<v Speaker 1>My colleague Benda daph Haffrey gives us the real story

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<v Speaker 1>about well, I'm not going to tell you. All I'll

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<v Speaker 1>say is when I listen to it, every single fact

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<v Speaker 1>Ben relates in that episode was something I'd never heard

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<v Speaker 1>of before. Oh and one last thing. I mentioned it

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<v Speaker 1>last week. I'm doing my tour with No Small Endeavor

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<v Speaker 1>and Drew Holcombe April ninth in Louisville, April tenth in Indianapolis,

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<v Speaker 1>and April eleventh in Grand Rapids. It's going to be

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<v Speaker 1>a lot of fun. If you live anywhere near those cities,

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<v Speaker 1>you gotta go check it out at No Small Endeavor

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<v Speaker 1>dot com. Okay, off we go. Enjoy everyone. Every night,

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<v Speaker 1>after bath and just before bedtime. My three year old

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<v Speaker 1>and I settled down in front of the television.

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<v Speaker 2>Pomcho.

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<v Speaker 3>Pomcho will be there on the double never there's a problem,

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<v Speaker 3>rounded bench base.

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<v Speaker 1>If you're not a parent of a young child, it's

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<v Speaker 1>entirely possible you have no idea what pap Patrol is.

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<v Speaker 1>That's fine. Before I had children, I had never heard

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<v Speaker 1>of it either, So let me explain. It's a multi

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<v Speaker 1>billion dollar franchise centered around a band of puppies who

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<v Speaker 1>are called upon in each episode to rescue someone in peril.

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<v Speaker 1>There's a police dog named Chase, a fire dog named Marshall,

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<v Speaker 1>a helicopter pilot named Sky, a roadworks puppy named Rubble.

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<v Speaker 1>They stop when we trains, They fight fires, They repair

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<v Speaker 1>the damaged flying saucers of adorable stranded aliens with enormous eyes.

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<v Speaker 1>You get the picture. Among toddlers, pow Patrol is bigger

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<v Speaker 1>than Elmo. It's bigger than Mickey Mouse. Just ask my

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<v Speaker 1>daughter Pa Patrol.

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<v Speaker 4>We're on the double wherever it is. Alb Don invent today,

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<v Speaker 4>rather is the female popule Gold and Fee Today. Marshall, Wobble,

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<v Speaker 4>Jay's Lucky new a guy I like Luck, Foculous.

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<v Speaker 1>And yet for some reason, every parent I know, every

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<v Speaker 1>student of children's television, every adult who has more than

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<v Speaker 1>a passing interest in the intellectual and moral development of

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<v Speaker 1>our young hates pop Patrol. Like the Reddit thread, Paw

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<v Speaker 1>Patrol has ruined by child's brain quote. Everything about Paw

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<v Speaker 1>Patrol is awful. The yelling and constant panic, the stereotypes,

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<v Speaker 1>the terrible design, the tropes. I wish it would disappear

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<v Speaker 1>from the face of the earth and take all of

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<v Speaker 1>its merch with it. Go to TikTok. They hate the puppies.

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<v Speaker 2>There's some things that really piss me off when it

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<v Speaker 2>comes to Popatrol. It's pretty simple. It sucks. My sun

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<v Speaker 2>watches Paw Patrol. I hate it.

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<v Speaker 1>Everyone hates it except for me. And this episode is

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<v Speaker 1>my attempt to convince you that I'm right and everyone

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<v Speaker 1>else is wrong. My name is Malcolm Gladwell. You're listening

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<v Speaker 1>to Revisionist History, my podcast where I like to argue

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<v Speaker 1>on behalf of things that all common sense suggests are

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<v Speaker 1>not true. The following defense of Power Patrol is squarely

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<v Speaker 1>in that tradition. It is a search and rescue mission

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<v Speaker 1>for a show about search and rescue missions in all

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<v Speaker 1>my long years of doing revisionist history, I have never

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<v Speaker 1>tackled a more forbidding task. I started by calling people,

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<v Speaker 1>anyone who I thought could help, asking the same questions

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<v Speaker 1>over and over again. First to a parent who had

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<v Speaker 1>lived through what I'm living through right now, we are

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<v Speaker 1>here to discuss poor Patrol, which looms large in my

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<v Speaker 1>life at the moment.

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<v Speaker 2>Yeah, I'm sure.

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<v Speaker 1>Then again to an intellectual someone I admired. I don't

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<v Speaker 1>understand that the amount of hatred the show gets. And again,

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<v Speaker 1>this time to a sociologist, someone who has published in

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<v Speaker 1>academic journals on the Pow Patrol phenomenon. I am calling

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<v Speaker 1>you because I spend every night watching Paw Patrol.

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<v Speaker 2>And I'm sorry, sorry to hear that.

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<v Speaker 1>I spent so much time googling Pow Patrol. Google started

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<v Speaker 1>feeding me Paw Patrol content, like the actress Kia Knightley

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<v Speaker 1>on The Tonight Show explaining what it's like to be

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<v Speaker 1>the mother of a three year old. Wait for it,

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<v Speaker 1>baby's a toddler. Baby's not a baby.

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<v Speaker 2>It's not anymore.

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<v Speaker 3>Yeah, she's huge, three and a half, three and a half.

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<v Speaker 2>Are you into uh? Are you into Paw Patrol?

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<v Speaker 5>Oh?

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<v Speaker 1>I'm sorry, Yeah, yeah, I'm sorry. Everyone is sorry. Well,

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<v Speaker 1>I'm into Paw Patrol and I'm not sorry. Paw Patrol

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<v Speaker 1>takes place in two imaginary towns, Adventure Bay and Foggy Bottom.

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<v Speaker 1>The group has as its headquarters what looks like a

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<v Speaker 1>giant postmodern air traffic control center, complete with a really

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<v Speaker 1>cool fire station poll that moves the members of the

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<v Speaker 1>Paw Patrol from the briefing room to their waiting vehicles,

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<v Speaker 1>vehicles which are all, by the way, available separately for purchase.

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<v Speaker 1>In a typical Paw Patrol episode, and I say typical

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<v Speaker 1>when I really mean every single Paw Patrol episode ever,

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<v Speaker 1>someone in the greater Adventure Bay Foggy Bottom metropolitan area

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<v Speaker 1>has a problem. They call Rider, who is a little

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<v Speaker 1>boy in charge of the Paw Patrol operation. He summons

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<v Speaker 1>the pups from whatever adorably cute leisure activity they are

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<v Speaker 1>engaged in.

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<v Speaker 6>They come running, mighty pups too long, lookout, Rider needs us.

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<v Speaker 1>And without fail, the problem is solved.

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<v Speaker 7>No job is too big, no pump is too small.

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<v Speaker 1>For example, in season seven, episode thirteen, Pop Patrol pops

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<v Speaker 1>save Election Day, a particular favorite in the Glabal household,

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<v Speaker 1>Mayor Humdinger of Foggy Bottom has decided unexpectedly to run

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<v Speaker 1>for are of Adventure City, precipitating a crisis. Humdinger is

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<v Speaker 1>wreaking havoc on the campaign trail, causing all kinds of

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<v Speaker 1>chaos downtown. This leads Alex, an adorable little boy who

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<v Speaker 1>happens to find himself in the midst of the mayhem,

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<v Speaker 1>to call for help.

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<v Speaker 4>It all happened because Mayor Hundinger's kidneys are launching the

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<v Speaker 4>election stuff everywhere.

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<v Speaker 1>We'll be right there, Alex. There's a short briefing in

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<v Speaker 1>the situation room. Writer gives that instructions.

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<v Speaker 4>So for this mission, I'll need Chase.

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<v Speaker 3>I need you to use your net to.

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<v Speaker 6>Stop mister porters out of control skateboard ride. Chase is

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<v Speaker 6>on the case, and Marsha, I'll need you to use

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<v Speaker 6>your lender to help get Danny Dun from that big billboard.

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<v Speaker 4>I'm ready for a rough, rough rescue.

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<v Speaker 1>And off the pops go. Hey guys, Hey, malcolme, how

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<v Speaker 1>you doing.

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<v Speaker 2>How's it go ahead?

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<v Speaker 1>I called up Cal Brunker and Bob Barlin, the writers

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<v Speaker 1>behind the Paw Patrol movies. I asked them why they

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<v Speaker 1>thought kids loved the show so much.

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<v Speaker 3>The structures are so clear and consistent from episode to

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<v Speaker 3>episode that it really it pulls them in and they're

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<v Speaker 3>able to feel comfortable and confident in that world of storytelling.

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<v Speaker 1>Oh I forgot to mention that in addition to eleven

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<v Speaker 1>seasons of Paw Patrol television shows, there have been two

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<v Speaker 1>Paw Patrol movies, which to get a grossed three hundred

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<v Speaker 1>and fifty million dollars.

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<v Speaker 3>The structure of the show is really quite smart in

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<v Speaker 3>how they go about every every rescue that takes place.

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<v Speaker 3>Writer tells the pops what they're gonna do, and then

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<v Speaker 3>they show up and they do the same thing that.

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<v Speaker 2>He's just told the audience.

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<v Speaker 3>So I think the participation level from a child is

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<v Speaker 3>able to be so much more because it's less surprising.

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<v Speaker 1>I did not grow up with the television, so this

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<v Speaker 1>experience is all new to me. Maybe that's why I

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<v Speaker 1>like Pop Patrol so much. Everyone else groans in silent

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<v Speaker 1>agony over the thought of watching, say, Pop Patrol the

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<v Speaker 1>movie for the fourth time. Me I'm like, what new

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<v Speaker 1>fresh insights can I glean this time around about Chase

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<v Speaker 1>the police dog, a German shepherd who struggles with feelings

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<v Speaker 1>of inadequacy.

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<v Speaker 3>Chase has got a backstory, and I mean that at

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<v Speaker 3>its highest level. Chase believes that being scared means he's

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<v Speaker 3>not a hero, and so he should be part of it.

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<v Speaker 3>And he learns that heroes get scared too, but keep going.

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<v Speaker 3>That's what makes them hero.

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<v Speaker 1>Writer has that scene with him where they relive when

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<v Speaker 1>he found Chase for the first time. Yes, I love

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<v Speaker 1>I love to hear you saying that brings y on

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<v Speaker 1>what is clearly University avenue. That's, by the way, remember

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<v Speaker 1>that reference University avenue. What am I referring to? A

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<v Speaker 1>small clue to my grand unified theory of power patrol,

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<v Speaker 1>A clue which I'm guessing all the other parents missed

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<v Speaker 1>because they run their phones checking Instagram. Now that so,

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<v Speaker 1>because there is what's really interesting is it there? When

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<v Speaker 1>my daughter was watching that, she the first we've seen

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<v Speaker 1>it more than once, that movie, and the first time

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<v Speaker 1>she saw it, I think she was genuinely affected by it.

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<v Speaker 1>I mean it was clear it was a different kind

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<v Speaker 1>of emotional experience and she'd been getting from the TV shows.

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<v Speaker 1>In the second and third time. Gripping my hand tightly,

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<v Speaker 1>this is exactly what the corporate benefactors of the Paw

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<v Speaker 1>Patrol franchise desire a bonding moment between a dad and

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<v Speaker 1>his daughter over a disconsolate puppy. Was my daughter wearing

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<v Speaker 1>Paw Patrol pajamas as this was happening, Yes she was.

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<v Speaker 1>And yet there are people, lots of people who look

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<v Speaker 1>on that picture of family togetherness and cry foul? Can

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<v Speaker 1>you explain this? On several occasions, in the course of

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<v Speaker 1>almost a decade now of revisionist history, I have called

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<v Speaker 1>on Angus Fletcher, neuroscientist turned narrative theorist genius in residence

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<v Speaker 1>at Ohio State University. Remember, for example, back to our

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<v Speaker 1>three part revision of the ending of Disney's The Little Mermaid,

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<v Speaker 1>arguably the intellectual high watermark of the entire revision's history.

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<v Speaker 1>Corpus Angus provided the intellectual firepower. And remember when we

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<v Speaker 1>did a whole series on the greatest movie scripts that

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<v Speaker 1>never got made? Angus had one, of course he did.

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<v Speaker 1>Angus is much much smarter than I am. More important,

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<v Speaker 1>Angus is not hopelessly sentimental like I am. He would

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<v Speaker 1>not be derailed by the gentle pressure of a three

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<v Speaker 1>year old stubby fingers. And when I remember that Angus

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<v Speaker 1>also has kids. I called him up now a small

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<v Speaker 1>thing before we go on. Normally, when we interview people,

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<v Speaker 1>we edit the tape. I interject with commentary. The whole

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<v Speaker 1>thing is compressed and annotated. We give you snippets, but

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<v Speaker 1>snippets do not do justice to Professor Angus Fletcher. So

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<v Speaker 1>you're going to get Angus unbound. I want to start you.

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<v Speaker 1>You too went to a Paw Patrol period with your children?

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<v Speaker 1>Is this correct?

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<v Speaker 2>I did?

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<v Speaker 8>Yeah, so my son likes Paw Patrol and I had

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<v Speaker 8>an immediate horrifying flashback when you brought the subject up,

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<v Speaker 8>because I went back and tried to watch a couple

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<v Speaker 8>episodes just to remind myself and immediately had to shut

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<v Speaker 8>them off, actually for for self preservation.

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<v Speaker 1>But there are many things to unpack here. First of all,

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<v Speaker 1>how long did your son still actively watch Pow Patrol?

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<v Speaker 2>No? No, absolutely still alive.

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<v Speaker 8>So so we managed to we managed to save him

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<v Speaker 8>in time.

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<v Speaker 1>You're so, you're and why you were watching it with

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<v Speaker 1>your son? Why?

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<v Speaker 2>Why?

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<v Speaker 1>Why did this show not appeal to you? What is

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<v Speaker 1>it about it that's like hitting you the wrong way?

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<v Speaker 9>It's designed to anesthetize your brain. I mean, I feel

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<v Speaker 9>like I am mainlining Horse trenqu Wiser. It's a show

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<v Speaker 9>that is studiously designed to interrupt active thought. I mean,

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<v Speaker 9>that's like the purpose of the show, and it's it's engineered.

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<v Speaker 2>Brilliantly to do that.

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<v Speaker 9>It's like it's like the kind of like diabolical apotheosis

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<v Speaker 9>of hundreds of years of figuring out how to how

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<v Speaker 9>to make audiences more and more.

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<v Speaker 1>Pass What do you what do you mean? Okay, break

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<v Speaker 1>that down, tell me exactly what you mean by that.

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<v Speaker 9>So it's the quintessence of this thing that we call narrative.

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<v Speaker 9>We have a term for this in narrative theory.

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<v Speaker 2>It's called vacuous agon.

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<v Speaker 9>Vacuous agon, and basically what that needs is like when

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<v Speaker 9>there's a conflict, but there's no stress, there's no anxiety

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<v Speaker 9>in the viewer because you know that it's going to

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<v Speaker 9>work out. And this is a I have to give

0:13:43.476 --> 0:13:45.716
<v Speaker 9>credit to who coined this term. It's it's a brilliant

0:13:45.716 --> 0:13:47.836
<v Speaker 9>member of my lab. His name is Mike Bevinissi. He

0:13:48.156 --> 0:13:50.276
<v Speaker 9>coined the term after watching Phoeneas and Ferr, which is

0:13:50.396 --> 0:13:53.396
<v Speaker 9>a Disney show, with his three children. And the point

0:13:53.396 --> 0:13:56.916
<v Speaker 9>of vacuous agon is that you're constantly being presented with

0:13:56.996 --> 0:13:59.916
<v Speaker 9>problems that are solved immediately.

0:13:59.356 --> 0:14:01.756
<v Speaker 2>At the moment that you are presented with the problem.

0:14:02.156 --> 0:14:04.276
<v Speaker 9>And I think it's probably obviously few having I'm sure

0:14:04.316 --> 0:14:07.116
<v Speaker 9>watched several episodes of the show. How mechanically what the

0:14:07.116 --> 0:14:09.716
<v Speaker 9>show does is it gives you a problem, and then

0:14:09.756 --> 0:14:12.876
<v Speaker 9>immediately Rider shows up like a helicopter parent, like the

0:14:12.956 --> 0:14:15.836
<v Speaker 9>ultimate helicopter parent, and tells everybody exactly what to do

0:14:15.876 --> 0:14:17.116
<v Speaker 9>so the problem will go away, and then we just

0:14:17.196 --> 0:14:18.716
<v Speaker 9>kind of watch as a problem goes away.

0:14:18.956 --> 0:14:24.796
<v Speaker 1>Yeah, that's exactly right. So and you think that's problematic, because.

0:14:27.436 --> 0:14:29.436
<v Speaker 2>It's not that I think it's problematic now, and it's

0:14:29.476 --> 0:14:30.516
<v Speaker 2>that I know it's problematic.

0:14:30.676 --> 0:14:32.236
<v Speaker 9>So I don't know if you're aware of this, but

0:14:32.516 --> 0:14:34.436
<v Speaker 9>there for the last thirty years, it's been.

0:14:34.356 --> 0:14:35.796
<v Speaker 2>This crisis in American schools.

0:14:35.836 --> 0:14:38.716
<v Speaker 9>American kids have been getting less creative, and because they've

0:14:38.716 --> 0:14:40.556
<v Speaker 9>been getting less creative, they've been less able to solve

0:14:40.596 --> 0:14:42.396
<v Speaker 9>their own problems. And because theyre less able to solve

0:14:42.436 --> 0:14:44.996
<v Speaker 9>their own problems, they have these rises and anxiety and anger,

0:14:45.276 --> 0:14:46.956
<v Speaker 9>you know, losses of stuff, and I'm gonna see resilience

0:14:46.956 --> 0:14:48.996
<v Speaker 9>all these kinds of things and you know the major

0:14:49.036 --> 0:14:51.636
<v Speaker 9>reason for this is that we are either.

0:14:51.436 --> 0:14:52.796
<v Speaker 2>Solving their problems for them.

0:14:53.036 --> 0:14:55.356
<v Speaker 9>Yeah, that we're coming in and solving their problems for them,

0:14:55.956 --> 0:15:00.196
<v Speaker 9>or we're essentially suspending them in this state of giving

0:15:00.196 --> 0:15:02.796
<v Speaker 9>them artificial problems. So an artificial problem is like a

0:15:02.836 --> 0:15:04.916
<v Speaker 9>math problem or standardized test or something that doesn't exist

0:15:04.956 --> 0:15:06.516
<v Speaker 9>in the real world, and you know, and you learn

0:15:06.556 --> 0:15:08.116
<v Speaker 9>the formula, and which you learn the formula, you know

0:15:08.156 --> 0:15:10.916
<v Speaker 9>how to solve it. And so kids are developing this

0:15:11.356 --> 0:15:13.196
<v Speaker 9>ability to get better and better and better and better at.

0:15:13.116 --> 0:15:14.716
<v Speaker 2>School, and then they just keep failing at life.

0:15:14.756 --> 0:15:18.716
<v Speaker 9>And this TV show is a paradigmatic example of that

0:15:18.956 --> 0:15:19.876
<v Speaker 9>entire process.

0:15:19.916 --> 0:15:22.236
<v Speaker 2>I mean, I mean it solves all the problems before you.

0:15:22.276 --> 0:15:25.676
<v Speaker 5>There's no ability you have to exercise any curiosity because

0:15:25.716 --> 0:15:28.556
<v Speaker 5>the moment a problem happens, like literally, you're told these

0:15:28.556 --> 0:15:30.356
<v Speaker 5>two dogs are going to go solve it in exactly

0:15:30.396 --> 0:15:33.116
<v Speaker 5>this way, there's no opportunity for the brain to engage

0:15:33.156 --> 0:15:33.356
<v Speaker 5>what we.

0:15:33.356 --> 0:15:35.916
<v Speaker 9>Call on counterfactual cause while thinking these processes that are

0:15:35.956 --> 0:15:38.916
<v Speaker 9>currently encounter a problem. The whole reason for imaginative literature,

0:15:38.916 --> 0:15:40.796
<v Speaker 9>the reason that things like Curious George and Winnie the

0:15:40.836 --> 0:15:43.716
<v Speaker 9>Pooh were created or to stimulate these processes in young shoulder,

0:15:43.796 --> 0:15:45.956
<v Speaker 9>because at the age of four is actually when they

0:15:46.036 --> 0:15:48.476
<v Speaker 9>develop the capacity for irony, for.

0:15:48.516 --> 0:15:51.036
<v Speaker 2>Narrative irony, and all those.

0:15:50.836 --> 0:15:53.396
<v Speaker 9>Books and reading with your children for reasons we can

0:15:53.396 --> 0:15:56.436
<v Speaker 9>discuss if you're interested, stimulates all those processes.

0:15:56.476 --> 0:15:59.236
<v Speaker 2>And when you watch this show, it nukes them.

0:15:59.316 --> 0:16:01.836
<v Speaker 9>So it's not bad in the sense that like giving

0:16:01.836 --> 0:16:03.076
<v Speaker 9>your children ice cream isn't bad.

0:16:03.116 --> 0:16:04.316
<v Speaker 2>Right, they can have ice cream. But if all you

0:16:04.356 --> 0:16:06.156
<v Speaker 2>give them is ice cream, what happens to them? Right?

0:16:06.196 --> 0:16:08.796
<v Speaker 2>They become diabetic. And it's the same thing with this show.

0:16:08.796 --> 0:16:14.196
<v Speaker 1>And yeah, God, I feel bad now. You filled me

0:16:14.276 --> 0:16:17.436
<v Speaker 1>with a kind of degree of self loathing and guilt

0:16:17.676 --> 0:16:21.276
<v Speaker 1>over the damage I'm doing to my daughter's imagination, her

0:16:21.316 --> 0:16:25.276
<v Speaker 1>ability to problem solve. This is what you do. I

0:16:25.316 --> 0:16:28.916
<v Speaker 1>should point out how strange this is. A generation ago

0:16:28.996 --> 0:16:33.756
<v Speaker 1>people love children's television. The invention of children's television was

0:16:33.756 --> 0:16:38.636
<v Speaker 1>one of America's signature cultural Triumphs. Intellectuals wrote love songs

0:16:38.636 --> 0:16:42.076
<v Speaker 1>to children's television. I remember once in the late nineteen

0:16:42.156 --> 0:16:45.116
<v Speaker 1>nineties when I discovered Sesame Street for the first time.

0:16:45.396 --> 0:16:48.356
<v Speaker 1>I was so entranced that I went to the Sesame

0:16:48.396 --> 0:16:51.996
<v Speaker 1>Street studios and just hung out there for what seemed

0:16:52.036 --> 0:16:55.516
<v Speaker 1>like days. I was there during the great Slimy episode.

0:16:55.916 --> 0:17:00.276
<v Speaker 1>Maybe you remember this Slimy, the adorable Sesame Street worm

0:17:00.476 --> 0:17:04.316
<v Speaker 1>becomes an astronaut, and so the Sesame Street staff brought

0:17:04.316 --> 0:17:08.076
<v Speaker 1>in Tony Bennett, whose signature, son of course, was fly

0:17:08.236 --> 0:17:10.196
<v Speaker 1>me to the Moon to sing.

0:17:10.156 --> 0:17:12.236
<v Speaker 2>Slimy to the moon.

0:17:14.236 --> 0:17:18.396
<v Speaker 9>And when this worm arrives, you'll find.

0:17:19.916 --> 0:17:25.396
<v Speaker 7>He'll take a leap that small for him but huge

0:17:25.596 --> 0:17:27.076
<v Speaker 7>for all worm God.

0:17:27.956 --> 0:17:31.236
<v Speaker 1>I was there for that, standing this close to the

0:17:31.316 --> 0:17:34.276
<v Speaker 1>legend himself, who acted like this was the greatest moment

0:17:34.316 --> 0:17:37.556
<v Speaker 1>of his entire career. My point is, back in the day,

0:17:37.916 --> 0:17:41.196
<v Speaker 1>the leading cultural figures of our time would happily make

0:17:41.236 --> 0:17:45.036
<v Speaker 1>the pilgrimage to a random TV studio in Queen's to

0:17:45.076 --> 0:17:48.036
<v Speaker 1>make light of their own work on behalf of Toddler's Everywhere.

0:17:48.836 --> 0:17:54.916
<v Speaker 1>But now the cultural luminaries and the intellectuals have abandoned ship.

0:17:56.556 --> 0:18:00.516
<v Speaker 1>By eleven minutes into his denunciation of Bob Patrol, Angus

0:18:00.516 --> 0:18:06.196
<v Speaker 1>had mentioned Dickens, the A team, Plautus and Aristophanes. Now

0:18:06.836 --> 0:18:10.316
<v Speaker 1>he'd moved on to explaining the phenomenon of new comedy

0:18:11.076 --> 0:18:14.196
<v Speaker 1>and contrasting it with something he called old comedy.

0:18:17.076 --> 0:18:19.196
<v Speaker 9>And what happens in old comedy is you're presented with

0:18:19.316 --> 0:18:22.316
<v Speaker 9>real problems. So an example of a real problem would

0:18:22.316 --> 0:18:26.916
<v Speaker 9>be war or the breakdown of democracy. And then the

0:18:26.956 --> 0:18:28.996
<v Speaker 9>comedy goes on and the problem gets worse, and it

0:18:28.996 --> 0:18:31.356
<v Speaker 9>gets worse, and it gets worse and it gets worse.

0:18:31.356 --> 0:18:34.076
<v Speaker 2>And then eventually the comedy falls apart. It just ends.

0:18:34.716 --> 0:18:37.196
<v Speaker 2>And basically the comedy is saying, that's a big problem.

0:18:37.236 --> 0:18:38.676
<v Speaker 2>You guys in the audience, better figure out how to

0:18:38.676 --> 0:18:39.036
<v Speaker 2>solve that.

0:18:39.556 --> 0:18:43.196
<v Speaker 9>So it forced people to think about hard things in

0:18:43.236 --> 0:18:45.236
<v Speaker 9>a public place where they get kind of oppress, up

0:18:45.276 --> 0:18:48.396
<v Speaker 9>with it and solve their own problems. Then what happened

0:18:48.716 --> 0:18:51.236
<v Speaker 9>was the emergence of new comedy, which is essentially light entertainment.

0:18:51.236 --> 0:18:54.516
<v Speaker 9>And what happens in light entertainment is a fake problem

0:18:54.556 --> 0:18:58.476
<v Speaker 9>is posed, a fake problem is posed, and then just

0:18:58.516 --> 0:19:00.636
<v Speaker 9>if you might be getting stressed about this fake problem,

0:19:02.116 --> 0:19:03.996
<v Speaker 9>the comedy answers it for you by the end, so

0:19:04.036 --> 0:19:07.796
<v Speaker 9>you can relax. So what's diabolical about paw Patrol is

0:19:07.836 --> 0:19:10.756
<v Speaker 9>it takes real problems in terms something to imaginary problems.

0:19:10.956 --> 0:19:14.116
<v Speaker 9>It's like it's like the end it's like the year

0:19:14.276 --> 0:19:16.956
<v Speaker 9>of comedy, because I mean, there are real problems that

0:19:16.996 --> 0:19:18.756
<v Speaker 9>it seems to embrace, you know, it don't seem to

0:19:18.796 --> 0:19:20.756
<v Speaker 9>get in trouble and stuff like that, you know, but

0:19:20.796 --> 0:19:22.596
<v Speaker 9>then it just reveals that they're all, you know, not

0:19:22.676 --> 0:19:24.116
<v Speaker 9>a problem and you don't have to worry about them

0:19:24.116 --> 0:19:25.996
<v Speaker 9>because you know, writer will just show up or there'll

0:19:25.996 --> 0:19:28.476
<v Speaker 9>be some like weird gizmo gadget thing that will solve

0:19:28.476 --> 0:19:31.196
<v Speaker 9>the problem for you. So, you know, just relaxed, preschooler,

0:19:31.956 --> 0:19:34.076
<v Speaker 9>don't worry about this big bag world you're entering in

0:19:34.116 --> 0:19:34.876
<v Speaker 9>because it's just fine.

0:19:34.876 --> 0:19:36.796
<v Speaker 2>Don't even use your brain. Why why were you even

0:19:36.796 --> 0:19:38.316
<v Speaker 2>giving a brain? What's the point of a brain?

0:19:38.556 --> 0:19:38.756
<v Speaker 6>Right?

0:19:39.116 --> 0:19:41.116
<v Speaker 2>You need to solve problems. Everything's already solved like a

0:19:41.196 --> 0:19:41.716
<v Speaker 2>perfect I.

0:19:41.716 --> 0:19:43.316
<v Speaker 1>Know, I promised you that I was going to play

0:19:43.316 --> 0:19:46.916
<v Speaker 1>Angus at full length, Angus unbound. And if this was

0:19:47.036 --> 0:19:49.756
<v Speaker 1>a Joe Rogan experience, and I bring up Joe Rogan

0:19:49.796 --> 0:19:52.676
<v Speaker 1>for a reason, by the way, because revisionist history is

0:19:52.756 --> 0:19:55.636
<v Speaker 1>coming back to Joe Rogan big time in the coming weeks.

0:19:56.076 --> 0:19:58.876
<v Speaker 1>If this was a Joe Rogan experience, I'd have just

0:19:58.956 --> 0:20:02.076
<v Speaker 1>run it all efit. Who among us does not have

0:20:02.116 --> 0:20:04.516
<v Speaker 1>a spare three and a half hours to listen to

0:20:04.516 --> 0:20:08.956
<v Speaker 1>a perfect stranger speak about the weightlifting routines. My assumption

0:20:09.476 --> 0:20:13.956
<v Speaker 1>is that you, unlike the many millions of Roganites, have jobs.

0:20:14.476 --> 0:20:16.876
<v Speaker 1>So from here on out, I'm just giving you the

0:20:16.876 --> 0:20:20.076
<v Speaker 1>good parts. So what would happen if you showed an

0:20:20.116 --> 0:20:23.316
<v Speaker 1>old comedy show to a child? What happens if in

0:20:23.396 --> 0:20:26.676
<v Speaker 1>paw patrol they don't solve the problem? What does my

0:20:26.756 --> 0:20:27.156
<v Speaker 1>daughter do?

0:20:27.636 --> 0:20:30.716
<v Speaker 2>Yeah? So this is great, So your child will become concerned.

0:20:32.036 --> 0:20:34.156
<v Speaker 9>Your child will become concerned, and then your child will

0:20:34.196 --> 0:20:37.076
<v Speaker 9>probably turn to you as the authority figure in her

0:20:37.116 --> 0:20:39.156
<v Speaker 9>life and be like, I'm kind of concerned. What's going

0:20:39.196 --> 0:20:42.676
<v Speaker 9>to happen to that truck that's suspended over that cast

0:20:42.716 --> 0:20:45.516
<v Speaker 9>and or whatever other paw patrol the problem there is, right? Yeah,

0:20:45.556 --> 0:20:47.996
<v Speaker 9>And then you're gonna look very seriously at them and say,

0:20:48.076 --> 0:20:50.676
<v Speaker 9>I don't know, what do you think is going to happen?

0:20:50.836 --> 0:20:52.236
<v Speaker 9>And then they would have to pause, and then they

0:20:52.276 --> 0:20:54.796
<v Speaker 9>would think, and then they would have to imagine themselves

0:20:54.956 --> 0:20:55.876
<v Speaker 9>solving the problem.

0:20:57.116 --> 0:20:58.996
<v Speaker 2>And that's the value.

0:21:01.316 --> 0:21:04.476
<v Speaker 1>I'm a new parent, just over three years into the experience,

0:21:04.916 --> 0:21:06.996
<v Speaker 1>and I have all the insecurities that come with being

0:21:07.036 --> 0:21:10.916
<v Speaker 1>a rookie. I don't know what I'm doing. I put

0:21:10.916 --> 0:21:13.676
<v Speaker 1>my daughters in bed at night and pray they fall asleep.

0:21:13.876 --> 0:21:16.076
<v Speaker 1>I make them oatmeal in the morning and pray they

0:21:16.076 --> 0:21:19.796
<v Speaker 1>eat it. I help build castles made of magnetiles and

0:21:19.876 --> 0:21:23.116
<v Speaker 1>pray they don't destroy them. And all the while I

0:21:23.196 --> 0:21:27.716
<v Speaker 1>ask myself, who are these mysterious creatures over whom I

0:21:27.796 --> 0:21:34.836
<v Speaker 1>have recklessly been given dominion? And now Angus, who I

0:21:34.876 --> 0:21:38.396
<v Speaker 1>admire like few others, was telling me I was doing

0:21:38.436 --> 0:21:38.956
<v Speaker 1>it all wrong.

0:21:39.996 --> 0:21:43.196
<v Speaker 9>You're deleting their capacity to develop an awareness of other

0:21:43.276 --> 0:21:48.076
<v Speaker 9>answers to problems. You're removing that source of natural creativity.

0:21:48.396 --> 0:21:51.076
<v Speaker 9>You're also removing the pressure on them to try and

0:21:51.196 --> 0:21:54.756
<v Speaker 9>find that perspective to solve those other problems. And so

0:21:54.796 --> 0:21:57.036
<v Speaker 9>this entire part of their brain is just atrophying at

0:21:57.036 --> 0:22:00.196
<v Speaker 9>the exact critical moment when as human beings were supposed

0:22:00.196 --> 0:22:01.836
<v Speaker 9>to have it and it's supposed to come online.

0:22:01.916 --> 0:22:05.036
<v Speaker 1>This is devastated. This has been a devastating conversation.

0:22:05.396 --> 0:22:06.396
<v Speaker 2>Yeah, I'm sure.

0:22:08.516 --> 0:22:12.516
<v Speaker 1>When we come back my grand unified theory of pow

0:22:12.556 --> 0:22:27.676
<v Speaker 1>patrol I said way back in the beginning that there

0:22:27.796 --> 0:22:31.436
<v Speaker 1>was an important clue in my conversation with the creators

0:22:31.676 --> 0:22:35.916
<v Speaker 1>of the Paw Patrol movies, something crucial to understanding my

0:22:35.996 --> 0:22:41.996
<v Speaker 1>stubborn affection for the Paw Patrol franchise. Something about University Avenue.

0:22:42.196 --> 0:22:45.876
<v Speaker 1>I remember that you might have wondered what University Avenue

0:22:45.996 --> 0:22:49.516
<v Speaker 1>I was referring to. Well, it's the one in Toronto.

0:22:50.316 --> 0:22:53.876
<v Speaker 1>University Avenue is one of the central boulevards that runs

0:22:53.916 --> 0:22:57.556
<v Speaker 1>through downtown Toronto. It is the Broadway of Toronto. In

0:22:57.596 --> 0:23:00.396
<v Speaker 1>the Pow Patrol movie, it appears as a little visual

0:23:00.516 --> 0:23:04.676
<v Speaker 1>clue that tells you something crucially important about writer and

0:23:04.796 --> 0:23:08.276
<v Speaker 1>his band of Mary Pops. Something I realized, as I

0:23:08.356 --> 0:23:12.316
<v Speaker 1>prepared to rect bond to Angus's attacks, that even the

0:23:12.396 --> 0:23:19.636
<v Speaker 1>mighty Angus had missed. Now but wait, now, I feel Angus,

0:23:19.876 --> 0:23:23.476
<v Speaker 1>your arguments are so compelling and overwhelming. I feel foolish

0:23:23.516 --> 0:23:28.036
<v Speaker 1>in offering my defense of poor Patrol. But I should,

0:23:28.116 --> 0:23:31.196
<v Speaker 1>I think, I feel I should do it anyway. The

0:23:31.276 --> 0:23:34.916
<v Speaker 1>key to understanding Pow Patrol, so this is This is

0:23:34.916 --> 0:23:37.596
<v Speaker 1>the alternate Po Patrol theory. And the key to the

0:23:37.636 --> 0:23:39.756
<v Speaker 1>alternate Po Patrol theory is understanding that it is a

0:23:39.796 --> 0:23:45.156
<v Speaker 1>Canadian show. Pow Patrol is conceived, made and distributed from

0:23:45.196 --> 0:23:48.196
<v Speaker 1>my home country of Canada. It is as Canadian as

0:23:48.236 --> 0:23:52.356
<v Speaker 1>maple syrup, as Canadian as a flock of geese streaking

0:23:52.396 --> 0:23:56.996
<v Speaker 1>across the sky. And what pow Patrol is doing is

0:23:57.316 --> 0:24:03.396
<v Speaker 1>enacting a fantasy of municipal competence, which is absolutely essential

0:24:03.396 --> 0:24:09.116
<v Speaker 1>to understanding what understanding Canada. That's what Canada is, right,

0:24:09.636 --> 0:24:13.476
<v Speaker 1>is a country which has which is formed. What is

0:24:13.516 --> 0:24:15.676
<v Speaker 1>the you know, the essential credo of the United States

0:24:16.396 --> 0:24:20.236
<v Speaker 1>is life, liberty, and the pursuit of happiness, an individualist credo.

0:24:20.756 --> 0:24:24.636
<v Speaker 1>What is the parallel credo of Canada that was embedded

0:24:24.636 --> 0:24:28.276
<v Speaker 1>in the Canadian Articles of Confederation? It is peace, order

0:24:28.316 --> 0:24:29.276
<v Speaker 1>and good government?

0:24:30.356 --> 0:24:30.516
<v Speaker 8>Right.

0:24:30.956 --> 0:24:35.756
<v Speaker 1>What is popetrol? Pow Patrol is an homage and it

0:24:35.836 --> 0:24:38.516
<v Speaker 1>is it is the elaboration of the notion of peace,

0:24:38.596 --> 0:24:42.076
<v Speaker 1>order and good government. And the key thing in the

0:24:42.116 --> 0:24:45.236
<v Speaker 1>po Patrol song at the very beginning they go pop Patrol,

0:24:45.516 --> 0:24:50.276
<v Speaker 1>Pa Patrol. Whenever you're in trouble, pot Patrol, Pop Patrol

0:24:50.356 --> 0:24:51.756
<v Speaker 1>will be there on the double.

0:24:52.476 --> 0:24:53.236
<v Speaker 2>That's crucial.

0:24:53.916 --> 0:24:58.236
<v Speaker 1>It is that not only is every problem assessed, but

0:24:58.316 --> 0:25:02.956
<v Speaker 1>every problem is is addressed in a timely manner, in

0:25:02.996 --> 0:25:06.516
<v Speaker 1>an efficient, competent manner. So that what Papacho is all

0:25:06.516 --> 0:25:09.556
<v Speaker 1>about is that this is, in Canadian terms, is what

0:25:09.596 --> 0:25:14.316
<v Speaker 1>we want our state to do. Right, it is too

0:25:14.596 --> 0:25:17.596
<v Speaker 1>and what is what is pap patrol itself? It is

0:25:17.716 --> 0:25:21.756
<v Speaker 1>it's a It's an example of interagency cooperation, right, Chase

0:25:21.916 --> 0:25:26.116
<v Speaker 1>the police dog, Marshall the firefighter, Sky the pilot, Rubble

0:25:26.196 --> 0:25:31.956
<v Speaker 1>the contractor, all working together. Very Canadian notion that if only,

0:25:32.596 --> 0:25:37.436
<v Speaker 1>if only we join hands and and cooperat across disciplines,

0:25:38.276 --> 0:25:42.156
<v Speaker 1>we can more effectively address the social ills of plague us. Right,

0:25:42.356 --> 0:25:46.076
<v Speaker 1>it's just Canada at all. So what my daughter is

0:25:46.116 --> 0:25:49.156
<v Speaker 1>getting is essentially Canada.

0:25:49.396 --> 0:25:51.236
<v Speaker 9>Yeah, well, I mean I I've seen on the news

0:25:51.276 --> 0:25:52.516
<v Speaker 9>how perfect things are in Canada.

0:25:53.156 --> 0:25:55.276
<v Speaker 2>Malcolm Sino has convinced me it's a. It's a it's

0:25:55.316 --> 0:25:59.316
<v Speaker 2>a utopian land where everything works out, there's there's no

0:25:59.516 --> 0:26:00.276
<v Speaker 2>there's no problems.

0:26:00.596 --> 0:26:08.716
<v Speaker 1>Better it's a comparative judgment. H this point about the

0:26:08.756 --> 0:26:12.636
<v Speaker 1>central of public sector competence to the Canadian identity, it's

0:26:12.676 --> 0:26:15.676
<v Speaker 1>worth a bit of a digression. It concerns the nineteen

0:26:15.716 --> 0:26:19.596
<v Speaker 1>ninety one hit single from the band Crash Test Dummies.

0:26:20.276 --> 0:26:23.996
<v Speaker 1>Perhaps you remember it. It was called Superman's Song, and

0:26:24.076 --> 0:26:29.236
<v Speaker 1>it turns on a sociological comparison of Tarzan and Superman.

0:26:29.836 --> 0:26:34.196
<v Speaker 7>Tarzaan wasn't the leadies Man.

0:26:35.436 --> 0:26:40.556
<v Speaker 10>He just come along and scoop my bonder is arm

0:26:41.356 --> 0:26:47.516
<v Speaker 10>like that, quick as a kid him the junngle.

0:26:46.996 --> 0:26:51.956
<v Speaker 1>Superman, the song argues, is Tarzan's antithesis. He's not some

0:26:52.156 --> 0:26:53.436
<v Speaker 1>rapacious propheteer.

0:26:53.916 --> 0:27:03.636
<v Speaker 7>Superman of made anybody receiving the world from silom and grundy.

0:27:04.996 --> 0:27:08.756
<v Speaker 7>And sometimes I've dispilled the global elbows.

0:27:09.236 --> 0:27:10.476
<v Speaker 8>You love the man.

0:27:13.996 --> 0:27:16.596
<v Speaker 1>This is how the lead singer for the Crash Test Dummies,

0:27:16.636 --> 0:27:20.476
<v Speaker 1>Brad Roberts, explained his thinking to a college newspaper.

0:27:21.156 --> 0:27:21.556
<v Speaker 10>Quote.

0:27:21.636 --> 0:27:26.396
<v Speaker 1>Superman, as cast in Superman's Song is obviously a left

0:27:26.436 --> 0:27:30.356
<v Speaker 1>wing political figure. His activity in the community is intrinsic

0:27:30.436 --> 0:27:35.556
<v Speaker 1>to his being. Superman is being juxtaposed against Tarzan, who

0:27:35.676 --> 0:27:39.076
<v Speaker 1>is kind of a lazy faire capitalist type who retreats

0:27:39.076 --> 0:27:42.036
<v Speaker 1>to the forest and rejects the idea of the community.

0:27:42.716 --> 0:27:45.236
<v Speaker 1>He wants to live in a so called animal state,

0:27:45.596 --> 0:27:47.636
<v Speaker 1>and he doesn't want to be bothered with any kind

0:27:47.676 --> 0:27:52.116
<v Speaker 1>of political realities. Unquote. First of all, how great is

0:27:52.156 --> 0:27:56.716
<v Speaker 1>it that rock stars once talked like this second. On

0:27:56.836 --> 0:28:00.036
<v Speaker 1>the basis of this argument, where do you think the

0:28:00.076 --> 0:28:04.836
<v Speaker 1>crash test dummies are from? It's obvious Canada. Of course,

0:28:05.116 --> 0:28:07.876
<v Speaker 1>this is a song that could only have been written

0:28:08.116 --> 0:28:11.556
<v Speaker 1>by a Canadian. Only a Canadian would find something utterly

0:28:11.716 --> 0:28:15.876
<v Speaker 1>reprehensible in Tarzan's naked displays of strength and brute force,

0:28:16.676 --> 0:28:19.396
<v Speaker 1>and only a Canadian would look long and hard at

0:28:19.436 --> 0:28:22.916
<v Speaker 1>Superman and conclude he's one of us.

0:28:23.676 --> 0:28:30.916
<v Speaker 7>Listen, Hey, Bob, Soup had a strange job. Even though

0:28:31.036 --> 0:28:36.396
<v Speaker 7>he could of smashing any banking in the United States,

0:28:37.796 --> 0:28:40.876
<v Speaker 7>he hadn't strength, but he would.

0:28:40.596 --> 0:28:46.116
<v Speaker 1>Not any bank in the United States. Meaning Superman is

0:28:46.156 --> 0:28:48.796
<v Speaker 1>at a place below the border, where the expectation is

0:28:48.996 --> 0:28:51.916
<v Speaker 1>he will use his gifts for his own selfish ends.

0:28:52.556 --> 0:28:56.276
<v Speaker 1>The superhero who puts his community first stands for peace,

0:28:56.956 --> 0:28:58.356
<v Speaker 1>order and good government.

0:28:58.756 --> 0:29:06.956
<v Speaker 7>Sometimes Soup was stopping crimes how bad he was tempted

0:29:07.156 --> 0:29:16.516
<v Speaker 7>to just quit an time bad long Man joint Tarzi Forest.

0:29:15.796 --> 0:29:21.596
<v Speaker 1>The forest clearly referring to anything below the forty ninth parallel, but.

0:29:23.436 --> 0:29:25.956
<v Speaker 7>Stayed in the sanity.

0:29:27.116 --> 0:29:28.556
<v Speaker 10>Cap down, change.

0:29:28.236 --> 0:29:33.316
<v Speaker 7>In clothes in dirty old Fall. Boostelia's work was through

0:29:34.596 --> 0:29:36.516
<v Speaker 7>the in earth and to dom.

0:29:36.676 --> 0:29:38.396
<v Speaker 2>But go home.

0:29:39.036 --> 0:29:42.076
<v Speaker 1>He stayed in the city working out of decrepit foam

0:29:42.116 --> 0:29:47.076
<v Speaker 1>booths because he believed super strength and superpowers ought to

0:29:47.116 --> 0:29:51.396
<v Speaker 1>be deployed on behalf of the public good. When I

0:29:51.436 --> 0:29:58.156
<v Speaker 1>see Superman, I think he's a Paw Patrol character. Before

0:29:58.236 --> 0:30:00.676
<v Speaker 1>we got hooked on Paw Patrol, my daughter and I

0:30:00.756 --> 0:30:06.196
<v Speaker 1>watched Minie's Bowtoons, equally absurdly popular short cartoons about a

0:30:06.236 --> 0:30:09.076
<v Speaker 1>small business run by a Mini Mouse and her best

0:30:09.196 --> 0:30:12.756
<v Speaker 1>friend and maybe lover I'm unclear on that. Daisy Duck

0:30:13.356 --> 0:30:18.516
<v Speaker 1>devoted to selling bows a boutique. And yes, the theme

0:30:18.596 --> 0:30:28.796
<v Speaker 1>song is as good as you might imagine.

0:30:29.596 --> 0:30:30.356
<v Speaker 8>Coming time.

0:30:33.956 --> 0:30:34.836
<v Speaker 2>You always well.

0:30:39.956 --> 0:30:43.796
<v Speaker 1>Every episode of Bowtoons also begins with a problem, which

0:30:43.836 --> 0:30:48.276
<v Speaker 1>the episode resolves through Minie's ingenuity and persistence that.

0:30:48.436 --> 0:30:50.196
<v Speaker 4>Gives me an idea.

0:30:50.396 --> 0:30:55.716
<v Speaker 1>But who is the beneficiary of Minnie's ingenuity. Minis Mini

0:30:55.956 --> 0:30:59.436
<v Speaker 1>and her considerable business interests. There is no community in

0:30:59.476 --> 0:31:03.276
<v Speaker 1>Minnie Mouse's Bowtoons, no civic obligations. There is only the

0:31:03.316 --> 0:31:06.156
<v Speaker 1>profit that ensues to Mini and her shareholders.

0:31:06.356 --> 0:31:09.076
<v Speaker 4>There's no business, let business.

0:31:11.796 --> 0:31:13.876
<v Speaker 1>All of this made me think of the first lines

0:31:14.556 --> 0:31:18.276
<v Speaker 1>of sol Bello's novel The Adventures of Augie March may

0:31:18.276 --> 0:31:25.076
<v Speaker 1>be the most famous opening sentence in all of American literature. Quote,

0:31:25.356 --> 0:31:29.356
<v Speaker 1>I am an American Chicago born Chicago, that somber city,

0:31:30.076 --> 0:31:32.716
<v Speaker 1>and go at things as I have taught myself freestyle

0:31:33.276 --> 0:31:35.836
<v Speaker 1>and will make the record in my own way. First

0:31:35.876 --> 0:31:40.796
<v Speaker 1>to knock first admitted, sometimes an innocent knock, sometimes a

0:31:40.916 --> 0:31:47.076
<v Speaker 1>not so innocent unquote. That's Minnie Mouse in a nutshell.

0:31:47.676 --> 0:31:50.996
<v Speaker 1>Many is American Disney born Many is for many. Many

0:31:51.076 --> 0:31:54.236
<v Speaker 1>is about life, liberty, and the pursuit of happiness. But

0:31:54.356 --> 0:31:57.196
<v Speaker 1>do you know the dirty little secret about sal Bello?

0:31:58.156 --> 0:32:02.796
<v Speaker 1>He was a Canadian, and I wouldn't be surprised if

0:32:02.876 --> 0:32:06.436
<v Speaker 1>in an earlier version of Augie March, sal Bello admitted

0:32:06.436 --> 0:32:10.396
<v Speaker 1>to the truth of his birthright. I am a Canadian

0:32:10.796 --> 0:32:14.396
<v Speaker 1>Toronto born Toronto, that clean and tidy city, and we

0:32:14.436 --> 0:32:16.516
<v Speaker 1>go at things as I have been taught by the

0:32:16.556 --> 0:32:22.476
<v Speaker 1>civic institutions of my municipality, through cooperation and interagency task forces.

0:32:22.756 --> 0:32:27.596
<v Speaker 1>First to respond, first to apologize, always an innocent knock.

0:32:30.076 --> 0:32:34.276
<v Speaker 1>Angus Fletcher, genius in residence, made lots of very good points,

0:32:34.716 --> 0:32:36.796
<v Speaker 1>but did he deal with the elephants in the room?

0:32:37.156 --> 0:32:42.956
<v Speaker 1>Tarzan Minnie Mouse, Saal Bella. He did not. I'm simply

0:32:43.156 --> 0:32:48.076
<v Speaker 1>saying that I'm understanding where this notion, the notion of

0:32:48.156 --> 0:32:52.836
<v Speaker 1>the new comedy is so implicit in the Canadian national narrative.

0:32:53.436 --> 0:32:56.396
<v Speaker 1>That's what it is. There are no real problems in Canada.

0:32:56.556 --> 0:33:00.876
<v Speaker 1>Canada is this oasis. We're surrounded by countries with will problems,

0:33:01.036 --> 0:33:04.556
<v Speaker 1>not Canada. We don't pick fights with people, we don't

0:33:04.556 --> 0:33:08.356
<v Speaker 1>have racism, we welcome immigrants, we have national health care.

0:33:08.836 --> 0:33:11.716
<v Speaker 1>It is the Kennedy is the embodiment of the of

0:33:11.756 --> 0:33:14.756
<v Speaker 1>the promise of the new comedy. Every problem can be

0:33:14.796 --> 0:33:19.276
<v Speaker 1>simply addressed through some interagency task force. Right, so my

0:33:19.356 --> 0:33:21.476
<v Speaker 1>daughter is just getting a She's just getting a little

0:33:21.476 --> 0:33:23.676
<v Speaker 1>bit of Canadian propaganda. That's how I would read it,

0:33:26.996 --> 0:33:29.556
<v Speaker 1>Angus said. The Paw Patrol's problem was that it was

0:33:29.676 --> 0:33:33.876
<v Speaker 1>vacuous agon. Paw Patrol's weakness was that it constantly presented

0:33:33.916 --> 0:33:36.796
<v Speaker 1>its little viewers with a problem solved at the moment

0:33:36.836 --> 0:33:39.796
<v Speaker 1>of its presentation. But when I look around me at

0:33:39.836 --> 0:33:43.036
<v Speaker 1>the world, all I can say is, I don't know.

0:33:43.796 --> 0:33:45.996
<v Speaker 1>I could use a little more vacuous agon in my

0:33:46.036 --> 0:33:49.476
<v Speaker 1>life right now. A world where there is a puppy

0:33:49.556 --> 0:33:53.476
<v Speaker 1>optimized for every kind of peril, where help arrives at

0:33:53.476 --> 0:33:56.356
<v Speaker 1>the very moment it is summoned, where the hero's work

0:33:56.556 --> 0:33:59.836
<v Speaker 1>not to benefit themselves but the community in which they live.

0:34:00.836 --> 0:34:03.836
<v Speaker 1>Where the definition of a superman is someone who turns

0:34:03.876 --> 0:34:07.836
<v Speaker 1>down the opportunity to rob every bank and instead toils

0:34:08.076 --> 0:34:12.996
<v Speaker 1>on behalf of his countrymen as a fantasy, an aspiration

0:34:13.556 --> 0:34:16.676
<v Speaker 1>to plant in my daughter's head here and now that

0:34:16.756 --> 0:34:23.756
<v Speaker 1>doesn't sound too bad, sapajo, We are on the double.

0:34:24.356 --> 0:34:30.236
<v Speaker 4>Wherever this is album Don and venturday rather is the

0:34:30.316 --> 0:34:35.396
<v Speaker 4>female possible Go and see today Marshall Wobble, James Lucky

0:34:35.636 --> 0:34:39.436
<v Speaker 4>do It Guy on the Way Long a Popular.

0:34:45.636 --> 0:34:48.996
<v Speaker 1>Provision's History is produced by Nina Bird Lawrence, Lucy Sullivan,

0:34:49.236 --> 0:34:53.556
<v Speaker 1>and Ben Addaph Haffrey. Our editor is Karen Chakerji. Fact

0:34:53.636 --> 0:34:57.836
<v Speaker 1>checking by Sam Russick, Engineering by Nina Bird Lawrence, Mixing

0:34:57.876 --> 0:35:01.276
<v Speaker 1>and mastering by Echo Mountain. Production support from lup Leman.

0:35:02.116 --> 0:35:06.196
<v Speaker 1>Our executive producer is Jacob Smith. Special thanks Sarah Nix

0:35:06.316 --> 0:35:12.636
<v Speaker 1>and l Hefe Greta Coom. I'm Malcolm Gladwell. My daughter

0:35:12.876 --> 0:35:19.996
<v Speaker 1>made this whole episode possible. Get add free episodes of

0:35:20.036 --> 0:35:23.636
<v Speaker 1>Revision's history by subscribing to Pushkin Plus. Sign up on

0:35:23.716 --> 0:35:27.716
<v Speaker 1>the show page on Apple Podcasts, or at pushkin dot fm,

0:35:27.796 --> 0:35:32.516
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