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Speaker 1: Walking with Juughhead Jones tossing Hamburger sandwich into the air.

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Speaker 1: He's catching him like a seal. I'm trying to lead

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Speaker 1: him to the dump to help me pick up those

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Speaker 1: big geos. I saw there somebody threw out of an

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Speaker 1: amazing geo heath Cliff's dump. Yeah, and Mungo's there, Yeah,

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Speaker 1: Mungo's there too. They don't figure into this at all.

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Speaker 2: Mungo would maybe one one in a Hamburger sandwich.

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Speaker 1: Well we don't. We never actually get to the dump.

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Speaker 1: Oh no, so would oh go ahead?

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Speaker 2: Then?

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Speaker 1: My bad? So all that is its secondary? What is

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Speaker 1: Mungo Mungo? Yeah?

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Speaker 2: What a Heathcliff Rrien. I mean he'd rather have fishbones

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Speaker 2: boy hamburger sandwich because he's such a.

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Speaker 1: Big fat cat. It's taking more and more Hambergers, which

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Speaker 1: is to get jug Head to be attracted to join me.

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Speaker 1: And so he's like, give me six, six at once,

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Speaker 1: throw them all up in the air. I tossed the

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Speaker 1: six sandwiches. He sneezes and with his big honkin beezer,

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Speaker 1: you know, the beezer of his uh huh, the honking one,

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Speaker 1: he spears the the six Hamburger sandwiches. So now his

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Speaker 1: nose is effectively six burgers.

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Speaker 2: Jughead question, And I hate to get you off track

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Speaker 2: because I know you want to finish the story. What's

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Speaker 2: he the king of.

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Speaker 1: It's not burgers, because that's somebody else. Right, there's already

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Speaker 1: a Burger's king.

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Speaker 2: But he wearing like a crown, right, yes.

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Speaker 1: I know. That's why I'm trying to help you figure

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Speaker 1: it out. He's wearing a gray crown. How he earned

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Speaker 1: that and has a red circle and uh and a

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Speaker 1: white rectangle on it? Is it a Japanese crowd? And

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Speaker 1: it's like a separated flag, King of Japan? The flag

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Speaker 1: does have those two parts.

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Speaker 2: Here's what maybe happened to with Juughhead Jones. He's the

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Speaker 2: prince of Japan. Uh, gets a crown, moves to America

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Speaker 2: in order to rebel against his father. The king won't

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Speaker 2: eat sushi, eats the most American food he can find,

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Speaker 2: the hamburger sandwich, and that's sort of his form of rebellion.

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Speaker 1: Huh.

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Speaker 2: And what's more, he spears them with his hanking' beezer

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Speaker 2: back to you.

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Speaker 1: So where we left off, his nose had become example

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Speaker 1: a stack of burgers. I'm saying, let me burger keba,

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Speaker 1: let me remove the burgers. And he said, oh no,

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Speaker 1: my Bird's like, don't mess with the burgers, like I

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Speaker 1: don't want to. He doesn't want them to be like

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Speaker 1: torn up or something by coming up film put your

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Speaker 1: bees are through them. So he's trying to like sort

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Speaker 1: of unhinge his lower jaw to like come up and

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Speaker 1: snap at the burgers. It's not really working because they're lodged.

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Speaker 1: They're lodged on there. And Veronica comes up and she's like,

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Speaker 1: somebody say my because name is Veronica Lodge. And it's like, Veronica,

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Speaker 1: I love I love it, I love it, I love it.

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Speaker 2: But not the time that's.

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Speaker 1: Great, Not the time I'm dealing with these this burger

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Speaker 1: nose over here.

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Speaker 2: I mean to be fair, like, there's not really a

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Speaker 2: better time because you wouldn't necessarily say Lodge another time,

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Speaker 2: except you did say Roger Lodge the other day.

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Speaker 1: So of course we're just standing around trying to figure

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Speaker 1: out what and he's, you know, jacket throwed of trying

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Speaker 1: to eat his own nose and moose. Mason saunters out,

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Speaker 1: uh oh, and he's like, hey, what's this. Uh you're

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Speaker 1: trying to make a play for my Midge. And it's

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Speaker 1: like we're like, what do you to? Like, Midge isn't

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Speaker 1: even here, but she was there. She was kind of

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Speaker 1: behind me the whole time. Dom's dog is that? Oh?

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Speaker 1: Is Moose Mason dating Dobbs dog?

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Speaker 3: Yeah?

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Speaker 1: Donald Dicas has a dog named Midge And that's Moose's

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Speaker 1: girlfriend little Midge. Yeah, oh wow she's older then Moose.

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Speaker 2: Yeah, he's dating an older woman. Hashtag SEENI your dog.

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Speaker 1: So Moose is, you know, not the smartest guy, but

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Speaker 1: he knows how to hurt people. He's very smart about

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Speaker 1: knowing how to hurt you mm hmm. And so he says,

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Speaker 1: what can I do to hurt Jughead? Who's I guess

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Speaker 1: he thought that Jughead was making a play for Midge

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Speaker 1: by some like the metaphor of spearing the burger was

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Speaker 1: like that he was gonna spear Midge's six burgers.

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Speaker 3: Well.

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Speaker 2: Also, if if Midge had come up at that time,

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Speaker 2: she would absolutely be kissing jug Head on the mouth

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Speaker 2: because she'd be trying to eat.

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Speaker 1: The burgers off his beezer. She'd be working.

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Speaker 2: Away all the way down and be licking the beezer in, yeah,

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Speaker 2: licking it up.

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Speaker 1: So that's what Moose says. He says, Oh, so you

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Speaker 1: want somebody to lick your bees are? Huh? Well, like,

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Speaker 1: let's east, he says. And then he does start going

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Speaker 1: to town on jug his nose, jugheads crying because he

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Speaker 1: wanted the burger so bad. Uh huh. But Moose is

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Speaker 1: just making a sloppy dinner out of the burgers. Gracious

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Speaker 1: me hurting jughead where it hurts the most, which is

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Speaker 1: eating all his burgers burgers.

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Speaker 2: Yeah, right in the burger.

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Speaker 1: Hey, loocome to Hollywood. In the industry we call showbiz.

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Speaker 1: What uh jumping and shooting the ball, row in and fall.

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Speaker 2: Down and go splash lacrosse and it's Olympic. You know

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Speaker 2: what we're talking about is the Olympics and playing corn hole.

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Speaker 1: Botchy man, oh, we get so excited.

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Speaker 2: We're always talking about the game Olympics. And now that

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Speaker 2: it's finally here, now let's really do Olympics on the show.

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Speaker 2: And the first thing I just want to say is

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Speaker 2: it's not about the metals.

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Speaker 1: No, no, no, sweetie.

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Speaker 2: Oh sweetie, oh you poor thing. Oh you think it's

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Speaker 2: the metals.

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Speaker 1: I don't like that this hip hop.

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Speaker 2: Has really infected our Olympics fever in a way where

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Speaker 2: the metals are truly a bad look and just not

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Speaker 2: a good look. And you're a hot mess in those metals, sweetie.

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Speaker 2: And it shouldn't be about the metals, And what it

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Speaker 2: should be about is jumping, throwing, shooting an arrow, splashing, smashing,

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Speaker 2: doing a flip, m crunching, slamming, dodging, dunking, beeping, sweeping, sloping, sleeping.

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Speaker 1: After all that, well, you're gonna need a nap.

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Speaker 2: You worked hard.

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Speaker 1: And it's also not about people don't understand countries. Countries

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Speaker 1: are just funny lines. Somebody with a big pen maid

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Speaker 1: and people are like, oh now this is my favorite place.

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Speaker 2: Oh yeah, the pen line goes here, So I want

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Speaker 2: this guy to win.

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Speaker 1: Yeah, it's fake.

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Speaker 2: It's fake.

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Speaker 1: What if he's standing on the other side, you don't

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Speaker 1: like him anymore?

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Speaker 2: No, forget it.

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Speaker 1: It's imagine.

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Speaker 2: That's the bad kind of rando random humor. I like,

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Speaker 2: but rando pen lines that make you cheer against a

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Speaker 2: supreme athlete. Oh please, honey, that's not a good look, sweetie.

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Speaker 1: So the different guys that we like to support and

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Speaker 1: love to win are not necessarily the ones from the

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Speaker 1: United States. No, we like just different guy. We like

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Speaker 1: different guys for different reasons. Who do you like to support?

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Speaker 2: Well, look, I don't love to admit this, but I

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Speaker 2: always like to root for guys who remind me of me.

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Speaker 2: So if I see a big, rip black dude, that's

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Speaker 2: probably gonna be who I want to win, because inside,

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Speaker 2: that's what I feel like is a really strong guy

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Speaker 2: of African descent. And the musculature of some of these

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Speaker 2: guys makes me feel like I'm looking in the mirror,

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Speaker 2: and the skin tone of them makes me feel like

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Speaker 2: it's kind of alternate world version of me that lets

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Speaker 2: me have a fantasy of being met. I like Lamar

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Speaker 2: from Revenge of the Nerds, who they had to make

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Speaker 2: a special gay Javod for it. Yeah, that's true, because

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Speaker 2: he was so floppy.

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Speaker 1: He ran in such a unique way because of his

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Speaker 1: sexuality that I want to say, Poindexter, one of them

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Speaker 1: built him a special javelin. Yeah, that would make a

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Speaker 1: good noise as it went through the air, and it

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Speaker 1: would go farther than the other guys. Of course, now

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Speaker 1: he's in the Olympics, Mmmm, still using the special javelin

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Speaker 1: because nobody really wants to tell him that he's not

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Speaker 1: allowed to yea, and so I support him. I want

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Speaker 1: him to win the javelin. I'm also supporting that little

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Speaker 1: shimmying running jumper. You remember before the run, she does

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Speaker 1: a little shimmy dance. Whoa you know you remember.

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Speaker 2: You're thinking of morgana the Kissing Bandit.

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Speaker 1: No, she does run kiss George bred I think she

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Speaker 1: does run out there, and I guess she knows how

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Speaker 1: to do a little shimmy. I'm talking about the one,

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Speaker 1: the one who runs over the jumps and she like

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Speaker 1: before the run, she does like a special dance and

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Speaker 1: she goes viral.

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Speaker 2: Okay, well that's good, but I'm rooting for I'm not

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Speaker 2: gonna root for Michael. She's not impressed, and I'm not impressed.

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Speaker 2: Now I am rooting for somebody we all hope wins.

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Speaker 2: And it's maybe not the most popular vote. A lot

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Speaker 2: of people are going for b Rabbit, but I hope

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Speaker 2: Lickety Split pulls this one out. I just think that

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Speaker 2: he's been in Papa Dock's shadow for too long, and

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Speaker 2: Lickety Split actually has the sickest flow. Sure, Lotto is

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Speaker 2: the man who physically I most resemble T Shirt screaming Lotto,

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Speaker 2: I don't fit you. But Lickety Split probably has the

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Speaker 2: most natural rhyme scheme and just effortless uh lyrical dynamism

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Speaker 2: out of anyone in the whole crew. And so I

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Speaker 2: am hoping that he does best be Rabbit.

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Speaker 1: And isn't he in the Olympics? Isn't he's free?

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Speaker 3: Well?

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Speaker 1: Sure, but didn't he I thought, didn't he go to Cranbrook?

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Speaker 2: No, no, No, that's Papa Dot Clarence.

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Speaker 1: But then he went to Cranbrook. That's a private school,

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Speaker 1: private school. But I thought that's how they knew each other.

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Speaker 2: And Clarence has real nice parents. No, Clarence is claiming

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Speaker 2: to be sort of from that, you know, the wrong

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Speaker 2: side of eight mile, when actually he went to Cranbrook,

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Speaker 2: was private school, and he's friends with lott of When

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Speaker 2: lookuld be split. I don't think they all went to Cranbrook.

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Speaker 2: I think that's dirt he's got just on Clarence.

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Speaker 1: Look and he.

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Speaker 2: Split, I think is legit.

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Speaker 1: G I do want Penelope Pitstop to win that Splitty

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Speaker 1: Split lickid to win the race. I want her to

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Speaker 1: finally beat Muttley. Yeah, I want to see Muttley rue

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Speaker 1: I want to see him injured and out of the

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Speaker 1: wacky races forever. Uh.

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Speaker 2: I never root for injury.

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Speaker 1: I despise me.

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Speaker 2: I never root for injury.

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Speaker 1: Uh.

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Speaker 2: Muttley is a sore winner.

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Speaker 1: He has the laugh act like you've been there before.

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Speaker 2: He has a nefarious laugh, which is a technique to

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Speaker 2: frustrate people. It's much like when they were angry that

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Speaker 2: Monticselli's grounded so loud, grunted so loud when she would

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Speaker 2: hit the ball that you couldn't hear the spin coming

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Speaker 2: off of it. And people were saying it was just

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Speaker 2: a tactic, But that's the way she plays the game,

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Speaker 2: and you got to put it out of your head.

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Speaker 2: And if somebody wants to do cheap tactics, whether that's

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Speaker 2: what she was doing, I'm not saying it. Uh, you

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Speaker 2: know that that's why anything happened. I'm just saying that

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Speaker 2: if somebody wants to play that way, you got to

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Speaker 2: rise above it. And I think like he split would

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Speaker 2: be able to do that. And of course in the

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Speaker 2: strong Man competition, I am rooting for Will Ferrell's version

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Speaker 2: of Janet Reno.

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Speaker 1: Uh.

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Speaker 2: He got the boxy dress on, he got the glasses

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Speaker 2: and he'd doing a Franklin Shine dance. And I think

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Speaker 2: that this year he's gonna be able to lift all

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Speaker 2: the weights and smash everybody. I'm running for Heisenberg from

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Speaker 2: Breaking Bad did do what he's to win the cooking competition.

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Speaker 1: No, he can't show up to the Olympics because they'd

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Speaker 1: capture him.

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Speaker 2: Well, no, what if he did, like, uh, remember when

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Speaker 2: Robin Hood and made a movie dress like a stork

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Speaker 2: so he could win the archery contest because he's Fox,

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Speaker 2: but he dressed like a stork and pretend to be

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Speaker 2: that and.

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Speaker 1: Then he win the Heisenberger is going to do that.

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Speaker 2: I heard Eisenberg might dress up and maybe not necessarily

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Speaker 2: as a stork, but maybe as like an egret or something.

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Speaker 1: Oh, to win the competition, to.

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Speaker 2: Win the whole competition and then maybe you know the

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Speaker 2: tent that the kings on goes running around all crazy

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Speaker 2: and they go, who's driving this crazy umbrella? So I

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Speaker 2: mean that's my Olympics pick.

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Speaker 1: Yeah, so let us know how to watch it?

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Speaker 2: Yeah, please somebody email Engineer Sam. It's Engineer Sam dot

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Speaker 2: com at Engineer Sam's friend's house and because he's crashing

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Speaker 2: there for a little bit, until he gets back on

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Speaker 2: his feet, and please email him, and uh, what do

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Speaker 2: you need to know? Like what pieces of information engineer, Sam,

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Speaker 2: are you missing in terms of how to watch the

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Speaker 2: Olympics Because usually my cousin Sam is who shows us

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Speaker 2: how to watch things, and he's been m I a

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Speaker 2: a little bit.

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Speaker 1: Just let me know channel time, TV type? Uh huh

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Speaker 1: TV size mm hmm yeah, which channel goes with which

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Speaker 1: TV type?

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Speaker 2: Yeah? Yeah, we've been having trouble matching the channel to

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Speaker 2: the TV type. It seems like, you know, anytime we

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Speaker 2: get one right, the other one's wrong. Volume volume Okay,

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Speaker 2: and let him know where all that stuff is, and

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Speaker 2: tell where the remote is.

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Speaker 1: Sam looks at his TV and he says, uh, Samsung

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Speaker 1: sung what? No, I didn't?

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Speaker 2: Oh yeah, please solve for me. Yeah what did he sung?

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Speaker 2: And he sees he sees LG and he goes, oh,

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Speaker 2: life's good. And then and then the other thing is

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Speaker 2: uh hayes and I will be uh selecting what we

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Speaker 2: watch on TV and suggesting otherwise is not even remotely funny.

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Speaker 1: So don't touch our remote. And that's but tell Sam

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Speaker 1: one is he has to operate. That's your friend's house rules.

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Speaker 2: Yeah, that's your friend's house rules. So well, I can't

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Speaker 2: wait to see all the Olympics, and I hope nobody

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Speaker 2: drowning this year, and uh, I hope that the winners

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Speaker 2: all I'll realize that the metals are kind of a

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Speaker 2: bad look.

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Speaker 1: Sweetie and gabes in the house on Hollywood hand Book,

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Speaker 1: Hollywood Handbook.

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Speaker 2: So I'm smoking speed balls with Getty, watching Abbie and

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Speaker 2: uh Melissa Gilbert.

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Speaker 1: Uh okay, okay, yes, and we're.

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Speaker 2: Getting pretty tweaked out, fucked up, shooting through the ceiling.

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Speaker 2: It says my name sorry, oh yeah fun in the

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Speaker 2: song yeah, oh yeah. Well, speaking of songs, we're doing

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Speaker 2: this to try to come up with an idea for

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Speaker 2: a song because we have the big show to try

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Speaker 2: to raise enough money to keep the school open. And

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Speaker 2: if we don't play a rocking tune, who's they'll shut

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Speaker 2: us down? Professor Za your school Forgifted Youth. So uh,

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Speaker 2: I of course have a big investment in this, just

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Speaker 2: because I don't want Wolverine beat me up, So uh

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Speaker 2: I take a monster hit.

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Speaker 1: School is the only thing stopping the fact that he

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Speaker 1: has like construction, yeah, is the only thing that's stopping

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Speaker 1: him from beating you up because he's mad at me.

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Speaker 1: He says that.

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Speaker 2: Yeah, he tells me all the time. He calls me

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Speaker 2: if I don't school, if I didn't have a huge testimony,

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Speaker 2: I would be hammering your ass. It's always in those words.

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Speaker 2: So I take a monster hit, almost pass out, and

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Speaker 2: Getty goes, you take it too much, and I go

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Speaker 2: Nobody tells me I'm taking too much Getty and uh,

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Speaker 2: I've doubled down. And I take another hit, try to

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Speaker 2: ghost it, and uh, I black out, go to outer space.

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Speaker 2: When I come back to I look around and I go, guys,

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Speaker 2: we're the song, you know, like we're here trying to

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Speaker 2: write the song. But the song was always in us,

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Speaker 2: you know.

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Speaker 1: And what was the song? Uh uh.

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Speaker 2: It was like an Uncle Cracker song.

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Speaker 1: It was.

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Speaker 2: Uh yeah, yeah, follow me. But then we did the

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Speaker 2: chorus from Put Your Picture.

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Speaker 1: Away, which was Kid Rock and Cheryl Crow.

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Speaker 2: Yeah, just because they seem like friends.

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Speaker 1: The songs seem like yes.

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Speaker 2: So, but we did it raise a bunch of money. Uh.

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Speaker 2: Cyclops gave a really touching speech and we were able

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Speaker 2: to keep the school open. And so as you could see,

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Speaker 2: I did not get my ass hammered by Logan and

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Speaker 2: the Wolverine.

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Speaker 1: Hey, welcome to Just God to Kicking but show visits.

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Speaker 1: What up? What we do? The second part of the

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Speaker 1: show you.

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Speaker 2: The guest part part has the guest Gabe. You're yes,

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Speaker 2: you're here. We're here with Gabe Dela Hey, and we

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Speaker 2: have done the first part of the show. You've already

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Speaker 2: heard it, so we're in the second part and Gabe's

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Speaker 2: here for it.

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Speaker 1: Gabe hasn't heard it.

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Speaker 2: Gabe doesn't even know what he's coming off of, so

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Speaker 2: we might be referencing that he's going to be looking

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Speaker 2: around like, oh, talk about that, Gabe.

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Speaker 3: Yeah. No, I'm definitely at a loss for what the

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Speaker 3: first half was. Yeah, very excited.

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Speaker 1: Any guesses?

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Speaker 2: Yeah, could you any guesses? This could be fun of

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Speaker 2: what the first half was. Yeah, what do you think

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Speaker 2: we covered?

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Speaker 3: You guys talk, you guys talk suicide Squad?

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Speaker 2: Wow, Okay, that was definitely on the table. That was

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Speaker 2: on the table. Here was my field.

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Speaker 1: Definitely what people might have wanted.

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Speaker 2: Definitely some people tweeted out that they wanted that, and

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Speaker 2: definitely Hayes wanted to do that.

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Speaker 3: Did you guys talk about I thought.

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Speaker 2: We'd done it too much and it's also almost played out.

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Speaker 3: Yeah, except the only thing I haven't and I have

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Speaker 3: not been reading or following too much about it. Yeah,

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Speaker 3: people talked about how many Academy Awards The Suicide Squad

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Speaker 3: has because it's pretty good. Oh yeah, multiple multiple Academy

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Speaker 3: Award wins.

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Speaker 1: J Courtney has won, Ja Corney has three. Yeah, that's right,

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Speaker 1: he got three for one role.

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Speaker 2: Marco Robbie got one Best Bathtub Performance in Big Short,

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Speaker 2: so she got that.

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Speaker 3: One, but yeah, all the bathtub scenes got cut.

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Speaker 2: Yeah, and then she she got two because she got

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Speaker 2: she's actually super funny even though she's so beautiful. Uh

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Speaker 2: and has a great sense of humor. She's a tom

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Speaker 2: Boy Yeah, loves comedy. Uh so she got that is

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Speaker 2: Roy hibberd in it. I think he got a bunch

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Speaker 2: of Academy.

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Speaker 1: Awards park and he was right, and yeah Ruben hurricape

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Speaker 1: card epic.

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Speaker 3: Yeah, so uh, okay, he didn't talk Suicide Squad.

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Speaker 1: We didn't talk about that, No, no, no, but that

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Speaker 1: was a.

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Speaker 2: Great guess and we we honestly could have all the

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Speaker 2: Academy awards. And then the other thing. I mean everyone

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Speaker 2: has talked about all the crazy stuff Lido did, but

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Speaker 2: you know, there's obviously still more to be done there,

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Speaker 2: there's a lot unpack and uh was there another thing?

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Speaker 1: Oh?

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Speaker 2: Just the box office boffo and the critical slamming m.

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Speaker 1: Those were that Sean ran away from.

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Speaker 3: You didn't.

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Speaker 1: Them?

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Speaker 2: Yeah? Yeah, I didn't have anything to say, I thought,

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Speaker 2: but we definitely could have talked about it.

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Speaker 1: Uh did the Olympics instead?

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Speaker 2: Olympics Olympics?

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Speaker 3: Yeah, that's cool.

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Speaker 2: Yeah, we didn't. Hayes watched the opening ceremony, but I didn't.

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Speaker 3: How was it?

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Speaker 1: It was good?

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Speaker 2: He had a bout friends over to watch it.

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Speaker 1: It was good.

385
00:22:02,680 --> 00:22:04,160
Speaker 2: You had a bunch of friends over watching. I found

386
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Speaker 2: out the day after.

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00:22:05,520 --> 00:22:11,120
Speaker 1: Uh, my projector, I'm blasting it up on the wall. Sure,

388
00:22:11,920 --> 00:22:14,560
Speaker 1: but it's like over the fireplace, because I have a

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Speaker 1: fireplace at every wall. So it is very scary for

390
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Speaker 1: the people in the opening ceremony, Uh to be so

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Speaker 1: close to the fire all the time. And it makes

392
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Speaker 1: me feel bad. It makes me feel like I'm sentencing

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Speaker 1: them to be burned when actually I support them. I'm

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Speaker 1: proud of them. I want them to win all of them, yes,

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Speaker 1: but instead I'm blasting them with fire.

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Speaker 2: O Gabe speak on a little of your history, my history.

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Speaker 3: Yes, yeah, uh, like like I went to college and okay,

398
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Speaker 3: I went to high school. I went to high school.

399
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Speaker 1: College college boy, went.

400
00:22:55,080 --> 00:22:56,240
Speaker 3: To college high school.

401
00:22:56,280 --> 00:22:57,520
Speaker 2: Were you something of a chameleon?

402
00:22:57,680 --> 00:22:58,680
Speaker 1: Oh, college boy?

403
00:22:59,320 --> 00:22:59,520
Speaker 2: Uh?

404
00:22:59,640 --> 00:23:02,600
Speaker 3: Yeah, I like to like move around between different groups.

405
00:23:02,600 --> 00:23:04,800
Speaker 3: You know, I also be pined.

406
00:23:04,920 --> 00:23:07,760
Speaker 2: I also felt like I wasn't really part of any

407
00:23:07,840 --> 00:23:08,600
Speaker 2: one group.

408
00:23:08,800 --> 00:23:12,000
Speaker 1: But but you can still hang out with them. Yes,

409
00:23:12,040 --> 00:23:14,240
Speaker 1: I kind of fit in with all of them, with everybody,

410
00:23:14,680 --> 00:23:16,919
Speaker 1: but have and in some ways then you have no

411
00:23:17,040 --> 00:23:20,440
Speaker 1: real friends. And in college where were you something of

412
00:23:20,480 --> 00:23:21,000
Speaker 1: a chameleo?

413
00:23:21,200 --> 00:23:23,680
Speaker 3: Yeah? Yeap, I moved around between groups in college. Huh

414
00:23:23,800 --> 00:23:24,720
Speaker 3: it went really well.

415
00:23:24,600 --> 00:23:26,439
Speaker 2: In majors, right, and which majors?

416
00:23:26,440 --> 00:23:27,720
Speaker 3: I had seven different majors.

417
00:23:27,800 --> 00:23:30,719
Speaker 2: Yeah, but in some ways you have no major at

418
00:23:30,720 --> 00:23:31,200
Speaker 2: that point.

419
00:23:31,440 --> 00:23:33,159
Speaker 3: Yeah, well I literally have no major.

420
00:23:33,320 --> 00:23:33,560
Speaker 1: Yeah.

421
00:23:33,640 --> 00:23:36,800
Speaker 3: Yeah, yeah, I moved. I lived in New York for

422
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Speaker 3: a while, spent any time in New York.

423
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Speaker 1: Love New York, New York.

424
00:23:42,720 --> 00:23:44,360
Speaker 2: Huge pizza, yeah.

425
00:23:45,280 --> 00:23:47,760
Speaker 1: Pizza, yeah, pizza, yeah, the Big Bagel.

426
00:23:48,359 --> 00:23:54,240
Speaker 3: Yeah. Spent a lot of times Central Park, Central.

427
00:23:53,920 --> 00:24:00,679
Speaker 1: Park, yes, Central Park, Yes, pigeons ducks. That lady was

428
00:24:01,280 --> 00:24:05,040
Speaker 1: the lady, The lady who's covered in pigeons, Yeah.

429
00:24:04,960 --> 00:24:08,840
Speaker 3: Pigeon lady, that falcon or whatever that lived on in

430
00:24:08,920 --> 00:24:13,080
Speaker 3: a penthouse. And the gates, Crystal's gates, christ and Christal

431
00:24:13,520 --> 00:24:16,119
Speaker 3: who can't stop talking about Christo's Gates.

432
00:24:16,160 --> 00:24:19,080
Speaker 2: Well we all you know, I mean for any time.

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00:24:19,160 --> 00:24:20,639
Speaker 2: If you spend any time in New York, you've been

434
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Speaker 2: to Christal's gates a dozen times?

435
00:24:23,119 --> 00:24:26,359
Speaker 3: And uh, yeah, that's Thatton Island Ferry.

436
00:24:26,640 --> 00:24:30,080
Speaker 2: That's my New York. I mean, that's my New York.

437
00:24:31,200 --> 00:24:34,399
Speaker 2: Just pizza bagels on the ferry on the way to

438
00:24:34,480 --> 00:24:38,399
Speaker 2: Christo's gates and then freaking pigeons and bugs.

439
00:24:38,480 --> 00:24:40,159
Speaker 1: And could you hang out with all the different groups

440
00:24:40,160 --> 00:24:40,960
Speaker 1: in New York? Oh yeah?

441
00:24:41,000 --> 00:24:44,200
Speaker 2: Were you something of a chameleon when you lived in Yeah?

442
00:24:44,320 --> 00:24:52,119
Speaker 3: I would like Uptown Downtown? Oh wow, yeah Brooklyn, Queens Manhattan.

443
00:24:52,240 --> 00:24:54,280
Speaker 2: Was it ever issue you have no neighborhood?

444
00:24:54,480 --> 00:24:56,320
Speaker 1: Was it ever an issue? When your uptown friends are

445
00:24:56,400 --> 00:24:57,320
Speaker 1: meeting your dad up?

446
00:24:57,520 --> 00:25:02,760
Speaker 3: They hated it? Yeah, it's uptown Downtown friends surprisingly didn't care.

447
00:25:03,600 --> 00:25:08,200
Speaker 3: Uptown friends hated meeting downtown friends.

448
00:25:09,960 --> 00:25:14,760
Speaker 2: Oh yeah, is Brooklyn as hip as everyone's saying.

449
00:25:15,800 --> 00:25:18,960
Speaker 3: It's pretty cool? This one's pretty cool. But I think

450
00:25:19,000 --> 00:25:21,320
Speaker 3: that it's already moved. Now we're moving into Queens like

451
00:25:21,320 --> 00:25:24,560
Speaker 3: Brooklyn's already over. Now you got to get into Long

452
00:25:24,600 --> 00:25:28,240
Speaker 3: Island City, Woodside, Sunnyside.

453
00:25:27,920 --> 00:25:31,000
Speaker 2: Woodside, Sunnyside, O Zone Park, O.

454
00:25:31,119 --> 00:25:36,679
Speaker 3: Zone Park, James House, Kevin James, James House, the zoo Keeper.

455
00:25:38,000 --> 00:25:43,119
Speaker 2: Yeah, here comes the boom. I mean that's you know,

456
00:25:43,359 --> 00:25:47,160
Speaker 2: that's where we're at. America is Williamsburg like Silver Lake.

457
00:25:47,040 --> 00:25:52,679
Speaker 3: Or what Williamsburg? Yeah, so Williamsburg is silver Lake, green Point,

458
00:25:53,080 --> 00:26:01,119
Speaker 3: Echo Park, Central Park, uh is Griffith Alesion Park is

459
00:26:03,800 --> 00:26:04,639
Speaker 3: Washington Square.

460
00:26:04,880 --> 00:26:06,320
Speaker 1: What's the Empire State Building?

461
00:26:06,520 --> 00:26:08,480
Speaker 3: Empire State Building is Le Brea tar Pits.

462
00:26:09,119 --> 00:26:09,480
Speaker 1: Mm hmm.

463
00:26:09,680 --> 00:26:14,160
Speaker 2: That's right, that's right, that's right. The flat Iron Building

464
00:26:15,080 --> 00:26:17,639
Speaker 2: to me is the Pacific Ocean.

465
00:26:18,760 --> 00:26:19,160
Speaker 1: And so.

466
00:26:20,840 --> 00:26:23,879
Speaker 2: As we talk about New York and LA, what do

467
00:26:23,960 --> 00:26:24,560
Speaker 2: we mean.

468
00:26:25,840 --> 00:26:28,440
Speaker 1: Gabe unpack that for us?

469
00:26:29,320 --> 00:26:33,960
Speaker 2: I mean I think that that is Yeah, I sort

470
00:26:33,960 --> 00:26:34,399
Speaker 2: of said it.

471
00:26:34,680 --> 00:26:37,240
Speaker 3: The thing that is endlessly fascinating for people is the

472
00:26:37,280 --> 00:26:41,360
Speaker 3: difference between New York and LA. Yeah, not a lot

473
00:26:41,359 --> 00:26:44,160
Speaker 3: of people talk about it, but it's huge.

474
00:26:44,760 --> 00:26:46,840
Speaker 2: The New York Times.

475
00:26:46,400 --> 00:26:48,879
Speaker 3: Los Angeles, New York Times, Los Angeles Times.

476
00:26:48,960 --> 00:26:50,000
Speaker 1: Yeah, New York.

477
00:26:50,040 --> 00:26:55,640
Speaker 3: That's difference taxi cabs, LA, traffic jams, Yeah, New York

478
00:26:56,960 --> 00:27:02,280
Speaker 3: pizza LA, smoothies, smoothies. It's like anywhere you look, there's

479
00:27:02,280 --> 00:27:02,840
Speaker 3: a difference.

480
00:27:03,119 --> 00:27:08,800
Speaker 2: Yeah, all over. Yeah, Yeah, I notice it too, because

481
00:27:08,920 --> 00:27:13,400
Speaker 2: the winners in New York. If it's winter in New York,

482
00:27:13,440 --> 00:27:14,760
Speaker 2: it's summer in LA.

483
00:27:14,840 --> 00:27:17,160
Speaker 3: That's right, that's right. If it's winter in New York,

484
00:27:17,200 --> 00:27:21,639
Speaker 3: it's summer in LA. It's uh, it's New York is

485
00:27:21,640 --> 00:27:26,560
Speaker 3: the city that never sleeps, Yeah la as LA is

486
00:27:26,600 --> 00:27:28,240
Speaker 3: working on its catchphrase.

487
00:27:27,880 --> 00:27:32,040
Speaker 1: New York Statue of Liberty l a the oscars exactly exactly,

488
00:27:32,160 --> 00:27:36,200
Speaker 1: you'll so what if the Statue of Liberty Just bear

489
00:27:36,280 --> 00:27:38,479
Speaker 1: with me on this for a second and period, Like

490
00:27:38,760 --> 00:27:44,280
Speaker 1: the Statue of Liberty and Oscar we're like together, finger yeah,

491
00:27:45,040 --> 00:27:49,040
Speaker 1: kissing its intimately together in some way. I guess one

492
00:27:49,119 --> 00:27:51,520
Speaker 1: of them. I guess he has to be a lot bigger.

493
00:27:52,000 --> 00:27:54,119
Speaker 3: Right, we'd have to be dealing with a really big Oscar.

494
00:27:54,680 --> 00:27:57,480
Speaker 3: Is like one of the ones that stands outside, Yes,

495
00:27:57,800 --> 00:28:01,800
Speaker 3: big one outside, one outside, coming down the red carpet. Yes,

496
00:28:01,880 --> 00:28:03,600
Speaker 3: let's get one of those big ones to New York.

497
00:28:03,680 --> 00:28:04,640
Speaker 3: See if they hit it off.

498
00:28:04,760 --> 00:28:06,040
Speaker 2: One of the ones that Margo won.

499
00:28:07,359 --> 00:28:10,520
Speaker 1: Yeah, right, she got Yes, that's right, she got one

500
00:28:10,520 --> 00:28:11,320
Speaker 1: of the big ones.

501
00:28:11,400 --> 00:28:13,720
Speaker 2: They gave her one of the big ones because it

502
00:28:13,800 --> 00:28:15,560
Speaker 2: was not a pre existing category.

503
00:28:15,760 --> 00:28:16,280
Speaker 1: Yeah.

504
00:28:16,400 --> 00:28:17,679
Speaker 2: A lot of times when they come up with a

505
00:28:17,680 --> 00:28:20,439
Speaker 2: category on the fly, they won't have the statue for it,

506
00:28:20,480 --> 00:28:22,360
Speaker 2: so they'll just grab a statue from anywhere.

507
00:28:22,480 --> 00:28:23,000
Speaker 1: Yeah.

508
00:28:23,320 --> 00:28:25,880
Speaker 2: So, yeah, one of the big ones. And then it's

509
00:28:26,000 --> 00:28:28,000
Speaker 2: what doing it with the statue?

510
00:28:28,040 --> 00:28:31,400
Speaker 1: Well? Yeah, they're just like exploring each other.

511
00:28:31,520 --> 00:28:34,959
Speaker 2: Can you see them up against each other? Or is

512
00:28:35,000 --> 00:28:38,000
Speaker 2: the oscar just under her flowing skirt and you know

513
00:28:38,120 --> 00:28:39,560
Speaker 2: something's going on down there?

514
00:28:40,120 --> 00:28:42,120
Speaker 1: Yeah, I guess he is sort of rooting around.

515
00:28:42,640 --> 00:28:45,320
Speaker 2: You just see sort of a rustling and she's sort

516
00:28:45,320 --> 00:28:47,800
Speaker 2: of like I all just like sort of jilts and

517
00:28:47,880 --> 00:28:48,600
Speaker 2: drops her book.

518
00:28:49,280 --> 00:28:53,800
Speaker 1: Yeah, but she holds the torch. She's bored. I think

519
00:28:53,840 --> 00:28:56,640
Speaker 1: she's I sort of want her to have this, like

520
00:28:56,720 --> 00:28:59,800
Speaker 1: that's something that someone else could do it better than him. Oh,

521
00:28:59,840 --> 00:29:03,840
Speaker 1: he ain't hitting it right, Yes, yeah, I want her

522
00:29:03,840 --> 00:29:05,560
Speaker 1: to be conveying that he ain't hitting it right.

523
00:29:05,760 --> 00:29:09,000
Speaker 3: So you're already at like late stage relationship between them,

524
00:29:09,120 --> 00:29:12,000
Speaker 3: Like I don't want to see it's not even there.

525
00:29:12,400 --> 00:29:15,360
Speaker 3: They're way past flirting, getting to know each other. They've

526
00:29:15,360 --> 00:29:18,400
Speaker 3: already probably had sex a couple of times. Now She's like,

527
00:29:18,480 --> 00:29:20,200
Speaker 3: I gotta move on. This is not working out.

528
00:29:20,200 --> 00:29:21,800
Speaker 1: That's what I want to see. I don't want to

529
00:29:21,800 --> 00:29:24,120
Speaker 1: see somebody hitting it right where I want to be

530
00:29:24,160 --> 00:29:26,120
Speaker 1: looking at it and be like chump.

531
00:29:26,360 --> 00:29:30,520
Speaker 2: Yeah, Hayes likes to feel like And I mean it's

532
00:29:30,720 --> 00:29:33,120
Speaker 2: interesting because he's talking to a trophy in this case,

533
00:29:33,200 --> 00:29:37,920
Speaker 2: but hold my trophy while I kiss your girlfriend. You

534
00:29:38,000 --> 00:29:42,840
Speaker 2: a chump. And as someone who hits it right, it's

535
00:29:42,960 --> 00:29:47,120
Speaker 2: encouraging for him to see guys who ain't hitting it right. Yeah, Gabe,

536
00:29:48,040 --> 00:29:52,320
Speaker 2: you smash. I mean, how satisfying is it to know

537
00:29:52,440 --> 00:29:55,280
Speaker 2: that basically nobody else can touch you.

538
00:29:55,840 --> 00:29:57,960
Speaker 3: It's huge for me. Yeah, it's huge for me. Yeah,

539
00:29:58,120 --> 00:30:01,760
Speaker 3: huge source of confidence. Wake up every day just feeling

540
00:30:01,840 --> 00:30:04,400
Speaker 3: like unstoppable.

541
00:30:04,600 --> 00:30:07,080
Speaker 1: And sane, never gonna find nothing like this that's right.

542
00:30:07,400 --> 00:30:11,440
Speaker 3: And there's not a single statue or award that could

543
00:30:11,440 --> 00:30:13,160
Speaker 3: take this away from me, not.

544
00:30:13,120 --> 00:30:16,200
Speaker 2: Even cable ace or even an SB And you know

545
00:30:16,520 --> 00:30:21,480
Speaker 2: that that's the case. That is really satisfying for me too,

546
00:30:21,920 --> 00:30:24,880
Speaker 2: that I know my wife Steppie Graff is never going

547
00:30:24,960 --> 00:30:27,680
Speaker 2: to leave me, because who else you gonna find to

548
00:30:27,760 --> 00:30:27,960
Speaker 2: hit it?

549
00:30:28,040 --> 00:30:31,840
Speaker 1: Right? You're yeah, you're in there right in the power alleys.

550
00:30:32,440 --> 00:30:35,400
Speaker 2: Yeah, that's right. I take it straight down. The Power Alley.

551
00:30:36,840 --> 00:30:39,040
Speaker 1: Gave the internet Video Gum.

552
00:30:39,120 --> 00:30:40,840
Speaker 2: Yeah, and that's right right.

553
00:30:41,280 --> 00:30:44,160
Speaker 1: You were the star video Gum for sure.

554
00:30:44,160 --> 00:30:46,360
Speaker 2: Were you something of a chameleon at video Gum?

555
00:30:46,800 --> 00:30:49,480
Speaker 3: Yeah? I like to mix it up with different groups

556
00:30:49,520 --> 00:30:52,240
Speaker 3: at video Gum. Yeah, you know, I didn't want to

557
00:30:52,280 --> 00:30:54,920
Speaker 3: get locked down. It's not fun to get locked down.

558
00:30:54,920 --> 00:30:55,360
Speaker 1: It's true.

559
00:30:55,680 --> 00:30:56,840
Speaker 3: You have to keep it moving.

560
00:30:57,280 --> 00:31:00,560
Speaker 2: I hate to be painted with just one brush. I

561
00:31:00,600 --> 00:31:02,520
Speaker 2: want to have so many kinds of paint on me,

562
00:31:03,840 --> 00:31:06,280
Speaker 2: my face painted like some kind of wild animal.

563
00:31:06,720 --> 00:31:09,440
Speaker 1: Now, explain video Gum to people who don't know and

564
00:31:09,480 --> 00:31:12,280
Speaker 1: are like, wouldn't that mess up your VCR? Yeah, stupid.

565
00:31:12,800 --> 00:31:17,000
Speaker 3: Video Gum is a defunct website that no longer exists.

566
00:31:17,640 --> 00:31:22,640
Speaker 3: It has been unavailable for at least two years. Yeah,

567
00:31:23,440 --> 00:31:26,280
Speaker 3: it's a hidden gem. It's a real hidden gem of

568
00:31:26,360 --> 00:31:31,080
Speaker 3: the Internet. I used to work there, haven't for a

569
00:31:31,120 --> 00:31:31,680
Speaker 3: long time.

570
00:31:31,840 --> 00:31:34,640
Speaker 1: Yeah, okay, and you came here to talk about.

571
00:31:34,440 --> 00:31:37,240
Speaker 3: That, and I came here to talk about my latest project.

572
00:31:37,400 --> 00:31:40,800
Speaker 3: The website that you can't find from three years ago.

573
00:31:41,520 --> 00:31:46,840
Speaker 2: Well, that's so interesting that you insisted on bringing it up.

574
00:31:47,320 --> 00:31:49,680
Speaker 3: If I could just plug video so it's video gum

575
00:31:49,760 --> 00:31:51,560
Speaker 3: to If I could just plug it real quick, video

576
00:31:51,560 --> 00:31:54,320
Speaker 3: gum dot com. You cannot find it. It's not there.

577
00:31:54,440 --> 00:31:56,840
Speaker 1: You'll open it up for your friends sometimes, for sure,

578
00:31:57,120 --> 00:32:00,720
Speaker 1: for sure, just to like tickem.

579
00:32:00,560 --> 00:32:02,880
Speaker 3: And I've just been doing the run, you know, I've

580
00:32:02,880 --> 00:32:05,760
Speaker 3: been going on different shows telling them about this website

581
00:32:05,760 --> 00:32:08,240
Speaker 3: I used to write that that doesn't exist.

582
00:32:08,320 --> 00:32:13,040
Speaker 2: Are making the rounds. Hey, guys, it's been almost three years.

583
00:32:12,960 --> 00:32:15,200
Speaker 3: Calling it all by calling it all my favors.

584
00:32:15,280 --> 00:32:18,440
Speaker 2: Yeah, I feel like, you know, people are starting to

585
00:32:18,720 --> 00:32:22,080
Speaker 2: maybe be slightly less aware of this thing that ended

586
00:32:22,120 --> 00:32:26,320
Speaker 2: three years ago, and let's get the word out really smart.

587
00:32:26,680 --> 00:32:29,760
Speaker 2: So I obviously understand it. But for people who don't

588
00:32:29,800 --> 00:32:32,360
Speaker 2: necessarily know how the internet is, tell me if this

589
00:32:32,440 --> 00:32:36,360
Speaker 2: is true on the Internet, you could just write whatever.

590
00:32:37,840 --> 00:32:39,400
Speaker 1: Yeah, and they can as well.

591
00:32:39,520 --> 00:32:43,960
Speaker 2: Holy shit, yep, So fucking crazy guys must just be

592
00:32:44,080 --> 00:32:47,560
Speaker 2: going wild. There's doing nuts stuff.

593
00:32:47,920 --> 00:32:50,720
Speaker 3: It's like, yeah, there's like a lot of bonkers people

594
00:32:50,720 --> 00:32:54,760
Speaker 3: out there. Yeah, and they love the Internet.

595
00:32:54,560 --> 00:32:57,040
Speaker 2: And the Internet when you're on there, you're just looking

596
00:32:57,080 --> 00:32:57,720
Speaker 2: at anything.

597
00:32:58,080 --> 00:32:59,120
Speaker 3: Yep, yep.

598
00:32:59,320 --> 00:33:01,800
Speaker 1: Who can see it when I do? When I do

599
00:33:02,120 --> 00:33:02,800
Speaker 1: my stuff?

600
00:33:02,880 --> 00:33:03,480
Speaker 2: Thank you?

601
00:33:04,160 --> 00:33:09,480
Speaker 3: Anybody can see it? Really, I can see Sean can

602
00:33:09,480 --> 00:33:11,840
Speaker 3: see it, your mom can see it, your neighbor can

603
00:33:11,880 --> 00:33:12,240
Speaker 3: see it.

604
00:33:12,400 --> 00:33:15,520
Speaker 1: Do they have to They don't have to yet.

605
00:33:15,880 --> 00:33:19,400
Speaker 3: Okay, they don't have to yet as of right now,

606
00:33:20,520 --> 00:33:23,800
Speaker 3: there's no laws forcing them to. It's up to them

607
00:33:23,840 --> 00:33:25,760
Speaker 3: if they want to see everything that you're doing.

608
00:33:25,880 --> 00:33:28,680
Speaker 2: Hang on, Gabe. When they're looking at it, what's going

609
00:33:28,720 --> 00:33:31,160
Speaker 2: through their head A lot?

610
00:33:31,200 --> 00:33:33,720
Speaker 3: I mean, look, I can't speak to that. I can't

611
00:33:33,720 --> 00:33:34,320
Speaker 3: speak to that.

612
00:33:34,640 --> 00:33:35,440
Speaker 2: Speak on that.

613
00:33:35,640 --> 00:33:37,600
Speaker 3: I can speak on that. Okay, thank you. I was

614
00:33:37,640 --> 00:33:39,320
Speaker 3: waiting for permission.

615
00:33:39,520 --> 00:33:40,160
Speaker 2: Yeah.

616
00:33:40,760 --> 00:33:41,000
Speaker 1: Uh.

617
00:33:41,040 --> 00:33:44,960
Speaker 3: You know they're probably like, this guy's crazy. Yeah, and

618
00:33:45,040 --> 00:33:48,680
Speaker 3: just and just thinking this guy's this guy's crazy. Yeah,

619
00:33:48,720 --> 00:33:49,960
Speaker 3: I'm looking at this stuff.

620
00:33:50,440 --> 00:33:52,800
Speaker 2: They don't understand it's crazy.

621
00:33:52,400 --> 00:33:54,960
Speaker 3: That what I'm looking at. You know. That's like a

622
00:33:54,960 --> 00:33:56,120
Speaker 3: pretty common reaction.

623
00:33:58,480 --> 00:34:00,000
Speaker 1: You have to eat and drink when you're.

624
00:33:59,840 --> 00:34:05,520
Speaker 3: In in the internet. Yeah, it doesn't replace food or

625
00:34:05,600 --> 00:34:11,200
Speaker 3: water yet yet. There's a there's a website called Soilent

626
00:34:11,320 --> 00:34:14,080
Speaker 3: that people are trying to get to. They're trying to

627
00:34:14,080 --> 00:34:16,839
Speaker 3: eat it. It doesn't work. Yet it doesn't work yet,

628
00:34:16,840 --> 00:34:17,799
Speaker 3: but they're working on it.

629
00:34:18,320 --> 00:34:24,319
Speaker 2: Okay, okay, so all right, here's a hypothetical. Okay, I'm

630
00:34:24,320 --> 00:34:28,120
Speaker 2: in the Internet. Yeah, and I get a phone call. Okay,

631
00:34:28,840 --> 00:34:30,520
Speaker 2: do I just wake up all of a sudden?

632
00:34:34,600 --> 00:34:39,120
Speaker 3: So, yes, you're definitely gonna wake up.

633
00:34:39,560 --> 00:34:41,280
Speaker 1: Uh what happens the internet?

634
00:34:41,480 --> 00:34:46,000
Speaker 3: Yeah, the Internet? So the Internet is gonna still be there.

635
00:34:46,080 --> 00:34:48,040
Speaker 2: Oh and it's my Asian on the phone.

636
00:34:48,360 --> 00:34:52,560
Speaker 3: Okay, okay, that's fine. Internet is not going to be

637
00:34:52,600 --> 00:34:53,160
Speaker 3: a problem.

638
00:34:53,239 --> 00:34:54,879
Speaker 2: They've decided to go a different way.

639
00:34:56,080 --> 00:34:58,160
Speaker 3: Not a problem. You wake up.

640
00:34:58,200 --> 00:35:00,600
Speaker 1: But they loved him.

641
00:35:00,880 --> 00:35:04,239
Speaker 2: I killed it. They really want to find something for me,

642
00:35:04,440 --> 00:35:08,200
Speaker 2: something smaller. But this role is going to go diversity.

643
00:35:08,560 --> 00:35:11,719
Speaker 3: Okay, you just this is not a problem.

644
00:35:11,960 --> 00:35:16,680
Speaker 1: The Internet is not going to interfere. It's David Nears.

645
00:35:17,600 --> 00:35:21,759
Speaker 2: It's David Near. He's yeah, that's what I find out later.

646
00:35:21,920 --> 00:35:23,840
Speaker 2: I guess they doubled back on the diversity.

647
00:35:24,080 --> 00:35:25,040
Speaker 1: It's like curly hair.

648
00:35:25,920 --> 00:35:27,320
Speaker 2: Yeah that's more diverse.

649
00:35:28,360 --> 00:35:30,279
Speaker 3: Yeah, I'm sorry about that.

650
00:35:30,640 --> 00:35:33,080
Speaker 2: No, it's fine, but it's just that I get that

651
00:35:33,120 --> 00:35:36,040
Speaker 2: phone call while I'm in the Internet, so I wake up.

652
00:35:36,160 --> 00:35:37,080
Speaker 1: Yeah, he wakes up.

653
00:35:37,160 --> 00:35:38,760
Speaker 2: So then where's the internet?

654
00:35:39,040 --> 00:35:40,439
Speaker 3: The Internet is still there.

655
00:35:41,080 --> 00:35:44,600
Speaker 2: Holy shit, yep, and people are there. Just can look

656
00:35:44,640 --> 00:35:44,920
Speaker 2: at that.

657
00:35:45,560 --> 00:35:48,000
Speaker 3: Here's the thing. You don't even know. Your agent might

658
00:35:48,040 --> 00:35:51,120
Speaker 3: be on the internet while he's talking to you or

659
00:35:51,280 --> 00:35:53,040
Speaker 3: she is talking to you.

660
00:35:53,160 --> 00:35:54,600
Speaker 2: This is getting scary.

661
00:35:55,200 --> 00:35:57,120
Speaker 1: So the agent is jacked in as well.

662
00:35:57,440 --> 00:36:01,120
Speaker 3: Yeah, agent's jacked in. Everybody's jacked in now at this point.

663
00:36:01,160 --> 00:36:07,879
Speaker 3: Basically there's very few people who aren't jacked in.

664
00:36:08,320 --> 00:36:10,480
Speaker 1: You can stay the internet, you can stay jacked in

665
00:36:10,560 --> 00:36:11,799
Speaker 1: and be on the phone. It's hard.

666
00:36:12,120 --> 00:36:14,040
Speaker 3: It's hard to be jacked off, you know what I'm saying,

667
00:36:14,080 --> 00:36:16,799
Speaker 3: Like you have to you're almost always jacked in on

668
00:36:16,920 --> 00:36:19,600
Speaker 3: the internet. Choice getting phone calls?

669
00:36:19,760 --> 00:36:22,040
Speaker 1: Yeah somebody, So I'm.

670
00:36:21,560 --> 00:36:25,800
Speaker 2: Sorry, turned down for job New Jack City? Yeah yeah yeah.

671
00:36:26,200 --> 00:36:28,279
Speaker 1: And so a new thing is that Kevin sneaks in

672
00:36:28,320 --> 00:36:31,799
Speaker 1: here the different points on the production man, Kevin sneaks in.

673
00:36:32,600 --> 00:36:33,640
Speaker 1: We have to stop it down.

674
00:36:33,880 --> 00:36:38,120
Speaker 2: We have to talk about Kevin. It's not engineer Kevin,

675
00:36:38,160 --> 00:36:45,800
Speaker 2: it's like product production coordinator Kevin. Uh. He's really trying

676
00:36:45,840 --> 00:36:48,799
Speaker 2: to build up the faux Hawk. He's trying to get

677
00:36:48,840 --> 00:36:54,360
Speaker 2: it more to do more than it's been doing. Kevin,

678
00:36:55,239 --> 00:36:58,279
Speaker 2: can I take a picture of you with Hayes. I'd

679
00:36:58,280 --> 00:37:00,120
Speaker 2: like to take a picture of you with Hayes and

680
00:37:00,160 --> 00:37:05,719
Speaker 2: then you take a picture of me with Gabe. Thank

681
00:37:05,760 --> 00:37:07,840
Speaker 2: you for the camera. How's this work? I just aimed

682
00:37:07,880 --> 00:37:11,360
Speaker 2: it's gonna slice me with his photo? Oh god, okay,

683
00:37:11,360 --> 00:37:13,600
Speaker 2: and I accidentally took a photo just now and it's

684
00:37:13,640 --> 00:37:19,520
Speaker 2: so gentle. Okay, here's the boys. This is nice, my guys.

685
00:37:21,400 --> 00:37:22,160
Speaker 2: Is that working?

686
00:37:22,600 --> 00:37:24,239
Speaker 1: And I like that because it makes me feel like

687
00:37:24,239 --> 00:37:26,200
Speaker 1: I'm in a family with Kevin. What happened?

688
00:37:27,560 --> 00:37:28,879
Speaker 2: Can you see if I did it right?

689
00:37:29,280 --> 00:37:31,960
Speaker 3: Hold it for a second like that, and then when

690
00:37:32,000 --> 00:37:33,080
Speaker 3: it goes green.

691
00:37:37,600 --> 00:37:40,920
Speaker 2: I'm not a natural camera user. I mean, that's just

692
00:37:40,960 --> 00:37:44,360
Speaker 2: not one of my strengths. And that feels like a

693
00:37:44,440 --> 00:37:47,480
Speaker 2: really good picture of my two guys and they're in

694
00:37:47,520 --> 00:37:51,359
Speaker 2: a family together. They've got the Fredo's and so that

695
00:37:51,600 --> 00:37:54,399
Speaker 2: can go on the internet and then Hayes's mom can

696
00:37:54,400 --> 00:37:56,880
Speaker 2: look at that, yes, and post that right up.

697
00:37:57,040 --> 00:37:58,000
Speaker 1: That's in the drop box.

698
00:37:58,040 --> 00:38:01,880
Speaker 3: Now you put that in the dropbox. Mm hmmm, send it,

699
00:38:01,960 --> 00:38:05,719
Speaker 3: send an email blast let everybody know the picture of

700
00:38:05,719 --> 00:38:10,440
Speaker 3: Hayz and Kevin. It's in the dropbox. Go look at it,

701
00:38:11,400 --> 00:38:12,280
Speaker 3: and then they will.

702
00:38:13,239 --> 00:38:16,080
Speaker 2: If I want to watch an outer space porno movie

703
00:38:16,120 --> 00:38:20,600
Speaker 2: on the internet. Uh, what am I typing in?

704
00:38:20,880 --> 00:38:25,279
Speaker 3: Okay, go to bing dot com bing type in outer

705
00:38:25,360 --> 00:38:29,760
Speaker 3: space pornom click send.

706
00:38:30,239 --> 00:38:34,000
Speaker 2: Uh, and then it emails my mom.

707
00:38:34,000 --> 00:38:35,279
Speaker 3: It's not gonna email your mom.

708
00:38:35,400 --> 00:38:38,800
Speaker 2: Okay, good, it's not It's not unless you want it to.

709
00:38:39,680 --> 00:38:40,879
Speaker 3: It's not gonna email your mom.

710
00:38:41,000 --> 00:38:44,160
Speaker 2: Okay. So then I definitely did something wrong last time.

711
00:38:44,360 --> 00:38:48,600
Speaker 1: Did you he did a permanent voice command? Did you

712
00:38:48,680 --> 00:38:50,240
Speaker 1: said email my mom forever?

713
00:38:51,200 --> 00:38:54,120
Speaker 3: Yes, when you looked up the outer space porno?

714
00:38:55,000 --> 00:38:55,319
Speaker 1: Uh? Huh?

715
00:38:55,719 --> 00:38:59,520
Speaker 3: Did you then copy and paste it into an email,

716
00:39:00,040 --> 00:39:01,680
Speaker 3: address it to your mom and send.

717
00:39:01,480 --> 00:39:04,759
Speaker 1: It she doesn't have any dress.

718
00:39:05,520 --> 00:39:05,800
Speaker 3: Well.

719
00:39:06,600 --> 00:39:09,520
Speaker 2: So, there was a show last year, I think on

720
00:39:09,719 --> 00:39:14,240
Speaker 2: Fox called Forever about a doctor who had.

721
00:39:14,120 --> 00:39:15,680
Speaker 1: Been alive for a very long time.

722
00:39:16,280 --> 00:39:20,319
Speaker 2: He was Forever Man, And I believe what happened was

723
00:39:20,480 --> 00:39:22,359
Speaker 2: I was trying to email my mom about the show

724
00:39:22,400 --> 00:39:24,680
Speaker 2: because I thought she would find the doctor very handsome,

725
00:39:25,400 --> 00:39:26,600
Speaker 2: and so I said, email my mom.

726
00:39:27,120 --> 00:39:28,879
Speaker 3: Do you email your mom whenever you see a guy

727
00:39:28,880 --> 00:39:30,440
Speaker 3: that she thinks is going to be that you think

728
00:39:30,480 --> 00:39:31,160
Speaker 3: she's gonna not.

729
00:39:31,200 --> 00:39:35,160
Speaker 2: Since the Mentalist, she was really into the Mentalist Simon Baker.

730
00:39:35,360 --> 00:39:39,040
Speaker 2: She loved his stuff, and I thought, nothing's ever going

731
00:39:39,120 --> 00:39:41,640
Speaker 2: to replace this. And when I saw this gentleman from Forever,

732
00:39:41,760 --> 00:39:43,440
Speaker 2: I just thought, well, my mom's gotta.

733
00:39:43,200 --> 00:39:43,759
Speaker 1: Find my mouth.

734
00:39:43,840 --> 00:39:44,440
Speaker 3: Get ready.

735
00:39:45,040 --> 00:39:49,160
Speaker 2: Yeah, I don't do it whenever I do it when

736
00:39:49,400 --> 00:39:52,480
Speaker 2: someone has topped the previous man that I sent her.

737
00:39:53,000 --> 00:39:56,440
Speaker 2: And so now that this guy from Forever, which you know,

738
00:39:56,920 --> 00:40:04,640
Speaker 2: unfortunately short lived, there's some sort of ironic Yes, yeah,

739
00:40:05,239 --> 00:40:09,439
Speaker 2: the sweetest nectar. Oh and Kevin and I had wanted

740
00:40:09,440 --> 00:40:11,279
Speaker 2: a picture of me and Gabe, just as if we're

741
00:40:11,360 --> 00:40:12,480
Speaker 2: kind of buddies.

742
00:40:13,960 --> 00:40:15,880
Speaker 1: And I liked gave actually when you had had your

743
00:40:15,960 --> 00:40:19,160
Speaker 1: arms for that, like here we go, here we go, baby.

744
00:40:20,480 --> 00:40:26,359
Speaker 2: Yeah, dude, Okay, that's good. So the pictures are going

745
00:40:26,400 --> 00:40:28,480
Speaker 2: to be so good. And I hope people find them

746
00:40:28,520 --> 00:40:31,280
Speaker 2: on the internet because that's part of what we're talking about.

747
00:40:32,719 --> 00:40:34,719
Speaker 2: So unfortunately it was short lived. But I did say

748
00:40:34,760 --> 00:40:37,600
Speaker 2: email my mom forever, and it became a permanent voice command,

749
00:40:38,040 --> 00:40:41,959
Speaker 2: and so I think what happened is now she gets

750
00:40:41,960 --> 00:40:44,319
Speaker 2: an email every time I try to watch, you know.

751
00:40:45,080 --> 00:40:47,840
Speaker 2: And there's a crazy example, but in outer space.

752
00:40:47,600 --> 00:40:52,800
Speaker 1: Porno movie Green Ladies.

753
00:40:53,840 --> 00:40:59,920
Speaker 2: Or snapping turtle eating a rat, so fucking sick.

754
00:41:00,480 --> 00:41:02,000
Speaker 1: I love shit like that.

755
00:41:02,800 --> 00:41:09,359
Speaker 2: It's just nature. It's fucking nature whatever, man, I love it.

756
00:41:10,120 --> 00:41:12,319
Speaker 1: Now we have these donor shout outs that you can

757
00:41:12,360 --> 00:41:14,480
Speaker 1: also help us to explain it because these are related

758
00:41:14,520 --> 00:41:16,760
Speaker 1: to the Internet in some way. Yep.

759
00:41:17,719 --> 00:41:20,239
Speaker 2: Somebody's putting money on the Internet and it's ended up

760
00:41:20,280 --> 00:41:21,880
Speaker 2: in Scott Ackerman's pockets.

761
00:41:22,440 --> 00:41:24,120
Speaker 1: Mm hm.

762
00:41:24,160 --> 00:41:28,640
Speaker 2: So Kyle Hilton, did one tell me about what he's

763
00:41:28,719 --> 00:41:29,880
Speaker 2: thinking when he does.

764
00:41:29,680 --> 00:41:32,600
Speaker 1: This and the science behind it?

765
00:41:32,760 --> 00:41:35,360
Speaker 2: Yeah, the science and the Internet and if you and

766
00:41:35,480 --> 00:41:39,160
Speaker 2: maybe tell and maybe if video gum has anything to

767
00:41:39,160 --> 00:41:39,680
Speaker 2: do with it.

768
00:41:40,480 --> 00:41:44,040
Speaker 3: Okay? So am I reading this to? Kyle Hilton donated

769
00:41:44,040 --> 00:41:49,440
Speaker 3: one hundred dollars to uh win this award for recognition of.

770
00:41:49,400 --> 00:41:53,960
Speaker 2: Your wolf Yeah, excellence in podcasts support podcast support.

771
00:41:54,480 --> 00:41:54,960
Speaker 1: Mm hmmm.

772
00:41:55,280 --> 00:41:56,880
Speaker 3: First of all, thank you to Kyle Hilton.

773
00:41:57,520 --> 00:42:00,640
Speaker 1: No, yeah, that's not that seems good, seems right. We

774
00:42:00,680 --> 00:42:03,000
Speaker 1: have another one here too, Yeah.

775
00:42:03,320 --> 00:42:04,759
Speaker 3: Another Oh you'd like me to read this one?

776
00:42:04,840 --> 00:42:06,760
Speaker 1: Yeah. We don't want to do these anymore, we can't.

777
00:42:07,000 --> 00:42:11,160
Speaker 3: Maxwell's too many. Gover gover another.

778
00:42:12,400 --> 00:42:14,640
Speaker 2: Yeah. Does that sound like a lot of money or

779
00:42:14,680 --> 00:42:17,120
Speaker 2: a little bit of money to you for that award?

780
00:42:18,040 --> 00:42:23,880
Speaker 3: You know, I feel like it's a pretty good amount

781
00:42:23,920 --> 00:42:24,360
Speaker 3: of money.

782
00:42:24,920 --> 00:42:26,080
Speaker 1: Everyone gets a trophy.

783
00:42:26,160 --> 00:42:28,919
Speaker 3: Now for it's a pretty good amount of money, everyone.

784
00:42:28,560 --> 00:42:29,240
Speaker 2: Gets a trophy.

785
00:42:29,239 --> 00:42:32,839
Speaker 1: Everyone gets an Excellence in Podcasting Suppord Award.

786
00:42:32,880 --> 00:42:35,960
Speaker 2: And for just that money, they're gonna get this great

787
00:42:36,000 --> 00:42:41,120
Speaker 2: piece of paper and we all sign it, and let's

788
00:42:41,200 --> 00:42:48,560
Speaker 2: just knock that out too while we're here, fucking congratulations, Max,

789
00:42:48,640 --> 00:42:53,160
Speaker 2: would you put? I wrote Joker was here. I hope

790
00:42:53,280 --> 00:42:54,799
Speaker 2: we did Suicide Squad after all.

791
00:42:54,920 --> 00:42:58,400
Speaker 1: I hope the winners of these awards don't get together

792
00:42:58,920 --> 00:43:01,799
Speaker 1: and compare the because Joker was here is on a

793
00:43:01,840 --> 00:43:02,840
Speaker 1: lot of that's.

794
00:43:02,680 --> 00:43:06,360
Speaker 2: On most of them. Since I rewatched the original Batman,

795
00:43:07,120 --> 00:43:09,960
Speaker 2: the Tim Burton Batman movie where he goes through the

796
00:43:10,040 --> 00:43:12,239
Speaker 2: art museum and he says Joker was here on one

797
00:43:12,239 --> 00:43:16,799
Speaker 2: of the paintings, and I just really liked that. And

798
00:43:16,840 --> 00:43:19,640
Speaker 2: then I also would write it's your uncle Bingo sometimes too,

799
00:43:19,680 --> 00:43:22,000
Speaker 2: which also was from when I rewatched that movie maybe

800
00:43:22,040 --> 00:43:22,680
Speaker 2: a month ago.

801
00:43:23,600 --> 00:43:29,279
Speaker 1: Less familiar phrase, it's your uncle Bingo. Yeah, I don't

802
00:43:29,280 --> 00:43:30,120
Speaker 1: remember that one.

803
00:43:31,040 --> 00:43:32,920
Speaker 2: Yeah, he says it to like the mayor before he

804
00:43:33,040 --> 00:43:33,840
Speaker 2: kills him or something.

805
00:43:34,280 --> 00:43:35,920
Speaker 3: Joker says, it's your uncle Bingo.

806
00:43:36,840 --> 00:43:40,400
Speaker 1: Yeah, you know what I'm gonna write so dark the

807
00:43:40,480 --> 00:43:41,400
Speaker 1: con of Man.

808
00:43:44,760 --> 00:43:47,959
Speaker 2: Remember, tell me again about it.

809
00:43:47,960 --> 00:43:52,200
Speaker 1: It was a scramble words scramble that was the Da

810
00:43:52,280 --> 00:43:58,760
Speaker 1: Vinci's code. That's right, and you unscramble it, and it's

811
00:43:58,800 --> 00:44:01,680
Speaker 1: like the guy looks and he's like, wait, it's a scramble.

812
00:44:02,920 --> 00:44:03,719
Speaker 1: It's supposed to be.

813
00:44:06,000 --> 00:44:09,239
Speaker 2: So Mantha con is he using the codex for that?

814
00:44:09,440 --> 00:44:12,399
Speaker 3: He's definitely using the Yes, he pulls out the using

815
00:44:12,400 --> 00:44:13,040
Speaker 3: the codex.

816
00:44:13,520 --> 00:44:15,920
Speaker 1: Oh boy, and he's clicking and clacking on the codex.

817
00:44:16,280 --> 00:44:19,879
Speaker 1: I did look up Yes, Street assassination video. Batman, it's

818
00:44:19,920 --> 00:44:23,000
Speaker 1: your uncle Bengo. It's also in a super cut of

819
00:44:23,040 --> 00:44:25,279
Speaker 1: Jokers Best Moments, which maybe I just.

820
00:44:27,719 --> 00:44:30,920
Speaker 2: Start playing that these Joker super cu is like an anime.

821
00:44:31,080 --> 00:44:32,760
Speaker 1: They sort of, I mean they sort of the Joker

822
00:44:32,760 --> 00:44:35,480
Speaker 1: Supercuts kind of replaced video. Gup, didn't they.

823
00:44:35,760 --> 00:44:37,480
Speaker 3: It's mostly Joker super cuts.

824
00:44:37,480 --> 00:44:40,320
Speaker 1: Now, there was really no need physical.

825
00:44:42,239 --> 00:44:43,320
Speaker 2: This is weird.

826
00:44:44,239 --> 00:44:46,000
Speaker 1: Will continue after this is just.

827
00:44:46,320 --> 00:44:51,000
Speaker 2: A cartoon that wasn't the Joker's best moment. Hold on,

828
00:44:51,600 --> 00:44:52,880
Speaker 2: you should not even close.

829
00:44:52,960 --> 00:44:56,800
Speaker 3: You should leave a comment. You should definitely start mixing

830
00:44:56,840 --> 00:44:59,120
Speaker 3: it up on the Joker super Cuts thread. And he

831
00:44:59,160 --> 00:45:05,680
Speaker 3: can say that's his best moment. Racist stuff, wow, anti

832
00:45:05,760 --> 00:45:06,600
Speaker 3: woman stuff.

833
00:45:06,840 --> 00:45:08,120
Speaker 2: This clip's getting long.

834
00:45:08,840 --> 00:45:11,000
Speaker 1: The Joker's white, so I don't know what he would

835
00:45:11,760 --> 00:45:13,600
Speaker 1: I don't know if that would make sense. And he's

836
00:45:13,600 --> 00:45:14,879
Speaker 1: a good guy, and.

837
00:45:14,840 --> 00:45:15,480
Speaker 3: He's a good guy.

838
00:45:15,840 --> 00:45:23,879
Speaker 2: Yeah ah, and then he throws a pen through his neck.

839
00:45:25,040 --> 00:45:27,319
Speaker 1: So how much does it cost us when we play that?

840
00:45:27,760 --> 00:45:29,560
Speaker 1: It's from the Internet, which is free.

841
00:45:29,840 --> 00:45:33,239
Speaker 3: Yeah, I definitely think that you're gonna want to keep

842
00:45:33,239 --> 00:45:33,799
Speaker 3: getting these.

843
00:45:35,000 --> 00:45:37,360
Speaker 2: We're gonna need a couple more hundred dollars donations.

844
00:45:37,400 --> 00:45:39,759
Speaker 3: Hundred dollar donations of Maxwell.

845
00:45:39,320 --> 00:45:41,359
Speaker 1: Go over if you could, if you want to keep

846
00:45:41,400 --> 00:45:44,640
Speaker 1: your clips, if you want us to be able to

847
00:45:44,640 --> 00:45:46,319
Speaker 1: play Joker clips live on the air.

848
00:45:46,360 --> 00:45:48,319
Speaker 2: Because Hayes didn't remember when he said it's your uncle

849
00:45:48,360 --> 00:45:50,319
Speaker 2: Bingo before he throw the pen through the guy's neck,

850
00:45:50,960 --> 00:45:53,440
Speaker 2: then you may want to keep giving us one hundred

851
00:45:53,520 --> 00:45:57,839
Speaker 2: dollars and do it through the internet. Gabe explain how

852
00:45:57,880 --> 00:45:58,800
Speaker 2: the science works.

853
00:45:59,440 --> 00:46:03,920
Speaker 3: So you put your hundred dollars in the Internet and

854
00:46:03,960 --> 00:46:06,280
Speaker 3: then it becomes a numbers.

855
00:46:06,760 --> 00:46:08,080
Speaker 1: Does the internet do cash back?

856
00:46:08,400 --> 00:46:13,399
Speaker 2: Yeah, cash back rewards or can you take the money

857
00:46:13,400 --> 00:46:16,040
Speaker 2: out from your mousepad? Uh?

858
00:46:16,440 --> 00:46:19,319
Speaker 3: Not yet, not yet, not yet.

859
00:46:19,360 --> 00:46:20,560
Speaker 1: It's stuck you.

860
00:46:21,800 --> 00:46:24,320
Speaker 3: Yeah you can. There's no cash back. Yeah.

861
00:46:24,480 --> 00:46:27,000
Speaker 2: If I cut open engineer Sam's mousepad right now, how

862
00:46:27,080 --> 00:46:28,439
Speaker 2: much money I gotta find in there?

863
00:46:29,600 --> 00:46:36,080
Speaker 3: I think you'd look not a lot. I don't think

864
00:46:36,080 --> 00:46:40,239
Speaker 3: it's gonna be a lot. This is uh, you know,

865
00:46:41,120 --> 00:46:44,520
Speaker 3: it's not your This is a podcasting network. No offense

866
00:46:44,560 --> 00:46:45,239
Speaker 3: to Sam.

867
00:46:45,440 --> 00:46:51,719
Speaker 1: Yeah, it's not you.

868
00:46:48,360 --> 00:46:54,040
Speaker 2: But yeah, yeah, I know you mean yeah, talk to

869
00:46:54,080 --> 00:46:56,680
Speaker 2: Sam for a minute. You have any questions for him?

870
00:46:57,000 --> 00:47:00,319
Speaker 3: Sam? How do you how'd you get involved with this

871
00:47:00,480 --> 00:47:01,240
Speaker 3: with these guys?

872
00:47:02,520 --> 00:47:07,320
Speaker 1: I applied for job and applied for job. Yeah, Sean

873
00:47:07,320 --> 00:47:09,319
Speaker 1: made him go through the same process of everyone else.

874
00:47:09,360 --> 00:47:11,160
Speaker 2: And Sean and I don't want to see like I'm

875
00:47:11,160 --> 00:47:13,120
Speaker 2: showing fair just because he's my little cousin.

876
00:47:13,360 --> 00:47:14,880
Speaker 3: What was the interview process?

877
00:47:15,040 --> 00:47:20,440
Speaker 1: Like how Sean knew someone here? And that's my streamline

878
00:47:20,520 --> 00:47:21,759
Speaker 1: green lit process.

879
00:47:22,840 --> 00:47:27,120
Speaker 2: Yeah, streamline greenlight it. Yeah, but the interview process was

880
00:47:27,160 --> 00:47:29,760
Speaker 2: a lot of like, how's your my mom?

881
00:47:30,120 --> 00:47:32,320
Speaker 3: How's your mom? That was one of the first questions.

882
00:47:32,640 --> 00:47:35,960
Speaker 2: Yeah, well, and then the answer was, you know, she's

883
00:47:36,000 --> 00:47:38,200
Speaker 2: upset about some of the emails she's been getting from you.

884
00:47:39,560 --> 00:47:43,720
Speaker 1: This was sort of a way to getting his cousin

885
00:47:43,800 --> 00:47:48,279
Speaker 1: sam uh An Okay, job was sort of a way

886
00:47:48,280 --> 00:47:51,759
Speaker 1: to atone for Yeah, a lot of that.

887
00:47:51,800 --> 00:47:53,360
Speaker 2: It was to make good like we have to do

888
00:47:53,440 --> 00:47:54,760
Speaker 2: with some of our advertisers.

889
00:47:54,880 --> 00:47:59,680
Speaker 1: Yeah, I don't like the way we do the ads,

890
00:48:00,400 --> 00:48:04,080
Speaker 1: but we don't know any other way. Gabe, any any

891
00:48:04,320 --> 00:48:08,000
Speaker 1: any plugs, any specific plugs from video gum.

892
00:48:08,080 --> 00:48:10,959
Speaker 2: Yeah, if I could just eddy stuff we can't find,

893
00:48:11,040 --> 00:48:12,399
Speaker 2: you really want us to hunt down?

894
00:48:12,520 --> 00:48:15,400
Speaker 3: You know, there's a post I did on video gum

895
00:48:15,680 --> 00:48:18,120
Speaker 3: okay that I just would really like to get the

896
00:48:18,200 --> 00:48:21,920
Speaker 3: word out about. Yeah, I took the I took the

897
00:48:22,000 --> 00:48:26,759
Speaker 3: TMZ tour of Hollywood. Huge post for me, huge post love.

898
00:48:26,880 --> 00:48:27,280
Speaker 1: Yeah.

899
00:48:27,320 --> 00:48:30,880
Speaker 3: I loved writing about that. Wow, So you can't find that?

900
00:48:32,360 --> 00:48:34,960
Speaker 2: What else can I find? Are you still giving people advice?

901
00:48:35,120 --> 00:48:36,360
Speaker 1: Did you unleash the snark?

902
00:48:37,800 --> 00:48:41,560
Speaker 3: We did? We did? We did. We did a lot

903
00:48:41,560 --> 00:48:44,720
Speaker 3: of snarks on there, a lot of snarks on there.

904
00:48:45,680 --> 00:48:48,239
Speaker 1: Well, the one thing I would say to you is

905
00:48:48,280 --> 00:48:50,320
Speaker 1: that it's actually pretty hard to make something.

906
00:48:51,440 --> 00:48:56,080
Speaker 3: You know, I've learned that, and uh, people.

907
00:48:55,840 --> 00:48:57,359
Speaker 2: Worked pretty hard on some of this.

908
00:48:57,520 --> 00:48:59,479
Speaker 1: Yeah, this is it's actually I think if you really

909
00:48:59,480 --> 00:49:01,360
Speaker 1: tried to make a movie, you'd find that it's actually

910
00:49:01,360 --> 00:49:02,080
Speaker 1: not that easy.

911
00:49:02,239 --> 00:49:04,239
Speaker 2: I think if you had made a movie, if you

912
00:49:04,239 --> 00:49:07,080
Speaker 2: would actually put your time, your blood, sweat and tears

913
00:49:07,120 --> 00:49:10,480
Speaker 2: into a project like this, then maybe you wouldn't think

914
00:49:10,520 --> 00:49:13,840
Speaker 2: it was so funny to sit back and comment on

915
00:49:14,680 --> 00:49:16,239
Speaker 2: what exactly didn't worry about it.

916
00:49:16,320 --> 00:49:18,440
Speaker 1: That's very easy. It's very easy to be snarky.

917
00:49:18,719 --> 00:49:21,879
Speaker 2: It's so easy to say it's something's a piece of shit,

918
00:49:21,960 --> 00:49:23,799
Speaker 2: But it's not easy to make a piece of shit.

919
00:49:24,160 --> 00:49:27,160
Speaker 2: It actually takes a long time. You would rather people

920
00:49:27,200 --> 00:49:28,320
Speaker 2: don't mention that it sucks.

921
00:49:28,400 --> 00:49:31,239
Speaker 1: It's really hard to make a movie that sucks so bad,

922
00:49:33,120 --> 00:49:36,360
Speaker 1: to make something that really sucks and speaks to almost

923
00:49:36,360 --> 00:49:39,719
Speaker 1: no one and just doesn't even hold up that's what

924
00:49:39,800 --> 00:49:43,240
Speaker 1: it's supposed to be. It's expensive, and it.

925
00:49:42,560 --> 00:49:44,200
Speaker 2: It takes a long time, and you'd like to be

926
00:49:44,239 --> 00:49:46,280
Speaker 2: able to get another crack at it. And if everyone

927
00:49:46,320 --> 00:49:49,279
Speaker 2: says how shitty it is, it's a lot harder. So

928
00:49:49,600 --> 00:49:51,760
Speaker 2: maybe we take it like some of the snark.

929
00:49:52,080 --> 00:49:54,120
Speaker 1: Yeah you want to make another bad movie.

930
00:49:54,440 --> 00:49:56,920
Speaker 2: Yeah, you hopefully would like the opportunity to make another

931
00:49:56,960 --> 00:49:59,720
Speaker 2: bad movie. So please get everyone say that it's good instead.

932
00:50:00,080 --> 00:50:03,200
Speaker 2: And this I've seen this attitude work actually.

933
00:50:03,800 --> 00:50:05,560
Speaker 1: Yeah, so does that feel.

934
00:50:06,239 --> 00:50:08,080
Speaker 3: No, I think that's you know, that's a real wake

935
00:50:08,160 --> 00:50:08,719
Speaker 3: up call for.

936
00:50:08,719 --> 00:50:12,640
Speaker 2: Me as a guy who's noticed some when some things

937
00:50:12,680 --> 00:50:14,840
Speaker 2: are bad. And maybe you could have kept it to yourself.

938
00:50:14,920 --> 00:50:17,800
Speaker 3: I think, you know, look, it would have been harder

939
00:50:17,840 --> 00:50:21,000
Speaker 3: to do my job at the time, which again was

940
00:50:21,040 --> 00:50:22,880
Speaker 3: a job I did three.

941
00:50:22,880 --> 00:50:24,520
Speaker 2: Three years ago or so.

942
00:50:24,840 --> 00:50:26,960
Speaker 1: Yeah, but but it was.

943
00:50:27,320 --> 00:50:30,040
Speaker 3: It would have been harder at the time to do

944
00:50:30,120 --> 00:50:34,480
Speaker 3: that job. But I do you know, maybe I should

945
00:50:34,480 --> 00:50:37,040
Speaker 3: have thought a little harder three three to five years

946
00:50:37,080 --> 00:50:41,880
Speaker 3: ago to about how to make something.

947
00:50:42,040 --> 00:50:42,279
Speaker 1: Yeah.

948
00:50:42,760 --> 00:50:44,440
Speaker 3: Yeah, it can be hard.

949
00:50:44,560 --> 00:50:46,400
Speaker 1: Yeah, what's next?

950
00:50:47,440 --> 00:50:52,600
Speaker 3: It's a good question. It's a great question. You know.

951
00:50:52,840 --> 00:50:57,560
Speaker 3: I'd love to just like I'm working on this specscript

952
00:50:57,680 --> 00:51:03,960
Speaker 3: right now. Zero Dark four starring Uh, well, it's it's

953
00:51:03,960 --> 00:51:10,200
Speaker 3: starring Olivia mun Oh wow, what a great dark Zero

954
00:51:10,280 --> 00:51:11,360
Speaker 3: Dark forty.

955
00:51:11,360 --> 00:51:12,480
Speaker 2: Loved her as Silo.

956
00:51:12,760 --> 00:51:20,239
Speaker 3: It's basically, uh, it's like Weekend at Bernie's meets Speed too.

957
00:51:20,880 --> 00:51:21,520
Speaker 3: Oh wow.

958
00:51:21,719 --> 00:51:23,520
Speaker 2: I would have thought it was like this is forty

959
00:51:23,560 --> 00:51:24,720
Speaker 2: meets zero Dark thirty.

960
00:51:25,239 --> 00:51:27,759
Speaker 3: No, it's well, no, look it's picks up where zero

961
00:51:27,880 --> 00:51:28,919
Speaker 3: Dark thirty left off.

962
00:51:29,040 --> 00:51:29,560
Speaker 2: Uh huh.

963
00:51:29,719 --> 00:51:32,360
Speaker 3: You remember how they take his Osama bin Laden's body

964
00:51:32,400 --> 00:51:34,760
Speaker 3: out on that boat and dump into the ocean.

965
00:51:35,200 --> 00:51:35,399
Speaker 1: Yeah.

966
00:51:35,600 --> 00:51:37,319
Speaker 3: A couple guys are like, I bet we could get

967
00:51:37,360 --> 00:51:42,640
Speaker 3: a date if we took that body to shore. They

968
00:51:42,680 --> 00:51:44,800
Speaker 3: picked the body up, put some strings on the suit,

969
00:51:45,440 --> 00:51:48,040
Speaker 3: take them to the bar, lose the body.

970
00:51:48,520 --> 00:51:51,960
Speaker 2: Olivia Month's playing Osama. Yes, that's nice.

971
00:51:52,960 --> 00:51:56,239
Speaker 3: Yeah, she's firmly attached and she's not allowed to back

972
00:51:56,280 --> 00:51:57,040
Speaker 3: out of the project.

973
00:51:57,320 --> 00:51:59,319
Speaker 2: Here's something that happened when I went to see X

974
00:51:59,360 --> 00:52:04,040
Speaker 2: Men Apocalypse starring Olivia Munnis Siloc. They had an interview

975
00:52:04,120 --> 00:52:06,480
Speaker 2: at the end of the movie that they showed of

976
00:52:06,920 --> 00:52:10,439
Speaker 2: you know, arc Light Presents, where the writer of that

977
00:52:10,719 --> 00:52:14,840
Speaker 2: movie is sitting in the arc Light lobby apparently in

978
00:52:14,960 --> 00:52:18,800
Speaker 2: real time, uh, with when you were watching the movie,

979
00:52:18,840 --> 00:52:23,040
Speaker 2: because a lot of the displays are the same. The costumes, Yes,

980
00:52:23,200 --> 00:52:26,640
Speaker 2: the costumes. What were the costumes for this one.

981
00:52:26,880 --> 00:52:30,600
Speaker 1: It's almost always a leather jacket turtle.

982
00:52:30,719 --> 00:52:32,480
Speaker 2: Yes, here's the leather jacket.

983
00:52:33,239 --> 00:52:34,799
Speaker 3: The costumes in person.

984
00:52:35,280 --> 00:52:39,320
Speaker 2: It's mind blowing when you go this is what they're wearing.

985
00:52:39,480 --> 00:52:43,600
Speaker 3: And this is the shirt turtle war that was there

986
00:52:43,800 --> 00:52:45,000
Speaker 3: in the Entourage movie.

987
00:52:45,600 --> 00:52:45,920
Speaker 1: Turtle.

988
00:52:47,120 --> 00:52:50,000
Speaker 2: Yes, the Ninja turtle and the shirt turtle war. So

989
00:52:51,000 --> 00:52:59,040
Speaker 2: he's doing an interview and saying that he wanted to

990
00:52:59,040 --> 00:53:03,240
Speaker 2: incorporate sil into this film and that it just came

991
00:53:03,280 --> 00:53:05,760
Speaker 2: to him that Olivia Mun would just be the best

992
00:53:05,800 --> 00:53:10,400
Speaker 2: actress for this. So he sat down with Brian Singer

993
00:53:11,400 --> 00:53:14,400
Speaker 2: and he Google image search to Lygia Olivia Mun for

994
00:53:14,520 --> 00:53:19,000
Speaker 2: Brian to show him some images so that Brian would

995
00:53:19,000 --> 00:53:22,759
Speaker 2: know what she looks like. Brian, of course, really responded

996
00:53:22,800 --> 00:53:23,960
Speaker 2: to the Google image search.

997
00:53:28,600 --> 00:53:35,759
Speaker 4: So so this guy then reached out to Olivia. He

998
00:53:35,800 --> 00:53:40,040
Speaker 4: doesn't say I have her email, but it's implied, and

999
00:53:40,080 --> 00:53:42,520
Speaker 4: Olivia said, not only would I be willing to play

1000
00:53:42,520 --> 00:53:45,640
Speaker 4: that character, I know more about that character than you

1001
00:53:45,760 --> 00:53:46,320
Speaker 4: or Brian.

1002
00:53:46,400 --> 00:53:48,680
Speaker 2: I know everything about her. And she wound up being

1003
00:53:48,719 --> 00:53:53,839
Speaker 2: a great resource for this screenwriter throughout the film. G

1004
00:53:54,000 --> 00:53:59,560
Speaker 2: four G four, G four Yeah, fucking Nerd man.

1005
00:53:59,680 --> 00:54:04,759
Speaker 3: Wait, so, just to clarify, the screenwriter, uh huh for

1006
00:54:05,000 --> 00:54:08,680
Speaker 3: X Men Apocalypse, uh huh, sat down with Brian Singer,

1007
00:54:08,760 --> 00:54:12,360
Speaker 3: the director, uh huh, and Google image searched Olivia.

1008
00:54:12,040 --> 00:54:15,680
Speaker 2: Mund the god doesn't this look like Silac?

1009
00:54:15,840 --> 00:54:23,000
Speaker 3: And and Brian Singer responded, well, yeah, But then Brian

1010
00:54:23,080 --> 00:54:26,240
Speaker 3: Singer was like, yeah, you go write her yeah, goal.

1011
00:54:26,080 --> 00:54:29,600
Speaker 2: Eat drop her fucking email man. And then she went like,

1012
00:54:29,840 --> 00:54:32,240
Speaker 2: I could even probably tell you someone what to write,

1013
00:54:32,280 --> 00:54:34,279
Speaker 2: and he went like, yeah sure. I mean I'm just

1014
00:54:34,320 --> 00:54:43,520
Speaker 2: fucking guessing I could use some help from the woman

1015
00:54:43,560 --> 00:54:45,520
Speaker 2: who made it that Aaron Rodgers won't talk to his brother.

1016
00:54:46,400 --> 00:54:50,000
Speaker 2: Uh so that was part of the idea, and it

1017
00:54:50,080 --> 00:54:56,200
Speaker 2: really comes across. I mean, she doesn't say many lines

1018
00:54:56,239 --> 00:54:59,640
Speaker 2: in the film, but the ones she does say, I

1019
00:54:59,680 --> 00:55:03,120
Speaker 2: have a speak volumes, you really can tell that she

1020
00:55:03,239 --> 00:55:07,439
Speaker 2: researched it. And then intercut in this interview where he's

1021
00:55:07,480 --> 00:55:13,839
Speaker 2: describing this, they show an Instagram video of the Ryan

1022
00:55:13,960 --> 00:55:17,840
Speaker 2: Reynolds put up during like Deadpool, where Olivia Munn is

1023
00:55:17,840 --> 00:55:21,960
Speaker 2: like in the silent costume and does this huge complicated

1024
00:55:22,040 --> 00:55:24,439
Speaker 2: sword fighting technique which seems like she really can move

1025
00:55:24,440 --> 00:55:29,120
Speaker 2: a sword. And then Ryan Reynolds has an inflatable balloon sword,

1026
00:55:29,200 --> 00:55:31,759
Speaker 2: like a balloon animal sword and looks at her like,

1027
00:55:32,000 --> 00:55:37,680
Speaker 2: uh oh, like they ain't gonna do the trick. So

1028
00:55:37,840 --> 00:55:41,440
Speaker 2: that's how you also know that she really it was

1029
00:55:41,480 --> 00:55:42,160
Speaker 2: a great research.

1030
00:55:42,160 --> 00:55:43,240
Speaker 3: It sounds like a fun video.

1031
00:55:44,000 --> 00:55:44,840
Speaker 2: I gotta tell you.

1032
00:55:45,120 --> 00:55:48,680
Speaker 1: It really brought the interviews after the credits.

1033
00:55:48,200 --> 00:55:50,640
Speaker 2: After the credits rolled, I stuck around for some arc

1034
00:55:50,719 --> 00:55:59,600
Speaker 2: Light presents and and watched him give that interview in

1035
00:55:59,640 --> 00:56:02,000
Speaker 2: front of the Ninja Turtle's costume. And I'm trying to

1036
00:56:02,040 --> 00:56:04,640
Speaker 2: remember there was another very small movie that the costumes

1037
00:56:04,640 --> 00:56:06,520
Speaker 2: were there from that would have been funny if I

1038
00:56:06,520 --> 00:56:08,200
Speaker 2: could pull the specific but I don't know. Do you

1039
00:56:08,280 --> 00:56:12,000
Speaker 2: want to just think of a different one, a different movie?

1040
00:56:12,120 --> 00:56:15,520
Speaker 2: It was something that was like an equivalent movie. Yeah, yeah,

1041
00:56:15,560 --> 00:56:17,399
Speaker 2: well that's what I was trying to do, was trying

1042
00:56:17,440 --> 00:56:19,200
Speaker 2: to think. And then the one movie I did think

1043
00:56:19,239 --> 00:56:21,440
Speaker 2: of was someone that I really liked, and so now

1044
00:56:21,440 --> 00:56:25,759
Speaker 2: I have to try it was that one, the one

1045
00:56:26,040 --> 00:56:28,080
Speaker 2: that was a small movie that I liked that they

1046
00:56:28,080 --> 00:56:29,880
Speaker 2: could have had the costumes from. I was like the

1047
00:56:30,080 --> 00:56:34,080
Speaker 2: shirt from Palo Alto or whatever, which I did enjoy watching.

1048
00:56:37,719 --> 00:56:40,680
Speaker 2: So can you think of a small movie though.

1049
00:56:40,680 --> 00:56:42,120
Speaker 1: Is like that but you don't like?

1050
00:56:42,360 --> 00:56:44,319
Speaker 2: Yeah, that or not even that I don't like, but

1051
00:56:44,440 --> 00:56:46,120
Speaker 2: just that I didn't see at least.

1052
00:56:46,560 --> 00:56:51,040
Speaker 1: Hmmm, a small movie and the clothes.

1053
00:56:51,520 --> 00:57:01,440
Speaker 2: Oh, they had the peach pie from Labor Day Bye.

1054
00:57:01,560 --> 00:57:05,040
Speaker 2: This has been an Earwolf production executive produced by Scott Ackerman,

1055
00:57:05,120 --> 00:57:08,440
Speaker 2: Adam Sachs, and Chris Bannon. For more information and content,

1056
00:57:08,560 --> 00:57:15,120
Speaker 2: visit earwolf dot com.