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Speaker 1: Hello, Hi, Hi, back world traveler.

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Speaker 2: Thank you.

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Speaker 1: You've been everywhere, well, well.

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Speaker 3: Really into two places.

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Speaker 1: Yeah, it feels like everywhere. Yeah, I haven't left my

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Speaker 1: house since the last time we recorded, so you've.

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Speaker 2: Been sitting in that character is waiting for me to

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Speaker 2: get back I have yes, uh no.

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Speaker 3: Yeah.

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Speaker 2: We went to Hawaii for uh for my birthday and

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Speaker 2: it was incredible and I did very very little other

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Speaker 2: than just lay in the sun, which was my plan.

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Speaker 3: I laid in the sun. I read I'm as happy

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Speaker 3: as a clam.

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Speaker 2: And it's will migration season, so we didn't even have

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Speaker 2: to like go out a whale watching boat. They were

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Speaker 2: just tons of them breaching and like tails everywhere. I mean, yeah,

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Speaker 2: I got like the show on my birthday, like in

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Speaker 2: the morning and in the evening, like twenty minutes of

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Speaker 2: just whales showing on.

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Speaker 1: That's so exciting.

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Speaker 2: Yeah, he paid extra for it, but they really they went.

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Speaker 2: I was like theb you went up above and beyond.

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Speaker 2: So he's controlling nature now. I mean he even threw

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Speaker 2: in a sea turtle that nearly swam into me.

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Speaker 3: I thought it was attacking.

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Speaker 2: I was like to see turtles tack because it just

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Speaker 2: headed right for me, and I was like, well, excuse me, sir, Yeah.

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Speaker 1: You're yeah, you're you're in his way.

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Speaker 2: Yeah yeah, also on my birthday. Yeah, so it was great. Yeah,

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Speaker 2: they really can do they do a lot. Now. Yeah,

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Speaker 2: the sea turtles can do.

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Speaker 3: They do well.

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Speaker 2: I'm just saying they you know, they can really offer

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Speaker 2: dolphin swimming sea turtle interactions.

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Speaker 1: Yeah, they can skateboard, they can swim into you.

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Speaker 2: You know what.

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Speaker 3: I love that amphibian.

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Speaker 1: I knew when I didn't hear back from you for

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Speaker 1: a couple of days, I'm like, she turned her phone on,

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Speaker 1: just having a good time.

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Speaker 3: I was like, I don't. I don't want to, I

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Speaker 3: don't want it.

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Speaker 2: Like I just I felt bad, No, because like on

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Speaker 2: my birthday, gets so many lovely, wonderful messages from my

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Speaker 2: friends and I want to respond, but I also don't

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Speaker 2: want to look at my phone my birthday. Can't like

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Speaker 2: spend it dealing with So I was like, I love

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Speaker 2: you all. You guys know me. You know I'll get

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Speaker 2: I have like a twenty four to forty eight hour

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Speaker 2: response period.

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Speaker 1: So right, it'll be right.

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Speaker 2: But yeah, it was great, and then we came home.

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Speaker 2: I was home for like twelve hours and then we

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Speaker 2: landed like eleven pm on Thursday, and then at like

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Speaker 2: noon on Friday, I took off for San Francisco for

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Speaker 2: San Francisco's sketch Fest where we were taking my my

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Speaker 2: comedy show that I produced with my friends Gia and

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Speaker 2: Sabrina Kugnata. We took it up to Sketch Fest and

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Speaker 2: it's a comedy pageant. It's called Smoke Show with Sweeten,

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Speaker 2: a comedy pageant.

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Speaker 3: We sold out our Thea.

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Speaker 1: Theater. Nice congrats.

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Speaker 2: We've made it to like the main page of like,

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Speaker 2: you know, the Top. We were one of the top

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Speaker 2: eleven shows recommended for the two week festival and then

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Speaker 2: we made it till their main page. Some of the pictures,

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Speaker 2: the pictures are insane. There's like a clip of video

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Speaker 2: on there that and I'm like, if you can guess

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Speaker 2: what's happening, you were probably there because nobody else would

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Speaker 2: have any idea when he's going on this video and

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Speaker 2: it's great, but no, so much fun. Brooke was there.

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Speaker 1: Oh, I was watching his Instagram.

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Speaker 3: I was watching I mean, just some amazing friends.

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Speaker 2: My friend Jerry like gave us his boat for the

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Speaker 2: evening to have a little post birthday party post show

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Speaker 2: party on Yeah, it was incredible, but I I stayed

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Speaker 2: up all night.

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Speaker 3: I was I did Jody, I know, it was me and.

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Speaker 2: Brooke, and I was like, you know what, I'm gonna

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Speaker 2: do this, You're gonna do it. I was like, I'm excited.

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Speaker 2: Plus we didn't we didn't even leave the theater till

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Speaker 2: like eleven forty five pm to go to.

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Speaker 3: The other like after party. So we got on the boat.

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Speaker 2: It was like one thirty and I was like, you

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Speaker 2: know what, let's screw it. I'm just gonna I'm gonna

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Speaker 2: go for it. And I made it to about five

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Speaker 2: thirty and me and my friend Mary were like, oh

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Speaker 2: my god, I can't I can't see it. I can't

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Speaker 2: see the sun. No, I have to go. And so

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Speaker 2: made it home and like asleep just as the sun

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Speaker 2: was coming up. So I didn't feel like a complete vampire.

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Speaker 2: But then I'm implept for four hours and woke up

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Speaker 2: on my own and was like, all right, let's do

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Speaker 2: things today. And so we were getting some footage up

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Speaker 2: there of the show and of some things. So we

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Speaker 2: went and we went to the full House house.

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Speaker 1: I saw this on Brooks In Sue Househouse and surprised

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Speaker 1: people so were me offering to take their picture to

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Speaker 1: see how long it would take them.

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Speaker 3: And it was fun.

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Speaker 2: It was very fun. We got some great footage of it.

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Speaker 2: There was a monk I had a popped out to

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Speaker 2: take a picture. He's like, I love this show and

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Speaker 2: I was like, you want me to take a picture

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Speaker 2: and he looked at me like I was crazy, and then.

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Speaker 3: He was like, wait, you're on the ship. I was like, yep, yep.

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Speaker 2: So it was great and I can now say that

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Speaker 2: nine out of ten monks actually recommend Full House, so

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Speaker 2: we gave it.

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Speaker 3: We got a blow endorsement.

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Speaker 2: Yeah.

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Speaker 3: I'm not sure what order or.

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Speaker 2: Whatever I should have asked, uh, but he had a

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Speaker 2: very nice matching like sweatshirt with the road. Yeah, it's

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Speaker 2: very very.

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Speaker 1: What no, oh my god, that's the full House appeals to.

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Speaker 1: And we had anyone in adults.

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Speaker 2: We had Germans, we had a monk, we had teenagers,

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Speaker 2: we had them all.

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Speaker 4: It's like the start of a bad joke, right, and

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Speaker 4: we all meet in front of the full House house

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Speaker 4: and then they hosed us down because they wanted us

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Speaker 4: to go away, but no.

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Speaker 1: We did stare.

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Speaker 2: Yeah, it was great. That.

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Speaker 1: I was like, this is my favorite thing ever she does.

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Speaker 2: So we were I need some footage for this thing

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Speaker 2: that I'm shooting, and.

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Speaker 3: So I kind of suggested.

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Speaker 2: I was like, the neighbors hate us. Neighbors, if you

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Speaker 2: listen to the show, I'm sorry. I'm pretty sure we

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Speaker 2: don't though, because I think you probably hate all things

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Speaker 2: associated with Full House because your your life is interrupting constantly,

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Speaker 2: and I really helped that along. So you're welcome. Yeah,

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Speaker 2: we were shooting this and so we sat. I sat

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Speaker 2: in the car for a minute, and there was when

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Speaker 2: we first pulled up, there was like, I don't know,

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Speaker 2: group of like seven or eight women out there, and

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Speaker 2: so I was like okay, So I pop out of

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Speaker 2: the car and they're like trying to get a selfie

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Speaker 2: and I was like, oh, do you want me to

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Speaker 2: get your picture? And they were like yeah, and the

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Speaker 2: one girl screamed and I was like, just the neighbors

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Speaker 2: hate us.

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Speaker 1: Oh gosh, So yeah.

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Speaker 2: I got pictures with them, and yeah, it was.

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Speaker 1: Really fun so funny.

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Speaker 2: There was one Imagine pulled up and like they were

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Speaker 2: kind of across the street and I was like, Hey,

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Speaker 2: do you guys want me to get your picture and

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Speaker 2: they're like, no, we're good. And I was like, you

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Speaker 2: might want to, I mean, just for the memory, and

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Speaker 2: he was like, I don't know. And I was like,

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Speaker 2: and the wife's like looking around that they're both still

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Speaker 2: in the car, and the wife's looking at me, and

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Speaker 2: I just said it him. I said, I think your

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Speaker 2: wife's about to know why you would brought this picture.

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Speaker 2: You catch up.

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Speaker 3: And then he was like, way, yeah.

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Speaker 2: So that hysterical.

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Speaker 1: Uh yeah, my wife was got on.

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Speaker 2: I think this is something. Yeah, but it was. It

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Speaker 2: was very fun did that and then the miracle. My

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Speaker 2: friend Mary has a gorgeous apartment right on Alamo Square,

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Speaker 2: like right across right a caddy corner kind of from

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Speaker 2: the Pink Ladies, not the pink Ladies, the painted ladies.

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Speaker 3: Pink ladies would be grease.

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Speaker 2: The painted ladies and oh my god, just gorgeous. And

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Speaker 2: you know, Brooke had decorated it and everything. And we

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Speaker 2: went out on my friend Jerry's.

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Speaker 3: Boat, which is it's called the Dragon Lady.

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Speaker 2: He does charter cruises through San Francisco called Jerry's Fairies. Yeah,

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Speaker 2: they do a lot of gay cruises and uh, anyway,

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Speaker 2: Brooke had also done the interior design because it's like

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Speaker 2: one hundred and twenty five foot yacht. It's huge. Wow,

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Speaker 2: and it's got like five state rooms and whatever. So

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Speaker 2: Brooke had redesigned all of it and done all the

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Speaker 2: interior stuff, and he got a little DJ for us,

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Speaker 2: our friend Nelson. It was literally like twelve of us,

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Speaker 2: so was perfect. It was just friends, like just people.

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Speaker 2: We knew it wasn't hectic. Yeah, yeah, it was great.

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Speaker 2: But I still have absolutely zero voice.

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Speaker 1: Your voice it's a little crumbly.

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Speaker 2: It's crumbly.

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Speaker 1: Yeah, yeah, you're still recovering.

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Speaker 2: My god. We also got these amazing This balloon artist,

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Speaker 2: his name is al Alex.

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Speaker 3: He goes by at a underscore. The balloon artist. Okay,

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Speaker 3: let me tell you.

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Speaker 2: He's friends with Brooke, and he was like, I would

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Speaker 2: love to do with they. You know what they want

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Speaker 2: to do some balloon art And we were like, oh, yeah,

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Speaker 2: of course, you know, thinking it's going to be like

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Speaker 2: an arch or something, you know, cute. Okay, Right, this

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Speaker 2: man does things with balloons and creates things out of

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Speaker 2: balloons that you would not believe.

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Speaker 3: He's done the Golden Gate Bridge.

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Speaker 2: He's he If you go to his page, it's incredible,

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Speaker 2: and so he did two like flames for each side

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Speaker 2: of the stage coming up for Smoke show with Sweeten Move.

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Speaker 2: We have little flames on our logo and they literally

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Speaker 2: he had fairy lights in them.

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Speaker 3: They lit up.

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Speaker 2: It was incredible.

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Speaker 1: That's talent, that's art.

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Speaker 2: Wow. So I just wanted to give I want to

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Speaker 2: give him a shout out. I wanted to give Bat's

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Speaker 2: Bayfront Theater a shout out. Sketch Fest all of that.

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Speaker 2: We had so much fun. The show went so well,

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Speaker 2: Like I think I'm still kind of flying high off

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Speaker 2: of off of it going really well. Because it was

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Speaker 2: the first time we'd ever taken it on the road.

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Speaker 2: You know, we were like, oh boy, like this is

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Speaker 2: going to go really well, really well sideways. But no,

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Speaker 2: I I knew my guests Sarah Ben and Cassa, who's

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Speaker 2: hilarious and amazing author. She wrote a book called a

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Speaker 2: Gora Fabulous when she was struggling with her agoraphobia. And anyway,

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Speaker 2: she's a friend and is hysterical. And then my friend M. K.

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Speaker 2: Paulson is also He was like one of the dozen

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Speaker 2: stand ups that they picked for the show. And then

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Speaker 2: we had Michael Hitchcock who if you like Christopher guest

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Speaker 2: movies like Best in Show or A Mighty Wind or

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Speaker 2: any of that. Best in Show is one of my favorites.

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Speaker 2: So yeah, he is. He's the way Marner's dad that's

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Speaker 2: always wearing the The J Crew sweaters. Yeah, okay, llb

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Speaker 2: excuse me, llban it's ridiculous. But anyway, he's like an

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Speaker 2: improm god. So it was. It was so much fun.

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Speaker 2: It was great and I'm yeah, I'm very excited and

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Speaker 2: art like my faux hometown of San Francisco really showed up.

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Speaker 2: Uh so, thank you guys. There are a lot of

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Speaker 2: people that said they listen to the podcast too, So

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Speaker 2: thank you guys so much for showing up and and

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Speaker 2: you know, hopefully we'll get to do more of this show.

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Speaker 3: On the road.

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Speaker 2: So cool. I am.

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Speaker 3: If you wonder why I sound horse, that's why.

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Speaker 1: So you get a pass, you get a pass this week.

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Speaker 1: I am so glad. It was so successful and so fun.

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Speaker 1: Oh yeah, it works very hard on this it's a

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Speaker 1: long time coming.

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Speaker 2: Thank you, thank you, thank.

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Speaker 3: You, thank you. Yeah it was really it was really

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Speaker 3: a great time.

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Speaker 1: So yay, yay, yay San Francisco. They have a good time.

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Speaker 2: Yeah, you guys, welcoming as always.

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Speaker 1: I love it. I love it well, welcome back, thank you,

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Speaker 1: and welcome back fan ritos. I guess i'll start the show. Hey, welcome, Yes,

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Speaker 1: welcome back to how Rude Tanneritos. I am Andrea Barber

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Speaker 1: and I'm Jody Sweeten, and today we're discussing season six,

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Speaker 1: episode five, Lovers and Other Tanners, which is a play

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Speaker 1: on the nineteen seventy film and the play Lovers and

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Speaker 1: Other Strangers. Oh, I never knew that this.

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Speaker 3: I did neither.

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Speaker 2: We're getting very heady with our our literary references in the.

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Speaker 1: We're going way back, way back to the seventies. So

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Speaker 1: it It originally aired on October twentieth, nineteen ninety two,

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Speaker 1: and it goes a little something like this, DJ's responsibilities

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Speaker 1: take a back seat as her relationship with Steve escalates.

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Speaker 1: It was directed.

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Speaker 2: Sounds sounds rather threatening. Yeah, it escalates right, well, yes, yeah.

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Speaker 1: Blossoms, let's say blossoms.

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Speaker 2: That's more.

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Speaker 3: That sounds a little less aggressive.

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Speaker 1: It was directed by Joelswick. It was written by Jay Abramowitz.

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Speaker 1: And we have two guest stars returning as Vicky Larson.

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Speaker 1: Gail Edwards is with us Today in the show, and

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Speaker 1: Hillary Shepherd returns as Julie DJ Love It. We start

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Speaker 1: with the teaser in Michelle in Stephanie's room. Stephanie walks

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Speaker 1: in to find Michelle planting seeds in milk cartons. Michelle

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Speaker 1: tells her the seeds are from school, and steph reads

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Speaker 1: each marker aloud peas, tomatoes, and broccoli. Michelle gives her

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Speaker 1: a mischievous smile and says, I'm also planting dessert. She

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Speaker 1: grabs a few eminems and scatters them into the fourth

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Speaker 1: milk box before marking it with an eminem wrapper it,

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Speaker 1: you know, and then Stephanie scoffs, that's like planting a

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Speaker 1: nickel and growing a money tree, and she walks out.

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Speaker 2: Everyone knows you got to start with the dollar. Yeah,

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Speaker 2: it's not gonna the metal is not going to turn

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Speaker 2: in anything.

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Speaker 3: But the paper.

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Speaker 1: The paperiod goes.

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Speaker 2: Back to tree form, and then the money shoots out,

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Speaker 2: you know, it absorbs, and then it becomes the leaves

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Speaker 2: are money.

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Speaker 1: Why does that make sense?

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Speaker 2: Like that actually makes sense, right exactly, That's what I'm saying.

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Speaker 2: Come on, makes sense.

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Speaker 1: Come on, Michelle, be smarter about this. And so Michelle

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Speaker 1: thinks this is a great idea. She runs to grab

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Speaker 1: her piggy bank and shakes it over the milk curtain

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Speaker 1: in an effort to grow this so called money tree.

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Speaker 1: I used to try when I was in kindergarten. I

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Speaker 1: tried to grow an orange tree in my stomach. So

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Speaker 1: I ate dirt and I ate.

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Speaker 2: Oranges, drank the seed, the seeds and the and the dirt.

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Speaker 1: Okay, yeah, and then I put my mouth up to

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Speaker 1: the sun, like to get the sunshine. I was in kindergarten,

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Speaker 1: so I thought, you guys.

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Speaker 2: On my face right now, there's side jokes running through

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Speaker 2: my head that it is like a covision of nonsense.

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Speaker 2: What in the human planter are you doing? Yes? I was.

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Speaker 1: I was a very creative and board five year old child,

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Speaker 1: and so I was like, I'm gonna tree that.

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Speaker 2: Your parents didn't use pesticides, lucky old you know.

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Speaker 1: Well yeah, this was at school too, So I was

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Speaker 1: gonna di God, the water fountain.

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Speaker 3: How have I not like diseased?

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Speaker 1: Still from all of your community?

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Speaker 3: Really?

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Speaker 2: Yeah? Nothing like getting some dirt.

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Speaker 3: What is.

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Speaker 2: How?

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Speaker 3: How did this end? How did just it ended?

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Speaker 1: After a few days, there was no evidence of a

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Speaker 1: tree growing in my stomach, so I gave up.

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Speaker 3: How was it eating the dirt?

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Speaker 2: Was it?

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Speaker 1: I was committed? It didn't taste good, but I will

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Speaker 1: eat it. You ate, well, well I've ate enough, like

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Speaker 1: a eight what I.

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Speaker 2: Ate that it should have worked and it should haven't worked.

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Speaker 2: Damn it didn't work.

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Speaker 1: No, And had you know, my parents would have.

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Speaker 2: And if you decide, if a tree started growing in

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Speaker 2: your stomach and out of your mouth, had you caught

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Speaker 2: forward to then what you know what I mean?

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Speaker 1: Like when I started telling this story, I didn't know

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Speaker 1: it was this bizarre. Like I thought this was just

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Speaker 1: a cute child.

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Speaker 3: You didn't know it was bizarre.

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Speaker 1: But this is just like sure another childhood rite of passage.

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Speaker 1: You don't know.

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Speaker 3: I never tried to propagate.

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Speaker 2: It is out of my own Drachia. Well, there you go,

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Speaker 2: fascinated by this, and we're going to get back to

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Speaker 2: the show. I need you to know that we're coming

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Speaker 2: back to this at some point because I am never

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Speaker 2: going to forget when you tried to become a human

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Speaker 2: orange tree.

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Speaker 3: I never.

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Speaker 1: We've known each other.

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Speaker 2: You're reverse of the giving tree, you know, just a

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Speaker 2: little boy grows throw the tree out of his mouth

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Speaker 2: and then that.

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Speaker 1: Would be a great sequel. I should write that sequel

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Speaker 1: to see for.

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Speaker 3: A tree to be coming out of a child's mouth. Well, I.

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Speaker 1: Also wanted to be a bird when I grew up,

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Speaker 1: Like you know this is I this?

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Speaker 2: You did?

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Speaker 1: You know that about me? I wanted to be a bird, literally,

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Speaker 1: like a bird that flies in the air.

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Speaker 3: What else would you be? A chicken? An ostrich? Like what?

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Speaker 2: Technically birds don't fly, but you wanted to be like

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Speaker 2: a like a like a woo flapping around.

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Speaker 1: Yeah, it's just like a dove or something. Yeah.

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Speaker 2: I just wanted to tell me, tell me you didn't

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Speaker 2: attempt to put a small bird in your stomach and

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Speaker 2: see what?

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Speaker 3: Okay, okay, good.

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Speaker 1: Drew a line there.

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Speaker 2: You didn't swallow like an entire robin's egg and wait

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Speaker 2: for a dash. Okay good.

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Speaker 1: I was smart enough to know that you can't grow

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Speaker 1: birds in your stomach, but I was really convinced that

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Speaker 1: with enough dirt and water and seeds and sunshine, I

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Speaker 1: could grow a tree in my stomach. Okay, okay, anyways,

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Speaker 1: back to the show. Everyone, yeah, everyone else for that.

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Speaker 2: Everyone is glad that we took that little tangent. Okay,

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Speaker 2: because that's wild.

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Speaker 1: Okay, so everyone.

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Speaker 2: Knows we just got the teaser and you we're eighteen

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Speaker 2: minutes in okay.

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Speaker 1: Next in the kitchen, Becky is singing wheels on the

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Speaker 1: bus with the twins and Danny is watching them with

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Speaker 1: a smile. It's so sweet, how Bob is. I was

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Speaker 1: looking at.

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Speaker 2: Bob and I was like, it's like Bob's genuine face

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Speaker 2: of like, yeah.

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Speaker 1: That's not Danny Tanner. That's that's Bob's saggett. Then Michelle

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Speaker 1: and Stuff walk downstairs and Michelle is dressed in her

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Speaker 1: Honeybee outfit. A huge grin instantly appears on Danny's face,

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Speaker 1: and he gushes, Oh, look at my little honey Bee.

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Speaker 2: So cute, so cute.

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Speaker 1: I love the honeybe outfit. Steph whispers to Michelle just

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Speaker 1: keep moving as they inch closer to the kitchen door,

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Speaker 1: but Danny intercepts them so he can take a good

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Speaker 1: look at Michelle. He begins to shower her with be

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Speaker 1: inspired compliments. Oh don't you look be beautiful. I am

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Speaker 1: just buzzzing with pride. He gives her a big hug

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Speaker 1: and a kiss before sending her on her way. Michelle

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Speaker 1: looks at Steph with embarrassment. You're right, I should have

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Speaker 1: changed at school, and they both walk out the door.

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Speaker 1: Then Joey runs downstairs with a pep in his step.

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Speaker 1: He reminds everyone that today is the big day. He

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Speaker 1: asks Becky where Jesse is so they can go over

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Speaker 1: some stuff for their radio debut. Becky says he's down

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Speaker 1: in the basement because he was too wound up to

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Speaker 1: sleep on cue. Jesse walks upstairs looking like he got

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Speaker 1: hit by a truck. He tells them in a stuffy voice, Oh,

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00:20:08,000 --> 00:20:10,359
Speaker 1: this is great, my first day on the radio, and

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Speaker 1: I sound like someone crammed a duck up my nose.

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Speaker 3: Jesse's vivid picture.

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Speaker 2: It is very vivid.

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Speaker 1: And this robe that he's wearing is such peak Jesse.

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Speaker 1: It's like that signature teal that used to be his

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00:20:25,960 --> 00:20:29,119
Speaker 1: signature color. It's got like a J and a k

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Speaker 1: embroidered on the on the chips.

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Speaker 3: Yeah. Oh it's so him, Yeah.

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Speaker 1: So jestsy. Becky of course cringes and says, that's a

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Speaker 1: lovely thing to picture.

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Speaker 2: Like I said, very vivid.

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Speaker 1: Jesse motions Joey to the basement, saying he wants to

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Speaker 1: show him something he's been working on, but he stops

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Speaker 1: dead in his tracks, looking like he's about to sneeze.

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Speaker 1: Joey tries to hold off the sneeze by placing his

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Speaker 1: finger under his nose and shocker, it doesn't work.

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Speaker 2: Oh, wash your hands, ew, this was somebody else's gros

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Speaker 2: down there, sick right like, put on.

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Speaker 1: A mask and go like does it? Like? This whole

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Speaker 1: scene grossed me out. Jesse lets out a huge sneeze

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Speaker 1: onto Joey's finger, and Joey shrugs. It always works in

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Speaker 1: the cartoons, and then they walk away. Don't go down

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Speaker 1: to the basement where there's no airflow, like joy start

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Speaker 1: touching all those buttons and Juli, yeah, just this is

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Speaker 1: this is how everyone gets sick.

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Speaker 2: Just let you know.

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Speaker 1: Then Becky leads the twins out of the room, saying,

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Speaker 1: come on, boys, let's go get you cleaned up so

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Speaker 1: you can get dirty again. Dj yells from upstairs, asking

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Speaker 1: if Steve is there yet. Danny glances around the dinner

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Speaker 1: table and responds, nope, there's still food left on cue.

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Speaker 1: Steve walks in his eyes instantly go to the food table,

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Speaker 1: and he quickly creates a plate for himself. Very very

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Speaker 1: bold of Steve to just be. You know, taking food

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Speaker 1: in front of.

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Speaker 2: Annie of DJ's friends is a lot.

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Speaker 1: I know there's no boundaries in the Tanner House. You

440
00:22:02,400 --> 00:22:05,520
Speaker 1: can just bowl right over them. And uh, yeah, it's

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Speaker 1: that they know. Steve knows. DJ runs downstairs. She greets

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Speaker 1: Steve first, while Danny's arms are awkwardly reaching out to

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Speaker 1: her for a hug. She hugs Danny after Steve, and

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00:22:18,080 --> 00:22:21,080
Speaker 1: Danny notices that she's wearing the blouse that he bought her.

445
00:22:21,720 --> 00:22:24,280
Speaker 1: He questions, Oh, I thought you hated that color, and

446
00:22:24,359 --> 00:22:27,399
Speaker 1: she admits, oh I do, but Steve loves it on me.

447
00:22:28,240 --> 00:22:31,080
Speaker 1: Steve jumpson, isn't it amazing the way it brings out

448
00:22:31,080 --> 00:22:34,399
Speaker 1: her eyes? Danny doesn't know how to answer that, so

449
00:22:34,440 --> 00:22:36,800
Speaker 1: he gets up to grab more coffee and asks DJ

450
00:22:36,960 --> 00:22:39,359
Speaker 1: for a favor. I have to pick up Vicky at

451
00:22:39,359 --> 00:22:42,280
Speaker 1: the airport. Could you please walk Michelle home from her

452
00:22:42,320 --> 00:22:47,120
Speaker 1: honeybee meeting today at four o'clock? DJ agrees, but as

453
00:22:47,160 --> 00:22:49,680
Speaker 1: she's about to leave for school, Danny stops to ask

454
00:22:49,720 --> 00:22:53,439
Speaker 1: her about her grade on her latest history test. She

455
00:22:53,480 --> 00:22:56,960
Speaker 1: gets flustered and admits I got a C, but Steve

456
00:22:57,000 --> 00:22:58,959
Speaker 1: praises her, all right, you nailed it.

457
00:23:00,160 --> 00:23:00,480
Speaker 2: Thrilled.

458
00:23:03,320 --> 00:23:05,800
Speaker 1: You know, for such a high achieving student, DJ does

459
00:23:05,840 --> 00:23:09,040
Speaker 1: not surround herself with high achievers between Kimmy and Steve,

460
00:23:09,840 --> 00:23:11,000
Speaker 1: you know, like she don't know.

461
00:23:11,200 --> 00:23:13,520
Speaker 2: You think she does it to make herself feel more secure,

462
00:23:14,960 --> 00:23:16,200
Speaker 2: ordering that like.

463
00:23:16,200 --> 00:23:18,879
Speaker 1: She or is she trying to elevate those around her?

464
00:23:19,080 --> 00:23:20,919
Speaker 2: Or is she just trying to feel We'll have to

465
00:23:20,920 --> 00:23:24,040
Speaker 2: break this down on our psychological profiling episode.

466
00:23:23,680 --> 00:23:29,679
Speaker 1: Of We'll do that. Danny, on the other hand, is

467
00:23:29,800 --> 00:23:32,840
Speaker 1: not so pleased. He reminds her you were running an

468
00:23:32,840 --> 00:23:35,480
Speaker 1: a in that course. You know our agreement. If you

469
00:23:35,520 --> 00:23:37,720
Speaker 1: don't keep your grades up, then you can't get a

470
00:23:37,760 --> 00:23:40,639
Speaker 1: part time job and you can't save for that car

471
00:23:40,800 --> 00:23:44,840
Speaker 1: you want to buy. DJ shakes off this suggestion. She

472
00:23:44,840 --> 00:23:47,479
Speaker 1: tells Danny she doesn't need a car anymore because Steve

473
00:23:47,760 --> 00:23:52,800
Speaker 1: has one. He boasts, Yeah, it's cool, V six four

474
00:23:52,840 --> 00:23:55,320
Speaker 1: on the floor and a really roomy back seat.

475
00:23:55,760 --> 00:23:59,240
Speaker 2: Shut up, Steve, Steve, I know, Steve, shut up, Steve.

476
00:24:00,080 --> 00:24:02,680
Speaker 2: Actually this though, when when when you said it goes

477
00:24:02,680 --> 00:24:05,879
Speaker 2: a little something like this, and the description was DJ's

478
00:24:05,920 --> 00:24:07,359
Speaker 2: priorities take a back seat.

479
00:24:07,960 --> 00:24:13,440
Speaker 1: Oh whatever, I was like, yeah, they do, yeah, they do, yes,

480
00:24:13,800 --> 00:24:18,840
Speaker 1: literally they do so Danny gives him a death glare.

481
00:24:19,000 --> 00:24:21,280
Speaker 1: Steve quickly gets up to leave, and he takes the

482
00:24:21,320 --> 00:24:24,280
Speaker 1: plate of food with him, telling DJ he'll catch her outside.

483
00:24:24,280 --> 00:24:26,600
Speaker 1: So Danny heels after him. I'm gonna want that plate back,

484
00:24:26,680 --> 00:24:29,520
Speaker 1: and I swear that's a bob ad lib like that

485
00:24:29,680 --> 00:24:33,159
Speaker 1: just looks like that sounded like something for And then

486
00:24:33,160 --> 00:24:35,359
Speaker 1: he scoots over to DJ and asks if she and

487
00:24:35,400 --> 00:24:38,879
Speaker 1: Steve are getting serious. She shrugs, Oh, I don't know.

488
00:24:39,320 --> 00:24:43,200
Speaker 1: Sometimes I wonder how much he really likes me. Danny laughs,

489
00:24:43,240 --> 00:24:46,520
Speaker 1: he's here every day, but DJ just writes that off

490
00:24:46,640 --> 00:24:50,360
Speaker 1: as Danny being a good cook. Danny assures her that

491
00:24:50,440 --> 00:24:54,600
Speaker 1: boy would eat lint. DJ smiles and tells him she's

492
00:24:54,640 --> 00:24:57,320
Speaker 1: got to go, but before she leaves, Danny asks that

493
00:24:57,359 --> 00:25:00,000
Speaker 1: she remember what he said to her when they first

494
00:25:00,080 --> 00:25:04,800
Speaker 1: started driving lessons. DJ wonders, pull over, I'm nauseous, and

495
00:25:04,840 --> 00:25:08,080
Speaker 1: he laughs, no, no, before that, I said, don't go

496
00:25:08,280 --> 00:25:12,520
Speaker 1: too fast. DJ promises, don't worry. Dad kisses him goodbye,

497
00:25:12,640 --> 00:25:16,760
Speaker 1: telling him that she loves him. Danny's not handling this

498
00:25:16,920 --> 00:25:17,399
Speaker 1: very well.

499
00:25:18,200 --> 00:25:20,439
Speaker 2: He's doing what most dads do, is panicking a little bit.

500
00:25:20,640 --> 00:25:21,960
Speaker 2: It's yeah, yeah, it's.

501
00:25:21,760 --> 00:25:24,159
Speaker 1: His first the first of his daughters to be have

502
00:25:24,359 --> 00:25:28,280
Speaker 1: a boyfriend. Yeah, yes, I think normal for Danny. Next,

503
00:25:28,280 --> 00:25:30,760
Speaker 1: in the living room, DJ and Steve are sitting on

504
00:25:30,760 --> 00:25:33,760
Speaker 1: the couch doing their homework. She puts her hands over

505
00:25:33,840 --> 00:25:37,680
Speaker 1: his to help him use a geometry compass and he smirks,

506
00:25:38,080 --> 00:25:41,560
Speaker 1: who says geometry is a drag. Then they continue the

507
00:25:41,560 --> 00:25:44,560
Speaker 1: tradition of making out in the living room, and sure enough,

508
00:25:45,119 --> 00:25:46,640
Speaker 1: Becky walks in with the twins.

509
00:25:46,680 --> 00:25:49,639
Speaker 2: Because it's a.

510
00:25:49,119 --> 00:25:54,399
Speaker 1: Living room, you know, I just yeah, no privacy in

511
00:25:54,440 --> 00:25:55,000
Speaker 1: the living room.

512
00:25:55,040 --> 00:25:55,320
Speaker 2: People.

513
00:25:56,119 --> 00:25:58,879
Speaker 1: Nikki and Alex react by pointing to the couple, saying,

514
00:25:59,000 --> 00:26:02,640
Speaker 1: uh oh, she was such a good use of their yeah,

515
00:26:02,640 --> 00:26:07,639
Speaker 1: oh face like that was so cute. Becky awkwardly stammers,

516
00:26:07,880 --> 00:26:10,880
Speaker 1: oh is right, Nikki, Alex, this is what's known as

517
00:26:11,160 --> 00:26:14,360
Speaker 1: bad timing. She hurries the boys through the living room

518
00:26:14,440 --> 00:26:16,800
Speaker 1: to the kitchen and says, we were never here. Now

519
00:26:16,800 --> 00:26:21,120
Speaker 1: we're gone. DJ smiles as she watches them go. Boy

520
00:26:21,200 --> 00:26:24,080
Speaker 1: aunt Becky must really love those twins. It must be

521
00:26:24,119 --> 00:26:28,840
Speaker 1: an incredible feeling to love someone that much. Steve longingly

522
00:26:28,880 --> 00:26:32,359
Speaker 1: stares at her and begins to say diej but then

523
00:26:32,359 --> 00:26:35,359
Speaker 1: he stops himself and she asks, yes, Steve. He tries

524
00:26:35,400 --> 00:26:39,040
Speaker 1: to muster up some courage and forces out, I need

525
00:26:39,080 --> 00:26:42,840
Speaker 1: an eraser. She looks disappointed and slightly confused as she

526
00:26:42,960 --> 00:26:45,520
Speaker 1: hands one over to him. Steve puts all of his

527
00:26:45,560 --> 00:26:49,239
Speaker 1: strength and anxiety into erasing his work, so much so

528
00:26:49,359 --> 00:26:51,880
Speaker 1: that DJ comments, You're gonna rub a hole right through

529
00:26:51,920 --> 00:26:55,480
Speaker 1: the coffee table. Steve anxiously admits, I know you got

530
00:26:55,520 --> 00:26:56,800
Speaker 1: me crazy, DJ. I love you.

531
00:26:57,200 --> 00:26:57,880
Speaker 2: I love you, DJ.

532
00:27:00,840 --> 00:27:03,000
Speaker 1: Folks, this is it, this is the origins.

533
00:27:03,320 --> 00:27:06,359
Speaker 3: This is all the time just stupid.

534
00:27:06,400 --> 00:27:08,560
Speaker 2: We'll be like, I love you DJ, just yell it

535
00:27:08,600 --> 00:27:10,880
Speaker 2: out to him. And this is where I came from.

536
00:27:11,080 --> 00:27:13,119
Speaker 2: Was we just all sort of poked fun at him

537
00:27:13,160 --> 00:27:19,639
Speaker 2: about him yelling and blurting out, I love you, Yeah, DJ, I.

538
00:27:19,640 --> 00:27:21,840
Speaker 1: Love you, I love you, yell at it. Let from

539
00:27:21,880 --> 00:27:23,680
Speaker 1: across the room. We'll yell it at him, and it's

540
00:27:23,720 --> 00:27:28,160
Speaker 1: just people never ever live this down. DJ's jaw drops

541
00:27:28,240 --> 00:27:32,760
Speaker 1: at his declaration, and she asks, you do really. Steve

542
00:27:32,960 --> 00:27:36,920
Speaker 1: finally stops erasing to tell her, yeah, I wanted to

543
00:27:36,920 --> 00:27:39,280
Speaker 1: say it one hundred times, but every time I tried,

544
00:27:39,320 --> 00:27:41,800
Speaker 1: I kept chickening out. But now that I've said it,

545
00:27:42,160 --> 00:27:44,199
Speaker 1: I feel like I want to say it again. I

546
00:27:44,240 --> 00:27:49,520
Speaker 1: love you. DJ breathlessly responds, this is incredible. He grins

547
00:27:49,520 --> 00:27:53,120
Speaker 1: an agreement, but after a long pause, he wonders, well,

548
00:27:53,520 --> 00:27:56,760
Speaker 1: don't you want to say something to me? DJ nods, yes,

549
00:27:57,560 --> 00:27:58,040
Speaker 1: thank you.

550
00:28:00,359 --> 00:28:01,480
Speaker 2: It's always what you want to hear.

551
00:28:01,600 --> 00:28:05,720
Speaker 3: I love you, thanks, thanks right right?

552
00:28:06,200 --> 00:28:07,960
Speaker 2: Thank you? Yeah. No.

553
00:28:08,560 --> 00:28:12,640
Speaker 1: Steve is in disbelief. That's it, and finally she responds back,

554
00:28:12,760 --> 00:28:17,040
Speaker 1: I mean I love you too, and cue the sentimental music.

555
00:28:18,320 --> 00:28:20,639
Speaker 1: They start to make out once more, and what do

556
00:28:20,680 --> 00:28:23,159
Speaker 1: you know, Danny and Vicky walk in next.

557
00:28:23,359 --> 00:28:26,399
Speaker 3: Because it's a living room, got it.

558
00:28:27,119 --> 00:28:29,199
Speaker 1: Danny walks up to them in states I've heard that

559
00:28:29,280 --> 00:28:32,280
Speaker 1: after a minute and a half the brain dies without oxygen.

560
00:28:33,240 --> 00:28:37,520
Speaker 2: Just keep on making out, Just keep doing it, you yn't.

561
00:28:37,800 --> 00:28:40,200
Speaker 2: Uh yeah, oh so funny.

562
00:28:40,840 --> 00:28:44,080
Speaker 1: Stephen DJ quickly pull apart and look at Danny with embarrassment.

563
00:28:44,600 --> 00:28:47,680
Speaker 1: Vicky winces, sorry, we didn't mean to bust in on you,

564
00:28:48,160 --> 00:28:48,920
Speaker 1: and then shame.

565
00:28:48,920 --> 00:28:50,560
Speaker 2: How do you bust in on someone in the living.

566
00:28:50,360 --> 00:28:56,560
Speaker 1: Room, honestly? H Then Danny shakes his head and admits

567
00:28:56,560 --> 00:28:59,600
Speaker 1: that he's glad that they did. Steph then walks in

568
00:28:59,640 --> 00:29:03,360
Speaker 1: and I usually asks Danny if I found something valuable.

569
00:29:03,400 --> 00:29:05,960
Speaker 1: On the way home from school, would I be entitled

570
00:29:06,000 --> 00:29:09,760
Speaker 1: to an award? And Danny shrugs, Maybe depends on how

571
00:29:09,840 --> 00:29:13,480
Speaker 1: valuable it is. On cue, Michelle stomps in, wearing her

572
00:29:13,480 --> 00:29:17,680
Speaker 1: Honeybee outfit and carrying her school lunchbox. She angrily says, okay,

573
00:29:17,840 --> 00:29:19,239
Speaker 1: who forgot to get me?

574
00:29:20,960 --> 00:29:22,640
Speaker 3: This was Ashley? I could tell.

575
00:29:23,920 --> 00:29:26,120
Speaker 1: I could tell too, and it was such a good delivery,

576
00:29:26,160 --> 00:29:30,480
Speaker 1: it was hysterical. DJ looks at her younger sister in horror,

577
00:29:30,560 --> 00:29:34,000
Speaker 1: realizing her mistake. Meanwhile, Steph holds out her hand to

578
00:29:34,080 --> 00:29:37,400
Speaker 1: Danny and says, pay up. And I love that you're

579
00:29:37,400 --> 00:29:39,840
Speaker 1: wearing like white jeans like you're wearing.

580
00:29:39,840 --> 00:29:41,720
Speaker 2: It's not like I'm about to go do my shift

581
00:29:41,760 --> 00:29:45,239
Speaker 2: at the cheesecake factory. You know what I mean?

582
00:29:45,600 --> 00:29:47,480
Speaker 3: That's that's exactly what I look like.

583
00:29:47,640 --> 00:29:49,400
Speaker 2: Yeap, just got my little white jeans. Let me tell

584
00:29:49,480 --> 00:29:53,000
Speaker 2: my little white apron on past you a tome for

585
00:29:53,080 --> 00:29:55,960
Speaker 2: a menu? Yeah, was still at her part time job

586
00:29:55,960 --> 00:29:56,800
Speaker 2: at cheesecake factory.

587
00:29:58,000 --> 00:30:01,000
Speaker 1: It was a choice, man, that was a choice, those

588
00:30:01,040 --> 00:30:01,760
Speaker 1: white jeans.

589
00:30:03,320 --> 00:30:03,880
Speaker 2: Uh.

590
00:30:04,040 --> 00:30:06,760
Speaker 1: So Danny turns to DJ and he has fury in

591
00:30:06,840 --> 00:30:11,880
Speaker 1: his eyes. Michelle shouts, you, Dj, begins to explain, I

592
00:30:11,920 --> 00:30:15,560
Speaker 1: am so sorry. We were really busy doing our homework.

593
00:30:16,160 --> 00:30:19,360
Speaker 1: Danny scoffs, oh yeah, I just saw some of that homework.

594
00:30:20,200 --> 00:30:22,880
Speaker 1: DJ realizes the trouble she's in and tells her boyfriend,

595
00:30:23,040 --> 00:30:26,280
Speaker 1: I'm sorry. I'll call you later, and he says it's okay,

596
00:30:26,480 --> 00:30:29,560
Speaker 1: I gotta go to wrestling practice. He starts to lean

597
00:30:29,600 --> 00:30:32,200
Speaker 1: in for a goodbye kiss, but stops when he remembers

598
00:30:32,200 --> 00:30:34,440
Speaker 1: that they have an audience, so he opts for an

599
00:30:34,480 --> 00:30:36,200
Speaker 1: awkward handshake instead.

600
00:30:37,160 --> 00:30:40,360
Speaker 2: The only one that gets that he's in a living room, right,

601
00:30:40,800 --> 00:30:41,520
Speaker 2: Steve gets it.

602
00:30:42,680 --> 00:30:45,040
Speaker 1: Then Danny asks Vicky and the girls to leave because

603
00:30:45,080 --> 00:30:48,560
Speaker 1: he'd like to talk to DJ alone. Steph doesn't budge.

604
00:30:48,760 --> 00:30:50,760
Speaker 1: I'd love to, dad, but I can't hear as well

605
00:30:50,760 --> 00:30:54,360
Speaker 1: from the kitchen. Steph's just telling it like it is.

606
00:30:54,480 --> 00:30:57,040
Speaker 2: She's like, I would love to, but I'm very nosy,

607
00:30:57,080 --> 00:30:58,320
Speaker 2: so I need to pay attention here.

608
00:30:58,400 --> 00:31:01,000
Speaker 1: Thanks is very self aware.

609
00:31:02,960 --> 00:31:03,160
Speaker 2: Uh.

610
00:31:03,280 --> 00:31:06,760
Speaker 1: Vicky quickly hurts them away, and Michelle complains I never

611
00:31:06,800 --> 00:31:09,680
Speaker 1: get to see the good stuff, and Steph huffs welcome

612
00:31:09,720 --> 00:31:13,280
Speaker 1: to my world. As soon as they're gone, Danny lays

613
00:31:13,360 --> 00:31:18,200
Speaker 1: into DJ, this is inexcusable. DJ insists I promise it

614
00:31:18,240 --> 00:31:21,240
Speaker 1: will never happen again, but Danny tells her it's more

615
00:31:21,280 --> 00:31:25,120
Speaker 1: than that. She is completely wrapped up in Steve. DJ

616
00:31:25,280 --> 00:31:29,800
Speaker 1: emphasizes I love Steve and he loves me. Danny's voice

617
00:31:29,840 --> 00:31:34,080
Speaker 1: gets high pitched as he questions, what you're fifteen years old?

618
00:31:34,240 --> 00:31:37,360
Speaker 1: You're not in love. She yells back, you don't know

619
00:31:37,400 --> 00:31:40,440
Speaker 1: how I feel. Danny argues, I know your head has

620
00:31:40,480 --> 00:31:43,320
Speaker 1: been in the clouds. You haven't been paying attention to schoolwork,

621
00:31:43,480 --> 00:31:46,440
Speaker 1: and you've been neglecting all your responsibilities, like picking up

622
00:31:46,480 --> 00:31:50,240
Speaker 1: your sister. She tries to apologize once more, but Danny's

623
00:31:50,240 --> 00:31:52,640
Speaker 1: had enough. He says I don't want you and Steve

624
00:31:52,720 --> 00:31:56,640
Speaker 1: seeing each other anymore, and DJ shakes her head and

625
00:31:56,720 --> 00:32:00,400
Speaker 1: insists you can't do that, but Danny stands firm I

626
00:32:00,600 --> 00:32:04,120
Speaker 1: just did. She doesn't back down. Well, I don't care,

627
00:32:04,280 --> 00:32:06,680
Speaker 1: because I'm going to see Steve whenever I want and

628
00:32:06,800 --> 00:32:09,760
Speaker 1: you can't stop me, and she runs out the front door.

629
00:32:09,840 --> 00:32:13,200
Speaker 2: No, I've been that teenager, right right, but.

630
00:32:13,160 --> 00:32:14,600
Speaker 1: I'm learning away right.

631
00:32:14,680 --> 00:32:16,560
Speaker 3: Yeah. It's so dramatic.

632
00:32:16,800 --> 00:32:19,280
Speaker 2: Yeah, I mean so Drammio and Juliet were quite over

633
00:32:19,320 --> 00:32:20,080
Speaker 2: dramatic with it all.

634
00:32:20,440 --> 00:32:23,239
Speaker 1: Yeah, that's true, that's true. I don't I don't know what.

635
00:32:23,360 --> 00:32:25,040
Speaker 1: I don't know what I would have done as a parent, though,

636
00:32:25,080 --> 00:32:26,520
Speaker 1: It's like, okay, that's the worst thing to do with

637
00:32:26,520 --> 00:32:27,720
Speaker 1: teenagers is tell them that they.

638
00:32:28,520 --> 00:32:31,880
Speaker 2: Can't do something and they're like, yes, watch me watch yeah, yeah, yeah.

639
00:32:31,960 --> 00:32:33,920
Speaker 3: I took that as a challenge.

640
00:32:33,760 --> 00:32:35,720
Speaker 1: Right right, so that I don't think that was a

641
00:32:35,760 --> 00:32:38,120
Speaker 1: good call by Danny. But he also.

642
00:32:39,080 --> 00:32:40,400
Speaker 2: You know what I mean, like he just walked in

643
00:32:40,520 --> 00:32:44,280
Speaker 2: on a making out, which is kind of partly their fault.

644
00:32:44,280 --> 00:32:46,360
Speaker 2: But whatever walked on a making out.

645
00:32:46,680 --> 00:32:48,960
Speaker 3: She forgot Michelle at school.

646
00:32:49,880 --> 00:32:55,200
Speaker 1: Yeah, high anxiety and just blurting things out. Yeah, they both,

647
00:32:55,240 --> 00:32:56,240
Speaker 1: but they both kind.

648
00:32:56,120 --> 00:32:58,040
Speaker 2: Of It's a very teenage thing to do is to

649
00:32:58,120 --> 00:33:01,520
Speaker 2: just be like, I'm that's it, I'm leaving. Yeah, I know.

650
00:33:02,320 --> 00:33:06,280
Speaker 1: How dare you to run away around the block and

651
00:33:06,320 --> 00:33:12,440
Speaker 1: then come back when you're next We are at wrestling practice.

652
00:33:13,240 --> 00:33:16,120
Speaker 1: There are high school boys everywhere, and amongst them is

653
00:33:16,160 --> 00:33:17,720
Speaker 1: none other than Jimmy Gibbler.

654
00:33:18,160 --> 00:33:21,360
Speaker 2: Jimmy, she works her way in. She is like I'm

655
00:33:21,400 --> 00:33:23,960
Speaker 2: gonna I'm gonna get me some Yeah, this.

656
00:33:23,920 --> 00:33:27,200
Speaker 1: Girl, I mean, if you put her her energy and

657
00:33:27,240 --> 00:33:30,880
Speaker 1: her motivation to good use. She could change the world, like, you.

658
00:33:30,840 --> 00:33:31,520
Speaker 3: Know, really good.

659
00:33:31,800 --> 00:33:35,480
Speaker 2: Yeah, she's very motivated towards certainly motivated.

660
00:33:35,600 --> 00:33:39,840
Speaker 1: Well it's limited, but yeah, she's motivated about boys. She's

661
00:33:39,880 --> 00:33:42,920
Speaker 1: wiping off a wrestler with a towel and Danny walks in.

662
00:33:43,720 --> 00:33:46,760
Speaker 1: He asks what she's doing there, and Kimmy boasts, you're

663
00:33:46,800 --> 00:33:50,440
Speaker 1: looking at the wrestling team towel girl. Danny laughs, how'd

664
00:33:50,440 --> 00:33:52,840
Speaker 1: you get that job? Jimmy looks at the sky and

665
00:33:52,920 --> 00:33:56,760
Speaker 1: admits God smiled on me. Danny looks at the mat

666
00:33:56,760 --> 00:33:59,600
Speaker 1: and spots Steve. He quickly takes off his shoes and

667
00:33:59,640 --> 00:34:03,040
Speaker 1: makes a beeline for him. He asks Steve if he

668
00:34:03,040 --> 00:34:05,560
Speaker 1: knows where dj is, and Steve admits, I haven't seen

669
00:34:05,560 --> 00:34:06,760
Speaker 1: her since you were yelling at.

670
00:34:06,680 --> 00:34:10,120
Speaker 2: Her days before life three sixty. Couldn't just look on

671
00:34:10,160 --> 00:34:12,160
Speaker 2: it and be like, where's the where are they? Right right?

672
00:34:12,719 --> 00:34:14,759
Speaker 1: Find my friend or find my phone.

673
00:34:14,480 --> 00:34:16,000
Speaker 3: Find my eye all the apps?

674
00:34:16,080 --> 00:34:17,000
Speaker 2: Yeah, none of that?

675
00:34:17,200 --> 00:34:21,560
Speaker 1: Wow yeap uh. Danny's defensive. He says, I, hey, I

676
00:34:21,719 --> 00:34:24,960
Speaker 1: don't yell. I guide and when I was done guiding,

677
00:34:25,239 --> 00:34:29,520
Speaker 1: she ran out. Steve realizes she must be really freaked out.

678
00:34:29,800 --> 00:34:32,800
Speaker 1: Danny asks if he really cares about her, and Steve insists,

679
00:34:33,200 --> 00:34:35,280
Speaker 1: I love her, mister Tanner, oh.

680
00:34:37,440 --> 00:34:41,560
Speaker 2: Start and his like just earnestness in that little moment.

681
00:34:41,400 --> 00:34:43,279
Speaker 3: I was like, you're so young. Oh I love you.

682
00:34:44,040 --> 00:34:46,680
Speaker 1: Yeah, it was a door why everyone loves Steve Hale

683
00:34:46,800 --> 00:34:50,000
Speaker 1: because it is Scott's earnestness that makes the character.

684
00:34:50,480 --> 00:34:50,680
Speaker 2: You know.

685
00:34:50,880 --> 00:34:54,160
Speaker 1: Oh, I love that. But Danny shakes his head. I

686
00:34:54,239 --> 00:34:57,160
Speaker 1: really wish you too would stop using that word. What

687
00:34:57,200 --> 00:34:59,680
Speaker 1: you mean is you want what's best for her, right,

688
00:35:00,320 --> 00:35:04,000
Speaker 1: and Steve nods absolutely. So Danny demands, then I'd like

689
00:35:04,040 --> 00:35:06,800
Speaker 1: you to stop seeing her, but Steve says he can't

690
00:35:06,800 --> 00:35:09,720
Speaker 1: do that because she's the best thing that's ever happened

691
00:35:09,760 --> 00:35:10,120
Speaker 1: to him.

692
00:35:10,400 --> 00:35:16,160
Speaker 2: Damn. Steve like, I'm gonna know stand.

693
00:35:16,280 --> 00:35:19,080
Speaker 1: Yes, Hey, they're gonna get married. You know, it's.

694
00:35:21,239 --> 00:35:22,080
Speaker 2: It's all gonna work out.

695
00:35:22,080 --> 00:35:23,239
Speaker 1: Fine, it's all gonna work out.

696
00:35:24,640 --> 00:35:25,359
Speaker 2: Uh.

697
00:35:25,480 --> 00:35:28,000
Speaker 1: Then he tells Danny, I'm sorry, mister Tanner, but I

698
00:35:28,000 --> 00:35:30,120
Speaker 1: got to wrestle or my coach is gonna flip out.

699
00:35:30,920 --> 00:35:33,000
Speaker 1: Steve takes his spot down on the mat and his

700
00:35:33,080 --> 00:35:36,960
Speaker 1: teammate gets in position right behind him, but then Danny

701
00:35:37,000 --> 00:35:40,000
Speaker 1: steps in and tells his teammate take five, kill her,

702
00:35:40,320 --> 00:35:42,440
Speaker 1: and he proceeds to take off his coat and tie

703
00:35:42,800 --> 00:35:44,880
Speaker 1: and hands it to the high schooler, instructing him to

704
00:35:44,920 --> 00:35:47,680
Speaker 1: hang it up real neatly, and instead the guy throws

705
00:35:47,680 --> 00:35:49,400
Speaker 1: his stuff in the dirty towel hamper.

706
00:35:51,400 --> 00:35:56,360
Speaker 2: That's what you get when you start trying to wrestle

707
00:35:56,400 --> 00:35:57,040
Speaker 2: a teenager.

708
00:35:57,160 --> 00:36:00,399
Speaker 1: I mean, what y'are so awkward? Like I was, so

709
00:36:00,440 --> 00:36:03,919
Speaker 1: I had so much secondhand embarrassment for Danny, like he's

710
00:36:04,040 --> 00:36:06,280
Speaker 1: just this is so inappropriate.

711
00:36:06,280 --> 00:36:09,320
Speaker 2: Like where is where's the sort where I was just

712
00:36:09,360 --> 00:36:11,560
Speaker 2: gonna get mad that you're not wrestling, but he's gonna

713
00:36:11,560 --> 00:36:13,200
Speaker 2: get mad that you're not wrestling, But he's not going

714
00:36:13,239 --> 00:36:15,400
Speaker 2: to get mad that you're wrestling an adult.

715
00:36:15,600 --> 00:36:18,439
Speaker 1: A random adult. There's no other adults around. Like this

716
00:36:18,520 --> 00:36:22,920
Speaker 1: is so weird on so many levels. It's so peak

717
00:36:22,960 --> 00:36:27,279
Speaker 1: full house as well. So Danny kneels down by Steve

718
00:36:27,320 --> 00:36:30,680
Speaker 1: and gets in his wrestling stance, and Kimmy's watching them

719
00:36:30,719 --> 00:36:35,440
Speaker 1: in confusion. Steve awkwardly questions, mister Tanner, why do you

720
00:36:35,480 --> 00:36:37,320
Speaker 1: have your arm around my waist?

721
00:36:37,719 --> 00:36:39,040
Speaker 2: Excellent questions, Steve.

722
00:36:40,600 --> 00:36:43,959
Speaker 1: Danny responds, you need to wrestle. I need to talk

723
00:36:45,000 --> 00:36:47,839
Speaker 1: like this. Couldn't wait until.

724
00:36:47,280 --> 00:36:48,799
Speaker 3: The race is over.

725
00:36:51,440 --> 00:36:55,719
Speaker 2: Boundaries again, Tanners and boundaries no, not a one, not.

726
00:36:55,760 --> 00:37:00,000
Speaker 1: A boundary to be no found. So Steve is concerned

727
00:37:00,000 --> 00:37:03,319
Speaker 1: earned for Danny's well being. He emphasizes, you're old, your

728
00:37:03,320 --> 00:37:04,240
Speaker 1: bones are brittle.

729
00:37:05,160 --> 00:37:06,680
Speaker 2: Dan, he can say crap like that to me, and

730
00:37:06,719 --> 00:37:09,400
Speaker 2: I'm like, I am not. Maybe a little bit of

731
00:37:09,440 --> 00:37:13,640
Speaker 2: calcium deficiency, but I'm fine.

732
00:37:14,000 --> 00:37:17,440
Speaker 1: Danny scoffs, don't worry about my bones. I wrestled in

733
00:37:17,560 --> 00:37:21,200
Speaker 1: high school. They used to call me the steel string Bean,

734
00:37:21,960 --> 00:37:25,240
Speaker 1: and Kimmy smirks. I buy the string bean part. Danny

735
00:37:25,239 --> 00:37:27,120
Speaker 1: shoots her a glare and asks that she give them

736
00:37:27,160 --> 00:37:31,000
Speaker 1: the cue to start. Jimmy asks, you mean ready wrestle,

737
00:37:31,719 --> 00:37:35,640
Speaker 1: and instantly Danny flips Steve over and slams him onto

738
00:37:35,680 --> 00:37:39,840
Speaker 1: the ground. He has him pinned down and begins to explain,

739
00:37:40,000 --> 00:37:42,279
Speaker 1: ever since you and DJ have been going out, her

740
00:37:42,320 --> 00:37:45,000
Speaker 1: grades have been dropping off. I'm sure your wrestling must

741
00:37:45,080 --> 00:37:49,120
Speaker 1: be suffering, Steve Grunt's. Actually, my wrestling's never been better.

742
00:37:49,400 --> 00:37:52,080
Speaker 1: She inspires me, mister Tanner, and he proves it by

743
00:37:52,080 --> 00:37:55,400
Speaker 1: flipping Danny around. Jimmy is calling the match and yells

744
00:37:55,480 --> 00:37:58,560
Speaker 1: reversal two points. Try ahead, butt, mister t it makes

745
00:37:58,600 --> 00:38:02,480
Speaker 1: a neat sound. Is Danny's on the ground trying to

746
00:38:02,480 --> 00:38:05,560
Speaker 1: get out, trying to get out of Steve's hold. He asks,

747
00:38:05,760 --> 00:38:08,280
Speaker 1: what about your parents? I'm sure they must be concerned

748
00:38:08,280 --> 00:38:11,600
Speaker 1: that you're spending so much time with DJ. Danny squirms

749
00:38:11,600 --> 00:38:14,120
Speaker 1: his way out of Steve's arms and Kimmy calls out escape.

750
00:38:14,480 --> 00:38:17,640
Speaker 1: One point for the bean of steel. The guys are

751
00:38:17,680 --> 00:38:21,120
Speaker 1: both facing each other in a wrestling stance now. Then

752
00:38:21,800 --> 00:38:25,240
Speaker 1: Danny manages to get Steve in a headlock, and Steve admits, actually,

753
00:38:25,400 --> 00:38:28,320
Speaker 1: my parents think DJ is the greatest girl in the world.

754
00:38:29,040 --> 00:38:31,360
Speaker 1: Danny struggles to hold him and responds.

755
00:38:30,920 --> 00:38:31,400
Speaker 2: So do I.

756
00:38:31,880 --> 00:38:34,120
Speaker 1: That's why I want what's best for her, and that's

757
00:38:34,160 --> 00:38:37,600
Speaker 1: how come I'm putting my foot down. Then Steve flips

758
00:38:37,640 --> 00:38:40,399
Speaker 1: Danny onto the ground and grabs his leg. Kimmy gets

759
00:38:40,400 --> 00:38:41,920
Speaker 1: down onto the mat to keep a close eye on

760
00:38:41,960 --> 00:38:45,440
Speaker 1: the action and Danny's flailing in Steve's grasp.

761
00:38:47,800 --> 00:38:47,960
Speaker 2: Leg.

762
00:38:48,719 --> 00:38:51,160
Speaker 1: Oh my god, the legs. They took up half the screen,

763
00:38:51,640 --> 00:38:53,799
Speaker 1: the lanky legs. And this is so hard to do,

764
00:38:53,920 --> 00:38:59,359
Speaker 1: like wrestling choreography. While doing dialog, I was just I

765
00:38:59,360 --> 00:39:01,360
Speaker 1: was stressed watching.

766
00:39:01,000 --> 00:39:01,560
Speaker 3: Them do this.

767
00:39:01,719 --> 00:39:04,200
Speaker 1: I was like, you gotta get the timing right, the

768
00:39:04,239 --> 00:39:07,040
Speaker 1: flips right. It's just like, oh, but it looks great.

769
00:39:07,520 --> 00:39:10,000
Speaker 1: It looks so good. They did fantastic and Bob. I

770
00:39:10,000 --> 00:39:12,279
Speaker 1: thought Bob's height would get in the way of this.

771
00:39:12,800 --> 00:39:17,520
Speaker 1: He managed to make it very good. DJ runs into

772
00:39:17,560 --> 00:39:20,200
Speaker 1: the gym and shouts, Dad, what are you doing to Steve?

773
00:39:20,840 --> 00:39:23,520
Speaker 1: And meanwhile Danny's leg is being hoisted up into the

774
00:39:23,560 --> 00:39:24,560
Speaker 1: air by Steam.

775
00:39:25,760 --> 00:39:29,160
Speaker 3: I mean, I assure he's like, what is why or what?

776
00:39:29,360 --> 00:39:29,520
Speaker 2: Yeah?

777
00:39:29,560 --> 00:39:30,960
Speaker 3: If my day, if I walked into my dad was

778
00:39:30,960 --> 00:39:31,360
Speaker 3: doing that to.

779
00:39:31,400 --> 00:39:34,759
Speaker 1: My boyfriend, I would be very alarmed. I'd run right

780
00:39:34,840 --> 00:39:35,200
Speaker 1: back out.

781
00:39:36,320 --> 00:39:38,440
Speaker 2: Well, I don't know what I just witnessed that.

782
00:39:40,520 --> 00:39:43,359
Speaker 1: Danny assures her don't worry, I won't hurt him, and

783
00:39:43,360 --> 00:39:47,600
Speaker 1: then Kimmy slams the ground and calls it's a pin is.

784
00:39:47,719 --> 00:39:51,560
Speaker 1: Danny lays there, completely tuckered out. Kimmy jokes, boy, mister

785
00:39:51,600 --> 00:39:53,480
Speaker 1: t I never saw you sweat before.

786
00:39:54,160 --> 00:39:54,440
Speaker 2: Yuck.

787
00:39:55,680 --> 00:39:59,600
Speaker 1: DJ approaches her dad. She can't believe he's at Steve's practice.

788
00:40:00,360 --> 00:40:02,640
Speaker 1: Danny tells her it's only because he cares about her,

789
00:40:03,000 --> 00:40:06,319
Speaker 1: but DJ argues, all you care about is humiliating me.

790
00:40:07,080 --> 00:40:09,399
Speaker 1: He struggles to get up from the mat, assuring her

791
00:40:09,600 --> 00:40:10,759
Speaker 1: we'll talk about this at home.

792
00:40:10,840 --> 00:40:11,240
Speaker 2: Okay.

793
00:40:11,800 --> 00:40:14,719
Speaker 1: He's panting when he finally stands and adds, after my

794
00:40:14,840 --> 00:40:19,759
Speaker 1: lungs inflate. DJ crosses her arms and sternly responds, I'm

795
00:40:19,800 --> 00:40:23,040
Speaker 1: not going home. I'll stay at Kimmy's. But Kimmy chimes

796
00:40:23,080 --> 00:40:25,439
Speaker 1: in with a warning, you might want to rethink that, deej.

797
00:40:25,600 --> 00:40:29,160
Speaker 1: My father just ran out of foot deodorant. DJ decides

798
00:40:29,239 --> 00:40:32,160
Speaker 1: I'll stay at Steve's then, but Danny wags his finger

799
00:40:32,200 --> 00:40:35,399
Speaker 1: at her, like heck you will, You're going home right now.

800
00:40:35,920 --> 00:40:39,239
Speaker 1: They argue back and forth until finally Steve steps in.

801
00:40:39,719 --> 00:40:42,719
Speaker 1: He sadly tells DJ, you know I'm crazy about you,

802
00:40:43,000 --> 00:40:45,319
Speaker 1: but this is a mess. I don't want to come

803
00:40:45,320 --> 00:40:48,000
Speaker 1: between you and your dad. I can't see you anymore.

804
00:40:48,320 --> 00:40:51,120
Speaker 1: I'm sorry. He gives her a kiss on the cheek

805
00:40:51,160 --> 00:40:53,680
Speaker 1: and walks out of the gym. She starts to cry,

806
00:40:54,000 --> 00:40:55,879
Speaker 1: and Danny stands by in disbelief.

807
00:40:57,760 --> 00:41:00,239
Speaker 2: This is what happens when you show up to high

808
00:41:00,280 --> 00:41:02,000
Speaker 2: school wrestling practice.

809
00:41:02,560 --> 00:41:05,560
Speaker 1: Nothing good could have come from this, you know, And

810
00:41:05,680 --> 00:41:07,400
Speaker 1: all I could think about through this whole scene is

811
00:41:07,400 --> 00:41:10,880
Speaker 1: that I've never seen Scott's legs since taping this scene. Like,

812
00:41:10,920 --> 00:41:12,680
Speaker 1: I just he's not like a short point person.

813
00:41:12,880 --> 00:41:14,520
Speaker 2: No, he's definitely not a short sky.

814
00:41:14,360 --> 00:41:16,359
Speaker 1: Not a short sky. So I was like, oh, yeah,

815
00:41:16,360 --> 00:41:18,800
Speaker 1: those are Scott's legs. I haven't seen him since nineteen

816
00:41:18,880 --> 00:41:19,279
Speaker 1: ninety two?

817
00:41:19,600 --> 00:41:19,880
Speaker 2: Does he?

818
00:41:19,960 --> 00:41:21,080
Speaker 3: I mean he has them?

819
00:41:21,280 --> 00:41:21,480
Speaker 2: Right?

820
00:41:22,080 --> 00:41:24,520
Speaker 1: I assume? Okay, I assume he's got him, but yeah,

821
00:41:24,680 --> 00:41:33,440
Speaker 1: you know, I haven't seen him. Next, we are finally

822
00:41:33,440 --> 00:41:36,160
Speaker 1: at the radio station. We are at minute thirteen of

823
00:41:36,200 --> 00:41:38,359
Speaker 1: this twenty two minute episode, and we are just now

824
00:41:38,400 --> 00:41:42,080
Speaker 1: getting to the B storyline who almost forgot about it?

825
00:41:43,239 --> 00:41:45,880
Speaker 1: Jesse and Joey walk into the radio station for their

826
00:41:46,000 --> 00:41:48,959
Speaker 1: very first day, but Jesse is not looking so good.

827
00:41:49,239 --> 00:41:53,200
Speaker 1: He's falling asleep as they walk. Joey asked what's wrong

828
00:41:53,239 --> 00:41:55,799
Speaker 1: with him, and Jesse realizes it must have been the

829
00:41:55,960 --> 00:41:59,480
Speaker 1: cold medicine he took. He admits to taking four pills

830
00:41:59,520 --> 00:42:00,400
Speaker 1: instead of one.

831
00:42:00,520 --> 00:42:05,920
Speaker 3: Oh good lord, Jesse, man, didn't you read the box?

832
00:42:06,000 --> 00:42:10,080
Speaker 1: I mean, come on, Joey's eyes widened, Jess, do you

833
00:42:10,120 --> 00:42:12,920
Speaker 1: know how dangerous that is? Oh? Plus, you've been up

834
00:42:12,920 --> 00:42:16,840
Speaker 1: all night, no wonder you're zomped out Jesse confesses, I

835
00:42:16,840 --> 00:42:19,200
Speaker 1: didn't want my nose all stuffed up on the radio,

836
00:42:19,600 --> 00:42:22,640
Speaker 1: but it's clear now listen, and he snorts in Joey's

837
00:42:22,680 --> 00:42:26,640
Speaker 1: ear for proof. Meanwhile, Julie is inside the studio telling

838
00:42:26,719 --> 00:42:31,960
Speaker 1: listeners to stay tuned for the rush our Renegades. We've arrived.

839
00:42:32,040 --> 00:42:37,560
Speaker 1: It's day Renegade. As the guys go into the studio,

840
00:42:37,840 --> 00:42:41,920
Speaker 1: Jesse falls face first into the glass door and falls asleep.

841
00:42:43,200 --> 00:42:45,520
Speaker 1: Joey snaps him out of it, and they both step

842
00:42:45,520 --> 00:42:48,480
Speaker 1: into the studio to take Julie's place. When Julie says

843
00:42:48,520 --> 00:42:51,640
Speaker 1: hi to Jesse, he yawns and stares down at the floor.

844
00:42:52,160 --> 00:42:54,919
Speaker 1: She asks if he's okay, and he raises his head

845
00:42:54,920 --> 00:42:57,920
Speaker 1: and says he's fine, with his eyes still closed. Then

846
00:42:57,960 --> 00:43:00,720
Speaker 1: he falls forward and Joey quickly grabs a stuffed animal

847
00:43:00,800 --> 00:43:05,840
Speaker 1: to protect his head from slamming onto the desk John

848
00:43:05,840 --> 00:43:09,680
Speaker 1: in the physical comedy, it is a winning combination always.

849
00:43:10,920 --> 00:43:13,279
Speaker 1: Joey lies to their boss, Oh, what he likes to

850
00:43:13,280 --> 00:43:16,320
Speaker 1: do is meditate before a performance. It helps him relax.

851
00:43:17,400 --> 00:43:19,719
Speaker 1: He lifts Jesse's head and we see that he's completely

852
00:43:19,760 --> 00:43:22,920
Speaker 1: cross eyed. Joey tells her if he wasn't like this,

853
00:43:23,080 --> 00:43:25,160
Speaker 1: I'd be worried. And then he lets him go and

854
00:43:25,280 --> 00:43:29,280
Speaker 1: Jesse face plants into the stuffed animal again. Julie raises

855
00:43:29,280 --> 00:43:32,880
Speaker 1: her eyebrows and shrugs, Hey, whatever works, knock him dead.

856
00:43:33,239 --> 00:43:38,120
Speaker 1: She walks away. I'm questioning Julie's manager style here because

857
00:43:38,160 --> 00:43:39,080
Speaker 1: she's like, right.

858
00:43:40,640 --> 00:43:42,200
Speaker 3: The manager, the producer, the.

859
00:43:42,120 --> 00:43:46,200
Speaker 1: Host, yes, all of it above, and she doesn't even

860
00:43:46,239 --> 00:43:48,600
Speaker 1: she doesn't vet her people. She's not like, you're clearly

861
00:43:48,640 --> 00:43:49,480
Speaker 1: over medicated.

862
00:43:49,560 --> 00:43:51,800
Speaker 2: Let's you know, he was rating in the early nineties.

863
00:43:51,840 --> 00:43:54,640
Speaker 2: You know, things were wild rock and roll station. Who

864
00:43:54,680 --> 00:43:56,640
Speaker 2: knows anything.

865
00:43:56,880 --> 00:43:58,920
Speaker 1: Anything goes back in nineteen ninety two.

866
00:43:59,080 --> 00:44:03,839
Speaker 2: Yeah, yeah, I also am questioning Julie's thought process with this.

867
00:44:04,040 --> 00:44:08,719
Speaker 2: But I mean, if somebody walked in like just about

868
00:44:09,120 --> 00:44:12,560
Speaker 2: ten percent shy of weekend at Bernie's, I'd be alarmed

869
00:44:12,640 --> 00:44:14,160
Speaker 2: to put them live on air.

870
00:44:14,239 --> 00:44:17,520
Speaker 1: But this is just a paycheck, Like Julie's just like

871
00:44:17,600 --> 00:44:19,080
Speaker 1: just I just if she doesn't really hit a.

872
00:44:19,080 --> 00:44:21,880
Speaker 2: Clock out, it's kind of it's the whole thing. The

873
00:44:22,239 --> 00:44:25,439
Speaker 2: station's kind of gone down, you know, since she took over.

874
00:44:25,600 --> 00:44:28,160
Speaker 2: No offense to her, but just you know, it's just.

875
00:44:28,080 --> 00:44:30,200
Speaker 1: Not what it was that's right, they're not getting the

876
00:44:30,280 --> 00:44:33,400
Speaker 1: ratings anymore, you know, that's why they had to hire Jesse,

877
00:44:33,520 --> 00:44:38,960
Speaker 1: and Joey's whatever. So Joey lets out a nervous chuckle

878
00:44:39,000 --> 00:44:42,600
Speaker 1: and says, we're practically there, and once she's gone, he

879
00:44:42,640 --> 00:44:45,000
Speaker 1: tries to snap Jesse out of it. He tries shaking

880
00:44:45,080 --> 00:44:48,200
Speaker 1: him and smacking his face, but it doesn't work. Joey

881
00:44:48,200 --> 00:44:50,440
Speaker 1: looks at his watch and starts counting down the seconds

882
00:44:50,480 --> 00:44:53,399
Speaker 1: before they go live. Then Jesse falls out of his chair.

883
00:44:54,000 --> 00:44:56,840
Speaker 1: Joey quickly sets him back up before rushing over to

884
00:44:56,880 --> 00:45:00,320
Speaker 1: his mic and announcing, Hello, San Francisco, We're the Rush

885
00:45:00,360 --> 00:45:03,560
Speaker 1: our Renegades. I'm Joey Gladstone and this is my partner,

886
00:45:03,680 --> 00:45:08,680
Speaker 1: Jesse Catzopolis. Say Hi, Jess. Jesse snores in response, so

887
00:45:08,800 --> 00:45:11,759
Speaker 1: Joey nervously shoves a tape into his mouth to shut

888
00:45:11,800 --> 00:45:14,880
Speaker 1: him up. He tells the audience Jess is kind of

889
00:45:14,920 --> 00:45:17,520
Speaker 1: the quiet one. I guess you could tell, right, Jess.

890
00:45:18,120 --> 00:45:20,880
Speaker 1: At that, Jesse slumps onto the ground, so Joey tosses

891
00:45:20,920 --> 00:45:24,160
Speaker 1: it to break and wonders what is he going to do.

892
00:45:26,160 --> 00:45:29,600
Speaker 1: Later at the radio station, Joey is flapping a dollar

893
00:45:29,680 --> 00:45:33,960
Speaker 1: bill into the mic, pretending it's the KFLH traffic copter.

894
00:45:35,840 --> 00:45:37,840
Speaker 1: If anyone's going to do a one man show.

895
00:45:37,680 --> 00:45:41,280
Speaker 2: It's joe Joey's fine.

896
00:45:42,120 --> 00:45:43,520
Speaker 1: Joey's like, I'm good, I got this.

897
00:45:44,120 --> 00:45:46,640
Speaker 3: I just did an entire play by myself.

898
00:45:46,920 --> 00:45:53,120
Speaker 1: Yes, He tells listeners that Jesse does some really great impersonations.

899
00:45:53,520 --> 00:45:56,080
Speaker 1: The camera flips over to Jesse, who is snoring on

900
00:45:56,160 --> 00:45:59,800
Speaker 1: the couch, so Joey is forced to continue their fake conversation.

901
00:46:00,560 --> 00:46:03,560
Speaker 1: He asks, Hey, Jess, why don't you do Rodney Dangerfield.

902
00:46:03,960 --> 00:46:07,120
Speaker 1: He switches to Jesse's mic and does the impersonation, and

903
00:46:07,160 --> 00:46:09,880
Speaker 1: then goes back to his own mic and compliments himself.

904
00:46:10,920 --> 00:46:13,560
Speaker 1: We see Becky, Stephan Michelle appear at the studio door,

905
00:46:13,840 --> 00:46:16,359
Speaker 1: so Joey throws it to another commercial so they can

906
00:46:16,400 --> 00:46:16,879
Speaker 1: come in.

907
00:46:17,800 --> 00:46:23,160
Speaker 2: Because no security. Well no, you just walk right in. Yeah,

908
00:46:23,280 --> 00:46:23,839
Speaker 2: come on in.

909
00:46:24,320 --> 00:46:26,560
Speaker 3: Do you want to walk for sure?

910
00:46:27,760 --> 00:46:28,560
Speaker 2: Yeah?

911
00:46:28,640 --> 00:46:29,480
Speaker 3: Do I have to be on.

912
00:46:29,440 --> 00:46:32,279
Speaker 2: Air for a certain amount of time before I press pause? No?

913
00:46:32,280 --> 00:46:36,600
Speaker 1: No, anything goes at a LA house.

914
00:46:36,760 --> 00:46:38,880
Speaker 2: Yeah.

915
00:46:39,000 --> 00:46:42,120
Speaker 1: Becky asks with concern, Hey, how are you guys doing?

916
00:46:42,760 --> 00:46:45,400
Speaker 1: Steph rolls her eyes? How are they doing? You're the

917
00:46:45,400 --> 00:46:49,840
Speaker 1: one who changed the station in the car. Steph always

918
00:46:49,840 --> 00:46:53,840
Speaker 1: tells the truth, you know, she always does. Michelle glances

919
00:46:53,840 --> 00:46:56,520
Speaker 1: at Jesse and wonders do they have nap time here.

920
00:46:57,400 --> 00:47:00,600
Speaker 1: Becky notices her unconscious husband on the couch and runs

921
00:47:00,600 --> 00:47:04,040
Speaker 1: over to him, asking Joey what happened. Joey explains that

922
00:47:04,080 --> 00:47:06,360
Speaker 1: he took too many cold pills, so Becky tries to

923
00:47:06,360 --> 00:47:09,719
Speaker 1: wake him up by slapping his face. Joey insists he's

924
00:47:09,760 --> 00:47:14,120
Speaker 1: tried everything, but Jesse's been out for hours, so Becky

925
00:47:14,160 --> 00:47:17,279
Speaker 1: tries a different tactic. She starts making out with him,

926
00:47:17,480 --> 00:47:20,960
Speaker 1: and Jesse quickly responds back. When she pulls away, he

927
00:47:21,000 --> 00:47:23,799
Speaker 1: does his signature have mercy? Now?

928
00:47:23,920 --> 00:47:27,120
Speaker 2: Under normal circumstances, kids, you don't want to kiss a

929
00:47:27,160 --> 00:47:30,880
Speaker 2: person who is on too much cold medicine and is

930
00:47:30,920 --> 00:47:34,239
Speaker 2: passed out. That is usually a bad idea, but apparently

931
00:47:34,400 --> 00:47:37,680
Speaker 2: Becky and Jesse have a prior consent agreement that you

932
00:47:37,719 --> 00:47:39,799
Speaker 2: can stick your tongue down my throat if I am

933
00:47:40,120 --> 00:47:41,479
Speaker 2: unconscious at any time.

934
00:47:42,000 --> 00:47:46,359
Speaker 1: Right, it's giving snow white. You know, it was very right,

935
00:47:46,560 --> 00:47:50,000
Speaker 1: just like the magical just Becky in her magical tongue.

936
00:47:50,040 --> 00:47:56,640
Speaker 1: I don't know it was just what never mind Jody's

937
00:47:56,719 --> 00:47:58,880
Speaker 1: editing herself again. She's editing herself.

938
00:47:58,880 --> 00:48:00,120
Speaker 2: I'm so proud of me, right.

939
00:48:02,160 --> 00:48:05,839
Speaker 1: Becky smiles, and Joey sarcastically wonders, why didn't I think

940
00:48:05,880 --> 00:48:08,840
Speaker 1: of that. Jesse looks around the room and asks in

941
00:48:08,880 --> 00:48:13,239
Speaker 1: a groggy voice, what's going on here? Joey responds, welcome back,

942
00:48:13,360 --> 00:48:17,680
Speaker 1: mister posture pedic. You slept through half the show. Jesse

943
00:48:17,840 --> 00:48:22,320
Speaker 1: palms his face, realizing he blew it. Then Michelle hops

944
00:48:22,320 --> 00:48:25,280
Speaker 1: onto the mic and announces, this is the Michelle Show.

945
00:48:26,480 --> 00:48:31,080
Speaker 1: Very fitting. I pledge allegiance to the flag. Jesse quickly

946
00:48:31,120 --> 00:48:33,560
Speaker 1: jumps up and takes her off the mic. He tells

947
00:48:33,600 --> 00:48:37,760
Speaker 1: the listeners now that little patriotic munchkin was my niece, Michelle.

948
00:48:38,520 --> 00:48:41,840
Speaker 1: Michelle asks into the microphone, did you have a nice nap?

949
00:48:41,960 --> 00:48:46,000
Speaker 1: Uncle Jesse? He laughs and tells everyone I'm pinching her

950
00:48:46,080 --> 00:48:49,000
Speaker 1: cheek really hard, but you folks at home can't see that.

951
00:48:50,120 --> 00:48:51,840
Speaker 1: Then he asks the rest of the family if they

952
00:48:51,880 --> 00:48:55,120
Speaker 1: want to say hi. Becky gives a nervous hello, and

953
00:48:55,120 --> 00:48:58,480
Speaker 1: then they signal for stuff to jump in. She sheepishly

954
00:48:58,560 --> 00:49:00,960
Speaker 1: turns down the offer, but after they push her a

955
00:49:00,960 --> 00:49:03,560
Speaker 1: bit more, she steps up to the mic and starts

956
00:49:03,560 --> 00:49:07,000
Speaker 1: too proudly singing when the Saints go marching in.

957
00:49:11,960 --> 00:49:14,759
Speaker 3: She didn't pull out a trombone, you know, right.

958
00:49:14,680 --> 00:49:18,800
Speaker 1: Yes, Steph is just living her best life. Yeah, the Russia,

959
00:49:18,800 --> 00:49:23,880
Speaker 1: our renegades. Jesse snatches the mic back and sarcastically notes, uh,

960
00:49:23,880 --> 00:49:25,440
Speaker 1: I guess she got over her shyness.

961
00:49:25,560 --> 00:49:25,920
Speaker 2: Huh.

962
00:49:26,480 --> 00:49:28,680
Speaker 1: He tells the listeners they'll be right back and plays

963
00:49:28,719 --> 00:49:32,520
Speaker 1: some rock music for them in the meantime. Man, there's

964
00:49:32,600 --> 00:49:34,640
Speaker 1: just there's more like, there's not a whole lot of

965
00:49:34,640 --> 00:49:38,400
Speaker 1: host chat here is either commercials, more commercials and a

966
00:49:38,400 --> 00:49:40,239
Speaker 1: little bit of music. That's that's all it is.

967
00:49:40,400 --> 00:49:40,960
Speaker 2: Yeah, you know.

968
00:49:43,080 --> 00:49:45,760
Speaker 1: Once they're off the air, Jesse sighs and tells Joey

969
00:49:46,080 --> 00:49:49,439
Speaker 1: thanks for bailing me out, and Joey smiles, Hey, that's

970
00:49:49,440 --> 00:49:53,239
Speaker 1: what partners are for. Meanwhile, Michelle is still sitting on

971
00:49:53,320 --> 00:49:56,200
Speaker 1: Jesse's lap. She hits a random button before her and

972
00:49:56,280 --> 00:49:59,640
Speaker 1: asks Jesse what it does. He explains that it turns

973
00:49:59,680 --> 00:50:02,960
Speaker 1: the music off, which would mean they're broadcasting dead air.

974
00:50:03,840 --> 00:50:06,759
Speaker 1: A moment later, Joey and Jesse both exclaim dead air,

975
00:50:07,360 --> 00:50:09,799
Speaker 1: and every member of the family starts talking and or

976
00:50:09,920 --> 00:50:12,120
Speaker 1: singing into the mics to make up for it.

977
00:50:12,600 --> 00:50:16,279
Speaker 2: Why don't you just push the button again? You know,

978
00:50:17,440 --> 00:50:18,680
Speaker 2: I mean that's.

979
00:50:18,480 --> 00:50:21,360
Speaker 1: Way too simple. Yeah, it's not nearly chaotic and this

980
00:50:21,840 --> 00:50:23,320
Speaker 1: full house universe.

981
00:50:23,040 --> 00:50:24,920
Speaker 2: Oh, I yes, absolutely.

982
00:50:26,760 --> 00:50:31,000
Speaker 1: Back at the Tanner House in the backyard, Danny is

983
00:50:31,080 --> 00:50:34,840
Speaker 1: sitting outside looking deep in thought. Vicky comes out to

984
00:50:34,840 --> 00:50:37,319
Speaker 1: console him, and he tells her that DJ is still

985
00:50:37,320 --> 00:50:39,399
Speaker 1: in her room and she won't even talk to him.

986
00:50:40,200 --> 00:50:44,080
Speaker 1: Vicky admits it's a tough age, and Danny nods, yeah, fifteen.

987
00:50:44,760 --> 00:50:47,960
Speaker 1: Vicky responds, I mean thirty five, and she leans back

988
00:50:48,000 --> 00:50:51,120
Speaker 1: with a sigh. Danny vans to her they're just kids.

989
00:50:51,400 --> 00:50:54,800
Speaker 1: They're not mature enough to know what love is. She asks,

990
00:50:55,120 --> 00:50:59,200
Speaker 1: mature like us. He nods, so she continues, do we

991
00:50:59,400 --> 00:51:03,320
Speaker 1: love each other? He's taken aback and begins to stammer,

992
00:51:03,600 --> 00:51:06,799
Speaker 1: what love Well, I don't know. I guess the mast

993
00:51:06,800 --> 00:51:08,520
Speaker 1: sure thing to do would be to make a list

994
00:51:08,880 --> 00:51:12,000
Speaker 1: and then analyze the situation and just think it through objectively.

995
00:51:12,600 --> 00:51:16,320
Speaker 1: She begs, don't think, just tell me how you feel.

996
00:51:17,040 --> 00:51:20,879
Speaker 1: He sighs, how I feel. Well, I feel like there's

997
00:51:20,880 --> 00:51:23,360
Speaker 1: nobody else I'd rather spend my time with, and I

998
00:51:23,360 --> 00:51:25,319
Speaker 1: feel like you're the only one in the world for me,

999
00:51:25,800 --> 00:51:29,640
Speaker 1: and I feel like I love you. A huge grin

1000
00:51:29,760 --> 00:51:33,160
Speaker 1: spreads across Vicky's face and she admits, oh, Danny, I

1001
00:51:33,360 --> 00:51:37,319
Speaker 1: love you too. I have a sucker for these things,

1002
00:51:37,400 --> 00:51:37,560
Speaker 1: you know.

1003
00:51:37,719 --> 00:51:40,759
Speaker 2: I love this very This was such a cute scene though.

1004
00:51:40,760 --> 00:51:44,640
Speaker 2: This was a very sweet scene between between Bob and Gail. Yeah,

1005
00:51:44,640 --> 00:51:45,200
Speaker 2: I liked it.

1006
00:51:45,200 --> 00:51:47,239
Speaker 3: It really very genuine like it felt.

1007
00:51:47,320 --> 00:51:51,040
Speaker 1: Yeah, they had such good chemistry together. Yeah, and knowing

1008
00:51:51,120 --> 00:51:53,120
Speaker 1: that she'll be here, She'll be here at least a

1009
00:51:53,160 --> 00:51:57,040
Speaker 1: little bit longer. It's just so sweet, he asks in

1010
00:51:57,120 --> 00:52:00,560
Speaker 1: another high pitched voice. You do and she nod. They

1011
00:52:00,640 --> 00:52:04,480
Speaker 1: hug and kiss each other, looking completely in love. He

1012
00:52:04,560 --> 00:52:10,600
Speaker 1: repeats in disbelief. You really love me, that's Bob, Do

1013
00:52:10,640 --> 00:52:14,400
Speaker 1: you like? Are you mad at me? She continues to

1014
00:52:14,440 --> 00:52:18,080
Speaker 1: nod and they embrace once more. He admits he feels

1015
00:52:18,120 --> 00:52:22,560
Speaker 1: like a teenager again, and then realization crosses his face

1016
00:52:22,640 --> 00:52:28,080
Speaker 1: as he says, DJ. We cut to DJ's room. DJ

1017
00:52:28,320 --> 00:52:30,799
Speaker 1: is in complete silence, just sitting on her bed with

1018
00:52:30,920 --> 00:52:32,839
Speaker 1: tears in her eyes and her shoes.

1019
00:52:34,000 --> 00:52:36,479
Speaker 3: That's spread I wrote it down.

1020
00:52:37,400 --> 00:52:38,160
Speaker 1: I couldn't call it.

1021
00:52:39,880 --> 00:52:42,520
Speaker 3: Fet off of streams of color?

1022
00:52:43,000 --> 00:52:44,880
Speaker 2: Why would you put your shoes.

1023
00:52:44,520 --> 00:52:46,880
Speaker 1: On the Yeah, you've been in a in a in

1024
00:52:46,920 --> 00:52:51,320
Speaker 1: a gym with the wrestlers, You've been outside San Francisco. Yes,

1025
00:52:51,480 --> 00:52:55,680
Speaker 1: I was in Danny Tanner's house. Does he not notice this?

1026
00:52:56,880 --> 00:52:59,520
Speaker 1: So Danny knocks, but she doesn't respond right away? You

1027
00:52:59,520 --> 00:53:02,279
Speaker 1: know again? And she finally speaks up, saying he can

1028
00:53:02,320 --> 00:53:05,640
Speaker 1: come in. As Danny opens the door, she asks, did

1029
00:53:05,680 --> 00:53:07,640
Speaker 1: you think of some new way to ruin my life?

1030
00:53:08,480 --> 00:53:10,880
Speaker 1: He can't wipe the smile off of his face and

1031
00:53:10,960 --> 00:53:14,720
Speaker 1: tells her something incredible just happened to me. I told

1032
00:53:14,840 --> 00:53:19,480
Speaker 1: Vicky I love her. DJ deadpans, are you trying to

1033
00:53:19,480 --> 00:53:23,399
Speaker 1: torture me? And he explains that he now understands how

1034
00:53:23,440 --> 00:53:27,080
Speaker 1: she feels. He admits I'd forgotten what it was like.

1035
00:53:27,680 --> 00:53:29,959
Speaker 1: I haven't been in love with anyone since your mom.

1036
00:53:30,800 --> 00:53:35,960
Speaker 1: It's incredible my heart strings. I was like, oh yeah,

1037
00:53:36,360 --> 00:53:41,200
Speaker 1: DJ halfheartedly responds that's great. Dad. He agrees, yeah, it is.

1038
00:53:41,760 --> 00:53:44,120
Speaker 1: And if you and Steve are feeling what I'm feeling

1039
00:53:44,200 --> 00:53:48,080
Speaker 1: right now, then I think it's wonderful. She perks up

1040
00:53:48,120 --> 00:53:50,680
Speaker 1: and asks, are you saying I can see Steve again?

1041
00:53:51,440 --> 00:53:55,160
Speaker 1: He says yes and continues to say that Steve is

1042
00:53:55,160 --> 00:53:58,160
Speaker 1: a pretty good kid. He's polite, he's a good eater.

1043
00:53:58,520 --> 00:54:02,399
Speaker 1: He's got a darn good headline. She excitedly jumps off

1044
00:54:02,400 --> 00:54:05,040
Speaker 1: the bed, saying she can't wait to call him, but

1045
00:54:05,160 --> 00:54:08,040
Speaker 1: Danny stops her put that call on hold for a moment.

1046
00:54:08,440 --> 00:54:10,920
Speaker 1: Steve is an important part of your life now, but

1047
00:54:10,960 --> 00:54:13,640
Speaker 1: he shouldn't be your whole life. You can't forget about

1048
00:54:13,680 --> 00:54:17,080
Speaker 1: your grades and your friends and your family. And if

1049
00:54:17,120 --> 00:54:20,399
Speaker 1: you don't like a blouse, don't wear it, unless, of course,

1050
00:54:20,440 --> 00:54:23,200
Speaker 1: I bought it for you. He asks that she never

1051
00:54:23,239 --> 00:54:27,040
Speaker 1: lose track of herself, and she agrees. She apologizes for

1052
00:54:27,080 --> 00:54:30,120
Speaker 1: the way she's been acting recently and admits, I've never

1053
00:54:30,160 --> 00:54:34,160
Speaker 1: been in love before. It's kind of overwhelming. Danny agrees.

1054
00:54:34,320 --> 00:54:37,400
Speaker 1: So DJ wonders, are you kind of lightheaded? And he

1055
00:54:37,440 --> 00:54:41,120
Speaker 1: says yes. She asks is your heart pounding? And Danny

1056
00:54:41,160 --> 00:54:44,840
Speaker 1: sighs like a bongo. She wonders, how about your stomach?

1057
00:54:45,280 --> 00:54:48,520
Speaker 1: And he admits I feel like I'm gonna hurl. DJ

1058
00:54:48,680 --> 00:54:52,120
Speaker 1: has the biggest grin on her face, saying it's the best,

1059
00:54:52,239 --> 00:54:54,600
Speaker 1: isn't it? And they give each other a big hug

1060
00:54:54,680 --> 00:54:55,719
Speaker 1: and that's.

1061
00:54:55,520 --> 00:54:59,759
Speaker 3: Our shut dum. When the Saints Go March.

1062
00:55:02,520 --> 00:55:04,000
Speaker 1: That's gonna be in my head the rest of the day.

1063
00:55:04,640 --> 00:55:07,600
Speaker 3: Well, this was a cute episode. This is a very

1064
00:55:07,600 --> 00:55:10,680
Speaker 3: cute episode. We get and I love you for DJ

1065
00:55:10,800 --> 00:55:11,640
Speaker 3: and Steve.

1066
00:55:11,760 --> 00:55:13,320
Speaker 2: For Danny and Vicky.

1067
00:55:14,000 --> 00:55:15,400
Speaker 3: Yeah, yeah, it's a it's a big one.

1068
00:55:15,440 --> 00:55:17,239
Speaker 2: We start the rush Hour Renegades thing.

1069
00:55:17,680 --> 00:55:19,560
Speaker 1: Oh yeah, So that episode.

1070
00:55:19,640 --> 00:55:24,160
Speaker 3: Episode had a lot of like big moments.

1071
00:55:23,880 --> 00:55:26,120
Speaker 1: And lots of big moments. I thought it was very

1072
00:55:26,120 --> 00:55:28,680
Speaker 1: well balanced too. You got the heart scenes with your

1073
00:55:28,719 --> 00:55:31,720
Speaker 1: father daughter on the b side, You've got the physical comedy,

1074
00:55:31,760 --> 00:55:35,120
Speaker 1: the sitcom craziness. That's a good It was a good balance.

1075
00:55:35,120 --> 00:55:36,680
Speaker 2: I thought it was a good balance story and I

1076
00:55:36,760 --> 00:55:41,880
Speaker 2: loved Bob in this episode. This is definitely going to

1077
00:55:41,920 --> 00:55:45,200
Speaker 2: be my vote for best Bob episode at the end

1078
00:55:45,239 --> 00:55:46,960
Speaker 2: of the season. I mean, I haven't seen the rest of.

1079
00:55:46,960 --> 00:55:49,000
Speaker 3: It yet, but this one is so great.

1080
00:55:49,120 --> 00:55:51,480
Speaker 2: And it's because he was just so genuine with it

1081
00:55:51,520 --> 00:55:54,360
Speaker 2: and like it was it was just a lovely scene

1082
00:55:54,360 --> 00:55:56,719
Speaker 2: to watch and you really felt connected and I was

1083
00:55:56,760 --> 00:55:59,080
Speaker 2: just thinking about it, I was like, you know, other

1084
00:55:59,160 --> 00:56:02,560
Speaker 2: sitcoms like I don't feel like that. I don't know,

1085
00:56:02,640 --> 00:56:04,880
Speaker 2: I just feel like Bob did such a great job

1086
00:56:05,080 --> 00:56:09,000
Speaker 2: with this, it didn't at all feel quote unquote sitcom

1087
00:56:09,239 --> 00:56:10,120
Speaker 2: like you know what I mean?

1088
00:56:10,239 --> 00:56:14,120
Speaker 1: Right, Yeah, No, it's he he he grounds it in

1089
00:56:14,160 --> 00:56:17,520
Speaker 1: a way that makes it feel real and sitcommy. And

1090
00:56:17,600 --> 00:56:19,520
Speaker 1: I don't know if that's because he was a real

1091
00:56:19,560 --> 00:56:22,200
Speaker 1: life father and was used to giving those talks. If

1092
00:56:22,200 --> 00:56:24,640
Speaker 1: that's just Bob Bob in his heart and he really

1093
00:56:24,680 --> 00:56:28,000
Speaker 1: cared about us, you know, as as his daughter as

1094
00:56:28,000 --> 00:56:28,560
Speaker 1: his own daughter.

1095
00:56:28,640 --> 00:56:33,960
Speaker 3: Yeah, so well it definitely translated. Well, that was so

1096
00:56:34,120 --> 00:56:34,960
Speaker 3: cute and lovely.

1097
00:56:35,000 --> 00:56:38,520
Speaker 2: Did you have any everywhere he looks other than the

1098
00:56:38,960 --> 00:56:39,399
Speaker 2: shoes on.

1099
00:56:39,360 --> 00:56:42,840
Speaker 1: The just no shoes on the bed was very triggering. No,

1100
00:56:43,040 --> 00:56:45,920
Speaker 1: just Jesse's robe, the teal robe with the JK embroidery

1101
00:56:47,120 --> 00:56:49,200
Speaker 1: that I looked at the wrestlers and the wrestler scene,

1102
00:56:49,200 --> 00:56:52,279
Speaker 1: didn't recognize any of them, No, they were They looked

1103
00:56:52,280 --> 00:56:54,000
Speaker 1: like they were just background actors.

1104
00:56:54,080 --> 00:56:57,280
Speaker 2: Yeah, and so yeah, no other everywhere he looks, all right, yeah, none,

1105
00:56:57,320 --> 00:56:59,879
Speaker 2: none for me, So that's the right.

1106
00:57:00,040 --> 00:57:02,640
Speaker 1: The shoes on the bed, shoes on the bed on

1107
00:57:02,680 --> 00:57:03,160
Speaker 1: the bed.

1108
00:57:02,960 --> 00:57:05,839
Speaker 2: Don't put your shoes on the bed, it's shoes off.

1109
00:57:05,920 --> 00:57:07,919
Speaker 2: It's very take your shoes terry.

1110
00:57:08,320 --> 00:57:10,600
Speaker 1: If you're wearing kissicks. Take your shoes off.

1111
00:57:10,640 --> 00:57:13,160
Speaker 3: If you're wearing hands, take your shoes off, you know

1112
00:57:13,200 --> 00:57:13,480
Speaker 3: what I mean.

1113
00:57:14,880 --> 00:57:17,320
Speaker 1: Yeah, leave them at the door and walk barefooted or

1114
00:57:17,320 --> 00:57:19,040
Speaker 1: with your socks through the house. That's what we do.

1115
00:57:19,160 --> 00:57:23,280
Speaker 2: That's words of wisdom from Howard Dan Rito's. Thank you

1116
00:57:23,400 --> 00:57:26,280
Speaker 2: so much everyone for joining us for our podcast. Catch

1117
00:57:26,320 --> 00:57:29,120
Speaker 2: more of our life tips and stupid ramblings next time.

1118
00:57:29,920 --> 00:57:31,960
Speaker 2: If you want to find more of that in the meantime,

1119
00:57:31,960 --> 00:57:34,440
Speaker 2: you can check us out at on Instagram at how

1120
00:57:34,520 --> 00:57:37,000
Speaker 2: Rude Podcast. You can send us an email at how

1121
00:57:37,120 --> 00:57:40,520
Speaker 2: Rude Tanaritos at gmail dot com. You can check out

1122
00:57:40,520 --> 00:57:43,920
Speaker 2: our merch store, which is how rudemerch dot com. And

1123
00:57:43,960 --> 00:57:48,280
Speaker 2: we love you fan Rito's. So remember the world is small.

1124
00:57:49,520 --> 00:57:55,120
Speaker 2: The house is full of wrestling gear. It's full of

1125
00:57:55,120 --> 00:58:00,440
Speaker 2: those little singlets, just those little outfits. There's a bunch

1126
00:58:00,440 --> 00:58:01,240
Speaker 2: of your uniform.

1127
00:58:01,320 --> 00:58:04,840
Speaker 1: Yeah, yeah, it's bizarre. I don't know, man, Why does

1128
00:58:04,920 --> 00:58:06,600
Speaker 1: it have to be cut so low?

1129
00:58:07,600 --> 00:58:08,200
Speaker 2: You know what I mean?

1130
00:58:08,320 --> 00:58:10,560
Speaker 1: I don't There's got to be a physical reason for that,

1131
00:58:10,760 --> 00:58:11,960
Speaker 1: like a useful reason.

1132
00:58:12,280 --> 00:58:16,720
Speaker 2: But the full house, it's just full of them, and uh,

1133
00:58:16,760 --> 00:58:19,080
Speaker 2: and you know you're trying to find the blame one

1134
00:58:19,120 --> 00:58:21,040
Speaker 2: for the match, and it's disgusting. It's terrible.

1135
00:58:21,200 --> 00:58:22,160
Speaker 1: Call a flower ear.

1136
00:58:22,280 --> 00:58:26,880
Speaker 2: Oh god, that's that's terrible.

1137
00:58:27,560 --> 00:58:29,600
Speaker 1: I know that's when I think of when I think

1138
00:58:29,640 --> 00:58:32,840
Speaker 1: of wrestling, I think call the flower ear. Sorry, okay, anyways.

1139
00:58:32,560 --> 00:58:34,240
Speaker 3: Let's be wow you guys.

1140
00:58:34,400 --> 00:58:37,280
Speaker 2: Anyway, we're gonna go talk some stupidness off the air.

1141
00:58:37,320 --> 00:58:38,200
Speaker 3: We love you by