WEBVTT - Debra McGuire Iconic Costume Designer

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<v Speaker 1>Yeah, no mess Welcome to the Mess around. It is

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<v Speaker 1>our New Girl Recap, a recap podcast that I do

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<v Speaker 1>with Lemourn and we bring in all the New Girl

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<v Speaker 1>fan favorites that made the show the show, and I

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<v Speaker 1>would say, without exaggeration, maybe fifty percent of our questions

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<v Speaker 1>are about what we're wearing. How it all came to

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<v Speaker 1>be where people can get a bird shirt, we're zolways,

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<v Speaker 1>clothes made or bought, I mean on and the wedding dresses,

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<v Speaker 1>the amazing weddings, and I'm like, this was Debra's world.

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<v Speaker 1>We somehow And I remember this when I got a

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<v Speaker 1>New Girl and they said that Deborah maguire was doing costumes.

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<v Speaker 1>It was really my first job in the industry. So

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<v Speaker 1>I was like, Okay, I can't wait to meet Deborah

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<v Speaker 1>and they're like, no, like they got Deborah and I

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<v Speaker 1>was like, Okay, what does that mean? And they're like,

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<v Speaker 1>she's the greatest in the entire business. Nobody can understand

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<v Speaker 1>how they got her. And then I got to learn

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<v Speaker 1>over like almost a decade of how and why you

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<v Speaker 1>are the best in every single aspect of what you do.

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<v Speaker 1>So what is your New Girl origin story? How did

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<v Speaker 1>you get connected to the show, and why did you

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<v Speaker 1>agree to do it?

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<v Speaker 2>Truthfully, it must have had to do with Jake Castin, right,

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<v Speaker 2>mm hmm. Yeah. So you know, I started working with

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<v Speaker 2>Jake on Freaks and Geeks, and then I started doing

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<v Speaker 2>all of his shows, and you know, we had the

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<v Speaker 2>three shows going for a long time, and I'm sure

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<v Speaker 2>that's how I got there.

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<v Speaker 1>Jake was just like, you're you're part of this world.

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<v Speaker 2>Right, I've done At that point, I'd worked with him

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<v Speaker 2>since he was twenty two years old, I think get out.

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<v Speaker 1>Yeah, so he was like, you have to be part

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<v Speaker 1>of this. How did you approach creating the looks for

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<v Speaker 1>the central cast of New Girl.

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<v Speaker 2>Well, I had this idea that was about color and

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<v Speaker 2>with you know, Zoe being the teacher and sort of

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<v Speaker 2>the center of the cyclone. I thought of it like

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<v Speaker 2>a box of Crayola krans and that She was like, like,

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<v Speaker 2>I have a real connection to Crayola Kranz from the

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<v Speaker 2>time I'm a child. I can like smell, I know

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<v Speaker 2>what it smells like. Like I every time the boxes

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<v Speaker 2>got bigger and there were more crans in there, it

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<v Speaker 2>was the most exciting thing in the world. So I

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<v Speaker 2>sort of dealt with it like that, and she was

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<v Speaker 2>a Creola cran And then I designed everybody else around them,

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<v Speaker 2>around her, and that's why she had all those primary

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<v Speaker 2>colors and and everybody else, you know, because it's an

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<v Speaker 2>ensemble and you guys are together so much, much the

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<v Speaker 2>same as I had when I did Friends. It was

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<v Speaker 2>the same thing. When you have an ensemble cast and

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<v Speaker 2>they're together a lot, it's more about the way it

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<v Speaker 2>looks together than it is about the individual fashion because subliminally,

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<v Speaker 2>you know, we're looking at the screen as a painting,

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<v Speaker 2>so it needs to look beautiful. So that's my main

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<v Speaker 2>concern always, that's the first concern. And then you know,

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<v Speaker 2>sometimes you know, I have to have some disappointment about,

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<v Speaker 2>you know, things that work and things that don't, and

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<v Speaker 2>having to adjust that palette. But for the most part,

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<v Speaker 2>you know, I designed by palette, and this show fit

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<v Speaker 2>in pretty well. I mean, you know, your character added

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<v Speaker 2>a lot of different silhouettes from Zoe's silhouettes, and also

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<v Speaker 2>some patterns that we didn't really see that often in

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<v Speaker 2>her clothes.

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<v Speaker 1>Yeah, with Zoe's clothes, I feel like I remember conversations

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<v Speaker 1>about you made right.

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<v Speaker 2>Quite a few. We made a lot of her looks

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<v Speaker 2>most of them actually, because she had that you know,

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<v Speaker 2>that fifties silhouette, so if it wasn't vintage, and sometimes

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<v Speaker 2>we had a vintage style that worked perfectly, so I

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<v Speaker 2>would knock off a pattern from that and then do

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<v Speaker 2>a series of dresses off of that. But her figure

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<v Speaker 2>was such that that shirt waist showing her waist was

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<v Speaker 2>really the best look for her. So we made that,

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<v Speaker 2>and we also made all those jammies she wore. She

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<v Speaker 2>wear a lot of pajamas.

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<v Speaker 1>You know what's really funny, I have a very clear

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<v Speaker 1>memory of my first fitting with you.

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<v Speaker 2>So do I at night downtown at that down Yeah,

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<v Speaker 2>me too.

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<v Speaker 1>Oh my gosh, okay, I took a screen grab of this. Well,

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<v Speaker 1>we'll play. We'll put the picture up properly when we

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<v Speaker 1>put it in the show. It's so funny because again

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<v Speaker 1>it was my first show. I have to show you.

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<v Speaker 2>It was this.

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<v Speaker 1>Yes, it's like going to focus.

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<v Speaker 2>Yes, there the feathers, that's right.

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<v Speaker 1>And so I remember, so I've again never done a

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<v Speaker 1>big show. This was my first big thing I'd ever booked,

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<v Speaker 1>and they were like, well, never wants to meet you downtown.

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<v Speaker 1>I was like downtown, and so I was not the

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<v Speaker 1>most confident driver. I only learned to drive in La,

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<v Speaker 1>So I'm like trying to like navigate my way, hoping

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<v Speaker 1>I don't die on the way to the fitting. And

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<v Speaker 1>it was a beautiful day, and I think you were

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<v Speaker 1>finishing up something else. I don't even know if it

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<v Speaker 1>was for a new girl, maybe for something else, because

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<v Speaker 1>you were in this fabulous, fabulous like warehouse and and

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<v Speaker 1>so I was waiting on the roof. And I remember

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<v Speaker 1>waiting on the roof and it was this beautiful day

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<v Speaker 1>and blue skies, and I was I just couldn't believe

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<v Speaker 1>it was real. I had then been educated on your

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<v Speaker 1>career and who you were, and I was like, I

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<v Speaker 1>guess I'm going to figure out who this character was

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<v Speaker 1>not understanding like there's going to be multiple looks. There's

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<v Speaker 1>going to be your core look. This is going to

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<v Speaker 1>be like a joke photoshoot that you're going for a

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<v Speaker 1>fitting for. I didn't understand all those things yet, and

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<v Speaker 1>so I think someone came I don't know who came

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<v Speaker 1>up and like tap me on the shoulder and they

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<v Speaker 1>were like, Debraa's ready, And I came in and they're

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<v Speaker 1>on this rack. Were some of to this day, the

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<v Speaker 1>most wild outfits with shoes and like hats that I

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<v Speaker 1>had ever seen in my entire life, and it was

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<v Speaker 1>one of the most fun things I've ever done. So

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<v Speaker 1>what was that space? Where did that conversation come about

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<v Speaker 1>to like go that far with it?

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<v Speaker 2>Truthfully, I have a real recollection of it. But I

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<v Speaker 2>don't remember what that company was. I don't know that

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<v Speaker 2>they exist anymore. But I did know that they had

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<v Speaker 2>inherited like tons of old McQueen and lots of amazing

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<v Speaker 2>dresses and things that I just wouldn't be able to

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<v Speaker 2>access in other places, and I thought that would be

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<v Speaker 2>like a perfect place to try stuck on it. I

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<v Speaker 2>remember we tried on some McQueen shoes, really weird shoes,

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<v Speaker 2>and it was really fun.

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<v Speaker 1>Yeah, I have pictures of it. I have to find them.

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<v Speaker 1>I think it's on my other computer. I have pictures

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<v Speaker 1>from the fitting. You sent me the fitting pictures. I'll

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<v Speaker 1>text them to you too. And their outfits are fabulous,

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<v Speaker 1>I mean they're beyond fabulous. And then I remember that

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<v Speaker 1>that was the outfit that they chose for a scene

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<v Speaker 1>that never made it into the pilot on the cutting

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<v Speaker 1>room floor, I know, but it was so and I

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<v Speaker 1>remember the hair. We just like went for it with

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<v Speaker 1>this incredible look and I was like, this is going

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<v Speaker 1>to be so fun. And I was so nervous, and

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<v Speaker 1>they put me on the stage and then a security

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<v Speaker 1>safety guy came out and was like, nobody speak, nobody move,

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<v Speaker 1>and they brought in a vulture, like a bird of prey,

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<v Speaker 1>and I was dressed like a bird, and they were like,

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<v Speaker 1>nobody speak because these are like predatory animals and we

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<v Speaker 1>don't want it to get scared. And then I remember

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<v Speaker 1>Aaron O'Malley coming over to whisper to me. She's like, okay,

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<v Speaker 1>so then we're just gonna give you a hand signal

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<v Speaker 1>for action. And then in the scene I was screaming

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<v Speaker 1>into the phone dressed as a bird. Well this bird

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<v Speaker 1>was next to me. I was like, this was the

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<v Speaker 1>most surreal experience of my life and that outfit was

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<v Speaker 1>the most incredible thing I'd worn. And then instantly in

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<v Speaker 1>that moment became so terrifying because I felt like I

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<v Speaker 1>was a bird.

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<v Speaker 2>It was and it never made it right into it. Yeah,

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<v Speaker 2>welcome to my world. Like the most fabulous things I

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<v Speaker 2>think I have ever done in my life. I didn't

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<v Speaker 2>make it in the movie because.

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<v Speaker 1>No one ever saw. I also have to share another

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<v Speaker 1>memory with you because it was also in that first

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<v Speaker 1>year we got nominated for a Golden Globe. I don't

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<v Speaker 1>know if you remember this conversation, and I was like,

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<v Speaker 1>the only person I need to talk to is Deborah.

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<v Speaker 1>And I had found a dress and I loved it

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<v Speaker 1>so much, and it was green, and I remember having

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<v Speaker 1>you come to my trailer and I was like, I

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<v Speaker 1>want to talk to you in confidence about something. I

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<v Speaker 1>really like this dress. It's great and my first time

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<v Speaker 1>I ever gonna wear like a fancy designer on a

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<v Speaker 1>red carpet, like and I was so worried that Zoe

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<v Speaker 1>would be wearing the same color and that I would

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<v Speaker 1>in any way distract from her by wearing the same color.

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<v Speaker 1>It was like old school, like high school thinking, like

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<v Speaker 1>I was just so worried that, you know, like I

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<v Speaker 1>don't know the rules of the red carpet. And I

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<v Speaker 1>remember you gently sitting down with me and explaining of

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<v Speaker 1>all these people's like dresses that you'd had made and

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<v Speaker 1>had done for every like award show, and you were like,

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<v Speaker 1>it doesn't matter. Wear the dress that you want to wear,

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<v Speaker 1>whatever it is. Everybody's gonna be wearing every color. And

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<v Speaker 1>it was the kindest moment of education and sudden that

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<v Speaker 1>I had nothing to do with our show, but just

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<v Speaker 1>in terms of my own confidence of being able to

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<v Speaker 1>stand in what felt good to me, not in a

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<v Speaker 1>character to be able to go to this honoring and

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<v Speaker 1>I had no one else to kind of turn to

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<v Speaker 1>that I would have believed. And I think about that

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<v Speaker 1>all the time, even now when I'd choose an outfit,

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<v Speaker 1>I'm always like, oh, it doesn't matter when anybody else

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<v Speaker 1>is wearing or doing or the palette. In those moments,

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<v Speaker 1>you can just express yourself and what feels good. And

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<v Speaker 1>that was you. That was you teaching me that in

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<v Speaker 1>taking the time, and I think it was pretty you know,

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<v Speaker 1>crazy as always on that show, but you found like,

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<v Speaker 1>I don't know, fifteen minutes and sat down and just

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<v Speaker 1>walk me through it in those moments.

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<v Speaker 2>I don't know you realize that that's so sweet.

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<v Speaker 1>Yeah, it was a really powerful one for me. I

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<v Speaker 1>just have the fondest memories of us being in that

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<v Speaker 1>trailer and we would do these huge fittings and we

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<v Speaker 1>would talk about our lives and our families and our

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<v Speaker 1>pain always always and it was you just always had

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<v Speaker 1>that time to share and it was really like you

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<v Speaker 1>and your department was really I think Laura and I

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<v Speaker 1>talk about all the time like that was like family,

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<v Speaker 1>Like it's what made it feel like we were so

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<v Speaker 1>cared for because it was really And you've been on

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<v Speaker 1>a lot of those shows where it's people's first experience

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<v Speaker 1>being kind of thrust out there and they're looking at

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<v Speaker 1>our bodies and then how you guys outfit us, you know,

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<v Speaker 1>gives us the confidence or makes us self conscious and

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<v Speaker 1>out of our body.

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<v Speaker 2>Well, we had Kathy and Megan, who are like my daughters.

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<v Speaker 2>So Kathy just became a grandmother. If you can believe it, No.

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<v Speaker 1>I can not.

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<v Speaker 2>Yes, what yes?

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<v Speaker 1>Wow? Oh but that's so sea.

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<v Speaker 2>So I know I feel like she just had, you know,

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<v Speaker 2>her baby, not that long ago. But it's crazy.

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<v Speaker 1>Wow. Yeah, how did you? Okay? So the big question

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<v Speaker 1>is I have been put in charge of this because

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<v Speaker 1>we put a like a call to action out to

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<v Speaker 1>the fans about this, and I would say about fifty

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<v Speaker 1>percent of those questions coming in were about Lamarne, about

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<v Speaker 1>Lomarn and the bird shirt. And so I'm going to

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<v Speaker 1>read you this from a fan her name is Amy Caruso.

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<v Speaker 1>She wrote, I love listening to the show every week.

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<v Speaker 1>Hearing the Debora will be on got me so excited

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<v Speaker 1>because I have a question that's been haunting me for years.

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<v Speaker 1>I think this is a big fan theory that we

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<v Speaker 1>all want to know. So, season four, episode twenty one,

0:12:45.760 --> 0:12:48.560
<v Speaker 1>Jess and Nick talk about who they are growing old with.

0:12:48.760 --> 0:12:51.320
<v Speaker 1>After Nick says he just sees himself next to Winston,

0:12:51.480 --> 0:12:53.880
<v Speaker 1>just says, yeahmy too. I just see an ancient Winston

0:12:53.960 --> 0:12:57.840
<v Speaker 1>eating handfuls of bird seed right out of the bag.

0:12:58.520 --> 0:13:02.160
<v Speaker 1>He just really gets in to birds. Could you please

0:13:02.160 --> 0:13:05.440
<v Speaker 1>confirm if this was foreshadowing of or the triggering idea

0:13:05.480 --> 0:13:08.959
<v Speaker 1>to Winston's obsessions with bird shirts for the very next season.

0:13:09.480 --> 0:13:11.120
<v Speaker 1>What's the background on the birds?

0:13:11.760 --> 0:13:17.679
<v Speaker 2>Interesting questions? So I don't think that's the case. However,

0:13:18.679 --> 0:13:21.680
<v Speaker 2>I do believe in all of these things that we do,

0:13:22.000 --> 0:13:26.120
<v Speaker 2>that there is a level of synchronicity that exists with everything.

0:13:27.480 --> 0:13:31.280
<v Speaker 2>And you know, what happens in a television show sort

0:13:31.320 --> 0:13:35.800
<v Speaker 2>of mirrors real life. You know that when people ask me,

0:13:35.880 --> 0:13:39.040
<v Speaker 2>you know about the characters, and from season to season,

0:13:39.160 --> 0:13:42.240
<v Speaker 2>it's like everybody evolves in the same way that we

0:13:42.280 --> 0:13:45.360
<v Speaker 2>evolve as human beings because we're going through these periods

0:13:45.400 --> 0:13:48.960
<v Speaker 2>of time. So I don't think there's a direct correlation

0:13:49.120 --> 0:13:52.640
<v Speaker 2>between the bird seed and the bird And I think

0:13:52.880 --> 0:13:57.120
<v Speaker 2>also what the fans should know is that the biggest

0:13:57.200 --> 0:14:03.320
<v Speaker 2>evolution was schmidt evolution in terms of him as a

0:14:03.400 --> 0:14:07.920
<v Speaker 2>person and his personal style. I mean, if you remember

0:14:08.200 --> 0:14:11.520
<v Speaker 2>he was in polo shirts for you know a few seasons,

0:14:11.559 --> 0:14:14.080
<v Speaker 2>I think, I mean, and you know a lot of

0:14:14.120 --> 0:14:19.800
<v Speaker 2>that doesn't necessarily have to do with me and my ideas,

0:14:20.400 --> 0:14:23.160
<v Speaker 2>but has to do with sort of the next level

0:14:23.560 --> 0:14:28.920
<v Speaker 2>of writers and people who are giving us the information

0:14:29.080 --> 0:14:34.520
<v Speaker 2>about the characters so we can best satisfy. Sometimes we're

0:14:34.640 --> 0:14:39.160
<v Speaker 2>at odds, but I am a servant to them. They

0:14:39.240 --> 0:14:43.640
<v Speaker 2>do not serve me. That being said, a lot of

0:14:43.720 --> 0:14:49.800
<v Speaker 2>decisions don't necessarily come from me directly. They come from above,

0:14:50.080 --> 0:14:52.840
<v Speaker 2>from the writing. You know a lot of it and

0:14:52.880 --> 0:14:55.760
<v Speaker 2>a lot of the ideas that get generated are things

0:14:55.800 --> 0:14:58.720
<v Speaker 2>that we have to process from information that we get

0:14:58.760 --> 0:15:04.560
<v Speaker 2>from the be And in doing that and evolving his

0:15:04.760 --> 0:15:08.000
<v Speaker 2>character to those great shirts, and that became sort of

0:15:08.040 --> 0:15:11.480
<v Speaker 2>an obsession with us because it was a really good

0:15:11.520 --> 0:15:15.080
<v Speaker 2>place for us to be creative, which we're always looking

0:15:15.160 --> 0:15:18.520
<v Speaker 2>for and you know, sometimes you know, once we get

0:15:18.520 --> 0:15:23.760
<v Speaker 2>into who these characters are, there's only so much creativity

0:15:23.800 --> 0:15:26.760
<v Speaker 2>that we can insert, unless, of course, we have a

0:15:26.800 --> 0:15:31.640
<v Speaker 2>fabulous wedding or we have a reason to create something.

0:15:31.880 --> 0:15:35.760
<v Speaker 2>The day to day is pretty much within its little bubble.

0:15:35.920 --> 0:15:37.880
<v Speaker 1>So yeah, I knew Girl had a lot of those

0:15:37.920 --> 0:15:42.320
<v Speaker 1>fun episodes. It seems like with like Halloween episodes.

0:15:42.880 --> 0:15:51.080
<v Speaker 2>Halloween episodes definitely, and hello we had Prince I mean yeah, hello,

0:15:52.200 --> 0:15:55.600
<v Speaker 2>probably only the greatest experiences ever.

0:15:57.000 --> 0:16:01.680
<v Speaker 1>Why, I mean still to this day it feels really surreal.

0:16:01.760 --> 0:16:05.040
<v Speaker 1>We're recapping season three right now, which comes off the

0:16:05.080 --> 0:16:09.280
<v Speaker 1>heels of Taylor Swift being in the season two finale.

0:16:09.640 --> 0:16:12.560
<v Speaker 1>Did you pick that Elaine dress? Was that provided by wardrobe?

0:16:12.680 --> 0:16:13.200
<v Speaker 1>Was that hers?

0:16:13.560 --> 0:16:16.240
<v Speaker 2>No? We those are our dresses?

0:16:18.040 --> 0:16:21.360
<v Speaker 1>How did you decide on that iconical? So many people

0:16:21.560 --> 0:16:24.720
<v Speaker 1>said that they went to the Taylor Swift concert dressed

0:16:24.800 --> 0:16:28.160
<v Speaker 1>as a lane, so like they remade the dress. They

0:16:28.200 --> 0:16:31.680
<v Speaker 1>have like altered dresses to beat the Elaine dress.

0:16:31.760 --> 0:16:35.560
<v Speaker 2>Okay, so just so you know, you know, I'm old,

0:16:35.600 --> 0:16:38.880
<v Speaker 2>What can I say? You know, like she falls within

0:16:39.080 --> 0:16:43.440
<v Speaker 2>a category that like I didn't really know, you know,

0:16:43.560 --> 0:16:47.640
<v Speaker 2>it didn't have any more importance than you know, anybody

0:16:47.720 --> 0:16:50.880
<v Speaker 2>else being on the show. The ideation, don't. I didn't

0:16:50.880 --> 0:16:55.160
<v Speaker 2>equate her with Prince. Let's put it that way. Okay, okay,

0:16:55.600 --> 0:16:59.840
<v Speaker 2>Prince is my wheelhouse. So for me, Taylor Swift was

0:16:59.880 --> 0:17:03.640
<v Speaker 2>like dealing with any other actor that comes in, you know.

0:17:03.960 --> 0:17:07.600
<v Speaker 2>And so the dress, you know, we had picked up

0:17:07.680 --> 0:17:11.000
<v Speaker 2>dresses and she was very agreeable. You know, she was

0:17:11.200 --> 0:17:16.520
<v Speaker 2>lovely to work with. Easy, So you know, I don't

0:17:16.520 --> 0:17:19.639
<v Speaker 2>remember that much except looking at pictures on her phone

0:17:19.640 --> 0:17:24.520
<v Speaker 2>of her cats. You know. That's so.

0:17:24.760 --> 0:17:27.159
<v Speaker 1>That's so It's funny, right, those moments where you're just

0:17:27.160 --> 0:17:31.600
<v Speaker 1>like another day, another you know, a guest star, so cool,

0:17:31.680 --> 0:17:35.520
<v Speaker 1>no big deals on you, Hannah, because.

0:17:35.840 --> 0:17:40.719
<v Speaker 2>Your outfit, you were like, that's what I cared about,

0:17:40.880 --> 0:17:42.040
<v Speaker 2>you know what I mean, Oh.

0:17:41.920 --> 0:17:44.360
<v Speaker 1>My gosh, that outfit. That was my first time ever

0:17:44.480 --> 0:17:48.760
<v Speaker 1>going to Artesia ever well going there and I was like,

0:17:48.840 --> 0:17:51.119
<v Speaker 1>and you were like, I've been here many times. Let

0:17:51.160 --> 0:17:53.399
<v Speaker 1>me take you to the best stores. And I was like,

0:17:53.520 --> 0:17:56.280
<v Speaker 1>what you opened up that whole part of LA to me.

0:17:56.720 --> 0:18:01.480
<v Speaker 1>I had no idea the best and was so overwhelmed,

0:18:01.480 --> 0:18:04.399
<v Speaker 1>like anybody who's gone like Indian wedding dress shopping. I

0:18:04.440 --> 0:18:07.560
<v Speaker 1>had never done that before. It's not like even going

0:18:07.720 --> 0:18:09.920
<v Speaker 1>just for like your white wedding dress, like time's it

0:18:10.040 --> 0:18:13.520
<v Speaker 1>by a million in terms of options. So how did

0:18:13.640 --> 0:18:15.640
<v Speaker 1>how did? I can't even I can't remember, like how

0:18:15.680 --> 0:18:18.840
<v Speaker 1>we landed on what we chose for the wedding dress.

0:18:19.200 --> 0:18:21.439
<v Speaker 2>Oh. When I took you there and we tried stuff on,

0:18:21.640 --> 0:18:29.800
<v Speaker 2>it was like, hands down, it was the most magnificently embellished, gorgeous.

0:18:29.880 --> 0:18:34.879
<v Speaker 2>Sorry ever, it was like, oh my god. So it

0:18:34.960 --> 0:18:38.560
<v Speaker 2>was there was no competition. You put it on and

0:18:38.560 --> 0:18:43.280
<v Speaker 2>it was like whoa, that's the one. Yeah, that was amazing.

0:18:44.119 --> 0:18:47.960
<v Speaker 1>It was incredible. I just remember being like, what's little India?

0:18:48.080 --> 0:18:50.280
<v Speaker 1>Like I truly had no idea because I was still

0:18:50.359 --> 0:18:53.639
<v Speaker 1>so new to La and being like wow, okay, so

0:18:53.680 --> 0:18:55.399
<v Speaker 1>you mentioned Prince, so we've got to talk about it,

0:18:55.440 --> 0:18:59.080
<v Speaker 1>like how did he was that? Also, Ward, you're bringing

0:18:59.119 --> 0:19:01.520
<v Speaker 1>close to him. I know he does a whole dress

0:19:01.560 --> 0:19:05.679
<v Speaker 1>up sequence with Zoe in phenomenal clothes. What was that?

0:19:06.040 --> 0:19:10.120
<v Speaker 2>So he we were in touch with his people and

0:19:10.280 --> 0:19:14.080
<v Speaker 2>they were going to bring sort of we gave them

0:19:14.119 --> 0:19:16.000
<v Speaker 2>sort of things we were looking for and they were

0:19:16.000 --> 0:19:18.360
<v Speaker 2>like yeah, yeah, yeah, yeah, yeah, and he's so tiny

0:19:18.480 --> 0:19:20.959
<v Speaker 2>and his feet were so tiny. So they were going

0:19:21.040 --> 0:19:22.840
<v Speaker 2>to bring the shoes and dah da da da dah.

0:19:22.840 --> 0:19:25.640
<v Speaker 2>Oh my god, I'm just thinking about those shoes. Oh

0:19:25.680 --> 0:19:29.000
<v Speaker 2>my god. They were like a wedge and it was

0:19:29.040 --> 0:19:32.479
<v Speaker 2>a clear heel that you could see through, and they

0:19:32.520 --> 0:19:36.840
<v Speaker 2>were just outrageous. Yeah, everything he brought was outrageous. But

0:19:37.080 --> 0:19:40.920
<v Speaker 2>we also had really taken it very seriously and had

0:19:40.960 --> 0:19:44.080
<v Speaker 2>gotten some of the most amazing things from Palace Costume

0:19:44.240 --> 0:19:48.120
<v Speaker 2>in different places, and so we just had an assortment

0:19:48.160 --> 0:19:50.120
<v Speaker 2>of stuff. So he wore his stuff, and he wore

0:19:50.240 --> 0:19:52.640
<v Speaker 2>a little bit of our stuff, and then Zoe wore

0:19:52.720 --> 0:19:56.560
<v Speaker 2>some stuff as well, Right, she puts stuff on. Yeah,

0:19:56.800 --> 0:20:00.240
<v Speaker 2>but it was like it was really like an out

0:20:00.240 --> 0:20:04.760
<v Speaker 2>of body experience because it was so normal that it

0:20:04.800 --> 0:20:08.520
<v Speaker 2>was weird. Like it was so weird, it was so normal,

0:20:08.880 --> 0:20:11.800
<v Speaker 2>and like, yeah, my conversation with him, sitting in the

0:20:11.920 --> 0:20:15.439
<v Speaker 2>director's chair next to him, we talked about the weather

0:20:15.680 --> 0:20:21.760
<v Speaker 2>in Minneapolis, like we had like the most normal conversation

0:20:21.920 --> 0:20:25.560
<v Speaker 2>that you'd have when you meet your cousins in the

0:20:25.600 --> 0:20:28.760
<v Speaker 2>Midwest and you have a little conversation. That's what it

0:20:28.800 --> 0:20:30.440
<v Speaker 2>was like. And I remember the end of the day

0:20:30.520 --> 0:20:34.080
<v Speaker 2>just thinking, oh my god. And I don't know. I'm

0:20:34.080 --> 0:20:36.639
<v Speaker 2>sure you remember, Hannah, when he like in between he

0:20:36.800 --> 0:20:38.919
<v Speaker 2>just was sitting on the couch and then he started

0:20:38.920 --> 0:20:42.239
<v Speaker 2>playing the guitar. But we were just all trying to

0:20:42.280 --> 0:20:46.240
<v Speaker 2>be so cool and it was so not cool. It

0:20:46.359 --> 0:20:49.399
<v Speaker 2>was like, oh my god, Prince is sitting five feet

0:20:49.440 --> 0:20:53.320
<v Speaker 2>away from me and he's playing the guitar and singing,

0:20:53.520 --> 0:20:57.800
<v Speaker 2>Oh my God. Like it was and nobody could emote

0:20:57.920 --> 0:21:00.880
<v Speaker 2>or express themselves really until after because we all had

0:21:00.880 --> 0:21:03.359
<v Speaker 2>to be so cool. You know, we were so cool,

0:21:04.080 --> 0:21:04.360
<v Speaker 2>and it.

0:21:04.359 --> 0:21:07.000
<v Speaker 1>Was so everybody trying to hold it together was the

0:21:07.080 --> 0:21:11.320
<v Speaker 1>greatest thing in the world because everyone's just like trying

0:21:11.320 --> 0:21:14.240
<v Speaker 1>to just be like casual and then you would watch

0:21:14.240 --> 0:21:16.400
<v Speaker 1>people like step out for you know, craftier to get

0:21:16.400 --> 0:21:18.720
<v Speaker 1>a snack or something and then just being like, oh

0:21:18.800 --> 0:21:21.720
<v Speaker 1>my god, oh my god, like these like mini heart

0:21:21.720 --> 0:21:23.120
<v Speaker 1>attack moments.

0:21:22.720 --> 0:21:28.760
<v Speaker 2>Of like and then Hannah, it's true, right, Like the

0:21:28.880 --> 0:21:31.120
<v Speaker 2>reason he wanted to do it is because he had

0:21:31.400 --> 0:21:32.399
<v Speaker 2>a crush.

0:21:32.040 --> 0:21:37.040
<v Speaker 1>On our little Hannah. Yeah a Christian you Yeah, it

0:21:37.119 --> 0:21:40.760
<v Speaker 1>was yeah. Yeah. He tried for a very long time.

0:21:42.520 --> 0:21:44.960
<v Speaker 1>He tried for a very long time. To find a

0:21:45.040 --> 0:21:48.040
<v Speaker 1>way to be in the same room together. Yep, And

0:21:49.520 --> 0:21:53.280
<v Speaker 1>I uh, I was not interested in that way. Love

0:21:53.280 --> 0:21:55.600
<v Speaker 1>a Prince song, Happy to a Prince record, I was

0:21:55.640 --> 0:21:59.280
<v Speaker 1>not interested in anything else. So I was never in

0:21:59.320 --> 0:22:02.000
<v Speaker 1>the same room with Prince. And then yeah, he uh

0:22:02.080 --> 0:22:04.119
<v Speaker 1>it was like a teenage boy showed up at my job,

0:22:04.680 --> 0:22:07.359
<v Speaker 1>which was really funny. And then that's apparently with people

0:22:07.359 --> 0:22:10.320
<v Speaker 1>that he really likes that to have that time, quality

0:22:10.400 --> 0:22:13.720
<v Speaker 1>time with he likes to he liked to play ping pong,

0:22:14.440 --> 0:22:17.960
<v Speaker 1>and so that's why they I don't know if you

0:22:18.040 --> 0:22:20.440
<v Speaker 1>were still there at that point, but at the night

0:22:20.480 --> 0:22:23.120
<v Speaker 1>it was like five in the morning, they had to

0:22:23.119 --> 0:22:26.240
<v Speaker 1>write in the tag because how were they going to

0:22:26.320 --> 0:22:30.720
<v Speaker 1>incorporate ping pong into the show? And they had to

0:22:30.760 --> 0:22:33.560
<v Speaker 1>write this tag where Prince would get his request, which

0:22:33.640 --> 0:22:36.119
<v Speaker 1>was he wanted to play ping pong with me, And

0:22:36.800 --> 0:22:39.080
<v Speaker 1>they saved it as the last thing that we shot

0:22:39.400 --> 0:22:42.520
<v Speaker 1>because they were low key scared that if we shot

0:22:42.560 --> 0:22:46.000
<v Speaker 1>that early, he would be east Prince so he could

0:22:46.000 --> 0:22:49.679
<v Speaker 1>be like, Okay, I'm gonna go now, and so we

0:22:49.840 --> 0:22:51.720
<v Speaker 1>saved it for the end. And the thing that I'll

0:22:51.760 --> 0:22:53.800
<v Speaker 1>never ever I don't play ping pong I'm not a

0:22:53.800 --> 0:22:56.400
<v Speaker 1>good ping pong player. I was so tired. It had

0:22:56.440 --> 0:22:58.840
<v Speaker 1>been a you know, twenty something our day, and I

0:22:59.080 --> 0:23:02.960
<v Speaker 1>just slammed the shot and he had it because I

0:23:03.000 --> 0:23:04.600
<v Speaker 1>was just so tired. My body just went like we're

0:23:04.640 --> 0:23:07.320
<v Speaker 1>doing it, and then he was like he genuinely did

0:23:07.320 --> 0:23:10.719
<v Speaker 1>walk off, which was really funny. But you guys had

0:23:10.800 --> 0:23:15.560
<v Speaker 1>put me in that gold like bandage dress, and to

0:23:15.760 --> 0:23:19.520
<v Speaker 1>this day, I don't think I've ever looked as good

0:23:19.680 --> 0:23:22.320
<v Speaker 1>as I did on the day that I met Prince

0:23:22.640 --> 0:23:25.520
<v Speaker 1>because that dress. I mean, it didn't seem like on

0:23:25.560 --> 0:23:27.600
<v Speaker 1>the hangar you're like, oh, it's nice, but somehow it

0:23:27.640 --> 0:23:29.919
<v Speaker 1>was like made for my body. I don't know. You

0:23:29.920 --> 0:23:32.439
<v Speaker 1>guys had the most amazing way of just like pulling

0:23:32.480 --> 0:23:34.800
<v Speaker 1>it in here, pulling this part up here, sensing this

0:23:34.800 --> 0:23:36.320
<v Speaker 1>thing in here, we're gonna take it up an inch,

0:23:36.480 --> 0:23:39.280
<v Speaker 1>and then it was like it was like Cinderella every time,

0:23:39.359 --> 0:23:42.640
<v Speaker 1>like it was made to hide the things you don't

0:23:42.680 --> 0:23:44.479
<v Speaker 1>want to see and to compliment the things, and to

0:23:44.480 --> 0:23:46.720
<v Speaker 1>give you body parts you didn't even have, and it

0:23:46.800 --> 0:23:49.719
<v Speaker 1>was like you guys were magicians that way. It was

0:23:49.920 --> 0:23:52.000
<v Speaker 1>wild to me. And I watched that episode and I

0:23:52.040 --> 0:23:56.199
<v Speaker 1>was like that dress gave me the confidence to be

0:23:57.040 --> 0:24:00.080
<v Speaker 1>like that was a real high pressure episode. That was

0:24:00.119 --> 0:24:04.240
<v Speaker 1>like their biggest one, right, and he was there, And

0:24:04.440 --> 0:24:06.240
<v Speaker 1>I feel like somebody told me too about like the

0:24:06.359 --> 0:24:09.720
<v Speaker 1>Zoe like the outfit changes. It was all with like

0:24:09.800 --> 0:24:14.720
<v Speaker 1>a Stevie Nicks like yeah, right, like that was her

0:24:15.960 --> 0:24:20.080
<v Speaker 1>thing she was going for at the time. How fun

0:24:20.359 --> 0:24:23.440
<v Speaker 1>it was. What's the most I guess aside from Prince,

0:24:23.480 --> 0:24:25.560
<v Speaker 1>because how can we compare anything to that day that

0:24:25.640 --> 0:24:30.160
<v Speaker 1>was crazy? Aside from Prince, what was your favorite episode

0:24:30.200 --> 0:24:33.600
<v Speaker 1>or moment or fashion moment in the show that you

0:24:33.600 --> 0:24:34.840
<v Speaker 1>You're like, that was a good time.

0:24:36.200 --> 0:24:39.639
<v Speaker 2>Well, the Indian wedding and the dancing and that whole

0:24:39.680 --> 0:24:46.080
<v Speaker 2>thing was just amazing. And yeah, and that was sort

0:24:46.119 --> 0:24:50.440
<v Speaker 2>of the prequel to the movie when I did Murder

0:24:50.520 --> 0:24:52.760
<v Speaker 2>Mystery Too. I don't know if you.

0:24:52.920 --> 0:24:54.440
<v Speaker 1>Saw, but I saw it.

0:24:54.560 --> 0:24:59.520
<v Speaker 2>Yeah, Indian and I had everything made in India for

0:24:59.720 --> 0:25:03.359
<v Speaker 2>like three hundred dancers. But I got a taste of

0:25:03.359 --> 0:25:06.560
<v Speaker 2>that from having done New Girl, and I met this

0:25:06.640 --> 0:25:12.160
<v Speaker 2>woman in Artesia who had a factory in Mumbai and

0:25:12.240 --> 0:25:15.720
<v Speaker 2>she ended up doing all the manufacturing for me. So yeah,

0:25:15.920 --> 0:25:20.600
<v Speaker 2>it was really really special, and yeah, I just love that,

0:25:20.880 --> 0:25:24.880
<v Speaker 2>and I loved you know, Schmidt and his funny outfit.

0:25:27.320 --> 0:25:30.080
<v Speaker 1>Or the suit. Were you guys part of that, the

0:25:30.640 --> 0:25:32.080
<v Speaker 1>development of the suit?

0:25:32.320 --> 0:25:36.080
<v Speaker 2>Yeah? That was crazy. Did you guys have to make that?

0:25:36.400 --> 0:25:36.920
<v Speaker 1>Yeah?

0:25:37.200 --> 0:25:39.080
<v Speaker 2>Yeah, people love that.

0:25:39.160 --> 0:25:41.320
<v Speaker 1>People talk about that all the time. Especially when the

0:25:41.359 --> 0:25:45.359
<v Speaker 1>pandemic hit. It had like a resurgence. People were like,

0:25:45.480 --> 0:25:47.800
<v Speaker 1>where can we get it? It's got to be real

0:25:48.920 --> 0:25:49.600
<v Speaker 1>so funny.

0:25:50.320 --> 0:25:54.200
<v Speaker 2>No, I should probably watch it the whole thing again

0:25:54.320 --> 0:25:57.320
<v Speaker 2>because I have to tell you it's hysterical. So I

0:25:57.359 --> 0:26:01.400
<v Speaker 2>had Kathy and Megan with me, of course, and we'd

0:26:01.400 --> 0:26:06.000
<v Speaker 2>read the script and then I'd go, Okay, you guys,

0:26:06.920 --> 0:26:08.880
<v Speaker 2>you have to tell me, like what.

0:26:08.800 --> 0:26:09.400
<v Speaker 1>Does it mean?

0:26:11.680 --> 0:26:15.240
<v Speaker 2>Like? Am I that old that I don't get the jokes?

0:26:15.520 --> 0:26:17.400
<v Speaker 2>They got the biggest kick out of it. And we'd

0:26:17.400 --> 0:26:21.480
<v Speaker 2>go through the script together and they'd be like yeah,

0:26:21.600 --> 0:26:23.399
<v Speaker 2>and then they'd have to explain it to me. I

0:26:23.440 --> 0:26:32.600
<v Speaker 2>was like, oh my god, not another generation. It was

0:26:32.680 --> 0:26:35.439
<v Speaker 2>like humor had gotten to another level. I was like,

0:26:35.680 --> 0:26:38.800
<v Speaker 2>oh my god, I don't even understand it.

0:26:39.160 --> 0:26:41.000
<v Speaker 1>Oh the other question I had to ask you Another

0:26:41.040 --> 0:26:42.760
<v Speaker 1>person asked me this, and I was like, I'll ask

0:26:42.800 --> 0:26:45.080
<v Speaker 1>ever we get on the show. It was about the

0:26:45.320 --> 0:26:51.040
<v Speaker 1>raining cats and dogs Halloween cape right that was on.

0:26:51.080 --> 0:26:53.240
<v Speaker 1>It was that something you guys had to make too

0:26:53.840 --> 0:26:55.760
<v Speaker 1>with the cats and dogs.

0:26:56.680 --> 0:27:02.600
<v Speaker 2>Whatsh Yeah, but that's like we love doing it, like

0:27:02.640 --> 0:27:06.879
<v Speaker 2>that's what we donna right right, that's like what I do,

0:27:07.200 --> 0:27:10.159
<v Speaker 2>you know what I mean? Like so when we have

0:27:10.840 --> 0:27:14.320
<v Speaker 2>the ability to do anything like that, we're down on it,

0:27:14.440 --> 0:27:14.639
<v Speaker 2>you know.

0:27:15.760 --> 0:27:18.359
<v Speaker 1>Yeah, like it's a fun episode too exactly.

0:27:18.480 --> 0:27:21.280
<v Speaker 2>I mean anybody can like go shopping or do It's like,

0:27:21.400 --> 0:27:24.720
<v Speaker 2>that's not really what we do. I'm a costume designer

0:27:24.760 --> 0:27:29.080
<v Speaker 2>and you know Kathy's gone on to become a big designer.

0:27:29.240 --> 0:27:32.640
<v Speaker 2>You know, she's Post Malone's designer and all these rock

0:27:32.680 --> 0:27:36.359
<v Speaker 2>stars heard that yeah for years and it's done like

0:27:36.400 --> 0:27:40.080
<v Speaker 2>the most amazing things. So yeah, we're always looking for

0:27:40.160 --> 0:27:41.920
<v Speaker 2>like the creative moment.

0:27:42.760 --> 0:27:45.600
<v Speaker 1>Yeah, of something that you can kind of inject your

0:27:45.680 --> 0:27:49.800
<v Speaker 1>your creativity into. And what's do you remember the biggest

0:27:49.840 --> 0:27:51.760
<v Speaker 1>like challenge you had a new girl where you fought

0:27:51.800 --> 0:27:54.879
<v Speaker 1>for something and you're like, this is this needs to happen.

0:27:56.000 --> 0:27:57.960
<v Speaker 1>Trust me on this one.

0:27:58.119 --> 0:28:03.560
<v Speaker 2>You can't really go there without getting myself in trouble. Fair, Okay, Fair,

0:28:03.600 --> 0:28:06.960
<v Speaker 2>So you know we had some powers that be that

0:28:08.160 --> 0:28:10.960
<v Speaker 2>it's a little arm wrestling going on at times, but

0:28:12.720 --> 0:28:15.119
<v Speaker 2>uh yeah.

0:28:15.200 --> 0:28:19.520
<v Speaker 1>You know what's funny is I remember there were very

0:28:19.600 --> 0:28:24.520
<v Speaker 1>few moments where I, you know, because we worked together

0:28:24.640 --> 0:28:28.720
<v Speaker 1>so long and so there's always going to be a

0:28:28.840 --> 0:28:31.480
<v Speaker 1>moment I guess right where you're just like, well, I

0:28:31.480 --> 0:28:34.200
<v Speaker 1>don't understand or whatever it is. We all have good days,

0:28:34.240 --> 0:28:36.640
<v Speaker 1>bad days. We were again, we're family at that point,

0:28:36.920 --> 0:28:38.480
<v Speaker 1>so we just had to have a lot of grace

0:28:38.520 --> 0:28:40.920
<v Speaker 1>for each other going through the things when it happened,

0:28:40.960 --> 0:28:42.320
<v Speaker 1>and know that, you know, we loved each other and

0:28:42.320 --> 0:28:45.640
<v Speaker 1>we're all good people. But I remember I feel like

0:28:45.720 --> 0:28:51.920
<v Speaker 1>it was for the Ferguson funeral, and you know, like

0:28:51.960 --> 0:28:53.720
<v Speaker 1>they did that dramatic open like they were at a

0:28:53.760 --> 0:28:56.240
<v Speaker 1>funeral and to look like a cast member died or something.

0:28:57.000 --> 0:29:01.080
<v Speaker 1>And I don't remember. I can't remember because it was

0:29:01.120 --> 0:29:03.480
<v Speaker 1>so long ago. If it was me, and it was

0:29:03.520 --> 0:29:05.240
<v Speaker 1>like either I wanted to wear a coat or I

0:29:05.280 --> 0:29:06.920
<v Speaker 1>didn't want to wear a coat. Either was cold and

0:29:06.960 --> 0:29:09.960
<v Speaker 1>I wanted a coat, or it was sweltering. Maybe it

0:29:10.000 --> 0:29:12.400
<v Speaker 1>was sweltering, but we had to wear coats. I don't

0:29:12.400 --> 0:29:14.840
<v Speaker 1>know what it was. And I just remember I don't know,

0:29:14.920 --> 0:29:17.040
<v Speaker 1>and I was like, I really don't want and I

0:29:17.040 --> 0:29:19.360
<v Speaker 1>don't know why that was like this little hill I

0:29:19.400 --> 0:29:22.760
<v Speaker 1>wanted to die on that day or something. And I

0:29:22.760 --> 0:29:25.480
<v Speaker 1>don't know what those moments were sometimes and then now,

0:29:25.520 --> 0:29:28.080
<v Speaker 1>of course with time and you pull back from it

0:29:28.520 --> 0:29:32.760
<v Speaker 1>and you just go like girls sometimes you know, yeah,

0:29:32.800 --> 0:29:34.840
<v Speaker 1>you gotta wear things you don't want to wear, even

0:29:34.840 --> 0:29:37.800
<v Speaker 1>if it's uncomfortable. You're selling a story and it's a

0:29:37.880 --> 0:29:40.920
<v Speaker 1>cohesive look. And as I've moved now into producing and

0:29:41.000 --> 0:29:47.120
<v Speaker 1>executive producing, I have such a deeper understanding of those moments.

0:29:47.880 --> 0:29:51.320
<v Speaker 1>And I'll tell you, like, you had some really great

0:29:51.360 --> 0:29:54.920
<v Speaker 1>like mom energy sometimes where you're just sort of like, well,

0:29:55.080 --> 0:29:56.760
<v Speaker 1>I know you feel that way, we're gonna put the

0:29:56.800 --> 0:29:59.640
<v Speaker 1>coat on. And it was sort of like and then

0:29:59.640 --> 0:30:02.200
<v Speaker 1>that's what we had to do. And I was grateful

0:30:02.240 --> 0:30:05.600
<v Speaker 1>for that because otherwise it starts to for me at

0:30:05.720 --> 0:30:07.360
<v Speaker 1>least I think, you know, it's like you get an insue,

0:30:07.360 --> 0:30:10.840
<v Speaker 1>maybe start to push a mile a little. But I remember,

0:30:10.880 --> 0:30:12.960
<v Speaker 1>I feel like it was around that Fergusing thing, and

0:30:13.000 --> 0:30:17.240
<v Speaker 1>I feel like that was those moments of somebody being like, no,

0:30:17.360 --> 0:30:21.000
<v Speaker 1>that's what's happening. This is what we're doing, so be

0:30:21.160 --> 0:30:23.560
<v Speaker 1>uncomfortable on a hot day. That's we're all a little

0:30:23.600 --> 0:30:26.880
<v Speaker 1>uncomfortable sometimes in this business. But I appreciated it.

0:30:27.040 --> 0:30:31.680
<v Speaker 2>I have a visceral reaction to what you're saying, so

0:30:32.240 --> 0:30:34.840
<v Speaker 2>inside of me I remember, but in my brain I

0:30:34.880 --> 0:30:40.120
<v Speaker 2>don't exactly remember, but the emotion came up of remembering that.

0:30:40.760 --> 0:30:44.760
<v Speaker 2>And that's how it is with a lot of what happens,

0:30:44.920 --> 0:30:47.920
<v Speaker 2>you know, like how far do you push and how

0:30:47.960 --> 0:30:52.680
<v Speaker 2>important is it? And you know, for the most part,

0:30:55.000 --> 0:30:59.920
<v Speaker 2>I for me to care has to mean something, because

0:31:00.280 --> 0:31:03.120
<v Speaker 2>really I don't really give a shit about a lot

0:31:03.120 --> 0:31:06.200
<v Speaker 2>of stuff that has to do with things that aren't important,

0:31:06.280 --> 0:31:09.840
<v Speaker 2>especially for things on the screen. You know, it's really

0:31:09.880 --> 0:31:12.120
<v Speaker 2>important for me of what we see, but there's a

0:31:12.120 --> 0:31:14.680
<v Speaker 2>lot of stuff that we don't see that there's a

0:31:14.720 --> 0:31:22.360
<v Speaker 2>lot of energy put into unnecessarily, and I think sometimes

0:31:22.480 --> 0:31:25.600
<v Speaker 2>that happens on shows like this, where a lot of

0:31:25.760 --> 0:31:29.240
<v Speaker 2>energy gets spent on things that are not that important,

0:31:29.360 --> 0:31:34.480
<v Speaker 2>and then sometimes when something is important, it's only obvious

0:31:34.600 --> 0:31:37.880
<v Speaker 2>to very few people. So it's the nature of the

0:31:37.920 --> 0:31:42.680
<v Speaker 2>beast of working on a collaborative show, which I love.

0:31:43.400 --> 0:31:49.520
<v Speaker 2>But yeah, it's and you know, I'm so used to

0:31:49.600 --> 0:31:52.520
<v Speaker 2>being in charge and being in charge of my life

0:31:52.560 --> 0:31:57.240
<v Speaker 2>and my family and the things that I'm involved in

0:31:57.800 --> 0:32:00.640
<v Speaker 2>that you know, in this work, I'm just a messenger.

0:32:00.920 --> 0:32:03.040
<v Speaker 2>So I have to really use a lot of self

0:32:03.080 --> 0:32:06.600
<v Speaker 2>control to kind of, you know, keep myself in a

0:32:06.600 --> 0:32:09.720
<v Speaker 2>place where it's not it's not about my ideas, it's

0:32:09.800 --> 0:32:14.520
<v Speaker 2>not not even you know, doesn't matter what it is,

0:32:14.680 --> 0:32:17.920
<v Speaker 2>you know, whether it's a two hundred million dollar movie

0:32:17.920 --> 0:32:22.320
<v Speaker 2>that I'm designing or not. You know, it's you present

0:32:22.520 --> 0:32:27.120
<v Speaker 2>what you have and then you deal with what the

0:32:27.120 --> 0:32:31.400
<v Speaker 2>feedback is and you make it work. So you know,

0:32:31.760 --> 0:32:35.160
<v Speaker 2>it's definitely a collaborative thing. Nobody is really in charge.

0:32:35.560 --> 0:32:38.320
<v Speaker 1>Yeah, yeah, I feel that deeply. I feel like that.

0:32:38.400 --> 0:32:41.480
<v Speaker 1>And again, as I've stayed longer in the industry, I

0:32:41.600 --> 0:32:46.120
<v Speaker 1>understand that more and more. I love how you keep

0:32:46.320 --> 0:32:51.760
<v Speaker 1>learning how important and unimportant it all is, and that

0:32:51.960 --> 0:32:55.320
<v Speaker 1>hopefully you're all on the same team, right and we're

0:32:55.360 --> 0:32:57.280
<v Speaker 1>all here for the win. Because as soon as one

0:32:57.320 --> 0:32:59.080
<v Speaker 1>person starts to make it fully just about them and

0:32:59.120 --> 0:33:01.800
<v Speaker 1>their experience, that's what starts to feel bumpy, because then

0:33:01.840 --> 0:33:04.320
<v Speaker 1>it starts to have this weird domino effect on everything

0:33:04.680 --> 0:33:08.200
<v Speaker 1>and So those moments, those little teaching moments that I

0:33:08.200 --> 0:33:09.960
<v Speaker 1>had on New Girl. I always feel like New Girl

0:33:10.040 --> 0:33:12.240
<v Speaker 1>prepared me for going out into the world to be

0:33:12.280 --> 0:33:15.120
<v Speaker 1>on other shows, because it was very loving, but there

0:33:15.200 --> 0:33:18.320
<v Speaker 1>was there was boundaries of things where like, well, this

0:33:18.400 --> 0:33:20.840
<v Speaker 1>is kind of where that moment is, and this is

0:33:20.920 --> 0:33:23.480
<v Speaker 1>kind of like where we're drawing the line, and sometimes

0:33:23.520 --> 0:33:25.600
<v Speaker 1>we'd push, but then I feel like we'd all find

0:33:25.600 --> 0:33:27.320
<v Speaker 1>a way to come back together. And I think that's

0:33:27.360 --> 0:33:29.840
<v Speaker 1>the when people talk about the chemistry of this show,

0:33:30.880 --> 0:33:33.480
<v Speaker 1>Lamarne and I always say, like it goes well beyond

0:33:33.600 --> 0:33:38.480
<v Speaker 1>what you guys saw on screen, like every department. Really,

0:33:39.560 --> 0:33:41.120
<v Speaker 1>that was the thing that always blew my mind as

0:33:41.120 --> 0:33:44.440
<v Speaker 1>you would hear like you've worked with every movie star

0:33:44.480 --> 0:33:48.120
<v Speaker 1>in the world, on every huge TV show, You've worked

0:33:48.160 --> 0:33:51.240
<v Speaker 1>with the greatest directors in the world, and there isn't

0:33:51.280 --> 0:33:56.960
<v Speaker 1>a single drop of apathy that has ever felt when

0:33:57.040 --> 0:34:00.480
<v Speaker 1>you walked into our trailer, like five times a week,

0:34:00.520 --> 0:34:03.680
<v Speaker 1>coming in cared about like every you know, pair of

0:34:03.880 --> 0:34:06.680
<v Speaker 1>jeans that I put on, or this T shirt or

0:34:06.760 --> 0:34:09.600
<v Speaker 1>here's options for your accessories, but wear one. Trust me,

0:34:09.640 --> 0:34:12.240
<v Speaker 1>you want to start wearing these accessories. Anna. I remember

0:34:12.280 --> 0:34:16.640
<v Speaker 1>those conversations like how do you not yeah, how do

0:34:16.680 --> 0:34:19.719
<v Speaker 1>you not get jaded? How do you just keep that

0:34:19.760 --> 0:34:21.759
<v Speaker 1>passion alive no matter what because you had it every

0:34:21.760 --> 0:34:22.759
<v Speaker 1>time you walked in the room.

0:34:23.120 --> 0:34:26.239
<v Speaker 2>Well I couldn't. You know, I'm doing this. This is

0:34:26.280 --> 0:34:29.800
<v Speaker 2>my third career and I'm thirty four years into this career,

0:34:30.120 --> 0:34:34.400
<v Speaker 2>so you know, I mean, but I'm at a different

0:34:34.520 --> 0:34:38.200
<v Speaker 2>place in my career even now than I was then.

0:34:40.400 --> 0:34:43.120
<v Speaker 2>It's not that I don't care, because I cared, maybe

0:34:43.120 --> 0:34:47.960
<v Speaker 2>even more now, but I have a really different approach

0:34:48.200 --> 0:34:53.440
<v Speaker 2>to how I work and I only work for people

0:34:53.440 --> 0:34:56.440
<v Speaker 2>that I love. I don't My agent calls me and

0:34:56.480 --> 0:34:59.640
<v Speaker 2>she'll go, I know you like this person, but do

0:34:59.680 --> 0:35:02.160
<v Speaker 2>you love them? And I'm like, no, I just like them.

0:35:02.560 --> 0:35:06.800
<v Speaker 1>Pass Wow. Yeah, and that's beautiful.

0:35:06.840 --> 0:35:12.319
<v Speaker 2>Well, it makes every project or gasmic literally like amazing

0:35:12.640 --> 0:35:19.160
<v Speaker 2>because it's not just creative and interesting but fun and

0:35:21.880 --> 0:35:28.080
<v Speaker 2>there's a different flow that happens. It really is collaborative.

0:35:28.160 --> 0:35:31.240
<v Speaker 2>It's not just pretending to be where someone is really

0:35:31.239 --> 0:35:34.759
<v Speaker 2>in charge and then pretends that we're being collaborative. The

0:35:34.800 --> 0:35:38.520
<v Speaker 2>things I work in are very collaborative. And you know,

0:35:38.920 --> 0:35:42.000
<v Speaker 2>I met just at this point in my career that

0:35:42.080 --> 0:35:44.399
<v Speaker 2>I can't do it any other way, And I feel

0:35:44.480 --> 0:35:48.600
<v Speaker 2>like I have learned a lot to be where I

0:35:48.640 --> 0:35:50.480
<v Speaker 2>am and make the decisions that I make.

0:35:50.680 --> 0:35:52.719
<v Speaker 1>I was saying that to someone the other day of

0:35:52.800 --> 0:35:55.480
<v Speaker 1>a sense maybe of what you're saying, which is the

0:35:55.520 --> 0:35:57.920
<v Speaker 1>greatest part is like when you in this industry, is

0:35:57.920 --> 0:35:59.719
<v Speaker 1>when you get your career to the point where you

0:35:59.719 --> 0:36:03.719
<v Speaker 1>can really embrace the power of no. You can say no,

0:36:03.840 --> 0:36:05.680
<v Speaker 1>and so you're only doing the work you want to

0:36:05.680 --> 0:36:08.160
<v Speaker 1>do with the people you want to do it. And then,

0:36:08.239 --> 0:36:11.600
<v Speaker 1>of course, and it becomes highly enjoyable because they fully

0:36:11.600 --> 0:36:14.080
<v Speaker 1>trust you and you fully trust them, and you don't

0:36:14.120 --> 0:36:16.360
<v Speaker 1>have to deal with any of that stuff, right, so

0:36:16.360 --> 0:36:17.960
<v Speaker 1>all of a sudden, the battles are less and the

0:36:18.000 --> 0:36:22.040
<v Speaker 1>excitement is higher. And it's because you have the privilege

0:36:22.040 --> 0:36:24.880
<v Speaker 1>and luxury. It's a certain point from working for it

0:36:24.920 --> 0:36:27.799
<v Speaker 1>where you can say yeah, pass.

0:36:27.680 --> 0:36:30.040
<v Speaker 2>Yeah, no, it's it took a long time, you know,

0:36:30.120 --> 0:36:33.000
<v Speaker 2>it's it's took a long time to get to this place.

0:36:33.480 --> 0:36:34.560
<v Speaker 2>It didn't just happen.

0:36:36.680 --> 0:36:41.839
<v Speaker 1>You've worked on everything with everyone truly, like truly, I mean,

0:36:41.920 --> 0:36:46.280
<v Speaker 1>your career is so aspirational, is there, Like what's left

0:36:46.320 --> 0:36:48.520
<v Speaker 1>on like they're your bucket list of things you want

0:36:48.600 --> 0:36:51.319
<v Speaker 1>to do or types of stories you'd like to be

0:36:51.400 --> 0:36:52.120
<v Speaker 1>part of telling.

0:36:52.719 --> 0:36:56.800
<v Speaker 2>You know, Hannah, I never I didn't take the route

0:36:57.200 --> 0:37:02.759
<v Speaker 2>of doing those interesting projects of those working with the

0:37:02.840 --> 0:37:05.480
<v Speaker 2>Michael Man's of the world. And I had the option

0:37:05.640 --> 0:37:09.000
<v Speaker 2>to do all of that, but I was raising children,

0:37:09.280 --> 0:37:11.000
<v Speaker 2>and I had a husband, and I was in LA

0:37:12.080 --> 0:37:17.160
<v Speaker 2>and I needed to create a career trajectory that was

0:37:17.200 --> 0:37:20.319
<v Speaker 2>going to work for them. And I'm a workaholic, so

0:37:21.680 --> 0:37:25.160
<v Speaker 2>I mean, there were those years when I had to

0:37:25.200 --> 0:37:28.080
<v Speaker 2>do five and six projects at the same time in

0:37:28.200 --> 0:37:32.440
<v Speaker 2>order to make enough money to support my family, and

0:37:33.120 --> 0:37:36.320
<v Speaker 2>I worked my ass off. I just you know, for

0:37:37.680 --> 0:37:41.600
<v Speaker 2>almost thirty years, I worked my ass off, and I

0:37:41.640 --> 0:37:45.000
<v Speaker 2>had a goal, which was to take care of my

0:37:45.080 --> 0:37:47.200
<v Speaker 2>family and make sure that we could live the way

0:37:47.239 --> 0:37:50.880
<v Speaker 2>we needed to live. And my husband's a therapist and

0:37:50.920 --> 0:37:54.680
<v Speaker 2>work in school with kids with learning disabilities, so our

0:37:54.680 --> 0:37:58.200
<v Speaker 2>income wasn't going to come from there, and I had

0:37:58.200 --> 0:38:01.840
<v Speaker 2>to make those decisions early on, which I did, so

0:38:02.680 --> 0:38:06.040
<v Speaker 2>I never took those interesting projects that I was offered

0:38:07.840 --> 0:38:10.120
<v Speaker 2>because I couldn't leave the country and I couldn't leave

0:38:10.239 --> 0:38:13.480
<v Speaker 2>my family, so I did a lot, you know, friends,

0:38:13.520 --> 0:38:16.120
<v Speaker 2>was ten years, you guys was seven years. Like a

0:38:16.120 --> 0:38:18.640
<v Speaker 2>lot of the projects I did in LA I did

0:38:18.680 --> 0:38:20.400
<v Speaker 2>because I could be here and I could be with

0:38:20.440 --> 0:38:23.120
<v Speaker 2>my family. Now I'm in a place where my kids

0:38:23.160 --> 0:38:25.360
<v Speaker 2>are grown, where I travel all the time. I was

0:38:25.400 --> 0:38:28.719
<v Speaker 2>gone all year last year doing a movie all over

0:38:28.760 --> 0:38:31.160
<v Speaker 2>the world, and I travel a lot, and I work

0:38:31.239 --> 0:38:35.160
<v Speaker 2>for people who do movies out of the country a lot,

0:38:35.800 --> 0:38:39.319
<v Speaker 2>and I just want to keep working for people that

0:38:39.400 --> 0:38:43.640
<v Speaker 2>I adore, you know, where it's like this last project,

0:38:43.760 --> 0:38:48.520
<v Speaker 2>you know, I've known them, Oh my god. Well, I

0:38:48.560 --> 0:38:52.880
<v Speaker 2>work for John Daily and Jonathan Goldstein, who are partners

0:38:52.880 --> 0:38:56.520
<v Speaker 2>writing and directing partners. And John Daly was my little

0:38:56.520 --> 0:38:59.560
<v Speaker 2>boy on Prigs and Geeks, you know, came up to

0:38:59.600 --> 0:39:04.280
<v Speaker 2>my chin and now I was six foot four, gorgeous, fabulous,

0:39:04.360 --> 0:39:08.560
<v Speaker 2>brilliant director, writer. And Jonathan Goldstein, who's his partner, grew

0:39:08.640 --> 0:39:11.920
<v Speaker 2>up in Beechwood, Ohio, which is where I'm from. So

0:39:12.280 --> 0:39:15.560
<v Speaker 2>working for these boys and their families and their children,

0:39:16.200 --> 0:39:18.839
<v Speaker 2>it's like, I don't know, it's not like working. It's

0:39:18.960 --> 0:39:23.280
<v Speaker 2>like going off with your family, you know, and being

0:39:23.280 --> 0:39:29.319
<v Speaker 2>together and having fun. And yeah, it's pretty amazing, you know,

0:39:29.520 --> 0:39:32.680
<v Speaker 2>I still manage to do Shabbat every Friday night, no

0:39:32.760 --> 0:39:36.920
<v Speaker 2>matter where I am in the world, and with crews

0:39:37.080 --> 0:39:40.840
<v Speaker 2>of thirty five people, some of whom are no One's Jewish,

0:39:41.480 --> 0:39:46.280
<v Speaker 2>and everybody is just loving the idea of coming together

0:39:46.360 --> 0:39:50.080
<v Speaker 2>once a week to have a moment, you know, And

0:39:50.480 --> 0:39:54.000
<v Speaker 2>so that's kind of my priority. And in terms of

0:39:54.239 --> 0:39:56.719
<v Speaker 2>stories that I want to tell, you know, I'd love

0:39:56.760 --> 0:39:59.040
<v Speaker 2>to do an opera. I'd love to do a Broadway show,

0:39:59.040 --> 0:40:02.080
<v Speaker 2>but it's probably not going to happen at this point

0:40:02.120 --> 0:40:06.279
<v Speaker 2>in my life. And I think that's okay. I am

0:40:06.400 --> 0:40:10.480
<v Speaker 2>going to write a book, which I've started, just about

0:40:10.480 --> 0:40:15.120
<v Speaker 2>the creative aspect of my careers, all three of them,

0:40:15.680 --> 0:40:19.120
<v Speaker 2>and you know, sort of what it takes to sort

0:40:19.120 --> 0:40:22.799
<v Speaker 2>of move through the creative process and all of these

0:40:22.800 --> 0:40:25.239
<v Speaker 2>things and making these life changes that you have to

0:40:25.440 --> 0:40:28.799
<v Speaker 2>make in order to sort of get where you need

0:40:28.840 --> 0:40:34.040
<v Speaker 2>to be. So, but you know, New Girl was it

0:40:34.080 --> 0:40:36.760
<v Speaker 2>was a very special time. And I had a really

0:40:36.880 --> 0:40:42.240
<v Speaker 2>wonderful relationship with Zoe as well. And she's another person

0:40:42.239 --> 0:40:49.040
<v Speaker 2>I haven't seen since then, which is crazy. And yeah,

0:40:49.080 --> 0:40:50.399
<v Speaker 2>and there was a time, you know, when we would

0:40:50.440 --> 0:40:55.359
<v Speaker 2>go to synagogue together, all right, Remember yeah, kids, when

0:40:55.400 --> 0:40:59.000
<v Speaker 2>the kids were little. Yeah, so yeah, so life. You know,

0:40:59.080 --> 0:41:03.000
<v Speaker 2>everybody has their own own journey, and I just hope

0:41:03.040 --> 0:41:07.560
<v Speaker 2>that everybody is, you know, happy and healthy and has

0:41:07.719 --> 0:41:11.000
<v Speaker 2>nice long futures and careers to look forward to.

0:41:11.480 --> 0:41:17.760
<v Speaker 1>You always were the wisest woman. I feel like walking

0:41:17.800 --> 0:41:21.319
<v Speaker 1>around our set and I remember our fittings always gave

0:41:21.360 --> 0:41:23.640
<v Speaker 1>me such a sense. I always said, you remind me

0:41:23.760 --> 0:41:25.640
<v Speaker 1>like a lot of my dad in the sense my

0:41:25.719 --> 0:41:29.520
<v Speaker 1>dad's Buddhist and he has such a sage and a teacher,

0:41:29.760 --> 0:41:34.560
<v Speaker 1>and it's the way he talks about what's important, what's success,

0:41:35.000 --> 0:41:38.839
<v Speaker 1>what truly faills our cup. And you know, my dad

0:41:38.920 --> 0:41:40.799
<v Speaker 1>was living in another country and I was, you know,

0:41:40.840 --> 0:41:43.480
<v Speaker 1>by myself. I had no family here in La I remember,

0:41:43.520 --> 0:41:47.760
<v Speaker 1>and I really just would treasure those conversations we would

0:41:47.760 --> 0:41:50.960
<v Speaker 1>have because those weren't all the conversations that were being

0:41:50.960 --> 0:41:54.120
<v Speaker 1>had about what was important or energy was being given

0:41:54.120 --> 0:41:57.520
<v Speaker 1>on what's important. And even now talking about like what

0:41:57.560 --> 0:42:00.920
<v Speaker 1>your you know, your career going forward, what the priority

0:42:01.040 --> 0:42:03.880
<v Speaker 1>is of what's filling your cup, takes me back to

0:42:03.880 --> 0:42:07.200
<v Speaker 1>those days in the trailer of like what we would

0:42:07.200 --> 0:42:10.479
<v Speaker 1>really talk about and what was really important, which made

0:42:10.480 --> 0:42:12.520
<v Speaker 1>then everything else we were doing, which was like trying

0:42:12.520 --> 0:42:14.400
<v Speaker 1>on nine pairs of jeans feel fun.

0:42:15.080 --> 0:42:18.960
<v Speaker 2>I know, we had very deep conversations while you were

0:42:19.000 --> 0:42:22.560
<v Speaker 2>like putting shirts on and off, and Kathy was taking

0:42:22.600 --> 0:42:26.640
<v Speaker 2>pictures and you and I were just like really into it. Yeah,

0:42:26.719 --> 0:42:29.320
<v Speaker 2>we had some yea, we got into it. And I

0:42:29.840 --> 0:42:34.160
<v Speaker 2>cherish those times together too, because for me, that's really important.

0:42:34.160 --> 0:42:36.719
<v Speaker 2>And if you can have those kind of conversations in

0:42:36.760 --> 0:42:39.359
<v Speaker 2>the middle of a day of doing a sitcom, it's

0:42:39.400 --> 0:42:41.360
<v Speaker 2>pretty fabulous.

0:42:42.040 --> 0:42:45.200
<v Speaker 1>Debra. I loved you then, I love you now. I

0:42:45.239 --> 0:42:48.080
<v Speaker 1>am so grateful that this magical show somehow has kept

0:42:48.120 --> 0:42:51.400
<v Speaker 1>us connected and brought us together to talk. I can't

0:42:51.440 --> 0:42:54.280
<v Speaker 1>wait for your book. When your book comes out, please

0:42:54.320 --> 0:42:56.879
<v Speaker 1>come and talk on this show and Lamour and we'll

0:42:56.920 --> 0:42:59.839
<v Speaker 1>be here, probably knowing Lamour in a full bird shirt,

0:43:00.360 --> 0:43:04.920
<v Speaker 1>sunglasses and trying to make everybody laugh. I love you,

0:43:04.960 --> 0:43:06.520
<v Speaker 1>Thank you for your time, and thank you for everything

0:43:06.520 --> 0:43:09.200
<v Speaker 1>you did on this show. We appreciate you so deeply.

0:43:09.320 --> 0:43:21.000
<v Speaker 2>You're welcome. Love you, Hannah