WEBVTT - Questlove Supreme: Rapsody

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>Fante Come Back.

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<v Speaker 3>Supreme Supreme, Roll Supreme Supremo, Roll called Supreme Supremo, Roll

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<v Speaker 3>call Supreme Supreme.

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<v Speaker 4>Roll God, I don't want to alarm Yeah, or across hysteria. Yeah,

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<v Speaker 4>but all the great talents. Yeah, we're born Aquarius Supreme.

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<v Speaker 1>I forgot my.

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<v Speaker 5>Supreme role.

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<v Speaker 2>My name is Sugar.

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<v Speaker 1>Yeah.

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<v Speaker 6>I love McCoy Tyner Yeah and any rapper. Yeah from

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<v Speaker 6>North Carolina.

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<v Speaker 7>Supreme Supreme, Roll Suprema, So Supremo roll call.

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<v Speaker 5>It's like em yeah and than me.

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<v Speaker 7>Yeah.

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<v Speaker 5>Ain't nobody, Well, it may be rhapsody.

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<v Speaker 7>WHOA call Supremo Sun Sun Supremo, Roll call Supremo Supremo.

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<v Speaker 5>Roll they call me rap.

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<v Speaker 8>Yeah, I'm on this show.

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<v Speaker 1>Yeah.

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<v Speaker 8>Freestyle at the top.

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<v Speaker 5>Yeah, that's all I know.

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<v Speaker 7>Ro Suprema su su Supremo, Roll call Supreme Supremo, Roll

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<v Speaker 7>call Supremo Sun Sun Suprema Roll Suprema Sun Sun Suprema.

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<v Speaker 4>Roll Come get it all right, I did it.

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<v Speaker 5>Got a little one. That's cute.

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<v Speaker 4>Ladies and gentlemen, Welcome to another episode of the nerdiest

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<v Speaker 4>rabbit hole and informative program ever created for music. This

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<v Speaker 4>is Quest Love Supreme. I am quest Love and I

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<v Speaker 4>be sixty three. Shout out to my team Supreme crew,

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<v Speaker 4>Sugar Steve, who I think.

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<v Speaker 1>Is what five? Ten eleven?

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<v Speaker 2>Exactly? Well, it depends what part of me you're talking.

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<v Speaker 1>You'd be five hr anyway, and shout out to Laya.

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<v Speaker 5>What is it?

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<v Speaker 9>Five?

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<v Speaker 1>What you about? Five? Eight?

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<v Speaker 5>That's right, alright, that's good question.

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<v Speaker 4>I was going to say you more like six feet

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<v Speaker 4>when you rock the stilettos, when Leonard uh, when Leonard

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<v Speaker 4>Kravitz is in proximity of you, are you gonna go

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<v Speaker 4>my way? Anyway? Ladies and gentlemen, our guest today, I

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<v Speaker 4>should pretty much have music fans and real hip hop

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<v Speaker 4>hits mad excited. Hailing from North Caakalac, she made her

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<v Speaker 4>professional debut on ninth One is Dream Merchant project way

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<v Speaker 4>back in like two thousand and seven. That's ever as

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<v Speaker 4>a member of the Koli High Collective and also releasing

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<v Speaker 4>I Can't Forget Buzzworthy mixtapes, she's pretty much been bubbling under,

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<v Speaker 4>releasing The Idea of beautif Full in twenty twelve, getting notable

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<v Speaker 4>co signs from like Mac Miller, BJ's Chicago Kid Charles Gambino.

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<v Speaker 4>Of course, twenty seventeens Lia is Wisdom, Layla's Wisdom, Layales.

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<v Speaker 4>I'm sorry, all right, I saw the name and just

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<v Speaker 4>started saying your name like you, Layla's Wisdom with spots

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<v Speaker 4>from k Dot and andest In Pat and someone else

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<v Speaker 4>named black Thought, whoever that is. The new rock Nation

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<v Speaker 4>signee got her first round of Grammy nominations, and of

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<v Speaker 4>course we cannot forget twenty nineteen's Eve with an astounding

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<v Speaker 4>Metacritics score of ninety. Let me just let you know, medical.

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<v Speaker 1>Like I use that Metacritic is kind of like it's

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<v Speaker 1>an aggregate.

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<v Speaker 4>It's like rotten tomatoes. So a combination of everyone who's

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<v Speaker 4>reviewed your product. Wow, you get a basically a score.

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<v Speaker 4>So to get ninety is that's some acclaimed that shit.

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<v Speaker 4>Like you know, I prayed just to get eighties, like

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<v Speaker 4>seventy five to eighties. She's getting straight out, she's getting straight.

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<v Speaker 4>A's over here, you know, Ladies and gentlemen, please welcome

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<v Speaker 4>to Quest Love Supreme, the one and only Rhapsody here.

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<v Speaker 1>You're lad for yourself too, because I want to, I

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<v Speaker 1>want I want to.

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<v Speaker 9>Huge in the Bengals three right, see they running sixt deep.

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<v Speaker 8>Gold Bot straight up from the fingers to the neck.

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<v Speaker 8>You know what it is.

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<v Speaker 1>You were telling us where your shine came from.

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<v Speaker 8>Oh yeah, yeah yeah, so I actually, you.

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<v Speaker 4>Know what, I like the return. I feel like it's

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<v Speaker 4>going to be a righteous return to gold.

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<v Speaker 8>Yeah.

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<v Speaker 1>That's something that.

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<v Speaker 4>I was not able to experience as a kid. I

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<v Speaker 4>was in the plastic phase.

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<v Speaker 5>Of like mcdowia African Medallion, stop Watch. Oh yeah, I

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<v Speaker 5>was allowed.

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<v Speaker 1>I wasn't allowed to have anything back.

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<v Speaker 4>I have to stop Watch because I grew up in

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<v Speaker 4>the era where they would snatch your snatch, your snatch everything,

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<v Speaker 4>you your sneakers. I couldn't wear Jordan's nothing, hip hoppy,

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<v Speaker 4>no king gold, no nothing, So that's real.

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<v Speaker 1>But I could get a stop Watch.

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<v Speaker 8>Yeah, nobody didn't want that.

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<v Speaker 1>So where did you? Where did you?

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<v Speaker 9>I've always like Gold. I mean I went through the

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<v Speaker 9>Wood Medallion stage. I went through that, you know, Zoo Nation,

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<v Speaker 9>African Pictic. But I've always been a fan of Gold.

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<v Speaker 9>I just actually loved Rock Nation.

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<v Speaker 8>And one of the security.

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<v Speaker 9>Guards was like, the history behind gold and Egypt was

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<v Speaker 9>that the kings who loved their wives would adorn them

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<v Speaker 9>and all this gold so you always see the women wearing.

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<v Speaker 4>Mad Yes, that kind of was my first time in

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<v Speaker 4>rock Nation.

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<v Speaker 1>They were just having dice games and.

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<v Speaker 5>Day, okay, I like.

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<v Speaker 10>Your gold combo because it's like you got the banks

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<v Speaker 10>on the chest, but then you were telling me you

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<v Speaker 10>got the thrift on the arms. But it's all shining

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<v Speaker 10>at the same level of shin nasty.

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<v Speaker 8>One of these chest joints is thrifty.

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<v Speaker 5>That what sot reputee?

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<v Speaker 8>You know what I mean?

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<v Speaker 4>As far as no, no, not you, I'm like, as

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<v Speaker 4>far as I.

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<v Speaker 9>Put it in could, I'm always rock fake goal like that,

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<v Speaker 9>I'm keeping with you.

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<v Speaker 8>There you go, this this never this never TD might

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<v Speaker 8>be real. Just the Marry J. Blige and uh some collection.

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<v Speaker 5>There's a Mary J.

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<v Speaker 8>Yeah, she did a collaboration with.

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<v Speaker 9>L Rife Samon. So this is the Sister Love m

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<v Speaker 9>G m j B collection. It's right here.

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<v Speaker 8>And yeah they got this and they got the double

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<v Speaker 8>never TD ear rings. I got those. I got that

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<v Speaker 8>fire Google.

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<v Speaker 1>She's literally googling can we finish the episode?

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<v Speaker 8>Sister Love m j.

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<v Speaker 1>B bringing out the credit card right now?

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<v Speaker 5>I just want to get his sister some live black business.

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<v Speaker 4>We got that, we got that all right, So where

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<v Speaker 4>I start with every episode of Quest Love Supreme, of which,

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<v Speaker 4>like I'm really interested in how your creativity has evolved

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<v Speaker 4>throughout the years, I always start with the question is

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<v Speaker 4>where were you born?

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<v Speaker 8>Oh?

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<v Speaker 9>I was born in Whilson, North Carolina. It's a small

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<v Speaker 9>city in the eastern part of North Carolina. But I

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<v Speaker 9>grew up thirty mention from there in snow Hill, North Carolina.

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<v Speaker 9>And that's an even smallest city, population two thousand.

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<v Speaker 8>Like, that's where I was born, around a lot.

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<v Speaker 9>Of woods and fields and you know, going to the

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<v Speaker 9>grocery store with no shoes on, like playing with your

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<v Speaker 9>cousins all day in the dirt.

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<v Speaker 5>You know, your shooters out there. You a shoot.

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<v Speaker 9>I shot B B gun. That's about it. You know,

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<v Speaker 9>I ain't doing nothing more than that. But yeah, that's

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<v Speaker 9>that's how I grew up. I didn't go to my

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<v Speaker 9>first hip hop concert until maybe I was thirteen.

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<v Speaker 8>Montel Jordan does that count?

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<v Speaker 5>So I went on the bill.

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<v Speaker 8>I think that he was the only rapper.

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<v Speaker 1>Bro that's Williams.

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<v Speaker 5>Trying to play my faith. This is how we do.

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<v Speaker 1>It's funny. It's funny.

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<v Speaker 4>You mentioned that I have a friend who is celebrating

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<v Speaker 4>like a milestone birthday. So he's trying to have like

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<v Speaker 4>a ninety steam rap party and have like his rap

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<v Speaker 4>favorites and he's really in the nineties R and B,

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<v Speaker 4>and he wants to get the most bang for his buck.

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<v Speaker 4>The thing is is that Montel, even though he's had

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<v Speaker 4>other hits, you know, this is how we do.

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<v Speaker 1>It's kind of the Black national anthem.

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<v Speaker 8>It is, so to speak.

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<v Speaker 5>It's transformed too. It's like everybody's now.

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<v Speaker 1>But that's the thing.

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<v Speaker 4>But the problem is is I'm trying to push him

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<v Speaker 4>to get He can either get Montel Jordan or he

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<v Speaker 4>could get Drew Hill. And I told him he Drew Hill,

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<v Speaker 4>You'll least get four hits.

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<v Speaker 10>At least the song at least bro so you you

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<v Speaker 10>got to well.

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<v Speaker 5>They're the same price, Drew Hill, what are we talking about?

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<v Speaker 8>Question?

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<v Speaker 5>I'm sorry, that's next.

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<v Speaker 1>That's next somebody? Yes, and uh there's two.

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<v Speaker 5>Pieces like pieces calm girl. I don't forget what that's called.

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<v Speaker 1>Right, But at least he's looking at me like, what

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<v Speaker 1>the fuck with you? Hill? You at least get four

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<v Speaker 1>hits and the thongs?

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<v Speaker 5>Yes, right?

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<v Speaker 4>And with Montel, you get that one. This is how

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<v Speaker 4>we do it, even though there's been other hits. You know,

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<v Speaker 4>he's had other top ten hits. I'm not trying and

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<v Speaker 4>the talk show, Yes, no, that's Montel Williams. And so

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<v Speaker 4>let's let's not totally rabbit hole off the you know,

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<v Speaker 4>the conversation. What I want to know is okay for

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<v Speaker 4>us as snotty Northerners that only come on. Now, let's

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<v Speaker 4>keep it one hundred. We know, we know, we know

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<v Speaker 4>like four cities. No, my family is from Greensboro.

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<v Speaker 8>Yeah, y'all know Charlotte, Greensboro rally probably Now all.

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<v Speaker 1>My family's from Greensboro. But that's all I know.

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<v Speaker 4>And I know like in Greensboro not to talk to

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<v Speaker 4>any woman because I've heard that at least one out

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<v Speaker 4>of the before black women in that city is my cousin.

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<v Speaker 9>Where you're going, We don't want to get into the

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<v Speaker 9>yeah yeah.

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<v Speaker 1>Yeah, yeah, no, no not at all.

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<v Speaker 4>So like what major city are you was? It was

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<v Speaker 4>snow you said, snow Hill.

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<v Speaker 8>Snow Hill. You're not going to know. The closest rally

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<v Speaker 8>rally is an hour away.

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<v Speaker 9>Really, that's the that's the one that's maybe Fayettville, maybe, Yeah,

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<v Speaker 9>that's like an hour and a half where j Cole

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<v Speaker 9>is from.

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<v Speaker 4>So you're saying that it's more so you're saying that

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<v Speaker 4>the environment was more backwoodsy.

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<v Speaker 8>Yeah, definitely like this, it was closer to.

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<v Speaker 1>My Daughters of the Dust or like, I just want.

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<v Speaker 5>To know the reference because I'm that's dope. That's dope.

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<v Speaker 1>That was dope reference with Darters of the Dust.

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<v Speaker 4>No, well, I'm just saying that in terms of Okay,

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<v Speaker 4>there's when when slavery.

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<v Speaker 5>And the gullers where you're going.

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<v Speaker 4>Yeah, when slavery was ended, there's some freed Africans that

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<v Speaker 4>decided to continue the tradition of of their life as

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<v Speaker 4>they knew it in Africa by living off in the

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<v Speaker 4>far woods. Like really, my my peeps come from Mobile, Alabama.

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<v Speaker 4>So they started Africa Town and practice Yorba religion and

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<v Speaker 4>all that stuff. But they did that also gees in

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<v Speaker 4>North Carolina and whatnot. So I was trying to is

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<v Speaker 4>a movie.

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<v Speaker 5>Yes, oh yes, yes, yes, yes, I know we need

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<v Speaker 5>that deep bro.

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<v Speaker 8>Okay, because I don't do me like that.

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<v Speaker 9>Come on, look at me, Look how I'm dressed, baby,

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<v Speaker 9>I need that far.

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<v Speaker 1>I mean they had a corner store, Okay, I see

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<v Speaker 1>I see you got to.

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<v Speaker 10>Ask her about the second hip hop show. I'm gonta

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<v Speaker 10>redeem herself.

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<v Speaker 1>How big was your household?

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<v Speaker 2>Like?

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<v Speaker 1>Are you the only child or.

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<v Speaker 9>I'm one of five, three older sisters, one younger brother.

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<v Speaker 9>Me and my brother are a year apart. I'm I'm

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<v Speaker 9>the knee baby, which is next to last. That's that's

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<v Speaker 9>some country ship. Yeah, knee baby, so I'm next to last.

0:12:06.760 --> 0:12:09.840
<v Speaker 9>So yeah, for sure.

0:12:10.160 --> 0:12:11.760
<v Speaker 1>Are you the over achiever of the family.

0:12:13.080 --> 0:12:15.640
<v Speaker 9>I think we all over achievers. I'm probably second in

0:12:15.679 --> 0:12:20.040
<v Speaker 9>line though, the middle child. My sister Amanda, she was valedictorian.

0:12:20.360 --> 0:12:23.120
<v Speaker 9>You know, she just did everything right. But I I

0:12:23.160 --> 0:12:25.000
<v Speaker 9>am the overachiever now because.

0:12:24.720 --> 0:12:29.920
<v Speaker 4>I always feel like the middle child or the indistinguishable.

0:12:32.440 --> 0:12:33.000
<v Speaker 1>I'm the last.

0:12:33.720 --> 0:12:34.839
<v Speaker 8>Yeah, I'm the last girl.

0:12:34.960 --> 0:12:37.160
<v Speaker 9>But all of us did good, like I could say

0:12:37.160 --> 0:12:40.240
<v Speaker 9>my parents did well.

0:12:39.520 --> 0:12:40.200
<v Speaker 8>Yes they did.

0:12:40.880 --> 0:12:44.480
<v Speaker 4>Was your first musical memory that concert? No, what was

0:12:44.480 --> 0:12:45.280
<v Speaker 4>your first musical?

0:12:45.520 --> 0:12:50.000
<v Speaker 9>My first musical memory was Michael Jackson. That's the oh

0:12:50.080 --> 0:12:56.080
<v Speaker 9>for like oh music period period is Michael Jackson. So

0:12:56.120 --> 0:12:58.200
<v Speaker 9>that's what had me hooked from the jump, Like man

0:12:58.240 --> 0:13:00.880
<v Speaker 9>in the mirror, the girl is my all of that,

0:13:01.000 --> 0:13:03.280
<v Speaker 9>Like me and my dad would sit up on like

0:13:03.440 --> 0:13:07.080
<v Speaker 9>Saturday mornings and watch video soul tape them on VHS

0:13:07.200 --> 0:13:09.040
<v Speaker 9>and you know we watch them again during the week.

0:13:09.400 --> 0:13:10.200
<v Speaker 8>Yes, I do that.

0:13:10.360 --> 0:13:13.440
<v Speaker 9>I watch your MTV raps like those are my biggest memories.

0:13:13.480 --> 0:13:15.360
<v Speaker 9>But it all started with like R and B and

0:13:15.400 --> 0:13:18.480
<v Speaker 9>soul music. So Saturday mornings cleaning up, you know, my

0:13:18.520 --> 0:13:20.040
<v Speaker 9>mom's playing Tina Turner.

0:13:19.800 --> 0:13:22.880
<v Speaker 8>Patty the Bell. My dad is a huge Luther.

0:13:22.760 --> 0:13:27.240
<v Speaker 9>Vandrass fan, so I've heard every Luther Vandrass song that

0:13:27.280 --> 0:13:31.320
<v Speaker 9>there is known to man. But those are my first

0:13:31.640 --> 0:13:32.800
<v Speaker 9>musical memories.

0:13:32.880 --> 0:13:36.280
<v Speaker 4>Do you remember the first album that you purchased that

0:13:36.720 --> 0:13:38.480
<v Speaker 4>not just had in the house, but the album that

0:13:38.559 --> 0:13:40.440
<v Speaker 4>you wanted was the first album you purchased.

0:13:40.800 --> 0:13:44.640
<v Speaker 9>The first one I purchased was Aliyah's first album, He

0:13:44.800 --> 0:13:48.000
<v Speaker 9>Ain't Number the Number. The first album that I owned

0:13:48.280 --> 0:13:50.839
<v Speaker 9>was Warren G's Regulate, but my aunt had to get

0:13:50.840 --> 0:13:53.200
<v Speaker 9>it for me because of that sticker. My parents were

0:13:53.240 --> 0:13:55.800
<v Speaker 9>not going for that. I beg her she got it

0:13:55.840 --> 0:13:58.280
<v Speaker 9>for me. That was the first album that I had.

0:13:58.280 --> 0:14:00.360
<v Speaker 9>But the one I bought was Aaliyah It's.

0:14:00.200 --> 0:14:06.280
<v Speaker 4>Called Rap Contraband. When I was young, I couldn't have

0:14:06.400 --> 0:14:08.640
<v Speaker 4>the first UTFO album.

0:14:08.840 --> 0:14:13.800
<v Speaker 1>There was there wasn't even that's crazy. It's a funny thing.

0:14:14.320 --> 0:14:17.240
<v Speaker 1>The funny thing was there was no cursing on it.

0:14:17.400 --> 0:14:18.560
<v Speaker 1>But on one.

0:14:18.520 --> 0:14:21.520
<v Speaker 4>Of those on rox Sannes version of Roxanne rox Sand

0:14:21.560 --> 0:14:24.720
<v Speaker 4>which is like buried on SIDEB, she said like one

0:14:24.800 --> 0:14:27.960
<v Speaker 4>term like all you received was a kick in the ass.

0:14:28.320 --> 0:14:29.960
<v Speaker 4>And then my dad like just took the tape out

0:14:30.000 --> 0:14:30.960
<v Speaker 4>and destroyed the tape.

0:14:31.880 --> 0:14:34.239
<v Speaker 9>So I got one of those the tape I destroyed

0:14:35.320 --> 0:14:38.200
<v Speaker 9>which one It wasn't even like a bigger artist, was

0:14:38.240 --> 0:14:40.440
<v Speaker 9>like a local group that I got from fourth grade.

0:14:40.600 --> 0:14:41.840
<v Speaker 8>And the look was like a.

0:14:41.680 --> 0:14:45.200
<v Speaker 9>Tisket, a task and a condiment a basket. My mama

0:14:45.240 --> 0:14:46.960
<v Speaker 9>came through that door so fast.

0:14:47.960 --> 0:14:48.600
<v Speaker 5>Fourth grade.

0:14:49.400 --> 0:14:52.240
<v Speaker 9>Yah, it was a white tape with black letters. Look,

0:14:53.120 --> 0:14:55.800
<v Speaker 9>I ain't think I was a boy. I survived that day.

0:14:57.920 --> 0:15:00.320
<v Speaker 1>So was it a religious house hold?

0:15:00.440 --> 0:15:02.720
<v Speaker 9>Or I grew up with Jehovah's witness So my mom

0:15:02.800 --> 0:15:03.680
<v Speaker 9>is Jehovah's witness.

0:15:03.760 --> 0:15:05.359
<v Speaker 8>My dad was non denominational.

0:15:05.480 --> 0:15:10.080
<v Speaker 9>Still no, no, no, I'm uh inactive.

0:15:10.200 --> 0:15:13.640
<v Speaker 8>Is I'm more spiritual than religious?

0:15:14.280 --> 0:15:14.920
<v Speaker 5>That's my line?

0:15:15.320 --> 0:15:17.200
<v Speaker 8>So yeah, yeah, yeah, yeah.

0:15:16.720 --> 0:15:22.120
<v Speaker 4>Wow so uh man mm hmm no, no, no, but that's

0:15:22.160 --> 0:15:25.680
<v Speaker 4>always I find it that those who are in the

0:15:25.840 --> 0:15:29.760
<v Speaker 4>entertainment business that I have to sort of pass through

0:15:29.800 --> 0:15:33.600
<v Speaker 4>the portals of especially with Jehovah's.

0:15:33.200 --> 0:15:35.000
<v Speaker 10>Them know right, like have you found like your brothers

0:15:35.000 --> 0:15:38.600
<v Speaker 10>and sisters? And because Jill used to be a Jill

0:15:38.600 --> 0:15:40.600
<v Speaker 10>Scott Scott.

0:15:42.440 --> 0:15:44.840
<v Speaker 8>Jill Scott general sound way with T D E.

0:15:45.200 --> 0:15:49.680
<v Speaker 1>Wow, yeah, I know. Michael Jackson started as friends.

0:15:50.840 --> 0:15:56.040
<v Speaker 9>Joahill got some nice you know, spoke in my circles.

0:15:57.080 --> 0:15:58.120
<v Speaker 8>Come over to this side.

0:15:58.800 --> 0:16:00.360
<v Speaker 1>Wait, when's the last time you went to Kingdom?

0:16:00.800 --> 0:16:01.080
<v Speaker 8>Go on?

0:16:01.160 --> 0:16:05.600
<v Speaker 1>Bro, No, no, no, I'm only asking.

0:16:05.400 --> 0:16:08.440
<v Speaker 5>Because past needs everything full.

0:16:09.000 --> 0:16:12.760
<v Speaker 4>I've never spoken to someone what goes on, so I

0:16:12.840 --> 0:16:15.800
<v Speaker 4>know that most like the Black of course with Black

0:16:15.880 --> 0:16:18.280
<v Speaker 4>Church experiences and Baptist Church is like.

0:16:19.760 --> 0:16:24.960
<v Speaker 1>Yeah but more conservative and Kingdom Hall Kingdom Halls.

0:16:25.040 --> 0:16:25.320
<v Speaker 8>It was.

0:16:25.360 --> 0:16:28.520
<v Speaker 9>It was honestly, it was like Bible school, like you

0:16:28.560 --> 0:16:30.880
<v Speaker 9>know you have you know of the watch Tower and

0:16:30.920 --> 0:16:32.800
<v Speaker 9>the ways when we come to the paper whatever.

0:16:32.880 --> 0:16:35.400
<v Speaker 8>Yeah, So a lot of times they'll give you Bible readings.

0:16:35.440 --> 0:16:37.600
<v Speaker 8>You go home, you go through the Bible, find the

0:16:37.680 --> 0:16:39.160
<v Speaker 8>verses they give you the watch Tower.

0:16:39.240 --> 0:16:42.360
<v Speaker 9>They'll have paragraphs that pertain to a certain topic, whether

0:16:42.400 --> 0:16:45.840
<v Speaker 9>it's life after death or what do you do about

0:16:45.880 --> 0:16:49.520
<v Speaker 9>blood transfusions? And read through the paragraphs. At the end

0:16:49.560 --> 0:16:51.720
<v Speaker 9>they have questions. You go find the Bible verses and

0:16:51.880 --> 0:16:54.320
<v Speaker 9>answer them. And the next day, you know, they'll have

0:16:54.480 --> 0:16:57.680
<v Speaker 9>a main person that gives a talk, but they're like

0:16:57.720 --> 0:16:59.480
<v Speaker 9>the preacher, but we call it given a talk. And

0:16:59.520 --> 0:17:02.160
<v Speaker 9>then the second an hour you answer the questions as

0:17:02.200 --> 0:17:06.320
<v Speaker 9>a group and then you sing hymns, yeah, but no clapping,

0:17:06.440 --> 0:17:09.520
<v Speaker 9>sing so the whole.

0:17:14.160 --> 0:17:14.400
<v Speaker 1>Like that.

0:17:14.480 --> 0:17:16.440
<v Speaker 4>You know, you're just from behind me of when we

0:17:16.560 --> 0:17:22.320
<v Speaker 4>did the Prince episode. His assistant has a really hilarys

0:17:22.359 --> 0:17:28.280
<v Speaker 4>story of Prince Dragon to Kingdom Hall and she was

0:17:28.320 --> 0:17:30.119
<v Speaker 4>shocked that she thought it was gonna be like a

0:17:30.160 --> 0:17:35.400
<v Speaker 4>black again a black Southern gospel hooting and hollering music thing,

0:17:35.600 --> 0:17:38.639
<v Speaker 4>and you know, the music was very proper, and you know,

0:17:38.800 --> 0:17:40.760
<v Speaker 4>and Prince was singing it and she just couldn't.

0:17:40.840 --> 0:17:45.119
<v Speaker 1>She was like, who are you? Like? What were you doing?

0:17:45.440 --> 0:17:47.960
<v Speaker 4>So you're you said that Montel was your first How

0:17:48.000 --> 0:17:50.160
<v Speaker 4>old were you when we went to this Montell Jordan concert?

0:17:50.440 --> 0:17:52.879
<v Speaker 8>I was in seventh grade, so that it was Montel

0:17:52.960 --> 0:17:53.600
<v Speaker 8>Jordan boys.

0:17:53.600 --> 0:17:56.520
<v Speaker 9>To me, that was the first concert I went to

0:17:56.720 --> 0:17:59.560
<v Speaker 9>the first real hip hop concert I went to.

0:18:00.560 --> 0:18:03.200
<v Speaker 8>I was in college. I don't remember. It might have

0:18:03.240 --> 0:18:04.640
<v Speaker 8>been common common.

0:18:04.440 --> 0:18:07.160
<v Speaker 1>Was Yeah, where did you go to college?

0:18:07.640 --> 0:18:09.919
<v Speaker 8>North Carolina State University.

0:18:10.080 --> 0:18:14.320
<v Speaker 4>Yeah, that's that's kind of the Yeah, I'll say that

0:18:14.400 --> 0:18:17.400
<v Speaker 4>on the East coast, at least down south, at least

0:18:17.400 --> 0:18:24.040
<v Speaker 4>like North Carolina was definitely a common no pun intended central. Yeah,

0:18:24.080 --> 0:18:26.359
<v Speaker 4>there's at least five or six college stops that you

0:18:26.400 --> 0:18:28.560
<v Speaker 4>can make down Oh wait, I'm about to tell you

0:18:28.600 --> 0:18:30.280
<v Speaker 4>a story, like there's one time when I met a

0:18:30.800 --> 0:18:35.640
<v Speaker 4>ninth Wonder and this band I forget their name, oh

0:18:35.680 --> 0:18:38.040
<v Speaker 4>Little Brother, Yeah, I forgot.

0:18:38.880 --> 0:18:40.040
<v Speaker 8>I have heard that story.

0:18:40.240 --> 0:18:42.480
<v Speaker 1>Yes, yep, thank God for that rain storm.

0:18:42.800 --> 0:18:44.920
<v Speaker 4>I want to well, I mean the show was outdoors,

0:18:44.960 --> 0:18:47.639
<v Speaker 4>so it was like an electric electric storm. So we

0:18:47.680 --> 0:18:50.480
<v Speaker 4>only did like one song, and I felt bad for

0:18:50.560 --> 0:18:52.399
<v Speaker 4>everyone that like stood out there to watch it.

0:18:52.440 --> 0:18:57.320
<v Speaker 10>So, like, yo, who was Carolina hip hop before Little Brother.

0:18:57.880 --> 0:18:58.800
<v Speaker 8>Before a Little Brother?

0:18:58.960 --> 0:19:02.760
<v Speaker 5>Yeah?

0:19:02.760 --> 0:19:05.840
<v Speaker 4>But even then, that's just like, were there any to

0:19:05.880 --> 0:19:06.520
<v Speaker 4>your knowledge?

0:19:06.560 --> 0:19:07.440
<v Speaker 1>Was there anyone?

0:19:08.640 --> 0:19:10.840
<v Speaker 4>It's weird that Okay, it's weird that you're asking that

0:19:11.040 --> 0:19:16.000
<v Speaker 4>because I know that in ninety seven ninety eight, ninety

0:19:16.000 --> 0:19:22.840
<v Speaker 4>seven ninety eight, there was a major migration of New York.

0:19:22.720 --> 0:19:24.520
<v Speaker 5>Rappers, right school rappers.

0:19:24.560 --> 0:19:27.600
<v Speaker 1>That moved down there. I know that special Edge, Specialleed

0:19:27.720 --> 0:19:28.080
<v Speaker 1>was early.

0:19:28.280 --> 0:19:31.000
<v Speaker 4>Big Daddy came as early, and they were telling us,

0:19:31.200 --> 0:19:33.480
<v Speaker 4>you know back then, like yo, y'all better hurry down

0:19:33.760 --> 0:19:36.600
<v Speaker 4>and get some property before gentrification. Like you could you

0:19:36.640 --> 0:19:43.480
<v Speaker 4>could buy like a twelve room mansion with like marble floors,

0:19:43.520 --> 0:19:47.760
<v Speaker 4>Like you could get some scarface property maybe.

0:19:47.520 --> 0:19:50.600
<v Speaker 1>Like yeah, for like cheap to them.

0:19:50.840 --> 0:19:52.200
<v Speaker 8>You know, Madland?

0:19:52.880 --> 0:19:56.199
<v Speaker 1>Is it that way now? Or has gentrification caught up?

0:19:56.240 --> 0:19:59.200
<v Speaker 8>And I mean it's it's still pretty affordable.

0:20:00.240 --> 0:20:03.399
<v Speaker 9>We're growing like rapidly, so downtown it might get a

0:20:03.440 --> 0:20:05.760
<v Speaker 9>little pricey, but compared to up here, is still cheap.

0:20:06.240 --> 0:20:07.760
<v Speaker 1>Now what city do you live in now?

0:20:07.800 --> 0:20:08.480
<v Speaker 8>I live in Raleigh?

0:20:09.560 --> 0:20:09.919
<v Speaker 5>So are you?

0:20:10.359 --> 0:20:13.240
<v Speaker 4>And you consider that home? That's where you would like

0:20:13.320 --> 0:20:14.679
<v Speaker 4>to stay?

0:20:16.040 --> 0:20:17.840
<v Speaker 1>I wanted to say, is that where you want to die?

0:20:19.480 --> 0:20:23.960
<v Speaker 9>Well, but that's where you want to settle down?

0:20:24.320 --> 0:20:26.800
<v Speaker 8>Settle down is a better word. Yes, I would.

0:20:26.800 --> 0:20:28.720
<v Speaker 9>I would like to settle down North Carolina, but I

0:20:28.720 --> 0:20:31.479
<v Speaker 9>definitely want to move. I've been there my whole life,

0:20:31.560 --> 0:20:33.199
<v Speaker 9>Like I want to live in New York. I want

0:20:33.240 --> 0:20:36.399
<v Speaker 9>to experience l a like maybe go to Africa for

0:20:36.440 --> 0:20:37.640
<v Speaker 9>a little bit. Who knows, you.

0:20:37.600 --> 0:20:38.760
<v Speaker 5>Know, you haven't done it yet.

0:20:39.080 --> 0:20:41.879
<v Speaker 8>I'm found South South Africa. If I could take all

0:20:41.960 --> 0:20:43.080
<v Speaker 8>my family there, I moved there.

0:20:43.200 --> 0:20:44.680
<v Speaker 10>You seem like the type that would circle back and

0:20:44.720 --> 0:20:47.160
<v Speaker 10>reinvest in whatever Carolina has going on.

0:20:47.560 --> 0:20:50.919
<v Speaker 9>Oh definitely, definitely that's home always. So you got to

0:20:50.920 --> 0:20:51.720
<v Speaker 9>reinvest in home.

0:21:00.119 --> 0:21:02.960
<v Speaker 1>What was your come to Jesus moment as far as.

0:21:04.480 --> 0:21:09.000
<v Speaker 4>Knowing that you had something, as far as love for

0:21:09.080 --> 0:21:11.760
<v Speaker 4>hip hop culture, like this is what I want to do.

0:21:12.280 --> 0:21:16.840
<v Speaker 9>Oh I felt like that was early, like like I

0:21:16.880 --> 0:21:19.400
<v Speaker 9>was around ten or eleven, Like I fell in love

0:21:19.440 --> 0:21:21.760
<v Speaker 9>with it when I saw EMC Light's Poor Georgie video.

0:21:21.880 --> 0:21:24.160
<v Speaker 9>So that's the first time, like I saw a female

0:21:24.200 --> 0:21:30.840
<v Speaker 9>doing it and it's just like yo, that video cool.

0:21:31.480 --> 0:21:33.800
<v Speaker 9>So that that was the first time I was like, Wow,

0:21:33.880 --> 0:21:36.520
<v Speaker 9>what is this? And then you know, you you get

0:21:36.560 --> 0:21:39.800
<v Speaker 9>more into it, you know, listening to Warren G. Like

0:21:39.840 --> 0:21:45.199
<v Speaker 9>I said, uh Aliah's hip Hop Flavor Style, Queen Latifa,

0:21:45.440 --> 0:21:47.360
<v Speaker 9>then you know, I listened to Jay's Reasonable Doubt.

0:21:47.400 --> 0:21:49.960
<v Speaker 8>But it was Lauren Hill that really you locked me in.

0:21:50.040 --> 0:21:50.760
<v Speaker 8>I saw the food.

0:21:51.000 --> 0:21:52.040
<v Speaker 5>The food is a score.

0:21:52.560 --> 0:21:53.600
<v Speaker 8>I knew what I wanted to do.

0:21:53.680 --> 0:21:54.960
<v Speaker 5>Then I saw that you said.

0:21:55.040 --> 0:21:56.800
<v Speaker 10>It's funny always want to ask people because you said

0:21:56.800 --> 0:21:58.080
<v Speaker 10>that the score was your ship.

0:21:58.800 --> 0:22:04.080
<v Speaker 5>Nobody ever says anything. I'll blunt it.

0:22:04.200 --> 0:22:06.040
<v Speaker 8>The vocal the remix rock.

0:22:06.800 --> 0:22:09.720
<v Speaker 5>Okay, here's a little one.

0:22:09.720 --> 0:22:14.080
<v Speaker 1>In fact, I've heard bln on reality and its entirety.

0:22:14.720 --> 0:22:17.040
<v Speaker 8>Of course, I couldn't get through it, not so much.

0:22:19.800 --> 0:22:20.879
<v Speaker 5>You know, I ain't mad at you.

0:22:21.520 --> 0:22:24.160
<v Speaker 1>No, no, no, it wasn't no, no, no, it was which one

0:22:24.240 --> 0:22:27.359
<v Speaker 1>was that love? All right, I'm gonna tell you a

0:22:27.400 --> 0:22:27.840
<v Speaker 1>little story.

0:22:28.160 --> 0:22:30.679
<v Speaker 5>They were in the way. We weren't We weren't all

0:22:30.760 --> 0:22:33.320
<v Speaker 5>right in the beginning, weren't all right?

0:22:33.320 --> 0:22:35.359
<v Speaker 1>Here's the deal. Yes there was.

0:22:36.160 --> 0:22:41.199
<v Speaker 4>Now that I'm older and wiser, I know not to

0:22:41.280 --> 0:22:49.000
<v Speaker 4>react off of ninth hand information. Okay, And this is

0:22:49.040 --> 0:22:51.440
<v Speaker 4>me closer to my fifties than you know. This is

0:22:52.119 --> 0:22:54.480
<v Speaker 4>like if this that Dave Chappelle sketch where like you know,

0:22:54.600 --> 0:22:58.600
<v Speaker 4>twenty three year old mirror is talking versus me. Now,

0:23:01.880 --> 0:23:06.600
<v Speaker 4>it was just that, Yes, I felt some sort of way.

0:23:07.680 --> 0:23:10.960
<v Speaker 4>It's okay, Like we were on tour together and it

0:23:11.080 --> 0:23:13.560
<v Speaker 4>was a doggy dog territory and they got out the

0:23:13.600 --> 0:23:17.080
<v Speaker 4>gate first. The score came out, and Ate The Score

0:23:17.160 --> 0:23:20.920
<v Speaker 4>came out in like February ninety six, and Hiladelph Half

0:23:20.920 --> 0:23:22.920
<v Speaker 4>Life came out in September ninety six. So they got

0:23:22.920 --> 0:23:26.480
<v Speaker 4>out the Gate first had three you know, they sold

0:23:26.520 --> 0:23:30.399
<v Speaker 4>eleven million by the time we came out. But I

0:23:30.440 --> 0:23:34.800
<v Speaker 4>was a little salty, he really, I was salty that

0:23:35.800 --> 0:23:42.000
<v Speaker 4>their show slowly started to morph into our show, which

0:23:42.080 --> 0:23:43.680
<v Speaker 4>you know, when they first came out, it was about

0:23:43.680 --> 0:23:46.320
<v Speaker 4>the ritual with the you know they were doing like

0:23:46.440 --> 0:23:49.240
<v Speaker 4>voodoo rituals and all those things, you know, representing Haiti.

0:23:49.680 --> 0:23:51.680
<v Speaker 1>Yeah, they were lighting candles.

0:23:51.240 --> 0:23:53.840
<v Speaker 10>And something not those direction. What did he saying? But

0:23:53.880 --> 0:23:55.040
<v Speaker 10>it's okay, what are you talking about?

0:23:55.040 --> 0:23:55.280
<v Speaker 1>You really?

0:23:55.320 --> 0:23:58.720
<v Speaker 5>You serious? I don't remember I remember them wrapping in Japanese.

0:23:59.280 --> 0:24:03.320
<v Speaker 4>No no, no, no, no, oh dude in So here's the deal.

0:24:03.760 --> 0:24:07.960
<v Speaker 4>My last day intern at rough House Records, which coincidentally

0:24:08.119 --> 0:24:12.199
<v Speaker 4>was Santi Cole's first day. Santi was my replacement at

0:24:12.280 --> 0:24:18.800
<v Speaker 4>rough House as the intern, and upon leaving, uh, Chris

0:24:18.880 --> 0:24:20.919
<v Speaker 4>Wartz pulled me aside and said, hey, I know you

0:24:20.960 --> 0:24:24.080
<v Speaker 4>guys are having a signing party for you guys signing

0:24:24.080 --> 0:24:24.920
<v Speaker 4>to Geffen Records.

0:24:25.600 --> 0:24:27.280
<v Speaker 1>How many acts you happened. We're like, well, we got

0:24:27.359 --> 0:24:29.199
<v Speaker 1>Jay with the Damager Gang Star is going to come

0:24:29.200 --> 0:24:31.760
<v Speaker 1>and perform some local philiacs. We're really full.

0:24:32.280 --> 0:24:34.240
<v Speaker 4>But then I thought he did give me that money

0:24:34.240 --> 0:24:37.320
<v Speaker 4>for our first video. Wow, what's up? And he says, Yo,

0:24:37.359 --> 0:24:39.159
<v Speaker 4>we got a group that's sort of like in the

0:24:39.240 --> 0:24:41.600
<v Speaker 4>lane of you guys, and can they go on and

0:24:41.640 --> 0:24:43.040
<v Speaker 4>do like, you know, like.

0:24:43.119 --> 0:24:46.760
<v Speaker 1>Two or three songs whatever? And I was like, okay, okay,

0:24:47.760 --> 0:24:51.280
<v Speaker 1>I did it. Why do you want to add to this?

0:24:51.440 --> 0:24:54.680
<v Speaker 1>I'll just sign. So here's the thing they get.

0:24:55.280 --> 0:24:58.760
<v Speaker 4>They get to sound check, and the first thing I

0:24:58.840 --> 0:25:02.040
<v Speaker 4>said was, now, let me let me just preface by

0:25:02.080 --> 0:25:04.960
<v Speaker 4>saying that I was the family DVR.

0:25:05.880 --> 0:25:06.880
<v Speaker 1>So it was my job.

0:25:07.119 --> 0:25:10.000
<v Speaker 4>My uncles and my aunts and my mom and everyone

0:25:10.600 --> 0:25:15.080
<v Speaker 4>really didn't know much about programming a VCR and someone

0:25:15.160 --> 0:25:19.639
<v Speaker 4>had to program all their stories. So every Friday, I

0:25:19.680 --> 0:25:22.360
<v Speaker 4>had to come and reprogram myself so they go watch

0:25:22.400 --> 0:25:25.399
<v Speaker 4>their stories during their week on VCR. So I was

0:25:25.480 --> 0:25:28.920
<v Speaker 4>very familiar with all the CBS soap operas. So when

0:25:28.920 --> 0:25:34.160
<v Speaker 4>she walked in, Oh yeah, at the it's like yo, yeah,

0:25:35.840 --> 0:25:39.960
<v Speaker 4>yeah for Master World terms, and she looked at me

0:25:40.080 --> 0:25:44.960
<v Speaker 4>like like I was calling her out, like I think

0:25:45.000 --> 0:25:48.200
<v Speaker 4>she was expecting the sister act too, But I was like, yo,

0:25:50.400 --> 0:25:54.159
<v Speaker 4>Shem was like and looked at me like like I

0:25:54.200 --> 0:25:56.760
<v Speaker 4>was like, I didn't realize that, like I'm about to

0:25:56.760 --> 0:26:01.040
<v Speaker 4>blow your cover that you're a professional soap opera actress.

0:26:01.400 --> 0:26:06.399
<v Speaker 4>And so no, and we became cool and we toured together.

0:26:06.560 --> 0:26:08.880
<v Speaker 4>But the thing was then when they first started, they

0:26:08.880 --> 0:26:12.879
<v Speaker 4>were like lighting the stage with stages and and.

0:26:13.960 --> 0:26:17.040
<v Speaker 5>You know, when they finished White Clubs playing a guitar, like.

0:26:17.160 --> 0:26:19.480
<v Speaker 4>I think what we showed them, what we showed them

0:26:19.960 --> 0:26:23.919
<v Speaker 4>was that, oh, you can sort of do like the

0:26:24.040 --> 0:26:28.320
<v Speaker 4>karaoke hip hop tribute thing, which you know once we're

0:26:28.359 --> 0:26:31.400
<v Speaker 4>like used to well, I mean the thing it was like, okay,

0:26:31.440 --> 0:26:34.240
<v Speaker 4>third verse, we're going to rhyme over this caros one break,

0:26:34.560 --> 0:26:36.320
<v Speaker 4>and the second verse we're going to do a breakover

0:26:36.400 --> 0:26:38.879
<v Speaker 4>this black Moon break and that and when we you know,

0:26:39.080 --> 0:26:42.440
<v Speaker 4>and then as they started doing it was like then

0:26:42.480 --> 0:26:44.640
<v Speaker 4>they called why am I wasting?

0:26:44.920 --> 0:26:46.120
<v Speaker 1>All right? Anyway?

0:26:46.960 --> 0:26:47.720
<v Speaker 5>Hip hop history, for.

0:26:48.359 --> 0:26:51.200
<v Speaker 8>I needed to know why you didn't finish the whole score.

0:26:51.200 --> 0:26:58.000
<v Speaker 4>Now anyway, So my point is that I'll say that

0:26:59.600 --> 0:27:03.080
<v Speaker 4>in ten ninety six, it was it was tense it

0:27:03.119 --> 0:27:07.280
<v Speaker 4>was very tense. So it's hard for me to as

0:27:07.560 --> 0:27:11.160
<v Speaker 4>a listener to listen to that particular album.

0:27:11.200 --> 0:27:11.919
<v Speaker 5>Do you find it interesting?

0:27:11.920 --> 0:27:14.600
<v Speaker 10>He still hasn't listened to What I Do because it's nineteen.

0:27:14.720 --> 0:27:17.960
<v Speaker 1>But here's the thing. It's so classic you can't avoid it.

0:27:17.880 --> 0:27:21.360
<v Speaker 4>It's almost like it's almost like Bruce Springsteen is born

0:27:21.359 --> 0:27:24.919
<v Speaker 4>in the USA. All but three songs are singles, so like,

0:27:25.000 --> 0:27:25.480
<v Speaker 4>I know it.

0:27:25.400 --> 0:27:27.320
<v Speaker 5>All and that's the whole album. I just know that song.

0:27:27.720 --> 0:27:31.040
<v Speaker 4>No, but you've heard Dancing in the Dark, cover Me

0:27:31.440 --> 0:27:35.680
<v Speaker 4>and I'm on Fire and Glory Days and like it's

0:27:35.760 --> 0:27:37.720
<v Speaker 4>damn near thriller, Like you know all the songs.

0:27:37.960 --> 0:27:39.919
<v Speaker 1>Anyway, this is not about me.

0:27:39.960 --> 0:27:42.280
<v Speaker 5>Welcome to quest of Supreme Rhapsody anyway.

0:27:42.520 --> 0:27:48.439
<v Speaker 4>So I shot, I will say I love it is. No, well,

0:27:48.440 --> 0:27:50.480
<v Speaker 4>at least I'm man it is.

0:27:50.560 --> 0:27:52.680
<v Speaker 8>That's that's a nice fact. That's a good question at

0:27:52.680 --> 0:27:53.080
<v Speaker 8>the time.

0:27:53.400 --> 0:27:55.359
<v Speaker 1>No, but I know all the songs, like I would

0:27:55.440 --> 0:27:58.399
<v Speaker 1>DJ like the joint the Zealots and.

0:28:00.320 --> 0:28:02.200
<v Speaker 10>I dare you to throw vocab in the next party.

0:28:02.240 --> 0:28:03.240
<v Speaker 10>Can be just can me just get it?

0:28:03.320 --> 0:28:04.280
<v Speaker 1>I love vocas I know.

0:28:04.320 --> 0:28:06.040
<v Speaker 5>I'm just saying nobody does blunt it. That was back

0:28:06.040 --> 0:28:06.880
<v Speaker 5>to my original.

0:28:07.080 --> 0:28:09.439
<v Speaker 4>Oh yeah, no no, but I was saying off that

0:28:09.520 --> 0:28:11.800
<v Speaker 4>first record, I loved vocab.

0:28:11.840 --> 0:28:16.040
<v Speaker 1>That was that was my join. That was my join anyway,

0:28:16.480 --> 0:28:20.320
<v Speaker 1>So back to you.

0:28:18.880 --> 0:28:23.440
<v Speaker 6>So you like Lauren Hell huh, I'm trying to get

0:28:23.440 --> 0:28:26.560
<v Speaker 6>back there. Yeah, she was.

0:28:26.560 --> 0:28:27.280
<v Speaker 2>A big influence.

0:28:27.400 --> 0:28:30.480
<v Speaker 4>So what was what was the community like? And the

0:28:30.560 --> 0:28:35.719
<v Speaker 4>one question that I'm glad that you kind of what

0:28:35.800 --> 0:28:39.360
<v Speaker 4>I call matrix dodge is, especially with people that are

0:28:39.400 --> 0:28:42.840
<v Speaker 4>not that familiar with you and they're asking you all

0:28:42.840 --> 0:28:44.880
<v Speaker 4>the time like, well, what's it like being a female

0:28:44.920 --> 0:28:46.040
<v Speaker 4>and rap and you.

0:28:46.000 --> 0:28:50.080
<v Speaker 1>Know, underground d da da da da? But what was

0:28:51.360 --> 0:28:52.000
<v Speaker 1>the environment?

0:28:52.000 --> 0:28:55.960
<v Speaker 4>Because I'll be honest with you, by the time that

0:28:56.080 --> 0:29:00.520
<v Speaker 4>like the turn of the the the millennium, uh, by

0:29:00.560 --> 0:29:03.040
<v Speaker 4>the end of the nineties into the early aughts, Like

0:29:03.240 --> 0:29:09.959
<v Speaker 4>I personally was rather shocked that there was a boom

0:29:10.040 --> 0:29:14.479
<v Speaker 4>bap element or appreciation in North Carolina, which really shocked

0:29:14.480 --> 0:29:17.720
<v Speaker 4>me by when I listened to you know, Little Brother's demo.

0:29:17.600 --> 0:29:19.400
<v Speaker 1>The first time, I was like, wait, where are they're from?

0:29:19.600 --> 0:29:21.720
<v Speaker 5>Yeah, exactly, same thing, what rhapsod he does, same thing.

0:29:21.760 --> 0:29:23.120
<v Speaker 5>I appreci it. I don't even hear.

0:29:23.520 --> 0:29:26.800
<v Speaker 1>Right, So for me, like, how did you.

0:29:28.720 --> 0:29:35.480
<v Speaker 4>Avoid what we up north sort of associate most hip

0:29:35.520 --> 0:29:38.800
<v Speaker 4>hop from down South, which I guess you could say

0:29:39.040 --> 0:29:42.480
<v Speaker 4>in the nineties we thought that South was booty music

0:29:43.080 --> 0:29:47.080
<v Speaker 4>or that's you know, or the early early stages of trap.

0:29:47.240 --> 0:29:52.920
<v Speaker 4>Like how did you find a hip hop community that

0:29:53.160 --> 0:29:59.960
<v Speaker 4>was you know about the aesthetics of what quote real

0:30:00.080 --> 0:30:02.320
<v Speaker 4>hip hoppers in New York strive to be.

0:30:02.920 --> 0:30:06.320
<v Speaker 9>Well, For one, I think people have a slight misconception

0:30:06.560 --> 0:30:08.960
<v Speaker 9>like if you look at North Carolina, we're more Middle

0:30:09.000 --> 0:30:12.440
<v Speaker 9>East than Deep South, so you.

0:30:12.360 --> 0:30:15.400
<v Speaker 8>Know, yeah, and we're wanted.

0:30:15.480 --> 0:30:18.840
<v Speaker 9>We're probably one of the states that have the most HBCUs.

0:30:18.880 --> 0:30:21.400
<v Speaker 9>So at the time, you got understand, ninety five runs

0:30:21.400 --> 0:30:23.440
<v Speaker 9>straight through North Carolina. So you have a lot of

0:30:23.680 --> 0:30:26.120
<v Speaker 9>artists or New Yorkers that are coming to come to

0:30:26.200 --> 0:30:29.480
<v Speaker 9>school in North Carolina and they're bringing the music with them.

0:30:29.800 --> 0:30:32.320
<v Speaker 9>You have drug dealers coming through, they're bringing the music

0:30:32.360 --> 0:30:34.920
<v Speaker 9>with them. So for us, it's like a melting pot too.

0:30:34.960 --> 0:30:37.600
<v Speaker 9>You got people from Atlanta coming, so, you know, not

0:30:37.720 --> 0:30:40.120
<v Speaker 9>only that's how we got the music, Like, you know,

0:30:40.240 --> 0:30:43.600
<v Speaker 9>there was so much northern influence where we lived, just

0:30:43.640 --> 0:30:46.280
<v Speaker 9>from the colleges and people that came through, you know,

0:30:47.040 --> 0:30:48.760
<v Speaker 9>that's a lot of what we listened to. So we

0:30:48.800 --> 0:30:50.400
<v Speaker 9>listened to boom Back, We listened to a lot of

0:30:50.440 --> 0:30:52.440
<v Speaker 9>New York music, but we all listen to Atlanta.

0:30:52.520 --> 0:30:55.000
<v Speaker 8>We also listen. So when I think about North Carolina,

0:30:55.040 --> 0:30:56.400
<v Speaker 8>it's just a melting pot.

0:30:56.560 --> 0:30:59.760
<v Speaker 9>Like you know, we didn't have like a true Southern

0:31:00.120 --> 0:31:03.600
<v Speaker 9>identity like a Texas you know, but it's still car culture.

0:31:03.640 --> 0:31:05.320
<v Speaker 9>So you got to ride the eye music at the

0:31:05.320 --> 0:31:08.080
<v Speaker 9>same time. So I think that's what it was where

0:31:08.240 --> 0:31:11.280
<v Speaker 9>you know, everybody I know, like we wore tims, you

0:31:11.320 --> 0:31:11.920
<v Speaker 9>know what I'm saying.

0:31:12.000 --> 0:31:14.920
<v Speaker 8>Like they they had they were the headbands.

0:31:14.960 --> 0:31:16.880
<v Speaker 9>They had some you know, people from the South some

0:31:16.920 --> 0:31:18.280
<v Speaker 9>time to get the New York accent.

0:31:18.800 --> 0:31:20.760
<v Speaker 8>Like that was heavy where I was from.

0:31:20.840 --> 0:31:23.840
<v Speaker 9>Like my cousin used to call itself nas because you know,

0:31:23.960 --> 0:31:26.480
<v Speaker 9>the music and everybody from the colleges that were in

0:31:26.520 --> 0:31:28.920
<v Speaker 9>there was just heavily influenced on us.

0:31:29.520 --> 0:31:33.200
<v Speaker 4>Speaking of I'm jumping way ahead, but you mentioned car

0:31:33.240 --> 0:31:37.200
<v Speaker 4>culture and writing. Indeed, I'm just gonna ask in the

0:31:37.280 --> 0:31:41.120
<v Speaker 4>video for Eve to Hush Yep, where did that car

0:31:41.160 --> 0:31:41.560
<v Speaker 4>come from?

0:31:42.400 --> 0:31:45.400
<v Speaker 8>Oh man, we made a call somebody, somebody brought that through.

0:31:45.560 --> 0:31:47.240
<v Speaker 8>Like that's a rental today.

0:31:47.480 --> 0:31:50.000
<v Speaker 1>Damn it, wait for that for the video.

0:31:50.160 --> 0:31:53.880
<v Speaker 8>Yeah, the green joint with the mcm insize. Yes, yeah,

0:31:54.400 --> 0:31:54.960
<v Speaker 8>Mysa Hill.

0:31:55.120 --> 0:32:00.560
<v Speaker 11>I'm about to say, and she dripped the inside outm

0:32:00.600 --> 0:32:03.480
<v Speaker 11>but somebody they own a car that people use the

0:32:03.560 --> 0:32:05.560
<v Speaker 11>videos and they let us, they let us drip it out.

0:32:05.680 --> 0:32:08.360
<v Speaker 1>Okay, I I thought that was your personal riding.

0:32:08.480 --> 0:32:09.520
<v Speaker 8>No, we ain't there yet.

0:32:10.120 --> 0:32:11.720
<v Speaker 1>You know you will be there.

0:32:11.800 --> 0:32:15.800
<v Speaker 4>Let's start with the affirmations, not even goals effects.

0:32:15.840 --> 0:32:17.200
<v Speaker 5>But when you get there, you probably won't want the

0:32:17.240 --> 0:32:19.160
<v Speaker 5>car with mcm I don't know.

0:32:19.200 --> 0:32:22.400
<v Speaker 8>That's kind of fire with the mcm cs.

0:32:23.080 --> 0:32:25.200
<v Speaker 5>This, this is give them too much.

0:32:25.400 --> 0:32:25.680
<v Speaker 1>Listen.

0:32:25.760 --> 0:32:28.400
<v Speaker 4>This is the lesson that I want anyone listening to

0:32:28.520 --> 0:32:33.160
<v Speaker 4>learn for twenty twenty that most of the times we

0:32:34.320 --> 0:32:37.720
<v Speaker 4>come modest and humble, and we need to be We

0:32:37.760 --> 0:32:41.600
<v Speaker 4>need to be more about I am as opposed to

0:32:42.120 --> 0:32:47.000
<v Speaker 4>I am me and own it, own it instead of

0:32:47.680 --> 0:32:49.240
<v Speaker 4>you know, one of these days we'll get there.

0:32:49.400 --> 0:32:51.320
<v Speaker 10>But you know this is funny because the three of

0:32:51.400 --> 0:32:53.840
<v Speaker 10>us have that whole twenty four hours between our birthdays.

0:32:53.840 --> 0:32:55.880
<v Speaker 10>So I'm really taking this to heart because I know

0:32:55.920 --> 0:32:57.600
<v Speaker 10>that's who you really are. You're fighting that anyway you

0:32:57.640 --> 0:32:59.080
<v Speaker 10>know and rhaps you know you're you're born to.

0:32:59.040 --> 0:32:59.880
<v Speaker 1>Wait, why am I fighting?

0:33:00.080 --> 0:33:00.200
<v Speaker 10>Day?

0:33:00.240 --> 0:33:00.760
<v Speaker 1>I was born?

0:33:00.960 --> 0:33:02.920
<v Speaker 10>No fighting that what you just said is a big

0:33:02.920 --> 0:33:05.520
<v Speaker 10>deal for us. Like we usually aquarium sometimes can be

0:33:05.640 --> 0:33:09.200
<v Speaker 10>like I am when we are dope as fuck instead

0:33:09.200 --> 0:33:11.640
<v Speaker 10>of being like I am like that's an aquarium things.

0:33:11.480 --> 0:33:12.560
<v Speaker 8>Right, That's something I'm working on.

0:33:12.600 --> 0:33:15.960
<v Speaker 9>This, This is what I'm higher vibrations and really owning

0:33:15.960 --> 0:33:16.719
<v Speaker 9>and manifest from.

0:33:16.960 --> 0:33:18.280
<v Speaker 2>I am stoned right now.

0:33:20.920 --> 0:33:21.760
<v Speaker 1>I am stoned.

0:33:22.120 --> 0:33:22.680
<v Speaker 9>I am.

0:33:24.440 --> 0:33:25.480
<v Speaker 2>I am stone.

0:33:26.480 --> 0:33:29.680
<v Speaker 1>So when was the major at the NC State County?

0:33:30.160 --> 0:33:30.480
<v Speaker 4>Yes?

0:33:31.280 --> 0:33:32.320
<v Speaker 1>Really all right?

0:33:33.680 --> 0:33:36.640
<v Speaker 5>Because you know why? Because I was a mass calm major.

0:33:36.720 --> 0:33:39.040
<v Speaker 10>And I always told like the younger kids when I said,

0:33:39.040 --> 0:33:40.840
<v Speaker 10>when you go back, when you go to school, like

0:33:41.240 --> 0:33:44.080
<v Speaker 10>intern with your passion. But do some have some kind

0:33:44.120 --> 0:33:46.320
<v Speaker 10>of business major and learn all the information you know,

0:33:46.520 --> 0:33:48.840
<v Speaker 10>numbers wise and formula wise so you can you are

0:33:48.880 --> 0:33:50.360
<v Speaker 10>a business, you need to know how to you know,

0:33:50.440 --> 0:33:50.800
<v Speaker 10>run it.

0:33:50.840 --> 0:33:53.600
<v Speaker 9>So yeah, when I get my taxes done, you don't

0:33:53.640 --> 0:33:56.240
<v Speaker 9>know the lank whatever. But I wish I had done

0:33:56.240 --> 0:33:58.200
<v Speaker 9>marketing if I was okay one, I wish I had

0:33:58.240 --> 0:34:00.360
<v Speaker 9>done marketing, but I did it because I was good

0:34:00.360 --> 0:34:03.640
<v Speaker 9>at numbers. My sister went to school for accounting. You know,

0:34:03.760 --> 0:34:05.800
<v Speaker 9>growing up in the South, it's like get a job,

0:34:05.880 --> 0:34:08.400
<v Speaker 9>get married, and get a job like an accountant a doctor.

0:34:08.480 --> 0:34:10.239
<v Speaker 9>So I was like, I'm good with numbers. I'm gonna

0:34:10.239 --> 0:34:13.120
<v Speaker 9>do that. But I'm way more creative than I am

0:34:13.200 --> 0:34:15.239
<v Speaker 9>with numbers. But I didn't figure out that that's not

0:34:15.280 --> 0:34:18.279
<v Speaker 9>what I wanted to do until my junior year. And

0:34:18.320 --> 0:34:21.239
<v Speaker 9>I was trying to transfer to NYU until I saw

0:34:21.239 --> 0:34:24.960
<v Speaker 9>that out of state tuition, so I chese to, I relaxed.

0:34:25.320 --> 0:34:26.680
<v Speaker 8>I real still.

0:34:26.520 --> 0:34:28.360
<v Speaker 4>That one I tried to be a New York College

0:34:28.400 --> 0:34:31.320
<v Speaker 4>student and it wasn't I wasn't too successful.

0:34:31.360 --> 0:34:34.360
<v Speaker 10>You notice the difference between the HPC used tuition and

0:34:34.400 --> 0:34:37.319
<v Speaker 10>then the big school. Well, I'm gonna just be over

0:34:37.360 --> 0:34:38.759
<v Speaker 10>here at Mark and State.

0:34:38.840 --> 0:34:43.759
<v Speaker 5>Then I don't know some of them HPC, Pricey.

0:34:43.719 --> 0:34:47.480
<v Speaker 10>Well, Spelman's and the leader of the yesuse I went

0:34:47.520 --> 0:34:50.960
<v Speaker 10>to Clark, so they have no more of that.

0:34:51.080 --> 0:34:53.560
<v Speaker 4>Yeah, indeed, I was going to ask Spellman doesn't have

0:34:53.600 --> 0:34:57.320
<v Speaker 4>any more of that C word one hundred million dollar donation.

0:34:57.880 --> 0:34:59.400
<v Speaker 5>I don't know what they did with that money. I

0:34:59.400 --> 0:35:01.040
<v Speaker 5>don't even know her. His wife's name is on the

0:35:01.040 --> 0:35:05.600
<v Speaker 5>building anymore. We're talking about.

0:35:07.520 --> 0:35:08.920
<v Speaker 1>Yeah we still have doctor.

0:35:08.719 --> 0:35:14.960
<v Speaker 6>Okay, I made enough Cosby jokes over the years to

0:35:15.040 --> 0:35:16.920
<v Speaker 6>start now now you can't say.

0:35:16.800 --> 0:35:18.480
<v Speaker 5>It the husks.

0:35:21.239 --> 0:35:22.560
<v Speaker 8>I know what y'all was talking about.

0:35:22.600 --> 0:35:23.440
<v Speaker 5>I know you didn't.

0:35:28.200 --> 0:35:31.560
<v Speaker 4>What prompted the desire to go to New York? Like,

0:35:31.680 --> 0:35:33.839
<v Speaker 4>what did you So you're saying by your junior year

0:35:33.920 --> 0:35:36.320
<v Speaker 4>you wanted to get more serious about your music career.

0:35:36.360 --> 0:35:38.520
<v Speaker 9>And definitely I didn't know at the time at that

0:35:38.560 --> 0:35:41.200
<v Speaker 9>point or we were. We were just it was more

0:35:41.320 --> 0:35:43.399
<v Speaker 9>h two oh, it was an organization.

0:35:43.200 --> 0:35:44.560
<v Speaker 8>Before it was a hip hop group.

0:35:44.640 --> 0:35:48.279
<v Speaker 9>So so explain what was a hip hop organization that

0:35:48.320 --> 0:35:51.759
<v Speaker 9>we started on campus where we we would throw like

0:35:51.920 --> 0:35:55.640
<v Speaker 9>rap battles and free shows and you know, we do fundraisers.

0:35:55.640 --> 0:35:57.080
<v Speaker 8>We did one for J. Dillislopis.

0:35:57.400 --> 0:35:59.359
<v Speaker 9>So it was just something for us to infuse hip

0:35:59.400 --> 0:36:02.200
<v Speaker 9>hop on campus and you get to use all the

0:36:02.239 --> 0:36:06.520
<v Speaker 9>campus you know, speakers and all of that for free.

0:36:06.800 --> 0:36:08.200
<v Speaker 8>So you know, that's what it was.

0:36:08.280 --> 0:36:10.920
<v Speaker 9>So you know, anybody on campus, and we extended to

0:36:11.480 --> 0:36:14.600
<v Speaker 9>the community, could be a part of the organization. But

0:36:14.880 --> 0:36:17.399
<v Speaker 9>you know, there were five of us that just hung

0:36:17.400 --> 0:36:20.520
<v Speaker 9>out more, did music together more, and we ended up

0:36:20.600 --> 0:36:21.680
<v Speaker 9>becoming Koli High.

0:36:22.320 --> 0:36:24.320
<v Speaker 8>Okay, that's what that that's how that kind.

0:36:24.200 --> 0:36:28.239
<v Speaker 4>Of So Kolia is a collective as opposed to a

0:36:28.280 --> 0:36:29.040
<v Speaker 4>group per se.

0:36:29.440 --> 0:36:31.279
<v Speaker 8>Yeah, okay, collective that came.

0:36:31.360 --> 0:36:34.560
<v Speaker 1>Yeah, so how did you grab the attention of.

0:36:34.640 --> 0:36:37.240
<v Speaker 8>Nine Wonder at this time?

0:36:37.840 --> 0:36:40.640
<v Speaker 9>This a summer and h two oh the organization we're

0:36:40.680 --> 0:36:43.640
<v Speaker 9>doing a mixtape, so you know, we got people from

0:36:43.719 --> 0:36:46.880
<v Speaker 9>the campus, people from the community. Everybody does something on

0:36:46.920 --> 0:36:49.760
<v Speaker 9>this particular mixtape. I wrote and recorded my first two songs.

0:36:49.760 --> 0:36:52.200
<v Speaker 9>My best friend knew that, you know, I loved hip hop,

0:36:52.239 --> 0:36:54.120
<v Speaker 9>wanted to rap, so he was just like, yo, just

0:36:54.160 --> 0:36:54.839
<v Speaker 9>do it for fun.

0:36:54.920 --> 0:36:55.880
<v Speaker 8>Nobody gonna judge you.

0:36:56.360 --> 0:36:58.920
<v Speaker 9>So I do this this these two songs put on

0:36:58.920 --> 0:37:02.560
<v Speaker 9>the mixtape, and another guy in the organization at the

0:37:02.600 --> 0:37:05.120
<v Speaker 9>time is shadowing Knife, like he's learning how to lose

0:37:05.160 --> 0:37:08.440
<v Speaker 9>fruity loops and all this. So he's like, well, nine,

0:37:08.520 --> 0:37:10.680
<v Speaker 9>you know, I got this organization, all these kids, do

0:37:10.680 --> 0:37:13.560
<v Speaker 9>you mind coming and talk to us. Knife was like yeah,

0:37:13.640 --> 0:37:15.879
<v Speaker 9>So we go to you know, this guy's his name

0:37:15.920 --> 0:37:18.800
<v Speaker 9>is Foolery, who's in Cooley Hot. We went to his house.

0:37:19.280 --> 0:37:21.560
<v Speaker 9>It was probably like fifteen to twenty of us. Nine

0:37:21.640 --> 0:37:26.120
<v Speaker 9>comes at the time. He plays us snippets of the

0:37:26.160 --> 0:37:28.680
<v Speaker 9>Minstrel Show because it's not out yet. Oh, I get

0:37:28.680 --> 0:37:31.520
<v Speaker 9>to hear a genius. He's telling us about you know,

0:37:31.640 --> 0:37:34.160
<v Speaker 9>how he got with Jay and recorded thread like.

0:37:34.480 --> 0:37:36.200
<v Speaker 8>You know, we're just all these kids.

0:37:36.200 --> 0:37:38.360
<v Speaker 9>It's like campfire, and you know, because he's at the

0:37:38.400 --> 0:37:41.040
<v Speaker 9>time for us, like the biggest thing from North Carolina

0:37:41.080 --> 0:37:43.960
<v Speaker 9>outside of Pete Popo. And after that, he listens to

0:37:44.000 --> 0:37:46.520
<v Speaker 9>the mixtape top to bottom and when it gets to

0:37:46.719 --> 0:37:50.080
<v Speaker 9>my song, it just caught his ear automatic.

0:37:50.160 --> 0:37:53.160
<v Speaker 8>He listened to it probably ten times in a row.

0:37:53.960 --> 0:37:55.120
<v Speaker 5>And the song.

0:37:56.800 --> 0:37:58.839
<v Speaker 9>I listened to him was like, bro, the what you heard,

0:37:58.880 --> 0:38:03.640
<v Speaker 9>but it's it's called The Life. Yeah, the Life, And

0:38:03.680 --> 0:38:06.479
<v Speaker 9>he was like he looked at everybody and its sound

0:38:06.520 --> 0:38:08.560
<v Speaker 9>like we got people that are in groups that have

0:38:08.600 --> 0:38:10.960
<v Speaker 9>been doing music for years that you know, got shows

0:38:11.000 --> 0:38:13.840
<v Speaker 9>that are traveling, and he goes, that's your star right there.

0:38:14.600 --> 0:38:14.920
<v Speaker 1>Oh.

0:38:15.320 --> 0:38:18.680
<v Speaker 4>I remember him speaking on you early, I mean way

0:38:18.680 --> 0:38:23.120
<v Speaker 4>before social media like okay player and like other platforms,

0:38:23.480 --> 0:38:26.520
<v Speaker 4>just texting whatever. That he was like, yo, I found

0:38:26.520 --> 0:38:31.279
<v Speaker 4>the one I got. Like he was super early, you know,

0:38:31.480 --> 0:38:35.120
<v Speaker 4>with with with planting the seeds, with with getting your

0:38:35.200 --> 0:38:35.920
<v Speaker 4>name out there.

0:38:36.040 --> 0:38:39.560
<v Speaker 1>But I mean at the time, what would you who

0:38:39.600 --> 0:38:41.160
<v Speaker 1>were your your.

0:38:42.840 --> 0:38:46.280
<v Speaker 4>Your idols or at least your the mcs that you

0:38:47.480 --> 0:38:49.320
<v Speaker 4>kind of looked up to as far as like getting

0:38:49.320 --> 0:38:50.120
<v Speaker 4>your style from.

0:38:50.160 --> 0:38:53.000
<v Speaker 8>And at that time, like I went, I want.

0:38:52.880 --> 0:38:54.960
<v Speaker 1>To ask, like who are your top five rappers? But

0:38:55.040 --> 0:38:55.759
<v Speaker 1>I mean, like just.

0:38:56.239 --> 0:38:58.920
<v Speaker 9>At that like I went through different phases of discovery

0:38:58.960 --> 0:39:00.640
<v Speaker 9>just because of who I were. I was from, Like

0:39:00.719 --> 0:39:03.120
<v Speaker 9>being in snow Hill, it wasn't like, you know, like

0:39:03.160 --> 0:39:04.279
<v Speaker 9>I said, you can go to a lot of hip

0:39:04.280 --> 0:39:05.960
<v Speaker 9>hop shows and we had like a record store on

0:39:06.000 --> 0:39:06.359
<v Speaker 9>the corner.

0:39:06.400 --> 0:39:07.279
<v Speaker 8>I could just go get CD.

0:39:07.520 --> 0:39:10.359
<v Speaker 9>So a lot of like hip hop artists I might

0:39:10.360 --> 0:39:12.560
<v Speaker 9>have got laid on like black on both sides. I

0:39:12.560 --> 0:39:14.560
<v Speaker 9>didn't he until I got in college, you know. So

0:39:14.640 --> 0:39:17.680
<v Speaker 9>at this time my phase J is still my favorite rapper.

0:39:17.719 --> 0:39:20.200
<v Speaker 9>But now I'm getting really deep into Most Death and

0:39:20.239 --> 0:39:23.920
<v Speaker 9>I'm listening to Common Resurrections so to lib quality, Like

0:39:23.960 --> 0:39:28.280
<v Speaker 9>I'm really diving into their catalogs and they're my biggest

0:39:28.280 --> 0:39:31.480
<v Speaker 9>influences at this time, you know though growing up, you

0:39:31.480 --> 0:39:33.799
<v Speaker 9>know and still Lauren, I listened to Lauren Clean my

0:39:33.880 --> 0:39:36.759
<v Speaker 9>Teeth for nas Biggie J. But at this time I'm

0:39:36.800 --> 0:39:40.440
<v Speaker 9>really getting into the rocket sound. So that at that point,

0:39:40.480 --> 0:39:41.760
<v Speaker 9>that's my biggest influence.

0:39:42.080 --> 0:39:45.640
<v Speaker 4>Okay with what Ninth third, Like, how long was it

0:39:45.719 --> 0:39:50.880
<v Speaker 4>until you two collaborated on his uh his dream merchant?

0:39:50.960 --> 0:39:52.120
<v Speaker 1>Yeah yeah, so.

0:39:53.680 --> 0:39:56.840
<v Speaker 8>At the time he said that this was maybe like.

0:39:57.600 --> 0:40:00.920
<v Speaker 1>Volume two, right, volume two, Yeah, seven, I remember that.

0:40:01.239 --> 0:40:03.400
<v Speaker 9>So I met him and he heard those two songs,

0:40:03.600 --> 0:40:09.319
<v Speaker 9>like September October of two thousand and five, we did

0:40:09.320 --> 0:40:13.160
<v Speaker 9>our first song together maybe like five or six months

0:40:13.200 --> 0:40:16.439
<v Speaker 9>after that, uh tab one in Coolie High hit Ninth

0:40:16.560 --> 0:40:19.520
<v Speaker 9>during Christmas one time He's like nine jokingly throw us

0:40:19.520 --> 0:40:22.880
<v Speaker 9>some beats and he just I am them three beats.

0:40:22.480 --> 0:40:23.400
<v Speaker 8>Like Merry Christmas.

0:40:23.840 --> 0:40:26.000
<v Speaker 9>So those were the first songs that I got to

0:40:26.480 --> 0:40:30.279
<v Speaker 9>rap over of his. The first then the next song

0:40:30.320 --> 0:40:32.440
<v Speaker 9>where you know, he was like come to the studio.

0:40:32.680 --> 0:40:34.319
<v Speaker 9>Like he always kind of took us under his wing.

0:40:34.520 --> 0:40:36.200
<v Speaker 9>It just be random, like I would be at work

0:40:36.200 --> 0:40:38.239
<v Speaker 9>at foot Action and I get a text like yo,

0:40:38.360 --> 0:40:39.960
<v Speaker 9>Ninth told us to pull up at the studio just

0:40:39.960 --> 0:40:40.520
<v Speaker 9>out the blue.

0:40:40.880 --> 0:40:43.480
<v Speaker 8>So I'm just I'm like, bass, I gotta go, Like

0:40:43.800 --> 0:40:46.240
<v Speaker 8>straight up. I was like I gotta go, and they they.

0:40:46.080 --> 0:40:49.799
<v Speaker 9>Were like so cool and supportive of that heard you

0:40:49.880 --> 0:40:51.440
<v Speaker 9>before they knew what out.

0:40:51.520 --> 0:40:53.520
<v Speaker 8>I was a good worker. I was so good weird

0:40:53.760 --> 0:40:54.520
<v Speaker 8>they couldn't.

0:40:54.200 --> 0:40:58.480
<v Speaker 1>Even front not inup. You remember Carmichael's story about for

0:40:58.600 --> 0:41:04.600
<v Speaker 1>that she was completely from North Carolina. His people were

0:41:04.640 --> 0:41:06.200
<v Speaker 1>not to see his potential.

0:41:06.760 --> 0:41:07.279
<v Speaker 5>Guess he wasn't.

0:41:07.880 --> 0:41:12.120
<v Speaker 1>I was expecting your story to go a whole another way. Yeah,

0:41:12.160 --> 0:41:16.759
<v Speaker 1>so you're was returning the Big Girl, your first mix,

0:41:16.880 --> 0:41:17.920
<v Speaker 1>your first solo.

0:41:17.880 --> 0:41:21.239
<v Speaker 8>First solo project. Okay, this summer January twenty ten.

0:41:21.640 --> 0:41:25.680
<v Speaker 4>Okay, yep, So how long did that take to formulate

0:41:25.719 --> 0:41:27.520
<v Speaker 4>and put together and execute?

0:41:28.800 --> 0:41:32.320
<v Speaker 9>Let me see, I signed with nine in two thousand

0:41:32.360 --> 0:41:35.640
<v Speaker 9>and eight, two thousand and nine, and I worked and worked,

0:41:35.640 --> 0:41:38.520
<v Speaker 9>so we probably worked. I just was recording songs. I

0:41:38.560 --> 0:41:41.000
<v Speaker 9>don't think it was like I'm doing a project. I

0:41:41.040 --> 0:41:43.560
<v Speaker 9>was just recording songs. And I probably recorded songs for

0:41:43.600 --> 0:41:46.440
<v Speaker 9>two years. So we worked on it for two years,

0:41:46.480 --> 0:41:49.400
<v Speaker 9>just trying to get my cadence. I still had so

0:41:49.520 --> 0:41:51.680
<v Speaker 9>much to learn, like I go back, like tone of

0:41:51.760 --> 0:41:56.160
<v Speaker 9>my voice, inflections, keeping a consistent cadence, or knowing when

0:41:56.239 --> 0:41:57.520
<v Speaker 9>to switch it in the right spot.

0:41:58.200 --> 0:42:00.720
<v Speaker 1>How is he as a coach great?

0:42:00.880 --> 0:42:02.080
<v Speaker 8>Like night?

0:42:02.120 --> 0:42:05.240
<v Speaker 9>People gotta understand before Knife wanted to be a producer.

0:42:05.239 --> 0:42:07.759
<v Speaker 9>He wanted to be a teacher, so he's automatically just

0:42:07.800 --> 0:42:11.920
<v Speaker 9>still super patient. So he was super patient with me.

0:42:12.719 --> 0:42:15.120
<v Speaker 9>I would get more frustrated with myself than he would.

0:42:15.880 --> 0:42:18.560
<v Speaker 9>So he's a great teacher. Like the way he explained

0:42:18.560 --> 0:42:22.560
<v Speaker 9>things and broke things down and you know, allowed you,

0:42:22.560 --> 0:42:25.200
<v Speaker 9>you know, to figure it out too, Like I didn't

0:42:25.200 --> 0:42:27.960
<v Speaker 9>have to be perfect, but he saw enough growth was like, okay,

0:42:28.000 --> 0:42:29.920
<v Speaker 9>we could put out your first mixtape and just keep

0:42:29.960 --> 0:42:32.719
<v Speaker 9>building on it, Like great teacher, phenomenal.

0:42:33.080 --> 0:42:35.200
<v Speaker 10>Did you get to be in the studio and make

0:42:35.400 --> 0:42:37.080
<v Speaker 10>some of these songs with folks in the studio? Was

0:42:37.080 --> 0:42:39.799
<v Speaker 10>everybody like sending, oh no, you got it, Like you

0:42:39.800 --> 0:42:43.840
<v Speaker 10>gotta understand. Like when Knife creates, he likes people and

0:42:44.080 --> 0:42:46.920
<v Speaker 10>energy around him. So and at the time, the studio

0:42:47.040 --> 0:42:49.680
<v Speaker 10>is on North Carolina Central's campus, so it's open door,

0:42:49.760 --> 0:42:51.759
<v Speaker 10>so you might walk in some days it might be

0:42:51.760 --> 0:42:55.279
<v Speaker 10>twenty thirty people in there, and so like it was

0:42:55.360 --> 0:42:57.440
<v Speaker 10>so much pressure for me because I'm the opposite when

0:42:57.480 --> 0:43:00.560
<v Speaker 10>I create. You know, now I'm more about to ride

0:43:00.560 --> 0:43:01.240
<v Speaker 10>around anybody.

0:43:01.239 --> 0:43:02.879
<v Speaker 9>But at that time, like trying to figure it out

0:43:02.880 --> 0:43:05.719
<v Speaker 9>and not being confident you step in the booth and

0:43:05.760 --> 0:43:08.040
<v Speaker 9>it's twenty people looking at you like what you're about

0:43:08.080 --> 0:43:09.040
<v Speaker 9>to do, and.

0:43:08.960 --> 0:43:10.600
<v Speaker 8>Then you know you're doing it and it ain't all

0:43:10.640 --> 0:43:11.200
<v Speaker 8>the way right.

0:43:11.160 --> 0:43:13.080
<v Speaker 9>So he keeps stopping you, trying to coach you, and

0:43:13.120 --> 0:43:15.960
<v Speaker 9>it's just like I'm going about to go.

0:43:15.960 --> 0:43:18.719
<v Speaker 10>Crazy, and you folks like you got to be in

0:43:18.760 --> 0:43:21.040
<v Speaker 10>the studio with Rod Digga, like Matt Miller.

0:43:20.880 --> 0:43:24.239
<v Speaker 9>Rod Digga, Jean Gray came and worked on I think

0:43:24.239 --> 0:43:26.200
<v Speaker 9>they were trying to work on Phoenix at the time.

0:43:26.800 --> 0:43:28.960
<v Speaker 9>I was there when Wile and Knife were working on

0:43:29.320 --> 0:43:32.680
<v Speaker 9>Back to the feature. Big Sean came through. He and

0:43:32.719 --> 0:43:34.400
<v Speaker 9>Knife were working on some joints.

0:43:34.840 --> 0:43:36.560
<v Speaker 1>What was it like working with Mac Miller?

0:43:37.040 --> 0:43:39.720
<v Speaker 8>And oh that was that was dope. That was easy.

0:43:39.760 --> 0:43:40.279
<v Speaker 8>That was fun.

0:43:41.320 --> 0:43:45.360
<v Speaker 9>Not Mac pulled up. I don't even remember what year was,

0:43:45.480 --> 0:43:47.759
<v Speaker 9>might have been like twenty eleven. He was coming to

0:43:47.760 --> 0:43:51.640
<v Speaker 9>see ninth or whatever and just hey, you've met Mac.

0:43:52.000 --> 0:43:52.880
<v Speaker 8>It's like, you know, how.

0:43:52.760 --> 0:43:57.239
<v Speaker 9>Open and yeah, chill, his his spirit is so you know,

0:43:57.360 --> 0:43:59.840
<v Speaker 9>he heard like some songs. He was like, Yo, you're dope.

0:44:00.000 --> 0:44:02.239
<v Speaker 9>He was like, let's do some joints. Like it's just

0:44:02.239 --> 0:44:05.040
<v Speaker 9>that easy. Like you know, so when.

0:44:04.920 --> 0:44:08.640
<v Speaker 1>You collaborate with artists. Is it more just like send

0:44:08.680 --> 0:44:11.799
<v Speaker 1>me a sixteen or like or do you work in

0:44:11.840 --> 0:44:13.400
<v Speaker 1>real time with them? Sometimes?

0:44:13.480 --> 0:44:15.240
<v Speaker 8>And it's different.

0:44:15.360 --> 0:44:17.480
<v Speaker 9>Earlier on it was just like, yo, just send me

0:44:17.520 --> 0:44:19.279
<v Speaker 9>some sixteens cause at the time I'm just trying to

0:44:19.320 --> 0:44:23.239
<v Speaker 9>prove I could rap. Now now it's different, like for

0:44:23.280 --> 0:44:25.000
<v Speaker 9>me to even reach out, I got to hear you

0:44:25.040 --> 0:44:28.400
<v Speaker 9>on the song. It don't even matter what your celebrity is.

0:44:28.400 --> 0:44:30.840
<v Speaker 9>If I don't hear you, like it could be a

0:44:30.880 --> 0:44:32.759
<v Speaker 9>new artist if I hear their voice, Oh, they be

0:44:32.800 --> 0:44:35.560
<v Speaker 9>dope on this and I'm calling you so it's gotta

0:44:35.600 --> 0:44:37.960
<v Speaker 9>fit right. A lot of times, you know, I tell

0:44:38.000 --> 0:44:40.680
<v Speaker 9>them what the concept is. But you know, I don't

0:44:40.719 --> 0:44:42.560
<v Speaker 9>like to box people in because I want people to

0:44:42.560 --> 0:44:44.400
<v Speaker 9>be as creative as they want to be. So in

0:44:44.440 --> 0:44:47.080
<v Speaker 9>the same way, Kendrick called me and told me, like, Yo,

0:44:47.320 --> 0:44:50.680
<v Speaker 9>this song is about complexion. You know, you know how

0:44:50.719 --> 0:44:55.680
<v Speaker 9>it goes, but boom, then I'm not trying to pigeonhole you.

0:44:55.760 --> 0:44:57.600
<v Speaker 9>So that's what it is for me. I like people

0:44:57.600 --> 0:44:59.759
<v Speaker 9>to be able to create how they create. And if

0:44:59.760 --> 0:45:01.799
<v Speaker 9>it he's tweaking and we'll work on it, or we're

0:45:01.880 --> 0:45:04.040
<v Speaker 9>just flipping and turn into something else, put a different

0:45:04.040 --> 0:45:05.640
<v Speaker 9>beat on it and make it a new song.

0:45:05.760 --> 0:45:07.440
<v Speaker 8>But that's how we that's how I create.

0:45:08.239 --> 0:45:10.799
<v Speaker 10>It's hard to say that's my favorite Rhapsody verse, but

0:45:11.080 --> 0:45:13.560
<v Speaker 10>damn that verse, that complexion.

0:45:13.719 --> 0:45:15.120
<v Speaker 8>Oh thank you?

0:45:15.719 --> 0:45:18.480
<v Speaker 5>Awesome. Can I just ask one more question because you

0:45:18.480 --> 0:45:19.400
<v Speaker 5>were talking about.

0:45:19.200 --> 0:45:20.040
<v Speaker 1>It's your shoe too?

0:45:20.080 --> 0:45:21.120
<v Speaker 5>Oh thank you.

0:45:21.560 --> 0:45:23.680
<v Speaker 10>I don't want to fast forward to eve or anything,

0:45:23.719 --> 0:45:25.080
<v Speaker 10>but I just want to fast forward for a minute

0:45:25.080 --> 0:45:28.000
<v Speaker 10>on the subject. Because on that subject, how do you

0:45:28.320 --> 0:45:31.759
<v Speaker 10>propose to Queen Latifa, who doesn't do features like that?

0:45:31.840 --> 0:45:33.879
<v Speaker 1>Time out? How did you get that verse out?

0:45:34.640 --> 0:45:35.160
<v Speaker 8>That's what I.

0:45:39.320 --> 0:45:43.920
<v Speaker 1>Don't want to sell short. I'm not how did you

0:45:43.960 --> 0:45:44.680
<v Speaker 1>get that verse out?

0:45:46.000 --> 0:45:47.839
<v Speaker 5>But we just pulled up to a creer. We worked

0:45:47.840 --> 0:45:48.000
<v Speaker 5>on it.

0:45:48.080 --> 0:45:50.920
<v Speaker 8>That she killed, that didn't she.

0:45:51.160 --> 0:45:53.520
<v Speaker 1>I wasn't expecting that.

0:45:54.000 --> 0:45:57.280
<v Speaker 4>I thought, all right, when I first heard it, I thought, Okay,

0:45:57.360 --> 0:45:58.680
<v Speaker 4>she's going to sing the hook.

0:45:58.560 --> 0:46:00.520
<v Speaker 8>Or something a lot.

0:46:00.960 --> 0:46:03.040
<v Speaker 4>And then when she started spinning, I was like, oh wait,

0:46:03.120 --> 0:46:07.640
<v Speaker 4>is Raps changing up? You know, because I'm similar, Like

0:46:07.920 --> 0:46:14.200
<v Speaker 4>we had a situation where demoed Big Daddy Kane and

0:46:14.200 --> 0:46:16.640
<v Speaker 4>and instead wound up doing it himself. So at first

0:46:16.680 --> 0:46:18.960
<v Speaker 4>I thought that's what you you were headed to do.

0:46:19.800 --> 0:46:25.360
<v Speaker 1>And I was like, oh, ship, like he still has it?

0:46:25.800 --> 0:46:27.440
<v Speaker 10>I mean when the last time we've heard in Queen

0:46:27.520 --> 0:46:31.200
<v Speaker 10>la tiva picture. I'm just I do anyone I thought

0:46:31.239 --> 0:46:31.520
<v Speaker 10>that you.

0:46:31.560 --> 0:46:34.200
<v Speaker 1>One was super fire? I didn't.

0:46:34.719 --> 0:46:37.640
<v Speaker 4>I didn't realize how long? What was the what was

0:46:37.680 --> 0:46:39.200
<v Speaker 4>the process or the least.

0:46:39.000 --> 0:46:40.879
<v Speaker 1>Please the process of.

0:46:43.520 --> 0:46:46.040
<v Speaker 4>Because no, this is what I'm asking and I'm not no,

0:46:46.080 --> 0:46:49.320
<v Speaker 4>I'm not even being snarky. Here's the reason for my asking.

0:46:50.560 --> 0:46:54.440
<v Speaker 4>It's it's a lot of times when you ask for

0:46:57.280 --> 0:47:04.840
<v Speaker 4>a favor or verse, especially from someone of stature, depending

0:47:04.960 --> 0:47:07.239
<v Speaker 4>on how they feel about you. And you know, there's

0:47:07.280 --> 0:47:10.279
<v Speaker 4>some people that like if Tarika asked them, you know,

0:47:10.600 --> 0:47:13.080
<v Speaker 4>I'll say that eighty five percent of the time, someone's

0:47:13.120 --> 0:47:16.680
<v Speaker 4>gonna bring their a game. But then there's sometimes when

0:47:16.680 --> 0:47:21.040
<v Speaker 4>people just like maybe phone it in and that I've

0:47:21.040 --> 0:47:23.759
<v Speaker 4>had We've had a few situations where the verse was

0:47:23.840 --> 0:47:24.359
<v Speaker 4>phoned in.

0:47:25.000 --> 0:47:29.719
<v Speaker 1>Wow, and it's like well no, no, no.

0:47:29.920 --> 0:47:32.240
<v Speaker 4>It was just like which one of us is gonna

0:47:32.760 --> 0:47:35.280
<v Speaker 4>say no, can you do it again?

0:47:35.719 --> 0:47:38.560
<v Speaker 1>Like I feel bad when it's that situation where you

0:47:38.600 --> 0:47:39.320
<v Speaker 1>have to.

0:47:41.400 --> 0:47:44.080
<v Speaker 8>And so.

0:47:46.320 --> 0:47:49.600
<v Speaker 4>Yeah, like what's all right? This is all gonna ask

0:47:49.800 --> 0:47:52.239
<v Speaker 4>this is yes, no question. I feel like no, no, no,

0:47:52.280 --> 0:47:57.440
<v Speaker 4>this is yes. It was that her verse coming in

0:47:57.480 --> 0:47:59.520
<v Speaker 4>the door, and that was it and no more.

0:48:00.600 --> 0:48:02.880
<v Speaker 1>No we were or was it worked on?

0:48:03.000 --> 0:48:05.520
<v Speaker 9>And it was it was this is this is how

0:48:05.560 --> 0:48:09.239
<v Speaker 9>it happened. She invited me to a house to work

0:48:09.280 --> 0:48:12.000
<v Speaker 9>on the on the verse. I went to her into

0:48:12.040 --> 0:48:14.759
<v Speaker 9>her home in the studio, we talked, we worked on

0:48:14.800 --> 0:48:18.200
<v Speaker 9>the verse, and we got the song that song.

0:48:19.920 --> 0:48:21.680
<v Speaker 1>Right. No, no, that's all I wanted to know.

0:48:22.640 --> 0:48:24.239
<v Speaker 4>I wanted to know more or less, like how many

0:48:24.280 --> 0:48:27.000
<v Speaker 4>takes and how many redrafts and rewrites and that sort

0:48:27.000 --> 0:48:30.560
<v Speaker 4>of because one draft?

0:48:31.640 --> 0:48:33.320
<v Speaker 5>Okay, can we can we ask about another hard to

0:48:33.320 --> 0:48:35.880
<v Speaker 5>get person? Can we ask? Can we ask about D'Angel?

0:48:38.440 --> 0:48:39.800
<v Speaker 1>Did y'all pull that? Wait?

0:48:39.920 --> 0:48:44.600
<v Speaker 4>I'm gonna tell y'all something. This motherfucker and something he

0:48:44.760 --> 0:48:49.440
<v Speaker 4>started and finishing. I'm gonna tell you something. Me and D.

0:48:49.760 --> 0:48:50.399
<v Speaker 8>I love him.

0:48:50.560 --> 0:48:54.120
<v Speaker 4>I just one day I decided to count the paces

0:48:54.640 --> 0:48:58.520
<v Speaker 4>from my house to his house. Currently, now me and

0:48:58.600 --> 0:49:02.480
<v Speaker 4>D have been neighbors. I'm gonna be knowiced to me.

0:49:02.520 --> 0:49:03.239
<v Speaker 4>I didn't know that we.

0:49:03.200 --> 0:49:06.720
<v Speaker 1>Were neighbors for five years and then we've.

0:49:06.600 --> 0:49:10.200
<v Speaker 4>Been neighbors for ten years, and one day I was like, wait,

0:49:11.680 --> 0:49:12.240
<v Speaker 4>let me count.

0:49:12.480 --> 0:49:15.480
<v Speaker 1>I have a doctor's appointment that's somewhere towards his crib.

0:49:15.920 --> 0:49:18.920
<v Speaker 4>So it's like I'm literally going to count the paces

0:49:18.960 --> 0:49:20.279
<v Speaker 4>seventy six steps.

0:49:20.320 --> 0:49:23.080
<v Speaker 5>Yoed us wow, and the albums and a song title.

0:49:23.960 --> 0:49:29.400
<v Speaker 10>I don't know what seventy six steps.

0:49:29.560 --> 0:49:32.799
<v Speaker 4>We've lived seventy six steps from each other for the

0:49:32.920 --> 0:49:36.279
<v Speaker 4>last ten years and we ain't been to each other's

0:49:36.280 --> 0:49:36.920
<v Speaker 4>crib yet.

0:49:37.160 --> 0:49:39.120
<v Speaker 8>That's crazy for the rect.

0:49:39.040 --> 0:49:43.200
<v Speaker 6>Like six months in di'angelo time, So like, don't take

0:49:43.239 --> 0:49:45.279
<v Speaker 6>offense this guy.

0:49:48.800 --> 0:49:50.480
<v Speaker 1>He and Steve.

0:49:50.640 --> 0:49:55.040
<v Speaker 4>Steve was like one of the many engineers on Voodoo

0:49:55.239 --> 0:49:59.520
<v Speaker 4>and Black Uh, but say Black Messiah, Black Messiah.

0:49:59.640 --> 0:50:02.640
<v Speaker 2>Yeah, so how I didn't do it?

0:50:03.400 --> 0:50:05.920
<v Speaker 1>How did you get D'Angelo on the record?

0:50:06.280 --> 0:50:06.480
<v Speaker 8>Yo?

0:50:06.880 --> 0:50:08.840
<v Speaker 1>And he's doing a lot on that.

0:50:09.040 --> 0:50:14.439
<v Speaker 4>He's doing arrangements on the record, so it wasn't even like.

0:50:11.520 --> 0:50:16.520
<v Speaker 1>OK, I'm gonna send just this hook game. He went

0:50:16.600 --> 0:50:20.799
<v Speaker 1>in like he's even bobbing in and out. Whatever. How

0:50:20.800 --> 0:50:21.400
<v Speaker 1>did that happen?

0:50:21.840 --> 0:50:24.279
<v Speaker 8>Bud, By the grace of God the universe, Like.

0:50:24.239 --> 0:50:25.879
<v Speaker 1>You don't even know it that real?

0:50:26.440 --> 0:50:27.160
<v Speaker 8>It was, it was.

0:50:27.120 --> 0:50:30.040
<v Speaker 9>It's all chain reaction if we had to pick that sample,

0:50:30.360 --> 0:50:32.520
<v Speaker 9>if just didn't want to get on it, we don't.

0:50:32.560 --> 0:50:35.480
<v Speaker 9>We don't get D'Angelo like out the gate. I knew

0:50:35.520 --> 0:50:37.440
<v Speaker 9>I wanted to do a Wu Tang flip because of

0:50:37.600 --> 0:50:40.440
<v Speaker 9>Nicole Bus record that I I love that record. So

0:50:40.960 --> 0:50:43.320
<v Speaker 9>Knife was going through all the Wu Tang sample banks

0:50:43.320 --> 0:50:45.320
<v Speaker 9>and he ends up picking the Liquid Swore joints.

0:50:45.320 --> 0:50:46.920
<v Speaker 8>So he's like, this is the one. He sent it

0:50:46.960 --> 0:50:48.719
<v Speaker 8>to me. He's like, what you think? It's like, let's

0:50:48.760 --> 0:50:49.279
<v Speaker 8>run with it.

0:50:49.520 --> 0:50:51.359
<v Speaker 9>So he's like, well, if we do it, we got

0:50:51.360 --> 0:50:53.520
<v Speaker 9>to ask for Jesus blessing and ask him to get

0:50:53.520 --> 0:50:55.360
<v Speaker 9>on it because it's his bigger, biggest record.

0:50:55.719 --> 0:50:59.399
<v Speaker 8>Bet we do that. Jesus says yes, so that that's

0:50:59.400 --> 0:50:59.880
<v Speaker 8>a feat in.

0:50:59.880 --> 0:51:02.000
<v Speaker 9>It self for giggit or even one. Let us do

0:51:02.040 --> 0:51:03.960
<v Speaker 9>it and be like yeah, I'll get on it too.

0:51:04.719 --> 0:51:08.319
<v Speaker 9>So we're in the studio mixing with Young Guru like

0:51:08.320 --> 0:51:11.879
<v Speaker 9>like mixing and at the time, like the WU documentary

0:51:12.520 --> 0:51:15.160
<v Speaker 9>of Mike's and Minutes is out, so they're touring, so

0:51:15.200 --> 0:51:17.359
<v Speaker 9>we're trying to schedule like how we can get Jig

0:51:17.480 --> 0:51:19.600
<v Speaker 9>in the studio to get this verse while he's touring.

0:51:19.640 --> 0:51:21.719
<v Speaker 9>While I'm trying to meet deadlines. So he's talking to

0:51:22.360 --> 0:51:24.719
<v Speaker 9>you know, his man to handle that. But you know,

0:51:25.400 --> 0:51:28.720
<v Speaker 9>old boy on the other phone says, well, I'm also

0:51:28.840 --> 0:51:31.760
<v Speaker 9>working with D'Angelo and he happens to be big fans

0:51:31.800 --> 0:51:34.879
<v Speaker 9>of both Ninth One Day and Rhapsody, and I think

0:51:34.920 --> 0:51:38.600
<v Speaker 9>it'd be dope if y'all work together. So it's just like, which, well,

0:51:38.600 --> 0:51:40.600
<v Speaker 9>I mean what you want, Like I'm ready to do

0:51:40.719 --> 0:51:44.160
<v Speaker 9>like a whole new joint. Like I'm like, what do

0:51:44.200 --> 0:51:46.520
<v Speaker 9>you honesaid, I could send him the whole album, like

0:51:46.600 --> 0:51:48.200
<v Speaker 9>we could do some new stuff. I guess there's some

0:51:48.200 --> 0:51:50.239
<v Speaker 9>beats like whatever he wants. I say, he got something,

0:51:50.280 --> 0:51:52.279
<v Speaker 9>he can send it, I can finish it, you know.

0:51:52.400 --> 0:51:54.560
<v Speaker 9>And he was like, nah, I think I think the

0:51:54.640 --> 0:51:57.320
<v Speaker 9>joint that you send Jizzz, you know, would be dope.

0:51:57.719 --> 0:52:00.799
<v Speaker 8>So we send it to him.

0:52:00.560 --> 0:52:04.040
<v Speaker 9>I'm flying all over the place shooting videos, doing press,

0:52:04.080 --> 0:52:06.480
<v Speaker 9>trying to get ready for the album. So he calls

0:52:06.560 --> 0:52:09.719
<v Speaker 9>Knife at the studio and he and Ninth have a conversation.

0:52:09.800 --> 0:52:11.680
<v Speaker 9>But you know, he talks about he's a fan that

0:52:12.160 --> 0:52:14.319
<v Speaker 9>you know how much Wu Tang and the Liquid Swore

0:52:14.400 --> 0:52:18.000
<v Speaker 9>and Liquid Sword Song meant to him like everybody has

0:52:18.040 --> 0:52:20.960
<v Speaker 9>a memory attached to that song, and how much he

0:52:21.000 --> 0:52:23.320
<v Speaker 9>loves Jigs because you know, that was the first person

0:52:23.360 --> 0:52:26.480
<v Speaker 9>from WU that he worked with. So it's just all

0:52:26.480 --> 0:52:28.279
<v Speaker 9>these factors. So you know, he was like, I love

0:52:28.360 --> 0:52:30.560
<v Speaker 9>the record. I love to do it. So you know,

0:52:30.760 --> 0:52:32.879
<v Speaker 9>we got him in the studio. You know he likes

0:52:32.880 --> 0:52:38.280
<v Speaker 9>to record on tape. We probably waited maybe like two weeks.

0:52:39.920 --> 0:52:45.399
<v Speaker 1>That is a record time waiting two weeks. That's like.

0:52:46.960 --> 0:52:51.480
<v Speaker 9>Two maybe three at most, like but yeah, like he

0:52:51.520 --> 0:52:54.800
<v Speaker 9>probably went in the studio every day for like seven days,

0:52:55.600 --> 0:52:59.040
<v Speaker 9>even even when I was we paid for the studio,

0:52:59.280 --> 0:53:01.560
<v Speaker 9>but when like we paid for a certain time, even

0:53:01.560 --> 0:53:03.640
<v Speaker 9>when that was out, he was like, I'm not finished.

0:53:03.680 --> 0:53:05.759
<v Speaker 9>I'll pay for the rest to finish it. I'm just like, yo,

0:53:05.880 --> 0:53:07.200
<v Speaker 9>this is crazy.

0:53:07.520 --> 0:53:11.400
<v Speaker 4>I was wondering because, yeah, I was wondering if he

0:53:11.440 --> 0:53:15.720
<v Speaker 4>did his thing on tape because it's all his vocals

0:53:15.719 --> 0:53:17.719
<v Speaker 4>are very speeded oppressive.

0:53:17.840 --> 0:53:18.799
<v Speaker 8>But yeah, he killed it.

0:53:19.280 --> 0:53:20.640
<v Speaker 5>He ain't featuring nowhere else either.

0:53:20.640 --> 0:53:23.760
<v Speaker 2>What do you do background vocals? And you said you're arranged,

0:53:23.880 --> 0:53:25.360
<v Speaker 2>well arranged.

0:53:25.160 --> 0:53:27.320
<v Speaker 1>Back, but he doesn't do mere background vocals.

0:53:27.440 --> 0:53:30.200
<v Speaker 8>It's just the way he played with his voice.

0:53:30.360 --> 0:53:34.960
<v Speaker 1>Like, yeah, it was crazy. Yeah, and that's majestic.

0:53:35.160 --> 0:53:37.319
<v Speaker 9>And what was ill for me is I did like

0:53:37.800 --> 0:53:39.960
<v Speaker 9>a mock cook before I knew he was going to

0:53:40.040 --> 0:53:42.239
<v Speaker 9>be on it, like the place hold it. To hear

0:53:42.320 --> 0:53:44.799
<v Speaker 9>him sing it, like I was like, yeah, I was

0:53:44.800 --> 0:53:46.719
<v Speaker 9>like I thought he was gonna write something new like

0:53:47.880 --> 0:53:49.520
<v Speaker 9>that in himself was ill to me.

0:53:49.800 --> 0:53:52.600
<v Speaker 1>But you know how to I mean people.

0:53:54.040 --> 0:53:58.239
<v Speaker 6>We look up to our d'angelo's and think that they

0:53:58.360 --> 0:54:01.359
<v Speaker 6>you know, that there are another level, but there's still

0:54:01.440 --> 0:54:03.680
<v Speaker 6>big time music fans, you know, and they fall in

0:54:03.680 --> 0:54:06.239
<v Speaker 6>love with something when they hear it, and they don't

0:54:06.280 --> 0:54:08.080
<v Speaker 6>need to change it, they just recreate it.

0:54:09.239 --> 0:54:09.920
<v Speaker 1>That's amazing.

0:54:19.160 --> 0:54:23.440
<v Speaker 4>So what I'm sort of skipping to your second album

0:54:23.800 --> 0:54:28.000
<v Speaker 4>and so what was the process in the decision to

0:54:28.320 --> 0:54:30.440
<v Speaker 4>roll with rock Nation for yourself?

0:54:30.440 --> 0:54:35.680
<v Speaker 9>Oh, we knew that, you know, as an indie label,

0:54:35.719 --> 0:54:38.720
<v Speaker 9>we can only do so much like budget and marketing

0:54:38.760 --> 0:54:41.680
<v Speaker 9>wise and really getting the exposure that I wanted. So

0:54:41.840 --> 0:54:43.919
<v Speaker 9>you know, when we took the meeting with rock One,

0:54:44.040 --> 0:54:47.319
<v Speaker 9>I'm a big j fan Offgate, but walking into the

0:54:47.360 --> 0:54:50.320
<v Speaker 9>building and at the time, Shaka Pilgrim was the president

0:54:50.719 --> 0:54:52.920
<v Speaker 9>and you walk in and fifty percent of the staff

0:54:52.920 --> 0:54:56.480
<v Speaker 9>of women and it's so so many different coaches, and

0:54:57.120 --> 0:55:00.000
<v Speaker 9>we came in with Lailor's wisdom probably eighty percent done.

0:55:00.200 --> 0:55:02.160
<v Speaker 9>And they didn't ask us to change or sing why

0:55:03.160 --> 0:55:06.160
<v Speaker 9>not one single thing. It was always all right, what

0:55:06.160 --> 0:55:08.200
<v Speaker 9>do y'all want to do? What you envision? Like what

0:55:08.239 --> 0:55:11.640
<v Speaker 9>are you thinking of the music? They never every eve,

0:55:11.719 --> 0:55:14.640
<v Speaker 9>they didn't ask to change or touch anything. And so

0:55:14.920 --> 0:55:17.560
<v Speaker 9>to me, like the energy and just how much they

0:55:17.800 --> 0:55:19.960
<v Speaker 9>love the culture. It didn't seem like I've been to

0:55:20.040 --> 0:55:22.759
<v Speaker 9>death jam I think in Atlantic before, but this was

0:55:22.880 --> 0:55:25.080
<v Speaker 9>this was different. This was all about culture and just

0:55:25.239 --> 0:55:28.160
<v Speaker 9>music and they were really about growing with me. Like

0:55:28.280 --> 0:55:31.520
<v Speaker 9>they wasn't pressure to have a radio single or it

0:55:31.560 --> 0:55:33.880
<v Speaker 9>was just like, you know, we believe in you and

0:55:33.920 --> 0:55:34.400
<v Speaker 9>your talent.

0:55:34.520 --> 0:55:36.600
<v Speaker 8>We just want to how can we help? That's what

0:55:36.640 --> 0:55:38.120
<v Speaker 8>it was. So that's why.

0:55:38.520 --> 0:55:41.560
<v Speaker 4>And how did you feel the morning that the nominations

0:55:41.600 --> 0:55:43.520
<v Speaker 4>came out?

0:55:44.000 --> 0:55:48.399
<v Speaker 8>And I don't know for you, it's kind of phone call.

0:55:49.200 --> 0:55:49.359
<v Speaker 1>Yo.

0:55:49.600 --> 0:55:51.040
<v Speaker 9>Ninth was the first one that hit me because I

0:55:51.040 --> 0:55:53.120
<v Speaker 9>was in la This was like five in the morning,

0:55:53.239 --> 0:55:53.840
<v Speaker 9>so he hit me.

0:55:53.880 --> 0:55:56.440
<v Speaker 8>He was like, Yo, you nominated and you nominated.

0:55:57.160 --> 0:56:02.000
<v Speaker 9>Uh, it wasn't twice twice so I was like, yo,

0:56:02.160 --> 0:56:05.520
<v Speaker 9>what like yo to be nominated, but to even be

0:56:05.560 --> 0:56:08.880
<v Speaker 9>nominated twice like that was crazy for me. It was

0:56:08.960 --> 0:56:11.040
<v Speaker 9>just like people were calling me. I couldn't even answer

0:56:11.040 --> 0:56:13.319
<v Speaker 9>the phone. I had to just sit back and reflect, like, Yo,

0:56:13.480 --> 0:56:16.360
<v Speaker 9>we're here, Like this is a different bar to be

0:56:16.440 --> 0:56:19.520
<v Speaker 9>recognized at the highest level of music when a of

0:56:19.560 --> 0:56:21.880
<v Speaker 9>awards show and then not have no Billboard hits and

0:56:21.920 --> 0:56:24.400
<v Speaker 9>no platinum records, and to be in a category with

0:56:24.480 --> 0:56:26.080
<v Speaker 9>Jay Z and Kendrick Lamar at the same time.

0:56:26.120 --> 0:56:27.880
<v Speaker 8>It's just like man as.

0:56:28.360 --> 0:56:30.439
<v Speaker 10>Not have to change nothing, not even have to play

0:56:30.480 --> 0:56:31.640
<v Speaker 10>on the tight dress.

0:56:32.640 --> 0:56:35.960
<v Speaker 9>I cried a little bit, you know, but yeah, I

0:56:36.080 --> 0:56:39.800
<v Speaker 9>was thankful that I stayed the course of anything.

0:56:40.239 --> 0:56:43.920
<v Speaker 4>So I have to say that your your whole process

0:56:44.000 --> 0:56:49.759
<v Speaker 4>of crafting the Eve album, it's just some amazing ass shit,

0:56:50.239 --> 0:56:53.319
<v Speaker 4>you know, like where where did the idea even come

0:56:53.320 --> 0:56:59.480
<v Speaker 4>from for crafting this? This album as an homage to

0:57:00.480 --> 0:57:02.600
<v Speaker 4>the spirit of the black woman in America in the

0:57:02.640 --> 0:57:06.319
<v Speaker 4>world and their effect like where's the Genesis and the

0:57:06.360 --> 0:57:06.960
<v Speaker 4>seed born?

0:57:08.600 --> 0:57:11.800
<v Speaker 9>Last summer summer twenty eighteen, I was doing an interview

0:57:11.920 --> 0:57:15.560
<v Speaker 9>for the Oxford and this guy named Lamar Wilson he

0:57:15.719 --> 0:57:21.240
<v Speaker 9>was writing a piece on the lineage of Carolina musicians,

0:57:21.760 --> 0:57:25.200
<v Speaker 9>and so he was connecting me with Nina Simone and ROBERTA.

0:57:25.240 --> 0:57:29.720
<v Speaker 9>Flat so like I was just like, yo, I didn't

0:57:29.760 --> 0:57:31.880
<v Speaker 9>I never thought of me connecting with them in that

0:57:31.960 --> 0:57:35.360
<v Speaker 9>way because we just seemed like too, like I just

0:57:35.400 --> 0:57:37.439
<v Speaker 9>look I put them up here, like there's no way

0:57:37.520 --> 0:57:39.920
<v Speaker 9>like reconnected. But the way he broke it down, like

0:57:40.200 --> 0:57:43.160
<v Speaker 9>you're both soul for you know, you're both lyrical. You

0:57:43.200 --> 0:57:45.680
<v Speaker 9>know you both reflect the times and talk about what's

0:57:45.720 --> 0:57:48.080
<v Speaker 9>going on in the community, your storytellers. I was like, man,

0:57:48.080 --> 0:57:50.120
<v Speaker 9>I never thought about it in that way like I

0:57:50.160 --> 0:57:53.320
<v Speaker 9>do come from their family tree. And it made me think, like, yo,

0:57:53.360 --> 0:57:55.160
<v Speaker 9>when I do interviews and people say who are you

0:57:55.200 --> 0:57:57.440
<v Speaker 9>influenced by? Yeah, I say Queen my teeth for MC

0:57:57.640 --> 0:58:00.280
<v Speaker 9>like Lauryn Hill, but I talk about Sicily Tyson, talk

0:58:00.320 --> 0:58:04.800
<v Speaker 9>about I talk about Nikki Giavanni, you know, Maya Angelo,

0:58:04.840 --> 0:58:07.120
<v Speaker 9>And I'm just like man, when I think about who

0:58:07.160 --> 0:58:09.720
<v Speaker 9>I am and who I'm inspired by. Of course, you

0:58:09.720 --> 0:58:11.840
<v Speaker 9>have your village, your mom, but there are so many

0:58:11.880 --> 0:58:16.240
<v Speaker 9>black women that I look up to and too. It

0:58:16.280 --> 0:58:18.880
<v Speaker 9>gave me away creatively to show that there are so

0:58:18.960 --> 0:58:21.680
<v Speaker 9>many different sides of me too, you know. People like

0:58:21.760 --> 0:58:23.320
<v Speaker 9>to say or kind of put me in a box

0:58:23.320 --> 0:58:25.160
<v Speaker 9>sometimes based on the music that I make.

0:58:25.120 --> 0:58:26.120
<v Speaker 8>That you know I had.

0:58:26.160 --> 0:58:28.280
<v Speaker 9>We were in a studio one time and the dude

0:58:28.400 --> 0:58:30.960
<v Speaker 9>was like, Yo, we thought like a party for y'all's

0:58:31.040 --> 0:58:34.200
<v Speaker 9>just like burning incense and y'all listening to my dude

0:58:34.320 --> 0:58:35.040
<v Speaker 9>and all this, And.

0:58:35.000 --> 0:58:37.520
<v Speaker 8>I'm just like, bro, like what are you talking about?

0:58:37.560 --> 0:58:40.280
<v Speaker 9>Like I grew up on Luke, I listened to Go Go,

0:58:40.360 --> 0:58:42.960
<v Speaker 9>growing up, like I'm from snow Hill, North Carolina, Like

0:58:43.600 --> 0:58:47.240
<v Speaker 9>That's the Sticks, like Boon's Fall, Like we listened to everything.

0:58:47.640 --> 0:58:49.080
<v Speaker 8>So there were so many sides of me.

0:58:49.120 --> 0:58:50.640
<v Speaker 9>So it's like this is a way where I could

0:58:50.640 --> 0:58:54.320
<v Speaker 9>take a different woman to not only describe like my

0:58:54.440 --> 0:58:57.680
<v Speaker 9>different personalities, but also talk about them and continue their

0:58:57.760 --> 0:59:00.320
<v Speaker 9>legacies and say that we all are coming all come

0:59:00.360 --> 0:59:02.920
<v Speaker 9>from a family tree. I think after I did that interview,

0:59:03.000 --> 0:59:05.200
<v Speaker 9>like I went home and I'd always wanted to do

0:59:05.240 --> 0:59:07.640
<v Speaker 9>a song about being a tomboy, especially in this day

0:59:07.680 --> 0:59:10.000
<v Speaker 9>and age and what that looks like. And I did

0:59:10.040 --> 0:59:12.800
<v Speaker 9>it because of the way I started the song when

0:59:12.800 --> 0:59:15.000
<v Speaker 9>Aaliyah was alive, and I was like I'm gonna just

0:59:15.080 --> 0:59:16.680
<v Speaker 9>call it Aliyah, And as soon as.

0:59:16.560 --> 0:59:19.480
<v Speaker 8>I did that, it all just clicked came together.

0:59:19.600 --> 0:59:22.760
<v Speaker 9>Yeah, the conversation, it's like, oh, I got this song, Alia,

0:59:22.840 --> 0:59:25.720
<v Speaker 9>I could do this with this this Felicia Rashad taught

0:59:25.720 --> 0:59:28.320
<v Speaker 9>me about motherly love, Nikki Giovanni taught.

0:59:28.200 --> 0:59:30.400
<v Speaker 8>Me the power words and blackness like.

0:59:31.560 --> 0:59:36.240
<v Speaker 4>Yeah, in the videos, which I also feel are crucial

0:59:36.280 --> 0:59:39.320
<v Speaker 4>components to the vision of that, like what were the

0:59:39.360 --> 0:59:43.280
<v Speaker 4>concepts for the well, not the concepts, but you know

0:59:43.440 --> 0:59:46.840
<v Speaker 4>as far as like I personally want you to make

0:59:46.880 --> 0:59:49.760
<v Speaker 4>a video almost for every song.

0:59:50.000 --> 0:59:51.280
<v Speaker 5>I know too too.

0:59:51.560 --> 0:59:53.640
<v Speaker 9>I'm trying to make it happen right now. We just

0:59:53.680 --> 0:59:57.000
<v Speaker 9>did a feenie too long ago. Yeah, we did a feenie.

0:59:57.400 --> 0:59:59.000
<v Speaker 9>I still want to add to it. It ain't all

0:59:59.000 --> 0:59:59.480
<v Speaker 9>the way right.

0:59:59.520 --> 1:00:01.440
<v Speaker 5>Wait, so so far you got a Phoenie. What videos

1:00:01.480 --> 1:00:02.160
<v Speaker 5>do you have for which?

1:00:04.080 --> 1:00:07.440
<v Speaker 9>Yeah, oprahj FENI will be the third one. The next

1:00:07.480 --> 1:00:11.440
<v Speaker 9>one I probably want to do Cleo, whoop be, Aliya, Serena.

1:00:11.720 --> 1:00:13.440
<v Speaker 8>I want to do one for every song like I

1:00:13.800 --> 1:00:14.360
<v Speaker 8>see it.

1:00:14.440 --> 1:00:16.160
<v Speaker 5>So no problem putting this list together.

1:00:19.480 --> 1:00:22.040
<v Speaker 1>Because you mentioned the interview that you left earth Kit

1:00:22.560 --> 1:00:25.120
<v Speaker 1>was it just for spacing on the album or just spacey.

1:00:25.320 --> 1:00:27.480
<v Speaker 8>The first draft, we had twenty three songs.

1:00:27.960 --> 1:00:30.880
<v Speaker 9>You know, we we knew like it's too long because

1:00:31.680 --> 1:00:34.760
<v Speaker 9>people today can't digest music in the same way, the

1:00:34.840 --> 1:00:35.520
<v Speaker 9>same way.

1:00:35.400 --> 1:00:37.720
<v Speaker 8>Like they they tap out it.

1:00:38.200 --> 1:00:39.760
<v Speaker 9>At first, I was going to do a part one

1:00:39.800 --> 1:00:43.000
<v Speaker 9>and a part two, so sonically, you know, we have

1:00:43.160 --> 1:00:45.120
<v Speaker 9>this one in the part two is gonna be. It

1:00:45.200 --> 1:00:48.560
<v Speaker 9>was gonna be way more soul for and more boombab heavy.

1:00:48.920 --> 1:00:52.040
<v Speaker 9>That was gonna be like Felicia Rashad DJ Spinderella, she

1:00:52.120 --> 1:00:52.760
<v Speaker 9>has a song.

1:00:55.080 --> 1:00:56.560
<v Speaker 1>Who we are going to get a sequel?

1:00:57.000 --> 1:00:59.760
<v Speaker 8>Harriet? I was, I got, I got different ideas. That's

1:01:00.320 --> 1:01:01.120
<v Speaker 8>more music coming.

1:01:01.680 --> 1:01:03.360
<v Speaker 10>I love you what it's so journal route and you

1:01:03.400 --> 1:01:05.160
<v Speaker 10>said I'm not going to do to Harriet, So I

1:01:05.200 --> 1:01:06.880
<v Speaker 10>was like, maybe there's a Yeah.

1:01:06.920 --> 1:01:10.040
<v Speaker 8>I was Harry's Journal, which when do I name it?

1:01:10.080 --> 1:01:14.280
<v Speaker 8>But yeah, so but there's there's I do like forty women.

1:01:14.960 --> 1:01:19.640
<v Speaker 4>As far as where you are right now, like what

1:01:19.880 --> 1:01:21.840
<v Speaker 4>do you feel that your goals are, Like do you

1:01:21.920 --> 1:01:25.240
<v Speaker 4>have do you have a five year plan as far

1:01:25.320 --> 1:01:28.200
<v Speaker 4>as like this point from now, like developing other acts

1:01:28.360 --> 1:01:31.200
<v Speaker 4>or like just make more music.

1:01:31.080 --> 1:01:34.200
<v Speaker 8>Or definitely make more music. I think it's the foundation

1:01:34.320 --> 1:01:34.800
<v Speaker 8>of everything.

1:01:34.880 --> 1:01:38.600
<v Speaker 9>But I want to expand artistically because you know the

1:01:38.640 --> 1:01:40.320
<v Speaker 9>way I write, Like I want to get into not

1:01:40.360 --> 1:01:42.480
<v Speaker 9>only writing songs that I want to write films. I

1:01:42.560 --> 1:01:45.600
<v Speaker 9>want to get behind the camera and produce documentaries. I

1:01:45.680 --> 1:01:49.160
<v Speaker 9>was in the in the Rock office with Ti Ti today.

1:01:49.240 --> 1:01:52.200
<v Speaker 9>He was like, rap, you need writes, bet pop records.

1:01:52.480 --> 1:01:55.480
<v Speaker 9>It's like, you know, so you know, I definitely want

1:01:55.480 --> 1:01:57.160
<v Speaker 9>to try it. Like I'm just like, let's try and

1:01:57.160 --> 1:02:00.120
<v Speaker 9>see what happens. Just but just do a lot of

1:02:00.200 --> 1:02:04.080
<v Speaker 9>more things artistically. I thought about starting a label. I

1:02:04.120 --> 1:02:08.320
<v Speaker 9>don't know how I feel about that yet. But Missa

1:02:08.440 --> 1:02:11.520
<v Speaker 9>Hilton Son Nicole Brown, he's an EMC, so I want

1:02:11.520 --> 1:02:13.760
<v Speaker 9>to help. I'm helping because you can produce his album.

1:02:13.760 --> 1:02:16.240
<v Speaker 9>That will be my first time like taking that role. Okay,

1:02:16.280 --> 1:02:19.280
<v Speaker 9>but yeah, just like really expand on that, but always

1:02:19.400 --> 1:02:20.600
<v Speaker 9>putting out music, giving.

1:02:20.400 --> 1:02:22.800
<v Speaker 1>Back to what was given to you. Okay, I see that.

1:02:23.480 --> 1:02:26.320
<v Speaker 4>Well, you know again from the Bomber Arts, we really

1:02:26.320 --> 1:02:30.680
<v Speaker 4>thank you for your your your talent and your wisdom and.

1:02:30.600 --> 1:02:33.280
<v Speaker 5>All that blackness, all that queenness. That's what I'm thinking.

1:02:33.400 --> 1:02:35.720
<v Speaker 5>You can't really say that, I'm just speaking for you.

1:02:35.760 --> 1:02:38.240
<v Speaker 5>Can for the sisters. Thank you.

1:02:38.400 --> 1:02:44.080
<v Speaker 1>I can think you can't thank you in the queenness.

1:02:44.680 --> 1:02:46.120
<v Speaker 1>We can say that too, you can.

1:02:46.200 --> 1:02:50.680
<v Speaker 5>You didn't, so I was just feeling like Jewish, say.

1:02:51.000 --> 1:02:53.200
<v Speaker 2>Have you been to Egypt? Because you.

1:02:54.920 --> 1:02:56.680
<v Speaker 5>I'm trying to get that we should be together.

1:02:58.600 --> 1:03:03.240
<v Speaker 4>Yeah, there you go the sugar Steve. Yes, I would

1:03:03.240 --> 1:03:06.280
<v Speaker 4>pay either well, that is, I should pay for us

1:03:06.320 --> 1:03:11.880
<v Speaker 4>to go. That's another episode, of course, Supreme. Ladies and gentlemen,

1:03:11.960 --> 1:03:13.080
<v Speaker 4>thank you one more time.

1:03:13.160 --> 1:03:17.840
<v Speaker 1>Rhaps did he give it up all right?

1:03:18.120 --> 1:03:21.280
<v Speaker 4>Or and behalf of light and Steve and bost Bill

1:03:21.440 --> 1:03:25.240
<v Speaker 4>and yes, even unpaid Bill and font Tiicola, who incidentally,

1:03:25.960 --> 1:03:28.840
<v Speaker 4>uh is still out getting cigarettes and he said he'll

1:03:28.960 --> 1:03:34.960
<v Speaker 4>be be back home any moment. Uh cigarettes, So hurry

1:03:35.040 --> 1:03:35.680
<v Speaker 4>up man.

1:03:35.720 --> 1:03:40.480
<v Speaker 1>He said he was going to get some smokes two

1:03:40.520 --> 1:03:40.880
<v Speaker 1>years ago.

1:03:41.000 --> 1:03:43.680
<v Speaker 4>He's fixing his bathroom now now it's now, let's getting

1:03:43.680 --> 1:03:44.320
<v Speaker 4>some cigarettes.

1:03:44.800 --> 1:03:45.160
<v Speaker 1>All right.

1:03:45.240 --> 1:03:47.280
<v Speaker 4>This is quest Love, and we'll see you on the

1:03:47.280 --> 1:03:49.000
<v Speaker 4>next go round, of course, Love Supreme.

1:03:49.160 --> 1:03:49.880
<v Speaker 1>Thank you.

1:03:58.960 --> 1:04:03.720
<v Speaker 4>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1:04:03.840 --> 1:04:05.760
<v Speaker 4>or wherever you listen to your favorite shows.