WEBVTT - Black, Queer, Creative: Justin Simien on Making It in Hollywood

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<v Speaker 1>Welcome to PM mood, the no Talking Points, no Bullshit

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<v Speaker 1>podcast that takes you behind the curtain, off the red carpet,

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<v Speaker 1>and to the front lines of progress with change makers

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<v Speaker 1>and innovators that are doing the work to shift our

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<v Speaker 1>culture and expand our social impact. I'm so excited to

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<v Speaker 1>welcome friend director all around absolute badass Justin Simeon to

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<v Speaker 1>PM mood. Justin Generally, when I run into you and

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<v Speaker 1>get to see you, whether it's on a panel, like

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<v Speaker 1>we got to hang out a little bit in Sundance,

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<v Speaker 1>which is my first time going to Sundance, So being

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<v Speaker 1>able to see you and chat with you there was

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<v Speaker 1>like cherry on top of the Sunday. But now we're

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<v Speaker 1>living in the midst of a global pandemic. All my

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<v Speaker 1>conversations start differently, how are you doing and where are

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<v Speaker 1>you I'm doing fine, I'm in la in my house

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<v Speaker 1>sort of yep, you know, and during the lockdown, and

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<v Speaker 1>I'm an introvert, so I have very complicated feelings about it.

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<v Speaker 1>One way, it's like kind of fantastic and it's all

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<v Speaker 1>the pressure is off on the other side, like, you

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<v Speaker 1>know the world is really crazy and terrifying, and you know,

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<v Speaker 1>all you can really do is watch from inside. On

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<v Speaker 1>a couple of different occasions, when I was at Serious,

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<v Speaker 1>we had a conversation about black mental health, in particular

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<v Speaker 1>in Sundance. We talked a bit about it. On the

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<v Speaker 1>Telling Black Stories Being Black and Out in Hollywood panel discussion,

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<v Speaker 1>we talked about it. Are you having more conversations with friends,

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<v Speaker 1>with family, with folks about their mental health and mental

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<v Speaker 1>health now? Because crisis hotlines hauls are on the rise? Sadly,

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<v Speaker 1>domestic violence is twenty percent, which is a height. How

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<v Speaker 1>are you like having those conversations and also managing your

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<v Speaker 1>own mental health during this time? Yeah, it is sort

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<v Speaker 1>of how someone is doing in the pandemic mentally. It

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<v Speaker 1>really is the thing that you know, I find myself

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<v Speaker 1>talking about more often than not. You know, it's interesting

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<v Speaker 1>because I was already especially coming out of Sundance and

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<v Speaker 1>sort of at the start of this year, I was

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<v Speaker 1>already in therapy. I already you know, was talking to

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<v Speaker 1>a psychiatrist all those kinds of things, And really, I

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<v Speaker 1>mean that's just continuing now that we're in now we're

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<v Speaker 1>in lockdown. I do my therapy on zoom. But yeah,

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<v Speaker 1>I think it's a I think one where so everyone

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<v Speaker 1>is sort of being forced to be with themselves intimately

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<v Speaker 1>because we're all stuck inside. And I think it probably

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<v Speaker 1>is exacerbating all kinds of issues that were already there.

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<v Speaker 1>But there's a lot less distraction, and there's also a

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<v Speaker 1>lot of bad, genuinely bad news, you know. I mean,

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<v Speaker 1>this is a real situation. People are really getting sick

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<v Speaker 1>and dying, and you know, I think, I'm sure I'm

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<v Speaker 1>not breaking news by saying that the current administration is

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<v Speaker 1>handling it in a very terrifying manner that does not

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<v Speaker 1>make me feel safe for taking care of my government.

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<v Speaker 1>And so yeah, it's definitely top of mind, and I

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<v Speaker 1>think that, you know, for me, whatever, however somebody needs

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<v Speaker 1>to cope with it, I think they should be doing that.

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<v Speaker 1>And for some people that is, you know, being out there,

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<v Speaker 1>sort of connecting with people online, more giving structure to

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<v Speaker 1>the days, being more productive. For some of us that

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<v Speaker 1>may mean like I want to give myself a whole

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<v Speaker 1>day to stay in bed, and I think, however it

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<v Speaker 1>works for you, I think that's what you should do.

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<v Speaker 1>I don't think it should being a shame over what

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<v Speaker 1>someone's doing to cope, because this is just really a

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<v Speaker 1>unique thing. I mean, we're living through one of those

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<v Speaker 1>big times and humanity where everything's different and no one's

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<v Speaker 1>encountered this before. This is you know, our World War

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<v Speaker 1>two in a lot of ways, you know, for a

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<v Speaker 1>lot of folks, there is if you're a content creator,

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<v Speaker 1>right if you're a creative like you know you are,

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<v Speaker 1>there seems to be a lot of memes floating around

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<v Speaker 1>that are saying you don't need to be your most

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<v Speaker 1>productive self right now. You don't need to write the

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<v Speaker 1>New York Times bestselling novel. You don't need to put

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<v Speaker 1>out your Oscar Worthy, you know, film and create right now.

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<v Speaker 1>Do you feel the pressure to be doing the most?

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<v Speaker 1>Or have you taken yourself out of that and you're

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<v Speaker 1>just like, you know what I'm gonna do, Like you

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<v Speaker 1>just said, I'm going to deal with this how I

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<v Speaker 1>need to deal with this. So if that means I'm

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<v Speaker 1>going to be in bed all day, then I'm going

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<v Speaker 1>to be in bed and I'm not judging myself. Or

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<v Speaker 1>do you still feel like the constant churn of like

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<v Speaker 1>that doing the most culture? It's like, how you know,

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<v Speaker 1>I keep seeing how are you going to come out

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<v Speaker 1>of this pandemic? You're gonna come out snatched? Are you

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<v Speaker 1>gonna come out? Yeah? And I'm like, what is happening?

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<v Speaker 1>I know, I do feel the pressure. I mean it's

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<v Speaker 1>everywhere you know where It's an extroverted industry that I

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<v Speaker 1>live in, I work in and live in. So you know,

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<v Speaker 1>people are launching businesses and business models right now out

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<v Speaker 1>of the new American normal. And I mean, for me,

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<v Speaker 1>I definitely feel the pressure. But I just I can't.

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<v Speaker 1>I can't keep up with all that. I will tell

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<v Speaker 1>you right now, I will not come out of this

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<v Speaker 1>pandemic snatched. Okay. I will come out a little bier,

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<v Speaker 1>a little woolier, probably been arrested than I've been in years.

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<v Speaker 1>But you know, I think the one thing that kind

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<v Speaker 1>of helps is that we are you know, we've still

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<v Speaker 1>been writing Season four, Dear White People, even though I

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<v Speaker 1>think production is sort of across the board, you know,

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<v Speaker 1>down right now, we're at least still able to keep

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<v Speaker 1>a writer's room, you know, virtually and keep the scripts going,

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<v Speaker 1>which has been helpful to just sort of get structure

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<v Speaker 1>to the day. But also, you know, they have an

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<v Speaker 1>outlet of some kind, to have a deadline, to have

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<v Speaker 1>something that sort of you know, gives the days in

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<v Speaker 1>the week some structure. But when we're done with that,

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<v Speaker 1>you know, I planned to I plan to stay in bed.

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<v Speaker 1>I don't know. I don't know. I can't quite. This

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<v Speaker 1>feels like the worst time for me to like pull

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<v Speaker 1>it together, I know, but it's like, it's just it's

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<v Speaker 1>crazy the amount of pressure that I feel, like to

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<v Speaker 1>pull my shit together every day. It's so bizarre because

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<v Speaker 1>I really just do want to be in bed, and

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<v Speaker 1>it's like that everybody around me is just like, we'll

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<v Speaker 1>launch another podcast and do another thing, and I'm like,

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<v Speaker 1>what the fuck. I just want, you know, I want

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<v Speaker 1>to get high and like relax, but through my trauma.

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<v Speaker 1>I think that is an appropriate response to a global pandemic,

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<v Speaker 1>I really do. I think people underestimate just how traumatic

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<v Speaker 1>this experience isn't all of us, you know, there's something

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<v Speaker 1>happening in the world that you either have absolutely no

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<v Speaker 1>connection to because you or nobody you know is sick

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<v Speaker 1>in this particular way, or you have a devastating connection

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<v Speaker 1>to because you know, God forbid of somebody that you know,

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<v Speaker 1>or you are sick with this thing or have any

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<v Speaker 1>other kind of serious medical issue. Your life is very

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<v Speaker 1>very very very impacted by this crisis right now, and

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<v Speaker 1>it's just very I think most of us are in

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<v Speaker 1>this weird limbo of like, you know, we turn on

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<v Speaker 1>the TV or we scroll through the news and we

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<v Speaker 1>are inundated with horror, but you know, the actual day

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<v Speaker 1>to day moments of our lives are actually become very

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<v Speaker 1>mundane and you know, flat, and it's like, what, psychologically,

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<v Speaker 1>what do you do with that? And I think, you know,

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<v Speaker 1>for some people, being extremely productive might help them work

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<v Speaker 1>through that trauma. But I don't know if that's the

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<v Speaker 1>key for everybody, And I don't think anyone should feel

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<v Speaker 1>like that's what you have to do. I think we

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<v Speaker 1>all have to recognize that this is traumatic in ways

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<v Speaker 1>that you know, we could never have anticipated because we've

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<v Speaker 1>never lived through something before. Yeah, it's been a hundred

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<v Speaker 1>years since the last I was going to say. Even

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<v Speaker 1>even the things that we may have read about fifteen

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<v Speaker 1>twenty years ago, whether we're in school, there was no

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<v Speaker 1>one around to really give a firsthand account of what

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<v Speaker 1>it felt like to live through the fucking Spanish flu

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<v Speaker 1>or what it felt like to live through the Black Plate.

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<v Speaker 1>There's nobody being like, you know what, I remember like

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<v Speaker 1>we couldn't go to the horse store like there was

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<v Speaker 1>nothing nothing, there was nothing to say and be like

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<v Speaker 1>the horse store, I couldn't get my bonnet done. You know,

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<v Speaker 1>I would think I learned how to sew during the

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<v Speaker 1>Spanish Flu, Like, no, we don't. We have no sense

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<v Speaker 1>memory of the Spanish Flu, of the Great Depression, of

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<v Speaker 1>any of that. And we also have a very you know,

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<v Speaker 1>I think in times like this, you really do, whether

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<v Speaker 1>or not you like the president, you do look to

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<v Speaker 1>leadership for some sign of what's going to happen. And

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<v Speaker 1>I don't know about you, but whenever I've looked to

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<v Speaker 1>the leadership or like dared to watch one of these

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<v Speaker 1>press conferences, it's really it's scary. It is scary to

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<v Speaker 1>see the level of incompetence on display and to know

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<v Speaker 1>that all of our lives and our income and you know,

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<v Speaker 1>the future of our species sort of rests on this

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<v Speaker 1>group of people to do the right thing, and it

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<v Speaker 1>doesn't really feel like they even know what they're talking

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<v Speaker 1>about Trump in particular. It's terrifying, and there's no way

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<v Speaker 1>that doesn't get in and doesn't have an impact on

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<v Speaker 1>one's mental health or outlook community. Yes, which is why

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<v Speaker 1>I think that. You know, what I do remember through

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<v Speaker 1>reading about some of the most traumatic and tragic times

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<v Speaker 1>of the evolution of society is escapist, right, is what

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<v Speaker 1>people use to escape. And you know, in many ways

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<v Speaker 1>the birth of Hollywood and movies and film came from that, right,

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<v Speaker 1>people wanting to move outside of the traumas of what

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<v Speaker 1>was happening in World War Two and be able to escape. Right,

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<v Speaker 1>This was a genre of film. Now people are telling

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<v Speaker 1>us well, Quarantine and Chill. Right, so we've moved from

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<v Speaker 1>Netflix and Chill to Quarantine and Chill. Your series Dear

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<v Speaker 1>White People is sadly they're graduating. It's coming to a close,

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<v Speaker 1>which means that I have to graduate with them. I

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<v Speaker 1>don't want to. I want to be held back. But

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<v Speaker 1>people are digging into Netflix now more than ever. So

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<v Speaker 1>tell me about what folks can look to look towards

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<v Speaker 1>for the left. For the final installment, I should say

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<v Speaker 1>I'm distilling of Dear White People because it's been a journey.

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<v Speaker 1>Yes it has, and it's very difficult to end it,

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<v Speaker 1>you know, and I can't say too too much, but

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<v Speaker 1>you know, I think that one we are we have

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<v Speaker 1>the hard task of landing the plane and figure out

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<v Speaker 1>what relationships to wrap up and how to wrap them up.

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<v Speaker 1>And I think it's interesting because the themes that we're

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<v Speaker 1>dealing with this season, I think are very much on

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<v Speaker 1>the minds of a lot of people during the pandemic.

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<v Speaker 1>But like you said, we don't want to sort of

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<v Speaker 1>make a pandemic season because we need to mentally escape

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<v Speaker 1>the pandemic. But this idea that we are, you know,

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<v Speaker 1>our human lives really come down to how productive we

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<v Speaker 1>are is sort of a symptom of capitalism, and particularly

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<v Speaker 1>for black folks or any kind of marginalized community, that

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<v Speaker 1>is such a double edged sword because we're sort of

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<v Speaker 1>taught to be productive and taught to sort of have

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<v Speaker 1>a market value that will sustain us, but we are

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<v Speaker 1>in other ways denied, you know, human dignities, and that

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<v Speaker 1>I think is I think that we can address that

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<v Speaker 1>in the season, as these kids are about to sort

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<v Speaker 1>of launch into the real world and you know, trade

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<v Speaker 1>their passions for careers and for specific ways to make

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<v Speaker 1>money and to have market value once they graduate. I

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<v Speaker 1>think that that theme is something that will really resonate

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<v Speaker 1>with where people are at an experiencing right now, because

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<v Speaker 1>you know, the show has always been about identity versus self.

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<v Speaker 1>It's always been about like, their true humanity versus the

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<v Speaker 1>demands of you know, the culture and the society on them,

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<v Speaker 1>and the tension between those things. I think part of

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<v Speaker 1>what is so dramatic about the pandemic is that everyone

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<v Speaker 1>is feeling that. It's like, if I'm stuck at home

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<v Speaker 1>and I'm not being productive and I'm not earning money,

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<v Speaker 1>what am i? And who am I? Who am I? Exactly?

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<v Speaker 1>And that's exactly what you'd feel that senior year of college.

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<v Speaker 1>It's that post adolescent growing into oneself, right, Like the

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<v Speaker 1>world is supposedly your oyster and yet right now it's

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<v Speaker 1>actually fucking closed. And so how do you imagine who

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<v Speaker 1>you're going to be and what you're aspiring to do

0:12:22.720 --> 0:12:26.200
<v Speaker 1>with such uncertainty? Right? I think the beautiful thing about

0:12:26.240 --> 0:12:28.400
<v Speaker 1>Dear White People is that for those of us who

0:12:28.400 --> 0:12:31.440
<v Speaker 1>are very far gone from college, like, it allows you

0:12:31.480 --> 0:12:34.040
<v Speaker 1>to relive a lot of moments. And the moment that

0:12:34.080 --> 0:12:36.840
<v Speaker 1>allows you to relive is just like the birthing of yourself,

0:12:37.080 --> 0:12:40.800
<v Speaker 1>right and in all the ways that we evolve throughout

0:12:40.880 --> 0:12:43.680
<v Speaker 1>the different major moments of our life, and like kind

0:12:43.720 --> 0:12:47.200
<v Speaker 1>of college is one of those major capstones more so

0:12:47.320 --> 0:12:50.120
<v Speaker 1>than high school graduation in terms of how I look

0:12:50.160 --> 0:12:54.080
<v Speaker 1>at it. What for you you're going into season four,

0:12:54.120 --> 0:12:57.640
<v Speaker 1>but season three to me was huge in terms of

0:12:57.679 --> 0:13:02.240
<v Speaker 1>the character evolution and where people full like you're creating it,

0:13:02.520 --> 0:13:05.120
<v Speaker 1>But what was kind of a moment that you look

0:13:05.160 --> 0:13:08.440
<v Speaker 1>back on now as you're finishing writing season four that

0:13:08.640 --> 0:13:11.439
<v Speaker 1>was like a highlight, like, oh shit, this character or

0:13:11.520 --> 0:13:16.200
<v Speaker 1>these characters or this storyline really you know, added flesh

0:13:16.320 --> 0:13:19.280
<v Speaker 1>and teeth to where this person was even from the

0:13:19.320 --> 0:13:23.000
<v Speaker 1>feature film to the first season. Well, I think Lionel

0:13:23.720 --> 0:13:27.480
<v Speaker 1>storyline last season in season three, meeting with the Deonte

0:13:27.640 --> 0:13:30.720
<v Speaker 1>character and sort of really getting because you know, Lionel

0:13:30.720 --> 0:13:33.120
<v Speaker 1>has been our eyes and ears to the queer experience

0:13:33.120 --> 0:13:36.880
<v Speaker 1>at Winchester, but Lionel himself, you know, part of what

0:13:36.920 --> 0:13:39.600
<v Speaker 1>his character is about is sort of learning to open

0:13:39.720 --> 0:13:42.280
<v Speaker 1>up to a new world that has always felt a

0:13:42.280 --> 0:13:45.280
<v Speaker 1>little bit bigger than him and intimidating. And so you know,

0:13:45.320 --> 0:13:47.920
<v Speaker 1>because he's our eyes nearest to the queer world at Winchester,

0:13:48.120 --> 0:13:49.760
<v Speaker 1>we haven't really been able to see a ton of

0:13:49.800 --> 0:13:53.240
<v Speaker 1>it because he is very early in that evolution and

0:13:53.440 --> 0:13:56.720
<v Speaker 1>when he meets Deonte, and Deonte kind of you know,

0:13:56.880 --> 0:13:59.640
<v Speaker 1>opens them up to this whole other group of people

0:13:59.760 --> 0:14:03.560
<v Speaker 1>and experiences. You know, for me, that was really gratifying

0:14:03.640 --> 0:14:08.480
<v Speaker 1>because as a queer writer filmmaker, I certainly identify with

0:14:08.480 --> 0:14:11.520
<v Speaker 1>where Lionel was and is in the story of Dear

0:14:11.559 --> 0:14:14.800
<v Speaker 1>White People, But I was eager to show, you know,

0:14:14.880 --> 0:14:18.200
<v Speaker 1>the world beyond that that sort of like beginner kind

0:14:18.200 --> 0:14:21.680
<v Speaker 1>of initiation that Lionel was going through, and you know,

0:14:21.760 --> 0:14:25.200
<v Speaker 1>to get more of that experience into the overall storytelling

0:14:25.240 --> 0:14:27.400
<v Speaker 1>of Dear White People was very gratifying. I mean, all

0:14:27.400 --> 0:14:29.440
<v Speaker 1>of the characters haven't come such a long way since

0:14:29.480 --> 0:14:32.360
<v Speaker 1>the movie, but you know, I think Lionel really was

0:14:32.480 --> 0:14:34.800
<v Speaker 1>on an island in the movie. He you know, he was,

0:14:35.120 --> 0:14:37.680
<v Speaker 1>he wasn't really friends with any of the people yet,

0:14:38.120 --> 0:14:40.960
<v Speaker 1>and so now he is. He is fully embedded within

0:14:41.000 --> 0:14:44.040
<v Speaker 1>this community. He has a place within these people, and

0:14:44.080 --> 0:14:47.240
<v Speaker 1>I think, you know, for queer people of color trying

0:14:47.240 --> 0:14:51.000
<v Speaker 1>to find our place within the larger community of color.

0:14:51.160 --> 0:14:53.800
<v Speaker 1>You know that that's a big story for me personally,

0:14:53.880 --> 0:14:56.000
<v Speaker 1>and it's one of you know, many things about that

0:14:56.080 --> 0:14:59.560
<v Speaker 1>season that I found so exciting and so exhilarating because

0:14:59.560 --> 0:15:02.720
<v Speaker 1>we Season three really was about like the nature of

0:15:03.320 --> 0:15:07.360
<v Speaker 1>growth and how unexpected and spontaneous it can feel, and

0:15:07.400 --> 0:15:10.160
<v Speaker 1>how it can happen, and how overwhelming it can be.

0:15:10.360 --> 0:15:12.960
<v Speaker 1>But there's also a lot of new possibilities that come

0:15:13.000 --> 0:15:15.280
<v Speaker 1>from from that experience. You know. It's like when we

0:15:15.360 --> 0:15:17.840
<v Speaker 1>dare to grow outside of what we think of ourselves,

0:15:18.240 --> 0:15:22.080
<v Speaker 1>it's very frightening, but it's also very hopeful and exciting,

0:15:22.200 --> 0:15:23.680
<v Speaker 1>and I just have a lot of fun trying to

0:15:23.720 --> 0:15:26.520
<v Speaker 1>capture that spirit. One of the other characters that I

0:15:26.560 --> 0:15:30.200
<v Speaker 1>felt like really took us, took me, and I think

0:15:30.240 --> 0:15:33.960
<v Speaker 1>audiences just in general on a journey was Reggie. Yeah,

0:15:34.000 --> 0:15:37.680
<v Speaker 1>you know, like he I mean, he was a heart

0:15:37.720 --> 0:15:41.400
<v Speaker 1>and then my heart broke for watching, you know, him

0:15:41.440 --> 0:15:47.240
<v Speaker 1>being the character that went through a traumatic experience being

0:15:47.520 --> 0:15:51.520
<v Speaker 1>at gunpoint by a police officer, and you know him

0:15:51.560 --> 0:15:54.800
<v Speaker 1>being you know, it started out as like this revolutionary right,

0:15:54.880 --> 0:15:57.040
<v Speaker 1>like we're going to be fighting the man and then

0:15:57.120 --> 0:16:00.960
<v Speaker 1>coming face to face with what that means, and then

0:16:01.200 --> 0:16:05.160
<v Speaker 1>rappling with the trauma of the confrontation of what it

0:16:05.240 --> 0:16:08.000
<v Speaker 1>means to be hunted by police, what it means to

0:16:08.000 --> 0:16:10.880
<v Speaker 1>be seen as a target, as this violent offender tell

0:16:10.920 --> 0:16:15.000
<v Speaker 1>me about that story because we got to see, honestly,

0:16:15.280 --> 0:16:19.120
<v Speaker 1>not just the he didn't become a hashtag right, right,

0:16:19.160 --> 0:16:23.440
<v Speaker 1>So we actually get to see the traumatic impact of

0:16:23.520 --> 0:16:28.040
<v Speaker 1>that confrontation with the campus police and being at gunpoint

0:16:28.080 --> 0:16:30.880
<v Speaker 1>and how you're supposed to the right way or not,

0:16:31.080 --> 0:16:33.760
<v Speaker 1>how you move through that. Yeah, I mean, we really

0:16:33.800 --> 0:16:36.160
<v Speaker 1>wanted to get into the humanity of it is sort

0:16:36.200 --> 0:16:39.120
<v Speaker 1>of beyond the kind of issue based sort of storytelling

0:16:39.160 --> 0:16:41.160
<v Speaker 1>that you kind of find and other shows about this

0:16:41.240 --> 0:16:43.760
<v Speaker 1>sort of topic where it's like it happens one week

0:16:43.960 --> 0:16:46.680
<v Speaker 1>and then the characters move on, or a character has

0:16:46.680 --> 0:16:49.000
<v Speaker 1>tragically died, or you know, it's sort of like a

0:16:49.040 --> 0:16:53.160
<v Speaker 1>one time thing. You know. When we have these experiences

0:16:53.480 --> 0:16:55.600
<v Speaker 1>in the world, they live in us for the rest

0:16:55.600 --> 0:16:59.360
<v Speaker 1>of our lives. And I think the Reggie's life after

0:16:59.680 --> 0:17:02.480
<v Speaker 1>the experience with the campus police and how he is

0:17:02.520 --> 0:17:06.280
<v Speaker 1>dealing with that trauma, to me, was the most interesting

0:17:06.359 --> 0:17:09.679
<v Speaker 1>and helpful part about his journey. And I think, you know,

0:17:09.840 --> 0:17:13.160
<v Speaker 1>for Reggie, to me, Reggie really is the heart of

0:17:13.320 --> 0:17:16.160
<v Speaker 1>the show. He has our gut, you know what I mean, Like,

0:17:16.560 --> 0:17:20.239
<v Speaker 1>you know, Sam and Lionel fight over our intellect, and

0:17:20.480 --> 0:17:22.600
<v Speaker 1>the Coco has the one liners, and she gives us

0:17:22.640 --> 0:17:25.200
<v Speaker 1>some of our spirit, But Reggie is our heart, you know.

0:17:25.400 --> 0:17:28.840
<v Speaker 1>And I'm very invested in showing, you know, what it

0:17:28.880 --> 0:17:32.680
<v Speaker 1>looks like to become the man that you project yourself

0:17:32.680 --> 0:17:34.520
<v Speaker 1>to be at the beginning of a journey like this,

0:17:35.080 --> 0:17:37.680
<v Speaker 1>and then when you encounter hardships and you realize how

0:17:37.680 --> 0:17:39.880
<v Speaker 1>difficult and traumatic it is to sort of live up

0:17:39.920 --> 0:17:42.800
<v Speaker 1>to your own sort of way you see yourself. I'm

0:17:42.920 --> 0:17:46.760
<v Speaker 1>very invested in showing Reggie doing that successfully and showing

0:17:46.880 --> 0:17:49.320
<v Speaker 1>us how to do it. And you know, I think

0:17:49.359 --> 0:17:51.840
<v Speaker 1>we give him a lot of obstacles to overcome because

0:17:51.840 --> 0:17:54.040
<v Speaker 1>those are the ones we're overcoming ourselves. Like you know,

0:17:54.080 --> 0:17:57.080
<v Speaker 1>in season three, he sort of finds a savior figure

0:17:57.280 --> 0:18:00.639
<v Speaker 1>in Blair Underwood, and I think we all certainly that

0:18:00.800 --> 0:18:03.600
<v Speaker 1>the especially when we were making that season, I certainly

0:18:04.040 --> 0:18:07.040
<v Speaker 1>was grappling with, you know, what do you do when

0:18:07.760 --> 0:18:12.200
<v Speaker 1>these heroes in your head have helped you overcome time

0:18:12.200 --> 0:18:15.280
<v Speaker 1>and time again all of the negative thinking that society

0:18:15.280 --> 0:18:18.399
<v Speaker 1>has sort of put on me when those heroes themselves

0:18:18.400 --> 0:18:23.760
<v Speaker 1>are found wanting or divisive or dangerous or you know,

0:18:23.920 --> 0:18:26.000
<v Speaker 1>we were losing the heroes left and right, and certainly

0:18:26.000 --> 0:18:28.960
<v Speaker 1>with the Me Too movement, you know, I think necessarily so,

0:18:29.280 --> 0:18:32.560
<v Speaker 1>but still like for black people, these aren't just entertainers

0:18:32.720 --> 0:18:35.240
<v Speaker 1>or interesting people. These are the people who made us

0:18:35.280 --> 0:18:37.560
<v Speaker 1>feel like we could do anything. And these are people

0:18:37.600 --> 0:18:38.840
<v Speaker 1>who made us feel like we could get out of

0:18:38.840 --> 0:18:41.240
<v Speaker 1>bed at the boarding and make us feel like we're worthy.

0:18:41.600 --> 0:18:43.600
<v Speaker 1>What do we do when those people let us down?

0:18:43.760 --> 0:18:46.680
<v Speaker 1>How do we find those resources in ourselves? I think

0:18:46.720 --> 0:18:49.440
<v Speaker 1>that's really the journey of Reggie. And you know, in

0:18:49.480 --> 0:18:52.399
<v Speaker 1>that way, he sort of you know, for me, he

0:18:52.480 --> 0:18:55.399
<v Speaker 1>represents where my heart has been at each year that

0:18:55.440 --> 0:18:58.720
<v Speaker 1>we've made the show. Whatever's happening with Reggie, like that

0:18:59.000 --> 0:19:03.760
<v Speaker 1>is saying something about me emotionally. It's a sort of

0:19:03.800 --> 0:19:08.800
<v Speaker 1>like sneak peek into my into my inner psyche, as

0:19:08.800 --> 0:19:12.080
<v Speaker 1>it were. Yeah, yeah, the way that you have just

0:19:12.320 --> 0:19:17.320
<v Speaker 1>developed these characters, how you know connected people have become

0:19:17.359 --> 0:19:19.919
<v Speaker 1>to them. Does it surprise you the way that people

0:19:20.040 --> 0:19:23.720
<v Speaker 1>have connected so much to deer white people? And I

0:19:23.760 --> 0:19:26.360
<v Speaker 1>know that you said like I can't imagine what it's

0:19:26.440 --> 0:19:29.920
<v Speaker 1>like to land the plane on a journey like this.

0:19:30.280 --> 0:19:33.160
<v Speaker 1>How do you do that? I guess is really the question,

0:19:33.280 --> 0:19:36.000
<v Speaker 1>like is it a gut feeling that you were like,

0:19:36.119 --> 0:19:38.280
<v Speaker 1>we have to wrap this up, or I know how

0:19:38.280 --> 0:19:40.120
<v Speaker 1>to wrap this up, or I feel like it's time

0:19:40.160 --> 0:19:42.000
<v Speaker 1>to wrap it up. You know, the thing about this

0:19:42.080 --> 0:19:44.520
<v Speaker 1>era of TV is that we never knew at the

0:19:44.640 --> 0:19:46.800
<v Speaker 1>end of each season if we were coming back or

0:19:46.840 --> 0:19:48.760
<v Speaker 1>for how long we were coming back, and so I

0:19:48.880 --> 0:19:50.919
<v Speaker 1>never really had the luxury of being able to plot

0:19:50.920 --> 0:19:54.399
<v Speaker 1>out like what the show was going to definitively be.

0:19:55.040 --> 0:19:58.040
<v Speaker 1>But I certainly, you know, I've always known for me anyway,

0:19:58.040 --> 0:20:00.480
<v Speaker 1>with the show is really at its core about and

0:20:00.960 --> 0:20:03.359
<v Speaker 1>this season, I'm doing what I always do. I'm bringing

0:20:03.359 --> 0:20:06.480
<v Speaker 1>my whole heart into the process, the things that I'm

0:20:06.480 --> 0:20:09.320
<v Speaker 1>struggling with, the things that I'm excited about, the things

0:20:09.320 --> 0:20:11.720
<v Speaker 1>that I'm obsessed with, and I'm having all of my

0:20:11.760 --> 0:20:14.720
<v Speaker 1>writers do the same. And you know, we all love

0:20:14.800 --> 0:20:19.240
<v Speaker 1>these characters and so we want to respectfully bring their

0:20:19.280 --> 0:20:22.720
<v Speaker 1>storylines to a conclusion that feels honest and real. But

0:20:22.800 --> 0:20:25.680
<v Speaker 1>we also are just dealing with our shit in our art.

0:20:25.720 --> 0:20:28.480
<v Speaker 1>I mean, that's really what Dear White People is on

0:20:28.520 --> 0:20:30.400
<v Speaker 1>this side of it. You know, On one hand, I'm

0:20:30.400 --> 0:20:32.440
<v Speaker 1>not surprised that people connect to it, because I know,

0:20:32.720 --> 0:20:34.680
<v Speaker 1>I mean, we really put our foot in the show.

0:20:34.720 --> 0:20:37.199
<v Speaker 1>Like it is not like we're not just doing some bs,

0:20:37.240 --> 0:20:40.439
<v Speaker 1>like we are really actively thinking about all the choices

0:20:40.480 --> 0:20:42.919
<v Speaker 1>are going to the show. We're trying to like dig

0:20:42.960 --> 0:20:45.400
<v Speaker 1>really deep every season to put the things that are

0:20:45.440 --> 0:20:48.040
<v Speaker 1>really on our hearts in the show. And so, you know,

0:20:48.080 --> 0:20:50.080
<v Speaker 1>I think it's natural that people will connect to it

0:20:50.160 --> 0:20:52.000
<v Speaker 1>if you know the creative team is doing that on

0:20:52.040 --> 0:20:54.320
<v Speaker 1>a consistent basis. But on the other end, you know,

0:20:54.359 --> 0:20:56.880
<v Speaker 1>I don't expect that ever, So you know, I have

0:20:57.080 --> 0:21:02.040
<v Speaker 1>terrible self estates, so you know, I'm always a little

0:21:02.080 --> 0:21:05.240
<v Speaker 1>surprised where people like the things I do, which again

0:21:05.359 --> 0:21:08.040
<v Speaker 1>I am in therapy and we are working. We are

0:21:08.080 --> 0:21:11.240
<v Speaker 1>working on that. We are we are all a work

0:21:11.240 --> 0:21:16.560
<v Speaker 1>in progress. Listen, actively working on it. What does it

0:21:16.600 --> 0:21:20.960
<v Speaker 1>feel like to you to create these days? As you're

0:21:21.000 --> 0:21:24.399
<v Speaker 1>no longer a newbie right like, you have been in

0:21:24.440 --> 0:21:27.840
<v Speaker 1>this game now for quite some time. You have had

0:21:28.359 --> 0:21:31.320
<v Speaker 1>a lot of success. And again I say that to you.

0:21:31.320 --> 0:21:34.760
<v Speaker 1>You may you may challenge yourself in other ways, but

0:21:34.920 --> 0:21:37.920
<v Speaker 1>from the outside, I will say you've had tremendous success.

0:21:38.080 --> 0:21:40.919
<v Speaker 1>What does it mean to be a black queer creative

0:21:41.440 --> 0:21:45.160
<v Speaker 1>right now? For you in Hollywood it's a battle. It's

0:21:45.200 --> 0:21:48.400
<v Speaker 1>a battle. I am very grateful that I've had success

0:21:48.520 --> 0:21:52.120
<v Speaker 1>in that I get paid to do what I love

0:21:52.160 --> 0:21:54.119
<v Speaker 1>to do. But you know, all of the sort of

0:21:54.119 --> 0:21:57.760
<v Speaker 1>insecurities and this is not like a woe was Me situation,

0:21:57.840 --> 0:22:00.240
<v Speaker 1>but like you know, growing up queer in black is

0:22:00.280 --> 0:22:04.440
<v Speaker 1>not easy, period. It is not easy. And just to

0:22:04.480 --> 0:22:07.159
<v Speaker 1>get into the industry, you have to fight so hard

0:22:07.320 --> 0:22:09.760
<v Speaker 1>to get people to see you and to get people

0:22:09.840 --> 0:22:12.800
<v Speaker 1>to think of your stories as important as the other

0:22:12.840 --> 0:22:16.080
<v Speaker 1>stories that are dominating the culture. And once you get

0:22:16.119 --> 0:22:19.720
<v Speaker 1>in there, that drive doesn't really turn off that sort

0:22:19.760 --> 0:22:22.199
<v Speaker 1>of feeling that you know, people aren't getting it, or

0:22:22.240 --> 0:22:25.520
<v Speaker 1>they aren't seeing you, or you know, the difficulties of

0:22:25.600 --> 0:22:28.520
<v Speaker 1>making things for me versus you know, I'm looking at

0:22:28.640 --> 0:22:32.680
<v Speaker 1>my sort of white, straight counterparts. It's so evident all

0:22:32.720 --> 0:22:35.119
<v Speaker 1>the time that it's a little hard to sort of

0:22:35.160 --> 0:22:37.800
<v Speaker 1>not see some of the challenges that are in your way.

0:22:37.880 --> 0:22:41.280
<v Speaker 1>Even with success. And I think there is greater pressure

0:22:41.440 --> 0:22:45.800
<v Speaker 1>because especially you know, our folks, because we have so little,

0:22:45.880 --> 0:22:48.159
<v Speaker 1>we have so few pieces of content. When we do

0:22:48.240 --> 0:22:50.960
<v Speaker 1>get things, you know, we're very critical. And I think

0:22:50.960 --> 0:22:53.320
<v Speaker 1>that that's great. I think that's important, But there's a

0:22:53.320 --> 0:22:56.760
<v Speaker 1>lot of pressure to sort of tell everybody's story, but

0:22:56.840 --> 0:23:00.440
<v Speaker 1>tell your own and be truthful, and also form to

0:23:00.480 --> 0:23:03.200
<v Speaker 1>the marketplace just so you can have funding to do it.

0:23:03.280 --> 0:23:06.199
<v Speaker 1>That's a lot of things to juggle, and you know,

0:23:06.320 --> 0:23:08.320
<v Speaker 1>certainly the voices in my head that tell me I'm

0:23:08.359 --> 0:23:11.480
<v Speaker 1>not good enough, or I don't really belong here, or

0:23:11.760 --> 0:23:14.679
<v Speaker 1>I'm an imposter, all those voices are very much with me,

0:23:16.800 --> 0:23:18.600
<v Speaker 1>you know, as I do this work. You know, I'm

0:23:18.640 --> 0:23:22.120
<v Speaker 1>no different than anyone else who is dreaming to be

0:23:22.320 --> 0:23:24.800
<v Speaker 1>in this spot. You know, I'm still once you get there,

0:23:24.800 --> 0:23:26.720
<v Speaker 1>you're still the same. Your brain is still put together

0:23:26.760 --> 0:23:28.439
<v Speaker 1>the same way. You know. For me, it's really just

0:23:28.520 --> 0:23:33.840
<v Speaker 1>about like not letting success become a burden or become

0:23:33.880 --> 0:23:37.080
<v Speaker 1>a pressure point, or become, you know, sort of this

0:23:37.560 --> 0:23:40.040
<v Speaker 1>obstacle that can never be overcome, and to just try

0:23:40.040 --> 0:23:42.720
<v Speaker 1>to work for my most authentic self as much as

0:23:42.720 --> 0:23:44.880
<v Speaker 1>I can. And I think what I have to make

0:23:44.920 --> 0:23:47.520
<v Speaker 1>peace with is that, like I'm an artist that likes

0:23:47.600 --> 0:23:52.000
<v Speaker 1>to challenge. I like making things that challenge audiences to

0:23:52.040 --> 0:23:56.600
<v Speaker 1>watch differently, to grapple with questions when the thing is over,

0:23:56.880 --> 0:24:00.439
<v Speaker 1>And you know that's not always the same thing as

0:24:00.720 --> 0:24:04.520
<v Speaker 1>making something that's just popular and fun that makes people happy.

0:24:04.720 --> 0:24:08.040
<v Speaker 1>That's not my path. My path is to make things

0:24:08.080 --> 0:24:11.399
<v Speaker 1>that make us see ourselves differently. The response to that

0:24:11.520 --> 0:24:14.359
<v Speaker 1>is a very complicated thing. And you know, it's funny.

0:24:14.359 --> 0:24:16.240
<v Speaker 1>I was at Sundance this last time and everyone was

0:24:16.280 --> 0:24:18.159
<v Speaker 1>talking about like, well, Dear White People was such a

0:24:18.240 --> 0:24:20.080
<v Speaker 1>darling and it was such a huge hit and all

0:24:20.080 --> 0:24:22.000
<v Speaker 1>this kind of stuff, And I just remember at the

0:24:22.080 --> 0:24:24.480
<v Speaker 1>time when Dear White People came out, like, I didn't

0:24:24.520 --> 0:24:30.199
<v Speaker 1>feel that way. You know, the industry. No, I absolutely

0:24:30.240 --> 0:24:32.240
<v Speaker 1>did not feel like a darling of the industry. I was,

0:24:32.520 --> 0:24:34.280
<v Speaker 1>you know, having to fight all these battles just to

0:24:34.280 --> 0:24:37.159
<v Speaker 1>get a release to and have marketing budgets, and you know,

0:24:37.280 --> 0:24:41.280
<v Speaker 1>these Q and A's were routing man because Dear White

0:24:41.320 --> 0:24:43.760
<v Speaker 1>People at the time was still really new. The concept

0:24:43.800 --> 0:24:47.159
<v Speaker 1>of like a multi protagonist group of people of color

0:24:47.560 --> 0:24:50.880
<v Speaker 1>shot in the cinematic style and was weird and outside

0:24:50.920 --> 0:24:53.960
<v Speaker 1>the boy. That was like a new thing in twenty fourteen,

0:24:54.040 --> 0:24:56.000
<v Speaker 1>and you know, now it's sort of like a given.

0:24:56.080 --> 0:24:58.080
<v Speaker 1>But at the time, like people did not know what

0:24:58.160 --> 0:25:00.199
<v Speaker 1>to do with that movie or to do, you know,

0:25:00.280 --> 0:25:01.879
<v Speaker 1>not everybody knew what to do with it. It was

0:25:01.920 --> 0:25:06.520
<v Speaker 1>not like a universal embrace. You sort of remember that way,

0:25:06.600 --> 0:25:08.840
<v Speaker 1>which is interesting. But I just have to keep reminding

0:25:08.840 --> 0:25:11.600
<v Speaker 1>myself that, you know, I'm not doing it for just

0:25:11.800 --> 0:25:15.880
<v Speaker 1>unabashed popularity or you know, praise. I'm doing it because

0:25:16.000 --> 0:25:19.399
<v Speaker 1>I love art that makes us think and wakes us

0:25:19.480 --> 0:25:22.800
<v Speaker 1>up and inspires us and lights us on fire. That's

0:25:22.800 --> 0:25:26.080
<v Speaker 1>the kind of art I love to consume. So it's

0:25:26.119 --> 0:25:29.640
<v Speaker 1>not how do you stay grounded in that? Because that,

0:25:29.720 --> 0:25:32.760
<v Speaker 1>to me, I mean, that sounds beautiful and real and

0:25:33.240 --> 0:25:37.400
<v Speaker 1>incredibly authentic, and you're you're navigating that and holding that

0:25:37.920 --> 0:25:41.679
<v Speaker 1>in a town that is anything. But how do you

0:25:41.840 --> 0:25:45.400
<v Speaker 1>not let the perceived popularity get to your head? How

0:25:45.400 --> 0:25:48.640
<v Speaker 1>do you not like start to ride your own shit?

0:25:49.000 --> 0:25:53.119
<v Speaker 1>You know, essentially, and Twitter certainly makes it very hard

0:25:53.160 --> 0:25:55.919
<v Speaker 1>to ride your own ship. No, I mean, look, you know,

0:25:55.960 --> 0:25:59.199
<v Speaker 1>when I get a bad review, or you know, a

0:25:59.320 --> 0:26:02.320
<v Speaker 1>random person I don't know sort of makes, you know,

0:26:02.359 --> 0:26:04.040
<v Speaker 1>a big attempt to let me know they didn't like

0:26:04.160 --> 0:26:06.880
<v Speaker 1>something I did. You know, that stuff cuts really deep,

0:26:07.000 --> 0:26:09.120
<v Speaker 1>And I think for me, it's just been about trying

0:26:09.160 --> 0:26:12.920
<v Speaker 1>to break into the industry. It's always been about them,

0:26:13.240 --> 0:26:17.439
<v Speaker 1>whoever they are the audience, the executives, the public, whoever.

0:26:17.640 --> 0:26:19.800
<v Speaker 1>It's always been about, like, you know, how do they

0:26:19.840 --> 0:26:22.840
<v Speaker 1>see me? And my value is only as high as

0:26:23.000 --> 0:26:26.400
<v Speaker 1>other people decide that it is. And on the other

0:26:26.440 --> 0:26:29.359
<v Speaker 1>side of you know, having a breakthrough success like I

0:26:29.400 --> 0:26:31.600
<v Speaker 1>did with Dear White People at the movie and the show,

0:26:31.840 --> 0:26:35.320
<v Speaker 1>is sort of having an internal sense of when I've

0:26:35.359 --> 0:26:37.720
<v Speaker 1>done something and when I've completed something, and when I've

0:26:37.720 --> 0:26:41.280
<v Speaker 1>achieved something that you know, is separate from its reception,

0:26:41.520 --> 0:26:45.240
<v Speaker 1>it's box office, it's whatever, it's acceptance into this festival

0:26:45.320 --> 0:26:47.680
<v Speaker 1>where that I have to have something going on inside

0:26:47.680 --> 0:26:50.840
<v Speaker 1>of me that tells me good job, justin that is separate.

0:26:51.080 --> 0:26:54.719
<v Speaker 1>Even while I make things for other people, obviously, you know,

0:26:54.760 --> 0:26:57.640
<v Speaker 1>I want audiences to come to my stuff and to

0:26:57.680 --> 0:26:59.679
<v Speaker 1>get things out of it. But it really has been

0:26:59.720 --> 0:27:03.159
<v Speaker 1>about developing that internal sense of you know, this is

0:27:03.200 --> 0:27:06.399
<v Speaker 1>good enough and you're okay, and here's another story that

0:27:06.640 --> 0:27:11.720
<v Speaker 1>is worth telling. Yeah. Do you think that we will

0:27:12.000 --> 0:27:16.080
<v Speaker 1>see whenever we come out of this current moment, whenever

0:27:16.160 --> 0:27:19.280
<v Speaker 1>we come out of this global pandemic and we start

0:27:19.320 --> 0:27:22.320
<v Speaker 1>to rehabit the new Earth, as people are saying, and

0:27:22.480 --> 0:27:26.000
<v Speaker 1>we find ourselves further along in this transition. What do

0:27:26.000 --> 0:27:29.840
<v Speaker 1>you think that the responsibility will be of art to

0:27:29.920 --> 0:27:32.520
<v Speaker 1>kind of tell the story of what we're going through

0:27:33.400 --> 0:27:36.080
<v Speaker 1>and how we're going through it. I hope the responsibility

0:27:36.080 --> 0:27:39.159
<v Speaker 1>will be taken with honesty. I think this is going

0:27:39.200 --> 0:27:41.320
<v Speaker 1>to be a very hard thing to make sense of

0:27:42.359 --> 0:27:45.320
<v Speaker 1>while we're experiencing it. I think we're all trying to.

0:27:45.680 --> 0:27:48.080
<v Speaker 1>I think it's important to try to like explain and

0:27:48.080 --> 0:27:50.119
<v Speaker 1>talk about what it's like as we're going through it.

0:27:50.160 --> 0:27:52.560
<v Speaker 1>But I really feel like we're not really going to

0:27:52.560 --> 0:27:56.119
<v Speaker 1>know what this meant until we're out of it, and

0:27:56.520 --> 0:27:58.320
<v Speaker 1>you know, it's going to take some time to really

0:27:58.720 --> 0:28:02.240
<v Speaker 1>truthfully lect on this time period because while we're going

0:28:02.240 --> 0:28:05.000
<v Speaker 1>through we're all still gathering so much information, we're still

0:28:05.080 --> 0:28:07.320
<v Speaker 1>processing it, you know. So I hope the response to

0:28:07.320 --> 0:28:09.600
<v Speaker 1>it will be an honest one. Otherwise, you know, I

0:28:09.640 --> 0:28:11.720
<v Speaker 1>don't want it to just be like tragedy born or

0:28:11.800 --> 0:28:14.640
<v Speaker 1>like you know, or escapism either where we just never

0:28:14.760 --> 0:28:16.919
<v Speaker 1>deal with it ever, you know, I sort of, you know,

0:28:17.000 --> 0:28:18.840
<v Speaker 1>but I don't know what it means yet. You know,

0:28:19.160 --> 0:28:21.960
<v Speaker 1>we haven't gotten to that new Earth. I don't, you know.

0:28:22.000 --> 0:28:24.760
<v Speaker 1>I there's so many things that this pandemic is going

0:28:24.800 --> 0:28:27.840
<v Speaker 1>to have an effect on that we cannot imagine right now.

0:28:28.080 --> 0:28:30.000
<v Speaker 1>You know, part of me just wants to sit quietly

0:28:30.040 --> 0:28:33.080
<v Speaker 1>and watch and see what this is going to do.

0:28:33.240 --> 0:28:36.240
<v Speaker 1>You know, I'm certainly hopeful about certain aspects of it,

0:28:36.400 --> 0:28:39.640
<v Speaker 1>but I'm terrified about others, especially the economic impact on

0:28:40.000 --> 0:28:43.920
<v Speaker 1>the world and this country, and specifically on people who color.

0:28:43.960 --> 0:28:47.640
<v Speaker 1>Of course, black folks are you know, being affected disproportionately

0:28:47.640 --> 0:28:50.720
<v Speaker 1>by this pandemic, which to me is not a surprise. No,

0:28:50.800 --> 0:28:53.239
<v Speaker 1>it is not if youven paying attention. Yeah, but what

0:28:53.280 --> 0:28:56.120
<v Speaker 1>does that mean for us afterwards? You know, I'm still

0:28:56.360 --> 0:28:59.520
<v Speaker 1>absorbing and grappling with that. Yeah, it's all really interesting,

0:28:59.560 --> 0:29:02.440
<v Speaker 1>and I think think that it varies in how and

0:29:02.600 --> 0:29:05.000
<v Speaker 1>who I talk to, right in what industry that they

0:29:05.000 --> 0:29:07.520
<v Speaker 1>happen to be in, the politicals that I talk to,

0:29:07.720 --> 0:29:10.400
<v Speaker 1>they're talking about, you know, the responsibility of government and

0:29:10.400 --> 0:29:14.400
<v Speaker 1>how people will see leadership. Differently for folks that are writers,

0:29:14.440 --> 0:29:17.440
<v Speaker 1>you know, actors, they're thinking about like, you know, how

0:29:17.480 --> 0:29:19.680
<v Speaker 1>do I tell this story and what does this story

0:29:19.760 --> 0:29:22.280
<v Speaker 1>look like moving forward? And I guess we will wait

0:29:22.280 --> 0:29:24.160
<v Speaker 1>and see. But one of the last questions that I

0:29:24.200 --> 0:29:28.280
<v Speaker 1>always ask people on PM mood is, how do you

0:29:28.320 --> 0:29:34.400
<v Speaker 1>get in the mood to change the world? Boy, to

0:29:34.520 --> 0:29:38.320
<v Speaker 1>get in the mood to change the world. For me,

0:29:39.000 --> 0:29:42.520
<v Speaker 1>it always has to be about returning to myself. I

0:29:42.560 --> 0:29:47.600
<v Speaker 1>can't change the world unless I change myself, and unless I,

0:29:47.880 --> 0:29:50.600
<v Speaker 1>you know, try to remove the obstacles within me to

0:29:50.840 --> 0:29:54.240
<v Speaker 1>my greater self and my higher purposes. You know. For me,

0:29:54.320 --> 0:29:57.120
<v Speaker 1>it's about being as careful as I can with myself

0:29:57.120 --> 0:29:59.560
<v Speaker 1>and as gentle as I can with myself. For me,

0:29:59.600 --> 0:30:02.920
<v Speaker 1>it's about out of a Buddhist practice, it's about therapy.

0:30:03.440 --> 0:30:06.480
<v Speaker 1>It's about finding an outlet for all the things that

0:30:06.560 --> 0:30:09.600
<v Speaker 1>go through my head. It has to start with the individual,

0:30:09.680 --> 0:30:12.160
<v Speaker 1>I think it really does. You have to know yourself

0:30:12.160 --> 0:30:15.120
<v Speaker 1>and you have to know your own trauma and understand

0:30:15.160 --> 0:30:20.200
<v Speaker 1>your own reflexes to things to really effectively be able

0:30:20.200 --> 0:30:22.520
<v Speaker 1>to connect with other people and make change. So I

0:30:22.520 --> 0:30:25.080
<v Speaker 1>don't know, that's my sort of koumba y'all, little answer, Well,

0:30:25.120 --> 0:30:30.680
<v Speaker 1>I love it. Thank you justin so very much for

0:30:30.720 --> 0:30:32.760
<v Speaker 1>the work that you do, for the art that you create,

0:30:32.840 --> 0:30:35.040
<v Speaker 1>for the honesty that you have about all of it.

0:30:35.040 --> 0:30:37.920
<v Speaker 1>It's so tremendously refreshing, And every time I talk to you.

0:30:38.000 --> 0:30:41.440
<v Speaker 1>I'm like, oh, it's like a deep breath. I love

0:30:41.520 --> 0:30:45.959
<v Speaker 1>talking to you and I'm breath fresh. Share So please

0:30:46.040 --> 0:30:51.080
<v Speaker 1>stay safe, stay healthy, and hopefully I will see you

0:30:51.120 --> 0:30:53.240
<v Speaker 1>on the other side of all of this. Yes, I

0:30:53.240 --> 0:30:56.000
<v Speaker 1>can't wait to give you a big old hug. Will

0:30:56.040 --> 0:30:58.080
<v Speaker 1>we be able to do that again? I hope so.

0:30:58.520 --> 0:31:03.080
<v Speaker 1>I will find a way. I hope so find the

0:31:03.080 --> 0:31:08.000
<v Speaker 1>way to hug again in the introm air. Hugs to you,

0:31:10.400 --> 0:31:15.520
<v Speaker 1>Thank you, thanks for listening to this week's PM Mood.

0:31:15.720 --> 0:31:20.720
<v Speaker 1>Just a quick announcement, my other political podcast, Woke af Daily,

0:31:21.040 --> 0:31:25.560
<v Speaker 1>is now on Patreon. You get me five days a

0:31:25.600 --> 0:31:29.760
<v Speaker 1>week forget this, folks, just five dollars a month. That

0:31:30.040 --> 0:31:35.080
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0:31:35.160 --> 0:31:37.920
<v Speaker 1>a month. Thanks for staying loyal and helping to support

0:31:37.960 --> 0:31:41.520
<v Speaker 1>independent media. And you can continue listening to PM Mood

0:31:41.600 --> 0:31:46.720
<v Speaker 1>for free every single week. Stay in the PM mood

0:31:46.920 --> 0:31:47.920
<v Speaker 1>to change the world.