1 00:00:00,800 --> 00:00:03,000 Speaker 1: Maxie Miles is a production of a typical artists and 2 00:00:03,040 --> 00:00:06,920 Speaker 1: I Heart Radio. She has made us hopeful that Riley 3 00:00:07,000 --> 00:00:11,920 Speaker 1: Stevens will be found, though no further evidence has been uncovered. 4 00:00:12,880 --> 00:00:17,080 Speaker 1: Once again, if you have any pertinent information, please visit 5 00:00:17,160 --> 00:00:23,200 Speaker 1: Sheriff Combs at his office in City Hall. Only one 6 00:00:23,239 --> 00:00:26,560 Speaker 1: week until the opening of the Harvest Festival spotted by 7 00:00:26,640 --> 00:00:29,600 Speaker 1: Minotaur Mining. This really is shaping up to be the 8 00:00:29,680 --> 00:00:34,680 Speaker 1: best festival we've ever had. Safety is of course still paramount, 9 00:00:34,960 --> 00:00:37,519 Speaker 1: so if you'd like to volunteer for the festival patrol. 10 00:00:39,400 --> 00:00:46,199 Speaker 1: Good morning, What are you doing breakfast? Max? Did you 11 00:00:46,200 --> 00:00:50,360 Speaker 1: put oil in this pan? Of course you're cooking bacon. 12 00:00:51,080 --> 00:00:58,320 Speaker 1: So what are you doing? Max? It's Saturday? Why are 13 00:00:58,320 --> 00:01:01,080 Speaker 1: you up so early? I've got to go to the store, remember, 14 00:01:01,400 --> 00:01:06,240 Speaker 1: And I thought you might like breakfast. That's very sweet. 15 00:01:06,760 --> 00:01:10,280 Speaker 1: I can be sweet, I know that, Max, So why 16 00:01:10,319 --> 00:01:15,120 Speaker 1: do you sound suspicious? With very value? Attempt at breakfast? 17 00:01:15,160 --> 00:01:17,720 Speaker 1: Has nothing to do with the fact that you're grounded 18 00:01:17,800 --> 00:01:22,840 Speaker 1: until you're forty, of course not. I think your reaction 19 00:01:23,000 --> 00:01:30,600 Speaker 1: was totally reasonable, right Max. I appreciate that you're trying 20 00:01:30,720 --> 00:01:33,080 Speaker 1: to make up for the other night, but it's going 21 00:01:33,200 --> 00:01:37,199 Speaker 1: to take a a while to really trust you. Again, 22 00:01:37,640 --> 00:01:40,520 Speaker 1: that's not fair. I wasn't doing anything wrong. You're in 23 00:01:40,560 --> 00:01:43,760 Speaker 1: the woods at night after I explicitly told you not to. 24 00:01:44,040 --> 00:01:45,640 Speaker 1: It's not like I was there alone. It was a 25 00:01:45,680 --> 00:01:48,440 Speaker 1: search party, which I said you couldn't join after you 26 00:01:48,520 --> 00:01:51,440 Speaker 1: nearly broke your ankle on the last one. Okay, that's 27 00:01:51,480 --> 00:01:57,480 Speaker 1: an exaggeration. Can't you understand why I might be worried 28 00:01:57,560 --> 00:02:00,240 Speaker 1: about you, Max, why I would do anything to keep 29 00:02:00,240 --> 00:02:03,480 Speaker 1: you safe even if it annoys you. This isn't about 30 00:02:03,600 --> 00:02:06,560 Speaker 1: me being annoyed. This is about the fact that I'm 31 00:02:06,600 --> 00:02:08,600 Speaker 1: the first one to have made any kind of break 32 00:02:08,639 --> 00:02:11,600 Speaker 1: in Riley's case by getting lost in the woods. Ross 33 00:02:11,639 --> 00:02:13,960 Speaker 1: and I were the ones to find his backpack, not 34 00:02:14,080 --> 00:02:17,440 Speaker 1: the sheriff, not community Watch. This isn't about me wanting 35 00:02:17,440 --> 00:02:21,200 Speaker 1: to to solve a mystery or something. This is about Wiley. 36 00:02:21,360 --> 00:02:24,320 Speaker 1: I know you're worried. We're all worried. I think he 37 00:02:24,360 --> 00:02:27,959 Speaker 1: could be in real danger. Joe, why did you find 38 00:02:28,000 --> 00:02:34,320 Speaker 1: something out? No, it's just I mean, he's been missing 39 00:02:34,320 --> 00:02:37,160 Speaker 1: for so long now, I know, But don't you get it. 40 00:02:37,400 --> 00:02:39,959 Speaker 1: I'm worried about Riley, of course I am, But I 41 00:02:40,000 --> 00:02:43,840 Speaker 1: am absolutely terrified if anything happeny to you. Look after 42 00:02:43,919 --> 00:02:48,400 Speaker 1: your parents. But this isn't that we, Miles have a 43 00:02:48,400 --> 00:02:52,360 Speaker 1: tendency to throw ourselves into situations we can't control. And 44 00:02:52,480 --> 00:02:55,400 Speaker 1: you think that's what happened to mom and Dad. I 45 00:02:55,400 --> 00:02:59,000 Speaker 1: don't know. I don't know what they were doing driving 46 00:02:59,040 --> 00:03:00,920 Speaker 1: all the way out to peaks. But but that's not 47 00:03:01,000 --> 00:03:04,520 Speaker 1: the point. But don't you ever wonder, to be honest, Max, 48 00:03:05,520 --> 00:03:08,440 Speaker 1: I'm not sure what difference it would make. They're still gone, 49 00:03:08,919 --> 00:03:11,800 Speaker 1: but we don't know why they're gone, why they were there. 50 00:03:12,040 --> 00:03:14,480 Speaker 1: There's no rhyme or reason to these things, as much 51 00:03:14,520 --> 00:03:17,959 Speaker 1: as we want there to be. Okay, this is That's 52 00:03:17,960 --> 00:03:21,000 Speaker 1: why I need you to be careful. No matter how 53 00:03:21,080 --> 00:03:23,200 Speaker 1: much you think you know what you're doing, there are 54 00:03:23,280 --> 00:03:33,280 Speaker 1: so many things out of your control. From a typical 55 00:03:33,360 --> 00:03:36,120 Speaker 1: artists and I heart radio. You're listening to Max and Miles. 56 00:04:00,520 --> 00:04:07,640 Speaker 1: This chapter seven, the ghost any word on what they 57 00:04:07,640 --> 00:04:10,600 Speaker 1: found and runs backpack. Nothing that useful. I guess they've 58 00:04:10,600 --> 00:04:12,640 Speaker 1: expanded the search to the other side of Root three 59 00:04:12,680 --> 00:04:16,200 Speaker 1: oh two and of the White Mountains. Damn, if he's there, 60 00:04:16,240 --> 00:04:20,360 Speaker 1: they'll find him. Oh why is the code board? Maybe 61 00:04:20,360 --> 00:04:30,320 Speaker 1: he was running from something. Yeah, maybe pack of pal 62 00:04:30,440 --> 00:04:41,960 Speaker 1: malls it. Oh hello, Ransom, Hi, there, those things are 63 00:04:42,000 --> 00:04:44,960 Speaker 1: awful for you. You know, I know this one keeps 64 00:04:44,960 --> 00:04:48,080 Speaker 1: telling me. Well, I do feel sort of responsible being 65 00:04:48,120 --> 00:04:49,880 Speaker 1: the one to sell them to you at all. Well, 66 00:04:49,880 --> 00:04:51,920 Speaker 1: if it makes you feel better, remember that I don't pay. 67 00:04:52,920 --> 00:04:55,560 Speaker 1: Speaking of put whatever, Miss honeywell here wants on the 68 00:04:55,640 --> 00:05:01,760 Speaker 1: Archer tab Ransom. That's really not nice, serry. Oh please please, 69 00:05:02,279 --> 00:05:08,239 Speaker 1: It's the least I can do. Oh well, all right, good, well, 70 00:05:08,320 --> 00:05:10,680 Speaker 1: I should get back to it. Working on a Saturday. 71 00:05:10,839 --> 00:05:12,840 Speaker 1: Every day is a business day when your family is 72 00:05:12,880 --> 00:05:14,760 Speaker 1: your work is your dad coming to town for the 73 00:05:14,760 --> 00:05:18,040 Speaker 1: Harvest festival as always, even though he doesn't bother to 74 00:05:18,040 --> 00:05:21,560 Speaker 1: actually live here, Warren Archer would never miss a hasting celebration. 75 00:05:22,040 --> 00:05:23,800 Speaker 1: He and Hal will do their double act at the 76 00:05:23,800 --> 00:05:26,360 Speaker 1: auction as usual, I have no doubt. I can't wait 77 00:05:26,360 --> 00:05:32,040 Speaker 1: to see it. Your father sounds delightful. Yeah, he's something. 78 00:05:32,839 --> 00:05:43,960 Speaker 1: I'll see you around, you will, Bi Max. I Well, 79 00:05:44,000 --> 00:05:46,279 Speaker 1: I just came in for some scotch tape and to 80 00:05:46,360 --> 00:05:50,440 Speaker 1: check in about this afternoon. But it Ransom's paying, I 81 00:05:50,440 --> 00:05:52,560 Speaker 1: think I'll get a box of that very fancy hands. 82 00:05:56,560 --> 00:06:04,000 Speaker 1: So you and Ransome seemed to getting along. He's a 83 00:06:04,080 --> 00:06:09,279 Speaker 1: very nice man. Sure, what did he mean? It's the 84 00:06:09,400 --> 00:06:13,960 Speaker 1: least he could do. Oh. We We happen to be 85 00:06:14,000 --> 00:06:16,040 Speaker 1: in the tavern the other night at the same time 86 00:06:16,240 --> 00:06:19,240 Speaker 1: and got to talking and well, he'd had a bit 87 00:06:19,279 --> 00:06:22,440 Speaker 1: to drink and was telling me about some personal issues 88 00:06:22,480 --> 00:06:25,839 Speaker 1: he was having. What kind of personal issues? No, I'm 89 00:06:25,839 --> 00:06:28,919 Speaker 1: not going to go spreading around rumors. Was it about 90 00:06:28,920 --> 00:06:31,280 Speaker 1: the new mine? I know that the Archers bought mint 91 00:06:31,360 --> 00:06:33,080 Speaker 1: or Mining, so I'm not going to tell you what 92 00:06:33,160 --> 00:06:37,040 Speaker 1: Ransom and I privately discussed Max, but I gave him 93 00:06:37,080 --> 00:06:41,960 Speaker 1: some advice. We bonded. It was nice. Ms honeywell are 94 00:06:42,000 --> 00:06:50,360 Speaker 1: you are you dating Ransome Archer? No? No, nothing like that, 95 00:06:51,680 --> 00:06:59,200 Speaker 1: not yet anyway. Wow, Okay that surprises you. Why didn't 96 00:06:59,520 --> 00:07:04,400 Speaker 1: think that you go for someone like Ransom Archer? Really? 97 00:07:05,200 --> 00:07:10,720 Speaker 1: Why is that? It's just he has a bit of 98 00:07:10,760 --> 00:07:18,480 Speaker 1: a reputation. I guess what kind of reputation? Oh? Hey, Ross, Miles, 99 00:07:18,600 --> 00:07:23,320 Speaker 1: Uh do you know, miss Honeywell, this is Ross. Lovely 100 00:07:23,360 --> 00:07:27,120 Speaker 1: to meet you. Ross. Yeah, you too. Any friend of 101 00:07:27,200 --> 00:07:30,400 Speaker 1: Max's is a friend of mine. Oh, I wouldn't call 102 00:07:30,480 --> 00:07:36,840 Speaker 1: us friends. Yeah, I'm more like neighbors, right, neighbors. Well, 103 00:07:36,880 --> 00:07:39,000 Speaker 1: I know that Max here is the best neighbor you 104 00:07:39,000 --> 00:07:41,800 Speaker 1: could ask for. You're still up for coming by the 105 00:07:41,880 --> 00:07:44,520 Speaker 1: end later today? Yep, I'll be there right after work, 106 00:07:45,280 --> 00:07:48,080 Speaker 1: and I'm sure you'll be getting a call from my 107 00:07:48,200 --> 00:07:52,160 Speaker 1: uncle making sure I show up. So sorry about that 108 00:07:52,240 --> 00:07:57,120 Speaker 1: in advance, No apologies needed. He's a good parent. Yeah, 109 00:07:58,880 --> 00:08:02,640 Speaker 1: all right, then I'll be off. Thank you as always, Max. 110 00:08:03,440 --> 00:08:12,200 Speaker 1: Nice to meet you, Ross. Yeah, YouTube, did she pay 111 00:08:12,360 --> 00:08:15,160 Speaker 1: for any of that stuff? I guess you don't have 112 00:08:15,280 --> 00:08:18,760 Speaker 1: to pay when you're cozy with Ransom Archer. I'm sorry? 113 00:08:18,800 --> 00:08:21,000 Speaker 1: Are you saying that Ransom Archer is dating the new 114 00:08:21,040 --> 00:08:26,160 Speaker 1: girl in town? Something like that? What I mean? You 115 00:08:26,440 --> 00:08:30,960 Speaker 1: like Miss Honeywell, right, You think she's a good person? Yeah, 116 00:08:31,160 --> 00:08:34,240 Speaker 1: so it sucks that she's dating Ransom. That guy's the worst. 117 00:08:34,960 --> 00:08:38,319 Speaker 1: I know that he's entitled and snobbish and kind of blunt, 118 00:08:38,400 --> 00:08:43,800 Speaker 1: but but what I don't know. I was hoping to 119 00:08:43,840 --> 00:08:45,680 Speaker 1: figure something out by the time I got to the 120 00:08:45,760 --> 00:08:51,640 Speaker 1: end of that sentence. All right, so what are you 121 00:08:51,640 --> 00:08:56,000 Speaker 1: doing over at the maple Thorpe later? Oh, Miss Honeywell 122 00:08:56,080 --> 00:09:04,280 Speaker 1: asked me to look into well haunting, haunting not actually 123 00:09:04,320 --> 00:09:06,840 Speaker 1: that's just you know what she's calling it. She thinks 124 00:09:06,840 --> 00:09:09,679 Speaker 1: someone might be sneaking into the inn or something because 125 00:09:09,679 --> 00:09:13,600 Speaker 1: there's weird sounds, but nothing has been stolen, not that 126 00:09:13,640 --> 00:09:16,320 Speaker 1: there's much to steal. I mean, the place is barely 127 00:09:16,320 --> 00:09:19,240 Speaker 1: open while she does renovations, so you're gonna sniff out 128 00:09:19,240 --> 00:09:22,960 Speaker 1: whoever's causing the noise or whatever. I have a feeling 129 00:09:22,960 --> 00:09:26,800 Speaker 1: that's a raccoon or something. Ah. Yes, Big city Lady 130 00:09:26,840 --> 00:09:36,040 Speaker 1: doesn't know about the woodland creatures exactly. So you want 131 00:09:36,040 --> 00:09:39,640 Speaker 1: to come over later to the treehouse. I mean, I mean, 132 00:09:39,679 --> 00:09:41,959 Speaker 1: I know you're basically under house arrest and everything, but 133 00:09:42,240 --> 00:09:46,720 Speaker 1: well your backyard is basically our backyard, right exactly. So 134 00:09:47,400 --> 00:09:54,079 Speaker 1: you'll come over once you're done at the end. Yeah, sure, cool, cool, cool, 135 00:09:54,280 --> 00:10:02,160 Speaker 1: cool cool cool ross are you okay? Yeah, there's just something, 136 00:10:03,240 --> 00:10:08,480 Speaker 1: there's something I need to talk to you about. Oh okay, right, 137 00:10:08,559 --> 00:10:13,560 Speaker 1: so I'll see you later then, Yeah, okay, see you later. 138 00:10:16,160 --> 00:10:47,120 Speaker 1: It's fine, it'll be fine. So as you can see 139 00:10:47,160 --> 00:10:51,000 Speaker 1: where a bitten shambles at the moment, it's not so bad. 140 00:10:52,240 --> 00:10:55,040 Speaker 1: How did you end up buying this place? Anyway? Old 141 00:10:55,200 --> 00:10:58,360 Speaker 1: Mrs Maplethorpe wanted to retire and I wanted a change 142 00:10:58,360 --> 00:11:02,199 Speaker 1: of pace. It was very serendipitous. I never would have 143 00:11:02,240 --> 00:11:04,440 Speaker 1: guessed she would have sold it to someone from New York. 144 00:11:05,200 --> 00:11:10,440 Speaker 1: Mrs Maplethorpe was always a bit old fashioned, that's one 145 00:11:10,520 --> 00:11:13,680 Speaker 1: way to put it. The maple Thorpes are an old 146 00:11:13,760 --> 00:11:17,760 Speaker 1: Hastings family, as old as the Archers, and Mrs maple 147 00:11:17,800 --> 00:11:20,720 Speaker 1: Thorpe was the last one left. I didn't think she'd 148 00:11:20,720 --> 00:11:25,160 Speaker 1: want to give her family's legacy to well, an outsider. 149 00:11:25,520 --> 00:11:30,079 Speaker 1: I'm not exactly an outsider. What what do you mean? 150 00:11:30,440 --> 00:11:33,640 Speaker 1: Are you from Hastings. I used to have family up 151 00:11:33,679 --> 00:11:36,840 Speaker 1: this way, not for a long time, but recent enough 152 00:11:36,920 --> 00:11:41,720 Speaker 1: that Mrs Maplethorpe was familiar with the name Wow which 153 00:11:41,720 --> 00:11:44,440 Speaker 1: so despite the vague connection, I still feel I don't 154 00:11:44,480 --> 00:11:48,200 Speaker 1: know much about this place. There's not much to know. Really. 155 00:11:48,840 --> 00:11:52,440 Speaker 1: Hastings is pretty straightforward. It was built on minds, like 156 00:11:52,480 --> 00:11:55,840 Speaker 1: a lot of towns around here, and hasn't changed much 157 00:11:55,880 --> 00:11:58,160 Speaker 1: over the years. But the old mine is closed now, 158 00:11:58,600 --> 00:12:01,920 Speaker 1: isn't it. M M. It was run by the Archers, 159 00:12:01,920 --> 00:12:05,040 Speaker 1: but then they got more invested in real estate. They 160 00:12:05,080 --> 00:12:08,000 Speaker 1: own half of Hastings and a ski resort twenty miles 161 00:12:08,000 --> 00:12:11,800 Speaker 1: outside of town. People were pretty mad when they did that. Really, 162 00:12:12,360 --> 00:12:15,600 Speaker 1: why people in Hastings don't want to drive twenty miles 163 00:12:15,600 --> 00:12:19,079 Speaker 1: to work and they've gotten used to the Archers providing employment, 164 00:12:19,160 --> 00:12:22,880 Speaker 1: I guess. But now there's this new mining company coming 165 00:12:22,920 --> 00:12:25,840 Speaker 1: in and the Archers are investing in it, so I 166 00:12:25,880 --> 00:12:28,160 Speaker 1: guess everyone will go back to doing what they want 167 00:12:28,200 --> 00:12:32,080 Speaker 1: to do. You don't sound very happy about that. I 168 00:12:32,080 --> 00:12:34,880 Speaker 1: I want people to have jobs, of course, even if 169 00:12:34,880 --> 00:12:38,080 Speaker 1: it is one family that's employed the town for centuries. 170 00:12:38,120 --> 00:12:41,760 Speaker 1: But I just I wish it wasn't something that wasn't 171 00:12:41,760 --> 00:12:46,240 Speaker 1: destroying the environment. Is that why the Archers shut down 172 00:12:46,240 --> 00:12:50,600 Speaker 1: the old coal mine? No way. They don't care about 173 00:12:50,600 --> 00:12:53,959 Speaker 1: global warming any more than mayor Hell does. Most people 174 00:12:53,960 --> 00:12:57,360 Speaker 1: in this town don't. It seems that despite their weight 175 00:12:57,400 --> 00:13:01,400 Speaker 1: in this town, the Archers aren't very well liked. It 176 00:13:01,559 --> 00:13:04,640 Speaker 1: really depends on who you talk to. I think some 177 00:13:04,679 --> 00:13:09,720 Speaker 1: people appreciate what they've done for Hastings, but most people don't. Well, 178 00:13:11,200 --> 00:13:14,520 Speaker 1: no one really hangs out with the Archers. They've always 179 00:13:14,520 --> 00:13:18,240 Speaker 1: been a bit separate from the rest of us, and 180 00:13:18,320 --> 00:13:22,559 Speaker 1: Ransom is the only one who lives here full time. Correct, Yeah, 181 00:13:22,720 --> 00:13:26,440 Speaker 1: the rest of them have scattered. Guess they outgrew Hastings. 182 00:13:26,840 --> 00:13:33,560 Speaker 1: Has Ransom ever been married any kids? You know? Definitely not? Wait, sorry, 183 00:13:33,800 --> 00:13:40,000 Speaker 1: are you asking because you're interested in those things with him? Because? No, goodness, no, 184 00:13:41,120 --> 00:13:44,600 Speaker 1: I'm just curious about people. That's all a hazard of 185 00:13:44,600 --> 00:13:49,800 Speaker 1: being in the hotel business. I suppose, Ah, that will 186 00:13:49,840 --> 00:13:54,920 Speaker 1: be our ghost. Come on, how often has this been happening? 187 00:13:55,120 --> 00:13:57,360 Speaker 1: There doesn't seem to be a pattern to it. I've 188 00:13:57,360 --> 00:14:00,560 Speaker 1: certainly noticed it more late in the evening. But does 189 00:14:00,640 --> 00:14:03,880 Speaker 1: happen a few times throughout the day? And how long 190 00:14:03,920 --> 00:14:07,440 Speaker 1: has it been going on? Almost a week now, I'd 191 00:14:07,440 --> 00:14:11,040 Speaker 1: wager odd thoughts and creeks too deliberate to be the 192 00:14:11,080 --> 00:14:16,960 Speaker 1: house settling. Who has access to the inn? Well myself 193 00:14:17,000 --> 00:14:20,800 Speaker 1: of course. Mrs Maplethorpe technically still has keys, though she 194 00:14:20,920 --> 00:14:24,160 Speaker 1: never leaves her house these days. The contractor, but he 195 00:14:24,280 --> 00:14:28,560 Speaker 1: lives in Berlin, so he's only down here occasionally. Patrick 196 00:14:28,640 --> 00:14:31,000 Speaker 1: has been kind enough to help out with some repairs. 197 00:14:31,320 --> 00:14:35,680 Speaker 1: Patrick Who's Patrick Patrick Beatty? We met at the hardware 198 00:14:35,720 --> 00:14:41,840 Speaker 1: store and he very generously offered his handyman expertise. Mr Beatty. 199 00:14:42,200 --> 00:14:46,000 Speaker 1: Mr Beatty has been helping you. Oh you know him. Yeah, 200 00:14:46,000 --> 00:14:51,000 Speaker 1: he's my neighbor. Isn't he just the sweetest Uh No, 201 00:14:51,920 --> 00:14:58,000 Speaker 1: not really, That's not how I describe him. Really, he's 202 00:14:58,000 --> 00:15:00,160 Speaker 1: been a wonderful pal to have around while ily this 203 00:15:00,240 --> 00:15:04,360 Speaker 1: place up. He's been around a lot, somewhat sporadically, but 204 00:15:04,560 --> 00:15:06,840 Speaker 1: he seems to come by whenever he has a moment free. 205 00:15:08,440 --> 00:15:14,440 Speaker 1: How would you describe him? Oh, he's always been the 206 00:15:14,920 --> 00:15:18,760 Speaker 1: scary old man in our neighborhood. Honestly, he doesn't say much. 207 00:15:18,800 --> 00:15:22,760 Speaker 1: He's not very sociable. I'll admit that he's a tough customer, 208 00:15:23,000 --> 00:15:24,960 Speaker 1: but he's really a big teddy bear once you get 209 00:15:25,000 --> 00:15:27,480 Speaker 1: to know him. And I think his standoffish nature is 210 00:15:27,520 --> 00:15:33,400 Speaker 1: perfectly understandable given everything he's gone through. You mean his family, so, 211 00:15:33,560 --> 00:15:37,440 Speaker 1: you know, not really just that he used to have one. 212 00:15:37,880 --> 00:15:42,600 Speaker 1: His son died thirty years ago. Oh my god. I 213 00:15:43,920 --> 00:15:47,320 Speaker 1: thought maybe he gotten divorced or something. Nothing. Well, he 214 00:15:47,480 --> 00:15:50,680 Speaker 1: did get divorced, I mean, I mean, I think that's 215 00:15:50,720 --> 00:15:55,680 Speaker 1: quite common after the loss of a child. God, poor 216 00:15:55,800 --> 00:15:59,840 Speaker 1: Mr Beatie. Do you know what happened? He went missing 217 00:15:59,840 --> 00:16:04,120 Speaker 1: in woods. They found him a few days later he'd fallen. 218 00:16:04,520 --> 00:16:08,320 Speaker 1: That's right. My uncle said that happened to a teenager 219 00:16:08,360 --> 00:16:10,480 Speaker 1: when he was just a baby. I think the poor 220 00:16:10,520 --> 00:16:13,400 Speaker 1: man has been in pain most of his life, and 221 00:16:13,520 --> 00:16:17,640 Speaker 1: this whole situation with Riley has him even more rattled. Really, 222 00:16:18,440 --> 00:16:21,360 Speaker 1: he doesn't show it, but I know he cares very 223 00:16:21,440 --> 00:16:23,720 Speaker 1: much about the kids in this town. I'll have to 224 00:16:23,720 --> 00:16:26,680 Speaker 1: take your word for it. It's a bit hard to believe. 225 00:16:27,560 --> 00:16:31,320 Speaker 1: Has Pat really been unkind to you? No, not to me, 226 00:16:31,520 --> 00:16:36,720 Speaker 1: but well, Ross, who you met earlier. He and Mr 227 00:16:36,760 --> 00:16:44,720 Speaker 1: Beaty have always clashed. I see this, Ross. Are you 228 00:16:44,800 --> 00:16:50,360 Speaker 1: too close? Um? We've known each other for a long time. 229 00:16:51,160 --> 00:16:55,320 Speaker 1: Mm hmm. You seemed quite nervous when he came into 230 00:16:55,360 --> 00:16:59,720 Speaker 1: the store, did I. It's been a weird couple of days. 231 00:17:00,080 --> 00:17:03,600 Speaker 1: I'm just tired. Max Ras seems like a nice young man, 232 00:17:04,880 --> 00:17:07,439 Speaker 1: but I would be careful with him. Boys at that 233 00:17:07,480 --> 00:17:10,440 Speaker 1: age you can't always trust them to look out for you. 234 00:17:11,440 --> 00:17:13,760 Speaker 1: Why are you telling me this? It seems like the 235 00:17:13,760 --> 00:17:16,720 Speaker 1: two of you have a connection. Well, I wouldn't go 236 00:17:16,880 --> 00:17:19,680 Speaker 1: that for and I just want you to be careful. 237 00:17:20,560 --> 00:17:23,159 Speaker 1: I've seen bright young women destroyed by clever boys with 238 00:17:23,280 --> 00:17:26,800 Speaker 1: nice smiles before well, I really don't know what you mean. 239 00:17:27,160 --> 00:17:33,040 Speaker 1: Just be careful. Okay. Well, first of all, it's ross, 240 00:17:33,240 --> 00:17:36,160 Speaker 1: and second of all, I do trust him. I don't 241 00:17:36,200 --> 00:17:38,080 Speaker 1: know what you think is going on between us, but 242 00:17:38,119 --> 00:17:41,480 Speaker 1: I know I can rely on him. That's what you think? No, 243 00:17:41,800 --> 00:17:44,439 Speaker 1: I know he's my friend. You're saying you don't have 244 00:17:44,520 --> 00:17:50,400 Speaker 1: any more serious feelings for him. There it is again, Max. 245 00:17:51,040 --> 00:17:53,919 Speaker 1: You don't have any guests here currently, right, No, no 246 00:17:53,960 --> 00:17:56,680 Speaker 1: one should be up here. Have you noticed any fur 247 00:17:56,880 --> 00:17:59,800 Speaker 1: or animal droppings? Do you think it's an animal? I 248 00:18:00,040 --> 00:18:04,920 Speaker 1: think that's the most likely explanation, but you don't think so. 249 00:18:06,000 --> 00:18:09,600 Speaker 1: I I'm not sure. It seems too big to be 250 00:18:09,640 --> 00:18:12,720 Speaker 1: an animal. What else could it be someone trying to 251 00:18:12,800 --> 00:18:18,840 Speaker 1: steal something, to do something? Miss Honey? Will do you 252 00:18:18,880 --> 00:18:41,280 Speaker 1: think you're in danger? Max? Be careful? Wait Riley, Max? 253 00:18:41,359 --> 00:18:48,080 Speaker 1: Are you all right? It it was Riley? It looked 254 00:18:48,200 --> 00:18:53,480 Speaker 1: like right, that's not possible, but we're just talking about Riley. 255 00:18:53,520 --> 00:18:55,760 Speaker 1: It makes sense that in a high stress situation you 256 00:18:55,840 --> 00:19:01,080 Speaker 1: might think you saw him right, right, because it couldn't 257 00:19:01,119 --> 00:19:05,240 Speaker 1: be him if he's been here all alone. No, he wouldn't. 258 00:19:06,040 --> 00:19:09,560 Speaker 1: He wouldn't hide. That doesn't make any sense. But it 259 00:19:09,640 --> 00:19:15,120 Speaker 1: does seem like a person, not an animal. I need 260 00:19:15,160 --> 00:19:17,479 Speaker 1: to find out what they want. Well, maybe it's just 261 00:19:17,760 --> 00:19:22,399 Speaker 1: someone who needs a home. Of course, I wish they 262 00:19:22,400 --> 00:19:26,800 Speaker 1: hadn't run. Perhaps we could have helped. Well, whoever they were, 263 00:19:27,640 --> 00:19:30,199 Speaker 1: I'm not sure they'll be back. I didn't get a 264 00:19:30,200 --> 00:19:32,439 Speaker 1: good look at their face, but they seemed it. They 265 00:19:32,440 --> 00:19:53,359 Speaker 1: seemed what scared really really scared. M Max. You're here. Yeah, listen, 266 00:19:53,800 --> 00:19:57,159 Speaker 1: something weird happened at the end. What is it really haunted? 267 00:19:58,280 --> 00:20:01,639 Speaker 1: Not exactly, but look, whatever is it? Can wait? I 268 00:20:01,760 --> 00:20:06,480 Speaker 1: have to tell you something, Ross, Are you okay? Yeah? 269 00:20:06,000 --> 00:20:08,480 Speaker 1: I look when I tell you what I'm about to 270 00:20:08,480 --> 00:20:10,960 Speaker 1: tell you, I need you to not freak out. I 271 00:20:11,000 --> 00:20:17,320 Speaker 1: won't freak out. I'm serious, Max, Ross, What is going on? Okay? 272 00:20:18,080 --> 00:20:20,840 Speaker 1: So the other night when we were in the woods, 273 00:20:21,119 --> 00:20:24,639 Speaker 1: what about it? I, oh, man, you're gonna think I'm nuts. 274 00:20:25,600 --> 00:20:29,760 Speaker 1: I promise I won't. Whatever it is, you can tell me, 275 00:20:30,119 --> 00:20:39,160 Speaker 1: it won't. It won't change anything. You say that now, Okay. 276 00:20:39,240 --> 00:20:43,359 Speaker 1: So when we found Riley's backpack, I was I was 277 00:20:43,440 --> 00:20:46,280 Speaker 1: really freaked out, I guess, And after hearing that whole 278 00:20:46,320 --> 00:20:49,720 Speaker 1: conversation that Mr Beady had, I don't know. I started 279 00:20:49,760 --> 00:20:53,040 Speaker 1: to get in my head that you were right. Thanks, 280 00:20:54,240 --> 00:20:56,960 Speaker 1: wait right about what that you really are the one 281 00:20:57,000 --> 00:20:59,680 Speaker 1: that's going to figure this out, not the community watch. 282 00:21:00,560 --> 00:21:03,560 Speaker 1: I think Mr Colmes is trying his best, But you 283 00:21:03,680 --> 00:21:09,200 Speaker 1: take risks, Max, You're fearless. I'm not fearless. You act 284 00:21:09,240 --> 00:21:11,920 Speaker 1: like you are, which is almost the same thing. And 285 00:21:12,800 --> 00:21:15,880 Speaker 1: I wanted to take a risk too, to take things 286 00:21:15,880 --> 00:21:23,679 Speaker 1: into our own hands. Okay, before we handed the backpack 287 00:21:23,720 --> 00:21:26,320 Speaker 1: over to the sheriff, when we were walking into city Hall, 288 00:21:27,720 --> 00:21:34,600 Speaker 1: I took this ross. This is Riley's notebook. I know 289 00:21:36,320 --> 00:21:39,399 Speaker 1: this is evidence that this isn't just some half baked 290 00:21:39,440 --> 00:21:43,840 Speaker 1: theories about Mr Beatie that you know you have to 291 00:21:43,880 --> 00:21:49,880 Speaker 1: give this to the sheriff. I know, except except what 292 00:21:49,880 --> 00:21:58,639 Speaker 1: what's inside the notebook. It's gonna change everything. Maxie Miles 293 00:21:58,680 --> 00:22:00,639 Speaker 1: was created by Lauren Chippin as a production of A 294 00:22:00,720 --> 00:22:03,680 Speaker 1: Typical Artists and I Heart Radio. This episode was written 295 00:22:03,680 --> 00:22:06,960 Speaker 1: and directed by Lauren Chippen, dialog, editing and sound designed 296 00:22:06,960 --> 00:22:09,920 Speaker 1: by Morrissy Owing at Flack Creek Productions, with editing assistance 297 00:22:09,960 --> 00:22:13,640 Speaker 1: from Laurian Davis and Melissa Ponds. It featured Jordan cob 298 00:22:13,680 --> 00:22:17,480 Speaker 1: as Maxie Miles MAXI follow as Ross Heller, Michael Smallwood 299 00:22:17,520 --> 00:22:21,160 Speaker 1: as Uncle Joe, Jacqueline Landgraph as Miss Honeywell, Andrew Noach 300 00:22:21,200 --> 00:22:24,840 Speaker 1: at Ransom Archer, and Lauren Chippen as the Manager. Original 301 00:22:24,920 --> 00:22:27,640 Speaker 1: artwork by Shane mcclowen. For more information about the show, 302 00:22:28,000 --> 00:22:30,520 Speaker 1: please visit Maxie Miles dot com and follow at a 303 00:22:30,560 --> 00:22:33,920 Speaker 1: Typical Artists on Twitter and Instagram. Maxie Miles is executive 304 00:22:33,960 --> 00:22:36,080 Speaker 1: produced by Lauren Shippen and I Heart Radio and for 305 00:22:36,160 --> 00:22:38,880 Speaker 1: more podcasts from my heart Radio, visit the iHeart Radio app, 306 00:22:39,040 --> 00:22:41,520 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows. 307 00:22:41,720 --> 00:22:43,840 Speaker 1: Thank you for listening, and Keith Curious