1 00:00:00,040 --> 00:00:03,480 Speaker 1: First of all, you don't know me. We're all about 2 00:00:03,480 --> 00:00:06,280 Speaker 1: that high school drama. Girl drama, girl, all about them 3 00:00:06,360 --> 00:00:09,520 Speaker 1: high school queens. We'll take you for a ride at 4 00:00:09,560 --> 00:00:14,680 Speaker 1: our comic girl cheering for the right drama queens up 5 00:00:14,800 --> 00:00:17,240 Speaker 1: girl fashion. But you'll tough. Girls. You could sit with 6 00:00:17,320 --> 00:00:21,160 Speaker 1: us Girl Drama, Queens, Drama, Queen's Drama, Queen's Drama drawn 7 00:00:21,200 --> 00:00:27,840 Speaker 1: McQueen's Drama Queens. Oh, hello, friends in One tree, hell family, 8 00:00:28,280 --> 00:00:31,159 Speaker 1: this is an exciting episode for us today. We we 9 00:00:31,240 --> 00:00:36,760 Speaker 1: are on season two, episode eight, Bitter Truth, Brook, Haley, 10 00:00:36,800 --> 00:00:39,320 Speaker 1: and Anna have a summer party in Haley's apartment where 11 00:00:39,400 --> 00:00:43,279 Speaker 1: secrets and lies are revealed and there's a pillow fight. Meanwhile, 12 00:00:43,520 --> 00:00:45,600 Speaker 1: Lucas and Nathan go on a road trip to a 13 00:00:45,600 --> 00:00:49,680 Speaker 1: Bobcat's game and Nathan reveals he is actually being tested 14 00:00:49,720 --> 00:00:52,360 Speaker 1: for the genetic defect that caused Dan's heart attack and 15 00:00:52,440 --> 00:00:55,760 Speaker 1: asks Lucas to do the same. After an awkward encounter 16 00:00:55,800 --> 00:00:59,319 Speaker 1: with Keith and Jules, Karen and Andy Sharon spicy night 17 00:00:59,400 --> 00:01:04,320 Speaker 1: together and this episode honestly give me more. When she said, oh, 18 00:01:04,360 --> 00:01:09,840 Speaker 1: professor I almost passed out. Um, But guys, this episode 19 00:01:09,880 --> 00:01:13,200 Speaker 1: started in such an like a deeply nostalgic place for 20 00:01:13,240 --> 00:01:16,600 Speaker 1: me because this is the opener where Brooke Davis drops 21 00:01:16,600 --> 00:01:19,760 Speaker 1: the line about diaries, how good girls keep diaries and 22 00:01:19,840 --> 00:01:23,840 Speaker 1: bad girls don't have time, and oh man, I don't 23 00:01:23,880 --> 00:01:26,800 Speaker 1: know what it is about that line, but it it 24 00:01:26,880 --> 00:01:29,440 Speaker 1: really put me in all my feelings. At the top 25 00:01:29,480 --> 00:01:34,520 Speaker 1: of the episode, I mean, like, do we want evidence? 26 00:01:34,560 --> 00:01:36,760 Speaker 1: Do we want that trail of bread combs where people 27 00:01:36,760 --> 00:01:39,920 Speaker 1: know what we've been up to me? No, you gotta 28 00:01:40,000 --> 00:01:42,440 Speaker 1: light that paper trail on fire. Listen. I was literally 29 00:01:42,440 --> 00:01:44,920 Speaker 1: with a girlfriend of mine this morning having coffee, and 30 00:01:45,160 --> 00:01:48,040 Speaker 1: she was telling me about her grandmother, her like scandalous grandmother, 31 00:01:48,080 --> 00:01:50,040 Speaker 1: and when her grandmother died, she had a box of 32 00:01:50,120 --> 00:01:53,160 Speaker 1: letters that she was that she ordered the grandchildren to 33 00:01:53,240 --> 00:01:55,960 Speaker 1: burn and they sat there at the fire. They're like, 34 00:01:55,960 --> 00:01:58,320 Speaker 1: do we read them? Do we read them? Bad girls? 35 00:01:58,400 --> 00:02:01,760 Speaker 1: Bad girls burn the letters. That's what happens. Um Alright, 36 00:02:02,040 --> 00:02:04,320 Speaker 1: so we don't have joy with us this week. We 37 00:02:04,440 --> 00:02:06,840 Speaker 1: have a fabulous guest joining us in just a little 38 00:02:06,840 --> 00:02:09,160 Speaker 1: bit a big treat. But before we get into anything, 39 00:02:09,200 --> 00:02:11,040 Speaker 1: I want to address that this was such a big 40 00:02:11,080 --> 00:02:15,280 Speaker 1: episode for Haley because when the stars go blue, you know, 41 00:02:15,600 --> 00:02:18,200 Speaker 1: burst out onto the scene that has become kind of 42 00:02:18,240 --> 00:02:21,080 Speaker 1: a calling card for our show. The fans love it. 43 00:02:21,160 --> 00:02:26,240 Speaker 1: I've seen tyler An eight billion times. Um. Yeah, it's 44 00:02:26,280 --> 00:02:29,480 Speaker 1: such an iconic thing where Haley is finally like finding 45 00:02:29,520 --> 00:02:34,120 Speaker 1: her groove with Chris Keller. Um, and I loved I 46 00:02:34,160 --> 00:02:37,280 Speaker 1: love watching There's There's Spice together. I love it. The 47 00:02:37,360 --> 00:02:39,560 Speaker 1: chemistry between those two is so good. Hillary and I 48 00:02:39,600 --> 00:02:42,360 Speaker 1: were screaming while we were watching the episode about how 49 00:02:43,080 --> 00:02:46,840 Speaker 1: the chemistry between them and that booth gave us both goosebumps. 50 00:02:47,200 --> 00:02:51,799 Speaker 1: We were like, we're both sometimes I think that we're 51 00:02:51,840 --> 00:02:56,080 Speaker 1: like Haley Mills from The Parent Traps. She's got goose 52 00:02:56,080 --> 00:02:59,720 Speaker 1: bumps too. Um. Yes, George is in my lap right now. 53 00:02:59,760 --> 00:03:02,200 Speaker 1: So if you hear iPad, that's what that is. She 54 00:03:02,280 --> 00:03:04,920 Speaker 1: also loves tree Hill girl time, which we had a 55 00:03:04,919 --> 00:03:08,519 Speaker 1: lot of in this episode. Um. They look so good 56 00:03:08,560 --> 00:03:13,239 Speaker 1: together and they sing so well together. And he puts 57 00:03:13,280 --> 00:03:17,160 Speaker 1: Haley in a you know, he he kind of uses 58 00:03:17,160 --> 00:03:19,920 Speaker 1: all this gross language where he's like singing from somewhere deeper, 59 00:03:19,960 --> 00:03:22,000 Speaker 1: show me the thing you don't show anywhere else, and 60 00:03:22,080 --> 00:03:26,160 Speaker 1: it sounds growdy, but also he's making a point, you know, 61 00:03:26,560 --> 00:03:29,200 Speaker 1: like you've been able to mail this in you know 62 00:03:29,240 --> 00:03:33,600 Speaker 1: your tutor girl. Yeah. He he really says to her, 63 00:03:34,360 --> 00:03:37,680 Speaker 1: granted in creepy Chris Keller language, but he says to 64 00:03:37,720 --> 00:03:40,440 Speaker 1: her that she has to dig deeper and get vulnerable. 65 00:03:41,000 --> 00:03:43,280 Speaker 1: She needs to put her feelings out on the line. 66 00:03:43,360 --> 00:03:47,240 Speaker 1: She needs to reveal passion because you can hear it 67 00:03:47,360 --> 00:03:50,680 Speaker 1: and it's missing. You're not into the song. And what 68 00:03:50,760 --> 00:03:52,880 Speaker 1: I love about it is it's such a it's such 69 00:03:52,920 --> 00:03:57,720 Speaker 1: a part of this bigger metaphor that's going on with Haley. 70 00:03:57,920 --> 00:04:02,400 Speaker 1: And and Haley says, you know in the sleepover, enjoys 71 00:04:02,480 --> 00:04:04,200 Speaker 1: so beautiful. In the scene, she says, you know, I 72 00:04:04,280 --> 00:04:06,560 Speaker 1: just want something that's just for me. It's not for 73 00:04:06,600 --> 00:04:08,680 Speaker 1: my family, it's not for Nathan, It's for me. And 74 00:04:08,760 --> 00:04:12,640 Speaker 1: Chris can help me get it. And and when she says, 75 00:04:12,680 --> 00:04:14,320 Speaker 1: you know, I just want to be able to to 76 00:04:14,520 --> 00:04:16,880 Speaker 1: go for it, and we're all sitting there going, oh, 77 00:04:16,880 --> 00:04:19,880 Speaker 1: what like a guy? And these girls get to admit 78 00:04:20,000 --> 00:04:23,440 Speaker 1: that the double standard is hard for them even as teenagers, 79 00:04:23,480 --> 00:04:26,320 Speaker 1: seeing that guys are allowed to make mistakes and be 80 00:04:26,440 --> 00:04:30,719 Speaker 1: into people and have feelings, whether they're anger or sexual 81 00:04:31,000 --> 00:04:34,640 Speaker 1: or you know, goals whatever, It's all fine, you know, 82 00:04:34,720 --> 00:04:36,840 Speaker 1: she says, Nathan never has to make excuses for what 83 00:04:36,880 --> 00:04:40,640 Speaker 1: he wants. And and it's this beautiful moment where these 84 00:04:40,680 --> 00:04:46,440 Speaker 1: girls each together. You feel their determination to do things 85 00:04:46,440 --> 00:04:48,599 Speaker 1: a little differently, but they also don't have a roadmap. 86 00:04:48,640 --> 00:04:50,600 Speaker 1: They don't know how. But didn't you feel that way 87 00:04:50,640 --> 00:04:54,200 Speaker 1: growing up? I mean while even while the boys, I 88 00:04:54,240 --> 00:04:57,080 Speaker 1: feel that we're allowed to be lots of different things, 89 00:04:57,880 --> 00:05:03,120 Speaker 1: and you know, I I just remember feeling like, who's 90 00:05:03,120 --> 00:05:06,039 Speaker 1: going to take me? Seriously? You know, when you're a 91 00:05:06,080 --> 00:05:09,960 Speaker 1: teen drama actor, you can go on and do other stuff, right, 92 00:05:09,960 --> 00:05:12,720 Speaker 1: You're like James Vanderbeek and you're getting cast and you know, 93 00:05:12,800 --> 00:05:16,279 Speaker 1: like cool stuff on your hiatus. But when you're a 94 00:05:16,279 --> 00:05:18,560 Speaker 1: teen drama girl, you're kind of treated like, oh, you 95 00:05:18,640 --> 00:05:23,840 Speaker 1: little idiot, you know. And I always felt like, how 96 00:05:23,880 --> 00:05:27,080 Speaker 1: do I make you understand? How do I make you 97 00:05:27,200 --> 00:05:30,600 Speaker 1: see that I'm smart and capable and that I'm driven? 98 00:05:31,040 --> 00:05:33,159 Speaker 1: And that's what these four girls at the Somber party 99 00:05:33,160 --> 00:05:35,720 Speaker 1: are talking about. And and hell, yes, I mean give 100 00:05:35,760 --> 00:05:38,320 Speaker 1: me a break. All the dumb shirt the boys did 101 00:05:38,360 --> 00:05:39,919 Speaker 1: and we can say that because we're a family, we 102 00:05:40,000 --> 00:05:42,680 Speaker 1: love them. They never got criticized for any of it. 103 00:05:43,440 --> 00:05:46,440 Speaker 1: They never got dragged over the coals, and they did 104 00:05:46,480 --> 00:05:49,400 Speaker 1: ship that's weight dumber than we did. Yeah, I mean well, no, 105 00:05:49,520 --> 00:05:51,479 Speaker 1: I mean I I had a lot of fun in 106 00:05:51,480 --> 00:05:55,400 Speaker 1: Wilmington's I did a lot of that. I was so 107 00:05:55,440 --> 00:05:59,400 Speaker 1: self conscious about, like going out and dancing till two am, 108 00:05:59,520 --> 00:06:01,240 Speaker 1: Like I thought for sure I was going to be 109 00:06:01,440 --> 00:06:05,839 Speaker 1: just crucified for that. And I remember hearing people be like, oh, well, 110 00:06:05,960 --> 00:06:08,800 Speaker 1: Katie Holmes during Dawson's Creek would dance on top of 111 00:06:08,800 --> 00:06:11,159 Speaker 1: a bar. Good thing. No one ever found out about that, 112 00:06:11,720 --> 00:06:14,120 Speaker 1: And in my head, I'm like, well, what's wrong with that? 113 00:06:14,720 --> 00:06:17,440 Speaker 1: Like just having a good time. The boys all did 114 00:06:17,480 --> 00:06:24,160 Speaker 1: it too, so that double standard is definitely triggering for 115 00:06:24,200 --> 00:06:28,400 Speaker 1: me and I. We both were like, who wrote this episode? 116 00:06:28,680 --> 00:06:34,400 Speaker 1: Because it was clear it was a woman. She nailed it. Yeah. Uh, 117 00:06:34,520 --> 00:06:38,120 Speaker 1: Stacy rook Eiser, who has gone on to work on 118 00:06:38,360 --> 00:06:42,719 Speaker 1: shows that we really respect a lot. I loved Unreal too. 119 00:06:43,120 --> 00:06:45,200 Speaker 1: Unreal was such a good show because it just stripped 120 00:06:46,360 --> 00:06:52,799 Speaker 1: away from making television. Yeah. Yeah, yeah, it was really brilliant. 121 00:06:52,800 --> 00:06:55,680 Speaker 1: And it's interesting because we were you know, we've talked 122 00:06:55,680 --> 00:06:58,600 Speaker 1: a little bit about narcissism and things on our show before, 123 00:06:58,680 --> 00:07:02,480 Speaker 1: and there's a a central tenant to like what happens 124 00:07:02,480 --> 00:07:04,760 Speaker 1: when you're in a relationship with a narcissist, which is 125 00:07:05,320 --> 00:07:07,360 Speaker 1: you aren't really looked at as a person. You're looked 126 00:07:07,400 --> 00:07:11,960 Speaker 1: at as supply product. You're just a product. And that's 127 00:07:11,960 --> 00:07:14,760 Speaker 1: what it was like for us going through some of 128 00:07:14,760 --> 00:07:16,920 Speaker 1: the things we went through on our show. Nobody cared 129 00:07:16,960 --> 00:07:19,560 Speaker 1: about our feelings or experiences or our mental health because 130 00:07:19,560 --> 00:07:25,240 Speaker 1: we were a product. And exactly that's what they love 131 00:07:25,320 --> 00:07:28,760 Speaker 1: to tell us. And and there was something about watching 132 00:07:28,840 --> 00:07:33,720 Speaker 1: Unreal where they showed you and you said this last week, 133 00:07:33,760 --> 00:07:35,560 Speaker 1: you know, when you get to show it, not necessarily 134 00:07:35,600 --> 00:07:39,160 Speaker 1: say it. They showed you the reality of treating people 135 00:07:39,200 --> 00:07:43,160 Speaker 1: like products to make something, and it's gross and it 136 00:07:43,200 --> 00:07:45,640 Speaker 1: doesn't have to be that way. You know, we've all 137 00:07:45,680 --> 00:07:47,600 Speaker 1: gone on to work on things where we're having the 138 00:07:47,680 --> 00:07:50,560 Speaker 1: opposite experience while we're making the things we love to make. 139 00:07:51,160 --> 00:07:55,400 Speaker 1: Were so cry at the end of the day, been 140 00:07:55,600 --> 00:07:58,960 Speaker 1: so nice here. I really love it, and so it's 141 00:07:59,000 --> 00:08:03,200 Speaker 1: really cool to have watched that show. It made me 142 00:08:03,320 --> 00:08:07,520 Speaker 1: feel like somebody got it. And to know that that 143 00:08:07,720 --> 00:08:11,559 Speaker 1: Stacy went to do that show. Having been on our show, 144 00:08:11,680 --> 00:08:13,280 Speaker 1: I was like, Oh, I want to ask her so 145 00:08:13,280 --> 00:08:14,960 Speaker 1: many questions. I can't wait to get her on. We 146 00:08:15,080 --> 00:08:16,960 Speaker 1: have to get her on this podcast. Because she also 147 00:08:17,000 --> 00:08:19,960 Speaker 1: did on tober Road with Greenberg. You know, she had 148 00:08:20,000 --> 00:08:21,760 Speaker 1: an opening. She was like, I'm gonna go do this 149 00:08:21,840 --> 00:08:28,920 Speaker 1: other thing with our beloved Jake Jibelski and by the way, 150 00:08:29,080 --> 00:08:31,240 Speaker 1: just to pick up her some more because we're so 151 00:08:31,320 --> 00:08:34,520 Speaker 1: impressed with everything she's ever done. Stacy also created one 152 00:08:34,520 --> 00:08:36,480 Speaker 1: of the biggest hit shows in the last like five 153 00:08:36,559 --> 00:08:42,120 Speaker 1: years of sex Life is huge, and you know she's 154 00:08:42,160 --> 00:08:47,480 Speaker 1: making a show about a woman's desire and exposing how 155 00:08:47,520 --> 00:08:51,440 Speaker 1: taboo we still think that is. It is and wow, 156 00:08:51,600 --> 00:08:55,319 Speaker 1: I'm just anyway, We're we're Stacy. If you're listening, we 157 00:08:55,480 --> 00:08:59,440 Speaker 1: love you, and we think that's all. Hey, but it 158 00:08:59,520 --> 00:09:03,160 Speaker 1: was deaf lea clear in the slumber party, from the fight, 159 00:09:03,320 --> 00:09:08,360 Speaker 1: the iconic fight. Yes, you know there's I'm not proud 160 00:09:08,400 --> 00:09:10,920 Speaker 1: of every single scene that Payton's ever been a part of. 161 00:09:11,160 --> 00:09:13,400 Speaker 1: You know, there's some real clunky stuff that I did 162 00:09:13,400 --> 00:09:16,040 Speaker 1: over the years, and I think we all feel that way. 163 00:09:16,080 --> 00:09:18,480 Speaker 1: But then there are certain scenes where you're like, oh, 164 00:09:18,520 --> 00:09:21,600 Speaker 1: this was magic. This was lightning in a bottle. And 165 00:09:21,640 --> 00:09:24,280 Speaker 1: there's a reason that people like use this as gifts 166 00:09:24,520 --> 00:09:27,640 Speaker 1: and they post this scene on the internet and fans 167 00:09:27,679 --> 00:09:30,320 Speaker 1: talk about it at conventions because when all of us 168 00:09:30,360 --> 00:09:34,600 Speaker 1: girls are calling each other out for our lives, that 169 00:09:34,840 --> 00:09:38,199 Speaker 1: is such an important part of female friendship. It is 170 00:09:38,240 --> 00:09:41,640 Speaker 1: something that I've lived personally, you know, and like we 171 00:09:41,880 --> 00:09:44,080 Speaker 1: you Joy and I have sat around and like had 172 00:09:44,120 --> 00:09:46,280 Speaker 1: these topics where it's like, wait, you said, what what 173 00:09:46,320 --> 00:09:48,600 Speaker 1: are you talking about? Let's clear the air, but what 174 00:09:48,640 --> 00:09:54,040 Speaker 1: about this um It makes total sense that a woman 175 00:09:54,559 --> 00:09:58,840 Speaker 1: was like boys, step aside, I'm gonna handle this one well. 176 00:09:58,840 --> 00:10:00,800 Speaker 1: And what I loved was get to the end of 177 00:10:00,840 --> 00:10:04,079 Speaker 1: it and you realize that there is a very human 178 00:10:04,160 --> 00:10:07,800 Speaker 1: tendency to keep secrets about things that you haven't figured 179 00:10:07,840 --> 00:10:11,720 Speaker 1: out or that you feel shame about. But the central 180 00:10:11,800 --> 00:10:16,040 Speaker 1: tenant of the Somber Party is you, as as Peyton saying, 181 00:10:16,120 --> 00:10:18,840 Speaker 1: I want us to be better friends. I want us 182 00:10:19,440 --> 00:10:20,880 Speaker 1: It's like, I want us be able to talk about 183 00:10:20,920 --> 00:10:23,280 Speaker 1: stuff even when it's ugly, especially when it's ugly. I 184 00:10:23,280 --> 00:10:27,040 Speaker 1: think that like that, or when it's hard, yeah that, 185 00:10:27,240 --> 00:10:29,960 Speaker 1: And that's the notion is that we should be better friends. 186 00:10:30,520 --> 00:10:32,720 Speaker 1: Let's be the kinds of friends who really talk about 187 00:10:32,760 --> 00:10:35,680 Speaker 1: everything and who can be a safe space to talk 188 00:10:36,200 --> 00:10:40,960 Speaker 1: about everything together. And I just really loved to The 189 00:10:41,000 --> 00:10:44,920 Speaker 1: slumber party is a sacred space in American culture. That is, 190 00:10:45,160 --> 00:10:47,560 Speaker 1: it's like going to church. You go to your slumber party, 191 00:10:47,800 --> 00:10:52,120 Speaker 1: you make your confessions. Maybe like take some sacramtical what 192 00:10:52,240 --> 00:10:58,120 Speaker 1: is it, sacramental wine, a sacramental face mask. Yeah. Wait, 193 00:10:58,160 --> 00:10:59,760 Speaker 1: So when you were going to the all girls high 194 00:10:59,760 --> 00:11:01,480 Speaker 1: schoo did you guys have summer parties that were you 195 00:11:01,480 --> 00:11:03,960 Speaker 1: so sick of each other by the end of the day. Yeah, 196 00:11:03,960 --> 00:11:06,360 Speaker 1: Oh my god. We slept over at each other's houses 197 00:11:06,400 --> 00:11:09,200 Speaker 1: all the time. It was so fun. And I think 198 00:11:09,200 --> 00:11:12,520 Speaker 1: it was, you know, part of how you learned to 199 00:11:12,600 --> 00:11:15,320 Speaker 1: be a little independent, because you know, you weren't staying 200 00:11:15,360 --> 00:11:17,319 Speaker 1: at home, but you were like staying at a house 201 00:11:17,320 --> 00:11:23,560 Speaker 1: where your best friend's parents were maybe yeah you know, um, yeah, 202 00:11:23,600 --> 00:11:28,120 Speaker 1: of course. It's like finding your independence and just wanting 203 00:11:28,160 --> 00:11:31,080 Speaker 1: to be with your friends all the time, not just 204 00:11:31,200 --> 00:11:34,640 Speaker 1: in school. The people I picked, yeah, these are my 205 00:11:34,760 --> 00:11:38,360 Speaker 1: people were forming our little village. What what was it 206 00:11:38,400 --> 00:11:42,760 Speaker 1: like at Parkview, Well, we started making movies. That was 207 00:11:42,800 --> 00:11:45,839 Speaker 1: like you know, I kind of made all my friends 208 00:11:45,880 --> 00:11:48,600 Speaker 1: do what I wanted to do. So I wanted to 209 00:11:48,600 --> 00:11:51,679 Speaker 1: make movies, and so all my girlfriends were like, okay, 210 00:11:51,840 --> 00:11:55,280 Speaker 1: so we would make all these like terrible movies, like 211 00:11:55,480 --> 00:11:59,320 Speaker 1: The Virgin's Revenge. We definitely made one called the Virgin's Revenge. 212 00:11:59,440 --> 00:12:03,960 Speaker 1: That someone's VHS somewhere about all the sluts named Crystal 213 00:12:04,000 --> 00:12:06,760 Speaker 1: who were murdered. You know. It's like when Scream came 214 00:12:06,800 --> 00:12:09,199 Speaker 1: out and it was Crystal with the C and Crystal 215 00:12:09,200 --> 00:12:11,760 Speaker 1: with a K, and they were really mean and this 216 00:12:12,000 --> 00:12:15,120 Speaker 1: virgin at school that they picked on murdered them. Um. 217 00:12:15,160 --> 00:12:17,880 Speaker 1: So that like, we had so much fun making stuff 218 00:12:17,880 --> 00:12:20,920 Speaker 1: because you have fun doing it and then you have 219 00:12:21,000 --> 00:12:24,720 Speaker 1: fun watching it, and then it becomes an inside joke. Um. 220 00:12:24,800 --> 00:12:27,360 Speaker 1: And so here we are, you know what, years later, 221 00:12:28,000 --> 00:12:30,599 Speaker 1: and my girlfriends and I are still joking about The 222 00:12:30,679 --> 00:12:32,760 Speaker 1: Virgin's Revenge and threatening to play it at each other's 223 00:12:32,760 --> 00:12:37,000 Speaker 1: weddings and things. Um. Yeah, it's a good time. And 224 00:12:37,080 --> 00:12:40,960 Speaker 1: I I don't know, I worry sometimes that the things 225 00:12:40,960 --> 00:12:43,400 Speaker 1: that we showed on One Tree Hill weren't accurate, but 226 00:12:43,960 --> 00:12:51,440 Speaker 1: I feel like this episode, these female conversations were incredibly accurate. Um. 227 00:12:51,480 --> 00:12:54,560 Speaker 1: I like that and the way that, you know, the 228 00:12:54,600 --> 00:12:58,000 Speaker 1: way that Stacy wrote it. They got to call each 229 00:12:58,000 --> 00:13:01,600 Speaker 1: other out, but it was more it felt more like 230 00:13:01,679 --> 00:13:05,800 Speaker 1: a calling in. It wasn't biggy No. What was under it, 231 00:13:06,000 --> 00:13:08,360 Speaker 1: at least as a viewer now, was why didn't you 232 00:13:08,400 --> 00:13:10,520 Speaker 1: tell me about this? Why did you do that? And 233 00:13:10,760 --> 00:13:14,640 Speaker 1: are you okay? You know when when Peyton having done 234 00:13:14,720 --> 00:13:17,280 Speaker 1: drugs with Rick is revealed, it's like, you're not going 235 00:13:17,360 --> 00:13:20,439 Speaker 1: to do that again? Are you? Like? Are you okay? 236 00:13:20,679 --> 00:13:23,720 Speaker 1: And I love what Peyton says to Broke when she's 237 00:13:23,800 --> 00:13:27,520 Speaker 1: trying to act like she's in control of this whole 238 00:13:27,520 --> 00:13:32,040 Speaker 1: situation with Felix, and you realize that Brooke is still 239 00:13:32,280 --> 00:13:36,800 Speaker 1: so hurt from that betrayal with Lucas, that it broke 240 00:13:36,840 --> 00:13:40,360 Speaker 1: her idea of falling in love and that she's trying 241 00:13:40,360 --> 00:13:45,720 Speaker 1: to figure out how to control a relationship. And and 242 00:13:45,840 --> 00:13:48,840 Speaker 1: you say the sweetest thing, you say, this is less 243 00:13:48,840 --> 00:13:54,880 Speaker 1: than you. It is though it really is, and it 244 00:13:56,040 --> 00:13:59,360 Speaker 1: I don't know, I just I loved it because you 245 00:13:59,440 --> 00:14:02,600 Speaker 1: realize is that you know, Brooks kind of puffing her 246 00:14:02,679 --> 00:14:08,240 Speaker 1: chest up and pretending to be somebody she really isn't. Well, 247 00:14:08,280 --> 00:14:11,400 Speaker 1: you know, there was the whole we We've talked at 248 00:14:11,480 --> 00:14:13,680 Speaker 1: length about them trying to sexy up our show every 249 00:14:13,720 --> 00:14:16,400 Speaker 1: time they get a chance. And then I feel like 250 00:14:16,400 --> 00:14:19,120 Speaker 1: when we get our female writers in, it's like they 251 00:14:19,160 --> 00:14:21,640 Speaker 1: reel it back in, you know. It's like they come 252 00:14:21,640 --> 00:14:24,040 Speaker 1: and they put the band aid on it and they're like, Okay, 253 00:14:24,080 --> 00:14:26,640 Speaker 1: you've shown her naked in the pool, and you've shown 254 00:14:26,640 --> 00:14:30,120 Speaker 1: her like sprawled out on this or that. Now we're 255 00:14:30,160 --> 00:14:33,800 Speaker 1: going to provide the subtext and you know, like make 256 00:14:33,840 --> 00:14:38,600 Speaker 1: it makes sense. Um. So I like that pendulum swing 257 00:14:39,240 --> 00:14:42,480 Speaker 1: um too. And one of the things I realized now 258 00:14:42,520 --> 00:14:48,360 Speaker 1: as an adult looking at these characters and especially broken Peyton, 259 00:14:48,400 --> 00:14:53,720 Speaker 1: as best friends who didn't have healthy relationships modeled for them, 260 00:14:54,000 --> 00:14:57,000 Speaker 1: is beginning to see where on our show we're getting 261 00:14:57,000 --> 00:15:00,240 Speaker 1: to model healthy relationships. And that I think is where 262 00:15:00,240 --> 00:15:04,840 Speaker 1: the stellar Karen and Andy storyline comes in. They are 263 00:15:05,320 --> 00:15:11,480 Speaker 1: having like a really intellectual and romantic courtship. They're connecting 264 00:15:11,520 --> 00:15:15,600 Speaker 1: over art and travel and and I don't know, I 265 00:15:16,280 --> 00:15:19,600 Speaker 1: love their energy so much, and I love that when 266 00:15:19,640 --> 00:15:24,520 Speaker 1: they have, uh, you know, a hurdle, it's it's over ethics. 267 00:15:25,200 --> 00:15:29,160 Speaker 1: It's because there's a misdirect Karen thinks that he didn't 268 00:15:29,200 --> 00:15:30,800 Speaker 1: read her paper and he gave her an a because 269 00:15:30,800 --> 00:15:34,840 Speaker 1: they're dating. And then he does this beautiful you know, 270 00:15:35,040 --> 00:15:38,040 Speaker 1: he kind of shakes her emotionally and says, like, stop it. 271 00:15:38,600 --> 00:15:40,560 Speaker 1: You're so much more prepared for this than you think 272 00:15:40,560 --> 00:15:42,920 Speaker 1: you are. You've owned a business and been a single mom. 273 00:15:43,040 --> 00:15:48,360 Speaker 1: You're good at this. Have more faith in yourself. Killed me. 274 00:15:48,680 --> 00:15:52,040 Speaker 1: We definitely wrote that one down. A mom and a 275 00:15:52,120 --> 00:15:57,240 Speaker 1: businesswoman has prepared you in ways you don't recognize. I 276 00:15:57,280 --> 00:16:00,960 Speaker 1: love him. Should we bring boyfriend in? I think it's 277 00:16:01,000 --> 00:16:07,320 Speaker 1: time guys are boyfriends here today? Um friends, We've got 278 00:16:07,360 --> 00:16:11,080 Speaker 1: the one and only Andy with us, Karen Hutchinson, bring 279 00:16:11,160 --> 00:16:23,600 Speaker 1: him in. Hello, Hi, bud Hi, here in Hi. Where 280 00:16:23,600 --> 00:16:28,200 Speaker 1: are you got? Well? So set the ranch? The ranch? Yeah, 281 00:16:28,400 --> 00:16:30,520 Speaker 1: she's in California and I'm in New York. I'm at 282 00:16:30,520 --> 00:16:34,720 Speaker 1: the farm. We all turned into agricultural people. How the 283 00:16:34,720 --> 00:16:38,120 Speaker 1: hell did that happens? So? Yeah, are you farming? What 284 00:16:38,200 --> 00:16:42,800 Speaker 1: are you doing? My friend? Farming? Suburban life? Perfect? Listen, 285 00:16:42,800 --> 00:16:46,960 Speaker 1: the suburbs are wild. I'm intimidated by the suburbs. Um. 286 00:16:47,000 --> 00:16:48,720 Speaker 1: The last time I saw you, I feel like, was 287 00:16:48,800 --> 00:16:52,040 Speaker 1: Tyler Hilton's wedding. I was just thinking that. Yeah, it 288 00:16:52,040 --> 00:16:56,280 Speaker 1: would have been Tyler Hilton's um and and Sophia. I 289 00:16:56,280 --> 00:17:00,520 Speaker 1: feel like we have a mutual friend, right, Yeah, let's 290 00:17:00,760 --> 00:17:03,240 Speaker 1: we started a birthday party. They talk about the same time, 291 00:17:03,280 --> 00:17:05,480 Speaker 1: like five years ago or something. Yes, yes, he back 292 00:17:05,480 --> 00:17:08,159 Speaker 1: when people could like go out and wander around and 293 00:17:08,560 --> 00:17:13,639 Speaker 1: conquergat h that sounds nice. Now we're just doing a podcast. Um. 294 00:17:13,960 --> 00:17:16,720 Speaker 1: I don't know if you have heard any of our episodes, 295 00:17:16,760 --> 00:17:23,679 Speaker 1: but we sure gush about you do. Um. Andy was 296 00:17:23,680 --> 00:17:27,760 Speaker 1: a sensation. Uh, walk us through, walk us through how 297 00:17:27,880 --> 00:17:32,800 Speaker 1: you became Andy? Andy? Yeah, it was so fun watching 298 00:17:32,800 --> 00:17:35,000 Speaker 1: the episode last night too. By the way, I haven't 299 00:17:35,000 --> 00:17:37,040 Speaker 1: seen any of this for, you know, so long. It's 300 00:17:37,040 --> 00:17:40,200 Speaker 1: a time cat wild. Yeah. It had a great idea 301 00:17:40,200 --> 00:17:41,879 Speaker 1: of doing this to you guys. Must pay them a 302 00:17:41,960 --> 00:17:43,800 Speaker 1: great time just seeing it all again. It's a funny. 303 00:17:45,440 --> 00:17:49,480 Speaker 1: It's fun. Okay, So how would I do? I? Um, Well, auditions, 304 00:17:49,800 --> 00:17:51,600 Speaker 1: remember it was quite a few auditions. It felt like 305 00:17:51,680 --> 00:17:55,280 Speaker 1: three four you know, produces, prereades, all that stuff back 306 00:17:55,280 --> 00:17:57,959 Speaker 1: when you used to go into rooms as well, you know, 307 00:17:58,160 --> 00:18:02,040 Speaker 1: back in the old days. Yeah, and uh yeah, and 308 00:18:02,040 --> 00:18:03,840 Speaker 1: the wad thing you know, it was American accident, no 309 00:18:03,920 --> 00:18:06,240 Speaker 1: way true. You know, he was just you know, the professor. 310 00:18:06,280 --> 00:18:08,720 Speaker 1: That was the thing. And on the last day, I 311 00:18:08,720 --> 00:18:12,400 Speaker 1: remember when I went in, uh, it was just with 312 00:18:12,440 --> 00:18:15,920 Speaker 1: Mark and and there was only one other guy who 313 00:18:15,920 --> 00:18:18,600 Speaker 1: went in before me. That's one of those weird things 314 00:18:18,960 --> 00:18:22,879 Speaker 1: where he came out looking you know that look you 315 00:18:22,920 --> 00:18:27,320 Speaker 1: give when you know you didn't do it. And I 316 00:18:27,359 --> 00:18:29,240 Speaker 1: was like, I've never I don't know who this guy is. 317 00:18:29,359 --> 00:18:31,960 Speaker 1: But I was like, okay, well I guess I should 318 00:18:31,960 --> 00:18:34,880 Speaker 1: do well then try to um. And then I went 319 00:18:34,920 --> 00:18:36,600 Speaker 1: in and uh, and Mark was like, oh, so I 320 00:18:36,600 --> 00:18:38,960 Speaker 1: found out over night that you're not from America and 321 00:18:38,960 --> 00:18:41,280 Speaker 1: that you're from New Zealand. I wouldn't mind hearing it 322 00:18:41,400 --> 00:18:45,520 Speaker 1: in that accent, just you know, just something different, which 323 00:18:45,520 --> 00:18:47,040 Speaker 1: I don't love doing because you know, when you learn 324 00:18:47,080 --> 00:18:49,240 Speaker 1: it one way, you kind of you have to switch quickly, 325 00:18:50,680 --> 00:18:54,360 Speaker 1: feel like a big switch. Yeah. Well for me, I'm 326 00:18:54,400 --> 00:18:55,960 Speaker 1: a bit better these days, but from back then it 327 00:18:56,080 --> 00:18:58,760 Speaker 1: used to be a bit more anxiety driven because I 328 00:18:58,760 --> 00:19:00,920 Speaker 1: would I would learn it, you know, by the lines, 329 00:19:01,080 --> 00:19:03,960 Speaker 1: rather than just switching into the accents. So yeah, I'd 330 00:19:04,040 --> 00:19:08,280 Speaker 1: end up with this weird hybrid sometimes mid Pacific, you 331 00:19:08,320 --> 00:19:13,560 Speaker 1: know where you sound like Madonna after she moved not 332 00:19:13,760 --> 00:19:17,600 Speaker 1: either place. Yeah, but to be honest, it did. It 333 00:19:17,640 --> 00:19:20,800 Speaker 1: did relax things. And he remember him saying, you know, 334 00:19:21,119 --> 00:19:22,800 Speaker 1: some of the lines made more sense because he was 335 00:19:22,840 --> 00:19:24,920 Speaker 1: so he had been traveling and he was still about 336 00:19:24,920 --> 00:19:27,159 Speaker 1: different columns and stuff, and he was like, that kind 337 00:19:27,160 --> 00:19:28,800 Speaker 1: of works, and I think that might have been the 338 00:19:28,800 --> 00:19:30,800 Speaker 1: thing that put it over the top, which is nice. 339 00:19:32,320 --> 00:19:33,879 Speaker 1: And there's always the news in my connection with One 340 00:19:33,880 --> 00:19:38,440 Speaker 1: Tree Hill anyway, because that's a monument in Auckland where Yeah, 341 00:19:39,000 --> 00:19:40,920 Speaker 1: and then became the U two song, which I think 342 00:19:40,960 --> 00:19:44,920 Speaker 1: is where you know our show title came from. Yeah, yeah, 343 00:19:45,960 --> 00:19:50,280 Speaker 1: did you grow up acting? Yeah? I mean since I 344 00:19:50,359 --> 00:19:52,719 Speaker 1: left high school professionally, but um yeah, I was always 345 00:19:53,240 --> 00:19:54,840 Speaker 1: since I was a kid, you know, in school plays 346 00:19:54,880 --> 00:19:57,960 Speaker 1: and all that stuff. What was literally Andy Duode? We 347 00:19:58,040 --> 00:20:02,119 Speaker 1: loved the Little Lucas. Where's that little Lucas? That tiny 348 00:20:02,200 --> 00:20:07,840 Speaker 1: trick t shirt? We did a spit take and where 349 00:20:07,960 --> 00:20:11,480 Speaker 1: was face? When you do it? Just she starts to 350 00:20:11,520 --> 00:20:14,040 Speaker 1: talk and then just swallows her own breath and looks 351 00:20:14,040 --> 00:20:17,639 Speaker 1: at the floor. It's it's so delicious watch it was 352 00:20:17,800 --> 00:20:21,920 Speaker 1: very right. Remember trying not to laugh from to take 353 00:20:21,960 --> 00:20:26,600 Speaker 1: when you did that? Were you doing musical theater as 354 00:20:26,640 --> 00:20:29,960 Speaker 1: a kid? Did your whole family act? What's this? Um? No, 355 00:20:30,280 --> 00:20:32,399 Speaker 1: not not an acting family at all. My dad was 356 00:20:33,600 --> 00:20:38,200 Speaker 1: and it was an ambulance chief actually, so we we 357 00:20:38,240 --> 00:20:41,600 Speaker 1: didn't come from an acting family. I just get bit 358 00:20:41,640 --> 00:20:43,159 Speaker 1: by the bug. I guess when I was, you know, 359 00:20:43,880 --> 00:20:47,479 Speaker 1: was eighties movies just got me. Yeah, you know, I'm like, 360 00:20:47,720 --> 00:20:49,960 Speaker 1: I'm a sucker for it. I'm in you know, and 361 00:20:50,119 --> 00:20:53,399 Speaker 1: uh and then I couldn't never saying. So it was 362 00:20:53,400 --> 00:20:58,159 Speaker 1: not musical theater. I talk, I talk talk song my 363 00:20:58,200 --> 00:21:01,440 Speaker 1: way through the dentist oh and a little shop of 364 00:21:02,960 --> 00:21:05,600 Speaker 1: I thought you were a great dentist. Was It was 365 00:21:05,640 --> 00:21:07,399 Speaker 1: pretty fun because I'm an Elvis fan too, something I 366 00:21:07,480 --> 00:21:10,960 Speaker 1: understood my own and uh and and you didn't really 367 00:21:11,000 --> 00:21:12,760 Speaker 1: have to sing this. So that's as close as I got. 368 00:21:12,840 --> 00:21:15,800 Speaker 1: But but the way thing about New Zealand in is 369 00:21:15,800 --> 00:21:18,800 Speaker 1: there was really definitely for television and film. It wasn't 370 00:21:18,840 --> 00:21:22,000 Speaker 1: much of an industry. You know, it's different there is huge. 371 00:21:22,119 --> 00:21:24,240 Speaker 1: My husband and I talked about moving to New Zealand 372 00:21:24,600 --> 00:21:28,240 Speaker 1: all the time. Sofia, have you been honestly same? I 373 00:21:28,280 --> 00:21:32,479 Speaker 1: am like ready to pack my bags and just go. Yeah. Yeah, 374 00:21:32,800 --> 00:21:35,399 Speaker 1: it's so beautiful. It's a great place to go for 375 00:21:35,440 --> 00:21:39,080 Speaker 1: the apocalypse. Yes, we were you there during the apocalypse. 376 00:21:39,080 --> 00:21:41,359 Speaker 1: Did you get to escape escape from l A. No, 377 00:21:41,800 --> 00:21:44,200 Speaker 1: it actually was really difficult to get We we thought 378 00:21:44,240 --> 00:21:46,280 Speaker 1: about it. We thought about it, to be honest. With 379 00:21:46,359 --> 00:21:49,680 Speaker 1: the election got the other way we might have. But 380 00:21:50,000 --> 00:21:54,360 Speaker 1: same to go now. Yeah, we're packing the hand down 381 00:21:54,359 --> 00:21:59,000 Speaker 1: the road, so we'll stick around. But no, So I 382 00:21:59,080 --> 00:22:02,200 Speaker 1: haven't actually been back for little while. But it's funny 383 00:22:02,200 --> 00:22:03,639 Speaker 1: because you know, growing up in the eighties, it was 384 00:22:03,640 --> 00:22:07,439 Speaker 1: always the Cold Warrior, right, and we were like the 385 00:22:07,480 --> 00:22:09,119 Speaker 1: one country. I remember when I was like, which is 386 00:22:09,200 --> 00:22:10,800 Speaker 1: kind of terrible, but you're eight years old and you're going, 387 00:22:10,760 --> 00:22:13,359 Speaker 1: all right, New Zealand is actually gonna be okay, We're fine. 388 00:22:13,920 --> 00:22:17,560 Speaker 1: It's still true. Well, when we were there, we were 389 00:22:17,600 --> 00:22:19,960 Speaker 1: there a few years ago, and I remember walking through 390 00:22:20,000 --> 00:22:23,120 Speaker 1: this city and not feeling like there was any danger anywhere. 391 00:22:23,320 --> 00:22:26,280 Speaker 1: And I'm someone who moved to New York in September 392 00:22:26,280 --> 00:22:30,320 Speaker 1: eleven happened, you know, and so so my you know, 393 00:22:30,400 --> 00:22:33,120 Speaker 1: body is just trained to be in chaos whenever there's 394 00:22:33,119 --> 00:22:35,000 Speaker 1: a crowd and New Zealand was the first time I 395 00:22:35,040 --> 00:22:37,480 Speaker 1: ever felt all the weight to come off. Everyone there 396 00:22:37,560 --> 00:22:41,680 Speaker 1: is so nice and engaging and lovely, and so of 397 00:22:41,760 --> 00:22:46,560 Speaker 1: course we find magical Andy from New Zealand. I love 398 00:22:46,960 --> 00:22:48,720 Speaker 1: that lovely stuff about my my home that makes me 399 00:22:48,720 --> 00:22:51,719 Speaker 1: feel good. It's it's a lovely place. Yeah, it was 400 00:22:51,800 --> 00:22:54,600 Speaker 1: so fun we were talking about I guess it would 401 00:22:54,600 --> 00:22:57,639 Speaker 1: have been two episodes ago where Andy takes Karen to 402 00:22:57,720 --> 00:23:00,280 Speaker 1: his home, which we were laughing really when got its 403 00:23:00,320 --> 00:23:04,760 Speaker 1: early gardens, like it's literally a botanical garden, it's perfect um. 404 00:23:04,800 --> 00:23:07,800 Speaker 1: But when you're walking with her under that sort of 405 00:23:07,840 --> 00:23:13,159 Speaker 1: stone pergola, it's so lovely to hear you telling her 406 00:23:13,880 --> 00:23:19,840 Speaker 1: about home. About one tree hill in Auckland. Yeah, it's 407 00:23:19,840 --> 00:23:21,920 Speaker 1: in the dialogue and you talk about it and how 408 00:23:22,200 --> 00:23:24,920 Speaker 1: how your your you know, your favorite person on earth 409 00:23:24,960 --> 00:23:27,840 Speaker 1: is your single mom who saw a tree hill on 410 00:23:27,880 --> 00:23:29,800 Speaker 1: the map and decided it would be a good place 411 00:23:29,800 --> 00:23:33,320 Speaker 1: to transplant to. And I remember we were all discussing 412 00:23:33,359 --> 00:23:36,960 Speaker 1: just how honest the scene felt, and how there was 413 00:23:37,040 --> 00:23:42,719 Speaker 1: subtext but also exposition that felt right, and how you 414 00:23:42,760 --> 00:23:45,000 Speaker 1: saw what Andy was drawn to and Karen and you 415 00:23:45,080 --> 00:23:48,399 Speaker 1: saw that she for the first time having gotten the 416 00:23:48,400 --> 00:23:52,240 Speaker 1: travel bug. Going to Italy felt like someone understood her 417 00:23:52,440 --> 00:23:55,160 Speaker 1: in a larger context than who she is in this 418 00:23:55,240 --> 00:23:59,200 Speaker 1: small town. We are real big fans of this relationship. 419 00:23:59,400 --> 00:24:02,520 Speaker 1: Is the point, it's really really well done, you guys. 420 00:24:03,000 --> 00:24:06,399 Speaker 1: You just made something so beautiful. What was it feel 421 00:24:07,280 --> 00:24:09,600 Speaker 1: Did it feel like a big deal when you were 422 00:24:09,640 --> 00:24:13,960 Speaker 1: doing it? Did it feel um, you know, really honest 423 00:24:14,040 --> 00:24:17,960 Speaker 1: and alive? Or was it like I don't know what 424 00:24:18,000 --> 00:24:20,120 Speaker 1: I'm doing here in North Carolina? Like what was your 425 00:24:20,160 --> 00:24:25,760 Speaker 1: experience when you got there, you know and enjoined our circus? Right? Um? No, 426 00:24:25,880 --> 00:24:29,800 Speaker 1: it was it did feel Um, it did feel like 427 00:24:29,840 --> 00:24:32,600 Speaker 1: something special. It wasn't. This is this is one of 428 00:24:32,640 --> 00:24:34,480 Speaker 1: the you know, the jobs you have. This this was 429 00:24:34,520 --> 00:24:38,359 Speaker 1: a really nice job. And um. The interesting thing for 430 00:24:38,400 --> 00:24:40,320 Speaker 1: me is obviously I would come in and out, you know, 431 00:24:40,840 --> 00:24:42,639 Speaker 1: you know it was commuting, you know, I go back home, 432 00:24:42,880 --> 00:24:46,680 Speaker 1: Um when I wasn't needed and where was at that point? 433 00:24:46,840 --> 00:24:50,200 Speaker 1: It was like point yeah, Um, I sort of put 434 00:24:50,200 --> 00:24:52,399 Speaker 1: down routes like I got married a year before, Like 435 00:24:52,440 --> 00:24:53,919 Speaker 1: the idea was sort of to come and go and 436 00:24:53,960 --> 00:24:56,320 Speaker 1: you know too, I would have got coming back and 437 00:24:56,359 --> 00:24:57,800 Speaker 1: forth from New Zealand when I was trying to get 438 00:24:57,800 --> 00:24:59,640 Speaker 1: work here. But I met Nicole and was like, okay, 439 00:24:59,680 --> 00:25:03,919 Speaker 1: so this at home, so I was here. Yeah, it 440 00:25:03,960 --> 00:25:10,840 Speaker 1: still is that life happens to you. And then but 441 00:25:10,920 --> 00:25:13,400 Speaker 1: then going out to North Carolina, so yeah, I would 442 00:25:13,400 --> 00:25:16,080 Speaker 1: come on in and and I would see you guys 443 00:25:16,160 --> 00:25:17,879 Speaker 1: socially because they didn't have a lot of scenes with 444 00:25:17,880 --> 00:25:20,240 Speaker 1: a lot of other characters, which is interesting and it 445 00:25:20,320 --> 00:25:22,280 Speaker 1: sort of gets siloed off. But then I was sidled 446 00:25:22,320 --> 00:25:25,560 Speaker 1: off with more and that was incredible. So I did 447 00:25:25,720 --> 00:25:27,479 Speaker 1: feel I felt like I was learning a lot from her. 448 00:25:27,560 --> 00:25:30,000 Speaker 1: I knew her work a lot through the nineties just 449 00:25:30,040 --> 00:25:34,919 Speaker 1: as a movie fan, and and my wife was a 450 00:25:34,920 --> 00:25:44,320 Speaker 1: big fan of The Cutting Edge exactly. So when Nicole 451 00:25:44,400 --> 00:25:46,800 Speaker 1: came out and visited, we went over to h to 452 00:25:46,840 --> 00:25:49,400 Speaker 1: dinner with the more In her husband and she found 453 00:25:49,440 --> 00:25:53,120 Speaker 1: girls out so that was fun. So just in general, 454 00:25:53,760 --> 00:25:57,879 Speaker 1: the more Um thing, uh made me realize that, no, 455 00:25:58,000 --> 00:26:00,399 Speaker 1: this is this is a really good opportunity for me 456 00:26:00,440 --> 00:26:03,239 Speaker 1: to grow into to meet her when she's at and too, 457 00:26:03,920 --> 00:26:05,399 Speaker 1: I'm trying to create something out of it because I 458 00:26:05,720 --> 00:26:07,439 Speaker 1: liked it too. I thought all the storylines were really 459 00:26:07,640 --> 00:26:11,200 Speaker 1: sweet with those two, So yeah, it was great. Well, 460 00:26:11,400 --> 00:26:13,920 Speaker 1: there was such a love affair that the fans had 461 00:26:13,960 --> 00:26:17,879 Speaker 1: for the whole like Keith karen back story. Did you 462 00:26:17,920 --> 00:26:22,160 Speaker 1: feel pressure coming in to you know, be a good guy, 463 00:26:22,320 --> 00:26:26,560 Speaker 1: like someone who could fill those shoes. No. And the 464 00:26:26,560 --> 00:26:30,760 Speaker 1: reason is I hadn't really been watching. I knew I 465 00:26:31,960 --> 00:26:34,479 Speaker 1: was piecing this together almost the same way that Andy was, 466 00:26:34,640 --> 00:26:37,080 Speaker 1: which I had on which we see in this episode 467 00:26:37,240 --> 00:26:39,800 Speaker 1: when they show up at the same restaurant and Andy's like, 468 00:26:39,880 --> 00:26:43,439 Speaker 1: what's the problem here? He's the only one who doesn't know, 469 00:26:43,640 --> 00:26:46,359 Speaker 1: just like in a tennis match, looking back and forth. 470 00:26:48,680 --> 00:26:52,040 Speaker 1: There wasn't a lot of acting going on there, But 471 00:26:52,080 --> 00:26:55,399 Speaker 1: I was no and I thin obviously I understood in 472 00:26:55,400 --> 00:26:58,280 Speaker 1: the in the in the lodger, I understood the larger 473 00:26:58,720 --> 00:27:01,399 Speaker 1: job of being the third wheel who was destined to 474 00:27:01,440 --> 00:27:04,040 Speaker 1: lose at some point, which you understand that, and I 475 00:27:04,080 --> 00:27:06,720 Speaker 1: think that actually takes the pressure off. It's more like, well, 476 00:27:06,760 --> 00:27:09,359 Speaker 1: this is what's happening here with these people, and I 477 00:27:09,440 --> 00:27:11,560 Speaker 1: understand that the fans are gonna have a different relationship 478 00:27:11,600 --> 00:27:14,320 Speaker 1: because of the Keith thing. Um it does it does 479 00:27:14,440 --> 00:27:16,560 Speaker 1: give you that, It gives you pause of like, you know, 480 00:27:17,040 --> 00:27:20,679 Speaker 1: how do you how do you hook into you know, 481 00:27:20,760 --> 00:27:22,199 Speaker 1: putting this across in the way the people are going 482 00:27:22,280 --> 00:27:24,280 Speaker 1: to enjoy, whether it's gonna hate you, you know, because 483 00:27:24,280 --> 00:27:27,040 Speaker 1: sometimes you've had other things when you're the third wheel 484 00:27:27,240 --> 00:27:29,840 Speaker 1: or I've been that other jobs where I've been the Keith, 485 00:27:30,320 --> 00:27:32,680 Speaker 1: and it's tough for that others, and sometimes you know 486 00:27:33,000 --> 00:27:35,919 Speaker 1: how it's done, you know. So I just sort of 487 00:27:35,960 --> 00:27:38,439 Speaker 1: left in. I went, oh, we'll see, I'm gonna kiss her. 488 00:27:38,560 --> 00:27:40,600 Speaker 1: I'm gonna kiss the hell out of her. It's gonna 489 00:27:40,640 --> 00:27:45,159 Speaker 1: be so cute I do it. So the last episode 490 00:27:45,680 --> 00:27:49,760 Speaker 1: was in Trick, and we could not figure out what 491 00:27:49,880 --> 00:27:53,679 Speaker 1: the age difference was between Hearen and Andy, because they 492 00:27:53,720 --> 00:27:58,040 Speaker 1: make such a big deal out of it. Do you remever, 493 00:27:58,400 --> 00:28:02,439 Speaker 1: what was supposed to be? I No, I don't know specifically, 494 00:28:02,480 --> 00:28:05,520 Speaker 1: but I think I was. I think I was playing 495 00:28:05,560 --> 00:28:07,760 Speaker 1: slightly younger than myself. I mean I was thirty, I 496 00:28:07,800 --> 00:28:12,520 Speaker 1: turned thirty when I when I when I did this 497 00:28:12,640 --> 00:28:17,880 Speaker 1: was pre so you guys, holy crap, right, we survived, 498 00:28:20,000 --> 00:28:22,040 Speaker 1: and I was I think I was supposed to be 499 00:28:22,080 --> 00:28:24,040 Speaker 1: playing at feen years younger, like mid twenties or something. 500 00:28:24,080 --> 00:28:28,520 Speaker 1: So she maybe it's ten years roughly, okay, but they 501 00:28:28,560 --> 00:28:31,080 Speaker 1: did lean into that right. They were like very much like, yeah, 502 00:28:31,200 --> 00:28:37,720 Speaker 1: this is crazy, this would never happen. Remember on that 503 00:28:37,760 --> 00:28:39,520 Speaker 1: scene too, I think that was when we met in 504 00:28:39,560 --> 00:28:43,440 Speaker 1: that scene, right, well yeah, because Peyton's all like, oh, hello, 505 00:28:43,600 --> 00:28:46,280 Speaker 1: introduced me to your friend. I get that I'm a 506 00:28:46,360 --> 00:28:48,840 Speaker 1: junior in high school, but I know, And that was 507 00:28:49,240 --> 00:28:55,000 Speaker 1: that's when I were these girls are actually a lot younger. Okay, 508 00:28:54,160 --> 00:28:58,200 Speaker 1: that's it was hard to separate fact from fiction because 509 00:28:58,200 --> 00:29:00,240 Speaker 1: we're all like going out to bars and rest drawn 510 00:29:00,480 --> 00:29:02,520 Speaker 1: with each other after work. I was meeting you as 511 00:29:02,560 --> 00:29:07,200 Speaker 1: you guys like yeah, okay, no, they're juveniles, very illegal 512 00:29:07,280 --> 00:29:13,960 Speaker 1: friend sweet little babies. Um. Yeah, the Andy trajectory is 513 00:29:14,080 --> 00:29:17,480 Speaker 1: so um kind of like dream dude. You know he's 514 00:29:17,480 --> 00:29:23,240 Speaker 1: got that Jake Ryan from sixteen Candles energy, It was 515 00:29:23,280 --> 00:29:26,520 Speaker 1: that your inspiration. Is that what you drew from the 516 00:29:26,520 --> 00:29:30,520 Speaker 1: eighties movies? Yeah, it's a good it's a good reference. 517 00:29:30,920 --> 00:29:34,520 Speaker 1: I UM remember him saying that they were trying to 518 00:29:34,920 --> 00:29:40,480 Speaker 1: And it's interesting that Jenny Gruffalo said once about George 519 00:29:40,520 --> 00:29:43,040 Speaker 1: Clooney and he are he was. She was like, so 520 00:29:43,400 --> 00:29:46,600 Speaker 1: he's a pediatrician with an alcohol problem and he's you know, 521 00:29:46,720 --> 00:29:49,480 Speaker 1: loves kids. I'm not made of wood when it comes 522 00:29:49,480 --> 00:29:50,920 Speaker 1: to the writing, you know what I mean, It's like, 523 00:29:50,960 --> 00:29:53,000 Speaker 1: you got I'm not made of wood. And I feel 524 00:29:53,040 --> 00:29:54,600 Speaker 1: like some of Andy's writing was like that. It's like 525 00:29:54,600 --> 00:29:56,760 Speaker 1: he's gonna have lots of money, but it doesn't matter 526 00:29:56,800 --> 00:29:59,640 Speaker 1: to him. And they did all these hooks where it's like, 527 00:30:00,600 --> 00:30:02,960 Speaker 1: I think what there was saying he's undeniable and that's 528 00:30:03,040 --> 00:30:04,880 Speaker 1: what happened with it. Whoever played them on you know 529 00:30:05,160 --> 00:30:07,920 Speaker 1: when it comes to the writing, and so I understood 530 00:30:07,960 --> 00:30:09,640 Speaker 1: what they were doing there, and then then my job 531 00:30:09,720 --> 00:30:13,000 Speaker 1: was kind of like, okay, but don't you don't want 532 00:30:13,000 --> 00:30:16,360 Speaker 1: to play you don't want to play that? Well, how 533 00:30:16,360 --> 00:30:19,360 Speaker 1: do we make them not loathe someome all that money? 534 00:30:20,040 --> 00:30:25,000 Speaker 1: Was that so weird? Yeah? Yeah, there were some lines Okay, okay, right, 535 00:30:27,560 --> 00:30:29,760 Speaker 1: and I get whether they're going, but boy, that's in 536 00:30:29,840 --> 00:30:32,520 Speaker 1: mind field. It's interesting. We talked about that a lot. 537 00:30:32,640 --> 00:30:35,160 Speaker 1: When when there's those lovely scenes with you and MOI 538 00:30:35,240 --> 00:30:38,560 Speaker 1: were down on the riverwalk, like right off of Market Street, 539 00:30:38,600 --> 00:30:43,080 Speaker 1: you know the ending hot Oh my god, we love 540 00:30:43,160 --> 00:30:45,480 Speaker 1: the hot dog stage. By the way, in this episode 541 00:30:45,480 --> 00:30:46,960 Speaker 1: you say you're pasted it and we were like, but 542 00:30:47,040 --> 00:30:50,320 Speaker 1: maybe just one more hot dog. Um, But I loved 543 00:30:50,680 --> 00:30:53,720 Speaker 1: and we talked about this on a previous episode, how 544 00:30:53,840 --> 00:30:57,520 Speaker 1: well you threw away that stuff. You were like, yeah, 545 00:30:57,560 --> 00:30:59,320 Speaker 1: I did this thing and it was all this money 546 00:30:59,360 --> 00:31:02,640 Speaker 1: and I wasn't that filled. Now I'm a teacher and 547 00:31:02,680 --> 00:31:07,239 Speaker 1: it was so lovely. And we all remarked that in 548 00:31:07,320 --> 00:31:11,240 Speaker 1: someone else's hands, that that could have made the audience 549 00:31:11,240 --> 00:31:14,280 Speaker 1: want to punch Andy in the face, but you did 550 00:31:14,280 --> 00:31:19,080 Speaker 1: it in a way that was so freaking sweet. We 551 00:31:19,080 --> 00:31:22,160 Speaker 1: were like, oh, we love we love this rich teacher. 552 00:31:30,520 --> 00:31:33,840 Speaker 1: You've stayed friends with with a lot of the dudes 553 00:31:33,880 --> 00:31:37,080 Speaker 1: from the cast. Um. Like I said, it was fun 554 00:31:37,080 --> 00:31:40,200 Speaker 1: to party with you at Tyler's wedding. That was a hoot. Uh. 555 00:31:40,400 --> 00:31:41,960 Speaker 1: Who did you pile around with when you were there? 556 00:31:42,000 --> 00:31:44,800 Speaker 1: And where'd you guys go? What trouble did you get into? 557 00:31:47,680 --> 00:31:51,600 Speaker 1: Well again, like you know, I didn't, Um. You know, 558 00:31:51,720 --> 00:31:53,640 Speaker 1: there was a lot of working relationship was with most 559 00:31:53,680 --> 00:31:55,880 Speaker 1: people because it wasn't scenes with him, but I wasn't 560 00:31:56,360 --> 00:31:59,120 Speaker 1: more more ahead her family and stuff. We definitely socialist 561 00:31:59,120 --> 00:32:01,760 Speaker 1: a couple of times, but you know, not so much. Um. 562 00:32:01,840 --> 00:32:06,440 Speaker 1: And then I was, you know, Chad's dad, Chad's stepdad, 563 00:32:05,400 --> 00:32:08,480 Speaker 1: and which we got a laugh out of a few times, 564 00:32:08,880 --> 00:32:10,760 Speaker 1: so I ended up ended up seeing a bit at 565 00:32:10,800 --> 00:32:13,160 Speaker 1: him and and uh, I mean, and then when Tyler 566 00:32:13,200 --> 00:32:15,840 Speaker 1: came on, he was he was great. He was laying 567 00:32:15,840 --> 00:32:17,840 Speaker 1: about twenty one as well. He was a baby here 568 00:32:18,720 --> 00:32:22,600 Speaker 1: at the same time. Yeah, yeah, yeah, And it's like 569 00:32:22,640 --> 00:32:26,959 Speaker 1: the good Angel and the bad Angel on. He's so 570 00:32:27,040 --> 00:32:28,840 Speaker 1: fun I love I love seeing how he is on 571 00:32:28,880 --> 00:32:30,800 Speaker 1: this show competed to how he is in real life, 572 00:32:30,800 --> 00:32:33,240 Speaker 1: you know, and he's like, no, he's not, Like, it's 573 00:32:33,520 --> 00:32:40,160 Speaker 1: so funny. He he especially we were just weeping laughing 574 00:32:40,640 --> 00:32:43,080 Speaker 1: about Chris Keller talking about himself in the third person. 575 00:32:43,240 --> 00:32:48,400 Speaker 1: Tyler would never and just see Tyler play this insufferable 576 00:32:48,440 --> 00:32:52,000 Speaker 1: man is so amusing. Yeah, I think that's hilarious too. 577 00:32:52,040 --> 00:32:53,800 Speaker 1: He was, he was so good at it. And even 578 00:32:53,800 --> 00:32:58,280 Speaker 1: the one that I watched watch for this episode eight, 579 00:32:58,720 --> 00:33:01,920 Speaker 1: you know when when he's in he's in the recording booth, 580 00:33:01,920 --> 00:33:04,400 Speaker 1: which are so beautiful, I mean, all the singing stuff 581 00:33:04,400 --> 00:33:06,280 Speaker 1: and everything. I thought it was really well done. So 582 00:33:06,320 --> 00:33:08,400 Speaker 1: there was this whole other show that I became a 583 00:33:08,400 --> 00:33:11,280 Speaker 1: fan of watching that I wasn't really a part of. 584 00:33:11,360 --> 00:33:13,520 Speaker 1: So that was an interesting thing too. You know as 585 00:33:13,560 --> 00:33:15,880 Speaker 1: the years so good by. That's a fun thing about 586 00:33:16,000 --> 00:33:19,680 Speaker 1: ensemble work is that like the world doesn't revolve around 587 00:33:19,760 --> 00:33:21,880 Speaker 1: you and you get to kind of enjoy the thing 588 00:33:21,920 --> 00:33:24,440 Speaker 1: that you're working on because you're not being self critical. 589 00:33:24,880 --> 00:33:27,080 Speaker 1: You just be like, yeah, that was that was nice. 590 00:33:27,200 --> 00:33:30,560 Speaker 1: I'm a fan of this. Um. Where do you think 591 00:33:31,440 --> 00:33:39,600 Speaker 1: Karen and Andy are in two tween two? Well, the 592 00:33:39,880 --> 00:33:48,560 Speaker 1: I mean their daughter will be grown now, right, she was, oh, yeah, yeah, yeah, 593 00:33:48,600 --> 00:33:51,440 Speaker 1: I feel like season five about that. A. Yeah, she's 594 00:33:51,440 --> 00:33:55,080 Speaker 1: out of the house emptiness. Hey, congrats, Bud, you did it. 595 00:33:57,560 --> 00:34:00,400 Speaker 1: Maybe there's still on that boat somewhere. I like that idea. Oh, 596 00:34:00,440 --> 00:34:05,080 Speaker 1: that's escaping the pandemic on me a yacht. He said 597 00:34:05,480 --> 00:34:08,560 Speaker 1: that he set up like yacht farms. Everybody's doing like, 598 00:34:08,760 --> 00:34:11,480 Speaker 1: you know, like fruit and vegetable farms on their yachts 599 00:34:11,520 --> 00:34:16,200 Speaker 1: so they can feed the needy. Ye, world. Have you 600 00:34:16,239 --> 00:34:18,880 Speaker 1: been able to see anybody in the last couple of 601 00:34:18,960 --> 00:34:21,839 Speaker 1: years we've all been in lockdown? Um, have you seen 602 00:34:21,840 --> 00:34:24,920 Speaker 1: anybody from the cast? No? No, it has been well 603 00:34:24,920 --> 00:34:27,200 Speaker 1: actually the last um, you know, the last time I 604 00:34:27,239 --> 00:34:29,839 Speaker 1: saw you guys was when I was seeing people even 605 00:34:29,840 --> 00:34:32,640 Speaker 1: I mean Tyler a little bit, but he's been out 606 00:34:32,640 --> 00:34:37,160 Speaker 1: of the Country's in Canada, Yeah, exactly. Yeah, So, um no, 607 00:34:38,000 --> 00:34:41,200 Speaker 1: I've kind of lost huts to a set. Karen, have 608 00:34:41,360 --> 00:34:44,279 Speaker 1: you been to a convention? I went to one, but 609 00:34:44,320 --> 00:34:45,719 Speaker 1: that was around about the same time I saw you. 610 00:34:46,040 --> 00:34:49,680 Speaker 1: I saw you one one time on Never Done One. 611 00:34:49,719 --> 00:34:51,400 Speaker 1: It was the one that went back to to you 612 00:34:51,480 --> 00:34:54,040 Speaker 1: gotta come party with us, well, because I just did 613 00:34:54,080 --> 00:34:58,680 Speaker 1: her first one and we were all like, oh my god, God, 614 00:34:58,719 --> 00:35:02,200 Speaker 1: I haven't seen more. She hasn't aged a day. It's 615 00:35:02,320 --> 00:35:05,200 Speaker 1: just unfathomable. I listened to that. I listened to the 616 00:35:05,200 --> 00:35:08,320 Speaker 1: episode you guys did with it. What's nice too? And 617 00:35:08,440 --> 00:35:14,560 Speaker 1: you get to catch up with people, right they paid ridiculous. Um. Yeah, 618 00:35:14,760 --> 00:35:18,320 Speaker 1: she is amazing. You know, took like a big hiatus 619 00:35:18,320 --> 00:35:21,000 Speaker 1: to raise your kids, which you know we all do, 620 00:35:21,760 --> 00:35:24,959 Speaker 1: and um is coming out of it with like this big, 621 00:35:25,000 --> 00:35:28,080 Speaker 1: massive project. We're going to have a dragger back to 622 00:35:28,160 --> 00:35:32,000 Speaker 1: Wilmington's what's going to happen? Yeah, well maybe I'll come 623 00:35:32,040 --> 00:35:35,239 Speaker 1: when she comes. Yeah, I mean that's in Do we 624 00:35:35,320 --> 00:35:39,200 Speaker 1: have that recorded? That's like a hundred percent by a 625 00:35:39,280 --> 00:35:42,520 Speaker 1: photo in the Karen and Andy photo op, Like I'm 626 00:35:42,760 --> 00:35:45,280 Speaker 1: I'm going to be in the line with the fans 627 00:35:45,480 --> 00:35:50,000 Speaker 1: ready to go. You want to be Oh my god, 628 00:35:50,520 --> 00:35:53,080 Speaker 1: that's the reunion that I want so bad. That's gonna 629 00:35:53,080 --> 00:35:55,600 Speaker 1: be my answer actually, from now on, whenever anyone says, 630 00:35:55,800 --> 00:35:58,080 Speaker 1: if you ever played a different character on Mandrea, who 631 00:35:58,080 --> 00:36:01,879 Speaker 1: would it be, I'd be like Lily, Lily, it would 632 00:36:01,880 --> 00:36:04,719 Speaker 1: be great custom. I want to be the child on 633 00:36:04,760 --> 00:36:07,440 Speaker 1: the yacht. She comes to stay rich on like Brook. 634 00:36:07,800 --> 00:36:11,000 Speaker 1: You know, Lily. Hey, yeah, we're going to go make 635 00:36:11,000 --> 00:36:14,799 Speaker 1: all our own money back. My god, damn it, Karen, 636 00:36:14,840 --> 00:36:18,080 Speaker 1: what do you We're going now? Man? What's going on? Yeah? Yeah, So, 637 00:36:18,120 --> 00:36:21,239 Speaker 1: I mean I've been, I've been the dads. My son 638 00:36:21,360 --> 00:36:25,239 Speaker 1: is uh it's fourteen. Now. Weren't you guys doing a 639 00:36:25,360 --> 00:36:28,319 Speaker 1: YouTube series together? We did? Yeah, And so we had 640 00:36:28,320 --> 00:36:30,319 Speaker 1: we had a father son project, which that's been the 641 00:36:30,320 --> 00:36:31,719 Speaker 1: fun thing the last few years. I've been doing more 642 00:36:31,760 --> 00:36:34,640 Speaker 1: content creation. So we had this thing called The Kid 643 00:36:34,680 --> 00:36:37,960 Speaker 1: Explains History, which it was a YouTube channel and he 644 00:36:37,960 --> 00:36:40,880 Speaker 1: started when he was like eight, like you know, squeaky 645 00:36:40,960 --> 00:36:43,480 Speaker 1: voice kid, and now his voice is dropped in. I 646 00:36:43,520 --> 00:36:45,640 Speaker 1: don't know if he's a kid explaining history anymore. But 647 00:36:46,000 --> 00:36:49,440 Speaker 1: we did yeah, teen exactly so, and it was it 648 00:36:49,480 --> 00:36:51,080 Speaker 1: was a fun thing because he was showing interest in 649 00:36:51,080 --> 00:36:53,920 Speaker 1: it and and uh, I kind of like the idea 650 00:36:53,960 --> 00:36:55,839 Speaker 1: of you noticed like a lot of people all age 651 00:36:55,840 --> 00:36:58,600 Speaker 1: don't know much about history and the politics that's going 652 00:36:58,600 --> 00:37:01,480 Speaker 1: on right now. People like people keep saying things like, oh, 653 00:37:01,520 --> 00:37:05,680 Speaker 1: this is unprecedented, and I'm like, no, not much is unprecedented. 654 00:37:05,760 --> 00:37:09,440 Speaker 1: If you read a bit, everything is secular. Yeah, we're 655 00:37:09,480 --> 00:37:11,600 Speaker 1: actually repeating ourselves at all time because there be no history. 656 00:37:11,680 --> 00:37:14,719 Speaker 1: So with Quinn showing interest in it, it was a 657 00:37:14,760 --> 00:37:17,320 Speaker 1: cool little project. He's saying in his own words to 658 00:37:17,440 --> 00:37:20,680 Speaker 1: other kids, to try to get this next generation actually 659 00:37:20,680 --> 00:37:22,400 Speaker 1: thinking about it a bit more. And it really kind 660 00:37:22,400 --> 00:37:25,160 Speaker 1: of took off, and it's been licensed to like censcal 661 00:37:25,480 --> 00:37:29,319 Speaker 1: is commtense media app and so these places around really 662 00:37:29,320 --> 00:37:31,120 Speaker 1: been a bit bigger than we thought. So that was fun. 663 00:37:31,200 --> 00:37:33,560 Speaker 1: That's so cool. That's so andy of you. Are you 664 00:37:33,600 --> 00:37:36,600 Speaker 1: a history buff yourself? Yeah? I was always always in 665 00:37:36,640 --> 00:37:39,560 Speaker 1: the history. Yeah. Yeah, so it satisfies my because obviously 666 00:37:39,560 --> 00:37:40,880 Speaker 1: had to write a lot of them in the beginning. 667 00:37:41,160 --> 00:37:42,840 Speaker 1: He sort of took over as he got a bit older, 668 00:37:42,920 --> 00:37:45,880 Speaker 1: but I was he was he was more of the 669 00:37:45,880 --> 00:37:47,880 Speaker 1: host at the beginning, but but now he's he's an 670 00:37:47,880 --> 00:37:50,839 Speaker 1: a student for history, so you know who worked. It's 671 00:37:50,840 --> 00:37:54,360 Speaker 1: like a sneaky little, sneaky little fun project that ultimately 672 00:37:54,400 --> 00:37:56,719 Speaker 1: it was aiming for that. So are you saying that's 673 00:37:56,760 --> 00:37:58,239 Speaker 1: what I need to do with my kids, because right 674 00:37:58,239 --> 00:38:00,680 Speaker 1: now on my side, it's just like, please let me 675 00:38:00,719 --> 00:38:02,759 Speaker 1: have a YouTube channel. And I'm like, it seems like 676 00:38:02,840 --> 00:38:06,319 Speaker 1: a bad idea. And he was like eight, and he 677 00:38:06,360 --> 00:38:08,359 Speaker 1: said he wanted to do you know what they all 678 00:38:08,400 --> 00:38:10,360 Speaker 1: want to do. They want to do something up Minecraft. 679 00:38:10,560 --> 00:38:13,040 Speaker 1: Yeah it was Minecraft. Minecraft is the thing is I 680 00:38:13,040 --> 00:38:14,880 Speaker 1: want to do Minecraft. I'm like, well, I don't know 681 00:38:14,920 --> 00:38:20,080 Speaker 1: anything about it. I'm not that interested in it. But history. 682 00:38:19,560 --> 00:38:23,560 Speaker 1: And then he was up. That was unus. When he 683 00:38:23,600 --> 00:38:25,640 Speaker 1: was little, he would just build like the Titanic. He 684 00:38:25,680 --> 00:38:28,480 Speaker 1: would take like history and build it in Minecraft to 685 00:38:28,600 --> 00:38:30,800 Speaker 1: capture my attention to well, am I just built the 686 00:38:30,880 --> 00:38:35,120 Speaker 1: Hamilton's duel in Minecraft? Oh baby? And would get so 687 00:38:35,160 --> 00:38:38,040 Speaker 1: good at it too. I mean, it's amazing. How is 688 00:38:38,040 --> 00:38:43,080 Speaker 1: he not like tim Gus is turning twelve and he's 689 00:38:43,120 --> 00:38:48,759 Speaker 1: my height. It's like ridiculous. It's it's weird having tween kids. Man, 690 00:38:50,880 --> 00:38:53,120 Speaker 1: in my head, we're still young and like going to 691 00:38:53,160 --> 00:38:56,160 Speaker 1: Deluxe in Willington's and like, there's no way we have kids. Assult, 692 00:38:56,280 --> 00:38:59,560 Speaker 1: that's crazy, you guys, you have you have like small 693 00:38:59,600 --> 00:39:04,759 Speaker 1: adult Yes, yes, it's a trip. What's interesting because you 694 00:39:04,800 --> 00:39:07,919 Speaker 1: remember being that age, like yeah, vividly. You know, you're 695 00:39:08,360 --> 00:39:10,799 Speaker 1: very uh, cognizant of what it was like to be 696 00:39:10,840 --> 00:39:13,040 Speaker 1: at fourteen or twelve yearold. You know, when they're a 697 00:39:13,080 --> 00:39:15,760 Speaker 1: bit younger, you're like the babies and stuff. But would 698 00:39:15,760 --> 00:39:19,279 Speaker 1: you let your kids watch this show? Oh? Yeah, I 699 00:39:19,360 --> 00:39:24,640 Speaker 1: would have. He was interested. Oh my god, we're going 700 00:39:24,640 --> 00:39:28,480 Speaker 1: to fast forward through the part where Sophia was screamed. Oh, 701 00:39:28,560 --> 00:39:34,160 Speaker 1: professor tried to tried to you know, put on our 702 00:39:34,200 --> 00:39:36,040 Speaker 1: stuff or whatever. And it's like, oh, that's interesting. You know, 703 00:39:36,640 --> 00:39:41,600 Speaker 1: he's like, okay doing the YouTube channel. Do you feel like, 704 00:39:42,160 --> 00:39:44,439 Speaker 1: because he's been interested in history, that it's a way 705 00:39:44,480 --> 00:39:48,040 Speaker 1: to teach him about storytelling and direction and production and 706 00:39:48,160 --> 00:39:50,759 Speaker 1: all the things that you know. Has has that kind 707 00:39:50,800 --> 00:39:56,359 Speaker 1: of been the way to connect on on the working level? Yeah? Absolutely, 708 00:39:56,440 --> 00:39:58,960 Speaker 1: And and that was what's been fun I think is 709 00:39:59,400 --> 00:40:01,680 Speaker 1: technology call it up right, you know, these phones and 710 00:40:02,239 --> 00:40:04,680 Speaker 1: doing green screen stuff and all these things that I 711 00:40:04,760 --> 00:40:08,520 Speaker 1: might have wanted to do ten fifteen years ago. For 712 00:40:08,600 --> 00:40:11,000 Speaker 1: quinnit's sick and nature all this stuff because he's not 713 00:40:12,239 --> 00:40:15,080 Speaker 1: you know, so I do. I do feel like we 714 00:40:15,239 --> 00:40:17,759 Speaker 1: landed over that and being able to like the early 715 00:40:17,760 --> 00:40:19,160 Speaker 1: ones a bit scratchy, and then you get a bit 716 00:40:19,160 --> 00:40:22,000 Speaker 1: better technically and everything, and then you've got this this 717 00:40:22,120 --> 00:40:25,080 Speaker 1: outlet of YouTube or websites, we can put it out there. 718 00:40:25,120 --> 00:40:27,799 Speaker 1: So um, yeah, it's been great just from that point 719 00:40:27,840 --> 00:40:29,920 Speaker 1: of view. And he really took to it. He was 720 00:40:30,000 --> 00:40:32,239 Speaker 1: he was, you know, like a proud dad. He's like 721 00:40:32,239 --> 00:40:37,760 Speaker 1: a natural at the camera and East. Oh does Nicole 722 00:40:37,880 --> 00:40:40,000 Speaker 1: get involved on that stuff too? I know you mentioned 723 00:40:40,040 --> 00:40:43,320 Speaker 1: that when you met her, you know, shortly before and 724 00:40:43,360 --> 00:40:45,640 Speaker 1: when you guys got married anyway, shortly before you came 725 00:40:45,680 --> 00:40:47,960 Speaker 1: to join us, you were like, oh, this is this 726 00:40:48,040 --> 00:40:51,960 Speaker 1: is home. I'm staying wherever she is. This is my place. Yeah, 727 00:40:52,000 --> 00:40:55,239 Speaker 1: you know, gosh, you guys got married in two thousand three, 728 00:40:55,239 --> 00:40:59,640 Speaker 1: it's almost twenty years. That's crazy. Were just celebrated out 729 00:40:59,760 --> 00:41:02,440 Speaker 1: nine from meeting because we're we knew each other for 730 00:41:02,600 --> 00:41:09,560 Speaker 1: like a year and and she was on a teen 731 00:41:09,680 --> 00:41:15,040 Speaker 1: drama was Wildfire, which was a family for Free p Yes, 732 00:41:15,760 --> 00:41:18,160 Speaker 1: so like, did she have advice for you for One 733 00:41:18,160 --> 00:41:21,239 Speaker 1: Tree Hill? Does she like does she try to give 734 00:41:21,280 --> 00:41:25,480 Speaker 1: you on the YouTube channel? Stuff with direction? Those have 735 00:41:25,560 --> 00:41:27,120 Speaker 1: been the same time and funny story actually was just 736 00:41:27,120 --> 00:41:30,040 Speaker 1: tolding in the call that the other day. Um. The 737 00:41:30,080 --> 00:41:32,319 Speaker 1: part of the One Free Hill thing was she she 738 00:41:32,440 --> 00:41:34,760 Speaker 1: tested on Onetree Hill a month before I did before 739 00:41:35,440 --> 00:41:40,320 Speaker 1: for Julie she tested for a Get out of Town. 740 00:41:40,440 --> 00:41:43,000 Speaker 1: I could have kissed you what I think it got 741 00:41:43,000 --> 00:41:47,880 Speaker 1: down to just those two. Wow. The interesting part of 742 00:41:47,880 --> 00:41:49,680 Speaker 1: the reason that the show was on my radar is 743 00:41:49,680 --> 00:41:51,319 Speaker 1: I'm like, okay, it was the advertising as a hit 744 00:41:51,360 --> 00:41:54,040 Speaker 1: show and then Nicole there they got on it and 745 00:41:54,040 --> 00:41:55,640 Speaker 1: we're like, oh wow, this is cool. When we started 746 00:41:55,640 --> 00:41:59,080 Speaker 1: watching and like, um they said something about her looking 747 00:41:59,080 --> 00:42:03,319 Speaker 1: too young or something was something weird. But and then 748 00:42:03,440 --> 00:42:05,360 Speaker 1: like two weeks later on Moldition Brandy. So it was 749 00:42:05,440 --> 00:42:08,080 Speaker 1: kind of the universe out there where we were both 750 00:42:08,080 --> 00:42:11,120 Speaker 1: on once, which would have been fun. Listen those goodle 751 00:42:11,600 --> 00:42:19,880 Speaker 1: Wub days were my husband tested for audition for the show, um, 752 00:42:20,239 --> 00:42:25,399 Speaker 1: and some for Keith's part. Um. Well that's it, well, 753 00:42:26,000 --> 00:42:28,600 Speaker 1: a different, different trajectory, that's the thing. It was so 754 00:42:28,840 --> 00:42:33,720 Speaker 1: the WB just owned this kind of content during that era, 755 00:42:34,400 --> 00:42:36,920 Speaker 1: and so now all of our peers are like, what 756 00:42:37,040 --> 00:42:39,279 Speaker 1: were your w B days? You know, like we all 757 00:42:39,320 --> 00:42:43,840 Speaker 1: have that. Yeah, it didn't episode of challenge or something 758 00:42:43,920 --> 00:42:46,239 Speaker 1: like just it. Yeah you stop, you stopped getting on 759 00:42:46,280 --> 00:42:49,840 Speaker 1: their radar and everything. Would you kiss on chart? I didn't. 760 00:42:49,880 --> 00:42:53,480 Speaker 1: I had a blind date with a Lissa and she 761 00:42:53,640 --> 00:42:55,799 Speaker 1: was the character it was. It was blind aid and 762 00:42:55,840 --> 00:42:57,680 Speaker 1: she was supposed to find out whether or not we're 763 00:42:57,719 --> 00:42:59,399 Speaker 1: meant to be together, and she touched my hand, finds 764 00:42:59,400 --> 00:43:05,600 Speaker 1: out we're not. Wants nothing to do with imaginal pain. 765 00:43:05,719 --> 00:43:08,920 Speaker 1: We all could have been saved in our twenties, right 766 00:43:09,000 --> 00:43:22,799 Speaker 1: if you can touch Hey, we get fan questions on 767 00:43:22,840 --> 00:43:27,360 Speaker 1: this show that we want you to participate in. You 768 00:43:27,400 --> 00:43:30,560 Speaker 1: feel like, yes, inquiring minds want to know what's our question? 769 00:43:30,640 --> 00:43:35,520 Speaker 1: So okay from Danny in your opinion, Oh this kind 770 00:43:35,520 --> 00:43:37,640 Speaker 1: of relates to your son? Your opinion? What is the 771 00:43:37,680 --> 00:43:41,759 Speaker 1: perfect age to start watching One Tree Hill? And why? 772 00:43:42,360 --> 00:43:45,240 Speaker 1: WHOA Well? I actually think he is at a pretty 773 00:43:45,239 --> 00:43:48,080 Speaker 1: good age. I mean, you know, because you're getting into 774 00:43:48,120 --> 00:43:52,600 Speaker 1: that the friendship groups in high school and starting to 775 00:43:53,280 --> 00:43:54,719 Speaker 1: and I always think it's kind of fun when it's 776 00:43:54,719 --> 00:43:56,600 Speaker 1: a little bit aspirational, like they're a little bit younger, 777 00:43:56,640 --> 00:44:00,839 Speaker 1: and it's like when nine too, when I came out 778 00:44:00,880 --> 00:44:03,560 Speaker 1: for me, you know some of those shows that your show, 779 00:44:04,360 --> 00:44:06,480 Speaker 1: that was my shot. That was that was what reminded 780 00:44:06,480 --> 00:44:10,200 Speaker 1: me when I got on this being on Did you 781 00:44:10,239 --> 00:44:14,520 Speaker 1: know Paul from Wasn't Paul the bad guy on that show? Yes? Yes, 782 00:44:14,600 --> 00:44:17,120 Speaker 1: that was the thing I remember full from that and 783 00:44:17,160 --> 00:44:20,399 Speaker 1: remember Craig obviously through his movies. Oh yeah, I really 784 00:44:20,480 --> 00:44:23,000 Speaker 1: enjoyed talking. It's funny because we're in this rivalry, but 785 00:44:23,080 --> 00:44:25,000 Speaker 1: we ended up sharing a few scenes together and on 786 00:44:25,080 --> 00:44:27,560 Speaker 1: set we would we would actually talk a lot about 787 00:44:27,800 --> 00:44:31,520 Speaker 1: his old days. I was fascinated. Tell me some stories, man, 788 00:44:31,520 --> 00:44:34,759 Speaker 1: Oh my god, and he obliged. It was great. Did 789 00:44:34,760 --> 00:44:38,120 Speaker 1: he tell you his Warhol stories? The which one Andy 790 00:44:38,160 --> 00:44:42,680 Speaker 1: Warhol stories? He was discovered? Oh my god. We're going 791 00:44:42,719 --> 00:44:44,840 Speaker 1: to get around to drinks and tells them a little 792 00:44:44,880 --> 00:44:48,120 Speaker 1: Yes we need it, Karen. We're working on getting Hillary 793 00:44:48,160 --> 00:44:51,000 Speaker 1: to the West Coast for a little hangsin, so we'll 794 00:44:51,040 --> 00:44:53,480 Speaker 1: just well, yeah, we just talked to Maria Manunos and 795 00:44:53,480 --> 00:44:56,960 Speaker 1: we're like, yo, girl, you trying to party. Um, we're 796 00:44:57,000 --> 00:44:59,840 Speaker 1: going to get the band back together. You count me in. 797 00:45:00,600 --> 00:45:05,759 Speaker 1: I think that watching our show with your parents is 798 00:45:05,800 --> 00:45:09,799 Speaker 1: a good tool. There was actually a writer in Wilmington's 799 00:45:09,800 --> 00:45:13,200 Speaker 1: Celia Rievan Bark, who wrote a couple of books Um 800 00:45:13,239 --> 00:45:15,960 Speaker 1: and she talked about watching One Tree Hill with her 801 00:45:16,040 --> 00:45:18,600 Speaker 1: daughter because it was a natural door opener to have 802 00:45:18,719 --> 00:45:22,240 Speaker 1: conversations about sex and drugs and drinking and all that stuff. 803 00:45:22,520 --> 00:45:25,359 Speaker 1: But if you're a kid that's just watching it by yourself, 804 00:45:25,680 --> 00:45:30,560 Speaker 1: I think being a little bit older like you is 805 00:45:30,600 --> 00:45:35,440 Speaker 1: probably a better places something with Nicole to with Quinn, 806 00:45:35,520 --> 00:45:37,319 Speaker 1: like they bond over watching a lot of the new 807 00:45:37,360 --> 00:45:41,240 Speaker 1: Netflix shows that are probably in the same subject matter, 808 00:45:41,520 --> 00:45:45,080 Speaker 1: and so that's that's what Ni calls me to Quella. Yeah. 809 00:45:45,120 --> 00:45:47,280 Speaker 1: One of the things that that was always so cool 810 00:45:47,320 --> 00:45:51,040 Speaker 1: to me was when and even now it happens, we 811 00:45:51,120 --> 00:45:54,080 Speaker 1: just had a set photographer who told me the version 812 00:45:54,120 --> 00:45:57,200 Speaker 1: of this story, but when we would need parents who 813 00:45:57,239 --> 00:46:00,520 Speaker 1: would say that, who would say this? This show has 814 00:46:00,560 --> 00:46:03,680 Speaker 1: given me a window into having conversations with my kid 815 00:46:04,440 --> 00:46:07,279 Speaker 1: that I didn't know how to have or start, and 816 00:46:07,400 --> 00:46:10,520 Speaker 1: kids would say, you know, it was really interesting. I 817 00:46:10,560 --> 00:46:12,759 Speaker 1: was always so embarrassed my parents would make me watch 818 00:46:12,800 --> 00:46:15,080 Speaker 1: the show with them, but then they opened up to 819 00:46:15,080 --> 00:46:16,920 Speaker 1: me and told me all this stuff about things they 820 00:46:16,920 --> 00:46:19,880 Speaker 1: went through that I never knew about. That that always 821 00:46:19,920 --> 00:46:25,040 Speaker 1: felt like a really special thing to be a conduit 822 00:46:25,160 --> 00:46:28,560 Speaker 1: like that for for viewers. And you can see, especially 823 00:46:28,640 --> 00:46:30,160 Speaker 1: with this show, it has been happening a lot like 824 00:46:31,440 --> 00:46:33,160 Speaker 1: I don't know how it is for you guys, but 825 00:46:33,239 --> 00:46:36,040 Speaker 1: you know, because I wasn't in it as much, it 826 00:46:36,080 --> 00:46:38,000 Speaker 1: will be like years and years you don't here about it, 827 00:46:38,000 --> 00:46:40,600 Speaker 1: and then and then these progressively younger people will come 828 00:46:40,640 --> 00:46:42,839 Speaker 1: up to in the street, Oh my god, the crap, 829 00:46:42,960 --> 00:46:44,520 Speaker 1: you know what I mean, And I'm like, how old 830 00:46:44,520 --> 00:46:48,360 Speaker 1: are you? But let this rediscovering it on streaming or 831 00:46:48,360 --> 00:46:52,320 Speaker 1: whatever has has has constantly surprised me. It's really lovely. 832 00:46:52,400 --> 00:46:55,719 Speaker 1: It's um, it's not the same people who it is. 833 00:46:55,719 --> 00:46:57,200 Speaker 1: It's the children of the people who watching it the 834 00:46:57,200 --> 00:47:01,120 Speaker 1: first time. You know, it's pretty special. It's nuts man, 835 00:47:01,840 --> 00:47:04,200 Speaker 1: going to the supermarket here, I look like a homeless 836 00:47:04,239 --> 00:47:07,040 Speaker 1: lady all the time, and I feel like I need 837 00:47:07,040 --> 00:47:10,120 Speaker 1: to apologize to these kids because they're just like, what 838 00:47:10,360 --> 00:47:18,240 Speaker 1: happened to you? There's a dunkin donut, Your beard looks 839 00:47:18,360 --> 00:47:23,560 Speaker 1: fantastic beard been on your face? It comes and goes. 840 00:47:24,040 --> 00:47:26,520 Speaker 1: Is Covid beard, No, it comes and goes. I have 841 00:47:26,600 --> 00:47:28,759 Speaker 1: them for a couple of weeks shaming off. That was 842 00:47:28,800 --> 00:47:30,719 Speaker 1: a funny thing. How short my ear was in those 843 00:47:30,760 --> 00:47:36,200 Speaker 1: early you and Chad had the same haircut. Yeah, yeah, 844 00:47:36,239 --> 00:47:38,080 Speaker 1: and that was that. That was that two tho. I 845 00:47:38,080 --> 00:47:43,040 Speaker 1: feel like Brad Pitt did it for like Mr Mrs Smith? Yeah, sure, 846 00:47:43,120 --> 00:47:48,080 Speaker 1: did we remember out here? I like it all right. 847 00:47:48,080 --> 00:47:50,000 Speaker 1: So we've kind of touched this question a little bit. 848 00:47:50,080 --> 00:47:52,919 Speaker 1: Um Brenna said, You've talked about a lot of other 849 00:47:52,920 --> 00:47:55,120 Speaker 1: teen dramas that were popular when you started filming One 850 00:47:55,120 --> 00:47:58,480 Speaker 1: Tree Hill. Did you ever have conversations with other teen 851 00:47:58,760 --> 00:48:03,000 Speaker 1: show stars during that time about your experience? Well, I 852 00:48:03,000 --> 00:48:05,160 Speaker 1: mean you did charm. Did you did you jump around 853 00:48:05,160 --> 00:48:08,360 Speaker 1: to any other of these kind of like super moody 854 00:48:08,360 --> 00:48:11,160 Speaker 1: TV shows? Karen, Yeah, that's a good question. Actually no, 855 00:48:11,200 --> 00:48:13,480 Speaker 1: I didn't. I didn't do it. I ended up moving 856 00:48:13,480 --> 00:48:15,760 Speaker 1: on to It's kind of like lifetime in the Hamark 857 00:48:15,840 --> 00:48:19,960 Speaker 1: and yeah, I love those episodic television. Yeah exactly. You've 858 00:48:19,960 --> 00:48:21,840 Speaker 1: been doing some some goodles too, huh. And it's some 859 00:48:22,760 --> 00:48:24,480 Speaker 1: I mean, but I mean I ran into some people. 860 00:48:24,560 --> 00:48:26,520 Speaker 1: You know, I get parties and stuff. They say you 861 00:48:26,520 --> 00:48:30,600 Speaker 1: go to parties and you both commiserated, like the ARC guys, 862 00:48:30,640 --> 00:48:32,760 Speaker 1: you know, be like uh at a birdie or always 863 00:48:32,760 --> 00:48:37,040 Speaker 1: guys and like chat but not really about work. Yeah, 864 00:48:37,320 --> 00:48:39,759 Speaker 1: I don't think I had that experience now. Back when 865 00:48:39,760 --> 00:48:42,200 Speaker 1: we were kids. I remember because Josh Jackson still had 866 00:48:42,200 --> 00:48:44,480 Speaker 1: his place in Wilmington's for a bit after Dawson's were 867 00:48:44,520 --> 00:48:47,480 Speaker 1: at Right, and I remember like being out at Wrightsville 868 00:48:47,520 --> 00:48:49,880 Speaker 1: and having a beer with him and him just being like, 869 00:48:50,200 --> 00:48:52,080 Speaker 1: it's going to be great. It's also going to get 870 00:48:52,160 --> 00:48:57,600 Speaker 1: really weird. There's nowhere to go, and everybody's gonna date 871 00:48:57,600 --> 00:48:59,799 Speaker 1: everybody and just be nice to each other. And I 872 00:48:59,880 --> 00:49:02,360 Speaker 1: was like, what, Like, I just thought it was so funny. 873 00:49:02,400 --> 00:49:05,400 Speaker 1: And now I see Josh. There's a word of wisdom 874 00:49:05,480 --> 00:49:08,560 Speaker 1: right there. No, truly, he was just like, there's nowhere 875 00:49:08,600 --> 00:49:11,000 Speaker 1: to go, you're you're you're in a Petri dish together, 876 00:49:11,160 --> 00:49:14,200 Speaker 1: get ready, and then you know, now I see Josh 877 00:49:14,200 --> 00:49:16,880 Speaker 1: and we're on like all these amazing you know, whispered 878 00:49:16,880 --> 00:49:20,440 Speaker 1: networks of activists working on social justice issues, and we 879 00:49:20,520 --> 00:49:22,520 Speaker 1: just laugh were like, remember when we were just two 880 00:49:22,640 --> 00:49:27,239 Speaker 1: dumb kids in Willington's and we were all so messy 881 00:49:27,360 --> 00:49:29,200 Speaker 1: and it was it wasn't strange sort of They go 882 00:49:29,560 --> 00:49:30,880 Speaker 1: over for you, guys. I think it was over, but 883 00:49:31,960 --> 00:49:35,240 Speaker 1: maybe you guys talking about that same places, the same houses, 884 00:49:35,320 --> 00:49:39,239 Speaker 1: literally the same exact crew. They just roll They took 885 00:49:39,239 --> 00:49:41,279 Speaker 1: their break and they're like, we got a new pack 886 00:49:41,320 --> 00:49:44,480 Speaker 1: of kids. What are you gonna do here? We go, Yeah, 887 00:49:44,640 --> 00:49:48,040 Speaker 1: that happens. That happens right when Nicole show ended. That 888 00:49:48,160 --> 00:49:50,400 Speaker 1: was an Albuquerque in New Mexico and that crew went 889 00:49:50,440 --> 00:49:54,520 Speaker 1: on the Breaking Bead, which is like a different from 890 00:49:54,680 --> 00:50:00,320 Speaker 1: from from show about teenage girls and hostess too always 891 00:50:00,320 --> 00:50:03,360 Speaker 1: makes us luck. You know what, if you can find 892 00:50:03,360 --> 00:50:06,040 Speaker 1: the parallel, there's a whole new TV show. I'm sure 893 00:50:06,040 --> 00:50:10,040 Speaker 1: there's a three line there somewhere. Teen girls who delivered 894 00:50:10,120 --> 00:50:16,720 Speaker 1: drugs on Horsebash shut up Tuesdays on the c W 895 00:50:17,920 --> 00:50:22,080 Speaker 1: perfect God, yeah, I'd watch that. You heard it here first, guys, 896 00:50:22,560 --> 00:50:24,680 Speaker 1: you want to spin a wheel, Karen, we do this 897 00:50:24,719 --> 00:50:27,759 Speaker 1: thing where we um we do most likely to. It's 898 00:50:27,760 --> 00:50:30,880 Speaker 1: like Senior from the Yearbook. From the Yearbook. Did you 899 00:50:30,880 --> 00:50:34,200 Speaker 1: guys have your books in New Zealand? Yes, we did, right, 900 00:50:34,480 --> 00:50:40,520 Speaker 1: did you have surprise recently. Yes, yes, So we're gonna 901 00:50:40,600 --> 00:50:42,919 Speaker 1: let you go first. You can pick a real live 902 00:50:43,040 --> 00:50:46,239 Speaker 1: cast mate or a character from the show. Who do 903 00:50:46,320 --> 00:50:50,280 Speaker 1: you think is most likely to survive on a desert island? 904 00:50:50,719 --> 00:50:55,640 Speaker 1: Come on, Whitey, right, that guy would just whip that 905 00:50:55,680 --> 00:50:59,720 Speaker 1: into shape. Yeah, you're right. It's like that show alone. 906 00:51:00,000 --> 00:51:03,200 Speaker 1: He'd have like a fort milt were like chomping on 907 00:51:03,280 --> 00:51:07,480 Speaker 1: the cigar and chomping, like cutting up a random plant 908 00:51:07,520 --> 00:51:09,799 Speaker 1: for dinner and going, God, damn it, why is this 909 00:51:09,920 --> 00:51:15,520 Speaker 1: so tough? Where's the sea? It was like Costa and 910 00:51:15,560 --> 00:51:18,799 Speaker 1: Tom Hanks, But why don't you see? Yeah, I watch 911 00:51:18,880 --> 00:51:20,520 Speaker 1: that show. You know. I actually made him in New 912 00:51:20,600 --> 00:51:25,399 Speaker 1: Zealand before I came out of here. Yeah, he came 913 00:51:25,400 --> 00:51:29,240 Speaker 1: down like he came down in the year two thousands 914 00:51:29,239 --> 00:51:33,319 Speaker 1: to do uh went about you know movies where Kelley 915 00:51:33,360 --> 00:51:34,600 Speaker 1: mc gillis was the lead and it was one of 916 00:51:34,600 --> 00:51:36,640 Speaker 1: those like horror movies, you know, and they came down. 917 00:51:36,680 --> 00:51:41,560 Speaker 1: They try to make Oakland look like America, Texas. It's 918 00:51:41,600 --> 00:51:46,239 Speaker 1: like and I was like, I was a backpacker in 919 00:51:46,280 --> 00:51:48,040 Speaker 1: the movie or something, and he and he was the 920 00:51:48,080 --> 00:51:51,239 Speaker 1: sheriff of course, and we took him out with me 921 00:51:51,280 --> 00:51:52,600 Speaker 1: and my buddies. We took him out to like a 922 00:51:52,600 --> 00:51:54,680 Speaker 1: cigar bar, and because he was like, are alone, it's 923 00:51:54,680 --> 00:51:56,040 Speaker 1: one of the heave look around. So we had some 924 00:51:56,160 --> 00:52:01,400 Speaker 1: nights on the towent there and then yeah, I'm like, 925 00:52:01,560 --> 00:52:04,480 Speaker 1: how funny is that? Yeah, hanging out of Charlie Brown's. 926 00:52:06,160 --> 00:52:08,440 Speaker 1: Did you go to that bar Charlie Brown's with Barry? 927 00:52:09,320 --> 00:52:11,719 Speaker 1: I think I went to all those buzz Yeah, he 928 00:52:11,840 --> 00:52:15,000 Speaker 1: used to have his mail delivered there to the Yes, 929 00:52:17,440 --> 00:52:20,880 Speaker 1: he was great. He's another one with the stories, you know, 930 00:52:20,960 --> 00:52:23,480 Speaker 1: another I would just sit you're like sitting there at 931 00:52:23,480 --> 00:52:28,239 Speaker 1: the knee of course. Okay, So, um, if White he's 932 00:52:28,239 --> 00:52:32,319 Speaker 1: going to survive, which cast member, real life person do 933 00:52:32,360 --> 00:52:37,600 Speaker 1: we think will survive on a deserted island? Real life? Yeah, 934 00:52:38,120 --> 00:52:44,759 Speaker 1: like a friend of ours. I mean, I'd love to 935 00:52:44,760 --> 00:52:46,920 Speaker 1: see what Paul does. I don't I don't know, I 936 00:52:46,960 --> 00:52:53,080 Speaker 1: don't know, but I'd love to see what happens. Yeah, yeah, 937 00:52:53,280 --> 00:52:54,799 Speaker 1: I don't know if he makes it, but I want 938 00:52:54,800 --> 00:52:57,279 Speaker 1: to watch the Truman show. We'll just with camera's in 939 00:52:57,320 --> 00:53:00,600 Speaker 1: the palm trees. Yeah, I'm here for I think I 940 00:53:00,600 --> 00:53:05,680 Speaker 1: think he'd find I think would he would find angle yeah, okay, 941 00:53:05,800 --> 00:53:10,799 Speaker 1: thank you know what with his luck. Yes, Paul, like 942 00:53:10,920 --> 00:53:14,160 Speaker 1: Robert Downey Jr. In his Iron Man outfit, would like 943 00:53:14,400 --> 00:53:17,879 Speaker 1: swoop down because they're best friends. Pick him up. Nick 944 00:53:17,920 --> 00:53:20,960 Speaker 1: Cassavetti's would film the whole thing. It would be and 945 00:53:21,000 --> 00:53:25,360 Speaker 1: they win an oscar. There you go, There you go done. Karen. 946 00:53:25,400 --> 00:53:28,160 Speaker 1: It's so good seeing you. It was so good. This 947 00:53:28,239 --> 00:53:31,160 Speaker 1: is fun. Thanks for inviting me on. Thank you for coming. 948 00:53:31,320 --> 00:53:33,600 Speaker 1: We're gonna have We're gonna have our big party out west. 949 00:53:33,800 --> 00:53:37,640 Speaker 1: I can't wait. Um, I'm itching to get out of Yeah, 950 00:53:37,719 --> 00:53:41,279 Speaker 1: let's get crazy and um. In the meantime, we're gonna 951 00:53:41,280 --> 00:53:43,759 Speaker 1: be watching your kid teach us all about history. Thank 952 00:53:43,800 --> 00:53:46,480 Speaker 1: you for putting that into the universe so we can 953 00:53:46,560 --> 00:53:49,600 Speaker 1: all be smarter. We got we got that out there 954 00:53:49,640 --> 00:53:52,920 Speaker 1: and uh and uh we just you know, Nicole might 955 00:53:52,960 --> 00:53:55,920 Speaker 1: be working on scripts too. We've been right really hopefully 956 00:53:55,960 --> 00:53:57,719 Speaker 1: hopefully this and stuff come out. Oh and that's what 957 00:53:57,719 --> 00:53:59,480 Speaker 1: it did. In the pandemic, I wrote a book. What 958 00:54:01,080 --> 00:54:03,719 Speaker 1: where did you believe? Friends? Yeah, I know here, I 959 00:54:03,719 --> 00:54:05,359 Speaker 1: am here, I'm at the end going. Oh by the way, 960 00:54:05,520 --> 00:54:08,879 Speaker 1: oh by the way. It's uh, it's really fun because 961 00:54:08,920 --> 00:54:10,880 Speaker 1: you know when you're writing the script. It's interesting and 962 00:54:10,880 --> 00:54:12,719 Speaker 1: you sort of trying to you know, you get your 963 00:54:12,760 --> 00:54:14,239 Speaker 1: agent and you're pitching it out there and stuff, and 964 00:54:14,239 --> 00:54:16,479 Speaker 1: that's fine, but it's all collaborative. For the book, he said, 965 00:54:16,600 --> 00:54:18,919 Speaker 1: you know, you make it what you want it to be. 966 00:54:19,080 --> 00:54:21,759 Speaker 1: You know, talk about history. What is it about? It's 967 00:54:21,760 --> 00:54:24,239 Speaker 1: actually it's it's a science fiction book because we have 968 00:54:24,360 --> 00:54:27,840 Speaker 1: this Nicole and I came up a TV show and 969 00:54:27,840 --> 00:54:29,799 Speaker 1: you know it's all existing I p now, so we're 970 00:54:29,800 --> 00:54:33,520 Speaker 1: like trying to get it out there, um as a 971 00:54:33,560 --> 00:54:35,480 Speaker 1: book first and see when you build an audience. But 972 00:54:36,680 --> 00:54:38,640 Speaker 1: it's filled with all the stuff that we love, all 973 00:54:38,680 --> 00:54:42,000 Speaker 1: the genre stuff. You know, when can we read it? Yeah? 974 00:54:42,000 --> 00:54:44,040 Speaker 1: When do we out of publishes right now? So it's 975 00:54:44,040 --> 00:54:47,600 Speaker 1: been it's and this is what it was during the 976 00:54:47,600 --> 00:54:49,960 Speaker 1: pandemic last year, where I went, I've got all this 977 00:54:50,000 --> 00:54:51,440 Speaker 1: time in my hands, and you know, what the hell 978 00:54:51,520 --> 00:54:53,919 Speaker 1: are we doing? You're the one person that got things done. 979 00:54:54,760 --> 00:54:57,560 Speaker 1: I did on that, on that on that people hate. 980 00:54:57,600 --> 00:55:01,040 Speaker 1: We're like, I got in shape. I wrote a book. 981 00:55:02,520 --> 00:55:06,160 Speaker 1: So many goals for the pandemic and I did not 982 00:55:06,360 --> 00:55:09,160 Speaker 1: a one. Yeah, well I grew a beard and I 983 00:55:09,160 --> 00:55:12,000 Speaker 1: wrote a book. Oh my god, listen, when you're ready 984 00:55:12,040 --> 00:55:16,000 Speaker 1: for us to blurb about it, we're we're blurbers. Yeah, 985 00:55:16,040 --> 00:55:18,799 Speaker 1: there we go perfect. So you know it's at that 986 00:55:18,880 --> 00:55:20,759 Speaker 1: stage right now. We're getting it out there and uh, 987 00:55:21,080 --> 00:55:24,320 Speaker 1: we'll stay tuned. But yeah, exciting stuff. It's all this 988 00:55:24,360 --> 00:55:26,880 Speaker 1: fun stuff. I'm like, what's the next The next thing 989 00:55:27,000 --> 00:55:29,200 Speaker 1: got to be that we do rather than you know, 990 00:55:29,400 --> 00:55:31,520 Speaker 1: just what I think for things all the time. Yeah, 991 00:55:32,080 --> 00:55:37,360 Speaker 1: the hustle is strong, my friend. Um. Next week we 992 00:55:37,440 --> 00:55:40,600 Speaker 1: have season two, episode nine. The trick is to keep breathing, 993 00:55:41,000 --> 00:55:43,120 Speaker 1: do you. I don't know what comes next for Andy, 994 00:55:43,200 --> 00:55:46,719 Speaker 1: but I feel like it's probably something flirty. I think. 995 00:55:46,760 --> 00:55:49,400 Speaker 1: So you just had your first official romp with Karen. 996 00:55:49,400 --> 00:55:52,120 Speaker 1: I'm excited to see where it goes. That was cute. 997 00:55:52,680 --> 00:55:55,240 Speaker 1: That little wake up in the morning scene was real. 998 00:55:55,960 --> 00:55:59,160 Speaker 1: It was real cute. I wanted to show her my painting, right, No, 999 00:55:59,400 --> 00:56:02,640 Speaker 1: you want to show She wanted to show you the print. 1000 00:56:02,760 --> 00:56:06,520 Speaker 1: You're the ones the painting. It's in the bedroom. It's 1001 00:56:06,520 --> 00:56:09,480 Speaker 1: in the bedroom. We don't know how you pulled it off, 1002 00:56:09,480 --> 00:56:12,239 Speaker 1: but you made it not gross and truly we bowed down. 1003 00:56:12,520 --> 00:56:15,480 Speaker 1: You need to not only teach kids about history. But 1004 00:56:15,560 --> 00:56:19,319 Speaker 1: Joe should you should be teaching people about acting well 1005 00:56:19,440 --> 00:56:25,440 Speaker 1: humility with him within. It's so good perfect, um honey, 1006 00:56:25,480 --> 00:56:27,920 Speaker 1: it's so good seeing you. Thank you for playing with us, 1007 00:56:28,120 --> 00:56:31,319 Speaker 1: and we will thank you. We'll see you soon, hopefully. 1008 00:56:32,080 --> 00:56:33,560 Speaker 1: I will hopefully see you in Persant soon and I 1009 00:56:33,600 --> 00:56:35,480 Speaker 1: will keep on listening to this because you guys are 1010 00:56:35,480 --> 00:56:37,759 Speaker 1: doing a great thing. This is awesome. Thanks, thanks, but 1011 00:56:38,120 --> 00:56:39,640 Speaker 1: we love you all right, the rest of you, guys, 1012 00:56:39,680 --> 00:56:42,440 Speaker 1: I love you. Have a fantastic week. This has been 1013 00:56:42,719 --> 00:56:51,120 Speaker 1: like our favorite episode. Um, I think Wilkhi, thank you, Karen, Hey, 1014 00:56:51,200 --> 00:56:53,560 Speaker 1: thanks for listening. Don't forget to leave us a review. 1015 00:56:53,800 --> 00:56:56,880 Speaker 1: You can also follow us on Instagram at Drama Queen's 1016 00:56:56,960 --> 00:57:00,479 Speaker 1: o th h or email us at Drama Queen at 1017 00:57:00,480 --> 00:57:04,960 Speaker 1: I Heart radio dot com. See you next time. We 1018 00:57:05,000 --> 00:57:08,120 Speaker 1: are all about that high school drama. Girl Drama, Girl, 1019 00:57:08,200 --> 00:57:11,360 Speaker 1: all about them high school queens. We'll take you for 1020 00:57:11,440 --> 00:57:14,520 Speaker 1: a ride in our comic Girl Cheering for the Right 1021 00:57:14,600 --> 00:57:18,120 Speaker 1: teen drama Queens draws my girl up girl fashion, but 1022 00:57:18,280 --> 00:57:21,040 Speaker 1: your tough girl. You could sit with us Girl Drama Queens, 1023 00:57:21,120 --> 00:57:25,760 Speaker 1: Drama Quez Drama, Queen's Drama Drama, Queen's Drama queens,