1 00:00:00,440 --> 00:00:02,520 Speaker 1: Wake that ass up in the morning. 2 00:00:02,800 --> 00:00:08,320 Speaker 2: Breakfast Club Morning, everybody's the j Envy Jess hilarious, Charlamaine 3 00:00:08,360 --> 00:00:08,640 Speaker 2: the guy. 4 00:00:08,680 --> 00:00:09,719 Speaker 3: We are the Breakfast Club. 5 00:00:09,760 --> 00:00:11,879 Speaker 2: We got a special guest in the belling got the 6 00:00:11,920 --> 00:00:13,200 Speaker 2: brother cor Day, welcome back. 7 00:00:13,320 --> 00:00:16,520 Speaker 1: What's up y'all? Y'all feeling I feel good? I got 8 00:00:16,560 --> 00:00:19,079 Speaker 1: a third Breakfast Club interview. Man, That's that's tight. 9 00:00:19,160 --> 00:00:19,280 Speaker 4: Man. 10 00:00:19,280 --> 00:00:20,800 Speaker 1: A lot of people don't get to the third woman. 11 00:00:20,920 --> 00:00:22,960 Speaker 4: Man, that's true about that. 12 00:00:23,120 --> 00:00:23,959 Speaker 3: Well, are you feeling happy? 13 00:00:24,000 --> 00:00:24,440 Speaker 1: Holidays? 14 00:00:24,480 --> 00:00:24,600 Speaker 4: Man? 15 00:00:24,600 --> 00:00:26,439 Speaker 1: I appreciate you. I'm feeling good man. You know, just 16 00:00:26,520 --> 00:00:27,720 Speaker 1: landed this morning, so I'm good. 17 00:00:27,920 --> 00:00:30,160 Speaker 4: I feel like The Crossroads, which is your new project, 18 00:00:30,200 --> 00:00:31,560 Speaker 4: I feel like it should be in a lot of 19 00:00:32,040 --> 00:00:33,480 Speaker 4: rap album of the year categories. 20 00:00:33,800 --> 00:00:35,440 Speaker 1: I concur Yeah, I agree. 21 00:00:35,520 --> 00:00:37,159 Speaker 4: Why do you think it's not because all the black 22 00:00:37,159 --> 00:00:38,160 Speaker 4: people got fired at Atlantic? 23 00:00:38,320 --> 00:00:43,240 Speaker 5: The team Jesus my goodness. You know what what God 24 00:00:43,280 --> 00:00:45,440 Speaker 5: has in store for me, no man can get in 25 00:00:45,440 --> 00:00:49,879 Speaker 5: the way of. And I think post album marketing is 26 00:00:50,000 --> 00:00:53,479 Speaker 5: just as important, if not more important, than pre album marketing. 27 00:00:53,560 --> 00:00:56,200 Speaker 1: You know what I'm saying. Like I've had albums. 28 00:00:55,840 --> 00:00:58,680 Speaker 5: To where they really get their legs, like six months 29 00:00:58,880 --> 00:01:00,200 Speaker 5: later after it comes out out. 30 00:01:00,200 --> 00:01:00,760 Speaker 1: You know what I'm saying. 31 00:01:00,760 --> 00:01:02,600 Speaker 5: You still you got to tour, you gotta. I mean, 32 00:01:02,680 --> 00:01:05,039 Speaker 5: I's been out a month and I'm doing this with y'all. 33 00:01:05,120 --> 00:01:06,880 Speaker 5: It's gonna be a bunch of new people who may 34 00:01:06,880 --> 00:01:09,080 Speaker 5: not have even known I dropped something that see this. 35 00:01:09,240 --> 00:01:13,480 Speaker 5: So I think post album, post release marketing is just 36 00:01:13,480 --> 00:01:14,360 Speaker 5: like super important. 37 00:01:14,360 --> 00:01:14,520 Speaker 1: You know. 38 00:01:14,680 --> 00:01:16,440 Speaker 4: You know we had a boss man Dilo up here, 39 00:01:16,440 --> 00:01:20,199 Speaker 4: and he said that he values reaction over sales. Okay, 40 00:01:20,319 --> 00:01:25,200 Speaker 4: you consider successful this album or any album I would. 41 00:01:26,240 --> 00:01:28,400 Speaker 1: I guess it depends on how you define reactions. 42 00:01:28,440 --> 00:01:31,119 Speaker 5: So but I guess how people I don't know because 43 00:01:31,160 --> 00:01:34,200 Speaker 5: I try not to put like two because I'm an 44 00:01:34,240 --> 00:01:36,959 Speaker 5: artist and I'm sensitive about my shit, right the quote Erica, 45 00:01:37,680 --> 00:01:41,560 Speaker 5: So I try not to put too much, like I guess, 46 00:01:41,959 --> 00:01:46,120 Speaker 5: thought or energy into reaction. But I'll be I'll be 47 00:01:46,160 --> 00:01:47,960 Speaker 5: a live I said. It don't feel good when people 48 00:01:47,960 --> 00:01:49,480 Speaker 5: are like, yo, I love this album. And I've been 49 00:01:49,480 --> 00:01:51,280 Speaker 5: getting a lot of that amongst this album, a lot 50 00:01:51,280 --> 00:01:52,600 Speaker 5: of people telling me it's my best work. 51 00:01:52,600 --> 00:01:54,880 Speaker 1: I'm seeing online a bunch of people rock with it. 52 00:01:54,920 --> 00:01:58,800 Speaker 5: But for me, it's when I'm performing it that validation 53 00:01:58,880 --> 00:02:00,800 Speaker 5: for me is when I'm performing and people are like 54 00:02:00,840 --> 00:02:03,600 Speaker 5: reciting the lyrics to me. People are coming to see 55 00:02:03,640 --> 00:02:05,480 Speaker 5: me when I'm out and about and people are coming 56 00:02:05,560 --> 00:02:07,920 Speaker 5: up like yo, this line like just really register with me, 57 00:02:08,040 --> 00:02:10,560 Speaker 5: or like this song really connected with me, you know, 58 00:02:10,680 --> 00:02:12,320 Speaker 5: me and my family talked about. 59 00:02:12,000 --> 00:02:14,600 Speaker 1: This, and so that I guess that's the validation. 60 00:02:14,720 --> 00:02:17,320 Speaker 2: More so that success to you when people know your stuff, 61 00:02:17,360 --> 00:02:19,200 Speaker 2: listening to your stuff, your core. You don't need a 62 00:02:19,280 --> 00:02:25,880 Speaker 2: number to make it successful or do you. 63 00:02:23,720 --> 00:02:27,000 Speaker 5: No, just more so, I think to the point we 64 00:02:27,120 --> 00:02:29,280 Speaker 5: just made earlier and even the Boss de Law's point, 65 00:02:30,600 --> 00:02:33,440 Speaker 5: it's just like people liking it, people enjoying it. It does 66 00:02:33,480 --> 00:02:35,960 Speaker 5: feel good when people enjoy your music. Right As an artist, 67 00:02:36,440 --> 00:02:38,360 Speaker 5: like you gotta have can I curse? 68 00:02:38,480 --> 00:02:38,720 Speaker 4: Yeah? 69 00:02:38,760 --> 00:02:40,320 Speaker 5: Okay, you got to have a sense of like not 70 00:02:40,360 --> 00:02:41,919 Speaker 5: giving the fuck. You gotta like when you're in there 71 00:02:41,960 --> 00:02:44,200 Speaker 5: creating and you put it out like yo, you got 72 00:02:44,240 --> 00:02:45,880 Speaker 5: to think like I don't give a fuck with people, 73 00:02:45,880 --> 00:02:47,840 Speaker 5: think like truly, that's the only way you're gonna ever 74 00:02:47,880 --> 00:02:51,240 Speaker 5: put anything out right. But at the same token, it 75 00:02:51,240 --> 00:02:53,679 Speaker 5: feels really good when people actually do like the work 76 00:02:53,720 --> 00:02:56,359 Speaker 5: that you're putting out. So that feels good to get 77 00:02:56,440 --> 00:03:00,000 Speaker 5: such like positive like feedback from real people and fans 78 00:03:00,240 --> 00:03:02,040 Speaker 5: that's out there that I'm meeting in real life and 79 00:03:02,080 --> 00:03:05,040 Speaker 5: like fans online. But then also again that that validation 80 00:03:05,160 --> 00:03:06,920 Speaker 5: for me is when I'm performing it and people are 81 00:03:06,960 --> 00:03:09,760 Speaker 5: rapping the lyrics back to me coming to see me 82 00:03:09,840 --> 00:03:10,680 Speaker 5: performing the music. 83 00:03:10,760 --> 00:03:14,359 Speaker 1: So it is validation comes in the multitude of ways. 84 00:03:14,400 --> 00:03:17,200 Speaker 6: For Shure, why is it called the Crossroads? You said 85 00:03:17,200 --> 00:03:19,600 Speaker 6: it's your third time up here, it's also your third album. Yeah, 86 00:03:19,840 --> 00:03:22,440 Speaker 6: this is the Crossroads? Is that does have something to 87 00:03:22,440 --> 00:03:24,440 Speaker 6: do with your personal life, how you feel at what 88 00:03:24,480 --> 00:03:25,920 Speaker 6: point in your life are you right now? 89 00:03:26,200 --> 00:03:29,160 Speaker 1: Yeah? Oh my god, this is. 90 00:03:30,880 --> 00:03:33,160 Speaker 6: The Crossroads can mean a number of things, sir. 91 00:03:33,520 --> 00:03:39,200 Speaker 5: But well, I did sample on the intro. But but 92 00:03:39,240 --> 00:03:41,560 Speaker 5: more so for me, I had to pay homage. If 93 00:03:41,560 --> 00:03:43,760 Speaker 5: I'm gonna call album the Crossroads, I got to bring 94 00:03:43,800 --> 00:03:46,240 Speaker 5: some bone thugs in it. But for me, just more so, 95 00:03:46,320 --> 00:03:50,160 Speaker 5: it's like, when I was making this, the cross Roads 96 00:03:50,200 --> 00:03:54,120 Speaker 5: represent for me is like not necessarily know where I'm going. 97 00:03:54,680 --> 00:03:56,760 Speaker 5: And when I was making this album, I kept saying 98 00:03:56,760 --> 00:03:57,680 Speaker 5: I'm at a crossroads. 99 00:03:57,720 --> 00:03:58,600 Speaker 1: I'm at a crossroads. 100 00:03:58,600 --> 00:04:01,040 Speaker 5: I'm at a cross I say it like on like 101 00:04:01,120 --> 00:04:03,640 Speaker 5: seven different songs before I even knew the title of 102 00:04:03,680 --> 00:04:05,839 Speaker 5: the project. And so I'm like, well, I keep saying 103 00:04:05,840 --> 00:04:07,960 Speaker 5: this and music am I at a crossroads? 104 00:04:08,080 --> 00:04:11,880 Speaker 1: And so like, you know, quarter life Crisis is like 105 00:04:11,920 --> 00:04:12,600 Speaker 1: a real thing. 106 00:04:13,920 --> 00:04:15,800 Speaker 4: Quarter life crais, Yeah, you never heard of that? 107 00:04:16,000 --> 00:04:19,359 Speaker 5: No, you know, I think somebody I forgot who was 108 00:04:19,400 --> 00:04:22,360 Speaker 5: an artist, made an album called quarter Life Crisis. I 109 00:04:22,400 --> 00:04:23,760 Speaker 5: can't think of the name of it. I don't think 110 00:04:23,800 --> 00:04:25,560 Speaker 5: it was like a really big album. But like I 111 00:04:25,600 --> 00:04:27,400 Speaker 5: looked at it's a thing. It's I don't know if 112 00:04:27,400 --> 00:04:30,120 Speaker 5: it's a thing, but I've seen it there and it's 113 00:04:30,120 --> 00:04:34,160 Speaker 5: a thing. Right thirty No, oh my god, I'm twenty seven. 114 00:04:34,000 --> 00:04:41,000 Speaker 4: Bro, crisis, I said. 115 00:04:41,880 --> 00:04:42,960 Speaker 1: I mean, I'm a fresh. 116 00:04:42,720 --> 00:04:45,360 Speaker 5: Twenty seven too, But that's a but even at twenty 117 00:04:45,360 --> 00:04:47,520 Speaker 5: seven club, you know, not to speak that energy. 118 00:04:47,560 --> 00:04:49,120 Speaker 1: I'm gonna live a long, prosperous life. 119 00:04:49,480 --> 00:04:54,120 Speaker 5: But yeah, just more so the feeling of unknowing of 120 00:04:54,360 --> 00:04:56,000 Speaker 5: where I'm going next, you know what I'm saying, And 121 00:04:56,040 --> 00:04:59,080 Speaker 5: that's an exciting thing, but it's also it's fucking scary, honestly. 122 00:04:59,160 --> 00:05:00,840 Speaker 5: So that's how I came out with the Crossroad. 123 00:05:00,880 --> 00:05:02,400 Speaker 4: I don't believe a vision boards and stuff like that, 124 00:05:02,400 --> 00:05:04,120 Speaker 4: Like I mean, because you know, they always say you 125 00:05:04,160 --> 00:05:07,240 Speaker 4: can tell God your plans. He might got will laugh 126 00:05:07,240 --> 00:05:08,200 Speaker 4: at you like you're good playing. 127 00:05:08,240 --> 00:05:09,360 Speaker 1: Yeah, we plan God laugh. 128 00:05:09,440 --> 00:05:14,080 Speaker 5: Yeah that's a proverb, but I think it's a Yiddish proverb. 129 00:05:14,480 --> 00:05:17,400 Speaker 5: But I say all this to say, yeah, I definitely 130 00:05:17,400 --> 00:05:18,400 Speaker 5: make vision boards. 131 00:05:18,400 --> 00:05:20,479 Speaker 1: I do, like a planner at. 132 00:05:20,279 --> 00:05:23,320 Speaker 5: The end of every year, beginning the next year I've 133 00:05:23,320 --> 00:05:26,120 Speaker 5: been doing. I write in my little notebook while journal 134 00:05:26,160 --> 00:05:28,880 Speaker 5: a lot, and honestly, yo, I knocked out a bunch 135 00:05:28,920 --> 00:05:30,560 Speaker 5: of stuff that I wrote down. I did like a 136 00:05:30,560 --> 00:05:32,800 Speaker 5: thought bubble of goals more so at the end of 137 00:05:32,880 --> 00:05:35,239 Speaker 5: last year, and I knocked out a bunch of those stuff. 138 00:05:35,240 --> 00:05:37,200 Speaker 5: Like one of my thought bubbles was like to have 139 00:05:37,240 --> 00:05:40,280 Speaker 5: a song with with Yay formerly known as Kanye West. 140 00:05:40,279 --> 00:05:43,159 Speaker 5: That was on my thought bubble. And so yeah, I 141 00:05:43,160 --> 00:05:46,000 Speaker 5: do vision boards. I write down goals and dreams and stuff. 142 00:05:46,000 --> 00:05:47,920 Speaker 5: But I haven't done a vision board since twenty eighteen. 143 00:05:48,000 --> 00:05:50,840 Speaker 5: So I literally thought about that like a couple of 144 00:05:50,880 --> 00:05:52,120 Speaker 5: days ago. I'm like, not at the end of this year, 145 00:05:52,120 --> 00:05:53,920 Speaker 5: I'm gonna do another vision board. But I always like 146 00:05:53,960 --> 00:05:55,880 Speaker 5: write down my goals and stuff for the next year, 147 00:05:55,880 --> 00:05:56,200 Speaker 5: for sure. 148 00:05:56,320 --> 00:05:58,159 Speaker 4: But even with that, you don't know where you want 149 00:05:58,160 --> 00:05:58,320 Speaker 4: to go. 150 00:05:58,960 --> 00:06:00,919 Speaker 5: Now I do know where I want to go, but 151 00:06:00,960 --> 00:06:04,440 Speaker 5: it's more like just you can have you can have 152 00:06:04,480 --> 00:06:06,120 Speaker 5: an idea where you want to go, but where you 153 00:06:06,160 --> 00:06:08,880 Speaker 5: actually go it is sometimes the difference. Sometimes you write 154 00:06:08,920 --> 00:06:11,320 Speaker 5: on the money like y'all want to do this, I 155 00:06:11,360 --> 00:06:13,800 Speaker 5: want to do this this year, this, this and that, 156 00:06:14,240 --> 00:06:15,880 Speaker 5: and then your path can be like, well I did this, 157 00:06:15,880 --> 00:06:17,880 Speaker 5: this and that, but actually that wasn't right for me, 158 00:06:17,960 --> 00:06:19,760 Speaker 5: you know what I'm saying. So God brought me here, 159 00:06:20,200 --> 00:06:22,440 Speaker 5: but what I've learned is too was like what's meant 160 00:06:22,480 --> 00:06:24,680 Speaker 5: for you will never miss you, no matter how hard 161 00:06:24,760 --> 00:06:26,600 Speaker 5: you try to fuck it up. You know what I'm saying, 162 00:06:26,600 --> 00:06:28,920 Speaker 5: It's never meant for me. Excuse me, what was meant 163 00:06:28,960 --> 00:06:30,520 Speaker 5: for me will never miss me? You know, how is 164 00:06:30,560 --> 00:06:32,159 Speaker 5: your life? How is your life changed now that you 165 00:06:32,160 --> 00:06:34,599 Speaker 5: have a child? Right because it was one years old? Yeah, 166 00:06:34,680 --> 00:06:36,120 Speaker 5: one and a half and a half, Yes, sir. 167 00:06:36,240 --> 00:06:38,080 Speaker 3: How is things changed as a young father? 168 00:06:38,240 --> 00:06:38,640 Speaker 1: Yeah? 169 00:06:39,240 --> 00:06:43,119 Speaker 5: For me, it's more having a respect for my time, 170 00:06:43,560 --> 00:06:45,760 Speaker 5: you know what I'm saying, being more like discipline when 171 00:06:45,760 --> 00:06:48,640 Speaker 5: it comes to my time, and also having more respect 172 00:06:48,680 --> 00:06:50,880 Speaker 5: for other people's time. You know, because I'm like, I 173 00:06:50,880 --> 00:06:52,919 Speaker 5: want people to respect my time because I got kids, 174 00:06:52,920 --> 00:06:56,000 Speaker 5: I can you know, when I leave the house, it 175 00:06:56,040 --> 00:06:58,960 Speaker 5: needs to be something important or something that I love 176 00:06:59,040 --> 00:07:01,839 Speaker 5: to do. Something that's for feeling fulfillment for me is 177 00:07:01,880 --> 00:07:05,160 Speaker 5: going into the studio enjoying good times with friends. 178 00:07:05,200 --> 00:07:07,520 Speaker 1: You know, my job is. 179 00:07:08,920 --> 00:07:11,360 Speaker 5: I mean, you know, this is essentially I want. This 180 00:07:11,400 --> 00:07:13,120 Speaker 5: doesn't even feel like a job to me though, to 181 00:07:13,160 --> 00:07:14,320 Speaker 5: be honest, but I say this to. 182 00:07:14,240 --> 00:07:17,840 Speaker 1: Say, yeah, no exactly, it's a fresh code. 183 00:07:17,960 --> 00:07:22,360 Speaker 5: But I say all this to say, yeah, when I 184 00:07:22,440 --> 00:07:24,320 Speaker 5: leave the house, it has to be something important, you know. 185 00:07:24,400 --> 00:07:26,560 Speaker 5: So it just really has me focused on like time 186 00:07:26,600 --> 00:07:29,320 Speaker 5: management and versus before, like I'll be you know, as 187 00:07:29,320 --> 00:07:30,880 Speaker 5: an artist, like you'll be in the studio from like 188 00:07:31,000 --> 00:07:33,680 Speaker 5: nine pm the six am one day, then the next 189 00:07:33,720 --> 00:07:36,120 Speaker 5: day it might be like from seven pm to three am, 190 00:07:36,160 --> 00:07:38,040 Speaker 5: so you're kind of all over the place versus like 191 00:07:38,520 --> 00:07:40,280 Speaker 5: when since I had a daughter, it's like now I'm 192 00:07:40,320 --> 00:07:43,400 Speaker 5: in the studio from nine am to six pm six 193 00:07:43,480 --> 00:07:45,400 Speaker 5: days a week, and then three out of those six 194 00:07:45,480 --> 00:07:48,040 Speaker 5: days I come back to the studio from like ten 195 00:07:48,120 --> 00:07:50,120 Speaker 5: pm to four am. So it's more of like a 196 00:07:50,160 --> 00:07:53,320 Speaker 5: regiment of me like recording and stuff. And I think 197 00:07:53,320 --> 00:07:55,680 Speaker 5: I'm more productive now because I don't take my time 198 00:07:55,720 --> 00:07:56,200 Speaker 5: for granted. 199 00:07:56,200 --> 00:07:57,720 Speaker 4: You know, I feel like work though, Like if you 200 00:07:57,760 --> 00:08:00,440 Speaker 4: set like work hours nine to six is create activity 201 00:08:00,520 --> 00:08:02,400 Speaker 4: comes all times a day, all times at night. 202 00:08:02,600 --> 00:08:04,360 Speaker 5: Yeah, that's why I do that. That's why I do 203 00:08:04,520 --> 00:08:06,000 Speaker 5: three times a day. I do it at night too. 204 00:08:06,040 --> 00:08:09,119 Speaker 5: But I've noticed all the most successful artists that I've 205 00:08:09,800 --> 00:08:10,400 Speaker 5: talked with a. 206 00:08:10,440 --> 00:08:11,760 Speaker 1: Linked with, they work like that. 207 00:08:11,840 --> 00:08:14,680 Speaker 5: Like for real, he works like from like nine am 208 00:08:14,800 --> 00:08:17,320 Speaker 5: to like three, like he works at like a nine 209 00:08:17,360 --> 00:08:19,560 Speaker 5: to five. I've seen somewhere Eminem is in the studio 210 00:08:19,600 --> 00:08:22,600 Speaker 5: every day nine to five. He takes a lunch break 211 00:08:22,640 --> 00:08:24,840 Speaker 5: at noon. You know what I'm saying, a bunch of 212 00:08:24,840 --> 00:08:29,080 Speaker 5: other successful artists. I know they're like on a regimented. 213 00:08:28,680 --> 00:08:34,360 Speaker 1: Schedule because where I guess motivation. 214 00:08:35,160 --> 00:08:38,520 Speaker 5: Is low, that's where discipline kicks in or inspiration you know, 215 00:08:38,800 --> 00:08:40,640 Speaker 5: is low. That's where just like discipline comes in. 216 00:08:40,720 --> 00:08:42,880 Speaker 1: If. What I've learned too is like every verse that 217 00:08:42,920 --> 00:08:43,840 Speaker 1: I write is equity. 218 00:08:44,040 --> 00:08:45,720 Speaker 5: You know what I'm saying, Whether that verse makes the 219 00:08:45,800 --> 00:08:48,120 Speaker 5: album or not, that verse can be used for Let's 220 00:08:48,120 --> 00:08:49,520 Speaker 5: say somebody wants me on that song. 221 00:08:49,559 --> 00:08:51,000 Speaker 1: I can use their verse for that song. 222 00:08:51,320 --> 00:08:53,760 Speaker 5: I can use that verse for like a movie sync, 223 00:08:54,120 --> 00:08:55,320 Speaker 5: a video game sync. 224 00:08:55,400 --> 00:08:56,120 Speaker 1: You know what I'm saying. 225 00:08:56,120 --> 00:08:58,200 Speaker 5: And so me, I really it doesn't feel like work 226 00:08:58,280 --> 00:09:00,600 Speaker 5: to me above all else because like I love doing this, 227 00:09:00,960 --> 00:09:04,040 Speaker 5: like I love like being an aduljo if you would, 228 00:09:04,080 --> 00:09:06,720 Speaker 5: you know, And I switch up the times and locations 229 00:09:06,720 --> 00:09:08,480 Speaker 5: to where I cook at, like I might like rent 230 00:09:08,480 --> 00:09:11,280 Speaker 5: out of Airbnb for like two months, bring all my 231 00:09:11,320 --> 00:09:13,600 Speaker 5: studio equipment there, and we just creating out of there. 232 00:09:13,640 --> 00:09:17,840 Speaker 5: I might, you know, I find creative ways to get creative. 233 00:09:18,240 --> 00:09:21,000 Speaker 4: I saw one of those crazy YouTube videos and it 234 00:09:21,120 --> 00:09:25,240 Speaker 4: said though, it said why core Day's career hit a crossroad, 235 00:09:25,800 --> 00:09:29,160 Speaker 4: album flops horrendously. Yeah, do you feel your You just 236 00:09:29,200 --> 00:09:31,120 Speaker 4: said that you feel you at a crossroads, But do 237 00:09:31,160 --> 00:09:32,240 Speaker 4: you feel like your album floped? 238 00:09:33,080 --> 00:09:36,880 Speaker 5: No, because like probability of that. It's like some white 239 00:09:36,880 --> 00:09:39,439 Speaker 5: boy in Indiana. Not that it's a race thing, but 240 00:09:39,480 --> 00:09:41,480 Speaker 5: it's like the truth of the people that run thos 241 00:09:41,880 --> 00:09:43,679 Speaker 5: And like if you look at channels like that, their 242 00:09:43,760 --> 00:09:46,680 Speaker 5: whole channel subscribes to a bunch. 243 00:09:46,440 --> 00:09:49,200 Speaker 1: Of negativity, Like that's like what they're about. So you 244 00:09:49,240 --> 00:09:51,760 Speaker 1: can nitpick every artist in music. 245 00:09:52,440 --> 00:09:56,480 Speaker 5: You could find something negative and nitpick at where like 246 00:09:56,600 --> 00:09:57,480 Speaker 5: they lack of. 247 00:09:57,640 --> 00:10:00,000 Speaker 1: Where they lack in some department, you know what I'm saying. 248 00:10:00,360 --> 00:10:02,920 Speaker 5: But no, because like I had other albums that didn't 249 00:10:02,920 --> 00:10:05,520 Speaker 5: have like a strong first week, but again my tour 250 00:10:05,640 --> 00:10:08,240 Speaker 5: end up doing super well, and then later on it 251 00:10:08,280 --> 00:10:10,960 Speaker 5: grows and becomes like a larger thing, Like why I 252 00:10:11,000 --> 00:10:14,640 Speaker 5: spend all this time focusing on one week one week? 253 00:10:14,640 --> 00:10:16,920 Speaker 5: We're gonna spend all this time focusing on one week 254 00:10:17,120 --> 00:10:18,960 Speaker 5: when there is fifty two weeks out of the year, 255 00:10:19,080 --> 00:10:21,480 Speaker 5: Like you're gonna just give up on an album because 256 00:10:21,520 --> 00:10:23,560 Speaker 5: like it didn't have a super strong first week, you 257 00:10:23,559 --> 00:10:24,199 Speaker 5: know what I'm saying. 258 00:10:24,440 --> 00:10:25,679 Speaker 1: Excuse me what I'm saying. 259 00:10:25,679 --> 00:10:31,600 Speaker 5: And I think I get compared to like megastars like 260 00:10:31,679 --> 00:10:33,880 Speaker 5: my first Like if you compare like a Cord first 261 00:10:33,920 --> 00:10:36,240 Speaker 5: week sales to like a Kendrick Lamar first week sales, 262 00:10:36,280 --> 00:10:38,560 Speaker 5: of like, of course there's a discrepancy, But when it 263 00:10:38,600 --> 00:10:41,120 Speaker 5: comes to like my actual peers that do the type 264 00:10:41,120 --> 00:10:44,000 Speaker 5: of music that I do, this like it's all like 265 00:10:44,240 --> 00:10:47,840 Speaker 5: a balance. It's there, We're all doing the same comparative numbers. 266 00:10:47,880 --> 00:10:50,040 Speaker 5: You know, even though comparison is a thief for joy. 267 00:10:50,080 --> 00:10:53,480 Speaker 5: But just that's a whole nother perspective. But yeah, no 268 00:10:53,600 --> 00:10:53,920 Speaker 5: I don't. 269 00:10:54,040 --> 00:10:56,080 Speaker 1: I have no worry about what some white man says 270 00:10:56,120 --> 00:10:56,720 Speaker 1: about my career. 271 00:10:56,840 --> 00:10:58,520 Speaker 2: What's your relationship with Wayne? I see Wayne on a 272 00:10:58,920 --> 00:10:59,920 Speaker 2: project a couple of times. 273 00:11:00,440 --> 00:11:04,880 Speaker 5: Oh, Wayne is the one I've gone. I've gained so 274 00:11:05,000 --> 00:11:08,120 Speaker 5: many gems from Wayne, like honestly, like when it comes 275 00:11:08,120 --> 00:11:11,960 Speaker 5: to creativity, when it comes to creating music, when it 276 00:11:12,040 --> 00:11:16,400 Speaker 5: comes to like, he gave me some gems to like 277 00:11:16,440 --> 00:11:21,040 Speaker 5: you have to treat every single song like it's people's 278 00:11:21,040 --> 00:11:23,920 Speaker 5: first time hearing you, and it sounds so simple, but 279 00:11:24,000 --> 00:11:26,560 Speaker 5: it like lit a fire under my brain of like 280 00:11:27,440 --> 00:11:30,280 Speaker 5: nah Son like that is Yo, It's so simple, but 281 00:11:30,320 --> 00:11:32,320 Speaker 5: it says so much of like what happens is I've 282 00:11:32,320 --> 00:11:34,080 Speaker 5: been blessed. I have like a core audience and the 283 00:11:34,080 --> 00:11:35,880 Speaker 5: core fans that like rocks with me no matter what 284 00:11:35,960 --> 00:11:38,360 Speaker 5: I put out. But that can also become a hindrance 285 00:11:38,400 --> 00:11:40,360 Speaker 5: because you in the studio, you're like, Yo, my fans 286 00:11:40,360 --> 00:11:42,280 Speaker 5: gonna love this regardless, like no matter what I do, 287 00:11:42,760 --> 00:11:44,960 Speaker 5: versus you taking that approach of like I gotta make 288 00:11:44,960 --> 00:11:47,240 Speaker 5: a first impression on people. I gotta treat every song 289 00:11:47,320 --> 00:11:51,760 Speaker 5: like it's people's first time hearing it. It makes you 290 00:11:51,960 --> 00:11:55,560 Speaker 5: like really like want to give it your all, if 291 00:11:55,880 --> 00:11:57,280 Speaker 5: that makes sense, and want to make sure like, yo, 292 00:11:57,360 --> 00:11:58,680 Speaker 5: is this worth to hearing? You want to make a 293 00:11:58,720 --> 00:12:01,160 Speaker 5: good first impression and the fan and that way, the 294 00:12:01,200 --> 00:12:02,959 Speaker 5: fans that you already have, they're gonna be like, oh 295 00:12:02,960 --> 00:12:04,640 Speaker 5: my god, this is the greatest thing in the world. 296 00:12:04,840 --> 00:12:06,760 Speaker 5: And for somebody who's like fifty to fifty on you 297 00:12:06,800 --> 00:12:08,600 Speaker 5: who made by Okay, I heard a song, I heard 298 00:12:08,600 --> 00:12:11,240 Speaker 5: a freestyle. I don't know, like that here a song 299 00:12:11,320 --> 00:12:13,760 Speaker 5: then or album then they're like, oh nah, like they legit, 300 00:12:13,840 --> 00:12:14,000 Speaker 5: you know. 301 00:12:14,520 --> 00:12:17,640 Speaker 1: So I think that was a huge thing I learned 302 00:12:17,679 --> 00:12:18,120 Speaker 1: from Wayne. 303 00:12:18,200 --> 00:12:20,400 Speaker 5: And also like that work ethic just by this what 304 00:12:20,520 --> 00:12:23,480 Speaker 5: he teaches by doing, you know what I'm saying. Like 305 00:12:23,520 --> 00:12:25,320 Speaker 5: his I've been able to be blessed to watch him 306 00:12:25,400 --> 00:12:27,960 Speaker 5: up close and his work ethic is like incredible, and 307 00:12:28,080 --> 00:12:30,760 Speaker 5: his love for music it just never goes anywhere. And 308 00:12:30,800 --> 00:12:33,520 Speaker 5: you understand why he sold like three hundred million records 309 00:12:33,559 --> 00:12:37,080 Speaker 5: and ben he's like hip hop's Michael Jackson, if you would, 310 00:12:38,040 --> 00:12:40,040 Speaker 5: because if you think about it, there's not that many 311 00:12:40,040 --> 00:12:43,080 Speaker 5: people that were like child stars that went on to 312 00:12:43,120 --> 00:12:47,720 Speaker 5: become superstars and more successful as they get older. 313 00:12:47,800 --> 00:12:48,640 Speaker 1: You know what I'm saying. 314 00:12:50,160 --> 00:12:51,800 Speaker 4: Have you ever told you why he likes to collaborate 315 00:12:51,840 --> 00:12:54,360 Speaker 4: with you? 316 00:12:54,400 --> 00:12:56,920 Speaker 1: No, I don't ask. I didn't know. I got it. 317 00:12:57,960 --> 00:12:59,520 Speaker 1: Yeah nah, nah, I don't ask. 318 00:12:59,559 --> 00:13:02,800 Speaker 5: But I mean he definitely like give me my props 319 00:13:02,800 --> 00:13:04,480 Speaker 5: and my loves and just like yeah you want he 320 00:13:04,640 --> 00:13:05,880 Speaker 5: I mean, he says I'm a killer. 321 00:13:05,960 --> 00:13:07,480 Speaker 1: You know what I'm saying. He's like, now, you're a killer? 322 00:13:07,559 --> 00:13:07,839 Speaker 1: Like why? 323 00:13:08,040 --> 00:13:10,160 Speaker 5: Like you scary? You know what I'm saying. So he's like, Yo, 324 00:13:10,200 --> 00:13:12,319 Speaker 5: you're a killer. You scary. So I would assume that's 325 00:13:12,320 --> 00:13:17,160 Speaker 5: why the vote together one joint. We got one on 326 00:13:17,400 --> 00:13:20,760 Speaker 5: like unreleased joint. Yeah, but it's some. Yeah that that 327 00:13:20,800 --> 00:13:24,679 Speaker 5: mentorship and that guidance is like, uh, you can't put 328 00:13:24,679 --> 00:13:25,200 Speaker 5: a price tag. 329 00:13:27,559 --> 00:13:28,160 Speaker 4: You whispered that. 330 00:13:28,200 --> 00:13:30,840 Speaker 1: I guess how y'all wisper me? 331 00:13:31,200 --> 00:13:32,000 Speaker 3: That's what you wanted to hear. 332 00:13:32,040 --> 00:13:32,599 Speaker 1: I didn't say like that. 333 00:13:32,640 --> 00:13:33,440 Speaker 3: I said, how did y'all meet? 334 00:13:33,800 --> 00:13:38,320 Speaker 1: Actually he had a good job. Yeah, no, it's all good. 335 00:13:37,960 --> 00:13:42,040 Speaker 1: I didn't. Yeah, yeah, it's not my first. 336 00:13:44,360 --> 00:13:49,920 Speaker 5: We said what I was finna say, how we meet? 337 00:13:50,120 --> 00:13:50,560 Speaker 1: I did a. 338 00:13:52,160 --> 00:13:54,720 Speaker 5: Uh interview with he had a young Money not had 339 00:13:54,760 --> 00:13:57,440 Speaker 5: he has a Young Money radio music. 340 00:13:57,520 --> 00:13:58,640 Speaker 1: Yeah, so we started with that. 341 00:13:59,000 --> 00:14:00,800 Speaker 5: Then I got his number, he shot me his number 342 00:14:00,840 --> 00:14:02,480 Speaker 5: through there and it's just been like back and forth 343 00:14:02,480 --> 00:14:02,840 Speaker 5: since then. 344 00:14:02,880 --> 00:14:03,120 Speaker 1: You know. 345 00:14:03,240 --> 00:14:04,679 Speaker 4: I think we got to stop saying things like the 346 00:14:04,760 --> 00:14:08,080 Speaker 4: hip hop Michael Jackson though, yeah, only because Wayne is 347 00:14:08,120 --> 00:14:11,000 Speaker 4: Wayne and he's an all time great. I think sometimes 348 00:14:11,040 --> 00:14:14,960 Speaker 4: when we make those comparisons it puts unrealistic expectations because 349 00:14:14,960 --> 00:14:17,200 Speaker 4: I don't think people realize how big Michael Jackson. Well, 350 00:14:17,240 --> 00:14:19,720 Speaker 4: I think y'all generation says that shit, yeah, but y'all 351 00:14:19,760 --> 00:14:22,720 Speaker 4: really don't realize how big Michael Jackson. I mean, we 352 00:14:22,760 --> 00:14:24,760 Speaker 4: sold one hundred million records off one album. 353 00:14:24,840 --> 00:14:28,000 Speaker 7: They had to be there and yeah, you know what 354 00:14:28,040 --> 00:14:30,000 Speaker 7: I mean, to sell one hundred million records off one 355 00:14:30,120 --> 00:14:32,040 Speaker 7: album when people had to get up and go to 356 00:14:32,120 --> 00:14:32,560 Speaker 7: the store. 357 00:14:32,880 --> 00:14:37,240 Speaker 5: That's also a different thing going back to our earlier 358 00:14:37,280 --> 00:14:39,840 Speaker 5: points were like how albums are consumed, because when Michael 359 00:14:39,920 --> 00:14:43,760 Speaker 5: Jackson sold a hundred million records one hundred million people 360 00:14:43,840 --> 00:14:46,480 Speaker 5: or thirty million people three times like people you had 361 00:14:46,480 --> 00:14:48,400 Speaker 5: to actually leave your house and go to the store 362 00:14:48,720 --> 00:14:52,280 Speaker 5: to buy an album, versus now like like the Spotify, 363 00:14:52,520 --> 00:14:56,240 Speaker 5: Apple Music streaming equivalents. You gotta stream a song has 364 00:14:56,240 --> 00:14:59,720 Speaker 5: to stream fifteen hundred times to count is like one 365 00:15:00,000 --> 00:15:02,600 Speaker 5: angular unit to where you can have like five hundred 366 00:15:02,680 --> 00:15:06,560 Speaker 5: thousand people all streaming your music once and it equates 367 00:15:06,600 --> 00:15:07,920 Speaker 5: to like I can't do the math on the top 368 00:15:07,960 --> 00:15:09,960 Speaker 5: of my head, but like not like a high number. 369 00:15:10,040 --> 00:15:12,400 Speaker 5: So I say, going back to the original point of Dwayne, 370 00:15:13,920 --> 00:15:16,440 Speaker 5: you know what I find, comparison is the easiest way 371 00:15:16,440 --> 00:15:19,880 Speaker 5: to describe something, you know what I'm saying, Like, comparison 372 00:15:19,960 --> 00:15:21,880 Speaker 5: is like the easiest way to describe something. 373 00:15:21,920 --> 00:15:24,800 Speaker 1: So just my more so point was like. 374 00:15:25,320 --> 00:15:28,600 Speaker 4: It's like a mouthstar being growing to now yeah. 375 00:15:28,440 --> 00:15:31,160 Speaker 5: And being even more successful and better as an adult, 376 00:15:31,200 --> 00:15:31,840 Speaker 5: you know what I'm saying. 377 00:15:31,840 --> 00:15:32,760 Speaker 1: So that was the whole point. 378 00:15:32,800 --> 00:15:35,720 Speaker 5: But yeah, no, Michael, I'm I'm a huge Michael Jackson fan, 379 00:15:36,480 --> 00:15:37,840 Speaker 5: but I was born in ninety seven, you know what 380 00:15:37,880 --> 00:15:42,880 Speaker 5: I'm saying. So that was like what his story? Oh yeah, 381 00:15:43,040 --> 00:15:45,479 Speaker 5: like you know what I'm saying. So yeah, yeah, like Invincible. 382 00:15:45,520 --> 00:15:48,240 Speaker 5: I was there for Invincible. That was so I love 383 00:15:48,280 --> 00:15:50,320 Speaker 5: I love Invincible. By the way, that album he got 384 00:15:50,360 --> 00:15:54,240 Speaker 5: the floor tree joint on there the Butterflies, So. 385 00:15:54,160 --> 00:15:55,720 Speaker 2: What do you think about streaming because I see you 386 00:15:55,760 --> 00:15:57,840 Speaker 2: broke it down, So you really thought about streaming, right, Yeah, 387 00:15:58,000 --> 00:16:00,880 Speaker 2: like you think about it? If I stream your full yeah, 388 00:16:01,200 --> 00:16:02,920 Speaker 2: and I only stream you once, that doesn't count as 389 00:16:02,920 --> 00:16:03,240 Speaker 2: a sale. 390 00:16:03,600 --> 00:16:06,240 Speaker 1: No, wild, you have to stream at fifteen hundred times. 391 00:16:06,920 --> 00:16:08,080 Speaker 1: The count is once, is wild? 392 00:16:08,200 --> 00:16:10,200 Speaker 3: So what's your thoughts on the streaming process? 393 00:16:10,240 --> 00:16:12,960 Speaker 2: And have And I know you signed, but would you 394 00:16:12,960 --> 00:16:14,800 Speaker 2: ever say, you know what, I'm gonna go direct to consume? 395 00:16:15,840 --> 00:16:16,640 Speaker 1: Yeah, for sure. 396 00:16:16,760 --> 00:16:18,600 Speaker 5: And you know what, it's a bunch of like I 397 00:16:18,600 --> 00:16:21,200 Speaker 5: always have these because I love music, I love hip hop. 398 00:16:21,320 --> 00:16:23,920 Speaker 5: I'm always having like not always, but I have these talks, 399 00:16:23,920 --> 00:16:26,480 Speaker 5: like amongst my friends of like the difference or like 400 00:16:26,560 --> 00:16:28,640 Speaker 5: even amongst other artists friends of like the pros and 401 00:16:28,680 --> 00:16:31,360 Speaker 5: cons of being an artist today versus like, let's say 402 00:16:31,360 --> 00:16:34,960 Speaker 5: the nineties, right, Like in the nineties, even early two thousands, 403 00:16:34,960 --> 00:16:37,600 Speaker 5: they made a lot more money off like actual act 404 00:16:37,800 --> 00:16:40,440 Speaker 5: off of music, off the actual music because it was 405 00:16:40,480 --> 00:16:43,280 Speaker 5: physical sales, you know what I'm saying. So where like again, 406 00:16:43,320 --> 00:16:46,520 Speaker 5: when you sold one million records, I mean one million 407 00:16:46,520 --> 00:16:48,440 Speaker 5: people bought it and it was let's say ten dollars 408 00:16:48,480 --> 00:16:51,080 Speaker 5: a copy to where like, yo, you're actually making so 409 00:16:51,360 --> 00:16:52,840 Speaker 5: my bad to going to tend and so back in 410 00:16:52,840 --> 00:16:55,760 Speaker 5: the nineties two thousands, right, they made more money off 411 00:16:55,960 --> 00:16:59,880 Speaker 5: the actual music, off music sales, publishing, et cetera. But 412 00:17:00,080 --> 00:17:04,800 Speaker 5: they weren't making as much on ancillaries like touring, merch, 413 00:17:05,160 --> 00:17:08,960 Speaker 5: brand endorsements. So today we had like I was in 414 00:17:09,000 --> 00:17:12,280 Speaker 5: a Coca Cola Super Bowl commercial as Corde. And I 415 00:17:12,359 --> 00:17:14,399 Speaker 5: say that to say, like I am, like in the 416 00:17:14,480 --> 00:17:17,040 Speaker 5: eighties nineties you had to be like the like Michael 417 00:17:17,080 --> 00:17:20,520 Speaker 5: Jackson was in like a Coca or Pepsi yeah, super 418 00:17:20,520 --> 00:17:23,399 Speaker 5: Bowl commercial or like you know commercial whatever. Right, So 419 00:17:23,480 --> 00:17:26,600 Speaker 5: I say this to say, back in the nineties, they 420 00:17:26,600 --> 00:17:29,320 Speaker 5: didn't have too many like ancillary opportunities and they weren't 421 00:17:29,359 --> 00:17:32,280 Speaker 5: making as much money on shows and stuff like that. 422 00:17:32,359 --> 00:17:33,760 Speaker 1: Today we make more money off. 423 00:17:33,600 --> 00:17:37,840 Speaker 5: Shows, festivals, brands, et cetera. But it doesn't make as 424 00:17:37,920 --> 00:17:40,720 Speaker 5: much on the actual music because the way music is 425 00:17:40,800 --> 00:17:43,159 Speaker 5: scaled is like kind of crazy. I don't know, I 426 00:17:43,320 --> 00:17:44,800 Speaker 5: just don't know. I'm not going to act like an 427 00:17:44,800 --> 00:17:49,920 Speaker 5: expert on it. It's just like super complicated. But pros 428 00:17:49,920 --> 00:17:52,000 Speaker 5: and cons are both. You know, it might even out 429 00:17:52,000 --> 00:17:55,960 Speaker 5: and balance out, you know, but it's just different now. 430 00:17:56,560 --> 00:17:59,399 Speaker 6: In the song O six Dreaming, you talk about your 431 00:17:59,400 --> 00:18:01,680 Speaker 6: mom and herr musical dreams and how she tried out 432 00:18:01,720 --> 00:18:05,159 Speaker 6: for making a band and American idol, and you sampled 433 00:18:05,160 --> 00:18:05,880 Speaker 6: one of her old songs. 434 00:18:05,920 --> 00:18:07,960 Speaker 1: How she feel about that when she heard it? Oh, 435 00:18:08,040 --> 00:18:09,560 Speaker 1: she liked it. She liked it a lot. 436 00:18:09,680 --> 00:18:12,439 Speaker 5: Yeah, she definitely liked it because it's just like a 437 00:18:12,720 --> 00:18:15,479 Speaker 5: That's one of my favorite songs because it's obviously it's 438 00:18:15,480 --> 00:18:17,480 Speaker 5: close to home, but it's like a story of irony, 439 00:18:17,520 --> 00:18:20,320 Speaker 5: of just like and also a story of how like 440 00:18:21,560 --> 00:18:22,760 Speaker 5: you can love something so. 441 00:18:22,720 --> 00:18:25,280 Speaker 1: Much that it gets past town to your kids, whether 442 00:18:25,320 --> 00:18:26,840 Speaker 1: you like it or whether you. 443 00:18:26,800 --> 00:18:30,159 Speaker 5: Know you have an influence on that like outwardly or not, 444 00:18:30,280 --> 00:18:33,520 Speaker 5: you know. And so I love I love it again 445 00:18:33,520 --> 00:18:35,159 Speaker 5: because it's a close to home. It's the story of 446 00:18:35,160 --> 00:18:37,680 Speaker 5: irony and it's just hip hop, like yo, I sampled 447 00:18:37,720 --> 00:18:40,399 Speaker 5: one of my mom's old songs and telling the story. 448 00:18:40,560 --> 00:18:42,760 Speaker 5: I mean, she definitely got her pub and points when 449 00:18:43,080 --> 00:18:44,600 Speaker 5: she ain't charged me. I made sure you know, she 450 00:18:44,720 --> 00:18:47,080 Speaker 5: eatn't off that, you know what I'm saying, So she 451 00:18:47,119 --> 00:18:48,200 Speaker 5: got adjust do for show. 452 00:18:48,320 --> 00:18:52,359 Speaker 1: So I say all this to say, yeah, nah, thank you. 453 00:18:52,400 --> 00:18:53,320 Speaker 1: I rock with that song. 454 00:18:53,359 --> 00:18:54,760 Speaker 6: A lot, and you're kind of glad she ain't make 455 00:18:54,800 --> 00:18:55,560 Speaker 6: the band. 456 00:18:56,480 --> 00:18:56,720 Speaker 1: I know. 457 00:18:58,480 --> 00:19:00,840 Speaker 4: That. On the record you said, I can't remember what 458 00:19:00,960 --> 00:19:03,320 Speaker 4: the line was, but you said, you basically said, you 459 00:19:03,359 --> 00:19:05,760 Speaker 4: think Puff is a victim of his own carma. He 460 00:19:05,760 --> 00:19:09,040 Speaker 4: made him run six miles and your mom didn't make 461 00:19:09,080 --> 00:19:11,159 Speaker 4: the band. So do you really do you think that? 462 00:19:11,200 --> 00:19:12,640 Speaker 4: Do you think is a victim of his own time? 463 00:19:12,960 --> 00:19:13,920 Speaker 4: So you said, look at Puff. 464 00:19:13,960 --> 00:19:17,600 Speaker 5: Now, that's one way that it can be interpreted. It 465 00:19:17,600 --> 00:19:19,879 Speaker 5: can be interpreted in a bunch of different ways, you know. 466 00:19:19,920 --> 00:19:22,880 Speaker 5: It just depends on like what lens or what are 467 00:19:22,920 --> 00:19:23,800 Speaker 5: you're listening to it? 468 00:19:23,880 --> 00:19:25,600 Speaker 4: But so what do you mean by the bar? 469 00:19:26,320 --> 00:19:26,800 Speaker 1: You know what? 470 00:19:27,400 --> 00:19:29,840 Speaker 5: To be honest, like that bar was something I was 471 00:19:29,920 --> 00:19:34,000 Speaker 5: so like hesitant on saying because like above all else, 472 00:19:34,160 --> 00:19:36,159 Speaker 5: not even above all else, like above all else, I'm 473 00:19:36,200 --> 00:19:38,920 Speaker 5: a human being, right, but being a human being, I'm 474 00:19:39,280 --> 00:19:42,240 Speaker 5: I'm super pro black and like publicly, I don't ever 475 00:19:42,280 --> 00:19:44,960 Speaker 5: want to speak bad about another black man, but damn, 476 00:19:44,960 --> 00:19:47,680 Speaker 5: this nigga's making it hard, you know what I'm saying, 477 00:19:47,720 --> 00:19:53,360 Speaker 5: Like honestly, like paulse oh my god, super Paul crazy yo, Mike. 478 00:19:54,800 --> 00:20:01,600 Speaker 1: Hard Yo, you know what I meant by that we 479 00:20:01,600 --> 00:20:04,239 Speaker 1: ain't fin to do this, We ain't find to do this. 480 00:20:04,359 --> 00:20:08,280 Speaker 1: The pause, the pauses that you have, that's fact. He 481 00:20:08,359 --> 00:20:09,120 Speaker 1: got some pauses. 482 00:20:09,640 --> 00:20:12,480 Speaker 5: So I say this to say, go back to my man, 483 00:20:12,520 --> 00:20:13,560 Speaker 5: Let's leave this ship alone. 484 00:20:13,600 --> 00:20:18,600 Speaker 1: Man, answer to this ship. I tried to motherfucking juke 485 00:20:18,640 --> 00:20:19,760 Speaker 1: around this ship. You know. 486 00:20:19,800 --> 00:20:22,600 Speaker 5: But but yeah, to my point, like I don't ever 487 00:20:22,640 --> 00:20:25,840 Speaker 5: want to publicly speak down on another black man, but 488 00:20:25,960 --> 00:20:29,160 Speaker 5: like you know, like, fuck, you got a. 489 00:20:29,080 --> 00:20:31,000 Speaker 4: Song on the album with Kanye. You're talking about it earlier. 490 00:20:31,000 --> 00:20:33,320 Speaker 4: It's called a no Bad Juice. Why would you do that? 491 00:20:34,600 --> 00:20:35,359 Speaker 1: No bad Juice? 492 00:20:35,440 --> 00:20:39,879 Speaker 5: Yo, You're crazy man, nobody, Yo, you're crazy. It's called 493 00:20:39,920 --> 00:20:41,320 Speaker 5: no bad News news. 494 00:20:41,400 --> 00:20:42,760 Speaker 4: Yes, you're right, Yeah, it's. 495 00:20:42,600 --> 00:20:43,560 Speaker 1: Called no bad News. 496 00:20:43,960 --> 00:20:45,200 Speaker 4: I know he's on your mouth Rushmore. 497 00:20:45,680 --> 00:20:47,400 Speaker 1: Yeah, I mean bro Bucket. 498 00:20:49,160 --> 00:20:57,000 Speaker 5: Yo, Yeah yeah, yeah, yeah, yeah yeah. 499 00:20:57,000 --> 00:20:59,360 Speaker 1: I mean that's definitely a dream come true. Buckets. 500 00:21:00,000 --> 00:21:03,360 Speaker 5: You learned from that session, I mean, yo, yeah, he's 501 00:21:03,400 --> 00:21:06,040 Speaker 5: one of the goats. Like he I had a different 502 00:21:06,119 --> 00:21:08,240 Speaker 5: hook for that song, and he sent over notes and 503 00:21:08,359 --> 00:21:11,920 Speaker 5: like instead of saying this, you know, say this, yeah, 504 00:21:12,119 --> 00:21:12,800 Speaker 5: so let me finish. 505 00:21:13,080 --> 00:21:16,080 Speaker 1: Okay, bad my bad that came up. You've been You've 506 00:21:16,119 --> 00:21:20,760 Speaker 1: been told me like I know, I know, I know 507 00:21:20,800 --> 00:21:22,440 Speaker 1: you just do you called it no bad news. 508 00:21:22,440 --> 00:21:23,640 Speaker 4: He wanted to call it something else. 509 00:21:23,760 --> 00:21:27,359 Speaker 1: No, no that's not the title. There's no back and 510 00:21:27,400 --> 00:21:28,439 Speaker 1: forth over the title. 511 00:21:30,160 --> 00:21:32,880 Speaker 5: But yeah, basically like yo, this, I mean, point blank 512 00:21:32,880 --> 00:21:35,840 Speaker 5: Perioder's a genius, creative genius at the highest level. What 513 00:21:35,960 --> 00:21:39,080 Speaker 5: can I say about him creatively that he doesn't already 514 00:21:39,119 --> 00:21:41,879 Speaker 5: know and that we as the world doesn't already know, 515 00:21:42,000 --> 00:21:44,960 Speaker 5: but definitely a bucket list to work with him, for sure? 516 00:21:45,240 --> 00:21:46,600 Speaker 4: What kind of space is he in right now? 517 00:21:47,600 --> 00:21:50,119 Speaker 5: I I can't speak for another man, you know what 518 00:21:50,200 --> 00:21:52,960 Speaker 5: I'm saying. But in the studio no, no, no, we weren't 519 00:21:52,960 --> 00:21:53,320 Speaker 5: all together. 520 00:21:53,320 --> 00:21:55,560 Speaker 1: It was all remote. So I don't want to, you know, 521 00:21:55,680 --> 00:21:56,600 Speaker 1: speak for another man. 522 00:21:57,680 --> 00:22:00,320 Speaker 4: I love the record of All Alone, Thank you. What 523 00:22:00,359 --> 00:22:03,240 Speaker 4: do you think could fill that void of loneliness for you? 524 00:22:04,520 --> 00:22:05,000 Speaker 1: I don't know. 525 00:22:05,320 --> 00:22:11,720 Speaker 5: Because it's funny about that song too, because I actually 526 00:22:11,920 --> 00:22:17,679 Speaker 5: had sampled like it was just like Korean jazz artists 527 00:22:17,760 --> 00:22:19,679 Speaker 5: who did a cover of that song, but like the 528 00:22:19,680 --> 00:22:22,359 Speaker 5: person who owns the master like hates that person. And 529 00:22:22,400 --> 00:22:24,720 Speaker 5: so we went back, went back and I found like 530 00:22:24,760 --> 00:22:26,160 Speaker 5: the Luther sample, which is. 531 00:22:26,119 --> 00:22:29,400 Speaker 1: Like super dope too that he cleared that Luther. Don't 532 00:22:29,440 --> 00:22:30,680 Speaker 1: let you curse on this shit. Eva. 533 00:22:30,840 --> 00:22:34,720 Speaker 5: That's a whole nother story. But yeah, so I guess 534 00:22:34,720 --> 00:22:38,760 Speaker 5: what fills that void My family, you know what I'm saying. 535 00:22:38,800 --> 00:22:40,439 Speaker 5: First and foremost, I could have went straight to that, 536 00:22:40,640 --> 00:22:44,040 Speaker 5: but being around my family definitely, like you know, helps that. 537 00:22:44,200 --> 00:22:48,240 Speaker 5: Enjoying life experiences with my family helps fill that void, 538 00:22:48,280 --> 00:22:51,640 Speaker 5: because I mean, being a generational curse breaker is it's 539 00:22:51,640 --> 00:22:53,680 Speaker 5: a lonely road, you know what I'm saying, It's not 540 00:22:53,720 --> 00:22:59,000 Speaker 5: for the week. Being famous or an artist with a platform, 541 00:22:59,040 --> 00:23:00,880 Speaker 5: that that shit is not for the week, Like you said, 542 00:23:01,160 --> 00:23:04,160 Speaker 5: you know earlier, like somebody's always going to have something 543 00:23:04,200 --> 00:23:06,159 Speaker 5: to say, no matter what, people always going to have 544 00:23:06,520 --> 00:23:09,400 Speaker 5: especially in the zeitgeist of this earth. Is like negativity 545 00:23:09,520 --> 00:23:12,000 Speaker 5: is just like it connects the most, you know what 546 00:23:12,040 --> 00:23:16,480 Speaker 5: I'm saying. Unfortunately, and so yeah, so at times, you 547 00:23:16,480 --> 00:23:18,320 Speaker 5: know you can for the long but for me, filling 548 00:23:18,359 --> 00:23:20,359 Speaker 5: that void is like you know, being around family, being 549 00:23:20,400 --> 00:23:23,720 Speaker 5: around my daughter and enjoying life and making memories with 550 00:23:23,760 --> 00:23:26,280 Speaker 5: them and building my own tribe of like community, you 551 00:23:26,320 --> 00:23:28,680 Speaker 5: know what I'm saying, Because I feel like in hip 552 00:23:28,680 --> 00:23:32,240 Speaker 5: hop and Black people in general. Not to speak for 553 00:23:31,800 --> 00:23:34,800 Speaker 5: the general consensus, but there needs to be a lot 554 00:23:34,880 --> 00:23:37,639 Speaker 5: less competition in a lot more community. I can speak 555 00:23:37,640 --> 00:23:39,800 Speaker 5: on that for hip hop for sure, Like I love 556 00:23:39,840 --> 00:23:41,520 Speaker 5: the competitiveness. 557 00:23:40,720 --> 00:23:42,680 Speaker 1: When we going at it, you know, when everybody going 558 00:23:42,720 --> 00:23:44,080 Speaker 1: at it with the bars. 559 00:23:43,760 --> 00:23:46,920 Speaker 5: Because that's that's the genesis of hip hop, that's the 560 00:23:46,920 --> 00:23:49,399 Speaker 5: heart of hip hop. But as far as just like 561 00:23:50,000 --> 00:23:53,920 Speaker 5: you know, sharing knowledge, sharing information, resources, connecting, I feel 562 00:23:53,960 --> 00:23:56,920 Speaker 5: like there needs to be a greater sense of community, 563 00:23:57,240 --> 00:23:57,479 Speaker 5: you know. 564 00:23:57,800 --> 00:24:01,280 Speaker 4: So I wonder about that often sometimes I think it's 565 00:24:01,560 --> 00:24:04,760 Speaker 4: it's too many of us to ever have or a 566 00:24:04,840 --> 00:24:07,679 Speaker 4: sense of community. Like you'll find your tribe, and amongst 567 00:24:07,720 --> 00:24:10,480 Speaker 4: your tribe, you'll have community. But black people aren't monolithic. 568 00:24:10,640 --> 00:24:12,560 Speaker 4: You're talking about forty plus million people. 569 00:24:12,760 --> 00:24:13,480 Speaker 1: Yeah, I don't know. 570 00:24:13,480 --> 00:24:16,840 Speaker 4: If you can never have community amongst forty plus million. 571 00:24:16,520 --> 00:24:18,200 Speaker 1: People, what does monolithic mean? 572 00:24:18,480 --> 00:24:20,680 Speaker 4: Means that all of us aren't to say, Okay, yeah, 573 00:24:20,680 --> 00:24:21,040 Speaker 4: I thought so. 574 00:24:21,040 --> 00:24:24,120 Speaker 5: I just wanted to make sure, but yeah, I mean, 575 00:24:24,200 --> 00:24:27,119 Speaker 5: and that's the beauty about being black. Like I think 576 00:24:27,600 --> 00:24:30,040 Speaker 5: you ever heard of like our DC. They're like the comedian, 577 00:24:30,480 --> 00:24:33,480 Speaker 5: They're like a group of comedians and shite and shit. 578 00:24:34,000 --> 00:24:37,800 Speaker 1: But they have this thing called like they have this 579 00:24:38,000 --> 00:24:39,000 Speaker 1: con that they have. 580 00:24:39,119 --> 00:24:42,679 Speaker 5: And it's like a festival if you would, in Austin, Texas, 581 00:24:42,720 --> 00:24:45,159 Speaker 5: and it's basically like a safe place. 582 00:24:44,920 --> 00:24:47,320 Speaker 1: For like black nerds that love anime. 583 00:24:48,119 --> 00:24:50,880 Speaker 5: But it's like, yo, like that's you wouldn't think if 584 00:24:50,880 --> 00:24:53,040 Speaker 5: you're just like not wouldn't think. But I'm just like, yo, 585 00:24:53,080 --> 00:24:55,680 Speaker 5: the fact that you found like your niche audience and 586 00:24:55,720 --> 00:24:58,000 Speaker 5: made a safe space because it's like thirty thousand people 587 00:24:58,040 --> 00:25:00,639 Speaker 5: there and it's all people that love like anime and 588 00:25:00,680 --> 00:25:04,000 Speaker 5: shit like that. And so just going back to the 589 00:25:04,000 --> 00:25:07,080 Speaker 5: point of just like, you know, community, I don't know. 590 00:25:07,200 --> 00:25:10,240 Speaker 1: I think community is important to find it. You don't have. 591 00:25:10,320 --> 00:25:12,639 Speaker 5: You're never gonna find one person that agrees with you 592 00:25:12,840 --> 00:25:15,960 Speaker 5: on one hundred percent of everything or one person that 593 00:25:16,080 --> 00:25:18,000 Speaker 5: likes one hundred percent of everything that you like. 594 00:25:18,080 --> 00:25:20,360 Speaker 1: But finding a community of just. 595 00:25:20,359 --> 00:25:23,400 Speaker 5: Good people that look like you or don't look like you, 596 00:25:23,480 --> 00:25:27,440 Speaker 5: but have the same morals, values and on the same wavelength, 597 00:25:27,480 --> 00:25:29,399 Speaker 5: you know, I think that's super important of just finding 598 00:25:29,800 --> 00:25:32,560 Speaker 5: creating a community of like minded individuals. And I think 599 00:25:32,960 --> 00:25:38,560 Speaker 5: in hip hop specifically, like I guess lyricism or substance 600 00:25:38,640 --> 00:25:41,959 Speaker 5: driven artists like that. I can sense that's something that 601 00:25:42,040 --> 00:25:43,639 Speaker 5: needs to be like builded upon, you know. 602 00:25:45,160 --> 00:25:47,160 Speaker 6: So yeah, I did have a question a long time ago. 603 00:25:47,960 --> 00:25:49,280 Speaker 1: Yeah, I know that. 604 00:25:49,359 --> 00:25:51,520 Speaker 6: You you said you like to you know, be with 605 00:25:51,560 --> 00:25:52,840 Speaker 6: your your baby, girl, your daughter. 606 00:25:53,000 --> 00:25:53,240 Speaker 1: Yeah. 607 00:25:53,280 --> 00:25:54,400 Speaker 6: How are you in, Naomi though? 608 00:25:54,680 --> 00:25:55,320 Speaker 1: Are we good? 609 00:25:55,520 --> 00:25:57,520 Speaker 6: I've just seen a date night, like a couple of 610 00:25:57,560 --> 00:26:01,240 Speaker 6: nights ago at Jamie Fox y'all, was there something? 611 00:26:01,520 --> 00:26:03,720 Speaker 1: Yeah, yeah, yeah, yeah, yeah, ye're not we good man? 612 00:26:03,960 --> 00:26:05,880 Speaker 6: I know, because y'all don't post each other so much. 613 00:26:06,280 --> 00:26:08,720 Speaker 6: People even speculate about that maybe they broke up or 614 00:26:08,760 --> 00:26:10,639 Speaker 6: anything that speaks to what you were talking about about 615 00:26:10,840 --> 00:26:12,879 Speaker 6: just everything connecting negatively. 616 00:26:13,320 --> 00:26:16,560 Speaker 5: Yeah for sure, me honestly, Like I am a super 617 00:26:16,600 --> 00:26:19,600 Speaker 5: private person. I am like I try my best as 618 00:26:19,680 --> 00:26:21,439 Speaker 5: much as I can be, Like when it comes to 619 00:26:21,480 --> 00:26:24,360 Speaker 5: my personal life to be super private, like as much 620 00:26:24,359 --> 00:26:26,159 Speaker 5: as I can be, because some stuff you got to 621 00:26:26,240 --> 00:26:29,480 Speaker 5: keep for yourself. And when you allow like outside opinion, 622 00:26:29,560 --> 00:26:32,679 Speaker 5: when you let and outside opinions can be family members, 623 00:26:32,760 --> 00:26:34,280 Speaker 5: you know what I'm saying, And that can get in 624 00:26:34,280 --> 00:26:36,359 Speaker 5: the way of stuff that's important to you. 625 00:26:36,440 --> 00:26:38,360 Speaker 1: So, Matt, when you add the world. 626 00:26:38,119 --> 00:26:40,280 Speaker 5: To that, that that's a whole nother thing, and so 627 00:26:41,280 --> 00:26:43,760 Speaker 5: I try to be as private while speaking on it now. 628 00:26:43,840 --> 00:26:46,000 Speaker 5: But I try to be as private as I possibly 629 00:26:46,040 --> 00:26:48,520 Speaker 5: can about like my personal life, like you know, even 630 00:26:48,560 --> 00:26:51,320 Speaker 5: with my daughter and you know, my relationship and stuff. 631 00:26:51,600 --> 00:26:53,920 Speaker 5: Do you feel like do you still talk to the 632 00:26:54,000 --> 00:26:56,679 Speaker 5: YBN group I talked to Almighty Ja, I don't really 633 00:26:56,680 --> 00:26:57,600 Speaker 5: talk to not Mare like that. 634 00:26:57,640 --> 00:27:02,760 Speaker 1: To be honest, I don't know, Like I it's for me. 635 00:27:03,040 --> 00:27:06,000 Speaker 5: There's no matter what nahmeyor got to say about me publicly, 636 00:27:07,080 --> 00:27:11,119 Speaker 5: there's always a level of respect and appreciation that I 637 00:27:11,160 --> 00:27:13,680 Speaker 5: have for now Mir that like nobody can ever get 638 00:27:13,680 --> 00:27:15,560 Speaker 5: me to like talk bad about now Mir. You know 639 00:27:15,560 --> 00:27:17,359 Speaker 5: what I'm saying, because like Yo, that dude threw me 640 00:27:17,400 --> 00:27:18,960 Speaker 5: to OOP and I called it and dunked it. He 641 00:27:19,440 --> 00:27:21,880 Speaker 5: she shined that light on me. And I'm like, I'm 642 00:27:21,880 --> 00:27:23,680 Speaker 5: not even saying this to be like politically correct. It's 643 00:27:23,720 --> 00:27:26,400 Speaker 5: just a God's on the truth. I'm super grateful for him, 644 00:27:26,400 --> 00:27:27,760 Speaker 5: Like he changed my life, you know what I'm saying, 645 00:27:27,800 --> 00:27:29,960 Speaker 5: for lack of a better word, And so like I said, 646 00:27:29,960 --> 00:27:31,320 Speaker 5: he shined that light on me. You know what I'm 647 00:27:31,320 --> 00:27:33,280 Speaker 5: saying through me to Oop, You know I called it 648 00:27:33,400 --> 00:27:36,520 Speaker 5: win milled it, and I got so much love for him, 649 00:27:36,520 --> 00:27:38,080 Speaker 5: Like I talked now mere mom more than I talk 650 00:27:38,119 --> 00:27:39,720 Speaker 5: than I'm merry, you know what I'm saying Like that 651 00:27:39,880 --> 00:27:40,639 Speaker 5: that's how that is. 652 00:27:40,680 --> 00:27:43,280 Speaker 1: So Yeah, I wasna as y'all ever talk. 653 00:27:44,520 --> 00:27:47,520 Speaker 5: Yeah, for sure, like it'll be like random like birthdays 654 00:27:47,600 --> 00:27:50,639 Speaker 5: and you know stuff like the distant relative is like 655 00:27:51,000 --> 00:27:53,960 Speaker 5: the best comparison for communication. 656 00:27:54,080 --> 00:27:56,359 Speaker 1: Like I remember when I did Coachella like two years ago. 657 00:27:56,680 --> 00:27:58,520 Speaker 5: I wanted to bring him out for that cause I'm like, yo, 658 00:27:58,560 --> 00:28:00,800 Speaker 5: that'd be crazy just on some stuff. But he ain't 659 00:28:00,840 --> 00:28:02,639 Speaker 5: want to do it for whatever reason. I'm saying it 660 00:28:02,680 --> 00:28:06,480 Speaker 5: was like any bad blood. But yeah, nah, like I 661 00:28:06,520 --> 00:28:08,640 Speaker 5: said when I'm mayor bro, like, I got so much 662 00:28:08,800 --> 00:28:12,000 Speaker 5: like love and appreciation for him that again, even if 663 00:28:12,000 --> 00:28:15,640 Speaker 5: it ain't the same way, it's nothing that he can 664 00:28:15,640 --> 00:28:17,880 Speaker 5: say to ever make me forget like all the love 665 00:28:17,920 --> 00:28:19,680 Speaker 5: that he has shown me. You know, I was asking, 666 00:28:19,840 --> 00:28:20,160 Speaker 5: how do. 667 00:28:20,080 --> 00:28:22,480 Speaker 3: You deal with social media? Are you on social media? 668 00:28:22,520 --> 00:28:26,240 Speaker 2: Because between your girl yourself, if she has a bad game, 669 00:28:26,280 --> 00:28:28,080 Speaker 2: they blame it on you. Yeah, if you have a 670 00:28:28,080 --> 00:28:29,680 Speaker 2: bad album, they blame it on hers. So it's like, 671 00:28:29,960 --> 00:28:32,040 Speaker 2: how do you deal with that as far as mentally 672 00:28:32,080 --> 00:28:33,159 Speaker 2: and even in your relationship. 673 00:28:33,760 --> 00:28:36,960 Speaker 5: Well, it comes down to, like I'm truly like I 674 00:28:36,960 --> 00:28:39,520 Speaker 5: don't give a fuck bro what people think because people 675 00:28:39,960 --> 00:28:43,800 Speaker 5: I've learned too that internet isn't a real place. Like 676 00:28:43,920 --> 00:28:47,959 Speaker 5: it has influence, right, it does have influence, but it's 677 00:28:48,080 --> 00:28:50,520 Speaker 5: not a real place, and people are always going to 678 00:28:50,560 --> 00:28:51,120 Speaker 5: say something. 679 00:28:51,160 --> 00:28:54,440 Speaker 1: People nitpick anything apart. 680 00:28:54,600 --> 00:28:57,640 Speaker 5: Like literally, people always find something negative and the most 681 00:28:57,680 --> 00:29:01,520 Speaker 5: positive stuff. Charlemagne, you can do a toy drive and 682 00:29:01,600 --> 00:29:04,320 Speaker 5: give away one hundred thousand dollars worth of gifts, and 683 00:29:05,000 --> 00:29:07,720 Speaker 5: if you got a camera man there, nigga's gone be like, oh, 684 00:29:07,760 --> 00:29:10,120 Speaker 5: you just did it for the camera, and let's just 685 00:29:10,120 --> 00:29:14,040 Speaker 5: say you did you you overlook the positive part of like, Yo, 686 00:29:14,120 --> 00:29:16,720 Speaker 5: this nigga just gave away a hundred thousand dollars worth 687 00:29:16,760 --> 00:29:17,960 Speaker 5: of gifts, you know what I'm saying. 688 00:29:18,000 --> 00:29:20,080 Speaker 1: And so people always gonna have something to say. 689 00:29:20,520 --> 00:29:23,440 Speaker 5: And the sooner you realize that, it's like, bro, y'all 690 00:29:23,440 --> 00:29:25,360 Speaker 5: can all suck my dick, you know what I'm saying. 691 00:29:25,400 --> 00:29:26,720 Speaker 1: Pause, you know what I'm saying. 692 00:29:27,560 --> 00:29:29,560 Speaker 4: Nobody ever brings that up for the negative stuff, right, 693 00:29:29,600 --> 00:29:32,640 Speaker 4: Like somebody can just be online flossing, have the money, 694 00:29:32,640 --> 00:29:34,800 Speaker 4: phone to the ear, doing it for the camera. But 695 00:29:34,840 --> 00:29:37,000 Speaker 4: nobody ever says you just doing that for the camera. 696 00:29:37,080 --> 00:29:39,080 Speaker 4: But anything positive you're just doing for the camera. It 697 00:29:39,120 --> 00:29:39,720 Speaker 4: makes no sense. 698 00:29:39,880 --> 00:29:42,560 Speaker 1: Yeah no, I totally agree with that. Yeah no, it's 699 00:29:42,600 --> 00:29:45,560 Speaker 1: all I mean, the world not a state. It doesn't 700 00:29:45,760 --> 00:29:47,120 Speaker 1: it with me. 701 00:29:47,600 --> 00:29:50,200 Speaker 2: Again, has to be for your girl because it's like 702 00:29:50,760 --> 00:29:52,520 Speaker 2: they attack everything and it's like. 703 00:29:52,560 --> 00:29:53,480 Speaker 3: Damn, leave it alone. 704 00:29:54,080 --> 00:29:58,040 Speaker 1: Yeah for me, Like I can't speak what like she feels. 705 00:29:58,080 --> 00:30:00,680 Speaker 5: I ain't gonna speak for her, but I'll be the 706 00:30:00,680 --> 00:30:05,640 Speaker 5: worst pr person forever. But I say all this to say, 707 00:30:05,720 --> 00:30:07,640 Speaker 5: like for me, Like again, I am an artist and 708 00:30:07,680 --> 00:30:10,040 Speaker 5: I'm sensitive about my shit. And with this album, like yo, 709 00:30:10,120 --> 00:30:12,600 Speaker 5: it's been like people been fucking loving the album, you 710 00:30:12,680 --> 00:30:15,560 Speaker 5: know what I'm saying, Like it's been across the board, 711 00:30:15,600 --> 00:30:17,280 Speaker 5: Like yo, I really fuck with this album. It really 712 00:30:17,280 --> 00:30:20,920 Speaker 5: connects with me. But I'm at a place now to 713 00:30:20,920 --> 00:30:22,800 Speaker 5: where you don't create. I was I was doing a 714 00:30:22,840 --> 00:30:26,040 Speaker 5: stream what I'm Dante this kid, I'm Dante Black streamer, 715 00:30:26,600 --> 00:30:29,840 Speaker 5: super dope, super funny, and like I was telling him, 716 00:30:29,840 --> 00:30:32,840 Speaker 5: like bro, like even with these streamers and not to 717 00:30:32,920 --> 00:30:35,000 Speaker 5: say like I'm all knowing and shit, we figuring this 718 00:30:35,000 --> 00:30:37,800 Speaker 5: shit out day by day, but it's like day their 719 00:30:37,880 --> 00:30:40,520 Speaker 5: next move is based on what the fucking chat is saying. 720 00:30:41,440 --> 00:30:43,880 Speaker 5: You know what I'm saying. They're like, they're what they say. 721 00:30:44,120 --> 00:30:46,840 Speaker 5: Their whole mood is based on what the chat is saying. 722 00:30:46,880 --> 00:30:48,920 Speaker 5: I'm like, I get it, that's your job, but like, 723 00:30:48,960 --> 00:30:50,280 Speaker 5: you can't live like that. 724 00:30:50,600 --> 00:30:54,120 Speaker 4: Not just the streamers though in general. Nah, they look 725 00:30:54,160 --> 00:30:57,000 Speaker 4: at them comments and YouTube pages and it will influence 726 00:30:57,080 --> 00:30:59,520 Speaker 4: every single thing they do. I think the most power 727 00:30:59,560 --> 00:31:01,880 Speaker 4: that you can get yourself in this era is to 728 00:31:02,000 --> 00:31:04,480 Speaker 4: disconnect from all of that and have an opinion or 729 00:31:04,560 --> 00:31:07,480 Speaker 4: create art and not even worry about what anybody on 730 00:31:07,560 --> 00:31:08,760 Speaker 4: social media is gonna say. 731 00:31:08,880 --> 00:31:11,120 Speaker 5: Nah, because they're always going to say something. It's always 732 00:31:11,160 --> 00:31:13,600 Speaker 5: going to be negative. And so what I've learned is, 733 00:31:13,840 --> 00:31:16,400 Speaker 5: let's say, even back to an album, like if people, 734 00:31:16,480 --> 00:31:18,440 Speaker 5: I've learned to like not give a fuck because let's 735 00:31:18,440 --> 00:31:22,120 Speaker 5: say every everybody loves this out like, like again, it's 736 00:31:22,120 --> 00:31:25,280 Speaker 5: been like really positive feedback on this album with nah, 737 00:31:25,360 --> 00:31:28,479 Speaker 5: thank you appreciate it. But let's say you drop an 738 00:31:28,480 --> 00:31:31,240 Speaker 5: album and everybody's like, this is the greatest shit ever. 739 00:31:31,280 --> 00:31:33,280 Speaker 5: This is a classic you can let that get to 740 00:31:33,320 --> 00:31:35,640 Speaker 5: your head and create an ego of like, oh I 741 00:31:35,680 --> 00:31:39,920 Speaker 5: am as great as they say I am. Then your 742 00:31:39,960 --> 00:31:42,880 Speaker 5: next album people might not love it and they're like, oh, 743 00:31:42,920 --> 00:31:46,160 Speaker 5: this is shit, and it can it can fuck with 744 00:31:46,200 --> 00:31:49,080 Speaker 5: your confidence, like damn, maybe I am shit like they 745 00:31:49,120 --> 00:31:49,640 Speaker 5: say I am. 746 00:31:50,160 --> 00:31:51,080 Speaker 1: And so when you know. 747 00:31:51,040 --> 00:31:52,920 Speaker 5: Who you are, nobody can tell you who you are 748 00:31:53,560 --> 00:31:56,560 Speaker 5: from my experience, And so that's why it comes down to, like, 749 00:31:56,680 --> 00:31:58,520 Speaker 5: I don't give a fuck what people think, whether it's 750 00:31:58,560 --> 00:32:01,240 Speaker 5: great or bad, you know what I'm saying, And like, yo, 751 00:32:01,360 --> 00:32:03,720 Speaker 5: like I can sleep well at night, you know what 752 00:32:03,760 --> 00:32:05,600 Speaker 5: I'm saying. I know I put a bunch of work 753 00:32:05,640 --> 00:32:09,160 Speaker 5: in in the music, and I can live with that, 754 00:32:09,200 --> 00:32:11,200 Speaker 5: you know, no matter what the outcome is. Now it 755 00:32:11,240 --> 00:32:13,640 Speaker 5: gets tricky when like, if you be honest with yourself, 756 00:32:13,640 --> 00:32:15,840 Speaker 5: you're like, damn, I could have put more time and 757 00:32:15,880 --> 00:32:17,840 Speaker 5: effort into this. I could have put more thought and 758 00:32:17,960 --> 00:32:19,880 Speaker 5: energy into this, And then people don't like it, and 759 00:32:19,920 --> 00:32:20,600 Speaker 5: then it's like. 760 00:32:20,800 --> 00:32:23,560 Speaker 1: Yeah, damn, the niggas might be saying some shit, you 761 00:32:23,600 --> 00:32:24,200 Speaker 1: know what I'm saying. 762 00:32:24,200 --> 00:32:26,080 Speaker 5: But if you like truly put you all into it, 763 00:32:26,080 --> 00:32:27,840 Speaker 5: your heart into it, and like people are like yo, 764 00:32:27,920 --> 00:32:28,240 Speaker 5: this ship. 765 00:32:28,560 --> 00:32:30,320 Speaker 1: You know, it's like, yo, fuck, I'm like sucker dick. 766 00:32:30,360 --> 00:32:31,520 Speaker 1: I'll try next time, you. 767 00:32:31,480 --> 00:32:34,240 Speaker 4: Know, I'll try it next time. Goddamn. 768 00:32:34,520 --> 00:32:38,360 Speaker 1: You know what I mean? Oh my god, I have. 769 00:32:38,520 --> 00:32:40,560 Speaker 5: By the way, I've been hanging with my little brother 770 00:32:40,640 --> 00:32:43,080 Speaker 5: and them. They some young niggas, they like twenty and 771 00:32:43,200 --> 00:32:47,120 Speaker 5: so my pause radar has been like through the roof, 772 00:32:47,960 --> 00:32:50,000 Speaker 5: meaning like I pick up the paw. I mean, I'll 773 00:32:50,080 --> 00:32:56,440 Speaker 5: usually pause myself first, and others pause. No, no, ain't not, 774 00:32:57,040 --> 00:32:59,800 Speaker 5: Ain't nothing homosexual about nothing on this. 775 00:33:00,120 --> 00:33:02,000 Speaker 1: If that's somebody's prerogative, that's all them. 776 00:33:02,040 --> 00:33:10,560 Speaker 5: But AnyWho, what would you finish it is? Hey, you 777 00:33:10,600 --> 00:33:14,479 Speaker 5: love your truth, brother, this is a safe place, and 778 00:33:14,520 --> 00:33:17,440 Speaker 5: we have we gotta find out an abundance of love 779 00:33:17,520 --> 00:33:18,760 Speaker 5: and joy for you no matter. 780 00:33:18,960 --> 00:33:20,640 Speaker 1: You know what you like to do in your free time. 781 00:33:20,680 --> 00:33:23,880 Speaker 4: When you write because of the mother of your child, Yeah, 782 00:33:23,960 --> 00:33:26,440 Speaker 4: question your lyrics for example, like when I hear prays 783 00:33:26,520 --> 00:33:28,000 Speaker 4: pray about Nailmi. 784 00:33:29,240 --> 00:33:33,760 Speaker 5: I try to make my music as from my heart 785 00:33:34,040 --> 00:33:39,360 Speaker 5: and relatable as possible. And also I answer that with 786 00:33:39,840 --> 00:33:41,600 Speaker 5: I just let the music speak for itself. 787 00:33:42,040 --> 00:33:43,760 Speaker 4: A lot of insecurity you're showing on that record. 788 00:33:44,400 --> 00:33:46,680 Speaker 5: I just I let the because I'm so and also 789 00:33:46,800 --> 00:33:50,880 Speaker 5: too because I'm so vulnerable in my music. That's why 790 00:33:50,880 --> 00:33:53,760 Speaker 5: I don't do too many interviews liked, Like I said, you. 791 00:33:53,800 --> 00:33:55,240 Speaker 1: Know this is my like third time on here. 792 00:33:55,280 --> 00:33:56,760 Speaker 5: You know, we have a report now to where I 793 00:33:57,720 --> 00:33:59,960 Speaker 5: can't come with y'all with it. Who I can, but like, 794 00:34:00,040 --> 00:34:01,720 Speaker 5: I'm not gonna come with y'all. Not to say there's 795 00:34:01,760 --> 00:34:03,840 Speaker 5: anything wrong with people that do this, but I'm not 796 00:34:03,840 --> 00:34:05,360 Speaker 5: gonna come with y'all with a list of like shit 797 00:34:05,480 --> 00:34:06,960 Speaker 5: to not talk about, you know what I'm saying. 798 00:34:07,000 --> 00:34:08,479 Speaker 1: So I say all this when you got. 799 00:34:08,360 --> 00:34:10,400 Speaker 4: A boar that says you're never gonna be in interviews 800 00:34:10,440 --> 00:34:11,560 Speaker 4: and not be authentic. 801 00:34:11,520 --> 00:34:13,040 Speaker 1: That is true, that's a bar. 802 00:34:14,680 --> 00:34:18,120 Speaker 5: But so I say this to say because I am 803 00:34:18,200 --> 00:34:20,560 Speaker 5: to be authentic, right, because I am so vulnerable and 804 00:34:20,600 --> 00:34:21,560 Speaker 5: personal in my music. 805 00:34:22,000 --> 00:34:25,120 Speaker 1: It's some stuff I'd rather not go into detail. 806 00:34:24,719 --> 00:34:26,840 Speaker 5: And over explain it, you know, because it kind of 807 00:34:26,920 --> 00:34:30,399 Speaker 5: is like a magician revealing the magic, you know, the trick. 808 00:34:30,480 --> 00:34:33,520 Speaker 4: So, yeah, do you feel like sometimes being like the 809 00:34:33,800 --> 00:34:38,320 Speaker 4: boyfriend overshadows being the boyfriend of her overshadows you being cord. 810 00:34:38,600 --> 00:34:41,879 Speaker 5: No, Because I was Corday first, and like I'm I'm 811 00:34:42,000 --> 00:34:45,879 Speaker 5: very confident like in myself, Like as a I don't 812 00:34:45,880 --> 00:34:47,719 Speaker 5: really like to pop my shit, but like I'm a 813 00:34:47,760 --> 00:34:48,879 Speaker 5: super successful, like. 814 00:34:48,840 --> 00:34:49,600 Speaker 1: Young black man. 815 00:34:50,000 --> 00:34:53,000 Speaker 5: You know what I'm saying, Like I'm wealthy, I'm blessed, 816 00:34:53,040 --> 00:34:54,879 Speaker 5: I do it and above all else, I'm a man 817 00:34:54,920 --> 00:34:57,000 Speaker 5: of God and I'm a prif not prideful, but I 818 00:34:57,040 --> 00:35:02,000 Speaker 5: am a very a apologetic black man, you know what 819 00:35:02,040 --> 00:35:06,239 Speaker 5: I'm saying. And I say all that to say, you know, 820 00:35:06,560 --> 00:35:09,440 Speaker 5: there is it all right? Oh, I got some more 821 00:35:09,480 --> 00:35:14,440 Speaker 5: questions we hear, Baby, don't give me the thirty minute one. 822 00:35:15,560 --> 00:35:18,919 Speaker 4: Never see it with you. You say you might see 823 00:35:18,960 --> 00:35:21,319 Speaker 4: me stressing over blessings that I prayed for. Yeah, and 824 00:35:21,320 --> 00:35:23,959 Speaker 4: I want to talk about that line because I overstand it. Yeah, 825 00:35:24,200 --> 00:35:25,799 Speaker 4: expound on that for people. 826 00:35:26,280 --> 00:35:28,640 Speaker 5: Like, bro, Like this shit is stressful, Bro, you know 827 00:35:28,680 --> 00:35:34,520 Speaker 5: what I'm saying, Like people can come into an interviews 828 00:35:35,320 --> 00:35:37,720 Speaker 5: and be stressed out based on the questions that they're getting. 829 00:35:37,800 --> 00:35:39,279 Speaker 1: Like you just asked me about. 830 00:35:39,000 --> 00:35:42,319 Speaker 5: Two super controversial top Not to say that's a bad thing, 831 00:35:42,360 --> 00:35:44,719 Speaker 5: but like one can do that as like fucking oh 832 00:35:44,760 --> 00:35:46,200 Speaker 5: my god, stressful. 833 00:35:45,719 --> 00:35:48,640 Speaker 1: But I pray let's leave it alone. My bad for 834 00:35:48,680 --> 00:35:49,080 Speaker 1: bringing up. 835 00:35:49,760 --> 00:35:52,160 Speaker 5: Yeah, yeah, yeah, we're gonna We're gonna leave that in 836 00:35:52,200 --> 00:35:55,759 Speaker 5: this seven minute mark. But I say all this to 837 00:35:55,800 --> 00:35:57,880 Speaker 5: say of like, yeah, you might a nigga do be 838 00:35:57,920 --> 00:36:00,160 Speaker 5: stressing over shit? I pray for you know what I'm saying, Like, 839 00:36:00,200 --> 00:36:01,120 Speaker 5: I pray for you know. 840 00:36:01,080 --> 00:36:03,839 Speaker 1: The the quote meek men, not to bring them back, 841 00:36:03,880 --> 00:36:04,080 Speaker 1: you know. 842 00:36:04,120 --> 00:36:07,719 Speaker 5: I pray for times like this and if you really 843 00:36:07,719 --> 00:36:09,600 Speaker 5: are killing you really love this ship and you really 844 00:36:09,600 --> 00:36:11,759 Speaker 5: dedicated to this craft. It's not for the week. It's 845 00:36:11,800 --> 00:36:14,080 Speaker 5: not easy, bro, It's not easy. It's not for the week. 846 00:36:14,320 --> 00:36:17,440 Speaker 5: It's not easy. I over understand that I'm super blessed. 847 00:36:17,480 --> 00:36:17,640 Speaker 1: Bro. 848 00:36:17,760 --> 00:36:21,040 Speaker 5: Like some days when I'm stressed out, Bro, I do 849 00:36:21,080 --> 00:36:23,160 Speaker 5: retail therapy and I go shopping. I know that's a 850 00:36:23,200 --> 00:36:25,040 Speaker 5: lot of things that people can't do, you know what 851 00:36:25,040 --> 00:36:25,480 Speaker 5: I'm saying. 852 00:36:26,560 --> 00:36:28,640 Speaker 2: But what's the most difficult thing you have to deal with? 853 00:36:29,719 --> 00:36:31,120 Speaker 2: Because people look at your life and be. 854 00:36:31,120 --> 00:36:32,160 Speaker 1: Like you popping. 855 00:36:32,440 --> 00:36:37,839 Speaker 4: Yeah, you've got a great career, Yeah, family. 856 00:36:36,920 --> 00:36:38,600 Speaker 1: You got kid, I'm handsome. 857 00:36:39,520 --> 00:36:46,439 Speaker 6: He's like, never forget that, y'all gay say that. 858 00:36:44,880 --> 00:36:49,200 Speaker 1: Be tall and ship. You know, super handsome. We get it, 859 00:36:49,239 --> 00:36:50,880 Speaker 1: we get it. 860 00:36:51,320 --> 00:36:53,239 Speaker 5: I was waiting for somebody to say, but you have the. 861 00:36:56,360 --> 00:36:57,360 Speaker 4: Radio. I'm not really. 862 00:37:00,120 --> 00:37:04,840 Speaker 1: Uh uh what ilse Finna say? Thats what bothers you 863 00:37:04,840 --> 00:37:06,879 Speaker 1: the most, honestly, it can. 864 00:37:07,920 --> 00:37:11,560 Speaker 5: It's the thing that's like whatever is currently presently in 865 00:37:11,600 --> 00:37:13,200 Speaker 5: front of me, like at that time. 866 00:37:13,200 --> 00:37:18,120 Speaker 1: It's not like, oh my god, this dinkle bird. 867 00:37:18,280 --> 00:37:19,640 Speaker 5: You know what I'm saying, y'all might be too old 868 00:37:19,680 --> 00:37:21,959 Speaker 5: for that reference. But it's not like one constant thing 869 00:37:23,239 --> 00:37:25,279 Speaker 5: or one enemy. Not. When I say enemy, I don't 870 00:37:25,320 --> 00:37:27,560 Speaker 5: mean like person, I mean like thing. 871 00:37:28,000 --> 00:37:28,640 Speaker 4: I can't even. 872 00:37:30,280 --> 00:37:34,080 Speaker 1: Okay, it's a fairly odd parents reference. 873 00:37:34,120 --> 00:37:37,719 Speaker 5: It's this cartoon, but that was like the Nigga Timmy's 874 00:37:37,800 --> 00:37:40,120 Speaker 5: Turner's dad like arch nemesis. So it's like, but that 875 00:37:40,239 --> 00:37:43,640 Speaker 5: was the same nemesis every episode. So my bad, I 876 00:37:43,640 --> 00:37:54,600 Speaker 5: didn't read the run. No, no, no, not for real. 877 00:37:55,239 --> 00:37:57,760 Speaker 5: So I say this to say, it's never one constant enemy. 878 00:37:57,800 --> 00:38:02,080 Speaker 5: It's always something. It'd be some different shit every day, 879 00:38:02,480 --> 00:38:04,880 Speaker 5: like literally, you know what I'm saying, Like some different 880 00:38:04,880 --> 00:38:07,239 Speaker 5: shit every day. And so you have to conquer that, 881 00:38:07,280 --> 00:38:09,880 Speaker 5: and you have to be bigger than your your issues. 882 00:38:09,960 --> 00:38:12,440 Speaker 5: You have to be solution based and I try. And 883 00:38:12,600 --> 00:38:15,479 Speaker 5: one thing I've learned to be is like, solution based. 884 00:38:15,560 --> 00:38:17,799 Speaker 5: Let's make the most out of any given situation. And 885 00:38:17,840 --> 00:38:20,520 Speaker 5: that's why I am as successful as I am and 886 00:38:20,560 --> 00:38:22,080 Speaker 5: why I'm going to get to where I want and 887 00:38:22,160 --> 00:38:22,560 Speaker 5: need to. 888 00:38:22,600 --> 00:38:26,080 Speaker 1: Be, you know, in life. And so yeah, it's some 889 00:38:26,120 --> 00:38:27,920 Speaker 1: different shit literally fucking every day. 890 00:38:27,800 --> 00:38:30,479 Speaker 5: And you just gotta be. And that's for anybody in life. 891 00:38:30,520 --> 00:38:33,000 Speaker 5: I know it's a million motherfuckers that may watch this, 892 00:38:33,120 --> 00:38:35,919 Speaker 5: so listen to this. It be some different shit every day, 893 00:38:35,920 --> 00:38:38,080 Speaker 5: no matter what stage of life that you on, you 894 00:38:38,200 --> 00:38:41,799 Speaker 5: just gotta be solution based and like you know, yeah, 895 00:38:41,960 --> 00:38:43,840 Speaker 5: just try to be as solution based as possible. 896 00:38:43,840 --> 00:38:46,360 Speaker 4: And it causes levels of anxiety in you, right because 897 00:38:46,600 --> 00:38:49,000 Speaker 4: you know it's a blessing from God. Yeah, you feel 898 00:38:49,000 --> 00:38:51,759 Speaker 4: like you're not appreciating it. Yeah, and you feel like, damn, 899 00:38:51,840 --> 00:38:53,520 Speaker 4: God gonna take it away from me because I don't appreciate. 900 00:38:53,520 --> 00:38:56,080 Speaker 4: It's not that I don't appreciate, it is this stress 901 00:38:56,160 --> 00:38:56,880 Speaker 4: that comes with it. 902 00:38:57,040 --> 00:38:59,319 Speaker 1: Nah, that's a fact. I mean Heavy is the head, bro, 903 00:39:00,080 --> 00:39:03,640 Speaker 1: he is the head. And yeah, Heavy is the head. 904 00:39:03,640 --> 00:39:05,399 Speaker 1: And so you gotta you know, if you ask for. 905 00:39:06,880 --> 00:39:09,279 Speaker 5: Well, great, you know, not the I was trying to 906 00:39:09,280 --> 00:39:11,400 Speaker 5: not the quote fucking stan Lee but you know, with 907 00:39:11,520 --> 00:39:14,600 Speaker 5: great power and platform come you know, great responsibility. And 908 00:39:14,640 --> 00:39:16,440 Speaker 5: so when you ask for massive things, you got to 909 00:39:16,480 --> 00:39:20,600 Speaker 5: be pause. You gotta be ready to deal what comes 910 00:39:20,640 --> 00:39:22,200 Speaker 5: with it. You know what I'm saying, be ready for 911 00:39:22,239 --> 00:39:23,279 Speaker 5: the responsibility of it. 912 00:39:23,440 --> 00:39:23,919 Speaker 1: So like. 913 00:39:25,880 --> 00:39:29,440 Speaker 4: Meaning that you can't have Quote's success, Yeah, without having 914 00:39:29,520 --> 00:39:31,160 Speaker 4: Cod's problems exactly. 915 00:39:31,840 --> 00:39:33,080 Speaker 1: And then he yeah, exactly. 916 00:39:33,280 --> 00:39:36,200 Speaker 2: Now you did post a picture of yourself. Yeah, you 917 00:39:36,239 --> 00:39:39,920 Speaker 2: put hashtag free Luigi. Yeah, people were mad mad at 918 00:39:39,960 --> 00:39:40,520 Speaker 2: you about that. 919 00:39:40,719 --> 00:39:43,239 Speaker 1: They are they assume the free Lui people. Who is 920 00:39:43,280 --> 00:39:48,000 Speaker 1: this target demographic of people? Because I didn't know that you. 921 00:39:50,680 --> 00:39:53,279 Speaker 2: Were mad at free Luigi because you know Luigi if 922 00:39:53,280 --> 00:39:54,280 Speaker 2: it's the same Luigi. 923 00:39:54,400 --> 00:39:55,200 Speaker 3: Yeah, we don't know. 924 00:39:55,480 --> 00:39:58,440 Speaker 2: He's the gentleman that killed the CEO of United Healthcare. 925 00:39:58,560 --> 00:40:00,719 Speaker 1: Yeah, I ain't know my nigga Luigi Ario brother was. 926 00:40:00,719 --> 00:40:02,359 Speaker 4: Locked up man. 927 00:40:02,760 --> 00:40:09,359 Speaker 5: Yeah yeah, okay, but uh AnyWho, But you know, I'm 928 00:40:09,360 --> 00:40:11,920 Speaker 5: just in a space now. Another big thing that I've like, 929 00:40:11,960 --> 00:40:15,239 Speaker 5: the like one crossroad I've gotten passed is like being 930 00:40:15,360 --> 00:40:18,720 Speaker 5: super I feel like because. 931 00:40:21,000 --> 00:40:22,400 Speaker 1: I said, I've done. 932 00:40:22,239 --> 00:40:24,399 Speaker 5: A lot of things that I wanted to do thus 933 00:40:24,440 --> 00:40:25,880 Speaker 5: far right, and I know it's so much more that 934 00:40:25,920 --> 00:40:26,360 Speaker 5: I gotta do. 935 00:40:26,400 --> 00:40:27,840 Speaker 1: I'm still on this journey. 936 00:40:27,880 --> 00:40:29,760 Speaker 5: If you look at all my albums, they all represent 937 00:40:29,880 --> 00:40:33,040 Speaker 5: a journey, from the Lost Boy to the crossroads. It's 938 00:40:33,040 --> 00:40:34,520 Speaker 5: all if you look at it, it's all a journey, 939 00:40:34,520 --> 00:40:35,680 Speaker 5: because that's kind of what life is. 940 00:40:35,760 --> 00:40:37,920 Speaker 1: Right. So, on this particular moment in my. 941 00:40:37,960 --> 00:40:40,160 Speaker 5: Journey, I felt as though in the past I've been 942 00:40:40,160 --> 00:40:43,520 Speaker 5: a little too like scared to be canceled for lack 943 00:40:43,560 --> 00:40:45,879 Speaker 5: of a better word, or fearful to say what I 944 00:40:45,960 --> 00:40:51,240 Speaker 5: really feel about certain shit, and because of like protecting 945 00:40:51,280 --> 00:40:53,160 Speaker 5: what I've built, you know what I'm saying, Like when 946 00:40:53,160 --> 00:40:56,520 Speaker 5: you build and saved up millions of dollars or like 947 00:40:56,600 --> 00:40:58,680 Speaker 5: you've you've built up a bunch of shit, right that 948 00:40:58,920 --> 00:41:01,960 Speaker 5: our brand or whatever the case, maybe a company business, 949 00:41:02,000 --> 00:41:05,720 Speaker 5: like you want to protect that, and sometimes protecting that causes. 950 00:41:05,360 --> 00:41:07,000 Speaker 1: Fear and you to move through fear. 951 00:41:07,320 --> 00:41:10,160 Speaker 5: So I've kind of entered into this space now of 952 00:41:10,280 --> 00:41:13,400 Speaker 5: like I'm a creative first, I'm an artist, ferst, and 953 00:41:13,440 --> 00:41:16,000 Speaker 5: I gotta just say what's on my mind. Like, you know, 954 00:41:16,080 --> 00:41:18,399 Speaker 5: don't be an idiot, you know what I'm saying, Don't 955 00:41:18,480 --> 00:41:21,200 Speaker 5: don't be dumb, you know, but like yo, don't be 956 00:41:21,320 --> 00:41:24,759 Speaker 5: as like politically correct and like scared to offend anybody 957 00:41:24,800 --> 00:41:26,799 Speaker 5: because you're just going to be bland if you're just like, oh, 958 00:41:26,800 --> 00:41:28,600 Speaker 5: I don't want to offend this person, or I don't 959 00:41:28,600 --> 00:41:30,239 Speaker 5: want to offend this person. I don't want to make 960 00:41:30,520 --> 00:41:32,439 Speaker 5: this person mad, you know what I'm saying to where 961 00:41:32,480 --> 00:41:35,759 Speaker 5: like I've been doing that hella like and my creative 962 00:41:36,080 --> 00:41:38,719 Speaker 5: and so I want to do that shit like yeah, 963 00:41:38,760 --> 00:41:39,879 Speaker 5: I just thought that shit was funny. 964 00:41:39,920 --> 00:41:42,840 Speaker 1: I mean, bro, you know he I don't want to 965 00:41:42,840 --> 00:41:46,160 Speaker 1: speak on that too much to no, no, no, not 966 00:41:46,200 --> 00:41:50,720 Speaker 1: that was funny. But I don't think he is a monster. 967 00:41:51,640 --> 00:41:53,279 Speaker 5: Like you know what I'm gonna say this, this is 968 00:41:53,360 --> 00:41:55,560 Speaker 5: this is gonna be my politically correct answer, but it's 969 00:41:55,600 --> 00:41:58,319 Speaker 5: also my authentic true self. So this is the I'm 970 00:41:58,320 --> 00:42:00,279 Speaker 5: not gonna say this is a medium, but authentically me 971 00:42:00,320 --> 00:42:04,840 Speaker 5: as an individual. I am not well researched enough on 972 00:42:05,800 --> 00:42:09,320 Speaker 5: the montrocities of the health care industry and what. 973 00:42:09,200 --> 00:42:11,160 Speaker 1: The guy that got killed had to do with it. 974 00:42:11,200 --> 00:42:15,160 Speaker 5: I just know that the American healthcare industry is fucked up. 975 00:42:15,360 --> 00:42:17,879 Speaker 5: So I don't want to speak on the assassination of 976 00:42:17,920 --> 00:42:22,200 Speaker 5: that particular individual without doing my proper research on what 977 00:42:22,520 --> 00:42:25,680 Speaker 5: that particular individual had to do with the overall scope 978 00:42:26,000 --> 00:42:29,880 Speaker 5: like the fucked up well you picked the side, you know, 979 00:42:30,239 --> 00:42:33,960 Speaker 5: free that nigga was. 980 00:42:34,360 --> 00:42:36,000 Speaker 4: Do you feel guilty on vacation? 981 00:42:36,239 --> 00:42:41,080 Speaker 5: We'll explain that, yeah, because yeah I do because not. Yeah, 982 00:42:41,120 --> 00:42:43,440 Speaker 5: it's just like you there and you're kind of thinking like, Okay, 983 00:42:43,440 --> 00:42:45,600 Speaker 5: what could I be doing? What else could I be doing? 984 00:42:45,719 --> 00:42:50,760 Speaker 5: Like working versus like you know, you know, just chilling. 985 00:42:50,800 --> 00:42:52,879 Speaker 5: But sometimes you gotta as an artist to you gotta 986 00:42:52,920 --> 00:42:54,600 Speaker 5: live life to have shit to talk about it. Else 987 00:42:54,640 --> 00:42:56,160 Speaker 5: you're just gonna talk about I'm in a studio all 988 00:42:56,239 --> 00:42:59,120 Speaker 5: day working nigga, grinding bars is life, you know what 989 00:42:59,120 --> 00:43:01,560 Speaker 5: I'm saying, Like, you got to live life to talk 990 00:43:01,600 --> 00:43:05,600 Speaker 5: about it. And so yeah, man, like again, this is 991 00:43:05,640 --> 00:43:09,080 Speaker 5: a This whole entertainment business is like a journey. 992 00:43:09,120 --> 00:43:09,759 Speaker 1: You know what I'm saying. 993 00:43:09,800 --> 00:43:12,200 Speaker 5: Like when you first started to where you're at has 994 00:43:12,239 --> 00:43:14,960 Speaker 5: been a level up, a journey, you know what I'm saying. 995 00:43:15,000 --> 00:43:15,919 Speaker 1: Same to all of y'all. 996 00:43:15,960 --> 00:43:19,759 Speaker 5: You know what I'm saying, And so I'm recognizing and 997 00:43:19,880 --> 00:43:22,440 Speaker 5: sometime that difficult point. It's all these self help books 998 00:43:22,480 --> 00:43:26,560 Speaker 5: about how to get from zero to one hundred, but 999 00:43:26,640 --> 00:43:28,480 Speaker 5: you kind of got to figure out yourself when you 1000 00:43:28,520 --> 00:43:32,399 Speaker 5: reach that first major milestone, a big goal about how 1001 00:43:32,400 --> 00:43:34,160 Speaker 5: to get to that next level. That's some shit you 1002 00:43:34,160 --> 00:43:38,120 Speaker 5: got to figure out, like through trial and error, through mentorship, 1003 00:43:38,560 --> 00:43:41,719 Speaker 5: through community, or through you know, fucking up and so like, 1004 00:43:41,719 --> 00:43:43,480 Speaker 5: like I said, like I'm super blessed, bro, I can 1005 00:43:43,520 --> 00:43:45,280 Speaker 5: acknowledge the fact that I'm super blessed. 1006 00:43:45,600 --> 00:43:48,880 Speaker 1: I thank God every day literally, but I still have 1007 00:43:48,920 --> 00:43:49,640 Speaker 1: a lot more to do. 1008 00:43:49,680 --> 00:43:51,600 Speaker 5: And I know the work that that takes, the dedication 1009 00:43:51,719 --> 00:43:54,520 Speaker 5: that that takes, and the thick skin that that takes. 1010 00:43:54,560 --> 00:43:54,799 Speaker 1: Pauls. 1011 00:43:54,920 --> 00:43:56,560 Speaker 4: A good book that you can get is the big 1012 00:43:56,640 --> 00:43:59,200 Speaker 4: Leap Okay, Conker, you're hitting Fear and Take Life to 1013 00:43:59,239 --> 00:44:03,200 Speaker 4: the Next Level by a Hendrix that's really his name, Okay, 1014 00:44:03,280 --> 00:44:06,399 Speaker 4: And it's a fantastic book. It's it's for people who 1015 00:44:06,440 --> 00:44:09,399 Speaker 4: are at one hundred who are looking to either stay 1016 00:44:09,440 --> 00:44:11,920 Speaker 4: there or get to that that next level. 1017 00:44:12,160 --> 00:44:15,200 Speaker 5: Well, see, that's why mentors are important, because I just said, 1018 00:44:15,239 --> 00:44:16,480 Speaker 5: there isn't a book that existed. 1019 00:44:16,480 --> 00:44:19,080 Speaker 4: And you know, it's funny. Quest Love put me onto 1020 00:44:19,080 --> 00:44:20,120 Speaker 4: that book a couple of years ago. 1021 00:44:20,480 --> 00:44:21,240 Speaker 1: You know it's funny. 1022 00:44:21,360 --> 00:44:24,520 Speaker 5: I was watching y'all interview with nip a couple of 1023 00:44:24,560 --> 00:44:30,040 Speaker 5: weeks ago, and yeah, r ip nip, and that had 1024 00:44:30,080 --> 00:44:32,359 Speaker 5: me pick up the way of this superior man, you 1025 00:44:32,440 --> 00:44:34,799 Speaker 5: know what I'm saying. So I've been reading that and 1026 00:44:35,440 --> 00:44:37,440 Speaker 5: why I bought the book. I read like four pages 1027 00:44:37,480 --> 00:44:40,480 Speaker 5: of it, don't you know whatever audio Yeah, yeah, Now 1028 00:44:40,960 --> 00:44:43,160 Speaker 5: I enjoyed reading because I like highlighting it to where 1029 00:44:43,239 --> 00:44:44,759 Speaker 5: like I like to go back to it and shit. 1030 00:44:44,840 --> 00:44:47,800 Speaker 1: But yeah no, so yeah, each one teach one, So 1031 00:44:47,880 --> 00:44:49,200 Speaker 1: thank you for that. I definitely picked that up. 1032 00:44:49,280 --> 00:44:51,319 Speaker 4: Another line, I'll never see it. You said you would 1033 00:44:51,360 --> 00:44:53,520 Speaker 4: never see me partying with the Michael Rubens. 1034 00:44:53,640 --> 00:44:56,520 Speaker 1: Yeah, why is that? So look, let me say this, right, 1035 00:44:57,280 --> 00:44:57,840 Speaker 1: he has this. 1036 00:44:58,080 --> 00:45:01,240 Speaker 5: It's crazy because he has this pro graham called Reform 1037 00:45:01,640 --> 00:45:04,839 Speaker 5: that actually got that that does amazing work, honestly, and 1038 00:45:04,880 --> 00:45:07,120 Speaker 5: it got a bunch of people out. It actually got 1039 00:45:07,160 --> 00:45:09,279 Speaker 5: like some of my closest friends out of jail, like 1040 00:45:09,320 --> 00:45:10,560 Speaker 5: straight up out of prison. 1041 00:45:10,400 --> 00:45:12,839 Speaker 1: Like got them on a pill. Like they do amazing work. 1042 00:45:13,280 --> 00:45:15,560 Speaker 5: Right, So I will want to start off by saying that, 1043 00:45:16,880 --> 00:45:19,040 Speaker 5: But I mean, bro, it's just going back to that 1044 00:45:19,120 --> 00:45:23,800 Speaker 5: place of me being a free creative in the studio. 1045 00:45:24,080 --> 00:45:26,200 Speaker 1: It's like, Yo, this ship just seem a little off, 1046 00:45:26,280 --> 00:45:27,920 Speaker 1: you know what I'm saying, But you know it's crazy. 1047 00:45:28,120 --> 00:45:30,600 Speaker 5: Actually I've never met that nigga before before I said 1048 00:45:30,640 --> 00:45:32,359 Speaker 5: that line one. 1049 00:45:34,320 --> 00:45:43,640 Speaker 1: You know what I mean? God, why are you picking me? Man? Damn? 1050 00:45:45,440 --> 00:45:47,799 Speaker 1: Oh my god? AnyWho you never met him before? 1051 00:45:47,920 --> 00:45:48,080 Speaker 4: Yeah? 1052 00:45:48,120 --> 00:45:50,279 Speaker 5: Yeah, so I never when I said that line in 1053 00:45:50,360 --> 00:45:52,759 Speaker 5: the like again, so going back to you fucking up 1054 00:45:52,800 --> 00:45:53,480 Speaker 5: my training throw. 1055 00:45:56,520 --> 00:45:59,040 Speaker 1: Damn, it is impossible for me to. 1056 00:45:59,600 --> 00:46:03,719 Speaker 5: So, so going back to my point earlier of like, 1057 00:46:03,760 --> 00:46:05,279 Speaker 5: I just want to be a free creative you know 1058 00:46:05,320 --> 00:46:06,680 Speaker 5: what I'm saying and say what I feel. If I 1059 00:46:06,719 --> 00:46:09,359 Speaker 5: think something that includes humor, you know what I'm saying. 1060 00:46:09,400 --> 00:46:12,719 Speaker 5: Some of my favorite rappers had like social commentary through 1061 00:46:12,800 --> 00:46:15,160 Speaker 5: humor and so like, I've always done that since the 1062 00:46:15,239 --> 00:46:17,600 Speaker 5: very beginning, but when I got lit and shit to lose, 1063 00:46:17,640 --> 00:46:19,080 Speaker 5: I stopped doing it as much because I didn't want 1064 00:46:19,080 --> 00:46:20,600 Speaker 5: to burn bridges, you know what I'm saying. And so 1065 00:46:20,880 --> 00:46:22,600 Speaker 5: I say this to say if we all it's just 1066 00:46:22,640 --> 00:46:24,960 Speaker 5: me fucking joking. I see some shit online behind the 1067 00:46:24,960 --> 00:46:26,920 Speaker 5: back hugs, I'm like, Yo, that shit is crazy, nigga 1068 00:46:27,280 --> 00:46:30,440 Speaker 5: want see me doing that? And so funny enough, and 1069 00:46:30,480 --> 00:46:33,319 Speaker 5: again acknowledging I did want to acknowledge he has this 1070 00:46:33,360 --> 00:46:35,239 Speaker 5: program called Reform that does amazing thing. 1071 00:46:35,320 --> 00:46:36,839 Speaker 1: Right, So when I said that line, I have never 1072 00:46:36,880 --> 00:46:38,160 Speaker 1: met this nigga, Damn my life. 1073 00:46:38,680 --> 00:46:41,040 Speaker 5: One week after that song come out, I meet this 1074 00:46:41,120 --> 00:46:46,120 Speaker 5: nigga and he's hella cool at a commander's game. 1075 00:46:47,200 --> 00:46:48,680 Speaker 1: Huh, he hugged you. 1076 00:46:48,960 --> 00:46:51,080 Speaker 4: I ain't stay behind. I just said, did he hug you? 1077 00:46:51,960 --> 00:46:52,160 Speaker 1: Man? 1078 00:46:52,239 --> 00:46:54,520 Speaker 5: Look that I said what I said, idapped him up. 1079 00:46:54,600 --> 00:46:57,399 Speaker 5: He Hell, He's actually hella fucking cool. And like I said, 1080 00:46:57,400 --> 00:47:01,239 Speaker 5: the work he does with Reform is amazing, and so 1081 00:47:01,400 --> 00:47:03,680 Speaker 5: I think as an artist, I can acknowledge that he 1082 00:47:03,680 --> 00:47:09,399 Speaker 5: does amazing his his his program charity Reform, and I'm 1083 00:47:09,400 --> 00:47:11,319 Speaker 5: sure he does a bunch of other amazing ship for 1084 00:47:11,400 --> 00:47:12,879 Speaker 5: community is great. 1085 00:47:12,920 --> 00:47:14,800 Speaker 1: But then also, yo, nigga, that shit is funny. You 1086 00:47:14,800 --> 00:47:17,920 Speaker 1: know what I'm saying. I just no, fuck no. 1087 00:47:18,400 --> 00:47:20,399 Speaker 4: And he's put a lot of money in black black 1088 00:47:20,440 --> 00:47:23,400 Speaker 4: people's pockets. I just had I had an interesting conversation 1089 00:47:23,480 --> 00:47:26,080 Speaker 4: with a little baby recently and he was talking about that, 1090 00:47:26,640 --> 00:47:29,399 Speaker 4: and I think that, you know, sometimes people just really 1091 00:47:29,440 --> 00:47:30,640 Speaker 4: go with the information. 1092 00:47:30,320 --> 00:47:34,040 Speaker 5: Is yeah, no exactly, And he's he's one who who 1093 00:47:34,120 --> 00:47:36,480 Speaker 5: shit is sent from even like, I only met this 1094 00:47:36,560 --> 00:47:38,520 Speaker 5: dude one time and he was like, like I again, 1095 00:47:38,560 --> 00:47:40,440 Speaker 5: I felt kind of bad after meeting because you know, 1096 00:47:40,480 --> 00:47:42,760 Speaker 5: when you see ship online, he's just like, I'm making 1097 00:47:42,760 --> 00:47:44,640 Speaker 5: fun of it. But then when you actually meet the person, 1098 00:47:44,640 --> 00:47:48,240 Speaker 5: they become a real person and so which is also 1099 00:47:48,280 --> 00:47:50,360 Speaker 5: what fans think of fucking artists. So you know what 1100 00:47:50,360 --> 00:47:52,480 Speaker 5: I'm saying, It's like the duality of it. So uh not, 1101 00:47:52,640 --> 00:47:54,120 Speaker 5: I met him and he became a real person. But 1102 00:47:54,160 --> 00:47:55,960 Speaker 5: like when I met him, I'm like, oh, wow, you're 1103 00:47:55,960 --> 00:47:58,319 Speaker 5: like you're really You're the complete opposite of what I 1104 00:47:58,320 --> 00:48:02,760 Speaker 5: thought you were, like your cool? Yeah yeah yeah, So 1105 00:48:02,760 --> 00:48:03,960 Speaker 5: so you would go to one of his parties? 1106 00:48:04,000 --> 00:48:06,080 Speaker 1: No, I can't. Now, I still I can't. 1107 00:48:06,120 --> 00:48:09,439 Speaker 4: I still can't be advice Naomi, but not you, then 1108 00:48:09,480 --> 00:48:10,960 Speaker 4: she I don't know. 1109 00:48:15,239 --> 00:48:17,880 Speaker 6: I don't know if I commit any crimes I'm committing 1110 00:48:17,920 --> 00:48:19,320 Speaker 6: with this talk about it. 1111 00:48:19,640 --> 00:48:21,239 Speaker 1: He might rap about it, but he ain't gonna talk 1112 00:48:21,239 --> 00:48:25,680 Speaker 1: about it. Yeah that's funny. That's worse now rapping about 1113 00:48:25,680 --> 00:48:26,960 Speaker 1: it and talking about it. 1114 00:48:29,440 --> 00:48:33,319 Speaker 7: No, I didn't know, Okay, yeah, no, we have to 1115 00:48:33,640 --> 00:48:34,600 Speaker 7: he was dating a white woman. 1116 00:48:34,880 --> 00:48:38,960 Speaker 1: No, never in life, never in life. But not to 1117 00:48:39,000 --> 00:48:40,240 Speaker 1: say there's anything wrong. 1118 00:48:41,560 --> 00:48:41,759 Speaker 4: Ship. 1119 00:48:41,800 --> 00:48:44,080 Speaker 5: I'm just saying I wouldn't do that, you know whatever. 1120 00:48:44,160 --> 00:48:46,399 Speaker 5: But what what niggas do with, you know, their time 1121 00:48:46,520 --> 00:48:47,040 Speaker 5: is what they do. 1122 00:48:47,480 --> 00:48:51,759 Speaker 4: I remember when I made some comments up here about NAILM. 1123 00:48:51,960 --> 00:48:53,759 Speaker 4: He did, yeah what. 1124 00:48:56,080 --> 00:48:58,719 Speaker 1: I don't know, but I was getting his number because he. 1125 00:48:58,640 --> 00:49:00,840 Speaker 4: Wanted her to play for her national team or something 1126 00:49:00,880 --> 00:49:04,480 Speaker 4: like that. It was something like that, like. 1127 00:49:05,520 --> 00:49:07,920 Speaker 6: He turned into ice Kid. 1128 00:49:08,440 --> 00:49:11,080 Speaker 5: I would if he's just missing form, he just doesn't 1129 00:49:11,080 --> 00:49:11,880 Speaker 5: have all the information. 1130 00:49:12,000 --> 00:49:12,239 Speaker 1: We don't. 1131 00:49:12,320 --> 00:49:14,239 Speaker 5: Let's not pull it up. Okay, let's not pull it up. 1132 00:49:14,520 --> 00:49:18,279 Speaker 5: I know this is crazy. What fucking this is the same. 1133 00:49:21,440 --> 00:49:24,400 Speaker 4: Man. Sorry, there's a lot of great history that has 1134 00:49:24,400 --> 00:49:24,880 Speaker 4: happened on that. 1135 00:49:25,000 --> 00:49:29,040 Speaker 5: Yeah, nigga, I had to take He's on this ship 1136 00:49:29,040 --> 00:49:30,600 Speaker 5: and y'all still using this ship. 1137 00:49:30,680 --> 00:49:33,640 Speaker 1: Man, y'all should be a fucking shame to y'allself. I know, y'all, 1138 00:49:33,719 --> 00:49:36,560 Speaker 1: I got yeah, I know ship Yeah yeah yeah. 1139 00:49:36,440 --> 00:49:39,120 Speaker 4: Yeah yeah yeah classic like an MP. 1140 00:49:40,760 --> 00:49:45,760 Speaker 5: Yeah yeah yeah, okay, man, But so I had this idea. 1141 00:49:45,960 --> 00:49:48,440 Speaker 5: So I wasn't aware of that, but he probably just 1142 00:49:48,680 --> 00:49:51,520 Speaker 5: was missing formed. But I had this idea of having 1143 00:49:51,560 --> 00:49:55,200 Speaker 5: him in a music video, and yeah that I had 1144 00:49:55,200 --> 00:49:55,960 Speaker 5: this idea. 1145 00:49:55,680 --> 00:49:58,040 Speaker 1: Of me having him in the music like yeah, yeah, yeah, 1146 00:49:58,040 --> 00:49:58,440 Speaker 1: so that's what. 1147 00:49:58,480 --> 00:50:02,319 Speaker 5: But man, look, you know I got to see what 1148 00:50:02,360 --> 00:50:06,560 Speaker 5: he said, but you know, yeah, but I I agree 1149 00:50:06,600 --> 00:50:07,320 Speaker 5: with a lot of ship. 1150 00:50:07,480 --> 00:50:10,200 Speaker 1: You know that I said, like, oh. 1151 00:50:10,120 --> 00:50:13,120 Speaker 4: Yeah, he was talking about representing representing Japan in the Olympics. 1152 00:50:13,120 --> 00:50:13,960 Speaker 4: That's what we want to hear it? 1153 00:50:15,080 --> 00:50:17,680 Speaker 1: God, he want the. 1154 00:50:17,680 --> 00:50:23,600 Speaker 5: Producers just texting to me, these niggas are messy, just like, yeah, 1155 00:50:23,680 --> 00:50:24,719 Speaker 5: see how play? 1156 00:50:24,760 --> 00:50:25,319 Speaker 1: I am right. 1157 00:50:25,400 --> 00:50:30,680 Speaker 5: I not only took the laptop, I switched market. 1158 00:50:32,280 --> 00:50:34,359 Speaker 4: Who is phoeney put me onto What that means? 1159 00:50:34,640 --> 00:50:37,640 Speaker 5: Oh that's shy feeny, that's oh yeah, yeah. 1160 00:50:37,760 --> 00:50:38,480 Speaker 1: Got yeah. 1161 00:50:38,520 --> 00:50:40,040 Speaker 4: Gott Produces sent him that one. 1162 00:50:40,360 --> 00:50:46,680 Speaker 1: Yeah, producer was probably a white man. Huh. That would 1163 00:50:46,680 --> 00:50:47,440 Speaker 1: be a damn shame. 1164 00:50:48,680 --> 00:50:50,160 Speaker 4: You think doctor would come up here so much if 1165 00:50:50,160 --> 00:50:51,080 Speaker 4: we had white producers. 1166 00:50:51,280 --> 00:50:52,160 Speaker 1: I got white camera. 1167 00:50:52,200 --> 00:50:53,320 Speaker 4: Man, he's not white. 1168 00:50:53,480 --> 00:50:54,839 Speaker 1: I'm joking. I'm sorry. He is white. 1169 00:50:55,120 --> 00:50:59,040 Speaker 4: He's not, but he italianis white. That's a different cause 1170 00:50:59,080 --> 00:50:59,759 Speaker 4: it's like off white. 1171 00:50:59,800 --> 00:51:07,000 Speaker 1: My yeah, yeah, not that it matters, not that you 1172 00:51:07,080 --> 00:51:13,359 Speaker 1: know what I'm saying. We love we all I. 1173 00:51:13,320 --> 00:51:15,719 Speaker 5: Got Look man, I got I got a lot of 1174 00:51:15,719 --> 00:51:17,480 Speaker 5: white cord fans, and I love all of them. 1175 00:51:17,560 --> 00:51:18,759 Speaker 1: You know what I'm saying. I got a lot of 1176 00:51:18,800 --> 00:51:21,080 Speaker 1: love for you know, everybody on earth. 1177 00:51:21,239 --> 00:51:27,759 Speaker 4: You know, I do have one last question. God, yeah, 1178 00:51:27,800 --> 00:51:30,640 Speaker 4: I'm just fantastic. This is just a personal let's leave 1179 00:51:30,680 --> 00:51:32,880 Speaker 4: on that not you go ahead as a man. What 1180 00:51:33,000 --> 00:51:36,200 Speaker 4: did you do to help your lady get through her postpartum? 1181 00:51:37,920 --> 00:51:40,120 Speaker 1: Hmmm? Oh my god. 1182 00:51:41,800 --> 00:51:43,200 Speaker 4: Men, you don't got to get a personal with her. 1183 00:51:43,280 --> 00:51:45,400 Speaker 4: Just what the men? What's your men doing? I got 1184 00:51:45,440 --> 00:51:48,280 Speaker 4: four daughters. What's your men do in that situation? Especially 1185 00:51:48,320 --> 00:51:50,240 Speaker 4: young men that are quarter life crisis? 1186 00:51:50,400 --> 00:51:54,239 Speaker 1: Yeah? Yeah, I will say, I don't know. I want. 1187 00:51:54,239 --> 00:51:56,000 Speaker 5: I don't want to act like I'm the perfect person 1188 00:51:56,120 --> 00:51:59,080 Speaker 5: and be given advice. So I'm the perfect example of 1189 00:51:59,120 --> 00:52:03,279 Speaker 5: what to do. It's just be as present as you 1190 00:52:03,400 --> 00:52:08,040 Speaker 5: can and be as understanding as you can, and. 1191 00:52:09,360 --> 00:52:11,280 Speaker 1: Be a man nigga. You know what I'm saying. 1192 00:52:12,440 --> 00:52:18,839 Speaker 5: Yeah, yeah, yeah, be understanding, be as understanding and yeah, 1193 00:52:18,840 --> 00:52:20,480 Speaker 5: and be as present as you possibly can. 1194 00:52:20,600 --> 00:52:22,560 Speaker 3: You know, Well, let's listen to something that what you 1195 00:52:22,560 --> 00:52:23,239 Speaker 3: would help out? 1196 00:52:23,520 --> 00:52:25,439 Speaker 1: Man, I don't know, manturday more. 1197 00:52:27,080 --> 00:52:27,719 Speaker 4: Wave, let's do that. 1198 00:52:27,960 --> 00:52:32,399 Speaker 1: Oh my god, this is crazy wave. Yeah. 1199 00:52:32,440 --> 00:52:35,239 Speaker 4: No, people misunderstood that line. I think, what is that 1200 00:52:35,320 --> 00:52:38,120 Speaker 4: a misunderstand I'm dealing with a lot of problems. I 1201 00:52:38,120 --> 00:52:40,000 Speaker 4: don't know if y' all can relate feeling like road wave. 1202 00:52:40,000 --> 00:52:44,799 Speaker 4: I got a lot on my plate saying a lot 1203 00:52:44,840 --> 00:52:45,880 Speaker 4: of responsibilities. 1204 00:52:46,719 --> 00:52:53,279 Speaker 1: Yo yo, what color air forces this? 1205 00:52:55,760 --> 00:52:58,440 Speaker 5: I mean, but that goes back to like my like 1206 00:52:59,360 --> 00:53:01,879 Speaker 5: freedom as and not like me expressing like my sense 1207 00:53:01,920 --> 00:53:03,319 Speaker 5: of human and my freedom. 1208 00:53:03,000 --> 00:53:04,120 Speaker 1: As like this is hip. 1209 00:53:05,080 --> 00:53:07,200 Speaker 5: Yeah it is so, I say to say, that goes 1210 00:53:07,239 --> 00:53:09,640 Speaker 5: back to the point I made earlier, like me just 1211 00:53:09,640 --> 00:53:12,160 Speaker 5: being as free as I possibly can versus me like 1212 00:53:12,520 --> 00:53:15,000 Speaker 5: worrying about what people think. But I mean, bro makes 1213 00:53:15,040 --> 00:53:17,720 Speaker 5: dope music obvious, you know what I'm saying, great artists. 1214 00:53:17,760 --> 00:53:19,920 Speaker 6: So yeah, yeah, he was saying like he just always 1215 00:53:19,920 --> 00:53:21,120 Speaker 6: stressed out about some ship. 1216 00:53:21,600 --> 00:53:24,080 Speaker 1: I think the bar is like my I don't want 1217 00:53:24,120 --> 00:53:24,719 Speaker 1: to do this to you. 1218 00:53:24,840 --> 00:53:24,960 Speaker 4: Ja. 1219 00:53:25,080 --> 00:53:27,640 Speaker 1: It's like yeah, it's like it's it's there, It's there, 1220 00:53:28,160 --> 00:53:29,480 Speaker 1: very is there, and I. 1221 00:53:29,520 --> 00:53:33,000 Speaker 2: Leave now please my time time. 1222 00:53:33,719 --> 00:53:38,520 Speaker 1: He's so funny there. All jo side is dope. 1223 00:53:38,520 --> 00:53:42,040 Speaker 4: I've always thought was dope. One of the ones when 1224 00:53:42,239 --> 00:53:46,040 Speaker 4: we was having this conversation recently was playing she was 1225 00:53:46,040 --> 00:53:47,840 Speaker 4: doing path played he was supposed to come. 1226 00:53:47,880 --> 00:53:49,040 Speaker 2: That he was I think he was like a buffer. 1227 00:53:49,040 --> 00:53:50,520 Speaker 2: He's supposed to come, and were talking about it before 1228 00:53:50,520 --> 00:53:51,600 Speaker 2: he got here, but he canceled on it. 1229 00:53:51,680 --> 00:53:53,600 Speaker 4: And I was just talking about like like the new 1230 00:53:53,640 --> 00:53:55,320 Speaker 4: big three. I don't see Big three, but like this 1231 00:53:55,760 --> 00:53:59,040 Speaker 4: new era of artists. Yeah, because you know Kendrick and 1232 00:53:59,120 --> 00:54:02,120 Speaker 4: Cole and Drake, the last generation. Yeah, for this generation, 1233 00:54:02,200 --> 00:54:03,960 Speaker 4: I feel like you got to put your your name 1234 00:54:04,000 --> 00:54:05,520 Speaker 4: in there personally. 1235 00:54:05,640 --> 00:54:08,640 Speaker 5: Nah, yeah, it's there for sure. I appreciate that absolutely. 1236 00:54:08,719 --> 00:54:11,000 Speaker 5: That doesn't warrant all the ship he's done before. But 1237 00:54:11,040 --> 00:54:14,400 Speaker 5: now I'm fucking with you. Thank you, bro, and I'm glad, Yo, 1238 00:54:14,560 --> 00:54:15,600 Speaker 5: this is this is great. 1239 00:54:15,840 --> 00:54:19,560 Speaker 1: I had honestly, despite the jokes, I had a good 1240 00:54:19,560 --> 00:54:21,400 Speaker 1: time on here. So thank you all for having me. 1241 00:54:21,480 --> 00:54:21,680 Speaker 4: Man. 1242 00:54:22,160 --> 00:54:23,160 Speaker 1: No, no, I'm gonna come back. 1243 00:54:23,200 --> 00:54:26,040 Speaker 2: Man, I'm always a roadway's plate talking about gay years. 1244 00:54:26,080 --> 00:54:27,000 Speaker 3: He's like, nah, I'm good. 1245 00:54:27,360 --> 00:54:28,200 Speaker 1: Oh my god. 1246 00:54:28,520 --> 00:54:30,360 Speaker 4: The crossroads out now, yeah, I know. 1247 00:54:30,480 --> 00:54:31,680 Speaker 3: Let's get it to the joint right now. 1248 00:54:31,680 --> 00:54:32,520 Speaker 1: It's the breakfast Club. 1249 00:54:32,560 --> 00:54:33,640 Speaker 3: Good morning, score there, y'all. 1250 00:54:33,640 --> 00:54:37,080 Speaker 1: Good morning, y'all. Wake that ass up in the morning. 1251 00:54:37,400 --> 00:54:38,240 Speaker 1: Breakfast Club